Johnny Kapahala: Back on Board (2007)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

Generally, if Disney Channel choose to make a sequel to one of their Disney Channel Original Movies, this sequel would make its way to screens within a year or two of the original. This happened with most of their franchises, like High School Musical, Descendants, and ZOMBIES, although their spin-offs or reboots did not quite fit this timeline.

Waiting eight years to make a sequel to the 10th official DCOM which premiered in the 1990s is an odd decision. But this was the case with Johnny Tsunami (1999), a sports movie that looked at the worlds of snowboarding and surfing, set in Vermont and Hawaii.

What was Disney Channel thinking? That’s not to say that Johnny Tsunami wasn’t popular because it was, or at least it is still remembered even today, over two decades on. However, you have to consider the age of the Disney Channel viewers who would’ve watched Johnny Tsunami on its premiere date and would be considered to be the film’s fans. Many of them would’ve been early teens, or a little bit younger, to match the age of the main characters, so add eight years to, let’s say, the age of 11 and you’re assuming that these young adults are going to be switching Disney Channel back on to watch a sequel to their childhood favourite television movie. What are the odds of that?

All I know about Johnny Kapahala: Back on Board is that it came to Disney Channel in the same year that we were getting High School Musical 2 (2007). That was the film event of the year, not Johnny Kapahala: Back on Board, which was a sequel to a film I’d never watched and barely even heard of. I simply did not care, and actually did not appreciate the amount of advertising that Disney Channel was pushing on their viewers for this film.  

Disney Channel had worked out by the mid-2000s, thanks to High School Musical (2006), that their best chance of success with their original movies was to go down the musical route, and pepper in a couple of non-musicals around them, but ensuring these were fronted by some of their most famous actors at the time, people like Selena Gomez or Corbin Bleu. Johnny Kapahala: Back on Board simply did not suit Disney Channel’s new movie formula by not fitting either of these criteria.

All this just set Johnny Kapahala: Back on Board up to fail with Disney Channel’s new audience, and probably did not introduce many to its predecessor or to its new choice of sport: dirtboarding. Hardly as exotic or cool as snowboarding or surfing, is it?

PLOT

Johnny Kapahala: Back on Board begins with a brief recap of the original film. Thirteen-year-old Johnny was forced to move away from his surfing life in Hawaii with his grandpa, legendary surfer Johnny Tsunami, to go to Vermont with his parents, where he later took up snowboarding. We then see Johnny standing at the top of a mountain, looking about four years older, snowboard attached to his feet, ready to slide down, however, he falls, toppling down into the sea below, where he starts surfing, before wiping out.

This turns out to have all been a dream, as Johnny wakes up in the back of the car, where his parents are driving them back to Hawaii for Johnny Tsunami’s upcoming wedding. Johnny’s parents tell Johnny that they’ll be heading into the city for a couple of days, leaving Johnny to go to his grandpa’s house alone. Johnny gets a ride there with his friend Sam. Johnny met Sam in Vermont when he first moved there, but Sam later moved to Iceland for his father’s work, as Sam’s father is in the US military. They recently transferred to Hawaii.

Johnny arrives at his grandfather’s house but he’s not home. Johnny goes to his old room, and finds it full of someone else’s stuff. Weird. Johnny heads to the beach to find his grandpa. There, he sees a young boy shouting at Johnny Tsunami and storming off, after a surfing lesson doesn’t go to plan. Johnny assumes his grandpa must be teaching kids how to surf now. Johnny goes over to his grandpa and they catch up, with Johnny Tsunami showing off his new shorter hair style.

At dinner that evening, Johnny is introduced to his grandfather’s wife-to-be Carla. She has a son called Chris, making him technically Johnny’s uncle. She explains that the house she is renting is too small for both her and Chris, so Chris is staying at Johnny Tsunami’s house, and that is why there is stuff in his old room. At that moment, Chris arrives, but he has no interest in sitting with them for dinner. Chris turns out to be the kid Johnny saw surfing with his grandpa earlier. Johnny is shocked to find his uncle is so young. Chris heads to his room and refuses to talk to him.

The next day, Johnny Tsunami shows Johnny a retail space that he is doing up with Carla so they can open a surf shop together. This was Carla’s father shop, and when he passed away, it was left to her, so she wants to reopen it. As Carla and Johnny Tsunami set about working on the store, Johnny is told to keep an eye on Chris so they can keep working. Johnny sees Chris hanging out with a group of older dirtboarders, or mountainboarders, basically like off-road skateboarding. This group is called the Dirt Devils and Chris desperately wants to be a part of their team. Johnny introduces himself to some of the group, like Val, the only girl member; Jared, the team captain; and Troy, the owner of the Dirt Devils board store. Johnny is invited in to tour the store and given a board by Troy, so he can head out with the others. Chris and Johnny go with the Dirt Devils to a restricted area.

Johnny tries to keep up with the group but finds dirtboarding a little bit different to snowboarding, ending up face planting in the dirt! Chris complains that he isn’t a member of the Dirt Devils yet and asks what he can do. Jared and his friends tell Chris he’d have to impress Troy by doing some impressive stunt to get on the team. Chris says he’s willing to do that, and goes to the edge of a steep slope. Johnny tries to warn Chris about doing this, but he’s all ready to go. Luckily, the police arrive before Chris can risk his life and the Dirt Devils scatter, leaving Johnny and Chris to be taken home by the police.

At Johnny Tsunami’s house, the police tell Johnny Tsunami and Carla that Chris and Johnny were caught trespassing, with this being Chris’s second warning. If he does this again, he could end up in front of a judge facing a harsher punishment. Johnny Tsunami and Carla talk to the boys about the incident. Johnny Tsunami reiterates that punishment isn’t really his thing but knowing the seriousness of this, he and Chris’s mother have agreed to take Chris’s dirtboard away. Chris is furious. Johnny apologises to his grandpa for the trouble they’ve caused. Johnny’s grandpa then tells Johnny that Carla needs to get the surf shop open soon or they risk losing a lot of money. He asks Johnny to keep Chris out of trouble until Saturday so they can simply concentrate on the store. Johnny says he’ll do it.

Johnny and Sam take Chris to the surf store the next morning so they can help get the shop stocked and in order. He goes to ask Johnny Tsunami what they need to be doing, but when he goes to find him, he sees his grandpa in a suit and heading to a meeting. He’s never seen his grandpa look like that before! Johnny returns to the store and shortly after that, his parents arrive. They tell Johnny and Sam to leave them to it and to go and have some fun. They plan to go surfing but as they head outside, they see Chris getting into a van with the Dirt Devils. Johnny knows they’ll have to follow them.

Eventually, they arrive at the dockyard, where a course has been set up. Johnny reminds Chris that he’s been banned from dirtboarding by his mother, with Chris saying this is just skateboarding. What a loophole. Johnny sees that Troy is teasing Chris with the potential of getting on to the Dirt Devils team, making Chris do anything to make that happen. Johnny doesn’t like that at all. So, Sam tells Johnny that they should get involved. They both do the course, with their snowboarding skills apparently helping them, and the Dirt Devils are impressed. This upsets Chris who leaves the dockyard, with Johnny and Sam having to find him and take him back home. At home, Chris runs to his room, upset. Chris is very annoyed at Johnny for getting the Dirt Devils to like him better. Johnny can’t get Chris to see sense, and tells his grandfather that he simply can’t deal with Chris anymore. His grandfather says he’ll look after Chris tomorrow to give Johnny a break.

The following day, Val, from the Dirt Devils, sees Johnny tying a surfboard to his car, and tells him all about her bad experience of surfing when she lived in California. Johnny offers to teach her how to surf. They spend the day together, surfing, with Val giving Johnny her number by the end of it. Johnny wonders if he can get Val to help him with Chris.

Johnny tells Sam that he is determined to get on with Chris, so they come up with a plan. They wake Chris up with really loud music and film it, using the video to blackmail Chris into spending the day with them, saying that if he doesn’t, then they’ll show the embarrassing video to the Dirt Devils. Chris begrudgingly agrees to go with them. They go to Val’s house, seeing that she lives in a huge house, thanks to her property/business owner father. Val shows them her dirt bike collection, that she got as a Sweet 16 gift. Johnny tells Chris that he has been allowed to go dirtboarding again, so the four head out on the bikes to go and board together. Johnny and Sam see that Chris is actually a really good boarder, and he teaches the other two how to do some impressive tricks. At the end of the day, they meet Val’s father, and Johnny sees this is the person his grandpa was meeting with the other day.

Back at the shop, Carla speaks to Johnny’s mother about how difficult Chris is being this week with the wedding coming up, but she is pleased to see that the surf shop is nearly ready. Johnny Tsunami also shows everyone that he has ordered a few things for dirtboarding, to try and get Chris on side. Troy from the Dirt Devils hears that Johnny Tsunami’s new store might be in direct competition with his by supplying some of the same gear. Troy tells Jared to spy on them, to see what they’re selling. Jared goes into the shop and takes an invoice, proving that Johnny Tsunami has been buying dirtboarding equipment. He is almost rumbled by Carla; however, she assumes Jared is just looking for Chris. She tells Jared he isn’t here, and he leaves, bringing the evidence he found to Troy.

Troy goes to the store himself, and brings this up with Johnny Tsunami. Johnny Tsunami tries to say the dirtboarding stuff will only be a small proportion of what they sell, but reminding Troy that a little healthy competition is fine. Troy says it definitely isn’t and warns Chris to stay aware from the Dirt Devils from now on. This only makes Chris even angrier with Johnny Tsunami, blaming him for ruining his chances of joining the team. Carla says Chris should move out of Johnny Tsunami’s house for a bit, to give everyone some space.

The next day, Carla tells Johnny and his family that Chris has gone missing. At the same time, they learn that Val has been kicked out of the Dirt Devils by Troy, for fraternising with the “competition”. She tells Johnny they were heading to a boarding event, which she has a ticket for, but was not allowed in the van with the others. She says Chris had a ticket too, so Sam and Johnny drive her to the event, believing Chris would be there. They look around but can’t see him. Johnny Tsunami calls Johnny. As Johnny is about to say they’ve had no luck finding Chris, Johnny hears and sees Chris arguing with Jared. They go over to him, and hear that Chris wants to challenge Jared to a race, so he can join the group, which Troy has now arranged potential sponsorship for. Jared says Chris can do a jump tomorrow, at 3pm, to prove his worth to the Dirt Devils. Johnny tries to talk Chris out of the jump, but he won’t listen. Chris is still angry and unwilling to accept his new family. Johnny basically tells Chris to stop being a brat, and just wish for his mother to be happy. It doesn’t work.

It is soon tomorrow and the family set up for the wedding rehearsal dinner. Chris promises Carla that he’ll be good today, and Johnny has said to Chris he won’t be doing the jump because he needs to focus on this dinner. Johnny is asked by his mother to go into town to buy some things, and Chris offers to come too. Johnny is a little suspicious but lets Chris come with him. When they arrive in town, Chris says he needs to go to the toilet, but sneaks away with his dirtboard, heading off to do the jump. Johnny waits in line at the store, wondering where Chris is. He goes to investigate and sees that Chris has run off. Johnny goes to get in his car to follow him, but finds he has a flat tyre, something Chris has caused. He calls Val to get him to take them to the jump, assuming Chris has gone there.

Sure enough, Chris is at the jump with Jared and some of the other Dirt Devils. Johnny and Val try to call to him to stop him doing the dangerous jump. Chris doesn’t listen, and ends up falling afterwards, hurting his arm. Val goes for help. Later, Johnny is told off by his father for not looking after Chris. The rehearsal dinner has had to be cancelled whilst Carla and Johnny Tsunami take Chris to the hospital. He returns with a fractured arm. The police then arrive, telling them that the surf shop, which was meant to open the next day, has been totally trashed. At the scene, they see that Jared has been caught with the boards and wheels from the store and has been arrested. Troy comes over and pretends not to know what went on. He also tells Chris that he heard about the jump and is letting him be a Dirt Devil at last. Johnny says that Chris won’t be joining, making Chris lash out at everyone again. Back at home, Chris overhears his mother talking to Johnny Tsunami. She says staying in Hawaii was a mistake and that Chris is not happy here, thinking it would be best if they just moved back to Philadelphia.

The next day, Johnny meets up with his grandpa, who is rightly upset that his fiancée is thinking of moving back home, effectively ending their relationship. Johnny says they can fix the situation, and calls Val, knowing Chris will listen to Val, as he has a bit of a crush on her. She tells Chris not to be a loser like Jared and the other Dirt Devils, and to accept that Johnny is the best big brother figure he’ll ever have, so to stop ruining things for everyone in the family. Chris makes amends with Johnny and says that he should’ve listened to him earlier, but doesn’t know how to fix things now. Johnny has a few ideas.

Johnny Tsunami gets a call from Johnny, telling him and Carla to go to the shop. They see that Johnny, Chris, Sam, and Val have fixed up the shop so it is ready to open. Chris then tells his mum they should stay in Hawaii. The shop has its grand opening and is a huge success. Across the street, they all see Troy arguing with Val’s father about a business contract. It turns out Troy wanted Val’s father to buy his store so he could return to California. This meant that he had no intention of letting Chris be a Dirt Devil, or even had any plans to help the team. It was all lies. Val had told her father not to trust Troy, and that is why the deal fell through. Troy vows revenge on Johnny Tsunami and the family, so Johnny challenges Troy to a race. If Troy wins, their new store will no longer sell boards, and if Johnny wins, then they can sell whatever they want. Val’s dad says he’ll set up the course.

A little while later, the course is set up, intending to be a permanent location where boarders can go, and Chris gives Johnny some tips on the course. The rules of the race are revealed: that they will each have to do three tricks and finish first to win. The race is given the go-ahead, and Johnny and Troy race, each taking the lead at different points. Troy even slides into Johnny to knock him down and makes him fall behind. But at the last trick, Troy falls, giving Johnny the chance to finish first – and he does, although he ends up crashing into the hay bales cushioning the finish line! Troy is arrested at the end of the race, as Jared admitted that Troy had told him to trash the store, knowing that the store would be empty as Chris had told them that the family would be at the rehearsal dinner that night.

As the family are about to leave the course, Carla and Johnny Tsunami decide to stick to their original plan and get married that day. The ceremony is beautiful and the family, even Chris, have started to get along. The film ends with Johnny and Johnny Tsunami surfing together. They return to the beach to find Chris watching them, continuing to say that surfing is “no big deal”! They walk down the beach together, teasing each other.

CHARACTERS & CAST

Johnny Kapahala, now 17 years old, continues to be his relaxed self, not sweating the small stuff. Johnny is glad to be back in Hawaii, even if it is in slightly odd circumstances. Sure, Johnny is happy to see his grandpa getting married, but it is a bit weird that Johnny has to basically babysit his grandpa’s fiancée’s twelve-year-old son Chris, who is bratty and moody, not liking Johnny at all to begin with. Johnny tries to keep his family together, whilst dealing with Chris’s outbursts and disregard for his own safety. Johnny tries everything to get Chris to warm to him and keep him safe, but to no avail. Luckily, when Chris starts to realise the error of his ways, Johnny is on hand to help him make amends with Johnny’s grandfather, by helping to fix up the damaged store, and paving the way for Chris to apologise to his mother for his behaviour. Johnny also sets up the final race, allowing for his win to keep Troy out of their business and away from them, hopefully forever. Brandon Baker was back after an eight-year absence to reprise his role as Johnny Kapahala.

Chris is the typical “problem child” in Johnny Kapahala: Back on Board, the cause of the family’s conflict and strife. In some ways, you have to feel a bit sorry for Chris, because he has been forced to move to Hawaii without being consulted or asked for his opinion. But then again, he is rude to the people trying to help him, like Johnny Tsunami, who attempts to teach him how to surf and lets him stay at his home, hoping they’d bond, and Johnny, who just wants to be his friend and doesn’t want to see him get hurt doing crazy stunts to impress a group of boarders. Chris also barely speaks to his mother in this film, seeming to be very angry with her for putting him in this situation, with her marriage to Johnny Tsunami only confirming that this is the way things are going to be from now on. Chris doesn’t seem to care about anyone’s happiness but his own, with his only goal to be a Dirt Devil, something that frequently gets him into trouble, and even gets him injured. Eventually, after a lecture from Val, Chris learns that he has been acting badly and makes it up to everyone.

 Chris was played by former Disney Channel star Jake T. Austin. He made a return to the Disney Channel shortly after the premiere of Johnny Kapahala: Back on Board, with his starring role as Max Russo in Wizards of Waverly Place (2007-12), alongside Selena Gomez and David Henrie. The new series came to the channel in October 2007, with Austin also reprising his role in its movie Wizards of Waverly Place: The Movie (2009) during the series’ run. During his time at Disney, Austin was also cast as Bruce in Hotel for Dogs (2009), later going on to voice Fernando in the animated movie Rio (2011) and its 2014 sequel. He also appeared as Jesus Foster in the first two seasons of The Fosters (2013-18) and competed in Season 23 of Dancing with the Stars (2005-present) in 2016.

To help with Chris, Johnny also has his long-time friend Sam, who he originally met in Vermont, saying goodbye to him at the end of the original film as Sam headed to Iceland with his father. Sam is now living in Hawaii. Sam is on hand to help Johnny with Chris, as the two first take Sam’s car to follow Chris to the dockyard where he has gone with the Dirt Devils, despite being told not to go dirtboarding after the trespassing incident. Sam and Johnny then show Chris up by actually being good skateboarders. Sam later spends the day with them and Val, to encourage Chris to accept Johnny as a member of his family. Just like in Johnny Tsunami, Sam is there to help Johnny with whatever he needs.           

Sam Sterling might not be a new character to these two films, however, Lee Thompson Young did not return to play the role, instead being replaced with Jonathan “Lil J” McDaniel, in what may be considered a strange move, since the two actors don’t look much alike at all. It might’ve been better to simply have made Sam a new character, a childhood friend of Johnny’s from Hawaii or something. Anyway, McDaniel may have been familiar to Disney Channel viewers at the time as he had recently been cast in the recurring role of Devon Carter, Raven’s boyfriend, in That’s So Raven (2003-07), returning to the role for the spin-off series Raven’s Home (2017-23). McDaniel also later played German Vega in the sports drama series Hit the Floor (2013-18).

Val is Johnny’s love interest in Johnny Kapahala: Back on Board. We originally meet Val as a member of the Dirt Devils, where Johnny seems to show an instant liking to her. She is kind to everyone, even Johnny, despite the Dirt Devils being quite reserved about outsiders, and clearly cares about Chris’s welfare, whereas the boys in the group seem to just think it’s funny that he tags around with them and will do reckless things just to be in the group. Val later spends the day surfing with Johnny, where they become close. Johnny enlists Val’s help with Chris a few times in the film, such as planning the dirtboarding day for Chris with her; getting her to help him stop Chris doing the dangerous jump, although this doesn’t work out; and asking her to speak to Chris to get him to convince his mother to stay in Hawaii. Like Sam, Val is loyal to Johnny and is on hand to help him in any way she can.

Rose McIver was cast as Val. McIver has since gone on to have a very successful acting career, after her role here and her earlier role as Hannah in the DCOM Eddie’s Million Dollar Cook-Off (2003). McIver was cast in the recurring role of Tinker Bell in the ABC series Once Upon a Time (2011-18) and went on to star as Liv Moore in the series iZombie (2015-19). McIver also starred in the Netflix Christmas movie trilogy A Christmas Prince (2017-19) as Amber Moore. Currently, McIver is playing the lead role of Sam Arondekar in the US version of the British sitcom Ghosts (2021-present).

The main Dirt Devils kid that we see in Johnny Kapahala: Back on Board is Jared, the leader of the group. Jared suggests the stupid stunts that Chris should do to get in the group. Despite being quite obnoxious when surrounded by his friends, he is actually easily led by others, like Troy, who tells him to spy on Carla and Johnny Tsunami’s new store, and gets him to commit criminal damage for him. Clearly, Jared was scared after being arrested, as most kids would be, and comes clean to the police, saying that Troy had told him to do it, and he is released. I sure hope Jared learnt his lesson.

Andrew James Allen was cast as Jared. Shortly after Johnny Kapahala: Back on Board, he was cast as Samuel Heckler in the movie The Lovely Bones (2009), with his character being the boyfriend of Lindsey Salmon, who was played by Rose McIver. Andrew James Allen was cast in the recurring role of Pontius Pilate in The Chosen (2017-present).

Troy is the owner of the Dirt Devils store, and acts like the manager of the Dirt Devils boarding team, as he convinces the kids that he is trying to get sponsorship for them. Like Jared, he seems to find it amusing that a twelve-year-old kid is so desperate to be on the boarding team that he follows them around everywhere. not seeming to think he has any responsibility for Chris’s safety. It later becomes clear that Troy fears any competition with his own store, resorting to desperate measures to get Johnny Tsunami to shut down his store, like asking a teenager to go and do his dirty work for him! Despite all that, it turns out Troy was trying to sell his store anyway, so he could quietly move back to California without anyone knowing, so why he’d care about this new store if that was the case, I don’t know. The deal doesn’t go through anyway, and he vows revenge on Johnny Tsunami and his family. He then agrees to a race with Johnny, but although he tries to cheat, he does not win, allowing Johnny Tsunami and his family to sell whatever they want in the store. He gets arrested anyway, and we don’t find out the fate of him or his store. I doubt it was good!

Troy was played by Phil Brown. Recently, he played Sam Tucker in the New Zealand teen drama Mystic (2020-22), and Mark McCrae in New Zealand crime drama One Lane Bridge (2020-22). He also appeared as Charles Stringer in Avatar: The Way of Water (2022). 

Carla is the final new character to appear in this film, as Chris’s mother, and Johnny Tsunami’s future wife. She has chosen to make a new life in Hawaii, having moved from Philadelphia, and wants to open up a surf shop here. Sadly, Chris, has struggled to adjust to this upheaval in his life, and has made things difficult for her. Carla wants to make things work in Hawaii, but when Chris starts to act up even more, she feels she has no choice but to move back to Philadelphia to keep Chris happy, even if it means she won’t be as happy. Thankfully, Chris convinces his mother they should stay in Hawaii and he gives his blessing for his mother to marry Johnny Tsunami as planned.

Carla was played by Robyn Lively. Prior to her role here, she played Jessica Andrews in The Karate Kid Part III (1989) and was cast as Louise Miller in Teen Witch (1989). She had also been cast in the recurring role of Michele Faber in Doogie Howser, M.D. (1989-93) around this time. More recently, Lively appeared in the recurring role of Marlene Harris from Season 3 of the Fox series 9-1-1: Lone Star (2020-25).

As well as these new characters, some characters from Johnny Tsunami also make a reappearance in this sequel. The most obvious of which is Johnny Tsunami himself, Johnny’s grandpa. He has gone through a bit of a change in the years between the two stories though, as he adjusts to becoming a stepfather to Chris, a husband, and a business owner, quite different from the Johnny Tsunami in the original movie who had no responsibilities at all, and just lived a chilled life on the beach. He is no longer a “surf bum” as his son, Johnny’s father, so eloquently put it in the first film; he is now fully committed to having a steady life with his family. Johnny Tsunami has attempted to bond with Chris, however, his love of surfing is not shared with Chris making this difficult, as well as Chris’s overall attitude to him being a barrier to that. In the end, Chris comes to accept that Johnny Tsunami makes his mother happy and is actually a cool guy, and they reach some sort of relationship. It might not be a father-son dynamic, but it’s enough for them to get along. Cary-Hiroyuki Tagawa was back to reprise his role as Johnny Tsunami here.

Johnny’s parents, Melanie and Pete, also make a return for Johnny Kapahala: Back on Board. As most of the story focuses on the kids, they don’t have a huge amount of screen time on this occasion, being around to help set up the store with Johnny Tsunami and Carla, and to be on hand to listen to their difficulties with Chris, as well as help to organise the wedding and the rehearsal dinner. They mostly just leave Johnny to it, and let him go off surfing and boarding, enjoying his time back in Hawaii. Clearly, Pete has become less risk-averse, and less of a helicopter parent after the original film, although I’m sure Johnny might’ve appreciated it if he hadn’t been left to deal with Chris on his own the whole time! Mary Page Keller and Yuji Okumoto returned to play Melanie and Pete.

MUSIC

Johnny Tsunami used a variety of rock music in its soundtrack, something that was a departure from the typical music within a Disney Channel Original Movie. Johnny Kapahala: Back on Board is more similar to the usual musical style of DCOMs, by featuring pop music.

One band whose music appears in Johnny Kapahala: Back on Board will be very familiar to Disney fans and that is the Jonas Brothers. The Jonas Brothers formed in 2005, consisting of real-life brothers Nick, Joe, and Kevin Jonas, and began to be linked to Disney and Disney Channel around 2006, signing with Disney’s record label Hollywood Records in 2007. This led to them covering famous Disney songs, and performing the song “Kids of the Future” for the Disney Animation film Meet the Robinsons (2007), going on to star in such Disney Channel projects as the Camp Rock films, and their own series, Jonas (2009-10).

For Johnny Kapahala: Back on Board, the Jonas Brothers performed the song “Hold On”. This song was one of the tracks in their album Jonas Brothers, released in August 2007, with “Hold On” having been released as a single in May that same year. It debuted at No. 92 on the US Billboard Hot 100 chart. In the movie, this song plays as Johnny, Chris, Sam, and Val have a day out dirtboarding together. I remember hearing “Hold On” a lot on Disney Channel around this time, so I’m assuming it was being played to promote Johnny Kapahala: Back on Board, but I had no idea it was linked to this film.

This sequence of the group dirtboarding in the film was preceded with a scene of the four driving there on Val’s bikes. The song playing here was “Our Time Now”, performed by the pop band the Plain White T’s and was written by Tom Higgenson, Mia Koo, and Mike Daly. Another Plain White T’s song used in Johnny Kapahala: Back on Board is “You and Me”, and it was written by Tom Higgenson, the band’s frontman. This song is playing as Sam and Johnny take on the Dirt Devils’ board course at the dockyard, inadvertently annoying Chris in the process, as they get praise from the Dirt Devils for their skills.

The Plain White T’s are an American pop band, who formed in 1997. They had signed with Hollywood Records around 2006, which explains why they were featured in this film’s soundtrack. Their most well-known single is “Hey There Delilah”, which reached No. 1 on the Billboard Hot 100 in July 2007, later being nominated for the Grammy Award for Song of the Year in 2008. It performed well in numerous other countries’ weekly pop charts too including Ireland, Germany, Australia, and the UK. The Plain White T’s left Disney’s recording label around 2015 after experiencing creative disputes with them.

There are also two other songs that are obviously heard in Johnny Kapahala: Back on Board. The first is “Sun and Shadow” by the alternative rock band Wideawake. This is playing as Johnny gets a ride to Johnny Tsunami’s house with Sam at the start of the movie, and he enjoys the sights and sounds of Hawaii, having been away in Vermont for a while.

During the montage of Johnny and Val spending the day surfing together, “No Sleep ‘Til Summertime” is playing. It was performed by T-Squad and written by Vitamin C, Michael Kotch, and David Derby. T-Squad was a pop band signed to Disney, who performed the song “Vertical” for the Disney Channel film Jump In! (2007) as well. One of the band’s members was Booboo Stewart who later found fame playing Seth Clearwater in The Twilight Saga film franchise and as Jay in the Descendants series for Disney Channel.

Another song that appears in the film seems to be the traditional Hawaiian song “Hi’ilawe” which plays as Johnny Tsunami and Carla get married, later continuing into the scene of Johnny and his grandpa surfing together at the very end of the film. Outside of that, although some background music is playing in both Carla and Johnny Tsunami’s store and the Dirt Devils shop, it is not really audible and was not credited. There is also music playing during the mountainboarding event that Chris runs off to, but apart from hearing the words “Soul Power”, or something like that, I couldn’t track down what the song actually was, or whether it was created for the film just as accompaniment.

Nathan Wang was credited as the composer for Johnny Kapahala: Back on Board. Wang had previously composed the music for other DCOMs including Wendy Wu: Homecoming Warrior (2006), Geek Charming (2011), and Christmas…Again? (2021). Some of his non-Disney projects include working on the music for movies like the teen comedy She’s the Man (2006); the Hallmark festive film Annie Claus is Coming to Town (2011); and the comedy-drama One True Loves (2023).

PRODUCTION

If you look at a list of Disney Channel Original Movies, you can see how their movies evolved over time. The more simplistic ideals of their earlier movies had become bigger budget, more music-centric films by the mid-2000s. This was the direction the channel was going in even before High School Musical exploded in popularity.

Disney Channel then seemed to randomly pivot to make a sequel to one of their 90s sports films, Johnny Tsunami. So, why was Johnny Kapahala back, as the trailer put it, to “surf the turf”? Honestly, I have no idea. One reason I can think of is that they were either trying to capitalise on nostalgia, in which case they were probably both too early and too late, missing out on Johnny Tsunami’s original fans, and not waiting long enough to try and reach a completely new generation that hadn’t been spoilt by musical-after-musical. The only other thing I can think of is that Disney were trying to targeting boys with Johnny Kapahala: Back on Board, because, let’s face it, Disney Channel has made more films aimed at girls, based around prom and boys, with strong female characters leading these stories. In that way, I can understand the reasoning for Johnny Kapahala: Back on Board being made.

Returning to write the screenplay for this sequel were Douglas Sloan and Ann Austen, previously credited as Ann Knapp, providing continuity between the two films. Two further writers were credited with writing Johnny Kapahala: Back on Board: Max Enscoe and Annie DeYoung. Enscoe and DeYoung had previously co-written another DCOM sequel, this being Return to Halloweentown (2006), with Juliet and Keith Giglio, as well as the television movie The Triumph (2006), starring Matthew Perry. DeYoung went on to co-write other DCOMs, including Girl vs. Monster (2012); StarStruck (2010); 16 Wishes (2010); and Princess Protection Program (2009).

Johnny Kapahala: Back on Board was directed by Eric Bross. Bross had earlier directed the film Restaurant (1998), which starred Adrien Brody, and the miniseries Traffic (2004) before taking this role with Disney. He went on to direct further television movies including The Boy Who Cried Werewolf (2010), for Nickelodeon; A Country Christmas Story (2013) for Lifetime; and Rome in Love (2019) for Hallmark.

This new sequel had crew on board, so just where would they filmed this new movie set primarily in Oahu, Hawaii? Obviously, the answer is New Zealand. Disney Channel has chosen a variety of locations for their movies, with many being filmed in Canada, others being filmed in the US, and some making the move all the way to Australia or New Zealand. Other Disney Channel movies to have been filmed in New Zealand in the 2000s include Eddie’s Million Dollar Cook-Off, You Wish! (2003), and Wendy Wu: Homecoming Warrior. More recently, the ZOMBIES franchise ditched Canada in favour of New Zealand for ZOMBIES 4: Dawn of the Vampires (2025). Basically, it’s not uncommon.

What is odd is that Disney Channel had previously gone to Hawaii to film the portions of Johnny Tsunami that were set in Hawaii – so why could they not return there? It was probably due to budgetary or tax reasons, but I wouldn’t know; I’m not a film producer. Choosing New Zealand, specifically Auckland, instead of Hawaii may have irked viewers but for whatever reason this was the decision. It seems that the crew felt New Zealand looked similar to Hawaii in terms of its landscapes and vegetation, so I guess they were just thinking nobody would notice. Filming for Johnny Kapahala: Back on Board took place in early 2007[1]. With the set being based in New Zealand, this did create more jobs in the area, with many members of the crew being from New Zealand. Two members of the cast were also from the area, like Rose McIver, who played Val, and Phil Brown, who played Troy.

The biggest challenge for everyone working on Johnny Kapahala: Back on Board was obviously the dirtboarding sequences. The entire cast had to learn how to dirtboard, or mountainboard, something that cannot be easy if you have never skateboarded before. As well as the usual safety gear, like helmets, knee pads, and elbow pads, the cast were offered additional equipment like butt pads and ankle pads to ensure they cushioned every fall! Stunt doubles were used for the big stunts and jumps, with Brown’s stunt rider apparently having to change his stance to “goofy” to match Brown’s to ensure continuity[2].

Akoni Kama was credited as the dirtboard consultant on this film. As well as doing various stunts and tricks for it, Kama designed the race course for the final sequence with Leon Robbins. They made sure it included lots of difficult sections, like “berms” (raised banks), a wallride, and “rollers” (a series of small hills), to make the final race a really difficult and tense moment[3]. Kama also appears as himself in the movie.

RECEPTION

Johnny Kapahala: Back on Board premiered on Disney Channel in the US on 8th June 2007, the perfect time to release a movie set in sunny Hawaii, right?

Well, apparently not. Johnny Kapahala: Back on Board reportedly only had viewing figures of around 1.8 million during its premiere night, a very low figure to have been recorded for a Disney Channel Original Movie premiere at that time. It is possible that DCOMs that premiered in the late 1990s and early 2000s had similar viewing figures but these were not widely known, so I couldn’t say if Johnny Kapahala: Back on Board was the lowest viewed since the first official DCOM in 1997 or not.

Not wanting to degrade Johnny Kapahala: Back on Board even further, but three other Disney Channel movies also premiered in 2007. Twitches Too got the attention of just under 7 million viewers, with Jump In! getting just over 8 million.  High School Musical 2, released just two months after Johnny Kapahala: Back on Board had a record-breaking 17.2 million viewers tune in to its premiere, a record that has never been broken. From the mid-2000s moving into the mid-2010s, a Disney Channel movie would have an average of around 5 million viewers, with some exceeding this by a fair margin. It would not be until 2018, when a new adaptation of Freaky Friday premiered on the channel, that a lower viewing figure was confirmed, this being 1.6 million. 2018 really signalled a decline of viewership figures for Disney Channel movies, which has continued to this day, probably due to the rise in social media and streaming services. These have since replaced the need to watch cable television as a priority, and now Disney+ exists, many DCOMs are placed on the service globally a day or two after its official US Disney Channel premiere.

But enough about that. Viewing figures are only half the story when it comes to getting an overall view of how a film was perceived. Actually, I am surprised at how many people did enjoy Johnny Kapahala: Back on Board. Granted, even the positive reviews weren’t exactly brimming with praise, but many of them stated that they felt this Johnny Tsunami sequel was a decent addition to the Disney Channel film catalogue. Specifically, there were comments that mentioned the chemistry between Brandon Baker and Cary-Hiroyuki Tagawa, something that was very much positively reflected on in reviews of Johnny Tsunami. The action shots of the dirtboarding sequences were also seen to be cool and appropriate for the film, with many appreciating the attempt to introduce a new sport to the franchise which is potentially less globally talked about. In recent years, Johnny Kapahala: Back on Board has also been found by fans of Wizards of Waverly Place and fans of Jake T. Austin who wanted to see him in this early Disney Channel role.

However, there were still some negative reviews for the film, including a similar negative criticism which was levelled at Johnny Tsunami. Johnny Tsunami was set in Vermont, but was actually filmed in Utah, with this being noticed by some viewers. Well, this was also the case for Johnny Kapahala: Back on Board, but this time Hawaii had been substituted with New Zealand, something that some viewers spotted easily and were annoyed by. I can’t say that I noticed, but then again, I have not been to either place. There were some issues with the characters too, with one being the recasting of Sam, which didn’t feel right to fans of the original film. It would’ve been very easy for Disney to simply create a new character here, especially since the backstory between Sam and Johnny wasn’t a part of the story. Chris was also felt not to be a redeeming character, simply coming across as a brat for most of the film, and getting about ten minutes at the end to try and prove that he’d turned himself around. I wouldn’t say I liked Chris as a character particularly, but I can’t agree that he wasn’t redeeming; he is just a kid after all, and kids act out irrationally just because of their age. Cut him some slack. There were even comments about the age gap between Johnny’s grandpa and his new partner. This might seem a little strange, or even comical, to children watching, mostly because Johnny now has an uncle who is younger than him, a joke that is repeated over and over again, but any adult commenting on age gaps needs to be less judgemental. I liked Johnny Tsunami and Carla’s relationship and felt it seemed quite natural. Finally, when it comes to making a sequel to any film, the die-hard fans of the original will always hate the sequel. That was the case with here.

Johnny Kapahala: Back on Board won two awards for its writing. One was the Humanitas Prize in the Children’s Live-Action category, which Johnny Tsunami had been nominated for back in 2000 but didn’t win. In this case, the prize went to Ann Austen, Douglas Sloan, Max Enscoe and Annie DeYoung, the screenwriters. They were up against fellow DCOM Minutemen (2008). The writers also won the Writers Guild of America award for Children’s Script – Long Form or Special, up against Cartoon Network’s The Haunting Hour: Don’t Think About It, which starred Disney Channel star Emily Osment.

LEGACY

Shortly after the release of Johnny Kapahala: Back on Board, Disney Channel released their mini-series The Disney Channel Games for its second year, airing on the channel over the course of Summer 2007. Here, Disney Channel stars from across the world, but with more representation from the US, were split into four teams and competed across different events for charity. The Disney Channel Games were filmed at Disney’s Wide World of Sports Complex at the Walt Disney World Resort in Orlando, Florida. It only had one other run in 2008 before being cancelled. I bet many recent Disney Channel stars are disappointed they couldn’t take part in this; it looked like a lot of fun.

For the 2007 edition of The Disney Channel Games, two cast members from Johnny Kapahala: Back on Board joined others from the likes of The Suite Life of Zack & Cody (2005-08), Hannah Montana (2006-11), and the High School Musical franchise. These were Brandon Baker, who was placed in the Green Team, under the leadership of Dylan Sprouse, and Jake T. Austin, who was placed in the Blue Team, with Corbin Bleu as team captain. The Green Team ended up winning the competition that year. Baker and Austin’s participation would’ve gone some way to promoting Johnny Kapahala: Back on Board, although it started a week or so after the initial premiere, so wouldn’t have been able to boost its official viewing figures from the premiere. I do vaguely remember watching some of the series, but as I hadn’t seen Johnny Kapahala: Back on Board by that point, I only wanted to see the actors that I already knew, like Corbin Bleu, the Cheetah Girls, Jason Dolley, and Miley Cyrus. The 2007 Disney Channel Games were hosted by Phill Lewis and Brian Stepanek, who played Mr. Moseby and Arwin, respectively, in The Suite Life of Zack & Cody.

Apart from that, nothing much has come from Johnny Kapahala: Back on Board, with only dedicated Disney Channel fans really remembering or mentioning it, although the original film, Johnny Tsunami, is talked about more often. It doesn’t tend to make lists of the best Disney Channel Original Movies ever, being ranked at No. 74 on Vulture’s ranking of the 105 Disney Channel Original Movies that had been released at the time. Their criticism included that it was not considered to be as good as the original; was seen to have been released too long after the original; and featured a less interesting sport[4].

Disney Channel had made plenty of sports movies by the early 2000s, but the success of High School Musical in 2006 proved that musicals were the way to go. This made Johnny Kapahala: Back on Board one of Disney Channel’s last sports films for a while – it had followed on from Corbin Bleu’s Jump In!, which featured boxing and Double Dutch. The next sports film would not come until 2014 with the snowboarding comedy Cloud 9. There was another gap until Disney Channel premiered Back of the Net in 2019, this being about football, or soccer – but it is not technically a Disney Channel Original Movie.

FINAL THOUGHTS

Johnny Tsunami was released at the perfect time. Disney Channel viewers had been shown to be responding to sports films back in 1999, and it focused on snowboarding, which had become an Olympic sport only the year before. It also followed the struggles of adapting to a new school and new home after a big move, as well as rivalries between schools, both things children and teens can relate to.

Johnny Kapahala: Back on Board, however, arrived on screen at exactly the wrong time. It had been proved that Disney Channel audiences wanted musicals and big-name stars. They were turning away from sports movies, a fact only confirmed by the fact they haven’t made many more since Johnny Kapahala: Back on Board’s premiere back in 2007.

It simply wasn’t the right time. Fans of Johnny Tsunami had grown up and moved on from Disney Channel, and although some viewers at the time seem to have very much enjoyed Johnny Kapahala: Back on Board, it has been forgotten or ignored by many more.

Although I appreciate Disney Channel’s attempt to bring a sequel to a new generation, in my opinion, it just didn’t work and Johnny Tsunami should’ve been left alone. If Johnny Kapahala: Back on Board did anything for me, it told me that actually the original wasn’t that bad!


REFERENCES

[1] Credit: Joanna Hunkin, ‘Waitakeres stand in for Hawaii in Disney film’, NZHerald.co.nz, 16th February 2007.

[2] Credit: Disney Channel, ‘Johnny Kapahala: Back on Board DCOM Extra #1’, dedicated2disney YouTube Channel, 19th May 2007.

[3] Credit: Disney Channel, ‘Johnny Kapahala: Back on Board DCOM Extra #2’, dedicated2disney YouTube Channel, 19th May 2007.

[4] Credit: Rebecca Alter, ‘All 105 Disney Channel Original Movies, Ranked’, Vulture.com, 4th May 2020.

Sharpay’s Fabulous Adventure (2011)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

By 2011, it was probably fair to say that the majority of teenagers who had watched the High School Musical trilogy as each movie premiered were drifting away from Disney Channel.

My older sister was not really watching the channel by this point, and I was starting to give up with it, for a few reasons. One was that I was about to head off to university, knowing that I wouldn’t be able to access it for much of the year, so I had to wean myself off it. Another was that there wasn’t much programming I was interested in anymore. Sonny with a Chance (2009-11) was about to end with its second and final season; it was quite clear that a Camp Rock 3 wasn’t going to be happening any time soon; and I’d given up waiting for an expected fourth High School Musical movie, that would feature the new characters from High School Musical 3: Senior Year. Not that I’d really wanted that to happen.

So, it seemed strange to me when all of a sudden, Disney Channel announced that they were making a High School Musical spin-off, all about Sharpay. As Sharpay is my favourite High School Musical character, you’d probably assume that I would’ve been excited to see Sharpay’s Fabulous Adventure. However, I was not. I did not watch it on its Disney Channel premiere and I have never owned it on DVD. I think I decided that it was unlikely that the rest of the High School Musical cast would appear in this Sharpay film, and without them, I felt that Sharpay’s character would struggle to show her true dynamism, because she would normally bounce off the other Wildcats and their differing personalities.

I turned out to be right. The cast did not make a return for any sort of reunion here, and Sharpay was very different – not in a good way. I’d initially attempted to watch Sharpay’s Fabulous Adventure a few years after it came out, on the precursor to Disney+, the streaming service DisneyLife, and then again when Disney+ officially came to the UK. On both occasions, I made it only about 15 or 20 minutes into the film.

Now that I have finally watched the movie in full, I can safely say that I did not miss out on anything. The original songs were not comparable to High School Musical’s songs, as they were mostly used for rehearsals and audition pieces for the Broadway musical within the film, and Sharpay had definitely changed, reminding me more of London Tipton from The Suite Life of Zack & Cody (2005-08). Sharpay was not the Sharpay I had known and loved from the High School Musical trilogy, and I was not happy to see that.

PLOT

Sharpay’s Fabulous Adventure starts with a musical performance, by Sharpay Evans and her dog, Boi. It is complete with lighting, staging, backup dancers, and an adoring audience.

After the show, we see that Sharpay was performing as part of the Albuquerque Benefit for the Arts annual fundraiser. She walks past the crowd of people, who congratulate her on her performance, and meets up with her parents. Sharpay is soon introduced to Jerry Taylor, a casting agent for a Broadway musical, with young starlet Amber Lee Adams in the lead role. He says he has the perfect part and would love to set up an audition. Excited, Sharpay talks to her father about the opportunity, only to discover that he doesn’t feel she’s ready to go to New York City and be in a musical. He says after she graduated from East High, she has done nothing for a year; despite claiming she wanted time to find herself. Sharpay is annoyed but plans to show her father she can handle it.

With the help of her group of friends, the Sharpettes, Sharpay gets a luxury apartment, flights, and the audition all booked for her trip to NYC. She then presents all this to her parents. After the presentation, Sharpay’s dad still isn’t sure, but her mother says her friend’s son is at New York University, so he can look out for Sharpay whilst she’s in the city. Suitably guilted into this, Sharpay’s father agrees to let her go to New York, and he’ll pay for her apartment – but this is for one month and one month only. If nothing comes from her month in NYC, then she’ll have to come home and work at their country club.

Sharpay heads to New York, determined to get her start on Broadway, because the thought of working at the country club is too much to bear! Sharpay arrives at her penthouse apartment, being greeted by the building manager, and very much likes what she sees. However, Boi comes out of a bag, shocking the building manager who says dogs aren’t allowed in the building. Sharpay, for some reason thinking she can sway the decision, says either they both stay, or they both go – so they are both kicked out!

Not knowing what to do, and not wanting to ask her father for help, otherwise she’ll be ordered to come back home, Sharpay sits on her mound of pink luggage on the side of the street… A little while later, a guy walks by her and starts filming her. Sharpay thinks he must be the paparazzi, but she soon discovers this guy is just a film student at the university. He introduces himself as Peyton, realising that this girl must be his mother’s friend’s daughter that he was on the way to meet. Sharpay confesses her apartment plans have fallen through, but luckily, Peyton knows of an empty studio in his building. It’s Sharpay’s only real option so she goes to the apartment, getting Peyton to lug all her cases over there.

On arriving at the building, Sharpay is horrified. The building is not up to her standards. She also discovers there is no elevator here, so again, Peyton has to haul all her luggage up the stairs. Finally, they get to the right floor. Sharpay opens the door to this studio apartment with a bag on her hand – because, poor people germs – and is shocked to find a tiny room that isn’t particularly clean or well-furnished. It even has a pull-down bed, which Sharpay describes as a closet with a tongue! Peyton says it might not be much, but the best thing about it is that the window to his apartment is right across from hers. That doesn’t do much to persuade Sharpay – but it’s either this, or accept defeat and go back to Albuquerque. She begs Peyton not to tell his mother about this. He agrees to keep it secret.

To try and cheer Sharpay up, Peyton takes her around the city, starting with a visit to a theatre, where he has Sharpay stand up on stage to know what it will feel like when she’s starring on Broadway. Peyton opens up and says he also had to adapt when he came to New York. Holding onto his dream kept him focused whilst in the city. They then explore the rest of New York, where Sharpay comes face-to-face with cockroaches and hot dogs, apparently for the first time ever! She also walks past a store that specialises in all things pink. This gives her an idea to decorate her studio and make it more “Sharpay”. By the end of the day, Sharpay is a little bit more settled and comfortable. She says goodnight to Boi, but struggles with that Murphy bed, as it tilts upright whilst she is trying to sleep.

The next morning, Sharpay is ready for her audition. Peyton asks to go with her so he can film her journey to stardom. At the theatre, she is told to prepare a song from the musical for an audition tomorrow, but when she is asked to make sure that Boi is perfectly groomed and has taken care of any “business” prior to the audition, Sharpay gets confused. She is told that the audition is for her dog, not for her! Since the musical is called A Girl’s Best Friend, and the girl has already been cast, it was believed that Sharpay would’ve known this. She didn’t. Sharpay storms out of the theatre, furious, but Peyton tells her go to ahead with Boi’s audition, because it could be Boi’s big chance. Sharpay agrees this would be best, only because if Boi gets famous, then she can be a star too!

The following day, Sharpay performs the audition song with Boi and the casting panel love it. Sharpay thinks it’s a done deal; however, they have one more audition set up. This audition is with a young boy called Roger Ellison III and his spaniel Countess, who apparently already has a list of Broadway acting credits. Sharpay has to admit his audition is pretty good, but doesn’t see how it could outdo hers. The lead actress of the musical, Amber Lee Adams, then arrives and says she loved both auditions, so they’ll have no choice but to try both dogs out during rehearsals. Sharpay accepts this, although Roger warns Sharpay to give up now or be heartbroken later when her dog doesn’t get the part. Sharpay isn’t scared and leaves the theatre. As the pair’s dogs are separated, they look longingly at each other. The dogs have fallen in love at first sight. Puppy love, how sweet.

After some late-night rehearsing at her apartment, Sharpay and Boi return to the theatre the next morning ready to show what they’re made of. The first scene being rehearsed is the girl getting ready to go off to New York, deciding to take her beloved dog with her. Amber Lee works with both dogs; Boi hands her a boarding pass, whilst Countess comes out of a dog carrier. They are both doing a decent job, although it soon becomes clear that Amber Lee is a terrible actress! Feeling there isn’t enough separating the dogs from each other, Roger decides it is the perfect time for sabotage. He rubs raw chicken on Amber Lee’s shoes – gross – which makes Boi lick her shoes constantly during a scene. He is promptly replaced by Countess for the next scene. Sharpay knows Roger must have done something, so she blows a dog whistle during the next rehearsal to get Countess to dance around when she isn’t meant to. Roger then releases a cat into the theatre and Boi chases it. With the rehearsals a disaster, the dogs are taken away for naps, and Roger tells Sharpay to give up again. She won’t. We also see that Amber Lee isn’t as sweet as she seems, as she tells the dogs not to upstage her. Weird.

Later that day, Sharpay gets a video call from her father. Panicking about where to take it, she is told to sit in Peyton’s window as he has a good view of the city skyline from there, so her father won’t know anything is wrong. With only two weeks left, Sharpay hides what it is really going from her father, who once again, tells her that if it doesn’t work out there, she’ll have to come home. Sharpay decides she needs some sort of advantage…

Strangely enough, as Sharpay goes to speak with Amber Lee, she sees Amber Lee’s assistant leaving the theatre. Amber Lee fired her assistant over something trivial, but she tells Sharpay that her assistant has just quit, leaving her in the lurch. Sharpay immediately volunteers to be Amber Lee’s temporary assistant, believing this will be enough to get her dog cast over Roger’s, because if the star likes her, then she’ll pick her dog, right? Sharpay is asked to get the sound engineer to look over Amber Lee’s mic as it is hurting her scalp. Sharpay goes over to him, and he tells Sharpay she’s hot. It turns out he’s referring to her mic, which is live, and that the whole theatre just heard Sharpay talking about Amber Lee’s scalp and how it must be her shampoo causing problems, not the mic. Embarrassing.

Sharpay soon learns that being Amber Lee’s assistant isn’t going to be easy, as she gets a call in the middle of the night to come to Amber Lee’s apartment. There, she finds that this was a test to see how loyal Sharpay was to her – and because she wanted help getting a bag down from a high shelf. The random tasks keep on coming from Amber Lee, and Sharpay struggles to keep up, but knows she must if Boi is going to get that part. Things get progressively worse for Sharpay when Amber Lee claims her maid just quit and asks Sharpay to do chores around her apartment, like cleaning toilets. Amber Lee promises that if Sharpay does this for her, then Boi will probably get the part, so she heads off to get it done.

Back at rehearsals, Roger is made aware of some changes for the next rehearsal and is asked to communicate them to Sharpay. He says he will, but actually just throws the rewritten script away. When it is time for Boi to rehearse, he obviously does something wrong, and Amber Lee shouts at him, shocking the cast. Sharpay realises Roger was behind it, and accuses him of sabotaging again. They then find that both their dogs have gone missing from the theatre. They immediately head out into the city to find them, and Sharpay calls Peyton to help. It turns out the dogs are just exploring the city together, taking carriage rides and walking in the park together. As Sharpay and Roger are running around looking for Boi and Countess, she ignores a call from her father, and then sees Peyton with the dogs, as they both came back to the apartment. Peyton reveals to Sharpay that the dogs are obviously in love. He also tells Sharpay that she has completely changed since she became Amber Lee’s assistant and doesn’t see how she is being manipulated. Sharpay tells Peyton she has to do this to make Boi a star, and tells him he’s not being supportive.

The next day, Amber Lee orders Sharpay to invite all her fan club to a preview of the show, and to sign more photographs of her for them. After Sharpay overhears Amber Lee arguing with the director and the writer of the musical, demanding the dogs be written out of the show, so it can be fully focused on her, Sharpay starts to realise Peyton was right. To top it all off, Sharpay hears Amber Lee laughing at her too, calling her “an obsessed fan”. Feeling hopeless and depressed, she goes back to her apartment, where she passes Peyton. She says that he was right about everything, and tearfully says she should just go home. Peyton tells her that she will be famous. Sharpay says she needs to fight for it first.

At the theatre on the day of the preview, Sharpay tells Roger that Amber Lee doesn’t want the dogs in the show, and asks him to join her in getting revenge, so they can show everyone watching what Amber Lee is really like. He agrees. As Sharpay pretends to still be Amber Lee’s assistant, she announces to Sharpay that Countess will be performing in this show, because Sharpay wasn’t there for her earlier in the day. Sharpay says there are no hard feelings, and hugs her, turning Amber Lee’s mic on before walking away.

As the show is about to get started, Roger sends both the dogs to Amber Lee. Not wanting the dogs anywhere near her, she starts yelling at them, and yelling to the crew to get the dogs away from her. Sharpay then gets the stage curtain pulled up, so it can be confirmed to all the audience that it was in fact Amber Lee ranting at the dogs. She is booed by her own fan club. Sharpay then calls Amber Lee out on behaviour. Not liking this at all, Amber Lee promptly quits the show. The director fires Sharpay for her outburst and rushes to Amber Lee, to convince her to change her mind. Roger wants to quit the show too, but Sharpay tells him he should continue on.

Back at the apartment, Sharpay packs up all her belongings to head back to Albuquerque, knowing she failed in her dream. Peyton says she still has eight hours left of her father’s one-month deadline, but Sharpay doesn’t think anything can change. She is called to the theatre to pick up her last few belongings. There, she discovers that the production is being cancelled as Amber Lee would not reconsider. Peyton then uses this as an opportunity to show the cast and crew how good Sharpay is. He plays footage he recorded of Sharpay rehearsing a song from the musical with Boi. The director and the writer are stunned by her talent, and believe Sharpay taking the lead role can keep the show alive. Sharpay is surprised to find that they really want her for the part, and she agrees to it, but only if both Boi and Countess share the role of the dog. Sharpay starts to panic that she isn’t going to be good enough, but Peyton calms her down and the two kiss.

On her opening night, Peyton and Sharpay’s parents sit in the audience as Sharpay wows the crowd with her performance. Sharpay becomes famous overnight, showing that her dream of becoming a Broadway star really did come true.

This is where Sharpay’s Fabulous Adventure ends in the Disney+ version of the film, and seemingly on the DVD release too, however, there is an extended scene in the End Credits, which played during its Disney Channel showings. In this scene, Ryan and Sharpay sing “What I’ve Been Looking For”, from High School Musical, through the door of her apartment. Ryan then comes in and the two do their old warm-up routine, also from the first film. Ryan congratulates Sharpay on her success, and Sharpay congratulates him on his, as Ryan is in a touring production of a musical. Sharpay is very happy with her life, even her apartment, which Ryan thinks is cute. As the two sit on Sharpay’s bed to chat, Boi runs off so Sharpay chases after him. Ryan is left on the bed alone, which flips up. The scene ends with Ryan asking for some help in getting out of there.

CHARACTERS & CAST

In Sharpay’s Fabulous Adventure, Sharpay seems to have settled for staying in Albuquerque and being a local star, putting on performances at her parents’ country club. It’s not until she gets noticed by a casting agent that Sharpay seems to think about becoming a Broadway star, even though she had done all through school. Despite her father not thinking she is prepared to go to New York City to live out her dream, Sharpay is determined and convinces her father to let her try. But Sharpay finds that even the best-laid plans go awry, as she finds herself without a luxury apartment – and without an audition, when she realises it was actually her pet dog, Boi, that the casting agent was interested in! However, Sharpay doesn’t let this slow her down and decides to make sure Boi gets the part, even if it means competing with another strong candidate and dealing with an outrageous diva in the starring role. Sharpay learns throughout her time in New York the importance of humbleness and hard work as she fights to get her chance, and it all works out for her. Not only does she get to star in a Broadway musical, but she even finds love on the way.

Ashley Tisdale returned to her role as Sharpay Evans from the High School Musical franchise after almost three years away. Since her time acting on Disney Channel, Tisdale has been an executive producer on some Disney projects, such as the DCOM Cloud 9 (2014) and the ABC series Young & Hungry (2014-18). She also continued to voice Candace in Phineas and Ferb (2007-15) after this film, returning to voice Candace in Phineas and Ferb the Movie: Candace Against the Universe (2020), and later, the 2025 reboot of the series. In more recent years, Tisdale was cast as Kayla in the Netflix series Merry Happy Whatever (2019), and was a panellist on The Masked Dancer (2020-21). She also voiced Stariana in Nickelodeon’s animated TV movie Baby Shark’s Big Movie! (2023).

Starring alongside her as her pet Terrier Boi were actually two dogs called Howie and Herbie. This was a change from Boi being played by High School Musical director Kenny Ortega’s dog Manly, who had been Boi in the second and third films.

Peyton Leverett is the son of one of Sharpay’s mother’s friends. He is a film student studying at New York University, and he has been tasked with keeping an eye on Sharpay and looking out for her during her time in the city. He actually meets her on the street just after Sharpay has been kicked out of her apartment, and films her – without permission – because he believes her story in the city could be his next film project. Peyton quickly finds Sharpay an apartment to stay in, right next to his, and even though it does not match up to her standards, she agrees to take it, not wanting to tell her father she has “failed”. Peyton follows Sharpay throughout her time with Boi’s audition and rehearsals, camera in hand, and although they have a falling out over Sharpay’s attitude, Peyton comes to the rescue as he shows the musical director and writer a video of Sharpay rehearsing a song from the musical with Boi, making them decide she is perfect to take over the lead. Peyton is the down-to-earth, patient guy that Sharpay needed in her life.

Austin Butler was cast as Peyton Leverett, having previously appeared in both Disney Channel and Nickelodeon series, including in the recurring role of James Garrett in Season 4 of Zoey 101 (2005-08) for Nickelodeon. After Sharpay’s Fabulous Adventure, Butler appeared as Wilke in Freeform’s Switched at Birth (2011-17), and starred as Sebastian Kydd in The CW series The Carrie Diaries (2013-14). From this point, Butler has had various roles in major Blockbuster movies, such as playing Tex Watson in Once Upon a Time in Hollywood (2019), which starred Leonardo DiCaprio, Brad Pitt, and Margot Robbie, before achieving worldwide success by portraying Elvis Presley in the 2022 Baz Luhrmann film Elvis, a role that Butler was so determined to get right that it has seemingly changed his voice for ever! More recently, Butler was also cast as Feyd-Rautha Harkonnen in Dune: Part Two (2024) and is soon set to star in crime film Enemies alongside Jeremy Allen White.

Roger Ellison III turns out to be Sharpay’s surprise rival in the musical, as he is also auditioning with his dog for a role in the show. His dog, Countess, is much more decorated than Boi, and Roger knows it, feeling quite confident that Countess will get the part. When she doesn’t, Roger tries everything to get Sharpay and Boi either to quit or get fired, even resorting to sabotage, which does nothing to dissuade Sharpay and only starts a tit for tat between the two, ruining rehearsals for everyone. When both their dogs go missing, Roger and Sharpay put their differences aside for that one moment, realising they both love their dogs, with the fear of what has happened bonding the two. They don’t spend anymore time sabotaging each other, and actually end up coming together to get Amber Lee fired, after Sharpay tells Roger that Amber Lee doesn’t want either of their dogs in the show. Their plan works and Amber Lee quits, but when Sharpay gets fired, Roger doesn’t feel it is fair to continue in the show without her. Sharpay tells Roger to stay in the show, so he does – until the show is set to be cancelled. Sharpay later gets the lead role, keeping the show in production, and her character growth is shown when she uses this opportunity to give both Boi and Countess a shot at stardom, by ensuring both dogs share the roles, which I’m sure Roger is very grateful for, given the difficult rivalry they faced at the start.

Bradley Steven Perry was cast as Roger. He had recently become a Disney Channel household name thanks to his role as Gabe in their series Good Luck Charlie (2010-14), reprising the role for another 2011 DCOM, the movie Good Luck Charlie It’s Christmas (2011). After getting his starring role on Good Luck Charlie, he went on to have lead roles in two further Disney Channel series. These were Mighty Med (2013-15) and Lab Rats: Elite Force (2016) where he played Kaz. Perry also voiced the character of Zevon, son of Yzma, in Season 2 of Descendants: Wicked World (2015-17). Outside of Disney, he was cast in the recurring role of Alec Raday in Schooled (2019-20) and now has a successful YouTube Channel featuring cooking videos, and a podcast called The Sit and Chat Podcast which Perry hosts alongside fellow former Disney Channel star, Jake Short. Roger’s dog, Countess, was played by a spaniel called Ginger[1].

Amber Lee Adams is the up-and-coming starlet who is cast in the lead role in the musical A Girl’s Best Friend. She initially seems friendly, as she praises both Roger and Sharpay for their dogs’ auditions, and the only thing against her is that she isn’t a good actress. However, we soon discover that Amber Lee is actually a complete diva, with temper tantrums and excessive demands of her staff, and that she seems to hate dogs, at least the two who could upstage her musical performance. Amber Lee also manipulates Sharpay into doing things for her, making Sharpay think that if she just does this one task for her, then she’ll get Boi the starring role, but these only add up over time, so Amber Lee gets all the power. Sharpay tires of Amber Lee’s behaviour and sets about getting her revenge in the best way, by showing Amber Lee’s true colours to get even her fans to turn against her. It works, and Amber Lee quits the show, not liking being humiliated by someone as lowly as Sharpay. Who knows where her career went after that!

Amber Lee was played by Cameron Goodman, who went on to be cast in the recurring role of Bree in Season 4 of the teen drama series 90210 (2008-13), the remake of the 90s series Beverly Hills, 90210 (1990-2000).

Then we have the director of the musical, Gill Samms, and the writer, Neal Roberts. Both of them don’t seem to have much authority in the show, despite their job titles, as they can’t make a simple decision over whether to cast Boi or Countess, and seem to bow to pressure from Amber Lee on numerous occasions. They clearly want to put on a brilliant show, but perhaps they have a lack of experience, at least in dealing with difficult actors, because they should know that no star is bigger than the show. Instead of grovelling to Amber Lee after she leaves, they should’ve been glad to have her quit, and probably should’ve fired her way before that – like when she tries to undermine them both by getting the dogs rewritten out of a musical all about a girl and her dog!

Alec Mapa was cast as Gill. Mapa had previously been cast in the recurring role of Suzuki St. Pierre in the comedy-drama Ugly Betty (2006-10) for ABC. He also played Renzo in the series Switched at Birth. In more recent years, he played Mr. Tennyson in the Disney Channel series The Villains of Valley View (2022-23). Jack Plotnick was cast as Neal Roberts. Plotnick appeared in the recurring role of Barrett from Season 3 of Ellen DeGeneres’ sitcom Ellen (1994-98). Plotnick later guest starred in various Disney Channel series, including Wizards of Waverly Place (2007-12); and Shake It Up (2010-13). More recently, Plotnick was cast as Paul in the Netflix series Grace and Frankie (2015-22).

There is also Jerry Taylor, the casting agent who Sharpay first meets at the fundraiser that Sharpay performs at. Jerry doesn’t give any hint that it is actually Sharpay’s dog that he wants to audition, as Boi was only in a very small part of Sharpay’s number that day, so it is no wonder that she didn’t understand that it was her dog who was the talented one Jerry was talking about and not her! Jerry seems embarrassed when Sharpay comes to the realisation that she isn’t getting an audition, believing that Sharpay would’ve understood that, given that he had told her the musical title, who was leading it, and the fact that “man’s best friend” is a well-known reference to dogs. Clearly, Jerry didn’t know how self-absorbed Sharpay can be, and really should’ve been very precise with what he meant.

Jerry Taylor was played by Pat Mastroianni, who is perhaps best known for his role as Joey Jeremiah in the Canadian television franchise Degrassi, starring in three different series: Degrassi Junior High (1987-89), where he won a Gemini Award for Best Performance by a Lead Actor in a Continuing Dramatic Role; Degrassi High (1989-91); and Degrassi: The Next Generation (2001-15), for its first few seasons.

Finally, we get a few returning characters from the High School Musical franchise, such as the Sharpettes, who we first meet in High School Musical 2 (2007), however, those friends from that film either annoyed Sharpay and she dumped them, or they moved away, because she has a new set of three friends this time: Tiffany, Dena, and Lupe. The three Sharpettes only appear for one sequence, and that is when they are tasked with organising everything for Sharpay’s trip to New York City, whilst she goes to the spa and shops for new clothes. Tiffany is told to set up an apartment, but fails to check if the building allows dogs. Big mistake. Dena books flights, which seemingly are fine, because Sharpay does arrive in the city, whilst Lupe sets up Sharpay’s audition, however, it is not made clear at this point that the audition is actually for Boi and not Sharpay. So, really, only Dena does her job properly, so Sharpay might want to consider rehiring for the other two girls in her group!

Lauren Collins was cast as Tiffany. Collins is best known for her role as Paige Michalchuk in the Canadian teen series Degrassi: The Next Generation, returning to play the role in other editions of the Degrassi television franchise. She had also been cast as Alexa in the ABC Family film Picture This (2008), which starred Ashley Tisdale, prior to her role in Sharpay’s Fabulous Adventure. She recently appeared as Alma in the Netflix film Frankenstein (2025). Shadia Ali was cast as Dena. She went on to be cast as Xannan Suleman in the Canadian political and crime drama Shoot the Messenger (2016). Alessandra Cannito was cast as Lupe. She had previously been cast as Elizabeth in the Disney Channel Original Movie Jump In! (2007).

Robert Curtis Brown and Jessica Tuck also make a return to the High School Musical franchise with their roles as Mr. and Mrs. Evans in Sharpay’s Fabulous Adventure. In High School Musical 2, Mr. Evans is shown to spoil his daughter Sharpay, giving her everything she could wish for, whereas Mrs. Evans is slightly harsher with Sharpay, not letting her change her decision about hiring the Wildcats. Yet in Sharpay’s Fabulous Adventure, Mr. Evans seems to have realised that his daughter is not equipped for the real world and needs to get a grip on reality and get a job, so she doesn’t just spend all day shopping and singing to herself. Mr. Evans rightly says that Sharpay should only get a month in New York City to prove herself, otherwise she’ll have to come back and work at the country club, but it is quite a harsh move from him after seeing his character in High School Musical 2. Mrs. Evans’ big contribution to this story is setting Sharpay up with Peyton. Peyton is told to keep an eye on Sharpay whilst in the city, and this seems to a big factor in Mr. Evans choosing to let her go. The two later come to New York to watch their daughter in A Girl’s Best Friend, showing they are proud and supportive of their daughter’s dream.

Lucas Grabeel also makes a brief reappearance as Sharpay’s twin brother Ryan in Sharpay’s Fabulous Adventure. His reappearance is only in the extended edition of the film, and is shown during the end credits. It is only about two minutes long as well, so any big fans of Ryan will have likely be very disappointed with this cameo. I also found it to be a bit awkward, like the two didn’t know how to speak to each other anymore. Whether that was to do with the actors, I’m not sure, but it could’ve just been that Ryan and Sharpay were at different stages of their lives, and perhaps hadn’t seen each other much, so it was all quite polite. But it was good to hear that Ryan was involved in a touring musical production.

MUSIC

Sharpay’s Fabulous Adventure is technically a musical, as it features four original songs, however, these are used for performances and audition pieces, although they do still relate to Sharpay’s emotions and inner thoughts at that point in the story.

The first song we see being performed by Sharpay is “I’m Gonna Shine”, as part of the local fundraiser. This is the very first sequence in the movie, so we get to see Sharpay doing what she does best right from the start. It showcases Sharpay’s impressive level of self-confidence, and how she is determined to be a star. To be honest, I didn’t particularly like any of the songs in Sharpay’s Fabulous Adventure, but “I’m Gonna Shine” was the best one for me. This song was written by Randy Petersen, Kevin Quinn, and Tim Heintz, and was performed by Ashley Tisdale as Sharpay Evans. Petersen and Quinn had both written songs for the High School Musical films prior to this.

