Cadet Kelly (2002)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

Synergy is important in all companies, to maximise engagement and brand awareness.

The Walt Disney Company are just one example of a company harnessing the strength of synergy to boost their profits and brand potential, such as through their theme parks, merchandise, and movies, which successfully complement each other.

Disney Channel has also found success with their own version of synergy from their programming, something that they have been doing for decades now. Take Johnny Tsunami (1999) for example. Kirsten Storms, from the Zenon film franchise, and Lee Thompson Young from The Famous Jett Jackson (1998-2001) were both cast in Johnny Tsunami to be the lead character’s best friends. This was no accident, as Disney Channel no doubt hoped to capitalise on the two cast members’ individual popularity to bring viewers to this new film.

The idea of placing two Disney Channel stars together to front a Disney Channel Original Movie was therefore something that the channel had been experimenting with. It paid off with Johnny Tsunami to some extent, but as Disney Channel series started to become more popular with a demographic who were growing up with kids’ television, this was only going to prove more fruitful if they continued with this formula.

So, they did, and still do, with another prime example of this synergy working extraordinarily well being seen with their 2002 Disney Channel Original Movie Cadet Kelly, which took the lead actress from Lizzie McGuire (2001-04), Hilary Duff, and paired her up with Christy Carlson Romano, known at the time for her role as Ren Stevens in Even Stevens (2000-03). Judging from the impressive viewing figures of Cadet Kelly on its premiere night, and the fact the film has been remembered even two decades after its release, this experiment was shown to be working very well for Disney Channel.

This was not the last time they would do this either. Just look at Princess Protection Program (2009), starring Selena Gomez from Wizards of Waverly Place (2007-12) and Demi Lovato from Sonny with a Chance (2009-11), or How to Build a Better Boy (2014), featuring Kelli Berglund from the Disney XD series Lab Rats (2012-16) and China Anne McClain from their series A.N.T. Farm (2011-14). We also can’t ignore those heavily advertised crossover episodes, such as That’s So Suite Life of Hannah Montana (2006) and Wizards on Deck with Hannah Montana (2009), which brought a myriad of Disney Channel stars together for one special storyline. Disney Channel knew synergy was the way to go.

PLOT

Cadet Kelly begins in New York City, where 13-year-old Kelly Collins is participating in her friend Amanda’s school project, dancing in what appears to be a project about family. This is an arts school, apparently, so I guess the rules are different! Kelly’s teacher asks her how she is going to present her own family project and Kelly decides to make a video diary.

Kelly’s father, Adam, then picks her up from school, and tells Kelly his next work trip, as a photographer, will be to go to a list of African countries, as well as to Myanmar, and Thailand. He’s always going to exotic places. Kelly films her dad as they get hot dogs together, stating that her dad is now divorced from her mother, yet he’s still happy. Kelly calls them a taxi to take them back home, where Kelly lives with her mother, Samantha.

Back home, Kelly continues to shove her camera in the faces of her parents, despite her mother being on a work call. The three discuss Samantha’s new boyfriend, a retired army general. Kelly starts being silly, talking about how cute her mother and her new boyfriend are together, and how her parents still get along despite being divorced. She starts bouncing around the room to the point she knocks over their fish bowl, causing Kelly to panic and desperately try to save the fish. Luckily, she saved them all, but Kelly’s mother tells her she needs to slow down and be more careful sometimes.

Samantha’s partner comes to eat dinner with her and Kelly, and once again, Kelly starts being annoying with her camera, pushing it in the couple’s face, to the point that Samantha’s boyfriend gets hit with it, making his nose bleed. At dinner, Kelly announces that her mother is definitely in love, which embarrasses Samantha. This brings them to an important topic of conversation though: that they are getting married in the summer. This throws Kelly for a moment, but she tries not to let it bother her, by giving them her blessing to get married. Kelly asks what she should call her soon-to-be stepfather. He says either Joe or “Sir” is fine. For some reason, Kelly chooses to call him “Sir”. That evening, Kelly wonders how much everything is going to change with her mother getting re-married. Her mother talks to her, and says that she loves Joe and that this will be good for all of them.

The day before the wedding rolls around and it turns out Samantha hasn’t told her daughter something. She has the whole day alone with Kelly to give her this news. As they go shopping, Samantha says that they are going to be moving upstate as Joe has a new job, as the Commandant, basically the principal, of a military school there, which Kelly will be going to. Kelly is distraught, not wanting to change schools or leave her beloved city. Samantha thinks it might be good for Kelly, to give her some focus and some structure, as Kelly is a bit excitable at times…Kelly announces that she isn’t going, begging her mother to let her live with her friend Amanda and her parents. Samantha says that’s not going to happen. Kelly continues to say to Amanda she isn’t going, but packs anyway.

Sure enough, Kelly’s threats of staying behind in New York don’t come to anything and she arrives at George Washington Military Academy. Her mother and stepfather have a house on campus, so she can come home at weekends, but during the week, she is expected to stay in the cadets’ barracks. Kelly draws attention to herself, both on campus and in the dormitory, as she is the only one not in uniform and clearly doesn’t want to be there. Another cadet, Carla, tries to put Kelly at ease, but Kelly isn’t convinced this will ever be the place for her. The rest of the cadets start discussing sixteen-year-old Cadet Captain Jennifer Stone, the one who will be in charge of their barracks. Kelly learns Captain Stone is stern, strict, and has a crush on Brad, the best-looking guy at the academy.

Shortly after, Captain Stone comes to inspect the cadets. Kelly doesn’t notice as she is busy spreading out a multi-coloured blanket over her bed. Captain Stone comes over to Kelly, and tells her the blanket is not regulation and she never wants to see it in these barracks again. Kelly can’t believe there is such a problem with a blanket. She is told she is on Stone’s “list”. To make it worse, lights out is in 10 mins. Kelly hates this place.

The next morning, Kelly is rudely woken up by the traditional military bugle wake-up call. She is the last to arrive at morning inspection with Captain Stone, and arrives in her uniform, but with the added accessories of jewellery and a scarf. Carla signals to Kelly to take that stuff off; she hurriedly hides it in her cap. Captain Stone and her second-in-command Gloria read out the cadets’ schedule, which confuses Kelly who can’t get her head around the 0800 hours thing! Captain Stone comes over to see if everything is clear, and Kelly admits it is not. She calls Kelly a “maggot” and signals for Kelly to salute her. Kelly rushes to salute, knocking off her cap. As Captain Stone sees all these non-regulation items, she is about to launch into a full-blown tirade, but before she can, Carla jumps in, stating that she will help Kelly learn about proper military conduct. Stone tells her to do it – quickly.

Carla talks to Kelly about ranks, and how as lowly cadets, they need to salute anyone higher up than them, including Captain Stone. Kelly sees Brad for the first time, with Carla telling Kelly to stay away, or risk annoying Stone further. Carla also says that there is a Welcome Back dance on Friday, which interests Kelly, who can’t wait to dress up. Kelly sees Stone about to talk to Brad, and rushes in front of her, to salute him. Brad sees this as comical, saluting Kelly back, before walking away. Kelly then salutes a furious Stone.

