#28 Inside Out 2 (2024)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. PRODUCTION
  5. MUSIC
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

In a year where movie studios seemed to only release sequels – not entirely true, but it definitely felt like it – Inside Out 2 turned out to be the big winner, both in terms of profits and reviews, from critics and audiences alike.

Pixar might have originally been known for creating inventive, unique films, but since the 2010s, Pixar has contributed to the “sequel fatigue” that many of us are feeling at the moment. It is annoying when studios don’t want to take a risk on something new and choose to take the safer, most profitable route, but I guess that’s business for you.  

That’s not to say Pixar haven’t tried to make something new, because they have. In the 2020s, they released Onward (2020), Luca (2021), and Turning Red (2022), but they struggled with the COVID-19 pandemic, which hampered Onward’s chances of doing well, and led the other two to be exclusively released to Disney+. When theatrical releases did become a possibility again, Pixar chose to release Lightyear (2022), a horribly disappointing attempt at a Toy Story-related spin-off. It was bad. So, who can blame them for wanting a box-office success by going for a sequel to an already popular Pixar film?

However, that doesn’t mean I was excited for Inside Out 2. I enjoyed the concept of the original film, so I was initially hopeful, but when I saw Anxiety in the teaser trailer, it immediately put me off watching it. My problem was that I have my own anxiety issues, and saying that doesn’t mean much to anyone anymore because a lot of people like to talk about their anxiety issues now, some wearing it like a badge of honour or treating it like a jokey label. I’m not about to try and “one up” anyone about this topic because some people will have better ways of handling anxiety than me, and others will have it worse. All I’m saying is that I was concerned about how Pixar was going to handle this particular emotion.

Sadly, after watching Inside Out 2, all it did was make me feel bad about myself and I found myself unable to relate to Riley’s own anxiety. That’s not a big surprise because I’m not a teenager, and Riley’s anxiety was quite specific to her age. I actually don’t remember struggling all that much with my sense of self as a teenager, and I’ve become less self-confident as I’ve aged, especially around my mid-20s, that age when everyone starts competing to see who can hit those all-important “life milestones” the quickest.

Looking back at the film as solely a source of entertainment though, I did like it, perhaps even a bit more than the first movie, because I liked seeing more of Riley’s life, which was left by the wayside in Inside Out as Fear, Anger, and Disgust struggled to deal with her without Joy.

PLOT

The original Inside Out ended with Joy telling the audience that Riley was twelve-years-old. Inside Out 2 begins with Joy telling us that Riley is now thirteen-years-old.

It also starts with Riley getting ready for an important hockey match with her team, the Foghorns. Even Riley’s five core emotions, Joy, Sadness, Anger, Fear, and Disgust, are getting themselves hyped for the game, with Joy acting as the commentator. Each emotion plays a role in Riley’s game, with Anger leading Riley to score a goal; Fear wanting to ensure Riley puts her retainer in; and Disgust showing up to say that retainer she just put in wasn’t her! Sadness appears as Riley gets sent to the penalty box for a bad challenge.

Joy tells us that Riley is a kind, smart thirteen-year-old, top of her class, and she has grown so much since we last saw her and even got braces. Riley’s Personality Islands have changed too, with Boyband Island now completely gone, Goofball Island staying, and Friendship Island increasing in size. Family Island is still there, but it’s a bit smaller. Riley’s memories, now that she’s older, have started to create beliefs which develop into Riley’s Sense of Self. When Riley is uncertain about what to do, like when a girl at school drops all her stuff in class, the Sense of Self pops up and leads her to do the right thing.

In the hockey game, this Sense of Self appears in Riley’s mind. The team need a goal, but instead of trying to score herself, Riley passes the puck to friend Grace so she can score, leading the Foghorns to win the Championships. After the game, the high school hockey coach, Coack Roberts, invites Riley, Grace, and fellow friend and teammate Bree to a hockey skills camp. Riley talks to her parents about the camp, initially feeling excited for it, but then suddenly remembering the moment that led to her penalty and feeling worried…

Back in HQ, Joy has a method to deal with difficult memories like this. She simply sends it to the back of the mind. Joy then picks up a positive memory for the day to take down to the belief system so it can be added to Riley’s super positive Sense of Self that says Riley is a good person. Sadness goes down with Joy to see the process in action for the first time. Joy simply places the memory in a pool of water and a line shoots up from it to create strings of beliefs.

The next day, the emotions are woken by a very loud alarm sounding. They go into HQ to figure out what is going on, and they see the “Puberty” button on the console going off. Joy manages to remove the button and sends it to the back of the mind again, but there’s no stopping puberty! Mind Workers barrel into HQ and start to demolish everything. When Joy tries to stop them, she is told that other emotions are coming. The console is re-wired and the workers leave. The emotions attempt to use the console as Riley has now woken up, however, no matter how gently they touch it, Riley acts erratically, screaming at her mother, who just wanted to check she was ready for hockey camp, and then crying, worrying about what is happening to her. We see inside Riley’s mother’s mind who realises this is “the day” and she talks to Riley about how her body is “changing”.

Riley, Bree, and Grace are driven to hockey camp, where they talk about how exciting it’s going to be. Riley especially wants to meet high school hockey legend, Valentina, and get on the team to be just like her. Riley – thanks to Disgust – notices her friends giving a look to each other. Bree and Grace’s minds notice that Riley has noticed their look. Grace lets slip to Riley that her and Bree won’t be going to the same high school as Riley, so they won’t be on the same hockey team either. Riley is thrown by this and cries a little bit, wondering what this means for her now.

At camp, Riley goes to catch up with Bree and Grace, who have gone on ahead, when she is knocked over by none other than Valentina. She helps Riley up, and Riley proceeds to act like a total fangirl in front of her. The emotions aren’t sure what to do about this situation, and then they see the console has turned orange. Orange? But none of them are orange. This is Anxiety, who has just arrived in HQ. She is a big fan of Joy’s apparently and takes control of the situation. Envy then appears, as she becomes jealous of Valentina’s great hair and goes to touch it. Embarrassment comes in at just the right moment to stop Riley from doing that and making everything even more awkward. Ennui – basically like boredom – calms the situation and makes Riley less excitable. Valentina then invites Riley to follow her. Joy and the other “old” emotions think Riley should spend time with Bree and Grace, but Anxiety says this camp needs to be all about preparing for high school and since Bree and Grace won’t be there with her, Riley needs to be spending time with Valentina instead. There is then a brief cameo by Nostalgia, who is told she is too early to be in HQ and is shoved back through the door she appeared from!

Riley goes to the locker room where Riley is introduced to Valentina’s friends, all part of the high school hockey team, the Firehawks. Joy takes over and leads Riley to meet up with Bree and Grace, however, they start messing about, taking photos on their phone and talking, to the point that Coach Roberts punishes the whole group at practice, annoying the others. At the end of practice, Riley hears the Firehawks talking about her, which makes her both sad and embarrassed. Anxiety takes control of the situation, putting the idea in Riley’s head that if she can get Valentina on side, everything will be ok. Riley goes over to the girls and apologises profusely. Valentina tells her not to worry because at least she is on Coach’s radar now. At this point, Riley’s Sense of Self pops up, not wanting Riley to forget about her friends. Anxiety doesn’t believe this will help Riley so she sends it to the back of the mind, telling Joy she plans to build a new Sense of Self for Riley, since she has more sophisticated emotions now so Riley needs to be more sophisticated. Joy and the “old” emotions tell Anxiety this isn’t right and try to take control of the situation, but Anxiety has a plan and she doesn’t want them messing up. She literally bottles up all the emotions – well, it’s more of a jar, but the turn of phrase is nice – and removes them from HQ, sending them to The Vault with the rest of Riley’s deep, dark secrets.

In The Vault, the five old emotions are soon surrounded by other characters from Riley’s childhood, like Bloofy, a pre-school TV show character, who is in The Vault because Riley still likes the show, and Lance Slashblade, a video game character that Riley has a crush on. Riley’s deepest, darkest secret also resides here, represented as a big, hooded figure who doesn’t say much. Disgust tries to convince Lance to break them out of the jar, but his big move is to curl up into a ball and roll into things, which doesn’t do much to break the jar. Deep Dark Secret instead smashes it. Now they need a way out. Bloofy calls on his friend Pouchy, to see if he might have anything that can open the vault door to let them escape. Luckily, Pouchy has some dynamite – why? – that explodes on to the door and opens it. Guards try to detain the escapees, so Lance curls up into a ball and rolls toward them. He goes right past them, but somehow all the guards trip over each other and get locked in a vault. That was easy. The emotions plan to get to the Stream of Consciousness, to ride it to the back of the mind so they can retrieve Riley’s original Sense of Self.

Back with Riley, she is practising her skating early in the morning, being driven by Anxiety to be the best. She is soon joined by Valentina, who tells her that Freshman Year can be tough but that she made some really good friends. Anxiety continues to add memories into the belief system, which begin to create a new Sense of Self slowly but surely. Riley spends more time with Valentina and her friends, trying to make them like her. She also learns that Coach Roberts has a notebook where she writes about everyone. Riley wonders what Coach might have written about her…

At the Stream of Consciousness, Joy realises they need someone back in HQ so they can be recalled at just the right time with the original Sense of Self. With no volunteers, she sends Sadness crawling up the tube back to HQ. The others then jump on a piece of broccoli that is floating down the Stream of Consciousness. Everything seems to be going well, until the Stream breaks thanks to the creation of a Sar-Chasm. Riley was sarcastic when Bree and Grace showed up to her hang out with Valentina’s group, as they started to say they liked a band that Valentina’s friends think is uncool. This not only upsets Bree and Grace, who feel like Riley has changed all of a sudden, but also halts the emotions’ plan. The emotions try to talk to some workers over the other side of the Sar-Chasm, but everything they say comes out sarcastic, which offends the workers who walk away.

The emotions are back to walking through Long-Term Memory to get to the back of the mind, but they all start to argue, getting annoyed at their situation. Joy then gets irritated at all of them and screams at them. This surprises the others, who make an effort to help Joy who wants to get up on top of the memory shelves to see the route to the back of the mind. Using a vacuum-like tube, they manage to get up there and walk in the right direction.

In HQ, Sadness has arrived through the recall tube in amongst a ton of memories that Anxiety recalled. She quickly runs to a quiet corner of HQ but she is spotted by Embarrassment. Sadness thinks Embarrassment is going to tell Anxiety. He actually stacks up lots of manuals in front of Sadness to hide her, clearly not liking what Anxiety is doing.

Soon, the old emotions reach Imagination Land, which has changed a lot since Joy was last there, with new additions like Mount Crushmore and Rumor Mill. They then see that there is a lot of activity in Pillowtown. Going inside, they see a video of Anxiety, getting workers to draw bad future scenarios to show Riley what could happen if she doesn’t make friends with the Firehawks and doesn’t get on their team. The old emotions don’t like this and start to submit their own positive drawings, which alerts Anxiety to their whereabouts, calling security on them. The workers then revolt against Anxiety and stop drawing bad scenarios. The old emotions are chased out of Pillowtown and arrive at the Parade of Careers, balloons that resemble different professions. They jump on one to continue to the back of the mind.

Anxiety decides Riley has to see what is in Coach Roberts’ notebook so she breaks into her office late at night to read it. Here, she sees it is written that Riley is “not ready yet”, which devastates Riley. Sadness, meanwhile, has managed to take control of the console, thanks to an app on Ennui’s phone, but Anxiety says Riley has to keep going with her plan and holds Sadness in a bucket to keep her from doing anything. Anxiety needs ideas to change Coach’s mind, which causes a brainstorm – a literal one – in Riley’s mind. This affects the old emotions who battle against these ideas flying at them. Joy wants to break them all, but the others convince her to grab onto the largest one so they can get out of the tornado they are stuck in. They then let go and float to the ground thanks to Fear’s parachute. You can never be too prepared! The emotions get to the back of the mind and find themselves in front of a large mound of memories that Joy tossed there. Joy finds the original Sense of Self but sees it has faded. Joy then tells Sadness to recall them, via the walkie-talkies they picked up early in the journey, but Anxiety breaks the tube.

Anxiety has successfully built Riley’s new Sense of Self, but is shocked to find that it states “I’m not good enough”. That throws Anxiety, who then decides what they must do is score three goals in the final game of camp, beating Valentina’s record and showing Coach Roberts, that Riley has to be on the team. As the game starts, Riley aggressively scores her first goal early on. Riley then scores soon after, having stolen the puck from her own teammate. Anxiety starts to push Riley more and more, concerning the other emotions in HQ, to the point that Riley hurts Grace as she continues to play aggressively. Riley is sent to the penalty box. Here, Riley starts to experience her first anxiety attack.

As the old emotions find they are stuck at the back of the mind, Joy realises that she shouldn’t have hidden all these memories away, because it never built Riley a true Sense of Self. She also states that maybe people feel less joy as they age. Joy starts to feel there isn’t a way of beating Anxiety, when Anger calls for Pouchy. They find he still has plenty of dynamite available and they plan to blow up the mound of memories they are in and ride the avalanche back to HQ, accepting that these “bad” memories will enter the Belief System, but knowing it’s probably for the best.

The plan works and they arrive back at HQ, to see Envy, Embarrassment, Ennui, and Sadness all trying to remove Riley’s new Sense of Self, and seeing Anxiety rushing around the console so quickly, she isn’t visible. Joy goes into the Anxiety vortex and sees Anxiety frozen. Joy manages to convince Anxiety to let Riley go and pulls her from the console. Riley is still panicking though, so they replace the new Sense of Self with the old one. It still doesn’t stop anything. Anxiety says she was trying to control who Riley is, which causes Joy to realise she did the same thing by choosing the best memories to put in the belief system. She realises the original Sense of Self is stopping a new one, complete with “bad” memories, from being created, so they remove it. The emotions see the new Sense of Self being created and huddle around it, which calms Riley down.

Bree and Grace come to the penalty box, concerned about Riley. Riley apologies to them for acting the way she did during this camp, saying she was freaked out when Bree and Grace told her they wouldn’t be at high school together. Her friends forgive her, and they get back to the game, with Joy at the console, letting Riley play simply because she loves hockey, not to prove a point to anyone.

We skip ahead to see Riley at high school where she is friends with Valentina and the other Firehawks. Anxiety starts to worry that Riley hasn’t made the hockey team, so Joy sends her to a calming massage chair, and reminds her that they did as much as they could and now cannot control the outcome so don’t need to worry about it. We also see that Anger has started to wear Pouchy, seemingly bonding over their shared love of dynamite! Riley sees a photo of Bree and Grace that they sent to her wishing her luck. Joy then says that Riley is still smart, she still likes hockey, but she can get things wrong, be a bit sarcastic, and be too hard on herself, but it’s all good because they love Riley for who she is. The final shot shows Riley looking happy as she checks her phone to see if she got on the team. I guess that means Riley did make the team, but I also suppose it doesn’t really matter, because that wasn’t the point of the story!

In a mid-credits scene, we see another dinner scene, like in Inside Out, where Riley’s mother’s Anxiety is concerned that Riley just said that hockey camp was “good”. Riley’s father’s Anxiety on the other hand is simply overruled by his other emotions and decides not to worry about it. In an end credits scene, Joy finds herself back at the Vault to discover what Riley’s deep, dark secret is. Deep Dark Secret tells Joy it is that Riley burnt a hole in the rug. Joy is surprised, thinking it was going to be the time Riley peed in the pool. Deep Dark Secret runs back inside the Vault, feeling ashamed.

CHARACTERS & CAST

Inside Out 2 returns with the same five emotions we saw in Inside Out, as well as Riley and her parents, but there are some new additions to the movie as well. These include Riley’s four new emotions, plus Riley’s two friends, Bree and Grace, and the Firehawks girls.

Starting with the emotions we already know, Joy, Sadness, Anger, Fear, and Disgust are all back, and we see that they have learnt to work together in harmony now. However, Riley’s new emotions threaten that balance and they struggle to work together, with this being a battle of old versus new. The old emotions think Anxiety is a nasty emotion in Riley’s mind especially as they are tossed out of HQ by Anxiety. Like Joy and Sadness did in the first movie, they must find a way back to HQ, going through different parts of Riley’s mind first to find her old Sense of Self before heading back to HQ. Although they think Anxiety is the villain here, by the end of the film, they learn that Anxiety was only trying to help Riley in the same way that the others were: by manipulating Riley’s memories and beliefs to make her into the perfect version of herself, which was wrong for all of them to do. They all come together to help Riley, and a new dynamic is formed between the nine emotions.

Amy Poehler returned to reprise her role as Joy, having been previously best known for her roles in Saturday Night Live (1975-present) from 2001 until 2008, and Parks and Recreation (2009-15), playing Leslie Knope. Poehler has most recently directed the movie MOXiE! (2021). Phyllis Smith returned to voice Sadness. She is perhaps best known for her role as Phyllis Vance in sitcom The Office (2005-13). Smith was later cast as Betty Broderick-Allen in the Netflix mystery drama series The OA (2016-19). Anger was once again voiced by Lewis Black. Black began his career in stand-up comedy, later appearing on The Daily Show (1996-present) to host a segment called Back in Black with Lewis Black, humorously commenting on news stories, which he still does today.

Sadly, the voices of Fear and Disgust, Bill Hader and Mindy Kaling, did not return to reprise their roles. This is reportedly due to a pay dispute. It is alleged that Amy Poehler was offered $5 million to reprise her role, whilst the other four actors were only offered $100,000 each. Despite some negotiations, Hader and Kaling could not come to an agreement with Pixar and they did not return to Inside Out 2, which is a real shame because it was only too obvious the voice actors had changed and it was quite jarring for me. I don’t know if this story is actually true, and I hope in a way it’s not, with scheduling conflicts being the reasoning for Hader and Kaling not returning, because this shows some disrespect on Pixar’s part for not recognising the calibre of actor they signed on[1].

Bill Hader, as Fear, was replaced with Tony Hale, who voiced Forky in Pixar’s Toy Story 4 (2019). Also in film, Hale was most recently cast as Soledad Yusuf in the thriller Opus (2025), and has also appeared as Ben Franklin in Quiz Lady (2022); as Ed in Netflix’s Woman of the Hour (2023); and as Mayor of Salem, Jefry Traske, in Disney’s Hocus Pocus 2 (2022). In television, Hale is known for his roles as Buster Bluth in Arrested Development (2003-19) and Gary Walsh in Veep (2012-19). Mindy Kaling, as Disgust, was replaced with Liza Lapira, who may be best known for her role as Mel Bayani in the crime drama series The Equalizer (2021-present). She was also cast as Liz in Crazy, Stupid, Love (2011); and as Robin in Don’t Trust the B—- in Apartment 23 (2012-14).

Also returning to the voice cast here were Diane Lane and Kyle MacLachlan as Riley’s parents, although they only feature at the start and end of the film, since there are no parents at hockey camp. Riley’s mother seems more worried about Riley in Inside Out 2, knowing she is a teenager now and wanting to help her navigate this tricky time. Riley’s father is just going about his business like normal really! Diane Lane has had roles in a variety of movies including as Cleo Trumbo in the 2015 biopic Trumbo (2015); and as Martha Kent in Batman v Superman: Dawn of Justice (2016), reprising the role for Justice League (2017). Kyle MacLachlan appeared in many television series, including Trey MacDougal in Sex and the City (1998-2004); and as Orson Hodge in Desperate Housewives (2004-12).

Riley, however, was recast, simply due to the fact a lot of time had passed between the first movie and the sequel, so Pixar wanted to cast a teenage actress, whereas Riley’s original voice actor, Kaitlyn Dias, was 25 by the time Inside Out 2 came out. Kensington Tallman replaced Dias in the role. I didn’t notice much difference in the voices between the two films so that was good. Tallman had previously had roles, such as Bianca in the Nickelodeon series Drama Club (2021) and as Tiffany in That Girl Lay Lay (2021-24), another Nickelodeon series, prior to Inside Out 2 being released.

Now to the new emotions. The primary one is Anxiety, who is controlling Riley’s newly sophisticated self, wanting her to fit in with the Firehawks during camp, so she can instantly have friends at high school and get a place on the hockey team. Since Riley is going to be without her best friends, Bree and Grace, Anxiety thinks this is a good time to drop those friends and find some new ones that she’ll actually see. It sounds harsh, but Anxiety genuinely thinks she is protecting Riley – until she realises all she’s done is make Riley think she’s not good enough and sent her into a massive panic attack as she tries to push herself to be better. Anxiety learns that she can’t control Riley in this way and with the help of the other emotions, she takes a backseat every now and again when things get too much. One issue I have with Pixar’s take on Anxiety is that she says near the start of the film that Fear is there to protect Riley from physical danger, whereas Anxiety projects potential future dangers. That sounds like a fair description, only Fear did Anxiety’s job during Riley’s first day of school in Inside Out, as he planned out all the worst-case scenarios for the day.