Following on from that, Sharpay then performs the song “My Boi and Me” as part of her audition with Boi for his part in the musical A Girl’s Best Friend. It is a cheesy, musical theatre number, and that was probably the point because this in-movie musical definitely seems very cheesy! I don’t like this song at all, and I find it odd that, in an audition for a dog’s part, the song chosen very much showcases the owner’s singing ability. It’s another showy piece from Sharpay, and there isn’t any need for it, apart from the fact Sharpay’s Fabulous Adventure is a musical and is all about Sharpay. “My Boi and Me” was written by Matthew Tishler and Amy Powers, and was performed by Tisdale.

Because this song was an audition piece, another version of this song follows soon after, as it is performed, as “My Girl and Me”, with the word “Boi” just being substituted for “girl”, by Roger and his dog, Countess. It isn’t improved on at all in this reprise, and actually, it sounds auto-tuned, which is very off-putting. “My Girl and Me” was not performed by Bradley Steven Perry, despite him being cast as Roger. It was sung by Shawn Molko.

The remaining two original songs don’t appear until close to the end of the film. One of these is “New York’s Best Kept Secret”, which was a rehearsal piece that Sharpay performed with Boi to train him up for the show. On this occasion, Peyton recorded this private rehearsal, which was handy, because after the musical gets put on hold when Amber Lee quits, and they need a new lead, Peyton just shows this rehearsal to the director, the writer, and the cast and crew. They are so impressed they immediately hire Sharpay in the lead role. This is a slower, heartfelt song that Sharpay wouldn’t normally perform; she likes big, loud, busy, jazzy numbers usually. The song is all about how the singer just needs to be discovered so she can show everyone how good she is, mimicking Sharpay’s story at this point in the film. “New York’s Best Kept Secret” was performed by Tisdale, and was written by David Lawrence and Faye Greenberg. Lawrence and Greenberg had both written songs for the High School Musical franchise previously.

The final song is used for the final sequence of Sharpay’s Fabulous Adventure, as it is the opening number of A Girl’s Best Friend, with Sharpay performing the lead for the first time in front of a live studio audience. This number is “The Rest of My Life”, and it is a wholly positive song, about how the character is so excited to have finally achieved her dream on Broadway and hopes that the success will continue forever. The song was performed by Tisdale, and written by Matthew Tishler and Amy Powers. This song wasn’t terrible.

Matthew Tishler and Amy Powers had not written any music for the High School Musical trilogy; however, they went on to write songs for Disney Channel after this. Tishler contributed songs to ZOMBIES (2018) and ZOMBIES 4: Dawn of the Vampires (2025), as well as for other movies like Descendants 3 (2019) and series like High School Musical: The Musical: The Series (2019-23). Tishler and Powers both wrote the songs “Best Summer Ever” for Teen Beach 2 (2015) and “I Got My Scream On” for Girl vs. Monster (2012).  

There are three other songs that appear on the soundtrack, although these are not original songs unique to this film. Two are playing during montages. In the first montage, of Sharpay and Peyton walking around New York City as he shows her around, a cover of the song “Walking on Sunshine” is used. This song was originally written by Kimberly Rew for the British rock band Katrina and the Waves’ 1983 album. In Sharpay’s Fabulous Adventure, it was performed by pop duo Aly & AJ, who were signed to Disney’s recording label at the time, but also had acting careers on the channel, such as in the DCOM Cow Belles (2006).

The other montage is when Countess and Boi run off from the theatre so they can go on a date in the city together, which is…random. This song is a cover of Justin Bieber’s “Baby”, originally written by Justin Bieber himself; Ludacris, who was a featured artist on the original track; Christina Milian; The-Dream; and Christopher Stewart, and was released as the lead single on his 2010 album My World 2.0. Lucas Grabeel performs it here.

The end credits song is actually “Fabulous (Remix)”, which is, as you’d expect, a remix of Sharpay’s big number in High School Musical 2, therefore, it is performed by both Ashley Tisdale and Lucas Grabeel again. “Fabulous” was originally written by David Lawrence and Greenberg. “Fabulous” also appears in a jazzy instrumental form at other times during the film, just to really highlight that this is Sharpay’s story.

All eight of these songs feature on the official soundtrack for the movie, which was released on 19th April 2011. Some editions of the soundtrack also contained bonus tracks which are all songs performed by Sharpay in the previous High School Musical films.

Another High School Musical song to make an appearance in Sharpay’s Fabulous Adventure is “What I’ve Been Looking For”, which Ryan and Sharpay sing to each other when he arrives at her apartment to congratulate her on her Broadway success. This is in the extended scene that plays during the end credits. It was performed by Tisdale and Grabeel, and the song was written by Andy Dodd and Adam Watts

There is also an instrumental song that appears during the montage of Sharpay doing Amber Lee’s household chores. This is “The Can-Can”, originally composed by Offenbach. The version used in Sharpay’s Fabulous Adventure was not credited.

The composer of the score for Sharpay’s Fabulous Adventure was George S. Clinton. He had previously worked on the music for a few other Disney films, including The Santa Clause 2 (2002) and The Santa Clause 3: The Escape Clause (2006), and was the composer for the DCOM ZOMBIES (2018). Clinton then co-composed the score with Amit May Cohen for the 2020 and 2022 ZOMBIES sequels.

PRODUCTION

After the success of High School Musical, the two sequels came thick and fast. We got a High School Musical every year from 2006 to 2008. It wasn’t a long time that the movie franchise was actually around for, but it had captured the attentions of people all around the world over those three short years. However, without anything new coming soon after High School Musical 3: Senior Year, the popularity of the franchise wasn’t going to sustain itself.

So, it may’ve come as a surprise to some, including me, when rumours started going around in early 2010 that a new High School Musical movie was coming, that was going to be all about Sharpay’s life after East High. Production on the film was confirmed around June that year, as the main cast were announced, along with the name of the director, and the names of the songwriters who would be writing new original songs for the film. The announcement also stated that the film’s Disney Channel premiere was expected in 2011[2].

There was some discussion about whether Vanessa Hudgens would be making a cameo as Gabriella Montez in Sharpay’s Fabulous Adventure as this new the film was being talked about, especially after Hudgens stated that she would be interested in making a cameo in the film if she was asked[3]. It is unclear if Hudgens didn’t appear in the film because she wasn’t asked or was simply too busy, which was what Tisdale stated later on. For whatever reason, Lucas Grabeel was the former Wildcat to make a cameo appearance as Sharpay’s brother Ryan, which I think makes much more sense than Gabriella showing up. Hudgens did make an appearance at the official “pink carpet” premiere of the movie though, on 6th April 2011, as did another High School Musical cast member: Zac Efron.

Michael Lembeck was confirmed as the director of Sharpay’s Fabulous Adventure, having already had some experience working for Disney, directing The Santa Clause 2 and The Santa Clause 3: The Escape Clause, for example. He had also recently directed the family-friendly comedy film Tooth Fairy (2010), which starred Dwayne Johnson, around this time. Lembeck also directed some episodes of the sitcom Friends (1994-2004) prior to this, even winning an Emmy Award for Outstanding Directing for a Comedy Series for the episode “The One After the Superbowl”. More recently, Lembeck directed the majority of the episodes of the Freeform sitcom Baby Daddy (2012-17).

Sharpay’s Fabulous Adventure was written by Robert Horn. Around this time, Horn was known for his work on the musical 13, which debuted on Broadway in 2008, and for co-writing the Disney Channel movie The Suite Life Movie (2011). Horn went on to co-write the Disney Channel musical Teen Beach Movie (2013) and contributed to the story of its sequel. Horn has since co-written further stage musical adaptations, such as Tootsie, where he won the Tony Award for Best Book of a Musical with David Yazbek in 2019, and Hercules, adapted from Disney Animation’s 1997 film, with Kwame Kwei-Armah, which opened on London’s West End in the summer of 2025. Sharpay’s Fabulous Adventure is obviously also based on the characters from High School Musical, created by Peter Barsocchini.

Despite Sharpay’s Fabulous Adventure being set in both Albuquerque and then New York City, neither area was used for the filming of this movie. Instead, production was actually based in Toronto, Canada. Many Disney Channel movies have been filmed in Canada, including the original Descendants trilogy. It wasn’t even the first Disney movie to have been filmed in Canada, but that is partially set in New York City. One other is Confessions of a Teenage Drama Queen (2004), which starred Lindsay Lohan and Megan Fox[4]. It has been said that Sharpay’s house was the same mansion to appear in Confessions of a Teenage Drama Queen, as the home of mean girl, Carla Santini. However, I cannot find any conclusive evidence of this, as there are few shots of the mansion in Sharpay’s Fabulous Adventure and they don’t show much. If it is the same mansion, then it is situated in the city of Mississauga in the Greater Toronto Area.

Another filming location is the Elgin and Winter Garden Theatres, this being the main theatre space where Sharpay and Boi spend much of their time auditioning and rehearsing for the musical. We get to see both the interior of the theatre, and the exterior, decorated with posters and adverting for A Girl’s Best Friend. Outside of that, the rest of Sharpay’s Fabulous Adventure is mostly filmed on the streets, or inside apartment sets, made to be bright pink and “fabulous” to match Sharpay and her pink, sparkly costumes.

The production designer on Sharpay’s Fabulous Adventure was Mark Hofeling, the production designer on the previous High School Musical films. The costume designer here was Natalie Bronfman, although Tom McKinley is specifically credited as the costumer designer for Sharpay. McKinley had been the costumer designer for High School Musical and High School Musical 2, where he would’ve worked with Ashley Tisdale previously, but also worked on various other DCOMs including Den Brother (2010) and Cloud 9 (2014).

RECEPTION

Sharpay’s Fabulous Adventure was released on DVD and Blu-Ray on 19th April 2011. This was the first opportunity for viewers to watch this High School Musical spin-off.

To really entice people into purchasing this film, which many would’ve been expecting a later Disney Channel premiere for, the film was released with extras like bloopers and behind-the-scenes footage. There was even a 3-Disc Combo Pack Superset available to buy, which included Blu-Ray, DVD, and Digital copies, plus a pink clutch purse, though how many people actually used this purse for anything useful, I have no idea.  

Those who hadn’t fallen for Disney’s tactic of trying to coax you into buying an exclusive DVD by not premiering the movie on Disney Channel first had to wait over a month for the film to finally come to their screens. It premiered on Disney Channel in the US on 22nd May 2011, officially being branded as a Disney Channel Original Movie, despite its earlier DVD release. It later came to international Disney Channels in the following months.

The viewing figures for Sharpay’s Fabulous Adventure’s Disney Channel premiere has been widely reported to be 4.9 million, far below the premiere figures for either High School Musical, with 7.7 million, or High School Musical 2, with 17.2 million, making it seem like there was little appetite for this new High School Musical movie. When High School Musical 3: Senior Year premiered on the channel in 2010, almost a year and a half after its theatrical release, it only saw about 4 million viewers tune in, so this adds to that theory.

Sharpay’s Fabulous Adventure was the joint lowest-watched DCOM premiere of the year, matching November 2011’s Geek Charming. Phineas and Ferb the Movie: Across the 2nd Dimension, the big summertime premiere in August, did the best of any DCOM in 2011, being watched by 7.6 million viewers. Ashley Tisdale voiced Candace in that DCOM. Bradley Steven Perry’s other DCOM release of 2011 was Good Luck Charlie, It’s Christmas! It was viewed by 6.9 million viewers. Disney Channel Original Movies’ viewership was very up and down over this period though, likely as High School Musical’s success, which had brought additional viewers to the Disney Channel across the globe, wore off.

The film received a nomination for director Michael Lembeck at the Directors’ Guild Awards for Outstanding Directorial Achievement in Children’s Programs. Lembeck was recognised alongside the directors of two other DCOMs: Geek Charming’s Jeffrey Hornaday, and Lemonade Mouth’s Patricia Riggen. The award actually went to Amy Schatz for the HBO Family show A Child’s Garden of Poetry.

In terms of reviews, Sharpay’s Fabulous Adventure received mixed reviews, as many DCOMs do, with viewers split over whether this film was good or bad. The music also received a mixed response, as some loved it, and others didn’t think it matched up to the High School Musical films, with the songs being largely forgettable.

For those who liked Sharpay’s Fabulous Adventure, they liked how Sharpay had been humanised in this story. She does have a heart-to-heart with Peyton about how she shouldn’t lose sight of herself when achieving her dreams, whereas in the High School Musical trilogy, Sharpay mostly just stepped on other people to get what she wanted, with mixed results, so I can understand this comment. Others said the film was entertaining and a lot of fun, whilst it was admitted that it was generally aimed at specifically Sharpay fans, High School Musical fans, or tweens and teens. They’d enjoy the movie even if others didn’t, but it wasn’t seen to be as watchable by anyone outside of that.  

There were other critiques on the film as well, such as comments stating that the time had come for Disney to finally move on from High School Musical, especially given that Sharpay’s Fabulous Adventure was not a worthy addition to the High School Musical franchise or its legacy. Many teens who had loved High School Musical had already moved on, to more mature franchises like The Twilight Saga (2008-12) and Glee (2009-15) by this point and therefore didn’t need to see Sharpay anymore. Others said the story was predictable. Even I could guess what was going to happen and normally if I enjoy a film enough, I won’t guess ahead, so I can agree with this comment. Some missed the other High School Musical cast members, with many wanting Ryan to have had a proper role in this film, because him and Sharpay had always been together in the previous films. The dog storyline, where Countess and Boi fall in love, was also criticised as being unnecessary. Viewers had other ideas of how the story could’ve been improved, for example, seeing Sharpay try out for numerous auditions and not getting the roles, or even having Sharpay go up against Tiara Gold back at East High, the film we may’ve been expecting when it was announced that Sharpay was getting her own film. I think either plot could’ve worked out.

My biggest problem with Sharpay’s Fabulous Adventure wasn’t actually the story, although I wasn’t a fan of having the two dogs fall in love because it didn’t add anything. My biggest issue with this film was Sharpay herself. She’d changed and wasn’t much like her character from High School Musical at all. Other reviewers also mentioned this.  

To emphasise this point, there are a few specific scenes where I felt Sharpay wasn’t written well. Firstly, I find it quite strange that a girl who was so desperate to be on Broadway would’ve spent a year at home not doing anything. At the end of High School Musical 3: Senior Year, Sharpay had plans to go to the University of Albuquerque for acting classes, and was meant to be helping Ms. Darbus with the drama department at East High. I don’t think she necessarily would’ve stuck at these for very long, but instead, Sharpay would’ve been trying to get auditions and trying out for roles, not living at home, happy enough to just sing to her parents’ friends at local fundraisers.

Another is the point where Sharpay is sat on her luggage on the streets of New York, not doing anything. I believe that Sharpay would’ve been on the phone having a go at her friend who had booked the apartment for her and not checked that dogs were allowed, not just sat there looking sad, wondering what to do next. This would’ve made her still interesting to Peyton, so that interaction could’ve still happened. Sharpay would also never debase herself to being a PA regardless of the reason for it. She would’ve seen herself as equal to Amber Lee, and this could’ve led to an actual rivalry, not having Sharpay be the victim when Amber Lee ends up laughing about her. Sharpay never let herself be the victim.

Generally, I felt that Sharpay in Sharpay’s Fabulous Adventure more closely resembled the ditzy heiress London Tipton in The Suite Life of Zack & Cody, which Tisdale also starred in, as Maddie. This film even had a similar scene with a Murphy bed that exists in the episode “Poor Little Rich Girl”, where London has to live with Maddie for a bit, and Maddie has two Murphy beds in her room for space. I don’t think Sharpay would’ve been impressed with this bed she got in her studio apartment, but she wouldn’t have looked at it like it was an alien and she had no idea what it was. Basically, I felt Sharpay lacked a lot of that tough spirit she’d always had in High School Musical.

LEGACY

Sharpay’s Fabulous Adventure was a spin-off to Disney Channel’s insanely popular High School Musical franchise, becoming the fourth instalment after the trilogy of films.

This meant that High School Musical became only the second Disney Channel Original Movie franchise to reach four movies, after Halloweentown. It was the first Disney Channel musical franchise to hit four films, with the likes of Descendants and ZOMBIES following in their footsteps in recent years, taking note of the popularity of musical DCOMs, and finding new ways to take their stories beyond an initial trilogy. Descendants even has a fifth film coming, and there is apparently a fifth ZOMBIES movie in the works too.

Sharpay’s Fabulous Adventure also became the only DCOM to be released direct-to-DVD before premiering on Disney Channel; this was never replicated. To be honest, I find it quite strange that Disney Channel would choose to release a DCOM on DVD prior to its release on their channel, and the fact that the Extended Edition, with that end credits scene, only exists on the Disney Channel showings of the film is even stranger.

In terms of whether Sharpay’s Fabulous Adventure added much to the High School Musical franchise, the answer to that is easy: not really. It might have been popular with fans, particularly younger fans, but since this movie wasn’t followed up with any other spin-offs relating to what happened to the rest of the Wildcats after they graduated, it can’t have been seen as a big money-maker for Disney, otherwise you know they would’ve done more.

Sharpay’s Fabulous Adventure may’ve kept the character going just a little bit longer, but it wasn’t really an addition to the franchise and didn’t span much, if anything, of a legacy on its own, other than a few items of merchandise, like clothing and accessories.

FINAL THOUGHTS

We’d all expected there to be a fourth movie in the High School Musical franchise.

I’d always thought we’d see something from the freshmen who made their first appearances in High School Musical 3: Senior Year, and that maybe Sharpay would be included, as she was one of the popular characters from the franchise, and her story had been left open for a return to East High. So, a film with Sharpay was a likely option.

However, I did not expect to see Sharpay trying to get on Broadway being the focus of this fourth instalment of the franchise. Sharpay’s Fabulous Adventure is not a great film, and I certainly don’t think it is worthy of having any link to High School Musical. If they’d changed the character name and put someone else in the main role, it still would’ve worked as a DCOM and might’ve worked out better with a new character.

Sharpay’s Fabulous Adventure was nothing particularly special, and seemed to only be made to appeal to fans who wanted more Sharpay. It didn’t inspire any further films, and this was where we left Sharpay’s story. It seemed that High School Musical’s fame was not going to be revived in movie form, and this film would likely end up being forgotten by the majority of High School Musical fans, even if it did allow us to finally see Sharpay achieve her big dream of starring on Broadway.


REFERENCES

[1] Credit: Disney Channel, “Sharpay’s Fabulous Adventure: Austin Cam’, DVDExtrasAndMore YouTube Channel, 4th August 2011.

[2] Credit: Nellie Andreeva, ‘Disney Channel Taps Director, Cast For HSM Offshoot ‘Sharpay’s Fabulous Adventure’’, Deadline.com, 8th June 2010.

[3] Credit: The Irish Examiner, ‘Hudgens looking forward to ‘High School Musical’ spin-off’, IrishExaminer.com, 19th April 2010.

[4] Credit: Becca Rhodes, ‘Visit Carla Santini’s House from ‘Confessions of a Teenage Drama Queen’’, TheFilmTripper.com, date unknown.

High School Musical 3: Senior Year (2008)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

It was official. High School Musical 3: Senior Year was coming to a cinema near you.

It was time to end this trilogy, which had actually only been in our lives for less than three years, but it was still a momentous occasion for all the fans that had been following the journeys of Troy, Gabriella, Chad, Taylor, Sharpay, and Ryan. It all came down to this one moment: senior year, and what was coming next for the Wildcats.

The fact that High School Musical as a film franchise became as big as it did is crazy. The first two were only TV movies after all, but they went stratospheric, so those dedicated fans probably felt that High School Musical 3: Senior Year not only deserved to be released theatrically, but that it absolutely had to be – I was just one of those fans.

This wasn’t even the first time a movie that would be considered a Disney Channel Original Movie, rightly or wrongly, was released into cinemas first. The first of this hybrid was The Lizzie McGuire Movie back in 2003, and it was modestly successful. High School Musical had a much bigger fanbase so it could only do better than that. Hannah Montana: The Movie followed in those giant footsteps in April 2009 and was also a financial success, although not at the same level as High School Musical 3: Senior Year.

I remember seeing High School Musical 3 at the cinema. It felt great to be in a room full of other High School Musical fans, mostly tweens and teens, even hearing the collective screams as the titles rolled, followed by more screams as we saw an intense close-up of Zac Efron’s sweaty face. At least, I thought there was screaming; maybe I imagined it!

I went to see High School Musical 3 with my mum and my sister. It was October 2008, so October half-term for UK schools. I was 15, getting ready for my GCSE exams, whilst my sister was a school year older than me, and was starting to think about university, kind of mimicking the storyline that played out before us. This plot point caused my mum to cry throughout the movie, as she thought about my sister leaving the family home and heading off to uni. To be fair, my mum cries at pretty much any film she watches, but there was something more personal to it this time. I’m sure many teenagers watched Troy’s confusion and related to it, as well as parents thinking about their children’s college futures.

I wasn’t thinking about university at this stage, I still had time to revel in the delights of Disney Channel movies without taking them too seriously, and yet High School Musical 3 was an emotional turning point for me – because it was the first movie to really make me cry.

PLOT

High School Musical 3: Senior Year begins as the East High Wildcats take on the West High Knights in what is the last game of Troy, his best friend Chad, and the other seniors’ high school basketball careers. They’re losing, 47-26.

The dejected team return to the locker room at half-time. Coach Bolton leads a motivational speech, telling the team to ignore the scoreline and to focus on the fact the seniors only have 16 more minutes left to play in Wildcat uniform. Troy and Chad then lead the team back out onto the court, pumped up and ready to give the last few minutes their all. The Wildcats fight to get back in the game, although Troy is pushed to the ground at one point. He sees Gabriella in the crowd, who wills him to continue. With seconds to go, the Wildcats need one more shot to win. Troy gets the ball, but passes it to a freshman player, Jimmie Zara, also known as “Rocket Man”. He takes the shot, and they win the game.

Their championship win is celebrated with a victory party at Troy’s house, attended by East High students, parents, and even college recruiters from the University of Albuquerque, here for Chad and Troy. The two are late to the party, as they have to push Troy’s truck home! Once there, they are immediately surrounded by well-wishers, but Troy just wants to speak to Gabriella. He takes her to his treehouse so they can talk. They discuss their college plans, with Troy not so sure about following in his father’s footsteps and playing basketball at his alma mater. Gabriella has already been accepted to Stanford University, but she isn’t too excited about it. The two wish for everything to slow down.

The next day at school, as the school celebrate the championship, Sharpay is too self-absorbed to notice! At her locker, Sharpay finds a freshman girl there. This girl is Tiara Gold, an exchange student from England, who wants to be Sharpay’s personal assistant. Sharpay agrees to let Tiara have the job. Meanwhile, Rocket Man has asked Troy for his gym locker, since he expects to be the basketball captain soon. Troy says he’ll think about it.

Heading into homeroom with Ms. Darbus, we hear that senior year is looking busy, with finals, prom, yearbook committee, and the spring musical. Sharpay excitedly talks about her plans for the musical to be a one-woman show, featuring her, which concerns Ms. Darbus, wondering why more people didn’t sign up. This causes Kelsi to panic and write down the name of just about every student in homeroom. They are annoyed at Kelsi, even Troy, Chad, and Taylor, who don’t believe they have time to fit in rehearsals for a musical. Kelsi and Gabriella club together to try and convince the others to do this last school musical. It’s not until Troy says he’ll do it that the others reconsider. Ms. Darbus then arrives, with Sharpay and Ryan, and says the musical will be about them; a recreation of their senior year, with Kelsi composing the music, and Ryan doing all the choreography. She also announces that representatives from Juilliard will be attending the musical, as they consider four students for scholarships: Kelsi, Sharpay, Ryan…and Troy. Troy is shocked to hear this, as he didn’t apply, but he can’t deny being at least a little bit interested.

At lunch, Sharpay talks to Ryan about how and why Troy is being considered for a Juilliard scholarship, wondering if Troy is threatening her chances of getting this one coveted scholarship. Sharpay tries to get Ryan to focus, by thinking about their futures on Broadway. She tells Ryan to get close to Kelsi, so they can get the best songs, since Kelsi normally writes those for Troy and Gabriella, but they’ll need the edge over Troy this time.

The next day, Taylor and Gabriella discuss the musical, as Taylor reminds Gabriella that if she gets on to the Stanford honors program, then she won’t even be here to do the musical. Gabriella would rather not think about that right now, and goes to the school’s rooftop garden to meet Troy. Troy asks Gabriella for her opinion on what colour jacket he should wear to prom, and presents her with two tickets, which, as Gabriella says, is almost like asking her to prom! He then asks Gabriella if they’ll have to waltz at prom, because the theme is “The Last Waltz”. She says she can teach him, and the couple proceed to waltz in the rain together – until they realise they’re late for class.

Chad and Troy then head to the gym locker room, where they take Rocket Man and friend Donny’s clothes, telling them it is locker switch day. However, this isn’t going to be a simple switch as Chad and Troy remind the freshmen that they had to “earn” their lockers. So, naturally, Chad and Troy lead the two on a chase through the school, with Rocket Man and Donny only in their towels. They end up at the school theatre, interrupting a warm-up exercise. Rocket Man and Donny are suitably embarrassed, and to make it worse, Taylor and Gabriella take a photo of them for the yearbook. Ms. Darbus tell the boys to get dressed, so Troy and Chad hand back their clothes, and gives them detention. After school, Troy takes Gabriella home, although his truck is still struggling. There, the two talk about college again, but their conversation is interrupted by Gabriella’s mother. Troy goes home.

 Back at school, Chad and Troy meet up with Taylor and Gabriella in the yearbook office. They arrive with brownies, in order to “bribe” them for good yearbook coverage. Chad starts talking about prom, assuming that Taylor is going to go with him. This annoys her, as she wants Chad to properly ask her to prom. At lunch, Troy helps Chad, by silencing the cafeteria, so Chad can ask Taylor to prom, in front of everyone. This seems to be embarrassing enough, so Taylor accepts, saying she’d be honoured to be his date to prom. We then see the Wildcats preparing for prom; however, it turns out this was all just a rehearsal for the musical as they stage the perfect prom. At the end of the dance, Rocket Man and Tiara are tasked with being understudies for the musical by Ms. Darbus. We also see Sharpay pressuring Ryan to speak to Kelsi about music again.

The next day, Gabriella shows Taylor a letter saying she got onto the Stanford honors program, but she admits she hasn’t decided what to do about it yet, not even telling her mother. This conversation is overheard by Tiara, who is dropping off Sharpay’s yearbook photos. She alerts Sharpay to this update. They research the program further, printing the information off so they can tell the whole school about it. Meanwhile, Ryan hears Kelsi playing a new song. He asks to hear it, and sings along with her, also asking her to be his date to prom. This song is then rehearsed by Troy and Gabriella as their big duet for the musical, making Sharpay jealous, as it is a big hit.

After school, Troy and Chad head to the salvage yard to try and finally fix Troy’s truck. Whilst there, the two talk about college, as Troy is continuously being reminded of the fact he’s expected to play basketball for the University of Albuquerque next year, but he still doesn’t know if he wants that. This makes Chad concerned that Troy would potentially go to Juilliard if he got the scholarship, and tries to talk him out of it because that U of A has always been the plan. Troy reminds Chad of their childhood, where there weren’t any plans or expectations, and they could pretend to be whoever they wanted to be.

At Gabriella’s house, Gabriella and Taylor talk about Gabriella potentially deferring her place at Stanford for a year, and not going on the program that starts the following week. Taylor tells Gabriella that is all a mistake and she can’t put her life on hold just to be with Troy, no matter how great he is. Gabriella’s mum comes into the room, and Taylor leaves so they can talk. Her mother reminds her that high school might feel really important now, but it won’t in the future, and she should focus on what is coming next. Gabriella is heartbroken about the idea of having to say goodbye to everyone so soon. Troy is having a similar problem, as his parents discuss with Chad and his parents over dinner their excitement about Chad and Troy’s college future in Albuquerque. Troy and Gabriella fear that everything is happening too quickly, and they just want to focus on right now. This sequence appears in the extended edition of High School Musical 3: Senior Year.  

The following day, Sharpay tells Troy the good news, about Gabriella being accepted onto the Stanford honors program. Troy doesn’t know anything about it, so Sharpay says he clearly doesn’t know because Gabriella isn’t considering going on it. She knows Troy will feel obligated to talk her into going. That is exactly what he does that evening, going to her house with a picnic of pizza and chocolate-covered strawberries. He reminds Gabriella that she can always come back for prom and graduation. Gabriella accepts that as a compromise, and goes off to Stanford with her mother, although she is rightly devastated.

The musical must go on without Gabriella though, as she won’t be returning for that, so Ms. Darbus instructs Sharpay to now play Gabriella, as they were all playing themselves, and Tiara will now be Sharpay. Nothing feels right though and rehearsals are a bit of a disaster… That evening at home, Troy is confronted by his father about why he has a brochure for Juilliard, not believing that Troy is going against their plan of Albuquerque. Troy reminds his father that Albuquerque was always his plan, not Troy’s, and angrily, Troy goes to the school, puts on his basketball jersey, and tries to stop himself feeling so conflicted. He ends up on the school stage and screams into the darkness. Except he isn’t alone, as Ms. Darbus is still at the school, working out how to get the musical back on track. She tells Troy she applied to Juilliard on his behalf, wanting him to consider other options now whilst he still had time to. He appreciates what she has done, but he is still confused.

Later, Troy and Chad pick up their tuxedos for prom in a few days. Troy then gets a call from Gabriella, saying she won’t be coming back for prom, as she’s only just gotten used to being away from him and doesn’t want to keep saying “goodbye”. Troy tells Chad all this, with Chad simply saying Troy will have a nice time at prom with his friends, and they’ll still have each other next year at the University of Albuquerque. Troy says he doesn’t plan on missing his prom – but forgets to mention that his prom is actually going to be in Stanford with Gabriella. He drives all the way there to surprise her, and the two dance around a tree on the campus. This leads to a fantasy sequence, where we see all the Wildcats dancing at prom together, including Troy and Gabriella, despite them being miles away. Troy tells Gabriella that East High changed when she arrived, and that it has changed again now she’s gone. Nobody wants to say goodbye to her, so they head back for the musical.

On the night of the musical, Rocket Man gets a text from Troy, saying he won’t be there for the first act, but hopes to be there for the rest of it, so as the understudy, Rocket Man will have to go on as him. He is in shock. Sharpay is warming up, and keeps asking for Troy, but despite Donny trying to tell her that Rocket Man will be going on for Troy, she doesn’t listen and gets ready for her big duet. The rest of the students go on, with Ryan and Kelsi introducing the show; Chad recreating the basketball game; and Ryan mimicking his potential future Broadway performance. We then get to Troy and Gabriella’s duet. Sharpay arrives on stage as Gabriella and starts to sing, but Troy does not show up, and Rocket Man misses his cue. As Sharpay stands there panicking, in front of her parents and the Juilliard representatives, Rocket Man finally shows up on stage, dressed completely inappropriately and acting way too excited! The audience laugh but Sharpay is horrified and runs off stage. She then sees Troy and Gabriella arrive and sarcastically tells them to go and save the day.

Back in her dressing room, Sharpay sees Tiara has stolen her dress for the show and plans to go on as Sharpay. Sharpay learns that Tiara was using Sharpay to get to grips with how the school works, so she can take over the drama club next year. Sharpay is surprised, but learns that Tiara transferred here from London Academy of Dramatic Arts. Troy and Gabriella do their duet as this is going on and all the Wildcats join them on stage in a tearful reunion. It is then time for Sharpay – I mean, Tiara’s – number. Tiara begins the performance, only for Sharpay to rock up and take the spotlight away, having gotten over her pity party!

The musical ends with all the seniors lining up on stage, as it is announced where they are all going to college. Here, Ms. Darbus announces that both Ryan and Kelsi got scholarships to Juilliard, with Juilliard accepting both of them due to the quality of their work. Taylor is going to Yale to study political science, and Sharpay is attending University of Albuquerque for performing arts, also being available to help Ms. Darbus with the drama club at East High, upsetting Tiara. Then, it is time for Troy to make his decision. Troy announces that he will be doing both theatre and basketball, but not at Albuquerque. He’s decided to go to the University of California, Berkeley, so he can be close to Gabriella as she studies pre-law at Stanford, which will only be 32.7 miles away. It’s actually more like 40 miles but who’s counting! Chad is announced as having a basketball scholarship to the University of Albuquerque, but he’s not on stage. Troy finds him on the basketball court. Chad is just a little disappointed Troy won’t be at the same college, but he is pleased to find out that their two colleges will play against each other in November. Coach Bolton comes in to tell the two to get back on stage, the first time he’s ever said that!

Then, it is time for graduation, where Troy gives a speech, about how the students here are taught to break the status quo, whether that is a basketball player who likes to sing, or one who likes to bake. He also mentions how the right person, i.e., Gabriella, can change everyone for the better. Troy ends his speech by saying they will always be friends, and they will always be Wildcats. The graduating class comes together, making the famous Wildcats logo, before throwing their caps in the air. They all celebrate.

The movie ends with Troy, Gabriella, Chad, Taylor, Sharpay, and Ryan separating themselves from the group on the field, and a red curtain falls in front of them. They are then transported to a stage, where we see the High School Musical logo come down, and we get a close-up of each of the six, as they say goodbye to all of us, giving their final curtain call.

CHARACTERS & CAST

Continuing on from his struggles in High School Musical 2, Troy debates his college future in High School Musical 3: Senior Year. As the end of senior year comes closer and closer, Troy starts to panic at the big decision he has to make: whether to go the University of Albuquerque for his basketball scholarship, or consider something closer to Gabriella’s choice of Stanford, and whether it should involve theatre. Theatre doesn’t seem like an avenue Troy was ever considering, but that was before Ms. Darbus submitted an application on his behalf for Juilliard. Eventually, Troy decides he can’t just go to Albuquerque because his father went there and Chad is going; he has to decide what’s best for him. Troy chooses to be close to the girl he loves, and pursue what interests him.

Zac Efron returned to round out his role as Troy Bolton in the High School Musical trilogy. Shortly after High School Musical 3: Senior Year, Efron played Young Mike O’Donnell in the teen rom-com 17 Again (2009), which also starred Leslie Mann, Matthew Perry, and former Disney stars Michelle Trachtenberg and Sterling Knight. He went on to try out a more dramatic role with the title role in Charlie St. Cloud (2010). He also voiced Ted Wiggins in the animated film The Lorax (2012). Efron has since gone on to star in a variety of movie genres, with just a few of these being Teddy Sanders in Neighbors (2014) and its 2016 sequel; Matt Brody in the remake of Baywatch (2017); and portraying serial killer Ted Bundy in Extremely Wicked, Shockingly Evil and Vile (2019). Efron also did not turn his back on movie musicals after High School Musical either, as he played Phillip Carlyle in the smash-hit The Greatest Showman (2017), alongside Zendaya and Hugh Jackman. He also had his own travel documentary series called Down to Earth with Zac Efron (2020-22), which streamed on Netflix. Efron recently starred as Chris Cole in the Netflix film A Family Affair (2024). We all knew Efron’s acting future was going to be bright.

In contrast to Troy, Gabriella has her whole future mapped out for her, starting with a place at Stanford University to study pre-law. Although Gabriella debates whether she should go to Stanford or go to University of Albuquerque to be near Troy, it’s never really a serious proposition, as she knows, her mother knows, and her best friend Taylor knows that she should never give up her future for a boy, especially as Gabriella is too intelligent to let an opportunity like Stanford pass her by. It would’ve made no sense to have Gabriella change colleges to be near Troy, so I am glad that it is Troy that changed his college plans to be closer to Gabriella – although, to be honest, I think they would’ve managed a long-distance relationship had Troy decided to stay in Albuquerque. Gabriella’s importance to the whole gang of Wildcats is also shown further in High School Musical 3, as her leaving school early to start at Stanford causes everyone to feel deflated and low. With her return for the musical and graduation, everything goes back to normal, and it is clear that Gabriella is the glue that keeps the group together, bonding them all for life.

Vanessa Hudgens reprised her role as Gabriella here. After High School Musical ended, Hudgens also appeared in a variety of screen roles. For example, one of her first was as Sa5m – the “5” is silent – in the teen comedy Bandslam (2009). She also appeared alongside Dwayne Johnson, as Kailani Laguatan in Journey 2: The Mysterious Island (2012). She later appeared in the crime film Spring Breakers (2012) with James Franco, Ashley Benson, and fellow former Disney Channel star Selena Gomez. She was also cast as Kelly in Bad Boys for Life (2020) and Bad Boys: Ride or Die (2024). More recently, Hudgens was cast in numerous Netflix films, like The Princess Switch trilogy where she played three different roles: Stacy De Novo, Lady Margaret, and Fiona. Another was playing Karessa Johnson in the musical film Tick, Tick…Boom! (2021), which was directed by Lin-Manuel Miranda and starred Andrew Garfield. This came off the back of her roles in stage musicals, such as starring as Mimi Marquez in the 2010 Hollywood Bowl performance of Rent, and as Vanessa in the Kennedy Center production of In the Heights in 2018. In 2024, Hudgens won Season 11 of The Masked Singer (2019-present) in the US, as Goldfish.

Sharpay Evans seems to believe that senior year is going to be a breeze for her, not anticipating any upstaging in “her” spring musical for a start, as she believes everyone will be too busy with other school activities to take part. Yeah, that didn’t happen. She then thinks that the Juilliard scholarship is basically already hers. Things later fall into place for Sharpay when Gabriella leaves East High early to begin a programme at Stanford, but even that falls apart when Troy doesn’t come back in time to sing with her in the debut. She hates Rocket Man, and she even sneezes whenever he gets close to her. This chaotic performance ruins her chances of a scholarship at Juilliard, and then to make matters even worse, she finds the girl who wanted to be her P.A. is actually planning to replace her once she graduates! Sharpay won’t let that happen and shows she’s the true diva at East High, as she upstages Tiara in the final performance of the spring musical. Go, Sharpay! Ashley Tisdale reprised her role as Sharpay, and more was lined up for her within this franchise.

Ryan Evans’ main task through High School Musical 3: Senior Year is to choreograph the musical. He doesn’t want to get involved in Sharpay’s games, but yet again, he is ordered to get the best music from Kelsi so she can shine in the musical, and not Troy or Gabriella. Ryan sort of plays along, more so he can spend time with Kelsi though, as they become good friends, despite being in “competition” for the Juilliard scholarship. Ryan even asks Kelsi to prom which is sweet. Ryan doesn’t like Gabriella leaving East High early, like everyone else, and actually seems to enjoy his sister’s humiliation as she attempts to play Gabriella in the musical, only for Rocket Man to come up and upstage her with his odd outfit and behaviour! Ryan does succeed in getting a scholarship to Juilliard, along with Kelsi, so they can continue putting on musicals together for years to come.

Lucas Grabeel returned to play Ryan in this third instalment of High School Musical. After his time on Disney Channel, he went on to be cast as Toby Kennish in Freeform’s series Switched at Birth (2011-17) and voiced Deputy Peck in the animated Disney Junior series Sheriff Callie’s Wild West (2014-17). Grabeel also voiced the title role in Netflix’s animated series Pinky Malinky (2019).

Taylor McKessie is very busy in her senior year, with yearbook committee and being Class President. She is all set to go to Yale University to study political science, so she is well on her way to becoming the first female President of the United States. Taylor spends much of High School Musical 3 trying to convince Gabriella that she should go to Stanford, even if that means saying goodbye to everyone at school and to Troy, understanding how much of a big deal it is and how hard Gabriella has worked for it. Taylor is also going to college without her boyfriend, Chad, so she knows what she’s talking about. Luckily, Taylor’s calm reasoning encourages Gabriella to go to Stanford. Taylor’s other mini plot point in High School Musical 3 is her wanting Chad to ask her to prom properly. It’s not a big “promposal” or anything, but she doesn’t want him to assume she’ll just go with him, unlike Troy who did just that with Gabriella, though she didn’t care. It’s quite a fun, but kind of mean, moment from Taylor, as she really makes Chad sweat over that!

Monique Coleman came back to play Taylor, going on to appear in the television series Here We Go Again (2016), and to be cast as school guidance counsellor Katina Howard in Season 3 of the web series Guidance (2015-17). She also starred alongside fellow High School Musical cast member Corbin Bleu in the festive TV movie A Christmas Dance Reunion (2021); Coleman played Lucy, whilst Bleu played Barrett.

Chad Danforth believes throughout the course of High School Musical 3 that he and Troy are heading to the University of Albuquerque together, on basketball scholarships. He doesn’t feel like all that much can change for him as long as he has his best friend by his side. He has no worries or doubts. However, when Troy starts talking about potentially going to Juilliard or doing theatre, Chad becomes a bit like his character in High School Musical, telling Troy just to focus on basketball and the plan they’ve already got, which isn’t right. Chad doesn’t want to talk Troy through some of the concerns in his head, so they get forgotten about. However, after the musical, Chad learns that Troy is not going to Albuquerque with him, but Chad knows him and Troy can keep in touch, and they should both be happy and comfortable with their college choices.

Corbin Bleu returned to his role as Chad in High School Musical 3: Senior Year. Bleu has had much success with theatre work since starring in the High School Musical franchise. For example, he played Seaweed J. Stubbs in the 2011 Hollywood Bowl production of the musical Hairspray, going on to star as Jesus in the 2011/12 Broadway production of Godspell. Bleu also played Ted Hanover in the musical Holiday Inn on Broadway in 2016. He even played Seymour Krelborn in an Off-Broadway version of The Little Shop of Horrors around 2023/24. Most recently, he starred as Nick Carraway in the stage musical adaptation of The Great Gatsby for London’s West End in 2025. Bleu was also the runner-up in Season 17 of Dancing with the Stars (2005-present) in 2013, and won the dance competition series The Real Dirty Dancing (2022) with celebrity chef Cat Cora.

Kelsi Nielsen’s main role during High School Musical 3: Senior Year is to compose the music for the spring musical, ensuring everyone is involved, and making sure her music is good enough to impress the guests from Juilliard. Kelsi once again writes a brilliant duet for Troy and Gabriella, only for it to seemingly be given to Sharpay after Gabriella leaves for Stanford. Kelsi cannot change this decision, so has to grin and bear it as Sharpay changes the sense of her romantic song, as she had done in every other High School Musical film! Kelsi did avoid outright sabotage though, thanks to Ryan, as he chose to build a real friendship with Kelsi during the course of this film, instead of just using Kelsi to help his sister, making it all the more sweeter when Kelsi and Ryan are the two to get Juilliard scholarships, because they deserve it the most, for keeping themselves out of school drama.

Olesya Rulin reprised her role as Kelsi in High School Musical 3: Senior Year. After this, Rulin went on to be cast in the recurring role of Abby in the ABC Family series Greek (2009-11) and starred as Calista Secor in the PlayStation Network series Powers (2015-16).

Outside of these main characters, many other characters returned in High School Musical 3. These include Martha, played by Kaylee Stroh, who is excited to get dancing in the musical; Zeke, played by Chris Warren Jr., still honing his baking skills and playing basketball; and Jason, played by Ryne Sanborn, who is just happy he graduated! For the adults, many of them also returned from their roles in the previous two movies. For example, Bart Johnson and Leslie Wing Pomeroy were back as Mr. and Mrs. Bolton, who are looking forward to their son playing at the University of Albuquerque, however, when Troy changes his mind about college, they are supportive of him regardless, even Mr. Bolton, who had been uncertain about Troy’s love of theatre until the end of this film. Ms. Darbus, played by Alyson Reed, also returned as the drama teacher and director of the spring musical, as did Gabriella’s mother, Ms. Montez, after appearing in the first film; she was played by Socorro Herrera. Ryan and Sharpay’s parents make a brief appearance, as audience members of the musical, after their roles in High School Musical 2. Robert Curtis Brown and Jessica Tuck were once again back as Mr. and Mrs. Evans.

There are new characters to mention as well. Two of these are Chad’s parents, Mr. and Mrs. Danforth, who attend the championship victory party and the spring musical, and have dinner with Troy and his parents, as they celebrate their sons’ basketball scholarships at the local university. Mr. Danforth was played by David Reivers, Corbin Bleu’s father. Reivers was cast alongside his son in the Disney Channel Original Movie Jump In! (2007), playing Bleu’s character’s father, Kenneth Daniels. Yolanda Wood was cast as Mrs. Danforth. Wood has had smaller roles in other DCOMs, including as Christine in Read It and Weep (2006) and as Ursula’s Mom in Den Brother (2010).

For the students, there are three freshmen that High School Musical 3: Senior Year introduces, as they cross paths with the seniors. One of these is Jimmie Zara, also known as “Rocket Man”. He is part of the basketball team, so met Troy there, where he instantly began to look up to him. Rocket Man is a little bit annoying, interrupting Troy’s conversations and bothering him occasionally, and being quite immature, but really, he just wants to follow in Troy’s footsteps by being an East High legend eventually. And he literally gets to do that, by playing Troy in the spring musical – to Sharpay’s utter shock and horror! Rocket Man was played by Matt Prokop. He guest-starred in some episodes of Disney Channel series, such as Hannah Montana (2006-11) and Good Luck Charlie (2010-14), and later starred as Josh in the DCOM Geek Charming (2011) opposite Sarah Hyland. He has not acted since 2013.

Rocket Man’s best friend is Donny Dion. Donny is also on the basketball team and looks up to Chad, wanting himself and Rocket Man to have that same friendship and dynamic as Troy and Chad do. Donny finds himself in awkward situations thanks to Rocket Man, for example, Rocket Man tries to negotiate him and Donny getting Troy and Chad’s gym lockers, but Troy and Chad seem to think they have to embarrass them first to get them to “earn” them, and because of this Donny is photographed just in a towel, alongside Rocket Man. He also gets roped into working on the spring musical as a stage hand because this escapade led to them getting detention from Ms. Darbus! Donny Dion was played by Justin Martin. Martin was cast as Young Simba in the Broadway production of The Lion King in 2006, prior to his role in High School Musical 3: Senior Year. Recently, he was cast as Young Guy Simmons in the 2023 crime miniseries Legacy, with Ving Rhames as Guy Simmons.

Tiara Gold initially seems to be a sweet girl from Britain. She wants to help Sharpay organise her life for senior year, and she is very good at it, getting her coffee and her lunch, as well as being on hand to snoop on the fellow Wildcats to ensure the musical spotlights Sharpay instead of the others. Everything seems to be fine, until Sharpay discovers that Tiara has taken over her private dressing room during the spring musical and plans to take over the drama department after Sharpay has graduated. It’s meant to seem like this ultimate betrayal, but you’d think Sharpay wouldn’t really care, as she has her sights set on bigger and better things than her high school drama club… But apparently not. Sharpay ends up outshining Tiara on stage and is announced as Ms. Darbus’ assistant for the coming year as Sharpay will be attending college locally, so Tiara does not get her way. Jemma McKenzie-Brown was chosen to play Tiara Gold, after other actresses, including Selena Gomez, were considered for the role. Prior to her role in High School Musical 3, McKenzie-Brown had appeared in the BBC drama series The Amazing Mrs. Pritchard (2006) as Georgina Pritchard. Her on-screen sister in the series was played by Carey Mulligan. It would seem that McKenzie-Brown is currently the lead singer of the band About Bunny.

MUSIC

High School Musical 3: Senior Year consists of 12 new songs that appear in the film, making this the most original songs on the soundtrack of any High School Musical movie.

The first song in High School Musical 3 is “Now or Never”, which takes place as Troy, Chad, and the rest of the basketball team get back onto the court to finish their championship game against the West High Knights. It is performed by Zac Efron as Troy, Corbin Bleu as Chad, Chris Warren Jr. as Zeke, and Ryne Sanborn as Jason mostly, although I think Bart Johnson as Coach Bolton can also be heard on this track, as well as Vanessa Hudgens as Gabriella during one moment in the song. It was written by Matthew Gerrard and Robbie Nevil. “Now or Never” is a brilliantly high-energy song to focus all on attentions on the Wildcats and get ready for what is to come.

“Right Here, Right Now” is the first of three Troy and Gabriella duets. It is first heard as the two discuss college in Troy’s treehouse whilst at the victory party. They just want to enjoy their time together now, instead of thinking about college and how they’re likely going to be significantly separated from each other for the first time in two years. It is performed by Efron and Hudgens, and was written by Jamie Houston. The song makes a return during the extended edition of the film. In the extended scene, Troy and Gabriella are struggling to get their parents to understand their conflict about college, with Troy ending up in his treehouse and Gabriella on her balcony. They then sing “Right Here, Right Now”.

Next up is Sharpay’s “look at me” song – and it’s a good one. This song is “I Want It All”, performed by Ashley Tisdale as Sharpay and Lucas Grabeel as Ryan. It was written by Matthew Gerrard and Robbie Nevil. Here, Sharpay is trying to get Ryan excited about their future on Broadway and being famous. They just need to give amazing performances during the musical in front of the Juilliard reps, and their careers are set. This is all Sharpay’s fantasy about what her life is going to be, with Ryan joining her for the ride. It’s full of big sets, backing dancers, multiple costume changes, and moments where their fellow Wildcats are working for them, It’s a real spectacle – only to then be transported back to the cafeteria!

“Can I Have This Dance” follows on from that, and it is a quiet ballad for Troy and Gabriella this time, performed by Efron and Hudgens, with the song being written by Adam Anders and Nikki Hassman. This sequence takes place on the school’s rooftop garden as Gabriella teaches Troy how to waltz. It’s a very sweet song, as we see just how in love the couple are. A rainstorm suddenly appears midway through the song as well, but that doesn’t slow them down, as they dance around in the rain together.

A little while later, just after Chad finally asks Taylor to prom, the song “A Night to Remember” is performed. It is a group number, since the Wildcats are rehearsing this song as part of their spring musical, where they are staging their senior prom. The song involves all the main cast, including Monique Coleman as Taylor, Olesya Rulin as Kelsi, and Kaycee Stroh as Martha. “A Night to Remember” was written by Matthew Gerrard and Robbie Nevil. This song sees the cast getting ready for prom, being picked up by their dates, and then arriving at prom, where Kelsi gets to have a glow-up as she arrives to prom with Ryan looking beautiful, and very unlike herself.

“Just Wanna Be with You” is the other duet for Troy and Gabriella, although it is first sung by Kelsi and Ryan, as Ryan overhears Kelsi practising this song. Troy and Gabriella then rehearse the song on the stage, where the set is being built and painted around them. “Just Wanna Be with You” is therefore performed by Rulin and Grabeel, then Efron and Hudgens. This is my favourite of Troy and Gabriella’s duets throughout the franchise. It was written by Andy Dodd and Adam Watts.

Following that, Chad and Troy get to have a moment to perform together. This song “The Boys Are Back” takes place at the salvage yard, as they reminisce about their times there where they’d play about as children. We even see Young Chad and Troy run about this yard. There is some impressive choreography within this performance, and it is a very bold song. This is my favourite song in the film, and I like that Chad and Troy finally had a song together, just about their friendship. “The Boys Are Back” was performed by Efron and Bleu, and written by Matthew Gerrard and Robbie Nevil. It is also the second end credits song.

Then, we get to the really emotional moments in High School Musical 3: Senior Year. As Gabriella is leaving Albuquerque and heading to Stanford, she sings “Walk Away”. This is a difficult time for her, as she is saying goodbye to all her friends and to Troy. She is used to moving around frequently, but she didn’t expect to have to leave them all before prom or graduation. Gabriella is just trying to stay strong and move forward before she gets too upset. “Walk Away” was written by Jamie Houston and performed by Hudgens.

Now that Gabriella has left and everything feels different, Troy starts to struggle without her. After a fight with his father, who doesn’t want to believe that Troy is considering Juilliard or even a college future that involves theatre and not basketball, Troy heads to school late at night, which isn’t really allowed, but it sets up a song for him. This song is “Scream”. As Troy goes through the school, the anger builds up in him, about Gabriella leaving and not knowing what to do about college. The song involves some big choreography, like leaping down staircases, and being in a revolving corridor, before ending on the theatre stage where Troy literally screams his heart out. “Scream” was performed by Efron and written by Jamie Houston.

After that, we get the “Senior Year Spring Musical”, which is its own track on the soundtrack, giving the highlights of the musical, even though it only actually involves one new song. That song is “Last Chance” performed by Rulin and Grabeel as Kelsi and Ryan open the show. It was written by Randy Petersen and Kevin Quinn. Other songs performed in the musical are “Now or Never”, by Chad and the basketball team; “I Want It All”, by Ryan; “Just Wanna Be with You”, first by Sharpay and Rocket Man, so Matt Prokop, then Troy and Gabriella; ending with “A Night to Remember”, performed by Jemma McKenzie-Brown as Tiara, and Sharpay. Even though we’ve already heard these songs throughout the film, I still like this track where we hear it all together for this musical.

The next number “We’re All in This Together (Graduation Mix)” is actually used twice in High School Musical 3. First, it is used at the end of the musical as the seniors line up to announce their college futures, and then again at the actual graduation just a few minutes later as Troy gives his touching speech. I don’t particularly like this version of the song, as they’ve managed to make an upbeat song sound quite melancholic, but I can see what they wanted to do with it. It was written by Matthew Gerrard and Robbie Nevil, originally for the first film’s finale sequence. It was apparently performed by the main six cast members.

These same six are credited as performing the final song of the film, “High School Musical”. It was also written by Matthew Gerrard and Robbie Nevil. “High School Musical” is an incredibly positive song, as the Wildcats think about how brilliant their high school experience was, knowing they’ll never forget it. Despite it being a cheery song, it still makes me cry, because it is, after all, a goodbye from the cast to the fans in music form.

There is also a song that doesn’t appear on every version of the High School Musical 3: Senior Year soundtrack, but it is the End Credits song. This is “Just Getting Started”, written by Jamie Houston and performed by Stan Carrizosa. A mini-music video starring Carrizosa is also playing alongside the credits. Stan Carrizosa was a contest in the ABC reality contest High School Musical: Get in the Picture, which aired from July to September 2008. The prize was a record contract with Disney and to perform the original song and be in a music video for High School Musical 3’s end credits.

There were also a couple of reappearances of songs from High School Musical 2 here. As Sharpay walks into East High for her big entrance, and first appearance in the movie, an instrumental version of her song “Fabulous” is used. You’ll also hear Gabriella’s ringtone is “You Are the Music in Me” if you listen very carefully.

Along with the film’s main songs, there were some additional tracks credited. Three of these are songs that are playing at the victory party at Troy’s house after the basketball championship win. The first song used, as Troy and Chad arrive, is “Like Whoa”, performed by Aly & AJ, who had some history with the Disney Channel as they had both starred in the DCOM Cow Belles (2006). The pop duo was signed to Disney’s own recording label Hollywood Records at the time of High School Musical 3’s release. “Like Whoa” was written by Antonina Armato, Tim James, Amanda Joy Michalka, and Alyson Michalka. It had earlier been used in the DCOM Minutemen (2008).

The second song briefly heard at this party, just before we see Troy and Gabriella in Troy’s treehouse, is “Freaky”, performed by Jesse McCartney. McCartney also seemed to be with the Hollywood Records label at this time, and had made guest appearances in some Disney Channel series before that. In 2008, he also began to voice the character of Terence in Disney’s Tinker Bell animated movie series. “Freaky” was written by Theodore Thomas, Theron Makiel Thomas, Timothy Jamahil Thomas.

The party continues after Troy and Gabriella sing “Right Here, Right Now”, with the song “My Shoes”, performed by Jordan Pruitt, playing briefly in the background. Pruitt also has a history with the Disney company and its recording label. Her song “Outside Looking In” featured in the DCOM Read It and Weep (2006), and she also toured with The Cheetah Girls and the High School Musical cast for their concert tour as their opening act, before performing the song “Jump to the Rhythm” for the DCOM Jump In!.

Outside of that, two instrumental tracks seemed to have been used to complement the movie’s music. One of these is “Dillon Cadence”, written by Rob Walker. It appears to be the drum beat playing as the Wildcats make the school logo after graduation. I’m not sure where the other song, “Snareway to Heaven”, written and performed by Bart Hendrickson and Stix Randolph, is, but it could be the drum music during the basketball game.

David Lawrence returned to compose the score for High School Musical 3: Senior Year, after his work on both High School Musical and High School Musical 2. By 2015, Lawrence would begin working on the music for another Disney Channel musical movie franchise, Descendants, also directed by Kenny Ortega. Lawrence wrote the music for all three of the Descendants original trilogy, just like he did for High School Musical.

High School Musical 3: Senior Year’s soundtrack was released on 21st October 2008 in the US. Sadly, it did not perform as well as the previous two movie soundtracks had, even though I think the music here is superior to the other two. It debuted at No. 2 on the US Billboard 200 chart, whereas the other two had topped this chart. However, it did still top the US Billboard Soundtrack Albums charts, along with the comparable charts in countries like the UK, Spain, Italy, Mexico, New Zealand, and Austria. It sold around 3.5 million copies worldwide, and a few songs also charted in the Billboard Hot 100 chart, including “Now or Never”, “I Want It All”, “Right Here, Right Now”, and “A Night to Remember”.  

PRODUCTION

With the unprecedent success of High School Musical 2’s premiere on Disney Channel, it was pretty much a guarantee that a third film was going to be made. In fact, quite soon after High School Musical 2 premiered, in August 2007, it is believed that this third movie was being discussed by Disney Channel executives.

It wasn’t particularly common for Disney Channel movie franchises to reach three movies at this point. There had only been a handful prior to High School Musical 3: Senior Year, and they were Zenon, Halloweentown, and The Cheetah Girls, all popular franchises; Halloweentown actually made it to four films, with its fourth and final film, Return to Halloweentown, premiering in 2006. But, a third High School Musical film was very likely.

It wouldn’t be long before confirmation of the next High School Musical came. By the end of 2007, it had been announced that the script had been written and the music was in development. It was just a question of exactly when they could get all the cast together to start filming, with Disney planning pre-production to start around January 2008.

Other specific details we knew before filming began were that Peter Barsocchini would be returning as the screenwriter for High School Musical 3: Senior Year and that Kenny Ortega would once again be the director. They were also heading to Utah, back to where the previous two movies had been filmed[1]. It was also later confirmed that the third film would be showing in movie theatres in October 2008, not on Disney Channel.

There were a couple of other rumours swirling around about High School Musical 3. One of these was that Disney had been discussing the potential of making this third movie Halloween-themed, something along the lines of “Haunted High School Musical”. This idea did not last long, before it was settled that the film would follow the Wildcats during their senior year and into graduation. It has been said that the reason a Halloween-themed High School Musical was floated is because Disney Channel was aware of the fact their Halloween Disney Channel movies have been some of their best performers, and are popular each and every year as the Halloween season begins. I don’t think this plan was popular with either the cast or the crew though! It would also seem that a 3D version of High School Musical 3: Senior Year was considered for its theatrical release. 3D movies were becoming more frequent around this time in the 2000s, but this never materialised[2].

Filming for High School Musical 3: Senior Year took place from May to June 2008, in what was the longest shooting schedule of the movie franchise at around 40 days. This followed five weeks of dance rehearsals, more than the cast had done for High School Musical or High School Musical 2, showing that returning choreographers Bonnie Story and Charles Klapow had increased the difficulty and performance level for this next film, set to be the final one for most of the cast. The budget was also much higher than the previous two films, at a reported $30 million. The cast and crew returned to some familiar locations for this film, since, unlike High School Musical 2, the story takes place predominately at the high school. This meant they came back to East High School and its now-famous locations like the school cafeteria, as well as Murray High School for its auditorium. 

Another important filming location was Stanford University itself, in California. It’s apparently quite uncommon for Stanford to allow access to its campus for filming crews, but the university felt the storyline within High School Musical 3: Senior Year reflected its own views and opinions about college life, and inclusivity. The areas Vanessa Hudgens was spotted walking through for Gabriella’s scenes at Stanford included the New Guinea Sculpture Garden, Lasuen Mall and the Quad, and History Corner[3].

The production design for High School Musical 3: Senior Year was of a much higher standard than for the first two films. Mark Hofeling, later the production designer of the ZOMBIES franchise, another set of Disney Channel movie musicals, was the production designer on this trilogy. There were a huge amount of highly detailed sets for use in the filming process, like Troy’s treehouse, the big sets for the in-movie musical, the junkyard, the Broadway-musical-stylised “I Want It All” mini-sets, and even the spinning box that Zac Efron navigated for a portion of “Scream”. Nothing looked too over-the-top, but it was sleek, colourful, and professional, not feeling like sets for a low-budget TV movie.

There were also two different proms that had to be staged for this film. “A Night to Remember” is shown to be a rehearsal of the “perfect prom” for the spring musical, as we see the Wildcats on stage in their school theatre. It was meant to show the excitement of the girls about prom, and the boys’ nervousness about it! The other prom, “The Last Waltz”-themed prom takes place as more of a fantasy. The school hall was decorated with a large tree in the centre and lots of lanterns, again following what a traditional high school prom might look like to make the film feel realistic. The fantasy element comes from the fact that this prom is also accompanied by a song, a reprise of Troy and Gabriella’s duet “Can I Have This Dance”, and sees all the Wildcats dancing a waltz together, with real ballroom technique, despite Troy and Gabriella actually being in Stanford at the time. This prom was simple, beautiful, and calm, not like the energetic prom for the musical. This sequence was the last scene to be filmed inside the East High School gym.

The other vital thing about these proms was the costuming, with the characters wearing the same outfits in both. Gabriella’s dress was made to look ethereal, using feathery, flowing fabric, to match her angelic character. Taylor’s dress was a 50s inspired dress, complete with checked fabric and even the addition of a bow tie. This perfectly reflects Taylor’s character as the dress is serious and classy. Kelsi’s dress ended up being ballerina-themed, with a twirly skirt. Sharpay’s dress is hot pink, because she loves pink, and is shorter at the front than the back, complete with extra crystals across the waist and back of the dress. It’s a standout dress, because Sharpay does like to be the centre of attention, even at prom[4]. Their respective dates, of Troy, Chad, Ryan, and Zeke, have their own spectacular outfits, although arguably Troy’s is the most traditional, as it is just a grey suit. Chad has a white suit with purple detailing, to match Taylor. The most interesting thing to note though is that on the back of his suit jacket it says “8 Danforth” to represent his basketball jersey. Ryan gets a three-piece suit in beige or cream to coordinate with Kelsi’s dress, whilst Zeke wears a tailcoat, with a hot pink satin sash. Mattel seem to have made dolls of these characters in their prom outfits, showing how popular these costumes were with fans. Like the sets, the costume design was taken up a notch for this finale as well.

High school graduations are basically the same throughout the US, at least from what I can tell from my extensive viewing of teen and high school films! Some take place in school halls and auditoriums, and others are outside, but the students all wear gowns and caps in their school colours. For High School Musical 3, they chose to stage graduation outside on the East High school field, and the students wear either red or white gowns. This graduation scene was also accompanied by the song “High School Musical”. The final shot on this field was of the main six walking forward, turning towards the rest of the graduating class, and then a red curtain falling between them. This was an emotional day of filming for the cast, as their High School Musical journey was almost at an end and they were basically graduating themselves, onto different projects and potentially away from Disney. Apparently the very last scene shot with the main cast members was the final scene of the film, where they are all stand on stage as the camera pans to each of them. You can see tears in some of their eyes, showing how big a moment this was for High School Musical to be ending[5].

High School Musical 3: Senior Year was destined to follow the characters as they end their time at high school, because nothing can last forever, no matter how much you might want it to, but with something ending, that also means a new beginning and a chance for a fresh start. The young cast had matured over the course of those three years, and now it was time for them to have their own new beginning.

RECEPTION

High School Musical 3: Senior Year came to theatres in October 2008. The official US release date was 24th October 2008, although some countries, such as the UK and Europe, may’ve released the film a day or two earlier, likely for previews. It had reached most countries by the end of 2008, although some parts of Asia didn’t get to view it until 2009.

Because High School Musical 3 was to be the end of this trilogy, following the main six of Troy, Gabriella, Chad, Taylor, Sharpay, and Ryan whilst at East High, naturally, there was a lot of promotion in the build-up to its release. There were multiple red-carpet premieres too, with the UK one being held in Leicester Square on 7th October, and the Los Angeles one being held at the Galen Center on 16th October.

 Although those at Disney knew there was an appetite for High School Musical as a franchise, choosing to release the third film theatrically was considered a slight risk, as they had no way of gauging their expectations, since the previous two movies had only premiered on television, where viewing figures were exceptionally high, especially for the second film.

But Disney executives didn’t have anything to worry about because on its opening weekend in the US, from 24th to 26th October 2008, the movie took an estimated $42 million at the box-office, making it the best ever showing for a movie musical at the time, outdoing Mamma Mia, which came out earlier that year, with $27.8 million and 2007’s Hairspray, which also starred Zac Efron, with $27.5 million. Even better, High School Musical 3: Senior Year was top of the box office that weekend, beating out Saw V’s figure of $30 million in sales. High School Musical 3 took in around $40 million from overseas that same weekend[6].

It was a good opening weekend for High School Musical 3: Senior Year, though don’t go thinking that it topped the box office in 2008, because it didn’t. The film made a total of just under $253 million, which is a respectable number. It ended the year at No. 23 on the worldwide box office listings. It was in a similar position to the popular rom-com Marley & Me, further proving High School Musical 3 held its own at the box office that year. The Dark Knight topped the list in 2008 with a little over $1 billion though.

High School Musical 3: Senior Year’s potentially surprising arrival to movie theatres helped boost Disney’s takings that year, since both Pixar’s WALL-E and Disney Animation’s Bolt had been outdone by two different DreamWorks films: Kung Fu Panda and Madagascar: Escape 2 Africa. Disney had also struggled with their live-action film The Chronicles of Narnia: Prince Caspian, which didn’t do as well as expected.

As with any High School Musical film, there were a mixture of comments about it, both positive and negative, from both fans and casual viewers. Overall, it received similar audience reaction to the previous two movies, potentially slightly worse than the second. Amongst fans, it is split just where High School Musical 3: Senior Year fits in the ranking of the trilogy. Personally, it’s the best for me, followed by High School Musical 2. Some agreed with me, others said it was worst, and some said it was in the middle of three.

Some specific comments on the film ranged from praise for the staging, thanks to its increased budget, and the improved choreography, particularly in “The Boys Are Back” sequence. I felt that High School Musical 3 did feel very cinematic and suited being on “the big screen”. The set design and costuming were a real step-up from the previous two films. Many critics said it was a good choice to put Zac Efron front-and-centre of this third film, as he had been for the second. This was always going to be Disney’s way of ensuring they pleased the High School Musical fans, who were – let’s face it – predominately teenage girls! It was considered by those who liked the film that High School Musical 3: Senior Year brought the trilogy to a solid conclusion.

However, others weren’t so happy with the film. Professional critics called High School Musical 3 things like “dire” and “stale”, without acknowledging that they were quite clearly not the target demographic. Some felt the music was forgettable, and inferior to the previous two films. I disagree with this point; I think the music in High School Musical 3 has quite obviously matured from the catchy pop of the previous two. It was felt that High School Musical 3 was too “squeaky clean”, to which all I can say is: it’s Disney; what did you expect? The worst critique is the comment that High School Musical 3: Senior Year lacks a central dilemma. I don’t understand why anyone would think that. Sure, the central dilemma is about where Troy wants to go to college, and that might not be particularly ground-breaking, but it was wholly relevant and relatable to the teenagers watching. Every year, teenagers have to decide where they want to go to college, and teenage relationships factor into that in many cases, as they fear what being long-distance might do to them, and just whether they want to go to university at all. It might be a bit of a superficial dilemma, but it is a problem that we follow throughout the film and watch Troy figure out.