Kelly later gets her first taste of classes at a military academy, where she learns to stand before a teacher comes into the classroom, and announces herself to be a “conscientious objector” in a class about war strategies, shocking everyone else in the room! She also says that at her old school, she only had to do math when she felt like it. In the barracks, Kelly talks to the other girls about their dresses for the dance, but Carla is less than enthusiastic about it. Kelly and Carla go for a walk instead, where Kelly sees the academy’s drill team for the first time, and says they look like robots as they throw their rifles around in perfect unison. Kelly is not impressed. The two then come across the Commandant, and Carla is shocked to find Kelly being so familiar with him. Kelly says that the Commandant is actually her new stepfather. Carla says this fact might make Captain Stone go a bit easier on her, but Kelly wants to keep this secret hidden for a while. Carla and Kelly go to Kelly’s house, where they pick out dresses for the dance together. Carla is also introduced to Kelly’s mother, who is struggling a bit with her new role as a housewife.

Later that day, Kelly and the other cadets take part in an assault course. Kelly is not very athletic and is very slow around this course, not liking the mud, the heights, or the fact Captain Stone is following her around it, yelling instructions at her. Kelly eventually finds herself stuck up a wall, which she needs to abseil down. After the activity is over, Captain Stone returns to the wall to see Kelly still up there. Kelly is ordered to come down, and she haphazardly repels down the wall. Stone tells Kelly that she’ll be repeating this course again, until she gets it right, with Gloria watching as she does so. This means Kelly will miss the dance that night, but Stone doesn’t care.

Kelly gets to work on the course, even as it starts to pour with rain. She tries to get Gloria on side, but Gloria is stone-faced, ordering Kelly through the obstacles. During the point where Kelly must crawl through the mud, she starts to sing military songs, which amuses Gloria. She gives Kelly some hints and tips on how to complete the course faster and more easily. After getting through the mud, Gloria tells Kelly they are done for the day and she is dismissed. Kelly runs to the dance in her muddy combats, leading to her falling down the hill right by the hall where the dance is being held. She bursts in, still off balance, and slams right into Captain Stone, clinging on to her as she tries to get her balance again. Stone is horrified to see her beautiful white dress covered in mud. Brad, her date, just starts laughing as the rest of the students applaud Kelly for her stunt!

The next day, Kelly is sent to the Commandant’s office, where he says he’s had lots of complaints about Kelly, from Stone and her teachers. Kelly then insults the drill team, which was a big mistake as the Commandant was once part of that team. The Commandant tells Kelly she will learn about the importance of service here. He tells Kelly to go home. Kelly tries to call her dad, but he doesn’t answer. She leaves him a voicemail, saying how great school is even though she is close to tears. Kelly tries to talk to her mum about how much she hates the academy, but her mum reveals that she is pregnant. Kelly can’t possibly ruin things between her mum and her new stepfather now, so she keeps quiet about it. Kelly is given new paints so she can paint the nursery. Joe then comes home and congratulates Kelly on becoming a big sister – by offering her a handshake…

The next day, at inspection, Stone thinks there will be something wrong with Kelly’s uniform or bunk, but she can’t see anything. Stone congratulates Kelly with getting away with something – however, as Stone walks past, she sees Kelly’s blanket out of the corner of her eye, hidden under a pillow. Stone grabs the blanket and rips it up in front of Kelly. That night, Kelly wants payback for that, and goes to Stone’s room. The next morning, everyone discovers that Kelly actually painted Stone’s hair whilst she was sleeping. Everyone else finds it funny, but not Stone, who delivers a court marshal to Kelly later that day. Joe and Kelly’s mother discuss it that evening, with Joe angry at Kelly for putting him in this position. The other cadets will put Kelly on trial but he will have to punish her. Kelly talks to her mother in tears, saying she was never asked if she wanted to come here, so it’s hardly her fault if she’s struggled to adjust. Her mother tells her to apologise to the court.

In court, Stone reads out a list of Kelly’s “crimes”, and is told by Brad to remove her cap to give evidence of the painted hair. The court finds Kelly guilty and she is sent to the Commandant’s office. He sentences her to be the equipment manager for the drill team, where she will be polishing and cleaning the team’s uniforms. It turns out the Commandant has high hopes for this team to outdo his 1970 team’s 3rd place finish at competition. Kelly then gets a call from her dad, and she lets him know what happened. He’s so distracted he doesn’t really listen and thinks her sentence must be a good thing!

Later, Kelly reports to the drill team and is ordered to polish shoes. She starts singing about how mean Stone is, which is overheard by Brad. He doesn’t seem to care though and shows Kelly that a bit of spit on the shoes makes them shine more. The Commandant comes to watch the team practice, and says they will have a meet in two weeks’ time, this being their first step to getting to the Regionals. Kelly keeps up her job as the equipment manager, asking Carla to come and help her. Carla then says that she loves being at school, as it’s much better than life at home. Kelly starts to understand how that could be possible.

As the two work on polishing together, Kelly interrupts Captain Stone and Brad’s conversation again, asking to borrow some spit for her shoe, saying she’ll pay him back later…Right…She also says she’s a lucky charm and offers to let Brad rub her head. He does. As the team go back out to practice, Kelly picks up a rifle and tries to flip and catch it.

At the meet against Rahway High School, they are all nervous, especially Captain Stone who needs help with her broken belt. Kelly comes to the rescue. George Washington Military Academy is outperformed by Rahway, with Brad deducing they need more from the Exhibition Phase, which is basically like a military-inspired dance routine, something that Stone had been working on. Kelly tries to cheer Brad up when they are alone by playing about with the rifle. He finds it funny, and lets her carry on.

The next day, Kelly finds Gloria and offers her some of her jewellery or accessories in exchange for help with drill team try-outs, as they are holding auditions to revitalise the team before the Regionals. Gloria is happy to help, and quizzes her on military knowledge and teaches her the movements. After some time, Gloria decides Kelly is ready and she goes to the try-outs. Stone is unimpressed with Kelly. Brad ignores her, saying that new members will be announced the next day. Kelly wakes up bright and early so she can see if she made it, but she is once again summoned to the Commandant. He begins by saying he did not give Kelly permission to try out for the drill team, but announces she made it and that he is very proud of her. Kelly is about to get another handshake when she tells the Commandant he needs to be less uptight now that there’s going to be a baby in the family. He agrees.

Kelly sees Stone practising new moves for the competition later that day, and joins in, by copying Stone. They begin a sort of dance-off, which is seen by Brad. Brad likes this idea and decides they will now be a duo in the Exhibition Phase, annoying Stone. Kelly tries to get along with Stone, asking if they can talk about their routine together. Stone allows it. That evening, Kelly’s father comes for dinner with Kelly, her mother, and Joe. He says he’ll be climbing Rockridge Point nearby so he will be able to see Kelly in the drill team competition later that same day. Kelly is very pleased about this.

The day of Regionals comes and the team arrive at the location. Kelly is being asked by Brad to do something; however, she is distracted by the arrival of Amanda, who Kelly calls her “truest friend”, upsetting Carla who has been with Kelly throughout her time at the military academy. The competition begins soon after with the Inspection Phase. The team do well. Kelly then starts to look for her dad in the crowd but he isn’t there. The team hear a phone going off; it’s Kelly’s. They are angry with her because had that phone gone off during the inspection, they would’ve been disqualified. Kelly tries to explain it is her dad and he only calls in emergencies. Kelly picks up the call but the line goes dead.

