The Cheetah Girls: One World (2008)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

Disney Channel had a few musical goodies to gift to their audience in 2008. 

First up, at the start of summer, we were given Camp Rock, a new Disney channel movie musical clearly heavily inspired by High School Musical (2006). As summer stretched into autumn, Disney gave us a real treat by releasing High School Musical 3: Senior Year into cinemas, this being the final outing of the franchise. 

But in the middle of these two films, premiering towards the end of summer, was The Cheetah Girls: One World, the third film for its franchise, beating out High School Musical to be the first Disney Channel musical “threequel”. And after they had such success sending the girls to Spain in The Cheetah Girls 2 (2006), it was decided to send them to a completely different continent. This time, they were going to Asia, to India to film a Bollywood musical. 

I have always liked The Cheetah Girls: One World, having watched it on its premiere date in the UK. Instead of annoying me, like it had done for the sequel thanks to “Strut” being shown at least four times an hour, I enjoyed watching all the promotional adverts for this film on Disney Channel, like the music video for “Dance Me If You Can” and the behind-the-scenes clips; they made me really want to see it. 

However, this film is either not considered the best of the three by most Cheetah Girls fans or fans hate The Cheetah Girls: One World. There will be various reasons for this but an undisputed one is that the third Cheetah Girls film does not include Raven-Symoné as Galleria so why bother? The reason she does not appear is quite simple: she did not want to be involved, supposedly due to tension between her and the other three girls. 

I should say that I was not aware of this at the time I watched The Cheetah Girls: One World and was only made aware of this recently. I had simply assumed that because That’s So Raven had ended in 2007, Raven’s Disney Channel sitcom, she had chosen to move away from Disney and was concentrating on non-Disney projects.

That was apparently not the case and, although I have sympathy for the situation, even knowing this fact has not made me like The Cheetah Girls: One World any less. I think the music is the best of the three; the story is interesting; and I didn’t really miss Raven being in the film. I’m not saying that because I don’t think Raven was an integral part of the films, but it’s just that I thought the other three managed to hold their own here. 

PLOT

The Cheetah Girls: One World opens with the Cheetah Girls preparing for a huge performance. There are glamorous costumes, a peppy, catchy song, dancers, a huge stage, and an adoring crowd. The audience is lapping up the spectacle in front of them. There’s just one problem with this picture – it’s not real, it’s all a fantasy.

Yes, this is just a daydream as the Cheetah Girls are actually finishing up an audition, on an ordinary stage, in an ordinary theatre, in front of an ordinary guy. He’s probably a talent agent or something but as he was not impressed by the girls’ audition, it doesn’t even matter. The point is their audition has gone nowhere and the girls are rightly upset about it. The Cheetah Girls are going through a transition period at this point in time as they adjust to becoming a trio, since Galleria left the group to focus on her studies, ready to start college in Cambridge. Aqua and Dorinda are disheartened by the group’s lack of progress recently and start to wonder if their summer break would be best used to prepare for college too. But Chanel doesn’t want to hear this negativity and tells them their shot is coming.  Aqua’s focus has also drifted elsewhere, to a flirty over-the-phone relationship with a tech support guy. Aqua retorts that not everyone can have a gorgeous, devoted, Spanish boyfriend, to which Dorinda responds that nobody has a gorgeous, devoted, Spanish boyfriend, as she broke up with Joaquin, the dancer she met when the Cheetah Girls were in Barcelona.

To get over the heartache, the girls head out for dinner, going to an Indian restaurant, because Dorinda simply can’t deal with Spanish food at the moment because of the whole Joaquin thing. Seems a bit unfair to taint a whole cuisine over a bit of boyfriend trouble, don’t you think? Anyway, at the restaurant, Dorinda notices a statue of the Hindu god Ganesh, who partly resembles an elephant. Their server tells the girls that Ganesh is said to be the remover of obstacles. The group complain about their lack of career progression and the server tells them to have some faith. The three continue to complain, with Aqua wanting to do a college prep class and Dorinda having a dance camp job lined up, which annoys Chanel who wants to solely focus on the group this summer. They all agree to concentrate on the Cheetah Girls. Suddenly, Chanel gets a phone call, stating that they are being asked to audition for a big Hollywood musical. Chanel didn’t get many details, but the girls are excited and nervous, feeling this could be their lucky break.

After warming up their vocal cords and dance moves at the restaurant, we zoom over to see the Cheetah Girls finishing up their audition for the movie musical. The director of the film, Vikram, mostly known as Vik, comes over to introduce himself, and he is instantly taken with Chanel, distracting him for a moment. He eventually gets to the point and says he wants all three of them for his movie, with this movie dream keeping his parents from sending him to dental school! They are told they are heading to Bollywood the day after tomorrow. The girls notice that he said “Bollywood” and not “Hollywood”, so they won’t be going to California, but heading instead to Mumbai, India. Chanel doesn’t care that much about this huge change to the schedule, but Dorinda and Aqua are very uncertain about going to the other side of the world. Chanel convinces them this is their opportunity to become international superstars. With Chanel’s persuasion, the other two agree to go to India. Chanel then gets all excited about how cute their director is, but Dorinda tells all three of them to not spend their time together talking about boys. The three announce to Vik they are all in on the film. However, Vik’s assistant reminds him he was only meant to select one girl, with his movie producer uncle going to be mad about the fact three girls have been hired…

Soon, the girls arrive into the heat, noise, and general chaos of Mumbai, especially its traffic situation which they are all experiencing through a very stressful ride to their hotel in a rickshaw! On the way, Dorinda sees an elephant, as she did with the Ganesh statue at the restaurant, and notices her phone ringing with a call from Spain, presumably from Joaquin. She ignores the call and absorbs herself in India instead. Their hotel is beautiful and luxurious, complete with stalls selling souvenirs right outside. As the girls take part in some light shopping, Dorinda is called over by a wise, elderly man, who tells Dorinda to take a string, make a wish, and tie the string to the tree. When their wishes come true, they can return to the tree and untie it. Dorinda is joined by Aqua and Chanel who all make a wish.

The next morning, Chanel is given the rehearsal schedule for the movie by Vik, and rushes the other two to get ready so they can get to the studio on time. The three arrive at the India Pictures lot, where they are greeted by Vik. Vik explains his vision for the movie, that he wanted to make a classic, traditional remake of the Bollywood romantic hit film Namaste Bombay but his uncle, the producer, wanted to make it more contemporary and marketable by hiring Americans, so that is why the Cheetah Girls are here. The girls are told a huge Bollywood star, Rahim Khan, will be their co-star. Rahim comes over to meet them all. The girls are speechless. Even they are impressed by his fame and charisma!

The Cheetah Girls are taken over to meet their choreographer Gita, who complains about them being late. Gita suddenly sees Rahim and is so nervous about seeing him that she stumbles over. Rahim goes over to her to help and an awkward encounter between the two ensures. Rahim is ushered away to a costume fitting whilst Gita takes the girls outside for their first dance rehearsal. Gita, unimpressed by these American girls who are supposedly amazing dancers, goes through the choreography at break-neck speed, with the dance moves being very unlike the hip-hop choreography the girls are used to. Dorinda hears Gita say they’ll need to really slow down these rehearsals for them. Offended, she begins a dance battle between her and Gita, over their two differing dance styles. In the end though, both Gita and the Cheetah Girls learn some new moves from each other and everyone ends up the best of friends – just in case you forgot this was a DCOM.

As their rehearsal ends, a man comes over, looking confused. The girls state that they are the stars of the movie, to which the man demands to see Vik. This man is Vik’s uncle, the producer, who tells Vik he only has the budget for one star, and that all three girls cannot stay. Vik’s uncle states they will each have to audition for the role, with the unsuccessful two heading straight home. Vik tries to reason with his uncle by saying he can make some script rewrites and fit all the girls in. His uncle refuses to back down. The Cheetah Girls confront Vik about the mix-up, and all three decide they should just go home. Aqua and Dorinda are annoyed that they wasted their time here, and think the group is over.

The next day, having had some time to sleep and reflect on it, the girls go shopping together and start talking about the audition and the movie. They don’t want to audition against each other, but each have an idea of who should get the role. Chanel says Dorinda should take the part, because she needs the money, whereas Dorinda wants Aqua to do it to get a chance to showcase her acting skills. Aqua says it’s clear Vik wants Chanel for the role. Chanel says she’d never take the part if that were true anyway. The three change their minds and decide they will all audition, and that they’ll be happy for whoever gets the part. Aqua then calls a phone call – it’s from her tech support guy, Kevin 347. She wanders off to talk to him. After he checks on the status of her laptop, they start to have a normal conversation. They eventually start discussing the sunset they can each see, which makes Aqua realise they must be in a similar part of the globe. They start describing their surroundings, and it turns out they are in exactly the same place! Aqua turns around to see Kevin 347 right in front of her – what are the odds! Aqua can’t believe her luck. Kevin formally introduces himself, stating that Kevin is just his work name; his real name is actually Amar. Dorinda sees what’s going on and wants to stop Aqua from getting her heart broken, but Chanel persuades her to let Aqua have some fun. Dorinda then sees yet another elephant, and starts to get paranoid about it. Chanel tells Dorinda to calm down, saying nothing is going to change in the group – before rushing off to take a call from Vik.

That evening, Dorinda comes across the wise, old man again, who tells Dorinda that she should not feel anxious for the future, and must embrace change as it is always happening. Things that do matter, though, never change. The man tells Dorinda to remember that tough times never last forever, and gives her a totem of the god Ganesh, before hitting her on the head with a leaf, for clarity, he says!

In the morning, Aqua continues to spend time with Amar. Over dinner, Amar says his father is sending him to business school and cannot study what he wants, where he wants. Aqua doesn’t understand not having control over your own life, but she does state that her dream is to star in Vik’s movie, something that she has little control over. Meanwhile, Dorinda sees Rahim acting weirdly around Gita again at rehearsals, telling him he’s a real dork every time he’s near Gita and it’s embarrassing to watch! Rahim says he’s just nervous, because he’s never kissed a girl in real-life, outside of his movies. Rahim asks Dorinda for her help with Gita, in exchange for helping Dorinda with her audition for the film. Back with Chanel, Chanel is discussing Vik’s endless attempts at rewriting his movie script, as Vik is determined to make this movie a success, as an opportunity to prove himself. This makes Chanel consider how good the film role could be for her career, even without the girls.

Dorinda takes a walk with Gita later that day, where she talks about the movie role. Gita thinks she would’ve liked to be a movie star, but doesn’t believe that will ever happen for her now. Dorinda sees Gita also acting like a dork around Rahim, as she hides behind a market stall after seeing a cardboard cut-out of Rahim. Dorinda reminds Gita that she is definitely good enough for Rahim, even if he is a celebrity.

Now, here is where the Extended Edition of the film leads into a date scene with all the couples, or potential couples, and Dorinda. Chanel brings Dorinda along on her date with Vik, for some reason, forcing Dorinda to sit in a swan pedal boat, peddling around this lake on her own, whilst Chanel and Vik gaze adoringly at each other. On dry land, Aqua and Amar are also discussing their newfound romance, whilst Gita and Rahim separately consider their feelings for the other, wondering if anything will ever happen between them.

After that, we return to the studio lot, where Vik is disheartened by the set being built for the movie’s big wedding scene, finding it bare and poorly constructed, but this is all the budget could afford. Vik goes to his uncle to ask for something more, knowing with his film school qualifications from NYU that he can make a good film. However, Vik’s uncle refuses to put any more money into the film, threatening to cancel the movie entirely and send Vik to dental school. The girls overhear Vik’s fight with his uncle, and plan to go back home, since the movie is going to be cancelled without a free location, however, Amar invites all the girls and Vik to come back to Rajasthan with him for Holi, to hold the auditions and potentially do some location scouting. Vik’s uncle invites himself along too.

As the girls prepare to leave for Rajasthan, the wise man, Swami, tells the girls to untie their strings, but they say their wishes haven’t come true. Swami says the tree just needs time to make the wishes happen. Chanel and Dorinda head to the car, leaving Aqua to secretly untie her string from the tree. Her wish has seemingly come true – what was it?

The girls head off on their long road trip to Rajasthan with Vik, his uncle, Amar, Gita, and Rahim. They arrive and Dorinda sees yet another elephant. Gita tells Dorinda she is lucky that the elephants are looking at her, because it means they are trying to help her. Dorinda is glad to hear she might be lucky but decides she can’t possibly be after the same elephant sprays water at her! The group are immediately thrown into the middle of celebrations for Holi, before being whisked away on a boat, heading for Amar’s parents’ home. They come to a huge palace and are all shocked that this is where Amar lives.

Aqua complains that Amar never told her he was rich, or that he is from royalty. She thinks he has plenty of options for his life, but Amar reiterates his father has ideas for his life, so Amar doesn’t choose for himself. Amar’s mother tells Amar that dinner is ready, and the group all sit down for dinner. Amar’s mother starts being very friendly to Aqua, believing her to be Amar’s girlfriend, but she confirms she isn’t his girlfriend. Vik discusses the potential for using Amar’s home as a location for the film, and Amar agrees to it, with one condition.

The next morning, Amar tells Aqua about the news, and that his condition was to make Aqua the lead in the movie. Dorinda runs into Gita and Rahim being awkward again, and Dorinda tells Rahim he needs to be open and honest about his feelings. She then gets another call from Spain and ignores it, with Rahim noticing she doesn’t take her own advice. They then see Vik and Chanel walking hand-in-hand. Rahim says the rumour is those two are officially a couple. Dorinda is shocked she wasn’t told, and believes Chanel didn’t say because it will only make it look unfair if she does get the lead. Chanel then hears from Vik that Amar asked for Aqua to be cast in the lead in exchange for the location. This leads to all three girls feeling paranoid about the others, not expecting a fair fight for the role anymore.

On the day of the audition, Chanel and Dorinda notice Aqua’s string from the tree tied around her wrist, and demand to know what her wish was. Aqua’s wish, it turns out, was to meet Kevin 347. Chanel is upset to find Aqua didn’t wish for the Cheetah Girls to be big movie stars. Dorinda admits her wish was for the group to stay the same, effectively cancelling out Chanel’s wish. The animosity between the three girls only grows as they start their audition, with Rahim fighting for Dorinda; Amar fighting for Aqua; and Vik fighting for Chanel to get the part. In the end, Vik’s uncle casts Chanel in the lead, annoying Aqua and Dorinda who knew Vik had been wanting Chanel in the lead all along. It wasn’t fair.

Given the conflict between the girls, Chanel’s excitement at being cast in the starring role is short-lived. As she sees Dorinda and Aqua packing to leave India, Chanel starts to consider whether this role is even worth it, not wanting to lose her friends. Eventually, the three girls come together and apologise for everything. Dorinda and Aqua admit they were just jealous and wrong to say it wasn’t fair, with Chanel saying she turned down the part anyway. Chanel tells Vik in person, and he thinks it is now certain that his film is over, since there is no love interest. Chanel convinces Vik to stand up to his uncle and make the movie he wants to make. He considers it, before kissing Chanel, wanting her to be his leading lady in real-life. Cringe. Amar then talks to Aqua, apologising for trying to get her the lead role in the film, before saying he is going to apply to Columbia University to be with Aqua. Dorinda also gets Rahim to ask Gita on a date – she says yes – as well as finally giving Joaquin a call, wanting to still be friends. She realises she was the obstacle getting in her way.

Chanel shows the girls a gift she got for Vik, the original poster for Namaste Bombay. They feel bad for backing out of the film, not knowing who will be the star of the film now. They look over to see Rahim with Gita, giving them all an idea. Vik goes to his uncle with the others, telling him that Gita will be the lead. Vik’s uncle can’t believe Vik would want to put the choreographer in front of the camera, but Vik puts his foot down. His uncle is happy to see Vik talking like a real director and goes along with the new plan.

They are now ready to shoot a sequence for the film. The sequence shows the love interests – played by Rahim and Gita – getting married, with the Cheetah Girls having a supporting role in the movie. It is a big song-and-dance number, perfect for the girls. The sequence – and this film – ends with the girls riding on the back of an elephant.

CHARACTERS & CAST

The Cheetah Girls: One World sees Adrienne Bailon, Kiely Williams, and Sabrina Bryan returning as Chanel, Aqua, and Dorinda respectively for this third story. This time, the Cheetah Girls have become a trio and are still trying to make it in the mainstream, auditioning to try and get opportunities for the group. All looks lost for them until they are offered parts in a movie – not in Hollywood like they expect, but in India, as this is a Bollywood movie. The girls embrace the challenge and their new surroundings, but find themselves caught up with distracting love interests and a fight over the lead in this film. In the end though, they are reminded that their friendship is more important than anything else, not wanting the movie or boys to get in the way of that. Raven-Symoné was not involved in this film as Galleria, with Galleria being written out of the film with a brief mention of the fact she is in summer school before heading off to Cambridge to go to university in the UK. With Galleria absent from the movie, it makes sense that her mother Dorothea would also not be in this third film. Chanel’s mother, Juanita, is not here either, probably because she’s too busy with her new husband, Luc. Same old, same old.

But there are still a few new characters in The Cheetah Girls: One World. One of these is Vikram Bhatia, mostly referred to as simply Vik. Vik is the director of this remake of the classic Bollywood film Namaste Bombay that he has hired the Cheetah Girls for. He is instantly smitten with Chanel after meeting her at the audition, and despite a clear conflict of interest here, he makes no secret of the fact he likes her throughout the movie. Chanel and Vik become close during the course of the story, as they bond over their dreams, with Vik wanting to be a movie director and this first film being his first step to achieving that, and Chanel wanting to be an international superstar. With their relationship progressing throughout their time in India, naturally Aqua and Dorinda start to feel concerned that Vik’s feelings for Chanel will mean that the audition process is completely biased. Sure enough, by the time they do come to audition, Chanel gets the part in Vik’s movie. Vik doesn’t seem to understand that Chanel would be concerned about losing her friends over this, and how their relationship might appear to them. He is entirely focused on making this film, whilst also being beaten down by his uncle, who is producing the film. It’s up to Chanel to get Vik to take control of his movie, so he can avoid going to dental school. Eventually, Vik manages to stand up for himself and gets to make the movie he wanted to make initially.

Vik was played by American actor Michael Steger, who had previously guest starred in the Disney Channel series Hannah Montana (2006-11) in a Season 2 episode prior to his casting here. Steger went on to star as Navid Shirazi in the teen drama series 90210 (2008-13), a role he is perhaps most known for.

Another love interest in The Cheetah Girls: One World, but this time for Aqua, is Amar. Aqua first meets Amar under his tech support name Kevin 347. She has been deliberately tampering with her laptop to find reasons to talk to Kevin over the phone, but they have never met in person. Coincidentally, Aqua gets a call from Kevin whilst in India, seemingly wanting to check on the status of her laptop, and they get into a conversation about the sunset, leading them to realise they are in the same place, finally getting to meet face-to-face. This is where Aqua learns that Kevin’s name is actually Amar. Amar and Aqua spend a lot of time together in this film, with their relationship also creating paranoia amongst the girls ahead of their audition for the lead, especially since Amar asks Vik to give Aqua the role in exchange for using his family’s home as a location for the movie. Amar, like Vik, doesn’t seem to realise how wrong this is either, and how much it will affect the girls’ friendship. He also neglects to tell Aqua that he is in fact Indian royalty, this coming as quite a shock to everyone, especially since he was working in tech support. By the end of the film, Amar has decided to be with Aqua in the US by applying to the same university as her.

Kunal Sharma was cast as Amar, having previously also guest starred in the Disney Channel series Hannah Montana, as well as Phil of the Future (2004-06) ahead of his role in The Cheetah Girls: One World. He later appeared as Vivek in the teen comedy spin-off Legally Blondes (2009). In 2017, he was cast in the recurring role of Sid al-Tunis in Season 5 of the crime drama series Prison Break (2005-17). More recently, he played the character Koa Rey in Season 8 and Season 9 of Hawaii Five-0 (2010-20).

Rahim Khan is the male lead who Vik has cast in his remake of Namaste Bombay. Rahim is already a huge star in Bollywood, and has plenty of screaming fans waiting for him whenever he comes to set. Despite this though, Rahim is actually incredibly shy around one woman, Gita, the film’s choreographer. Rahim confides in Dorinda about his feelings for Gita, although the way he acts around her, tripping up and being generally awkward, has already made that obvious to all the Cheetah Girls, also stating that he has never kissed a girl outside of his movies. Dorinda decides to help Rahim with Gita, and in exchange Rahim helps Dorinda with her dancing, ready for the audition. Rahim, although not Dorinda’s love interest, is the person that is backing her for the lead role in the film, as Vik and Amar are doing for Chanel and Aqua. The audition doesn’t go Dorinda’s way, however, she doesn’t hold Rahim accountable for that, and encourages him to ask Gita out on a date, so they can stop acting strangely around each other and making everyone else feel uncomfortable!

Rahim Khan was played by Rupak Ginn. After The Cheetah Girls: One World, Khan was cast in the recurring role of Raj in the comedy-drama series Royal Pains (2009-16) and later hosted a PBS documentary series on South Asian cuisine, titled Spice Road (2023-26).

Gita is the choreographer on Namaste Bombay. She initially is quite annoyed by having to teach these American girls traditional Bollywood dance steps, not wanting to slow it down for them since Vik has told her how well they dance. She is quite pleased to embarrass the girls in front of all the other dancers, proving they have a lot to learn, however, this irritates Dorinda who starts a dance battle between the Cheetah Girls and Gita’s dancers. They finally come to get along with each other though, and Gita even gets some advice on her feelings for Rahim from Dorinda. Gita’s journey in The Cheetah Girls: One World ends with her finally getting the man of dreams – Rahim – and getting her dream role of starring in a Bollywood musical.

Gita was played by Deepti Daryanani, who had previously been cast as the character Priti in the Hindi-language version of the comedy American Pie, titled Yeh Kya Ho Raha Hai? (2002). After The Cheetah Girls: One World, she was cast as Maya in the Lifetime film Acceptance (2009), which starred Mae Whitman and Joan Cusack.

Vik’s uncle, Kamal Bhatia, is the producer on Vik’s new movie, meaning he is in charge of financing this film. This means Vik’s uncle has a lot of ideas and necessary compromises to make the movie happen, even if they do not match Vik’s vision for this masterpiece. Vik’s uncle is adamant that they can only afford one of the Cheetah Girls to star in the film, and orders the audition to take place to choose the best one. He also comes up with a set for the big wedding sequence in the film, but Vik is unhappy with it, even though that is as far as the budget will stretch. Vik’s uncle later accompanies Vik and the others to Rajasthan to scout for new locations, which must be free. Luckily, Amar offers up his family home at no cost. Vik’s uncle is later approached after Chanel drops out of the leading role, with Vik demanding that he gets to make the movie his way, which means Gita in the lead role and reverting back to Vik’s initial version of making a more traditional remake of Namaste Bombay, albeit still with the Cheetah Girls in minor roles. Vik’s uncle allows these changes, happy to see Vik stand up for his movie, as all directors should.

Uncle Kamal was played by British-Indian actor Roshan Seth. Earlier in his career, Seth was cast as Jawaharlal Nehru in Gandhi (1982), for which he was nominated at the BAFTAs in the Best Supporting Actor category. He went on to appear as Chattar Lal in Indiana Jones and the Temple of Doom (1984) and as Amritrao in A Passage to India (1984). In the 2000s, Seth starred as Gopal in the independent film Cosmopolitan (2003), and was cast in various Hindi-language films, including as Justice Thapar in Guru (2007). Seth was even cast as Pramesh Singh in Disney’s live-action remake Dumbo (2019). In television, Seth starred as Haroon Amir, opposite Naveen Andrews, in the BBC miniseries The Buddha of Suburbia (1993). More recently, he was cast as Darius Dalal in the Channel 4 series Indian Summers (2015-16) and as Shah Alam II in ITV’s Beecham House (2019).

The Cheetah Girls frequently encounter the wise man Swami Ji, as he sits under a tree by their hotel in Mumbai, giving out advice to them about where their lives are going. After they leave Mumbai for Rajasthan, we don’t see him again, but his wish strings certainly cause problems for the girls even after they’ve left the area! Swami Ji tells Dorinda to expect change and to not fear it, whilst also telling the girls that they may wish for things that they don’t need, and that something unexpected might take its place. That is certainly the case, as Chanel’s wish of the girls becoming major movie stars didn’t happen, although they did end up in a film, and Dorinda’s wish of having the Cheetah Girls stay exactly the same obviously wasn’t going to happen. With Swami Ji’s help, the girls got to understand themselves more, as well as the culture’s spirituality.

Indian actor Vinod Nagpal was cast as Swami Ji. Nagpal had previously been cast in various Indian television series, including as Basesar Ram in Hum Log (1984-85) and as Shyamlal in Buniyaad (1987-88). He has also made appearances in various Hindi-language films, for example as Mr. Srivastav in Aaja Nachle (2007) and most recently as Kitpal in Main Vaapas Aaunga (2026).

MUSIC

The soundtrack for The Cheetah Girls: One World was released on 19th August 2008, just a couple of days before the film premiered in the US, and consists of 12 original songs. 

Although the soundtrack album may have underperformed in the charts when compared to the other two movies’ soundtracks, by reaching No. 2 in the US Billboard Kid Albums and No. 3 in the Soundtrack Albums, as well as No. 13 on the US Billboard 200 chart, whereas the other two had topped both the Kid Albums and Soundtrack Albums charts, The Cheetah Girls: One World contains the best music in the franchise in my opinion.

In movie order, the first song we hear is “Cheetah Love”, being led to believe that the girls are putting on a major concert in front of a crowd of excitable fans, when in fact they are just auditioning in a theatre and have not yet become famous. This is a good, energetic song to recentre the viewers in the world of The Cheetah Girls after a bit of a break. “Cheetah Love” was written by Kara DioGuardi, Niclas Molinder and Joacim Persson.

Following that, the girls decide to head to an Indian restaurant for dinner, and start to feel hopeless about their chances of stardom. However, at dinner, Chanel gets a call saying they are wanted for an audition for a huge musical. This gives the girls some further motivation to continue with their group, leading to them singing and dancing around the restaurant in front of the other paying customers, before ending up in another theatre, continuing their performance as part of their audition. “Dig a Little Deeper” is the only song that I don’t like in this film. Maybe because I don’t think running around a restaurant is good from a health-and-safety perspective; it just seems very reckless, with all that sharp cutlery! “Dig a Little Deeper” was written by Antonina Armato, Tim James, and Devrim Karaoglu.

After that, we hear “Getting Crazy on the Dancefloor”, which was actually a solo song for Sabrina Bryan. This song plays in the background as we see the Cheetah Girls arrive in India, experiencing a little bit of a culture shock as they are driven through the streets. We don’t get to hear much of this song but what we do hear is just ok. “Getting Crazy on the Dancefloor” was written by Sabrina Bryan, Sebastian Jacome, and Karl Cameron.

As the girls arrive at the movie studio in India for their first rehearsal, they are late and have managed to irritate the choreographer, Gita, so she makes the rehearsals hard for them, leading Dorinda to get defensive and say they can dance well. This leads to a dance battle of sorts via the song “Dance Me If You Can”. I really like this song, ever since I first saw it on the Disney Channel, promoting this film. It’s fun, it’s got a bit of a Bollywood essence to it, and it’s high-energy. “Dance Me If You Can” was written by Matthew Gerrard and Robbie Nevil, and was performed by the Cheetah Girls, along with Deepti Daryanani as Gita. This song is used in the End Credits of the film too.

Things slow down a bit after this, as the Cheetah Girls start to consider the group’s future and their opportunities in India, after Vik is told that he can only hire one girl, meaning the three will have to audition against each other for the part, something they don’t want to do. This leads to the song “Fly Away”, where the girls wonder how these events might change them and the Cheetah Girls. It’s nice to hear the girls sing more of a ballad here, giving the film a different mood. “Fly Away” was written by Jamie Houston.

Another ballad follows, but this time solely performed by Adrienne Bailon, as Chanel starts to consider that getting the starring role in the film would be great for her career and something she really wants to achieve, but she worries how it will affect the Cheetah Girls if she does get it. I love this song; it’s a great one to sing along to, and it expresses how torn Chanel is feeling. “What If” was written by Matthew Gerrard and Robbie Nevil.