In terms of awards, the success really came from the fans, with wins at teen-centric award ceremonies. For example, at the US Nickelodeon Kids’ Choice Awards, High School Musical 3: Senior Year won awards for Favorite Movie and Favorite Movie Actress for Vanessa Hudgens. At the 2009 Teen Choice Awards, High School Musical 3 won two awards: Choice Movie: Music/Dance and Choice Movie Actor: Music/Dance for Zac Efron, with Corbin Bleu also being nominated in this category. Ashley Tisdale and Vanessa Hudgens were both nominated for Choice Movie Actress: Music/Dance, but lost to Miley Cyrus in Hannah Montana: The Movie (2009). It was clear there was a rivalry brewing between High School Musical and Twilight (2008) at this time, as High School Musical 3 lost the Choice Movie: Liplock award to Twilight – gasp! Actors from Twilight also swept other categories at this award show. Plus, at the Australian Nickelodeon Kids’ Choice Awards, although Zac Efron was nominated for Fave Movie Star, he lost out to Robert Pattinson. The Twilight movies were all set to replace High School Musical now they were over…

Also at the MTV Movie Awards, Twilight won the award for Best Movie, with High School Musical 3: Senior Year being nominated. But Zac Efron and Ashley Tisdale did win awards for Best Male Performance and Breakthrough Performance – Female. Efron and Hudgens once again lost Best Kiss to Robert Pattinson and Kristen Stewart though. Other awards for High School Musical 3: Senior Year included the Jackie Coogan Award being given to Kenny Ortega at the Young Artist Awards for his work on High School Musical.

As with any Disney Channel-related movie, of course High School Musical 3: Senior Year would make its way to our TV screens for a Disney Channel premiere – after its DVD release with its extended edition, deleted scenes, and behind-the-scenes moments. It apparently premiered on the US Disney Channel on 4th April 2010. Internationally, High School Musical 3 premiered in 2010 as well in many cases. It is unclear what its viewing figures were from the premiere, reportedly about 4 million, so not topping any viewing records, but that isn’t surprising as the film had been available to view for over a year.

LEGACY

Immediately after watching High School Musical 3: Senior Year, even though I knew this was likely it for the main cast, although maybe not Sharpay as they had written it in that she could return to East High’s drama department to work with Ms. Darbus, I thought Disney Channel would make more movies with the High School Musical title. I even remember discussing it with my mum on the car ride home from the movie theatre.

It felt like, with the introductions of Tiara Gold, Jimmie “Rocket Man” Zara, and Donny Dion, Disney Channel was setting us up for more stories to come from East High featuring these three characters, plus many opportunities for new ones to come in. They could’ve gone round in an endless loop of trilogies, following the pattern they’d just created. I can’t honestly say I was excited by the idea, since I didn’t particularly like any of the new characters in High School Musical; they were just there, in and around the story, but luckily not on screen enough to take away from the main cast that we actually bought tickets to see.

Strangely enough, this next High School Musical movie did not happen. There was reportedly an unaired pilot called Madison High, made for Disney Channel in 2011, which was meant to be a spin-off to High School Musical, and could’ve seen Alyson Reed return as Ms. Darbus, in a new school, I presume. The cast included some familiar Disney Channel names, such as Luke Benward and Katherine McNamara, who both starred in the DCOM Girl vs. Monster (2012), and G. Hannelius, who had roles in the Disney Channel series Sonny with a Chance (2009-11) and Dog with a Blog (2012-15), along with a leading role in the DCOM Den Brother (2010). Madison High was meant to air in 2012, but never did. The reason it was cancelled remains unknown to this day.

But we did get an actual High School Musical spin-off, just not what we were perhaps expecting. This was Sharpay’s Fabulous Adventure (2011), which saw us follow Sharpay Evans’ journey after her graduation from East High. This was not a reunion for all the High School Musical cast, as only Ryan and Mr. and Mrs. Evans make a return for this film.

After that, a few years went by with little discussions about expansions to the High School Musical franchise. That is until 2016, when Disney Channel announced a nationwide casting search for a new sequel, which would’ve focused on the rivalry between the East High Wildcats and the West High Knights. It was debated whether this sudden announcement of a High School Musical sequel was in relation to the increase of live TV specials recreating musicals that were on our screens around this time, including NBC’s The Sound of Music Live! (2013); NBC’s Hairspray Live! (2016); and Fox’s Grease Live! (2016). This sequel was set to have Peter Barsocchini write the script with Dan Berendsen, a frequent DCOM writer. The director was meant to be Jeffrey Hornaday, the director of Disney Channel’s Teen Beach movies[7]. This sequel also did not happen for unknown reasons.

Over ten years after High School Musical 3: Senior Year had premiered, finally, a new screen project was confirmed around the franchise. This was the mockumentary style Disney+ series High School Musical: The Musical: The Series, which debuted on the streaming service in November 2019. It followed students at a fictionalised version of the real East High School in Salt Lake City, where the original movies were filmed. The drama teacher wants to put on High School Musical: The Musical as her first show. Four seasons in total aired, with each season focusing on the students putting on a different musical. The cast included singer Olivia Rodrigo, known for her Disney Channel role of Paige Olvera in the series Bizaardvark (2016-19); Sofia Wylie who was Buffy Driscoll in Disney’s Andi Mack (2017-19); and Dara Reneé, who was cast in Disney Channel’s remake of Freaky Friday (2018), going on to be cast as Uliana in the rebooted Descendants franchise. Former High School Musical cast members also made appearances on the show as themselves, including Kaycee Stroh, Corbin Bleu, Monique Coleman, Bart Johnson, and Alyson Reed. The final season premiered in August 2023.

Back to 2008 now though. Shortly after High School Musical 3’s release, Corbin Bleu was a featured performer in the Walt Disney World Christmas Day Parade in 2008. He was introduced as being a cast member in High School Musical 3. Bleu sang the song “Celebrate You”, which was also used for a Disney Parks celebration around this time.

Continuing High School Musical’s presence at the Disney Parks, a new pep rally was added, this time promoting High School Musical 3: Senior Year. Replacing High School Musical 2: School’s Out! was High School Musical 3: Senior Year – Right Here! Right Now!. The new pep rally came to the US parks of Disney’s Hollywood Studios at Walt Disney World in Florida and Disney California Adventure Park in Anaheim in October 2008, in time to promote the third movie’s release. The songs performed in this pep rally were “Now or Never”, “A Night to Remember”, “The Boys Are Back”, “Just Wanna Be with You”, “I Want It All”, and “High School Musical”. Disneyland Paris had also had the previous pep rallies; however, their third iteration was quite different. It was called High School Musical: The Party, running from April to September 2009, and included music from all three films. From High School Musical 3, the singers performed “Just Wanna Be With You” and “I Want It All”.

This third pep rally ended in the US in 2010, being replaced with Disney Channel Rocks; but no song from High School Musical 3 was used as it celebrated music from numerous Disney Channel movies and series. “We’re All in This Together” was the only High School Musical song to make it into the set. It ended in Disney’s Hollywood Studios in 2013. It is less clear when it stopped in California initially. It did make a return for the after-hours event Disneyland After Dark: Disney Channel Nite on 5th and 7th March 2024.

Also at this event was the High School Musical / ZOMBIES Pep Rally. The opening and closing song of the set was a mash-up of High School Musical’s “We’re All in This Together” and ZOMBIES 2’s “Like the Zombies Do”. Other songs from the High School Musical franchise included “Get’cha Head in the Game”, “Breaking Free”, and “High School Musical”. ZOMBIES fans could sing along to “BAMM”, “Someday”, and “Fired Up” as Seabrook High and East High students went “head-to-head”. As Disney Channel Nite is making a return in 2026, both the High School Musical / ZOMBIES Pep Rally and the Disney Channel Rocks show will be returning as well, on 12th, 14th, and 16th April 2026.

FINAL THOUGHTS

High School Musical 3: Senior Year was a real treat to watch in cinemas.

It was like Disney had decided to throw everything at it, to make this final film of the original trilogy a real last hurrah, a celebration of the craziness they’d created, with a moving story, impressive music, and a real spectacular mood. This film must’ve really affected me, because even now, I can’t watch High School Musical 3 without dissolving into floods of tears for at least the last 45 minutes.

I suppose this had a lot to do with the fact High School Musical 3: Senior Year was when the fans said goodbye to this amazing cast who’d been there for us in childhood. We all knew they’d go on to bigger and better things, but this was an ending, a finale.

However, although the first three films ended, it was never going to be the end for High School Musical. Even if Disney stop making new experiences or screen projects revolving around it, nobody will ever stop talking about High School Musical, because this franchise changed how we viewed Disney Channel and Disney in general.

They could create global phenomena. High School Musical wasn’t the first and didn’t end up being Disney’s last.


REFERENCES

[1] Credit: Ernio Hernandez, ‘Senior Year-Themed “High School Musical 3” to Begin Filming in Utah in Spring’, Playbill.com, 28th November 2007.

[2] Credit: Ellen Durney, ‘I Read A Book About Disney Channel, And These Behind-The-Scenes Details About The Making Of The “High School Musical” Left Me So Shocked’, Buzzfeed.com, 27th December 2024.

[3] Credit: Stanford Magazine, ‘Wildcat Spotted on Campus’, StanfordMag.org, November/December 2008.

[4] Credit: Disney, “The Prom”, from High School Musical 3: Senior Year (2008) UK Extended Edition DVD (2009).

[5] Credit: Disney, “Graduation”, from High School Musical 3: Senior Year (2008) UK Extended Edition DVD (2009).

[6] Credit: Michael A. Hiltzik, ‘For ‘High School Musical 3’, a trip to the head of the class’, LATimes.com, 27th October 2008.

[7] Credit: BBC, ‘Disney is reviving High School Musical with a whole new cast’, BBC.co.uk, 2nd March 2016.

High School Musical 2 (2007)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

High School Musical took the world by storm in 2006.

So, what happens after a movie is shown to be a huge success? Do you just leave it alone, not wanting to push your luck? No, of course not! You make a sequel obviously!

If you were watching Disney Channel during the mid-2000s, it was almost impossible to get away from High School Musical as clips and music videos from the movie filled up any available space between its scheduling. During the summer of 2007, these spaces were filled with promotion for High School Musical 2. Disney Channel knew that High School Musical 2 was going to be highly anticipated after the first film, so they had to whip viewers up into a frenzy, to ensure the second film outshone the first.  

Sequels aren’t always very popular, as fans can think that the original film is so pure that a sequel will only ruin the film’s legacy and change how you feel about that first movie that you love. Others like sequels because they give an opportunity to improve upon the world where the first film is set, and in many cases, more minor characters get a chance to shine in a sequel. But sometimes a sequel is simply a rehash of an original and nobody wants that, because that is lazy filmmaking, although sometimes it can still be entertaining.

In my case, I actually prefer a lot of sequels over their originals; not all the time, but quite a lot of the time. I think I like the increased production budget that comes with most sequels so the overall look of a sequel is just better. That was definitely the case with High School Musical 2 and is a big reason why I like this sequel so much more than the first film. I also like how other characters outside of Troy and Gabriella get some screen time in High School Musical 2, particularly Ryan who finally sees his sister for the villain she can be.

I hadn’t avoided the interest in High School Musical 2, and threw myself right into it, getting excited for the sequel, which only came to UK screens a month after the US premiere, much better than the nine-month gap between the US premiere and UK premiere of High School Musical. It still missed summer, as we were back to school by that point, but it didn’t matter. High School Musical 2 made us all feel summery regardless of when we watched it. I also got the soundtrack for the film on CD prior to seeing the film. I got it in a Tesco supermarket, and my sister asked why I’d want to spoil the film for myself by listening to the CD obsessively over the summer.

Easy. I had to be prepared. It was that much of an event in my life.

PLOT

High School Musical 2 begins back at East High, on the last day of school before summer. Troy Bolton and Gabriella Montez, along with Sharpay, Ryan, Chad and Taylor, and their other classmates are counting down the minutes, the seconds even, until summer break, while their homeroom and drama teacher Ms. Darbus drones on about…something. The bell finally rings and it is officially summer! 

As the gang walk through the corridors, they discuss their summer plans. Sharpay offers Kelsi a job as the pianist at her family’s country club, and starts wondering how she can use the summer to get Troy to be interested in her. Gabriella has regularly moved every summer, so Sharpay has hope that Gabriella is about to leave again, but Gabriella tells Sharpay she is staying in Albuquerque until she graduates. Bad luck, Sharpay! Gabriella thought Sharpay was starting to warm up to her after helping her with the school musical; obviously not! The others are hoping to find jobs over the break, because with college coming up, they’re looking to earn some extra cash and have something to put on their college applications, however, Gabriella and Taylor have both been struggling to find anything. Troy tells Gabriella not to worry as he has plenty of plans for their summer together. He then gives her a necklace with a “T” on it, as in Troy. They are about to kiss but are interrupted by a student wanting Troy to sign his yearbook… After that, they head home.

The next day, Troy has been playing basketball with his friends when he gets a phone call. It is from Mr. Fulton, the manager of the Lava Springs Country Club, offering Troy a job. He accepts, also saying that he has plenty of friends who would be great employees for the summer, especially Gabriella.

At Lava Springs, Sharpay and Ryan have arrived in Sharpay’s bright pink car and are greeted by Mr. Fulton. Lava Springs is owned by Sharpay and Ryan’s family, and it turns out Sharpay asked Mr. Fulton to hire Troy. She is happy to hear that Troy has been hired, and starts thinking about “her” summer talent show that the country club put on for members and employees alike. The prize for winning is called the Star Dazzle Award, something Sharpay – and Ryan – have won every year for years. This year won’t be any different.

Sharpay heads down to the pool and meets up with her girls, Jackie, Lea and Emma, also known as the Sharpettes. Sharpay starts to moan about how her drama club was infiltrated by other kids at school, but Ryan reminds her it’s summer now, so she can forget all that. Sharpay soon gets into the summer spirit when she sees Troy arrive at the club, however, she spots him waving at someone. Following that wave, Sharpay is horrified to see Gabriella here, working as the lifeguard, as well as all the others from East High. In her shock, Sharpay falls into the pool, and is “saved” by Gabriella. Sharpay then heads directly to Mr. Fulton, and asks why he hired them. Mr. Fulton was told to hire Troy whatever it takes; I guess it took the hiring of all the Wildcats! Mr. Fulton said the board did clear the hiring of them, so Sharpay goes directly to her mother, who is on the board, interrupting her yoga class. Sharpay’s mother refuses to fire them and doesn’t see the problem, thinking this is a good thing to have their classmates here. Not getting anywhere, Sharpay tells Mr. Fulton to get the others to quit. But not Troy, obviously.

In the kitchen, Mr. Fulton gives everyone their jobs. Zeke is assisting the chef, and Martha and Jason are also kitchen help; Taylor is head of member activities; and Chad and Troy have been hired as waiters, and occasional golf caddies. Kelsi is the pianist. Mr. Fulton warns them all that he runs on the “three strikes and you’re out” rule. Just at that exact moment, Gabriella comes into the kitchen for lunch three minutes earlier than she should do. Mr. Fulton says he’ll overlook this one timing issue, but no others. Suddenly, jobs don’t sound much fun, do they? Troy tries to encourage the others, saying summer will be great.

Later that day, Troy and Gabriella have a romantic picnic on the golf course, which Sharpay and Ryan watch over. Sharpay asks maintenance to turn on the sprinklers to ruin their date, but instead of ruining it, Troy and Gabriella simply run through the sprinklers together. They are then caught by Mr. Fulton, who tells them that is strike one.

The next day, Gabriella and Troy arrive at Lava Springs and hear Kelsi playing something new on the piano. They go over to her, and she tells them she’s been working on something for the employee talent show, hoping Troy and Gabriella will sing the leads. Troy doesn’t want to focus on singing anymore now that the school musical is over, but Gabriella convinces him to try out the song. The others hear their performance and join in, deciding this has to be their talent show number.  All this has been heard by Ryan, who reports back to Sharpay. Sharpay has a plan to stop the employees from ruining her talent show and taking her Star Dazzle Award; it all starts with Troy.

That afternoon, Sharpay has Troy and Chad caddy for her family as they head out on the golf course together. Troy and Chad therefore meet Mr. and Mrs. Evans. Midway through, Troy asks Gabriella on a date, a poolside picnic, for later that evening. She accepts, shortly before Sharpay whisks Troy back to the golf course on her golf cart. Sharpay gets Troy to take a shot, and Mr. Evans is impressed. Sharpay asks her father to consider Troy for a scholarship to the University of Albuquerque, since Troy has talent in both basketball and golf. Troy isn’t so sure, but appreciates the support, being concerned about college.

After golf, Troy and Chad are rightly exhausted. Troy is then told he will be dining as a guest of the Evans’, giving Troy suitable attire to wear. Jason and Chad will be the waiters for the evening. This makes Troy uncomfortable, but he feels he has no choice. Also joining them for dinner are board members at the university, who want to talk to Troy about his college plans. They feel he would be a suitable candidate for a scholarship. To top it all off, Sharpay also reveals Troy’s singing abilities. Putting him on the spot, Sharpay says Troy should sing with her sometime. Troy has no choice but to say he will, before making his excuses and leaving the table. He apologises to Gabriella for being late for their date. He just needs to change out of the suit and he’ll be ready. Gabriella tries not to let it bother her.

At this point, Troy is led away by Mr. Fulton to a dark room and placed in a chair. He is then subjected to an over-the-top performance by Sharpay, her brother, and the Sharpettes. This is going to be her talent show number, but she wants Troy to sing in place of Ryan. Troy doesn’t want to sing with her, not liking how excessive all Sharpay’s performances are. This makes Sharpay think that if she tones it down, Troy will want to sing with her. He doesn’t, and makes a hasty exit! This is actually an extended scene that did not appear in the original film premiere. In place of this, it moves right to Troy getting back to Gabriella at the pool. Back at the pool, Troy immediately jumps right in. Gabriella tells Troy he’s not supposed to be in the pool as it is for members only. He then pretends to drown, forcing Gabriella to jump in and “save” him. They swim around for a bit – before getting caught by Mr. Fulton. He orders them out of the pool. That’s strike two.

Back at home, Troy talks to his dad about how strange dinner felt with his friends being his waiters. Coach Bolton tells Troy not to worry about it, because college is important and sometimes you need to focus on yourself. Troy isn’t so sure about that.

The next day, Troy is called to Mr. Fulton, who promotes Troy to a golf assistant. He is given membership privileges, his own locker, golf caddy, and fancy clothes to match this new job title. Troy is also placed in charge of the kids’ golf lessons. At his first class, Troy doesn’t do a whole lot of teaching, until Sharpay arrives. He sees Sharpay is really bad and teaches her a good golf swing. Sharpay asks Troy to sing with her in the talent show, knowing it would be a good opportunity to impress people from the college to help his scholarship chances. Troy reluctantly agrees to sing with her. Meanwhile, Taylor and Gabriella have seen all this play out and are suspicious of Sharpay’s intentions. It also becomes clear that Sharpay actually plays golf really well, so was only pretending to be bad to get Troy’s attention. Troy then sees Mr. Evans with some basketball players from the university. They invite Troy to practice at the university and have lunch with them. During lunch, Chad continues to be the waiter. Seeing Troy with basketball players, Chad hopes to be introduced, however, Troy only calls Chad back to hand his order back: he ordered Swiss on his burger, don’t you know! Chad is furious and complains to Taylor and Gabriella about how weird Troy is being, not recognising him at all anymore.

Sharpay goes to Kelsi and tells her to transpose her talent show duet into Sharpay’s key as she will be singing it with Troy. Ryan overhears and asks Sharpay what he’s going to do in the talent show. She tells him to figure it out himself. Gabriella then goes to Troy who asks her to a movie that evening, after he’s done with practice at the university. Gabriella warns him to not forget who he is, which confuses Troy. He then sees Chad and the others who ask if the college players want to play basketball against them at the club. Troy says they wouldn’t want to do that and leaves with them. Troy also forgets the employee baseball game he promised to attend, alienating the Wildcats further.

Heading to the baseball game, Gabriella and Taylor see Ryan on his own. They invite him to the game, where Chad is surprised to see him there. Ryan is thinking about helping the employees with their talent show performance, but Chad tells him not to bother and just to focus on the baseball. When Ryan is proven to be a great baseball player, Chad comes round to the idea of performing, cementing Ryan as part of their group now. Meanwhile, Troy tries to call Gabriella during basketball practice but she doesn’t answer, as she is enjoying herself with the employees after the baseball game.

The next morning, Troy finds himself feeling like an outsider, as nobody is talking to him normally. Troy is then called over to rehearse with Sharpay for the talent show. He is stunned by her extravagant performance yet again and just can’t get into it. It’s too intense, but Troy feels he has no choice, especially now that he sees the employees rehearsing their own number without him. Sharpay sees this too, and accuses Ryan of trying to ruin the talent show for her. He ignores her, liking being with the employees more. Not liking how little control she has over her brother, Sharpay goes straight to Mr. Fulton and orders him to ban the employees from the talent show, as they’ll need to work that night. Mr. Fulton doesn’t want to do that, but delivers the news to Taylor, clearly uncomfortable with the position he’s been put in. She sympathises before breaking the news to everyone else. Gabriella immediately realises this is Sharpay’s doing and confronts her. She asks Sharpay why she is going to so much effort to ruin everyone’s summer. Sharpay thinks Gabriella is just sore because she has “won”. Gabriella doesn’t know what Sharpay is talking about, but knows this was either about Troy or the Star Dazzle Award, probably both. Gabriella then quits on the spot. Troy tries to change her mind, but she tells Troy he’s acting too differently now that he has a college scholarship on the line. This isn’t working for her.

At home, Troy talks to his father about how he’s been acting like a jerk, and that nobody is talking to him. His father doesn’t understand, only telling Troy to figure out what will make him be a better person. Troy has a lot to think about.

Back at work, Troy gets the cold shoulder from everyone, except Kelsi who shows him the memo stating that staff are banned from the talent show. Knowing this was at least partially his fault, Troy starts to fix everything. He tells Sharpay he’s an employee so he can’t sing with her anymore. Sharpay is annoyed, telling Troy he is basically a member so that doesn’t apply to him. Troy responds that he asked for his old waiting job back, so that isn’t the case now. He’d rather be a good person than spend all his time stepping on other people to fight for a university scholarship.

On the night of the talent show, Sharpay tells Ryan to get ready as their original number is back on. Ryan refuses to perform with her, putting Sharpay’s chances of winning the show at jeopardy. She can’t understand why nobody is doing what she says! Troy apologises to the Wildcats for his behaviour and for them not being allowed in the show. Chad and the others accept his apology. Ryan then says he doesn’t want his sister to be embarrassed on stage so asks Troy to sing with her. He goes to Sharpay and says he will sing, but only if the others are allowed to perform. She understands and agrees. Kelsi and Ryan say that Sharpay switched songs, so Troy is taken away to a last-minute rehearsal.

On stage, Troy is about to go on and asks Sharpay why she changed songs. She says she didn’t, and learns this was all part of Ryan’s plan. Sharpay won’t be performing with Troy tonight. Troy sings alone with Kelsi accompanying on the piano. He then hears Gabriella’s voice. Looking to the line of employees, he sees Gabriella and she walks to the stage. They sing together, and the employees join in too. Troy even invites Sharpay to join them. At the end of the song, Mr. Fulton is about to hand the Star Dazzle Award over to Sharpay, as this was technically her slot in the show, but Sharpay interrupts and hands it over to Ryan instead. Well, at least someone in the family won it, I suppose!

After the show, the Wildcats, with Ryan and Sharpay, walk through the golf course together with lanterns. Troy and Gabriella finally have their first kiss, and as they do, fireworks are set off. The sprinklers are also set off, shocking everyone, but they don’t care! At the end of summer, the employees are given a pool party for all their hard work. Ryan and Sharpay also join, and the movie ends with Troy and Gabriella jumping in the pool together.

CHARACTERS & CAST

After seeing their romance develop in High School Musical, if you thought things would be smooth sailing for Troy and Gabriella in High School Musical 2, you’d be wrong. Although they begin the movie with high hopes for their first summer together, everything goes badly for them when they arrive at the Lava Springs Country Club. Whilst Troy spends all his time with Sharpay, Sharpay’s parents, or with college people, Gabriella is left to wonder just who Troy really is, as he rejects his friends, breaks dates, and starts to believe his own self-importance. Eventually, everything gets too much for Gabriella and she leaves Lava Springs, signalling that her and Troy are better off apart, at least for the time being. This causes Troy to snap out of whatever college-obsessed trance he was in and comes to his senses, apologises to all his friends for being a jerk to them and reconciling with Gabriella in the usual way: with a romantic duet, written just for them. Zac Efron and Vanessa Hudgens reprised their roles as Troy and Gabriella in High School Musical 2.

Troy and Gabriella aren’t the only High School Musical pairing to have their dynamic change either, as twins Sharpay and Ryan also grow distant from each other over the course of this film. Sharpay has decided that this summer she will put all her focus on Troy and winning the Star Dazzle Award for another year running; that’s it. Ryan, meanwhile, doesn’t seem to like all these mind games that Sharpay likes to play and just wants to have a relaxing summer. He doesn’t hate the Wildcats being at Lava Springs like Sharpay does, but he wants to keep his sister happy. When he discovers that Sharpay has excluded him from her talent show performance in favour of Troy, it hurts and upsets Ryan. Luckily for him, Gabriella includes Ryan in their group, despite not being an employee, but still being a Wildcat. Here, he finds people that respect him and his worth, unlike his sister, helping them to create a show-stopping number for the talent show instead. When things fall apart for Sharpay, and Troy decides not to sing with her, Ryan stands strong and refuses to sing with Sharpay as her second-best alternative. Sharpay sees the errors of her ways and hands the Star Dazzle Award to her brother at the end of the show – and rightly so. Ashley Tisdale and Lucas Grabeel returned to play their roles of Sharpay and Ryan.

Sharpay is also joined in High School Musical 2 by a group of three girls, who are dubbed the Sharpettes. I guess I’m supposed to say these girls are Sharpay’s friends, except she doesn’t have friends; she has a posse. These girls, Jackie, Lea, and Emma, are there to sing back-up for Sharpay during her performances, as well as suck up to her, and make her feel like the most important person in the world. They don’t have much screen time to develop their own identities – and that’s probably the point.

Jackie was played by Tanya Chisholm, who might look familiar, thanks to her role as Kelly Wainwright in the Nickelodeon series Big Time Rush (2009-13) and its television movie Big Time Movie (2012). She was also recently cast as Jenna in Season 4 of Tyler Perry’s series Sistas (2019-present) and appeared as Holly in the Hallmark movie Dial S for Santa (2023). Lea was played by Kelli Baker, who is credited as being a dancer in the other two High School Musical films as. She was also a contestant on Season 4 of So You Think You Can Dance (2005-24). Baker is the daughter of High School Musical choreographer Bonnie Story. Emma was played by McCall Clark, who, shortly after High School Musical 2, appeared as Justine in The Adventures of Food Boy (2008), which starred Lucas Grabeel.

Taylor and Chad also return in High School Musical 2, this time as a couple. We don’t see Taylor and Chad spend all that much time together at Lava Springs, aside from lunchtimes, as they are kept very busy by their respective jobs at the club. They are also too busy worrying about their best friends, with Taylor warning Gabriella about Troy’s changing behaviour and Sharpay’s intense focus on him, and Chad trying to get Troy to see that he is isolating himself from his friends in place of getting a college scholarship. Because of Taylor’s warning to Gabriella, she stands up to Sharpay, and to some extent to Troy, not allowing herself to be walked over, and Chad’s words clearly affect Troy enough to get him to reconsider what is most important to him: his friends, or Sharpay and her promise of a college scholarship. Monique Coleman and Corbin Bleu were back as Taylor and Chad.

Alongside the main six High School Musical cast members, others have also returned from the first movie. Kelsi is one of those. In High School Musical 2, Sharpay has hired her to be their pianist in the club restaurant, although she finds the music she is told to play quite boring! So, in her spare time, she is of course, composing new music. Two of these songs are for the talent show, with the first originally being for Gabriella and Troy, until Sharpay gets wind of it and alters it to be for her and Troy. Kelsi then writes the second as a new secret duet for Gabriella and Troy. Olesya Rulin reprised her role as Kelsi here.

There are also three other characters that return: Zeke, Chad and Troy’s basketball teammate who likes to cook; Martha, the smart girl-turned-dancer; and Jason, another basketball player who is a little bit dim, but kind to everyone, even their teacher Ms. Darbus. In High School Musical 2, all three of them work in the kitchen, with varying levels of enthusiasm. Zeke is very excited to be working alongside an amazing chef, whereas Martha would rather be dancing, and Jason would rather not be washing dishes. Who can blame him! All three of them are part of the employees’ activities over the summer, like the pool party, and the talent show, and get slightly more screen time compared to the first film.

Chris Warren was cast as Zeke. Shortly after the end of the High School Musical films, Warren appeared as Xander in Alvin and the Chipmunks: The Squeakquel (2009), before going on to be cast in various television series, including in the recurring role of Ty Hensdale in Seasons 3 and 4 of The Fosters (2013-16) on Freeform. Recently, he was cast as Hayden Moss in Tyler Perry’s comedy drama series Sistas (2019-present). Martha was played by Kaycee Stroh, who has had guest roles in various Disney shows like The Suite Life of Zack & Cody (2005-08), Andi Mack (2017-19), and The Disney Family Singalong (2020) since the end of High School Musical. Stroh was also in Season 7 of Celebrity Fit Club (2005-10). Ryne Sanborn was cast as Jason. Prior to High School Musical, he appeared in the opening and closing ceremonies of the 2002 Winter Olympics in Salt Lake City, which Kenny Ortega also happened to direct. After High School Musical, Sanborn was cast as Mike in The Adventures of Food Boy, before retiring from acting and pursuing other career paths, such as being an ice hockey player for the Utah Outliers.

Then, we have the adults. Mr. Fulton is the manager of the Lava Springs Country Club. Since Sharpay’s family own the resort, Mr. Fulton has become accustomed to taking orders from Sharpay herself. In the case of High School Musical 2, Mr. Fulton is tasked by Sharpay with hiring Troy Bolton. Sadly, his hiring of Troy was not “good enough” for Sharpay, because he had to hire all Troy’s friends to get him to consider a job at Lava Springs. This leads Sharpay to wanting Mr. Fulton to be so harsh on the others that they want to quit, so it can just be Troy at the club that summer. Mr. Fulton doesn’t seem to mind being strict, since most managers are, especially with younger employees, but he is pushed to breaking point by Sharpay when she insists he bans all the junior staffers from participating in the talent show simply because she’s scared she’ll lose the competition. Mr. Fulton clearly doesn’t want to do this, to the point that Taylor has to calm him down with a cup of tea! In the end, Mr. Fulton seems to have enjoyed working with the teenagers over the summer – and I’m sure he’s glad to be getting a break from the demands of Sharpay!

Mark L. Taylor was cast as Mr. Fulton. He may familiar to DCOM fans as he had previously played Hank Ogden, Eddie’s father, in Eddie’s Million Dollar Cook-Off (2003), and was also the dad in The Other Me (2000). Outside of this, Taylor was cast as Don Forrester in Honey, I Shrunk the Kids (1989) and as Dr. Niles in Innerspace (1987).

Then, we have Mr. and Mrs. Evans. Vance Evans clearly adores his daughter, spoiling her and letting her get away with anything, even ordering staff around! He is also convinced by Sharpay to consider Troy for a college scholarship, without any sort of application or interview process. Troy only needs to keep Sharpay happy and he’d be offered it, which sounds very dodgy to me. I think it’s just easier for Vance to let Sharpay have what she wants so she doesn’t complain, because an angry Sharpay is not something anyone wants to deal with! Darby Evans, on the other hand, seems to be stricter with Sharpay, by not bowing to her demand of firing all her classmates from the club just because Sharpay doesn’t want them there. Darby seems to be closer to her son, Ryan, doing yoga classes with him, and appreciating his mellow attitude, which is the complete opposite of Sharpay.

Vance Evans was played by Robert Curtis Brown. He had previously been cast as Todd in Trading Places (1983), which starred Eddie Murphy and Dan Aykroyd. He has also appeared as reporter Phil Sidleman in Bruce Almighty (2003); as Kyle van de Klok in Halloween II (2009); and as Peter in It’s Complicated (2009). In series, Robert Curtis Brown played Commander Andrew Pryce in early seasons of The Handmaid’s Tale (2017-25), going on to have a recurring role as Paul Montgomery in Seasons 4 and 5 of the drama series Station 19 (2018-24). For Disney Channel, he was also cast as Mark Kar, Zenon’s father, in the Disney Channel Original Movie Zenon: The Zequel (2001).

Darby Evans was played by Jessica Tuck. Prior to High School Musical 2, Tuck was cast as Brooke Anders in the Mary-Kate and Ashley Olsen film Billboard Dad (1998), before going on to star as Gillian Gray in the legal drama Judging Amy (1999-2005). Since High School Musical 2, Tuck has been cast in the recurring roles of Nan Flanagan in the HBO series True Blood (2008-14) for HBO, and Christine Francis in Seasons 3 and 4 of the Apple TV series For All Mankind (2019-present).

Finally, a few other cast members return to the High School Musical franchise for the sequel. One of these is Bart Johnson as Troy’s father. In High School Musical 2, Coach Bolton is there to listen to Troy’s worries as he fears that going after a college scholarship is making him a different person, and isolating him from his friends. Coach Bolton seems to think focusing on the scholarship is a perfectly fine thing to do, but Troy decides he’d rather salvage what’s left of summer with his friends, rather than spend it thinking about college. Mrs. Bolton also returns for a small scene towards the start of High School Musical 2, where she asks Troy, his father, and his friends to help her bring in the groceries from her car. Mrs. Bolton was played by Leslie Wing-Pomeroy, who played Mrs. Bolton in the first High School Musical, and was also cast as Dr. Goodwyn in a different 2006 DCOM: Return to Halloweentown. Alyson Reed also returned as Ms. Darbus very briefly in the opening sequence of the film, as she tries to keep her students’ attention during the last few minutes of school before summer break starts.

MUSIC

The High School Musical 2 soundtrack was released in the US on 14th August 2007, with the CD coming to other countries around this date or even the day before, meaning many High School Musical fans were able to hear the music days, weeks, or even months before the sequel had come to their respective Disney Channels.

The soundtrack consists of eleven songs, ten of which feature in the original edit of the film, and one other, listed as a “bonus track”, was used in a deleted sequence, which was later included in the Extended Edition of the film.

In movie order, the first song we hear is “What Time Is It”, which is the song the gang sing as soon as the bell rings to signal the end of the school term and the start of summer break, only a few minutes after the film begins. It shows how excited they all are for summer, detailing their plans for it. It’s a perfect tune for anyone’s summer, with its bright and breezy feel. This is performed by the main cast of Vanessa Hudgens, Ashley Tisdale, Lucas Grabeel, Corbin Bleu, Monique Coleman, and Zac Efron, who does sing all the vocals for Troy Bolton in this film after Drew Seeley was used as the vocalist in High School Musical. It was written by Matthew Gerrard and Robbie Nevil, who also wrote songs for the first movie.

After the setting of the sequel moves from East High School over to Lava Springs Country Club, a song that showcases Sharpay quickly hits the screen. This song is “Fabulous”, explaining how Sharpay wants everything to be perfect this summer and for everyone to understand just how important – and demanding – she is. I love “Fabulous”; it is my favourite song in the sequel, simply because hearing Sharpay talk about things like having towels imported from Turkey, and turkey imported from Maine, as essential parts of her summer vacation are just so funny! She also claims to have iced tea imported from England, despite the UK not being known for drinking iced tea, just hot tea. “Fabulous” is also used in its instrumental form during the End Credits, as some bloopers roll, and gets a regal composition as Sharpay’s father lands his helicopter on the golf course for a family round of golf. The song was performed by Tisdale and Grabeel as Sharpay and Ryan predominately, and written by returning composers David Lawrence and Faye Greenberg.

Next is another group song, performed by the East High gang as they start to stress that their summer jobs aren’t going to be quite as wonderful as they thought, after hearing how strict their manager Mr. Fulton is. Troy and Gabriella perform “Work This Out” as a way of convincing them all to stick together to make the summer great, with the rest of the group joining in by the end of it. This is my least favourite song in the film, although it does have a good beat. “Work This Out” is performed by Efron, Hudgens, Coleman, and Bleu, as Troy, Gabriella, Taylor, and Chad, as well as Chris Warren Jr., Olesya Rulin, Ryne Sanborn, and Kaycee Stroh as Zeke, Kelsi, Jason, and Martha. It was written by Randy Petersen and Kevin Quinn, who also wrote music for the first High School Musical film.

Following that is the expected Troy and Gabriella romantic duet. This song is “You Are the Music in Me”. In the film, it has been written by Kelsi specifically for the couple, so they can lead the employees’ performance at the Lava Springs Talent Show. Efron and Hudgens sing this song brilliantly, as does Rulin as Kelsi sings the opening few lines to encourage them both to sing it. “You Are the Music in Me” easily surpasses the Troy and Gabriella duets in High School Musical for me. This number also returns towards the end of High School Musical 2, as Troy and Gabriella have their first kiss – before being shocked by the sprinklers turning on to water the golf course that evening! “You Are the Music in Me” was written by Jamie Houston, who previously wrote “Breaking Free” for the first film.

 In the Extended Edition of High School Musical 2, the next song is “Humuhumunukunukuapua’a”. In this deleted scene, Troy is brought to an outdoor stage by Mr. Fulton to watch Sharpay, Ryan, and the Sharpettes perform this song, which is meant to be their talent show entry, although Sharpay is using her performance to try and convince Troy to replace Ryan as the prince in the song. The song title, “Humuhumunukunukuapua’a”, comes from the name given to Hawaii’s state fish, also known as the reef triggerfish. The song, though, states that this fish is actually a prince that a princess wants to ask the Gods to make human again. “Humuhumunukunukuapua’a” is performed by Tisdale and Grabeel. It is quite a random song. I wouldn’t say it’s bad, but it is such a strange song and performance, with lots of elaborate costumes, smoke, a fake volcano – and “fish noises” … It was written by David Lawrence and Faye Greenberg.

If you’re still following the story by this point, and “Humuhumunukunukuapua’a” hasn’t made you cringe so much you want to stop the film, the next song performed is much better. It is “I Don’t Dance”, performed by Corbin Bleu and Lucas Grabeel as Chad and Ryan. This takes place during the employee baseball game, as Chad tries to get Ryan to give up on creating a routine for the employees’ talent show, since Ryan has been kicked out of his sister’s performance, and Troy is too busy thinking about his future college. “I Don’t Dance” is quite jazzy and kind of hip-hop at times, suiting the frequent dance breaks. My only criticism is silly really, but for someone who apparently doesn’t want to dance, Chad certainly does a lot of choreography in this sequence, going head-to-head with Ryan at times. Perhaps the title should’ve been “I Don’t Dance – But If The Beat is Right Then Maybe I Will”. The song was written by Matthew Gerrard and Robbie Nevil.

After that, we get “You Are the Music in Me (Sharpay version)”, which is exactly as you’d expect it to be – Sharpay’s over-the-top, fast performance of a romantic song that was meant for Troy and Gabriella. She has changed the song to apparently keep the audience awake, but Troy is clearly uncomfortable with Sharpay’s version of the song, having to keep up with her dancing and special effects. Although I generally like Sharpay’s songs, in this case, the original version with Troy and Gabriella is much better. It was written by Jamie Houston and performed by Tisdale and Efron.

Then, we get to the emotional crux of High School Musical 2, as we wonder with Gabriella’s heartfelt number whether her and Troy are over for good. It is the perfect song for this scene, as Gabriella dramatically quits Lava Springs and walks away from her job and Troy, and I love it. “Gotta Go My Own Way” was sung mostly by Hudgens, although Efron as Troy does sing a portion of the song as he tries to convince Gabriella to stay at the country club. It was written by Andy Dodd and Adam Watts.

Troy follows this up with his own emotional breakthrough, but instead of being sad and disappointed like Gabriella, Troy is pumped up and ready to do what’s right with “Bet on It”, running all over the golf course, jumping onto rocks, and splashing water as he sings. “Bet on It” looks great on screen and signals a turning point for Troy. It was performed by Efron and written by Antonina Armato and Tim James. The duo have also written songs for other Disney projects including for the series Hannah Montana (2006-11) and Shake It Up (2010-13) as well as original movies, like some of the Descendants and ZOMBIES movies.

At the Lava Springs Talent Show towards the end of the film, we get a final duet from Troy and Gabriella, as they sing “Everyday” together after Gabriella returns to the club and the two reconcile. It’s a very sweet song that regularly makes me cry, and it’s great to see Troy and Gabriella back together after their little tiff. I also like seeing how all the gang – including Sharpay – come together at the end. “Everyday” was mostly performed by Hudgens and Efron and was written by Jamie Houston.

The final song in High School Musical 2 is another group number, reminiscent of “We’re All in This Together”, as the Wildcats once again realise they are a strong team when they work together. This is “All for One”, which is performed during the end of summer pool party, put on for the employees at Lava Springs. It’s a brilliant way of wrapping up the film, with something so upbeat and party-like. “All for One” was performed by the entire cast. It was written by Matthew Gerrard and Robbie Nevil.

There are also a couple of additional songs that can be heard in High School Musical 2. One of this is a throwback to the first film, as an instrumental version of “Get’cha Head in the Game” is used as Troy’s ringtone early on in the film when he gets the call from Mr. Fulton about getting a summer job at Lava Springs. Another is the song that briefly plays as Sharpay drives into Lava Springs with Ryan in her bright pink car. This song is “You Got It” and was sung by none other than Lucas Grabeel.

The score for High School Musical 2 was composed by David Lawrence, returning after working on High School Musical. Lawrence went on to compose the music for various other Disney Channel Original Movies, including StarStruck (2010), Freaky Friday (2018), and Good Luck Charlie, It’s Christmas! (2011).

The High School Musical 2 soundtrack became one of the best-selling albums of 2007, although it would seem that Josh Groban’s album Noël beat the Disney movie out for top spot that year in the US, despite selling almost 3 million copies there. This means that High School Musical 2’s soundtrack did not beat out its predecessor in terms of sales. There were around one million less copies sold than the High School Musical soundtrack of 2006.

However, the soundtrack was still successful in other ways, for example, debuting at No. 1 on the Billboard 200 chart and staying there for four consecutive weeks, and hitting the top spot in the US Billboard Soundtrack Albums chart. The album also topped the charts in other countries, such as the UK Compilation Albums chart; the Italian Compilation Albums chart; and the Billboard Canadian Albums chart. Many songs also made it into the Billboard Hot 100 chart, including “You Are the Music in Me” and “What Time Is It”. This was a slight underperformance from the success of the first movie’s soundtrack though. However, High School Musical 2 did win the Favorite Soundtrack award at the American Music Awards, after going up against two other very worthy musical film soundtracks: that of Hairspray (2007) and Dreamgirls (2006).

PRODUCTION

The cast of High School Musical had been busy after the premiere of High School Musical in January 2006. They’d had numerous public appearances, interviews, photoshoots, new work opportunities with Disney, like albums and TV projects. Monique Coleman had even been a contestant on Dancing with the Stars (2005-present) back in 2006 in their third season, coming in fourth place. It was an intense rollercoaster of emotions, I’m sure.

But they weren’t about to get any less busy, because they had a sequel to film. Shortly after the US tour of High School Musical: The Concert had finished, running from December 2006 to the end of January 2007, the cast were all back together for the sequel filming to take place in Spring 2007. Only one of the six main cast members did not participate in the concert tour and that was Zac Efron, but don’t worry; he wasn’t being lazy, as he’d been filming the musical Hairspray from September to December 2006.

Despite the tiring schedule, the cast all returned with plenty of energy and enthusiasm, wanting to outdo themselves by making High School Musical 2 even better than the original film. Peter Barsocchini returned to pen the sequel after writing the original film, and Kenny Ortega was also back, in the director’s chair, as were his choreographers, Bonnie Story and Charles Klapow, who had upped the ante with the dancing this time, meaning the cast, although still in shape from the tour, had quite a difficult time during their few weeks of dance rehearsals before filming began!

There were some fun moments to come from rehearsals though. One of these was that, in a similar way that basketball had been incorporated into the choreography of “Get’cha Head in the Game” from the first film, this time baseball was being used in the dance steps for the song “I Don’t Dance”. Another thing to come from rehearsals was that the cast sat in a long line, making a “massage train”, during one of their breaks. Ortega then came into the room and thought he could do something with that for the song “What Time Is It”. He got all the cast whilst still sitting to move to the left and the right, creating a wave. Ortega had them all stand up and do it again, and that is how that specific moment came to be in “What Time Is It”, during the point the whole group are dancing in the school corridor.

For High School Musical 2, the cast and crew returned to East High School in Salt Lake City in Utah for part of filming. The cast enjoyed seeing the cafeteria still decorated from when they’d filmed High School Musical there almost two years before, and liked finding their desks and lockers again. The school is only used for the first ten minutes of so of the film, as the gang sit in Ms. Darbus’ classroom, waiting for summer to start and then head out across the school, into the corridors and the cafeteria, performing “What Time Is It”. They also welcomed visitors to this set, including children from the Make-A-Wish Foundation, and the Governor of Utah at the time, Jon Huntsman Jr., who brought his young daughter to meet the cast as she was a big fan of the first film.

The other main filming location used for High School Musical 2, to be the setting of Lava Springs Country Club, was actually a real country club. Entrada at Snow Canyon Country Club first opened in St. George, Utah in 1996, consisting of an 18-hole golf course, set across 710 acres of desert landscape. It later opened a Sport and Fitness Center in December 2000, before opening its main clubhouse in May 2005. It became Lava Springs Country Club for High School Musical 2 in Spring 2007, with filming apparently completed by May. The cast and crew stayed at The Inn at Entrada, the on-site hotel, during filming and many residents of the country club were extras in the film[1]. The majority of High School Musical 2 takes place at Lava Springs Country Club, meaning that many areas of the country club were used, including the golf course and the pool.

Speaking of the pool, for the final pool party scene and the song “All for One”, Ortega wanted to film every cast member jumping into the pool at the country club for the last shot of High School Musical 2. However, Monique Coleman did not know how to swim prior to filming and had to take lessons in preparation. When it came time for her to jump into the pool, she sweetly asked if Corbin Bleu could jump in with her to make it easier for her. Sadly, after all that effort, her and Bleu’s jump into the pool didn’t even make it into the final edit of the sequel; we only see Troy and Gabriella jump in[2]!

Many behind-the-scenes moments and cast interviews were recorded as part of a mini-series titled The Road to High School Musical 2, which aired on Disney Channel throughout the summer of 2007 to promote the movie to its regular viewers. These were only short episodes, roughly three to five minutes long, that followed the cast through dance rehearsals into filming, and they aired in between the channel’s regular programming.  

Another way Disney Channel cleverly promoted the sequel was to encourage viewers to be a part of making the film. This was done via online polls, asking viewers to select just what they wanted to see in High School Musical 2. Some questions that were put to them were what sandwich they wanted Troy and Gabriella to eat at their picnic; which Hannah Montana star should make a cameo in “All for One”; and what should Chad’s shirt in “What Time Is It” say. The winners of these polls were peanut butter and jelly; Miley Cyrus, which is why she can be seen in that final sequence; and “I majored in vacation”. It would seem the polls were open on the US Disney Channel website throughout January 2007.

RECEPTION

Just over a year and a half after the premiere of High School Musical, High School Musical 2 premiered in the summer of 2007, perfect timing considering the sequel’s summer setting.

Unlike the original film, High School Musical 2 did receive an official world premiere, and it was held at the AMC Theatres in Downtown Disney at the Disneyland resort in Anaheim, California on 14th August 2007, attended by the cast. This was the first time a movie made for Disney Channel had premiered at the resort[3].

For everyone else, they had to wait for the television premiere in their respective countries. Obviously, the US Disney Channel premiered High School Musical 2 first, on 17th August 2007. It would seem that the movie was then distributed out to other countries within the next month or two. For example, in the UK, High School Musical 2 premiered on Disney Channel on 21st September 2007. I guess it would’ve been seen as unfair to leave viewers waiting too long between the premiere and the international broadcast date, especially as High School Musical 2 was the most-anticipated DCOM premiere of all time.

High School Musical 2 premiered alongside a telecast hosted by the main cast members and Kenny Ortega. The US premiere of the sequel was also followed by a preview of the new animated series Phineas and Ferb (2007-15), which Ashley Tisdale voiced a character for, and a new episode of Hannah Montana (2006-11), starring the Jonas Brothers. The premiere date was followed by a re-run on 18th August, with an interactive viewer chat with the stars, and a singalong edition premiered the following night[4].

All the attention and hype was worth it though and it paid off in a big way for Disney Channel in terms of viewing figures because High School Musical 2 became the most-watched premiere of a Disney Channel Original Movie of all time. 17.2 million viewers watched High School Musical 2 on its premiere, almost ten million more than the 7.7 million viewers who watched High School Musical on its first showing. High School Musical 2’s viewing figures have never been equalled on Disney Channel. The closest DCOM premiere of any was Wizards of Waverly Place: The Movie in 2009, which gained the attention of 11.4 million viewers. There is then another drop compared to third place Camp Rock (2008) with 8.9 million. There were three other DCOMs released in 2007 as well, with the first being Jump In!, starring Corbin Bleu, which got 8.2 million interested viewers. Twitches Too in October ended with a total of 6.9 million viewers. Johnny Kapahala: Back on Board, the channel’s June premiere, didn’t even reach 2 million viewers apparently.

High School Musical 2’s premiere beat even more records. It became the most-watched basic cable telecast of all time, beating the 16 million who watched ESPN’s Monday Night Football game on 23rd September 2006. It would appear that High School Musical 2 has not been beaten in this specific record in the years since. It was also the most-watched TV telecast ever in the Kids 6-11 demographic, with 6.1 million, and the most-watched entertainment telecast ever in Tweens 9-14, with 5.9 million[5].

For High School Musical fans, High School Musical 2 was a hit. The sequel had more energy, it had catchier music, and a better production value, by taking the movie away from the school setting and placing it somewhere fairly exotic– at least in the minds of tweens and teens – in a fancy country club. It was also appreciated by viewers that it highlighted some real teen issues, like college plans and the anxiety that comes with that. Others felt that some of the “secondary” cast members, particularly those who aren’t Sharpay, Troy, or Gabriella, got to have more opportunity to shine in High School Musical 2, especially Ryan, who actually got to develop his own personality here, instead of just being his sister’s lapdog. Ironically, she actually had her own real lapdog this time, her Yorkshire Terrier, Boi, who was director Kenny Ortega’s dog, Manly. It is debated though whether High School Musical 2 was considered better than the first movie, with fans being divided over this, even though most agree they like both of them. I most definitely prefer High School Musical 2 to High School Musical, basically forgetting the first one even exists now, because the other two films are so much better in my opinion.

However, High School Musical 2 wasn’t only limited to being watched by its most dedicated fans, so negative comments remained. Some commented on the fact this movie shouldn’t have even had “high school” in the title, since the sequel is not set in the school for the most part; we only see East High School at the very start of the film for around ten minutes. Others said Disney Channel was clearly milking the High School Musical franchise, and were unable to come up with an original story or decent choreography or staging. That seems a little unfair, although one review did make me reconsider the uniqueness of the story. Someone rightly pointed out that the story of High School Musical 2 does seem to have some similarities to the episodes of hit teen sitcom Saved by the Bell (1989-93). I believe this must have been referring to the set of six episodes from Season 3 that take place at a country club, where all the gang – except Lisa – get jobs. I must say, despite being a huge fan of Saved by the Bell, I hadn’t realised this – and it is a good point. But it doesn’t stop me liking High School Musical 2 because of some potential “borrowing” of storylines.

High School Musical had a fair amount of awards success for a television movie, and High School Musical 2 was no different, although it did not measure up as well. For example, the first movie had won two Primetime Creative Emmy Awards, for Outstanding Choreography and Outstanding Children’s Program. Although still nominated in these categories, High School Musical 2 actually lost out to So You Think You Can Dance in the Choreography category, and to a Nick News Special and the HBO show Classical Baby (I’m Grown Up Now) for Outstanding Children’s Program. Kenny Ortega also won the award for Outstanding Directorial Achievement in Children’s Programs at the Directors’ Guild of America Awards for High School Musical, but was only nominated for the sequel; the award was won by another regular DCOM director, Paul Hoen, for Jump In!

But it certainly was not all doom and gloom for High School Musical 2. Ortega did win the ALMA award for Outstanding Director of a Made-for-TV movie, and the film won the ASTRA award for Favourite International Program over in Australia, as well as the Choice TV: Movie award at the Teen Choice Awards. Plus, Zac Efron proved that his star was still on the rise as he won for Fave Movie Star at the Nickelodeon Australian Kids’ Choice Awards.

LEGACY

After the success of High School Musical, many new experiences and live shows were created to capitalise on the famous franchise. Some of these experiences were not ready until after High School Musical 2 had already premiered.

One of these was High School Musical: The Ice Tour, which was, as you might expect, an ice-skating show where performers came out to dance along to songs from High School Musical, with High School Musical 2 also being included in this show, since it had just premiered. The Ice Tour originally toured the US from 31st August 2007 to 25th May 2008. The show also toured South America in 2007 and 2008, even heading to other continents to hit countries like Australia, the UK, and Spain in 2008 and 2009. I did actually see this in the UK and it was pretty good. I think we still have the glittery hats we purchased there. It would seem in later tour dates of High School Musical: The Ice Tour, a pre-show featuring some songs from the third film was added. Although I can find clips of the ice show online featuring songs from the first two films, I cannot find a video of this “pre-show”.

Following on from the stage production of High School Musical, a stage production of the sequel, titled High School Musical 2: On Stage, was also produced. It would seem that the plot is basically the same as the sequel movie. A new character named Jack Scott was added, though he may simply be an altered version of Jason from the movies. The Sharpettes’ names were also changed, to Violet, Blossom, and Peaches here, and the song “Humuhumunukunukuapua’a” was included into the main story, whereas it was only included as an extended version of High School Musical 2. It would seem that High School Musical 2: On Stage was licensed out for use in both school and professional productions. A UK tour of the show took place from Summer 2009, ending its run in February 2010. The US professional premiere took place in Atlanta in November 2008[6].

Continuing High School Musical’s presence at the Disney Parks, a new pep rally was added, this time promoting High School Musical 2. Replacing High School Musical Pep Rally was High School Musical 2: School’s Out! The concept was still the same, with dancers and singers performing some of the biggest hit songs from the movie. In this case, the songs included “What Time Is It”, “Work This Out”, mixed with “Get’cha Head in the Game” from the first film; “I Don’t Dance”, and “All for One”. It came to Disney-MGM Studios, now Disney’s Hollywood Studios, at the Walt Disney World Resort in Florida in August 2007, the same time as it appeared at Disney California Adventure Park at the Disneyland Resort. It appears that Disneyland Paris also got this same pep rally, however, they may’ve been a few months behind in terms of switching between the first movie’s pep rally and the sequel’s one. In the US parks, High School Musical 2: School’s Out! ended in September 2008, ready to be replaced with a new pep rally the next month. In Paris, the High School Musical 2 pep rally ran throughout 2008, not being replaced until Spring 2009.

Also at the Disney Parks, some of the cast of High School Musical 2 made an appearance during the Walt Disney World Christmas Day Parade in December 2007. Here, Vanessa Hudgens, Corbin Bleu, Ashley Tisdale, and Monique Coleman recorded a performance of the sequel’s song “What Time Is It” in front of Sleeping Beauty Castle at the Disneyland Resort. Olesya Rulin and Kaylee Stroh were there too. However, this was not just any performance of “What Time Is It” because instead of saying “summertime”, the answer to the question “what time is it?” was of course “Christmastime”. The opportunity was also taken for Disney to promote the High School Musical 2 pep rally at their US parks.

Disney continued to produce new editions of High School Musical 2, like dance along and singalong editions, to air on Disney Channel, novels, video games, and merchandise featuring the High School Musical brand after the premiere of High School Musical 2.

Finally, the biggest announcement to come from High School Musical 2 was the confirmation of a third film. In 2008, we would be getting High School Musical 3, and the plan was for this “threequel” to have a theatrical release, not just a Disney Channel premiere.

FINAL THOUGHTS

High School Musical 2 has a way of evoking a summery atmosphere, because of its setting and its lively soundtrack, regardless of what time of year you’re watching it. It also makes some nostalgic for their own school summer breaks, when watching Disney Channel, rightly or wrongly, may’ve made up a majority of their summer activities! Many think that High School Musical 2 easily outperformed the original film, as I do.

There was no stopping the High School Musical hype train, and with a third film in the works that would be coming to cinemas, it felt like High School Musical 3 was going to be a moment for movie history, as Disney Channel broke out from our television screens into major cinema. Ok, that’s a bit much, but it was still a big moment to see the Wildcats head to the big screen, in a similar way that Lizzie McGuire had in The Lizzie McGuire Movie (2003).

We were going to be expecting even more from this third film now, and Disney had no choice but to accept the challenge and not disappoint us.


REFERENCES

[1] Credit: Entrada at Snow Canyon, ‘Club History’, GolfEntrada.com, date unknown.

[2] Credit: Disney Channel, ‘The Road to High School Musical 2’, Kayla Ybanez YouTube Channel Playlist, June 2007.

[3] Credit: Ernio Hernandez, ‘Disneyland Hosts World Premiere of ‘”High School Musical 2” Aug. 14’, Playbill.com, 14th August 2007.

[4] Credit: Kimberly Nordyke, ‘TCA: Disney sings along with “High School Musical 2”’, HollywoodReporter.com, 16th July 2007.

[5] Credit: Ernio Hernandez, ‘Most Likely to Succeed: “High School Musical 2” Draws Record-Breaking 17.2 Million’, Playbill.com, 20th August 2007.

[6] Credit: Adam Hetrick, ‘Homecoming: Disney’s High School Musical 2 Premieres in Atlanta Nov. 6’, Playbill.com, 6th November 2008.

High School Musical (2006)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

I can’t imagine too many people are unfamiliar with High School Musical.

High School Musical has spanned quite a legacy in the years since its release, with sequels, spin-offs, entertainment experiences, and merchandise only adding to that. It wasn’t even the first musical to come from Disney Channel – that was The Cheetah Girls in 2003 – but for some reason, this movie, very much inspired by Grease (1978), one of the most popular movie musicals of all time and loved by both musical and non-musical fans alike, became a sensation amongst tweens and teens, allegedly making musicals “cool” again. I’ve always liked musicals so I hadn’t realised they were out of fashion.

To be perfectly honest, I don’t like High School Musical. But let me explain.

I was as excited as anyone when High School Musical first came to Disney Channel. I was 13 at the time, so the perfect demographic, and I was obsessed with Disney Channel then, watching series like The Suite Life of Zack & Cody (2005-08) pretty much every morning before school. I’d been watching new Disney Channel Original Movies as they premiered for about two or three years by this point too. I was a big Disney Channel fan.

When High School Musical first arrived to Disney Channel in September 2006 in the UK, about nine months after it had already hit screens in the US, leading to a gigantic buzz that luckily, I didn’t have to see any spoilers for thanks to the lack of social media, I really liked it. I had the soundtrack, which even my sister, who was not a huge Disney Channel fan, liked, and I remember listening to it on a loop on a drive to an airport. I also had the DVD, and watched all the bonus editions of the film that aired on Disney Channel, like the Sing-Along edition, the Dance-Along edition, and the Pop-Up edition, where facts from the movie popped up on screen alongside the film itself. High School Musical was a big deal.

But, as soon as High School Musical 2 came along in 2007, my love of the first High School Musical diminished year-on-year, to the point I hadn’t actually seen the original film in maybe ten years before rewatching it this week, even though I watch the second and third films still. I just find that High School Musical is a bit cringey, the music is not as good – I actually only like three songs in the film, and none are “Breaking Free” or “Start of Something New” – and the costumes, locations, and even the hairstyles just look much better in the second and third movies.

PLOT

High School Musical begins on New Year’s Eve at a ski resort. Two teenagers are on two separate holidays with their families: Gabriella Montez, here with her mother, and Troy Bolton, with his parents. On New Year’s Eve, Gabriella is told by her mother to stop reading and go and join the teens’ party. Troy and his father are told by Troy’s mother to stop playing basketball so Troy can join the teens’ party. Neither Troy nor Gabriella really wants to go.

At the party, the DJ randomly selects two teenagers to sing a karaoke song as the teens get ready to countdown to midnight. The two chosen are Troy and Gabriella. Despite trying to get out of it, neither are allowed to and both have to stand up on a mini-stage and sing a duet together in front of everyone. Troy sings his opening verse and is about to step off the stage, when Gabriella starts singing. Transfixed by her, Troy continues the duet and they actually have a good time. Troy and Gabriella continue to chat as midnight comes closer and they countdown to the New Year together. At midnight, the two awkwardly end the conversation, saying they need to say “Happy New Year” to their parents, so after swapping phone numbers, they both leave, not knowing if they’ll ever see each other again.

A few days later, Troy returns to his school, East High, in Albuquerque, New Mexico, for the new term. As fate would have it, so is Gabriella. Gabriella is used to moving around the country for her mum’s job, but now her mother has transferred to Albuquerque and will be staying until Gabriella graduates. Gabriella is understandably nervous about her first day, and heads to homeroom where her teacher is Ms. Darbus, the school’s drama teacher. Troy is also in this class, along with his teammate and best friend Chad; drama club members and twin siblings Sharpay and Ryan; and smart girl Taylor. Ms. Darbus discusses the latest school news, like the school musical and Taylor’s scholastic decathlon, when the class is interrupted by a ringtone. Ms. Darbus goes around the class, getting everyone with phones in their hands to hand them in and giving those students detention, which includes Troy and Gabriella, since Troy was the one who called Gabriella to check it was really her.

Outside the class, Troy speaks to Gabriella, very happy to see she has moved here. Gabriella says she tried to look for him on New Year’s Day but he’d already left the resort. The two find themselves by the sign-up sheet for the school musical, both jokingly saying the other should sign up, when Sharpay comes up to the sheet and signs herself up. She says the drama department always welcomes newcomers, but it’s obvious she feels threatened by Gabriella for having Troy’s attention, because Sharpay has a crush on Troy.

At basketball practice, Troy asks Chad about the musical, but Chad tells him to forget about it and focus on basketball, as they have a big championship game coming up. In another class, Sharpay tries to warn Gabriella off Troy, but Gabriella mostly ignores her. After correcting their teacher, Sharpay sees that Gabriella is really smart, as does Taylor. Sharpay and Ryan then do some research into Gabriella and discuss why her and Troy are interested in their musical. Sharpay sees that Gabriella is basically a prodigy, winning awards for all sorts of competitions, and prints the information off, to place in Taylor’s locker.

At detention, Ms. Darbus tasks all the students with painting sets for the musical. Taylor rushes over to Gabriella saying she’ll happily let Gabriella onto the scholastic decathlon team, believing she placed the article about Gabriella’s talents in her locker. Gabriella says she didn’t do that and doesn’t want to join any teams right now. Meanwhile, at basketball practice, Coach Bolton sees that his son Troy and Chad are not there, and goes to detention to get them to return to practice, ignoring Ms. Darbus completely. The two teachers complain to Principal Matsui, with Ms. Darbus hating the fact the school favours sporting ability over anything else, with this meeting only confirming this as the principal refuses to side with Ms. Darbus, wanting the basketball team to succeed. At home, Coach Bolton tells Troy not to go to detention anymore, but ignores his son’s talk about wanting to try something else other than basketball, like singing and performing.

The next day, Ms. Darbus reminds her class about auditions for the musical which will be running until midday. Troy lies to Chad about wanting to catch up on some homework during their free period, and heads to the auditions, although Chad senses something is amiss and follows him. Troy takes a weird route through the school and loses Chad, making his way to the theatre and watches auditions from the back of the room, hiding behind a janitor’s trolley. Gabriella soon joins him there, but both are too scared to go and audition. They watch as soloists perform for Ms. Darbus, before auditions open up for pairs, with Sharpay and Ryan being the only pair to audition for the leads. Ms. Darbus is impressed by the twins’ perfect performance, but stills calls out to the room to see if any other pair would like to audition. Nobody comes to the stage so Ms. Darbus ends the auditions. Suddenly, Gabriella walks down to the stage and asks to audition. Gabriella is told auditions are over and there is nobody to sing with her anyway. Troy then appears and says he’ll sing with her. Ms. Darbus is surprised and suspicious to see Troy at her auditions, but nevertheless, the auditions are over, so they’ll have to try again next time.

Troy and Gabriella see student composer and pianist Kelsi Nielsen trip, dropping all her music. They go to help her pick it up. Troy is impressed that Kelsi has written all the music for this musical herself, calling her the musical’s “playmaker”. Kelsi asks Troy and Gabriella if they’d like to see how the duet that Sharpay and Ryan is supposed to be performed, as they changed her traditional ballad into a jazzy number. Kelsi encourages Troy and Gabriella to sing along with her playing. As they end the song, Ms. Darbus appears and tells the two that they have a callback.

The next day, Sharpay and Ryan see that they have a callback with Troy and Gabriella; Sharpay is horrified. The basketball team and others soon see this too and news goes around the school quickly. At lunch, it would seem that the whole of East High has gone mad as students in certain cliques confess that they have interests in other activities outside of their groups, such as Zeke, a basketball player who likes to bake, and “nerdy” girl Martha who actually likes to dance. Sharpay blames Gabriella for all this, as none of this would’ve happened had she not arrived at East High. She goes to confront her in the cafeteria, but Gabriella slips on something and spills all her lunch over Sharpay. Ms. Darbus hears the commotion and comes over. Sharpay accuses Gabriella of tipping food on her on purpose, and says she fears for Ms. Darbus’ musical is being ruined by “outsiders”. Ms. Darbus takes her concerns straight to Coach Bolton, believing that he put his son up to this to ruin her musical, wanting revenge over the detention she gave to Troy and Chad. Coach Bolton claims to know nothing about it, but Ms. Darbus isn’t at all convinced.

Later, Gabriella finds a note in her locker. It’s from Troy, asking her to meet him on the school’s rooftop garden. Here, they talk about the expectations everyone has for them, like how Gabriella is only known for her intelligence, and Troy is just supposed to be the basketball captain, yet when they are together, they can fully be themselves. They decide to rehearse for the callbacks in secret, hiding away from Sharpay and Ryan who are determined to catch them out. However, Troy is late for basketball practice one day because of this and tells Coach Bolton he’ll practise alone to make up for it. Gabriella then comes into the gym, and the two mess around, teasing each other about their free-throwing abilities. Coach Bolton hears this and tells Gabriella that the gym is off-limits until every basketball player has left practice. Gabriella goes. Troy doesn’t like how rude his father was to her, with Coach Bolton saying if she is the one getting him detentions, then Troy should stay away.

Chad also sees Troy getting distracted with all this musical stuff, and reminds him to focus on basketball. Fearing this advice has fallen on deaf ears, Chad talks to Taylor and they devise a plan to keep Troy and Gabriella away from the musical and each other, so the basketball team can win their game, and Taylor can win her decathlon. Chad and the team corner Troy after practice and tell him about all the legends that have played at East High, including Troy’s father, and how he should be on that list. Taylor and the decathlon team remind Gabriella about how dumb jocks are and that she should embrace her intelligence and forget about him. Chad then starts recording Troy, as his baiting has gotten Troy to say that he only cares about the team, and not about Gabriella or the musical. This is then shown to Gabriella. Gabriella is heartbroken, but agrees to join the decathlon.

