Camp Rock 3 (2026)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

Consider this your spoiler warning. I like to go into detail with plot points, so you might want to ensure you’ve watched Camp Rock 3 before reading anymore.

Camp Rock was one of those Disney Channel musical series that managed to capture the attention of a whole generation, as it followed in the footsteps of The Cheetah Girls and High School Musical in the 2000s, arguably the best Disney Channel era.

It has since come to our attention though that making Camp Rock (2008) and its sequel Camp Rock 2: The Final Jam (2010) was not as wholesome an experience as the young viewers were led to believe. It was safe to say that this franchise wasn’t going to go much further after the sequel, so we had all simply given up hope of a third film.

But strangely, in 2025, Disney Channel announced that a Camp Rock 3 was heading to television screens for Summer 2026, and fans started to get excited, especially when they found out the Jonas Brothers would be returning, as would Demi Lovato as a producer. I’d like to point out I was not excited and was just concerned, because I knew Camp Rock 3 would not feel the same as the previous two. That’s not necessarily a bad thing, as I have managed to find plenty to enjoy about the latest additions of the Descendants franchise.

However, something just told me that Camp Rock 3 was not going to be good. My instincts were entirely correct this time. I found this film uninspiring, and really disliked the recycled songs and moments from the first two films. These were clearly added in for “nostalgia”, but it was just unnecessary, feeling like Disney couldn’t decide whether they were making a tribute to the earlier two films or trying to make something fresh and new, ending up somewhere in the middle with no real direction.

The main thing I did like about Camp Rock 3 was the random addition of Milo Manheim as a former Camp Rock camper in a cameo that lasted less than five minutes. I didn’t like this cameo because I felt it was needed; it was just that I like Milo Manheim. He seems like a good guy. Positive, upbeat, always showing up for Disney. Seeing Demi Lovato and the Jonas Brothers again was nice too, I suppose, but I’d been expecting the Jonas Brothers to be in Camp Rock 3 a lot more than they actually were.

I don’t like to be mean about new Disney Channel movies, regardless of how this introduction might sound, because I am aware that many of these films feature young, up-and-coming actors and singers, just trying to get a foothold in the industry, so I do try to be careful with what I say. So, to be clear, my dislike of Camp Rock 3 has nothing to do with the young cast and their acting or singing abilities; it’s all to do with what they were given.

PLOT

For anyone uncertain whether Camp Rock had survived its battle with Camp Star in Camp Rock 2: The Final Jam, the answer is quite clear at the start of Camp Rock 3. Camp Rock is still going and is actually thriving, with kids coming from all across the country to attend the camp over the summer, following in the footsteps of their idols and former Camp Rock alum.

One lucky camper very excited to be at Camp Rock for the first time is Sage Scott. She can’t wait to get started. The only trouble is she’s here with her brother, Desi, a fellow music lover, who is downplaying his happiness at being at Camp Rock simply because he is still annoyed at Sage for breaking up their band. He doesn’t seem to want to have much to do with his sister anymore. Meanwhile, other campers start to arrive including a cellist named Rosie; and a boy who constantly drums, Cliff. Rosie ends up being bunkmates with Sage Heading outside, Sage sees some more campers arriving, including stuck-up influencer Maddie and her sidekicks, Danielle and Daniel. Maddie is well-prepared for camp, even having a dance number ready to show off to the crowd. Sage also meets Callie Banks.

Away from Camp Rock, former camp counsellors and members of band Connect 3 Nate, Jason, and Shane Gray are performing on a movie set. As the three mess up their take by bumping into each other, they are told to take a break by their manager Lark. Shane notices that Lark seems stressed by something and she tells him the opening act for their tour, Girl Vibe, is no longer available. This causes Nate and Jason to blame Shane for hiring such a flaky band – Girl Vibe just broke up – as it was Shane’s job to sort the opening act. They bicker about what to do next, although agree they know just the place to find a new act.

Back at Camp Rock, former camp chef and current camp director Connie Torres welcomes the new campers, saying how one summer here could change their lives. She then tells everyone that there is a phone ban during the whole of their time at Camp Rock and starts collecting all the campers’ phones. At this point, Connect 3 arrive – in three separate cars, because they aren’t getting along – with Lark. They say they are here to find a new opening act for their tour, stating, in between making digs at each other, that the campers will face three challenges, with only the very best getting the chance to perform a new, original song at Final Jam at the end of camp.

As the campers start to discuss this massive opportunity, not believing their luck that they chose to come to Camp Rock on the year there’s a huge competition that could make them famous, a sheriff arrives to drop off a new camper. This is Fletch, who meets Sage after literally bumping into her, and is taken by Connie to his cabin, which he is sharing with younger kids. The boys are both in awe and a little scared of Fletch, as they believe he’s come here straight from prison because he arrived in a police car. Fletch plays into the fear, saying if he wanted to hurt them, he’d wait until lights out. The next day though, he retrieves Cliff’s drumsticks from the roof of a cabin and now Cliff wants to be friends!

In Sage’s cabin, she overhears Rosie singing, and convinces her to compete in the competition. Rosie is from a family of classically trained musicians, who wouldn’t be involved in something so…. musically common. Rosie is meant to expect more from her music, with her background as a cellist making her more used to a supporting role instead of being front and centre. Sage convinces Rosie, and she goes to Connie to register for new classes.

At lunch, Sage and other campers start discussing the first challenge in the competition, which is to cover Connect 3’s biggest hit and make it their own. Sage desperately searches for a practice room, but finds they are all full. Maddie and her two backup dancers have commandeered one and won’t leave until they’ve each had their allotted thirty minutes, and Desi is in another one, not wanting to share or leave the room. Sage assumes Desi is not competing and therefore shouldn’t be allowed to use the practice room. They continue to argue about Sage choosing to attend Anthem music school over their band. Sage says she won’t let anyone ruin her chances of winning and leaves.

Then, it is time for Challenge #1 to take place. The campers perform a variety of different versions of the song “Play My Music”, including a synth version and an operatic version of the song. Some are definitely much better than others! After the challenge is over, Lark proceeds to cut people from the competition, only allowing some to proceed to the second challenge, leaving many campers crying and heartbroken. However, Sage is still in the competition, but also learns her brother Desi is too.

Later, there is a workshop event about songwriting that is unrelated to the competition. Connie introduces singer and former Camp Rocker Calvin Rhodes to take the class. Calvin has the campers interview another camper they don’t yet know. After having some time to talk, Calvin asks the pairs to stand up and tell everyone what they learnt. One of these pairs consists of Fletch and Sage. Fletch is chosen to tell everyone about Sage, having picked up on a lot of things about her personality. This has also inspired him to finish a song he’d been writing, going up on stage to perform it. Calvin is impressed. As the workshop is going on, Desi runs into dancer Callie, saying dancing is not his thing.

That night, Sage finds herself unable to talk about anything other than Fletch as she talks to Callie. Callie says she can tell Fletch has a crush on Sage, although she has heard rumours about Fletch’s bad boy status. Sage says it doesn’t matter anyway because Fletch is her competition. Sage decides to stay in and focus on the second challenge as Callie heads out to the campfire, as she wants to show Desi that she isn’t uptight and can be carefree. Callie tells Sage she’s thinking about it too much, and tells Sage to come out with her. Sage gets ready to go, stepping on a creaky floorboard. Lifting it up, she finds an old songbook belonging to Mitchie Torres, a former Camp Rock alum. At the campfire, Cliff hears about Rosie’s lack of self-confidence. He does his best to help her, before attempting to flirt with Rosie, telling her all girls love a project. Oh, Cliff, don’t see yourself short. Girls might like a project initially, but when it doesn’t go their way, they quickly move on.

The next day, Lark calls Connect 3, but the signal is bad. She finds out the three are talking although they still aren’t really “connecting”. She tells the boys that the second challenge is all about performance, and is told to find someone with the right attitude. As the campers wait around for the second challenge to start, Fletch approaches Desi as he is playing his guitar and asks to join in. Desi hears that Fletch is yet another serious musician, and jokes he is just like Sage. Desi knows that Fletch likes her, but says no more about it.

At the second challenge, Lark tells the campers that some people have been removed from the competition overnight as they had kept their phones. Lark reminds all the campers that it is important that nobody breaks this rule as they do not want any leaks or posts about the competition getting online. Callie gets up to lead the second challenge, a dance challenge. Lark says this challenge will end with the Final Five being chosen; they will be the last ones standing. The campers try their best to impress Lark, with Lark eliminating campers as the challenge goes on. Lark approaches Desi, seemingly wanting to eliminate him. To keep her brother in the competition, Sage pushes in front of him and shoves Maddie and her friends to the side. Desi is told by Sage to keep dancing, however, Maddie stops, as do Daniel and Danielle. Lark has no option but to eliminate them as they stopped dancing and a performance stops for no-one. This leaves the Final Five of Desi, Sage, Rosie, Cliff, and Fletch, although Lark tells Desi he got lucky and needs to work on his dancing if he wants to win. After the dance challenge, Desi asks Callie to go and talk alone. In the cafeteria, he asks Callie for some dance lessons to improve his dancing ability.

Lark then gets calls from the Connect 3 boys individually, all with their own problems. Lark tells them to figure it out themselves as she is busy organising a campfire. Before she goes, the boys tell Lark that going on tour requires more than just talent; the winner will need stamina and endurance, especially as they’ll be on tour for a while. This gets Lark thinking.

Later, Sage is joined by Fletch as she works on her song by the lake. She explains she’s having trouble with the lyrics, with Fletch simply saying she should have fun with it. Sage reminds Fletch that nothing is going to distract her from the competition, not even him. He asks about what happened between her and her brother, and she explains she wanted to take her music more seriously than her brother did. In response, she asks Fletch if he’s actually a bad boy. He explains he came straight to Camp Rock from court. His mother recently died and a judge is trying to figure out where he should live.

Maddie is still fuming after what happened at the dance challenge and has come up with the perfect revenge for the Final Five. She has got a message to all of them to say they need to meet up for a style consultation with Lark. As the Final Five arrive at the cabin, they do not find Lark, only Maddie, Daniel, and Danielle. Here, Maddie confronts them, and shows she was the one who set this meeting up. She gives each of the five campers critiques about their style, before showing that she has “customised” one of their belongings, basically ruining them with paint and arts and crafts materials. Rosie is furious to find they have bedazzled her cello. Maddie insults Rosie, upsetting Cliff who throws paste at Maddie. This starts a paint war between the two groups. Sage sees someone coming and tells the others to hide in a cupboard. Maddie doesn’t realise, and sees Callie walk into the cabin. She goes to throw paste at her, but Callie ducks, and Connie is hit instead. Oops.

Lark leads the Final Five away from the cabin, telling them that Maddie’s parents have committed to replacing all of their wrecked items instead of buying her car, but she tells the other five they shouldn’t have gotten involved, not liking this immature behaviour which could not happen on tour. She proceeds to take them to the third and final challenge. This challenge is taking place on the Camp Rock bus, where they must remain for 24 hours, without getting off. But don’t worry, there’s a porta-potty attached to the back of it, so they’ll have everything they’ll need to survive! However, Sage appears to have some porta-potty PTSD and worries how she’ll cope. Eventually, she can’t hold it any longer and has Cliff be her security guard. It all goes smoothly. However, the Final Five are unaware of the fact that Maddie, still determined to get revenge and have them disqualified, has stolen her phone back from Connie’s office and plans to record the challenge, to put it up online.

Inside the bus, the campers start to get bored and irritated with each other, with cabin fever setting in. Rosie starts to cry, as she desperately wants to win, so she doesn’t go back home and end up reverting back to her old ways, just being the cellist in the background. Cliff opens up, saying that he struggles to make friends because everyone thinks he’s too much. The other four chime in and say they are his friends now. Sage and Desi attempt to reconnect, by saying that Camp Rock has made Sage realise that she doesn’t have to be so uptight, and Desi admitting that he is feeling pressure to be great in this competition. Fletch says he has an uncertain future ahead of him, but that being at camp or on tour will mean he doesn’t have to worry so much. They all sing a song together to cement their bonding experience. As the others sleep later on, Sage and Fletch look at the stars from the top of the bus. Here, Fletch tells Sage that he has a phone, as he waits to hear where he is living next, admitting that he simply didn’t hand it in, not that it was allowed. Sage promises to keep his secret. Sage then tells Fletch he shouldn’t always sing with his eyes closed, not wanting him to lose any moment of connection with an audience, even if it is only brief.

The next morning, Lark tells them they’ve completed the challenge and can leave the bus, having until tomorrow night to get their songs ready for Final Jam. Back in the cafeteria, Sage continues working on her song, and Connie sees that she has Mitchie’s songbook. Connie tells Sage to keep it as it might just help her. After that, Sage sees Desi practising his dancing and the two once again start up their fight about their old band. They say they could always revive the band, and they reconcile.

However, the good feelings don’t last long as the Final Five are called into Connie’s office. Connie and Lark have become aware of a video circulating online of them singing on the bus, revealing the Camp Rock competition. She orders them to tell her which one has a phone, and must’ve put this video up. Sage fears being disqualified and tells Fletch to admit he has one. He has no option but to hand it in, but pleads his innocence, saying he did not film on the bus. The other four are told to leave. Desi tells Sage she chose the competition over Fletch. She hopes Fletch will eventually forgive her and she can make things right.

The following day, Connect 3 return to Camp Rock, ready for Final Jam. They see Lark overworked and stressed out, but clearly having had a good time at camp this summer. The guys have a look around, ending up at the lake, with Nate and Jason throwing Shane in!

At the cafeteria, Sage apologises to Fletch for what she did, but it’s all good; the video was traced back to Maddie and he’s allowed to compete at Final Jam. Well, of course it ended up being traced back to Maddie; how could Fletch have filmed the song from outside the bus? Anyway, this means Fletch and the others have some work to do ahead of Final Jam. They’re all nervous but they’re also ready.

On the night of Final Jam, the stage is set. As Connie does final checks, she sees daughter Mitchie hiding backstage, having taken a night off from her tour to come here. Connect 3 welcome everyone to Final Jam, with Lark introducing all the acts. First up, Cliff performs a hip-hop-style song, with some drum solos. Then, Rosie performs, singing and playing the cello. Third is Desi, with his new and improved dance moves, and fourth is Fletch, performing a guitar ballad and finally having the nerve to open his eyes as he sings.

The final performance is Sage. She stops her performance so she can say that she learnt all about friendship from her time at Camp Rock, and says a line about each of the other Final Five, and how good they are. Camp Rock should never have been all about winning a competition. She then proceeds to sing a new song, with the other four joining in with her. Desi and Fletch come in on guitar, whilst Rosie and Cliff play the cello and drums. The audience love the song, this being enough to make Maddie and her sidekicks leave!

Connect 3 then go to deliberate, where they see Mitchie. Mitchie says Final Jam was great and that Sage’s performance showed it’s not all about solo performances. Connect 3 don’t know who to pick, with Mitchie reminding them maybe they don’t have to pick just one.

Connect 3 return to the stage, announcing that they can’t pick just one of the Final Five, so instead choose them all as a group. Mitchie and Shane have a moment as the five celebrate, saying Camp Rock will always be magical, before saying they’ll be here same time next summer. Sage even gets a brief wave from Mitchie before she leaves. The five join Connect 3 for a final song to end Final Jam, signalling the end of the summer at Camp Rock.

CHARACTERS & CAST

Sage Scott arrives to Camp Rock very serious about her music, having decided to attend music school. This has led to a difficult relationship between her and her brother Desi as their differing attitudes to their music meant that their band split up. Desi still has not forgiven Sage and teases her about how uptight and highly strung she is, seemingly unable to ever go with the flow. Sage is incredibly determined to win the competition to be Connect 3’s next opening act. After spending time with the other members of the Final Five, particularly Fletch, who she has an instant connection with, she learns that friendship is more important than winning, and chooses to perform a new song she hadn’t done endless amount of preparation for, with her new friends joining her to create their own group. Sage ended up getting to win the competition whilst also repairing relationships with those around her.

Liamani Segura was cast as Sage in Camp Rock 3. Segura is not a newcomer to the world of Disney, as she had previously appeared in the recurring role of Emmy in the Disney+ series High School Musical: The Musical: The Series (2019-23).  She was also cast as Pink in another Disney Channel musical, Descendants: Wicked Wonderland (2026).

Fletch Robinson appears to be the camp’s bad boy as he arrives late to Camp Rock and in a police car. He is welcomed to Camp Rock like any other camper though, although he is assigned to a cabin for younger kids, who initially seem a bit scared of him. Fletch is a talented guitar player and singer, getting many chances to showcase this. He was even inspired by a conversation with Sage to perform a new song he’d written. Fletch is scared of connections with people, having a complicated living situation to sort out as he waits to see where he will live after his mother’s death. However, he slowly learns to open up to Sage and the Final Five about his background and they are understanding. His chance at getting a more stable future for himself, by becoming Connect 3’s opening act, almost ends up in jeopardy as Fletch keeps his phone, as phones have been banned for the entirety of their time at Camp Rock. Luckily, Connie sees reason and decides not to disqualify Fletch from the competition, having figured out he did not film or post anything from camp.

Fletch was played by Malachi Barton, who is also no stranger to life on Disney Channel. Early in his career, Barton was cast as Beast Diaz in the Disney Channel series Stuck in the Middle (2016-18), and voiced the character of Lionel in the animated Disney Junior series Fancy Nancy (2018-22). Barton went on to star as Marshall in the DCOMs Under Wraps (2021) and Under Wraps 2 (2022), as well as appear in the series The Villains of Valley View (2022-23) as Colby / Flashform. Barton went on to star as Victor in ZOMBIES 4: Dawn of the Vampires (2025), a role he will reprise in its upcoming sequel ZOMBIES 5: Secrets of the Sea, set to premiere sometime in 2027. He will also soon be seen as Jake in the supernatural series Coven Academy for Disney, set to premiere in October 2026.

Rosie Kleinman is a classically trained cellist with very strict parents, who want Rosie to spend time focusing on her cello rather than her singing. At Camp Rock, Rosie doesn’t plan on competing to be Connect 3’s opening act, however, after Sage hears her sing, she encourages Rosie to join the competition. Rosie is initially very nervous about being front and centre for once, but she overcomes those nerves and gets to the Final Five.

Rosie was played by Lumi Pollack. Prior to Camp Rock 3, Pollack was cast as Amelia Cavell in the drama film The Fallout (2021) with Jenna Ortega. She went on to appear as Westyn/Wanessa in the animated Netflix series Dee & Friends in Oz (2024), and more recently, starred as Posey Parker in Disney Channel series Electric Bloom (2025).

Desi Scott is Sage’s brother, who is relaxed and chilled about his music, but is still just as talented as Sage despite not going to a fancy music school. Desi is struggling to forgive his sister for leaving him and their band in the dust for school, with the two butting heads over their different approaches to their music. Desi does not overprepare his performances and mostly tries to wing it through the camp competition. However, when he learns from Lark that his dancing ability is not as good as his competitors, he takes action to improve it by enlisting Callie to help him. It’s unclear at first whether Desi is in the competition just to annoy his sister or actually does want to win, but by the end of it, it’s obvious he feels he needs to actually step up and create a good performance instead of hoping for the best. By the end of their time at camp, he and Sage have also made up after the feud. It’s a good thing too otherwise their time on tour might not have lasted too long…

Hudson Stone was cast as Desi. Stone is lined up to be a cast member on the rebooted series of The Mickey Mouse Club. Production on the series seems to have only begun in July 2026 so there is no air date yet.

Cliff Carmichael is the joker of this group of five, being quite energetic and upbeat. Cliff always has his drumsticks in hand, feeling very passionately about his drumming. During his time at Camp Rock, Cliff becomes close to Desi, Sage, Fletch, and Rosie, with Rosie being the one he has a crush on, and he discovers that, although he was been on his own a lot as he is considered to be “too much”, he finds his people at Camp Rock.

Casey Trotter was cast as Cliff, and he is also going to be a cast member on the rebooted series of The Mickey Mouse Club alongside Hudson Stone.

Callie Banks is a dancer, not a singer, at Camp Rock and she does not enter the competition to be Connect 3’s opening act. She is basically Lark’s assistant throughout the competition, judging the first challenge about singing and then leading the group in the second challenge all about dancing. She is more mature than many of the campers. This means that Sage feels she can confide in Callie about her preparations for the competition, and her crush on Fletch. Meanwhile, Callie and Desi seem to have their own relationship blossoming in the background, growing closer as Callie is tasked with improving Desi’s dancing, something she clearly does a good job with as Connect 3 even notice how much Desi’s dancing has improved during Final Jam.

Brooklynn Pitts was cast as Callie, and she is yet another cast member on the rebooted series of The Mickey Mouse Club alongside Hudson Stone and Casey Trotter. She appeared in the recurring role of Aria in the series Mani (2017-23) prior to her role here.

The final campers at Camp Rock to mention are Maddie, Daniel, and Danielle. Maddie is an influencer and mean girl, who seems to have rich parents and an attitude that says she doesn’t care about anyone but herself. Maddie thinks she is definitely going to become Connect 3’s opening act, with Daniel and Danielle acting as her backup. However, after Sage knocks Maddie off balance during the second challenge, and Maddie and her sidekicks stop dancing, she is eliminated from the competition by Lark. She is furious and tries to get her own back on them, first by destroying some of their most treasured possessions, and secondly by filming them during their bus challenge and posting it online, breaking the rule about keeping the competition secret from the outside world. This shows that Maddie and her sidekicks aren’t very smart since the video they shot would’ve quite clearly shown it was filmed outside the bus and not inside it, so Fletch couldn’t have done it. Connie and Lark also traced it back to Maddie’s account. By the end of Camp Rock, Maddie is left to sit in the audience for Final Jam and eventually leaves out of jealousy.

Ava Jean was cast as Maddie, having previously appeared as Savannah in the series A Week Away (2025), which was a spin-off of the Netflix film of the same name. Orlando Lucas was cast as Daniel, having previously played Dawson in the television movie Big Sky River (2022) and its 2023 sequel. Danielle was played by Orlando’s sister Ella Lucas, who appeared as Isabelle in the movie Re: Uniting (2023) prior to Camp Rock 3.

The last main character in Camp Rock 3 to mention is Connect 3’s overworked, probably underpaid, harassed tour manager Lark. Although it is Shane’s fault that their original opening act for their tour fell through, Lark is stuck with finding a new one, as Connect 3 do not spend time at Camp Rock going through the challenges, instead leaving Lark to oversee and organise all of them. She doesn’t really want to be there, so she is quite harsh and strict with her critiques of the campers, mostly just trying to get through the summer! In the end though, she ends up liking Camp Rock and completes her work requirements by getting Connect 3 their opening act. I didn’t love many of the characters in Camp Rock 3, but I did like Lark. Her sarcasm and lack of enthusiasm was quite funny.

Sherry Cola was cast as Lark. Prior to Camp Rock 3, Cola voiced the character of Helen in Pixar’s Turning Red (2022), later going on to play Stella in the Netflix film A Family Affair (2024), which starred Zac Efron, Joey King and Nicole Kidman. Also on Netflix, Cola currently plays the recurring role of Ashley in their series Nobody Wants This (2024-present) alongside Kristen Bell. Cola had also previously been cast as Alice Kwan in the Freeform series Good Trouble (2019-24). She also appeared as Maya in Season 3 of Apple TV series Shrinking (2023-present). Cola is set to play Yzma in the new Descendants movie for Disney, Descendants: Hidden Heroes. A release date is currently unknown.

Alongside the new cast, there were a few other characters from the original Camp Rock films who reprised their roles in Camp Rock 3. One of these was Connie Torres. After being the camp chef in both Camp Rock and Camp Rock 2: The Final Jam, she has now taken over as camp director from Brown Cesario, who does not appear in Camp Rock 3. Connie is a kind leader, giving advice to the campers, wanting them to have a great experience at Camp Rock. However, Connie is not afraid to put her foot down sometimes, as we see when she demands to know who has a contraband phone after footage of the competition ends up online. But Connie is also fair, allowing Fletch to compete in Final Jam, realising he did not post that video. Maria Canals-Barrera returned to play this character.

The Jonas Brothers also returned to play Connect 3 members Shane, Jason, and Nate Gray from the first two films. They, however, do not appear that much in Camp Rock 3, showing up at the start, where they seem to be filming a movie, before heading to Camp Rock to let the campers know they need an opening act. But then they leave the competition in Lark’s capable hands. Lark gets a few calls from them, where they mostly just get a quick update on the competition or use the call as an opportunity to criticise one another. They might have grown up, but Connect 3 still struggle to “connect”. But time away from Camp Rock 3 seems to have done wonders for them as they return reunited to judge Final Jam and pick their winner. Well, I hope so anyway, otherwise that opening act might not be opening up for them for long. I wouldn’t be surprised if that tour never happened…

Another cameo appearance was from Demi Lovato as Mitchie Torres. Having previously been one of the most talented and determined campers at Camp Rock, it is not much of a surprise to hear she is a famous singer, who takes one night off from tour to attend Camp Rock’s Final Jam. She doesn’t want to make everything about her though, so she watches from backstage, taking in all the talent of the new campers. She later proves to have some very useful advice for Connect 3 who struggle to choose one of the Final Five to have as their opening act. It is Mitchie’s idea to have the five perform as a group. After commenting with Shane over how great it’s been to be at Camp Rock again, she seems to commit to coming back next summer, but perhaps only briefly.

A final cameo appearance came from former Disney Channel star Milo Manheim. Manheim is well-known for his role as Zed in the Disney Channel musical franchise ZOMBIES, and he is currently filming the live-action Tangled film, where he will star as Flynn Rider. Tangled is set for release in March 2028. In Camp Rock 3, Manheim appeared for all of five minutes as former Camp Rock alum and big-time singer Calvin Rhodes, taking the campers through a songwriting workshop.

MUSIC

Camp Rock 3 features a mixture of covers of songs from Camp Rock and Camp Rock 2: The Final Jam, as well as a selection of new original songs. The soundtrack for Camp Rock 3 was released on 13th August 2026, the day of its Disney Channel premiere, with a vinyl LP also being made available to purchase.

The soundtrack for Camp Rock 3 contains a long list of songs, so let’s break it down by starting with the new music. The first new song we hear we don’t even get in full. This is the song “Come On Over”, which Connect 3 are performing apparently on a movie set. Their performance comes to an abrupt halt after Nate and Jason knock into each other on stage, and “Cut” is called. The full song is available on the soundtrack, however, after hearing all of it, I actually think the small amount of the chorus we get in Camp Rock 3 is the best part of it. “Come On Over” was written by Antonina Armato, Tim James Price, and Thomas Armato Sturges, and was performed by the Jonas Brothers as Connect 3.

Following that, back at Camp Rock, after finding out about the competition to be Connect 3’s opening act, Sage starts thinking about what a great opportunity this would be for her. She encourages all the other campers to join her in the excitement, by singing the song “One Beat Away” all across Camp Rock. This song was the first single to be released from the soundtrack, in July 2026, so a month before the movie’s premiere. It is a high-energy opener for the film. “One Beat Away” was performed predominately by Liamani Segura as Sage, with backup from the rest of the Camp Rock 3 cast. It was written by Matthew Tishler and Shridhar Solanki.

After this, there is a large portion of Camp Rock 3 that only uses covers of songs from Camp Rock and Camp Rock 2: The Final Jam, which I will get to later. The next complete original song we hear doesn’t come until the third challenge of the competition, where Lark challenges the Final Five of Sage, Fletch, Desi, Rosie, and Cliff to stay on the camp bus for 24 hours without stepping off it. The five perform an impromptu song after having a bonding chat about their feelings and their backstories, and this song is “Echo”, showcasing the five’s friendship and their shared love of music. “Echo” was therefore performed by Liamani Segura, Malachi Barton, Lumi Pollack, Hudson Stone, and Casey Trotter. It was written Alex Geringas, Polly Josephine Geringas, and Alexandra Grace Saad.

The song that comes after this is “Rhythm’s Only Right”, taking place as Sage and Desi make up after their sibling feud over the break up of their band. They accept their differences and apologise for not communicating properly, deciding they might even be able to start the band up again. “Rhythm’s Only Right” was performed by Liamani Segura and Hudson Stone, and was written by Matthew Tishler and Grayson DeWolfe.

After that, we get five songs in quick succession as Cliff, Rosie, Desi, Fletch, and Sage perform their own songs for Final Jam, and the final part of the competition, where Connect 3 will choose their opening act. Each song showcases that character’s own style.

Cliff gets up on stage first, performing a hip-hop-style song, complete with rap sections and drum solos, since he is a drummer after all. His song is titled “My Own Drum”. The song was performed by Casey Trotter and written by Jaheem King Toombs.

Rosie follows Cliff, starting off her song by playing the cello. She then leaves her cello to the side, taking centre stage to launch into a strong, powerful song, showing how far she’s come since arriving at camp as a shy cellist. This song is “Play It My Way”, performed by Lumi Pollack and written by Aaron C. Harmon.

Then, we get Desi’s song “Get Ready”. Desi shows off his singing talent, as well as his newly improved dance skills, courtesy of lessons from Callie, even bringing her up on stage to dance. Again, this song proves that Desi has been on a journey whilst at Camp Rock, accepting that he can put on a spectacle. “Get Ready” was performed by Hudson Stone and written by William “Will Jay” Behlendorf, Jason Mate and Brandon C. Rogers.

The fourth song of Final Jam is Fletch’s ballad, singing and playing the guitar. This is actually a more polished version of the song “Tomorrow” that he was inspired to finish after doing the songwriting workshop with Calvin Rhodes and talking to Sage. The earlier, shortened version of this song is listed as “Tomorrow (Acoustic)” on the official soundtrack, whereas “Tomorrow” is the full version, complete with backup musicians. I actually decided this song wasn’t so bad in the end, and is definitely one of the better ones in Camp Rock 3. “Tomorrow” was performed by Malachi Barton, written by Josh Cumbee and Jordan Powers.

The final song of Final Jam is for Sage. She has a song prepared, but decides to go with something different after learning that her time at Camp Rock shouldn’t have been about the competition, and was about meeting like-minded people who love music, just like her. Sage then starts singing the song “Work In Progress”, with each of the other four joining Sage on stage. Cliff gets on the drums, Rosie plays her cello, whilst Fletch and Desi join in with their guitars. As I was watching Camp Rock 3 for the first time, this was the only song that I thought was alright. It was performed by Liamani Segura, and was written by Antonina Armato, Tim James Price, and Thomas Armato Sturges.

Four songs from Camp Rock and two songs from Camp Rock 2: The Final Jam were re-recorded by the cast of Camp Rock 3, with five of them appearing in the film, and one other only being on the soundtrack. The first one we hear is “Brand New Day”, originally the opening song from Camp Rock 2: The Final Jam. This song is also used for the opening sequence of Camp Rock 3, accompanying the arrival of all the campers, but is only heard in the background briefly, and was not performed by the movie’s characters as it was in the sequel. It was recorded by Liamani Segura.

For the first challenge in the competition to be Connect 3’s opening act, the campers are asked to cover a well-known Connect 3 song. This happens to be “Play My Music” from the first movie, where the band accept the opportunity to perform in front of the campers, to inspire them in time for Final Jam. In Camp Rock 3, each camper competing for the chance to be Connect 3’s opening act is told to perform “Play My Music”, but make it their own, so there are many weird and interesting takes on this song here. It is also performed again in the End Credits by the main cast of Camp Rock 3.

The second challenge, the dance challenge, involves a re-recording of “Start the Party”. Camp Rock fans will recognise this song from the dance scene in the first film. It is part of Shane Gray’s first class with the campers, teaching them how to dance and how to perform like a rockstar. The whole cast of Camp Rock 3 perform this song.  

“It’s On”, the famous battle song from Camp Rock 2: The Final Jam, where Camp Rock campers challenge those from Camp Star to the ultimate singing battle, is used in the background as the Final Five and Maddie and her gang have a paint battle in the arts and crafts room. This cover is credited to Lumi Pollack, Hudson Stone, and Ava Jean.

The final song in Final Jam, signalling the end of the first Camp Rock film was “We Rock”. “We Rock” is once again used for the same purpose, being performed by Connect 3 and the Final Five to end the Final Jam here and Camp Rock 3 as a whole. It is performed by Connect 3 and the Final Five. I’ve always liked this song – but I was disappointed to find the choreography had changed. So much for all that practice watching the Camp Rock: Dance-Along on Disney Channel all those years ago…

The last song taken from a previous Camp Rock film for the Camp Rock 3 soundtrack was “What It Takes”, originally performed by the character Lola in Camp Rock. Here, it is performed by Brooklyn Pitts. Video online has shown Pitts performing full choreography to this song, making it seem like this song was recorded for a specific scene, but was cut for unknown reasons, which is a shame, as Callie didn’t get much screen time in Camp Rock 3. It would’ve been nice for her to get a chance to shine.

“Fire” from Camp Rock 2: The Final Jam is also heard briefly here. This is the song that Maddie, Daniel, and Danielle dance to in order to really show everyone at Camp Rock who they are. This song is not on the soundtrack, and it is only an instrumental.

Despite all the effort going into this soundtrack to try and please both older viewers and newer viewers with the mixture of new and old music, the Camp Rock 3 soundtrack did not outdo its predecessors. Camp Rock 3 debuted at No. 9 on the US Billboard Soundtrack Albums chart, which is respectable enough, however, it does not match the performance of either Camp Rock or Camp Rock 2: The Final Jam, which both reached No. 1 in this same chart. Those two soundtracks also peaked at No. 3 on the US Billboard 200 chart, whereas Camp Rock 3 has missed out on this chart entirely[1].

Tom Howe was the composer for Camp Rock 3, having previously worked with Disney Channel on the music for Upside-Down Magic (2020) and ZOMBIES 4: Dawn of the Vampires. Outside of that, Howe was the composer on the popular Apple TV series Ted Lasso (2020-present) and Shrinking. He has also collaborated with Aardman Animations on the music for a couple of their movies, including A Shaun the Sheep Movie: Farmageddon (2019), and Early Man (2018) with Harry Gregson-Williams. Howe is also reportedly the one behind the theme music for The Great British Bake-Off (2010-present). An excerpt of Howe’s score is included as a track on the official Camp Rock 3 soundtrack.

PRODUCTION

As the years stretched on after Camp Rock 2: The Final Jam arrived on Disney Channel in the summer of 2010, many fans had given up hope of there ever being a third film.

They’d grown up and moved away from the channel, as had all the stars of the first two films. Some of those stars had also come out to say that their experience of working on those films, and with Disney Channel generally, had not been a great time in their lives, struggling to process their time as child or teenage actors. It just didn’t make sense to make a third one, and most people had forgotten all about it, because, although we seem to forget in these days of endless sequels and reboots, some franchises do actually come to an end.

However, all of sudden, rumours started swirling about a Camp Rock 3. I mostly ignored them, thinking it was just wishful thinking from fans, like all those ones doing fancasts for new Disney live-action remakes. It’s not possible for all of them to happen. The rumours partially began in August 2025 because of a Hot Ones Versus video filmed with the Jonas Brothers that was released on 12th August. In this video, Joe was tasked with reading the most recent entry on his phone’s Notes app and it said “Read Camp Rock 3[2]. This might not have seemed like much on its own – it could’ve simply been a joke – but this video followed a surprise appearance by Demi Lovato at MetLife Stadium with the Jonas Brothers as part of their Greetings From Your Hometown tour. Here, Lovato performed “This Is Me”, following on from Joe’s performance of “Gotta Find You”. They then finished up with their duet “Wouldn’t Change a Thing” from Camp Rock 2: The Final Jam. Fans were ecstatic to see Demi Lovato reunited with the Jonas Brothers, and this fuelled the rumours of a Camp Rock 3[3]. I still ignored the suggestion that Camp Rock 3 was happening.

I was later proven wrong, as an official confirmation of Camp Rock 3 was announced in September 2025, with filming beginning in Canada that same week. It was confirmed that the story was going to revolve around Connect 3 looking for campers to be their new opening act for a major reunion tour. It was confirmed that the Jonas Brothers would be returning as the members of Connect 3, Shane, Nate, and Jason, and that Maria Canals-Barrera would be the only other original cast member returning for this third movie, as Connie Torres, Mitchie’s mother. Demi Lovato was only listed as an executive producer, alongside the Jonas Brothers, although at the time, I was convinced she’d end up having a small cameo in the film – this time, I turned out to be right. A list of new cast members was also announced for Camp Rock 3, including Malachi Barton and Liamani Segura, both from other successful Disney Channel musical franchises[4]. Even with the promise of the Jonas Brothers returning, I was not excited or interested in Camp Rock 3 when it was announced. Luckily for fans of any franchise, my disinterest at newly announced films does not stop them being made. After this announcement, Camp Rock 3 immediately entered production.

Filming on Camp Rock 3 seems to have taken place from September 2025 until early November 2025. The cast and crew did not return to the original Camp Rock locations in Ontario, Canada, instead moving to British Columbia. Specifically, filming took place at Barnet Marine Park in Burnaby, where eagle-eyed watchers could see sets like cabins and stages being set up. The Jonas Brothers were also spotted in and around the area[5].

As with all Disney Channel musicals, plenty of dance experience is required for these films, and in this case, Jamal Sims was selected as the lead choreographer on Camp Rock 3. In film, Sims worked on choreography for movies like Step Up (2006), Hairspray (2007), and even Disney’s live-action film Aladdin (2019). He also worked with Miley Cyrus on the choreography for “Hoedown Throwdown” from Hannah Montana: The Movie (2009), as well as directing and choreographing her Wonder World Tour in 2009. Sims later played Dr. Facilier in Descendants 3 (2019), alongside being a choreographer on the movie. Sims regularly appears on RuPaul’s Drag Race (2009-present) as a choreographer and judge.

Along with learning the dances for Camp Rock 3, Malachi Barton also had to learn how to play the guitar for this film, prepping for his role as Fletch whilst on the Descendants/ZOMBIES Worlds Collide Concert Tour in 2025, ready to start filming just as the tour ended. Liamani Segura was a surprise guest towards the end of this tour as well, due to her role as Pink in Descendants: Wicked Wonderland, which was coming the following year. Segura and Barton already knew each other even before this meeting though, as they previously met simply due to them both working at Disney for years, but they also read together for ZOMBIES 4: Dawn of the Vampires, as Segura was screen tested for the role of Nova, which ended up going to Freya Skye[6].

Camp Rock 3 was directed by Veronica Rodriguez, who already had some history of working with Disney Channel, having written and directed some episodes of the Disney Channel series Gabby Duran & The Unsittables (2019-21), before going on to direct the Disney Channel movie The Slumber Party (2023).

The screenplay was written by Eydie Faye, who had also written the screenplay for Disney Channel’s The Slumber Party. Faye had previously written the musical drama film The J Team (2021), which starred JoJo Siwa, for Paramount+. After Camp Rock 3, Faye is continuing to work with Disney Channel, by co-writing ZOMBIES 5: Secrets of the Sea, as well as working on the Descendants: Hidden Heroes movie. Faye must’ve been inspired by the first two films, as can be seen from the endless references and nods to the original Camp Rock films, as well as the return of some original characters, with these being created by Karin Gist, Regina Hicks, Julie Brown, and Paul Brown.

RECEPTION

Disney held a red carpet premiere to celebrate the upcoming release of Camp Rock 3 on 10th August 2026, reportedly at the Walt Disney Studios lot in Burbank, California. It was attended by the cast of Camp Rock 3, as well as other current and former Disney stars, such as Roshon Fegan, who played Sander in the original two Camp Rock films, and Dara Renée, who played Uliana in the recent DCOM Descendants: The Rise of Red (2024).

Camp Rock 3 then premiered on Disney Channel in the US on 13th August, followed by its release onto Disney’s streaming platform Disney+ the day after, on 14th August 2026. This appears to be the standard release schedule for Disney Channel Original Movies now.

Its Disney Channel premiere was apparently watched by less than 0.2 million viewers. However, although these viewing figures used to be the best indicator of how well a DCOM had performed, that is no longer the case. For example, Camp Rock, which was viewed by 8.9 million viewers on its premiere in 2008, making it the third most-watched DCOM premiere of all time, with Camp Rock 2: The Final Jam in 7th position with a reported 7.9 million viewers. Figures like these have not been reached in a very long time, as viewership of new DCOM releases has been steadily declining ever since the 2010s. Now that audiences have Disney+, naturally, less viewers are choosing to watch the newest DCOMs on Disney Channel, because why should you bother paying for both services? How the film does on Disney+ is more of a useful indicator of DCOM performance nowadays. Camp Rock 3 was the No. 1 movie on Disney+ in 66 territories during its debut week[7].

Although building up hype for a third Camp Rock film after sixteen years of waiting was easy, managing to draw in viewers even from the older generation who had grown up with the original films, it was not enough to satisfy the viewers, who, on the whole, were left disappointed by this new movie. Critics actually seemed to have nicer things to say than the audience did, which is really quite rare for a Disney Channel movie.

On the positive side, some said Camp Rock 3 was pretty good, just not amazing. They enjoyed the cameos, like Demi Lovato’s surprise appearance and the scenes with the Jonas Brothers, as well as liking the references to the first two films. I actually found the cameo with Lovato quite awkward, and felt that both her and the Jonas Brothers had trouble connecting to their original characters; I didn’t feel like I was watching Mitchie, or Shane Gray, or whoever, so their scenes just felt a little odd. But I do understand they have grown up now and have become very different people since their time at Disney. Some liked the new music, and felt that tour manager Lark was a funny addition to the cast.

However, on the other side of things, some stated that they would’ve preferred to have seen the old cast return as camp counsellors. I’d agree with this, despite the fact this was already a key part of Camp Rock 2: The Final Jam, because I didn’t feel like the original characters had much purpose in Camp Rock 3. It arguably would’ve been better to have rebooted the Camp Rock franchise without any appearances by the original cast, especially since it was felt Camp Rock 3 was falsely advertised with the Jonas Brothers, who were barely even in this film. The fact their appearance was pushed so much in advertising suggested to me they were going to be main characters here, not just popping up randomly for not much reason at all. Others, like me, also disliked how much recycling and reusing of elements from the first two Camp Rock films existed in Camp Rock 3. Lines like “Grab a mic and a hat; follow me if you can” and “Whatever, Major Loser”, as well as the return of the heavily mocked “Camp Rock Stomp” that Mitchie led on the way to challenge Camp Star in Camp Rock 2: The Final Jam, were clearly meant to be funny for those who had watched the original films. I didn’t find them funny or feel like they were needed.

The re-recording of music from the first two movies also just felt lazy to me, and the new original songs were not particularly memorable in my opinion. Some of them I decided weren’t that bad after hearing them a few times, but still don’t compare to the music of other more recent Disney Channel musicals, and definitely not the older ones. The pacing of the film was also criticised, feeling that parts of it were rushed and that the story felt too episodic, with the campers just moving from challenge to challenge. Characters were also not developed well. I liked Lark as a new character though, because her sarcasm and lack of enthusiasm about being at Camp Rock matched how I was feeling whilst watching Camp Rock 3 and I thought that Sage and Fletch were fine as characters, but the other three in the Final Five barely got any backstory and I found it hard to care about them. Maddie was also a terribly written character, as she had no redeeming qualities. She was obviously meant to be similar to mean girl Tess from the original films, but Tess at least had a sad backstory about how her parents were too busy to care about her and that’s why she craved attention. Maddie was just mean, jealous, and vindictive, with little else in the way of personality.

As Camp Rock 3 has only just been released, there is no information yet on how it might perform at certain award ceremonies. Given that Disney+ tend to do very well at the Children’s and Family Emmy Awards, it is possible that Camp Rock 3 may receive a nomination or two here. It may also be recognised at the Kids’ Choice Awards potentially.

LEGACY

In the build up to the release of Camp Rock 3 over the summer, some of the cast were spotted at the Disney Parks to promote other summer events in 2026.

Demi Lovato, alongside the younger cast members, was spotted at Walt Disney World Resort in Orlando, Florida, specifically at the Magic Kingdom, to promote their Cool Kids’ Summer, because Camp Rock 3 was being tied in with that event. The group went on the newly refurbished Buzz Lightyear’s Space Ranger Spin, with a video later being posted on the Camp Rock Instagram page showing highlights of their ride, set to the song “Brand New Day”. Other videos of them at the park were also later released.

Another reference to Camp Rock 3 at the Disney Parks over Summer 2026 was the DescenDANCE Party x Camp Rock Jam, which had been performed at the Disney Springs Waterside Stage on select nights at the Walt Disney World Resort, as part of Cool Kids’ Summer, to promote and celebrate the release of their two newest DCOM musicals, featuring music from both franchises. It began in late May 2026, running until early September 2026. A promotional display area was also constructed for the Disneyland Hotel at the Disneyland Resort in Anaheim, California, with areas for photo opportunities. Some fun activities for hotel guests have also been put on.

The D23 Expo was also taking place on the same weekend that Camp Rock 3 made its debut, from 14th to 16th August 2026, so it’s only right that the cast would come to the convention as well in order to promote Camp Rock 3 further. In this case, the performance was presented by the Jonas Brothers, who then cleared the stage so the main cast could perform their version of “We Rock” from Camp Rock – probably to please all the millennials in the audience – as well as the original song “One Beat Away”.

A bus tour, titled All Roads Lead to Camp, to promote Camp Rock 3 also launched earlier in the summer, starting on 3rd July 2026 in Nashville, Tennessee, travelling to various cities around the US over July and into August, with the tour ending at the D23 Expo in Anaheim on 14th August 2026, with this being the film’s Disney+ premiere date too. How coincidental! The bus had a Camp Rock-themed mural painted on it, alongside the movie’s release dates. The bus had item giveaways and photo opportunities for anyone there. It was even blasting music from the series for people to sing along with[8].

There is also set to be a new short-form series premiering on Disney+ and Disney Channel in September 2026, which is a continuation of Disney’s Locker Diaries series. Yep, just like Descendants and ZOMBIES before it, Camp Rock 3 stars will be appearing in new episodes of this series, titled Locker Diaries: Camp Rock.

A further project related to Camp Rock 3 has yet to take place and that is the Descendants/ZOMBIES/Camp Rock: Worlds Collide Concert Tour, following on from the successful Descendants/ZOMBIES Worlds Collide Concert Tour over Summer 2025. From Camp Rock 3, the cast members going on the tour are Hudson Stone, who played Desi; Liamani Segura, who played Sage; and Malachi Barton, who played Fletch. The American leg of the tour kicks off on 25th September 2026 in Palm Desert, California, running until 13th December 2026 with its final performance in Mexico City. The tour will then move over to Europe, beginning with a performance on 6th February 2027 in Dublin, Republic of Ireland, and ending on 24th February in Madrid, Spain. Other cities the tour group will be heading to include Paris, London, Glasgow, and Manchester. Based on the previous tour, fans can expect to hear music from both the older and new movies of each franchise.

Finally, although a fourth Camp Rock film has not yet been announced, some of the cast have said they’d be happy to continue with the franchise by making a new film. Given the fact that Disney Channel seems to be quite comfortable focusing on the same few musical franchises, I’d say a Camp Rock 4 is probably quite likely, whether it is needed or not. Descendants is heading towards six films, and ZOMBIES is about to hit five after all.  

FINAL THOUGHTS

Although I have called myself a “Disney purist”, I like to think that I am actually more open-minded than most “Disney purists”.

I have given every new Disney Channel Original Movie a chance, even if I am not interested in them. There have been some newer films that continue Disney Channel musical franchises that I have really liked, and others that I only found moments that I did. And that’s fine, because I’m not the target audience, even though by going back to these older films, Disney seems to think they are targeting millennials, forgetting that millennials require much more from their movies than tweens and teens do.  

I will be unlikely to ever revisit Camp Rock 3, because if I want nostalgia for Camp Rock, I will simply put the original films on. This film has made me even more concerned about how the fourth Cheetah Girls movie might end up, but really, it’s all good, because as long as Disney Channel’s younger audience enjoy them, and their new stars get a chance on the small screen, then Disney did their job.

To all the adults that watched Camp Rock 3, give it time for the anger and disappointment to ebb. Remember: these new versions of beloved DCOMs are not actually yours. They weren’t meant for you, or made for you. Just keep that in mind the next time you go to watch a new Disney Channel movie; it might make you look at them a little differently. 


REFERENCES

[1] Credit: Hugh McIntyre, ‘‘Camp Rock 3’ Scores The Series Another Hit – But The Franchise Flags’, Forbes.com, 31st August 2026.

[2] Credit: Samantha Olson, ‘Is ‘Camp Rock 3’ Happening? Joe Jonas May Have Just Confirmed It’, Cosmopolitan.com, 13th August 2025.

[3] Credit: Larisha Paul, ‘Jonas Brothers Reunite With Demi Lovato For ‘Camp Rock’ Classics At Stadium Tour Opener’, RollingStone.com, 11th August 2025.

[4] Credit: Disney, ‘‘Camp Rock 3’ Officially Greenlit for Disney+ and Disney Channel’, TheWaltDisneyCompany.com, 17th September 2025.

[5] Credit: Daniel Chai, ‘Popular Metro Vancouver park shines in new trailer for Jonas Brothers’ ‘Camp Rock 3’’, DailyHive.com, 21st July 2026.

[6] Credit: Sarah Hearon, ‘‘Cause we (still) rock! The Jonas Brothers introduce a new generation in nostalgia-filled Camo Rock 3 (exclusive)’, EW.com, 13th August 2026.

[7] Credit: Fawzia Khan, ’16 Years Later, Disney+’s New Legacy Sequel Is An Instant Global Hit Despite 42% Audience Score’, CBR.com, 16th August 2026.

[8] Credit: Amanda Finn, ‘‘Camp Rock 3’ Hits the Road: Nationwide Bus Tour to Promote Upcoming Film’, WDWNT.com, 2nd July 2026.

The Cheetah Girls: One World (2008)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

Disney Channel had a few musical goodies to gift to their audience in 2008. 

First up, at the start of summer, we were given Camp Rock, a new Disney channel movie musical clearly heavily inspired by High School Musical (2006). As summer stretched into autumn, Disney gave us a real treat by releasing High School Musical 3: Senior Year into cinemas, this being the final outing of the franchise. 

But in the middle of these two films, premiering towards the end of summer, was The Cheetah Girls: One World, the third film for its franchise, beating out High School Musical to be the first Disney Channel musical “threequel”. And after they had such success sending the girls to Spain in The Cheetah Girls 2 (2006), it was decided to send them to a completely different continent. This time, they were going to Asia, to India to film a Bollywood musical. 

I have always liked The Cheetah Girls: One World, having watched it on its premiere date in the UK. Instead of annoying me, like it had done for the sequel thanks to “Strut” being shown at least four times an hour, I enjoyed watching all the promotional adverts for this film on Disney Channel, like the music video for “Dance Me If You Can” and the behind-the-scenes clips; they made me really want to see it. 

However, this film is either not considered the best of the three by most Cheetah Girls fans or fans hate The Cheetah Girls: One World. There will be various reasons for this but an undisputed one is that the third Cheetah Girls film does not include Raven-Symoné as Galleria so why bother? The reason she does not appear is quite simple: she did not want to be involved, supposedly due to tension between her and the other three girls. 

I should say that I was not aware of this at the time I watched The Cheetah Girls: One World and was only made aware of this recently. I had simply assumed that because That’s So Raven had ended in 2007, Raven’s Disney Channel sitcom, she had chosen to move away from Disney and was concentrating on non-Disney projects.

That was apparently not the case and, although I have sympathy for the situation, even knowing this fact has not made me like The Cheetah Girls: One World any less. I think the music is the best of the three; the story is interesting; and I didn’t really miss Raven being in the film. I’m not saying that because I don’t think Raven was an integral part of the films, but it’s just that I thought the other three managed to hold their own here. 

PLOT

The Cheetah Girls: One World opens with the Cheetah Girls preparing for a huge performance. There are glamorous costumes, a peppy, catchy song, dancers, a huge stage, and an adoring crowd. The audience is lapping up the spectacle in front of them. There’s just one problem with this picture – it’s not real, it’s all a fantasy.

Yes, this is just a daydream as the Cheetah Girls are actually finishing up an audition, on an ordinary stage, in an ordinary theatre, in front of an ordinary guy. He’s probably a talent agent or something but as he was not impressed by the girls’ audition, it doesn’t even matter. The point is their audition has gone nowhere and the girls are rightly upset about it. The Cheetah Girls are going through a transition period at this point in time as they adjust to becoming a trio, since Galleria left the group to focus on her studies, ready to start college in Cambridge. Aqua and Dorinda are disheartened by the group’s lack of progress recently and start to wonder if their summer break would be best used to prepare for college too. But Chanel doesn’t want to hear this negativity and tells them their shot is coming.  Aqua’s focus has also drifted elsewhere, to a flirty over-the-phone relationship with a tech support guy. Aqua retorts that not everyone can have a gorgeous, devoted, Spanish boyfriend, to which Dorinda responds that nobody has a gorgeous, devoted, Spanish boyfriend, as she broke up with Joaquin, the dancer she met when the Cheetah Girls were in Barcelona.

To get over the heartache, the girls head out for dinner, going to an Indian restaurant, because Dorinda simply can’t deal with Spanish food at the moment because of the whole Joaquin thing. Seems a bit unfair to taint a whole cuisine over a bit of boyfriend trouble, don’t you think? Anyway, at the restaurant, Dorinda notices a statue of the Hindu god Ganesh, who partly resembles an elephant. Their server tells the girls that Ganesh is said to be the remover of obstacles. The group complain about their lack of career progression and the server tells them to have some faith. The three continue to complain, with Aqua wanting to do a college prep class and Dorinda having a dance camp job lined up, which annoys Chanel who wants to solely focus on the group this summer. They all agree to concentrate on the Cheetah Girls. Suddenly, Chanel gets a phone call, stating that they are being asked to audition for a big Hollywood musical. Chanel didn’t get many details, but the girls are excited and nervous, feeling this could be their lucky break.

After warming up their vocal cords and dance moves at the restaurant, we zoom over to see the Cheetah Girls finishing up their audition for the movie musical. The director of the film, Vikram, mostly known as Vik, comes over to introduce himself, and he is instantly taken with Chanel, distracting him for a moment. He eventually gets to the point and says he wants all three of them for his movie, with this movie dream keeping his parents from sending him to dental school! They are told they are heading to Bollywood the day after tomorrow. The girls notice that he said “Bollywood” and not “Hollywood”, so they won’t be going to California, but heading instead to Mumbai, India. Chanel doesn’t care that much about this huge change to the schedule, but Dorinda and Aqua are very uncertain about going to the other side of the world. Chanel convinces them this is their opportunity to become international superstars. With Chanel’s persuasion, the other two agree to go to India. Chanel then gets all excited about how cute their director is, but Dorinda tells all three of them to not spend their time together talking about boys. The three announce to Vik they are all in on the film. However, Vik’s assistant reminds him he was only meant to select one girl, with his movie producer uncle going to be mad about the fact three girls have been hired…

Soon, the girls arrive into the heat, noise, and general chaos of Mumbai, especially its traffic situation which they are all experiencing through a very stressful ride to their hotel in a rickshaw! On the way, Dorinda sees an elephant, as she did with the Ganesh statue at the restaurant, and notices her phone ringing with a call from Spain, presumably from Joaquin. She ignores the call and absorbs herself in India instead. Their hotel is beautiful and luxurious, complete with stalls selling souvenirs right outside. As the girls take part in some light shopping, Dorinda is called over by a wise, elderly man, who tells Dorinda to take a string, make a wish, and tie the string to the tree. When their wishes come true, they can return to the tree and untie it. Dorinda is joined by Aqua and Chanel who all make a wish.

The next morning, Chanel is given the rehearsal schedule for the movie by Vik, and rushes the other two to get ready so they can get to the studio on time. The three arrive at the India Pictures lot, where they are greeted by Vik. Vik explains his vision for the movie, that he wanted to make a classic, traditional remake of the Bollywood romantic hit film Namaste Bombay but his uncle, the producer, wanted to make it more contemporary and marketable by hiring Americans, so that is why the Cheetah Girls are here. The girls are told a huge Bollywood star, Rahim Khan, will be their co-star. Rahim comes over to meet them all. The girls are speechless. Even they are impressed by his fame and charisma!

The Cheetah Girls are taken over to meet their choreographer Gita, who complains about them being late. Gita suddenly sees Rahim and is so nervous about seeing him that she stumbles over. Rahim goes over to her to help and an awkward encounter between the two ensures. Rahim is ushered away to a costume fitting whilst Gita takes the girls outside for their first dance rehearsal. Gita, unimpressed by these American girls who are supposedly amazing dancers, goes through the choreography at break-neck speed, with the dance moves being very unlike the hip-hop choreography the girls are used to. Dorinda hears Gita say they’ll need to really slow down these rehearsals for them. Offended, she begins a dance battle between her and Gita, over their two differing dance styles. In the end though, both Gita and the Cheetah Girls learn some new moves from each other and everyone ends up the best of friends – just in case you forgot this was a DCOM.

As their rehearsal ends, a man comes over, looking confused. The girls state that they are the stars of the movie, to which the man demands to see Vik. This man is Vik’s uncle, the producer, who tells Vik he only has the budget for one star, and that all three girls cannot stay. Vik’s uncle states they will each have to audition for the role, with the unsuccessful two heading straight home. Vik tries to reason with his uncle by saying he can make some script rewrites and fit all the girls in. His uncle refuses to back down. The Cheetah Girls confront Vik about the mix-up, and all three decide they should just go home. Aqua and Dorinda are annoyed that they wasted their time here, and think the group is over.

The next day, having had some time to sleep and reflect on it, the girls go shopping together and start talking about the audition and the movie. They don’t want to audition against each other, but each have an idea of who should get the role. Chanel says Dorinda should take the part, because she needs the money, whereas Dorinda wants Aqua to do it to get a chance to showcase her acting skills. Aqua says it’s clear Vik wants Chanel for the role. Chanel says she’d never take the part if that were true anyway. The three change their minds and decide they will all audition, and that they’ll be happy for whoever gets the part. Aqua then calls a phone call – it’s from her tech support guy, Kevin 347. She wanders off to talk to him. After he checks on the status of her laptop, they start to have a normal conversation. They eventually start discussing the sunset they can each see, which makes Aqua realise they must be in a similar part of the globe. They start describing their surroundings, and it turns out they are in exactly the same place! Aqua turns around to see Kevin 347 right in front of her – what are the odds! Aqua can’t believe her luck. Kevin formally introduces himself, stating that Kevin is just his work name; his real name is actually Amar. Dorinda sees what’s going on and wants to stop Aqua from getting her heart broken, but Chanel persuades her to let Aqua have some fun. Dorinda then sees yet another elephant, and starts to get paranoid about it. Chanel tells Dorinda to calm down, saying nothing is going to change in the group – before rushing off to take a call from Vik.

That evening, Dorinda comes across the wise, old man again, who tells Dorinda that she should not feel anxious for the future, and must embrace change as it is always happening. Things that do matter, though, never change. The man tells Dorinda to remember that tough times never last forever, and gives her a totem of the god Ganesh, before hitting her on the head with a leaf, for clarity, he says!

In the morning, Aqua continues to spend time with Amar. Over dinner, Amar says his father is sending him to business school and cannot study what he wants, where he wants. Aqua doesn’t understand not having control over your own life, but she does state that her dream is to star in Vik’s movie, something that she has little control over. Meanwhile, Dorinda sees Rahim acting weirdly around Gita again at rehearsals, telling him he’s a real dork every time he’s near Gita and it’s embarrassing to watch! Rahim says he’s just nervous, because he’s never kissed a girl in real-life, outside of his movies. Rahim asks Dorinda for her help with Gita, in exchange for helping Dorinda with her audition for the film. Back with Chanel, Chanel is discussing Vik’s endless attempts at rewriting his movie script, as Vik is determined to make this movie a success, as an opportunity to prove himself. This makes Chanel consider how good the film role could be for her career, even without the girls.

Dorinda takes a walk with Gita later that day, where she talks about the movie role. Gita thinks she would’ve liked to be a movie star, but doesn’t believe that will ever happen for her now. Dorinda sees Gita also acting like a dork around Rahim, as she hides behind a market stall after seeing a cardboard cut-out of Rahim. Dorinda reminds Gita that she is definitely good enough for Rahim, even if he is a celebrity.

