Hannah Montana: The Movie (2009)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

For years, Disney has been known for creating series and movies that capture the imagination of kids, tweens, and teens, with some of these eventually being forgotten as time passes by, whereas others become iconic and fondly remembered even decades later. Hannah Montana (2006-11) is just one of these that has remained in pop culture.

There was just something about 2006 for the Disney Channel. They had a huge hit on their hands at the start of the year when High School Musical premiered on the channel, becoming a major franchise from the outset, so imagine the executives surprise when they got another big success, this time from a television series, a couple of months later, with the first episode of Hannah Montana airing in March 2006.

This series, starring Miley Cyrus, about a teenage girl being a regular kid whilst juggling her secret double life of being teen pop star Hannah Montana had driven a large demographic of kids, not just in North America, but across the world, to become obsessed with the show, its music, its characters, and its actors. This was “Hannah Mania”, and the fans would only become more involved as the years when on, with the CDs, concerts, and new seasons that followed. So, what did it need now? Its own movie, of course.

Following in the footsteps of The Lizzie McGuire Movie (2003), in 2009, Hannah Montana: The Movie became only the second theatrically-released movie based on a Disney Channel series, and was also the second theatrically-released movie for the Hannah Montana franchise after its Best of Both Worlds Concert Tour, and the third theatrically-released Disney Channel film after High School Musical 3: Senior Year (2008). This was big business.

I watched the series Hannah Montana when it first premiered, and used to watch it every morning before school along with The Suite Life of Zack & Cody (2005-08) for a couple of years. My mum even had a friend come and stay with us once who was “forced” to watch Hannah Montana too one morning, but luckily, she didn’t mind as she was a fan of Billy Ray Cyrus, who played the main character’s father, and is Miley Cyrus’ father.

Eventually, my interests wandered from Hannah Montana sometime around Season 3, so although I had been an avid watcher for a little while, I had moved on to other shows like Sonny with a Chance (2009-11), meaning I missed out on most of the last season, and missed out on Hannah Montana: The Movie. I didn’t think much of the film at first, but gradually came to quite like it, as the film got going and I got used to the new setting.

PLOT

Hannah Montana: The Movie begins, naturally, with a Hannah Montana concert. As legions of fans descend on the venue, all should be calm backstage. Robby Ray Stewart, father of Miley Stewart, who happens to be living a double life by being Hannah Montana, sits beside Hannah’s wig, but he keeps looking at the time. And that is because Miley is not here!

 Miley and her best friend and confidante Lilly Truscott are actually outside, in amongst the crowds of fans trying to get inside. They push towards the ticket agent, saying they are “on the list”. The worker ignores them, and they find themselves at a loss as to what to do next. Then, they clock an unattended golf cart, used by security. They commandeer the golf cart and drive through the backstage areas, being chased down by the security guards. Eventually, they make it to Hannah’s dressing room, and Robby Ray lets them inside, calming down security by saying the girls have authorisation to be there, without giving much away. He tells Miley to get ready, and she transforms into Hannah Montana. She is quickly led under the stage, ready to make her grand entrance. Just before she goes on, Miley’s father tells her it is her night to do the dishes. Miley goes to complain before her father reminds her she wanted “the best of both worlds”. Miley can’t argue with that. She appears on stage as Hannah Montana to perform her hit song “The Best of Both Worlds”.

We then see Hannah Montana filming a music video on the beach for this song. After the video is finished, Hannah goes to her tent and sees a man in there. The man tells Hannah that his daughters are huge fans of his, but soon enough, Hannah’s publicist, Vita, comes in and recognises this man as a tabloid reporter called Oswald. Vita kicks Oswald out of the tent, not realising that he left a camera in the tent to record, knowing that Hannah is hiding a huge secret and wanting to uncover it for his editor, Lucinda. The camera is covered by Vita sitting down on the sofa though, and luckily, does not record Hannah removing her wig and transforming back into Miley. Her secret remains safe – for now.

The next day, Miley is back at school, and to show the contrasting lifestyles between Hannah and Miley, Miley has to go to gym class and gets hit in the face with a volleyball. However, Vita arrives, taking her out of school, because Hannah needs to go shopping as she has been invited to attend an awards show in New York. Lilly runs out of class to remind Miley about her sixteenth birthday party later; she isn’t sure Miley has heard her.

Out shopping, Miley has transformed back into Hannah Montana and is getting the VIP treatment at various stores, Vita by her side. However, she has lost track of the time, and realises that she is late to both Lilly’s party and to saying goodbye to her brother Jackson before he heads off to college in Tennessee. To make everything worse, Hannah finds herself fighting with none other than model Tyra Banks over a pair of shoes! This was filmed by the paparazzi, so Hannah will definitely be a front-page news story tomorrow.

Hannah and Vita get into their car, with Hannah about to change back into Miley, but she sees Oswald, that reporter, is following them. Knowing she cannot change now, but still needs to show her face at Lilly’s party, Hannah arrives at Lilly’s party, taking all the attention away from Lilly, and making everyone focus on Hannah Montana. Lilly is angry with Miley for doing this to her, and she doesn’t feel any happier when Hannah is convinced to get up on stage and sing for everyone. Lilly leaves her own party, but not before telling Oswald that Hannah is from a small town in Tennessee called Crowley Corners, giving him a good place to look for information about her. Lilly and Miley’s friends Oliver and Rico attempt to keep Lilly interested in the party, by revealing her birthday cake – but it blows up…

The next day, Miley’s father sees the news story about Hannah’s fight with Tyra Banks and is so angry with Miley for letting this happen. Robby Ray tells his daughter that she has been too focused on her celebrity lifestyle and needs to come back to Earth right now, and the best way to do that is for Hannah not to attend the awards show in New York. Besides, they’re supposed to be in Tennessee for Miley’s grandma’s birthday anyway. Vita tries to smooth this over by saying Miley can always come a bit later, after the awards show, and they’ll simply book a private jet. Robby Ray seems happy enough with this.

On the private jet, Miley changes into her Hannah persona ready to land in New York, however, once they land, she realises her and her father have landed in Tennessee instead. There’s no limo, no crowds of fans, just Jackson, picking them up in his truck. In the truck on the ride to Miley’s grandmother’s house, Robby Ray reiterates that Miley needs to reconnect with her roots, and thinks spending time in her hometown will be good for her. Miley says she wants to go home, with her father reminding her this is home, and a two-week break from Hannah Montana will do all of them some good. It’ll be like a “Hannah detox”. Miley is still angry though and tells Jackson to pull over. Still dressed as Hannah Montana, Miley gets out of the truck and sits by the side of the road, refusing to go anywhere until she is told she can go to New York. Right behind her though is a horse, who tries to eat her “Hannah” wig. She shouts at the horse, surprising Robby Ray, who reveals that horse is Miley’s horse, Blue Jeans. Miley is told to walk to her grandma’s house when she’s ready.

After some time, Miley decides to take off her Hannah Montana costume and tries to ride her horse. Except she hasn’t ridden a horse in a while, and Blue Jeans doesn’t seem to remember her, so Miley falls off and Blue Jeans runs away. A teenage boy gallops past her on his horse and manages to retrieve Blue Jeans. He tells Miley that Blue Jeans just doesn’t like strangers. Miley says she knows because it’s her horse. This makes the boy realise she is Miley Stewart. Miley realises this boy is Travis Brody and they grew up together. Travis offers to give Miley a ride to her grandmother’s house. On the way, they talk about Miley’s amazing life in Los Angeles, and she reveals she is best friends with Hannah Montana. Travis says he’s been working for Miley’s grandmother over the summer. They soon arrive at her grandmother’s house, where Travis leaves her to see her family.

Inside the house, Miley sees it is packed with her relatives who she hasn’t seen in a while. They are all performing music together, but Miley doesn’t want to be a part of it right now. Miley is reunited with her grandmother, Ruby, who thanks Miley for the Elvis plate she got her, adding it to her collection. Miley realises that her father bought that, and pretended it was from her, making her feel a bit guilty. Robby Ray is told to introduce himself to a local woman called Lorelai. He tries to talk to her, but through some awkward trips and falls, he inadvertently breaks all of Ruby’s celebrity face plates… That evening, Ruby talks to Miley about her mother, with Miley saying she really misses her still.

The next morning, knowing her father will stop her being Hannah Montana if she doesn’t throw herself into her hometown life, Miley decides to go completely over-the-top and pretends to be excited and happy to do everything. First, she attempts to feed the chickens and collect their eggs, but it takes her ages just to get one! She is then told to come to the farmer’s market with Ruby, whilst Robby Ray goes to fix Ruby’s truck. When he goes to inspect the truck, he sees Lorelai already working on it, and he is impressed. Meanwhile, Jackson is working at their cousin Derrick’s petting zoo, being pecked by ostriches and attacked by alligators!

At the farmer’s market, Ruby tells Miley that there is a developer around here, trying to turn part of Crowley Corners into a new mall. That is why the town are holding fundraising events to make enough money to pay the taxes on the land to stop the development. Miley doesn’t seem so against a mall being built here though, further showing her disconnect from her hometown. Ruby offers to take Miley shopping after they’re done with her stall at the market, and Miley refuses the offer. Ruby takes Miley aside and basically tells her to get over herself. Miley takes her grandmother’s advice on board. Ruby decides to approach the developer, Mr. Bradley, whilst Miley covers the stall. She then sees Oswald here, and he is sniffing out information on Hannah Montana. To distract him, she swaps the salsa dips he is trying so Oswald eats the spiciest one. She then tips walnuts towards him, causing Oswald to trip and fall onto the developer’s mall model. Miley and Ruby help the reporter up, and they say they know Hannah Montana, sending him five miles south to look for her.

Later, Miley is singing in the barn, trying to write a new song, when Travis comes in. She asks for his opinion on the song, but is annoyed to find Travis doesn’t like it, because it isn’t saying anything. The two then spend the day together, swimming, organising a music event in the town hall, and fixing up a chicken coop.

That evening, they hold their fundraiser with music and dancing. Robby Ray performs a song, as does Miley, leading everyone in the “Hoedown Throwdown”, and even a certain big-name country-turned-pop singer who is made out to be a local and given no introduction! Miley gets to dance with Travis that night too, and she encourages her father to spend time with Lorelai. Just as the good vibes are settling in, all of a sudden, Mr. Bradley, the developer, shows up and reminds everyone here that they will never raise all the money needed to stop his development plans in the area. Oswald is also here to listen in. Suddenly, Travis pipes up and says Miley knows Hannah Montana. This gives the town an idea: they can bring Hannah Montana here to put on a concert! There’s just a couple of problems with that plan…but Miley can’t say anything.

The next day, to everyone’s surprise, including Miley’s father, Hannah Montana arrives to Crowley Corners with Vita. Oswald watches as the car pulls up outside Miley’s grandmother’s house and snaps some quick photos. Inside, it is revealed that Lilly dressed up as Hannah Montana, so Miley could greet her and not create any suspicion. Lilly apologises for leading Oswald here, something Miley was unaware of. There’s no time to deal with that though as Lorelai wants to talk to Hannah and Miley. Lilly, still dressed as Hannah, is told to put a towel over her face and not speak. Lorelai is allowed into the room. Miley explains this is how Hannah has to destress after long journeys. Miley wants to be in the room to stop Lilly from talking, but she has to speak with her father, leaving Lorelai and Lilly alone. Lorelai asks “Hannah” if she’ll attend the mayor’s dinner, as they are putting on a party to celebrate Hannah’s arrival. Lilly accidentally agrees to this. Robby Ray comes in and tries to explain the situation to Lorelai, but before he can, he hears that Hannah is going to the dinner. Lorelai then asks Robby Ray to go to the dinner with her, as her date. Miley and Jackson watch from the window outside and are encouraged to see their father getting on well with Lorelai. Jackson, who was watching from the ladder, is pushed off and falls after Lorelai opens the window into him, falling into the squash patch behind.

Later, Miley catches Lilly up on what’s been happening with Travis, and she dresses up as Hannah to “meet” him, when really, she just wants information on his feelings for her. He reveals that he actually really likes Miley and is encouraged by “Hannah” to ask her out on a date. He says he will. Miley then rushes to the coop and pretends to have been painting it all along. Travis asks Miley out to dinner. She coolly accepts, not letting on how happy she is. On returning home, Miley learns that she has been double-booked for that night, as Hannah is expected at the mayor’s dinner, and Miley is expected at her date with Travis. This will be a tricky one to pull off…

Miley chooses to attend the dinner as Hannah, but continuously makes excuses throughout the evening to change back into Miley and go to her date with Travis. In the end, this only creates chaos and means she is only half-interested in whichever event she is at. Robby Ray, Lilly, and Jackson search for her at intervals throughout the night, with Robby Ray eventually telling Hannah to sit down at the dinner and not go anywhere else. But luckily for Miley, Cousin Derrick’s rogue ferret wreaks havoc during dessert and she is able to leave the dinner. But she is exhausted by this point, and takes her wig off in the doorway of the mayor’s residence, only to be seen by a little girl. She then is seen by Travis, who has realised that Miley must be Hannah Montana. Thinking she did this to play a trick on him, and hating how she withheld the truth from him, he breaks up with her and leaves. Miley comes back to the dinner and tries to speak to her dad about what just happened, but he is interrupted by Lorelai who is complaining about how Hannah ruined the dinner she took so much time to organise. Robby Ray tries to cover up for Hannah/Miley, but knows he can’t be truly honest with Lorelai so he tells Lorelai he doesn’t have time for a relationship right now.

Later, Miley spends some time alone, working on another song. Her father joins her and she asks if he’s mad at her. He says he’s not, but that he’d like to hear her song. The two sing the end of her song together.

The next morning, Lilly sees Miley asleep on top of the coop, having spent all night painting it for Travis. Lilly wakes her and says it’s time for Hannah’s concert. A huge fair is put on to celebrate, and many people have come for it, with huge donations coming in. Grandma Ruby goes backstage to speak with Miley before her concert, giving Miley her mother’s necklace to give her some strength and support that day. Meanwhile, Travis has gone by the coop and seen that Miley must’ve finished painting it. He goes to the concert to give her another chance.

At the concert, Hannah Montana begins her concert, but she sees Travis and stops the performance, saying she’s home and with her family and can’t lie anymore. She takes off her wig, revealing Hannah Montana is actually just Miley Stewart to the entire crowd. She asks for a second chance, singing a song she wrote herself about her time here, performing as Miley. This song was inspired by Travis and the phrase he told her: “Life’s a climb, but the view is great”. The crowd love her performance but they want Miley to still be Hannah Montana. The crowd promise to keep her secret so this can still happen.

However, Oswald has finally discovered Hannah’s secret and takes a photo of her for his tabloid. Suddenly, he sees his daughters here who are overwhelmed at being able to see Hannah Montana perform. Vita revealed she gave them free tickets. Her and Oswald watch as the daughters discover Hannah Montana hiding on a roof and are so excited to see her. Vita tells Oswald not to destroy their dreams by revealing the truth about her. Oswald calls his editor and says the story is over, quitting his job.

Hannah then goes back on stage, but not before Travis says he still hasn’t got over his crush on Miley and the two kiss. On stage, Hannah performs one final song for the crowd, celebrating being back home. With all the secrets out in the open, Robby Ray and Lorelai rekindle their relationship and kiss too. It’s also shown that Crowley Corners has successfully raised all the money they needed to save their town.

CHARACTERS & CAST

Miley Stewart is just an ordinary girl, who moved from Tennessee to L.A. years ago to achieve her dream of becoming a pop star. But, to stop the intense scrutiny and invasion of privacy that comes with being a celebrity, Miley and her family came up with a novel idea: to have Miley set up a singing persona, that being Hannah Montana, so she can have “the best of both worlds”. Although Miley has always found struggles with trying to be two different people, in Hannah Montana: The Movie, Miley has started to become too involved in the celebrity lifestyle of Hannah Montana and starts to forget about where she came from. This leads her father to trick her into going back to Tennessee for her grandmother’s birthday, threatening to stop Miley from being Hannah Montana forever if she continues to act like an entitled, spoilt brat. Eventually, Miley starts to appreciate her country lifestyle after some time, yet, Hannah Montana comes back to haunt her, as Miley knows Hannah will bring in enough people to raise the necessary money to stop development in the town, whilst also knowing how complicated it will get. Sure enough, her double-life causes problems, including ruining her chances with her childhood crush, Travis. Luckily, Miley makes amends by revealing herself to be Hannah Montana to everyone. This could be a problem for her, but the crowd promise to keep her identity a secret, so she can continue to live both lives.

Miley Stewart and Hannah Montana were played by Miley Cyrus, who played the character throughout the run of the Disney Channel series Hannah Montana, from 2006 to 2011. She also voiced Penny in Disney Animation’s Bolt (2008) around this time, later starring in the movies LOL (2012) and So Undercover (2012). Cyrus is now a very successful recording artists, with some of her most popular singles being “Can’t Be Tamed”, “Party in the U.S.A”, “Wrecking Ball”, and “Flowers”. “Flowers” won the Grammy Awards for Record of the Year and Best Pop Solo Performance, amongst many other awards. Cyrus won another Grammy for the song “II Most Wanted” with Beyoncé for Best Country Duo/Group Performance. She also released her own musical film called Something Beautiful in 2025, to go along with her album of the same name. Cyrus has been nominated for songs that appear in movie soundtracks too, like two Golden Globe nominations for “Beautiful That Way” from The Last Showgirl (2024) and “Dream As One” from Avatar: Fire and Ash (2025). Cyrus became a Disney Legend for her work with the company in August 2024.

Robby Ray Stewart is Miley Stewart’s father. Although he wants his daughter to have her dream of performing as Hannah Montana, he is aware that her attitude and behaviour is changing the more opportunities Hannah Montana gets, becoming more fame-obsessed and diva-like, even stooping so slow as to fight with Tyra Banks over a pair of shoes. He sees himself as having no choice but to stop Miley performing as Hannah in New York and instead takes her to Tennessee for her grandmother’s birthday, wanting Miley to remember her life before she went to L.A. and became famous. Whilst monitoring his daughter’s behaviour and antics, Robby Ray is also developing feelings for a local woman called Lorelai, going on dates with her and generally enjoying her company, which is encouraged by his children. However, soon enough the “Hannah secret” starts to turn things complicated with Lorelai, and to protect Miley, he chooses to break things off with her. But by the end of the film, with Lorelai learning Miley was in fact Hannah Montana and knowing how difficult it must’ve been to keep that a secret, she reconciles with Robby Ray.

Billy Ray Cyrus was cast as Robby Ray Stewart. Billy Ray Cyrus got his start as a singer, before taking on acting roles as well. One of these was starring as Dr. Clint Cassidy in the medical drama Doc (2001-04). He later was cast as Vernon Brownmule in the sitcom Still the King (2016-17). In reality shows, Cyrus appeared on Season 4 of ABC’s Dancing with the Stars (2005-present) in 2007, and was revealed to be Owl in Season 14 of The Masked Singer (2019-present) in 2026. In music, Cyrus’ most popular song was “Achy Breaky Heart”, also covering the song “These Boots Are Made for Walkin’”. Other top singles of his include “Could’ve Been Me”; “In the Heart of a Woman”; and the song “Ready, Set, Don’t Go”, which he performed with his daughter, Miley.

Jackson is Robby Ray’s son and Miley’s brother. Jackson has never been the smartest one in the family, but he has always been down-to-earth. In Hannah Montana: The Movie, Jackson has started college in Tennessee, and is working with their strange Cousin Derrick, who carries around a ferret, at his petting zoo, which doesn’t exactly look “up to code” if you ask me! Jackson has a near-miss with an alligator, a pesky encounter with an ostrich, and an almost-incident with a ladder during the course of the film, but really, Jackson is sadly just there, and is not overly relevant to the events of the film, which is a shame because Jackson and his crazy schemes were always fun to watch in the series.

Jason Earles was cast as Jackson Stewart. Prior to his casting in Hannah Montana, Earles had played Thomas Gates in the Disney live-action film National Treasure (2004) and had a recurring role as Grady Spaggett in the Disney Channel series Phil of the Future (2004-06). After Hannah Montana, Earles was cast as Rudy in the Disney XD series Kickin’ It (2011-15). More recently, he played Dewey Wood in Season 3 of the Disney+ series High School Musical: The Musical: The Series (2019-23). Earles was actually 29-years-old when Hannah Montana first began, despite being cast as a 16-year-old. He was almost 32 by the time Hannah Montana: The Movie came out. Jared Carter played Cousin Derrick.

Grandma Ruby is Jackson and Miley’s grandmother, and Robby Ray’s mother-in-law. Ruby is very wise and has a lot to say to Miley, firstly, telling Miley to get a grip and enjoy her time being back home with family who love her, instead of sulking about not going to an awards show, and secondly, talking to Miley about her mother, and how much she wishes her mother was still with them too. Miley and Ruby have a close bond, and it’s clear to see how much they love each other.

Grandma Ruby was played by Margo Martindale. Martindale later was cast as Mattie Fae Aiken in the movie August: Osage County (2013), going on to play Grandma Sandy Wagner in Instant Family (2018) and Ranger Liz in Cocaine Bear (2023), alongside appearing in television series, such as The Millers (2013-15), where Martindale played Carol Miller; The Americans (2013-18), in the recurring role of Claudia; and as Lucianne Goldberg in the third season of the true crime anthology series Impeachment: American Crime Story (2021). She also voiced the character Louise “Barnstormer” Nash in Pixar’s Cars 3 (2017) and recently voiced Mrs. Twit in Netflix’s The Twits (2025).  

Lilly Truscott is Miley’s best friend and one of few people who knows that she is Hannah Montana. When with Hannah, Lilly would normally have her own persona, of Lola, but she doesn’t make an appearance in Hannah Montana: The Movie. In the film, Lilly is angry with Miley for not attending her birthday party as herself and then reveals “Hannah’s” hometown to a reporter out of anger. She is later called upon by Miley to help get Hannah Montana to Crowley Corners, as Miley can’t just leave and come back as Hannah; that would look suspicious. At this point, Lilly apologises for tipping off the reporter and is committed to helping Miley keep her secret any way she can, like by helping her change between the mayor’s dinner and her date. Lilly might feel taken for granted by Miley at times, but the two’s friendship is strong and can withstand a lot.

Emily Osment was cast as Lilly Truscott. Osment was no stranger to acting even before appearing in Hannah Montana, as she had played Gerti Giggles in Spy Kids 2: The Island of Lost Dreams (2002) and Spy Kids 3-D: Game Over (2003) before that. After Hannah Montana, Osment had much success in television, including voicing the recurring role of Ruth Cochamer in Family Guy (1999-present) and starring as Gabi Diamond in the Freeform series Young & Hungry (2014-18). More recently, she was cast as Mandy McAllister in The Big Bang Theory spin-off series Young Sheldon (2017-24), currently reprising the role for its own spin-off Georgie & Mandy’s First Marriage (2024-present).

Travis Brody is a childhood friend of Miley’s, and they both had a childhood crush on each other. When Miley returns to Crowley Corners, Travis is the first person she meets, and he is shocked to see how much she’s changed since moving to L.A. He seems unimpressed with her “L.A. lifestyle” and is instrumental in helping Miley reconnect with her roots whilst she’s back home, for example, by getting her to focus on rebuilding the chicken coop with him. Their feelings for each other grow as the film goes on, and using Hannah as a disguise, Miley learns that Travis does like her and encourages him to ask her out. He does and he is excited for their date, but Miley barely spends any time with him that evening, leading him to investigate. He sees Miley with the Hannah Montana wig and realises she has been Hannah all along, making him feel stupid and like this was all a joke. He eventually forgives Miley after seeing she repainted the coop for him and goes to the concert. They reconnect just before Miley returns to the stage as Hannah, revealing their true feelings for each other.

Travis Brody was played by Lucas Till. Prior to his role here, Till had played Young Jack Cash in the biopic Walk the Line (2005). He was later cast as Alex Summers / Havok in the X-Men franchise from the 2011 film X-Men: First Class. He also starred as Angus “Mac” MacGyver in the rebooted series MacGyver (2016-21) on CBS. Recently, he played Garret Van Ness in the drama series The Abandons (2025) for Netflix.

Lorelai is Robby Ray’s love interest during the film and a friend of Grandma Ruby, who essentially sets the two of them up, pushing Robby Ray to introduce himself to Lorelai. Throughout the time spent getting through Ruby’s list of chores and jobs that need doing around the farm, and at the concert in the barn, Lorelai and Robby Ray become closer. She then asks Robby Ray to come to the mayor’s dinner with her, thinking that would be a good moment for them to spend time together. The dinner turns out to be a disaster, no thanks to Miley/Hannah, and Lorelai tries to vent her frustrations about Hannah to Robby Ray, not realising the awkward position that puts him in. She seems annoyed when Robby Ray decides he doesn’t have time for a relationship. Later, she learns during the concert that Hannah was Miley all along, and realises the difficult situation this put everyone in. Her and Robby Ray are then able to get back together by the end of the film.

Melora Hardin was cast as Lorelai. Around the time of Hannah Montana: The Movie, Hardin had appeared as Maureen in 27 Dresses (2008), and as Principal Jane Masterson in 17 Again (2009), which starred Zac Efron. She had also been cast in the recurring role of Trudy Monk in the series Monk (2002-09), reprising her role for the movie Mr. Monk’s Last Case: A Monk Movie in 2023. Hardin is also known for her role as Jan Levinson in the sitcom The Office (2005-13) and for playing Jacqueline Carlyle in The Bold Type (2017-21).

Vita is Hannah Montana’s publicist, and she is also in on the secret, helping Miley to keep her identity as Hannah Montana secret, like by kicking reporters out of backstage areas. She also seems to want to make Hannah Montana even more of a star than she is, by getting her additional appearances. Although Vita is clearly a highly competent publicist, one any young star would dream of, she does appear to be the one causing Miley to become a bit self-absorbed. For example, I don’t think it was necessary to take Miley out of school to go shopping as Hannah, and she shouldn’t have booked the awards show if it clashed with Miley’s grandmother’s birthday, or at least been more on Robby Ray’s side and tried to cancel the appearance, not offer the use of a private jet instead. Still, Vita comes through at the end of the film by getting Oswald to shut down his story and keeps the secret hidden.

Vanessa Williams was cast as Vita. Williams is well-known for her character Wilhemina Slater in the comedy-drama series Ugly Betty (2006-10), going on to be cast as Renee Perry in the last two seasons of Desperate Housewives (2004-12). She also starred as Maxine Robinson in Daytime Divas (2017) and was a judge on the drag queen singing competition Queen of the Universe (2021-23). Recently, Williams played Miranda Priestly in the West End musical stage adaptation of The Devil Wears Prada from 2024 to 2025.

Oswald is the tabloid reporter who is determined to figure out Hannah Montana’s secret and will go to great lengths to get his story, by hiding secret cameras and spending weeks in a random town in Tennessee just to keep his editor, Lucinda, happy – and keep him in a job. Oswald doesn’t seem to enjoy doing this kind of work, and later accepts that destroying a teenager’s life by revealing Miley Stewart is actually Hannah Montana is no way to earn a living. His daughters help him come to that realisation, as he sees how excited they are to meet Hannah Montana, knowing Hannah will cease to exist if he writes this story.