Anxiety was designed to be twitchy, fast-moving, and hyper aware, constantly thinking about what’s next. Her mind is focused on uncertainty and different potential scenarios, wanting to plan ahead to decide what to do if this happens or that happens. Anxiety is similar to Joy in some ways, by being a hard worker and wanting the best for Riley, with Anxiety almost looking like the “uncool” version of Joy with her wide eyes, big head, and crazy hair. Anxiety was voiced by Maya Hawke, perhaps best known for her role as Robin Buckley in Stranger Things (2016-present), appearing from Season 3. Hawke was also cast as Jo March in the 2017 BBC television adaptation of Little Women. More recently, Hawke played Jamie Bernstein in Maestro (2023) and June Douglas in Asteroid City (2023). Apparently, Inside Out 2 director Kelsey Mann met with Maya Hawke for her audition over Zoom as he was on a family vacation in Walt Disney World. He took the call from a backstage office building in Epcot’s Mexico pavilion[2].

Envy is meant to be the emotion that represents jealousy, but apart from a brief moment of Envy talking about wanting Valentina’s hair, I didn’t really see Envy do much envying. She was mostly treated like Anxiety’s little sidekick, helping with her plans. To be honest, outside of Anxiety, the other three new emotions felt like side pieces and weren’t fully developed as I feel the five core emotions were in the first movie. The filmmakers did struggle with the design of this character since envy isn’t a very likeable feature in people, and is often referred to as “the green-eyed monster”. Envy doesn’t look like that, and is actually quite small, with a big voice and huge eyes, supposedly meant to resemble the look of a sad puppy. Envy is meant to be an inspiration for Riley; she wants to be like Valentina and is envious of her skills, so it makes her work that bit harder, although it feels like that is more represented as Anxiety’s plan rather than Envy’s in this film.

Envy was voiced by Ayo Edebiri. Edebiri stars as Sydney Adamu, alongside Jeremy Allen White, in the comedy-drama series The Bear (2022-present), winning a Screen Actors Guild Award in 2024 for her role. She has also had some history with voice acting, voicing April O’Neil in the animated series Tales of the Teenage Mutant Ninja Turtles (2024-present) for Paramount+, and replaced Jenny Slate as the voice of Missy Foreman-Greenwald in the series Big Mouth (2017-present). Edebiri also stars as Ariel Ecton in the movie Opus (2025).

Because of Riley’s now-teenage mind making her say weird, awkward things in Inside Out 2, we had to welcome Embarrassment as another of Riley’s new emotions. The point of making Embarrassment a huge character was because embarrassment makes people want to hide and take the focus away from them. The Pixar filmmakers wanted Embarrassment to be so big that he physically couldn’t hide away. Instead, Embarrassment wears a hoodie which allows him to vaguely cover his red, blushing face. In Inside Out 2, Embarrassment doesn’t have a whole lot to do in HQ to be honest. His biggest contribution to the story is to allow Sadness to hide in HQ, to wait for the right moment to go against Anxiety. Clearly Embarrassment was not a big fan of Anxiety’s grand plan for Riley either.

Embarrassment, although he doesn’t say all that much in Inside Out 2 because he’s so shy, was voiced by Paul Walter Hauser, who has had roles in movies such as I, Tonya (2017), where he played Shawn Eckardt, Tonya’s bodyguard; in Late Night (2018), being cast as Eugene Mancuso; and in Cruella (2021), playing Horace. In television, he appears in the recurring role of Raymond “Stingray” Porter in Netflix’s Cobra Kai (2021-25) and as Travis in Season 2 of Apple TV+’s The Afterparty (2022-23).

Ennui is a bit of a strange emotion to describe, because it encompasses a few feelings such as weariness, dissatisfaction, and boredom, this being the general translation of the word from French to English. Ennui in Inside Out 2 was designed to look like a typical teenager who is “too cool to care”, slouching on the couch, looking at their phone. Pixar actually referred to her design as looking like a “wet noodle”! Ennui’s purpose in Inside Out 2 is to lessen the overexcitement in Riley’s mind, with her bored attitude balancing that out. With “ennui” being a French word, naturally, the Pixar team decided Ennui the character should have an authentic French accent[3]. Adèle Exarchopoulos voiced Ennui here. She received numerous awards for her role as Adèle in La Vie d’Adèle (2013), and was later cast as Clara Saint in the Ralph Fiennes directed movie The White Crow (2018). In 2024, Exarchopoulos starred in the movie Planète B as Julia.

Riley’s friends, Grace and Bree, who are very loyal to Riley despite Riley casting them aside in favour of “cool girls” for much of the movie, were voiced by Grace Lu and Sumayyah Nuriddin-Green respectively. Prior to Inside Out 2, Lu had appeared as Megan in the Disney Channel series Bunk’d (2015-24). Valentina, or Val, Riley’s idol and later friend and hockey teammate, was voiced by Lilimar Hernandez, who already had experience in voice acting prior to Inside Out 2, having voiced the character of Sage in the animated Nickelodeon series Knight Squad (2018-19); Cleopatra in the series Cleopatra in Space (2020-21); and currently voices The Batwing in the Cartoon Network series Batwheels (2022-present). Hernandez was also cast as Sophie in the live-action Nickelodeon series Bella and the Bulldogs (2015-16).

Outside of this, there are some other interesting voice cameos. Yvette Nicole Brown was cast as the strict Coach Roberts. Some of her earlier screen roles include being cast as Shirley Bennett in the sitcom Community (2009-15) and as Helen Dubois in Nickelodeon’s Drake & Josh (2004-07). More recently, for Disney, she was cast as Aunt Sarah in their Lady and the Tramp 2019 live-action remake, as well as receiving the role of Rosaleen in Disenchanted, the 2022 sequel to Enchanted (2007).

Other voice actors to mention are Dave Goelz and Frank Oz, known for their work with Jim Henson and his puppetry series, as well as Oz’s directorial work, returned to Inside Out 2 to voice their role as Mind Guards Dave and Frank, and John Ratzenberger returned to voice Fritz, this being his first role in a Pixar movie since 2020’s Onward. And for all UK viewers of Inside Out 2, Sam Thompson, from Made in Chelsea (2011-present) and various reality shows, including winner of I’m a Celebrity…Get Me Out of Here! (2002-present) in 2023, has a cameo role as Security Man Sam – the bigger guard with the aviators in the Vault escape scene – in the UK release of the film.

PRODUCTION

Inside Out 2 couldn’t have existed without the first movie, which was inspired by Pete Docter’s personal experience of seeing emotional changes in his daughter, Elie as she grew up. Docter was interested in creating a movie that explored the weird place between childhood and adulthood.

In September 2022, at the D23 Expo it was confirmed that Inside Out 2 would be released in Summer 2024 and would continue exploring the journey from childhood to adulthood, this time focusing on the teenage years as main character Riley reaches the age of 13. Meg LeFauve was back as co-screenwriter, now working with Dave Holstein, who has written for series such as Weeds (2005-12) and Kidding (2018-20). Kelsey Mann replaced Docter as the director of the sequel[4].

Mann began his research into the new story for Inside Out 2 by looking at childhood photos of himself. He noticed that as he aged and became a teenager, he started to smile less and less. This gradual apparent lessening of joy in his life around this time was an interesting concept and definitely something that he wanted to explore in Inside Out 2, since Riley becoming a teenager is a big emotional milestone in life so it was a natural progression from the girl we saw in Inside Out[5].

Because of this choice of age for Riley in the sequel, this meant a lot of discussions were needed with the filmmakers exploring their own experiences at that age. Inside Out 2 also benefitted from a majority female story team. Them and other female employees at Pixar were able to sit together and talk through their horror stories of being 13, to use their experiences to make Riley’s journey authentic. At this age, the similarities that cropped up in regards to emotions were feelings about being self-conscious and worrying about judgement from others. It was a difficult time, and it was decided at quite an early stage that they wanted HQ to be destroyed by a wrecking ball to represent the turmoil in the mind that happens as you become a teenager. Big questions also start to arise at this age, like who am I? Where do I belong? And am I enough? These are more emotionally complex emotions than the original five that featured in Inside Out.

To properly ensure Inside Out 2 felt representative of young people today, Inside Out 2 creators built a focus group of girls – dubbed “Riley’s crew” – ranging from the age of 13 to 19 who met every four months so they could be shown clips and moments from the movie and give their notes on them. This helped Pixar immensely and they were very impressed at how seriously the girls took their new role.

Initially, nine new emotions were going to show up, with Shame, Guilt, and Suspicion being just some of the rejected, scrapped new emotions. In the end, the filmmakers spoke to Dacher Keltner, psychology professor at the University of California, Berkeley, who discussed the subject of happiness with the creators of Inside Out. This time, Keltner told them they should focus on emotions that revolve around feeling self-conscious, so this helped them decide on their final choice of Ennui, Embarrassment, Envy, and Anxiety[6].

Some of this decision-making and eventual cuts and edits to the story of Inside Out 2 are evident from the deleted scenes that have since been released. For example, Shame would’ve been featured in a scene, which instead was altered and “given” to Anxiety. This is the anxiety attack scene, which began its life as a “shame spiral”. Here, Riley, Bree, Grace, Val, and the other Firehawks girls would’ve been playing a game of “Never Have I Ever”. Riley becomes jealous that Grace has been more daring than Riley has in her life, which impresses Val and her friends. To get back at Grace for this, the two begin using secrets from each others lives to embarrass them in the game, such as Grace saying she’s never stolen her mother’s credit card, knowing Riley has – we saw that in Inside Out. However, the game takes a disastrous turn when Riley reveals that Grace still wets the bed occasionally, which makes Grace, Bree, and the other girls turn on Riley for being so horrible to her friend. Riley then ran to the bathroom, where she became overwhelmed by Shame with Shame starting a storm in HQ, breaking everything apart, in a similar way to the anxiety attack that we see in Inside Out 2.

Another take on Anxiety had the emotion morph into some kind of supervillain. Riley was invited to a high school pool party, so naturally, she was feeling self-conscious, which wasn’t helped by Joy picking a childish swimsuit with a huge sun on it for her to wear. This was shown in a different deleted scene, which also saw Joy’s light fading and her unable to control the HQ console for unknown reasons. This scene also saw the emotions’ bedroom being shown for the first time, an idea that was kept in the final film. Anyway, at this pool party, Grace goes off with a guy called Joel, leaving Riley on her own. Joy manages to take over the console from Anxiety, causing Riley to act embarrassingly in front of all these high school kids, despite Grace telling her to stop. Riley continues with this and ends up accidentally pushing Grace into the pool. Grace cannot swim so has to be rescued from drowning. This is how Riley “hurt Grace” in this version of the film. The same line was used during the final hockey game in the final cut of Inside Out 2. Riley hurting Grace caused her to hate herself so much that Anxiety morphed into a scary character with blank, white eyes called Self Loathing, who tells the other emotions to point out all the reasons Riley is a loser in an effort to “protect her”. Joy wants to take control of Riley but continues to fade. The old emotions are pushed aside and fall out of the HQ window. It was decided Self Loathing was too much of one-dimensional villain so Anxiety stayed as Anxiety[7].

On the lighter side, there were some fun gags that were also cut from the film. One of these was a scene in Puberty Park, a new land in Riley’s imagination that had popped up once she became a teenager, which would’ve been just like an amusement park, complete with the ride “The Mood Swings”, a “House of Parental Embarrassment”, and a “Wall of Self Reflection”, with the star attraction being the “Emotional Rollercoaster”. There was also the idea of having a Procrastination Land, with its motto being “Always Under Construction”.

There are only four key new emotions in Inside Out 2, but there is one that only appears occasionally and does not contribute to the overall plot. This is Nostalgia, an emotion designed to look like an old granny. She appears from a door in HQ that could actually could be seen in Inside Out, as this door was meant to lead to Anger’s steam room in the original movie. Nostalgia appears through this door a couple of times in Inside Out 2, before being pushed back in by the other emotions since Riley isn’t really old enough to have experienced nostalgia yet! Nostalgia was voiced by June Squibb, who had voiced characters for Pixar and Disney prior to Inside Out 2, such as Gerel in Soul (2020) and the character Jimmy’s Grandma in Ralph Breaks the Internet (2018). Outside of this, Squibb most recently starred as Thelma in the 2024 movie of the same name, and is known for other comedic roles, like playing Estelle Dubois, Hubie’s mother, in the Adam Sandler movie for Netflix Hubie Halloween (2020)[8].

To match the new sophistication of Riley’s mind, Inside Out 2 also pushed boundaries to make their animation more sophisticated. I always like seeing when different animation styles are mixed. There is one scene in Inside Out 2 where this was most evident: in The Vault, the place where Riley’s secrets are held. The Vault looks like an actual bank vault, showing that Riley really doesn’t want her secrets getting out and embarrassing her. In The Vault scene, there are the five computer-animated emotions meeting three characters who are not like them. Firstly, we have the 2D animated characters of Bloofy and Pouchy. Bloofy is meant to resemble a character like Dora from Dora the Explorer (2000-19), being a simple two-dimensional character in a pre-school-type show, who talks to the audience and asks them direct questions, hoping the children watching are shouting out the answers at the screen. Sadly, Bloofy is not being watched by anyone so he spends a lot of time talking to the wall of The Vault, which makes the emotions question his sanity… Bloofy’s sidekick is Pouchy, clearly meant to represent the item bags that some of these children’s show characters have, where the correct item has to be selected. Bloofy was voiced by Ron Funches, a stand-up comedian and actor, known for his voice as Cooper in the Trolls franchise and currently appears as Howard in Apple TV+’s Loot (2022-present). Current SNL cast member since 2021, James Austin Johnson, was cast as the voice of Pouchy.

Alongside these 2D and 3D animated character is a video game character, Lance Slashblade, complete with that level of pixelation that these types of character have. Lance has long, flowing, purple hair, an angular face, and a sword that is shaped to look like a hockey stick. Despite looking like a video game character that would go and fight in hand-to-hand combat, Lance is part of a fictional game where characters battle by rolling themselves up into balls… Lance Slashblade is seemingly meant to resemble a character from the Final Fantasy series, which is quite appropriate since Yong Yea, the voice of Lance, has had voice roles in numerous video games including Final Fantasy VII Rebirth.

There is also the Deep Dark Secret, who is a tall figure, dressed entirely in black with just white eyes and a small flash of teeth. This character is in complete contrast to the colourful world of Riley’s emotions who are scared of Deep Dark Secret initially. Steve Purcell voiced the character. Purcell was a co-director and writer on Pixar’s movie Brave (2012) and voiced The Crow. He also wrote and directed the special Toy Story That Time Forgot (2014) and directed and wrote the Cars on the Road series for Disney+ in 2022.

Outside of these challenges, development on Inside Out 2 began during the COVID-19 pandemic in 2020, which led to filmmakers having to work from home and engage in remote working procedures. Since Inside Out 2 was not released until 2024, I wouldn’t say it was one of the movies most hit by the pandemic. But there was the additional challenge of the 2023 Actors Strike. Pixar completed 30 recording sessions with their actors in the 30 days prior to the strike, and another 30 in the 30 days after the strike to keep on schedule.

Pixar movies wouldn’t be complete without their usual Easter eggs, and one of these referenced the argument between the two Subconscious Guards in the first film, where they debated who was wearing whose hat, because one had written not his name but “My Hat” into his hat. During The Vault scene, you can see a guard’s hat with “My Hat” written into it. The Vault that the old emotions get locked in is a vault with the code ACX111 which is A113 in Roman numerals, with A113 being the classroom that many of the original Pixar creators studied in at CalArts[9].

Another thing to point out is Riley’s hockey jersey number. In Inside Out 2, she is wearing a hockey jersey with the number 28 on it, referencing the fact Inside Out 2 is Pixar’s 28th feature film. Also in the emotions’ bedroom, Joy has an origami figure of Bing Bong on the shelf by her bed, showing she has never forgotten him after his major sacrifice in Inside Out. She also has a figure of the iconic Pizza Planet truck. Pixar always like to include an Easter egg to their upcoming films, so in Inside Out 2, there is a memory ball of Elio in the sarcasm sequence. Elio is coming to theatres in Summer 2025[10].

Despite the usual positivity that is believed to be a key concept of working at Disney or Pixar, shortly after Inside Out 2 was released, former Pixar employees alleged that production on Inside Out 2 was messy, chaotic, and staff were overworked, with many people being laid off during production. There were further claims relating to themes in Inside Out 2 that were allegedly toned down or removed, specifically those relating to Riley’s sexuality. It has been said that after the backlash that came about from the kiss between two female characters in Lightyear (2022), Pixar employees were told to remove any element of this in Inside Out 2. It is possible they had initially planned for Riley’s infatuation with Val to be more like a crush, instead of Riley idolising this girl because she’s cool and plays hockey well. I have no idea how much, if any, of these complaints and comments are true, but it’s an interesting point to consider, whether Pixar did want to distance themselves from making any part of Inside Out 2 relevant to the LGBTQ+ community, as some viewers have been wanting Disney and Pixar to lean more into these themes for years now[11].

MUSIC

Even though the soundtrack for Inside Out was composed by frequent Pixar collaborator Michael Giacchino, the soundtrack for Inside Out 2 was composed by someone else. That person was Andrea Datzman; however, Datzman is not a stranger to Pixar having composed the music for the Dug Days (2021-23) series of shorts that premiered on Disney+ on 1st September 2021 as a spin-off to the movie Up (2009).

Some of Giacchino’s themes from the first movie, such as the iconic one first heard in the piece “Bundle of Joy”, were used in Inside Out 2. “Outside Intro”, the opening track in Inside Out 2 features this piece of music, as does “The Life of Riley”, which is the music playing as Joy catches us up on what’s been happening to Riley since we last saw her.

Datzman still made the Inside Out 2 soundtrack her own, wanting to use some rock elements in the soundtrack to match the toughness and physicality of hockey, showing how strong Riley is. This is apparent in the track “Go Team!”, which is played during the hockey match at the start of the film. The rock elements return for the piece “The Puck Drops Here”, for Riley’s final game at hockey camp.

The best instrumental track for me was “Mind at Freeze”, used for Riley’s anxiety attack. It was a big moment in the movie, to see not only Riley confused about what was going in her body but also Anxiety who was sure she was doing the right thing for Riley by pushing her. It’s an emotional moment to see all the emotions struggle against the panic that has consumed HQ and Riley and try to get everything back on track. The only critique I have of this scene is that in real life, if Riley was having a panic attack for the first time, I don’t think she would’ve come out of it as easily as she did in the film. It only felt like a scary moment whilst it was happening, but panic attacks can make you feel scared and uncertain even after it’s all over.

I also liked the dreaminess of tracks like “Creating a Sense of Self”, which played when Joy took Sadness to the Belief System for the first time, and I enjoyed hearing the return of the Triple Dent Gum jingle, which was written by Andrea Datzman, Pete Docter, and Bob Peterson, being performed by Datzman and Nick Pitera.

There was some additional music in Inside Out 2 outside of the score, like a very small snippet of “Bloofy’s House Theme Song” when we first meet Bloofy in The Vault. It was performed by Ron Funches, and written by Jennifer Rowekamp. There are three other credited songs that are used as background music in other similar scenes. When Riley is hanging out with Val and her friends, they are listening to music. This is when Riley pretends not to like the band Get Up and Glow. Here, a pop song seems to be playing, followed by a rock song, however, I couldn’t hear enough of the lyrics to hear which song it was. The same thing happened with the two locker room scenes. Although I believe the first time when Riley goes to the locker room with Valentina to meet her friends at hockey camp, the song used is “Growing Up” by American rock band The Linda Lindas; I have no idea about the other one. These outstanding three songs are “Baller Dash”, written by John Parker; “It’s The Time of Our Lives” written and performed by Paris Carney, Dakota, and Lachlan West; and “Can’t Slow Us Down” was written and performed by Henry Beasley and Simon Oscoft.

Although the Inside Out 2 soundtrack itself was not nominated during awards season, Andrea Datzman did win the Society of Composers & Lyricists Award for her work.

RECEPTION

After a premiere at El Capitan Theatre in Los Angeles on 10th June 2024, Inside Out 2 was released to theatres in the US on 14th June 2024, with the movie also being screened at the 2024 Annecy International Animation Film Festival on this date. Inside Out 2 hit theatres across the world in the days and weeks that followed. It was released in a wider aspect ratio in theatres to match the expanding console in Riley’s mind and the widening of Riley’s world now that she’s getting older. To compare, Inside Out was released in 1.78:1, with Inside Out 2 being released in 2.39:1, this seemingly being the Pixar standard now[12].

Inside Out 2 was heavily anticipated, even having the biggest animated trailer launch in Disney history thanks to its teaser trailer from November 2023 hitting 157 million views across social media in 2024 – a record that was later beaten by Moana 2[13]. This explains exactly how and why Inside Out 2 did so well at the box office.

From its opening weekend in North America, Inside Out 2 made almost $155 million in ticket sales, going on to make just under $653 million in this market. This combined with the $1.05 billion the movie made overseas gave Inside Out 2 a final gross figure of around $1.7 billion in total, against a reported $200 million budget. Inside Out 2 became not only the highest grossing animated movie of 2024 but became the highest grossing movie of 2024[14].