After this, Troy tries to speak to Gabriella by her locker, but is confused by her reaction to him, telling him she doesn’t want to do the callbacks and that she needs to focus on the scholastic decathlon now anyway. Troy is upset that Gabriella doesn’t want to speak to him anymore and can’t concentrate on anything now, even basketball. Troy and Gabriella don’t talk to each other at school anymore, but they also start to grow distant from their so-called friends too, making Chad and Taylor feel guilty. Good, so they should. Chad comes clean to Troy about what he did by showing the video of him to Gabriella. Taylor does the same, but Gabriella can’t just forget it, as Troy really did say those things about her. Deciding he’ll have to make a bigger apology to Gabriella, he goes round to her house after school. Gabriella tells her mother to lie to get him to leave, so she says Gabriella is busy with homework. Troy then calls Gabriella as he climbs a tree outside her bedroom window. He apologises and tells her to look out her window, as he sings the karaoke song from the night they first met to her. All is forgiven, simple as that.

Rehearsals resume and Troy and Gabriella also focus on their respective teams. Sharpay and Ryan hear Gabriella and Troy singing one day though, and hatch a plan to change the date of the musical callback from Thursday to Friday, so that it will clash with the scholastic decathlon and the basketball game. Luckily, Ms. Darbus doesn’t argue and moves the callback date. Troy and Gabriella learn the news the next day, with their friends. They all agree to work together to make sure Troy and Gabriella can do the callback and their events.

On Friday, the Championship game, the decathlon, and the callbacks all begin. Ryan and Sharpay begin their callback with another over-the-top performance, whilst Gabriella easily wins the first event in the decathlon. Taylor then sends a code from her laptop to shut down the electricity in the school gym, suspending the game. Troy leaves the gym and heads for the theatre. At the decathlon, Taylor and Gabriella wait for their chemistry experiment to go wrong, creating a disgusting chemical reaction which delays the rest of the events. Gabriella heads to the theatre too, however, Ms. Darbus has already called their names, and is closing down callbacks, despite Kelsi asking her to wait for the two to arrive. When Troy and Gabriella do eventually arrive, they are told they cannot perform, but then most of the school come in to watch. Not wanting to disappoint the biggest audience her auditions have ever produced, Ms. Darbus allows the two to sing, with Kelsi on piano.

Gabriella has never performed in front of such a large audience though and clams up, missing her cue. Troy tells her to look at him and they start again. They perform brilliantly, impressing everyone in the crowd, even Coach Bolton who has come to see what all the fuss is about.  At the end of their performance, Troy and Gabriella return to the basketball game and the decathlon respectively. The basketball team win their game, with Gabriella coming over to say the scholastic decathlon team won too. Sharpay then arrives, telling Troy and Gabriella they got the lead roles, and that Sharpay and Ryan are their understudies; she seems alright about it though. Chad then asks Taylor out, and she accepts. The whole school come together to celebrate their achievements, now accepting that everybody can do whatever they like, regardless of what “group” they belong to.

In a post-credits scene, we see Sharpay telling Zeke that the cookies he gave her are the best cookies she’s ever eaten. He thanks her and says he’ll make her a crème brûlée. So happy endings and dessert for everyone!

CHARACTERS & CAST

Troy Bolton is a very popular student at East High. He is the basketball captain after all and jocks tend to rule the school. But Troy is cool and will talk to anyone in the school. When he meets Gabriella, Troy is instantly smitten with her, but he doesn’t expect to ever see her again, so what a great surprise it must’ve been to see that Gabriella has joined East High. The problem is with Gabriella here, it makes Troy question everything about himself, and whether he is just “the basketball guy”. He learns that he actually does like to sing and wants to part of the school musical with Gabriella. This leads to other students wanting to break out of their groups too, to pursue their own interests, which turns out to be a great thing for East High as all the students start to hang out with each other.

Zac Efron was cast as Troy Bolton. Prior to his role in High School Musical, he had starred as Patrick McCardle in the movie The Derby Stallion (2005) and had been cast as Cameron Bale in The WB series Summerland (2004-05), which also starred Lori Loughlin and Jesse McCartney. Efron later starred as Link Larkin in the movie musical Hairspray (2007), alongside big names like John Travolta, Christopher Walken, and Queen Latifah.

Although Troy has the biggest journey through High School Musical, having to accept criticism and judgement of his singing from his team because it is so different from what Troy has ever done, Gabriella Montez is arguably the catalyst of this change. If Gabriella hadn’t come to East High, then Troy would’ve just continued playing basketball and nothing would’ve changed. Gabriella lets Troy be himself, and in turn, she can be herself too, not wanting to be known as the smart girl at yet another new school. She manages to avoid too much stereotyping here, as she bridges the gap to the jocks. Gabriella is also unfailingly kind, even to Sharpay who clearly feels threatened by her. 

Gabriella was played by Vanessa Hudgens. She had previously been cast as Tin-Tin in the movie Thunderbirds (2004), based on the television series, and went on to be cast in the recurring role of Corrie in Season 2 of The Suite Life of Zack & Cody.

Sharpay is a member of the drama club, being the lead in pretty much every play or musical that they put on. She might not technically be popular but everyone in school knows her because of her diva attitude. Sharpay wants to always be the centre of attention, and doesn’t like anyone taking her spotlight, like new girl Gabriella, who also takes Troy’s attention, annoying Sharpay further. When Gabriella starts to threaten Sharpay’s chance of becoming lead in the school musical, Sharpay is not afraid to disrupt that, by getting the callback date changed to stop Gabriella and Troy attending, however, this backfires and Sharpay loses out on the lead to Gabriella. Strangely enough, she seems alright with it by the end of High School Musical. Maybe she’s just concocting an even bigger revenge plot!

Ashley Tisdale was cast as Sharpay Evans. Also for Disney, Tisdale starred as Maddie Fitzpatrick in the series The Suite Life of Zack & Cody and voiced Candace in their animated series Phineas and Ferb (2007-15), a role she returned to for the 2025 revival.

Ryan is Sharpay’s twin brother and also a member of the drama club, pairing up with his sister to take the lead roles. Ryan doesn’t seem to have a hateful bone in his body, and only goes along with whatever Sharpay wants out of some sort of family loyalty. He could potentially talk Sharpay out of her plots and plans, but he doesn’t, because Sharpay is kind of scary and not someone you want to get on the wrong side of! But even Ryan can’t disagree that his sister is fame-obsessed, not liking Ryan putting his own spin on routines, or wanting to get his moment in the spotlight.

Lucas Grabeel was cast as Ryan Evans. Lucas Grabeel was cast as Ethan in Halloweentown High (2004), reprising his role in Return to Halloweentown (2006), the fourth movie in the franchise. Return to Halloweentown was released in October 2006, a few months after High School Musical, potentially increasing interest in that film. Grabeel was also cast as Scooter in the Disney movie College Road Trip (2008), alongside Raven-Symoné and Brenda Song, and appeared as Danny Nicoletta in the Oscar-nominated movie Milk (2008), which starred Sean Penn as Harvey Milk.

Chad Danforth is Troy’s best friend and a member of the basketball team. He can’t understand why Troy would show any interest in singing and not want to be fully focused on basketball. Chad only wants his teammates to eat, sleep, and breathe basketball, partly because he thinks that is how great teams and players succeed. Chad even uses a funny analogy to try and convince Troy to ignore singing, by using legendary actor Michael Crawford, known for originating the role of the Phantom in Andrew Lloyd-Webber’s musical The Phantom of the Opera. He tells Troy that Michael Crawford’s picture is in his mum’s fridge as a diet tactic, so if Troy continues singing that is where he will end up, not on a cereal box like sporting heroes do. Chad soon learns that this was a mistake as he sees that Troy is unhappy not speaking to Gabriella and not performing, so he puts it right and gets the whole team behind Troy and Gabriella, supporting them all the way to their callbacks.

Chad was played by Corbin Bleu. Early in his career, Bleu was cast alongside Kristen Stewart in the movie Catch That Kid (2004), where he played Austin. He had also been in the main cast of the Discovery Kids series Flight 29 Down (2005-07), where he played Nathan McHugh. He later starred as Izzy Daniels in his own DCOM Jump In! (2007).

Taylor McKessie is captain of the scholastic decathlon team, and is determined to win. She doesn’t initially speak to Gabriella, until she learns how smart Gabriella is, thanks to Sharpay’s online research. From here, Taylor makes it her mission to get Gabriella to join the decathlon team, and she becomes Gabriella’s friend, showing her around East High and telling her the people to avoid, mainly Troy, the basketball team, and Sharpay. Taylor comes to a similar conclusion as Chad, feeling guilty for stopping Troy and Gabriella from singing together, learning that Gabriella will be a much happier member of the decathlon team if she is allowed to talk to who she wants and do what she wants. Taylor is just a little bit of a control freak, but she knows she can’t control her friends.

Monique Coleman was cast as Taylor. Before High School Musical, Coleman had been cast in the recurring role of Mary Margaret, appearing in Season 1 and 2 of The Suite Life of Zack & Cody alongside High School Musical castmate Ashley Tisdale. She also appeared as Molly in Season 4 of the drama series Boston Public (2000-04).

Then, we have Kelsi Nielsen. She is a quiet, shy person, but a very talented composer and pianist, having written the school musical herself. Kelsi allows herself to be walked over by Sharpay, who tells her not to interfere with Sharpay’s arrangements of Kelsi’s music, even if it goes against the spirit of the song. Kelsi is surprised to find Troy and Gabriella had even noticed her enough to help her pick up her music on audition day, and she realises that not everyone in the theatre is self-obsessed. Kelsi becomes Troy and Gabriella’s mentor as they prepare for callbacks, and is ready to help them whenever needed. She starts to come out of a shell by the end of High School Musical.  

Olesya Rulin was cast as Kelsi, having previously played the part of Natalie in Halloweentown High, alongside Lucas Grabeel. She had also previously had minor roles in the 2001 DCOMs Hounded and The Poof Point prior to her role in High School Musical.

For the teachers, the main ones we see are Ms. Darbus and Coach Bolton. They don’t see eye-to-eye about anything, with Ms. Darbus not caring about basketball or sports in general, and Coach Bolton seeing her drama club as a bit of a joke. They wouldn’t normally have any reason to interact but when Ms. Darbus takes two of his team out of practice for detention, and then his son starts showing an interest in singing, they suddenly find themselves very much fighting against each other. Ms. Darbus just wants her musical to be taken seriously, and not overshadowed by the school’s sporting achievements. I can say I have been there! It’s really annoying when schools only care about sport… Coach Bolton on the other hand needs his team to focus and can’t have them thinking about musicals, so when Troy starts to do so, it is like the end of the world for Coach Bolton. However, Ms. Darbus learns that jocks can sing, and Coach Bolton sees how talented a singer his son is. The two teachers will have to have their respective departments get along now that musical rehearsals are most definitely going to have to come before basketball from time to time!

Alyson Reed was cast as Ms. Darbus. Reed definitely had reason for being cast as a drama teacher, as she performed on Broadway in various musicals including Cabaret, being nominated for a Tony Award for Best Featured Actress for her role as Sally Bowles, and Pippin, where she played Catherine. Reed is also known for starring as Cassie in the 1985 film adaptation of A Chorus Line, directed by Richard Attenborough. Outside of theatre, she was cast in the recurring role of Lyndsay Hamilton in Season 2 of the Hulu series Chance (2016-17) and has guest starred in various series including Modern Family (2009-20).

Bart Johnson was cast as Coach Bolton. Previously, Johnson was cast as Nelson Tucker in the series Hyperion Bay (1998-99) for The CW, which also starred Mark-Paul Gosselaar of Saved by the Bell fame. Since High School Musical, Johnson was cast as Daniel Huntslar in the Hallmark Christmas movie The Christmas Spirit (2013) and had a recurring role as Beau Berkhalter in the Lifetime series The Client List (2012-13), which starred Jennifer Love Hewitt. More recently, Johnson has guest starred as Patrick Ramsey in the Paramount+ series Landman (2024-present).

MUSIC

Nine original songs feature within the movie of High School Musical.

Another original song appears on the soundtrack, but not in the film, with a music video being released showing the cast members recording the song with some clips from the film interspersed within it. This music video for the song “I Can’t Take My Eyes Off of You” was released as a bonus feature on the DVD release of the film. I do like this song, despite it not having a place in the film. Vanessa Hudgens, Zac Efron, Ashley Tisdale, and Lucas Grabeel all appeared in the video, recording this song.

But does that mean they all actually sang the song? During initial interviews and promotional activities for High School Musical, we were all led to believe that Zac Efron had in fact been singing on the movie’s soundtrack. That did not turn out to be the case, and Disney had to come clean and say that singer Drew Seeley had in fact sung the majority of Troy Bolton’s songs. There are a couple of exceptions, such as the opening lines of “Start of Something New” and “Breaking Free”. Different reasons have been given for why Efron did not sing in the film, despite obviously needing to prove he could sing as part of the audition process. It has been said that his singing voice potentially was not strong enough. A more official reason given was that the songs written simply did not suit Efron’s vocal range, so a different singer was required for this particular movie.

It is unclear what the actual reason was, but the point is Drew Seeley sang as Troy Bolton in High School Musical. Funnily enough, Seeley had auditioned for the part of Troy, but did not get the part, possibly due to being a few years older than the rest of the cast and Vanessa Hudgens. Seeley later contributed to other Disney albums such as the Disneymania and Shake It Up albums, and was even cast as Prince Eric in the Broadway stage production of The Little Mermaid in 2009. Seeley may also be known for his role as Joey Parker in the musical film Another Cinderella Story (2008), which saw Disney Channel star Selena Gomez be cast in the lead role of Mary Santiago.

Now back to the actual songs themselves. “Start of Something New” is the first song to appear in the film, as it is the song that Troy and Gabriella sing together at the New Year’s Eve party. It is a typical pop song that references Troy and Gabriella’s own feelings at this point in this film, that they’ve both randomly met and clicked straight away. I think this song has been seriously overused over the years, so I don’t particularly like it anymore. It was performed by Vanessa Hudgens and Drew Seeley, and was written by Matthew Gerrard and Robbie Nevil, who continued to work together on other songs for Disney Channel stars, such as Hannah Montana and The Cheetah Girls.

Following that is “Get’cha Head in the Game” performed by Seeley as Troy, during basketball practice, where Troy is trying to force himself to concentrate on basketball and not on Gabriella and singing. It’s a hip-hop song, for the teens. Again, I’ve heard this too much over the years, and I just don’t like it. I really don’t like when Troy randomly starts singing a little ballad right in the middle of it either. It was written by Ray Cham, Greg Cham, who had both worked on The Cheetah Girls (2003), and Seeley. This song was also recorded by the R&B group B5 for the CD soundtrack.

The next song is “What I’ve Been Looking For”, which is quite a jazzy musical theatre number. It is initially performed by various auditionees, with varying levels of ability, before Sharpay and Ryan show them all up with their perfectly polished performance. It’s not a terrible song, but it is a bit sugary sweet as far as love songs go. “What I’ve Been Looking For” is performed by Ashley Tisdale and Lucas Grabeel as Sharpay and Ryan, and the song was written by Andy Dodd and Adam Watts, who have also collaborated together on music for Hannah Montana (2006-11), the Camp Rock films, and Lemonade Mouth (2011). This song is closely followed by its reprise, a slower version of the song that Kelsi, the composer, had initially envisaged. She encourages Troy and Gabriella to sing her version together, and it gets them a callback. Seeley and Hudgens sing this version.

Next up is “Stick to the Status Quo” which is a fun ensemble number, where students all across the school start saying they have other interests that their friends don’t know about. Hardly the end of the world, but to these teenagers, it really is. I especially like when Sharpay has her solo, because she sounds so distraught about something so silly. It’s also just really catchy. “Stick to the Status Quo” was written by David Lawrence and Faye Greenberg, and was performed by Tisdale and Grabeel as Sharpay and Ryan, as well as Chris Warren as Zeke, the basketball player and baker; Kaycee Stroh as Martha, the intelligent dancer, and Dutch Whitlock as the cello-playing skater dude.

“When There Was Me and You” is a slow ballad that Gabriella sings as she wanders the corridors at school, wondering how she didn’t realise that Troy wasn’t ever interested in her. This song takes place after Gabriella watches a video of Troy saying she doesn’t mean anything to him as part of Taylor and Chad’s plan to get the two of them to focus on basketball and the scholastic decathlon. It’s a moving song, and Hudgens performs it brilliantly. It was written by Jamie Houston.

During the callback scenes, we get two very contrasting songs, one performed by Sharpay and Ryan, and the other by Troy and Gabriella. Sharpay and Ryan’s song is my favourite in this film, and it is a salsa-type song called “Bop to the Top”. It’s just a showcase for their dancing, really, but it’s good fun. The only annoying thing about it is that during the movie, you can’t hear or see it in full as it gets broken up with scenes of Gabriella and Troy at their events, to show that they are going on at the same time as callbacks. It’s quite disrespectful to Sharpay and Ryan if you ask me; Sharpay would not be impressed with that! It was written by Randy Petersen and Kevin Quinn, and performed by Tisdale and Grabeel.

The other song is “Breaking Free”. This is an iconic song from the movie, because it shows Troy and Gabriella singing in front of all their friends for the first time. They are also “breaking free” from the constraints that told them they couldn’t be together or sing together. I personally don’t like this song and don’t think I ever really have. “Breaking Free” was written by Jamie Houston, and performed by Hudgens and Seeley.

The final song to appear in High School Musical is the group number “We’re All in This Together”, performed by all the students as they prove that they can all be friends, irrespective of what “group” they did or didn’t belong to; it shows just how much East High has changed, for the better. The song was written by Matthew Gerrard and Robbie Nevil. Apparently, this track was originally meant to be a song called “Everyone’s a Winner”, but it was considered too cheesy and had to be re-written[1]. I’d like to know what that song sounded like if “We’re All in This Together” isn’t considered cheesy! Not that I care; I like “We’re All in This Together” and the few steps of choreography from it that I can remember.

There was also meant to be a duet for Ms. Darbus and Coach Bolton in High School Musical, similar to “Anything You Can Do” from the musical Annie Get Your Gun. Potentially, it would also have been like “Teacher’s Argument” from Fame: The Musical, which is about two teachers feuding over what is best for their students, like whether a focus on dance or academics is better. This is a bit like Ms. Darbus and Coach Bolton, as they debate whether sport or theatre is more important. The song was cut for timing, although director Kenny Ortega did want to keep it[2].

The High School Musical soundtrack was the biggest and fastest success in the pop charts in years. In the US, it became the No. 1 selling soundtrack album of 2006, selling millions of copies across the globe, and was the first TV movie soundtrack to hit No. 1 on the Billboard Top 200 chart[3]. It also topped the US Soundtrack Albums chart, as well as others across the world in countries like the UK, New Zealand, Australia, Argentina, and Mexico. Many singles from the film broke in to Billboard’s Hot 100 chart as well over its time in the charts, with “Breaking Free” going from No. 86 to No. 4 in just one week[4]

At the Billboard Music Awards, the High School Musical soundtrack was nominated for Album of the Year, and won the award for Soundtrack Album of the Year. “Get’cha Head in the Game” and “Breaking Free” were also both nominated at the Primetime Creative Emmy Awards in the Outstanding Original Music and Lyrics category.

The score for High School Musical was composed by David Lawrence. He went on to compose the music for various other Disney Channel Original Movies, including StarStruck (2010), Teen Beach Movie (2013) and its 2015 sequel, and the original Descendants trilogy.

PRODUCTION

High School Musical was set to be just another Disney Channel movie in a long line of Disney Channel movies, albeit a musical one, so its production was not overly interesting.

The filming locations for High School Musical were nothing special or extravagant, choosing to film at a school in Salt Lake City. This school was East High School; Disney decided to use the same name for their fictional school in the movie. East High School was founded in 1913, and is located in the East Bench neighbourhood of Salt Lake City, in Utah. This school was used as the setting for High School Musical’s East High in all three of the original trilogy of films. Specifically, Disney used the exterior of the building, the gymnasium, and the cafeteria of the school for filming[5]. The auditorium area seems to have been filmed at a different Utah school, Murray High School, which was also the location used for other Disney Channel movies, including Minutemen (2008) and Read It and Weep (2006). High School Musical was filmed in Utah during the summer of 2005.

The story of High School Musical isn’t all that unique either. It was written by screenwriter Peter Barsocchini, who based the idea and some of the characters on his daughter and her friends, wanting to write about school life[6]. For many, High School Musical will remind them of the musical Grease, first performed on stage in 1972 but rising to mainstream fame thanks to its 1978 film adaptation, starring Olivia Newton John and John Travolta as Sandy and Danny. Grease itself is loosely based on Shakespeare’s Romeo and Juliet, although with a much happier ending! High School Musical takes this idea of two teenagers falling in love despite being two very different people, with very different friendship groups and interests, putting across the message that you should accept yourself as you are and not feel the need to conform to any set clique or group that many teenagers end up placing themselves in. Barsocchini himself said he had been inspired by Grease when writing High School Musical. His first draft was quickly greenlit for production and that is how High School Musical got its start. Barsocchini had previously co-written the screenplay for the action film Drop Zone (1994), a complete contrast to writing a Disney Channel musical, going on to write the other two movies in the High School Musical trilogy, as well as helping to create the story of the animated Netflix musical movie Vivo (2021) and co-writing the screenplay of the musical adaptation of the Nativity story for Journey to Bethlehem (2023).

Kenny Ortega was tasked with directing this new musical for Disney Channel. Ortega was already known to Disney as he had directed and choreographed the Halloween film Hocus Pocus (1993) and the musical adaptation Newsies (1992) for the company. Ortega had also been the choreographer on many musical movies including Xanadu (1982) and Dirty Dancing (1987) prior to that. Ortega was the perfect fit. The High School Musical trilogy was not the end of Ortega’s Disney journey either, as he choregraphed and directed The Cheetah Girls 2 (2006) and the original Descendants trilogy for the channel. Ortega was also choreographing and directing Michael Jackson’s This Is It tour in 2009, which was cancelled after Jackson’s death. Footage from the rehearsals was later released as the documentary film Michael Jackson’s This Is It (2009). More recently, Ortega has directed, choreographed, and produced the Netflix musical series Julie and the Phantoms (2020).

Since High School Musical was going to require more than just acting talent, focusing on singing and dancing as well, the audition process had to be more intense, to ensure they found the right teens to fit these roles, both from a talent and stamina perspective. Disney were looking for “triple threats” as they say. There were apparently over 600 kids who auditioned to be in High School Musical. Vanessa Hudgens said in a behind-the-scenes clip that her callback had taken all day and was very difficult. They had started with twelve people and whittled them down to four. Hudgens said she was consistently paired up with Zac Efron each time to do their scenes and performances, deciding that must’ve been a good sign in terms of the casting directors thinking they had good chemistry!

Once the parts were cast, they were then sent to recording sessions to record their songs for the film, before flying to Salt Lake City for the usual table read, where the music was played as they went through the script to show where and how the songs fit into the overall story. This was followed by two weeks of dance rehearsals, which is quite a standard process for any Disney Channel star to go through when filming a Disney Channel musical. Joining Ortega in choreographing the musical were Bonnie Story and Charles Klapow. Story had worked with Ortega on the choreography on the Opening Ceremony of the Salt Lake 2002 Winter Olympics; Ortega and his team even won two Primetime Emmy Awards for this ceremony, one for Outstanding Directing for a Variety Series, and the other for Choreography. The boys also had basketball practice every day to ensure they looked like a real basketball team who knew what they were doing! Rob LaFallet, a real basketball coach and named the basketball technical director here, was on hand to ensure the basketball scenes were as accurate as possible and helped with the choreography for “Get’cha Head in the Game” since the lyrics contained references to real set plays in the sport.

Despite the intensive process, the cast very much enjoyed filming this movie and loved working with Ortega, who was a friend to all and very approachable, helping to guide these teenagers through the process and hearing their thoughts and opinions on their characters and scenes[7]. Much of the cast were relative unknowns, so no doubt wanted to make a good impression and show how serious they were about getting their scenes right.

RECEPTION

High School Musical was released on 20th January 2006 in the US, being their Winter DCOM premiere for that year, in the same way that Now You See It… (2005) had been the year before, and Pixel Perfect (2004) the year before that. There was nothing special about this date, and it can be argued that the summer DCOM premieres would’ve had more viewers.

But High School Musical was the phenomenon that no-one expected. It wasn’t envisaged that it would blow up and became what it became. Over the coming months, High School Musical slowly made its way to other countries outside of America, not even reaching the UK or India until September that year. There wasn’t even a social media buzz in 2006 to increase its popularity, and yet, High School Musical had reached 100 million unique viewers globally by the end of the year. It was crazy.

On its premiere night though, High School Musical brought in 7.7 million viewers, becoming the second-most-viewed DCOM during its premiere, with Cadet Kelly (2002) just taking top spot with 7.8 million, according to reported figures. Twitches, released in October 2005, so just a couple of months before, had reached 7 million. This shows that High School Musical was quite anticipated by the Disney Channel viewership, but was not a sensation from the outset; its viewing figures were good but nothing amazing.

For further context in terms of viewing figures, High School Musical could be seen as having boosted viewership of all Disney Channel movies that year since the lowest viewed movie of 2006 was the non-musical Read It and Weep, but even that was viewed by 5.6 million viewers. The Cheetah Girls 2 actually beat out High School Musical by becoming the most-viewed DCOM premiere of 2006, but only just with 7.8 million. Return to Halloweentown rounded out the year during the Halloween season with 7.5 million. But in 2005, apart from Twitches, none of the six other Disney Channel movies reached over 5 million viewers, so it would seem because of High School Musical, Disney Channel had managed to retain and gain the interest of its target demographic. High School Musical currently sits in ninth position in a list of the Top 10 most-viewed Disney Channel premieres, where it will likely remain now that DCOMs are mostly measured on their Disney+ success.

But even High School Musical, for all its fame and glory, could not escape negative criticism; after all, it was a Disney Channel movie and never meant for Academy Award success, so it is quite easy to criticise if you’re determined to be mean-spirited! For those that were against High School Musical, they said the story was too sweet and didn’t appreciate the message of self-acceptance being pushed down the throats to the extent it was. Others also said how the story lacked originality, which I don’t deny but I don’t think that’s a reason to dislike something and I don’t think Disney did a bad job with adapting this non-original story. Generally, it was decided that High School Musical was only for teens and tweens. As High School Musical was made with that audience in mind, then sure, that is a valid point, but it doesn’t mean adults couldn’t enjoy it too. High School Musical simply doesn’t suit some tastes and that’s perfectly fine, however, you can’t say it’s a bad film.

On the positive side, many liked the casting of the main roles, with these actors being fresh-faced, enthusiastic, and perfect for Disney Channel. The music was catchy too, as can be seen by the incredible performance it had in musical charts across the globe. High School Musical was considered to be fun, lively, and colourful. Obviously, retrospectively, High School Musical is considered by many to be one of the most iconic Disney Channel Original Movies of all time, and one of their best movies, if not the best.

Most Disney Channel movies are lucky if they get nominated for any awards, and even more so if they actually win something. High School Musical went against that usual trend completely by winning numerous awards. Kenny Ortega won the Directors’ Guild of America Award for Outstanding Directorial Achievement in Children’s Programs, and was nominated at the Primetime Emmys in the category of Outstanding Directing for a Miniseries, Movie or Dramatic Special, losing out to Elizabeth I (2005). Also in the Creative Arts Emmy Awards, Kenny Ortega, Bonnie Story, and Charles Klapow won the award for Outstanding Choreography. High School Musical also won the Emmy for Outstanding Children’s Program, shared with HBO’s documentary filmI Have Tourette’s but Tourette’s Doesn’t Have Me (2005). The DCOM was even nominated at the Satellite Awards for Best Motion Picture Made for Television; the award actually went to Lifetime’s television movie A Little Thing Called Murder (2006). Screenwriter Peter Barsocchini also won the Humanitas Prize in the Children’s Live Action Category for his screenplay. Tom McKinley received a nomination at the Costume Designers Guild Awards as well, for Outstanding Costuming Made for Television Movie or Miniseries, but also lost out to Mike O’Neill’s costuming for Elizabeth I

High School Musical won other awards in less technically demanding award ceremonies. For example, the film won Fave Movie at the Nickelodeon Australian Kids’ Choice Awards, and Zac Efron was voted Best TV Actor at the Nickelodeon UK Kids’ Choice Awards. At the Teen Choice Awards in the US, Efron also won here in the category of Television – Choice Breakout Star; Vanessa Hudgens was nominated in the female version of this category. The two won the award for Television – Choice Chemistry and the movie itself won for Television – Choice Comedy or Musical Show.  The young stars were also nominated at the Young Artist Awards, with Efron, Hudgens, and Corbin Bleu receiving nominations in the categories of Leading Young Actor, Leading Young Actress, and Supporting Young Actor in a TV Movie, Miniseries or Special respectively. The film was nominated for Best Family Television Movie or Special here too.

This isn’t even an exhaustive list of all the award wins and nominations that High School Musical received. This shows how its young cast and its talented crew had clearly created something more than just another television movie.

LEGACY

With High School Musical breaking all kinds of records, and defying all kinds of odds by becoming a huge hit across the world, Disney couldn’t just ignore its popularity and not capitalise on its fame now, could they?

In the week of the Super Bowl in early February 2006, Zac Efron was reportedly the second-most-searched team on Google, whereas the two teams in the Super Bowl didn’t even reach the top 10 most-searched terms on the site. High School Musical was continuously re-aired on the channel in a bid to keep up with the demand for the film whilst Disney thought of new opportunities for the story and the cast. Other versions of High School Musical were created for the channel, such as a sing-along version; a dance-along version, where the movie was interspersed with dance lessons from the cast so that viewers could dance along to the song coming up next, and a What’s What edition, with facts about the movie’s production popping up on the screen as the movie was played. The Pop-Up editions could get a little bit irritating to be honest, with the number of facts that appeared.

The cast of High School Musical, Zac Efron, Vanessa Hudgens, Ashley Tisdale, Corbin Bleu, Monique Coleman, and Lucas Grabeel, didn’t make their first public appearance together until they appeared at the opening of the attraction Expedition Everest at Walt Disney World Resort’s Disney’s Animal Kingdom Park in April 2006[8]. The cast appeared at Walt Disney World again later that year for the Walt Disney World Christmas Day Parade in December 2006. Here they performed “We’re All in This Together” on Main Street, U.S.A., with a selection of teenagers from various high schools over the country who had auditioned to be a part of the performance. The cast members who appeared here were Lucas Grabeel, Corbin Bleu, Monique Coleman, and Ashley Tisdale.

This wasn’t even all for High School Musical’s presence at the Disney Parks as a live entertainment show inspired by the film actually came to some of them. This was quite unusual as Disney Channel movies or series rarely get a mention at the Disney Parks. This was the High School Musical Pep Rally which ran initially in October 2006 at Tomorrowland in Walt Disney World’s Magic Kingdom Park, before moving over to what was Disney-MGM Studios, now Disney’s Hollywood Studios, from January 2007 and saw singers and dancers perform music from the film. Songs used in the pep rally included “Bop to the Top”, “Get’cha Head in the Game”, “Stick to the Status Quo”, and of course “We’re All in This Together”. This pep rally also existed at Disney California Adventure, from late 2006. Both versions had closed by Summer 2007, ready for a new pep rally to begin. It looks like a version of the pep rally also was playing at Disneyland Paris in 2007. Later, Disney chose to redevelop this entire pep rally idea and created Disney Channel Rocks, which began in October 2010 and ended in April 2013. It featured music from various Disney Channel franchises like The Cheetah Girls and Camp Rock series. The only song from any High School Musical film to be used was “We’re All in This Together”.  

Another major revenue stream to come from High School Musical was High School Musical: The Concert, which saw most of the cast travel across America to sing for fans. It was first announced around October 2006, with the opening night of the tour taking place on 29th November 2006 in San Diego. The concert tour travelled to 40 cities in the US, from November 2006 to January 2007. They then did a Central and South American tour in May 2007, visiting seven different cities. The cast performed the songs from High School Musical at this concert, as well as some of them singing their own music, like Vanessa Hudgens performing “Say Okay” and Corbin Bleu performing “Jump In” in order to promote their own solo albums. I said most of the cast attended this tour, but one very important member of the cast was not there, and that was Zac Efron, who was replaced by Drew Seeley, because Efron was busy filming Hairspray (2007) at the time. Since Seeley sang for Efron on the soundtrack of High School Musical, it was a sensible choice for his replacement although I’m sure some teenage girls were very disappointed at not seeing Zac Efron there! The High School Musical: The Concert soundtrack and a DVD of the recording of one of the performances were released around June 2007. The High School Musical concert tour followed in the footsteps of The Cheetah Girls’ The Party’s Just Begun Tour which ran from September 2006 to March 2007 across around 80 cities to promote their second movie, and was also released on DVD and CD after the tour ended.

This tour was shortly followed by High School Musical on Stage!, a musical stage show based on the film. The stage musical basically follows the same storyline as High School Musical, although some new songs were added in, such as “Cellular Fusion” and “Counting on You”, plus “I Can’t Take My Eyes Off of You”, from the movie’s soundtrack, was included as well. A new teacher, Ms. Tenny, was added too. The US tour of the stage musical kicked off in May 2007, ending in August 2008. It went on tour in the UK in 2008. High School Musical has also been performed by various high schools and local theatres over the world in the years since it came to the stage.

The biggest thing to come from High School Musical was its sequel, High School Musical 2, premiering on Disney Channel in Summer 2007. Disney Channel was clever to ensure they inundated the channel’s advertising with behind-the-scenes clips and music videos from the movie to ensure maximum interest from viewers. It is unclear if Disney Channel had already planned a sequel, or whether it was due to its global fame and worldwide attention that it was brought into development. 

International Disney Channels later chose to get in on a slice of the High School Musical pie by making their own adaptations or spin-off films. For example, in Argentina, Brazil, and Mexico, each of these respective Disney Channels released a movie called High School Musical: El Desafío, or O Desafio in Brazil, which translates to “The Challenge”. It consisted of an entirely new cast, cast from a reality competition series, new songs, and a new storyline about a battle of the bands, based on the book Battle of the Bands from the High School Musical series of novels. The Mexican and Argentinian films were released in 2008, and the Brazilian one was released in 2010. A Chinese spin-off also came to be, titled High School Musical: China – College Dreams, released in 2011.

Obviously, High School Musical also spanned the usual merchandise, like clothing, novelisations of the film, as well as other books expanding the stories of the characters, and video games. This has continued to exist even twenty years after the movie’s premiere. In 2016, for the 10th anniversary of the film, there was a televised “mini” High School Musical reunion broadcast on Disney Channel in January of that year. Zac Efron was the only one of the six main cast members not to appear in person, but there was a pre-taped message from him to make up for that. The cast reminisced about their time filming these movies, reliving some of those highlights together. In 2026, Ashley Tisdale, Lucas Grabeel and Monique Coleman attended an event to celebrate High School Musical’s 20th anniversary at the Disney Studios in Burbank, California. Tisdale later posted photos on her social media of the event, as well as photos of her trying on Sharpay’s costumes from the films.

We also can’t forget how High School Musical inspired not only other Disney Channel content but also other series around singing and theatre. For Disney Channel, High School Musical led to new musicals being created as part of the Disney Channel Original Movie catalogue. These films included franchises like Camp Rock, Descendants, and ZOMBIES. New movies and spin-offs from these film series are still being released to this day. Outside of Disney, other series that are said to have been inspired by the popularity of High School Musical include the likes of Fox’s long-running drama series Glee (2009-2015), based around a glee club at an American high school, and British channel ITV’s Britannia High (2008), set in a fictional London theatre school. Although Glee was a sensation, especially at the start of its run, sadly for me, Britannia High was not and was cancelled after one series.

FINAL THOUGHTS

I obviously can’t deny that High School Musical was a big deal and that it changed the world of television forever, inspiring numerous series and television movies in the years since.

It also made real stars of its main cast, who have gone on to work both in music and in film and television. They have become regular appearances on our screens ever since, and for good reason; they are very talented. 

But I’m nothing if not honest, so for me, High School Musical just pales in comparison to what came after it. It feels too much like a low budget television movie, probably because it was at the time, before Disney decided to throw lots of money at the series.

I guess it worked on me at least, and I was just excited to see what came next.


REFERENCES

[1] Credit: D23, ‘High School Musical Turns 10!’, D23.com, date unknown.

[2] Credit: Stacey Grant, ’23 Surprising DCOM Secrets Even Die-Hard Fans Didn’t Know’, Seventeen.com, 25th October 2017.

[3] Credit: D23, ‘High School Musical Turns 10!’, D23.com, date unknown.

[4] Credit: ‘”High School Musical”, a Smash on the Disney Channel, Will Get a Stage Version’, Playbill.com, 6th April 2006.

[5] Credit: Utah Film Commission, ‘On Location: Utah Schools’, Film.Utah.gov, 13th August 2025.

[6] Credit: Aja Romano, ‘High School Musical – and its ongoing cultural legacy – explained’, Vox.com, 13th November 2019.

[7] Credit: Disney, “Bringing It All Together: The Making of High School Musical”, from High School Musical (2006) Encore Edition UK DVD (2006).

[8] Credit: D23, ‘High School Musical Turns 10!’, D23.com, date unknown.

#8 Ratatouille (2007)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. PRODUCTION
  5. MUSIC
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

The 2000s saw changes in the animation sector. With technology advancing, movie studios were turning their back on 2D animation and setting their sights on computer animation.

DreamWorks hit the jackpot with their computer-animated film Shrek in 2001 and managed to outdo themselves with its sequel in 2004, but Pixar arguably was the studio ahead of the game in this space as they made the first feature-length fully computer-animated movie in 1995, which was Toy Story.

Since that point, Pixar had had hit after hit. They continued to exceed expectations – until 2006, when they released Cars. Cars was financially successful but it was seen as a misstep by the usually consistently brilliant Pixar. Their next film had to make up for that.

This film, released in 2007, was Ratatouille, a story about a rat who wants to be a chef in a high-end restaurant in Paris. Despite the strange, and kind of gross, premise of rats cooking for humans in a professional kitchen, Ratatouille did receive higher praise from audiences than that of Cars. It has been named as one of the best “food films” in existence and has been mentioned in TV shows and films, such as Breaking Bad (2008-13), The Simpsons (1989-present), Ted Lasso (2020-23), and The Five-Year Engagement (2012).

I watched Ratatouille at the cinema when it came out and I enjoyed it then. I was 14 at that time, and I distinctly remember much younger kids, probably about 4 or 5, who were sitting in the row in front of me and my family, and were quite clearly getting very bored during the last thirty minutes or so. Ratatouille is one of Pixar’s longer movies and it is less colourful, less funny, and less action-packed than their previous ones, which always had something to keep the children entertained alongside the adults. Ratatouille seems to focus on realism and emotional moments rather than zany adventures with odd characters. 

I didn’t mind though and my enjoyment of Ratatouille has only increased as I’ve gotten older, particularly as I have some interest in cookery shows that focus on gourmet food. Ratatouille was the first time I felt that Pixar’s films were growing with their audience, combining elements that appealed to small children with those that appealed to teenagers and adults. This was an opinion I felt also matched their next two films WALL-E (2008) and Up (2009), although by the time Cars 2 was released in 2011, I wasn’t so sure that was factual anymore! 

PLOT

Ratatouille begins by showing a television programme on the history of Paris restaurant Gusteau’s. It states that the restaurant, run by Chef Gusteau, had a five-star rating and Chef Gusteau became more and more popular with the general public thanks to the publishing of his book, “Anyone Can Cook”, which was panned by food critic Anton Ego.

We then see a rat breaking through a window with this book, after being shot at by an old lady in a farmhouse. This rat, Remy, narrates his story. Remy has highly defined taste and smell, which makes him very different from the other rats in his colony. Remy refuses to eat food from the garbage, and his father frequently becomes irritated by his behaviour. Remy’s brother Emile just finds it fascinating, especially as Remy walks on only two feet instead of four a lot of the time, as it is more hygienic. After a rat in the colony is almost poisoned, but thanks to Remy’s sense of smell he detects it, Remy becomes the pack’s poison checker, which he finds really boring, but it’s the only time he’s ever made his father proud. Outside of that task, Remy frequently steals real food from a nearby farmhouse.

One day, Remy finds a mushroom outside and wants to cook it. He sees that Emile has found a nice piece of cheese, so Remy suggests trying to melt the cheese onto the mushroom. They head up to the roof of the farmhouse to use the residual heat from the chimney, and Remy starts to roast the mushroom. Suddenly, a lightning strike hits the roof and the pair are electrocuted, being tossed to the ground. Remy takes a bite of the cheesy mushroom and loves it – although he’d like some saffron to go along with it to make it even better. Remy takes Emile into the farmhouse kitchen to find it. Emile is concerned, but Remy says as long as the TV is on, the old lady won’t wake up.

Remy begins going through all the kitchen cupboards, but soon becomes distracted by a news report saying that Gusteau’s restaurant lost a star in its rating after a particularly bad review from Anton Ego. The restaurant and the chef never bounced back. Gusteau later died, and as per tradition, Gusteau’s lost another star, leaving it on three. Remy is horrified by this news and to make it worse, the old lady has now woken up and seen two rats in her kitchen! The lady picks up her shotgun and starts shooting at Remy and Emile. Remy tries to lead Emile outside, by Emile heads towards the ceiling, leading right to the colony. Sure enough, a gunshot hits the ceiling, as the woman aims at Emile, and the whole ceiling comes down, revealing the entire colony. The rats run out of the farmhouse and head to the river, where they have boats on standby; that was handy. But Remy wants the copy of “Anyone Can Cook”, so he goes back inside to retrieve it, dodging a bullet as he jumps out the window, going back to the movie’s opening shot of Remy. Remy tries to catch up with the others, using the book as a floatation device, but he falls further and further behind.

Lost and alone, Remy almost drowns in the sewer system. He finally gets out of the water, finding a step to sit on. He starts leafing through the book, when Gusteau comes to life and starts talking to Remy, encouraging him to explore where he is. Remy heads up to the surface, and goes around various apartments, before finding some bread. As he is about to take a bite, Gusteau appears again as a small angel-like figure, conjured up by Remy’s imagination. He tells Remy he is not a thief, so Remy keeps searching. Eventually, he finds himself on top of a roof, looking out at the skyline of Paris. Remy is thrilled to have found his way to Paris, and he discovers that he is right by Gusteau’s restaurant. Remy goes to the restaurant’s skylight and looks down at all the chefs at work.

Inside Gusteau’s, a skinny young man called Linguini has come to the restaurant looking for a job. He tells the head chef, Chef Skinner, that his mother, Renata, a former flame of Gusteau’s, hoped that Skinner might be able to get him a job at the restaurant, leaving him with a letter from her. Renata has since died. Skinner hires Linguini as a “garbage boy”, not seeing him as a chef. Up above, Remy talks to his imaginary Gusteau about all the jobs of the workers in the restaurant, not thinking much of Linguini, although Gusteau reminds him that Linguini could be a great chef, since anyone can cook. Remy then sees Linguini experimenting with a simmering soup nearby. Remy is distraught and, in his rage, he falls through the skylight into a Gusteau’s sink. Remy finds his way out of the sink and dashes about the kitchen, looking for an escape route. He sees an open window over by the soup and heads for it. As he passes the soup, Remy thinks it smells awful and tries to fix it by adding a couple of ingredients, but he just can’t help himself and starts creating a masterpiece. Lost in thought, Remy doesn’t notice Linguini watching him. When he comes to his senses, Remy tries to dash out the window but he is stopped by Linguini. Chef Skinner then accuses Linguini of trying to cook, and scolds him, however, the soup is served up to a customer, despite Linguini’s pleas to stop them as he knows his soup tasted terrible. Skinner tries to stop the order going out but it is too late. He sees the customer call back the head waiter, presumably to complain, and immediately fires Linguini, however, the waiter returns to the kitchen to say the customer wants to speak to the chef. The others wait for the verdict.

Chef Skinner returns to the kitchen stunned. It turns out the customer was food critic Solene LeClaire and she actually liked the soup. Female chef Colette says Skinner can’t possibly fire Linguini now. As Skinner debates what to do with Linguini, not believing he could possibly be a good chef, Skinner spots Remy trying to leave the kitchen. He orders Linguini to catch the rat and kill it away from here. So, Linguini puts Remy in a jar and takes him on his bicycle to the River Seine. As Linguini is about to drown Remy in the river, he sees the pleading in Remy’s eyes and can’t do it. Linguini starts talking to Remy about the soup, trying to figure out how this rat knows how to cook, and sees that Remy can understand Linguini, although he can’t talk back to him. Linguini says he’ll release Remy if he helps him recreate the soup and keep his job at Gusteau’s. As Linguini opens the jar, Remy runs off, leaving Linguini feeling hopeless. Seeing this, Remy feels guilty and returns. He is taken to Linguini’s apartment, which is tiny and cramped but has a great view of Paris.

The next morning, Linguini wakes up and sees Remy has vanished and much of his food has gone, however, it turns out Remy was actually just making them omelettes. Linguini sees herbs inside them and asks Remy where he got them. Remy suggests he took them from plants nearby, but Linguini tells him not to steal anymore. He then sees they are late for work and they head off to Gusteau’s together. Once they arrive, they see all the chefs reading LeClaire’s review of her dinner the night before. Chef Skinner tells Linguini that his first task as a new “chef” here is to recreate the soup, saying he can take as long as he wants on it, because he doesn’t believe he’ll ever be able to do it. Linguini hides Remy in his chef whites, with Remy biting Linguini and occasionally appearing from the sleeve to guide Linguini on what to do and what to put in the soup. After this makes Linguini uncomfortable and causes him to act strangely in front of everyone, he goes to the pantry and tells Remy they need a new system. Chef Skinner then opens the door and thinks he sees Linguini talking to the same rat from last night, but Linguini hides Remy under his hat – his toque – quickly. As they leave the pantry, the two discover that if Remy pulls on Linguini’s hair, it can make him act without thinking. Remy and Linguini practise their new system together, as it perfectly disguises Remy and makes Linguini almost appear normal!

After a couple of days, the soup is recreated successfully and Skinner tells Colette to train Linguini up to be a full-time chef at Gusteau’s, much to his annoyance. Skinner goes to his office and starts thinking of ideas to continue his Chef Gusteau-branded frozen foods, with corn dogs being his next idea. Skinner also reads the letter from Linguini’s mother, where it is revealed that Linguini is Gusteau’s son, although he does not know that. Skinner contacts his lawyer, saying that the two-year deadline to find an heir to Gusteau’s fortune after his death has almost expired, and Skinner needs this not to be true so he can inherit it instead. His lawyer tells Skinner to get some hair from Linguini and he’ll check if the two are actually related. He tells Skinner not to worry as he doesn’t think the claim is real.

Linguini, and Remy, for that matter, struggle to adjust to the quick-paced cooking required to survive as a chef at Gusteau’s. Colette gives numerous tips and advice on how to deal with it, although she is quite annoyed that she is now responsible for Linguini’s success here, not wanting to jeopardise her own career which she fought hard for. During one dinner service, customers start asking for something new, and off the menu. Seeing an opportunity for Linguini to fail, Skinner tells him and Colette to make an old Gusteau recipe which never worked: sweetbreads á la Gusteau. Colette finds the recipe and starts to follow it, this being key to success at Gusteau’s, as they are not there to invent and create. Remy, however, wants to be creative and starts amending the recipe. Linguini tries to get Remy to listen to Colette, but it doesn’t work and Remy forces Linguini to pour his own version of the dish’s sauce on the plate, just as it is taken away and served. Skinner is furious to find that Linguini changed the dish and even worse, the customers actually like it and more and more order it through the course of the dinner service.

After dinner service is over, Skinner sees a silhouette of the rat in Linguini’s toque and decides to talk to him in his office, getting him drunk on expensive wine in the hopes he might let slip that he is working with the rat. However, Linguini lets Remy outside so Skinner does not find any concrete evidence in the toque that Remy is there or has been there. Despite getting drunk, Linguini also does not reveal anything so it was all a waste. He leaves Linguini to clean up the kitchen and lock up. Meanwhile, Remy is in the alley, eating some food that Linguini gave him as a reward, when he hears noises nearby. It turns out it is his brother Emile and the two are reunited at last. Remy gets some food from Gusteau’s and tries to get Emile to appreciate this type of food but it falls on deaf ears, and Emile is quite happy eating out of the trash of high-end restaurants instead! Emile takes Remy back to the colony to see their father, where they have a party to celebrate his return, however, Remy accidentally reveals that he’s been working with a human, and will not return to the colony. Remy’s father takes Remy to a shop filled with traps and poison, warning him that humans will always hate rats, so there is no point getting close to them.  

Remy ignores the warning and returns to Gusteau’s the next day, and finds Linguini sleeping, having not left from the night before. Remy tries to wake him, but nothing works. Colette arrives soon after so Remy gets under the toque and tries to force Linguini to start cooking and prepping for the day. However, Colette wants to talk to Linguini about his meeting with Chef Skinner, but with Linguini not being awake, and Remy not being able to talk, Colette doesn’t get any responses from him, making her more and more angry, to the point she slaps Linguini around the face. That certainly wakes him up – though he has no idea what he’s done to deserve the slap! Linguini runs out to Colette to stop her from leaving, and apologises for not listening to her. He wants to reveal what is making him act so weird, namely that he has a rat helping him cook. As Linguini lifts the toque from his head, Remy pushes Linguini to Colette and the two kiss, ending that conversation.

Whilst all this is going on at Gusteau’s, the restaurant is becoming popular again, leading Anton Ego to want to revisit the restaurant soon, thinking it is still as mediocre as when he last went. Chef Skinner also learns that Linguini is in fact Gusteau’s son, and wants to hide this from him for a few more days, so the deadline can expire. Skinner later discovers that his paranoia about the rat has been warranted as the initial hair given to his lawyer for the DNA sample was in fact rodent hair. A little while later, as Colette and Linguini become closer, Remy starts to feel like Linguini is forgetting about him, causing some tension between the two. Emile keeps returning to Gusteau’s as well, wanting Remy to steal some food for him and his friends from the restaurant. This time, the pantry is locked so Remy goes to Skinner’s office to retrieve the key. Whilst searching for the key, he stumbles upon all these documents and learns that Linguini is Gusteau’s son. Remy steals the papers, in a bid to show Linguini, but he is chased through the streets of Paris by Skinner. He loses him by the river as Skinner falls in attempting to jump between boats. When Skinner returns to Gusteau’s, he finds Linguini and Colette in “his” office. With Linguini now in charge of the restaurant, Skinner is fired, and all the chefs burn the collection of Gusteau-branded frozen foods! In retaliation, and knowing there really is a rat in the kitchen, Skinner calls the health inspector, asking for them to inspect Gusteau’s, but he is told there will likely be a long wait.

A press conference is soon held with Linguini. He is asked a question about where he finds his inspiration, but now Remy wants some credit for all his hard work, Linguini actually gives the credit to Colette, not his “tiny chef”. Ego then interrupts the press conference to say he will be critiquing Gusteau’s the following day, warning Linguini not to disappoint him. Linguini dumps Remy outside after the press conference, angry that he tried to ruin everything. Emile and his friends laugh at Remy as they see him being treated like a human’s pet. Remy decides to let Emile and the others go through the pantry themselves that evening, wanting to punish Linguini for his poor treatment of him. When Linguini sees Remy has not returned to the apartment that night, he comes to the restaurant to apologise, but he quickly shuns Remy when he discovers that him and his rat colony have been stealing food from the restaurant.

On the day of Ego’s visit, Linguini is told to make a motivational speech to the chefs, but it isn’t very inspirational, thanks to his nerves and general awkwardness. Remy returns to Gusteau’s to watch the evening unfold, with Emile questioning why he’d want to do that. Emile sniffs out some cheese and is about to get caught in a trap when Remy pushes him out and takes his place. The trap is picked up by Skinner and put in his car. Remy is told he’ll now make a new line of frozen foods for him. Skinner goes into the restaurant to see the Ego visit. Ego arrives and tells the waiter that Linguini should serve whatever he dares to serve him, refusing to order. Skinner asks for the same as Ego. Linguini is a mess, as he doesn’t have any recipes or knowledge of what customers are ordering and hides in the office!

Remy is rescued from the trap and Skinner’s car by his brother, father, and the rest of the colony. He immediately returns to Gusteau’s. The other chefs see Remy and try to kill him, but Linguini rushes out of the office, and says that Remy is the one who can cook, not him. Hearing this craziness, all the chefs, including Colette, quit and leave right there and then. Linguini fears the restaurant will close now, as nobody can cook tonight, and returns to the office, feeling hopeless. Colette drives home on her moped, crying and almost getting herself killed in a crash. However, she stops at one point and sees Gusteau’s book “Anyone Can Cook” in a nearby shop window. She has a change of heart and turns around.

Remy wonders what he can do to help Linguini now, when his dad comes over, saying he was wrong, not just about the cooking, but about his “human friend”. He asks what the colony can do to help. Encouraged by this, Remy sticks all the rats under the commercial dishwasher and splits them into groups to deal with different elements, whilst Remy oversees everything. Linguini tasks himself with being the head waiter for the evening. The health inspector then arrives and looks shocked at seeing all these rats in the kitchen. He rushes back to his car, with Remy ordering a group of rats to return him. They do, and he is tied up and thrown in the pantry! Colette also returns and asks Remy what it is he wants to cook for Ego; she’ll handle that. Remy hands Colette the recipe for ratatouille. She can’t believe he’d want to serve something so simple, but she goes along with it, making the dish in the way Remy wants it done. Linguini serves the ratatouille to Ego and Skinner. Ego initially seems bemused by this dish but after tasting it, it takes him back to his childhood and he loves it. Skinner also loves it and goes to the kitchen, demanding to know who cooked it. Having seen all the rats in the kitchen, he too is tied up and thrown in the pantry.

Ego goes to thank Linguini for the meal, but Linguini says he was just the waiter today. Ego asks who he needs to speak to. Linguini asks Colette what to do. She comes out and says if he wants to speak to the chef, he’ll have to wait until everyone else is gone. He agrees to do that. At closing time, Ego is introduced to Remy, and Linguini explains how he helped him cook at Gusteau’s. Ego doesn’t say much and after the explanation is done, he simply thanks them for the meal and leaves.

The next day, his review comes out. It states that he never understood Gusteau’s famous motto of “anyone can cook”, until his evening at Gusteau’s, now understanding what he meant: that a great artist can come from anywhere, and this definitely applies to the new “chef” at Gusteau’s. He looks forward to seeing more from them in future visits. However, with Skinner and the health inspector having to be released from the pantry eventually, word got out about there being rats in the kitchen and Gusteau’s was promptly closed down. Ego also lost his credibility and job for praising Gusteau’s. But there is a happy ending, as we see Remy telling this story to his rat colony in what appears to be the terrace of a restaurant. This restaurant is in fact his, and Linguini’s, I suppose, called La Ratatouille, having been backed by Ego, who is now a small business investor. The movie ends as Remy comes in to the kitchen to help Colette with Ego’s order of ratatouille.

CHARACTERS & CAST

Not wanting to be, or not feeling like, a normal rat sets Remy apart from every other member of his colony. Unfortunately, Remy being different isn’t considered to be a good thing, and his love of food and rejection of stealing junk from bins creates tension between him and his father. When Remy becomes separated from his family and colony, he finds himself alone – but he’s alone in Paris, a city of culture and haute cuisine. This is the perfect place for Remy to find himself, especially as he ends up at Gusteau’s restaurant, his favourite restaurant. Here, Remy finds himself in an unusual position of being not human enough to be a chef, and not rat-like enough to fit in back home. Because of Linguini’s human body, Remy is able to finally fulfil his dream of becoming a chef, despite all the obstacles. With Linguini’s support, Remy finds he can achieve anything, even being accepted as a chef amongst other humans – although it’s probably still a good idea for most of his customers at his new restaurant not to know that their food is being cooked by a rat!

Patton Oswalt voiced Remy. Oswalt has had a long career as an actor, a voice actor, and a stand-up comedian, winning an Emmy award for Outstanding Writing for a Variety Special for his comedy show Patton Oswalt: Talking for Clapping in 2016. In film, Oswalt has had roles including as Matt Freehauf in Young Adult (2011), which starred Charlize Theron; as Tom Stenton in Netflix’s The Circle (2017); and as Dr. Hubert Wartzki in Ghostbusters: Frozen Empire (2024). He also took over the voice role of Max from Louis C.K. in The Secret Life of Pets 2 (2019) and is set to voice a character in Sony Pictures’ 2026 animated film Goat. Oswalt is also known for his longstanding roles on sitcoms, such as being cast as Spence Olchin in The King of Queens (1998-2007) with Kevin James and Leah Remini, and the narrator, also known as present-day Adam, for ABC’s The Goldbergs (2013-23).

Linguini starts as a garbage boy at Gusteau’s, purely thanks to his recently deceased mother, who was a former girlfriend of Chef Gusteau and had assumed Chef Skinner would be able to find a job for Linguini. Linguini doesn’t seem to know how to keep his head down and deal with the job he’s got because he can’t help but try and cook, by messing about with the soup that was on the stove next to him. He would certainly have been fired had Remy not come in a decided to save the day, only because the sight of someone ruining a beautiful soup was painful to him! After this, Linguini wants to work with Remy, even though he’s a rat, so that Linguini gets to keep his job at Gusteau’s, not having another path to follow in life. Linguini later discovers that he is Gusteau’s son, thanks to Remy, and despite a brief falling out between the two, as Linguini spends more time with his love interest Colette, and leaves Remy to fend for himself, Linguini protects Remy from the chefs after he returns to Gusteau’s on the evening Anton Ego visits the restaurant, and Remy helps Linguini save the reputation of the restaurant. They later go into business together, remaining unlikely friends.

Linguini was voiced by former Pixar employee Lou Romano. In animation, Romano has worked in areas like visual development and production design. For Pixar, he worked on movies including Monsters, Inc. (2001); The Incredibles (2004), and voiced Bernie Kropp; and Up (2009). Romano voiced Snot Rod in Cars (2006) too. After Pixar, Romano chose to work at animation studio LAIKA, helping to make stop-motion films The Boxtrolls (2014) and Kubo and the Two Strings (2016).

Chef Skinner becomes the new head chef of Gusteau’s after the death of Gusteau. Although Skinner clearly wants to run a high-end establishment in the heart of Paris, and has precise expectations of his chefs, Skinner has spent much of the time since Gusteau’s death using his image to create a brand of cheap frozen foods for the masses, that have nothing to do with high-quality food, or even French cuisine; they are for things like burritos and fried chicken. It’s unclear why this is considered necessary. Whether it is just Skinner being greedy and wanting some additional financial revenue, or whether these frozen products are actually keeping the Gusteau restaurant afloat, I don’t know, although the restaurant seems to have a decent flow of customers throughout the movie, even at the start when Gusteau’s only has three stars. Once Skinner believes that Linguini is colluding with the rat from dinner service, he starts to get very paranoid, seeing Remy everywhere. Skinner is later fired for concealing the fact that Linguini is Gusteau’s son, so he could inherit everything instead. Skinner is the first to figure out that Linguini cannot cook and that the rat is the chef, even going so far as to capture Remy so that he can produce new foods for a new frozen food line! He also contacts the health inspector to get Gusteau’s closed. We don’t know what happens to Skinner after Gusteau’s closed down, but hopefully he could finally get some peace – or even some therapy to deal with all these strange events!

Ian Holm voiced Skinner. Sir Ian Holm began his career with the Royal Shakespeare Company, appearing in productions such as Twelfth Night, King Lear, and A Midsummer Night’s Dream. Holm moved into movie roles after that, being nominated at the Academy Awards in the Best Supporting Actor category for his role as Sam Mussabini in Chariots of Fire (1981), later winning a BAFTA for his performance. His other roles include King John in Robin and Marian (1976); Ash in Alien (1979); Fluellen in Kenneth Branagh’s Henry V (1989); Francis Willis in The Madness of King George (1994); and Terry Rapson in The Day After Tomorrow (2004). He also played Bilbo Baggins in the original The Lord of the Rings trilogy, before reprising the role in The Hobbit trilogy, with The Hobbit: The Battle of the Five Armies (2014) being his last film role. Holm died in June 2020. He won the Annie Award for Outstanding Voice Acting for his role as Chef Skinner in Ratatouille.

For Remy’s family, he has his father, Django, and his brother, Emile. Emile is quite close to Remy, although he does not understand Remy’s love of cooking, or the need to eat “only the good stuff”. Emile is happy to eat anything and everything, whether that is from the trash, or from a high-end restaurant’s food store; it all tastes the same to him! Emile does encourage Remy to steal food from Gusteau’s for him and his friends, leading to Remy being shunned by Linguini when this is discovered, but Emile doesn’t ever mean to hurt Remy, getting help when Remy is caught in a trap by Skinner, and joining the rats in finishing dinner service at Gusteau’s when Anton Ego is there. Pixar animator Peter Sohn voiced Emile. Sohn is a Pixar animator and voice actor, having directed and written the short film Partly Cloudy (2009) and voiced Squishy in Monsters University (2013). Sohn had also worked as a story artist on Finding Nemo (2003), The Incredibles (2004), and Up (2009). He later directed The Good Dinosaur (2015) and Elemental (2023), and voiced Sox in Lightyear (2022) and Ciccio in Luca (2021). Sohn is set to direct Incredibles 3.

Django, Remy’s father, is not at all understanding of Remy’s desire to be a chef, or his pickiness over food. The only time Django initially seems to be proud of Remy is when he sniffs out rat poison, but after that, he thinks Remy is just fussy. When Remy is finally reunited with Emile and his father, after a long period of time working as a chef with Linguini, he is even more different that he was at the start of the film. Django attempts to show Remy just how dangerous humans are, by taking him to a pest control shop, but this doesn’t dissuade Remy. Even when Remy is trapped by Skinner, once he is released by Django and the colony, he immediately returns to Gusteau’s to help Linguini. Django then sees how important this dream is to Remy, and mobilises the colony to help him out in the kitchen. By the end of Ratatouille, it is quite clear that Django has accepted his son and is very proud of him. Django was voiced by Brian Dennehy. Dennehy had previously been cast as Cobb in the Western film Silverado (1985) and went on to play Ted Montague in Romeo + Juliet (1996) which starred Leonardo di Caprio and Claire Danes in the title roles. In television, Dennehy also starred as serial killer John Wayne Gacy in the Fox TV movie To Catch a Killer (1992), with Dennehy being nominated for an Emmy Award in the Lead Actor category for his performance. Dennehy also won awards for his role as Willy Loman in Death of a Salesman, both in the TV adaptation in 2000, where he won the Golden Globe and Screen Actors Guild Award in the equivalent of the Best Actor category, and on stage, receiving a Tony Award for his role in the 1999 production of the play. More recently, Dennehy was cast in the recurring role of Dominic Wilkinson in NBC’s Blacklist (2013-23) from Season 3 to Season 7. He passed away in April 2020.

Moving on, we have the stern food critic Anton Ego. Ego’s name strikes fear into the hearts of all chefs across Paris, as his criticism can make or break a restaurant. In the case of Gusteau’s, he actually did both. Initially, his harsh critique of the restaurant causes it to lose a star, and could be a cause of the death of Chef Gusteau, as his five-star restaurant quickly lost its good name and reputation, thanks to Ego, and he lost hope. This then led to another star being lost, as per tradition that if a head chef dies, a restaurant must lose a star from its rating. Ego says himself at the end of Ratatouille that negative criticism is both fun to read and write, so this review of Gusteau’s may’ve been unnecessarily unfair. I personally like to sit more on the side of being compassionate alongside my criticism, whereas Ego clearly doesn’t! Ego seems to have quite a problem with Gusteau’s, as he only returns to the restaurant when he learns it is becoming popular again, wanting to crush the dreams of new head chef Linguini before it can rise again. However, that is not what happens, and despite being served a basic dish of ratatouille, Ego finds himself transported back to his childhood with the plate of food and devours it. When Ego learns that Remy, a rat, was in fact the chef that evening, he slowly takes in what this means, and writes a very positive review – without mentioning the rat part! Once Gusteau’s shuts down from a rat infestation, Ego loses his job as a critic, but joins up with Linguini and Remy to fund a new restaurant so this new artist, as Ego called him, can flourish in Paris once more.

Peter O’Toole voiced Anton Ego. O’Toole is well-known for his role as T.E. Lawrence in the epic drama film Lawrence of Arabia (1962), for which he was nominated for an Academy Award for Best Actor, and won the BAFTA, amongst others. After that, he portrayed King Henry II of England in Becket (1964), with Richard Burton in the title role. O’Toole won the Golden Globe for Best Actor for his performance, also being nominated for an Oscar and others once again. O’Toole also portrayed Henry II in The Lion in Winter (1968), which also starred Katharine Hepburn and Anthony Hopkins, winning a Golden Globe for the role. He won another Golden Globe when he was then cast as Arthur “Chips” Chipping in the musical film adaptation Goodbye, Mr. Chips (1969). Later in his career, O’Toole was cast as Priam in Troy (2004) and as Pope Paul III in Season 2 of The Tudors (2007-10), also playing Maurice Russell in the movie Venus (2006). O’Toole died in 2013.

Chef Gusteau only appears as himself in Ratatouille in archive television footage, shown in a documentary and a news report about him and his restaurant. However, throughout Ratatouille, a small, imaginary Gusteau appears to speak with Remy from time to time, guiding him on his journey. Gusteau also speaks to Remy through the cardboard advertising cut-outs for the frozen foods, which all show Gusteau in whatever stereotypical dress may match the cuisine being sold! This is only when Remy is in Skinner’s office and learns that Gusteau is Linguini’s father – where the various Gusteau’s are shocked at this discovery, naturally, because Remy didn’t know so how could they? Brad Garrett voiced Gusteau. Garrett starred as Robert Barone in Everybody Loves Raymond (1996-2005), alongside Ray Romano, for which he won three Primetime Emmy Awards for Outstanding Supporting Actor. Garrett has voiced other characters for Disney and Pixar, including Dim in A Bug’s Life (1998), Bloat in Finding Nemo (2003), Hook Hand in Tangled (2010) and Eeyore in Christopher Robin (2018).

There are numerous other chefs who work at Gusteau’s, alongside Skinner, Linguini, and Remy. One of these, and the one most important to the plot of Ratatouille, is Colette, the only female chef in the kitchen. She isn’t convinced by Linguini at the start of their training together, although she does tell Skinner he can’t fire Linguini if he cooked a dish that was liked by a renowned food critic, ensuring Linguini keeps his job. During the sessions of Colette training Linguini, Linguini quickly falls for her, though Remy isn’t so happy about the fact he has to speed up his techniques to suit a high-paced professional kitchen, and “cannot be mummy”, as Colette so eloquently puts it! Remy also learns he can’t be creative here, so when Colette and Linguini are tasked with recreating an old dish of Gusteau’s that was apparently terrible, Linguini tries to stop Remy from going against Colette’s advice to follow the recipe to the letter, but this is ignored. That same evening Linguini talks with Chef Skinner, and the next morning, because he is asleep and Remy is trying to hide that fact, Colette gets frustrated that Linguini seems to think he’s better than her, even though she had to work very hard to get to this position as a woman in a male-dominated industry, something many women can relate to. Linguini and Colette later become an item, and Colette even accepts that Remy is a chef, after a brief time of being disgusted by this and the betrayal, continuing to work with Remy in his new restaurant. Janeane Garofalo voiced Colette. Garofalo began her career in comedy in stand-up before moving in to movie and television roles. Some of these include being a cast member in the 1994-95 season of Saturday Night Live (1975-present), playing Louise Thornton in Season 7 of The West Wing (1999-2006), and voicing Bridget the giraffe in Disney’s The Wild (2006), amongst many others.

The other chefs at Gusteau’s don’t have many lines and are not given much character development, but they are important to the kitchen, so I’ll list them here anyway. Horst is the German sous-chef at Gusteau’s, who has been to prison, but nobody knows why as he changes his story all the time, saying he created the hole in the ozone or that he killed a man with his thumb! He was voiced by Will Arnett. Arnett is known for roles like George Oscar Bluth II in Arrested Development (2003-06, 2013-19) and voicing the title role in BoJack Horseman (2014-20). He also voiced the role of Lego Batman in the Lego movie franchise. Recently, Arnett wrote, produced and starred as Alex Novak in the movie Is This Thing On? (2025) opposite Laura Dern.