Oswald was played by Peter Gunn. Gunn is a British actor, best known for his roles as Constable Len Cosgrove in the BBC medical drama series Born and Bred (2002-05) and as Brian Packham in the long-running British soap Coronation Street (1960-present) since 2010. Oswald’s daughters were played by Rachel Woods and Natalia Dyer. Dyer has since become well-known for her role as Nancy Wheeler in Stranger Things (2016-15).

Mr. Bradley is the shady developer who is determined to build apartments and a new mall in Crowley Corners, regardless of what the citizens of the town think. It’s good for business so it is good for him. He even attends the farmer’s market to try to convince the locals of his plans, and goes to their barn concert to remind them all that their little fundraisers will never raise enough money to stop him. In the end, Crowley Corners gets the last laugh as their Hannah Montana concert does raise enough money to pay the taxes. Mr. Bradley will just have to go elsewhere to build his mall then!

Barry Bostwick was cast as Mr. Bradley. Before Hannah Montana: The Movie, Bostwick was known for his roles as Brad Majors in The Rocky Horror Picture Show (1975) and as Mayor Randall Winston in the sitcom Spin City (1996-2002). Later roles of his include the recurring role of Roger Frank in the sitcom Cougar Town (2009-15), and playing Big Poppa in another Disney Channel movie: Teen Beach Movie (2013).

Finally, there are a few cameo appearances in Hannah Montana: The Movie. One is Tyra Banks, who appears as a fictionalised version of herself to fight Hannah Montana for a pair of fancy shoes in a designer store! Banks is known for creating and presenting the reality series America’s Next Top Model (2003-18), along with her work as a model.

We also see Oliver Oken, Miley and Lilly’s other best friend, and Rico Suave, another key cast member in the series. In the film, they are reduced to just a few minutes of screen time, as they attend Lilly’s birthday party and blow up her birthday cake. Oliver was played by Mitchell Musso, who had various Disney Channel roles before and after Hannah Montana, including playing Raymond Figg in the DCOM Life Is Ruff (2005) and being cast as King Brady in the first two seasons of Pair of Kings (2010-13) on DisneyXD. Rico was played by Moises Arias, who went on to be cast as André in the DCOM Dadnapped (2009) before having a recurring role as Matt in Season 3 of the ABC sitcom The Middle (2009-18). Arias currently plays Norm MacLean in the Prime series Fallout (2024-present).

Susan Stewart, Miley’s mother, is seen in a photograph in this film, after the character made a few appearances in the series. Susan was played by Brooke Shields. Shields is known for her both modelling and acting roles, like playing Emmeline in The Blue Lagoon (1980) as a child star; later starring as Susan Keane in the NBC sitcom Suddenly Susan (1996-2000); her recurring role as Rita Glossner in the ABC sitcom The Middle; and her more recent castings in Netflix films, like Lana in Mother of the Bride (2024), and Sophie Brown in A Castle for Christmas (2021).

MUSIC

Hannah Montana: The Movie contains a mixture of new, original songs, as well as others that fans of the series will already have heard from the show. There are a few surprise artists involved with this soundtrack. Some of the music heard in Hannah Montana: The Movie is performed by the characters, with others being background music for certain scenes.

In movie order, the first song heard is “The Best of Both Worlds: The 2009 Movie Mix”, which is the title song for the Hannah Montana series. It is performed during the opening sequence of the film, from the concert performance into the music video being filmed on the beach. To be honest, I don’t actually like this song much at all, probably because you had to hear it every time you watched an episode! The song was written by Matthew Gerrard and Robbie Nevil, and was performed by Hannah Montana.

Next, we hear “The Good Life”, playing during Hannah Montana’s shoe store fight with Tyra Banks, which seems to have been written specifically for the film. It was written by Matthew Gerrard and Bridget Benenate and was performed by Hannah Montana.

At Lilly’s birthday party, the song playing as Lilly desperately calls Miley to make sure she makes it to the party seems to be “Game Over”, written by Steve Rushton, Antony Westgate and Nigel Clark, being performed by Rushton. Rushton performed the theme song for the Disney Channel series The Suite Life on Deck (2008-11) just before this film and was signed to Disney’s label Hollywood Records around this time. Rushton seems to be on stage during this as part of the band hired for the party, and also plays the song “Everything I Want”, which was also written and performed by Rushton. Hannah Montana then arrives at the party and performs her song “Let’s Get Crazy” with the band. This song was written by Colleen Fitzpatrick, Michael “Smidl” Smith, Stefanie Ridel, Mim Nervo and Liv Nervo. This song was used as part of Season 3 of Hannah Montana.

Back home on the farm, Miley walks into her family all singing together. This song was “Backwards”, written by Marcel Chagnon and Tony Mullins, and was performed by Rascal Flatts. Rascal Flatts is a country music group founded in 1999. They first released their song “Backwards” in 2006. Disney fans might also known Rascal Flatts from performing “Life is a Highway” for Pixar’s film Cars (2006). The band then play a song together on the porch with Miley’s family. This song is “Bless the Broken Road”. It was written by Marcus Hummon, Bobby Boyd, and Jeff Hanna. Rascal Flatts re-recorded the song for the film. Their version of “Bless the Broken Road”, released in 2005, hit No. 1 on the Billboard Country Music chart and won a Grammy Award for Best Country Song.

On Miley’s first day on the farm, when she’s trying to deal with her grandmother’s chickens, the song “Don’t Walk Away” is playing. It was written by Miley Cyrus, John Shanks, and Hillary Lindsey, and was performed by Miley Cyrus. This is shortly followed by another of Cyrus’ songs “Dream”, which is playing as she spends time with Travis. “Dream” was written by John Shanks and Kara Dioguardi.

Then we get to the barn concert fundraiser, where three songs are performed in quick succession. The first of these is “Back to Tennessee”, which Robby Ray is performing, meaning it was sung by Billy Ray Cyrus. It was written by Cyrus, Tamara Dunn and Matthew Wilder, and was actually released as a single from Cyrus’ studio album of the same name prior to the film being released, in February 2009.

This is then followed by the song “Crazier”, which was written by none other than Taylor Swift and Robert Ellis Orall, with Swift performing the song in the movie, during the moment where Miley dances with Travis, and her dad is with Lorelai. “Crazier” was first released for this film, peaking at No. 17 on the US Billboard Hot 100. Swift apparently was chosen for this cameo appearance in Hannah Montana: The Movie as they wanted an authentic country singer to be singing in this local concert, and Swift’s earlier music was heavily rooted in country music, and not the more pop-centric tunes she releases now. Taylor Swift is one of the most successful artists of all time, with her music spanning multiple albums. Some of her hits through the decades include “Love Story”, “Fearless”, “You Belong with Me”, “Mean”, “Blank Space”, “We Are Never Ever Getting Back Together”, “Shake It Off”, “Look What You Made Me Do”, “Anti-Hero”, “Cruel Summer”, and “The Fate of Ophelia”.

Following on from Taylor Swift is a performance by Miley, where she takes the attendees through the dance for her song “Hoedown Throwdown”. I am pleased to say that I can still remember the dance after learning it on Disney Channel; this song was always being played in those little breaks between their programming. It was written by Adam Anders and Nikki Hassman. “Hoedown Throwdown” is also used as the first song in the End Credits, accompanied by videos of the cast and crew doing the dance. Jamal Sims did the choreography for this song. Sims then directed and choreographed Miley Cyrus’ Wonder World Tour in 2009. He had previously worked on Step Up (2006) and Hairspray (2007).

Some time later, Miley has a heart-to-heart with her dad after the dinner fiasco with the mayor and Lorelai. She says she has written a song about their father-daughter relationship and he asks to hear it, before joining in. This song is “Butterfly Fly Away”, and was written by Glen Ballard. It was performed by Miley and Billy Ray Cyrus. Although not my favourite song, I can appreciate this sentimental moment in the film.

Soon after, it is time for Hannah Montana’s concert and again, three songs are performed. The first is “Rockstar”, first heard in Season 2 of Hannah Montana, which Hannah actually stops singing mid-way through after she makes the decision to reveal her true identity. “Rockstar” was written by Aristedis Archontis, Jeannie Lurie, and Chen Neeman. This song is followed by “The Climb”, performed by Miley, with Miley having written this song throughout the course of the film, after being inspired by Travis. This song became incredibly popular outside of the film, peaking at No. 4 on the Billboard Hot 100 chart, and performing well outside of North America, including hitting No. 11 in the UK Singles Chart, No. 5 in Australia, and No. 5 in Norway. It was even covered by Joe McElderry, the 2009 winner of The X Factor (2004-18) as his “winner’s song”.  “The Climb” was written by Jessi Alexander and Jon Mabe, and was performed by Miley Cyrus.

After that, the big finale song in Hannah Montana: The Movie is “You’ll Always Find Your Way Back Home”. It is positive, catchy, and celebratory, perfect for the end of the film. This ended up being my favourite track in the film; I think it’s the best Hannah Montana song now. It was written by Taylor Swift and Martin Johnson, and performed by Hannah Montana.

In the End Credits, two other songs by Hannah Montana are heard. The first is “Let’s Do This”, written by Derek George, Tim Owens, Adam Tefteller, and Ali Theodore, from Season 3 of the show. The second is “Spotlight”, written by Scott Cutler and Anne Preven.

The soundtrack for Hannah Montana: The Movie was released on 24th March 2009, before the film came out. All these songs appear on the soundtrack, with one additional track that did not appear in the film being “What’s Not to Like”, written by Matthew Gerrard and Robbie Nevil, and performed by Miley Cyrus. The soundtrack topped the Billboard 200 chart in 2009, and was the third Hannah Montana soundtrack to do this, after the first and second albums did in 2006 and 2007[1]. It also topped the Billboard Top Country Albums and Billboard Soundtrack Albums in the US; as well as topping the albums charts in New Zealand, Spain, Austria, and Portugal. It hit No. 3 in the UK Albums chart.

There are other tracks credited at the end of Hannah Montana: The Movie, however, these seem to be background music and instrumentals. This means it is unclear where these pieces would be playing in the film, so I’m not going to specifically mention them, only that “Hampster Dance Song” was used for Miley’s ringtone in the film, and it samples “Whistle Stop” from Disney Animation’s Robin Hood (1973).

The composer of the score for Hannah Montana: The Movie was John Debney. Debney had previously worked on the music for other live-action Disney films, including Hocus Pocus (1993) and its 2022 sequel, and The Princess Diaries (2001) and its 2004 sequel. He also composed the scores for Disney’s animated films The Emperor’s New Groove (2000) and Chicken Little (2005). More recently, Debney has been the composer on the rom-com Marry Me (2022), Home Sweet Home Alone (2021) for Disney+, and the musical The Greatest Showman (2017) with Joseph Trapenese.

Hannah Montana: The Movie’s music received some nominations and wins at award ceremonies. At the MTV Movie Awards, “The Climb” won for Best Song from a Movie. At the Teen Choice Awards, it was nominated for Choice Music: Soundtrack but lost out to Twilight (2008). This happened again at the American Music Awards, with the Hannah Montana 3 Album also being nominated for Favorite Soundtrack. “The Climb” was up for a Grammy for Best Song Written for Motion Picture, Television or Other Visual Media but was later disqualified because it was determined not to have been specifically written for the film[2].

PRODUCTION

Hannah Montana as a series was in development at Disney for years before it eventually came to our screens, as the casting process took a while to complete.

Many different singers and actresses had been considered for the lead role of Hannah Montana, a teenage girl with a dual identity, who would live her daily life as a regular teenager, before transforming into Hannah Montana for concerts and celebrity appearances.

Some of these include Aly and AJ Michalka, sisters that had their own singing duo, as simply Aly & AJ, having signed with Hollywood Records, Disney’s record label, around 2005. Aly was reportedly offered the role of Hannah Montana, as the Disney Channel show she was on, Phil of the Future (2004-06), where she played Keely, was coming to an end. Her sister, AJ, was offered the part of the lead’s best friend, Lilly. However, they turned the parts down, feeling that it would be confusing for viewers to see Aly as a completely different performer, when she already had a successful duo with her sister.

Other celebrities, who were just starting out their careers in the 2000s, who auditioned for Hannah Montana were Taylor Momsen, who played Cindy Lou Who in How the Grinch Stole Christmas (2000), and Daniella Monet, who later had a recurring role on the Nickelodeon series Zoey 101 (2005-08). Momsen went on to front the rock band The Pretty Reckless as well as playing Jenny Humphrey on The CW’s series Gossip Girl (2007-12). Monet played Trina Vega in the Nickelodeon series Victorious (2010-13). Lucy Hale, who was 14 when she auditioned in Tennessee, where she lived, took part in the audition but did not get the role. Hale went on to play Aria Montgomery in the series Pretty Little Liars (2010-17). Singer JoJo was also reportedly offered the role, but turned it down[3].

Originally, Miley Cyrus was considered to be too young for the part of Hannah Montana when she first auditioned, however, luckily for her, the casting process for the lead role took such a long time that she was later invited back to try for the part again, when she was 13-years-old, and more the age that they were looking for. Her lack of acting experience though meant that Cyrus was somewhat of a risk. The former president of Disney Channel, Gary Marsh, told Cyrus that the decision was split about whether to go with Cyrus or another girl. Marsh wrote an email to his team, fighting for Cyrus to get the role, saying that despite her lack of acting experience, that she could be the channel’s next big star. And she was.

Billy Ray Cyrus was then cast as the father in the series, screen-testing with his daughter. He actually felt that the person who had auditioned before him was a better fit for the father character, though Billy Ray and Miley’s natural connection by being family added an extra element of realism to the series, I thought[4]. This then led to the rest of the casting of the main characters to be completed, in order to film the pilot episode. This included Jason Earles as Jackson Stewart, Miley’s brother, and Emily Osment and Mitchell Musso as Lilly and Oliver, Miley’s best friends.

Many involved with the pilot of Hannah Montana believed that, since Disney Channel had been developing the series for a long time, that Hannah Montana would be greenlit for a series soon after. Season 1 of Hannah Montana began on 24th March 2006, with the season ending on 30th March 2007, after 26 episodes. Season 2 then started up shortly after, on 23rd April 2007, finishing on 12th October 2008, with 29 episodes.

Each episode of Hannah Montana contained a healthy dose of comedy, a little bit of drama and “boy trouble”, original songs, obviously, and, if you were lucky, a pretty big-name guest star. Some of these guest stars came from the Disney Channel family, consisting of both current and future stars, with names like High School Musical’s Corbin Bleu; the Jonas Brothers, appearing as themselves; Sterling Knight and Tiffany Thornton, who later starred in the Disney Channel series Sonny with a Chance (2009-11), and China Anne McClain, before her lead roles in the series A.N.T. Farm (2011-14) and the DCOM franchise Descendants. Other guest stars from the worlds of acting and singing included wrestlers-turned-actors Dwayne “The Rock” Johnson and John Cena; singers Sheryl Crow, Donny Osmond, and Jesse McCartney; actors Alison Brie, Austin Butler, Ray Liotta, and Heather Locklear; and comedians and actors Larry David and Ray Romano, just to name a few. Dolly Parton also made some appearances on the series, as Aunt Dolly, Miley Stewart’s godmother, which was quite appropriate as Parton is Miley Cyrus’ actual godmother[5].

The Hannah Montana series was created by Michael Poryes, Rich Correll, and Barry O’Brien. Poryes had previously created That’s So Raven (2003-07) and later its spin-off series Raven’s Home (2017-23) for Disney Channel. As well as being a co-creator of Hannah Montana, Rich Correll also directed episodes of the series, along with episodes of other Disney Channel series, such as The Suite Life of Zack & Cody (2005-08), Cory in the House (2007-08), and Jessie (2011-15). Barry O’Brien was the showrunner on Law & Order: Organized Crime (2021-25) from 2022, and also wrote episodes of series including Judging Amy (1999-2005) and Castle (2009-16). Disney Channel was sued in 2008 about the creation of Hannah Montana, as writer Morris Taylor Sheffield felt the show’s premise was too similar to the one he pitched for Disney Channel in 2001, called Rock and Roland, about a teenager who is a secret pop star. The lawsuit was settled in 2008[6].

It was in 2007 that talk about a Hannah Montana movie first came to light, when Miley Cyrus stated during an interview at the premiere of Harry Potter and the Order of the Phoenix (2007) that they were working out ideas for a Hannah Montana film[7]. It would not be for another year that filming would begin, taking place from around April to July 2008, ready for a Spring 2009 release date. Filming took place in Los Angeles and Tennessee.

Within L.A., one specific filming location is Santa Monica Pier and its amusement park, which was used as the location of Lilly’s birthday park. The arena The Forum, in Inglewood, California, was also the location for the opening scene, where Hannah Montana is performing a concert. But since most of the film takes place in Tennessee, this is predominantly where filming took place. For the place where Miley and Travis go swimming, this was Rutledge Falls near Tullahoma, Tennessee. The exterior location of the mayor’s dinner that Hannah attends was the Maury County Courthouse in Columbia, Tennessee. Grandma Ruby’s farm was on Carl Road, in Franklin, Tennessee, on a 200-acre ranch. This ranch was actually only a few minutes away from where Miley Cyrus grew up, on their family farm. Cyrus even took castmate Emily Osment to her home to see her childhood bedroom, which was still decorated as it was just before she left for L.A[8]. Smiley Hollow in Ridgetop, Tennessee was also used in the movie. It seems to have been used for the final carnival scene. There was actually an incident on set whilst shooting, reportedly in this area, as strong winds blew a projection screen into a Ferris wheel that the film’s extras were on. There were no serious injuries reported though, and Miley Cyrus was not on set at the time[9].

Peter Chelsom directed the film, having previously co-written and directed the films Hear My Song (1991) and Funny Bones (1995), as well as directing the American rom-coms Serendipity (2001) and Shall We Dance? (2004). He recently co-wrote and directed the festive comedy film A Sudden Case of Christmas (2024), starring Danny DeVito.

Dan Berendsen was tasked with writing the screenplay for Hannah Montana: The Movie. After working on the popular show Sabrina, the Teenage Witch (1996-2003), and its television films, Berendsen began to do a lot of work with Disney Channel on their original movies. His credits include writing the screenplays for Eddie’s Million Dollar Cook-Off (2003); Twitches (2005) and Twitches Too (2007); and Wizards of Waverly Place: The Movie (2009).

Within the story that were a few scenes and a whole subplot that was omitted from the final film. One of these was a subplot with Jackson, about how he was pretending to be at college in Tennessee, whilst his father and sister were in town, despite not getting into college and having to work at Cousin Derrick’s petting zoo in the meantime. This explains why the petting zoo is included in the film, as it is a bit of a random addition. This subplot would’ve seen additional scenes of Jackson explaining his situation to Miley and pretending to be a student as his dad visits the college campus. There were also meant to be additional scenes with Oswald the reporter, whose presence in the film is supposed to feel intimidating but he appears so infrequently, the character doesn’t seem to be anything more than a slight nuisance. Oswald tries to find Hannah Montana at the fundraiser concert, and attempts to follow her through the crowd, only to find the person he was following was actually Jackson in a Hannah Montana wig, having made and sold them to the fans, making it impossible for Oswald to find the real Hannah Montana. There also would’ve been a scene of Oswald in his hotel room, with the ostrich and the alligator from the petting zoo being placed in there as a distraction. These scenes were all cut for time, but might’ve helped the audience engage with these two characters more than the final film allowed them to[10].

A couple of interesting facts about Hannah Montana: The Movie involve some behind-the-scenes information about the stunts. Not being an action-packed plot, there aren’t many of these, however, the scene of Oswald at the farmer’s market, where he is tripped by tons of walnuts was completed with a team of stunt specialists, 700 pounds of walnuts, and seemingly Peter Gunn, who played Oswald, being suspended on wires, before falling on to the 3D model of the potential mall being built in the town[11]. When Jackson is on the ladder, looking into the room where Lorelai and Billy Ray are alone with Lilly as she pretends to be Hannah Montana, the ladder is meant to fall with Jackson still on it into a squash patch. The ladder was set up with a pulley system, allowing the ladder’s movements to be controlled with Jason Earles clipped on to it. The scene concluded with a fake squash being constructed and put on Earles’ head, complete with goo being put all over him, to make it seem like Jackson had fallen onto a squash and destroyed it.

Costume designer Christopher Lawrence also worked on this film, and thoroughly enjoyed working on the costumes here, especially on Hannah Montana’s, as they are quite outlandish and unique, like Hannah’s dress for the dinner which has a graffiti-style pattern on it, and bedazzled multi-coloured shoes, which apparently took 13-hours per shoe to make! All of Hannah Montana’s costumes were designed and made especially for the film[12].

RECEPTION

After a star-studded premiere, held on 2nd April 2009 at the El Capitan Theatre in Los Angeles, and attended by the movie’s cast, including Taylor Swift, and a slew of Disney Channel stars, such as Debby Ryan, Brenda Song, Demi Lovato, and Bella Thorne, Hannah Montana: The Movie was officially released in theatres on 10th April 2009 in the US, which was Good Friday that year. It was released internationally over the next few months.

In the US, due to its release during the Easter Weekend, and because of the dedicated fans that followed the show, Hannah Montana: The Movie did much better at the box office than was initially anticipated, twice as much as Disney had forecast in fact. They were expecting Hannah Montana: The Movie’s sales to be in a similar range to 2003’s The Lizzie McGuire Movie, another theatrically-released film based on a Disney Channel series. However, Hannah Montana: The Movie sold $34 million worth of tickets in its first three days of release domestically, whereas The Lizzie McGuire Movie opened to $17.3 million. This was even more than the 3D film Hannah Montana & Miley Cyrus: Best of Both Wolds Concert (2008), which had had a limited release in North America movie theatres in February 2008; this opened to $31 million. The audience for Hannah Montana: The Movie was, perhaps unsurprisingly, 60% kids and teens aged between 2 and 17.

The performance of Hannah Montana: The Movie in its opening weekend allowed it to be in the No. 1 spot at the US Box Office, beating out Fast & Furious, which slipped to No. 2, with DreamWorks Animation’s Monsters vs. Aliens in third place. To boost potential revenues, Miley Cyrus and Billy Ray Cyrus apparently made appearances at some cinemas, specifically in Knoxville, Tennessee, and Salt Lake City, Utah on the film’s premiere date. It has been noted that after its initial few days though that revenues for the film tailed off quite sharply, likely due to the determination of fans to see the film as soon as possible, causing a spike right at the start of its box office run[13].

The Lizzie McGuire Movie finished up with a worldwide total of $55.5 million. The Best of Worlds Concert film ended with $70.6 million. High School Musical 3: Senior Year another theatrical film based on Disney Channel property, made a total of $252.9 million globally. Like High School Musical, Hannah Montana was a phenomenon, so where did its own movie end up? By the end of its run, Hannah Montana: The Movie had made $155.5 million in total, which is not up to High School Musical standards, but is still a decent figure. It beat out Zac Efron’s 17 Again, which made $136.3 million, as well as other kid-friendly films such as Hotel for Dogs from Nickelodeon, with $117.2, and Disney’s own live-action film Race to Witch Mountain, which made $106.4 million. But Hannah Montana: The Movie was no match for the top performing films of 2009, like Avatar, Harry Potter and the Half-Blood Prince, The Twilight Saga: New Moon, and Pixar’s Up. Both Monsters vs. Aliens and Fast & Furious also finished ahead of Hannah Montana: The Movie.

As Hannah Montana: The Movie is still basically a Disney Channel movie, it was open to the usual criticism that DCOMs receive, around their story, acting, and budget. However, with Hannah Montana being so well-known across the globe and as the film was released to cinemas, it opened the film up to even more people who were not the target demographic, meaning even more and harsher criticism was thrown its way.

Starting with some of the negative responses, some felt that Hannah Montana: The Movie was simply boring, and too cheesy, likely because they were not familiar with the series itself. Hannah Montana: The Movie was not going to feel overly different from the Disney Channel series, so it was expected that the film would be just as silly and goofy as the series, although I would say that the film was more poignant and touching than an average episode of Hannah Montana. There were also characters who seemed quite pointless, such as Oswald, who, despite apparently being necessary to the plot, as he vows to find out Hannah Montana’s secret, actually isn’t even in the film that much, and Cousin Derrick with his ferret, who appears in certain scenes, but doesn’t say or do much. There were complaints from fans of the series too, who didn’t like how Miley was being portrayed as a spoilt brat, solely for the purpose of the movie’s plot, when she hadn’t acted that way in the series. The events of the film are rarely mentioned in the series, so it was almost seen to be a completely pointless exercise even making the film. Perhaps that would not have been the case had Hannah Montana: The Movie been the ending of the entire show – but it was not. The quite major plot point of Miley Stewart revealing she is Hannah Montana to a crowded festival and the sea of people promising to keep her secret so she can continue to be Hannah Montana was also considered optimistic at best and unrealistic at worst.

However, on the positive side, Hannah Montana: The Movie was always made for the fans, with many being happy with this film. For those that enjoyed the film, they thought that the slapstick comedy elements that are present in the series were included in the movie well, allowing for more mature topics, like Miley’s identity issues, to be discussed alongside it, without the comedy element feeling too silly, and the emotional side being too deep; it was a well-balanced film. There was also praise for some of the new cast members, like Melora Hardin and Margo Martindale in their roles here, with the music being another positive aspect of the film. The songs “The Climb”, “Hoedown Throwdown”, and “Always Find Your Way Back Home” are particular favourites.

A year and a half after Hannah Montana: The Movie made it to cinemas, it then had its Disney Channel premiere on 19th November 2010 in the US, making its way to international channels in the months that followed. Its US premiere was said to have been viewed by 4.6 million viewers. This is lower than most Disney Channel movie premieres around this time, with the late-2000s having some impressive audience numbers. In 2010, the most-viewed DCOM premiere was Camp Rock 2: The Final Jam with 7.9 million. In second place, StarStruck was watched by 6 million viewers. As Hannah Montana: The Movie had already been viewable in both cinemas and on DVD by its Disney Channel premiere, this likely led to its lower numbers, but 4.6 million was still a relatively decent figure.  

Due to its popularity with fans, Hannah Montana: The Movie found itself being nominated at the Kids’ Choice Awards and the Teen Choice Awards, as well as nominations at the MTV Movie Awards and the People’s Choice Awards. At the Kids’ Choice Awards, Miley Cyrus won the award for Favorite Movie Actress, against such names as Sandra Bullock for The Blind Side, and Zoe Saldaña for Avatar.

At the Teen Choice Awards, Hannah Montana: The Movie was up against tough competition from High School Musical 3: Senior Year, which won Choice Movie: Music/Dance, and Choice Movie Actor: Music/Dance for Zac Efron, where Jason Earles and Lucas Till were both nominated. Emily Osment was also nominated here for Choice Movie: Female Fresh Face, but lost out to Ashley Greene and her role as Alice in Twilight. Twilight also won Choice Movie: Liplock; Miley Cyrus and Lucas Till were nominated here for their kiss in Hannah Montana: The Movie. Miley Cyrus did win two awards at the Teen Choice Awards though. One was for Choice Movie: Hissy Fit, and the other for Choice Movie Actress: Music/Dance, despite being up against Vanessa Hudgens and Ashley Tisdale.