Inside Out 2 also became the only animated movie to make over $1 billion from overseas markets alone. The Lion King 2019 Disney remake earnt $1.1 billion internationally, but although it is technically CGI, it is classed as live-action by the company. Inside Out, on the other hand, ended up making just under $860 million at the box-office, putting it in the No. 7 spot of the highest worldwide grossing films of 2015 and second highest grossing animated movie of the year after Minions.

Thanks to the stellar financial takings of Inside Out 2, Deadpool v Wolverine, Moana 2, and Mufasa: The Lion King at the box-office in 2024, the Walt Disney Company had a good year in cinema when their Disney Parks were not doing so well, with global economic problems contributing to lower demand and the 2024 Paris Olympics being partially blamed for the lower footfall at Disneyland Paris[15].

It was also stated that Disney+ was finally profitable in 2024. Speaking of which, Inside Out 2 was released on Disney+ on Wednesday 25th September 2024, where it drew in 30.5 million views worldwide during the first five days of its release, becoming the No. 1 film premiere of 2024 and the best film premiere on Disney+ since Encanto (2021). The original Inside Out has had 121 million views globally during its time on the platform so far[16].

It’s not always true that if a movie makes a lot of money at the box office, then it must’ve had positive reviews from both critics and audiences. That was certainly not the case for Moana 2, for example. However, Inside Out 2 was received well by the majority.

Many liked seeing Riley grow in this movie with the introduction of her new emotions, and the message of the movie, about accepting yourself for who you are, being seen as very good and relatable to the modern world. It was heartfelt and creative, expanding on the original story. Some adults even said Inside Out 2 helped them with their own difficulties with anxiety. Everyone experiences anxiety differently though, and Riley’s anxiety was quite specific to teenage life, so take that with a pinch of salt. It didn’t help me in that way, but I did like its creativity and the cleverness of the new mind additions, like the Sar-Chasm and The Vault. I also enjoyed seeing more of Riley’s life in Inside Out 2, something which was overshadowed by Joy and Sadness’ journey in Inside Out.

On the more negative side, some claimed Pixar should not be trying to teach kids about anxiety, feeling it may’ve been too much for certain ages to cope with. Others felt the humour was forced, for example, the mind metaphors being too much at times. The story was criticised for being rushed through to get to the final message, which I didn’t really agree with; Riley was only at hockey camp for three days. Some didn’t like the hockey camp setting either and felt Turning Red (2022) was a much better movie for teaching children about puberty. I actually really didn’t like Turning Red so I disagree on that point. There was also disappointment that some of the cast did not return to reprise their roles, showing that I wasn’t the only one who could tell the difference in the voice actors.

During awards season, Inside Out 2 only won the NAACP Image Awards for Outstanding Animation Motion Picture. It was nominated for numerous awards though including Best Animated Feature at the Academy Awards, with Flow (2024) taking home the award; at the Annie Awards, where The Wild Robot (2024) won; at the BAFTAs, with Wallace & Gromit: Vengeance Most Fowl (2024) claiming the prize; and at the Critics’ Choice and Golden Globes, where The Wild Robot and Flow won respectively. At the Golden Globes, Inside Out 2 was also up for Cinematic and Box Office Achievement, but losing to Wicked (2024). Also at the Annie Awards, Inside Out 2 was nominated for other awards, including Voice Acting for Maya Hawke; Writing; Character Animation; and Production Design, where it lost to The Wild Robot in most categories, although the Writing award was given to Flow.

In comparison, Inside Out won the Oscar for Best Animated Feature, and was nominated for Best Original Screenplay at this ceremony too. This was also the case at the BAFTAs and the Critics’ Choice Awards. At the Annie Awards, it once again won Best Animated Feature, along with a list of others awards, including Outstanding Achievement for Directing; for Production Design; and for Writing just to name a few. Inside Out also won Best Animated Feature Film at the Golden Globe Awards, the Satellite Awards, and the Saturn Awards, amongst many others. It was named as the Best Animated Feature by the National Board of Review too.

LEGACY

Continuing the Inside Out franchise, Disney+ premiered the new series Dream Productions on 11th December 2024, having first being announced in 2023, with further details being released in 2024. It consists of four episodes, at roughly half an hour each, and is set between Inside Out and Inside Out 2. It sees the Dream Productions dream director trying to create amazing dreams for Riley in amongst studio politics.

Many of the voice cast from Inside Out 2 reprise their roles in Dream Productions, with the likes of Richard Ayoade and Maya Rudolph joining the cast as Kenny Dewberry, and Jean Dewberry respectively. Ayoade is known for his role as Maurice Moss in the British sitcom The IT Crowd (2006-13) and hosted The Crystal Maze (2017-20) and Travel Man (2015-present) in the UK as well. He has voiced roles in other animated movies, such as Early Man (2018) and The Lego Movie 2: The Second Part (2019), and Terry in Pixar’s movie Soul (2020). Rudolph is known for her roles in comedy movies such as Grown Ups (2010) and its 2013 sequel as Deanne; Bridesmaids (2011) as Lillian; and Disenchanted (2022) as Malvina. She rose to fame as a cast member on the sketch show Saturday Night Live from 2000 to 2007. Rudolph currently stars in the AppleTV+ comedy series Loot (2022-present) as Molly Wells. She also voiced the roles of Aunt Cass in Disney’s Big Hero 6 (2014) and Daniela Paguro in Pixar’s Luca (2021).

Dream Productions has since won the Annie Awards for Best Limited Series and for Outstanding Achievement for Voice Acting in an Animated Television Production for Paula Pell, who voiced Paula Persimmon, the dream director and head of Dream Productions both in this series and in Inside Out. She also voiced Riley’s mum’s Anger in Inside Out and Inside Out 2, and was a writer on SNL from 1995 to 2013.

During the summer of 2024, the Disney Parks set about promoting Inside Out 2 in the usual way: with meet-and-greets, speciality food and drink, and merchandise.

At Disneyland, specifically at Disney California Adventure Park, there was much promotion for Inside Out 2 during Pixar Fest 2024, which took place from 26th April to 4th August. This included the introduction of Anger as a meet-and-greet character, joining Sadness and Joy in meeting guests. There was also an Inside Out 2 collectible medallion available to purchase at this time, from the machine in Bing Bong’s Sweet Stuff store. More generally, Joy and Sadness were two characters to get involved in the Pixar Pals Playtime Party stage show that ran a few times a day. These two, along with a statue of Bing Bong, were also featured on a float of Bing Bong’s rocket during the Better Together: A Pixar Pals Celebration Parade. Scenes and music from Inside Out were also included in the Together Forever – A Pixar Nighttime Spectacular fireworks show. Outside of that, at the Animation Academy also at Disney California Adventure Park, guests could learn to draw characters such as Joy, Sadness, Anger, and Anxiety. There was even a short film displayed on the water fountains ahead of the water-based nighttime show World of Color – One at this park, themed to Inside Out 2 and its characters. The short was named “Emotional Rollercoaster”.

Also at the Pixar Pier location in Disney California Adventure Park, you can find the spinner ride Inside Out Emotional Whirlwind, where guests spin around in colourful mini-hot air balloons, designed after Inside Out characters. The area is themed to include the shelving in HQ complete with memory balls that are seen in the film, and statues of the five emotions.  This ride opened in 2019, and is a repurposing of a different ride that once appeared at Disney California Adventure: Flik’s Flyers from A Bug’s Land, which closed in 2018 to make way for Avengers Campus. Also at Pixar Pier, there is the Angry Dogs food stand, with Anger being featured on the stand’s signage. This stand obviously serves hot dogs. Then there is a sweet shop named Bing Bong’s Sweet Stuff, which has a statue of Bing Bong inside. The Pixar Pal-A-Round Ferris wheel, redesigned to match the new area of Pixar Pier, includes gondolas with different characters painted on them. Joy and Sadness are two of these.

Also at Disneyland, special PhotoPass Lenses featuring the Inside Out 2 characters were available to use on the Disneyland app, and at the Pixar Place Hotel, there was an exhibit all about Inside Out 2, featuring maquettes of the new emotions Anxiety, Ennui, and Embarrassment, as well as artwork from the film. The Pixar Place Hotel opened at the Disneyland Resort on 30th January 2024 and contains other references to Inside Out. There are small references to the movie “hidden” in murals and paintings throughout the hotel and in rooms. You also might be lucky enough to meet Bing Bong at Pixar Place Hotel, as he has been meeting guests in the area since the hotel opened. 

At Walt Disney World, Joy was given a permanent meet-and-greet location at Pixar Plaza in Disney’s Hollywood Studios around Summer 2024, where she still is today. Joy and Sadness used to have a meet-and-greet location at the Epcot Character Spot, back in 2016, however, this area was closed when Epcot was redeveloping around 2019 and 2020. Joy could then be seen at the ImageWorks, the exit of the Journey into Imagination attraction in Epcot until around 2024 when Figment became a meet-and-greet character in that location. There was also a photo opportunity in front of an Inside Out 2 mural on the walls in the Pixar Plaza area. A sneak peek at Inside Out 2 was also playing at Walt Disney Presents in Disney’s Hollywood Studios.

At Disneyland Paris, Joy met guests at the Worlds of Pixar area in Walt Disney Studios Park during June and July 2024, with Anger showing up as well. Joy was still there in December of that year. It is unclear if she is still there. There are also two small statues of Joy and Anxiety in this area. In shows, Joy appeared as part of the A Million Splashes of Colour parade which ran from February 2024 until the end of September that year. Music from Inside Out and scenes from the movie are currently part of the Disney Tales of Magic nighttime show at Disneyland Paris.

At Tokyo Disneyland, Joy and Sadness have been spotted by guests as recently as 2021. At Hong Kong Disneyland, in recent years, characters from the movie, like Joy, Sadness, and Anger, were included in the Pixar Water Play Street Party here for Summer 2024. It is possible they will return if this parade returns in 2025. The Inside Out theme and clips from the film were also used as part of the Momentous Nighttime Spectacular show at this park. Lastly, at Shanghai Disneyland, Joy and Sadness are a part of the Disney ColorFest Street Party here, as well as Mickey’s Storybook Express Parade. Moments from Inside Out can also be seen in the projections of ILLUMINATE! A Nighttime Celebration.

On the Disney Cruise Ships, specifically on the Disney Wish, is a sweet shop named Inside Out: Joyful Sweets. The characters may also be seen as part of Pixar stage shows and parties that take place on other Disney Cruise Ships. The five emotions of Inside Out were also a part of the Disney on Ice show from 2015. 

Plenty of merchandise has been released featuring the characters of Inside Out 2, including plush toys, books, clothing, mugs, and playsets. There was plenty of specially-themed food and beverage offerings at all the Disney Parks too, including an Inside Out 2 souvenir cup available at Shanghai Disneyland; themed popcorn buckets, along with a tutti-frutti flavoured popcorn, and themed doughnuts at Disneyland Paris; emotion-themed dessert lollipops at Hong Kong Disneyland, with flavours like Basil Lemon for Envy and Thyme Orange for Anxiety, as well as themed popcorn flavours, such as Wasabi for Disgust and Garlic for Embarrassment; emotion-matching coloured cheesecakes at Disneyland Resort; and an Inside Out 2 petit cake at Amorette’s Patisserie at Disney Springs in the Walt Disney World Resort[17].

Finally, in partnership with Airbnb, a house designed to look like the Inside Out 2 headquarters was built in Las Vegas, with the accommodation seemingly being at the top of a huge tower. This was only available to win as a prize from a competition, with 15 one-night stays available to win for stays in July 2024.

FINAL THOUGHTS

There wasn’t too much in Inside Out 2 that I found particularly relevant to my life, but there was one thing. Hearing Riley’s belief “I’m not good enough” a number of times was quite an uncomfortable experience. We’ve all had times when we’ve thought we aren’t good enough. That we’re losers, failures, and will never achieve anything. Well, maybe not everyone has felt like that. Some people are just lucky with their level of confidence, but I think the majority of us have felt like we just aren’t good enough sometimes.

I found Inside Out 2 to be enjoyable as a film, and quite funny in places, even if I didn’t relate all that much to Riley’s journey, however, I am aware that I grew up in a time without smart phones and social media apps, with these only becoming a major part of life by the time I was about 18, and I was not at school or in a key developmental time of life when the COVID-19 pandemic hit. I don’t personally know any teenagers but I’ve read numerous articles about how stressed and anxious young people are growing up today.

I believe that Inside Out 2 may’ve gone some way in helping teens understand how their minds are working and even if they can’t talk to their parents, I hope it’s opened up discussions with their friends and given the adults in their lives something to think about.


REFERENCES

[1] Credit: Samantha Crowell, ‘Inside Out 2: Why Mindy Kaling & Bill Hader Were Recast In The Sequel (Despite Having A “Great Time Working On Inside Out”)’, ScreenRant.com, 28th August 2024.

[2] Credit: Julie, ‘6 Emotional Details About The Making of ‘Inside Out 2’’, PixarPost.com, 16th April 2024.

[3] Credit: Pixar, “New Emotions”, from Inside Out 2 (2024) Disney+ (2024).

[4] Credit: Matt Grobar, ‘Inside Out Sequel Plans Confirmed By Pixar At D23’, Deadline.com, 9th September 2022.

[5] Credit: John Boone, ‘The Inside Story of ‘Inside Out 2’s New Emotions (Exclusive)’, Oscars.org, 13th June 2024.

[6] Credit: Petrana Radulovic, ‘Uncut Gems helped inspire Inside Out 2’, Polygon.com, 16th April 2024.

[7] Credit: Pixar, “Deleted Scenes”, from Inside Out 2 (2024) Disney+ (2024).

[8] Credit: Julie, ‘6 Emotional Details About The Making of ‘Inside Out 2’’, PixarPost.com, 16th April 2024.

[9] Credit: Pixar, “Unlocking the Vault”, from Inside Out 2 (2024) Disney+ (2024).

[10] Credit: Jazz Tangcay, ‘‘Inside Out 2’: All the Easter Eggs and Hidden References You Might Have Missed Including a Nod to Pixar’s Next Feature, ‘Elio’’, Variety.com, 22nd June 2024.

[11] Credit: Dani Di Placido, ‘Disney’s ‘Inside Out 2’ Controversy, Explained’, Forbes.com, 17th September 2024.

[12] Credit: Disney, ‘‘Inside Out 2’ Director Kelsey Mann on Navigating the Emotions of Leading the New Pixar Film’, TheWaltDisneyCompany.com, 12th June 2024.

[13] Credit: Disney, ‘‘Inside Out 2’ Garners Biggest Animated Trailer Launch in Disney History’, TheWaltDisneyCompany.com, 10th November 2023.

[14] Credit: Tim Lammers, ‘‘Inside Out 2’ Ends Its Theater Run. How Much Did It Make At Box Office?’, Forbes.com, 11th October 2024.

[15] Credit: Faarea Masud, ‘Inside Out 2 boost Disney as theme parks struggle’, BBCNews.co.uk, 7th August 2024.

[16] Credit: Disney, ‘“Inside Out 2” Is The No. 1 Film Premiere On Disney+ In 2024, Driving 30.5 Million Views Globally In 5 Days’, Press.Disney.co.uk, date unknown.

[17] Credit: Cayla Ward, ‘New ‘Inside Out 2’ Experiences to Love at Disney Parks, Plus All-New Products’, DisneyParksBlog.com, 14th June 2024.

#15 Inside Out (2015)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. PRODUCTION
  5. MUSIC
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

“Do you ever look at someone and wonder: what is going on inside their head?”

These are the opening words of Pixar’s Inside Out, the 15th movie to come from the studio, twenty years after their first movie, Toy Story, was released in 1995, becoming the first-ever computer-animated feature film.

Whereas Disney Animation is known primarily for animating fantasy and adventure stories, usually with some sort of children’s story or novel as inspiration, Pixar tend to base their movies simply in the relatability of human experience.

Although this is usually done with a fantastical twist, like the existence of monsters, or rats that can cook, or a little fish going missing in the ocean, there is still something about the plight of these non-human characters that us as people can connect with.

In the case of Inside Out, Pixar chose to actually look inside humans, basing their whole movie on how we think and feel. What would that look like? What is going on in our heads when we face conflicting emotions?

As well as chronicling the trials and tribulations of an 11-year-old girl during a particularly difficult move away from her hometown of Minnesota to the city life of San Francisco, Pixar took us inside the mind, personifying emotions, giving them responsibilities, and showing how memories are created.

When I first watched Inside Out, I remember thinking it was a very clever movie from Pixar. They showed us how memories might be stored, how thoughts are categorised, and what our imagination looks like in a way that was fun, colourful, and meaningful.

It was also very poignant, as it proved how useful sadness can be, trying to move us away from thinking that happiness is the only emotion people should feel, and that if they don’t, there must be something wrong with them. We now have a word for that: toxic positivity, a very unhealthy attitude to have.

Pixar rarely get a foot wrong when it comes to their films, though they have not always been perfect. However, Inside Out felt like a turning point for Pixar, as they’d made something not only entertaining, but significant. But it is worth noting that Inside Out might’ve been highly praised simply because it was released after the disappointing sequel Cars 2 (2011) and the prequel Monsters University (2013), with more sequels coming afterwards.

PLOT

Inside Out begins with the birth of its main human character, Riley. We see Riley as a baby and then go inside her mind to see Joy appear. Here, Joy can see through Riley’s eyes, watching her delighted parents. This moment creates Riley’s first memory, which Joy sees roll into Riley’s mind like a glass ball, and stack itself on nearby shelves. Joy is excited to help keep Riley happy throughout her life, expecting it to be just the two of them now.

But just a few seconds later, Sadness shows up as Riley cries for the first time. Over the coming days, other emotions join Joy and Sadness inside Riley’s mind. First, Fear, who keeps Riley safe from tripping over a cable whilst playing in the house; then Disgust, who saves Riley from being poisoned by broccoli; and Anger, who shows up to get Riley to voice her displeasure at being refused dessert if she doesn’t eat that broccoli!

As the years go on, Joy is pleased to find that the majority of Riley’s memories are all golden and happy, since memories match the colour of the primary emotion in that memory. At the end of each day, these memories are taken down to Long-Term Memory to be stored. Riley’s Core Memories are also golden and these power Riley’s personality, forming personality “islands” inside her mind, like Family Island, Friendship Island, Hockey Island, Honesty Island, and Goofball Island. As Riley has grown up though, Joy has been at odds with Sadness, not knowing what she is actually in “HQ”, as in Riley’s mind, for.

Joy knows that Riley is 11 now so doesn’t expect much to happen in her life. And yet Riley’s parents have packed up all their belongings and moving from Minnesota to San Francisco. The journey is long, so the emotions review some of Riley’s favourite daydreams about what their new house will be like. Riley is excited to see it, but when they arrive, she finds it is nothing special and is in fact very rundown and kind of dirty… Riley is horrified, but Joy tries to keep her spirits up. However, the more Riley sees of the house, the more her other emotions push Joy aside, creating bad memories of the place. To make it worse, Riley’s mother then tells her the moving van won’t be coming for days, and when Riley tries to lighten the mood by playing hockey in the house with a balled-up piece of paper, her dad is called out to work. Riley and her mother go out for pizza but discover that San Franciscans apparently have a love for broccoli on pizza. That is so wrong.

Riley’s emotions are struggling with what is going on, but none more so than Sadness, who keeps feeling the urge to touch happy memories, which turns them blue. Joy tells Sadness not to touch any more memories, but Sadness goes to touch a Core Memory and it falls out. Sadness cries she thinks she’s having a breakdown. Joy pushes the Core Memory back in to place, because without these, Riley’s personality “islands” will stop working and she’ll become a shell of her former self. Sadness is sent to read manuals and stay away from the main console of HQ. Joy is also concerned that many of Riley’s memories for that day are a mixture of Fear, Anger, and Disgust. That’s new.

That evening, Riley is sleeping on the floor of her new room in a sleeping bag, much to Disgust’s…disgust. Her mother comes upstairs to tell her that her dad is very busy with work and that the moving van is going to be even later, but she appreciates Riley taking it all in her stride and still making an effort to be happy. Despite Riley’s fear and upset at being forced to move here, she continues to put on a happy face. Now it’s time for sleep and Joy is on “dream duty”, excited to see what Dream Productions is putting on for the night. Joy is unhappy with their choice so puts on a memory of Riley ice skating with her parents instead.

The next day, Joy wakes up with even more enthusiasm than usual, waking the other emotions playing the accordion. It’s Riley’s first day of a new school and Joy wants it to be perfect. She orders Fear to write a list of all possible worst-case scenarios for the day; tells Disgust to choose a great outfit for Riley; and Anger is tasked with unloading daydreams from the Train of Thought in case Riley’s lessons are boring. Sadness, on the other hand, is confined to a circle which Joy drew on the floor, telling her not to step outside of it.

At school, Riley is immediately asked to introduce herself to the class by her teacher, something that Fear calculated was the worst-case scenario. Joy isn’t concerned though and Riley starts to talk a bit about Minnesota and how great it was living there… The emotions then see that Riley has started crying in front of everyone. Horrified, they turn around to find Sadness has stepped out of her circle and touched a memory, making it sad. They then notice that a Core Memory has been created – and it’s entirely blue. This is Riley’s first-ever sad Core Memory. Joy and Sadness fight over it, with Joy wanting to dispose of it, but as they fight, all of Riley’s Core Memories are knocked out of position, Joy picks them up but her, the memories, and Sadness are sucked into one of the tubes that transports Riley’s memories around the mind. They are thrown out of Headquarters, and dumped in Long-Term Memory. Joy and Sadness discover that none of Riley’s personality islands are working without the Core Memories, so they know they have to hurry back to HQ.