An hour or so later, Kelly tries to call her dad again as he still isn’t here, but there is no answer. The Commandant comes over to give the team a pep talk before their next phase. He sees Kelly upset and talks to her. She explains she is worried about her dad, believing he’s got himself in trouble but not wanting to abandon the team. The Commandant tells her the team would understand and that her father comes first. They drive to Rockridge Point to look for him. Stone and Brad are disappointed to find Kelly has vanished and stand down some of their team to make up for the missing cadet.

At Rockridge Point, Kelly sees her father has fallen off the mountain onto a ledge and is unconscious. Joe calls for help, but Kelly wants to act now. She says she will repel down to him on the ledge. Joe tries to talk her out of it but Kelly is insistent. She starts abseiling down the mountain, jumping the last section as the rope they have is too short. Kelly tries to wake her father, and he regains consciousness, joking about how the “first step is a real doozy”. The emergency services come to retrieve Kelly’s father and take him to hospital. Kelly is glad to see both of her dads fine and well. Kelly and Joe hug for the first time.

Back at the competition, the Commandant explains that he excused Kelly from the last phase. Now it is time for the Exhibition Phase, and Kelly and Stone know they have to be perfect to make up points. The two give an amazing performance, complete with ribbons. As the teams assemble for the final scores, George Washington Military Academy sadly find that they come in 2nd place, and did not win, losing by just one point. However, this is still the best the team has done in years, so the Commandant and Brad are happy with that, and they are still going to Nationals. Kelly tries to take the blame for the team not winning, and Stone seems to start to agree with her, however, she says that actually the team wouldn’t have done as well without her. Kelly says their routine will just have to be better next time. Stone announces that she’s actually moving away so Kelly will have to go on without her, but she wishes for Kelly to become a Cadet Captain, so she can deal with someone just like her in a few years’ time! The movie ends with the team saluting their Commandant and Kelly stating that her memoirs of this time in her life are now complete.

CHARACTERS & CAST

Kelly Collins, or Cadet Kelly, is an enthusiastic, artistic, positive individual. She loves art, New York City, and her family, although her clumsiness and over-excitedness can get her into trouble sometimes. Kelly never expects her life to change much, but instead finds herself being sent to military school after her mother marries a general who is set to be the new Commandant there. Kelly’s character doesn’t match the structured routine of military school, and she finds herself trying to push the boundaries as much as possible, however, this also gets her into trouble as she gets off on the wrong foot with Captain Stone, embarrasses her stepfather, and struggles to understand the rules at this new school. Eventually, thanks to her punishment of working with the drill team, Kelly learns the discipline and focus Joe and her mother hoped she’d learn, as she becomes a part of the team and begins to properly engage with the academy classes. This even leads to her pulling off a daring rescue to save her father, and to a respectable second-place finish with the drill team.

Hilary Duff was cast as Kelly Collins. At the time of Cadet Kelly, Duff was already playing the title role in the Disney Channel series Lizzie McGuire (2001-04), having also previously been cast as Wendy in Casper Meets Wendy (1998). After Cadet Kelly, Duff went on to reprise her role as Lizzie McGuire in The Lizzie McGuire Movie (2003) before having many more acting opportunities, such as being cast as Lorraine Baker in Cheaper by the Dozen (2003) and its 2005 sequel, and as Sam Montgomery in A Cinderella Story (2004) starring opposite Chad Michael Murray. More recently, Duff starred as Sophie Tompkins in How I Met Your Father (2022-23), a spin-off of the series How I Met Your Mother (2005-14). Duff is also known as a singer, having released many albums, including Santa Claus Lane in 2002, her self-titled album in 2004, and most recently Luck…or Something in 2026. Some of her earlier singles include “Why Not”, “So Yesterday”, and “Santa Claus Lane”. During her time as a teen acting and singing sensation, Duff won numerous Kids’ Choice Awards.

Cadet Captain Jennifer Stone is strict, tough, and easy to annoy. She doesn’t tolerate lack of care and attention to the rules of the academy, and quite clearly doesn’t like Kelly for a variety of reasons. Stone cannot allow any cadet to get an easy ride, just because they aren’t used to being at a military academy or because their stepfather is the Commandant, so Stone is quite hard on Kelly. Kelly doesn’t respond to being shouted at or punished so Stone’s animosity towards Kelly does no-one any favours. In the end, when Kelly and Stone are forced to work together for the competition, Stone finds that actually Kelly isn’t such a “maggot” after all, and they find some common ground. They perform well together at the competition but hopes of seeing the two become friends are dashed as Stone says her father has gotten a new posting and she will be moving away. Sad times.

Christy Carlson Romano was cast as Cadet Captain Jennifer Stone. At the time, she was playing Ren Stevens in the Disney Channel series Even Stevens (2000-03) for Disney Channel, going on to reprise this role in The Even Stevens Movie (2003) as well as becoming the voice of Kim Possible for the Disney Channel series and its 2005 film So the Drama. In the 2019 reboot DCOM Kim Possible, she returned to the franchise to play Poppy Blu. Christy Carlson Romano went on to appear in Broadway productions, such as being cast as Belle in the 2004 production of Beauty and the Beast, and Kate Monster and Lucy in the 2008 production of Avenue Q. Nowadays, she hosts podcasts such as Vulnerable, and had a YouTube series called Christy’s Kitchen Throwback, where former child stars would come and cook with her whilst discussing their careers. This series later became a cookbook. For her role in Even Stevens, Romano won two Young Artists awards.

Cadet Carla Hall is seemingly Kelly’s only friend at the academy. Carla is the first person to talk to Kelly and volunteers to help Kelly learn about how to behave at her new school, in order to stop Stone from coming down so hard on Kelly every day! Carla and Kelly become close friends, even though Kelly doesn’t listen to Carla’s advice all the time. Carla later agrees to help Kelly with the equipment for the drill team, apparently taking it over from her after Kelly gets a spot on the team. That wasn’t part of the deal. At the competition though, Carla is hurt to find that Kelly only thinks of Amanda as her best friend. In the end, Kelly explains that she doesn’t like Amanda more than Carla, only that she’s known Amanda longer, which isn’t much of an apology if you ask me, but Carla seems ok with it!

Carla was played by Andrea Lewis, who went on to be cast as Hazel Aden in Degrassi: The Next Generation (2001-15) until Season 5, and as Melissa in the Canadian drama series Moccasin Flats (2003-06). Lewis said that she was very excited to work on Cadet Kelly, having been a fan of the Disney Channel and its shows like Even Stevens, Lizzie McGuire, and The Famous Jett Jackson. She was not aware of quite how big a deal this film was going to be until she saw Hilary Duff and Christy Carlson Romano show up for the read-through. Lewis said she had a lot of fun shooting this movie and is still surprised to be recognised by the public for her role here over 20 years later[1].

Cadet Major Brad Rigby is the talk of the academy amongst the girls, who all have a crush on him; however, it is well-known in the school that Captain Stone likes Brad so he is effectively off-limits to everyone else. Only Kelly would ignore that advice, going out of her way to be noticed by Brad, such as pushing in front of Stone just so she can randomly salute him, and asking him to rub her head for good luck. To be honest, Brad doesn’t seem romantically interested in Stone, even though they went to the dance together, and just seems to be amused by Kelly, so there are no romances in Cadet Kelly. Brad is much too busy focusing on getting the drill team a win, and when Kelly gets a place on the team, she seems to forget all about impressing him anyway!