Lalo supposedly ran away from home at the age of 12, and joined the circus initially. He is the saucier chef. Lalo was voiced by Julius Callahan. Pompidou is the pastry chef, and was a cheat at cards, having been banned from numerous casinos in Las Vegas and Monte Carlo. Pompidou was voiced by animator Tony Fucile, who worked on other Pixar films like Brave (2012), Inside Out (2015), and Soul (2020). Larousse worked for the Resistance, but he never said which resistance, only that they didn’t win. Larousse is the chef garde manger, meaning he deals with the cold dishes. He was voiced by James Remar, who is well-known for playing Harry Morgan in the crime drama Dexter (2006-13), reprising the role in the continuing series Dexter: Resurrection (2025-present). He also was cast as Peter Gambi in The CW’s superhero series Black Lightning (2018-21) and recently played Francis Shaw in HBO’s It – Welcome to Derry (2025-present).

Finally, Mustafa, the easily stressed maître d’, was voiced by John Ratzenberger, Pixar’s “good luck charm”, who had a voice role in every Pixar movie, starting with Hamm in Toy Story (1995), up to construction worker Fennwick in Onward (2020). He later returned to Pixar to reprise his voice role as Fritz, one of the mind workers, in Inside Out 2 (2024) and will reprise his role as Hamm in Toy Story 5 (2026).

Although the voice cast do a brilliant job with their roles in Ratatouille, it is quite strange that no French actors were cast in the main roles, despite many of them putting on French accents! There is also another random voice casting that may only interest those in the UK. The health inspector was voiced by chef Jamie Oliver in the UK release of the film.

PRODUCTION

Quite a lot of films have stories of directors changing, sometimes multiple times over the course of a movie’s production, due to story issues or clashes of personalities. Animated movies are no different.

For Ratatouille, it was meant to be the first Pixar feature assignment for Jan Pinkava, who had previously directed the short Geri’s Game (1997) for Pixar, which accompanied the release of A Bug’s Life. Pinkava had also worked as a story artist on Toy Story 2 (1999) and Monsters, Inc. prior to starting work on Ratatouille. However, John Lasseter, then Chief Creative Officer of Pixar, didn’t like how the story was going, not feeling that it was progressing sufficiently, so he and producer Brad Lewis tasked Brad Bird, who had just finished directing The Incredibles, with fixing the story for Ratatouille. Bird later took over from Pinkava as director, with Pinkava leaving the company around 2006. He did, however, still receive story credit[1].

Brad Bird had just enjoyed the incredible success of The Incredibles, his first movie for Pixar, which won the Academy Award for Best Animated Feature, and goes down as one of Pixar’s best films to this day. Bird was not an original employee of Pixar, having also worked on The Simpsons (1989-present) beforehand, and rose to prominence after directing the technically impressive The Iron Giant (1999) for Warner Bros. Feature Animation, although it underperformed at the box office. Bird then joined up with Pixar, where he became part of the creative team. After directing Ratatouille, Bird directed two live-actions films, one being Disney’s live-action film Tomorrowland (2015), and the other being Mission: Impossible – Ghost Protocol (2011). He later returned to Pixar to direct and write Incredibles 2 (2018), the first sequel in The Incredibles franchise, and will return to write and executive produce Incredibles 3, set for release in 2028. Bird also wrote and directed the animated movie Ray Gunn, which is due to be released on Netflix in 2026, for Skydance.

It is unclear just what the original concept for Ratatouille under Pinkava was meant to be, although it was always meant to be about a rat in Paris who loves to cook, so the basic idea was there from the beginning, as was the title “Ratatouille”. Pinkava’s idea was more focused on Remy leading a double life, so cooking in the kitchen with Linguini and then returning home to his life as a rat. An element of this may be evident in the deleted scene “Heist/Fantasy”, although it is not obvious whether Ratatouille’s deleted scenes came after or during Pinkava’s involvement in the movie. In the scene “Heist/Fantasy”, Remy’s rat family was shown to be thieves who targeted restaurants’ trash cans like robbers target bank vaults; when they stole food, it was like a heist. Remy volunteers to be the lookout on one of these heists, watching over the restaurant, which happens to be Gusteau’s, from the skylight. However, instead of focusing on whether or not any human is heading for the trash cans, Remy starts to daydream about working there as a chef in this kitchen. Remy is pulled out of his daydream by Chef Skinner shouting, but it is too late for Remy to signal to the colony and they all rush home to the sewer, angry at Remy for not doing his job. An early version of the story also included Chef Gusteau, the real human being Chef Gusteau, not Remy’s imaginary version. In a cut scene, Gusteau is shown in his office telling Skinner how he is against all the frozen food lines that they are selling. This idea was not used, as it included too many storylines, so living Gusteau had to go[2].

Another necessary of aspect of creating Ratatouille, along with building the story, was to build the environment for it. Ratatouille was to be set in Paris, so naturally, the team had to visit Paris for research trips. This involved researching and studying the architecture and the cuisine, both of which had to look authentic. Everyone knows some of the key landmarks of Paris, like Notre-Dame Cathedral and the Eiffel Tower, and they both appear in Ratatouille, however, it was not only these obvious elements of the city that had to be included. Essential parts of city planning like manhole covers, gutters, and edgings also had to be photographed and studied up close, especially as the rats go in and out of the sewers and pipework in this film. The Pixar animators also had to capture just what Paris would look like from a rat’s perspective, so that meant lots of photographs taken from the ground. The team also observed how this centuries-old city looked, with stonework eroding and limestone degradation, to ensure they captured the age of Paris. You’ll also notice that Ratatouille’s Paris seems to be a less modern-day one, as there are no skyscrapers in the skyline.

As Bird came on to the project quite late, he was only able to go on one research trip to Paris, but he was inspired by one specific moment for one specific sequence in the film. This is the sequence of Linguini and Remy down by the Seine, when Linguini is meant to drown Remy in the river, as instructed by Chef Skinner, but he can’t bring himself to do it. Bird said this was inspired by a walk along the Seine by Notre-Dame Cathedral one night. It had a spooky quality to it, with drifting fog and fading light, and it was decided they had to have a scene at this spot, in that atmosphere, within the film[3].

A further area of research was looking at restaurants and their kitchens, where the Pixar team noticed a huge contrast between the atmosphere and look of the main dining room versus the kitchen. For the interior dining room and exterior façade of Gusteau’s restaurant, using their knowledge of high-end restaurants, they created stone pillars and a large stately building to host the restaurant, with lots of fabrics and red hues for the main dining room, embellished with plenty of gilt. The kitchen, on the other hand, is mostly white tile and brass or copper details, and plenty of expensive cookware.

There was more studying of chefs themselves at The French Laundry restaurant in Yountville, California, in Napa Valley, during an evening dinner service. Here, they learnt that each chef knows precisely what they are doing and where they are going in the kitchen, making their seamless movements look almost choreographed. They also discovered that chefs use a lot of spoons and not too many other utensils, knowing it would therefore be inaccurate to see them cooking with anything else, for the most part. This study of chefs even went to the characters being created, who have burn marks and scars on their arms and hands if you look closely, as many professionals do. The interior dining room is meant to symbolise serenity and relaxation, despite the back kitchen being loud, busy, and hot[4].

Speaking of The French Laundry restaurant, which is a three-Michelin-star restaurant, it is owned by head chef Thomas Keller, who had a hand in Ratatouille as well. He was tasked with updating the simple ratatouille dish for a Michelin-star-worthy restaurant, so we have him to thank for making something so simple look so good. Keller was also a food consultant on this film, and was also studied by the animators when cooking[5].

Back at the Pixar studio in Emeryville, now they had the research, they just had to get animating. It was soon discovered that food digitally created by a computer doesn’t look right. It struggles to look organic and fresh. This was immediately an obstacle for the animators because they couldn’t make Ratatouille without showing high-quality menu items. The only way to do this was to continuously work on making the food look tasty. Therefore, more than 270 pieces of food were created, with help from Michael Warch, Pixar’s sets and layout manager, who had been to culinary school. These meals were cooked for the animators to photograph and use as reference material for their animation. Warch served as the production’s “sous-chef”[6]. You also couldn’t animate Ratatouille without looking up close at rats, where many of the Pixar animators learnt to like rats, finding them quite sweet. They focused on areas of the rat that were the most appealing, such as their fuzzy fur and their little eyes and ears. They avoided focusing too much on other less cute areas, like their tails. The rats were brought in by animators who had pet rats, and they focused on their movements and how their fur moved or changed in different environments[7].

Finally, I’ll mention a few Easter eggs that Pixar are known for placing in their films. One is the Pizza Planet truck which is a constant in Pixar films. In Ratatouille, the truck is travelling on a bridge over the Seine during Skinner and Remy’s chase through Paris when Remy has stolen documents about Gusteau. A113, the classroom number where many of Pixar’s animators studied at CalArts, is printed onto the tough rat’s ear on a tag. You can also see references to other Pixar movies within Ratatouille, such as Dug’s shadow being seen as Remy is running through the apartments when he first arrives in Paris, and Hal the cockroach from WALL-E is in Linguini’s apartment when we first see inside it. Both WALL-E and Dug’s film Up were upcoming movie releases for Pixar. The character Bomb Voyage from Brad Bird’s previous film The Incredibles is also seen a couple of times, like on the front of the paper Colette is reading as she reads out the critic’s review, and as a mime when Colette and Linguini are roller skating. For any food fans out there, you’ll also have discovered that the rating system for Gusteau’s does not comply with the Michelin Guide, where a restaurant can only have three stars. Gusteau’s has five only because Pixar didn’t want to waste story time explaining those who didn’t know to the audience; a five-star rating is globally understood as something good.

MUSIC

Michael Giacchino was the composer of the music in Pixar’s Ratatouille, and the reason he was chosen is simple: because Brad Bird liked collaborating with him on The Incredibles.

Pixar seem to have longstanding collaborations with various people including composers, with Giacchino being just one of those who has worked on numerous other Pixar films. Giacchino’s musical credits for Pixar include composing the score for Up (2009), Inside Out (2015), Coco (2017), and Lightyear (2022). He has also composed the music for Disney Animation’s Zootopia (2016) and Zootopia 2 (2025). Away from animation, Giacchino was nominated for Primetime Emmy awards for his work on the series Lost (2004-10), winning one for his underscore of its pilot episode, and composed the music for the Jurassic World trilogy, ending with Jurassic World: Dominion (2022).

Giacchino spoke about creating two themes for Remy for this film. One follows his rat life, where he is running through the apartments in Paris, looking for food, like in the track “Wall Rat”, and a second which is the theme of his hopes, which can be heard when Remy first sees the Paris skyline and Gusteau’s restaurant, like in “Ratatouille Main Theme”. I also like “Souped Up”, which plays as Remy fixes the soup that Linguini has messed up because it becomes very jazzy, and high-spirited, as we see Remy in his happy place, creating food. “Remy Drives a Linguini” shows Remy and Linguini’s “buddy theme” as they learn how to work together to get Linguini to come across as brilliant chef, with Remy moving him like a puppet via his hair. The score was recorded on the same scoring stage at Sony Pictures Studio as that of Jurassic Park (1993)[8].

The song “Le Festin” was written to reflect the story of Remy achieving his dream. It plays during the ending sequence where we see Remy happy cooking at his restaurant, but it also appears after Linguini takes control of Gusteau’s in that montage. It was performed by French singer Camille, who was proud to perform a song for a film set in France, as well as being able to perform it in French[9]. It is a beautiful song, which perfectly captures the setting of Ratatouille, transporting you to the streets of Paris. Camille recently co-composed the score and songs for the movie Emilia Pérez (2024) with Clément Ducol. Camille also performed on the song “El Mal” as background vocals. “El Mal” won the Academy Award, the Critics’ Choice Award, and the Golden Globe for Best Original Song. Another song from this film, “Mi Camino”, was nominated in this same category. The soundtrack as a whole won the Cannes Soundtrack Album at the Cannes Film Festival.

In terms of awards, Giacchino was nominated at the Academy Awards in the category of Best Original Score, but lost out to Dario Marianelli’s music for Atonement (2007). He was also nominated at the Satellite Awards for Best Original Score, this time losing to Alberto Iglesias and The Kite Runner (2007). The only song in the soundtrack, “Le Festin”, was nominated at the World Soundtrack Awards and the Online Film & Television Association Awards for Best Original Song. Giacchino did win the Annie Award for Music in a Feature Production, and the Grammy Award for Best Score Soundtrack Album for his work on Ratatouille. He also won the International Film Music Critics Association Award for Best Original Score for an Animated Film.

In October 2015, the Royal Albert Hall held an event titled Ratatouille Live in Concert, where the movie was screened with a live orchestra playing the score.

RECEPTION

Ratatouille was released in the US on 29th June 2007, having apparently originally been set for release in 2006; Pixar’s Cars took the 2006 date instead.

Due to the potentially unfamiliar word with non-French-speaking audiences, it was decided that all the movie posters should show phonetically how to pronounce the film title “ratatouille”, to ensure there was no confusion!

In theatres, Ratatouille was accompanied by a Pixar short film, as is tradition. In this case, the short film was titled Lifted. It had previously debuted at the Chicago International Film Festival in 2006 before being paired with Ratatouille a year later. Lifted sees a young alien being tested on abducting humans, like we’d be examined for a driving test. The young alien, named Stu, struggles with the pressure and the various switches on the control panel, not being able to get the sleeping human through his bedroom window and beamed up to the ship. Instead, the alien hits all the switches, causing chaos in the human’s bedroom. Eventually, the alien works out what to do, and beams the human up to the entrance to the ship but in all the excitement, the human is dropped. The examiner alien takes over, returning all the items and human back to their rightful place in the room, before taking the controls to return home. Seeing the young alien sad, the examiner hands the controls to the alien to steer them home, but the spaceship crashes onto the human’s house, destroying all of it, apart from the human’s bed, which he is still asleep in. The ship leaves behind a huge crater, which the human accidentally falls into when he wakes up.

The short was written and directed by Gary Rydstrom, a sound designer and film director, having also won awards for his sound work on the likes of Titanic (1997), Jurassic Park (1993), and Saving Private Ryan (1998), as well as animated movies like Hercules (1997), Atlantis: The Lost Empire (2001), and A Bug’s Life (1998). Lifted was nominated for Best Animated Short Film at the Academy Awards, losing to The Danish Poet (2006).

There were initial concerns about Ratatouille at the box office, despite being No. 1 at the domestic box office on its opening weekend, having sold $47.2 million worth of tickets in its first three days, way ahead of second-place Live Free or Die Hard (2007) with $33.2 million. But it was the lowest opening result for a Pixar movie since A Bug’s Life, which made $33.3 million in its first few days in 1998. It also continued a trend of each Pixar movie failing to surpass its predecessor, as Cars had made $60.1 million in 2006. Ratatouille was said to have struggled due to competition from Transformers (2007)[10].

However, I don’t particularly care about how a movie does in only America, as it’s the worldwide box office figures that give the best overall picture of a film’s financial success in my opinion. Ratatouille did well in European markets, for example, setting record results in countries like Germany and Austria, as well as becoming the No. 1 film for six weeks in Summer 2007 in France, the country where Ratatouille is set[11]. Ratatouille didn’t even open in the UK until October 2007, so for the US media to be condemning Ratatouille to being a financial disappointment for Pixar back in June was a bit premature.

Overall, Ratatouille made just over $623 million from its initial release, ending the year in the No. 6 spot at the worldwide box office; it made just over $200 million domestically, and it surpassed Cars, which made $462 million in total. The Top 5 movies of 2007 were made up by Disney’s Pirates of the Caribbean: At World’s End; Harry Potter and the Order of the Phoenix; Spider-Man 3; DreamWorks’ Shrek the Third; and Transformers, so sure, Pixar didn’t match up to DreamWorks’ third Shrek film, but they did much better critically, which would matter most to me. Elsewhere in animation, Ratatouille surpassed The Simpsons Movie; DreamWorks’ Bee Movie; and Disney’s Meet the Robinsons.

In terms of audience reception, most reviews were positive. Many felt Ratatouille was a great addition to the Pixar catalogue, and recovered Pixar’s reputation after the lacklustre Cars. The animation was once again seen to be amazing, and it was decided the story was both funny and endearing, with a great voice cast. Some even say that Ratatouille is one of the best animated movies ever made.

On the other side, some felt Ratatouille wasn’t particularly funny, unlike some of Pixar’s earlier movies, and that it was less child-friendly, due to the length of the film and the emotional depth of the story. I would have to agree on both of these comments, not that it bothers me, but it did feel like Pixar hadn’t made a film directly aimed at children for the first time. Some also commented on the fact some characters were ignored, such as the chefs at Gusteau’s, who barely get any lines themselves and whose backstories are delivered in one three-minute scene between Colette and Linguini. Others simply couldn’t get past the idea of rats being in the kitchen, finding it too hygienic to get on board with!  

During awards season, Ratatouille did very well, picking up many awards and nominations. For example, at the Academy Awards, Ratatouille was nominated, not only for Best Animated Feature and Best Original Score, but also for Best Sound Editing, Best Sound Mixing, and Best Original Screenplay. Pixar only went home with the award for Best Animated Feature, but it was still a success for them nonetheless, despite the fact only two other animated films were nominated in this category: Persepolis and Surf’s Up.

At the Annie Awards, Ratatouille received 13 nominations, going on to win nine awards, in categories including Best Animated Feature, which also saw The Simpsons Movie and Bee Movie being nominated alongside Persepolis and Surf’s Up; Character Animation; Directing; Production Design; Storyboarding; and Writing. Pixar lost the Animated Effects award to Deborah Carlson’s work on Surf’s Up though, and could only win once in the Voice Acting category, with the win going to Ian Holm as Skinner; Patton Oswalt and Janeane Garofalo were also nominated for their roles as Remy and Colette respectively.

Other awards Ratatouille won in the Best Animated Film category include the Critics’ Choice Award, the Golden Globe, the Kids’ Choice Award, the Satellite Award, and the Saturn Award. The People’s Choice Awards handed out the Favorite Family Movie award to Shrek the Third for some reason. Brad Bird was also nominated in some other ceremonies for Best Original Screenplay, winning the award at the Boston Society of Film Critics Awards and the Saturn Awards, where it was in the category of Best Writing.

LEGACY

As with most Pixar, and quite a few Disney movies, when they are released on DVD or Blu-Ray, usually they are released with a new short film, sometimes related to the movie, like an exceptionally small sequel of sorts.

In the case of Ratatouille, this short film was titled Your Friend the Rat. This short saw Remy and Emile take the audience on a journey through the history of rats, trying to get us humans to change our opinion on them by showing that rats can be cool and should be able to live in peace and harmony with humans. If you’re concerned this short film has made light of the dangers that rats can pose to humans in terms of diseases, don’t worry because Pixar added a disclaimer at the end, saying that we should be careful around rats! This short uses a combination of both computer-generated and traditional hand-drawn animation sequences, with 2D animation also being used in the end credits of Ratatouille.

At the Disney Parks, Ratatouille has increasingly become an addition by way of attractions. Disneyland Paris was actually the first to reference Ratatouille, which is perhaps surprising because the US Disney Parks tend to get the biggest, newest attractions first, but then again Ratatouille is set in Paris so it makes complete sense! The 4D trackless attraction Ratatouille: L’Aventure Totalement Toquée de Rémy opened at the Walt Disney Studios Park in July 2014, alongside an area dedicated to Ratatouille, which also included the restaurant Bistrot Chez Rémy, and Chez Marianne, a souvenir shop. The restaurant serves French foods, like soup and steak frites, but the menu is not inaccessible to the majority of park-goers. The interior consists of larger-than-life decorations, to resemble that terrace where Remy and other members of the rat colony are sitting at the end of the film, and to make guests feel as though they are the size of rats. These are all still at the secondary park of Disneyland Paris, however, after a refurbishment, the ride will reopen in Spring 2026 with an updated video which will not be in 3D, reverting to a 2D video instead. Walt Disney Studios Park will also be renamed to Disney Adventure World in 2026; however, this area should remain untouched during renovations and refurbishments of the park. Emile and Remy have both been seen at Disneyland Paris as meet-and-greet characters, however, they have not been seen for a few years.

In 2021, Walt Disney World Resort in Florida recreated the Ratatouille-themed attraction in their Epcot Park, specifically in the World Showcase’s France Pavilion. Remy’s Ratatouille Adventure opened on 1st October 2021, to coincide with Walt Disney World’s 50th anniversary date and the celebrations that followed on from that. It had previously been delayed due to the COVID-19 pandemic. Remy’s Ratatouille Adventure recently underwent a minor refurbishment – only a few days long – to change the video portion of the ride from 3D to 2D, reopening in mid-November 2025. The construction of this attraction led to a new area at the back of the France pavilion being opened up, where a restaurant was also added. This is La Crêperie de Paris, technically a table-service restaurant, serving savoury and sweet crepes, naturally, however, this is a kiosk attached to it, which sells certain items from the restaurant from its walk-up window. Also in Epcot, for the Epcot International Food & Wine Festival, an annual event, a scavenger hunt allows for guests to spot different figures of Remy throughout the pavilions of World Showcase; it is called Remy’s Ratatouille Hide & Squeak. Technically it is a paid-for addition, however, if you don’t want the map or need the prize at the end of it, you can just spot the Remys without paying. Remy may also be featured on merchandise sold for this event, due to his culinary skills.

In terms of meet-and-greet characters here, at the time the film was released in 2007, Remy was meeting guests at the former The Magic of Disney Animation pavilion at the previously named Disney-MGM Studios Park, now known as Disney’s Hollywood Studios. Remy and Emile also were both seen during the Limited Time Magic event, where rare characters came out to meet guests, in January 2019. An animatronic Remy was also seen at Les Chefs de France for a limited time from 2009 to 2013; his last appearance was in October 2013. Remy would visit guests by their tables, sitting on a cart on a plate. Here, he would interact with guests. This event was called Bon Appétit from Chef Remy and was a pre-booked dining experience. Animatronic Remy was also seen at Disneyland Paris around this time, at the Rendez-Vous des Stars, or Restaurant des Stars, in Walt Disney Studios Park. It is unclear when Remy the animatronic disappeared from here, but it may’ve been when the attraction and its accompanying restaurant were built.

At Disneyland in California, at the Pixar Place Hotel, many references to Pixar movies can be spotted around the location, including ones to Ratatouille. Figurines of both Remy and Emile, and Chef Skinner have been seen at the Creators Club Concierge Lounge here. Other references may be seen in artwork and décor. At Pixar Pier, there may be similar nods to Ratatouille, specifically at the Lamplight Lounge dining location. During Pixar Fest from April 2024 until August 2024, there was a food both named Gusteau’s To-Go at Disney California Adventure’s Pixar Fest Marketplace, which served a ratatouille mini-pizza and a Gusteau-themed macaron, and some specialty drinks. Some limited-edition merchandise items themed to the movie were also available at this time. Ratatouille was strangely absent from any of the live entertainment offerings at Pixar Fest 2024 though, despite Emile and Remy both appearing during the Pixar Pals Dance Party at Pixar Fest in 2018. It would seem that Pixar Fest 2024 was really just an advertisement for Pixar’s newer film releases that hadn’t had as much coverage due to the pandemic, rather than a true celebration of all of their films. Pixar Fest has not returned to Disney California Park since 2024.

In the Disney Parks in Asia, there are less references to Ratatouille, but there are still a few. For example, Remy’s Patisserie, a bakery themed to Remy and the film, selling French-inspired goods opened at Shanghai Disneyland on 16th June 2016, the same opening date as the park. It is situated on Mickey Avenue. Remy’s Patisserie doesn’t seem to be listed on Shanghai Disneyland’s website for some reason; I don’t know if it has since closed. Remy is also used for the Rat in the Garden of the Twelve Friends, where Disney and Pixar characters resemble the signs of the Chinese zodiac. Outside of Remy and Emile meeting guests at Hong Kong Disneyland back in 2018, Ratatouille doesn’t appear to be a popular property for the Disney Parks on this continent.

On the Disney Cruise Line, there is more luck as the restaurant Remy exists on the Disney Fantasy and Disney Dream ships. Remy is an upscale restaurant, for adults only and with a strict dress code, lightly themed to Ratatouille. Its private Chef’s Table dining room is called Chez Gusteau’s. There is also likely to be some reference to the film at the Pixar Market Restaurant on the Disney Adventure ship when that sails in 2026.

Disney allegedly had been planning on producing a Ratatouille wine, with Remy featured on the label, to be sold at Costco in 2007, no doubt as promotion for the movie. However, Disney quickly cancelled their plans when the California Wine Institute pressured them not to release it, reminding them of advertising codes, where alcohol labels cannot be seen to be appealing to children. Due to having Remy on the label, who would become a recognisable icon of a movie aimed at children, this wine was deemed unsellable and the project was cancelled[12]. This led to other food and drink tie-ins being a struggle to promote, however, standard merchandise items like homeware, bags, plush toys, and pins themed to Ratatouille and Remy are readily available at some Disney Parks and Disney Stores. There was also the usual video games released, following the film’s storyline. I had Ratatouille the game on PlayStation 2, but never finished it.

Finally, back in 2020 when everyone was bored at home during lockdowns, the social media app TikTok exploded in popularity, particularly in the US, and one viral moment to come from it that year was the Ratatouille TikTok musical. The musical all began with Emily Jacobson, a teacher, who posted a video to TikTok in August 2020 with a song written about Remy. This video later was seen by Daniel Mertzlufft, an orchestrator, who arranged the song as a Broadway musical-style song. Other TikTok users and musicians began adding to this idea for “Ratatouille the Musical” and it became a complete show, directed by Lucy Moss, the co-creator of musical Six, and streamed to the world on 1st January 2021. Some big names appeared in this show including singer Adam Lambert, comedian Wayne Brady, and actor Tituss Burgess, known for playing Titus Andromedon in sitcom Unbreakable Kimmy Schmidt (2015-19). The show raised $1 million for The Actors Fund[13].

Disney and Pixar didn’t have a problem with this unofficial remake of their work, but don’t think this means that Pixar movies will start getting the Disney “live-action remake” treatment, because it has been stated by Pete Docter, Pixar’s Chief Creative Officer, that there is no live-action Ratatouille, or any other live-action remake coming from Pixar[14].

FINAL THOUGHTS

Who would’ve ever thought that a film about a little rat wanting to cook could become such an iconic piece of animation history for so many? 

I like Ratatouille for its animation and the scenes of cooking. I like the romanticism of Paris that the movie captures. And I particularly like Anton Ego’s final critique of Gusteau’s with its quiet reflection of just what being an artist can mean and how art touches people. Those at Pixar are experts at creating art that means so much to people themselves. 

Ratatouille continues to be remembered by audiences even if perhaps its popularity has been overtaken by newer films that might be more fun and colourful. Ratatouille felt like it was aimed at a slightly older audience unlike its predecessors but that suited me as a teen. I haven’t really considered what my personal ranking of Pixar movies would be, however, I know that Ratatouille would easily fit in my Top 5.


REFERENCES

[1] Credit: Richard Corliss, ‘Savoring Pixar’s Ratatouille’, Time.com, 7th June 2007.

[2] Credit: Pixar, “Deleted Scenes”, from Ratatouille (2007), Disney+.

[3] Credit: Pixar, “Building Paris”, Special Features YouTube Channel, 29th March 2021.

[4] Credit: Pixar, “Behind the Swinging Doors”, Special Features YouTube Channel, 29th March 2021.

[5] Credit: Harvey Steiman, ‘Animation, Cooking and Rats’, WineSpectator.com, 15th November 2007.

[6] Credit: Disney, ‘Five Facts about Ratatouille That Every Fan Should Know’, Disney Official YouTube Channel, 25th February 2021.

[7] Credit: Pixar, “Care and Feeding of Your CG Rat”, Special Features YouTube Channel, 29th March 2021.

[8] Credit: Pixar, “My Dad the Composer”, Special Features YouTube Channel, 29th March 2021.

[9] Credit: Pixar, “Ratatouille – Behind the music with Michael Giacchino”, from antcornfield YouTube Channel, 5th April 2009.

[10] Credit: Dean Goodman, ‘‘Ratatouille’ cooks up lukewarm box office win’, Reuters.com, 9th August 2007.

[11] Credit: The Guardian, ‘Ratatouille races to top of global box office’, TheGuardian.com, 9th October 2007.

[12] Credit: Jim Korkis, ‘More Disney Dream Dining’, MousePlanet.com, 19th Aprul 2017.

[13] Credit: BBC, ‘Ratatouille musical: TikTok phenomenon raises $1m for actors’ charity’, BBC.co.uk, 4th January 2021.

[14] Credit: Zoe G. Phillips, ‘Pixar CCO Says Live-Action Remakes Bother Him: “I Like Making Movies That Are Original’, HollywoodReporter.com, 11th June 2024.

#14 Monsters University (2013)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. PRODUCTION
  5. MUSIC
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

Monsters, Inc. remains one of Pixar’s most creative and imaginative films. It will always be remembered as one of Pixar’s first movies as well, being a part of their animation legacy, back in a time when they were still proving themselves in animation.

The movie ended with Sulley finally reuniting with Boo, but we never got to see it. This led to some wondering whether Pixar would revisit Monsters, Inc. and allow the audience to see Boo, potentially all grown up and back in the monster world with Mike and Sulley. It’s worth pointing out that Pixar never seemed to be in the game of making sequels, at least not back in the 2000s. They’d only made one, Toy Story 2 (1999), before 2010, which is when Toy Story 3 came out. But we can forgive Pixar for those sequels.

Pixar was a studio that made original films, usually with a twist, but always with colourful and detailed animation. They made movies about fish trying to find home, about superheroes fighting evil, and rats wanting to cook. They didn’t seem to feel the need to go back and revisit any previous movie – until the 2010s. This decade has come to be known as “the sequel years” by some Pixar fans and animation historians, because in those ten years, Pixar made eight sequels or prequels to popular properties out of eleven films. These sequels can make a lot of money, using an audience’s love of an original film to immediately interest them in watching a new film with most of the same characters.

But in choosing to make sequels, Pixar inadvertently opened themselves up to a lot of criticism. Movie-goers don’t always like sequels, although some can be better than the original, so when they come across one that is particularly in bad, it taints the whole bunch. Pixar was recovering from one specific disappointment in the 2010s, Cars 2 (2011), panned by critics and viewers alike. It can be argued this is Pixar’s worst movie. So, just two years later, how would viewers take it when they chose to revisit Monsters, Inc. in 2013.

My family did watch Monsters University at the cinema, specifically whilst on holiday in Florida, one of only two or three times we did that. I personally prefer Monsters University to Monsters, Inc., probably because it feels more relatable and more rooted in real-life to me. I can understand the university setting and the emotional growth that Mike and Sulley go through during the events of Monsters University. I was at university at the time, so that probably helped me like it a lot too. But I am aware that some felt this film was an insult to Monsters, Inc. Others felt it was just ok.

PLOT

Monsters University begins during Mike Wazowski’s school days, as his class take a field trip to the renowned energy company, Monsters, Inc. After being embarrassed that he has be “buddies” with his teacher and that his roar was less impressive than his classmates, Young Mike finds himself in awe of the top scarers at Monsters, Inc. as the group watch the Scare Floor in action. One of these scarers, Frank McCay, talks to the class and tells them the best place to learn to be a scarer is Monsters University, or MU, despite a fellow scarer saying his alma mater, Fear Tech, is the best.

The class are told to stay behind a line on the floor whilst the Scare Floor is online, only being able to watch from a distance. However, Mike is so small that he cannot see as he gets pushed to the back of the crowd. His teacher is so pre-occupied with everyone else that it’s not until Mike has crossed the line already that she is alerted to him breaking the rules. The class watch as Mike follows Frank McCay into a child’s bedroom, so he can watch the scarer up close. As Frank leaves the room after a successful scare, he is surprised to find all of the students and their teacher looking concerned. He looks around to find Mike looking dazed but happy. Frank tells Mike what he did was dangerous, but he was impressed how quiet Mike was in there, not even realising he was anywhere near him. Frank gives Mike his MU baseball cap, and Mike’s dream of becoming a scarer takes flight.

After the title sequence, which shows Mike going through school and passing his scare exams to get into Monsters University, we see Mike getting off the bus at the entrance to the university, excited to get started. He gets registered and goes off on a campus tour, where they pass the Scaring School, the crown jewel of Monsters University, and where Mike will be studying since he got into the Scare Program. Mike later goes by all the society and club booths on the campus, hearing about the Scare Games. He then goes to his dorm and meets his roommate, who will be his lifelong best friend – or so Mike thinks. His roommate is actually Randall, but this isn’t the villainous Randall we know from Monsters, Inc. This is nerdy Randall, who just wants to fit in and do well at school. He even wears glasses, which Mike tells him to lose, so that when Randall goes invisible, nothing gives him away! The two are both on the Scare Program.

Randall and Mike go to their first Scaring Class together, taught by Professor Knight. The class is soon interrupted by Dean Hardscrabble, a legendary scarer who broke the all-time scare record at one point, with the canister from her record-breaking scare on display for all the students to see. The Scare Program is now “her” program because of it. She says there will be an exam at the end of the semester and anyone who fails will be kicked out of the Scare Program; she only wants the best here and if you don’t make the cut, then you’re out. Professor Knight is then left to give his first class. He asks about the properties of a good roar. Mike immediately puts up his hand and begins to answer, but he is interrupted by a loud roar from the back of the room. This is James P. Sullivan, also known as Jimmy – or Sulley to us – and he’s late to class, but he doesn’t care. Professor Knight hears the surname and asks if Jimmy’s father is the great scarer, Bill Sullivan; he is, making Sulley a celebrity on campus already. With people like him his competition to remain on the Scare Program, Mike vows to study hard to ensure he stays on the program.

That night, Randall tries to convince Mike to go to a fraternity and sorority party with him, but Mike wants to stay in and study, so Randall goes on alone. Suddenly, Mike hears a strange noise coming from his window and a random pig is pushed inside. Sulley follows the pig in through the window and is confused about seeing Mike there, thinking this is his own room; it’s not. Sulley says the pig is Fear Tech’s mascot that he just stole to impress the fraternities on campus, mostly Roar Omega Roar. The pig runs off with Mike’s MU cap and the two chase it all the way through the university, with Mike even riding it at one point. They end up at the party, and Mike throws a ball at a row of bikes, which fall over onto a bin, letting it roll in the path of the pig, so it is caught. Mike picks up the pig, and Sulley picks up Mike, to show off the mascot. Sulley is then wanted by all the fraternities and Mike is ignored. Johnny Worthington, president of the Roars, comes over to invite Sulley into their house. Mike tries to follow but he is told the party is only for Scare students. He says he is one so Sulley is told to talk to his “friend”. Sulley reiterates that they aren’t friends, but tells Mike the party is for Scare students who actually have a chance. The Roars point out the oddball fraternity of Oozma Kappa and suggests Mike joins them instead. Mike is now determined to be a better scarer than Sulley, to prove everyone wrong.

Over the next few weeks, Mike buckles down and aces all of his tests, whilst lazy and entitled Sulley doesn’t try and spends all his time partying. On the day of the final exam of the semester, Mike and Randall sit down to revise and wait their turn in the Scare Simulator, where they will be tested on their knowledge of scare theory as well as their performance of scares. Sulley is warned by the Roars that should he fail, since they’ve seen his failing test results, he won’t be allowed into their fraternity, and they watch and wait in the lecture theatre. Sulley decides to annoy Mike during his wait, telling Mike he doesn’t belong in the Scare Program and that is why he has to study so much, and the two start trying to outdo each other. They aren’t quiet about it though, and they are noticed by Dean Hardscrabble, Professor Knight, and the other students, especially when Sulley trips over and knocks into Hardscrabble’s scream canister. It sets off and the room goes silent. Dean Hardscrabble goes over to Mike and Sulley, saying accidents happen, and that she will test them on their Scare Program knowledge right now. Mike is given details of a child’s fears and asked what scare he should do. Mike gives the correct answer and is about to demonstrate it, when Hardscrabble cuts him off. She says she doesn’t need to see anymore because Mike is simply not a scary monster, and that is something that cannot be taught. Mike is out of the Scare Program. Now, it is Sulley’s turn. He just roars loudly at Hardscrabble before she finishes telling him about the child’s fears. She lets Sulley know that actually the child wasn’t scared of roars, so this would’ve made the child cry, not scream. This is also a fail and Sulley is kicked out of the Scare Program, and is also out of the Roars fraternity.

The next semester, both Sulley and Mike are stuck in boring Scream Can Design, with Mike sad and Sulley furious about how they’ve ended up here. In his room, Mike throws a book at the wall in anger, seeing a leaflet for the Scare Games behind him. That gives Mike an idea. He goes to the Scare Games kick-off party and asks to sign up his team, with fraternity Oozma Kappa. Dean Hardscrabble is surprised to find Mike fighting so hard to be in the games. Mike asks her to make a deal with him: if he wins the Scare Games, then she will let him back in the Scare Program. Hardscrabble agrees and even sweetens the deal, saying the whole team can enter the Scare Program if they win, but if they lose, Mike must leave Monsters University forever. The deal is agreed – but there’s just one problem; Mike’s team needs six people, and the two-headed monster there only counts as one. Mike desperately begs someone else to join the team, like Randall, but he passes Mike over to join the Roars, wanting to be popular instead. Only Sulley wants to join, to get back in the Scare Program, so, out of desperation, Mike allows Sulley on the team.

Mike and Sulley move into the Oozma Kappa house. They are introduced to their new “brothers”, who were all former Scare students, who didn’t make the cut. There is mature student Don Carlton; Art, a philosophical hippie-type character; the two-headed Terri and Terry; and Scott Squibbles, also known as Squishy. His mother owns the Oozma Kappa house. Mike and Sulley are taken to their room, which they will have to share. Sulley is concerned about this team’s lack of scariness but Mike says he can fix it. The lights go out, and Sulley and Mike head to the basement to see what’s going on. It is their initiation ceremony into the fraternity, although it is interrupted by Squishy’s mother doing laundry!

The next morning, Oozma Kappa get a letter about the first event of the Scare Games. That evening, they meet in the sewer, and are told their first event is called the Toxicity Challenge, where they will have to race through an obstacle course of sea urchins, that will cause swelling if touched. This is to match the toxicity of human children, of course. Cheered on by Squishy’s mother, Oozma Kappa nervously get ready for the race, but Sulley and Mike have chosen to treat this as a race against each other. They rush off without the rest of their team, laughing at the other as they each get stung by the sea urchins. They eventually cross the line after the Roars, but since the rest of their team has not made it across, it doesn’t count. Mike and Sulley see other teams finish, and then Oozma Kappa roll over the line – in last place. That appears to be the end of their Scare Games and Mike’s time at Monsters University, but they are handed a lifeline. Jaws Theta Chi is disqualified for using a protective gel that meant they could not be stung. Oozma Kappa are back in.

Not wanting a repeat of that incident in further events, Mike starts preparing Oozma Kappa with workouts and tests. Sulley chooses not to join in as he doesn’t feel he needs the practice in scaring. For the next event, Mike tells the rest of the team to follow him precisely. The challenge takes place in the library, where teams must retrieve a flag hanging up without being thrown out of the room by the scary squid-like librarian. Sulley gets fed up with Mike’s slow and steady approach, seeing only they and one other team haven’t got their flag. Sulley rushes ahead and slams to the floor after falling off a ladder. The librarian goes over to Sulley to throw him out, but Oozma Kappa make loud distractions and dodge the librarian’s attempts to throw them out the library. They gather up Mike and run out of the room. On exiting, Mike says they never got the flag – only to see Squishy got it during all the chaos.

With their surprise advancement to the next event, they are invited to a party for all the remaining teams at the Roars’ house. Sulley isn’t sure about it, but eventually gets in the spirit once they are there. Mike sees the Hall of Scarers and the Scare Games trophy in the house, and this makes him want to win even more. However, as Johnny Worthington proceeds to give a speech about Oozma Kappa’s surprise success, Mike and the others start to think something is wrong. Sure enough, they are pranked, covered in paint, glitter, and toys and teddy bears. A picture is taken, which the Roars use the next day for a charity fundraiser, selling t-shirts, and the picture is plastered all over campus. They are now being called Cute-ma Kappa because they aren’t scary. The Roars tell them they might as well quit now because they’ll never win. Dejected, they all seem to agree – except for Mike.

Mike decides to take them all on a field trip to Monsters, Inc. They sneak onto the roof and watch the scarers in action on the Scare Floor. Mike shows them that there is not one type of scarer, and that scarers come in all shapes and sizes. This encourages them to continue on with the Scare Games together, but vow to work as a team from now on – even Sulley. After a quick getaway from Monsters, Inc. security due to their trespassing, they start training together. At the next event, a maze where they must avoid scaring paintings of teenagers, Oozma Kappa manage to advance, with the sorority the Pnks being eliminated. The next event is a hide-and-seek style game, which Oozma Kappa also do well in, leaving the final two teams being them and the Roars. Their final event, the Scare Simulator, will be held the following night. Dean Hardscrabble witnesses this and Sulley goes to speak to her, to tell her she was wrong. Hardscrabble says she isn’t concerned because she knows for a fact one of their team is not scary enough to win, with that person being Mike. Sulley is aware of this and tries to help Mike be scary that night, telling him to dig deep and let the anger out. He tells Mike he’s done well, but actually, Sulley isn’t sure it’s enough.

At the final event, each member of each team must scare a robotic child in the Scare Simulator, using the scare reports to work out the most effective scare to do. Mike has prepared everyone for this and knows they are ready. He says he should be the first in the simulator, but Sulley thinks Mike should go last, because of all his hard work with the team. Their order is agreed, with Mike going last, and Don going first. Don does well in his simulator and Oozma Kappa take the lead as the Roars scarer trips over toys on the simulator floor. Next up is Terri and Terry, then Squishy, then Art. Their lead over the Roars diminishes each time. It is up to Sulley to bring back the lead. He goes up against Randall. Using what Mike taught him about other scares, not just roaring, Sulley manages to get an impressive scare, so much so that Randall’s own scare is sabotaged by both simulators shaking. Randall says that will be the last time he loses to Sulley, and a rivalry begins.

Finally, it is Mike’s turn to go against Johnny Worthington and they’ll need Mike to pull off a record-breaking scare to win. Mike prepares to scare the robotic kid, hearing all the mean things everyone said about him not being scary, and leaps up to deliver the record-breaking scare Oozma Kappa need to win. The crowd, the Roars, and Oozma Kappa are stunned at their win. After the event, Mike stands by the simulator and speaks to Sulley, not believing what just happened. As they are about to leave to celebrate, Mike says “boo” to the simulator and the kid screams, and a full scare is recorded. Mike investigates the controls and sees that his settings were lower than everyone else’s. He asks Sulley if he did this and he admits he did, because he didn’t want the team to suffer because Mike isn’t scary. Hurt, Mike walks off alone. The rest of Oozma Kappa overhear this, and know their win was not truly earnt. Sulley is invited back to the Roars, but he hands them the trophy and goes after Dean Hardscrabble. He admits his cheating. She expels Sulley and says he must be such a disappointment to his family. An alarm then goes off, because someone has broken into the door lab. Sulley rushes over, thinking Mike has done something stupid.

Mike has done just that. In a bid to prove how scary he is, Mike has entered a door that was being tested and finds himself at a girls’ summer camp. He tries to scare the campers but they aren’t scare at all, and he runs into the woods, sad and upset. Sulley gets to the door lab and asks Oozma Kappa to create a distraction so he can get in the door. They do that and Sulley goes in. The camp is empty, but rangers are around trying to search for the animal or intruder in the cabin. Sulley runs into the woods to avoid them and finds Mike by the lake. The two have a heart-to-heart, as Mike laments the fact his dream of being a scarer can never come true, and Sulley saying he’s a big failure. Still being hunted down, Mike and Sulley plan a way back to Monsters University. Mike decides they’ll have to create enough scare energy in the human world to power the door from the other side to let them back into the monster world. Sulley doesn’t think he can do it, but Mike says together they can. Back at the cabin, Mike starts to set the atmosphere for the scare, making strange things happen, and keeping hidden. The rangers come in and start to feel scared. Suddenly, Sulley appears in front of them and lets out a powerful roar. The roar terrifies the rangers and the scream energy starts to power the door, causing chaos over at the university. Mike and Sulley burst through the door and land back in the door lab just as the door explodes. Dean Hardscrabble is shocked to have witnessed all this. Mike and Sulley are taken away by the authorities, the Child Detection Agency and its No. 1 Roz.

The next day, Mike and Sulley apologise to Oozma Kappa and say their goodbyes; the two have been expelled from Monsters University. The Oozmas actually let them know that Dean Hardscrabble has let them all into the Scare Program, despite the cheating. We also learn that Don is engaged to Squishy’s mother Sheri, which makes Squishy understandably uncomfortable! Sulley and Mike then leave campus to wait for Mike’s bus. Mike gets on the bus to head home, but Sulley stops the bus and tells Mike that he is the one who actually achieved something at university, helping Oozma Kappa at the Scare Games, for example. He tells Mike he isn’t scary, but he is fearless. Dean Hardscrabble comes over to them and tells them to keep surprising people, like they did with her, and thanks them, in a way, for showing her that there is not one approach to teaching scarers. But that there is nothing more they can be taught here, and wishes them luck for their future. Mike then remembers that Monsters, Inc. are always hiring in the mailroom so they can join a scare company after all!

Just before the End Credits, we see Mike and Sulley’s journey through Monsters, Inc., working with The Abominable Snowman in the mailroom, before moving up to janitors, cafeteria workers, and then finally getting a chance to audition as a scarer and assistant duo, which is obviously where we see them during Monsters, Inc. Finally, in a mid-credits scene, we see the slug-like monster who is about to be late for class early on in the film finally arrive at his class, only to find it is the end of the year!

CHARACTERS & CAST

Mike, Sulley, and Randall are the three main characters to make a return from Monsters, Inc. in Monsters University. This time, instead of this being Sulley’s story, Monsters University focuses on Mike and his dream of being a scarer that cannot be fulfilled. Mike is determined to prove he can be a scarer, being dedicated to his studies and the theory of scaring, but learns that he cannot actually scare people, ending his dream at Monsters University. It’s a hard lesson for Mike to learn, that hard work doesn’t necessarily mean that everything will work out, but it’s a necessary and realistic lesson. But in his failure, another path opens up for Mike and things do work out. Sulley is not the same monster we meet in Monsters, Inc., coming across as quite arrogant and entitled, perhaps because of his family’s history in scaring. It is only with Mike’s help that Sulley becomes a real scarer, and the two’s initial rivalry turns into friendship due to this. Randall, on the other hand, begins his time at Monsters University as Mike’s roommate, seeming to be quite friendly and nice. However, he passes over the chance at friendship with Mike for popularity in the Roars fraternity, and his rivalry with Sulley begins after Sulley surpasses him in the Scare Simulator. Billy Crystal, John Goodman, and Steve Buscemi reprised their roles as Mike, Sulley, and Randall here.

Then we have the members of Oozma Kappa. One is Scott, mostly known as Squishy. Squishy is quiet and unassuming. He’s basically a little pink blob, which makes him easy to forget and easy to pick on! In the end, he uses his quietness to be a better scarer, thanks to Mike. Peter Sohn voices Squishy. Sohn is a Pixar animator and voice actor, having directed and written the short film Partly Cloudy (2009) and voiced Emile in Ratatouille (2007) prior to Monsters University. Sohn had also worked as a story artist on Finding Nemo (2003), The Incredibles (2004), and Up (2009). He later directed The Good Dinosaur (2015) and Elemental (2023), and voiced Sox in Lightyear (2022) and Ciccio in Luca (2021).

Don Carlton is a mature student, who seemed to work in sales before returning to his studies at Monsters University. Don has tentacles, which Mike teaches him to use in his scaring. Don Carlton was voiced by Joel Murray. Murray had previously been cast in the CBS sitcom Love & War (1992-95) as Ray Litvak and later the ABC sitcom Dharma & Greg (1997-2002) as Pete Cavanaugh. More recently, Murray was cast in the recurring role of Freddy Rumsen in Mad Men (2007-15) and as Eddie Earl in Starz’ Heels (2021-23).

Terri and Terry are a two-headed monster, who seem to disagree on pretty much everything. Terri, for example, is a dance major, but Terry is not; that must be quite tricky to achieve when one half of your body won’t cooperate! Terri and Terry were voiced by Sean Hayes and Dave Foley respectively. Hayes is most known for his role as Jack McFarland in the long-running Will & Grace (1998-2006, 2017-20). He also has voiced other characters for animated movies, including Steven the devil emoji in The Emoji Movie (2017). More recently, Hayes has been cast in more dramatic movies, including Stu in Am I OK? (2022), which starred Dakota Johnson, and Gary Greenbacks, the TV host in The Running Man (2025). He also won a Tony Award for Best Actor in a Play for his starring role as Oscar Levant in Good Night, Oscar on Broadway in 2023. Dave Foley voiced Flik in Pixar’s A Bug’s Life (1998) and also played Mr Jonathan Boy/All-American Boy, the Hero Support teacher, in the Disney movie Sky High (2005). In television, Foley appeared in the recurring role of Dr. Fulton in The Middle (2009-18), and was cast as Pat Hein in the Ken Jeong-created sitcom Dr. Ken (2015-17). Foley was also cast as Danish Graves in Season 5 of the series Fargo (2014-24).

Then, there is Art, a chilled out, laidback monster, who majors in philosophy. He is like an upside-down “U” shaped purple furry monster, who uses his flexibility to scare. We also learn Art has been to jail before, when Oozma Kappa are dodging the Monsters, Inc. security – but we don’t know why! Charlie Day voiced Art. He is best known for playing Charlie Kelly in the comedy series It’s Always Sunny in Philadelphia (2005-present), and later co-created the AppleTV+ series Mythic Quest (2020-25). Outside of that, Day also played Dale Arbus in Horrible Bosses (2011) and its 2014 sequel, and was cast as Dr. Newton Geiszler in Pacific Rim (2013), returning to the role in Pacific Rim Uprising (2018). He also voiced characters for other animated movies including Benny in The Lego Movie 2: The Second Part (2019) and Luigi in The Super Mario Bros. Movie (2023).

There are also the two main teachers at the Scaring School. One is Professor Knight, who is a strict professor, letting Sulley know that just because he can roar loudly, that isn’t going to be enough to pass the Scare Program. He also seems impressed by Mike’s knowledge of scare theory, with Mike being the best in the class. We don’t hear anything negative about Mike from Professor Knight, despite the fact surely he doesn’t think Mike is scary either and clearly doesn’t have a future as a scarer. Professor Knight was voiced by Alfred Molina. Molina has starred in numerous stage and screen productions. Some of these include performing as Tevye in the musical Fiddler on the Roof on Broadway from 2004 to 2005; Comte de Reynaud in the Academy Award-nominated film Chocolat (2000); Jack Mellor in another Academy Award-nominated film An Education (2008); and as Doctor Octopus in Spider-Man 2 (2004) and Spider-Man: No Way Home (2021). For Disney, Molina voiced the roles of Double Dan and King Agnarr in Ralph Breaks the Internet (2018) and Frozen II (2019), and played the role of Maxim Horvath in The Sorcerer’s Apprentice (2010).

Dean Hardscrabble is the intimidating and terrifying dean of Monsters University. All the scare students are obviously scared of her, and it would seem that Professor Knight would rather she hadn’t burst into his first class of the year! Hardscrabble warns the students on that first day that they will be thrown out by the end of the first semester if they don’t do well enough; it’s as simple as that, which isn’t exactly motivating on your first day at college! She continuously tells Mike that he is not scary, and will never be scary, so doesn’t deserve to be in the Scare Program. By the end of the movie though, after witnessing Mike and Sulley’s amazing scare in the door lab, she realises that she misunderstood Mike’s potential and skill, and tells both of them to keep surprising people, wanting them to do well in the future. I do wonder what the entry requirements to the Scare Program are, because surely they had to have some sort of practical assessment before they got into the university, so this would’ve filtered out students like Mike, who might know their theory but can’t execute scaring adequately. This is something Dean Hardscrabble really ought to think about!

Randomly, Dame Helen Mirren was cast as Dean Hardscrabble. Mirren’s career spans all kinds of different genres, so perhaps her casting here shouldn’t be such a surprise. It was a real win for Pixar to get her though. Some of Mirren’s film credits include being cast as Queen Charlotte in The Madness of King George (1994), in which Nigel Hawthorne played the title character; Chris Harper in Calendar Girls (2003); and Madame Mallory in The Hundred-Foot Journey (2014). More recently, she played Betty McLeish/Lili Shroeder in The Good Liar (2019), alongside Ian McKellen. She also played Elizabeth Best in The Thursday Murder Club (2025) for Netflix. Mirren won the Academy Award and BAFTA for Best Actress, amongst many other award wins in her career, for portraying Queen Elizabeth II in The Queen (2006). In series, Mirren starred as Detective Chief Inspector Jane Tennison in Prime Suspect (1991-2006). Monsters University was not Mirren’s first time voicing a character for an animated film; she voiced Queen Tuya in The Prince of Egypt (1998) for DreamWorks.

There are other students that Mike and Sulley encounter on their journey through the Scare Games. Two of these come from the fraternity Roar Omega Roar. The first is president of the fraternity Johnny Worthington. He only wants the best scarers in his fraternity. That is a fact of most fraternities and sororities; it’s not always about being the nicest person, it’s more about how you complement the other members and what you can do for them. Johnny loves the idea of having Sulley in the Roars, probably because he is the son of a top scarer, and therefore has the potential to be great. However, Johnny isn’t afraid to drop Sulley when he flunks out of the Scare Program and replaces him with Randall, whose ability to go invisible and disguise himself separates him from other scarers. Johnny is mean to anyone who he sees as lesser than him, even going so far as to prank Oozma Kappa just to make himself feel like the “big man” on campus. Johnny was voiced by Nathan Fillion, well-known for his leading role as Richard Castle in ABC’s Castle (2009-16). He also had a recurring role as Adam Mayfair in Season 4 of Desperate Housewives (2004-12) before that. More recently in series, Fillion stars as John Nolan in ABC’s The Rookie (2018-present) and was cast as Alton West in Netflix’s The Recruit (2022-25). In movies, Fillion voiced Sterling in Pixar’s Cars 3 (2017), played Master Karja in Guardians of the Galaxy Vol. 3 (2023) and Guy Gardner / Green Lantern in Superman (2025).

Every jerk like Johnny Worthington needs a sidekick. In this case, Johnny’s sidekick is Chet, who is a bit of a bumbling fool. He sometimes thinks he’s engaging in smack talk, but actually just makes the Roars look stupid, like when Johnny tells Oozma Kappa that if they lose, no-one will ever remember then. Mike shoots back and says that might be true, but if the Roars lose, then no-one will let them forget it. Instead of coming back with something clever, Chet just agrees that’s true. I think Johnny might want to look at getting a new sidekick! Chet was voiced by Bobby Moynihan, who was both a writer and cast member on Saturday Night Live (1975-present) from 2008 to 2017. He has also voiced characters for animation, including Mel in The Secret Life of Pets (2016) and its 2019 sequel, and Louie Duck in DuckTales (2017-21). For Pixar, he voiced Bobby in Inside Out (2015) and Inside Out 2 (2024) and is set to voice a character in Pixar’s new movie Hoppers, coming in 2026.

Finally, we have Claire and Brock, the two who run the Scare Games. Claire’s lack of enthusiasm and general surliness – she is a teenager, after all – is countered by Brock’s exuberance and general noisiness. Brock is excited by anything and everything, especially when commentating on the Scare Games events. Claire just doesn’t seem to care – at least not until Oozma Kappa seemingly win the Scare Games. Then, all of a sudden, it’s like she’s their biggest fan! Claire was voiced by Aubrey Plaza. Plaza is known for her role as April Ludgate in the mockumentary Parks and Recreation (2009-15), as well as her roles in comedy movies, such as Julie Powers in Scott Pilgrim vs. the World (2010); Lenore in Dirty Grandpa (2016); and Sarah in Operation Fortune: Ruse de Guerre (2023). Tyler Labine voiced Brock. Labine recently was cast as Dr. Iggy Frome in the medical drama New Amsterdam (2018-23) and starred as Kevin Pacalioglu in Deadbeat (2014-16) for Hulu.

There are a few other names to mention as well. Bob Peterson and John Ratzenberger make their returns as Roz and The Abominable Snowman, respectively, but only in brief cameos. Roz makes her appearance after Mike and Sulley return from the normal world, saying she’ll be watching them, which is something she said in Monsters, Inc. The Abominable Snowman is seen working in the Monsters, Inc. mailroom, warning Mike and Sulley that tampering with the mail is a crime punishable by banishment. I guess we’ve figured out he got banished to the human world then! We also have Bonnie Hunt making a return to the monster world. This time, she voices Mike’s school teacher Karen Graves.

Other names in this movie include John Krasinki who voiced the scarer Frank McCay in the opening sequence of Monsters University. Krasinski became a household name from his role as Jim Halpert in the US version of The Office (2005-13). He went on to have roles in comedy films, including Ben Murphy in License to Wed (2007) and Harley in It’s Complicated (2009). He later co-wrote, directed and starred as Lee Abbott in the horror films A Quiet Place (2018) and A Quiet Place II (2020). He also starred as Jack Ryan in the Amazon Prime Video series Jack Ryan (2018-23). Julie Sweeney voiced Squishy’s mother, Sheri. Sweeney was a cast member on Saturday Night Live from 1990 to 1994. More recently, she was cast as Vera Easton in Hulu’s comedy series Shrill (2019-21). Bill Hader voiced the slug monster running late to class. Hader was a cast member on Saturday Night Live from 2005 until 2013. He also voiced Fear in Pixar’s Inside Out (2015), and voiced J.P. Spamley in Ralph Breaks the Internet (2018) and Featheringhamstan in Lightyear (2022).

PRODUCTION

We all remember the time when Disney were releasing direct-to-video sequels constantly, all based on previous popular Disney animated classics. Some of these are beloved by the kids who watched them. Others have been brutally ripped apart, perhaps unfairly, perhaps not.

There was once a time when Pixar movies may have been subjected to this fate, of low-quality animated sequels to some of their biggest hits being made, and it was all thanks to Disney. It has been reported that around 2004 or 2005, Disney tasked Circle 7 Animation, a division of Walt Disney Feature Animation that only lasted from 2004 to 2006, with making a Monsters, Inc. 2. They’d also planned to make a Finding Nemo 2 and a different version of Toy Story 3, as a way of using Pixar properties. Allegedly, Monsters, Inc. 2 had a storyline that saw Mike and Sulley visit Boo for her birthday, but on going through her closet door, they see Boo has moved and they go to find her. When they find Boo, Sulley and Mike discover she is too old to believe in monsters, and they must get her younger brother to convince her to help them leave the human world though her old door. They are also trying to save Celia, who has been captured by a monster-obsessed human wanting to prove monsters are real[1]. It sounds like a wacky story that probably wouldn’t have worked well, so lucky for all of us, that Circle 7 Animation’s plans never came to fruition and the division was promptly shut down. It was supposedly just a pressure tactic from Disney, because during this time, Disney were looking to buy Pixar. This deal was later completed in May 2006.

It wasn’t until a decade after Monsters, Inc. was released that Pixar confirmed they were actually working on a new Monsters, Inc. movie, with this being officially announced at the D23 Expo in 2011, by John Lasseter and voice of Mike Billy Crystal. It was confirmed that this movie was in fact going to be a prequel called Monsters University, making it clear to the audience that they were going to be watching a film about Mike and Sulley in college.

Monsters University was directed by Dan Scanlon, who was a 24-year-old storyboard artist at Pixar when Monsters, Inc. was released in 2001. Monsters University was his directorial debut of a feature film at Pixar; he had already co-directed the short film and Cars spin-off Mater and the Ghostlight (2006) with John Lasseter. Dan Scanlon had worked on Pixar features such as Cars (2006) and Toy Story 3 (2013) as a story artist prior to Monsters University. He later directed and co-wrote Onward (2020). Scanlon left Pixar in 2024. Scanlon stated that prequels are tricky and risky, because the audience already knows where the story is going, so they can feel quite predictable, but the plan was always to be to make the story relatable, whilst also turning the expected story on its head. It was decided the prequel was the way to go, despite its challenges[2].

Scanlon also co-wrote the story of Monsters University, alongside Dan Gerson and Robert L. Baird. Gerson had co-written the screenplay of Monsters, Inc. so no doubt his expertise from the original movie was invaluable when creating the prequel. He also co-wrote the Disney Animation movie Big Hero 6 (2014), alongside Baird, with the film going on to win the Academy Award for Best Animated Film. Gerson sadly passed away in 2016 and was said to be working on Pixar’s Cars 3 (2017) at the time. Baird had co-written the screenplay for the 1999 Disney Channel Original Movie The Thirteenth Year early on his career. After Monsters University and Big Hero 6, Baird co-wrote the screenplays for the animated films Ferdinand (2017), from Blue Sky Studios, and Nimona (2023) for Netflix.

Although we know that Mike and Sulley are going to end up working as a scaring team at Monsters, Inc., we don’t know how they get to that point. The title Monsters University obviously gives away the fact that the prequel will be taking us through their journeys at college, but outside of that, there are so many possibilities for the story to go. Initially, Sulley was still going to be the main attraction of Monsters University, since he was already the focus of Monsters, Inc. There were plans to give him some big emotional backstory, like having an absent father, in order to give Sulley more of a purpose and personality, because in Monsters, Inc., he spends much of his time with Boo, as her protector, so he needed something else to occupy his time in Monsters University. There was also an idea to have Sulley wanting to be a dentist, but that story element was quickly dropped as he was clearly always meant to be a scary monster with his huge stature.

After these ideas didn’t work, it was then decided that perhaps Mike should get his chance to shine in Monsters University, and he should be following his dream of being a scarer, which, before the opening titles even start rolling, we already know is not going to happen because of the events of Monsters, Inc. This eventual failure of his scaring dream is the message that audiences would take away from Monsters University, that although you can work hard in achieving a dream, it doesn’t always work out the way you’d hoped. This basically altered expectations about the film as we saw that the journey to Mike and Sulley ending up at Monsters, Inc. was not an easy one[3].

There were plenty of other sequences and scenes that did not make it into Monsters University. One was that Mike and Sulley were going to end up in Drama Class together after being kicked out of the Scare Program at Monsters University. During this time, the tension between the two and the rivalry would’ve been obvious as they attempt to prepare for the Scare Games and put on this play with their class about the history of scream energy. Over time, it was meant to show Mike and Sulley learning to work together and become friends, with Mike helping Sulley remember his lines during the play after forgetting them on stage. This play would’ve also given us important information about scream energy, that enough scream energy created on the opposite side of a door, in the human world, for example, can be enough to power it on the other side. This is something we learn during the big scare that Mike and Sulley do in the summer camp. It was decided that the Drama Class sequence, although funny, was not necessary since the Scare Games is where Mike and Sulley ultimately resolve their conflict, and it didn’t fit in well with the rest of the story. There was also an alternative prank by Roar Omega Roar on Oozma Kappa, which would’ve seen the Roars scaring them during a movie night, but this was deleted as it was decided that the whole point of this prank was not to show that Oozma Kappa were easily scared, but was meant to show that they are not scary so cannot be scarers. Another deleted sequence would’ve introduced a new college program to us, Recon, where monsters go into the human world to spy on kids and figure out what their fears are, to draft scare reports.

Potentially the most interesting deleted sequence could’ve ended up being the most important sequence in the film, and would’ve helped with a major plot hole that was discovered by viewers. This plot hole revolves around the fact that Mike says to Sulley in Monsters, Inc. that Sulley has been jealous of him since the fourth grade, making it seem like Mike and Sulley already knew each other from school. However, Monsters University tells us that Mike and Sulley first met here, annoying some people because Pixar had ignored something in their own franchise’s storyline. This is something I noticed shortly after watching Monsters University too. But be assured, Pixar did plan to address this. In this deleted concept, Mike was meant to meet Sulley in the fourth grade. Jealous of Sulley’s instant popularity due to his size and scary nature, Mike proceeded to try to outdo Sulley with his knowledge of scare theory. This rivalry went on for years, until Mike and his family moved away. Ultimately, Dan Scanlon felt that this sequence just wasn’t working, so he was told by John Lasseter and Pete Docter, the director of Monsters, Inc., to focus on the college story and not let this one line from Monsters, Inc. affect the prequel. The filmmakers had probably hoped we wouldn’t notice or wouldn’t care[4]. Sadly, some very much did, and still do, care! I like to think that perhaps it’s one of those cases where you can meet someone at school and not really remember them, reconnecting later in life and only realise you’ve met them before after talking about some really specific event. Since Sulley and Mike don’t talk all that much about their past lives in Monsters University, we could imagine that maybe they didn’t get talking about school until after they were expelled and then they remembered each other – but that’s a lot of “ifs” and “maybes”!

With this new college setting in the monster world, it was decided that the filmmakers had to do some proper research into college life, so naturally, they took a research trip, which consisted of tours of Ivy League campuses. It’s not exactly Mexico or South America, like the Pixar team went to for Coco and Up, but I guess it’s something! Some of the universities they visited were Harvard, MIT, and Berkley, so Monsters University became a mixture of all of these campuses. Many of these colleges had a gate entrance, so one was made for Monsters University, for example, and they tended to have buildings made of red brick, so this was incorporated into the design for Monsters University. The Scare School was created to be the focal point of the campus, as older buildings on real campuses were obviously built first, with others spreading out from it. The age of the building was also shown, not just architecturally, but also by the bronze statue outside with the faded paw, showing that many students even before Mike’s class at touched it for good luck.

Other details added to the campus include the use of flyers, with new ones stapled up on top of years of older, crumpled, disintegrating ones, on columns and boards across the area, and they also added bird poop to the buildings and statues to show the age of Monsters University, showing its history and prestige! Monsters University was designed to look like a normal US college campus, but the added motifs and decorations of teeth and eyes made it seem more “monster-like”[5].

Alongside design elements for the look of Monsters University, the team also had to figure out what experiences would need to be added to the movie to make it feel like a quintessential college film. Obviously one glaring omission from this film is alcohol. Pixar and Disney can’t be seen to advertise drinking, underage or not, in their films, but they tried to get across the party atmosphere with their heavy use of fraternities and sororities. This emphasis on parties was even seen in the teaser trailer, where Sulley pranks Mike by gluing bits of mirror to him to turn him into a disco ball!

These fraternities and sororities ended up being quite useful to the story, not only because they created ready-made teams for Mike and Sulley to go up against in the Scare Games competition, but also because they allowed us to see a wide-range of different personalities without the need to introduce us to too many minor characters. This was achieved basically by making each fraternity and sorority a sort of stereotype. For example, the Eeks are the athletic jock girls; the Pnks are the perfect sorority girls, who look sweet on the outside, but are vicious on the inside; the Roars are the cool, posh boys; and Hss are the emo/goth group. Oozma Kappa are the misfit fraternity[6].

There are hundreds of monsters within Monsters University, many more than were seen in Monsters, Inc. Although software had been created for Sulley’s fur for the first movie, this software had been developed so much that even more furry monsters could be designed and used in this movie, to go alongside other types of monsters of varying shapes and sizes, even ones that fly. These additional monsters enormously helped with the atmosphere of Monsters University, to make it feel like it was a place of diversity. Pixar has said to look at the backgrounds to spot all these different types of monsters. But monsters from the previous films who made a return would also need to be aged down for Monsters University. For example, Mike is skinnier, with a more vibrant colour to his skin and less pronounced horns. He also has a retainer. Sulley is skinnier and shaggier, and his fur is shinier[7]. Randall is smaller and punier than he is in Monsters, Inc. and his skin is more purple.