Joy and Sadness’s departure has left only Fear, Anger, and Disgust in HQ. It’s already apparent that Riley’s personality has changed as she sits slouched eating dinner with her parents. Her mother tries to ask about school but thanks to Disgust, Riley’s answer comes out sarcastic. This leads Riley’s mother to become worried and try to get Riley’s father involved. As we can see inside both of their minds now too, we know Riley’s father wasn’t paying attention, exasperating Riley’s mother. Riley’s father tries to contribute to the conversation but makes everything worse, inflaming the situation instead of calming it. This makes Riley angry and she is sent to her room. Riley’s father is pleased with how he put his foot down, but Riley’s mother knows it was a disaster… Riley’s dad tries to cheer Riley up later by acting silly but Riley is having none of it.

This brings us back to Joy and Sadness who are trying to navigate their way to HQ by walking along a thin bridge between Goofball Island and Headquarters. As Riley refuses to act silly with her dad, Goofball Island breaks away and Joy and Sadness run back to Long-Term Memory. Riley then falls asleep so Joy wants to be back in HQ by morning, but this means a long walk round to Friendship Island. Sadness doesn’t feel like moving but knows Joy will get lost in the maze that is Long-Term Memory. Sadness then shows she knows the route through so Joy drags her along with her. The next morning, they are still walking and Joy is annoyed to find that Sadness has touched all the bottom row of the Memory Shelves turning them blue. Joy sees some Memory Workers getting rid of old, faded memories, sending them to the Memory Dump to be forgotten forever. One of these that will never fade is the Triple Dent Gum jingle, which the workers like to send to HQ just for fun! Joy asks them for directions to Friendship Island but they walk away, ignoring her.

Back with Riley, she video calls a friend from Minnesota who tells her about this new girl on their hockey team and how amazing she is. Naturally, this upsets Riley who bluntly ends the call. This event causes Friendship Island to collapse just like Goofball Island, so Joy and Sadness cannot take that route now. They are back to walking again… Joy notices something pink seemingly taking some of Riley’s memories. Joy goes to confront him but he runs away, scared. It turns out Joy knows exactly who this. It’s Bing Bong, Riley’s imaginary friend. Bing Bong says he’ll help them get back to HQ, with Joy promising she’ll get Riley to remember him, as he is being forgotten, once they’re back.

Bing Bong tells them the best way to get back is to catch the Train of Thought which has a station in Imagination Land. Bing Bong takes them through a “shortcut” which is actually Abstract Thought. Some workers turn the area on as Joy, Sadness, and Bing Bong are walking through and they start to transform. First, they become fragmented, then deconstructed, then 2D, then simple shapes. They manage to jump out of Abstract Thought alive but have missed the train as they wait to regain their actual forms. There is another station through Imagination Land, so they keep walking, through French Fry Forest, Cloud Town, the House of Cards, where Bing Bong’s magical rocket/wagon has been left, and the Imaginary Boyfriend machine. At Pre-School World, Bing Bong’s rocket is taken by workers who are demolishing the whole area. Bing Bong is devastated to find that Riley is moving on from him. Joy tries to boost his mood, but it doesn’t work. Sadness then sympathises with him and they talk about Bing Bong’s sadness at things changing and him being forgotten. Joy is amazed to find that Bing Bong’s talk with Sadness has actually made him happier…

At HQ, Fear, Anger, and Disgust see Riley breaking down further. At hockey try-outs, without her Core Memory and Personality Island, Riley plays terribly and storms off upset, causing Hockey Island to collapse. Anger thinks he has a way of fixing this whole situation: by running back to Minnesota and creating new Core Memories. Disgust and Fear aren’t so sure, so they put a pin in that idea.

Back with Bing Bong, Joy, and Sadness, they have boarded the Train of Thought, but it stops soon after as Riley falls asleep. Luckily, they stopped right by Dream Productions. They decide to infiltrate the dreams to wake Riley up. On set, Sadness says they should scare her awake, but Joy doesn’t want to do that. Instead, they dress up like a dog and run onto the Dream Productions set. Joy and Sadness’s costume breaks apart though, so it looks like the dog has been cut in half. Bing Bong rushes on to set too to try and talk to Riley, and Dream Productions Security carry him out. This whole dream was being watched by Fear who was on Dream Duty too. He was unimpressed to say the least.

Joy and Sadness then go to the Subconscious where Bing Bong has been put in a cell. As the two try to enter the area, two guards see them and throw them inside. They follow a trail of candy wrappers to find Bing Bong in a cell made of balloons, sitting on top of a clown. This clown is Jangles and he is terrifying, which is why he is in the Subconscious; this is where all of Riley’s darkest fears live. Joy releases Bing Bong and then decides Sadness was right about scaring Riley awake, so they wake up Jangles and lead him to Dream Productions. Riley does wake up and they jump on the train. But at HQ, Anger decides they must take action and puts the running away thought in Riley’s head, by placing a literal light bulb in the console. Riley decides to do it, buying a bus ticket home, and stealing her mother’s credit card to pay for it, which breaks down Honesty Island.

On the train, Bing Bong picks up a memory of Riley playing hockey. Joy remembers that it was a day of celebration with her hockey team, but Sadness remembers that Riley actually was very sad that day after missing the winning goal in a big game. Honesty Island’s collapse causes the Train of Thought to derail and the three are pulled to safety by Memory Workers. They tell Joy Riley is running away. Sadness and Joy rush over to Family Island, the last personality island standing and go to a Recall Tube to get back to HQ. But as Sadness enters the tube, Riley’s Core Memories start to turn blue. Joy tells Sadness Riley needs to be happy and goes off without her. But the tube breaks, and as Bing Bong tries to help, he too falls, both of them heading right to the Memory Dump.

As Bing Bong loses hope that they’ll get out of there, Joy starts to cry and picks up the memory that they were just talking about. As she wipes a tear off it, she sees that this memory started off sad and then became happy. This shows to Joy that memories can have mixed emotions and that Sadness alerted others to how Riley was feeling so that they could come and comfort her to make her happy again. Joy knows she can’t just stay here, and finds Bing Bong’s rocket, powered by song power. The two get in the wagon and start to sing. They rise higher and higher…but it’s not enough. They keep trying but just can’t seem to get out of there. Bing Bong then realises he might be too heavy so at the last moment, he jumps out, causing Joy to make it back to Long-Term Memory. Looking down, she sees Bing Bong waving and then he fades away forever…

Back in San Francisco, Riley’s parents have discovered Riley is missing and so Family Island starts to fall. Joy quickly finds Sadness, who is floating on a cloud of tears, believing Riley is better off without her. Inside HQ, the emotions have discovered that Riley’s console is turning grey, and they cannot do anything to reverse Riley’s decision to run away. Joy then goes to the Imaginary Boyfriend machine and prints copies of the boys. She pushes Sadness towards Family Island. Using these boys, Joy basically makes a tower to stand on. She then tells them to fall forward, and she jumps onto the trampoline of Family Island before it falls, catching Sadness on the way. The two slam into one of the windows of HQ. Anger, Disgust, and Fear rush towards them, with Disgust winding up Anger so she can use his fire to break the window open. The three tell Joy to fix Riley, but she passes that responsibility over to Sadness. Sadness takes a deep breath and takes out the light bulb from the console, removing the thought from Riley’s head. She immediately gets off the bus.

At home, Riley’s parents are relieved to see she’s back unharmed. Sadness returns Riley’s Core Memories, turning them blue, which allows Riley to tell her parents that she misses home. It turns out her parents miss home too. The three comfort each other with a big hug. This creates the first mixed emotion memory for Riley. Family Island is restored.

One year later, Riley is twelve, and has begun to accept her new life in San Francisco, making friends, and joining the hockey team, with new Personality Islands forming too, like Boyband Island and Tragic Vampire Romance Island. Joy has also begun to accept Sadness in Riley’s mind, and more mixed emotion memories have been created. They soon find that the Memory Workers have expanded their console, with a new red button marked “Puberty” on it. Joy tells them not to worry about it; it can’t be that important.

In a mid-credits scene, we get to see inside the minds of others, including Riley’s teacher, who is counting down the days until she can go on vacation, seemingly to meet up with the same helicopter pilot that Riley’s mother once knew; a cool girl from Riley’s school who is finding it exhausting keeping up this façade that she’s too cool to care; and even a cat’s mind, where its Fear emotion plays about with the console, making the cat randomly go crazy in the real world. Oh, so that’s why cats do that!

CHARACTERS & CAST

Joy believes herself to be the leading figure of the five emotions that reside in Riley’s mind. She was the first one to be there to support Riley and she has vowed to keep Riley happy for the rest of her life. Happiness is the key emotion that many people strive for, however, that does not mean that you have to spend every day and every minute of your life feeling happy. That’s unrealistic and not even sustainable. So, on this journey through Riley’s mind, Joy has to accept that she cannot be the driver of Riley’s life all the time, and that even though she perhaps views the other four emotions, particularly Sadness, with scepticism over how much they improve Riley’s life, Joy has to accept that Riley can’t always be happy and that sometimes Sadness is necessary to help Joy do her job. Because Joy is enthusiastic and positive, she was designed to be a constant glowing spark, her light shining on to those around her, with a big sunny smile to match. Joy’s shape was based on a star.

Joy was voiced by Amy Poehler. Poehler was a cast member on the sketch comedy series Saturday Night Live (1975-present) from 2001 until 2008. After that, Poehler was cast as Leslie Knope in the popular sitcom Parks and Recreation (2009-15), for which she was nominated for numerous Primetime Emmy and SAG awards, winning a Golden Globe in 2013 for her role. She is also known for her collaborations with former SNL writer and performer Tina Fey, being cast as Regina George’s mother in Mean Girls (2004), written by Fey, and appearing alongside her in other movies like Baby Mama (2008) and Wine Country (2019), with the latter being directed by Poehler. Poehler won a Nickelodeon Kids’ Choice Award, a Women Film Critics Circle Award, and an MTV Movie Award for her voice role here.

Sadness is the least confident of the emotions, being quite insecure and unsure of her purpose in Riley’s mind, probably because Joy has spent eleven years trying to keep Sadness away from Riley’s memories and the HQ console so she doesn’t mess anything up. After helping Joy journey through Riley’s mind, Sadness is “rewarded” with Joy ignoring all of her ideas, like scaring Riley awake which turns out to work, and is then left behind by Joy as she tells Sadness Riley needs Joy more than her, causing Sadness to fly around on a cloud, crying her eyes out, believing she is useless and harmful to Riley. Joy has to convince Sadness that she was wrong all along and that Riley needs to feel sad at times to improve her mood. In the end, Sadness is the hero who makes Riley feel again. Sadness was initially going to be a male character named Bud who looked like a big blue blob. Sadness was then redesigned by artist Albert Lozano, who drew Sadness to look more like his mother. Sadness is shaped like an upside-down teardrop[1].

Phyllis Smith was the voice of Sadness. She is perhaps best known for her role as Phyllis Vance in sitcom The Office (2005-13), as well as her appearances in comedy films such as Bad Teacher (2011), alongside Cameron Diaz. Smith won the Annie Award for Outstanding Achievement for Voice Acting in a Feature Production for her role as Sadness.

The next emotion to mention is Fear, the one who alerts Riley to real-life physical threats, like tripping over things or getting hurt, as well as the emotionally-charged dangers, like being laughed at on her first day of school. Fear is incredibly neurotic, getting worked up at the smallest thing, and catastrophising everything, but hey, I guess that’s his job. Fear was shaped to look like a nerve.

Bill Hader was cast as the voice of Fear. Hader was a cast member on Saturday Night Live (1975-present) from 2005 until 2013, also appearing in comedy films such as Forgetting Sarah Marshall (2008) as Brian Bretter and Night at the Museum: Battle of the Smithsonian (2009) as George Custer during this time. He had also voiced roles in animated movies prior to Inside Out. These roles include the main role of Flint Lockwood in Sony Pictures’ Cloudy with a Chance of Meatballs (2009) and its 2013 sequel; and Guy Gagné in DreamWorks’ Turbo (2013). Hader has voiced characters in other Disney and Pixar movies too, including J.P. Spamley in Ralph Breaks the Internet (2018) and Featheringhamstan in Lightyear (2022). Hader also co-created, partially directed, and starred in the dark comedy series Barry (2018-23), for which he won two Critics’ Choice Awards and two Primetime Emmy Awards for his acting role, and three Directors Guild of America and three Writers Guild of America Awards for his creation of the show.

Another emotion we meet is Disgust, who was initially designed to be disgusting herself, before the animators decided that wasn’t an appealing character design. Instead, she ended up being shaped like a piece of broccoli, which she ironically despises, albeit a well-dressed piece of broccoli! Disgust is first introduced to tell Riley not to eat the broccoli she is about to be fed, but her disgust spans more than just food, moving into fashion choices and even Joy’s suggestions about just going up to cool girls and talking to them!

Disgust was voiced by Mindy Kaling. Kaling was also cast in The Office (2005-13) in the role of Kelly Kapoor, before creating her own show, The Mindy Project (2012-17), where she starred as Dr. Mindy Lahiri. She has also appeared in comedy films, such as Ocean’s 8 (2018) where she was cast as Amita, and Late Night (2019), playing the part of Molly Patel. Kaling recently co-created a new show for Netflix, Running Point (2025-present), which stars Kate Hudson in the main role. Kaling is no stranger to voice acting either, having voiced the characters of Taffyta Muttonfudge in Wreck-It Ralph (2012) and Val Little in Monsters at Work (2021-present) for Disney; and the title role of Velma in the animated Scooby-Doo spin-off series Velma (2023-24).

The final emotion to mention is Anger, who is obviously the one who gets angry at everything, wanting things to be fair for Riley and not wanting to feel disrespected by anyone. Anger is the primary driver behind the idea to get Riley to run away and go back to Minnesota, something that he felt was a good idea after being annoyed at their lack of progress in creating Core Memories without Joy. He was basically at the end of his tether, but even Anger accepts that this was not the way to fix Riley in the end. Anger is rigid and immovable, so his character design was shaped to be like a brick[2].

Anger was voiced by Lewis Black. Black began his career in stand-up comedy, later appearing on The Daily Show (1996-present) to host a segment called Back in Black with Lewis Black, humorously commenting on news stories, which he still does today. Black also had his own series on Comedy Central titled Lewis Black’s Root of All Evil (2008).

The other main character in Riley’s mind is Bing Bong, Riley’s imaginary friend, a creature that is part cat, part elephant, part dolphin, made of cotton candy and cries candy! Bing Bong has found himself living out the rest of his days in Riley’s Long-Term Memory but fears he will be forgotten soon as Riley is growing up and no longer needs an imaginary friend. He hopes that by helping Joy and Sadness get back to HQ that they’ll be able to get Riley remember him, but that never happens. Instead, Bing Bong sacrifices himself to the Memory Dump to allow Joy to return to HQ and make Riley happy again. It’s a heart-breaking moment, seeing Bing Bong fade away in that place…

Bing Bong is the most lovable and likeable of all the characters in Inside Out and I think that has a lot to do with his voice actor, Richard Kind. On stage, Kind has appeared in a variety of plays and musicals, including as Max Bialystock in The Producers Broadway production from 2004 to 2005, and at the Hollywood Bowl in 2012; as Andre Thibault in a 2005 Broadway production of Dirty Rotten Scoundrels; and as Marcus Hoff in The Big Knife, for which he was nominated for a Tony Award for Best Featured Actor, and won the 2013 Drama Desk Award for Outstanding Featured Actor in a Play. On screen, Kind was recently seen in Season 4 of Only Murders in the Building (2021-present), playing the part of Vince Fish, and as Caroll Mintz in the Hulu series Mid-Century Modern (2025). He also appeared in Tick, Tick…Boom! (2021) as Walter Bloom, and portrayed Rudy Giuliani in Bombshell (2019). Kind had also previously worked with Pixar prior to Inside Out, having voiced Molt, Hopper’s brother, in A Bug’s Life (1998) and Bookworm in Toy Story 3 (2010).  

For the human characters, we have Riley and her parents. Riley is initially a very happy child, having a keen interest in hockey, getting on well with her parents, and having lots of friends. Even when they move to San Francisco and things aren’t looking so great, Riley tries her best to make the most of the situation, although it is difficult. It’s not until Joy and Sadness depart HQ that Riley really struggles, losing parts of her personality and slowly becoming emotionless, to the point that she feels like running away is the best option. Thanks to her acceptance of how she feels about the move, and Joy and Sadness returning to HQ, she is able to go to her parents and tell them how she feels. Her parents are non-judgemental, caring figures so they listen to Riley’s thoughts, and tell her that they feel the same way, missing home and feeling a little bit scared too.

Riley was voiced by Kaitlyn Dias, who apparently pictured her cat dying in order to cry on cue for the recording of Riley’s most emotional moments. Talk about commitment to the role[3]! For Dias, this was one of her first roles, winning a Young Artist Award in 2016 for the category Best Performance in a Voice-Over Role – Young Actress. Diane Lane voiced Riley’s mother, having roles in a variety of movies including as Cleo Trumbo in the 2015 biopic Trumbo (2015); and as Martha Kent in Batman v Superman: Dawn of Justice (2016), reprising the role for Justice League (2017). Kyle MacLachlan voiced Riley’s father, who had roles in many television series, including as Special Agent Dale Cooper in Twin Peaks (1990-1991; 2017); and as Trey MacDougal in Sex and the City (1998-2004).

Those are all the main characters, although there are some other fun voice cameos. Two of these are Frank Oz and Dave Goelz who voiced the guards who guard the Subconscious. Oz and Goelz are well-known for their puppetry work and collaborations with Jim Henson on the Muppets; Fraggle Rock (1983-87); and Sesame Street (1969-present). Oz has also directed movies such as The Dark Crystal (1982), Dirty Rotten Scoundrels (1998), and Little Shop of Horrors (1986). Goelz voiced Figment in the 2002 version of the Epcot attraction Journey Into Imagination with Figment.

Then there is Rashida Jones, known for her roles as Karen Filippelli in The Office (2005-13) and Ann Perkins in Parks and Recreation (2009-15), amongst many others, who voices the Cool Girl’s emotions, and of course, John Ratzenberger appears as Fritz, the Mind Worker who installs the updated console in HQ at the end of the movie. Ratzenberger had voiced a character in every Pixar movie up until Onward (2020) but would not return as a voice cameo for the studio until the release of Inside Out 2 (2024).

PRODUCTION

The basic premise of Inside Out came from the personal experience of Inside Out director Pete Docter and his daughter, Elie. Elie was the inspiration for 11-year-old Riley, with Elie Docter having previously been the model and voice actor for Young Ellie in Up (2009).

It is not unusual for parents to notice a change in their children, especially as they enter adolescence, and this was the case for Docter, who said his daughter had been outgoing, energetic, and goofy, but she all of a sudden became quiet, self-conscious, and moody, getting panicked about school sometimes. Docter wanted to understand what might be going on inside Elie’s head, so he made a movie about it!

Docter was interested in that weird place between childhood and adulthood, where the mood can switch between wanting to be a kid and play around and wanting to be treated like an adult, seemingly at random. Though Elie Docter adjusted to becoming a teenager, being sixteen at the time Inside Out was released, Docter wanted to show what it might be like inside the mind of the child when the parents see the light go out in their child’s eyes, and they become emotionless and difficult to reach.

Docter also used some of his own experience growing up in Minnesota, like Riley. He had found middle school particularly stressful, being labelled as a “geek” for not being good at sports, with this causing some social anxiety. Docter even had his own imaginary friend like Riley. Docter’s imaginary friend was a small elephant called Norma who drove a car[4]!

Docter, screenwriter Meg LeFauve, who also wrote the screenplay for Pixar’s The Good Dinosaur (2015) around this same time, and Josh Cooley, who had worked as a story artist on Ratatouille (2007) and Up prior to Inside Out, began writing the story for Inside Out around 2010. However, as is the case with the majority of movies, although the basic idea of Inside Out was there, it took some time to properly decide on the overall plot of the film, with ideas being thrown in and tossed out over the coming months and years of development.

Joy was the most challenging character in Inside Out, because she represents the simplicity of childhood, but how does that relate to a girl who is quickly growing up? Initially, it was thought that perhaps Joy just wanted Riley to be happy so the whole story revolved around making Riley enjoy every day of her life, but that quickly became monotonous and superficial. So, the filmmakers thought: what if Joy is so passionate about keeping Riley in the safety and joy of childhood that she becomes nasty? Some of the Inside Out deleted scenes shed light on what this might have looked like. For example, there were moments when Joy was being self-centred and blind to the world, like not understanding why Riley would have to do chores and do homework at her age, and why she shouldn’t still be playing with her food or messing about during concerts. There was another scene of Riley at school where Joy was trying to get Riley to forget about making friends, something that the other emotions were actively wanting for Riley, and to go play on the monkey bars instead, and even said she wanted Riley to spit in these girls’ faces. Riley refused to listen to these “voices in her head” and made friends anyway, much to Joy’s surprise.