Brad Rigby was played by Shawn Ashmore, who went on to play Bobby Drake / Iceman in the X-Men sequel X2 (2003) shortly after his role in Cadet Kelly, winning the MTV Movie Award for Best Breakthrough Performance. He reprised his role in later X-Men sequels. After this, Ashmore was cast as Mike Weston in the Fox series The Following (2013-15), which starred Kevin Bacon, and currently plays Wesley Evers in the ABC police drama series The Rookie (2018-present).  

Gloria Ramos is Captain Stone’s second-in-command, doing most of the shouting for her! Gloria is tasked with monitoring Kelly’s attempts through the obstacle course and initially seems just as stern and strict as Stone, however, she warms to Kelly throughout the course and decides to help her instead of just yelling at her. She is also instrumental in preparing Kelly for the drill team try-outs, once again, happy to help her. Gloria is fair and sympathetic unlike Stone, but she still doesn’t suffer fools gladly.

Aimee Garcia was cast as Gloria. Garcia went on to be cast as Veronica Ann Palmero in Seasons 5 and 6 of the sitcom George Lopez (2002-07), and as Jamie Bautista in Seasons 6, 7, and 8 of Dexter (2006-13). She later played Ella Lopez in the fantasy series Lucifer (2016-21). Outside of that, she also played Jae Kim in RoboCop (2014). Recently, Garcia was cast as Magdalena Ortega in the festive film Holiday in Santa Fe (2021).

Amanda is Kelly’s best friend from New York. They both went to the same school together, loving the freedom their specific school gave them. Together, they are giggly and perhaps just a little bit ditzy! Amanda can’t believe that Kelly is going to be moving away, however, they plan to keep in touch. Amanda shows up to Kelly’s drill team competition and is very happy to be reunited with her best friend.

Sarah Gadon was cast as Amanda. Gadon had previously appeared as Heather in an early DCOM, The Other Me (2000). She was later cast in theatrical movies, like Belle (2013), playing Lady Elizabeth Murray; A Royal Night Out (2015) portraying Princess Elizabeth; and Ferrari (2023), where she was cast as Linda Christian. In television, Gadon was cast as Sadie Dunhill in the miniseries 11.22.63 (2016) and starred as Grace Marks in the Canadian miniseries Alias Grace (2017). Recently, she played Laura Redman in the Netflix miniseries Wayward (2025), which starred Toni Collette.

General Joe Maxwell, also known as the Commandant, or just “Sir” to Kelly, is Kelly’s new stepfather, but he isn’t the typical kind of stepfather you see in these types of films, trying desperately to get the approval of their new partner’s child. Instead, he is simply strict and uptight, due to his military roles and upbringing. At one point, he says his father was also Commandant at this same school when Joe was attending, so that is perhaps why he struggles to be openly emotional. Thanks to Kelly, he learns how to be a warm, loving father and it’s about time too, because, as Kelly said, babies can’t salute or shake hands!

Gary Cole was cast as General Maxwell. Cole had starred as Mike Brady in The Brady Bunch Movie (1995) and its 1996 sequel prior to his role in Cadet Kelly, and had also appeared in the Disney Christmas film I’ll Be Home for Christmas (1998) as Jake’s dad, Mr. Wilkinson. After Cadet Kelly, Cole went on to voice Kim Possible’s father, Dr. James Possible in Kim Possible (2002-07) and to voice the character of Principal Shepherd in Family Guy (1999-present). Cole has continued to voice act with his recurring role as Sergeant Bosco in the Fox animated series Bob’s Burgers (2011-present), returning to the role for the 2022 The Bob’s Burgers Movie. Outside of that, Cole has made appearances in other movies, including as Reese Bobby in Talladega Nights: The Ballad of Ricky Bobby (2006), starring Will Ferrell; Ted Jones in Pineapple Express (2008); and as Henry O’Hare in Hop (2011). In television, Cole played Bob Russell from Season 5 to Season 7 of The West Wing (1999-2006); Kent Davison in the political satire series Veep (2012-19); the recurring role Kurt McVeigh in The Good Fight (2017-22); and Harrison Jackson III in the Black-ish spin-off series Mixed-ish (2019-21). Cole currently plays Alden Parker in NCIS (2003-present), having been involved in the long-running show since Season 19.

Samantha Collins is Kelly’s mother. She seems to have quite a high-powered, stressful job in the city, but leaves all of that once she marries Joe and moves upstate to the military academy for him, where she learns to cook and later becomes pregnant. It’s not the most empowering storyline for her, but she seems to like her new life. Samantha clearly loves her daughter and honestly thinks the structure of military school might help Kelly to calm down and be less hyper, however, Kelly does struggle to adapt and feels the need to keep this a secret so as not to disrupt her mother’s happiness with her new husband. Samantha is a little bit clueless to her daughter’s feelings, but she does mean well, I think.

Samantha was played by Linda Kash, who was later cast as Schlots’ mother in the Disney Channel Movie Full-Court Miracle (2003). Kash also played Alma Hix in the made-for-television adaptation for ABC of The Music Man (2003), alongside Matthew Broderick as Harold Hill and Kristin Chenoweth as Marian around this time. Kash went on to play the recurring role of Nellie Hebert in the medical drama Doc (2001-04).

Adam Collins is Kelly’s photographer father. He is usually away on his travels around the globe on exciting work assignments, so he doesn’t see Kelly as much as he’d like to but he does always return with some sort of gift for her. Adam is kind of clumsy and scatterbrained, like his daughter, so that must be where Kelly gets it from! Adam doesn’t seem to be someone who wants to settle for the mundane, but like Samantha, he adores his daughter and wants to be there for her drill team competition. Sadly, he gets himself into an accident and has to be rescued by Kelly, missing the competition, but at least he wasn’t seriously injured – that wouldn’t be very Disney Channel, would it? Nigel Hamer was cast as Adam. Hamer appeared as Jeff Isaacs in early seasons of Degrassi: The Next Generation.

MUSIC

Cadet Kelly’s soundtrack features mostly pop music, generally used in montages. Three songs are clearly heard within Cadet Kelly.

One of these is “Watch Me Shine”, written by Dino Esposito, and performed by singer Joanna Pacitti. “Watch Me Shine” was also used in the movie Legally Blonde (2001) starring Reese Witherspoon. In Cadet Kelly, “Watch Me Shine” is playing as Gloria teaches Kelly about drill team protocol so she can successfully try out for a place on the team. This song is all about showing the doubters what you can do, so it perfectly matches Kelly’s story in the film. In the Disney+ version of this film, “Watch Me Shine” was replaced by a different song. The song was not credited, so I don’t have an artist or writer’s name for it. The song may be titled “You Can Be Anything”, judging by its lyrics. 

Another song used is “Relating to a Psychopath”, written by Macy Gray, Jeremy Ruzumna, Darryl Swan, and Dave Wilder. It was performed by American singer Macy Gray, who released her debut album On How Life Is in 1999. Gray won numerous awards for such singles as “I Try”, including a Grammy Award for Best Female Pop Vocal Performance. Gray has since appeared on various reality shows, including as a contestant on Dancing with the Stars (2005-present), appearing in Season 9 in 2009, and The Masked Singer, in the US, Australia, and the UK. “Relating to a Psychopath” is playing as Kelly interrupts Captain Stone’s rehearsal for the Exhibition Phase of the drill team competition, and basically turns it into a dance off, as Kelly and Captain Stone try to copy and outdo each other’s moves. This leads to Brad saying the two must perform together in the competition. For some reason, in the Disney+ version of Cadet Kelly, this song was also removed, being replaced with something generically jazzy, which is a shame because the original song fits well in the scene. I can only assume Disney lost the rights to these two songs at some point.  