Elsewhere, Hannah Montana: The Movie was nominated for Favorite Family Movie at the People’s Choice Awards, losing to Pixar’s Up. Miley Cyrus was up for Breakthrough Performance – Female at the MTV Movie Awards. This time, Ashley Tisdale did win for her role as Sharpay in High School Musical 3: Senior Year. Finally, and harshly, Hannah Montana: The Movie received some nominations at the Razzie Awards, which I don’t think is fair at all. Disney Channel movies should only be compared amongst each other, not with other films released by major studios. Anyway, Miley Cyrus was nominated for Worst Actress; the award went to Sandra Bullock for All About Steve. Billy Ray Cyrus actually won for Worst Supporting Actor, which just doesn’t seem right at all.

LEGACY

Although Hannah Montana: The Movie may’ve had an ending that seemed to tie up the series, by having Miley finally reveal her secret as Hannah Montana, and perhaps this should’ve been a film to end the series, like The Lizzie McGuire Movie, there were many more episodes of Hannah Montana that followed the film.

The film was released in the middle of Season 3 of Hannah Montana, which ran from 2nd November 2008, and ended on 14th March 2010 with a total of 30 episodes. Season 4, with 13 episodes, followed shortly afterwards. The series commenced on 11th July 2010, and ended with its finale episode on 16th January 2011. This two-part episode, titled “Wherever I Go”, was set up to be the final ever episode of the series, and saw Miley being torn between a potential movie being filmed in Paris, and starting college with Lilly. In the end, Miley makes the decision to join Lilly at college, putting her music and film career on hold. This followed on from Season 4 Episodes 9 and 10, the two-part episode “I’ll Always Remember You”, where Miley revealed her identity as Hannah Montana on The Tonight Show with Jay Leno, with Jay Leno appearing as himself. This led to the final episodes of Season 4 being about Miley navigating graduating high school, college plans, and dealing with the fallout from the reveal, and the fame that came from that. I actually thought that was the final episode of Season 4. I guess not; I must’ve missed the rest of that season. There was even an alternate ending made available on the DVD release of the series, which would’ve seen a young Miley Cyrus pretending to be a rock star like her dad, making the entire series appear to be a dream… That would’ve been a terrible ending if it had aired!

During the airing of Hannah Montana, multiple CDs of Hannah Montana’s music had been released with music from the series and the film’s soundtrack. There were also books, video games, and DVD releases of the films and the series to purchase, alongside other merchandise, like clothing, accessories, and dolls. Over the years, Hannah Montana, as a series and a recording artist, won numerous awards, including winning the BAFTA Kids’ Vote at the BAFTA Children’s Awards; numerous Teen Choice and Kids’ Choice Awards; and Young Artist Awards. The show was also nominated for Outstanding Children’s Program at the Primetime Emmys throughout its run. The series premiere in the US had the highest ratings in Disney Channel history with 5.4 million viewers, and has been screened in over a hundred countries worldwide. Hannah Montana albums have had millions of sales, and even had seven singles in the US Billboard Hot 100 chart simultaneously in 2006[14]. The show’s highest-performing single was “He Could Be the One”, peaking at No. 10 in July 2009. Other hit singles were “Life’s What You Make It”, “Nobody’s Perfect”, and “Hoedown Throwdown”.

A little while after the series had ended, Billy Ray Cyrus voiced interest in working with Disney on a prequel series, that reportedly would’ve followed a younger Miley Stewart, and her making the decision to become Hannah Montana. However, by 2020, Disney had said this project was not in development[15]. With Disney+ always looking at reboots, it is highly possible that a spin-off of some kind for Hannah Montana may later come to our screens, and many of the series’ cast would likely be interested in returning for it.

In 2026, Hannah Montana celebrated its 20th anniversary, with a special called Hannah Montana 20th Anniversary Special. A world premiere for it was held on 23rd March 2026, attended by members of the original cast, such as Cody Linley who played Jake Ryan, Jason Earles, who played Jackson Stewart, and Moises Arias, who played Rico, although some absentees included Billy Ray Cyrus and Emily Osment, who were unable to attend due to work commitments. Mitchel Musso was another who was missing from the premiere of the special, although he did post about it on social media.

The Hannah Montana 20th Anniversary Special debuted on 24th March 2026. It was hosted by podcaster Alex Cooper, and saw Miley Cyrus go onto a recreation of the original Hannah Montana set pieces, and answer questions about her time on the show. She also discussed other moments of her time on the show, such as talking with her father, Billy Ray Cyrus, about his audition process, and reminiscing over costumes with her mother Tish Cyrus-Purcell. Cyrus’ younger sister Noah Cyrus appeared at the end of the special with a birthday cake for the show. Other special guests were Selena Gomez, who played Mikayla, a rival of Hannah Montana’s, in a few episodes of the show, the choreographer on Hannah Montana: The Movie, Jamal Sims, who danced the “Hoedown Throwdown” with Miley, and randomly, singer Chappelle Roan, who said she was a fan of the show when she was younger. This special also had performances by Miley Cyrus, with songs performed including “The Best of Both Worlds”, “The Climb”, and “Younger You”, which was especially written for the anniversary special.

The special apparently had 6.3 million views in its first three days of streaming, and meant that viewership of the Hannah Montana series increased by 1,000% from the week before. The series has been streamed for more than 500 million hours on Disney+[16]. However, despite the renewed interest in Hannah Montana from this milestone anniversary, and the merchandising opportunities that came with it – Starbucks even released a Hannah Montana-inspired drink, the Secret Popstar Refresher – the special received mixed views from fans. Some absolutely loved the special, and all the nostalgia it brought with it, with Miley’s singing performances being a highlight, but for others, they felt the special was hollow and uninspiring, with the lack of returning cast members only adding to that feeling. I personally didn’t enjoy the special. I didn’t learn much about the show, and felt that some of the special guests’ interviews with Miley felt a bit awkward.

Off the back of this special, Airbnb opened up a recreation of the Malibu house from the Hannah Montana series, including a recreation of the “dream closet”. It was available by request for a limited 10 one-night stays between 6th April and 16th April 2026, for free[17].

Outside of television, Hannah Montana has had a limited presence at the Disney theme parks. For example, at Disney’s Hollywood Studios at Walt Disney World Resort, there used to be the attraction Studio Backlot Tour, which took guests on a tour, where they could see movie props and how special effects were created for films. After Hannah Montana: The Movie’s release, the painted coop, that Travis and Miley paint during her time at Crowley Corners, was placed in the backlot for guests to see. However, the Studio Backlot Tour closed on 28th September 2014, making the coop no longer accessible to guests.

Also at Disney’s Hollywood Studios, from October 2010 to 2013, there was a short stage show performed called Disney Channel Rocks, which was similar to the High School Musical pep rallies that had been seen at this park as promotion for the trilogy of films. Disney Channel Rocks showcased music from many Disney Channel musicals and series including The Cheetah Girls, StarStruck, Jump In!, and High School Musical. Songs from Hannah Montana were not included for some reason.

However, a slightly altered version of this show later appeared at the special event Disneyland After Hours: Disney Channel Nite in March 2024. It contained music from The Cheetah Girls, Camp Rock and its sequel, and High School Musical still, and this time, “Ordinary Girl” from Hannah Montana was included. After the success of its 2024 special event, Disney Channel Nite returned in 2026, for three-nights, on 12th, 14th, and 16th April 2026. Here, Disney Channel Rocks returned, and specifically related to Hannah Montana, there was a photo spot, complete with microphones and the series logo as a background, and at an exhibit from the Walt Disney Archives at Starcade in Disneyland’s Tomorrowland, props and costumes from Disney Channel franchises like Camp Rock, High School Musical, and Hannah Montana were on display. From Hannah Montana: The Movie, Hannah’s sparkly dress from the opening concert and Miley’s “Hoedown Throwdown” outfit were two costumes on display, with a Gibson guitar.

FINAL THOUGHTS

The popularity of Hannah Montana has been long-lasting. The music from the show has never been forgotten, and with Miley Cyrus’ personal musical success in the years after the show ended, this has only meant that the show that catapulted her into stardom has continued to remain relevant, over two decades later.

Disney had learnt from this that they could make their Disney Channel series even more successful by using them to make movies, and it is due to Hannah Montana’s success that its own film was able to be released theatrically.

Hannah Montana: The Movie felt like a perfect ending to the series, complete with the catchy tunes that the series was famed for. It didn’t end up being the finale of the series, so it is now more like an extension of the series, but still, it made a decent amount of money and appeased the fans who wanted to see more from their Disney Channel stars.


REFERENCES

[1] Credit: Keith Caulfield, ‘‘Hannah Montana’ Takes Top Spot On Billboard 200’, Billboard.com, 22nd April 2009.

[2] Credit: Sean Michaels, ‘Miley Cyrus replaced by Karen O in Grammy nomination’, TheGuardian.com, 11th December 2009.

[3] Credit: Katie Louise Smith, ‘Here’s who almost got cast as Hannah Montana before Miley Cyrus’, CapitalFM.com, 26th March 2026.

[4] Credit: Disney, Hannah Montana 20th Anniversary Special (2026), Disney+.

[5] Credit: Olivia Singh, ’40 celebrities you probably forgot guest-starred on ‘Hannah Montana’’, BusinessInsider.com, 16th January 2021.

[6] Credit: Los Angeles Daily News, ‘‘Hannah Montana’ lawsuit settled’, DailyNews.com, 4th August 2008.

[7] Credit: Seventeen, ‘daily gossip roundup’, Seventeen.com, 10th July 2007.

[8] Credit: D23, ‘5 Things You Didn’t Know About Hannah Montana: The Movie’, D23.com, 10th April 2019.

[9] Credit: CBS News, ‘Minor Accident On The Set Of Hannah Montana Movie’, CBSNews.com, 4th June 2008.

[10] Credit: Disney Channel, “Deleted Scenes” Hannah Montana: The Movie 2009 DVD Overview’, DiamondBoy’s Disney DVD&VHS Walkthroughs & Reviews YouTube Channel, 22nd January 2024.

[11] Credit: D23, ‘5 Things You Didn’t Know About Hannah Montana: The Movie’, D23.com, 10th April 2019.

[12] Credit: Disney Channel, ‘”I Should Have Gone To Film School – With Jason Earles” Hannah Montana: The Movie 2009 DVD Overview’, DiamondBoy’s Disney DVD&VHS Walkthroughs & Reviews YouTube Channel, 22nd January 2024.

[13] Credit: Billboard Staff, ‘‘Hannah Montana’ Rocks Box Office With $34 Million Opening’, Billboard.com, 13th April 2009.

[14] Credit: Beth Neil, ‘Exclusive: Hannah Mania’, Mirror.co.uk, 3rd April 2007.

[15] Credit: Is a Hannah Montana Prequel in the Works? Not So Fast…’, EOnline.com, 5th February 2020.

[16] Credit: ‘‘Hannah Montana’ Anniversary Special hits 6.3 Million Views in Three Days as Original Series Jumps 1,000% in Views’, Variety.com, 27th March 2026.

[17] Credit: Airbnb, ‘Live the best of both worlds at the “Hannah Montana” Malibu house’, News.Airbnb.com, 25th March 2026.

Harry Potter and the Prisoner of Azkaban (2004)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

Harry Potter and the Prisoner of Azkaban, the third book and film, was to be a turning point in the Harry Potter series, for various reasons.

Book Three was the point where the story became a lot darker. Here, Harry encounters people from his parents’ past, learns secrets and mysteries about their death, and comes face-to-face with some more terrifying beings in the Wizarding World. As well as dealing with all of this, Harry is still being tormented with the potential return of Lord Voldemort, who murdered his parents, and has to deal with that most dreaded of time: puberty. Yes, even witches and wizards have to endure those awkward teenage years!

Film Three was going to deal with these topics, but had some changes of its own. The director who had created the whimsical, enchanting Hogwarts that we had seen in the first two films decided not to return for the third film, and was replaced with Mexican director Alfonso Cuarón, who had a history of making coming-of-age movies and delving into the realm of fantasy, making him a good choice to take the helm for Harry Potter and the Prisoner of Azkaban, which had to be darker and more mature. Harry Potter and the Prisoner of Azkaban, along with introducing more new characters to the franchise, had to cope with a difficult recasting too, that of Richard Harris as Dumbledore after Harris’ passing in 2002. The role of Dumbledore passed over to another legendary British actor, Sir Michael Gambon, who made the character his own, becoming more eccentric, but still commanding.

With all these changes going on, and a lack of interest in the novels, although a love for the second film, it’s not much of a surprise that eleven-year-old me completely ignored the cinema release of Harry Potter and the Prisoner of Azkaban. Instead, my dad, my sister, and I watched it on DVD months later, and honestly, I thought very little of it. I didn’t understand the time-travelling sequence, even though it’s not all that complicated, so I can’t have been paying much attention, and there were just too many dark elements to it for me.

Having rewatched this film multiple times as an adult though, I have found parts of Harry Potter and the Prisoner of Azkaban that I like, and luckily, I have worked out the time-travelling and how it relates to the sequence of events that takes place. And yet, despite this third film and book being a fan-favourite, I would consider it my least favourite of the films. This does sometimes swap positions with the fifth film, but Harry Potter and the Order of the Phoenix does at least involve lots of my favourite villains, making it more interesting for me.

PLOT

Harry Potter and the Prisoner of Azkaban begins with Harry Potter secretly practising magic in his room at night, specifically the Lumos spell. Harry is still staying with the Dursleys, and his aunt Petunia, uncle Vernon, and cousin Dudley. Uncle Vernon keeps hearing noise from Harry’s room and keeps coming into his room to find out what Harry is up to, but every time Harry just pretends to be asleep.

On a new day, Harry finds that Uncle Vernon’s sister Marge is coming for a visit. Harry tries to get Vernon to sign a permission slip for school, so he can visit the town close to Hogwarts School, Hogsmeade. Vernon says he will only sign it if Harry behaves himself. Harry retorts he will behave if Marge does. At dinner that night, Marge tells Harry he’s lucky that her brother chose to take him in and not send him to an orphanage, and continuously insults Harry’s parents, saying Harry’s father was a lazy drunk, but that Harry’s real issues no doubt stem from his mother. Harry angrily tells Marge to shut up, and the glass Marge is holding shatters in her hand. Uncle Vernon and Aunt Petunia start to worry, knowing this was Harry’s magic, but Marge believes it was just her strong grip. As Marge is about to respond to Harry, she sees her finger is swelling up. Soon, her whole body has swollen up like a balloon. Marge bounces out of the dining room, out of the conservatory, and out of the Dursleys’ house entirely. Uncle Vernon tries to hang on to Marge, but after receiving a bite from Marge’s dog Ripper, he lets go. Marge flies away into the night sky…

Knowing he’s in trouble now, Harry packs up all of his things and tries to leave the house. Uncle Vernon demands Harry bring Marge back now, but he refuses. In actual fact, I don’t think he knows how! Harry threatens Vernon with magic, making Vernon step away. However, Vernon reminds Harry that he won’t be allowed back at Hogwarts now, after doing magic whilst he is still under the age of 17, a highly enforced law in the Wizarding World. Harry pretends not to care and leaves, walking into the night with no plan.

Harry makes his way to the local playground and sits on the curb with his trunk and cases, and his owl Hedwig. As he waits, Harry sees movement in the bushes opposite and looks up to see a large black dog staring at him. Suddenly, a triple-decker purple bus pulls up in front of him. The bus conductor gets off and introduces the bus as the Knight Bus, an emergency form of transport for stranded witches and wizards. Harry is told to get on the bus, and it’ll take him where he wants to go. Harry wants to go to The Leaky Cauldron, a wizarding pub and inn in London. The bus travels at great speed making for a bumpy ride, with the elderly driver Ernie at the helm, and his sarcastic Shrunken Head assistant providing ongoing commentary on the journey. Harry sees the conductor reading the latest edition of the wizarding newspaper, The Daily Prophet, and notices the front page talking about a man who has escaped the wizarding prisoner Azkaban. The conductor tells Harry that man is Sirius Black, a convicted murderer, and they should all be concerned.

After a near-miss with an elderly woman crossing the road, and almost crashing into two regular double-decker buses, the Knight Bus gets Harry to The Leaky Cauldron, where he is promptly sent to a meeting with the Minister of Magic Cornelius Fudge. Harry fears he is about to get expelled for using magic on Aunt Marge, but Fudge reassures Harry that all is well, Marge has been found and her memory has been wiped; Harry will still be attending Hogwarts this year. Fudge has even brought all the equipment and books for Harry’s Third Year at school to inn. Harry is taken to his room to await the new school year.

The next day, Harry looks over his new school stuff, and is particularly interested by The Monster Book of Monsters, that has a furry cover with eyes. And yet, this book is not fluffy and friendly. The book gets quite bitey when it is opened and goes on a rampage through the room, hiding under Harry’s bed. Harry coaxes it out and hits it with his shoe so it can be closed! Harry then goes downstairs to the pub and is happily surprised to see his best friends, Ron Weasley and Hermione Grainger standing there, although they are arguing about Hermione’s new cat, Crookshanks, and its interest in Ron’s rat Scabbers. Ron then tells the two all about his family’s trip to Egypt. Ron’s father, Mr. Weasley, takes Harry aside and asks him what he knows about Sirius Black. Mr. Weasley tells Harry that Black is still a loyal follower of the dark wizard Voldemort and is eager for his return. He has likely escaped Azkaban because he plans to kill Harry. He warns Harry not to look for Black, to which Harry responds: why would he go looking for someone trying to kill him? Good point.

Soon after, Harry and his friends board the Hogwarts Express to start their new school year, and end up sharing a carriage with a sleeping man, who turns out to be Professor Lupin, a new teacher at Hogwarts. Harry tells Ron and Hermione all he knows about Sirius Black, and they share their concern. Suddenly, the train stops and everywhere starts to feel cold with surfaces frosting over. The three see a skeletal, cloaked figure come to their carriage. It comes in and starts to attack Harry, causing him to faint. Professor Lupin wakes up at this point and repels the attacker. He explains to Harry, when he regains consciousness, that the figure was a Dementor, and was likely searching the train for Sirius Black. He tells Harry to eat some chocolate to feel better and leaves to talk to the train driver. Harry asks if either Ron or Hermione fainted, or heard a scream, like he did. They say they didn’t, only that they felt they’d never be happy again when the Dementor was near them.

At Hogwarts, the students are all assembled in the Great Hall for their usual start-of-term assembly. Professor Dumbledore introduces the students to their new Defence Against the Dark Arts teacher Professor Lupin and explains that Hagrid is the new Professor for Care of Magical Creatures. He also tells everyone that there will be Dementors stationed at Hogwarts this year as they continue their search for Sirius Black. Dumbledore warns the students not to get in the way of the Dementors, as they do not differentiate between real criminals and those who get in their way. And just to boost the mood, he also tells them that happiness can be found if one remembers to turn on the light. So, another fun year then…

The next day, classes begin and Harry and Ron’s first one is Divination class with the spiritual Professor Trelawny. She has the class read each other’s tea leaves. Ron is asked to read Harry’s tea leaves, but struggles to understand them. Professor Trelawny takes the cup, and immediately puts it down, with a little scream. She tells Harry he’s got The Grim. Woah, sounds terrible – and contagious. Another student explains that The Grim is the omen of death, which takes the shape of a large black dog, like the one Harry saw as he was waiting for the Knight Bus. Harry begins to fear for his safety.

As Ron and Harry, and Hermione, who randomly popped up towards the end of Divination class, walk to Care of Magical Creatures with Hagrid, they talk about the class, with Hermione seeing it as a complete joke. Harry forgets about it – for now. At Care of Magical Creatures, Hagrid introduces the class to a Hippogriff, a half-bird, half-horse creature, named Buckbeak. Harry is asked to meet Buckbeak first. He gains the creature’s trust and respect so Hagrid puts Harry on its back and Buckbeak takes him on a flight around Hogwarts. On his return, Draco Malfoy doesn’t believe that Buckbeak is dangerous, despite what Hagrid says, and struts up to the creature. It takes an instant disliking to Malfoy and kicks its leg out at him, injuring his arm. Hagrid takes Malfoy to the school hospital.

The next day, Draco milks his injury for all its worth to anyone who will listen, annoying Harry, Ron, and Hermione. Hermione says Draco’s father is furious and will not let the incident go. Other students then start discussing the new front page of the newspaper, saying that Sirius Black was spotted in Dufftown, which is not far from Hogwarts. But there’s no time to dwell on that as it is time for their first Defence Against the Dark Arts class with Professor Lupin. Here, Lupin teaches the students about Boggarts, a creature that shape-shifts into whatever the person looking at it fears the most. He gets the students to line up and use the spell “Riddikulus”, which will turn the Boggart into something funny. The class do well, with Neville Longbottom making his Professor Snape-shaped Boggart show up wearing his grandmother’s clothes, and having Ron turn his spider into a roller-skating spider. However, on Harry’s turn, Professor Lupin pushes in front of him and the Boggart turns into the moon. With Lupin’s spell, it becomes a balloon, blowing into the wardrobe it was kept in.

Later that day, all of Harry’s year are heading out to Hogsmeade, the town where Hogwarts is located, however, Harry did not get his permission slip signed and is not allowed to go. Instead, Harry speaks to Lupin. Lupin apologises to Harry for what happened in class, fearing that the Boggart was going to turn into Lord Voldemort. It actually began to turn into a Dementor, Harry’s newest fear now. Lupin also says he knew Harry’s mother and father, and says Harry is very much like both of them, with Lily’s eyes and James’ talent for trouble.

On returning to the Gryffindor Common Room, Harry finds a commotion outside their portrait entryway. The Fat Lady, who would normally allow students entry into the Common Room, has gone, and the portrait is scratched up. Professor Dumbledore and Mr. Filch, the caretaker, arrive to investigate. They find the Fat Lady in another portrait, cowering behind a hippo. She tells Dumbledore that Sirius Black was here, in the castle. Dumbledore orders the castle be secured and searched, whilst the Gryffindor students are made to sleep in the Great Hall. Dumbledore and Snape discuss the risk this poses to Harry, with Snape saying another teacher, like Lupin, may’ve helped Black enter the castle. Dumbledore dismisses this theory. Snape asks if Harry should be warned. Dumbledore says later, not realising that Harry has been awake through all of this and heard everything.

The next day, during Defence Against the Dark Arts, Harry is shocked to find that Professor Snape is covering the class. They are told they will be learning about werewolves and Animagi, and the differences between the two. Hermione pops up to class, late again, and says they weren’t due to start learning about these creatures for weeks. Snape assigns an essay on the creatures and how to recognise them. Harry says he can’t possibly have time to write this essay with the Quidditch match going on tomorrow. He tells Harry then he’d best be careful, because even loss of limb won’t excuse him from it.

The Quidditch match takes place in stormy, thundery weather and Harry ends up having to fly high above the stadium to search for the Snitch. He sees an image of The Grim reflected in the clouds during a lightning strike, distracting him. Dementors then start to surround Harry, and despite his attempts to evade them, more and more appear. They attack him, and Harry faints, falling off his broom. The pupils and teachers watch in horror as Harry falls into view. Dumbledore saves him from certain death. Harry wakes up in hospital to find his broom blew into the Whomping Willow and is no more. Harry says to Lupin that he wants to learn how to fight Dementors. Lupin says he will teach him, after the holidays.

To make things even worse, once again, the students are sent off to Hogsmeade, and Harry is still unable to join. He decides to take his Invisibility Cloak there, but is stopped by Ron’s older brothers, Fred and George, who see Harry’s footsteps in the snow. They tell him they want to help him, and proceed to give him the Marauder’s Map, which they stole from Filch’s office. The map shows secret passageways and the movements of individuals in the school, like Dumbledore pacing in his office. Fred and George tell Harry to use the secret passageway that ends up in the Honeydukes sweet shop basement to get to Hogsmeade.

Harry arrives and quickly finds Ron and Hermione who are by the Shrieking Shack, being teased by Draco Malfoy and his friends. Harry, still in the Invisibility Cloak, messes with Draco and the others, getting them to leave, fearing they are being haunted. Harry then hears that Cornelius Fudge and Professor McGonagall need to speak to Madam Rosmerta about Sirius Black. Harry sneaks into the pub to overhear the conversation. Inside, he learns that Sirius Black is the reason that Harry’s parents are dead, as he told Voldemort where they were hiding during the Wizarding War all those years before. They also say Black murdered one of their friends, Peter Pettigrew, who was attempting to warn Harry’s parents what Black had done. Only a single finger of Pettigrew’s was found after Black destroyed him. Harry is horrified to hear that the escaped prisoner is the reason his parents are dead, and to land the killer punch, he learns Black is actually his godfather. Harry storms off, upset. Hermione and Ron find him. Harry says he wants Black to find him, so he can kill him first.

With all this anger inside him, now seems to be a good time for Harry to learn how to repel Dementors. Using a Boggart, Lupin teaches Harry the Patronus charm to do this, however, it requires a strong, happy memory to do this. Harry’s first attempt fails and he faints again, as he uses a simple memory of when he first learnt to fly. Harry asks to go again, choosing a different memory. This time, it works and Harry successfully repels the Dementor-shaped Boggart, using a memory of hearing his parents speaking to him.

Later, Harry learns that Ron and Hermione are fighting again because Scabbers has gone missing and Ron blames Hermione’s cat Crookshanks for it. They head off to see Hagrid as he had a meeting about the “Buckbeak incident”. Hagrid is upset because Buckbeak has been sentenced to death, thanks to testimony from Draco Malfoy’s father.

That night, Harry is looking at the Marauder’s Map as everyone else is asleep. He sees the name “Peter Pettigrew” on there. Confused, Harry leaves his dormitory and starts to follow the movements of Pettigrew, not understanding how he can be in the castle when he is dead. Harry doesn’t find anything though, and is actually found by Professor Snape. Harry tries to hide the map, but Snape sees a piece of parchment and puts a spell on it to reveal its “secrets”. Harry is ordered to read what it says. It turns out to be an insult to Snape. Lupin arrives just in time, and is given the parchment to investigate by Snape. Lupin takes Harry back to his office, telling Harry the map was a silly thing to have in his possession because it would be a map to Harry should Sirius Black find it. Harry apologises for not handing it in, but says the map doesn’t seem to work anyway. Lupin asks why he thinks that and Harry reveals that the deceased Peter Pettigrew was spotted on it.