The next song only appears in the movie as part of the Extended Edition, with this song being “Feels Like Love”. Oddly, I actually like this song and the whole sequence that accompanies it, despite it being an extended scene, which basically means it was deemed not good enough to make the final edit of the film! Whether I like a deleted song or not varies wildly from film to film. For example, although I like “Feels Like Love” in this film, I hated “Cherish the Moment”, the song from the extended edition of The Cheetah Girls 2. But “Feels Like Love” is really sweet and I love that their date is going on pedal boats. It’s a song for the whole cast – except Dorinda who has sworn off boys!  “Feels Like Love” was performed by the Cheetah Girls; Michael Steger as Vik; Kunal Sharma as Amar; Deepti Daryanani as Gita; and Rupak Ginn as Rahim, written by Adam Watts and Andy Dodd.

As the Cheetah Girls head to Rajasthan to scout locations with Vik and the rest of the movie gang, we hear a song playing in the background. This song is “Stand Up”, another solo song for Adrienne Bailon. It’s a good song, but it is lively, which is quite at odds with the boredom of the long car journey that we are seeing on screen! “Stand Up” was written by Matthew Gerrard, Robbie Nevil, and Adrienne Bailon.

A little while later, as the girls prepare for their audition for the lead role in Vik’s film, they become increasingly suspicious and paranoid of each other, wondering if the others are playing fair, or using their connections with various members of the movie crew to get ahead. The song is again only heard briefly in the background, but it’s still decent. This time, the song “Circle Game” was a solo for Kiely Williams, meaning all three of the girls got at least one solo each in this film. It was written by Antonina Armato, Tim James, and Kiely Williams.

This leads pretty much straight into the song “I’m the One”. We already saw a dance battle earlier in the film, but “I’m the One” is a singing battle as the Cheetah Girls fight for the starring role in Vik’s movie. By this point in the story, the girls aren’t really speaking so this is a real fight, with the girls no longer afraid to use some leverage to get the role, in the form of each of their male confidantes: Dorinda has Rahim, Aqua has Amar, and Chanel has Vik. “I’m the One” is therefore performed by the Cheetah Girls, as well as Michael Steger as Vik, Kunal Sharma as Amar, and Rupak Ginn as Rahim. It was written by Kara DioGuardi, Niclas Molinder, and Joacim Persson.

After Chanel is given the lead role, Aqua and Dorinda are irritated, thinking that Chanel only got the part because she’s been flirting with Vik, the director. Aqua and Dorinda must then pack up and leave India as they are no longer needed on the film. As they do this, Chanel wonders whether she should take the part at all. All three sing another heartfelt song, “No Place Like Us”, deciding they don’t want their friendship to end over something so trivial like an audition and choosing to stick together no matter what. “No Place Like Us” is easily my favourite song in The Cheetah Girls: One World, and I think it might be my favourite song in the entire franchise. “No Place Like Us” was written by Adam Anders and Nikki Hassman.

Finally, we have “One World”, the big finale number to end The Cheetah Girls: One World, and seemingly the final sequence of Vik’s film, as we see the new leads of Rahim and Gita film the movie’s wedding scene, with the three Cheetah Girls there to sing and dance as well. This finale has everything: extras, colourful costumes, even elephants! They really threw everything at this one, and it is the closest the audience gets to seeing something authentically Bollywood, ending the Cheetah Girls’ Indian adventure. “One World” was performed by the Cheetah Girls, with the additions of Deepti Daryanani as Gita and Rupak Ginn as Rahim. “One World” was written by Matthew Gerrard and Robbie Nevil.

David Lawrence was the composer for The Cheetah Girls: One World, having returned to the franchise after his work on the music for The Cheetah Girls 2. Elsewhere for Disney Channel, Lawrence was the composer for various other musicals, including the High School Musical trilogy, StarStruck (2010), Teen Beach Movie (2013) and Teen Beach 2 (2015), and the first three Descendants films.

PRODUCTION

After The Cheetah Girls 2, The Cheetah Girls as a franchise had a huge surge in popularity and fame come its way from Disney Channel fans.

Director Paul Hoen was chosen to direct The Cheetah Girls: One World, the franchise’s third film, having had experience directing Disney Channel films prior to this, such as The Luck of the Irish (2001), Eddie’s Million Dollar Cook-Off (2003), and Read It and Weep (2006). After The Cheetah Girls: One World, Hoen continued to be called upon by Disney Channel for their films, going on to direct the musicals Camp Rock 2: The Final Jam (2010) and the entire ZOMBIES movie franchise, with ZOMBIES 5: Secrets of the Sea set for release in 2027, as well as the non-musicals Cloud 9 (2014) and Invisible Sister (2015). 

Dan Berendsen was tasked with co-writing the screenplay for The Cheetah Girls: One World. His previous writing credits for Disney Channel were Eddie’s Million Dollar Cook-Off (2003); Stuck in the Suburbs (2004); Twitches (2005) and its 2007 sequel, as well as writing the teleplays for the movies Sabrina Goes to Rome (1998) and Sabrina Down Under (1999) that add to the series Sabrina, the Teenage Witch (1996-2003). After The Cheetah Girls: One World, Berendsen went on to write various major DCOMs, including Wizards of Waverly Place: The Movie (2009); Hannah Montana: The Movie (2009); and Camp Rock 2: The Final Jam (2010). He later created the Freeform series Baby Daddy (2012-17).

Two other writers were credited with writing the screenplay for this third Cheetah Girls film. One of these was Nisha Ganatra who recently directed Season 1 of the comedy-drama series You Me Her (2016-20), as well as directing the movies Late Night (2019), which starred Dame Emma Thompson and Mindy Kaling, and the Disney sequel Freakier Friday (2025). The other writer was Jen Small, who had previously been a producer on the independent film Cosmopolitan (2003), which Nisha Ganatra directed.

High School Musical hadn’t yet made its sequel by the time The Cheetah Girls 2 came out in 2006, but by the time The Cheetah Girls: One World did in 2008, Disney Channel had managed to create their most-watched DCOM ever, with High School Musical 2 reaching over 17 million viewers just on its US premiere date in August 2007.

That either meant that Disney Channel felt pressure to ensure their first-ever musical “threequel” with The Cheetah Girls: One World was a hit, or meant that they thought they had enough fans desperate for more musicals that this third Cheetah Girls movie would be a success regardless of what it was actually like.

If Disney Channel assumed The Cheetah Girls: One World would be an instant success for simply being a Disney Channel musical, then they were wrong, because with Raven-Symoné not getting on with the other three girls during filming on The Cheetah Girls 2, she declined to be involved in this third film, leaving a key member of the cast out[1]. The official reason for her absence was that Raven was busy recording her new album and filming a new Disney film, College Road Trip (2008), so was not available. Omitting Raven from this film was not something that all fans could easily get used to, and made some not want to watch The Cheetah Girls: One World before it even premiered. 

If they felt pressure, then it was clear that by having this movie be filmed and set in India, they were looking to capitalise on the interest that The Cheetah Girls 2 had had with its European setting of Barcelona. A stunning location can do wonders for a movie, instantly grabbing the viewers’ attention. In this case, the cast and crew filmed The Cheetah Girls: One World in early 2008, with the shoot taking place over 16 days specifically in Udaipur, a city in the Indian state of Rajasthan[2]. One of the primary filming locations used was the City Palace in Udaipur. Strangely enough, the filming of The Cheetah Girls: One World was even mentioned on the Season 2 episode of Keeping Up with the Kardashians (2007-21), “Rob’s New Girlfriend”, as Adrienne Bailon was dating Rob Kardashian at the time, and she told him she was heading to India for three months to shoot the third Cheetah Girls film. Given that the third film was shot around spring, this would explain why there were scenes showing celebrations of the Hindu festival Holi. They may have been recreated for the movie, but either way, the production team should’ve done some more research as Holi is a spring festival, and does not take place in summer when this film is set.

Before filming could even begin, the girls flew to Mumbai to take part in two weeks of dance rehearsals, followed by a further week of rehearsals in Udaipur. They were put through their paces by choreographer Fatima Robinson, who has been a choreographer for musical artists like Aaliyah and Beyoncé, along with choreographing for films such as Save the Last Dance (2001) and Dreamgirls (2006). Robinson recently choreographed the movie musical The Color Purple (2023).

But these dance rehearsals were not like any other the girls had experienced as their choreography on this film would be combining their usual hip-hop and contemporary styles with Bollywood dancing, which is known for being incredibly precise and difficult to master. These moves were particularly necessary for the songs “Dance Me If You Can” and “One World”, which feature plenty of accomplished dancers in the background, just to give the girls even more of a reason to ensure their dancing was exactly right! “One World” also required the girls to be dressed up in traditional colourful saris. The girls stated in behind-the-scenes interviews that they were allotted a specific amount of time in their schedule in order for them to be dressed correctly without being rushed as it can take time. The entire finale sequence for The Cheetah Girls: One World took three days to film in total. And the girls were quite scared to ride that huge elephant in the very last shot of the film too!

Other stories they had from their time filming in India were that Sabrina Bryan struggled to pedal that swan boat during the extended scene for the song “Feels Like Love” and couldn’t keep with Adrienne Bailon and Michael Steger in the other boat, and that it actually rained as they were filming the “I’m the One” audition scene, despite them filming during the dry season. They hadn’t seen any clouds in the sky throughout their whole time of being in India until this day. They also said that doing their scene in the auto rickshaw was pretty scary as well, with all the traffic that they had to weave in and out of, so I’m assuming the terror on their faces in this scene was probably at least 50% authentic!

To add to the excitement for The Cheetah Girls: One World, Disney Channel fans globally were invited to vote on certain aspects of the movie through The Cheetah Girls: One World: Play Your Part online polls. This was something that fans had been able to do for High School Musical 2 back in 2007 and had proven very popular. Voting ran from 31st December 2007 to 1st February 2008, receiving 50 million votes from viewers worldwide[3]. Some of the winning selections included the dress that Chanel was wearing during the film’s opening audition scene; Aqua’s jacket that she is wearing during the Cheetah Girls’ audition for the movie; the ring and earrings that Dorinda and Chanel buy from the market; and the poster of the Jonas Brothers in another market scene. Apparently, Zac Efron was close to being the Disney Channel star to feature on this poster, but he narrowly lost out[4].

RECEPTION

The Cheetah Girls: One World held its premiere at the El Capitan Theatre on 12th August 2008, with the premiere being attended by various Disney Channel stars, including the cast of Camp Rock, the Disney Channel musical that premiered earlier in that same summer. The Cheetah Girls: One World then premiered on the Disney Channel in the US on 22nd August 2008, before making its way to other countries internationally throughout the rest of the year.

During its US premiere, it has been said that 6.2 million viewers tuned in to watch The Cheetah Girls: One World. This is not a terrible figure by any means but it can only be described as average. This was also over 1.5 million less than those who watched the premiere of The Cheetah Girls 2 just two years early in 2006. It was also the least-viewed Disney Channel Original Movie of 2008, with Camp Rock being the most-viewed, at 8.9 million viewers. However, most DCOM musicals easily outperform any non-musical DCOMs. This was not the case in 2008 as Minutemen, a science-fiction-themed DCOM, was watched by 6.5 million viewers, only slightly outdoing The Cheetah Girls: One World, but still, I find that quite surprising. This third Cheetah Girls film was also not anywhere near close to the viewing figures of High School Musical 2, which was watched by 17.2 million viewers on its premiere in 2007, and it could be said that Disney Channel had been attempting to build this same type of hype for The Cheetah Girls: One World just a year later.

The reason why The Cheetah Girls: One World may have underperformed is potentially simply due to the fact that Raven-Symoné was not involved, leading to fans of The Cheetah Girls franchise boycotting this third film. There continue to be fans who say they have never watched this film for this very reason. Others who did watch it despite Raven’s absence have said the third film wasn’t even needed, and should not have been made without all four girls being included. Further negative critiques aimed at The Cheetah Girls: One World include the stereotypical representation of India, such as the character of Swami Ji and Amar being a tech support guy from India. Some were also annoyed to find that Michael Steger, who was cast as Vik, was not even Indian, and questioned why he would’ve been cast here. It was felt that there were very few authentic representations of Bollywood films or their music here, with only very few references being made to traditional Bollywood musicals in the “One World” sequence right at the end of the film. Generally, those that did not like The Cheetah Girls: One World said it was bland and unoriginal.

But there are others who very much did enjoy The Cheetah Girls: One World – and I am one of those people. For those that are fans of The Cheetah Girls: One World, the music was a highlight here, with the additional Bollywood elements, from the choreography to the music style, another bonus. I can’t say that I am a fan of Bollywood musicals, having never really seen one, other than Bride and Prejudice (2004), but that isn’t a true Bollywood film, however, I have heard various Bollywood-style songs and I’ve always liked them. Having the movie set and filmed in India was something else to be praised, since the film featured many beautiful, and colourful locations, many of which would’ve been new to Disney Channel fans at the time. It has been said by many fans that there is plenty to enjoy in this film, providing you are willing to look past the fact that Raven-Symoné is not in it.

In terms of awards, Paul Hoen was nominated at the Directors Guild of America Awards for his work on The Cheetah Girls: One World in the category of Children’s Program, alongside two other 2008 Disney Channel movie directors, those being Matthew Diamond for Camp Rock, and Lev L. Spiro for Minutemen. However, all three lost out to Classical Baby (2005-17) on HBO Family, directed by Amy Schatz. The Cheetah Girls: One World was also nominated at the NAACP Image Awards for Outstanding Children’s Program, with the winner being the children’s animated series Dora the Explorer (2000-19).

LEGACY

Around the time of the premiere of The Cheetah Girls: One World, in the US the Nintendo DS game, The Cheetah Girls: Passport to Stardom was also released, in August 2008. The storyline of this game features events based in India, matching the film, as well as a selection of songs from The Cheetah Girls: One World and the other two films.

The Cheetah Girls as a musical group also released their second EP, titled The Cheetah Girls Soundcheck, on 19th August 2008. This was the same day that The Cheetah Girls: One World soundtrack was released. The EP consisted of three songs from this third film, “One World”, “Cheetah Love”, and “Dance Me If You Can”, along with “Strut” from The Cheetah Girls 2, and the song “Break Out This Box” from their album TCG

Also in 2008, the Cheetah Girls made some appearances on the Disney Channel. This included guest appearances on the series The Suite Life of Zack & Cody (2005-08), in the Season 3 episode “Doin’ Time in Suite 2330”, which has been removed from some digital platforms due to the episode also featuring controversial singer Chris Brown, and in the second show of Studio DC: Almost Live! (2008), with the Muppets and fellow Disney Channel stars. Here, the Cheetah Girls performed “Dance Me If You Can” with Miss Piggy.

The girls were also present for the third season of the Disney Channel Games that aired on Disney Channel throughout Summer 2008. Each of the three was in a different team, with Adrienne Bailon a member of the Red Team; Kiely Williams captaining the Blue Team; and Sabrina Bryan in the Yellow Team, these being the same teams they had been a part of in the 2007 edition of the Disney Channel Games. At the closing ceremony, the Cheetah Girls performed these songs from The Cheetah Girls: One World: “Cheetah Love”, “Dance Me If You Can”, and “One World”.

After a little bit of a break, the Cheetah Girls then continued their promotion of their third film and its soundtrack by going on the One World Tour, which ran from 4th October 2008, starting in Corpus Christi, Texas, until 21st December 2008, when it ended in San Diego, California. This tour was not as successful as The Party’s Just Begun Tour had been in 2006 and 2007, when promoting their second film, with this tour being extended on a couple of occasions. The One World Tour was not extended and actually had some negative publicity surrounding it. For example, the group were meant to perform at the Macy’s Thanksgiving Day Parade in 2008, but they dropped out; the official reason behind this was reportedly “scheduling issues”.

After the end of the One World Tour, rumours had begun to circulate stating that this was not just going to be the Cheetah Girls’ final tour, but was also pointing to the group breaking up for good. In January 2009, Adrienne Bailon confirmed that the news was true, however, she did not feel it was such a big deal, as their run had to end sometime, like it had done for the cast of High School Musical around the same time. The girls were simply old enough to be moving away from Disney Channel now. Bailon stated that the girls were all still friends. Kiely Williams had some slightly different things to say on the group breaking up, and that was to say that she was annoyed that the negative publicity surrounding the group had led to the break-up of the group ending on a sour note[5].

The Cheetah Girls was not completely forgotten by Disney or Disney Channel after this though, as their films continued to be re-run on the channel. They even got some recognition at the Disney Parks, specifically at Disney’s Hollywood Studios at Walt Disney World, from 2010 to 2013, by way of the short stage show performed at the park called Disney Channel Rocks. Disney Channel Rocks showcased music from many Disney Channel musicals including the Camp Rock films, StarStruck (2010), Jump In! (2007), the High School Musical trilogyand of course, The Cheetah Girls franchise. From The Cheetah Girls: One World the song “Dance Me If You Can”, mixed in with “Push It To The Limit” from Jump In!, was performed, with a brief excerpt of “One World” coming towards the end of the show. The new version of Disney Channel Rocks that reappeared at the Disneyland After Dark: Disney Channel Nite events in 2024 and 2026, despite dropping the song “The Party’s Just Begun” from The Cheetah Girls 2, did keep “Dance Me If You Can” and “One World”.

It was clear by this point that, although The Cheetah Girls had not reached the same heights as High School Musical, it was still a treasured musical franchise amongst Disney Channel fans. And yet, some fans have always been aware of the underlying tension between some members of the group that has been around for years.

Each of the four girls has been asked on numerous occasions in interviews about their friendships with the others. In 2020, Raven-Symoné was asked about the possibility of a Cheetah Girls reunion. She alluded to the fact that there had been tension between her and the others girls, stating that she would like to be a part of the Cheetah Girls brand again, but would need to clear the air with some of the girls first. Raven did, however, confirm that she was still close to Adrienne Bailon[6]. The discussions around a reunion only intensified when it became known that Kiely Williams and Raven-Symoné had cleared the air – via an Instagram Live – around some of the conflicts that had arisen during the filming of The Cheetah Girls 2, with Williams even admitting that The Cheetah Girls: One World failed because Raven wasn’t in it. It would have seemed that a truce was close to being reached between all four of the Cheetah Girls – until Williams said she had no intention of making up with Adrienne Bailon, with some events between them running too deep to ever resolve[7].

With this in mind, it might have come as a surprise to find that, on 8th July 2026, Disney Channel confirmed that a fourth Cheetah Girls movie was in the works, to be titled The Cheetah Girls: Next Gen, premiering on Disney Channel and Disney+ potentially in 2027. It was confirmed that Raven-Symoné and Adrienne Bailon would be reprising their roles as Galleria and Chanel, as would Lynn Whitfield and Lori Alter, as their on-screen mothers Dorothea and Juanita. New castings for the film included Leah Sava’ Jeffries, as Faith, Galleria’s daughter; Carmen Sánchez, as Dior, Chanel’s younger sister; Kaileen Chang, as Ruby; and Sophie Lennon, as Brooklyn, making up the four new “Cheetah Girls”. Also joining the cast is Sophia Bush as a character named Jennifré. The story is set to follow Galleria and Chanel, along with the girls, travelling to Africa to volunteer at a wildlife sanctuary, with events eventually leading to the girls becoming the new Cheetah Girls.

Production on the film began in late July in South Africa, with Debra Martin Chase returning as a producer, and Raven-Symoné and Adrienne Bailon also producers here. The director will be Billie Woodruff, with choreographing coming from Kyle Hanagami, and the script being written by Kara Holden, Sarah Watson, and Deborah Swisher[8].

It was also confirmed that Sabrina Bryan would be returning to reprise her role as Dorinda in The Cheetah Girls: Next Gen. Kiely Williams will not be coming back to play Aqua though, which, given what she’d said about the status of her friendship with Adrienne Bailon, isn’t really surprising. It’s a bit disappointing, but nobody should feel forced to do something that makes them feel uncomfortable. It’s just a movie after all.

Although the news of this fourth film was met with plenty of excitement from older and younger fans alike, it was not necessarily seen as a good thing by everyone. There has been some backlash around the casting. This is due to the fact that the Cheetah Girls was always meant to be focusing on Black girls. The book series by Deborah Gregory, that the film series is based on, originally featured four Black girls as the stars. When The Cheetah Girls (2003) movie was made, this was then reduced down to featuring two Black girls, one Latina, and one white girl, with the producers wanting to showcase as much diversity on screen as possible, allegedly. However, this new casting now only has one of the four girls being Black, which has been considered a step backwards to some[9].

FINAL THOUGHTS

The Cheetah Girls: One World will always be viewed differently because one key cast member was missing. 

Some say this was a major misstep by Disney Channel to make this third film without Raven-Symoné, whereas others weren’t too bothered by her absence and found plenty to like here. However, The Cheetah Girls: One World did signal the end of this DCOM musical franchise, with various factors leading to this decision.

And yet, over twenty years after the original film came out, it turns out the franchise has not ended and was just on a very long hiatus. A fourth film is indeed coming, introducing a new generation of Cheetah Girls to Disney Channel fans, who will hope the company are successful at reviving the series.

We will just have to wait and see if this new film manages to remind viewers of the true meaning of “girl power” once more. 


REFERENCES

[1] Credit: Ashley Spencer, Disney High: The Untold Story of the Rise and Fall of Disney Channel’s Empire (2024), ‘That’s So Raven-Symoné’, pp. 85-110.

[2] Credit: Jennifer Frey, ‘Cheetah Girls go global’, SouthCoastToday.com, 24th June 2008.

[3] Credit: Gary Rusak, ‘Disney Channel’s Cheetah poll garners 50 million votes’, KidScreen.com, 7th March 2008.

[4] Credit: Disney Channel, “Cheetah Spots”, from The Cheetah Girls: One World (2008) UK DVD (2009).

[5] Credit: AceShowbiz Editorial Team, ‘Adrienne Bailon Confirms The Cheetah Girls Break-Up Rumor’, AceShowbiz.com, 28th January 2009.

[6] Credit: AJ Pitts, ‘Raven-Symoné Weights In On What Would Have To Happen Before a Cheetah Girls Reunion’, JustJaredJr.com, 4th April 2020.

[7] Credit: Allie Gemmil, ‘Raven-Symoné and Kiely Williams Resolved Some “Cheetah Girls” Drama on Instagram Live’, TeenVogue.com, 10th April 2020.

[8] Credit: Joe Otterson, ‘‘Cheetah Girls 4’ Set at Disney With Raven-Symoné, Original Cast Members Returning’, Variety.com, 8th July 2026.

[9] Credit: Leyla Mohammed, ‘Disappointed Millennials Are Accusing Disney Of “Whitewashing” The Next Generation Of Cheetah Girls Amid News That A Fourth Movie Is In The Works, So Here’s An Explainer On The Discourse’, Buzzfeed.com, 9th July 2026.

The Cheetah Girls 2 (2006)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

The Cheetah Girls 2 was all set to be the first-ever Disney Channel musical sequel.

After the instant success of High School Musical (2006), this sequel had to be bigger and better – and the best way for Disney Channel to deliver that? To have the Cheetah Girls head out to Europe. Yep, the girls were going on tour! Well, not a literal tour. They didn’t go from winning a school talent show to selling out global arenas, but they were going on vacation to Barcelona in Spain, with the aim being to perform at Barcelona’s music festival.

Americans love Europe, and production companies love to send their American stars to film projects in Europe. It’s been happening for years. Mary-Kate and Ashley got to go to Paris for Passport to Paris (1999), Disney Channel themselves sent Lizzie McGuire to Rome for The Lizzie McGuire Movie (2003), and now the Cheetah Girls were heading to Barcelona.

This was a great way of one-upping High School Musical, which had premiered on Disney Channel in January 2006, just a few months before The Cheetah Girls 2 arrived in the summer. High School Musical was already on its way to becoming a major hit for Disney Channel, with more ideas for future projects on the way, so The Cheetah Girls franchise couldn’t get left behind. Having the second film set in Spain was a big way of doing this, because the cast of High School Musical never got to go to Europe. Losers. Just kidding.

Anyway, I don’t think I actually watched the premiere of The Cheetah Girls 2, even though I was actively watching Disney Channel at the time. I think I chose to avoid it out of spite, although who I was trying to spite, I have no idea. It’s not like the people at Disney Channel were going to be bitterly disappointed that I personally had not watched The Cheetah Girls 2. But I came to the decision out of pure annoyance because all summer I’d had to hear and see the music video for the song “Strut” that appears in the film. I know it’s a fan-favourite, but I just can’t stand it! Plus, I was never a big Cheetah Girls fan. I liked the first film enough to watch it all the way through, but I didn’t connect with it on a deeper level.

However, eventually, I did bring myself to watch The Cheetah Girls 2, I think it was actually after I saw the third film. It was kind of unavoidable anyway because the first sequel was re-run so often, and at the time I watched it, I didn’t like it. I have no idea why either, because watching it a few years later, I loved the fact it was set in Barcelona, I found a few songs that I really liked, and it just felt like a bigger and better version of the first film, which is what all Disney Channel musicals set out to do. So now, I actually do like it.

PLOT

The Cheetah Girls 2 begins with a performance by the girl group, as the previous film did, but this time, the girls have levelled up from performing at children’s birthday parties to headlining their school’s jungle-themed graduation party. It has been two years since Galleria, Chanel, Aqua, and Dorinda won the Manhattan Magnet Talent Show and they have just finished their Junior Year of high school.

Galleria reminds the girls that just because it is summer break, there shouldn’t be a break for the Cheetah Girls, having already created a rehearsal schedule. Galleria and Chanel go and sit with their mothers after their performance, where Galleria is reminded by her mother that summer is for family time and everyone has their own plans. She lets slip that Chanel and her mother are going to Barcelona to spend the summer with Chanel’s mother’s boyfriend, Luc. This comes as a complete surprise to Chanel and she’s not happy.

Later, at Galleria’s family’s apartment, Chanel vents about her annoyance at having to go to meet all of Luc’s family in Spain this summer. She doesn’t want to and she’s never warmed to Luc. Galleria and Chanel wonder whether all the Cheetah Girls could go to Spain as well, and they float the idea with their mothers, who are busy wondering whether Luc is going to propose to Chanel’s mother over the summer. They both say the girls cannot come as the trip is in three days and it would frankly be rude to invite extra people to Luc’s villa, despite apparently being big enough for all of them to stay there.

Aqua and Dorinda join Chanel at Galleria’s for a sleepover, where they talk about their unexciting summer plans. Aqua has some summer course lined up at Columbia University, and Dorinda can go and teach kids at a dance camp, but they’d rather be together over the summer. As they talk, a shooting star passes by the window and they all wish to go to Barcelona. This is what manifesting used to look like – and it even worked, because as luck would have it, the breeze flipped over some pages of a magazine right to a page about a New Voices contest at the Barcelona Summer Music Festival. Galleria gets Chanel to translate it for her. She seems hopeful – until she reads the deadline for entries was last week. Galleria doesn’t seem to think the deadline will apply to them, and goes to call them right away, to audition over the phone. Chanel reminds Galleria about time differences so they agree to wait until later on to call. When the time is right, they all wake up and call the music festival, who try to tell the girls not to bother, but Galleria insists and they sing their song “Cheetah Sisters” over the phone. They are told to download and sign the application form and to get over to Barcelona for a meeting with the festival director next week. Galleria has them promise they’ll work hard to ensure they win the competition.

The next morning, the girls tell Galleria and Chanel’s mothers all about their plans to go to Barcelona. They can’t quite believe the girls’ audacity, but Galleria has worked out with her father to use his airline miles to fly her and Dorinda to Spain, and they can stay at Luc’s house. Chanel’s mother agrees, as long as Galleria’s mother comes too. They admit defeat.

Soon after, the Cheetah Girls are at the airport, ready to fly off to Barcelona and become international superstars. In the city, Aqua is excited to sightsee and to improve her Spanish, with Chanel continuously picking up on Aqua’s flawed pronunciation. Hey, Chanel, not everyone can roll their Rs, you know! Later that same day, the girls collapse at a café after a full day of walking around the city. As they wait for their drinks, they hear a guitarist who starts singing a song. Chanel is asked by Galleria to translate his words, as she has fallen in love at first sight. He sings about following him and discovering “his” Barcelona. The girls take his invitation and wander the city again, with their new friend in tow. He introduces himself to Galleria as Angel. But they have to go now, so she hopes they’ll see each other again. This is a Disney Channel film; we all know she’s definitely going to see him again.

They then arrive at Luc’s villa, which is palatial and instantly impresses the girls. Chanel plays it cool, claiming it is just pretentious to have all this space. Luc later comes in and welcomes the girls to his home, but Chanel refuses to engage with his kindness, claiming instead that he is being annoying and controlling. The other three disagree.