Finally, “One Girl Revolution”, written by Max Hsu and Dave Gherzlen, and performed by rock band Superchick, is the stand-out tune in Cadet Kelly. Superchick released their debut album Karaoke Superstars in 2001, with “One Girl Revolution” appearing in this album. “One Girl Revolution” has also appeared in other movies, including the DCOM Cloud 9 (2014) and the Mary-Kate and Ashley film Holiday in the Sun (2001). In Cadet Kelly, this song is used both in the opening sequence, as well as during Stone and Kelly’s competition dance routine.

As well as these three very audible songs, at the Welcome Back dance, the song “It’s Not That Deep”, written by Donny Markowitz, and performed by Cash Hollywood, is playing when Kelly comes barrelling into the hall and bumps into Captain Stone.

You’ll also hear two likely familiar tracks within Cadet Kelly. One is the traditional military wake-up call, called “Reveille”, normally performed on the bugle. There is also “I Don’t Know, But I’ve Been Told”, a military cadence call. The song has been parodied many times. In this case, Kelly is singing about how mean Captain Stone is and that her heart is cold. Brad then comes in and asks Kelly “How cold?”, to which Kelly shouts “Ice cold!”. Kelly also sings the openings lines from both “The Marines’ Hymn” and “Row, Row, Row Your Boat” whilst she is trying to get through the mud and under the wires in the assault course.

There are also two further pieces of music that are credited in Cadet Kelly, however, neither of these have performers or singers attached to them, only writers. Without being able to hear them, and their titles not giving any hint as to what section of the film they can be heard in, I cannot link them to anything specific. Just to complete the soundtrack though, the tracks are “Don’t Get Me Started”, written by Kit Hain and Nina Ossoff, and “I Need To Hear It From You”, written by Nina Ossoff and Kathy Sommer.

David Kitay is credited as the composer of the music here. At Disney Channel, Kitay also composed the music for other DCOMs, like Eddie’s Million Dollar Cook-Off (2003) and Life is Ruff (2005), and co-composed for Stuck in the Suburbs (2004) with Jeff Vincent. Away from Disney, Kitay has worked on the music for such non-Disney movies as Clueless (1995); Scary Movie (2000); and Over Her Dead Body (2008).

PRODUCTION

Cadet Kelly was said to be inspired by the 1980 comedy film Private Benjamin, with producers from that film being involved in the creation of Disney Channel’s Cadet Kelly.

Private Benjamin sees a woman named Judy Benjamin being almost tricked into completing basic training for the US Army and finding herself struggling to navigate the world of the military and its personnel. This comedy film was a big hit in 1980, leading to Academy Award nominations for its lead actress Goldie Hawn, as well as Eileen Brennan for Best Supporting Actress, and Nancy Meyers, Charles Shyer and Harvey Miller for Best Screenplay – Written Directly for the Screen. The screenwriters did win the award for Best Comedy Written Directly for the Screen at the Writers Guild of America Awards.

Although Cadet Kelly has been watered down to suit the child-friendly environment of the Disney Channel, the basic idea, of a girl being pushed into a military atmosphere with no idea of what she’s doing, leading to humorous incidents, is more or less the same.

The writers tasked with using Private Benjamin as inspiration for this new Disney Channel movie were Gail Parent and Michael Walsh. Parent had previously worked on comedy series such as Mary Hartman, Mary Hartman (1976-77) and The Golden Girls (1985-92). After Cadet Kelly, Parent wrote the screenplay for the Disney comedy film Confessions of a Teenage Drama Queen, starring Lindsay Lohan and Megan Fox. Michael Walsh had written the screenplay for Joseph and the Amazing Technicolor Dreamcoat (1999), an adaptation of the 1972 Andrew Lloyd Webber and Tim Rice musical of the same name, prior to his work on Cadet Kelly. Walsh is an author of non-fiction books and novels.

Cadet Kelly was directed by Larry Shaw, who was a director and producer on the long-running series Desperate Housewives (2004-12). Shaw also directed some episodes of other series including Castle (2009-16) and Why Women Kill (2019-21).

Filming for Cadet Kelly took place in Canada. The military boarding school Robert Land Academy was said to be the primary filming location for Cadet Kelly. The academy was located in Wellandport, Ontario, Canada. It has since closed, with former students alleging abuse at the school. Another filming location was St Andrew’s College, based in Aurora, Ontario. The independent school was founded in 1899. Loretto Abbey Catholic Secondary School in Hogg’s Hollow, Toronto, was an additional school location used for filming. It was established in 1847 and is one of Toronto’s oldest schools. Fort York Armoury, a Canadian Forces facility in Toronto, seems to have been used for the location of the drill team competition at the end of the film.

When casting Cadet Kelly, it was already decided that this movie would be a vehicle for Hilary Duff to boost her star power. Christy Carlson Romano believes she was then approached to be cast opposite Duff due to her performance in Even Stevens, with her character Ren being the highly-strung older sister. The two conflicting characters would create the necessary tension. Since both of these actresses came from popular Disney Channel series, their combined star power would surely make this film a hit.

But there was a slight catch. They wouldn’t just be able to fake the military behaviours and procedures; they’d have to be taught how to do it properly – and that meant they were thrown into a boot camp to learn all these things, like how to salute correctly, march properly, and all the skills needed to compete with the drill team. The military instructor on this film was Andrea Bryant, who ensued the stars did not slack off, overseeing their progress daily. Bryant said she was quite impressed with the actors for their commitment and focus on getting these skills perfect. Cadet Kelly had to be technically accurate, otherwise what would be the point of making the film. Many DCOMs see their stars learn specific sports for their films, where hitting someone in the face with a ball might not be too much of an issue, but nobody wants to get whacked in the face with a rogue rifle!

As well as these military skills, Hilary Duff and Christy Carlson Romano also had additional rehearsals for their dance routines with choreographer Amy Wright, which they still found tough but were more fun to do[2]! Apparently, Christy Carlson Romano got quite bad back problems whilst she was filming Cadet Kelly because of the need to stand up straight for hours on end in unsupportive military-regulation boots, meaning she needed regular massages to get her through filming[3]. Hilary Duff also stated in an interview that it was so hot while they were filming that in some of the sequences outside, cadets were passing out[4].

The credits of Cadet Kelly acknowledge multiple locations and institutions. One of these is the National High School Drill Team Championships of Daytona Beach Florida. Apparently, producers approached the competition for consulting purposes for the in-movie drill team competition. Another was Rahway High School, whose drill team appears in the film as an on-screen rival team for George Washington Military Academy. Rahway High School is situated in Union County, New Jersey.

Cadet Kelly is dedicated to film producer Carol Rubin, who worked at ABC and The Walt Disney Company. She was involved in the Disney Channel Original Movies Brink! (1998) and Zenon: Girl of the 21st Century (1999) amongst many others. Rubin died in 2001.