The next day, in Divination class, Professor Trelawny is trying to inspire her students again, but Hermione tries to make a mockery of the class by referencing The Grim again. Trelawny tells Hermione she has no aptitude for this class, having a shrivelled dry soul like an old maid. Hermione walks off in a huff, and knocks over one of the crystal balls which rolls out of the room. On leaving the class, Harry sees the ball and returns it to the classroom. Harry then sees Sirius Black in the ball, and Trelawny appears in some sort of trance. She says he will return to tonight; he who betrayed his friends and whose heart rots with murder shall break free, innocent blood will be spilt, and servant and master shall be reunited once more. Harry is terrified, but Trelawny doesn’t remember a thing!

That evening, Hermione, Ron, and Harry go to Hagrid’s Hut as support because this is the day that Buckbeak is to be executed. Before they get there, they see Draco and his friends wanting to watch the execution. Hermione threatens Draco for his role in all this, and punches him in the face. They run away. Harry, Ron, and Hermione spend time with Hagrid and want to set Buckbeak free but know they cannot, and besides, Dumbledore, Fudge, and the executioner are already here. They are told to leave, and just before they do, Hagrid returns Scabbers to Ron. They sneak out the back door and run back up the hill. They see the executioner raise his axe and bring it down, as birds scatter. It is done.

Randomly, Scabbers then chooses that moment to bite Ron and runs to the Whomping Willow. Ron manages to retrieve him, but then sees a black dog behind Harry and Hermione. It jumps over them and goes straight for Ron, biting his leg and dragging him into the tree. Hermione and Harry go after him, but the Whomping Willow’s branches start attacking them. After a bit of a struggle, they go into the trunk of the willow and see it is a secret passageway, heading to the Shrieking Shack. They eventually find Ron, who tells them the dog was actually Sirius Black – he is an Animagus, someone who can transform into an animal at will. Sirius Black approaches them, causing Harry to attack him, trying to strangle him, but Black simply laughs. Professor Lupin then arrives and quickly shows himself to be on the side of Black. Black says they have to kill him now. Hermione is shocked to find that Lupin is on Black’s side, and reveals that she knows Lupin is a werewolf. Lupin explains that it was not Black who betrayed Harry’s parents, but was actually Peter Pettigrew. Lupin realised Pettigrew must’ve faked his death after Harry said he saw the name on the map. Snape then arrives and says he looks forward to bringing Black to the Dementors, and is pleased with himself for knowing Lupin was the one helping him.

However, Harry wants to know more about what Black and Lupin are saying so disarms Snape instead. They say that Pettigrew is in this room and points to Ron. Ron thinks they’ve gone crazy, but they say Pettigrew is the rat. Ron says that can’t be true as Scabbers has been in his family for about twelve years, which is a very long lifespan for a common garden rat. “Scabbers” tries to escape the room, but his true form is revealed before he can do so. Black and Lupin want to kill Pettigrew now for betraying their friends, but Harry says they should take him to the Dementors.

They all head to the castle, with Ron needing some help after getting a nasty bite from Black whilst he was in his dog form! Outside of the Whomping Willow, Black becomes distracted by the fresh air, admiring Hogwarts. He asks Harry if he would like to live with him instead of the Dursleys, once this “misunderstanding” has been cleared up. Harry says he’d like that. All of a sudden, they notice the full moon and see Lupin transforming into a werewolf. Pettigrew takes the opportunity to turn himself back into a rat and run off. Lupin then starts to attack the group. Snape comes out of the tree to have a word with Harry but sees Lupin, and tries to protect the children. Black turns back into a dog and fights Lupin. They hear a wolf call and Lupin runs off into the forest to follow it. Black turns back into his human self and tumbles down a hill. Harry follows him, finding Black unconscious by the side of a lake. A large group of Dementors come to attack Black, and Harry as he is seemingly an accomplice. Black’s last breath appears to be taken, but then, Harry sees a powerful Patronus charm being cast from across the lake. The Dementors vanish. Harry passes out.

Harry wakes up in hospital and proclaims it was his dad who cast the Patronus charm. Hermione tells Harry to listen to her: the Dementors are going to perform their “kiss” on Sirius Black soon, which will suck out his soul. Dumbledore comes in and Harry, Hermione, and Ron, who is also in a hospital bed with his bad leg, tells Dumbledore that Black is innocent. Dumbledore believes them but knows it is not enough to persuade anyone else. He starts talking about time and retracing their steps, and that more than one life could be spared tonight, saying “three turns ought to do it”, before leaving. Confused, Harry looks to Hermione, who has already wrapped a necklace with a pocket watch on it around his neck. Hermione turns the watch three turns and Harry sees they have gone back in time. It is now 7:30pm. Hermione asks what they did at that time last night. Harry says they were going to Hagrid’s. Hermione and Harry go there.

Harry witnesses Hermione punching Draco and can’t understand what is going on. Hermione pulls Harry into a hiding place and explains that the necklace she has is a Time Turner. Professor McGonagall gave it to her on the first day of term so she could attend all the classes she wanted to that year. She warns Harry that they cannot be seen by their past selves. She tells Harry to follow her to Hagrid’s.

They hide behind the pumpkins by Hagrid’s Hut, and wait for themselves to leave, because they cannot take Buckbeak right away, as they need Fudge and Dumbledore to see it first so they don’t suspect Hagrid. Hermione wonders why they aren’t leaving, and sees a pebble on the pumpkins that looks like one she saw in the hut that night. She realises she must’ve thrown the two that hit a pot and then Harry, prompting them to look out the window and know that they had to leave right that minute. Hermione does just that and she and Harry hide in the forest, as their past selves take their place by the pumpkins. They wait for their past selves to leave, before coaxing Buckbeak into the forest with dead ferrets. They are successful, despite being spotted by Dumbledore, who distracts Fudge. Fudge then turns around to find Buckbeak has vanished. He wants to search for Buckbeak but Dumbledore tells him not to bother and asks Hagrid if they can stay for a drink. The executioner instead uses his axe to split a pumpkin.

Harry and Hermione then wait in the forest close to the Whomping Willow. They see Lupin and Snape enter the tree, so wait for the events to play out. Whilst they do, Harry reiterates that his dad performed that Patronus charm and tells Hermione that Sirius asked Harry to live with him. All of a sudden, they see everyone leaving the Whomping Willow and watch as Lupin transforms into a werewolf and starts to attack them all. Hermione makes a wolf call, learning that she was the one to do that and get Lupin away from them. However, this means that this has now drawn Lupin to them. Harry and Hermione are chased through the forest, with Buckbeak coming to their rescue to fight off Lupin. They then watch as the Dementors come to the lake and see the attack on past Harry and Sirius across the lake. Harry says they just need to wait for his dad to come and perform the charm. Hermione says no-one is coming and fears that the past Harry and Sirius are about to die. Harry stands up and casts the very powerful Patronus charm himself, making the Dementors flee. The two then fly on Buckbeak to free Sirius from the Dark Tower. They take Sirius to the courtyard.

In the courtyard, Harry is told he must stay at Hogwarts but that he and Sirius will be reunited soon. Sirius tells Harry what he is always being told: that he looks so much like his father but has his mother’s eyes. On this occasion, Harry doesn’t mind being told that for maybe the hundredth time! Sirius says that the ones that love us never leave us, and flies away on Buckbeak to lie low for a while.

Hermione and Harry run back to the hospital to be back at the point where they went back in time. They tell Dumbledore that they succeeded in their mission; Dumbledore feigns ignorance and wishes them a goodnight. They arrive back in the hospital and see Ron looking very confused about what just happened! They don’t let him in on the secret.

Harry goes to see Lupin and realises that Lupin is leaving Hogwarts. Lupin says he has decided to leave before any of the parents can complain that they have a werewolf teaching their children at Hogwarts. Harry is sad, both that Lupin is leaving as they had a bond, but also that he sees last night as making no difference because Pettigrew escape. Lupin reminds Harry that he made a world of difference, not least because he spared an innocent man from death. Now that Lupin is no longer his teacher, he also allows Harry to have the Marauder’s Map back, telling him goodbye.

Harry finds his friends in the Great Hall and they excitedly tell him he has a parcel. Sadly, Ron has already half-opened it, blaming it on the poor wrapping, so it is obviously revealed to be a new broomstick, a Firebolt no less. It didn’t come with a note; however, it did come with a Hippogriff feather, meaning it was sent by Sirius. Encouraged by his friends, Harry takes the Firebolt for a quick spin around Hogwarts!

CHARACTERS & CAST

To go alongside the variety of teachers, and actors, we met in the first two stories, such as Professor McGonagall, Professor Snape, and Rubeus Hagrid, in his new role as Professor for Care of Magical Creatures, who all return here, and the large quantity of students who walk the halls of Hogwarts School of Witchcraft and Wizardry, like Neville Longbottom, Seamus Finnigan, Draco Malfoy, Fred and George Weasley, and of course, Harry Potter, Ron Weasley, and Hermione Grainger, who are also back for this film, numerous new characters are introduced to us in Harry Potter and the Prisoner of Azkaban.

After Professor Lockhart’s departure at the end of Harry Potter and the Chamber of Secrets, Hogwarts needs a new Defence Against the Dark Arts teacher. This time, Professor Remus Lupin was hired. Harry, Ron, and Hermione first meet him on the Hogwarts Express, and luckily find out that he is actually a very competent teacher – unlike Lockhart – because he successfully repels a Dementor that is attacking Harry. Lupin also proclaims chocolate to be the great healer of all ills, so that’s another reason to trust him! Lupin is kind and supportive to his students, most of all Harry, who he bonds with over their conversations about Harry’s parents. However, Lupin is hiding a dark secret – that he is actually a werewolf. When Lupin transforms into a werewolf, he is not himself, and attacks anyone close to him without realising what he is doing. Because of this, it makes Lupin a danger to his students, and makes his position as the Defence Against the Dark Arts teacher untenable. His departure from Hogwarts signals the end of his time as a professor, but does not mean a goodbye from the series; Lupin would later return in a different role: as part of “the Order”.

David Thewlis was cast as Lupin, having originally been considered for the part of Professor Quirrell in Harry Potter and the Philosopher’s Stone. Early in his career, Thewlis won the Best Actor award at the Cannes Film Festival, amongst others for his role as Johnny Fletcher in the film Naked (1993). Other film roles Thewlis secured after this include the part of Knox Harrington in the crime comedy film The Big Lebowski (1998) and a voice role as Mr. Earthworm in James and the Giant Peach (1996), based on the Roald Dahl novel. After his role in the Harry Potter films, Thewlis went on to appear in many other films, including as Nick Davies in The Fifth Estate (2013); as Dennis Sciama in The Theory of Everything (2014); as Sir Patrick / Ares in Wonder Woman (2017); and as Peylak in Avatar: Fire and Ash (2025). More recently, Thewlis has been cast in a variety of television series. For his performance in Season 3 of Fargo (2014-24), where he was cast as V. M. Varga, he was nominated for Best Supporting Actor at the Golden Globes, the Critics’ Choice Awards, and the Primetime Emmys. Thewlis was also nominated for a BAFTA for his role as Christopher Edwards in the true crime series Landscapers (2021), with Olivia Colman as his co-star. He has also been cast as Norbert Fagin in the Disney+ series The Artful Dodger (2023-present), with Thomas Brodie-Sangster in the title role, and co-starred with Jason Watkins to play Ash Smith in Dirty Business (2026), a miniseries for Channel 4.   

When the audience first hears about Sirius Black, we only know him as a murderer who has escaped from Azkaban prison, a notorious prison in the Wizarding World. We later learn that Black was the reason that Harry’s parents were discovered and killed by Lord Voldemort when Harry was just a baby, and that he killed one of his friends, Peter Pettigrew. All of this led to Black’s detention in Azkaban. During the course of events in Harry Potter and the Prisoner of Azkaban though, we realise that Black was falsely accused, and had been left to take the blame. Black was always loyal to Harry’s parents and always against Voldemort, revealing that Pettigrew was the one who betrayed them, and then faked his own death, which Black was convicted of. Black shows himself to be a highly loyal person, and not an insane killer, only wanting Pettigrew to pay for all those years Black spent in Azkaban. We also discover that Sirius Black is Harry’s godfather, who later invites Harry to live with him, so he can be away from his awful aunt and uncle. Harry finally gets a real father figure in his life, but knows that he and Sirius must be separated until the heat dies down on Sirius.

Sirius Black was played by Gary Oldman, whose career has spanned film, television, and stage work. On stage, Oldman was cast in performances by the Royal Shakespeare Company in the 1980s. In 2025, Oldman starred as Krapp in Krapp’s Last Tape in York. In film, Oldman has been cast in a variety of films, such as playing Rosencrantz in Rosencrantz & Guildenstern Are Dead (1990); portraying Lee Harvey Oswald in JFK (1991); Dracula in Bram Stoker’s Dracula (1992); and for playing James Gordon in the Batman films. Oldman has also been nominated for countless awards for his roles in other films. For portraying Winston Churchill in Darkest Hour (2017), Oldman won the Academy Award, the SAG Award, the BAFTA, and the Golden Globe in the Best Actor category. He would also be nominated at the Academy Awards, amongst others, for his roles as George Smiley in Tinker Tailor Solder Spy (2011) and as Herman J. Mankiewicz in Mank (2020). In television, Oldman has become well-known for starring as Jackson Lamb in the Apple TV series Slow Horses (2022-present), for which he has been nominated at the SAG Awards, the BAFTAs, the Emmys, and the Golden Globes. Oldman has also had voice roles in some animated movies, including as Lord Shen in DreamWorks’ Kung Fu Panda 2 (2011), as Lord Ruber in Quest for Camelot (1998), and as Bob Cratchit, Jacob Marley, and Tiny Tim in Disney’s A Christmas Carol (2009), which involved motion capture.

To round out this dysfunctional trio, we have Peter Pettigrew, described by Professor McGonagall as a “lump of a boy”, who used to follow Sirius Black and James Potter, Harry’s father, around when they were at school together. The teachers believe that Pettigrew was “destroyed” by Sirius Black, with only a finger left as evidence of his existence, however, it turns out Pettigrew faked his death, cutting off his own finger to frame Sirius for his murder, before disappearing by shape-shifting into a rat. This rat would end up with the Weasley family being named Scabbers. How weird must it have been for Ron to find out that the rat he has been holding on to for years was actually a man in his mid-30s… Pettigrew is forced to confront his past by Black and Lupin as they make him regain his human form. Here, Pettigrew admits he did give away Harry’s parent’s location to Voldemort out of fear. Black wants to kill Pettigrew for this act of cowardice but Harry says they should let the Dementors deal with him. Sadly, Pettigrew gets away as the group become distracted by Lupin’s werewolf transformation and scurries off in his rat form. Nowhere knows where he ends up.

Timothy Spall was cast as Peter Pettigrew. One of Spall’s earliest film roles was as Harry in Quadrophenia (1979), going on to be cast as Barry Spencer Taylor in the British comedy series Auf Wiedersehen, Pet (1983-86, 2002-04). He was BAFTA-nominated for his roles as Maurice Purley in Secrets & Lies (1996), and as Richard Temple in Topsy-Turvy (1999). Spall has been cast in various films of different genres, including as Rosencrantz in the Kenneth Branagh-directed Hamlet (1996); voicing Nick in Aardman’s Chicken Run (2000); being cast as Mr. Poe in Lemony Snicket’s A Series of Unfortunate Events (2004); and playing Nathaniel in Disney’s Enchanted (2007); and Beadle Bamford in Sweeney Todd: The Demon Barber of Fleet Street (2007). Spall would have further success with his role as Peter Taylor in The Damned United (2009), and for his portrayal of artist J. M. W. Turner in Mr. Turner (2014), winning numerous awards including the Cannes Film Festival’s award for Best Actor. Spall also portrayed Winston Churchill in the critically-acclaimed The King’s Speech (2010). More recently, Spall was cast as Equerry Major Alistair Gregory in Spencer (2021), and as Bernie Cheshire in Netflix’s Goodbye June (2025). In series, Spall won a BAFTA television award for his performance as Peter Farquhar in the BBC true crime series The Sixth Commandment (2023), going on to be cast as the Duke of Norfolk in Wolf Hall: The Mirror and the Light (2024), which starred Mark Rylance as Thomas Cromwell. Currently, Spall stars as John Chapel in the BBC crime series Death Valley (2025-present).

Professor Trelawny is the Divination teacher at Hogwarts, who we first see in Harry Potter and the Prisoner of Azkaban, although she is not a new teacher to the school. Trelawny’s Divination classes consist of teaching the students about interpreting signs around them, such as through tea leaves or through crystal balls. Many students don’t take Trelawny’s classes very seriously, especially Hermione who doesn’t believe in auras, and seeing into the future. Trelawny, however, does prove to be useful, as she does predict that Harry is in danger, although her prediction of The Grim, which would’ve meant imminent death to him, was not quite right, and she delivers a prophecy to him that does turn out to be true, as the truth of what happened to Harry’s parents is revealed in the Shrieking Shack with Sirius Black, Lupin, and Pettigrew. Trelawny is a bit strange but she means well.

Dame Emma Thompson was cast as Professor Trelawny. In the 1990s, Thompson won the Academy Award for Best Actress in Howards End (1992) for her role as Margaret Schlegel and was nominated the next year in the same category for The Remains of the Day (1993) where she played Miss Kenton. In 1995, Thompson wrote and starred in Sense and Sensibility (1995), playing the part of Elinor Dashwood, where she was once again nominated for Best Actress, and won the Academy Award for Best Adapted Screenplay. Thompson later became known for her roles of Karen in Love Actually (2003); and as Nanny McPhee in the 2005 movie of the same name and its 2010 sequel. Thompson has been cast in both live-action and voice roles for numerous Disney movies as well. She voiced the character of Captain Amelia in Disney Animation’s Treasure Planet (2002) and voiced Queen Elinor in Pixar’s Brave (2012), before starring as P. L. Travers in Saving Mr. Banks (2013) alongside Tom Hanks as Walt Disney, and was cast as Baroness von Hellman in Cruella (2021). Recently, Thompson played Miss Trunchbull in Matilda the Musical (2022); Nancy Stokes in Good Luck to You, Leo Grande (2022); and Dame Katherine Newbury in Late Night (2019), receiving nominations at the Golden Globes for Best Actress in a Comedy or Musical for the latter two roles. Currently, Thompson stars as Zoë Boehm in Down Cemetery Road (2025-present) for Apple TV. Thompson was made a Dame in 2018. Allegedly, Tilda Swinton was up for the role of Professor Trelawny, however, she was not cast due to scheduling conflicts, although some report she simply did not want to be involved[1].

There was also a new addition to the Dursley family, as Uncle Vernon’s sister, Marge, came to visit the family at the beginning of Harry Potter and the Prisoner of Azkaban with her bulldog, Ripper. Marge had previously been alluded to in the first Harry Potter film, after Vernon reads out a postcard from her. Aunt Marge is rude and insensitive, simply saying what she thinks without any care for who is around her. She says that Harry is lucky that her brother didn’t send Harry off to an orphanage after his parents died, whereas she wouldn’t have kept him, and then goes on to check that Harry is being disciplined at his school. The final straw for Harry is when Marge starts discussing Harry’s mother and father, saying that Harry’s father must’ve been a deadbeat because he didn’t work, and that perhaps that is why Harry is the way he is. She moves on to Harry’s mother, saying that is really where the problems would stem, which naturally riles Harry up, leading to him inadvertently using magic to make her swell up and fly off into the sky. Luckily, Harry doesn’t see her again, although she is found and dealt with so she has no memory of the incident.

Pam Ferris was cast as Aunt Marge. For those watching the Harry Potter films in the 2000s, they’d likely have known Ferris from her role as Agatha Trunchbull in Matilda (1996), the non-musical and original adaptation of the Roald Dahl film. Ferris was actually nominated at the Saturn Award for Best Supporting Actress for her terrifying portrayal of the character. She was also known for starring as Florence “Ma” Larkin in The Darling Buds of May (1991-93) on ITV, with David Jason being cast as “Pop” and Catherine Zeta-Jones playing their on-screen daughter Mariette. Also in the 1990s, Ferris starred as Peggy Snow from Series 1 until Series 4 of the ITV drama Where the Heart Is (1997-2006), being nominated at the National Television Awards for Most Popular Actress for her role here. In the 2000s, Ferris was cast as Cath Smith, Smithy’s mum, in the popular comedy series Gavin & Stacey (2007-24), and as Laura Thyme in ITV’s Rosemary & Thyme (2003-07), co-starring with Felicity Kendal. She played Sister Evangelina in the BBC’s drama series Call the Midwife (2012-present) up until Series 5.

Now, for some smaller roles. The Knight Bus sequence features a few characters who only appear for that section. They are the Bus Conductor, who seems quite bored and irritated by his job! He begrudgingly lets Harry onto the bus, wanting him to hurry up and get on, and then struggling to carry his luggage on to it. He just wants to get going with as little chat as possible, although he does tell Harry who Sirius Black is after Harry sees him on the front of the newspaper, albeit rather dramatically. The attitude of the Bus Conductor is quite a contrast to the magical experience of being on the Knight Bus, but I do love his line: “What’cha fell over for?”, when he sees Harry lying on the curb as the bus picks him up.

The Bus Conductor was played by Lee Ingleby. Ingleby went on to be cast as Mole in the 2006 BBC TV adaptation of The Wind in the Willows, going on to have roles in numerous television series after that. Some of these include DS / DI John Bacchus in BBC’s Inspector George Gently (2007-17); George Mottershead in the drama series Our Zoo (2014); and as DI Tony Myerscough for the Netflix series Criminal: UK (2019-20). Recently, Ingleby was cast as DSI Jim Hobson in The Long Shadow (2023); as DCS Neil Adamson in The Hunt for Raoul Moat (2023); as David Leigh in The Hack (2025), all for ITV.

The Knight Bus is being driven by the elderly Ernie, who doesn’t seem to be able to see very well, so uses his talking Shrunken Head next to him to be his eyes. The Shrunken Head alerts Ernie to the fact they are about to run over an old lady crossing the road, and that the bus is about to crash with two double-decker buses, leading to Ernie braking sharply in the first instance and then slimming the bus to get in between the two buses. Ernie might be an erratic driver, but the Knight Bus certainly gets people where they need to fast!

Ernie was played by actor Jimmy Gardner. Gardner was cast as Con Lynch in 10 Rillington Place (1971), which starred Richard Attenborough. Around the time of his casting in Harry Potter and the Prisoner of Azkaban, Gardner appeared as Mr. Snow in Finding Neverland (2004). He passed away in 2010. The voice of the Shrunken Head was provided by comedian and actor Sir Lenny Henry. Henry went on to voice other characters in film, such as Peg-Leg Hasting in Aardman’s The Pirates! In An Adventure with Scientists (2012); Mr. Convenience in Wallace & Gromit: Vengeance Most Fowl (2024); and The Great Know-All in The Magic Faraway Tree (2026). Recently, Henry appeared as Sadoc Burrows in the Amazon Prime series The Lord of the Rings: The Rings of Power (2022-present) and wrote the drama television series Three Little Birds (2023) which aired on ITV, also appearing as Remuel Drake. He had also previously written and starred as Samson in the television film Danny and the Human Zoo (2015). Henry was later revealed to be Blob in Series 2 of The Masked Singer UK (2020-present). He received the Special Recognition Award for his work at the National Television Awards in 2022.

 At The Leaky Cauldron, Tom, the innkeeper, welcomes Harry after his arrival of the Knight Bus, also having to turn his car alarm off after the Knight Bus hits into his car! Tom shows Harry to his meeting with Cornelius Fudge, before taking Harry to his room. Tom was played by Jim Tavaré, who was part of the ITV sketch comedy show The Sketch Show (2001-04) around this time, appearing with other comedic actors like Lee Mack, Tim Vine, and Ronni Ancona. He later appeared as The Dog Catcher in Pudsey the Dog: The Movie (2014). Tavaré is also a stand-up comedian.

At Hogwarts, the Fat Lady is the portrait that is the entryway to the Gryffindor Common Room. For Harry Potter and the Prisoner of Azkaban, the Fat Lady seems to have had a makeover and a personality transplant, as she looks completely different to the regal woman who guards the Common Room in the first film. In this third film, the Fat Lady is too distracted trying to prove her singing abilities to let the students in on one occasion, irritating Harry, and on another, she is seen hiding in a completely different portrait after she sees Sirius Black in the castle; she is terrified. We don’t actually know what happened to her after that, but I can only assume she went back to her regular duties after some time off to reset!

Dawn French was cast as the Fat Lady here. French is known for her comedy sketch show French and Saunders (1987-93, 1994-2005) with fellow comedienne Jennifer Saunders. The two were awarded the BAFTA Television Fellowship in 2009 for their work. French is also known for her role as Geraldine Granger in the comedy series The Vicar of Dibley (1994-2007). She starred in other series too, like as Rosie Bales in Jam & Jerusalem (2006-09) and as Joy Aston in Psychoville (2009-11), before being cast as Gina Benelli in the Sky drama series Delicious (2016-19), which also starred Emilia Fox. She also played Maggie Cole in the ITV series The Trouble with Maggie Cole (2020), starring alongside Mark Heap. Recently, French and Heap appeared together as husband and wife once again in a new comedy series called Can You Keep a Secret? (2026-present), playing Debbie and William Fendon respectively. In film, French voiced the part of Miriam Forcible in Coraline (2009) and played Mrs. Bowers in Death on the Nile (2022).

Then we have Madam Rosmerta, the pub landlady of The Three Broomsticks in Hogsmeade. She is annoyed with Cornelius Fudge for sending Dementors into her pub as they search for Sirius Black, and then is asked to have a meeting with him and Professor McGonagall where she learns more about Black and his complicated past with Harry Potter. The three don’t realise that Harry has snuck in and overhead all of this. This is the only appearance of Madam Rosmerta, though we also learn that Ron fancies her!

Julie Christie was cast as Madam Rosmerta. Early in her career, Christie was cast as Lara Antipova in Doctor Zhivago (1965); as Diana Scott in Darling (1965); and as Clarisse / Linda Montag in Fahrenheit 451 (1966), earning her numerous award wins and nominations, including a BAFTA and Oscar win for her role in Darling. Christie was cast as Gertrude in Hamlet (1996), and starred as Phyllis Hart in Afterglow (1997). She received another Oscar nomination for her role in Afterglow, gaining two others during her career: one as Fiona in Away from Her (2006), for which she won the Golden Globe and SAG award for Best Actress amongst others, and another for McCabe & Miller (1971), being cast as Constance Miller alongside Warren Beatty, and another She collaborated with Beatty on other films, including Shampoo (1975), playing Jackie Shawn, and Heaven Can Wait (1978) playing Betty Logan. Christie is played Mrs. Emma du Maurier in Finding Neverland (2004).

Two new students make appearances in Harry Potter and the Prisoner of Azkaban too, only showing up for this film. One of these is Bem, a student who we meet in Divination, one of the few who seems to take the class seriously as he tells the class just what The Grim is and what it means. Bem was played by Ekow Quartey, who went on to be cast as James in This Way Up (2019-21), a Channel 4 series, created, written and starring comedian Aisling Bea, and appears as JJ in the comedy series Amandaland (2025-present).