Another character design to mention is that of Dean Hardscrabble. Hardscrabble was going to be a typical, grumpy male dean, with an alligator tail, but after some thought, the filmmakers realised they hadn’t seen a great female scarer in this world so Dean Hardscrabble began a strict, authoritative female dean instead. The basis for her monster appearance is a centipede, and the Pixar team studied giant centipedes to see how they moved and behaved. Despite centipedes generally being considered to be gross-looking by most, the filmmakers said there was a graceful elegance to them, which they wanted to get across in Dean Hardscrabble’s character. I’m going to be perfectly honest and say I thought she was designed after a dragon; I’d never noticed her legs before[8]!

Rounding out the production of Monsters University, there are the usual Pixar Easter eggs and references to mention. The A113, the number of the classroom at CalArts where many Pixar animators studied, is on the door of Scaring 101 on the first day of the Scare Program. The Pizza Planet truck is parked in the driveway of the Jaws fraternity house on that party night when Mike and Sulley are chasing the pig. The Luxo ball from the Pixar short film is seen in graffiti on the wall of the sewer during the Toxicity Challenge of the Scare Games.  The next Pixar movie after Monsters University is The Good Dinosaur (2015), so this was referenced with dinosaur toys in the bedroom that Young Mike sneaks into during his school field trip to Monsters, Inc. Pixar Studios’ address of 1200 Park Avenue is also referenced, as Don Carlton’s business card shows his address as being 1200 Dark Avenue.

You can also see a few nods to Monsters, Inc. One of these is that George, the monster who is on the receiving end of the “23-19” alert is a member of the Jaws fraternity. There is also the Winds of Change poster above Randall’s bed, which refers to a line he says to Mike and Sulley in the original film[9]. At the end of Monsters University, you can see a picture of Sulley shaking hands with Mr. Waternoose, the CEO of Monsters, Inc., a main character in the first film, too. It is rumoured that Kelsey Grammer, best known for his role as Frasier Crane in both the sitcoms Cheers (1982-93) and its spin-off Frasier (1993-2004) was meant to voice Mr. Waternoose in an apparently cut scene. Celia, who also only appears in picture-form in this montage, in Mike’s locker, was apparently meant to return for Monsters University too, as was Randall’s assistant Fungus. For some reason, this did not happen. Finally, the title sequence of Monsters University even refers back to Monsters, Inc. as it is another 2D graphic-style title sequence, contrasting against the computer animation of the main film. This time, the opening titles follow Mike’s journey to being a scarer, through his school work and eventual acceptance to Monsters University.

MUSIC

For the score of Monsters University, Randy Newman made his return as the composer, after his work on Monsters, Inc., allowing for continuity between the two films. Newman is known for his frequent collaborations with Pixar over the years, including on A Bug’s Life (1998) and the Toy Story franchise.

Newman’s score had to consist of both bringing emotion to the story and giving the music that “collegiate” feel. This meant using the sound of marching bands and drums to express that university-style sound, where these instruments are used for pep rallies and events like that. Some examples of this sound can be found in the tracks “Main Title”, used for the title sequence, and “The Scare Games”, playing during a montage of some of the games’ events. To record some of this style of music, Pixar brought in the percussion group The Blue Devils Drum Corps, to give that authentic sound. There is also the track “Monsters University”, which is a chorus singing the university’s school song.

Another key point of the college atmosphere of Monsters University that comes across in the music is the mixture of music genres that can be heard across a university campus in the real world; this is mimicked in Monsters University. This can be specifically heard in a couple of tracks. One of these is “Scare Pig”, which is used for the scene of Mike and Sulley chasing down Fear Tech’s pig mascot that Sulley stole. As the two wreak havoc across various parties going on at the college campus, you can hear an acoustic guitar player in a casual get-together, followed by rock music playing at the fraternity and sorority party. Another is “Roar”, the name of the music playing at the Roar Omega Roar party where Oozma Kappa get pranked by the Roars. This is electronica party music, perfect to get people dancing. “Roar” was written and performed by Axwell and Sebastian Ingrosso, from the Swedish House Mafia group, known for their electronic dance music.

There are a few other tracks in the Monsters University soundtrack that I also like. “First Day at MU” is one, as it feels hopeful and reflects how Mike is feeling on that first day at the Scare School, thinking his future is looking bright. Another is “The Big Scare”, which is used for the sequence of Mike and Sulley pulling off that scare at the summer camp with the rangers. It’s a huge moment for not just the history of scaring, but for Mike and Sulley’s friendship and teamwork, as they show that they work best as a scaring team rather than as individuals, with Mike’s attention to detail and Sulley’s natural scaring ability. I also like “Stinging Glow Urchin”, the music playing during the Toxicity Challenge and race in the Scare Games. One other track worth mentioning is “Field Trip”. This features during the moment where Mike takes Oozma Kappa to Monsters, Inc. so they can witness the Scare Floor in action. It uses some of the music from the Monsters, Inc. soundtrack, like the music used in the chase sequences, and the track “Enter the Heroes”, which is used as a slow-motion clip of the scarers arrive for a day of work, but in Monsters University, it is used whenever the factory’s exterior is seen, so both in this sequence for Oozma Kappa and in Michael’s field trip at school at the start of the film.

Newman has stated how happy is to compose music for Pixar’s high-quality animated movies. Director Dan Scanlon also stated how helpful Newman was during the composition stage and orchestral recording of the score, as he had admitted that the music was the part he knew the least about when directed a film. Scanlon said how affecting it was to see the music come together with the animation to make the movie feel complete[10].

Despite Randy Newman winning awards for his music on Monsters, Inc., namely for the song “If I Didn’t Have You”, which won an Academy Award and Grammy Award for Best Original Song, amongst others, the Monsters University soundtrack was not as widely acclaimed. Instead, it only received one nomination, at the Annie Awards, for Outstanding Achievement in Music in an Animated Feature Production. Newman and Pixar lost to the musical team of Robert Lopez, Kristen Anderson-Lopez, and Christophe Beck and their work on Disney’s Frozen. I guess Pixar had to just “let it go” on this occasion.

RECEPTION

Just a little less than 12 years after the release of Monsters, Inc., Monsters University was released in theatres, on 21st June 2013 in the US, becoming Pixar’s first, and only, prequel.

Apparently, it was initially planned for release in November 2012, its date being moved to 2nd November to avoid direct competition with The Twilight Saga: Breaking Dawn – Part 2, a very popular film that year. Monsters University’s date later moved to June 2013. It would seem that Disney’s Wreck-It Ralph (2012) took the November 2012 position instead[11].

In theatres, Monsters University was released alongside the Pixar short film The Blue Umbrella (2013). This short followed the journey of a blue umbrella finding love with a red umbrella. After being separated by their owners, the blue umbrella breaks away and attempts to be reunited with the red umbrella, only to be hit by high winds and speeding traffic. The blue umbrella is later found damaged in the road, in a broken heap. It is picked up by its owner, and the red umbrella owner comes over to help. The owners of the blue and red umbrella walk away together, reuniting the two-coloured umbrellas. This short was directed and written by Pixar employee Saschka Unseld. Strangely for a Pixar short, The Blue Umbrella missed out on an Oscar nomination for Best Animated Short Film.

But back to Monsters University. For the most part, Monsters University received positive reviews, although some of these positive reviews generally say that the movie is perfectly fine and watchable, so not exactly a glowing review! Some stated that this prequel was reassuring from Pixar, expanding on the Monsters, Inc. characters and its world. They liked seeing more backstory for Mike and Sulley, and the supporting cast was also memorable and funny. The message of Monsters University, about hard work not necessarily equating to a dream coming true, was an important one to state, as it goes against the general message of child-focused movies, and even parents’ motivation to their children, where we usually hear that being determined in the pursuit of a dream will mean that it happens. It’s not the most upbeat message, but it is more realistic to real life, where things don’t always work out as you’d planned. Personally, I liked the fact the film allowed kids to see that adults can be scared by monsters, with the giant scare Mike and Sulley plan and enact towards the end of the film. Monsters, Inc. had made it seem like only children get scared, but that’s not true; adults get scared too. Others said that they enjoyed the twists in the story, like how Mike didn’t actually win the Scare Games for his team, and that Mike and Sulley did get expelled, with Dean Hardscrabble holding firm on that after they broke numerous university rules. The surprise return of Roz and The Abominable Snowman was also welcomed. Monsters University was considered to be a great film for the family to enjoy.

On the other hand, there were negative comments given by audiences and critics. One of these was purely linked to the expectations, or lack thereof, that come from a sequel. Pixar had a very disappointing sequel with Cars 2. Monsters University was the next prequel or sequel to come after that, so although some felt it exceeded expectations, others felt it was disappointing and lacked an interesting story with heart, unlike its predecessor. With numerous other Pixar sequels already announced to be coming in the following years at this point, those being Finding Dory (2016), Cars 3 (2017), Incredibles 2 (2018), and Toy Story 4 (2019), it is possible that this had annoyed viewers and their annoyance affected their enjoyment of Monsters University, even before they’d seen any of it. It is also the typical “prequel problem” that the viewers know how the story is going to end, because they’ve already seen the original film, so that meant that excitment and tension was lacking. It was decided that Monsters University was simply not a good enough movie to come from Pixar, and the world was still waiting for them to come back and hit the heights they’d last achieved with Toy Story 3 – and pretty much every movie they’d made before then.

Despite the slightly mixed reception, Monsters University did well at the box office in 2013. In North America, it debuted with $82.4 million on its opening weekend, becoming Pixar’s second-best opening weekend for one of their films at the time, with Toy Story 3 the best opening weekend they’d had at $110 million. It also opened in the No. 1 spot at the box office. This meant that Pixar had had 14 No. 1 openings in a row, for all 14 of the feature films they’d made. Its worldwide debut came in at $136.5 million after opening in 35 other countries at this time, however, it was struggling against some tough competition. In Australia, Despicable Me 2 (2013) came out at a similar time to Monsters University. In the box office fight, Monsters University lost in that county[12]. By the end of August 2013, Monsters University had made over $700 million worldwide, making it the fourth-highest grossing Pixar film, behind Toy Story 3 with $1.06 billion, Finding Nemo with $922 million, and Up with $731 million[13]. It later ended its run at just under $745 million.

Overall, in 2013, sadly, Monsters University struggled against some movies that did exceptionally well in the later half of the year. One of these was Disney Animation’s Frozen (2013), which made over $1 billion worldwide. Frozen was in the top spot in the worldwide box office figures. This was followed by Marvel’s Iron Man 3; Despicable Me 2; The Hobbit: The Desolation of Smaug; and The Hunger Games: Catching Fire. Monsters University ended the year at No. 7 in this list, however, it did just about reach the Top 5 in the domestic box office for 2013 and it easily beat out some other animated movie releases for the year, like DreamWorks’ The Croods and Turbo; and Sony’s Cloudy with a Chance of Meatballs 2.

Monsters University was not as widely acclaimed as Monsters, Inc., so naturally, it did not achieve much success during awards season. Monsters University was not even nominated for Best Animated Feature at the Academy Awards; this award was won by Frozen. Frozen actually swept the Best Animated Film category at multiple awards ceremonies, including the BAFTAs, the Critics’ Choice Awards, the Annie Awards and the Saturn Awards, where Monsters University was actually nominated. The Satellite Awards didn’t give this award to either Frozen or Monsters University, although both were nominated; the winner was Japanese film The Wind Rises (2013), directed by Hayao Miyazaki. Outside of that, at the Kids’ Choice Awards, Monsters University was nominated in both the Favorite Animated Movie and Favorite Voice From an Animated Movie – for Billy Crystal – categories, but lost out to Frozen, and Miranda Cosgrove as Margo in Despicable Me 2, respectively. Monsters University was nominated for various Annie Awards, including Best Animated Feature, Animated Effects, Character Animation, Character Design, Production Design, and Writing. Billy Crystal was once again nominated for his vocal performance as Mike Wazowski, but lost to Josh Gad and his character of Olaf from Frozen. Pixar did, however, win the Annie Awards for Storyboarding and Editorial for Monsters University. It also won the Hollywood Animation Award at the Hollywood Film Awards.

LEGACY

Mike and Sulley have continued to be popular Pixar characters, showing up on screen and at the Disney Parks. These are some experiences that appeared shortly after Monsters University, and in more recent years.

On screen, the short Party Central (2013) premiered at the D23 Expo in Anaheim in August 2013, just a few months after Monsters University’s release date. It later was attached to the theatrical release of Disney’s Muppets Most Wanted (2014). In this short, directed and written by Pixar director and storyboard artist Kelsey Mann, Mike and Sulley make Oozma Kappa’s first fraternity party one of the best parties ever. They do this by stealing items from Roar Omega Roar’s party, and leading guests through door stations, that go through a human couple’s bedroom, into Oozma Kappa’s house. Squishy’s mother walks in when the party is in full swing, and comes up with a huge stunt that involves jumping through the doors. The party makes students want to join Oozma Kappa – and traumatises the human couple who ask to sleep in their son’s room because they have monsters in their closet! The cast from Monsters University returned to voice their characters here.

Years later, a new addition to the Monsters, Inc. franchise came to Disney+. This was the Disney+ series Monsters at Work (2021-present), which followed the events of Monsters, Inc., specifically the transition of the factory from scream energy to laughter. It follows a recent graduate from Monsters University, Tylor Tuskmon, who comes to Monsters, Inc. to be a scarer, only to be told that job no longer exists. He is instead reassigned to work in the Monsters Inc. Facilities Team. The first series follows Tylor’s struggles as he adjusts to his new career path. The second series sees Tylor debating whether to take a job at rival company Fear Co. Some new characters were added to Monsters at Work, including Tylor, voiced by Ben Feldman, known for such roles as Jonah Simms in Superstore (2015-21) and Ron LaFlamme in Silicon Valley (2014-19). Mindy Kaling joined the voice cast as Val Little, having already voiced Disgust for Pixar’s Inside Out (2015), as well as had success with her own sitcom The Mindy Project (2012-17), as did Henry Winkler, Fonzie in Happy Days (1974-84) and more recently Gene Cousineau in Barry (2018-23). Other characters, and their voice actors, from Monsters, Inc. and Monsters University also returned for select episodes. Billy Crystal and John Goodman reprised their roles as Mike and Sulley too. The series has run for two seasons. One came to Disney+ in 2021 and the other came to both Disney+ and Disney Channel in 2024. Monsters at Work won two Children’s and Family Emmys, one for Individual Achievement in Animation in 2022 for Ron Tolentina Velasco, and another for Voice Directing for an Animated Series in 2025 for Kevin Deters and Stevie Wermers. A third season of the show was confirmed in February 2025.

Outside of that, there have been questions around whether or not we should expect a Monsters, Inc. 3, especially now that Pixar have released Inside Out 2, which did exceptionally well financially, and later announced Toy Story 5, coming in 2026; Coco 2; and The Incredibles 3. It seems like it is only a matter of time. Back in 2016, Pete Docter said he could never say never when asked about a further Monsters, Inc. film, although did also state that the Pixar filmmakers purposely went for a prequel because they didn’t think a story about seeing Boo grown up and meeting up with Mike and Sulley again was particularly interesting[14]. It could also be argued it is too close to the plotline of the Toy Story franchise. This is, however, the story that Monsters, Inc. fans would want exploring in a third film. We’ll have to see what Pixar do, if anything, with the Monsters, Inc. franchise, but frankly, I think the Disney+ series is enough and we don’t need another film.

The Disney Parks also added experiences to its parks after the release of Monsters University, although some were only for a limited time. One of these was the “Monstrous Summer” event that came to Walt Disney World Resort in Florida and Disneyland Resort in California over the summer of 2013, as promotion for Monsters University. 

The kick-off to this summertime event was called the “Monstrous Summer All-Nighter”, where Magic Kingdom Park at Walt Disney World and both Disneyland Parks were open from 6am on 24th May 2013 until 6am on 25th May 2013. This all-nighter was announced in April 2013, with Mike Wazowski and Sulley being projected onto Spaceship Earth in Walt Disney World’s Epcot. The actual event included special showings of parades, such as the Mickey’s Soundsational Parade at Disneyland, and two runnings of the Main Street Electrical Parade at Walt Disney World. There were also meet-and-greets with characters and dance parties throughout all the parks on both coasts. It would also seem that Monsters, Inc. was being shown in Tomorrowland at Magic Kingdom during this event, though why you’d choose to watch that instead of riding all the attractions that were open, I don’t know! Other limited time experiences for “Monstrous Summer” included the Walt Disney World Monorail being wrapped in images from Monsters University, in what came to be known as the “Monsterail”, and wake-up calls being available at resort hotels, where Mike could call guests to wake them up[15]. Both Walt Disney World and Disneyland also had two different Monsters University pre-parades, featuring floats, dancers, and Mike and Sulley.

Also at Walt Disney World, specifically at Disney’s Hollywood Studios, guests could meet Mike and Sulley in Monsters University costumes during that summer in a specially-designed area. They later met guests together at Walt Disney Presents, but now, Sulley seems to be the only character from either Monsters, Inc. or Monsters University still meeting guests here during normal park hours, at Pixar Place. In Magic Kingdom’s interactive show Monsters, Inc. Laugh Floor, an update was made to the show to include the Monsters University gates as a background for the comedian monsters, although characters from the film were not added.

Perhaps the most exciting of all to come to Walt Disney World though is that at the D23 Expo in 2024, it was announced that humans would once again be invited into the monster world, but this time into Monstropolis itself because Monstropolis is being built at Disney’s Hollywood Studios, taking over the area that was formerly Muppets Courtyard, home to Muppet*Vision 3D since 1991 – and the less popular but much loved by me PizzeRizzo. Fans were very sad to say goodbye to this area, but some interesting concepts are coming to the area, such as the former Mama Melrose’s Ristorante Italiano becoming the Harryhausen’s restaurant, as seen in the first film, and the Monsters, Inc. factory is being constructed to house a ride through the famous door vault, with this set to be the first ever suspended coaster at a Disney Park. The area will not be open until around 2027 or 2028.  Muppets Courtyard closed in June 2025, but the Muppets will still be at Disney’s Hollywood Studios, as they will be part of a retheme coming to Rock ‘n’ Roller Coaster sometime in 2026[16]. This area may see some small references to Monsters University but nothing major.

At Disneyland, there doesn’t appear to be much specific to Monsters University either, however, Mike and Sulley were characters spotted at Pixar Fest in 2024, meeting guests at Pixar Pier at Disney California Adventure. They also featured as part of the Better Together: A Pixar Pals Celebration! parade, and clips from the film played during Together Forever: A Pixar Nighttime Spectacular. At the renovated Pixar Place Hotel which opened in January 2024, you can see references to both Monsters, Inc. and Monsters University in artwork here, with one specific nod to Monsters University being in the fitness centre. Here, Mike and Sulley’s scene where they run on treadmills, competing against each other in the gym, has been painted as a mural on the wall.

Looking to the international Disney Parks, Disneyland Paris used to have an area with the Monsters, Inc. scream canisters in their Worlds of Pixar area, but these seem to have disappeared as part of the major changes coming to the Walt Disney Studios Park as it transforms into Disney Adventure World for Spring 2026. Also at this park, the stage show TOGETHER: A Pixar Musical Adventure, which opened in 2023, has a performance that features Monsters, Inc. There is also an interactive walk-through exhibit at Shanghai Disneyland called Pixar Adventurous Journey, which has a section featuring the Monsters, Inc. locker room and the door vault, as well as statues of Mike, Sulley, and Boo. Sulley may also be available to meet guests at Tomorrowland on occasion, alongside other Pixar characters. There will also be a new Pixar show coming to Hong Kong Disneyland, which will apparently showcase Monsters, Inc. An opening date is not yet known. But again, these are just newer Monsters, Inc. experiences, and are not themed to Monsters University.

Finally on the Disney Cruise Line, the Eye Scream Treats ice cream location on the Disney Magic, Disney Fantasy, Disney Dream, and Disney Wonder ships has an image of Mike on its signage. The new Disney Adventure Cruise Ship, set to set sail in March 2026, is said to have two restaurants that should reference Monsters, Inc. These are Mike and Sulley’s Flavors of Asia, themed to Harryhausen’s, and Pixar Market Restaurant.

Surprisingly, merchandise for Monsters University is fairly easy to find currently, as the logo has been added to various items of clothing that is on sale at stores around the Disney Parks. Items themed around Sulley, Mike, and Boo tend to be what you’re more likely to find globally and outside of the parks though.

FINAL THOUGHTS

We seem to be living through a time of “sequel fatigue” and it is only looking like this trend is going to continue at all movie studios. Sometimes, these sequels might be a surprise hit, like Toy Story 3, whereas others might be bitterly disappointing, like Cars 2.

Pixar did well from my point of view in making the second instalment of Monsters, Inc. a prequel, because this gave a fresh take on the story. We didn’t have much detail about Mike and Sulley’s lives prior to working at Monsters, Inc. in the first film, so for me, basing the story at university, and having the characters grow into the characters they become in the original film was the best direction to take the story.

I’m not sure a sequel where we just saw Boo again for the sake of appeasing audiences was ever going to be enough, so I can only hope that Pixar don’t progress with this idea, or even a third film in general. But given how their original movies have done at the box office of late, I can sadly see mostly sequels in Pixar’s future, and I would consider Monsters, Inc. 3 high up on their list of possibilities. 


REFERENCES

[1] Credit: The Disney Classics, ‘Circle 7 Animation (Pixaren’t)’, TheDisneyClassics.com, 4th September 2021.

[2] Credit: Henry Fitzherbert, ‘Making of the Monsters University scream team’, Express.co.uk, 30th June 2013.

[3] Credit: Pixar, “Story School”, Pixar Official YouTube Channel, 27th September 2016.

[4] Credit: Pixar, “Deleted Scenes”, from Monsters University (2013), Disney+.

[5] Credit: Pixar, “Welcome to Monsters University”, Special Features YouTube Channel, 19th April 2021.

[6] Credit: Pixar, “College Days”, Pixar Official YouTube Channel, 1st October 2016.

[7] Credit: Peter Sciretta, ’10 Things You Need To Know About Pixar’s ‘Monsters University’ [D23 Expo]’, SlashFilm.com, 21st August 2011. 

[8] Credit: Pixar, “Monthropology”, from Monsters University (2013), Disney+.

[9] Credit: Julie & T.J., ‘Monsters University – An In-Depth Look at the Hidden Items, References and Details of the Film’, PixarPost.com, 28th June 2013.

[10] Credit: Pixar, “Music Appreciation”, Special Features YouTube Channel, 19th April 2021.

[11] Credit: Jim Vejvoda, ‘Pixar’s Monsters University Pushed’, IGN.com, 8th May 2012.

[12] Credit: Pamela McClintock, ‘Box Office Report: ‘Monsters U’ Zooms to $82 Million Debut; ‘World War Z’ Nabs $66 Million’, HollywoodReporter.com, 23rd June 2013.

[13] Credit: Andrew Stewart, ‘‘Monsters University’ Crosses $700 Mil at Global Box Office’, Variety.com, 29th August 2013.

[14] Credit: Marc Snetiker, ‘Toy Story 4: Pete Docter talks Pixar films, Monsters Inc 3 rumors’, EW.com, 1st November 2016.

[15] Credit: Lex Mancini, ‘The Monstrous Summer All-Nighter in 2013: 24 Hours in Magic Kingdom’, WDWMagazine.com, 24th May 2022.

[16] Credit: Blog Mickey, ‘Muppets Courtyard Blocked Off, Construction of Monsters Inc. Land to Begin Soon at Hollywood Studios’, BlogMickey.com, 8th June 2025.

#4 Monsters, Inc. (2001)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. PRODUCTION
  5. MUSIC
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

In the early 2000s, Pixar was still the baby in the world of animation, especially when compared to the fully matured Disney Animation, who had been working on full-length animated features ever since 1937, with their first movie Snow White and the Seven Dwarfs.

And yet, Pixar was considered a prodigy, barely putting a foot wrong and consistently showcasing its talent. By the time Monsters, Inc. was released in 2001, they had only released three movies before it: Toy Story (1995), A Bug’s Life (1998), and Toy Story 2 (1999). Two were original stories and one was a sequel. It was a brilliant track record to show that Pixar was one to watch, but it wasn’t yet enough to prove that the studio was going to be one of the best in the business – although, of course, we can all say that now.

Monsters, Inc. had to prove that Pixar Animation Studios was only getting to get better and better as the years went on and the movies kept coming.

But where should their new story take us, the viewers? We’d already had a look at what our childhood toys are doing when we aren’t around, and we delved deeper into the world of insects with A Bug’s Life, so Pixar chose to do something different. They took us into the monster world, using the basic idea of children fearing those monsters under their beds or in their closets as the premise to get us there.

I’m pretty sure my family and I watched Monsters, Inc. in the cinema when it first came out. I can’t remember much about what I thought about it then, but I’m sure I probably liked it; I just don’t know how I felt about it in comparison to the other Pixar films that came before it. Monsters, Inc. was one we used to watch at the weekends on DVD, that’s what I remember the most. It was a good Sunday afternoon film, to momentarily halt the worries and disappointment about having to go to school on Monday.

I clearly did not understand the emotional depth of Monsters, Inc. when I was younger, but on re-watching Monsters, Inc. as an adult, those touching moments, like Sulley and Boo’s goodbye, are tear-jerking. The humour is also different and the detail and the impressiveness of the animation is more obvious. However, I cannot say that I love Monsters, Inc. – I can only say I like it. I think Pixar has made much better movies in the years since, and ones that I relate to more. I don’t think I ever believed in monsters as a child, or if I did, I wasn’t so emotionally scarred that I can remember it! So, Monsters, Inc. is just a good film, but not the best for me, and not one I revisit particularly often.

PLOT

Monsters, Inc. begins with an opening sequence featuring the titles and monsters hidden behind closet doors. After that, we see a boy going to sleep, but he thinks he can see a monster in his closet. Suddenly, a huge monster appears from under the bed. The boy screams – as does the monster, stumbling backwards in shock, falling into the kid’s toys.

A screen goes up, showing that this was all a simulation and the boy is actually robotic. This was a training exercise for “scarers”. The monster is quizzed on what he did wrong by Ms. Flint the recruiter. He says his big mistake must’ve been that he fell down. In reality, his mistake was leaving the door to the room open. Flint asks the monster and the others watching this simulation why this is such a problem. Mr. Waternoose, the CEO of this company, comes in and says the door being open could’ve let in a child. Mr. Waternoose reiterates that human children are toxic. This puts many monsters off wanting to go into their bedrooms, but this monster world needs the children’s screams for energy, because this company is Monsters, Inc., the energy company for all Monstropolis.

One of Monsters, Inc.’s top scarers is James P. Sullivan, also known as Sulley. On this particular day, he has been woken up by his flatmate, best friend, and assistant Mike Wazowski for a pre-work workout. They take a break to see Monsters, Inc.’s new company advert on television. It features Sulley heavily, with Mike only getting a brief shot before the company logo masks him entirely – but Mike is just excited he was on TV! The advert emphasises the importances of scarers in a time when human kids are not as easy to scare.

Mike and Sulley then head off to work, walking because Sulley reminds Mike there is a scream shortage so perhaps they shouldn’t take Mike’s new car. At the factory, we see that Sulley is very popular, that he has won Scarer of the Month nine months in a row, and he is currently in competition with another scarer, Randall, for the all-time scare record. Mike is currently dating the company receptionist Celia. He is taking her to the exclusive restaurant Harryhausen’s for her birthday tonight, and he’s very pleased with himself! In the locker room, as Mike and Sulley get ready for a hard day’s work, they are confronted by Randall who says he’s going to break the scare record before Sulley.

Mike is sent to prepare the office for Sulley’s scaring duties. But this office is actually the huge “scare floor”, where monsters scare side-by-side. Mike has a run-in with Roz, one of the secretaries here, for not getting his paperwork filed on time and he is warned not to do it again. He then preps the floor with the other scarers’ assistants, getting doors in place from the huge door vault, loading up scream canisters, grabbing scare reports, and activating the doors. Now, the scarers can arrive and prepare themselves. Randall practises blending into different backgrounds, for example; others have fake eyes and teeth. The scare floor manager announces which time zone they’ll be working on and counts down to the scare floor being online. Once online, the scarers start on their day.

Randall and Sulley both get through plenty of doors. Randall finally manages to pass Sulley on the scare record leaderboard – only for Sulley to luckily encounter a slumber party, meaning he gets extra screams for multiple kids and takes first place again! Mr. Waternoose comes over to congratulate Sulley on another great day’s work. We also see one scarer come out of his door looking distraught. The kid he was meant to scare was not scared at all. The assistant declares this door is a “dead door” and it is shredded so no other monster will encounter this child again. Another monster, George, comes out of his room with a sock on his back. His assistant declares a “23-19” which brings officials from the Child Detection Agency, the CDA, into the factory. They deal with the offending article, destroying it via a controlled explosive, and promptly shave George to ensure there are no toxins still on him. The scare floor is shut down temporarily, much to Mr. Waternoose’s annoyance.

Mr. Waternoose talks with Sulley about the future of the factory, fearing that he will be the one to see his family business go under, with new scaring recruits not being up to the job. Sulley is asked to do a demonstration for some of them sometime and he gladly says he will. At the end of the day, Mike happily goes to get Celia so they can head off for their date, but Roz comes up to him asking for paperwork. Sulley says he can do the paperwork for Mike. Sulley starts to collect the paperwork from their desk, and sees a door on the scare floor after hours. Sulley sees it is still active and checks inside for a scarer. There is no answer, but he is alerted by a strange noise, and sees a little girl playing with his tail. Sulley freaks out and tries to return the kid to her room. He falls over items in her room and quickly leaves, covered in her stuff. Sulley then hears someone coming to the door – it’s Randall – and he rushes out, to the locker room, to try and flush this stuff away. Instead, it just blocks the toilet so he bundles it all up and tosses it in someone’s open locker. Believing he is safe again, Sulley starts to head home. However, he soon learns that the girl is on his back. Sulley freaks out again and manages to trap her in a bag. He attempts to go back to her door but a confused-looking Randall ejects it, as the kid is no longer in there.

Uncertain what to do now, Sulley goes to Harryhausen’s and bothers Mike on his date. He tries to calmly ask what to do without giving anything away, but the strange behaviour soon makes Celia suspicious. Sulley tells Mike to look in the bag he brought in, but Mike doesn’t see any bag. Sulley notices the child has escaped from the bag and she runs around the restaurant. She is soon spotted and it causes a major incident in Monstropolis with the CDA being called once again. Sulley and Mike get the kid in a takeaway box and leave the restaurant just in time. They are not caught by any agents, although Celia is taken away. The restaurant is then covered with a decontamination force field. Mike and Sulley run back to their apartment.

Inside, they hear helicopters circling the city as the CDA search for the child. Mike and Sulley are terrified they are now sharing their apartment with what they’ve been led to believe is a toxic human kid. They try to keep her away from them, but it doesn’t work. She is suddenly interested in Mike’s teddy bear, Little Mikey, and Sulley attempts to give it to her, but Mike snatches it away, not wanting her to touch it. The girl starts to cry loudly, which makes the power fade in and out, alerting the helicopters to them. Mike desperately tries to shut the blind, and tells Sulley to calm her. He attempts this, but scares her when he recoils, making her cry again. Mike comes over to help, but slips and gets stuck in a bin with a speaker falling on him. This makes the girl laugh. Her laughter causes a power outage!

Mike starts to concoct a plan for how they can escape and return the kid, but nothing sounds right. Sulley tosses sugary cereal at the kid and lets her draw, while they think of something. She starts to look tired, so Mike tells Sulley to find somewhere for her to sleep. Sulley leads her to his room, setting up an area in the corner with newspaper and more cereal, but she immediately gets into the huge bed and snuggles in. Sulley can’t be bothered to argue with her and goes to leave. Sulley realises she’s worried about monsters being in her closet – which isn’t going to happen in Monstropolis – so he tries to show her it is empty. She doesn’t seem convinced though, and shows Sulley a drawing of a purple lizard. Sulley realises that drawing is of Randall, so he is her monster. Sulley decides to sit with her until she goes to sleep. Once she does, he goes back to Mike and asks what they should do. Mike says they can hardly just walk into the factory with her. That gives Sulley an idea.

The next day, disguised in some chair fabric with fake eyes on top of her head, Mike and Sulley bring the little girl to Monsters, Inc. and try to act natural, though that’s quite difficult when the factory is swarming with CDA agents searching for the kid, making their plan to just put her back in her door more difficult. They regroup in the locker room, and Mike says he’ll ask Roz for the kid’s door key, whilst Sulley waits there. He notices that the kid needs to use the bathroom so he takes her there, but she then wants to play hide and seek! Sulley plays along. Meanwhile, because Mike hasn’t filed his paperwork, Roz won’t give him the keycard, and slams her office shutter on his hands. He returns to the locker room and asks where the kid is. Sulley says he doesn’t know, but she then runs in, scared because she saw Randall. The three of them hide, as they overhear Randall and assistant Fungus talk about the kid. Randall needs to find her, so that he is not discovered as being involved.

After they’ve gone, Sulley asks Mike if he has her door key, and Mike lies, saying he has, taking a random one on their way to the scare floor. Mike tries to say goodbye and send her on her way, but Sulley says that’s not Boo’s door. This is where Mike learns Sulley has named the kid Boo, fearing this means he is growing too attached. Sulley refuses to put Boo in that door, but once they’re done arguing, the two see she has run off again. Mike says this is great because someone else can deal with her now, but Sulley goes to search for her. As they do that, Randall asks the two about what they think of this whole situation. Mike passes suspicion on to another co-worker, getting Randall away from them. But then Mike is confronted by Celia. Mike tries to quickly apologise, but Celia is furious and annoyed he doesn’t understand her fury isn’t about his choice of sushi restaurant. Randall overhears this, and looking at the newspaper front page, he sees Mike in the picture, proving Mike was involved. Mike starts to run, but Randall finds him. He tells Mike the kid’s door will be at his station at 12pm for thirty minutes. He has until then to return her.  

Meanwhile, Sulley is chasing after Boo and sees her fall into the trash. He becomes distracted by two CDA agents who want his autograph. On turning back, he sees the trash has been delivered to the trash compactor. He follows it down, and sees the trash being sorted, cut up, and pressed into cubes. Sulley continuously faints as he watches the process, believing Boo is in that trash. He sees a trash cube with one of her fake eyes on it and sadly carries it away. Mike catches up to him, after seeing monster George get covered in the kids’ belongings from his locker and having “23-19” declared on him again, and asks what’s he doing with a cube of garbage. Sulley says it’s Boo and he can still hear her. They hear numerous kids’ voices, and find Boo with a group of others and a childminder. Sulley rushes up to Boo. One of these monsters calls Mike’s name, because Boo has been shouting it out, and bites Mike’s hand, causing Boo to laugh and for the lights to go out.

Mike and Sulley use the darkness to run off and get to Boo’s door on the scare floor. But when Mike mentions Randall set this up, this makes Sulley suspicious and Boo scared. Mike enters the room and jumps on her bed to prove it’s safe, but he is taken away by Randall who places him in a fake scream canister cart. Boo and Sulley follow them to a secret lair, where they see Randall and Fungus threatening Mike with their newly invented “scream extractor”, their way of revolutionising the scream industry. Mike is told to talk but he won’t say anything so the machine is turned on. Sulley manages to unplug it before it gets to Mike, so Randall goes to investigate why it isn’t working. Mike tries to reason with Fungus and get him released, but it doesn’t work. Sulley comes in and switches the two, so when Randall plugs the machine back in, Fungus has become the victim of the extractor.

Sulley decides they have to tell Mr. Waternoose what has been going on. When they find him, Sulley is thrown straight in to doing a scaring demonstration. He gives a big roar in the simulator, unaware that Boo is nearby and is terrified to see “Kitty” like this. She runs off in tears, tripping over a wire, which makes her costume fall down over her head, revealing she is the human child. Mike and Sulley explain what’s been going on. Mr. Waternoose says they’ll need to resolve all this, starting with taking care of the child. A door is called, but it is clearly not Boo’s door. Mr. Waternoose says this door is actually for them, and Randall pushes them into it. They arrive in snowy terrain, realising they’ve been banished to the human world, the Himalayas to be precise. The two fight and tumble down the mountain, coming face-to-face with another banished monster, the Abominable Snowman. The Abominable Snowman takes them to his cave and tries to feed them his famous snow cones but they are too busy arguing. The Abominable Snowman says there is a human village nearby, but that they can’t possibly get there in this snow storm. Sulley fashions a makeshift sled and goes on alone, since Mike refuses to help him. Eventually, his sled hits a rock, breaking apart. But Sulley is right by the human village. He takes a door back to the monster world, arriving back on the scare floor. Monster George is about to hear “23-19” from his assistant again as he finds another sock on him from Sulley bursting out the room, but George simply shoves the sock in the assistant’s mouth and tosses him in instead!

Sulley arrives at Randall’s secret lair just in time as Boo has been strapped to the scream extractor. Sulley breaks it and tosses the arm against the wall, trapping Fungus and Mr. Waternoose, but not Randall who jumps out of the way. He goes invisible and starts to strangle Sulley. Mike suddenly arrives with snow cones and continues his argument with Sulley. Boo tries to get Mike to notice that Sulley is in trouble, but he just thinks Sulley is close to tears. Luckily, a poorly aimed snow cone throw reveals Randall, and Sulley punches him. They run back to the scare floor, but Celia once again confronts Mike. He tells her everything but she doesn’t believe him until she sees Boo. Celia realises she’ll have to help and makes an announcement that Randall has broken the all-time scare record so he is slowed down by monsters congratulating him. The three get to the scare floor and try to call Boo’s door, but the system is too slow. They hit eject, making all the doors leave the floor and jump on one, entering the expansive door vault. Randall follows. They attempt to follow Boo’s door, but it ends up on a different track, so they start going through various doors in the factory to get closer to it, making Boo laugh to activate them. A chase ensues.

They make their way through the doors in the vault, but Randall eventually manages to take Boo from them, and removes their door from the track, letting it smash on the ground, just as Mike and Sulley get through it. They get through another door and get back to the vault, continuing to chase Randall down. Randall sees Sulley getting closer and goes inside a door with Boo. Randall knocks him down. With Sulley clinging to the edge of the door, Randall attempts to crush his hands so he’ll let go. Suddenly, Boo jumps on Randall and starts hitting him with a baseball bat, showing she isn’t scared of him anymore. Sulley gets to his feet and grabs Randall. Him and Mike then find a suitable door and throw him through it, smashing the door so he cannot return. We see that Randall has ended up in a caravan in the middle of nowhere, where the occupants beat him up with a shovel, thinking he’s a gator!

The three then find Boo’s door. Mike is told to make Boo laugh again to activate it, but when he does do something funny – and painful – she isn’t looking. The door then starts moving back to the scare floor. They hide behind it, knowing they’ll be arrested if they’re spotted. Mike pretends to have the kid, but instead spits out a sock at the agents, distracting them. Sulley grabs Boo’s door and installs it in another part of the factory. Mr. Waternoose notices the distraction and follows them, entering her room as Sulley tries to say goodbye. Sulley confronts him, saying they don’t need to be kidnapping children to keep the company going. Mr. Waternoose announces he’ll kidnap a thousand children before he lets the company die and hits Sulley, grabbing at the kid. He then realises the kid is not Boo and is the robot from the simulator. The screen comes up, showing Mike behind it, with the recording of Mr. Waternoose’s confession being played to the CDA.

Mr. Waternoose is promptly arrested and warns that the company is going under and that there will definitely be an energy crisis now. Roz is revealed to be working undercover with the CDA as their No. 1, for the last two and half years, now seeing that Mr. Waternoose was behind it all. Roz says Boo has to be sent home now, with the door shredded so she can never return. She allows Sulley and Boo to have a goodbye. In her room again, Boo excitedly shows Sulley all her toys, but Sulley lets her know he has to go now. Sadly, he leaves Boo in her room. When she opens the closet to find him, she realises it’s just a closet.

Sometime later, Monsters, Inc. is now an energy company that makes kids laugh for its power with Mike one of the top comedians and Sulley running the company. We learn that laughter is ten times more powerful than screams. Celia says a shipment of the magazine Business Shriek has just arrived with Mike and Sulley on the cover. Mike takes a look and they see the barcode is covering Mike’s face, but like with the TV advert, Mike doesn’t care. Sulley looks at his clipboard and flips to the back, showing he still has Boo’s picture of the two of them and a piece of her door. Mike says he needs to show Sulley something and takes him to a room, where we see Boo’s door has been put back together, by Mike, with his own hands. It needs the last piece to work. Sulley slides in the last piece, and the door activates. Sulley goes in, and smiles widely as he hears “Kitty” called once again.

CHARACTERS & CAST

James P. Sullivan, mostly known as Sulley, is the top scarer at Monsters, Inc. meaning he can be ferocious and menacing. With his large frame, big teeth, and loud roar, that’s not hard to believe, however, Sulley is actually just cuddly behind all that. Sulley has been told, like all monsters, that human children are toxic, making the monsters fear the children as much as the children fear them, but when he meets Boo, he learns that is not the case, and feels very protective of her, wanting to send her home, but not at any cost. He can see how scared she is of Randall and doesn’t want her to have to encounter him again. Sulley leads the new energy revolution because of his and Mike’s experience with Boo, making Monstropolis and the human world a happier place.

Sulley was voiced by John Goodman, who had previously voiced Pacha in the underrated Disney animated movie The Emperor’s New Groove (2000) just before working with Pixar here. He went on to voice “Big Daddy” La Bouff in The Princess and the Frog (2009) and Baloo in The Jungle Book 2 (2003) for Disney too. Goodman is also known for his role as Dan Conner in the television series Roseanne (1988-97, 2018) and then The Conners (2018-25), and more recently, his role as Dr. Eli Gemstone in The Righteous Gemstones (2019-25). Goodman has also had a variety of movie roles, such as his part in The Borrowers (1997), where he played Ocious P. Potter; playing Fred Flintstone in The Flintstones (1994); and his character Marshall in The Hangover Part III (2013). His more serious film credits include Argo (2012), where he played John Chambers; 10 Cloverfield Lane (2016), being cast as Howard; Patriots Day (2016), portraying Boston Police Commissioner Ed Davis; and Kong: Skull Island (2017) as William Randa. Goodman also recently voiced Papa Smurf in the 2025 film Smurfs. He became a Disney Legend in 2013.

Mike Wazowski is Sulley’s assistant, so you’d think it might feel like he’s playing second fiddle to the main attraction, but that is not how Mike comes across. Mike is more confident than Sulley and more outspoken in the workplace too. He clearly sees himself as the brains behind their operation, and although that might not always be the case, Sulley is quite happy to let him think it! Their friendship is long-lasting, and even though they don’t agree over the Boo situation initially, with Mike more willing to let someone else deal with her, in the end, Mike sees that Randall and Mr. Waternoose’s plan for Monsters, Inc. is not right and that they need to expose their true intentions, also warming to Boo on that journey.

Billy Crystal was cast as Mike Wazowski, after previously turning Pixar down over their choice to have him voice Buzz Lightyear in Toy Story (1995). Big mistake, Billy. Huge. Crystal has had a varied career, beginning in comedy, with his role as Jodie Dallas in the sitcom Soap (1977-81) and becoming a cast member on Saturday Night Live (1975-present) for its 1984-85 season, which has since become known as the “All-Star Cast” season, with other big names like Martin Short, Julia Louis-Dreyfus, and Christopher Guest joining that season too. Crystal is also well-known for playing Harry Burns in the much-loved rom-com When Harry Met Sally (1989), opposite Meg Ryan. He is also a director, with his directorial debut being Mr. Saturday Night (1992), where he also starred as Buddy Young Jr. He later directed, and co-wrote with Alan Zweibel, the movie Here Today (2021), starring as Charlie Burnz. Crystal has also hosted the Grammys and the Academy Awards numerous times since the 1980s and became a Disney Legend in 2013. He also earnt the Lifetime Achievement Award at the Critics’ Choice Awards in their 2022 ceremony. 

Boo is the little girl who wanders in from her closet into the monster world one night. Boo is having a great time in Monstropolis, not realising just how much danger she may be in, or how much danger she may be causing the other monsters; she’s just having fun running around and exploring! Boo isn’t scared of Sulley, thinking he’s just a big fluffy kitty, especially as he doesn’t roar at her. It’s only when she accidentally sees him at the scare demonstration that she actually sees what he’s capable of as a scarer, making Sulley feel incredibly guilty and horrible about how he has been making kids feel as these years he’s been working as a scarer. This makes Boo a catalyst for change in Monsters, Inc., for the good – and she made a new friend she’ll always remember on the way too.

Boo was voiced by Mary Gibbs, the daughter of Pixar director and story artist Rob Gibbs. She had previously voiced Baby Kiara in The Lion King II: Simba’s Pride (1998) for Disney, and her voice was later used for Baby Riley in Inside Out (2015), through archive recordings. Gibbs’ voice has been used in various Monsters, Inc. games and attractions too. 

Randall Boggs is the main villain of Monsters, Inc. He appears to be seriously competitive and desperate to gain the all-time scare record, to beat Sulley mostly. Randall has clearly been jealous of Sulley’s success at Monsters, Inc. for years, so there is friction between the two of them, but mostly on Randall’s side because Sulley doesn’t care about fame. Randall is Boo’s monster, leading her to be part of a grand elaborate plan by Randall to revolutionise scaring to keep Monsters, Inc. afloat. It may have been considered noble to be coming up with ways of making scaring easier and quicker, if the plan to kidnap children, including adorable little Boo, wasn’t so evil and repugnant. Randall doesn’t care about what he’s doing to these children and just wants to be seen as important and valuable. It’s a good thing Randall was banished by Mike and Sulley because he’s a horrible monster.

Randall is a particularly nasty villain from Pixar, and he has absolutely nothing to make him a redeemable character whatsoever. So, it’s quite strange that Pixar chose to hire one of the nicest actors in Hollywood, Steve Buscemi, to voice him. Buscemi has quite an acting range, playing both serious, villainous roles, and just hilarious, comedic roles. His more dramatic roles include “Mr Pink” in Reservoir Dogs (1992), Carl Showalter in Fargo (1996), and Nucky Thompson in Boardwalk Empire (2010-14). In comedy, he has popped up in many of Adam Sandler’s films, such as playing Walter Lambert in Hubie Halloween (2020); Wiley in Grown Ups (2010) and its 2013 sequel; and voicing Wayne in the Hotel Transylvania film series; and was a main cast member in the anthology television series Miracle Workers (2019-23). He was recently cast as Barry Dort in Season 2 of Netflix’s The Addams Family spin-off series Wednesday (2022-present). For Disney, Buscemi also voiced the cameo role of Wesley, a black-market businessman in Home on the Range (2004).

Fungus is Randall’s scare assistant. He isn’t the most competent of assistants, but that’s mostly because he’s scared of Randall and doesn’t want to be on the receiving end of any of Randall’s criticism or anger. Fungus seems to be an unwilling participant in Randall’s scheme to “extract” screams from human children but goes along with it because he has to. Fungus is later seen to still be a worker at Monsters, Inc., as one of the new comedians.

Frank Oz was cast as Fungus. Oz is well-known for being a puppeteer in various Jim Henson productions, with some of his most famous characters being Fozzie, Miss Piggy, and Sam Eagle in The Muppets, and Bert and Cookie Monster in Sesame Street (1969-present), in the earlier years of the series. He also voiced and puppeteered Yoda in some of the Star Wars franchise, including his first appearance in Star Wars: The Empire Strikes Back (1980). Oz is also a director, having co-directed The Dark Crystal (1982) with Jim Henson, going on to direct Housesitter (1992), Dirty Rotten Scoundrels (1988) and Little Shop of Horrors (1986). He was recently named a Disney Legend, in 2024.

Henry J. Waternoose is the third generation of the Waternoose family to be running Monsters, Inc. Under his leadership, he is dealing with an energy crisis due to the fact that human children are not scared easily enough, causing the scarers to have to work harder, and for the pool of children being scared to be smaller. Mr. Waternoose is eager to keep the company afloat, and with the new scarer recruits not up to task, he is looking elsewhere for ways of doing that. So, he has turned to Randall and the “scream extractor”. Mr. Waternoose is shown to be a more sympathetic villain, because of his need to keep the company in his family, but shows a lack of common sense and a lack of a moral compass in finding ways to do this. He doesn’t seem to like Randall’s methods initially, but went Sulley threatens to make this plan public knowledge, Mr. Waternoose has no problem with kidnapping Boo if that means he could get away with it. But he doesn’t and that’s why he’s arrested.

James Coburn was the voice of Henry J. Waternoose. Earlier in his career, he was cast as Flying Officer Sedgwick in The Great Escape (1963), going on to star as Derek Flint in the spy comedy Our Man Flint (1966) and its 1967 sequel Like Flint. He also won an Oscar for Best Supporting Actor for his performance in Affliction (1997), playing the part of Glen Whitehouse. Coburn had other roles in comedy films, like Harlan Hartley in The Nutty Professor (1996) and Mr. Crisp in Sister Act 2: Back in the Habit (1993). Coburn passed away in 2002, with his final film roles being Martin Tillman in American Gun (2002) and “Thunder Jack” in Disney’s Snow Dogs (2002).

Celia is the Monsters, Inc. receptionist. She is efficient at her job, but does appear to be a little bit ditzy, for example, giving weird nicknames to people like Sulley being “Sulley-Wulley” and seemingly being more bothered by her romance with Mike than anything else. But that’s fine, if that makes her happy! Celia does know that Mike is lying about something though, and is very forceful in demanding he tells her what it is. Mike manages to get away from her confrontation the first time, but on the second try, he opens up to her. Celia first thinks it’s a joke but on seeing Boo, she realises it was all true and she should help them get away from Randall as best she can. By the end of the film, Celia has forgiven Mike and their relationship is back on track.

Jennifer Tilly was chosen to voice Celia. Tilly has appeared in many film and television roles, and is known for her distinctive voice. For Disney, Tilly played the role of Madame Leota in The Haunted Mansion (2003) and voiced Grace in their animated movie Home on the Range (2004). Tilly is also the voice of the recurring character Bonnie Swanson in Family Guy (1999-present), and she plays the character Tiffany Valentine in the Child’s Play, i.e. Chucky, franchise, including in the recent Syfy series Chucky (2021-24). For the third season of the Paramount+ series School Spirits (2023-present), Tilly will play Dr. Deborah Hunter-Price. Tilly is also a competitive poker player.

I’d say the characters above are the main characters in the story of Monsters, Inc., however, there are a few others in the cast to mention. One of these is John Ratzenberger who voiced the banished Abominable Snowman. Ratzenberger is known for his long-running role as Cliff Clavin in the sitcom Cheers (1982-93), but has also come to be known for his many voice roles in Pixar movies. His time with Pixar began by voicing Hamm in Toy Story (1995), reprising that role for the franchise. He then voiced a character in every Pixar movie up until Onward (2020), before returning to Pixar to reprise his character of Fritz in Inside Out 2 (2024). Ratzenberger has had a mixture of cameo voice roles in Pixar’s films, as well as more prominent roles such as Mack in the Cars franchise and The Underminer in The Incredibles franchise. Regardless, it’s always fun to find Ratzenberger in the voice cast. 

Then, there is Bob Peterson, who has been a Pixar employee ever since its first movie. He worked within the animation department, before continuing his work with Pixar in a story and voice acting capacity. For example, Peterson co-wrote the screenplays for Finding Nemo (2003) and Cars 3 (2017), but has also voiced other Pixar characters, including Dug in Up (2009), and Mr. Ray in Finding Nemo. Peterson also wrote, created, directed, and reprised his role of Dug, in the animated series Dug Days (2021-23).

Finally, Bonnie Hunt is just a good name to mention, for her history of voice acting for both Pixar and Disney. In Monsters, Inc. she voiced recruiter Ms. Flint, who appears in the opening sequence. Hunt had previously voiced Rosie the spider in A Bug’s Life, and went on to voice Sally in the Cars franchise, and voiced the character Dolly in the Toy Story franchise from 2010 with her first appearance being in Toy Story 3 (2010). Hunt also voiced Judy’s mother in Disney’s Zootopia (2016) and its 2025 sequel. Hunt has had numerous live-action roles too, like Sarah Whittle in Jumanji (1995), alongside Robin Williams, and Kate Baker in Cheaper by the Dozen (2003) and its 2005 sequel, starring with Steve Martin.

PRODUCTION

Monsters, Inc. was a turning point for Pixar Animation Studios for a couple of reasons. One was that this was the first Pixar movie to be released after the Pixar team had moved to their new premises in Emeryville, California in 2000. This campus gave Pixar employees a sense of community and fun with additional areas for leisure activities, an on-site restaurant and café, and a theatre used for screening in-progress movies.  

The other reason Monsters, Inc. was a turning point is because it was the first Pixar movie not directed by John Lasseter. Pete Docter was instead chosen to head up the direction of Monsters, Inc., which was slightly concerning to Docter, as he had doubts about his abilities, but it was a necessary move because around this time Pixar were dedicated to making a new movie every year or so, to give others an opportunity to direct their own films[1]. It was a long process getting Monsters, Inc. made with lots of story changes and notes, and Docter said it was hard to not take the criticism personally and to just keep going, even when everything felt like it was falling apart. Pete Docter had previously worked mostly in story work for Toy Story, A Bug’s Life, and Toy Story 2 before directing Monsters, Inc. Since Monsters, Inc. he has worked on the story for WALL-E (2008), and directed the films Up, Inside Out, and Soul (2020). He is now the Chief Creative Officer at Pixar, since 2018.

Monsters, Inc. also has two co-directors, Lee Unkrich and David Silverman. Unkrich was credited as co-director on Toy Story 2 and Finding Nemo as well, before stepping up to direct his first film for Pixar, Toy Story 3 and followed that up with Coco in 2017. Unkrich is set to direct Coco 2, though a release date is not yet confirmed. Silverman is most known for his work on the hugely successful animated series The Simpsons (1989-present), going on to direct The Simpsons Movie (2007), as well as some of the more recent short specials for Disney+, such as Rogue Not Quite One (2023) and May the 12th Be with You (2024). Silverman also directed the animated movie Extinct (2021), and worked on some story sequences for DreamWorks’ The Road to El Dorado (2000).

As with many animated movies, Monsters, Inc. went through a variety of story changes during its development. The original treatment was said to follow a monster called Johnson, who dreamt of being a top scarer, but he was struggling. He was given one week by his boss to prove himself, and tasked with scaring a seven-year-old girl called Mary. Mary was constantly tormented by her older brothers, so when she heard someone in her room, believing it was one of her brothers disguised as a monster to scare her, she put a blanket over his head and started hitting him. Johnson was actually the monster scaring Mary and he made a quick getaway back to the monster world. He later discovered that Mary was still on his back as he did this, and tried to return her to her room, but found the door knob was broken and the door would need to be fixed first. Johnson took Mary home with him and tried to figure out what to do. The next day, Johnson went to work, telling Mary to stay in the apartment, but she didn’t and made a disguise so she could sneak out of the apartment and find her way home. At work, Johnson was told her door will need two days to be fixed.

Johnson then got a call from his landlady, telling him someone was in his apartment, and immediately rushed home, bumping into Mary on the way. He took her to his work and told her she can’t get home yet. Johnson said he still needs to work though, and Mary insisted she watched. When Mary saw Johnson struggling to scare children, she took over from him and did well, feeling a sense of power from it. Mary continued to scare, with Johnson getting the credit from his boss. Top scarer Ned started to feel threatened and looked for a way to put Johnson in his place. Johnson then learnt that Mary’s door had been fixed, but needing Mary to help him get the Monster of the Month award, he didn’t tell her and she continued scaring children. Over the next few days, their routine continued, but when Mary saw a little girl, she decided she just wanted to get home. Mary sat alone as Johnson celebrated winning his Monster of the Month award, and her disguise came down for just a few moments, but enough time for Ned to see that Mary was human.

Back at the apartment, Mary learnt that Johnson was keeping the fact her door was fixed from her and ran away. Johnson attempted to follow her, and his race to find her was sped up when the police department and the newsroom started reporting on a story that a human girl was running around the monster world. Johnson eventually found her. They broke into the factory’s door vault, but they were chased by Ned. When they did eventually find her door and activate it, Johnson was arrested and the door was ejected. But the door remained open with Mary inside. She made the door fall from its track, so the open door could catch Johnson, but it smashed, leaving Johnson in the human world with Mary. But he started a whole new life there, helping Mary to scare her brothers[2]

As you can see, some of this original treatment made it into the final story, but other elements did not. The main concept remained the same though; that monsters scare human children via their closet or bedroom doors, something that children have sometimes fear for years. Coincidentally, John Lasseter had a won a student award for his short film Nitemare (1980), which was also about a child discovering monsters exist. It is said to have helped inspire the overall concept of Monsters, Inc[3].

The character of Sulley, who was previously named Johnson, was not going to be a scarer in other story ideas, because it was felt that audiences could not find a monster who scares children as a likeable hero for the film, so he was supposed to be on the sidelines of Monsters, Inc., working a menial job like a janitor or assistant. This was shown in two deleted scenes, where Sulley was an assistant to the top scarer, who was an early version of Randall, and another where he worked down in the scream refinery, emptying the scream canisters. In both cases, it is clear Sulley doesn’t like his job and dreams of being a scarer. It was then decided that perhaps he could be the best scarer, like a star quarterback, and that there would be ways of making him a lovable big guy. 

Mike was not in the original storyline, with the original concept focusing just on the monster and the kid, but it was felt that Sulley should have a sidekick of sorts, a best friend character, so Mike was written in. He seems to have always been an assistant to a scarer, but not initially Sulley; Mike seemed to be the assistant to the eventual Randall character. Randall was another character who went through some changes, being a top scarer put out by the Sulley character’s rise to success, and also being a kiss-up to Mr. Waternoose, seeing himself as next in line to run the company. As per the original treatment, it was also clear that Mary, the child, was going to be older, but she was deemed to be kind of unappealing due to her bossy nature and her insistence on running off all the time, so they made the character younger, to give Sulley a need to look after her in the monster world[4].

The filmmakers also had to come up with a reason why monsters would be scaring children, and why this factory of working monsters would exist. So, they came up with the idea that children’s screams would be needed as an energy source to power this whole monster city. They covered the issue of time zones too, by having the scarers take on different shifts which would oversee a specific time zone, so children all over the world are being scared by these monsters. The door vault was created to house all the doors, because there would be millions of them in the world. The logistics and the mechanics of a working day at Monsters, Inc. are made clear to the audience with the scare floor sequence, where we see Mike and Sulley, Randall and other scarers and their assistants go about a typical day. The door vault is another scene that shows how Monsters, Inc. catalogues and stores these doors. These scenes and concepts didn’t change much by the final film.

There were numerous other contributors to the story on Monsters, Inc. with one credited name being Jill Culton, who had worked as a story artist on Pixar’s previous three films, and went on to co-direct Sony Pictures Animation’s Open Season (2006) with Roger Allers, a co-director of Disney’s The Lion King (1994). She also directed the animated film Abominable (2019). Jeff Pidgeon was another name, and he has worked as a story artist on various Pixar movies, including all four Toy Story movies, WALL-E, Up, and Turning Red (2022). Ralph Eggleston worked on both Pixar and Disney films in various departments including animation and production designer, with some of his credits being Aladdin (1992), Pocahontas (1995), Finding Nemo, Ratatouille (2007), and Inside Out. He passed away in August 2022, with Elemental (2023) being dedicated to his memory. The screenplay is credited to Andrew Stanton and Dan Gerson. Stanton has been at Pixar since its first feature, and was a co-director on A Bug’s Life prior to directing Finding Nemo, its sequel Finding Dory (2016), and WALL-E, and continues to be part of the Pixar Senior Creative Team. Stanton is also writing and directing Toy Story 5 (2026). Gerson co-wrote the screenplay for Disney’s Big Hero 6 (2014), and worked on the story forChicken Little (2005) and Meet the Robinsons (2007).

With the story set, now came time to animate. But with this story being focused around monsters, there were so many directions for character design to go. Initially, Sulley was meant to have a brown furry torso and tentacles for legs, and Mike, still a green ball with one eye, was only going to have legs and no arms. An animation test was made of these two characters having a conversation to see how they’d look on screen and how expressive they might be. It was felt that Sulley’s tentacles drew too much attention from his face, and that Mike would look better and move better with arms. Sulley was then made to be a fully furry monster, although fur was always going to be difficult to animate. Many tests on specific software were run to see how the fur was going to move as Sulley’s body moved. There was even a virtual obstacle course created for the animated character to run through so any issues could be dealt with! It was very impressive that they managed to get this fur to work, and when we see Sulley in the snow, after being banished to the Himalayas, it is even more impressive to see snowflakes in his fur. The snow itself was already going to be difficult, with over one million animated snowflakes, but to be able to put it in his fur was something the animators didn’t think they’d achieve. Sulley ended up having over two million hairs! Boo’s t-shirt was another animation challenge, as they had to ensure the cotton fabric would move realistically on screen, because fabric moves in different ways[5]. There are also monsters with very different skin textures, like some are slug-like, like Roz, and others are scaly, like Randall, or there are ones with multiple limbs and tentacles, showing not one is the same.

The creation of the setting of Monsters, Inc. was exciting to the animators, because they got to create a whole new world here, that didn’t need to be based in reality. It was decided though that this city of Monstropolis was going to be like a human city, but made for monsters. You can see doors with different heights, and chairs with holes in to make way for monster tails, for example, and the grocery store or “grossery” store has odd-looking fruits and vegetables with names like “bilge berries”. Monsters, Inc. was made to look like a regular factory, with different areas for different workers. It was decided that Monstropolis should feel relatable to us, so it is basically a human city, with some minor changes[6].

Recording the voices was slightly different to usual. The biggest challenge was trying to record lines with a two/three-year-old, which was Mary Gibbs’ age when she voiced Boo. Gibbs got the role as she was the daughter of Pixar story artist Rob Gibbs and they needed to sketch a little girl drawing, so Mary was brought in. Gibbs always had her hair in pigtails so that is why Boo has pigtails in the movie. She was later chosen to be the scratch voice for Boo, before being chosen as the final voice actor. Mostly, they chased Gibbs around with a microphone as she played around the studio, and when they needed to get her to say something specific, Docter and her parents used puppets and other methods like jiggling her around to get the right noises from her. The screams and cries were apparently real[7]!

John Goodman and Billy Crystal actually recorded some lines together, which had not happened before, like with Tim Allen and Tom Hanks recording lines for Buzz and Woody in Toy Story. This was due to scheduling conflicts, but for Monsters, Inc., they had three sessions with Goodman and Crystal, to allow the two to bounce off each other and to do some improvised scenes. One of these was the locker room scene with the “odorants”.

Late on in the animation process for Monsters, Inc., there were additional problems that were encountered. One was that the ending, of Sulley not having an on-screen reunion with Boo, which was not liked by some at the audience screening, around two-thirds of the audience. Docter knew that if they animated the reunion, then it would never be as good as what the audience were imagining, so he had to fight to keep the ending as it was, even if it was quite open-ended and didn’t allow us to see Boo again[8]. Another was that the opening of the film was simply going to start with the kid sleeping and the monster coming to scare him, but it was later felt that this didn’t see the correct tone for Monsters, Inc., potentially making viewers think it was going to be scary. To counteract this, an opening sequence was created to get the tone of the movie right. It involves multiple doors opening, to reveal either monsters, non-scary ones, or parts of the title credits, set against a jazzy, upbeat piece of music. It was also all 2D to create a good contrast between Pixar’s usual 3D animation[9].

A more serious issue was around how a section of the movie might be interpreted due to the tragedy that was the events of 9/11 in 2001. The incident happened as the filmmakers were getting ready to do sound mixing on Monsters, Inc. so it was very late into the movie-making process. Alongside struggling with motivation to focus on this film due to their feeling that what they were doing was so trivial, they knew they had only about 60 days to get Monsters, Inc. fully finished, despite their fears over the obvious shift in global politics. There was one moment in the movie that was changed due to 9/11 and that was the part where the sushi restaurant is being decontaminated by the CDA. The restaurant was meant to be blown up, I guess to resemble the CDA’s controlled explosion of a child’s sock earlier in the film, but the Pixar team said that was no longer funny, and they changed it so the restaurant is decontaminated under some sort of force field. Everyone wondered whether anyone would even go to the cinema after 9/11, but in actuality, families were glad to have something joyful to do. It was also felt that Monsters, Inc. may have gone some way in helping the kids cope with their fears, as that is a key message in Monsters, Inc[10].

Disney Legend Joe Grant, who contributed to many stories for Disney Animation, including Dumbo (1941) and Alice in Wonderland (1951), is credited with coming up with the title for this film, a play on the film title Murder, Inc. (1960). It was apparently originally just meant to be named Monsters. Grant was incredibly supportive, even in his later years, with Disney and Pixar animators. Pete Docter said he enjoyed talking over story concepts with him and taking advice from Grant over the years. Grant died in 2005[11].

As with all Pixar movies, Monsters, Inc. contains a number of references and Easter eggs. These include Boo’s name appearing to be Mary, as she signs her drawings with that name; the Hidden City Café, a real café – it has since shut down – near Pixar’s studio that made a cameo appearance in the sequence of Mike and Sulley walking to work; and a glimpse of Boo’s scare report shows that she is scared of snakes, which would explain why her monster is Randall. There is also the Luxo Jr. ball, from Pixar’s 1986 short film Luxo Jr., seen in Boo’s room when Sulley and Boo say their goodbye, and the upcoming Pixar movie reference, a Nemo toy for Finding Nemo, also in Boo’s room. You can also see that Boo has a Jessie doll; she is from Toy Story 2. The Pizza Planet truck can be found outside the trailer that Randall is banished to. This location seems to have been replicated from a scene in A Bug’s Life. The usual A113, referencing the classroom many Pixar animators studied animation in at CalArts, is obvious in Monsters, Inc. and there are only theories as to where it might be. Some say the stars in the sky during the scene of Randall’s banishment can be connected to read A113; others say it is written on a wall in the door vault, although only A13 is seen[12]. Finally, the sushi restaurant Harryhausen’s is named after Ray Harryhausen, a famous visual effects supervisor and animator known for creating monsters in movies such as Jason and the Argonauts (1963) and Clash of the Titans (1981)[13].

MUSIC

The music for Monsters, Inc. was composed by Randy Newman, who had already become a frequent collaborator at Pixar, even this early on, after writing the score for all three of Pixar’s previous films: Toy Story (1995), Toy Story 2 (1999), and A Bug’s Life (1998). Newman went on to compose the music for Cars (2006), Cars 3 (2017), Toy Story 3 (2010), and Toy Story 4 (2019). He also composed the music for Disney Animation’s The Princess and the Frog (2009). Newman became a Disney Legend in 2007. Outside of animation, Randy Newman has composed the music for movies like Marriage Story (2019); Meet the Parents (2000) and its 2004 sequel, and co-wrote the screenplay and songs, but not the musical score, for ¡Three Amigos! (1986) alongside Steve Martin and Lorne Michaels.

The only song to feature in Monsters, Inc. is the End Credits song “If I Didn’t Have You”, performed by John Goodman and Billy Crystal as Sulley and Mike. It is a song to detail their close friendship and their loyalty to each other. It seems like Goodman and Crystal recorded this song together, and the filmmakers were impressed with their singing and their ability to stay in character whilst performing – and joking about with each other, of course! The lyrics actually mention the characters dancing, but there doesn’t seem to have been any actual dancing in the recording studio[14]!