RECEPTION

Cadet Kelly premiered on Disney Channel in the US on 8th March 2002.

It is not clear when Cadet Kelly premiered on international Disney Channels though, and whether the majority saw it in 2002 or had to wait a year for it.

What is known though is the viewing figures that Cadet Kelly achieved on its premiere date – and they are somewhat surprising in some ways, and make total sense in other ways. Cadet Kelly was watched by around 7.8 million total viewers on its premiere date, premiering after a new episode of Lizzie McGuire, reportedly. It ranked No. 1 in the channel’s target demographics of Tweens 9-14 and Kids 6-11, and actually become the most-watched Disney Channel Original Movie premiere for a time[5].

In the early 2000s, the viewing figures of all DCOMs were not widely reported. However, of the few that were, including Halloweentown II: Kalabar’s Revenge (2001), with 6.1 million; and The Luck of the Irish (2001), with 5.2 million, Cadet Kelly easily surpassed all of them with its viewership. This 7.8 million was enough to keep Cadet Kelly in the top spot of the Top 10 Most-Watched DCOMs for many years. The closest this movie came to being topped was with Disney Channel’s January 2006 film High School Musical – yet High School Musical was 0.1 million viewers short of outdoing Cadet Kelly.

Just a few months later, in August 2006, The Cheetah Girls 2 equalled Cadet Kelly’s numbers, so these two became the highest-rated Disney Channel Original Movie premieres. By 2007, thanks to Jump In! premiering in January of that year, Cadet Kelly and The Cheetah Girls 2 were toppled from the No. 1 spot, as Jump In! garnered 8.2 million viewers on its premiere. All three would be blown completely out of the water by the record-breaking premiere of High School Musical 2 in the summer of 2007 though, which was watched by around 17.2 million viewers. However, Cadet Kelly was the most watched DCOM premiere of 2002, and remains in joint 8th position in the Top 10 Most-Watched DCOM Premieres list.

Cadet Kelly has remained one of the most talked about DCOMs too, even over two decades since its release and is beloved by many who watched the film in their tween and teenage years. I am one of those people. Many particularly liked the pop music-filled soundtrack, and felt it was cute, funny, and perfect for the target audience that watch Disney Channel. The casting of both Hilary Duff and Christy Carlson Romano was also praised, with the two bouncing off each other brilliantly in their scenes. Cadet Kelly was also seen to have a message about female empowerment, featuring two strong-minded female characters.

Having said that, Cadet Kelly has been the subject of some criticism as well. Some have commented online, at length, to discuss Kelly’s mother’s parenting decisions. These viewers take issue with Kelly being pulled away from a school and city she loves to go to military school just because of her new stepfather’s job, with Kelly’s needs and wants not being considered at all. They also dislike the fact Kelly calls her stepfather “Sir” and doesn’t use his name. I’d just like to point out here that at the dinner early on in the movie with Kelly, her mum, and her stepfather, he does say that she can call him Joe or “Sir”; Kelly is the one to choose to call him “Sir” and not Joe, so this was not forced upon her. But obviously at school, she should not call her stepfather by his first name, but that would be expected at any school, not just military school. Others felt the plot of Cadet Kelly was predictable, which isn’t necessarily a bad thing, especially for a children’s television movie, and there has been some criticism levelled at how military schools and the drill team are portrayed.

From my point of view, I never had an issue with the plot point of moving Kelly to military school, for two reasons. One is that the structure of military school was good for Kelly because she could be quite hyper and lacking focus. The other is that parents are always moving their families when they get new jobs. It’s nothing new and certainly not unique to this film; it’s just how it goes sometimes. Another point I’d like to mention is that had Kelly actually plucked up the courage to tell her mum how much she hated being at the military academy, I am quite sure she would’ve been sent to another school. The only thing I can really critique is the crush on Brad subplot. It doesn’t add anything to story, and Brad doesn’t seems interested in either Kelly or Captain Stone. It is only there to add another level of animosity and tension between the two, but as it falls away pretty quickly after Kelly joins the drill team, it just seems pointless to me.

LEGACY

Cadet Kelly seems to have found a place for itself amongst a sea of other DCOMs, some memorable, others forgettable, particularly those from the 1990s and 2000s. 

Some publications have taken to ranking Disney Channel Original Movies, with Cadet Kelly frequently appearing towards the top of these rankings. For example, Vulture ranked all 105 DCOMs that had been released at the time, and Cadet Kelly was placed in fourth spot, due to its iconic final dance number with the ribbons, and for its casting[6].

This film has also stayed relevant, with the actors later becoming aware of the fact that Cadet Kelly resonated with the LGBTQ+ community. This doesn’t mean Cadet Kelly was written with this exact purpose in mind, more that it appealed to this group, who liked the relationship between Captain Stone and Kelly. Hilary Duff and Christy Carlson Romano had been asked about this aspect of the film in interviews, with both saying they had not been aware of this until many years later, but they are glad to have been a part of something that may’ve helped people through a difficult or complicated moment in their lives[7].

Cadet Kelly never received a sequel, and never really needed one. Kelly likely stayed at the military school, Jennifer Stone moved away, and Kelly’s mother had her baby and the family became closer than ever. It’s not a particularly exciting future for the film, and a sequel could’ve only really had Kelly become a new Cadet Captain and deal with a new recruit very similar to her. This is a similar direction that Christy Carlson Romano envisaged when asked about a possible future for the film, except in this case, she thought that her character, Jennifer Stone, could’ve become the school’s new Commandant and would’ve had to deal with a new girl that is similar to Kelly, bringing back all those memories. She also thought that Stone could’ve married a woman, opening up a new direction for the film to match where some fans felt Cadet Kelly may’ve been heading[8].

FINAL THOUGHTS

I have always liked Cadet Kelly, although I will admit that, watching it back, some of the acting was a bit clunky and awkward – but that’s generally expected from any Disney Channel movie. I liked the music, and always cry at the end when Kelly is saving her dad. It’s been one of my favourites for years, ever since I first watched it.

Cadet Kelly will always remain a favourite Disney Channel Original Movie, particularly amongst millennials, for its casting, messaging, and feel-good factor, showing how it is possible to overcome adversity and discover just who you want to be.


REFERENCES

[1] Credit: Lexy Perez, ‘Andrea Lewis on Working With Hilary Duff on Disney Movie ‘Cadet Kelly’, Film Resonating with LGBTQ Community’, HollywoodReporter.com, 20th June 2024.

[2] Credit: Disney Channel, ‘Learning the Drills’, from Cadet Kelly (2002) UK DVD (2005).

[3] Credit: Christy Carlson Romano, ;What REALLY Happened On The Cadet Kelly Set?! I Christy Carlson Romano’, Christy Carlson Romano Official Facebook Page, 23rd November 2021.

[4] Credit: Vanity Fair, ‘Hilary Duff Rewatches The Lizzie McGuire Movie, A Cinderella Story & More I Vanity Fair’, Vanity Fair Official YouTube Channel, 20th January 2026.

[5] Credit: Laughing Place, ‘Disney Channel Premiere of Cadet Kelly Breaks Records’, LaughingPlace.com, 12th March 2002.

[6] Credit: Rebecca Alter, ‘All 105 Disney Channel Original Movies, Ranked’, Vulture.com, 4th May 2020.