This idea didn’t work because it made Joy a difficult character to like. It was then decided that Joy should be paired up with another emotion through Riley’s mind, because then she’d have someone to bounce off and learn things from. Initially Joy was paired with Bud, an early design for Sadness, but the characters didn’t work together. Joy was later paired with Fear, with some of this storyline present in the deleted scene “Imagination Park”. Here, Joy was trying to get back to HQ, but Fear thought Joy was heading back to take it over, presumably to make Riley stay a child forever. Joy managed to outrun Fear who was chasing her with a Mind Worker, and get into Imagination Park. Joy continues to run through the area, still being pursued by Fear until she leads him into a room where a monster tries to get him. Fear sucked the monster up into a memory tube, but accidentally sucked himself into it too. Joy picked up the gun with Fear inside, with Fear apologising for his actions.

Joy paired up with Fear didn’t work either, so she was eventually paired up with Bing Bong, who was made to be Joy’s tour guide through Riley’s mind, but was also a type of radical non-conformist, dead set against the demolition of Imagination Park and expansion of the area to include areas about boys, sarcasm, and swearing. Bing Bong took Joy into this area and encouraged her to throw bricks at the workers. They ran out of the area to catch the train, despite the fact Joy was aware they were not even being chased.

There were other story ideas that just didn’t work. One deleted scene showed Joy looking for a Core Memory she had dropped in some water, and swimming to a beach where she found the memory broken. On the beach was a big house. Joy went inside and saw a young Riley dancing in a room. Young Riley wanted Joy to dance with her forever, but Joy finally accepted that she had to let go of Young Riley and allow her to grow up. Another early draft saw multiple emotions residing inside Riley’s mind, each with their own name that wasn’t just their emotion. For example, Fear was once called Freddie and Anger was called Ira. Preston, the Pride emotion, was a core member of the group initially, later replaced by Disgust, and other emotions such as Ennui and Schadenfreude made cameo appearances[5].

It’s evident that many different ideas were bounced around during early development on Inside Out, but a couple of years into the making of the movie, Docter found himself overwhelmed by this struggling story and uncertain of whether this was the movie he should be making. Joy was unlikeable, trying to resist Riley growing up, and there was no concept of Riley adjusting to a move from Minnesota to San Francisco. Docter knew something wasn’t right with his story, and went for a walk to try and figure out how to fix it.

Through this walk, Docter contemplated the relationships in his life and the fact that they were the most important thing to him. Docter recalled all the happy moments he’d had with family and friends, but he also knew that he had been through many sad, troubling times with these same people. It appeared to be a real light-bulb moment, where it became clear that this movie had to be about Sadness and Joy, with Sadness teaching Joy the lesson that happy moments can sit alongside sad moments[6].

With this new plan in mind, Docter knew the whole movie would have to be re-storyboarded and would mean going through the producers, Pixar president Ed Catmull, and Chief Creative Officer at Pixar John Lasseter, to approve as this would affect the movie’s production schedule. Despite Docter’s worries, they were very understanding and allowed the film to go through some major re-writes[7].

There was also additional help from scientist and psychologists, who explained the nature of emotions and the science of memory to help the Pixar filmmakers with their story. According to psychologist Paul Ekman, there are six key emotions: Anger, Fear, Disgust, Joy, Sadness, and Surprise. Obviously, Pixar made their core team around five of these emotions, with Surprise being considered too similar to Fear and being dropped. It was also decided that different emotions would drive characters’ minds in Inside Out, so Riley is driven primarily by Joy in childhood, however, during the dinner scene where Riley gets in an argument with her father, you can see that Riley’s mother’s mind is headed up by Sadness, whilst Riley’s father’s mind is driven by Anger. This wasn’t meant to be a stereotyping of male and female adults, but instead, was meant to show that Joy likely will not be leading Riley’s console into adulthood, but another emotion will.

Emotions are heavily linked to memories, both in Inside Out and in the real world, so discussions about memories were also necessary for research. Pixar talked to the Mind Brain Behavior Institute in Columbia, who said that the most emotionally charged memories are the ones that are most likely to be remembered. They also stated that when we recall a memory, we are actually making a copy of that memory, not remembering it as though it has just happened. This creates some reliability even in eye witness accounts as not only can emotions alter facts, but memories change and can be altered based on conversations with others and outside influences, meaning they aren’t all that reliable[8].

This idea of memories not being overly reliable isn’t particularly relevant to Inside Out, since Riley isn’t a witness in a court case or anything, however, the memories being emotionally charged is relevant to the movie, as we see when Sadness and Joy are discussing the same memory about Riley and her hockey team, but are remembering it differently, with Joy remembering the happy celebratory mood of Riley’s teammates and parents, and Sadness remembering the guilt and upset at not scoring a winning goal.

Other mind-related topics were explored and researched too. Dacher Keltner, psychology professor at the University of California, Berkeley, discussed what makes people happy with true deep happiness not being about material things, like wealth and expensive things. Dreams are another factor of the mind present in Inside Out. The use and meaning of dreams are debated heavily in science, with some saying they are the brain’s way of working out issues, whilst others reckon they are just random firing of neurons and mean nothing much at all[9]. For Inside Out, to avoid this debate, the filmmakers chose to make dreams a form of entertainment, being created and filmed like a movie, with Dream Productions being reminiscent of a working movie studio.

In terms of animation, we get to see a representation of the real world, complete with landmarks of San Francisco, like the Golden Gate Bridge. Alongside that, we see a colourful, cartoony version of the human mind. If Pixar had chosen to visually represent the brain, it would’ve been fairly simple, as we have access to scans of the human brain, what it looks like and how it works. But this is the mind, not the brain, which is much less easy to understand and even more difficult to represent.

Pixar made the mind a bright, colourful place, with clever ways of representing turns of phrase or metaphors we use when discussing the inner workings of our minds, such as the Train of Thought being an actual train, and Abstract Thought getting its own space, where Sadness, Joy, and Bing Bong are broken down from their 3D forms down into basic shapes, like they are being “de-animated”. We also see that memories are created in what seem to be glass balls, with these being stored in shelves in HQ before being unloaded into Long-Term Memory, where memories are stored again on shelves, with faded or useless memories being disposed of in the Memory Dump, where the mind then forgets them. Pixar even thought about how we get random songs pop into our heads, like the Triple Dent Gum jingle. In Inside Out, the Mind Workers like to send the memory up into HQ where it then plays. There are so many other clever ideas in Inside Out that you can sometimes get caught up in the cleverness of the film and forget about the emotional core of the story.

Every Pixar movie has to have a list of Easter eggs and Inside Out is full of them. For instance, when Riley is video chatting her friend, there are a list of Riley’s contacts on the left-hand side of her screen. These include DocPete, Ronnify, and Domeeeee. These names relate to Pixar employees who worked on Inside Out. DocPete is obviously Pete Docter, the director; Ronnify is likely Ronnie del Carmen, who was co-director and co-creator of the story, having been a story artist on other Pixar movies such as Ratatouille (2007) and WALL-E (2008) previously; and Domeeeee is Domee Shi, a storyboard artist on Inside Out, going on to direct the feature films Turning Red (2022) and the upcoming Elio (2025).

There are also references to other Pixar movies. The Chinese takeaway boxes that Riley and her parents are eating from resemble those of Harryhausen’s in Monsters, Inc. (2001); the memory of Riley sliding down a slide looks just like the one in Sunnyside Daycare from Toy Story 3 (2010); and that memory of Riley and her parents taking pictures by dinosaur statues on their drive to San Francisco are a reference to the movie release that came after: The Good Dinosaur (2015), with those dinos matching Arlo, the main character, and the eccentric Styracosaurus Forrest Woodbush.

For the necessary Pixar Easter eggs that appear in every Pixar film, A113, the number that represents the room that many of the original Pixar animators studied in at CalArts, is the number of Riley’s classroom door, and can also be seen in graffiti on the streets of San Francisco. The iconic Pizza Planet truck is pictured in two memory balls, one during the scene of Joy chasing Bing Bong through Long-Term Memory and the other whilst they are on the Train of Thought.

In 2013, at the D23 Expo, the logo of Inside Out was revealed as were the five emotions that the movie would focus on, although the logo did become something very different in the end. The original logo seemed to be the outline of a human head with “Inside Out” written inside it. About a year before Inside Out’s release, Pixar screened the movie to children, concerned it was too confusing and complex. They were delighted to find that kids did in fact understand it, and used information from the film to help them open up to their parents about how they were feeling[10].

Disney Parks fans might have noticed after viewing the movie that Inside Out is quite similar to a now-closed Disney theme park attraction. This attraction was Cranium Command which opened in the Wonders of Life pavilion in Epcot at the Walt Disney World Resort on 19th October 1989. It consisted of a short-animated pre-show, followed by a theatre experience. In this pre-show, guests saw General Knowledge talking to a group of recruits about their important job of piloting human brains. A small, young recruit named Buzzy is late to this meeting, annoying General Knowledge, who then forgets to assign him to a brain to pilot, meaning Buzzy is left with the most difficult brain: the brain of a 12-year-old boy! Guests were then led to a theatre, where they saw a stage of control panels and screens and were reunited with Buzzy, now in full Audio-Animatronic form. With this animatronic and screens, we saw Buzzy interact with different parts of the body, like the Stomach and the Bladder, to get Bobby, the boy whose brain is being piloted, through a day at school where he gets in trouble for fighting and meets new girl Annie. Cranium Command ran until 1st January 2007, when the Wonders of Life closed permanently as a pavilion, becoming used as an Epcot Festival space for a few years. I loved Cranium Command and remember watching it a lot when I was younger during my trips to Walt Disney World. My mum and I would go and see that whilst my dad and older sister went on the simulator ride Body Wars which was too gross and intense for me!

Strangely enough, the closing of Cranium Command was not the end of Buzzy’s story because around 2018, when “urban exploring” was all the rage – especially for those with YouTube channels – many liked to break into the Wonders of Life pavilion, since it was no longer being used. The Buzzy animatronic was stolen around this time, with only the animatronics’ clothing being tracked down, to NBA player Robin Lopez and his friend who had bought the clothing, unaware that the items had been stolen. The Buzzy animatronic has never been found…

Cranium Command was not stated as a specific source of inspiration for Inside Out, however, the similarities are clear if you know of this attraction. Pete Docter had interned as an animator at Disney early in his career and was sent to work on the animated sequence for Cranium Command. Docter did not initially notice these similarities between the attraction and his film until they were pointed out to him, though he did admit it must’ve been in his subconscious somewhere[11]!

MUSIC

The soundtrack for Inside Out had to evoke feelings of imagination and wonder, alongside big emotional moments.

The iconic theme for Inside Out can be heard in the opening track “Bundle of Joy”. This piece of music sums up the whole style of the movie. This theme is repeated in different places throughout the movie, usually in scenes of HQ and more familiar parts of Riley’s mind, like Long-Term Memory.

However, there are other parts of Riley’s mind that are very unfamiliar to Joy and Sadness, such as Abstract Thought. It initially looks like Bing Bong, Joy, and Sadness are just going to walk through an empty building but when it is turned on, Abstract Thought becomes a strange place. The piece “Abstract Thought” mimics the terror and confusion that these three characters feel as they begin to deconstruct and try desperately to get out. Another area with its own piece of music is “Imagination Land”. This sounds just like the music you’d hear in an amusement park; it’s bouncy and cheerful.

The track “The Subconscious Basement” had to feel scary and like something bad could happen at any moment, to match the dark corners of Riley’s mind where her greatest fears are held. At this point, Joy and Sadness have had to go into the Subconscious to rescue Bing Bong who was dragged there by security. Whilst there, they encounter a huge, creepy clown called Jangles. “We Can Still Stop Her” is another scary moment, but this time it takes place in the real world, as Riley goes to catch a bus back to Minnesota on her own. Again, it feels like something bad could happen to Riley, and is almost more terrifying because it’s a scene from the world we know, so we are aware of what could’ve happened.

In amongst those moments, Giacchino’s score also had to match weighty emotional moments, however, instead of turning to big orchestral sounds, he went small on these pieces, knowing that when someone needs help with their feelings, it’s better to be quiet and supportive, just taking in what they’re saying. This is evident in “Joy Turns to Sadness/A Growing Personality”, which can be heard when Riley returns home to her parents and tells them she’s miserable being away from Minnesota. The main theme returns here too, as the end of this piece becomes happy, and we learn that Riley is slowly adjusting to her new life.

There are also two other “songs” that appear in the film. One is the catchy Triple Dent Gum jingle, which is meant to resemble those annoying, little tunes that you can hear on television adverts that then get stuck in your head for days, and Bing Bong’s song about his magical rocket that is powered by song power. This is a silly, rhyming song, but naturally, it had to be, as a very young Riley would have written it herself.

The music for Inside Out was composed by Michael Giacchino, who was no stranger to Pixar, having already composed the music for The Incredibles (2004); Ratatouille (2007); Up (2009), for which he won the Oscar, BAFTA, Golden Globe, and Critics’ Choice Award for Best Score; and Cars 2 (2011) by the time of Inside Out. Giacchino continued to collaborate with Pixar after Inside Out, composing the scores for Coco (2017); The Incredibles 2 (2018); and Lightyear (2022). Outside of Pixar, he has composed music for the most recent Spider-Man films and for the series of Disney television Christmas specials, Prep & Landing (2009-11). Giacchino was also nominated for Primetime Emmy awards for his work on the series Lost (2004-10), winning one for his underscore of its pilot episode. He even composed the music for Disney Animation’s Zootopia (2016).

Giacchino was contracted to writing the music for two other movies, alongside Inside Out, with all three set to be released in 2015. These very different films were Disney’s science-fiction live-action movie Tomorrowland, which starred George Clooney, and the action film Jurassic World, the first movie in a three-part reboot of the Jurassic Park trilogy[12]. Another movie he worked on which was also released in 2015 was Jupiter Ascending.

Inside Out’s soundtrack ended up winning the Annie Award for Outstanding Achievement for Music in a Feature Production. It also won Best Original Score for an Animated Film at the International Film Music Critics Association. Giacchino himself won the Film Composer of the Year award at the World Soundtrack Awards. The movie’s soundtrack was also nominated for Best Original Score in an Animated Film at both the Satellite Awards and the Hollywood Music in Media Awards.

RECEPTION

Inside Out debuted at the 68th Cannes Film Festival on 18th May 2015, before having its official premiere at the El Capitan Theatre in Los Angeles on 8th June 2015.

Inside Out then debuted in theatres in the US on 19th June 2015, reaching theatres across the world in the days and weeks that followed. It was released alongside the Pixar short Lava (2014), an all-singing short about two volcanoes who fall in love. This is one of my favourite Pixar short films. The musical track that accompanies the whole story was written by James Ford Murphy, also the director of the short film, and performed by Kuana Torres Kahele and Napua Makua.

Because of Inside Out being a specific expression in the English language, in non-English-speaking countries, the title was changed for its release in those countries. For example, in Portuguese, the film became known as Fun Mind; in Italian, as Intense Mind; in French as Vice-Versa; and in Cantonese as Fun with Brain Friends[13].

Inside Out was highly praised on its release by critics and audiences alike. Many said this was Pixar at their best after the disappointment they felt at Cars 2 (2011) and Monsters University (2013), with this being a new story from Pixar, not just another sequel or prequel to add to an ever-growing franchise. Yeah, more on that later… Inside Out was both heartfelt and inventive with a good message and plenty of laughs. Some even claimed it was already a Pixar classic.

However, there were a few less-than-positive comments. Some said it was a bit too fast-paced, not allowing enough time to enjoy the areas of the mind, and that it was simply not entertaining enough for small children. It was also felt that Riley was not developed properly as a character of her own and that the number of obstacles that Joy and Sadness kept facing to get back to HQ became annoying and endless. I can agree with both of these to some point. At the beginning, Joy and Sadness’ journey is quite interesting, but then it does become a bit stale and boring. At these moments, I found myself wanting to get back to Riley and the other emotions, but there weren’t too many scenes of that. There are also those who think Inside Out is just overrated.

Inside Out ended up making just under $860 million at the box-office, putting it in the No. 7 spot of the highest worldwide grossing films of 2015, behind movies like Star Wars: Episode VII – The Force Awakens; Jurassic World; and Furious 7. These were the top three spots, with each of them being reboots of beloved franchises or continuations of current ones. Inside Out was the second highest grossing animated movie of 2015 though, with Disney Animation not releasing a movie that year. Minions topped the list though, with $1.1 billion as its worldwide gross, but again, this was a spin-off of a popular animated franchise.

But that was not all because there were of course awards that Inside Out won. Inside Out won the Oscar for Best Animated Feature, and was nominated for Best Original Screenplay at this ceremony too. This was also the case at the BAFTAs and the Critics’ Choice Awards. At the Annie Awards, it once again won Best Animated Feature, along with a list of others awards, including Outstanding Achievement for Directing; for Production Design; and for Writing just to name a few. Inside Out also won Best Animated Feature Film at the Golden Globe Awards, the Satellite Awards, and the Saturn Awards, amongst many others. It was named as the Best Animated Feature by the National Board of Review too.

LEGACY

The first screen spin-off to come from Inside Out was the short film Riley’s First Date? (2015). It was first released as part of the Inside Out digital release, before also being featured on its Blu-Ray release in November 2015. It was written and directed by Josh Cooley, with the voice cast from the movie returning to reprise their roles.

In this short, which follows the events of Inside Out, Riley’s father answers the door to find the teenage boy from the end of the film stood there. This boy is named Jordan and has shown up to go skating with Riley. Riley’s dad instantly doesn’t like this, nor does Riley’s mother, believing she’s much too young to have a date. Riley’s mother decides to try and figure out if this is a date by trying to be “cool”. Riley and her emotions are confused by what her mother is trying to do, but reiterate it is not a date; they are going skating with friends. Meanwhile, Riley’s father’s mind wants to try and intimidate Jordan by staring him down but Jordan isn’t even paying attention as we see from his mind, where his emotions are skateboarding around his mind. In the end, Riley’s dad and Jordan bond over guitars and rock bands, since Jordan is in one and Riley’s dad used to be in one. Riley goes downstairs, horrified to learn that Jordan was left alone with her dad, and sees the two air guitaring. Riley and Jordan quickly leave the house. Riley’s mother and father’s minds then decide whether one or the other is going to lean in for a kiss. They do kiss – and then go back to their day!

After that, there were comparisons between the concept of Inside Out and that of the 2020 Pixar release Soul, with many elements of the Great Before seemingly at least partially inspired by the ideas of the mind in Inside Out.

Then, in September 2022, at the D23 Expo – because where else do Disney and Pixar announce things? – it was confirmed that Inside Out 2 was coming, despite the fact Pete Docter had said shortly after Inside Out’s release that Pixar were committed to making more original films…Hmm, yeah, that worked out! Inside Out 2’s release was set for Summer 2024. Meg LeFauve was back as the screenwriter, with Kelsey Mann replacing Docter as director of the sequel. It was revealed that Inside Out 2 would take place inside Riley’s now-teenage head with new emotions coming[14].

Also on screen, but this time on Disney+, the series Dream Productions premiered on the platform on 11th December 2024, having first been announced in 2023, with further details being released in 2024. It consists of four episodes, at roughly half an hour each, and is set between Inside Out and Inside Out 2. It sees the Dream Productions dream director trying to create amazing dreams for Riley in amongst studio politics.

At the Disney Parks, Disneyland has the most references to Inside Out, most notably at the Pixar Pier location in Disney California Adventure Park. Here, you can find the spinner ride Inside Out Emotional Whirlwind, where guests spin around in colourful mini-hot air balloons, designed after Inside Out characters. This ride opened in 2019, and is a repurposing of a different ride that once appeared at Disney California Adventure: Flik’s Flyers from A Bug’s Land, which closed in 2018 to make way for Avengers Campus. Also at Pixar Pier, there is the Angry Dogs food stand, with Anger being featured on the stand’s signage. This stand obviously serves hot dogs. Then there is a sweet shop named Bing Bong’s Sweet Stuff, which has a statue of Bing Bong inside. The Pixar Pal-A-Round Ferris wheel, redesigned to match the new area of Pixar Pier, includes gondolas with different characters painted on them. Joy and Sadness are two of these. Joy and Sadness have been available to meet in Pixar Pier for a while, and Anger was spotted recently too.

Prior to Inside Out’s release in June 2015, there was also an Inside Out pre-parade at Disney California Adventure during Summer 2015 in order to promote the film. It involved one float with all five emotions on it. These emotions were mechanical figures but they did move their mouths to speak random lines, such as having conflicting opinions on babies and Sadness talking about kids dropping their ice cream cones! There were also dancers ahead of the float dancing with memory balls.

