Teen Beach 2 (2015)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

Teen Beach Movie had done its job for Disney Channel in 2013.

It had brought back the quintessential Disney Channel musical, with a bright and fun atmosphere, lots of peppy young actors, new songs, and plenty of energetic group numbers. What more could you need or want from a Disney Channel musical?

And Disney had been rewarded, with impressive viewing figures that hadn’t been seen in a few years, and numbers that haven’t been rivalled in the years since. Teen Beach Movie was going to be the start of something bigger for Disney Channel; they’d been waiting since 2010 to create a new, fan-driven musical franchise.

In Teen Beach Movie, the two teenage leads, Mack and Brady, had found themselves transported into the world of the 1962 musical film Wet Side Story, where they interacted with the cast, most notably the film’s two main characters, Lela and Tanner, and had to find a way back home, by disrupting the movie villain’s plans.

The most obvious route for a sequel would be for the Wet Side Story characters to come to the present day. The post-credits scene had even given viewers a hint that this would happen, as they arrive on a beach and find themselves getting to grips with the fascinating technology of smart phones. However, although this is the main plot point of Teen Beach 2, the sequel does not pick up where the post-credits scene left off; you may as well just forget it ever existed. And whilst you’re at it, you might as well forget much of the original film even existed, because there are a lot of changes in this sequel. They seem to have come as quite a shock to Teen Beach Movie’s most ardent fans.

Since I wasn’t a fan of Teen Beach Movie, I expected very little from Teen Beach 2, especially as I’d discovered beforehand that the ending of this sequel was particularly “bad”. Once again, I was disappointed by the sequel’s music, as well as the lack of any central villain in this sequel – boo. The only real “thrill” I found whilst watching Teen Beach 2 was in fact that divisive ending, which was quite a twist, but did completely change everything, and made anything you already knew about the franchise kind of irrelevant.

Come on, Disney, you didn’t know you were setting yourself up for failure there? Or were you trying to give yourself an opportunity to put everything back together – including your young fans’ dreams and emotions that you’d apparently shattered into a million pieces – with a third film? It might just be a movie, but this sequel is controversial! 

PLOT

Teen Beach 2 begins with Mack and Brady celebrating their three-month “meetiversary”. Brady has blind-folded Mack and leads her to the area of the beach where they first met three months earlier, at the start of summer. Brady was watching the beach musical Wet Side Story on his tablet as Mack was walking by, and it prompted a conversation between them, about how Mack thinks those sorts of films are ridiculous and unrealistic. Brady told Mack to watch the movie, and if she didn’t like it, he’d buy her a mango smoothie. Brady has set up an area for them to re-watch Wet Side Story together, which has now become “their movie” after they both got sucked into it some time before.

As a note, it is unclear exactly how much time has passed between the events of Teen Beach Movie and Teen Beach 2, but as Mack and Brady had only met three months before the start of Teen Beach 2, and they must’ve known each other for a few weeks to have developed the close relationship they have in Teen Beach Movie, there could only be a couple of weeks between the two films’ stories. Their relationship has only been going for three months though, which is also a bit short, considering Brady’s angry reaction in Teen Beach Movie to Mack going off to a different school; I thought they would’ve needed to be together longer – not just one summer – to warrant that response. Young love, I guess!

Anyway, after rewatching Wet Side Story, seemingly from the finale of the film, which is a little bit odd – I like to watch films from the start – Mack and Brady go off night surfing. They then talk about how they’re going back to school tomorrow. Although they attend the same school, they did not know each other before the summer, so Brady in particular is worried about how different their relationship will feel once they are back at school this year. Mack doesn’t seem to be so concerned. She then notices that the necklace that she was given by Lela back in the Wet Side Story film has disappeared; she must’ve lost it in the ocean. Disappointed, Mack says they should head back in.

At school the next day, Brady meets up with his surfer pal Devon, and they catch each other up on their respective summers, with Brady telling Devon about Mack. Devon seems pleased he’s found a “beach bunny”, but Brady makes it clear that Mack isn’t as chill and laidback as they are. Mack then meets up with her friend Alyssa. They also talk about their summer vacations, with Alyssa having done a lot of school-related activities over the summer, but she did get to talk to Spencer at one of them, and Alyssa has a huge crush on him. Alyssa also says she’s glad Mack decided to stay at this school, and Mack responds that she’s decided to start an oceanography club and organise a “Save the Beach” dance to make herself feel better about choosing this school over the private school. Brady comes over with Devon, and Mack introduces Brady to Alyssa. Both Devon and Alyssa are surprised to find that Brady and Mack are a couple, despite being so different…

Later, they find themselves in the same class. Here, Mack talks to Spencer about an oceanography college program, whilst Devon and Brady struggle to focus on the class, with Brady more worried about why Mack is talking to Spencer, and Devon choosing just to mix random chemicals together as part of their class experiment; it doesn’t end well! After school, Brady asks Mack if she wants to go surfing with him, but she’s too busy, and asks him to meet her at the college fair later. Brady says he’ll be there.

In the meantime, Brady heads to his private workshop to work on his surfboard designs, something Mack saw him working on in class, although he refuses to tell her about them, thinking she won’t approve of it. He attempts to work on his college application too, but he gives up on that. Brady’s mother comes to the workshop, and sees the application open on the computer. She tells Brady not to stress himself about it too much. She gets the feeling that Brady is actually stressed about him and Mack, telling him it will likely work itself out. Brady then sees he’s late for the college fair. He rushes to get ready and heads over there in the pouring rain. Back at school, he sees Mack and Spencer talking to a college rep, and realises he missed it. The two argue over the fact Mack is just too busy to spend any time with Brady. They fear the worst for their relationship.

Meanwhile, back inside the movie Wet Side Story, Lela and Tanner, the two leads, are attempting to play out the story again. It must be so annoying to constantly be replaying your whole lives, and sure enough, Lela is getting tired of it, and wants things to change. After she finds her and Tanner’s whole “meet-cute”, of Lela falling off a stage and Tanner catching her, too tiresome, she goes to the beach. She tells Tanner she feels differently about everything since meeting Mack, and wants more from her life. Lela sees her necklace has washed up on the beach. She takes it and heads into the ocean, hoping to find Mack and Brady. Tanner goes with her, to make sure she doesn’t get into trouble.

Lela and Tanner resurface on a beach in present day. A passerby asks if they are lost and offers them his phone to use. The two are fascinated by this device, confusing the guy. Mack and Brady are just a little further down the beach, and continue to argue. They see Lela and Tanner coming towards them, and the four reunite, with Lela and Tanner explaining how they got there. They are excited by all the new, cool things in this world, but Mack and Brady know they’ll need to convince them to get home. After all, when Mack and Brady were in the musical, they started to morph into the film’s characters. What will happen to Lela and Tanner if they stay here? Lela goes back to Mack’s house, and Tanner goes with Brady, where they remind them that this world isn’t all that great. Lela and Tanner don’t believe it.

In Wet Side Story, the characters are lost without Lela and Tanner, not knowing what to do now. Butchy, Lela’s brother, takes charge and tells biker girl CheeChee to get up on stage and sing Lela’s song, to keep the story on track. CheeChee is interrupted by surfer Seacat, who ruins the song and causes CheeChee to fall off the stage. That hasn’t worked, and they wonder what to do now. In the background, an extra from the film vanishes…

At school, Tanner seems to fit in well with Brady’s friend Devon, and Lela loves all the classes that Mack takes her to. They are introduced as Brady and Mack’s cousins from Iceland and Finland. Mack and Brady realise even school isn’t putting Lela and Tanner off the real world, so they decide to let them tackle the cafeteria by themselves, hoping that will do the trick. However, despite a group of jocks mocking them, Lela and Tanner simply try to get all the students to smile, leading them in a song-and-dance number.

After school, Tanner finds that Lela is too busy with school work to spend time with him. Brady knows that feeling all too well. Tanner talks to Brady at his workshop about this, wondering what this feeling is that he is expressing; Brady tells him it is worry. Tanner is worried things won’t work out between him and Lela. Brady then shows Tanner some of his surfboard designs, and how he is working on a surfboard that won’t need waves. Tanner thinks it is really cool, and yet, Brady still won’t tell Mack about it. At Mack’s house, Lela says she loves it here, and wants more of a fulfilling life than just being someone’s girlfriend, who waits around for them all the time. Mack tries to tell Lela it can be stressful and not so great in the real world sometimes. She then notices that Lela is starting to look like a normal teenager, and not like her 60s musical character.

Mack rushes to the beach with Lela to meet up with Brady and Tanner to discuss this latest development. They see that Tanner is also becoming normal, losing the sparkle from his teeth, for example. Mack says to Brady the only way to get them to go home is to tell them they are movie characters. Brady warns her to tell them gently, but instead, Mack simply bluntly recounts this fact to them, confusing Lela and Tanner. Mack shows them a clip of their film on her phone, sparking an identity crisis. Mack and Brady try to tell Lela and Tanner that being in a movie is great, because everything always works out in them, but Lela isn’t having any of it. She’s done with her old life and wants to stay here, throwing her necklace into the ocean so she cannot return to Wet Side Story.

In Wet Side Story, Butchy and the rest of the characters are starting to realise that the extras are vanishing. They deduce that their problems didn’t start until Tanner and Lela left so that must be the problem; they’ll need to get them back home. Luckily, Lela’s necklace washes up on the beach and the group charge into the ocean to find them.

On the beach in present day, Mack and Brady argue once again over the Lela-Tanner situation, as they search for Lela’s necklace. They then see the rest of the Wet Side Story cast coming out of the ocean, shocking everyone. The group surround Lela, Tanner, Mack, and Brady, as Lela reiterates that she won’t be going home. Butchy tells Lela that people are vanishing, making Mack and Brady realise that without the lead characters, there is no movie, so everyone will vanish forever if Lela and Tanner don’t return. Sadly, Lela decides she can’t be selfish and she’ll have to go back. The group walk into the ocean and return to their film. Mack and Brady now have no reason to communicate further, and it’s time for Mack to set up for her “Save the Beach” dance anyway. They go off separately.

At the dance, although Alyssa and Spencer seem to be getting along well, Brady and Mack still aren’t talking. Devon comes over to Brady and tells him if he wants to fix things with Mack, he’ll have to do more than just stare at her from across the room! As Brady is about to talk to her, all of a sudden, the Wet Side Story cast burst into the hall. They say they have returned to get Brady and Mack’s relationship back on track. Tanner tells Brady he needs to be more confident in himself, and not hide his true self from Mack. This leads to Brady telling Mack all this – through the medium of song – and the dance lights up in a good-humoured dance battle between the girls and the guys. Brady and Mack reconcile.

However, by the end of the song, Butchy realises that they have to get back to their world right away – before vanishing, with Lela’s necklace. The cast wonder how they’ll get back now. Lela asks how Brady and Mack got to their world the first time. They realise it was the yellow surfboard, so they hand it over to Lela and Tanner to surf back to their world. But there are no waves – and the rest of the remaining cast have now vanished too! They really don’t have much time now. Brady figures out this is the perfect time to make his no-waves-needed surfboard. He gives Tanner and Lela some instructions on what to do with the board, whilst Brady and Mack go to his workshop to get some supplies. Mack sees all Brady’s designs and she thinks they are really cool, not believing he’d hide this from her. They promise not to keep any more secrets from each other.

They head back to the beach and assemble the rest of the board. They see the flower pattern on it sparkle, showing this is the way for Lela and Tanner to return. Lela and Tanner go into the water, whilst Mack and Brady realise they are at the cove where they first met. Mack starts to worry that if Lela and Tanner don’t get back in time and vanish, then the movie will vanish, and that will mean they never met, because Brady won’t have been watching Wet Side Story. Brady tells Mack not to worry; they were “meant to be” after all.

Mack says goodbye to Lela and Tanner before they leave, telling Lela that if she isn’t happy in Wet Side Story, then she should change it, and make it her story. Mack gives Lela one of her “Save the Beach” bracelets, so she’ll remember her. Lela, Tanner, and Brady go into the water with the board, but as Brady goes to start it, he sees that the board won’t start. Brady struggles to access the motor, but finally does, only to discover it’s not working. He needs a small screwdriver or something to fix it. Lela hands him her hairpin to try, as Tanner panics that he is starting to vanish. The pin does the trick and they speed off on the board.

Everything seems great. Brady returns to the beach, and Mack watches as he comes back to her. But then, Brady simply walks past Mack, with just a brief nod of acknowledgement. It’s clear the two have not met – so did Lela and Tanner make it back?

Brady meets up with his friend Devon, and they hear a party going on down by the beach. They decide to crash the party, this being the “Save the Beach” event that they saw being advertised at school. They like the idea of seeing a film on the beach. Mack returns to the party, and helps Alyssa and Spencer, who are seemingly now a couple, sell tickets to the party guests. Brady asks Mack about the projection screen and the outfits. Mack explains it is a 1962 beach party fundraiser, and that the film Lela Queen of the Beach is the movie they’ll be playing, showing that Lela did get back to the film, and she has changed the story to suit her. Brady lightly mocks Mack about her love for this “ahead-of-its-time” film. Mack tells Brady to watch the movie, and if he doesn’t like it, she’ll buy him a mango smoothie – the same thing that Brady said to Mack about Wet Side Story in their original timeline.

Brady waits for the movie to start. Mack introduces it to the crowd, and stands up and does the opening dance number whilst on the back of a pickup truck. The crowd cheer as they see Lela Queen of the Beach start up on the screen. We also see that the whole cast returned, including Tanner and Butchy. Brady laughs at Mack for singing and dancing in front of everyone, before joining in after Mack tells him that sometimes you just have to spontaneously break into song! The party ends with Mack seeing Lela wearing one of her “Save the Beach” bracelets and winking at her through the screen. Brady and Mack dance together, showing that they were destined to fall in love.

CHARACTERS & CAST

After Teen Beach Movie, Mack and Brady have continued their relationship over the course of the summer, but now find themselves navigating their summer romance whilst back at school, however, they discover that they are very different people at school. Brady is carefree and less studious, and him and his friend Devon don’t take school too seriously. He’d rather spend time creating new surfboard designs. Mack, on the other hand, is incredibly focused on her studies, like her friends Alyssa and Spencer, who are already planning for college. Mack and Brady reunite to deal with Lela and Tanner arriving in their world, trying to dissuade them from staying there, although in order to do this, Brady would rather gently tell them that they are just characters in a movie, whereas Mack just rips the band-aid right off! This causes a divide between them that the Wet Side Story cast have to try and fix; to have them come back together and realise they are a good couple, despite their differences. Then they end up not ever meeting after Lela changes the story of the musical, but they still meet anyway, just a few months later, showing they were always destined to be together. Maia Mitchell and Ross Lynch returned to play Mack and Brady.

Lela and Tanner, the two leads of Wet Side Story, have gone back to living their lives within the movie after the events of Teen Beach Movie. They’ve found each other, so Lela should be happy…but she’s not. Instead, Lela finds herself rejecting her conventional musical character’s story, wanting more for herself. When she sees her necklace, that she gave to Mack at the end of their time in Wet Side Story, has washed up on the beach, she decides to go to Mack’s world, to find herself. Tanner goes with her, to keep their relationship on track. In the real world, both Lela and Tanner think it’s a wonderful place, wanting to stay forever, and ignoring Mack and Brady’s attempts to tell them otherwise. Lela in particular loves it there, because she can be smart, independent, have a voice, and make her own choices. Tanner likes it too, although he is concerned that he and Lela want different things and could end up drifting apart. When they learn that her fellow cast members are disappearing because her and Tanner aren’t there, Lela accepts she’ll have to go back. Mack gives her some parting advice, to change the musical to suit her, not make herself conform to it, and that is how the new film Lela Queen of the Beach came to be. Garrett Clayton and Grace Phipps reprised their roles as Lela and Tanner here.

Much of the other cast members from Teen Beach Movie returned for Teen Beach 2 as well, including the other bikers and surfers, although this time they are all friends, and there is no segregation between the two groups. They find themselves shocked by Lela wanting to go “off-script” at various points in the film, and can’t understand why she wouldn’t be carrying on as normal. The cast are completely helpless without Lela and Tanner, and when they discover that the absence of the leads is making the rest of the cast disappear, they come together once again to get Lela and Tanner to return home.

With Tanner and Lela gone, and the movie’s plot going off the rails, Butchy, Lela’s brother, tries his best to act as the new leader of the cast. For example, he encourages everyone to keep calm and just try and carry on with the story, so he gets fellow biker CheeChee to get up on the stage at Big Momma’s and sing Lela’s song from the film, “Falling For Ya”, except this is a very different version of the song and it does nothing to help them. When Butchy and the others discover cast members are vanishing all over the place, he knows they’ll need Lela and Tanner back. Luckily, Lela’s necklace washes up on the beach again and they use that to get to present day – although Butchy needs some coaxing to get into the water, as he is scared of everything apparently, including water. Butchy is the first one of the main cast to vanish, after returning to the real world to help Mack and Brady, taking the necklace with him. But he returns to have a role in Lela Queen of the Beach, so he was fine! John DeLuca returned to play the role of Butchy in this sequel.

In amongst the rest of the cast, we have CheeChee and Seacat, Lugnut and Giggles, and Rascal and Struts. All of them appeared in Teen Beach Movie, although since the majority of the story revolved around Mack, Brady, Lela, and Tanner, they didn’t get much of screen time for themselves. This time, though, many of them had greater roles to play.

CheeChee is asked by Butchy to perform Lela’s song, which Seacat then takes over. CheeChee is loyal to Butchy and her fellow cast, and is a tough girl, not afraid to push others out of her spotlight – however, it would seem that with Tanner gone, Seacat wants to be front-and-centre of something for a change, so when Butchy disregards Seacat to perform Lela’s song, choosing CheeChee instead, he feels he has no choice but to force his way into the song, making for quite a comical scene! CheeChee is also one of the group to confirm that she has seen people vanishing from the beach. She ends up being the last of the side characters from Wet Side Story to vanish.

CheeChee was played by Chrissie Fit. Fit went on to be cast as Florencia “Flo” Fuentes in Pitch Perfect 2 (2015) and Pitch Perfect 3 (2017), before landing recurring roles as Kelly in I Know What You Did Last Summer (2021) for Amazon Prime Video, based on the film of the same name, and as Melania in Awkwafina Is Nora From Queens (2020-23).

Jordan Fisher was cast as Seacat, who went on to land the recurring role of Holden in the Disney Channel series Liv & Maddie (2013-17) around the time of Teen Beach Movie. He also won Season 25 of Dancing with the Stars (2005-present) in 2017. Since his time with Disney, Fisher has had much success in both screen and stage productions. In film, he played John Ambrose McClaren in To All The Boys: P.S. I Still Love You (2020) for Netflix. On stage, Fisher replaced Anthony Ramos as John Laurens/Philip Hamilton in Hamilton on Broadway in 2016, and was cast as Orpheus in the 2019 Broadway production Hadestown, before starring in the lead role of Dear Evan Hansen from 2020 to 2022. In 2026, Fisher was cast as Seymour in the Off-Broadway production of Little Shop of Horrors.

Like CheeChee, Lugnut also confirms that people are vanishing from the film, and tries to tell Butchy about it, although he is so scared by this that he can’t get his words out to tell everyone. Everyone sees for themselves shortly after anyway. He and Giggles also try to distract the cast from their struggles and boredom whilst Lela and Tanner are away. When Butchy wonders what they should do, Lugnut suggests a rumble, but Butchy discounts that, choosing to get CheeChee to recreate Lela’s song. When that doesn’t do anything for the story, Giggles then shakes her hips, as she did in Teen Beach Movie a lot too, with the fringing on her outfit distracting everyone from their troubles for a moment or two!

Lugnut was played by William T. Loftis, who was part of the choreography team that worked on the film adaptations Wicked (2024) and Wicked: For Good (2025). Giggles was played by Mollee Gray, who had been a dancer in the High School Musical trilogy.

Finally, within the rest of the Wet Side Story cast, there is also Rascal and Struts. Struts was one of the biker girls, so named because of the bright pink heels she struts around in. Rascal was one of the cool surfer dudes, and has continued to be like that, by going with the flow with everything. These two, along with the rest of the characters, come to Mack and Brady’s world to retrieve Lela and Tanner, before returning again to fix Mack and Brady’s relationship. They also vanish, later coming back as part of the new film Lela Queen of the Beach. Although it is very different to Wet Side Story, the whole cast seem happy and comfortable with their new roles in the movie.

Struts was played by Jessica Lee Keller, who went on to be part of the ensemble in Rent: Live (2019). Rascal was played by Kent Boyd, who was the runner-up in Season 7 of So You Think You Can Dance (2005-24) in 2010, and had a recurring role as Jordan in the ABC Family series Bunheads (2012-13).

There are also some new characters in Teen Beach 2. One of these is Mack’s friend, Alyssa. Like Mack, Alyssa is very studious and throws herself into extracurricular activities even when she is not in school. For example, Alyssa’s summer consisted of science camp, a student government conference, and a college tour. And at that student government conference, she got to spend time with Spencer, who, Alyssa thinks, is the cutest boy in school. Alyssa is very happy that Mack has returned to school and didn’t go off to prep school. She seems a bit surprised that Brady is Mack’s boyfriend, as he doesn’t even have a school bag, and came to school in flip-flops, but Alyssa doesn’t spend the whole movie trying to warn Mack off Brady – because she is too busy with her classes, and trying to figure out how to talk to Spencer without being so awkward!

Alyssa was played by Piper Curda. Prior to Teen Beach 2, Curda had been cast as Kumiko Hashimoto in Season 3 of the Disney Channel series A.N.T. Farm (2011-14), going on to star as Jasmine Kang in the series I Didn’t Do It (2014-15), also for Disney Channel. Since then, Curda has secured a recurring role as Kira Yu in the CBS series Matlock (2024-present), which stars Kathy Bates, and voiced the main role of Mabel Tanaka in Pixar’s Hoppers (2026). Curda also appeared as Honor Atherton-Yoo in the film May December (2023), which starred Natalie Portman and Julianne Moore.

Spencer is Alyssa’s love interest in Teen Beach 2, but is also a friend of Mack’s, as he tells her about an oceanography college program she might be interested in, even going to the college fair with her to speak to a college rep about it. He wants to help Mack with her oceanography club too, by combining forces with his Environmental Studies Society. Spencer later asks Alyssa to dance at the “Save the Beach” dance, and in the new timeline at the end of Teen Beach 2, he is seemingly in a relationship with Alyssa.

Ross Butler was cast as Spencer. Around this time, Butler was cast in the recurring role of Brett Willis in the Disney Channel series K.C. Undercover (2015-18), which starred Zendaya. Butler then starred as Zach Dempsey in the Netflix series 13 Reasons Why (2017-20). Following on from that, Butler appeared as Eugene Choi in the superhero film Shazam! (2019) and its sequel Shazam! Fury of the Gods (2023). Butler was also cast as Trevor in To All the Boys: P.S. I Still Love You and its sequel To All the Boys: Always and Forever (2021), part of the To All the Boys film franchise on Netflix.

Devon is Brady’s best friend, and he is a chilled-out surfer, who isn’t very focused in school, like Brady, and just wants to be surfing any time he can, like Brady. Like Alyssa, Devon is a bit surprised that Brady is going out with a studious, smart girl like Mack, even if she can surf, but he also doesn’t get involved in their relationship, or try to convince Brady that Mack isn’t right for him. Instead, Devon encourages Brady to fix things with Mack at the dance, which works out. At the end of Teen Beach 2, in the new timeline, Devon is also the reason that Brady goes to the “Save the Beach” party, where he meets Mack, so although Devon is not overly present in Teen Beach 2, his actions make a huge difference to the film.

Devon was played by Raymond Cham Jr. He went on to voice the character Mark Walker in the Disney Channel and Disney XD series Mech-X4 (2016-18) shortly after Teen Beach 2, and was cast as CJ in the teen drama web series Five Points (2018-19). More recently, Cham Jr. was cast as Wolf in the sitcom Sort Of (2021-24). He also recently played Urkel in the Hulu series Paradise (2025-present).

Finally, we have Brady’s mother, who makes a brief appearance in Teen Beach 2. She shows up at Brady’s workshop after his difficult first day back at school. She seems supportive of both Brady’s surfboard creations and his relationship with Mack, encouraging her son to talk to him about it all. Brady isn’t particularly forthcoming with his thoughts and feelings though, but his mother does say that she thinks it’ll all work out.

Brady’s mother was played by Beth Lacke, who went on to be cast in another Disney Channel Original Movie, as Diane in Christmas…Again?! (2021). She was also cast in the recurring role of Lynne Bowen in High School Musical: The Musical: The Series (2019-23).

MUSIC

As Teen Beach 2 mostly takes place in present day, the soundtrack of Teen Beach 2 consists of more contemporary music styles, although there are still a few sequences that take inspiration from the 60s within this film.

One of these is “Best Summer Ever”, which Mack and Brady watch together to celebrate three months since they last met. It also represents Brady and Mack’s mood as they say goodbye to a great summer. This song sounds like a lot of other Disney Channel musical opening songs, but I don’t mind this one. The only strange thing about it is that Mack and Brady choose to start watching Wet Side Story from this point, even though “Best Summer Ever” seems to be the finale song of Wet Side Story! “Best Summer Ever” was written by Matthew Tishler and Amy Powers, and was performed by the main cast, including Ross Lynch as Brady; Maia Mitchell as Mack; Grace Phipps as Lela; and Garrett Clayton, who got to sing for Tanner in Teen Beach 2, after Spencer Lee sang for the character in the first film. John DeLuca also got to sing in Teen Beach 2, after Butchy’s vocals were provided by Jason Evigan in the first film.

Following on from that a little while later, Brady and Mack get into an argument after Brady misses the college fair. Brady goes back to his workshop and records a song to deal with his frustrations and worries for their relationship. This song is “On My Own”, which was written by Ross Lynch, Riker Lynch, Rocky Lynch, Ellington Ratliff – four of the five members of the band R5 – and Evan Bogart, and was performed by Lynch.

When Lela and Tanner arrive into Mack and Brady’s world, they are so fascinated by everything that they end up singing the song “Right Where I Wanna Be”, detailing everything that they love about being in this place they’ve been in for just a few minutes. It’s a super cheesy song, something that they should’ve left back in Wet Side Story – but Lela and Tanner don’t know any better, I suppose! “Right Where I Wanna Be” was written by Adam Schlesinger, and was performed by Clayton and Phipps.

Back in Wet Side Story, the rest of the characters struggle to figure out what to do without Tanner and Lela, so Butchy tells CheeChee to get up and sing Lela’s song “Falling for Ya”. However, CheeChee has her own style and it is very different to Lela’s so the song gets changed up, from a romantic ballad into a faster version of this song, which sees CheeChee and Seacat battle for control of the microphone. “Falling for Ya” was my favourite song in Teen Beach Movie. This version of the song isn’t bad, but I don’t feel it is as good as the original. “Falling for Ya” was performed by Jordan Fisher and Chrissie Fit here.

At Mack and Brady’s school, Tanner and Lela are trying to fit in with their new surroundings, and Tanner struggles to do that. Playing in the background as Tanner struts down the hallway in his very Tanner way is the song “Wanna Be with You”. It is therefore not performed by a character in Teen Beach 2. “Wanna Be with You” was written by Sam Hollander, Josh Edmondson and Charity Daw and performed by Jordan Fisher.

Later, as Tanner and Lela see that some people in high school aren’t so happy, after they are teased by jocks, they decide to try and change things in the only way they know how – with a song! “Twist Your Frown Upside Down” sees Lela and Tanner, with Mack and Brady’s help, eventually get everyone singing and dancing with a big smile on their faces. It was written by Jeannie Lurie, Aris Archontis, and Chen Neeman, and was predominantly performed by Phipps, Clayton, Mitchell, and Lynch.

“Silver Screen” is the song that Brady and Mack sing to Lela and Tanner after Mack kills all their dreams by telling Lela and Tanner that they aren’t real people, and are actually just characters in a movie, making them realise that they don’t belong in Mack and Brady’s world. This song tries to soften the blow, by telling them that being in a movie is great, because everything always works out, whereas the real world can be messy and unpredictable. Sadly, the song does nothing to sway Lela and she is determined to stay. “Silver Screen” was written by Jeannie Lurie, Aris Archontis, and Chen Neeman, and was performed by Lynch and Mitchell.

Quite a while later, at the “Save the Beach” school dance that Mack has organised, “Rescue Me”, written by Tanner “Augie Ray” Underwood, Jintae Ko, and Sabrina Carpenter, and performed by Carpenter, is playing. At this point in the film, Spencer has asked Alyssa to dance with him as this song is playing. “Rescue Me” is another song not performed by any character in Teen Beach 2.

Shortly after that, the cast of Wet Side Story appear back in present day to encourage Brady to fix things with Mack. This leads Brady to get up on stage and sing “Gotta Be Me”, saying how he is going to be himself and hopes that is enough for Mack. Mack and the rest of the cast join in with the song. “Gotta Be Me” leads to Mack and Brady reconciling, as Brady falls into Mack’s arms. “Gotta Be Me” was written by Niclas Molinder, Joacim Persson, Johan Alkenas, Charlie Mason. This group number was performed by the cast. The cast even performed this song on Dancing with the Stars on 12th May 2015.

The romantic song “Meant to Be”, which first featured in Teen Beach Movie, not once, not twice, but three times, gets another reprise in Teen Beach 2. This time, it is a slower, more melancholic version of the song, as Mack and Brady wonder whether they’ll forget about each other if Lela and Tanner don’t get back to Wet Side Story in time. Lela and Tanner also sing this song, as they consider their relationship as well. “Meant to Be (Reprise 3)” is therefore performed by Lynch, Mitchell, Phipps, and Clayton.

To round off Teen Beach 2, the group finale song is “That’s How We Do”, which is a song from Lela Queen of the Beach, with Mack recreating the dance and singing along to it for all the people at her “Save the Beach” party. The random words they sing in the chorus are apparently meant to imitate the sound of a soda can being opened – but you could also say it is a rip-off of Grease’s “We Go Together”[1]. I personally think it’s the latter. Unfortunately, although I think “That’s How We Do” is a ridiculous song, it is catchy and the stupid chorus keeps getting stuck in my head… “That’s How We Do” was written by Mitch Allan, Dan Book, Nikki Leonti and performed by the main cast.

The End Credits song for Teen Beach 2 is “Starting Over”. It was written by Bobby Huff and was performed by R5, Ross Lynch’s band at the time. Despite not being a song that features within the main film, I actually think it’s pretty good.

So, that is the main soundtrack of Teen Beach 2, with the new original songs. It is also worth mentioning that two songs from Teen Beach Movie play during Teen Beach 2, during the portions of the film where Brady is playing Wet Side Story in the background whilst he is in his workshop. The first is “Surf Crazy” and the second is “Falling for Ya”. These clips take the audience into the film to see what the Wet Side Story cast are up to.

Outside of that, there are some uncredited songs used as background music during Teen Beach 2 as well. The first is “Beat Roadrunner” by Mark Roberts and John Powell. Excerpts of this song are used twice, as Brady’s friend Devon arrives to school, and then whilst Devon is goofing around in class. You can also hear a song called “Now I Know Just What I Want” as Brady rushes to get to the college fair to meet Mack. It seems to have come from a Turkish television series called Meleklerin Aşki. Following that, whilst Mack talks to Lela in her room, Mack plays some music. It goes with general techno-style music, into “So In Love With You” by Joey Diggs. Finally, the song “Trampoline” by Latch Key Kid is playing during Mack’s party at the end of Teen Beach 2. It is also played briefly by the band at the dance, before “Rescue Me” plays.

The soundtrack for Teen Beach 2 was released on 23rd June 2015, a few days before the film’s premiere. It topped the US Billboard Top Soundtracks and US Billboard Kids Albums charts, and peaked at No. 10 in the US Billboard 200 chart[2]. Teen Beach 2’s performance in the Billboard 200 chart was still good, but was not as impressive as the No. 3 spot that the Teen Beach Movie soundtrack occupied in 2013. However, a song from Teen Beach 2 was nominated for Choice Music: Song from a Movie or TV Show at the Teen Choice Awards, which Teen Beach Movie did not achieve. This song was “Gotta Be Me”. It lost out to “See You Again” by Wiz Khalifa, featuring Charlie Puth, from Furious 7 (2015).

Composer David Lawrence was back to work on the score for Teen Beach 2, having composed the score for Teen Beach Movie.

PRODUCTION

Teen Beach Movie was the hottest film of 2013 – on Disney Channel. It had achieved better viewing figures than any Disney Channel Original Movie had since 2009, and it was the perfect summer musical to suit the channel’s target audience.

So, naturally, Teen Beach 2 was coming to the channel, although it was not officially announced until April 2014, nine months after Teen Beach Movie had premiered. The announcement was apparently made during Ardy’s Pre-Show Party at the Radio Disney Music Awards on Saturday 26th April 2014. It was confirmed that the original cast would be returning, with a brief outline of the plot stating that the Wet Side Story characters would be appearing in Mack and Brady’s world. Its premiere date was set for some time in 2015[3].

It wasn’t just the main cast that were back; so was director Jeffrey Hornaday. Robert Horn also returned to work on the story, having written the screenplay with Vince Marcello and Mark Landry for Teen Beach Movie. Horn worked alongside Dan Berendsen to come up with the story for Teen Beach 2. Berendsen has a history of working on the screenplays for Disney Channel Original Movies. His credits include writing the screenplays for Eddie’s Million Dollar Cook-Off (2003); Twitches (2005) and Twitches Too (2007); Wizards of Waverly Place: The Movie (2009); and Hannah Montana: The Movie (2009).

The actual screenplay for Teen Beach 2 was credited to Matt Eddy and Billy Eddy, who have both co-written other DCOMs, including Zapped (2014), Bad Hair Day (2015), and Invisible Sister (2015). More recently, the duo co-wrote the Nickelodeon and Paramount+ movies Monster High (2022) and Monster High 2 (2023).

The cast and crew were also back in Puerto Rico to film Teen Beach 2. Once again, many of the scenes were filmed outside on the beach. Most of the beach scenes were filmed in Fajardo on the east coast of the island, as they had been in Teen Beach Movie[4]. The film also returns to sets like Big Momma’s within Wet Side Story, however, there were a couple of new locations in this film, with the most important being Mack and Brady’s high school, Windy Bluff High School… Why would anyone name a school that, even a fictional one? The filming location for this high school appears to be Robinson School in San Juan, Puerto Rico. The exterior of the building is clearly visible in the opening scenes of the school.

The cast were excited to be back, knowing that Teen Beach 2 had to be bigger and better. This meant harder and tougher dance routines for the many musical numbers. This time, dance rehearsals were said to have taken place for eight weeks prior to filming beginning, with choreographer Christopher Scott working with the young cast again.

“Best Summer Ever” was apparently the most rehearsed, as it involved lots of props, including frisbees, coconut drinks, and sunglasses, as well as a lot of partner work. This dance takes place on the sand, which was tough for some of the cast to deal with, as the sand was really hot at times, and it also isn’t that easy to dance on anyway! “Gotta Be Me” was the cast’s favourite one to be a part of, as it was a whole group number with everyone in the same place, which doesn’t happen often in either Teen Beach Movie or Teen Beach 2. To match the more modern musical styles in the soundtrack of Teen Beach 2, there were more modern dances included, however, “That’s How We Do”, which is the finale number for Teen Beach 2, and is reminiscent of the 1960s beach musical style again, there are numerous dance steps mentioned that are inspired by those types of steps popular in the 60s, like the Pony and the Mashed Potato, encouraging people to dance along. In Teen Beach 2, these include the Milkshake, the Wiggle Worm, and the Praying Mantis[5].

The costume designer on Teen Beach 2 was Anthony Tran. Tran had also worked on the costume designs for Disney Channel series, such as Mighty Med (2013-15) and Andi Mack (2017-19). More recently, Tran worked as a costume designer for the series How I Met Your Father (2022-23) and Star Trek: Discovery (2017-24). Some of the characters had similar costumes as they had in Teen Beach Movie, such as Butchy in his leather outfit, and Giggles in her fringe costumes. These Wet Side Story characters still kept their 60s-inspired clothing, however, other characters go on a journey, like Lela, who starts off in her movie outfits, and gradually becomes more normal, ending up wearing a simple white top with a checkered shirt over the top, showing her progressing from a 1960s character to a regular present-day teenager. At one point, Lela does wear an outfit reminiscent of Jackie Kennedy’s pink suit. Tanner also wears a recreation of the red jacket that was made iconic by James Dean in the final number of the film[6].

RECEPTION

After a red-carpet premiere for the film on 22nd June 2015, attended by the cast, Teen Beach 2 premiered on Disney Channel in the US on 26th June 2015, coming to other Disney Channels internationally over the next few weeks.

As Teen Beach Movie had proven to be popular, with viewership and reviews alike being considered highly positive, it was hoped that the same would be achieved by Teen Beach 2. After all, it’s always expected that the first sequel in a musical DCOM franchise is going to be bigger and better than the original – although this doesn’t always mean a big jump in viewership between the sequel and the first film. High School Musical 2 (2007) reaching 17.2 million views, compared to High School Musical’s 7.7 million in 2006, was an anomaly. Similar viewing figures is acceptable for a sequel.

In 2013, Teen Beach Movie premiered to 8.4 million viewers. However, in 2015, Teen Beach 2’s premiere was only seen by 5.8 million viewers, but still with a large showing for the demographics Kids 6-11 and Tweens 9-14. That’s not to say this figure of just under 6 million was bad, because it wasn’t; in fact, this was slightly above average at the time, with the DCOM premiere preceding Teen Beach 2, Bad Hair Day, only being viewed by 4 million. However, it is clear to see that, for some reason, Teen Beach 2’s fan turnout was considerably less than the turnout the first film had just two years before. Higher viewing figures for Teen Beach 2 were swirling around numerous news outlets around the time of the premiere, which used additional days’ worth of viewing figures – the same happened with Teen Beach Movie – however, as this type of data was not widely publicised for all DCOMs, it is much fairer to solely compare them by their premiere viewing figures[7].

Teen Beach Movie sits within the Top 10 Highest-Rated DCOMs of all time, and was the only Disney Channel movie to be released in 2013, so it was the most-watched DCOM of 2013. Teen Beach 2 has neither of these accolades to its name. Its viewership of 5.8 million was nowhere near enough to reach that Top 10 list – 10th position is held by Phineas and Ferb the Movie: Across the 2nd Dimension from 2011, with 7.6 million viewers – and it was not the only Disney Channel movie to premiere in 2015, so was not the most-viewed DCOM of that year. The film to do that was actually another Disney Channel musical, and one directed by Kenny Ortega of High School Musical fame: Descendants. Descendants was viewed by 6.6 million on its premiere, so, granted, not that much more than Teen Beach 2, however, it spanned a major franchise. Descendants simply outshone Teen Beach 2.

Descendants also had better reviews overall, from critics and audiences, than Teen Beach 2. Critics were kinder to Teen Beach 2 than viewers were, which is odd for a Disney Channel movie, which tend to be cruelly criticised by critics, who seem to expect too much from this type of film, but are warmly received by the average viewer.

In this case, Teen Beach 2’s controversial ending was the main issue for fans. It saw Brady and Mack forget each other due to the fact Wet Side Story, the musical they had initially bonded over, was changed by Lela to become Lela Queen of the Beach, causing Brady and Mack to meet later, and completely undo any of the events from Teen Beach Movie and most of the ones from Teen Beach 2. By having this ending, Teen Beach 2 had managed to alienate its own fans, with those who hated this ending feeling that Teen Beach 2 completely ruined Teen Beach’s legacy. It even opened up a major plot hole, because, as we learnt in Teen Beach Movie, Mack was supposed to go to Dunwich Preparatory Academy for her second-half of high school, something she’d agreed with her aunt years before. She only didn’t go to that school because of Brady, so it could be argued that Mack would not have still been at the same school as Brady by the end of Teen Beach 2, since they hadn’t met and she no longer had a reason or motivation not to go, so they wouldn’t have met anyway. Her and Brady’s visit to Wet Side Story also made Mack rethink her school choices, but she wouldn’t have done that as that film no longer existed.

Many also disliked the fact that parts of the film were left unexplained, for example, how did Lela change Wet Side Story, and why was she the only one able to do that? Did the other characters not have any say in this change to their story? It was also pointed out that if there was no Wet Side Story, then Mack and Brady couldn’t have gone into it, which was the catalyst behind Lela feeling lost in her movie world. Without those two arriving, it is likely that Lela would never have felt empowered to change the film, so it wouldn’t have become Lela Queen of the Beach. This is the problem when you start messing about with the idea of multiple timelines on screen; it opens up a lot of plot holes and issues that viewers are only too happy to point out. For me, I hadn’t considered many of these plot holes when I was watching the ending of Teen Beach 2. I actually felt the ending made some sense, and for those that want that “fairytale ending”, you should consider the fact that Mack and Brady met without Wet Side Story, signalling that they were always meant to be together; it was fate, or destiny, or whatever. But reading these plot holes now, the fans were quite right to point these out. I just didn’t care enough about the movie to notice at the time!

But it wasn’t all bad for Teen Beach 2, as there were still plenty of positive comments about the film, with some saying the sequel was still enjoyable and fun, even if they felt the first film was better. Teen Beach 2 had some good music, and retained the same atmosphere and energy that made it a great summer movie for kids, tweens, and teens.

With this in mind, it would make sense that Teen Beach 2 was recognised at the Teen Choice Awards in 2015. Both Ross Lynch and Maia Mitchell were nominated here, in the categories of Choice Summer TV Star: Male and Choice Summer TV Star: Female. They both lost out to two of the cast from the series Pretty Little Liars (2010-17): Tyler Blackburn, who played Caleb Rivers, and Ashley Benson, who played Hanna Marin. But Teen Beach 2 did win the award for Best Sound Editing – Long Form Musical in Television at the Motion Picture Sound Editors Awards, beating out Descendants, as well as a win for Music Technician Richard David Brown, who worked on Teen Beach 2.

LEGACY

Just like Teen Beach Movie, Teen Beach 2 was promoted in a variety of ways, through the use of merchandise, its CD soundtrack, and its DVD release. The DVD release even included a replica of Lela’s necklace from the film.

Outside of this, Teen Beach 2 also got another beach party at Walt Disney World’s Typhoon Lagoon, which followed the same general idea as the beach party that had existed in 2013 to promote Teen Beach Movie. This time the Teen Beach 2: Beach Party event was part of the resort’s 2015 Coolest Summer Ever celebration, and ran from 22nd May to 5th July 2015. It once again included beach-themed games for guests to play, like limbo, hula hooping, and a water balloon toss, as well as new music from the sequel being played, and dancers on hand to teach the new choreography to guests. The main cast, of Ross Lynch, Maia Mitchell, Grace Phipps, and Garrett Clayton, also made an appearance at Typhoon Lagoon for the first beach party on 22nd May 2015.

However, with a new musical franchise to promote, Teen Beach 2 was passed over for an appearance at the Walt Disney World Christmas Day Parade in 2015, whereas the cast had been invited to perform two songs from Teen Beach Movie in the 2013 parade. In 2015 though, the Descendants cast performed instead. The Descendants cast were also at the D23 Expo in August 2015, but so were the Teen Beach 2 cast, where they went on stage to do a dance tutorial. They also met fans and gave interviews to further promote the film.

The big question was: would there be a Teen Beach 3? Fans were eager for a third film, if only to correct Teen Beach 2’s ending. They wanted a whole movie to get Mack and Brady to remember Wet Side Story and everything that had come afterwards. To be honest, I think that would’ve just opened the films up to even more plot holes. Sometimes it’s best to just leave things alone! The cast were asked about a third film. They said they had not heard that there were discussions going on about it, but said they would likely return for it, and hoped it might get a theatrical release, like High School Musical 3: Senior Year (2008)[8].

By the time 2016 had rolled around though, and Teen Beach 3 was still not announced, fans started to lose hope. The actors were getting older and were moving away from their Disney projects. Even Ross Lynch, the youngest of the main cast, was showing intentions of leaving Disney, as the fourth and final season of his show, Austin & Ally (2011-16), finished airing in January 2016. It would seem Teen Beach 3 was not going to happen.

Since 2025 though, there have been rumours flying around online that a Teen Beach 3 is in development. Some said it was being developed alongside Camp Rock 3, which was formally announced in September 2025. However, Teen Beach 3 has still not been confirmed. I personally am doubtful that this third film will ever happen and do not want it to exist – but I also know this is Disney, so anything is possible. Every week, they seem to announce some new film or something, and it nearly always annoys me…

FINAL THOUGHTS

Teen Beach 2 was the much-anticipated sequel after Teen Beach Movie made a splash when it came to Disney Channel. It was thought this would be the start of a new musical franchise that could have three, four, or more films.

However, for whatever reason, its viewing figures were not as good, despite a similar level of promotion and much of the same cast. It would then be eclipsed by Descendants, which premiered just a month later – and that franchise has hit more than four films. Ouch. But I think the ending is really what let this sequel down, irritating its most dedicated fans, something no sequel should ever do or risk tarnishing its legacy.

Frankly, if you really love Teen Beach Movie, then you may as well just ignore Teen Beach 2 completely. Sure, the same amount of hard work and commitment from the cast and crew was put into Teen Beach 2, but if you’re going to mess around with timelines to the point that nobody can make any sense of it and it creates untold levels of annoyance and anger as viewers find plot hole after plot hole, then it’s not worthy of being watched.

Just give yourself a break from the stress of it all. Take a deep breath, clear your mind, and forget Teen Beach 2 ever existed – or is that Wet Side Story that never existed?

I’m sorry. Did that touch a nerve?


REFERENCES

[1] Credit: Disney Channel, ‘‘Teen Beach 2’ Cast Dance Rehearsals’, Behind the Fact YouTube Channel, 30th December 2016.

[2] Credit: Keith Caulfield, ‘Billboard 200 Chart Moves: ‘Teen Beach 2’ Bounds Into Top 10’, Billboard.com, 4th July 2015.

[3] Credit: Disney, ‘Disney Channel Set to Begin Production on ‘Teen Beach Movie 2’’, TheWaltDisneyCompany.com, 27th April 2014.

[4] Credit: Discover Puerto Rico, ‘Seeing is Believing: Experience Film Locations in Puerto Rico’, DiscoverPuertoRico.com, date unknown.

[5] Credit: Disney Channel, ‘‘Teen Beach 2’ Cast Dance Rehearsals’, Behind the Fact YouTube Channel, 30th December 2016.

[6] Credit: Disney Channel, ‘Inside the Fashion I Teen Beach 2’, Disney Uploads YouTube Channel, 11th June 2015.

[7] Credit: Patrick Hipes, ‘‘Teen Beach 2’ Ratings Ride Live+3 Wave’, Deadline.com, 1st July 2015.

[8] Credit: Avery Thompson, ‘‘Teen Beach 2’ Cast Reveal Hopes For 3-D Sequel – Interviews’, HollywoodLife.com, 26th June 2015.

Teen Beach Movie (2013)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

After the successful musical franchises of the 2000s, Disney Channel had to find ways to engage viewers with further movies unrelated to these franchises that had since ended.

This led to Disney Channel releasing a couple of standalone musicals in the 2010s, like Lemonade Mouth (2011) and Let It Shine (2012), which got decent reviews and viewing figures, but were nothing amazing when compared to the bigger franchises. Disney Channel wanted to recreate that feeling that High School Musical had created just a few years before, but they hadn’t quite managed to do that.

So, naturally, they kept trying – and they thought they’d hit the jackpot with their 2013 film Teen Beach Movie. It has some of the best reviews of any Disney Channel film, musical or not, that came out after High School Musical. It is colourful, high-energy, full of dancing and singing, and even had a leading star of a Disney Channel series, Ross Lynch, to star in it. The ingredients were all there to create a new smash-hit Disney Channel musical franchise, and it worked, showing how easily Disney can manufacture success.

I use the word “manufacture” not to be unnecessarily mean, and with my choice of word, it is probably quite clear to tell that I was not a fan of Teen Beach Movie. I felt that Teen Beach Movie lacked any uniqueness and was just a mish-mash of other popular musicals and films. It was so much like Grease, but so cheesy like Disney – and usually, I’m ok with that, especially in their musicals. This time, I couldn’t get past it, despite being a fan of ZOMBIES, Descendants, High School Musical, Camp Rock, and The Cheetah Girls.

Honestly, I just really didn’t like Teen Beach Movie and couldn’t wait for it to end. The music wasn’t good, the whole main storyline was cringey to sit through, and I kept getting annoyed that it was basically copying an episode of Sabrina the Teenage Witch (1996-2003) called “Beach Blanket Bizarro”, where Sabrina and her friends end up under a spell that has turned their Spring Break resort into a 1960s beach movie, and they struggle to adapt to their new surroundings and all that “good, clean fun”.

This episode and Teen Beach Movie were both clearly influenced by the same beach films, but having the Sabrina the Teenage Witch episode actually be a parody, and very funny, worked so much better than Teen Beach Movie, which didn’t seem to know if it should be a mocking parody or a straight-out imitation of that type of film.

PLOT

Teen Beach Movie begins with teenage couple Brady and McKenzie, also known as Mack, hanging out on the beach together, surfing and just generally enjoying their summer vacation. At the end of their perfect day, they discuss their excitement at the fact the beach is expecting 40-foot waves tomorrow, hoping it’ll be like a surfer’s paradise. Mack has something to tell Brady about tomorrow, though she doesn’t want to spoil the day.

The two then go to Big Poppa’s Surf Shop, this being the home of Mack’s grandfather as well as his store. They see Big Poppa working on a surfboard whilst watching a 1960s beach movie called Wet Side Story. Wow, I see what they did there, what a clever name… It is about two people, one from the local biker gang and the other from the surfing group, falling in love, despite there being an intense rivalry between them. Mack thinks the film is silly, but Brady actually likes it. She looks on as Brady and her grandfather watch the movie’s fight scene, occasionally picking holes in the story just for her amusement!

Then, Mack’s Aunt Antoinette arrives, and tells Mack to get ready because they are leaving tomorrow. Brady is shocked, but Mack isn’t. It is explained that Mack’s summer is now over as she will be flying back east to attend Dunwich Preparatory Academy, something that Mack and her aunt agreed on years ago. Mack asks if she can still go surfing tomorrow, but her aunt doesn’t think she’ll have time to do that before their flight. Brady is angry with Mack for not saying anything about it. She explains that she tried to, but didn’t know how to tell him. This was a deal she made with her aunt after her mother’s death; to attend a really good school for the second part of high school, so she can succeed like her mother wanted her to. The two essentially break up.

The next morning, Mack is getting ready to leave, before deciding to go out and surf like she’d planned, grabbing a yellow board with a red flower on it, seemingly a family heirloom. On the beach, the waves are bigger and stronger than any of the surfers had anticipated, with many struggling to adapt. Brady comes to watch Mack surf. She heads into the water, and manages to surf a smaller wave. As the clouds start to turn darker, and the weather clearly gets worse, Mack’s grandfather is concerned about her. The lifeguards call all the surfers in, although Mack decides to stay out, wanting to ride a really big wave. Thinking Mack is in trouble, Brady gets on a jet ski to help her. She refuses to come back in, instead choosing to catch a huge wave, but she wipes out. Brady tries to rescue her.

The two resurface to find the ocean calm and the sky bright again. Mack is annoyed at Brady for trying to help her, saying she didn’t need any help. As they continue to argue on the beach, they see that something is wrong. The beach is full of pretty, fresh-faced young people, singing and dancing. After watching the surfers perform, Mack thinks they’ve died and ended up in a musical! Brady deduces that they aren’t dead but that they are in a musical, specifically Wet Side Story, the same film they watched part of the day before. Brady is very excited and encourages Mack to join in, but she’s not at all interested.

Mack and Brady follow the group into Big Momma’s, a hangout place on the beach. Inside, the surfers seem confused by the arrival of Brady and Mack, saying they don’t like outsiders in this place. They are interrupted by the biker gang, The Rodents, showing up, taking the heat off Mack and Brady. The bikers then perform a song, to show that they deserve to hang out in Big Momma’s alone, not with the surfers, which Brady joins in with. Mack starts to panic about being stuck in 1962, saying they need to figure out how to leave. Brady says since they arrived via a storm, then they’ll have to wait for a storm to happen so they can leave. Lucky for them, Brady remembers there is a storm at the end of the movie – so they’ll have to blend in until then.

That evening, Mack and Brady show up at Big Momma’s for a party that the surfers invited them to. Mack sees her surfboard has reappeared next to her, randomly, and places her rash guard next to it, because no-one here wears them. The bikers come into Big Momma’s again, continuing to plan for how they can get the surfers away from “their” hangout once and for all. Biker gang leader Butchy sees his sister being looked at by the surfers, and checks they weren’t bothering her. His sister, Lela, doesn’t have the same animosity towards the surfers as he does.

Now, it’s time for Lela to sing. Brady convinces Mack to dance with him during the song, but she doesn’t want to. She tries to leave, but she keeps getting dragged into the dance number! This is meant to be the point in the movie where Lela meets Tanner, the head of the surfer gang, and instantly fall in love, however, Mack pushes past the dancers to leave the shack and ends up bumping into Tanner. She falls into his arms. Brady then remembers that Lela is going to fall off the stage, and catches her since Tanner is too busy with Mack. Lela then falls for Brady. Brady realises that they’ve messed up the events of the film, because they stopped the bikers and the surfers from fighting because Tanner didn’t catch Lela. They have three days until the storm, so they’ll have to get the movie back on track soon. Brady worries that other events might not be going as planned either. He knows that the movie’s villain, Les Camembert, is meant to be building a diabolical weather machine, to try to get Big Momma to sell her shack to him so he can redevelop the land. They go to Les Camembert’s hideout by the beach to check what’s going on.

Outside the hideout, they find a key under the doormat allowing them to get inside. Here, they see Dr. Fusion, a mad scientist, building the machine for Les Camembert. The machine is going to make the weather so humid and the ocean so calm that neither the bikers nor the surfers will want to be on the beach anymore, leaving Big Momma’s empty and with Big Momma being forced to sell it to Les Camembert. Brady says that Lela and Tanner are the ones to destroy the machine in the film, bringing the surfers and the bikers together to do so. Without those two, the machine won’t blow up and there won’t be a storm.

Later, Brady and Mack spend time with Lela and Tanner. Tanner says that he likes Mack because she’s different from the other girls here, whilst Brady asks Lela about the turf war between the bikers and the surfers. He says Tanner seems cool, but Lela ignores that comment, instead saying Brady was very courageous to save her life like he did. Lela goes to kiss Brady, but he pulls back, saying he isn’t what she thinks he is. Tanner says he wants to write a song about Mack, launching in to it straight after. Mack and Brady try to convince Tanner and Lela that they are perfect for each other, but the two barely look at each other. They’ll need a new plan. Brady gets an invite from Tanner to hang out with the surfers at Big Momma’s whilst Lela invites Mack to a pyjama party with the biker girls. They then see that Mack’s rash guard has completely vanished. It didn’t belong here, so it disappeared. They start to wonder what will happen to them if they stay in this musical for too long…

At the pyjama party, Mack is bored by the constant boy talk that the biker girls have, only wanting to look good to impress the boys. Mack tries to get them to dress and look how they want, but the girls don’t understand what Mack is talking about. She tries to empower the girls to think about anything other than boys, but it doesn’t work. They give her a biker girl makeover instead. Meanwhile, Brady learns that Tanner doesn’t care about the surfer-biker divide, just wanting to find that special girl, giving him hope for Tanner and Lela.

The next day, Brady and Mack don’t think they’ve made much progress with Tanner and Lela at all. Mack fears that they’ll be stuck here, but Brady is quite calm about the situation, liking being a surfer guy here and liking spending time with Mack. Brady says they’ll have to find another way to get Tanner and Lela together then, if Mack is so determined to get home to get to her fancy new school. Mack goes surfing with Tanner, impressing all the surfer group, since girls don’t surf in this era. Tanner once again says that bikers aren’t that bad, and that people aren’t always as you’d expect them to be.

Mack spends another evening with Lela, where they talk boys again. Mack compliments Lela on her necklace, of a Hawaiian flower. They’ve become good friends quite quickly, saying they feel like they can share anything with each other. This leads Lela to tell Mack that she wants to surf, although she’s scared about what her brother will think. Mack encourages Lela to learn how to surf, saying Brady should teach her.

The following day, Lela waits for Brady to meet her for a surf lesson, but Mack hasn’t set this up. Mack goes for a walk with Tanner on the beach, after he gives her a flower crown that he made for her. She then sees that the ocean has suddenly become calm, because Les Camembert and Dr. Fusion have turned on their weather machine. She tells Tanner to keep walking and she’ll catch up with him after she’s spoken to Brady. Les Camembert then orders Dr. Fusion to power up the machine to make their weather changes permanent. They go to the beach to see what’s going on with the weather.

Mack finds Brady and tries to come up with a plan for getting back into Les Camembert’s hideout. She falls into the water, and comes out completely dry. She then starts singing for no reason, making her realise they are changing into characters from the musical. They don’t have time for this, and decide to find Lela and Tanner. Coincidentally, Tanner and Lela have ended up at the same point of the beach. Mack and Brady then come across Les Camembert and Dr. Fusion, who hit Brady with a stun gun.

Meanwhile, Lela tells Tanner that she likes to surf and the two bond over their common interest. Lela says she doesn’t care about being like the bikers, and Tanner says he’s always wanted to ride a motorcycle. The two instantly fall for each other. Then, they see Mack’s flower crown has washed up on the beach. Fearing something bad has happened to her and Brady, they go to Big Momma’s to get help, but the bikers and the surfers refuse to come together. Lela and Tanner rally support, saying that they’ve realised they have more in common than they thought, and they shouldn’t waste their time fighting anymore. They declare their love for each other. Butchy then comes up to Tanner. It looks like he’s about to start a fight. Actually, Butchy is moved by this and says they’ll help find Brady and Mack.

Mack and Brady are caught and tied up to Les Camembert’s weather machine, where he tells them his plan to buy Big Momma’s and drive the surfers and bikers away from this beach. Les Camembert then sees the surfers and bikers running towards his hideout.

Mack and Brady talk whilst they wait for their rescue. She tells Brady that if she hadn’t been stuck in this film, telling Lela to follow her heart, she’d never have realised that she doesn’t want to go to that prep school. She’s actually glad all this happened. Above them, Dr. Fusion continues to make adjustments to the machine. Mack and Brady ask Dr. Fusion if he really wants to do this, but with Mack knowing the specifics of the machine, Dr. Fusion becomes suspicious of them. Mack and Brady say they are from the future and that Dr. Fusion is just a character in a movie, making him question his whole existence. He is ordered by Les Camembert to turn the machine on right away, so he does.

The surfers and the bikers see a ray coming from the lighthouse and now know the way to Les Camembert’s hideout. Together, they storm the lair and start destroying the machine and all the plans for it, whilst Tanner and Lela untie Brady and Mack. Lela learns that the machine’s motor isn’t much different to a motorcycle, but they think it’ll be hard to disable it. Lela finds a way, using a hairpin, almost falling from the machine but being caught by Tanner, like she should’ve been when she almost fell off the stage at Big Momma’s. The machine starts to malfunction and the teenagers leave the area. The machine blows up, with Les Camembert and Dr. Fusion tied to it. They end up floating on part of the machine in the ocean, and Dr. Fusion reveals to Les Camembert that this was all just part of a movie.

Back on the beach, Mack and Brady see that it is the end of the movie and now it is time for them to leave. The surfers and bikers thank the two for all they’ve done for the group, bringing everyone together. Lela gives Mack her necklace so she’ll remember her. They then retrieve their surfboard and paddle into the ocean as the storm starts to approach. They hit a huge wave, wiping out once again.

This time, Mack and Brady resurface in the ocean back home in present day, where the storm is still circulating, so no time has passed. Brady gives Mack her space to ride the wave she wanted to that morning. She successfully surfs the giant wave, surfing all the way back on to the beach. Everyone is impressed, including her grandfather. But Mack’s aunt then arrives and she isn’t happy, because they are now late for their flight and for Mack’s school registration. Mack says she wants to stay right here and not go to that school, wanting to have her own life, thinking her mother would just want her to be happy. Her aunt says Mack is headstrong, just like her grandfather, but accepts Mack’s decision. Brady then drags Mack into a group dance number on the beach, to properly end their story.

In a post-credits scene, the musical characters find themselves washed up on a beach in present day. They see someone on the beach, who thinks they are lost, and offers them the use of his phone. They find it the most fascinating thing they’ve ever seen, leaving the passerby looking incredibly confused!

CHARACTERS & CAST

McKenzie, or Mack as she is mostly known, is a realist. She knows that she can’t spend her whole summer surfing all day with Brady, and knows that eventually, she’ll have to make tough decisions that will benefit her future, like leaving Brady and her grandfather and moving away to attend a great school. She scoffs at Wet Side Story, at how ridiculous the plot is, and how characters randomly burst into song, again showing that Mack likes to keep her head out of the clouds. However, when she finds herself stuck in Wet Side Story, Mack learns to go with the flow a bit more and let go of expectations for herself, instead choosing to do what makes her happy. Although she is less than impressed at being trapped in a musical initially with all that singing and dancing, she learns that she should follow her heart and discovers she was only going to go to that school to make her aunt happy and try to make her mother proud. When her and Brady return to present day, she is able to explain that she wants to stay right where she is and go to the same school, knowing that she can make her own decisions, and change her mind if she wants.

Maia Mitchell was cast as Mack in Teen Beach Movie. Surprisingly, Mitchell was not already a Disney Channel star when she starred in this film, although around the same time, she was appearing as Callie Adams Foster in the drama series The Fosters (2013-18), which aired on Freeform, a channel owned by The Walt Disney Company. Mitchell went on to reprise this role in the spin-off Good Trouble (2019-24) and has since been cast in other Disney projects, such as voicing the recurring character Jasiri in the animated series The Lion Guard (2016-19). Currently, Mitchell plays Lady Belle Fox in The Artful Dodger (2023-present) on Disney+, with Thomas Brodie-Sangster in the title role.

Brady is more of the typical laidback surfer type. He seems quite comfortable to just live life day-by-day, spending every summer day in pretty much the same way; he just wants to spend it with Mack. He is hurt to discover that Mack is planning on moving away the very next day, having not thought to mention it to him at any point during their summer vacation. He is later hurt again by Mack when she complains about him trying to rescue her when she’s being stupid and staying out in the ocean surfing when it’s not safe. On finding himself in Wet Side Story, Brady actually couldn’t be calmer and happier. He loves being a character in this movie, getting to sing and act along with his favourite characters. His expertise on the film’s plot helps him and Mack get through their time in the musical, and gets them home. Even though Mack moans at Brady for getting too caught up in the musical, and not thinking about getting back home, it is actually Mack who ended up in Tanner’s arms and messed up the plot of the film, not Brady, and he is just as involved in getting the story back on track when he realises how important it is to Mack. On arriving back home, Brady is ecstatic to learn that Mack isn’t moving away to go to a new school and to celebrate he makes Mack be part of a real beach musical number in the present day.

Ross Lynch was cast as Brady. Unlike Mitchell, Lynch was already a Disney Channel star before his casting in Teen Beach Movie, as Lynch was playing Austin Moon in the Disney Channel series Austin & Ally (2011-16) before Teen Beach Movie. Lynch was also a member of the band R5 at the time, having formed it in 2009 with his brothers; the band ended in 2018. Lynch went on to form a duo with his brother Rocky called The Driver Era right after. He is also known for his role as Harvey Kinkle in the Netflix series The Chilling Adventures of Sabrina (2018-20).

Tanner is the leading man of Wet Side Story. He falls into the “nice-but-dim” category here, as he is well aware of his good looks and his ability to make girls fall for him, but he hasn’t got very much to say in terms of deep conversation! Tanner is the leader of the surfers, so we know he likes surfing at least. He also doesn’t care about the divide between the bikers and the surfers, not getting dragged into the fights and turf wars. Tanner doesn’t have a problem with the bikers, knowing that they are probably quite similar people, and he has a secret longing to ride a motorcycle. Tanner falls for Mack at the start of this film, as she falls into his arms and not Lela, but it’s clear from the awkward conversations between the two of them that they are not right for each other. In the end, Tanner and Lela manage to start a conversation all on their own, without Mack and Brady’s help, finding that they have a lot in common and they fall instantly in love. Knowing Mack and Brady are in trouble, they also manage to bring the bikers and the surfers together to stop Les Camembert’s plan once and for all, allowing them to keep their beach hangout and all be friends.

Tanner was played by Garrett Clayton. Clayton went on to appear in the recurring role as Chase Dillon in The Fosters. He was also cast as Link Larkin in the television adaptation Hairspray Live! which aired on NBC in 2016 with an all-star cast, also featuring Kristin Chenoweth and Dove Cameron as Velma and Amber Von Tussle; Ariana Grande as Penny; and Martin Short and Harvey Fierstein as Wilbur and Edna Turnblad.

Lela is part of the biker group and the leading lady of Wet Side Story. She likes to sing, as can be seen by her performance at Big Momma’s, and she also doesn’t have anything against the surfers, however, with Butchy, her brother, being the leader of the bikers, she has to be careful what she says. In Wet Side Story, Lela is supposed to fall off the stage and be caught by Tanner, however, as Tanner does not make it to the stage in time, thanks to Mack getting in the way, she is caught by Brady and starts to become seriously interested in him. Lela thinks Brady is her hero just because he was in the right place at the right time. Although Lela seems boy-crazed, like the other girls in Wet Side Story, she actually wants to surf, even though girls aren’t supposed to surf, especially not biker girls. With this in mind, Lela is the catalyst for change in the movie, as her love of surfing allows her to build a relationship with Tanner, and his love of motorcycles is another thing they have in common. Lela and Tanner’s relationship changes the whole course of the film. Lela is a sweet girl with a good heart.

Lela was played by Grace Phipps, now known by the name Gracie Gillam, but credited here as Grace Phipps. Before her role in Teen Beach Movie, she had been cast as Amy Tiffany Martins in the ABC Family series The Nine Lives of Chloe King (2011), going on to appear as April Young in Season 4 of The Vampire Diaries (2009-17). She later appeared as Megan in Season 2 of the Freeform series Baby Daddy (2012-17).

Then, there is Butchy, Lela’s brother and the leader of The Rodents, such a tough name for a teen biker gang! Butchy has very strong ideas about the surfers, not wanting them anywhere near him and his group, or even looking at them. Sadly, the bikers and the surfers have both chosen the same hangout spot: Big Momma’s, so they are constantly seeing each other. Butchy wants to find a way to claim Big Momma’s for the bikers, but apart from casually threatening them every now and again – through the use of song and dance – nothing really happens with that! When Butchy learns that his sister Lela is going out with a surfer, you’d think he’d be really angry about it, however, he sees his sister’s love for Tanner and accepts their relationship, ending the biker-surfer feud once and for all.

John DeLuca was cast as Butchy. Around this time, DeLuca had a few guest roles in other Disney Channel series, including Wizards of Waverly Place (2007-12) and Jessie (2011-15). Around 2016, DeLuca was cast in the recurring role of Aaron Roland in the long-running daytime soap General Hospital (1963-present).  

Les Camembert is the evil villain in Wet Side Story. Les Camembert is apparently from Pittsburgh, but acts like a posh English gentleman, with his fancy suit, fake moustache, slicked-back hair, and teacup in hand, probably because every good movie has a British villain! His plan is to change the weather so that he can stop the ocean having waves good for surfing and making the air so humid that none of the bikers or surfers want to hang out at the beach or at Big Momma’s. This is because he wants to take over Big Momma’s and take over the land. He comes close with this scheme, as the weather machine that is built to change the weather does work, however, he doesn’t count on the bikers and the surfers figuring out his devious plan and then working together to stop it, so he ends up being blown up by his own machine. That sounds about right for the fate of a Disney villain!

Les Camembert was played by Steve Valentine, who had already appeared in a few Disney Channel roles prior to Teen Beach Movie. One of these was playing Archie in the DCOM Wizards of Waverly Place: The Movie (2009), followed by being cast as Mr. Moore in Avalon High (2010). Valentine had also been cast as Derek Jupiter in the series I’m in the Band (2009-11). Valentine has a history of voice work too, having voiced the character of Alistair in the Dragon Age series of games; Minister of Spring in Tinker Bell (2008) and its sequel Secret of the Wings (2012); as well as some characters in Jake and the Never Land Pirates (2011-16) and Mickey and the Roadster Racers (2017-21). More recently, Valentine played Dracula in Monster High: The Movie (2022) and its 2023 sequel.