[7] Credit: Lexy Perez, ‘Andrea Lewis on Working With Hilary Duff on Disney Movie ‘Cadet Kelly’, Film Resonating with LGBTQ Community’, HollywoodReporter.com, 20th June 2024.

[8] Credit: Alexia Fernández, ‘Hilary Duff Didn’t Know ‘Cadet Kelly’ Resonated with LGBTQ Community: ‘If It Helped Anybody, I Hope So’, People.com, 19th January 2022.

Pokémon: The First Movie (1998)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. PRODUCTION
  5. MUSIC
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

There will be very few people in the world who have not at least heard of Pokémon.

It became a global phenomenon from its beginnings in 1996, and has only expanded its franchise since then. This means that there will be even less children who grew up in the 1990s that have not had anything to do with Pokémon since its inception.

I definitely had heard of Pokémon in the 1990s. I loved watched the original series, Pokémon: Indigo League, on Saturday morning children’s TV, specifically SMTV: Live, I think, with presenters Cat Deeley and Ant and Dec. I played the Trading Card Game with my sister, even though I nearly always lost for reasons I will never understand. We even went to a Toys R Us store once just to get a new pack of cards because each one had a shiny Machamp in it. I still play Pokémon GO, the mobile game, although I have a love-hate relationship with it, frequently wanting to throw my phone when I don’t get the shiny Pokémon I want, or miss out on the walking distance I definitely did. But that’s my issue. 

This means I was definitely the target audience for Pokémon: The First Movie when it came to cinemas. This was a little later than the official release date of 1998 in Japan, making its way to the US in late 1999, and eventually the UK around April 2000. I do remember going to the cinema to watch this film and I liked it. My sister, the bigger Pokémon fan, loved it. I just liked Pikachu and Togepi back then to be honest!

Pokémon: The First Movie continued the storyline of the Indigo League series, where Pokémon trainer, Ash, journeys with his friends, Brock and Misty, and his trusty Pokémon Pikachu, to battle trainers and collect new creatures. I was a fan of this series, but I actually remember very few episodes. I always liked the one where Misty had to do a mermaid show with her sisters, and the episodes about Gym Leader Sabrina and her hobby for turning people into dolls still creeps me out to this day, but that’s about it. Pokémon: The First Movie is hard to forget though, with the mystery of Mewtwo being central to the story and the almost philosophical discussions about creation, science, and life making it quite deep.

This film had everything – to please the fans, who were, mostly, young children. For that reason, Pokémon: The First Movie has not gone down in animation history as one of the finest films to have ever graced our screens. But with a healthy dose of nostalgia, Pokémon: The First Movie continues to be touted as a triumph by the most dedicated of fans. For me, despite still liking this film, I’m sitting somewhere in between the two schools of thought.

PLOT

For clarity, this plot summary is specifically for the English dub of Pokémon: The First Movie. Although the overall story between the original Japanese version of the film and the English dub are similar, there are a few differences, something that I’ll go into later on.

Pokémon: The First Movie begins with an invisible narrator discussing the concept of life, a great miracle and a great mystery, before stating that this is the story of the most powerful Pokémon of all. Inside a lab, we see a Pokémon, confused about where and what they are. It stares out at a group of scientists, who are monitoring its brainwaves. Suddenly, they notice the brainwaves surging, and the Pokémon breaks out of the water-filled tube it’s been kept in. Using its psychic powers and telepathy, it communicates with the scientists, who tell it that it is the clone of the mythical Pokémon Mew, with this new Pokémon being named Mewtwo. After hearing that the humans want to experiment further, Mewtwo decides they don’t care about it and Mewtwo destroys the lab, breaking free and escaping, proving to the scientists that they did in fact build the strongest ever Pokémon.

Seeing the destruction below, tough Gym Leader Giovanni lands by Mewtwo, saying he wants Mewtwo to be his partner, because together they can control the world, however, first, Mewtwo must trust Giovanni to help it control its powers. For this reason, Giovanni armours Mewtwo, saying this will focus the psychic powers. Yet, it soon becomes clear to Mewtwo that it is simply being used by Giovanni to battle trainers and, since Mewtwo never loses, to capture other trainers’ Pokémon. Mewtwo realises this is not an equal partnership and breaks his armour, flying away again, back to the location of the lab on New Island. Mewtwo vows to find its own purpose and purge the planet of all who oppose it.  

Meanwhile, a new journey begins, as Pokémon trainer Ash, and his friends Brock and Misty continue their travels to help Ash become a great Pokémon trainer. On this day, Ash moans about being hungry, but immediately accepts another trainer’s invitation to battle. Ash easily defeats this trainer’s line-up of Pokémon, which include a Donphan and a Machamp, with his Bulbasaur, Squirtle, and Pikachu, his most loyal Pokémon. He is being watched by their enemies Team Rocket, consisting of Jessie and James, and their Pokémon Meowth, who can talk, unlike most other Pokémon. Team Rocket want Ash’s Pikachu, believing it to be a very special kind of Pokémon. It seems that Ash is also being watched by someone else. A Fearow carrying a camera flies over head. We see that someone is watching Ash’s battle on a screen. His female assistant asks if this trainer should receive an invitation. Her “master” tells her to approve one for Ash. This “person” summons a storm.

Suddenly, a Dragonite lands next to Ash and his friends, handing them a holographic invite, inviting them to a special gathering on New Island that afternoon to meet with the greatest trainer of all time. Intrigued, Ash says they all must go. As the Dragonite leaves, it is intercepted by Team Rocket, who want to know what the invite said. The Dragonite accidentally drops one, letting Team Rocket know about the meeting at New Island.

Ash, Brock, and Misty arrive at the ferry port for New Island, where they discover the storm has stopped all ferries from going to the island. The port is full of trainers with their Pokémon. Police Officer Jenny addresses the crowd with Harbour Manager Miranda. They warn the trainers not to attempt to cross the water as the storm is deadly. Miranda states that a storm like this had been prophesised, and it has happened before. The previous deadly storm wiped out all but a few Pokémon, with their tears reviving all those lives that had been lost. Miranda warns this may not be the case this time. Despite the warning, and the fact that the nearby Pokémon Center has been shut since its nurse, Nurse Joy, went missing so their Pokémon will not be able to be revived, a few trainers head out, using either their Water-type of Flying-type Pokémon. Ash wants to do the same, but Misty says their Pokémon are not strong enough to manage the journey. As they stand by the sea, wondering what to do, a boat, being rowed by three Vikings arrives, and offers to take Ash, Brock, and Misty to New Island themselves. These “Vikings” are actually Team Rocket, but Ash and the others are not aware of that. Despite being suspicious, the three get in the boat and they head to the island. However, the huge, crashing waves soon cause the boat to overturn. Ash, Brock, and Misty use their Staryu and Squirtle to get through the storm, leaving Team Rocket, whose disguises have now been lost, to fend for themselves. Eventually, the storm calms down and Ash, Brock, and Misty see a castle in the distance. They head towards it.

Once safely on solid land, the three are greeted by the woman from the invite. Brock thinks she looks familiar, but the woman claims to have only ever been on New Island to serve her “master”. They are led to a hall, where they see three other trainers from the ferry port have also arrived. They introduce themselves and their Pokémon. The woman says these trainers are the only ones to have proven themselves worthy by getting here despite the storm, so no-one else is expected. They are told to release their Pokémon and await further instructions. Meanwhile, Team Rocket have also arrived at New Island, but do not have an invitation to allow them inside. They find a way in, seemingly through the sewer.