Pixar Fest was a big event for Disney California Adventure, running from 26th April all the way until 4th August 2024. This event helped to promote Inside Out 2, meaning that the main emotions from Inside Out were visible during Pixar Fest. For example, Joy and Sadness were two characters to get involved in the Pixar Pals Playtime Party stage show that ran a few times a day. These two, along with a statue of Bing Bong, were also featured on a float of Bing Bong’s rocket during the Better Together: A Pixar Pals Celebration Parade. Scenes and music from Inside Out were also included in the Together Forever – A Pixar Nighttime Spectacular fireworks show.

Finally, the Pixar Place Hotel, which opened at the Disneyland Resort on 30th January 2024 contains references to Inside Out. There are small references to the movie “hidden” in murals and paintings throughout the hotel and in rooms. You also might be lucky enough to meet Bing Bong at Pixar Place Hotel, as he has been meeting guests in the area since the hotel opened.

This time at Walt Disney World, the first Inside Out reference seems to have been the Inside Out Emotion Garden which was a small exhibit of plants linked to the five emotions of the film. This was installed as part of Epcot’s Flower and Garden Festival which began in March in 2015, so a few months prior to the release of the film. There was also an exhibit in the now-closed Magic of Disney Animation building in Disney’s Hollywood Studios showing development sketches and maquettes of the five emotions, which was apparently also available to guests around March 2015. In terms of meet-and-greets, Joy and Sadness used to have a meet-and-greet location at the Epcot Character Spot back in 2016, in a recreation of their home inside Riley’s head, however, this area was closed when Epcot was redeveloping around 2019 and 2020. Joy could then be seen at the ImageWorks, the exit of the Journey into Imagination attraction in Epcot in the early 2020s, in front of an Imagination Land background, but in 2024, when Figment became a meet-and-greet character, it seems Joy was moved to having a scheduled meet-and-greet at Pixar Plaza, the area next to Toy Story Land, in Disney’s Hollywood Studios.

Outside of the US Parks, at Disneyland Paris, in the Worlds of Pixar area of Walt Disney Studios Park, Joy was meeting guests in the summer of 2024, as was Anger, seemingly as promotion for Inside Out 2, but Joy was still there in December of that year. It is unclear if she is still there. In shows, Joy appeared as part of the A Million Splashes of Colour parade which ran from February 2024 until the end of September that year. Music from Inside Out and scenes from the movie are currently part of the Disney Tales of Magic nighttime show at Disneyland Paris.

At Tokyo Disneyland, Joy and Sadness have been spotted by guests as recently as 2021. At Hong Kong Disneyland, Joy and Sadness were first meeting guests only at this park in an area set up to look like the inside of Riley’s mind, complete with the console, around July 2015, shortly after the movie was released. It wasn’t until a few months later that they were seen at other Disney Parks. In recent years, characters from the movie, like Joy, Sadness, and Anger, were included in the Pixar Water Play Street Party for Summer 2024. It is possible they will return if this parade returns in 2025. The Inside Out theme and clips from the film were also used as part of the Momentous Nighttime Spectacular show at this park. Lastly, at Shanghai Disneyland, Joy and Sadness are a part of the Disney ColorFest Street Party, as well as Mickey’s Storybook Express Parade. Moments from Inside Out can also be seen in the projections of ILLUMINATE! A Nighttime Celebration.

On the Disney Cruise Ships, specifically on the Disney Wish, is a sweet shop named Inside Out: Joyful Sweets. The characters may also be seen as part of Pixar stage shows and parties that take place on other Disney Cruise Ships. The five emotions of Inside Out were also a part of the Disney on Ice show from 2015. 

Plenty of merchandise has been released featuring the characters of Inside Out, including plush toys, book, clothing, mugs, and playsets. These have only increased with the release of Inside Out 2.

There is even an interactive exhibit called Emotions at Play with Pixar’s Inside Out, which was developed by the Children’s Museum of Pittsburgh, focusing on the five core emotions of Anger, Joy, Sadness, Disgust, and Fear. It has been touring since 2023, with dates going as far out as 2028 to come to other US museums.

FINAL THOUGHTS

Pixar really impressed the public with the creativity and inventiveness of Inside Out. The filmmakers had managed to represent the mind in a fun, educational, and smart way.

Although the message of Inside Out is only too clear – that there is a need to feel a whole range of emotions including sadness – there continue to be those who don’t believe in this idea. They want to only show a positive, happy view of their life to the outside world. I’ve known people like that and it can make you feel like there’s something wrong with you if you don’t feel or act in the same way.

I’m not about to tell anyone how to feel, but I will say that it is much healthier to embrace your sadness, fear, anger, whatever in order to work through feelings and moments of difficulties. It’s much better to do that rather than bottle things up and try to deal with them internally with no-one to support you. I’m sure that many children and teenagers got a lot out of Inside Out and found ways to voice their feelings to their friends and parents to get through that transition from childhood to adulthood.

We see Riley struggling to be 11-years-old, adjusting to a whole new life away from friends and in an unfamiliar city. Little did she or her emotions know what was still to come, because being a teenager comes with even more inner turmoil!


REFERENCES

[1] Credit: D23, ‘The Ins and Outs of Inside Out’, D23.com, date unknown.

[2] Credit: Pixar, “Mixed Emotions”, from Inside Out (2015) Blu-Ray (2015).

[3] Credit: Ben Sherlock, ‘Meet The Little Voices Inside Your Head: 10 Behind-The-Scenes Facts About Inside Out’, ScreenRant.com, 9th June 2020.

[4] Credit: Lisa Miller, ‘How Inside Out Director Pete Docter Went Inside the 11-Year-Old Mind’, Vulture.com, 16th June 2015.

[5] Credit: Pixar, “Deleted Scenes”, from Inside Out (2015) Disney+.

[6] Credit: Pixar, ‘Story of the Story I Inside Out I Disney•Pixar’, Pixar YouTube Channel, 17th October 2016.

[7] Credit: Carolyn Giardina, ‘Making of ‘Inside Out’: Which Emotions Didn’t Make the Cut’, HollywoodReporter.com, 21st December 2015.

[8] Credit: Tasha Robinson, ‘Pete Docter on the goals and milestones of Inside Out’, TheDissolve.com, 23rd June 2015.

[9] Credit: Alex Godfrey, ‘Pixar’s Pete Docter on the story (and science) of ‘Inside Out’’, Wired.com, 20th July 2015.

[10] Credit: Lisa Miller, ‘How Inside Out Director Pete Docter Went Inside the 11-Year-Old Mind’, Vulture.com, 16th June 2015.

[11] Credit: Logan Kelly, ‘‘Inside Out’ Was Inspired by a Disney World Attraction – Even If the Director Didn’t Realize It’, Collider.com, 27th July 2024.

[12] Credit: Kara Warner, ‘Michael Giacchino on Making the Music of ‘Inside Out’ & ‘Jurassic World’’, ScreenRant.com, 17th June 2015.

[13] Credit: Ben Sherlock, ‘Meet The Little Voices Inside Your Head: 10 Behind-The-Scenes Facts About Inside Out’, ScreenRant.com, 9th June 2020.

[14] Credit: Matt Grobar, ‘Inside Out Sequel Plans Confirmed By Pixar At D23’, Deadline.com, 9th September 2022.

#63 Moana 2 (2024)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. PRODUCTION
  5. MUSIC
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

First things first, consider this your spoiler warning. I like to go into detail with plot points, so you might want to ensure you’ve watched Moana 2 first before reading anymore.

Moana 2 was never meant to be a feature film. It began its life as a series, created for and made to be streamed on Disney+.

This is actually not the first time Disney has done something like this. Atlantis: The Lost Empire (2001) already had a spin-off television series in development by the time the movie came out. However, due to a lacklustre reception and an underwhelming box office performance, the series was promptly cancelled. Instead, some storylines from the series were packaged together to make Atlantis: Milo’s Return (2003), a direct-to-video sequel to add to Disney’s ever-growing list in the 2000s. This sequel saw the team solve different mysteries around the world, but these stories didn’t link well and felt only too much like episodes of a series crammed together. I feared the same for Moana 2.

But I didn’t need to worry. That was not what happened. Moana 2 did have a cohesive storyline, and it was animated to a similar standard as the original, whereas Atlantis 2 was clearly not. What Disney actually did with Moana 2 was make a carbon copy of the original, almost scene-by-scene, and ripped off the original in many aspects, something I find to be a worse crime than simply making a low-quality, but different, sequel.

I don’t enjoy pointing out the flaws of the Walt Disney Company, and I’m not the best at it; there are many other Disney critics who can do that job for me. However, I have found myself increasingly irritated at the state of Disney and Pixar’s animated movies. They seem incapable of making anything new these days, not wanting to shoulder the risk of a movie not doing well. I understand that the COVID-19 pandemic in particular made movie-making difficult, and the fact that less people had been visiting the cinema meant that lower budget, streaming-friendly films were all the rage, but I don’t think this is an excuse.

Since the pandemic, Disney Animation has struggled with both box-office results and reviews for some of their latest movies, like Strange World (2022) and Wish (2023). I didn’t find anything negative about either of them, and actually really liked Wish. Since then, though, what can we look forward to from Disney Animation? The previously announced Zootopia 2, Frozen III, and of course, Frozen IV. I’m sure there will be another non-franchise movie released, but why bother making that the majority of your upcoming movies when you know just the idea of a continuing franchise, or a “reimagining” of a beloved classic, will bring the public into the movie theatres? I can just hear Bob Iger rubbing his hands together at the thought of all that money. That’s probably why Pixar have begun to do exactly the same, having recently announced Toy Story 5, Coco 2, and even Incredibles 3.

It just baffles me how a studio – or two, if you want to look at Disney and Pixar separately, as I do – that was founded on innovation and creativity can resort to such laziness. Because of this, I didn’t enjoy Moana 2, and instead found myself matching the scenes from Moana 2 to the original Moana as I was watching it. I couldn’t help it though; it was so blatant. I understand that companies need to stay in business and it’s always better to make a hit than a flop, but I don’t believe Moana 2 was the way to boost profits.

PLOT

Moana 2 is set three years after the events of the first movie and starts on mountainous terrain, where Moana is running through a forest with her pet pig Pua, and Heihei the rooster. She runs to the top of a mountain and blows a shell. It seems that she is looking for other island communities. Suddenly, Pua starts to slip, so Moana grabs him, but all three of them fall to the ground, and Heihei gets his head stuck in a coconut shell. Moana takes it off him, noticing a symbol on it, of an island. Moana thinks she’s found something special.

Moana hops back on her canoe to return to Motunui, her home. At the village, we see that the people are thriving and Moana’s story of restoring the heart of Te Fiti has become legendary, with young girls wanting to be just like her now. We also meet some new friends of Moana’s, like the farmer Kele; historian and Maui fanboy Moni; and Loto, the resident engineer and craftsperson. Moana shows the coconut shell to her father, believing that this must mean that there is another island they should search for. Moana also now has a little sister, Simea, who is unimpressed with the shell and with Moana’s voyaging plans. Moana takes Simea to the “place of ancestors”, where she talks about their ancestors and the heroic explorer, Tautai Vasa. She tells Simea of the importance of their voyaging heritage.

Later that evening, there is a feast on the island – and a representation of an ava ceremony, a sacred Samoan ritual with a specific ceremonial drink – where the title of Great Wayfinder or Tautai is to be bestowed on Moana. During the ceremony though, lightning strikes the central hut and Moana is hit. She sees a vision of Tautai Vasa, the last Great Wayfinder and her ancestor, who says Moana must find the island of Motufetu, an island that once connected all the islands of the Pacific, but which was sunk by the storm god Nalo. Tautai Vasa says that she must raise Motufetu once more to protect the people of Motunui, as the separation of the people of the ocean will weaken them all. Moana then sees a light in the sky, showing her the path to Motufetu. Moana knows what she needs to do, even if that means leaving her distraught sister Simea behind. Moana begins to assemble supplies for the long voyage, and this time also assembles herself a crew, with Loto, Kele, and Moni joining her on this journey. As the team is about to leave, Moana shows Simea that they will be connected by her friend, the ocean, during the time they are apart. A huge send-off is organised and Moana and her team set sail.

Meanwhile, Maui is looking to open the portal that will take him to Motufetu, however, he is being warned that should Moana go looking for the island, she will be hurt. Maui tries to fight off a demigod but he is captured, and tied up over a pit of weird-looking fish – mudskippers, apparently – with his magical hook just out of reach. He almost manages to grab it, when the demigod, Matangi, returns to stop him. Matangi works for Nalo, and she wants to meet Moana for herself.

Initially, Moana’s crew struggle to adapt to “boat life”, especially Kele, who is an elder and generally a grumpy one at that! Moana tries to encourage everyone to cheer up but they soon find a strong current moving their canoe. Except that’s no current; Moana sees that it is the Kakamora, the coconut pirates! Moana had an encounter with them on her previous journey and she is well aware of their tricks. However, as Moana prepares for another battle, the Kakamora float right past them. Confused, she turns around – only to see that her and her crew are about to be swallowed by a huge clam monster! With some quick thinking and smart manoeuvres, the team get away from the monster, but are soon confronted by the Kakamora again, who dart the group, paralysing them.

The Kakamora begin to explain that they are not looking to fight them, but might need their help. The Kakamora have simply been trying to return to their own island, since Nalo’s sinking of Motufetu has disconnected them from their home too. They just want to get back there. Moana sympathises with their plight, but she doesn’t know how to defeat the huge clam. The Kakamora then bring out a huge green slug, whose mucus will not only un-paralyse Moana and her friends, but will paralyse the clam. Moana takes three arrows with some of this slug mucus on the end of it, and her group travel into the mouth of the clam. It’s a real struggle trying to keep hold of these arrows, though, when this clam is intent on swallowing them, so naturally, Moana drops most of them. In the end, one of the Kakamora, Kotu, goes inside the clam to help paralyse the monster, but it is too late for them to get out and Kotu sacrifices all of them, sending him and the crew down the monster’s throat….

Inside, Loto, Kele, and Moni find themselves separated from Moana, but they still have Kotu and the canoe with them. Nobody knows where they are, but who should join them but Maui? Yes, this is where Maui was tied up by Matangi. But where is she? Matangi is with Moana, who was separated from the others. After seeing a vision of her sister Simea telling her she’s failed in her mission, Moana regains consciousness to find herself face-to-face with Matangi. Matangi claims to want to help her, telling her that she can only be free from Nalo if Motufetu is raised once more. Matangi seems dodgy, taking Moana on a rollercoaster ride through this lair, but she does reunite Moana with Maui and her crew. All of them end up at the portal that Maui tried to open earlier on. Moana is actually the one to open the portal. As the team set themselves up to sail through the portal, Matangi says she cannot go with them but wishes them luck on their journey. Hmm, is she dodgy or not?

Back out on the ocean, Moana is told by Maui that no human can get to Motufetu and that they will all most likely die trying to raise it – which is just what you want to hear when you think you’ve made some progress! The group are soon hit by huge eels, which the group must outrun. Moni falls into the ocean and is rescued from the eels by Maui. They continue to outrun the eels until the sun rises, at which point, all the eels flee. They come to rest on a small island, alive but with their canoe bashed up and her crew just a bit traumatised. Moana also discovers Tautai Vasa’s canoe washed up there, battered and almost destroyed. That doesn’t bode well for their own upcoming battle with Nalo.

Moana starts to regret her decision to come on this journey, fearing that she has now not only endangered herself, but the three people from her village she decided to bring with her. Maui tries to lighten the mood, encouraging Moana to keep going. Well, where was that enthusiasm earlier, Maui? You know, when you said they were all going to die? Anyway, Moana is feeling better now, and Loto has managed to fix up their canoe, using parts from Tautai Vasa’s vessel. Now, they need to outsmart Nalo.

They begin to sail towards the site of Motufetu, encountering a huge lightning storm, courtesy of Nalo. The plan is for Maui to use his hook to raise Motufetu. Once it’s raised, the humans will land on it, breaking Nalo’s curse. As Moana and her crew sail into the heart of the storm, crashing against huge waves, Maui uses his eagle form to fly through the various powerful tornadoes that encircle the site. The group see Maui use the hook to lift up the island, but as he struggles against the weight of it, Maui is struck with a lightning bolt from Nalo, weakening him. Moana then realises there is another way of reaching Motufetu. She dives down and swims to it, ready to touch it and break the curse. However, just as Moana touches the island and breaks the curse, she is struck by a lightning bolt and is killed.

Maui dives in to save her, but it is too late; Moana is dead. Maui sits in an air pocket created by the ocean, cradling Moana. He begins to chant, which calls the spirits of Moana’s ancestors to him. This includes Tautai Vasa and Tala, Moana’s grandmother. The spirits manage to revive Moana, who is rewarded for her actions with a tattoo across her arm. For her bravery, Moana is now a demigod, with a magical oar. Maui’s powers are also restored and he successfully raises Motufetu to the surface, with Moana proudly standing on top of it.

Moana blows her shell to signal that Motufetu has been raised, whilst the rest of the crew land on the island. They discover carvings of other islands all across the rock face of Motufetu, showing that this was once a meeting ground. Suddenly, Moana hears a shell. Looking to the horizon, they see other canoes arriving. They did it; they have managed to reconnect the ocean. 

Maui goes on ahead to Motunui and finds Simea, Moana’s little sister. He gives her a present, which is a rock that works like a binocular. He tells her to look through it. Simea sees Moana coming home! The ocean parts so that the two can be reunited quicker. Moana is welcomed back by her family and fellow villagers. Moana then announces that she may’ve brought back some friends. They all look up to see loads of canoes coming to the island, where these guests are also welcomed. Moana also voyages out to return Kotu, the Kakamora, to his own island, where the others have since returned. The movie ends with Moana, her crew, and Maui out on their canoe, heading out on their next voyage.

In a mid-credits scene, there is an additional part of the story. Here, we see Nalo talking to Matangi. He is furious at her for helping Moana and plans to enact his revenge on all of them. Tamatoa, the giant “shiny” crab, from the first movie also makes an appearance.

CHARACTERS & CAST

Moana has always been a very different type of “Disney Princess”. She is strong, brave, and independent, yet is also very caring and has a sense of duty and family. Moana may have succeeded in restoring the heart of Te Fiti, but she knows there is much more outside of Motunui to discover. In Moana 2, Moana wants to reconnect her people with those from other islands. When she sees a vision of how to do that, by raising Motufetu, Moana knows she must do this, regardless of how long it will take or how difficult it will be. However, just like in the first movie, Moana is torn about leaving her family, and this time around, she has her little sister, Simea, who is devastated at having to say goodbye to her big sister for an unspecified amount of time. But Moana knows it’s the right thing to do and believes she will always return to her family. In Moana 2, our main character is more confident this time around, both around wayfinding itself and battling powerful gods, although there are always moments where she loses her courage and must rely on Maui and friends to help.

Moana is once again voiced by Auli’i Cravalho. Cravalho was born and grew up in Hawaii. She never expected to make her acting debut in something as big as Moana, winning an Annie Award for Voice Acting for the role. Cravalho has since gone on to star in the drama series Rise (2018), playing the part of Lilette, and performed the part of Ariel in the TV special The Little Mermaid Live! (2019). More recently, Cravalho played the part of Janis in Mean Girls (2023) and voiced the main role of Hailey Banks in the animated Disney Channel series Hailey’s On It! (2023-24). Cravalho has also been starring in stage musicals, such as the title role of Eva Peron for Evita in Concert for two dates in 2023 in London, and as Sally Bowles in the 2024 Broadway revival of Cabaret, performing the role until March 2025 in her Broadway debut, alongside Adam Lambert as the Emcee. Cravalho also reprises her role in the Hawaiian language dub of Moana 2.

The demigod Maui makes a return in Moana 2. He used to be braggy and arrogant, although quite lovable, however, since his journey with Moana, the two now have a strong friendship and he fights to protect her. The underestimating of Moana and her strength has now stopped, and has progressed to affectionate teasing between them. Although Maui doesn’t reunite with Moana particularly early in the movie, or in their voyage, it is an obviously positive reunion between them. Maui is also there for Moana this time around when she is having a crisis of confidence, whereas in the first film, she had to help him, when he struggled to use his hook correctly, and even left her to fend for herself for a while when he felt there was no good end result for them in their dealings with Te Kā. Now, Maui has someone to fight for, a true friend, as well as someone to fight beside.

Wrestler-turned-actor, Dwayne “The Rock” Johnson returned to voice the character of Maui. Johnson is known for starring in multiple movies and franchises such as the Fast and Furious franchise from 2011 as the character Luke Hobbs, as well as Spencer in the new Jumanji movies (2017-present). For Disney, Johnson made multiple guest appearances in Disney Channel series in the mid-2000s, such as Hannah Montana (2007), and starred in the movie Jungle Cruise (2021). Johnson also created, produced, and starred in the partly-autobiographical television series Young Rock (2021-23). More recently, Johnson was cast as Cal Drift in the Christmas action-comedy film Red One (2024) and will reprise the role of Maui in the live-action remake of Moana, due to be released in 2026. Fun fact: Johnson’s daughters, Jasmine and Tiana, voiced two members of Moana’s “fan club” in Moana 2.