Another is Pike, seemingly Malfoy’s new friend, who appears in some scenes with him, when either Crabbe or Goyle, his usual two goons, do not, like when Harry uses his Invisibility Cloak to mess with the group after they start on Ron and Hermione. Pike was played by Bronson Webb. He went on to appear in films such as being cast in Pirates of the Caribbean: On Stranger Tides (2011) as Cook; Victor Frankenstein (2015), appearing as Rafferty; and in Pan (2015), where he was cast as Steps. In television, Webb later appeared as Evan Duffield in Series 1 of the crime drama series Strike (2017-present), and more recently, appeared as Jeremy in the Apple TV series Ted Lasso (2020-23).

Finally, I will just mention Professor Dumbledore. Dumbledore was first introduced in Harry Potter and the Philosopher’s Stone, where he was played by Richard Harris. Harris sadly passed away in 2002, forcing the character to be recast. Many actors were considered for the part. One of which was Ian McKellen, who at the time had recently finished playing Gandalf in the Lord of the Rings film trilogy. He turned down the chance to play Dumbledore as McKellen knew that Harris had previously made negative comments about his acting ability and felt it would not be appropriate to take the part[2]. Chris Columbus also stated that he had had long conversations with Peter O’Toole about taking the part, who Harris’ family very much approved of due to his and Harris’ friendship. O’Toole declined to fulfil the role of Professor Dumbledore, so ultimately, Michael Gambon was chosen for the part, with his portrayal of a more intense and eccentric Dumbledore[3]. Knowing what I know now about how the character of Dumbledore progresses, I’m not sure how Harris would’ve tackled that progression, and I like how Gambon played the character.

Sir Michael Gambon’s career spanned both stage and screen and multiple decades, so will be known for a multitude of roles. He played Baltus Van Tassel in Sleepy Hollow (1999), Sir William McCordle in Gosford Park (2001), Alexander Flyte in Brideshead Revisited (2008), and portrayed King George V in The King’s Speech (2010). In his later years, Gambon voiced the character Uncle Pastuzo in the Paddington franchise; played Private Godfrey in Dad’s Army (2016), based on the sitcom, and was cast as Billy “The Fish” Lincoln, alongside Michael Caine, Jim Broadbent, and Tom Courtenay in King of Thieves (2018). He was also cast as Bernard Delfont in the biopic Judy (2019), which starred Renée Zellweger as Judy Garland, and was also appearing in television series in the 2010s. Examples of these are playing Howard Mollison in the BBC/HBO miniseries The Casual Vacancy (2015), based on J.K. Rowling’s novel; and appearing as Henry Tyson in Season 1 of Sky Atlantic’s Fortitude (2015-18). Throughout his lifetime, Gambon won numerous awards, including four BAFTA Television Awards for Best Actor in series like The Singing Detective (1986) in the role of Philip Marlow, and Perfect Strangers (2001) as Raymond, as well as winning three Olivier Awards for his roles in the stage productions of A Chorus of Disapproval in 1984; A View from the Bridge in the 1987 revival, and Man of the Moment in 1988. Sir Michael Gambon will also always be remembered for his legendary lap of the Top Gear (2002-22) track as part of the Star in a Reasonably Priced Car segment, as he took one of the last corners on two wheels, having the corner renamed for him after that. Sir Michael Gambon was knighted in 1998, and sadly passed away in September 2023.

MUSIC

Legendary composer John Williams, who had composed the scores for both Harry Potter and the Philosopher’s Stone and Harry Potter and the Chamber of Secrets, was back to compose the score for Harry Potter and the Prisoner of Azkaban. Williams is known for composing music for such movie franchises as Indiana Jones, Star Wars, and Jurassic Park, winning numerous awards, including Grammys and Academy Awards, during his career.

Since Williams composed it and included it in Harry Potter and the Philosopher’s Stone, the track “Hedwig’s Theme” has become iconic, and the music immediately links back to the Harry Potter films. It always makes an appearance in the opening titles of any Harry Potter film. In this case, it is used as Harry practises the Lumos spell late at night, with the track titled “Lumos! (Hedwig’s Theme)”.

Other pieces of music I like within the score include the jazzy “The Knight Bus”, which mimics the crazy ride that the bus takes Harry on through London; the magical “Buckbeak’s Flight”, accompanying Harry’s ride around Hogwarts on Buckbeak the Hippogriff; and “A Window to the Past”, which is used when Harry and Lupin are discussing his parents on the footbridge. The ethereal voices that feature in “The Patronus Light” are also very fitting for the almost miraculous moment when Harry casts the Patronus that saves his and Sirius’ lives from the Dementors. It’s quiet, but powerful. “Forward to Time Past”, playing as Harry and Hermione travel back in time, is also a good one, although the ticking clock sounds can get a bit irritating if you listen to it too many times!

There are many scarier moments in Harry Potter and the Prisoner of Azkaban too, so these are conveyed through the music. Any scene with the Dementors is tense, as they replace happiness with darkness, and this is reflected in both “Apparition on the Train”, when Harry is attacked by a Dementor on the Hogwarts Express, and “The Dementors Converge”, when they swarm around Harry and Sirius by the lake. Lupin turning into a werewolf is also quite terrifying so “Lupin’s Transformation” and “The Werewolf Scene” express that feeling.

There is also one actual song in Harry Potter and the Prisoner of Azkaban, performed by the Hogwarts students and their “Frog Choir”, with Professor Flitwick conducting. This takes place as the students are welcomed back to Hogwarts for their first day of term. It is called “Double Trouble”, with the lyrics being inspired by the Three Witches in Shakespeare’s play Macbeth. I very much like this song, and feel that it sounds quite mysterious and creepy, matching the darker tone of this film.

As with both the previous two films, Williams was recognised for his work on Harry Potter and the Prisoner of Azkaban, returning to the Academy Awards with a nomination for Best Original Score. Williams had not received a nomination at the Oscars for his score on Harry Potter and the Chamber of Secrets. At the Oscars, Williams did not win, with Jan A. P. Kaczmarek winning for his work on Finding Neverland (2004). Williams’ score was also nominated at the Grammys, for Best Score Soundtrack Album for a Motion Picture, Television or Other Visual Media. The winner turned out to be Howard Shore and John Kurlander for their music in The Lord of the Rings: The Return of the King (2003), the final film in the trilogy. However, Williams did win a BMI Film Music Award in 2005 for his score on Harry Potter and the Prisoner of Azkaban, and won the Public Choice Award at the World Soundtrack Albums for it. He was also nominated at those awards for Soundtrack Composer of the Year and Best Original Score of the Year. The winner of both categories was Gabriel Yared for Cold Mountain (2003). 

PRODUCTION

After the success of Harry Potter and the Philosopher’s Stone and Harry Potter and the Chamber of Secrets, their director Christopher Columbus was rightly exhausted.

The two films had been filmed quite close together, with filming on the second film starting as the first one was released to theatres. Columbus had assumed he’d have the energy to complete the full series, but found after the second film that he couldn’t. The filming schedules had been intense, more intense than anticipated, and Columbus knew he could not repeat that over and over for another seven, or eight years.

Although stepping down as the director, Columbus did continue to have a presence and an input in Harry Potter and the Prisoner of Azkaban, as a producer[4]. But this meant that a new director for this third film would need to be found, with plenty to choose from.   

Some names that were considered were Guillermo del Toro, the filmmaker famed for his work on fantasy and horror films like The Shape of Water (2017) and Pan’s Labyrinth (2006), and more recently, Frankenstein (2025), and M. Night Shyamalan, whose early films included The Sixth Sense (1999) and Signs (2002). However, Mexican director Alfonso Cuarón was hired to lead Harry Potter and the Prisoner of Azkaban.

Cuarón had previously directed the film adaptation of the Frances Hodgson Burnett novel A Little Princess (1995) before making Y tu mamá también (2001), which was nominated at the Oscars for Best Original Screenplay, and won this award at the Venice Film Festival. No doubt with his experience from these two films in particular, of dealing with fantasy and coming-of-age themes, Cuarón was seen to be well-placed to tackle the more serious events that play out in Harry Potter and the Prisoner of Azkaban, propelling the series forward into darker territory, where danger lurks around every corner, and the feeling is more of melancholy than triumph. Apparently, Guillermo del Toro encouraged Cuarón to take the offer of directing this third Harry Potter film, despite Cuarón having not read the books beforehand. Cuarón went on to direct movies such as Gravity (2013) and Roma (2018), winning the Academy Award for Best Director for both. Roma also won the Oscar for Best Foreign Language Film, and Cuarón won BAFTAs for Best Direction for both films.

For a third time, Steve Kloves was tasked with adapting Rowling’s third novel in order to write the screenplay for Harry Potter and the Prisoner of Azkaban. Whereas Harry Potter and the Philosopher’s Stone and Harry Potter and the Chamber of Secrets were seen to be quite faithful to their respective source material, with this being both praised and criticised by viewers, Harry Potter and the Prisoner of Azkaban did not strictly follow all the elements of Rowling’s novel, which was, again, both criticised and praised by fans.

Despite the third novel having quite a complex story, Rowling said that Harry Potter and the Prisoner of Azkaban was the easiest one to write, of the five novels she had written by 2004. Rowling had creative input into the story of all the Harry Potter films, especially the earlier ones that were being made without the full series having been published. This was to ensure continuity and adherence to the rules of the Wizarding World she had created. For example, there were location ideas for some scenes in Harry Potter and the Prisoner of Azkaban that had to be vetoed due to them not fitting into the universe. However, Rowling was well aware that her entire novel could not be adapted word-for-word and scene-by-scene for the screen, so at times, she understood the need for certain moments to be dropped for the films. She also appreciated the creation of new moments for the films, such as the Shrunken Head on the Knight Bus, wishing she’d come up with that herself[5]!

I haven’t read the books, but in my opinion, the most important story points within Harry Potter and the Prisoner of Azkaban that were required to understand later plot points were included in this film. Some examples are the backstory into Harry’s parents’ deaths, and the dynamic between those involved, i.e., Lord Voldemort, Peter Pettigrew, and Sirius Black. and the introduction of characters that would make a return in later films, with those three and Lupin being the main ones. If you can understand the conversation in the Shrieking Shack, then the rest of the series will be understandable. We also got to see new elements of the Wizarding World in this film, like the Knight Bus, Hogsmeade village, and the Shrieking Shack, along with the Marauder’s Map, which is referenced in later films.

Outside of that, there might have been moments that fans of the book may’ve liked to see, but that aren’t all that important to the films, like how characters got certain items. For example, in the book, you’d discover that Professor McGonagall sought special permission from the Ministry of Magic to allow for Hermione to use the Time Turner, in order to attend all her classes. In the film, we are just told that McGonagall gave it to Hermione. Hermione also has a cat in this film, named Crookshanks. We aren’t told how she got it in the film, but in the book, Hermione purchases Crookshanks whilst out in Diagon Alley that summer. In the film, Harry spends his time in The Leaky Cauldron and does not go out, but in the book, he enjoys his summer in Diagon Alley with his friends. There is also more about Ron and Hermione’s feud over their pets in the novel[6].

There were a few other story points that were omitted that fans might have liked to see. One of these relates to the Quidditch Cup. In the book, Gryffindor win the Quidditch Cup, and there are additional Quidditch matches, where the character Cho Chang is actually first introduced, as Ravenclaw’s Seeker. In the film series, Cho Chang is not introduced until the fourth film. In the third film, we only see the one match, where Harry is attacked by Dementors and his broom ends up destroyed. Speaking of brooms, in the film, Harry receives a gift of a new broom, the Firebolt, at the very end, with this being a gift from Sirius, only known to Harry and Hermione as they see it came with a Hippogriff feather. In the book, the Firebolt is actually sent to Harry earlier in the year, and as Hermione suspects it was sent by Sirius Black, who they still believed wanted to kill Harry, she reports it to Professor McGonagall who confiscates it for testing, before returning it to Harry later. Sirius would also sign Harry’s permission slip, allowing him to go to Hogsmeade in later stories, which is not mentioned in the films, and Sirius gifts Ron an owl named Pigwidgeon to replace Scabbers.

Lastly, there is one story point that might’ve been useful to viewers who were unfamiliar with the books, and that is around the Marauder’s Map. It is possible to piece together the creators of this map from references in later films, but it isn’t something that is outwardly talked about in the Harry Potter and the Prisoner of Azkaban movie. The map was created by four people who call themselves Moony, Wormtail, Padfoot, and Prongs. In the book, Lupin reveals to Harry and his friends that he was in fact Moony; Wormtail was Peter Pettigrew – with this nickname being used in later films; Padfoot was Sirius Black – again, we hear this name again later; and Prongs was James Potter. The four created it so they could know where Filch was at all times to stop themselves getting into trouble, although Filch did eventually confiscate the map from them. These nicknames refer to their Animagus forms, with Padfoot being a dog, Wormtail a rat, and Prongs a stag. The three students became Animagi to help Lupin during his werewolf transformations. This would’ve been good backstory to have at this time, but it’s not hard to connect the dots later[7]. We also don’t hear how Sirius escaped from Azkaban – by transforming into his Animagus – in the film, but again, it might have been nice to know, although not relevant to the unfolding story.

Some have also been annoyed about Harry’s opening scene of practising the Lumos spell at night, because this ignores the underage magic law, with this technically being illegal use of magic as Harry is under the age of 17 and not at school. Yet, Harry doesn’t become worried about being expelled until he accidently blows up Aunt Marge. This was an oversight I presume, and was just an opening shot to take the viewer right into the magical world.

It was decided that Harry Potter and the Prisoner of Azkaban had to feel darker, more dangerous, and show the child actors growing up, because they are thirteen in this story, so teenagers, and teenagers behave more erratically and are more emotional. This meant Cuarón wanted to treat his actors like adults, even giving Emma Watson, Daniel Radcliffe, and Rupert Grint an essay assignment in order to get them to think about their characters and how they are evolving, also giving Cuarón further insight into how the actors see their characters, since they knew the characters better than he did. In this case, Watson and Radcliffe both completed the assignment, however, Grint did not. When asked by Cuarón about why he did not do it, Grint simply said he felt that Ron just wouldn’t do it!

This film could also be seen as a turning point in terms of the three main actors’ acting abilities. Columbus had said himself how it had been a bit of a struggle at times to get the child actors to focus whilst on set due to their young age. For Harry Potter and the Prisoner of Azkaban, Watson, Radcliffe, and Grint were no doubt starting to take their acting more seriously, and bringing in further brilliant British actors was a good opportunity for the three to learn from some of the best. Radcliffe in particular was a big fan of Gary Oldman’s work and the two got on very well, with Oldman even teaching Radcliffe had to play the guitar. This friendship between the two actors was no doubt helpful to translate that dynamic on screen for the scenes between Harry and Sirius; you can see the bond on screen. Radcliffe also remembers the Shrieking Shack scene, with the confrontation between Lupin, Pettigrew, Black, and Snape, thinking it was like watching a major acting masterclass play out before them between David Thewlis, Timothy Spall, Gary Oldman, and Alan Rickman.

Cuarón wanted to put his own stamp on the Harry Potter franchise with this film and to do that, he wanted to focus some attention on making Hogwarts and its grounds feel like a living entity. This is obvious by some of the sequences that simply focus on the landscape, like the one of the bird as it flies around Hogwarts – only to fly straight into the Whomping Willow. Cuarón wanted the viewers to be able to connect different areas of Hogwarts together from this film. He also wanted to create a certain mood and atmosphere in this film, with darker skies, more rain and mist, adding to the already tense story moments[8].

So, where do you go if you want rain and moody landscapes? Scotland, of course! Apparently, they chose to film in May hoping for nice weather but it rained almost every day. This turned out to be a good look for the film though with those overcast grey skies. I actually have a longstanding joke where I compare the weather to which Harry Potter film the sky best represents that day, and it is all thanks to Harry Potter and the Prisoner of Azkaban that I can really do that, because it signalled a gradual darkening of the landscapes and backgrounds of the Harry Potter films as the series progressed.

There were many moments within this story that take place outside, so the natural landscape and the grandeur of the Scottish Highlands were seen to be perfect for this movie. Glencoe in the Scottish Highlands was a specific filming location, with shooting taking place here between May and June 2003. Sets were built near the bottom of Clachaig Gully, overlooking Torren Lochan and Signal Rock forest. These sets included Hagrid’s Hut, complete with its pumpkin patch garden, and the footbridge, or “Bridge to Nowhere”, where Lupin and Harry talk about his parents[9]. Loch Shiel was another location, this being the setting of Harry riding Buckbeak over the water, called the Black Lake in the film.

Other familiar locations were used again too, including the Glenfinnan Viaduct, which the Hogwarts Express goes along, and the Hogwarts Express itself. The train was actually targeted by vandals, who sprayed graffiti on it back in 2003 whilst it was stationed in Scarborough. It cost £3,000 to repaint the affected carriages[10]. Filming also returned to the streets of London, for example, for the location of The Leaking Cauldron near Borough Market, after Leadenhall Market was used in the first film, and the filming of the Knight Bus sequence, with the double-decker bus moment happened on Lambeth Bridge[11].

As with the previous two Harry Potter films, a mixture of special and practical effects were used to achieve the magical moments that appear in Harry Potter and the Prisoner of Azkaban. There are numerous physical transformations in this film, for example.

For Lupin’s, David Thewlis was covered in prosthetics, on his eyes, face, and hands in particular, and put in a split jacket to filmed this scene. Then, the rest of the transformation was moved to the computer to fully animate the full wolf transformation. It would also seem there was some sort of puppetry work with someone dressed up as a wolf on set, which may’ve been a visual marker for the actors or reference material for the computer work.

Peter Pettigrew also has to transform from rat to human and back again. In behind-the-scenes footage, Rupert Grint is seen to be holding an animatronic rat, and Timothy Spall then appears in a rat-like wig with scaly skin and bald patches, and claw-like nails, with the in-between work no doubt being completed digitally.

Aunt Marge swelling up is another transformation, which seems to have been done with the use of prosthetics and inflatable fat suits. There were different versions of these to show the swelling progression, and then flying harnesses were used to get Marge to “fly” outside. This was apparently done with no CGI at all.

Cuarón had hoped to not have to use CGI for the Dementors, and originally wanted to use flying puppets, to show them as floating beings with flowing dark robes. This was attempted but it didn’t quite work, so they shot the puppetry underwater and got more of the look they were hoping for but knew this was not practical for the shoot, so they had to go with CGI. After some trial and error and a lot of imagination, they came up with the look of the Dementors, which are basically skeletons in black robes. They look like the personification of Death, like the Grim Reaper, which perfectly matches their demeanour, as they seek to suck out souls and drain all the happiness and hope from their victims.

Another new character for this film was Buckbeak the Hippogriff. Animatronic figures of Buckbeak were created for close-ups and interactions with the actors, which took months to create and were a logistical nightmare to get on set too, but a CGI version was also created for some scenes. Since Hippogriffs are mythological creatures that are half-bird, half-horse, there was a framework to use when determining how Buckbeak would move, as they studied bird and horse bones and movements, discussing with physiologists and veterinarians. For the flight sequence, Daniel Radcliffe was placed on a rig that was set up to match the animation sequences that had already been shot, so Radcliffe’s reactions would fit perfectly when the two were combined. The team also confirmed that Buckbeak even does a CGI poop on screen, as Harry edges towards it during the Care of Magical Creatures class. This was added to give Buckbeak an authentic horse-like behaviour! The team decided this was probably the first time something like that had been done on screen.

Numerous sets were also built for shooting on this film, like the interior of the Knight Bus, with the bus being constructed from parts of actual double-decker buses to make this triple-decker bus and souping it up to be speedier than a regular London bus, and of course, the Shrieking Shack, which was built to look like a wooden, rickety and unstable structure, and was even placed on a moving platform to make the scenes look realistic, to make it seem like the Shack was moving in the wind[12].

The Wizarding World also features numerous animals. The crows in Hagrid’s garden were African pie crows, raised in California and trained. Hagrid’s Hut also has bats flying around it, so these were flown at intervals to go through the hut and back again, much like how owls have been used in the Harry Potter films. Two new pets were brought in for this film as well. A cat named Crackerjack became Crookshanks for this film, but it needed to look dishevelled and “manky”. To do this, its shed hair was used, by rolling it into a ball and clipping it on to the fur to make the cat look scruffy, with a small amount of jelly being put on its face to make it look “weepy”. A bulldog was on set too, becoming Marge’s dog Ripper, and it was trained to be fake-aggressive for its scenes[13].

There were also some funny moments to mention from the filming. One is a prank that was played on Daniel Radcliffe. During the scene of Dumbledore and Snape discussing the break-in at the castle by Sirius Black and Harry’s safety, all the students are sleeping in the Great Hall as the two teachers walk between them. All the actors were in sleeping bags. Radcliffe had apparently asked Cuarón if he could position his sleeping bag next to one of the extras that he had a bit of a crush on. With this in mind, it was the perfect opportunity for a prank, so a fart machine was placed inside Radcliffe’s sleeping bag. And the person with the controller to set this machine off was none other than Michael Gambon! He took this as an opportunity to prank Radcliffe and make him look bad in front of the girl he liked. Cuarón was in on the prank too, and there is actually footage of this online for anyone interested[14]!

To add to that, there was apparently a swear jar on the set to limit the amount of cursing around the young actors, which was a decision made by Cuarón to dissuade himself from swearing in front of the young cast! Also, instead of Hermione slapping Draco in the book, Tom Felton and Emma Watson felt a punch would be more intense for the scene, and had a lot of fun with that scene – even if Watson’s punches were harder than anticipated[15]!

There are some interesting cameos in Harry Potter and the Prisoner of Azkaban too. One of these is former frontman of the Stone Roses Ian Brown, who can be seen magically stirring a cup whilst reading Stephen Hawking’s A Brief History of Time. Brown is a friend of Alfonso Cuarón, so that is why he is in this film in particular. Cuarón’s then-wife and child also make a cameo in one of the portraits that are to the left of the Fat Lady’s portrait. Comedian and actor Paul Whitehouse also made an appearance as Sir Cadogan, an eccentric knight who takes over from the Fat Lady as the entryway to the Gryffindor Common Room, however, this scene was deleted from the final cut of the film. Finally, in the highly detailed Marauder’s Map, you can see Newt Scamander on the map. Scamander was the fictional author of the book Fantastic Beasts and Where to Find Them, later becoming the protagonist of the Fantastic Beasts prequel spin-off film series. The Marauder’s Map is also used for the End Credits scene, showing more secret locations, like a Stink Bomb store.

RECEPTION

After holding its world premiere at Radio City Music Hall in New York City on 23rd May 2004, Harry Potter and the Prisoner of Azkaban was then released in the UK on 31st May 2004, to coincide with the school half-term dates, with international release dates taking place within the next few weeks in many countries. For example, the US release date was 4th June. This film was also released in IMAX theatres.

This means Harry Potter and the Prisoner of Azkaban was a summer release, whereas the previous two films had both made it to cinemas for November and the festive season. Both Summer and Thanksgiving or Christmas are popular times for movie studios to show their new films. I think the tone of Harry Potter and the Prisoner of Azkaban was more suited to a summer blockbuster than a magical festive film, but really, a movie can be a success or a failure regardless of what time of year it is released.

In the case of Harry Potter and the Prisoner of Azkaban, it did not live up to the financial figures of Harry Potter and the Philosopher’s Stone in 2001 or Harry Potter and the Chamber of Secrets in 2002, although its final box-office total was still decent.

Harry Potter and the Prisoner of Azkaban ended its initial theatrical run with just over $795 million, putting it in the No. 2 spot in the Worldwide Box Office for 2004, behind DreamWorks’ Shrek 2, which made just under $930 million. Harry Potter and the Prisoner of Azkaban was just ahead of two other big films of 2004: Spider-Man 2 and Pixar’s The Incredibles, which took $786 million and $631 million respectively. It also beat out other family-friendly films of the year by some margin, such as DreamWorks’ Shark Tale, Warner Bros.’ The Polar Express, and Disney Animation’s Home of the Range. Taking subsequent theatrical re-releases into account, Harry Potter and the Prisoner of Azkaban’s box-office total just over $810 million to date.  

In terms of reviews, Harry Potter and the Prisoner of Azkaban was highly rated. Many liked the additions to the cast, of powerhouse talent like Michael Gambon, Emma Thompson, David Thewlis, Gary Oldman, and Timothy Spall. These actors would return to their roles in later Harry Potter films as well. It was appreciated that the tone of this film was darker and went some way to make the franchise feel more mature, as the lead characters became teenagers. Due to this shift in tone, Harry Potter and the Prisoner of Azkaban, both the film and the book, is considered the fan-favourite of the entire series. The special effects were also praised, and viewers particularly enjoyed the Time Turner sequence, which ties all the events together to make for an exhilarating and dramatic ending to the story.

However, there will always be negative reviews for any film, and some of these relate to the film being too dark, both in regards to the storyline as well as in the overall look of the movie, especially when compared to the brightness of the first two. Some also commented that the movie was too long, which meant some parts of the story were slow and a bit boring at times. I personally can agree with this, as my attention wanders during some portions of this film, which is why I don’t like it as much as other Harry Potter films. The time-travelling sequence was also considered to be potentially confusing specifically for younger viewers. There is further debate on whether Harry Potter and the Prisoner of Azkaban is faithful enough to the original books, as some feel that the film strayed away from the book too much, with sections of important plot points completely absent from the film, whereas others liked that the film was not as faithful to the book as the first two had been.

Harry Potter and the Prisoner of Azkaban is considered to be the most critically-acclaimed of all the Harry Potter movies, although I would debate that, with critics seemingly liking the final film more. Regardless, Harry Potter and the Prisoner of Azkaban is beloved by the fandom, however, this film turned out to be the lowest-grossing of the entire film series. It is not clear why this was the case, however, it could have had something to do with the film being released 18 months after the second film came out, instead of just having a one-year gap between films, as had been the case with the first two. Others may have also been concerned by the darker elements of the film, feeling it was not going to be as magical or as whimsical as the previous ones, as Harry Potter and the Prisoner of Azkaban begins the descent into a deeper and more complicated storyline that is all-encompassing.

Awards might not be everything but they do provide another examination of how well a film was received. Harry Potter and the Prisoner of Azkaban saw the film return to the Academy Awards nominations list, after Harry Potter and the Chamber of Secrets had been snubbed, although Harry Potter and the Prisoner of Azkaban did only get two nominations this time, and not the three that Harry Potter and the Philosopher’s Stone had achieved. At the Academy Awards, along with John Williams’ nomination for Best Original Score, Harry Potter and the Prisoner of Azkaban was nominated for Best Visual Effects, losing to Spider-Man 2. The special effects team would get their deserved credit though at the Visual Effects Society Awards, where they won for Outstanding Visual Effects and Outstanding Performance by an Animated Character in a Live Action Motion Picture for Buckbeak, and were nominated in three other categories, including for Outstanding Models and Miniatures, and for Best Single Visual Effect of the Year, for the Dementor Train sequence. Stuart Craig was also recognised for his Production Design on this film, by winning Production Designer of the Year at the Hollywood Film Awards.