Dr. Fusion is the mad scientist that Les Camembert hires to build his weather machine and surprisingly it does work. Dr. Fusion even had some plutonium on hand to power it up to make the weather changes permanent. Dr. Fusion later has an identity crisis after Brady and Mack let slip that he is just a character in a movie, causing him to take the machine’s explosion in his stride as he knows this isn’t real, even telling Les Camembert the truth about their existence.

Dr. Fusion was played by Kevin Chamberlin, who was most known at the time for his role as Bertram in the Disney channel series Jessie. Chamberlin has had a history of appearing in stage musicals too, originating the role of Horton the Elephant in the 2000 Broadway production of Seussical, and being an original cast member in The Addams Family musicalin 2010, playing Uncle Fester, alongside Nathan Lane and Bebe Neuwirth, who were cast as Gomez and Morticia Addams. Chamberlin was also a replacement for The Wizard in Wicked on Broadway around 2018/19, and was cast as Nicely Nicely in the 2022 Kennedy Center production of Guys & Dolls. On screen, he appeared as Sheldon in The Prom (2020), the Netflix film adaptation of the stage musical, and played Gusteau in the TikTok musical of Ratatouille, which was shown online in 2021 as a charity production.

For the other adults in Teen Beach Movie, they are Mack’s family: her grandfather Big Poppa, and her aunt Antoinette. Mack has been staying with Big Poppa for the last few years, at his surf shop and home. Big Poppa is supportive of Mack’s love of surfing, probably because he introduced her to it, although she does not share his love of beach musicals! On the other hand, Aunt Antoinette is not relaxed, or laid back, as she is a working professional, who wants Mack to succeed in life. She believes that Mack wants to go to this prep school, and have a career like hers, however, Mack comes to the realisation that she doesn’t.  Aunt Antoinette doesn’t agree with Mack’s decision but she accepts it, allowing Mack to stay with Big Poppa for the rest of high school.

Barry Bostwick was cast as Big Poppa, having previously appeared in another DCOM: as Mr. Bradley, the property developer in Hannah Montana: The Movie (2009). Bostwick is also known for his roles as Brad Majors in The Rocky Horror Picture Show (1975) and as Mayor Randall Winston in the sitcom Spin City (1996-2002). Later roles of his include the recurring role of Roger Frank in the sitcom Cougar Town (2009-15). Antoinette was played by Suzanne Cryer. An early acting role for her was as Ashley Walker in the sitcom Two Guys, a Girl and a Pizza Place (1998-2001) on ABC, which starred Ryan Reynolds. She later was cast as Laurie Bream from Season 2 of Silicon Valley (2014-19) on HBO. More recently, Cryer appeared as Gracie DuBois in the comedy-drama series Lucky Hank (2023).

MUSIC

Since Teen Beach Movie revolves around a musical set in the 1960s, its soundtrack is not the typical pop music that has been associated with most of their musicals. A few different musical styles emerge in the soundtrack, such as rockabilly, surf tunes, and classic pop.

“Oxygen” is the song playing during the opening sequence of Teen Beach Movie, as Mack and Brady hang out and surf together on the beach. This is a typical pop song that you’d expect to hear in a Disney Channel Original Movie, about teen romance. It was also performed by Maia Mitchell, the female lead of the movie, as you’d also probably expect from Disney Channel. For me, this was just an ok song for, nothing special, but inoffensive. “Oxygen” was written by Antonina Armato and Tim James.

This is followed by “Surf Crazy”, possibly the opening number of Wet Side Story, but definitely the first song that Mack and Brady stumble across when they arrive on the beach and into the musical. It is a song for the surfers, so naturally, “Surf Crazy” is in the musical style of “surf rock”, a high-energy subgenre of rock from the 1960s – and this song is certainly high-energy, as it is a whole group number with props of beach balls and towels and dancing across the sand. There is even a “roll call”, similar to that in “The Nicest Kids in Town” in the musical Hairspray, allowing the viewers to be introduced to these characters. “Surf Crazy” was written by David Lawrence and Faye Greenberg, and was performed by the movie’s cast, including singer Spencer Lee being the singing voice for character Tanner. Although part of his audition required him to sing and was no doubt a prime reason for his casting, Garrett Clayton was not the primary singing voice for Tanner due to the fact that the soundtrack was already being recorded at the time of his casting[1]. This is similar to the reason why Sterling Knight only performed one song for StarStruck (2010), with Drew Ryan Scott singing most of Christopher Wilde’s songs; it was not because he can’t sing.

Following on from that, the biker gang, The Rodents, get their own song to introduce themselves to the audience. This is through the number “Cruisin’ for a Bruisin’”, a rockabilly song, a style that Elvis Presley had made popular in the 1950s and 1960s. “Cruisin’ for a Bruisin’” is meant to be the bikers threatening the surfers to get off their turf, i.e. to get out of Big Momma’s – or else. Although I don’t much care for this song, probably because it was heavily used on Disney Channel to promote Teen Beach Movie at the time of the film’s release, I can see why it is one of the more popular songs in the film, because it has Ross Lynch front-and-centre for much of it, a Disney Channel star, plus, it involves another group dance number. It was written by Mitch Allan, Jason Charles Miller, Nikki Leonti, and Jason Evigan, with the song being performed mostly by Ross Lynch as Brady, Grace Phipps as Lela, and Jason Evigan singing for Butchy. John DeLuca, like Garrett Clayton, did not sing for his character in Teen Beach Movie. It has been said it is because they wanted a singer that could imitate Elvis for the songs, so this could be similar to why Zac Efron did not sing on High School Musical, with Drew Seeley singing for the character, allegedly because Efron’s voice was not quite right for the songs that had been written. But it may just be because Butchy’s songs had already been recorded by the time DeLuca was cast.

 The next song is “Falling for Ya”, which was written by Aris Archontis, Chen Neeman, and Jeannie Lurie, and performed by Phipps as Lela. This is Lela’s song that she is performing at Big Momma’s the evening when she is supposed to fall off the stage and into Tanner’s arms, but ends up being caught by Brady instead. This song turned out to be “my favourite” in the film, although I still don’t love it. It is in the style of 1960s pop.

As Mack and Brady realise that the two leads of Wet Side Story have accidentally fallen for them, “Meant to Be” is both Tanner and Lela expressing their love for Mack and Brady, but also Mack and Brady trying to convince Tanner and Lela that they might be the perfect match instead. “Meant to Be” was written by David Lawrence and Faye Greenberg, and performed by Lynch, Mitchell, Phipps, and Spencer Lee as Tanner. This pop song is a bit too cutesy for me, and I actually prefer its two reprises. The first one takes place as Lela and Tanner realise they are “meant to be”, just as Mack and Brady are captured by Les Camembert and Dr. Fusion. The second reprise is for Mack and Brady as they process their experience of being stuck in this musical and actually realise they’ve had a good time together, and that Mack doesn’t want to move away and leave Brady.

The song “Like Me” is performed by the biker girls and the surfer boys as they talk about how they interact with each other in this decade, which goes completely against what Brady and Mack know from their own decade. Brady and Mack also find themselves being given a makeover to look like members of the surfers group and the biker gang respectively during this song. It was written by Antonina Armato, Tim James, Thomas Sturges, Jon Vella, and IN-Q, and was performed by the majority of the cast.

Later, as Mack and Brady’s plan to get the musical’s story back in track doesn’t go to plan, Mack realises they are becoming characters in the musical, leading to her and Brady performing an unexpected song-and-dance number on the beach that they don’t want to be involved in! This song is vaguely amusing, so it was one of the better songs in the film for me. This song is “I Can’t Stop Singing”, and was written by Aris Archontis, Chen Neeman, and Jeannie Lurie. It was performed by Lynch and Mitchell. It is also used as the first song in the End Credits, when the outtakes roll.

This is soon followed by “Surf Crazy Finale”, which is a mash-up of “Surf Crazy” and “Cruisin’ for a Bruisin’”. The two songs work well together, and it reflects how all the teens have come to an agreement to get along from now on. This track is playing as the bikers and surfers come together to destroy the weather machine at Les Camembert’s hideout. It was performed by the cast.

Teen Beach Movie ends with the song “Surf’s Up”, just after Mack tells her aunt she wants to stay where she is, and not go to the new school. Mack initially thinks her and Brady are going to get back to surfing, but he actually drags her over to another part of the beach to lead a group musical number with him. This sounds and looks quite similar to “Surf Crazy”, but isn’t as peppy, so it’s almost like the two songs should’ve been switched if they wanted a big finale number. “Surf’s Up” was written by Ali Dee Theodore, Alana Da Fonseca, Jordan Yaeger, and Garrett Kotecki, and was performed by Ross Lynch, Maia Mitchell, and the rest of the cast.

The only other song in Teen Beach Movie appears in the post-credits scene. This is “Coolest Cats in Town”, and was written by Mitch Allan, Jason Evigan, and Nikki Leonti. The song was apparently performed by Grace Phipps, Spencer Lee, and Jason Evigan. It is only heard briefly, so I don’t have much of an opinion on the song.

The soundtrack for Teen Beach Movie was released on 15th July 2013, four days before the film, so anyone who was super excited for the film could learn all the music in time for the premiere. I’m not judging; I did that with High School Musical 2. The Teen Beach Movie soundtrack topped the US Billboard Kids Albums and US Billboard Top Soundtracks charts, and was top of the UK Soundtrack Albums too. It peaked at No. 3 in the US Billboard 200 chart. Apparently, the song “Cruisin’ for a Bruisin’” even cracked the US Billboard Hot 100 chart, peaking at No. 82. This shows the popularity of the music with its fans.

David Lawrence was the composer for Teen Beach Movie, having worked on the music for many Disney Channel movies prior to this. These include the scores for StarStruck; Good Luck Charlie, It’s Christmas (2011); and the Descendants trilogy, as well as the scores for The Cheetah Girls 2 (2006) and The Cheetah Girls 3: One World (2008) and the High School Musical trilogy. With Faye Greenberg, Lawrence also wrote songs for some of these musicals, like “Stick to the Status Quo” from High School Musical (2006), “Fabulous” from High School Musical 2 (2007), and “It’s Over” from The Cheetah Girls 2.

PRODUCTION

Disney Channel musicals hadn’t gone anywhere in the early 2010s, although it may have felt like it. High School Musical 3: Senior Year signalled the end of the original franchise in 2008. The Cheetah Girls 3: One World turned out to be the group’s last hurrah, also premiering in 2008. Camp Rock 2: The Final Jam (2010), despite being successful, seemed to be bowing out earlier than expected. These three musical franchises in particular had been the channel’s dependable properties for almost a decade, so what now?

Disney Channel made some attempts to bring some excitement back to its movie slate, like with the High School Musical spin-off Sharpay’s Fabulous Adventure (2011), but it felt like a completely different sort of film. A couple of other standalone musicals followed, and they continued to be the most-viewed DCOM premieres of their respective years, but they didn’t gain much global attention and worldwide acclaim. There had to be a turnaround.

And so, Disney Channel announced a new musical in 2012, that would star Ross Lynch from the series Austin & Ally, with Australian actress Maia Mitchell being paired up with him as the leads. This musical wasn’t going to be just any musical either, as it was confirmed that the film would be inspired by the beach movies of the 1960s. An interesting premise is not enough though and Disney Channel would have to wait and see how it performed. This new musical was titled Teen Beach Movie. Not a very exciting name, but then again, nor was High School Musical. They tell you want you need to know, I suppose.

Director and choreographer Jeffrey Hornaday was chosen to direct Teen Beach Movie, having previously directed the non-musical DCOM Geek Charming (2011), receiving a nomination at the Directors Guild of America Awards for Outstanding Directorial Achievement in Children’s Programs. Hornaday’s other credits include being the choreographer on the musicals Flashdance (1983) and A Chorus Line (1985), as well as being involved with the choreography for Captain EO (1986), a 3D short film featuring Michael Jackson which was specially created for the Disney Parks.

Three screenwriters ended up working on Teen Beach Movie: Robert Horn, Vince Marcello and Mark Landry. Horn had previously written the DCOM Sharpay’s Fabulous Adventure. Horn was also known for his work on the musical 13, which debuted on Broadway in 2008, and for co-writing the Disney Channel movie The Suite Life Movie (2011). Horn has since co-written further stage musical adaptations, such as Tootsie, where he won the Tony Award for Best Book of a Musical with David Yazbek in 2019, and Hercules, adapted from Disney Animation’s 1997 film, with Kwame Kwei-Armah, which opened on London’s West End in the summer of 2025. Vince Marcello went on to co-write and direct The Kissing Booth trilogy for Netflix, starring Jacob Elordi and Joey King.

Teen Beach Movie was inspired by 1960s beach movies like Beach Party (1963) and Beach Blanket Bingo (1965). Both of these films starred Annette Funicello, who was a Mouseketeer on the original The Mickey Mouse Club (1955-1959), before going on to have a career as a singer and actress. Funicello and co-star and singer Frankie Avalon popularised the genre of beach party films. Funicello died in April 2013, just three months before the premiere of Teen Beach Movie.

Teen Beach Movie is also inspired by other musicals set in the 1950s and 1960s, like Hairspray and Grease. Both Grease and West Side Story, the musical whose title clearly inspired the movie-within-the-movie Wet Side Story, follow the same story of two teenagers from two different gangs falling in love despite the opinions of their respective friends and family. Gang rivalry exists in both movies, although it is much more seriously addressed in West Side Story. In West Side Story, Maria falls in love with Tony, part of the rival gang The Jets. Her brother is Bernardo, the leader of The Sharks. This idea was copied for Teen Beach Movie for the dynamic between Lela, Tanner, and Butchy, Lela’s brother. The whole idea of “star-crossed lovers” in any film is a common occurrence, having been inspired by the Shakespeare tragedy Romeo and Juliet. Luckily – or unluckily, depending on who you ask, because some people just like tragedy – most filmmakers tend to turn this story into a happy ending for the couple now, like in Teen Beach Movie.

Teen Beach Movie was filmed in Puerto Rico, this being the third DCOM to have been filmed there. The other two before it were Wizards of Waverly Place: The Movie and Princess Protection Program (2009). Teen Beach Movie was filmed predominately in Fajardo, on the east coast of the island[2].

Since most of the scenes within Teen Beach Movie take place outside, that meant a lot of time spent on the beach by the ocean, however, a few sets were built for the film. Some of these included Big Momma’s, the beach hangout for the surfers and the bikers, which looks like a cross between a beach shack and a typical 50s/60s diner, and Les Camembert’s hideout, which is a futuristic, dark lair, meant to look like it is hidden in a lighthouse. There is also Big Poppa’s shop, where Mack and her grandfather live. This is a rustic but comfortable home and workshop area. There is also Lela’s bedroom, decorated in bright pastel colours, and full of fluffy, frilly fabrics. Production designer Mark Hofeling worked on Teen Beach Movie, having previously worked on the High School Musical franchise, and later the Descendants and ZOMBIES trilogies.

To match the bright patterns and colours of most areas within Teen Beach Movie, the costuming here had to stand out as well, and having the 1960s and beach musical format to work from, this was easy to achieve. Pastel shades of colours like pink, orange, yellow, red, and blue feature heavily in this film, with the characters’ costuming matching the bright patterns of the beach balls and surfboards, particularly within the surfer group, whereas the bikers have their expected black leather jackets and trousers. This was also an opportunity for costume designer Ruth Carter to bring back some of those designs that were all the rage in the 1960s, like Capri pants, and high-waisted swimsuits. There were actually some restrictions for the channel, like no bikinis, despite those being popular in the 60s, so high-waisted swimsuits were a good compromise[3].

Ruth E. Carter had previously had experience of costuming for historical dramas, as she had worked on Malcolm X (1992), The Butler (2013), and Selma (2014). After Teen Beach Movie, Carter went on to create the costumes for the Marvel movies Black Panther (2018) and Black Panther: Wakanda Forever (2022). Carter won the Academy Award for Best Costume Design for both Black Panther films, amongst others. She was also recently nominated at major ceremonies, like the Oscars, the BAFTAs, and the Critics’ Choice Awards for her costumes in the critically-acclaimed Sinners (2025).

The cast had a great time filming in Puerto Rico and said that the fact they were all somewhere new gave them a chance to bond. The fact they just happened to be doing a movie shoot on the beach all day, every day was an added bonus. Like any Disney Channel musical though, the cast had to go through rigorous dance rehearsals before the shoot, and this was said to have taken three weeks, where they were put through their paces by choreographer Christoper Scott.  Christopher Scott was also a choreographer on ZOMBIES (2018) for Disney Channel, as well as on the musical movies In the Heights (2021) and even Wicked (2024) and Wicked: For Good (2025). Scott said he and his team played around with older forms of dance here, like the jitterbug, and moves like The Swim for the dance routines. The use of props, like towels, beach balls, and surfboards were also quite prevalent in big group numbers, like “Surf Crazy”[4].

Maia Mitchell also required some training in how to surf before starting work on Teen Beach Movie since her character’s surfing ability is a key part of the film. She started learning how to surf the day after she got the part[5].

RECEPTION

Teen Beach Movie premiered on Disney Channel in the US on 19th July 2013. Teen Beach Movie was also released in other countries, like Canada and the UK on this date, before filtering its way through other international Disney Channels by the end of September 2013.

Strangely enough, Teen Beach Movie was the only Disney Channel Original Movie to be released in 2013. Although the number of DCOMs coming to screens had decreased steadily from the 2000s into the 2010s, there would still have usually been at least four released in one year. This may have been a blessing, in that it meant that Disney Channel fans were eagerly anticipating the biggest movie premiere on the channel that year.

This excitement was reflected in Teen Beach Movie’s viewing figures, because on its premiere screening, it was watched by 8.4 million viewers in the US. This made Teen Beach Movie the most-watched DCOM premiere since Wizards of Waverly Place: The Movie in 2009, which was watched by 11.4 million viewers, and Teen Beach Movie’s figures were way ahead of any DCOM released in 2012 or 2014, even with films like Frenemies (2012), Radio Rebel (2012), and Cloud 9 (2014) being fronted by major Disney Channel stars. Teen Beach Movie’s viewership was never repeated, as viewership in general for any DCOM began to decline into the late 2010s. Therefore, Teen Beach Movie remains the fifth highest-rated DCOM premiere, behind High School Musical 2, Wizards of Waverly Place: The Movie, Camp Rock (2008), and Princess Protection Program[6]

In terms of reviews, Teen Beach Movie was also a success for the channel, as many felt that the premise of the film was clever and entertaining. The parody element, of basing the majority of the story in a cheesy beach musical, meant that any clunky acting or odd plot moments could be hidden within that. Fans of the film liked the music and felt it was a perfect, fun film for summer. In recent years, it has also been claimed that Teen Beach Movie is underrated, as the musical franchises of The Cheetah Girls, High School Musical, and Descendants, for example, continue to dominate, even decades later. The casting of Ross Lynch and Maia Mitchell in the leading roles was praised as well. Although I can’t say I thought much of many of the characters, I did like Mitchell in the role of Mack. Mack had some great overdramatic lines that admittedly did make me smile.

On the other hand, some felt that Teen Beach Movie was just another way that Disney Channel were trying to copy the High School Musical template, with the same sorts of songs, the same sorts of actors, and a sugary sweetness that isn’t palatable to everyone. It does seem like every new musical DCOM that came from Disney Channel after High School Musical has an element of High School Musical to it – but you can’t really blame them for using a tried-and-tested format that has been known to work. Teen Beach Movie was seen to be just another movie from Disney Channel for kids to some, and there were comments that the film was a bit too long, dragging in places.

Personally, I did not like Teen Beach Movie, despite being a fan of pretty much every other Disney Channel musical that has existed. I felt the music was nowhere near as catchy or memorable as others, and I was just waiting for the film to end, because it was quite obvious from the start how the film was going to play out. I actually liked Les Camembert and Dr. Fusion’s scenes the most; I thought Steve Valentine in particular played the theatrical villain very well. Despite some enjoying the premise, I was instantly annoyed with it, feeling that it copied that one episode of Sabrina the Teenage Witch where Sabrina and her friends go to Florida expecting to have a party atmosphere at their resort for Spring Break, only to find that her aunts have put a spell on their beach resort to turn it into a 1960s beach musical. Frankie Avalon was even a guest star in this episode. I understand that Teen Beach Movie was inspired by the same material, and that’s fine, but on the whole, I just didn’t think it was funny enough when it was meant to be casually mocking these movies.

Teen Beach Movie’s director Jeffrey Hornaday was nominated at the Directors Guild of America Awards for Outstanding Directorial Achievement in Children’s Programs. The award actually went to Amy Schatz for her HBO documentary An Apology to Elephants (2013). Teen Beach Movie was also nominated for Best Sound Editing – Long Form Musical at the Golden Reel Awards.  

LEGACY

Teen Beach Movie was promoted with a flurry of merchandise after its premiere on television, alongside the release of the soundtrack and, later, the DVD of the film. This merchandise included dolls of the characters, like Brady and Mack, in their costumes from the film, clothing, books, stationery, and even a sing-along microphone.

There was even an event on Disney’s multiplayer online game Club Penguin, which existed from 2005 to 2017. To celebrate Teen Beach Movie, the Teen Beach Movie Summer Jam event ran on the game from 22nd August to 3rd September 2013, which had areas themed to locations in the film, music from the movie playing in some areas, and in-game items for purchase that included costumes from Teen Beach Movie for the avatars.

Even at the Disney Parks, there was a small presence for Teen Beach Movie. In this case, as part of Walt Disney World’s Limited Time Magic event for Summer 2013, the water park Typhoon Lagoon hosted the Teen Beach Movie Dance Party daily from late June into early September 2013. Some of the cast attended the opening event, to remind guests of Teen Beach Movie’s premiere date on 19th July 2013. This beach party consisted of music from the film being played as guests took part in beach-themed games and dancing.

The cast later made an appearance at Disneyland for the 2013 Walt Disney World Christmas Day Parade, where Ross Lynch, Maia Mitchell and the rest of the main cast performed the songs “Cruisin’ for a Bruisin’” and “Surf Crazy” down Main Street U.S.A.

Earlier in the year, in August 2013, the cast had attended the D23 Expo at the Anaheim Convention Center in California, where they were able to meet fans and participate in interviews to celebrate the success of Teen Beach Movie. Naturally, the cast were asked whether they would be interested in returning for a sequel, and of course, there is only one answer to that, especially if you work for Disney, and that answer is “yes”. However, a sequel was not confirmed at that point, nor was it confirmed by the end of 2013. Fans had to wait until April 2014 to have confirmation that a sequel for Teen Beach Movie was in development, with an expected release date in 2015.

FINAL THOUGHTS

Teen Beach Movie went some way towards becoming the next High School Musical for a younger generation, still with the same style as any Disney Channel musical before it. It was the perfect summer musical that took inspiration from a variety of other films, giving a new generation the chance to experience some popular movie genres and song styles from the 1960s within the cozy, bright atmosphere of Disney Channel.

In all fairness, Teen Beach Movie’s story was quite different to most other Disney Channel musicals, which either take place in the present day, focusing on school-age teens and their dreams of making music, or in fantastical lands, like Descendants’ Auradon.

Perhaps this is why Teen Beach Movie captured the imaginations of Disney Channel fans. I think I was just too old to find Teen Beach Movie particularly unique or clever!


REFERENCES

[1] Credit: AJ Pitts, ‘Garrett Clayton Recalls ‘Teen Beach Movie’ Auditions & All the Partying They Did While Filming’, JustJaredJr.com, 14th September 2023.

[2] Credit: Discover Puerto Rico, Seeing is Believing: Experience Film Locations in Puerto Rico’, DiscoverPuertoRico.com, date unknown.

[3] Credit: Lindzi Scharf, ‘Ruth Carter on creating family-friendly costumes for Teen Beach Movie’, EW.com, 8th August 2013.

[4] Credit: Disney Channel, ‘Teen Beach Movie 2013 DVD Overview’, DiamondBoy’s Disney DVD&VHS Walkthroughs & Reviews YouTube Channel, 29th February 2024.

[5] Credit: Stephanie Chen, ‘‘Teen Beach Movie’s Maia Mitchell on Surfing, Filming in Puerto Rico’, HollywoodReporter.com, 19th July 2013.

[6] Credit: Ryan Faughnder, ‘Disney’s ‘Teen Beach Movie’ attracts 8 million viewers’, LATimes.com, 22nd July 2013.

Hannah Montana: The Movie (2009)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

For years, Disney has been known for creating series and movies that capture the imagination of kids, tweens, and teens, with some of these eventually being forgotten as time passes by, whereas others become iconic and fondly remembered even decades later. Hannah Montana (2006-11) is just one of these that has remained in pop culture.

There was just something about 2006 for the Disney Channel. They had a huge hit on their hands at the start of the year when High School Musical premiered on the channel, becoming a major franchise from the outset, so imagine the executives surprise when they got another big success, this time from a television series, a couple of months later, with the first episode of Hannah Montana airing in March 2006.

This series, starring Miley Cyrus, about a teenage girl being a regular kid whilst juggling her secret double life of being teen pop star Hannah Montana had driven a large demographic of kids, not just in North America, but across the world, to become obsessed with the show, its music, its characters, and its actors. This was “Hannah Mania”, and the fans would only become more involved as the years when on, with the CDs, concerts, and new seasons that followed. So, what did it need now? Its own movie, of course.

Following in the footsteps of The Lizzie McGuire Movie (2003), in 2009, Hannah Montana: The Movie became only the second theatrically-released movie based on a Disney Channel series, and was also the second theatrically-released movie for the Hannah Montana franchise after its Best of Both Worlds Concert Tour, and the third theatrically-released Disney Channel film after High School Musical 3: Senior Year (2008). This was big business.

I watched the series Hannah Montana when it first premiered, and used to watch it every morning before school along with The Suite Life of Zack & Cody (2005-08) for a couple of years. My mum even had a friend come and stay with us once who was “forced” to watch Hannah Montana too one morning, but luckily, she didn’t mind as she was a fan of Billy Ray Cyrus, who played the main character’s father, and is Miley Cyrus’ father.

Eventually, my interests wandered from Hannah Montana sometime around Season 3, so although I had been an avid watcher for a little while, I had moved on to other shows like Sonny with a Chance (2009-11), meaning I missed out on most of the last season, and missed out on Hannah Montana: The Movie. I didn’t think much of the film at first, but gradually came to quite like it, as the film got going and I got used to the new setting.

PLOT

Hannah Montana: The Movie begins, naturally, with a Hannah Montana concert. As legions of fans descend on the venue, all should be calm backstage. Robby Ray Stewart, father of Miley Stewart, who happens to be living a double life by being Hannah Montana, sits beside Hannah’s wig, but he keeps looking at the time. And that is because Miley is not here!

 Miley and her best friend and confidante Lilly Truscott are actually outside, in amongst the crowds of fans trying to get inside. They push towards the ticket agent, saying they are “on the list”. The worker ignores them, and they find themselves at a loss as to what to do next. Then, they clock an unattended golf cart, used by security. They commandeer the golf cart and drive through the backstage areas, being chased down by the security guards. Eventually, they make it to Hannah’s dressing room, and Robby Ray lets them inside, calming down security by saying the girls have authorisation to be there, without giving much away. He tells Miley to get ready, and she transforms into Hannah Montana. She is quickly led under the stage, ready to make her grand entrance. Just before she goes on, Miley’s father tells her it is her night to do the dishes. Miley goes to complain before her father reminds her she wanted “the best of both worlds”. Miley can’t argue with that. She appears on stage as Hannah Montana to perform her hit song “The Best of Both Worlds”.

We then see Hannah Montana filming a music video on the beach for this song. After the video is finished, Hannah goes to her tent and sees a man in there. The man tells Hannah that his daughters are huge fans of his, but soon enough, Hannah’s publicist, Vita, comes in and recognises this man as a tabloid reporter called Oswald. Vita kicks Oswald out of the tent, not realising that he left a camera in the tent to record, knowing that Hannah is hiding a huge secret and wanting to uncover it for his editor, Lucinda. The camera is covered by Vita sitting down on the sofa though, and luckily, does not record Hannah removing her wig and transforming back into Miley. Her secret remains safe – for now.

The next day, Miley is back at school, and to show the contrasting lifestyles between Hannah and Miley, Miley has to go to gym class and gets hit in the face with a volleyball. However, Vita arrives, taking her out of school, because Hannah needs to go shopping as she has been invited to attend an awards show in New York. Lilly runs out of class to remind Miley about her sixteenth birthday party later; she isn’t sure Miley has heard her.

Out shopping, Miley has transformed back into Hannah Montana and is getting the VIP treatment at various stores, Vita by her side. However, she has lost track of the time, and realises that she is late to both Lilly’s party and to saying goodbye to her brother Jackson before he heads off to college in Tennessee. To make everything worse, Hannah finds herself fighting with none other than model Tyra Banks over a pair of shoes! This was filmed by the paparazzi, so Hannah will definitely be a front-page news story tomorrow.

Hannah and Vita get into their car, with Hannah about to change back into Miley, but she sees Oswald, that reporter, is following them. Knowing she cannot change now, but still needs to show her face at Lilly’s party, Hannah arrives at Lilly’s party, taking all the attention away from Lilly, and making everyone focus on Hannah Montana. Lilly is angry with Miley for doing this to her, and she doesn’t feel any happier when Hannah is convinced to get up on stage and sing for everyone. Lilly leaves her own party, but not before telling Oswald that Hannah is from a small town in Tennessee called Crowley Corners, giving him a good place to look for information about her. Lilly and Miley’s friends Oliver and Rico attempt to keep Lilly interested in the party, by revealing her birthday cake – but it blows up…

The next day, Miley’s father sees the news story about Hannah’s fight with Tyra Banks and is so angry with Miley for letting this happen. Robby Ray tells his daughter that she has been too focused on her celebrity lifestyle and needs to come back to Earth right now, and the best way to do that is for Hannah not to attend the awards show in New York. Besides, they’re supposed to be in Tennessee for Miley’s grandma’s birthday anyway. Vita tries to smooth this over by saying Miley can always come a bit later, after the awards show, and they’ll simply book a private jet. Robby Ray seems happy enough with this.

On the private jet, Miley changes into her Hannah persona ready to land in New York, however, once they land, she realises her and her father have landed in Tennessee instead. There’s no limo, no crowds of fans, just Jackson, picking them up in his truck. In the truck on the ride to Miley’s grandmother’s house, Robby Ray reiterates that Miley needs to reconnect with her roots, and thinks spending time in her hometown will be good for her. Miley says she wants to go home, with her father reminding her this is home, and a two-week break from Hannah Montana will do all of them some good. It’ll be like a “Hannah detox”. Miley is still angry though and tells Jackson to pull over. Still dressed as Hannah Montana, Miley gets out of the truck and sits by the side of the road, refusing to go anywhere until she is told she can go to New York. Right behind her though is a horse, who tries to eat her “Hannah” wig. She shouts at the horse, surprising Robby Ray, who reveals that horse is Miley’s horse, Blue Jeans. Miley is told to walk to her grandma’s house when she’s ready.

After some time, Miley decides to take off her Hannah Montana costume and tries to ride her horse. Except she hasn’t ridden a horse in a while, and Blue Jeans doesn’t seem to remember her, so Miley falls off and Blue Jeans runs away. A teenage boy gallops past her on his horse and manages to retrieve Blue Jeans. He tells Miley that Blue Jeans just doesn’t like strangers. Miley says she knows because it’s her horse. This makes the boy realise she is Miley Stewart. Miley realises this boy is Travis Brody and they grew up together. Travis offers to give Miley a ride to her grandmother’s house. On the way, they talk about Miley’s amazing life in Los Angeles, and she reveals she is best friends with Hannah Montana. Travis says he’s been working for Miley’s grandmother over the summer. They soon arrive at her grandmother’s house, where Travis leaves her to see her family.

Inside the house, Miley sees it is packed with her relatives who she hasn’t seen in a while. They are all performing music together, but Miley doesn’t want to be a part of it right now. Miley is reunited with her grandmother, Ruby, who thanks Miley for the Elvis plate she got her, adding it to her collection. Miley realises that her father bought that, and pretended it was from her, making her feel a bit guilty. Robby Ray is told to introduce himself to a local woman called Lorelai. He tries to talk to her, but through some awkward trips and falls, he inadvertently breaks all of Ruby’s celebrity face plates… That evening, Ruby talks to Miley about her mother, with Miley saying she really misses her still.

The next morning, knowing her father will stop her being Hannah Montana if she doesn’t throw herself into her hometown life, Miley decides to go completely over-the-top and pretends to be excited and happy to do everything. First, she attempts to feed the chickens and collect their eggs, but it takes her ages just to get one! She is then told to come to the farmer’s market with Ruby, whilst Robby Ray goes to fix Ruby’s truck. When he goes to inspect the truck, he sees Lorelai already working on it, and he is impressed. Meanwhile, Jackson is working at their cousin Derrick’s petting zoo, being pecked by ostriches and attacked by alligators!

At the farmer’s market, Ruby tells Miley that there is a developer around here, trying to turn part of Crowley Corners into a new mall. That is why the town are holding fundraising events to make enough money to pay the taxes on the land to stop the development. Miley doesn’t seem so against a mall being built here though, further showing her disconnect from her hometown. Ruby offers to take Miley shopping after they’re done with her stall at the market, and Miley refuses the offer. Ruby takes Miley aside and basically tells her to get over herself. Miley takes her grandmother’s advice on board. Ruby decides to approach the developer, Mr. Bradley, whilst Miley covers the stall. She then sees Oswald here, and he is sniffing out information on Hannah Montana. To distract him, she swaps the salsa dips he is trying so Oswald eats the spiciest one. She then tips walnuts towards him, causing Oswald to trip and fall onto the developer’s mall model. Miley and Ruby help the reporter up, and they say they know Hannah Montana, sending him five miles south to look for her.

Later, Miley is singing in the barn, trying to write a new song, when Travis comes in. She asks for his opinion on the song, but is annoyed to find Travis doesn’t like it, because it isn’t saying anything. The two then spend the day together, swimming, organising a music event in the town hall, and fixing up a chicken coop.

That evening, they hold their fundraiser with music and dancing. Robby Ray performs a song, as does Miley, leading everyone in the “Hoedown Throwdown”, and even a certain big-name country-turned-pop singer who is made out to be a local and given no introduction! Miley gets to dance with Travis that night too, and she encourages her father to spend time with Lorelai. Just as the good vibes are settling in, all of a sudden, Mr. Bradley, the developer, shows up and reminds everyone here that they will never raise all the money needed to stop his development plans in the area. Oswald is also here to listen in. Suddenly, Travis pipes up and says Miley knows Hannah Montana. This gives the town an idea: they can bring Hannah Montana here to put on a concert! There’s just a couple of problems with that plan…but Miley can’t say anything.

The next day, to everyone’s surprise, including Miley’s father, Hannah Montana arrives to Crowley Corners with Vita. Oswald watches as the car pulls up outside Miley’s grandmother’s house and snaps some quick photos. Inside, it is revealed that Lilly dressed up as Hannah Montana, so Miley could greet her and not create any suspicion. Lilly apologises for leading Oswald here, something Miley was unaware of. There’s no time to deal with that though as Lorelai wants to talk to Hannah and Miley. Lilly, still dressed as Hannah, is told to put a towel over her face and not speak. Lorelai is allowed into the room. Miley explains this is how Hannah has to destress after long journeys. Miley wants to be in the room to stop Lilly from talking, but she has to speak with her father, leaving Lorelai and Lilly alone. Lorelai asks “Hannah” if she’ll attend the mayor’s dinner, as they are putting on a party to celebrate Hannah’s arrival. Lilly accidentally agrees to this. Robby Ray comes in and tries to explain the situation to Lorelai, but before he can, he hears that Hannah is going to the dinner. Lorelai then asks Robby Ray to go to the dinner with her, as her date. Miley and Jackson watch from the window outside and are encouraged to see their father getting on well with Lorelai. Jackson, who was watching from the ladder, is pushed off and falls after Lorelai opens the window into him, falling into the squash patch behind.

Later, Miley catches Lilly up on what’s been happening with Travis, and she dresses up as Hannah to “meet” him, when really, she just wants information on his feelings for her. He reveals that he actually really likes Miley and is encouraged by “Hannah” to ask her out on a date. He says he will. Miley then rushes to the coop and pretends to have been painting it all along. Travis asks Miley out to dinner. She coolly accepts, not letting on how happy she is. On returning home, Miley learns that she has been double-booked for that night, as Hannah is expected at the mayor’s dinner, and Miley is expected at her date with Travis. This will be a tricky one to pull off…

Miley chooses to attend the dinner as Hannah, but continuously makes excuses throughout the evening to change back into Miley and go to her date with Travis. In the end, this only creates chaos and means she is only half-interested in whichever event she is at. Robby Ray, Lilly, and Jackson search for her at intervals throughout the night, with Robby Ray eventually telling Hannah to sit down at the dinner and not go anywhere else. But luckily for Miley, Cousin Derrick’s rogue ferret wreaks havoc during dessert and she is able to leave the dinner. But she is exhausted by this point, and takes her wig off in the doorway of the mayor’s residence, only to be seen by a little girl. She then is seen by Travis, who has realised that Miley must be Hannah Montana. Thinking she did this to play a trick on him, and hating how she withheld the truth from him, he breaks up with her and leaves. Miley comes back to the dinner and tries to speak to her dad about what just happened, but he is interrupted by Lorelai who is complaining about how Hannah ruined the dinner she took so much time to organise. Robby Ray tries to cover up for Hannah/Miley, but knows he can’t be truly honest with Lorelai so he tells Lorelai he doesn’t have time for a relationship right now.

Later, Miley spends some time alone, working on another song. Her father joins her and she asks if he’s mad at her. He says he’s not, but that he’d like to hear her song. The two sing the end of her song together.

The next morning, Lilly sees Miley asleep on top of the coop, having spent all night painting it for Travis. Lilly wakes her and says it’s time for Hannah’s concert. A huge fair is put on to celebrate, and many people have come for it, with huge donations coming in. Grandma Ruby goes backstage to speak with Miley before her concert, giving Miley her mother’s necklace to give her some strength and support that day. Meanwhile, Travis has gone by the coop and seen that Miley must’ve finished painting it. He goes to the concert to give her another chance.

At the concert, Hannah Montana begins her concert, but she sees Travis and stops the performance, saying she’s home and with her family and can’t lie anymore. She takes off her wig, revealing Hannah Montana is actually just Miley Stewart to the entire crowd. She asks for a second chance, singing a song she wrote herself about her time here, performing as Miley. This song was inspired by Travis and the phrase he told her: “Life’s a climb, but the view is great”. The crowd love her performance but they want Miley to still be Hannah Montana. The crowd promise to keep her secret so this can still happen.

However, Oswald has finally discovered Hannah’s secret and takes a photo of her for his tabloid. Suddenly, he sees his daughters here who are overwhelmed at being able to see Hannah Montana perform. Vita revealed she gave them free tickets. Her and Oswald watch as the daughters discover Hannah Montana hiding on a roof and are so excited to see her. Vita tells Oswald not to destroy their dreams by revealing the truth about her. Oswald calls his editor and says the story is over, quitting his job.

Hannah then goes back on stage, but not before Travis says he still hasn’t got over his crush on Miley and the two kiss. On stage, Hannah performs one final song for the crowd, celebrating being back home. With all the secrets out in the open, Robby Ray and Lorelai rekindle their relationship and kiss too. It’s also shown that Crowley Corners has successfully raised all the money they needed to save their town.

CHARACTERS & CAST

Miley Stewart is just an ordinary girl, who moved from Tennessee to L.A. years ago to achieve her dream of becoming a pop star. But, to stop the intense scrutiny and invasion of privacy that comes with being a celebrity, Miley and her family came up with a novel idea: to have Miley set up a singing persona, that being Hannah Montana, so she can have “the best of both worlds”. Although Miley has always found struggles with trying to be two different people, in Hannah Montana: The Movie, Miley has started to become too involved in the celebrity lifestyle of Hannah Montana and starts to forget about where she came from. This leads her father to trick her into going back to Tennessee for her grandmother’s birthday, threatening to stop Miley from being Hannah Montana forever if she continues to act like an entitled, spoilt brat. Eventually, Miley starts to appreciate her country lifestyle after some time, yet, Hannah Montana comes back to haunt her, as Miley knows Hannah will bring in enough people to raise the necessary money to stop development in the town, whilst also knowing how complicated it will get. Sure enough, her double-life causes problems, including ruining her chances with her childhood crush, Travis. Luckily, Miley makes amends by revealing herself to be Hannah Montana to everyone. This could be a problem for her, but the crowd promise to keep her identity a secret, so she can continue to live both lives.

Miley Stewart and Hannah Montana were played by Miley Cyrus, who played the character throughout the run of the Disney Channel series Hannah Montana, from 2006 to 2011. She also voiced Penny in Disney Animation’s Bolt (2008) around this time, later starring in the movies LOL (2012) and So Undercover (2012). Cyrus is now a very successful recording artists, with some of her most popular singles being “Can’t Be Tamed”, “Party in the U.S.A”, “Wrecking Ball”, and “Flowers”. “Flowers” won the Grammy Awards for Record of the Year and Best Pop Solo Performance, amongst many other awards. Cyrus won another Grammy for the song “II Most Wanted” with Beyoncé for Best Country Duo/Group Performance. She also released her own musical film called Something Beautiful in 2025, to go along with her album of the same name. Cyrus has been nominated for songs that appear in movie soundtracks too, like two Golden Globe nominations for “Beautiful That Way” from The Last Showgirl (2024) and “Dream As One” from Avatar: Fire and Ash (2025). Cyrus became a Disney Legend for her work with the company in August 2024.

Robby Ray Stewart is Miley Stewart’s father. Although he wants his daughter to have her dream of performing as Hannah Montana, he is aware that her attitude and behaviour is changing the more opportunities Hannah Montana gets, becoming more fame-obsessed and diva-like, even stooping so slow as to fight with Tyra Banks over a pair of shoes. He sees himself as having no choice but to stop Miley performing as Hannah in New York and instead takes her to Tennessee for her grandmother’s birthday, wanting Miley to remember her life before she went to L.A. and became famous. Whilst monitoring his daughter’s behaviour and antics, Robby Ray is also developing feelings for a local woman called Lorelai, going on dates with her and generally enjoying her company, which is encouraged by his children. However, soon enough the “Hannah secret” starts to turn things complicated with Lorelai, and to protect Miley, he chooses to break things off with her. But by the end of the film, with Lorelai learning Miley was in fact Hannah Montana and knowing how difficult it must’ve been to keep that a secret, she reconciles with Robby Ray.

Billy Ray Cyrus was cast as Robby Ray Stewart. Billy Ray Cyrus got his start as a singer, before taking on acting roles as well. One of these was starring as Dr. Clint Cassidy in the medical drama Doc (2001-04). He later was cast as Vernon Brownmule in the sitcom Still the King (2016-17). In reality shows, Cyrus appeared on Season 4 of ABC’s Dancing with the Stars (2005-present) in 2007, and was revealed to be Owl in Season 14 of The Masked Singer (2019-present) in 2026. In music, Cyrus’ most popular song was “Achy Breaky Heart”, also covering the song “These Boots Are Made for Walkin’”. Other top singles of his include “Could’ve Been Me”; “In the Heart of a Woman”; and the song “Ready, Set, Don’t Go”, which he performed with his daughter, Miley.

Jackson is Robby Ray’s son and Miley’s brother. Jackson has never been the smartest one in the family, but he has always been down-to-earth. In Hannah Montana: The Movie, Jackson has started college in Tennessee, and is working with their strange Cousin Derrick, who carries around a ferret, at his petting zoo, which doesn’t exactly look “up to code” if you ask me! Jackson has a near-miss with an alligator, a pesky encounter with an ostrich, and an almost-incident with a ladder during the course of the film, but really, Jackson is sadly just there, and is not overly relevant to the events of the film, which is a shame because Jackson and his crazy schemes were always fun to watch in the series.

Jason Earles was cast as Jackson Stewart. Prior to his casting in Hannah Montana, Earles had played Thomas Gates in the Disney live-action film National Treasure (2004) and had a recurring role as Grady Spaggett in the Disney Channel series Phil of the Future (2004-06). After Hannah Montana, Earles was cast as Rudy in the Disney XD series Kickin’ It (2011-15). More recently, he played Dewey Wood in Season 3 of the Disney+ series High School Musical: The Musical: The Series (2019-23). Earles was actually 29-years-old when Hannah Montana first began, despite being cast as a 16-year-old. He was almost 32 by the time Hannah Montana: The Movie came out. Jared Carter played Cousin Derrick.

Grandma Ruby is Jackson and Miley’s grandmother, and Robby Ray’s mother-in-law. Ruby is very wise and has a lot to say to Miley, firstly, telling Miley to get a grip and enjoy her time being back home with family who love her, instead of sulking about not going to an awards show, and secondly, talking to Miley about her mother, and how much she wishes her mother was still with them too. Miley and Ruby have a close bond, and it’s clear to see how much they love each other.

Grandma Ruby was played by Margo Martindale. Martindale later was cast as Mattie Fae Aiken in the movie August: Osage County (2013), going on to play Grandma Sandy Wagner in Instant Family (2018) and Ranger Liz in Cocaine Bear (2023), alongside appearing in television series, such as The Millers (2013-15), where Martindale played Carol Miller; The Americans (2013-18), in the recurring role of Claudia; and as Lucianne Goldberg in the third season of the true crime anthology series Impeachment: American Crime Story (2021). She also voiced the character Louise “Barnstormer” Nash in Pixar’s Cars 3 (2017) and recently voiced Mrs. Twit in Netflix’s The Twits (2025).  

Lilly Truscott is Miley’s best friend and one of few people who knows that she is Hannah Montana. When with Hannah, Lilly would normally have her own persona, of Lola, but she doesn’t make an appearance in Hannah Montana: The Movie. In the film, Lilly is angry with Miley for not attending her birthday party as herself and then reveals “Hannah’s” hometown to a reporter out of anger. She is later called upon by Miley to help get Hannah Montana to Crowley Corners, as Miley can’t just leave and come back as Hannah; that would look suspicious. At this point, Lilly apologises for tipping off the reporter and is committed to helping Miley keep her secret any way she can, like by helping her change between the mayor’s dinner and her date. Lilly might feel taken for granted by Miley at times, but the two’s friendship is strong and can withstand a lot.

Emily Osment was cast as Lilly Truscott. Osment was no stranger to acting even before appearing in Hannah Montana, as she had played Gerti Giggles in Spy Kids 2: The Island of Lost Dreams (2002) and Spy Kids 3-D: Game Over (2003) before that. After Hannah Montana, Osment had much success in television, including voicing the recurring role of Ruth Cochamer in Family Guy (1999-present) and starring as Gabi Diamond in the Freeform series Young & Hungry (2014-18). More recently, she was cast as Mandy McAllister in The Big Bang Theory spin-off series Young Sheldon (2017-24), currently reprising the role for its own spin-off Georgie & Mandy’s First Marriage (2024-present).

Travis Brody is a childhood friend of Miley’s, and they both had a childhood crush on each other. When Miley returns to Crowley Corners, Travis is the first person she meets, and he is shocked to see how much she’s changed since moving to L.A. He seems unimpressed with her “L.A. lifestyle” and is instrumental in helping Miley reconnect with her roots whilst she’s back home, for example, by getting her to focus on rebuilding the chicken coop with him. Their feelings for each other grow as the film goes on, and using Hannah as a disguise, Miley learns that Travis does like her and encourages him to ask her out. He does and he is excited for their date, but Miley barely spends any time with him that evening, leading him to investigate. He sees Miley with the Hannah Montana wig and realises she has been Hannah all along, making him feel stupid and like this was all a joke. He eventually forgives Miley after seeing she repainted the coop for him and goes to the concert. They reconnect just before Miley returns to the stage as Hannah, revealing their true feelings for each other.

Travis Brody was played by Lucas Till. Prior to his role here, Till had played Young Jack Cash in the biopic Walk the Line (2005). He was later cast as Alex Summers / Havok in the X-Men franchise from the 2011 film X-Men: First Class. He also starred as Angus “Mac” MacGyver in the rebooted series MacGyver (2016-21) on CBS. Recently, he played Garret Van Ness in the drama series The Abandons (2025) for Netflix.

Lorelai is Robby Ray’s love interest during the film and a friend of Grandma Ruby, who essentially sets the two of them up, pushing Robby Ray to introduce himself to Lorelai. Throughout the time spent getting through Ruby’s list of chores and jobs that need doing around the farm, and at the concert in the barn, Lorelai and Robby Ray become closer. She then asks Robby Ray to come to the mayor’s dinner with her, thinking that would be a good moment for them to spend time together. The dinner turns out to be a disaster, no thanks to Miley/Hannah, and Lorelai tries to vent her frustrations about Hannah to Robby Ray, not realising the awkward position that puts him in. She seems annoyed when Robby Ray decides he doesn’t have time for a relationship. Later, she learns during the concert that Hannah was Miley all along, and realises the difficult situation this put everyone in. Her and Robby Ray are then able to get back together by the end of the film.

Melora Hardin was cast as Lorelai. Around the time of Hannah Montana: The Movie, Hardin had appeared as Maureen in 27 Dresses (2008), and as Principal Jane Masterson in 17 Again (2009), which starred Zac Efron. She had also been cast in the recurring role of Trudy Monk in the series Monk (2002-09), reprising her role for the movie Mr. Monk’s Last Case: A Monk Movie in 2023. Hardin is also known for her role as Jan Levinson in the sitcom The Office (2005-13) and for playing Jacqueline Carlyle in The Bold Type (2017-21).

Vita is Hannah Montana’s publicist, and she is also in on the secret, helping Miley to keep her identity as Hannah Montana secret, like by kicking reporters out of backstage areas. She also seems to want to make Hannah Montana even more of a star than she is, by getting her additional appearances. Although Vita is clearly a highly competent publicist, one any young star would dream of, she does appear to be the one causing Miley to become a bit self-absorbed. For example, I don’t think it was necessary to take Miley out of school to go shopping as Hannah, and she shouldn’t have booked the awards show if it clashed with Miley’s grandmother’s birthday, or at least been more on Robby Ray’s side and tried to cancel the appearance, not offer the use of a private jet instead. Still, Vita comes through at the end of the film by getting Oswald to shut down his story and keeps the secret hidden.

Vanessa Williams was cast as Vita. Williams is well-known for her character Wilhemina Slater in the comedy-drama series Ugly Betty (2006-10), going on to be cast as Renee Perry in the last two seasons of Desperate Housewives (2004-12). She also starred as Maxine Robinson in Daytime Divas (2017) and was a judge on the drag queen singing competition Queen of the Universe (2021-23). Recently, Williams played Miranda Priestly in the West End musical stage adaptation of The Devil Wears Prada from 2024 to 2025.

Oswald is the tabloid reporter who is determined to figure out Hannah Montana’s secret and will go to great lengths to get his story, by hiding secret cameras and spending weeks in a random town in Tennessee just to keep his editor, Lucinda, happy – and keep him in a job. Oswald doesn’t seem to enjoy doing this kind of work, and later accepts that destroying a teenager’s life by revealing Miley Stewart is actually Hannah Montana is no way to earn a living. His daughters help him come to that realisation, as he sees how excited they are to meet Hannah Montana, knowing Hannah will cease to exist if he writes this story.

Oswald was played by Peter Gunn. Gunn is a British actor, best known for his roles as Constable Len Cosgrove in the BBC medical drama series Born and Bred (2002-05) and as Brian Packham in the long-running British soap Coronation Street (1960-present) since 2010. Oswald’s daughters were played by Rachel Woods and Natalia Dyer. Dyer has since become well-known for her role as Nancy Wheeler in Stranger Things (2016-15).

Mr. Bradley is the shady developer who is determined to build apartments and a new mall in Crowley Corners, regardless of what the citizens of the town think. It’s good for business so it is good for him. He even attends the farmer’s market to try to convince the locals of his plans, and goes to their barn concert to remind them all that their little fundraisers will never raise enough money to stop him. In the end, Crowley Corners gets the last laugh as their Hannah Montana concert does raise enough money to pay the taxes. Mr. Bradley will just have to go elsewhere to build his mall then!

Barry Bostwick was cast as Mr. Bradley. Before Hannah Montana: The Movie, Bostwick was known for his roles as Brad Majors in The Rocky Horror Picture Show (1975) and as Mayor Randall Winston in the sitcom Spin City (1996-2002). Later roles of his include the recurring role of Roger Frank in the sitcom Cougar Town (2009-15), and playing Big Poppa in another Disney Channel movie: Teen Beach Movie (2013).

Finally, there are a few cameo appearances in Hannah Montana: The Movie. One is Tyra Banks, who appears as a fictionalised version of herself to fight Hannah Montana for a pair of fancy shoes in a designer store! Banks is known for creating and presenting the reality series America’s Next Top Model (2003-18), along with her work as a model.

We also see Oliver Oken, Miley and Lilly’s other best friend, and Rico Suave, another key cast member in the series. In the film, they are reduced to just a few minutes of screen time, as they attend Lilly’s birthday party and blow up her birthday cake. Oliver was played by Mitchell Musso, who had various Disney Channel roles before and after Hannah Montana, including playing Raymond Figg in the DCOM Life Is Ruff (2005) and being cast as King Brady in the first two seasons of Pair of Kings (2010-13) on DisneyXD. Rico was played by Moises Arias, who went on to be cast as André in the DCOM Dadnapped (2009) before having a recurring role as Matt in Season 3 of the ABC sitcom The Middle (2009-18). Arias currently plays Norm MacLean in the Prime series Fallout (2024-present).

Susan Stewart, Miley’s mother, is seen in a photograph in this film, after the character made a few appearances in the series. Susan was played by Brooke Shields. Shields is known for her both modelling and acting roles, like playing Emmeline in The Blue Lagoon (1980) as a child star; later starring as Susan Keane in the NBC sitcom Suddenly Susan (1996-2000); her recurring role as Rita Glossner in the ABC sitcom The Middle; and her more recent castings in Netflix films, like Lana in Mother of the Bride (2024), and Sophie Brown in A Castle for Christmas (2021).

MUSIC

Hannah Montana: The Movie contains a mixture of new, original songs, as well as others that fans of the series will already have heard from the show. There are a few surprise artists involved with this soundtrack. Some of the music heard in Hannah Montana: The Movie is performed by the characters, with others being background music for certain scenes.

In movie order, the first song heard is “The Best of Both Worlds: The 2009 Movie Mix”, which is the title song for the Hannah Montana series. It is performed during the opening sequence of the film, from the concert performance into the music video being filmed on the beach. To be honest, I don’t actually like this song much at all, probably because you had to hear it every time you watched an episode! The song was written by Matthew Gerrard and Robbie Nevil, and was performed by Hannah Montana.

Next, we hear “The Good Life”, playing during Hannah Montana’s shoe store fight with Tyra Banks, which seems to have been written specifically for the film. It was written by Matthew Gerrard and Bridget Benenate and was performed by Hannah Montana.

At Lilly’s birthday party, the song playing as Lilly desperately calls Miley to make sure she makes it to the party seems to be “Game Over”, written by Steve Rushton, Antony Westgate and Nigel Clark, being performed by Rushton. Rushton performed the theme song for the Disney Channel series The Suite Life on Deck (2008-11) just before this film and was signed to Disney’s label Hollywood Records around this time. Rushton seems to be on stage during this as part of the band hired for the party, and also plays the song “Everything I Want”, which was also written and performed by Rushton. Hannah Montana then arrives at the party and performs her song “Let’s Get Crazy” with the band. This song was written by Colleen Fitzpatrick, Michael “Smidl” Smith, Stefanie Ridel, Mim Nervo and Liv Nervo. This song was used as part of Season 3 of Hannah Montana.

Back home on the farm, Miley walks into her family all singing together. This song was “Backwards”, written by Marcel Chagnon and Tony Mullins, and was performed by Rascal Flatts. Rascal Flatts is a country music group founded in 1999. They first released their song “Backwards” in 2006. Disney fans might also known Rascal Flatts from performing “Life is a Highway” for Pixar’s film Cars (2006). The band then play a song together on the porch with Miley’s family. This song is “Bless the Broken Road”. It was written by Marcus Hummon, Bobby Boyd, and Jeff Hanna. Rascal Flatts re-recorded the song for the film. Their version of “Bless the Broken Road”, released in 2005, hit No. 1 on the Billboard Country Music chart and won a Grammy Award for Best Country Song.

On Miley’s first day on the farm, when she’s trying to deal with her grandmother’s chickens, the song “Don’t Walk Away” is playing. It was written by Miley Cyrus, John Shanks, and Hillary Lindsey, and was performed by Miley Cyrus. This is shortly followed by another of Cyrus’ songs “Dream”, which is playing as she spends time with Travis. “Dream” was written by John Shanks and Kara Dioguardi.

Then we get to the barn concert fundraiser, where three songs are performed in quick succession. The first of these is “Back to Tennessee”, which Robby Ray is performing, meaning it was sung by Billy Ray Cyrus. It was written by Cyrus, Tamara Dunn and Matthew Wilder, and was actually released as a single from Cyrus’ studio album of the same name prior to the film being released, in February 2009.

This is then followed by the song “Crazier”, which was written by none other than Taylor Swift and Robert Ellis Orall, with Swift performing the song in the movie, during the moment where Miley dances with Travis, and her dad is with Lorelai. “Crazier” was first released for this film, peaking at No. 17 on the US Billboard Hot 100. Swift apparently was chosen for this cameo appearance in Hannah Montana: The Movie as they wanted an authentic country singer to be singing in this local concert, and Swift’s earlier music was heavily rooted in country music, and not the more pop-centric tunes she releases now. Taylor Swift is one of the most successful artists of all time, with her music spanning multiple albums. Some of her hits through the decades include “Love Story”, “Fearless”, “You Belong with Me”, “Mean”, “Blank Space”, “We Are Never Ever Getting Back Together”, “Shake It Off”, “Look What You Made Me Do”, “Anti-Hero”, “Cruel Summer”, and “The Fate of Ophelia”.

Following on from Taylor Swift is a performance by Miley, where she takes the attendees through the dance for her song “Hoedown Throwdown”. I am pleased to say that I can still remember the dance after learning it on Disney Channel; this song was always being played in those little breaks between their programming. It was written by Adam Anders and Nikki Hassman. “Hoedown Throwdown” is also used as the first song in the End Credits, accompanied by videos of the cast and crew doing the dance. Jamal Sims did the choreography for this song. Sims then directed and choreographed Miley Cyrus’ Wonder World Tour in 2009. He had previously worked on Step Up (2006) and Hairspray (2007).

Some time later, Miley has a heart-to-heart with her dad after the dinner fiasco with the mayor and Lorelai. She says she has written a song about their father-daughter relationship and he asks to hear it, before joining in. This song is “Butterfly Fly Away”, and was written by Glen Ballard. It was performed by Miley and Billy Ray Cyrus. Although not my favourite song, I can appreciate this sentimental moment in the film.

Soon after, it is time for Hannah Montana’s concert and again, three songs are performed. The first is “Rockstar”, first heard in Season 2 of Hannah Montana, which Hannah actually stops singing mid-way through after she makes the decision to reveal her true identity. “Rockstar” was written by Aristedis Archontis, Jeannie Lurie, and Chen Neeman. This song is followed by “The Climb”, performed by Miley, with Miley having written this song throughout the course of the film, after being inspired by Travis. This song became incredibly popular outside of the film, peaking at No. 4 on the Billboard Hot 100 chart, and performing well outside of North America, including hitting No. 11 in the UK Singles Chart, No. 5 in Australia, and No. 5 in Norway. It was even covered by Joe McElderry, the 2009 winner of The X Factor (2004-18) as his “winner’s song”.  “The Climb” was written by Jessi Alexander and Jon Mabe, and was performed by Miley Cyrus.

After that, the big finale song in Hannah Montana: The Movie is “You’ll Always Find Your Way Back Home”. It is positive, catchy, and celebratory, perfect for the end of the film. This ended up being my favourite track in the film; I think it’s the best Hannah Montana song now. It was written by Taylor Swift and Martin Johnson, and performed by Hannah Montana.

In the End Credits, two other songs by Hannah Montana are heard. The first is “Let’s Do This”, written by Derek George, Tim Owens, Adam Tefteller, and Ali Theodore, from Season 3 of the show. The second is “Spotlight”, written by Scott Cutler and Anne Preven.

The soundtrack for Hannah Montana: The Movie was released on 24th March 2009, before the film came out. All these songs appear on the soundtrack, with one additional track that did not appear in the film being “What’s Not to Like”, written by Matthew Gerrard and Robbie Nevil, and performed by Miley Cyrus. The soundtrack topped the Billboard 200 chart in 2009, and was the third Hannah Montana soundtrack to do this, after the first and second albums did in 2006 and 2007[1]. It also topped the Billboard Top Country Albums and Billboard Soundtrack Albums in the US; as well as topping the albums charts in New Zealand, Spain, Austria, and Portugal. It hit No. 3 in the UK Albums chart.

There are other tracks credited at the end of Hannah Montana: The Movie, however, these seem to be background music and instrumentals. This means it is unclear where these pieces would be playing in the film, so I’m not going to specifically mention them, only that “Hampster Dance Song” was used for Miley’s ringtone in the film, and it samples “Whistle Stop” from Disney Animation’s Robin Hood (1973).

The composer of the score for Hannah Montana: The Movie was John Debney. Debney had previously worked on the music for other live-action Disney films, including Hocus Pocus (1993) and its 2022 sequel, and The Princess Diaries (2001) and its 2004 sequel. He also composed the scores for Disney’s animated films The Emperor’s New Groove (2000) and Chicken Little (2005). More recently, Debney has been the composer on the rom-com Marry Me (2022), Home Sweet Home Alone (2021) for Disney+, and the musical The Greatest Showman (2017) with Joseph Trapenese.

Hannah Montana: The Movie’s music received some nominations and wins at award ceremonies. At the MTV Movie Awards, “The Climb” won for Best Song from a Movie. At the Teen Choice Awards, it was nominated for Choice Music: Soundtrack but lost out to Twilight (2008). This happened again at the American Music Awards, with the Hannah Montana 3 Album also being nominated for Favorite Soundtrack. “The Climb” was up for a Grammy for Best Song Written for Motion Picture, Television or Other Visual Media but was later disqualified because it was determined not to have been specifically written for the film[2].

PRODUCTION

Hannah Montana as a series was in development at Disney for years before it eventually came to our screens, as the casting process took a while to complete.

Many different singers and actresses had been considered for the lead role of Hannah Montana, a teenage girl with a dual identity, who would live her daily life as a regular teenager, before transforming into Hannah Montana for concerts and celebrity appearances.

Some of these include Aly and AJ Michalka, sisters that had their own singing duo, as simply Aly & AJ, having signed with Hollywood Records, Disney’s record label, around 2005. Aly was reportedly offered the role of Hannah Montana, as the Disney Channel show she was on, Phil of the Future (2004-06), where she played Keely, was coming to an end. Her sister, AJ, was offered the part of the lead’s best friend, Lilly. However, they turned the parts down, feeling that it would be confusing for viewers to see Aly as a completely different performer, when she already had a successful duo with her sister.

Other celebrities, who were just starting out their careers in the 2000s, who auditioned for Hannah Montana were Taylor Momsen, who played Cindy Lou Who in How the Grinch Stole Christmas (2000), and Daniella Monet, who later had a recurring role on the Nickelodeon series Zoey 101 (2005-08). Momsen went on to front the rock band The Pretty Reckless as well as playing Jenny Humphrey on The CW’s series Gossip Girl (2007-12). Monet played Trina Vega in the Nickelodeon series Victorious (2010-13). Lucy Hale, who was 14 when she auditioned in Tennessee, where she lived, took part in the audition but did not get the role. Hale went on to play Aria Montgomery in the series Pretty Little Liars (2010-17). Singer JoJo was also reportedly offered the role, but turned it down[3].

Originally, Miley Cyrus was considered to be too young for the part of Hannah Montana when she first auditioned, however, luckily for her, the casting process for the lead role took such a long time that she was later invited back to try for the part again, when she was 13-years-old, and more the age that they were looking for. Her lack of acting experience though meant that Cyrus was somewhat of a risk. The former president of Disney Channel, Gary Marsh, told Cyrus that the decision was split about whether to go with Cyrus or another girl. Marsh wrote an email to his team, fighting for Cyrus to get the role, saying that despite her lack of acting experience, that she could be the channel’s next big star. And she was.

Billy Ray Cyrus was then cast as the father in the series, screen-testing with his daughter. He actually felt that the person who had auditioned before him was a better fit for the father character, though Billy Ray and Miley’s natural connection by being family added an extra element of realism to the series, I thought[4]. This then led to the rest of the casting of the main characters to be completed, in order to film the pilot episode. This included Jason Earles as Jackson Stewart, Miley’s brother, and Emily Osment and Mitchell Musso as Lilly and Oliver, Miley’s best friends.

Many involved with the pilot of Hannah Montana believed that, since Disney Channel had been developing the series for a long time, that Hannah Montana would be greenlit for a series soon after. Season 1 of Hannah Montana began on 24th March 2006, with the season ending on 30th March 2007, after 26 episodes. Season 2 then started up shortly after, on 23rd April 2007, finishing on 12th October 2008, with 29 episodes.

Each episode of Hannah Montana contained a healthy dose of comedy, a little bit of drama and “boy trouble”, original songs, obviously, and, if you were lucky, a pretty big-name guest star. Some of these guest stars came from the Disney Channel family, consisting of both current and future stars, with names like High School Musical’s Corbin Bleu; the Jonas Brothers, appearing as themselves; Sterling Knight and Tiffany Thornton, who later starred in the Disney Channel series Sonny with a Chance (2009-11), and China Anne McClain, before her lead roles in the series A.N.T. Farm (2011-14) and the DCOM franchise Descendants. Other guest stars from the worlds of acting and singing included wrestlers-turned-actors Dwayne “The Rock” Johnson and John Cena; singers Sheryl Crow, Donny Osmond, and Jesse McCartney; actors Alison Brie, Austin Butler, Ray Liotta, and Heather Locklear; and comedians and actors Larry David and Ray Romano, just to name a few. Dolly Parton also made some appearances on the series, as Aunt Dolly, Miley Stewart’s godmother, which was quite appropriate as Parton is Miley Cyrus’ actual godmother[5].

The Hannah Montana series was created by Michael Poryes, Rich Correll, and Barry O’Brien. Poryes had previously created That’s So Raven (2003-07) and later its spin-off series Raven’s Home (2017-23) for Disney Channel. As well as being a co-creator of Hannah Montana, Rich Correll also directed episodes of the series, along with episodes of other Disney Channel series, such as The Suite Life of Zack & Cody (2005-08), Cory in the House (2007-08), and Jessie (2011-15). Barry O’Brien was the showrunner on Law & Order: Organized Crime (2021-25) from 2022, and also wrote episodes of series including Judging Amy (1999-2005) and Castle (2009-16). Disney Channel was sued in 2008 about the creation of Hannah Montana, as writer Morris Taylor Sheffield felt the show’s premise was too similar to the one he pitched for Disney Channel in 2001, called Rock and Roland, about a teenager who is a secret pop star. The lawsuit was settled in 2008[6].

It was in 2007 that talk about a Hannah Montana movie first came to light, when Miley Cyrus stated during an interview at the premiere of Harry Potter and the Order of the Phoenix (2007) that they were working out ideas for a Hannah Montana film[7]. It would not be for another year that filming would begin, taking place from around April to July 2008, ready for a Spring 2009 release date. Filming took place in Los Angeles and Tennessee.

Within L.A., one specific filming location is Santa Monica Pier and its amusement park, which was used as the location of Lilly’s birthday park. The arena The Forum, in Inglewood, California, was also the location for the opening scene, where Hannah Montana is performing a concert. But since most of the film takes place in Tennessee, this is predominantly where filming took place. For the place where Miley and Travis go swimming, this was Rutledge Falls near Tullahoma, Tennessee. The exterior location of the mayor’s dinner that Hannah attends was the Maury County Courthouse in Columbia, Tennessee. Grandma Ruby’s farm was on Carl Road, in Franklin, Tennessee, on a 200-acre ranch. This ranch was actually only a few minutes away from where Miley Cyrus grew up, on their family farm. Cyrus even took castmate Emily Osment to her home to see her childhood bedroom, which was still decorated as it was just before she left for L.A[8]. Smiley Hollow in Ridgetop, Tennessee was also used in the movie. It seems to have been used for the final carnival scene. There was actually an incident on set whilst shooting, reportedly in this area, as strong winds blew a projection screen into a Ferris wheel that the film’s extras were on. There were no serious injuries reported though, and Miley Cyrus was not on set at the time[9].

Peter Chelsom directed the film, having previously co-written and directed the films Hear My Song (1991) and Funny Bones (1995), as well as directing the American rom-coms Serendipity (2001) and Shall We Dance? (2004). He recently co-wrote and directed the festive comedy film A Sudden Case of Christmas (2024), starring Danny DeVito.