Now for the crew. Moni is my favourite of the new characters, because he’s the comedy element of the group. Not even because he’s meant to be, but just because of his reaction to meeting Maui, being such a huge fan of his, and for his slightly clumsy nature! Moni is the historian and storyteller of Motunui. He comes in handy when they need to communicate with the Kakamora for example. Moni was voiced by Hualālai Chung, who is a fire knife performer in the luau at Aulani, A Disney Resort & Spa in Hawaii, having been performing there since the KA WA’A – A Lū’au opened in 2016[1]. Chung is set to appear in the Lilo & Stitch live-action movie, due for release in May 2025.

Loto is the quirky chief engineer, who fixes up the canoe on various points in the journey, but most notably, just before they are about to battle Nalo. Loto is energetic, surprising everyone with how fast her mind works. Loto also has a handy Swiss Army knife-like axe, which has lots of additions like rope, a needle, and thread. Comedian and New Zealander Rose Matafeo was chosen to voice Loto. Matafeo is a very familiar face on the British stand-up comedy circuit, but she also created, wrote, and starred in the comedy series Starstruck (2021-23) as Jessie, and is the current host of Junior Taskmaster in the UK (2024-present).

Kele is the farmer, who is necessary for this new voyage because the group will need to survive on more than just fish during their journey. Kele isn’t so sure about going on this boat, seemingly never having left Motunui before, so he is the one that needs the most convincing that this voyage is going to be “fun”. He is also older and grouchier than Loto and Moni, so naturally, he’d find it more difficult to get out of his comfort zone. Kele was voiced by New Zealand actor David Fane. In recent years, Fane has appeared as Ace in the sports comedy film Next Goal Wins (2023), directed by fellow New Zealander Taika Waititi. He also appeared as Kevin/Fang in the comedy series Our Flag Means Death (2022-23).

Another new character is the half-good-guy, half-bad-guy Matangi. She is a mysterious bat-like figure, with a gang of flying foxes – a type of fruit bat – around her, who works for the all-powerful storm god Nalo. Matangi seems to have been tasked with keeping Maui and Moana away from Motufetu, but although she ties up Maui, she is quite happy to send Moana on the path to Motufetu and to Nalo’s potential downfall. I think Nalo needs to rethink his choice of henchwoman here! It’s unclear if Matangi is actually a double agent and that getting Moana to raise Motufetu is part of some grand scheme she has, or whether she is actually an unwilling slave to Nalo. In the mid-credits scene that Nalo appears in, he seems to be suggesting she’ll be punished for her actions, so I guess she was good? Nalo and Matangi seem very much like Hades and Megara in Hercules (1997) to me.

Matangi was voiced by Awhimai Fraser, who has previous work with Disney Animation, having voiced Elsa in the Te Reo Māori dub of Frozen (2013). Fraser also was cast as Chantelle in the Māori web series Ahikāroa (2018-present). Fraser reprises her role for the Māori language dub of Moana 2. Nalo was voiced by New Zealand actor and comedian Tofiga Fepulea’i who was part of the comedy duo Laughing Samoans. Tamatoa makes a brief appearance in this same mid-credits scene, and Jemaine Clement returned to reprise the role. Clement is known for being part of musical comedy duo Flight of the Conchords, getting their own series from 2007 to 2009. He also created the 2014 movie What We Do in the Shadows and its subsequent television series.

Then, there are Moana’s family and ancestors. Once again, Moana’s family get left behind as Moana goes out on another journey, so her parents, Chief Tui and Sina, are left to wait for her once more. However, this time, they have a new addition to the family who no doubt kept them busy while Moana was away, and that is Simea. Simea is incredibly close to Moana and she is very upset at finding out the two will be separated as Moana goes on her latest voyage. Simea was voiced by Khaleesi Lambert-Tsuda, who is of Hawaiian descent, in her first screen role. Tui is still voiced by New Zealand actor Temuera Morrison, who is set to appear in the upcoming AppleTV+ miniseries Chief of War as Chief Kahekili alongside Jason Momoa. He also recently starred as Ed in the crime series Far North (2023) and reprises his role as Tui for the Māori language dub of Moana 2. Nicole Scherzinger returned to voice Moana’s mother Sina. Scherzinger has been performing more on stage recently, starring as Norma Desmond in London productions of Sunset Boulevard since 2023.

For Moana’s ancestors, Tautai Vasa is the one who is spoken about the most. He was the best wayfinder of Motunui back in the day. He returns in spirit form to provide Moana with information of her task to raise Motufetu and save everyone from becoming disconnected. Tautai Vasa is also part of the most moving scene of Moana 2, when Moana is revived, with help from other spirits. One of these other spirits is Gramma Tala, who returns in Moana 2 in spirit form. Tala encourages Moana to complete this new mission and comes back to revive her granddaughter. Tautai Vasa was voiced by Gerald Faitala Ramsey. New Zealand actress and director Rachel House returned to voice Tala. For Disney, House has performed the voice roles of Terry in Soul (2020) and Mama Binturong in The Lion Guard (2019), and reprised her role of Tala in the Māori-language version of Moana. She also voices Malgosha in A Minecraft Movie (2025), and recently appeared as Ruth in Next Goal Wins (2023) and Nienke Van Spee in The Portable Door (2023). House reprises her role as Tala in the Māori language dub of Moana 2.

We also have the non-speaking characters of Pua, Moana’s loyal pet pig, and Heihei the silly rooster. Once again, Heihei joins Moana on the canoe, but this time, so does Pua, after many were disappointed to find the lovable pig was left behind in Motunui in the first movie. Heihei is still quite dumb in Moana 2, but he needs rescuing less often. Heihei is “voiced” again by Disney veteran and lucky charm, Alan Tudyk, who has had roles in every Disney movie release since Wreck-It Ralph (2012). Kotu, the Kakamora who joins Moana and her friends for their journey, is also a non-speaking role. The Moana 2 filmmakers wanted to expand on the story of the Kakamora to make their backstory closer to that of the Kakamora of the Solomon Islands who were not pirates but actually helped people, so their storyline in Moana 2 had to change to have them be foe-turned-friend[2].

Sadly, I don’t think we got to see enough of the new characters in Moana 2, specifically Matangi and Nalo, meaning that it is hard to understand the dynamic between the two. I don’t think Loto, Moni, and Kele were used particularly well in Moana 2 either, with the gang being secondary to Moana and Maui, having their assigned roles in the group but not having any big emotional breakthroughs or memorable moments to make them fully fledged characters.

PRODUCTION

The idea for the original Moana movie came about from a discussion with John Lasseter, Chief Creative Officer of Disney Animation at the time, who suggested that Ron Clements and John Musker, directors of some of Disney Animation’s most beloved films, such as The Little Mermaid (1989) and Aladdin (1992), make a film based in the Pacific Islands. The two directors were happy to look into this idea further and went on a three-week research trip with some other members of the team. They went to Fiji, Samoa, Tahiti, as well as some of the smaller islands around those areas, before ending the trip in New Zealand.

It was decided that the movie’s story would focus on a teenager named Moana (which means “ocean” in Polynesian) having dreams of being a navigator, since they had learnt this was an important part of the ancestry of the area. 3000 years ago, navigators migrated from Taiwan and moved eastward. They went to the islands of Fiji and Samoa, before the migrations suddenly stopped. 1,000 years later they suddenly began again, going eastward once more to areas such as New Zealand. This gap in the timeline, called “The Long Pause” was used as the setting of the film, with Moana being the driving force for the migrations happening again.

The first Moana film ended with Moana saving her village and other islands from a curse by restoring the heart of Te Fiti. She learnt how to be a voyager and came back to Motunui to encourage her community to navigate the ocean alongside her. Moana 2 picks up three years after the events of this movie with Moana wanting to reconnect her people with those from other islands. However, Moana 2 was never going to be a feature film. It was meant to be a follow-up series for Disney+, announced in December 2020.

It has been said that Bob Iger, the CEO of The Walt Disney Company, and other executives made the decision to turn this series into a feature film after viewing the episodes of the series. They were overwhelmingly positive about them, being so impressed they believed it deserved a theatrical release. Yeah, I’m sure that’s exactly how it went, and not at all like this: well, Moana got loads of streaming hours on Disney+ and was the most streamed movie of 2023, and we haven’t had a theatrical hit in a while, so let’s use that popularity of the first movie to make some big, easy money…. Anyway, that’s just me being cynical. The announcement of Moana 2 came as a surprise to many, with some fans concerned about how well a TV series could be adapted into a movie[3].

From this point, there was a lot of work to do to get this series to become Moana 2. David G. Derrick Jr., who had been a story artist on Moana, as well as Encanto (2021) and Strange World (2022), and was working on the Moana Disney+ series, became one of three directors for the movie, in his directorial debut. Dana Ledoux Miller had been hired as a consulting writer for Disney, before being asked to come in to retool this series into a feature film. She became both a co-writer and co-director of Moana 2. Jared Bush wrote the screenplay for Moana 2 alongside her, having become the Chief Creative Officer of Walt Disney Animation Studios in 2024 after Jennifer Lee stepped down. Bush is also well-known for writing the screenplays for Zootopia (2016) and Moana (2016), as well as writing and directing Encanto (2021) and the upcoming Zootopia 2 (2025). Bush and Miller have also both written the screenplay for the live-action remake of Moana. The other director added to Moana 2 was Jason Hand, who worked as a story artist on other Disney animated movies, including Big Hero 6 (2014) and Zootopia (2016).

This new directorial team included people of Oceanic descent in a welcome move. Dana Ledoux Miller knew that Moana was a game changer for representing Oceanic culture, remembering how important it felt at the time she watched it in theatres[4]. David G. Derrick Jr. and David Hand had both been storyboard artists on the original Moana movie, so they were also were pleased to work on the sequel, knowing how proud the team were of the original and what a meaningful film it became.

Many of the original team that worked on Moana ended up coming back excited to work on Moana 2. Due to the fact that Moana 2 was initially a Disney+ series, I presume, the majority of the animation work was completed by Walt Disney Animation’s Vancouver studio in Canada. This was likely a cost-effective method to create series at a quicker pace rather than relying solely on those animators at the Burbank studio who are busy with theatrical films. Some critics picked up on this “cheaper” method of animation, feeling that the expressiveness of characters was lacking – I did not notice this and wouldn’t have known that it was animated primarily at a different studio had I not looked into it.

Creating the sequel was an opportunity to build on the original story, with so much more ocean to explore and so many more people to meet. The Moana 2 filmmakers looked into more folklore, which had been touched on in the first movie with Maui’s background, to help build the story. They wanted Moana to be sent on a mission. With the movie being set three years later than the events of the first movie, Moana herself had to be different, having been changed by her first journey. She is a strong leader in her community now, and less naïve, but Moana wants more from life still and it was important to see how she dealt with being pushed to her limits once again. Maui also had to be changed from the first movie, finding himself more vulnerable thanks to his friendship with Moana[5].

To help with the story, the Oceanic Cultural Trust were on hand once again, having been a vital part of the production process on the first Moana film. The Oceanic Cultural Trust consists of experts and advisors in different fields, such as anthropology, linguistics, history, choreography, and wayfinding, who use their knowledge and insight to help guide Disney into creating a movie that truly represents the peoples of the Pacific. The Trust are also consulted for any Moana-related consumer products or Disney Parks attractions that are developed. Kalikolehua Hurley, who grew up in Hawaii, was the head of the trust during production on Moana and felt very lucky to be involved again for the sequel. Hurley stated that it is a big challenge to create a fictional place blending different cultures, from areas like Samoa, Tonga, Figi, Tahiti, Hawaii and the Solomon Islands. The Oceanic Culture Trust involves experts from these countries, who each bring their own unique insights and contributions to the movie. Another contributor to the Trust was Lāiana Kanoa-Wong, who was invited to be part of the Trust thanks to his lifetime of work dedicated to the language and culture of his native Hawaii. Kanoa-Wong even visited the animation team in Vancouver, leading activities to help connect the animators to the Pacific culture and to their voyaging heritage, since animating scenes of wayfinding, navigating, and voyaging was crucial to the movie. The animators were taught the basics of navigation and rope making, for example[6].

There was also a collaboration with the Polynesian Voyaging Society for this movie, with master navigator and head of the society, Nainoa Thompson, being very inspirational to not only the filmmakers but other members of the Oceanic Cultural Trust. The Polynesian Voyaging Society use their hand-built canoe Hōkūle’a to teach others about the history of navigation and wayfinding, since there was a time when nobody believed that the Pacific voyagers had discovered all these islands, because they are so spread out. Wayfinding requires a lot of skill, technical knowledge, and observation, studying the weather and stars; monitoring the vessel; and of course, ensuring that the crew are healthy and motivated. To be a wayfinder, you have to make 5,000 observations of nature and make 500 different decisions based on those per day of your voyage. The lessons the filmmakers learnt from Thompson and the Polynesian Voyaging Society that made it into the film include the idea that you have to get lost to truly discover where you’re going, and that you must control your fear and believe in yourself, even turning into the wind during a storm, which Moana does both physically and metaphorically[7].

Moana 2 was also the opportunity to create more impressive animation sequences. One of these was the battle with Nalo. Te Kā was already quite a fearsome god, with its lava powers, however, this time, the animators created a powerful storm of tornadoes for the storm god Nalo. It certainly shows that Nalo is more serious about destroying Moana and Maui than Te Kā was. I actually quite liked this scene, with the pink/purple tornadoes, but it didn’t last very long which was quite disappointing.

There was also the return of hand-drawn animation in this sequel, in a small way. This was also the case with the first Moana film, as “Mini-Maui”, Maui’s moving tattoo guy, is a 2D animated character. Eric Goldberg, veteran Disney animator famed for his characters such as Genie in Aladdin (1992) and Phil in Hercules (1997), returned to supervise the sequel’s hand-drawn animation team. Many of the animators were desperate to work on some of these sequences just to get an opportunity to work alongside Goldberg. Maui’s tattoos were designed to be as similar to the Pacific traditions as possible, whilst also detailing Maui’s backstory[8].

Not everything that was initially conceived to be a part of the story of Moana 2 was able to be used in the final film. There were a variety of creatures that were not included in the final cut of the movie, such as a two-faced bird and very large pigs, which were meant to be a feature of the lair that the crew enter through the mouth of the clam monster, with Moana and her crew still being separated, but having to outsmart these creatures as well. It was eventually decided to keep the area relatively clear to focus on Matangi. There was also going to be a scene that led Moana to discover what her mission from the ancestors was, as she was not given all the answers immediately from a vision. Here, Moana would’ve had to dive underwater to discover drawings on the cave walls that would come to life and show her the island of Motufetu, leading her to discover what she must do. This deleted scene felt kind of similar to when Milo and Kida discover the energy source that Atlantis is powered by, and that Rourke wants to steal, in Atlantis: The Lost Empire (2001), when they have to swim underwater to decipher drawings on the undersea cave walls[9].

Randomly, but not uncommon for The Walt Disney Company as they seem to get sued a lot, an animator named Buck Woodall filed a lawsuit on 10th January 2025 alleging that Disney stole from his copyrighted screenplay “Bucky the Wave Warrior” and used ideas from it in both Moana and Moana 2. Woodall claims to have provided his screenplay and a trailer to Jenny Marchick back in 2003, who worked as the Director of Development for Mandeville Films, a company who had a first look deal with Disney and offices in Disney’s Burbank studio at the time, and that it is possible that an individual at Disney Animation had seen these materials prior to working on Moana. After a two-week trial, it was decided that Disney did not have access to Woodall’s screenplay so his ideas could not have been used in the Moana movies, so the case was won by Disney, however, this lawsuit only relate to the original movie. A separate suit was filed for Moana 2 and that case is still ongoing[10].

MUSIC

Although the soundtrack for Moana has proven to be one of Disney Animation’s most popular soundtracks, Moana 2’s soundtrack was more divisive.

The original movie’s music team consisted of composer Mark Mancina, and song-writers Lin-Manuel Miranda, and Opetaia Foa’i. Mancina had composed the score for other Disney movies such as Tarzan (1999) and Brother Bear (2003), and arranged the music for The Lion King Broadway musical for which he was nominated for a Tony Award, prior to his work on Moana. Samoan song-writer Opetaia Foa’i founded the group Te Vaka in 1995, with the group having had much success over the years. He was very happy to collaborate with Disney on the Moana soundtrack as he had spent years promoting his culture through music and knew this was a good opportunity to go further with that aim.

However, for Moana 2, although Mark Mancina and Opetaia Foa’i made welcome returns to the music for the sequel, Lin-Manuel Miranda was unavailable, which was a big disappointment to fans of the original soundtrack. He was replaced by songwriting duo Abigail Barlow and Emily Bear, becoming the first all-female songwriting team for a Disney animated film, working alongside Opetaia Foa’i, as Miranda did, in the creation of many of the songs. Together, the two wrote The Unofficial Bridgerton Musical, based on the hit Netflix series Bridgerton (2020-present), which became a viral hit on TikTok during the pandemic, and even won a Grammy Award for Best Musical Theater Album, despite Netflix having a copyright infringement lawsuit against them, which was later settled. A year after this success, Barlow and Bear met with the creative team for Moana 2, knowing that they had to live up to the first soundtrack, which has had more than 20 billion streams worldwide. Lin-Manuel Miranda kindly gave them help and support during the process[11].

For me, the soundtrack for Moana 2 was an incredibly mixed bag. After watching the movie for the first time, the only piece of music that actually touched me was “Mana Vavau”, the chant that Maui sings along with Gramma Tala and Tautai Vasa to revive Moana after she has been struck by Nalo’s lightning bolt. It was a very moving moment and the only point of the film that brought me close to tears. This chant was written by Opetaia Foa’i’, performed by Foa’i, Rachel House as Tala, and Dwayne Johnson as Maui.

Outside of that, I couldn’t recall any of the other songs after watching Moana 2. However, having done a lot of research for this piece, it’s impossible to avoid hearing the songs again, and this time, two others have stuck with me. One of those is “Beyond”, Moana’s big emotional number where she sings about how torn she is between her family on Motunui, and her mission to help the wider community. Auli’i Cravalho found the song difficult to record, as it involved lyrics about being away from home and going beyond your comfort zone, something that Cravalho no doubt had to deal with after her whirlwind success as an actress after her voice role in Moana. This song was written by Barlow, Bear, and Foa’i. This song is later reprised, after Motufetu is raised and Moana sings in celebration. “Beyond” was also recorded as End Credits song, with Cravalho and Te Vaka performing it.

The other song that grew on me was “Can I Get a Chee-Hoo?”. Although it is not as good as Miranda’s song for Maui, “You’re Welcome”, and I was slightly annoyed at how the same animation style was copied from the first movie for the sequence that accompanies the song, it’s quite catchy after you’ve listened to it a couple of times. It’s also really hard to dislike it when you can hear how much fun Johnson had singing it and just generally being Maui! This song was written by Barlow and Bear, and involves Maui trying to boost Moana’s confidence, ready to face Nalo. It apparently was challenging to sing and to write.

Now, let’s go to the songs I actually really didn’t like. The first was “We’re Back”, the recap song of where Moana, her family, and Motunui are after the three years since the events of Moana. To be honest, I was quite surprised to still see them in Motunui, seemingly not having voyaged very far, despite the final scene of Moana showing Moana teaching her community, including her father, how to be wayfinders. I don’t really like songs like this, because they stuff so much information into the song that you’re spending too much time trying to figure out what’s going on instead of enjoying the music. I had a similar problem with “The Family Madrigal” in Encanto (2021). “We’re Back” was written by Barlow, Bear, and Foa’i, and performed primarily by Cravalho, along with other Motunui residents. There is also an End Credits version of this song, performed by Te Vaka, Olivia Foa’i and Sulata Foai-Amiatu.

Then, there is “What Could Be Better Than This?”, which is all about Moana trying to motivate her crew, telling them how enjoyable their voyage can be if they just let loose and go with it, something that Kele in particular is struggling to do. Although I enjoy watching people who don’t want to have fun being forced to have fun, like Kele, I didn’t feel like it needed to be a song and could’ve worked better as a spoken scene. I was quite impressed with Rose Matafeo’s solo “fast-talking” part though. This song was written by Barlow and Bear, performed by Cravalho, Matafeo, as Loto, David Fane as Kele, and Hualālai Chung as Moni.

I also wasn’t a huge fan of “Get Lost”, the “villain’s” song that Matangi sings to Moana, telling her that to succeed, she’ll have to get a little bit lost, and leading her back to her friends and the portal to Motufetu. I thought Awhimai Fraser performed the song well as Matangi, but I just didn’t like it. It was no “Shiny”. It was also quite disappointing to find that Matangi was not leading Moana down the wrong path, as she’d been shown to be a villain, or at the least a spy for the enemy, but then she just turned out to be helpful… “Get Lost” was written by Barlow and Bear.

Then there are other songs that feature in Moana 2 that I either didn’t mind or quite liked. One was “Finding the Way”, which is being sung by the people of Motunui as a farewell to Moana and her crew. It is reprised as the crew return home from their journey, with their multitude of guests. It was written by Foa’i, performed by Olivia Foa’i and Te Vaka. 