Now, here is where the Extended Edition of the film leads into a date scene with all the couples, or potential couples, and Dorinda. Chanel brings Dorinda along on her date with Vik, for some reason, forcing Dorinda to sit in a swan pedal boat, peddling around this lake on her own, whilst Chanel and Vik gaze adoringly at each other. On dry land, Aqua and Amar are also discussing their newfound romance, whilst Gita and Rahim separately consider their feelings for the other, wondering if anything will ever happen between them.

After that, we return to the studio lot, where Vik is disheartened by the set being built for the movie’s big wedding scene, finding it bare and poorly constructed, but this is all the budget could afford. Vik goes to his uncle to ask for something more, knowing with his film school qualifications from NYU that he can make a good film. However, Vik’s uncle refuses to put any more money into the film, threatening to cancel the movie entirely and send Vik to dental school. The girls overhear Vik’s fight with his uncle, and plan to go back home, since the movie is going to be cancelled without a free location, however, Amar invites all the girls and Vik to come back to Rajasthan with him for Holi, to hold the auditions and potentially do some location scouting. Vik’s uncle invites himself along too.

As the girls prepare to leave for Rajasthan, the wise man, Swami, tells the girls to untie their strings, but they say their wishes haven’t come true. Swami says the tree just needs time to make the wishes happen. Chanel and Dorinda head to the car, leaving Aqua to secretly untie her string from the tree. Her wish has seemingly come true – what was it?

The girls head off on their long road trip to Rajasthan with Vik, his uncle, Amar, Gita, and Rahim. They arrive and Dorinda sees yet another elephant. Gita tells Dorinda she is lucky that the elephants are looking at her, because it means they are trying to help her. Dorinda is glad to hear she might be lucky but decides she can’t possibly be after the same elephant sprays water at her! The group are immediately thrown into the middle of celebrations for Holi, before being whisked away on a boat, heading for Amar’s parents’ home. They come to a huge palace and are all shocked that this is where Amar lives.

Aqua complains that Amar never told her he was rich, or that he is from royalty. She thinks he has plenty of options for his life, but Amar reiterates his father has ideas for his life, so Amar doesn’t choose for himself. Amar’s mother tells Amar that dinner is ready, and the group all sit down for dinner. Amar’s mother starts being very friendly to Aqua, believing her to be Amar’s girlfriend, but she confirms she isn’t his girlfriend. Vik discusses the potential for using Amar’s home as a location for the film, and Amar agrees to it, with one condition.

The next morning, Amar tells Aqua about the news, and that his condition was to make Aqua the lead in the movie. Dorinda runs into Gita and Rahim being awkward again, and Dorinda tells Rahim he needs to be open and honest about his feelings. She then gets another call from Spain and ignores it, with Rahim noticing she doesn’t take her own advice. They then see Vik and Chanel walking hand-in-hand. Rahim says the rumour is those two are officially a couple. Dorinda is shocked she wasn’t told, and believes Chanel didn’t say because it will only make it look unfair if she does get the lead. Chanel then hears from Vik that Amar asked for Aqua to be cast in the lead in exchange for the location. This leads to all three girls feeling paranoid about the others, not expecting a fair fight for the role anymore.

On the day of the audition, Chanel and Dorinda notice Aqua’s string from the tree tied around her wrist, and demand to know what her wish was. Aqua’s wish, it turns out, was to meet Kevin 347. Chanel is upset to find Aqua didn’t wish for the Cheetah Girls to be big movie stars. Dorinda admits her wish was for the group to stay the same, effectively cancelling out Chanel’s wish. The animosity between the three girls only grows as they start their audition, with Rahim fighting for Dorinda; Amar fighting for Aqua; and Vik fighting for Chanel to get the part. In the end, Vik’s uncle casts Chanel in the lead, annoying Aqua and Dorinda who knew Vik had been wanting Chanel in the lead all along. It wasn’t fair.

Given the conflict between the girls, Chanel’s excitement at being cast in the starring role is short-lived. As she sees Dorinda and Aqua packing to leave India, Chanel starts to consider whether this role is even worth it, not wanting to lose her friends. Eventually, the three girls come together and apologise for everything. Dorinda and Aqua admit they were just jealous and wrong to say it wasn’t fair, with Chanel saying she turned down the part anyway. Chanel tells Vik in person, and he thinks it is now certain that his film is over, since there is no love interest. Chanel convinces Vik to stand up to his uncle and make the movie he wants to make. He considers it, before kissing Chanel, wanting her to be his leading lady in real-life. Cringe. Amar then talks to Aqua, apologising for trying to get her the lead role in the film, before saying he is going to apply to Columbia University to be with Aqua. Dorinda also gets Rahim to ask Gita on a date – she says yes – as well as finally giving Joaquin a call, wanting to still be friends. She realises she was the obstacle getting in her way.

Chanel shows the girls a gift she got for Vik, the original poster for Namaste Bombay. They feel bad for backing out of the film, not knowing who will be the star of the film now. They look over to see Rahim with Gita, giving them all an idea. Vik goes to his uncle with the others, telling him that Gita will be the lead. Vik’s uncle can’t believe Vik would want to put the choreographer in front of the camera, but Vik puts his foot down. His uncle is happy to see Vik talking like a real director and goes along with the new plan.

They are now ready to shoot a sequence for the film. The sequence shows the love interests – played by Rahim and Gita – getting married, with the Cheetah Girls having a supporting role in the movie. It is a big song-and-dance number, perfect for the girls. The sequence – and this film – ends with the girls riding on the back of an elephant.

CHARACTERS & CAST

The Cheetah Girls: One World sees Adrienne Bailon, Kiely Williams, and Sabrina Bryan returning as Chanel, Aqua, and Dorinda respectively for this third story. This time, the Cheetah Girls have become a trio and are still trying to make it in the mainstream, auditioning to try and get opportunities for the group. All looks lost for them until they are offered parts in a movie – not in Hollywood like they expect, but in India, as this is a Bollywood movie. The girls embrace the challenge and their new surroundings, but find themselves caught up with distracting love interests and a fight over the lead in this film. In the end though, they are reminded that their friendship is more important than anything else, not wanting the movie or boys to get in the way of that. Raven-Symoné was not involved in this film as Galleria, with Galleria being written out of the film with a brief mention of the fact she is in summer school before heading off to Cambridge to go to university in the UK. With Galleria absent from the movie, it makes sense that her mother Dorothea would also not be in this third film. Chanel’s mother, Juanita, is not here either, probably because she’s too busy with her new husband, Luc. Same old, same old.

But there are still a few new characters in The Cheetah Girls: One World. One of these is Vikram Bhatia, mostly referred to as simply Vik. Vik is the director of this remake of the classic Bollywood film Namaste Bombay that he has hired the Cheetah Girls for. He is instantly smitten with Chanel after meeting her at the audition, and despite a clear conflict of interest here, he makes no secret of the fact he likes her throughout the movie. Chanel and Vik become close during the course of the story, as they bond over their dreams, with Vik wanting to be a movie director and this first film being his first step to achieving that, and Chanel wanting to be an international superstar. With their relationship progressing throughout their time in India, naturally Aqua and Dorinda start to feel concerned that Vik’s feelings for Chanel will mean that the audition process is completely biased. Sure enough, by the time they do come to audition, Chanel gets the part in Vik’s movie. Vik doesn’t seem to understand that Chanel would be concerned about losing her friends over this, and how their relationship might appear to them. He is entirely focused on making this film, whilst also being beaten down by his uncle, who is producing the film. It’s up to Chanel to get Vik to take control of his movie, so he can avoid going to dental school. Eventually, Vik manages to stand up for himself and gets to make the movie he wanted to make initially.

Vik was played by American actor Michael Steger, who had previously guest starred in the Disney Channel series Hannah Montana (2006-11) in a Season 2 episode prior to his casting here. Steger went on to star as Navid Shirazi in the teen drama series 90210 (2008-13), a role he is perhaps most known for.

Another love interest in The Cheetah Girls: One World, but this time for Aqua, is Amar. Aqua first meets Amar under his tech support name Kevin 347. She has been deliberately tampering with her laptop to find reasons to talk to Kevin over the phone, but they have never met in person. Coincidentally, Aqua gets a call from Kevin whilst in India, seemingly wanting to check on the status of her laptop, and they get into a conversation about the sunset, leading them to realise they are in the same place, finally getting to meet face-to-face. This is where Aqua learns that Kevin’s name is actually Amar. Amar and Aqua spend a lot of time together in this film, with their relationship also creating paranoia amongst the girls ahead of their audition for the lead, especially since Amar asks Vik to give Aqua the role in exchange for using his family’s home as a location for the movie. Amar, like Vik, doesn’t seem to realise how wrong this is either, and how much it will affect the girls’ friendship. He also neglects to tell Aqua that he is in fact Indian royalty, this coming as quite a shock to everyone, especially since he was working in tech support. By the end of the film, Amar has decided to be with Aqua in the US by applying to the same university as her.

Kunal Sharma was cast as Amar, having previously also guest starred in the Disney Channel series Hannah Montana, as well as Phil of the Future (2004-06) ahead of his role in The Cheetah Girls: One World. He later appeared as Vivek in the teen comedy spin-off Legally Blondes (2009). In 2017, he was cast in the recurring role of Sid al-Tunis in Season 5 of the crime drama series Prison Break (2005-17). More recently, he played the character Koa Rey in Season 8 and Season 9 of Hawaii Five-0 (2010-20).

Rahim Khan is the male lead who Vik has cast in his remake of Namaste Bombay. Rahim is already a huge star in Bollywood, and has plenty of screaming fans waiting for him whenever he comes to set. Despite this though, Rahim is actually incredibly shy around one woman, Gita, the film’s choreographer. Rahim confides in Dorinda about his feelings for Gita, although the way he acts around her, tripping up and being generally awkward, has already made that obvious to all the Cheetah Girls, also stating that he has never kissed a girl outside of his movies. Dorinda decides to help Rahim with Gita, and in exchange Rahim helps Dorinda with her dancing, ready for the audition. Rahim, although not Dorinda’s love interest, is the person that is backing her for the lead role in the film, as Vik and Amar are doing for Chanel and Aqua. The audition doesn’t go Dorinda’s way, however, she doesn’t hold Rahim accountable for that, and encourages him to ask Gita out on a date, so they can stop acting strangely around each other and making everyone else feel uncomfortable!

Rahim Khan was played by Rupak Ginn. After The Cheetah Girls: One World, Khan was cast in the recurring role of Raj in the comedy-drama series Royal Pains (2009-16) and later hosted a PBS documentary series on South Asian cuisine, titled Spice Road (2023-26).

Gita is the choreographer on Namaste Bombay. She initially is quite annoyed by having to teach these American girls traditional Bollywood dance steps, not wanting to slow it down for them since Vik has told her how well they dance. She is quite pleased to embarrass the girls in front of all the other dancers, proving they have a lot to learn, however, this irritates Dorinda who starts a dance battle between the Cheetah Girls and Gita’s dancers. They finally come to get along with each other though, and Gita even gets some advice on her feelings for Rahim from Dorinda. Gita’s journey in The Cheetah Girls: One World ends with her finally getting the man of dreams – Rahim – and getting her dream role of starring in a Bollywood musical.

Gita was played by Deepti Daryanani, who had previously been cast as the character Priti in the Hindi-language version of the comedy American Pie, titled Yeh Kya Ho Raha Hai? (2002). After The Cheetah Girls: One World, she was cast as Maya in the Lifetime film Acceptance (2009), which starred Mae Whitman and Joan Cusack.

Vik’s uncle, Kamal Bhatia, is the producer on Vik’s new movie, meaning he is in charge of financing this film. This means Vik’s uncle has a lot of ideas and necessary compromises to make the movie happen, even if they do not match Vik’s vision for this masterpiece. Vik’s uncle is adamant that they can only afford one of the Cheetah Girls to star in the film, and orders the audition to take place to choose the best one. He also comes up with a set for the big wedding sequence in the film, but Vik is unhappy with it, even though that is as far as the budget will stretch. Vik’s uncle later accompanies Vik and the others to Rajasthan to scout for new locations, which must be free. Luckily, Amar offers up his family home at no cost. Vik’s uncle is later approached after Chanel drops out of the leading role, with Vik demanding that he gets to make the movie his way, which means Gita in the lead role and reverting back to Vik’s initial version of making a more traditional remake of Namaste Bombay, albeit still with the Cheetah Girls in minor roles. Vik’s uncle allows these changes, happy to see Vik stand up for his movie, as all directors should.

Uncle Kamal was played by British-Indian actor Roshan Seth. Earlier in his career, Seth was cast as Jawaharlal Nehru in Gandhi (1982), for which he was nominated at the BAFTAs in the Best Supporting Actor category. He went on to appear as Chattar Lal in Indiana Jones and the Temple of Doom (1984) and as Amritrao in A Passage to India (1984). In the 2000s, Seth starred as Gopal in the independent film Cosmopolitan (2003), and was cast in various Hindi-language films, including as Justice Thapar in Guru (2007). Seth was even cast as Pramesh Singh in Disney’s live-action remake Dumbo (2019). In television, Seth starred as Haroon Amir, opposite Naveen Andrews, in the BBC miniseries The Buddha of Suburbia (1993). More recently, he was cast as Darius Dalal in the Channel 4 series Indian Summers (2015-16) and as Shah Alam II in ITV’s Beecham House (2019).

The Cheetah Girls frequently encounter the wise man Swami Ji, as he sits under a tree by their hotel in Mumbai, giving out advice to them about where their lives are going. After they leave Mumbai for Rajasthan, we don’t see him again, but his wish strings certainly cause problems for the girls even after they’ve left the area! Swami Ji tells Dorinda to expect change and to not fear it, whilst also telling the girls that they may wish for things that they don’t need, and that something unexpected might take its place. That is certainly the case, as Chanel’s wish of the girls becoming major movie stars didn’t happen, although they did end up in a film, and Dorinda’s wish of having the Cheetah Girls stay exactly the same obviously wasn’t going to happen. With Swami Ji’s help, the girls got to understand themselves more, as well as the culture’s spirituality.

Indian actor Vinod Nagpal was cast as Swami Ji. Nagpal had previously been cast in various Indian television series, including as Basesar Ram in Hum Log (1984-85) and as Shyamlal in Buniyaad (1987-88). He has also made appearances in various Hindi-language films, for example as Mr. Srivastav in Aaja Nachle (2007) and most recently as Kitpal in Main Vaapas Aaunga (2026).

MUSIC

The soundtrack for The Cheetah Girls: One World was released on 19th August 2008, just a couple of days before the film premiered in the US, and consists of 12 original songs. 

Although the soundtrack album may have underperformed in the charts when compared to the other two movies’ soundtracks, by reaching No. 2 in the US Billboard Kid Albums and No. 3 in the Soundtrack Albums, as well as No. 13 on the US Billboard 200 chart, whereas the other two had topped both the Kid Albums and Soundtrack Albums charts, The Cheetah Girls: One World contains the best music in the franchise in my opinion.

In movie order, the first song we hear is “Cheetah Love”, being led to believe that the girls are putting on a major concert in front of a crowd of excitable fans, when in fact they are just auditioning in a theatre and have not yet become famous. This is a good, energetic song to recentre the viewers in the world of The Cheetah Girls after a bit of a break. “Cheetah Love” was written by Kara DioGuardi, Niclas Molinder and Joacim Persson.

Following that, the girls decide to head to an Indian restaurant for dinner, and start to feel hopeless about their chances of stardom. However, at dinner, Chanel gets a call saying they are wanted for an audition for a huge musical. This gives the girls some further motivation to continue with their group, leading to them singing and dancing around the restaurant in front of the other paying customers, before ending up in another theatre, continuing their performance as part of their audition. “Dig a Little Deeper” is the only song that I don’t like in this film. Maybe because I don’t think running around a restaurant is good from a health-and-safety perspective; it just seems very reckless, with all that sharp cutlery! “Dig a Little Deeper” was written by Antonina Armato, Tim James, and Devrim Karaoglu.

After that, we hear “Getting Crazy on the Dancefloor”, which was actually a solo song for Sabrina Bryan. This song plays in the background as we see the Cheetah Girls arrive in India, experiencing a little bit of a culture shock as they are driven through the streets. We don’t get to hear much of this song but what we do hear is just ok. “Getting Crazy on the Dancefloor” was written by Sabrina Bryan, Sebastian Jacome, and Karl Cameron.

As the girls arrive at the movie studio in India for their first rehearsal, they are late and have managed to irritate the choreographer, Gita, so she makes the rehearsals hard for them, leading Dorinda to get defensive and say they can dance well. This leads to a dance battle of sorts via the song “Dance Me If You Can”. I really like this song, ever since I first saw it on the Disney Channel, promoting this film. It’s fun, it’s got a bit of a Bollywood essence to it, and it’s high-energy. “Dance Me If You Can” was written by Matthew Gerrard and Robbie Nevil, and was performed by the Cheetah Girls, along with Deepti Daryanani as Gita. This song is used in the End Credits of the film too.

Things slow down a bit after this, as the Cheetah Girls start to consider the group’s future and their opportunities in India, after Vik is told that he can only hire one girl, meaning the three will have to audition against each other for the part, something they don’t want to do. This leads to the song “Fly Away”, where the girls wonder how these events might change them and the Cheetah Girls. It’s nice to hear the girls sing more of a ballad here, giving the film a different mood. “Fly Away” was written by Jamie Houston.

Another ballad follows, but this time solely performed by Adrienne Bailon, as Chanel starts to consider that getting the starring role in the film would be great for her career and something she really wants to achieve, but she worries how it will affect the Cheetah Girls if she does get it. I love this song; it’s a great one to sing along to, and it expresses how torn Chanel is feeling. “What If” was written by Matthew Gerrard and Robbie Nevil.

The next song only appears in the movie as part of the Extended Edition, with this song being “Feels Like Love”. Oddly, I actually like this song and the whole sequence that accompanies it, despite it being an extended scene, which basically means it was deemed not good enough to make the final edit of the film! Whether I like a deleted song or not varies wildly from film to film. For example, although I like “Feels Like Love” in this film, I hated “Cherish the Moment”, the song from the extended edition of The Cheetah Girls 2. But “Feels Like Love” is really sweet and I love that their date is going on pedal boats. It’s a song for the whole cast – except Dorinda who has sworn off boys!  “Feels Like Love” was performed by the Cheetah Girls; Michael Steger as Vik; Kunal Sharma as Amar; Deepti Daryanani as Gita; and Rupak Ginn as Rahim, written by Adam Watts and Andy Dodd.

As the Cheetah Girls head to Rajasthan to scout locations with Vik and the rest of the movie gang, we hear a song playing in the background. This song is “Stand Up”, another solo song for Adrienne Bailon. It’s a good song, but it is lively, which is quite at odds with the boredom of the long car journey that we are seeing on screen! “Stand Up” was written by Matthew Gerrard, Robbie Nevil, and Adrienne Bailon.

A little while later, as the girls prepare for their audition for the lead role in Vik’s film, they become increasingly suspicious and paranoid of each other, wondering if the others are playing fair, or using their connections with various members of the movie crew to get ahead. The song is again only heard briefly in the background, but it’s still decent. This time, the song “Circle Game” was a solo for Kiely Williams, meaning all three of the girls got at least one solo each in this film. It was written by Antonina Armato, Tim James, and Kiely Williams.

This leads pretty much straight into the song “I’m the One”. We already saw a dance battle earlier in the film, but “I’m the One” is a singing battle as the Cheetah Girls fight for the starring role in Vik’s movie. By this point in the story, the girls aren’t really speaking so this is a real fight, with the girls no longer afraid to use some leverage to get the role, in the form of each of their male confidantes: Dorinda has Rahim, Aqua has Amar, and Chanel has Vik. “I’m the One” is therefore performed by the Cheetah Girls, as well as Michael Steger as Vik, Kunal Sharma as Amar, and Rupak Ginn as Rahim. It was written by Kara DioGuardi, Niclas Molinder, and Joacim Persson.

After Chanel is given the lead role, Aqua and Dorinda are irritated, thinking that Chanel only got the part because she’s been flirting with Vik, the director. Aqua and Dorinda must then pack up and leave India as they are no longer needed on the film. As they do this, Chanel wonders whether she should take the part at all. All three sing another heartfelt song, “No Place Like Us”, deciding they don’t want their friendship to end over something so trivial like an audition and choosing to stick together no matter what. “No Place Like Us” is easily my favourite song in The Cheetah Girls: One World, and I think it might be my favourite song in the entire franchise. “No Place Like Us” was written by Adam Anders and Nikki Hassman.

Finally, we have “One World”, the big finale number to end The Cheetah Girls: One World, and seemingly the final sequence of Vik’s film, as we see the new leads of Rahim and Gita film the movie’s wedding scene, with the three Cheetah Girls there to sing and dance as well. This finale has everything: extras, colourful costumes, even elephants! They really threw everything at this one, and it is the closest the audience gets to seeing something authentically Bollywood, ending the Cheetah Girls’ Indian adventure. “One World” was performed by the Cheetah Girls, with the additions of Deepti Daryanani as Gita and Rupak Ginn as Rahim. “One World” was written by Matthew Gerrard and Robbie Nevil.

David Lawrence was the composer for The Cheetah Girls: One World, having returned to the franchise after his work on the music for The Cheetah Girls 2. Elsewhere for Disney Channel, Lawrence was the composer for various other musicals, including the High School Musical trilogy, StarStruck (2010), Teen Beach Movie (2013) and Teen Beach 2 (2015), and the first three Descendants films.

PRODUCTION

After The Cheetah Girls 2, The Cheetah Girls as a franchise had a huge surge in popularity and fame come its way from Disney Channel fans.

Director Paul Hoen was chosen to direct The Cheetah Girls: One World, the franchise’s third film, having had experience directing Disney Channel films prior to this, such as The Luck of the Irish (2001), Eddie’s Million Dollar Cook-Off (2003), and Read It and Weep (2006). After The Cheetah Girls: One World, Hoen continued to be called upon by Disney Channel for their films, going on to direct the musicals Camp Rock 2: The Final Jam (2010) and the entire ZOMBIES movie franchise, with ZOMBIES 5: Secrets of the Sea set for release in 2027, as well as the non-musicals Cloud 9 (2014) and Invisible Sister (2015). 

Dan Berendsen was tasked with co-writing the screenplay for The Cheetah Girls: One World. His previous writing credits for Disney Channel were Eddie’s Million Dollar Cook-Off (2003); Stuck in the Suburbs (2004); Twitches (2005) and its 2007 sequel, as well as writing the teleplays for the movies Sabrina Goes to Rome (1998) and Sabrina Down Under (1999) that add to the series Sabrina, the Teenage Witch (1996-2003). After The Cheetah Girls: One World, Berendsen went on to write various major DCOMs, including Wizards of Waverly Place: The Movie (2009); Hannah Montana: The Movie (2009); and Camp Rock 2: The Final Jam (2010). He later created the Freeform series Baby Daddy (2012-17).

Two other writers were credited with writing the screenplay for this third Cheetah Girls film. One of these was Nisha Ganatra who recently directed Season 1 of the comedy-drama series You Me Her (2016-20), as well as directing the movies Late Night (2019), which starred Dame Emma Thompson and Mindy Kaling, and the Disney sequel Freakier Friday (2025). The other writer was Jen Small, who had previously been a producer on the independent film Cosmopolitan (2003), which Nisha Ganatra directed.

High School Musical hadn’t yet made its sequel by the time The Cheetah Girls 2 came out in 2006, but by the time The Cheetah Girls: One World did in 2008, Disney Channel had managed to create their most-watched DCOM ever, with High School Musical 2 reaching over 17 million viewers just on its US premiere date in August 2007.

That either meant that Disney Channel felt pressure to ensure their first-ever musical “threequel” with The Cheetah Girls: One World was a hit, or meant that they thought they had enough fans desperate for more musicals that this third Cheetah Girls movie would be a success regardless of what it was actually like.

If Disney Channel assumed The Cheetah Girls: One World would be an instant success for simply being a Disney Channel musical, then they were wrong, because with Raven-Symoné not getting on with the other three girls during filming on The Cheetah Girls 2, she declined to be involved in this third film, leaving a key member of the cast out[1]. The official reason for her absence was that Raven was busy recording her new album and filming a new Disney film, College Road Trip (2008), so was not available. Omitting Raven from this film was not something that all fans could easily get used to, and made some not want to watch The Cheetah Girls: One World before it even premiered. 

If they felt pressure, then it was clear that by having this movie be filmed and set in India, they were looking to capitalise on the interest that The Cheetah Girls 2 had had with its European setting of Barcelona. A stunning location can do wonders for a movie, instantly grabbing the viewers’ attention. In this case, the cast and crew filmed The Cheetah Girls: One World in early 2008, with the shoot taking place over 16 days specifically in Udaipur, a city in the Indian state of Rajasthan[2]. One of the primary filming locations used was the City Palace in Udaipur. Strangely enough, the filming of The Cheetah Girls: One World was even mentioned on the Season 2 episode of Keeping Up with the Kardashians (2007-21), “Rob’s New Girlfriend”, as Adrienne Bailon was dating Rob Kardashian at the time, and she told him she was heading to India for three months to shoot the third Cheetah Girls film. Given that the third film was shot around spring, this would explain why there were scenes showing celebrations of the Hindu festival Holi. They may have been recreated for the movie, but either way, the production team should’ve done some more research as Holi is a spring festival, and does not take place in summer when this film is set.

Before filming could even begin, the girls flew to Mumbai to take part in two weeks of dance rehearsals, followed by a further week of rehearsals in Udaipur. They were put through their paces by choreographer Fatima Robinson, who has been a choreographer for musical artists like Aaliyah and Beyoncé, along with choreographing for films such as Save the Last Dance (2001) and Dreamgirls (2006). Robinson recently choreographed the movie musical The Color Purple (2023).

But these dance rehearsals were not like any other the girls had experienced as their choreography on this film would be combining their usual hip-hop and contemporary styles with Bollywood dancing, which is known for being incredibly precise and difficult to master. These moves were particularly necessary for the songs “Dance Me If You Can” and “One World”, which feature plenty of accomplished dancers in the background, just to give the girls even more of a reason to ensure their dancing was exactly right! “One World” also required the girls to be dressed up in traditional colourful saris. The girls stated in behind-the-scenes interviews that they were allotted a specific amount of time in their schedule in order for them to be dressed correctly without being rushed as it can take time. The entire finale sequence for The Cheetah Girls: One World took three days to film in total. And the girls were quite scared to ride that huge elephant in the very last shot of the film too!

Other stories they had from their time filming in India were that Sabrina Bryan struggled to pedal that swan boat during the extended scene for the song “Feels Like Love” and couldn’t keep with Adrienne Bailon and Michael Steger in the other boat, and that it actually rained as they were filming the “I’m the One” audition scene, despite them filming during the dry season. They hadn’t seen any clouds in the sky throughout their whole time of being in India until this day. They also said that doing their scene in the auto rickshaw was pretty scary as well, with all the traffic that they had to weave in and out of, so I’m assuming the terror on their faces in this scene was probably at least 50% authentic!

To add to the excitement for The Cheetah Girls: One World, Disney Channel fans globally were invited to vote on certain aspects of the movie through The Cheetah Girls: One World: Play Your Part online polls. This was something that fans had been able to do for High School Musical 2 back in 2007 and had proven very popular. Voting ran from 31st December 2007 to 1st February 2008, receiving 50 million votes from viewers worldwide[3]. Some of the winning selections included the dress that Chanel was wearing during the film’s opening audition scene; Aqua’s jacket that she is wearing during the Cheetah Girls’ audition for the movie; the ring and earrings that Dorinda and Chanel buy from the market; and the poster of the Jonas Brothers in another market scene. Apparently, Zac Efron was close to being the Disney Channel star to feature on this poster, but he narrowly lost out[4].

RECEPTION

The Cheetah Girls: One World held its premiere at the El Capitan Theatre on 12th August 2008, with the premiere being attended by various Disney Channel stars, including the cast of Camp Rock, the Disney Channel musical that premiered earlier in that same summer. The Cheetah Girls: One World then premiered on the Disney Channel in the US on 22nd August 2008, before making its way to other countries internationally throughout the rest of the year.

During its US premiere, it has been said that 6.2 million viewers tuned in to watch The Cheetah Girls: One World. This is not a terrible figure by any means but it can only be described as average. This was also over 1.5 million less than those who watched the premiere of The Cheetah Girls 2 just two years early in 2006. It was also the least-viewed Disney Channel Original Movie of 2008, with Camp Rock being the most-viewed, at 8.9 million viewers. However, most DCOM musicals easily outperform any non-musical DCOMs. This was not the case in 2008 as Minutemen, a science-fiction-themed DCOM, was watched by 6.5 million viewers, only slightly outdoing The Cheetah Girls: One World, but still, I find that quite surprising. This third Cheetah Girls film was also not anywhere near close to the viewing figures of High School Musical 2, which was watched by 17.2 million viewers on its premiere in 2007, and it could be said that Disney Channel had been attempting to build this same type of hype for The Cheetah Girls: One World just a year later.

The reason why The Cheetah Girls: One World may have underperformed is potentially simply due to the fact that Raven-Symoné was not involved, leading to fans of The Cheetah Girls franchise boycotting this third film. There continue to be fans who say they have never watched this film for this very reason. Others who did watch it despite Raven’s absence have said the third film wasn’t even needed, and should not have been made without all four girls being included. Further negative critiques aimed at The Cheetah Girls: One World include the stereotypical representation of India, such as the character of Swami Ji and Amar being a tech support guy from India. Some were also annoyed to find that Michael Steger, who was cast as Vik, was not even Indian, and questioned why he would’ve been cast here. It was felt that there were very few authentic representations of Bollywood films or their music here, with only very few references being made to traditional Bollywood musicals in the “One World” sequence right at the end of the film. Generally, those that did not like The Cheetah Girls: One World said it was bland and unoriginal.

But there are others who very much did enjoy The Cheetah Girls: One World – and I am one of those people. For those that are fans of The Cheetah Girls: One World, the music was a highlight here, with the additional Bollywood elements, from the choreography to the music style, another bonus. I can’t say that I am a fan of Bollywood musicals, having never really seen one, other than Bride and Prejudice (2004), but that isn’t a true Bollywood film, however, I have heard various Bollywood-style songs and I’ve always liked them. Having the movie set and filmed in India was something else to be praised, since the film featured many beautiful, and colourful locations, many of which would’ve been new to Disney Channel fans at the time. It has been said by many fans that there is plenty to enjoy in this film, providing you are willing to look past the fact that Raven-Symoné is not in it.

In terms of awards, Paul Hoen was nominated at the Directors Guild of America Awards for his work on The Cheetah Girls: One World in the category of Children’s Program, alongside two other 2008 Disney Channel movie directors, those being Matthew Diamond for Camp Rock, and Lev L. Spiro for Minutemen. However, all three lost out to Classical Baby (2005-17) on HBO Family, directed by Amy Schatz. The Cheetah Girls: One World was also nominated at the NAACP Image Awards for Outstanding Children’s Program, with the winner being the children’s animated series Dora the Explorer (2000-19).

LEGACY

Around the time of the premiere of The Cheetah Girls: One World, in the US the Nintendo DS game, The Cheetah Girls: Passport to Stardom was also released, in August 2008. The storyline of this game features events based in India, matching the film, as well as a selection of songs from The Cheetah Girls: One World and the other two films.

The Cheetah Girls as a musical group also released their second EP, titled The Cheetah Girls Soundcheck, on 19th August 2008. This was the same day that The Cheetah Girls: One World soundtrack was released. The EP consisted of three songs from this third film, “One World”, “Cheetah Love”, and “Dance Me If You Can”, along with “Strut” from The Cheetah Girls 2, and the song “Break Out This Box” from their album TCG

Also in 2008, the Cheetah Girls made some appearances on the Disney Channel. This included guest appearances on the series The Suite Life of Zack & Cody (2005-08), in the Season 3 episode “Doin’ Time in Suite 2330”, which has been removed from some digital platforms due to the episode also featuring controversial singer Chris Brown, and in the second show of Studio DC: Almost Live! (2008), with the Muppets and fellow Disney Channel stars. Here, the Cheetah Girls performed “Dance Me If You Can” with Miss Piggy.

The girls were also present for the third season of the Disney Channel Games that aired on Disney Channel throughout Summer 2008. Each of the three was in a different team, with Adrienne Bailon a member of the Red Team; Kiely Williams captaining the Blue Team; and Sabrina Bryan in the Yellow Team, these being the same teams they had been a part of in the 2007 edition of the Disney Channel Games. At the closing ceremony, the Cheetah Girls performed these songs from The Cheetah Girls: One World: “Cheetah Love”, “Dance Me If You Can”, and “One World”.

After a little bit of a break, the Cheetah Girls then continued their promotion of their third film and its soundtrack by going on the One World Tour, which ran from 4th October 2008, starting in Corpus Christi, Texas, until 21st December 2008, when it ended in San Diego, California. This tour was not as successful as The Party’s Just Begun Tour had been in 2006 and 2007, when promoting their second film, with this tour being extended on a couple of occasions. The One World Tour was not extended and actually had some negative publicity surrounding it. For example, the group were meant to perform at the Macy’s Thanksgiving Day Parade in 2008, but they dropped out; the official reason behind this was reportedly “scheduling issues”.

After the end of the One World Tour, rumours had begun to circulate stating that this was not just going to be the Cheetah Girls’ final tour, but was also pointing to the group breaking up for good. In January 2009, Adrienne Bailon confirmed that the news was true, however, she did not feel it was such a big deal, as their run had to end sometime, like it had done for the cast of High School Musical around the same time. The girls were simply old enough to be moving away from Disney Channel now. Bailon stated that the girls were all still friends. Kiely Williams had some slightly different things to say on the group breaking up, and that was to say that she was annoyed that the negative publicity surrounding the group had led to the break-up of the group ending on a sour note[5].

The Cheetah Girls was not completely forgotten by Disney or Disney Channel after this though, as their films continued to be re-run on the channel. They even got some recognition at the Disney Parks, specifically at Disney’s Hollywood Studios at Walt Disney World, from 2010 to 2013, by way of the short stage show performed at the park called Disney Channel Rocks. Disney Channel Rocks showcased music from many Disney Channel musicals including the Camp Rock films, StarStruck (2010), Jump In! (2007), the High School Musical trilogyand of course, The Cheetah Girls franchise. From The Cheetah Girls: One World the song “Dance Me If You Can”, mixed in with “Push It To The Limit” from Jump In!, was performed, with a brief excerpt of “One World” coming towards the end of the show. The new version of Disney Channel Rocks that reappeared at the Disneyland After Dark: Disney Channel Nite events in 2024 and 2026, despite dropping the song “The Party’s Just Begun” from The Cheetah Girls 2, did keep “Dance Me If You Can” and “One World”.

It was clear by this point that, although The Cheetah Girls had not reached the same heights as High School Musical, it was still a treasured musical franchise amongst Disney Channel fans. And yet, some fans have always been aware of the underlying tension between some members of the group that has been around for years.

Each of the four girls has been asked on numerous occasions in interviews about their friendships with the others. In 2020, Raven-Symoné was asked about the possibility of a Cheetah Girls reunion. She alluded to the fact that there had been tension between her and the others girls, stating that she would like to be a part of the Cheetah Girls brand again, but would need to clear the air with some of the girls first. Raven did, however, confirm that she was still close to Adrienne Bailon[6]. The discussions around a reunion only intensified when it became known that Kiely Williams and Raven-Symoné had cleared the air – via an Instagram Live – around some of the conflicts that had arisen during the filming of The Cheetah Girls 2, with Williams even admitting that The Cheetah Girls: One World failed because Raven wasn’t in it. It would have seemed that a truce was close to being reached between all four of the Cheetah Girls – until Williams said she had no intention of making up with Adrienne Bailon, with some events between them running too deep to ever resolve[7].

With this in mind, it might have come as a surprise to find that, on 8th July 2026, Disney Channel confirmed that a fourth Cheetah Girls movie was in the works, to be titled The Cheetah Girls: Next Gen, premiering on Disney Channel and Disney+ potentially in 2027. It was confirmed that Raven-Symoné and Adrienne Bailon would be reprising their roles as Galleria and Chanel, as would Lynn Whitfield and Lori Alter, as their on-screen mothers Dorothea and Juanita. New castings for the film included Leah Sava’ Jeffries, as Faith, Galleria’s daughter; Carmen Sánchez, as Dior, Chanel’s younger sister; Kaileen Chang, as Ruby; and Sophie Lennon, as Brooklyn, making up the four new “Cheetah Girls”. Also joining the cast is Sophia Bush as a character named Jennifré. The story is set to follow Galleria and Chanel, along with the girls, travelling to Africa to volunteer at a wildlife sanctuary, with events eventually leading to the girls becoming the new Cheetah Girls.

Production on the film began in late July in South Africa, with Debra Martin Chase returning as a producer, and Raven-Symoné and Adrienne Bailon also producers here. The director will be Billie Woodruff, with choreographing coming from Kyle Hanagami, and the script being written by Kara Holden, Sarah Watson, and Deborah Swisher[8].

It was also confirmed that Sabrina Bryan would be returning to reprise her role as Dorinda in The Cheetah Girls: Next Gen. Kiely Williams will not be coming back to play Aqua though, which, given what she’d said about the status of her friendship with Adrienne Bailon, isn’t really surprising. It’s a bit disappointing, but nobody should feel forced to do something that makes them feel uncomfortable. It’s just a movie after all.

Although the news of this fourth film was met with plenty of excitement from older and younger fans alike, it was not necessarily seen as a good thing by everyone. There has been some backlash around the casting. This is due to the fact that the Cheetah Girls was always meant to be focusing on Black girls. The book series by Deborah Gregory, that the film series is based on, originally featured four Black girls as the stars. When The Cheetah Girls (2003) movie was made, this was then reduced down to featuring two Black girls, one Latina, and one white girl, with the producers wanting to showcase as much diversity on screen as possible, allegedly. However, this new casting now only has one of the four girls being Black, which has been considered a step backwards to some[9].

FINAL THOUGHTS

The Cheetah Girls: One World will always be viewed differently because one key cast member was missing. 

Some say this was a major misstep by Disney Channel to make this third film without Raven-Symoné, whereas others weren’t too bothered by her absence and found plenty to like here. However, The Cheetah Girls: One World did signal the end of this DCOM musical franchise, with various factors leading to this decision.

And yet, over twenty years after the original film came out, it turns out the franchise has not ended and was just on a very long hiatus. A fourth film is indeed coming, introducing a new generation of Cheetah Girls to Disney Channel fans, who will hope the company are successful at reviving the series.

We will just have to wait and see if this new film manages to remind viewers of the true meaning of “girl power” once more. 


REFERENCES

[1] Credit: Ashley Spencer, Disney High: The Untold Story of the Rise and Fall of Disney Channel’s Empire (2024), ‘That’s So Raven-Symoné’, pp. 85-110.

[2] Credit: Jennifer Frey, ‘Cheetah Girls go global’, SouthCoastToday.com, 24th June 2008.

[3] Credit: Gary Rusak, ‘Disney Channel’s Cheetah poll garners 50 million votes’, KidScreen.com, 7th March 2008.

[4] Credit: Disney Channel, “Cheetah Spots”, from The Cheetah Girls: One World (2008) UK DVD (2009).

[5] Credit: AceShowbiz Editorial Team, ‘Adrienne Bailon Confirms The Cheetah Girls Break-Up Rumor’, AceShowbiz.com, 28th January 2009.

[6] Credit: AJ Pitts, ‘Raven-Symoné Weights In On What Would Have To Happen Before a Cheetah Girls Reunion’, JustJaredJr.com, 4th April 2020.

[7] Credit: Allie Gemmil, ‘Raven-Symoné and Kiely Williams Resolved Some “Cheetah Girls” Drama on Instagram Live’, TeenVogue.com, 10th April 2020.

[8] Credit: Joe Otterson, ‘‘Cheetah Girls 4’ Set at Disney With Raven-Symoné, Original Cast Members Returning’, Variety.com, 8th July 2026.

[9] Credit: Leyla Mohammed, ‘Disappointed Millennials Are Accusing Disney Of “Whitewashing” The Next Generation Of Cheetah Girls Amid News That A Fourth Movie Is In The Works, So Here’s An Explainer On The Discourse’, Buzzfeed.com, 9th July 2026.

The Cheetah Girls 2 (2006)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

The Cheetah Girls 2 was all set to be the first-ever Disney Channel musical sequel.

After the instant success of High School Musical (2006), this sequel had to be bigger and better – and the best way for Disney Channel to deliver that? To have the Cheetah Girls head out to Europe. Yep, the girls were going on tour! Well, not a literal tour. They didn’t go from winning a school talent show to selling out global arenas, but they were going on vacation to Barcelona in Spain, with the aim being to perform at Barcelona’s music festival.

Americans love Europe, and production companies love to send their American stars to film projects in Europe. It’s been happening for years. Mary-Kate and Ashley got to go to Paris for Passport to Paris (1999), Disney Channel themselves sent Lizzie McGuire to Rome for The Lizzie McGuire Movie (2003), and now the Cheetah Girls were heading to Barcelona.

This was a great way of one-upping High School Musical, which had premiered on Disney Channel in January 2006, just a few months before The Cheetah Girls 2 arrived in the summer. High School Musical was already on its way to becoming a major hit for Disney Channel, with more ideas for future projects on the way, so The Cheetah Girls franchise couldn’t get left behind. Having the second film set in Spain was a big way of doing this, because the cast of High School Musical never got to go to Europe. Losers. Just kidding.

Anyway, I don’t think I actually watched the premiere of The Cheetah Girls 2, even though I was actively watching Disney Channel at the time. I think I chose to avoid it out of spite, although who I was trying to spite, I have no idea. It’s not like the people at Disney Channel were going to be bitterly disappointed that I personally had not watched The Cheetah Girls 2. But I came to the decision out of pure annoyance because all summer I’d had to hear and see the music video for the song “Strut” that appears in the film. I know it’s a fan-favourite, but I just can’t stand it! Plus, I was never a big Cheetah Girls fan. I liked the first film enough to watch it all the way through, but I didn’t connect with it on a deeper level.

However, eventually, I did bring myself to watch The Cheetah Girls 2, I think it was actually after I saw the third film. It was kind of unavoidable anyway because the first sequel was re-run so often, and at the time I watched it, I didn’t like it. I have no idea why either, because watching it a few years later, I loved the fact it was set in Barcelona, I found a few songs that I really liked, and it just felt like a bigger and better version of the first film, which is what all Disney Channel musicals set out to do. So now, I actually do like it.

PLOT

The Cheetah Girls 2 begins with a performance by the girl group, as the previous film did, but this time, the girls have levelled up from performing at children’s birthday parties to headlining their school’s jungle-themed graduation party. It has been two years since Galleria, Chanel, Aqua, and Dorinda won the Manhattan Magnet Talent Show and they have just finished their Junior Year of high school.

Galleria reminds the girls that just because it is summer break, there shouldn’t be a break for the Cheetah Girls, having already created a rehearsal schedule. Galleria and Chanel go and sit with their mothers after their performance, where Galleria is reminded by her mother that summer is for family time and everyone has their own plans. She lets slip that Chanel and her mother are going to Barcelona to spend the summer with Chanel’s mother’s boyfriend, Luc. This comes as a complete surprise to Chanel and she’s not happy.

Later, at Galleria’s family’s apartment, Chanel vents about her annoyance at having to go to meet all of Luc’s family in Spain this summer. She doesn’t want to and she’s never warmed to Luc. Galleria and Chanel wonder whether all the Cheetah Girls could go to Spain as well, and they float the idea with their mothers, who are busy wondering whether Luc is going to propose to Chanel’s mother over the summer. They both say the girls cannot come as the trip is in three days and it would frankly be rude to invite extra people to Luc’s villa, despite apparently being big enough for all of them to stay there.

Aqua and Dorinda join Chanel at Galleria’s for a sleepover, where they talk about their unexciting summer plans. Aqua has some summer course lined up at Columbia University, and Dorinda can go and teach kids at a dance camp, but they’d rather be together over the summer. As they talk, a shooting star passes by the window and they all wish to go to Barcelona. This is what manifesting used to look like – and it even worked, because as luck would have it, the breeze flipped over some pages of a magazine right to a page about a New Voices contest at the Barcelona Summer Music Festival. Galleria gets Chanel to translate it for her. She seems hopeful – until she reads the deadline for entries was last week. Galleria doesn’t seem to think the deadline will apply to them, and goes to call them right away, to audition over the phone. Chanel reminds Galleria about time differences so they agree to wait until later on to call. When the time is right, they all wake up and call the music festival, who try to tell the girls not to bother, but Galleria insists and they sing their song “Cheetah Sisters” over the phone. They are told to download and sign the application form and to get over to Barcelona for a meeting with the festival director next week. Galleria has them promise they’ll work hard to ensure they win the competition.

The next morning, the girls tell Galleria and Chanel’s mothers all about their plans to go to Barcelona. They can’t quite believe the girls’ audacity, but Galleria has worked out with her father to use his airline miles to fly her and Dorinda to Spain, and they can stay at Luc’s house. Chanel’s mother agrees, as long as Galleria’s mother comes too. They admit defeat.

Soon after, the Cheetah Girls are at the airport, ready to fly off to Barcelona and become international superstars. In the city, Aqua is excited to sightsee and to improve her Spanish, with Chanel continuously picking up on Aqua’s flawed pronunciation. Hey, Chanel, not everyone can roll their Rs, you know! Later that same day, the girls collapse at a café after a full day of walking around the city. As they wait for their drinks, they hear a guitarist who starts singing a song. Chanel is asked by Galleria to translate his words, as she has fallen in love at first sight. He sings about following him and discovering “his” Barcelona. The girls take his invitation and wander the city again, with their new friend in tow. He introduces himself to Galleria as Angel. But they have to go now, so she hopes they’ll see each other again. This is a Disney Channel film; we all know she’s definitely going to see him again.

They then arrive at Luc’s villa, which is palatial and instantly impresses the girls. Chanel plays it cool, claiming it is just pretentious to have all this space. Luc later comes in and welcomes the girls to his home, but Chanel refuses to engage with his kindness, claiming instead that he is being annoying and controlling. The other three disagree.

The next day, at breakfast, Luc says he has a friend, an associate and a count, who will be available to help the girls with whatever they need during their stay; they’ll meet him later. Chanel rushes the girls out to their meeting with the festival director, to avoid any further conversation with Luc. They arrive at the theatre for their meeting, where the festival director orders them to go on stage and audition properly for the competition. The Cheetah Girls weren’t prepared for either the audition, or for the festival director to be this direct, but they get up on stage anyway, and sing “Cheetah Sisters” a cappella once again. The festival director says he’s heard enough, and walks away on his phone. Luckily, his assistant comes into the theatre and confirms their entry into the New Voices contest.

They then return to Luc’s villa, where Galleria starts bothering the girls with discussions about rehearsal schedules, when they just want to relax for a little bit. The count and associate that Luc was talking about arrives and introduces himself as Joaquin, getting all the girls’ names completely wrong. Dorinda corrects him and he thanks her with a kiss on her hand. He tells the girls they should head over to the Dancing Cat teen club soon, so they can see their competition for the New Voices contest, as they all practise their material there. Joaquin says he will sign them up to their Open Mic Night tomorrow night. Luc then arrives, saying Joaquin is best placed to show them around, with it also being revealed that Joaquin is his godson, and he is a dancer, something that makes Dorinda more interested in him. Joaquin invites Dorinda to dance with him at his dance studio sometime.

The next day, Galleria and Aqua go shopping with Galleria’s mother, although Galleria is less into it than the other two, wanting to spend some time rehearsing for the rest of the day. Galleria’s mother bumps into an old friend, Randolph, who invites her to see Aramet’s, another old friend, new boutique. They all go to see the shop, but Aqua wants to go with Galleria’s mother on a tour of the facility, having found an interest in fashion and being a big fan of Aramet’s designs. Galleria begrudgingly lets her go for a few minutes. Meanwhile, Dorinda goes to Joaquin’s dance studio where he teaches her the tango.

That night, the girls all meet up at the Dancing Cat club, and Joaquin is there too. As the first act goes on, Joaquin explains that she is a singer called Marisol, and the hometown favourite for the competition. Marisol finishes her high-energy number and the crowd is very much with her. This makes the Cheetah Girls nervous, and they decide maybe they won’t perform tonight! A guitarist then comes on to the stage, to slow things down with an old Spanish lullaby called “A La Nanita Nana”. Galleria is very happy to see the guitarist is Angel, the one they met at the café a few days before. Chanel recognises the lullaby and starts to sing along to the tune. Marisol joins her, and with some backing vocals from the other three Cheetah Girls, they mesmerise the audience there. After the song, Marisol’s mother, Lola, runs over to speak to them, excited to meet the American act that has entered the New Voices contest. Lola says she can really open doors for the Cheetah Girls, telling them it is not easy to win the contest the first time round, since this is already Marisol’s third time in the contest. Lola wants to meet Galleria’s mother, Dorothea, as she is the manager of the Cheetah Girls, and she gives Chanel her number to arrange a meet-up with all of them.

The next day, Lola tells Marisol that she should focus on getting close to Chanel, having seen how popular their duet was at the club the night before. Marisol doesn’t want to break up the Cheetah Girls, like Lola seems to want to do, but Lola reminds her that if she doesn’t win the New Voices contest this time, then her career is over. If she enters the contest with Chanel, she has a good chance of winning and could even crack America. Marisol isn’t overly convinced but doesn’t want to miss out on a long-lasting singing career – or disappoint her mother. The two then meet up with the Cheetah Girls and Dorothea, with Dorothea being very suspicious of Lola wanting to help the girls, not understanding why the competition would be so nice. The girls brush off her concerns.

Later that day, the Cheetah Girls go to a beach party, having been invited by Joaquin. Dorinda goes off with Joaquin shortly after arriving; Chanel walks away with Marisol; and Aqua goes to talk food with someone else, leaving Galleria on her own. She says they need to leave in an hour to rehearse, so she waits alone. Dorinda and Joaquin talk about their lives, with Joaquin saying his life is very complicated, and Dorinda saying the same.

Back at the villa, Dorothea tries to talk to Chanel’s mother Juanita about Lola and her intentions towards the girls, but Juanita is too busy obsessing about why Luc hasn’t proposed. Meanwhile, Galleria has finally got all the girls together to rehearse, but after half an hour, they’re flagging because of the party. Galleria tries to get them to stay focused, wanting to play them a new song she’s been writing for the competition, but Chanel interjects and says that Lola thinks a song in Spanish would be best. Galleria says there would be no point to that since they don’t speak Spanish! Dorinda is then called away by Joaquin to teach a hip-hop class; Chanel is told to get ready to meet Luc’s family for lunch by her mother; and Aqua is invited by Dorothea to go back to Aramet’s studio. Galleria is once again alone, focusing on the contest, whilst the others go off doing their own things.  

The next morning, Galleria wakes up to find Aqua and Dorinda up and about, wanting to take the opportunity to rehearse and talk about the new song she was up all night finishing, but Aqua is too busy wanting to share her costume ideas and Dorinda is once again invited out by Joaquin. Galleria goes to find Chanel, only to find Marisol is here, talking to Chanel about her own performance. Galleria tells Marisol she needs to leave, but Marisol reminds Galleria that Chanel invited her here, and Chanel tells Galleria to give her space and stop telling her and her friends – and the other girls – what to do.

Dorinda goes to the studio to meet Joaquin for lunch, only to find him arriving with a group of people in suits. He does not reference Dorinda at all, and she wonders if he is embarrassed to be seen with her, since she isn’t all dressed up. Dorinda tells Joaquin she lives with a foster family. Clearly, they are on different pages and paths in life. She leaves.

At the villa, Galleria talks to her mother about a new design she’s been working on that Aramet wants to create and put in her new spring collection. Galleria’s mother has now got a chance to finally live her dreams of being a top designer. Galleria then has her own news: that she is going home. Galleria is upset that the girls aren’t focused, and if she keeps pushing them, then she could damage her friendships forever, especially with Chanel. Galleria says they don’t have a chance of winning right now and she doesn’t want to get on stage and embarrass herself. She’s already worked it out, so her mother can stay put. Galleria is going to get the train to Paris tomorrow, and will meet her father there to fly home together. Her mind is made up and she thinks it’s for the best.

Later that night, Chanel, Aqua, and Dorinda are told by Juanita and Dorothea that Galleria is heading home. The girls can’t believe it got to this point and want to talk to her, to apologise for being distracted, but the mothers tell them to let her get some sleep and to talk to her in the morning. The girls start blaming each other for why this happened.

In the morning, Chanel goes to Galleria’s room to speak with her, only to find that she has left for the train station already, leaving only the new song she’d written for the contest on her bed. Chanel shows Aqua and Dorinda what’s gone on. Chanel gets a call from Marisol and tells her she can’t talk right now as Galleria is leaving Spain. Sure enough, Galleria is at the train station. As she looks at the departures board, she starts to hear singing. It’s her new song. Turning around, she sees Chanel, Aqua, and Dorinda singing the song to her, in the middle of the train station, in their pyjamas! The three apologise to Galleria for ignoring her and being distracted. Galleria forgives them, as long as they promise to focus on the performance now. They return to the villa together.

As the girls finally get down to rehearsing, Chanel gets a call from Lola and Marisol, wanting to share their sympathy about Galleria leaving, but Galleria pipes up and says she’s still here. Now that plan has been scuppered, Lola comes up with a new one, and that is to book them in to perform at the Dancing Cat club as a warm-up performance.

Later, Chanel overhears her mother complaining that Luc hasn’t proposed to her yet, wondering if it is because Chanel has made it clear she doesn’t like Luc. Chanel goes to speak to Luc, and says she’s sorry for being rude to him all the time; she just didn’t want to see her mother get hurt. Luc says he wants to have a life with her mother and wants Chanel to be a part of it, saying he has no intentions of hurting either of them. With Chanel’s blessing, Luc immediately goes outside to propose to Juanita, who is randomly sat outside, by a flower bed, reading a book. Very out of character. The others gather to watch. Luc asks Juanita to marry him. Juanita looks over to the crowd and sees Chanel tell her to say “yes”. She does and Luc finally puts a ring on it. Juanita is ecstatic that she got what she wanted.

After that is sorted, now the Cheetah Girls need to organise their Dancing Cat performance. Dorinda takes the girls to Joaquin’s dance studio where he explains to Dorinda that he might be a count but that he has no money, and that is why he didn’t introduce her to his friends, because they were going somewhere fancy for lunch and he couldn’t afford to take her there. Although that doesn’t really explain why he didn’t even say, “Hey, this is my friend, Dorinda, from New York”, Dorinda accepts his apology and they kiss.

But now, the girls really do have to rehearse. They start practising their performance, and are ready to perform at the Dancing Cat. At the club, the Cheetah Girls are a huge hit, so much so, that the owner of the club even pays them for their performance. Lola encourages them to take the money, to use for expenses.

The next day, it is time for the contest’s sound check. The girls arrive, excited, costumes in hand, only to get to the dressing room and be told by the festival director that the Cheetah Girls can no longer perform, because the New Voices contest is for amateurs only, and by getting paid to perform by the Dancing Cat, the group are now classed as professionals. Seeing that her plan has worked, Lola half-heartedly attempts to take the blame for this “mistake”, despite actually wanted this to happen, so she could ask Chanel to perform with Marisol. Galleria and the others say Chanel might as well do that, to represent the Cheetah Girls on the global stage. Chanel isn’t sure, but Lola convinces her to agree.

Back at the villa, the girls complain to their mothers and Luc about what happened, but there is nothing they can do. Luc says there will be plenty of opportunities for them to perform in New York City when they get back home, showing that Luc is going to move to New York after the wedding, so that Chanel can finish high school. The girls then decide to hand the money back to the Dancing Cat owner on principle. Unbeknownst to them, Angel the guitarist saw them hand the money back and goes to investigate.

Backstage on the night of the contest, Dorothea and the other girls watch as Marisol and Chanel practise, with Lola buzzing around them. The festival director comes over, and says he was informed by a reliable source that Lola had arranged for the girls to be paid for their performance at the Dancing Cat. The reliable source turns out to be the festival director’s nephew, Angel. It is confirmed that the Cheetah Girls can now perform together. Lola is horrified, and tries to say it is against the rules, but she is overruled by the director. Lola tells Marisol she can still win, but Marisol ignores her pep talk, saying she doesn’t want to win this way or win just for her mother, and pulls out off the show. She is announced on stage, but is instead eating churros in the audience. Good for her!

That leads them to announce the final act of the night instead, the Cheetah Girls. Galleria begins the performance with Angel on the guitar as their accompanist, stating that this song is dedicated to Barcelona, and to thank the city for everything they’ve learnt there. It’s a bit of an overly dramatic opener to their song; however, they light up the stage with their performance of Galleria’s new song “Amigas Cheetahs”. Joaquin and his dancers come on to stage, and they even invite Marisol on stage to join in with a verse. The audience cheer and scream for them as they take their bows, before they sashay off into the city. We have no idea if they won the contest, but they definitely won over the crowd.

This is where the film should end, however, on the Extended Edition DVD, there is an alternate ending, which sees the Cheetah Girls attend Luc and Juanita’s wedding in Spain. I personally don’t need this song or this scene. I much prefer the original ending.

CHARACTERS & CAST

With The Cheetah Girls 2 being a sequel, it makes sense for the four Cheetah Girls to have returned for this new story, with all four actresses and singers – Raven-Symoné, Adrienne Bailon, Kiely Williams, and Sabrina Bryan – also reprising their roles. In this new film, Galleria once again finds herself at odds with the other girls. This time, it’s not because of how Galleria is behaving, but because of how the other three are, choosing their own individual pursuits over rehearsing, despite committing to perform in a prestigious contest and promising to work hard during their time in Spain before they even left New York City. It takes Galleria almost getting on a train headed to Paris for the three girls to see the error of their ways, and to convince her to stay, promising they will focus on the performance now. They are true to their word, and end up becoming a stronger group because of all the drama.

Another character and actress to return here is Lynn Whitfield as Galleria’s mother, Dorothea. Dorothea ends up reconnecting with her designing dreams after running into some old friends, whilst trying to keep the group away from the devious tactics of a new “momager”. This mom manager is Lola Durán, who manages her daughter, Marisol. Lola has total control over Marisol’s life and career, telling her what she can and can’t eat, and who she can and can’t be friends with, because she is so desperate to see Marisol win the New Voices contest on her third try. After becoming threatened by the arrival of the Cheetah Girls, seemingly the only American act in the contest, Lola comes up with an idea to keep Marisol on top – by breaking up the Cheetah Girls and getting Chanel to become a duo with Marisol. She instigates various meetings with the girls, under the illusion that she wants to help them whilst in an unfamiliar environment, but everything she does is to try and sabotage their chances of winning. She even resorts to orchestrating having the girls kicked out of the amateur-only contest by having them be paid for performing at the Dancing Cat, encouraging the girls to take the money when they don’t know whether to accept or not. Lola eventually sees how far she has gone, after Marisol abandons her music career and refuses to perform on stage. In the end, Lola is happy to just see Marisol on stage with the Cheetah Girls having fun for a change, without all that pressure on her.

Lola was played by Kim Manning. Manning is American; however, she had built up a career in Spain, having worked on the Spanish game show Un, dos, tres…responda otra vez (1972-2004) in the 1980s. She followed that up by being cast as Tania Biezka Salianova in Spanish comedy series Manos a la obra (1998-2001). Manning appears to have returned to the US to work for a children’s theatre and acting company.

Marisol is Lola’s daughter, and she is the sweet, wholesome teenage singer from Barcelona. Marisol is the home crowd favourite for the New Voices contest, but she has tried to win this contest twice before and not won. Her and her mother are hoping the third time’s the charm for her. Marisol first meets the girls at the Dancing Cat club, where she joins Chanel in singing the lullaby “A La Nanita Nana”, which is a hit with the audience, giving her mother the idea of getting Marisol to sing with Chanel at the contest. Marisol doesn’t want to go along with Lola’s plans, basically to break up the Cheetah Girls, because she likes them, but she is pressured to, due to Lola’s control over her entire life. Lola tells Marisol to spend time with Chanel exclusively, taking her away from Galleria and creating a major rift in Galleria and Chanel’s friendship. In the end, Marisol is so fed up with her mother for controlling her, and for being caught sabotaging the girls, that she chooses not to perform, much to her mother’s confusion. The Cheetah Girls show they have no bad blood with Marisol though by bringing her on stage for their song. Marisol is able to just sing with her friends without feeling like she has to win or risk being seen as a failure.