Dan Berendsen was tasked with writing the screenplay for Hannah Montana: The Movie. After working on the popular show Sabrina, the Teenage Witch (1996-2003), and its television films, Berendsen began to do a lot of work with Disney Channel on their original movies. His credits include writing the screenplays for Eddie’s Million Dollar Cook-Off (2003); Twitches (2005) and Twitches Too (2007); and Wizards of Waverly Place: The Movie (2009).

Within the story that were a few scenes and a whole subplot that was omitted from the final film. One of these was a subplot with Jackson, about how he was pretending to be at college in Tennessee, whilst his father and sister were in town, despite not getting into college and having to work at Cousin Derrick’s petting zoo in the meantime. This explains why the petting zoo is included in the film, as it is a bit of a random addition. This subplot would’ve seen additional scenes of Jackson explaining his situation to Miley and pretending to be a student as his dad visits the college campus. There were also meant to be additional scenes with Oswald the reporter, whose presence in the film is supposed to feel intimidating but he appears so infrequently, the character doesn’t seem to be anything more than a slight nuisance. Oswald tries to find Hannah Montana at the fundraiser concert, and attempts to follow her through the crowd, only to find the person he was following was actually Jackson in a Hannah Montana wig, having made and sold them to the fans, making it impossible for Oswald to find the real Hannah Montana. There also would’ve been a scene of Oswald in his hotel room, with the ostrich and the alligator from the petting zoo being placed in there as a distraction. These scenes were all cut for time, but might’ve helped the audience engage with these two characters more than the final film allowed them to[10].

A couple of interesting facts about Hannah Montana: The Movie involve some behind-the-scenes information about the stunts. Not being an action-packed plot, there aren’t many of these, however, the scene of Oswald at the farmer’s market, where he is tripped by tons of walnuts was completed with a team of stunt specialists, 700 pounds of walnuts, and seemingly Peter Gunn, who played Oswald, being suspended on wires, before falling on to the 3D model of the potential mall being built in the town[11]. When Jackson is on the ladder, looking into the room where Lorelai and Billy Ray are alone with Lilly as she pretends to be Hannah Montana, the ladder is meant to fall with Jackson still on it into a squash patch. The ladder was set up with a pulley system, allowing the ladder’s movements to be controlled with Jason Earles clipped on to it. The scene concluded with a fake squash being constructed and put on Earles’ head, complete with goo being put all over him, to make it seem like Jackson had fallen onto a squash and destroyed it.

Costume designer Christopher Lawrence also worked on this film, and thoroughly enjoyed working on the costumes here, especially on Hannah Montana’s, as they are quite outlandish and unique, like Hannah’s dress for the dinner which has a graffiti-style pattern on it, and bedazzled multi-coloured shoes, which apparently took 13-hours per shoe to make! All of Hannah Montana’s costumes were designed and made especially for the film[12].

RECEPTION

After a star-studded premiere, held on 2nd April 2009 at the El Capitan Theatre in Los Angeles, and attended by the movie’s cast, including Taylor Swift, and a slew of Disney Channel stars, such as Debby Ryan, Brenda Song, Demi Lovato, and Bella Thorne, Hannah Montana: The Movie was officially released in theatres on 10th April 2009 in the US, which was Good Friday that year. It was released internationally over the next few months.

In the US, due to its release during the Easter Weekend, and because of the dedicated fans that followed the show, Hannah Montana: The Movie did much better at the box office than was initially anticipated, twice as much as Disney had forecast in fact. They were expecting Hannah Montana: The Movie’s sales to be in a similar range to 2003’s The Lizzie McGuire Movie, another theatrically-released film based on a Disney Channel series. However, Hannah Montana: The Movie sold $34 million worth of tickets in its first three days of release domestically, whereas The Lizzie McGuire Movie opened to $17.3 million. This was even more than the 3D film Hannah Montana & Miley Cyrus: Best of Both Wolds Concert (2008), which had had a limited release in North America movie theatres in February 2008; this opened to $31 million. The audience for Hannah Montana: The Movie was, perhaps unsurprisingly, 60% kids and teens aged between 2 and 17.

The performance of Hannah Montana: The Movie in its opening weekend allowed it to be in the No. 1 spot at the US Box Office, beating out Fast & Furious, which slipped to No. 2, with DreamWorks Animation’s Monsters vs. Aliens in third place. To boost potential revenues, Miley Cyrus and Billy Ray Cyrus apparently made appearances at some cinemas, specifically in Knoxville, Tennessee, and Salt Lake City, Utah on the film’s premiere date. It has been noted that after its initial few days though that revenues for the film tailed off quite sharply, likely due to the determination of fans to see the film as soon as possible, causing a spike right at the start of its box office run[13].

The Lizzie McGuire Movie finished up with a worldwide total of $55.5 million. The Best of Worlds Concert film ended with $70.6 million. High School Musical 3: Senior Year another theatrical film based on Disney Channel property, made a total of $252.9 million globally. Like High School Musical, Hannah Montana was a phenomenon, so where did its own movie end up? By the end of its run, Hannah Montana: The Movie had made $155.5 million in total, which is not up to High School Musical standards, but is still a decent figure. It beat out Zac Efron’s 17 Again, which made $136.3 million, as well as other kid-friendly films such as Hotel for Dogs from Nickelodeon, with $117.2, and Disney’s own live-action film Race to Witch Mountain, which made $106.4 million. But Hannah Montana: The Movie was no match for the top performing films of 2009, like Avatar, Harry Potter and the Half-Blood Prince, The Twilight Saga: New Moon, and Pixar’s Up. Both Monsters vs. Aliens and Fast & Furious also finished ahead of Hannah Montana: The Movie.

As Hannah Montana: The Movie is still basically a Disney Channel movie, it was open to the usual criticism that DCOMs receive, around their story, acting, and budget. However, with Hannah Montana being so well-known across the globe and as the film was released to cinemas, it opened the film up to even more people who were not the target demographic, meaning even more and harsher criticism was thrown its way.

Starting with some of the negative responses, some felt that Hannah Montana: The Movie was simply boring, and too cheesy, likely because they were not familiar with the series itself. Hannah Montana: The Movie was not going to feel overly different from the Disney Channel series, so it was expected that the film would be just as silly and goofy as the series, although I would say that the film was more poignant and touching than an average episode of Hannah Montana. There were also characters who seemed quite pointless, such as Oswald, who, despite apparently being necessary to the plot, as he vows to find out Hannah Montana’s secret, actually isn’t even in the film that much, and Cousin Derrick with his ferret, who appears in certain scenes, but doesn’t say or do much. There were complaints from fans of the series too, who didn’t like how Miley was being portrayed as a spoilt brat, solely for the purpose of the movie’s plot, when she hadn’t acted that way in the series. The events of the film are rarely mentioned in the series, so it was almost seen to be a completely pointless exercise even making the film. Perhaps that would not have been the case had Hannah Montana: The Movie been the ending of the entire show – but it was not. The quite major plot point of Miley Stewart revealing she is Hannah Montana to a crowded festival and the sea of people promising to keep her secret so she can continue to be Hannah Montana was also considered optimistic at best and unrealistic at worst.

However, on the positive side, Hannah Montana: The Movie was always made for the fans, with many being happy with this film. For those that enjoyed the film, they thought that the slapstick comedy elements that are present in the series were included in the movie well, allowing for more mature topics, like Miley’s identity issues, to be discussed alongside it, without the comedy element feeling too silly, and the emotional side being too deep; it was a well-balanced film. There was also praise for some of the new cast members, like Melora Hardin and Margo Martindale in their roles here, with the music being another positive aspect of the film. The songs “The Climb”, “Hoedown Throwdown”, and “Always Find Your Way Back Home” are particular favourites.

A year and a half after Hannah Montana: The Movie made it to cinemas, it then had its Disney Channel premiere on 19th November 2010 in the US, making its way to international channels in the months that followed. Its US premiere was said to have been viewed by 4.6 million viewers. This is lower than most Disney Channel movie premieres around this time, with the late-2000s having some impressive audience numbers. In 2010, the most-viewed DCOM premiere was Camp Rock 2: The Final Jam with 7.9 million. In second place, StarStruck was watched by 6 million viewers. As Hannah Montana: The Movie had already been viewable in both cinemas and on DVD by its Disney Channel premiere, this likely led to its lower numbers, but 4.6 million was still a relatively decent figure.  

Due to its popularity with fans, Hannah Montana: The Movie found itself being nominated at the Kids’ Choice Awards and the Teen Choice Awards, as well as nominations at the MTV Movie Awards and the People’s Choice Awards. At the Kids’ Choice Awards, Miley Cyrus won the award for Favorite Movie Actress, against such names as Sandra Bullock for The Blind Side, and Zoe Saldaña for Avatar.

At the Teen Choice Awards, Hannah Montana: The Movie was up against tough competition from High School Musical 3: Senior Year, which won Choice Movie: Music/Dance, and Choice Movie Actor: Music/Dance for Zac Efron, where Jason Earles and Lucas Till were both nominated. Emily Osment was also nominated here for Choice Movie: Female Fresh Face, but lost out to Ashley Greene and her role as Alice in Twilight. Twilight also won Choice Movie: Liplock; Miley Cyrus and Lucas Till were nominated here for their kiss in Hannah Montana: The Movie. Miley Cyrus did win two awards at the Teen Choice Awards though. One was for Choice Movie: Hissy Fit, and the other for Choice Movie Actress: Music/Dance, despite being up against Vanessa Hudgens and Ashley Tisdale.

Elsewhere, Hannah Montana: The Movie was nominated for Favorite Family Movie at the People’s Choice Awards, losing to Pixar’s Up. Miley Cyrus was up for Breakthrough Performance – Female at the MTV Movie Awards. This time, Ashley Tisdale did win for her role as Sharpay in High School Musical 3: Senior Year. Finally, and harshly, Hannah Montana: The Movie received some nominations at the Razzie Awards, which I don’t think is fair at all. Disney Channel movies should only be compared amongst each other, not with other films released by major studios. Anyway, Miley Cyrus was nominated for Worst Actress; the award went to Sandra Bullock for All About Steve. Billy Ray Cyrus actually won for Worst Supporting Actor, which just doesn’t seem right at all.

LEGACY

Although Hannah Montana: The Movie may’ve had an ending that seemed to tie up the series, by having Miley finally reveal her secret as Hannah Montana, and perhaps this should’ve been a film to end the series, like The Lizzie McGuire Movie, there were many more episodes of Hannah Montana that followed the film.

The film was released in the middle of Season 3 of Hannah Montana, which ran from 2nd November 2008, and ended on 14th March 2010 with a total of 30 episodes. Season 4, with 13 episodes, followed shortly afterwards. The series commenced on 11th July 2010, and ended with its finale episode on 16th January 2011. This two-part episode, titled “Wherever I Go”, was set up to be the final ever episode of the series, and saw Miley being torn between a potential movie being filmed in Paris, and starting college with Lilly. In the end, Miley makes the decision to join Lilly at college, putting her music and film career on hold. This followed on from Season 4 Episodes 9 and 10, the two-part episode “I’ll Always Remember You”, where Miley revealed her identity as Hannah Montana on The Tonight Show with Jay Leno, with Jay Leno appearing as himself. This led to the final episodes of Season 4 being about Miley navigating graduating high school, college plans, and dealing with the fallout from the reveal, and the fame that came from that. I actually thought that was the final episode of Season 4. I guess not; I must’ve missed the rest of that season. There was even an alternate ending made available on the DVD release of the series, which would’ve seen a young Miley Cyrus pretending to be a rock star like her dad, making the entire series appear to be a dream… That would’ve been a terrible ending if it had aired!

During the airing of Hannah Montana, multiple CDs of Hannah Montana’s music had been released with music from the series and the film’s soundtrack. There were also books, video games, and DVD releases of the films and the series to purchase, alongside other merchandise, like clothing, accessories, and dolls. Over the years, Hannah Montana, as a series and a recording artist, won numerous awards, including winning the BAFTA Kids’ Vote at the BAFTA Children’s Awards; numerous Teen Choice and Kids’ Choice Awards; and Young Artist Awards. The show was also nominated for Outstanding Children’s Program at the Primetime Emmys throughout its run. The series premiere in the US had the highest ratings in Disney Channel history with 5.4 million viewers, and has been screened in over a hundred countries worldwide. Hannah Montana albums have had millions of sales, and even had seven singles in the US Billboard Hot 100 chart simultaneously in 2006[14]. The show’s highest-performing single was “He Could Be the One”, peaking at No. 10 in July 2009. Other hit singles were “Life’s What You Make It”, “Nobody’s Perfect”, and “Hoedown Throwdown”.

A little while after the series had ended, Billy Ray Cyrus voiced interest in working with Disney on a prequel series, that reportedly would’ve followed a younger Miley Stewart, and her making the decision to become Hannah Montana. However, by 2020, Disney had said this project was not in development[15]. With Disney+ always looking at reboots, it is highly possible that a spin-off of some kind for Hannah Montana may later come to our screens, and many of the series’ cast would likely be interested in returning for it.

In 2026, Hannah Montana celebrated its 20th anniversary, with a special called Hannah Montana 20th Anniversary Special. A world premiere for it was held on 23rd March 2026, attended by members of the original cast, such as Cody Linley who played Jake Ryan, Jason Earles, who played Jackson Stewart, and Moises Arias, who played Rico, although some absentees included Billy Ray Cyrus and Emily Osment, who were unable to attend due to work commitments. Mitchel Musso was another who was missing from the premiere of the special, although he did post about it on social media.

The Hannah Montana 20th Anniversary Special debuted on 24th March 2026. It was hosted by podcaster Alex Cooper, and saw Miley Cyrus go onto a recreation of the original Hannah Montana set pieces, and answer questions about her time on the show. She also discussed other moments of her time on the show, such as talking with her father, Billy Ray Cyrus, about his audition process, and reminiscing over costumes with her mother Tish Cyrus-Purcell. Cyrus’ younger sister Noah Cyrus appeared at the end of the special with a birthday cake for the show. Other special guests were Selena Gomez, who played Mikayla, a rival of Hannah Montana’s, in a few episodes of the show, the choreographer on Hannah Montana: The Movie, Jamal Sims, who danced the “Hoedown Throwdown” with Miley, and randomly, singer Chappelle Roan, who said she was a fan of the show when she was younger. This special also had performances by Miley Cyrus, with songs performed including “The Best of Both Worlds”, “The Climb”, and “Younger You”, which was especially written for the anniversary special.

The special apparently had 6.3 million views in its first three days of streaming, and meant that viewership of the Hannah Montana series increased by 1,000% from the week before. The series has been streamed for more than 500 million hours on Disney+[16]. However, despite the renewed interest in Hannah Montana from this milestone anniversary, and the merchandising opportunities that came with it – Starbucks even released a Hannah Montana-inspired drink, the Secret Popstar Refresher – the special received mixed views from fans. Some absolutely loved the special, and all the nostalgia it brought with it, with Miley’s singing performances being a highlight, but for others, they felt the special was hollow and uninspiring, with the lack of returning cast members only adding to that feeling. I personally didn’t enjoy the special. I didn’t learn much about the show, and felt that some of the special guests’ interviews with Miley felt a bit awkward.

Off the back of this special, Airbnb opened up a recreation of the Malibu house from the Hannah Montana series, including a recreation of the “dream closet”. It was available by request for a limited 10 one-night stays between 6th April and 16th April 2026, for free[17].

Outside of television, Hannah Montana has had a limited presence at the Disney theme parks. For example, at Disney’s Hollywood Studios at Walt Disney World Resort, there used to be the attraction Studio Backlot Tour, which took guests on a tour, where they could see movie props and how special effects were created for films. After Hannah Montana: The Movie’s release, the painted coop, that Travis and Miley paint during her time at Crowley Corners, was placed in the backlot for guests to see. However, the Studio Backlot Tour closed on 28th September 2014, making the coop no longer accessible to guests.

Also at Disney’s Hollywood Studios, from October 2010 to 2013, there was a short stage show performed called Disney Channel Rocks, which was similar to the High School Musical pep rallies that had been seen at this park as promotion for the trilogy of films. Disney Channel Rocks showcased music from many Disney Channel musicals and series including The Cheetah Girls, StarStruck, Jump In!, and High School Musical. Songs from Hannah Montana were not included for some reason.

However, a slightly altered version of this show later appeared at the special event Disneyland After Hours: Disney Channel Nite in March 2024. It contained music from The Cheetah Girls, Camp Rock and its sequel, and High School Musical still, and this time, “Ordinary Girl” from Hannah Montana was included. After the success of its 2024 special event, Disney Channel Nite returned in 2026, for three-nights, on 12th, 14th, and 16th April 2026. Here, Disney Channel Rocks returned, and specifically related to Hannah Montana, there was a photo spot, complete with microphones and the series logo as a background, and at an exhibit from the Walt Disney Archives at Starcade in Disneyland’s Tomorrowland, props and costumes from Disney Channel franchises like Camp Rock, High School Musical, and Hannah Montana were on display. From Hannah Montana: The Movie, Hannah’s sparkly dress from the opening concert and Miley’s “Hoedown Throwdown” outfit were two costumes on display, with a Gibson guitar.

FINAL THOUGHTS

The popularity of Hannah Montana has been long-lasting. The music from the show has never been forgotten, and with Miley Cyrus’ personal musical success in the years after the show ended, this has only meant that the show that catapulted her into stardom has continued to remain relevant, over two decades later.

Disney had learnt from this that they could make their Disney Channel series even more successful by using them to make movies, and it is due to Hannah Montana’s success that its own film was able to be released theatrically.

Hannah Montana: The Movie felt like a perfect ending to the series, complete with the catchy tunes that the series was famed for. It didn’t end up being the finale of the series, so it is now more like an extension of the series, but still, it made a decent amount of money and appeased the fans who wanted to see more from their Disney Channel stars.


REFERENCES

[1] Credit: Keith Caulfield, ‘‘Hannah Montana’ Takes Top Spot On Billboard 200’, Billboard.com, 22nd April 2009.

[2] Credit: Sean Michaels, ‘Miley Cyrus replaced by Karen O in Grammy nomination’, TheGuardian.com, 11th December 2009.

[3] Credit: Katie Louise Smith, ‘Here’s who almost got cast as Hannah Montana before Miley Cyrus’, CapitalFM.com, 26th March 2026.

[4] Credit: Disney, Hannah Montana 20th Anniversary Special (2026), Disney+.

[5] Credit: Olivia Singh, ’40 celebrities you probably forgot guest-starred on ‘Hannah Montana’’, BusinessInsider.com, 16th January 2021.

[6] Credit: Los Angeles Daily News, ‘‘Hannah Montana’ lawsuit settled’, DailyNews.com, 4th August 2008.

[7] Credit: Seventeen, ‘daily gossip roundup’, Seventeen.com, 10th July 2007.

[8] Credit: D23, ‘5 Things You Didn’t Know About Hannah Montana: The Movie’, D23.com, 10th April 2019.

[9] Credit: CBS News, ‘Minor Accident On The Set Of Hannah Montana Movie’, CBSNews.com, 4th June 2008.

[10] Credit: Disney Channel, “Deleted Scenes” Hannah Montana: The Movie 2009 DVD Overview’, DiamondBoy’s Disney DVD&VHS Walkthroughs & Reviews YouTube Channel, 22nd January 2024.

[11] Credit: D23, ‘5 Things You Didn’t Know About Hannah Montana: The Movie’, D23.com, 10th April 2019.

[12] Credit: Disney Channel, ‘”I Should Have Gone To Film School – With Jason Earles” Hannah Montana: The Movie 2009 DVD Overview’, DiamondBoy’s Disney DVD&VHS Walkthroughs & Reviews YouTube Channel, 22nd January 2024.

[13] Credit: Billboard Staff, ‘‘Hannah Montana’ Rocks Box Office With $34 Million Opening’, Billboard.com, 13th April 2009.

[14] Credit: Beth Neil, ‘Exclusive: Hannah Mania’, Mirror.co.uk, 3rd April 2007.

[15] Credit: Is a Hannah Montana Prequel in the Works? Not So Fast…’, EOnline.com, 5th February 2020.

[16] Credit: ‘‘Hannah Montana’ Anniversary Special hits 6.3 Million Views in Three Days as Original Series Jumps 1,000% in Views’, Variety.com, 27th March 2026.

[17] Credit: Airbnb, ‘Live the best of both worlds at the “Hannah Montana” Malibu house’, News.Airbnb.com, 25th March 2026.

Harry Potter and the Prisoner of Azkaban (2004)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

Harry Potter and the Prisoner of Azkaban, the third book and film, was to be a turning point in the Harry Potter series, for various reasons.

Book Three was the point where the story became a lot darker. Here, Harry encounters people from his parents’ past, learns secrets and mysteries about their death, and comes face-to-face with some more terrifying beings in the Wizarding World. As well as dealing with all of this, Harry is still being tormented with the potential return of Lord Voldemort, who murdered his parents, and has to deal with that most dreaded of time: puberty. Yes, even witches and wizards have to endure those awkward teenage years!

Film Three was going to deal with these topics, but had some changes of its own. The director who had created the whimsical, enchanting Hogwarts that we had seen in the first two films decided not to return for the third film, and was replaced with Mexican director Alfonso Cuarón, who had a history of making coming-of-age movies and delving into the realm of fantasy, making him a good choice to take the helm for Harry Potter and the Prisoner of Azkaban, which had to be darker and more mature. Harry Potter and the Prisoner of Azkaban, along with introducing more new characters to the franchise, had to cope with a difficult recasting too, that of Richard Harris as Dumbledore after Harris’ passing in 2002. The role of Dumbledore passed over to another legendary British actor, Sir Michael Gambon, who made the character his own, becoming more eccentric, but still commanding.

With all these changes going on, and a lack of interest in the novels, although a love for the second film, it’s not much of a surprise that eleven-year-old me completely ignored the cinema release of Harry Potter and the Prisoner of Azkaban. Instead, my dad, my sister, and I watched it on DVD months later, and honestly, I thought very little of it. I didn’t understand the time-travelling sequence, even though it’s not all that complicated, so I can’t have been paying much attention, and there were just too many dark elements to it for me.

Having rewatched this film multiple times as an adult though, I have found parts of Harry Potter and the Prisoner of Azkaban that I like, and luckily, I have worked out the time-travelling and how it relates to the sequence of events that takes place. And yet, despite this third film and book being a fan-favourite, I would consider it my least favourite of the films. This does sometimes swap positions with the fifth film, but Harry Potter and the Order of the Phoenix does at least involve lots of my favourite villains, making it more interesting for me.

PLOT

Harry Potter and the Prisoner of Azkaban begins with Harry Potter secretly practising magic in his room at night, specifically the Lumos spell. Harry is still staying with the Dursleys, and his aunt Petunia, uncle Vernon, and cousin Dudley. Uncle Vernon keeps hearing noise from Harry’s room and keeps coming into his room to find out what Harry is up to, but every time Harry just pretends to be asleep.

On a new day, Harry finds that Uncle Vernon’s sister Marge is coming for a visit. Harry tries to get Vernon to sign a permission slip for school, so he can visit the town close to Hogwarts School, Hogsmeade. Vernon says he will only sign it if Harry behaves himself. Harry retorts he will behave if Marge does. At dinner that night, Marge tells Harry he’s lucky that her brother chose to take him in and not send him to an orphanage, and continuously insults Harry’s parents, saying Harry’s father was a lazy drunk, but that Harry’s real issues no doubt stem from his mother. Harry angrily tells Marge to shut up, and the glass Marge is holding shatters in her hand. Uncle Vernon and Aunt Petunia start to worry, knowing this was Harry’s magic, but Marge believes it was just her strong grip. As Marge is about to respond to Harry, she sees her finger is swelling up. Soon, her whole body has swollen up like a balloon. Marge bounces out of the dining room, out of the conservatory, and out of the Dursleys’ house entirely. Uncle Vernon tries to hang on to Marge, but after receiving a bite from Marge’s dog Ripper, he lets go. Marge flies away into the night sky…

Knowing he’s in trouble now, Harry packs up all of his things and tries to leave the house. Uncle Vernon demands Harry bring Marge back now, but he refuses. In actual fact, I don’t think he knows how! Harry threatens Vernon with magic, making Vernon step away. However, Vernon reminds Harry that he won’t be allowed back at Hogwarts now, after doing magic whilst he is still under the age of 17, a highly enforced law in the Wizarding World. Harry pretends not to care and leaves, walking into the night with no plan.

Harry makes his way to the local playground and sits on the curb with his trunk and cases, and his owl Hedwig. As he waits, Harry sees movement in the bushes opposite and looks up to see a large black dog staring at him. Suddenly, a triple-decker purple bus pulls up in front of him. The bus conductor gets off and introduces the bus as the Knight Bus, an emergency form of transport for stranded witches and wizards. Harry is told to get on the bus, and it’ll take him where he wants to go. Harry wants to go to The Leaky Cauldron, a wizarding pub and inn in London. The bus travels at great speed making for a bumpy ride, with the elderly driver Ernie at the helm, and his sarcastic Shrunken Head assistant providing ongoing commentary on the journey. Harry sees the conductor reading the latest edition of the wizarding newspaper, The Daily Prophet, and notices the front page talking about a man who has escaped the wizarding prisoner Azkaban. The conductor tells Harry that man is Sirius Black, a convicted murderer, and they should all be concerned.

After a near-miss with an elderly woman crossing the road, and almost crashing into two regular double-decker buses, the Knight Bus gets Harry to The Leaky Cauldron, where he is promptly sent to a meeting with the Minister of Magic Cornelius Fudge. Harry fears he is about to get expelled for using magic on Aunt Marge, but Fudge reassures Harry that all is well, Marge has been found and her memory has been wiped; Harry will still be attending Hogwarts this year. Fudge has even brought all the equipment and books for Harry’s Third Year at school to inn. Harry is taken to his room to await the new school year.

The next day, Harry looks over his new school stuff, and is particularly interested by The Monster Book of Monsters, that has a furry cover with eyes. And yet, this book is not fluffy and friendly. The book gets quite bitey when it is opened and goes on a rampage through the room, hiding under Harry’s bed. Harry coaxes it out and hits it with his shoe so it can be closed! Harry then goes downstairs to the pub and is happily surprised to see his best friends, Ron Weasley and Hermione Grainger standing there, although they are arguing about Hermione’s new cat, Crookshanks, and its interest in Ron’s rat Scabbers. Ron then tells the two all about his family’s trip to Egypt. Ron’s father, Mr. Weasley, takes Harry aside and asks him what he knows about Sirius Black. Mr. Weasley tells Harry that Black is still a loyal follower of the dark wizard Voldemort and is eager for his return. He has likely escaped Azkaban because he plans to kill Harry. He warns Harry not to look for Black, to which Harry responds: why would he go looking for someone trying to kill him? Good point.

Soon after, Harry and his friends board the Hogwarts Express to start their new school year, and end up sharing a carriage with a sleeping man, who turns out to be Professor Lupin, a new teacher at Hogwarts. Harry tells Ron and Hermione all he knows about Sirius Black, and they share their concern. Suddenly, the train stops and everywhere starts to feel cold with surfaces frosting over. The three see a skeletal, cloaked figure come to their carriage. It comes in and starts to attack Harry, causing him to faint. Professor Lupin wakes up at this point and repels the attacker. He explains to Harry, when he regains consciousness, that the figure was a Dementor, and was likely searching the train for Sirius Black. He tells Harry to eat some chocolate to feel better and leaves to talk to the train driver. Harry asks if either Ron or Hermione fainted, or heard a scream, like he did. They say they didn’t, only that they felt they’d never be happy again when the Dementor was near them.

At Hogwarts, the students are all assembled in the Great Hall for their usual start-of-term assembly. Professor Dumbledore introduces the students to their new Defence Against the Dark Arts teacher Professor Lupin and explains that Hagrid is the new Professor for Care of Magical Creatures. He also tells everyone that there will be Dementors stationed at Hogwarts this year as they continue their search for Sirius Black. Dumbledore warns the students not to get in the way of the Dementors, as they do not differentiate between real criminals and those who get in their way. And just to boost the mood, he also tells them that happiness can be found if one remembers to turn on the light. So, another fun year then…

The next day, classes begin and Harry and Ron’s first one is Divination class with the spiritual Professor Trelawny. She has the class read each other’s tea leaves. Ron is asked to read Harry’s tea leaves, but struggles to understand them. Professor Trelawny takes the cup, and immediately puts it down, with a little scream. She tells Harry he’s got The Grim. Woah, sounds terrible – and contagious. Another student explains that The Grim is the omen of death, which takes the shape of a large black dog, like the one Harry saw as he was waiting for the Knight Bus. Harry begins to fear for his safety.

As Ron and Harry, and Hermione, who randomly popped up towards the end of Divination class, walk to Care of Magical Creatures with Hagrid, they talk about the class, with Hermione seeing it as a complete joke. Harry forgets about it – for now. At Care of Magical Creatures, Hagrid introduces the class to a Hippogriff, a half-bird, half-horse creature, named Buckbeak. Harry is asked to meet Buckbeak first. He gains the creature’s trust and respect so Hagrid puts Harry on its back and Buckbeak takes him on a flight around Hogwarts. On his return, Draco Malfoy doesn’t believe that Buckbeak is dangerous, despite what Hagrid says, and struts up to the creature. It takes an instant disliking to Malfoy and kicks its leg out at him, injuring his arm. Hagrid takes Malfoy to the school hospital.

The next day, Draco milks his injury for all its worth to anyone who will listen, annoying Harry, Ron, and Hermione. Hermione says Draco’s father is furious and will not let the incident go. Other students then start discussing the new front page of the newspaper, saying that Sirius Black was spotted in Dufftown, which is not far from Hogwarts. But there’s no time to dwell on that as it is time for their first Defence Against the Dark Arts class with Professor Lupin. Here, Lupin teaches the students about Boggarts, a creature that shape-shifts into whatever the person looking at it fears the most. He gets the students to line up and use the spell “Riddikulus”, which will turn the Boggart into something funny. The class do well, with Neville Longbottom making his Professor Snape-shaped Boggart show up wearing his grandmother’s clothes, and having Ron turn his spider into a roller-skating spider. However, on Harry’s turn, Professor Lupin pushes in front of him and the Boggart turns into the moon. With Lupin’s spell, it becomes a balloon, blowing into the wardrobe it was kept in.

Later that day, all of Harry’s year are heading out to Hogsmeade, the town where Hogwarts is located, however, Harry did not get his permission slip signed and is not allowed to go. Instead, Harry speaks to Lupin. Lupin apologises to Harry for what happened in class, fearing that the Boggart was going to turn into Lord Voldemort. It actually began to turn into a Dementor, Harry’s newest fear now. Lupin also says he knew Harry’s mother and father, and says Harry is very much like both of them, with Lily’s eyes and James’ talent for trouble.

On returning to the Gryffindor Common Room, Harry finds a commotion outside their portrait entryway. The Fat Lady, who would normally allow students entry into the Common Room, has gone, and the portrait is scratched up. Professor Dumbledore and Mr. Filch, the caretaker, arrive to investigate. They find the Fat Lady in another portrait, cowering behind a hippo. She tells Dumbledore that Sirius Black was here, in the castle. Dumbledore orders the castle be secured and searched, whilst the Gryffindor students are made to sleep in the Great Hall. Dumbledore and Snape discuss the risk this poses to Harry, with Snape saying another teacher, like Lupin, may’ve helped Black enter the castle. Dumbledore dismisses this theory. Snape asks if Harry should be warned. Dumbledore says later, not realising that Harry has been awake through all of this and heard everything.

The next day, during Defence Against the Dark Arts, Harry is shocked to find that Professor Snape is covering the class. They are told they will be learning about werewolves and Animagi, and the differences between the two. Hermione pops up to class, late again, and says they weren’t due to start learning about these creatures for weeks. Snape assigns an essay on the creatures and how to recognise them. Harry says he can’t possibly have time to write this essay with the Quidditch match going on tomorrow. He tells Harry then he’d best be careful, because even loss of limb won’t excuse him from it.

The Quidditch match takes place in stormy, thundery weather and Harry ends up having to fly high above the stadium to search for the Snitch. He sees an image of The Grim reflected in the clouds during a lightning strike, distracting him. Dementors then start to surround Harry, and despite his attempts to evade them, more and more appear. They attack him, and Harry faints, falling off his broom. The pupils and teachers watch in horror as Harry falls into view. Dumbledore saves him from certain death. Harry wakes up in hospital to find his broom blew into the Whomping Willow and is no more. Harry says to Lupin that he wants to learn how to fight Dementors. Lupin says he will teach him, after the holidays.

To make things even worse, once again, the students are sent off to Hogsmeade, and Harry is still unable to join. He decides to take his Invisibility Cloak there, but is stopped by Ron’s older brothers, Fred and George, who see Harry’s footsteps in the snow. They tell him they want to help him, and proceed to give him the Marauder’s Map, which they stole from Filch’s office. The map shows secret passageways and the movements of individuals in the school, like Dumbledore pacing in his office. Fred and George tell Harry to use the secret passageway that ends up in the Honeydukes sweet shop basement to get to Hogsmeade.

Harry arrives and quickly finds Ron and Hermione who are by the Shrieking Shack, being teased by Draco Malfoy and his friends. Harry, still in the Invisibility Cloak, messes with Draco and the others, getting them to leave, fearing they are being haunted. Harry then hears that Cornelius Fudge and Professor McGonagall need to speak to Madam Rosmerta about Sirius Black. Harry sneaks into the pub to overhear the conversation. Inside, he learns that Sirius Black is the reason that Harry’s parents are dead, as he told Voldemort where they were hiding during the Wizarding War all those years before. They also say Black murdered one of their friends, Peter Pettigrew, who was attempting to warn Harry’s parents what Black had done. Only a single finger of Pettigrew’s was found after Black destroyed him. Harry is horrified to hear that the escaped prisoner is the reason his parents are dead, and to land the killer punch, he learns Black is actually his godfather. Harry storms off, upset. Hermione and Ron find him. Harry says he wants Black to find him, so he can kill him first.

With all this anger inside him, now seems to be a good time for Harry to learn how to repel Dementors. Using a Boggart, Lupin teaches Harry the Patronus charm to do this, however, it requires a strong, happy memory to do this. Harry’s first attempt fails and he faints again, as he uses a simple memory of when he first learnt to fly. Harry asks to go again, choosing a different memory. This time, it works and Harry successfully repels the Dementor-shaped Boggart, using a memory of hearing his parents speaking to him.

Later, Harry learns that Ron and Hermione are fighting again because Scabbers has gone missing and Ron blames Hermione’s cat Crookshanks for it. They head off to see Hagrid as he had a meeting about the “Buckbeak incident”. Hagrid is upset because Buckbeak has been sentenced to death, thanks to testimony from Draco Malfoy’s father.

That night, Harry is looking at the Marauder’s Map as everyone else is asleep. He sees the name “Peter Pettigrew” on there. Confused, Harry leaves his dormitory and starts to follow the movements of Pettigrew, not understanding how he can be in the castle when he is dead. Harry doesn’t find anything though, and is actually found by Professor Snape. Harry tries to hide the map, but Snape sees a piece of parchment and puts a spell on it to reveal its “secrets”. Harry is ordered to read what it says. It turns out to be an insult to Snape. Lupin arrives just in time, and is given the parchment to investigate by Snape. Lupin takes Harry back to his office, telling Harry the map was a silly thing to have in his possession because it would be a map to Harry should Sirius Black find it. Harry apologises for not handing it in, but says the map doesn’t seem to work anyway. Lupin asks why he thinks that and Harry reveals that the deceased Peter Pettigrew was spotted on it.

The next day, in Divination class, Professor Trelawny is trying to inspire her students again, but Hermione tries to make a mockery of the class by referencing The Grim again. Trelawny tells Hermione she has no aptitude for this class, having a shrivelled dry soul like an old maid. Hermione walks off in a huff, and knocks over one of the crystal balls which rolls out of the room. On leaving the class, Harry sees the ball and returns it to the classroom. Harry then sees Sirius Black in the ball, and Trelawny appears in some sort of trance. She says he will return to tonight; he who betrayed his friends and whose heart rots with murder shall break free, innocent blood will be spilt, and servant and master shall be reunited once more. Harry is terrified, but Trelawny doesn’t remember a thing!

That evening, Hermione, Ron, and Harry go to Hagrid’s Hut as support because this is the day that Buckbeak is to be executed. Before they get there, they see Draco and his friends wanting to watch the execution. Hermione threatens Draco for his role in all this, and punches him in the face. They run away. Harry, Ron, and Hermione spend time with Hagrid and want to set Buckbeak free but know they cannot, and besides, Dumbledore, Fudge, and the executioner are already here. They are told to leave, and just before they do, Hagrid returns Scabbers to Ron. They sneak out the back door and run back up the hill. They see the executioner raise his axe and bring it down, as birds scatter. It is done.

Randomly, Scabbers then chooses that moment to bite Ron and runs to the Whomping Willow. Ron manages to retrieve him, but then sees a black dog behind Harry and Hermione. It jumps over them and goes straight for Ron, biting his leg and dragging him into the tree. Hermione and Harry go after him, but the Whomping Willow’s branches start attacking them. After a bit of a struggle, they go into the trunk of the willow and see it is a secret passageway, heading to the Shrieking Shack. They eventually find Ron, who tells them the dog was actually Sirius Black – he is an Animagus, someone who can transform into an animal at will. Sirius Black approaches them, causing Harry to attack him, trying to strangle him, but Black simply laughs. Professor Lupin then arrives and quickly shows himself to be on the side of Black. Black says they have to kill him now. Hermione is shocked to find that Lupin is on Black’s side, and reveals that she knows Lupin is a werewolf. Lupin explains that it was not Black who betrayed Harry’s parents, but was actually Peter Pettigrew. Lupin realised Pettigrew must’ve faked his death after Harry said he saw the name on the map. Snape then arrives and says he looks forward to bringing Black to the Dementors, and is pleased with himself for knowing Lupin was the one helping him.

However, Harry wants to know more about what Black and Lupin are saying so disarms Snape instead. They say that Pettigrew is in this room and points to Ron. Ron thinks they’ve gone crazy, but they say Pettigrew is the rat. Ron says that can’t be true as Scabbers has been in his family for about twelve years, which is a very long lifespan for a common garden rat. “Scabbers” tries to escape the room, but his true form is revealed before he can do so. Black and Lupin want to kill Pettigrew now for betraying their friends, but Harry says they should take him to the Dementors.

They all head to the castle, with Ron needing some help after getting a nasty bite from Black whilst he was in his dog form! Outside of the Whomping Willow, Black becomes distracted by the fresh air, admiring Hogwarts. He asks Harry if he would like to live with him instead of the Dursleys, once this “misunderstanding” has been cleared up. Harry says he’d like that. All of a sudden, they notice the full moon and see Lupin transforming into a werewolf. Pettigrew takes the opportunity to turn himself back into a rat and run off. Lupin then starts to attack the group. Snape comes out of the tree to have a word with Harry but sees Lupin, and tries to protect the children. Black turns back into a dog and fights Lupin. They hear a wolf call and Lupin runs off into the forest to follow it. Black turns back into his human self and tumbles down a hill. Harry follows him, finding Black unconscious by the side of a lake. A large group of Dementors come to attack Black, and Harry as he is seemingly an accomplice. Black’s last breath appears to be taken, but then, Harry sees a powerful Patronus charm being cast from across the lake. The Dementors vanish. Harry passes out.

Harry wakes up in hospital and proclaims it was his dad who cast the Patronus charm. Hermione tells Harry to listen to her: the Dementors are going to perform their “kiss” on Sirius Black soon, which will suck out his soul. Dumbledore comes in and Harry, Hermione, and Ron, who is also in a hospital bed with his bad leg, tells Dumbledore that Black is innocent. Dumbledore believes them but knows it is not enough to persuade anyone else. He starts talking about time and retracing their steps, and that more than one life could be spared tonight, saying “three turns ought to do it”, before leaving. Confused, Harry looks to Hermione, who has already wrapped a necklace with a pocket watch on it around his neck. Hermione turns the watch three turns and Harry sees they have gone back in time. It is now 7:30pm. Hermione asks what they did at that time last night. Harry says they were going to Hagrid’s. Hermione and Harry go there.

Harry witnesses Hermione punching Draco and can’t understand what is going on. Hermione pulls Harry into a hiding place and explains that the necklace she has is a Time Turner. Professor McGonagall gave it to her on the first day of term so she could attend all the classes she wanted to that year. She warns Harry that they cannot be seen by their past selves. She tells Harry to follow her to Hagrid’s.

They hide behind the pumpkins by Hagrid’s Hut, and wait for themselves to leave, because they cannot take Buckbeak right away, as they need Fudge and Dumbledore to see it first so they don’t suspect Hagrid. Hermione wonders why they aren’t leaving, and sees a pebble on the pumpkins that looks like one she saw in the hut that night. She realises she must’ve thrown the two that hit a pot and then Harry, prompting them to look out the window and know that they had to leave right that minute. Hermione does just that and she and Harry hide in the forest, as their past selves take their place by the pumpkins. They wait for their past selves to leave, before coaxing Buckbeak into the forest with dead ferrets. They are successful, despite being spotted by Dumbledore, who distracts Fudge. Fudge then turns around to find Buckbeak has vanished. He wants to search for Buckbeak but Dumbledore tells him not to bother and asks Hagrid if they can stay for a drink. The executioner instead uses his axe to split a pumpkin.

Harry and Hermione then wait in the forest close to the Whomping Willow. They see Lupin and Snape enter the tree, so wait for the events to play out. Whilst they do, Harry reiterates that his dad performed that Patronus charm and tells Hermione that Sirius asked Harry to live with him. All of a sudden, they see everyone leaving the Whomping Willow and watch as Lupin transforms into a werewolf and starts to attack them all. Hermione makes a wolf call, learning that she was the one to do that and get Lupin away from them. However, this means that this has now drawn Lupin to them. Harry and Hermione are chased through the forest, with Buckbeak coming to their rescue to fight off Lupin. They then watch as the Dementors come to the lake and see the attack on past Harry and Sirius across the lake. Harry says they just need to wait for his dad to come and perform the charm. Hermione says no-one is coming and fears that the past Harry and Sirius are about to die. Harry stands up and casts the very powerful Patronus charm himself, making the Dementors flee. The two then fly on Buckbeak to free Sirius from the Dark Tower. They take Sirius to the courtyard.

In the courtyard, Harry is told he must stay at Hogwarts but that he and Sirius will be reunited soon. Sirius tells Harry what he is always being told: that he looks so much like his father but has his mother’s eyes. On this occasion, Harry doesn’t mind being told that for maybe the hundredth time! Sirius says that the ones that love us never leave us, and flies away on Buckbeak to lie low for a while.

Hermione and Harry run back to the hospital to be back at the point where they went back in time. They tell Dumbledore that they succeeded in their mission; Dumbledore feigns ignorance and wishes them a goodnight. They arrive back in the hospital and see Ron looking very confused about what just happened! They don’t let him in on the secret.

Harry goes to see Lupin and realises that Lupin is leaving Hogwarts. Lupin says he has decided to leave before any of the parents can complain that they have a werewolf teaching their children at Hogwarts. Harry is sad, both that Lupin is leaving as they had a bond, but also that he sees last night as making no difference because Pettigrew escape. Lupin reminds Harry that he made a world of difference, not least because he spared an innocent man from death. Now that Lupin is no longer his teacher, he also allows Harry to have the Marauder’s Map back, telling him goodbye.

Harry finds his friends in the Great Hall and they excitedly tell him he has a parcel. Sadly, Ron has already half-opened it, blaming it on the poor wrapping, so it is obviously revealed to be a new broomstick, a Firebolt no less. It didn’t come with a note; however, it did come with a Hippogriff feather, meaning it was sent by Sirius. Encouraged by his friends, Harry takes the Firebolt for a quick spin around Hogwarts!

CHARACTERS & CAST

To go alongside the variety of teachers, and actors, we met in the first two stories, such as Professor McGonagall, Professor Snape, and Rubeus Hagrid, in his new role as Professor for Care of Magical Creatures, who all return here, and the large quantity of students who walk the halls of Hogwarts School of Witchcraft and Wizardry, like Neville Longbottom, Seamus Finnigan, Draco Malfoy, Fred and George Weasley, and of course, Harry Potter, Ron Weasley, and Hermione Grainger, who are also back for this film, numerous new characters are introduced to us in Harry Potter and the Prisoner of Azkaban.

After Professor Lockhart’s departure at the end of Harry Potter and the Chamber of Secrets, Hogwarts needs a new Defence Against the Dark Arts teacher. This time, Professor Remus Lupin was hired. Harry, Ron, and Hermione first meet him on the Hogwarts Express, and luckily find out that he is actually a very competent teacher – unlike Lockhart – because he successfully repels a Dementor that is attacking Harry. Lupin also proclaims chocolate to be the great healer of all ills, so that’s another reason to trust him! Lupin is kind and supportive to his students, most of all Harry, who he bonds with over their conversations about Harry’s parents. However, Lupin is hiding a dark secret – that he is actually a werewolf. When Lupin transforms into a werewolf, he is not himself, and attacks anyone close to him without realising what he is doing. Because of this, it makes Lupin a danger to his students, and makes his position as the Defence Against the Dark Arts teacher untenable. His departure from Hogwarts signals the end of his time as a professor, but does not mean a goodbye from the series; Lupin would later return in a different role: as part of “the Order”.

David Thewlis was cast as Lupin, having originally been considered for the part of Professor Quirrell in Harry Potter and the Philosopher’s Stone. Early in his career, Thewlis won the Best Actor award at the Cannes Film Festival, amongst others for his role as Johnny Fletcher in the film Naked (1993). Other film roles Thewlis secured after this include the part of Knox Harrington in the crime comedy film The Big Lebowski (1998) and a voice role as Mr. Earthworm in James and the Giant Peach (1996), based on the Roald Dahl novel. After his role in the Harry Potter films, Thewlis went on to appear in many other films, including as Nick Davies in The Fifth Estate (2013); as Dennis Sciama in The Theory of Everything (2014); as Sir Patrick / Ares in Wonder Woman (2017); and as Peylak in Avatar: Fire and Ash (2025). More recently, Thewlis has been cast in a variety of television series. For his performance in Season 3 of Fargo (2014-24), where he was cast as V. M. Varga, he was nominated for Best Supporting Actor at the Golden Globes, the Critics’ Choice Awards, and the Primetime Emmys. Thewlis was also nominated for a BAFTA for his role as Christopher Edwards in the true crime series Landscapers (2021), with Olivia Colman as his co-star. He has also been cast as Norbert Fagin in the Disney+ series The Artful Dodger (2023-present), with Thomas Brodie-Sangster in the title role, and co-starred with Jason Watkins to play Ash Smith in Dirty Business (2026), a miniseries for Channel 4.   

When the audience first hears about Sirius Black, we only know him as a murderer who has escaped from Azkaban prison, a notorious prison in the Wizarding World. We later learn that Black was the reason that Harry’s parents were discovered and killed by Lord Voldemort when Harry was just a baby, and that he killed one of his friends, Peter Pettigrew. All of this led to Black’s detention in Azkaban. During the course of events in Harry Potter and the Prisoner of Azkaban though, we realise that Black was falsely accused, and had been left to take the blame. Black was always loyal to Harry’s parents and always against Voldemort, revealing that Pettigrew was the one who betrayed them, and then faked his own death, which Black was convicted of. Black shows himself to be a highly loyal person, and not an insane killer, only wanting Pettigrew to pay for all those years Black spent in Azkaban. We also discover that Sirius Black is Harry’s godfather, who later invites Harry to live with him, so he can be away from his awful aunt and uncle. Harry finally gets a real father figure in his life, but knows that he and Sirius must be separated until the heat dies down on Sirius.

Sirius Black was played by Gary Oldman, whose career has spanned film, television, and stage work. On stage, Oldman was cast in performances by the Royal Shakespeare Company in the 1980s. In 2025, Oldman starred as Krapp in Krapp’s Last Tape in York. In film, Oldman has been cast in a variety of films, such as playing Rosencrantz in Rosencrantz & Guildenstern Are Dead (1990); portraying Lee Harvey Oswald in JFK (1991); Dracula in Bram Stoker’s Dracula (1992); and for playing James Gordon in the Batman films. Oldman has also been nominated for countless awards for his roles in other films. For portraying Winston Churchill in Darkest Hour (2017), Oldman won the Academy Award, the SAG Award, the BAFTA, and the Golden Globe in the Best Actor category. He would also be nominated at the Academy Awards, amongst others, for his roles as George Smiley in Tinker Tailor Solder Spy (2011) and as Herman J. Mankiewicz in Mank (2020). In television, Oldman has become well-known for starring as Jackson Lamb in the Apple TV series Slow Horses (2022-present), for which he has been nominated at the SAG Awards, the BAFTAs, the Emmys, and the Golden Globes. Oldman has also had voice roles in some animated movies, including as Lord Shen in DreamWorks’ Kung Fu Panda 2 (2011), as Lord Ruber in Quest for Camelot (1998), and as Bob Cratchit, Jacob Marley, and Tiny Tim in Disney’s A Christmas Carol (2009), which involved motion capture.

To round out this dysfunctional trio, we have Peter Pettigrew, described by Professor McGonagall as a “lump of a boy”, who used to follow Sirius Black and James Potter, Harry’s father, around when they were at school together. The teachers believe that Pettigrew was “destroyed” by Sirius Black, with only a finger left as evidence of his existence, however, it turns out Pettigrew faked his death, cutting off his own finger to frame Sirius for his murder, before disappearing by shape-shifting into a rat. This rat would end up with the Weasley family being named Scabbers. How weird must it have been for Ron to find out that the rat he has been holding on to for years was actually a man in his mid-30s… Pettigrew is forced to confront his past by Black and Lupin as they make him regain his human form. Here, Pettigrew admits he did give away Harry’s parent’s location to Voldemort out of fear. Black wants to kill Pettigrew for this act of cowardice but Harry says they should let the Dementors deal with him. Sadly, Pettigrew gets away as the group become distracted by Lupin’s werewolf transformation and scurries off in his rat form. Nowhere knows where he ends up.

Timothy Spall was cast as Peter Pettigrew. One of Spall’s earliest film roles was as Harry in Quadrophenia (1979), going on to be cast as Barry Spencer Taylor in the British comedy series Auf Wiedersehen, Pet (1983-86, 2002-04). He was BAFTA-nominated for his roles as Maurice Purley in Secrets & Lies (1996), and as Richard Temple in Topsy-Turvy (1999). Spall has been cast in various films of different genres, including as Rosencrantz in the Kenneth Branagh-directed Hamlet (1996); voicing Nick in Aardman’s Chicken Run (2000); being cast as Mr. Poe in Lemony Snicket’s A Series of Unfortunate Events (2004); and playing Nathaniel in Disney’s Enchanted (2007); and Beadle Bamford in Sweeney Todd: The Demon Barber of Fleet Street (2007). Spall would have further success with his role as Peter Taylor in The Damned United (2009), and for his portrayal of artist J. M. W. Turner in Mr. Turner (2014), winning numerous awards including the Cannes Film Festival’s award for Best Actor. Spall also portrayed Winston Churchill in the critically-acclaimed The King’s Speech (2010). More recently, Spall was cast as Equerry Major Alistair Gregory in Spencer (2021), and as Bernie Cheshire in Netflix’s Goodbye June (2025). In series, Spall won a BAFTA television award for his performance as Peter Farquhar in the BBC true crime series The Sixth Commandment (2023), going on to be cast as the Duke of Norfolk in Wolf Hall: The Mirror and the Light (2024), which starred Mark Rylance as Thomas Cromwell. Currently, Spall stars as John Chapel in the BBC crime series Death Valley (2025-present).

Professor Trelawny is the Divination teacher at Hogwarts, who we first see in Harry Potter and the Prisoner of Azkaban, although she is not a new teacher to the school. Trelawny’s Divination classes consist of teaching the students about interpreting signs around them, such as through tea leaves or through crystal balls. Many students don’t take Trelawny’s classes very seriously, especially Hermione who doesn’t believe in auras, and seeing into the future. Trelawny, however, does prove to be useful, as she does predict that Harry is in danger, although her prediction of The Grim, which would’ve meant imminent death to him, was not quite right, and she delivers a prophecy to him that does turn out to be true, as the truth of what happened to Harry’s parents is revealed in the Shrieking Shack with Sirius Black, Lupin, and Pettigrew. Trelawny is a bit strange but she means well.

Dame Emma Thompson was cast as Professor Trelawny. In the 1990s, Thompson won the Academy Award for Best Actress in Howards End (1992) for her role as Margaret Schlegel and was nominated the next year in the same category for The Remains of the Day (1993) where she played Miss Kenton. In 1995, Thompson wrote and starred in Sense and Sensibility (1995), playing the part of Elinor Dashwood, where she was once again nominated for Best Actress, and won the Academy Award for Best Adapted Screenplay. Thompson later became known for her roles of Karen in Love Actually (2003); and as Nanny McPhee in the 2005 movie of the same name and its 2010 sequel. Thompson has been cast in both live-action and voice roles for numerous Disney movies as well. She voiced the character of Captain Amelia in Disney Animation’s Treasure Planet (2002) and voiced Queen Elinor in Pixar’s Brave (2012), before starring as P. L. Travers in Saving Mr. Banks (2013) alongside Tom Hanks as Walt Disney, and was cast as Baroness von Hellman in Cruella (2021). Recently, Thompson played Miss Trunchbull in Matilda the Musical (2022); Nancy Stokes in Good Luck to You, Leo Grande (2022); and Dame Katherine Newbury in Late Night (2019), receiving nominations at the Golden Globes for Best Actress in a Comedy or Musical for the latter two roles. Currently, Thompson stars as Zoë Boehm in Down Cemetery Road (2025-present) for Apple TV. Thompson was made a Dame in 2018. Allegedly, Tilda Swinton was up for the role of Professor Trelawny, however, she was not cast due to scheduling conflicts, although some report she simply did not want to be involved[1].

There was also a new addition to the Dursley family, as Uncle Vernon’s sister, Marge, came to visit the family at the beginning of Harry Potter and the Prisoner of Azkaban with her bulldog, Ripper. Marge had previously been alluded to in the first Harry Potter film, after Vernon reads out a postcard from her. Aunt Marge is rude and insensitive, simply saying what she thinks without any care for who is around her. She says that Harry is lucky that her brother didn’t send Harry off to an orphanage after his parents died, whereas she wouldn’t have kept him, and then goes on to check that Harry is being disciplined at his school. The final straw for Harry is when Marge starts discussing Harry’s mother and father, saying that Harry’s father must’ve been a deadbeat because he didn’t work, and that perhaps that is why Harry is the way he is. She moves on to Harry’s mother, saying that is really where the problems would stem, which naturally riles Harry up, leading to him inadvertently using magic to make her swell up and fly off into the sky. Luckily, Harry doesn’t see her again, although she is found and dealt with so she has no memory of the incident.

Pam Ferris was cast as Aunt Marge. For those watching the Harry Potter films in the 2000s, they’d likely have known Ferris from her role as Agatha Trunchbull in Matilda (1996), the non-musical and original adaptation of the Roald Dahl film. Ferris was actually nominated at the Saturn Award for Best Supporting Actress for her terrifying portrayal of the character. She was also known for starring as Florence “Ma” Larkin in The Darling Buds of May (1991-93) on ITV, with David Jason being cast as “Pop” and Catherine Zeta-Jones playing their on-screen daughter Mariette. Also in the 1990s, Ferris starred as Peggy Snow from Series 1 until Series 4 of the ITV drama Where the Heart Is (1997-2006), being nominated at the National Television Awards for Most Popular Actress for her role here. In the 2000s, Ferris was cast as Cath Smith, Smithy’s mum, in the popular comedy series Gavin & Stacey (2007-24), and as Laura Thyme in ITV’s Rosemary & Thyme (2003-07), co-starring with Felicity Kendal. She played Sister Evangelina in the BBC’s drama series Call the Midwife (2012-present) up until Series 5.

Now, for some smaller roles. The Knight Bus sequence features a few characters who only appear for that section. They are the Bus Conductor, who seems quite bored and irritated by his job! He begrudgingly lets Harry onto the bus, wanting him to hurry up and get on, and then struggling to carry his luggage on to it. He just wants to get going with as little chat as possible, although he does tell Harry who Sirius Black is after Harry sees him on the front of the newspaper, albeit rather dramatically. The attitude of the Bus Conductor is quite a contrast to the magical experience of being on the Knight Bus, but I do love his line: “What’cha fell over for?”, when he sees Harry lying on the curb as the bus picks him up.

The Bus Conductor was played by Lee Ingleby. Ingleby went on to be cast as Mole in the 2006 BBC TV adaptation of The Wind in the Willows, going on to have roles in numerous television series after that. Some of these include DS / DI John Bacchus in BBC’s Inspector George Gently (2007-17); George Mottershead in the drama series Our Zoo (2014); and as DI Tony Myerscough for the Netflix series Criminal: UK (2019-20). Recently, Ingleby was cast as DSI Jim Hobson in The Long Shadow (2023); as DCS Neil Adamson in The Hunt for Raoul Moat (2023); as David Leigh in The Hack (2025), all for ITV.

The Knight Bus is being driven by the elderly Ernie, who doesn’t seem to be able to see very well, so uses his talking Shrunken Head next to him to be his eyes. The Shrunken Head alerts Ernie to the fact they are about to run over an old lady crossing the road, and that the bus is about to crash with two double-decker buses, leading to Ernie braking sharply in the first instance and then slimming the bus to get in between the two buses. Ernie might be an erratic driver, but the Knight Bus certainly gets people where they need to fast!

Ernie was played by actor Jimmy Gardner. Gardner was cast as Con Lynch in 10 Rillington Place (1971), which starred Richard Attenborough. Around the time of his casting in Harry Potter and the Prisoner of Azkaban, Gardner appeared as Mr. Snow in Finding Neverland (2004). He passed away in 2010. The voice of the Shrunken Head was provided by comedian and actor Sir Lenny Henry. Henry went on to voice other characters in film, such as Peg-Leg Hasting in Aardman’s The Pirates! In An Adventure with Scientists (2012); Mr. Convenience in Wallace & Gromit: Vengeance Most Fowl (2024); and The Great Know-All in The Magic Faraway Tree (2026). Recently, Henry appeared as Sadoc Burrows in the Amazon Prime series The Lord of the Rings: The Rings of Power (2022-present) and wrote the drama television series Three Little Birds (2023) which aired on ITV, also appearing as Remuel Drake. He had also previously written and starred as Samson in the television film Danny and the Human Zoo (2015). Henry was later revealed to be Blob in Series 2 of The Masked Singer UK (2020-present). He received the Special Recognition Award for his work at the National Television Awards in 2022.

 At The Leaky Cauldron, Tom, the innkeeper, welcomes Harry after his arrival of the Knight Bus, also having to turn his car alarm off after the Knight Bus hits into his car! Tom shows Harry to his meeting with Cornelius Fudge, before taking Harry to his room. Tom was played by Jim Tavaré, who was part of the ITV sketch comedy show The Sketch Show (2001-04) around this time, appearing with other comedic actors like Lee Mack, Tim Vine, and Ronni Ancona. He later appeared as The Dog Catcher in Pudsey the Dog: The Movie (2014). Tavaré is also a stand-up comedian.

At Hogwarts, the Fat Lady is the portrait that is the entryway to the Gryffindor Common Room. For Harry Potter and the Prisoner of Azkaban, the Fat Lady seems to have had a makeover and a personality transplant, as she looks completely different to the regal woman who guards the Common Room in the first film. In this third film, the Fat Lady is too distracted trying to prove her singing abilities to let the students in on one occasion, irritating Harry, and on another, she is seen hiding in a completely different portrait after she sees Sirius Black in the castle; she is terrified. We don’t actually know what happened to her after that, but I can only assume she went back to her regular duties after some time off to reset!

Dawn French was cast as the Fat Lady here. French is known for her comedy sketch show French and Saunders (1987-93, 1994-2005) with fellow comedienne Jennifer Saunders. The two were awarded the BAFTA Television Fellowship in 2009 for their work. French is also known for her role as Geraldine Granger in the comedy series The Vicar of Dibley (1994-2007). She starred in other series too, like as Rosie Bales in Jam & Jerusalem (2006-09) and as Joy Aston in Psychoville (2009-11), before being cast as Gina Benelli in the Sky drama series Delicious (2016-19), which also starred Emilia Fox. She also played Maggie Cole in the ITV series The Trouble with Maggie Cole (2020), starring alongside Mark Heap. Recently, French and Heap appeared together as husband and wife once again in a new comedy series called Can You Keep a Secret? (2026-present), playing Debbie and William Fendon respectively. In film, French voiced the part of Miriam Forcible in Coraline (2009) and played Mrs. Bowers in Death on the Nile (2022).

Then we have Madam Rosmerta, the pub landlady of The Three Broomsticks in Hogsmeade. She is annoyed with Cornelius Fudge for sending Dementors into her pub as they search for Sirius Black, and then is asked to have a meeting with him and Professor McGonagall where she learns more about Black and his complicated past with Harry Potter. The three don’t realise that Harry has snuck in and overhead all of this. This is the only appearance of Madam Rosmerta, though we also learn that Ron fancies her!

Julie Christie was cast as Madam Rosmerta. Early in her career, Christie was cast as Lara Antipova in Doctor Zhivago (1965); as Diana Scott in Darling (1965); and as Clarisse / Linda Montag in Fahrenheit 451 (1966), earning her numerous award wins and nominations, including a BAFTA and Oscar win for her role in Darling. Christie was cast as Gertrude in Hamlet (1996), and starred as Phyllis Hart in Afterglow (1997). She received another Oscar nomination for her role in Afterglow, gaining two others during her career: one as Fiona in Away from Her (2006), for which she won the Golden Globe and SAG award for Best Actress amongst others, and another for McCabe & Miller (1971), being cast as Constance Miller alongside Warren Beatty, and another She collaborated with Beatty on other films, including Shampoo (1975), playing Jackie Shawn, and Heaven Can Wait (1978) playing Betty Logan. Christie is played Mrs. Emma du Maurier in Finding Neverland (2004).

Two new students make appearances in Harry Potter and the Prisoner of Azkaban too, only showing up for this film. One of these is Bem, a student who we meet in Divination, one of the few who seems to take the class seriously as he tells the class just what The Grim is and what it means. Bem was played by Ekow Quartey, who went on to be cast as James in This Way Up (2019-21), a Channel 4 series, created, written and starring comedian Aisling Bea, and appears as JJ in the comedy series Amandaland (2025-present).

Another is Pike, seemingly Malfoy’s new friend, who appears in some scenes with him, when either Crabbe or Goyle, his usual two goons, do not, like when Harry uses his Invisibility Cloak to mess with the group after they start on Ron and Hermione. Pike was played by Bronson Webb. He went on to appear in films such as being cast in Pirates of the Caribbean: On Stranger Tides (2011) as Cook; Victor Frankenstein (2015), appearing as Rafferty; and in Pan (2015), where he was cast as Steps. In television, Webb later appeared as Evan Duffield in Series 1 of the crime drama series Strike (2017-present), and more recently, appeared as Jeremy in the Apple TV series Ted Lasso (2020-23).

Finally, I will just mention Professor Dumbledore. Dumbledore was first introduced in Harry Potter and the Philosopher’s Stone, where he was played by Richard Harris. Harris sadly passed away in 2002, forcing the character to be recast. Many actors were considered for the part. One of which was Ian McKellen, who at the time had recently finished playing Gandalf in the Lord of the Rings film trilogy. He turned down the chance to play Dumbledore as McKellen knew that Harris had previously made negative comments about his acting ability and felt it would not be appropriate to take the part[2]. Chris Columbus also stated that he had had long conversations with Peter O’Toole about taking the part, who Harris’ family very much approved of due to his and Harris’ friendship. O’Toole declined to fulfil the role of Professor Dumbledore, so ultimately, Michael Gambon was chosen for the part, with his portrayal of a more intense and eccentric Dumbledore[3]. Knowing what I know now about how the character of Dumbledore progresses, I’m not sure how Harris would’ve tackled that progression, and I like how Gambon played the character.

Sir Michael Gambon’s career spanned both stage and screen and multiple decades, so will be known for a multitude of roles. He played Baltus Van Tassel in Sleepy Hollow (1999), Sir William McCordle in Gosford Park (2001), Alexander Flyte in Brideshead Revisited (2008), and portrayed King George V in The King’s Speech (2010). In his later years, Gambon voiced the character Uncle Pastuzo in the Paddington franchise; played Private Godfrey in Dad’s Army (2016), based on the sitcom, and was cast as Billy “The Fish” Lincoln, alongside Michael Caine, Jim Broadbent, and Tom Courtenay in King of Thieves (2018). He was also cast as Bernard Delfont in the biopic Judy (2019), which starred Renée Zellweger as Judy Garland, and was also appearing in television series in the 2010s. Examples of these are playing Howard Mollison in the BBC/HBO miniseries The Casual Vacancy (2015), based on J.K. Rowling’s novel; and appearing as Henry Tyson in Season 1 of Sky Atlantic’s Fortitude (2015-18). Throughout his lifetime, Gambon won numerous awards, including four BAFTA Television Awards for Best Actor in series like The Singing Detective (1986) in the role of Philip Marlow, and Perfect Strangers (2001) as Raymond, as well as winning three Olivier Awards for his roles in the stage productions of A Chorus of Disapproval in 1984; A View from the Bridge in the 1987 revival, and Man of the Moment in 1988. Sir Michael Gambon will also always be remembered for his legendary lap of the Top Gear (2002-22) track as part of the Star in a Reasonably Priced Car segment, as he took one of the last corners on two wheels, having the corner renamed for him after that. Sir Michael Gambon was knighted in 1998, and sadly passed away in September 2023.

MUSIC

Legendary composer John Williams, who had composed the scores for both Harry Potter and the Philosopher’s Stone and Harry Potter and the Chamber of Secrets, was back to compose the score for Harry Potter and the Prisoner of Azkaban. Williams is known for composing music for such movie franchises as Indiana Jones, Star Wars, and Jurassic Park, winning numerous awards, including Grammys and Academy Awards, during his career.

Since Williams composed it and included it in Harry Potter and the Philosopher’s Stone, the track “Hedwig’s Theme” has become iconic, and the music immediately links back to the Harry Potter films. It always makes an appearance in the opening titles of any Harry Potter film. In this case, it is used as Harry practises the Lumos spell late at night, with the track titled “Lumos! (Hedwig’s Theme)”.

Other pieces of music I like within the score include the jazzy “The Knight Bus”, which mimics the crazy ride that the bus takes Harry on through London; the magical “Buckbeak’s Flight”, accompanying Harry’s ride around Hogwarts on Buckbeak the Hippogriff; and “A Window to the Past”, which is used when Harry and Lupin are discussing his parents on the footbridge. The ethereal voices that feature in “The Patronus Light” are also very fitting for the almost miraculous moment when Harry casts the Patronus that saves his and Sirius’ lives from the Dementors. It’s quiet, but powerful. “Forward to Time Past”, playing as Harry and Hermione travel back in time, is also a good one, although the ticking clock sounds can get a bit irritating if you listen to it too many times!

There are many scarier moments in Harry Potter and the Prisoner of Azkaban too, so these are conveyed through the music. Any scene with the Dementors is tense, as they replace happiness with darkness, and this is reflected in both “Apparition on the Train”, when Harry is attacked by a Dementor on the Hogwarts Express, and “The Dementors Converge”, when they swarm around Harry and Sirius by the lake. Lupin turning into a werewolf is also quite terrifying so “Lupin’s Transformation” and “The Werewolf Scene” express that feeling.

There is also one actual song in Harry Potter and the Prisoner of Azkaban, performed by the Hogwarts students and their “Frog Choir”, with Professor Flitwick conducting. This takes place as the students are welcomed back to Hogwarts for their first day of term. It is called “Double Trouble”, with the lyrics being inspired by the Three Witches in Shakespeare’s play Macbeth. I very much like this song, and feel that it sounds quite mysterious and creepy, matching the darker tone of this film.

As with both the previous two films, Williams was recognised for his work on Harry Potter and the Prisoner of Azkaban, returning to the Academy Awards with a nomination for Best Original Score. Williams had not received a nomination at the Oscars for his score on Harry Potter and the Chamber of Secrets. At the Oscars, Williams did not win, with Jan A. P. Kaczmarek winning for his work on Finding Neverland (2004). Williams’ score was also nominated at the Grammys, for Best Score Soundtrack Album for a Motion Picture, Television or Other Visual Media. The winner turned out to be Howard Shore and John Kurlander for their music in The Lord of the Rings: The Return of the King (2003), the final film in the trilogy. However, Williams did win a BMI Film Music Award in 2005 for his score on Harry Potter and the Prisoner of Azkaban, and won the Public Choice Award at the World Soundtrack Albums for it. He was also nominated at those awards for Soundtrack Composer of the Year and Best Original Score of the Year. The winner of both categories was Gabriel Yared for Cold Mountain (2003). 