The next day, at breakfast, Luc says he has a friend, an associate and a count, who will be available to help the girls with whatever they need during their stay; they’ll meet him later. Chanel rushes the girls out to their meeting with the festival director, to avoid any further conversation with Luc. They arrive at the theatre for their meeting, where the festival director orders them to go on stage and audition properly for the competition. The Cheetah Girls weren’t prepared for either the audition, or for the festival director to be this direct, but they get up on stage anyway, and sing “Cheetah Sisters” a cappella once again. The festival director says he’s heard enough, and walks away on his phone. Luckily, his assistant comes into the theatre and confirms their entry into the New Voices contest.

They then return to Luc’s villa, where Galleria starts bothering the girls with discussions about rehearsal schedules, when they just want to relax for a little bit. The count and associate that Luc was talking about arrives and introduces himself as Joaquin, getting all the girls’ names completely wrong. Dorinda corrects him and he thanks her with a kiss on her hand. He tells the girls they should head over to the Dancing Cat teen club soon, so they can see their competition for the New Voices contest, as they all practise their material there. Joaquin says he will sign them up to their Open Mic Night tomorrow night. Luc then arrives, saying Joaquin is best placed to show them around, with it also being revealed that Joaquin is his godson, and he is a dancer, something that makes Dorinda more interested in him. Joaquin invites Dorinda to dance with him at his dance studio sometime.

The next day, Galleria and Aqua go shopping with Galleria’s mother, although Galleria is less into it than the other two, wanting to spend some time rehearsing for the rest of the day. Galleria’s mother bumps into an old friend, Randolph, who invites her to see Aramet’s, another old friend, new boutique. They all go to see the shop, but Aqua wants to go with Galleria’s mother on a tour of the facility, having found an interest in fashion and being a big fan of Aramet’s designs. Galleria begrudgingly lets her go for a few minutes. Meanwhile, Dorinda goes to Joaquin’s dance studio where he teaches her the tango.

That night, the girls all meet up at the Dancing Cat club, and Joaquin is there too. As the first act goes on, Joaquin explains that she is a singer called Marisol, and the hometown favourite for the competition. Marisol finishes her high-energy number and the crowd is very much with her. This makes the Cheetah Girls nervous, and they decide maybe they won’t perform tonight! A guitarist then comes on to the stage, to slow things down with an old Spanish lullaby called “A La Nanita Nana”. Galleria is very happy to see the guitarist is Angel, the one they met at the café a few days before. Chanel recognises the lullaby and starts to sing along to the tune. Marisol joins her, and with some backing vocals from the other three Cheetah Girls, they mesmerise the audience there. After the song, Marisol’s mother, Lola, runs over to speak to them, excited to meet the American act that has entered the New Voices contest. Lola says she can really open doors for the Cheetah Girls, telling them it is not easy to win the contest the first time round, since this is already Marisol’s third time in the contest. Lola wants to meet Galleria’s mother, Dorothea, as she is the manager of the Cheetah Girls, and she gives Chanel her number to arrange a meet-up with all of them.

The next day, Lola tells Marisol that she should focus on getting close to Chanel, having seen how popular their duet was at the club the night before. Marisol doesn’t want to break up the Cheetah Girls, like Lola seems to want to do, but Lola reminds her that if she doesn’t win the New Voices contest this time, then her career is over. If she enters the contest with Chanel, she has a good chance of winning and could even crack America. Marisol isn’t overly convinced but doesn’t want to miss out on a long-lasting singing career – or disappoint her mother. The two then meet up with the Cheetah Girls and Dorothea, with Dorothea being very suspicious of Lola wanting to help the girls, not understanding why the competition would be so nice. The girls brush off her concerns.

Later that day, the Cheetah Girls go to a beach party, having been invited by Joaquin. Dorinda goes off with Joaquin shortly after arriving; Chanel walks away with Marisol; and Aqua goes to talk food with someone else, leaving Galleria on her own. She says they need to leave in an hour to rehearse, so she waits alone. Dorinda and Joaquin talk about their lives, with Joaquin saying his life is very complicated, and Dorinda saying the same.

Back at the villa, Dorothea tries to talk to Chanel’s mother Juanita about Lola and her intentions towards the girls, but Juanita is too busy obsessing about why Luc hasn’t proposed. Meanwhile, Galleria has finally got all the girls together to rehearse, but after half an hour, they’re flagging because of the party. Galleria tries to get them to stay focused, wanting to play them a new song she’s been writing for the competition, but Chanel interjects and says that Lola thinks a song in Spanish would be best. Galleria says there would be no point to that since they don’t speak Spanish! Dorinda is then called away by Joaquin to teach a hip-hop class; Chanel is told to get ready to meet Luc’s family for lunch by her mother; and Aqua is invited by Dorothea to go back to Aramet’s studio. Galleria is once again alone, focusing on the contest, whilst the others go off doing their own things.  

The next morning, Galleria wakes up to find Aqua and Dorinda up and about, wanting to take the opportunity to rehearse and talk about the new song she was up all night finishing, but Aqua is too busy wanting to share her costume ideas and Dorinda is once again invited out by Joaquin. Galleria goes to find Chanel, only to find Marisol is here, talking to Chanel about her own performance. Galleria tells Marisol she needs to leave, but Marisol reminds Galleria that Chanel invited her here, and Chanel tells Galleria to give her space and stop telling her and her friends – and the other girls – what to do.

Dorinda goes to the studio to meet Joaquin for lunch, only to find him arriving with a group of people in suits. He does not reference Dorinda at all, and she wonders if he is embarrassed to be seen with her, since she isn’t all dressed up. Dorinda tells Joaquin she lives with a foster family. Clearly, they are on different pages and paths in life. She leaves.

At the villa, Galleria talks to her mother about a new design she’s been working on that Aramet wants to create and put in her new spring collection. Galleria’s mother has now got a chance to finally live her dreams of being a top designer. Galleria then has her own news: that she is going home. Galleria is upset that the girls aren’t focused, and if she keeps pushing them, then she could damage her friendships forever, especially with Chanel. Galleria says they don’t have a chance of winning right now and she doesn’t want to get on stage and embarrass herself. She’s already worked it out, so her mother can stay put. Galleria is going to get the train to Paris tomorrow, and will meet her father there to fly home together. Her mind is made up and she thinks it’s for the best.

Later that night, Chanel, Aqua, and Dorinda are told by Juanita and Dorothea that Galleria is heading home. The girls can’t believe it got to this point and want to talk to her, to apologise for being distracted, but the mothers tell them to let her get some sleep and to talk to her in the morning. The girls start blaming each other for why this happened.

In the morning, Chanel goes to Galleria’s room to speak with her, only to find that she has left for the train station already, leaving only the new song she’d written for the contest on her bed. Chanel shows Aqua and Dorinda what’s gone on. Chanel gets a call from Marisol and tells her she can’t talk right now as Galleria is leaving Spain. Sure enough, Galleria is at the train station. As she looks at the departures board, she starts to hear singing. It’s her new song. Turning around, she sees Chanel, Aqua, and Dorinda singing the song to her, in the middle of the train station, in their pyjamas! The three apologise to Galleria for ignoring her and being distracted. Galleria forgives them, as long as they promise to focus on the performance now. They return to the villa together.

As the girls finally get down to rehearsing, Chanel gets a call from Lola and Marisol, wanting to share their sympathy about Galleria leaving, but Galleria pipes up and says she’s still here. Now that plan has been scuppered, Lola comes up with a new one, and that is to book them in to perform at the Dancing Cat club as a warm-up performance.

Later, Chanel overhears her mother complaining that Luc hasn’t proposed to her yet, wondering if it is because Chanel has made it clear she doesn’t like Luc. Chanel goes to speak to Luc, and says she’s sorry for being rude to him all the time; she just didn’t want to see her mother get hurt. Luc says he wants to have a life with her mother and wants Chanel to be a part of it, saying he has no intentions of hurting either of them. With Chanel’s blessing, Luc immediately goes outside to propose to Juanita, who is randomly sat outside, by a flower bed, reading a book. Very out of character. The others gather to watch. Luc asks Juanita to marry him. Juanita looks over to the crowd and sees Chanel tell her to say “yes”. She does and Luc finally puts a ring on it. Juanita is ecstatic that she got what she wanted.

After that is sorted, now the Cheetah Girls need to organise their Dancing Cat performance. Dorinda takes the girls to Joaquin’s dance studio where he explains to Dorinda that he might be a count but that he has no money, and that is why he didn’t introduce her to his friends, because they were going somewhere fancy for lunch and he couldn’t afford to take her there. Although that doesn’t really explain why he didn’t even say, “Hey, this is my friend, Dorinda, from New York”, Dorinda accepts his apology and they kiss.

But now, the girls really do have to rehearse. They start practising their performance, and are ready to perform at the Dancing Cat. At the club, the Cheetah Girls are a huge hit, so much so, that the owner of the club even pays them for their performance. Lola encourages them to take the money, to use for expenses.

The next day, it is time for the contest’s sound check. The girls arrive, excited, costumes in hand, only to get to the dressing room and be told by the festival director that the Cheetah Girls can no longer perform, because the New Voices contest is for amateurs only, and by getting paid to perform by the Dancing Cat, the group are now classed as professionals. Seeing that her plan has worked, Lola half-heartedly attempts to take the blame for this “mistake”, despite actually wanted this to happen, so she could ask Chanel to perform with Marisol. Galleria and the others say Chanel might as well do that, to represent the Cheetah Girls on the global stage. Chanel isn’t sure, but Lola convinces her to agree.

Back at the villa, the girls complain to their mothers and Luc about what happened, but there is nothing they can do. Luc says there will be plenty of opportunities for them to perform in New York City when they get back home, showing that Luc is going to move to New York after the wedding, so that Chanel can finish high school. The girls then decide to hand the money back to the Dancing Cat owner on principle. Unbeknownst to them, Angel the guitarist saw them hand the money back and goes to investigate.

Backstage on the night of the contest, Dorothea and the other girls watch as Marisol and Chanel practise, with Lola buzzing around them. The festival director comes over, and says he was informed by a reliable source that Lola had arranged for the girls to be paid for their performance at the Dancing Cat. The reliable source turns out to be the festival director’s nephew, Angel. It is confirmed that the Cheetah Girls can now perform together. Lola is horrified, and tries to say it is against the rules, but she is overruled by the director. Lola tells Marisol she can still win, but Marisol ignores her pep talk, saying she doesn’t want to win this way or win just for her mother, and pulls out off the show. She is announced on stage, but is instead eating churros in the audience. Good for her!

That leads them to announce the final act of the night instead, the Cheetah Girls. Galleria begins the performance with Angel on the guitar as their accompanist, stating that this song is dedicated to Barcelona, and to thank the city for everything they’ve learnt there. It’s a bit of an overly dramatic opener to their song; however, they light up the stage with their performance of Galleria’s new song “Amigas Cheetahs”. Joaquin and his dancers come on to stage, and they even invite Marisol on stage to join in with a verse. The audience cheer and scream for them as they take their bows, before they sashay off into the city. We have no idea if they won the contest, but they definitely won over the crowd.

This is where the film should end, however, on the Extended Edition DVD, there is an alternate ending, which sees the Cheetah Girls attend Luc and Juanita’s wedding in Spain. I personally don’t need this song or this scene. I much prefer the original ending.

CHARACTERS & CAST

With The Cheetah Girls 2 being a sequel, it makes sense for the four Cheetah Girls to have returned for this new story, with all four actresses and singers – Raven-Symoné, Adrienne Bailon, Kiely Williams, and Sabrina Bryan – also reprising their roles. In this new film, Galleria once again finds herself at odds with the other girls. This time, it’s not because of how Galleria is behaving, but because of how the other three are, choosing their own individual pursuits over rehearsing, despite committing to perform in a prestigious contest and promising to work hard during their time in Spain before they even left New York City. It takes Galleria almost getting on a train headed to Paris for the three girls to see the error of their ways, and to convince her to stay, promising they will focus on the performance now. They are true to their word, and end up becoming a stronger group because of all the drama.

Another character and actress to return here is Lynn Whitfield as Galleria’s mother, Dorothea. Dorothea ends up reconnecting with her designing dreams after running into some old friends, whilst trying to keep the group away from the devious tactics of a new “momager”. This mom manager is Lola Durán, who manages her daughter, Marisol. Lola has total control over Marisol’s life and career, telling her what she can and can’t eat, and who she can and can’t be friends with, because she is so desperate to see Marisol win the New Voices contest on her third try. After becoming threatened by the arrival of the Cheetah Girls, seemingly the only American act in the contest, Lola comes up with an idea to keep Marisol on top – by breaking up the Cheetah Girls and getting Chanel to become a duo with Marisol. She instigates various meetings with the girls, under the illusion that she wants to help them whilst in an unfamiliar environment, but everything she does is to try and sabotage their chances of winning. She even resorts to orchestrating having the girls kicked out of the amateur-only contest by having them be paid for performing at the Dancing Cat, encouraging the girls to take the money when they don’t know whether to accept or not. Lola eventually sees how far she has gone, after Marisol abandons her music career and refuses to perform on stage. In the end, Lola is happy to just see Marisol on stage with the Cheetah Girls having fun for a change, without all that pressure on her.

Lola was played by Kim Manning. Manning is American; however, she had built up a career in Spain, having worked on the Spanish game show Un, dos, tres…responda otra vez (1972-2004) in the 1980s. She followed that up by being cast as Tania Biezka Salianova in Spanish comedy series Manos a la obra (1998-2001). Manning appears to have returned to the US to work for a children’s theatre and acting company.

Marisol is Lola’s daughter, and she is the sweet, wholesome teenage singer from Barcelona. Marisol is the home crowd favourite for the New Voices contest, but she has tried to win this contest twice before and not won. Her and her mother are hoping the third time’s the charm for her. Marisol first meets the girls at the Dancing Cat club, where she joins Chanel in singing the lullaby “A La Nanita Nana”, which is a hit with the audience, giving her mother the idea of getting Marisol to sing with Chanel at the contest. Marisol doesn’t want to go along with Lola’s plans, basically to break up the Cheetah Girls, because she likes them, but she is pressured to, due to Lola’s control over her entire life. Lola tells Marisol to spend time with Chanel exclusively, taking her away from Galleria and creating a major rift in Galleria and Chanel’s friendship. In the end, Marisol is so fed up with her mother for controlling her, and for being caught sabotaging the girls, that she chooses not to perform, much to her mother’s confusion. The Cheetah Girls show they have no bad blood with Marisol though by bringing her on stage for their song. Marisol is able to just sing with her friends without feeling like she has to win or risk being seen as a failure.

Belinda Peregrín, also known as just Belinda, was cast as Marisol. Belinda was born in Spain but has built up her career in Mexico. As a child actress, Belinda was cast as Ana Capistrán Vidal in Mexican children’s telenovela Amigos x siempre (2000); as Violeta Arcángel Flores in comedy drama telenovela Aventuras en el tiempo (2001); and as Mariana Cantú and Silvana del Valle Ontiveros in Cómplices Al Rescate (2002) in the first half of the series. After The Cheetah Girls 2, Belinda went on to be cast as Valentina Izaguirre in the telenovela Camaleones (2009-10). More recently, she was cast as Ǻfrica Guadalupe López in the Spanish thriller Welcome to Eden (2022-23) on Netflix, and as Daniela Levy de Mijares in the Mexican musical comedy-drama series Mentiras, la serie (2025) on Amazon Prime. In music, Belinda topped the Mexican album charts with her debut album Belinda in 2003, and did the same with her 2013 album Catarsis and her 2025 album Indómita. She was also a coach on La Voz (2011-22), The Voice in Mexico, from 2019 to 2020, as well as on La Voz Senior (2019-21) and Season 3 of La Voz Kids (2017-present).

Joaquin is the love interest of Dorinda in The Cheetah Girls 2. He is introduced to the girls as being a count, appearing rich in his fancy suits and with his fancy dance studio. He is smitten with Dorinda instantly, and when she finds out he is a dancer, so is she. They bond over having complicated family lives, however, neither explains the situation until Dorinda takes offence at not being introduced to his other “friends” in suits. It turns out Joaquin might be a count, but his family has no money, and he is just like Dorinda; dancing because it is his life, not just a hobby, like Dorinda said it was. Golan Yosef was cast as Joaquin. Yosef is a dancer and singer, having released various songs through music platforms in recent years.

Angel is a guitarist and busker, who Galleria is immediately attracted to. He starts singing at the café about discovering Barcelona and she is hooked. He then follows the girls around Barcelona as they sightsee – but not in a stalker way, because after this scene, he mostly vanishes, only popping up again to perform at the Dancing Cat on Open Mic Night after Marisol. He isn’t seen again until he sees the girls handing back the money they received for performing at the Dancing Cat, and going to investigate. It turns out he is the music festival director’s nephew, and his information about Lola’s scheme allows the Cheetah Girls to be able to perform. He even plays the guitar as their accompanist during their final performance. But there is no big emotional scene between him and Galleria. It was a bit of a random love interest to tease, because nothing much happens between them.

Angel was played by Spanish actor Peter Vives. After The Cheetah Girls 2, Vives went on to play Marcus Logan in Spanish period drama El tiempo entre costuras (2013-14), and then Carlos Ǻlvarez in Spanish drama Velvet (2014-16).

Juanita Simmons is Chanel’s mother. She did appear in the first film, being obsessed by her new rich boyfriend Luc, ditching Chanel and constantly leaving her home alone so her boyfriend can whisk her off on fancy dates. Now her and Chanel have been invited to spend the summer with Luc at his huge Spanish villa in Barcelona, where Juanita is absolutely convinced that Luc is going to propose to her, being seemingly unable to talk about anything else or think about anything else, even the Cheetah Girls performing at the music festival. As their time in Spain seems to be coming to a close, Juanita is very irritated that there has still not been a proposal, prompting Chanel to tell Luc that she wants her mother to be happy with him, so Luc does eventually propose. After that, Juanita is happy and starts to take more of an interest in her daughter’s life again. But who knows what happened to her disappearing son and Chanel’s brother? He’s just not in this film. He must’ve chosen to stay with his father, to get away from all this drama and wedding chat…

Anyway, Lori Alter returned to play Juanita in The Cheetah Girls 2, after playing the character in The Cheetah Girls. Prior to her role in The Cheetah Girls franchise, Alter was cast as Renata D’Allesandro in the Canadian show Power Play (1998-2000), later going on to be cast as Anna Sophie Antonia Garces-Keller in the Canadian-French sitcom Family Biz (2009) and as Lisa Dewitt in the series She’s the Mayor (2011).

Finally, we have Luc, Juanita’s boyfriend. Luc was French in the first film. This wasn’t even assumed by the audience after hearing he lived in Paris, but was actually said specifically by both Chanel and Juanita. It would appear Juanita was too overjoyed at having a rich boyfriend that she had no interest in finding out his nationality because in this film, Luc is Spanish and was just living in Paris. Easy mistake to make with the love of your life, right? Luc clearly does have a lot of money, from working in “business”, whatever that means. Luc seems very nice and is friendly to Chanel and the other Cheetah Girls, happily opening his home up to them, finding them a tour guide in Joaquin, and just generally being there for them during the run-up to performing at the music festival. He seems much more interested in the show than Chanel’s mother does anyway! Chanel eventually warms to Luc during her time in Spain and accepts that it was wrong of her to be so rude to him. After apologising and telling Luc that she wants him to be part of their family, Luc proposes to Juanita, making him Chanel’s new stepfather. He is even considerate of Chanel’s feelings, saying he will move to New York instead of making Chanel move to Barcelona. And yet Chanel’s mother was trying to move her to Paris without telling her in the first film. Wow. So, Luc was never the villain. Who knew? Everyone but Chanel apparently.

Spanish actor Abel Folk was cast as Luc. Prior to his casting in The Cheetah Girls 2, Folk was cast as Berni in the Spanish drama series Laura (1998-99). After this film, Folk was cast as Jordi Vergés / Gabriel Vergés in the Catalan series Ventdelplà (2005-2010) from 2008 to 2010. Recently, Folk was cast as Octavio Oramas in La encrucijada (2025-26).

MUSIC

After only recording a total of four songs for The Cheetah Girls movie in 2003, I’m sure the girls were much happier to find that their song numbers had more than doubled in this sequel, with a mixture of new genres used too, such as Latin pop and R&B.

The Cheetah Girls 2 begins with a high-energy performance of “The Party’s Just Begun”. The first film began with a low-key performance at a children’s birthday party, but this sequel has the girls stepping it up by performing with proper costumes, on a real stage, and in front of an actual audience, albeit an audience of high school students, but it’s still moving forward! Although this song is an iconic Cheetah Girls song, I have never liked it. “The Party’s Just Begun” was written by Matthew Gerrard and Robbie Nevil.

Following on from that, the girls then sing the song “Strut” as they sing and dance around Barcelona, with Angel the guitarist, using the sights of Barcelona as their stage. Adrienne Bailon said that for “Strut”, she was wearing ballerina flats, but due to her small feet, the shoes didn’t fit her properly and the shoes kept flying off whilst she was trying to dance. In the end, the crew had to use clear packing tape, wrapping it around her shoes to keep them on her feet[1]! “Strut” is also used in the End Credits. It was written by Jamie Houston. Again, this song is much loved by Cheetah Girls fans, but not by me. Disney Channel used it way too much when promoting the sequel that I ended up hating it, and yet, I still don’t think it is the worst song in The Cheetah Girls 2!

“Dance with Me” is the song that is used for the dance sequence of Joaquin teaching Dorinda how to dance tango. Sabrina Bryan said she was very excited for this sequence, with it all being filmed in one demanding day for the cast and crew[2]. This song was not performed by any of the Cheetah Girls or any character in this scene. It was instead performed by Drew Seeley, featuring Belinda, who played Marisol. Drew Seeley is well-known amongst Disney Channel fans for singing the vocals for Troy Bolton in High School Musical. “Dance with Me” was written by Ray Cham and Charlene Licera. This is one of the songs that I dislike more than “Strut”. I just don’t like it, or the scene as a whole.

So, after a disappointing start to the music for me, it’s not until we hear Marisol sing her song “Why Wait” at the Dancing Cat club that I actually begin to enjoy the songs in this film. Marisol comes out and performs her heart out here, to a crowd that adores her. It’s a great song and a great performance. “Why Wait” was performed by Belinda as Marisol, and was written by Matthew Gerrard and Robbie Nevil.

Shortly after that, Angel goes up on stage at the Dancing Cat and begins playing a Spanish lullaby on his guitar. Chanel instantly recognises the song as something her mother used to sing to her when she was younger, and sings along to the guitar. She is soon joined by Marisol and the two sing the rest of “A La Nanita Nana” as a duet, which the audience love. The other three girls join in by singing some backup vocals, but really this song is for Marisol and Chanel. “A La Nanita Nana” was predominantly sung by Adrienne Bailon and Belinda. It was adapted and arranged by David Lawrence, from the traditional Spanish carol song composed by José Ramón Gomis, with lyrics from Juan Francisco Muñoz y Pabón.

A little while later, the song “Do Your Own Thing” plays during a montage of what the Cheetah Girls are doing individually when they are meant to be rehearsing. Galleria is continuing to write the song she thinks the girls should perform at the competition; Chanel is busy at a get-together with Luc’s family; Dorinda is teaching a hip-hop class at Joaquin’s dance studio; and Aqua is with Dorothea, sketching designs at Aramet’s studio. Even though this song is not accompanied by a big song-and-dance performance, I actually quite like it. “Do Your Own Thing” was in fact a solo song performed by Raven-Symoné, and was written by Raven, Matthew Gerrard and Robbie Nevil.

As the story progresses, Galleria starts to feel ignored by the group, who are neglecting Galleria’s rehearsal schedule. Galleria makes the tough decision to head home; to stop pressuring the girls in case it causes their friendship to be damaged forever. This leads to the song “It’s Over” being performed by the Cheetah Girls. It’s a touch melodramatic, but it matches the emotion of the scene. And when you’re a teenager, your friend leaving your holiday early is probably something to make you overthink and question all your life choices! “It’s Over” was written by David Lawrence and Faye Greenberg.

The sadness of “It’s Over” is soon replaced by happy times, as Galleria is convinced by Chanel, Aqua, and Dorinda that she should stay in Barcelona because they’ve decided to commit to rehearsing for the competition properly. This leads to them performing “Step Up”, first as a rehearsal in Joaquin’s dance studio, before moving over to the Dancing Cat club to finally perform like they meant to do on that first Open Mic Night they attended. I love “Step Up”; it’s my favourite song in the film. It was written by Matthew Gerrard and Robbie Nevil.

The Cheetah Girls 2, in most versions of the film, ends with the girls performing at the New Voices competition, where they sing the song that Galleria had been writing throughout their time in Barcelona. This song is “Amigas Cheetahs”, which has yet another moment of theatrics, with an intense opening from Galleria and Chanel, but it’s not long before they go back to their pop best with another lively performance, complete with extravagant costumes, extra dancers, and even a surprise guest or two in the form of Angel and Marisol. The film ends with the Cheetah Girls continuing to sing this song as they leave the stage, with the audience following. “Amigas Cheetahs” was written by Jamie Houston and Will Robinson.

However, if you had The Cheetah Girls 2 on DVD with its extended edition, after the main film ended, you could then see the extended ending, which saw the Cheetah Girls attend the wedding of Luc and Chanel’s mother in Spain, accompanied by the song “Cherish the Moment”. It was performed by the Cheetah Girls, and was written by Jamie Houston and Greg Curtis. Having seen this ending and heard this song now, I can safely say Disney Channel made the right decision to cut this ending from the final version of the film.

Also within The Cheetah Girls 2, the girls sing their song “Cheetah Sisters” from the first film, written by Jamie Houston, as part of their audition process. They sing it a cappella on two occasions: once over the phone, and then again in a theatre in Barcelona when they meet the Barcelona Music Festival director. However, on the soundtrack, the version of this song that appears on the tracklist is “Cheetah Sisters (Barcelona Mix)”. I prefer them singing this song a cappella, to be honest!

The soundtrack also features two more songs performed solely by Raven-Symoné, which did not appear in The Cheetah Girls 2. These songs were “Everyone’s a Star” and “It’s Gonna Be Alright”, both written by Matthew Gerrard, Robbie Nevil, and Raven-Symoné.

The Cheetah Girls 2 soundtrack was released on 15th August 2006, ten days before its official television premiere. The soundtrack ended up peaking at No. 5 on the US Billboard 200 chart, and spent nine weeks at No. 1 on their Top Soundtracks Album. The singles “Strut” and “The Party’s Just Begun” even reached Billboard’s Hot 100 chart, peaking at No. 53 and No. 85 respectively. The success of The Cheetah Girls 2 soundtrack was on par with the likes of Lemonade Mouth (2011) and Teen Beach Movie (2013), which had peaked at No. 4 and No. 3 on the Billboard 200 chart, but was further behind the soundtracks from Descendants (2015), High School Musical (2006), and High School Musical 2 (2007), which had all reached No. 1 in that chart[3]. The Cheetah Girls 2 soundtrack was later certified platinum after selling a reported 1.4 million copies in the US. Outside of the US, The Cheetah Girls 2 soundtrack’s best performance was in the UK, where it peaked at No. 3 in the UK Soundtrack Albums.

David Lawrence was the composer for The Cheetah Girls 2, replacing John van Tongeren who had worked on the music for the first film. Also for Disney Channel, Lawrence was the composer on various other musicals, including the High School Musical trilogy, StarStruck (2010), Teen Beach Movie (2013) and Teen Beach 2 (2015), and the first three Descendants films.

PRODUCTION

Disney Channel love to have the opportunity to make a sequel, but in the early 2000s, they actually hadn’t had all that much experience of making them, especially not musicals.

The Cheetah Girls 2 was the first musical sequel for the channel, and in some ways could be considered to be the blueprint that every successful Disney Channel musical franchise later followed, including High School Musical, because, as every filmmaker will state, it’s not always easy to make a sequel that is as loved as its predecessor.