Belinda Peregrín, also known as just Belinda, was cast as Marisol. Belinda was born in Spain but has built up her career in Mexico. As a child actress, Belinda was cast as Ana Capistrán Vidal in Mexican children’s telenovela Amigos x siempre (2000); as Violeta Arcángel Flores in comedy drama telenovela Aventuras en el tiempo (2001); and as Mariana Cantú and Silvana del Valle Ontiveros in Cómplices Al Rescate (2002) in the first half of the series. After The Cheetah Girls 2, Belinda went on to be cast as Valentina Izaguirre in the telenovela Camaleones (2009-10). More recently, she was cast as Ǻfrica Guadalupe López in the Spanish thriller Welcome to Eden (2022-23) on Netflix, and as Daniela Levy de Mijares in the Mexican musical comedy-drama series Mentiras, la serie (2025) on Amazon Prime. In music, Belinda topped the Mexican album charts with her debut album Belinda in 2003, and did the same with her 2013 album Catarsis and her 2025 album Indómita. She was also a coach on La Voz (2011-22), The Voice in Mexico, from 2019 to 2020, as well as on La Voz Senior (2019-21) and Season 3 of La Voz Kids (2017-present).

Joaquin is the love interest of Dorinda in The Cheetah Girls 2. He is introduced to the girls as being a count, appearing rich in his fancy suits and with his fancy dance studio. He is smitten with Dorinda instantly, and when she finds out he is a dancer, so is she. They bond over having complicated family lives, however, neither explains the situation until Dorinda takes offence at not being introduced to his other “friends” in suits. It turns out Joaquin might be a count, but his family has no money, and he is just like Dorinda; dancing because it is his life, not just a hobby, like Dorinda said it was. Golan Yosef was cast as Joaquin. Yosef is a dancer and singer, having released various songs through music platforms in recent years.

Angel is a guitarist and busker, who Galleria is immediately attracted to. He starts singing at the café about discovering Barcelona and she is hooked. He then follows the girls around Barcelona as they sightsee – but not in a stalker way, because after this scene, he mostly vanishes, only popping up again to perform at the Dancing Cat on Open Mic Night after Marisol. He isn’t seen again until he sees the girls handing back the money they received for performing at the Dancing Cat, and going to investigate. It turns out he is the music festival director’s nephew, and his information about Lola’s scheme allows the Cheetah Girls to be able to perform. He even plays the guitar as their accompanist during their final performance. But there is no big emotional scene between him and Galleria. It was a bit of a random love interest to tease, because nothing much happens between them.

Angel was played by Spanish actor Peter Vives. After The Cheetah Girls 2, Vives went on to play Marcus Logan in Spanish period drama El tiempo entre costuras (2013-14), and then Carlos Ǻlvarez in Spanish drama Velvet (2014-16).

Juanita Simmons is Chanel’s mother. She did appear in the first film, being obsessed by her new rich boyfriend Luc, ditching Chanel and constantly leaving her home alone so her boyfriend can whisk her off on fancy dates. Now her and Chanel have been invited to spend the summer with Luc at his huge Spanish villa in Barcelona, where Juanita is absolutely convinced that Luc is going to propose to her, being seemingly unable to talk about anything else or think about anything else, even the Cheetah Girls performing at the music festival. As their time in Spain seems to be coming to a close, Juanita is very irritated that there has still not been a proposal, prompting Chanel to tell Luc that she wants her mother to be happy with him, so Luc does eventually propose. After that, Juanita is happy and starts to take more of an interest in her daughter’s life again. But who knows what happened to her disappearing son and Chanel’s brother? He’s just not in this film. He must’ve chosen to stay with his father, to get away from all this drama and wedding chat…

Anyway, Lori Alter returned to play Juanita in The Cheetah Girls 2, after playing the character in The Cheetah Girls. Prior to her role in The Cheetah Girls franchise, Alter was cast as Renata D’Allesandro in the Canadian show Power Play (1998-2000), later going on to be cast as Anna Sophie Antonia Garces-Keller in the Canadian-French sitcom Family Biz (2009) and as Lisa Dewitt in the series She’s the Mayor (2011).

Finally, we have Luc, Juanita’s boyfriend. Luc was French in the first film. This wasn’t even assumed by the audience after hearing he lived in Paris, but was actually said specifically by both Chanel and Juanita. It would appear Juanita was too overjoyed at having a rich boyfriend that she had no interest in finding out his nationality because in this film, Luc is Spanish and was just living in Paris. Easy mistake to make with the love of your life, right? Luc clearly does have a lot of money, from working in “business”, whatever that means. Luc seems very nice and is friendly to Chanel and the other Cheetah Girls, happily opening his home up to them, finding them a tour guide in Joaquin, and just generally being there for them during the run-up to performing at the music festival. He seems much more interested in the show than Chanel’s mother does anyway! Chanel eventually warms to Luc during her time in Spain and accepts that it was wrong of her to be so rude to him. After apologising and telling Luc that she wants him to be part of their family, Luc proposes to Juanita, making him Chanel’s new stepfather. He is even considerate of Chanel’s feelings, saying he will move to New York instead of making Chanel move to Barcelona. And yet Chanel’s mother was trying to move her to Paris without telling her in the first film. Wow. So, Luc was never the villain. Who knew? Everyone but Chanel apparently.

Spanish actor Abel Folk was cast as Luc. Prior to his casting in The Cheetah Girls 2, Folk was cast as Berni in the Spanish drama series Laura (1998-99). After this film, Folk was cast as Jordi Vergés / Gabriel Vergés in the Catalan series Ventdelplà (2005-2010) from 2008 to 2010. Recently, Folk was cast as Octavio Oramas in La encrucijada (2025-26).

MUSIC

After only recording a total of four songs for The Cheetah Girls movie in 2003, I’m sure the girls were much happier to find that their song numbers had more than doubled in this sequel, with a mixture of new genres used too, such as Latin pop and R&B.

The Cheetah Girls 2 begins with a high-energy performance of “The Party’s Just Begun”. The first film began with a low-key performance at a children’s birthday party, but this sequel has the girls stepping it up by performing with proper costumes, on a real stage, and in front of an actual audience, albeit an audience of high school students, but it’s still moving forward! Although this song is an iconic Cheetah Girls song, I have never liked it. “The Party’s Just Begun” was written by Matthew Gerrard and Robbie Nevil.

Following on from that, the girls then sing the song “Strut” as they sing and dance around Barcelona, with Angel the guitarist, using the sights of Barcelona as their stage. Adrienne Bailon said that for “Strut”, she was wearing ballerina flats, but due to her small feet, the shoes didn’t fit her properly and the shoes kept flying off whilst she was trying to dance. In the end, the crew had to use clear packing tape, wrapping it around her shoes to keep them on her feet[1]! “Strut” is also used in the End Credits. It was written by Jamie Houston. Again, this song is much loved by Cheetah Girls fans, but not by me. Disney Channel used it way too much when promoting the sequel that I ended up hating it, and yet, I still don’t think it is the worst song in The Cheetah Girls 2!

“Dance with Me” is the song that is used for the dance sequence of Joaquin teaching Dorinda how to dance tango. Sabrina Bryan said she was very excited for this sequence, with it all being filmed in one demanding day for the cast and crew[2]. This song was not performed by any of the Cheetah Girls or any character in this scene. It was instead performed by Drew Seeley, featuring Belinda, who played Marisol. Drew Seeley is well-known amongst Disney Channel fans for singing the vocals for Troy Bolton in High School Musical. “Dance with Me” was written by Ray Cham and Charlene Licera. This is one of the songs that I dislike more than “Strut”. I just don’t like it, or the scene as a whole.

So, after a disappointing start to the music for me, it’s not until we hear Marisol sing her song “Why Wait” at the Dancing Cat club that I actually begin to enjoy the songs in this film. Marisol comes out and performs her heart out here, to a crowd that adores her. It’s a great song and a great performance. “Why Wait” was performed by Belinda as Marisol, and was written by Matthew Gerrard and Robbie Nevil.

Shortly after that, Angel goes up on stage at the Dancing Cat and begins playing a Spanish lullaby on his guitar. Chanel instantly recognises the song as something her mother used to sing to her when she was younger, and sings along to the guitar. She is soon joined by Marisol and the two sing the rest of “A La Nanita Nana” as a duet, which the audience love. The other three girls join in by singing some backup vocals, but really this song is for Marisol and Chanel. “A La Nanita Nana” was predominantly sung by Adrienne Bailon and Belinda. It was adapted and arranged by David Lawrence, from the traditional Spanish carol song composed by José Ramón Gomis, with lyrics from Juan Francisco Muñoz y Pabón.

A little while later, the song “Do Your Own Thing” plays during a montage of what the Cheetah Girls are doing individually when they are meant to be rehearsing. Galleria is continuing to write the song she thinks the girls should perform at the competition; Chanel is busy at a get-together with Luc’s family; Dorinda is teaching a hip-hop class at Joaquin’s dance studio; and Aqua is with Dorothea, sketching designs at Aramet’s studio. Even though this song is not accompanied by a big song-and-dance performance, I actually quite like it. “Do Your Own Thing” was in fact a solo song performed by Raven-Symoné, and was written by Raven, Matthew Gerrard and Robbie Nevil.

As the story progresses, Galleria starts to feel ignored by the group, who are neglecting Galleria’s rehearsal schedule. Galleria makes the tough decision to head home; to stop pressuring the girls in case it causes their friendship to be damaged forever. This leads to the song “It’s Over” being performed by the Cheetah Girls. It’s a touch melodramatic, but it matches the emotion of the scene. And when you’re a teenager, your friend leaving your holiday early is probably something to make you overthink and question all your life choices! “It’s Over” was written by David Lawrence and Faye Greenberg.

The sadness of “It’s Over” is soon replaced by happy times, as Galleria is convinced by Chanel, Aqua, and Dorinda that she should stay in Barcelona because they’ve decided to commit to rehearsing for the competition properly. This leads to them performing “Step Up”, first as a rehearsal in Joaquin’s dance studio, before moving over to the Dancing Cat club to finally perform like they meant to do on that first Open Mic Night they attended. I love “Step Up”; it’s my favourite song in the film. It was written by Matthew Gerrard and Robbie Nevil.

The Cheetah Girls 2, in most versions of the film, ends with the girls performing at the New Voices competition, where they sing the song that Galleria had been writing throughout their time in Barcelona. This song is “Amigas Cheetahs”, which has yet another moment of theatrics, with an intense opening from Galleria and Chanel, but it’s not long before they go back to their pop best with another lively performance, complete with extravagant costumes, extra dancers, and even a surprise guest or two in the form of Angel and Marisol. The film ends with the Cheetah Girls continuing to sing this song as they leave the stage, with the audience following. “Amigas Cheetahs” was written by Jamie Houston and Will Robinson.

However, if you had The Cheetah Girls 2 on DVD with its extended edition, after the main film ended, you could then see the extended ending, which saw the Cheetah Girls attend the wedding of Luc and Chanel’s mother in Spain, accompanied by the song “Cherish the Moment”. It was performed by the Cheetah Girls, and was written by Jamie Houston and Greg Curtis. Having seen this ending and heard this song now, I can safely say Disney Channel made the right decision to cut this ending from the final version of the film.

Also within The Cheetah Girls 2, the girls sing their song “Cheetah Sisters” from the first film, written by Jamie Houston, as part of their audition process. They sing it a cappella on two occasions: once over the phone, and then again in a theatre in Barcelona when they meet the Barcelona Music Festival director. However, on the soundtrack, the version of this song that appears on the tracklist is “Cheetah Sisters (Barcelona Mix)”. I prefer them singing this song a cappella, to be honest!

The soundtrack also features two more songs performed solely by Raven-Symoné, which did not appear in The Cheetah Girls 2. These songs were “Everyone’s a Star” and “It’s Gonna Be Alright”, both written by Matthew Gerrard, Robbie Nevil, and Raven-Symoné.

The Cheetah Girls 2 soundtrack was released on 15th August 2006, ten days before its official television premiere. The soundtrack ended up peaking at No. 5 on the US Billboard 200 chart, and spent nine weeks at No. 1 on their Top Soundtracks Album. The singles “Strut” and “The Party’s Just Begun” even reached Billboard’s Hot 100 chart, peaking at No. 53 and No. 85 respectively. The success of The Cheetah Girls 2 soundtrack was on par with the likes of Lemonade Mouth (2011) and Teen Beach Movie (2013), which had peaked at No. 4 and No. 3 on the Billboard 200 chart, but was further behind the soundtracks from Descendants (2015), High School Musical (2006), and High School Musical 2 (2007), which had all reached No. 1 in that chart[3]. The Cheetah Girls 2 soundtrack was later certified platinum after selling a reported 1.4 million copies in the US. Outside of the US, The Cheetah Girls 2 soundtrack’s best performance was in the UK, where it peaked at No. 3 in the UK Soundtrack Albums.

David Lawrence was the composer for The Cheetah Girls 2, replacing John van Tongeren who had worked on the music for the first film. Also for Disney Channel, Lawrence was the composer on various other musicals, including the High School Musical trilogy, StarStruck (2010), Teen Beach Movie (2013) and Teen Beach 2 (2015), and the first three Descendants films.

PRODUCTION

Disney Channel love to have the opportunity to make a sequel, but in the early 2000s, they actually hadn’t had all that much experience of making them, especially not musicals.

The Cheetah Girls 2 was the first musical sequel for the channel, and in some ways could be considered to be the blueprint that every successful Disney Channel musical franchise later followed, including High School Musical, because, as every filmmaker will state, it’s not always easy to make a sequel that is as loved as its predecessor.

One way to make a DCOM a success is to attach Kenny Ortega to it. Kenny Ortega has had a long history working with Disney and Disney Channel, although by 2006, he had only just directed the first High School Musical film. Still, the acclaim that that film got from Disney Channel fans just proved that getting Kenny Ortega to direct any Disney Channel musical would guarantee a success. And they were right, because The Cheetah Girls 2 was most definitely a hit. Prior to working on Disney Channel, Ortega had been the choreographer on many musical movies including Xanadu (1982) and Dirty Dancing (1987) before directing and choreographing the Halloween film Hocus Pocus (1993) and the musical adaptation Newsies (1992) for Disney. After The Cheetah Girls 2, Ortega returned to direct the second and third films within the High School Musical trilogy, and then created the Best of Both Worlds Tour, starring Miley Cyrus and Hannah Montana, which ran from October 2007 until 2008. Ortega was then set to choreograph and direct Michael Jackson’s This Is It tour in 2009, which was cancelled after Jackson’s death. Footage from the rehearsals was later released as the documentary film Michael Jackson’s This Is It (2009). Later, Ortega returned to Disney Channel to direct the first three films in the Descendants franchise, and recently worked on the Netflix musical series Julie and the Phantoms (2020).

Although The Cheetah Girls 2 was obviously still based on characters created by Deborah Gregory for her The Cheetah Girls book series, this sequel was an original story, as none of Gregory’s books see the Cheetah Girls head to Barcelona to take part in a music competition. The Cheetah Girls 2 was written by Alison Taylor, who had previously written the first instalment of the film franchise, and Bethesda Brown. Whitney Houston and Debra Martin Chase were also producers on this sequel as they were on the first film.

By April 2006, it was confirmed that filming was under way for The Cheetah Girls 2, with it also being confirmed that the four girls Raven-Symoné, Adrienne Bailon, Kiely Williams, and Sabrina Bryan would all be returning to reprise their roles and that Kenny Ortega of High School Musical fame was on board to be the choreographer and director. It would seem that as filming was taking place in Spring 2006 that they needed a quick turnaround in order to ensure the film was ready to debut in August 2006[4].

But before filming could take place, the girls had to record their music, which they loved doing for this sequel, as they felt that the songs had been stepped up a gear with lots of energy in the music. They then had to do three weeks of intense dance rehearsals, with the choreographing also being intensified for this movie thanks to Kenny Ortega and Charles Klapow’s high standards for this film. Klapow was also a choreographer on the High School Musical films. After this was completed, the cast and crew were ready to go to Barcelona[5].

Even though portions of The Cheetah Girls 2 were set in New York City, prior to the girls flying off to Barcelona, the entirety of the film was actually filmed in Barcelona, with Galleria’s apartment apparently needing to be completely redesigned to make it look like a typical New York apartment and not a European one. Other sets, like the Dancing Cat club, the high school graduation party, and the staging for the New Voices competition were also designed and created, thanks to production designer Mark Hofeling who, like Kenny Ortega, has much experience working on Disney Channel movies, having worked on the likes of musical franchises like High School Musical, Descendants, and ZOMBIES, as well as non-musical films like Den Brother (2010) and Read It and Weep (2006)[6].

But there were plenty of opportunities to film within the beautiful city of Barcelona itself. The “Strut” sequence was one to really showcase the sights of the city, going all over the place, with moments in Park Güell; the Plaça de les Cascades near the Museu Nacional d’Art de Catalunya; Park Montjuïc; Passeig del Born; and Palace Dalmases, becoming the café where the Cheetah Girls meet guitarist Angel at the beginning of the song.

Away from “Strut”, there are still various other locations that the cast and crew visited for their shoot. One is Plaça del Rei, which was used for the location of the New Voices contest stage. The Chapel of Santa Àgata was used as the dressing room for the contest. The Estació de França train station was the train station that Galleria walks through as she tries to find her train to Paris, and the Palau de la Música Catalana appears to have been used as the theatre that the girls audition in to confirm their spot in the contest in front of the festival director. The beach party that the girls attend, thanks to an invite from Joaquin, was filmed at Platja del Garraf and the exterior of the Teatre Coliseum was used as the exterior of Joaquin’s dance studio. Finally, Luc’s villa seems to have been the events space Finca Mas Solers, situated about an hour outside of the city centre[7].

It would seem that with all this excitement around the music, the dances, and the amazing locations that everything was rosy on the set of The Cheetah Girls 2. Those in the know are aware that was not the case at all.

Despite appearing harmonious and stating how close the four girls were as a group whilst filming the first Cheetah Girls movie, something had changed by the time The Cheetah Girls 2 started production. There was no longer a bond between the girls that had existed in Toronto, and there was now a huge divide between Raven-Symoné and the other three girls. It is unclear exactly what or who caused all this drama and friction, but some have stated that it may’ve been the case that, as Raven was having huge success away from The Cheetah Girls and had been acting since she was very young, the other three girls may have felt jealous of her fame. Although I can’t comment on what was said and what wasn’t said because this has never been stated in public – quite rightly too – all I can say is that this divide doesn’t surprise me. Not because I think Williams, Bryan, or Bailon are nasty and mean, but because those three were close due to their involvement in the Cheetah Girls as a musical group. They were on their own journey and Raven was on hers, so naturally, when the two sides came together, I wouldn’t have expected them to get along, at least not in the way they had when the first film was being made. But like I said, there are rumours that this was not just a case of one person drifting away from the others, and was deeper than that, so it seems there is more to the story that we won’t ever know specifics about.

What we do know is that Raven-Symoné was so affected by her experience on The Cheetah Girls 2 that she refused to make the third film[8]. Perhaps Disney Channel should’ve reconsidered their decision to make a third Cheetah Girls film without arguably their biggest star, but they did not, and pushed ahead with making The Cheetah Girls 3 without Raven.

RECEPTION

The Cheetah Girls 2 premiered on the Disney Channel in the US on 25th August 2006.

There does not seem to have been a red carpet premiere prior to the film’s release, however, Disney Channel did screen a premiere party for The Cheetah Girls 2, with segments from this party playing before, during, and after the showing of the film. It was hosted by Miley Cyrus and Corbin Bleu, who were both rising stars for the channel in 2006 for their work on Hannah Montana (2006-11) and High School Musical respectively. Plenty of other Disney Channel stars attended the premiere party too, including those from High School Musical, The Suite Life of Zack & Cody (2005-08), Hannah Montana, and That’s So Raven (2003-07). The Cheetah Girls were obviously there too, although director Kenny Ortega was only available for a quick video as he was away working on a project in Australia. It would seem that the party was also open to a select few kids too, who could play various games, dance, and snack during the premiere party.

The Cheetah Girls 2 was promoted on the Disney Channel as being part of their So Hot Summer! event, which had also been an event in 2005. In 2006, other programming involved in So Hot Summer! were new episodes of favourite series like That’s So Raven and The Suite Life of Zack & Cody, the new Disney Channel Original Movie Read It and Weep, which premiered in July 2006, and the first season of the Disney Channel Games.

It would seem that in the UK, The Cheetah Girls 2 came to screens a month later in September 2006, with it reaching many other international Disney Channels in Europe and South America by the end of 2006, and other ones a bit further afield by early 2007.

On its US premiere, it was said that The Cheetah Girls 2 drew an average of 7.8 million viewers, making it the most-watched DCOM debut in their history, tied with Cadet Kelly (2002), being particular well-received in the Kids 6-11 and Tweens 9-14 demographics[9]. The Cheetah Girls 2 even beat out High School Musical, which premiered in January 2006, with around 7.7 million viewers, however, it did become much more successful later. The Cheetah Girls 2 was the most-watched DCOM of 2006 and remains tied at No. 8 with Cadet Kelly in the Top 10 Most-Watched DCOMs list. This Top 10 is likely to remain now, given how live TV viewing habits have changed in recent years.

The Cheetah Girls 2 is generally considered to be bigger and better than its predecessor, with many stating this is their favourite film within the franchise. It encouraged many young people to experience Barcelona, although there is no official data to back this up. This is quite ironic actually, since Barcelonians now are not big fans of international tourists swarming their city… It was also appreciated by many that Kenny Ortega was involved, after his huge success with High School Musical, feeling that this stepped the franchise up a level. Many liked the new music in this sequel, and again, Raven-Symoné was highlighted for her acting performance.

However, on the other hand, there were some negative comments, particularly from those outside of its target demographic. Some felt the story was predictable, and that it was just an excuse for Disney Channel to send its stars to Spain. I mean, they could’ve based this story anywhere, but Spain did enhance the overall look of the film and that was a major reason why The Cheetah Girls 2 was so loved, so I’d say it paid off for Disney Channel. Others were annoyed at the continuity issues, which must’ve actually been a critique from fans, otherwise these wouldn’t have been picked up. These included Chanel’s missing brother, whose absence was unexplained, but maybe the writers just forgot about him since he was barely mentioned in the first film, and Luc’s changing nationality, from French in the first film, to Spanish here. I don’t know how this was missed. Chanel acts like it’s Galleria getting confused in the sequel, but she clearly didn’t remember that both Chanel and her mother said Luc was French in the first film. It was also said that Disney Channel were too heavy-handed in their promotion of The Cheetah Girls 2. I second this statement. It really did feel like too much, to the point it made me not want to watch the film for a couple of years.

In terms of awards, Kenny Ortega was nominated in the category of Best Director – Film at the Imagen Foundation Awards, and Carli Barber was nominated for Best Sound Editing in Music for Television – Long Form at the Motion Picture Sound Editors Awards, for her role as the music editor on The Cheetah Girls 2. Neither won here. There was not even a nomination for Kenny Ortega at the Directors Guild of America Awards for Outstanding Directorial Achievement in Children’s Programs. I wondered if this was because The Cheetah Girls 2 was a sequel, but other Disney Channel sequels were later nominated here. Ortega did win this award anyway in 2006 though, for High School Musical. 

LEGACY

Shortly after the premiere of The Cheetah Girls 2, in order to further promote the movie and its soundtrack, the group went on tour across the US, Canada, and one night in Puerto Rico.

The tour, which was the second tour for the Cheetah Girls, titled The Party’s Just Begun Tour, started on 15th September 2006 in Seattle, and ended on 4th March 2007 in Houston, having been extended on a couple of occasions with more dates and cities added. The Cheetah Girls setlist consisted mostly of songs from the films The Cheetah Girls and The Cheetah Girls 2, although there were some songs that the Cheetah Girls had recorded outside of the films added in to the performance as well. The group had a variety of opening acts throughout their tour, including Miley Cyrus as Hannah Montana, Vanessa Hudgens, the band Everlife, and Jordan Pruitt.

There was even a live album recorded using their performances from their tour dates in Anaheim and San Diego in January 2007. This album was named The Cheetah Girls In Concert: The Party’s Just Begun Tour, and was released on 10th July 2007, with additional DVD content showing highlights from the concert and behind-the-scenes footage.

Later that same year, the Cheetah Girls released their second studio album, entitled TCG, short for The Cheetah Girls, on 25th September 2007.  TCG peaked at No. 44 on the US Billboard 200 chart. Two of their more well-known songs from this album were “Fuego” and “So Bring It On”, with the latter being included in the DCOM sequel Twitches Too (2007).

As per the agreement made prior to the Cheetah Girls’ first album in 2005, Raven-Symoné was not included in recording this soundtrack, nor was she involved in The Party’s Just Begun Tour. These two projects were focused on the Cheetah Girls as a real singing group. Raven had elected to concentrate on her solo music career, declining to join the girls.

Following the release of The Cheetah Girls 2, there was also some merchandise items made available for fans to purchase. Two of these were video games. The Gameboy Advance game, released in 2006, simply called The Cheetah Girls, has gamers follow a storyline where the girls are trying to compete in the New Voices Competition in Barcelona, as per the story of the sequel film. This was followed up with a 2007 Nintendo DS game entitled The Cheetah Girls: Pop Star Sensations. This does not appear to have a storyline involving the events in Barcelona, but does feature songs from this second film. Outside of that, a novelisation of The Cheetah Girls 2 was made available, as was an exclusive clothing line launched by Sears department stores in the US.

Other items of merchandise included board and card games, calendars, and various accessories, along with a line of dolls called The Cheetah Girls: In Concert Collection, which featured a doll resembling each Cheetah Girl which would sing a song from the franchise. Even with the 20th anniversary of The Cheetah Girls 2 in 2026, some merchandise featuring The Cheetah Girls is still around, with the Disney Store currently having Cheetah Girls-emblazoned T-shirts and sweatshirts on sale, at least in the US and the UK.

With all these fans and all this popularity, it was kind of obvious that Disney Channel would want to push the franchise further, by making a third film. This film was released under the title The Cheetah Girls: One World in August 2008, however, it would be missing one key member of the cast, something some fans have never forgiven or forgotten.

At the Disney Parks, specifically at Disney’s Hollywood Studios at Walt Disney World, from 2010 to 2013, there was a short stage show performed called Disney Channel Rocks. Disney Channel Rocks showcased music from many Disney Channel musicals including the Camp Rock films, StarStruck (2010), Jump In! (2007), the High School Musical trilogy and of course The Cheetah Girls franchise. From The Cheetah Girls 2, “The Party’s Just Begun” was performed as part of the opening. This show was later retooled and performed at the Disneyland After Dark: Disney Channel Nite events in both 2024 and 2026, however, “The Party’s Just Begun” from The Cheetah Girls 2 was dropped. Also at the Disneyland After Dark: Disney Channel Nite events in April 2026, there was a photo op with a backdrop for The Cheetah Girls 2 that guests could use. The backdrop featured a postcard of Barcelona.

FINAL THOUGHTS

The Cheetah Girls 2 and 2006 seemed to be the peak for The Cheetah Girls franchise.

Fans had liked the bigger budget, the increased production value, the levelling up of the story, and the superior music that they saw in the sequel. This was perfect timing for Disney Channel as they were also gearing up to make the most out of High School Musical, which turned out to be another successful movie for them in 2006.

All good things must come to an end eventually, but I don’t think anybody expected The Cheetah Girls to decline in quite the way they did. Their third movie, although not a flop by any means, was not what some of the fans felt they had been promised. It was a seismic shift from what we’d all been expecting and it turned out to be too much change for some.

But at least we’ll always have 2006 and The Cheetah Girls 2, when everything seemed right and happy in Cheetah Land. At least, that’s what we can pretend it was like.


REFERENCES

[1] Credit: Disney+, ‘Adrienne Bailon is here to answer our questions. All The Cheetah Girls #DisneyPlusThrowback movies are streaming on Disney+, Facebook.com, 15th August 2025.

[2] Credit: Disney Channel, ‘DCOM Extras – The Cheetah Girls 2 #2’, DisneyChannelRules YouTube Channel, 25th December 2006.

[3] Credit: Paul Grein, ‘TV Soundtracks With The Most Weeks At No. 1 On The Top Soundtracks Chart’, Billboard.com, 24th April 2024.

[4] Credit: United Press International, ‘Work on ‘The Cheetah Girls 2’ begins’, Archive.Triblive.com, 11th April 2006.

[5] Credit: Disney Channel, ‘DCOM Extras – The Cheetah Girls 2 #1’, DisneyChannelRules YouTube Channel, 25th December 2006.

[6] Credit: Mark Hofeling, ‘The Cheetah Girls 2’, MarkHofeling.com, no date.

[7] Credit: Stephanie Safdie, ‘The Cheetah Girls 2: All Barcelona Filming Locations’, DestinationDreamerDiaries.com, 23rd May 2026.

[8] Credit: Ashley Spencer, Disney High: The Untold Story of the Rise and Fall of Disney Channel’s Empire (2024), ‘That’s So Raven-Symoné’, pp. 85-110.

[9] Credit: Denise Martin, ‘Good run for ‘Cheetah’’, Variety.com, 28th August 2006. 

The Cheetah Girls (2003)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

Although High School Musical was the first musical franchise for Disney Channel to become a major success and has since sucked up a lot of the attention given to Disney Channel Original Movies, it should be remembered that The Cheetah Girls was actually the first-ever DCOM musical, premiering three years earlier than High School Musical.

That’s not the only thing that makes The Cheetah Girls stand out. What is unique about The Cheetah Girls is that, for once, Disney Channel had chosen to make a movie that put diverse characters at the forefront of their story, a four-piece girl group, made up of teenagers growing up in New York City with different backgrounds and experiences. It is no secret that Disney Channel had – and still does to some extent – trouble leaning into diversity, especially in its earlier days, but by 2003, it felt like that might be changing.

2003 not only saw the premiere of The Cheetah Girls, but also the premiere of a new series, That’s So Raven (2003-07), both of which starred the same actress, Raven-Symoné, who has since become synonymous with the heyday of Disney Channel. Raven’s star was on the rise, and with the help of these two projects, she was rocketing to mainstream fame.

However, The Cheetah Girls, although quite well-known today especially with the millennials, the demographic watching The Cheetah Girls at the time of its release, does not appear to have instantly spanned a huge franchise. Sure, the DCOM got pretty good viewing figures for its premiere, but it did not achieve worldwide fame until a couple of years later, for whatever reason, not releasing any further music as a group until 2005. This was when the girl group began to really shine, putting on concerts, releasing new albums, making appearances at the Disney Parks, as well as making further movies.

From that point on, it would seem that The Cheetah Girls was definitely rivalling the fame achieved by High School Musical, and these two properties were Disney Channel’s hottest tickets in the mid-2000s, with the channel wanting to push them as far as possible.

Personally, I don’t believe I watched The Cheetah Girls when it premiered, not that I even know when it premiered on Disney Channel in the UK because international channels did not receive new DCOM premieres at the same time as the US in the 2000s. Sometimes we waited months, even years, for them. I think I saw it before the sequel came out in 2006. I know I liked it, but it wasn’t my favourite DCOM musical, even when there weren’t many.

PLOT

The Cheetah Girls begins with four teenage girls from New York City performing as their singing group the Cheetah Girls at a birthday party. Everything seems to be going well with their performance, until one of the members, Aqua, gets her high-heeled boot caught in the wooden slates on the stage they are performing. As two of the other girls, Dorinda and Chanel, attempt to help her, all three end up toppling to the ground, just as Galleria ends the song on a high, not even noticing the chaos behind her. All the kids at the party laugh.  

After the show, Chanel points out to the girls that this incident might be a sign they shouldn’t audition for their school’s talent show. Galleria refuses to believe that though, wanting the Cheetah Girls to be the first Freshmen in their school’s history to win the competition. Dorinda then runs off somewhere, having to go and do something, whilst Aqua heads home as well, desperately trying to get a taxi and failing miserably because she refuses to get the subway. Chanel ends up getting a taxi for her. Chanel and Galleria discuss the group together as they walk home, glad they took the advice of their teacher Drinka to add two girls to the duo Chanel and Galleria had formed. They start discussing the possibility of the Cheetah Girls being famous.

On their walk, they pass a shop front where a new singer is being promoted due to her working with famed record producer Jackal Johnson. Galleria and Chanel think that will be them soon and start to dance in front of the store randomly, drawing an impressed crowd. However, Galleria sees a dog in the crowd and remembers she has to get home right now!

At home, Galleria arrives to find her mother annoyed because Galleria was not there to take her dog Toto out for a walk, so she had to do it. Her mother has also realised that Galleria must’ve missed a message from an important client, asking to change her appointment time; her mother is a fashion designer. Her father then comes in asking if Galleria got the capers he needed for dinner; she did not. They tell Galleria that, although they understand how important her singing is to her, she needs to start focusing on reality.

Meanwhile, for some of the other girls, we see that Dorinda is cleaning the hall at a dance centre, and Chanel is struggling to deal with the fact her mother has a new, rich French boyfriend, and is now too busy with him to spend time with her daughter. Galleria later calls Chanel, asking her to listen to a new song she’s writing for the group.

At school the next day, Galleria is shocked to hear that Chanel is failing some classes and orders a group study session to ensure they all keep their grades up. Two boys from school then approach the girls at lunch and ask Galleria if they can swap talent show audition times. Galleria doesn’t want to, but Chanel says it’s fine, and eventually all four agree to it. Derek, one of the boys, thanks Galleria, and starts flirting with her. Galleria says it’s all just a trick and a ploy to have their group not be successful. The boys then trip and fall in the cafeteria, having food spilt all over them. The girls tease Galleria about Derek.

Later, it is time for the Cheetah Girls’ talent show audition, and they smash it. Drinka, the teacher running the talent show and a former disco diva, is very impressed with them and instantly gives them a spot in the show. Suddenly, from the back of the auditorium, a man approaches them. This is Jackal Johnson, the record producer and a former student at the girls’ high school, Manhattan Magnet. Jackal was also impressed with them and wants to make them the next big thing in music. Galleria instantly pushes in front of the others, introducing herself to Jackal as the writer and founder of the Cheetah Girls, which isn’t strictly true. However, Galleria and Chanel’s mothers, who were in the audience for the girls’ audition, interrupt, stating their concerns, telling the girls to leave right now. Jackal manages to give Galleria his card before she leaves, telling her to give him a call.

Back at home, Galleria argues with her mother about not being allowed to talk to Jackal. Galleria’s mother is simply concerned that Jackal’s deal won’t be all it’s cracked up to be, wanting Galleria and the others to wait until after college to pursue their singing dreams. In the end, Galleria’s father manages to convince Galleria’s mother to let Galleria call Jackal. But it comes with some caveats: that Galleria’s mother attends the meeting with the girls and that if she sees that something is not right, then they will immediately leave. Galleria agrees. Meanwhile, Chanel is also annoyed with her mother, who ignores Chanel’s complaints about the Jackal meeting, instead floating the idea of them moving to Paris so Chanel’s mother can move in with her new boyfriend. Chanel vents to Galleria on the phone later.

Back at school, Galleria tells the other Cheetah Girls that she has lined up a meeting with Jackal, and now the whole school knows about it, even the school newspaper now wants to interview them. But, to match their new status as superstars-in-waiting, Galleria picks up Dorinda on her “poor” fashion sense and Aqua on her “nasty” table manners, telling them to get it together before they meet Jackal. Dorinda has more to worry about than clothes though, as she is still working at the dance centre to get free dance lessons in return. One evening, she discovers the centre is going to be closed soon. She talks to the receptionist who tells Dorinda if she helps with the auditions for a music tour taking place at the centre on the day it’s closed, then she can have two free weeks of lessons.

Soon, it is time for the Cheetah Girls to have their important meeting with Jackal. Everyone is there on time – except for Galleria and her mother who are stuck in traffic. Jackal greets the other three and gives them a tour of the studio. Galleria’s mother tells Galleria they can’t be late for this meeting, so forces her to walk the rest of the way in her heels. Galleria accidentally steps in dog poop on the way though, and does not notice until she arrives at the meeting, and everyone else starts to smell something, realising it’s coming from Galleria’s shoe! Horrified, Chanel ushers Galleria into the bathroom, where Chanel kindly cleans Galleria’s boot for her. Galleria is annoyed at herself for making such a bad impression, and says the two of them need to get back in there and get it together. She gives Chanel a cursory thanks for her help and goes back to Jackal. 

Jackal welcomes Galleria back and she wants to talk business. Jackal says the deal is done, because Aqua gave him a tiny bottle of hot sauce she carries around with her – something Galleria told her not to do because it makes them seem unprofessional. Jackal hands out a contract, which Galleria’s mother snatches away and starts revising, wanting a lawyer to look at it properly. Jackal lets her get on with it, whilst telling the girls his plan, which is to record a demo; sell it to the record label; and then get instant fame and fortune for the group. They can get the demo done in less than a week if they’re quick about it. Galleria’s mother thinks that all sounds a bit too good to be true but Jackal tells her to calm down. They just need a clean take and they can do that on Saturday. Except the girls remember that is the day of the talent show. Galleria says they’ll do the demo instead. Outside, Galleria’s mother says they won’t be singing anything for Jackal until she’s had a lawyer go through the contract properly, but Galleria just sashays away.

This success only adds to Galleria’s diva attitude, passing out photographs of the group at school and refusing to do a proper interview with the school paper. At lunchtime, plenty of the other students want to hear all about their meeting with Jackal. However, Galleria is such a name-dropper and acting so pretentious that by the end of lunch, Galleria is mostly talking to herself and has managed to annoy even Dorinda and Aqua. They talk to Chanel after lunch and show her a poster on the school walls, pointing people to a hate site for the group. Chanel tries to stand up for Galleria, but Aqua tells Chanel she needs to talk to Galleria about all this. Chanel says she will, but not until the time is right.

At rehearsals for the talent show, Drinka is told by Galleria that the Cheetah Girls want to rehearse their new song first, before telling her the Cheetah Girls probably won’t be performing at the talent show because it clashes with recording the demo for Jackal. Galleria says they basically won the talent show already, and insults Drinka by saying Drinka knows what it’s like to lose an opportunity and not have it come along again. Drinka has the next act go on stage instead. Dorinda asks if they are rehearsing or not today, as she has somewhere else to be. Galleria says she might as well go since they are working on music and Dorinda is mostly a dancer. She also hands Dorinda some clippings of potential outfits to wear for the next time they see Jackal, saying they aren’t optional. Dorinda is rightly offended. She then heads to the dance centre to help out with those dance auditions, where she impresses, being offered a place on the tour with the group Gold Medal Crew.

Chanel returns home later and sees a note from her mother, saying that she has been whisked away by her boyfriend – again – so she’ll not be able to do their planned shopping trip. Her mother has left her credit card though so Chanel can buy them both something nice. Chanel then hears a voicemail message from an estate agent, talking about putting the apartment up for sale. Chanel angrily tells the estate agent they won’t be selling, before grabbing the credit card and maxing it out buying various outfits.

As Chanel finishes up, she sees that she is by Dorinda’s apartment block and speaks to the doorman, who sends Chanel round the corner into an alley to find her. Chanel finds herself at the block’s Superintendent’s flat, and knocks on the door. A woman comes to the door. Chanel asks for Dorinda, but believes she’s got the wrong address. The woman tells Chanel Dorinda is here and calls for her to come to the door. Dorinda comes to the door, embarrassed. A commotion erupts inside, sending the woman, Mrs. Bosco, back inside to see what’s going on. A little girl asks Dorinda if she wants to see someone get in trouble. She tells the girl to go on without her. Dorinda goes outside with Chanel to explain, but Chanel tells Dorinda not to be embarrassed, believing that Dorinda’s big secret is that she is half-Black, since Mrs. Bosco is Black and Chanel thinks that is Dorinda’s mother. Dorinda says Mrs. Bosco isn’t a mother and that she is in fact a foster child, having never met her birth parents. She doesn’t have money like the other three girls and life is sometimes hard for her, but she has pretended to be rich to fit in with them. Chanel feels terrible for not realising and tells Dorinda to be proud of who she is. She gives Dorinda an animal print jacket she just bought, to wear to the next meeting with Jackal, to keep Galleria off her back. Dorinda says she was offered a spot on a dance tour and doesn’t know whether to take it, as she won’t be able to be a part of the Cheetah Girls if she does.

That night, Chanel and Galleria have a sleepover. Galleria’s mother says they can go to the rehearsal with Jackal on Saturday alone. This leads Galleria to excitedly show Chanel a CD of the Cheetah Girls’ music, but Chanel instantly sees that Galleria has made her picture on the cover of the CD bigger than the other three. Galleria says it’s not a big deal, but Chanel is furious; the group isn’t all about her. Galleria says they just need to get the demo recorded and then it’ll be fine. Chanel lets slip about Dorinda being in foster care, which just makes Galleria think they’ll need to get the deal with Jackal even more now, but Chanel reminds Galleria that it’s not all about money; they all need friends, not fame.

At the rehearsal with Jackal, Jackal arrives with marketing executives, telling the girls they have some ideas on how to make their group hit the big time. But it is essentially a total rebrand of the Cheetah Girls, morphing them into a new group of four called Global Getdown, where each girl will wear a mask of a different animal. Galleria remains a cheetah, but Dorinda becomes a panda, Aqua is a seal, and Chanel is a snow leopard. Galleria says they won’t be able to sing in masks, but Jackal says that won’t be a problem as they’ll just be lip syncing. Galleria tells the girls to get up and perform one of their new songs for Jackal. Although he likes the song, he says they’ve already got a demo for them, playing a pop song called “All Around the World” to the room. Chanel, Aqua, and Dorinda slowly start to sing along with it, but Galleria is horrified and tells them all to stop. The record label wants Global Getdown so it’s that or nothing. Galleria says it’ll have to be nothing then, and orders the girls to leave with her – but they won’t. The other three talk to Galleria in private and say they should at least think about it or try it out, but Galleria can’t be convinced and says they’ll have to go on with Jackal’s deal without her then. Jackal returns to the room and says they can replace her easily, putting Chanel up front instead. Chanel is flattered, but the three agree they all need to think about it first before agreeing anything. They leave the studio, seeing a line of other teenagers outside, all excited to be pop stars, just like them.

Galliera comes home crying, and begs her mother not to say she told her so. Galleria says she did the right thing not to agree to Jackal’s deal, but can’t understand why the others didn’t. Her parents remind her that everyone has their own choices to make, even if Galleria doesn’t agree with them, and that Galleria needs to let go of this now and move on. Meanwhile, Dorinda is given a contract for the dance tour and is torn about what to do, whilst Chanel faces the wrath of her mother for spending so much on her credit card. Chanel breaks down and tells her mother she’s spending too much time with her boyfriend and ignoring her, with the Cheetah Girls being over just making everything worse. Her mother comforts her and wants to make things right again.

Later, Galleria goes on stage at the school’s auditorium when it’s empty and sings a song she wrote for the group. Derek hears her and says he liked the song, because it wasn’t just typical pop music with nothing to say. She tells him about the Jackal deal falling through and why that was, planning to walk alone now since the group are over.

On the night of the talent show, Galleria’s mother wants to have a night in with her daughter, but Galleria says she wants to watch the talent show instead. As she is out walking Toto, she sees a window display for Global Getdown and hears the same song demo that Jackal played them. She believes this must mean the girls took the deal. She is so distracted, that she lets Toto run off and he ends up getting stuck in a construction hole. Galleria calls her parents in a panic and signals to a police officer for help.

At the same time, Drinka is introducing the talent show at school, with Derek and his friend Mackerel performing as Sonic Chaos, as a huge rescue operation shuts down the streets of New York City to try and rescue Toto. Chanel, Aqua, and Dorinda see what’s going on through the news reports and rush over to her, with Chanel running out of a hair salon and Aqua getting the subway just to be there – for Toto, not Galleria. The girls tell Galleria it is all her fault this has happened, and the police say they’ll need to cut the power to get to Toto, which interrupts the Sonic Chaos performance and the school’s talent show.

As the school generators start up, Galleria appears on a screen behind as she begs for help to get Toto free. Drinka, Derek, and the others at the school rush to the scene as well. Drinka comes over to Galleria, and she apologises for having such a big head. Drinka agrees she has a big head, but it’s filled with big dreams, and she has a big heart to match, although she should watch out for her big mouth! The police officer tells Galleria they are close to getting to Toto, but they need her to call to him to get him in the right position to be pulled out. Galleria and the girls start singing as Toto likes their music. It works and Toto is freed, albeit quite dirty! With Toto free, the other three girls head back home. Galleria is devastated their friendship couldn’t be saved. Derek says at least they came to help her when she was in need, but Galleria tells him they were only here for Toto. He says she might have been right to walk away from Jackal, but she shouldn’t walk away from her friends.

Galleria then starts singing one of the Cheetah Girls’ songs on the street, making the other girls turn around. Aqua is the first to join in, followed by Dorinda, and then Chanel. With the help of Derek, they perform the rest of the song together in front of the crowd, who all cheer as the Cheetah Girls are reunited. Derek even kisses Galleria.

Back at the school, Galleria hears that the other girls didn’t take the deal with Jackal, and that Dorinda decided not to go on that dance tour. She also officially introduces the girls to her foster mother and sister, not wanting to keep secrets anymore. Drinka then stands up on stage to announce the winner of the talent show. And the winner is…The Cheetah Girls! Although that’s actually quite unfair, since they weren’t actually in the talent show in the end… Galleria then gets a call from Jackal’s people, who is regretting his decision to change the Cheetah Girls after seeing them on the news. All the girls reject Jackal, telling him they’ll do things their way before Galleria ends the call by saying the Cheetah Girls are unavailable. The movie then ends with fireworks lighting up the name of the Cheetah Girls in the sky.

CHARACTERS & CAST

Galleria Garibaldi, whether consciously or unconsciously, has put herself front and centre of the Cheetah Girls, which began as a duo with her BFF Chanel. With the Cheetah Girls being a quartet, and Galleria writing the music, coordinating the outfits, and pushing the group hard, it has made Galleria feel self-important. But I don’t think she actually means to be bossy or obnoxious; she is just determined to live her dream of making the group successful. After getting attention from record producer Jackal Johnson, Galleria starts to act very diva-like, annoying her friends and those close to her. Then when the deal is not exactly what she wanted, she demands that all the girls leave but they refuse, not wanting to be dictated to anymore, and she is left alone. Galleria may have got the moral high ground but at the cost of losing the Cheetah Girls, maybe for ever. Her distraction at seeing that the girls might have taken Jackal’s dream and are about to be rich and famous without her causes her dog Toto to run off and get stuck in a hole. However, funnily enough, this rescue mission allows Galleria to finally swallow her pride and apologise to the girls – through a song, of course! – allowing the Cheetah Girls to reunite.

Galleria was played by former Disney Channel star Raven-Symoné, who had actually had a successful career as a child star even before then, by being cast as Olivia Kendall from Season 6 of The Cosby Show (1984-92), and later as Nicole Lee from Season 2 of Hangin’ with Mr. Cooper (1992-97). Following that, she was cast as Charisse Dolittle in Dr. Dolittle (1998) and Dr. Dolittle 2 (2001). For Disney Channel, although Raven is well-known for her role as Raven Baxter in That’s So Raven (2003-07), returning for a few appearances in its spin-off Cory in the House (2007-08) and then again for its revival Raven’s Home (2017-23), her first Disney Channel role was actually as Nebula Wade in the DCOM Zenon: Girl of the 21st Century (1999), reprising the role for its third film in 2004, and then voicing the recurring role of Monique in their animated series Kim Possible (2002-07), Outside of Disney Channel, but still for Disney, Raven was cast as Princess Asana in The Princess Diaries 2: Royal Engagement (2004) and then as Melanie Porter in College Road Trip (2008). After her time with Disney Channel, where she recorded various albums and singles, including “Superstition”, she then starred as Deloris Van Cartier in the 2012 Broadway production of Sister Act. She also landed the recurring role as Rhonda Johnson in the sitcom Black-ish (2014-22). Raven hosted the revival of the game show Scrabble (2024-present) until 2026.

Chanel Simmons and Galleria are childhood best friends, and have had big dreams for the Cheetah Girls for years. She is the most loyal to Galleria, because they’ve been friends for so long, whereas Aqua and Dorinda are newer members to the group, so when they complain about Galleria’s attitude, Chanel finds herself stuck in the middle as she tries to balance their dream with finding the right time to tell Galleria to stop getting so caught up in herself. Chanel doesn’t want to fight with Galleria, and finds it hard to confront her, with all these feelings later coming out after the Jackal deal causes tensions. However, girls who have been friends for as long as Galleria and Chanel have can’t be apart for too long and they make up. Chanel is also struggling with her mother seemingly choosing her new boyfriend over her here, leaving Chanel on her own a lot, and planning to uproot her to Paris without even listening. Some might say Chanel was bratty for going on that spending spree with her mum’s card, but she was feeling hurt, and teenagers act out irrationally sometimes!

Adrienne Bailon was cast as Chanel Simmons, who was a member of the girl group 3LW, first formed in 1999, at the time she got the role in The Cheetah Girls, alongside Kiely Williams and Naturi Naughton originally, before Jessica Benson took Naughton’s place in the group. 3LW appeared in two Nickelodeon series during their time, including on sketch show All That (1994-2005) and on the show Taina (2001-02) as the fictional band Blue Mascara. In Taina, they performed their hit single “No More (Baby I’ma Do Right)”. I still remember their appearance on Taina and still love this song. 3LW later split in 2007. After her casting in The Cheetah Girls, Bailon appeared in other projects for Disney Channel, including playing the recurring role of Alana Rivera on That’s So Raven, and later Raven’s Home, and being cast as Domino in the DCOM Buffalo Dreams (2005). Also around this time, she appeared as Dominique in the sports film Coach Carter (2005) with Samuel L. Jackson in title role. More recently, Bailon was a co-host of the talk show The Real (2013-22), which was nominated for and won various Daytime Emmys including Outstanding Entertainment Talk Show Host in 2018 for Bailon and her fellow co-hosts. She also performed as Flamingo in Season 2 of The Masked Singer (2019-present) in 2019, coming in third place, and was a panellist on the music game show I Can See Your Voice (2020-24).

Aquanette Walker, mostly known as Aqua, is from Texas, having recently moved to New York City. She is a germophobe, scared of the subway, and loves hot sauce. Aqua was a late addition to the group, with Dorinda, and is the first to be annoyed at Galleria for her attitude after getting close to fame, probably because Aqua was insulted by Galleria about her table manners! Aqua even squares up to Chanel at one point, telling her to talk to Galleria – or else. After the deal with Jackal turns out to be for Global Getdown and not the Cheetah Girls, she tells Galleria how they are all fed up with her wanting to run the band and make decisions for all four of them. In the end, Aqua doesn’t want the band to end either, and even gets on the subway to help Toto and support Galleria – even if she won’t admit she is there for Galleria as much as she is there for Toto! I’d forgotten how tough Aqua was in this first film, as she is quite a different character in the other two films.

Kiely Williams, a fellow band member of 3LW with Adrienne Bailon, was cast as Aqua. After 3LW and The Cheetah Girls franchise ended, Williams went on to be cast as Lilly Marsen in The House Bunny (2008) and then as Kandi Kane / Brenda Smirkle in Elle: A Modern Cinderella Tale (2010). She was also part of the reality series BET Presents: The Encore (2021) which followed the formation of a new music group called BluPrint. Williams has also created various web series, starring in them with fellow Cheetah Girl Sabrina Bryan.

Like Aqua, Dorinda was a late addition to the Cheetah Girls, so these two seem to have bonded more with each other than Galleria and Chanel, due to the fact they are both new. Dorinda is the best dancer in the group, and prefers dancing over singing, but she is still a valuable member to the group. Dorinda is a bit of a peacemaker, as she does what she’s told so nobody asks questions of her, but this means she is being secretive, running off to random places and not telling the girls where. It turns out she works at a dance centre to pay for lessons, but pretends to be rich to fit in with the other girls. In the end, Chanel discovers the truth, and Dorinda has to admit she is in the foster system, saying she didn’t want to feel like the odd one out, although, by the end of the film, Dorinda is clearly relieved to have everything out in the open, and is happy to continue with the Cheetah Girls, even giving up a paying job on a dance tour to stay with them.

Sabrina Bryan was cast as Dorinda, having previously appeared as Fritzie in the television musical Mrs. Santa Claus (1996) which saw Angela Lansbury in the title role, and as Alisa Cordova in the soap opera The Bold and the Beautiful (1987-present) in 2002. Later, Bryan was a contestant on Season 5 of Dancing with the Stars (2005-present) in 2007, returning for an All-Stars edition of the show in 2012. More recently, she co-starred with Kiely Williams in various web series.

Galleria’s mother is an influential figure in Galleria’s life, with Galleria looking up to her mother for starting a successful fashion business, however, Galleria’s mother is less than excited about the potential for Galleria to become rich and famous with her group at such a young age. Galleria’s mother, Dorothea, is very protective of her daughter, and doesn’t want her to get hurt when she realises how tough it is to make it in show business. She is worried about Jackal’s interest, and tries to be involved in negotiations, until she sees how desperately Galleria wants to do this alone, so draws back a bit. However, it all ends in tears, literally, just as Dorothea expected it would, and she has to be there to comfort Galleria when her whole world falls apart, reminding Galleria, alongside Galleria’s father, Francobollo, that she can’t make decisions for other people, even if she thinks her decision is the right one for everyone. Francobollo is more laidback than Dorothea, being the one to convince Dorothea to let Galleria and the girls go to the meeting with Jackal.

Lynn Whitfield was cast as Dorothea, having previously been cast as Rae in Silverado (1985); Louisa McCay in Jaws: The Revenge (1987); and Dr. Sweikert in Stepmom (1998). Around the time of The Cheetah Girls, Whitfield appeared as Debra Lassiter in Chris Rock’s Head of State (2003) and later as Laura in The Rebound (2009) with Catherine Zeta-Jones. More recently, Whitfield appeared in the recurring role of Mary Walker in Season 1 How to Get Away with Murder (2014-20), and then as Vanessa Howard in Seasons 2 and 3 of Hit the Floor (2013-18). She also starred alongside Keith David as Daisy Mae Greenleaf in Greenleaf (2016-20), a series co-produced by Oprah Winfrey.

Juan Chioran was cast as Francobollo Garibaldi. Chioran has acted on stage with roles in many productions over the years at the Stratford Festival, held in Stratford, Ontario in Canada, winning a Gemini Award for his 2000 performance as Count Dracula in Dracula: A Chamber Musical. He also has experience in voice acting, recently voicing the recurring role of Señor Tapir in the PBS Kids series Elinor Wonders Why (2020-24). He later returned to Disney Channel to play Gustavo in another Disney Channel musical, Sneakerella (2022).

Jackal is a successful record producer, known for creating successful singers, so his reputation proceeds him. He was also a former student of the same high school that the Cheetah Girls go to, so they believe they can trust him to make them a success and care about their journey to achieving that. Jackal reels the girls in with compliments about their look and their music, only to then come up with a redesign of their group to match the information he has received from his marketing team about what is popular and what will sell. This shows he is only motivated by money and doesn’t care about the girls or the Cheetah Girls as a group, just wanting young girls to mould to fit his own vision. He actually finds himself regretting the fact that he let them go after seeing the Cheetah Girls perform on the news, and tries to get the girls to reconsider. They refuse.

Vincent Corazza was cast as Jackal Johnson. Prior to his role in The Cheetah Girls, he was cast as Albert in the DCOM Quints (2000). Corazza went on to voice Alden Jones in the animated series Braceface (2001-04) as well as the characters of Zexion and Ienzo in the Disney video game series Kingdom Hearts.

Drinka is a former singer, and the girls’ teacher at their high school. She also runs the talent show, being very proud of it and its legacy. She is supportive of all the acts in the show, giving advice on how to improve their performances. Drinka thinks the Cheetah Girls will go far in life, but is taken aback when Galleria effectively tells Drinka the group is too big to perform in the talent show, not liking what she’s hearing. Drinka forgives Galleria after getting an apology from her about how she acted, but does warn Galleria about not letting her big mouth get in the way of her future!

Drinka Champane was played by Sandra Caldwell. Before appearing in The Cheetah Girls, Caldwell played Asia in the Canadian series Little Men (1998-99). Recently, Caldwell has appeared as Ellen in the HBO series The Gilded Age (2022-present).

Derek and his friend Mackerel are part of a rap group called Sonic Chaos. They tease the Cheetah Girls constantly, playing mind games with the girls, as Sonic Chaos open to win the talent show, but see the Cheetah Girls as strong competition. Derek clearly also flirts with Galleria because he likes her, although she just thinks he’s trying to trick her into not focusing on the show. Derek and Galleria eventually grow closer after Galleria thinks the Cheetah Girls are over, even sharing a kiss at the end of the film. Derek can also be credited with motivating Galleria to make up with the girls and not let her lose their friendship.

Kyle Schmid was cast as Derek. Schmid went on to appear as Scott in Disney’s The Pacifier (2005), which starred Vin Diesel, and as Paul Rodman in the teen drama The Sisterhood of the Traveling Pants (2005). Later, Schmid was cast as Chief Special Warfare Operator Alex Caulder in the military drama Six (2017-18) and currently plays Special Agent Mike Franks in NCIS: Origins (2024-present). Mackerel was played by Denton Rowe.

MUSIC

For a musical film about a girl group, I was quite surprised at how few songs the Cheetah Girls actually sing in this film, with the total only being four. This is something that would later be corrected, as the group sing plenty more songs in their other films.

Looking at the songs the Cheetah Girls specifically sing, the first one we hear is in the opening sequence, and is the song that the girls are performing at the birthday party. This song is “Together We Can”, which was written by Stephen Lee, Walter Turbitt, and Will Robinson. This is the best song in the film for me. I feel it is very fitting for the opening of the film, as it showcases the talents of the girls right from the off. The girls later sing this song a cappella as they try to help get Toto free, as the dog responds to their voices.

Following that, the Cheetah Girls perform the song “Cinderella” for their school talent show audition, which is met with praise by their teacher, Drinka. I quite like this song as well. Interestingly, “Cinderella” is not an original song written for The Cheetah Girls film, which is very unusual for a Disney Channel musical. In this case, “Cinderella” was actually first performed by American girl group i5, reportedly around 2000, before being covered by the Swedish girl group Play around 2001 or 2002[1]. Regardless of who sang it first, it works in The Cheetah Girls. “Cinderella” was written by Lindy Robbins and Kevin Savigar.

Later on in the film, as the girls attempt to persuade Jackal Johnson that their sound and their look as the Cheetah Girls should be enough for him, and that they don’t need to be rebranded into Global Getdown, Galleria has the girls perform the song “Girl Power”. This song perfectly sums up the Cheetah Girls’ mission for their music, to empower girls everywhere, no matter who they are or what they look like. Sadly, this message is lost on Jackal and his marketing team. You can also hear Galleria singing “Girl Power” briefly earlier on in the film, as she calls Chanel to listen to the new song she’s been writing, this being “Girl Power”. The song was written in real-life by Ray Cham and Rwaana Barnes.

The final song the girls perform as a group is “Cheetah Sisters”, and this is the film’s finale number. Just after Toto is rescued, Aqua, Chanel, and Dorinda head home separately, leaving Galleria distraught that the Cheetah Girls are actually over. She is told that she doesn’t have to let her friends walk away, so Galleria starts singing this song alone, hoping the other three will join her. They do, and the Cheetah Girls are reunited in front of a crowd of on-lookers. “Cheetah Sisters” shows the strong bond and friendship that the girls have. To be honest, although this is an iconic song from The Cheetah Girls franchise, I don’t actually like it but maybe it’s the tracksuits they’re singing in that I don’t like! Galleria also sings part of this song alone in the school auditorium as she laments the fact the girls have gone their separate ways, with Galleria leaving the group and the other three seemingly taking Jackal’s deal to become a new band. “Cheetah Sisters” was written by Jamie Houston.

There are two other songs that appear in the film that are not performances by the Cheetah Girls. One of these is “C’mon”, the talent show entry from Galleria’s love interest Derek and his friend Mackerel. Their group is a hip-hop duo called Sonic Chaos, with their performance being interrupted by the city’s power being turned off to save Toto. They consider the Cheetah Girls their biggest competitors in the talent show, so it must be all the more painful for them when the Cheetah Girls end up winning it! I don’t like this song much either, which perhaps isn’t helped by the fact the performance is interspersed with clips from the rescue of Toto, so you don’t get to hear the song in full. “C’mon” was written by Ray Cham, Alex Dunbar, and Rwaana Barnes.