PRODUCTION

After the success of Harry Potter and the Philosopher’s Stone and Harry Potter and the Chamber of Secrets, their director Christopher Columbus was rightly exhausted.

The two films had been filmed quite close together, with filming on the second film starting as the first one was released to theatres. Columbus had assumed he’d have the energy to complete the full series, but found after the second film that he couldn’t. The filming schedules had been intense, more intense than anticipated, and Columbus knew he could not repeat that over and over for another seven, or eight years.

Although stepping down as the director, Columbus did continue to have a presence and an input in Harry Potter and the Prisoner of Azkaban, as a producer[4]. But this meant that a new director for this third film would need to be found, with plenty to choose from.   

Some names that were considered were Guillermo del Toro, the filmmaker famed for his work on fantasy and horror films like The Shape of Water (2017) and Pan’s Labyrinth (2006), and more recently, Frankenstein (2025), and M. Night Shyamalan, whose early films included The Sixth Sense (1999) and Signs (2002). However, Mexican director Alfonso Cuarón was hired to lead Harry Potter and the Prisoner of Azkaban.

Cuarón had previously directed the film adaptation of the Frances Hodgson Burnett novel A Little Princess (1995) before making Y tu mamá también (2001), which was nominated at the Oscars for Best Original Screenplay, and won this award at the Venice Film Festival. No doubt with his experience from these two films in particular, of dealing with fantasy and coming-of-age themes, Cuarón was seen to be well-placed to tackle the more serious events that play out in Harry Potter and the Prisoner of Azkaban, propelling the series forward into darker territory, where danger lurks around every corner, and the feeling is more of melancholy than triumph. Apparently, Guillermo del Toro encouraged Cuarón to take the offer of directing this third Harry Potter film, despite Cuarón having not read the books beforehand. Cuarón went on to direct movies such as Gravity (2013) and Roma (2018), winning the Academy Award for Best Director for both. Roma also won the Oscar for Best Foreign Language Film, and Cuarón won BAFTAs for Best Direction for both films.

For a third time, Steve Kloves was tasked with adapting Rowling’s third novel in order to write the screenplay for Harry Potter and the Prisoner of Azkaban. Whereas Harry Potter and the Philosopher’s Stone and Harry Potter and the Chamber of Secrets were seen to be quite faithful to their respective source material, with this being both praised and criticised by viewers, Harry Potter and the Prisoner of Azkaban did not strictly follow all the elements of Rowling’s novel, which was, again, both criticised and praised by fans.

Despite the third novel having quite a complex story, Rowling said that Harry Potter and the Prisoner of Azkaban was the easiest one to write, of the five novels she had written by 2004. Rowling had creative input into the story of all the Harry Potter films, especially the earlier ones that were being made without the full series having been published. This was to ensure continuity and adherence to the rules of the Wizarding World she had created. For example, there were location ideas for some scenes in Harry Potter and the Prisoner of Azkaban that had to be vetoed due to them not fitting into the universe. However, Rowling was well aware that her entire novel could not be adapted word-for-word and scene-by-scene for the screen, so at times, she understood the need for certain moments to be dropped for the films. She also appreciated the creation of new moments for the films, such as the Shrunken Head on the Knight Bus, wishing she’d come up with that herself[5]!

I haven’t read the books, but in my opinion, the most important story points within Harry Potter and the Prisoner of Azkaban that were required to understand later plot points were included in this film. Some examples are the backstory into Harry’s parents’ deaths, and the dynamic between those involved, i.e., Lord Voldemort, Peter Pettigrew, and Sirius Black. and the introduction of characters that would make a return in later films, with those three and Lupin being the main ones. If you can understand the conversation in the Shrieking Shack, then the rest of the series will be understandable. We also got to see new elements of the Wizarding World in this film, like the Knight Bus, Hogsmeade village, and the Shrieking Shack, along with the Marauder’s Map, which is referenced in later films.

Outside of that, there might have been moments that fans of the book may’ve liked to see, but that aren’t all that important to the films, like how characters got certain items. For example, in the book, you’d discover that Professor McGonagall sought special permission from the Ministry of Magic to allow for Hermione to use the Time Turner, in order to attend all her classes. In the film, we are just told that McGonagall gave it to Hermione. Hermione also has a cat in this film, named Crookshanks. We aren’t told how she got it in the film, but in the book, Hermione purchases Crookshanks whilst out in Diagon Alley that summer. In the film, Harry spends his time in The Leaky Cauldron and does not go out, but in the book, he enjoys his summer in Diagon Alley with his friends. There is also more about Ron and Hermione’s feud over their pets in the novel[6].

There were a few other story points that were omitted that fans might have liked to see. One of these relates to the Quidditch Cup. In the book, Gryffindor win the Quidditch Cup, and there are additional Quidditch matches, where the character Cho Chang is actually first introduced, as Ravenclaw’s Seeker. In the film series, Cho Chang is not introduced until the fourth film. In the third film, we only see the one match, where Harry is attacked by Dementors and his broom ends up destroyed. Speaking of brooms, in the film, Harry receives a gift of a new broom, the Firebolt, at the very end, with this being a gift from Sirius, only known to Harry and Hermione as they see it came with a Hippogriff feather. In the book, the Firebolt is actually sent to Harry earlier in the year, and as Hermione suspects it was sent by Sirius Black, who they still believed wanted to kill Harry, she reports it to Professor McGonagall who confiscates it for testing, before returning it to Harry later. Sirius would also sign Harry’s permission slip, allowing him to go to Hogsmeade in later stories, which is not mentioned in the films, and Sirius gifts Ron an owl named Pigwidgeon to replace Scabbers.

Lastly, there is one story point that might’ve been useful to viewers who were unfamiliar with the books, and that is around the Marauder’s Map. It is possible to piece together the creators of this map from references in later films, but it isn’t something that is outwardly talked about in the Harry Potter and the Prisoner of Azkaban movie. The map was created by four people who call themselves Moony, Wormtail, Padfoot, and Prongs. In the book, Lupin reveals to Harry and his friends that he was in fact Moony; Wormtail was Peter Pettigrew – with this nickname being used in later films; Padfoot was Sirius Black – again, we hear this name again later; and Prongs was James Potter. The four created it so they could know where Filch was at all times to stop themselves getting into trouble, although Filch did eventually confiscate the map from them. These nicknames refer to their Animagus forms, with Padfoot being a dog, Wormtail a rat, and Prongs a stag. The three students became Animagi to help Lupin during his werewolf transformations. This would’ve been good backstory to have at this time, but it’s not hard to connect the dots later[7]. We also don’t hear how Sirius escaped from Azkaban – by transforming into his Animagus – in the film, but again, it might have been nice to know, although not relevant to the unfolding story.

Some have also been annoyed about Harry’s opening scene of practising the Lumos spell at night, because this ignores the underage magic law, with this technically being illegal use of magic as Harry is under the age of 17 and not at school. Yet, Harry doesn’t become worried about being expelled until he accidently blows up Aunt Marge. This was an oversight I presume, and was just an opening shot to take the viewer right into the magical world.

It was decided that Harry Potter and the Prisoner of Azkaban had to feel darker, more dangerous, and show the child actors growing up, because they are thirteen in this story, so teenagers, and teenagers behave more erratically and are more emotional. This meant Cuarón wanted to treat his actors like adults, even giving Emma Watson, Daniel Radcliffe, and Rupert Grint an essay assignment in order to get them to think about their characters and how they are evolving, also giving Cuarón further insight into how the actors see their characters, since they knew the characters better than he did. In this case, Watson and Radcliffe both completed the assignment, however, Grint did not. When asked by Cuarón about why he did not do it, Grint simply said he felt that Ron just wouldn’t do it!

This film could also be seen as a turning point in terms of the three main actors’ acting abilities. Columbus had said himself how it had been a bit of a struggle at times to get the child actors to focus whilst on set due to their young age. For Harry Potter and the Prisoner of Azkaban, Watson, Radcliffe, and Grint were no doubt starting to take their acting more seriously, and bringing in further brilliant British actors was a good opportunity for the three to learn from some of the best. Radcliffe in particular was a big fan of Gary Oldman’s work and the two got on very well, with Oldman even teaching Radcliffe had to play the guitar. This friendship between the two actors was no doubt helpful to translate that dynamic on screen for the scenes between Harry and Sirius; you can see the bond on screen. Radcliffe also remembers the Shrieking Shack scene, with the confrontation between Lupin, Pettigrew, Black, and Snape, thinking it was like watching a major acting masterclass play out before them between David Thewlis, Timothy Spall, Gary Oldman, and Alan Rickman.

Cuarón wanted to put his own stamp on the Harry Potter franchise with this film and to do that, he wanted to focus some attention on making Hogwarts and its grounds feel like a living entity. This is obvious by some of the sequences that simply focus on the landscape, like the one of the bird as it flies around Hogwarts – only to fly straight into the Whomping Willow. Cuarón wanted the viewers to be able to connect different areas of Hogwarts together from this film. He also wanted to create a certain mood and atmosphere in this film, with darker skies, more rain and mist, adding to the already tense story moments[8].

So, where do you go if you want rain and moody landscapes? Scotland, of course! Apparently, they chose to film in May hoping for nice weather but it rained almost every day. This turned out to be a good look for the film though with those overcast grey skies. I actually have a longstanding joke where I compare the weather to which Harry Potter film the sky best represents that day, and it is all thanks to Harry Potter and the Prisoner of Azkaban that I can really do that, because it signalled a gradual darkening of the landscapes and backgrounds of the Harry Potter films as the series progressed.

There were many moments within this story that take place outside, so the natural landscape and the grandeur of the Scottish Highlands were seen to be perfect for this movie. Glencoe in the Scottish Highlands was a specific filming location, with shooting taking place here between May and June 2003. Sets were built near the bottom of Clachaig Gully, overlooking Torren Lochan and Signal Rock forest. These sets included Hagrid’s Hut, complete with its pumpkin patch garden, and the footbridge, or “Bridge to Nowhere”, where Lupin and Harry talk about his parents[9]. Loch Shiel was another location, this being the setting of Harry riding Buckbeak over the water, called the Black Lake in the film.

Other familiar locations were used again too, including the Glenfinnan Viaduct, which the Hogwarts Express goes along, and the Hogwarts Express itself. The train was actually targeted by vandals, who sprayed graffiti on it back in 2003 whilst it was stationed in Scarborough. It cost £3,000 to repaint the affected carriages[10]. Filming also returned to the streets of London, for example, for the location of The Leaking Cauldron near Borough Market, after Leadenhall Market was used in the first film, and the filming of the Knight Bus sequence, with the double-decker bus moment happened on Lambeth Bridge[11].

As with the previous two Harry Potter films, a mixture of special and practical effects were used to achieve the magical moments that appear in Harry Potter and the Prisoner of Azkaban. There are numerous physical transformations in this film, for example.

For Lupin’s, David Thewlis was covered in prosthetics, on his eyes, face, and hands in particular, and put in a split jacket to filmed this scene. Then, the rest of the transformation was moved to the computer to fully animate the full wolf transformation. It would also seem there was some sort of puppetry work with someone dressed up as a wolf on set, which may’ve been a visual marker for the actors or reference material for the computer work.

Peter Pettigrew also has to transform from rat to human and back again. In behind-the-scenes footage, Rupert Grint is seen to be holding an animatronic rat, and Timothy Spall then appears in a rat-like wig with scaly skin and bald patches, and claw-like nails, with the in-between work no doubt being completed digitally.

Aunt Marge swelling up is another transformation, which seems to have been done with the use of prosthetics and inflatable fat suits. There were different versions of these to show the swelling progression, and then flying harnesses were used to get Marge to “fly” outside. This was apparently done with no CGI at all.

Cuarón had hoped to not have to use CGI for the Dementors, and originally wanted to use flying puppets, to show them as floating beings with flowing dark robes. This was attempted but it didn’t quite work, so they shot the puppetry underwater and got more of the look they were hoping for but knew this was not practical for the shoot, so they had to go with CGI. After some trial and error and a lot of imagination, they came up with the look of the Dementors, which are basically skeletons in black robes. They look like the personification of Death, like the Grim Reaper, which perfectly matches their demeanour, as they seek to suck out souls and drain all the happiness and hope from their victims.

Another new character for this film was Buckbeak the Hippogriff. Animatronic figures of Buckbeak were created for close-ups and interactions with the actors, which took months to create and were a logistical nightmare to get on set too, but a CGI version was also created for some scenes. Since Hippogriffs are mythological creatures that are half-bird, half-horse, there was a framework to use when determining how Buckbeak would move, as they studied bird and horse bones and movements, discussing with physiologists and veterinarians. For the flight sequence, Daniel Radcliffe was placed on a rig that was set up to match the animation sequences that had already been shot, so Radcliffe’s reactions would fit perfectly when the two were combined. The team also confirmed that Buckbeak even does a CGI poop on screen, as Harry edges towards it during the Care of Magical Creatures class. This was added to give Buckbeak an authentic horse-like behaviour! The team decided this was probably the first time something like that had been done on screen.

Numerous sets were also built for shooting on this film, like the interior of the Knight Bus, with the bus being constructed from parts of actual double-decker buses to make this triple-decker bus and souping it up to be speedier than a regular London bus, and of course, the Shrieking Shack, which was built to look like a wooden, rickety and unstable structure, and was even placed on a moving platform to make the scenes look realistic, to make it seem like the Shack was moving in the wind[12].

The Wizarding World also features numerous animals. The crows in Hagrid’s garden were African pie crows, raised in California and trained. Hagrid’s Hut also has bats flying around it, so these were flown at intervals to go through the hut and back again, much like how owls have been used in the Harry Potter films. Two new pets were brought in for this film as well. A cat named Crackerjack became Crookshanks for this film, but it needed to look dishevelled and “manky”. To do this, its shed hair was used, by rolling it into a ball and clipping it on to the fur to make the cat look scruffy, with a small amount of jelly being put on its face to make it look “weepy”. A bulldog was on set too, becoming Marge’s dog Ripper, and it was trained to be fake-aggressive for its scenes[13].

There were also some funny moments to mention from the filming. One is a prank that was played on Daniel Radcliffe. During the scene of Dumbledore and Snape discussing the break-in at the castle by Sirius Black and Harry’s safety, all the students are sleeping in the Great Hall as the two teachers walk between them. All the actors were in sleeping bags. Radcliffe had apparently asked Cuarón if he could position his sleeping bag next to one of the extras that he had a bit of a crush on. With this in mind, it was the perfect opportunity for a prank, so a fart machine was placed inside Radcliffe’s sleeping bag. And the person with the controller to set this machine off was none other than Michael Gambon! He took this as an opportunity to prank Radcliffe and make him look bad in front of the girl he liked. Cuarón was in on the prank too, and there is actually footage of this online for anyone interested[14]!

To add to that, there was apparently a swear jar on the set to limit the amount of cursing around the young actors, which was a decision made by Cuarón to dissuade himself from swearing in front of the young cast! Also, instead of Hermione slapping Draco in the book, Tom Felton and Emma Watson felt a punch would be more intense for the scene, and had a lot of fun with that scene – even if Watson’s punches were harder than anticipated[15]!

There are some interesting cameos in Harry Potter and the Prisoner of Azkaban too. One of these is former frontman of the Stone Roses Ian Brown, who can be seen magically stirring a cup whilst reading Stephen Hawking’s A Brief History of Time. Brown is a friend of Alfonso Cuarón, so that is why he is in this film in particular. Cuarón’s then-wife and child also make a cameo in one of the portraits that are to the left of the Fat Lady’s portrait. Comedian and actor Paul Whitehouse also made an appearance as Sir Cadogan, an eccentric knight who takes over from the Fat Lady as the entryway to the Gryffindor Common Room, however, this scene was deleted from the final cut of the film. Finally, in the highly detailed Marauder’s Map, you can see Newt Scamander on the map. Scamander was the fictional author of the book Fantastic Beasts and Where to Find Them, later becoming the protagonist of the Fantastic Beasts prequel spin-off film series. The Marauder’s Map is also used for the End Credits scene, showing more secret locations, like a Stink Bomb store.

RECEPTION

After holding its world premiere at Radio City Music Hall in New York City on 23rd May 2004, Harry Potter and the Prisoner of Azkaban was then released in the UK on 31st May 2004, to coincide with the school half-term dates, with international release dates taking place within the next few weeks in many countries. For example, the US release date was 4th June. This film was also released in IMAX theatres.

This means Harry Potter and the Prisoner of Azkaban was a summer release, whereas the previous two films had both made it to cinemas for November and the festive season. Both Summer and Thanksgiving or Christmas are popular times for movie studios to show their new films. I think the tone of Harry Potter and the Prisoner of Azkaban was more suited to a summer blockbuster than a magical festive film, but really, a movie can be a success or a failure regardless of what time of year it is released.

In the case of Harry Potter and the Prisoner of Azkaban, it did not live up to the financial figures of Harry Potter and the Philosopher’s Stone in 2001 or Harry Potter and the Chamber of Secrets in 2002, although its final box-office total was still decent.

Harry Potter and the Prisoner of Azkaban ended its initial theatrical run with just over $795 million, putting it in the No. 2 spot in the Worldwide Box Office for 2004, behind DreamWorks’ Shrek 2, which made just under $930 million. Harry Potter and the Prisoner of Azkaban was just ahead of two other big films of 2004: Spider-Man 2 and Pixar’s The Incredibles, which took $786 million and $631 million respectively. It also beat out other family-friendly films of the year by some margin, such as DreamWorks’ Shark Tale, Warner Bros.’ The Polar Express, and Disney Animation’s Home of the Range. Taking subsequent theatrical re-releases into account, Harry Potter and the Prisoner of Azkaban’s box-office total just over $810 million to date.  

In terms of reviews, Harry Potter and the Prisoner of Azkaban was highly rated. Many liked the additions to the cast, of powerhouse talent like Michael Gambon, Emma Thompson, David Thewlis, Gary Oldman, and Timothy Spall. These actors would return to their roles in later Harry Potter films as well. It was appreciated that the tone of this film was darker and went some way to make the franchise feel more mature, as the lead characters became teenagers. Due to this shift in tone, Harry Potter and the Prisoner of Azkaban, both the film and the book, is considered the fan-favourite of the entire series. The special effects were also praised, and viewers particularly enjoyed the Time Turner sequence, which ties all the events together to make for an exhilarating and dramatic ending to the story.

However, there will always be negative reviews for any film, and some of these relate to the film being too dark, both in regards to the storyline as well as in the overall look of the movie, especially when compared to the brightness of the first two. Some also commented that the movie was too long, which meant some parts of the story were slow and a bit boring at times. I personally can agree with this, as my attention wanders during some portions of this film, which is why I don’t like it as much as other Harry Potter films. The time-travelling sequence was also considered to be potentially confusing specifically for younger viewers. There is further debate on whether Harry Potter and the Prisoner of Azkaban is faithful enough to the original books, as some feel that the film strayed away from the book too much, with sections of important plot points completely absent from the film, whereas others liked that the film was not as faithful to the book as the first two had been.

Harry Potter and the Prisoner of Azkaban is considered to be the most critically-acclaimed of all the Harry Potter movies, although I would debate that, with critics seemingly liking the final film more. Regardless, Harry Potter and the Prisoner of Azkaban is beloved by the fandom, however, this film turned out to be the lowest-grossing of the entire film series. It is not clear why this was the case, however, it could have had something to do with the film being released 18 months after the second film came out, instead of just having a one-year gap between films, as had been the case with the first two. Others may have also been concerned by the darker elements of the film, feeling it was not going to be as magical or as whimsical as the previous ones, as Harry Potter and the Prisoner of Azkaban begins the descent into a deeper and more complicated storyline that is all-encompassing.

Awards might not be everything but they do provide another examination of how well a film was received. Harry Potter and the Prisoner of Azkaban saw the film return to the Academy Awards nominations list, after Harry Potter and the Chamber of Secrets had been snubbed, although Harry Potter and the Prisoner of Azkaban did only get two nominations this time, and not the three that Harry Potter and the Philosopher’s Stone had achieved. At the Academy Awards, along with John Williams’ nomination for Best Original Score, Harry Potter and the Prisoner of Azkaban was nominated for Best Visual Effects, losing to Spider-Man 2. The special effects team would get their deserved credit though at the Visual Effects Society Awards, where they won for Outstanding Visual Effects and Outstanding Performance by an Animated Character in a Live Action Motion Picture for Buckbeak, and were nominated in three other categories, including for Outstanding Models and Miniatures, and for Best Single Visual Effect of the Year, for the Dementor Train sequence. Stuart Craig was also recognised for his Production Design on this film, by winning Production Designer of the Year at the Hollywood Film Awards.

Harry Potter and the Prisoner of Azkaban would also receive numerous nominations at the BAFTA awards, in categories like Best Makeup and Hair, and Best Production Design, losing out to The Aviator; Best Special Visual Effects, with The Day After Tomorrow taking the win; and Outstanding British Film, which was won by My Summer of Love. It did, however, win the Orange Film of the Year here, a category voted for by the public.

The third Harry Potter film also picked up multiple nominations at the Saturn Awards, which honours the science fiction, fantasy, and horror genres. Harry Potter and the Prisoner of Azkaban was up for Best Fantasy Film, Best Director, Best Screenplay, and Best Visual Effects losing to Spider-Man 2 in all cases; Best Supporting Actor for Gary Oldman, which David Carradine won for his role in Kill Bill: Volume 2; and Best Young Actor/Actress for Daniel Radcliffe, with Emmy Rossum winning for her leading role in The Phantom of the Opera. They were also nominated for Best Costume Design and Best Make-Up.

Other award ceremonies where Harry Potter and the Prisoner of Azkaban picked up some wins and nominations including the Kids’ Choice Awards, the Teen Choice Awards, and the People’s Choice Awards. At the Kids’ Choice Awards, Harry Potter was nominated for Favorite Movie, losing to The Incredibles, and Favorite Book, which was won by A Series of Unfortunate Events. At the Teen Choice Awards, Harry Potter and the Prisoner of Azkaban won Choice Movie: Action Adventure, but did not win Choice Summer Movie; Spider-Man 2 did. At the People’s Choice Awards, it lost to Shrek 2 in the Favorite Sequel category.

LEGACY

The early Harry Potter films were being released alongside the publication of the remainder of the Harry Potter book series, meaning that readers were able to know what was going to happen in the rest of the film series. This might make many think that this would decrease the level of interest in the films or the books, but actually, it only increased it, with readers excited to see how their favourite scenes and moments would play out on screen.

In 2003, J.K. Rowling’s fifth Harry Potter book, Harry Potter and the Order of Phoenix was published, becoming the fastest-selling book in history at the time, surpassing that of Harry Potter and the Goblet of Fire’s publication in 2000. In 2004, there was no new Harry Potter book for readers to get their hands on, although the sixth book’s publication date was confirmed in December 2004. There were still seven months to wait though, as Harry Potter and the Half-Blood Prince would not come to bookshops until July 2005.

So, the new film would have to satisfy the Potter fans until then. A video game based on Harry Potter and the Prisoner of Azkaban film was released in 2004, and it was just as much fun as the previous two films’ games in my opinion. Other merchandise was also available to purchase, such as movie posters, LEGO sets, clothing, and figurines.

Most interesting though was that around 2004, discussions were taking place between Warner Bros., J.K. Rowling and certain theme park companies to bring the Harry Potter franchise to fans in a whole new way. Rumours swirled around just who Rowling was talking to, and where the potential Harry Potter attraction might end up. Well, obviously being the industry leader, Disney were the most likely to get the go-ahead from Rowling…Right?

It is true that Rowling was in discussions with Disney, and the Harry Potter attractions would potentially have filled an area of Fantasyland at the Magic Kingdom in Walt Disney World, in Orlando, Florida. There were talks of two different attractions and a themed restaurant. Apparently, one of these attractions was to be an Omnimover-style shooter ride, kind of like Buzz Lightyear’s Space Ranger Spin, which already existed at this park, but instead of shooting lasers, guests would be casting spells with wands. The other attraction was said to be a magical creature petting zoo. However, despite Disney’s reputation for creating magical lands that engage and captivate guests from all over the world, Rowling was said to be less than impressed with Disney’s plan, despite signing a letter of intent with them in 2004. Rowling also did not like the idea of outside brands being featured in this “Harry Potter land”, so negotiations stalled, before being terminated, leading Rowling to look elsewhere to discuss her theme park dreams[16].

Most everyone knows that Rowling turned to Disney’s major competition, Universal Studios, who did end up building whole Harry Potter worlds at their theme parks, beginning at their Universal Studios Orlando property, mere miles from Walt Disney World. The discussions around that are a story for another time, but I do still want to mention a couple of attractions that exist in these theme parks spaces that specifically relate to the events and characters within Harry Potter and the Prisoner of Azkaban.

The first Wizarding World of Harry Potter at Universal Studios Islands of Adventure Park features a recreation of Hogsmeade, which Harry and his friends first visit in this third film. The theme park land includes places like Honeydukes sweet shop, where guests can purchase Wizarding World-inspires sweets, and the pub The Three Broomsticks, for guests to have a drink or meal. You can also find the small rollercoaster Flight of the Hippogriff here, which was a simple redesign of the former coaster Flying Unicorn. An animatronic of Buckbeak is sitting at the start of the ride. The Hogwarts Frog Choir also does performances throughout the day.  At the other Harry Potter area, at Universal Studios’ main park, a recreation of Diagon Alley was created. Here, you can have a bite to eat at The Leaky Cauldron, and then go and see the Knight Bus parked up just by the entrance to the alley. You might even be able to have a conversation or your photo taken with the Bus Conductor and the Shrunken Head. The Diagon Alley area is only in Orlando.

Flight of the Hippogriff is also an attraction at the Wizarding World of Harry Potter areas at Universal Studios Hollywood, Japan, and Beijing though. The Buckbeak animatronic also features at these other parks. The Frog Choir exists at Universal Studios in Japan and Beijing. The Hogsmeade version of the Wizarding World exists at the parks in Hollywood, Japan, and Beijing, along with the same locations.

In 2024, Harry Potter and the Prisoner of Azkaban celebrated its 20th anniversary. A special summer event was held that year at the Warner Bros. Studio Tour in London, where new sets were able to be viewed, such as the Divination classroom, the interior of the Knight Bus, and a newly transformed Defence Against the Dark Arts classroom, set up for Lupin’s lesson on Boggarts. The Hogwarts Frog Choir was also on display in the Great Hall set. Harry’s bedroom in The Leaky Cauldron was set up too, complete with the Monster Book of Monsters going on a rampage under the bed[17]!

FINAL THOUGHTS

Harry Potter and the Prisoner of Azkaban saw a rather big change from the enchanting locations and sequences we saw in the first two Harry Potter films.

Although both of those stories had elements of danger and dark magic to them, they were surrounded by bright and fun sequences, to keep away too much of the threat. Rightly or wrongly, these first two films feel more fun and less dangerous than any Harry Potter film to come after it, simply setting the stage and the atmosphere of the Wizarding World.

But as Harry and his friends get older, and a darkness starts to overshadow their magical schooling, there is no getting away from the fact that there is soon to be a battle between good and evil, light and dark. This movie was a huge jump forward towards that, and, although unsettling for some, it was a necessary shift in tone that had to be done.

The possibility had already been alluded to and prophesised before in the earlier films, yet, by the end of Harry Potter and the Prisoner of Azkaban, the return of Lord Voldemort was starting to feel like a very real and imminent threat to Harry and his friends.


REFERENCES

[1] Credit: Ben Sherlock, ’10 Actors Who Were Almost Cast In Harry Potter Movies’, ScreenRant.com, 28th April 2020.

[2] Credit: Ben Sherlock, ’10 Actors Who Were Almost Cast In Harry Potter Movies’, ScreenRant.com, 28th April 2020.

[3] Credit: Debanjali Bose, ‘‘Harry Potter’ director reveals Peter O’Toole turned down being the new Dumbledore because he ‘didn’t feel it was right’ to step into Richard Harris’s shoes’, BusinessInsider.com, 14th November 2021.

[4] Credit: Lexy Perez, ‘‘Harry Potter and the Sorcerer’s Stone’ Turns 20: Director Chris Columbus Reflects on Pressures to Adapt Book and Hopes to Direct ‘Cursed Child’’, HollywoodReporter.com, 11th November 2021.

[5] Credit: Warner Bros., ‘Creating the Vision’, from Harry Potter and the Prisoner of Azkaban (2004) 11-Disc Blu-Ray Set (2011).

[6] Credit: Kelvin Kwao, ‘Harry Potter and the Prisoner of Azkaban’s Biggest Changes From Book to Film’, CBR.com, 2nd September 2022.

[7] Credit: Matthew Rudoy, ‘Harry Potter: 10 Differences Between The Prisoner Of Azkaban Book & Movie’, ScreenRant.com, 21st August 2020.

[8] Credit: HBO Max, Harry Potter 20th Anniversary: Return to Hogwarts (2022).

[9] Credit: Glencoe Scotland, ‘Harry Potter In Glencoe’, GlencoeScotland.com, date unknown.

[10] Credit: BBC News, ‘Potter train attacked by vandals’, BBC.co.uk, 23rd March 2007.

[11] Credit: Visit Britain, ‘Visit Harry Potter filming locations’, VisitBritain.com, date unknown.

[12] Credit: Warner Bros., ‘Conjuring a Scene, from Harry Potter and the Prisoner of Azkaban (2004) 11-Disc Blu-Ray Set (2011).

[13] Credit: Warner Bros., ‘Care of Magical Creatures’, from Harry Potter and the Prisoner of Azkaban (2004) 11-Disc Blu-Ray Set (2011).

[14] Credit: Joshua Nelken-Zitser and Eammon Jacobs, ‘Michael Gambon, the actor who played Dumbledore, used to prank Daniel Radcliffe on the set of ‘Harry Potter’’, BusinessInsider.com, 28th September 2023.

[15] Credit: Dan Morris, ‘Harry Potter: 23 Crazy Details Behind The Making Of The Prisoner Of Azkaban’, ScreenRant.com, 4th September 2018.

[16] Credit: Brian Delpozo, ‘How ‘Harry Potter’ Almost Ended Up at Disney World – And Why the Deal Fell Apart’, Allears.net, 7th June 2020.

[17] Credit: Carlo Simone, ‘Harry Potter Studio Tour shares Prisoner of Azkaban exhibit’, WatfordObserver.co.uk, 20th February 2024.

#64 Zootopia 2 (2025)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. PRODUCTION
  5. MUSIC
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

First things first, consider this your spoiler warning. I like to go into detail with plot points, so you might want to ensure you’ve watched Zootopia 2 first before reading anymore.

Picture this. It’s 2025 and the Disney Studios hasn’t announced, produced, or released a movie sequel or a live-action remake for a whole year. Yeah. Keep dreaming.

After a brilliant 2024, in terms of financial results from its movies, The Walt Disney Company was riding high, wanting to repeat that success. Pixar had made over a $1 billion with their film Inside Out 2; Disney Animation also hit this marker with Moana 2. From their live-action remake slate, they released Mufasa: The Lion King, a prequel of a live-action remake – mind-blowing – which didn’t make as much money but still added to the profits.

Why stop there? Why not keeping going? If the people want sequels, let’s give them sequels! So, 2025 was not going to turn the tide. Earlier in the year, after claiming that they would not be making any more live-action remakes after the box-office bomb that was Snow White, which had been hit by numerous waves of criticism, Disney got the turnout they needed from the public for their remake of Lilo & Stitch. This film made over $1 billion too.

What a shock result. How could this possibly be topped? Well, obviously with another sequel. And that sequel was Zootopia 2, coming nine years after the original Zootopia made a splash on its release in 2016, becoming a spring hit for the company.

I have made no secret of my love-hate response to movie sequels. Sometimes I actually quite like them, even more than the originals. Some examples are Disney Animation’s Frozen II (2019) and Pixar’s Toy Story 2 (1999) – I’ll throw in Toy Story 3 (2010) as well for good measure. But I thought that Moana 2 was a huge letdown, and simply rehashed the original film’s story, and Toy Story 4 (2019) was nightmare fuel for me. And don’t forget: Pixar has already told us to expect Incredibles 3, Coco 2, and Monsters, Inc. 3, alongside Toy Story 5 (2026), over the next few years. Oh goodie.

Shockingly, I actually didn’t hate the idea of Zootopia 2 when it was first announced. The trailer didn’t look bad at all, and Zootopia was the optimal source to create new storylines from. So, now I’ve watched it, do I still agree with this statement? Yes, actually I do. Zootopia 2 was good. It took a while to get going, I thought, but once I’d figured out who all the new characters were, it was a good story, the ending in particular was great. Perhaps Zootopia 2 is not as funny as the original film, but it is just as heartwarming.

PLOT

Zootopia 2 begins with a brief recap of the ending of Zootopia, with Judy Hopps and Nick Wilde exposing Mayor Bellwether as being behind the attacks on the prey in the city. Bellwether is arrested, put on trial, and sentenced to prison, whilst Nick is recruited into the Zootopia Police Department and partnered up with Judy. The two become the first bunny-fox team in the history of Zootopia and set about trying to prove themselves.

One week later, Chief Bogo is assigning his officers to their duties in order to solve a case against a dodgy customs inspector, who is said to be smuggling illegal overseas cargo into the city. However, at this meeting, as Bogo is about to tell Judy and Nick that, as a new partnership they will only be observing, he sees that the two are not there. Bogo is told by Officer Clawhauser that Judy and Nick are already at the shipyard – with their baby. What?

At the shipyard, we see that Judy and Nick are in disguise as a mother and father with their “baby”, who is actually Finnick, Nick’s former associate from the first film. They use their cover to speak to the customs inspector, an anteater, who tells the “family” they need to leave the area right away. Nick distracts the inspector by talking about his “son’s” birthday, so Judy can check out the cargo boxes nearby. The box opens up and all its contents fall out, alerting the inspector to the fact the police are on to him. The inspector jumps into a van and drives away. Judy and Nick commandeer a pig’s car, his “hog rod” and pursue the criminal. However, the chase causes chaos across Zootopia, as they mess up a sheep barber shop, drive right into a parade, and even leave a dik-dik stuck in a tuba! At one point, Judy jumps into the inspector’s van, as he is knocked out by a sign, but instead of coming to a gentle stop, she drives off the bridge and crashes near to a conference with the new Mayor of Zootopia, Mayor Winddancer. Other ZPD officers arrest the suspect.

Chief Bogo is furious with Nick and Judy for disobeying orders; however, Judy is distracted by her find of snake skin and details about the Zootennial Gala in the inspector’s van. She looks up the history of reptiles in Zootopia, coming across a podcaster, who seems to dabble in conspiracy theories. Bogo warns Judy that her “overdoing” her job is reflecting badly on the ZPD and their partnership. He sends Judy and Nick to a workshop together.

At the workshop, for “Partners in Crisis”, led by therapist Dr. Fuzzby, Judy discovers that Bogo believes her and Nick are mismatched partners. She looks around and doesn’t see how they can be worse than an elephant scared of its mouse partner, or a honey badger and a deer that just can’t get on! Dr. Fuzzby diagnoses Judy as being in denial, and Nick as emotionally insecure, but says with time, maybe a year or two, they can get through this. Judy assigns Nick homework to try and get their partnership under control, so they can complete the workshop as quickly as possible.

At their respective homes, Judy gets a call from her parents, who saw the coverage of the disastrous police chase today, and want to check she’s alright. As they start to analyse what doesn’t work with her and Nick, she ends the call, and turns on the TV, settling down to books about partnership. She sees a report about the Zootennial Gala, and how the Lynxley Journal will be on show there, which is related to a historical incident with a snake. Judy also realises that the inspector’s van is the same as the catering company working the gala. Judy goes back to her podcaster, Nibbles Maplestick, who gives her some further backstory into the journal. It is said that 100 years ago, a snake attacked a tortoise, the Lynxley family maid, who was trying to stop the snake from stealing the journal. No snakes were seen in the city after that. With this in mind, Judy goes to Nick and says they have to get to the gala.

At the Zootennial Gala, many celebrities and important guests arrive for a big party. Judy and Nick arrive and start inspecting the catering company’s vans. Judy then sees a back door into the mansion where the gala is being held is open. She gives Nick a suit to wear, and Judy puts on a dress so they can blend in. Inside, Judy sees the journal is in the Reserved Section. To get there, Nick schmoozes the wealthy Bearoness and gets them in. Judy sets about looking for the journal, whilst Nick keeps a lookout, and sees that the cover of the journal is made of metal. She bumps into Pawbert Lynxley, part of the powerful Lynxley family, but he is awkward and nerdy, nothing at all as Judy would’ve expected. It turns out Pawbert is a fan of Judy’s work at the ZPD. She tells him she is trying to protect the journal. Meanwhile, Nick finds a piece of snake skin on the floor.

As Mayor Winddancer delivers his speech to the gala attendees, Nick sees something on the chandelier above. However, as Nick is about to find Judy, he runs into Chief Bogo, who is about to eject him from the gala. Suddenly, the thing falls down from the chandelier and is revealed to be – a snake! The snake takes the journal and Milton Lynxley, and tries to escape. Judy follows, through the kitchens, the hallways, into a room. Judy talks to the snake, who says the Lynxleys are the bad guys, not the snakes, with the journal the only way to prove this. Nick then knocks the snake out with a pan. Milton orders the snake to be killed, and for the journal to be burnt, telling Nick and Judy to file a report saying the snake attacked them. Milton is joined by his other children, Kitty and Cattrick. Judy flicks coals onto the rug, setting the room on fire, and tries to save the snake. However, the snake accidentally bites Chief Bogo, losing a fang. Bogo is sent to hospital. The snake flies out the window and is picked up by someone on a motorbike. Judy takes the journal and jumps out the window with Nick. They turn up beside Mr. Big’s limo, and are put in the trunk.

Later that night, it is revealed that Mayor Winddancer has been ordered by Milton Lynxley to take down the snake, Judy, and Nick, so no details of that night come to light. The mayor is threatened with losing his job should he not do this. Meanwhile, Judy and Nick have returned to being front page news for all the wrong reasons. They are taken to Mr. Big’s new bag factory and warehouse, being run with his daughter Fru Fru. Mr. Big sets Judy and Nick up with new identities and transportation out of Zootopia, in a bid to help them escape the Lynxleys. Mr. Big says they have always been dangerous and without honour, but that their expansion of Tundratown is the most important thing to them, and should Judy and Nick get in the way, the Lynxleys won’t hesitate to kill them. Judy turns down Mr. Big’s offer, wanting to help the snake. Mr. Big says that they’ll need to talk to a reptile expert to find reptiles to speak to then. Fru Fru sends them to none other than Nibbles Maplestick.

Nibbles drives them to Marsh Market, where reptiles are said to remain hidden. Nibbles says they are going to her lizard friend Jesús for help. She explains that Marsh Market is an outside area to Zootopia, having been cut off years ago, so reptiles can lie low here. Nibbles speaks to a walrus, who happily takes them to a half-submerged boat to find Jesús. Inside the boat, they discover that all the reptiles live there, having made themselves a large bar. Nibbles introduces Judy and Nick to Jesús, who tells them they must eat first, before they talk. They are offered worms to eat, and Nick and Judy choke down one each, causing Jesús to laugh as this was just a joke he likes to play sometimes! Jesús looks at the journal, revealing that the metal cover means that the secret they are looking for will likely be on the cover, as vipers can see things in metal. This confuses Judy who believes this journal was made by the Lynxleys, so why would they hide a message in it that can only be read by snakes? Jesús doesn’t know, only knowing it must be important. Jesús also states that the Tundratown expansion is going to take over Marsh Market next, pushing the reptiles out once again. Judy can’t let that happen. The ZPD then come to the bar, having followed Nick and Judy there. Jesús leads them out of the boat, wanting them to let the truth be known, before running off. The snake then comes and takes the journal, slithering away on the water. Judy jumps on a boat to follow him, whilst Nick runs across the docks, before joining Judy on the boat. They hop between vessels, tracking the snake. They arrive at the transportation tubes and go down them. These tubes are full of water though, so although Nick and Judy try to keep up, they have to make an early escape as they run out of air.

They come out of the tubes next to a tall mountain. Nick and Judy begin to argue, as Nick doesn’t like how Judy never consults him about anything, having almost killed them both just now, whereas Judy blames Nick for letting the snake and the journal get away. At the exit of the tube, they find a bag, containing a box of old matches with a flower design on the front. Two goats come down the mountain and speak to Judy and Nick. Judy discovers that the flowers that the goats have eaten match the design on the matches. The goats say the flowers are right at the top of the mountain, along with a honeymoon lodge. Nick and Judy are told to climb the rope to get there, so they do just that. The duo continues to fight up the mountain, leading to the carrot recorder that they used for their last case to be destroyed as they drop it, upsetting Judy. At the lodge, Judy finds more information about the reptiles and the infamous snake attack, as well as details of the Tundratown expansion. She learns there once was a whole reptile neighbourhood that was erased by the Lynxleys when Tundratown expanded the first time. Nick tries to get Judy to realise that the ZPD officers are on them again, but she won’t listen. Nick says this case isn’t worth dying for, but she disagrees. She admits maybe they are too different. The lodge falls apart as the ZPD officers try to arrest Nick and Judy. Judy comes face-to-face with Pawbert and the snake, who say they are the good guys, as she tries to escape the lodge. The snake asks Judy to come with them, since Nick has already been captured. They plead with Judy, who seems willing to go with them. Nick wrestles away from the officers, and sees Judy shot with a tranquiliser dart. Pawbert takes Judy with them, leaving Nick alone to be arrested.

Nick is taken to Mayor Winddancer, who asks to know where Judy is. Nick won’t say anything, even when threatened by Milton Lynxley. Milton reveals that the “lesser animals” in Marsh Market are set to be snowed over so his Tundratown expansion can continue. Nick is sent to jail to rot in a dark cell. Milton learns that Pawbert is helping Judy and the snake after seeing some of his fur near the lodge. Meanwhile, Judy finds herself on a motorbike in the desert with the snake and Pawbert, who reveal that Nick was caught. The snake introduces himself as Gary De’Snake, saying everything will be ok and they will save her partner. Gary also reveals that he has an anti-venom pen in case he accidentally bites anyone, showing that he is not evil. Pawbert takes the two to his hideout in the desert. Gary says he sent a letter to the Lynxley family ahead of the gala, saying he wanted to fix things for his family. Pawbert was the first to read the letter, and had Gary smuggled in so he could complete his personal mission. Pawbert says they will stop his family and reveal the truth.

They light a fire and place the journal next to it. As a heat-sensing pit viper, the warmth allows Gary to see the secret on the cover of the journal. Judy discovers that Gary’s great-grandmother was actually the one to create Zootopia, not the Lynxley family, having invented the weather walls so all animals could co-exist. Pawbert’s great-grandfather was her investor, but ended up stealing the plans for himself. To frame Gary’s great-grandmother, he murdered his maid so the snakes would be exiled, and he could wipe out the reptile neighbourhood forever, burying the area under snow, to become part of Tundratown. The original patent was saved though, and Gary’s great-grandmother hid the patent in her home. The journal reveals the path to her home so they can find the patent and reveal the truth. Judy says the light of the clock tower in the area might be able to show them where the neighbourhood was. They just need to get to the control room at the Sahara Square-Tundratown weather wall to turn the lights back on. Unbeknownst to them, the Lynxleys have been tracking Pawbert’s phone and know exactly where they are going.

In jail, Nick is reunited with Nibbles, who is in the cell opposite. Nick knows he needs to get out of there to find Judy. Nibbles uses a broom to whittle a key, opening both their cell doors as Nick says that Judy is his first real friend and doesn’t want to lose her. Nibbles and Nick try to make their way out, however, they see an “Open” button, thinking it will open the door to the outside, but it actually opens up all the cells. The prisoners dogpile on Nibbles and Nick, with the pressure of their weight forcing the door open. Nick then calls Flash, to take them to Judy in his super speedy sports car.

Gary, Judy, and Pawbert head to the control room, with Gary telling Judy to calm down and not let the pressure of the case get to her. He continues to believe they shall succeed. The ZPD are on their tail though. Judy sees they are being followed, and destroys Pawbert’s phone. It is too late for that though, and they all arrive at the weather wall. The Burning Mammal festival is going on at the same time, and Judy and the gang end up in singer Gazelle’s tent, who lets them escape and has her bodyguards slow down the police. Nick, whilst in Flash’s car, begs Clawhauser to distract Paul, a mole in the IT department, so he can track Judy on Paul’s computer. Clawhauser navigates various security measures, but finds Judy’s location. Judy runs for the control room, with Milton telling the ZPD to “put them down”. The ZPD can’t do it, however, an officer’s gun accidentally fires right at Judy. Luckily, Flash’s car arrives just in time and blocks the shot, hitting its side panel.

Judy, Pawbert, and Gary burst into the control room. Nibbles gets inside, but the door closes on Nick. The weather wall starts to heat up, but Nick gets in just in time, with the ZPD left outside. In the control room, the door to Tundratown is left open, making the room very cold, but they turn the switches on, and see the clock tower light in the distance. Judy sees Nick and Nibbles on the cameras. Pawbert then stabs Judy in the neck. Gary lunges at him, but is thrown out into the snow to freeze to death. Pawbert says he has to do this to prove himself to his family and make them proud of him, by destroying the original patent once and for all. Pawbert takes the anti-venom pen from Gary and leaves them both to die. Judy begs Pawbert to reconsider his choices, but he refuses to go back on his decision. Pawbert then goes after Nibbles, jabbing her with venom too, and Nick, who is looking for Judy.

Gary continues to say they will succeed, but Judy isn’t even strong enough to crawl to the door. Gary manages to slither to Judy, making him warm again, saying he will save them all. The ZPD burst in and see Gary wrapped around Judy, believing he is going to eat her. Gary fights past them, still holding Judy, as Nick is about to be stabbed by Pawbert. He kicks him away. Gary calls up to Nick to pass him the anti-venom pen to save Judy. Nick and Pawbert are on a fragile ice shelf, but Nick grabs the pen and throws it to Gary, who revives Judy with it. She races outside as the ice shelf falls away, grabbing Nick’s hand before he can fall. The two have a heart-to-heart, apologising to each other for their behaviour, whilst Gary goes to revive Nibbles. Nick says he cares about Judy, and is emotionally insecure, struggling to communicate how he is feeling. Judy admits she does try too hard, and doesn’t want to look weak. They say they are the best thing to have happened to each other.

Meanwhile, Pawbert has commandeered a ski mobile and heads for the clock tower. Judy, Nick, Gary, and Nibbles follow on another mobile. Pawbert passes through his family’s mansion, where his father accuses him of betraying them. Pawbert reveals he was doing it to help them, and now knows where the patent is. The others arrive soon after. Judy and Nick are told to follow Pawbert, whilst Nibbles and Gary take the Lynxleys. Nibbles tells the mayor, who is standing nearby, to fight the Lynxleys with them, and make the right choice.

Pawbert gets to a hedge maze, which Nick and Judy bulldoze through on a snow plough, but Pawbert then attacks them. Gary arrives with Nibbles and they tie Pawbert up. The others go to the reptile neighbourhood and find Gary’s family home. Inside a trinket box, Gary finds the original patent. But just as everything looks good, Pawbert arrives at the home, trying to burn the patent. The ZPD officers knock him out with a frying pan.

A news report details the events of Nick and Judy’s case, and reveals the truth about Zootopia and its creation. The Tundratown expansion is cancelled, saving Marsh Market, and the Lynxley family are thrown in prison. Chief Bogo also makes a full recovery. Nick and Judy are called “the dream team”, revealing that how they communicate, and accepting their differences, makes their partnership work. This is shown to be a speech given at the Partners in Crisis workshop. The reptile neighbourhood is later thawed out and reopened, with Gary opening up his home to all his new friends. Gary is reunited with his family, introducing them to his new friend, Judy. Nick gives Judy a new carrot recorder, which she uses to record Nick saying “Love you, partner”. Judy says she’ll give it back once they’ve solved their next case. This next case is revealed to be them tracking down all the prisoners Nick and Nibbles inadvertently released earlier. At the airport, Nick and Judy are seen in disguises as they watch former mayor Bellwether try to get to Outback Island.

The movie ends as the first movie did, with a performance by Gazelle, attended by all the citizens of Zootopia. There is also a post-credits scene, which sees Judy admiring her new carrot recorder in her apartment. One of her neighbours complains about having to hear the recording of Nick all the time, as the other tells him to give her a break. They ask what her next case is and Judy jokes it is about a rabbit who strangles her neighbours. The neighbours argue over who offended her more! We then see a feather float down to the sill.

CHARACTERS & CAST

Zootopia 2 once again follows Nick Wilde and Judy Hopps as they try to figure out another mysterious case. The events of this film take place just a week after the two are officially paired up to work together within the Zootopia Police Department, so naturally, their personalities haven’t changed much. Judy continues to be persistent, determined, and work-obsessed, as well as being quick to make decisions, regardless of Nick’s opinions on the matters, sometimes leading to her putting their lives in danger. Nick is more risk-averse, and just wants to stay alive. He would’ve rather escaped town after the gala than get themselves into trouble by working out the case, but he goes along with it to keep Judy safe. The two struggle to communicate effectively during this film, but after becoming separated during the case, when they are reunited, they each apologise for their actions, and explain their weaknesses to each other. With this in mind, they figure out how to become an effective police pairing, even explaining this secret to other “partners in crisis”. I’m sure there will be another chance to see Judy and Nick put what they learnt in this sequel into action.

Ginnifer Goodwin returned to voice bunny cop Judy Hopps here. After Zootopia, Goodwin continued to star as Snow White / Mary Margaret in the ABC series Once Upon a Time (2011-18) and reprised her role as Judy for other Disney projects. She went on to star as Beth Ann Stanton in Season 1 of the anthology series Why Women Kill (2019-21) and voices Pamster Glamster in the Disney Jr. series SuperKitties (2023-present).

Jason Bateman returned to voice the fox officer Nick Wilde for the sequel as well. After Zootopia, Bateman continued to star as Michael Bluth in the series Arrested Development (2003-19). He went on to star as Marty Byrde in the series Ozark (2017-22), winning three Screen Actors Guild awards for his acting performance, and a Primetime Emmy award for his directing. Recently, Bateman acted alongside Matt Damon in Air (2023), portraying Rob Strasser, and played The Traveler in the Netflix thriller Carry-On (2024). He also starred with Jude Law in the Netflix crime series Black Rabbit (2025) playing Vince Friedkin, and was cast as Clark Forrest in the 2026 miniseries DTF St. Louis.

Helping Judy and Nick, as well as being the reason behind their case, is Gary De’Snake, who is the first snake to be brave enough to return to Zootopia after the infamous snake attack where the Lynxleys’ tortoise maid was killed by one. He has returned to Zootopia to finally reveal the truth about reptiles. He hopes to use the Lynxley Journal to do this. It turns out Gary is being helped by someone; however, it is not revealed until quite a bit later in the film that this accomplice is none other than Pawbert Lynxley, who decided to help after a letter from Gary was sent to his family. Gary is trusting and loyal, believing that he and his friends can achieve the unachievable: setting the story straight about reptiles once and for all, and bringing them back to Zootopia. However, this trusting side allows Gary to be manipulated by Pawbert, and Gary is almost killed by his supposed “friend”. Luckily, with his inner strength and belief that they will succeed against all odds, Gary turns out to be the hero, who saves his real friends, Judy, Nick, and Nibbles, before finding the patent that clears the name of all snakes or reptiles, allowing the reptile neighbourhood to be inhabited once more. Gary De’Snake, with De’Snake being his official surname, is a pit viper.

Gary De’Snake was voiced by Ke Huy Quan. In his early acting days, Ke Huy Quan was cast as Short Round in Indiana Jones and the Temple of Doom (1984), going on to be cast as Richard “Data” Wang in The Goonies (1985). After this, he struggled to have any further breakout roles, and did not return to acting until around 2021. His casting as Waymond Wang in Everything Everywhere All at Once (2022) gave him the ultimate comeback. For this role, he won numerous awards, including the SAG Award, the Critics’ Choice Award, the Golden Globe, and the Oscar in the Best Supporting Actor category. Since then, Ke Huy Quan has been cast in various roles, including a voice role as Han in Kung Fu Panda 4 (2024); Jamie Yao in Disney+’s American Born Chinese (2023); and Ouroboros “O.B.” in Season 2 of Loki (2021-23), also for Disney+. Ke Huy Quan is set to voice a character in the upcoming animated film Avatar: Aang, The Last Airbender (2026).

The other member of this crime-fighting team is Nibbles Maplestick, an excitable, enthusiastic, confident beaver, who works as a podcaster, delving deep into discussions around conspiracy theories. Just one of her episodes, which Judy watches, is about the snake attack in Zootopia one hundred years before, with Nibbles prophesising that a snake would soon return to the area – and it did! Nibbles is happy to take Judy and Nick to a reptile, whilst the policing duo are technically “on the run”, and sticks with them throughout their mission. Well, apart from when she gets arrested in Marsh Market shortly after Judy and Nick follow Gary into the tubes. But this turns out to be very useful as Nibbles manages to cut herself a key out of the wood of a broomstick to release her and Nick from their cells so they can find Judy and figure out what she is doing. Nibbles goes with Nick to the weather wall control room to do this, even getting herself stabbed with venom by Pawbert in the process. Nibbles is fearless and the perfect addition to the team in a case like this, as she fights for what’s right and refuses to give up, no matter what.

Fortune Feimster was cast as Nibbles Maplestick, having previously voiced one of the Jerrys in Pixar’s Soul (2020). Feimster also recently voiced the part of Kitty Fridge in Gabby’s Dollhouse: The Movie (2025) and is set to voice a character in the upcoming animated movie Paw Patrol: The Dino Movie (2026), based on the children’s series. She also voiced Olive in the Scooby-Doo animated spin-off series Velma (2023-24). Outside of voice work, Feimster is known for her roles as Colette in The Mindy Project (2012-17) and as Roo in the action-comedy series FUBAR (2023-25), which starred Arnold Schwarzenegger.

Now to the crime family that are the Lynxleys. The first one we meet is Pawbert, who seems to be quite shy and awkward when he meets Judy at the gala. Pawbert appears to be the outcast in his family, teased by his brother and sister and mostly ignored by his father. This makes it even stranger when Pawbert is revealed to be the one who has helped to smuggle Gary into Zootopia and is trying to help Gary with his mission to clear the name of all snakes and reptiles. However, Pawbert becomes the surprise villain of Zootopia 2, when he is shown to be pretending to want to help Gary and the others. Pawbert suddenly shifts into becoming an incredibly evil character, as he leaves Gary to die out in the snow, jabs Judy and Nibbles with venom, taking away Gary’s anti-venom pen, and then tries to do the same with Nick. Luckily, Gary’s quick-thinking means that all four don’t lose their lives, but just when they think they’ve thwarted Pawbert after he falls off the ice cliff, he jumps back up and heads for the clock tower to burn the patent and allow his family to keep this dirty secret hidden forever. Pawbert is seen as a traitor by his family, so has to explain the fact he was bluffing or double-bluffing, or whatever. They seem to believe him and let him go on, but Judy, Nick, and the others won’t allow that, and together they tie him up and go on to the reptile neighbourhood themselves. Pawbert once again comes back though and tries one last-ditch attempt to stop them, but this time, the ZPD step in and stop him. Pawbert goes to prison with the rest of his family for their crimes. Good riddance.

Pawbert was voiced by Andy Samberg, known for both comedy and voice acting roles. His voice work includes characters like Ham III in Space Chimps (2008); Brent McHale in Cloudy with a Chance of Meatballs (2009) and its 2013 sequel; Dale in Chip ‘n’ Dale: Rescue Rangers (2022); Ben Reilly / Scarlet Spider in Spider-Man: Across the Spider-Verse (2023) and potentially the 2027 sequel; and Johnny in the Hotel Transylvania franchise. Samberg is also known for being a cast member and a writer on the sketch comedy show Saturday Night Live (1975-present) from 2005 until 2012. During this time, he also appeared in comedy films such as I Love You, Man (2009) as Robbie, and Quincy in Friends with Benefits (2011). After that, Samberg became known for his role as Jake Peralta in the police sitcom Brooklyn Nine-Nine (2013-21), and in recent years, he starred as Nyles in the film Palm Springs (2020), which he co-produced, and was cast as Barry in The Roses (2025).

For the rest of the Lynxleys, there is Milton, the patriarch, and his other children, Cattrick and Kitty. With his family’s wealth, Milton has sought to build a corrupt Zootopia, thanks to his ancestors, continuing to keep the secret of the fact the weather walls were created by a snake and not their family, as well as expanding their area of Tundratown, and getting involved in the political runnings of the city, by funding the campaign of Mayor Winddancer. Everyone is too scared to go up against Milton so they allow him to do whatever he wants. His next task is to expand Tundratown for a second time, by burying Marsh Market in snow. Milton has no morals; he just likes power and abuses it constantly.

Milton was voiced by David Straithairn. Straithairn has appeared in a variety of roles, including as Ira Lowenstein in A League of Their Own (1992); as Pierce Morehouse Patchett in L.A. Confidential (1997); as Noah Vosen in the Bourne film franchise; and as Admiral William Stenz in Godzilla (2014) and Godzilla: King of the Monsters (2019). He was also nominated at the Academy Awards, the BAFTAs, the Critics’ Choice Awards and the Golden Globes in the Best Actor category for his role as Edward R. Murrow in the George Clooney-directed film Good Night, and Good Luck (2005). In more recent years, Straithairn starred as Dave in Nomadland (2020), with Frances McDormand, and portrayed Bill Carruthers in The Luckiest Man in America (2024). He also appeared as Dr. Benjamin Cole in Season 2 of the Netflix comedy series A Man on the Inside (2024-present).

In Zootopia 2, we don’t see all that much from Cattrick and Kitty, Milton’s children and Pawbert’s siblings, other than they seem to be on their father’s side and not on the side of justice. They are by Milton’s side as he seeks the capture of Judy, Nick, and the snake. We also see these two tormenting their brother, Pawbert, at the gala, seemingly not caring at all about him, because he is “weaker” than they are. But although they don’t do anything specific, the two are still complicit in the crimes of their father and brother and end up going to prison alongside them by the end of the film. Cattrick and Kitty were voiced by Macaulay Culkin and Brenda Song respectively, who are a real-life couple.

Culkin is best-known for his childhood acting roles, like playing Kevin McCallister in Home Alone (1990), for which he won a Young Artist award, and reprised the role in Home Alone 2: Lost in New York (1992). Culkin also played Miles Russell in Uncle Buck (1989), which starred John Candy; Thomas J. Sennett in My Girl (1991); and was cast as the title character in Richie Rich (1994). More recently, Culkin was cast as Mickey in Season 10 of the anthology series American Horror Story (2011-present) and as Lacerta Legate in Season 2 of the Prime Video series Fallout (2024-present), based on the video game of the same name. Brenda Song is known for her roles on Disney Channel. Song had been cast in five separate Disney Channel Original Movies: The Ultimate Christmas Present (2000) as Samantha; Get a Clue (2002) as Jennifer; Stuck in the Suburbs (2004) as Natasha; Wendy Wu in Wendy Wu: Homecoming Warrior (2006), and as London Tipton in The Suite Life Movie (2011), reprising her role from The Suite Life of Zack & Cody (2005-08) and The Suite Life on Deck (2008-11). Song managed to break out of Disney with her casting as Christy in The Social Network (2010). In recent years, Song has been the voice of Princess Akemi in Blue Eye Samurai (2023-present) and was cast as Mary-Anne in The Last Showgirl (2024). In 2025, Song was also cast as Ali Lee in the Netflix series Running Point (2025-present). 

There are also a variety of supporting characters that appear in this sequel. Mayor Winddancer is the new mayor of Zootopia, after two previous mayors were arrested during the events of the original film. Mayor Winddancer is a former action movie actor, and a Clydesdale horse. Winddancer seems to love attention from the public, as can be seen by his exuberant appearances during speeches, and his entrance into the Zootennial Gala. However, after the snake incident at the gala, it soon becomes clear that Winddancer has only got into the mayoral position thanks to backing from the Lynxleys, with Milton Lynxley telling Winddancer that he will take Winddancer’s job away from him if Nick and Judy are not caught. This puts Winddancer in a difficult position – and on the wrong side of the law. Thanks to Nibbles, in the climatic ending sequence, Winddancer comes to his senses and puts a stop to the Lynxley family’s actions – by fighting them, something he is perfect for thanks to his action film background! This leads to their arrest soon after.

Disney fan favourite Patrick Warburton was chosen to voice Mayor Winddancer. For Disney, he has had a variety of voice acting roles, such as voicing Buzz Lightyear in the television series Buzz Lightyear of Star Command (2000-01), Steve Barkin in Kim Possible (2002-07), Patrick in Home on the Range (2004), Alien Cop in Chicken Little (2005), and of course, Kronk in the underrated The Emperor’s New Groove (2000), reprising his role for its sequel Kronk’s New Groove (2005) and the spin-off series The Emperor’s New School (2006-08). Any Disney Parks fans will also know Warburton from his role giving the iconic “pre-flight” video before the attraction Soarin’ at Disney’s California Adventure, and Epcot at Walt Disney World. On screen, Warburton is also known for roles such as the character Jeff Bingham in Rules of Engagement (2007-13), which also starred fellow The Emperor’s New Groove voice actor David Spade; Lemony Snicket in the Netflix series A Series of Unfortunate Events (2017-19) based on the book series; and Guy in Ted (2012) and its sequel Ted 2 (2015).

Dr. Fuzzby is the therapist who runs the Partners in Crisis workshop for police officer teams who are not working well together, for whatever reason. Although Dr. Fuzzby clearly takes her work seriously, wanting those attending the workshop to go through the course at a slow and steady pace, she is just a little bit quick with her diagnoses, making her seem just a tad judgemental for a therapist – or should that be “therapy animal”? Dr. Fuzzby initially seems like any other therapist, kind, gentle, but when Judy starts making suggestions that her and Nick don’t belong there, Fuzzby quickly points out Judy’s denial at the situation she is in, and that she jumps in without considering Nick’s feelings. Nick, meanwhile, is assessed as being emotionally distant and insecure. All of these things turn out to be very accurate, but I think Dr. Fuzzby needs to work on her delivery when giving her clients such brutal assessments of their inner thoughts and feelings! Dr. Fuzzby is a quokka, a small marsupial.

Quinta Brunson was cast as the voice of Dr. Fuzzby. Brunson is well-known for her roles as the creator, writer, and producer of the ABC sitcom Abbott Elementary (2021-present), also starring in the show as Janine Teagues. Abbott Elementary and Brunson have won numerous awards in the years since its debut, including at the Critics’ Choice Awards, the Golden Globes, the Emmys, and the NAACP Image Awards. Outside of that, Brunson has appeared in other comedy projects, such as being cast as Trig in Season 3 of the anthology comedy series Miracle Workers (2019-23), alongside Daniel Radcliffe and Steve Buscemi, and portraying Oprah Winfrey in Weird: The Al Yankovic Story (2022). Brunson is set to voice Sherri in the upcoming animated adaptation The Cat in the Hat (2026).

Jesús is the reptile that Nick and Judy speak to, thanks to Nibbles, to get an idea of what a snake would want with the Lynxley Journal. Along with the other reptiles that were forced out of Zootopia, Jesús resides in a submerged boat on the edge of Marsh Market, making a sort of bar area for them to hide away in. Jesús is straight-talking and serious, for the most part – the only time he seems to like joking around is when he tricks visitors into eating worms. Jesús also helps Nick, Judy, and Nibbles escape the boat after the ZPD officers storm the area looking for them, wishing them luck in their mission and hoping they can finally let the truth about reptiles be known – before running across the water and far away from them! Jesús is a plumed basilisk lizard.

Jesús was voiced by Danny Trejo, perhaps best known amongst a certain demographic for his role as Isador “Machete” Cortez in the Spy Kids franchise, and the more violent sort-of-spin-off films Machete (2010) and Machete Kills (2013). Prior to this, Trejo had appeared as Navajas in the Western action film Desperado (1995) and as “El Cucuy” in its sequel Once Upon a Time in Mexico (2003). He later was cast as Romero Parada in Seasons 4 and 5 of the FX series Sons of Anarchy (2008-14). Trejo also has a long history of voice acting. For example, he voices the recurring vole of Vasquez in Disney Channel’s animated series Big City Greens (2018-present); voiced the part of El Moco in The Adventures of Puss in Boots (2015-18), released on Netflix; voiced Skeleton Luis in The Book of Life (2014); and voiced Stronghold in Minions: The Rise of Gru (2022). For Disney, Trejo made an appearance in Muppets Most Wanted (2014) as an inmate of the Gulag. Trejo even appeared in Season 5 of The Masked Singer (2019-present) as Raccoon.

Although many ZPD officers are pursuing Nick and Judy, for their “role” in the attack on Chief Bogo and the theft of the Lynxley Journal, throughout the events of Zootopia 2, one officer seems more determined than the others to arrest the two. This officer is Captain Fern Hoggbottom, a razorback pig. This determination is most obvious during the sequence in the lodge at the top of the mountain, where Judy searches for more clues about the case. Hoggbottom is quite heavy-handed in her capture of Nick, alongside her partner Truffler, a fellow razorback, who quickly move on to Judy once they have put Nick in his cell. Yet despite the two’s commitment to the law, even Hoggbottom knows that the order given by Milton Lynxley to “end” Judy with a dart that will kill her, is wrong and refuses to pull the trigger. However, another officer bumping into the gun sets it off, but luckily, it does not hit Judy. Fearing they were on the wrong side after all, Hoggbottom and Truffler come to Judy, Nick, and Gary’s rescue at Gary’s great-grandmother’s house to knock out Pawbert before he can attack the group or burn the patent. The two are later seen at Dr. Fuzzby’s Partners in Crisis workshop, along with other ZPD officers, to hear about Nick and Judy’s success.

Hoggbottom was voiced by Scottish actress Michelle Gomez. In the UK, Gomez was cast in sitcoms, like Green Wing (2004-07), as Sue White, starring alongside other well-known actors such as Tamsin Greig, Olivia Colman, and Stephen Mangan; and in the original iteration of Bad Education (2012-24) as Isobel Pickwell. Gomez is also known for playing Missy, the female incarnation of the Master in Series 8 of Doctor Who (2005-present), making special guest appearances after that. Since then, Gomez has been cast in a variety of other series, including as Miranda Croft in HBO’s The Flight Attendant (2020-22); Lilith / Madam Satan in Netflix’s The Chilling Adventures of Sabrina (2018-20); and Laura De Mille / Madame Rouge in Seasons 3 and 4 of Doom Patrol (2019-23).

Truffler was voiced by David Fane, who had previously voiced Kele in Disney Animation’s Moana 2 (2024). As well as this, Fane appeared as Ace in the sports comedy film Next Goal Wins (2023), directed by fellow New Zealander Taika Waititi. He also appeared as Kevin/Fang in the comedy series Our Flag Means Death (2022-23).

There are also a number of celebrity cameo voice roles in this sequel, with many being voice actors from previous Disney movies. Two of these are Stephanie Beatriz and Wilmer Valderrama, who voiced the hippo cops Bloats and Higgins here; they voiced Mirabel and Agustín, Mirabel’s father, in Encanto (2021). Another Encanto cast member is John Leguizamo who voiced the anteater customs inspector here. From the world of Moana (2016), Auli’i Cravalho, the voice of Moana, voiced the Anti-Venom Pen, whilst Maui’s voice actor, Dwayne Johnson, supposedly voiced the dik-dik stuck in the tuba! From The Princess and the Frog (2009), Anika Noni Rose, voice of Tiana, appears in the Squeal of Fortune clip that Judy watches on television. Michael J. Fox, most known for his role as Marty McFly in the Back to the Future franchise, but also voiced Milo Thatch in Atlantis: The Lost Empire (2001) for Disney, voiced a fox prisoner, Michael J. There are so many more I can’t even mention them all, so just quickly, a few more include: Mario Lopez, of Saved by the Bell fame, as Denny Gowlett, a wolf news reporter; Robert Irwin, son of Steve Irwin, as the koala airport clerk; Josh Gad, who voices Olaf in the Frozen franchise, as Paul the mole in the ZPD IT department; and Yvette Nicole Brown as the Bearoness at the gala. WWE wrestlers Roman Reigns and CM Punk voiced the “Zebros”.