Newman was nominated in the Best Original Score category at the Academy Awards, and won the Best Original Song Oscar – his first Oscar win – for the song “If I Didn’t Have You”. At the Grammy Awards, he was nominated once again in these two similar categories, Best Score Soundtrack Album for a Motion Picture, and Best Song Written for a Motion Picture, winning the Grammy for Best Song. The categories for Best Original Score were both won by Howard Shore and his soundtrack for The Lord of the Rings: The Fellowship of the Ring (2001). Despite winning the Annie Award for Outstanding Achievement for Music in an Animated Feature for both Toy Story and Toy Story 2, Newman did not win this award for Monsters, Inc. Instead, Joe Hisaishi did for Spirited Away (2002). At the World Soundtrack Awards, “If I Didn’t Have You” once again won the Best Original Song Written for a Film, and Newman was nominated for Best Original Soundtrack of the Year, and Soundtrack Composer of the Year, losing out to Howard Shore and The Lord of the Rings, and Patrick Doyle and Gosford Park (2001) respectively.

Within the score, I particularly like the “Main Theme”, which is played during the jazzy opening sequence of Monsters, Inc. It’s upbeat and sets out the tone of the movie, as Pixar wanted, to show viewers that this film might be about monsters but it’s not scary. I also like the track “The Scare Floor” when the scarers and assistants go about their day. Both of these tracks are instantly recognisable as coming from Monsters, Inc. For the more emotional moments, “Sulley Scares Boo” expresses Sulley’s guilt and upset at how he’s made Boo cry by accidentally scaring her, and “Boo’s Going Home” is another one that tugs on the heartstrings, as Sulley says goodbye. Despite the accolades that “If I Didn’t Have You” won, I actually don’t like the song much at all – but that’s just my opinion. It doesn’t look like there was any other song in the nominations I would’ve preferred to win though!

RECEPTION

Monsters, Inc. was released in theatres in the US on 2nd November 2001, having had its premiere at the Disney-owned El Capitan Theatre in Los Angeles on 28th October 2001. The movie was shown, as is quite customary, alongside the Pixar short film For the Birds (2000) about a large bird annoying smaller birds on a powerline. It was directed by Ralph Eggleston and won the Academy Award for Best Animated Short Film in 2001, amongst others. It first premiered in June 2000 at the Annecy International Animated Film Festival in France.

Monsters, Inc. was also released with bloopers, which was much appreciated by Pixar fans. Although Pixar had originally planned to create some bloopers for Toy Story for its 1995 release, there had been no time to do this with their schedule, so the first Pixar bloopers appear in A Bug’s Life. Bloopers only continued in Pixar movies for their next two features, so Toy Story 2 and Monsters, Inc., meaning that Monsters, Inc. was the last time we got these types of bloopers. It would seem that it took a lot of additional effort to make them, so that is perhaps why Pixar chose to stop doing them after this. The Monsters, Inc. bloopers even include an abridged version of the company’s play Put That Thing Back Where It Came From Or So Help Me, which is mentioned by Mike during the events of the film, for the first time when Sulley refuses to put Boo through a random door. In the bloopers, there is a small cameo by Toy Story’s Rex as he auditions to be monster Ted.

Monsters, Inc. reached $100 million in ticket sales after just nine days in theatres, reaching a total of $123 million in that time. It beat Pixar’s previous release of Toy Story 2 which took 11 days to cross the $100 million marker in 1999. The movie opened in first place at the US box office, with the Jack Black romantic comedy Shallow Hal (2001) opening in second place[15]. Monsters, Inc. didn’t actually come to the UK until February 2002, where it took the No.1 spot at the UK box office in its opening week, although it also took the top spot the week before its official release due to impressive ticket sales for preview screenings, making a total of £9.2 million in the UK by its opening weekend[16].

In total, Monsters, Inc. has made just under $580 million worldwide, and was listed in third place in the Top 5 Worldwide Box Office results of 2001; it also matched this positioning in the Top 5 US Box Office results of the year. In first place was Harry Potter and the Philosopher’s Stone, followed by The Lord of the Rings: The Fellowship of the Ring. DreamWorks’ Shrek hit the No. 4 spot, but was actually second in the US box office total takings, and Ocean’s Eleven rounded out the Top 5 worldwide.

Due to the potential for huge competition from Harry Potter and the Philosopher’s Stone, given the fact the book series was already popular, Pixar chose to move the release date of Monsters, Inc. forward by two weeks to avoid direct competition with Harry Potter on their opening weekend. It seems to have served Pixar well to do this. Later, they made a trailer which joked about the competition between the two movies. In this trailer, Mike and Sulley are playing charades and Sulley is acting out Harry Potter to Mike. Sadly, Mike is so terrible at charades that he doesn’t get it for ages, and when he finally does, the trailer cuts just before he can say the full name! Allegedly, Warner Bros. executives got wind of this and demanded to know what Pixar were doing. Pixar reiterated that they were not being mean-spirited and sent the trailer to them. The executives watched it and thought it was funny[17].

In terms of audience and critic reviews, these were mostly highly positive of Monsters, Inc. Many felt it was cheerful and fun, full of the gags and references that Pixar are well-known for. The voice cast was praised and the viewers could tell that the technological advancement of the computer animation was already a huge step-up from Toy Story. The story was considered to be entertaining and relevant to both adults and children. Monsters, Inc. has since become considered a timeless classic.

But although reviews were mostly positive, Monsters, Inc. did not escape any negative critique. Some felt that Mike and Sulley were simply not as great a double act as Woody and Buzz Lightyear from Toy Story, and that the villain characters, like Randall and Mr. Waternoose, were not developed well, as we were not given their backstory and this made them slightly more two-dimensional than they should’ve been. I personally don’t agree with the comment about the villains because sometimes it’s good for villains to just be evil because they are and not have some great sad story that made them that way, but I can slightly agree with Mike and Sulley not being as good as Woody and Buzz. I think the fact Woody and Buzz had to develop a friendship throughout the course of Toy Story and had to learn to overcome major personality differences made their relationship more interesting than Mike and Sulley who have just been best friends for years. Others also said that the humour in Monsters, Inc. was not as obvious as Toy Story, and paled into comparison with DreamWorks’ Shrek. Shrek is definitely funnier than Monsters, Inc. but the humour is not as clean as you’d expect to see from Disney and Pixar, so it is quite unfair to compare the two.

During awards season, Monsters, Inc. had the honour of being nominated at the Academy Awards in the inaugural Best Animated Feature category. Sadly, Pixar lost out to DreamWorks with Shrek. They lost out again to DreamWorks when Billy Crystal was nominated for Favorite Voice from an Animated Movie at the Kids’ Choice Awards, because Eddie Murphy won for voicing Donkey in Shrek. But Pixar did win the BAFTA Children’s Award for Best Feature Film and they did win the Annie Award for Character Animation, specifically for Doug Sweetland as the directing animator on Monsters, Inc. Monsters, Inc. was also nominated in other categories at the Annie Awards, but lost Best Animated Feature and Directing to Hayao Miyazaki and Spirited Away (2001), and Character Design was awarded to DreamWorks’ Spirit: Stallion of the Cimarron (2002).

You might be wondering where the Disney animated film for 2001 was in all this, as I haven’t mentioned it in the awards or the box office results. You may even be assuming that Disney Animation didn’t release a new movie that year, because they don’t always. They did though, and it was Atlantis: The Lost Empire (2001), a seriously underappreciated movie.  Atlantis: The Lost Empire was released in June of that year, so was not direct competition for Pixar, as per their distribution agreement, I presume, nor was it in competition with Shrek, which was released in May 2001. It simply did not do well at the box office or with reviewers, so it missed out on many award nominations, except at the Annie Awards but it did not win.

LEGACY

Mike and Sulley have continued to be popular Pixar characters, showing up on screen and at the Disney Parks. These are some experiences that appeared shortly after Monsters, Inc.

For the DVD release of Monsters, Inc., the short Mike’s New Car was created. This short film premiered in September 2002 with the DVD and VHS release of Monsters, Inc. It sees Mike want to drive Sulley to work, but his high-tech car, a new 6-wheel drive yellow car, different to the red car we see in the film, is too much for the guys to handle! Eventually, once the wipers, radio, alarms, and seats stop acting crazy, Sulley tells Mike to get out of the car so he can drive on alone, but Mike crashes the car, and is tossed out of the car by the airbag deploying. Luckily, Sulley catches him and convinces Mike to walk with him instead. The short ends with Mike saying he misses his old car! Mike’s New Car was nominated at the Academy Awards in 2002 in the Best Animated Short Film category, and was directed by Pete Docter and Roger L. Gould, a creative officer at Pixar and now Disney.

It was later announced around 2010 or 2011 that a prequel to Monsters, Inc. was in development at Pixar, and Monsters University, detailing Mike and Sulley’s journey through college, was released in June 2013. I personally prefer Monsters University to Monsters, Inc. but I’m probably in the minority there. Monsters, Inc. was also released back to theatres in 3D and along withFor the Birds back in December 2012, following in the footsteps of the 3D release of Finding Nemo just a few months earlier.

At the Disney Parks, some experiences based on Monsters, Inc. already exist with others coming in the next few years. One current one is at Magic Kingdom Park at the Walt Disney World Resort in Orlando. This is Monsters, Inc. Laugh Floor, which opened in April 2007, taking over the space in Tomorrowland that housed the CircleVision360 attraction The Timekeeper from 1994 until its closure in 2006. Monsters, Inc. Laugh Floor is an interactive show which sees characters from the film invite us humans into their world to make us laugh, so they can power their city. It’s a decent show, although it can get a bit samey if you’ve seen it lots of times. Also at Walt Disney World, but at Disney’s Hollywood Studios, Sulley is a frequent character at the meet-and-greet area in Pixar Place, alongside characters like Mr. and Mrs. Incredible and Frozone from The Incredibles (2004). Most exciting of all though is that at the D23 Expo in 2024, it was announced that humans would once again be invited into the monster world, but this time into Monstropolis itself because Monstropolis is being built at Disney’s Hollywood Studios, to open sometime around 2027 or 2028.

Outside of Walt Disney World, there are only two other Monsters, Inc. attractions, and one of those is set to close very shortly. At Disneyland, specifically Disney California Adventure Park, there is Mike & Sulley to the Rescue!, a dark ride attraction going through the events of the film. The attraction opened at this park in January 2006. It replaced the infamous Superstar Limo, which took guests on a ride through Hollywood to scout out celebrities. It was universally panned, and lasted less than year, opening as an opening day attraction on 8th February 2001, and closing in January 2002. Mike & Sulley to the Rescue! is set to close in early 2026 to make way for an Avatar-themed expansion in the park.

The other attraction based on Monsters, Inc. is Monsters, Inc. Ride & Go Seek! at Tokyo Disneyland, in Tomorrowland. It opened in April 2009, replacing the audio-animatronic stage show Meet the World. Monsters, Inc, Ride & Go Seek! takes place after the events of the film, with the storyline being that Sulley has brought Boo back to Monstropolis to play “Flashlight Tag” there, but Randall’s reappearance threatens to ruin the game as he tries to capture Boo again. Guests can play along here, with their ride vehicles equipped with flashlights that they can use to spot any monsters hiding around the city. The monster cast was expanded for this new game, so additional characters not seen in the movie appear here. You also get to see the all of monster Ted here, despite only his feet being featured in the film. Roz also makes an appearance at the end of the ride and can actually talk back to guests[18]. The ride exits at the Monsters, Inc. Company Store.

Monsters, Inc. characters also make an appearance in some Disney parades and nighttime shows, for example, in Paint the Night, the nighttime parade at Disneyland Park in California, Sulley and Mike have their own float. They also appear in projections in the Happily Ever After fireworks show at Magic Kingdom, the Wonderful World of Animation nighttime show at Disney’s Hollywood Studios, both at Walt Disney World, and some versions of Disneyland’s World of Color nighttime show at Disney California Adventure. Although you could sometimes be lucky and meet Mike, Sulley, and even Boo, at some Disney Parks, they are becoming rarer meet-and-greet characters now, but you can still find plenty of merchandise for them, including plush toys, dolls, clothing, and pins.

FINAL THOUGHTS

Monsters, Inc. proved that even with a different director at the helm, Pixar was still able to make a hit film full of heart, energy, charm, and memorable characters.

It is clear why Monsters, Inc. has remained popular over the years since its release, with plenty of further opportunities to move the story in different directions.

Monsters, Inc. cemented Pixar’s achievement and success in both computer animation and story that would be arguably unrivalled by any other studio for many more years, even Disney, putting Pixar at the top of the animation game for quite a while.


REFERENCES

[1] Credit: Pixar, The Pixar Story (2007).

[2] Credit: Pixar, “Original Treatment”, from Monsters, Inc. (2001) 2-Movie Blu-Ray Collection (2013).

[3] Credit: Jim Korkis, ‘Meeting John Lasseter 1997’, MousePlanet.com, 21st October 2015.

[4] Credit: Marc Snetiker, ‘Monsters Inc: Pete Docter dives deep into movie’s legacy and creation, 15 years later’, EW.com, 2nd November 2016.

[5] Credit: Pixar, “Early Tests” from Monsters, Inc. (2001) 2-Movie Blu-Ray Collection (2013).

[6] Credit: Pixar, “Designing Monstropolis” from Monsters, Inc. (2001) 2-Movie Blu-Ray Collection (2013).

[7] Credit: Mary Gibbs, ‘Boo Grown Up I FAQ about Boo’, Boo Grown Up YouTube Channel, 15th July 2020.

[8] Credit: Victoria Edel, ‘Director of Monsters, Inc. Explains How the Movie’s Heartwarming Ending Almost Didn’t Happen’, People.com, 12th March 2025.

[9] Credit: Pixar, “Opening Title Animation” from Monsters, Inc. (2001) 2-Movie Blu-Ray Collection (2013).

[10] Credit: Pixar, “Filmmakers’ Round Table” from Monsters, Inc. (2001) 2-Movie Blu-Ray Collection (2013).

[11] Credit: Jim Korkis, ‘Animation Anecdotes #236’, CartoonResearch.com, 6th November 2015.

[12] Credit: Aleena Malik, ‘Where To Find Every A113 Easter Egg In Pixar Movies’, ScreenRant.com, 1st October 2023.

[13] Credit: Jocelyn Buhlman, ‘Celebrate a Monster of an Anniversary with 15 Things We Love About Monsters, Inc.’, D23.com, 2nd November 2016.

[14] Credit: Pixar, “Monster Song”, from Monsters, Inc. (2001) 2-Movie Blu-Ray Collection (2013).

[15] Credit: Andrew Bridges, ‘Runaway ‘Monsters, Inc.’ Tears Apart a Record for Ticket Sales’, LATimes.com, 12th November 2001.

[16] Credit: The Guardian, ‘Monsters Inc stays top of box office’, TheGuardian.com, 11th February 2002.

[17] Credit: The Guardian, ‘John Lasseter (III): Guardian interviews at the BFI London film festival 2001’, TheGuardian.com, 19th November 2001.

[18] Credit: Pixar, “Monsters, Inc. Ride And Go Seek: Building Monstropolis In Japan (2009)”, from Monsters, Inc. (2001) 2-Movie Blu-Ray Collection (2013).

#17 Finding Dory (2016)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. PRODUCTION
  5. MUSIC
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

2016 was a big year for The Walt Disney Company, in terms of their movies.

Disney Animation themselves released both Zootopia in March that year, and then Moana in November. Pixar’s Finding Dory, the long-awaited, but perhaps not requested, sequel for Finding Nemo was released in Summer 2016. Outside of that, Disney released other movies, like Marvel’s Captain America: Civil War, their live-action The Jungle Book remake, and Lucasfilm’s Rogue One: A Star Wars Story.

It was a busy time, but one that naturally benefitted Disney’s profits, and made them feel very confident in their movie-making abilities, although let’s not forget that by this point, Disney had purchased Lucasfilm, Marvel, and Pixar, so really, their success was mostly down to other studios and directors, not solely themselves. Just trying to lower their ego.

Anyway, Pixar had needed a boost after their late 2015 film The Good Dinosaur, especially as 2016 was the 30th anniversary of the studio. The Good Dinosaur didn’t feel much like a movie from Pixar, missing a lot of their warmth and generally just being too scary and strange. It flopped at the box office and critics were not kind to it, a rarity for Pixar.

There was also concern from audiences that perhaps Pixar were going a little overboard with their sequel-making, as Finding Dory became their fifth sequel or prequel. Disney was following a similar pattern, with Frozen II (2019) and Ralph Breaks the Internet (2018) on the cards for them. Was this going to be an early sign of “sequel fatigue”?

Well, I’d say Pixar got a bit lucky because for the most part, audiences and critics enjoyed Finding Dory, despite the fact the story is largely the same as its predecessor, only that forgetful Dory gets to be the main attraction here, not the sidekick, and the location is moved from Australia to California. It may not have been a necessary film to make, but they just about got away with it.

I’m not saying that to be unkind because I’m one of few people that actually prefer Finding Dory to Finding Nemo. I’ve never been much of a nature person, not enjoying documentaries about that sort of thing, mostly because nature is cruel and makes me sad, so to have Finding Dory set in an aquarium made it more enjoyable for me, because I am familiar with that environment, whereas the ocean will always be a mystery.

PLOT

Finding Dory begins with young Dory, who I call baby Dory, learning how to talk to people about her short-term memory loss, with help from her parents. They seem to be getting her to practise playing hide and seek, however, Dory being Dory is told to count and forgets what she’s doing part-way through her counting. She sees a group of young fish playing nearby and swims out to them, but her parents tell her not to go over there because of the undertow:

A little while later, we see baby Dory is lost in the ocean, trying to ask other fish to help her find her parents. Most of them just ignore her, or claim not to be able to help her, but two kelp bass fish, Stan and Inez, do stop to talk to Dory. However, they are confused when she keeps restarting the conversation. Stan and Inez go to talk alone about how best to deal with the lost little fish, but by the time they turn back, Dory has gone…

Over the years, Dory continues to swim through the ocean alone, asking for help. As time goes on, she starts to forget exactly why she’s looking for help. At one point she sees a boat overhead, and then hits straight into Marlin, recreating a scene from Finding Nemo. Dory tells Marlin she knows where the boat went and tells him to follow her.

One year later, Dory is living next door to Marlin and Nemo. One night, she starts to remember something about her past, but she can’t quite figure out what. The next morning, Marlin and Dory swim Nemo to school, where Marlin continues to talk about his mission to rescue Nemo from the dentist, overexaggerating parts of the story, such as claiming he took on four sharks, when actually, he only met three. At the school grounds, Mr. Ray, Nemo’s teacher, arrives to take the class on a field trip to see the ray migration. Dory is looking forward to going along too, but Marlin is told by Mr. Ray that he’s going to have too many other fish to think about today, and having Dory along would be too much. Marlin tries to explain this to Dory; however, she misunderstands and says she’ll be Mr. Ray’s teaching assistant for the day to help out. It’s not worth the fight, so she sticks around.

Before heading off, Mr. Ray explains that the stingrays are heading home and that is why they migrate. Some of the kids ask Dory where her home is, which makes Dory question where she does come from, and where her parents are… before instantly forgetting what they were even talking about! But it’s time to go to see this migration.

At the stingray migration, Mr. Ray warns the kids not to get too close to the undertow, or they might be swept away from the group. This triggers something in Dory’s memory so when the rays come by – singing, of course – Dory becomes distracted and swims too close to the undertow. She is later found by Nemo and Marlin on the sand, where Nemo hears her mumbling something about “the Jewel of Morro Bay”. Dory comes round and Nemo repeats what she just said. This triggers a flood of memories for Dory and she finally remembers her family! Dory desperately wants to get to California to find them. Marlin says that’s too far away and she should accept her life as it is now. Marlin eventually reconsiders after thinking of Dory’s help on their journey to find Nemo, and he knows who can help.

We then see Marlin, Nemo, and Dory with Crush and the other sea turtles riding another current. This time, the current is heading to California. Crush tells them to get ready as their exit is coming up and they leave the current at some dark and scary place, full of wrecked ships and storage containers. This is the Shipping Lanes and Dory claims it is vaguely familiar to her. Dory starts shouting for help, asking if anyone knows her parents, Jenny and Charlie. Marlin tells her to stop making so much noise. He was right to be concerned because Dory inadvertently wakes up a big, glowing squid, who chases them through the area. Eventually, the squid is trapped in a container, but it still has use of one of its tentacles and grabs Nemo, slowly bringing him up to its mouth. Marlin and Dory try to get him back, and the squid lets go of Nemo when the box falls. Nemo is quite shaken by this near-death experience, and Marlin tells Dory, who is also concerned, to go away and just forget about it, like she does best. Dory decides to go and get help, with some plastic becoming stuck to her. Dory hears a voice, the voice of Sigourney Weaver, who leads her to a cove. As Dory surfaces to figure out where she is, Marlin and Nemo pop up too, just in time to see Dory being plucked out of the ocean and taken away in a boat.

It turns out Dory has been placed in the quarantine unit of the Marine Life Institute. She has been tagged on her fin. Here, Dory meets octopus Hank, although she quickly works out he only has seven tentacles, so is actually a “septopus”. Hank tells Dory where she is and explains that her tag means she is going to Cleveland Aquarium. Dory asks if he can help her find her parents in this institute. Hank says he will in exchange for her tag, since the institute is planning to release him into the ocean and he’d rather go and live in an aquarium alone for the rest of his life. Yeah, Hank’s a bit of a grumpy curmudgeon. Hank says he will take Dory to a map of the institute in a coffee pot, using his camouflaging and shape-shifting abilities to hide them from institute employees.

Meanwhile, Marlin and Nemo are trying to work out where Dory will be, with Marlin feeling especially guilty. They meet two sea lions sat on a rock and Nemo wants to ask them for help. Marlin fears these predators will pounce on them but these particular sea lions, Fluke and Rudder, are too lazy to do any pouncing. They tell Marlin and Nemo that the Marine Life Institute is a fish hospital and that Dory will be getting treated and then will be released back into the ocean. Marlin wants a way into the institute so Fluke and Rudder call for loon Becky – a loon being an actual type of bird. Marlin and Nemo watch confused as Fluke and Rudder make strange noises to call her…

At the map, Dory looks over it and tries to work out where to go. But Dory doesn’t know what to do, and Hank says she’s running out of time, because the employees are looking for the missing octopus, him. He takes Dory to a backstage area, where Dory sees a bucket labelled “Destiny”. Since Dory believes in destiny, she drops into this bucket, which is full of dead fish. Maybe this wasn’t such a good idea. At the tank, Dory and the other fish are poured in and Dory comes face-to-face with Destiny, a near-sighted whale shark, who hits into her tank’s walls all the time. Dory starts talking to Destiny, telling her she swims beautifully, and when Destiny thanks her “in whale”, Dory responds. This makes Destiny recognise that this fish is Dory. Destiny tells Dory that they used to speak through the pipes all the time as kids, dubbing themselves “pipe pals”. Dory realises Destiny must know which exhibit she is from and she sure does; Dory is from the Open Ocean exhibit. At that moment, Destiny’s neighbour, beluga whale Bailey, comes into the conversation. He’s in the institute for a head injury that he claims has damaged his echo location, where he can “see” his surroundings using echoes, but Destiny knows he’s fine. Bailey “attempts” to help, but it just won’t work. Destiny tells Dory she can easily get to Open Ocean through the pipes anyway, but Dory isn’t so good at remembering directions. Then, Hank arrives in the tank, demanding Dory’s tag. She says she needs more help first.

Back with Marlin, Nemo, and the sea lions, finally Becky has been called over. Fluke and Rudder tell Marlin he needs to look Becky in the eye and make a noise like “roo-roo” to get her attention. Then, she’ll take them straight to quarantine. Fluke and Rudder even convince fellow sea lion Gerald to give up his pale as a transportation device in exchange for a few seconds on Fluke and Rudder’s precious rock.

Dory devises a plan to get to Open Ocean without the pipes. Hank has commandeered a stroller and put Dory in a cup. Bailey looks over the top of his tank and waits for just the right moment. On his command, Destiny starts jumping in her tank to distract on-lookers. Dory and Hank get going, with Dory being tasked with following signs to Open Ocean. However, Dory gets distracted and they hit a small child on the way, knocking the cup with Dory over. The cup is returned to the stroller by a parent and Hank pretends to be a really ugly baby to avoid suspicion! But the kid dropped popcorn everywhere when she was hit and Becky the loon gets distracted this time, and leaves Marlin and Nemo in the pale on a tree branch while she eats. Marlin tries to get Becky’s attention again, but nothing works. Nemo tells him to just be patient, but Marlin pushes the pale closer to Becky, further down the branch. The branch snaps back and flings them into a gift shop tank.

Dory and Hank continue their journey, but Dory insists on following the sign to “The World’s Most Powerful Pair of Glasses”. Hank stops and demands Dory’s tag, telling her he’s done enough now. But Dory wants to remember more and tells Hank he’s being mean, despite octopuses – octopi? – having three hearts. As they argue, the stroller starts rolling down the hill with them inside and they crash into the Kid Zone, specifically the hands-on tank, where kids can grab at anything they want to grab at. Why would anyone think that was a good idea? Dory loses Hank in the tank and tries to find him. Hank is hiding and is absolutely terrified, since it would seem a child had something to do with him losing his tentacle. Dory tells Hank they should just keep swimming to get out. But to get out, they have to go through “Pokers’ Cove”. Just as they are about to leave, one kid pokes at Hank who freaks out and releases his defence mechanism: ink. Hank is embarrassed, but hey, it got all the gross children to go away! They also see they are right by Open Ocean.

In the gift shop, Marlin continues to try to get Becky’s attention, but she is too far away. Marlin and Nemo see her pick up the pale and fly to the roof of quarantine, proving that Nemo was right and they should’ve just waited. Nemo tells Marlin that this is just what he did to Dory; made her think she couldn’t do something she actually could. Marlin admits he was wrong to do that and says he could really do with her help right now. They start to think about what Dory would do to get out of this tank. Ahead of them, Marlin sees splash pad fountains. He tells Nemo they are going to jump out of the tank and use them to get across the park. They end up in a new pond, with a very loud, chatty clam. Now what?

At Open Ocean, Hank takes Dory in a cup to the roof of the exhibit. They say goodbye and Dory passes over her tag before being poured in. Dory swims in but can’t find help again. She starts to see shells in the sand and remembers that she was told by her parents to always follow the shells to find her way home. Dory does just that and she ends up at her home. However, the home is empty… Dory then remembers how she went missing. She heard her mother crying one night, concerned about how Dory was going to cope with her memory loss, and Dory decided to find a purple shell to cheer her up. But as she did, the undertow took her right into the pipes. Dory then hears two crabs ask how she got back to Open Ocean since all the blue tangs are meant to be in quarantine right now. Dory believes that must be where her parents are and asks how to get there. The crabs say to use the pipes, telling her it’s two lefts and a right to get to quarantine. Dory heads in.

Soon, she gets very lost and confused, as expected. Dory uses the pipes to contact Destiny, who convinces Bailey to use his echo location to locate her. They start to direct her but then “see” a big fish heading towards her. It’s too late; Dory heads right for this fish and Bailey and Destiny believe it has eaten her. But that’s not the case, because that big fish was just Marlin and Nemo; they’ve found her! Dory tells Destiny and Bailey she isn’t dead, to their relief, and the three fish all head to quarantine together.

In quarantine, they eventually locate the blue tangs, but as they attempt to jump there, they end up in a mop bucket. Luckily, Hank comes over to scoop them out and takes them to the blue tangs. Here, the blue tangs realise Dory is Jenny and Charlie’s daughter and have to give her the tragic news that they went to quarantine ages ago to find her and never returned. Dory is distraught, believing her parents must be dead. In the confusion, Dory is taken out of the tank by Hank just in time, but Marlin and Nemo are left in there. Suddenly, Hank is discovered by the workers and Dory is tipped down a drain. Once again, she is lost and alone in the ocean. Not knowing where to go, she sinks down to the sand, and then sees lines of shells in the sand. Following them, she comes to a house and two fish. Dory goes to ask for help, but the two fish rush up to hug her. It’s Dory’s parents! Dory apologises for forgetting them, but they say she didn’t forget them because she’s here, and they’ve been leaving shells for her in the hopes it would help bring her back to them. They went into the ocean to look for her, as they couldn’t find her in quarantine all that time ago.

Her parents ask what has happened over the years, which is when Dory remembers she hasn’t been alone all that time, because Marlin and Nemo were there for her, but now they need help. Dory and her parents go outside the institute and call to Destiny. They want help locating the van with the blue tangs heading to Cleveland. Bailey uses his echo location and tells Dory where it is. Bailey then convinces Destiny to jump out of her tank into the ocean to help Dory more. Destiny is concerned but Bailey reminds her there aren’t any walls in the ocean. They jump out and join Dory and her parents. Fluke and Rudder, the sea lions, also leave their rock to watch the commotion, with Gerald taking their place!  

The truck is heading away at speed so Dory knows they need to stop traffic. Dory involves a group of otters, who Destiny catapults with her tail onto a nearby bridge. Dory is tossed up there too and caught by an otter. Dory tells the otters to cuddle and the cuteness overload causes a pile-up. The otters then approach the institute’s truck and open the door. Hank quickly puts Dory into the tank with Marlin and Nemo. The otters are chased away by the van drivers, so Marlin calls for Becky. Becky comes over but only takes Marlin and Nemo out of the tank, not Dory. She’s still in the van with Hank. Becky returns but is too late, and the doors close. Dory comes up with a new plan: Dory and Hank get out via the sunroof of the van, and Hank throws himself onto the windscreen, making the drivers leave their seats. Hank then takes over the steering wheel with Dory in a cup beside him. She directs him, badly, through traffic. Eventually, they come to a police road block and Dory knows they’ll have to fly over it, sending the truck into the ocean. Dory convinces Hank that the ocean is the right place for him, and he agrees to do this. All the fish tumble into the sea.

We then see Marlin, Nemo, and Dory have returned home, with their new friends Destiny, Bailey, and Hank, who is substituting as the teacher at Nemo’s school whilst Mr. Ray is away on his migration, along with Dory’s parents, Jenny and Charlie. As Nemo heads off for school, Dory says she’s going to the drop-off on her own. Concerned, Marlin follows her, only to see that Dory just wanted to take in the view. They sit together and watch.

In a post-credits scene, we also see that the “tank gang” from Finding Nemo, still in their plastic bags, have made it to California and the Marine Life Institute. As they work out their next move, they are picked up by institute staff and taken inside…

CHARACTERS & CAST

Unlike in Finding Nemo, Dory is no longer the funny sidekick in Finding Dory. She’s still funny, still has short-term memory loss, and still acts impulsively, but this time she gets to do more of it as the whole story revolves around her! Throughout Finding Dory, Dory is getting flashbacks of memories from her childhood, slowly allowing her to piece together who are parents are, where she is from, and how she ended up so far away. This leads Dory on an amazing journey to find her family, taking her all the way to California. After Dory becomes separated from Marlin and Nemo, she then relies on Hank to help her find her parents in the Marine Life Institute, and adds Destiny and Bailey to that support system because Dory being Dory needs some help remembering exactly what she’s doing from time to time! Dory goes through a whirlwind of emotions on this journey but Dory finds she’s more capable than she thought and she manages to bring everyone together again, just like in Finding Nemo.

Ellen DeGeneres returned to reprise her role as Dory. This time, Dory also had two other voice actors, to voice baby Dory and teenage Dory. Baby Dory was voiced by Sloane Murray, who is the daughter of Pixar producer Lindsey Collins. Collins produced Finding Dory and went on to produce Turning Red (2022) and Elio (2025) for the company. Teenage Dory was voiced by Lucia Geddes.

At the start of the film, Marlin is perfectly content with how everything has worked out for him. He’s back with his son Nemo and he’s found a new friend in Dory. Marlin doesn’t want to go on another epic journey like he did the year before, believing Dory should just be satisfied with how life is right now, like him. But Nemo guilts Marlin into going on this journey to help Dory because that’s what friends should do. Nemo has to be the voice of reason a lot of the time in this film, telling Marlin he shouldn’t have gotten annoyed at Dory for being concerned after the squid attack, and that he needs to be more patient with people, like Dory and Becky, instead of thinking they’re going to ruin things all the time. His “relationship” with Becky the loon is quite funny actually, because she seems to like him. Marlin must have a way of attracting strange women into his life! In the end, Marlin admits that he does appreciate Dory and her “Dory ways”, especially when she comes back to save him and Nemo from ending up in Cleveland.

Albert Brooks returned to voice the character of Marlin, however, the voice actor for Nemo changed. Because of the 13-year gap between Finding Nemo and Finding Dory, it was only expected that Alexander Gould, voice of Nemo in the original movie, would not be able to reprise his role for the sequel since his voice would have changed. Alexander Gould is given a small voice cameo as one of the workers in the institute’s truck, Passenger Carl, to make up for this. Hayden Rolence was cast as Nemo.

Then, we have a collection of new characters. Hank is a grumpy octopus, sorry, septopus, who has some unresolved trauma after the loss of one of his tentacles, which he seems to suggest had something to do with an incident with a child but it’s not clear how this happened. Like everyone, Hank finds Dory and her memory loss particularly irritating, just wanting to get her tag so he can go to Cleveland. Dory takes so long to find her parents that he can’t ever have thought he was going to get that tag, but she does and Hank is left to go on his merry way. However, when Dory comes back to quarantine, Hank knows he has to help her, finding that he does like her, even with her strange quirks. I think he was actually pleased to see her come back. After stealing the truck, Hank is convinced by Dory that he doesn’t actually want to be alone forever, and that he should live in the ocean with her and her friends. He decides that would be the best option for him.

Ed O’Neill was cast as Hank, having previously voiced the character Mr. Litwak in Wreck-It Ralph (2012) for Disney. He reprised this role in the sequel Ralph Breaks the Internet (2018). O’Neill is known for his roles in television series, such as starring as Al Bundy in Married…with Children (1987-97), and more recently, as Jay Pritchett in ABC’s Modern Family (2009-20). O’Neill is set to appear in All’s Fair (2025), a new legal drama series for Hulu, starring Kim Kardashian and Naomi Watts.

Destiny is a whale shark who was childhood friends with Dory, communicating through the institute’s pipes. She stills like Dory even after all the years. Dory and Destiny pick up right where they left off with Destiny being a huge help to Dory in finding her parents, knowing exactly what exhibit she is from. Destiny also overcomes her fear of the ocean, having been in captivity for most of her life, if not all of it. She then returns home with Dory and the others to start her new no-walls life.

Destiny was voiced by Kaitlin Olson, who rose to fame with her role as Deandra “Sweet Dee” Reynolds in the comedy series It’s Always Sunny in Philadelphia (2005-present). Olson currently appears in the recurring role of DJ Vance in the series Hacks (2021-present), and stars as Morgan Gillory in the ABC drama series High Potential (2024-present) for ABC. In movies, Olson was cast as Tatiana in The Heat (2013), which was led by Sandra Bullock and Melissa McCarthy, and as Ms. Nielsen in Netflix’s Incoming (2024).

Destiny’s neighbour at the Marine Life Institute is beluga whale Bailey, who seems to be a hypochondriac as he had a head injury ages ago and became convinced his echo location was gone forever. Because of this, Destiny and Bailey have a bit of a contentious relationship, as Destiny thinks Bailey is just making a fuss and needs to get it together! She manages to convince him to try to use his echo location to get Dory through the pipes and much to Bailey’s surprise, it works. His echo location comes in quite handy in this movie. Bailey is also the one to encourage Destiny to jump out of their tanks together and leave the institute, so they both encourage each other.

Ty Burrell was cast as Bailey, and he is also known for his role in Modern Family, like Ed O’Neill. Burrell played Phil Dunphy on that show, winning Primetime Emmys for Outstanding Supporting Actor in a Comedy Series in 2011 and 2014 for his role, as well as a Screen Actors’ Guild Award in 2013. Outside of that, Burrell also voiced the character of Peabody in the animated movie Mr. Peabody & Sherman (2014), and was cast as Jean Pierre Napoleon, the French Interpol agent, in Muppets Most Wanted (2015).

For Charlie and Jenny, Dory’s parents, they spent much of Dory’s childhood trying to prepare her for life with short-term memory loss, which can be a struggle, as well as the fear that Dory may end up forgetting them because of it. After Dory goes missing, her parents search for her, but despite the length of time that has passed, they never lose hope that Dory may return to them, doing the smart thing and staying in one place instead of scouring the ocean for her. They leave out trails of shells like they used to when Dory was little, to help lead her home. They are ecstatic when Dory does come back to them and they return home with her, ensuring that they will never be separated from her again.

Eugene Levy and Diane Keaton voice Charlie and Jenny. Both have had incredible careers, so here are some highlights from their acting careers. In more recent years, Levy is known for being the co-creator and actor behind the character of Johnny Rose in Schitt’s Creek (2015-20), winning Emmy awards for Outstanding Lead Actor and Outstanding Comedy Series in 2020. His son, Daniel, also co-created the series and played David Rose. Levy played a version of himself in Season 4 of Only Murders in the Building (2021-present), and currently hosts the travelogue series The Reluctant Traveler on AppleTV+ (2023-present). Other past roles Levy may be known for are his recurring role as Noah Levenstein in the American Pie film series, and as Dr. Walter Kornbluth in Splash (1984).

Diane Keaton’s earlier roles include playing Kay Adams-Corleone in The Godfather series, as well as starring in the title roll of Annie Hall (1977), for which she won the Academy Award, the BAFTA Award, and a Golden Globe Award for Best Actress. She also starred alongside Steve Martin as Nina Banks in Father of the Bride (1991) and Father of the Bride Part II (1995), which Eugene Levy also had small cameo roles in. She was later cast as Erica Barry opposite Jack Nicholson in the romantic comedy film Something’s Gotta Give, winning the Golden Globe for Best Actress. In more recent years, she played Diane in Book Club (2018) and its 2023 sequel, with Jane Fonda, Candice Bergen, and Mary Steenburgen.

There is also Fluke and Rudder, the lazy sea lions who sit on a rock outside the institute all day, protecting this rock from odd sea lion Gerald. They are very protective of their rock, and only use it as leverage to Gerald’s pale being shooing him away. I wonder what Gerald ever did to them to make them react in this way? Gerald gets his own back though, because when Fluke and Rudder do decide to leave the rock to watch Dory’s plan with the truck in action, he takes over the rock – although I’m sure Fluke and Rudder were able to get it back from him!

Fluke was voiced by Idris Elba, who voiced characters for two other movies for Disney in 2016: Chief Bogo in Disney’s Zootopia, and Shere Khan for The Jungle Book live-action. Elba has continued to voice act, for example with his role as Knuckles in the Sonic the Hedgehog series. On television, Idris Elba appeared as Stringer Bell in The Wire (2002-08), and starred as DCI John Luther in the BBC series Luther (2010-19), for which he won a Critics’ Choice Television award, a Golden Globe award, and a SAG award. Elba also portrays Heimdall in the Marvel Cinematic Universe.

Dominic West voiced Rudder. He had previously played Detective Jimmy McNulty in The Wire, and portrayed Fred West in the British TV movie Appropriate Adult (2011), winning a BAFTA for his role. He was cast as Noah in the series The Affair (2014-19), winning Satellite Awards for Best Actor in a TV Series – Drama in 2015 and 2016. West was also cast as Prince Charles in Seasons 5 and 6 of The Crown (2016-23) for Netflix, and currently plays Lieutenant Colonel Dudley Clarke in SAS: Rogue Heroes (2022-present). Other recent roles include Dr. Chris Cox in comedy-drama series Brassic (2019-25) and Guy Dexter in Downton Abbey: A New Era (2022) and The Grand Finale (2025).

Other characters who return in Finding Dory include Crush the sea turtle, who guides Marlin, Dory, and Nemo to California, still voiced by Andrew Stanton, director of both Finding Nemo and Finding Dory, and Mr. Ray, Nemo’s teacher, who takes them to the ray migration, also still voiced by Pixar story man Bob Peterson. Another Pixar employee to voice a character here is Torbin Xan Bullock, an editor for Pixar, who voiced Gerald.

There are many cameo roles in Finding Dory too. One is Sigourney Weaver who provides the voice of the public messages at the Marine Life Institute, such as the aim of the institute to “rescue, rehabilitate, and release” creatures to the ocean. Weaver won Golden Globes for Best Actress in a Motion Picture – Drama for her role as Dian Fossey in Gorillas in the Mist (1988), and for Best Supporting Actress as Katharine Parker in Working Girl (1988). Weaver is also known for playing Ellen Ripley in the Alien franchise, as well as Dr. Grace Augustine in the Avatar films, and even Dr. Rebecca Gorin in the Ghostbusters movies. For Pixar, Weaver was the voice of Axiom in WALL-E (2008).

Then, we have Stan and Inez, the two kelp bass who try to help lost baby Dory at the start of the film. They were voiced by Bill Hader and Kate McKinnon, both former cast members of Saturday Night Live (1975-present). Hader was there from 2005 until 2013, and McKinnon from 2012 to 2022. Hader also voiced a few characters for Disney and Pixar movies, such as Fear for Inside Out (2015); J.P. Spamley in Ralph Breaks the Internet (2018); and Featheringhamstan in Lightyear (2022). He voiced the main role of Flint Lockwood in Sony Pictures’ Cloudy with a Chance of Meatballs (2009) and its 2013 sequel; and Guy Gagné in DreamWorks’ Turbo (2013). McKinnon is no stranger to voice acting either, having voiced Stella and Eva in The Angry Birds Movie (2016). She was also the voice of Miss Frizzle in The Magic School Bus Rides Again (2017-21). Both actors have appeared in numerous comedy movies, such as Hader playing Dr. Aaron Conners in Trainwreck (2015) and George Custer in Night at the Museum: Battle of the Smithsonian (2009); and McKinnon for her roles as Weird Barbie in Barbie (2023) and Morgan Freeman – not the actor – in The Spy Who Dumped Me (2018), alongside Mila Kunis.

The whole “Tank Gang” from Finding Nemo also reprise their voice roles for a special post-credits scene in Finding Dory, where they are “rescued” by employees at the Marine Life Institute after being spotted in their plastic bags, now covered in algae. This includes Willem Dafoe as Gill; Brad Garrett as Bloat; Alison Janney as Peach; Austin Pendleton as Gurgle; Stephen Rott as Bubbles; and Vicki Lewis as Deb. The voice of Jacques the cleaner shrimp was replaced by Jerome Ranft, the brother of Jacques’ original voice actor Joe Ranft, and also an employee at Pixar.

Finally, John Ratzenberger, who voiced a character in every Pixar movie up until Onward (2020), including Hamm in Toy Story franchise, and returned as a voice cameo for the studio in Inside Out 2 (2024), voiced Bill the crab in the Open Ocean exhibit.

PRODUCTION

Given the 13-year gap between Finding Nemo and Finding Dory, it might be assumed that Pixar never intended to make a sequel to Finding Nemo, at least not initially. However, it has been reported that around 2005, Disney tasked Circle 7 Animation, a division of Walt Disney Feature Animation that only lasted from 2004 to 2006, with making a Finding Nemo 2. At the time, they’d also planned to make a Monsters, Inc. 2 and a different version of Toy Story 3, as a way of using Pixar properties. Allegedly, Finding Nemo 2 was meant to see Nemo and his long-lost twin brother go on a mission to rescue Marlin from an aquarium[1].

Luckily, once Pixar and Disney came to an agreement for Disney to acquire Pixar in 2006, this animation division was shut down and these ideas were scrapped, allowing Pixar to leave the decision of what happened with Finding Nemo in the capable hands of Pixar employees, namely the movie’s director Andrew Stanton.

Stanton has admitted that rarely does he watch the movies he’s made after their release, because during the development process, movies have to be screened and watched so many times to make sure they are on the right track.

But around 2010, Stanton had to watch the 3D version of Finding Nemo to sign it off for its release. Finding Nemo in 3D was available for a limited time at theatres during 2012, for Finding Nemo’s 10th anniversary. Whilst watching, Stanton started to wonder how easily Dory could get lost again, and he began to feel worried for this character, that she might forget about her new family with Marlin and Nemo because she’d seemingly already lost her actual family. All the backstory that had been given to Dory for Finding Nemo was that she had been swimming alone in the ocean for many years before she met Marlin, and that she was probably overly optimistic and positive because her memory loss problem had caused some to abandon her, meaning Dory puts on a façade to get fish to like her and stay with her. That’s a clear reason why she got upset whenever Marlin said he wanted to continue his journey to find Nemo without her. Now, Stanton was wondering where Dory was from, what happened to her parents, and just how much could her memory deal with.

Stanton began to discuss this idea privately with co-workers, not wanting to cause mayhem at the Pixar studios with talk of “Finding Nemo 2”. Once he’d thought it over more and had a story together, focusing on Dory’s emotional memory, instead of her memory of names, locations etc., Stanton pitched it to John Lasseter, then Chief Creative Officer of both Pixar and Walt Disney Feature Animation, around early 2012. Lasseter was happy to greenlight this endeavour so Stanton hired a writer to work on the story further. I assume this writer was Victoria Strouse, credited as co-writer of Finding Dory’s screenplay. Strouse went on to co-write the movies Let It Snow (2019) and Family Switch (2023), both for Netflix[2].

Now that Finding Dory was happening, the story needed some work before locking that in and moving on to animation. This required many rewrites as well as numerous areas of research. It also required the team to push away the fear of making a sequel, which is deemed to be even harder than making an original movie because most of the characters are already there, and parameters have been set in terms of their characteristics and behaviours, so these cannot be changed. The team working on Finding Dory said they had to forget they were making a sequel and just try to make the best film they could[3].

The initial concept for Finding Dory was always going to be about Dory finding home, but how could they make that happen for a character who has short-term memory loss? This concept came from the fact that goldfish memory apparently only lasts around five seconds. Goldfish can’t “cure” their “memory loss”, so why should Dory? But not being able to remember your home is quite an obstacle to finding it, so there had to be a way of triggering Dory’s memories. In the final film, we see that Dory’s memory of her past is triggered by certain things, like seeing a shell, or hearing about an undertow. Nemo then manages to trigger a whole flood of memories when he mentions “the Jewel of Morro Bay, California”, the phrase Dory was mumbling when she was in shock from being swept away by the undertow at the ray migration[4]. This was going to be something Nemo heard while Dory was “sleep swimming”, with this sequence being completely finished and even used in the Finding Dory teaser trailer before being cut. The idea of a flood of memories is quite accurate to real-life because our memories can be recalled through something simple, like a smell or a song.

But how would Dory find her home? She’d have to cross the whole ocean to get there, and where would she even be going? In a deleted scene, an initial idea for this was that Dory would have a migratory instinct, where her fins would guide her home, this being something that Nemo had learnt about at school. Nemo and Marlin would’ve been right with Dory as she began her journey, simply following her fins. There was also a big-mouthed clam in this deleted scene who was meant to be Marlin’s nosy neighbourhood, who would tell Dory that her memory loss must be linked to some sort of childhood trauma. In the end, the character of the clam was added to the final movie, in the pond that Marlin and Nemo get into via the institute’s splash pad fountains, who just talks about himself and his sad love life! This clam was voiced by director of Finding Dory Andrew Stanton.

Another idea that appeared in an early scene that was later cut but appeared in the final film was the ray migration. Originally, Dory was meant to take Nemo to the ray migration alone, something Marlin isn’t sure about but feels guilted into agreeing to. He tells Dory to be hyperaware of her surroundings and if either she or Nemo gets separated, they should wait under a ledge. On the day of the migration, Nemo and Dory arrive together, but Dory gets distracted after seeing two blue fish who she thinks are her parents. She chases after them and then forgets what she was doing. She goes home with some other fish. Once home, Marlin asks where Nemo is and is furious to see Dory forgot about him. She couldn’t even remember taking him to the ray migration. Luckily, Nemo did as he was told and waited under a ledge until Marlin and Dory find him.

One of the more annoying character points that was quickly removed was that Dory’s parents were also going to have memory loss. This came from a line in Finding Nemo where Dory explains her short-term memory loss, saying it runs in her family, or at least, she thinks it does. This meant that Dory’s parents also forgot about her, so when Dory did eventually find home in a cut scene, she saw no-one there, and swum out to sea. Dory’s parents were told to use their fins to find their home via this homing instinct that was used in another deleted scene. They would eventually find home and Dory, with the parents apologising for not remembering her. However, it soon became clear that having three characters with memory loss was irritating, plus, having parents who can’t remember their child is not ideal! Because Dory only says she thinks memory loss runs in her family, this element of the story could be removed, simply accepting that Dory was wrong on this fact[5].

Something that Andrew Stanton had initially wanted to do with Finding Nemo was tell Marlin’s backstory about his life with Coral through the form of flashbacks, but this concept didn’t work and just made Marlin a difficult character to like. But for Finding Dory, Stanton got to experiment with flashbacks once more, for Dory’s backstory.

There were multiple different prologues that were made to open the story, revolving around Dory’s childhood. The first would’ve seen Marlin bumping into Dory as per their meeting in Finding Nemo, going all the way up to them meeting Bruce. Marlin would’ve then beaten him up and caused all the sea mines to explodes. Obviously, that never happened in the original movie and that is because this is Marlin’s parent presentation at Nemo’s school, talking about his journey to rescue Nemo. A kid asks about Dory’s family, confusing her and making her think. Marlin says Dory is part of their family and there’s no need for further questions. This led Nemo to become concerned that Dory might leave to find her family.

Another prologue showed young Dory getting lost and floating out to sea, before going to the scene from Finding Nemo of Marlin bumping into Dory whilst searching for the diver’s boat. There was also a third prologue that involved Dory’s parents’ memory loss, apparently something that affects all blue tangs. The three go on a walk together and repeat the same conversation over and over again, but when Dory chases after a fish, she gets lost. Dory kept swimming until she bumps into Marlin like in the first film. A fourth version was closer to the final film but gave away too much of Dory’s backstory, showing instantly how she got lost, i.e., by being sucked into the pipes by the undertow in her exhibit.

Finally, another set of deleted scenes was meant to include the “tank gang” from Finding Nemo, who were meant to help Marlin and Nemo get into the institute to save Dory via a series of complicated military-like plans, including riding on flying fish and loons[6].

Research in the real world was also helpful in cementing the story of Finding Dory. For example, Pixar spent a lot of time at the Monterey Bay Aquarium, south of San Francisco, and based their Marine Life Institute on the layout of this aquarium, as they’d explored public areas and backstage areas. The Marine Life Institute was decided to be the setting of Finding Dory based on clues given about Dory’s character in the first movie, like being able to read showing that she had to be somewhere near humans, and how she can speak whale, meaning she needed to be around whales at some point in her life. New characters were also added to match the location of coastal California, which is why there are otters and sea lions here[7]. Other places they went to include the Vancouver Aquarium and the Marine Mammal Center in California to get further information on what a place like the Marine Life Institute would look like.

It’s also been said that the documentary film Blackfish (2013), about orca whales in captivity and their behaviours, with a particular emphasis on SeaWorld’s duty of care, or lack thereof, to their orcas and personnel. Blackfish was a sensational documentary, containing many claims and questions that were quite damning, and was very popular on its release. The Pixar team watched Blackfish and John Lasseter and Andrew Stanton sat down to discuss it with Blackfish director Gabriela Cowperthwaite. It has been assumed that Pixar adjusted their Finding Dory story based on this documentary, suggesting that perhaps it was meant to be set in an aquatic theme park but was later changed to a rehabilitation centre, to avoid too many comparisons with parks like SeaWorld. It’s also been said that releasing the sea creatures back into the ocean was added in to the story based on this documentary[8]. Pixar hasn’t commented on exactly how Blackfish impacted Finding Dory, only saying that it was just one area of research that they undertook during the development process.

With a concrete story in place, work could begin on animating it. One thing to note is that all the work done on Finding Nemo is not simply stored in Pixar’s computers, ready to use again if needed. Everything had to be rebuilt and recreated again, however, the benefit of a 13-year gap between movies was that there had been many improvements to technology around imagery and rendering, such as Pixar adopting the new technology RIS, the next-generation of RenderMan, Pixar’s core system to render animation and visual effects. This helped deal with light in more sophisticated and accurate ways[9]. Since they knew they were going to use a replay of the scene of Dory and Marlin meeting in Finding Nemo as part of the opening sequence of Finding Dory, this was a good test to see how much could be changed from the original film[10].

There were also plenty of new sets to create as well as new characters. One of these new characters that particularly benefitted from new technology was Hank the septopus, although even then, making a flexible character on a computer was a challenge. Hank was the most complicated character that Pixar had ever made. Drawings of the character looked good but having to animated him on computer filled animators with a mixture of excitement and dread! It was exciting to see how he could camouflage and move around on land, solving the logistical problem of Dory making her way through the human world, but with all those tentacles and that squishy body, shapeshifting and changing colour, it took a while to figure him out. It apparently takes between six and nine months to create characters at Pixar, but it took over two years to work out Hank!

To research the character, Pixar workers went backstage at the Monterey Bay Aquarium to feed and interact with an octopus. They found that the suckers on their tentacles are incredibly strong, and that they like to escape in real-life, by using their tentacles to open hatches and lids, sometimes just creeping their tentacles up and over the lip of their tanks. The animators also looked to Kaa from Disney’s The Jungle Book (1967) as a reference point for animating Hank’s tentacles.

Randomly, Hank was meant to be addicted to hot sauce, and would drink it all over the park, but this became distracting, so was removed. No doubt that would’ve made the animation even harder as well! Another thing that was removed was Hank’s eighth tentacle, which helped with the animation, since they had one less tentacle to work with[11].

Pixar can’t have a movie without Easter eggs so naturally, these were included in Finding Dory. For example, A113, referencing the room at CalArts where some of Pixar’s animators studied, can be seen on Fluke and Rudder’s tags, with one saying “A1” and the other “13”. It is also on the licence plate of the institute’s truck, as “CAL A113”. The Pizza Planet truck can seen rusting away in the Shipping Lanes scene. In reference to Pixar’s next movie, a Lightning McQueen plaster can be seen on the hand of the truck driver; the Pixar movie to follow Finding Dory was Cars 3 (2017). In The Good Dinosaur (2015), the movie preceding Finding Dory, Hank was spotted in a pool of water that Arlo the dinosaur falls into.

Some other Easter eggs include the Marine Life Institute’s motorboat reading “1200 PA”, referring to the address of Pixar’s headquarters, 1200 Park Avenue. In quarantine, there is a pipe with “Seawater Supply TL59” written on to it. This is a nod to a similar pipe in the Disneyland attraction Finding Nemo Submarine Voyage, which itself refers to 1959, the original opening date of Submarine Voyage, and Tomorrowland, its location.

MUSIC

The Finding Dory soundtrack consists of mostly instrumentals from another ocean-inspired score, composed by Thomas Newman. Newman composed the score for Finding Nemo (2003), as well as WALL-E (2008) and Elemental (2023), also for Pixar.

Within the score, there is a mixture of pieces that evoke the excitement of a long-awaited journey, as well as the perils and dangers of that journey. “Finding Dory (Main Title)” is a stand-out piece within the score, as it manages to capture some of Dory’s child-like spirit and joy, and uses abstract vocals to get the feel of marine noises travelling through the sea[12].  “Lost at Sea” also has similar elements to it, as it continues Dory’s journey through the sea as a child, desperately trying to remember her parents and where they are. Elements of “Main Title” appear again in “Quite a View” for when Dory and Marlin sit at the drop-off and just take in the view at the very end of the film. Some of the music that is used for scenes at the Marine Life Institute are quite calming, matching the feeling that we get at the aquarium, where everything seems slower and more relaxed as we watch fish swimming around in their tanks. This is felt during pieces like “Sigourney Weaver” and “Open Ocean”. I also like “…Shells”, which plays when Dory reunites with her family.

I like the calmer, more emotional pieces of music in any score, but others that have a sense of threat include ones like “Hands!” for when Dory and Hank get trapped in the Kid Zone, and “Okay with Crazy” as Dory and Hank hijack the institute’s truck.

There are only two songs credited in Finding Dory and only one of these features on the official soundtrack. This is the End Credits song “Unforgettable”, written by Irving Gordon and performed by Sia. It is a cover of the song which was previously recorded by Nat King Cole in 1951, and featured on his 1952 album of the same name. I don’t really understand why Pixar chose to use “Unforgettable” as their End Credits song, other than it is a clear reference to Dory’s memory, where she has memory loss, but did not forget her family. However, I find Sia’s version of this song quite haunting, as many of her songs, especially the slower ones, tend to be. Not that I have a problem with that normally; I like a lot of Sia’s music, but I don’t think her version of “Unforgettable” fits here. I was expecting a more upbeat, positive song to end the movie, like Finding Nemo’s “Beyond the Sea”.  

The other song credited in Finding Dory is “What a Wonderful World”, written by Robert Thiele and George David Weiss, and performed by Louis Armstrong. This song was originally recorded in 1967. Here, the song is used to accompany the slow-motion sequence of the Marine Life Institute’s truck tumbling into the ocean, spilling all of the marine creatures back to their home. The song is naturally quite relaxing and calming, so it’s fun to see it combined with a scene that would actually be quite disturbing and shocking to see in person; I suppose that was the joke!

There is another small song that shouldn’t be forgotten and that is the rays’ migration song, “O, We’re Going Home”. It is sung by the group of rays as they pass by the field trip on their way home as part of their migration journey. It’s fun, it’s loud, and it lets us in on just why Mr. Ray sings so much! It is unclear who specifically performs this song, but the lyrics were written by Finding Dory screenwriters Andrew Stanton and Victoria Strouse, and Pixar story man Bob Peterson, voice of Mr. Ray.

Finding Dory’s soundtrack was not nominated for as many awards as the Finding Nemo soundtrack, not even at the Annies. However, it was nominated at the Hollywood Music in Media Awards for Best Original Score in an Animated Film, but it did not win; Alexandre Desplat’s work on The Secret Life of Pets (2016) did. Newman himself was nominated for Soundtrack Composer of the Year in 2016 at the World Soundtrack Awards, for his work on Spectre (2015), Bridge of Spies (2015), and Finding Dory, but lost out to Carter Burwell, for his music on movies like Hail, Caeser! (2016) and Carol (2015).

RECEPTION

At the 2015 D23 Expo Panel for Pixar, they spoke about The Good Dinosaur, which was to be released in November 2015, originally the release slot for Finding Dory, but both were pushed back. Finding Dory was obviously mentioned too, with Andrew Stanton, Angus MacLane, co-director of Finding Dory, on stage to discuss it. Angus MacLane had worked at Pixar since 1997, working as an animator on some of their biggest movies like Up (2009), Toy Story 3 (2010), and Finding Nemo (2003). He later directed the Toy Story spin-off Lightyear (2022), and was subsequently let go from Pixar in 2023 as part of a company restructuring. MacLane and Stanton introduced the voice actors on stage, Ellen DeGeneres, Ed O’Neill, Ty Burrell, and Kaitlin Olson, and their characters were discussed, with some footage from Finding Dory being shown to attendees.

After a premiere at the El Capitan Theatre in Los Angeles on 8th June 2016, Finding Dory was widely released in the US on 17th June 2016, making its way to other countries over the following months. Unlike Finding Nemo, Finding Dory was released in both IMAX and 3D at the time of its initial release. The new short Piper (2016), about a little sandpiper trying to balance eating with a fear of drowning, learning how to act like a hermit crab in the process, was released alongside Finding Dory. It is one of three shorts at the Disney & Pixar Short Film Festival attraction in Epcot at the Walt Disney World Resort.

Finding Nemo has made around $940 million at the box-office worldwide, over two releases. It was the most successful animated movie of all time until Toy Story 3 in 2010. How would Finding Dory do? Early signs were incredibly positive as Finding Dory raked in $136.2 million in its domestic opening weekend. The global opening for that weekend increased the figure to $186.2 million, and the movie had $200 million by the end of its first week, with many international markets, like the UK and Germany still waiting for the movie.

Finding Dory broke records for: the opening weekend for an animated movie; the largest single day for an animated movie; and the largest opening day for an animated movie. It also beat the domestic opening weekends of all previous Pixar movies, including Toy Story 3 with $110.3 million and 2015’s Inside Out with $90.4 million. It even beat Disney Animation’s recent hits of Zootopia (2016), with $75.06 million, and Frozen (2013) and its $67.39 million[13]. Finding Dory crossed the $1 billion mark on 9th October 2016, becoming only the second film in Pixar history, after Toy Story 3, to reach this figure. It settled at $1.029 billion. Finding Dory was only the fifth animated film to take $1 billion of box-office revenue, after Frozen (2013), Minions (2015), and Zootopia, and Toy Story 3[14]. It peaked at No. 4 on the list of highest-grossing animated films at the time.

With help from Finding Dory, as well as a whole list of other movies Disney released in 2016, including Captain America: Civil War, Zootopia, and the remake of The Jungle Book, the studio crossed the $2 billion mark at the domestic box office on 16th July 2016. A week earlier, Disney surpassed the $5 billion mark globally, and crossed $3 billion in international grosses on 6th July 2016. In the second-half of 2016, they also released Pete’s Dragon, Doctor Strange, Rogue One: A Star Wars Story, and Moana, so even more money was awaiting them by the end of the year[15].

Finding Dory was met with mostly positive reviews, who enjoyed the beautiful animation, and the new characters and voice cameos. Hank was considered to be a fun new sidekick, and many liked how the movie had deepened Dory, making her more of a sympathetic character with those adorably cute childhood scenes. It was funny, moving, charming, and warm, as we’d all expect from Pixar. It was considered to be a sequel that worked for the majority of viewers.

But you can’t please everyone, and this being a sequel meant it was always open to scrutiny and comparison. It is no secret that Finding Dory follows a similar story to that of Finding Nemo, and for some, that simply isn’t enough to warrant a sequel. That didn’t bother me with Finding Dory because I liked the new setting, but I can understand this opinion. Others said it was just not as good as Finding Nemo and was pretty unnecessary.

This sentiment could be seen as being reflected in awards season as Finding Dory did not receive as much acclaim as Finding Nemo did. For example, Finding Nemo won the Academy Award for Best Animated Film, and cleaned up at the Annie Awards. In comparison, Finding Dory was not even nominated for Best Animated Feature Film at the Oscars, although Disney’s Zootopia and Moana were, with Zootopia winning. Piper, the short Pixar film that accompanied Finding Dory in theatres, did, however, win Best Animated Short Film here. At the Annie Awards, Finding Dory was nominated for Best Animated Feature but once again lost to Zootopia. It was also nominated for Outstanding Achievement in Character Animation, and Storyboarding, but lost to Jan Maas for Kubo and the Two Strings, and Dean Wellins for Zootopia, respectively. Piper once again won Best Animated Short Subject though. But, at the Saturn Awards, Finding Dory did win Best Animated Film. 

Finding Dory won other awards, including Favorite Animated Movie at the 2017 Kids’ Choice Awards and Ellen DeGeneres won Favorite Voice for Dory. The ensemble cast won the #Squad award here. At the Teen Choice Awards, Finding Dory won Choice Movie: Summer, and Ellen DeGeneres won for Choice Movie Actress: Summer. The film also won Favorite Movie and Favorite Family Movie at the People’s Choice Awards. DeGeneres won for Favorite Animated Movie Voice once again. I guess this shows that Finding Dory was not considered the amazing animated feat that Finding Nemo was but that it was still popular.

LEGACY

After Finding Dory was released, a short movie called Marine Life Interviews was released exclusively on the Finding Dory Blu-Ray. It is similar to Aardman Animations Creature Comforts, where the animals are being interviewed, answering questions about their time with Dory. Outside of that, there have been some other short episodes of Disney+ series themed to Finding Dory. One is an episode of Pixar: In Real Life, released in 2019, where the scene of Hank and Dory using a stroller to get round the Marine Life Institute is recreated in real life. Another is a Pixar Popcorn episode, from 2021, where Dory finds different trinkets on the ocean floor; and a LEGO Pixar: BrickToons short, titled Field Trip from 2024, showing LEGO versions of the characters going on a school field trip to a shipwreck. There is also talk of a National Geographic series called The Real Finding Nemo, announced at the end of 2024. This will follow in the footsteps of the A Real Bug’s Life series.

The Disney Parks have been representing the characters of Finding Nemo ever since its release in 2003, in parades, shows, and attractions. So, some of these experiences already existed before Finding Dory was released in 2016, but others opened later, and there are some experiences that were revamped to include characters from Finding Dory.

For example, at the Walt Disney World Resort in Florida, The Living Seas pavilion at Epcot closed in August 2005, reopening as The Seas with Nemo & Friends alongside a new attraction and updated aquarium space in January 2007. Here, there is the interactive show Turtle Talk with Crush, which opened in 2004. It uses a mixture of digital puppetry, image projection, and improvisation by an actor in real-time to make guests feel like they are having a conversation with fan-favourite Finding Nemo character Crush the sea turtle. Children can even ask Crush questions. A version of Turtle Talk with Crush exists at Disney California Adventure Park at Disneyland, opening in July 2005, and at Tokyo DisneySea in October 2009, which opened in October 2009. A similar show also exists at the Animator’s Palate restaurant on the Disney Cruise Line, and Walt Disney Imagineering even donated a Turtle Talk with Crush unit to the Children’s Hospital of Orange County in California in 2013. Ahead of Finding Dory’s June release date, characters like Dory, Destiny, Bailey, Hank, and Squirt were added to the shows at Walt Disney World, Tokyo Disneyland, and Disneyland[16]. Due to the live nature of this show, Turtle Talk with Crush will be different every time you watch.

At Disney’s Animal Kingdom Park at Walt Disney World, Finding Nemo – The Musical opened at the Theater in the Wild on 24th January 2007. Finding Nemo – The Musical was a roughly forty-minute show, featuring live actors and elaborate puppetry. Finding Nemo – The Musical closed in 2020 for the COVID-19 pandemic closures. When it reopened in June 2022, the show reopened as Finding Nemo: The Big Blue…and Beyond! This show is now about 25 minutes long, and includes an opening sequence relating to the Marine Life Institute in Finding Dory, complete with Sigourney Weaver’s narration. Here, we see the Tank Gang from Finding Nemo getting ready to be released back into the ocean after a stay at the institute – they were picked up by institute workers at the end of Finding Dory – and them explaining how they got there, taking us back to the events of Finding Nemo. Some songs were cut from the original musical, including my favourite song, and more of the story was condensed. The ending of the musical sees the Tank Gang released from the institute and finding Nemo to see how he’s getting on at home. There is also a golden statue of Nemo and Dory at this park, as part of the Fab 50 Character Collection installed throughout Walt Disney World for the resort’s 50th anniversary in 2021.

There is also a Walt Disney World hotel that features suites and courtyards themed to Finding Nemo, alongside those themed to The Lion King (1994), Cars (2006), and The Little Mermaid (1989). This hotel is Disney’s Art of Animation Resort, which officially opened on 31st May 2012, becoming Walt Disney World’s 26th resort. The Finding Nemo suites opened first on 31st May with décor to match the movie’s settings and the main pool area of the resort is based on the film.

Speaking of hotels, at Disneyland, their newly renovated Pixar Place Hotel opened in January 2024, along with a new pool area, which is themed to Finding Nemo and Finding Dory and their characters. It consists of a splash pad area called Nemo’s Cove, and Crush’s Surfin’ Slide. Pixar Place Hotel itself is themed to Pixar and its movies, so you may find some Finding Nemo or Finding Dory artwork or Easter eggs when exploring the space.

Outside of that, Pixar Pier, which opened at Disney California Adventure in June 2018 as a retheme of Paradise Pier, has a few references to Finding Nemo and Finding Dory including a billboard featuring Gerald, Fluke, Rudder, the sea lions, and Dory. The Pixar Pal-A-Round Ferris wheel attraction here also has character-themed gondolas, with Dory and Nemo just two featured Pixar characters. At the Lamplight Lounge restaurant, you may also see some small references to the artwork of Finding Nemo and Finding Dory. Sadly, since the characters of these movies cannot walk around the park unlike other Pixar characters, they were not referenced much at Pixar Fest here in 2024, but they were included as projections for the Together Forever fireworks show during this festival.