“All Around the World” is the only other song that the characters engage with in The Cheetah Girls. The Cheetah Girls are told this is the song that the record label want the girls to record, not any of their own songs. It is inoffensive, bubblegum pop, with lyrics that mean very little but are nonetheless quite catchy. Aqua, Dorinda, and Chanel start to sing along to the track that Jackal plays them, albeit not particularly enthusiastically, but Galleria refuses to engage with it at all. I actually really like this song and always have; I think the Global Getdown band idea wasn’t all that bad! “All Around the World” was written by Ray Cham and Rwaana Barnes. It does not appear on the soundtrack, unlike the other five songs.

Outside of that, there are some other tracks that are used as background music in the film, with some appearing on the soundtrack and others not doing so. One of the remaining three songs to make up the soundtrack for The Cheetah Girls, outside of the five above, is “Girlfriend”, written by Ray Cham and Chaka Blackmon, and performed by Char. This song is playing as Galleria and Chanel dance in front of a shop window, due to their excitement at seeing a new artist being promoted by Jackal Johnson in the window display. The two end up drawing a crowd who applaud their impromptu dance.

During the montage sequence of Chanel on a shopping spree using her mother’s credit card, after she is ditched yet again in favour of Chanel’s mother going out with her rich boyfriend, the song “Breakthrough” was used. It was written by Antonina Armato and Tim James, and was performed by Hope 7. “Breakthrough” also appears on the soundtrack for Legally Blonde 2: Red, White & Blonde (2004). Hope 7 went on to have their song “I Want Everything” used in another DCOM, Go Figure (2005).

After Galleria walks away from Jackal’s deal for the girls to become Global Getdown, and the other three decide they need to think about it, the song “End of the Line” plays. This shows the girls distancing from each other, coming to the terms with the fact they may never perform as the Cheetah Girls again. This song perfectly matches the mood of the scene. It was written by John Van Tongeren and Oz Scott, and was performed by Christie Mac.

So, that is the eight tracks that make up the soundtrack for The Cheetah Girls, which was released on 12th August 2003, a few days before the film premiered on Disney Channel. Apparently, Disney hadn’t originally planned to release the film’s soundtrack, despite all the effort that went into creating original songs for the movie. No Disney Channel movie had had their own soundtrack before. It was only a few weeks before the film’s premiere date that it was decided to release eight tracks from the film, including the four that the Cheetah Girls themselves sing, as a CD[2]. The album peaked at No. 1 on the US Billboard Kids Albums and Soundtrack Albums chart, as well as peaking at No. 33 on the US Billboard 200 chart. The soundtrack later went double platinum in 2005.

However, there are two other credited songs in this film that did not make the soundtrack. “Tru Blu” seems to be playing in the background as Galleria and the girls talk about their need to have a study session, after finding out that Chanel is failing a class. “Tru Blu” was written by Ray Cham, Debra Barnes and Will Campbell, being performed by Lil’ J, featuring Chase. This song appears to have been used on a later DCOM, Pixel Perfect (2004). “Make You Dance” was written by Ray Cham, performed by SoL Survivor, and seems to be the music being used during the dance auditions that Dorinda helps with, before being offered a spot on the tour with the Gold Medal Crew.

John Van Tongeren was the composer of the score for The Cheetah Girls. He went on to work on the music for various other DCOMs, including Twitches (2005) and Twitches Too (2007); Princess Protection Program (2009); and The Suite Life Movie (2011).

PRODUCTION

It might surprise some to hear that The Cheetah Girls was based on a book series, written by Deborah Gregory. Then again, you might’ve read these books and it’s not a surprise to you at all. All I know is that I was completely unaware of this.

In total, there are 16 main books in The Cheetah Girls series, although it would seem that thirteen had been published by the time the Disney Channel film came out. The first book, The Cheetah Girls: Wishing on a Star was published in 1999. The original series actually featured five girls, not just the four we see in the film. Aqua has a twin sister called Angie in the books, however, despite Tia and Tamera Mowry being floated as playing these twin sisters, it was later decided that having the need to hire twin sisters was limiting the talent pool, so they simply dropped one of the sisters. I think four main characters is plenty to focus on in a film anyway. Some minor changes from the books to the film include Dorinda’s original surname being Rogers and not Thomas, as well as Dorinda being aged up to match the other girls’ ages, despite only being twelve years old in the books. I was going to say that Chanel’s brother Pucci is omitted from the films whereas he is a character in the books, but apparently, he is in the first film, because it is his birthday party at the start, Chanel’s mother briefly mentions his name later on, and he’s at the girls’ talent show audition. Who knew?

Deborah Gregory has said that she drew upon real experiences from her life when creating the series, for example, Gregory grew up in the foster care system in New York City, mirroring that of Dorinda. Gregory felt that there was a need to expand children’s cultural knowledge, to have them understand other experiences outside of their own, which was a motivating factor for her writing her series. She was also apparently inspired to write the series after interviewing Destiny’s Child for Essence magazine, where she worked as the fashion editor at the time[3].

Alison Taylor was credited with writing the screenplay for The Cheetah Girls film, using Gregory’s novels as a basis. Taylor had previously been the story editor on the sitcom Married…with Children (1987-97), and had written a few episodes for the Disney Channel series Lizzie McGuire (2001-04), before returning to The Cheetah Girls series to co-write the sequel, and then create the Nickelodeon sitcom Just Jordan (2007-08).

But the process of making the film was not simple, as it was initially being pursued as a series for Disney Channel, with Debra Martin Chase the one wanting to produce the series. She had some previous history with Disney after working on their live-action film The Princess Diaries (2001) and on their television film Rodgers & Hammerstein’s Cinderella (1997), later becoming an executive producer on the DCOM Lemonade Mouth (2011). However, Disney Channel was seemingly focused on ensuring their new series would translate well overseas, and it was felt this Cheetah Girls series would not. Yet all hope was not lost as Disney Channel executive Gary Marsh said that perhaps the series could be retooled as a movie instead. It may not be common knowledge that legendary singer Whitney Houston was also a producer on The Cheetah Girls, as she was on Disney’s The Princess Diaries and Cinderella.

After filming the first season of That’s So Raven, Raven-Symoné signed on to play the main character of Galleria, with Adrienne Bailon being cast as Chanel and Sabrina Bryan as Dorinda. Dorinda is not white in the books; however, Debra Martin Chase apparently pushed for the fourth girl to be white, in order to represent as many ethnicities as possible. Sabrina Bryan is actually of Mexican descent. Casting the part of Aqua was not without its problems though, as Solange Knowles, as in Beyoncé’s sister, was cast in the role, but later pulled out of the film after choosing to pursue her solo singing career. In the end, Kiely Williams, who was a bandmate of Bailon’s from their time in 3LW, was then asked if she would want the part of Aqua, and readily accepted.

Director Oz Scott was chosen to direct The Cheetah Girls. Prior to The Cheetah Girls, Scott had directed the short film Mr. Boogedy (1986), which aired on ABC as part of The Disney Sunday Movie (1986-88) series, going on to direct its sequel Bride of Boogedy (1987) for the same ABC series. Scott had also directed some episodes of the Showtime series Soul Food (2000-04) before working on The Cheetah Girls. In more recent years, Scott has continued directing in television, working on series such as the superhero series Black Lightning (2018-21) on The CW and crime drama S.W.A.T. (2017-25).

The Cheetah Girls was filmed in Toronto, Canada, as so many Disney Channel movies are, with Toronto having to represent New York City, the setting of the film. This had also been the case for another Disney Channel Original Movie, Get a Clue (2002).

But first, the cast had to have dance rehearsals in Los Angeles, which happened three weeks before filming began, with choreographer Troy P. Liddell. The four girls said this was great as it was a bonding experience for them, and meant they could properly convey that they were a group who had known each other a while on set. All the cast said they enjoyed their experience working on The Cheetah Girls, and liked the message of the film, about achieving your dreams no matter who you are or where you come from[4]

However, it was quite cold in Canada when they were filming. Apparently, the velour tracksuits the girls wear for the “Cheetah Sisters” performance were designed with the weather in mind, as they had a thin set of thermals inside them, so kept the cast warm in the cold Canadian air. They were designed by costume designer Resa McConaghy, who was well aware that most of the animal print featured in this film was actually leopard print. The reason cheetah print was not used is because this true print was harder to find[5].

RECEPTION

After a red carpet premiere, reportedly held at Fiorello H. LaGuardia High School on 5th August 2003, and attended by the cast and crew, as well as some Disney Channel stars, such as Raven’s That’s So Raven castmates, and Shia LaBeouf and Christy Carlson Romano from Even Stevens (2000-03), The Cheetah Girls premiered on Disney Channel in the US on 15th August 2003. It is unclear exactly when it reached international channels; it may’ve been months later, or even years, but luckily, since there was no social media at that point, it’s not like any Disney Channel viewers overseas were getting spoilers.

The Cheetah Girls was said to have been watched by 6.5 million viewers on its premiere date. This made it the most-watched Disney Channel Original Movie premiere of 2003, and it would seem that figure of 6.5 million would not be beaten by another premiere until Twitches, starring Tia and Tamera Mowry, came out in 2005. However, The Cheetah Girls was not the highest-viewed DCOM of all time by this point, as Cadet Kelly (2002) had surpassed it with 7.8 million viewers on its premiere the year before. 6.5 million viewers would’ve certainly been considered a successful premiere for The Cheetah Girls at the time, however, as the 2000s stretched into the 2010s, some DCOM premieres were getting 7, 8, sometimes even more, millions of viewers tuning in, so The Cheetah Girls did not stay in the Top 10 most-watched DCOM premieres for long.

Disney Channel movies have always received mixed reactions, with the musicals gaining the most attention generally, therefore opening them up to more criticism. The Cheetah Girls is just one of many DCOM musicals to be adored by its fans and viewers of Disney Channel at the time, but panned by others outside of that demographic.

Some negatives highlighted around The Cheetah Girls is that the attitude of Galleria was seen to be very unappealing and obnoxious, with this behaviour later being rewarded. I accept that Galleria’s behaviour at times in the film doesn’t make her particularly likeable, however, she makes amends by the end of the story, although I will say that it did feel very unfair that The Cheetah Girls won their school talent show, even though they had previously pulled out of competing in it. Also, others said, despite hinting at deeper issues, such as Dorinda’s foster upbringing, and the dangers of being pressured and manipulated by the music industry, these were not fully explored, with Dorinda’s parental situation only being referenced in one scene really, and only with Chanel, not the other two girls. Viewers were critical of the ending as well, revolving around the rescuing of Toto. I think this was a strange way of getting the girls to reconnect, but it was fairly realistic, in that dogs do run off and get stuck in various places, and that Galleria was so distracted that she wasn’t looking after Toto properly that he managed to run off. Another comment made about The Cheetah Girls, this time more gentle teasing, is about the animal print tracksuits that the girls wear during the ending sequence, and wondering how all the girls managed to accidentally coordinate their outfits so they’d all be matching that day, despite The Cheetah Girls supposedly being over!

On the positive side, there was praise for Raven-Symoné’s acting in this film, even if viewers didn’t always like Galleria. Raven was a rising star for Disney Channel at the time, having accumulated more and more fans from her sitcom That’s So Raven by the time The Cheetah Girls premiered. The Cheetah Girls was said to be perfect for teens and tweens with suitably catchy pop music to sing along with. The film’s message of celebrating diversity, and concentrating on your dreams and talent and not your looks, was also recognised and commended. The audience also felt that there was good chemistry between the cast.

In hindsight, with other movies from The Cheetah Girls coming after this first one, many say that this original film is just alright, but the franchise has remained popular as a whole with those that watched the films during the 2000s on Disney Channel.

Some of the cast members were rewarded for their performances in The Cheetah Girls by being nominated at some award ceremonies. At the National Association for Multi-ethnicity In Communications (NAMIC) Vision Awards, Lynn Whitfield, who played Galleria’s mother, Dorothea, was nominated for Best Dramatic Performance. At the NAACP Image Awards, Whitfield was once against nominated for Outstanding Performance in a Youth/Children’s Program. It would seem that Raven-Symoné won this award for her role in That’s So Raven. At the 2004 Black Reel Awards, Raven-Symoné and Lynn Whitfield were both nominated for their roles in The Cheetah Girls in the categories of Best Actress and Best Supporting Actress in a TV Movie or Limited Series respectively. The film itself was also nominated for Best Television Miniseries or Movie, but lost to Showtime’s television film Deacons for Defense (2003). Director Oz Scott was also nominated at the Directors Guild of America Awards for Outstanding Directorial Achievement in Children’s Programs. Sean McNamara, who directed The Even Stevens Movie that year, was also nominated. The winner was Kevin Lima for his work on Eloise at Christmastime, a television special aired on ABC as part of The Wonderful World of Disney anthology series (1997-present).

LEGACY

Although The Cheetah Girls was the first Disney Channel musical, and technically the first musical series for Disney Channel to become a franchise, not much really happened after The Cheetah Girls premiered, and it took a while for the franchise to get going.

There are probably a couple of reasons for this. One is that we simply never got to see some early ideas for what would come next for the Cheetah Girls following this first film. It was rumoured that there were some discussions around creating a television series that would likely have followed the band after the events of the first film. It was said that production was set to begin in 2004, however, although the four main cast members were aware of these early development ideas, they have since said that it was all talk and nothing concrete, like shooting a pilot, ever happened. It is possible this series never came to pass because Raven was already tied to her own major Disney Channel series, and likely would’ve been too busy to work on a new series around The Cheetah Girls for ABC.

The other reason why not much seemed to happen with The Cheetah Girls franchise in the year or so after its premiere is that there may have been negotiations taking place about launching the girl group from the film world into reality. This would not be as simple as you’d expect, because Raven-Symoné declined to be a part of the real-life girl group, choosing instead to focus on her solo music career. This left Adrienne Bailon, Kiely Williams, and Sabrina Bryan to go on without her. The Cheetah Girls as a girl group finally came to be in 2005, after they released their debut album, a Christmas album, in October that year, titled Cheetah-licious Christmas. It consisted of covers of popular Christmas songs as well as some original tracks, and peaked at No. 74 on the US Billboard 200 chart. The group had previously recorded a cover of the song “I Won’t Say (I’m in Love)” from Hercules (1997) for the Disneymania CD in early 2005, and went on to record a cover of “Shake a Tail Feather” for Disney Animation’s new film Chicken Little (2005). In December 2005, the Cheetah Girls went on their Cheetah-licious Christmas Tour to promote their album, and were joined by Aly & AJ as their opening act, and the Jonas Brothers, who showed up as surprise guests for a few shows in order to promote their own album. This tour ran from 6th December 2005, starting in Newark, until 28th December 2005, ending in San Francisco.

Another way that the Cheetah Girls promoted their Christmas album in 2005 was being appeared at the Walt Disney World Christmas Day parade and performing their song “Cheetah-licious Christmas”. Despite not being part of the group, Raven also made an appearance at this same Christmas Day parade, in a pre-recorded video where she discussed the new ride coming to Disney’s Animal Kingdom Park in April 2006, Expedition Everest. Interestingly, but not surprisingly, Raven was introduced as Raven from That’s So Raven, with no mention of her links to the Cheetah Girls.

Following on from that busy year in 2005, more exciting news for Cheetah Girls fans was coming as the sequel The Cheetah Girls 2 was confirmed for release in Summer 2006, and clearly they wanted to build anticipation for this first-ever Disney Channel musical sequel, because music and clips from the filming of the sequel were on the channel all the time that summer between their main programming! It was kind of annoying actually…

Outside of that, there was some merchandise released based on The Cheetah Girls, including a novelisation of the film and some clothing with The Cheetah Girls logo emblazoned on them. Of course, a DVD copy of The Cheetah Girls was also made available in the US in 2004, reaching other countries by 2007. This DVD featured some behind-the-scenes clips from the film, as well as a deleted scene, which was an alternate ending for the film. It wasn’t overly different from the original ending, except Toto was sent over to an ambulance after being rescued as he didn’t seem right, and then there was a final scene of the four Cheetah Girls talking to the viewers, saying how they were going to be stars soon[6].

However, a lot of merchandise may have been released around the time the sequel came out and not in 2003 when the first film premiered, as 2006 onwards is when The Cheetah Girls really became popular. There was still plenty of love for the first film on social media in 2023 though, as fans celebrated the 20th anniversary of the first film.

More recently, Disneyland has put on a series of special after-hours events, titled Disneyland After Dark. In March 2024, they held two events themed to Disney Channel, Disneyland After Dark: Disney Channel Nite. Specifically related to the first Cheetah Girls film, there was a photo backdrop for this first film which fans could take photos in front of.

FINAL THOUGHTS

The Cheetah Girls will always be remembered for being the first Disney Channel musical film, as well as for its diverse casting and positive messages for young girls.

However, it would not be until the sequel came out in 2006 that this series would increase in popularity, and rival that of High School Musical, whose first film came out at the beginning of 2006 and achieved instant success.

The Cheetah Girls wouldn’t match up to High School Musical in the end, but it certainly has its own set of loyal fans, who can credit The Cheetah Girls with helping them feel represented, important, and worthy of achieving anything they set their minds to.


REFERENCES

[1] Credit: Devin Herenda, “’The Cheetah Girls” Is 20 Years Old, So Stop What You’re Doing And Learn 18 Interesting Facts About This Iconic Disney Channel Original Movie’, Buzzfeed.com, 28th February 2023,

[2] Credit: Ashley Spencer, Disney High: The Untold Story of the Rise and Fall of Disney Channel’s Empire (2024), ‘That’s So Raven-Symoné’, pp. 85-110.

[3] Credit: Haniyah P., ‘Why ‘The Cheetah Girls’ meant so much to Black girls and why the reboot debate feels so personal’, Yahoo.com, 9th July 2026.

[4] Credit: Disney Channel, “Backstage Disney: Behind the Spots”, from The Cheetah Girls (2003) UK DVD (2007).

[5] Credit: Ashley Spencer, Disney High: The Untold Story of the Rise and Fall of Disney Channel’s Empire (2024), ‘That’s So Raven-Symoné’, pp. 85-110.

[6] Credit: Disney Channel, “Deleted Scene: Alternate Ending”, from The Cheetah Girls (2003) UK DVD (2007).

Descendants: Wicked Wonderland (2026)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

Consider this your spoiler warning. I like to go into detail with plot points, so you might want to ensure you’ve watched Descendants: Wicked Wonderland before reading anymore.

Back in the day – you know, the 2000s – Disney Channel considered themselves lucky if they discovered they had made a film popular enough to warrant a sequel.

But then came High School Musical, which spanned three musical films. Now, fans of Disney Channel Original Movies, specifically the musicals, were coming to expect that their favourite musical franchises would become trilogies at the very least.

This turned out to be the case for a number of them. The Cheetah Girls hit three films, with The Cheetah Girls: One World (2008) actually reaching our screens a couple of months before High School Musical: Senior Year (2008) did. Descendants came along later, in 2015, and hit the three-movie marker, as did ZOMBIES a few years after that. We are also getting that longed-for – by others, not by me – third Camp Rock film in 2026.

In the last couple of years, some popular DCOM musical franchises have moved into unprecedented territory by reaching five films. Although we have ZOMBIES 5 to look forward to, probably in 2027, Descendants is the first DCOM franchise to reach this milestone.

The fourth Descendants film, Descendants: The Rise of Red (2024), helped the film series by being a reboot of sorts, not involving many of the previous cast and taking the series in a new direction. This was a similar route that the fourth ZOMBIES movie took just a year later in 2025. Descendants: The Rise of Red benefitted from having a completely new story, involving time travel, which had not been done before in the world of Descendants. It was not perfect, but it was relatively clever.

Yet, Descendants: Wicked Wonderland felt like it was rehashing old Descendants storylines. After Descendants: The Rise of Red, the two leads of Chloe and Red find that the time travelling has led to a mixture of positive and negative consequences that affected their lives. Descendants: Wicked Wonderland promised to explore those – and it did, but it was also tied up in Red’s need to understand herself, as she becomes a hero’s kid – not that I know what makes the Queen of Hearts a hero just because she’s not mean anymore – instead of a villain’s kid. For those who watched the original trilogy, you’ll know this was exactly the same character arc that Mal went through. It was old news for me, and not something I needed to see again. I’d had some hope for this fifth Descendants film but that promise I saw in Descendants: The Rise of Red was gone here and I was left disappointed.

PLOT

Descendants: Wicked Wonderland begins with a brief recap of the events of Descendants: The Rise of Red, provided by Chessy, a cat and the apparent daughter of the Cheshire Cat.

She states that daughter of the Queen of Hearts, Red, along with Cinderella’s daughter, Chloe, went back in time via a magical pocket watch to stop the Queen of Hearts from taking over Auradon, however, by doing this they inadvertently changed the past and are still figuring out how those changes have affected their current lives, for example, the Queen of Hearts is now a kind ruler of Wonderland and no longer a villain, and Red has a new sister, Pink. After their time-travelling escapades, Chloe and Red decide to hide the pocket watch in the Wonderland Royal Vault. But Chessy reminds the audience that although one villain was erased on that fateful day, a new villain was also created.

In present day, Red and Chloe wake up on a new day, their first day back at school at Auradon Prep. The two are coming to terms with their new lives, with both of them now expected to be “perfect princesses” in order to please their mothers, yet neither want that for themselves. Red also is reminded whilst at school that she is now a “HK”, a Hero Kid, and not a “VK”, a Villain Kid, meaning she has new friends, like Luis Madrigal, the son of Luisa Madrigal, and Robbie Hood, the son of Robin Hood, alongside Chloe and her sister Pink. The VKs, meanwhile, now consist of leader Hazel Hook, daughter of Captain Hook, and her sidekicks Squirmy and Squeaky Smee, the twin sons of Mr. Smee, as well as Felix Facilier, son of Dr. Facilier, and Max Hatter, the grandson of the Mad Hatter and son of Maddox Hatter. Red is struggling with this new order, continuing to see herself as a VK.

Meanwhile, it is revealed that Maddox Hatter is the new villain that Chessy was referencing. He was driven mad by seeing the magical pocket watch in use many years ago, and was desperate to find it. He was so desperate that he ended up being banished to the Isle of the Lost by the Queen of Hearts. In their former lives, Maddox Hatter and the Queen of Hearts were friends, but Red’s time travelling changed all that. Chessy is now Maddox’s ally. They discover, thanks to his magical Oraculum invention, that the pocket watch is in the Wonderland Royal Vault, but they don’t know where it is. Maddox sends his mechanical dodos to find the vault. Maddox has his own plan to deal with the Queen in the meantime.

The Queen of Hearts is still blissfully happy with her life and wants to start planning a tea party. As she reels off all her ideas, we see robotic bugs have come to the throne room and have sent the Queen’s guards to sleep. Maddox then confronts the Queen, ordering her to tell him where the vault is. She refuses, so the bugs send her to sleep too.

Back at Auradon Prep, Red, Chloe, and their new friends are threatened by the new VK gang. Luis tells Red and Chloe that Maddox Hatter, Max’s father, is the biggest villain around here now. Suddenly, a playing card appears to Red, stating that the Queen of Hearts has been captured by Maddox Hatter and she needs to return to Wonderland at once. Red and Chloe go to Fairy Godmother and Cinderella to ask for permission to go to Wonderland, but as expected, they are told it is too dangerous to go there. The Fairy Godmother gives further details to them about Maddox, and says Uma is calling the Auradon Council to get help. Red and Chloe are told not to break the rules.

Red, Chloe, Pink, Luis, and Robbie decide they will still go to Wonderland together. Max, Hazel, Felix and the Smees also decide they will go with them, wanting to stop Maddox as well. Max says they’ll need him to stop Maddox, since he knows him the best. Max reiterates he doesn’t want to be like his father, so he will go against him. The group go down the Rabbit Hole into Wonderland, where Red and Chloe see strange portraits of themselves, seemingly as their hero and evil selves, but have no idea what they mean…

The group arrive in a colourful, spectacular Wonderland, which is very different to the Wonderland Red knew from her pre-time travel life. They decide the best thing to do is to head to the Queen of Hearts’ castle, where the Queen has been trapped in her throne room. The teens arrive at the Croquet Garden, but Maddox realises they are all there, thanks to his dodo spies, and starts to use his magic to torment and trick them. The group file into a nearby house, but this also becomes distorted because of Maddox’s magic. The Queen of Hearts pleads with Maddox to stop. He traps the group in a room and tries to crush them.

Red and Luis manage to escape the house through a tiny door, but the others are separated from them. Felix and Robbie end up in a teacup on a sea of water, whereas the rest show up in some sort of vegetable patch. Red and Luis successfully reunite with most of the others, having found Pink’s shoe whilst walking. Chloe alerts them all to a mechanical dodo, believing it to be a spy. Chloe wants to rewire it, to try and get it to be a spy for them instead of against them, but everyone overrules her and says they should simply destroy it. This plan doesn’t work and they decide to just keep moving before more dodos appear.

Back at home, Cinderella is made aware that Chloe and her friends went into Wonderland. Cinderella decides she’ll have to go to Wonderland to help her daughter. She chooses to go through a mirror in her palace which has a direct connection to the Queen of Hearts’ throne room. Seeing thick vines on the other side, Cinderella cuts through them and gets into Wonderland, reuniting with the Queen of Hearts. However, now the two are stuck in the throne room together, with no way out, as Maddox breaks the mirror.

That night, the teens discover they are further away from the castle now, because of Maddox’s tricks. They go to a large tree to shelter for the night. Luis tells Red that he doesn’t trust the VKs and thinks they and the other Hero Kids should go on alone tomorrow. Chessy the cat decides to have some fun by secretly pitting Hazel and Luis against each other. Red decides the VKs are best placed to get them to where they need to be. Chessy then whispers in Pink’s ear, telling her that her sister is siding with villains. Pink tells the group she thinks that is a mistake and that Max Hatter is clearly doing what his father wants him to do, by leading them into a trap. Max storms off. Red goes to talk to Max, saying that she trusts him to help them save her mother, and that they can try and save his father too. Max tells Red more about how his father turned mad, saying that all he could think about was this time travelling pocket watch, something that Red obviously knows about but does not reveal this to Max. At the same time, Hazel tells Chloe that she is simply a sidekick to Red, upsetting Chloe. Robbie and Felix later reunite with the group. Max says he has a plan to deal with Maddox, by stealing Maddox’s Oraculum, to use it to get the Queen of Hearts released.

However, Maddox has seen them discussing their plan, and shrinks them as they sleep, moving them onto a chessboard. They wake up and are shocked to find they have been moved completely off course by Maddox yet again. The teens are told by Chessy they must capture the king before they are captured. Chloe thinks they should use themselves as chess pieces and play across the board – now, where have I seen that before? However, as Chloe directs Robbie onto a square, he is launched into the air. Hazel tells Chloe this isn’t going to be that simple, and they’ll need a new plan. Red thinks they should directly fight the opposing pieces, but they are quickly overpowered, with Felix and one of the Smees being lost to the game too, and the king is raised up to a higher platform. Red and Hazel use Chloe as bait to get a flower to attack her, so Red can use it to launch herself over to the king and push him off the platform. They successfully beat the game – but Chloe is angry with Red for using her like that. The group see a cookie near by and take a bite, to grow back to normal size. They head towards Maddox’s cottage to get the Oraculum.

It soon becomes clear once again that they are behind schedule, and end up in the White Rabbit’s cottage to spend the night, since the White Rabbit leaves Wonderland in winter. Max tells Hazel that he wants to go to Maddox’s cottage alone, in case he is blamed for another trap that Maddox might set for them. Red tries to make amends with Chloe, but she won’t hear it. Luis tries to comfort Red, by telling her she’s a good leader with a good heart. Red and Luis start to fall for each other. Chloe has it out with Red on her return from her stroll with Luis, telling her she’s not treating her like a friend should. She goes off alone.

Max later makes it to his father’s cottage, where Chessy is waiting to corrupt his mind. She tells Max to use the Oraculum to answer the questions he has about his father. It shows Max his previous life with his father, and how Red’s use of the pocket watch made his and his father’s life worse. Out of anger at being denied a happy life with his father, Max finds a spell book nearby and starts making a potion, planning to use Chloe to get the pocket watch, since she knows where she hid it, and turn things back to the way they were. Chloe is approached by Max that night, and he convinces her to use this potion on herself, which was handily placed within a bracelet. As she puts the bracelet on, it instantly turns her evil. The two team up and head to the Wonderland Royal Vault to retrieve the pocket watch.

The next morning, Red worries about Chloe, having not seen her since the night before. She sees Chloe with Max and runs after her. Luis follows her, as does Pink, wanting to help her sister. They all end up at the Wonderland Maze, where it is revealed that Chloe has turned evil. Luis and Red follow Chloe and Max as they rush into the maze to find the Wonderland Royal Vault. The four run through opening and closing hedges, with each duo trying to reach the centre first. At one point, Luis tries to keep a hedge open for him and Red to get through, but only Red manages to exit that part of the maze; Luis is seemingly swallowed up by the hedge. Red is alone, hearing voices about how she has failed her friends. Chessy then appears telling Red all the things she’s done wrong on this journey, and how she has betrayed so many people. Red continues to unsuccessfully move through the maze, until she sees an item in one of the rose bushes. It is a little box, titled Pink and Red’s Treasures. Red sees her childhood with her sister and cries out for Pink to help her. Pink is finally allowed into the maze and finds Red. Pink eats part of the cookie they found by the chessboard earlier and grows taller to help get Red to the centre of the maze.

Maddox watches on from the throne room, as he sees his son reach the vault, with the Queen of Hearts and Cinderella now trapped in a cage of vines. Max finally retrieves the pocket watch, just as Red and Tall Pink show up. Pink stomps her foot, causing the ground to break away, and Red, Chloe, and Max fall down into the sunken area below it. Chloe picks up the pocket watch and threatens to use it for herself, in order to make herself powerful in the future. Red tells Chloe that she was the one to help Red see herself as a better person, a good person, and not just a villain. She apologises to Chloe for how she’s treated her in Wonderland, telling her they can figure this all out together. Chloe rips off the bracelet and reverts back to her good self. Maddox is seemingly out of ideas; however, he uses one last trick to possess some stone dragons near to where Red, Chloe, and Max are. Max is about to be crushed by one of the sculptures, but is saved by Chloe and Red. They choose to destroy the pocket watch once and for all, tossing it into a magic well.

Pink takes the rest of the group to the throne room and rescues the Queen of Hearts and Cinderella. Cinderella uses her tiara to cut the rope to the castle’s chandelier, trapping Maddox Hatter within it. The Queen of Hearts then uses her magic to get her castle back the way it was, and is reunited with her children, and Cinderella with her daughter. Max is also reunited with his father. The Queen of Hearts suddenly approaches Maddox, and cries “Off with his head!” She comes to her senses soon after, not knowing where that touch of evil came from. Red stops the guards from taking him away, saying it is her fault for what happened. If “hero” is just a word, then maybe “villain” is the same, so Maddox should be given a second chance. The Queen of Hearts says Maddox can stay in his chandelier prison until they work out what to do with him next.

To celebrate the happy ending, the Queen of Hearts throws a tea party for everyone, toasting her brave rescuers for what they did for her and Wonderland. She then states that it is time to dance, with Red and Chloe happy things are back to how they should be.

In a final scene, Pink finds something strange in her and Red’s box of treasures. Chessy says all this would be too sweet of an ending, so the story is not yet over.

CHARACTERS & CAST

After their time travel journey, Red and Chloe return to their lives surprised at how much everything has changed. Red now has a sister, Pink, and her mother, the Queen of Hearts, is kind and nice, not the mean, dictatorial villain she used to be. Chloe, meanwhile, thinks her mother, Cinderella, is stricter now, and it is completely at odds with the young Ella that Chloe met when she was in the past. Red and Chloe come back to Auradon Prep as friends and fellow Hero Kids, something that Red is struggling to deal with, having always found herself more suited to the life of Villain Kids. As their new friends join up with the VKs in Wonderland, Chloe feels that her and Red are drifting apart, since Red is more comfortable going along with the VKs than with Chloe, choosing to ignore Chloe’s ideas for the most part during their time in Wonderland. It is no wonder then that Chloe finds herself liking the idea of being evil, just to prove that she is more than just the goodie-goodie princess Red seems to still think of her as. When all looks lost, and Chloe is about to descend into darkness forever though, Red manages to reach Chloe, to stop her from using the pocket watch again. By the end of the film, Red and Chloe have revived their friendship once again, learning to understand each other better in the process.

Kylie Cantrall returned to reprise her role as Red in Descendants: Wicked Wonderland. Prior to her role in the Descendants franchise, Kylie Cantrall already had a presence on Disney Channel, by starring as Gabby in their series Gabby Duran & the Unsittables (2019-21), and later being cast as Dani in Season 4 of the Disney+ series High School Musical: The Musical: The Series (2019-23). Most recently, Cantrall has seemingly been focusing on her music, having released her latest EP Valley Girl Problems in July 2026, and she came third in Season 14 of The Masked Singer (2019-present) in 2026. She is set to voice the character Mica Bueno in the animated film Zac Power, due for a 2027 release.

Malia Baker returned to reprise her role as Chloe in Descendants: Wicked Wonderland. Baker was known for starring as Mary Anne Spier in the Netflix series The Baby-Sitters Club (2020-21), and then appearing in Season 2 of the revival series of Are You Afraid of the Dark? (2019-22), in the role of Gabby Lewis. Recently, she was cast as Alexis in the drama film What We Hide (2025), which also starred Mckenna Grace.

Red and the Queen of Hearts were once friends with Maddox Hatter, the son of the Mad Hatter, with Maddox saving Red from the Wonderland guards, and her mother’s wrath, in their pre-time travel lives. Maddox was the one to show Red the pocket watch, telling her about its time-travelling capabilities, so that she could have a different life. He even warned her that everything could change if she used it – and it did, although Maddox Hatter ended up being the one whose life changed the most. Maddox was driven mad by the sight of Red and Chloe – not that he knew who was using it at the time – using the pocket watch in front of his younger self. From then on, Maddox wanted to find the pocket watch for himself, but by thinking about it so obsessively, it was decided by the Queen of Hearts that he had become a madman and he was banished to the Isle of the Lost. Maddox has never stopped thinking about the pocket watch, desperately searching for its location. He eventually discovers it was in Wonderland all along and sets out to get it, by using magic and tricks to stop the HKs and VKs from getting to it first, even resorting to capturing the Queen and potentially injuring his own son to find it. In the end, Maddox is thwarted by the HKs and VKs, but is told he will be given a second chance – although by the end of the film, we don’t actually know if he was ever even released from that chandelier…

Maddox Hatter was played by Leonardo Nam, reprising his role from Descendants: The Rise of Red. Nam had previously been cast as Brian McBrian in The Sisterhood of the Traveling Pants (2005) and its 2008 sequel, going on to play Morimoto in The Fast and the Furious: Tokyo Drift (2006). More recently, Nam was cast in the recurring role of Felix Lutz in Westworld (2016-22) and appeared as Dave in the Hulu sitcom Maggie (2022).

Chessy Cheshire is Maddox’s only companion, seemingly, and is the only one to believe that the pocket watch actually exists. She is there to guide Maddox in his plans, and is only too happy to cause some mischief to stop the VKs and HKs from getting to the pocket watch first. She mostly just pits people against each other, whispering things in their ears in the hopes that will rile them up enough to cause friction with others. And it works, because these are teenagers who apparently don’t know how to regulate their emotions and think for themselves. Chessy also acts as the narrator of this film, providing a brief reminder of what happened earlier in Descendants: The Rise of Red and to tell us that Descendants: Wicked Wonderland isn’t even the end of this story.

Chessy was voiced by Awkwafina, who has some voice acting history, by voicing Courtney in The Angry Birds Movie 2 (2019); Ms. Tarantula in animated film The Bad Guys (2022) and The Bad Guys 2 (2025); and Zhen in Kung Fu Panda 4 (2024). For Disney, Awkwafina had also previously voiced Sisu in their animated film Raya and the Last Dragon (2021), as well as Scuttle in the live-action remake The Little Mermaid (2023). She also played Katy in the Marvel film Shang-Chi and the Legend of the Ten Rings (2021). Outside of that, Awkwafina is known for her roles in comedy films, such as being cast as Constance in Ocean’s 8 (2018), Goh Peik Lin in Crazy Rich Asians (2018), and Ming Fleetfoot in Jumanji: The Next Level (2019). She also co-created, wrote, and starred, as Nora, in the sitcom Awkwafina Is Nora from Queens (2020-23).

Now on to the large group of Hero and Villain Kids that come with Chloe and Red to Wonderland to save the Queen of Hearts. Within the HKs, we have Red’s sweet little sister Pink; Red’s love interest Luis Madrigal, and his best friend Robbie Hood.

Pink is overlooked much of the time by Red, probably because Red doesn’t remember ever having a sister, as she didn’t have one before her and Chloe time travelled. Pink wants to be a part of Red’s life, but Red mostly keeps her at arm’s length. It isn’t until Red is shown her and Pink’s box of treasures in the Wonderland Maze that she is given any memories of life with her sister, and from then on, Red wants Pink fully involved in her plan to stop Max and Chloe from getting the watch. Pink proves herself useful in doing this. Pink is also the one who is involved in the cliffhanger scene, potentially setting up a new story all about her. Pink was played by Liamani Segura, who had previously worked for Disney, by playing the recurring role of Emmy in the Disney+ series High School Musical: The Musical: The Series (2019-23). Recently, Segura starred as Sage in Camp Rock 3 (2026) also for Disney Channel.

Luis Madrigal, like Red, is struggling with expectations and living up to his mother’s legacy of being strong and tough, able to hold everything together. This means that the two are able to bond during their journey through Wonderland, finding themselves opening up and talking to each other without any insecurity. They quickly fall for each other, despite Red initially being quite closed off and dismissive of this “Hero Kid”. Luis was played by Alexandro Byrd, who recently played the title character of Juan José Mundo in the movie The Legend of Juan José Mundo (2025).

Robbie Hood is Luis’ best friend, and one of Red and Chloe’s new friendship group. Robbie doesn’t actually end up appearing much in this movie, as he finds himself separated from the others on various occasions, like by ending up in a teacup with Felix Facilier after getting through Maddox’s tricky “fun house”, and for being launched out of the chessboard. The focus within the Hero Set is mostly on Pink and Luis. Robbie was played by Joel Oulette, who was cast in the lead role of Jared in the Canadian series Trickster (2020), and was a contestant in Season 9 of The Amazing Race Canada (2013-present) prior to his role here. He is set to play Tommy Ross in the 2026 adaptation of Carrie for Amazon Prime. 

For the VKs, the leader of the group is Hazel Hook. She is a tough, strong leader, with a lot of opinions and a lot of directions for her gang. She is particularly watchful of the Smees, as they are clumsy and can’t always be trusted to know what they are doing! Despite her rough exterior, Hazel is very protective of her friends, standing up for them against their common enemy: the HKs. However, by the end of the film, the VKs have learnt to get along with the HKs, mostly through Hazel’s openness to working with them. Kiara Romero was cast as Hazel Hook, having been cast as Ruby D. in JoJo Siwa’s film The J Team (2021) for Paramount+ and Nickelodeon, and as Liz in the teen romance film First Love (2022) prior to her involvement in the Descendants franchise.

Max Hatter is another important member of the VKs, as his knowledge about Maddox Hatter, his father, is vital to the group’s success in Wonderland. He hasn’t grown up having a good relationship with his father, due to Maddox’s obsession with the pocket watch, and has no desire to end up mad like him. Max wants to help the group stop Maddox, even if the HKs think he just wants to lead them all into his father’s trap. However, as Max tries to help with the plan, he ends up learning that he and his father once had a close relationship, but thanks to Red’s use of the pocket watch, their lives have changed immensely, making Max angry that Red never thought to mention how her actions destroyed his and his father’s life. It’s no wonder that Max wants to get to the pocket watch to fix their lives, and isn’t afraid to use Red’s best friend Chloe to do that. He eventually learns that using the pocket watch would do more harm than good and has to live with the life and the father he has right now. Let’s just hope Red and the Queen came through on giving Maddox his second chance.

Max was played by Brendon Tremblay, who was cast as Antoine in the Canadian series Gang de hockey (2023-24) before his role in Descendants: Wicked Wonderland. Tremblay is set to appear as Alexander in the upcoming Disney Channel series Coven Academy (2026).

Rounding out the rest of the VK group are Felix Facilier, Squirmy Smee, and Squeaky Smee. Much like with Robbie Hood, these three don’t have all that much to do with the story, as the VK focus is squarely on Hazel and Max. Felix Facilier was played by Zavien Garrett, who recently appeared in the Monster High films for Nickelodeon and Paramount+. Squirmy Smee was played by Ryan McEwen, who was cast as Roy in the 2023 Paramount+ series Grease: Rise of the Pink Ladies. Squeaky Smee was played by Dayton Paradis, who was a participant on Canada’s Got Talent (2012-present) and will appear in Camp Rock 3.

There are also other returning cast members from Descendants: The Rise of Red in this film. Two of these are Rita Ora as the Queen of Hearts, and Brandy as Cinderella. After being enemies due to an incident during their school days, thanks to Red and Chloe’s return from the past and stopping that event from occurring, it is clear that the two characters ended up remaining friends, meaning the Queen of Hearts had no reason to be mean. Cinderella wants to help the Queen of Hearts, her real name being Bridget, and tries to rescue her herself, only to be caught up in Maddox’s plan and trapped alongside her. But they stick together and stay positive, knowing their daughters are on their way to find them.

Paolo Montalban also reprised his role as Prince Charming from Descendants: The Rise of Red, although his appearances here are few and far between. Melanie Paxson got slighter more screen time here, but not by much, reprising her role as the Fairy Godmother, a part she played throughout the original Descendants trilogy as well as in the fourth film. 

MUSIC

Descendants: Wicked Wonderland’s soundtrack was released on 17th July 2026, and consists of eleven songs, as well as an additional track for the score suite.  

The soundtrack for Descendants: Wicked Wonderland received a mixed reaction, with some absolutely loving the songs and others not so much. I didn’t think much of the music from Descendants: Wicked Wonderland initially, but a few have grown on me now.

The first song to appear in Descendants: Wicked Wonderland is “Perfect Princess”, which plays shortly after the narrated opening of the film. “Perfect Princess” shows Red and Chloe struggling to adapt to their lives, which have changed due to their time travelling, on their first day back at school, with both of them expected to act like perfect princesses, despite neither of them wanting that pressure. The song was written by Mitch Allan, Chantry Johnson, and Michelle Zarlenga, and was performed by the entire cast. I didn’t think much of this song at the start of the film, but have recently come to like it. “Perfect Princess” was first heard during Disney Night on Season 24 of American Idol (2002-present) on 20th April 2026, recorded by some of the cast at Disneyland Park. The performance was then released on YouTube. The song was released as a single in June 2026.

Following on from that is “Mad”, performed predominantly by Leonardo Nam as Maddox Hatter. “Mad” is Maddox Hatter’s villain song, where he is tormenting the teens with his magic and trying to stop them from reaching the Queen of Hearts’ castle. As a fan of most villains’ songs, I did like this song.  I thought Nam played this new villainous version of Maddox Hatter very well, with plenty of eccentric energy. “Mad” was also written by Mitch Allan, Chantry Johnson, and Michelle Zarlenga. A different version of the song also appears on the soundtrack, under the title “Mad – Wicked Wonderland”. In this case, it was performed by Kylie Cantrall, Malia Baker, and Liamani Segura. I did not like this version. This song was released as a single in June 2026 as well.

After that, the tension between the HKs and VKs threatens to reach boiling point. “Did You Hear About Them” plays, allowing each group to showcase their strengths, whilst trying to outdo the other and highlight the other group’s weaknesses. It was a good way of introducing a dance-off and sing-off to the movie, and it is quite a fun number, with a nice beat to it, but I don’t feel like it added much to the story. “Did You Hear About Them” was performed by the teenage cast, with Kiara Romero and Alexandro Byrd, as Hazel Hook and Luis Madrigal, getting the most out of this song. It was written by Antonina Armato, Tim James Price, Thomas Armato Sturges, and Adam Schmalholz.

The group then find themselves shrunk down and placed on a huge chessboard, being told to capture the king to get off it. “Dancing with the Enemy” is basically Red instructing the group on how to proceed here. It’s another good song for a group number, with plenty of opportunities to showcase the young actors. I preferred this song to “Did You Hear About Them”, feeling that this scene needed a song to move the characters’ journey forward quickly. “Dancing with the Enemy” was performed by Kylie Cantrall, Malia Baker, Liamani Segura, and Kiara Romero, and was written by Antonina Armato, Tim James Price, Thomas Armato Sturges, and Adam Schmalholz. It was released as a single in July 2026.

“For Once in My Life” is the romantic duet within Descendants: Wicked Wonderland. It is performed by Kylie Cantrall as Red and Alexandro Byrd as Luis, as they start to accept they have feelings for each other. Although I find the song decent as far as Disney Channel musical duets go, I didn’t think Luis and Red’s relationship was particularly believable, so having this sweet love song when we barely even saw the two speak was odd. “For Once in My Life” was written by Jordan Powers and Josh Cumbee.

After that, the film then takes us to a duet between Rita Ora as the Queen of Hearts and Brandy as Cinderella called “The Girl I Used to Be”. This takes place as the two remain captive in the Queen’s castle. It sees them reminisce about their young selves and how they’ve grown as people, whilst also trying to figure out how to connect with their daughters. When I was first watching Descendants: Wicked Wonderland, this was the first song in the movie that I really liked. It was written by Jaheem King Toombs.

Then comes my favourite song in the film and that is “Heartless”, another villain’s song of sorts. This song is about Chloe feeling betrayed by Red, how she has ignored Chloe and dismissed her ideas throughout their time in Wonderland. This means that Chloe is vulnerable and open to being manipulated, so when Max Hatter comes along trying to convince her to be evil to get revenge on Red for messing up his and his father’s lives with her time travelling, Chloe accepts, wanting to show Red just what she’s made of. It was performed by Malia Baker as Chloe and Brendon Tremblay as Max Hatter, and was written by Antonina Armato, Tim James Price, Thomas Armato Sturges, and Adam Schmalholz.

“Who I Am” is a song for Red, as she struggles to deal with the fact Chloe has gone over to Max’s side and is now a villain, and blames herself for it. Red wants to figure out who she is, not be defined by the title of “Hero Kid” or “Villain Kid”. By the end of the song, Red has decided to call on her sister Pink to help her. This song reminded me a lot of “My Once Upon a Time” from Descendants 3 but did not surpass nor equal it. “Who I Am” was performed by Kylie Cantrall as Red for the most part, with Liamani Segura joining in as Pink at the end of the song. It was written by Kari Kimmel and Jackson Hoffman.

The finale number of Descendants: Wicked Wonderland is “Go Live It”, performed by the entire cast as they celebrate their happy ending during a tea party in the Queen’s castle. Every Disney Channel musical has a big, high-energy group number like this at the end of their films and this one was at least comparable to others, although not my favourite of the collection. It was written by Matthew Tishler and Shridhar Solanki.

The End Credits song, accompanying clips from the film, specifically of the dance numbers, is actually a cover of the End Credits song from Disney Animation’s Mulan (1998). It is the song “True to Your Heart”, written by Matthew Wilder and David Zippel, but performed by Liamani Segura in this case. I never liked this song when it was in Mulan so sadly, I didn’t like it in Descendants: Wicked Wonderland either!

The composer for Descendants: Wicked Wonderland was Torin Borrowdale, who was back after composing the score on Descendants: The Rise of Red. Borrowdale has also composed music for series such as the fantasy series Locke & Key (2020-22) on Netflix, as well as the medical drama Pulse (2025).

The soundtrack debuted at No. 1 on the US Billboard Kid Albums Chart, which matches the performance of the soundtrack for Descendants: The Rise of Red. Descendants: Wicked Wonderland did slightly worse in two other charts, by reaching No. 2 on the US Billboard Soundtrack Albums Chart, whereas Descendants: The Rise of Red topped it. Descendants: The Rise of Red peaked at No. 60 on the US Billboard 200 chart, whereas Descendants: Wicked Wonderland entered this chart at No. 88 but it may improve[1].

PRODUCTION

Descendants: The Rise of Red had ended on a cliffhanger, leaving those viewers watching during its premiere in July 2024 wondering just what consequences Chloe and Red were going to face after going back in time and changing the past and, therefore, the present.

This little bit of narration at the very end of the film turned out to be exactly the set-up for another movie that it was intended to be, with “Descendants 5” first announced in February 2025. An official title for the movie was announced on 6th May 2025: Descendants: Wicked Wonderland, signalling that this movie would take place in Wonderland, with an expected release date of July 2026 eventually being revealed through its trailers in 2026.  

Kimmy Gatewood was tasked with directing this new Descendants movie, taking over from Jennifer Phang who had directed Descendants: The Rise of Red. Gatewood is both an actor and director, having played Stacey Beswick in the Netflix series GLOW (2017-19), going on to be cast in the recurring role of Coach Crowley in Netflix’s Atypical (2017-21) from Season 2. Her projects in directing include the romcom Good on Paper (2021) and some episodes of the series The Baby-Sitters Club (2020-21) and Girls5eva (2021-24).

The two writers who had written the screenplay for Descendants: The Rise of Red, Ru Sommer and Dan Frey, returned to co-write Descendants: Wicked Wonderland, with Tamara Chestna. Chestna had previously co-written the films After (2019) and Moxie (2021), as well as writing the Amazon Prime film Something from Tiffany’s (2022). Chestna also has links to Disney Channel, having been a writer on the DCOM musical, Sneakerella (2022).

The original story of Descendants: Wicked Wonderland was reported to be quite different to the story we ended up with. After production on the film had begun in April 2025, details started to slowly emerge. The working title for this fifth Descendants film was actually Descendants: For the Win, and was meant to revolve around Wonderland hosting the Auradon Kingdom Cup Games, all whilst a new villain attempts to use the magic of Wonderland for his own purposes. This is an interesting concept that would’ve made this fifth film unique to others that came before it. However, it was decided that streamlining the story and stripping out the references to these games was for the best for whatever reason.

Filming took place in Canada, specifically in Vancouver, British Columbia, from around April to the end of May 2025. This was a return to Descendants’ roots, as the original trilogy had been filmed in Vancouver, whereas Descendants: The Rise of Red was actually filmed in the US state of Georgia[2]. This meant that the cast and crew of Descendants: Wicked Wonderland got to return to the real setting of Auradon Prep: Hatley Castle in Colwood, British Columbia. Other areas around Vancouver used for filming reportedly include Burnaby Central Park, and Hycroft Manor for Chloe’s family home[3].

Although plenty of CGI is used in Descendants: Wicked Wonderland, such as for various creatures in Wonderland, as well as the exterior of the castle that the Queen of Hearts and her family reside in, the crew actually built many sets that the cast were able to walk around in and interactive with. Examples of these include the Wonderland Garden sets, the Queen of Hearts’ throne room, the huge chessboard, and even the maze sequence. The only full sequence the cast had to do with all green screen was the sequence of the characters falling down the rabbit hole to get to Wonderland, with the cast being harnessed onto cranes to film the scenes[4]. The cast much preferred being inside of these impressive sets, so that they could immerse themselves in the world of Wonderland realistically.

This attention to detail in the set design also filtered down into the costume design, with all the Descendants films being remembered for their iconic costuming, hair, and makeup, in order to ensure each character can be linked to their famous Disney family. For example, Luis’ vest contains nods to the film Encanto (2021), with embroidery referencing the Miracle Candle, and Hazel Hook is continuing to represent her family in a leather outfit reminiscent of her brother Harry from Descendants 2 and Descendants 3, complete with her own hook accessory as well. Pink looks very much like how her mother did when she was younger, as we saw from her younger self in Descendants: The Rise of Red. Pink loves pink, obviously, and likes to wear flouncy fabrics in items like her skirts and bows. Max and his father Maddox still wear top hats, as you’d expect from the grandson and son of the Mad Hatter, but their chosen colour palettes use a lot of purple, potentially due to their links to magic, whereas we’d normally expect the Mad Hatter to be wearing green.

Red and Chloe continue to wear red and blue respectively, as a salute to their mothers’ colours, but in Descendants: Wicked Wonderland, their outfits are softer, with less accessories and more of a princess vibe than the tough warrior-like costumes they had in Descendants: The Rise of Red. You’ll also notice that Chloe does not have a sword as she did in the previous one. Instead, she was given a small dagger. Chloe actually has two versions of this dagger, one with a blue handle and one with a black handle. The black dagger matches Chloe’s evil persona, where her costume morphs into darker tones. The look is more sophisticated, with a cape flaring out to show how effortlessly cool being evil is.

As we’ve come to expect from Disney Channel, when they announce they’re making a musical, we know that means plenty of group dance numbers. Descendants: Wicked Wonderland is no exception, with the cast being put through their paces by choreographer Emilio Dosal. Dosal has also worked on the choreography for other musicals, included Disney Channel’s Sneakerella, Wicked (2024) and Wicked: For Good (2025). Dosal said he expected a lot from the cast, but was impressed with their work ethic and performances[5].

RECEPTION

After the red carpet premiere to celebrate the release of Descendants: Wicked Wonderland, held on 14th July 2026 in Los Angeles and attended by the cast, Descendants: Wicked Wonderland first premiered on Disney Channel in the US on 16th July 2026. Since many international Disney Channels have now shut down, the film then came to Disney+ to premiere to a global audience on 17th July 2026. This is now the expected release schedule for many Disney Channel movies, i.e., coming to Disney+ the day after Disney Channel.

Kylie Cantrall, Malia Baker, Liamani Segura, Kiara Romero, and Alexandro Byrd all participated in a watch party during the premiere of Descendants: Wicked Wonderland for Disney Channel too, looking back at their favourite moments and the best musical numbers.

Within just a couple of days of its release, Descendants: Wicked Wonderland was reported to be the Number 1 movie on Disney+, taking the spot previously held by Avatar: Fire and Ash (2025). This wasn’t only in the US either, as it was said to have topped the charts in over 70 countries, including the UK and Canada, which shouldn’t come as surprise given the fact that it is summer vacation for many school-age children right now, and the other Descendants movies have been viewed on the streaming platform for over 700 million hours collectively[6]. Descendants: Wicked Wonderland has continued to be the No. 1 streaming film on Disney+ worldwide since it premiered[7]. The Disney Channel premiere didn’t do as well, reportedly only being viewed by 0.3 million on this specific date, but the Disney Channel premieres of DCOMs have been steadily decreasing year-on-year for a while now. I’m sure The Walt Disney Company are putting much more emphasis on how well their television movies are doing on streaming platforms nowadays.

As with most Disney Channel movies, Descendants: Wicked Wonderland received mixed reviews. Some absolutely loved this film, probably viewers within the actual target demographic, so arguably the most important ones to please, much preferring Descendants: Wicked Wonderland to Descendants: The Rise of Red, whereas some die-hard fans of the original Descendants trilogy continue to refuse to give any credit to the two latest films, which is understandable as Disney did move on rather quickly with rebooting the series.

On the positive side, many enjoyed the additions of the characters of Hazel and Luis to the story, who were given a lot of screen time and plenty of opportunities to shine. I’d also like to add Max Hatter into this as I felt Tremblay did a good job with his character, as Romero and Byrd did with theirs. There were also comments about the setting of Wonderland, and how colourful and interesting all the sets were, adding in plenty of nods and references to Disney Animation’s Alice in Wonderland (1951), such as the bread-and-butterflies, and the croquet flamingos. The message, about being more than your parents’ expectations and forging your own path, was also appreciated by those watching – although I would just like to point out that that has been the message of every Descendants movie. All five talk about how people shouldn’t be pigeonholed and told to be either “good” or “bad”.

The negative criticism focused on unused side characters and the pacing. It was felt that there were too many characters tossed into the mix in Descendants: Wicked Wonderland, who were only really there to provide a quick joke, if that. This relates to characters like Robbie Hood, the Smee twins, and Felix Facilier, who were constantly being separated from the group in weird and unnecessary ways. I personally agree with this comment, and am unsure why Luis, Hazel, and Max weren’t considered to be sufficient additions to the group of Red, Chloe, and Pink. Six characters is plenty to keep up with, especially when four of them are new ones to the franchise; ten is too many. The romance between Luis and Red was also seen to be quite forced and unnatural within the storyline, given they only actually had two scenes where it was just them two. I also agree with this, and wasn’t sure why we had to have this relationship in the movie. I get that it’s Disney Channel and they like to add love interests here, there, and everywhere in their movies and series, but maybe that doesn’t always need to be the case anymore. Or at least, they could’ve had the chemistry simmer for a bit, and potentially have the romance grow in a spin-off or a later film. Some also pointed out that the ending felt rushed. I didn’t like how easy it was for Chloe to become good again. It was literally just Red saying “Don’t go bad”, and Chloe going “Ok, I won’t”. It would’ve been nice to have extended this moment and delved a bit deeper into why Chloe felt the need to become evil in the first place. Others also wondered why Pink was not used much in Descendants: Wicked Wonderland, despite being a prime example of how the time travelling from the previous story had changed things for Red. I can only assume that Pink is going to be explored more in a later film.

My biggest issue with Descendants: Wicked Wonderland was simply the recycling of Mal’s storylines from the original trilogy and giving them to Red to go through just in a different setting. Red struggles with her new role as a “Hero Kid” and not a “Villain Kid” here. Mal had exactly that same issue after going against her mother in Descendants and ending up with Ben, feeling the pressure to act like a hero and not a villain. This went on throughout the original trilogy of films. Having Red go through the exact same thing just felt boring and repetitive to me. I wanted Red to have her own problems, like feeling guilty about how her time travelling affected Max and his father, something that wasn’t touched on much, or trying to get along with her new sister, despite not really knowing her. I did, however, like the conflict between her and Chloe, which did feel realistic and natural for the characters.

As for award wins for Descendants: Wicked Wonderland, because it has only just been released, there is no information on this currently. However, looking at the response to Descendants: The Rise of Red, it would seem that nominations could be possible in award ceremonies like the Children’s & Family Emmy Awards in 2027, and the Kids’ Choice Awards in 2026, since Descendants: The Rise of Red had nominations and wins at these ceremonies. Other more specialised award ceremonies, such as the Directors’ Guild of America Awards, may also recognise Descendants: Wicked Wonderland. 

LEGACY

Shortly after the premiere of Descendants: The Rise of Red, the Descendants/ZOMBIES: Worlds Collide Tour was announced at the D23 Expo in August 2024.

From Descendants: The Rise of Red, cast members Kylie Cantrall, Malia Baker, Dara Reneé, and Joshua Colley participated in the tour, which kicked off in San Diego on 17th July 2025, and ended in Fort Worth, Texas on 16th September 2025. They performed alongside some of the stars of ZOMBIES 4: Dawn of the Vampires, those being Freya Skye, Malachi Burton, and Mekonnen Knife. This tour was later made available to view on Disney+ and Disney Channel in February 2026, under the title Descendants/ZOMBIES Worlds Collide Concert Special. Along with performances of songs from all the Descendants films, there were also some exclusive looks and reveals about the story of Descendants: Wicked Wonderland, and an interview with Liamani Segura, to discuss her casting as the new character of Pink. Segura even made a surprise appearance on the tour, performing the song “One Kiss” from Descendants 3 during its date in Anaheim in July 2025[8].

Due to the popularity of this event, a new tour was announced and officially confirmed around March 2026. This Worlds Collide Concert Tour is not only bringing together those from the Descendants and ZOMBIES franchise, but also cast members from Camp Rock 3, with songs from the first two Camp Rock films expected to be performed. Specifically from Descendants: Wicked Wonderland, Liamani Segura, Alexandro Byrd, and Kiara Romero will be participating in the tour alongside their fellow Disney Channel stars. The American leg of the tour will begin on 25th September 2026 in Palm Desert, California, running until 13th December 2026 with its final performance of the year in Mexico City. The tour will then move over to Europe for a brief time, beginning with a performance on 6th February 2027 in Dublin, Republic of Ireland, and ending on 24th February in Madrid, Spain.

There have been some references to Descendants: Wicked Wonderland at the Disney Parks over Summer 2026 as well. This includes the DescenDANCE Party x Camp Rock Jam, which has been performed at the Disney Springs Waterside Stage on select nights at the Walt Disney World Resort, as part of their Cool Kids’ Summer event, and to promote and celebrate the release of their two newest DCOM musicals, featuring music from both franchises. It began in late May 2026, with Alexandro Byrd and Kiara Romero making a special appearance at one event, and is expected to run until early September 2026.