One way to make a DCOM a success is to attach Kenny Ortega to it. Kenny Ortega has had a long history working with Disney and Disney Channel, although by 2006, he had only just directed the first High School Musical film. Still, the acclaim that that film got from Disney Channel fans just proved that getting Kenny Ortega to direct any Disney Channel musical would guarantee a success. And they were right, because The Cheetah Girls 2 was most definitely a hit. Prior to working on Disney Channel, Ortega had been the choreographer on many musical movies including Xanadu (1982) and Dirty Dancing (1987) before directing and choreographing the Halloween film Hocus Pocus (1993) and the musical adaptation Newsies (1992) for Disney. After The Cheetah Girls 2, Ortega returned to direct the second and third films within the High School Musical trilogy, and then created the Best of Both Worlds Tour, starring Miley Cyrus and Hannah Montana, which ran from October 2007 until 2008. Ortega was then set to choreograph and direct Michael Jackson’s This Is It tour in 2009, which was cancelled after Jackson’s death. Footage from the rehearsals was later released as the documentary film Michael Jackson’s This Is It (2009). Later, Ortega returned to Disney Channel to direct the first three films in the Descendants franchise, and recently worked on the Netflix musical series Julie and the Phantoms (2020).

Although The Cheetah Girls 2 was obviously still based on characters created by Deborah Gregory for her The Cheetah Girls book series, this sequel was an original story, as none of Gregory’s books see the Cheetah Girls head to Barcelona to take part in a music competition. The Cheetah Girls 2 was written by Alison Taylor, who had previously written the first instalment of the film franchise, and Bethesda Brown. Whitney Houston and Debra Martin Chase were also producers on this sequel as they were on the first film.

By April 2006, it was confirmed that filming was under way for The Cheetah Girls 2, with it also being confirmed that the four girls Raven-Symoné, Adrienne Bailon, Kiely Williams, and Sabrina Bryan would all be returning to reprise their roles and that Kenny Ortega of High School Musical fame was on board to be the choreographer and director. It would seem that as filming was taking place in Spring 2006 that they needed a quick turnaround in order to ensure the film was ready to debut in August 2006[4].

But before filming could take place, the girls had to record their music, which they loved doing for this sequel, as they felt that the songs had been stepped up a gear with lots of energy in the music. They then had to do three weeks of intense dance rehearsals, with the choreographing also being intensified for this movie thanks to Kenny Ortega and Charles Klapow’s high standards for this film. Klapow was also a choreographer on the High School Musical films. After this was completed, the cast and crew were ready to go to Barcelona[5].

Even though portions of The Cheetah Girls 2 were set in New York City, prior to the girls flying off to Barcelona, the entirety of the film was actually filmed in Barcelona, with Galleria’s apartment apparently needing to be completely redesigned to make it look like a typical New York apartment and not a European one. Other sets, like the Dancing Cat club, the high school graduation party, and the staging for the New Voices competition were also designed and created, thanks to production designer Mark Hofeling who, like Kenny Ortega, has much experience working on Disney Channel movies, having worked on the likes of musical franchises like High School Musical, Descendants, and ZOMBIES, as well as non-musical films like Den Brother (2010) and Read It and Weep (2006)[6].

But there were plenty of opportunities to film within the beautiful city of Barcelona itself. The “Strut” sequence was one to really showcase the sights of the city, going all over the place, with moments in Park Güell; the Plaça de les Cascades near the Museu Nacional d’Art de Catalunya; Park Montjuïc; Passeig del Born; and Palace Dalmases, becoming the café where the Cheetah Girls meet guitarist Angel at the beginning of the song.

Away from “Strut”, there are still various other locations that the cast and crew visited for their shoot. One is Plaça del Rei, which was used for the location of the New Voices contest stage. The Chapel of Santa Àgata was used as the dressing room for the contest. The Estació de França train station was the train station that Galleria walks through as she tries to find her train to Paris, and the Palau de la Música Catalana appears to have been used as the theatre that the girls audition in to confirm their spot in the contest in front of the festival director. The beach party that the girls attend, thanks to an invite from Joaquin, was filmed at Platja del Garraf and the exterior of the Teatre Coliseum was used as the exterior of Joaquin’s dance studio. Finally, Luc’s villa seems to have been the events space Finca Mas Solers, situated about an hour outside of the city centre[7].

It would seem that with all this excitement around the music, the dances, and the amazing locations that everything was rosy on the set of The Cheetah Girls 2. Those in the know are aware that was not the case at all.

Despite appearing harmonious and stating how close the four girls were as a group whilst filming the first Cheetah Girls movie, something had changed by the time The Cheetah Girls 2 started production. There was no longer a bond between the girls that had existed in Toronto, and there was now a huge divide between Raven-Symoné and the other three girls. It is unclear exactly what or who caused all this drama and friction, but some have stated that it may’ve been the case that, as Raven was having huge success away from The Cheetah Girls and had been acting since she was very young, the other three girls may have felt jealous of her fame. Although I can’t comment on what was said and what wasn’t said because this has never been stated in public – quite rightly too – all I can say is that this divide doesn’t surprise me. Not because I think Williams, Bryan, or Bailon are nasty and mean, but because those three were close due to their involvement in the Cheetah Girls as a musical group. They were on their own journey and Raven was on hers, so naturally, when the two sides came together, I wouldn’t have expected them to get along, at least not in the way they had when the first film was being made. But like I said, there are rumours that this was not just a case of one person drifting away from the others, and was deeper than that, so it seems there is more to the story that we won’t ever know specifics about.

What we do know is that Raven-Symoné was so affected by her experience on The Cheetah Girls 2 that she refused to make the third film[8]. Perhaps Disney Channel should’ve reconsidered their decision to make a third Cheetah Girls film without arguably their biggest star, but they did not, and pushed ahead with making The Cheetah Girls 3 without Raven.

RECEPTION

The Cheetah Girls 2 premiered on the Disney Channel in the US on 25th August 2006.

There does not seem to have been a red carpet premiere prior to the film’s release, however, Disney Channel did screen a premiere party for The Cheetah Girls 2, with segments from this party playing before, during, and after the showing of the film. It was hosted by Miley Cyrus and Corbin Bleu, who were both rising stars for the channel in 2006 for their work on Hannah Montana (2006-11) and High School Musical respectively. Plenty of other Disney Channel stars attended the premiere party too, including those from High School Musical, The Suite Life of Zack & Cody (2005-08), Hannah Montana, and That’s So Raven (2003-07). The Cheetah Girls were obviously there too, although director Kenny Ortega was only available for a quick video as he was away working on a project in Australia. It would seem that the party was also open to a select few kids too, who could play various games, dance, and snack during the premiere party.

The Cheetah Girls 2 was promoted on the Disney Channel as being part of their So Hot Summer! event, which had also been an event in 2005. In 2006, other programming involved in So Hot Summer! were new episodes of favourite series like That’s So Raven and The Suite Life of Zack & Cody, the new Disney Channel Original Movie Read It and Weep, which premiered in July 2006, and the first season of the Disney Channel Games.

It would seem that in the UK, The Cheetah Girls 2 came to screens a month later in September 2006, with it reaching many other international Disney Channels in Europe and South America by the end of 2006, and other ones a bit further afield by early 2007.

On its US premiere, it was said that The Cheetah Girls 2 drew an average of 7.8 million viewers, making it the most-watched DCOM debut in their history, tied with Cadet Kelly (2002), being particular well-received in the Kids 6-11 and Tweens 9-14 demographics[9]. The Cheetah Girls 2 even beat out High School Musical, which premiered in January 2006, with around 7.7 million viewers, however, it did become much more successful later. The Cheetah Girls 2 was the most-watched DCOM of 2006 and remains tied at No. 8 with Cadet Kelly in the Top 10 Most-Watched DCOMs list. This Top 10 is likely to remain now, given how live TV viewing habits have changed in recent years.

The Cheetah Girls 2 is generally considered to be bigger and better than its predecessor, with many stating this is their favourite film within the franchise. It encouraged many young people to experience Barcelona, although there is no official data to back this up. This is quite ironic actually, since Barcelonians now are not big fans of international tourists swarming their city… It was also appreciated by many that Kenny Ortega was involved, after his huge success with High School Musical, feeling that this stepped the franchise up a level. Many liked the new music in this sequel, and again, Raven-Symoné was highlighted for her acting performance.

However, on the other hand, there were some negative comments, particularly from those outside of its target demographic. Some felt the story was predictable, and that it was just an excuse for Disney Channel to send its stars to Spain. I mean, they could’ve based this story anywhere, but Spain did enhance the overall look of the film and that was a major reason why The Cheetah Girls 2 was so loved, so I’d say it paid off for Disney Channel. Others were annoyed at the continuity issues, which must’ve actually been a critique from fans, otherwise these wouldn’t have been picked up. These included Chanel’s missing brother, whose absence was unexplained, but maybe the writers just forgot about him since he was barely mentioned in the first film, and Luc’s changing nationality, from French in the first film, to Spanish here. I don’t know how this was missed. Chanel acts like it’s Galleria getting confused in the sequel, but she clearly didn’t remember that both Chanel and her mother said Luc was French in the first film. It was also said that Disney Channel were too heavy-handed in their promotion of The Cheetah Girls 2. I second this statement. It really did feel like too much, to the point it made me not want to watch the film for a couple of years.

In terms of awards, Kenny Ortega was nominated in the category of Best Director – Film at the Imagen Foundation Awards, and Carli Barber was nominated for Best Sound Editing in Music for Television – Long Form at the Motion Picture Sound Editors Awards, for her role as the music editor on The Cheetah Girls 2. Neither won here. There was not even a nomination for Kenny Ortega at the Directors Guild of America Awards for Outstanding Directorial Achievement in Children’s Programs. I wondered if this was because The Cheetah Girls 2 was a sequel, but other Disney Channel sequels were later nominated here. Ortega did win this award anyway in 2006 though, for High School Musical. 

LEGACY

Shortly after the premiere of The Cheetah Girls 2, in order to further promote the movie and its soundtrack, the group went on tour across the US, Canada, and one night in Puerto Rico.

The tour, which was the second tour for the Cheetah Girls, titled The Party’s Just Begun Tour, started on 15th September 2006 in Seattle, and ended on 4th March 2007 in Houston, having been extended on a couple of occasions with more dates and cities added. The Cheetah Girls setlist consisted mostly of songs from the films The Cheetah Girls and The Cheetah Girls 2, although there were some songs that the Cheetah Girls had recorded outside of the films added in to the performance as well. The group had a variety of opening acts throughout their tour, including Miley Cyrus as Hannah Montana, Vanessa Hudgens, the band Everlife, and Jordan Pruitt.

There was even a live album recorded using their performances from their tour dates in Anaheim and San Diego in January 2007. This album was named The Cheetah Girls In Concert: The Party’s Just Begun Tour, and was released on 10th July 2007, with additional DVD content showing highlights from the concert and behind-the-scenes footage.

Later that same year, the Cheetah Girls released their second studio album, entitled TCG, short for The Cheetah Girls, on 25th September 2007.  TCG peaked at No. 44 on the US Billboard 200 chart. Two of their more well-known songs from this album were “Fuego” and “So Bring It On”, with the latter being included in the DCOM sequel Twitches Too (2007).

As per the agreement made prior to the Cheetah Girls’ first album in 2005, Raven-Symoné was not included in recording this soundtrack, nor was she involved in The Party’s Just Begun Tour. These two projects were focused on the Cheetah Girls as a real singing group. Raven had elected to concentrate on her solo music career, declining to join the girls.

Following the release of The Cheetah Girls 2, there was also some merchandise items made available for fans to purchase. Two of these were video games. The Gameboy Advance game, released in 2006, simply called The Cheetah Girls, has gamers follow a storyline where the girls are trying to compete in the New Voices Competition in Barcelona, as per the story of the sequel film. This was followed up with a 2007 Nintendo DS game entitled The Cheetah Girls: Pop Star Sensations. This does not appear to have a storyline involving the events in Barcelona, but does feature songs from this second film. Outside of that, a novelisation of The Cheetah Girls 2 was made available, as was an exclusive clothing line launched by Sears department stores in the US.

Other items of merchandise included board and card games, calendars, and various accessories, along with a line of dolls called The Cheetah Girls: In Concert Collection, which featured a doll resembling each Cheetah Girl which would sing a song from the franchise. Even with the 20th anniversary of The Cheetah Girls 2 in 2026, some merchandise featuring The Cheetah Girls is still around, with the Disney Store currently having Cheetah Girls-emblazoned T-shirts and sweatshirts on sale, at least in the US and the UK.

With all these fans and all this popularity, it was kind of obvious that Disney Channel would want to push the franchise further, by making a third film. This film was released under the title The Cheetah Girls: One World in August 2008, however, it would be missing one key member of the cast, something some fans have never forgiven or forgotten.

At the Disney Parks, specifically at Disney’s Hollywood Studios at Walt Disney World, from 2010 to 2013, there was a short stage show performed called Disney Channel Rocks. Disney Channel Rocks showcased music from many Disney Channel musicals including the Camp Rock films, StarStruck (2010), Jump In! (2007), the High School Musical trilogy and of course The Cheetah Girls franchise. From The Cheetah Girls 2, “The Party’s Just Begun” was performed as part of the opening. This show was later retooled and performed at the Disneyland After Dark: Disney Channel Nite events in both 2024 and 2026, however, “The Party’s Just Begun” from The Cheetah Girls 2 was dropped. Also at the Disneyland After Dark: Disney Channel Nite events in April 2026, there was a photo op with a backdrop for The Cheetah Girls 2 that guests could use. The backdrop featured a postcard of Barcelona.

FINAL THOUGHTS

The Cheetah Girls 2 and 2006 seemed to be the peak for The Cheetah Girls franchise.

Fans had liked the bigger budget, the increased production value, the levelling up of the story, and the superior music that they saw in the sequel. This was perfect timing for Disney Channel as they were also gearing up to make the most out of High School Musical, which turned out to be another successful movie for them in 2006.

All good things must come to an end eventually, but I don’t think anybody expected The Cheetah Girls to decline in quite the way they did. Their third movie, although not a flop by any means, was not what some of the fans felt they had been promised. It was a seismic shift from what we’d all been expecting and it turned out to be too much change for some.

But at least we’ll always have 2006 and The Cheetah Girls 2, when everything seemed right and happy in Cheetah Land. At least, that’s what we can pretend it was like.


REFERENCES

[1] Credit: Disney+, ‘Adrienne Bailon is here to answer our questions. All The Cheetah Girls #DisneyPlusThrowback movies are streaming on Disney+, Facebook.com, 15th August 2025.

[2] Credit: Disney Channel, ‘DCOM Extras – The Cheetah Girls 2 #2’, DisneyChannelRules YouTube Channel, 25th December 2006.

[3] Credit: Paul Grein, ‘TV Soundtracks With The Most Weeks At No. 1 On The Top Soundtracks Chart’, Billboard.com, 24th April 2024.

[4] Credit: United Press International, ‘Work on ‘The Cheetah Girls 2’ begins’, Archive.Triblive.com, 11th April 2006.

[5] Credit: Disney Channel, ‘DCOM Extras – The Cheetah Girls 2 #1’, DisneyChannelRules YouTube Channel, 25th December 2006.

[6] Credit: Mark Hofeling, ‘The Cheetah Girls 2’, MarkHofeling.com, no date.

[7] Credit: Stephanie Safdie, ‘The Cheetah Girls 2: All Barcelona Filming Locations’, DestinationDreamerDiaries.com, 23rd May 2026.

[8] Credit: Ashley Spencer, Disney High: The Untold Story of the Rise and Fall of Disney Channel’s Empire (2024), ‘That’s So Raven-Symoné’, pp. 85-110.

[9] Credit: Denise Martin, ‘Good run for ‘Cheetah’’, Variety.com, 28th August 2006. 

The Cheetah Girls (2003)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

Although High School Musical was the first musical franchise for Disney Channel to become a major success and has since sucked up a lot of the attention given to Disney Channel Original Movies, it should be remembered that The Cheetah Girls was actually the first-ever DCOM musical, premiering three years earlier than High School Musical.

That’s not the only thing that makes The Cheetah Girls stand out. What is unique about The Cheetah Girls is that, for once, Disney Channel had chosen to make a movie that put diverse characters at the forefront of their story, a four-piece girl group, made up of teenagers growing up in New York City with different backgrounds and experiences. It is no secret that Disney Channel had – and still does to some extent – trouble leaning into diversity, especially in its earlier days, but by 2003, it felt like that might be changing.

2003 not only saw the premiere of The Cheetah Girls, but also the premiere of a new series, That’s So Raven (2003-07), both of which starred the same actress, Raven-Symoné, who has since become synonymous with the heyday of Disney Channel. Raven’s star was on the rise, and with the help of these two projects, she was rocketing to mainstream fame.

However, The Cheetah Girls, although quite well-known today especially with the millennials, the demographic watching The Cheetah Girls at the time of its release, does not appear to have instantly spanned a huge franchise. Sure, the DCOM got pretty good viewing figures for its premiere, but it did not achieve worldwide fame until a couple of years later, for whatever reason, not releasing any further music as a group until 2005. This was when the girl group began to really shine, putting on concerts, releasing new albums, making appearances at the Disney Parks, as well as making further movies.

From that point on, it would seem that The Cheetah Girls was definitely rivalling the fame achieved by High School Musical, and these two properties were Disney Channel’s hottest tickets in the mid-2000s, with the channel wanting to push them as far as possible.

Personally, I don’t believe I watched The Cheetah Girls when it premiered, not that I even know when it premiered on Disney Channel in the UK because international channels did not receive new DCOM premieres at the same time as the US in the 2000s. Sometimes we waited months, even years, for them. I think I saw it before the sequel came out in 2006. I know I liked it, but it wasn’t my favourite DCOM musical, even when there weren’t many.

PLOT

The Cheetah Girls begins with four teenage girls from New York City performing as their singing group the Cheetah Girls at a birthday party. Everything seems to be going well with their performance, until one of the members, Aqua, gets her high-heeled boot caught in the wooden slates on the stage they are performing. As two of the other girls, Dorinda and Chanel, attempt to help her, all three end up toppling to the ground, just as Galleria ends the song on a high, not even noticing the chaos behind her. All the kids at the party laugh.  

After the show, Chanel points out to the girls that this incident might be a sign they shouldn’t audition for their school’s talent show. Galleria refuses to believe that though, wanting the Cheetah Girls to be the first Freshmen in their school’s history to win the competition. Dorinda then runs off somewhere, having to go and do something, whilst Aqua heads home as well, desperately trying to get a taxi and failing miserably because she refuses to get the subway. Chanel ends up getting a taxi for her. Chanel and Galleria discuss the group together as they walk home, glad they took the advice of their teacher Drinka to add two girls to the duo Chanel and Galleria had formed. They start discussing the possibility of the Cheetah Girls being famous.

On their walk, they pass a shop front where a new singer is being promoted due to her working with famed record producer Jackal Johnson. Galleria and Chanel think that will be them soon and start to dance in front of the store randomly, drawing an impressed crowd. However, Galleria sees a dog in the crowd and remembers she has to get home right now!

At home, Galleria arrives to find her mother annoyed because Galleria was not there to take her dog Toto out for a walk, so she had to do it. Her mother has also realised that Galleria must’ve missed a message from an important client, asking to change her appointment time; her mother is a fashion designer. Her father then comes in asking if Galleria got the capers he needed for dinner; she did not. They tell Galleria that, although they understand how important her singing is to her, she needs to start focusing on reality.

Meanwhile, for some of the other girls, we see that Dorinda is cleaning the hall at a dance centre, and Chanel is struggling to deal with the fact her mother has a new, rich French boyfriend, and is now too busy with him to spend time with her daughter. Galleria later calls Chanel, asking her to listen to a new song she’s writing for the group.

At school the next day, Galleria is shocked to hear that Chanel is failing some classes and orders a group study session to ensure they all keep their grades up. Two boys from school then approach the girls at lunch and ask Galleria if they can swap talent show audition times. Galleria doesn’t want to, but Chanel says it’s fine, and eventually all four agree to it. Derek, one of the boys, thanks Galleria, and starts flirting with her. Galleria says it’s all just a trick and a ploy to have their group not be successful. The boys then trip and fall in the cafeteria, having food spilt all over them. The girls tease Galleria about Derek.

Later, it is time for the Cheetah Girls’ talent show audition, and they smash it. Drinka, the teacher running the talent show and a former disco diva, is very impressed with them and instantly gives them a spot in the show. Suddenly, from the back of the auditorium, a man approaches them. This is Jackal Johnson, the record producer and a former student at the girls’ high school, Manhattan Magnet. Jackal was also impressed with them and wants to make them the next big thing in music. Galleria instantly pushes in front of the others, introducing herself to Jackal as the writer and founder of the Cheetah Girls, which isn’t strictly true. However, Galleria and Chanel’s mothers, who were in the audience for the girls’ audition, interrupt, stating their concerns, telling the girls to leave right now. Jackal manages to give Galleria his card before she leaves, telling her to give him a call.

Back at home, Galleria argues with her mother about not being allowed to talk to Jackal. Galleria’s mother is simply concerned that Jackal’s deal won’t be all it’s cracked up to be, wanting Galleria and the others to wait until after college to pursue their singing dreams. In the end, Galleria’s father manages to convince Galleria’s mother to let Galleria call Jackal. But it comes with some caveats: that Galleria’s mother attends the meeting with the girls and that if she sees that something is not right, then they will immediately leave. Galleria agrees. Meanwhile, Chanel is also annoyed with her mother, who ignores Chanel’s complaints about the Jackal meeting, instead floating the idea of them moving to Paris so Chanel’s mother can move in with her new boyfriend. Chanel vents to Galleria on the phone later.

Back at school, Galleria tells the other Cheetah Girls that she has lined up a meeting with Jackal, and now the whole school knows about it, even the school newspaper now wants to interview them. But, to match their new status as superstars-in-waiting, Galleria picks up Dorinda on her “poor” fashion sense and Aqua on her “nasty” table manners, telling them to get it together before they meet Jackal. Dorinda has more to worry about than clothes though, as she is still working at the dance centre to get free dance lessons in return. One evening, she discovers the centre is going to be closed soon. She talks to the receptionist who tells Dorinda if she helps with the auditions for a music tour taking place at the centre on the day it’s closed, then she can have two free weeks of lessons.

Soon, it is time for the Cheetah Girls to have their important meeting with Jackal. Everyone is there on time – except for Galleria and her mother who are stuck in traffic. Jackal greets the other three and gives them a tour of the studio. Galleria’s mother tells Galleria they can’t be late for this meeting, so forces her to walk the rest of the way in her heels. Galleria accidentally steps in dog poop on the way though, and does not notice until she arrives at the meeting, and everyone else starts to smell something, realising it’s coming from Galleria’s shoe! Horrified, Chanel ushers Galleria into the bathroom, where Chanel kindly cleans Galleria’s boot for her. Galleria is annoyed at herself for making such a bad impression, and says the two of them need to get back in there and get it together. She gives Chanel a cursory thanks for her help and goes back to Jackal. 

Jackal welcomes Galleria back and she wants to talk business. Jackal says the deal is done, because Aqua gave him a tiny bottle of hot sauce she carries around with her – something Galleria told her not to do because it makes them seem unprofessional. Jackal hands out a contract, which Galleria’s mother snatches away and starts revising, wanting a lawyer to look at it properly. Jackal lets her get on with it, whilst telling the girls his plan, which is to record a demo; sell it to the record label; and then get instant fame and fortune for the group. They can get the demo done in less than a week if they’re quick about it. Galleria’s mother thinks that all sounds a bit too good to be true but Jackal tells her to calm down. They just need a clean take and they can do that on Saturday. Except the girls remember that is the day of the talent show. Galleria says they’ll do the demo instead. Outside, Galleria’s mother says they won’t be singing anything for Jackal until she’s had a lawyer go through the contract properly, but Galleria just sashays away.

This success only adds to Galleria’s diva attitude, passing out photographs of the group at school and refusing to do a proper interview with the school paper. At lunchtime, plenty of the other students want to hear all about their meeting with Jackal. However, Galleria is such a name-dropper and acting so pretentious that by the end of lunch, Galleria is mostly talking to herself and has managed to annoy even Dorinda and Aqua. They talk to Chanel after lunch and show her a poster on the school walls, pointing people to a hate site for the group. Chanel tries to stand up for Galleria, but Aqua tells Chanel she needs to talk to Galleria about all this. Chanel says she will, but not until the time is right.

At rehearsals for the talent show, Drinka is told by Galleria that the Cheetah Girls want to rehearse their new song first, before telling her the Cheetah Girls probably won’t be performing at the talent show because it clashes with recording the demo for Jackal. Galleria says they basically won the talent show already, and insults Drinka by saying Drinka knows what it’s like to lose an opportunity and not have it come along again. Drinka has the next act go on stage instead. Dorinda asks if they are rehearsing or not today, as she has somewhere else to be. Galleria says she might as well go since they are working on music and Dorinda is mostly a dancer. She also hands Dorinda some clippings of potential outfits to wear for the next time they see Jackal, saying they aren’t optional. Dorinda is rightly offended. She then heads to the dance centre to help out with those dance auditions, where she impresses, being offered a place on the tour with the group Gold Medal Crew.

Chanel returns home later and sees a note from her mother, saying that she has been whisked away by her boyfriend – again – so she’ll not be able to do their planned shopping trip. Her mother has left her credit card though so Chanel can buy them both something nice. Chanel then hears a voicemail message from an estate agent, talking about putting the apartment up for sale. Chanel angrily tells the estate agent they won’t be selling, before grabbing the credit card and maxing it out buying various outfits.

As Chanel finishes up, she sees that she is by Dorinda’s apartment block and speaks to the doorman, who sends Chanel round the corner into an alley to find her. Chanel finds herself at the block’s Superintendent’s flat, and knocks on the door. A woman comes to the door. Chanel asks for Dorinda, but believes she’s got the wrong address. The woman tells Chanel Dorinda is here and calls for her to come to the door. Dorinda comes to the door, embarrassed. A commotion erupts inside, sending the woman, Mrs. Bosco, back inside to see what’s going on. A little girl asks Dorinda if she wants to see someone get in trouble. She tells the girl to go on without her. Dorinda goes outside with Chanel to explain, but Chanel tells Dorinda not to be embarrassed, believing that Dorinda’s big secret is that she is half-Black, since Mrs. Bosco is Black and Chanel thinks that is Dorinda’s mother. Dorinda says Mrs. Bosco isn’t a mother and that she is in fact a foster child, having never met her birth parents. She doesn’t have money like the other three girls and life is sometimes hard for her, but she has pretended to be rich to fit in with them. Chanel feels terrible for not realising and tells Dorinda to be proud of who she is. She gives Dorinda an animal print jacket she just bought, to wear to the next meeting with Jackal, to keep Galleria off her back. Dorinda says she was offered a spot on a dance tour and doesn’t know whether to take it, as she won’t be able to be a part of the Cheetah Girls if she does.

That night, Chanel and Galleria have a sleepover. Galleria’s mother says they can go to the rehearsal with Jackal on Saturday alone. This leads Galleria to excitedly show Chanel a CD of the Cheetah Girls’ music, but Chanel instantly sees that Galleria has made her picture on the cover of the CD bigger than the other three. Galleria says it’s not a big deal, but Chanel is furious; the group isn’t all about her. Galleria says they just need to get the demo recorded and then it’ll be fine. Chanel lets slip about Dorinda being in foster care, which just makes Galleria think they’ll need to get the deal with Jackal even more now, but Chanel reminds Galleria that it’s not all about money; they all need friends, not fame.

At the rehearsal with Jackal, Jackal arrives with marketing executives, telling the girls they have some ideas on how to make their group hit the big time. But it is essentially a total rebrand of the Cheetah Girls, morphing them into a new group of four called Global Getdown, where each girl will wear a mask of a different animal. Galleria remains a cheetah, but Dorinda becomes a panda, Aqua is a seal, and Chanel is a snow leopard. Galleria says they won’t be able to sing in masks, but Jackal says that won’t be a problem as they’ll just be lip syncing. Galleria tells the girls to get up and perform one of their new songs for Jackal. Although he likes the song, he says they’ve already got a demo for them, playing a pop song called “All Around the World” to the room. Chanel, Aqua, and Dorinda slowly start to sing along with it, but Galleria is horrified and tells them all to stop. The record label wants Global Getdown so it’s that or nothing. Galleria says it’ll have to be nothing then, and orders the girls to leave with her – but they won’t. The other three talk to Galleria in private and say they should at least think about it or try it out, but Galleria can’t be convinced and says they’ll have to go on with Jackal’s deal without her then. Jackal returns to the room and says they can replace her easily, putting Chanel up front instead. Chanel is flattered, but the three agree they all need to think about it first before agreeing anything. They leave the studio, seeing a line of other teenagers outside, all excited to be pop stars, just like them.