Many other cast members returned to reprise their roles from Zootopia. These include Nate Torrence as Benjamin Clawhauser; Bonnie Hunt and Don Lake as Judy’s parents; Alan Tudyk as Duke Weasleton; Maurice LaMarche as Mr. Big; Leah Latham as Fru Fru, his daughter; Raymond S. Persi as Flash; Jenny Slate as Bellwether; and of course, back for another turn as the firm-but-fair Chief Bogo was Idris Elba.

PRODUCTION

The original Zootopia was first released in March 2016, and was an original story idea from Disney. It was first pitched as an idea to John Lasseter in the early 2010s, by Nathan Greno and Byron Howard, who were the directors of Tangled (2010). They pitched six different ideas for new film plots, with many of them involving anthropomorphic animals, i.e., animals that act like humans. John Lasseter liked the sound of Disney making another animal movie, as Robin Hood (1973) was one of the last ones.

After doing research into animals and how they interact with each other, the team working on Zootopia learnt during a visit to Africa that, although natural enemies, the lions drank next to the zebras with no issues; they just drank their water and left. This gave the team evidence of cooperation and understanding in the animal world despite obvious differences, so that became the central core of Zootopia, where animals co-exist together[1].

The first Zootopia film had been directed by Byron Howard and Rich Moore, with Jared Bush co-writing the screenplay with Phil Johnston. Johnston and Moore teamed up soon after to direct Ralph Breaks the Internet (2018), Disney’s sequel to Wreck-It Ralph (2012), before Johnston left the company, and went to work with Netflix, where he recently directed and co-wrote the screenplay for The Twits (2025), based on the Roald Dahl book of the same name. Moore left Disney to work with Sony Pictures Animation, producing their animated musical film Vivo (2021), before moving across to Skydance Animation.

This left Bush and Howard to take the lead in creating their sequel to Zootopia. Yvett Merino produced Encanto with the duo, who directed the film; Bush also co-wrote the screenplay. Merino then produced Zootopia 2, having also produced Moana 2 just before that. These three were the people in charge of making Zootopia 2. Bush was credited with writing the screenplay here. Bush has been involved with Disney Animation since the mid-2010s, and also wrote the screenplay for Moana, as well as co-writing the sequel and the live-action remake with Dana Ledoux Miller. He became the Chief Creative Officer at Disney Animation in September 2024 after Jennifer Lee stepped down to focus on the upcoming Frozen III and Frozen IV films. Howard has been an animator at Disney Animation since the mid-1990s, working on movies such as Mulan (1998), Lilo & Stitch (2002), and Brother Bear (2003). Howard had also co-directed Bolt (2008) with Chris Williams.

With the popularity of Zootopia considered, a sequel was quite likely. And yet it wasn’t until seven years later that Zootopia 2 was announced. During the Q1 earnings call with Disney CEO Bob Iger in February 2023, Iger confirmed a few sequels were in the works, including Toy Story 5, Frozen III, and Zootopia 2[2].

Later, at the D23 Expo in August 2024, it was announced that actor Ke Huy Quan, would be voicing the snake character Gary in Zootopia 2. In the months that followed leading up to the November 2025 release date, including at the Destination D23 event as late as August 2025, other big names and Disney affiliated-actors, such as Yvette Nicole Brown, Macaulay Culkin, Brenda Song, Patrick Warburton, and Quinta Brunson, were revealed. Returning names, such as Nate Torrence and Idris Elba to voice Clawhauser and Chief Bogo respectively, along with Shakira coming back to voice pop star Gazelle, were also confirmed. The final trailer for Zootopia 2 was released on 29th September 2025[3].

However, animated movies take well over two years to make, so Zootopia 2 had likely already been in story discussions since around 2021, or 2022 at the latest. The initial spark of an idea for this sequel may have come about even earlier than that. Apparently, right after Zootopia had wrapped, Jared Bush and Byron Howard moved over to work on Encanto. A small sketch was drawn by Bush which was simply Zootopia 2 written down, but with the “2” drawn as a snake. This was the catalyst for the sequel’s story, that the movie would explore why reptiles were not included in the first Zootopia movie[4].

 It normally takes a couple of years of discussions and brainstorming to get the story in place for a Disney animated movie. This requires many story changes and rewrites before getting the story perfect. This is even harder with a sequel, where the audience know what to expect from this world and the characters that have already been built. But due to the size and complexity of Zootopia as a city, this meant there were numerous avenues and new characters that could be explored during this process. Zootopia lends itself well to being able to create a sequel that doesn’t feel too similar or like a direct copy of the original.

In this case, Zootopia 2 was going to deal with the omission of reptiles from the first Zootopia film, because there is no habitat within the city to house them, despite many other animals being catered for. This omission was allegedly due to practical reasons, I’m assuming because of how difficult it can be to animate animals like snakes. But by giving the reptiles a place in Zootopia 2, this opened up a whole new story that could comment on societal issues that we as humans experience, such as prejudice, segregation, and displacement[5]. This followed in the footsteps of its predecessor which talked about topics like stereotyping, discrimination, and racism, once again reflecting our real-world problems.

Some specific story changes relate to the opening sequence. In Zootopia 2, we see Nick and Judy immediately thrown into a case about a customs officer seemingly smuggling a snake into Zootopia. This takes place at the docks, before taking to the streets for an intense police chase. However, there were two alternative sequences that would’ve dealt with the same sort of case. Originally, there was an opening sequence that took place on a boat with smugglers being paid to bring a snake into Zootopia. The captain of the ship confirms that all the money is there, proceeding to drop a cargo container off the ship. The box is retrieved by someone and opened to reveal a snake, who is taken in the sidecar of a motorbike to the gala. This instantly reveals the appearance of a reptile in the sequel, which perhaps didn’t allow much of a mystery to take place. The scene of Nick and Judy trying to bust a smuggler was also rewritten in an airport, where they discover that an officer has lots of counterfeit goods on him, and proceeds to drop them in front of Nick and Judy. Something seems to go wrong, as Nick and Judy are pulled into Chief Bogo’s office to be reprimanded. 

Another interesting location used in a deleted scene for Zootopia 2 was the Natural History Museum, no doubt as a nod to the previous film where Bellwether was revealed to be the villain. In this case, Judy, Gary, and Pawbert are searching for a key in an exhibit, but the museum is packed with tours, with the police also tracking them. Judy uses Gary to scare off a group of bunny tourists, who turn into an avalanche, allowing Judy and the others to escape. Nick is trying to get back to her, with help from Nibbles. An animal hospital was another location that was not used, with this being where Gary is revealed for the first time, being guarded by police officers. Going in to Gary’s room in disguise, Judy tries to get some answers from Gary, and ends up helping him leave the hospital. In all the chaos, Bogo is bitten by Gary – as he is in the actual sequel – and Gary is taken away from the area by his accomplice. Judy and Nick are blamed for Gary’s escape and the officers are told to arrest them. Judy and Nick get away in a van.

This shows that in many cases, the general plot points for Zootopia 2 were already in place with few changes made to the overall storyline. A few other examples of this include Flash being the one whose computer Officer Clawhauser breaks into to track Judy’s location for Nick; Nibbles meeting Nick and Judy at a truck stop; and Judy and Nick having their initial argument about their communication styles as they approach the Burning Mammal festival in the desert, instead of by the tubes outside Marsh Market. Burning Mammal, a take on Burning Man, was moved to later in the film, taking place by the weather wall control tower[6].

Although much of the initial infrastructure for Zootopia 2 was already in place after the original film was created, other areas and new characters were added to give the city an added dimension and an expanded world to fit the sequel. Even though the weather walls had been introduced in the first film, separating Zootopia as a city into four distinct locations, each suited to different species, these were given a backstory for the sequel and became more of a plot point than they had in the original film. Marsh Market was a completely new area, being inspired by Asian water markets and the ports of the Southern US. This allowed for marine-based animals to make an appearance in the sequel, such as walruses, sea lions, and dolphins. The tube system was created to show how these animals travel around. 

New character Nibbles, a beaver, resides in Marsh Market, with many reptiles living in a boat nearby. Since the reptiles were made to be the focus of Zootopia 2, the villains were made to be the complete opposite, so these cold-blooded animals, who thrive in the sun, were going up against a warm-blooded family of lynx, who live in Tundratown, the coldest part of Zootopia. It was also not lost on the directors that the primary food source of the lynx is the rabbit…

A new mayor was also needed to run Zootopia, since the initial mayor, Mayor Lionheart, and the interim mayor, Mayor Bellwether, were both arrested. It was a challenge to decide just what animal the new mayor should be, since we’d already had a lion and a sheep, two very different animals. Initially, the mayor was going to be a gruff elephant, then perhaps a buff kangaroo, with the idea of a giraffe mayor also being considered because its height would be a visual gag. One of the animators then sketched the mayor as a horse, and came up with the backstory of him being an actor-turned-politician. This elevated the slightly mundane idea of including a horse in a main role, and so Mayor Winddancer came to be.

The biggest animation challenge by far though was animating Gary De’Snake. Gary is said to be a pit viper, but was based on a hybrid of a variety of snakes to make him unique. The Disney animators said that Gary was basically a rope with a face, with ropes being hard to animate in CGI, because of how difficult it is to control this type of structure in the software. This required many different tests and mechanisms to get Gary to move realistically through the film. A new toolset was also designed, called Scute, to give Gary proper scales that looked authentic. To give Gary more expression, since snakes don’t have eyelids, ridges were added to his eyes to do the same thing[7]. Real-life animals were brought in to be studied as reference material to help the animators.

As with many Disney Animation and Pixar movies, there are a variety of Easter eggs to spot in Zootopia 2. Referencing other Disney movies, you’ll notice that frying pans were used as a method of defence by the Zootopia Police Department, which is a direct reference to Tangled. Also, during the gala, as Judy chases Gary through the kitchens, you can see a lion chef is being controlled by a rat, referencing Pixar’s Ratatouille (2007). For The Princess and the Frog, firefly Ray can be seen in the reptile bar sign above the pool table and Tiana’s gumbo pot makes an appearance in the gala kitchen. Mayor Winddancer also arrives to the gala in Shank’s car from Ralph Breaks the Internet. Following on from Zootopia, you can also see Duke Weaselton flogging more bootleg DVDs, with titles like “Wrangled”, the live-action version, and “Floatzen 12”. Mickey also makes an appearance, like as a bookmark on Judy’s laptop browser. Zootopia 2 also references other Disney property including “Huluzoo”, a streaming service that Nick is seen perusing.

There are some additional voice cameos in Zootopia 2 relating to Disney staff as well. Former Disney CEO Bob Iger, who left the company in March 2026, even got an opportunity to voice a character, Bob Tiger, the weatherman, who is doing a report as Judy flips through the TV channels. Directors Jared Bush and Byron Howard return to voice Judy’s neighbours, Pronk Oryx-Antlerson and Bucky Antlerson, and they both voice the goats that Judy and Nick meet by the mountain. The goats’ names are Jürgen Ziegenkäse and Berthold Hufschmerz, and their German accents aren’t stereotypical at all…

Also, Disney and Pixar both like to reference their upcoming movies in some way in their movies. For Moana 2, the animated release to proceed Zootopia 2, an image of Gary De’Snake was used at the end of the film’s credits. For Zootopia 2, to reference Disney’s next animated feature, Hexed, the image of a three-eye cat is included in the credits[8].

Finally, I just want to mention the line “That’ll do, pig. That’ll do.” This is spoken after Captain Hoggbottom knocks out Pawbert as he is about to burn the patent that Judy, Nick, Gary, and Nibbles have just found in Gary’s great-grandmother’s home. This is actually a reference to the film Babe (1995), which Farmer Hoggett says to Babe after competing in the sheep-herding competition. This line was also used in DreamWorks’ Shrek (2001), when Shrek tells Donkey: “That’ll do, Donkey. That’ll do.” There are many more Easter eggs to spot in this film besides the ones I’ve mentioned, making re-watches a must for fans.

Like Moana 2, production on Zootopia 2 was split between the official Disney Animation building in Burbank and Disney’s Vancouver facility[9].

MUSIC

Much like Zootopia, Zootopia 2 is not a musical. However, Zootopia and its sequel both feature an in-movie pop star and that pop star is Gazelle, a Thomson’s gazelle, as you might’ve guessed. In Zootopia 2, Gazelle is asked to perform at the Zootennial Gala, and is later seen getting ready to perform at the Burning Mammal festival.

At the gala, we hear Gazelle perform her new song “Zoo”. “Zoo” was written by Shakira, Ed Sheeran, and Blake Slatkin. Colombian singer Shakira is known for hit singles like “Whenever, Wherever”, “Hips Don’t Lie”, and “Waka Waka (This Time for Africa)”. Shakira returned to both voice and sing for Gazelle. Ed Sheeran is known for hit singles like “Sing”, “Shape of You”, “Take Me Back to London”, and “Sapphire”. Blake Slatkin is a producer and songwriter, having collaborated with various artists including Lizzo, winning the Grammy for Record of the Year for “About Damn Time”, Lil Nas X, The Kid Laroi, and Justin Bieber. He also collaborated with Sheeran and John Mayer on the song “Drive” for the film F1 (2025). Both Sheeran and Slatkin have voice cameos in Zootopia 2, as sheep in the barber shop, named Ed Shearin and Baalake Lambkin respectively. 

I really like “Zoo”, probably more than the first movie’s song “Try Everything”, which I feel Disney are overusing in their parks lately. A music video was released for “Zoo”, showing Shakira in a Gazelle-inspired outfit performing at the gala, with the characters from the film surrounding her. This is interspersed with clips from the film. “Zoo” was nominated at the Hollywood Music in Media Awards for Best Original Song – Animated Film, and at the Society of Composers & Lyricists for Outstanding Original Song for a Comedy or Musical Visual Media. It lost to “Golden” from KPop Demon Hunters (2025) in both cases.

Outside of the main song of Zootopia 2, the score was composed by Michael Giacchino, returning as composer after his work on the original Zootopia. Giacchino is best-known for his collaborations with Pixar, having composed numerous scores for their movies, beginning with The Incredibles (2004), and including others like Ratatouille, Up (2009), Inside Out (2015), and Coco (2017). Outside of Pixar, he has composed music for the most recent Spider-Man films, and the three latest Jurassic World movies.

Within the score, my favourite tracks are the zanier “Hot Pursuit”, used for the initial police chase between Judy, Nick, and the customs officer; and “Zootopening”, and the more emotional “Gary a Twain Shall Meet”, and “World’s Worst Detention”, for when Judy, Gary, and Nick go head-to-head with Pawbert to retrieve the official patent for Zootopia.

The soundtrack was released on 21st November 2025. It hit the No. 3 spot in the US Billboard Kid Albums Chart and No. 15 in the US Billboard Soundtrack Albums. Giacchino, Shakira, Ed Sheeran and Blake Slatkin were nominated for the Annie Award for Best Music – Feature, but lost to KPop Demon Hunters. Giacchino won the International Film Music Critics Association Award for Best Original Score for an Animated Film.

RECEPTION

In Disney’s Q1 earnings call in February 2024, Zootopia 2’s release date was confirmed to be in November 2025, hitting cinemas during Thanksgiving and the festive season[10].

Zootopia 2 had its official premiere at the Disney-owned El Capitan Theatre in Los Angeles on 13th November 2025, attended by the all-star cast and crew. On 26th November 2025, Zootopia 2 was then released in the US, being released to the majority of other countries across the globe either on this day, or a day or two later. Following on from the first film, Zootopia 2 was released under the title Zootropolis 2 in many parts of Europe, due to a trademark on the word “Zootopia” that relates to a zoo in Denmark.

During its opening weekend, Zootopia 2 had the fourth-highest-grossing first weekends worldwide of all time, and was the best of 2025, raking in around $560 million, beating out The Fate of the Furious (2017) that made just under $542 million almost a decade earlier. The highest-grossing first weekend of all time goes to Avengers: Endgame (2019) with $1.2 billion. Avengers: Infinity War (2018), with $640.5 million, and Spider-Man: No Way Home (2021) with $600 million sit in the second and third spots[11].

Following on from that brilliant start, Zootopia 2 had made $1 billion at the worldwide box-office just 17 days after its release. It was the second Disney movie of 2025, after Lilo & Stitch, to hit this milestone, which had previously been met by Moana 2, Frozen (2013), Frozen II, and Zootopia (2016). Zootopia 2 broke even more records in China, where it became the country’s highest animated opening of all time for a non-local title, at $272 million, and the highest grossing non-local animated film of all time. It was also the second-highest-grossing Hollywood film in China, behind Avengers: Endgame.

This sort of publicity, of the sequel breaking this many box-office records still only in December, before the Christmas break in many countries, could only help the movie continue in its upward trajectory. It also led to boosted streaming figures for the original film, and its spin-off series Zootopia+ globally on Disney+[12].

In January 2026, Zootopia 2 had earnt $1.7 billion, leading to it overtaking Inside Out 2 (2024) from Pixar as Hollywood’s highest-grossing animated film in history. However, please note the word “Hollywood” in this sentence. Zootopia 2 has not become the highest-grossing animated movie of all time. That accolade goes to China’s Ne Zha 2 (2025), which has made over $2.2 billion at the box-office[13]. Zootopia 2 is currently the ninth-highest-grossing movie of all time, with eighth position going to Spider-Man: No Way Home with $1.92 billion, a figure Zootopia 2 could potentially surpass if it continues playing in theatres. All the movies in the Top 7 grossed over $2 billion, with Avatar (2009) top with $2.92 billion[14].

For comparison, Zootopia, the original film, ended its run on $1.025 billion. Currently, Zootopia 2 has earnt $1.87 billion at the box-office, making it the second highest-grossing film of 2025 at the worldwide box-office, after Ne Zha 2. In third place was Avatar: Fire and Ash with $1.485 billion, with the final two spots in this top five going to Disney’s live-action remake Lilo & Stitch with $1.038 billion, and A Minecraft Movie with $961 million. Zootopia 2’s financial figures were seemingly boosted by amazing international sales, since A Minecraft Movie, Lilo & Stitch, Superman, and Jurassic World: Rebirth were all ahead of Zootopia 2 at the US domestic box-office for 2025.

Zootopia 2 was later released digitally on 27th January 2026 and on DVD and Blu-Ray on 3rd March 2026, before coming to Disney+ on 11th March 2026. In its first seven days on the streaming platform, Zootopia 2 got 32 million views globally, becoming the No. 1 film on Disney+ in its premiere week[15].

With these financial figures, you’d assume that Zootopia 2 had some pretty good audience reviews to match. And on this occasion, you’d be right. Although the critics’ score for Zootopia 2 is slightly less than Zootopia on certain websites, such as Rotten Tomatoes, the audience scores between the two are relatively similar. This isn’t always the case with sequels. Using Moana 2 as an example, both the critics and audience scores for the sequel were quite significantly harsher on the sequel than on its predecessor.

On the positive side, many felt Zootopia 2 was still just as colourful and energetic as the first, and appreciated the continued humour focused on puns and Easter eggs that reside within the film. The voice acting was seen to be brilliant once again and the sequel is generally considered to be as good, if not better, than the original. The reason for this could be that the buddy-cop format of the Zootopia franchise works better when creating sequels than other adventure films that feel quite standalone once the journey has been completed. The story of this sequel was considered to be slightly more mature, with messaging about segregation and land grabbing, to the point it starts to veer into discussions around colonialism. It also covers exploitation of power and corruption in local government. This is seen to be a positive attribute of the sequel, with there still being plenty to make this film enjoyable for both children and adults alike.

There will always be negative comments though and a couple of them I do agree with. One is that the film felt quite busy, with a lot of Easter eggs and puns being visible in the background of the film, not in the forefront where all the action was taking place, so if you were trying to concentrate on the new story, and figuring out where you were and who the new characters were, then this meant some of the humour was passing by without being noticed. This brings me to the second point and that is how fast-paced Zootopia 2 is. There is a lot going on and you really need to be fully focused on the film to understand exactly what is going on and why. I actually attempted to watch Zootopia 2 a week or so earlier, but after five or ten minutes, I could already feel that I would need to be in the right mood to be able to concentrate on the movie and had to come back to it a few days later.  Others say that there are too many coincidences and things that happened by chance that helped the story progress, but perhaps didn’t feel particularly realistic. Another comment I kind of agree with is that Judy lacks character development, as she is quite obviously ignoring her partner Nick and his feelings throughout the film, and yet Nick is forced to apologise to Judy on numerous occasions, with Judy seeming to come out of all of this as the victim. The two do have a heart-to-heart towards the end of the film, where they both admit to their insecurities and reasonings for poor communication with each other, but really, you do start to feel quite sorry for Nick as the movie plays out! Finally, some simply say Zootopia is better, and that is just a matter of opinion. I actually think I slightly preferred Zootopia 2 to be honest.

Back in 2017, Zootopia went on to win numerous awards, including in the Best Animated Feature category at the Golden Globes, Critics’ Choice, Annie Awards, and the Academy Awards. It did not win the BAFTA in this same category, though, losing to Laika’s Kubo and the Two Strings (2016). Zootopia also won other awards, including many at the Annie Awards in Character Design, Directing, Storyboarding and Writing. Would this stellar award season for the original film be equalled by the one for its sequel? Well, no, not really.

The 2026 award season in the Best Animated Film category wasn’t exactly a difficult one to call, and that is because Netflix’s’ KPop Demon Hunters swept this category in many cases. Zootopia 2 was still nominated in this category at the Academy Awards, the Critics’ Choice Awards, and the Golden Globes though, and was also nominated for the Golden Globe for Cinematic and Box Office Achievement, but this award went to the much-acclaimed Sinners. Zootopia 2 was also nominated for Annie Awards, in areas like Best Feature; Animated Effects; Character Animation; Production Design; Writing; and Storyboarding, although KPop Demon Hunters won the first five categories with The Bad Guys 2 (2025) winning the other one.

But all hope was not lost for Zootopia 2 as it picked up many other nominations, as well as some wins. For example, Zootopia 2 won the BAFTA award for Best Animated Film – although to be fair, KPop Demon Hunters was not eligible at this award ceremony, due to the fact it was originally released on Netflix and not in cinemas. Zootopia 2 also won the NAACP Image Awards for Outstanding Animated Motion Picture, and Outstanding Character Voice Performance – Motion Picture for Quinta Brunson. It also won the Saturn Award for Best Animated Film, despite being up against KPop Demon Hunters. Zootopia 2 was also up for Best Motion Picture – Animated or Mixed Media at the Satellite Awards, with Pixar’s Elio (2025) being a surprise win here.

LEGACY

After the release of Zootopia, the Walt Disney Company knew to capitalise on its success.

They released a new series on Disney+ in November 2022 titled Zootopia+ which consisted of six short episodes following the lives of some of the lesser-seen Zootopia characters. At the Disney Parks, Judy and Nick had been added in as character meet-and-greet opportunities or in parades. There was even a completely unique Zootopia-themed attraction at Shanghai Disneyland, where a whole new land opened on 20th December 2023.

Of course, Zootopia 2 would continue to increase the popularity of the franchise in 2025, so with that in mind, new experiences at the Disney Parks would have to be created.  

At the Destination D23 event in September 2023, it was announced that the long-running 4D attraction It’s Tough to Be a Bug! at Disney’s Animal Kingdom at the Walt Disney World Resort in Florida, based on Pixar’s A Bug’s Life (1998) and housed within a theatre under the park’s icon The Tree of Life, would be closing to make way for a new Zootopia-themed show. Zootopia is about animals, so at least it made some sort of sense, and It’s Tough to Be a Bug! had been known to be scary for both children and adults with a fear of insects – myself included. Still, some were sad to bid farewell to an opening day attraction.

At the D23 Expo in 2024, it was obvious that work was commencing on bringing this new Zootopia show to life, as the title of the show was confirmed to be Zootopia: Better Zoogether! and would open on 7th November 2025. It’s Tough to Be a Bug! permanently closed on 16th March 2025, so construction could begin on the new show.

With only eight months to turn the show around, it was quite clear that this would be a straight like-for-like replacement, so there would still be the same theatre, same number of seats, likely a new animatronic to replace villain Hopper, and a new 3D-style show, with enhanced 4D effects like movements on the seats. Sure enough, this is exactly what happened, as Officer Clawhauser became the new animatronic housed within the theatre, and many of the same 4D effects still exist from It’s Tough to Be a Bug! But without the added scariness of any insects or spiders, these effects no longer terrify people!

Zootopia: Better Zoogether! now follows Judy and Nick as they investigate who is trying to sabotage Zootopia’s “Zoogether Day” celebrations. A new character for the show was added, this being Heidi Howler, the host of the Zoogether Day broadcast. For the 3D elements, guests are encouraged to wear their “Carrot Vision” glasses. This show features many of the new characters and areas of the city introduced in Zootopia 2, making this a perfect avenue to both promote and add to the new film. This new attraction opened just a few weeks before the sequel was released in theatres. The voice cast reprised their roles from the films for this attraction, and yet, Jason Bateman was not aware of Zootopia: Better Zoogether! when he was asked about in an interview. Luckily, Ginnifer Goodwin was with him in this interview and explained what it was, so at least one of them knew about it[16]!

Another Disney Park to elevate their Zootopia-themed attractions was Shanghai Disneyland, who extended the story of their Zootopia land by adding elements from the sequel to it. From November 2025, new signage and revised maps were added to the land to hint at areas we first see in Zootopia 2, such as Marsh Market. New characters were also added to the area, such as Gary De’Snake becoming a part of their daily Disney Zootopia Comes Alive show, with the stories being refreshed to match the new storylines from Zootopia 2. Gary had actually already been introduced to park guests back in March 2025 for Shanghai Disneyland’s celebrations for the Year of the Snake. Other hints to characters from the sequel were also added to the area, such as a therapy room for Dr. Fuzzby and portraits of the new mayor, Mayor Winddancer, in the ZPD. For a limited time, in the attraction Zootopia: Hot Pursuit, the Gazelle animatronic was singing the new song “Zoo” from the sequel at the end of the ride. Judy and Nick in their Zootopia 2 outfits were also on the Mickey’s Storybook Express parade until the end of January 2026, with a Zootopia-themed projection show being shown prior to ILLUMINATE! A Nighttime Celebration until this date too. Adding to these experiences were new themed foods and merchandise[17]. It would seem that Judy and Nick are still meeting guests in Zootopia land, in their police uniforms.

In other Disney Parks, themed merchandise, like plush toys, figurines, and clothing, and snacks were available for a limited time, along with meet-and-greets with Nick and Judy. These also may be for a limited time only, potentially vanishing from these parks altogether, or simply reverting back to their original costumes. It is not yet clear what they will do next.

Back at Walt Disney World’s Animal Kingdom Park, Judy and Nick were meeting guests near the Tree of Life, at the Zoogether Day Gathering Spot in their new costumes. This meet-and-greet seems to still be continuing in 2026. New snacks were also available to buy, like Clawhauser’s Big Donut Macaron and Bunny Burrow Brew.  At Disney California Adventure at the Disneyland Resort in Anaheim, Officer Clawhauser made his debut as a meet-and-greet character at Marsh Market in the Hollywood Backlot, with Judy and Nick meeting here in their Zootopia 2 outfits. At the Animation Academy, Gary De’Snake was added to the rotation of drawing classes and a Gary sipper was available to buy.  

At Disneyland Paris, Judy and Nick were meeting guests at the Animation Celebration area from November 2025 until January 2026 in their usual costumes. Their drawing workshop also included a class on how to draw Gary. Merchandise was available here too. At Hong Kong Disneyland, specialty snacks, like Zootopia Donuts, Judy’s Waffle, and Bunnyburrow Blueberry Pie, were created for the event. Judy and Nick were also meeting guests at Adventureland in their new costumes, and seem to still be doing so. Tokyo Disneyland brought in Judy and Nick in brand-new festive outfits for their all-new parade Toys Wondrous Christmas! for the festive season[18].

Zootopia 2 was promoted elsewhere too, such as at Orlando International Airport who had Zootopia 2-themed security trays for a while. Air Canada also unveiled a new livery designed to Zootopia 2, which was revealed on one of their Airbus A220 aircraft in November 2025. This plane would be flying to areas like Montreal and Toronto in Canada, and L.A., Denver, and Boston in the US. It was the airline’s third Disney-themed livery. In November 2023, one was designed for Wish (2023) which was placed on a Boeing 787 Dreamliner, and in February 2022, an A220 was decorated for Pixar’s Turning Red (2022)[19]. A comic book, titled The New Adventures of Zootopia 2, was also published by Disney Comics on 9th December 2025, authored by Joe Caramagna. Judy, Nick, Gary, and Flash were even seen “driving” around L.A. in miniature cars in the days before the movie’s release.

Since the release of Zootopia 2, directors Byron Howard and Jared Bush have confirmed that a Zootopia 3 is in early development, potentially focusing on birds.

FINAL THOUGHTS

Zootopia had exceeded expectations after its release in Spring 2016. It had made over $1 billion at the box office and led to Disney Parks scrambling to include the characters in its parks, to ensure the film’s popularity sustained. Zootopia 2 was perhaps the sequel that nobody had asked for, and some Disney fans were potentially concerned by, especially after the disappointment of Moana 2. It shouldn’t all be about money.

Luckily, Zootopia 2 surprised many of us, with a touching story that spanned new areas of Zootopia, and included some fun new characters, still with its zany, colourful adventures and its two fan-favourite leads of Judy and Nick.

I can only hope, should a third film come to be, that it doesn’t prove to be one too many, potentially tainting the Zootopia legacy forever.


REFERENCES

[1] Credit: Ed Gross, ‘Zootopia: a final behind the scenes look’, Empire (online), 14th June 2016.

[2] Credit: Anthony D’Alessandro, ‘‘Frozen’, ‘Toy Story’ & ‘Zootopia’ Sequels In The Works, Disney CEO Bob Iger Says’, Deadline.com, 8th February 2023.

[3] Credit: Disney, ‘Latest Trailer for Walt Disney Animation Studios ‘Zootopia 2’ Introduces New Characters and Original Song’, TheWaltDisneyCompany.com, 29th September 2025.

[4] Credit: Tasha Robinson, ‘The 8 keys things we learned about Zootopia 2 on a trip to Disney Studios’, Polygon.com, 30th September 2025.

[5] Credit: Angeline Jane Bernade, ‘‘Zootopia 2’ filmmakers talk Oscar nod, exploring diverse themes through animation’, GoodMorningAmerica.com, 5th March 2026.

[6] Credit: Disney, “Deleted Scenes”, from Zootropolis 2 (2025) UK 2-Movie Collection Blu-Ray (2026).

[7] Credit: Tasha Robinson, ‘The 8 keys things we learned about Zootopia 2 on a trip to Disney Studios’ Polygon.com, 30th September 2025.

[8] Credit: Disney, “Zoo-prising Secrets”, from Zootropolis 2 (2025) UK 2-Movie Collection Blu-Ray (2026).

[9] Credit: John Hazelton, ‘Making ‘Zootopia 2’: How new production methods and technology helped deliver a box office smash’, ScreenDaily.com, 6th February 2026.

[10] Credit: Anthony D’Alessandro, ‘‘Zootopia 2’ Lands 2025 Theatrical Release, ‘Alien’ Movie Gets Title’, Deadline.com, 7th February 2024.

[11] Credit: Mark Hughes, ‘‘Zootopia 2’ 4th-Biggest Box Office Debut In History, Biggest 2025 Weekend’, Forbes.com, 30th November 2025.

[12] Credit: Disney, ‘Walt Disney Animation Studios’ ‘Zootopia 2’ Surpassing $1 Billion at the Global Box Office’, TheWaltDisneyCompany.com, 12th December 2025.

[13] Credit: Rebecca Rubin, ‘‘Zootopia 2’ Surpasses ‘Inside Out 2’ as Hollywood’s Highest-Grossing Animated Film of All Time With $1.7 Billion’, Variety.com, 18th January 2026.

[14] Credit: Steven McIntosh, ‘Zootropolis 2 becomes Hollywood’s biggest animated film ever’, BBC.co.uk, 19th January 2026.

[15] Credit: Shannen Ace, ‘‘Zootopia 2’ is the Number 1 Film on Disney+’, WDWNT.com, 19th March 2026.

[16] Credit: Jamie Rowland, ‘Jason Bateman Didn’t Know He Was in Zootopia: Better Zoogether at Disney’s Animal Kingdom’, WDWNT.com, 30th November 2025.

[17] Credit: Jason, ‘Shanghai Disney Resort Zootopia 2 Celebration Details’, DisneyGeek.com, 4th November 2025.

[18] Credit: Juan Lugo, ‘Try Everything Across Disney Experiences with the Debut of ‘Zootopia 2’’, DisneyParksBlog.com, 26th November 2026.

[19] Credit: Air Canada, ‘There’s A New Livery in Town: Air Canada Reveals Special Livery in Collaboration with Disney’s ‘Zootopia 2’’, AirCanada.com, 6th November 2025.

Cadet Kelly (2002)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

Synergy is important in all companies, to maximise engagement and brand awareness.

The Walt Disney Company are just one example of a company harnessing the strength of synergy to boost their profits and brand potential, such as through their theme parks, merchandise, and movies, which successfully complement each other.

Disney Channel has also found success with their own version of synergy from their programming, something that they have been doing for decades now. Take Johnny Tsunami (1999) for example. Kirsten Storms, from the Zenon film franchise, and Lee Thompson Young from The Famous Jett Jackson (1998-2001) were both cast in Johnny Tsunami to be the lead character’s best friends. This was no accident, as Disney Channel no doubt hoped to capitalise on the two cast members’ individual popularity to bring viewers to this new film.

The idea of placing two Disney Channel stars together to front a Disney Channel Original Movie was therefore something that the channel had been experimenting with. It paid off with Johnny Tsunami to some extent, but as Disney Channel series started to become more popular with a demographic who were growing up with kids’ television, this was only going to prove more fruitful if they continued with this formula.

So, they did, and still do, with another prime example of this synergy working extraordinarily well being seen with their 2002 Disney Channel Original Movie Cadet Kelly, which took the lead actress from Lizzie McGuire (2001-04), Hilary Duff, and paired her up with Christy Carlson Romano, known at the time for her role as Ren Stevens in Even Stevens (2000-03). Judging from the impressive viewing figures of Cadet Kelly on its premiere night, and the fact the film has been remembered even two decades after its release, this experiment was shown to be working very well for Disney Channel.

This was not the last time they would do this either. Just look at Princess Protection Program (2009), starring Selena Gomez from Wizards of Waverly Place (2007-12) and Demi Lovato from Sonny with a Chance (2009-11), or How to Build a Better Boy (2014), featuring Kelli Berglund from the Disney XD series Lab Rats (2012-16) and China Anne McClain from their series A.N.T. Farm (2011-14). We also can’t ignore those heavily advertised crossover episodes, such as That’s So Suite Life of Hannah Montana (2006) and Wizards on Deck with Hannah Montana (2009), which brought a myriad of Disney Channel stars together for one special storyline. Disney Channel knew synergy was the way to go.

PLOT

Cadet Kelly begins in New York City, where 13-year-old Kelly Collins is participating in her friend Amanda’s school project, dancing in what appears to be a project about family. This is an arts school, apparently, so I guess the rules are different! Kelly’s teacher asks her how she is going to present her own family project and Kelly decides to make a video diary.

Kelly’s father, Adam, then picks her up from school, and tells Kelly his next work trip, as a photographer, will be to go to a list of African countries, as well as to Myanmar, and Thailand. He’s always going to exotic places. Kelly films her dad as they get hot dogs together, stating that her dad is now divorced from her mother, yet he’s still happy. Kelly calls them a taxi to take them back home, where Kelly lives with her mother, Samantha.

Back home, Kelly continues to shove her camera in the faces of her parents, despite her mother being on a work call. The three discuss Samantha’s new boyfriend, a retired army general. Kelly starts being silly, talking about how cute her mother and her new boyfriend are together, and how her parents still get along despite being divorced. She starts bouncing around the room to the point she knocks over their fish bowl, causing Kelly to panic and desperately try to save the fish. Luckily, she saved them all, but Kelly’s mother tells her she needs to slow down and be more careful sometimes.

Samantha’s partner comes to eat dinner with her and Kelly, and once again, Kelly starts being annoying with her camera, pushing it in the couple’s face, to the point that Samantha’s boyfriend gets hit with it, making his nose bleed. At dinner, Kelly announces that her mother is definitely in love, which embarrasses Samantha. This brings them to an important topic of conversation though: that they are getting married in the summer. This throws Kelly for a moment, but she tries not to let it bother her, by giving them her blessing to get married. Kelly asks what she should call her soon-to-be stepfather. He says either Joe or “Sir” is fine. For some reason, Kelly chooses to call him “Sir”. That evening, Kelly wonders how much everything is going to change with her mother getting re-married. Her mother talks to her, and says that she loves Joe and that this will be good for all of them.

The day before the wedding rolls around and it turns out Samantha hasn’t told her daughter something. She has the whole day alone with Kelly to give her this news. As they go shopping, Samantha says that they are going to be moving upstate as Joe has a new job, as the Commandant, basically the principal, of a military school there, which Kelly will be going to. Kelly is distraught, not wanting to change schools or leave her beloved city. Samantha thinks it might be good for Kelly, to give her some focus and some structure, as Kelly is a bit excitable at times…Kelly announces that she isn’t going, begging her mother to let her live with her friend Amanda and her parents. Samantha says that’s not going to happen. Kelly continues to say to Amanda she isn’t going, but packs anyway.

Sure enough, Kelly’s threats of staying behind in New York don’t come to anything and she arrives at George Washington Military Academy. Her mother and stepfather have a house on campus, so she can come home at weekends, but during the week, she is expected to stay in the cadets’ barracks. Kelly draws attention to herself, both on campus and in the dormitory, as she is the only one not in uniform and clearly doesn’t want to be there. Another cadet, Carla, tries to put Kelly at ease, but Kelly isn’t convinced this will ever be the place for her. The rest of the cadets start discussing sixteen-year-old Cadet Captain Jennifer Stone, the one who will be in charge of their barracks. Kelly learns Captain Stone is stern, strict, and has a crush on Brad, the best-looking guy at the academy.

Shortly after, Captain Stone comes to inspect the cadets. Kelly doesn’t notice as she is busy spreading out a multi-coloured blanket over her bed. Captain Stone comes over to Kelly, and tells her the blanket is not regulation and she never wants to see it in these barracks again. Kelly can’t believe there is such a problem with a blanket. She is told she is on Stone’s “list”. To make it worse, lights out is in 10 mins. Kelly hates this place.

The next morning, Kelly is rudely woken up by the traditional military bugle wake-up call. She is the last to arrive at morning inspection with Captain Stone, and arrives in her uniform, but with the added accessories of jewellery and a scarf. Carla signals to Kelly to take that stuff off; she hurriedly hides it in her cap. Captain Stone and her second-in-command Gloria read out the cadets’ schedule, which confuses Kelly who can’t get her head around the 0800 hours thing! Captain Stone comes over to see if everything is clear, and Kelly admits it is not. She calls Kelly a “maggot” and signals for Kelly to salute her. Kelly rushes to salute, knocking off her cap. As Captain Stone sees all these non-regulation items, she is about to launch into a full-blown tirade, but before she can, Carla jumps in, stating that she will help Kelly learn about proper military conduct. Stone tells her to do it – quickly.

Carla talks to Kelly about ranks, and how as lowly cadets, they need to salute anyone higher up than them, including Captain Stone. Kelly sees Brad for the first time, with Carla telling Kelly to stay away, or risk annoying Stone further. Carla also says that there is a Welcome Back dance on Friday, which interests Kelly, who can’t wait to dress up. Kelly sees Stone about to talk to Brad, and rushes in front of her, to salute him. Brad sees this as comical, saluting Kelly back, before walking away. Kelly then salutes a furious Stone.

Kelly later gets her first taste of classes at a military academy, where she learns to stand before a teacher comes into the classroom, and announces herself to be a “conscientious objector” in a class about war strategies, shocking everyone else in the room! She also says that at her old school, she only had to do math when she felt like it. In the barracks, Kelly talks to the other girls about their dresses for the dance, but Carla is less than enthusiastic about it. Kelly and Carla go for a walk instead, where Kelly sees the academy’s drill team for the first time, and says they look like robots as they throw their rifles around in perfect unison. Kelly is not impressed. The two then come across the Commandant, and Carla is shocked to find Kelly being so familiar with him. Kelly says that the Commandant is actually her new stepfather. Carla says this fact might make Captain Stone go a bit easier on her, but Kelly wants to keep this secret hidden for a while. Carla and Kelly go to Kelly’s house, where they pick out dresses for the dance together. Carla is also introduced to Kelly’s mother, who is struggling a bit with her new role as a housewife.

Later that day, Kelly and the other cadets take part in an assault course. Kelly is not very athletic and is very slow around this course, not liking the mud, the heights, or the fact Captain Stone is following her around it, yelling instructions at her. Kelly eventually finds herself stuck up a wall, which she needs to abseil down. After the activity is over, Captain Stone returns to the wall to see Kelly still up there. Kelly is ordered to come down, and she haphazardly repels down the wall. Stone tells Kelly that she’ll be repeating this course again, until she gets it right, with Gloria watching as she does so. This means Kelly will miss the dance that night, but Stone doesn’t care.

Kelly gets to work on the course, even as it starts to pour with rain. She tries to get Gloria on side, but Gloria is stone-faced, ordering Kelly through the obstacles. During the point where Kelly must crawl through the mud, she starts to sing military songs, which amuses Gloria. She gives Kelly some hints and tips on how to complete the course faster and more easily. After getting through the mud, Gloria tells Kelly they are done for the day and she is dismissed. Kelly runs to the dance in her muddy combats, leading to her falling down the hill right by the hall where the dance is being held. She bursts in, still off balance, and slams right into Captain Stone, clinging on to her as she tries to get her balance again. Stone is horrified to see her beautiful white dress covered in mud. Brad, her date, just starts laughing as the rest of the students applaud Kelly for her stunt!

The next day, Kelly is sent to the Commandant’s office, where he says he’s had lots of complaints about Kelly, from Stone and her teachers. Kelly then insults the drill team, which was a big mistake as the Commandant was once part of that team. The Commandant tells Kelly she will learn about the importance of service here. He tells Kelly to go home. Kelly tries to call her dad, but he doesn’t answer. She leaves him a voicemail, saying how great school is even though she is close to tears. Kelly tries to talk to her mum about how much she hates the academy, but her mum reveals that she is pregnant. Kelly can’t possibly ruin things between her mum and her new stepfather now, so she keeps quiet about it. Kelly is given new paints so she can paint the nursery. Joe then comes home and congratulates Kelly on becoming a big sister – by offering her a handshake…

The next day, at inspection, Stone thinks there will be something wrong with Kelly’s uniform or bunk, but she can’t see anything. Stone congratulates Kelly with getting away with something – however, as Stone walks past, she sees Kelly’s blanket out of the corner of her eye, hidden under a pillow. Stone grabs the blanket and rips it up in front of Kelly. That night, Kelly wants payback for that, and goes to Stone’s room. The next morning, everyone discovers that Kelly actually painted Stone’s hair whilst she was sleeping. Everyone else finds it funny, but not Stone, who delivers a court marshal to Kelly later that day. Joe and Kelly’s mother discuss it that evening, with Joe angry at Kelly for putting him in this position. The other cadets will put Kelly on trial but he will have to punish her. Kelly talks to her mother in tears, saying she was never asked if she wanted to come here, so it’s hardly her fault if she’s struggled to adjust. Her mother tells her to apologise to the court.

In court, Stone reads out a list of Kelly’s “crimes”, and is told by Brad to remove her cap to give evidence of the painted hair. The court finds Kelly guilty and she is sent to the Commandant’s office. He sentences her to be the equipment manager for the drill team, where she will be polishing and cleaning the team’s uniforms. It turns out the Commandant has high hopes for this team to outdo his 1970 team’s 3rd place finish at competition. Kelly then gets a call from her dad, and she lets him know what happened. He’s so distracted he doesn’t really listen and thinks her sentence must be a good thing!

Later, Kelly reports to the drill team and is ordered to polish shoes. She starts singing about how mean Stone is, which is overheard by Brad. He doesn’t seem to care though and shows Kelly that a bit of spit on the shoes makes them shine more. The Commandant comes to watch the team practice, and says they will have a meet in two weeks’ time, this being their first step to getting to the Regionals. Kelly keeps up her job as the equipment manager, asking Carla to come and help her. Carla then says that she loves being at school, as it’s much better than life at home. Kelly starts to understand how that could be possible.

As the two work on polishing together, Kelly interrupts Captain Stone and Brad’s conversation again, asking to borrow some spit for her shoe, saying she’ll pay him back later…Right…She also says she’s a lucky charm and offers to let Brad rub her head. He does. As the team go back out to practice, Kelly picks up a rifle and tries to flip and catch it.

At the meet against Rahway High School, they are all nervous, especially Captain Stone who needs help with her broken belt. Kelly comes to the rescue. George Washington Military Academy is outperformed by Rahway, with Brad deducing they need more from the Exhibition Phase, which is basically like a military-inspired dance routine, something that Stone had been working on. Kelly tries to cheer Brad up when they are alone by playing about with the rifle. He finds it funny, and lets her carry on.

The next day, Kelly finds Gloria and offers her some of her jewellery or accessories in exchange for help with drill team try-outs, as they are holding auditions to revitalise the team before the Regionals. Gloria is happy to help, and quizzes her on military knowledge and teaches her the movements. After some time, Gloria decides Kelly is ready and she goes to the try-outs. Stone is unimpressed with Kelly. Brad ignores her, saying that new members will be announced the next day. Kelly wakes up bright and early so she can see if she made it, but she is once again summoned to the Commandant. He begins by saying he did not give Kelly permission to try out for the drill team, but announces she made it and that he is very proud of her. Kelly is about to get another handshake when she tells the Commandant he needs to be less uptight now that there’s going to be a baby in the family. He agrees.

Kelly sees Stone practising new moves for the competition later that day, and joins in, by copying Stone. They begin a sort of dance-off, which is seen by Brad. Brad likes this idea and decides they will now be a duo in the Exhibition Phase, annoying Stone. Kelly tries to get along with Stone, asking if they can talk about their routine together. Stone allows it. That evening, Kelly’s father comes for dinner with Kelly, her mother, and Joe. He says he’ll be climbing Rockridge Point nearby so he will be able to see Kelly in the drill team competition later that same day. Kelly is very pleased about this.

The day of Regionals comes and the team arrive at the location. Kelly is being asked by Brad to do something; however, she is distracted by the arrival of Amanda, who Kelly calls her “truest friend”, upsetting Carla who has been with Kelly throughout her time at the military academy. The competition begins soon after with the Inspection Phase. The team do well. Kelly then starts to look for her dad in the crowd but he isn’t there. The team hear a phone going off; it’s Kelly’s. They are angry with her because had that phone gone off during the inspection, they would’ve been disqualified. Kelly tries to explain it is her dad and he only calls in emergencies. Kelly picks up the call but the line goes dead.

An hour or so later, Kelly tries to call her dad again as he still isn’t here, but there is no answer. The Commandant comes over to give the team a pep talk before their next phase. He sees Kelly upset and talks to her. She explains she is worried about her dad, believing he’s got himself in trouble but not wanting to abandon the team. The Commandant tells her the team would understand and that her father comes first. They drive to Rockridge Point to look for him. Stone and Brad are disappointed to find Kelly has vanished and stand down some of their team to make up for the missing cadet.

At Rockridge Point, Kelly sees her father has fallen off the mountain onto a ledge and is unconscious. Joe calls for help, but Kelly wants to act now. She says she will repel down to him on the ledge. Joe tries to talk her out of it but Kelly is insistent. She starts abseiling down the mountain, jumping the last section as the rope they have is too short. Kelly tries to wake her father, and he regains consciousness, joking about how the “first step is a real doozy”. The emergency services come to retrieve Kelly’s father and take him to hospital. Kelly is glad to see both of her dads fine and well. Kelly and Joe hug for the first time.

Back at the competition, the Commandant explains that he excused Kelly from the last phase. Now it is time for the Exhibition Phase, and Kelly and Stone know they have to be perfect to make up points. The two give an amazing performance, complete with ribbons. As the teams assemble for the final scores, George Washington Military Academy sadly find that they come in 2nd place, and did not win, losing by just one point. However, this is still the best the team has done in years, so the Commandant and Brad are happy with that, and they are still going to Nationals. Kelly tries to take the blame for the team not winning, and Stone seems to start to agree with her, however, she says that actually the team wouldn’t have done as well without her. Kelly says their routine will just have to be better next time. Stone announces that she’s actually moving away so Kelly will have to go on without her, but she wishes for Kelly to become a Cadet Captain, so she can deal with someone just like her in a few years’ time! The movie ends with the team saluting their Commandant and Kelly stating that her memoirs of this time in her life are now complete.

CHARACTERS & CAST

Kelly Collins, or Cadet Kelly, is an enthusiastic, artistic, positive individual. She loves art, New York City, and her family, although her clumsiness and over-excitedness can get her into trouble sometimes. Kelly never expects her life to change much, but instead finds herself being sent to military school after her mother marries a general who is set to be the new Commandant there. Kelly’s character doesn’t match the structured routine of military school, and she finds herself trying to push the boundaries as much as possible, however, this also gets her into trouble as she gets off on the wrong foot with Captain Stone, embarrasses her stepfather, and struggles to understand the rules at this new school. Eventually, thanks to her punishment of working with the drill team, Kelly learns the discipline and focus Joe and her mother hoped she’d learn, as she becomes a part of the team and begins to properly engage with the academy classes. This even leads to her pulling off a daring rescue to save her father, and to a respectable second-place finish with the drill team.

Hilary Duff was cast as Kelly Collins. At the time of Cadet Kelly, Duff was already playing the title role in the Disney Channel series Lizzie McGuire (2001-04), having also previously been cast as Wendy in Casper Meets Wendy (1998). After Cadet Kelly, Duff went on to reprise her role as Lizzie McGuire in The Lizzie McGuire Movie (2003) before having many more acting opportunities, such as being cast as Lorraine Baker in Cheaper by the Dozen (2003) and its 2005 sequel, and as Sam Montgomery in A Cinderella Story (2004) starring opposite Chad Michael Murray. More recently, Duff starred as Sophie Tompkins in How I Met Your Father (2022-23), a spin-off of the series How I Met Your Mother (2005-14). Duff is also known as a singer, having released many albums, including Santa Claus Lane in 2002, her self-titled album in 2004, and most recently Luck…or Something in 2026. Some of her earlier singles include “Why Not”, “So Yesterday”, and “Santa Claus Lane”. During her time as a teen acting and singing sensation, Duff won numerous Kids’ Choice Awards.

Cadet Captain Jennifer Stone is strict, tough, and easy to annoy. She doesn’t tolerate lack of care and attention to the rules of the academy, and quite clearly doesn’t like Kelly for a variety of reasons. Stone cannot allow any cadet to get an easy ride, just because they aren’t used to being at a military academy or because their stepfather is the Commandant, so Stone is quite hard on Kelly. Kelly doesn’t respond to being shouted at or punished so Stone’s animosity towards Kelly does no-one any favours. In the end, when Kelly and Stone are forced to work together for the competition, Stone finds that actually Kelly isn’t such a “maggot” after all, and they find some common ground. They perform well together at the competition but hopes of seeing the two become friends are dashed as Stone says her father has gotten a new posting and she will be moving away. Sad times.

Christy Carlson Romano was cast as Cadet Captain Jennifer Stone. At the time, she was playing Ren Stevens in the Disney Channel series Even Stevens (2000-03) for Disney Channel, going on to reprise this role in The Even Stevens Movie (2003) as well as becoming the voice of Kim Possible for the Disney Channel series and its 2005 film So the Drama. In the 2019 reboot DCOM Kim Possible, she returned to the franchise to play Poppy Blu. Christy Carlson Romano went on to appear in Broadway productions, such as being cast as Belle in the 2004 production of Beauty and the Beast, and Kate Monster and Lucy in the 2008 production of Avenue Q. Nowadays, she hosts podcasts such as Vulnerable, and had a YouTube series called Christy’s Kitchen Throwback, where former child stars would come and cook with her whilst discussing their careers. This series later became a cookbook. For her role in Even Stevens, Romano won two Young Artists awards.

Cadet Carla Hall is seemingly Kelly’s only friend at the academy. Carla is the first person to talk to Kelly and volunteers to help Kelly learn about how to behave at her new school, in order to stop Stone from coming down so hard on Kelly every day! Carla and Kelly become close friends, even though Kelly doesn’t listen to Carla’s advice all the time. Carla later agrees to help Kelly with the equipment for the drill team, apparently taking it over from her after Kelly gets a spot on the team. That wasn’t part of the deal. At the competition though, Carla is hurt to find that Kelly only thinks of Amanda as her best friend. In the end, Kelly explains that she doesn’t like Amanda more than Carla, only that she’s known Amanda longer, which isn’t much of an apology if you ask me, but Carla seems ok with it!

Carla was played by Andrea Lewis, who went on to be cast as Hazel Aden in Degrassi: The Next Generation (2001-15) until Season 5, and as Melissa in the Canadian drama series Moccasin Flats (2003-06). Lewis said that she was very excited to work on Cadet Kelly, having been a fan of the Disney Channel and its shows like Even Stevens, Lizzie McGuire, and The Famous Jett Jackson. She was not aware of quite how big a deal this film was going to be until she saw Hilary Duff and Christy Carlson Romano show up for the read-through. Lewis said she had a lot of fun shooting this movie and is still surprised to be recognised by the public for her role here over 20 years later[1].

Cadet Major Brad Rigby is the talk of the academy amongst the girls, who all have a crush on him; however, it is well-known in the school that Captain Stone likes Brad so he is effectively off-limits to everyone else. Only Kelly would ignore that advice, going out of her way to be noticed by Brad, such as pushing in front of Stone just so she can randomly salute him, and asking him to rub her head for good luck. To be honest, Brad doesn’t seem romantically interested in Stone, even though they went to the dance together, and just seems to be amused by Kelly, so there are no romances in Cadet Kelly. Brad is much too busy focusing on getting the drill team a win, and when Kelly gets a place on the team, she seems to forget all about impressing him anyway!

Brad Rigby was played by Shawn Ashmore, who went on to play Bobby Drake / Iceman in the X-Men sequel X2 (2003) shortly after his role in Cadet Kelly, winning the MTV Movie Award for Best Breakthrough Performance. He reprised his role in later X-Men sequels. After this, Ashmore was cast as Mike Weston in the Fox series The Following (2013-15), which starred Kevin Bacon, and currently plays Wesley Evers in the ABC police drama series The Rookie (2018-present).  

Gloria Ramos is Captain Stone’s second-in-command, doing most of the shouting for her! Gloria is tasked with monitoring Kelly’s attempts through the obstacle course and initially seems just as stern and strict as Stone, however, she warms to Kelly throughout the course and decides to help her instead of just yelling at her. She is also instrumental in preparing Kelly for the drill team try-outs, once again, happy to help her. Gloria is fair and sympathetic unlike Stone, but she still doesn’t suffer fools gladly.

Aimee Garcia was cast as Gloria. Garcia went on to be cast as Veronica Ann Palmero in Seasons 5 and 6 of the sitcom George Lopez (2002-07), and as Jamie Bautista in Seasons 6, 7, and 8 of Dexter (2006-13). She later played Ella Lopez in the fantasy series Lucifer (2016-21). Outside of that, she also played Jae Kim in RoboCop (2014). Recently, Garcia was cast as Magdalena Ortega in the festive film Holiday in Santa Fe (2021).

Amanda is Kelly’s best friend from New York. They both went to the same school together, loving the freedom their specific school gave them. Together, they are giggly and perhaps just a little bit ditzy! Amanda can’t believe that Kelly is going to be moving away, however, they plan to keep in touch. Amanda shows up to Kelly’s drill team competition and is very happy to be reunited with her best friend.

Sarah Gadon was cast as Amanda. Gadon had previously appeared as Heather in an early DCOM, The Other Me (2000). She was later cast in theatrical movies, like Belle (2013), playing Lady Elizabeth Murray; A Royal Night Out (2015) portraying Princess Elizabeth; and Ferrari (2023), where she was cast as Linda Christian. In television, Gadon was cast as Sadie Dunhill in the miniseries 11.22.63 (2016) and starred as Grace Marks in the Canadian miniseries Alias Grace (2017). Recently, she played Laura Redman in the Netflix miniseries Wayward (2025), which starred Toni Collette.

General Joe Maxwell, also known as the Commandant, or just “Sir” to Kelly, is Kelly’s new stepfather, but he isn’t the typical kind of stepfather you see in these types of films, trying desperately to get the approval of their new partner’s child. Instead, he is simply strict and uptight, due to his military roles and upbringing. At one point, he says his father was also Commandant at this same school when Joe was attending, so that is perhaps why he struggles to be openly emotional. Thanks to Kelly, he learns how to be a warm, loving father and it’s about time too, because, as Kelly said, babies can’t salute or shake hands!

Gary Cole was cast as General Maxwell. Cole had starred as Mike Brady in The Brady Bunch Movie (1995) and its 1996 sequel prior to his role in Cadet Kelly, and had also appeared in the Disney Christmas film I’ll Be Home for Christmas (1998) as Jake’s dad, Mr. Wilkinson. After Cadet Kelly, Cole went on to voice Kim Possible’s father, Dr. James Possible in Kim Possible (2002-07) and to voice the character of Principal Shepherd in Family Guy (1999-present). Cole has continued to voice act with his recurring role as Sergeant Bosco in the Fox animated series Bob’s Burgers (2011-present), returning to the role for the 2022 The Bob’s Burgers Movie. Outside of that, Cole has made appearances in other movies, including as Reese Bobby in Talladega Nights: The Ballad of Ricky Bobby (2006), starring Will Ferrell; Ted Jones in Pineapple Express (2008); and as Henry O’Hare in Hop (2011). In television, Cole played Bob Russell from Season 5 to Season 7 of The West Wing (1999-2006); Kent Davison in the political satire series Veep (2012-19); the recurring role Kurt McVeigh in The Good Fight (2017-22); and Harrison Jackson III in the Black-ish spin-off series Mixed-ish (2019-21). Cole currently plays Alden Parker in NCIS (2003-present), having been involved in the long-running show since Season 19.

Samantha Collins is Kelly’s mother. She seems to have quite a high-powered, stressful job in the city, but leaves all of that once she marries Joe and moves upstate to the military academy for him, where she learns to cook and later becomes pregnant. It’s not the most empowering storyline for her, but she seems to like her new life. Samantha clearly loves her daughter and honestly thinks the structure of military school might help Kelly to calm down and be less hyper, however, Kelly does struggle to adapt and feels the need to keep this a secret so as not to disrupt her mother’s happiness with her new husband. Samantha is a little bit clueless to her daughter’s feelings, but she does mean well, I think.

Samantha was played by Linda Kash, who was later cast as Schlots’ mother in the Disney Channel Movie Full-Court Miracle (2003). Kash also played Alma Hix in the made-for-television adaptation for ABC of The Music Man (2003), alongside Matthew Broderick as Harold Hill and Kristin Chenoweth as Marian around this time. Kash went on to play the recurring role of Nellie Hebert in the medical drama Doc (2001-04).

Adam Collins is Kelly’s photographer father. He is usually away on his travels around the globe on exciting work assignments, so he doesn’t see Kelly as much as he’d like to but he does always return with some sort of gift for her. Adam is kind of clumsy and scatterbrained, like his daughter, so that must be where Kelly gets it from! Adam doesn’t seem to be someone who wants to settle for the mundane, but like Samantha, he adores his daughter and wants to be there for her drill team competition. Sadly, he gets himself into an accident and has to be rescued by Kelly, missing the competition, but at least he wasn’t seriously injured – that wouldn’t be very Disney Channel, would it? Nigel Hamer was cast as Adam. Hamer appeared as Jeff Isaacs in early seasons of Degrassi: The Next Generation.

MUSIC

Cadet Kelly’s soundtrack features mostly pop music, generally used in montages. Three songs are clearly heard within Cadet Kelly.

One of these is “Watch Me Shine”, written by Dino Esposito, and performed by singer Joanna Pacitti. “Watch Me Shine” was also used in the movie Legally Blonde (2001) starring Reese Witherspoon. In Cadet Kelly, “Watch Me Shine” is playing as Gloria teaches Kelly about drill team protocol so she can successfully try out for a place on the team. This song is all about showing the doubters what you can do, so it perfectly matches Kelly’s story in the film. In the Disney+ version of this film, “Watch Me Shine” was replaced by a different song. The song was not credited, so I don’t have an artist or writer’s name for it. The song may be titled “You Can Be Anything”, judging by its lyrics. 

Another song used is “Relating to a Psychopath”, written by Macy Gray, Jeremy Ruzumna, Darryl Swan, and Dave Wilder. It was performed by American singer Macy Gray, who released her debut album On How Life Is in 1999. Gray won numerous awards for such singles as “I Try”, including a Grammy Award for Best Female Pop Vocal Performance. Gray has since appeared on various reality shows, including as a contestant on Dancing with the Stars (2005-present), appearing in Season 9 in 2009, and The Masked Singer, in the US, Australia, and the UK. “Relating to a Psychopath” is playing as Kelly interrupts Captain Stone’s rehearsal for the Exhibition Phase of the drill team competition, and basically turns it into a dance off, as Kelly and Captain Stone try to copy and outdo each other’s moves. This leads to Brad saying the two must perform together in the competition. For some reason, in the Disney+ version of Cadet Kelly, this song was also removed, being replaced with something generically jazzy, which is a shame because the original song fits well in the scene. I can only assume Disney lost the rights to these two songs at some point.  

Finally, “One Girl Revolution”, written by Max Hsu and Dave Gherzlen, and performed by rock band Superchick, is the stand-out tune in Cadet Kelly. Superchick released their debut album Karaoke Superstars in 2001, with “One Girl Revolution” appearing in this album. “One Girl Revolution” has also appeared in other movies, including the DCOM Cloud 9 (2014) and the Mary-Kate and Ashley film Holiday in the Sun (2001). In Cadet Kelly, this song is used both in the opening sequence, as well as during Stone and Kelly’s competition dance routine.

As well as these three very audible songs, at the Welcome Back dance, the song “It’s Not That Deep”, written by Donny Markowitz, and performed by Cash Hollywood, is playing when Kelly comes barrelling into the hall and bumps into Captain Stone.

You’ll also hear two likely familiar tracks within Cadet Kelly. One is the traditional military wake-up call, called “Reveille”, normally performed on the bugle. There is also “I Don’t Know, But I’ve Been Told”, a military cadence call. The song has been parodied many times. In this case, Kelly is singing about how mean Captain Stone is and that her heart is cold. Brad then comes in and asks Kelly “How cold?”, to which Kelly shouts “Ice cold!”. Kelly also sings the openings lines from both “The Marines’ Hymn” and “Row, Row, Row Your Boat” whilst she is trying to get through the mud and under the wires in the assault course.

There are also two further pieces of music that are credited in Cadet Kelly, however, neither of these have performers or singers attached to them, only writers. Without being able to hear them, and their titles not giving any hint as to what section of the film they can be heard in, I cannot link them to anything specific. Just to complete the soundtrack though, the tracks are “Don’t Get Me Started”, written by Kit Hain and Nina Ossoff, and “I Need To Hear It From You”, written by Nina Ossoff and Kathy Sommer.

David Kitay is credited as the composer of the music here. At Disney Channel, Kitay also composed the music for other DCOMs, like Eddie’s Million Dollar Cook-Off (2003) and Life is Ruff (2005), and co-composed for Stuck in the Suburbs (2004) with Jeff Vincent. Away from Disney, Kitay has worked on the music for such non-Disney movies as Clueless (1995); Scary Movie (2000); and Over Her Dead Body (2008).

PRODUCTION

Cadet Kelly was said to be inspired by the 1980 comedy film Private Benjamin, with producers from that film being involved in the creation of Disney Channel’s Cadet Kelly.

Private Benjamin sees a woman named Judy Benjamin being almost tricked into completing basic training for the US Army and finding herself struggling to navigate the world of the military and its personnel. This comedy film was a big hit in 1980, leading to Academy Award nominations for its lead actress Goldie Hawn, as well as Eileen Brennan for Best Supporting Actress, and Nancy Meyers, Charles Shyer and Harvey Miller for Best Screenplay – Written Directly for the Screen. The screenwriters did win the award for Best Comedy Written Directly for the Screen at the Writers Guild of America Awards.

Although Cadet Kelly has been watered down to suit the child-friendly environment of the Disney Channel, the basic idea, of a girl being pushed into a military atmosphere with no idea of what she’s doing, leading to humorous incidents, is more or less the same.

The writers tasked with using Private Benjamin as inspiration for this new Disney Channel movie were Gail Parent and Michael Walsh. Parent had previously worked on comedy series such as Mary Hartman, Mary Hartman (1976-77) and The Golden Girls (1985-92). After Cadet Kelly, Parent wrote the screenplay for the Disney comedy film Confessions of a Teenage Drama Queen, starring Lindsay Lohan and Megan Fox. Michael Walsh had written the screenplay for Joseph and the Amazing Technicolor Dreamcoat (1999), an adaptation of the 1972 Andrew Lloyd Webber and Tim Rice musical of the same name, prior to his work on Cadet Kelly. Walsh is an author of non-fiction books and novels.

Cadet Kelly was directed by Larry Shaw, who was a director and producer on the long-running series Desperate Housewives (2004-12). Shaw also directed some episodes of other series including Castle (2009-16) and Why Women Kill (2019-21).

Filming for Cadet Kelly took place in Canada. The military boarding school Robert Land Academy was said to be the primary filming location for Cadet Kelly. The academy was located in Wellandport, Ontario, Canada. It has since closed, with former students alleging abuse at the school. Another filming location was St Andrew’s College, based in Aurora, Ontario. The independent school was founded in 1899. Loretto Abbey Catholic Secondary School in Hogg’s Hollow, Toronto, was an additional school location used for filming. It was established in 1847 and is one of Toronto’s oldest schools. Fort York Armoury, a Canadian Forces facility in Toronto, seems to have been used for the location of the drill team competition at the end of the film.

When casting Cadet Kelly, it was already decided that this movie would be a vehicle for Hilary Duff to boost her star power. Christy Carlson Romano believes she was then approached to be cast opposite Duff due to her performance in Even Stevens, with her character Ren being the highly-strung older sister. The two conflicting characters would create the necessary tension. Since both of these actresses came from popular Disney Channel series, their combined star power would surely make this film a hit.

But there was a slight catch. They wouldn’t just be able to fake the military behaviours and procedures; they’d have to be taught how to do it properly – and that meant they were thrown into a boot camp to learn all these things, like how to salute correctly, march properly, and all the skills needed to compete with the drill team. The military instructor on this film was Andrea Bryant, who ensued the stars did not slack off, overseeing their progress daily. Bryant said she was quite impressed with the actors for their commitment and focus on getting these skills perfect. Cadet Kelly had to be technically accurate, otherwise what would be the point of making the film. Many DCOMs see their stars learn specific sports for their films, where hitting someone in the face with a ball might not be too much of an issue, but nobody wants to get whacked in the face with a rogue rifle!

As well as these military skills, Hilary Duff and Christy Carlson Romano also had additional rehearsals for their dance routines with choreographer Amy Wright, which they still found tough but were more fun to do[2]! Apparently, Christy Carlson Romano got quite bad back problems whilst she was filming Cadet Kelly because of the need to stand up straight for hours on end in unsupportive military-regulation boots, meaning she needed regular massages to get her through filming[3]. Hilary Duff also stated in an interview that it was so hot while they were filming that in some of the sequences outside, cadets were passing out[4].

The credits of Cadet Kelly acknowledge multiple locations and institutions. One of these is the National High School Drill Team Championships of Daytona Beach Florida. Apparently, producers approached the competition for consulting purposes for the in-movie drill team competition. Another was Rahway High School, whose drill team appears in the film as an on-screen rival team for George Washington Military Academy. Rahway High School is situated in Union County, New Jersey.

Cadet Kelly is dedicated to film producer Carol Rubin, who worked at ABC and The Walt Disney Company. She was involved in the Disney Channel Original Movies Brink! (1998) and Zenon: Girl of the 21st Century (1999) amongst many others. Rubin died in 2001.

RECEPTION

Cadet Kelly premiered on Disney Channel in the US on 8th March 2002.

It is not clear when Cadet Kelly premiered on international Disney Channels though, and whether the majority saw it in 2002 or had to wait a year for it.

What is known though is the viewing figures that Cadet Kelly achieved on its premiere date – and they are somewhat surprising in some ways, and make total sense in other ways. Cadet Kelly was watched by around 7.8 million total viewers on its premiere date, premiering after a new episode of Lizzie McGuire, reportedly. It ranked No. 1 in the channel’s target demographics of Tweens 9-14 and Kids 6-11, and actually become the most-watched Disney Channel Original Movie premiere for a time[5].