Also at Walt Disney World, but this time at the Walt Disney Presents attraction at Disney’s Hollywood Studios, a new display was unveiled in July showing a variety of costumes and props from the film, belonging to the characters of Red, Chloe, Pink, Hazel, Cinderella, and the Queen of Hearts. Some of the cast were also spotted at Magic Kingdom to talk about the film in the run-up to Descendants: Wicked Wonderland’s release date.

Although not a new event made for Descendants: Wicked Wonderland, the DescenDANCE Party is expected to return to the 2026 Mickey’s Not-So-Scary Halloween Party at Walt Disney World, and should include music from Descendants: The Rise of Red and Descendants: Wicked Wonderland in order to continue promoting the film. However, when the dance party reappeared at the Disneyland After Dark: Disney Channel Nite events in April 2026 at the Disneyland Resort, no music from the latest two films was used. 

On screen, Disney announced that they were making new short-form series based on some of Disney Channel’s most popular franchises. This series is titled Locker Diaries, with ZOMBIES being the first to get this treatment, arriving in February 2026. Locker Diaries: Descendants, debuted in July 2026, shortly after the premiere of Descendants: Wicked Wonderland, and is expected to last for ten episodes. As the name would suggest, the action of these short episodes is seen through lockers, in this case, the lockers at Auradon Prep[9].   

There has also been a new Descendants project announced recently, and that is Descendants: Hidden Heroes. At the start of August 2026, it was confirmed that this would be a new movie revolving around the lives of the children of Disney sidekicks, such as Lou, the son of Lumière from Beauty and the Beast (1991); Kronk’s son, Kronk Jr. from The Emperor’s New Groove (2000); and Jennie, the daughter of Genie from Aladdin (1992) amongst others. It is not yet known when Descendants: Hidden Heroes will be released, but it is officially now in production. Speculation around a sixth Descendants film is also being discussed, because Descendants: Wicked Wonderland ended on a cliffhanger, with many thinking that this new film is teasing the possibility of Pink turning evil. So, just like Audrey in Descendants 3, then? I want to see more of Pink, but please, give her an original storyline, not something we’ve already seen before.

In terms of merchandise, a line of Mattel dolls has been made available to purchase, with a doll each depicting Red, Pink, Chloe, and Hazel. You can even get a Red doll that sings “Perfect Princess”, as well as a doll with “Evil Chloe’s” outfit and one for the Queen of Hearts. This adds to the costuming, clothing, and books also on sale and specifically related to Descendants: Wicked Wonderland, alongside the other similar types of official merchandise still available that represent the characters in the original Descendants trilogy.

FINAL THOUGHTS

As I said earlier, after watching Descendants: Wicked Wonderland I felt a bit disappointed.

It’s not that I hated the film and found it unwatchable. I enjoyed parts of it, like a few of the songs, and I always like seeing new talent coming through Disney Channel.

The reason I was disappointed was not because Descendants: Wicked Wonderland told a boring story, it was just that I had seen all this before, from the original trilogy. With all the excitement, albeit some plot holes as well, that came with the time travel aspect of Descendants: The Rise of Red, I was expecting more from the plot, other than a haphazard journey through Wonderland and an inner conflict between being a hero and a villain.

I wanted to see more consequences stemming from the events of Descendants: The Rise of Red and a proper admission by Red and Chloe of what they did and why. But it didn’t happen. Having said that, I felt that the cast did a good job with the music and story they were given. I was just hoping for a plot with a little bit more substance to it.


REFERENCES

[1] Credit: Keith Caulfield, ‘‘Descendants: Wicked Wonderland’ Debuts At No. 1 On Kid Albums Chart’, Billboard.com, 29th July 2026.

[2] Credit: Susan Gittins, ‘DESCENDANTS 5 With Kylie Cantrall as Red is Underway in Vancouver’, HollywoodNorthBuzz.com, 1st April 2025.

[3] Credit: Susan Gittins, ‘Rita Ora & Brandy in DESCENDANTS: WICKED WONDERLAND Filming in Vancouver’, HollywoodNorthBuzz.com, 6th May 2025.

[4] Credit: Laughing Place, ‘“Descendants: Wicked Wonderland” Interview – Legacy, Sisterhood & Falling Down the Rabbit Hole’, Laughing Place YouTube Channel, 16th July 2026.

[5] Credit: ABC13, ‘Go on set of ‘Descendants: Wicked Wonderland’ with Kylie Cantrall, Malia Baker, Liamani Segura’, ABC13.com, 17th July 2026.

[6] Credit: Sam Fang, ‘Disney’s New Sequel in 11-Year-Old Franchise Is Officially the Most Streamed Title in the World, Replacing Avatar: Fire & Ash’, CBR.com, 20th July 2026.

[7] Credit: Amanda Finn, ‘‘Descendants: Wicked Wonderland’ Hits the Top of Disney+ Chart’, WDWNT.com, 30th July 2026.

[8] Credit: Disney, Descendants/ZOMBIES Worlds Collide Concert Special (2026), Disney+.

[9] Credit: Disney, ‘New Short-Form Series “Locker Diaries” Unlocls All-New Adventures From Disney’

The Even Stevens Movie (2003)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

I should start by saying I have never watched the series Even Stevens.

So, I have come to this film completely blind – well, apart from the fact I know that Shia LeBeouf and Christy Carlson Romano played the main characters.

For some reason, Even Stevens just never appealed to me. That’s probably got something to do with the main focus of the show being on the brother, Louis Stevens, and the sister, Ren Stevens, was perhaps too old for me to relate to at that time. I was only seven in 2000 when Even Stevens premiered.

Instead, I liked watching Lizzie McGuire (2001-04) on Disney Channel and As Told by Ginger (2000-06) on Nickelodeon – I still haven’t been able to rewatch that series; it never came to Paramount+ in the UK…

Anyway, back to The Even Stevens Movie. Since I hadn’t watched the series, I didn’t really know what to expect, other than some sibling rivalry. I also knew that the movie took place on an island, and the reason I know that it is I can still remember parts of the trailer for The Even Stevens Movie because it was being promoted so heavily on Disney Channel when I was watching the channel! I vividly remember seeing someone screaming “Noooo!” on the top of a cliff, for example. That person turned out to be actor and comedian Tim Meadows, who made seeing The Even Stevens Movie much more interesting for me.

In the end, I actually didn’t mind The Even Stevens Movie. I quite liked the reality TV and hidden camera storyline to it, and there were moments I found funny. I probably would have found it funnier had I known who the characters were, and perhaps understood their dynamics better from seeing them in the series. I also believe there were lots of references and nods to earlier episodes that I obviously did not pick up on.

The Even Stevens Movie was made to tie up the series in its entirety, because Even Stevens ended its run in June 2003 and was no more after that, other than this Disney Channel Original Movie. It was, in a way, overshadowed by another Disney Channel series coming to an end and getting its own film to serve as a finale. This was Lizzie McGuire and its theatrically-released The Lizzie McGuire Movie, also released in the summer of 2003.

However, I don’t think this lessens The Even Stevens Movie in any way. There were a few other decent DCOMs that came to screens in 2003, but this was one of few DCOMs that I haven’t seen in childhood and still actually found I liked.

PLOT

The Even Stevens Movie begins with someone searching through photos of various families on a computer. Eventually, one photo is selected, one of the Stevens family.

Meanwhile, the Stevens family are attending Ren Stevens’ junior high graduation. As she is about to stand up and give her Valedictorian speech, her older brother Donnie shows up late and sits next to their parents, Steve and Eileen. They ask where his younger brother, Louis, is. We then see Louis, and his friend Beans, using a controller to move a beach ball, making it fly across the crowd, in order to distract Ren, his older sister, from her speech. As the ball becomes too much of a distraction, Beans and Louis decide it is time for the big finale, where the beach ball will explode, raining down confetti on everyone. Except Beans misheard what Louis wanted the ball filled with and instead of confetti, spaghetti rains down on their gym teacher, Coach Tugnut. Principal Wexler promises to give Louis detention for this, right after school returns from Summer Break.

Ren is rightly annoyed at Louis for trying to ruin her graduation, so their parents decide they should spend more time together. But their three children all have plans now, and split off. Ren goes to a diner with her boyfriend, Gil, excited to talk about their summer plans, however, Gil says he has a summer job at a camp in Maine to go to, and he breaks up with Ren. Heartbroken, Ren goes home and cries to her mother.

Later, Louis shows off a gadget-filled chair he built, complete with a TV, to ensure he can have a lovely, lazy summer. He turns on a show called Gotcha. Ren, meanwhile, is trying to be upbeat and positive, but as soon as her father mentions her ex-boyfriend, she gets upset. Ren then decides she needs to keep busy and has offered to babysit Beans for the afternoon. Only Beans shows up with a suitcase – full of bacon – and tells the Stevens family that his parents have gone to Helsinki for two, maybe three, weeks!

To make things worse, Ren sees Louis has been stealing her stuff to use for his new chair and confronts him about it. Suddenly, the chair goes rogue and starts to attack Ren, ending up chasing both of them. Ren and Louis outrun the chair, but end up smashing straight into a visitor, who wants to talk to the family. This visitor is Miles McDermott and he has an offer for the Stevens family that they won’t be able to refuse. Miles gives a presentation on an island called Mandelino, saying the Stevens have won free holiday there, as a way of encouraging tourists to come and stay there. Since the Stevens are such upstanding citizens, with Steve Stevens being a lawyer, and Eileen Stevens being a Senator, they are the best people to come and give their feedback. The family discuss this idea. Ren very much wants to get away this summer, so she is happy to go, as are Donnie and their parents. The only person who doesn’t want to go is Louis, but his opinion is ignored and he is outnumbered away. The Stevens family decide to go.

A little while later, the family – and Beans – arrive by sea plane on the island of Mandelino, where they are welcomed by the locals, including Chief Tuka, the chief elder there. They are given ceremonial hats of friendship – that are actually pineapples – and are taken to the island’s palace to stay, as the island doesn’t have a hotel. Ren also meets islander Mootai, who she seems to take a shine to. Ren and Louis begin to fight over he is going to get to sleep in the Royal Bedroom. Miles warns the group that the palace is thought to bring good fortune to the people of Mandelino, so they shouldn’t mess with it.

The group later end up on the beach, where they are pampered by the islanders. Ren talks to Mootai, who tries to tell Ren not to be sad, even giving her a flower to try and boost her mood after her break-up. Donnie passes by someone and thinks he recognises him as someone who went to his high school. Donnie tells his family but they laugh it off.

The family is summoned to a feast, where they are given large slugs to eat. Miles tells them it is the local delicacy and if they refuse it, they will offend their hosts. They try their best with the food, but Louis just can’t bring himself to do it. Miles whispers to Louis that the Chief does have some snacks hidden away in his palace. Louis immediately heads to the palace to search. He finds all the snacks in the pantry and starts grabbing anything and everything. Louis then notices a gold statue in there, which unlocks the Forbidden Chamber of Mystery, a secret room in the palace. Louis enters the forbidden room and finds a throne in the middle of it. He takes a seat, ready to tuck into his treats. Seeing a lever next to the throne, and assuming it must be some sort of foot rest, he pulls it. However, Louis soon discovers this was not the right thing to do as the whole palace collapses around him. Everyone notices the palace is now destroyed, with Miles saying the islanders now believe this has unleashed a curse on the entire island. He tells the Stevens to leave the area.

The group end up on the beach, where Miles tells them they should build a shelter. The family ask Miles where he is staying and he says he has a hut on the island, but he will check in on them later to see how they are getting on. Ren and Louis argue, with Ren blaming Louis for the mess they are in – which is actually true; it was his fault. Their mother steps in and separates them, by getting Louis to come with her and Donnie to collect wood. As they are searching for firewood, Miles arrives and tells them they should apologise for their mistake at the tribe’s Elders meeting that is happening. The three want to get Ren, Beans, and Steve, but Miles tells them they have to go in groups of three and no more. At the meeting, Louis is told to speak to the Fire God statue. Louis offers the god an apology. Chief Tuka says the god will consider their apology, but now, it is time to feast.

Back on the beach, the other three have built a shelter, so Ren goes to look for the rest of them. She soon encounters a snake but is saved by the arrival of Mootai. Mootai gives Ren his necklace as a token of their friendship but Ren isn’t so sure about getting close to someone so soon after her break-up. Mootai says he will wait for her. He then tells Ren that the rest of her family are at a feast with the tribe. Ren watches as her mother and brothers feast, feeling angry that they wouldn’t tell her and the others about it. Miles tells Ren that the three were only too happy to feast without them, as it meant more for them.

Back with Louis, his mother, and Donnie, the Fire Goddess, Oprah, is about to give her verdict on whether they can be forgiven. Her eyes glow red, and she spits fire. It is revealed that Oprah thinks they are unworthy of forgiveness so the family are shunned. The three tell Miles they want to go home, but are told there isn’t a plane for seven days. They are stuck here. To make things worse, Ren confronts them when they finally return to the beach. They tell the others what happened with the Fire Goddess Oprah, but it sounds so ridiculous, Ren doesn’t believe them. They shelter from the rain, angry with each other.

In the “real world”, we see that Miles is actually the host of a hidden camera reality show called Family Fakeout, and that the Stevens family ordeal is being shown live to a huge television audience. Louis’ friends, Alan Twitty and Tawny Dean, watch the show from a diner, with Alan admitting that it is his fault they are on the show, because he gave information on them to Miles. They watch as Ren screams that she wants to go home, with Miles upping the thunder and the rain to make the family even more uncomfortable.

The Family Fakeout production site is hidden on the island. Here, Miles hopes that this show will be better than Gotcha, which he was fired from. Miles then comes across the islander that Donnie recognised, who is an actor hired for the show, and tells him he is fired, before realising that they could have some fun with this and rehires him.

Meanwhile, it’s a new day for the Stevens family, as they wake up on the beach. Ren, her father, and Beans head out in search of food since they didn’t eat last night, whereas the others did. Steve Stevens sees a squirrel up ahead and says that will have to be their food. They try to grab it, but it chases them. They run into Miles on their escape, who tells them he arranged a food drop for them, however, as they watch the food being dropped from a plane, they discover it was sent to the other side of the island. Miles tells the three to follow the red trail markers to find it. Steve thinks they should tell the others, but Miles tells Steve he is capable of getting the food himself. They follow the trail to find it.

Donnie is collecting firewood for the others, when he sees the guy from his school again, but this time, he acknowledges Donnie and dressed as a student, says he is late for class. Donnie tells his mother and Louis about the encounter, but they tell him he is just hallucinating from the heat and the hunger. Miles then tells these three about the food drop, but tells them to follow the blue markers to find it. They do just that. However, once they reach the food drop, they see only empty packets. Louis, Donnie, and their mother believe the others must’ve eaten it all without them. It turns out the same has happened to Beans, Steve, and Ren and they blame the other three as well. This splits the family into two separate factions after a big confrontation on the beach. Miles orchestrates a meet up between Ren and Mootai, where she tells Mootai that she doesn’t think she’s ready to kiss him, leading Miles to start a public TV vote on whether the two should or shouldn’t kiss.

Back home, Alan and Tawny continue to watch the show in the diner, feeling more and more guilty that they can’t stop it. However, Coach Tugnut tells them that actually the production is on an island just off the coast, so not far to get to. This gives them an idea and they go to their friend Tom, who happens to have a sailboat and will do anything to help Louis. They set sail for Catalona Island to warn the Stevens. As they get close to the shore, Tom says the two will have to go the rest of the way in a dinghy.

Miles is quietly pleased with himself for how Family Fakeout is doing in the ratings, but it has barely surpassed those of Gotcha, so he tells Jason, the actor playing Mootai, that he needs to get that kiss from Ren and then to dump her immediately after, to really make the show a hit and a must-watch. Jason doesn’t feel comfortable doing that though.

After battling huge waves, and Alan falling out of the dinghy, Tawny arrives on the beach, but is hit by a falling coconut and forgets why she is there. Alan swims in but is caught by production and interrogated about why he is here. He tries to lie about who he is, but Miles remembers him from when he gave them information on the family. He orders Alan to be locked in one of the trailers.

It’s another new day, but the family are still in their two factions. Eileen, Donnie, and Louis wake up and fight over a peanut Louis found in his pocket, however, it is stolen by that squirrel. Louis tries to chase it down to get it back. Steve, Beans, and Ren wake up to find they have no fire as Beans peed on it in the night. They begin to blame each other for why they are stuck on this island; with Steve reminding Ren she wanted to come here so badly to get away from her ex-boyfriend. This upsets Ren again and she goes to find Mootai. He tells Ren she will get home soon and the two finally kiss. Feeling guilty, Mootai breaks his cover, telling Ren that this isn’t real, however, before he can fully explain, the “chief” arrives and takes Mootai away, saying he shouldn’t be talking to Ren. The chief is told by Miles to tell Ren that Louis was the one who let slip about their meeting, although this is a lie. But it’s enough to anger Ren who searches for her brother to get revenge.

Meanwhile, Alan has managed to get into one of the show’s costumes, to blend in backstage, and unplugs all their equipment, disrupting their live feed. Miles knows that Alan must’ve done this and has the crew search for him, but Alan manages to leave the site unseen. He goes to find Tawny and the Stevens family to tell them what is going on.

Eileen and Steve reconcile after their earlier arguments, mostly around how Steve feels inadequate for being out of work, when Donnie arrives with Tawny, proving that something dodgy is going on here. They then find a cable down by the beach, which goes against what Miles said about this island not having any modern conveniences. They mention Miles, and this leads Tawny to remember why she is here and tells them that he is the host of Family Fakeout, a hot new show, that they happen to be on. This all makes sense to the family and they wander the island looking for answers. Eventually, they find someone dressed as an islander and they tackle him to the ground. It is Alan, who admits what he did. He shows them the production site, and the crew scrambling to get their cameras back on.

Family Fakeout is finally back on air, but the Stevens have a plan to get their own back on Miles. On the show, Ren is shown to have gone savage, fashioning herself a weapon so she can go after Louis. She finds him and confronts him about all the bad things he’s even done to her. She chases him to a cliff, threatening to push him off it, when Miles arrives, not wanting anyone to get hurt on his show, especially because of his actions. Miles and the family plead with Ren not to do anything stupid, but she pushes Louis off anyway, believing it was all just a way of protecting Louis and not her. The family blame Miles for the apparent death of Louis, with Miles inconsolable as well.

Suddenly, they hear the sound of a helicopter, and it is revealed that Miles is actually an unwilling participant on his old show, Gotcha. It turns out the family managed to plan this revenge plot with Gotcha’s host Lance LeBow, and Louis only jumped into a net. Miles quickly tries to end Family Fakeout, but not before Lance tells everyone to switch over to Gotcha. On Gotcha, Eileen says they figured it all out and that their family is too strong for a TV show to break it. They, along with Alan and Tawny, called Gotcha to set the prank up, by finding Ren and Louis, with Louis hiding from Ren up a tree, and telling them to put aside their differences so they could get their own back on Miles whilst the cameras were off.

Later that day, Louis tells Ren the plane is here to take them home, but before they leave, Ren apologises for blaming Louis for everything, with Louis saying although he likes to prank her and mess with her, he wouldn’t do anything to hurt her. Louis then tells Ren to talk to Jason, the actor who played Mootai. Jason says sorry for everything that happened on the show. Ren appreciates that he warned her and understands it was just his job as an actor. Jason says it wasn’t all acting, and asks if they can see each other again. Ren kisses him and says they can. The Stevens then board the plane and go home.

Back at home, Beans has written about this strange summer vacation for a school paper, where he reveals that Donnie went off to college, Mr. Stevens got a new job at a great law firm, Louis got back to his gadget-filled chair, and Ren and Jason became an item. Beans says he had a great summer with his favourite family. He then shows up uninvited to a Stevens family dinner, shocking everyone. This begins yet another argument!

CHARACTERS & CAST

Plenty of the characters and cast from the Even Stevens series appear in The Even Stevens Movie, with additional new characters also brought in for the expanded storyline.

Louis is the youngest sibling in the Stevens family. He is reckless, impulsive, and a prankster. He is also a clever inventor though, if only to make gadgets to embarrass his sister, like the spaghetti-filled, remote-controlled beach ball, or to be lazy, like his gadgety chair. Louis is the only one of the family not to want to go to Mandelino, and he was right to have reservations as his disregard for the rules causes the family to be “shunned” by the islanders. It turns out to all be part of a show, and yet it still makes his family turn on him for his stupidity, more so Ren who practically lists off all the ways that Louis has ruined her life. It’s all a little bit unfair, and you kind of have to feel sorry for Louis when he is pleading with Ren for his life once she’s cornered him on the edge of a cliff, even if it was all part of a ruse to get back at Miles. Still, Louis manages to make amends with his sister before going home and although they might argue and prank each other, they’ll always be there for one another.

Shia LaBeouf was cast as Louis Stevens. His role in the series is considered his breakout role, later starring in other Disney projects, including as Eddie Walker in the DCOM Tru Confessions (2002) and as Stanley “Caveman” Yelnats in Disney’s Holes (2003). After that, LaBeouf was cast as Farber in I, Robot (2004); as Kale Brecht in Disturbia (2005); and voiced Cody Maverick in Sony Pictures’ Surf’s Up (2007). He then starred as Sam Witwicky in the first three Transformers films. He also played Mutt Williams in Indiana Jones and the Kingdom of the Crystal Skull (2008) around this time. He later portrayed John McEnroe in the biopic Borg vs. McEnroe (2017) and wrote and starred as James Lort in the film Honey Boy (2019), which was loosely based on LaBeouf’s childhood.

Ren is Louis’ older sister, and she is quite serious, despite her young age. She was Valedictorian at her graduation, showing she is very smart and dedicated to her studies, and is also shown to be a favourite student of the school’s principal. She is a little bit uptight, with her personality being very different to her brother’s, but she doesn’t deserve Louis trying to find new ways to embarrass and annoy her! Ren also turns out to be quite unlucky in love as her boyfriend breaks up with her right after graduation and right before summer. This causes her to want to escape for the summer with an island holiday to Mandelino being her best chance of doing that. However, once on the island, she continues to argue with her brother, losing her cool with him so much that she tries to attack him, and is also duped into falling in love with Mootai, who is actually just an actor called Jason. In the end though, by working together to get their own back on Miles, Ren and Louis realise they can get along sometimes, when they need to. She also finds love with Jason by the end of the film.

Ren Stevens was played by Christy Carlson Romano, who, thanks to her role in the series, went on to be cast as Cadet Captain Jennifer Stone in one of the greatest DCOMs of all-time, Cadet Kelly (2002). She then became the voice of Kim Possible for the Disney Channel series and its 2005 film So the Drama, even returning to the franchise to play Poppy Blu in the 2019 reboot DCOM Kim Possible. After her role in Even Stevens, Christy Carlson Romano went on to appear in Broadway productions, such as being cast as Belle in the 2004 production of Beauty and the Beast, and Kate Monster and Lucy in the 2008 production of Avenue Q. Nowadays, she hosts podcasts such as Vulnerable, and had a YouTube series called Christy’s Kitchen Throwback, where former child stars would come and cook with her whilst discussing their careers. She also took part in Season 3 of the reality show Special Forces: World’s Toughest Test (2023-present), an adaptation of the British series SAS: Who Dares Win, in 2025.

Louis and Ren’s parents are Eileen and Steve Stevens. Eileen is a Senator and Steve is a lawyer, showing just where Ren gets her intellect and drive from. Eileen tries to hold the family together as best as she can during the events on Mandelino, but struggles to stop Louis and Ren fighting, whilst finding herself in a longstanding argument with her husband, due to the fact he has been out of work and has started to feel inferior to his wife, with Steve wanting to prove his worth by building the family shelter and finding them food. It’s just a shame the odds were stacked against them due to Miles’ antics to cause conflict. In the end, Eileen and Steve have a heart-to-heart about everything and manage to make up, shortly before they discover this whole vacation has been manipulated for a show. They then come together with their children and Louis’ friends to cook up the perfect revenge for Miles. Plus, by the end of the film, we learn Steve did get a new job.

Eileen Stevens was played by Donna Pescow. Pescow appeared as Annette in the film Saturday Night Fever (1978) with John Travolta before moving into TV work, by starring as Angie Benson in the ABC sitcom Angie (1979-80), and playing Donna Froelich-Garland, in Out of This World (1987-91). After Even Stevens ended, Pescow was cast in the recurring role of Sharon Finkel in Season 4 of The CW series The Flash (2014-23). Tom Virtue was cast as Steve Stevens. Virtue had previously played Tom Vandoozer on Bonnie (1995-96), Bonnie Hunt’s sitcom, before being cast in Even Stevens. Virtue may also be familiar to Disney Channel fans for his role as Ralph Bartlett in the DCOM Read It and Weep (2006), starring Kay and Danielle Panabaker. Virtue later was cast in the recurring role of Reverend Sam Stone in the ABC Family show The Secret Life of the American Teenager (2008-13).

Then, there is Donnie Stevens, the older brother of Ren and Louis, whose thoughts during The Even Stevens Movie are written off quite early on due to Donnie’s lack of intelligence, because he is more of a jock, focused on sports. For example, the family dismiss Donnie saying that he saw a former student at his school, dressed up as one of the islanders, yet if they’d listened to him, the family would’ve worked out much earlier on that this whole free holiday was a scam and could’ve left without going through all that trauma! By the end of the film, we learn that Donnie went off to college to focus on sports, with a joke from Beans being that he was going to study philosophy as well. Nick Spano was cast as Donnie Stevens, who had previously played Chad in 1999 in the soap opera The Young and the Restless (1973-present) before being cast in Even Stevens.

There is also Beans, who is not part of the family, but seems to prefer spending time with the Stevens’ than his own family. And I don’t blame him if his parents think it’s alright to go to Helsinki for weeks without him! Beans is friends with Louis, so that is why he hangs around the family so much, however, in The Even Stevens Movie, apart from being a little bit annoying and a little bit gross, he isn’t used to create additional conflict for the Family Fakeout show. Beans doesn’t have too much influence on the events within The Even Stevens Movie, but he was a fan-favourite within the main show. Beans was played by Steven Anthony Lawrence, who went on to appear as Dylan Shenk in Cheaper by the Dozen (2003) and as Mark Avery in Kicking & Screaming (2005), which starred Will Ferrell. He was a contestant in Season 5 of the US version of game show The Floor (2024-present) in 2026.

The villain of The Even Stevens Movie is Miles McDermott. Miles comes across as a friendly, approachable man at the start of the film, seemingly just wanting to help the tourism board of the island Mandelino. However, it soon becomes clear that Miles is using the Stevens to boost his television career, by launching a new show to rival the hidden camera show he got fired from, Gotcha. Miles is only bothered about ratings and not the welfare of the Stevens family who are tearing themselves apart because of his sabotages and pranks on them. Miles is later shown to have the briefest glimpse of morality, as he is reminded that the show is responsible for its participants and therefore, one participant potentially killing another because they’ve been driven mad by that same show is only going to lead to lawsuits and possible criminal convictions… So, Miles is determined to stop Ren from hurting Louis, but believes he is too late and is very remorseful for his actions from that point. And luckily, it was all caught on camera, because he was tricked by the Stevens and pranked by his former employer, those at Gotcha, putting his own television career in limbo.

Miles was played by none other than comedian and actor Tim Meadows. Meadows was a cast member on Saturday Night Live (1975-present) from 1991 until 2000, along with such names as Adam Sandler, Chris Rock, and Will Ferrell. Meadows is also known for playing Principal Duvall in Mean Girls (2004); Mean Girls 2 (2011); and the 2024 musical adaptation. He is also known for various other roles in comedy films, such as playing Cornelius Banks in Semi-Pro (2008); Malcolm in Grown Ups (2010) and Grown Ups 2 (2013); and Lester Hennessey in Hubie Halloween (2020). On television, Meadows was cast as Jonathan “Andre” Glascott in the ABC sitcom The Goldbergs (2013-23) and reprised his role in its spin-off Schooled (2019-20). He has also voiced the recurring role of Mike Wobbles in the animated series Bob’s Burgers (2011-present), and voices Swooper Goodfly in the animated sitcom Digman! (2023-present) starring Andy Samberg. Recently, Meadows was cast as Langston Fleury in Season 2 of Peacemaker (2022-25) and played Gregg in the sitcom DMV (2025-26), which deserved more than just one season.

Those are the main cast members in The Even Stevens Movie, but there are a few others to mention. Within the production of Family Fakeout are a variety of actors pretending to be natives of Mandelino. To be fair, they are just doing their jobs, but most of them don’t question Miles’ instructions and just go along with what he says. This includes Chief Tuka and Donnie’s former classmate Patrick Green. The only one who tries to be honest is Mootai, or Jason, who attempts to reveal the truth to Ren.

Chief Tuka was played by Keone Young, who has appeared in two others DCOMs: as Bo the lawyer in Rip Girls (2000) and as Silas Sinister in Return to Halloweentown (2006). Young also has links to other Disney projects, including voicing Lord Qin in the direct-to-video Disney sequel Mulan II (2004); voicing Luong Lao Shi in Disney Channel’s animated series American Dragon: Jake Long (2005-07); and voicing characters in Disney XD’s Star Wars Rebels (2014-18). Patrick Green was played by Walker Howard. Josh Keaton played Mootai/Jason, and has since voiced characters for series like the Spider-Man franchise, having previously played Bryce Lester in The Secret World of Alex Mack (1994-98).

Outside of that, others from the Even Stevens series also make appearances in The Even Stevens Movie. Three of these are Louis’ friends: Alan Twitty, Tawny Dean, and Tom Gribalski. Alan and Tawny are the two to go to the island to warn the Stevens’ about the reality show, with Tom helping them travel there on his sailboat. A.J. Trauth played Alan Twitty, and starred as Alex Lansing in the DCOM You Wish! (2003), released a few months before The Even Stevens Movie. Margo Harshman played Tawny, going on to star as Brooke Franklin in sitcom Run of the House (2003-04), before later being cast in the recurring role of Alex Jensen in Season 6 of The Big Bang Theory (2007-19), and as Delilah Fielding in NCIS (2003-present) from 2013. Tom was played by Fred Meyers.

Coach Tugnut and Principal Wexler are two other characters from the series to appear in the movie. Principal Wexler and Coach Tugnut are both present at the graduation ceremony, with neither being happy with Louis’ spaghetti prank. Coach Tugnut later tells Louis’ friends the location of the reality show’s production allowing them to warn the Stevens. Coach Tugnut was played by Jim Wise, and Principal Wexler by George Anthony Bell.

Finally, Dave Coulier, known from his role as Joey Gladstone in the sitcom Full House (1987-95), reprising his role for the revival Fuller House (2016-20), makes an appearance in this film as Lance LeBow, host of the in-film show Gotcha.

MUSIC

There are very few songs that appear within The Even Stevens Movie.

The most notable song is “Dream Vacation”, which is performed by Christy Carlson Romano and is the End Credits song. To accompany the song and its music video, clips showing the cast and crew dancing to the song, as well as outtakes from the film, are interspersed within it. The song was written by Jim Wise and John Coda. Honestly, although I liked that Christy Carlson Romano got the chance to perform a solo, I didn’t like the song.

The only other song credited within The Even Stevens Movie is the graduation song, seemingly titled “Alma Mater”. It is a typical school song, full of school spirit and sentimentality, as the students graduate junior high and set off for high school. The song was written by John Coda, Dennis Rinsler, and Marc Warren.

There is also a song playing during the scene in the diner, when Ren is trying to talk about summer plans with her boyfriend Gil, only for him to dump her. I don’t know what this song was, or whether it was just generic stock music. You can also briefly here the character Tom singing the classic sea shanty “Blow the Man Down” as he takes Alan and Tawny over to the island on his boat – and they’re both finding his singing really irritating!

I will also just mention the song “Summertime”, performed by Aaron Carter and featuring Baha Men, because it appears to have been cut from the Disney+ version of The Even Stevens Movie. As I have not watched the original version of the film, either on Disney Channel or on DVD, I’m not sure if this song definitely did play during The Even Stevens Movie, but from what I can tell, it supposedly was used for a scene of the Stevens family enjoying their time on the beaches of Mandelino during their free vacation.

The score of The Even Stevens Movie, which features plenty of relaxing, beachy music, complete with steel drums, was composed by Mark Mothersbaugh and Bruce Berman. Both Berman and Mothersbaugh had previously composed music for the DCOM The Other Me (2000). Mothersbaugh also composed music for various others Disney Channel movies, including Halloweentown (1998), and its first sequel, Halloweentown II: Kalabar’s Revenge (2001), as well as Can of Worms (1999). Outside of this, Mothersbaugh has composed music for the Rugrats franchise, including for the original series, and its three theatrically-released movies The Rugrats Movie (1998), Rugrats in Paris: The Movie (2000), and Rugrats Go Wild (2003). He has also worked with Pixar previously, on the music for their series Cars Toons (2008-14) and composed the score for their new movie Hoppers (2026).

PRODUCTION

Obviously, The Even Stevens Movie would not have existed without the original series.

Even Stevens premiered on Disney Channel with its first episode on 17th June 2000. It was created by Matt Dearborn, who went on to produce the Disney Channel series Phil of the Future (2004-06), also co-writing with Tom Burkhard, and directing some episodes. Dearborn and Burkhard then created the Disney XD series Zeke and Luther (2009-12). 

Work on the series began in 1999, under the original title Spivey’s Kid Brother. A nationwide search led to an audition process considering over 2,000 boys for the lead role of Louis Spivey. Shia LaBeouf brought a lot of energy and authenticity to his audition, although it was of some concern that LaBeouf was telling fellow auditionees that he had already got the role during the casting process. Regardless, it was felt that LaBeouf was the best for the role. A pilot was shot; however, test audiences did not warm to LaBeouf’s character, feeling his character was not comedic enough. A new search for the lead began, but none matched up to LaBeouf, who was made to re-audition for the part he’d already got – before being offered it once again! LaBeouf’s performance in Even Stevens proved to be popular with audiences when the show did air, helping to launch a strong career outside of Disney.

However, the teething problems did not stop there, as the scripts for the first few episodes were not working, so two writers, Marc Warren and Dennis Rinsler, were brought in to fix them, to get the tone and the humour right. It has also been said that Shia LaBeouf and his co-star Christy Carlson Romano did not get along too well during filming of Even Stevens, mostly due to the fact they were two very different people with very different approaches to their acting. The writers supposedly pushed the tension between the two actors by involving plenty of sibling rivalry storylines in the series. It was said that the cast and crew of Even Stevens were largely left to get on with making the show, away from the prying eyes and interference of any executives[1].

Season 1 of Even Stevens consisted of 21 episodes, airing from 17th June 2000 to 23rd February 2001. One of the more memorable episodes in this series was Episode 15 “Heck of a Hanukkah”, as well as the first-ever episode, “Swap.com”. The second season then began on 15th June 2001 and ended on 15th February 2002. One very popular episode in this season was Episode 21 “Influenza: The Musical”, which is a musical episode of the show, featuring songs like “We Went to the Moon (in 1969)”. The storyline of the episode revolves around Ren Stevens having a fever dream about her day at school due to her being ill with the flu. That’s So Raven (2003-07) later did a musical episode too thanks to this, the Season 2 episode “The Road to Audition”, which was always one of my favourites.

In July 2001, it was confirmed that Even Stevens had been greenlit for a third and final season, consisting of 22 episodes. Production began in September 2001, with the episodes airing in the second-quarter of 2002[2]. Season 3 aired its 22 episodes from 22nd February 2002, with its final episode coming on 2nd June 2003. As well as the finale episode “Leavin’ Stevens”, where the family think they are moving to Washington D.C. for Eileen’s work but by the end of the episode learn they are not, Episode 7 “Raiders of the Lost Sausage”, a parody of Indiana Jones films, was another memorable one.

By the end of its third season, Even Stevens had aired 65 episodes and that meant only one thing: cancellation. For some reason, Disney Channel chose to cap all their series at 65 episodes, under the “65-Episode Rule”. It was apparently simply due to the fact that 65 episodes is good for scheduling, as it means one episode of a show can air daily for 13 weeks, taking up a quarter of the year, without repeats. It was a stupid rule, with many fans not agreeing with the decision to cancel the Even Stevens just because it had made “too many” episodes. But at least it was given its own Disney Channel Original Movie to tie up the series, an attempt to appease those fans who were annoyed their favourite show was over.

Although too late for Even Stevens, the “65-Episode Rule” was later abolished by Disney Channel thanks to the success of That’s So Raven, which aired 100 episodes in total, going over the 65-episode limit around 2004. Kim Possible later followed in its footsteps. Originally, the series was going to end after its third season and total of 65 episodes. The DCOM Kim Possible: So the Drama (2005) was made to wrap up the show, however, Kim Possible ended up getting a fourth season. This season was the final season of Kim Possible to air, with a total of 87 episodes in the end[3].

During its run, Even Stevens won numerous awards. One was the Children’s BAFTA for Best International series in 2002, where it was up against Disney Channel’s other hit series of the time, Lizzie McGuire. The young cast were nominated for Young Artist Awards, with Christy Carlson Romano winning for Best Performance in a TV Comedy Series: Leading Young Actress in both 2001 and 2002, as did Lauren Frost in 2002, who played Ren’s friend Ruby, for Best Performance in a TV Comedy Series: Supporting Young Actress. In 2003, Steven Anthony Lawrence won his own Young Artist award for Best Performance in a TV Series (Comedy or Drama) – Supporting Young Actor. Shia LaBeouf won the Daytime Emmy for Outstanding Performer in a Children’s Series in 2003.

The Even Stevens Movie had to maintain and sustain the humour of its 20-odd minute episodes for the length of a feature film, around 90 minutes, choosing to move the Stevens family away from the familiar surroundings of school and home life to a new exotic location. It was a good idea to have the movie take place after Ren’s graduation and during the summer break, as this meant those who had not watched the series before could jump into it without having to understand character dynamics straight away, as well as signalling that the Even Stevens was over, by moving the show in a new direction for the film.

The writers of various episodes within the Even Stevens series, Marc Warren and Dennis Rinsler, were tasked with writing this feature-length movie. The two went on to executive produce, write, and direct episodes of That’s So Raven, leading to them creating one of its spin-off series, Cory in the House (2007-08). The creator of Even Stevens, Matt Dearborn, was not asked to contribute to the writing of The Even Stevens Movie, so by way of an apology, Dearborn was told he could write any movie he wanted for Disney Channel – and that is how Cow Belles (2006) starring Aly and AJ Michalka came to be, apparently!

Sean McNamara directed The Even Stevens Movie, having previously directed episodes of the series. McNamara went on to direct episodes of other Disney Channel series, such as That’s So Raven and Zeke and Luther. He later directed The Suite Life Movie (2011) for Disney Channel. Recently, McNamara directed the Hallmark festive films Sister Swap: A Hometown Holiday (2021) and Sister Swap: Christmas in the City (2021).

The Even Stevens Movie was filmed in both California and Hawaii, with the home and school portions taking place in California, as per the series, and the scenes in fictional island Mandelino being filmed in Hawaii. Within California, one specific filming location used in the film was Pink Motel – Cadillac Jack’s Diner in Sun Valley, which is called Roller Cakes diner in the movie. Filming took place in Hawaii on the island of Oahu for a few days in August 2002, with Hawaii supposedly edging out Australia to get the shoot. It was reported in the press that the film was originally titled The Stevens Get Even at the time, with a release date for the movie expected in August 2003. It was moved up to June 2003 evidently[4].

Some have said that The Even Stevens Movie is heavily inspired by the Jim Carrey film The Truman Show (1998), about a man growing up not realising his whole life has been filmed and manipulated for a reality television show. Apparently, the initial concept for The Even Stevens Movie was for the Stevens family to go on vacation and for Louis to cause destruction to Mount Rushmore, but the writers were told to come up with something related to The Truman Show. For me, The Even Stevens Movie reminded me of the Mary-Kate and Ashley film The Challenge (2003), which was also about a reality show, but there was no hidden camera element to that show, although it was heavily controlled. Regardless of the actual inspirations for The Even Stevens Movie, we can all agree that it must’ve been based on the rise of reality television, which took off in the early 2000s, with the launch of shows like Big Brother and Survivor, which had very little regard for the welfare or the wellbeing of those participating in them, being seen as exploitative, and even cruel, nowadays.

Family Fakeout is definitely exploitative, whereas Gotcha is a prank show meant to embarrass its contestants. Randomly, Gotcha made a reappearance in an episode of Hannah Montana (2006-11), the Season 3 episode “Jake…Another Little Piece of My Heart”, where Jake Ryan pranks Hannah into making her believe he is getting married in Vegas. Lance LeBow was not the host in this episode, as he was in The Even Stevens Movie.

Another fact about the filming of the movie is that within the school graduation scene, actor Jim Wise, who played Coach Tugnut, said that the weight of the spaghetti being dumped on his head from that beach ball almost caused him to go unconscious[5]!

RECEPTION

The Even Stevens Movie premiered on Disney Channel in the US on 13th June 2003, less than two weeks after the series finale aired. It was the third DCOM to premiere that year. It is unclear exactly when the film reached international channels outside of North America.

It has been said that The Even Stevens Movie was viewed by 5.1 million people on its premiere date. It was outperformed later in 2003 by the premiere of The Cheetah Girls, which had viewing figures of 6.5 million, but The Even Stevens Movie did better than other 2003 DCOMS, like Eddie’s Million Dollar Cook-Off with 3.7 million and Full-Court Miracle with 4.4 million. Its viewership was pretty good, albeit not record-breaking for the channel.

Many fans of the original Even Stevens series enjoyed The Even Stevens Movie, with it signalling the official conclusion of a series that they had loved throughout childhood. Within that audience, The Even Stevens Movie is considered to be hilarious and highly quotable. Some viewers also said that they enjoyed the surprise twist ending, of Miles ending up being the victim of the show Gotcha, instead of the Stevens being the victim of Miles’ show Family Fakeout. Some might say they could’ve guessed that ending, but I didn’t and I thought it was quite clever. Others also think that The Even Stevens Movie is one of the better earlier Disney Channel Original Movies, especially when compared with those new films that Disney Channel are making today.

On the other hand, there were actually some fans of Even Stevens that felt slightly down by this film ending the series, because they felt that the finale episode of the series was better than what the film gave them. Other general comments were that the movie was slow at times, had bad effects, namely the chase scene with the squirrel, and was generally just average. Some took issue with the disrespectful stereotypes of the Mandelino natives, which is perhaps made even worse by the fact that the audience learn that the natives are actually actors in the movie, so those in-film actors are playing into the outdated stereotypes deliberately… Finally, some said that Tim Meadows was “too good” for this film. All I can say is that he did very well with the role and the material he was given, and had Meadows not been in this film, I probably wouldn’t have liked it much at all, not having the love of the original series to keep me interested.

The Even Stevens Movie was nominated at the Directors Guild of America Awards, specifically for Outstanding Directorial Achievement in Children’s Programs for its director Sean McNamara. Episodes of the original series had also been nominated in this category in the three years before. However, The Even Stevens Movie did not win, nor did Oz Scott’s directing of fellow DCOM The Cheetah Girls. The winner was actually Kevin Lima for his work on Eloise at Christmastime, a television special aired on ABC as part of The Wonderful World of Disney anthology series (1997-present).

Some of the young cast of The Even Stevens Movie were nominated at the Young Artist Awards. These included Steven Anthony Lawrence, who played Beans, and Margo Harshman, who played Tawny, being nominated for Best Performance in a TV Movie, Miniseries or Special – Supporting Young Actor and Young Actress respectively. In the category of Best Young Adult Performer in a Teenage Role, Christy Carlson Romano, for her role as Ren, was nominated, but the award was won by Josh Keaton, who played Mootai. 

LEGACY

After Even Stevens ended, thanks to Disney’s self-imposed 65-episode rule, most of the cast members moved away from Disney and Disney Channel to focus on new projects. This included the two main leads of the show, Shia LaBeouf and Christy Carlson Romano.

However, this wasn’t meant to be the case, as there had been plans for Christy Carlson Romano to star as Ren in a spin-off series for ABC. It would’ve seen Ren working as an intern on Capitol Hill, but for whatever reason, the plans were not progressed and ABC had shown themselves to not be interested in the idea[6].

In the years since, as revival after revival of various shows, Disney and non-Disney alike, have come out, many of the former Even Stevens cast members have been asked about whether they would ever do a reboot. Christy Carlson Romano has stated before that she would be vaguely interested in doing a reboot, however, as she doubts Shia LaBeouf would ever return to Disney to do that, making that assumption based on the fact he doesn’t attend cast reunions, then she doesn’t believe that Disney could or would ever want to make it without him. Shia LaBeouf was arguably the star in Even Stevens, and would be the biggest draw in enticing an audience back for a reboot[7].

But you can always rewatch the original series instead, right? Although the series is still found on Disney+ in the US, in some other countries, including in the UK, it has not been made available. For the UK, the reason for this is perhaps because Even Stevens originally aired on BBC, as part of its children’s programming CBBC, before later moving to CITV in the early 2010s. Yet, the series is also not available to view on either BBC’s or ITV’s streaming service. But the first episode and the last episode of Even Stevens have been made available free to watch on Disney Channel’s official YouTube Channel.

FINAL THOUGHTS

Despite never having seen the series before, I quite liked The Even Stevens Movie. Had I actually seen the show, I probably would’ve liked it more, although I’m not sure the humour would’ve been exactly to my taste. I wasn’t a big fan of the spaghetti prank, for example!

However, for fans of Even Stevens, this movie gave them a chance to see the Stevens family in a completely different environment and have a fuller storyline to focus on. It served as both a series finale as well as working as a standalone movie.

Even Stevens did not reach the heights of Disney Channel’s other hot property at the time, Lizzie McGuire, but it was still very popular, with many fans still remembering – and quoting – their favourite moments from their favourite episodes even decades later.


REFERENCES

[1] Credit: Ashley Spencer, Disney High: The Untold Story of the Rise and Fall of Disney Channel’s Empire (2024), ‘Even Stevens: Talent and Turmoil’, pp. 34-48.

[2] Credit: Laughing Place, ‘Disney Channel Renews Even Stevens and Lizzie McGuire for Additional Seasons’, LaughingPlace.com, 10th July 2001.

[3] Credit: TanChun Watkins, ‘This Disney Channel 65-Episode Rule Killed Your Favorite Shows’,  Collider.com, 17th August 2024.

[4] Credit: Tim Ryan, ‘Disney’s ‘Even Stevens’ to film TV movie on Oahu’, StarBulletin.com, 15th July 2002.

[5] Credit: Stacey Grant, ’23 Surprising DCOM Secrets Even Die-Hard Fans Didn’t Know’, Seventeen.com, 25th October 2017.

[6] Credit: Ashley Spencer, Disney High: The Untold Story of the Rise and Fall of Disney Channel’s Empire (2024), ‘Even Stevens: Talent and Turmoil’, pp. 34-48.

[7] Credit: AJ Pitts, ‘Christy Carlson Romano Says an ‘Even Stevens’ Reboot Will Likely Never Happen’, JustJaredJr.com, 3rd January 2022.

Zapped (2014)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

What was growing in popularity in the 2010s? Smartphones. And what do people put on their smartphones, sometimes in the dozens, or even hundreds? Apps.

So, what’s the natural thing to do with this information? Nothing. It’s just a thing.

But apparently, not for everyone. Someone decided they could combine both smartphones and their apps to create a new family-friendly movie for Disney. Uh, ok. Not exactly ground-breaking, and not something anyone really needs to learn about, especially the kids, tweens, and teenagers constantly on their phones.

But this film has a message? Well, that’s alright then. What’s the message? Oh, that girls rule, and boys drool. Right… Surely that’s not all.

I’m talking about the movie Zapped, starring Zendaya, which was a movie released on Disney Channel in 2014. Zendaya was going places, and Disney Channel wanted to ensure she remained committed to, and front and centre of, their brand for as long as possible before her fame and career really took off.

Zapped was the perfect vehicle for this. Disney Channel like to really milk their stars’ popularity for as long as they can, even if it does mean that their films end up being built around these actors with very little consideration for anything else, because, after all, it’s the fans that will be watching these films; they’re not gunning for Oscars or anything.

Zapped is actually based on a book, Boys are Dogs by Leslie Margolis, but the DCOM story switched some elements around and turned Zapped into a morality tale about the dangers of smartphones and their potential to contribute to societal collapse. Here, the lead character, Zoey, finds that all the boys in and around her life are absolutely disgusting, and through a strange twist of fate, her phone decides that an app meant to be used to train dogs can now be used to train boys – because boys are gross and girls are perfect, right?

I’m probably making it quite obvious that I was not a fan of Zapped with all this sarcasm. The overall look of the film was fine, and I’m quite capable of looking past the cringier lines and clunky moments of Disney Channel films, but I just can’t get over the premise of Zapped. This whole “boys against girls” battle is pointless. Don’t teenagers have enough to deal with already without pitting them against each other? No-one is better than anyone else – and everyone can be annoying or gross at times, not just boys.

This film just wasn’t it, and I’m not in the minority for thinking that.

PLOT

Zapped begins at a wedding. This is the wedding of lead character Zoey’s mother to her new stepfather, Ted. Zoey is trying to make a toast to her mum and her new husband’s happiness, also making jokes about her much she is not looking forward to sharing a house with four boys – her stepdad and his three sons. To prove her point, the sons, Adam, Zach, and Ben, ruin Zoey’s speech by running after their dog, who has bolted from the table he was tied to. In the chaos, Zoey saves the wedding cake from being tipped over, but is unable to stop the chocolate fondue from falling right on to her. Zoey tries her best to stay calm as she tells all the guests to raise a glass to her new family.

One week later, Zoey is still adjusting to her new life, and sharing a house with boys. She is woken up early by her stepdad using an air horn to wake up her stepbrothers as part of their routine before school. Her youngest stepbrother, Ben, barges into the bathroom whilst she’s trying to get ready and starts commenting on all her makeup, and the middle brother, Zach, keeps using all of Zoey’s food to make his weird food creations. Zoey’s morning gets even worse when Zach attempts to use a blender, sending pancake mixture all over Zoey and stuff. Her mother tries to calm her down, by finding Zoey’s music box, which was a gift from her dad who has passed away. It works momentarily.

At school, her older stepbrother, Adam, who attends the same school as her, is just too busy and scatterbrained to be able to help Zoey find her classes, leaving her to wander aimlessly amongst the groups of students outside. Zoey starts to categorise these groups of boys and can’t find one to speak to. Eventually, she tries to ask one boy, Tripp, the way to her classroom, but he ends up just farting at her, being no help whatsoever.

Having seen all this unfold, fellow girl Rachel comes up to Zoey and offers to show her the way to her class. Rachel notices that Zoey is very focused on her phone, with Zoey saying her whole life is on that device. Zoey then starts to vent about how gross all the boys are here, but Rachel doesn’t care; she is happy to admit she is boy crazy, with her most recent crush being on a boy called Charlie. Zoey starts to discuss how she’s going to try out for the school’s Varsity dance squad that day, as she’s a brilliant dancer and was part of the team at her old school. Rachel says she’ll try out too, just as they arrive at Zoey’s class.

However, Zoey walks into a room that is dark with a slideshow about insects playing. This is not her class. The teacher, annoyed at his class being interrupted, tells Zoey although this is the right number for her classroom, it is in the wrong area of the school; she needs West Room 242. Rebel boy Jackson, who smart-mouthed the teacher, is told to take off his sunglasses and take Zoey to the right room. On the way, Zoey tells Jackson she’s already hating this school and the boys within it, and can understand why he tries to be the silent, mysterious type. Jackson is surprised that Zoey thinks she’s figured him out, before telling her he can tell she likes things organised, is a dancer, and is addicted to her phone. Spot on.

Later that day, Rachel and Zoey attend the Varsity dance squad try-outs, and Rachel awkwardly asks Zoey if they can be friends. Zoey says they can. Then, leader of the squad Taylor comes out to begin try-outs, saying there isn’t any room in the squad for new people, so if they want a place, they’ll have to be exceptional. Zoey wants to audition a solo performance she has prepared, but Taylor says she can’t do that, and will have to join the routine she has prepared instead. Zoey relents, but is shocked to find her dance shoes are covered in the pancake goo from the morning. She puts them on any way, and watches Taylor perform the routine, not bothering to slow it down for anyone. Despite this and the unfortunate state of her shoes, Zoey is the only one to perfectly copy the dance, that is until she slips up due to the stuff on her shoes. Rachel tries to catch her but fails. Taylor mocks Zoey for falling and says they have all been rejected. Zoey tries to explain her shoe situation, and Taylor is told her and Rachel can join the Junior Varsity squad instead, a team consisting of uncoordinated nerd types. It turns out Taylor has rejected Zoey simply because she saw her talking to Jackson, Taylor’s ex-boyfriend, and is jealous of her.

Back at home, Zoey is told by little brother Ben that their dog Humphrey has been in her room, “helping her unpack”. Zoey rushes in to see many of her things destroyed, including her music box which is broken. Humphrey comes in to the room, but does not respond to any of Zoey’s commands. She starts scrolling through her phone’s app store to see if there is an app to control dogs. She sees one that costs $9.99 but she’s desperate so she downloads it. Zoey is satisfied to find that Humphrey is now following her commands. However, the dog then steals Zoey’s phone and drops it in the full bath tub, with Ben accidentally tossing it out of the window as he tries to dry it. The phone tumbles down the roof, ending up in Humphrey’s dog bowl outside. Zoey’s mother puts the phone into some rice, and tells Zoey everyone is just getting used to their new situation and that they’ll figure it out eventually. Zoey isn’t at all convinced.

The next morning, Zoey is woken up by the air horn once again, and yet is still happy as she finds her phone is working again and all her apps are still there. She tries to use the dog control app on Humphrey, but it doesn’t work. What Zoey doesn’t realise is that the commands are actually working on the mailman outside. Zoey then accidentally discovers that her commands are working on her brothers, as she tells muddy Ben to stay away from her, and for Zach to put his latest gross food creation down.

At school, Zoey tells Rachel that all the boys are acting weird, as in weirder than usual. Student Tripp farts at her again, so Zoey tells Tripp to stop – and he does. Zoey tries the app out on him and he does everything she says! Zoey and Rachel discuss this new discovery further in the girls’ bathroom, with Rachel saying this is great and Zoey believing it will help make her life easier. When Taylor comes into the room though, they discover the app does not work on girls, only boys. Zoey and Rachel have fun trying out the app on other boys around the school, getting the skaters to act like gentlemen, the “ogre” boys to clean themselves up, and the gym buffs to put their shirts on – before Rachel decides she prefers them with their shirts off. Because that’s not objectifying at all! Zoey also gets Charlie to talk to Rachel about his feelings for her.

At home, Zoey decides to use this newfound power on her new family. She gets Adam to focus more, actually making him too fascinated by random things, like lampshades. She tells Zach to make good food, and for Ben to be cleaner, and also tells her stepfather to be quieter. Zoey then decides to walk Humphrey, where she attempts to rationalise her behaviour, telling herself it was good to do all that. Zoey comes across Jackson in the park, where they find they have some things in common, and Zoey realises Jackson isn’t just the stereotypical cool guy; she’s starting to like him.

The next day, Zoey is happy with her new morning routine, as she gets a nice breakfast, a clean bathroom, and no air horn wake-up calls. It’s the same at school, as she doesn’t have to walk past all those gross boys anymore – although Rachel is finding Charlie’s constant hugs a little bit annoying! The app has basically fixed everything else though – and it can only get better. At dance rehearsals with the Junior Varsity squad, Zoey is elected leader and begins to lead the group in a new routine, discovering that the boys aren’t very good. Taylor sees all of this as the Varsity squad is also practising, on the other side of the gym, and the two begin a dance battle. Zoey uses her app to ensure the boys follow her moves exactly. Taylor is shocked to find Zoey’s group is so good despite the lack of rehearsal time. She is getting suspicious about Zoey’s constant use of her phone too…

Not wanting her dance squad to be sidelined in favour of Taylor’s, Zoey goes with Taylor to the principal to ask for a dance battle between the Varsity and the Junior Varsity squads, with the winner being named the Varsity group, the best in school. Zoey reiterates that she felt Taylor was biased in her team selection and didn’t give her or any of the other dancers a chance so this would simply right that wrong. The principal agrees to the dance-off, and says it will happen during half-time of the first basketball game of the season.

As the two girls leave the principal’s office, they run into Jackson, who wants to talk to Zoey, annoying Taylor more. Jackson confirms he is not with Taylor, although she seems to think they still are, before asking Zoey to hang out with him sometime. Zoey accepts, before telling Rachel the good news as they watch basketball practice. During the practice, the two realise that the whole team is acting weird, as the coach, Zoey’s stepfather, can no longer yell, and Adam is incapable of focusing on the game. Rachel and Zoey start to wonder if there could be potential consequences to using their app, but they dismiss that, as that type of thing only happens in movies – and only to boys. Wow…

Later, Zoey meets up with Jackson at a diner to hang out. She walks in to see him playing chess with a group, surprising Zoey, who didn’t have him down as a chess player. Zoey starts to complain about how boys need competition as an excuse to hang out, but Jackson reminds her that girls use hanging out as an excuse to be competitive. Zoey doesn’t have an answer to that, so she starts talking about the menu. She then makes things awkward by referring to this as a date, and Jackson does nothing to help her out. Zoey excuses herself from the table and calls Rachel, getting the idea to make other guys flirt with her using the app to get Jackson’s attention. It works to a point – but the guys then don’t go away. At the end of the evening, Jackson walks Zoey home. They pause before saying goodbye to each other, with Zoey hoping for a kiss. She doesn’t get one. Zoey then talks to Adam outside, who tells her Jackson is probably confused about his feelings, because it’s not only girls who have feelings. He reminds Zoey that him and his brothers have also been getting used to having a sister around. Boys might be a pain but they aren’t all bad is the basic takeaway from this conversation. Before she goes to sleep, Zoey’s stepfather returns her music box to her, all fixed, saying that the boys helped too. Zoey starts to wonder if she has misjudged her new family. No duh.

The next day, Zoey wakes up late, because her stepfather is no longer waking them up, and finds that her commands to the boys are not working the way she wanted, with her “fixes” actually making things worse. At school, the boys are creating new turf wars, and Adam is running around too much, as Zoey told him to hurry up. Zoey then tells everyone to stop, alerting all the girls in school to the fact something weird is going on as the boys all stop what they were doing, and she orders Adam to slow down, freaking him out.

To top it all off, Zoey finds that all the boys in her Junior Varsity squad want to quit, as they don’t feel happy dancing anymore. Zoey refuses to accept their resignation as it is the day of the dance-off, and tells them to practise, however, she realises that the boys might be doing the moves but their hearts are not in it. Taylor comes over and tells Zoey she should just give up now, infuriating Zoey, who uses her app to mess up all the boys in the Varsity squad, by having them mix up their left from their right. Rachel is horrified to see Zoey using her app “for evil”, getting too involved in the contest with Taylor. Zoey tells Taylor she belongs with her squad full of dogs. Jackson sees all this and is also horrified by Zoey’s behaviour. She tries to explain what happened, saying Taylor deserved all of that. Jackson tells Zoey she isn’t acting like the girl he thought she was, but Zoey snaps back that Jackson won’t be honest with his feelings for her. She orders Jackson to kiss her and the app gets him too – but it is a lacklustre kiss on the cheek, which disappoints Zoey and confuses Jackson, who says he needs space because this is all feeling wrong now.

Seeing how the phone has messed up everyone’s lives, including her own, Zoey turns her phone off and tosses it in her bag. Taylor then comes in and steals Zoey’s phone without her noticing. Zoey apologises to Rachel and asks for her help to fix everything, especially as a college scout is coming to watch Adam in the basketball game later.

At the basketball game, the team is struggling to communicate. Zoey gets her mother, stepfather, and stepbrothers to listen as she explains that she’s been controlling the boys through an app. Her mother doesn’t believe her, whilst the boys kind of do believe it. They start brainstorming ideas to fix this, when Ben reminds them all that the way to get a dog to stop doing something is to say “Release”. Zoey needs to say that into her app. However, Zoey discovers that her phone has gone. Taylor then comes into the room, being brought in on a chair by a group of boys, and starts using the app on the two teams, making them dance. Next, Taylor grabs a loudspeaker, ordering all the boys to bow down to her…

Zoey tells Taylor to stop, reminding Taylor that everyone has the right to be themselves. Taylor accuses Zoey of using the app on Jackson, with Zoey having to admit that she only used it for the kiss. Taylor starts to use the app on Zoey’s family, embarrassing them. Zoey begs Taylor to stop, saying she’ll do whatever she asks to get Taylor to stop it. Zoey agrees to follow Taylor’s orders, making her act like a dog. This makes her family snap out of the app’s control and they join her in acting like a dog in front of Taylor. This happens because a dog cannot turn against its own pack. Jackson joins in too. The school mascot is then revealed to be Rachel who tackles Taylor, making her drop the phone. Zoey catches it and shouts “Release”. Everything goes back to normal, even if everyone is confused!