Galliera comes home crying, and begs her mother not to say she told her so. Galleria says she did the right thing not to agree to Jackal’s deal, but can’t understand why the others didn’t. Her parents remind her that everyone has their own choices to make, even if Galleria doesn’t agree with them, and that Galleria needs to let go of this now and move on. Meanwhile, Dorinda is given a contract for the dance tour and is torn about what to do, whilst Chanel faces the wrath of her mother for spending so much on her credit card. Chanel breaks down and tells her mother she’s spending too much time with her boyfriend and ignoring her, with the Cheetah Girls being over just making everything worse. Her mother comforts her and wants to make things right again.

Later, Galleria goes on stage at the school’s auditorium when it’s empty and sings a song she wrote for the group. Derek hears her and says he liked the song, because it wasn’t just typical pop music with nothing to say. She tells him about the Jackal deal falling through and why that was, planning to walk alone now since the group are over.

On the night of the talent show, Galleria’s mother wants to have a night in with her daughter, but Galleria says she wants to watch the talent show instead. As she is out walking Toto, she sees a window display for Global Getdown and hears the same song demo that Jackal played them. She believes this must mean the girls took the deal. She is so distracted, that she lets Toto run off and he ends up getting stuck in a construction hole. Galleria calls her parents in a panic and signals to a police officer for help.

At the same time, Drinka is introducing the talent show at school, with Derek and his friend Mackerel performing as Sonic Chaos, as a huge rescue operation shuts down the streets of New York City to try and rescue Toto. Chanel, Aqua, and Dorinda see what’s going on through the news reports and rush over to her, with Chanel running out of a hair salon and Aqua getting the subway just to be there – for Toto, not Galleria. The girls tell Galleria it is all her fault this has happened, and the police say they’ll need to cut the power to get to Toto, which interrupts the Sonic Chaos performance and the school’s talent show.

As the school generators start up, Galleria appears on a screen behind as she begs for help to get Toto free. Drinka, Derek, and the others at the school rush to the scene as well. Drinka comes over to Galleria, and she apologises for having such a big head. Drinka agrees she has a big head, but it’s filled with big dreams, and she has a big heart to match, although she should watch out for her big mouth! The police officer tells Galleria they are close to getting to Toto, but they need her to call to him to get him in the right position to be pulled out. Galleria and the girls start singing as Toto likes their music. It works and Toto is freed, albeit quite dirty! With Toto free, the other three girls head back home. Galleria is devastated their friendship couldn’t be saved. Derek says at least they came to help her when she was in need, but Galleria tells him they were only here for Toto. He says she might have been right to walk away from Jackal, but she shouldn’t walk away from her friends.

Galleria then starts singing one of the Cheetah Girls’ songs on the street, making the other girls turn around. Aqua is the first to join in, followed by Dorinda, and then Chanel. With the help of Derek, they perform the rest of the song together in front of the crowd, who all cheer as the Cheetah Girls are reunited. Derek even kisses Galleria.

Back at the school, Galleria hears that the other girls didn’t take the deal with Jackal, and that Dorinda decided not to go on that dance tour. She also officially introduces the girls to her foster mother and sister, not wanting to keep secrets anymore. Drinka then stands up on stage to announce the winner of the talent show. And the winner is…The Cheetah Girls! Although that’s actually quite unfair, since they weren’t actually in the talent show in the end… Galleria then gets a call from Jackal’s people, who is regretting his decision to change the Cheetah Girls after seeing them on the news. All the girls reject Jackal, telling him they’ll do things their way before Galleria ends the call by saying the Cheetah Girls are unavailable. The movie then ends with fireworks lighting up the name of the Cheetah Girls in the sky.

CHARACTERS & CAST

Galleria Garibaldi, whether consciously or unconsciously, has put herself front and centre of the Cheetah Girls, which began as a duo with her BFF Chanel. With the Cheetah Girls being a quartet, and Galleria writing the music, coordinating the outfits, and pushing the group hard, it has made Galleria feel self-important. But I don’t think she actually means to be bossy or obnoxious; she is just determined to live her dream of making the group successful. After getting attention from record producer Jackal Johnson, Galleria starts to act very diva-like, annoying her friends and those close to her. Then when the deal is not exactly what she wanted, she demands that all the girls leave but they refuse, not wanting to be dictated to anymore, and she is left alone. Galleria may have got the moral high ground but at the cost of losing the Cheetah Girls, maybe for ever. Her distraction at seeing that the girls might have taken Jackal’s dream and are about to be rich and famous without her causes her dog Toto to run off and get stuck in a hole. However, funnily enough, this rescue mission allows Galleria to finally swallow her pride and apologise to the girls – through a song, of course! – allowing the Cheetah Girls to reunite.

Galleria was played by former Disney Channel star Raven-Symoné, who had actually had a successful career as a child star even before then, by being cast as Olivia Kendall from Season 6 of The Cosby Show (1984-92), and later as Nicole Lee from Season 2 of Hangin’ with Mr. Cooper (1992-97). Following that, she was cast as Charisse Dolittle in Dr. Dolittle (1998) and Dr. Dolittle 2 (2001). For Disney Channel, although Raven is well-known for her role as Raven Baxter in That’s So Raven (2003-07), returning for a few appearances in its spin-off Cory in the House (2007-08) and then again for its revival Raven’s Home (2017-23), her first Disney Channel role was actually as Nebula Wade in the DCOM Zenon: Girl of the 21st Century (1999), reprising the role for its third film in 2004, and then voicing the recurring role of Monique in their animated series Kim Possible (2002-07), Outside of Disney Channel, but still for Disney, Raven was cast as Princess Asana in The Princess Diaries 2: Royal Engagement (2004) and then as Melanie Porter in College Road Trip (2008). After her time with Disney Channel, where she recorded various albums and singles, including “Superstition”, she then starred as Deloris Van Cartier in the 2012 Broadway production of Sister Act. She also landed the recurring role as Rhonda Johnson in the sitcom Black-ish (2014-22). Raven hosted the revival of the game show Scrabble (2024-present) until 2026.

Chanel Simmons and Galleria are childhood best friends, and have had big dreams for the Cheetah Girls for years. She is the most loyal to Galleria, because they’ve been friends for so long, whereas Aqua and Dorinda are newer members to the group, so when they complain about Galleria’s attitude, Chanel finds herself stuck in the middle as she tries to balance their dream with finding the right time to tell Galleria to stop getting so caught up in herself. Chanel doesn’t want to fight with Galleria, and finds it hard to confront her, with all these feelings later coming out after the Jackal deal causes tensions. However, girls who have been friends for as long as Galleria and Chanel have can’t be apart for too long and they make up. Chanel is also struggling with her mother seemingly choosing her new boyfriend over her here, leaving Chanel on her own a lot, and planning to uproot her to Paris without even listening. Some might say Chanel was bratty for going on that spending spree with her mum’s card, but she was feeling hurt, and teenagers act out irrationally sometimes!

Adrienne Bailon was cast as Chanel Simmons, who was a member of the girl group 3LW, first formed in 1999, at the time she got the role in The Cheetah Girls, alongside Kiely Williams and Naturi Naughton originally, before Jessica Benson took Naughton’s place in the group. 3LW appeared in two Nickelodeon series during their time, including on sketch show All That (1994-2005) and on the show Taina (2001-02) as the fictional band Blue Mascara. In Taina, they performed their hit single “No More (Baby I’ma Do Right)”. I still remember their appearance on Taina and still love this song. 3LW later split in 2007. After her casting in The Cheetah Girls, Bailon appeared in other projects for Disney Channel, including playing the recurring role of Alana Rivera on That’s So Raven, and later Raven’s Home, and being cast as Domino in the DCOM Buffalo Dreams (2005). Also around this time, she appeared as Dominique in the sports film Coach Carter (2005) with Samuel L. Jackson in title role. More recently, Bailon was a co-host of the talk show The Real (2013-22), which was nominated for and won various Daytime Emmys including Outstanding Entertainment Talk Show Host in 2018 for Bailon and her fellow co-hosts. She also performed as Flamingo in Season 2 of The Masked Singer (2019-present) in 2019, coming in third place, and was a panellist on the music game show I Can See Your Voice (2020-24).

Aquanette Walker, mostly known as Aqua, is from Texas, having recently moved to New York City. She is a germophobe, scared of the subway, and loves hot sauce. Aqua was a late addition to the group, with Dorinda, and is the first to be annoyed at Galleria for her attitude after getting close to fame, probably because Aqua was insulted by Galleria about her table manners! Aqua even squares up to Chanel at one point, telling her to talk to Galleria – or else. After the deal with Jackal turns out to be for Global Getdown and not the Cheetah Girls, she tells Galleria how they are all fed up with her wanting to run the band and make decisions for all four of them. In the end, Aqua doesn’t want the band to end either, and even gets on the subway to help Toto and support Galleria – even if she won’t admit she is there for Galleria as much as she is there for Toto! I’d forgotten how tough Aqua was in this first film, as she is quite a different character in the other two films.

Kiely Williams, a fellow band member of 3LW with Adrienne Bailon, was cast as Aqua. After 3LW and The Cheetah Girls franchise ended, Williams went on to be cast as Lilly Marsen in The House Bunny (2008) and then as Kandi Kane / Brenda Smirkle in Elle: A Modern Cinderella Tale (2010). She was also part of the reality series BET Presents: The Encore (2021) which followed the formation of a new music group called BluPrint. Williams has also created various web series, starring in them with fellow Cheetah Girl Sabrina Bryan.

Like Aqua, Dorinda was a late addition to the Cheetah Girls, so these two seem to have bonded more with each other than Galleria and Chanel, due to the fact they are both new. Dorinda is the best dancer in the group, and prefers dancing over singing, but she is still a valuable member to the group. Dorinda is a bit of a peacemaker, as she does what she’s told so nobody asks questions of her, but this means she is being secretive, running off to random places and not telling the girls where. It turns out she works at a dance centre to pay for lessons, but pretends to be rich to fit in with the other girls. In the end, Chanel discovers the truth, and Dorinda has to admit she is in the foster system, saying she didn’t want to feel like the odd one out, although, by the end of the film, Dorinda is clearly relieved to have everything out in the open, and is happy to continue with the Cheetah Girls, even giving up a paying job on a dance tour to stay with them.

Sabrina Bryan was cast as Dorinda, having previously appeared as Fritzie in the television musical Mrs. Santa Claus (1996) which saw Angela Lansbury in the title role, and as Alisa Cordova in the soap opera The Bold and the Beautiful (1987-present) in 2002. Later, Bryan was a contestant on Season 5 of Dancing with the Stars (2005-present) in 2007, returning for an All-Stars edition of the show in 2012. More recently, she co-starred with Kiely Williams in various web series.

Galleria’s mother is an influential figure in Galleria’s life, with Galleria looking up to her mother for starting a successful fashion business, however, Galleria’s mother is less than excited about the potential for Galleria to become rich and famous with her group at such a young age. Galleria’s mother, Dorothea, is very protective of her daughter, and doesn’t want her to get hurt when she realises how tough it is to make it in show business. She is worried about Jackal’s interest, and tries to be involved in negotiations, until she sees how desperately Galleria wants to do this alone, so draws back a bit. However, it all ends in tears, literally, just as Dorothea expected it would, and she has to be there to comfort Galleria when her whole world falls apart, reminding Galleria, alongside Galleria’s father, Francobollo, that she can’t make decisions for other people, even if she thinks her decision is the right one for everyone. Francobollo is more laidback than Dorothea, being the one to convince Dorothea to let Galleria and the girls go to the meeting with Jackal.

Lynn Whitfield was cast as Dorothea, having previously been cast as Rae in Silverado (1985); Louisa McCay in Jaws: The Revenge (1987); and Dr. Sweikert in Stepmom (1998). Around the time of The Cheetah Girls, Whitfield appeared as Debra Lassiter in Chris Rock’s Head of State (2003) and later as Laura in The Rebound (2009) with Catherine Zeta-Jones. More recently, Whitfield appeared in the recurring role of Mary Walker in Season 1 How to Get Away with Murder (2014-20), and then as Vanessa Howard in Seasons 2 and 3 of Hit the Floor (2013-18). She also starred alongside Keith David as Daisy Mae Greenleaf in Greenleaf (2016-20), a series co-produced by Oprah Winfrey.

Juan Chioran was cast as Francobollo Garibaldi. Chioran has acted on stage with roles in many productions over the years at the Stratford Festival, held in Stratford, Ontario in Canada, winning a Gemini Award for his 2000 performance as Count Dracula in Dracula: A Chamber Musical. He also has experience in voice acting, recently voicing the recurring role of Señor Tapir in the PBS Kids series Elinor Wonders Why (2020-24). He later returned to Disney Channel to play Gustavo in another Disney Channel musical, Sneakerella (2022).

Jackal is a successful record producer, known for creating successful singers, so his reputation proceeds him. He was also a former student of the same high school that the Cheetah Girls go to, so they believe they can trust him to make them a success and care about their journey to achieving that. Jackal reels the girls in with compliments about their look and their music, only to then come up with a redesign of their group to match the information he has received from his marketing team about what is popular and what will sell. This shows he is only motivated by money and doesn’t care about the girls or the Cheetah Girls as a group, just wanting young girls to mould to fit his own vision. He actually finds himself regretting the fact that he let them go after seeing the Cheetah Girls perform on the news, and tries to get the girls to reconsider. They refuse.

Vincent Corazza was cast as Jackal Johnson. Prior to his role in The Cheetah Girls, he was cast as Albert in the DCOM Quints (2000). Corazza went on to voice Alden Jones in the animated series Braceface (2001-04) as well as the characters of Zexion and Ienzo in the Disney video game series Kingdom Hearts.

Drinka is a former singer, and the girls’ teacher at their high school. She also runs the talent show, being very proud of it and its legacy. She is supportive of all the acts in the show, giving advice on how to improve their performances. Drinka thinks the Cheetah Girls will go far in life, but is taken aback when Galleria effectively tells Drinka the group is too big to perform in the talent show, not liking what she’s hearing. Drinka forgives Galleria after getting an apology from her about how she acted, but does warn Galleria about not letting her big mouth get in the way of her future!

Drinka Champane was played by Sandra Caldwell. Before appearing in The Cheetah Girls, Caldwell played Asia in the Canadian series Little Men (1998-99). Recently, Caldwell has appeared as Ellen in the HBO series The Gilded Age (2022-present).

Derek and his friend Mackerel are part of a rap group called Sonic Chaos. They tease the Cheetah Girls constantly, playing mind games with the girls, as Sonic Chaos open to win the talent show, but see the Cheetah Girls as strong competition. Derek clearly also flirts with Galleria because he likes her, although she just thinks he’s trying to trick her into not focusing on the show. Derek and Galleria eventually grow closer after Galleria thinks the Cheetah Girls are over, even sharing a kiss at the end of the film. Derek can also be credited with motivating Galleria to make up with the girls and not let her lose their friendship.

Kyle Schmid was cast as Derek. Schmid went on to appear as Scott in Disney’s The Pacifier (2005), which starred Vin Diesel, and as Paul Rodman in the teen drama The Sisterhood of the Traveling Pants (2005). Later, Schmid was cast as Chief Special Warfare Operator Alex Caulder in the military drama Six (2017-18) and currently plays Special Agent Mike Franks in NCIS: Origins (2024-present). Mackerel was played by Denton Rowe.

MUSIC

For a musical film about a girl group, I was quite surprised at how few songs the Cheetah Girls actually sing in this film, with the total only being four. This is something that would later be corrected, as the group sing plenty more songs in their other films.

Looking at the songs the Cheetah Girls specifically sing, the first one we hear is in the opening sequence, and is the song that the girls are performing at the birthday party. This song is “Together We Can”, which was written by Stephen Lee, Walter Turbitt, and Will Robinson. This is the best song in the film for me. I feel it is very fitting for the opening of the film, as it showcases the talents of the girls right from the off. The girls later sing this song a cappella as they try to help get Toto free, as the dog responds to their voices.

Following that, the Cheetah Girls perform the song “Cinderella” for their school talent show audition, which is met with praise by their teacher, Drinka. I quite like this song as well. Interestingly, “Cinderella” is not an original song written for The Cheetah Girls film, which is very unusual for a Disney Channel musical. In this case, “Cinderella” was actually first performed by American girl group i5, reportedly around 2000, before being covered by the Swedish girl group Play around 2001 or 2002[1]. Regardless of who sang it first, it works in The Cheetah Girls. “Cinderella” was written by Lindy Robbins and Kevin Savigar.

Later on in the film, as the girls attempt to persuade Jackal Johnson that their sound and their look as the Cheetah Girls should be enough for him, and that they don’t need to be rebranded into Global Getdown, Galleria has the girls perform the song “Girl Power”. This song perfectly sums up the Cheetah Girls’ mission for their music, to empower girls everywhere, no matter who they are or what they look like. Sadly, this message is lost on Jackal and his marketing team. You can also hear Galleria singing “Girl Power” briefly earlier on in the film, as she calls Chanel to listen to the new song she’s been writing, this being “Girl Power”. The song was written in real-life by Ray Cham and Rwaana Barnes.

The final song the girls perform as a group is “Cheetah Sisters”, and this is the film’s finale number. Just after Toto is rescued, Aqua, Chanel, and Dorinda head home separately, leaving Galleria distraught that the Cheetah Girls are actually over. She is told that she doesn’t have to let her friends walk away, so Galleria starts singing this song alone, hoping the other three will join her. They do, and the Cheetah Girls are reunited in front of a crowd of on-lookers. “Cheetah Sisters” shows the strong bond and friendship that the girls have. To be honest, although this is an iconic song from The Cheetah Girls franchise, I don’t actually like it but maybe it’s the tracksuits they’re singing in that I don’t like! Galleria also sings part of this song alone in the school auditorium as she laments the fact the girls have gone their separate ways, with Galleria leaving the group and the other three seemingly taking Jackal’s deal to become a new band. “Cheetah Sisters” was written by Jamie Houston.

There are two other songs that appear in the film that are not performances by the Cheetah Girls. One of these is “C’mon”, the talent show entry from Galleria’s love interest Derek and his friend Mackerel. Their group is a hip-hop duo called Sonic Chaos, with their performance being interrupted by the city’s power being turned off to save Toto. They consider the Cheetah Girls their biggest competitors in the talent show, so it must be all the more painful for them when the Cheetah Girls end up winning it! I don’t like this song much either, which perhaps isn’t helped by the fact the performance is interspersed with clips from the rescue of Toto, so you don’t get to hear the song in full. “C’mon” was written by Ray Cham, Alex Dunbar, and Rwaana Barnes.

“All Around the World” is the only other song that the characters engage with in The Cheetah Girls. The Cheetah Girls are told this is the song that the record label want the girls to record, not any of their own songs. It is inoffensive, bubblegum pop, with lyrics that mean very little but are nonetheless quite catchy. Aqua, Dorinda, and Chanel start to sing along to the track that Jackal plays them, albeit not particularly enthusiastically, but Galleria refuses to engage with it at all. I actually really like this song and always have; I think the Global Getdown band idea wasn’t all that bad! “All Around the World” was written by Ray Cham and Rwaana Barnes. It does not appear on the soundtrack, unlike the other five songs.

Outside of that, there are some other tracks that are used as background music in the film, with some appearing on the soundtrack and others not doing so. One of the remaining three songs to make up the soundtrack for The Cheetah Girls, outside of the five above, is “Girlfriend”, written by Ray Cham and Chaka Blackmon, and performed by Char. This song is playing as Galleria and Chanel dance in front of a shop window, due to their excitement at seeing a new artist being promoted by Jackal Johnson in the window display. The two end up drawing a crowd who applaud their impromptu dance.

During the montage sequence of Chanel on a shopping spree using her mother’s credit card, after she is ditched yet again in favour of Chanel’s mother going out with her rich boyfriend, the song “Breakthrough” was used. It was written by Antonina Armato and Tim James, and was performed by Hope 7. “Breakthrough” also appears on the soundtrack for Legally Blonde 2: Red, White & Blonde (2004). Hope 7 went on to have their song “I Want Everything” used in another DCOM, Go Figure (2005).

After Galleria walks away from Jackal’s deal for the girls to become Global Getdown, and the other three decide they need to think about it, the song “End of the Line” plays. This shows the girls distancing from each other, coming to the terms with the fact they may never perform as the Cheetah Girls again. This song perfectly matches the mood of the scene. It was written by John Van Tongeren and Oz Scott, and was performed by Christie Mac.

So, that is the eight tracks that make up the soundtrack for The Cheetah Girls, which was released on 12th August 2003, a few days before the film premiered on Disney Channel. Apparently, Disney hadn’t originally planned to release the film’s soundtrack, despite all the effort that went into creating original songs for the movie. No Disney Channel movie had had their own soundtrack before. It was only a few weeks before the film’s premiere date that it was decided to release eight tracks from the film, including the four that the Cheetah Girls themselves sing, as a CD[2]. The album peaked at No. 1 on the US Billboard Kids Albums and Soundtrack Albums chart, as well as peaking at No. 33 on the US Billboard 200 chart. The soundtrack later went double platinum in 2005.

However, there are two other credited songs in this film that did not make the soundtrack. “Tru Blu” seems to be playing in the background as Galleria and the girls talk about their need to have a study session, after finding out that Chanel is failing a class. “Tru Blu” was written by Ray Cham, Debra Barnes and Will Campbell, being performed by Lil’ J, featuring Chase. This song appears to have been used on a later DCOM, Pixel Perfect (2004). “Make You Dance” was written by Ray Cham, performed by SoL Survivor, and seems to be the music being used during the dance auditions that Dorinda helps with, before being offered a spot on the tour with the Gold Medal Crew.

John Van Tongeren was the composer of the score for The Cheetah Girls. He went on to work on the music for various other DCOMs, including Twitches (2005) and Twitches Too (2007); Princess Protection Program (2009); and The Suite Life Movie (2011).

PRODUCTION

It might surprise some to hear that The Cheetah Girls was based on a book series, written by Deborah Gregory. Then again, you might’ve read these books and it’s not a surprise to you at all. All I know is that I was completely unaware of this.

In total, there are 16 main books in The Cheetah Girls series, although it would seem that thirteen had been published by the time the Disney Channel film came out. The first book, The Cheetah Girls: Wishing on a Star was published in 1999. The original series actually featured five girls, not just the four we see in the film. Aqua has a twin sister called Angie in the books, however, despite Tia and Tamera Mowry being floated as playing these twin sisters, it was later decided that having the need to hire twin sisters was limiting the talent pool, so they simply dropped one of the sisters. I think four main characters is plenty to focus on in a film anyway. Some minor changes from the books to the film include Dorinda’s original surname being Rogers and not Thomas, as well as Dorinda being aged up to match the other girls’ ages, despite only being twelve years old in the books. I was going to say that Chanel’s brother Pucci is omitted from the films whereas he is a character in the books, but apparently, he is in the first film, because it is his birthday party at the start, Chanel’s mother briefly mentions his name later on, and he’s at the girls’ talent show audition. Who knew?

Deborah Gregory has said that she drew upon real experiences from her life when creating the series, for example, Gregory grew up in the foster care system in New York City, mirroring that of Dorinda. Gregory felt that there was a need to expand children’s cultural knowledge, to have them understand other experiences outside of their own, which was a motivating factor for her writing her series. She was also apparently inspired to write the series after interviewing Destiny’s Child for Essence magazine, where she worked as the fashion editor at the time[3].

Alison Taylor was credited with writing the screenplay for The Cheetah Girls film, using Gregory’s novels as a basis. Taylor had previously been the story editor on the sitcom Married…with Children (1987-97), and had written a few episodes for the Disney Channel series Lizzie McGuire (2001-04), before returning to The Cheetah Girls series to co-write the sequel, and then create the Nickelodeon sitcom Just Jordan (2007-08).

But the process of making the film was not simple, as it was initially being pursued as a series for Disney Channel, with Debra Martin Chase the one wanting to produce the series. She had some previous history with Disney after working on their live-action film The Princess Diaries (2001) and on their television film Rodgers & Hammerstein’s Cinderella (1997), later becoming an executive producer on the DCOM Lemonade Mouth (2011). However, Disney Channel was seemingly focused on ensuring their new series would translate well overseas, and it was felt this Cheetah Girls series would not. Yet all hope was not lost as Disney Channel executive Gary Marsh said that perhaps the series could be retooled as a movie instead. It may not be common knowledge that legendary singer Whitney Houston was also a producer on The Cheetah Girls, as she was on Disney’s The Princess Diaries and Cinderella.

After filming the first season of That’s So Raven, Raven-Symoné signed on to play the main character of Galleria, with Adrienne Bailon being cast as Chanel and Sabrina Bryan as Dorinda. Dorinda is not white in the books; however, Debra Martin Chase apparently pushed for the fourth girl to be white, in order to represent as many ethnicities as possible. Sabrina Bryan is actually of Mexican descent. Casting the part of Aqua was not without its problems though, as Solange Knowles, as in Beyoncé’s sister, was cast in the role, but later pulled out of the film after choosing to pursue her solo singing career. In the end, Kiely Williams, who was a bandmate of Bailon’s from their time in 3LW, was then asked if she would want the part of Aqua, and readily accepted.

Director Oz Scott was chosen to direct The Cheetah Girls. Prior to The Cheetah Girls, Scott had directed the short film Mr. Boogedy (1986), which aired on ABC as part of The Disney Sunday Movie (1986-88) series, going on to direct its sequel Bride of Boogedy (1987) for the same ABC series. Scott had also directed some episodes of the Showtime series Soul Food (2000-04) before working on The Cheetah Girls. In more recent years, Scott has continued directing in television, working on series such as the superhero series Black Lightning (2018-21) on The CW and crime drama S.W.A.T. (2017-25).

The Cheetah Girls was filmed in Toronto, Canada, as so many Disney Channel movies are, with Toronto having to represent New York City, the setting of the film. This had also been the case for another Disney Channel Original Movie, Get a Clue (2002).

But first, the cast had to have dance rehearsals in Los Angeles, which happened three weeks before filming began, with choreographer Troy P. Liddell. The four girls said this was great as it was a bonding experience for them, and meant they could properly convey that they were a group who had known each other a while on set. All the cast said they enjoyed their experience working on The Cheetah Girls, and liked the message of the film, about achieving your dreams no matter who you are or where you come from[4]

However, it was quite cold in Canada when they were filming. Apparently, the velour tracksuits the girls wear for the “Cheetah Sisters” performance were designed with the weather in mind, as they had a thin set of thermals inside them, so kept the cast warm in the cold Canadian air. They were designed by costume designer Resa McConaghy, who was well aware that most of the animal print featured in this film was actually leopard print. The reason cheetah print was not used is because this true print was harder to find[5].

RECEPTION

After a red carpet premiere, reportedly held at Fiorello H. LaGuardia High School on 5th August 2003, and attended by the cast and crew, as well as some Disney Channel stars, such as Raven’s That’s So Raven castmates, and Shia LaBeouf and Christy Carlson Romano from Even Stevens (2000-03), The Cheetah Girls premiered on Disney Channel in the US on 15th August 2003. It is unclear exactly when it reached international channels; it may’ve been months later, or even years, but luckily, since there was no social media at that point, it’s not like any Disney Channel viewers overseas were getting spoilers.

The Cheetah Girls was said to have been watched by 6.5 million viewers on its premiere date. This made it the most-watched Disney Channel Original Movie premiere of 2003, and it would seem that figure of 6.5 million would not be beaten by another premiere until Twitches, starring Tia and Tamera Mowry, came out in 2005. However, The Cheetah Girls was not the highest-viewed DCOM of all time by this point, as Cadet Kelly (2002) had surpassed it with 7.8 million viewers on its premiere the year before. 6.5 million viewers would’ve certainly been considered a successful premiere for The Cheetah Girls at the time, however, as the 2000s stretched into the 2010s, some DCOM premieres were getting 7, 8, sometimes even more, millions of viewers tuning in, so The Cheetah Girls did not stay in the Top 10 most-watched DCOM premieres for long.

Disney Channel movies have always received mixed reactions, with the musicals gaining the most attention generally, therefore opening them up to more criticism. The Cheetah Girls is just one of many DCOM musicals to be adored by its fans and viewers of Disney Channel at the time, but panned by others outside of that demographic.