In the early 2000s, the viewing figures of all DCOMs were not widely reported. However, of the few that were, including Halloweentown II: Kalabar’s Revenge (2001), with 6.1 million; and The Luck of the Irish (2001), with 5.2 million, Cadet Kelly easily surpassed all of them with its viewership. This 7.8 million was enough to keep Cadet Kelly in the top spot of the Top 10 Most-Watched DCOMs for many years. The closest this movie came to being topped was with Disney Channel’s January 2006 film High School Musical – yet High School Musical was 0.1 million viewers short of outdoing Cadet Kelly.

Just a few months later, in August 2006, The Cheetah Girls 2 equalled Cadet Kelly’s numbers, so these two became the highest-rated Disney Channel Original Movie premieres. By 2007, thanks to Jump In! premiering in January of that year, Cadet Kelly and The Cheetah Girls 2 were toppled from the No. 1 spot, as Jump In! garnered 8.2 million viewers on its premiere. All three would be blown completely out of the water by the record-breaking premiere of High School Musical 2 in the summer of 2007 though, which was watched by around 17.2 million viewers. However, Cadet Kelly was the most watched DCOM premiere of 2002, and remains in joint 8th position in the Top 10 Most-Watched DCOM Premieres list.

Cadet Kelly has remained one of the most talked about DCOMs too, even over two decades since its release and is beloved by many who watched the film in their tween and teenage years. I am one of those people. Many particularly liked the pop music-filled soundtrack, and felt it was cute, funny, and perfect for the target audience that watch Disney Channel. The casting of both Hilary Duff and Christy Carlson Romano was also praised, with the two bouncing off each other brilliantly in their scenes. Cadet Kelly was also seen to have a message about female empowerment, featuring two strong-minded female characters.

Having said that, Cadet Kelly has been the subject of some criticism as well. Some have commented online, at length, to discuss Kelly’s mother’s parenting decisions. These viewers take issue with Kelly being pulled away from a school and city she loves to go to military school just because of her new stepfather’s job, with Kelly’s needs and wants not being considered at all. They also dislike the fact Kelly calls her stepfather “Sir” and doesn’t use his name. I’d just like to point out here that at the dinner early on in the movie with Kelly, her mum, and her stepfather, he does say that she can call him Joe or “Sir”; Kelly is the one to choose to call him “Sir” and not Joe, so this was not forced upon her. But obviously at school, she should not call her stepfather by his first name, but that would be expected at any school, not just military school. Others felt the plot of Cadet Kelly was predictable, which isn’t necessarily a bad thing, especially for a children’s television movie, and there has been some criticism levelled at how military schools and the drill team are portrayed.

From my point of view, I never had an issue with the plot point of moving Kelly to military school, for two reasons. One is that the structure of military school was good for Kelly because she could be quite hyper and lacking focus. The other is that parents are always moving their families when they get new jobs. It’s nothing new and certainly not unique to this film; it’s just how it goes sometimes. Another point I’d like to mention is that had Kelly actually plucked up the courage to tell her mum how much she hated being at the military academy, I am quite sure she would’ve been sent to another school. The only thing I can really critique is the crush on Brad subplot. It doesn’t add anything to story, and Brad doesn’t seems interested in either Kelly or Captain Stone. It is only there to add another level of animosity and tension between the two, but as it falls away pretty quickly after Kelly joins the drill team, it just seems pointless to me.

LEGACY

Cadet Kelly seems to have found a place for itself amongst a sea of other DCOMs, some memorable, others forgettable, particularly those from the 1990s and 2000s. 

Some publications have taken to ranking Disney Channel Original Movies, with Cadet Kelly frequently appearing towards the top of these rankings. For example, Vulture ranked all 105 DCOMs that had been released at the time, and Cadet Kelly was placed in fourth spot, due to its iconic final dance number with the ribbons, and for its casting[6].

This film has also stayed relevant, with the actors later becoming aware of the fact that Cadet Kelly resonated with the LGBTQ+ community. This doesn’t mean Cadet Kelly was written with this exact purpose in mind, more that it appealed to this group, who liked the relationship between Captain Stone and Kelly. Hilary Duff and Christy Carlson Romano had been asked about this aspect of the film in interviews, with both saying they had not been aware of this until many years later, but they are glad to have been a part of something that may’ve helped people through a difficult or complicated moment in their lives[7].

Cadet Kelly never received a sequel, and never really needed one. Kelly likely stayed at the military school, Jennifer Stone moved away, and Kelly’s mother had her baby and the family became closer than ever. It’s not a particularly exciting future for the film, and a sequel could’ve only really had Kelly become a new Cadet Captain and deal with a new recruit very similar to her. This is a similar direction that Christy Carlson Romano envisaged when asked about a possible future for the film, except in this case, she thought that her character, Jennifer Stone, could’ve become the school’s new Commandant and would’ve had to deal with a new girl that is similar to Kelly, bringing back all those memories. She also thought that Stone could’ve married a woman, opening up a new direction for the film to match where some fans felt Cadet Kelly may’ve been heading[8].

FINAL THOUGHTS

I have always liked Cadet Kelly, although I will admit that, watching it back, some of the acting was a bit clunky and awkward – but that’s generally expected from any Disney Channel movie. I liked the music, and always cry at the end when Kelly is saving her dad. It’s been one of my favourites for years, ever since I first watched it.

Cadet Kelly will always remain a favourite Disney Channel Original Movie, particularly amongst millennials, for its casting, messaging, and feel-good factor, showing how it is possible to overcome adversity and discover just who you want to be.


REFERENCES

[1] Credit: Lexy Perez, ‘Andrea Lewis on Working With Hilary Duff on Disney Movie ‘Cadet Kelly’, Film Resonating with LGBTQ Community’, HollywoodReporter.com, 20th June 2024.

[2] Credit: Disney Channel, ‘Learning the Drills’, from Cadet Kelly (2002) UK DVD (2005).

[3] Credit: Christy Carlson Romano, ;What REALLY Happened On The Cadet Kelly Set?! I Christy Carlson Romano’, Christy Carlson Romano Official Facebook Page, 23rd November 2021.

[4] Credit: Vanity Fair, ‘Hilary Duff Rewatches The Lizzie McGuire Movie, A Cinderella Story & More I Vanity Fair’, Vanity Fair Official YouTube Channel, 20th January 2026.

[5] Credit: Laughing Place, ‘Disney Channel Premiere of Cadet Kelly Breaks Records’, LaughingPlace.com, 12th March 2002.

[6] Credit: Rebecca Alter, ‘All 105 Disney Channel Original Movies, Ranked’, Vulture.com, 4th May 2020.

[7] Credit: Lexy Perez, ‘Andrea Lewis on Working With Hilary Duff on Disney Movie ‘Cadet Kelly’, Film Resonating with LGBTQ Community’, HollywoodReporter.com, 20th June 2024.

[8] Credit: Alexia Fernández, ‘Hilary Duff Didn’t Know ‘Cadet Kelly’ Resonated with LGBTQ Community: ‘If It Helped Anybody, I Hope So’, People.com, 19th January 2022.

Pokémon: The First Movie (1998)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. PRODUCTION
  5. MUSIC
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

There will be very few people in the world who have not at least heard of Pokémon.

It became a global phenomenon from its beginnings in 1996, and has only expanded its franchise since then. This means that there will be even less children who grew up in the 1990s that have not had anything to do with Pokémon since its inception.

I definitely had heard of Pokémon in the 1990s. I loved watched the original series, Pokémon: Indigo League, on Saturday morning children’s TV, specifically SMTV: Live, I think, with presenters Cat Deeley and Ant and Dec. I played the Trading Card Game with my sister, even though I nearly always lost for reasons I will never understand. We even went to a Toys R Us store once just to get a new pack of cards because each one had a shiny Machamp in it. I still play Pokémon GO, the mobile game, although I have a love-hate relationship with it, frequently wanting to throw my phone when I don’t get the shiny Pokémon I want, or miss out on the walking distance I definitely did. But that’s my issue. 

This means I was definitely the target audience for Pokémon: The First Movie when it came to cinemas. This was a little later than the official release date of 1998 in Japan, making its way to the US in late 1999, and eventually the UK around April 2000. I do remember going to the cinema to watch this film and I liked it. My sister, the bigger Pokémon fan, loved it. I just liked Pikachu and Togepi back then to be honest!

Pokémon: The First Movie continued the storyline of the Indigo League series, where Pokémon trainer, Ash, journeys with his friends, Brock and Misty, and his trusty Pokémon Pikachu, to battle trainers and collect new creatures. I was a fan of this series, but I actually remember very few episodes. I always liked the one where Misty had to do a mermaid show with her sisters, and the episodes about Gym Leader Sabrina and her hobby for turning people into dolls still creeps me out to this day, but that’s about it. Pokémon: The First Movie is hard to forget though, with the mystery of Mewtwo being central to the story and the almost philosophical discussions about creation, science, and life making it quite deep.

This film had everything – to please the fans, who were, mostly, young children. For that reason, Pokémon: The First Movie has not gone down in animation history as one of the finest films to have ever graced our screens. But with a healthy dose of nostalgia, Pokémon: The First Movie continues to be touted as a triumph by the most dedicated of fans. For me, despite still liking this film, I’m sitting somewhere in between the two schools of thought.

PLOT

For clarity, this plot summary is specifically for the English dub of Pokémon: The First Movie. Although the overall story between the original Japanese version of the film and the English dub are similar, there are a few differences, something that I’ll go into later on.

Pokémon: The First Movie begins with an invisible narrator discussing the concept of life, a great miracle and a great mystery, before stating that this is the story of the most powerful Pokémon of all. Inside a lab, we see a Pokémon, confused about where and what they are. It stares out at a group of scientists, who are monitoring its brainwaves. Suddenly, they notice the brainwaves surging, and the Pokémon breaks out of the water-filled tube it’s been kept in. Using its psychic powers and telepathy, it communicates with the scientists, who tell it that it is the clone of the mythical Pokémon Mew, with this new Pokémon being named Mewtwo. After hearing that the humans want to experiment further, Mewtwo decides they don’t care about it and Mewtwo destroys the lab, breaking free and escaping, proving to the scientists that they did in fact build the strongest ever Pokémon.

Seeing the destruction below, tough Gym Leader Giovanni lands by Mewtwo, saying he wants Mewtwo to be his partner, because together they can control the world, however, first, Mewtwo must trust Giovanni to help it control its powers. For this reason, Giovanni armours Mewtwo, saying this will focus the psychic powers. Yet, it soon becomes clear to Mewtwo that it is simply being used by Giovanni to battle trainers and, since Mewtwo never loses, to capture other trainers’ Pokémon. Mewtwo realises this is not an equal partnership and breaks his armour, flying away again, back to the location of the lab on New Island. Mewtwo vows to find its own purpose and purge the planet of all who oppose it.  

Meanwhile, a new journey begins, as Pokémon trainer Ash, and his friends Brock and Misty continue their travels to help Ash become a great Pokémon trainer. On this day, Ash moans about being hungry, but immediately accepts another trainer’s invitation to battle. Ash easily defeats this trainer’s line-up of Pokémon, which include a Donphan and a Machamp, with his Bulbasaur, Squirtle, and Pikachu, his most loyal Pokémon. He is being watched by their enemies Team Rocket, consisting of Jessie and James, and their Pokémon Meowth, who can talk, unlike most other Pokémon. Team Rocket want Ash’s Pikachu, believing it to be a very special kind of Pokémon. It seems that Ash is also being watched by someone else. A Fearow carrying a camera flies over head. We see that someone is watching Ash’s battle on a screen. His female assistant asks if this trainer should receive an invitation. Her “master” tells her to approve one for Ash. This “person” summons a storm.

Suddenly, a Dragonite lands next to Ash and his friends, handing them a holographic invite, inviting them to a special gathering on New Island that afternoon to meet with the greatest trainer of all time. Intrigued, Ash says they all must go. As the Dragonite leaves, it is intercepted by Team Rocket, who want to know what the invite said. The Dragonite accidentally drops one, letting Team Rocket know about the meeting at New Island.

Ash, Brock, and Misty arrive at the ferry port for New Island, where they discover the storm has stopped all ferries from going to the island. The port is full of trainers with their Pokémon. Police Officer Jenny addresses the crowd with Harbour Manager Miranda. They warn the trainers not to attempt to cross the water as the storm is deadly. Miranda states that a storm like this had been prophesised, and it has happened before. The previous deadly storm wiped out all but a few Pokémon, with their tears reviving all those lives that had been lost. Miranda warns this may not be the case this time. Despite the warning, and the fact that the nearby Pokémon Center has been shut since its nurse, Nurse Joy, went missing so their Pokémon will not be able to be revived, a few trainers head out, using either their Water-type of Flying-type Pokémon. Ash wants to do the same, but Misty says their Pokémon are not strong enough to manage the journey. As they stand by the sea, wondering what to do, a boat, being rowed by three Vikings arrives, and offers to take Ash, Brock, and Misty to New Island themselves. These “Vikings” are actually Team Rocket, but Ash and the others are not aware of that. Despite being suspicious, the three get in the boat and they head to the island. However, the huge, crashing waves soon cause the boat to overturn. Ash, Brock, and Misty use their Staryu and Squirtle to get through the storm, leaving Team Rocket, whose disguises have now been lost, to fend for themselves. Eventually, the storm calms down and Ash, Brock, and Misty see a castle in the distance. They head towards it.

Once safely on solid land, the three are greeted by the woman from the invite. Brock thinks she looks familiar, but the woman claims to have only ever been on New Island to serve her “master”. They are led to a hall, where they see three other trainers from the ferry port have also arrived. They introduce themselves and their Pokémon. The woman says these trainers are the only ones to have proven themselves worthy by getting here despite the storm, so no-one else is expected. They are told to release their Pokémon and await further instructions. Meanwhile, Team Rocket have also arrived at New Island, but do not have an invitation to allow them inside. They find a way in, seemingly through the sewer.

Back inside, a beam of light appears in the hall, and the “trainer” the others have been waiting to meet arrives. But they discover this “trainer” is not even human; it is a Pokémon. And it isn’t just any old Pokémon; it’s Mewtwo. Speaking telepathically, Mewtwo explains it is the soon-to-be ruler of the world, and the most powerful Pokémon of all time. Proving this, Mewtwo lifts up a trainer, Fergus, who disputed this fact, and throws him into the fountain in the hall. Fergus gets his Gyarados to attack Mewtwo, but Mewtwo simply fires its attack straight back. The female assistant is then taken out of her trance by Mewtwo, who has no further use for her. The woman is revealed to be Nurse Joy, the person who vanished from the nearby Pokémon Center. She was being used to help Mewtwo with his plan.

Team Rocket have found their way inside the castle, and are in some sort of laboratory, seeing Pokémon in cylinders around them. Jessie sits on a computer and starts up the “Replication System”. The system tries to take Meowth, and Jessie and James fight against it to keep Meowth with them. Robotic hands take a few strands of Meowth’s hair, and Team Rocket watch the process unfold, as a clone of Meowth is created. They also see a video about Mewtwo and how it was created.  

In the hall, Mewtwo says its purpose now is to destroy the world, ridding it of all the humans and their Pokémon “slaves”. Pikachu says that the Pokémon are friends of the trainers. Mewtwo calls Pikachu “pathetic” and attacks it with its powers. Ash catches Pikachu. Another trainer, Corey, thinks he can capture Mewtwo and uses his Rhyhorn to attempt to weaken Mewtwo. Mewtwo blocks the attack. Mewtwo states it cannot be weakened or caught. Ash wants a proper battle with Mewtwo; Mewtwo agreed to one. Mewtwo awakens its own cloned Pokémon. Team Rocket watch as the clones walk out of the cylinders and leave the lab. Mewtwo reveals a huge stadium for the battle to take place. The trainers realise this was the only reason they were invited to New Island.

Ash, Corey, and the other trainer here, Neesha, attempt to battle against Mewtwo’s clones of Venusaur, Blastoise, and Charizard with their own versions of these Pokémon. Corey and Neesha’s Venusaur and Blastoise fight hard but are quickly beaten back. Ash’s Charizard is poorly trained though, and doesn’t listen to Ash, trying to fight against its clone in its own way, flying high into the sky and crashing back down to the ground… All looks lost, and the trainers lose the battle. Mewtwo claims all their Pokémon as the prize, planning to clone all of them. Pokéballs start chasing down all the Pokémon. Ash attempts to return his Pokémon to their Pokéballs to stop this, but it doesn’t work; Mewtwo’s Pokéballs just capture the trainers’ Pokéballs. Ash tells Pikachu to fight them off and run. Pikachu runs up a ramp, shocking the Pokéballs at random intervals to get them to stop following, but the pursuit continues. Ash runs after Pikachu, but see Pikachu get tired and fall off the ramp. Ash jumps off and catches Pikachu, who has been captured in a Pokéball, just before falling in the fountain. Ash follows the Pokéballs to Mewtwo’s lab. Ash fights against the machines to retrieve Pikachu and is successful. Team Rocket witness all the Pokémon being cloned.

Once the clones are ready, they head to the stadium, and the originals are released again. Mewtwo reveals all his clones, and Ash arrives with the originals. Ash tells Mewtwo not to let this fight happen between the clones and the originals, attempting to attack Mewtwo, but Ash is pushed away, high into the air. Luckily, Ash is caught by a bright pink bubble. It is revealed the pink bubble was created by the mythical Pokémon Mew, who was feared to be extinct. Mew has been watching the proceedings on New Island. Mewtwo wants to fight Mew, to show its power is superior to Mew’s. Mew doesn’t want to fight. Meowth translates for Mew, who says that the strength of a Pokémon is found in its heart. Mewtwo has no time for sentiment and orders the battle to begin, saying all special abilities have been blocked. Mewtwo goes after Mew, as the Pokémon battle their clone copies, who are meant to be stronger and more powerful. Ash watches the proceedings from a high ledge, whilst the other trainers watch on helplessly, as their Pokémon are forced to battle, seemingly to the death. Pikachu did in fact get a clone, and the clone starts to attack, with Pikachu refusing to fight back. Meowth speaks to its own clone, and realises the clones are more similar to the originals than they are different.

Ash starts to make his way down to the stadium wanting to stop this fight once and for all, however, he gets in the middle of Mew and Mewtwo’s fight and their attacks hit him. He is turned to stone. Pikachu is distraught to see Ash like this and desperately tries to shock him awake, but nothing works. Ash continues to lie lifeless in the middle of the stadium. Pikachu starts to cry, with the other Pokémon also crying for him. The power of their collective tears awakens Ash. Having seen this play out, Mewtwo learns that all Pokémon have power, but it is deciding how they use it and live their lives that determines who they are. Mewtwo chooses to fly away with his clones to find a new purpose. Mewtwo wipes the trainers’ memories of this night, and returns them to the ferry port.

Back at the ferry port, we see that they have gone back in time, as the trainers are being warned about the huge storm and the cancelled ferries. However, they see that the storm has now cleared and all is calm again. Nurse Joy also arrives to say she is available to treat any Pokémon that need assistance. It was like it never even happened. As Ash, Misty and Brock look out to sea, Ash thinks he sees something in the sky, but the other two don’t notice, so they think he imagined it. Ash says he thinks he saw a rare Pokémon, just like he did when he started on his journey to becoming a Pokémon trainer. This time he saw Mew.

The film ends with the narrator saying that Ash, Misty and Brock will continue their journey, where many more mysteries and adventures await them. But what happened to Team Rocket? Well, they remained on New Island, with no clue how they got there!

CHARACTERS & CAST

Since I have only seen the English dub of Pokémon: The First Movie, these are the voice actors that I will be focusing on here, although I will mention the name of the Japanese actor.

Ash Ketchum is the trainer that the original series, Pokémon: Indigo League, follows. He first began his journey to become a trainer at the age of 10, which seems a little bit young to be travelling on your own, but oh well! It was at this point that he first got his Pikachu, who is very loyal to him. Ash is dedicated to his Pokémon and his dreams of being a great Pokémon trainer, making him do reckless things, like trying to battle the most powerful Pokémon ever and getting into the middle of that Pokémon’s attack just to get him to stop attacking! Ash just wanted to have a nice day out at New Island, battling some trainers, probably hoping for a free lunch, not to have to deal with a Pokémon having an identity crisis. Ash can be a little bit annoying at times, when he doesn’t listen to Brock and Misty, for example, and always complains about being hungry, but his heart is in the right place, and he would do anything to keep his Pokémon and friends safe from harm.

Ash was voiced by Veronica Taylor. Taylor voiced the character of Ash, plus his mother Delia and some other characters, throughout the Pokémon series and various films until around 2006. Outside of that, she has voiced characters for other series including Sailor Pluto and Setsuna Meio for the Sailor Moon franchise, and April O’Neil for the animated series Teenage Mutant Ninja Turtles (2003-09). The Japanese voice actor of Ash was Rica Matsumoto. Pikachu was voiced by Ikue Ōtani.  

Misty is Ash’s best friend and they meet early on in his journey to become a Pokémon trainer. Misty is the only person who can shout at Ash and have him actually listen! She is quite impatient with him, finding his complaints and whining quite irritating. Like Ash, Misty is also dedicated to her Pokémon and in Pokémon: The First Movie, she is one of the first to voice her concerns about the Pokémon battling their clones, seeing it as barbaric and unnecessary. But she isn’t upset enough to risk her life by getting in the way of Mewtwo and Mew’s epic battle; she lets Ash do that instead.

Rachael Lillis voiced Misty here, also voicing the character until 2006, along with Pokémon like Jigglypuff and Vulpix. Lillis lent her voice to other anime projects, such as Hunter x Hunter (2011-14), voicing Mito Freecss and Cocco. Lillis passed away in August 2024. Mayumi Iizuka was the Japanese voice actor for Misty. Misty’s Pokémon sidekick is Togepi, who was voiced by Satomi Kōrogi.

Brock is the other person who tags along with Ash and Misty on their journey. He has always been girl crazy, to the point where it becomes a little bit problematic if you watch the series as an adult! But whenever girls aren’t around, Brock does have some good ideas and good advice for Ash, for when he thinks Ash needs to take a minute and think before he acts. In Pokémon: The First Movie, he is immediately infatuated with Mewtwo’s assistant on meeting her, later discovering this is the missing Nurse Joy.

Brock was voiced by Eric Stuart, reprising the role until around 2006. Stuart is also known for voicing Seta Kaiba in the Yu-Gi-Oh! anime franchise, amongst numerous other characters. Brock’s Japanese voice actor was Yūji Ueda.

Mewtwo is the antagonist of Pokémon: The First Movie, although it didn’t have to be that way. On discovering its status as a clone, Mewtwo is confused about what its purpose is, just being a “copy” of some other Pokémon, or an “experiment” to be tested on throughout its life. Mewtwo doesn’t want that, and knowing its strength, knows it doesn’t have to settle for that. However, Mewtwo thinks it can trust Giovanni when Giovanni claims they will be equal partners and take over the world together. This turns out not to be case, furthering Mewtwo’s belief that humans are bad, and that the Pokémon that “serve” them are weak. Mewtwo doesn’t want that for its future, so it decides to clone other Pokémon, so they can rise up against the humans and their Pokémon, proving that clones are worthy and more powerful than they are. Mewtwo is to set on this plan to enact revenge on humans that it doesn’t see that all Pokémon are worthy and that their strength doesn’t lie in their power. It takes a while for Mewtwo to learn that, but it does, and plans to figure out a new purpose, removing the memory of that night from the minds of all the trainers who were there.

Jay Goede voiced Mewtwo, although he is credited as Philip Bartlett in the film. Goede went on to perform roles on stage, including in the 1999 national tour of Cabaret, and played Grinch in the 2006 performance of How the Grinch Stole Christmas! in San Diego, California. Goede also voiced Dr. Fuji, the lead scientist cloning Mewtwo. Mewtwo’s Japanese voice actor was Masachika Ichimura. Koichi Yamadera voiced Mew.

Mewtwo enlists the help of Nurse Joy in developing his plans, making her the face of his plot, so that Mewtwo could arrive as the big reveal later on. Nurse Joy was kidnapped from her role at the nearby Pokémon Center and taken to New Island against her will, being put into a trance by Mewtwo’s psychic ability so she would help. It’s quite dark for a children’s film when you think about it. Nurse Joy is quickly taken out of her trance as she is no use to Mewtwo once the trainers arrive with their Pokémon and she is left to watch this scheme, that she inadvertently played a part in, play out in front of her. Nurse Joy’s memory of the night is also wiped and she returns to work at the Pokémon Center none the wiser.

Megan Hollingshead voiced Nurse Joy. Hollingshead voiced this character in the series and films until around 2004, going on to provide voices for other anime series, such as Mai Valentine in Yu-Gi-Oh! Duel Monsters (2000-04) and Rangiku and Nemu in Bleach (2004-12) and its most recent series Bleach: Thousand-Year Blood War (2022-present). The Japanese voice actor for Nurse Joy was Ayako Shiraishi.

Now, to Team Rocket. Team Rocket consists of humans Jessie and James, and their sidekick Meowth, a Pokémon who can actually talk and not just say its name. Jessie and James are eager to capture Pikachu for their boss, Giovanni, but they are quite incapable of doing so. They frequently seem to get close to Ash, only for their plans to be thwarted at the last moment. Meowth is quite aware of Jessie and James ineptness and makes comments about it, being quite sarcastic at times. In Pokémon: The First Movie, although their initial plan is still to bother Ash and his friends, they find themselves in the middle of something so much bigger than that, and become distracted by Mewtwo’s war against trainers and their Pokémon. They probably wished they’d left Ash alone on that day!

Jessie was voiced by Rachael Lillis, who voiced Misty, and James was voiced by Eric Stuart, who voiced Brock. In Japan, Jessie was voiced by Megumi Hayashibara and James was voiced by Shin-ichirō Miki. Meowth was voiced by Maddie Blaustein for the English dub, voicing the character until around 2006. Blaustein also voiced other characters for animated series, such as Solomon Muto for Yu-Gi-Oh! Duel Monsters. Blaustein passed away in 2008. Inuko Inuyama was the Japanese voice actor for Meowth.

There are three other trainers at New Island along with Ash, Misty and Brock. They all appear to be older, and are therefore more mature and more confident in their Pokémon training abilities. This shows when they are the first trainers to defy the authorities and go to New Island on their own, and when they seem to think they can defeat Mewtwo easily, but they soon realise that is not the case, regardless of what strategy they use. In the end, they can only watch on as their Pokémon are cloned and used against them, waiting to see what happens next. Ash, despite being younger and less capable a trainer, is the one to stop the fighting, something that the trainers Fergus, Corey, and Neesha must have been grateful for. Although since all their memories were wiped, I doubt they ever had any further contact with each other, or Ash, Misty or Brock after that night!

Fergus was voiced by Jimmy Zoppi, also known as James Carter Cathcart who went on to voice numerous other characters for the Pokémon franchise including James, Meowth, and Professor Oak in later series and films. He passed away in 2025. Fergus was voiced by Wataru Takagi in Japan. Corey was voiced by Ed Paul, also known as Ted Lewis, who voiced various characters for the Yu-Gi-Oh! franchise. Tōru Furuya was the Japanese voice actor behind this character. Neesha was voiced by Amy Birnbaum, who went on to voice other characters in the Pokémon franchise from this point. Aiko Satō was the original voice.

Rodger Parsons, credited as Ken Gates, returned to narrate Pokémon: The First Movie, as he had done with many other Pokémon series, including the first season, and the movies. In Japan, narration was completed by Unshō Ishizuka.

PRODUCTION

In order to talk about the production of Pokémon: The First Movie, it is necessary to go back and discover how Pokémon as a concept came into existence.

The idea for Pokémon was created by Satoshi Tajiri, who was a keen insect catcher and collector as a child. Tajiri later used this as a foundation for his video game work, as he started to develop a game about collecting “pocket monsters”, the phrase was later combined to become Pokémon, back in the 1990s. After the Game Boy was released by Nintendo, and a cable was produced to connect one console to another, Tajiri allegedly started to picture bugs crawling across this cable from one Game Boy to the next.

Tajiri used his ideas to start to develop a game with Nintendo. Pokémon Red and Green were released for Game Boy in February 1996 in Japan, with the aim to catch and train these new creatures. Connecting to other consoles allowed for players to trade Pokémon between themselves and to battle each other. These basic foundations continue to be developed and expanded for all the Pokémon games that have followed. The Pokémon Red and Green games were released outside of Japan, to North America, the EU and Australia, for example, in late 1998, going into 1999, with the names Pokémon Red and Blue, instead of Red and Green. Pokémon Yellow came into existence a year or so later[1].

From this point, an anime series was created based on the games. The first series, titled Pokémon: Indigo League (1997-99), came to television screens in Japan on 1st April 1997. It later came to the US in late 1998, reaching over to the UK and Europe in 1999. The story of Pokémon: Indigo League is all about 10-year-old Ash Ketchum as he travels around the Kanto region, competing for Gym Badges against Gym Leaders, and collecting new Pokémon, with his friends Misty and Brock, two former Gym Leaders. The popularity of this series across the globe led to the creation of the Pokémon franchise’s first theatrical movie, Pokémon: The First Movie, which still continued to follow Ash, Misty, Brock and their Pokémon, but with the added mystery of introducing a new Pokémon, Mewtwo.

Pokémon: The First Movie is obviously based on characters created by Satoshi Tajiri for the Nintendo games, as well as being based on direct events and characters from Pokémon: Indigo League. The screenplay for the movie itself though was written by Takeshi Shudo, who had previously written episodes of Pokémon: Indigo League, and went on to write further episodes for later series, as well as other movies, like Pokémon: The Movie 2000 (1999) and Pokémon 3: The Movie (2000). The director of Pokémon: The First Movie, Kunihiko Yuyama, also has history with the Pokémon screen projects, having directed all the Pokémon movies annually from this point, ending with Pokémon the Movie: I Choose You! In 2017, and directing some episodes of the original series. Yuyama and Shudo had previously collaborated on the anime series Magical Princess Minky Momo (1982-83).

These were the creators behind the movie, which, obviously, was first released in Japan, in an anime style. However, Pokémon: The First Movie then had to be dubbed into new languages for Pokémon fans across the world. You might assume this was a simple process of translation, but it was not, and has caused some annoyance amongst viewers, who have become aware of differences between the original Japanese, and the English dub.

4Kids Entertainment, an American licensing company, were the distributors of the original Pokémon: Indigo League series, bringing Pokémon to audiences outside of Japan. This meant they were responsible for translating the movie as well, but they made some changes in the process of doing this that were not appreciated even by Pokémon fans.

The problems start at the very beginning of the film. In the English version of the film, we are told that this film is going to ponder the meaning of life and tell the story of the creation of the most powerful Pokémon ever. This then moves to Mewtwo in the cloning lab, deciding to break free after learning it is an experiment to be tested on. This English dub lacks any context to Mewtwo’s creation, which was actually present in Japan. Pokémon: The First Movie was meant to follow on from a few episodes of Pokémon: Indigo League, which would’ve introduced Mewtwo in some cameo appearances. However, these were not aired at the right time and ended up reaching viewers after the film had already been released. This is due to the four-month hiatus that was put on the Pokémon series, after hundreds of Japanese children experienced seizures after watching the 38th episode of the first series “Electric Soldier Porygon” in December 1997. The flashing sequences had triggered seizures, and later seemed to have a caused a mass hysteria event as many more children who did not have epilepsy began to experience symptoms in the days that followed. This episode was never aired again and was effectively banned[2].

To help with context for Pokémon: The First Movie, a radio drama called The Birth of Mewtwo was aired in Japan instead to help audiences understand how this cloned Pokémon was created. This drama was later animated and added to the movie as a roughly ten-minute prologue for the 1999 television broadcast of the film in Japan. However, despite this segment being available by the time the English dub, came to cinemas in 1999, this ten-minute segment was not included, only later becoming a bonus feature on DVD releases.

In this prologue, Dr. Fuji, the lead scientist in cloning Mewtwo says that he and his team have found the site of a shrine to Mew. Financed by Giovanni, the team find a Mew fossil, and, believing Mew to be extinct, plan to use it to unlock the secret to restoring life through cloning. In the lab, Mewtwo starts to think, wondering who it is and where it is. Sensing others, it starts to communicate telepathically, talking to a girl called Ambertwo. She says Mewtwo is a Pokémon, but a talking one. Ambertwo says it is just like her, and the cloned Bulbasaur, Squirtle and Charizard. In the lab, the clones seem to be in a sleeping state. Ambertwo is revealed to be Fuji’s daughter, having cloned her after her death, despite his wife begging him not to and subsequently leaving him due to his obsession with his research. Still in their sleeping state, Ambertwo shows Mewtwo her “remember place”, where it is told about the sun and the wind, of sunrise and sunset. However, the clones start to fade away; in the lab, they are shown to be dying. Ambertwo fades last. Mewtwo feels sad at her loss, and starts to cry. Ambertwo says that the tears of a Pokémon are full of life. Her parting remark is to tell Mewtwo that life is wonderful. Mewtwo’s brain waves start going out of control, so the scientists administer a memory loss serum so it doesn’t remember all this. Eventually, Mewtwo calms down. It remembers something and someone as it grows, hearing the words “life is wonderful”, but it doesn’t know why.

With this prologue in mind, suddenly Mewtwo is not an evil villain anymore, wanting to take over the world, but a confused Pokémon wondering what its purpose is, and where it fits in this world, with its impressive psychic powers. Mewtwo is simply convinced it is superior to other Pokémon because of its strength, and wants to prove that is the case with other clones. Another difference between the two versions is that Mew is portrayed as the saviour of Ash and the others in the English dub, as it is seen to be defending them against evil, but in Japan, Mew actually thinks the clones should be destroyed, just because it sees genetically modifying Pokémon as wrong.

The battle between the two sides in the Japanese version culminates in the message that all life is precious, regardless of if it is cloned or natural. The English dub, however, decided to make this an anti-violence message, showing the clones attacking the original Pokémon, apparently to the death, with Ash stopping the fighting by sacrificing himself to save them all. This isn’t necessarily a bad message, and Western films do tend to have an obvious villain and an obvious hero, avoiding any grey area, but in the context of Pokémon, Pokémon never fight to do the death, and battle frequently, with the Pokémon fainting, not dying, whenever they are beaten. Battling is a major part of becoming a Pokémon trainer, so with that in mind, an anti-violence message makes little sense, especially as Ash and the others continued to battle other trainers and Pokémon in all the series that followed[3]. To be honest, I’ve never read too much into it, and struggle to see a huge difference in the storyline between the two, but I haven’t watched the Japanese version before and I am trying to understand the differences through other people’s reactions and opinions, which may vary.

4Kids Entertainment claim they made these story changes to the script in order to plug some plot holes that appeared in the Japanese version. One of these was around the meaning of Pokémon tears. This later appeared in The Birth of Mewtwo short prologue, as Ambertwo says their tears are full of life, but the English dub says the tears of Pokémon after a storm helped to revive all those who had died. Without having any awareness of the prologue, this is fine as a fix for the “plot hole” although it does feel like it was shoehorned in, as it is a very brief statement that is not revisited.

However, despite 4Kids Entertainment’s heroic attempts to “rescue” the story, the English dub contains multiple errors and mistakes. For one thing, the End Credits are full of typos, with names being misspelled. Another is that some Pokémon are misidentified during the course of the film. For example, a Pidgeot is identified as a Pidgeotto, by its own trainer; and Sandslash is called Sandshrew by Meowth. These are fairly easy mistakes to make, as they are at least part of the same evolution chain, however, Team Rocket misidentify Scyther as Alakazam, with the two Pokémon looking very different. Some also noticed that certain attacks used in battles worked against Pokémon types they shouldn’t have worked on. This is down to the type of attack being used and the Pokémon type it is being used against, as Pokémon all have different strengths and weaknesses depending on their “type”. But it takes real dedication to remember all these combinations, and that is something I don’t have!

One addition to the English dub I did like, though, was about Team Rocket. When they are dressed as Vikings and offer a lift in their boat to New Island to Ash, Misty, and Brock, Brock questions whether Vikings still exist. Ash responds by saying they mostly live in Minnesota. This made me chuckle, because it’s such a random thing to say, but actually, the joke has another layer to it, and that is because the American football team in Minnesota is called the Minnesota Vikings. I didn’t know that, but either way, I thought it was a good joke.

There has also been talk about the fate of a trainer who heads out in the storm to get to New Island on a Fearow, but they are not seen again. This trainer has been discussed online, with theories ranging from the trainer turning back to the ferry port due to the intensity of the storm, or a darker one about how the trainer may not have survived their journey. The likely story is that the animators simply forgot about them[4]! This can’t be blamed on the English dub though, as this is an animation error, not a script mistake.  

MUSIC

When making an English version of a film in another language, it is not only the script that is changed, but also the music, in order to capitalise on the best musical acts in the English-speaking world. This was the case with Pokémon: The First Movie, where multiple songs were credited, having been written and performed by some very popular acts from the 1990s, however, within the actual film, there are just two songs that are played.

One is the “Pokémon Theme”, written by John Siegler and John Loeffler. It is performed by Billy Crawford. This is the same theme that accompanied the first series of Pokémon, although performed by someone different; the original singer was Jason Paige. It is an iconic song for many 90s children. In the film, the theme is played as Ash battles the trainer in the field, just before he gets invited to meet with Mewtwo on New Island.

The other song is “Brother My Brother”, written by John Loeffler, Ralph Schuckett, and Emosia. It was performed by American rock band Blessid Union of Souls. There is quite a mixed reaction to the use of this song within Pokémon: The First Movie, with some absolutely loving it, and others thinking it is misplaced. This was added in to the English dub of the film, so was not present in the Japanese version of the film. I personally find this song doesn’t suit the scene well, as it isn’t particularly sad, but I guess the point is that the song is almost pleading to the Pokémon to understand they are one and the same.

Then, the End Credits goes through excerpts of four songs in quick succession. The first song is “We’re a Miracle”. The track was performed by Christina Aguilera, who was riding high on the success of her self-titled debut album, and her No. 1 singles “Genie in a Bottle” and “What a Girl Wants”, around this time, having also recorded a version of “Reflection” for Disney Animation’s Mulan (1998) prior to that. “We’re a Miracle” was written by Todd Chapman, David Zippel, and Christina Aguilera.

This is then followed by “Free Up Your Mind”. It was performed by Emma Bunton, credited here as Baby Spice, as Bunton is best known for being a member of British girl group The Spice Girls. After the band split in 2000, Bunton went on to pursue a solo career, releasing her debut album A Girl Like Me in 2001. “Free Up Your Mind” was written by Bunton, Rhett Lawrence, and fellow former Spice Girl Melanie Chisholm, a.k.a. Sporty Spice.

“If Only Tears Could Bring You Back” is the third end credits song. It was performed by Midnight Sons, with the song being written by Marjorie Maye Pulice and Russ Desalvo. The song was inspired by the scene of Ash being revived by the Pokémon tears.

The final song to appear in the credits is “Don’t Say You Love Me”, which was performed by M2M, a Norwegian pop duo. This was their debut single. M2M later split in 2002, before reuniting in 2024. The song was written by Marion Raven, Marit Larsen, the two members of M2M, Peter Zizzo, Jimmy Bralower.

Two other songs were credited on the DVD of Pokémon: The First Movie, but I believe these songs are only heard in the short film Pikachu’s Vacation, which preceded the movie in theatrical releases. It was not available to view on my DVD copy of Pokémon: The First Movie, so the End Credits must not have been re-edited for the DVD release.

These songs were “Vacation” and “Catch Me If You Can”. “Vacation” is playing as the opening credits roll on this short film. It was written by Colleen Fitzpatrick and Josh Deutsch, and performed by American singer-songwriter Vitamin C. I only remember Vitamin C from her guest appearances on Nickelodeon’s The Amanda Show (1999-2002) – I still know the chorus to her song “Me, Myself and I” from her performance on the show – and Sabrina the Teenage Witch (1996-2003). “Catch Me If You Can” is used for the sequence of Squirtle and Marill racing in the vacation resort pool, to prove who is the better Pokémon. It was written by Angela Trullinger and Briand M. Steckler, and performed by Angela Via.

The US soundtrack contains the eight songs credited in Pikachu’s Vacation and Pokémon: The First Movie, as well as several others that make no appearance in the film. These include the songs “Soda Pop” by Britney Spears; “Somewhere, Someday” from NSYNC; “Get Happy” by Irish girl group B*Witched; and “Makin’ My Way (Any Way That I Can)” by Billie Piper, showing that this soundtrack was really determined to make use of all those popular 90s musical acts. This soundtrack for Pokémon: The First Movie was released in November 1999, with a separate soundtrack for the score being released in 2000.

The composer of the score for Pokémon: The First Movie’s English version was John Loeffler. Loeffler was the longstanding composer for the Pokémon series, up until 2013, going on to also compose the score for the English version of Pokémon: The Movie 2000.

RECEPTION

Pokémon: The First Movie, sometimes with the added subtitle of Mewtwo Strikes Back, was originally released in Japan on 18th July 1998. It later came to the US on 10th November 1999, before reaching other countries in the months that followed, stretching into 2000.

This film was released alongside the original short film Pikachu’s Vacation, something which I really liked a lot. I liked the actual movie, but I think I actually preferred Pikachu’s Vacation when I first saw it. In Pikachu’s Vacation, Ash, Misty and Brock drop off all their Pokémon at a resort, and they are told to look after Togepi. Togepi gets hungry and starts crying, with the group trying to sort the issue. Eventually, Bulbasaur rocks Togepi to sleep with its vines, but Togepi is woken up by a group consisting of a Snubbull, Cubone, Marill, and Raichu who are very loud. When they are told to be quiet, an instant rivalry begins, which sees the Pokémon want to go head-to-head against each other, but as Pikachu takes on Raichu in a race, they wake up Charizard who becomes angry and ends up getting his head stuck in a hole in some play equipment. The Pokémon learn how to work together to free Charizard, and hang out together for the rest of the day. This short film was written by Hideki Sonoda, and was directed by Kunihiko Yuyama.

In Japan, Pokémon: The First Movie was incredibly successful, both financially and critically. Financial figures are hard to come by for the Japan release specifically. In the US, however, the box office figures were easier to find. Pokémon: The First Movie broke box-office records by taking just over $52 million in its first five days of release in the US, and became the biggest Wednesday opening for any animated film in history at the time by selling out more than 3,000 US cinemas on 10th November. The term “Pokeflu” was even coined, thanks to the New York Times, for the reason why so many children were not at school on that day. A marketing campaign with Burger King, of around $22 million, was said to have boosted the film’s chances of doing well, with a total of 57 toys being distributed in kids’ meals over the course of two months, although some restaurants did run out of toys, leading to complaints from parents and children alike[5]. Outside of the US and Japan, Pokémon: The First Movie also had record-breaking opening weekends, in 11 international markets in the early months of 2000. It was top of the box office in various countries, including Germany, the UK, and Spain[6].

Pokémon: The First Movie has made a total of around $170 million at the box office. By the end of 1999, the film was in the No. 23 spot at the Worldwide Box Office, which is a decent result for the movie. However, it was quite a bit lower than a few other animated and family films for the year. Just two weeks after Pokémon: The First Movie was released in the US, Pixar’s Toy Story 2 came to screens, on 24th November 1999, so it had already been anticipated that Toy Story 2 would quickly overtake Pokémon: The First Movie. That was the case as Toy Story 2 finished in third place at the Worldwide Box Office, with around $487 million at the time. Disney Animation’s Tarzan was in fifth with just under $450 million, and Star Wars: Episode I – The Phantom Menace took the top spot with just over $920 million.

Despite the decent box-office takings, Pokémon: The First Movie was not received so well by critics in the US and Europe. There is a massive divide between viewers and film critics, with many die-hard Pokémon fans willing to sing the praises of Pokémon: The First Movie, and critics taking shots for various reasons – mostly because they were adults who were not the target demographic for the film.

Let’s start with the positives. Many have said that Pokémon: The First Movie was colourful, vibrant, and cute, with its selection of adorable Pokémon and interesting backgrounds. This film was also good for kids, specifically fans of the games or the original series, since the story was simple to follow, and the runtime of the film was just 75 minutes. Millennials have a particular love for this film and the nostalgic element to it, as they likely watched it as children and enjoy revisiting it as adults. The sequence of Ash lifeless on the ground and the Pokémon crying for him is also said to be very moving, bringing a tear to people’s eyes – mine included. It is surprisingly touching for a Pokémon film.

On the other hand, some critics were quick to dismiss the “low-grade” animation style, with this not aging particularly well in an era of technological advancements in present day. This animation style is different to what you’d expect to have seen from the likes of Disney and Pixar at the time, either traditional hand-drawn animation or computer-animation, but Pokémon: The First Movie never claims to be anything but anime. It’s a different style but that doesn’t make it bad. It was also said that Pokémon: The First Movie’s story was so thin and lacked any ambition that it must’ve been made solely for merchandising opportunities, to add to the ever-increasing ways of expanding the franchise for money-making purposes. There were also later comparisons between the English dub and the original Japanese version of the film, with some stating that the Japanese film is superior, because it gives context to Mewtwo’s creation and doesn’t try to get across an anti-violence message that doesn’t make sense in the world of Pokémon with their constant battling.

In terms of awards, Pokémon: The First Movie won the Theatrical Film Award at the Animation Kobe, an event established by Kobe City in Japan to promote anime and other forms of media. The awards ran from 1996 until 2015. Pokémon: The First Movie joined a list of other movies awarded this honour, like fellow Japanese animated movie Spirited Away (2001) from Studio Ghibli and Pixar’s WALL-E (2008). Pokémon: The First Movie was also nominated at the 2000 Nickelodeon Kids’ Choice Awards for Favorite Movie. It was nominated alongside Toy Story 2, Big Daddy – and Austin Powers: The Spy Who Shagged Me, for some reason. Adam Sandler’s film Big Daddy was the winner here. At these same awards, Pokémon was also up for Favorite Cartoon, losing to Rugrats (1991-2004), but it did win Favorite Video Game. Pokémon: The First Movie was also nominated for Best Family Feature Film for 1999: Animated at the Young Artist Awards, but lost out to Toy Story 2.

Meanly, Pokémon: The First Movie received nominations at the Stinkers Bad Movie Awards for 1999, which started handing out awards for the worst films of the year in 1978, and ended in 2006. Pokémon: The First Movie was up for Worst Screenplay for a Film Grossing Over $100M Worldwide Using Hollywood Math – the winner was Wild Wild West– and Biggest Disappointment (Films That Didn’t Live Up to Their Hype), which was won by The Blair Witch Project. All the Pokémon were also nominated for Worst Screen Debut – the people behind these awards were clearly reaching here – but the winner was Star Wars’ Jar Jar Binks. Pokémon: The First Movie did end up winning something here: the Worst Achievement in Animation award, against movies I’ve never even heard of.

LEGACY

Pokémon may’ve existed since 1996, but 30 years on, it is still popular and its franchise is still expanding in various ways and forms.

Shortly after Pokémon: The First Movie was released, the remainder of the episodes of the original series, Pokémon: Indigo League, were aired, continuing Ash’s journey. The Pokémon series spawned many new storylines, locations, and new Pokémon. Ash’s journey concluded in Series 23 titled Pokémon: Journeys, which ended in December 2021. The series was revived as Pokémon: Horizons from April 2023, following two new trainers Liko and Roy. The most recent series started in April 2025 and is titled Horizons – Rising Hope.

There have also been over twenty animated films since the first film came to be. They were released annually for a time, but have not become as frequent since 2018. The most recent film was Secrets of the Jungle (2020). The live-action film Detective Pikachu (2019) was released in May 2019, with Justice Smith cast as Tim Goodman, and Ryan Reynolds voicing the role of Pikachu – which was just bizarre, but did actually make sense once I’d watched the film. Detective Pikachu was a lot better than I’d expected it to be. The likes of Bill Nighy and Rita Ora also make appearances in this film. It grossed just over $430 million worldwide, making it the second highest-grossing film based on a video game; Warcraft (2016) was top of the list at that time. Both have now been overtaken by The Super Mario Bros. Movie (2023), A Minecraft Movie (2025), and Sonic the Hedgehog 3 (2024).

Video game releases have also continued, with numerous other games coming to Nintendo consoles in recent years, such as the Game Boy Advance, the Nintendo DS and the Nintendo Switch. A new game titled Pokémon Winds and Waves is said to be in development for the Nintendo Switch 2, for release in 2027. A spin-off game Pokémon Pokopia recently came to Nintendo Switch 2, in March 2026, and has had some great reviews. The mobile game Pokémon GO launched in July 2016, and ten years on, the game is still free to play, with optional paid-for extras, and is expanding its Pokémon collection as the Pokémon video games do. The Pokémon Trading Card Game has seen a resurgence as of late as well, with cards on sale for thousands or millions of dollars. Influencer Logan Paul is said to have had something to do with the increased popularity of Pokémon cards. He sold a rare Pikachu Illustrator card for a record-breaking $16.5 million in 2026, which he purchased for $5.275 million in 2021[7].

Specifically relating to Pokémon: The First Movie were a couple of new films, one a remake and one a sequel television special. The remake was a CGI, almost shot-for-shot, remake of Pokémon: The First Movie titled Pokémon: Mewtwo Strikes Back – Evolution (2019). It was released in Japan in 2019, before making its way to Netflix in February 2020 to reach a global audience. The new animation style was not widely appreciated. I didn’t particularly like the look of it either, but I did appreciate that it barely changed the story – though I hadn’t seen the original in years by that point so actually didn’t remember the story much at all! Another noticeable difference was in the change of voice actors for all the main roles, but there were also some minor changes, like the omission of the “Brother My Brother” song for the battle scene, and that Team Rocket picked up Ash, Misty and Brock, to take them to New Island, in a Lapras boat, not in their Viking disguises[8].

There was also the television special Pokémon: Mewtwo Returns, which aired in Japan in December 2000, before coming to other territories via a direct-to-video release, including in the US, around 2001. The story follows Mewtwo as it tries to find a new life for its self and the cloned Pokémon, having found a hideaway in Mt. Quena. However, Giovanni wants to find Mewtwo and plans to recapture it. Giovanni manages to find Mewtwo’s new home, as do Ash, Misty, Brock, and Team Rocket through total coincidence. Mewtwo eventually allows itself to be captured by Giovanni, to save the clones from being experimented on. However, Giovanni still manages to capture all the clones, and Ash and his friends. They eventually free themselves and try to rescue Mewtwo from Giovanni’s torture, and they succeed in defeating Team Rocket. Mewtwo wants to wipe everyone’s memories of these events, but Ash asks that it doesn’t do that, leaving their memories intact. Mewtwo then reappears in an episode of the Pokémon: Journeys series. 

Some merchandise was also released around Pokémon: The First Movie, such as a novella detailing the story of the film, with another one being created specifically for Pikachu’s Vacation, as well as posters and new trading cards, alongside the DVD and VHS releases. With the 30th anniversary of Pokémon in full swing in 2026, numerous other pieces of merchandise have been spotted recently including very expensive Pokémon LEGO sets, a Pokémon pop-up shop at the Natural History Museum in London, until April 2026, a limited-edition greyscale Pikachu plush toy, and even a Pokémon collab with the JimmyPaul fashion brand[9]. The first Pokémon theme park also opened in Tokyo to mark this anniversary, called PokéPark Kanto, as part of the theme park Yomiuriland. It opened on 5th February 2026[10]. Other Pokémon attractions and experiences may yet be coming to Universal Theme Parks, most likely in Japan, in the years to come. These would add to, or replace, their limited-time Pokémon offerings that currently exist, including their Halloween event. The Halloween event has run at Universal Studios Japan for a few years now, and made a return in 2025. This event includes a dance party, themed merchandise and food options, and appearances by costumed characters, such as Pikachu and Gengar.

FINAL THOUGHTS

Pokémon has shown no sign of its popularity decreasing or waning in the decades since its creation in 1996. If anything, the Pokémon brand continues to increase its reach.

Pokémon: The First Movie was the first attempt to create a theatrical experience for the franchise, building on the success of thetelevision series and its global appeal. Further Pokémon movies may not have been as popular, with many not reaching cinemas outside of Japan, but the stories of Pokémon and their trainers just kept going.

Although I like Pokémon: The First Movie, and did watch it as a child on its initial theatrical release, I cannot categorically say that I have an everlasting love for this film. Sure, it’s pretty good, but that’s only the case if you’re a fan of Pokémon, or are at least aware of what you’re watching, and who the Pokémon even are. If not, then Pokémon: The First Movie gives absolutely nothing to those viewers. You had to have been a fan to enjoy this.

And that’s fine, because no movie will ever be universally appealing to everyone. Pokémon: The First Movie served its purpose. It continued Ash’s journey to becoming a Pokémon trainer, and introduced a completely new Pokémon. Plus, it made a whole lot of kids happy – and no doubt bored their parents! 


REFERENCES

[1] Credit: Gregory Wakeman, ‘Nintendo Released Its First ‘Pokémon’ Games 30 Years Ago. Here’s How the Beloved Catchable ‘Pocket Monsters’ Became the World’s Biggest Media Franchise’, SmithsonianMag.com, 27th February 2026.

[2] Credit: Benjie Goodhart, ‘’There was an explosion, and I had to close my eyes’: how TV left 12,000 children needing a doctor’, TheGuardian.com, 16th December 2022.

[3] Credit: Ryan Lambie, ‘How the US Version of Pokemon: The First Movie Changed Its Meaning’, DenOfGeek.com, 8th February 2017.

[4] Credit: Adriano Valente, ’25 Wild Things Only Super Fans Knew About Pokémon: The First Movie’, TheGamer.com, 13th November 2018.

[5] Credit: BBC News, ‘Entertainment: Pokemon zaps US cinemas’, News.BBC.co.uk, 15th November 1999.

[6] Credit: Mike Goodridge, ‘Warner Int’l scores $14.6 weekend with Pokemon’, ScreenDaily.com, 19th April 2000.

[7] Credit: Laura Sharman, ‘Logan Paul’s ‘holy grail’ of Pokémon cards sells for $16.5 million, with a diamond necklace thrown in’, Edition.CNN.com, 16th February 2016.

[8] Credit: Joshua Yehl, ‘The Biggest Differences Between Mewtwo Strikes Back and Pokemon: The First Movie’, IGN.com, 17th August 2021.

[9] Credit: Keza MacDonald, ‘Even for fans like me, the Pokémon 30th anniversary ‘stuff’ is a bit much’, TheGuardian.com, 4th March 2026.

[10] Credit: CBBC Newsround, ‘World’s first Pokémon theme park opens’, BBC.co.uk, 5th February 2026.

Johnny Kapahala: Back on Board (2007)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

Generally, if Disney Channel choose to make a sequel to one of their Disney Channel Original Movies, this sequel would make its way to screens within a year or two of the original. This happened with most of their franchises, like High School Musical, Descendants, and ZOMBIES, although their spin-offs or reboots did not quite fit this timeline.

Waiting eight years to make a sequel to the 10th official DCOM which premiered in the 1990s is an odd decision. But this was the case with Johnny Tsunami (1999), a sports movie that looked at the worlds of snowboarding and surfing, set in Vermont and Hawaii.

What was Disney Channel thinking? That’s not to say that Johnny Tsunami wasn’t popular because it was, or at least it is still remembered even today, over two decades on. However, you have to consider the age of the Disney Channel viewers who would’ve watched Johnny Tsunami on its premiere date and would be considered to be the film’s fans. Many of them would’ve been early teens, or a little bit younger, to match the age of the main characters, so add eight years to, let’s say, the age of 11 and you’re assuming that these young adults are going to be switching Disney Channel back on to watch a sequel to their childhood favourite television movie. What are the odds of that?

All I know about Johnny Kapahala: Back on Board is that it came to Disney Channel in the same year that we were getting High School Musical 2 (2007). That was the film event of the year, not Johnny Kapahala: Back on Board, which was a sequel to a film I’d never watched and barely even heard of. I simply did not care, and actually did not appreciate the amount of advertising that Disney Channel was pushing on their viewers for this film.  

Disney Channel had worked out by the mid-2000s, thanks to High School Musical (2006), that their best chance of success with their original movies was to go down the musical route, and pepper in a couple of non-musicals around them, but ensuring these were fronted by some of their most famous actors at the time, people like Selena Gomez or Corbin Bleu. Johnny Kapahala: Back on Board simply did not suit Disney Channel’s new movie formula by not fitting either of these criteria.

All this just set Johnny Kapahala: Back on Board up to fail with Disney Channel’s new audience, and probably did not introduce many to its predecessor or to its new choice of sport: dirtboarding. Hardly as exotic or cool as snowboarding or surfing, is it?

PLOT

Johnny Kapahala: Back on Board begins with a brief recap of the original film. Thirteen-year-old Johnny was forced to move away from his surfing life in Hawaii with his grandpa, legendary surfer Johnny Tsunami, to go to Vermont with his parents, where he later took up snowboarding. We then see Johnny standing at the top of a mountain, looking about four years older, snowboard attached to his feet, ready to slide down, however, he falls, toppling down into the sea below, where he starts surfing, before wiping out.

This turns out to have all been a dream, as Johnny wakes up in the back of the car, where his parents are driving them back to Hawaii for Johnny Tsunami’s upcoming wedding. Johnny’s parents tell Johnny that they’ll be heading into the city for a couple of days, leaving Johnny to go to his grandpa’s house alone. Johnny gets a ride there with his friend Sam. Johnny met Sam in Vermont when he first moved there, but Sam later moved to Iceland for his father’s work, as Sam’s father is in the US military. They recently transferred to Hawaii.

Johnny arrives at his grandfather’s house but he’s not home. Johnny goes to his old room, and finds it full of someone else’s stuff. Weird. Johnny heads to the beach to find his grandpa. There, he sees a young boy shouting at Johnny Tsunami and storming off, after a surfing lesson doesn’t go to plan. Johnny assumes his grandpa must be teaching kids how to surf now. Johnny goes over to his grandpa and they catch up, with Johnny Tsunami showing off his new shorter hair style.

At dinner that evening, Johnny is introduced to his grandfather’s wife-to-be Carla. She has a son called Chris, making him technically Johnny’s uncle. She explains that the house she is renting is too small for both her and Chris, so Chris is staying at Johnny Tsunami’s house, and that is why there is stuff in his old room. At that moment, Chris arrives, but he has no interest in sitting with them for dinner. Chris turns out to be the kid Johnny saw surfing with his grandpa earlier. Johnny is shocked to find his uncle is so young. Chris heads to his room and refuses to talk to him.

The next day, Johnny Tsunami shows Johnny a retail space that he is doing up with Carla so they can open a surf shop together. This was Carla’s father shop, and when he passed away, it was left to her, so she wants to reopen it. As Carla and Johnny Tsunami set about working on the store, Johnny is told to keep an eye on Chris so they can keep working. Johnny sees Chris hanging out with a group of older dirtboarders, or mountainboarders, basically like off-road skateboarding. This group is called the Dirt Devils and Chris desperately wants to be a part of their team. Johnny introduces himself to some of the group, like Val, the only girl member; Jared, the team captain; and Troy, the owner of the Dirt Devils board store. Johnny is invited in to tour the store and given a board by Troy, so he can head out with the others. Chris and Johnny go with the Dirt Devils to a restricted area.

Johnny tries to keep up with the group but finds dirtboarding a little bit different to snowboarding, ending up face planting in the dirt! Chris complains that he isn’t a member of the Dirt Devils yet and asks what he can do. Jared and his friends tell Chris he’d have to impress Troy by doing some impressive stunt to get on the team. Chris says he’s willing to do that, and goes to the edge of a steep slope. Johnny tries to warn Chris about doing this, but he’s all ready to go. Luckily, the police arrive before Chris can risk his life and the Dirt Devils scatter, leaving Johnny and Chris to be taken home by the police.

At Johnny Tsunami’s house, the police tell Johnny Tsunami and Carla that Chris and Johnny were caught trespassing, with this being Chris’s second warning. If he does this again, he could end up in front of a judge facing a harsher punishment. Johnny Tsunami and Carla talk to the boys about the incident. Johnny Tsunami reiterates that punishment isn’t really his thing but knowing the seriousness of this, he and Chris’s mother have agreed to take Chris’s dirtboard away. Chris is furious. Johnny apologises to his grandpa for the trouble they’ve caused. Johnny’s grandpa then tells Johnny that Carla needs to get the surf shop open soon or they risk losing a lot of money. He asks Johnny to keep Chris out of trouble until Saturday so they can simply concentrate on the store. Johnny says he’ll do it.

Johnny and Sam take Chris to the surf store the next morning so they can help get the shop stocked and in order. He goes to ask Johnny Tsunami what they need to be doing, but when he goes to find him, he sees his grandpa in a suit and heading to a meeting. He’s never seen his grandpa look like that before! Johnny returns to the store and shortly after that, his parents arrive. They tell Johnny and Sam to leave them to it and to go and have some fun. They plan to go surfing but as they head outside, they see Chris getting into a van with the Dirt Devils. Johnny knows they’ll have to follow them.

Eventually, they arrive at the dockyard, where a course has been set up. Johnny reminds Chris that he’s been banned from dirtboarding by his mother, with Chris saying this is just skateboarding. What a loophole. Johnny sees that Troy is teasing Chris with the potential of getting on to the Dirt Devils team, making Chris do anything to make that happen. Johnny doesn’t like that at all. So, Sam tells Johnny that they should get involved. They both do the course, with their snowboarding skills apparently helping them, and the Dirt Devils are impressed. This upsets Chris who leaves the dockyard, with Johnny and Sam having to find him and take him back home. At home, Chris runs to his room, upset. Chris is very annoyed at Johnny for getting the Dirt Devils to like him better. Johnny can’t get Chris to see sense, and tells his grandfather that he simply can’t deal with Chris anymore. His grandfather says he’ll look after Chris tomorrow to give Johnny a break.

The following day, Val, from the Dirt Devils, sees Johnny tying a surfboard to his car, and tells him all about her bad experience of surfing when she lived in California. Johnny offers to teach her how to surf. They spend the day together, surfing, with Val giving Johnny her number by the end of it. Johnny wonders if he can get Val to help him with Chris.

Johnny tells Sam that he is determined to get on with Chris, so they come up with a plan. They wake Chris up with really loud music and film it, using the video to blackmail Chris into spending the day with them, saying that if he doesn’t, then they’ll show the embarrassing video to the Dirt Devils. Chris begrudgingly agrees to go with them. They go to Val’s house, seeing that she lives in a huge house, thanks to her property/business owner father. Val shows them her dirt bike collection, that she got as a Sweet 16 gift. Johnny tells Chris that he has been allowed to go dirtboarding again, so the four head out on the bikes to go and board together. Johnny and Sam see that Chris is actually a really good boarder, and he teaches the other two how to do some impressive tricks. At the end of the day, they meet Val’s father, and Johnny sees this is the person his grandpa was meeting with the other day.

Back at the shop, Carla speaks to Johnny’s mother about how difficult Chris is being this week with the wedding coming up, but she is pleased to see that the surf shop is nearly ready. Johnny Tsunami also shows everyone that he has ordered a few things for dirtboarding, to try and get Chris on side. Troy from the Dirt Devils hears that Johnny Tsunami’s new store might be in direct competition with his by supplying some of the same gear. Troy tells Jared to spy on them, to see what they’re selling. Jared goes into the shop and takes an invoice, proving that Johnny Tsunami has been buying dirtboarding equipment. He is almost rumbled by Carla; however, she assumes Jared is just looking for Chris. She tells Jared he isn’t here, and he leaves, bringing the evidence he found to Troy.

Troy goes to the store himself, and brings this up with Johnny Tsunami. Johnny Tsunami tries to say the dirtboarding stuff will only be a small proportion of what they sell, but reminding Troy that a little healthy competition is fine. Troy says it definitely isn’t and warns Chris to stay aware from the Dirt Devils from now on. This only makes Chris even angrier with Johnny Tsunami, blaming him for ruining his chances of joining the team. Carla says Chris should move out of Johnny Tsunami’s house for a bit, to give everyone some space.

The next day, Carla tells Johnny and his family that Chris has gone missing. At the same time, they learn that Val has been kicked out of the Dirt Devils by Troy, for fraternising with the “competition”. She tells Johnny they were heading to a boarding event, which she has a ticket for, but was not allowed in the van with the others. She says Chris had a ticket too, so Sam and Johnny drive her to the event, believing Chris would be there. They look around but can’t see him. Johnny Tsunami calls Johnny. As Johnny is about to say they’ve had no luck finding Chris, Johnny hears and sees Chris arguing with Jared. They go over to him, and hear that Chris wants to challenge Jared to a race, so he can join the group, which Troy has now arranged potential sponsorship for. Jared says Chris can do a jump tomorrow, at 3pm, to prove his worth to the Dirt Devils. Johnny tries to talk Chris out of the jump, but he won’t listen. Chris is still angry and unwilling to accept his new family. Johnny basically tells Chris to stop being a brat, and just wish for his mother to be happy. It doesn’t work.

It is soon tomorrow and the family set up for the wedding rehearsal dinner. Chris promises Carla that he’ll be good today, and Johnny has said to Chris he won’t be doing the jump because he needs to focus on this dinner. Johnny is asked by his mother to go into town to buy some things, and Chris offers to come too. Johnny is a little suspicious but lets Chris come with him. When they arrive in town, Chris says he needs to go to the toilet, but sneaks away with his dirtboard, heading off to do the jump. Johnny waits in line at the store, wondering where Chris is. He goes to investigate and sees that Chris has run off. Johnny goes to get in his car to follow him, but finds he has a flat tyre, something Chris has caused. He calls Val to get him to take them to the jump, assuming Chris has gone there.

Sure enough, Chris is at the jump with Jared and some of the other Dirt Devils. Johnny and Val try to call to him to stop him doing the dangerous jump. Chris doesn’t listen, and ends up falling afterwards, hurting his arm. Val goes for help. Later, Johnny is told off by his father for not looking after Chris. The rehearsal dinner has had to be cancelled whilst Carla and Johnny Tsunami take Chris to the hospital. He returns with a fractured arm. The police then arrive, telling them that the surf shop, which was meant to open the next day, has been totally trashed. At the scene, they see that Jared has been caught with the boards and wheels from the store and has been arrested. Troy comes over and pretends not to know what went on. He also tells Chris that he heard about the jump and is letting him be a Dirt Devil at last. Johnny says that Chris won’t be joining, making Chris lash out at everyone again. Back at home, Chris overhears his mother talking to Johnny Tsunami. She says staying in Hawaii was a mistake and that Chris is not happy here, thinking it would be best if they just moved back to Philadelphia.

The next day, Johnny meets up with his grandpa, who is rightly upset that his fiancée is thinking of moving back home, effectively ending their relationship. Johnny says they can fix the situation, and calls Val, knowing Chris will listen to Val, as he has a bit of a crush on her. She tells Chris not to be a loser like Jared and the other Dirt Devils, and to accept that Johnny is the best big brother figure he’ll ever have, so to stop ruining things for everyone in the family. Chris makes amends with Johnny and says that he should’ve listened to him earlier, but doesn’t know how to fix things now. Johnny has a few ideas.

Johnny Tsunami gets a call from Johnny, telling him and Carla to go to the shop. They see that Johnny, Chris, Sam, and Val have fixed up the shop so it is ready to open. Chris then tells his mum they should stay in Hawaii. The shop has its grand opening and is a huge success. Across the street, they all see Troy arguing with Val’s father about a business contract. It turns out Troy wanted Val’s father to buy his store so he could return to California. This meant that he had no intention of letting Chris be a Dirt Devil, or even had any plans to help the team. It was all lies. Val had told her father not to trust Troy, and that is why the deal fell through. Troy vows revenge on Johnny Tsunami and the family, so Johnny challenges Troy to a race. If Troy wins, their new store will no longer sell boards, and if Johnny wins, then they can sell whatever they want. Val’s dad says he’ll set up the course.

A little while later, the course is set up, intending to be a permanent location where boarders can go, and Chris gives Johnny some tips on the course. The rules of the race are revealed: that they will each have to do three tricks and finish first to win. The race is given the go-ahead, and Johnny and Troy race, each taking the lead at different points. Troy even slides into Johnny to knock him down and makes him fall behind. But at the last trick, Troy falls, giving Johnny the chance to finish first – and he does, although he ends up crashing into the hay bales cushioning the finish line! Troy is arrested at the end of the race, as Jared admitted that Troy had told him to trash the store, knowing that the store would be empty as Chris had told them that the family would be at the rehearsal dinner that night.

As the family are about to leave the course, Carla and Johnny Tsunami decide to stick to their original plan and get married that day. The ceremony is beautiful and the family, even Chris, have started to get along. The film ends with Johnny and Johnny Tsunami surfing together. They return to the beach to find Chris watching them, continuing to say that surfing is “no big deal”! They walk down the beach together, teasing each other.