At Disneyland, along with Turtle Talk with Crush, the biggest Finding Nemo addition to Disneyland was the reimagining of the Submarine Voyage ride at Tomorrowland in the original Disneyland Park. Submarine Voyage opened in 1959. Finding Nemo Submarine Voyage opened in June 2007. Finding Nemo Submarine Voyage now follows the story of visitors helping Marlin and Dory find Nemo once again and characters from the movie are projected into the water scenes, similarly to The Seas with Nemo & Friends attraction, at points throughout the ride[17]. Dory and Nemo were also added to it’s a small world here.

Outside of the US, there are some other Finding Nemo and Finding Dory attractions and experiences. At Disneyland Paris, specifically at the Walt Disney Studios Park – soon to reopen in 2026 as Disney Adventure World – in the Worlds of Pixar area is Crush’s Coaster, a thrilling, spinning rollercoaster, taking you through moments from the film, including the sharks’ shipwreck and a ride through the EAC. It opened in June 2007. At Shanghai Disneyland, there is a play area called the Junior Explorers Camp at Adventure Isle with an area themed to Finding Nemo. Two other areas are themed to The Lion King and Up (2009). At Tomorrowland in Shanghai Disneyland, there is an interactive exhibit called Pixar Adventurous Journey, with exhibits themed to different Pixar movies. One is Finding Nemo.

At Hong Kong Disneyland, there used to be a Turtle Talk with Crush attraction, however, it was only open through the summer of 2008, and did not return. However, you can see Nemo, Dory, and Peach the starfish within the it’s a small world attraction there. At the Disney Explorers Lodge Hotel, there is also a children’s indoor play area themed to Finding Nemo called Nemo’s Recreation Reef. At Tokyo Disneyland, along with their version of Turtle Talk with Crush, a new attraction, Nemo & Friends SeaRider opened at Tokyo DisneySea in 2017, taking over the space previously used by StormRider. This ride is a simulator attraction and takes guests through the Marine Life Institute in a submarine, experiencing moments from the movie and new scenes. You can also see Nemo, Marlin, and Dory within the it’s a small world attraction.

For parades and shows at the Disney Parks, Finding Dory specifically has been used less frequently than Finding Nemo, although a clip of baby Dory with her parents was used in the revamped nighttime show for Disney’s Animal Kingdom, Rivers of Light: We are One back in 2019. This show no longer exists. This same image is used for the Momentous nighttime show at Hong Kong Disneyland, which seems to still be running. Finding Nemo characters are still used in Disney Stars on Parade at Disneyland Paris, with a whole float featuring the characters of Finding Nemo, including Crush, Dory, Bloat, and of course, Nemo. Previous versions of World of Color at Disney California Adventure included clips from Finding Nemo, and Nemo even flew over Disneyland’s Sleeping Beauty castle during the Disneyland Forever fireworks back in 2015 for the park’s 60th anniversary celebration.

On the Disney Cruise Line, there is the Nemo’s Reef water play area on the Disney Fantasy and Disney Dream. On the Disney Wish, Disney Treasure, and Disney Destiny, “Go with the Flow”, from Finding Nemo – The Musical, is performed as part of the Disney Seas the Adventure musical stage show. You can even experience a version of Turtle Talk with Crush at Animator’s Palate on some ships.

Pieces of merchandise have been available over the years since Finding Dory’s release, including toys, clothing, and pins. Finding Dory has not yet reached a milestone anniversary, with its 10th anniversary being in 2026, so Finding Nemo merchandise is more frequently available.

As Pixar continue to announce upcoming sequels to popular properties, I’m sure many are expecting the announcement of a third Finding Nemo movie. Initially, director Andrew Stanton joked that he was too tired to think about making a third film, whereas Ellen DeGeneres said she would consider it if the story for a third movie was good enough. She thought it could be something about new character Hank the septopus. However, in 2024, DeGeneres was asked about whether she would do a third Finding Nemo movie and she categorically said she would not. Yet Pixar said around this time that there were some ideas for a third film. Many fans don’t think there is anywhere they can go with this franchise now, as Finding Dory was incredibly similar to Finding Nemo, and if Dory isn’t going to return with Ellen DeGeneres, they may as well not bother, in my opinion.

FINAL THOUGHTS

Back in 2016, after an amazing year for The Walt Disney Company and their movies, Pixar apparently made an announcement saying they would not be making any more sequels. Since Disney’s record-breaking year encompassed a variety of sequels alongside original movies, this announcement was a bit of a surprise, and is even more surprising to us now, because all anyone wants to make is sequels!

In this case, Pixar said they were misquoted, and simply meant that they had just done a couple of sequels and they had lots of original movies in the works. They reiterated that they only make sequels if the story is good enough and the studio want to do it[18].

Now, I don’t have a problem with the occasional sequel, and Finding Dory was a pretty great one for me, but sequels at Disney and Pixar are getting just a little bit silly now. They’ve actually only made four since Finding Dory, but with the difficult movie-going landscape right now, studios are taking comfort in sequels to bring in those audiences, so they can make some decent profit from these very expensive animated films.

It seems like 2016 was really the start of this sequel-making world we live in, and it has only increased after the COVID-19 pandemic and economic troubles caused many of us to rely on streaming services instead of movie theatres to watch new films.

Finding Dory might have seen Dory reconnect with her family, but it seems to have signalled a disconnect between studios, filmmakers, and their audiences. Sure, sequels make a lot of money if promoted well and have the backing of an audience already, but do too many, and you risk alienating the public.


REFERENCES

[1] Credit: The Disney Classics, ‘Circle 7 Animation (Pixaren’t)’, TheDisneyClassics.com, 4th September 2021.

[2] Credit: Marina Draskovic, ‘Director Andrew Stanton Brings Dory Back’, D23.com, 17th June 2016.

[3] Credit: Zach Johnson, ‘The Making of Finding Dory: Why It Took 13 Years to Make the Finding Nemo sequel’, EOnline.com, 18th October 2016.

[4] Credit: Pixar, “What Were We Talking About?”, from Finding Dory (2016) UK Blu-Ray (2016).

[5] Credit: Matt Singer, ‘Andrew Stanton And Lindsey Collins On ‘Finding Dory’, Making Sequels, And What They Learned From Steve Jobs’, ScreenCrush.com, 14th June 2016.

[6] Credit: Pixar, Deleted Scenes (2016), Disney+.

[7] Credit: BFI, ‘Pixar directors reveal Finding Dory animation secrets’, BFI.org.uk, 19th July 2016.

[8] Credit: Amy Kaufman, ‘‘Blackfish’ gives Pixar second thoughts on ‘Finding Dory’ plot’, LATimes.com, 9th August 2013.

[9] Credit: Disney, ‘Technology Enhances “Finding Dory” Filmmaking Process’, TheWaltDisneyCompany.com, 21st June 2016.

[10] Credit: Matt Singer, ‘Andrew Stanton And Lindsey Collins On ‘Finding Dory’, Making Sequels, And What They Learned From Steve Jobs’, ScreenCrush.com, 14th June 2016.

[11] Credit: Pixar, “The Octopus That Nearly Broke Pixar”, from Finding Dory (2016) UK Blu-Ray (2016).

[12] Credit: Pixar, ‘Dory’s Theme I Finding Dory (2016) Bonus Feature’, Capivaronator YouTube Channel, 28th May 2024.

[13] Credit: Simon Thompson, ‘Why ‘Finding Dory’s Massive Box Office Makes A Third Film Inevitable’, Forbes.com, 23rd June 2016.

[14] Credit: T.J., ‘‘Finding Dory’ Crosses $1 Billion in Worldwide Box Office Revenue’, PixarPost.com, 10th October 2016.

[15] Credit: Disney, ‘Disney Hits 2016 Box Office Milestones in Record Time’, TheWaltDisneyCompany.com, 18th July 2016.

[16] Credit: Jim Korkis, ‘A Friday Visit with Jim Korkis: Turtle Talk with Crush’, YourFirstVisit.net, date unknown.

[17] Credit: Pixar, ‘Reinventing the Submarine Voyage I Finding Nemo’, Special Features Archive YouTube Channel, 16th March 2025.

[18] Credit: BFI, ‘Pixar directors reveal Finding Dory animation secrets’, BFI.org.uk, 19th July 2016.

#5 Finding Nemo (2003)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. PRODUCTION
  5. MUSIC
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

Disney Animation might’ve been the king of hit animated movies in the 1990s, but by the 2000s, their crown had slipped – and it moved on over to Pixar. 

Yes, Disney was struggling in this particular decade and wouldn’t recover until 2010. DreamWorks was another animation studio around at the time but their movies felt quite different to Disney and Pixar’s in terms of their level of humour.

Pixar benefited from Disney’s issues as their brand was centred around creating wholesome entertainment for all the family to enjoy, just like Disney. Pixar liked to make movies based on human emotion and experience but set in new fantastical worlds. Pixar had the added bonus of being the masters of computer animation, something most studios were still trying to get to grips with. It’s also worth remembering that Disney had an agreement with Pixar to distribute their movies, so both studios were feeling the financial benefit, even if Disney’s own films were taking the brunt of reviewers’ criticism.

In 2003, after making hit after hit, Pixar returned with their latest outing, Finding Nemo, a story of a father fish’s difficult journey through the ocean to save his son from the confines of a dentist’s fish tank. 

Little did the filmmakers know at that time that not only was Finding Nemo going to be a record breaker and the fifth successive smash hit for the studio, but that this film would become a classic in the years since its release, still being talked about and praised by both critics and regular audiences.

I can’t remember if I watched Finding Nemo at the cinema with my family when it came out but I probably did; I was the right age for it. I mostly remember watching it on DVD a lot but rarely, if ever, was it my decision to watch it. I don’t particularly enjoy the story, partly because of the fact so many movies follow people on journeys, with varying levels of success. It can get quite samey very quickly when you’re simply watching characters get into scrapes at different points, meeting strange creatures on the way.

Despite my lack of love for this film, I can still appreciate its artistry and its casting, understanding why many others have proclaimed Finding Nemo as a masterpiece. I will also happily say that I find Finding Nemo to be very funny, as I do with so many other Pixar films. They have a type of humour entirely their own. 

PLOT

Finding Nemo begins with a clownfish couple, Marlin and Coral, who are getting ready for their hundreds of eggs to hatch. They are excited to be parents, and are talking about names for their children. Marlin believes most should be called either Marlin Jr. or Coral Jr., but Coral likes the name Nemo. Marlin agrees to allow one to be called Nemo. Suddenly, the two notice that the reef around them has gone silent – and that is because a barracuda is about. Coral fears for the safety of her eggs so swims down to protect them, however, the barracuda follows her. Marlin attempts to stop it, but is knocked unconscious. When he regains consciousness, Marlin is devastated to find that Coral and their eggs have gone. Searching around, Marlin finds one of their eggs has survived. Marlin vows to call this one Nemo and will protect this son at all costs, not letting anything happen to him.

Some time has now passed and Nemo is excited for his first day at school. Marlin is not so excited, and is feeling very overprotective, as he is every day of Nemo’s life! All the way to school, Marlin tells Nemo to check the coast is clear before leaving their anemone home, tells him to “hold his fin”, and not swim off. When they arrive at the school “grounds”, Marlin talks to some other parents, who try to calm his fears. Nemo’s teacher, Mr. Ray, a stingray, then arrives. Nemo is welcomed as a new student, but before they can leave for the day, Marlin quickly mentions Nemo’s “lucky fin”, the smaller fin that he was born with, worried that Nemo may struggle with swimming during Mr. Ray’s class. Mr. Ray tells him not to worry and the class leave. Marlin then hears from the other parents that they are going to “the drop-off”, and freaks out, chasing after them.

The class arrive at the drop-off, and whilst the rest of the class listen to Mr. Ray’s teachings, the three children of the parents Marlin was talking to walk off to the edge of the reef, so they can see the real drop-off of the seabed. Nemo goes with them. They see a boat in the distance, incorrectly referring to it as “a butt”. They start to dare each other about who can touch “the butt”, but when it is Nemo’s turn to swim out, he doesn’t want to. However, Marlin comes in at just that moment and is furious with Nemo for putting himself in danger, despite the fact he wasn’t going to do it. Marlin tells Nemo he simply isn’t ready for school and won’t be coming back. Nemo tells his dad he hates him. Mr. Ray comes over to resolve the issue, but as the adults talk, Nemo tries to prove a point to his dad by swimming out to sea. Everyone turns around and is shocked to find Nemo right up against the boat. Marlin warns Nemo not to even think about touching that boat, but Nemo defiantly does. Nemo starts to swim back; however, a diver appears right behind him. This diver puts Nemo into a bag and swims back to his boat. Another diver takes a photograph of Marlin, with the flash dazing him. Marlin tries to swim after the boat but can barely see a thing. The boat starts up its engine and pushes Marlin further away from it. The diver’s mask drops into the ocean.

Marlin tries to follow the boat, but even on the surface, he can’t see the boat anywhere near him. He attempts to ask other fish for help but they ignore him. He then swims right into blue tang Dory. Dory claims to have seen a boat and tells Marlin to follow her. After swimming for a bit, Dory starts to swim erratically, and then confronts Marlin, asking why he is following her. Marlin is confused by this, telling Dory she said she was taking him to the boat. Dory then starts the conversation again, leading Marlin to believe she’s crazy and says they’ve already had this conversation! Dory explains she has short-term memory loss and forgets things almost instantly. Marlin tells Dory she is wasting his time, and goes to leave. Instead, he swims right into great white shark Bruce. Bruce invites the two of them to a “party”. Marlin is immediately suspicious but Dory happily agrees to go. They don’t really have much choice anyway, and Bruce leads the two to a wrecked ship. At the ship, two other sharks are waiting for them and Marlin fears he’s about to be eaten…

But this turns out to be a support group meeting for the sharks, who are attempting to give up eating fish, with their motto being “fish are friends, not food”. At this meeting, Bruce and his friends Chum and Anchor have been tasked with bringing a fish friend to their meeting today. Chum has “misplaced” his friend, actually having eaten it, and Bruce offers Marlin instead, since he brought both Marlin and Dory. The meeting can now start. Bruce says it has been three weeks since he has eaten a fish, and opens up the (sea)floor to anyone else. Dory swims up and says she doesn’t believe she has ever eaten a fish. Marlin is then told to introduce himself to everyone. Marlin starts by saying his name and that he is a clownfish. Whenever someone hears or sees Marlin is a clownfish, they always ask for a joke, as the school parents did, and now the sharks want a joke too. However, Marlin isn’t good at joke-telling and is distracted by a mask in the distance, recognising it as the mask of the diver who took Nemo. Marlin explains the story to the sharks, and Dory comes over to take a look. It has writing on it, so she wants to ask the sharks if they can read it. The two fight over the mask, and it hits Dory in the nose, causing it to bleed. Bruce then smells the blood and reverts back to his predatory nature.

Bruce chases after Dory and Marlin, who swim away quickly, still holding the mask. They get to a dead end, but Dory manages to read the word “escape” and they find a way out of the wrecked ship. They soon find themselves trapped somewhere else though, and the mask has ended up in Bruce’s mouth. Dory finds that the area they are in holds torpedoes and sets one off. It hits Bruce in the mouth, freeing the mask, as well as Dory and Marlin. Bruce throws the bomb from his mouth. He soon comes to his senses again when he realises that bomb is heading right for the sea mines surrounding the ship. They swim away as multiple mines detonate and everything around them explodes.

Back with Nemo, we discover he has been placed in a dentist’s fish tank, with this dentist being the diver, who believes he was saving Nemo from the reef as he was swimming all alone out there. Nemo is terrified about being here, but his fellow “tank mates” soon introduce themselves. They include Bloat the pufferfish, Peach the starfish, and Gill the Moorish idol fish. Nemo is also introduced to Nigel the pelican. The fish soon discover that the dentist has saved Nemo as a birthday present for his niece, Darla. The tank fish are horrified, knowing Darla killed another fish by shaking its bag. Nemo has to get out of there.

Meanwhile, Dory and Marlin have fallen asleep in the mask, which is hanging precariously on the edge of the wrecked ship. The ship starts to move and Marlin wakes Dory. As the two fear being squished by this boat, they drop the mask. The boat settles on an edge, leaving them unharmed. But Marlin wants that mask back – and it fell a really long way down… Dory tries to encourage him to swim into the darkness, by telling him to “just keep swimming”. Soon enough, all the light has vanished. They then come across a random light in the sea. Entranced, they swim right up to it – before realising it is the light of an anglerfish! Marlin and Dory swim away, but Marlin spots the mask on the sea floor. He realised Dory could read on the ship and asks her to read the mask, while he distracts the anglerfish. Dory successfully manages to read the mask, just in time for them to get eaten! Dory and Marlin wait for their deaths – until they realise nothing has happened, because the anglerfish has gotten caught in the mask! They’ll have to leave it there, but thankfully, for once in her life, Dory has remembered what was written on the mask: an address. They need to get to “P. Sherman, 42 Wallaby Way, Sydney”.

That night, in the dentist’s tank, Nemo is woken up by Jacques, a cleaner shrimp, who takes him to the volcano in the tank. Nemo hears the other fish chanting as he is led to the top of the volcano, named “Wannahockaloogie” – get the joke? Gill leads Nemo in his “initiation” into their gang. He is told to swim through the “Ring of Fire”, just the volcano’s bubble eruption. Nemo does so easily. Gill dubs him “Brother Sharkbait” and tells them of his escape plan: to block the tank’s filter so the dentist will have to clean the tank, and get them out to do so. In their bags, they can roll right out the window and down to the harbour.

Back in the ocean, Dory is pleased with herself for remembering the address, repeating it so many times to ensure she doesn’t forget it. Marlin sees a school of moonfish and goes to ask them for directions but they won’t stop and listen to him. Marlin then says to Dory that he wants to go on alone. Dory gets upset and starts to cry, alerting the school of fish who accuse Marlin of upsetting her. The fish start to play charades with Dory in a bid to cheer her up, but Marlin keeps guessing the answers instead, annoying them. The fish do an impression of Marlin, which upsets him and he swims away. Dory explains that he has lost his son and they are trying to get to Sydney. The fish happily tell them the way to get there. They’ll have to ride the East Australian Current, but first, they’ll come across a trench. At this trench, Dory is told specifically to go through it, not over it. Dory thanks them and they head off. At the trench though, Marlin doesn’t like the look of it, seeing it as a way to certain death. He wants to go over it, and won’t listen to Dory’s instinct they should go through it. Marlin distracts Dory, telling her something shiny went over the trench so they start to swim over it. At the top, Dory comes across a tiny jellyfish, who stings her. Marlin bats it away and says thankfully, it was only a little one. However, they are soon surrounded by hundreds of jellyfish. See, Marlin; that’s why you weren’t supposed to go over the trench. Marlin doesn’t believe there is a way through, until he sees Dory bouncing on the top of them. He comes up with a game, a race to get through the jellyfish by only bouncing on them. Dory and Marlin get really competitive and Marlin races ahead, getting through easily. He then notices Dory is not with him, and heads back in to find her. Dory has been stung numerous times and is trapped. Marlin swims right into the jellyfish’s tentacles and saves Dory, getting her out. But both pass out from their stings and begin to float to the bottom of the ocean…

At the dentist’s office in Sydney, the dentist leaves the room, giving the fish the perfect chance to enact their plan. Nemo swims through the filter, and is passed a pebble from the tank. He pushes the pebble into the rotating gear, which jams the filter. Nemo then swims up the tube above the gear to get back to the tank. However, just when everyone thinks it’s done, the pebble moves out of the gear and the filter starts up, sucking Nemo right into the gear. Gill grabs a piece of foliage from the tank and stuffs it up the tube with the help of the others. Nemo manages to grasp it with his teeth and is pulled through. Peach tells Gill not to make Nemo do that again. Traumatised by his own near-death escape, where Gill landed on dentist tools, scarring himself and cutting his fin, he says he won’t.

Marlin wakes up, and is surprised to find himself on the shell of a turtle named Crush. Crush tells Marlin they all saw how he “took on the jellies”, making him an instant legend. Marlin says he needs to get to the East Australian Current and is told by Crush he’s already there. He then asks about Dory, who he sees on a turtle shell below. He goes to her, believing she’s still unconscious. It turns out she’s just playing hide and seek with the younger turtles, who all want to know about Marlin and the jellyfish. This story is then passed through the creatures of the ocean, eventually getting to Nigel the pelican, who manages to tell Nemo that his dad is coming to get him. Motivated by this, Nemo enacts the plan to block the filter again, whilst nobody is watching. As the others notice what Nemo is trying to do, they grab a plant again and tell Nemo to grab it. But everything’s fine; Nemo has already jammed the filter and gotten back. Now, all they have to do is wait for the tank to get dirty!

In the current, Dory and Marlin have reached their exit, and Crush’s son, Squirt pushes them out at the right point, and they ride the current out. Marlin asks Crush how old he is, so he can tell Nemo. Crush is 150 years old “and still young”. Dory and Marlin then just swim straight. After a while, they don’t seem to be getting anywhere and only see one fish in the distance. Dory wants to ask the fish for directions, and realises it is actually a whale. Dory starts speaking whale, but it swims away from them. As they work out what to do next, the whale swallows them. In the whale’s mouth, Marlin starts to lose hope of ever seeing Nemo again. They then see the water level decreasing in the whale’s mouth. Dory “asks” the whale what is going on and she says it wants them to go to the back of the throat. Marlin doesn’t trust the whale not to eat them, so hangs on to the whale’s tongue. Dory wants to follow the instructions and falls down, but Marlin grabs her fin at the last minute. Dory tells him to trust her for once. Eventually, he does and they drop – only to be freed from the whale via its blowhole. They also discover the whale has taken them right to Sydney Harbour.

Yet things aren’t going so well at the tank. Although it got dirty, the dentist installed a new filter overnight so the fish wake up to find it spotless without them being removed. The dentist then tries to fish Nemo out with a net, but the others dive in and swim down, taking the net with them. Nemo is fished out in a bag instead, and left in a box so he can’t roll.

In the harbour, Marlin and Dory look for the diver’s boat but are picked up by a pelican. Marlin refuses to be almost swallowed twice today, and sticks in the pelican’s throat. Nigel sees this pelican choking, because two fish are on his tongue. The pelican spits Dory and Marlin out. Nigel then hears Marlin talking about finding his son and realises he is Nemo’s dad. He wants Marlin and Dory to jump into his mouth but Marlin doesn’t want to do that. They are surrounded by seagulls. Nigel explains that he knows where Nemo is, but the excitement makes Marlin jump up and the seagulls swarm. Nigel grabs Marlin and Dory and flies away from the gulls, leading them on a chase through the harbour.

At the dentist’s office, Darla has arrived and she’s worse than Nemo had imagined, so he plays dead in his bag, believing that the dentist will flush him down the toilet, and the pipes will take him to the ocean, like Gill said. The dentist goes to put him in the bin instead. Nigel arrives at this point, and Marlin forces him into the room, causing chaos. Marlin then sees Nemo in the bag and believes he’s dead. Nigel is forced out of the room and takes Marlin and Dory back to the harbour. Back in the office, Nemo thought he heard his dad so stops playing dead. Darla picks up the bag and starts to shake it, causing Gill to use their tank volcano to launch him onto her head, getting her to drop the bag. The bag breaks on the dentist tools and both Gill and Nemo land, gasping for breath. Gill manages to propel Nemo into the toilet, and Gill is returned to the tank, pleased to have saved Nemo.

Nemo goes on a journey back through the ocean, calling for his dad. Marlin has gone on back home alone, leaving Dory lost. Nemo sees Dory and explains what happened to him. Dory doesn’t twig that this is Marlin’s son though and says she thought she was looking for someone too. Nemo says they can look together. After a minute or two, Dory does actually remember that Nemo is who they were looking for! She asks nearby crabs to tell her where Marlin went, using the surface seagulls to persuade him to tell her! They follow the same direction and Marlin eventually hears Nemo calling. But the reunion doesn’t last long, as Dory is caught in a fish net with hundreds of other fish. Nemo has an idea to save her and goes into the net, telling Marlin to get all the fish to swim down together. Marlin agrees to help, though concerned he’ll never see his son again. The fish are confused initially but work together to swim down, moving the net lower to the ocean floor. The net crashes down, freed from the boat, and the fish swim out. Dory is fine, but left on the bottom of the net is an unconscious Nemo. Marlin swims to him, and he regains consciousness. Marlin then tells Nemo all about his journey, and how he met a 150-year-old sea turtle. They all go home.

At home, Dory has joined the sharks in their bid to not eat fish, and Marlin has become calmer, even being funny for once! Nemo is back at school, and Squirt has joined as an exchange student. Marlin waves goodbye to his son for the day, and Nemo quickly swims back to hug him, saying he loves him. We also learn that the tank fish have broken the dentist’s new filter and had to be removed in plastic bags. They have managed to roll themselves down the harbour and into the sea, pleased with themselves – but wondering what they do now!

CHARACTERS & CAST

Marlin is an incredibly overprotective father, wanting to keep Nemo from harm at all costs. This is because Nemo is his only son, and he has firsthand experience of just how dangerous the ocean can be. He wants Nemo to be safe. Yet this causes friction between him and his son, as Nemo believes his dad doesn’t believe he is capable of looking after himself, even during a day at school. It’s because of this argument that Nemo even swims out to the boat in the first place, trying to prove to his dad that he is fine on his own. If they hadn’t had that conversation, I don’t think Nemo would’ve been taken by the diver. Because of this guilt, Marlin realises he has to put his fear about the ocean aside to rescue his son, knowing the fear of losing him is much worse than anything he’ll experience out at sea.

Albert Brooks was cast as Marlin. Brooks made his acting debut in Taxi Driver (1976), being cast as Tom. He went on to appear as Aaron Altman in the comedy-drama Broadcast News (1987), for which he was nominated for Best Supporting Actor at the Academy Awards.  For voice work, Brooks had voiced a few characters in episodes of The Simpsons (1989-present), leading to him voicing the character of Russ Cargill in The Simpsons Movie (2007). In more recent years, Brooks has been cast as Bernie Rose in the Ryan Gosling film Drive (2011), and was the subject of the documentary Albert Brooks: Defending My Life in 2023. He is set to appear as Governor Bill in Ella McCay (2025).

Dory is the complete opposite of Marlin, not having any fear, perhaps because she can’t remember what fear even feels like, thanks to her short-term memory loss. Dory doesn’t seem to know where she’s going in life so Marlin’s quest gives her a purpose, and something useful to do. She is initially annoying to Marlin, with her forgetfulness and obsession with singing and repeating things over and over again! Dory likes Marlin’s friendship though, seemingly not remembering where her friends are, and doesn’t like the idea of Marlin leaving her, as he tries to do numerous times on their journey, due to his worry about Dory’s unpredictable behaviour. Dory is easily the funniest character in Finding Nemo, and the movie wouldn’t be the same without her. She is the comic next to Marlin’s “straight man”, with their bouncing off each other leading to many good moments and quotable lines.

Dory was voiced by comedian Ellen DeGeneres, who began her career in stand-up comedy. She later starred in the ABC sitcom Ellen (1994-98), which ran for five seasons. Following that, DeGeneres hosted award shows, like the Grammy Awards in 1996 and 1997, as well as the 2001 Primetime Emmy Awards. She starred in the Epcot attraction Ellen’s Energy Adventure at Walt Disney World. This attraction ran from 1996 until 2017, and also starred Bill Nye the Science Guy. Ellen later hosted her own talk show, The Ellen DeGeneres Show, from 2003 until 2022, as well as the game show Ellen’s Game of Games (2017-21). The daytime talk show was popular, winning multiple Daytime Emmy Awards during its time, however, by the late 2010s, allegations had started to surface around a toxic workplace environment, as well as complaints around DeGeneres herself. Since the end of her series, DeGeneres has mostly retreated from the spotlight, and even moved to the UK in late 2024. DeGeneres won the Annie Award for Outstanding Voice Acting; the Kids; Choice Award for Favorite Voice from an Animated Movie; and the Saturn Award for Best Supporting Actress for her role as Dory.

Nemo is Marlin’s curious son. He wants to know all about the ocean and the creatures in it, like sharks and sea turtles. He is frustrated that his father doesn’t seem to think he can do anything for himself, even swim well because of his “lucky fin”. By swimming out to sea and touching the boat, he is aiming to show his father he is perfectly fine, but instead, this gets him taken from the ocean and put into a fish tank. Nemo is scared initially of this new environment and the other fish, but they quickly come to be friends, finding ways to ensure he doesn’t end up as a gift to Darla. Gill in particular comes to be Nemo’s “father figure” whilst away from his dad. With help from him, Nemo is freed and reunited with his father. On returning home, Marlin has made some changes to his parenting style, allowing Nemo more space and the chance to be his own fish.

Alexander Gould voiced Nemo. After Finding Nemo, Gould went on to voice Bambi in the direct-to-video sequel Bambi II (2006), and was cast as Twitch in the children’s comedy film How to Eat Fried Worms (2006). He also had a starring role as Shane Botwin in the comedy-drama series Weeds (2005-12). Gould won Young Artist awards for his roles as both Nemo and Shane Botwin, in 2004 and 2007, respectively.

The “tank gang” consists of an eclectic mix of fish and sea creatures. First, we have Moorish idol fish Gill, who seems to have been taken directly from the ocean, like Nemo, whereas the others were bought online. Gill is the most determined to escape, seeing Nemo as the perfect opportunity to get out, since he is small enough to get in and out of the filter mechanisms. Gill is mysterious, not revealing many details about his life, other than to say his fin was damaged from his escape plan to get into the dentist’s toilet, by landing on dental tools. At first, Gill doesn’t seem to care about Nemo’s safety, seeing him as a tool to get out of the tank, but it soon becomes clear that he does care about Nemo and does not want him to end up with Darla. Him and the others want Nemo to get home to his father.

Gill was voiced by Willem Dafoe. Dafoe first rose to fame with his role as Sergeant Elias in the war movie Platoon (1986), receiving an Academy Award nomination in the Best Supporting Actor category for his role. Dafoe would go on to be nominated in this category twice more: as Bobby in The Florida Project (2017) and as Max Schreck in Shadow of the Vampire (2000). Dafoe would earn a further Oscar nomination for Best Actor for his portrayal of Vincent Van Gogh in At Eternity’s Gate (2018). Dafoe is also known for his role as the Green Goblin in the 2002 Spider-Man movie and its subsequent sequels. More recently, Dafoe starred alongside Emma Stone and Mark Ruffalo in Poor Things (2023), playing Dr. Godwin Baxter. He also portrayed David Tebet in Saturday Night (2024).

As for the rest of the tank gang, we have Bloat the blowfish, who blows up whenever he gets stressed out. Generally, he is a big lovable fish. There is also Peach, the starfish who is a good lookout in the office, knowing when the dentist is doing an exciting procedure or whether he has left the room, since she is stuck to the sides of the tank most of the time. Bubbles is a yellow tang fish who has grown very attached to a little treasure chest in the tank that releases bubbles, hence his name. There is also Gurgle, a royal gamma fish who is obsessed with cleanliness, even insisting Nemo is “decontaminated” by Jacques, the cleaner shrimp, who naturally cleans the tank a lot, on learning Nemo was in the ocean. Deb is a striped damselfish, who is a little bit crazy, believing that her reflection in the tank is her sister Flo. I think Deb in particular has been in this tank a little bit too long!

Brad Garrett voiced Bloat. Garrett starred as Robert Barone in Everybody Loves Raymond (1996-2005), alongside Ray Romano, for which he won three Primetime Emmy Awards for Outstanding Supporting Actor. Known for his distinctive, deep voice, Garrett has voiced other characters for Disney and Pixar, including Dim in A Bug’s Life (1998), Gusteau in Ratatouille (2007), Hook Hand in Tangled (2010) and Eeyore in Christopher Robin (2018). Alison Janney voiced Peach. Janney won multiple Primetime Emmy Awards for her role as C.J. Cregg in The West Wing (1999-2006), going on to appear in various movies including The Help (2011), playing Charlotte Phelan; Bombshell (2019), being cast as Susan Estrich; and, most recently, A Simple Favour (2025), playing Aunt Linda. Janney also won numerous awards, including an Academy Award and a BAFTA for Best Supporting Actress, for her portrayal of LaVona Golden, Tonya Harding’s mother, in I, Tonya (2017).

Bubbles was voiced by Stephen Root. Root was cast as Jimmy James in the sitcom NewsRadio (1995-99), alongside Dave Foley and Vicki Lewis. Root has also voiced the characters of Bill Dauterive and Buck Strickland on King of the Hill (1997-2009, 2025-present). In recent live-action, Root can be seen as Neil Mullin in Bombshell (2019); Jim Hudson in Get Out (2017); and as Tony in Paint (2023). Gurgle was voiced by Austin Pendleton. Pendleton was cast as John Gibbons in the movie My Cousin Vinny (1992), and appears as Marty in Christmas with the Kranks (2004). He was part of the ensemble cast who won a SAG award for A Beautiful Mind (2001). Vicki Lewis was cast as Deb, who played Dina Reams in the Disney Channel Original Movie Den Brother (2010), and Ms. Knightslinger in the DCOM Upside-Down Magic (2020), as well as appearing as Ms. Bitterman in a few episodes of the Disney Channel series Sonny with a Chance (2009-11). Lewis is also known for her role as Beth in NewsRadio. The voice of Jacques was provided by Joe Ranft, who was an artist at Pixar. His first pieces of work included pitching and storyboarding the Green Army Men sequence for Toy Story (1995). He also voiced other characters for Pixar’s movies, including Wheezy in Toy Story 2 (1999) and Heimlich in A Bug’s Life (1998). Ranft died in a car accident in 2005, during production on the movie Cars (2006) which he co-directed[1]. Ranft worked on story for all Pixar films up until then.

There is also Nigel the pelican, who is a friend of the “tank gang”, visiting them often, wanting to get a look at the dentist treating his patients. Apparently, this is a fun activity for animals; not so much for humans! It is because of Nigel that Marlin is able to get into the dentist office, although things take a turn when it is believed that Nemo is dead. Geoffrey Rush was cast as Nigel. Rush has appeared in many projects on stage and screen over the years. He won the Academy Award for Best Actor for his portrayal of pianist David Helfgott in the movie Shine (1996). Rush continued to be nominated for his film roles over the years, including in the Best Supporting Actor category for his roles as Phillip Henslowe in Shakespeare in Love (1998) and Lionel Logue in The King’s Speech (2010). He also won a Primetime Emmy for Outstanding Lead Actor for playing the title role in the HBO movie The Life and Death of Peter Sellers (2004). Rush is also known for playing Captain Barbossa in Disney’s Pirates of the Caribbean film franchise.

The sharks Bruce, Anchor, and Chum are the biggest threat to Marlin and Dory on their search for Nemo, although Dory doesn’t even realise it. They are fine at the start, vowing not to eat fish, and Chum seems to be the one who is most likely to go off the rails. Instead, Bruce smells Dory’s blood when she hits it on the mask and he goes crazy, desperately wanting to eat them. Anchor and Chum try to stop Bruce, attempting to diffuse the situation by saying Bruce never knew his father – which is such a good excuse for wanting to eat someone, isn’t it? In the end, the sharks fear dying from an exploding mine and forget all about Marlin and Dory, giving Bruce an opportunity to come to their senses. By the end of Finding Nemo, Dory and Marlin have befriended the sharks, with Dory helping the sharks on their journey to “vegetarianism”.

Bruce was voiced by Australian comic Barry Humphries, who was well-known for his comedic performances, most notably as the character Dame Edna Everage, having many TV specials as this character in the 1980s and 1990s. Humphries went on to voice the character of Braulio in Justin and the Knights of Valour (2013). He was also the Great Goblin in The Hobbit: An Unexpected Journey (2012) via motion capture. Humphries sadly passed away in 2023. Anchor was voiced by Eric Bana, who came to fame with his role as Norm “Hoot” Gibson in Black Hawk Down (2001). He later played Hector in Troy (2004), and starred as Henry in The Time Traveller’s Wife (2009), with Rachel McAdams. Bruce Spence voiced Chum. He appeared as Cookson, one of Hook’s pirates in the 2003 adaptation of Peter Pan. He went on to play Tion Medon in Star Wars Episode III: The Revenge of the Sith (2005). More recently, he appeared as Gerry in the movie The Dry (2020), with Eric Bana.

Then, we have Crush the sea turtle. Crush is a chilled-out sea turtle, just cruising down the EAC with his friends and family. Nothing bothers Crush, and he is a relaxed parent too. His son, Squirt, falls out of the current, which causes Marlin to panic. Crush tells Marlin to calm down, knowing that Squirt will find his own way back into the current, and sure enough, he does. This shows Marlin that he doesn’t need to hold on so tight to Nemo because kids are resilient and know more than their parents think. Crush was voiced by Finding Nemo’s director, Andrew Stanton. Stanton has been at Pixar since its first feature, and was a co-director on A Bug’s Life (1998) prior to Finding Nemo, continuing to be part of the Pixar Senior Creative Team. Stanton is also writing and directing Toy Story 5 (2026).

Mr. Ray is Nemo’s flamboyant school teacher. Mr. Ray likes to sing to signal his arrival, and just generally sings on his travels! Mr. Ray is a friendly teacher, although he’s not particularly strict, not even noticing four members of his class walking towards the drop-off, risking their safety. He’s too busy looking at something else with his other students. To be honest, the ratio of students to teachers is way too low here, so no wonder an incident like this occurred. Mr. Ray should really look at hiring a teacher assistant… Bob Peterson voiced Mr. Ray and he is also a Pixar employee. Peterson had worked on the earliest Pixar movie, Toy Story (1995), within the animation department, and has continued to work on other Pixar films in both a story and voice acting capacity. For example, Peterson co-wrote the screenplay for Cars 3 (2017), and co-directed Up (2009), also voicing the characters of Alpha and the much-loved Dug. Another Pixar character he has voiced is Roz in Monsters, Inc. (2001). Peterson also wrote, created, and directed the animated short series Dug Days (2021-23), and reprised his voice role of Dug.

Finally, we have John Ratzenberger, Pixar’s “good luck charm”. Ratzenberger voiced a character in every Pixar movie up until Onward (2020), later returning to reprise his voice role of Fritz in Inside Out 2 (2024). He is particularly known for voicing the character of Hamm in the Toy Story franchise. In Finding Nemo, Ratzenberger voiced the school of moonfish, the ones who like to play charades with random swimmers-by.

PRODUCTION

Pixar had already received critical acclaim for their first four movies, starting with Toy Story in 1995. With every release, audiences started to have expectations of the studio and were excited to see what they would come up with next.

It might seem like workers at Pixar would’ve started to feel confident about their movie-making abilities. Even critics were commenting on the studio’s “reliability”, and yet, within the company, all this gave the filmmakers was an increasing amount of pressure to not mess up and ruin their streak of luck.

In the case of Finding Nemo, the team working on this movie were dealing with a tightly controlled budget, after Monsters, Inc. (2001), despite being a hit, had come under fire for its extraordinary budget, with much development work not even making it into the film. They were also only too aware of Brad Bird’s The Incredibles taking much of the focus away from Finding Nemo, since everyone was expecting that movie to be their hit for 2004. Many actually thought Finding Nemo would be a flop, including CEO of The Walt Disney Company at the time, Michael Eisner, who apparently believed it would be Pixar’s first box-office bomb. During the intense production process, even director of Finding Nemo Andrew Stanton was starting to have doubts about it.

The story of Finding Nemo was devised by Stanton, with a few inspirations. One was Stanton’s childhood visits to his dentist, who happened to have a fish tank. Stanton would look at these fish and wonder what it was like to have humans staring into your home all day. He assumed that these fish all came from the ocean and must’ve been wanting to get home[2]. Another came in later life, when Stanton went for a walk with his five-year-old son to the park. He’d wanted some father-son time together; however, Stanton began to notice how he was taking away from that time by being overprotective to ensure his son didn’t get hurt. He realised he wasn’t being present enough[3]. With these two influences combined, it is clear to see how the story started to take shape, containing a similar father-son dynamic alongside a fish’s journey from fish tank to ocean, and vice versa.

Stanton had initially written a full screenplay, however, after storyboarding, the team found the story didn’t quite work. The story department began to collaborate together to help with rewrites, spending years getting to the point where the story was right and work could begin on the animation, which is pretty standard procedure, but this does mean that many elements initially present in the story did not remain in the final film.

The biggest story element not to exist in the final edit of Finding Nemo was something Stanton was enjoying experimenting with, and that was telling Marlin’s backstory through various flashbacks during the course of the movie. It was meant to gradually show the audience where Marlin’s panic around protecting his son had come from, and would’ve been split into around five flashbacks. The first saw Marlin meeting Coral for the first time, trying to get her attention. The next saw Marlin showing Coral their new anemone home. The third saw Marlin and Coral getting ready to be parents. Another had the two talking about names for their eggs, where Coral said she’d like to name one “Nemo”. The final flashback was to show the tragedy of the barracuda attack, where all but Marlin and Nemo were lost. This was going to be played alongside scenes of Nemo in the fish net with Dory at the end of the film. Although Stanton was excited to tell the story in this format, they found during early screenings of the film that by doing this Marlin wasn’t likeable enough. Stanton was advised to tell the story in a linear format, which was less interesting for him, but after spending over a year seeing people not warm to the character of Marlin, he decided he’d have to try it. Sure enough, by having the introductory scene show Marlin losing the love of his life and most of his children, audiences immediately emphasised with this character[4]. William H. Macy was initially on board to voice Marlin and recorded all of his lines. But when Pixar decided to make the film lighter, and avoid the use of all those dark flashbacks, they felt Macy was no longer right for the part and brought in Albert Brooks, to bring much-needed humour.  

There were some others changes to characters as well along the way. Crush was going to be a too-chilled-out hippie sea turtle, who didn’t seem to have much going on his brain! Pixar made test footage of Crush which used Sean Penn’s voice, taking vocals from his 1982 film Fast Times at Ridgemont High. It is unclear whether this meant Pixar intended to, or actually did, approach Sean Penn for the part, although it is known that this style of test footage was used to recruit Tom Hanks as Woody in Toy Story, and Billy Crystal as Buzz in the same film, though Crystal turned down the role[5]. Gill was also supposed to lie to Nemo about his past, something that Nemo figured out from watching a parent reading a book to their child in the dentist’s waiting room, because everything Gill had told him was in that book word-for-word. In this same scene, the tank fish were also watching a soap opera on the dentist’s TV, this apparently being their pastime instead of watching the dentist’s more complicated appointments[6]. Dory was initially being written as a male fish, however, Stanton was supposedly watching an episode of the sitcom Ellen, starring Ellen DeGeneres, as he was working on the movie. He liked how Ellen’s character on the show talked so fast and changed subject seemingly at random, and felt she’d be perfect as Dory. Megan Mullally, famed for her character Karen Walker on Will & Grace (1998-2006, 2017-20) was also approached to voice a character in Finding Nemo, however, Pixar wanted her to sound just like Karen, which Mullally did not want to do, so she was allegedly let go for this reason[7].

With the story in place, animation could begin, but not before a significant amount of research took place. Firstly, some of the filmmakers had to take scuba lessons in Monterey Bay so they could dive and look at marine life up close. They also took dives in Maui, Hawaii. Here, they learnt that the reef can be split up into three simple ideas: that there are ground masses; tall, vertical shapes; and flat, horizontal areas. This allowed the filmmakers to present this reef to an audience in an easy way. Research was also taken in Sydney and around the harbour. With the seagull chase, when Nigel the pelican is trying to get Marlin and Dory to Nemo, this was meant to go through the city, but whilst looking at the harbour, they thought it would be more recognisable to set it across the bay, as the Sydney Opera House and the Sydney Harbour Bridge are famous tourist attractions, making it easy for the audience to locate the setting of the sequence. They even did some research at a water treatment centre and sewage plant, with this being the intended setting for a sequence, following Nemo’s journey from toilet to ocean, that was ultimately cut[8]. What a waste!

The underwater world was quite difficult to recreate, as there needed to be a balance between realism and creativity. Although the animators were able to mimic actual shots in a simulation, they found this made the ocean too real, so they had to figure out a way of toning that down, but keeping some of that believability. Light was an important factor in achieving this, as they wanted to created mood as well as reflect natural times of day in the seascape. For example, it starts off as bright, blue water by Marlin and Nemo’s home, before getting darker and greener as they approach Sydney. Different types of light had to be factored in as well, such as light travelling differently through sewage water and harbour water compared to the open ocean. They even animated surge and swell in the water to reflect true activity.

On studying fish, it was decided that animating fish characters was going to be difficult. Fish don’t have any emotion in their faces, so instead, the animators turned to dogs. They saw that dogs use their eyebrows to emote, so this idea was put into the fish characters. Animating how fish move was an added challenge, since Pixar had animated non-human characters before but they had mostly walked on two legs. Here, they’d have to study how fish move their fins and propel themselves through the water[9]. They also had to explore how light goes through fish. In the end, they likened the effect to holding a gummy bear up to the light, and gave their fish this gummy sort of surface, before adding the correct texture to the skin and scales.

Other animation challenges in Finding Nemo included some effects and specific environments. One of these was recreating the anemone. After some time experimenting with ways of animating this, they discovered that covering a tennis ball with fur from Sulley in Monsters, Inc. and sticking it upside down managed to simulate the movement of the anemone, and they could just thicken the fur as needed from that point. With simulations of the large school of moonfish, they used Pisces software to make this, simply “killing” any misbehaving fish from the shot. So, although no actual fish were harmed in the making of Finding Nemo, it would seem that some computer-animated fish were! This was a similar type of process to the fishing net sequence towards the end of the film.

For some specific effects, they studied how silt moves in the ocean, specifically in relation to the rusting shipwreck that the sharks live in. When Bruce hits into parts of the ship, you can see silt, rust, and dust being kicked up. These particles move differently in water than they do in air, so they had to be animated realistically. They did the same with how a mine would explode underwater, creating a mushroom cloud of smoke, with one mine setting off the one next to it, and so on. The whale’s mouth was a particularly difficult challenge for many departments, as it is a dark environment, causing a problem for lighting, and the water trapped in the water looks and behaves differently to the ocean water, with splashes of water and smaller particles running down the whale’s tongue.

Finding Nemo contains many fun Easter eggs. For example, their famous “A113”, referencing a classroom at CalArts were some of Pixar’s animators studied, appears on the diver’s camera here, and the Pizza Planet truck appears outside the dentist’s office on the road, during the imaginary escape sequence, when we see a bag of water rolling itself into the harbour. You can also see a Buzz Lightyear toy in the dentist office, and a boy waiting to be seen by the dentist is reading a Mr. Incredible comic book, continuing the Pixar tradition of referencing their next film, in this case The Incredibles (2004). In Monsters, Inc., the movie preceding Finding Nemo, Nemo appeared as a toy in Boo’s room at the end of the film, and could be found hanging on the wall inside the door that Randall is thrown into by Sulley, also towards the end of the film. Nemo even appeared as one of the fish in the net that is destroyed by Kenai riding on a mammoth in an early scene in Disney’s Brother Bear (2003).

Other fun references in Finding Nemo include the fact that the character Darla was named after Pixar producer Darla K. Anderson, producer of A Bug’s Life (1998) and Monsters, Inc. (2001), who believes her history of playing practical jokes on Andrew Stanton was the reason for this, thinking naming the “villain” of Finding Nemo after her was some kind of payback! You can also see witty names of boats in the Sydney Harbour sequence, such as “Pier Pressure”, “The Surly Mermaid”, “iBoat”, and “Knottie Buoy”[10].

MUSIC

Although Randy Newman had composed the music for all four previous Pixar movies, the composer for Finding Nemo was someone different. But not someone too different, as the composer was Thomas Newman, Randy Newman’s cousin!

After Finding Nemo, Thomas Newman continued to work on the music for other Pixar movies, like WALL-E (2008) and Elemental (2023). He also became known for his compositions for other hit movies, like the Bond movies Skyfall (2012), for which he won the BAFTA for Best Original Music, and Spectre (2015). Prior to Finding Nemo, Newman had composed the music for American Beauty (1999), winning the BAFTA for Best Original Music, along with a Grammy for Best Score Soundtrack for Visual Media, and was nominated for the Academy Award for Best Original Score. He would later win the Grammy award again, and be nominated for Best Original Score at the Academy Awards too, for Skyfall. Newman also won an Emmy for Outstanding Main Title Theme Music for the series Six Feet Under (2001-05), and recently composed the music for Netflix’s miniseries Monsters: The Lyle and Erik Menendez Story (2024) with Julia Newman.

The Finding Nemo soundtrack mostly consists of instrumental music, because this isn’t a Disney movie so these fish don’t sing! The score had to get across a wide range of emotions and feelings throughout the movie, as Marlin, Dory, and Nemo deal with their fair share of highs and lows, threats and happy moments. For me, I particularly like the pieces “First Day”, which is a more positive, upbeat moment, at least for Nemo as he gets ready for his first day of school, as well as “Finding Nemo”, which sees Marlin and Nemo reunited at last. “Nemo Egg (Main Title)” is also a nice song, showing Marlin vowing to protect his son for the rest of his life, although it is slightly melancholic too. Within the more tense moments, I quite like “Lost”, where Marlin is desperately trying to figure out where the boat and divers who took his son have gone, and “Friends Not Food”, as Marlin and Dory are trying to escape from Bruce. “All Drains Lead to the Ocean” is another good piece of music here.  

The only actual song to appear on the movie’s official soundtrack is the End Credits song “Beyond the Sea”. For Finding Nemo, this song, originally titled “La Mer” and performed by Charles Trenet, was performed by British singer, and former member of Take That, Robbie Williams. It features on his 2001 album Swing When You’re Winning. There was also a music video released of this song, but only with clips from the film; you won’t see an animated fish version of Robbie. “Beyond the Sea” was written by Charles Louis Trenet, Albert Lasry, and Jack Lawrence.

Other music does, however, appear in Finding Nemo, and these songs were credited. One was “Psycho (The Murder)” written by Bernard Hermann. The opening notes of this music were used when Darla appears in the dentist’s office to collect Nemo, to show that she is terrifying to the fish. “Fandango” written by Bob Bain and “The Girl from Ipanema” written by Antonio Carlos Jobim, Vinicius De Moraes, and Norman Gimbel are also both credited, although I can’t find specifically when they are used, other than they seem to be used as background music during the scenes in the dentist’s office and its waiting room.

Newman’s score won the Annie Award for Music in an Animated Feature Production, as well as the BMI Film Music Award. It was also nominated for Best Original Score at the Academy Awards, and Best Original Score at the Satellite Awards, however, it lost out to Howard Shore’s music for The Lord of the Rings: The Return of the King, and Hans Zimmer’s score in The Last Samurai, respectively. Newman also missed out on the Saturn Award for Best Music to The Lord of the Rings: The Return of the King’s score.

RECEPTION

After around three years of production on Finding Nemo, the movie was ready to be shown to the public. The premiere of Finding Nemo was held at the El Capitan Theatre in Los Angeles on 18th May 2003, before being widely released in the US on 30th May 2003, becoming the first Pixar movie to be released in the summer, and not November, although in some countries, Finding Nemo would not be released until closer to November. Finding Nemo was also released alongside a customary Pixar short. In this case, Pixar re-released a short from their past, Knick Knack from 1989, about a snowman in a snow globe desperately trying to get free so he can hang out with the other ornaments on the shelf.

November has always been considered a good time to release a movie, but so is summertime. However, it was likely still a little bit concerning for Pixar to be releasing a movie outside of their usual timeframe. Yet, they had nothing to worry about because Finding Nemo did amazingly well, both at the box office and with critics. Audiences loved it too.

Finding Nemo achieved the best opening ever at the box office for an animated picture at the time, taking $70.6 million, more than Monsters, Inc. with $62.5 million. Finding Nemo’s box-office performance was followed by Bruce Almighty, The Italian Job 2003 remake, and The Matrix Reloaded[11]. By the end of the year, it was confirmed that Finding Nemo’s domestic takings had reached just under $340 million, and the movie reached the No. 2 spot for 2003 box-office results with just over $870 million; The Lord of the Rings: The Return of the King took the top spot. Comparing these results to Disney’s animated release of the year, Brother Bear reached No. 14[12]. At one time, Finding Nemo was the highest-grossing animated movie of all time, but has been surpassed many times since.

In terms of reviews, the overwhelming majority of these were positive, although there have been some more negative comments, especially in more recent times. These include that Finding Nemo may’ve been overhyped simply because of its incredible use of computer animation; Pixar was way ahead of the competition, that is a well-known fact. Others say it was less ambitious than previous films, which I can only assume they mean in way of story, as it can get a bit samey after a while, something I understand, but the animation was clearly ambitious. There were comments that Toy Story and Monsters, Inc. are funnier Pixar films, which I agree with, and that sometimes Marlin and Dory got a bit much for some viewers, who found them grating and annoying at times. Some also say some moments in this film are too scary for young children, such as the shark scene, although I’d disagree with that.  

On the positive side, many praised the beautiful animation and casting, particularly liking the chemistry between Marlin and Dory. It was seen to be a real story, easily recognisable as a story about the human condition, with messages around parenting and loss in particular. It was entertaining, clever, and imaginative, proving to be popular with adults and children alike. It has since been lauded as a timeless classic.

Finding Nemo’s critical acclaim and financial success were rewarded with a brilliant award season. Arguably the biggest achievement was winning the Academy Award for Best Animated Feature, this being Pixar’s first win in this category. Andrew Stanton, Bob Peterson, and David Reynolds were nominated in the Best Original Screenplay category and Best Sound Editing was another category where Finding Nemo was nominated.

Finding Nemo also won the Saturn Award for Best Animated Film, and won Favorite Movie at the Kids’ Choice Awards. Pixar also swept the Annie Awards with Finding Nemo winning the Best Animated Picture; Character Animation and Design; Directing; Effects; and Writing categories. Finding Nemo won every category it was nominated in. Finding Nemo was also named Best Animated Film of 2003 by the National Board of Review.

Outside of that, the screenwriters were again nominated for Best Original Screenplay at the BAFTAs. Finding Nemo was also nominated for Best Motion Picture – Musical or Comedy at the Golden Globes but lost to Sofia Coppola’s Lost in Translation. The Golden Globes did not have a Best Animated Feature Film category until 2007.

LEGACY

Following on from its theatrical release, Finding Nemo broke more records with its DVD release, becoming the best-selling DVD of all time, still holding on to that top spot and winning awards for its bonus features and games. Some of these included behind-the-scenes footage, as well as information around marine life, presumably to encourage children to learn about the underwater environment. One of these included a television special with French oceanographer Jean-Michel Cousteau called Exploring the Reef, which also saw him being joined by Dory, Marlin, and Nemo, to explain the importance of coral reefs and other marine life in the natural world.

 A video game based on the events of Finding Nemo was also released in 2003, and Finding Nemo characters have since been added to other Disney-affiliated games, like Disney Friends and Disney Infinity.

Finding Nemo was also re-released in 3D in September 2012 for a limited time. The successful 3D re-release of The Lion King in 2011 may’ve had something to do with this. The 3D release made just under $70 million worldwide, increasing Finding Nemo’s total worldwide box-office takings to just over $940 million.

It was then announced in early 2013 that Finding Nemo would be getting a sequel, with the name being revealed as Finding Dory. It was due to be released in November 2015, however, ended up being released in June 2016. Ellen DeGeneres was confirmed to be back to reprise her role as Dory, and Andrew Stanton was confirmed as the director of the sequel after directing the original. It was announced that Alexander Gould would be unable to return to voice Nemo due to the gap between the movies and the nature of voices changing with age[13]! Finding Dory became the fifth sequel or prequel to come from Pixar. 

Due to Finding Nemo’s popularity over the years since 2003, it is no surprise that the Disney Parks have created experiences based on the film. A very early one of these was a means of promoting the movie at the parks, particularly the US parks. This was done with a moving Nemo vehicle who roamed around the parks, being spotted at Epcot at Walt Disney World in Florida, as well as featuring in a mini-parade at Disney California Adventure Park at Disneyland in California, alongside fish puppeteers and dancers. This same Nemo was also used for the Walt Disney World Christmas Day Parade in December 2003, complete with a coral reef stage and the End Credits song from the movie “Beyond the Sea” playing.

At Walt Disney World, changes to its parks to incorporate Finding Nemo began early on. The Living Seas pavilion in Epcot, first opened in January 1986, complete with the largest saltwater aquarium tank in the world at the time; a restaurant, Coral Reef Restaurant; and exhibits. Guests were even taken to this “Sea Base Alpha” in “hydrolators”, large elevators that supposedly went deep underwater but only moved a couple of inches. The Living Seas area began being re-themed to Finding Nemo in early 2004. First, Nemo’s Garden, a collection of statues of the characters from the movie, was installed outside the pavilion, remaining there to this day as a good photo spot. Then, Turtle Talk with Crush, an interactive show where guests can speak to Crush on-screen, making the show different on every viewing, opened within the old Sea Base in November 2004. The Sea Base began to be changed, with specific signage referencing the Finding Nemo characters’ real-life fish counterparts as well as Bruce’s Shark World, an interactive exhibit, being added. The Living Seas pavilion was closed in August 2005, reopening as The Seas with Nemo & Friends alongside a new attraction in January 2007. This attraction, matching the name of its pavilion, saw guests ride through the aquarium tanks, with projections of Finding Nemo characters added to the real-life marine life, as they go through scenes inspired by the movie in “Clamobiles”, ride vehicles made to look like clams. This is an omnimover-style attraction, so it is continuously moving. The ride ends with characters singing a new song, “Big Blue World”, written for a new show at Disney’s Animal Kingdom by Robert Lopez and Kristen Anderson-Lopez, the two who wrote the songs for Frozen (2013) and Frozen II (2019)[14].

This new Animal Kingdom show was Finding Nemo – The Musical, which began performances at the Theater in the Wild, which used to house Tarzan Rocks! from 1999 to 2006, on 24th January 2007. This used to be an outdoor theatre but became enclosed for this new show. Finding Nemo – The Musical contained fourteen new original songs, and was a forty-minute show. It featured live actors and puppetry, such as a huge Crush puppet measuring the same size as a VW Beetle, and a Nigel the pelican puppet being 22-foot-tall. Many puppets were held up with rods by live actors. Crush himself needed four puppeteers to operate, and an additional singer, since all songs were performed live on stage. Michael Curry, who co-created the puppets for The Lion King musical on Broadway, was on hand to create these puppets. The show was directed by Peter Brosius, and choreographed by John Carrafa. Finding Nemo – The Musical won the Themed Entertainment Associate Award for Best Live Show in 2009. Guests could also own the soundtrack on CD, as I did, because it really was a fantastic show. Finding Nemo – The Musical closed in 2020 for the COVID-19 pandemic closures, and did not reopen until 2022, with a slightly shortened, altered show, and some songs were cut – including my favourite song…[15]

There is also a Walt Disney World hotel that features suites and courtyards themed to Finding Nemo, alongside those themed to The Lion King (1994), Cars (2006), and The Little Mermaid (1989). This hotel is Disney’s Art of Animation Resort, which officially opened on 31st May 2012, becoming Walt Disney World’s 26th resort. The Finding Nemo suites opened first on 31st May, with the other three sections opening in the following four months. The Finding Nemo rooms feature coral-shaped chairs, lights shaped like bubbles, a porthole mirror, and a vaguely shipwreck-themed bathroom complete with sharks on the shower curtain. The suites also have brightly coloured painted motifs and furnishings to match the coral reef in the movie. The “Big Blue Pool” is the main pool of the resort, the largest hotel pool at Walt Disney World, and includes large statues of characters and settings from the movie, like Crush, and Marlin and Nemo in their anemone. The Drop Off pool bar is nearby, as is a small children’s splash pad. Initially, the space where Disney’s Art of Animation sits, across a lagoon from Pop Century Resort, was meant as an expansion to Pop Century. Pop Century features buildings themed to a specific decade, from 1950s to 1990s, opening in 2003. A “Legendary Years” section, going from 1900s to 1940s, was planned to open in 2007, with some year markers and buildings already in place. This was never built and it was not until Summer 2010 that construction began on this leftover hotel space, with the theme changing to represent some of Pixar and Disney’s best animated films[16].

At Disneyland, specifically in Disney California Adventure Park, Turtle Talk with Crush opened in July 2005 at the Disney Animation area of Hollywood Land. The biggest Finding Nemo addition to Disneyland though was the reimagining of the Submarine Voyage ride at Tomorrowland in the original Disneyland Park. Submarine Voyage opened in 1959. Guests entered a real submarine and went underwater in a manmade lagoon. Portholes allowed guests to view the underwater scene. The story of this attraction was that you were on a voyage to the North Pole. A similar version of this ride later opened at Magic Kingdom in Walt Disney World, but themed to 20,000 Leagues Under the Sea (1954). This ride opened in 1971 and closed in 1994. The Magic Kingdom lagoon was eventually filled in, around 2004, and is now Seven Dwarfs Mine Train, opening as part of their New Fantasyland expansion in 2014. Submarine Voyage was no longer a popular attraction with guests by the 1990s, and Disneyland imagineers feared a similar future to this ride as the one at Walt Disney World. They knew it needed to be updated, and it was felt the perfect opportunity had come when Disney Animation released Atlantis: The Lost Empire (2001). This movie contains a specific chase sequence with sea monster the Leviathan, but as the movie flopped, the plans were abandoned. After seeing the success of Pixar’s Finding Nemo, a new retheme was devised. Submarine Voyage closed in 1998, and Finding Nemo Submarine Voyage did not open until June 2007. The submarines were repainted, the “wreckage” in the lagoon was changed to match the Australian coral reef setting of the movie, although some of the original ship graveyard from Submarine Voyage was kept. Finding Nemo Submarine Voyage now follows the story of visitors helping Marlin and Dory find Nemo once again and characters from the movie are projected into the water scenes, similarly to The Seas with Nemo & Friends attraction, at points throughout the ride[17].

Although the US Disney Parks appear to have the most Finding Nemo-themed experiences, there are more at the other four international parks. At Disneyland Paris, specifically at the Walt Disney Studios Park – soon to reopen in 2026 as Disney Adventure World – in the Worlds of Pixar area is Crush’s Coaster, a thrilling, spinning rollercoaster, taking you through moments from the film, including the sharks’ shipwreck and a ride through the EAC. It opened in June 2007.

At Shanghai Disneyland, there is a play area called the Junior Explorers Camp at Adventure Isle with an area themed to Finding Nemo. Two other areas are themed to The Lion King and Up (2009). At Tomorrowland in Shanghai Disneyland, there is an interactive exhibit called Pixar Adventurous Journey, with exhibits themed to different Pixar movies. One of these is Finding Nemo. At Hong Kong Disneyland, there used to be a Turtle Talk with Crush attraction, however, it was only open through the summer of 2008, and did not return. However, you can see Nemo, Dory, and Peach the starfish, though they are just stuck on wall, within the it’s a small world attraction there. At the Disney Explorers Lodge Hotel here, there is also a children’s indoor play area themed to Finding Nemo called Nemo’s Recreation Reef. At Tokyo Disneyland, specifically at Tokyo DisneySea in the American Waterfront area, guests can experience Turtle Talk with Crush, just like the US Parks, which opened in October 2009. You can also see Nemo, Marlin, and Dory on a wall within the it’s a small world attraction.

For parades and shows at the Disney Parks, Finding Nemo has frequently featured in some of these, for example, during the Disney Stars on Parade at Disneyland Paris, there is a whole float featuring the characters of Finding Nemo, including Crush, Dory, Bloat, and of course, Nemo. A small clip of Finding Nemo is shown during World of Color – Season of Light at Disney California Adventure during the festive season. Another clip of Squirt and Crush in the EAC, following by Dory and Marlin speaking to the whale, also featured within the original World of Color show, but that show has been updated so many times now, I doubt the original will come back. Nemo even flew over Disneyland’s Sleeping Beauty castle during the Disneyland Forever fireworks back in 2015 for the park’s 60th anniversary celebration, “recreating” his initiation into the “Tank Gang”.

On the Disney Cruise Line, since cruises take place on the ocean, it makes sense that Finding Nemo would be referenced on some of their cruise ships. For example, there is the Nemo’s Reef water play area on the Disney Fantasy and Disney Dream. On the Disney Wish, Disney Treasure, and Disney Destiny, “Go with the Flow”, from Finding Nemo – The Musical, is performed as part of the Disney Seas the Adventure musical stage show. You can even experience a version of Turtle Talk with Crush at Animator’s Palate on some ships.

Many pieces of merchandise have been available over the years featuring Finding Nemo characters, such as toys, clothing, games, pins, and MagicBands. Finding Nemo is one of those movies that is consistently referenced at the Disney Parks and there is no need for fans of the film to wait until a milestone anniversary to find something new.

FINAL THOUGHTS

Finding Nemo did brilliantly both commercially and critically on its release, exceeding even those at Pixar’s expectations who couldn’t believe their luck that each of their first five movies had been big hits.

The movie was not only funny, moving, relatable, full of quotable lines and memorable characters, but it had an impact of society. Finding Nemo made clownfish and blue tangs in particular globally recognised reef species, something that children can quickly point out. It’s impossible to go to an aquarium and not hear someone say “I found Nemo!”, or hear someone saying “Mine!” whenever seagulls are around.

More importantly, it made many of us think about how we as humans interact with the ocean world, and just how fragile an environment it is. Not only should we not take creatures from the sea away from their natural habitats purely to collect them, but we also need to consider whether underwater tourism, like scuba diving and snorkelling, is worth the harm and risk it can cause to reefs.


REFERENCES

[1] Credit: Jim Korkis, ‘In His Own Words: Joe Ranft’, CartoonResearch.com, 7th June 2019.

[2] Credit: Ben Sherlock, ‘Just Keep Swimming: 10 Behind-The-Scenes Facts About Finding Nemo’, ScreenRant.com, 21st February 2020.

[3] Credit: Pixar, “Visual Commentary Index”, from Finding Nemo (2003) UK DVD 2-Disc Collector’s Edition (2004).

[4] Credit: Pixar, A Lesson in Flashbacks (2012), Disney+.

[5] Credit: Jim Hill, ‘Tales of the VES: Behind-the-scenes on “Finding Nemo”’, JimHillMedia.com, 20th July 2003.

[6] Credit: Pixar, “Visual Commentary Index”, from Finding Nemo (2003) UK DVD 2-Disc Collector’s Edition (2004).

[7] Credit: Ben Sherlock, ‘Just Keep Swimming: 10 Behind-The-Scenes Facts About Finding Nemo’, ScreenRant.com, 21st February 2020.

[8] Credit: Pixar, ‘Filmmakers’ Roundtable I Finding Nemo’, Special Features Archive YouTube Channel, 16th March 2025.

[9] Credit: Pixar, “Making Nemo”, from Finding Nemo (2003) UK DVD 2-Disc Collector’s Edition (2004).

[10] Credit: Pixar, “Visual Commentary Index”, from Finding Nemo (2003) UK DVD 2-Disc Collector’s Edition (2004).

[11] Credit: The Guardian, ‘Disney finds box office gold with Nemo’, TheGuardian.com, 2nd June 2003.

[12] Credit: Box Office Mojo, ‘Domestic/Worldwide Box Office For 2003’, BoxOfficeMojo.com.

[13] Credit: BBC, ‘Finding Nemo sequel, Finding Dory, to be released in 2015’, BBC.co.uk, 3rd April 2013.

[14] Credit: Jim Korkis, ‘The Seas With Nemo And Friends’, YourFirstVisit.net, 14th May 2021.

[15] Credit: Jim Korkis, ‘Fridays with Jim Korkis: Finding Nemo – The Musical’, YourFirstVisit.net, date unknown.

[16] Credit: Jim Korkis, Hidden Treasures of WDW Hotels (2021), “Art of Animation”, pp. 147-154.

[17] Credit: Pixar, ‘Reinventing the Submarine Voyage I Finding Nemo’, Special Features Archive YouTube Channel, 16th March 2025.