Some negatives highlighted around The Cheetah Girls is that the attitude of Galleria was seen to be very unappealing and obnoxious, with this behaviour later being rewarded. I accept that Galleria’s behaviour at times in the film doesn’t make her particularly likeable, however, she makes amends by the end of the story, although I will say that it did feel very unfair that The Cheetah Girls won their school talent show, even though they had previously pulled out of competing in it. Also, others said, despite hinting at deeper issues, such as Dorinda’s foster upbringing, and the dangers of being pressured and manipulated by the music industry, these were not fully explored, with Dorinda’s parental situation only being referenced in one scene really, and only with Chanel, not the other two girls. Viewers were critical of the ending as well, revolving around the rescuing of Toto. I think this was a strange way of getting the girls to reconnect, but it was fairly realistic, in that dogs do run off and get stuck in various places, and that Galleria was so distracted that she wasn’t looking after Toto properly that he managed to run off. Another comment made about The Cheetah Girls, this time more gentle teasing, is about the animal print tracksuits that the girls wear during the ending sequence, and wondering how all the girls managed to accidentally coordinate their outfits so they’d all be matching that day, despite The Cheetah Girls supposedly being over!

On the positive side, there was praise for Raven-Symoné’s acting in this film, even if viewers didn’t always like Galleria. Raven was a rising star for Disney Channel at the time, having accumulated more and more fans from her sitcom That’s So Raven by the time The Cheetah Girls premiered. The Cheetah Girls was said to be perfect for teens and tweens with suitably catchy pop music to sing along with. The film’s message of celebrating diversity, and concentrating on your dreams and talent and not your looks, was also recognised and commended. The audience also felt that there was good chemistry between the cast.

In hindsight, with other movies from The Cheetah Girls coming after this first one, many say that this original film is just alright, but the franchise has remained popular as a whole with those that watched the films during the 2000s on Disney Channel.

Some of the cast members were rewarded for their performances in The Cheetah Girls by being nominated at some award ceremonies. At the National Association for Multi-ethnicity In Communications (NAMIC) Vision Awards, Lynn Whitfield, who played Galleria’s mother, Dorothea, was nominated for Best Dramatic Performance. At the NAACP Image Awards, Whitfield was once against nominated for Outstanding Performance in a Youth/Children’s Program. It would seem that Raven-Symoné won this award for her role in That’s So Raven. At the 2004 Black Reel Awards, Raven-Symoné and Lynn Whitfield were both nominated for their roles in The Cheetah Girls in the categories of Best Actress and Best Supporting Actress in a TV Movie or Limited Series respectively. The film itself was also nominated for Best Television Miniseries or Movie, but lost to Showtime’s television film Deacons for Defense (2003). Director Oz Scott was also nominated at the Directors Guild of America Awards for Outstanding Directorial Achievement in Children’s Programs. Sean McNamara, who directed The Even Stevens Movie that year, was also nominated. The winner was Kevin Lima for his work on Eloise at Christmastime, a television special aired on ABC as part of The Wonderful World of Disney anthology series (1997-present).

LEGACY

Although The Cheetah Girls was the first Disney Channel musical, and technically the first musical series for Disney Channel to become a franchise, not much really happened after The Cheetah Girls premiered, and it took a while for the franchise to get going.

There are probably a couple of reasons for this. One is that we simply never got to see some early ideas for what would come next for the Cheetah Girls following this first film. It was rumoured that there were some discussions around creating a television series that would likely have followed the band after the events of the first film. It was said that production was set to begin in 2004, however, although the four main cast members were aware of these early development ideas, they have since said that it was all talk and nothing concrete, like shooting a pilot, ever happened. It is possible this series never came to pass because Raven was already tied to her own major Disney Channel series, and likely would’ve been too busy to work on a new series around The Cheetah Girls for ABC.

The other reason why not much seemed to happen with The Cheetah Girls franchise in the year or so after its premiere is that there may have been negotiations taking place about launching the girl group from the film world into reality. This would not be as simple as you’d expect, because Raven-Symoné declined to be a part of the real-life girl group, choosing instead to focus on her solo music career. This left Adrienne Bailon, Kiely Williams, and Sabrina Bryan to go on without her. The Cheetah Girls as a girl group finally came to be in 2005, after they released their debut album, a Christmas album, in October that year, titled Cheetah-licious Christmas. It consisted of covers of popular Christmas songs as well as some original tracks, and peaked at No. 74 on the US Billboard 200 chart. The group had previously recorded a cover of the song “I Won’t Say (I’m in Love)” from Hercules (1997) for the Disneymania CD in early 2005, and went on to record a cover of “Shake a Tail Feather” for Disney Animation’s new film Chicken Little (2005). In December 2005, the Cheetah Girls went on their Cheetah-licious Christmas Tour to promote their album, and were joined by Aly & AJ as their opening act, and the Jonas Brothers, who showed up as surprise guests for a few shows in order to promote their own album. This tour ran from 6th December 2005, starting in Newark, until 28th December 2005, ending in San Francisco.

Another way that the Cheetah Girls promoted their Christmas album in 2005 was being appeared at the Walt Disney World Christmas Day parade and performing their song “Cheetah-licious Christmas”. Despite not being part of the group, Raven also made an appearance at this same Christmas Day parade, in a pre-recorded video where she discussed the new ride coming to Disney’s Animal Kingdom Park in April 2006, Expedition Everest. Interestingly, but not surprisingly, Raven was introduced as Raven from That’s So Raven, with no mention of her links to the Cheetah Girls.

Following on from that busy year in 2005, more exciting news for Cheetah Girls fans was coming as the sequel The Cheetah Girls 2 was confirmed for release in Summer 2006, and clearly they wanted to build anticipation for this first-ever Disney Channel musical sequel, because music and clips from the filming of the sequel were on the channel all the time that summer between their main programming! It was kind of annoying actually…

Outside of that, there was some merchandise released based on The Cheetah Girls, including a novelisation of the film and some clothing with The Cheetah Girls logo emblazoned on them. Of course, a DVD copy of The Cheetah Girls was also made available in the US in 2004, reaching other countries by 2007. This DVD featured some behind-the-scenes clips from the film, as well as a deleted scene, which was an alternate ending for the film. It wasn’t overly different from the original ending, except Toto was sent over to an ambulance after being rescued as he didn’t seem right, and then there was a final scene of the four Cheetah Girls talking to the viewers, saying how they were going to be stars soon[6].

However, a lot of merchandise may have been released around the time the sequel came out and not in 2003 when the first film premiered, as 2006 onwards is when The Cheetah Girls really became popular. There was still plenty of love for the first film on social media in 2023 though, as fans celebrated the 20th anniversary of the first film.

More recently, Disneyland has put on a series of special after-hours events, titled Disneyland After Dark. In March 2024, they held two events themed to Disney Channel, Disneyland After Dark: Disney Channel Nite. Specifically related to the first Cheetah Girls film, there was a photo backdrop for this first film which fans could take photos in front of.

FINAL THOUGHTS

The Cheetah Girls will always be remembered for being the first Disney Channel musical film, as well as for its diverse casting and positive messages for young girls.

However, it would not be until the sequel came out in 2006 that this series would increase in popularity, and rival that of High School Musical, whose first film came out at the beginning of 2006 and achieved instant success.

The Cheetah Girls wouldn’t match up to High School Musical in the end, but it certainly has its own set of loyal fans, who can credit The Cheetah Girls with helping them feel represented, important, and worthy of achieving anything they set their minds to.


REFERENCES

[1] Credit: Devin Herenda, “’The Cheetah Girls” Is 20 Years Old, So Stop What You’re Doing And Learn 18 Interesting Facts About This Iconic Disney Channel Original Movie’, Buzzfeed.com, 28th February 2023,

[2] Credit: Ashley Spencer, Disney High: The Untold Story of the Rise and Fall of Disney Channel’s Empire (2024), ‘That’s So Raven-Symoné’, pp. 85-110.

[3] Credit: Haniyah P., ‘Why ‘The Cheetah Girls’ meant so much to Black girls and why the reboot debate feels so personal’, Yahoo.com, 9th July 2026.

[4] Credit: Disney Channel, “Backstage Disney: Behind the Spots”, from The Cheetah Girls (2003) UK DVD (2007).

[5] Credit: Ashley Spencer, Disney High: The Untold Story of the Rise and Fall of Disney Channel’s Empire (2024), ‘That’s So Raven-Symoné’, pp. 85-110.

[6] Credit: Disney Channel, “Deleted Scene: Alternate Ending”, from The Cheetah Girls (2003) UK DVD (2007).

Harry Potter and the Order of the Phoenix (2007)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

Harry Potter and the Order of the Phoenix signals a turning point for the series, as we move away from the magical excitement of the Wizarding World and delve deeper into its villainy.

This is the first movie where all of the Wizarding World knows that Lord Voldemort has made his grand return, seeking to finally succeed in his plans for world domination after failing the first time round. However, this story proves that it won’t just be a simple battle of good vs. evil, because, although Voldemort has his faction, the Death Eaters, and Harry has both the loyal support of the secret society of the Order of the Phoenix, formed by Dumbledore when Voldemort first rose to power, as well as his own student organisation that he begins at Hogwarts, titled Dumbledore’s Army, there are plenty refusing to commit to one side because the Ministry of Magic is not believing that the Dark Lord is in fact back.

That means there is a lot of conflict, a lot of doubting, and a lot of anger in this film. Harry is basically being told he is a liar, all the while finding his mind is directly connected to Voldemort’s, making it susceptible to being tricked and controlled. Harry Potter and the Order of the Phoenix is the darkest in the Harry Potter film series up to this point, and gives audiences plenty of information to get them ready for what is to come.

Although I accept that Harry Potter and the Order of the Phoenix is a necessary addition to the franchise, due to its introductions of villains and heroes who will be constant presences in these films from now on, I have never liked this fifth film. I can’t pinpoint anything specific that I don’t like about it either, I just don’t find the story particularly interesting. It generally swaps positions with Harry Potter and the Prisoner of Azkaban (2004) every year or so to be my least favourite of the franchise!

And yet I can credit Harry Potter and the Order of the Phoenix for reigniting my interest in the film series. The specific reason of why is a story for another time, but as I’ve said before, after watching Harry Potter and the Chamber of Secrets (2002) at the cinema with my family, the next three films we only watched on DVD months after they had been released. In the case of Harry Potter and the Order of the Phoenix, it was actually about two years after and I know this because after watching this film, I saw that Harry Potter and the Half-Blood Prince (2009) would be released a few days later.

For me, every time I rewatch the series, Harry Potter and the Order of the Phoenix is just one to get through before things get really interesting.

PLOT

Harry Potter and the Order of the Phoenix begins during a sweltering heatwave in the UK. Harry is back in Surrey with the Dursleys for the summer holidays.

On this summer’s evening, Harry is sitting in the park, minding his own business, when his cousin Dudley comes over with his gang. Dudley starts mocking Harry for his apparent night terrors that have begun since he witnessed the sudden death of Cedric Diggory and the return of Lord Voldemort at the end of the last school year. Harry threatens Dudley with his wand to stop him laughing at him.

Suddenly, storm clouds roll in but Harry doesn’t think this feels like a normal summer storm. He and Dudley run trying to find shelter, as the rain starts hammering down. They make it to an underpass, however, two Dementors have followed the boys and attack them. Harry manages to use the Patronus Charm to get the Dementors away from them. At that exact moment, Harry’s neighbour Mrs. Figg walks past the underpass, and walks back home with Harry and a clearly disturbed and traumatised Dudley. Mrs. Figg says Dumbledore sent her to watch over Harry, showing she knows all about the events going on right now.

Back at the Dursleys, Uncle Vernon and Aunt Petunia are horrified to see their son Dudley in such a state. As they wonder what to do, a letter arrives for Harry – from Mafalda Hopkirk at the Ministry of Magic. It says that Harry has been expelled from Hogwarts for performing the Patronus Charm in front of a Muggle and whilst underage. The Dursleys welcome this news, before surreptitiously taking their son to hospital.

Harry is angry at being expelled, especially since it wasn’t his fault the Dementors attacked him. What should he have done, just let them kill him and Dudley? Eventually Harry falls asleep but he continues to dream of Cedric’s death. After hearing a noise in the house, he wakes with a start, to find someone trying to get into his bedroom. The door opens and he is greeted by a group of wizards, here to rescue him. They include Mad-Eye Moody, the former Hogwarts Professor of Defence Against the Dark Arts, who spent the year trapped in a box; young witch Nymphadora Tonks; and Kingsley Shacklebolt. They tell Harry that he hasn’t yet been expelled from Hogwarts yet, as the Ministry have sent up a sentencing hearing for Harry, and that the group are taking him to “Headquarters”, and will explain when they arrive. They all fly to London.

Arriving at a random street of terraced house, Harry watches as a small house appears from within the row of houses. This must be Headquarters. Harry is welcomed by Mrs. Weasley, who tells Harry to go upstairs as there is a meeting going on right now. Upstairs, Harry sees that his friends Ron and Hermione are already there, along with Ron’s other siblings. He learns that this house at 12 Grimmauld Place is the Headquarters of the Order of the Phoenix, a secret society set up by Dumbledore when Voldemort first rose to power all those years ago, and that in light of the Dark Lord’s return, its activities are resuming. George and Fred Weasley want to eavesdrop on the meeting, and because they are now old enough to use magic outside of Hogwarts, they use a magical ear and dangle it outside the meeting room. They learn that Professor Snape is in the Order, but little else, as Hermione’s cat Crookshanks steals the ear to play with it!

Finally, the meeting is over and Harry is reunited with his godfather Sirius Black, and Lupin, having not seen them in person since that incident at Hogwarts with the Dementors a couple of years before. During dinner, Harry learns that the Ministry of Magic has started a smear campaign against him and Dumbledore, as they continue to live in denial, refusing to say that the Dark Lord has returned. But some in the magical world do believe Harry, including those in the Order of the Phoenix, and they are trying to recruit more members in order to counteract the recruiting they believe Voldemort is also doing. Sirius lets slip that Voldemort is looking for something, something he didn’t have last time, but he is warned from saying much more to Harry, at risk of putting Harry in more danger. Harry thinks that is ridiculous and should be told more because he already wants to fight with the others.

The next day, Harry is taken to the Ministry of Magic by Mr. Weasley for his hearing, with Harry helping Mr. Weasley navigate the London Underground, given that Mr. Weasley has never had to use the Visitors’ Entrance to the Ministry before. They enter a phone box and arrive in the grand Ministry of Magic. Mr. Weasley and Harry go into a lift, where they are told that Harry’s hearing has been moved up by hours, and is due to start in the next five minutes. They go straight there, passing Lucius Malfoy talking to Cornelius Fudge, the Minister of Magic, in a strange corridor. Harry is instantly suspicious.

At the hearing, Harry is questioned about the events that took place the night he used the Patronus Charm. Suddenly, Dumbledore arrives, as a witness. The Minister is surprised to see Dumbledore here, having hoped that the late change in time would mean he would not be here, however, Dumbledore luckily arrived at the Ministry three hours early! Harry tries to defend himself, by saying he only used the Patronus Charm because of the Dementors. This shocks those in the Ministry who can’t understand why the Dementors would be in Surrey for no reason. Dumbledore brings Mrs. Figg in to the room to testify that she also saw the Dementors that night, as Fudge thinks Harry is lying. Dumbledore suggests they launch an inquiry into why the Dementors ended up near Harry that night. He tries to tell Fudge that Voldemort could’ve been behind it, but Fudge hisses that he is not back. Those at the hearing take a vote on whether to clear Harry of the charges or expel him from Hogwarts. The overall majority agree Harry should be cleared of all charges; he’s free to go. Harry attempts to talk to Dumbledore after the hearing, but Dumbledore walks away.

Soon, it is time to return to Hogwarts, and Harry goes to King’s Cross to board the Hogwarts Express. Sirius appears, in his Animagus dog form, and gets Harry to follow him to a waiting room. There, Sirius talks to Harry, showing him an old photo of the original Order of the Phoenix, with Harry’s parents being front and centre of that photo. Sirius says it feels the same as it did last time, and is clearly anxious about what will happen next. Well, that’ll give Harry all the confidence he needs to go back to school – because Hogwarts is such a safe place to be! On the train, Harry dreams about seeing Voldemort on the train platform, before waking with a start as Ron and Hermione sit down next to him.

Arriving at Hogsmeade, Harry is taunted by Draco, and Harry reacts very angrily towards him. Ron and Hermione tell him to calm down, concerned for their friend’s mental state. They go to take a carriage to Hogwarts, along with fellow Gryffindor student Neville, but Harry is shocked to see a strange, horse-like creature pulling the carriage. Hermione and the others don’t know what he’s talking about, as they can’t see anything, and have always known the carriages to pull themselves. A girl already in the carriage says Harry isn’t crazy as she can see them too. This girl is Ravenclaw student Luna Lovegood, who Hermione accidentally introduces as “Loony Lovegood”, due to her quirky nature and eccentric beliefs.

During assembly, the students are told by Dumbledore that Hagrid is currently on leave and that Dolores Umbridge will be their next professor for Defence Against the Dark Arts class. Umbridge gives a speech to the students about her plans for the school, which annoys Hermione, stating that this is evidence that the Ministry is interfering at Hogwarts. To make things even worse, Harry finds that many of his fellow Gryffindors don’t believe him about Voldemort’s return either, including his friend Seamus, whose parents think Harry and Dumbledore are spouting nonsense. Ron sticks up for Harry in front of Seamus, telling Harry to ignore him. Harry snaps back that he’s fine. Yeah, you keep telling yourself that…That night, Harry dreams of the Ministry, a door, and an orb. You sure you’re still fine, Harry?

The next day, Harry and his year have their first Defence Against the Dark Arts lesson with Umbridge, who states they will not be using magic in class and will simply be studying for the O.W.L. exams with textbooks. Harry argues against this idea with Umbridge, saying they’ll need to be able to defend themselves against bad characters, like Voldemort. Umbridge gives Harry detention for his defiance. Harry goes to Umbridge’s office later where he is told to write the line “I must not tell lies” with a special quill. As Harry starts writing, he feels pain in his hand, only to see that same line being scratched into it. Ouch.

As Harry tries to calm down in the Gryffindor Common Room, whilst Fred and George tout their special magical products to make students ill and get them out of class, Hermione and Ron sit down next to him. Hermione sees Harry’s hand and says he has to report this to someone. Harry refuses, not wanting to bother Dumbledore with something so trivial as this when he has more important things to deal with.

Harry later writes to Sirius, saying he has never felt so alone at school before. He then sees a horse flying in the sky and follows it to the forest, where he sees Luna is there too – without any shoes on because someone has stolen all of them… Luna explains that these horses, the ones pulling the carriages, are Thestrals, that look like black, skeletal horses. She says only those who have witnessed death can see them, so Harry can after seeing Cedric’s death, and Luna after seeing her mother’s death due to a magical experiment going wrong. They bond over their shared tragedies.

Back at school, Harry and his friends hear Professor McGonagall and Umbridge arguing. McGonagall tells Umbridge that she needs to adhere to standard teaching practices, hinting that she knows all about that “special quill”. Umbridge says she has seen what a bad state Hogwarts is in, and is going to advise on a full review into the school. Fudge appoints Umbridge as Hogwarts High Inquisitor, giving her the right to interview and observe teachers, whilst also enforcing new controversial rules into the school. Professor Trelawny, the teacher for Divination, is the first casualty of Umbridge’s new powerful rule, as she is both fired from her position and ordered to leave the grounds. Trelawny says she has nowhere else to go and begins to cry. McGonagall comes over to comfort her, but can do no more for Trelawny. Dumbledore then arrives and tells McGonagall to take Trelawny back inside, as Umbridge may have the power to sack teachers but cannot banish them from the grounds. Umbridge says that may well be the case, for now.

Harry, Hermione, and Ron later hear the Minister of Magic blaming “mass murderer” Sirius Black for a number of disappearances being reported. Sirius then appears in the fireplace to talk to Harry, telling him that Fudge fears that Dumbledore is building an army to go up against the Ministry, and that is likely why Umbridge is not allowing them to do magic, so they cannot be trained in combat. Sirius is concerned about what is happening, as Voldemort must be the one behind these disappearances. Sirius says he must go and they are on their own, for the time being. Hermione decides they’ll have to take matters into their own hands, needing someone to help teach them how to defend themselves.

She organises a meeting at the Hog’s Head Tavern in Hogsmeade, in order to recruit students for training classes. Hermione starts the meeting by telling those who arrived that Harry would be the best teacher for them, as he has fought against dark wizardry before. Some start asking about Cedric’s death, with Harry refusing to answer questions on this, wanting to leave, thinking this was all a bad idea. Luna then asks if it is true that Harry can produce the Patronus Charm. Hermione confirms she has seen him do it. This moves into a conversation about all of Harry’s heroics throughout his time at Hogwarts. Harry says it was a combination of fear, luck, and help that got him through those things, but Hermione encourages him, saying they need his help. The other students start to realise Voldemort really is back, and they sign up to “Dumbledore’s Army”. This leads them to discuss finding a secret meeting location. Hermione says they’ll keep thinking of one, and teases Harry that one good thing to come from the meeting was that Cho couldn’t keep her eyes off him.

Umbridge starts to become suspicious of what Harry and his friends are doing and implements a new rule banning student organisations. But Dumbledore’s Army has no intention of stopping, and Neville comes across the Room of Requirement one day, a room that only reveals itself to someone in need, and comes equipped with whatever that person needs. In this case, it has been set up with dummies to use spells on. Harry’s lessons then begin, by teaching spells, and setting up duels. However, caretaker Filch soon realises that Harry and his friends are meeting in the area, and try to catch them leaving or entering the room, since the room seals itself when the students are inside it. Despite watching the walls for hours on end, he has no definitive proof, much to Umbridge’s annoyance. Umbridge implements a new rule saying that students will be subject to questioning by her around illicit activities. When this doesn’t yield any results, and Dumbledore’s Army continue to train and improve, including Neville, who begins as one of the least competent, Umbridge starts to sign up students to be part of her Inquisitorial Squad. This includes Draco Malfoy and his gang. They try to work with Filch to enter the Room of Requirement, but they are unable to. Harry does one final lesson before the Christmas Break, and says they’ll resume after the holidays. Harry goes to speak to Cho, who talks to him about Cedric, wondering if he knew all these spells. Harry says he did. Some mistletoe magically appears above them and they kiss. Harry’s friends find out about the kiss and want to know more. He simply describes it as being “wet” as Cho was crying at the time. Hermione says Cho is feeling stressed out about everything going on in her life, including worrying that Umbridge is going to have her mother, who works at the Ministry of Magic, fired.

That night, Harry has another dream, still about the door and the orbs, but this time, he sees Mr. Weasley being attacked by a snake. A worried Professor McGonagall takes him straight to Dumbledore, where Dumbledore believes this incident really happened, and assembles resources to save Mr. Weasley, sending the Weasley children to see him. Harry suddenly becomes enraged and shouts at Dumbledore to look at him, fearing what is happening to him. He is sent away with Professor Snape, who informs Harry that the teachers believe Harry’s mind is connected to Voldemort’s and that he will need to learn how to control this connection, to stop him being manipulated by the Dark Lord. The spell that Snape uses allows him to see into Harry’s memories. Harry is told to concentrate and resist.

It is then Christmastime, and Harry is back at the Order’s Headquarters, actually the Black family’s ancestral home, with the Weasleys, Hermione, and Sirius. Mr. Weasley was badly injured but survived the attack on him, by Nagini, Voldemort’s pet snake. Mr. Weasley thanks Harry for saving his life. Later, after being insulted by Sirius’ House-elf Kreacher, Harry speaks with Sirius Black, about his family tree tapestry. Sirius shows the place where his face should’ve been on this tapestry has been blacked out after he ran away from home. He also points out Bellatrix Lestrange, his deranged cousin. Harry then asks if his mind is connected to Voldemort because he is becoming evil like him. Sirius tells him that Harry is a good person and that it is the choices we make that determine who we are.

On their return to school, Harry and his friends learn Hagrid is back. They see that he has a black eye, and that Umbridge is threatening to fire him, for not detailing where he was. Once she has left, Hagrid tells the three that he was attempting to recruit the giants to be on their side, something that Dumbledore asked him to do, but that Voldemort was doing the same. Hagrid tells them a storm is coming, and they’d best be ready when she does…

The next day, the Daily Prophet newspaper details a mass breakout at Azkaban prison, where some of the most notorious Death Eaters have been released, so they can be reunited with Voldemort. One of these was Bellatrix Lestrange, so naturally, Fudge blames this on Sirius Black once again, since they are cousins and Black escaped Azkaban himself. Some of the other students have now started to believe that Voldemort has really returned, including Seamus, who apologises to Harry and joins Dumbledore’s Army.

Harry resumes his training classes, where he learns from Neville that his parents were tortured by Bellatrix Lestrange. Harry then teaches everyone how to perform the Patronus Charm. Suddenly, the room starts shaking and a hole opens up. Through that hole, Harry sees Umbridge stood there and she blasts open the wall. It is revealed that Cho was the one to tell Umbridge about the lessons. Some of the students are taken to Dumbledore’s office, including Harry, where Umbridge and Fudge say that this is evidence of Dumbledore planning a coup against the Ministry. Dumbledore doesn’t deny it, and despite Harry’s attempts to say he started it all without Dumbledore’s permission, Dumbledore lets them blame him, however, he refuses to go with them and vanishes in a flash of phoenix fire. The students are later given detention, writing lines with that infamous quill. Cho waits outside, hoping to explain what happened to Harry, but he won’t hear it and ignores her.

That night, Hagrid takes Harry, Ron, and Hermione into the forest as he fears he will be getting fired soon, and wants someone to look after his giant half-brother Grawp. The three are quite scared of Grawp who towers over them, especially when Grawp grabs Hermione and lifts her into the air. Ron tries to save her, but it is Hermione’s assertive tone that gets him to put her down. Hermione learns that Grawp is just like a child really, wanting to play. Hagrid says he just needs company. They agree to help.

Meanwhile, Harry is continuing to have lessons with Snape about protecting his mind from Voldemort, but he is quickly becoming tired and frustrated that it isn’t working. In a moment of anger, Harry uses the same spell on Snape to look into his mind instead, and sees that Snape was bullied by Harry’s father and his friends whilst at school. Snape, humiliated, tells Harry that these lessons are officially over and to get out of his classroom.

Soon, it is time for Harry and his friends to take their O.W.L. exams, but their exam is interrupted by a massive prank courtesy of Fred and George Weasley who have become annoyed at Umbridge’s treatment of people and disillusioned with school. They set off hundreds of fireworks, even a huge dragon one that chases Umbridge, that causes devastation to the entire room, and leads to all of Umbridge’s glass-cased rules being destroyed. As the students all celebrate the prank, Harry collapses, having had a vision of Sirius being tortured in that room with all the orbs by Voldemort. Voldemort says he wants the prophecy. Harry heads to Umbridge’s office, wanting to use the Floo network in there to get to the Ministry to save Sirius, however, he, Ron, and Hermione are caught. Umbridge questions Harry, ordering Snape to give her more Veritaserum, a truth potion. Snape reveals she used the last of his supplies on Cho Chang, showing that Cho did not reveal details about Dumbledore’s Army willingly. As Snape walks away, Harry uses code to tell Snape what he saw about Sirius and Voldemort. He claims not to know what it means.

Umbridge then decides she’ll have to resort to using the Cruciatus Curse to get Harry talking. Not wanting to see that, Hermione makes up a story about Dumbledore’s secret weapon. Her, Harry, and Umbridge go into the forest so Umbridge can see it. Except, there is no secret weapon – and they see that Grawp has disappeared. Umbridge is about to curse Harry and Hermione for tricking her, when the centaurs arrive. Umbridge attacks one of them, with Hermione pleading for her to stop. She refuses, until she is picked up by Grawp. Grawp is then attacked by the centaurs, leading to him putting Umbridge down. She is carried off by the centaurs. Hermione thanks Grawp for his help.

The two return to school where they see that the others have escaped from Umbridge’s office after using some of Fred and George’s magical sweets on the Inquisitorial Squad. Harry, Ron, Hermione, Ginny, Neville, and Luna fly to the Ministry on Thestrals. On their arrival, they head to the Hall of Prophecy in the Department of Ministries and start searching the shelves. They eventually find an orb with Harry’s name on it. The prophecy states that neither can live while the other survives, referring to Harry and Voldemort. They are then surrounded by Death Eaters, led by Lucius Malfoy and Bellatrix Lestrange, who order Harry to hand over the prophecy. He refuses, so a fight begins. Ginny casts a spell that causes all the shelves in the room to tumble and break apart. The group run out of there, ended up in a dark room with only a rock and an archway in it. Luna and Harry hear voices coming from the arch – called the Veil – but no-one else does. They are then attacked again, with all but Harry being captured by a Death Eater. Lucius approaches Harry and demands the prophecy again, or else his friends will die. Harry hands it over.