Taylor says Zoey will never be anything without her phone. Zoey refuses to believe that, stamping on it and throwing it in the bin so nobody can use the app again. Now, back to the basketball game. As the game goes on, Zoey explains everything to Jackson and apologises, admitting that she likes him. Jackson says he feels the same, and asks her out on a real date. But now it is time to dance. At the dance-off, Taylor and her Varsity squad do well. When it is time for the Junior Varsity squad to go on, Zoey tells her teammates to just have fun. Zoey’s team win and will represent the school at the State Competition.

The movie ends with Zoey’s stepfather, mother, and brothers waiting for her to get ready for a run. Adam tries to say girls need more time to get ready, before Zoey arrives, saying girls are not slower than boys – and she’ll prove it, before running off down the street.

 In a post-credits scene, two teenage students are seen in detention cleaning up the gym. One of them picks Zoey’s phone out of the bin and inspects it, as the phone sparks and is shown to still be open on the app…OMG.

CHARACTERS & CAST

Zoey is a serious, mature teenage girl. She loves dancing, organisation, and her smartphone, and hates gross boys, finding it too stressful to adjust to her new life of sharing a house with four boys – and a male dog – when she was used to just living with her mother for so long. With this app, Zoey thinks she can make her life infinitely better by controlling all the boys around her. The boys stop farting at her, her brothers stop annoying her, and her teammates become talented dancers. It’s perfect. That is until Zoey realises that you should be careful what you wish for, as the boys are start acting weird and Zoey trying to fix her previous commands only makes things worse. She knows now the only way to really fix things is to undo everything, as she starts to realise boys aren’t so bad once you get used to them. Once all the boys go back to “normal”, Zoey is seen to be accepting of her new life with her stepbrothers and stepfather, becoming one happy family.

Zendaya was cast as Zoey here. Zendaya was already a well-known face on the Disney Channel, thanks to her leading role as Rocky Blue in their series Shake It Up (2010-13) alongside Bella Thorne, reuniting with Thorne to star in the DCOM Frenemies (2012). She went on to dance in Season 16 of Dancing with the Stars (2005-present) in 2013, ending up in second place, before starring in Zapped. After this, Zendaya stuck around Disney Channel to co-produce and star as K.C. Cooper in their series K.C. Undercover (2015-18), with Zendaya’s career taking off soon after that, with her roles as Rue Bennett in the teen drama series Euphoria (2019-26), and as MJ in the Spider-Man film series, starring Tom Holland as the title character. She won numerous awards for her performance in Euphoria, including a Critics’ Choice, Golden Globe, and Primetime Emmy, and for her role in Spider-Man, including a Saturn Award. Zendaya was also cast as Anne Wheeler in the smash-hit musical The Greatest Showman (2017), starring alongside Hugh Jackman and Zac Efron. More recently, Zendaya was cast as Chani Kynes in the Dune film franchise, with the third film set to be released in 2026, and played Tashi Duncan in the film Challengers (2024). Other upcoming projects for Zendaya include playing Pallas Athena in Christopher Nolan’s much-anticipated film The Odyssey, and voicing Felicia in the upcoming Shrek 5.

Rachel is Zoey’s best friend at her new school, and is a self-described boy addict. Rachel doesn’t really agree with Zoey that all the boys in school are gross because she thinks they’re cute, especially Charlie who she has a crush on. Rachel goes along with Zoey’s app and its controlling nature because she likes the effect it has on the boys, although it starts to put her off Charlie…However, Rachel starts to worry about the consequences of the app much earlier than Zoey, and sees the app making Zoey power-hungry and not herself. But being the good friend she is, instead of giving Zoey a lecture about it, or just outright shunning her, Rachel helps Zoey retrieve her phone and fix things.

Rachel was played by Chanelle Peloso, who had previously been cast in a minor role in the DCOM Radio Rebel (2012), and was part of the Cartoon Network sketch comedy series Incredible Crew (2012-13) before working on Zapped. She went on to be cast as Hailey Yarner in the series The Bletchley Circle: San Francisco (2018), a spin-off of the British series The Bletchley Circle, before being cast in the recurring role of Petra Smith in Season 1 of the Netflix series Another Life (2019-21). Peloso also played Rose Matthews in the series Sacred Lies (2018-20), which was later bought by streaming service Peacock.

Jackson is Zoey’s love interest in Zapped, and is also the mean girl’s ex-boyfriend. How cliché! Jackson is first introduced as a quiet, rebel type, however, he is soon seen to be thoughtful, opinionated, and intelligent, surprising Zoey who seemed to think he was some sort of tough guy, judging him before she really got to know him – a recurring problem for Zoey in this film. Jackson likes Zoey but struggles to understand how he feels initially. He later sees Zoey acting just like Taylor, his ex, and doesn’t like it at all, this being completely at odds with Zoey’s usual behaviour. He says he needs some space while he thinks things through but later comes to Zoey’s aid as she stands up to Taylor and demands she stops using the app to control the boys. Jackson ends up revealing his true feelings for Zoey and is set to take Zoey on their first date together.

Spencer Boldman was cast as Jackson, having previously appeared as French Samuels in the action-comedy film 21 Jump Street (2012), starring Jonah Hill and Channing Tatum, as well as being cast in the recurring role of Bryce Johnson in the Disney Channel series I’m in the Band (2009-11). At the time of Zapped, Boldman was starring as Adam in the DisneyXD series Lab Rats (2012-16). More recently, Boldman was cast as Lance McCrae in Welcome to Chippendales (2022-23) for Hulu.

Taylor is the mean girl in Zapped and is Zoey’s enemy. Taylor does not like the fact that her ex-boyfriend, Jackson, seems to like Zoey, and to make it even worse, Zoey is actually a good dancer, even better than her! This causes Taylor to refuse to allow Zoey on the Varsity dance squad, purely out of spite. The two then begin a war between their two squads, which Zoey is determined to win, just to finally have someone show Taylor up. Taylor becomes suspicious of Zoey always using her phone for something, and discovers that her phone can control boys. Not wanting to pass up the opportunity to rule the school again, Taylor steals the phone and uses it to embarrass people and make them adore her. Zoey tells Taylor to stop but she refuses, letting the power go to head. In the end, Zoey and her family are able to stop Taylor and retrieve the phone. Taylor’s squad then loses the dance-off just to top off the terrible day for her. I think Taylor lost the war with Zoey – and has learnt absolutely nothing in the process.

Emilia McCarthy was cast as Taylor. Around this time, McCarthy had been cast as Abby Ackerman in the Nickelodeon series Max & Shred (2014-16). She later returned to Disney to play Lacey, one of the cheerleaders, in the ZOMBIES musical franchise for Disney Channel, appearing in the first three films. She went on to be cast as Madison Van Camp in the first three seasons of Canadian medical drama SkyMed (2022-present).

Then, we have Zoey’s stepbrothers. The oldest one is Adam. Zoey finds Adam irritating, not because he’s messy or disgusting, but simply because he struggles to focus on completing one task before starting the next; he’s just always on the go. This does not make sense to Zoey with her super organised life, although I don’t think it’s a reason to be irritated by him. She could always have offered to help him get organised with his school work and commitments. Zoey’s control of Adam has the most effect on any of her family, as Adam becomes too focused and fascinated by the smallest things in life, causing him not to focus on basketball, when a college scout is coming to the game to consider him for a scholarship. This is really the catalyst for Zoey wanting to fix things for all the boys, so her app doesn’t destroy Adam’s college future.

Adam was played by Adam DiMarco, who had previously played Gavin in the DCOM Radio Rebel (2012). DiMarco went on to be cast in the recurring role of Todd in The Magicians (2016-19) for Syfy, as well as playing Randall Carpio in the Netflix series The Order (2019-20). DiMarco was later cast as Albie DiGrasso in Season 2 of the successful anthology series The White Lotus (2021-present). Most recently, DiMarco was cast as Peter Whitney in the Prime Video series Overcompensating (2025-present) and as Nicky in the Netflix miniseries Something Very Bad Is Going to Happen (2026).

We also have Zoey’s other stepbrothers, Ben, the youngest one, who likes getting messy, and Zach, the middle child, who enjoys cooking, making strange and mostly unappetising concoctions in his spare time. Zoey orders Ben to be cleaner, turning him into a neat freak, determined to clean up everything in his path, including the oven which is getting messier due to Zach’s cooking habits. Zach is no longer making pancakes with cottage cheese, but has been turned into a gourmet chef by Zoey’s app.

Ben was played by William Ainscough, who had been cast as Billy Jones-Krasnoff in the Canadian sitcom Seed (2013-14) prior to his role in Zapped. He later voiced the character Sean Rafferty in the PBS Kids animated series Ready Jet Go! (2016-19). Zach was played by Connor Cowie.

Zoey’s parents, her mother Jeannie and stepfather Ted, have recently married, so Zoey now has to live alongside her new stepfamily for the first time. Zoey’s mother understands that this will be very different to their previous living situation but asks Zoey to give it a chance and know that it will all work out. Zoey just can’t accept it though, and does not like how loud her stepfather is. As the basketball coach at school, Ted likes to shout, get excited by things, and encourages his boys to be the same. He doesn’t run the household like a military boot camp, and just wants to have fun with his sons, who don’t seem to mind being woken up by an air horn each morning. But Zoey is just not used to it, and orders Ted to be quieter and calmer, making his job as a coach very difficult. When Ted returns Zoey’s music box to her, Zoey starts to realise that her stepfather and his sons aren’t so bad after all, and realises that she was wrong to try and change them. In the end, once the control effect had been removed, no doubt Ted and Jeannie worked harder to ensure the new situation was working for all their children.

Ted was played by Aleks Paunovic. He had previously been cast in the recurring role of Marine Sgt. Omar Fischer in the sci-fi series Battlestar: Galactica (2003-09), and later was cast as Gustus in Season 2 of The 100 (2014-20) on The CW. Paunovic was also cast in the recurring role of Julien Dupont in Season 1 of iZombie (2015-19) also on The CW. He later appeared as Julius Romanski in Van Helsing (2016-21) for Syfy, and was cast in the recurring role of Bojan Boscovic in the series Snowpiercer (2020-24). Lucia Walters was cast as Zoey’s mother. Prior to Zapped, Walters had been cast as Fern Redmund in the teen drama series Life Unexpected (2010-11), before going on to play Detective Charlene Montgomery in the Hailey Dean Mysteries (2016-19) series of television films for Hallmark. Walters played Julia in Seasons 3 to 5 in the Netflix series Virgin River (2019-present).

Then, there are a few other students to mention. One is Yuki, Taylor’s peppy sidekick, who is there to encourage Taylor in her mission to make Zoey’s life miserable, not to give her opinion. Yuki is the typical mean girl’s friend, who isn’t actually a bad person but is just too scared to go against the leader, in case they become – oh, no! – unpopular! Yuki was played by Louriza Tronco, who went on to play Jodi in the Nickelodeon series Make It Pop (2015-16), before going on to be cast as Gabrielle Dupres in Netflix’s The Order (2019-20).

Charlie is Rachel’s love interest, who is a little bit awkward and doesn’t know how to speak about his feelings. Zoey ends up using her app on him to get Charlie to reveal how he feels about Rachel. For some reason, all this does is culminate in Charlie hugging Rachel randomly throughout the school day, which starts to grate on Rachel. Needless to say, I don’t think Rachel and Charlie ending up being together for long. Charlie was played by Samuel Patrick Chu, who had first appeared on Disney Channel in a minor role in their film Radio Rebel (2012). He had also been cast as Philbert in the Cartoon Network series Level Up (2012-13), prior to Zapped, before going on to play the recurring role of Curtis in the final two seasons of the series iZombie (2015-19).

Then, there is Tripp, the boy that Zoey first talks to at her new school. Tripp is not the smartest kid in school and yet thinks he’s the coolest, referring to himself in the third person, because he’s just that amazing. Tripp instantly irks Zoey and her dislike for him is only proven when he farts, not in her face, but in her general direction. He does this again later on, causing Zoey to test out her app on him. I don’t know what teenage boy Tripp was based on, because I’ve never met any boy that has farted at me, but I don’t want to meet him! Tripp was played by Jedidiah Goodacre, who went on to play Chad Charming in the original three Descendants films for Disney Channel. He later played the role of Dorian Gray in Chilling Adventures of Sabrina (2018-20) for Netflix, before being cast as Captain Perfect in the Nickelodeon series The Thundermans: Undercover (2025-present).

Finally, another cast member to mention is Zachary Gibson, who is one of the dancers in Zoey’s Junior Varsity squad, specifically the one who wants to do a routine inspired by the traditional Māori ceremonial dance the haka. Gibson will be familiar to Descendants fans, as he played Doug, Dopey’s son, and Evie’s love interest, in the original Descendants trilogy of films.

MUSIC

Most of the music within Zapped is linked to its various dance routines and rehearsals.

The movie opens with a brief excerpt of a song, whilst at the wedding of Zoey’s mother and stepfather, just before she is about to begin her toast to the happy couple. This song is “My Life” performed and written by the Canadian singing duo, and sisters, Dani and Lizzy. They released their debut album Work of Heart in 2016.

Later, as Zoey and Rachel notice that the dog control app works on Tripp, they start to test it out on all the boys and their groups around the school. During this scene, the song “Do It” by musical group Hipjoint, featuring singer Sherry St. Germain, is playing.

Then, we get a dance battle between the Junior Varsity squad, Zoey’s team, and the Varsity dance squad, Taylor’s team. Both teams are rehearsing in the gym at the same time. Taylor’s team dance to the song “The Way You Move”, written by singer Renald Francoeur, and performed by Francoeur and singer Megan Oliver.  This is followed by “Go For It”, also written and performed by Francoeur. This song is used for Zoey’s team’s rehearsal.

On a different day, there is another dance battle between Zoey and Taylor’s dancers during rehearsals in the gym. The song used here is the hip hop song “She Know How” by St. John, but there is little information on this song online.  

Then, during the basketball dance-off, Taylor’s Varsity team dance to their earlier rehearsal song “The Way You Move”. The song “Too Much” is used for the final dance routine of the Junior Varsity dance squad here. “Too Much” was written by Alex Cantrell, Jeff Hoeppner, Dwight Watson. It was performed by the movie’s lead Zendaya, which makes sense as many of Disney Channel’s stars were both acting and recording music for the channel; Zendaya was no exception. “Too Much” is the most memorable of all the songs in Zapped, and is the only one credited.

Finally, the song “Are You Ready For This”, by Josh Mobley, was used for the End Credits of Zapped, where there is a mixture of clips of the cast and crew dancing, as well as some bloopers from filming.

There are also a few pieces of music I could not find. When Zoey arrives at the diner to meet Jackson, a few notes of a doo-wop-style song are playing, but I’ve been unable to work out what song this is. It’s possible this was written for the film, to match the 50s-themed diner the characters are in. At try-outs for the Varsity dance squad, Zoey and the other hopeful dancers perform a routine to a song, however, I have been unable to find it, despite trying many different apps that search for songs. Also, during the basketball game, when Taylor arrives to the game being carried in on a chair by boys that she has controlled using Zoey’s app, all I know about the song playing is that it must be titled “Super Bad Girl”, or “Super Super Bad Girl” as those are the lyrics that we can hear during this scene, but I haven’t been able to figure out what song it is.

James Jandrisch is credited with composing the score for Zapped. He would go on to compose the music for Radio Rebel (2012) and 16 Wishes (2010) for Disney. Jandrisch is also the composer for some television film series including Signed, Sealed, Delivered (2014-present), and Gourmet Detective (2015-20). More recently, Jandrisch composed the music for the Netflix series’ Tiny Pretty Things (2020) and Sweet Magnolias (2020-present).

PRODUCTION

Disney Channel discovered early on that it was best to involve stars from their television series in their original movies if they wanted some real audience engagement.

In the case of Zapped, Disney Channel obviously knew that Zendaya, one half of the duo fronting their series Shake It Up, was going to go far in life, and with that show ending in 2013, the best way to keep Zendaya linked to the channel was to have her star in a new Disney Channel Original Movie. 

Zapped should not be confused as a remake of the 1982 teen comedy film of the same name since they are two very different films with very different target audiences. Zapped was actually based on the novel Boys are Dogs by Leslie Margolis. Boys are Dogs is the first of a five-part book series titled Annabelle Unleashed, with the first novel being published in 2008 and the final one in 2014. Disney Channel did not faithfully adapt this novel, but used it as inspiration. For example, the main character’s name was changed from Annabelle to Zoey, and Annabelle is using a manual to try and train a new puppy, before finding that this manual works on boys as well. The lead character does not have stepbrothers in the book and the characters Rachel and Jackson are actually siblings and neighbours of Annabelle’s, not unrelated students at the same school as they are in Zapped. The characters have also been aged up for Zapped, as the book is not set in high school. Disney Channel films tend to revolve around teenagers and high-schoolers so this made sense for their target audience.

Those tasked with writing Zapped and adapting this source material were Rachelle Skoretz, Matt Eddy, and Billy Eddy. Matt and Billy Eddy went on to co-write the teleplays for other DCOMs, including Bad Hair Day (2015), Teen Beach 2 (2015), and Invisible Sister (2015). More recently, the duo wrote for the Nickelodeon and Paramount+ productions Monster High (2022) and Monster High 2 (2023).

Zapped was first announced as being in production around August 2013, just as Zendaya’s series Shake It Up was about to air its final episodes[1]. Director Peter DeLuise signed up to direct Zapped, having already directed another film that premiered on Disney Channel, 16 Wishes. DeLuise had directed some episodes of the series Kyle XY (2006-09); Stargate Atlantis (2004-09); Stargate SG-1 (1997-2007); and Stargate Universe (2009-11) prior to this new film. DeLuise also starred as Officer Doug Penhall in the series 21 Jump Street (1987-91). DeLuise has some famous family with links to Disney too. His brother David DeLuise was cast as Jerry Russo in the Disney Channel series Wizards of Waverly Place (2007-12) and its 2009 movie. They are sons of comedian Dom DeLuise, who voiced the character of Fagin in Disney Animation’s Oliver & Company (1988). 

Zapped was filmed in Canada, specifically in British Columbia in Summer 2013. Instead of filming within the city of Vancouver itself, the shoot actually took place in and around locations within Vancouver Island and Cowichan Valley. For the high school in Zapped, two locations were used. One was George Bonner Elementary School in Mill Bay, which seems to have been used for the exterior shots, and Frances Kelsey Secondary School, also in Mill Bay, with the school gym being used specifically as the location for the dance routines. Another more obvious filming location was the RnR Diner in Saanichton in British Columbia. This was the location of the Pit Stop diner in the film[2].

Zendaya stated in interviews that, ironically for a film about a girl’s addiction to her phone, she had basically no phone reception whilst filming on Vancouver Island and there wasn’t an awful lot for the actors to do on their downtime. However, Zendaya did say they found some activities to do, like kayaking, whale watching, and bowling at a local bowling alley. She also said there was one movie theatre but it was very small and was only showing the Disney film Planes (2013) and Despicable Me 2 (2013) whilst they were shooting[3].

 But that doesn’t matter because most of the cast were kept busy with their dance routines for the film. Aakomon Jones, also known as AJ, was selected as the choreographer on Zapped. Jones had previously choreographed for such projects as the Pitch Perfect films, the Black Panther films, and Dancing with the Stars, where he worked with Zendaya that same year, in 2013. Jones chose to predominantly use hip hop as the basis for his choreography as he felt it matched what teenagers would be dancing at high school. This style also matched what Zendaya was known for doing on Shake It Up. Jones had rehearsals with the cast and dancers for a week or so, depending on their individual schedules to have them ready for filming, as well as putting on a mini boot camp to ensure everyone was comfortable with what they’d be doing[4]. The cast found the dance rehearsals intense, with even Zendaya saying some of the breakdancing elements included in some of the routines were moves she was unfamiliar with, but that they all had fun and enjoyed working with their choreographer on this film[5].

RECEPTION

Zapped was released on Disney Channel in the US on 27th June 2014, also premiering on the Family Channel in Canada on this same date. It later came to Disney Channel in the UK and Ireland in July, reaching other international channels in the months that followed.

The premiere of Zapped was followed by the premiere of a new series Girl Meets World (2014-17), a spin-off of the ABC series Boy Meets World (1993-2000). Girl Meets World’s first episode was viewed by 5.2 million on this date.

On its Friday night premiere in the US, Zapped was watched by 5.7 million viewers, becoming the No. 1 cable TV telecast among kids 2-11 and tweens 9-14 at the time. Included in that 5.7 million figure were also 1.3 million adults between the ages of 18 and 49 who watched the premiere[6]. Zapped was the top-performing DCOM premiere of 2014, having outperformed the January film, Cloud 9, which had around 5 million viewers, and How to Build a Better Boy, which was August’s premiere and was watched by 4.6 million viewers. Zapped’s viewing figures were quite average for this time, and were nothing outstanding, compared to some of the biggest DCOM premieres of the 2000s.

In terms of reviews, Zapped was felt to be a cute story by those that liked the film. It had some fairly impressive dance routines and was a must-see for any Zendaya fan, of which there will have been many watching Disney Channel at the time. Although it was considered to be pretty similar to other DCOMs that came before it, in regards to the overall story and feel of the film, some did very much enjoy it.

However, there were also plenty of negative comments aimed at Zapped, with most of them aimed at the plot. Some felt that the story was demeaning to boys, and could potentially lead to them feeling ashamed or embarrassed to be themselves, due to the fact the main plot point of Zapped is Zoey’s “need” to change the behaviour of all the boys in and around her life because they don’t fit her requirements. I must say this bothered me as well, mostly because I felt that the actions of all the “gross” boys in the film were over-exaggerated, but also because it wasn’t the boys’ problem that Zoey couldn’t get on with them; that was her problem, something the character did acknowledge by the end of the film, admittedly. Others said the film was full of cliched characters, like the mean girl, the rebel boy being the ex-boyfriend of that mean girl, and a nerd girl being scared to talk to boys. It’s very typical of a teen movie to have these characters, so I can’t blame Disney Channel for running with that idea, in order to appeal to their target audience.

Zapped did win some awards, such as at the Leo Awards, to honour those within the British Columbia film and television industry, seeing as this is where Zapped was filmed. Zapped won three awards here, including Best Direction in a Television Movie for Peter DeLuise; Best Picture Editing in a Television Movie for Richard Schwadel; and Best Television Movie. At the Young Artist Awards, some of the stars of Zapped won awards. These were Samuel Patrick Chu, who played Charlie, and Emilia McCarthy, who played Tayor, winning for Best Performance in a TV Movie, Miniseries, Special or Pilot – Young Actor and Young Actress respectively.

LEGACY

Despite Zapped ending with a scene after the credits that showed two teenagers finding Zoey’s phone open on the dog control app, potentially trying to lead audiences into believing there was more to come from this story, Zapped was never followed up with a sequel. This shouldn’t surprise anyone because it felt like Zapped’s story concluded in that one film; I don’t know how they could’ve pushed the boundaries with that same app in a second film.

This does mean though that, outside of Zendaya’s star continuing to be on the rise after Zapped, first within the Disney circle and then away from it, Zapped has not had much of a legacy. It continued in Disney Channel’s trend of making mostly girl-centric original movies. After Zapped, we got films like How to Build a Better Boy, another science-fiction-inspired film, about a girl having the perfect robot boyfriend; Bad Hair Day, following a girl’s very bad day ahead of her prom; and Adventures in Babysitting (2016), which looked at two very different girls dealing with some tough babysitting conundrums.

After premiering on Disney Channel, Zapped has since been made available to watch on streaming services in this ever-changing world of television. I actually first watched Zapped on the now-defunct service DisneyLife, which was first made available in the UK around 2015. DisneyLife was the best, but was then replaced by Disney+. Disney+ might have more content in general, as it has absorbed other streaming services, like Hulu, than DisneyLife, but it certainly struggles to keep its own properties on there. For example, Zapped was actually removed from Disney+ in the US in mid-2024. The reason for this is unclear, but it was apparently made available to stream on Amazon Prime Video and Peacock in the US instead, but whether that is still the case, I don’t know[7]. Zapped is still on Disney+ in the UK, and therefore, likely to be on some other international versions too.

FINAL THOUGHTS

Although Zoey eventually learns that controlling people isn’t a good thing – no kidding – and learns to accept the boys in her life for how they are, I just find the whole film stereotypical.

Zapped is meant to be a bit of fun, and I get that, but it’s probably not the best idea to be pitting girls against boys on screen, especially when Zapped is aimed at younger kids. Yeah, sure, the boys in Zapped are pretty gross, but they still have their good moments. Zoey doesn’t need to be teaching them a lesson, because teenage boys generally grow out of that sort of stuff, and if they don’t – well, that’s their problem.

My biggest issue with Zapped though was that I never encountered boys this gross whilst at high school. What teenage boy farts directly at a girl at that age? Is this an accurate representation or have I just been lucky not to have experienced this?


REFERENCES

[1] Credit: Michael Ausiello, ‘Exclusive: Shake It Up! Star Zendaya Set to Get Zapped By Disney Channel in 2014’, Yahoo.com, 23rd August 2013.

[2] Credit: Michael D. Reid, ‘Big Picture: Disney role brings Zendaya to Mill Bay’, TimesColonist.com, 26th June 2014.

[3] Credit: Popstar! ‘Zendaya and Spencer Boldman Spill ZAPPED Set Stories!’, Popstar! Official YouTube Channel, 26th June 2014.

[4] Credit: Marjorie Galas, ‘Director and Choreographer Get “Zapped” – An Interview with Peter DeLuise And Aakomon “AJ” Jones’, LA411.com, 20th June 2014.

[5] Credit: Disney Channel, ‘Zapped – Behind-the-Scenes – Dance – Disney Channel Official’, Disney Channel Official YouTube Channel, 13th June 2014.

[6] Credit: Deadline, ‘Disney Channel’s Friday Night ‘Zapped’ & ‘Girl Meets World’ Each Draw Over 5M Viewers’, Deadline.com, 28th June 2014.

[7] Credit: Roger Palmer, ‘“Zapped” Removed From Disney+ (US)’, WhatsOnDisneyPlus.com, 31st July 2024.

Teen Beach 2 (2015)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

Teen Beach Movie had done its job for Disney Channel in 2013.

It had brought back the quintessential Disney Channel musical, with a bright and fun atmosphere, lots of peppy young actors, new songs, and plenty of energetic group numbers. What more could you need or want from a Disney Channel musical?

And Disney had been rewarded, with impressive viewing figures that hadn’t been seen in a few years, and numbers that haven’t been rivalled in the years since. Teen Beach Movie was going to be the start of something bigger for Disney Channel; they’d been waiting since 2010 to create a new, fan-driven musical franchise.

In Teen Beach Movie, the two teenage leads, Mack and Brady, had found themselves transported into the world of the 1962 musical film Wet Side Story, where they interacted with the cast, most notably the film’s two main characters, Lela and Tanner, and had to find a way back home, by disrupting the movie villain’s plans.

The most obvious route for a sequel would be for the Wet Side Story characters to come to the present day. The post-credits scene had even given viewers a hint that this would happen, as they arrive on a beach and find themselves getting to grips with the fascinating technology of smart phones. However, although this is the main plot point of Teen Beach 2, the sequel does not pick up where the post-credits scene left off; you may as well just forget it ever existed. And whilst you’re at it, you might as well forget much of the original film even existed, because there are a lot of changes in this sequel. They seem to have come as quite a shock to Teen Beach Movie’s most ardent fans.

Since I wasn’t a fan of Teen Beach Movie, I expected very little from Teen Beach 2, especially as I’d discovered beforehand that the ending of this sequel was particularly “bad”. Once again, I was disappointed by the sequel’s music, as well as the lack of any central villain in this sequel – boo. The only real “thrill” I found whilst watching Teen Beach 2 was in fact that divisive ending, which was quite a twist, but did completely change everything, and made anything you already knew about the franchise kind of irrelevant.

Come on, Disney, you didn’t know you were setting yourself up for failure there? Or were you trying to give yourself an opportunity to put everything back together – including your young fans’ dreams and emotions that you’d apparently shattered into a million pieces – with a third film? It might just be a movie, but this sequel is controversial! 

PLOT

Teen Beach 2 begins with Mack and Brady celebrating their three-month “meetiversary”. Brady has blind-folded Mack and leads her to the area of the beach where they first met three months earlier, at the start of summer. Brady was watching the beach musical Wet Side Story on his tablet as Mack was walking by, and it prompted a conversation between them, about how Mack thinks those sorts of films are ridiculous and unrealistic. Brady told Mack to watch the movie, and if she didn’t like it, he’d buy her a mango smoothie. Brady has set up an area for them to re-watch Wet Side Story together, which has now become “their movie” after they both got sucked into it some time before.

As a note, it is unclear exactly how much time has passed between the events of Teen Beach Movie and Teen Beach 2, but as Mack and Brady had only met three months before the start of Teen Beach 2, and they must’ve known each other for a few weeks to have developed the close relationship they have in Teen Beach Movie, there could only be a couple of weeks between the two films’ stories. Their relationship has only been going for three months though, which is also a bit short, considering Brady’s angry reaction in Teen Beach Movie to Mack going off to a different school; I thought they would’ve needed to be together longer – not just one summer – to warrant that response. Young love, I guess!

Anyway, after rewatching Wet Side Story, seemingly from the finale of the film, which is a little bit odd – I like to watch films from the start – Mack and Brady go off night surfing. They then talk about how they’re going back to school tomorrow. Although they attend the same school, they did not know each other before the summer, so Brady in particular is worried about how different their relationship will feel once they are back at school this year. Mack doesn’t seem to be so concerned. She then notices that the necklace that she was given by Lela back in the Wet Side Story film has disappeared; she must’ve lost it in the ocean. Disappointed, Mack says they should head back in.

At school the next day, Brady meets up with his surfer pal Devon, and they catch each other up on their respective summers, with Brady telling Devon about Mack. Devon seems pleased he’s found a “beach bunny”, but Brady makes it clear that Mack isn’t as chill and laidback as they are. Mack then meets up with her friend Alyssa. They also talk about their summer vacations, with Alyssa having done a lot of school-related activities over the summer, but she did get to talk to Spencer at one of them, and Alyssa has a huge crush on him. Alyssa also says she’s glad Mack decided to stay at this school, and Mack responds that she’s decided to start an oceanography club and organise a “Save the Beach” dance to make herself feel better about choosing this school over the private school. Brady comes over with Devon, and Mack introduces Brady to Alyssa. Both Devon and Alyssa are surprised to find that Brady and Mack are a couple, despite being so different…

Later, they find themselves in the same class. Here, Mack talks to Spencer about an oceanography college program, whilst Devon and Brady struggle to focus on the class, with Brady more worried about why Mack is talking to Spencer, and Devon choosing just to mix random chemicals together as part of their class experiment; it doesn’t end well! After school, Brady asks Mack if she wants to go surfing with him, but she’s too busy, and asks him to meet her at the college fair later. Brady says he’ll be there.

In the meantime, Brady heads to his private workshop to work on his surfboard designs, something Mack saw him working on in class, although he refuses to tell her about them, thinking she won’t approve of it. He attempts to work on his college application too, but he gives up on that. Brady’s mother comes to the workshop, and sees the application open on the computer. She tells Brady not to stress himself about it too much. She gets the feeling that Brady is actually stressed about him and Mack, telling him it will likely work itself out. Brady then sees he’s late for the college fair. He rushes to get ready and heads over there in the pouring rain. Back at school, he sees Mack and Spencer talking to a college rep, and realises he missed it. The two argue over the fact Mack is just too busy to spend any time with Brady. They fear the worst for their relationship.

Meanwhile, back inside the movie Wet Side Story, Lela and Tanner, the two leads, are attempting to play out the story again. It must be so annoying to constantly be replaying your whole lives, and sure enough, Lela is getting tired of it, and wants things to change. After she finds her and Tanner’s whole “meet-cute”, of Lela falling off a stage and Tanner catching her, too tiresome, she goes to the beach. She tells Tanner she feels differently about everything since meeting Mack, and wants more from her life. Lela sees her necklace has washed up on the beach. She takes it and heads into the ocean, hoping to find Mack and Brady. Tanner goes with her, to make sure she doesn’t get into trouble.

Lela and Tanner resurface on a beach in present day. A passerby asks if they are lost and offers them his phone to use. The two are fascinated by this device, confusing the guy. Mack and Brady are just a little further down the beach, and continue to argue. They see Lela and Tanner coming towards them, and the four reunite, with Lela and Tanner explaining how they got there. They are excited by all the new, cool things in this world, but Mack and Brady know they’ll need to convince them to get home. After all, when Mack and Brady were in the musical, they started to morph into the film’s characters. What will happen to Lela and Tanner if they stay here? Lela goes back to Mack’s house, and Tanner goes with Brady, where they remind them that this world isn’t all that great. Lela and Tanner don’t believe it.

In Wet Side Story, the characters are lost without Lela and Tanner, not knowing what to do now. Butchy, Lela’s brother, takes charge and tells biker girl CheeChee to get up on stage and sing Lela’s song, to keep the story on track. CheeChee is interrupted by surfer Seacat, who ruins the song and causes CheeChee to fall off the stage. That hasn’t worked, and they wonder what to do now. In the background, an extra from the film vanishes…

At school, Tanner seems to fit in well with Brady’s friend Devon, and Lela loves all the classes that Mack takes her to. They are introduced as Brady and Mack’s cousins from Iceland and Finland. Mack and Brady realise even school isn’t putting Lela and Tanner off the real world, so they decide to let them tackle the cafeteria by themselves, hoping that will do the trick. However, despite a group of jocks mocking them, Lela and Tanner simply try to get all the students to smile, leading them in a song-and-dance number.

After school, Tanner finds that Lela is too busy with school work to spend time with him. Brady knows that feeling all too well. Tanner talks to Brady at his workshop about this, wondering what this feeling is that he is expressing; Brady tells him it is worry. Tanner is worried things won’t work out between him and Lela. Brady then shows Tanner some of his surfboard designs, and how he is working on a surfboard that won’t need waves. Tanner thinks it is really cool, and yet, Brady still won’t tell Mack about it. At Mack’s house, Lela says she loves it here, and wants more of a fulfilling life than just being someone’s girlfriend, who waits around for them all the time. Mack tries to tell Lela it can be stressful and not so great in the real world sometimes. She then notices that Lela is starting to look like a normal teenager, and not like her 60s musical character.

Mack rushes to the beach with Lela to meet up with Brady and Tanner to discuss this latest development. They see that Tanner is also becoming normal, losing the sparkle from his teeth, for example. Mack says to Brady the only way to get them to go home is to tell them they are movie characters. Brady warns her to tell them gently, but instead, Mack simply bluntly recounts this fact to them, confusing Lela and Tanner. Mack shows them a clip of their film on her phone, sparking an identity crisis. Mack and Brady try to tell Lela and Tanner that being in a movie is great, because everything always works out in them, but Lela isn’t having any of it. She’s done with her old life and wants to stay here, throwing her necklace into the ocean so she cannot return to Wet Side Story.

In Wet Side Story, Butchy and the rest of the characters are starting to realise that the extras are vanishing. They deduce that their problems didn’t start until Tanner and Lela left so that must be the problem; they’ll need to get them back home. Luckily, Lela’s necklace washes up on the beach and the group charge into the ocean to find them.

On the beach in present day, Mack and Brady argue once again over the Lela-Tanner situation, as they search for Lela’s necklace. They then see the rest of the Wet Side Story cast coming out of the ocean, shocking everyone. The group surround Lela, Tanner, Mack, and Brady, as Lela reiterates that she won’t be going home. Butchy tells Lela that people are vanishing, making Mack and Brady realise that without the lead characters, there is no movie, so everyone will vanish forever if Lela and Tanner don’t return. Sadly, Lela decides she can’t be selfish and she’ll have to go back. The group walk into the ocean and return to their film. Mack and Brady now have no reason to communicate further, and it’s time for Mack to set up for her “Save the Beach” dance anyway. They go off separately.

At the dance, although Alyssa and Spencer seem to be getting along well, Brady and Mack still aren’t talking. Devon comes over to Brady and tells him if he wants to fix things with Mack, he’ll have to do more than just stare at her from across the room! As Brady is about to talk to her, all of a sudden, the Wet Side Story cast burst into the hall. They say they have returned to get Brady and Mack’s relationship back on track. Tanner tells Brady he needs to be more confident in himself, and not hide his true self from Mack. This leads to Brady telling Mack all this – through the medium of song – and the dance lights up in a good-humoured dance battle between the girls and the guys. Brady and Mack reconcile.

However, by the end of the song, Butchy realises that they have to get back to their world right away – before vanishing, with Lela’s necklace. The cast wonder how they’ll get back now. Lela asks how Brady and Mack got to their world the first time. They realise it was the yellow surfboard, so they hand it over to Lela and Tanner to surf back to their world. But there are no waves – and the rest of the remaining cast have now vanished too! They really don’t have much time now. Brady figures out this is the perfect time to make his no-waves-needed surfboard. He gives Tanner and Lela some instructions on what to do with the board, whilst Brady and Mack go to his workshop to get some supplies. Mack sees all Brady’s designs and she thinks they are really cool, not believing he’d hide this from her. They promise not to keep any more secrets from each other.

They head back to the beach and assemble the rest of the board. They see the flower pattern on it sparkle, showing this is the way for Lela and Tanner to return. Lela and Tanner go into the water, whilst Mack and Brady realise they are at the cove where they first met. Mack starts to worry that if Lela and Tanner don’t get back in time and vanish, then the movie will vanish, and that will mean they never met, because Brady won’t have been watching Wet Side Story. Brady tells Mack not to worry; they were “meant to be” after all.

Mack says goodbye to Lela and Tanner before they leave, telling Lela that if she isn’t happy in Wet Side Story, then she should change it, and make it her story. Mack gives Lela one of her “Save the Beach” bracelets, so she’ll remember her. Lela, Tanner, and Brady go into the water with the board, but as Brady goes to start it, he sees that the board won’t start. Brady struggles to access the motor, but finally does, only to discover it’s not working. He needs a small screwdriver or something to fix it. Lela hands him her hairpin to try, as Tanner panics that he is starting to vanish. The pin does the trick and they speed off on the board.

Everything seems great. Brady returns to the beach, and Mack watches as he comes back to her. But then, Brady simply walks past Mack, with just a brief nod of acknowledgement. It’s clear the two have not met – so did Lela and Tanner make it back?

Brady meets up with his friend Devon, and they hear a party going on down by the beach. They decide to crash the party, this being the “Save the Beach” event that they saw being advertised at school. They like the idea of seeing a film on the beach. Mack returns to the party, and helps Alyssa and Spencer, who are seemingly now a couple, sell tickets to the party guests. Brady asks Mack about the projection screen and the outfits. Mack explains it is a 1962 beach party fundraiser, and that the film Lela Queen of the Beach is the movie they’ll be playing, showing that Lela did get back to the film, and she has changed the story to suit her. Brady lightly mocks Mack about her love for this “ahead-of-its-time” film. Mack tells Brady to watch the movie, and if he doesn’t like it, she’ll buy him a mango smoothie – the same thing that Brady said to Mack about Wet Side Story in their original timeline.

Brady waits for the movie to start. Mack introduces it to the crowd, and stands up and does the opening dance number whilst on the back of a pickup truck. The crowd cheer as they see Lela Queen of the Beach start up on the screen. We also see that the whole cast returned, including Tanner and Butchy. Brady laughs at Mack for singing and dancing in front of everyone, before joining in after Mack tells him that sometimes you just have to spontaneously break into song! The party ends with Mack seeing Lela wearing one of her “Save the Beach” bracelets and winking at her through the screen. Brady and Mack dance together, showing that they were destined to fall in love.

CHARACTERS & CAST

After Teen Beach Movie, Mack and Brady have continued their relationship over the course of the summer, but now find themselves navigating their summer romance whilst back at school, however, they discover that they are very different people at school. Brady is carefree and less studious, and him and his friend Devon don’t take school too seriously. He’d rather spend time creating new surfboard designs. Mack, on the other hand, is incredibly focused on her studies, like her friends Alyssa and Spencer, who are already planning for college. Mack and Brady reunite to deal with Lela and Tanner arriving in their world, trying to dissuade them from staying there, although in order to do this, Brady would rather gently tell them that they are just characters in a movie, whereas Mack just rips the band-aid right off! This causes a divide between them that the Wet Side Story cast have to try and fix; to have them come back together and realise they are a good couple, despite their differences. Then they end up not ever meeting after Lela changes the story of the musical, but they still meet anyway, just a few months later, showing they were always destined to be together. Maia Mitchell and Ross Lynch returned to play Mack and Brady.

Lela and Tanner, the two leads of Wet Side Story, have gone back to living their lives within the movie after the events of Teen Beach Movie. They’ve found each other, so Lela should be happy…but she’s not. Instead, Lela finds herself rejecting her conventional musical character’s story, wanting more for herself. When she sees her necklace, that she gave to Mack at the end of their time in Wet Side Story, has washed up on the beach, she decides to go to Mack’s world, to find herself. Tanner goes with her, to keep their relationship on track. In the real world, both Lela and Tanner think it’s a wonderful place, wanting to stay forever, and ignoring Mack and Brady’s attempts to tell them otherwise. Lela in particular loves it there, because she can be smart, independent, have a voice, and make her own choices. Tanner likes it too, although he is concerned that he and Lela want different things and could end up drifting apart. When they learn that her fellow cast members are disappearing because her and Tanner aren’t there, Lela accepts she’ll have to go back. Mack gives her some parting advice, to change the musical to suit her, not make herself conform to it, and that is how the new film Lela Queen of the Beach came to be. Garrett Clayton and Grace Phipps reprised their roles as Lela and Tanner here.

Much of the other cast members from Teen Beach Movie returned for Teen Beach 2 as well, including the other bikers and surfers, although this time they are all friends, and there is no segregation between the two groups. They find themselves shocked by Lela wanting to go “off-script” at various points in the film, and can’t understand why she wouldn’t be carrying on as normal. The cast are completely helpless without Lela and Tanner, and when they discover that the absence of the leads is making the rest of the cast disappear, they come together once again to get Lela and Tanner to return home.

With Tanner and Lela gone, and the movie’s plot going off the rails, Butchy, Lela’s brother, tries his best to act as the new leader of the cast. For example, he encourages everyone to keep calm and just try and carry on with the story, so he gets fellow biker CheeChee to get up on the stage at Big Momma’s and sing Lela’s song from the film, “Falling For Ya”, except this is a very different version of the song and it does nothing to help them. When Butchy and the others discover cast members are vanishing all over the place, he knows they’ll need Lela and Tanner back. Luckily, Lela’s necklace washes up on the beach again and they use that to get to present day – although Butchy needs some coaxing to get into the water, as he is scared of everything apparently, including water. Butchy is the first one of the main cast to vanish, after returning to the real world to help Mack and Brady, taking the necklace with him. But he returns to have a role in Lela Queen of the Beach, so he was fine! John DeLuca returned to play the role of Butchy in this sequel.

In amongst the rest of the cast, we have CheeChee and Seacat, Lugnut and Giggles, and Rascal and Struts. All of them appeared in Teen Beach Movie, although since the majority of the story revolved around Mack, Brady, Lela, and Tanner, they didn’t get much of screen time for themselves. This time, though, many of them had greater roles to play.

CheeChee is asked by Butchy to perform Lela’s song, which Seacat then takes over. CheeChee is loyal to Butchy and her fellow cast, and is a tough girl, not afraid to push others out of her spotlight – however, it would seem that with Tanner gone, Seacat wants to be front-and-centre of something for a change, so when Butchy disregards Seacat to perform Lela’s song, choosing CheeChee instead, he feels he has no choice but to force his way into the song, making for quite a comical scene! CheeChee is also one of the group to confirm that she has seen people vanishing from the beach. She ends up being the last of the side characters from Wet Side Story to vanish.

CheeChee was played by Chrissie Fit. Fit went on to be cast as Florencia “Flo” Fuentes in Pitch Perfect 2 (2015) and Pitch Perfect 3 (2017), before landing recurring roles as Kelly in I Know What You Did Last Summer (2021) for Amazon Prime Video, based on the film of the same name, and as Melania in Awkwafina Is Nora From Queens (2020-23).

Jordan Fisher was cast as Seacat, who went on to land the recurring role of Holden in the Disney Channel series Liv & Maddie (2013-17) around the time of Teen Beach Movie. He also won Season 25 of Dancing with the Stars (2005-present) in 2017. Since his time with Disney, Fisher has had much success in both screen and stage productions. In film, he played John Ambrose McClaren in To All The Boys: P.S. I Still Love You (2020) for Netflix. On stage, Fisher replaced Anthony Ramos as John Laurens/Philip Hamilton in Hamilton on Broadway in 2016, and was cast as Orpheus in the 2019 Broadway production Hadestown, before starring in the lead role of Dear Evan Hansen from 2020 to 2022. In 2026, Fisher was cast as Seymour in the Off-Broadway production of Little Shop of Horrors.

Like CheeChee, Lugnut also confirms that people are vanishing from the film, and tries to tell Butchy about it, although he is so scared by this that he can’t get his words out to tell everyone. Everyone sees for themselves shortly after anyway. He and Giggles also try to distract the cast from their struggles and boredom whilst Lela and Tanner are away. When Butchy wonders what they should do, Lugnut suggests a rumble, but Butchy discounts that, choosing to get CheeChee to recreate Lela’s song. When that doesn’t do anything for the story, Giggles then shakes her hips, as she did in Teen Beach Movie a lot too, with the fringing on her outfit distracting everyone from their troubles for a moment or two!

Lugnut was played by William T. Loftis, who was part of the choreography team that worked on the film adaptations Wicked (2024) and Wicked: For Good (2025). Giggles was played by Mollee Gray, who had been a dancer in the High School Musical trilogy.

Finally, within the rest of the Wet Side Story cast, there is also Rascal and Struts. Struts was one of the biker girls, so named because of the bright pink heels she struts around in. Rascal was one of the cool surfer dudes, and has continued to be like that, by going with the flow with everything. These two, along with the rest of the characters, come to Mack and Brady’s world to retrieve Lela and Tanner, before returning again to fix Mack and Brady’s relationship. They also vanish, later coming back as part of the new film Lela Queen of the Beach. Although it is very different to Wet Side Story, the whole cast seem happy and comfortable with their new roles in the movie.

Struts was played by Jessica Lee Keller, who went on to be part of the ensemble in Rent: Live (2019). Rascal was played by Kent Boyd, who was the runner-up in Season 7 of So You Think You Can Dance (2005-24) in 2010, and had a recurring role as Jordan in the ABC Family series Bunheads (2012-13).

There are also some new characters in Teen Beach 2. One of these is Mack’s friend, Alyssa. Like Mack, Alyssa is very studious and throws herself into extracurricular activities even when she is not in school. For example, Alyssa’s summer consisted of science camp, a student government conference, and a college tour. And at that student government conference, she got to spend time with Spencer, who, Alyssa thinks, is the cutest boy in school. Alyssa is very happy that Mack has returned to school and didn’t go off to prep school. She seems a bit surprised that Brady is Mack’s boyfriend, as he doesn’t even have a school bag, and came to school in flip-flops, but Alyssa doesn’t spend the whole movie trying to warn Mack off Brady – because she is too busy with her classes, and trying to figure out how to talk to Spencer without being so awkward!

Alyssa was played by Piper Curda. Prior to Teen Beach 2, Curda had been cast as Kumiko Hashimoto in Season 3 of the Disney Channel series A.N.T. Farm (2011-14), going on to star as Jasmine Kang in the series I Didn’t Do It (2014-15), also for Disney Channel. Since then, Curda has secured a recurring role as Kira Yu in the CBS series Matlock (2024-present), which stars Kathy Bates, and voiced the main role of Mabel Tanaka in Pixar’s Hoppers (2026). Curda also appeared as Honor Atherton-Yoo in the film May December (2023), which starred Natalie Portman and Julianne Moore.

Spencer is Alyssa’s love interest in Teen Beach 2, but is also a friend of Mack’s, as he tells her about an oceanography college program she might be interested in, even going to the college fair with her to speak to a college rep about it. He wants to help Mack with her oceanography club too, by combining forces with his Environmental Studies Society. Spencer later asks Alyssa to dance at the “Save the Beach” dance, and in the new timeline at the end of Teen Beach 2, he is seemingly in a relationship with Alyssa.

Ross Butler was cast as Spencer. Around this time, Butler was cast in the recurring role of Brett Willis in the Disney Channel series K.C. Undercover (2015-18), which starred Zendaya. Butler then starred as Zach Dempsey in the Netflix series 13 Reasons Why (2017-20). Following on from that, Butler appeared as Eugene Choi in the superhero film Shazam! (2019) and its sequel Shazam! Fury of the Gods (2023). Butler was also cast as Trevor in To All the Boys: P.S. I Still Love You and its sequel To All the Boys: Always and Forever (2021), part of the To All the Boys film franchise on Netflix.

Devon is Brady’s best friend, and he is a chilled-out surfer, who isn’t very focused in school, like Brady, and just wants to be surfing any time he can, like Brady. Like Alyssa, Devon is a bit surprised that Brady is going out with a studious, smart girl like Mack, even if she can surf, but he also doesn’t get involved in their relationship, or try to convince Brady that Mack isn’t right for him. Instead, Devon encourages Brady to fix things with Mack at the dance, which works out. At the end of Teen Beach 2, in the new timeline, Devon is also the reason that Brady goes to the “Save the Beach” party, where he meets Mack, so although Devon is not overly present in Teen Beach 2, his actions make a huge difference to the film.

Devon was played by Raymond Cham Jr. He went on to voice the character Mark Walker in the Disney Channel and Disney XD series Mech-X4 (2016-18) shortly after Teen Beach 2, and was cast as CJ in the teen drama web series Five Points (2018-19). More recently, Cham Jr. was cast as Wolf in the sitcom Sort Of (2021-24). He also recently played Urkel in the Hulu series Paradise (2025-present).

Finally, we have Brady’s mother, who makes a brief appearance in Teen Beach 2. She shows up at Brady’s workshop after his difficult first day back at school. She seems supportive of both Brady’s surfboard creations and his relationship with Mack, encouraging her son to talk to him about it all. Brady isn’t particularly forthcoming with his thoughts and feelings though, but his mother does say that she thinks it’ll all work out.

Brady’s mother was played by Beth Lacke, who went on to be cast in another Disney Channel Original Movie, as Diane in Christmas…Again?! (2021). She was also cast in the recurring role of Lynne Bowen in High School Musical: The Musical: The Series (2019-23).

MUSIC

As Teen Beach 2 mostly takes place in present day, the soundtrack of Teen Beach 2 consists of more contemporary music styles, although there are still a few sequences that take inspiration from the 60s within this film.

One of these is “Best Summer Ever”, which Mack and Brady watch together to celebrate three months since they last met. It also represents Brady and Mack’s mood as they say goodbye to a great summer. This song sounds like a lot of other Disney Channel musical opening songs, but I don’t mind this one. The only strange thing about it is that Mack and Brady choose to start watching Wet Side Story from this point, even though “Best Summer Ever” seems to be the finale song of Wet Side Story! “Best Summer Ever” was written by Matthew Tishler and Amy Powers, and was performed by the main cast, including Ross Lynch as Brady; Maia Mitchell as Mack; Grace Phipps as Lela; and Garrett Clayton, who got to sing for Tanner in Teen Beach 2, after Spencer Lee sang for the character in the first film. John DeLuca also got to sing in Teen Beach 2, after Butchy’s vocals were provided by Jason Evigan in the first film.

Following on from that a little while later, Brady and Mack get into an argument after Brady misses the college fair. Brady goes back to his workshop and records a song to deal with his frustrations and worries for their relationship. This song is “On My Own”, which was written by Ross Lynch, Riker Lynch, Rocky Lynch, Ellington Ratliff – four of the five members of the band R5 – and Evan Bogart, and was performed by Lynch.

When Lela and Tanner arrive into Mack and Brady’s world, they are so fascinated by everything that they end up singing the song “Right Where I Wanna Be”, detailing everything that they love about being in this place they’ve been in for just a few minutes. It’s a super cheesy song, something that they should’ve left back in Wet Side Story – but Lela and Tanner don’t know any better, I suppose! “Right Where I Wanna Be” was written by Adam Schlesinger, and was performed by Clayton and Phipps.

Back in Wet Side Story, the rest of the characters struggle to figure out what to do without Tanner and Lela, so Butchy tells CheeChee to get up and sing Lela’s song “Falling for Ya”. However, CheeChee has her own style and it is very different to Lela’s so the song gets changed up, from a romantic ballad into a faster version of this song, which sees CheeChee and Seacat battle for control of the microphone. “Falling for Ya” was my favourite song in Teen Beach Movie. This version of the song isn’t bad, but I don’t feel it is as good as the original. “Falling for Ya” was performed by Jordan Fisher and Chrissie Fit here.

At Mack and Brady’s school, Tanner and Lela are trying to fit in with their new surroundings, and Tanner struggles to do that. Playing in the background as Tanner struts down the hallway in his very Tanner way is the song “Wanna Be with You”. It is therefore not performed by a character in Teen Beach 2. “Wanna Be with You” was written by Sam Hollander, Josh Edmondson and Charity Daw and performed by Jordan Fisher.

Later, as Tanner and Lela see that some people in high school aren’t so happy, after they are teased by jocks, they decide to try and change things in the only way they know how – with a song! “Twist Your Frown Upside Down” sees Lela and Tanner, with Mack and Brady’s help, eventually get everyone singing and dancing with a big smile on their faces. It was written by Jeannie Lurie, Aris Archontis, and Chen Neeman, and was predominantly performed by Phipps, Clayton, Mitchell, and Lynch.

“Silver Screen” is the song that Brady and Mack sing to Lela and Tanner after Mack kills all their dreams by telling Lela and Tanner that they aren’t real people, and are actually just characters in a movie, making them realise that they don’t belong in Mack and Brady’s world. This song tries to soften the blow, by telling them that being in a movie is great, because everything always works out, whereas the real world can be messy and unpredictable. Sadly, the song does nothing to sway Lela and she is determined to stay. “Silver Screen” was written by Jeannie Lurie, Aris Archontis, and Chen Neeman, and was performed by Lynch and Mitchell.

Quite a while later, at the “Save the Beach” school dance that Mack has organised, “Rescue Me”, written by Tanner “Augie Ray” Underwood, Jintae Ko, and Sabrina Carpenter, and performed by Carpenter, is playing. At this point in the film, Spencer has asked Alyssa to dance with him as this song is playing. “Rescue Me” is another song not performed by any character in Teen Beach 2.

Shortly after that, the cast of Wet Side Story appear back in present day to encourage Brady to fix things with Mack. This leads Brady to get up on stage and sing “Gotta Be Me”, saying how he is going to be himself and hopes that is enough for Mack. Mack and the rest of the cast join in with the song. “Gotta Be Me” leads to Mack and Brady reconciling, as Brady falls into Mack’s arms. “Gotta Be Me” was written by Niclas Molinder, Joacim Persson, Johan Alkenas, Charlie Mason. This group number was performed by the cast. The cast even performed this song on Dancing with the Stars on 12th May 2015.

The romantic song “Meant to Be”, which first featured in Teen Beach Movie, not once, not twice, but three times, gets another reprise in Teen Beach 2. This time, it is a slower, more melancholic version of the song, as Mack and Brady wonder whether they’ll forget about each other if Lela and Tanner don’t get back to Wet Side Story in time. Lela and Tanner also sing this song, as they consider their relationship as well. “Meant to Be (Reprise 3)” is therefore performed by Lynch, Mitchell, Phipps, and Clayton.

To round off Teen Beach 2, the group finale song is “That’s How We Do”, which is a song from Lela Queen of the Beach, with Mack recreating the dance and singing along to it for all the people at her “Save the Beach” party. The random words they sing in the chorus are apparently meant to imitate the sound of a soda can being opened – but you could also say it is a rip-off of Grease’s “We Go Together”[1]. I personally think it’s the latter. Unfortunately, although I think “That’s How We Do” is a ridiculous song, it is catchy and the stupid chorus keeps getting stuck in my head… “That’s How We Do” was written by Mitch Allan, Dan Book, Nikki Leonti and performed by the main cast.

The End Credits song for Teen Beach 2 is “Starting Over”. It was written by Bobby Huff and was performed by R5, Ross Lynch’s band at the time. Despite not being a song that features within the main film, I actually think it’s pretty good.

So, that is the main soundtrack of Teen Beach 2, with the new original songs. It is also worth mentioning that two songs from Teen Beach Movie play during Teen Beach 2, during the portions of the film where Brady is playing Wet Side Story in the background whilst he is in his workshop. The first is “Surf Crazy” and the second is “Falling for Ya”. These clips take the audience into the film to see what the Wet Side Story cast are up to.

Outside of that, there are some uncredited songs used as background music during Teen Beach 2 as well. The first is “Beat Roadrunner” by Mark Roberts and John Powell. Excerpts of this song are used twice, as Brady’s friend Devon arrives to school, and then whilst Devon is goofing around in class. You can also hear a song called “Now I Know Just What I Want” as Brady rushes to get to the college fair to meet Mack. It seems to have come from a Turkish television series called Meleklerin Aşki. Following that, whilst Mack talks to Lela in her room, Mack plays some music. It goes with general techno-style music, into “So In Love With You” by Joey Diggs. Finally, the song “Trampoline” by Latch Key Kid is playing during Mack’s party at the end of Teen Beach 2. It is also played briefly by the band at the dance, before “Rescue Me” plays.

The soundtrack for Teen Beach 2 was released on 23rd June 2015, a few days before the film’s premiere. It topped the US Billboard Top Soundtracks and US Billboard Kids Albums charts, and peaked at No. 10 in the US Billboard 200 chart[2]. Teen Beach 2’s performance in the Billboard 200 chart was still good, but was not as impressive as the No. 3 spot that the Teen Beach Movie soundtrack occupied in 2013. However, a song from Teen Beach 2 was nominated for Choice Music: Song from a Movie or TV Show at the Teen Choice Awards, which Teen Beach Movie did not achieve. This song was “Gotta Be Me”. It lost out to “See You Again” by Wiz Khalifa, featuring Charlie Puth, from Furious 7 (2015).

Composer David Lawrence was back to work on the score for Teen Beach 2, having composed the score for Teen Beach Movie.

PRODUCTION

Teen Beach Movie was the hottest film of 2013 – on Disney Channel. It had achieved better viewing figures than any Disney Channel Original Movie had since 2009, and it was the perfect summer musical to suit the channel’s target audience.

So, naturally, Teen Beach 2 was coming to the channel, although it was not officially announced until April 2014, nine months after Teen Beach Movie had premiered. The announcement was apparently made during Ardy’s Pre-Show Party at the Radio Disney Music Awards on Saturday 26th April 2014. It was confirmed that the original cast would be returning, with a brief outline of the plot stating that the Wet Side Story characters would be appearing in Mack and Brady’s world. Its premiere date was set for some time in 2015[3].

It wasn’t just the main cast that were back; so was director Jeffrey Hornaday. Robert Horn also returned to work on the story, having written the screenplay with Vince Marcello and Mark Landry for Teen Beach Movie. Horn worked alongside Dan Berendsen to come up with the story for Teen Beach 2. Berendsen has a history of working on the screenplays for Disney Channel Original Movies. His credits include writing the screenplays for Eddie’s Million Dollar Cook-Off (2003); Twitches (2005) and Twitches Too (2007); Wizards of Waverly Place: The Movie (2009); and Hannah Montana: The Movie (2009).

The actual screenplay for Teen Beach 2 was credited to Matt Eddy and Billy Eddy, who have both co-written other DCOMs, including Zapped (2014), Bad Hair Day (2015), and Invisible Sister (2015). More recently, the duo co-wrote the Nickelodeon and Paramount+ movies Monster High (2022) and Monster High 2 (2023).