Harry Potter and the Prisoner of Azkaban would also receive numerous nominations at the BAFTA awards, in categories like Best Makeup and Hair, and Best Production Design, losing out to The Aviator; Best Special Visual Effects, with The Day After Tomorrow taking the win; and Outstanding British Film, which was won by My Summer of Love. It did, however, win the Orange Film of the Year here, a category voted for by the public.

The third Harry Potter film also picked up multiple nominations at the Saturn Awards, which honours the science fiction, fantasy, and horror genres. Harry Potter and the Prisoner of Azkaban was up for Best Fantasy Film, Best Director, Best Screenplay, and Best Visual Effects losing to Spider-Man 2 in all cases; Best Supporting Actor for Gary Oldman, which David Carradine won for his role in Kill Bill: Volume 2; and Best Young Actor/Actress for Daniel Radcliffe, with Emmy Rossum winning for her leading role in The Phantom of the Opera. They were also nominated for Best Costume Design and Best Make-Up.

Other award ceremonies where Harry Potter and the Prisoner of Azkaban picked up some wins and nominations including the Kids’ Choice Awards, the Teen Choice Awards, and the People’s Choice Awards. At the Kids’ Choice Awards, Harry Potter was nominated for Favorite Movie, losing to The Incredibles, and Favorite Book, which was won by A Series of Unfortunate Events. At the Teen Choice Awards, Harry Potter and the Prisoner of Azkaban won Choice Movie: Action Adventure, but did not win Choice Summer Movie; Spider-Man 2 did. At the People’s Choice Awards, it lost to Shrek 2 in the Favorite Sequel category.

LEGACY

The early Harry Potter films were being released alongside the publication of the remainder of the Harry Potter book series, meaning that readers were able to know what was going to happen in the rest of the film series. This might make many think that this would decrease the level of interest in the films or the books, but actually, it only increased it, with readers excited to see how their favourite scenes and moments would play out on screen.

In 2003, J.K. Rowling’s fifth Harry Potter book, Harry Potter and the Order of Phoenix was published, becoming the fastest-selling book in history at the time, surpassing that of Harry Potter and the Goblet of Fire’s publication in 2000. In 2004, there was no new Harry Potter book for readers to get their hands on, although the sixth book’s publication date was confirmed in December 2004. There were still seven months to wait though, as Harry Potter and the Half-Blood Prince would not come to bookshops until July 2005.

So, the new film would have to satisfy the Potter fans until then. A video game based on Harry Potter and the Prisoner of Azkaban film was released in 2004, and it was just as much fun as the previous two films’ games in my opinion. Other merchandise was also available to purchase, such as movie posters, LEGO sets, clothing, and figurines.

Most interesting though was that around 2004, discussions were taking place between Warner Bros., J.K. Rowling and certain theme park companies to bring the Harry Potter franchise to fans in a whole new way. Rumours swirled around just who Rowling was talking to, and where the potential Harry Potter attraction might end up. Well, obviously being the industry leader, Disney were the most likely to get the go-ahead from Rowling…Right?

It is true that Rowling was in discussions with Disney, and the Harry Potter attractions would potentially have filled an area of Fantasyland at the Magic Kingdom in Walt Disney World, in Orlando, Florida. There were talks of two different attractions and a themed restaurant. Apparently, one of these attractions was to be an Omnimover-style shooter ride, kind of like Buzz Lightyear’s Space Ranger Spin, which already existed at this park, but instead of shooting lasers, guests would be casting spells with wands. The other attraction was said to be a magical creature petting zoo. However, despite Disney’s reputation for creating magical lands that engage and captivate guests from all over the world, Rowling was said to be less than impressed with Disney’s plan, despite signing a letter of intent with them in 2004. Rowling also did not like the idea of outside brands being featured in this “Harry Potter land”, so negotiations stalled, before being terminated, leading Rowling to look elsewhere to discuss her theme park dreams[16].

Most everyone knows that Rowling turned to Disney’s major competition, Universal Studios, who did end up building whole Harry Potter worlds at their theme parks, beginning at their Universal Studios Orlando property, mere miles from Walt Disney World. The discussions around that are a story for another time, but I do still want to mention a couple of attractions that exist in these theme parks spaces that specifically relate to the events and characters within Harry Potter and the Prisoner of Azkaban.

The first Wizarding World of Harry Potter at Universal Studios Islands of Adventure Park features a recreation of Hogsmeade, which Harry and his friends first visit in this third film. The theme park land includes places like Honeydukes sweet shop, where guests can purchase Wizarding World-inspires sweets, and the pub The Three Broomsticks, for guests to have a drink or meal. You can also find the small rollercoaster Flight of the Hippogriff here, which was a simple redesign of the former coaster Flying Unicorn. An animatronic of Buckbeak is sitting at the start of the ride. The Hogwarts Frog Choir also does performances throughout the day.  At the other Harry Potter area, at Universal Studios’ main park, a recreation of Diagon Alley was created. Here, you can have a bite to eat at The Leaky Cauldron, and then go and see the Knight Bus parked up just by the entrance to the alley. You might even be able to have a conversation or your photo taken with the Bus Conductor and the Shrunken Head. The Diagon Alley area is only in Orlando.

Flight of the Hippogriff is also an attraction at the Wizarding World of Harry Potter areas at Universal Studios Hollywood, Japan, and Beijing though. The Buckbeak animatronic also features at these other parks. The Frog Choir exists at Universal Studios in Japan and Beijing. The Hogsmeade version of the Wizarding World exists at the parks in Hollywood, Japan, and Beijing, along with the same locations.

In 2024, Harry Potter and the Prisoner of Azkaban celebrated its 20th anniversary. A special summer event was held that year at the Warner Bros. Studio Tour in London, where new sets were able to be viewed, such as the Divination classroom, the interior of the Knight Bus, and a newly transformed Defence Against the Dark Arts classroom, set up for Lupin’s lesson on Boggarts. The Hogwarts Frog Choir was also on display in the Great Hall set. Harry’s bedroom in The Leaky Cauldron was set up too, complete with the Monster Book of Monsters going on a rampage under the bed[17]!

FINAL THOUGHTS

Harry Potter and the Prisoner of Azkaban saw a rather big change from the enchanting locations and sequences we saw in the first two Harry Potter films.

Although both of those stories had elements of danger and dark magic to them, they were surrounded by bright and fun sequences, to keep away too much of the threat. Rightly or wrongly, these first two films feel more fun and less dangerous than any Harry Potter film to come after it, simply setting the stage and the atmosphere of the Wizarding World.

But as Harry and his friends get older, and a darkness starts to overshadow their magical schooling, there is no getting away from the fact that there is soon to be a battle between good and evil, light and dark. This movie was a huge jump forward towards that, and, although unsettling for some, it was a necessary shift in tone that had to be done.

The possibility had already been alluded to and prophesised before in the earlier films, yet, by the end of Harry Potter and the Prisoner of Azkaban, the return of Lord Voldemort was starting to feel like a very real and imminent threat to Harry and his friends.


REFERENCES

[1] Credit: Ben Sherlock, ’10 Actors Who Were Almost Cast In Harry Potter Movies’, ScreenRant.com, 28th April 2020.

[2] Credit: Ben Sherlock, ’10 Actors Who Were Almost Cast In Harry Potter Movies’, ScreenRant.com, 28th April 2020.

[3] Credit: Debanjali Bose, ‘‘Harry Potter’ director reveals Peter O’Toole turned down being the new Dumbledore because he ‘didn’t feel it was right’ to step into Richard Harris’s shoes’, BusinessInsider.com, 14th November 2021.

[4] Credit: Lexy Perez, ‘‘Harry Potter and the Sorcerer’s Stone’ Turns 20: Director Chris Columbus Reflects on Pressures to Adapt Book and Hopes to Direct ‘Cursed Child’’, HollywoodReporter.com, 11th November 2021.

[5] Credit: Warner Bros., ‘Creating the Vision’, from Harry Potter and the Prisoner of Azkaban (2004) 11-Disc Blu-Ray Set (2011).

[6] Credit: Kelvin Kwao, ‘Harry Potter and the Prisoner of Azkaban’s Biggest Changes From Book to Film’, CBR.com, 2nd September 2022.

[7] Credit: Matthew Rudoy, ‘Harry Potter: 10 Differences Between The Prisoner Of Azkaban Book & Movie’, ScreenRant.com, 21st August 2020.

[8] Credit: HBO Max, Harry Potter 20th Anniversary: Return to Hogwarts (2022).

[9] Credit: Glencoe Scotland, ‘Harry Potter In Glencoe’, GlencoeScotland.com, date unknown.

[10] Credit: BBC News, ‘Potter train attacked by vandals’, BBC.co.uk, 23rd March 2007.

[11] Credit: Visit Britain, ‘Visit Harry Potter filming locations’, VisitBritain.com, date unknown.

[12] Credit: Warner Bros., ‘Conjuring a Scene, from Harry Potter and the Prisoner of Azkaban (2004) 11-Disc Blu-Ray Set (2011).

[13] Credit: Warner Bros., ‘Care of Magical Creatures’, from Harry Potter and the Prisoner of Azkaban (2004) 11-Disc Blu-Ray Set (2011).

[14] Credit: Joshua Nelken-Zitser and Eammon Jacobs, ‘Michael Gambon, the actor who played Dumbledore, used to prank Daniel Radcliffe on the set of ‘Harry Potter’’, BusinessInsider.com, 28th September 2023.

[15] Credit: Dan Morris, ‘Harry Potter: 23 Crazy Details Behind The Making Of The Prisoner Of Azkaban’, ScreenRant.com, 4th September 2018.

[16] Credit: Brian Delpozo, ‘How ‘Harry Potter’ Almost Ended Up at Disney World – And Why the Deal Fell Apart’, Allears.net, 7th June 2020.

[17] Credit: Carlo Simone, ‘Harry Potter Studio Tour shares Prisoner of Azkaban exhibit’, WatfordObserver.co.uk, 20th February 2024.

#64 Zootopia 2 (2025)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. PRODUCTION
  5. MUSIC
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

First things first, consider this your spoiler warning. I like to go into detail with plot points, so you might want to ensure you’ve watched Zootopia 2 first before reading anymore.

Picture this. It’s 2025 and the Disney Studios hasn’t announced, produced, or released a movie sequel or a live-action remake for a whole year. Yeah. Keep dreaming.

After a brilliant 2024, in terms of financial results from its movies, The Walt Disney Company was riding high, wanting to repeat that success. Pixar had made over a $1 billion with their film Inside Out 2; Disney Animation also hit this marker with Moana 2. From their live-action remake slate, they released Mufasa: The Lion King, a prequel of a live-action remake – mind-blowing – which didn’t make as much money but still added to the profits.

Why stop there? Why not keeping going? If the people want sequels, let’s give them sequels! So, 2025 was not going to turn the tide. Earlier in the year, after claiming that they would not be making any more live-action remakes after the box-office bomb that was Snow White, which had been hit by numerous waves of criticism, Disney got the turnout they needed from the public for their remake of Lilo & Stitch. This film made over $1 billion too.

What a shock result. How could this possibly be topped? Well, obviously with another sequel. And that sequel was Zootopia 2, coming nine years after the original Zootopia made a splash on its release in 2016, becoming a spring hit for the company.

I have made no secret of my love-hate response to movie sequels. Sometimes I actually quite like them, even more than the originals. Some examples are Disney Animation’s Frozen II (2019) and Pixar’s Toy Story 2 (1999) – I’ll throw in Toy Story 3 (2010) as well for good measure. But I thought that Moana 2 was a huge letdown, and simply rehashed the original film’s story, and Toy Story 4 (2019) was nightmare fuel for me. And don’t forget: Pixar has already told us to expect Incredibles 3, Coco 2, and Monsters, Inc. 3, alongside Toy Story 5 (2026), over the next few years. Oh goodie.

Shockingly, I actually didn’t hate the idea of Zootopia 2 when it was first announced. The trailer didn’t look bad at all, and Zootopia was the optimal source to create new storylines from. So, now I’ve watched it, do I still agree with this statement? Yes, actually I do. Zootopia 2 was good. It took a while to get going, I thought, but once I’d figured out who all the new characters were, it was a good story, the ending in particular was great. Perhaps Zootopia 2 is not as funny as the original film, but it is just as heartwarming.

PLOT

Zootopia 2 begins with a brief recap of the ending of Zootopia, with Judy Hopps and Nick Wilde exposing Mayor Bellwether as being behind the attacks on the prey in the city. Bellwether is arrested, put on trial, and sentenced to prison, whilst Nick is recruited into the Zootopia Police Department and partnered up with Judy. The two become the first bunny-fox team in the history of Zootopia and set about trying to prove themselves.

One week later, Chief Bogo is assigning his officers to their duties in order to solve a case against a dodgy customs inspector, who is said to be smuggling illegal overseas cargo into the city. However, at this meeting, as Bogo is about to tell Judy and Nick that, as a new partnership they will only be observing, he sees that the two are not there. Bogo is told by Officer Clawhauser that Judy and Nick are already at the shipyard – with their baby. What?

At the shipyard, we see that Judy and Nick are in disguise as a mother and father with their “baby”, who is actually Finnick, Nick’s former associate from the first film. They use their cover to speak to the customs inspector, an anteater, who tells the “family” they need to leave the area right away. Nick distracts the inspector by talking about his “son’s” birthday, so Judy can check out the cargo boxes nearby. The box opens up and all its contents fall out, alerting the inspector to the fact the police are on to him. The inspector jumps into a van and drives away. Judy and Nick commandeer a pig’s car, his “hog rod” and pursue the criminal. However, the chase causes chaos across Zootopia, as they mess up a sheep barber shop, drive right into a parade, and even leave a dik-dik stuck in a tuba! At one point, Judy jumps into the inspector’s van, as he is knocked out by a sign, but instead of coming to a gentle stop, she drives off the bridge and crashes near to a conference with the new Mayor of Zootopia, Mayor Winddancer. Other ZPD officers arrest the suspect.

Chief Bogo is furious with Nick and Judy for disobeying orders; however, Judy is distracted by her find of snake skin and details about the Zootennial Gala in the inspector’s van. She looks up the history of reptiles in Zootopia, coming across a podcaster, who seems to dabble in conspiracy theories. Bogo warns Judy that her “overdoing” her job is reflecting badly on the ZPD and their partnership. He sends Judy and Nick to a workshop together.

At the workshop, for “Partners in Crisis”, led by therapist Dr. Fuzzby, Judy discovers that Bogo believes her and Nick are mismatched partners. She looks around and doesn’t see how they can be worse than an elephant scared of its mouse partner, or a honey badger and a deer that just can’t get on! Dr. Fuzzby diagnoses Judy as being in denial, and Nick as emotionally insecure, but says with time, maybe a year or two, they can get through this. Judy assigns Nick homework to try and get their partnership under control, so they can complete the workshop as quickly as possible.

At their respective homes, Judy gets a call from her parents, who saw the coverage of the disastrous police chase today, and want to check she’s alright. As they start to analyse what doesn’t work with her and Nick, she ends the call, and turns on the TV, settling down to books about partnership. She sees a report about the Zootennial Gala, and how the Lynxley Journal will be on show there, which is related to a historical incident with a snake. Judy also realises that the inspector’s van is the same as the catering company working the gala. Judy goes back to her podcaster, Nibbles Maplestick, who gives her some further backstory into the journal. It is said that 100 years ago, a snake attacked a tortoise, the Lynxley family maid, who was trying to stop the snake from stealing the journal. No snakes were seen in the city after that. With this in mind, Judy goes to Nick and says they have to get to the gala.

At the Zootennial Gala, many celebrities and important guests arrive for a big party. Judy and Nick arrive and start inspecting the catering company’s vans. Judy then sees a back door into the mansion where the gala is being held is open. She gives Nick a suit to wear, and Judy puts on a dress so they can blend in. Inside, Judy sees the journal is in the Reserved Section. To get there, Nick schmoozes the wealthy Bearoness and gets them in. Judy sets about looking for the journal, whilst Nick keeps a lookout, and sees that the cover of the journal is made of metal. She bumps into Pawbert Lynxley, part of the powerful Lynxley family, but he is awkward and nerdy, nothing at all as Judy would’ve expected. It turns out Pawbert is a fan of Judy’s work at the ZPD. She tells him she is trying to protect the journal. Meanwhile, Nick finds a piece of snake skin on the floor.

As Mayor Winddancer delivers his speech to the gala attendees, Nick sees something on the chandelier above. However, as Nick is about to find Judy, he runs into Chief Bogo, who is about to eject him from the gala. Suddenly, the thing falls down from the chandelier and is revealed to be – a snake! The snake takes the journal and Milton Lynxley, and tries to escape. Judy follows, through the kitchens, the hallways, into a room. Judy talks to the snake, who says the Lynxleys are the bad guys, not the snakes, with the journal the only way to prove this. Nick then knocks the snake out with a pan. Milton orders the snake to be killed, and for the journal to be burnt, telling Nick and Judy to file a report saying the snake attacked them. Milton is joined by his other children, Kitty and Cattrick. Judy flicks coals onto the rug, setting the room on fire, and tries to save the snake. However, the snake accidentally bites Chief Bogo, losing a fang. Bogo is sent to hospital. The snake flies out the window and is picked up by someone on a motorbike. Judy takes the journal and jumps out the window with Nick. They turn up beside Mr. Big’s limo, and are put in the trunk.

Later that night, it is revealed that Mayor Winddancer has been ordered by Milton Lynxley to take down the snake, Judy, and Nick, so no details of that night come to light. The mayor is threatened with losing his job should he not do this. Meanwhile, Judy and Nick have returned to being front page news for all the wrong reasons. They are taken to Mr. Big’s new bag factory and warehouse, being run with his daughter Fru Fru. Mr. Big sets Judy and Nick up with new identities and transportation out of Zootopia, in a bid to help them escape the Lynxleys. Mr. Big says they have always been dangerous and without honour, but that their expansion of Tundratown is the most important thing to them, and should Judy and Nick get in the way, the Lynxleys won’t hesitate to kill them. Judy turns down Mr. Big’s offer, wanting to help the snake. Mr. Big says that they’ll need to talk to a reptile expert to find reptiles to speak to then. Fru Fru sends them to none other than Nibbles Maplestick.

Nibbles drives them to Marsh Market, where reptiles are said to remain hidden. Nibbles says they are going to her lizard friend Jesús for help. She explains that Marsh Market is an outside area to Zootopia, having been cut off years ago, so reptiles can lie low here. Nibbles speaks to a walrus, who happily takes them to a half-submerged boat to find Jesús. Inside the boat, they discover that all the reptiles live there, having made themselves a large bar. Nibbles introduces Judy and Nick to Jesús, who tells them they must eat first, before they talk. They are offered worms to eat, and Nick and Judy choke down one each, causing Jesús to laugh as this was just a joke he likes to play sometimes! Jesús looks at the journal, revealing that the metal cover means that the secret they are looking for will likely be on the cover, as vipers can see things in metal. This confuses Judy who believes this journal was made by the Lynxleys, so why would they hide a message in it that can only be read by snakes? Jesús doesn’t know, only knowing it must be important. Jesús also states that the Tundratown expansion is going to take over Marsh Market next, pushing the reptiles out once again. Judy can’t let that happen. The ZPD then come to the bar, having followed Nick and Judy there. Jesús leads them out of the boat, wanting them to let the truth be known, before running off. The snake then comes and takes the journal, slithering away on the water. Judy jumps on a boat to follow him, whilst Nick runs across the docks, before joining Judy on the boat. They hop between vessels, tracking the snake. They arrive at the transportation tubes and go down them. These tubes are full of water though, so although Nick and Judy try to keep up, they have to make an early escape as they run out of air.

They come out of the tubes next to a tall mountain. Nick and Judy begin to argue, as Nick doesn’t like how Judy never consults him about anything, having almost killed them both just now, whereas Judy blames Nick for letting the snake and the journal get away. At the exit of the tube, they find a bag, containing a box of old matches with a flower design on the front. Two goats come down the mountain and speak to Judy and Nick. Judy discovers that the flowers that the goats have eaten match the design on the matches. The goats say the flowers are right at the top of the mountain, along with a honeymoon lodge. Nick and Judy are told to climb the rope to get there, so they do just that. The duo continues to fight up the mountain, leading to the carrot recorder that they used for their last case to be destroyed as they drop it, upsetting Judy. At the lodge, Judy finds more information about the reptiles and the infamous snake attack, as well as details of the Tundratown expansion. She learns there once was a whole reptile neighbourhood that was erased by the Lynxleys when Tundratown expanded the first time. Nick tries to get Judy to realise that the ZPD officers are on them again, but she won’t listen. Nick says this case isn’t worth dying for, but she disagrees. She admits maybe they are too different. The lodge falls apart as the ZPD officers try to arrest Nick and Judy. Judy comes face-to-face with Pawbert and the snake, who say they are the good guys, as she tries to escape the lodge. The snake asks Judy to come with them, since Nick has already been captured. They plead with Judy, who seems willing to go with them. Nick wrestles away from the officers, and sees Judy shot with a tranquiliser dart. Pawbert takes Judy with them, leaving Nick alone to be arrested.

Nick is taken to Mayor Winddancer, who asks to know where Judy is. Nick won’t say anything, even when threatened by Milton Lynxley. Milton reveals that the “lesser animals” in Marsh Market are set to be snowed over so his Tundratown expansion can continue. Nick is sent to jail to rot in a dark cell. Milton learns that Pawbert is helping Judy and the snake after seeing some of his fur near the lodge. Meanwhile, Judy finds herself on a motorbike in the desert with the snake and Pawbert, who reveal that Nick was caught. The snake introduces himself as Gary De’Snake, saying everything will be ok and they will save her partner. Gary also reveals that he has an anti-venom pen in case he accidentally bites anyone, showing that he is not evil. Pawbert takes the two to his hideout in the desert. Gary says he sent a letter to the Lynxley family ahead of the gala, saying he wanted to fix things for his family. Pawbert was the first to read the letter, and had Gary smuggled in so he could complete his personal mission. Pawbert says they will stop his family and reveal the truth.

They light a fire and place the journal next to it. As a heat-sensing pit viper, the warmth allows Gary to see the secret on the cover of the journal. Judy discovers that Gary’s great-grandmother was actually the one to create Zootopia, not the Lynxley family, having invented the weather walls so all animals could co-exist. Pawbert’s great-grandfather was her investor, but ended up stealing the plans for himself. To frame Gary’s great-grandmother, he murdered his maid so the snakes would be exiled, and he could wipe out the reptile neighbourhood forever, burying the area under snow, to become part of Tundratown. The original patent was saved though, and Gary’s great-grandmother hid the patent in her home. The journal reveals the path to her home so they can find the patent and reveal the truth. Judy says the light of the clock tower in the area might be able to show them where the neighbourhood was. They just need to get to the control room at the Sahara Square-Tundratown weather wall to turn the lights back on. Unbeknownst to them, the Lynxleys have been tracking Pawbert’s phone and know exactly where they are going.

In jail, Nick is reunited with Nibbles, who is in the cell opposite. Nick knows he needs to get out of there to find Judy. Nibbles uses a broom to whittle a key, opening both their cell doors as Nick says that Judy is his first real friend and doesn’t want to lose her. Nibbles and Nick try to make their way out, however, they see an “Open” button, thinking it will open the door to the outside, but it actually opens up all the cells. The prisoners dogpile on Nibbles and Nick, with the pressure of their weight forcing the door open. Nick then calls Flash, to take them to Judy in his super speedy sports car.

Gary, Judy, and Pawbert head to the control room, with Gary telling Judy to calm down and not let the pressure of the case get to her. He continues to believe they shall succeed. The ZPD are on their tail though. Judy sees they are being followed, and destroys Pawbert’s phone. It is too late for that though, and they all arrive at the weather wall. The Burning Mammal festival is going on at the same time, and Judy and the gang end up in singer Gazelle’s tent, who lets them escape and has her bodyguards slow down the police. Nick, whilst in Flash’s car, begs Clawhauser to distract Paul, a mole in the IT department, so he can track Judy on Paul’s computer. Clawhauser navigates various security measures, but finds Judy’s location. Judy runs for the control room, with Milton telling the ZPD to “put them down”. The ZPD can’t do it, however, an officer’s gun accidentally fires right at Judy. Luckily, Flash’s car arrives just in time and blocks the shot, hitting its side panel.

Judy, Pawbert, and Gary burst into the control room. Nibbles gets inside, but the door closes on Nick. The weather wall starts to heat up, but Nick gets in just in time, with the ZPD left outside. In the control room, the door to Tundratown is left open, making the room very cold, but they turn the switches on, and see the clock tower light in the distance. Judy sees Nick and Nibbles on the cameras. Pawbert then stabs Judy in the neck. Gary lunges at him, but is thrown out into the snow to freeze to death. Pawbert says he has to do this to prove himself to his family and make them proud of him, by destroying the original patent once and for all. Pawbert takes the anti-venom pen from Gary and leaves them both to die. Judy begs Pawbert to reconsider his choices, but he refuses to go back on his decision. Pawbert then goes after Nibbles, jabbing her with venom too, and Nick, who is looking for Judy.

Gary continues to say they will succeed, but Judy isn’t even strong enough to crawl to the door. Gary manages to slither to Judy, making him warm again, saying he will save them all. The ZPD burst in and see Gary wrapped around Judy, believing he is going to eat her. Gary fights past them, still holding Judy, as Nick is about to be stabbed by Pawbert. He kicks him away. Gary calls up to Nick to pass him the anti-venom pen to save Judy. Nick and Pawbert are on a fragile ice shelf, but Nick grabs the pen and throws it to Gary, who revives Judy with it. She races outside as the ice shelf falls away, grabbing Nick’s hand before he can fall. The two have a heart-to-heart, apologising to each other for their behaviour, whilst Gary goes to revive Nibbles. Nick says he cares about Judy, and is emotionally insecure, struggling to communicate how he is feeling. Judy admits she does try too hard, and doesn’t want to look weak. They say they are the best thing to have happened to each other.

Meanwhile, Pawbert has commandeered a ski mobile and heads for the clock tower. Judy, Nick, Gary, and Nibbles follow on another mobile. Pawbert passes through his family’s mansion, where his father accuses him of betraying them. Pawbert reveals he was doing it to help them, and now knows where the patent is. The others arrive soon after. Judy and Nick are told to follow Pawbert, whilst Nibbles and Gary take the Lynxleys. Nibbles tells the mayor, who is standing nearby, to fight the Lynxleys with them, and make the right choice.

Pawbert gets to a hedge maze, which Nick and Judy bulldoze through on a snow plough, but Pawbert then attacks them. Gary arrives with Nibbles and they tie Pawbert up. The others go to the reptile neighbourhood and find Gary’s family home. Inside a trinket box, Gary finds the original patent. But just as everything looks good, Pawbert arrives at the home, trying to burn the patent. The ZPD officers knock him out with a frying pan.