CHARACTERS & CAST

Johnny Kapahala, now 17 years old, continues to be his relaxed self, not sweating the small stuff. Johnny is glad to be back in Hawaii, even if it is in slightly odd circumstances. Sure, Johnny is happy to see his grandpa getting married, but it is a bit weird that Johnny has to basically babysit his grandpa’s fiancée’s twelve-year-old son Chris, who is bratty and moody, not liking Johnny at all to begin with. Johnny tries to keep his family together, whilst dealing with Chris’s outbursts and disregard for his own safety. Johnny tries everything to get Chris to warm to him and keep him safe, but to no avail. Luckily, when Chris starts to realise the error of his ways, Johnny is on hand to help him make amends with Johnny’s grandfather, by helping to fix up the damaged store, and paving the way for Chris to apologise to his mother for his behaviour. Johnny also sets up the final race, allowing for his win to keep Troy out of their business and away from them, hopefully forever. Brandon Baker was back after an eight-year absence to reprise his role as Johnny Kapahala.

Chris is the typical “problem child” in Johnny Kapahala: Back on Board, the cause of the family’s conflict and strife. In some ways, you have to feel a bit sorry for Chris, because he has been forced to move to Hawaii without being consulted or asked for his opinion. But then again, he is rude to the people trying to help him, like Johnny Tsunami, who attempts to teach him how to surf and lets him stay at his home, hoping they’d bond, and Johnny, who just wants to be his friend and doesn’t want to see him get hurt doing crazy stunts to impress a group of boarders. Chris also barely speaks to his mother in this film, seeming to be very angry with her for putting him in this situation, with her marriage to Johnny Tsunami only confirming that this is the way things are going to be from now on. Chris doesn’t seem to care about anyone’s happiness but his own, with his only goal to be a Dirt Devil, something that frequently gets him into trouble, and even gets him injured. Eventually, after a lecture from Val, Chris learns that he has been acting badly and makes it up to everyone.

 Chris was played by former Disney Channel star Jake T. Austin. He made a return to the Disney Channel shortly after the premiere of Johnny Kapahala: Back on Board, with his starring role as Max Russo in Wizards of Waverly Place (2007-12), alongside Selena Gomez and David Henrie. The new series came to the channel in October 2007, with Austin also reprising his role in its movie Wizards of Waverly Place: The Movie (2009) during the series’ run. During his time at Disney, Austin was also cast as Bruce in Hotel for Dogs (2009), later going on to voice Fernando in the animated movie Rio (2011) and its 2014 sequel. He also appeared as Jesus Foster in the first two seasons of The Fosters (2013-18) and competed in Season 23 of Dancing with the Stars (2005-present) in 2016.

To help with Chris, Johnny also has his long-time friend Sam, who he originally met in Vermont, saying goodbye to him at the end of the original film as Sam headed to Iceland with his father. Sam is now living in Hawaii. Sam is on hand to help Johnny with Chris, as the two first take Sam’s car to follow Chris to the dockyard where he has gone with the Dirt Devils, despite being told not to go dirtboarding after the trespassing incident. Sam and Johnny then show Chris up by actually being good skateboarders. Sam later spends the day with them and Val, to encourage Chris to accept Johnny as a member of his family. Just like in Johnny Tsunami, Sam is there to help Johnny with whatever he needs.           

Sam Sterling might not be a new character to these two films, however, Lee Thompson Young did not return to play the role, instead being replaced with Jonathan “Lil J” McDaniel, in what may be considered a strange move, since the two actors don’t look much alike at all. It might’ve been better to simply have made Sam a new character, a childhood friend of Johnny’s from Hawaii or something. Anyway, McDaniel may have been familiar to Disney Channel viewers at the time as he had recently been cast in the recurring role of Devon Carter, Raven’s boyfriend, in That’s So Raven (2003-07), returning to the role for the spin-off series Raven’s Home (2017-23). McDaniel also later played German Vega in the sports drama series Hit the Floor (2013-18).

Val is Johnny’s love interest in Johnny Kapahala: Back on Board. We originally meet Val as a member of the Dirt Devils, where Johnny seems to show an instant liking to her. She is kind to everyone, even Johnny, despite the Dirt Devils being quite reserved about outsiders, and clearly cares about Chris’s welfare, whereas the boys in the group seem to just think it’s funny that he tags around with them and will do reckless things just to be in the group. Val later spends the day surfing with Johnny, where they become close. Johnny enlists Val’s help with Chris a few times in the film, such as planning the dirtboarding day for Chris with her; getting her to help him stop Chris doing the dangerous jump, although this doesn’t work out; and asking her to speak to Chris to get him to convince his mother to stay in Hawaii. Like Sam, Val is loyal to Johnny and is on hand to help him in any way she can.

Rose McIver was cast as Val. McIver has since gone on to have a very successful acting career, after her role here and her earlier role as Hannah in the DCOM Eddie’s Million Dollar Cook-Off (2003). McIver was cast in the recurring role of Tinker Bell in the ABC series Once Upon a Time (2011-18) and went on to star as Liv Moore in the series iZombie (2015-19). McIver also starred in the Netflix Christmas movie trilogy A Christmas Prince (2017-19) as Amber Moore. Currently, McIver is playing the lead role of Sam Arondekar in the US version of the British sitcom Ghosts (2021-present).

The main Dirt Devils kid that we see in Johnny Kapahala: Back on Board is Jared, the leader of the group. Jared suggests the stupid stunts that Chris should do to get in the group. Despite being quite obnoxious when surrounded by his friends, he is actually easily led by others, like Troy, who tells him to spy on Carla and Johnny Tsunami’s new store, and gets him to commit criminal damage for him. Clearly, Jared was scared after being arrested, as most kids would be, and comes clean to the police, saying that Troy had told him to do it, and he is released. I sure hope Jared learnt his lesson.

Andrew James Allen was cast as Jared. Shortly after Johnny Kapahala: Back on Board, he was cast as Samuel Heckler in the movie The Lovely Bones (2009), with his character being the boyfriend of Lindsey Salmon, who was played by Rose McIver. Andrew James Allen was cast in the recurring role of Pontius Pilate in The Chosen (2017-present).

Troy is the owner of the Dirt Devils store, and acts like the manager of the Dirt Devils boarding team, as he convinces the kids that he is trying to get sponsorship for them. Like Jared, he seems to find it amusing that a twelve-year-old kid is so desperate to be on the boarding team that he follows them around everywhere. not seeming to think he has any responsibility for Chris’s safety. It later becomes clear that Troy fears any competition with his own store, resorting to desperate measures to get Johnny Tsunami to shut down his store, like asking a teenager to go and do his dirty work for him! Despite all that, it turns out Troy was trying to sell his store anyway, so he could quietly move back to California without anyone knowing, so why he’d care about this new store if that was the case, I don’t know. The deal doesn’t go through anyway, and he vows revenge on Johnny Tsunami and his family. He then agrees to a race with Johnny, but although he tries to cheat, he does not win, allowing Johnny Tsunami and his family to sell whatever they want in the store. He gets arrested anyway, and we don’t find out the fate of him or his store. I doubt it was good!

Troy was played by Phil Brown. Recently, he played Sam Tucker in the New Zealand teen drama Mystic (2020-22), and Mark McCrae in New Zealand crime drama One Lane Bridge (2020-22). He also appeared as Charles Stringer in Avatar: The Way of Water (2022). 

Carla is the final new character to appear in this film, as Chris’s mother, and Johnny Tsunami’s future wife. She has chosen to make a new life in Hawaii, having moved from Philadelphia, and wants to open up a surf shop here. Sadly, Chris, has struggled to adjust to this upheaval in his life, and has made things difficult for her. Carla wants to make things work in Hawaii, but when Chris starts to act up even more, she feels she has no choice but to move back to Philadelphia to keep Chris happy, even if it means she won’t be as happy. Thankfully, Chris convinces his mother they should stay in Hawaii and he gives his blessing for his mother to marry Johnny Tsunami as planned.

Carla was played by Robyn Lively. Prior to her role here, she played Jessica Andrews in The Karate Kid Part III (1989) and was cast as Louise Miller in Teen Witch (1989). She had also been cast in the recurring role of Michele Faber in Doogie Howser, M.D. (1989-93) around this time. More recently, Lively appeared in the recurring role of Marlene Harris from Season 3 of the Fox series 9-1-1: Lone Star (2020-25).

As well as these new characters, some characters from Johnny Tsunami also make a reappearance in this sequel. The most obvious of which is Johnny Tsunami himself, Johnny’s grandpa. He has gone through a bit of a change in the years between the two stories though, as he adjusts to becoming a stepfather to Chris, a husband, and a business owner, quite different from the Johnny Tsunami in the original movie who had no responsibilities at all, and just lived a chilled life on the beach. He is no longer a “surf bum” as his son, Johnny’s father, so eloquently put it in the first film; he is now fully committed to having a steady life with his family. Johnny Tsunami has attempted to bond with Chris, however, his love of surfing is not shared with Chris making this difficult, as well as Chris’s overall attitude to him being a barrier to that. In the end, Chris comes to accept that Johnny Tsunami makes his mother happy and is actually a cool guy, and they reach some sort of relationship. It might not be a father-son dynamic, but it’s enough for them to get along. Cary-Hiroyuki Tagawa was back to reprise his role as Johnny Tsunami here.

Johnny’s parents, Melanie and Pete, also make a return for Johnny Kapahala: Back on Board. As most of the story focuses on the kids, they don’t have a huge amount of screen time on this occasion, being around to help set up the store with Johnny Tsunami and Carla, and to be on hand to listen to their difficulties with Chris, as well as help to organise the wedding and the rehearsal dinner. They mostly just leave Johnny to it, and let him go off surfing and boarding, enjoying his time back in Hawaii. Clearly, Pete has become less risk-averse, and less of a helicopter parent after the original film, although I’m sure Johnny might’ve appreciated it if he hadn’t been left to deal with Chris on his own the whole time! Mary Page Keller and Yuji Okumoto returned to play Melanie and Pete.

MUSIC

Johnny Tsunami used a variety of rock music in its soundtrack, something that was a departure from the typical music within a Disney Channel Original Movie. Johnny Kapahala: Back on Board is more similar to the usual musical style of DCOMs, by featuring pop music.

One band whose music appears in Johnny Kapahala: Back on Board will be very familiar to Disney fans and that is the Jonas Brothers. The Jonas Brothers formed in 2005, consisting of real-life brothers Nick, Joe, and Kevin Jonas, and began to be linked to Disney and Disney Channel around 2006, signing with Disney’s record label Hollywood Records in 2007. This led to them covering famous Disney songs, and performing the song “Kids of the Future” for the Disney Animation film Meet the Robinsons (2007), going on to star in such Disney Channel projects as the Camp Rock films, and their own series, Jonas (2009-10).

For Johnny Kapahala: Back on Board, the Jonas Brothers performed the song “Hold On”. This song was one of the tracks in their album Jonas Brothers, released in August 2007, with “Hold On” having been released as a single in May that same year. It debuted at No. 92 on the US Billboard Hot 100 chart. In the movie, this song plays as Johnny, Chris, Sam, and Val have a day out dirtboarding together. I remember hearing “Hold On” a lot on Disney Channel around this time, so I’m assuming it was being played to promote Johnny Kapahala: Back on Board, but I had no idea it was linked to this film.

This sequence of the group dirtboarding in the film was preceded with a scene of the four driving there on Val’s bikes. The song playing here was “Our Time Now”, performed by the pop band the Plain White T’s and was written by Tom Higgenson, Mia Koo, and Mike Daly. Another Plain White T’s song used in Johnny Kapahala: Back on Board is “You and Me”, and it was written by Tom Higgenson, the band’s frontman. This song is playing as Sam and Johnny take on the Dirt Devils’ board course at the dockyard, inadvertently annoying Chris in the process, as they get praise from the Dirt Devils for their skills.

The Plain White T’s are an American pop band, who formed in 1997. They had signed with Hollywood Records around 2006, which explains why they were featured in this film’s soundtrack. Their most well-known single is “Hey There Delilah”, which reached No. 1 on the Billboard Hot 100 in July 2007, later being nominated for the Grammy Award for Song of the Year in 2008. It performed well in numerous other countries’ weekly pop charts too including Ireland, Germany, Australia, and the UK. The Plain White T’s left Disney’s recording label around 2015 after experiencing creative disputes with them.

There are also two other songs that are obviously heard in Johnny Kapahala: Back on Board. The first is “Sun and Shadow” by the alternative rock band Wideawake. This is playing as Johnny gets a ride to Johnny Tsunami’s house with Sam at the start of the movie, and he enjoys the sights and sounds of Hawaii, having been away in Vermont for a while.

During the montage of Johnny and Val spending the day surfing together, “No Sleep ‘Til Summertime” is playing. It was performed by T-Squad and written by Vitamin C, Michael Kotch, and David Derby. T-Squad was a pop band signed to Disney, who performed the song “Vertical” for the Disney Channel film Jump In! (2007) as well. One of the band’s members was Booboo Stewart who later found fame playing Seth Clearwater in The Twilight Saga film franchise and as Jay in the Descendants series for Disney Channel.

Another song that appears in the film seems to be the traditional Hawaiian song “Hi’ilawe” which plays as Johnny Tsunami and Carla get married, later continuing into the scene of Johnny and his grandpa surfing together at the very end of the film. Outside of that, although some background music is playing in both Carla and Johnny Tsunami’s store and the Dirt Devils shop, it is not really audible and was not credited. There is also music playing during the mountainboarding event that Chris runs off to, but apart from hearing the words “Soul Power”, or something like that, I couldn’t track down what the song actually was, or whether it was created for the film just as accompaniment.

Nathan Wang was credited as the composer for Johnny Kapahala: Back on Board. Wang had previously composed the music for other DCOMs including Wendy Wu: Homecoming Warrior (2006), Geek Charming (2011), and Christmas…Again? (2021). Some of his non-Disney projects include working on the music for movies like the teen comedy She’s the Man (2006); the Hallmark festive film Annie Claus is Coming to Town (2011); and the comedy-drama One True Loves (2023).

PRODUCTION

If you look at a list of Disney Channel Original Movies, you can see how their movies evolved over time. The more simplistic ideals of their earlier movies had become bigger budget, more music-centric films by the mid-2000s. This was the direction the channel was going in even before High School Musical exploded in popularity.

Disney Channel then seemed to randomly pivot to make a sequel to one of their 90s sports films, Johnny Tsunami. So, why was Johnny Kapahala back, as the trailer put it, to “surf the turf”? Honestly, I have no idea. One reason I can think of is that they were either trying to capitalise on nostalgia, in which case they were probably both too early and too late, missing out on Johnny Tsunami’s original fans, and not waiting long enough to try and reach a completely new generation that hadn’t been spoilt by musical-after-musical. The only other thing I can think of is that Disney were trying to targeting boys with Johnny Kapahala: Back on Board, because, let’s face it, Disney Channel has made more films aimed at girls, based around prom and boys, with strong female characters leading these stories. In that way, I can understand the reasoning for Johnny Kapahala: Back on Board being made.

Returning to write the screenplay for this sequel were Douglas Sloan and Ann Austen, previously credited as Ann Knapp, providing continuity between the two films. Two further writers were credited with writing Johnny Kapahala: Back on Board: Max Enscoe and Annie DeYoung. Enscoe and DeYoung had previously co-written another DCOM sequel, this being Return to Halloweentown (2006), with Juliet and Keith Giglio, as well as the television movie The Triumph (2006), starring Matthew Perry. DeYoung went on to co-write other DCOMs, including Girl vs. Monster (2012); StarStruck (2010); 16 Wishes (2010); and Princess Protection Program (2009).

Johnny Kapahala: Back on Board was directed by Eric Bross. Bross had earlier directed the film Restaurant (1998), which starred Adrien Brody, and the miniseries Traffic (2004) before taking this role with Disney. He went on to direct further television movies including The Boy Who Cried Werewolf (2010), for Nickelodeon; A Country Christmas Story (2013) for Lifetime; and Rome in Love (2019) for Hallmark.

This new sequel had crew on board, so just where would they filmed this new movie set primarily in Oahu, Hawaii? Obviously, the answer is New Zealand. Disney Channel has chosen a variety of locations for their movies, with many being filmed in Canada, others being filmed in the US, and some making the move all the way to Australia or New Zealand. Other Disney Channel movies to have been filmed in New Zealand in the 2000s include Eddie’s Million Dollar Cook-Off, You Wish! (2003), and Wendy Wu: Homecoming Warrior. More recently, the ZOMBIES franchise ditched Canada in favour of New Zealand for ZOMBIES 4: Dawn of the Vampires (2025). Basically, it’s not uncommon.

What is odd is that Disney Channel had previously gone to Hawaii to film the portions of Johnny Tsunami that were set in Hawaii – so why could they not return there? It was probably due to budgetary or tax reasons, but I wouldn’t know; I’m not a film producer. Choosing New Zealand, specifically Auckland, instead of Hawaii may have irked viewers but for whatever reason this was the decision. It seems that the crew felt New Zealand looked similar to Hawaii in terms of its landscapes and vegetation, so I guess they were just thinking nobody would notice. Filming for Johnny Kapahala: Back on Board took place in early 2007[1]. With the set being based in New Zealand, this did create more jobs in the area, with many members of the crew being from New Zealand. Two members of the cast were also from the area, like Rose McIver, who played Val, and Phil Brown, who played Troy.

The biggest challenge for everyone working on Johnny Kapahala: Back on Board was obviously the dirtboarding sequences. The entire cast had to learn how to dirtboard, or mountainboard, something that cannot be easy if you have never skateboarded before. As well as the usual safety gear, like helmets, knee pads, and elbow pads, the cast were offered additional equipment like butt pads and ankle pads to ensure they cushioned every fall! Stunt doubles were used for the big stunts and jumps, with Brown’s stunt rider apparently having to change his stance to “goofy” to match Brown’s to ensure continuity[2].

Akoni Kama was credited as the dirtboard consultant on this film. As well as doing various stunts and tricks for it, Kama designed the race course for the final sequence with Leon Robbins. They made sure it included lots of difficult sections, like “berms” (raised banks), a wallride, and “rollers” (a series of small hills), to make the final race a really difficult and tense moment[3]. Kama also appears as himself in the movie.

RECEPTION

Johnny Kapahala: Back on Board premiered on Disney Channel in the US on 8th June 2007, the perfect time to release a movie set in sunny Hawaii, right?

Well, apparently not. Johnny Kapahala: Back on Board reportedly only had viewing figures of around 1.8 million during its premiere night, a very low figure to have been recorded for a Disney Channel Original Movie premiere at that time. It is possible that DCOMs that premiered in the late 1990s and early 2000s had similar viewing figures but these were not widely known, so I couldn’t say if Johnny Kapahala: Back on Board was the lowest viewed since the first official DCOM in 1997 or not.

Not wanting to degrade Johnny Kapahala: Back on Board even further, but three other Disney Channel movies also premiered in 2007. Twitches Too got the attention of just under 7 million viewers, with Jump In! getting just over 8 million.  High School Musical 2, released just two months after Johnny Kapahala: Back on Board had a record-breaking 17.2 million viewers tune in to its premiere, a record that has never been broken. From the mid-2000s moving into the mid-2010s, a Disney Channel movie would have an average of around 5 million viewers, with some exceeding this by a fair margin. It would not be until 2018, when a new adaptation of Freaky Friday premiered on the channel, that a lower viewing figure was confirmed, this being 1.6 million. 2018 really signalled a decline of viewership figures for Disney Channel movies, which has continued to this day, probably due to the rise in social media and streaming services. These have since replaced the need to watch cable television as a priority, and now Disney+ exists, many DCOMs are placed on the service globally a day or two after its official US Disney Channel premiere.

But enough about that. Viewing figures are only half the story when it comes to getting an overall view of how a film was perceived. Actually, I am surprised at how many people did enjoy Johnny Kapahala: Back on Board. Granted, even the positive reviews weren’t exactly brimming with praise, but many of them stated that they felt this Johnny Tsunami sequel was a decent addition to the Disney Channel film catalogue. Specifically, there were comments that mentioned the chemistry between Brandon Baker and Cary-Hiroyuki Tagawa, something that was very much positively reflected on in reviews of Johnny Tsunami. The action shots of the dirtboarding sequences were also seen to be cool and appropriate for the film, with many appreciating the attempt to introduce a new sport to the franchise which is potentially less globally talked about. In recent years, Johnny Kapahala: Back on Board has also been found by fans of Wizards of Waverly Place and fans of Jake T. Austin who wanted to see him in this early Disney Channel role.

However, there were still some negative reviews for the film, including a similar negative criticism which was levelled at Johnny Tsunami. Johnny Tsunami was set in Vermont, but was actually filmed in Utah, with this being noticed by some viewers. Well, this was also the case for Johnny Kapahala: Back on Board, but this time Hawaii had been substituted with New Zealand, something that some viewers spotted easily and were annoyed by. I can’t say that I noticed, but then again, I have not been to either place. There were some issues with the characters too, with one being the recasting of Sam, which didn’t feel right to fans of the original film. It would’ve been very easy for Disney to simply create a new character here, especially since the backstory between Sam and Johnny wasn’t a part of the story. Chris was also felt not to be a redeeming character, simply coming across as a brat for most of the film, and getting about ten minutes at the end to try and prove that he’d turned himself around. I wouldn’t say I liked Chris as a character particularly, but I can’t agree that he wasn’t redeeming; he is just a kid after all, and kids act out irrationally just because of their age. Cut him some slack. There were even comments about the age gap between Johnny’s grandpa and his new partner. This might seem a little strange, or even comical, to children watching, mostly because Johnny now has an uncle who is younger than him, a joke that is repeated over and over again, but any adult commenting on age gaps needs to be less judgemental. I liked Johnny Tsunami and Carla’s relationship and felt it seemed quite natural. Finally, when it comes to making a sequel to any film, the die-hard fans of the original will always hate the sequel. That was the case with here.

Johnny Kapahala: Back on Board won two awards for its writing. One was the Humanitas Prize in the Children’s Live-Action category, which Johnny Tsunami had been nominated for back in 2000 but didn’t win. In this case, the prize went to Ann Austen, Douglas Sloan, Max Enscoe and Annie DeYoung, the screenwriters. They were up against fellow DCOM Minutemen (2008). The writers also won the Writers Guild of America award for Children’s Script – Long Form or Special, up against Cartoon Network’s The Haunting Hour: Don’t Think About It, which starred Disney Channel star Emily Osment.

LEGACY

Shortly after the release of Johnny Kapahala: Back on Board, Disney Channel released their mini-series The Disney Channel Games for its second year, airing on the channel over the course of Summer 2007. Here, Disney Channel stars from across the world, but with more representation from the US, were split into four teams and competed across different events for charity. The Disney Channel Games were filmed at Disney’s Wide World of Sports Complex at the Walt Disney World Resort in Orlando, Florida. It only had one other run in 2008 before being cancelled. I bet many recent Disney Channel stars are disappointed they couldn’t take part in this; it looked like a lot of fun.

For the 2007 edition of The Disney Channel Games, two cast members from Johnny Kapahala: Back on Board joined others from the likes of The Suite Life of Zack & Cody (2005-08), Hannah Montana (2006-11), and the High School Musical franchise. These were Brandon Baker, who was placed in the Green Team, under the leadership of Dylan Sprouse, and Jake T. Austin, who was placed in the Blue Team, with Corbin Bleu as team captain. The Green Team ended up winning the competition that year. Baker and Austin’s participation would’ve gone some way to promoting Johnny Kapahala: Back on Board, although it started a week or so after the initial premiere, so wouldn’t have been able to boost its official viewing figures from the premiere. I do vaguely remember watching some of the series, but as I hadn’t seen Johnny Kapahala: Back on Board by that point, I only wanted to see the actors that I already knew, like Corbin Bleu, the Cheetah Girls, Jason Dolley, and Miley Cyrus. The 2007 Disney Channel Games were hosted by Phill Lewis and Brian Stepanek, who played Mr. Moseby and Arwin, respectively, in The Suite Life of Zack & Cody.

Apart from that, nothing much has come from Johnny Kapahala: Back on Board, with only dedicated Disney Channel fans really remembering or mentioning it, although the original film, Johnny Tsunami, is talked about more often. It doesn’t tend to make lists of the best Disney Channel Original Movies ever, being ranked at No. 74 on Vulture’s ranking of the 105 Disney Channel Original Movies that had been released at the time. Their criticism included that it was not considered to be as good as the original; was seen to have been released too long after the original; and featured a less interesting sport[4].

Disney Channel had made plenty of sports movies by the early 2000s, but the success of High School Musical in 2006 proved that musicals were the way to go. This made Johnny Kapahala: Back on Board one of Disney Channel’s last sports films for a while – it had followed on from Corbin Bleu’s Jump In!, which featured boxing and Double Dutch. The next sports film would not come until 2014 with the snowboarding comedy Cloud 9. There was another gap until Disney Channel premiered Back of the Net in 2019, this being about football, or soccer – but it is not technically a Disney Channel Original Movie.

FINAL THOUGHTS

Johnny Tsunami was released at the perfect time. Disney Channel viewers had been shown to be responding to sports films back in 1999, and it focused on snowboarding, which had become an Olympic sport only the year before. It also followed the struggles of adapting to a new school and new home after a big move, as well as rivalries between schools, both things children and teens can relate to.

Johnny Kapahala: Back on Board, however, arrived on screen at exactly the wrong time. It had been proved that Disney Channel audiences wanted musicals and big-name stars. They were turning away from sports movies, a fact only confirmed by the fact they haven’t made many more since Johnny Kapahala: Back on Board’s premiere back in 2007.

It simply wasn’t the right time. Fans of Johnny Tsunami had grown up and moved on from Disney Channel, and although some viewers at the time seem to have very much enjoyed Johnny Kapahala: Back on Board, it has been forgotten or ignored by many more.

Although I appreciate Disney Channel’s attempt to bring a sequel to a new generation, in my opinion, it just didn’t work and Johnny Tsunami should’ve been left alone. If Johnny Kapahala: Back on Board did anything for me, it told me that actually the original wasn’t that bad!


REFERENCES

[1] Credit: Joanna Hunkin, ‘Waitakeres stand in for Hawaii in Disney film’, NZHerald.co.nz, 16th February 2007.

[2] Credit: Disney Channel, ‘Johnny Kapahala: Back on Board DCOM Extra #1’, dedicated2disney YouTube Channel, 19th May 2007.

[3] Credit: Disney Channel, ‘Johnny Kapahala: Back on Board DCOM Extra #2’, dedicated2disney YouTube Channel, 19th May 2007.

[4] Credit: Rebecca Alter, ‘All 105 Disney Channel Original Movies, Ranked’, Vulture.com, 4th May 2020.

Johnny Tsunami (1999)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

Becoming only the 10th official Disney Channel Original Movie, Johnny Tsunami came to Disney Channel back in 1999, just under two years after the premiere of the first official DCOM Under Wraps (1997).

The early times of Disney Channel movies were strange, seeming to lack focus and identity, as numerous films were released each year with very different themes and stories. In 1999 alone, Disney Channel created eight new movies to showcase on their channel, with 2000 seeing the most movies released in a single year, with 12.

Despite this, Disney Channel had seemed to figure out that they were going to have success with sports movies, after the success of the first of this type, Brink!, the third ever DCOM. Premiering in 1998, Brink! was about the world of inline skating. Following on from this movie was Johnny Tsunami, seen to be the second sports-themed DCOM.

Inline skating might have been an interesting sport to focus on, since inline skating is not widely shown on an international stage, so for Johnny Tsunami, it made sense to pick a more popular, globally recognised sport. In this case, they actually chose three: surfing, skiing, and snowboarding, with the rivalry between the sports a key aspect of the film’s story.

All three are complex sports in their own right, with plenty of differing disciplines on offer to athletes and sportspeople. Skiing and snowboarding in particular feature frequently on screen as well, in a variety of movies including Chalet Girl (2011), Eddie the Eagle (2016), and Downhill (2020). Disney Channel even revisited snowboarding for their 2014 DCOM Cloud 9. They are sports that everyone knows about and look great on camera.

However, I’m not a fan of winter sports, or sports in general. I don’t like watching people crash out and injure themselves doing death-defying stunts and tricks, and I don’t understand why you’d ever want to do something so dangerous, seemingly just for fun. And that brings me to the question: why can’t there just be a film about curling? Can you tell the 2026 Winter Olympics had an effect on me?

Speaking of the Olympics, Johnny Tsunami came out only a year after the 1998 Winter Olympics in Nagano, Japan, where no doubt many children starting to get interested in winter sports. But for the sun and sea lovers, Johnny Tsunami also had that covered, with a sprinkling of surfing thrown in, in amongst an overall message about social classes and the divide between them, warning viewers not to judge people or put them in a box.

PLOT

Johnny Tsunami starts with an older guy surfing in Hawaii. This is Johnny Tsunami, as explained by his grandson, Johnny Kapahala, who tells his friends his grandfather is a legendary surfer, and got the name “Tsunami” after he saved three people in the ocean years ago after a small plane crash. Johnny wants to be a great surfer, like his grandfather, aiming to inherit the Tsunami medallion, which is passed down to the best surfer in Hawaii.

Later, Johnny is participating in a surf contest, managing to ride a huge wave before time runs out. His mother and grandfather watch on from the beach, however, Johnny’s father did not attend the contest because he is busy working. When Johnny arrives home, he talks to his dad about what he is working on, as his father sets up computer connections for schools – remember, this film is set in the late-90s. His father wants to show Johnny what he’s been working on, and decides to search for the average salary of a surfer. It turns out it isn’t much at all. Johnny’s father says Johnny needs to think about a future with a decent job and a decent salary, not have dreams of being like his grandfather. Johnny walks away. Johnny’s mother then comes in, and asks if Johnny’s father told him the big news. He hasn’t.

The next morning, Johnny’s parents sit Johnny down and tell him that they are moving to Vermont, as Johnny’s father has a contract to work with a private academy, the same school that Johnny will be attending. They will be leaving in a week. Johnny pretends to be alright with this, heading off to surf, and not wanting to talk to his friends about it.

As the Kapahalas are about to leave, Johnny says goodbye to his grandpa, who tells Johnny he’ll have to come back to claim the Tsunami medallion, but until then, he should try to find the good in this new situation. Johnny and his family arrive in snowy Vermont, quite the change from the lovely sun and warmth of Hawaii. They make their way to their new home, which is very different. Johnny accepts the whole experience of living in Vermont compared to Hawaii will just be…different. Johnny’s father tries to get Johnny excited about his new school, showing him the school’s brochure. Woo-hoo.  

The next day, Johnny and his father drive to school. Johnny says he’ll be fine to find his way on his own, and goes to his first class, American History. The students are less than welcoming though, especially a group of snobby boys who make fun of Johnny for his clothes and general laid-back attitude. One girl, Emily, does try to engage with their teacher’s attempts to talk about Johnny’s home though, which Johnny appreciates. At lunch, the culture shock continues, as he learns that this school only has pineapple from a can – gasp! – and that he has to sit and eat lunch alone, still not in proper uniform.

Later, one of the boys from Johnny’s class, Brett, takes Johnny’s surfing magazine, and he sees an article about Johnny in it. Jealous of his surfing talent, he and Emily invite Johnny to ski with them that afternoon. Johnny lies, pretending that he has skied before, however, by the time they get to the ski resort, it’s quite obvious to everyone that Johnny doesn’t know what he’s doing. They take the ski lift up to the summit, at which point, Brett pushes Johnny down the slope. Johnny manages to ski all the way down, ending up falling right into the ski shop. At home, Johnny’s father learns he went skiing, and tells Johnny he should be focusing on his studies, not sports, fearing that a love of skiing is set to replace his love of surfing, and will keep him from pursuing a “real” career.

Back at school, Johnny is made to wear proper uniform, although as soon as his father leaves, he puts on one of his own shirts underneath his blazer. This gets him sent to the Principal – sorry – Headmaster’s office. As he waits to be seen, Emily leaves the office, and admits that the headmaster is in fact her father. Emily warns Johnny that her father is very strict on dress code, worrying Johnny. But when he goes to talk to Headmaster Pritchard, there is no trouble, although he is told to wear the correct uniform from now on. On the bus home that day, a group of young snowboarders boards the bus. One of them, Sam, sits next to Johnny. Johnny asks if Sam could teach him how to snowboard, but seeing his uniform, Sam says he can’t, as Johnny is an academy kid, and academy kids only ski.

 In the school library, Johnny talks to Emily about this, and learns that the academy kids are known as “Skies”, after Skyline Academy, whereas the public school kids are known as “Urchins”, showing a class divide between the two. The Skies ski on one side of the mountain, whilst the Urchins snowboard on the other, keeping the two groups separate. Johnny doesn’t think that’s fair and the next time he sees Sam, he reiterates that he wants to snowboard. Sam takes Johnny to the snowboard shop, where the owner turns out to be a big fan of Johnny’s grandfather, Johnny Tsunami. He gets Johnny sorted with a snowboard.

On the slopes, Johnny thinks he’ll be able to snowboard easily, as it’s basically just surfing but on snow, however, he wipes out numerous times, until he is finally able to keep himself upright. Johnny thinks he’s ready to jump, but Sam tells him he definitely isn’t. He’ll have to wait a little while before doing that. Walking through town, Brett and his friends see Johnny with a snowboard and start to torment him about it. Johnny’s dad drives through, and takes Johnny home. His father believes those were his new friends….

Back at the ski resort, Sam tells Johnny that he is the first Sky to have “crossed the line”. Sam gives Johnny some backstory into the resort. When the original owner of the resort died, the area was split into two sides: one for skiers and one for snowboarders. Annoyingly for the snowboarders, the skiing side has the best runs, and they aren’t allowed to go on them. Sam watches Johnny practise his boarding more, with his friends telling him to give it up with helping Johnny. Sam refuses, instead taking Johnny back to his house. Sam lives on a US Marines base, having had to move around many times over the years for his father’s job. It is just Sam and his father though, since his mother died, but they are very close. Sam has been told the two should be in Vermont for a little while still. Johnny is introduced to Sam’s father, who is the complete opposite of his own. Johnny later shows Sam the best of Hawaii whilst at his house, and Sam loves the idea of living there.

A little while later, Emily asks Johnny about snowboarding, wanting to try it out for herself. Johnny says he doesn’t think a die-hard Sky like Emily would ever be able to do it, but she says she’ll try it out after school that day. Emily seems to be doing very well for a first timer, but she gets a little ahead of herself, and ends up sliding down a very steep run, getting out of her depth very quickly, and has to stop herself from falling to her death by hanging on to a broken branch. Sam, being the more experienced boarder of the group, attempts to go down to help her, but he slips too. He shouts to Johnny to board down the slope and get help from the ski patrol. He goes right away, making some impressive jumps on his way down, witnessed by Sam’s other boarding friends. Johnny gets someone from ski patrol to follow him back, where a rope is passed down to Emily and Sam to climb back up.

The fallout of the drama is soon realised, as Emily gets a call from her worried father, who grounds her, and Brett warns Johnny to stay away from Emily from now on, telling him that Emily was only being nice to him because her dad had told her to be. Sam’s father picks Sam and Johnny up, pleased to see they are both ok, but telling them to be more careful next time. At home, Johnny’s father is angrier about the situation, believing that getting Johnny away from his grandfather would make him less reckless and more focused, but it hasn’t worked. As Johnny walks back to his room, Johnny hears his father call his grandpa a “surf bum”. His mother is more supportive, telling Johnny’s father not to be so hard on him. Johnny calls his grandpa, and says he misses home back in Hawaii. Johnny’s mother then interrupts the call and the two talk about his father. His father sees life very differently from his grandfather now, but it wasn’t always like that.

At school, Johnny talks to the headmaster about the incident on the slopes, trying to make things better for Emily, but it doesn’t work and Emily says she can’t talk to Johnny anymore. Back on the slopes though, Sam’s group say they were very impressed with Johnny’s jump, and invite him on a run. Sam even lets Johnny get the same hat as him, officially making him part of their group. During the run, they go over to the skiing side of the mountain, where they are called out by Brett for being on “their” territory. A fight ensues, which is quickly stopped as ski patrol are spotted nearby.

News of the fight makes it to the headmaster the next day, who brings Johnny and his parents in to discuss it. Johnny is put on probation, as Brett has said Johnny started the fight, which was not true. The headmaster warns Johnny he should choose better friends to hang out with. To make things even worse, Sam waits outside Johnny’s house to talk to him, telling him that Sam is leaving to go to Iceland because his dad got a new post. Not wanting to stay in Vermont anymore, Johnny leaves a note on his computer telling them he has run away. His parents are worried, as is Sam’s father who also received a note. They don’t believe the boys could’ve got far without any money.

However, the two actually made their way to Hawaii, by sneaking onto a military plane. In Hawaii, they meet up with Johnny’s grandfather, who lets the boys stay with him. Johnny’s grandfather speaks to his father, who demands Johnny Tsunami sends them home. He refuses to send them back, wanting to wait until they are ready to return. Johnny’s parents argue over this, with Johnny’s mother getting tired of her husband’s attitude.

In Hawaii, the kids are told they can stay as long as they want, so Johnny and his grandfather teach Sam how to surf. Later, they sit by a campfire and talk. Johnny Tsunami says he always liked the idea of going somewhere to ride new waves, with waves being a metaphor for obstacles in life. Johnny Tsunami tells Johnny he is not perfect, and doesn’t want Johnny to aspire to be like him. He should have his own journey, whether that has something to do with surfing or Hawaii or neither. The next day, Johnny says he wants to return to Vermont, believing it is time to go back.  

In Vermont, Johnny’s father is shocked to find that Johnny Tsunami has come with the boys. That evening, Johnny’s father thanks his father for his help in getting Johnny home. The two talk about how Johnny’s father needs to be less harsh on Johnny, and how Johnny Tsunami wishes he could go back and be a better. Johnny’s father should be more supportive of Johnny, like Johnny Tsunami had been for him, when Johnny’s father decided to stop surfing all those years ago.

The next day, Johnny takes his grandfather to the slopes as Johnny Tsunami wants to snowboard. Randy, the owner of the snowboard shop, is excited to meet Johnny Tsunami. Johnny tries to teach his grandfather how to snowboard, but his grandfather goes off on a run immediately, showing he is actually a skilled snowboarder; Johnny never knew. At the end of the run, the two run into Brett, who tells Johnny to stay away from “his” side of the mountain. Johnny says in Hawaii, they sometimes have contests with groups of surfers, with the winner getting to keep the beach for the day. Johnny suggests doing the same here. If Brett can win against Johnny in a race, then Johnny and the boarders will stay away. If Johnny wins, the skiers must share the mountain with the snowboarders. And just to up the stakes, Johnny Tsunami adds his medallion to the race, with the winner claiming it.

Johnny tells Sam all about the contest, but he says he’ll be leaving the next day so won’t be able to see it. Johnny’s father then tells Johnny to forget about being grounded and to go out there and win that race, so they can keep the medallion in the family. On the day of the race, Johnny Tsunami and Johnny’s parents arrive to watch, as does Sam, whose father is letting them leave for Iceland the next day so he can watch. At the starting point, Brett pushes Johnny over, and heads off, leaving Johnny to play catch up. He catches up fast, and despite Brett’s attempts to sabotage the race, Johnny wins.

To celebrate, Johnny’s parents throw a party, where Emily and Johnny get to dance together. Johnny is also given the option of returning to Hawaii to stay with his grandfather if he wants, but he chooses to stay in Vermont. Johnny hears from Randy and Ronnie, the owners of the ski resort and owners of the snowboard shop and ski shop respectively. They said that when their parents divorced, they grew up very different people, going to the two different schools, and couldn’t agree on what to do with the mountain after their father died. So, they split the mountain in two. They’ve now realised that isn’t something they should’ve done thanks to Johnny, and confirm the mountain is now accessible to everyone all the time.

CHARACTERS & CAST

Johnny Kapahala is the main character of Johnny Tsunami, despite not being the title character, which refers to his grandfather. Johnny Kapahala is laid-back and relaxed, having grown up in Hawaii surfing, seeing his grandfather doing the same. Johnny is shocked to find his family are moving to Vermont, the complete opposite of Hawaii, but attempts to take all this in his stride. After realising that the snobby academy kids will not accept him, Johnny makes his own decision to join up with the snowboarders, with Sam becoming his best friend from that point. Johnny finds he is accepted in this group and loves snowboarding, this being more familiar to Johnny thanks to his surfing background. Although Brett and his friends try to keep Johnny down, he refuses to bow to pressure, not allowing them to stop him talking to Emily, Brett’s crush, or stop him snowboarding. Johnny overcomes many social barriers throughout the events of Johnny Tsunami, reuniting the feuding sides once and for all.

Brandon Baker was cast as Johnny Kapahala. He had previously worked for Disney, as he was cast as Mowgli in their live-action adaptation The Jungle Book: Mowgli’s Story. He went on to work with Disney Channel further after Johnny Tsunami, with a recurring voice role as Duke Anoi in their animated series The Proud Family (2001-05), as well as making an appearance in Even Stevens (2000-03) as Zack Estrada. Baker was also cast as Cray Blake in the teen sitcom One World (1998-2001) for NBC prior to his role in Johnny Tsunami. Baker is now said to have become a wedding officiant for an elopement company[1].  

Sam is Johnny’s best friend in the film, although this would seem an unlikely friendship given the fact they come from two different schools that have a fierce rivalry between them. Sam first meets Johnny on the bus, and tells Johnny he won’t be teaching Johnny how to snowboard because he’s from the “wrong school” and should focus on skiing. But Johnny is persistent, and Sam seems to be impressed by that, with Johnny working hard to prove himself to be a good snowboarder. Sam is loyal to his new friend, not wanting to listen to his other friends, who tell him he shouldn’t be mixing with a Sky. Without Sam’s help and support, Johnny would not have been motivated or able to reunite the mountain. Sadly, Sam leaves to go to Iceland, but I’m sure they would’ve kept in touch after that.

Sam was played by Lee Thompson Young who was known at the time for his starring role as Jett Jackson in the Disney Channel series The Famous Jett Jackson (1998-2001), returning to reprise the role for the DCOM Jett Jackson: The Movie. He was nominated for many Young Artist awards for this role. He appeared as Chris Comer in the film Friday Night Lights (2004), with this story later becoming a television series. More recently, he was cast as Barry Frost in the early seasons of crime drama Rizzoli & Isles (2010-16), passing away in August 2013 at the age of 29, after struggling with his mental health.

Emily is Johnny’s love interest, as well as that of Brett’s, causing animosity between the two. Emily is not threatened by the arrival of Johnny to their school, unlike some others who see him as too different to fit in. Emily even invites Johnny to ski with them after his first day at the academy, although this does not go well. She later asks Johnny to teach her how to snowboard, showing she doesn’t want to just hang out with the posh kids, but when this also does not go well, and her father finds out, Emily tries to keep her distance from Johnny from then on. But by the end of the movie, Emily has clearly seen the error of her ways, and her and Johnny become closer now that Brett is out of the way.

Kirsten Storms was cast as Emily. Just a few months before the premiere of Johnny Tsunami, Storms appeared in the title role of Zenon Kar in the DCOM Zenon: Girl of the 21st Century (1999), going on to reprise the role for two further sequels. Also for Disney Channel, Storms voiced the character Bonnie Rockwaller in Kim Possible (2002-07). Outside of that, Storms appeared as Belle Black in the long-running soap opera Days of Our Lives (1965-present) from 1999 to 2004, and now can be seen as Maxie Jones in the ABC soap General Hospital (1963-present), having been on the show since 2005.

Brett is the preppy, arrogant boy who makes Johnny’s life difficult whilst in Vermont. Brett sees himself as better than Johnny, and doesn’t like how different Johnny is. He also doesn’t like how close Johnny and Emily get during the course of the film, seeming to think he has some sort of claim on Emily and that Johnny isn’t good enough for her. Brett continuously torments Johnny throughout the story, getting him in to trouble on many occasions, despite Brett being the one to start the trouble. Brett thinks he can control everyone just by being mean, but he doesn’t get his way in the end because even cheating doesn’t win Brett that race, and he has to accept the new order of things.

Zachary Bostrom was cast as Brett. Bostrom had already had a couple of screen roles prior to his casting in Johnny Tsunami. For example, he had appeared as Kevin Brady in A Very Brady Christmas (1988), before being cast as Ernie Henderson in the sitcom Harry and the Hendersons (1991-93), based on the 1987 film of the same name.

Now to the parents. Pete and Melanie Kapahala are Johnny’s parents, who both view their son differently. Pete seems to believe that Johnny’s interests of surfing and then snowboarding are getting in the way of Johnny’s future career – even though he’s only thirteen – and that Johnny is set to grow up just like his grandfather, lacking purpose and a life plan. Johnny’s mother on the other hand wants Johnny to live his own life, and not let his father tell him how to be or how to act. She knows Johnny should do what makes him happy and that being so tough on him at that age isn’t good. In the end, Melanie tells Pete that she doesn’t like how he is behaving, both towards their son and to Pete’s father, which seems to make Pete realise that he needs to change and be more supportive of Johnny.

Pete Kapahala was played by Yuji Okumoto. Okumoto was cast as Lieutenant Zenji Abe in Pearl Harbor (2001), and as Chozen Toguchi in The Karate Kid II (1986). He reprised his role as Chozen Toguchi in the Netflix series Cobra Kai (2018-25). Melanie Kapahala was played by Mary Page Keller, who had previously been cast as Laura Kelly in the Fox sitcom Duet (1987-89), returning to the role for its spin-off series Open House (1989-90). In more recent years, she played the recurring role of Dianne Fitzgerald in Pretty Little Liars (2010-17) and was cast as Sara Carver in the ABC Family series Chasing Life (2014-15).

Johnny Tsunami is a typical “surfer dude”. He doesn’t want to spend his life thinking about work or obligations, unlike his son, Pete, who only seems to think about work. The two have become very different people, with different attitudes towards life, which has caused some friction between the two, especially as Pete believes his father is almost corrupting his son, making Johnny believe that a life as a surfer is the way to go. Eventually, Johnny Tsunami and Pete reconcile, understanding why they are the way they are, and accepting that Johnny’s happiness is what’s important here, not Pete’s thoughts about his father. Johnny Tsunami is a loving grandfather to Johnny and always supports him.

Cary-Hiroyuki Tagawa was cast as Johnny Tsunami, having previously appeared as Shang Tsung in Mortal Kombat (1995). He went on to voice General Krull in Planet of the Apes (2001) and played The Baron in Memoirs of a Geisha (2004). More recently, he voiced Hashi in the animated film Kubo and the Two Strings (2016) and was cast as Nobusuke Tagomi in the first three seasons of The Man in the High Castle (2015-19). I randomly recognised him from one episode of Season 1 of Sabrina the Teenage Witch (1996-2003), where he playing a martial artist called Tai Wei Tse, who fights Sabrina in a competition, although she has to use magic to win, making her a cheater. Tagawa died in 2025. 

Finally, I will just mention Headmaster Pritchard, Emily’s father and headmaster of the academy. Headmaster Pritchard is quite strict and has high standards for his students, although initially he does cut Johnny some slack, due to the upheaval Johnny has experienced in moving from Hawaii to Vermont, as he doesn’t shout at Johnny for wearing his own shirt to school. However, towards the end of the film, Headmaster Pritchard’s patience with Johnny appears to wear thin, as he gets his daughter into trouble on the slopes, and then is said to have started a fight with Brett. He tells Johnny to choose his friends wisely, not believing the snowboarders are good for him, showing that Headmaster Pritchard leans into the classism between the two schools as well. We don’t even get to see how he reacts to the ski resort now being shared, or how he feels about Johnny and Emily.

Gregory Itzin was cast as Headmaster Pritchard. He went on to play Charles Logan in the series 24 (2001-10) from Season 4 onwards after appearing in Johnny Tsunami. Itzen also had a recurring role as Supervising Agent Virgil Minelli in The Mentalist (2008-15). He passed away in July 2022.

MUSIC

The music within Johnny Tsunami, in terms of songs, are featured as either background music or to accompany montages of the snowboarding and skiing runs. Because these sports tend to be considered to be quite daring, with wild jumps and crazy speed, the genre of music used in this film is rock music. This is in contrast to the music within most DCOMs, which many would describe as inoffensive pop music.

Although I am not really a fan of rock music in general, I do think the decision to use this type of music better reflects the “coolness” of snowboarding than the more conventional pop route would’ve done. Rock music is also seen to be more appealing to boys, who no doubt were the primary target audience of Johnny Tsunami.

Within the songs in Johnny Tsunami, three were performed by the band Fastball. Fastball are a rock band formed in 1992, who were signed to Disney’s recording label Hollywood Records around the time of Johnny Tsunami. The first of their songs in the film is “Fire Escape”, where a brief excerpt is played in the scene when Johnny wakes up the morning after the surf contest, and wants to go out to surf. He is then told by his parents that they will be moving to Vermont in a week. “Fire Escape” was written by Miles Zuniga, a member of Fastball. The next song of theirs, “Nowhere Road”, is used for the scene where Sam and Johnny arrive in Hawaii, having run away from their homes in Vermont, and are reunited with Johnny’s grandfather. I actually quite liked this song. “Nowhere Road” was written by Tony Scalzo, also a member of the band.

At the end of Johnny Tsunami, during the party that Johnny’s parents put on to celebrate his win against Brett in their race, and the reunion of the mountain, the Fastball song “The Way” can be heard. This song is potentially the most well-known of Fastball’s songs in this movie, as the single peaked at No. 1 on the US Billboard Modern Rock Tracks Chart in 1998. It was also written by Tony Scalzo.

As well as these songs by Fastball, two songs by Jeffries Fan Club are credited in Johnny Tsunami. Jeffries Fan Club was a ska band formed in 1996. They later disbanded in 2001, although they did play a few reunion shows in 2002 and 2006. Here, their song “Crystal 52” accompanies the snowboarding sequence where Johnny and his grandfather snowboard together, after Johnny and Sam return to Vermont, with Johnny Tsunami coming with them. Their song “Rolled” appears to have been used as background music playing in the snowboard shop the first time Johnny visits it. Both songs were written by the band.

“Life Jacket”, written by Mike Arrieta, Zac Diebels, Matt Franks, and Mike Johnston, the members of the metal band Simon Says at the time, who perform the track, is used during the snowboarding sequence where Johnny gets to join Sam’s friends, the Urchins, for a run down the mountain, which puts them in the path of Brett and his skiing buddies. Like Fastball, Simon Says appear to have been under Disney’s recording label at the time of Johnny Tsunami. The band had formed in the early 1990s, breaking up in the early 2000s, before reuniting in 2023. This was the other song in the film that I quite liked.

The final song credited in Johnny Tsunami is “So Down”, written by Jesse Camp, Share Ross, Alex Kneipkamp, Bam Ross, Joe Alameda, and Ric Browde. It was performed by Jesse Camp, who rose to fame by winning the MTV contest Wanna Be a VJ in 1998. This track was part of Camp’s 1999 album Jesse & the 8th Street Kidz, and was released under Disney’s recording label Hollywood Records. In the movie, “So Down” appears to be the music playing in the snowboard shop on Johnny’s second visit there, with Johnny Tsunami.

Phil Marshall is credited as being the composer of the Johnny Tsunami score, which consists of both tracks to accompany the fast-paced snowboarder life in Vermont, as well as those that represent the more relaxed vibes of life in Hawaii. He worked on the music for multiple 1990s and early 2000s Disney Channel Original Movies, including Zenon: Girl of the 21st Century (1999) and its 2001 sequel; Stepsister from the Planet Weird (2000); Jumping Ship (2001); Doubled Teamed (2002); and Right on Track (2003).

PRODUCTION

Disney Channel had already made films set around Halloween, ones based around science-fiction, and some that were just flat-out bizarre concepts, like one about a kid who becomes a merman at the age of 13 – that’s The Thirteenth Year (1999) if you’re interested – in their first few years of developing movies under their Disney Channel Original Movie branding.

Instead of following in those sorts of ideas, Johnny Tsunami followed Brink! (1998) by being a sports movie. Just a simple idea about teenagers participating in sports, no big deal, nothing too weird or abstract. Yet, these earlier sports movies are the ones that are remembered, probably because teenagers can relate to them easily. This made Johnny Tsunami already a possible contender for DCOM success.

The story and screenplay for Johnny Tsunami was developed by Douglas Sloan and Ann Knapp. The duo co-wrote the DCOM Motocrossed (2001) a couple of years after Johnny Tsunami, before co-writing various Power Rangers television series, such as Ninja Storm (2003) and Dino Thunder (2004). Separately, Knapp has written various Barbie-related screen stories, like Barbie Princess Adventure (2020) and Barbie: Mermaid Power (2022). Sloan went on to be an executive producer of other DCOMs, including Minutemen (2008), Dadnapped (2009) and StarStruck (2010).

Johnny Tsunami was directed by Steve Boyum, who went on to direct a few other DCOMs in the early 2000s, including Stepsister from Planet Weird (2000) and Mom’s Got a Date with a Vampire (2000). He also directed episodes of television series such as Hawaii Five-0 (2010-20); Supernatural (2005-20); and Lethal Weapon (2016-19).

Although parts of Johnny Tsunami are both set and were filmed in Hawaii, apparently in North Shore on the island of Oahu, the rest of the film is set in Vermont – but it was not filmed there. Disney actually took production to Utah, where a list of other DCOMs have been filmed, including Go Figure (2005), Good Luck Charlie, It’s Christmas! (2011), and the High School Musical trilogy.

One specific filming location used was Brighton Ski Resort, which is a short distance from Salt Lake City in Utah. This was where many of the ski and snowboarding scenes were filmed. Brighton Ski Resort was also reportedly one of the ski resorts used for the DCOM Cloud 9 (2014), which was another movie about snowboarding – and one I liked much more than Johnny Tsunami[2]. Brighton Ski Resort was actually the first ski resort to open in the state of Utah, back in 1936, when there were only around 15 other ski areas in the whole of the US. It is located at the top of Big Cottonwood Canyon[3].

Because of the era that Johnny Tsunami was released, there is little behind-the-scenes footage of filming, whether that is because Disney Channel had not yet perfected their DCOM marketing campaign of including short videos about filming or cast interviews from their new films in between their programming, or because very few people would’ve been recording these little extras and therefore have not uploaded them to YouTube, I don’t know. Based on other sports-related Disney Channel movies though, I’m going to assume that most of the cast would’ve required lessons in skiing and snowboarding to be able to shoot their scenes, with the stunts being performed by stunt doubles. I don’t think that’s a stretch to make that assumption. Outside of that, I only know one other thing about the filming process and that is that the crew decided that having everyone use the chair lift to get up and down the mountain for the skiing and snowboarding portions of the film would take too long, so they came up with an innovative solution to this. It was quite simple really; they attached bungee cords to the back of snowmobiles and had the cast get back up the mountain that way, by basically driving them up whilst they rode on behind[4].

We may not consider a film about snowboarding to be very unique in present day; however, snowboarding actually hadn’t entered the mainstream until the late 1980s. Professional snowboarding events only really began in the 1980s, and the International Snowboarding Federation didn’t form until 1985. From this point, snowboarding started to become more prevalent in the media, which the iconic snowboarding scene in the James Bond film A View to Kill (1985) proved, thus potentially increasing interest in the sport. Snowboarding was not even introduced to the Winter Olympics until 1998, when it was held in Nagano, Japan. Curling also became an official medal sport at the Olympics in this year, just so you know. Since then, snowboarding has remained popular, with many more disciplines existing now, including Big Air, Snowboard Cross, and Slopestyle. The biggest competition for snowboarding outside of the Olympics is the Winter X Games, which began in 1997 and became an annual event from 2002[5].

Some big names in the sport currently include Team GB’s Mia Brookes, who narrowly missed out on a medal position at the 2026 Milano-Cortina Winter Olympics in the Big Air competition; Charlotte Bankes and Huw Nightingale from Great Britain who won a gold medal in 2026 for the Mixed Team Snowboard Cross; Austrian Anna Gasser, who won two gold medals for Big Air, at the 2022 Beijing Winter Olympics and the 2018 Pyeongchang Winter Olympics; and American snowboarder Chloe Kim, who added a silver medal to her collection at the 2026 Milano Cortina Games in the Halfpipe, after winning a gold medal at both the 2022 and 2018 Winter Olympics. Another couple of big names in the sport are American Travis Rice, a two-time gold medallist at the Winter X Games, winning for Slopestyle in 2002 and Big Air in 2009, and American Shaun White, who currently holds the world record for the most Olympic gold medals by a snowboarder, holding three for Halfpipe in the Olympics at Torino 2006, Vancouver 2010, and PyeongChang 2018. White has won numerous medals at the Winter X Games over the course of his career too, including 13 golds. White is also a skateboarder, having fronted video games about both sports.

Johnny Tsunami was only released just after a year after snowboarding made its debut at the Winter Olympics, bringing global attention to the sport, and only two years after the inaugural Winter X Games, so I believe that the choice of having Johnny Tsunami focus on snowboarding was no coincidence, as Disney Channel had probably hoped to capitalise on its interest with this movie.

RECEPTION

Johnny Tsunami premiered on Disney Channel in the US on 24th July 1999. Strange to have a summer release date for a movie primarily about winter sports, don’t you think?

There is little information on the viewing figures of many Disney Channel Original Movies on their premiere dates when going back to the late 1990s and early 2000s, so I am uncertain how popular the film was on its release date. Looking at other movies from around this time that did have their viewing figures listed somewhere, of which there were only around two or three, it would seem the average audience was around 3 million, though I cannot say if this was the case for Johnny Tsunami.

In terms of audience reactions, many felt Johnny Tsunami was a decent movie from Disney Channel, with the story seen to be fairly fast-paced, and that the acting amongst the kids was pretty good, compared with other television movies and given their young age, although it is worth noting that some of the leads already had some acting experience before this film. It was also felt that the dynamic between Brandon Baker and Cary-Hiroyuki Tagawa, as Johnny and his grandpa, was good and the movie could only benefit from that. Generally, Johnny Tsunami is remembered as one of the better snowboarding movies, with a good message about tolerance and prejudice, and father-son relationships.

However, on the other hand, some felt the story was not particularly unique, with the class division being seen as cliched. Johnny Tsunami is also yet another sports movie about the underdog, who doesn’t seem like they’ll be good at the specific sport they’re trying but with practice and raw talent, they manage to succeed. Disney Channel in particular seem to like using this general story template for many of their DCOMs. The academy kids were seen to be incredibly stereotyped too. There were even comments about the locations used, because many, especially those who know Vermont, were very annoyed that Utah was being passed off as this area, without any real similarities in their scenery and skiing runs.

Johnny Tsunami has become one of the more popular and talked about DCOMs of that early era of official DCOM. It gets mentioned along with the likes of Brink!, Halloweentown (1998), and Motocrossed, mostly mentioning these as the very best of the best within Disney Channel’s movie catalogue. Personally though, I did not particularly enjoy Johnny Tsunami. It wasn’t something that really grabbed my interest from the start, and when the race was called at the end of the film between Johnny and Brett, I already knew Johnny was going to win. The message about the division between the “posh” kids and the other kids was the most interesting part for me, but I have seen that before. I think the trouble is the earlier DCOMs feel quite low budget and basic if you watched their more popular ones, like High School Musical (2006) and Camp Rock (2008), first like I did.

 Johnny Tsunami was later nominated for the Humanitas Prize in the category of Children’s Live-Action Television. It lost to a different DCOM: The Color of Friendship (2000).

LEGACY

Given Johnny Tsunami’s approval amongst a subset of Disney Channel viewers from the 1990s, it is no surprise then that Johnny Tsunami has made a few lists where the best Disney Channel Original Movies have been ranked. What might come as a surprise is that there are over a hundred DCOMs, so even making a top 50 list would be an achievement.

For example, Cosmopolitan chose the “best” 65 DCOMs, of which Johnny Tsunami was one, ranking at No. 33 in this list[6]. Entertainment Weekly went a step further and picked their 40 top DCOMs, with Johnny Tsunami being positioned in the No. 15 spot. Reflecting on the film, they said that this film was fun and put together some of the best Disney Channel talent at the time from a variety of their franchises[7]. This has since become quite commonplace for Disney Channel, in order to increase the reach and success of their films.

Although these are impressive rankings for an older film like Johnny Tsunami, it perhaps should be taken into account the age of the people ranking these films. I’m not being ageist or anything, but if you were not watching Disney Channel in the 1990s, then the chances are your DCOM rankings would be very different. These two specific lists seem to have more focus on the late-90s and early 2000s DCOMs, and my own personal ranking would look quite different because I was not watching the channel at that time.

This film could also be credited with bringing the popular slogan “Go big or go home” to a younger audience. It is heard in Johnny Tsunami as the snowboarders congratulate Johnny on making some big jumps on the slope and they invite him to participate in a run. “Go big or go home” is revealed to be the snowboarders and the Urchins’ motto. Many people also know this slogan though, mostly in the context of sports, without seeing the film.

A few years later, a sequel to Johnny Tsunami premiered on Disney Channel. This new DCOM was Johnny Kapahala: Back on Board, released in 2007, eight years after its predecessor. I hadn’t seen Johnny Tsunami before, and the only reason I’d heard of it is because I remember Johnny Kapahala: Back on Board being aggressively advertised prior to its premiere date – the mid-2000s was primetime for me watching Disney Channel – and of course, it mentioned the original film.

More recently, Johnny Tsunami was referenced in a YouTube stunt. YouTuber Brad Jacobson decided to make a video to see if it was possible to surf on a snowboard. Teaming up with surfer Julien Williams, they set about seeing if it was possible. Williams spent many attempts paddling out into the waves on a foam surfboard, with a snowboard in hand. He then caught a wave on the surfboard before jumping onto the snowboard. Despite needing a few attempts, Williams did succeed in this, with online news outlets reporting that this was the “real” Johnny Tsunami, since it combined the film’s two main sports of surfing and snowboarding, showing how the term “Johnny Tsunami” has been adopted in pop culture[8].

FINAL THOUGHTS

Johnny Tsunami is not a Disney Channel movie that I will be rushing to go back and see again. It simply wasn’t for me. Not because it was about sports – although I’m not sporty, there are actually many sports movies I like – but just because it doesn’t match up to my expectations of what a DCOM should be.

I was watching Disney Channel when they were making a lot of musicals, and these will always be my favourite type of DCOM, and even when they weren’t musicals, they generally featured actors from the channel that I already knew, making me want to watch their new films. This wasn’t the case for Johnny Tsunami.

But I appreciate that many 90s kids would have enjoyed Johnny Tsunami and I hope this review goes some way into continuing the dialogue around this film.  


REFERENCES

[1] Credit: Bentley Maddow, ‘What Happened to Johnny Tsunami’s Brandon Baker? A Rare Catch Up With the Disney Star’, EOnline.com, 30th August 2025.

[2] Credit: Jennifer Guzman, ‘Got Disney+? Keep an eye out for these movies filmed in Utah’, KSL.com, 12th November 2019.

[3] Credit: Local Lexi, ‘Ski Utah Resort Histories I Brighton Resort’, SkiUtah.com, 15th December 2020.

[4] Credit: Stacey Grant, ’23 Surprising DCOM Secrets Even Die-Hard Fans Didn’t Know’, Seventeen.com, 25th October 2017.

[5] Credit: Ben Kissam and Tom Ward, ‘The thrilling evolution of snowboarding: from its roots to today’, RedBull.com, 12th December 2023.

[6] Credit: Mehera Bonner and Jasmine Ting, ‘The 65 Best Disney Channel Original Movies, Ranked’, Cosmopolitan.com, 25th March 2025.

[7] Credit: EW Staff and James Mercadente, ‘The 40 best Disney Channel Original Movies, ranked’, EW.com, 1st July 2024.

[8] Credit: Justin Leveille, ‘The Real Johnny Tsunami: Surfer Shreds a Wave on a Snowboard’, Snowboarder.com, 24th August 2023.

Harry Potter and the Chamber of Secrets (2002)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

The first Harry Potter movie, Harry Potter and the Philosopher’s Stone, had been hugely successful on its release in 2001, signalling the start of a major film franchise.

Although by no-means an Oscar-winning masterpiece, or a masterclass in dramatic acting, it had brought a fantasy world to the big screen, delighting young audiences, as well as bringing this magical world to an older generation, who perhaps had not read the book.

It was seen to be a faithful book-to-screen adaptation, which many appreciated, whilst also showcasing the best in special effects, and introducing a new crop of acting talent, alongside seeing some brilliance from titans of the British acting world.  

But now was time to adapt the second novel in the Harry Potter book series, the second of what was anticipated to be a seven-novel series, therefore suggesting there would be seven movies, each adapting one book. The second in the series was Harry Potter and the Chamber of Secrets, originally published in 1998, and the tone was about to get significantly darker, as the ending of Harry Potter and the Philosopher’s Stone had indicated.

I had not read any of the novels before watching the film, so, as a nine-year-old going to see Harry Potter and the Chamber of Secrets at the cinema, I had no idea what to expect. I can’t even remember seeing the first movie, but I must’ve done, otherwise I would’ve had no reason to go and see the second. I went to see Harry Potter and the Chamber of Secrets with my dad and my sister, whilst my mum went shopping nearby – she doesn’t like Harry Potter at all. I distinctly recall which cinema it was, I know I saw a Dobby cardboard cut-out outside the cinema screen, and I know it was light when we went into the cinema but it was dark when we came out, because the film was so long – and it was winter.

I also know that I loved the film, and for a strange reason. For someone who doesn’t like being scared, not as a child or as an adult, the very reason I liked Harry Potter and the Chamber of Secrets was because I found it creepy at that young age. It is my favourite of the Harry Potter movies, and has been ever since I first saw it. Who knows, perhaps this is where my love of villains came from. I’d grown up watching a sea of children’s television and Disney movies, even removing myself from the room whenever Maleficent turned into a dragon in my childhood favourite Disney film, Sleeping Beauty (1959). I’ve never liked being scared, but randomly, Harry Potter seems to be about my level, even to this day.

PLOT

Harry Potter and the Chamber of Secrets starts at the Dursley home. Harry has been “gifted” cousin Dudley’s second bedroom, although Harry is still being mistreated. On this evening, Harry is being warned to stay in his room and to make no noise. Uncle Vernon has very important guests coming for dinner – the Masons – and Harry cannot disrupt that.

However, on returning to his room, Harry finds an odd creature there, jumping on his bed. The creature introduces himself as Dobby the House-elf and warns Harry that terrible things are about to happen at Hogwarts School of Witchcraft and Wizardry, and that he must not return there this year. Harry has no clue who Dobby is, and does not listen to his warning. Harry can’t stay with the Dursleys any longer than he has to. Dobby can’t reveal much more information and punishes himself frequently during this conversation for his weakness. All this racket though has alerted Vernon, who barges into Harry’s room, telling him to be quiet or else. Harry reiterates to Dobby that he will be going back to Hogwarts. Dobby resorts to desperate measures to force Harry to stay in Surrey, by magically dumping a cake onto the head of Mrs. Mason, knowing this will enrage his aunt and uncle.

The next day, Vernon doesn’t hesitate in punishing Harry, and puts bars on his bedroom window, telling him he’ll not be going back to Hogwarts again. That evening, Harry is woken up by a weird noise. Looking out of his window, he sees a flying car. It turns out the car’s passengers are Harry’s best friend Ron, and his brothers, twins Fred and George. They hook on to the window and pull the bars off. This wakes up Harry’s aunt and uncle who rush to Harry’s room. They unlock all the bolts on the door just in time to see Harry being pulled into the car. Vernon grabs onto Harry’s foot and tries to pull him back, but it doesn’t work. Harry gets into the car and Vernon falls out of the window, falling into the bushes below.

After a night of driving, Harry, Ron, Fred and George arrive at the Weasley family home, The Burrow. Harry is pleased to see Mrs. Weasley again, and she is also delighted to see him, although she is none too pleased with her sons for vanishing in the night and taking the flying Ford Anglia. Mr. Weasley arrives home from a long night’s work at the Ministry of Magic that morning and is introduced to Harry. Harry also sees Ron’s younger sister Ginny again, and she seems to have a bit of a crush on Harry. Ginny is about to start her First Year at Hogwarts. As the family sit down for breakfast, Ron’s older brother Percy sees that their owl has delivered their Hogwarts letters, including Harry’s. There is a whole list of supplies they’ll need, so they’ll have to go to Diagon Alley. The Weasleys plan on travelling there via the Floo Network, a series of magical portals using fireplaces. Harry is told to watch Ron as he demonstrates how it works, taking a handful of powder, clearly stating his destination name, and disappearing in a blaze of fire. Now, it is Harry’s turn. He grabs the powder, and says he wants to go to “Diagonally”. The Weasleys watch helplessly as Harry vanishes.