The cast and crew were also back in Puerto Rico to film Teen Beach 2. Once again, many of the scenes were filmed outside on the beach. Most of the beach scenes were filmed in Fajardo on the east coast of the island, as they had been in Teen Beach Movie[4]. The film also returns to sets like Big Momma’s within Wet Side Story, however, there were a couple of new locations in this film, with the most important being Mack and Brady’s high school, Windy Bluff High School… Why would anyone name a school that, even a fictional one? The filming location for this high school appears to be Robinson School in San Juan, Puerto Rico. The exterior of the building is clearly visible in the opening scenes of the school.

The cast were excited to be back, knowing that Teen Beach 2 had to be bigger and better. This meant harder and tougher dance routines for the many musical numbers. This time, dance rehearsals were said to have taken place for eight weeks prior to filming beginning, with choreographer Christopher Scott working with the young cast again.

“Best Summer Ever” was apparently the most rehearsed, as it involved lots of props, including frisbees, coconut drinks, and sunglasses, as well as a lot of partner work. This dance takes place on the sand, which was tough for some of the cast to deal with, as the sand was really hot at times, and it also isn’t that easy to dance on anyway! “Gotta Be Me” was the cast’s favourite one to be a part of, as it was a whole group number with everyone in the same place, which doesn’t happen often in either Teen Beach Movie or Teen Beach 2. To match the more modern musical styles in the soundtrack of Teen Beach 2, there were more modern dances included, however, “That’s How We Do”, which is the finale number for Teen Beach 2, and is reminiscent of the 1960s beach musical style again, there are numerous dance steps mentioned that are inspired by those types of steps popular in the 60s, like the Pony and the Mashed Potato, encouraging people to dance along. In Teen Beach 2, these include the Milkshake, the Wiggle Worm, and the Praying Mantis[5].

The costume designer on Teen Beach 2 was Anthony Tran. Tran had also worked on the costume designs for Disney Channel series, such as Mighty Med (2013-15) and Andi Mack (2017-19). More recently, Tran worked as a costume designer for the series How I Met Your Father (2022-23) and Star Trek: Discovery (2017-24). Some of the characters had similar costumes as they had in Teen Beach Movie, such as Butchy in his leather outfit, and Giggles in her fringe costumes. These Wet Side Story characters still kept their 60s-inspired clothing, however, other characters go on a journey, like Lela, who starts off in her movie outfits, and gradually becomes more normal, ending up wearing a simple white top with a checkered shirt over the top, showing her progressing from a 1960s character to a regular present-day teenager. At one point, Lela does wear an outfit reminiscent of Jackie Kennedy’s pink suit. Tanner also wears a recreation of the red jacket that was made iconic by James Dean in the final number of the film[6].

RECEPTION

After a red-carpet premiere for the film on 22nd June 2015, attended by the cast, Teen Beach 2 premiered on Disney Channel in the US on 26th June 2015, coming to other Disney Channels internationally over the next few weeks.

As Teen Beach Movie had proven to be popular, with viewership and reviews alike being considered highly positive, it was hoped that the same would be achieved by Teen Beach 2. After all, it’s always expected that the first sequel in a musical DCOM franchise is going to be bigger and better than the original – although this doesn’t always mean a big jump in viewership between the sequel and the first film. High School Musical 2 (2007) reaching 17.2 million views, compared to High School Musical’s 7.7 million in 2006, was an anomaly. Similar viewing figures is acceptable for a sequel.

In 2013, Teen Beach Movie premiered to 8.4 million viewers. However, in 2015, Teen Beach 2’s premiere was only seen by 5.8 million viewers, but still with a large showing for the demographics Kids 6-11 and Tweens 9-14. That’s not to say this figure of just under 6 million was bad, because it wasn’t; in fact, this was slightly above average at the time, with the DCOM premiere preceding Teen Beach 2, Bad Hair Day, only being viewed by 4 million. However, it is clear to see that, for some reason, Teen Beach 2’s fan turnout was considerably less than the turnout the first film had just two years before. Higher viewing figures for Teen Beach 2 were swirling around numerous news outlets around the time of the premiere, which used additional days’ worth of viewing figures – the same happened with Teen Beach Movie – however, as this type of data was not widely publicised for all DCOMs, it is much fairer to solely compare them by their premiere viewing figures[7].

Teen Beach Movie sits within the Top 10 Highest-Rated DCOMs of all time, and was the only Disney Channel movie to be released in 2013, so it was the most-watched DCOM of 2013. Teen Beach 2 has neither of these accolades to its name. Its viewership of 5.8 million was nowhere near enough to reach that Top 10 list – 10th position is held by Phineas and Ferb the Movie: Across the 2nd Dimension from 2011, with 7.6 million viewers – and it was not the only Disney Channel movie to premiere in 2015, so was not the most-viewed DCOM of that year. The film to do that was actually another Disney Channel musical, and one directed by Kenny Ortega of High School Musical fame: Descendants. Descendants was viewed by 6.6 million on its premiere, so, granted, not that much more than Teen Beach 2, however, it spanned a major franchise. Descendants simply outshone Teen Beach 2.

Descendants also had better reviews overall, from critics and audiences, than Teen Beach 2. Critics were kinder to Teen Beach 2 than viewers were, which is odd for a Disney Channel movie, which tend to be cruelly criticised by critics, who seem to expect too much from this type of film, but are warmly received by the average viewer.

In this case, Teen Beach 2’s controversial ending was the main issue for fans. It saw Brady and Mack forget each other due to the fact Wet Side Story, the musical they had initially bonded over, was changed by Lela to become Lela Queen of the Beach, causing Brady and Mack to meet later, and completely undo any of the events from Teen Beach Movie and most of the ones from Teen Beach 2. By having this ending, Teen Beach 2 had managed to alienate its own fans, with those who hated this ending feeling that Teen Beach 2 completely ruined Teen Beach’s legacy. It even opened up a major plot hole, because, as we learnt in Teen Beach Movie, Mack was supposed to go to Dunwich Preparatory Academy for her second-half of high school, something she’d agreed with her aunt years before. She only didn’t go to that school because of Brady, so it could be argued that Mack would not have still been at the same school as Brady by the end of Teen Beach 2, since they hadn’t met and she no longer had a reason or motivation not to go, so they wouldn’t have met anyway. Her and Brady’s visit to Wet Side Story also made Mack rethink her school choices, but she wouldn’t have done that as that film no longer existed.

Many also disliked the fact that parts of the film were left unexplained, for example, how did Lela change Wet Side Story, and why was she the only one able to do that? Did the other characters not have any say in this change to their story? It was also pointed out that if there was no Wet Side Story, then Mack and Brady couldn’t have gone into it, which was the catalyst behind Lela feeling lost in her movie world. Without those two arriving, it is likely that Lela would never have felt empowered to change the film, so it wouldn’t have become Lela Queen of the Beach. This is the problem when you start messing about with the idea of multiple timelines on screen; it opens up a lot of plot holes and issues that viewers are only too happy to point out. For me, I hadn’t considered many of these plot holes when I was watching the ending of Teen Beach 2. I actually felt the ending made some sense, and for those that want that “fairytale ending”, you should consider the fact that Mack and Brady met without Wet Side Story, signalling that they were always meant to be together; it was fate, or destiny, or whatever. But reading these plot holes now, the fans were quite right to point these out. I just didn’t care enough about the movie to notice at the time!

But it wasn’t all bad for Teen Beach 2, as there were still plenty of positive comments about the film, with some saying the sequel was still enjoyable and fun, even if they felt the first film was better. Teen Beach 2 had some good music, and retained the same atmosphere and energy that made it a great summer movie for kids, tweens, and teens.

With this in mind, it would make sense that Teen Beach 2 was recognised at the Teen Choice Awards in 2015. Both Ross Lynch and Maia Mitchell were nominated here, in the categories of Choice Summer TV Star: Male and Choice Summer TV Star: Female. They both lost out to two of the cast from the series Pretty Little Liars (2010-17): Tyler Blackburn, who played Caleb Rivers, and Ashley Benson, who played Hanna Marin. But Teen Beach 2 did win the award for Best Sound Editing – Long Form Musical in Television at the Motion Picture Sound Editors Awards, beating out Descendants, as well as a win for Music Technician Richard David Brown, who worked on Teen Beach 2.

LEGACY

Just like Teen Beach Movie, Teen Beach 2 was promoted in a variety of ways, through the use of merchandise, its CD soundtrack, and its DVD release. The DVD release even included a replica of Lela’s necklace from the film.

Outside of this, Teen Beach 2 also got another beach party at Walt Disney World’s Typhoon Lagoon, which followed the same general idea as the beach party that had existed in 2013 to promote Teen Beach Movie. This time the Teen Beach 2: Beach Party event was part of the resort’s 2015 Coolest Summer Ever celebration, and ran from 22nd May to 5th July 2015. It once again included beach-themed games for guests to play, like limbo, hula hooping, and a water balloon toss, as well as new music from the sequel being played, and dancers on hand to teach the new choreography to guests. The main cast, of Ross Lynch, Maia Mitchell, Grace Phipps, and Garrett Clayton, also made an appearance at Typhoon Lagoon for the first beach party on 22nd May 2015.

However, with a new musical franchise to promote, Teen Beach 2 was passed over for an appearance at the Walt Disney World Christmas Day Parade in 2015, whereas the cast had been invited to perform two songs from Teen Beach Movie in the 2013 parade. In 2015 though, the Descendants cast performed instead. The Descendants cast were also at the D23 Expo in August 2015, but so were the Teen Beach 2 cast, where they went on stage to do a dance tutorial. They also met fans and gave interviews to further promote the film.

The big question was: would there be a Teen Beach 3? Fans were eager for a third film, if only to correct Teen Beach 2’s ending. They wanted a whole movie to get Mack and Brady to remember Wet Side Story and everything that had come afterwards. To be honest, I think that would’ve just opened the films up to even more plot holes. Sometimes it’s best to just leave things alone! The cast were asked about a third film. They said they had not heard that there were discussions going on about it, but said they would likely return for it, and hoped it might get a theatrical release, like High School Musical 3: Senior Year (2008)[8].

By the time 2016 had rolled around though, and Teen Beach 3 was still not announced, fans started to lose hope. The actors were getting older and were moving away from their Disney projects. Even Ross Lynch, the youngest of the main cast, was showing intentions of leaving Disney, as the fourth and final season of his show, Austin & Ally (2011-16), finished airing in January 2016. It would seem Teen Beach 3 was not going to happen.

Since 2025 though, there have been rumours flying around online that a Teen Beach 3 is in development. Some said it was being developed alongside Camp Rock 3, which was formally announced in September 2025. However, Teen Beach 3 has still not been confirmed. I personally am doubtful that this third film will ever happen and do not want it to exist – but I also know this is Disney, so anything is possible. Every week, they seem to announce some new film or something, and it nearly always annoys me…

FINAL THOUGHTS

Teen Beach 2 was the much-anticipated sequel after Teen Beach Movie made a splash when it came to Disney Channel. It was thought this would be the start of a new musical franchise that could have three, four, or more films.

However, for whatever reason, its viewing figures were not as good, despite a similar level of promotion and much of the same cast. It would then be eclipsed by Descendants, which premiered just a month later – and that franchise has hit more than four films. Ouch. But I think the ending is really what let this sequel down, irritating its most dedicated fans, something no sequel should ever do or risk tarnishing its legacy.

Frankly, if you really love Teen Beach Movie, then you may as well just ignore Teen Beach 2 completely. Sure, the same amount of hard work and commitment from the cast and crew was put into Teen Beach 2, but if you’re going to mess around with timelines to the point that nobody can make any sense of it and it creates untold levels of annoyance and anger as viewers find plot hole after plot hole, then it’s not worthy of being watched.

Just give yourself a break from the stress of it all. Take a deep breath, clear your mind, and forget Teen Beach 2 ever existed – or is that Wet Side Story that never existed?

I’m sorry. Did that touch a nerve?


REFERENCES

[1] Credit: Disney Channel, ‘‘Teen Beach 2’ Cast Dance Rehearsals’, Behind the Fact YouTube Channel, 30th December 2016.

[2] Credit: Keith Caulfield, ‘Billboard 200 Chart Moves: ‘Teen Beach 2’ Bounds Into Top 10’, Billboard.com, 4th July 2015.

[3] Credit: Disney, ‘Disney Channel Set to Begin Production on ‘Teen Beach Movie 2’’, TheWaltDisneyCompany.com, 27th April 2014.

[4] Credit: Discover Puerto Rico, ‘Seeing is Believing: Experience Film Locations in Puerto Rico’, DiscoverPuertoRico.com, date unknown.

[5] Credit: Disney Channel, ‘‘Teen Beach 2’ Cast Dance Rehearsals’, Behind the Fact YouTube Channel, 30th December 2016.

[6] Credit: Disney Channel, ‘Inside the Fashion I Teen Beach 2’, Disney Uploads YouTube Channel, 11th June 2015.

[7] Credit: Patrick Hipes, ‘‘Teen Beach 2’ Ratings Ride Live+3 Wave’, Deadline.com, 1st July 2015.

[8] Credit: Avery Thompson, ‘‘Teen Beach 2’ Cast Reveal Hopes For 3-D Sequel – Interviews’, HollywoodLife.com, 26th June 2015.

Hannah Montana: The Movie (2009)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

For years, Disney has been known for creating series and movies that capture the imagination of kids, tweens, and teens, with some of these eventually being forgotten as time passes by, whereas others become iconic and fondly remembered even decades later. Hannah Montana (2006-11) is just one of these that has remained in pop culture.

There was just something about 2006 for the Disney Channel. They had a huge hit on their hands at the start of the year when High School Musical premiered on the channel, becoming a major franchise from the outset, so imagine the executives surprise when they got another big success, this time from a television series, a couple of months later, with the first episode of Hannah Montana airing in March 2006.

This series, starring Miley Cyrus, about a teenage girl being a regular kid whilst juggling her secret double life of being teen pop star Hannah Montana had driven a large demographic of kids, not just in North America, but across the world, to become obsessed with the show, its music, its characters, and its actors. This was “Hannah Mania”, and the fans would only become more involved as the years when on, with the CDs, concerts, and new seasons that followed. So, what did it need now? Its own movie, of course.

Following in the footsteps of The Lizzie McGuire Movie (2003), in 2009, Hannah Montana: The Movie became only the second theatrically-released movie based on a Disney Channel series, and was also the second theatrically-released movie for the Hannah Montana franchise after its Best of Both Worlds Concert Tour, and the third theatrically-released Disney Channel film after High School Musical 3: Senior Year (2008). This was big business.

I watched the series Hannah Montana when it first premiered, and used to watch it every morning before school along with The Suite Life of Zack & Cody (2005-08) for a couple of years. My mum even had a friend come and stay with us once who was “forced” to watch Hannah Montana too one morning, but luckily, she didn’t mind as she was a fan of Billy Ray Cyrus, who played the main character’s father, and is Miley Cyrus’ father.

Eventually, my interests wandered from Hannah Montana sometime around Season 3, so although I had been an avid watcher for a little while, I had moved on to other shows like Sonny with a Chance (2009-11), meaning I missed out on most of the last season, and missed out on Hannah Montana: The Movie. I didn’t think much of the film at first, but gradually came to quite like it, as the film got going and I got used to the new setting.

PLOT

Hannah Montana: The Movie begins, naturally, with a Hannah Montana concert. As legions of fans descend on the venue, all should be calm backstage. Robby Ray Stewart, father of Miley Stewart, who happens to be living a double life by being Hannah Montana, sits beside Hannah’s wig, but he keeps looking at the time. And that is because Miley is not here!

 Miley and her best friend and confidante Lilly Truscott are actually outside, in amongst the crowds of fans trying to get inside. They push towards the ticket agent, saying they are “on the list”. The worker ignores them, and they find themselves at a loss as to what to do next. Then, they clock an unattended golf cart, used by security. They commandeer the golf cart and drive through the backstage areas, being chased down by the security guards. Eventually, they make it to Hannah’s dressing room, and Robby Ray lets them inside, calming down security by saying the girls have authorisation to be there, without giving much away. He tells Miley to get ready, and she transforms into Hannah Montana. She is quickly led under the stage, ready to make her grand entrance. Just before she goes on, Miley’s father tells her it is her night to do the dishes. Miley goes to complain before her father reminds her she wanted “the best of both worlds”. Miley can’t argue with that. She appears on stage as Hannah Montana to perform her hit song “The Best of Both Worlds”.

We then see Hannah Montana filming a music video on the beach for this song. After the video is finished, Hannah goes to her tent and sees a man in there. The man tells Hannah that his daughters are huge fans of his, but soon enough, Hannah’s publicist, Vita, comes in and recognises this man as a tabloid reporter called Oswald. Vita kicks Oswald out of the tent, not realising that he left a camera in the tent to record, knowing that Hannah is hiding a huge secret and wanting to uncover it for his editor, Lucinda. The camera is covered by Vita sitting down on the sofa though, and luckily, does not record Hannah removing her wig and transforming back into Miley. Her secret remains safe – for now.

The next day, Miley is back at school, and to show the contrasting lifestyles between Hannah and Miley, Miley has to go to gym class and gets hit in the face with a volleyball. However, Vita arrives, taking her out of school, because Hannah needs to go shopping as she has been invited to attend an awards show in New York. Lilly runs out of class to remind Miley about her sixteenth birthday party later; she isn’t sure Miley has heard her.

Out shopping, Miley has transformed back into Hannah Montana and is getting the VIP treatment at various stores, Vita by her side. However, she has lost track of the time, and realises that she is late to both Lilly’s party and to saying goodbye to her brother Jackson before he heads off to college in Tennessee. To make everything worse, Hannah finds herself fighting with none other than model Tyra Banks over a pair of shoes! This was filmed by the paparazzi, so Hannah will definitely be a front-page news story tomorrow.

Hannah and Vita get into their car, with Hannah about to change back into Miley, but she sees Oswald, that reporter, is following them. Knowing she cannot change now, but still needs to show her face at Lilly’s party, Hannah arrives at Lilly’s party, taking all the attention away from Lilly, and making everyone focus on Hannah Montana. Lilly is angry with Miley for doing this to her, and she doesn’t feel any happier when Hannah is convinced to get up on stage and sing for everyone. Lilly leaves her own party, but not before telling Oswald that Hannah is from a small town in Tennessee called Crowley Corners, giving him a good place to look for information about her. Lilly and Miley’s friends Oliver and Rico attempt to keep Lilly interested in the party, by revealing her birthday cake – but it blows up…

The next day, Miley’s father sees the news story about Hannah’s fight with Tyra Banks and is so angry with Miley for letting this happen. Robby Ray tells his daughter that she has been too focused on her celebrity lifestyle and needs to come back to Earth right now, and the best way to do that is for Hannah not to attend the awards show in New York. Besides, they’re supposed to be in Tennessee for Miley’s grandma’s birthday anyway. Vita tries to smooth this over by saying Miley can always come a bit later, after the awards show, and they’ll simply book a private jet. Robby Ray seems happy enough with this.

On the private jet, Miley changes into her Hannah persona ready to land in New York, however, once they land, she realises her and her father have landed in Tennessee instead. There’s no limo, no crowds of fans, just Jackson, picking them up in his truck. In the truck on the ride to Miley’s grandmother’s house, Robby Ray reiterates that Miley needs to reconnect with her roots, and thinks spending time in her hometown will be good for her. Miley says she wants to go home, with her father reminding her this is home, and a two-week break from Hannah Montana will do all of them some good. It’ll be like a “Hannah detox”. Miley is still angry though and tells Jackson to pull over. Still dressed as Hannah Montana, Miley gets out of the truck and sits by the side of the road, refusing to go anywhere until she is told she can go to New York. Right behind her though is a horse, who tries to eat her “Hannah” wig. She shouts at the horse, surprising Robby Ray, who reveals that horse is Miley’s horse, Blue Jeans. Miley is told to walk to her grandma’s house when she’s ready.

After some time, Miley decides to take off her Hannah Montana costume and tries to ride her horse. Except she hasn’t ridden a horse in a while, and Blue Jeans doesn’t seem to remember her, so Miley falls off and Blue Jeans runs away. A teenage boy gallops past her on his horse and manages to retrieve Blue Jeans. He tells Miley that Blue Jeans just doesn’t like strangers. Miley says she knows because it’s her horse. This makes the boy realise she is Miley Stewart. Miley realises this boy is Travis Brody and they grew up together. Travis offers to give Miley a ride to her grandmother’s house. On the way, they talk about Miley’s amazing life in Los Angeles, and she reveals she is best friends with Hannah Montana. Travis says he’s been working for Miley’s grandmother over the summer. They soon arrive at her grandmother’s house, where Travis leaves her to see her family.

Inside the house, Miley sees it is packed with her relatives who she hasn’t seen in a while. They are all performing music together, but Miley doesn’t want to be a part of it right now. Miley is reunited with her grandmother, Ruby, who thanks Miley for the Elvis plate she got her, adding it to her collection. Miley realises that her father bought that, and pretended it was from her, making her feel a bit guilty. Robby Ray is told to introduce himself to a local woman called Lorelai. He tries to talk to her, but through some awkward trips and falls, he inadvertently breaks all of Ruby’s celebrity face plates… That evening, Ruby talks to Miley about her mother, with Miley saying she really misses her still.

The next morning, knowing her father will stop her being Hannah Montana if she doesn’t throw herself into her hometown life, Miley decides to go completely over-the-top and pretends to be excited and happy to do everything. First, she attempts to feed the chickens and collect their eggs, but it takes her ages just to get one! She is then told to come to the farmer’s market with Ruby, whilst Robby Ray goes to fix Ruby’s truck. When he goes to inspect the truck, he sees Lorelai already working on it, and he is impressed. Meanwhile, Jackson is working at their cousin Derrick’s petting zoo, being pecked by ostriches and attacked by alligators!

At the farmer’s market, Ruby tells Miley that there is a developer around here, trying to turn part of Crowley Corners into a new mall. That is why the town are holding fundraising events to make enough money to pay the taxes on the land to stop the development. Miley doesn’t seem so against a mall being built here though, further showing her disconnect from her hometown. Ruby offers to take Miley shopping after they’re done with her stall at the market, and Miley refuses the offer. Ruby takes Miley aside and basically tells her to get over herself. Miley takes her grandmother’s advice on board. Ruby decides to approach the developer, Mr. Bradley, whilst Miley covers the stall. She then sees Oswald here, and he is sniffing out information on Hannah Montana. To distract him, she swaps the salsa dips he is trying so Oswald eats the spiciest one. She then tips walnuts towards him, causing Oswald to trip and fall onto the developer’s mall model. Miley and Ruby help the reporter up, and they say they know Hannah Montana, sending him five miles south to look for her.

Later, Miley is singing in the barn, trying to write a new song, when Travis comes in. She asks for his opinion on the song, but is annoyed to find Travis doesn’t like it, because it isn’t saying anything. The two then spend the day together, swimming, organising a music event in the town hall, and fixing up a chicken coop.

That evening, they hold their fundraiser with music and dancing. Robby Ray performs a song, as does Miley, leading everyone in the “Hoedown Throwdown”, and even a certain big-name country-turned-pop singer who is made out to be a local and given no introduction! Miley gets to dance with Travis that night too, and she encourages her father to spend time with Lorelai. Just as the good vibes are settling in, all of a sudden, Mr. Bradley, the developer, shows up and reminds everyone here that they will never raise all the money needed to stop his development plans in the area. Oswald is also here to listen in. Suddenly, Travis pipes up and says Miley knows Hannah Montana. This gives the town an idea: they can bring Hannah Montana here to put on a concert! There’s just a couple of problems with that plan…but Miley can’t say anything.

The next day, to everyone’s surprise, including Miley’s father, Hannah Montana arrives to Crowley Corners with Vita. Oswald watches as the car pulls up outside Miley’s grandmother’s house and snaps some quick photos. Inside, it is revealed that Lilly dressed up as Hannah Montana, so Miley could greet her and not create any suspicion. Lilly apologises for leading Oswald here, something Miley was unaware of. There’s no time to deal with that though as Lorelai wants to talk to Hannah and Miley. Lilly, still dressed as Hannah, is told to put a towel over her face and not speak. Lorelai is allowed into the room. Miley explains this is how Hannah has to destress after long journeys. Miley wants to be in the room to stop Lilly from talking, but she has to speak with her father, leaving Lorelai and Lilly alone. Lorelai asks “Hannah” if she’ll attend the mayor’s dinner, as they are putting on a party to celebrate Hannah’s arrival. Lilly accidentally agrees to this. Robby Ray comes in and tries to explain the situation to Lorelai, but before he can, he hears that Hannah is going to the dinner. Lorelai then asks Robby Ray to go to the dinner with her, as her date. Miley and Jackson watch from the window outside and are encouraged to see their father getting on well with Lorelai. Jackson, who was watching from the ladder, is pushed off and falls after Lorelai opens the window into him, falling into the squash patch behind.

Later, Miley catches Lilly up on what’s been happening with Travis, and she dresses up as Hannah to “meet” him, when really, she just wants information on his feelings for her. He reveals that he actually really likes Miley and is encouraged by “Hannah” to ask her out on a date. He says he will. Miley then rushes to the coop and pretends to have been painting it all along. Travis asks Miley out to dinner. She coolly accepts, not letting on how happy she is. On returning home, Miley learns that she has been double-booked for that night, as Hannah is expected at the mayor’s dinner, and Miley is expected at her date with Travis. This will be a tricky one to pull off…

Miley chooses to attend the dinner as Hannah, but continuously makes excuses throughout the evening to change back into Miley and go to her date with Travis. In the end, this only creates chaos and means she is only half-interested in whichever event she is at. Robby Ray, Lilly, and Jackson search for her at intervals throughout the night, with Robby Ray eventually telling Hannah to sit down at the dinner and not go anywhere else. But luckily for Miley, Cousin Derrick’s rogue ferret wreaks havoc during dessert and she is able to leave the dinner. But she is exhausted by this point, and takes her wig off in the doorway of the mayor’s residence, only to be seen by a little girl. She then is seen by Travis, who has realised that Miley must be Hannah Montana. Thinking she did this to play a trick on him, and hating how she withheld the truth from him, he breaks up with her and leaves. Miley comes back to the dinner and tries to speak to her dad about what just happened, but he is interrupted by Lorelai who is complaining about how Hannah ruined the dinner she took so much time to organise. Robby Ray tries to cover up for Hannah/Miley, but knows he can’t be truly honest with Lorelai so he tells Lorelai he doesn’t have time for a relationship right now.

Later, Miley spends some time alone, working on another song. Her father joins her and she asks if he’s mad at her. He says he’s not, but that he’d like to hear her song. The two sing the end of her song together.

The next morning, Lilly sees Miley asleep on top of the coop, having spent all night painting it for Travis. Lilly wakes her and says it’s time for Hannah’s concert. A huge fair is put on to celebrate, and many people have come for it, with huge donations coming in. Grandma Ruby goes backstage to speak with Miley before her concert, giving Miley her mother’s necklace to give her some strength and support that day. Meanwhile, Travis has gone by the coop and seen that Miley must’ve finished painting it. He goes to the concert to give her another chance.

At the concert, Hannah Montana begins her concert, but she sees Travis and stops the performance, saying she’s home and with her family and can’t lie anymore. She takes off her wig, revealing Hannah Montana is actually just Miley Stewart to the entire crowd. She asks for a second chance, singing a song she wrote herself about her time here, performing as Miley. This song was inspired by Travis and the phrase he told her: “Life’s a climb, but the view is great”. The crowd love her performance but they want Miley to still be Hannah Montana. The crowd promise to keep her secret so this can still happen.

However, Oswald has finally discovered Hannah’s secret and takes a photo of her for his tabloid. Suddenly, he sees his daughters here who are overwhelmed at being able to see Hannah Montana perform. Vita revealed she gave them free tickets. Her and Oswald watch as the daughters discover Hannah Montana hiding on a roof and are so excited to see her. Vita tells Oswald not to destroy their dreams by revealing the truth about her. Oswald calls his editor and says the story is over, quitting his job.

Hannah then goes back on stage, but not before Travis says he still hasn’t got over his crush on Miley and the two kiss. On stage, Hannah performs one final song for the crowd, celebrating being back home. With all the secrets out in the open, Robby Ray and Lorelai rekindle their relationship and kiss too. It’s also shown that Crowley Corners has successfully raised all the money they needed to save their town.

CHARACTERS & CAST

Miley Stewart is just an ordinary girl, who moved from Tennessee to L.A. years ago to achieve her dream of becoming a pop star. But, to stop the intense scrutiny and invasion of privacy that comes with being a celebrity, Miley and her family came up with a novel idea: to have Miley set up a singing persona, that being Hannah Montana, so she can have “the best of both worlds”. Although Miley has always found struggles with trying to be two different people, in Hannah Montana: The Movie, Miley has started to become too involved in the celebrity lifestyle of Hannah Montana and starts to forget about where she came from. This leads her father to trick her into going back to Tennessee for her grandmother’s birthday, threatening to stop Miley from being Hannah Montana forever if she continues to act like an entitled, spoilt brat. Eventually, Miley starts to appreciate her country lifestyle after some time, yet, Hannah Montana comes back to haunt her, as Miley knows Hannah will bring in enough people to raise the necessary money to stop development in the town, whilst also knowing how complicated it will get. Sure enough, her double-life causes problems, including ruining her chances with her childhood crush, Travis. Luckily, Miley makes amends by revealing herself to be Hannah Montana to everyone. This could be a problem for her, but the crowd promise to keep her identity a secret, so she can continue to live both lives.

Miley Stewart and Hannah Montana were played by Miley Cyrus, who played the character throughout the run of the Disney Channel series Hannah Montana, from 2006 to 2011. She also voiced Penny in Disney Animation’s Bolt (2008) around this time, later starring in the movies LOL (2012) and So Undercover (2012). Cyrus is now a very successful recording artists, with some of her most popular singles being “Can’t Be Tamed”, “Party in the U.S.A”, “Wrecking Ball”, and “Flowers”. “Flowers” won the Grammy Awards for Record of the Year and Best Pop Solo Performance, amongst many other awards. Cyrus won another Grammy for the song “II Most Wanted” with Beyoncé for Best Country Duo/Group Performance. She also released her own musical film called Something Beautiful in 2025, to go along with her album of the same name. Cyrus has been nominated for songs that appear in movie soundtracks too, like two Golden Globe nominations for “Beautiful That Way” from The Last Showgirl (2024) and “Dream As One” from Avatar: Fire and Ash (2025). Cyrus became a Disney Legend for her work with the company in August 2024.

Robby Ray Stewart is Miley Stewart’s father. Although he wants his daughter to have her dream of performing as Hannah Montana, he is aware that her attitude and behaviour is changing the more opportunities Hannah Montana gets, becoming more fame-obsessed and diva-like, even stooping so slow as to fight with Tyra Banks over a pair of shoes. He sees himself as having no choice but to stop Miley performing as Hannah in New York and instead takes her to Tennessee for her grandmother’s birthday, wanting Miley to remember her life before she went to L.A. and became famous. Whilst monitoring his daughter’s behaviour and antics, Robby Ray is also developing feelings for a local woman called Lorelai, going on dates with her and generally enjoying her company, which is encouraged by his children. However, soon enough the “Hannah secret” starts to turn things complicated with Lorelai, and to protect Miley, he chooses to break things off with her. But by the end of the film, with Lorelai learning Miley was in fact Hannah Montana and knowing how difficult it must’ve been to keep that a secret, she reconciles with Robby Ray.

Billy Ray Cyrus was cast as Robby Ray Stewart. Billy Ray Cyrus got his start as a singer, before taking on acting roles as well. One of these was starring as Dr. Clint Cassidy in the medical drama Doc (2001-04). He later was cast as Vernon Brownmule in the sitcom Still the King (2016-17). In reality shows, Cyrus appeared on Season 4 of ABC’s Dancing with the Stars (2005-present) in 2007, and was revealed to be Owl in Season 14 of The Masked Singer (2019-present) in 2026. In music, Cyrus’ most popular song was “Achy Breaky Heart”, also covering the song “These Boots Are Made for Walkin’”. Other top singles of his include “Could’ve Been Me”; “In the Heart of a Woman”; and the song “Ready, Set, Don’t Go”, which he performed with his daughter, Miley.

Jackson is Robby Ray’s son and Miley’s brother. Jackson has never been the smartest one in the family, but he has always been down-to-earth. In Hannah Montana: The Movie, Jackson has started college in Tennessee, and is working with their strange Cousin Derrick, who carries around a ferret, at his petting zoo, which doesn’t exactly look “up to code” if you ask me! Jackson has a near-miss with an alligator, a pesky encounter with an ostrich, and an almost-incident with a ladder during the course of the film, but really, Jackson is sadly just there, and is not overly relevant to the events of the film, which is a shame because Jackson and his crazy schemes were always fun to watch in the series.

Jason Earles was cast as Jackson Stewart. Prior to his casting in Hannah Montana, Earles had played Thomas Gates in the Disney live-action film National Treasure (2004) and had a recurring role as Grady Spaggett in the Disney Channel series Phil of the Future (2004-06). After Hannah Montana, Earles was cast as Rudy in the Disney XD series Kickin’ It (2011-15). More recently, he played Dewey Wood in Season 3 of the Disney+ series High School Musical: The Musical: The Series (2019-23). Earles was actually 29-years-old when Hannah Montana first began, despite being cast as a 16-year-old. He was almost 32 by the time Hannah Montana: The Movie came out. Jared Carter played Cousin Derrick.

Grandma Ruby is Jackson and Miley’s grandmother, and Robby Ray’s mother-in-law. Ruby is very wise and has a lot to say to Miley, firstly, telling Miley to get a grip and enjoy her time being back home with family who love her, instead of sulking about not going to an awards show, and secondly, talking to Miley about her mother, and how much she wishes her mother was still with them too. Miley and Ruby have a close bond, and it’s clear to see how much they love each other.

Grandma Ruby was played by Margo Martindale. Martindale later was cast as Mattie Fae Aiken in the movie August: Osage County (2013), going on to play Grandma Sandy Wagner in Instant Family (2018) and Ranger Liz in Cocaine Bear (2023), alongside appearing in television series, such as The Millers (2013-15), where Martindale played Carol Miller; The Americans (2013-18), in the recurring role of Claudia; and as Lucianne Goldberg in the third season of the true crime anthology series Impeachment: American Crime Story (2021). She also voiced the character Louise “Barnstormer” Nash in Pixar’s Cars 3 (2017) and recently voiced Mrs. Twit in Netflix’s The Twits (2025).  

Lilly Truscott is Miley’s best friend and one of few people who knows that she is Hannah Montana. When with Hannah, Lilly would normally have her own persona, of Lola, but she doesn’t make an appearance in Hannah Montana: The Movie. In the film, Lilly is angry with Miley for not attending her birthday party as herself and then reveals “Hannah’s” hometown to a reporter out of anger. She is later called upon by Miley to help get Hannah Montana to Crowley Corners, as Miley can’t just leave and come back as Hannah; that would look suspicious. At this point, Lilly apologises for tipping off the reporter and is committed to helping Miley keep her secret any way she can, like by helping her change between the mayor’s dinner and her date. Lilly might feel taken for granted by Miley at times, but the two’s friendship is strong and can withstand a lot.

Emily Osment was cast as Lilly Truscott. Osment was no stranger to acting even before appearing in Hannah Montana, as she had played Gerti Giggles in Spy Kids 2: The Island of Lost Dreams (2002) and Spy Kids 3-D: Game Over (2003) before that. After Hannah Montana, Osment had much success in television, including voicing the recurring role of Ruth Cochamer in Family Guy (1999-present) and starring as Gabi Diamond in the Freeform series Young & Hungry (2014-18). More recently, she was cast as Mandy McAllister in The Big Bang Theory spin-off series Young Sheldon (2017-24), currently reprising the role for its own spin-off Georgie & Mandy’s First Marriage (2024-present).

Travis Brody is a childhood friend of Miley’s, and they both had a childhood crush on each other. When Miley returns to Crowley Corners, Travis is the first person she meets, and he is shocked to see how much she’s changed since moving to L.A. He seems unimpressed with her “L.A. lifestyle” and is instrumental in helping Miley reconnect with her roots whilst she’s back home, for example, by getting her to focus on rebuilding the chicken coop with him. Their feelings for each other grow as the film goes on, and using Hannah as a disguise, Miley learns that Travis does like her and encourages him to ask her out. He does and he is excited for their date, but Miley barely spends any time with him that evening, leading him to investigate. He sees Miley with the Hannah Montana wig and realises she has been Hannah all along, making him feel stupid and like this was all a joke. He eventually forgives Miley after seeing she repainted the coop for him and goes to the concert. They reconnect just before Miley returns to the stage as Hannah, revealing their true feelings for each other.

Travis Brody was played by Lucas Till. Prior to his role here, Till had played Young Jack Cash in the biopic Walk the Line (2005). He was later cast as Alex Summers / Havok in the X-Men franchise from the 2011 film X-Men: First Class. He also starred as Angus “Mac” MacGyver in the rebooted series MacGyver (2016-21) on CBS. Recently, he played Garret Van Ness in the drama series The Abandons (2025) for Netflix.

Lorelai is Robby Ray’s love interest during the film and a friend of Grandma Ruby, who essentially sets the two of them up, pushing Robby Ray to introduce himself to Lorelai. Throughout the time spent getting through Ruby’s list of chores and jobs that need doing around the farm, and at the concert in the barn, Lorelai and Robby Ray become closer. She then asks Robby Ray to come to the mayor’s dinner with her, thinking that would be a good moment for them to spend time together. The dinner turns out to be a disaster, no thanks to Miley/Hannah, and Lorelai tries to vent her frustrations about Hannah to Robby Ray, not realising the awkward position that puts him in. She seems annoyed when Robby Ray decides he doesn’t have time for a relationship. Later, she learns during the concert that Hannah was Miley all along, and realises the difficult situation this put everyone in. Her and Robby Ray are then able to get back together by the end of the film.

Melora Hardin was cast as Lorelai. Around the time of Hannah Montana: The Movie, Hardin had appeared as Maureen in 27 Dresses (2008), and as Principal Jane Masterson in 17 Again (2009), which starred Zac Efron. She had also been cast in the recurring role of Trudy Monk in the series Monk (2002-09), reprising her role for the movie Mr. Monk’s Last Case: A Monk Movie in 2023. Hardin is also known for her role as Jan Levinson in the sitcom The Office (2005-13) and for playing Jacqueline Carlyle in The Bold Type (2017-21).

Vita is Hannah Montana’s publicist, and she is also in on the secret, helping Miley to keep her identity as Hannah Montana secret, like by kicking reporters out of backstage areas. She also seems to want to make Hannah Montana even more of a star than she is, by getting her additional appearances. Although Vita is clearly a highly competent publicist, one any young star would dream of, she does appear to be the one causing Miley to become a bit self-absorbed. For example, I don’t think it was necessary to take Miley out of school to go shopping as Hannah, and she shouldn’t have booked the awards show if it clashed with Miley’s grandmother’s birthday, or at least been more on Robby Ray’s side and tried to cancel the appearance, not offer the use of a private jet instead. Still, Vita comes through at the end of the film by getting Oswald to shut down his story and keeps the secret hidden.

Vanessa Williams was cast as Vita. Williams is well-known for her character Wilhemina Slater in the comedy-drama series Ugly Betty (2006-10), going on to be cast as Renee Perry in the last two seasons of Desperate Housewives (2004-12). She also starred as Maxine Robinson in Daytime Divas (2017) and was a judge on the drag queen singing competition Queen of the Universe (2021-23). Recently, Williams played Miranda Priestly in the West End musical stage adaptation of The Devil Wears Prada from 2024 to 2025.

Oswald is the tabloid reporter who is determined to figure out Hannah Montana’s secret and will go to great lengths to get his story, by hiding secret cameras and spending weeks in a random town in Tennessee just to keep his editor, Lucinda, happy – and keep him in a job. Oswald doesn’t seem to enjoy doing this kind of work, and later accepts that destroying a teenager’s life by revealing Miley Stewart is actually Hannah Montana is no way to earn a living. His daughters help him come to that realisation, as he sees how excited they are to meet Hannah Montana, knowing Hannah will cease to exist if he writes this story.

Oswald was played by Peter Gunn. Gunn is a British actor, best known for his roles as Constable Len Cosgrove in the BBC medical drama series Born and Bred (2002-05) and as Brian Packham in the long-running British soap Coronation Street (1960-present) since 2010. Oswald’s daughters were played by Rachel Woods and Natalia Dyer. Dyer has since become well-known for her role as Nancy Wheeler in Stranger Things (2016-15).

Mr. Bradley is the shady developer who is determined to build apartments and a new mall in Crowley Corners, regardless of what the citizens of the town think. It’s good for business so it is good for him. He even attends the farmer’s market to try to convince the locals of his plans, and goes to their barn concert to remind them all that their little fundraisers will never raise enough money to stop him. In the end, Crowley Corners gets the last laugh as their Hannah Montana concert does raise enough money to pay the taxes. Mr. Bradley will just have to go elsewhere to build his mall then!

Barry Bostwick was cast as Mr. Bradley. Before Hannah Montana: The Movie, Bostwick was known for his roles as Brad Majors in The Rocky Horror Picture Show (1975) and as Mayor Randall Winston in the sitcom Spin City (1996-2002). Later roles of his include the recurring role of Roger Frank in the sitcom Cougar Town (2009-15), and playing Big Poppa in another Disney Channel movie: Teen Beach Movie (2013).

Finally, there are a few cameo appearances in Hannah Montana: The Movie. One is Tyra Banks, who appears as a fictionalised version of herself to fight Hannah Montana for a pair of fancy shoes in a designer store! Banks is known for creating and presenting the reality series America’s Next Top Model (2003-18), along with her work as a model.

We also see Oliver Oken, Miley and Lilly’s other best friend, and Rico Suave, another key cast member in the series. In the film, they are reduced to just a few minutes of screen time, as they attend Lilly’s birthday party and blow up her birthday cake. Oliver was played by Mitchell Musso, who had various Disney Channel roles before and after Hannah Montana, including playing Raymond Figg in the DCOM Life Is Ruff (2005) and being cast as King Brady in the first two seasons of Pair of Kings (2010-13) on DisneyXD. Rico was played by Moises Arias, who went on to be cast as André in the DCOM Dadnapped (2009) before having a recurring role as Matt in Season 3 of the ABC sitcom The Middle (2009-18). Arias currently plays Norm MacLean in the Prime series Fallout (2024-present).

Susan Stewart, Miley’s mother, is seen in a photograph in this film, after the character made a few appearances in the series. Susan was played by Brooke Shields. Shields is known for her both modelling and acting roles, like playing Emmeline in The Blue Lagoon (1980) as a child star; later starring as Susan Keane in the NBC sitcom Suddenly Susan (1996-2000); her recurring role as Rita Glossner in the ABC sitcom The Middle; and her more recent castings in Netflix films, like Lana in Mother of the Bride (2024), and Sophie Brown in A Castle for Christmas (2021).

MUSIC

Hannah Montana: The Movie contains a mixture of new, original songs, as well as others that fans of the series will already have heard from the show. There are a few surprise artists involved with this soundtrack. Some of the music heard in Hannah Montana: The Movie is performed by the characters, with others being background music for certain scenes.

In movie order, the first song heard is “The Best of Both Worlds: The 2009 Movie Mix”, which is the title song for the Hannah Montana series. It is performed during the opening sequence of the film, from the concert performance into the music video being filmed on the beach. To be honest, I don’t actually like this song much at all, probably because you had to hear it every time you watched an episode! The song was written by Matthew Gerrard and Robbie Nevil, and was performed by Hannah Montana.

Next, we hear “The Good Life”, playing during Hannah Montana’s shoe store fight with Tyra Banks, which seems to have been written specifically for the film. It was written by Matthew Gerrard and Bridget Benenate and was performed by Hannah Montana.

At Lilly’s birthday party, the song playing as Lilly desperately calls Miley to make sure she makes it to the party seems to be “Game Over”, written by Steve Rushton, Antony Westgate and Nigel Clark, being performed by Rushton. Rushton performed the theme song for the Disney Channel series The Suite Life on Deck (2008-11) just before this film and was signed to Disney’s label Hollywood Records around this time. Rushton seems to be on stage during this as part of the band hired for the party, and also plays the song “Everything I Want”, which was also written and performed by Rushton. Hannah Montana then arrives at the party and performs her song “Let’s Get Crazy” with the band. This song was written by Colleen Fitzpatrick, Michael “Smidl” Smith, Stefanie Ridel, Mim Nervo and Liv Nervo. This song was used as part of Season 3 of Hannah Montana.

Back home on the farm, Miley walks into her family all singing together. This song was “Backwards”, written by Marcel Chagnon and Tony Mullins, and was performed by Rascal Flatts. Rascal Flatts is a country music group founded in 1999. They first released their song “Backwards” in 2006. Disney fans might also known Rascal Flatts from performing “Life is a Highway” for Pixar’s film Cars (2006). The band then play a song together on the porch with Miley’s family. This song is “Bless the Broken Road”. It was written by Marcus Hummon, Bobby Boyd, and Jeff Hanna. Rascal Flatts re-recorded the song for the film. Their version of “Bless the Broken Road”, released in 2005, hit No. 1 on the Billboard Country Music chart and won a Grammy Award for Best Country Song.

On Miley’s first day on the farm, when she’s trying to deal with her grandmother’s chickens, the song “Don’t Walk Away” is playing. It was written by Miley Cyrus, John Shanks, and Hillary Lindsey, and was performed by Miley Cyrus. This is shortly followed by another of Cyrus’ songs “Dream”, which is playing as she spends time with Travis. “Dream” was written by John Shanks and Kara Dioguardi.

Then we get to the barn concert fundraiser, where three songs are performed in quick succession. The first of these is “Back to Tennessee”, which Robby Ray is performing, meaning it was sung by Billy Ray Cyrus. It was written by Cyrus, Tamara Dunn and Matthew Wilder, and was actually released as a single from Cyrus’ studio album of the same name prior to the film being released, in February 2009.

This is then followed by the song “Crazier”, which was written by none other than Taylor Swift and Robert Ellis Orall, with Swift performing the song in the movie, during the moment where Miley dances with Travis, and her dad is with Lorelai. “Crazier” was first released for this film, peaking at No. 17 on the US Billboard Hot 100. Swift apparently was chosen for this cameo appearance in Hannah Montana: The Movie as they wanted an authentic country singer to be singing in this local concert, and Swift’s earlier music was heavily rooted in country music, and not the more pop-centric tunes she releases now. Taylor Swift is one of the most successful artists of all time, with her music spanning multiple albums. Some of her hits through the decades include “Love Story”, “Fearless”, “You Belong with Me”, “Mean”, “Blank Space”, “We Are Never Ever Getting Back Together”, “Shake It Off”, “Look What You Made Me Do”, “Anti-Hero”, “Cruel Summer”, and “The Fate of Ophelia”.

Following on from Taylor Swift is a performance by Miley, where she takes the attendees through the dance for her song “Hoedown Throwdown”. I am pleased to say that I can still remember the dance after learning it on Disney Channel; this song was always being played in those little breaks between their programming. It was written by Adam Anders and Nikki Hassman. “Hoedown Throwdown” is also used as the first song in the End Credits, accompanied by videos of the cast and crew doing the dance. Jamal Sims did the choreography for this song. Sims then directed and choreographed Miley Cyrus’ Wonder World Tour in 2009. He had previously worked on Step Up (2006) and Hairspray (2007).

Some time later, Miley has a heart-to-heart with her dad after the dinner fiasco with the mayor and Lorelai. She says she has written a song about their father-daughter relationship and he asks to hear it, before joining in. This song is “Butterfly Fly Away”, and was written by Glen Ballard. It was performed by Miley and Billy Ray Cyrus. Although not my favourite song, I can appreciate this sentimental moment in the film.

Soon after, it is time for Hannah Montana’s concert and again, three songs are performed. The first is “Rockstar”, first heard in Season 2 of Hannah Montana, which Hannah actually stops singing mid-way through after she makes the decision to reveal her true identity. “Rockstar” was written by Aristedis Archontis, Jeannie Lurie, and Chen Neeman. This song is followed by “The Climb”, performed by Miley, with Miley having written this song throughout the course of the film, after being inspired by Travis. This song became incredibly popular outside of the film, peaking at No. 4 on the Billboard Hot 100 chart, and performing well outside of North America, including hitting No. 11 in the UK Singles Chart, No. 5 in Australia, and No. 5 in Norway. It was even covered by Joe McElderry, the 2009 winner of The X Factor (2004-18) as his “winner’s song”.  “The Climb” was written by Jessi Alexander and Jon Mabe, and was performed by Miley Cyrus.

After that, the big finale song in Hannah Montana: The Movie is “You’ll Always Find Your Way Back Home”. It is positive, catchy, and celebratory, perfect for the end of the film. This ended up being my favourite track in the film; I think it’s the best Hannah Montana song now. It was written by Taylor Swift and Martin Johnson, and performed by Hannah Montana.

In the End Credits, two other songs by Hannah Montana are heard. The first is “Let’s Do This”, written by Derek George, Tim Owens, Adam Tefteller, and Ali Theodore, from Season 3 of the show. The second is “Spotlight”, written by Scott Cutler and Anne Preven.

The soundtrack for Hannah Montana: The Movie was released on 24th March 2009, before the film came out. All these songs appear on the soundtrack, with one additional track that did not appear in the film being “What’s Not to Like”, written by Matthew Gerrard and Robbie Nevil, and performed by Miley Cyrus. The soundtrack topped the Billboard 200 chart in 2009, and was the third Hannah Montana soundtrack to do this, after the first and second albums did in 2006 and 2007[1]. It also topped the Billboard Top Country Albums and Billboard Soundtrack Albums in the US; as well as topping the albums charts in New Zealand, Spain, Austria, and Portugal. It hit No. 3 in the UK Albums chart.

There are other tracks credited at the end of Hannah Montana: The Movie, however, these seem to be background music and instrumentals. This means it is unclear where these pieces would be playing in the film, so I’m not going to specifically mention them, only that “Hampster Dance Song” was used for Miley’s ringtone in the film, and it samples “Whistle Stop” from Disney Animation’s Robin Hood (1973).

The composer of the score for Hannah Montana: The Movie was John Debney. Debney had previously worked on the music for other live-action Disney films, including Hocus Pocus (1993) and its 2022 sequel, and The Princess Diaries (2001) and its 2004 sequel. He also composed the scores for Disney’s animated films The Emperor’s New Groove (2000) and Chicken Little (2005). More recently, Debney has been the composer on the rom-com Marry Me (2022), Home Sweet Home Alone (2021) for Disney+, and the musical The Greatest Showman (2017) with Joseph Trapenese.

Hannah Montana: The Movie’s music received some nominations and wins at award ceremonies. At the MTV Movie Awards, “The Climb” won for Best Song from a Movie. At the Teen Choice Awards, it was nominated for Choice Music: Soundtrack but lost out to Twilight (2008). This happened again at the American Music Awards, with the Hannah Montana 3 Album also being nominated for Favorite Soundtrack. “The Climb” was up for a Grammy for Best Song Written for Motion Picture, Television or Other Visual Media but was later disqualified because it was determined not to have been specifically written for the film[2].

PRODUCTION

Hannah Montana as a series was in development at Disney for years before it eventually came to our screens, as the casting process took a while to complete.

Many different singers and actresses had been considered for the lead role of Hannah Montana, a teenage girl with a dual identity, who would live her daily life as a regular teenager, before transforming into Hannah Montana for concerts and celebrity appearances.

Some of these include Aly and AJ Michalka, sisters that had their own singing duo, as simply Aly & AJ, having signed with Hollywood Records, Disney’s record label, around 2005. Aly was reportedly offered the role of Hannah Montana, as the Disney Channel show she was on, Phil of the Future (2004-06), where she played Keely, was coming to an end. Her sister, AJ, was offered the part of the lead’s best friend, Lilly. However, they turned the parts down, feeling that it would be confusing for viewers to see Aly as a completely different performer, when she already had a successful duo with her sister.

Other celebrities, who were just starting out their careers in the 2000s, who auditioned for Hannah Montana were Taylor Momsen, who played Cindy Lou Who in How the Grinch Stole Christmas (2000), and Daniella Monet, who later had a recurring role on the Nickelodeon series Zoey 101 (2005-08). Momsen went on to front the rock band The Pretty Reckless as well as playing Jenny Humphrey on The CW’s series Gossip Girl (2007-12). Monet played Trina Vega in the Nickelodeon series Victorious (2010-13). Lucy Hale, who was 14 when she auditioned in Tennessee, where she lived, took part in the audition but did not get the role. Hale went on to play Aria Montgomery in the series Pretty Little Liars (2010-17). Singer JoJo was also reportedly offered the role, but turned it down[3].

Originally, Miley Cyrus was considered to be too young for the part of Hannah Montana when she first auditioned, however, luckily for her, the casting process for the lead role took such a long time that she was later invited back to try for the part again, when she was 13-years-old, and more the age that they were looking for. Her lack of acting experience though meant that Cyrus was somewhat of a risk. The former president of Disney Channel, Gary Marsh, told Cyrus that the decision was split about whether to go with Cyrus or another girl. Marsh wrote an email to his team, fighting for Cyrus to get the role, saying that despite her lack of acting experience, that she could be the channel’s next big star. And she was.

Billy Ray Cyrus was then cast as the father in the series, screen-testing with his daughter. He actually felt that the person who had auditioned before him was a better fit for the father character, though Billy Ray and Miley’s natural connection by being family added an extra element of realism to the series, I thought[4]. This then led to the rest of the casting of the main characters to be completed, in order to film the pilot episode. This included Jason Earles as Jackson Stewart, Miley’s brother, and Emily Osment and Mitchell Musso as Lilly and Oliver, Miley’s best friends.

Many involved with the pilot of Hannah Montana believed that, since Disney Channel had been developing the series for a long time, that Hannah Montana would be greenlit for a series soon after. Season 1 of Hannah Montana began on 24th March 2006, with the season ending on 30th March 2007, after 26 episodes. Season 2 then started up shortly after, on 23rd April 2007, finishing on 12th October 2008, with 29 episodes.

Each episode of Hannah Montana contained a healthy dose of comedy, a little bit of drama and “boy trouble”, original songs, obviously, and, if you were lucky, a pretty big-name guest star. Some of these guest stars came from the Disney Channel family, consisting of both current and future stars, with names like High School Musical’s Corbin Bleu; the Jonas Brothers, appearing as themselves; Sterling Knight and Tiffany Thornton, who later starred in the Disney Channel series Sonny with a Chance (2009-11), and China Anne McClain, before her lead roles in the series A.N.T. Farm (2011-14) and the DCOM franchise Descendants. Other guest stars from the worlds of acting and singing included wrestlers-turned-actors Dwayne “The Rock” Johnson and John Cena; singers Sheryl Crow, Donny Osmond, and Jesse McCartney; actors Alison Brie, Austin Butler, Ray Liotta, and Heather Locklear; and comedians and actors Larry David and Ray Romano, just to name a few. Dolly Parton also made some appearances on the series, as Aunt Dolly, Miley Stewart’s godmother, which was quite appropriate as Parton is Miley Cyrus’ actual godmother[5].

The Hannah Montana series was created by Michael Poryes, Rich Correll, and Barry O’Brien. Poryes had previously created That’s So Raven (2003-07) and later its spin-off series Raven’s Home (2017-23) for Disney Channel. As well as being a co-creator of Hannah Montana, Rich Correll also directed episodes of the series, along with episodes of other Disney Channel series, such as The Suite Life of Zack & Cody (2005-08), Cory in the House (2007-08), and Jessie (2011-15). Barry O’Brien was the showrunner on Law & Order: Organized Crime (2021-25) from 2022, and also wrote episodes of series including Judging Amy (1999-2005) and Castle (2009-16). Disney Channel was sued in 2008 about the creation of Hannah Montana, as writer Morris Taylor Sheffield felt the show’s premise was too similar to the one he pitched for Disney Channel in 2001, called Rock and Roland, about a teenager who is a secret pop star. The lawsuit was settled in 2008[6].

It was in 2007 that talk about a Hannah Montana movie first came to light, when Miley Cyrus stated during an interview at the premiere of Harry Potter and the Order of the Phoenix (2007) that they were working out ideas for a Hannah Montana film[7]. It would not be for another year that filming would begin, taking place from around April to July 2008, ready for a Spring 2009 release date. Filming took place in Los Angeles and Tennessee.

Within L.A., one specific filming location is Santa Monica Pier and its amusement park, which was used as the location of Lilly’s birthday park. The arena The Forum, in Inglewood, California, was also the location for the opening scene, where Hannah Montana is performing a concert. But since most of the film takes place in Tennessee, this is predominantly where filming took place. For the place where Miley and Travis go swimming, this was Rutledge Falls near Tullahoma, Tennessee. The exterior location of the mayor’s dinner that Hannah attends was the Maury County Courthouse in Columbia, Tennessee. Grandma Ruby’s farm was on Carl Road, in Franklin, Tennessee, on a 200-acre ranch. This ranch was actually only a few minutes away from where Miley Cyrus grew up, on their family farm. Cyrus even took castmate Emily Osment to her home to see her childhood bedroom, which was still decorated as it was just before she left for L.A[8]. Smiley Hollow in Ridgetop, Tennessee was also used in the movie. It seems to have been used for the final carnival scene. There was actually an incident on set whilst shooting, reportedly in this area, as strong winds blew a projection screen into a Ferris wheel that the film’s extras were on. There were no serious injuries reported though, and Miley Cyrus was not on set at the time[9].

Peter Chelsom directed the film, having previously co-written and directed the films Hear My Song (1991) and Funny Bones (1995), as well as directing the American rom-coms Serendipity (2001) and Shall We Dance? (2004). He recently co-wrote and directed the festive comedy film A Sudden Case of Christmas (2024), starring Danny DeVito.

Dan Berendsen was tasked with writing the screenplay for Hannah Montana: The Movie. After working on the popular show Sabrina, the Teenage Witch (1996-2003), and its television films, Berendsen began to do a lot of work with Disney Channel on their original movies. His credits include writing the screenplays for Eddie’s Million Dollar Cook-Off (2003); Twitches (2005) and Twitches Too (2007); and Wizards of Waverly Place: The Movie (2009).

Within the story that were a few scenes and a whole subplot that was omitted from the final film. One of these was a subplot with Jackson, about how he was pretending to be at college in Tennessee, whilst his father and sister were in town, despite not getting into college and having to work at Cousin Derrick’s petting zoo in the meantime. This explains why the petting zoo is included in the film, as it is a bit of a random addition. This subplot would’ve seen additional scenes of Jackson explaining his situation to Miley and pretending to be a student as his dad visits the college campus. There were also meant to be additional scenes with Oswald the reporter, whose presence in the film is supposed to feel intimidating but he appears so infrequently, the character doesn’t seem to be anything more than a slight nuisance. Oswald tries to find Hannah Montana at the fundraiser concert, and attempts to follow her through the crowd, only to find the person he was following was actually Jackson in a Hannah Montana wig, having made and sold them to the fans, making it impossible for Oswald to find the real Hannah Montana. There also would’ve been a scene of Oswald in his hotel room, with the ostrich and the alligator from the petting zoo being placed in there as a distraction. These scenes were all cut for time, but might’ve helped the audience engage with these two characters more than the final film allowed them to[10].

A couple of interesting facts about Hannah Montana: The Movie involve some behind-the-scenes information about the stunts. Not being an action-packed plot, there aren’t many of these, however, the scene of Oswald at the farmer’s market, where he is tripped by tons of walnuts was completed with a team of stunt specialists, 700 pounds of walnuts, and seemingly Peter Gunn, who played Oswald, being suspended on wires, before falling on to the 3D model of the potential mall being built in the town[11]. When Jackson is on the ladder, looking into the room where Lorelai and Billy Ray are alone with Lilly as she pretends to be Hannah Montana, the ladder is meant to fall with Jackson still on it into a squash patch. The ladder was set up with a pulley system, allowing the ladder’s movements to be controlled with Jason Earles clipped on to it. The scene concluded with a fake squash being constructed and put on Earles’ head, complete with goo being put all over him, to make it seem like Jackson had fallen onto a squash and destroyed it.

Costume designer Christopher Lawrence also worked on this film, and thoroughly enjoyed working on the costumes here, especially on Hannah Montana’s, as they are quite outlandish and unique, like Hannah’s dress for the dinner which has a graffiti-style pattern on it, and bedazzled multi-coloured shoes, which apparently took 13-hours per shoe to make! All of Hannah Montana’s costumes were designed and made especially for the film[12].