However, Sirius and the Order then arrive to help the group. Lucius drops the prophecy and it smashes on the floor. A great battle ensues, with Sirius telling Harry to leave the Ministry with everyone else. Harry refuses and fights alongside Sirius. Just as everything looks to be going their way and Lucius is defeated, Bellatrix uses the Killing Curse on Sirius and he dies, falling through the Veil. Lupin attempts to hold Harry back, but he breaks free and chases after Bellatrix, ending up in the atrium of the Ministry of Magic. He comes face-to-face with Bellatrix, and then hears Voldemort’s voice, telling him to kill Bellatrix as revenge for murdering Sirius. He turns around and Voldemort disarms Harry.

Dumbledore then appears, and this starts an epic duel between him and Voldemort. Harry is kept on the sidelines, as the Ministry breaks apart around him, with tiles coming off the walls, fireballs being cast, Dumbledore putting Voldemort in an orb of water, and windows shattering. Dumbledore manages to protect them both from Voldemort’s final spell of aiming the shards of glass from the windows at them, by conjuring a shield that turns them to dust. Voldemort then begins to attack Harry’s mind, possessing him, and tormenting him with bad memories from his past. Voldemort tells Harry he is weak, as Dumbledore tries to remind Harry that he and Voldemort are more different than they are alike. The rest of his friends arrive to see Harry and Dumbledore on the floor. Harry then uses good memories with his friends to counteract Voldemort’s tricks, telling Voldemort he is weak because he’ll never know love or friendship. Voldemort tries one last time, but sees he cannot get through to Harry. He reappears next to Harry, telling Harry he is a fool and will lose everything. At that moment, members of the Ministry, including Fudge, arrive and see Voldemort stood there before he disappears. Fudge has to admit Voldemort is back, and is forced to resign.

Back at school, Harry packs to return home at the end of the year, and speaks to Dumbledore. He says that he was distancing himself from Harry to protect him, but obviously that didn’t work out so well. Harry discusses the prophecy with Dumbledore, now knowing one of Harry and Voldemort will have to kill the other. Dumbledore knew but didn’t want to tell Harry, so as not to cause him more pain and worry. Harry then sees Luna, who is looking for her belongings, after learning that other students have been hiding them. Luna says she doesn’t need help looking, and sympathises with Harry about Sirius’ death.

Harry and the others walk to the train to head home. He says that even though they have a fight to come, at least they have something worth fighting for.

CHARACTERS & CAST

As with all the Harry Potter films, much of the main cast continue to be involved in all the stories, with characters being added in every time a new story rolls around. Since a new Wizarding War is bubbling away in the background, this gives an opportunity for new villains and new heroes to emerge, to fight for the bad side or the good side.

One of the new villains to be added to the mix is Bellatrix Lestrange, cousin of Sirius Black and a loyal follower of Voldemort. Bellatrix is a classic villain, in that she is menacing, sadistic, and eccentric, all the while enjoying how much pain and suffering she can inflict on people. Bellatrix is one of many Death Eaters to be broken out of Azkaban prison, where she has resided since Voldemort’s fall all those years ago. Her time in prison has no doubt made her even more deranged now than she was when she was first imprisoned there! She immediately throws herself into the action by involving herself in the confrontation at the Ministry. She wastes no time in taunting Harry and his friends, even revelling in reminding Neville of her torturing of his parents and ends up killing Sirius in cold blood, right in front of Harry. Harry almost seems to want to kill Bellatrix for doing that, but she is “saved” by the arrival of Voldemort at the Ministry and disappears. But Bellatrix is a devoted follower – not to mention a fan-favourite Harry Potter villain – so she will most definitely be back.

Bellatrix Lestrange was played by Helena Bonham Carter. Prior to working on Harry Potter, Helena Bonham Carter had been cast as Helen Schlegel in Howard’s End (1992), alongside Sir Anthony Hopkins and Dame Emma Thompson; played Marla Singer in Fight Club (1999) with Brad Pitt; and played Mrs. Bucket in Charlie and the Chocolate Factory (2005), where Johnny Depp played Willy Wonka. She also voiced characters for animated films around this time, with her roles as Lady Tottington in Aardman’s Wallace & Gromit: The Curse of the Were-Rabbit (2005) and Emily in Tim Burton’s Corpse Bride (2005). After Harry Potter and the Order of the Phoenix, she starred in a variety of films, including the musicals Sweeney Todd: The Demon Barber of Fleet Street (2007), as Nellie Lovett, and Les Misérables (2012) as Madame Thénadier; the Disney live-actions films Alice in Wonderland (2010) and its 2016 sequel, playing the Red Queen, and Cinderella (2015) being cast as the Fairy Godmother; and the remake of Great Expectations (2012), where she played Miss Havisham. Her more recent roles include playing Rose Weil alongside an all-star cast in Ocean’s 8 (2018); her role as Eudoria Holmes in the Enola Holmes film series on Netflix; and Lady Caterham in the miniseries Agatha Christie’s Seven Dials (2026), also for Netflix. Bonham Carter also received critical acclaim for her portrayals as Queen Elizabeth in The King’s Speech (2010) opposite Colin Firth, and Princess Margaret in Seasons 3 and 4 of The Crown (2016-23), receiving numerous award nominations for them. For The King’s Speech, Bonham Carter was nominated at the Academy Awards and Golden Globes for Best Supporting Actress, winning the award in the same category at the SAG Awards and the BAFTAs. For The Crown, Bonham Carter was nominated at the Golden Globes, SAG Awards, BAFTAs and the Emmys for her performance.

Actress Helen McCrory was initially cast as Bellatrix Lestrange, however, dropped had to drop out of the film due to pregnancy. Helena Bonham Carter was then approached to play the character. McCrory would later be cast as Narcissa Malfoy in the following movie, Harry Potter and the Half-Blood Prince, so it worked out for everyone in the end[1]. I personally can’t imagine anyone but Helena Bonham Carter playing Bellatrix, because she just fit the role so well and was so energetic in her performance.

Unlike Bellatrix, Dolores Umbridge is not a classic villain. She begins the film as Senior Undersecretary to the Minister for Magic, backing the Ministry and Minister’s position that Voldemort has not returned, despite claims from Harry Potter and Dumbledore. She is then employed as the Defence Against the Dark Arts teacher, likely an enforced hiring by the Ministry, in order to ensure the students are not being trained to use spells, something that the Minister is concerned about. Umbridge later becomes the High Inquisitor for Hogwarts, wielding powers to sack teachers and implement an ever-growing number of rules for the students to follow. She is suspicious of Harry Potter and is friends, using cruel punishments and intense interrogations to find out just what they are doing and whether they are a threat to the Ministry of Magic and its stance. With her love of all things pink and a disarming charm, Umbridge comes across as a friendly teacher, but she is anything but that, as her appearance hides her controlling, abusive nature. She gets her comeuppance in the end, as the centaurs take her away into the Forbidden Forest, although that is not to be the last we see of her. Umbridge is regarded as one of the most hated villains in Harry Potter.

Imelda Staunton was given the unenviable task of portraying this horrendous character. Before entering the world of Harry Potter, Staunton had been cast as Charlotte Palmer in Emma Thompson’s adaptation of Sense and Sensibility (1995), and as Nurse in Shakespeare in Love (1998). She later appeared as Mrs. Blatherwick in Nanny McPhee (2005). In voice acting, Staunton has lent her voice to various characters, for example, Bunty in Chicken Run (2000) and its 2023 sequel; Queen Victoria in The Pirates! In an Adventure with Scientists (2012); and Aunt Lucy in the Paddington films. She has also had roles in other film series, including as Knotgrass in Maleficent (2014) and its 2019 sequel, and as Lady Maud Bagshaw in the 2019 Downton Abbey movie and its 2022 sequel. More recently, Staunton portrayed Queen Elizabeth II in Seasons 5 and 6 of Netflix’s The Crown. She received various award nominations for this role, including at the BAFTAs, Emmys, and the Golden Globes. She was also nominated for Best Actress at the Academy Awards for playing the title role in Vera Drake (2004) and was nominated at the Emmys and the BAFTAs for her role as Alma Reville in the BBC and HBO television film The Girl (2012), alongside Toby Jones and Sienna Miller. On stage, she has won numerous Olivier Awards, including for her performances as Mrs. Lovett in the 2012 West End revival of Sweeney Todd, as Rose in the 2015 West End revival of Gypsy, and as Dolly in the 2024 West End revival of Hello, Dolly!

Then we have a Hogwarts student first introduced to us in Harry Potter and the Order of the Phoenix. This is Ravenclaw student Luna Lovegood, who Hermione seems to know, as she introduces her as “Loony” Lovegood accidentally to Ron, Harry, and Neville. It’s unfair to call Luna “loony” as she is not crazy, just a bit quirky and has her own beliefs that perhaps are not shared by the majority of witches and wizards. She is comfortable in her own skin, but has to deal with the fact that many people think she is odd and don’t want to be her friend. It turns out she was actually being bullied by other students, who took her shoes and hid them throughout the school. She tells Harry about this at the end of the film, but doesn’t seem overly fazed by it, just wanting her stuff back before she goes home. Luna bonds with Harry during the events of Harry Potter and the Order of the Phoenix, as Harry comes to terms with Cedric’s death because Luna knows how he feels, having seen her mother die. She is a talented witch and a committed member of Dumbledore’s Army, participating in the training sessions and helping at the Ministry of Magic. Luna Lovegood is someone to be admired, for being happy with how she is, and not wanting to change for anyone.

Evanna Lynch was cast as Luna Lovegood, and her route to being cast was not simple. Initially just a super fan of the book series, Lynch had written to J.K. Rowling to thank her for writing these books that had helped her so much and stated she had an affinity with the character of Luna. They became pen pals of sorts, but at the same time, Lynch was going through a difficult time with an eating disorder. After a long journey to recovery, Lynch told Rowling that she had since come to love acting, with Rowling encouraging her to write to the Harry Potter casting director. Lynch received a brief but polite response. She started to let her dream role go, even more so after hearing producer David Heyman say at the premiere of Harry Potter and the Goblet of Fire that they had whittled it down to about five girls for the part, with filming due to start just a few months later in February 2006. However, by the start of January 2006, Lynch saw an open casting call had been announced for the role of Luna, with no experience needed. Lynch convinced her father to travel from Ireland to London for it, and did well enough in this first round to be called to do a screen test with Daniel Radcliffe on a separate day. As she was leaving Leavesden studio though, she received a gift of the book of Harry Potter and the Order of the Phoenix with a short inscription from director David Yates, which she believed basically was a rejection, however, a few days later, she got the call to say she was being cast as Luna, and everything changed after that[2]. Evanna Lynch had beaten out thousands of girls – even, it would appear, Saoirse Ronan[3] – to be cast as Luna Lovegood. Who said dreams don’t come true?

Since appearing in the Harry Potter films, Lynch has been cast as McKenzie Pryce in teen comedy film G.B.F. (2013) and starred as Emily Egan in the Irish independent film My Name Is Emily (2015). She was also cast as Bridget Riordan in the BBC television film Danny and the Human Zoo (2015), written by Sir Lenny Henry. Later, Lynch appeared as a contestant on Season 27 of Dancing with the Stars (2005-present) in 2018, finishing in third place. More recently on screen, Lynch appeared with many other cast members on the HBO television special Harry Potter 20th Anniversary: Return to Hogwarts (2022) and made an appearance on the Amazon Prime competition series Harry Potter: Wizards of Baking (2024-present), hosted by James and Oliver Phelps, the twins who played Fred and George Weasley. She also currently voices Ameline in the Disney animated series Dragon Striker (2026-present). Outside of acting, Lynch is an activist, championing causes like animal rights and numerous charities, and co-hosted the podcast Just Beings.

Then there are Seamus Finnigan and Neville Longbottom, friends of Harry’s and fellow Gryffindor students. Both had appeared in all the Harry Potter films that came before it, but in Harry Potter and the Order of the Phoenix, they have slightly bigger storylines.

Seamus Finnigan was initially seen to be a less capable student, miscasting spells in Harry Potter and the Philosopher’s Stone for example. He has always been around Harry and Ron in the films, as part of their wider friendship group, but didn’t have much to do with the story. In Harry Potter and the Order of the Phoenix, however, Seamus has more of a role here, as he voices his annoyance at Harry and Dumbledore for spreading lies about Voldemort’s return. He and his family don’t believe it, having chosen to believe the narrative that the Ministry of Magic has been peddling as part of their smear campaign against Harry and Dumbledore. Seamus later comes to his senses and apologises for making such a big mistake and for calling Harry a liar when that was not the case. Seamus proves himself by joining the right side in the end, later joining Dumbledore’s Army and Harry’s lessons.

Devon Murray was cast as Seamus Finnigan, appearing in all the Harry Potter films. He was not part of the Harry Potter 20th Anniversary: Return to Hogwarts special but has made appearances on Harry Potter: Wizards of Baking.

Neville Longbottom was seen to be a weak, pathetic member of Gryffindor, showing his fear at various magical creatures in the earlier stories. He later shows an aptitude for Herbology and is able to show his intelligence that way. However, in Harry Potter and the Order of the Phoenix, Neville comes into his own by joining Dumbledore’s Army and arguably being the most improved student there, by mastering a variety of spells with Harry as his teacher. Neville wants nothing more than to make his parents proud, as they were both members of the original Order of the Phoenix, but were tortured so badly by Bellatrix Lestrange that they have remained in hospital ever since and Neville has never had a relationship with them, being raised by his grandmother instead. He is a committed member of Dumbledore’s Army and is with Harry and the others during the confrontation at the Ministry, even standing up to Bellatrix and vowing to avenge his parents for what she did to them. There was also a scene that was cut from the final edit of Harry Potter and the Order of the Phoenix which sees Neville sticking up for Harry after Seamus argues with him about Voldemort’s return and whether it is all lies or not. Neville says what the Daily Prophet has been writing is wrong and that his grandmother cancelled their subscription[4]. This shows how Neville has his own mind and isn’t afraid to stand up for his beliefs.

Neville Longbottom was played by Matthew Lewis throughout the film series. After Harry Potter ended, Lewis went on to be cast as Jamie Bradley in Season 1 of the BBC series The Syndicate (2012-21), alongside other names like Joanna Page and Timothy Spall, and later appeared as Patrick in the romantic drama Me Before You (2016). He also played Sean Balmforth in Series 2 of the crime drama series Happy Valley (2014-23). More recently, he appeared in the recurring role of Hugh Hulton in Series 1 and 2 of the Channel 5 drama All Creatures Great and Small (2020-present) and starred as Jimmy Brent in the Channel 5 miniseries The Fortune (2026) opposite Eleanor Tomlinson.

Moving on with have members of the Order of the Phoenix. This saw a return of many characters we had already met before, including Lupin and Mad-Eye Moody, former Defence Against the Dark Arts teachers, and Sirius Black, Harry’s godfather. But there were also some new members of the organisation introduced here too, who would go on to play larger roles in the later Harry Potter stories.

One of these is Nymphadora Tonks, but she’d rather you just called her Tonks! She is one of the younger members of the Order, although is still a talented witch. She doesn’t take herself too seriously though, for example, she starts changing her face into different animals, like a duck’s bill and a pig’s snout, just to make Ginny laugh. She also has a bit of a temper, as can be seen when her hair changes colour after Mad-Eye calls her Nymphadora. Tonks is part of the rescue team who takes Harry over to the Order’s Headquarters. Tonks is no doubt someone the younger Hogwarts students look up to and aspire to be like.

Natalia Tena was cast as Tonks. Before being cast in Harry Potter and the Order of the Phoenix, Tena had appeared as Peggy in Mrs Henderson Presents (2005) which starred Judi Dench and Bob Hoskins. She later appeared as Rachel in the drama Bel Ami (2012), and played the recurring role of Osha in the earlier seasons of Game of Thrones (2011-19). More recently, Tena was cast as Katia Javanavič in John Wick: Chapter 4 (2023) and starred as Martín in the Spanish thriller film El mal (2025). She also portrayed Rebekah Vardy in the Channel 4 two-part series Vardy v Rooney: A Courtroom Drama (2022).

Kingsley Shacklebolt is another one who comes to rescue Harry on that night, however, Kingsley is actually a double agent, as he works at the Ministry of Magic. He works as a spy for the Order of the Phoenix, and this explains why Kingsley is present when Umbridge and Fudge order the arrest of Dumbledore after discovering Harry and the other members of Dumbledore’s Army, believing Dumbledore is planning an uprising against Fudge and the Ministry of Magic. Kingsley’s presence in the Harry Potter films is fairly minimal and it would seem that more information about the character is provided in the book series, so I wasn’t actually aware of this backstory from the film, but I was always confused about why Kingsley was in the room when Dumbledore was being threatened with arrest since I’d only seen him as a background character within the Order of the Phoenix…Kingsley is still cool though and has that great line here: “You can’t deny, Dumbledore’s got style.” after Dumbledore disappears thanks to Fawkes the phoenix.

Kingsley Shacklebolt was played by George Harris. Harris had previously appeared as Prince Thun in Flash Gordon (1980) and as Simon Katanga in Raiders of the Lost Ark (1981). He later portrayed Osman Atto in the war film Black Hawk Down (2001) and played Morty in the crime thriller Layer Cake (2004), which starred Daniel Craig. He was also cast as Errol Hill in the series 55 Degrees North (2004-05) prior to his role in Harry Potter. On stage, he played M. Frankenstein in the 2011 production of Frankenstein, with Benedict Cumberbatch and Jonny Lee Miller. Harris retired from acting in 2013.

One other more minor character to mention is Mrs. Figg, the quiet, unassuming neighbour who stumbles upon Harry and Dudley after they are attacked by Dementors. She walks the two of them back home, where she reveals that she was asked by Dumbledore to keep an eye on Harry over the summer. It’s a good thing she was too, because he really did need Mrs. Figg’s witness testimony to have his Hogwarts expulsion reversed, as it proved the Dementors were in Surrey that night. Initially, Harry believes Mrs. Figg is an ordinary Muggle, but she proves not to be. In the book, further details are revealed stating that Mrs. Figg is a Squib, a person with magical parents but no magical ability, like Filch, the caretaker at Hogwarts, however, this is not stated in the film.

Mrs. Figg was played by Kathryn Hunter. In recent years, Hunter was cast as Madame Swiney in Yorgos Lanthimos’ Poor Things (2023) and as Teresa Cicero in Francis Ford Coppola’s Megalopolis (2024). In television, Hunter may be recognisable for her recurring role as Eedy Karn in the Disney+ series Andor (2022-25), and her role as Lenny Lines in the Netflix spy thriller series Black Doves (2024-present). In 2026, Hunter played Glenda Cartwright in the Netflix comedy film Ladies First (2026), featuring Sacha Baron Cohen and Rosamund Pike, and is set to voice a character in the upcoming Skydance Animation film Ray Gunn. She also played Eileen in the BBC sitcom Ann Droid (2026-present), alongside Diane Morgan and Sue Johnston.

MUSIC

A new composer was sought out to work on the instrumental score for Harry Potter and the Order of the Phoenix after Patrick Doyle had composed for the previous film.

This time, Nicholas Hooper was hired for the position, having previously worked with director David Yates on some projects, including The Tichborne Claimant (1998) and The Girl in the Café (2005). Hooper has also worked on the music for television, such as the television film My Family and Other Animals (2005), which starred Imelda Staunton; the BBC two-part drama Birdsong (2012); and the BBC miniseries The Escape Artist (2013). He also wrote the music for Disney’s nature documentary film Chimpanzee (2012). Hooper returned to compose the score for Harry Potter and the Half-Blood Prince.

Each Harry Potter film uses the iconic piece of music “Hedwig’s Theme”, composed by John Williams for the first film, in some way, usually in the opening track. In this case, that music is titled “Another Story”, although the theme is incorporated into other tracks too. It’s not the best introductory track in the Harry Potter series for me, but there are plenty of other instrumentals in Harry Potter and the Order of the Phoenix’s soundtrack that I do like.

One of those is “Flight of the Order of the Phoenix”, which is used for the sequence of Harry flying to London with the other members of the Order. It feels like a piece of music fitting for a rescue, which is basically what Harry needs, to be rescued from Privet Drive and have this whole expulsion from Hogwarts mess sorted out. I also like the mystical nature of the track “The Ministry of Magic”, evoking the feelings of wonder that Harry is feeling at seeing this place he’s never visited before, even if the circumstances for his visit aren’t great.

Despite not liking her character, I do like the track “Professor Umbridge”, accompanying the montage of scenes of Umbridge interviewing, monitoring and generally harassing the Hogwarts teachers, trying to find things wrong with how Hogwarts is run. The upbeat tone of the music is completely at odds with what is going on, but that matches Umbridge as a character, who looks unthreatening but is actually devious.

The best track in this soundtrack though is “Fireworks”, used for the sequence of Fred and George pranking Umbridge with their fireworks display, interrupting the O.W.L. exam that Harry and his friends are taking. It is such a good piece of music, one of the most memorable from this specific Harry Potter film, but maybe even from the whole film series.

Outside of the score, you may also hear the song “Boys Will Be Boys”, performed by The Ordinary Boys, playing in the Gryffindor Common Room, during the scene of Seamus having a go at Harry, calling him a liar for saying Voldemort has returned. It’s quite a random music track to hear in a Harry Potter film, but I guess it shows that these are just teenagers relaxing in their downtime away from lessons. Another piece of contemporary music heard in this film is “Coming for You”, performed by indie rock band Reactor. It plays as Fred and George unveil their Skiving Snackbox products to their fellow students to purchase.

The soundtrack for Harry Potter and the Order of the Phoenix apparently debuted at No. 43 on the US Billboard 200 chart after its release date of 10th July 2007, and was nominated for a few awards, but sadly, did not win. It was nominated at the Saturn Awards for Best Music, for example, however, it lost out to Alan Menken’s music in Disney’s live-action film Enchanted (2007). The soundtrack was also nominated at the Empire Awards, but lost to the music from biopic Control (2007). Nicholas Hooper was also nominated at the World Soundtrack Awards, in the Discovery of the Year category, but did not win.

PRODUCTION

Harry Potter and the Order of the Phoenix was the fifth Harry Potter film to go in production, so by this point, the cast and the crew were likely pretty comfortable making each film.

However, having a regular director to direct all of the Harry Potter films was difficult. Christopher Columbus had stopped after the first two, citing exhaustion, and Alfonso Cuarón and Mike Newell then each had the opportunity to direct the third and the fourth outings respectively. But Newell was not returning for the fifth, so a new director was required.

David Yates was hired to direct Harry Potter and the Order of the Phoenix, apparently wanting to grow the series, and age it up, in a way, by making the series darker and more mature. The second half of the Harry Potter series is quite a way away from the enchanting, magic of the first two, for example. Luckily, by this fifth film, the series had found a regular director, with Yates completing the remainder of the series.

Earlier in his career, Yates had directed a few episodes of long-running police drama The Bill (1983-2010) in 1994 and 1995, before going on to direct the feature film The Tichborne Claimant, starring Roger Pugh and Stephen Fry. Yates later directed the miniseries The Way We Live Now (2001) and State of Play (2003), both for BBC One, as well as the television film The Girl in the Café, written by Richard Curtis, and starring Bill Nighy and Kelly Macdonald. After finishing up on the Harry Potter films, Yates went on to direct all three of its prequel films in the Fantastic Beasts series; The Legend of Tarzan (2016); and the Netflix film Pain Hustlers (2023), featuring Emily Blunt and Chris Evans.

Yates’ first task on Harry Potter and the Order of the Phoenix though had little to do with actually making the film itself; he was tasked with trying to figure out how to keep Emma Watson involved in the films, as she expressed a desire to exit the franchise after making the first four films. Watson felt lonely and was struggling with the pressures of fame[5]. This was not something only she was not coping well with, as Rupert Grint also said that he had considered how this role was affecting his life, but that they were all too young to talk about it together, and it was just one of those things they had to come to terms with on their own. Watson later came to the decision to stay in her role as Hermione Granger, as she felt supported and able to continue[6]. How strange would that have been if they’d had to recast Hermione halfway through the series. It just goes to show how much of their childhood these actors sacrificed just to give us these movies.

The next challenge was not something that was unique to Harry Potter and the Order of the Phoenix, but existed on all the films, and that was figuring out how to adapt Rowling’s – in this case, lengthy – novel to fit the desired runtime for a feature film. Like Harry Potter and the Goblet of Fire, Harry Potter and the Order of the Phoenix required omissions in order to keep the story steady and pacy, cutting out unnecessary side plots and characters.

Some of these included Quidditch being completely omitted from this film, despite the book detailing Ron becoming the Keeper for Gryffindor’s team, as well as Ginny joining the team, and Gryffindor winning the Quidditch Cup, without Harry because he had been banned from playing by Umbridge. Instead, we see Ron joining the Quidditch team in the sixth film, with Ginny already a member. The character Mundungus Fletcher was also meant to be first introduced here, as a member of the Order of the Phoenix and the one meant to be watching Harry in Surrey over the summer, although he left the area to deal stolen goods, allowing for the Dementor attack. This character is not introduced in the film series until the seventh film.

Another omitted character was Cho Chang’s friend Marietta Edgecombe, who was the one to betray Dumbledore’s Army in the book, leaking information to Umbridge about the secret society in order to keep her mother’s job at the Ministry of Magic safe. In the film, this traitor role was handed to Cho Chang, perhaps unfairly, creating tension between her and Harry and the others, and leaving her an outcast with the group. Dobby the former House-elf was also once again cut from a story that he was meant to be a part of, after being left out of Harry Potter and the Goblet of Fire. Here, Dobby was supposed to be the one to find the Room of Requirement and tell Harry about it, having discovered it after needing it to hide his drunken friend Winky, with Winky being a character completely removed from the film series.

Speaking of House-elves, Sirius Black’s elf Kreacher was only used in Harry Potter and the Order of the Phoenix to mutter insults at people and generally be moody and grumpy. In the novel, Kreacher actually had a much more important role. When Harry sees the vision of Sirius being tortured by Voldemort, to try and work out if it was a trick, Harry goes to Grimmauld Place to check if Sirius is there, and not at the Ministry as his vision suggests. Despite Sirius being at home, Kreacher lies and tells Harry he isn’t there, leading Harry to believe the torture vision was real.

A whole location was also removed for Harry Potter and the Order of the Phoenix, this being St. Mungo’s hospital. This was where Mr. Weasley was sent after being attacked by Nagini the snake at the Ministry, and was also home to Gilderoy Lockhart, still struggling with his messed-up memory, as well as Neville Longbottom’s parents who had been hospitalised there ever since they were tortured by Bellatrix Lestrange when Voldemort first rose to power. Harry and the Weasleys visit Mr. Weasley, and in so doing see Lockhart and Neville and his grandmother there, leading to these revelations. To be honest, I think this scene would’ve been very useful to have kept in the films, because it adds so much to Neville’s backstory. Just from watching the films, I’d believed his parents had died when he was too young to remember, a bit like Harry, which is sad, but not as heart-breaking as finding out that they’ve been kept in hospital ever since, with Neville aware of their condition.

The novel also had more information about the Department of Mysteries at the Ministry. Instead of just having the Hall of Prophecy and the room with the Veil, as we see in the film, there were also other rooms detailed in the novel, including a room filled with brains, and another full of Time Turners. In regards to the prophecy, Dumbledore sheds further light on the details of it, more than what we hear from the orb. Dumbledore says he first heard the prophecy from Professor Trelawny, showing she does have some powers after all, and that it could actually have referred to Neville Longbottom, but Harry was the one attacked by Voldemort as a baby, so it now specifically relates to Harry.

Other minor omissions include Madame Maxime, the Headmistress of Beauxbatons, who we met in the previous story, being sent with Hagrid on his mission to recruit the giants for Dumbledore, and centaur Firenze being hired to teach Divination after Professor Trelawny was dismissed by Umbridge. Firenze only appears in the first Harry Potter film[7].

The screenwriter challenged to adapt the Harry Potter and the Order of the Phoenix book for the big screen was Michael Goldenberg, not Steve Kloves, who had written the screenplays for the previous four films, and would return to write the remaining films. Kloves apparently wanted to take a break from the series to pursue other projects.