Harry turns up in a dusty, dark shop. This is Borgin and Burkes, a shop only frequented by dark wizards. Not wanting to stick around for long, Harry walks outside, only to find himself surrounded by unsavoury characters, who offer to help him find his way. Uh, no, thanks! Luckily, Hagrid sees Harry and quickly leads him out of trouble. Harry was in a dodgy place called Knockturn Alley, close to Diagon Alley. Hagrid takes Harry to the bookshop Flourish and Blotts, where he is reunited with the Weasleys and other best friend Hermione. Here, they see a book signing going on for famous wizard Gilderoy Lockhart. Lockhart spots Harry in the crowd, and calls him over for a photo for the newspaper. He also gifts Harry his complete works completely free of charge. Whilst they wait for their parents to finish at the bookshop, Harry, the Weasleys, and Hermione are approached by Draco Malfoy. Draco is clearly jealous of Harry for being so famous in the Wizarding World, and aims a slight at Harry. His father Lucius Malfoy comes over, telling Draco to “play nicely”. Lucius introduces himself to Harry, becoming instantly fascinated by Harry’s famous scar. Lucius guesses that the kids surrounding Harry must be part of the Weasley family; Lucius works with their father. He also rudely comments on Hermione’s parents, confirming that they are Muggles, non-magical folk, meaning Hermione has no wizarding ancestry, this being a disgrace to a family of Pure-bloods like the Malfoys, who do. Mr. Weasley comes over and tells Lucius they have different ideas of what a disgrace to wizards looks like. The Malfoys then leave.

Later, Harry and the Weasleys arrive at King’s Cross station late for the Hogwarts Express. Most of the family get through the portal to Platform 9 ¾ on time, but Harry and Ron are stuck in King’s Cross with the portal not opening for them. Harry suggests they wait for Ron’s parents by the car, which gives Ron an idea: they’ll take the flying car to Hogwarts! But Ron isn’t exactly an experienced driver only being twelve-years-old, so naturally the journey starts badly, with Ron forgetting to put the invisibility booster on so everyone around King’s Cross can see the car flying, and the journey gets worse when they are almost hit by the Hogwarts Express, and Harry almost falls out of the car. Eventually, they arrive at Hogwarts, only to crash-land into the Whomping Willow, which tries to bash the car out of its branches – it is magical after all. In the chaos, Ron breaks his wand and the car falls to the ground. Ron and Harry are ejected from the car, and the car drives into the Dark Forest.

Ron and Harry hurriedly head inside, but they are caught by Filch the caretaker who takes them to Professor Snape. Snape is horrified to learn about the two’s escapades, which have made the front page of the wizarding newspaper, and states if they were in his house of Slytherin, the two would be expelled and heading home right this minute. Professor McGonagall, head of Ron and Harry’s house of Gryffindor, then comes into the room with Professor Dumbledore, the Headmaster. McGonagall states that the two will not be expelled today but will both get detention and have letters sent home to their parents/guardians.

The next morning, the Second Year students, including Ron, Harry, Hermione, and Draco, arrive to their Herbology Class, headed by Professor Sprout. She teaches the students about mandrakes, getting the students to pot seedlings. We learn that the cry of a fully grown mandrake is fatal to anyone who hears it, but that mandrakes are needed to create a cure to recover people who have been petrified. At lunchtime, Ron tries to fix his wand with tape, but this does nothing to help it. Harry also meets Colin Creevey, a big fan of his as well as an avid photographer. At this point, Ron receives a letter from his mother. Known as a howler, this letter comes to life and starts to shout at Ron for his bad behaviour, whilst also congratulating sister Ginny for being sorted into Gryffindor House with her brothers. The letter then shreds itself. After that, the group have their Defence Against the Dark Arts lesson with none other than Gilderoy Lockhart. Lockhart is discovered to be an incompetent teacher, although handsome and charming, as he releases a swarm of Cornish Pixies into the class, with absolutely no training given, and then proceeds to let Harry, Ron, and Hermione round them up themselves after a pixie steals his wand!

Later on, Gryffindor’s Quidditch team, which includes Harry, are set to train, but are told that the pitch has been reserved for Slytherin’s team so they can train their new Seeker, Draco. Harry, Ron and Hermione learn that Draco’s place on the team seems to have something to do with his father buying the whole team new Nimbus 2001 brooms. Hermione states that this is the only reason he is on the team, to which Draco responds by calling her a “filthy little Mudblood”. Ron tries to react like the hero he is by cursing Draco to “eat slugs”, but the curse rebounds onto him, due to the fact Ron’s wand is broken. Ron then proceeds to spit up slugs, so Harry and Hermione take him to Hagrid for help. Hagrid has no cure for the spell and says it must run its course, asking what prompted Ron to cast it in the first place. Hermione tells Hagrid what happened, and he is equally shocked by what Draco said. Harry has no clue what the term “Mudblood” means, so Hermione explains. “Mudblood” is a derogatory term used by some for witches or wizards who have non-magical parents, like Hermione. Hagrid says that Pure-bloods are no longer the majority in the Wizarding World, with many witches and wizards being “Half-blood”, so one magical parent, or less. He tells Hermione not to think about it anymore, as her magical ability speaks for itself.

That evening, Harry spends his detention answering fan mail for Lockhart in his office. Harry starts to hear voices as the evening wears on. Lockhart tells Harry he must just be getting tired and tells Harry to go back to his dorm. In the corridor though, the voice returns. He then comes face-to-face with Hermione and Ron, asking if they heard a voice. They didn’t. They come across a flooded corridor and Filch’s cat seemingly frozen in fear. They see spiders moving in a line outside, and then discover writing on the wall, written in blood: “The Chamber of Secrets has been opened. Enemies of the heir, beware.” Many other students and teachers arrive at this corridor and are equally shocked. Filch sees his cat, and, believing she’s dead, blames Harry for it, as he was at the centre of the scene. Dumbledore arrives and tells all the students to go to their dormitories, except for Harry, Ron, and Hermione. Dumbledore and the other teachers quickly dismiss them as being involved, especially as Harry has an alibi for the evening. They calm Filch down by saying his cat has been petrified and that they can cure her once the new mandrakes are grown.

In Transfiguration Class with Professor McGonagall, no-one can concentrate on the lesson so Hermione asks McGonagall to tell them what the Chamber of Secrets is. She recounts the story of Hogwarts’ founding, saying that four wizards founded the school over 1,000 years ago: Godric Gryffindor, Helga Hufflepuff, Rowena Ravenclaw, and Salazar Slytherin. Slytherin believed that only some witches and wizards should be able to study magic, i.e., those who have all-magical ancestry. The other three did not agree with him, so he left the school. But there were rumours that he had built a chamber in the school, known as the Chamber of Secrets, sealing it until his heir arrived at the school. The chamber is said to be home to a monster, who would prey on those Salazar Slytherin felt were unworthy to study magic. The school has been searched many times, but the chamber has never been found. After class, Ron, Harry and Hermione discuss who the heir of Slytherin might be, with the boys heavily suspecting it is Draco Malfoy. Hermione has a plan so they can be sure. She finds a recipe for Polyjuice Potion which will allow the three to turn into members of Slytherin House so they can question Draco about it, but it will take one month to brew.

Soon, it is time for Quidditch, with Harry and Draco going up against each other for the first time as Seekers. During the game, it becomes clear that a Bludger has been cursed as it starts to follow Harry. As Harry and Draco battle to find the Snitch to end the game and win it for their team, the Bludger follows Harry, even as the two go underneath the stands in search of the Snitch. At one point, Draco’s broom catches on a wooden slat, and he falls in a heap in the middle of the pitch. Harry continues on, finding the Snitch and winning the game, however, the Bludger continues to follow him, until Hermione magically destroys it. But the Bludger did hit Harry’s arm, breaking it. Lockhart comes over and tries to fix his arm, but instead, he casts a spell making Harry’s bones disappear. Gross. Harry is taken to the hospital wing, where Madame Pomfrey administers a potion to get Harry’s bones to grow again. Overnight, Harry is visited by Dobby again, who tells Harry that he cursed the Bludger wanting Harry to return home, saying things are going to get worse at Hogwarts. Harry ignores Dobby, and they are interrupted anyway, by the arrival of another petrified victim, Colin Creevey. The teachers are rightly concerned, especially as Colin’s camera has been destroyed so that he has no picture of the attacker and person responsible.

In light of these events, Harry, Ron, and Hermione try to speed up their Polyjuice Potion, which they brew in the middle of an abandoned girls’ toilets. The reason it is abandoned is because a miserable ghost called Moaning Myrtle resides there. As well as this, Lockhart and Snape decided to set up a Duelling Club to help teach the students how to deal with potential threats. Harry and Draco are put together as the first pair to duel, but they each choose to simply hurt each other as much as possible with their first spells. Draco then decides to conjure a snake in the middle of the room. Snape goes to remove it, however, Harry starts talking to it, as the snake looks set to attack student Justin. The room are astonished by what they are seeing, and Snape finally destroys the snake. Justin accuses Harry of getting the snake to attack him, and Hermione and Ron wonder why he never told them he is a “Parselmouth”, someone who can communicate with snakes. Harry says he didn’t know. Harry learns that Salazar Slytherin had the same talent, and Slytherin’s crest is a snake, so now everyone believes Harry to be the heir of Slytherin.

During study time, Harry walks out of the room, after being whispered about and stared at. He then hears that voice again, and comes across a petrified Justin and a frozen Nearly Headless Nick. Once again, he is found there by Filch who gets McGonagall. McGonagall sends him to Dumbledore’s office. There, Harry asks the Sorting Hat if he put him in the right house, given what he has learnt about his connections to Salazar Slytherin. The Sorting Hat says he could’ve been great in Slytherin, but Harry rejects that. He then comes across Dumbledore’s phoenix, which suddenly bursts into flames. Dumbledore comes in at that exact moment, making Harry plead his innocence. Dumbledore explains the phoenix is Fawkes, and he was old so his death was not unexpected. The two then watch as a new phoenix is reborn from the ashes. Hagrid arrives into the office, saying Harry has nothing to do with all these incidents. Dumbledore says he already knows that, asking Harry if he has anything to tell him though. Harry says nothing.

Later on, the Polyjuice Potion is finally ready. Hermione tells Ron and Harry to give two cupcakes to Draco’s friends Crabbe and Goyle. The cupcakes have a sleeping potion in them, so it will knock them out. Once this happens, Ron and Harry take their robes and some of their hairs. Hermione tells them to put the hairs in the potion – she has done the same with a female Slytherin student – and they drink up. The potion is disgusting, but it does transform Harry and Ron into Crabbe and Goyle. Hermione tells the two to go ahead without her. They arrive at Slytherin’s common room and are almost caught out by seeing Ron’s brother Percy there. Draco comes to their rescue, and arrogantly leads them away from Prefect Percy. Ron and Harry begin their questioning, and Draco reiterates that he doesn’t know who the heir of Slytherin, only that it isn’t him. His father wouldn’t tell him much either, only that the last time the chamber was opened a Muggle-born student died. Draco hopes it will be Hermione who dies this time. With that, Ron is about to lash out at Draco, but the pair discover that the spell is wearing off and they rush out of there, back to Hermione. They see that Hermione has accidentally turned herself into a cat, after the hairs she took were actually cat hairs. She is sent to the hospital wing to recover.

The next day, Harry and Ron see the corridor by Moaning Myrtle’s bathroom has flooded so they investigate. Myrtle thinks Harry threw a book at her, but he denies that. Harry sees the book lying on the ground and retrieves it. That evening, he opens up the diary but finds it is blank inside. He learns it belonged to someone called Tom Marvolo Riddle. Harry starts to write in the book, and begins a conversation with someone inside the diary, seemingly Tom Riddle. He asks for information about the Chamber of Secrets, and is transported back fifty years to Hogwarts. Here, Harry watches as a young female student is carried out of Hogwarts and confirmed dead. Tom Riddle approaches Dumbledore, and questions whether Hogwarts will be closed. He says it will be unless the attacker is found. Not wanting to leave Hogwarts, Tom tries to find the attacker, accusing Hagrid and his huge pet spider of killing the girl. The spider runs out of the castle and Hagrid is expelled. Harry is transported back to the common room, telling Hermione and Ron what he has learnt.

They plan to question Hagrid about it, when Neville rushes up to Harry saying someone has ransacked their dormitory. Harry sees that Tom Riddle’s diary has gone, so that must’ve been what the intruder was looking for. Harry then goes to play Quidditch but McGonagall says the game has been cancelled. She takes Harry and Ron to the hospital wing, where they discover that Hermione is the latest person to be petrified. From this point, new rules are brought in for the students, like a 6pm curfew and the need to be escorted to and from lessons. Harry and Ron have to speak to Hagrid though so take his invisibility cloak and go to him. Hagrid is very jumpy that evening, and before they can ask him anything, the Minister of Magic, Cornelius Fudge, arrives to take Hagrid to the prison Azkaban, believing him to be involved in these attacks. Lucius Malfoy also turns up, stating that he has got all the school governors to back his call to relieve Dumbledore of his duties. Dumbledore walks away willingly, but Hagrid believes there will be killings next if he goes. Hagrid then states that if someone needs help, they should follow the spiders.

Once alone, Harry and Ron take Hagrid’s dog Fang and head into the Dark Forest, following the spiders. They come to a clearing where a huge monstrous spider appears to them. He is called Aragog and explains that he did not kill that girl 50 years ago and that Hagrid was innocent. Spiders actually fear the monster in the chamber. Aragog also says that the girl who was killed died in a bathroom, giving them some clues. However, Aragog doesn’t plan on letting them escape as he has children to feed, and they have surrounded Harry and Ron. As it looks like they’ll be attacked, the Ford Anglia appears to them, and drives them out of the forest and away from the spiders. They are taken back to Hagrid’s hut.

Ron and Harry return to the hospital to visit Hermione, where Harry finds a piece of paper in her hand about the Basilisk, a huge snake-like creature. They believe this must be the monster in the chamber, and that it tallies with what Aragog said. Hermione also worked out that the Basilisk must be travelling in the pipes and that anyone who looks at it will instantly die. Harry and Ron go over all the victims and learn that Mrs. Norris the cat didn’t die because she looked into the water on the floor; Colin saw the Basilisk through his camera; Justin must’ve seen it through Nearly Headless Nick; and Hermione was looking around corners with a mirror in case she saw it. Ron and Harry then figure out that Moaning Myrtle must be the girl who died in the bathroom all those years ago. Suddenly, there is an announcement calling the teachers to the corridor where another message has been left. Ron and Harry hide so they can listen in. McGonagall says a student has been taken by the monster into the chamber, with the message simply reading: “Her skeleton will lie in the chamber forever”. Lockhart arrives late, and is tasked with retrieving the student as he claims to know where the chamber is. He goes to his office to get ready. McGonagall reveals that Ginny Weasley was the one taken.

Ron and Harry go to Lockhart’s office to tell him what they know, but they discover him packing. He admits that he is a fraud and hasn’t done anything he said he’d done in his books, instead stealing from other wizards and then wiping their memories. He plans to do the same to Ron and Harry but they point their wands at him first. He goes along with them to the girl’s bathroom so they can ask Moaning Myrtle how she died. She said she saw a pair of yellow eyes by one of the sinks, and just died. Harry sees snake carvings on the sink and believes it is the entrance to the chamber. He says something in Parseltongue, snake language, and it opens. They send Lockhart down the drop first, and then they follow, arriving into the chamber, which is filthy and covered in bones and snake skin. Lockhart pretends to faint at the sight of it, using the opportunity to steal Ron’s wand. He tries to wipe their memories, but the spell backfires because Ron’s wand is still broken, slamming him into the wall of the chamber. This causes a rockslide, separating Ron and Harry. Ron finds that Lockhart wiped his own memory. Harry tells Ron to clear a way out, and he’ll find Ginny.

Going deeper into the chamber, Harry finds a lifeless Ginny on the ground. Someone approaches him. The older boy reveals himself to be Tom Riddle. He says he was a memory preserved in his diary but as Ginny grows weaker, he grows stronger, and will no longer be a memory. He takes Harry’s wand, and reveals that he was behind the Basilisk attacks and the writings on the wall, putting Ginny into a trance with the help of the diary to get her to do all that for him. Ginny was the one to try and dispose of the diary in the bathroom, leading Harry to find it, and later stole it back. Harry wonders why Tom would want to do all this. Tom says his target has actually been Harry because Tom Riddle is Voldemort. The letters of his full name actually spell out “I Am Lord Voldemort”, showing Riddle’s true talent for anagrams. Voldemort claims to be the greatest sorcerer in the world, but Harry says that accolade goes to Dumbledore. With that, Fawkes the Phoenix arrives with the Sorting Hat. Tom laughs at the gift and calls for the Basilisk to attack Harry. It chases him through the chamber, with Fawkes pecking out the creature’s eyes so looking at it will no longer be a threat. Harry outmanoeuvres the Basilisk momentarily and returns to Ginny, trying to work out what to do. The Basilisk returns and as it does, Harry finds a sword has appeared in the Sorting Hat. He takes the sword and runs up onto a large sculpture. He stabs the Basilisk through the head, killing it, but not before the Basilisk bites him, sending its venom rushing through Harry.

Harry returns to Ginny and is told by Tom that he’ll die in minutes and there is no hope. Harry then takes the Basilisk fang and stabs the fang into the diary. With each stab, Tom Riddle starts to break apart, until he disappears. Ginny suddenly awakens. She sees Harry is hurt. Harry tells Ginny to go through the chamber and find Ron. At that, Fawkes returns. Fawkes then releases tears onto Harry’s arm, making Harry remember that phoenixes have healing powers. He recovers and Fawkes flies them all back to Hogwarts.

Ron and Harry find themselves in Dumbledore’s office, where they are reprimanded for their breaking of multiple school rules but are given special awards for services to the school. Ron is told to get an owl to fly Hagrid’s release papers to Azkaban, and Harry speaks to Dumbledore more about Voldemort. Dumbledore says that when Voldemort gave Harry his scar, he inadvertently passed over some of his powers, like speaking to snakes, but that Harry must be a Gryffindor as he was able to pull the Sword of Gryffindor from the Sorting Hat, and clearly showed loyalty to Dumbledore to have Fawkes come to him. Lucius Malfoy then arrives to find Dumbledore reinstated. Dumbledore says that many of the governors believed Malfoy would curse their families if they did not agree to let Dumbledore go. Malfoy rejects that. Malfoy asks if the perpetrator has been caught, so Dumbledore reveals all about Tom Riddle and the diary. Malfoy sarcastically congratulates Harry Potter on saving the day.

Harry asks Dumbledore for the destroyed diary and follows Malfoy out of the school. He forces Malfoy to take the diary, as Harry believes Malfoy put it into Ginny’s cauldron on that day at Flourish and Blotts before school. Malfoy refuses to admit to that, handing the diary over to Dobby, his House-elf. Harry gets Dobby to open it, and he sees a sock inside. Dobby says his master has presented him with clothes so he can be a free elf. Lucius sees Harry has tricked him into losing his servant and goes to attack him, but Dobby stops him. Harry thanks Dobby for his help, but tells him to stop trying to save his life from now on!

Later, the school is set up for dinner, and all the petrified students return, including Hermione, much to Ron and Harry’s delight. Dumbledore announces that all school exams have been cancelled given the upheaval everyone experienced this year. Hagrid then arrives, having been released from Azkaban. He thanks Ron, Harry, and Hermione for clearing his name. Harry tells Hagrid Hogwarts wouldn’t be the same without him. The students and teachers break into a round of applause, as Hagrid is embraced by everyone.

In a post-credits scene, we are taken back to Flourish and Blotts, where we see a new book on display. Titled “Who Am I?”, it is a new novel from Gilderoy Lockhart, who is seen on the cover of this book in a straitjacket, as he gets to grips with his memory loss. 

CHARACTERS & CAST

Harry Potter and the Chamber of Secrets sees a return for many characters and actors from Harry Potter and the Philosopher’s Stone, whilst also introducing a selection of new ones, like The Weasleys, who were introduced in Harry Potter and the Philosopher’s Stone, however, many of them were only briefly mentioned. In Harry Potter and the Chamber of Secrets, we get to see more of their family life, and meet Mr. Weasley for the first time.

Molly Weasley was in the first movie; however, here, Molly is clearly shown to be the strong matriarch of the family, putting her foot down with her unruly sons. Molly is also a loving mother, which is obvious from how she dotes on her children, making sure they have everything they need for school and ensuring their home of The Burrow is kept cosy, as well as caring for Harry whenever he is around, given his difficult family situation in the Muggle World. Molly’s character only becomes more integral to the series as the movies continue.

Dame Julie Walters was cast as Molly Weasley. Walters’ film debut came with her role as Rita White in Educating Rita (1983), acting alongside Michael Caine in this film. From then on, she has had a variety of roles on screen, including being cast as Mrs. Wilkinson in Billy Elliot (2000); as Annie in Calendar Girls (2003); as Rosie in Mamma Mia! (2008) and its 2018 sequel; and as Mrs. Bird in the Paddington film series. Walters has also had some history in voice acting for animation, such as voicing The Witch in Pixar’s Brave (2012) and Ms. Montague in Gnomeo and Juliet (2011), reprising her role for its sequel Sherlock Gnomes (2018). She is also known on British TV for working alongside comedian Victoria Wood, for example, starring in sitcom dinnerladies (1998-2000) as Petula, amongst others.

The father of the Weasley family is Arthur Weasley, who works in the Ministry of Magic, specifically in the Misuse of Muggle Artifacts Office. The flying Ford Anglia car they own is therefore technically illegal, which is why he faces an inquiry at work after Ron and Harry drive the car to Hogwarts, being spotted by numerous non-magical people. Arthur is less of a strict parental figure, as Molly seems to have that pretty much covered, but he clearly adores his children, and is proud of his family, despite their lesser economic status. He stands up for his family in front of the pretentious Malfoys, who believe themselves to better than the Weasleys due to their Pure-blood status and perceived wealth. Like Molly, Arthur also goes on to be an important part of the fight between good and evil later on.

Mark Williams was cast as Arthur Weasley. He had previously been cast as Horace in the live-action adaptation 101 Dalmatians (1996), based on Disney’s animated 1961 film, and as Exterminator Jeff in The Borrowers (1997). He later appeared as Wabash in the Oscar-winning movie Shakespeare in Love (1998). In more recent years, Williams has voiced the character of Barry in Aardman Animation’s Early Man (2018) and currently stars as the title character in the long-running BBC series Father Brown (2013-present). He also played Sir John Middleton in the 2008 miniseries Sense and Sensibility, also for the BBC.

We also get to see more of the other Weasley children, outside of Ron, in Harry Potter and the Chamber of Secrets. Ron’s older brother Percy, a school prefect, is seen a few times in the second movie, with Ravenclaw Penelope Clearwater, his secret girlfriend, and is spotted by Harry and Ron by Slytherin’s Common Room, after they have been transformed into Crabbe and Goyle. Chris Rankin was cast as Percy. After appearing in the majority of the Harry Potter films, Rankin went on to be an assistant production coordinator on series like Downton Abbey (2010-15) and Atlantis (2013-15), and is currently the Chair and Lead Producer at the Brecon Little Theatre in mid-Wales[1].

Twins Fred and George are the next brothers in age order. Fred and George are still part of the Gryffindor Quidditch team as they were in the first film, continuing to be seen in these sequences. They don’t have a huge amount to do with the story of Harry Potter and the Chamber of Secrets, but their mischievous nature is briefly glimpsed in this film, before being made more obvious in the later films. Fred and George were played by James and Oliver Phelps. After appearing in all of the Harry Potter films, the duo went on to be cast as Brian Carter and Barry Carter in the TV movie Danny and the Human Zoo (2015) written by comedian Lenny Henry, and made a cameo appearance together in Last Night in Soho (2021). Recently, the twins have hosted the travel series Fantastic Friends (2022) and the cooking competition series Harry Potter: Wizards of Baking (2024-present).

The other Weasley sibling to mention is Ginny Weasley, the youngest of the Weasley children and the only girl. In Harry Potter and the Chamber of Secrets, Ginny starts her First Year at Hogwarts, being placed in Gryffindor House with her brothers. It would be expected that Ginny’s year at school would be pretty quiet, but no; Ginny gets to be highly involved in the problems that occur at Hogwarts. Ginny inadvertently was given a piece of dark magic by Lucius Malfoy in Diagon Alley. She has no idea what the diary is doing to her, and doesn’t realise the trouble she is in until it’s too late and she is being used as a sacrifice so that Voldemort can live again. Luckily for Ginny, Harry was on hand to rescue her from almost-death. Ginny continues to play a role in the story in the later films. Bonnie Wright was cast as Ginny. After her time on the Harry Potter series, Wright went on to be cast as Rose in the independent film The Sea (2013) and as Georgina in the film After the Dark (2013). She also wrote and directed the film Separate We Come, Separate We Go. Recently, Wright has focused on activism, being involved with Greenpeace and the Rainforest Alliance. She published the book Go Gently: Actionable Steps to Nurture Yourself and the Planet in 2022. 

Gilderoy Lockhart becomes the second Defence Against the Dark Arts teacher at Hogwarts, after Professor Quirrell “crumbled” in the first film. He is seen to be both exceptionally charming, with his blond hair and bright smile, and arrogant, believing his own self-importance due to his success as an author, and accomplishments as a wizard. However, it soon becomes obvious to everyone that Lockhart actually has very little magical skill, not being able to do the simplest of spells and shying away from his teacherly responsibilities whenever the pressure gets too much. Lockhart reveals himself to be a total fraud near the end of the story, admitting to using memory charms to steal other witches’ and wizards’ life stories and pass them off as his own. When he tries to do the same to Ron and Harry so he can twist the story of finding the chamber, probably for a new book, he fails to account for the fact Ron’s wand is severely damaged and ends up wiping his own memory. He still gets a book out of the situation so I guess it’s a small victory for Lockhart!

Sir Kenneth Branagh was cast as Lockhart. Branagh is well-known for being a great Shakespearean actor, both on stage and screen, having both directed and starred in numerous film adaptations of Shakespeare plays, such as Henry V (1989) and Hamlet (1996), both nominated at the Academy Awards: for Best Director and Best Actor for Henry V, winning for Best Direction at the BAFTAs; and for Best Adapted Screenplay for Hamlet. He also directed Belfast (2021), which won the Academy Award and Golden Globe for Best Original Screenplay, and won the BAFTA for Outstanding British Film. Branagh has also appeared in various other roles. For example, he has recently portrayed Hercule Poirot in a series of movies based on Agatha Christie’s novels, also directing the movies, starting with Murder on the Orient Express (2017), and was cast as Niels Bohr in Oppenheimer (2023). On the more comedic side, Branagh was cast as Sir Alistair Dormandy in the comedy-drama The Boat That Rocked (2009) and voiced Miguel in DreamWorks Animation’s The Road to El Dorado (2000). Branagh is set to appear in The Devil Wears Prada 2 (2026).

However, before Branagh was cast as Lockhart, there were multiple other famous actors who were also considered. Jude Law, who went on to be cast as a young Dumbledore in the Fantastic Beasts series of films, was apparently seen for the part of Lockhart, before being deemed to be too young for the role. Alan Cumming and Rupert Everett were also both offered screen tests for the part, although after discovering a pay discrepancy between himself and Everett, Cumming refused to take any further part in the process[2]. Later, it was reported that Hugh Grant was first offered the part, before having to drop out due to scheduling difficulties, filming the rom-com Two Weeks Notice (2002) with Sandra Bullock. Branagh was confirmed in the role in October 2001[3]. Although I am a fan of all of these actors, I think that Branagh was perfectly cast as Gilderoy Lockhart. Branagh even won the London Film Critics Circle Award for Best Supporting Actor of the Year for this role.

Another major new character introduced in Harry Potter and the Chamber of Secrets was Draco’s father, Lucius Malfoy. He is tall, menacing, and more than just a little bit evil. Lucius is tough on his son and has brought him up to believe that families of Pure-bloods are exceptional, whereas anyone who is not is lesser than them. We get to see why Draco is the snobby, arrogant child he is by meeting Lucius. Lucius is shown to have a fascination with Voldemort, after he looks at Harry’s scar, plus he has Tom Riddle’s diary in his possession. This movie only gives a brief incite into Lucius, with his true villainy still to be revealed.

Jason Isaacs was cast as Lucius Malfoy, in another perfect casting in my opinion. Strangely enough, Isaacs had originally auditioned for the part of Lockhart. He was annoyed to find he hadn’t got the part, and to make it even worse, he was asked to read for Lucius Malfoy. Isaacs’ reasoning for not wanting to play Lucius was that he was already set to play Captain Hook in the 2003 film Peter Pan and didn’t want to play two villains back-to-back, but his family encouraged him to take the part, and now, he is so glad he did[4]. Lucius is one of my favourite Harry Potter characters, so I’m glad he did too, and by being Lucius and not Gilderoy Lockhart, we got to see Isaacs in multiple films, not just one. Prior to his work on Harry Potter, Jason Isaacs was known for such roles as Ronald Quincy inArmageddon (1998); as Colonel William Tavington in The Patriot (2000); and as Captain Mike Steele in Black Hawk Down (2001). After Harry Potter, Isaacs went on to be cast as George Zhukov in The Death of Stalin (2017); John Godfrey in Operation Mincemeat (2021); Archie inMrs. Harris Goes to Paris (2022); and Moth Winn in the now-controversial movie The Salt Path (2024). In television, Isaacs recently portrayed Cary Grant in the miniseries Archie (2023) and played Timothy Ratliff in Season 3 of The White Lotus (2021-present).

As for Draco Malfoy, and his sidekicks Vincent Crabbe and Gregory Goyle, we did meet them in Harry Potter and the Philosopher’s Stone, shown to be the main enemies of Harry, Ron, and Hermione. In Harry Potter and the Chamber of Secrets, they are part of the action for longer, as they are central to the three friends figuring out who the heir to Slytherin is. They suspect it is Draco as he spends much of the movie spouting out beliefs about how non-magical students aren’t worthy and are lesser than him, even going so far as to call them “Mudbloods” and hoping Hermione will be one who dies from the release of the Chamber of Secrets’ monster. With Harry and Ron transformed into Crabbe and Goyle, they try to get Draco to confirm he is the heir, but he turns out not to be, making the three Slytherins no longer useful to Harry, Ron and Hermione’s sleuthing. However, Draco later becomes a major part of the story in later films.

Tom Felton was cast as Draco Malfoy. Unlike many of the other child actors though, Harry Potter was not his first film role. Felton had previously been cast as Peagreen in The Borrowers (1997) and as Louis T. Leonowens in Anna and the King (1999), which starred Jodie Foster. After Harry Potter, Felton went on to play Dodge Landon in Rise of the Planet of the Apes (2011); James Ashford in Belle (2013); and Rufus Lancaster in A United Kingdom (2016). Recently, Felton was cast as Richard Goodridge in Save the Cinema (2022) before going on to star as Sam in 2:22 A Ghost Story on the West End in 2022. His stage work has continued by reprising his role as Draco Malfoy in the Broadway production of Harry Potter and the Cursed Child, with his run going from November 2025 to May 2026. He also published his autobiography Beyond the Wand in 2022.

Goyle was played by Josh Herdman. He appeared in all of the Harry Potter films, and was cast as Ben in the CBBC series UGetMe (2003-05), going on to be cast in the recurring role of Eric Davidson in Season 2 of the ITV series Marcella (2016-21). In 2016, he started a career as an MMA fighter. Crabbe was played by Jamie Waylett, only appearing in the first six films, as he was not asked to return for the final two due to legal troubles.

Continuing with the dark wizards, although we saw Voldemort in Harry Potter and the Philosopher’s Stone, attached to Quirrell’s head, in Harry Potter and the Chamber of Secrets, he got to appear in almost-human form, as his sixteen-year-old self, Tom Riddle. Tom Riddle is confirmed to be the heir of Slytherin, having opening the chamber when he was at Hogwarts fifty years before, instructing the Basilisk to kill Myrtle, as he set about continuing Salazar Slytherin’s task of ridding the school of any students with non-magical parents. However, on his return, although the Basilisk petrifies multiple students, Tom confirms his real target was actually Harry Potter, wanting to finally kill him, after his failed attempt over a decade before, and return to life. But Harry being Harry doesn’t let that happen, and manages to stop him, by destroying the diary with a Basilisk fang, which makes the memory of Tom Riddle disappear forever, saving Ginny in the process.

Christian Coulson was cast as Tom Riddle. He was actually 23 at the time, despite portraying a sixteen-year-old. Prior to Harry Potter and the Chamber of Secrets, Coulson was cast as Ben Stemson in The Worst Witch spin-off series Weirdsister College (2001-02). He went on to be cast in the recurring role of Sebastian in the series Mozart in the Jungle (2014-18) and as Ian in Love Is Strange (2014). Many well-known actors also auditioned to play Tom Riddle, including Eddie Redmayne, who went on to be cast as Newt Scamander in the Fantastic Beasts series, and James McAvoy.

Along with these characters, we met a few new teachers. One of these was Professor Sprout, who teaches Herbology at Hogwarts. Here, she teaches Harry and his friends about mandrakes and their importance of curing those who have been petrified. It’s lucky they potted those mandrakes on the first day of the year because they were certainly needed! Miriam Margolyes was cast as Professor Sprout, who returns only for the final Harry Potter film. She had previously appeared as The Nurse in Baz Luhrmann’s Romeo + Juliet (1996) and was cast as Aunt Sponge and Mrs. Glowworm in James and the Giant Peach (1998). She had also earlier portrayed Queen Victoria in the festive special Blackadder’s Christmas Carol (1988). Recently, Margolyes has appeared on our screens in a variety of travel shows, such as Miriam and Alan: Lost in Scotland (2021-22) with Alan Cumming; Miriam Margolyes: A New Australian Adventure (2024) and Miriam Margolyes Discovers New Zealand (2025). Margolyes has also voiced characters for animated movies, including The Matchmaker in Disney’s Mulan (1998) and Queen Oofeefa in Aardman’s Early Man.

We also spend quite a bit of time in the movie in Hogwarts’ hospital wing with Madame Pomfrey the school nurse. She has to nurse Harry back to health, after Lockhart makes all the bones in his broken arm disappear, and later has to care for the petrified students, starting with Colin Creevey who comes to the hospital in the middle of the night. Madame Pomfrey was played by Gemma Jones. Jones has had a variety of screen roles, including period dramas, such as her roles as Mrs. Dashwood in Sense and Sensibility (1995) and Lady Queensberry in Wilde (1997) with Stephen Fry portraying Oscar Wilde. Jones is also known for her role as Pamela Jones, Bridget’s mother, in the Bridget Jones film series. She was later cast in the recurring role of Connie James in Spooks (2002-11), and as Ivy, Elton’s grandmother, in Rocketman (2019). More recently, Jones played Rose Wright in the British drama series I, Jack Wright (2025-present). She reprised her role as Madame Pomfrey for the sixth and final Harry Potter films.

The Minister of Magic, Cornelius Fudge, makes his first appearance in Harry Potter and the Chamber of Secrets too. In the film, he shows up at Hagrid’s hut and takes him away to Azkaban, believing him to be behind the spate of attacks at Hogwarts, since Hagrid was made to take the blame for them fifty years before. Fudge doesn’t seem to listen to reason from others and follows his instincts blindly, without looking for concrete evidence. This makes him seem a tough figure, but his stubbornness proves to be a problem for him later on in the story. Fudge was played by Robert Hardy. Before Harry Potter, Hardy was cast as Sir John Middleton in Sense and Sensibility (1995) and as Lord Caversham in An Ideal Husband (1998). He went on to appear as Tite Barnacle in the BBC miniseries Little Dorrit (2008), with Claire Foy in the title role. Hardy reprised his role as Fudge in the following films, up to Harry Potter and the Order of the Phoenix (2007). Hardy died in 2017.

A few new students are brought in to the story for this second film too. One is Colin Creevey, an excitable First Year student, who is a big fan of Harry Potter’s and an avid photographer. He even manages to capture some action shots of the Gryffindor vs. Slytherin Quidditch match, almost getting hit by the rogue Bludger in the process! Colin sadly succumbs to the Basilisk, becoming the first human victim to be petrified. Thanks to his camera, Colin doesn’t look the Basilisk in the eye and survives the attack, being revived by the Mandrake potion by the end of the film, alongside the other victims. Hugh Mitchell was cast as Colin. He played Young Nicholas Nickleby in the 2002 film Nicholas Nickleby around this time, going on to be cast as Young Silas in The Da Vinci Code (2006) and later playing Richard Welles in the BBC series The White Queen (2013).

 Justin Finch-Fletchley, a Hufflepuff student, is the second victim to be petrified. He previously met Harry at the Duelling Club, set up by Lockhart and Snape, however, he finds himself potentially about to be the victim of cobra attack during it, and blames Harry for it. Harry starts speaking to the snake in Parseltongue, but as nobody knows what he is saying, it appears that Harry is trying to get the snake to attack Justin, making him feared after that. Justin is then discovered by Harry to be petrified just a little while later, furthering cementing the case that Harry is behind the attacks, despite not being. Like Colin, Justin is “un-petrified” by the end of the film and able to go about his life. Justin was played by Edward Randell who now seems to be a freelance journalist, having only made an appearance in this second Harry Potter film.

Moaning Myrtle, although a ghost, is also a new student character. Myrtle resides in a girls’ lavatory, which is rarely ever used because she is so miserable, resenting her early death, although she also seems to like to wallow in her self-pity as well! Basically, she can make the students feel uncomfortable so they tend to avoid her. Hermione chooses this bathroom to brew their Polyjuice potion in for this very reason, so it can remain a secret. Myrtle turns out to be the key to figuring out where the entrance to the chamber is, as it is discovered she was the first fatality from the Basilisk, after the chamber was first opened fifty years before. With the information about her death, Myrtle reveals the location of the entrance, helping Ron and Harry to rescue Ginny. She also kindly offers Harry the opportunity to share her toiler as a ghost should he die down there. Nice!

Shirley Henderson, despite being in her 30s by the time this film was made, was cast as Moaning Myrtle, likely because of the versatility of her voice, bringing a real whine to Myrtle’s lines. Early in her career, Henderson was cast as Isobel Sutherland in the mystery series Hamish Macbeth (1995-97), which saw Robert Carlyle in the title role. She also appeared as Gail in Trainspotting (1996) and its 2017 sequel. Other film roles of hers include Jude in the Bridget Jones film series; Lucille Hardy in Stan & Ollie (2018); and Agatha Christie in See How They Run (2022). On television, Henderson was cast recently, as Annie in the series Summerwater (2025) and in the recurring role of Claire Marsh in Dept. Q (2025-present) for Netflix. In voice acting, Henderson voiced the character Ooooo in Pixar’s Elio (2025) and Babu Frik in Star Wars: The Rise of Skywalker (2021). Henderson reprised her role as Moaning Myrtle only in Harry Potter and the Goblet of Fire (2005).

MUSIC

Legendary composer John Williams, who had created a beautiful, magical score to accompany Harry Potter and the Philosopher’s Stone, returned to compose the score for Harry Potter and the Chamber of Secrets. Williams is known for composing music for such movie franchises as Indiana Jones, Star Wars, and Jurassic Park, winning numerous awards, including Grammys and Academy Awards, during his career.

This meant that the music of both Harry Potter movies feels quite similar, with some themes returning, such as the iconic “Hedwig’s Theme”, which features in the introductory scene of Harry Potter and the Chamber of Secrets, with the title card.

I particularly like the track “Fawkes the Phoenix”, which can be heard as Harry, Ron, Ginny, and Lockhart make their way out of the chamber with Fawkes’ help. It is triumphant, showing they succeeded in their fight against evil. I also like the final track in the film, played when Hermione returns to the Great Hall after recovering from being petrified, and as Hagrid makes his grand return to Hogwarts after being released from Azkaban. This track is “Reunion of Friends”. As an adult, I always cry at this final scene, and the music is a huge part of what makes that scene so beautiful.

There are darker elements to the story in this second film, so naturally, these needed to be reflected in the score too. One piece of music that shows this is “The Spiders”, playing as Harry and Ron run from the spiders in the Dark Forest. The opening sounds of this track sound just like spiders spiralling down on their webs, making all arachnophobes’ skin crawl. “Meeting Aragog” has similar elements. “Meeting Tom Riddle”, for when Harry first sees Riddle in the chamber, is equally spooky, whilst also being mysterious as we wonder who this boy is, and where he came from. After that, we have Harry’s fight against the Basilisk. The track “Dueling the Basilisk” accompanies this sequence, making for a thrilling final battle for the film, one filled with peril and life-threatening danger.

As with the first film, Williams was once again recognised for his work on the music for Harry Potter and the Chamber of Secrets, although not at the Academy Awards as he had been for the first film. He was nominated again at the Grammys though, for Best Score Soundtrack Album for a Motion Picture, Television or Other Visual Media. Once again, Williams lost to Howard Shore’s score for The Lord of the Rings: The Two Towers. But Williams did beat out Shore for the Critics’ Choice Award for Best Composer, which was not only for his work on Harry Potter and the Chamber of Secrets, but also for the Steven Spielberg-directed films Minority Report and Catch Me If You Can, also released in 2002. Williams was also recognised at the BMI Film Music Awards for his work on movie soundtracks that year, which including the three already mentioned, plus Star Wars: Episode II – Attack of the Clones.

PRODUCTION

Harry Potter and the Philosopher’s Stone had opened in theatres on 16th November 2001, but there was no time for the cast and crew to celebrate as production on the second film, Harry Potter and the Chamber of Secrets, began just a few days later.

The total shoot for the second Harry Potter movie was apparently slightly less time than the first, at around nine or ten months, but this is still a significant amount of time, and not unexpected given the length of the movie’s runtime, the numerous impressive, vast sets, and the number of characters, and therefore actors, and locations required for filming.

Christopher Columbus was back to direct the second film, after directing the first, having been a popular director particularly with the young cast, who had had a great time filming Harry Potter and the Philosopher’s Stone. Steve Kloves also returned to write the screenplay, adapting it from J.K. Rowling’s original novel, having done the same for the first.

Kloves admitted that it was difficult adapting these novels, because, since the whole series had not yet been written and published, although Rowling had a clear idea of the complete narrative, he had to check with Rowling if his screenplay was going in the right direction, so as not to allow something to be contradicted in a later film, or so something important was not omitted. In the case of Harry Potter and the Chamber of Secrets, Kloves said one part of the story in particular would come back later in series, so he had to pepper in just enough clues to allow this to make sense later without giving the game away in this film. I would assume that this story element was the importance of Tom Riddle’s diary.  Rowling was particularly impressed with how the ominousness of Tom Riddle’s diary was portrayed in the film, as it is a creepy and scary concept to have someone write back to you in something as private as a diary, something many young girls turn to when wanting to express their innermost thoughts and feelings.

An element that ripples throughout the Harry Potter series is the message about racism, or classism, with the Pure-bloods against everyone else, i.e., Half-bloods or Muggle-borns. This is first introduced in Harry Potter and the Chamber of Secrets, specifically differentiating Draco Malfoy and his family from the others because the Malfoys are Pure-bloods, whereas even Harry Potter is a Half-blood, because his mother was Muggle-born. The Weasleys are technically Pure-bloods, but they don’t believe themselves to be better than anyone else. This idea is a huge part of this second film and novel, with the Basilisk’s main purpose being to purge Hogwarts of Muggle-born students, but the idea comes back throughout the series. Kloves felt this theme was very important and had been perhaps more present in his first draft of the script, before having to condense it for the final film script, so the idea is quite different from the book in some aspects[5].

Although it has been noted just how faithful the first two Harry Potter movies are to the first two novels, there obviously had to be some concessions made to the story, to allow the films to be a reasonable length, and to keep the pace snappy and interesting.

One character that is referenced in Harry Potter and the Chamber of Secrets, both film and novel, is Penelope Clearwater, Percy Weasley’s love interest at Hogwarts. She is only mentioned in the film, as she walks down a hallway with Percy in one scene, however, she was actually another petrified student in the book, being found beside Hermione in the library. In the book, it is Penelope’s mirror that they are using to look around corners so they don’t meet the eye of the Basilisk.

Something else that could’ve been included in Harry Potter and the Chamber of Secrets the film, but could’ve been omitted simply for pacing is that Hermoine’s potion book, Moste Potente Potions, where she finds the recipe to brew Polyjuice Potion is actually in the Restricted Section of Hogwarts Library in the novel, with Hermione having to metaphorically charm Lockhart into writing her a note, giving her permission to take the book out. In the film, this potion book just happens to be on a regular shelf of the library.

There were a few other minor changes to the story, including missing out Nearly Headless Nick’s 500th Deathday Party, attended by Harry and his friends; a scene of the Weasley brothers “de-gnoming” their garden at The Burrow, literally throwing gnomes over a hedge to keep them out; and Mr. Weasley repairing Harry’s glasses after his visit to Knockturn Alley. For some reason, it was not supposed to be noticed that with Hermione repairing the glasses in the film, she is technically breaking the rule against underage witches and wizards using magic outside Hogwarts…A professor character is also missing entirely from the films, and that is Professor Binns, the History of Magic professor, who was the one to reveal the history of the Chamber of Secrets to Harry and his classmates. Instead, this speech was given to Professor McGonagall

Another omission includes the fact that the book first references “Squibs” in this story, specifically referring to Argus Filch, the caretaker. This leans further into the racism experienced in the Wizarding World, as the term refers to someone with at least one magical parent, but with no magical powers of their own. This may’ve initially been part of the initial script for Harry Potter and the Chamber of Secrets, because, in a deleted scene, we see Harry pass Filch a letter, which appears to be confirming Filch’s inability to perform magic. Instead, this fact is only briefly mentioned in the sixth Harry Potter film[6].

Speaking of deleted scenes, there were numerous ones that have since been available to view on DVD and Blu-Ray releases of the film. An interesting one was the scene in Borgin and Burkes, which Harry ends up in after his disastrous first attempt at using the Floo Network. Harry sees Draco Malfoy and his father entering the shop, and has to hide in a coffin to avoid being seen. Here, Lucius is selling items that he needs to get rid of from his home, since the Ministry of Magic are conducting more raids into finding dark magic. It was this scene which Tom Felton and Jason Isaacs later reflected on, as Isaacs had accidentally injured Felton’s hand here. Isaacs must’ve gotten very into character at this stage in filming, because when he used Lucius’ cobra cane to scold Draco, he accidentally hit Felton with the cane, and the pointy fangs hurt his hand. Isaacs apologised profusely after they stopped rolling, with Felton later joking that it was reminiscent of Jekyll and Hyde working with Isaacs, as he was cold and harsh one minute when acting, and nice the next when he wasn’t! The two loved working together though, and have a strong friendship even now.

Something else in the deleted scenes that might’ve helped with the plot of the story is seeing Justin Finch-Fletchley introducing himself to Harry just before the Duelling Club began. In this scene, Justin confirms he is a Muggle-born. I didn’t realise this until many years later, and simply thought the Basilisk was just attacking whoever was around, not specifically targeting Muggle-borns with Hermione just being a coincidence, since Tom Riddle says to Harry at the end of the film that that wasn’t his purpose anymore. I thought the Basilisk was trying to get to Harry and these students were just in the way, so had this scene been included, it would’ve added more clarity for viewers who were not familiar with the book. This idea was further used in a later scene, where Harry heard people talking about how Justin had revealed he was Muggle-born to Harry, making the students gossiping suspect Justin would be the next victim, since Harry must be the heir of Slytherin.

Another scene that could’ve added more clarity to the overall story was Harry, Ron, and Hermione all seeing that the diary belonged to a Tom Riddle. On hearing the name, this reminded Ron that he’d seen that name whilst polishing the school’s silver as part of his detention. Riddle had won an award for services to the school fifty years ago, with this being the same time the chamber was opened. They therefore assume Riddle will know all about the chamber, but see nothing written in the diary, so cannot read anything about it. This would’ve led on to Harry writing in the diary and conversing with Riddle through it[7].

In terms of filming locations, many of the same locations were used in Harry Potter and the Chamber of Secrets after their usage in Harry Potter and the Philosopher’s Stone, for example, Alnwick Castle. Specifically in this second film, the Inner Bailey area of the castle was used for the sequence of Harry and Ron crash-landing in the flying car on their arrival at Hogwarts[8]. The cast and crew also made a return to Durham Cathedral. In this sequel, the Cloister Garth was used for the scene of the Gryffindor Quidditch team learning about Draco becoming Slytherin’s new seeker, and Ron casting his “eat slugs” curse, with the Chapter House being used for Professor McGonagall’s classroom. It would seem that the Divinity School at Oxford University was the location for Hogwarts’ hospital wing and was also used for Harry Potter and the Philosopher’s Stone[9]. Other locations include the North Walk Cloisters of Gloucester Cathedral being the location for the scene of the writings on the wall in this film, with Moaning Myrtle’s bathroom being nearby, and the Glenfinnan Viaduct in the Scottish Highlands becoming iconic for the sequence of Harry and Ron meeting the Hogwarts Express, and almost crashing with it, whilst in the flying Ford Anglia. The viaduct makes a return in other Harry Potter movies too, during the group’s travels to Hogwarts[10]. The story also returns to King’s Cross station, where we see Harry and Ron attempt to follow the rest of the Weasleys on to Platform 9 ¾, finding the portal has closed. This is once again inside King’s Cross, or how it was many years ago, but when Harry and Ron go to get in the flying car, this exterior shot is actually of neighbouring train station St. Pancras.

With the filming of the second movie feeling very similar to the first one, for numerous reasons, it made everyone feel free and more comfortable with what they were doing, including Christopher Columbus. Additional cast members meant widening the Harry Potter family, with Kenneth Branagh, Mark Williams, and Jason Isaacs being welcomed into the cast, with the latter two becoming very integrated into later storylines. Branagh was actually set to play Richard III on stage partway through filming Harry Potter and the Chamber of Secrets, and was learning his lines for it in his downtime. Daniel Radcliffe was said to have enjoyed running lines with him for the play. Jason Isaacs had an enjoyable moment seeing just how brilliant Radcliffe was too, as Isaacs improvised the line “Let us hope Mr. Potter will always be around to save the day”, so that Malfoy could have the final say in Dumbledore’s office. Isaacs had not been expecting Radcliffe to shot back with his own bit of improv, cooly stating, “Don’t worry, I will be”. This showed a level of increased confidence in the young cast in the brief spell of time between the two movies, which did not go unnoticed by the adults on set. It was also notable that they were growing up by the fact many of the boys’ voices were breaking by this point[11]! But to really bring everyone back down to earth, that this production was centred around child actors, there was reportedly an outbreak of headlice on set during filming, which was said to have halted production briefly[12]!

Moving on, let’s discuss some important characters who were not part of the filming process, and yet feel very real to audiences. One of these is obviously Dobby the House-elf, a beloved character in the Harry Potter universe for many. Dobby was going to have to be a computer-generated character, and the animators wanted to make him appear as he was described in the books, as a sort of shrivelled and puny creature, made to wear a dirty rag all his life, as he serves one wizard family forever, a family who have tormented him and weakened his spirit. There were some concerns around making Dobby, as he had to feel lovable, without being cute and cuddly, and be a sympathetic figure that we feel sorry for. It was possible he’d end up being too annoying, like some other computer-generated characters of the time, or that he’d feel too digital to seem real. Although Dobby might appear quite strange, especially given how far computer animation has progressed since the early 2000s, he remains a figure that we want to root for[13].

The talents of his voice actor will also have helped with this. British actor Toby Jones was chosen to voice Dobby. Jones has made appearances in various well-known movies franchises, including being cast as Claudius Templesmith in The Hunger Games franchise; as Mr. Eversoll in Jurassic World: Fallen Kingdom (2018); and as Basil Shaw in Indiana Jones and the Dial of Destiny (2023). Jones has also recently starred in numerous British miniseries, such as portraying Alan Bates in Mr. Bates vs. The Post Office (2024), and Alan Rusbridger in The Hack (2025). Initially, when Jones was offered the part of Dobby, he didn’t understand the importance of the character, but later came to realise how loved Dobby is. 

It was quite difficult for the actors to act to Dobby, because he obviously wasn’t there, but the two actors who had the most scenes with Dobby, i.e., Daniel Radcliffe and Jason Isaacs, did their best with them, and I think it shows. Isaacs, for instance, chose to kick Dobby down the stairs in Dumbledore’s office. Columbus apparently believed Isaacs had just slipped as he was walking down them, but he made it clear, he was actually acting! This moment made it into the film. Radcliffe was also said to have impressed many on set as he acted to a stick with a ball on the end of it for all Harry’s scenes with Dobby, being said to have twice as much focus and commitment as many adult actors in these types of scenes.

Fawkes the Phoenix is another vital character to the story, coming to Harry’s rescue whilst in the Chamber of Secrets on two different occasions. But Harry first meets Fawkes in Dumbledore’s office, and this phoenix is an animatronic figure, not a CG creation. It apparently had cameras in its eyes so it could be moved to respond to the actors. Columbus and Radcliffe later revealed that they believed Richard Harris thought Fawkes was a very well-trained bird[14]! But whenever Fawkes had flight sequences, and for when he caught fire and was reborn, digital effects were used.

Aragog the spider – an Acromantulas, to be exact – was another creature that had to be created for Harry Potter and the Chamber of Secrets. It was thought that Aragog would simply have to be computer-generated, due to his size, however, it was later decided that Aragog could be constructed, even if he was such a complex and huge spider. If it didn’t work, there was always CG to fall back on, but in the end, Aragog was created, as a puppet. This must’ve been absolutely terrifying to see up close! The swarm of Aragog’s children, however, were CGI. Julian Glover was tasked with voicing Aragog. He had previously been cast as General Maximilian Veers in Star Wars: The Empire Strikes Back (1980) and Aristotle Kristatos in For Your Eyes Only (1981), showing Glover’s talent for playing villains. He later had a recurring role as Grand Maester Pycelle in Game of Thrones (2011-19).

The Basilisk, a huge snake-like creature, was created with a mixture of practical models and CGI. A 30ft long structure was built, detailing the Basilisk’s head and mouth, which was used and controlled for the battle scene with Harry. This mechanical puppet could even move towards Radcliffe as he literally fought against it. However, when the Basilisk slithers through the chamber, following Harry, this was CGI[15].

Outside of that, various new sets had to be built for Harry Potter and the Chamber of Secrets. One of these was Dumbledore’s Office, a grand office to suit the grandeur of Dumbledore and his status as Headmaster. It was thought the scale of the project may’ve had to be scaled back from original designs because of a lack of budget, however, instead of compromising on the office, further funds were secured to ensure the office was constructed as it had been envisaged. Numerous paintings of former Hogwarts’ Headmasters had to be commissioned, for those to be hung around the walls of the office, and various celestial objects, including a large telescope, were either created or purchased to fill the space, to match Dumbledore’s interests in astronomy. They also had to build the moving, spiral staircase, the Griffin Stairwell, that Harry steps into to get to Dumbledore’s office. The greenhouse for Professor Sprout’s Herbology class was another new set, although they had wanted to film in potentially one of the greenhouses at Kew Gardens, but on learning that air traffic would be a problem for them, they chose to build a set based on one of Kew’s actual greenhouses. The Weasley family home of The Burrow, a homely cottage-like building, was another new set, filled with whimsical, magical inventions, like a pan being cleaned, and moving knitting needles, which were all practical effects. The Burrow is also filled with little knick-knacks, to complement Mr. Weasley’s fascination with the Muggle world[16].

Sadly, a very tragic ending was about to unfold as Harry Potter and the Chamber of Secrets headed into the post-production stages. Richard Harris had been able to see out the filming of Harry Potter and the Chamber of Secrets in his role as Dumbledore, however, by August 2002, Harris was struggling with ill health. Columbus saw his health decline quite quickly after that, although Columbus did say Harris seemed in good spirits when he saw him in the hospital. After visiting him, Harris warned Columbus not to even think about replacing him as Dumbledore for the next film as he’d be back. Columbus said he’d never do that, and said he’d see him in a few weeks, however, sadly, as Columbus began editing Harry Potter and the Chamber of Secrets a few days later, he was shocked to discover that Harris had passed away, on 25th October 2002 at the age of 72[17]. This meant that Dumbledore would have to be recast for the future films. Columbus did not even return for the third film, at least as director, as he decided he needed a break from directing the Harry Potter movies, passing them over to others to finish the rest of the series. 

RECEPTION

An official premiere was held for Harry Potter and the Chamber of Secrets on 3rd November 2002 in London. This was soon followed by the film’s release to cinemas, on 15th November 2002, in both the US and the UK, coming to international markets either around the same time, in the following few weeks, or within the first couple of months of 2003.

In the UK, Harry Potter and the Chamber of Secrets had a high opening weekend, making around £9.8 million in its opening weekend in the country[18]. It made an estimated $87.7 million in its first three days of release in the US, making this the country’s third best opening of all time, behind May 2002’s Spider-Man, with $114.8 million, and Harry Potter and the Philosopher’s Stone’s $90.3 million. Across the world, the movie is said to have made $142 million in just those first three days. Harry Potter and the Chamber of Secrets was even in top position at the box office in eight other countries, including creating the highest openings ever in Taiwan and the Philippines[19].

Harry Potter and the Chamber of Secrets ended its run with a total worldwide gross of just under $880 million, in second place to the second film in The Lord of the Rings trilogy, The Lord of the Rings: The Two Towers, which made a total of $923 million. Rounding out the rest of the Top Five were Spider-Man, with just under $805 million; Star Wars: Episode II – Attack of the Clones, with $645 million, and Men in Black II, with a little over $440 million. This proves that studios even loved making sequels over two decades ago!

In comparison with the first film in the series, Harry Potter and the Chamber of Secrets did not end up surpassing its predecessor. Harry Potter and the Philosopher’s Stone made around $975 million during its initial release, and did top the worldwide box office for 2001. But the figures weren’t too far apart, showing that Harry Potter had a bright future as a film franchise, even though this was only two movies into an expected seven movie series.

Looking at audience reviews, there were plenty of positive comments for Harry Potter and the Chamber of Secrets, and it seemed to have a similar overall view by the public as the first one had received. Many commented that Harry Potter and the Chamber of Secrets felt the same as the first, in terms of both the story elements and the production value. This would’ve been due to the benefit of having continuity with the direction of the films as the first two were both directed by Christopher Columbus, as well as perhaps the two films being filmed so close together, with many of the same settings. This second film was also seen as staying quite faithful to the original book, something that the first film had been praised for as well. The story of Harry Potter and the Chamber of Secrets was said to have developed the overall story and the characters further, being considered scary, in a good way, with the finale battle between Harry, Tom Riddle, and the Basilisk a particular highlight. The special effects were received well too. For new characters, many of the actors performing these roles were highlighted, including Kenneth Branagh, who was a total scene-stealer as Lockhart, and Jason Isaacs, who was quietly menacing in his role as Lucius Malfoy. Fans of the Weasleys also appreciated a closer look at the family in this film too. The acting of the child actors was seen to have improved quite significantly between the first two films as well.

However, Harry Potter and the Chamber of Secrets was slightly longer in runtime than the first movie, and for some, it showed, with the story said to have dragged in places, and just generally being considered too long for a family-friendly film. There were also some who commented that Richard Harris seemed tired in this film, lacking the twinkle that Dumbledore had had in the first movie. I can’t say I noticed this to be honest; I just thought Dumbledore didn’t have as much of a role in the story here. These were likely retrospective reflections after Harris’ death. The other problem with Harry Potter and the Chamber of Secrets was that you had to have seen the first to understand the sequel, because they waste no time in explaining what is going on; there’s too much to cover that this wouldn’t have been a good use of the runtime. There were also those who obviously didn’t like the first film for varying reasons, including that the book was stuck too closely to, or that Columbus had made the film too light and breezy, and since the first two films feel very similar, if you already didn’t like the first film, it was unlikely you’d like the second.

It also turns out that Dobby was quite a divisive character. I always liked Dobby; I thought he was funny in Harry Potter and the Chamber of Secrets, and he was my favourite character from the film when I first watched it. However, some found him much too annoying, comparing him to Star Wars’ potentially most-hated character, Jar Jar Binks. Perhaps in both cases, the use of these characters for comic relief purposes took away from the story of their respective films? Or they were just generally irritating with their voices and appearances. I don’t know, but I should mention that I always liked Jar Jar Binks too – sorry!

In terms of awards, Harry Potter and the Philosopher’s Stone had turned out to be quite a surprise hit, even receiving three nominations at the Academy Awards for Art Direction, Costume Design, and Original Score, although it did not win in any of the categories. Harry Potter and the Chamber of Secrets ended up not being nominated at the Academy Awards for anything, this being only one of two Harry Potter films not to receive a single nomination here, but there were a few award wins and nominations for the sequel.

For example, the BAFTA Awards, seen to be kinder to the British film industry than some of the US academies, for obvious reasons, nominated Harry Potter and the Chamber of Secrets in three categories: Best Production Design, Best Sound, and Best Special Visual Effects. There were no wins for Harry Potter at this ceremony though. Elsewhere, Harry Potter and the Chamber of Secrets received six nominations at the Saturn Awards, including for Best Fantasy Film and Best Make-Up, losing out to The Lord of the Rings: The Two Towers on both occasions; and Best Special Effects and Best Costumes, losing to Star Wars: Episode II – Attack of the Clones. Christopher Columbus and Daniel Radcliffe were both up for Best Direction and Best Performance by a Younger Actor, but also did not win.

A few other awards and nominations to mention include a win for Best Family Film at the Critics’ Choice Awards, alongside a nomination for Best Digital Acting Performance for Toby Jones as Dobby, which turned out to be a win for Andy Serkis’ portrayal of Lord of the Rings character Gollum. The same thing happened at the 2003 MTV Movie Awards. Sadly, Dobby was nominated in a much meaner ceremony, at the Stinkers Bad Movie Awards, for Most Annoying Non-Human Character. Luckily, he – and Jar Jar Binks – lost out to Scrappy-Doo in Scooby-Doo (2002)! Finally, I’ll just mention that Harry Potter and the Chamber of Secrets was nominated for Favorite Movie at the Nickelodeon Kids’ Choice Awards – and lost to Austin Powers in Goldmember, which I thought was definitely not aimed at children!

LEGACY

It is common knowledge that as the Harry Potter movies were being made, J.K. Rowling was still publishing the rest of the series. By the time the first movie came out in 2001, only the first four books of an anticipated seven-book series had been published.

A little while after Harry Potter and the Chamber of Secrets came to our screens, the fifth book in the series, Harry Potter and the Order of the Phoenix, was published, in mid-2003. The publication date was announced in early 2003, with it being confirmed as 21st June 2003, a Saturday so that children would not feel the need to miss school to be one of the first in line to purchase it! More than a third of million copies of Harry Potter and the Goblet of Fire had been sold on its first day of release in the summer of 2000, becoming the fastest-selling book in history at the time[20]. The release of Harry Potter and the Order of the Phoenix then broke that record with its 2003 publication.

As well as the new novel being published, a computer game based on Harry Potter and the Chamber of Secrets, with similar gameplay to the game based on the first film, was developed. Like the first Harry Potter game, I enjoyed playing this second one too. Plenty of merchandise and memorabilia for this first sequel have also been available to purchase over the years, including replicas of Tom Riddle’s diary with the Basilisk fang through it.

There was even a sketch created for the British charity Comic Relief which aired as part of its annual television broadcast in 2003 which parodied Harry Potter and the Chamber of Secrets. It was created by Dawn French and Jennifer Saunders, who played Harry and Ron respectively. The sketch was humorously titled Harry Potter and the Secret Chamberpot of Azerbaijan. As well as recreating moments from Harry Potter and the Chamber of Secrets, including having Harry meet “Dobby”, who was being played by the beloved Basil Brush, a puppet for any non-British readers who may be unfamiliar with the character, and the flying car sequence with the Hogwarts Express, it was also made like a mockumentary, with the “actors”, including Jeremy Irons playing Alan Rickman/Snape, Ronnie Corbett, known for his small stature, playing Robbie Coltrane/Hagrid and Alison Steadman playing Maggie Smith/McGonagall, talking about how they’d rather be working on The Lord of the Rings, or not understanding how to act to allow for special effects. The sketch was simply poking fun at the films, which had already become huge successes both in Britain and around the world. J.K. Rowling took the parody in her stride by recording a mock introduction to the sketch, telling viewers not to watch because she had “nothing nice to say” about it.

The real legacy of Harry Potter and the Chamber of Secrets though is that its success, and that of the first movie, allowed for the series to be continued in movie form, because had this second one not proved to be as relevant as the first, this may’ve been the end of the film series. It wouldn’t be the first time a movie series based on novels was halted partway through due to a lack of financial success – thank you, Divergent… It also introduced the viewers, those who had not read the books, to the evil that was set to come later in the series. It gave us plenty of clues for upcoming plot points, although we were not aware of this until a few films later when everything was tied together.

FINAL THOUGHTS

Stylistically, Harry Potter and the Philosopher’s Stone and Harry Potter and the Chamber of Secrets feel very similar. This is thanks to the strong vision of Christopher Columbus, who wanted to stick as close to J.K. Rowling’s books as he could, without making the films hours and hours long. Columbus successfully brought in elements of dark magic and evil wizards without making the films too dark and scary for the children that would be watching.

However, with an expected seven-movie series, and a quick turnaround between the first and second films, to allow them to be released within a year of each other, Columbus was rightly exhausted and decided not to commit to directing any further Harry Potter movie.

This allowed for the remaining films to be taken in a new direction, with an even darker tone. Voldemort had returned once again for the sequel, and it was only a matter of time before the past he’d never even known about was going to catch up to Harry Potter.


REFERENCES

[1] Credit: Martin Barber, ‘Harry Potter: ‘Percy Weasley changed my life’ says Chris Rankin’, BBC.co.uk, 22nd November 2021.

[2] Credit: Zac Ntim, ‘Alan Cumming says he told ‘Harry Potter’ producers to ‘f— off’ after they asked him to audition for Professor Gilderoy Lockhart’, BusinessInsider.com, 9th August 2021.

[3] Credit: ABC News ‘Kenneth Branagh Joins Second ‘Harry Potter’ Film’, ABCNews.com, 25th October 2001.

[4] Credit: Veronica Vivona, ‘Jason Isaacs Wanted to Play Gilderoy Lockhart’, ScreenRant.com, 19th October 2017.

[5] Credit: Warner Bros., ‘Conversation with J.K. Rowling and Steve Kloves (2003)’, from Harry Potter and the Chamber of Secrets (2002) 11-Disc Blu-Ray Set (2011).

[6] Credit: Matthew Rudoy, ‘Harry Potter: 10 Differences Between The Chamber Of Secrets Book & The Movie’, ScreenRant.com, 21st August 2020.

[7] Credit: Warner Bros., ‘Deleted/Extended Scenes’, from Harry Potter and the Chamber of Secrets (2002) 11-Disc Blu-Ray Set (2011).

[8] Credit: Alnwick Castle, ‘Harry Potter at Alnwick Castle’, AlnwickCastle.com, date unknown.

[9] Credit: Visit Britain, ‘Visit Harry Potter filming locations’, VisitBritain.com, date unknown.

[10] Credit: BBC, ‘Harry Potter 20th anniversary: The UK film locations’, BBC.co.uk, 20th November 2021.

[11] Credit: Adam Markovitz, ‘Harry Potter: Casting the Spell’, EW.com, 1st July 2011.

[12] Credit: Tamar Altebarmakian, ‘Secrets You Didn’t Know Behind The Making Of Harry Potter’, ScreenRant.com, 30th January 2018.

[13] Credit: Alec Cawthorne, ‘Chris Columbus – Part Two Harry Potter and the Chamber of Secrets’, BBC.co.uk, 28th October 2014.

[14] Credit: HBO Max, ‘Harry Potter 20th Anniversary: Return to Hogwarts (2022).

[15] Credit; Warner Bros., ‘Creature Effects: Basilisk’, WBStudioTour.co.uk, date unknown.

[16] Credit: Warner Bros., ‘Behind Hogwarts: Building a Scene’, from Harry Potter and the Chamber of Secrets (2002) 11-Disc Blu-Ray Set (2011).

[17] Credit: Lexy Perez, ‘‘Harry Potter and the Sorcerer’s Stone’ Turns 20: Director Chris Columbus Reflects on Pressures to Adapt Book and Hopes to Direct ‘Cursed Child’’, HollywoodReporter.com, 11th November 2021.

[18] Credit: BBC, ‘Potter conjures up box office record’, News.BBC.co.uk, 18th November 2002.

[19] Credit: The Guardian, ‘Potter breaks UK box office records’, TheGuardian.com, 18th November 2002.

[20] Credit: BBC News, ‘June debut for Potter latest’, News.BBC.co.uk, 10th February 2003.