RECEPTION

After a star-studded premiere, held on 2nd April 2009 at the El Capitan Theatre in Los Angeles, and attended by the movie’s cast, including Taylor Swift, and a slew of Disney Channel stars, such as Debby Ryan, Brenda Song, Demi Lovato, and Bella Thorne, Hannah Montana: The Movie was officially released in theatres on 10th April 2009 in the US, which was Good Friday that year. It was released internationally over the next few months.

In the US, due to its release during the Easter Weekend, and because of the dedicated fans that followed the show, Hannah Montana: The Movie did much better at the box office than was initially anticipated, twice as much as Disney had forecast in fact. They were expecting Hannah Montana: The Movie’s sales to be in a similar range to 2003’s The Lizzie McGuire Movie, another theatrically-released film based on a Disney Channel series. However, Hannah Montana: The Movie sold $34 million worth of tickets in its first three days of release domestically, whereas The Lizzie McGuire Movie opened to $17.3 million. This was even more than the 3D film Hannah Montana & Miley Cyrus: Best of Both Wolds Concert (2008), which had had a limited release in North America movie theatres in February 2008; this opened to $31 million. The audience for Hannah Montana: The Movie was, perhaps unsurprisingly, 60% kids and teens aged between 2 and 17.

The performance of Hannah Montana: The Movie in its opening weekend allowed it to be in the No. 1 spot at the US Box Office, beating out Fast & Furious, which slipped to No. 2, with DreamWorks Animation’s Monsters vs. Aliens in third place. To boost potential revenues, Miley Cyrus and Billy Ray Cyrus apparently made appearances at some cinemas, specifically in Knoxville, Tennessee, and Salt Lake City, Utah on the film’s premiere date. It has been noted that after its initial few days though that revenues for the film tailed off quite sharply, likely due to the determination of fans to see the film as soon as possible, causing a spike right at the start of its box office run[13].

The Lizzie McGuire Movie finished up with a worldwide total of $55.5 million. The Best of Worlds Concert film ended with $70.6 million. High School Musical 3: Senior Year another theatrical film based on Disney Channel property, made a total of $252.9 million globally. Like High School Musical, Hannah Montana was a phenomenon, so where did its own movie end up? By the end of its run, Hannah Montana: The Movie had made $155.5 million in total, which is not up to High School Musical standards, but is still a decent figure. It beat out Zac Efron’s 17 Again, which made $136.3 million, as well as other kid-friendly films such as Hotel for Dogs from Nickelodeon, with $117.2, and Disney’s own live-action film Race to Witch Mountain, which made $106.4 million. But Hannah Montana: The Movie was no match for the top performing films of 2009, like Avatar, Harry Potter and the Half-Blood Prince, The Twilight Saga: New Moon, and Pixar’s Up. Both Monsters vs. Aliens and Fast & Furious also finished ahead of Hannah Montana: The Movie.

As Hannah Montana: The Movie is still basically a Disney Channel movie, it was open to the usual criticism that DCOMs receive, around their story, acting, and budget. However, with Hannah Montana being so well-known across the globe and as the film was released to cinemas, it opened the film up to even more people who were not the target demographic, meaning even more and harsher criticism was thrown its way.

Starting with some of the negative responses, some felt that Hannah Montana: The Movie was simply boring, and too cheesy, likely because they were not familiar with the series itself. Hannah Montana: The Movie was not going to feel overly different from the Disney Channel series, so it was expected that the film would be just as silly and goofy as the series, although I would say that the film was more poignant and touching than an average episode of Hannah Montana. There were also characters who seemed quite pointless, such as Oswald, who, despite apparently being necessary to the plot, as he vows to find out Hannah Montana’s secret, actually isn’t even in the film that much, and Cousin Derrick with his ferret, who appears in certain scenes, but doesn’t say or do much. There were complaints from fans of the series too, who didn’t like how Miley was being portrayed as a spoilt brat, solely for the purpose of the movie’s plot, when she hadn’t acted that way in the series. The events of the film are rarely mentioned in the series, so it was almost seen to be a completely pointless exercise even making the film. Perhaps that would not have been the case had Hannah Montana: The Movie been the ending of the entire show – but it was not. The quite major plot point of Miley Stewart revealing she is Hannah Montana to a crowded festival and the sea of people promising to keep her secret so she can continue to be Hannah Montana was also considered optimistic at best and unrealistic at worst.

However, on the positive side, Hannah Montana: The Movie was always made for the fans, with many being happy with this film. For those that enjoyed the film, they thought that the slapstick comedy elements that are present in the series were included in the movie well, allowing for more mature topics, like Miley’s identity issues, to be discussed alongside it, without the comedy element feeling too silly, and the emotional side being too deep; it was a well-balanced film. There was also praise for some of the new cast members, like Melora Hardin and Margo Martindale in their roles here, with the music being another positive aspect of the film. The songs “The Climb”, “Hoedown Throwdown”, and “Always Find Your Way Back Home” are particular favourites.

A year and a half after Hannah Montana: The Movie made it to cinemas, it then had its Disney Channel premiere on 19th November 2010 in the US, making its way to international channels in the months that followed. Its US premiere was said to have been viewed by 4.6 million viewers. This is lower than most Disney Channel movie premieres around this time, with the late-2000s having some impressive audience numbers. In 2010, the most-viewed DCOM premiere was Camp Rock 2: The Final Jam with 7.9 million. In second place, StarStruck was watched by 6 million viewers. As Hannah Montana: The Movie had already been viewable in both cinemas and on DVD by its Disney Channel premiere, this likely led to its lower numbers, but 4.6 million was still a relatively decent figure.  

Due to its popularity with fans, Hannah Montana: The Movie found itself being nominated at the Kids’ Choice Awards and the Teen Choice Awards, as well as nominations at the MTV Movie Awards and the People’s Choice Awards. At the Kids’ Choice Awards, Miley Cyrus won the award for Favorite Movie Actress, against such names as Sandra Bullock for The Blind Side, and Zoe Saldaña for Avatar.

At the Teen Choice Awards, Hannah Montana: The Movie was up against tough competition from High School Musical 3: Senior Year, which won Choice Movie: Music/Dance, and Choice Movie Actor: Music/Dance for Zac Efron, where Jason Earles and Lucas Till were both nominated. Emily Osment was also nominated here for Choice Movie: Female Fresh Face, but lost out to Ashley Greene and her role as Alice in Twilight. Twilight also won Choice Movie: Liplock; Miley Cyrus and Lucas Till were nominated here for their kiss in Hannah Montana: The Movie. Miley Cyrus did win two awards at the Teen Choice Awards though. One was for Choice Movie: Hissy Fit, and the other for Choice Movie Actress: Music/Dance, despite being up against Vanessa Hudgens and Ashley Tisdale.

Elsewhere, Hannah Montana: The Movie was nominated for Favorite Family Movie at the People’s Choice Awards, losing to Pixar’s Up. Miley Cyrus was up for Breakthrough Performance – Female at the MTV Movie Awards. This time, Ashley Tisdale did win for her role as Sharpay in High School Musical 3: Senior Year. Finally, and harshly, Hannah Montana: The Movie received some nominations at the Razzie Awards, which I don’t think is fair at all. Disney Channel movies should only be compared amongst each other, not with other films released by major studios. Anyway, Miley Cyrus was nominated for Worst Actress; the award went to Sandra Bullock for All About Steve. Billy Ray Cyrus actually won for Worst Supporting Actor, which just doesn’t seem right at all.

LEGACY

Although Hannah Montana: The Movie may’ve had an ending that seemed to tie up the series, by having Miley finally reveal her secret as Hannah Montana, and perhaps this should’ve been a film to end the series, like The Lizzie McGuire Movie, there were many more episodes of Hannah Montana that followed the film.

The film was released in the middle of Season 3 of Hannah Montana, which ran from 2nd November 2008, and ended on 14th March 2010 with a total of 30 episodes. Season 4, with 13 episodes, followed shortly afterwards. The series commenced on 11th July 2010, and ended with its finale episode on 16th January 2011. This two-part episode, titled “Wherever I Go”, was set up to be the final ever episode of the series, and saw Miley being torn between a potential movie being filmed in Paris, and starting college with Lilly. In the end, Miley makes the decision to join Lilly at college, putting her music and film career on hold. This followed on from Season 4 Episodes 9 and 10, the two-part episode “I’ll Always Remember You”, where Miley revealed her identity as Hannah Montana on The Tonight Show with Jay Leno, with Jay Leno appearing as himself. This led to the final episodes of Season 4 being about Miley navigating graduating high school, college plans, and dealing with the fallout from the reveal, and the fame that came from that. I actually thought that was the final episode of Season 4. I guess not; I must’ve missed the rest of that season. There was even an alternate ending made available on the DVD release of the series, which would’ve seen a young Miley Cyrus pretending to be a rock star like her dad, making the entire series appear to be a dream… That would’ve been a terrible ending if it had aired!

During the airing of Hannah Montana, multiple CDs of Hannah Montana’s music had been released with music from the series and the film’s soundtrack. There were also books, video games, and DVD releases of the films and the series to purchase, alongside other merchandise, like clothing, accessories, and dolls. Over the years, Hannah Montana, as a series and a recording artist, won numerous awards, including winning the BAFTA Kids’ Vote at the BAFTA Children’s Awards; numerous Teen Choice and Kids’ Choice Awards; and Young Artist Awards. The show was also nominated for Outstanding Children’s Program at the Primetime Emmys throughout its run. The series premiere in the US had the highest ratings in Disney Channel history with 5.4 million viewers, and has been screened in over a hundred countries worldwide. Hannah Montana albums have had millions of sales, and even had seven singles in the US Billboard Hot 100 chart simultaneously in 2006[14]. The show’s highest-performing single was “He Could Be the One”, peaking at No. 10 in July 2009. Other hit singles were “Life’s What You Make It”, “Nobody’s Perfect”, and “Hoedown Throwdown”.

A little while after the series had ended, Billy Ray Cyrus voiced interest in working with Disney on a prequel series, that reportedly would’ve followed a younger Miley Stewart, and her making the decision to become Hannah Montana. However, by 2020, Disney had said this project was not in development[15]. With Disney+ always looking at reboots, it is highly possible that a spin-off of some kind for Hannah Montana may later come to our screens, and many of the series’ cast would likely be interested in returning for it.

In 2026, Hannah Montana celebrated its 20th anniversary, with a special called Hannah Montana 20th Anniversary Special. A world premiere for it was held on 23rd March 2026, attended by members of the original cast, such as Cody Linley who played Jake Ryan, Jason Earles, who played Jackson Stewart, and Moises Arias, who played Rico, although some absentees included Billy Ray Cyrus and Emily Osment, who were unable to attend due to work commitments. Mitchel Musso was another who was missing from the premiere of the special, although he did post about it on social media.

The Hannah Montana 20th Anniversary Special debuted on 24th March 2026. It was hosted by podcaster Alex Cooper, and saw Miley Cyrus go onto a recreation of the original Hannah Montana set pieces, and answer questions about her time on the show. She also discussed other moments of her time on the show, such as talking with her father, Billy Ray Cyrus, about his audition process, and reminiscing over costumes with her mother Tish Cyrus-Purcell. Cyrus’ younger sister Noah Cyrus appeared at the end of the special with a birthday cake for the show. Other special guests were Selena Gomez, who played Mikayla, a rival of Hannah Montana’s, in a few episodes of the show, the choreographer on Hannah Montana: The Movie, Jamal Sims, who danced the “Hoedown Throwdown” with Miley, and randomly, singer Chappelle Roan, who said she was a fan of the show when she was younger. This special also had performances by Miley Cyrus, with songs performed including “The Best of Both Worlds”, “The Climb”, and “Younger You”, which was especially written for the anniversary special.

The special apparently had 6.3 million views in its first three days of streaming, and meant that viewership of the Hannah Montana series increased by 1,000% from the week before. The series has been streamed for more than 500 million hours on Disney+[16]. However, despite the renewed interest in Hannah Montana from this milestone anniversary, and the merchandising opportunities that came with it – Starbucks even released a Hannah Montana-inspired drink, the Secret Popstar Refresher – the special received mixed views from fans. Some absolutely loved the special, and all the nostalgia it brought with it, with Miley’s singing performances being a highlight, but for others, they felt the special was hollow and uninspiring, with the lack of returning cast members only adding to that feeling. I personally didn’t enjoy the special. I didn’t learn much about the show, and felt that some of the special guests’ interviews with Miley felt a bit awkward.

Off the back of this special, Airbnb opened up a recreation of the Malibu house from the Hannah Montana series, including a recreation of the “dream closet”. It was available by request for a limited 10 one-night stays between 6th April and 16th April 2026, for free[17].

Outside of television, Hannah Montana has had a limited presence at the Disney theme parks. For example, at Disney’s Hollywood Studios at Walt Disney World Resort, there used to be the attraction Studio Backlot Tour, which took guests on a tour, where they could see movie props and how special effects were created for films. After Hannah Montana: The Movie’s release, the painted coop, that Travis and Miley paint during her time at Crowley Corners, was placed in the backlot for guests to see. However, the Studio Backlot Tour closed on 28th September 2014, making the coop no longer accessible to guests.

Also at Disney’s Hollywood Studios, from October 2010 to 2013, there was a short stage show performed called Disney Channel Rocks, which was similar to the High School Musical pep rallies that had been seen at this park as promotion for the trilogy of films. Disney Channel Rocks showcased music from many Disney Channel musicals and series including The Cheetah Girls, StarStruck, Jump In!, and High School Musical. Songs from Hannah Montana were not included for some reason.

However, a slightly altered version of this show later appeared at the special event Disneyland After Hours: Disney Channel Nite in March 2024. It contained music from The Cheetah Girls, Camp Rock and its sequel, and High School Musical still, and this time, “Ordinary Girl” from Hannah Montana was included. After the success of its 2024 special event, Disney Channel Nite returned in 2026, for three-nights, on 12th, 14th, and 16th April 2026. Here, Disney Channel Rocks returned, and specifically related to Hannah Montana, there was a photo spot, complete with microphones and the series logo as a background, and at an exhibit from the Walt Disney Archives at Starcade in Disneyland’s Tomorrowland, props and costumes from Disney Channel franchises like Camp Rock, High School Musical, and Hannah Montana were on display. From Hannah Montana: The Movie, Hannah’s sparkly dress from the opening concert and Miley’s “Hoedown Throwdown” outfit were two costumes on display, with a Gibson guitar.

FINAL THOUGHTS

The popularity of Hannah Montana has been long-lasting. The music from the show has never been forgotten, and with Miley Cyrus’ personal musical success in the years after the show ended, this has only meant that the show that catapulted her into stardom has continued to remain relevant, over two decades later.

Disney had learnt from this that they could make their Disney Channel series even more successful by using them to make movies, and it is due to Hannah Montana’s success that its own film was able to be released theatrically.

Hannah Montana: The Movie felt like a perfect ending to the series, complete with the catchy tunes that the series was famed for. It didn’t end up being the finale of the series, so it is now more like an extension of the series, but still, it made a decent amount of money and appeased the fans who wanted to see more from their Disney Channel stars.


REFERENCES

[1] Credit: Keith Caulfield, ‘‘Hannah Montana’ Takes Top Spot On Billboard 200’, Billboard.com, 22nd April 2009.

[2] Credit: Sean Michaels, ‘Miley Cyrus replaced by Karen O in Grammy nomination’, TheGuardian.com, 11th December 2009.

[3] Credit: Katie Louise Smith, ‘Here’s who almost got cast as Hannah Montana before Miley Cyrus’, CapitalFM.com, 26th March 2026.

[4] Credit: Disney, Hannah Montana 20th Anniversary Special (2026), Disney+.

[5] Credit: Olivia Singh, ’40 celebrities you probably forgot guest-starred on ‘Hannah Montana’’, BusinessInsider.com, 16th January 2021.

[6] Credit: Los Angeles Daily News, ‘‘Hannah Montana’ lawsuit settled’, DailyNews.com, 4th August 2008.

[7] Credit: Seventeen, ‘daily gossip roundup’, Seventeen.com, 10th July 2007.

[8] Credit: D23, ‘5 Things You Didn’t Know About Hannah Montana: The Movie’, D23.com, 10th April 2019.

[9] Credit: CBS News, ‘Minor Accident On The Set Of Hannah Montana Movie’, CBSNews.com, 4th June 2008.

[10] Credit: Disney Channel, “Deleted Scenes” Hannah Montana: The Movie 2009 DVD Overview’, DiamondBoy’s Disney DVD&VHS Walkthroughs & Reviews YouTube Channel, 22nd January 2024.

[11] Credit: D23, ‘5 Things You Didn’t Know About Hannah Montana: The Movie’, D23.com, 10th April 2019.

[12] Credit: Disney Channel, ‘”I Should Have Gone To Film School – With Jason Earles” Hannah Montana: The Movie 2009 DVD Overview’, DiamondBoy’s Disney DVD&VHS Walkthroughs & Reviews YouTube Channel, 22nd January 2024.

[13] Credit: Billboard Staff, ‘‘Hannah Montana’ Rocks Box Office With $34 Million Opening’, Billboard.com, 13th April 2009.

[14] Credit: Beth Neil, ‘Exclusive: Hannah Mania’, Mirror.co.uk, 3rd April 2007.

[15] Credit: Is a Hannah Montana Prequel in the Works? Not So Fast…’, EOnline.com, 5th February 2020.

[16] Credit: ‘‘Hannah Montana’ Anniversary Special hits 6.3 Million Views in Three Days as Original Series Jumps 1,000% in Views’, Variety.com, 27th March 2026.

[17] Credit: Airbnb, ‘Live the best of both worlds at the “Hannah Montana” Malibu house’, News.Airbnb.com, 25th March 2026.

Cadet Kelly (2002)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

Synergy is important in all companies, to maximise engagement and brand awareness.

The Walt Disney Company are just one example of a company harnessing the strength of synergy to boost their profits and brand potential, such as through their theme parks, merchandise, and movies, which successfully complement each other.

Disney Channel has also found success with their own version of synergy from their programming, something that they have been doing for decades now. Take Johnny Tsunami (1999) for example. Kirsten Storms, from the Zenon film franchise, and Lee Thompson Young from The Famous Jett Jackson (1998-2001) were both cast in Johnny Tsunami to be the lead character’s best friends. This was no accident, as Disney Channel no doubt hoped to capitalise on the two cast members’ individual popularity to bring viewers to this new film.

The idea of placing two Disney Channel stars together to front a Disney Channel Original Movie was therefore something that the channel had been experimenting with. It paid off with Johnny Tsunami to some extent, but as Disney Channel series started to become more popular with a demographic who were growing up with kids’ television, this was only going to prove more fruitful if they continued with this formula.

So, they did, and still do, with another prime example of this synergy working extraordinarily well being seen with their 2002 Disney Channel Original Movie Cadet Kelly, which took the lead actress from Lizzie McGuire (2001-04), Hilary Duff, and paired her up with Christy Carlson Romano, known at the time for her role as Ren Stevens in Even Stevens (2000-03). Judging from the impressive viewing figures of Cadet Kelly on its premiere night, and the fact the film has been remembered even two decades after its release, this experiment was shown to be working very well for Disney Channel.

This was not the last time they would do this either. Just look at Princess Protection Program (2009), starring Selena Gomez from Wizards of Waverly Place (2007-12) and Demi Lovato from Sonny with a Chance (2009-11), or How to Build a Better Boy (2014), featuring Kelli Berglund from the Disney XD series Lab Rats (2012-16) and China Anne McClain from their series A.N.T. Farm (2011-14). We also can’t ignore those heavily advertised crossover episodes, such as That’s So Suite Life of Hannah Montana (2006) and Wizards on Deck with Hannah Montana (2009), which brought a myriad of Disney Channel stars together for one special storyline. Disney Channel knew synergy was the way to go.

PLOT

Cadet Kelly begins in New York City, where 13-year-old Kelly Collins is participating in her friend Amanda’s school project, dancing in what appears to be a project about family. This is an arts school, apparently, so I guess the rules are different! Kelly’s teacher asks her how she is going to present her own family project and Kelly decides to make a video diary.

Kelly’s father, Adam, then picks her up from school, and tells Kelly his next work trip, as a photographer, will be to go to a list of African countries, as well as to Myanmar, and Thailand. He’s always going to exotic places. Kelly films her dad as they get hot dogs together, stating that her dad is now divorced from her mother, yet he’s still happy. Kelly calls them a taxi to take them back home, where Kelly lives with her mother, Samantha.

Back home, Kelly continues to shove her camera in the faces of her parents, despite her mother being on a work call. The three discuss Samantha’s new boyfriend, a retired army general. Kelly starts being silly, talking about how cute her mother and her new boyfriend are together, and how her parents still get along despite being divorced. She starts bouncing around the room to the point she knocks over their fish bowl, causing Kelly to panic and desperately try to save the fish. Luckily, she saved them all, but Kelly’s mother tells her she needs to slow down and be more careful sometimes.

Samantha’s partner comes to eat dinner with her and Kelly, and once again, Kelly starts being annoying with her camera, pushing it in the couple’s face, to the point that Samantha’s boyfriend gets hit with it, making his nose bleed. At dinner, Kelly announces that her mother is definitely in love, which embarrasses Samantha. This brings them to an important topic of conversation though: that they are getting married in the summer. This throws Kelly for a moment, but she tries not to let it bother her, by giving them her blessing to get married. Kelly asks what she should call her soon-to-be stepfather. He says either Joe or “Sir” is fine. For some reason, Kelly chooses to call him “Sir”. That evening, Kelly wonders how much everything is going to change with her mother getting re-married. Her mother talks to her, and says that she loves Joe and that this will be good for all of them.

The day before the wedding rolls around and it turns out Samantha hasn’t told her daughter something. She has the whole day alone with Kelly to give her this news. As they go shopping, Samantha says that they are going to be moving upstate as Joe has a new job, as the Commandant, basically the principal, of a military school there, which Kelly will be going to. Kelly is distraught, not wanting to change schools or leave her beloved city. Samantha thinks it might be good for Kelly, to give her some focus and some structure, as Kelly is a bit excitable at times…Kelly announces that she isn’t going, begging her mother to let her live with her friend Amanda and her parents. Samantha says that’s not going to happen. Kelly continues to say to Amanda she isn’t going, but packs anyway.

Sure enough, Kelly’s threats of staying behind in New York don’t come to anything and she arrives at George Washington Military Academy. Her mother and stepfather have a house on campus, so she can come home at weekends, but during the week, she is expected to stay in the cadets’ barracks. Kelly draws attention to herself, both on campus and in the dormitory, as she is the only one not in uniform and clearly doesn’t want to be there. Another cadet, Carla, tries to put Kelly at ease, but Kelly isn’t convinced this will ever be the place for her. The rest of the cadets start discussing sixteen-year-old Cadet Captain Jennifer Stone, the one who will be in charge of their barracks. Kelly learns Captain Stone is stern, strict, and has a crush on Brad, the best-looking guy at the academy.

Shortly after, Captain Stone comes to inspect the cadets. Kelly doesn’t notice as she is busy spreading out a multi-coloured blanket over her bed. Captain Stone comes over to Kelly, and tells her the blanket is not regulation and she never wants to see it in these barracks again. Kelly can’t believe there is such a problem with a blanket. She is told she is on Stone’s “list”. To make it worse, lights out is in 10 mins. Kelly hates this place.

The next morning, Kelly is rudely woken up by the traditional military bugle wake-up call. She is the last to arrive at morning inspection with Captain Stone, and arrives in her uniform, but with the added accessories of jewellery and a scarf. Carla signals to Kelly to take that stuff off; she hurriedly hides it in her cap. Captain Stone and her second-in-command Gloria read out the cadets’ schedule, which confuses Kelly who can’t get her head around the 0800 hours thing! Captain Stone comes over to see if everything is clear, and Kelly admits it is not. She calls Kelly a “maggot” and signals for Kelly to salute her. Kelly rushes to salute, knocking off her cap. As Captain Stone sees all these non-regulation items, she is about to launch into a full-blown tirade, but before she can, Carla jumps in, stating that she will help Kelly learn about proper military conduct. Stone tells her to do it – quickly.

Carla talks to Kelly about ranks, and how as lowly cadets, they need to salute anyone higher up than them, including Captain Stone. Kelly sees Brad for the first time, with Carla telling Kelly to stay away, or risk annoying Stone further. Carla also says that there is a Welcome Back dance on Friday, which interests Kelly, who can’t wait to dress up. Kelly sees Stone about to talk to Brad, and rushes in front of her, to salute him. Brad sees this as comical, saluting Kelly back, before walking away. Kelly then salutes a furious Stone.

Kelly later gets her first taste of classes at a military academy, where she learns to stand before a teacher comes into the classroom, and announces herself to be a “conscientious objector” in a class about war strategies, shocking everyone else in the room! She also says that at her old school, she only had to do math when she felt like it. In the barracks, Kelly talks to the other girls about their dresses for the dance, but Carla is less than enthusiastic about it. Kelly and Carla go for a walk instead, where Kelly sees the academy’s drill team for the first time, and says they look like robots as they throw their rifles around in perfect unison. Kelly is not impressed. The two then come across the Commandant, and Carla is shocked to find Kelly being so familiar with him. Kelly says that the Commandant is actually her new stepfather. Carla says this fact might make Captain Stone go a bit easier on her, but Kelly wants to keep this secret hidden for a while. Carla and Kelly go to Kelly’s house, where they pick out dresses for the dance together. Carla is also introduced to Kelly’s mother, who is struggling a bit with her new role as a housewife.

Later that day, Kelly and the other cadets take part in an assault course. Kelly is not very athletic and is very slow around this course, not liking the mud, the heights, or the fact Captain Stone is following her around it, yelling instructions at her. Kelly eventually finds herself stuck up a wall, which she needs to abseil down. After the activity is over, Captain Stone returns to the wall to see Kelly still up there. Kelly is ordered to come down, and she haphazardly repels down the wall. Stone tells Kelly that she’ll be repeating this course again, until she gets it right, with Gloria watching as she does so. This means Kelly will miss the dance that night, but Stone doesn’t care.

Kelly gets to work on the course, even as it starts to pour with rain. She tries to get Gloria on side, but Gloria is stone-faced, ordering Kelly through the obstacles. During the point where Kelly must crawl through the mud, she starts to sing military songs, which amuses Gloria. She gives Kelly some hints and tips on how to complete the course faster and more easily. After getting through the mud, Gloria tells Kelly they are done for the day and she is dismissed. Kelly runs to the dance in her muddy combats, leading to her falling down the hill right by the hall where the dance is being held. She bursts in, still off balance, and slams right into Captain Stone, clinging on to her as she tries to get her balance again. Stone is horrified to see her beautiful white dress covered in mud. Brad, her date, just starts laughing as the rest of the students applaud Kelly for her stunt!

The next day, Kelly is sent to the Commandant’s office, where he says he’s had lots of complaints about Kelly, from Stone and her teachers. Kelly then insults the drill team, which was a big mistake as the Commandant was once part of that team. The Commandant tells Kelly she will learn about the importance of service here. He tells Kelly to go home. Kelly tries to call her dad, but he doesn’t answer. She leaves him a voicemail, saying how great school is even though she is close to tears. Kelly tries to talk to her mum about how much she hates the academy, but her mum reveals that she is pregnant. Kelly can’t possibly ruin things between her mum and her new stepfather now, so she keeps quiet about it. Kelly is given new paints so she can paint the nursery. Joe then comes home and congratulates Kelly on becoming a big sister – by offering her a handshake…

The next day, at inspection, Stone thinks there will be something wrong with Kelly’s uniform or bunk, but she can’t see anything. Stone congratulates Kelly with getting away with something – however, as Stone walks past, she sees Kelly’s blanket out of the corner of her eye, hidden under a pillow. Stone grabs the blanket and rips it up in front of Kelly. That night, Kelly wants payback for that, and goes to Stone’s room. The next morning, everyone discovers that Kelly actually painted Stone’s hair whilst she was sleeping. Everyone else finds it funny, but not Stone, who delivers a court marshal to Kelly later that day. Joe and Kelly’s mother discuss it that evening, with Joe angry at Kelly for putting him in this position. The other cadets will put Kelly on trial but he will have to punish her. Kelly talks to her mother in tears, saying she was never asked if she wanted to come here, so it’s hardly her fault if she’s struggled to adjust. Her mother tells her to apologise to the court.

In court, Stone reads out a list of Kelly’s “crimes”, and is told by Brad to remove her cap to give evidence of the painted hair. The court finds Kelly guilty and she is sent to the Commandant’s office. He sentences her to be the equipment manager for the drill team, where she will be polishing and cleaning the team’s uniforms. It turns out the Commandant has high hopes for this team to outdo his 1970 team’s 3rd place finish at competition. Kelly then gets a call from her dad, and she lets him know what happened. He’s so distracted he doesn’t really listen and thinks her sentence must be a good thing!

Later, Kelly reports to the drill team and is ordered to polish shoes. She starts singing about how mean Stone is, which is overheard by Brad. He doesn’t seem to care though and shows Kelly that a bit of spit on the shoes makes them shine more. The Commandant comes to watch the team practice, and says they will have a meet in two weeks’ time, this being their first step to getting to the Regionals. Kelly keeps up her job as the equipment manager, asking Carla to come and help her. Carla then says that she loves being at school, as it’s much better than life at home. Kelly starts to understand how that could be possible.

As the two work on polishing together, Kelly interrupts Captain Stone and Brad’s conversation again, asking to borrow some spit for her shoe, saying she’ll pay him back later…Right…She also says she’s a lucky charm and offers to let Brad rub her head. He does. As the team go back out to practice, Kelly picks up a rifle and tries to flip and catch it.

At the meet against Rahway High School, they are all nervous, especially Captain Stone who needs help with her broken belt. Kelly comes to the rescue. George Washington Military Academy is outperformed by Rahway, with Brad deducing they need more from the Exhibition Phase, which is basically like a military-inspired dance routine, something that Stone had been working on. Kelly tries to cheer Brad up when they are alone by playing about with the rifle. He finds it funny, and lets her carry on.

The next day, Kelly finds Gloria and offers her some of her jewellery or accessories in exchange for help with drill team try-outs, as they are holding auditions to revitalise the team before the Regionals. Gloria is happy to help, and quizzes her on military knowledge and teaches her the movements. After some time, Gloria decides Kelly is ready and she goes to the try-outs. Stone is unimpressed with Kelly. Brad ignores her, saying that new members will be announced the next day. Kelly wakes up bright and early so she can see if she made it, but she is once again summoned to the Commandant. He begins by saying he did not give Kelly permission to try out for the drill team, but announces she made it and that he is very proud of her. Kelly is about to get another handshake when she tells the Commandant he needs to be less uptight now that there’s going to be a baby in the family. He agrees.

Kelly sees Stone practising new moves for the competition later that day, and joins in, by copying Stone. They begin a sort of dance-off, which is seen by Brad. Brad likes this idea and decides they will now be a duo in the Exhibition Phase, annoying Stone. Kelly tries to get along with Stone, asking if they can talk about their routine together. Stone allows it. That evening, Kelly’s father comes for dinner with Kelly, her mother, and Joe. He says he’ll be climbing Rockridge Point nearby so he will be able to see Kelly in the drill team competition later that same day. Kelly is very pleased about this.

The day of Regionals comes and the team arrive at the location. Kelly is being asked by Brad to do something; however, she is distracted by the arrival of Amanda, who Kelly calls her “truest friend”, upsetting Carla who has been with Kelly throughout her time at the military academy. The competition begins soon after with the Inspection Phase. The team do well. Kelly then starts to look for her dad in the crowd but he isn’t there. The team hear a phone going off; it’s Kelly’s. They are angry with her because had that phone gone off during the inspection, they would’ve been disqualified. Kelly tries to explain it is her dad and he only calls in emergencies. Kelly picks up the call but the line goes dead.

An hour or so later, Kelly tries to call her dad again as he still isn’t here, but there is no answer. The Commandant comes over to give the team a pep talk before their next phase. He sees Kelly upset and talks to her. She explains she is worried about her dad, believing he’s got himself in trouble but not wanting to abandon the team. The Commandant tells her the team would understand and that her father comes first. They drive to Rockridge Point to look for him. Stone and Brad are disappointed to find Kelly has vanished and stand down some of their team to make up for the missing cadet.

At Rockridge Point, Kelly sees her father has fallen off the mountain onto a ledge and is unconscious. Joe calls for help, but Kelly wants to act now. She says she will repel down to him on the ledge. Joe tries to talk her out of it but Kelly is insistent. She starts abseiling down the mountain, jumping the last section as the rope they have is too short. Kelly tries to wake her father, and he regains consciousness, joking about how the “first step is a real doozy”. The emergency services come to retrieve Kelly’s father and take him to hospital. Kelly is glad to see both of her dads fine and well. Kelly and Joe hug for the first time.

Back at the competition, the Commandant explains that he excused Kelly from the last phase. Now it is time for the Exhibition Phase, and Kelly and Stone know they have to be perfect to make up points. The two give an amazing performance, complete with ribbons. As the teams assemble for the final scores, George Washington Military Academy sadly find that they come in 2nd place, and did not win, losing by just one point. However, this is still the best the team has done in years, so the Commandant and Brad are happy with that, and they are still going to Nationals. Kelly tries to take the blame for the team not winning, and Stone seems to start to agree with her, however, she says that actually the team wouldn’t have done as well without her. Kelly says their routine will just have to be better next time. Stone announces that she’s actually moving away so Kelly will have to go on without her, but she wishes for Kelly to become a Cadet Captain, so she can deal with someone just like her in a few years’ time! The movie ends with the team saluting their Commandant and Kelly stating that her memoirs of this time in her life are now complete.

CHARACTERS & CAST

Kelly Collins, or Cadet Kelly, is an enthusiastic, artistic, positive individual. She loves art, New York City, and her family, although her clumsiness and over-excitedness can get her into trouble sometimes. Kelly never expects her life to change much, but instead finds herself being sent to military school after her mother marries a general who is set to be the new Commandant there. Kelly’s character doesn’t match the structured routine of military school, and she finds herself trying to push the boundaries as much as possible, however, this also gets her into trouble as she gets off on the wrong foot with Captain Stone, embarrasses her stepfather, and struggles to understand the rules at this new school. Eventually, thanks to her punishment of working with the drill team, Kelly learns the discipline and focus Joe and her mother hoped she’d learn, as she becomes a part of the team and begins to properly engage with the academy classes. This even leads to her pulling off a daring rescue to save her father, and to a respectable second-place finish with the drill team.

Hilary Duff was cast as Kelly Collins. At the time of Cadet Kelly, Duff was already playing the title role in the Disney Channel series Lizzie McGuire (2001-04), having also previously been cast as Wendy in Casper Meets Wendy (1998). After Cadet Kelly, Duff went on to reprise her role as Lizzie McGuire in The Lizzie McGuire Movie (2003) before having many more acting opportunities, such as being cast as Lorraine Baker in Cheaper by the Dozen (2003) and its 2005 sequel, and as Sam Montgomery in A Cinderella Story (2004) starring opposite Chad Michael Murray. More recently, Duff starred as Sophie Tompkins in How I Met Your Father (2022-23), a spin-off of the series How I Met Your Mother (2005-14). Duff is also known as a singer, having released many albums, including Santa Claus Lane in 2002, her self-titled album in 2004, and most recently Luck…or Something in 2026. Some of her earlier singles include “Why Not”, “So Yesterday”, and “Santa Claus Lane”. During her time as a teen acting and singing sensation, Duff won numerous Kids’ Choice Awards.

Cadet Captain Jennifer Stone is strict, tough, and easy to annoy. She doesn’t tolerate lack of care and attention to the rules of the academy, and quite clearly doesn’t like Kelly for a variety of reasons. Stone cannot allow any cadet to get an easy ride, just because they aren’t used to being at a military academy or because their stepfather is the Commandant, so Stone is quite hard on Kelly. Kelly doesn’t respond to being shouted at or punished so Stone’s animosity towards Kelly does no-one any favours. In the end, when Kelly and Stone are forced to work together for the competition, Stone finds that actually Kelly isn’t such a “maggot” after all, and they find some common ground. They perform well together at the competition but hopes of seeing the two become friends are dashed as Stone says her father has gotten a new posting and she will be moving away. Sad times.

Christy Carlson Romano was cast as Cadet Captain Jennifer Stone. At the time, she was playing Ren Stevens in the Disney Channel series Even Stevens (2000-03) for Disney Channel, going on to reprise this role in The Even Stevens Movie (2003) as well as becoming the voice of Kim Possible for the Disney Channel series and its 2005 film So the Drama. In the 2019 reboot DCOM Kim Possible, she returned to the franchise to play Poppy Blu. Christy Carlson Romano went on to appear in Broadway productions, such as being cast as Belle in the 2004 production of Beauty and the Beast, and Kate Monster and Lucy in the 2008 production of Avenue Q. Nowadays, she hosts podcasts such as Vulnerable, and had a YouTube series called Christy’s Kitchen Throwback, where former child stars would come and cook with her whilst discussing their careers. For her role in Even Stevens, Romano won two Young Artists awards.

Cadet Carla Hall is seemingly Kelly’s only friend at the academy. Carla is the first person to talk to Kelly and volunteers to help Kelly learn about how to behave at her new school, in order to stop Stone from coming down so hard on Kelly every day! Carla and Kelly become close friends, even though Kelly doesn’t listen to Carla’s advice all the time. Carla later agrees to help Kelly with the equipment for the drill team, apparently taking it over from her after Kelly gets a spot on the team. That wasn’t part of the deal. At the competition though, Carla is hurt to find that Kelly only thinks of Amanda as her best friend. In the end, Kelly explains that she doesn’t like Amanda more than Carla, only that she’s known Amanda longer, which isn’t much of an apology if you ask me, but Carla seems ok with it!

Carla was played by Andrea Lewis, who went on to be cast as Hazel Aden in Degrassi: The Next Generation (2001-15) until Season 5, and as Melissa in the Canadian drama series Moccasin Flats (2003-06). Lewis said that she was very excited to work on Cadet Kelly, having been a fan of the Disney Channel and its shows like Even Stevens, Lizzie McGuire, and The Famous Jett Jackson. She was not aware of quite how big a deal this film was going to be until she saw Hilary Duff and Christy Carlson Romano show up for the read-through. Lewis said she had a lot of fun shooting this movie and is still surprised to be recognised by the public for her role here over 20 years later[1].

Cadet Major Brad Rigby is the talk of the academy amongst the girls, who all have a crush on him; however, it is well-known in the school that Captain Stone likes Brad so he is effectively off-limits to everyone else. Only Kelly would ignore that advice, going out of her way to be noticed by Brad, such as pushing in front of Stone just so she can randomly salute him, and asking him to rub her head for good luck. To be honest, Brad doesn’t seem romantically interested in Stone, even though they went to the dance together, and just seems to be amused by Kelly, so there are no romances in Cadet Kelly. Brad is much too busy focusing on getting the drill team a win, and when Kelly gets a place on the team, she seems to forget all about impressing him anyway!

Brad Rigby was played by Shawn Ashmore, who went on to play Bobby Drake / Iceman in the X-Men sequel X2 (2003) shortly after his role in Cadet Kelly, winning the MTV Movie Award for Best Breakthrough Performance. He reprised his role in later X-Men sequels. After this, Ashmore was cast as Mike Weston in the Fox series The Following (2013-15), which starred Kevin Bacon, and currently plays Wesley Evers in the ABC police drama series The Rookie (2018-present).  

Gloria Ramos is Captain Stone’s second-in-command, doing most of the shouting for her! Gloria is tasked with monitoring Kelly’s attempts through the obstacle course and initially seems just as stern and strict as Stone, however, she warms to Kelly throughout the course and decides to help her instead of just yelling at her. She is also instrumental in preparing Kelly for the drill team try-outs, once again, happy to help her. Gloria is fair and sympathetic unlike Stone, but she still doesn’t suffer fools gladly.

Aimee Garcia was cast as Gloria. Garcia went on to be cast as Veronica Ann Palmero in Seasons 5 and 6 of the sitcom George Lopez (2002-07), and as Jamie Bautista in Seasons 6, 7, and 8 of Dexter (2006-13). She later played Ella Lopez in the fantasy series Lucifer (2016-21). Outside of that, she also played Jae Kim in RoboCop (2014). Recently, Garcia was cast as Magdalena Ortega in the festive film Holiday in Santa Fe (2021).

Amanda is Kelly’s best friend from New York. They both went to the same school together, loving the freedom their specific school gave them. Together, they are giggly and perhaps just a little bit ditzy! Amanda can’t believe that Kelly is going to be moving away, however, they plan to keep in touch. Amanda shows up to Kelly’s drill team competition and is very happy to be reunited with her best friend.

Sarah Gadon was cast as Amanda. Gadon had previously appeared as Heather in an early DCOM, The Other Me (2000). She was later cast in theatrical movies, like Belle (2013), playing Lady Elizabeth Murray; A Royal Night Out (2015) portraying Princess Elizabeth; and Ferrari (2023), where she was cast as Linda Christian. In television, Gadon was cast as Sadie Dunhill in the miniseries 11.22.63 (2016) and starred as Grace Marks in the Canadian miniseries Alias Grace (2017). Recently, she played Laura Redman in the Netflix miniseries Wayward (2025), which starred Toni Collette.

General Joe Maxwell, also known as the Commandant, or just “Sir” to Kelly, is Kelly’s new stepfather, but he isn’t the typical kind of stepfather you see in these types of films, trying desperately to get the approval of their new partner’s child. Instead, he is simply strict and uptight, due to his military roles and upbringing. At one point, he says his father was also Commandant at this same school when Joe was attending, so that is perhaps why he struggles to be openly emotional. Thanks to Kelly, he learns how to be a warm, loving father and it’s about time too, because, as Kelly said, babies can’t salute or shake hands!

Gary Cole was cast as General Maxwell. Cole had starred as Mike Brady in The Brady Bunch Movie (1995) and its 1996 sequel prior to his role in Cadet Kelly, and had also appeared in the Disney Christmas film I’ll Be Home for Christmas (1998) as Jake’s dad, Mr. Wilkinson. After Cadet Kelly, Cole went on to voice Kim Possible’s father, Dr. James Possible in Kim Possible (2002-07) and to voice the character of Principal Shepherd in Family Guy (1999-present). Cole has continued to voice act with his recurring role as Sergeant Bosco in the Fox animated series Bob’s Burgers (2011-present), returning to the role for the 2022 The Bob’s Burgers Movie. Outside of that, Cole has made appearances in other movies, including as Reese Bobby in Talladega Nights: The Ballad of Ricky Bobby (2006), starring Will Ferrell; Ted Jones in Pineapple Express (2008); and as Henry O’Hare in Hop (2011). In television, Cole played Bob Russell from Season 5 to Season 7 of The West Wing (1999-2006); Kent Davison in the political satire series Veep (2012-19); the recurring role Kurt McVeigh in The Good Fight (2017-22); and Harrison Jackson III in the Black-ish spin-off series Mixed-ish (2019-21). Cole currently plays Alden Parker in NCIS (2003-present), having been involved in the long-running show since Season 19.

Samantha Collins is Kelly’s mother. She seems to have quite a high-powered, stressful job in the city, but leaves all of that once she marries Joe and moves upstate to the military academy for him, where she learns to cook and later becomes pregnant. It’s not the most empowering storyline for her, but she seems to like her new life. Samantha clearly loves her daughter and honestly thinks the structure of military school might help Kelly to calm down and be less hyper, however, Kelly does struggle to adapt and feels the need to keep this a secret so as not to disrupt her mother’s happiness with her new husband. Samantha is a little bit clueless to her daughter’s feelings, but she does mean well, I think.

Samantha was played by Linda Kash, who was later cast as Schlots’ mother in the Disney Channel Movie Full-Court Miracle (2003). Kash also played Alma Hix in the made-for-television adaptation for ABC of The Music Man (2003), alongside Matthew Broderick as Harold Hill and Kristin Chenoweth as Marian around this time. Kash went on to play the recurring role of Nellie Hebert in the medical drama Doc (2001-04).

Adam Collins is Kelly’s photographer father. He is usually away on his travels around the globe on exciting work assignments, so he doesn’t see Kelly as much as he’d like to but he does always return with some sort of gift for her. Adam is kind of clumsy and scatterbrained, like his daughter, so that must be where Kelly gets it from! Adam doesn’t seem to be someone who wants to settle for the mundane, but like Samantha, he adores his daughter and wants to be there for her drill team competition. Sadly, he gets himself into an accident and has to be rescued by Kelly, missing the competition, but at least he wasn’t seriously injured – that wouldn’t be very Disney Channel, would it? Nigel Hamer was cast as Adam. Hamer appeared as Jeff Isaacs in early seasons of Degrassi: The Next Generation.

MUSIC

Cadet Kelly’s soundtrack features mostly pop music, generally used in montages. Three songs are clearly heard within Cadet Kelly.

One of these is “Watch Me Shine”, written by Dino Esposito, and performed by singer Joanna Pacitti. “Watch Me Shine” was also used in the movie Legally Blonde (2001) starring Reese Witherspoon. In Cadet Kelly, “Watch Me Shine” is playing as Gloria teaches Kelly about drill team protocol so she can successfully try out for a place on the team. This song is all about showing the doubters what you can do, so it perfectly matches Kelly’s story in the film. In the Disney+ version of this film, “Watch Me Shine” was replaced by a different song. The song was not credited, so I don’t have an artist or writer’s name for it. The song may be titled “You Can Be Anything”, judging by its lyrics. 

Another song used is “Relating to a Psychopath”, written by Macy Gray, Jeremy Ruzumna, Darryl Swan, and Dave Wilder. It was performed by American singer Macy Gray, who released her debut album On How Life Is in 1999. Gray won numerous awards for such singles as “I Try”, including a Grammy Award for Best Female Pop Vocal Performance. Gray has since appeared on various reality shows, including as a contestant on Dancing with the Stars (2005-present), appearing in Season 9 in 2009, and The Masked Singer, in the US, Australia, and the UK. “Relating to a Psychopath” is playing as Kelly interrupts Captain Stone’s rehearsal for the Exhibition Phase of the drill team competition, and basically turns it into a dance off, as Kelly and Captain Stone try to copy and outdo each other’s moves. This leads to Brad saying the two must perform together in the competition. For some reason, in the Disney+ version of Cadet Kelly, this song was also removed, being replaced with something generically jazzy, which is a shame because the original song fits well in the scene. I can only assume Disney lost the rights to these two songs at some point.  

Finally, “One Girl Revolution”, written by Max Hsu and Dave Gherzlen, and performed by rock band Superchick, is the stand-out tune in Cadet Kelly. Superchick released their debut album Karaoke Superstars in 2001, with “One Girl Revolution” appearing in this album. “One Girl Revolution” has also appeared in other movies, including the DCOM Cloud 9 (2014) and the Mary-Kate and Ashley film Holiday in the Sun (2001). In Cadet Kelly, this song is used both in the opening sequence, as well as during Stone and Kelly’s competition dance routine.

As well as these three very audible songs, at the Welcome Back dance, the song “It’s Not That Deep”, written by Donny Markowitz, and performed by Cash Hollywood, is playing when Kelly comes barrelling into the hall and bumps into Captain Stone.

You’ll also hear two likely familiar tracks within Cadet Kelly. One is the traditional military wake-up call, called “Reveille”, normally performed on the bugle. There is also “I Don’t Know, But I’ve Been Told”, a military cadence call. The song has been parodied many times. In this case, Kelly is singing about how mean Captain Stone is and that her heart is cold. Brad then comes in and asks Kelly “How cold?”, to which Kelly shouts “Ice cold!”. Kelly also sings the openings lines from both “The Marines’ Hymn” and “Row, Row, Row Your Boat” whilst she is trying to get through the mud and under the wires in the assault course.

There are also two further pieces of music that are credited in Cadet Kelly, however, neither of these have performers or singers attached to them, only writers. Without being able to hear them, and their titles not giving any hint as to what section of the film they can be heard in, I cannot link them to anything specific. Just to complete the soundtrack though, the tracks are “Don’t Get Me Started”, written by Kit Hain and Nina Ossoff, and “I Need To Hear It From You”, written by Nina Ossoff and Kathy Sommer.

David Kitay is credited as the composer of the music here. At Disney Channel, Kitay also composed the music for other DCOMs, like Eddie’s Million Dollar Cook-Off (2003) and Life is Ruff (2005), and co-composed for Stuck in the Suburbs (2004) with Jeff Vincent. Away from Disney, Kitay has worked on the music for such non-Disney movies as Clueless (1995); Scary Movie (2000); and Over Her Dead Body (2008).

PRODUCTION

Cadet Kelly was said to be inspired by the 1980 comedy film Private Benjamin, with producers from that film being involved in the creation of Disney Channel’s Cadet Kelly.

Private Benjamin sees a woman named Judy Benjamin being almost tricked into completing basic training for the US Army and finding herself struggling to navigate the world of the military and its personnel. This comedy film was a big hit in 1980, leading to Academy Award nominations for its lead actress Goldie Hawn, as well as Eileen Brennan for Best Supporting Actress, and Nancy Meyers, Charles Shyer and Harvey Miller for Best Screenplay – Written Directly for the Screen. The screenwriters did win the award for Best Comedy Written Directly for the Screen at the Writers Guild of America Awards.

Although Cadet Kelly has been watered down to suit the child-friendly environment of the Disney Channel, the basic idea, of a girl being pushed into a military atmosphere with no idea of what she’s doing, leading to humorous incidents, is more or less the same.

The writers tasked with using Private Benjamin as inspiration for this new Disney Channel movie were Gail Parent and Michael Walsh. Parent had previously worked on comedy series such as Mary Hartman, Mary Hartman (1976-77) and The Golden Girls (1985-92). After Cadet Kelly, Parent wrote the screenplay for the Disney comedy film Confessions of a Teenage Drama Queen, starring Lindsay Lohan and Megan Fox. Michael Walsh had written the screenplay for Joseph and the Amazing Technicolor Dreamcoat (1999), an adaptation of the 1972 Andrew Lloyd Webber and Tim Rice musical of the same name, prior to his work on Cadet Kelly. Walsh is an author of non-fiction books and novels.

Cadet Kelly was directed by Larry Shaw, who was a director and producer on the long-running series Desperate Housewives (2004-12). Shaw also directed some episodes of other series including Castle (2009-16) and Why Women Kill (2019-21).

Filming for Cadet Kelly took place in Canada. The military boarding school Robert Land Academy was said to be the primary filming location for Cadet Kelly. The academy was located in Wellandport, Ontario, Canada. It has since closed, with former students alleging abuse at the school. Another filming location was St Andrew’s College, based in Aurora, Ontario. The independent school was founded in 1899. Loretto Abbey Catholic Secondary School in Hogg’s Hollow, Toronto, was an additional school location used for filming. It was established in 1847 and is one of Toronto’s oldest schools. Fort York Armoury, a Canadian Forces facility in Toronto, seems to have been used for the location of the drill team competition at the end of the film.

When casting Cadet Kelly, it was already decided that this movie would be a vehicle for Hilary Duff to boost her star power. Christy Carlson Romano believes she was then approached to be cast opposite Duff due to her performance in Even Stevens, with her character Ren being the highly-strung older sister. The two conflicting characters would create the necessary tension. Since both of these actresses came from popular Disney Channel series, their combined star power would surely make this film a hit.

But there was a slight catch. They wouldn’t just be able to fake the military behaviours and procedures; they’d have to be taught how to do it properly – and that meant they were thrown into a boot camp to learn all these things, like how to salute correctly, march properly, and all the skills needed to compete with the drill team. The military instructor on this film was Andrea Bryant, who ensued the stars did not slack off, overseeing their progress daily. Bryant said she was quite impressed with the actors for their commitment and focus on getting these skills perfect. Cadet Kelly had to be technically accurate, otherwise what would be the point of making the film. Many DCOMs see their stars learn specific sports for their films, where hitting someone in the face with a ball might not be too much of an issue, but nobody wants to get whacked in the face with a rogue rifle!

As well as these military skills, Hilary Duff and Christy Carlson Romano also had additional rehearsals for their dance routines with choreographer Amy Wright, which they still found tough but were more fun to do[2]! Apparently, Christy Carlson Romano got quite bad back problems whilst she was filming Cadet Kelly because of the need to stand up straight for hours on end in unsupportive military-regulation boots, meaning she needed regular massages to get her through filming[3]. Hilary Duff also stated in an interview that it was so hot while they were filming that in some of the sequences outside, cadets were passing out[4].

The credits of Cadet Kelly acknowledge multiple locations and institutions. One of these is the National High School Drill Team Championships of Daytona Beach Florida. Apparently, producers approached the competition for consulting purposes for the in-movie drill team competition. Another was Rahway High School, whose drill team appears in the film as an on-screen rival team for George Washington Military Academy. Rahway High School is situated in Union County, New Jersey.

Cadet Kelly is dedicated to film producer Carol Rubin, who worked at ABC and The Walt Disney Company. She was involved in the Disney Channel Original Movies Brink! (1998) and Zenon: Girl of the 21st Century (1999) amongst many others. Rubin died in 2001.

RECEPTION

Cadet Kelly premiered on Disney Channel in the US on 8th March 2002.

It is not clear when Cadet Kelly premiered on international Disney Channels though, and whether the majority saw it in 2002 or had to wait a year for it.

What is known though is the viewing figures that Cadet Kelly achieved on its premiere date – and they are somewhat surprising in some ways, and make total sense in other ways. Cadet Kelly was watched by around 7.8 million total viewers on its premiere date, premiering after a new episode of Lizzie McGuire, reportedly. It ranked No. 1 in the channel’s target demographics of Tweens 9-14 and Kids 6-11, and actually become the most-watched Disney Channel Original Movie premiere for a time[5].

In the early 2000s, the viewing figures of all DCOMs were not widely reported. However, of the few that were, including Halloweentown II: Kalabar’s Revenge (2001), with 6.1 million; and The Luck of the Irish (2001), with 5.2 million, Cadet Kelly easily surpassed all of them with its viewership. This 7.8 million was enough to keep Cadet Kelly in the top spot of the Top 10 Most-Watched DCOMs for many years. The closest this movie came to being topped was with Disney Channel’s January 2006 film High School Musical – yet High School Musical was 0.1 million viewers short of outdoing Cadet Kelly.

Just a few months later, in August 2006, The Cheetah Girls 2 equalled Cadet Kelly’s numbers, so these two became the highest-rated Disney Channel Original Movie premieres. By 2007, thanks to Jump In! premiering in January of that year, Cadet Kelly and The Cheetah Girls 2 were toppled from the No. 1 spot, as Jump In! garnered 8.2 million viewers on its premiere. All three would be blown completely out of the water by the record-breaking premiere of High School Musical 2 in the summer of 2007 though, which was watched by around 17.2 million viewers. However, Cadet Kelly was the most watched DCOM premiere of 2002, and remains in joint 8th position in the Top 10 Most-Watched DCOM Premieres list.

Cadet Kelly has remained one of the most talked about DCOMs too, even over two decades since its release and is beloved by many who watched the film in their tween and teenage years. I am one of those people. Many particularly liked the pop music-filled soundtrack, and felt it was cute, funny, and perfect for the target audience that watch Disney Channel. The casting of both Hilary Duff and Christy Carlson Romano was also praised, with the two bouncing off each other brilliantly in their scenes. Cadet Kelly was also seen to have a message about female empowerment, featuring two strong-minded female characters.

Having said that, Cadet Kelly has been the subject of some criticism as well. Some have commented online, at length, to discuss Kelly’s mother’s parenting decisions. These viewers take issue with Kelly being pulled away from a school and city she loves to go to military school just because of her new stepfather’s job, with Kelly’s needs and wants not being considered at all. They also dislike the fact Kelly calls her stepfather “Sir” and doesn’t use his name. I’d just like to point out here that at the dinner early on in the movie with Kelly, her mum, and her stepfather, he does say that she can call him Joe or “Sir”; Kelly is the one to choose to call him “Sir” and not Joe, so this was not forced upon her. But obviously at school, she should not call her stepfather by his first name, but that would be expected at any school, not just military school. Others felt the plot of Cadet Kelly was predictable, which isn’t necessarily a bad thing, especially for a children’s television movie, and there has been some criticism levelled at how military schools and the drill team are portrayed.

From my point of view, I never had an issue with the plot point of moving Kelly to military school, for two reasons. One is that the structure of military school was good for Kelly because she could be quite hyper and lacking focus. The other is that parents are always moving their families when they get new jobs. It’s nothing new and certainly not unique to this film; it’s just how it goes sometimes. Another point I’d like to mention is that had Kelly actually plucked up the courage to tell her mum how much she hated being at the military academy, I am quite sure she would’ve been sent to another school. The only thing I can really critique is the crush on Brad subplot. It doesn’t add anything to story, and Brad doesn’t seems interested in either Kelly or Captain Stone. It is only there to add another level of animosity and tension between the two, but as it falls away pretty quickly after Kelly joins the drill team, it just seems pointless to me.

LEGACY

Cadet Kelly seems to have found a place for itself amongst a sea of other DCOMs, some memorable, others forgettable, particularly those from the 1990s and 2000s. 

Some publications have taken to ranking Disney Channel Original Movies, with Cadet Kelly frequently appearing towards the top of these rankings. For example, Vulture ranked all 105 DCOMs that had been released at the time, and Cadet Kelly was placed in fourth spot, due to its iconic final dance number with the ribbons, and for its casting[6].

This film has also stayed relevant, with the actors later becoming aware of the fact that Cadet Kelly resonated with the LGBTQ+ community. This doesn’t mean Cadet Kelly was written with this exact purpose in mind, more that it appealed to this group, who liked the relationship between Captain Stone and Kelly. Hilary Duff and Christy Carlson Romano had been asked about this aspect of the film in interviews, with both saying they had not been aware of this until many years later, but they are glad to have been a part of something that may’ve helped people through a difficult or complicated moment in their lives[7].

Cadet Kelly never received a sequel, and never really needed one. Kelly likely stayed at the military school, Jennifer Stone moved away, and Kelly’s mother had her baby and the family became closer than ever. It’s not a particularly exciting future for the film, and a sequel could’ve only really had Kelly become a new Cadet Captain and deal with a new recruit very similar to her. This is a similar direction that Christy Carlson Romano envisaged when asked about a possible future for the film, except in this case, she thought that her character, Jennifer Stone, could’ve become the school’s new Commandant and would’ve had to deal with a new girl that is similar to Kelly, bringing back all those memories. She also thought that Stone could’ve married a woman, opening up a new direction for the film to match where some fans felt Cadet Kelly may’ve been heading[8].

FINAL THOUGHTS

I have always liked Cadet Kelly, although I will admit that, watching it back, some of the acting was a bit clunky and awkward – but that’s generally expected from any Disney Channel movie. I liked the music, and always cry at the end when Kelly is saving her dad. It’s been one of my favourites for years, ever since I first watched it.

Cadet Kelly will always remain a favourite Disney Channel Original Movie, particularly amongst millennials, for its casting, messaging, and feel-good factor, showing how it is possible to overcome adversity and discover just who you want to be.


REFERENCES

[1] Credit: Lexy Perez, ‘Andrea Lewis on Working With Hilary Duff on Disney Movie ‘Cadet Kelly’, Film Resonating with LGBTQ Community’, HollywoodReporter.com, 20th June 2024.

[2] Credit: Disney Channel, ‘Learning the Drills’, from Cadet Kelly (2002) UK DVD (2005).

[3] Credit: Christy Carlson Romano, ;What REALLY Happened On The Cadet Kelly Set?! I Christy Carlson Romano’, Christy Carlson Romano Official Facebook Page, 23rd November 2021.

[4] Credit: Vanity Fair, ‘Hilary Duff Rewatches The Lizzie McGuire Movie, A Cinderella Story & More I Vanity Fair’, Vanity Fair Official YouTube Channel, 20th January 2026.

[5] Credit: Laughing Place, ‘Disney Channel Premiere of Cadet Kelly Breaks Records’, LaughingPlace.com, 12th March 2002.

[6] Credit: Rebecca Alter, ‘All 105 Disney Channel Original Movies, Ranked’, Vulture.com, 4th May 2020.

[7] Credit: Lexy Perez, ‘Andrea Lewis on Working With Hilary Duff on Disney Movie ‘Cadet Kelly’, Film Resonating with LGBTQ Community’, HollywoodReporter.com, 20th June 2024.

[8] Credit: Alexia Fernández, ‘Hilary Duff Didn’t Know ‘Cadet Kelly’ Resonated with LGBTQ Community: ‘If It Helped Anybody, I Hope So’, People.com, 19th January 2022.