Prior to working on Harry Potter and the Order of the Phoenix, Goldenberg had written and directed the romantic drama Bed of Roses (1996), featuring Christian Slater and Mary Stuart Masterson in the lead roles, following that up with co-writing the screenplay with James V. Hart for the film Contact (1997), directed by Robert Zemeckis, and starring Jodie Foster and Matthew McConaughey. Goldenberg also co-wrote the screenplay for the 2003 adaptation Peter Pan with its director P.J. Hogan. This Peter Pan film just so happens to have a link to the Harry Potter franchise, as it featured Jason Isaacs as Captain Hook. Goldenberg went on to co-write the screenplay for the less-than-well-received superhero film Green Lantern (2011), with Ryan Reynolds playing the titular character.

Filming for Harry Potter and the Order of the Phoenix took place in a variety of different new locations, with many new sets created for it too. The London Underground station that Harry and Mr. Weasley go through on their way to the Ministry of Magic was said to be Westminster Underground Station. They also used part of the Blenheim Palace estate, to film the flashback sequence and memory of Snape being bullied by Harry’s father. It was by a 300-year-old Cedar of Lebanon tree that resides on the estate by the Great Lake[8].

One other real-life location, used for the exterior of Grimmauld Place, was Claremont Square in Islington, London. The 12 Grimmauld Place set itself was created for the film, and featured high ceilings, with narrow, enclosed corridors, to make it seem like this house really was squeezed into the middle of a row of terraced houses. The walls were covered with grey silk to make the walls appear aged and the set was filled with antiques, to represent an old ancestral home. The overall set is dark, dusty, and gloomy, but the actors loved working on the set, feeling that it perfectly created the right atmosphere to complement their scenes. The family tree tapestry was also a real printed tapestry.

Another impressive set built for this film was the Ministry of Magic atrium. The crew working on Harry Potter and the Order of the Phoenix were inspired by old Underground systems when designing the set, creating huge arches and tunnels, as well as recreating the tiling that exist in old Underground stations. They also made offices sitting around the atrium, and filled them with typewriters and memos to look realistic. To increase the size of the Ministry for the film, green screen was used in order to digitally extend the set upwards and outwards. It was a favourite set within the cast. The Ministry set took 22 weeks to build and actually only appears in the film for around ten minutes, but it was still the biggest set they had built for Harry Potter at that time. The tiles on the walls are not ceramic, but are MDF wall times, and there are around 30,000 of them in the set. They even built a water feature that actually worked. For the end sequence, where Voldemort and Dumbledore’s duel causes the area to explode and windows to shatter, cast and crew were ordered to keep their mobile phones switched off so the detonation was not accidentally set off!

Connected to the Ministry of Magic in the story, but not in real-life was the Hall of Prophecy set. It became the first solely computer-generated set in a Harry Potter film, and was particularly complex to create on the computer, as it consists of miles of shelves with lots of glass balls and orbs on them. For the actors, the only physical elements they had to interact with were a doorway and some mats on the floor. Other than that, it was a green screen room with a few dots around to help the actors focus on specific markers.

Another location that was computer-generated was Azkaban prison, which we see for the first time in the movies in Harry Potter and the Order of the Phoenix. The book detailed Azkaban prison as existing in the middle of the North Sea. An initial idea for the design of the prison in the films was to have it reside on a piece of rock jutting out from the side of a waterfall, but they found it difficult to justify there being a waterfall in the North Sea. They felt they only had a few shots to explain the location, so settled for a triangular prison on a rock out in the North Sea, with huge waves crashing around it. Azkaban Prison was also said to be inspired by the infamous Alcatraz prison off the coast of San Francisco, California.

Two other sets used quite extensively in Harry Potter and the Order of the Phoenix are Umbridge’s office and the Room of Requirement. To match Dolores Umbridge’s signature colour of pink, her office was designed in various shapes of pink, with lots of upholstery, lace doilies, fine china tea sets, and French-style furniture. There are also moving kittens on plates all about the room, who Umbridge uses as spies. These were created by painting green paint onto plates and recordings of kittens being placed over the top of them. Although the kittens were not overly easy to work with, they got the shots they needed and we get to see plenty of shots of cute cats in this film because of it. Her office is also a complete contrast to her classroom, which only consists of desks and a blackboard in the cavernous hall, making the classroom bleak but practical.

The Room of Requirement when used as the Dumbledore’s Army training facility consists of mirrors on the walls with areas to practise duelling and a few dummies to practise spells. Due to the numerous lights, mirrors, and the lit fireplaces, the Room of Requirement set was apparently ridiculously hot to work in, and even caused some metal work on the windows to start melting! Due to all the mirrors, it also took three months for extra reflections to be removed from the film for its final edit. There are a couple of stunt pieces here as well, as both Harry and Ron are hit by a spell which pushes them backwards towards the wall. This was a similar stunt that had the actors on wires being pulled back into a padded wall. The Room of Requirement was also the location of the anticipated kiss between Harry and Cho. Cast members joked that they were going to make sure they were on set to watch it, but it was actually a closed set with only about ten people around. Katie Leung also said that the crew dimmed the lights, and wasn’t sure if that was to make them feel less intimidated or to make the scene more romantic! Daniel Radcliffe said he and Leung spoke to a bereavement councillor prior to filming the scene, and learnt that it is quite normal for someone to become close to someone else that the person they lost was also close to. That is exactly what happens to Cho. Radcliffe and Leung initially found the kiss scene quite daunting to shoot but they got used to it after they’d been made to do multiple retakes of it.

Something else interesting about sets in Harry Potter and the Order of the Phoenix was that the crew chose to build their own Privet Drive set, because it was cheaper and easier than having to pay to use the same street as they’d used on the earlier films. So, Privet Drive in this film was a recreation of that street and not the real street[9]

As had become standard in Harry Potter films, a number of special and practical effects were needed to fully realise the story of these movies. Within new CG characters created for this film, there are the Thestrals, black skeletal horse-like creatures. They were made to be graceful and majestic despite their gruesome demeanour. They were obviously based on horses, but with reference material from birds used to see how the Thestrals would fly. The team chose to include a Baby Thestral in the scene where Harry learns about the creatures from Luna, to make it clear that these are living creatures, and not ghostly things. The wings were also inspired by those of bats, having quite a translucent appearance to them. For the sequence of the Thestrals flying Harry and his friends over London to get to the Ministry, the actors were filmed on motion-controlled rigs in front of green screen, with the animation being transferred onto this recording.

The centaurs and Dementors have also made a return to Harry Potter after their initial appearances in Harry Potter and the Philosopher’s Stone (2001) and Harry Potter and the Prisoner of Azkaban respectively. The centaurs were made to look less fantastical than they did in the first film and seem angrier and more aggressive in this film due to their mistreatment, taking Umbridge away with them as punishment for hers and the Ministry’s actions. This shot was filmed with Imelda Staunton being attached to a harness in a green screen shot, with this being overlaid onto the animation.

The Dementors in this film are quite different to their first appearance too, as Yates wanted them to feel less spectral and look more real, by exposing more of that skeletal structure and bone underneath their cloth covering. These Dementors are more physical, like the centaurs, as well, as they are able to push Harry up against the wall of the underpass, by using its arm to do so. This scene was achieved by attaching Radcliffe to a rig and pushing the rig up the wall.

Kreacher and Grawp are two other new characters, who were created with help from some live-action reference footage. Kreacher was made to look like a grumpy old man, with sunken eyes and veiny skin. To get an idea of what the character would look like on screen, they made a maquette of Kreacher, and even walked Kreacher’s tunic around the set to get some reference points. Timothy Bateson was filmed recording his lines in order to get reference for the facial features, which were then placed onto Kreacher. Bateson had been cast as Mr. Fezziwig in the 1984 version of A Christmas Carol and played Mr. Thomson the Caretaker in Series 4 and 5 of the long-running children’s series Grange Hill (1978-2008).  Bateson also provided voices for the fantasy film Labyrinth (1986), including The Worm and one of The Four Guards and played the Dentist in The Italian Job (1969). Later, he was cast as Mr. Hallett in Ladies in Lavendar (2004). Bateson passed away in 2009, at the age of 83; Kreacher was his final film role.

Grawp was created via motion capture from actor Tony Maudsley. Maudsley is perhaps most-known for his roles as Kenneth Du Beke in the ITV sitcom Benidorm (2007-18) from Series 4, and as George Shuttleworth in the soap Coronation Street (1960-present) since 2020. Maudsley has also had parts in other sitcoms, such as being cast as Graham Pleck in the sitcom The Job Lot (2013-15) for ITV, and as Martin in the BBC sitcom Eyes Down (2003-04), which starred Paul O’Grady. Grawp is a 16-feet tall giant so not an easy character to create, but by using the spirit of Maudsley’s footage, the team were able to build on that and create a giant, who is basically like a small child, curious about the world, but not knowing what boundaries there are. For the live-action filming portions, parts of Grawp were made out of foam rubber to give the actors’ some markers, and there was even a large blue leg built that Rupert Grint had to hit for his scene of Ron trying to save Hermione from him.

Neville’s cactus pet was a real remote-controlled model, that would be controlled on set. They wanted the cactus to be able to recreate all manners of emotions, like cute or aggressive, and even worked out how to make it shake and shrivel as this magical cactus is supposed to explode stinksap onto people. It would seem this may have been used for test footage, but the shot did not make it into the film or any bonus features. The cactus can be seen being held by Neville in the scene of him getting the carriage to Hogwarts with Harry, Ron, Hermione, and Luna towards the start of the film. I had assumed it was CGI.

Outside of that, there are a few other controlled explosions that took place, outside of the Ministry of Magic duel. One of these was the mirrors breaking off the Room of Requirement and the wall blowing up. The mirror pieces were made of laser cut plexiglass that had a pre-determined break pattern and would break off the wall in the correct sequence. Cork was used for the wall, this being material heavy enough to fly through the air but not hard enough to injure anyone, plus it could easily be made to look like stone. All of Umbridge’s rules also explode at one point, after Fred and George’s fireworks display. The fireworks sequence was created by looking at footage of fireworks exploding, even setting up a display at the Leavesden studio. They created a library of fireworks, but added in some more magical elements so they were not constrained by real-life rules to their speed, flight, and length. They used a lightning sequence in the actual set to reflect the fireworks sequence to help actors know how to react and where to look in the scene. They based the fireworks dragon loosely on a Chinese New Year dragon and added a CG roof extension to the Great Hall, making the magical ceiling disappear. There was even a mechanism to shoot all the papers of the desk, for when Fred and George fly past on their brooms. For the exploding decrees, the glass-fronted rules all had to explode and blow out. It was first tested with a small number of them, and then the real shot could begin. Special rigs were set up to make sure that once the controlled explosions had happened, they would all tumble to the ground at the right time, leaving smoke in the air and confetti of burnt paper raining down.

The wizarding duel between Voldemort and Dumbledore is the final climatic sequence in Harry Potter and the Order of the Phoenix, and it involves the two most powerful wizards in the Wizarding World – so it had to be good. In this case, their duel involved computer-generating a large fireball that transforms into a serpent; a ball of water; and numerous sparks of light, and blasts of magic. For the moment of Voldemort being trapped in the ball of water, Ralph Fiennes had to be attached to a moving pivot in order to get the necessary footage. This sequence took place in the Ministry of Magic atrium set, and involved things blowing up and exploding from the walls too.

Speaking of duelling, after seeing only a couple of duels, mostly just between two wizards, like Harry and Draco in Harry Potter and the Chamber of Secrets, and Harry and Voldemort in Harry Potter and the Goblet of Fire, it was decided that with these bigger duels involving more wizards, there needed to be some set wand choreography. So, a choreographer was brought in, Paul Harris. Harris had previously worked as a choreographer on The Tichborne Claimant, which David Yates had directed, and has also worked on period dramas such as The Other Boleyn Girl (2008), Far from the Madding Crowd (2015), and the miniseries Mary & George (2024). Randomly, Harris was also an assistant choreographer on the Disney Channel Original Movie The Cheetah Girls 2 (2006). Harris was tasked for creating consistent moves to suit a variety of spells. He created around five offensive movements and five defensive ones, teaching them to the actors, who could then personalise them to their characters. For example, Lucius has more proper, traditional form, whereas Sirius Black has elements of his rebellious nature in his battling[10].

Filming for Harry Potter and the Order of the Phoenix took place throughout 2006, with production allegedly halted for two months from May so that Daniel Radcliffe and Emma Watson could take their exams, those being Radcliffe’s AS Levels, and Watson’s GCSEs[11].

A few other interesting filming stories are that Alan Rickman got a brand-new BMW during filming on Harry Potter and the Order of the Phoenix. This is interesting because Rupert Grint and Matthew Lewis had spilt a milkshake in Rickman’s car during filming of Harry Potter and the Goblet of Fire and were warned not to go anywhere near his new car when filming started on the fifth film! Also involving Matthew Lewis, Helena Bonham Carter apparently perforated Lewis’ eardrums by improvising a moment after Bellatrix captures Neville in the Ministry of Magic of sticking her wand into his ear like a cotton swab[12]. Yeah, perhaps that wasn’t a great idea!

The Hogwarts Express train was also vandalised once again, having been a victim of graffiti damage back in 2003. This time the incident happened on 10th March 2007, so after production on Harry Potter and the Order of the Phoenix had been completed, and consisted of vandals causing an estimated £50,000 of damage to the train, smashing multiple windows with hammers. At the time, it was being stored in Carnforth Lancashire[13].

A final odd moment that I could find related to Harry Potter and the Order of the Phoenix relates to one of the movie’s official posters. It is unclear exactly when this came to people’s attentions, but it has become well-known that in one of the posters, the one with Harry, Ron, Hermione, Ginny, Neville, and Luna in the Ministry of Magic, Bonnie Wright is meant to be featured as Ginny, however, the person in the poster does not look like her[14]. Two main theories have emerged. One is that it was supposedly one of her stunt doubles, as Wright was not available for the photo shoot that day, and someone forgot to Photoshop her actual face onto the body double. The other is that this poster was seriously edited and that it is Bonnie Wright in the poster, but that they made so many adjustments to her that it no longer looks like her. I don’t know what the real answer is. All I can say is that personally, I don’t think anyone looks right it that poster, it’s just a very dodgy poster! 

RECEPTION

Harry Potter and the Order of the Phoenix was released on 11th July 2007 in a large number countries, following star-studded premieres in numerous capital cities, such as one in London on 3rd July, one in Paris on 4th July, and another in Los Angeles on 8th July.

This was the first summer release in the Harry Potter film series since the release of the third film, Harry Potter and the Prisoner of Azkaban, in 2004. The other three had been released in November, ahead of the festive season. The summer release date seems to have been good for the film, especially as a release date in July coincides with many countries’ school holidays.

The proof of this good timing was that Harry Potter and the Order of Phoenix took $44.2 million on its opening day from over 4,000 locations in North America, beating the previous biggest Wednesday opener, with that being Spider-Man 2 (2004) with $40.4 million. Internationally, Harry Potter and the Order of the Phoenix took $29.2 million from 29 countries, being the biggest opening for any Harry Potter film in over twenty countries, including France, Italy, Spain, Australia, and Brazil[15].

After its first weekend, Harry Potter and the Order of Phoenix had made a five-day total figure of $140 million at the North American box office. Internationally, it took in $190.3 million, making for a worldwide total of $330.3 million in its first five days of release. This was only second to Spider-Man (2002) on the list of all-time best five-day openers that launched on a Wednesday at the time. Spider-Man benefited from being released over Fourth of July weekend, whereas Harry Potter and the Order of the Phoenix had not. The financial figures were also boosted with an IMAX release, taking $9.4 million from IMAX theatres in its first five days. The IMAX release was said to have screened the last twenty minutes in 3D[16].

Harry Potter and the Order of the Phoenix ended its run with a worldwide total of just under $942 million, however, it did not top the worldwide box office and had to settle for second place. Disney’s Pirates of the Caribbean: At World’s End, the third in the series, topped the box office, with a total of just under $961 million. This was followed by Spider-Man 3 with $885 million; then DreamWorks’ Shrek the Third with $808 million; and at No. 5 Transformers with around $710 million. Harry Potter and the Order of the Phoenix also beat out some other big movies of 2007, by quite some margin, including Pixar’s Ratatouille ($623 million), I Am Legend ($585 million), and The Simpsons Movie ($536 million). Harry Potter and the Order of the Phoenix was the most financially successful Harry Potter film at the box office since Harry Potter and the Philosopher’s Stone came out in 2001.

In terms of reviews, a Harry Potter film has never been panned, as they have all had generally positive comments about them, although they are not to everyone’s taste and most fans will have differing opinions on which films are better, and which are worse.

Harry Potter and the Order of the Phoenix did not get the most glowing reviews, with some saying it is not as enjoyable as other Harry Potter stories due to the need to give the audience a lot of backstory in quite a short space of time. This is my biggest issue with Harry Potter and the Order of the Phoenix. Although the ending sequence in the Ministry is a highlight, and there are lots of villains in this film, something I very much like to see, the rest of the film doesn’t have much action or excitement. They’re just at school, whilst everything exciting with Voldemort is happening on the outside. But it’s similar with lots of television series. Although you may love a particular series, we all know a few episodes are added in as filler, with less exciting moments and tension. Harry Potter and the Order of the Phoenix feels very much like that, with all the good stuff happening at the end to lead to something better happening in the next outing.

However, on the other hand, some enjoyed the movie delving into plenty of darkness, which helped keep many adults interested. Others also liked how fast-paced the film was. Despite being adapted from a very long book, at over 800 pages, Harry Potter and the Order of the Phoenix became one of the shortest Harry Potter films. Some fans of the books even said these omissions helped the story, whereas others did not appreciate them. There was also praise for some of the new actors coming into the franchise, such as Imelda Staunton as Dolores Umbridge and Helena Bonham Carter as Bellatrix Lestrange. It’s quite funny actually; I love Bellatrix, she’s a fantastic villain, but despite liking most villains, I can’t stand Umbridge. I’ve always said if I really dislike a villain, then that actor must’ve done an amazing job – so well done, Imelda Staunton! There were also some action shots that audiences enjoyed, like the scene of Harry and the Order flying through London, and it was felt that the darkness of the material was mixed in well with moments of humour.

Harry Potter and the Order of the Phoenix was nominated at the BAFTAs, for Production Design, and Best Special Visual Effects, but it did not win. Production Design went to Atonement and Visual Effects to The Golden Compass. At the Saturn Awards, Harry Potter and the Order of the Phoenix received numerous nominations, but no wins. These were in the categories of Best Fantasy Film, Best Director for David Yates, Best Supporting Actress for Imelda Staunton, Best Performance by a Younger Actor for Daniel Radcliffe, Best Writing for Michael Goldenberg, Best Costume, Best Make-Up, and Best Special Effects.

They had more luck at some more viewer-focused awards, such as winning the Choice Summer Movie: Action at the Teen Choice Awards, and the award for Favorite Movie Drama at the People’s Choice Awards. The film also won Family Film at the inaugural ITV National Movie Awards, also winning Performance (Male) for Daniel Radcliffe, and Performance (Female) for Emma Watson. There were also further wins at the Empire Awards, for David Yates for Best Actor, along with nominations for Best Film, Best Sci-Fi/Fantasy, and Best Actor and Best Actress for Daniel Radcliffe and Emma Watson respectively. It also won the Scream Award for Most Vile Villain for Ralph Villains as Voldemort, and the award for Best Sequel there, alongside nominations for Best Fantasy Movie, Effects, and Fantasy Hero for Daniel Radcliffe as Harry Potter.

Harry Potter and the Order of the Phoenix also received a Critics’ Choice nomination for Best Family Film, but lost out to Disney’s Enchanted, as well as two nominations at the MTV Movie Awards, one in 2007 for Best Summer Movie You Haven’t Seen Yet, which was won by Transformers, and one in 2008 for Best Kiss for Daniel Radcliffe and Katie Leung; it was won by Robert Hoffman and Briana Evigan in Step Up 2: The Streets (2008).

Finally, Harry Potter and the Order of the Phoenix was recognised for its brilliant special effects at the Visual Effects Society. Here, they won for Outstanding Special Effects in a Feature Motion Picture, but lost to Transformers for Outstanding Models and Miniatures, and Pirates of the Caribbean: At World’s End for Outstanding Created Environment.

LEGACY

Harry Potter and the Order of the Phoenix was, of course, just the fifth film in a series set to adapt seven novels, so it was not yet the end for the franchise, with the sixth film Harry Potter and the Half-Blood Prince set to be released two years later.

Outside of that, during production on Harry Potter and the Order of the Phoenix in 2006, some of the cast were actually asked to film a short recorded segment to be played during the pantomime show at The Children’s Party at the Palace celebration held at Buckingham Palace on 25th June 2006 for the Queen’s 80th birthday. The stage show featured actors playing literary figures, such as Anthony Head as Captain Hook; Dani Harmer and Montanna Thompson as Tracy and Justine from the CBBC series The Story of Tracy Beaker (2002-05); Richard O’Brien as the Child Catcher in Chitty Chitty Bang Bang, having played the character on stage just a year before, and Amanda Redman as Cruella de Vil. It was Daniel Radcliffe, Rupert Grint, Emma Watson, and Matthew Lewis who were involved in the pre-recorded video as their characters, and saw them being sent a letter by owl, sent by comedian Harry Hill in his role as the Owl Keeper. They opened the letter and saw it was from the Prime Minister, needing magic to locate the Queen’s handbag, as she needed her glasses to read her birthday celebrations speech. After using the spell Accio to try and locate it, instead finding numerous other lost handbags, they sent a letter back to the palace, including the spell and some borrowed magic, so the audience could use Accio for themselves. With their collective energy, the thief – who happened to be British comedian and television host Bradley Walsh – was found and the handbag was returned, as good defeated evil. This was a very random thing that I only found out about whilst researching this piece. It is available to watch online for anyone interested in seeing it!

Just a couple of months before Harry Potter and the Order of the Phoenix was released in cinemas, some very exciting news was announced and that was that there was confirmation that there were development plans in the works to build a new land at the Islands of Adventure Park at Universal Orlando resort, to be called The Wizarding World of Harry Potter, this being a joint venture between Universal and Warner Bros. Entertainment. This followed on from earlier talks falling through with Disney, which could’ve seen a Harry Potter land being built at Walt Disney World Resort in Orlando, Florida. In this case, it was expected that the new area of the theme park would open in 2009 and would depict Hogwarts and the village of Hogsmeade. J.K. Rowling was going to be involved in the development of the area, as was Stuart Craig, the production designer on the Harry Potter films[17]. The land did not actually open until June 2010, but after that, other Wizarding Worlds have since opened at other Universal properties, those being at Universal Studios in Japan, Hollywood, and Beijing, with new additions and extensions being built as well.

As the Harry Potter franchise had had book sales of 325 million worldwide before the final book even came out, and the first four films grossed more than $3.5 billion worldwide, it was clear that getting involved in a Harry Potter project was going to be good for Universal, and the fact a Harry Potter addition was coming to such a big tourist hotspot meant that good footfall was expected.

Within these theme park lands, there are a few locations first seen in Harry Potter and the Order of the Phoenix that were recreated. One of these is the Order of the Phoenix Headquarters, the house on Grimmauld Place, which exists as a façade only at Universal Studios theme park in Orlando, close to the Diagon Alley area. The Ministry of Magic also only exists at Universal Orlando, but this time at their Epic Universe theme park, which opened on 22nd May 2025. You can even enter the area as though you have arrived via the Floo network. There is an attraction within the Ministry of Magic too, Harry Potter and the Battle at the Ministry, but this takes place after the events of the Harry Potter series, following Dolores Umbridge’s trial. The Hog’s Head Tavern is something that can be visited at multiple Universal theme parks though, selling speciality drinks in the recreated pub. It is recreated in the theme parks at Orlando, Japan, Beijing, and Hollywood.

After the reveal of plans to build a Harry Potter land at Universal, and then the release of Harry Potter and the Order of the Phoenix in July 2007, things just weren’t calming down for Harry Potter fans as the wait was finally over for the final book to be published. Harry Potter and the Deathly Hallows was published on Saturday 21st July, simultaneously published in more than 90 countries. Some branches of Waterstones held midnight launch parties for UK fans, whilst J.K. Rowling held her book launch at the Natural History Museum. The final book in the series broke sales records on both side of the Atlantic by selling 11 million copies in its first 24 hours. This comprised of 2.7 million sold in the UK and 8.3 million sold in the US on that first day. This broke the previous record for the fastest-selling book when Harry Potter and the Half-Blood Prince sold nine million copies on its first day of publication in 2005[18].

Outside of that, there was obviously a video game made to go alongside the release of Harry Potter and the Order of the Phoenix, as well as merchandising, consisting of posters, clothing, figurines, and prop replicas. You can also visit sets from all the movies at the Warner Bros. Studio Tour London. Some specific sets from Harry Potter and the Order of the Phoenix that you could explore there are Umbridge’s office and the Ministry of Magic.

FINAL THOUGHTS

So, I’ve made it clear that despite the abundance of villains in Harry Potter and the Order of the Phoenix, this film is not my favourite. In fact, it is either my least favourite or my second-least favourite, depending on what day it is. It just doesn’t grab me like most of the others do.

However, Harry Potter and the Order of the Phoenix can be seen as laying the groundwork for what is to come. After all, we couldn’t just have Voldemort return in Harry Potter and the Goblet of Fire, and then have a great battle straight after that. It is giving us insight into how both sides are preparing for the seemingly imminent war, and letting us in on some mysteries and secrets that will become clear by the finale.

Harry Potter and the Order of the Phoenix gives you just enough information and action to keep you interested and engaged for the next one. Sometimes that’s all you need.


REFERENCES

[1] Credit: Clémence Michallon, ‘Helen McCrory: How Harry Potter actor was cast as Bellatrix Lestrange but ended up playing Narcissa Malfoy’, Independent.co.uk, 16th April 2021.

[2] Credit: Evanna Lynch, The Opposite of Butterfly Hunting (2021).

[3] Credit: Ben Sherlock, ’10 Actors Who Were Almost Cast In Harry Potter Movies’, ScreenRant.com, 28th April 2020.

[4] Credit: Warner Bros., ‘Additional Scenes’, from Harry Potter and the Order of the Phoenix (2007) 11-Disc Blu-Ray Set (2011).

[5] Credit: HBO Max, Harry Potter 20th Anniversary: Return to Hogwarts (2022).

[6] Credit: Quinci Legardye, ‘Here’s Why Emma Watson Almost Quit Harry Potter’, HarpersBazaar.com, 30th December 2021.

[7] Credit: Matthew Rudoy, ‘Harry Potter: 10 Differences Between The Order Of The Phoenix Book & The Movie’, ScreenRant.com, 20th August 2020.

[8] Credit: Chloe Roden, ‘Discovering England’s Wizarding World: 20 Years of Harry Potter Filming Locations’, FilmingInEngland.co.uk, 16th November 2021.

[9] Credit: ITV, Harry Potter and the Order of the Phoenix: Behind the Magic (2007), Special Features YouTube Channel, 7th April 2024.

[10] Credit: Warner Bros., “Focus Points”, from Harry Potter and the Order of the Phoenix (2007) 11-Disc Blu-Ray Set (2011).

[11] Credit: Ashley Boucher, ‘Harry Potter and the Order of the Phoenix’ Turns 10: Here Are 18 Behind-the-Scenes Facts (Photos)’, TheWrap.com, 11th July 2017.

[12] Credit: Tamar Altebarmakian, ‘Secrets You Didn’t Know Behind The Making Of Harry Potter’, ScreenRant.com, 30th January 2018.

[13] Credit: BBC News, ‘Potter train attacked by vandals’, BBC.co.uk, 23rd March 2007.

[14] Credit: Sophie King, ‘Harry Potter fans in shock by editing blunder on film poster’, Mirror.co.uk, 20th September 2024.

[15] Credit: Nikki Finke, ‘‘Harry Potter’ Sets Biggest Wed Record With Magical $44.2M On First U.S. Day’, Deadline.com, 11th July 2007.

[16] Credit: Gregg Kilday, ‘‘Potter’ plot thickens box office 5-day total’, HollywoodReporter.com, 16th July 2007.

[17] Credit: James Sturcke, ‘Harry Potter theme park to open in Florida’, TheGuardian.com, 31st May 2007.

[18] Credit: BBC News, ‘Harry Potter finale sales hit 11m’, News.BBC.co.uk, 23rd July 2007.