Following on from that are some pieces of music that might sound familiar to fans of the first Moana. One of these is the return of “Tulou Tagaloa”, which is used for the opening scene. It is not exactly the same, being credited as “Tulou Tagaloa (Sei e Va’ai Mai)”. I did appreciate it being used here, liking the familiarity of it. It was performed by Olivia Foa’i and Te Vaka. As Moana talks to her little sister Simea about how the ocean is her friend, the music “My Wish For You (Innocent Warrior)” is used, which was used in the first Moana movie, I think both as the backing for “Know Who You Are” and when young Moana first meets the ocean and it messes with her hair! It was written by Foa’i, performed by Foa’i, Olivia Foa’i, Sulata Foai-Amiatu, Matatia Foai, and Matthew Ineleo.

To match the familiar opening music to Moana 2, another song from the original movie was updated to be used as the final scene of Moana 2, as Moana goes off voyaging again. This is “We Know the Way (Te Fenua te Malie)”. I also liked this song from the first movie so I quite enjoyed hearing it again at the end of Moana 2. It was written by Foa’i and Lin-Manuel Miranda, performed by Foa’i, Auli’i Cravalho, Olivia Foa’i, and Te Vaka.

Like in the previous movie, Mark Mancina collaborated with Opetaia Foa’i on the score to ensure the music stayed true to the sound of the Pacific, once again being heavily based in percussion and vocals, to suit the style of traditional Pacific music. The two collaborated well on both the music for Moana and Moana 2 in my opinion[12]. Within the score, I particularly liked the pieces “Waves Like Mountains” and “There’s Another Way”, which are used for the Nalo battle scene. I tend to find the instrumental pieces used for battle and finale scenes are the best and most memorable ones within Disney Animation.

The original soundtrack for Moana won Lin-Manuel Miranda a Grammy for the song “How Far I’ll Go”, which was also nominated for Best Song at the Academy Awards and Golden Globes. The Moana soundtrack as a whole won Top Soundtrack Album at the American Music Awards in 2017 and at the Billboard Music Awards in 2018. Moana continued its fame way beyond its 2016 release, with the soundtrack breaking the Billboard Soundtrack chart record for number of weeks spent at No. 1. The record was won in 2021, after 52 weeks at No.1[13].

In contrast, Moana 2 received no Grammy nominations. “Beyond” and “Can I Get a Chee Hoo?” were both nominated for Best Original Song in an Animated Film at Hollywood Music in Media Awards, but lost to “Kiss the Sky” from The Wild Robot (2024). “Beyond” was also nominated for Outstanding Original Song for a Comedy or Musical at the Society of Composers & Lyricists Awards, but lost out to “Compress/Repress” from Challengers (2024). It also only topped the US Billboard Kid Albums chart. It currently has peaked at No.102 in the US Billboard 200 chart. Moana hit the No. 2 spot in that same chart.

RECEPTION

Despite Moana 2 not being announced as an official Walt Disney Animation feature film until February 2024, meaning that there was less than nine months of promotion for the new sequel, anticipation for the movie was at a high.

Usually, we know at least two years in advance of a new Disney or Pixar feature film. The company like to drip-feed information over those months to really build excitement for their new movie, whether it is a sequel to an already popular franchise or not.

Although I’d personally expect the lack of build-up to mean interest in a movie stays fairly limited, in the case of Moana 2, the opposite happened as was evident when its teaser trailer was made available to the public. Debuting on 29th May 2024, it received 178 million views in 24 hours across social media platforms, beating out previous high-performing Disney and Pixar movies of recent years, such as Inside Out 2 (2024), which had 157 million views in that time, and Frozen II (2019) with 116 million views[14].

Moana 2 also got to take advantage of a very Disney “rite of passage” and that is the usual Upcoming Movies panel at the D23 Expo, which took place in Anaheim between 9th and 11th August 2024. Here, further details about the movie were revealed, as was the official trailer. So, this showed that the interest in Moana 2 was there, but how did it progress as the official release date got closer and closer?

Moana 2 held its world premiere event in Hawaii on 21st November 2024, before being released in theatres in the US on 27th November 2024, in time for Thanksgiving weekend. Its release to international markets followed in the coming days and weeks to perfectly coincide with the holiday season in many countries.

Many studios like to release movies around Thanksgiving to take advantage of people being off work. In this case, Moana 2 was expected to gross around $130 million during the Thanksgiving five-day weekend. It smashed those expectations, making $225 million in those five days, despite being released at the same time as another box-office success, and family-friendly movie, Wicked (2024). Gladiator II (2024) was also released around this time, with these three movies contributing to North America’s biggest Thanksgiving theatre takings of all time.

Overseas, Moana 2 fared just as well in its first few days, making $165 million, for a combined global total of just under $390 million. The movie opened in the No.1 spot in many countries, with Moana 2 being the biggest opening for a Disney Animation feature film in places such as Latin America, Australia, Mexico, and France, ahead of Frozen II (2019).

Moana 2 smashed records, such as the best five-day debut of all time, with the top spot previously being held for The Super Mario Bros. Movie’s April 2023 release, with $204 million, and the biggest five-day Thanksgiving opening, which was held by Frozen II, with $125 million. Moana 2 was also the biggest global opening of all time for an animated film, and the biggest opening day total for a Disney Animation title[15].

After its theatrical run, Moana 2’s worldwide gross hit just over $1 billion. Moana 2 was only the fourth Disney Animation movie to cross $1 billion at the global box-office, after Frozen (2013), Zootopia (2016), and Frozen II (2019)[16]. Yet, this was not enough to beat the summer success of Pixar’s Inside Out 2 (2024) to become the highest-grossing movie of 2024, hitting the top spot with around $1.7 billion worldwide. Other sequel animated movies also did well at the worldwide box office that year, such as Despicable Me 4 from Illumination, with just under $970 million, and DreamWorks’ Kung Fu Panda 4, with $550 million. Mufasa: The Lion King, Disney’s “photorealistic animated” sequel to their 2019 remake of The Lion King, released in December, also did well with $720 million[17].

Moana 2 did well to bring in people to the theatres, but how did they respond to it? Well, it was a mixed response, and the reason for this may be in the popularity of the original Moana itself, meaning its sequel would always be compared to it.

Many said that the animation of Moana 2 was still high-quality, even though much of the movie was actually animated in the Vancouver studio, not in the main Disney Animation Burbank studio. Others also felt that it was entertaining, charming, and fast paced, with some tender, heartfelt moments. The voice acting was also praised, with Auli’i Cravalho and Dwayne Johnson once again being given deserving credit for their performances. Less positive responses simply stated that Moana 2 was fine, and that children would enjoy it.

There were quite negative reviews as well, with words like “rehash”, “forgettable”, and “disappointing” being used. Other comments agreed with my opinion by saying that the story lacked creativity and purpose, repeating many moments from the original movie, and that plot points and newly introduced characters were underdeveloped. A good point that was made was that Moana 2 was slow to reunite Maui and Moana, with their chemistry being a major reason for the original being as good as it was, so the two not being seen together on screen until almost an hour into the movie is strange, especially when the opportunity to create similar dynamics with Moana’s new crew was not used fully. The music was criticised as well for not being as good as the music of the first music, with the songs not being nearly as memorable. There are some exceptions to this, with some stating that “Beyond” was a standout song in the movie, but this is all subjective, with everyone having a different opinion on what song was best for them. Generally, it was agreed that Moana 2 simply lacked the magic of the first movie.

Perhaps due to this mediocre or poor reception, Moana 2 was not as nominated during awards season as Moana was. The original Moana was nominated for numerous awards, including in the Best Animated Film category at the BAFTAs, the Academy Awards, the Golden Globes, and the Annie Awards, unfortunately losing out to Zootopia (2016), Disney Animation’s Spring release of that year, in many cases. However, Moana did win many other awards in other categories such as for Outstanding Achievement in Animated Effects and for Voice Acting for Auli’i Cravalho at the Annie Awards. and two Teen Choice Awards for Dwayne Johnson as Choice Fantasy Movie Actor and Auli’i Cravalho as Choice Breakout Movie Star.

Moana 2 on the other hand was only nominated for Best Animated Movie at the Golden Globes, where it lost to Flow (2024), an independent movie directed by Latvian filmmaker Gints Zilbalodis. Flow also won the Oscar for Best Animated Film, whereas Moana 2 was not even nominated. Nor was it nominated in this category at the BAFTAs, or at the Annie Awards. Moana 2 was nominated for a handful of other Annie Awards, like Outstanding Achievement for Animated Effects; for Character Animation; for Editorial; and for Storyboarding, but it lost to The Wild Robot in all categories. Now, you might be thinking that perhaps Moana 2 was simply not nominated for Best Animated Film at the big ceremonies because it was a sequel. That is not the case, as Inside Out 2 was nominated in this category at the major award ceremonies, as was Frozen II, although it did miss out on an Oscar nomination. Moana 2 was just not good enough. Moana 2 did win one award: the Animation Award at the Celebration of Asian Pacific Cinema and Television Awards.

Moana 2 became available to buy digitally on places like Sky Store, Prime, and AppleTV on 28th January 2025. It later came to Disney+ on 12th March 2025, where it earnt 27.3 million views in its first five days of being on the platform, from Wednesday 12th to Sunday 16th March. This was the largest Walt Disney Animation Studios premiere on the platform since Encanto (2021) came to Disney+ on 24th December 2021, and the third-largest animated theatrical premiere of all time on Disney+. It remains to be seen whether Moana 2 can reach the same heights as Moana has on Disney+, becoming the platform’s most streamed film, reaching 1.4 billion hours streamed since it came to Disney+ when the app debuted in November 2019[18].

LEGACY

Because Moana came out in 2016 and has proven to be popular in the years since, Moana 2 specifically has not yet spanned any attractions or movies of its own. Although if that mid-credits scene is anything to go by, then a third film could most definitely happen, as it seemed to be building up to a war between Nalo, Matangi, Moana, and Maui. Moana 3 has not been confirmed – so far – but I can definitely see it happening, unfortunately.

The biggest screen development to come from the Moana franchise was the surprise confirmation of a live-action remake back in April 2023. I say it was surprising only because the animated movie is fairly recent, whereas other live-action remakes have been focusing on the Disney animated movies from at least twenty or thirty years ago, if not more. Filming wrapped on this live-action movie around November 2024, with production beginning in late July 2024, with shoots in Hawaii and Atlanta, Georgia. This means that production on the live-action Moana was ongoing at the same time as Moana 2. Thomas Kail, who directed the Lin-Manuel Miranda musicals In the Heights and Hamilton on Broadway, made his feature film directorial debut on this film. It is also known that Dwayne Johnson is reprising his role as Maui, with actress Catherine Laga’aia being cast as Moana. Jared Bush and Dana Ledoux Miller, who both wrote the screenplay for Moana 2, teamed up to write the screenplay for the live-action movie. It was originally set to be released in Summer 2025, but after the announcement of Moana 2, the release was moved to 10th July 2026, to give more time between the two films[19].

To specifically celebrate the release of Moana 2, the Disney Parks began rolling out limited time experiences from mid-November 2024 until around early January. One of these was the introduction of a new exhibit showcasing artwork from Moana 2 at the Walt Disney Presents attraction in Disney’s Hollywood Studios at the Walt Disney World resort. There is a rotating exhibit in this attraction, which had previously housed maquettes and artwork for Inside Out 2. The Moana 2 exhibit also gave a brief description of the movie’s story[20].

From 24th November 2024, Moana was also seen in the parks debuting her look from Moana 2. This began with her meet-and-greet locations at Hollywood Land in Disney California Adventure Park at the Disneyland Resort, and by the Journey of Water, Inspired by Moana attraction in Epcot at Walt Disney World. Moana was also seen in an island setting at Disneyland Paris from 27th November. She could be spotted at Adventureland in her new outfit at Hong Kong Disneyland from 29th November.

There was also the opportunity to learn to draw Moana, Maui, Heihei, Pua, and Kotu for a limited time, at Disney Animal Kingdom’s Animation Experience at Rafiki Planet Watch and at the Animation Academy at Disney California Adventure. Also at Disney California Adventure, a new water short entitled “Boat Snack” was shown ahead of presentations of World of Color – Season of Light to promote Moana 2.

Again at Walt Disney World, a Moana 2-themed Christmas tree was created as part of the Disney Springs Christmas Tree Stroll for the holiday season. The new Island Tower at Disney’s Polynesian Resort, a new Disney Vacation Club offering, opened at Walt Disney World on 17th December 2024, which has nods to Moana throughout, with artwork displayed in the room, and the kids’ water play area being named Moana’s Voyage, complete with a statue of Moana sailing the ocean on her canoe. Moana in her Moana 2 costume was also available to meet guests at this location for a media event prior to the grand opening.

Outside of the US Disney Parks, at Disneyland Hotel in Disneyland Paris, guests could enjoy a bedtime story featuring Moana’s little sister Simea and collect a limited edition Pua sticker, alongside the in-park meet and greet with Moana. At Tokyo Disneyland Resort, there were decorations and displays for Moana 2 at the IKSPIARI shopping mall.

Generally, new merchandise, such as a Moana singing doll, clothing, toys, and pins, were available to purchase, and some remain in stock online. Special “Magic Shots” from Disney PhotoPass photographers inspired by Moana were also available. Plus, there were lots of food and drink offerings available at all the Disney Parks that were influenced by characters from Moana 2, such as a Heihei Straw Clip, a Moana 2 cake bar, and a Kakamora dessert[21].

These new experiences, although limited time experiences in many cases, added to the current list of attractions and experiences already on offer at the Disney Parks. These will likely only increase in the coming years.

For example, Moana started a full-time residency at Disney’s Animal Kingdom at the Walt Disney World Resort, on 22nd April 2023, as part of the park’s 25th anniversary celebrations and as part of the Disney100. Also at Walt Disney World, but this time within Epcot, a whole new attraction opened on 16th October 2023, called Journey of Water, Inspired by Moana, which is a self-guided interactive outdoor trail where guests can play and interact with water, as well as learn about its importance and its playful personality, as Moana did. It features an impressively tall Te Fiti topiary, as well as numerous beautiful waterfalls and streams[22]. Further appearances by Moana within the Walt Disney World Resort include her own scene within the heroes’ montage of Fantasmic! at Disney’s Hollywood Studios, as well as music and scenes from the movie being part of the nighttime fireworks show Happily Ever After at the Magic Kingdom. Furthermore, the rooms within Disney’s Polynesian Village Resort were updated in July 2021 to be themed to Moana, though this is done tastefully via Moana-inspired artworks and themed patterns on carpets and furnishings. Also at the Polynesian Village Resort is a shop named Moana Mercantile. Moana is set to have its own float at the new nighttime parade, Disney Starlight: Dream the Night Away, debuting at Magic Kingdom in Summer 2025.

Outside of the Walt Disney World Resort, Moana can be found at meet-and-greets, and within shows and parades. At Disneyland, although she does not currently have a dedicated meet-and-greet location and time, Moana may still appear in the park. Moana’s music and movie scenes do appear in the Wondrous Journeys and World of Color – ONE show, plus Moana has a float in the Magic Happens parade. These are not always running.

In Shanghai Disneyland, Moana is a part of the Mickey’s Storybook Adventure live theatre show, and she even has her own stage show at Hong Kong Disneyland called Moana: A Homecoming Celebration, along with a dedicated meet-and-greet location in Adventureland. At Tokyo Disneyland, Moana is featured within the Believe! Sea of Dreams nighttime show at Tokyo DisneySea. After the Moana 2 celebratory Moana meet-and-greet ended at Disneyland Paris, she has not returned to meet guests, however, music and clips from the film do feature in the Disney Tales of Magic fireworks show there, and may be a fixture in a float during Disney Stars on Parade. Moana can sometimes be found meeting guests at Aulani, A Disney Resort & Spa in Hawaii as well. The Broadway-style stage show Disney The Tale of Moana also debuted in December 2024 on the Disney Treasure cruise ship, receiving rave reviews from guests.

FINAL THOUGHTS

In all fairness to those who worked on Moana 2, I can see that, much like with any Disney Animation feature film, they wanted to make a great movie, with an exciting storyline, an emotional message, and beautiful animation. I also accept that I came to Moana 2 with a biased opinion in some ways. I was not happy when the sequel was announced so that dislike of the whole concept of a sequel likely clouded my judgement.

However, that does not change my opinion that Moana 2 was a wholly unnecessary movie for Disney Animation to have made. The story was not good enough to warrant a sequel, and Moana’s continuing voyages would’ve been more fitting to a Disney+ series.

Moana 2 followed the same outline as the original Moana. Basically, Moana wants to discover more about her ancestry and wayfinding. She’s given a mission by her ancestors that will tell her more about it. She encounters monsters and villains, like the clam monster and Matangi on the way. At the site of her mission ending, she battles an elemental god who wants to stop her. She completes her mission and returns to her community with more information about other voyagers. It was simply not unique enough.

I believe that Disney management is the one pushing for all these sequels to be made in a bid to make some easy money. After all, just look at the sequels in the works. They are all for movies that did well at the box-office, some even breaking records in that respect. It seems to me that none of these movies need a sequel and I fear that many of these upcoming movies will make a lot of money, sure, but they will be unnecessary and disappointing because of it.

Moana 2 was certainly not a bad movie, nor was it unwatchable, but it was “just ok”, though I enjoyed moments of it. I know families and children likely enjoyed the majority, if not all, of it. But it signals a real problem for Disney Animation and Pixar as a whole.

Instead of making formulaic sequels, what The Walt Disney Company really needs to do is spend less time looking at their profits, and more time looking at the values that the company was built upon.


REFERENCES

[1] Credit: Erica Liu, ‘Hualālai Chung’s Journey from Aulani to the Big Screen’, DisneyParksBlog.com, 26th November 2024.

[2] Credit: Disney, “Join the Crew”, from Moana 2 (2024) Blu-Ray (2025).

[3] Credit: Matthew Rudoy, ‘How Moana 2 Transformed Out Of Disney+ Show Plans Eagerly Explained by Bob Iger’, ScreenRant.com, 25th February 2024.

[4] Credit: Alex Reif, ‘The Untold Story of “Moana 2:” A Film Born to Be on the Big Screen’, LaughingPlace.com, 21st November 2024.

[5] Credit: Disney, “A New Voyage”, from Moana 2 (2024) Blu-Ray (2025).

[6] Credit: Courtney Potter, ‘Behind-the-Scenes Exclusives with Moana 2 Filmmakers’, D23.com, 4th November 2024.

[7] Credit: Disney, “Call of the Wayfinder”, from Moana 2 (2024) Blu-Ray (2025).

[8] Credit: Disney, ‘Behind the ‘Absolutely Incredible’ Animation of ‘Moana 2’’, TheWaltDisneyCompany.com, 2nd December 2024.

[9] Credit: Disney, “Deleted Scenes”, from Moana 2 (2024) Blu-Ray (2025).

[10] Credit: Gretchen McDermid, ‘Disney Wins ‘Moana’ Copyright Infringement Lawsuit Against Screenwriter’, WDWNT.com, 10th March 2025.

[11] Credit: Nicole Fallert, ‘Meet Barlow & Bear, the women who made history writing the ‘Moana 2’ songs’, USAToday.com, date unknown.

[12] Credit: Disney, “Songs of the Sea”, from Moana 2 (2024) Blu-Ray (2025).

[13] Credit: Nicholas Reimann, ‘‘Moana’ Breaks Record For Most Weeks At No. 1 On Billboard Soundtracks Chart’, Forbes.com, 17th August 2021.

[14] Credit: Disney, ‘‘Moana 2’ Sets a Record as Disney’s Biggest Animated Trailer Launch in History’, TheWaltDisneyCompany.com, 30th May 2024.

[15] Credit: Pamela McClintock, ‘‘Moana 2’ Achieves Demigod Status: All the Box Office Records Broken’, HollywoodReporter.com, 2nd December 2024.

[16] Credit: Disney, ‘Can I Get a Chee Hoo? Be The First To Watch At Home – Disney’s MOANA 2 is Now Available on Digital’, Press.Disney.co.uk, 28th January 2025.

[17] Credit: Mark Hughes, ‘‘Moana 2’ Grosses $389 Million – Highest Global Box Office Debut For An Animated Movie’, Forbes.com, 2nd December 2024.

[18] Credit: Disney, ‘Moana 2 Splashes To 27.3m Views Globally On Disney+ After 5 Days Of Streaming’, Press.Disney.co.uk, date unknown. 

[19] Credit: Monica Coman, ‘Moana Live-Action Remake Gets Exciting Filming Update Ahead of Moana 2 Release’, CBR.com, 24th November 2024.

[20] Credit: Blog Mickey, ‘Moana 2 Character Maquettes & Artwork Now in Display at Disney’s Hollywood Studios’, BlogMickey.com, 19th November 2024.

[21] Credit: Erica Liu, ‘‘Moana 2’ Voyages Across Disney Parks with All New Experiences and Products’, DisneyParksBlog.com, 27th November 2024.

[22] Credit: Emmanuel Detres, ‘Moana-Inspired EPCOT Attraction Revealed in New Video’, InsidetheMagic.net, 7th April 2023.