A news report details the events of Nick and Judy’s case, and reveals the truth about Zootopia and its creation. The Tundratown expansion is cancelled, saving Marsh Market, and the Lynxley family are thrown in prison. Chief Bogo also makes a full recovery. Nick and Judy are called “the dream team”, revealing that how they communicate, and accepting their differences, makes their partnership work. This is shown to be a speech given at the Partners in Crisis workshop. The reptile neighbourhood is later thawed out and reopened, with Gary opening up his home to all his new friends. Gary is reunited with his family, introducing them to his new friend, Judy. Nick gives Judy a new carrot recorder, which she uses to record Nick saying “Love you, partner”. Judy says she’ll give it back once they’ve solved their next case. This next case is revealed to be them tracking down all the prisoners Nick and Nibbles inadvertently released earlier. At the airport, Nick and Judy are seen in disguises as they watch former mayor Bellwether try to get to Outback Island.

The movie ends as the first movie did, with a performance by Gazelle, attended by all the citizens of Zootopia. There is also a post-credits scene, which sees Judy admiring her new carrot recorder in her apartment. One of her neighbours complains about having to hear the recording of Nick all the time, as the other tells him to give her a break. They ask what her next case is and Judy jokes it is about a rabbit who strangles her neighbours. The neighbours argue over who offended her more! We then see a feather float down to the sill.

CHARACTERS & CAST

Zootopia 2 once again follows Nick Wilde and Judy Hopps as they try to figure out another mysterious case. The events of this film take place just a week after the two are officially paired up to work together within the Zootopia Police Department, so naturally, their personalities haven’t changed much. Judy continues to be persistent, determined, and work-obsessed, as well as being quick to make decisions, regardless of Nick’s opinions on the matters, sometimes leading to her putting their lives in danger. Nick is more risk-averse, and just wants to stay alive. He would’ve rather escaped town after the gala than get themselves into trouble by working out the case, but he goes along with it to keep Judy safe. The two struggle to communicate effectively during this film, but after becoming separated during the case, when they are reunited, they each apologise for their actions, and explain their weaknesses to each other. With this in mind, they figure out how to become an effective police pairing, even explaining this secret to other “partners in crisis”. I’m sure there will be another chance to see Judy and Nick put what they learnt in this sequel into action.

Ginnifer Goodwin returned to voice bunny cop Judy Hopps here. After Zootopia, Goodwin continued to star as Snow White / Mary Margaret in the ABC series Once Upon a Time (2011-18) and reprised her role as Judy for other Disney projects. She went on to star as Beth Ann Stanton in Season 1 of the anthology series Why Women Kill (2019-21) and voices Pamster Glamster in the Disney Jr. series SuperKitties (2023-present).

Jason Bateman returned to voice the fox officer Nick Wilde for the sequel as well. After Zootopia, Bateman continued to star as Michael Bluth in the series Arrested Development (2003-19). He went on to star as Marty Byrde in the series Ozark (2017-22), winning three Screen Actors Guild awards for his acting performance, and a Primetime Emmy award for his directing. Recently, Bateman acted alongside Matt Damon in Air (2023), portraying Rob Strasser, and played The Traveler in the Netflix thriller Carry-On (2024). He also starred with Jude Law in the Netflix crime series Black Rabbit (2025) playing Vince Friedkin, and was cast as Clark Forrest in the 2026 miniseries DTF St. Louis.

Helping Judy and Nick, as well as being the reason behind their case, is Gary De’Snake, who is the first snake to be brave enough to return to Zootopia after the infamous snake attack where the Lynxleys’ tortoise maid was killed by one. He has returned to Zootopia to finally reveal the truth about reptiles. He hopes to use the Lynxley Journal to do this. It turns out Gary is being helped by someone; however, it is not revealed until quite a bit later in the film that this accomplice is none other than Pawbert Lynxley, who decided to help after a letter from Gary was sent to his family. Gary is trusting and loyal, believing that he and his friends can achieve the unachievable: setting the story straight about reptiles once and for all, and bringing them back to Zootopia. However, this trusting side allows Gary to be manipulated by Pawbert, and Gary is almost killed by his supposed “friend”. Luckily, with his inner strength and belief that they will succeed against all odds, Gary turns out to be the hero, who saves his real friends, Judy, Nick, and Nibbles, before finding the patent that clears the name of all snakes or reptiles, allowing the reptile neighbourhood to be inhabited once more. Gary De’Snake, with De’Snake being his official surname, is a pit viper.

Gary De’Snake was voiced by Ke Huy Quan. In his early acting days, Ke Huy Quan was cast as Short Round in Indiana Jones and the Temple of Doom (1984), going on to be cast as Richard “Data” Wang in The Goonies (1985). After this, he struggled to have any further breakout roles, and did not return to acting until around 2021. His casting as Waymond Wang in Everything Everywhere All at Once (2022) gave him the ultimate comeback. For this role, he won numerous awards, including the SAG Award, the Critics’ Choice Award, the Golden Globe, and the Oscar in the Best Supporting Actor category. Since then, Ke Huy Quan has been cast in various roles, including a voice role as Han in Kung Fu Panda 4 (2024); Jamie Yao in Disney+’s American Born Chinese (2023); and Ouroboros “O.B.” in Season 2 of Loki (2021-23), also for Disney+. Ke Huy Quan is set to voice a character in the upcoming animated film Avatar: Aang, The Last Airbender (2026).

The other member of this crime-fighting team is Nibbles Maplestick, an excitable, enthusiastic, confident beaver, who works as a podcaster, delving deep into discussions around conspiracy theories. Just one of her episodes, which Judy watches, is about the snake attack in Zootopia one hundred years before, with Nibbles prophesising that a snake would soon return to the area – and it did! Nibbles is happy to take Judy and Nick to a reptile, whilst the policing duo are technically “on the run”, and sticks with them throughout their mission. Well, apart from when she gets arrested in Marsh Market shortly after Judy and Nick follow Gary into the tubes. But this turns out to be very useful as Nibbles manages to cut herself a key out of the wood of a broomstick to release her and Nick from their cells so they can find Judy and figure out what she is doing. Nibbles goes with Nick to the weather wall control room to do this, even getting herself stabbed with venom by Pawbert in the process. Nibbles is fearless and the perfect addition to the team in a case like this, as she fights for what’s right and refuses to give up, no matter what.

Fortune Feimster was cast as Nibbles Maplestick, having previously voiced one of the Jerrys in Pixar’s Soul (2020). Feimster also recently voiced the part of Kitty Fridge in Gabby’s Dollhouse: The Movie (2025) and is set to voice a character in the upcoming animated movie Paw Patrol: The Dino Movie (2026), based on the children’s series. She also voiced Olive in the Scooby-Doo animated spin-off series Velma (2023-24). Outside of voice work, Feimster is known for her roles as Colette in The Mindy Project (2012-17) and as Roo in the action-comedy series FUBAR (2023-25), which starred Arnold Schwarzenegger.

Now to the crime family that are the Lynxleys. The first one we meet is Pawbert, who seems to be quite shy and awkward when he meets Judy at the gala. Pawbert appears to be the outcast in his family, teased by his brother and sister and mostly ignored by his father. This makes it even stranger when Pawbert is revealed to be the one who has helped to smuggle Gary into Zootopia and is trying to help Gary with his mission to clear the name of all snakes and reptiles. However, Pawbert becomes the surprise villain of Zootopia 2, when he is shown to be pretending to want to help Gary and the others. Pawbert suddenly shifts into becoming an incredibly evil character, as he leaves Gary to die out in the snow, jabs Judy and Nibbles with venom, taking away Gary’s anti-venom pen, and then tries to do the same with Nick. Luckily, Gary’s quick-thinking means that all four don’t lose their lives, but just when they think they’ve thwarted Pawbert after he falls off the ice cliff, he jumps back up and heads for the clock tower to burn the patent and allow his family to keep this dirty secret hidden forever. Pawbert is seen as a traitor by his family, so has to explain the fact he was bluffing or double-bluffing, or whatever. They seem to believe him and let him go on, but Judy, Nick, and the others won’t allow that, and together they tie him up and go on to the reptile neighbourhood themselves. Pawbert once again comes back though and tries one last-ditch attempt to stop them, but this time, the ZPD step in and stop him. Pawbert goes to prison with the rest of his family for their crimes. Good riddance.

Pawbert was voiced by Andy Samberg, known for both comedy and voice acting roles. His voice work includes characters like Ham III in Space Chimps (2008); Brent McHale in Cloudy with a Chance of Meatballs (2009) and its 2013 sequel; Dale in Chip ‘n’ Dale: Rescue Rangers (2022); Ben Reilly / Scarlet Spider in Spider-Man: Across the Spider-Verse (2023) and potentially the 2027 sequel; and Johnny in the Hotel Transylvania franchise. Samberg is also known for being a cast member and a writer on the sketch comedy show Saturday Night Live (1975-present) from 2005 until 2012. During this time, he also appeared in comedy films such as I Love You, Man (2009) as Robbie, and Quincy in Friends with Benefits (2011). After that, Samberg became known for his role as Jake Peralta in the police sitcom Brooklyn Nine-Nine (2013-21), and in recent years, he starred as Nyles in the film Palm Springs (2020), which he co-produced, and was cast as Barry in The Roses (2025).

For the rest of the Lynxleys, there is Milton, the patriarch, and his other children, Cattrick and Kitty. With his family’s wealth, Milton has sought to build a corrupt Zootopia, thanks to his ancestors, continuing to keep the secret of the fact the weather walls were created by a snake and not their family, as well as expanding their area of Tundratown, and getting involved in the political runnings of the city, by funding the campaign of Mayor Winddancer. Everyone is too scared to go up against Milton so they allow him to do whatever he wants. His next task is to expand Tundratown for a second time, by burying Marsh Market in snow. Milton has no morals; he just likes power and abuses it constantly.

Milton was voiced by David Straithairn. Straithairn has appeared in a variety of roles, including as Ira Lowenstein in A League of Their Own (1992); as Pierce Morehouse Patchett in L.A. Confidential (1997); as Noah Vosen in the Bourne film franchise; and as Admiral William Stenz in Godzilla (2014) and Godzilla: King of the Monsters (2019). He was also nominated at the Academy Awards, the BAFTAs, the Critics’ Choice Awards and the Golden Globes in the Best Actor category for his role as Edward R. Murrow in the George Clooney-directed film Good Night, and Good Luck (2005). In more recent years, Straithairn starred as Dave in Nomadland (2020), with Frances McDormand, and portrayed Bill Carruthers in The Luckiest Man in America (2024). He also appeared as Dr. Benjamin Cole in Season 2 of the Netflix comedy series A Man on the Inside (2024-present).

In Zootopia 2, we don’t see all that much from Cattrick and Kitty, Milton’s children and Pawbert’s siblings, other than they seem to be on their father’s side and not on the side of justice. They are by Milton’s side as he seeks the capture of Judy, Nick, and the snake. We also see these two tormenting their brother, Pawbert, at the gala, seemingly not caring at all about him, because he is “weaker” than they are. But although they don’t do anything specific, the two are still complicit in the crimes of their father and brother and end up going to prison alongside them by the end of the film. Cattrick and Kitty were voiced by Macaulay Culkin and Brenda Song respectively, who are a real-life couple.

Culkin is best-known for his childhood acting roles, like playing Kevin McCallister in Home Alone (1990), for which he won a Young Artist award, and reprised the role in Home Alone 2: Lost in New York (1992). Culkin also played Miles Russell in Uncle Buck (1989), which starred John Candy; Thomas J. Sennett in My Girl (1991); and was cast as the title character in Richie Rich (1994). More recently, Culkin was cast as Mickey in Season 10 of the anthology series American Horror Story (2011-present) and as Lacerta Legate in Season 2 of the Prime Video series Fallout (2024-present), based on the video game of the same name. Brenda Song is known for her roles on Disney Channel. Song had been cast in five separate Disney Channel Original Movies: The Ultimate Christmas Present (2000) as Samantha; Get a Clue (2002) as Jennifer; Stuck in the Suburbs (2004) as Natasha; Wendy Wu in Wendy Wu: Homecoming Warrior (2006), and as London Tipton in The Suite Life Movie (2011), reprising her role from The Suite Life of Zack & Cody (2005-08) and The Suite Life on Deck (2008-11). Song managed to break out of Disney with her casting as Christy in The Social Network (2010). In recent years, Song has been the voice of Princess Akemi in Blue Eye Samurai (2023-present) and was cast as Mary-Anne in The Last Showgirl (2024). In 2025, Song was also cast as Ali Lee in the Netflix series Running Point (2025-present). 

There are also a variety of supporting characters that appear in this sequel. Mayor Winddancer is the new mayor of Zootopia, after two previous mayors were arrested during the events of the original film. Mayor Winddancer is a former action movie actor, and a Clydesdale horse. Winddancer seems to love attention from the public, as can be seen by his exuberant appearances during speeches, and his entrance into the Zootennial Gala. However, after the snake incident at the gala, it soon becomes clear that Winddancer has only got into the mayoral position thanks to backing from the Lynxleys, with Milton Lynxley telling Winddancer that he will take Winddancer’s job away from him if Nick and Judy are not caught. This puts Winddancer in a difficult position – and on the wrong side of the law. Thanks to Nibbles, in the climatic ending sequence, Winddancer comes to his senses and puts a stop to the Lynxley family’s actions – by fighting them, something he is perfect for thanks to his action film background! This leads to their arrest soon after.

Disney fan favourite Patrick Warburton was chosen to voice Mayor Winddancer. For Disney, he has had a variety of voice acting roles, such as voicing Buzz Lightyear in the television series Buzz Lightyear of Star Command (2000-01), Steve Barkin in Kim Possible (2002-07), Patrick in Home on the Range (2004), Alien Cop in Chicken Little (2005), and of course, Kronk in the underrated The Emperor’s New Groove (2000), reprising his role for its sequel Kronk’s New Groove (2005) and the spin-off series The Emperor’s New School (2006-08). Any Disney Parks fans will also know Warburton from his role giving the iconic “pre-flight” video before the attraction Soarin’ at Disney’s California Adventure, and Epcot at Walt Disney World. On screen, Warburton is also known for roles such as the character Jeff Bingham in Rules of Engagement (2007-13), which also starred fellow The Emperor’s New Groove voice actor David Spade; Lemony Snicket in the Netflix series A Series of Unfortunate Events (2017-19) based on the book series; and Guy in Ted (2012) and its sequel Ted 2 (2015).

Dr. Fuzzby is the therapist who runs the Partners in Crisis workshop for police officer teams who are not working well together, for whatever reason. Although Dr. Fuzzby clearly takes her work seriously, wanting those attending the workshop to go through the course at a slow and steady pace, she is just a little bit quick with her diagnoses, making her seem just a tad judgemental for a therapist – or should that be “therapy animal”? Dr. Fuzzby initially seems like any other therapist, kind, gentle, but when Judy starts making suggestions that her and Nick don’t belong there, Fuzzby quickly points out Judy’s denial at the situation she is in, and that she jumps in without considering Nick’s feelings. Nick, meanwhile, is assessed as being emotionally distant and insecure. All of these things turn out to be very accurate, but I think Dr. Fuzzby needs to work on her delivery when giving her clients such brutal assessments of their inner thoughts and feelings! Dr. Fuzzby is a quokka, a small marsupial.

Quinta Brunson was cast as the voice of Dr. Fuzzby. Brunson is well-known for her roles as the creator, writer, and producer of the ABC sitcom Abbott Elementary (2021-present), also starring in the show as Janine Teagues. Abbott Elementary and Brunson have won numerous awards in the years since its debut, including at the Critics’ Choice Awards, the Golden Globes, the Emmys, and the NAACP Image Awards. Outside of that, Brunson has appeared in other comedy projects, such as being cast as Trig in Season 3 of the anthology comedy series Miracle Workers (2019-23), alongside Daniel Radcliffe and Steve Buscemi, and portraying Oprah Winfrey in Weird: The Al Yankovic Story (2022). Brunson is set to voice Sherri in the upcoming animated adaptation The Cat in the Hat (2026).

Jesús is the reptile that Nick and Judy speak to, thanks to Nibbles, to get an idea of what a snake would want with the Lynxley Journal. Along with the other reptiles that were forced out of Zootopia, Jesús resides in a submerged boat on the edge of Marsh Market, making a sort of bar area for them to hide away in. Jesús is straight-talking and serious, for the most part – the only time he seems to like joking around is when he tricks visitors into eating worms. Jesús also helps Nick, Judy, and Nibbles escape the boat after the ZPD officers storm the area looking for them, wishing them luck in their mission and hoping they can finally let the truth about reptiles be known – before running across the water and far away from them! Jesús is a plumed basilisk lizard.

Jesús was voiced by Danny Trejo, perhaps best known amongst a certain demographic for his role as Isador “Machete” Cortez in the Spy Kids franchise, and the more violent sort-of-spin-off films Machete (2010) and Machete Kills (2013). Prior to this, Trejo had appeared as Navajas in the Western action film Desperado (1995) and as “El Cucuy” in its sequel Once Upon a Time in Mexico (2003). He later was cast as Romero Parada in Seasons 4 and 5 of the FX series Sons of Anarchy (2008-14). Trejo also has a long history of voice acting. For example, he voices the recurring vole of Vasquez in Disney Channel’s animated series Big City Greens (2018-present); voiced the part of El Moco in The Adventures of Puss in Boots (2015-18), released on Netflix; voiced Skeleton Luis in The Book of Life (2014); and voiced Stronghold in Minions: The Rise of Gru (2022). For Disney, Trejo made an appearance in Muppets Most Wanted (2014) as an inmate of the Gulag. Trejo even appeared in Season 5 of The Masked Singer (2019-present) as Raccoon.

Although many ZPD officers are pursuing Nick and Judy, for their “role” in the attack on Chief Bogo and the theft of the Lynxley Journal, throughout the events of Zootopia 2, one officer seems more determined than the others to arrest the two. This officer is Captain Fern Hoggbottom, a razorback pig. This determination is most obvious during the sequence in the lodge at the top of the mountain, where Judy searches for more clues about the case. Hoggbottom is quite heavy-handed in her capture of Nick, alongside her partner Truffler, a fellow razorback, who quickly move on to Judy once they have put Nick in his cell. Yet despite the two’s commitment to the law, even Hoggbottom knows that the order given by Milton Lynxley to “end” Judy with a dart that will kill her, is wrong and refuses to pull the trigger. However, another officer bumping into the gun sets it off, but luckily, it does not hit Judy. Fearing they were on the wrong side after all, Hoggbottom and Truffler come to Judy, Nick, and Gary’s rescue at Gary’s great-grandmother’s house to knock out Pawbert before he can attack the group or burn the patent. The two are later seen at Dr. Fuzzby’s Partners in Crisis workshop, along with other ZPD officers, to hear about Nick and Judy’s success.

Hoggbottom was voiced by Scottish actress Michelle Gomez. In the UK, Gomez was cast in sitcoms, like Green Wing (2004-07), as Sue White, starring alongside other well-known actors such as Tamsin Greig, Olivia Colman, and Stephen Mangan; and in the original iteration of Bad Education (2012-24) as Isobel Pickwell. Gomez is also known for playing Missy, the female incarnation of the Master in Series 8 of Doctor Who (2005-present), making special guest appearances after that. Since then, Gomez has been cast in a variety of other series, including as Miranda Croft in HBO’s The Flight Attendant (2020-22); Lilith / Madam Satan in Netflix’s The Chilling Adventures of Sabrina (2018-20); and Laura De Mille / Madame Rouge in Seasons 3 and 4 of Doom Patrol (2019-23).

Truffler was voiced by David Fane, who had previously voiced Kele in Disney Animation’s Moana 2 (2024). As well as this, Fane appeared as Ace in the sports comedy film Next Goal Wins (2023), directed by fellow New Zealander Taika Waititi. He also appeared as Kevin/Fang in the comedy series Our Flag Means Death (2022-23).

There are also a number of celebrity cameo voice roles in this sequel, with many being voice actors from previous Disney movies. Two of these are Stephanie Beatriz and Wilmer Valderrama, who voiced the hippo cops Bloats and Higgins here; they voiced Mirabel and Agustín, Mirabel’s father, in Encanto (2021). Another Encanto cast member is John Leguizamo who voiced the anteater customs inspector here. From the world of Moana (2016), Auli’i Cravalho, the voice of Moana, voiced the Anti-Venom Pen, whilst Maui’s voice actor, Dwayne Johnson, supposedly voiced the dik-dik stuck in the tuba! From The Princess and the Frog (2009), Anika Noni Rose, voice of Tiana, appears in the Squeal of Fortune clip that Judy watches on television. Michael J. Fox, most known for his role as Marty McFly in the Back to the Future franchise, but also voiced Milo Thatch in Atlantis: The Lost Empire (2001) for Disney, voiced a fox prisoner, Michael J. There are so many more I can’t even mention them all, so just quickly, a few more include: Mario Lopez, of Saved by the Bell fame, as Denny Gowlett, a wolf news reporter; Robert Irwin, son of Steve Irwin, as the koala airport clerk; Josh Gad, who voices Olaf in the Frozen franchise, as Paul the mole in the ZPD IT department; and Yvette Nicole Brown as the Bearoness at the gala. WWE wrestlers Roman Reigns and CM Punk voiced the “Zebros”.

Many other cast members returned to reprise their roles from Zootopia. These include Nate Torrence as Benjamin Clawhauser; Bonnie Hunt and Don Lake as Judy’s parents; Alan Tudyk as Duke Weasleton; Maurice LaMarche as Mr. Big; Leah Latham as Fru Fru, his daughter; Raymond S. Persi as Flash; Jenny Slate as Bellwether; and of course, back for another turn as the firm-but-fair Chief Bogo was Idris Elba.

PRODUCTION

The original Zootopia was first released in March 2016, and was an original story idea from Disney. It was first pitched as an idea to John Lasseter in the early 2010s, by Nathan Greno and Byron Howard, who were the directors of Tangled (2010). They pitched six different ideas for new film plots, with many of them involving anthropomorphic animals, i.e., animals that act like humans. John Lasseter liked the sound of Disney making another animal movie, as Robin Hood (1973) was one of the last ones.

After doing research into animals and how they interact with each other, the team working on Zootopia learnt during a visit to Africa that, although natural enemies, the lions drank next to the zebras with no issues; they just drank their water and left. This gave the team evidence of cooperation and understanding in the animal world despite obvious differences, so that became the central core of Zootopia, where animals co-exist together[1].

The first Zootopia film had been directed by Byron Howard and Rich Moore, with Jared Bush co-writing the screenplay with Phil Johnston. Johnston and Moore teamed up soon after to direct Ralph Breaks the Internet (2018), Disney’s sequel to Wreck-It Ralph (2012), before Johnston left the company, and went to work with Netflix, where he recently directed and co-wrote the screenplay for The Twits (2025), based on the Roald Dahl book of the same name. Moore left Disney to work with Sony Pictures Animation, producing their animated musical film Vivo (2021), before moving across to Skydance Animation.

This left Bush and Howard to take the lead in creating their sequel to Zootopia. Yvett Merino produced Encanto with the duo, who directed the film; Bush also co-wrote the screenplay. Merino then produced Zootopia 2, having also produced Moana 2 just before that. These three were the people in charge of making Zootopia 2. Bush was credited with writing the screenplay here. Bush has been involved with Disney Animation since the mid-2010s, and also wrote the screenplay for Moana, as well as co-writing the sequel and the live-action remake with Dana Ledoux Miller. He became the Chief Creative Officer at Disney Animation in September 2024 after Jennifer Lee stepped down to focus on the upcoming Frozen III and Frozen IV films. Howard has been an animator at Disney Animation since the mid-1990s, working on movies such as Mulan (1998), Lilo & Stitch (2002), and Brother Bear (2003). Howard had also co-directed Bolt (2008) with Chris Williams.

With the popularity of Zootopia considered, a sequel was quite likely. And yet it wasn’t until seven years later that Zootopia 2 was announced. During the Q1 earnings call with Disney CEO Bob Iger in February 2023, Iger confirmed a few sequels were in the works, including Toy Story 5, Frozen III, and Zootopia 2[2].

Later, at the D23 Expo in August 2024, it was announced that actor Ke Huy Quan, would be voicing the snake character Gary in Zootopia 2. In the months that followed leading up to the November 2025 release date, including at the Destination D23 event as late as August 2025, other big names and Disney affiliated-actors, such as Yvette Nicole Brown, Macaulay Culkin, Brenda Song, Patrick Warburton, and Quinta Brunson, were revealed. Returning names, such as Nate Torrence and Idris Elba to voice Clawhauser and Chief Bogo respectively, along with Shakira coming back to voice pop star Gazelle, were also confirmed. The final trailer for Zootopia 2 was released on 29th September 2025[3].

However, animated movies take well over two years to make, so Zootopia 2 had likely already been in story discussions since around 2021, or 2022 at the latest. The initial spark of an idea for this sequel may have come about even earlier than that. Apparently, right after Zootopia had wrapped, Jared Bush and Byron Howard moved over to work on Encanto. A small sketch was drawn by Bush which was simply Zootopia 2 written down, but with the “2” drawn as a snake. This was the catalyst for the sequel’s story, that the movie would explore why reptiles were not included in the first Zootopia movie[4].

 It normally takes a couple of years of discussions and brainstorming to get the story in place for a Disney animated movie. This requires many story changes and rewrites before getting the story perfect. This is even harder with a sequel, where the audience know what to expect from this world and the characters that have already been built. But due to the size and complexity of Zootopia as a city, this meant there were numerous avenues and new characters that could be explored during this process. Zootopia lends itself well to being able to create a sequel that doesn’t feel too similar or like a direct copy of the original.

In this case, Zootopia 2 was going to deal with the omission of reptiles from the first Zootopia film, because there is no habitat within the city to house them, despite many other animals being catered for. This omission was allegedly due to practical reasons, I’m assuming because of how difficult it can be to animate animals like snakes. But by giving the reptiles a place in Zootopia 2, this opened up a whole new story that could comment on societal issues that we as humans experience, such as prejudice, segregation, and displacement[5]. This followed in the footsteps of its predecessor which talked about topics like stereotyping, discrimination, and racism, once again reflecting our real-world problems.

Some specific story changes relate to the opening sequence. In Zootopia 2, we see Nick and Judy immediately thrown into a case about a customs officer seemingly smuggling a snake into Zootopia. This takes place at the docks, before taking to the streets for an intense police chase. However, there were two alternative sequences that would’ve dealt with the same sort of case. Originally, there was an opening sequence that took place on a boat with smugglers being paid to bring a snake into Zootopia. The captain of the ship confirms that all the money is there, proceeding to drop a cargo container off the ship. The box is retrieved by someone and opened to reveal a snake, who is taken in the sidecar of a motorbike to the gala. This instantly reveals the appearance of a reptile in the sequel, which perhaps didn’t allow much of a mystery to take place. The scene of Nick and Judy trying to bust a smuggler was also rewritten in an airport, where they discover that an officer has lots of counterfeit goods on him, and proceeds to drop them in front of Nick and Judy. Something seems to go wrong, as Nick and Judy are pulled into Chief Bogo’s office to be reprimanded. 

Another interesting location used in a deleted scene for Zootopia 2 was the Natural History Museum, no doubt as a nod to the previous film where Bellwether was revealed to be the villain. In this case, Judy, Gary, and Pawbert are searching for a key in an exhibit, but the museum is packed with tours, with the police also tracking them. Judy uses Gary to scare off a group of bunny tourists, who turn into an avalanche, allowing Judy and the others to escape. Nick is trying to get back to her, with help from Nibbles. An animal hospital was another location that was not used, with this being where Gary is revealed for the first time, being guarded by police officers. Going in to Gary’s room in disguise, Judy tries to get some answers from Gary, and ends up helping him leave the hospital. In all the chaos, Bogo is bitten by Gary – as he is in the actual sequel – and Gary is taken away from the area by his accomplice. Judy and Nick are blamed for Gary’s escape and the officers are told to arrest them. Judy and Nick get away in a van.

This shows that in many cases, the general plot points for Zootopia 2 were already in place with few changes made to the overall storyline. A few other examples of this include Flash being the one whose computer Officer Clawhauser breaks into to track Judy’s location for Nick; Nibbles meeting Nick and Judy at a truck stop; and Judy and Nick having their initial argument about their communication styles as they approach the Burning Mammal festival in the desert, instead of by the tubes outside Marsh Market. Burning Mammal, a take on Burning Man, was moved to later in the film, taking place by the weather wall control tower[6].

Although much of the initial infrastructure for Zootopia 2 was already in place after the original film was created, other areas and new characters were added to give the city an added dimension and an expanded world to fit the sequel. Even though the weather walls had been introduced in the first film, separating Zootopia as a city into four distinct locations, each suited to different species, these were given a backstory for the sequel and became more of a plot point than they had in the original film. Marsh Market was a completely new area, being inspired by Asian water markets and the ports of the Southern US. This allowed for marine-based animals to make an appearance in the sequel, such as walruses, sea lions, and dolphins. The tube system was created to show how these animals travel around. 

New character Nibbles, a beaver, resides in Marsh Market, with many reptiles living in a boat nearby. Since the reptiles were made to be the focus of Zootopia 2, the villains were made to be the complete opposite, so these cold-blooded animals, who thrive in the sun, were going up against a warm-blooded family of lynx, who live in Tundratown, the coldest part of Zootopia. It was also not lost on the directors that the primary food source of the lynx is the rabbit…

A new mayor was also needed to run Zootopia, since the initial mayor, Mayor Lionheart, and the interim mayor, Mayor Bellwether, were both arrested. It was a challenge to decide just what animal the new mayor should be, since we’d already had a lion and a sheep, two very different animals. Initially, the mayor was going to be a gruff elephant, then perhaps a buff kangaroo, with the idea of a giraffe mayor also being considered because its height would be a visual gag. One of the animators then sketched the mayor as a horse, and came up with the backstory of him being an actor-turned-politician. This elevated the slightly mundane idea of including a horse in a main role, and so Mayor Winddancer came to be.

The biggest animation challenge by far though was animating Gary De’Snake. Gary is said to be a pit viper, but was based on a hybrid of a variety of snakes to make him unique. The Disney animators said that Gary was basically a rope with a face, with ropes being hard to animate in CGI, because of how difficult it is to control this type of structure in the software. This required many different tests and mechanisms to get Gary to move realistically through the film. A new toolset was also designed, called Scute, to give Gary proper scales that looked authentic. To give Gary more expression, since snakes don’t have eyelids, ridges were added to his eyes to do the same thing[7]. Real-life animals were brought in to be studied as reference material to help the animators.

As with many Disney Animation and Pixar movies, there are a variety of Easter eggs to spot in Zootopia 2. Referencing other Disney movies, you’ll notice that frying pans were used as a method of defence by the Zootopia Police Department, which is a direct reference to Tangled. Also, during the gala, as Judy chases Gary through the kitchens, you can see a lion chef is being controlled by a rat, referencing Pixar’s Ratatouille (2007). For The Princess and the Frog, firefly Ray can be seen in the reptile bar sign above the pool table and Tiana’s gumbo pot makes an appearance in the gala kitchen. Mayor Winddancer also arrives to the gala in Shank’s car from Ralph Breaks the Internet. Following on from Zootopia, you can also see Duke Weaselton flogging more bootleg DVDs, with titles like “Wrangled”, the live-action version, and “Floatzen 12”. Mickey also makes an appearance, like as a bookmark on Judy’s laptop browser. Zootopia 2 also references other Disney property including “Huluzoo”, a streaming service that Nick is seen perusing.

There are some additional voice cameos in Zootopia 2 relating to Disney staff as well. Former Disney CEO Bob Iger, who left the company in March 2026, even got an opportunity to voice a character, Bob Tiger, the weatherman, who is doing a report as Judy flips through the TV channels. Directors Jared Bush and Byron Howard return to voice Judy’s neighbours, Pronk Oryx-Antlerson and Bucky Antlerson, and they both voice the goats that Judy and Nick meet by the mountain. The goats’ names are Jürgen Ziegenkäse and Berthold Hufschmerz, and their German accents aren’t stereotypical at all…

Also, Disney and Pixar both like to reference their upcoming movies in some way in their movies. For Moana 2, the animated release to proceed Zootopia 2, an image of Gary De’Snake was used at the end of the film’s credits. For Zootopia 2, to reference Disney’s next animated feature, Hexed, the image of a three-eye cat is included in the credits[8].

Finally, I just want to mention the line “That’ll do, pig. That’ll do.” This is spoken after Captain Hoggbottom knocks out Pawbert as he is about to burn the patent that Judy, Nick, Gary, and Nibbles have just found in Gary’s great-grandmother’s home. This is actually a reference to the film Babe (1995), which Farmer Hoggett says to Babe after competing in the sheep-herding competition. This line was also used in DreamWorks’ Shrek (2001), when Shrek tells Donkey: “That’ll do, Donkey. That’ll do.” There are many more Easter eggs to spot in this film besides the ones I’ve mentioned, making re-watches a must for fans.

Like Moana 2, production on Zootopia 2 was split between the official Disney Animation building in Burbank and Disney’s Vancouver facility[9].

MUSIC

Much like Zootopia, Zootopia 2 is not a musical. However, Zootopia and its sequel both feature an in-movie pop star and that pop star is Gazelle, a Thomson’s gazelle, as you might’ve guessed. In Zootopia 2, Gazelle is asked to perform at the Zootennial Gala, and is later seen getting ready to perform at the Burning Mammal festival.

At the gala, we hear Gazelle perform her new song “Zoo”. “Zoo” was written by Shakira, Ed Sheeran, and Blake Slatkin. Colombian singer Shakira is known for hit singles like “Whenever, Wherever”, “Hips Don’t Lie”, and “Waka Waka (This Time for Africa)”. Shakira returned to both voice and sing for Gazelle. Ed Sheeran is known for hit singles like “Sing”, “Shape of You”, “Take Me Back to London”, and “Sapphire”. Blake Slatkin is a producer and songwriter, having collaborated with various artists including Lizzo, winning the Grammy for Record of the Year for “About Damn Time”, Lil Nas X, The Kid Laroi, and Justin Bieber. He also collaborated with Sheeran and John Mayer on the song “Drive” for the film F1 (2025). Both Sheeran and Slatkin have voice cameos in Zootopia 2, as sheep in the barber shop, named Ed Shearin and Baalake Lambkin respectively. 

I really like “Zoo”, probably more than the first movie’s song “Try Everything”, which I feel Disney are overusing in their parks lately. A music video was released for “Zoo”, showing Shakira in a Gazelle-inspired outfit performing at the gala, with the characters from the film surrounding her. This is interspersed with clips from the film. “Zoo” was nominated at the Hollywood Music in Media Awards for Best Original Song – Animated Film, and at the Society of Composers & Lyricists for Outstanding Original Song for a Comedy or Musical Visual Media. It lost to “Golden” from KPop Demon Hunters (2025) in both cases.

Outside of the main song of Zootopia 2, the score was composed by Michael Giacchino, returning as composer after his work on the original Zootopia. Giacchino is best-known for his collaborations with Pixar, having composed numerous scores for their movies, beginning with The Incredibles (2004), and including others like Ratatouille, Up (2009), Inside Out (2015), and Coco (2017). Outside of Pixar, he has composed music for the most recent Spider-Man films, and the three latest Jurassic World movies.

Within the score, my favourite tracks are the zanier “Hot Pursuit”, used for the initial police chase between Judy, Nick, and the customs officer; and “Zootopening”, and the more emotional “Gary a Twain Shall Meet”, and “World’s Worst Detention”, for when Judy, Gary, and Nick go head-to-head with Pawbert to retrieve the official patent for Zootopia.

The soundtrack was released on 21st November 2025. It hit the No. 3 spot in the US Billboard Kid Albums Chart and No. 15 in the US Billboard Soundtrack Albums. Giacchino, Shakira, Ed Sheeran and Blake Slatkin were nominated for the Annie Award for Best Music – Feature, but lost to KPop Demon Hunters. Giacchino won the International Film Music Critics Association Award for Best Original Score for an Animated Film.

RECEPTION

In Disney’s Q1 earnings call in February 2024, Zootopia 2’s release date was confirmed to be in November 2025, hitting cinemas during Thanksgiving and the festive season[10].

Zootopia 2 had its official premiere at the Disney-owned El Capitan Theatre in Los Angeles on 13th November 2025, attended by the all-star cast and crew. On 26th November 2025, Zootopia 2 was then released in the US, being released to the majority of other countries across the globe either on this day, or a day or two later. Following on from the first film, Zootopia 2 was released under the title Zootropolis 2 in many parts of Europe, due to a trademark on the word “Zootopia” that relates to a zoo in Denmark.

During its opening weekend, Zootopia 2 had the fourth-highest-grossing first weekends worldwide of all time, and was the best of 2025, raking in around $560 million, beating out The Fate of the Furious (2017) that made just under $542 million almost a decade earlier. The highest-grossing first weekend of all time goes to Avengers: Endgame (2019) with $1.2 billion. Avengers: Infinity War (2018), with $640.5 million, and Spider-Man: No Way Home (2021) with $600 million sit in the second and third spots[11].

Following on from that brilliant start, Zootopia 2 had made $1 billion at the worldwide box-office just 17 days after its release. It was the second Disney movie of 2025, after Lilo & Stitch, to hit this milestone, which had previously been met by Moana 2, Frozen (2013), Frozen II, and Zootopia (2016). Zootopia 2 broke even more records in China, where it became the country’s highest animated opening of all time for a non-local title, at $272 million, and the highest grossing non-local animated film of all time. It was also the second-highest-grossing Hollywood film in China, behind Avengers: Endgame.

This sort of publicity, of the sequel breaking this many box-office records still only in December, before the Christmas break in many countries, could only help the movie continue in its upward trajectory. It also led to boosted streaming figures for the original film, and its spin-off series Zootopia+ globally on Disney+[12].

In January 2026, Zootopia 2 had earnt $1.7 billion, leading to it overtaking Inside Out 2 (2024) from Pixar as Hollywood’s highest-grossing animated film in history. However, please note the word “Hollywood” in this sentence. Zootopia 2 has not become the highest-grossing animated movie of all time. That accolade goes to China’s Ne Zha 2 (2025), which has made over $2.2 billion at the box-office[13]. Zootopia 2 is currently the ninth-highest-grossing movie of all time, with eighth position going to Spider-Man: No Way Home with $1.92 billion, a figure Zootopia 2 could potentially surpass if it continues playing in theatres. All the movies in the Top 7 grossed over $2 billion, with Avatar (2009) top with $2.92 billion[14].

For comparison, Zootopia, the original film, ended its run on $1.025 billion. Currently, Zootopia 2 has earnt $1.87 billion at the box-office, making it the second highest-grossing film of 2025 at the worldwide box-office, after Ne Zha 2. In third place was Avatar: Fire and Ash with $1.485 billion, with the final two spots in this top five going to Disney’s live-action remake Lilo & Stitch with $1.038 billion, and A Minecraft Movie with $961 million. Zootopia 2’s financial figures were seemingly boosted by amazing international sales, since A Minecraft Movie, Lilo & Stitch, Superman, and Jurassic World: Rebirth were all ahead of Zootopia 2 at the US domestic box-office for 2025.

Zootopia 2 was later released digitally on 27th January 2026 and on DVD and Blu-Ray on 3rd March 2026, before coming to Disney+ on 11th March 2026. In its first seven days on the streaming platform, Zootopia 2 got 32 million views globally, becoming the No. 1 film on Disney+ in its premiere week[15].

With these financial figures, you’d assume that Zootopia 2 had some pretty good audience reviews to match. And on this occasion, you’d be right. Although the critics’ score for Zootopia 2 is slightly less than Zootopia on certain websites, such as Rotten Tomatoes, the audience scores between the two are relatively similar. This isn’t always the case with sequels. Using Moana 2 as an example, both the critics and audience scores for the sequel were quite significantly harsher on the sequel than on its predecessor.

On the positive side, many felt Zootopia 2 was still just as colourful and energetic as the first, and appreciated the continued humour focused on puns and Easter eggs that reside within the film. The voice acting was seen to be brilliant once again and the sequel is generally considered to be as good, if not better, than the original. The reason for this could be that the buddy-cop format of the Zootopia franchise works better when creating sequels than other adventure films that feel quite standalone once the journey has been completed. The story of this sequel was considered to be slightly more mature, with messaging about segregation and land grabbing, to the point it starts to veer into discussions around colonialism. It also covers exploitation of power and corruption in local government. This is seen to be a positive attribute of the sequel, with there still being plenty to make this film enjoyable for both children and adults alike.

There will always be negative comments though and a couple of them I do agree with. One is that the film felt quite busy, with a lot of Easter eggs and puns being visible in the background of the film, not in the forefront where all the action was taking place, so if you were trying to concentrate on the new story, and figuring out where you were and who the new characters were, then this meant some of the humour was passing by without being noticed. This brings me to the second point and that is how fast-paced Zootopia 2 is. There is a lot going on and you really need to be fully focused on the film to understand exactly what is going on and why. I actually attempted to watch Zootopia 2 a week or so earlier, but after five or ten minutes, I could already feel that I would need to be in the right mood to be able to concentrate on the movie and had to come back to it a few days later.  Others say that there are too many coincidences and things that happened by chance that helped the story progress, but perhaps didn’t feel particularly realistic. Another comment I kind of agree with is that Judy lacks character development, as she is quite obviously ignoring her partner Nick and his feelings throughout the film, and yet Nick is forced to apologise to Judy on numerous occasions, with Judy seeming to come out of all of this as the victim. The two do have a heart-to-heart towards the end of the film, where they both admit to their insecurities and reasonings for poor communication with each other, but really, you do start to feel quite sorry for Nick as the movie plays out! Finally, some simply say Zootopia is better, and that is just a matter of opinion. I actually think I slightly preferred Zootopia 2 to be honest.

Back in 2017, Zootopia went on to win numerous awards, including in the Best Animated Feature category at the Golden Globes, Critics’ Choice, Annie Awards, and the Academy Awards. It did not win the BAFTA in this same category, though, losing to Laika’s Kubo and the Two Strings (2016). Zootopia also won other awards, including many at the Annie Awards in Character Design, Directing, Storyboarding and Writing. Would this stellar award season for the original film be equalled by the one for its sequel? Well, no, not really.

The 2026 award season in the Best Animated Film category wasn’t exactly a difficult one to call, and that is because Netflix’s’ KPop Demon Hunters swept this category in many cases. Zootopia 2 was still nominated in this category at the Academy Awards, the Critics’ Choice Awards, and the Golden Globes though, and was also nominated for the Golden Globe for Cinematic and Box Office Achievement, but this award went to the much-acclaimed Sinners. Zootopia 2 was also nominated for Annie Awards, in areas like Best Feature; Animated Effects; Character Animation; Production Design; Writing; and Storyboarding, although KPop Demon Hunters won the first five categories with The Bad Guys 2 (2025) winning the other one.

But all hope was not lost for Zootopia 2 as it picked up many other nominations, as well as some wins. For example, Zootopia 2 won the BAFTA award for Best Animated Film – although to be fair, KPop Demon Hunters was not eligible at this award ceremony, due to the fact it was originally released on Netflix and not in cinemas. Zootopia 2 also won the NAACP Image Awards for Outstanding Animated Motion Picture, and Outstanding Character Voice Performance – Motion Picture for Quinta Brunson. It also won the Saturn Award for Best Animated Film, despite being up against KPop Demon Hunters. Zootopia 2 was also up for Best Motion Picture – Animated or Mixed Media at the Satellite Awards, with Pixar’s Elio (2025) being a surprise win here.

LEGACY

After the release of Zootopia, the Walt Disney Company knew to capitalise on its success.

They released a new series on Disney+ in November 2022 titled Zootopia+ which consisted of six short episodes following the lives of some of the lesser-seen Zootopia characters. At the Disney Parks, Judy and Nick had been added in as character meet-and-greet opportunities or in parades. There was even a completely unique Zootopia-themed attraction at Shanghai Disneyland, where a whole new land opened on 20th December 2023.

Of course, Zootopia 2 would continue to increase the popularity of the franchise in 2025, so with that in mind, new experiences at the Disney Parks would have to be created.  

At the Destination D23 event in September 2023, it was announced that the long-running 4D attraction It’s Tough to Be a Bug! at Disney’s Animal Kingdom at the Walt Disney World Resort in Florida, based on Pixar’s A Bug’s Life (1998) and housed within a theatre under the park’s icon The Tree of Life, would be closing to make way for a new Zootopia-themed show. Zootopia is about animals, so at least it made some sort of sense, and It’s Tough to Be a Bug! had been known to be scary for both children and adults with a fear of insects – myself included. Still, some were sad to bid farewell to an opening day attraction.

At the D23 Expo in 2024, it was obvious that work was commencing on bringing this new Zootopia show to life, as the title of the show was confirmed to be Zootopia: Better Zoogether! and would open on 7th November 2025. It’s Tough to Be a Bug! permanently closed on 16th March 2025, so construction could begin on the new show.

With only eight months to turn the show around, it was quite clear that this would be a straight like-for-like replacement, so there would still be the same theatre, same number of seats, likely a new animatronic to replace villain Hopper, and a new 3D-style show, with enhanced 4D effects like movements on the seats. Sure enough, this is exactly what happened, as Officer Clawhauser became the new animatronic housed within the theatre, and many of the same 4D effects still exist from It’s Tough to Be a Bug! But without the added scariness of any insects or spiders, these effects no longer terrify people!

Zootopia: Better Zoogether! now follows Judy and Nick as they investigate who is trying to sabotage Zootopia’s “Zoogether Day” celebrations. A new character for the show was added, this being Heidi Howler, the host of the Zoogether Day broadcast. For the 3D elements, guests are encouraged to wear their “Carrot Vision” glasses. This show features many of the new characters and areas of the city introduced in Zootopia 2, making this a perfect avenue to both promote and add to the new film. This new attraction opened just a few weeks before the sequel was released in theatres. The voice cast reprised their roles from the films for this attraction, and yet, Jason Bateman was not aware of Zootopia: Better Zoogether! when he was asked about in an interview. Luckily, Ginnifer Goodwin was with him in this interview and explained what it was, so at least one of them knew about it[16]!

Another Disney Park to elevate their Zootopia-themed attractions was Shanghai Disneyland, who extended the story of their Zootopia land by adding elements from the sequel to it. From November 2025, new signage and revised maps were added to the land to hint at areas we first see in Zootopia 2, such as Marsh Market. New characters were also added to the area, such as Gary De’Snake becoming a part of their daily Disney Zootopia Comes Alive show, with the stories being refreshed to match the new storylines from Zootopia 2. Gary had actually already been introduced to park guests back in March 2025 for Shanghai Disneyland’s celebrations for the Year of the Snake. Other hints to characters from the sequel were also added to the area, such as a therapy room for Dr. Fuzzby and portraits of the new mayor, Mayor Winddancer, in the ZPD. For a limited time, in the attraction Zootopia: Hot Pursuit, the Gazelle animatronic was singing the new song “Zoo” from the sequel at the end of the ride. Judy and Nick in their Zootopia 2 outfits were also on the Mickey’s Storybook Express parade until the end of January 2026, with a Zootopia-themed projection show being shown prior to ILLUMINATE! A Nighttime Celebration until this date too. Adding to these experiences were new themed foods and merchandise[17]. It would seem that Judy and Nick are still meeting guests in Zootopia land, in their police uniforms.

In other Disney Parks, themed merchandise, like plush toys, figurines, and clothing, and snacks were available for a limited time, along with meet-and-greets with Nick and Judy. These also may be for a limited time only, potentially vanishing from these parks altogether, or simply reverting back to their original costumes. It is not yet clear what they will do next.

Back at Walt Disney World’s Animal Kingdom Park, Judy and Nick were meeting guests near the Tree of Life, at the Zoogether Day Gathering Spot in their new costumes. This meet-and-greet seems to still be continuing in 2026. New snacks were also available to buy, like Clawhauser’s Big Donut Macaron and Bunny Burrow Brew.  At Disney California Adventure at the Disneyland Resort in Anaheim, Officer Clawhauser made his debut as a meet-and-greet character at Marsh Market in the Hollywood Backlot, with Judy and Nick meeting here in their Zootopia 2 outfits. At the Animation Academy, Gary De’Snake was added to the rotation of drawing classes and a Gary sipper was available to buy.  

At Disneyland Paris, Judy and Nick were meeting guests at the Animation Celebration area from November 2025 until January 2026 in their usual costumes. Their drawing workshop also included a class on how to draw Gary. Merchandise was available here too. At Hong Kong Disneyland, specialty snacks, like Zootopia Donuts, Judy’s Waffle, and Bunnyburrow Blueberry Pie, were created for the event. Judy and Nick were also meeting guests at Adventureland in their new costumes, and seem to still be doing so. Tokyo Disneyland brought in Judy and Nick in brand-new festive outfits for their all-new parade Toys Wondrous Christmas! for the festive season[18].

Zootopia 2 was promoted elsewhere too, such as at Orlando International Airport who had Zootopia 2-themed security trays for a while. Air Canada also unveiled a new livery designed to Zootopia 2, which was revealed on one of their Airbus A220 aircraft in November 2025. This plane would be flying to areas like Montreal and Toronto in Canada, and L.A., Denver, and Boston in the US. It was the airline’s third Disney-themed livery. In November 2023, one was designed for Wish (2023) which was placed on a Boeing 787 Dreamliner, and in February 2022, an A220 was decorated for Pixar’s Turning Red (2022)[19]. A comic book, titled The New Adventures of Zootopia 2, was also published by Disney Comics on 9th December 2025, authored by Joe Caramagna. Judy, Nick, Gary, and Flash were even seen “driving” around L.A. in miniature cars in the days before the movie’s release.

Since the release of Zootopia 2, directors Byron Howard and Jared Bush have confirmed that a Zootopia 3 is in early development, potentially focusing on birds.

FINAL THOUGHTS

Zootopia had exceeded expectations after its release in Spring 2016. It had made over $1 billion at the box office and led to Disney Parks scrambling to include the characters in its parks, to ensure the film’s popularity sustained. Zootopia 2 was perhaps the sequel that nobody had asked for, and some Disney fans were potentially concerned by, especially after the disappointment of Moana 2. It shouldn’t all be about money.

Luckily, Zootopia 2 surprised many of us, with a touching story that spanned new areas of Zootopia, and included some fun new characters, still with its zany, colourful adventures and its two fan-favourite leads of Judy and Nick.

I can only hope, should a third film come to be, that it doesn’t prove to be one too many, potentially tainting the Zootopia legacy forever.


REFERENCES

[1] Credit: Ed Gross, ‘Zootopia: a final behind the scenes look’, Empire (online), 14th June 2016.

[2] Credit: Anthony D’Alessandro, ‘‘Frozen’, ‘Toy Story’ & ‘Zootopia’ Sequels In The Works, Disney CEO Bob Iger Says’, Deadline.com, 8th February 2023.

[3] Credit: Disney, ‘Latest Trailer for Walt Disney Animation Studios ‘Zootopia 2’ Introduces New Characters and Original Song’, TheWaltDisneyCompany.com, 29th September 2025.

[4] Credit: Tasha Robinson, ‘The 8 keys things we learned about Zootopia 2 on a trip to Disney Studios’, Polygon.com, 30th September 2025.

[5] Credit: Angeline Jane Bernade, ‘‘Zootopia 2’ filmmakers talk Oscar nod, exploring diverse themes through animation’, GoodMorningAmerica.com, 5th March 2026.

[6] Credit: Disney, “Deleted Scenes”, from Zootropolis 2 (2025) UK 2-Movie Collection Blu-Ray (2026).

[7] Credit: Tasha Robinson, ‘The 8 keys things we learned about Zootopia 2 on a trip to Disney Studios’ Polygon.com, 30th September 2025.

[8] Credit: Disney, “Zoo-prising Secrets”, from Zootropolis 2 (2025) UK 2-Movie Collection Blu-Ray (2026).

[9] Credit: John Hazelton, ‘Making ‘Zootopia 2’: How new production methods and technology helped deliver a box office smash’, ScreenDaily.com, 6th February 2026.

[10] Credit: Anthony D’Alessandro, ‘‘Zootopia 2’ Lands 2025 Theatrical Release, ‘Alien’ Movie Gets Title’, Deadline.com, 7th February 2024.

[11] Credit: Mark Hughes, ‘‘Zootopia 2’ 4th-Biggest Box Office Debut In History, Biggest 2025 Weekend’, Forbes.com, 30th November 2025.

[12] Credit: Disney, ‘Walt Disney Animation Studios’ ‘Zootopia 2’ Surpassing $1 Billion at the Global Box Office’, TheWaltDisneyCompany.com, 12th December 2025.

[13] Credit: Rebecca Rubin, ‘‘Zootopia 2’ Surpasses ‘Inside Out 2’ as Hollywood’s Highest-Grossing Animated Film of All Time With $1.7 Billion’, Variety.com, 18th January 2026.

[14] Credit: Steven McIntosh, ‘Zootropolis 2 becomes Hollywood’s biggest animated film ever’, BBC.co.uk, 19th January 2026.

[15] Credit: Shannen Ace, ‘‘Zootopia 2’ is the Number 1 Film on Disney+’, WDWNT.com, 19th March 2026.

[16] Credit: Jamie Rowland, ‘Jason Bateman Didn’t Know He Was in Zootopia: Better Zoogether at Disney’s Animal Kingdom’, WDWNT.com, 30th November 2025.

[17] Credit: Jason, ‘Shanghai Disney Resort Zootopia 2 Celebration Details’, DisneyGeek.com, 4th November 2025.

[18] Credit: Juan Lugo, ‘Try Everything Across Disney Experiences with the Debut of ‘Zootopia 2’’, DisneyParksBlog.com, 26th November 2026.

[19] Credit: Air Canada, ‘There’s A New Livery in Town: Air Canada Reveals Special Livery in Collaboration with Disney’s ‘Zootopia 2’’, AirCanada.com, 6th November 2025.