Back inside, a beam of light appears in the hall, and the “trainer” the others have been waiting to meet arrives. But they discover this “trainer” is not even human; it is a Pokémon. And it isn’t just any old Pokémon; it’s Mewtwo. Speaking telepathically, Mewtwo explains it is the soon-to-be ruler of the world, and the most powerful Pokémon of all time. Proving this, Mewtwo lifts up a trainer, Fergus, who disputed this fact, and throws him into the fountain in the hall. Fergus gets his Gyarados to attack Mewtwo, but Mewtwo simply fires its attack straight back. The female assistant is then taken out of her trance by Mewtwo, who has no further use for her. The woman is revealed to be Nurse Joy, the person who vanished from the nearby Pokémon Center. She was being used to help Mewtwo with his plan.

Team Rocket have found their way inside the castle, and are in some sort of laboratory, seeing Pokémon in cylinders around them. Jessie sits on a computer and starts up the “Replication System”. The system tries to take Meowth, and Jessie and James fight against it to keep Meowth with them. Robotic hands take a few strands of Meowth’s hair, and Team Rocket watch the process unfold, as a clone of Meowth is created. They also see a video about Mewtwo and how it was created.  

In the hall, Mewtwo says its purpose now is to destroy the world, ridding it of all the humans and their Pokémon “slaves”. Pikachu says that the Pokémon are friends of the trainers. Mewtwo calls Pikachu “pathetic” and attacks it with its powers. Ash catches Pikachu. Another trainer, Corey, thinks he can capture Mewtwo and uses his Rhyhorn to attempt to weaken Mewtwo. Mewtwo blocks the attack. Mewtwo states it cannot be weakened or caught. Ash wants a proper battle with Mewtwo; Mewtwo agreed to one. Mewtwo awakens its own cloned Pokémon. Team Rocket watch as the clones walk out of the cylinders and leave the lab. Mewtwo reveals a huge stadium for the battle to take place. The trainers realise this was the only reason they were invited to New Island.

Ash, Corey, and the other trainer here, Neesha, attempt to battle against Mewtwo’s clones of Venusaur, Blastoise, and Charizard with their own versions of these Pokémon. Corey and Neesha’s Venusaur and Blastoise fight hard but are quickly beaten back. Ash’s Charizard is poorly trained though, and doesn’t listen to Ash, trying to fight against its clone in its own way, flying high into the sky and crashing back down to the ground… All looks lost, and the trainers lose the battle. Mewtwo claims all their Pokémon as the prize, planning to clone all of them. Pokéballs start chasing down all the Pokémon. Ash attempts to return his Pokémon to their Pokéballs to stop this, but it doesn’t work; Mewtwo’s Pokéballs just capture the trainers’ Pokéballs. Ash tells Pikachu to fight them off and run. Pikachu runs up a ramp, shocking the Pokéballs at random intervals to get them to stop following, but the pursuit continues. Ash runs after Pikachu, but see Pikachu get tired and fall off the ramp. Ash jumps off and catches Pikachu, who has been captured in a Pokéball, just before falling in the fountain. Ash follows the Pokéballs to Mewtwo’s lab. Ash fights against the machines to retrieve Pikachu and is successful. Team Rocket witness all the Pokémon being cloned.

Once the clones are ready, they head to the stadium, and the originals are released again. Mewtwo reveals all his clones, and Ash arrives with the originals. Ash tells Mewtwo not to let this fight happen between the clones and the originals, attempting to attack Mewtwo, but Ash is pushed away, high into the air. Luckily, Ash is caught by a bright pink bubble. It is revealed the pink bubble was created by the mythical Pokémon Mew, who was feared to be extinct. Mew has been watching the proceedings on New Island. Mewtwo wants to fight Mew, to show its power is superior to Mew’s. Mew doesn’t want to fight. Meowth translates for Mew, who says that the strength of a Pokémon is found in its heart. Mewtwo has no time for sentiment and orders the battle to begin, saying all special abilities have been blocked. Mewtwo goes after Mew, as the Pokémon battle their clone copies, who are meant to be stronger and more powerful. Ash watches the proceedings from a high ledge, whilst the other trainers watch on helplessly, as their Pokémon are forced to battle, seemingly to the death. Pikachu did in fact get a clone, and the clone starts to attack, with Pikachu refusing to fight back. Meowth speaks to its own clone, and realises the clones are more similar to the originals than they are different.

Ash starts to make his way down to the stadium wanting to stop this fight once and for all, however, he gets in the middle of Mew and Mewtwo’s fight and their attacks hit him. He is turned to stone. Pikachu is distraught to see Ash like this and desperately tries to shock him awake, but nothing works. Ash continues to lie lifeless in the middle of the stadium. Pikachu starts to cry, with the other Pokémon also crying for him. The power of their collective tears awakens Ash. Having seen this play out, Mewtwo learns that all Pokémon have power, but it is deciding how they use it and live their lives that determines who they are. Mewtwo chooses to fly away with his clones to find a new purpose. Mewtwo wipes the trainers’ memories of this night, and returns them to the ferry port.

Back at the ferry port, we see that they have gone back in time, as the trainers are being warned about the huge storm and the cancelled ferries. However, they see that the storm has now cleared and all is calm again. Nurse Joy also arrives to say she is available to treat any Pokémon that need assistance. It was like it never even happened. As Ash, Misty and Brock look out to sea, Ash thinks he sees something in the sky, but the other two don’t notice, so they think he imagined it. Ash says he thinks he saw a rare Pokémon, just like he did when he started on his journey to becoming a Pokémon trainer. This time he saw Mew.

The film ends with the narrator saying that Ash, Misty and Brock will continue their journey, where many more mysteries and adventures await them. But what happened to Team Rocket? Well, they remained on New Island, with no clue how they got there!

CHARACTERS & CAST

Since I have only seen the English dub of Pokémon: The First Movie, these are the voice actors that I will be focusing on here, although I will mention the name of the Japanese actor.

Ash Ketchum is the trainer that the original series, Pokémon: Indigo League, follows. He first began his journey to become a trainer at the age of 10, which seems a little bit young to be travelling on your own, but oh well! It was at this point that he first got his Pikachu, who is very loyal to him. Ash is dedicated to his Pokémon and his dreams of being a great Pokémon trainer, making him do reckless things, like trying to battle the most powerful Pokémon ever and getting into the middle of that Pokémon’s attack just to get him to stop attacking! Ash just wanted to have a nice day out at New Island, battling some trainers, probably hoping for a free lunch, not to have to deal with a Pokémon having an identity crisis. Ash can be a little bit annoying at times, when he doesn’t listen to Brock and Misty, for example, and always complains about being hungry, but his heart is in the right place, and he would do anything to keep his Pokémon and friends safe from harm.

Ash was voiced by Veronica Taylor. Taylor voiced the character of Ash, plus his mother Delia and some other characters, throughout the Pokémon series and various films until around 2006. Outside of that, she has voiced characters for other series including Sailor Pluto and Setsuna Meio for the Sailor Moon franchise, and April O’Neil for the animated series Teenage Mutant Ninja Turtles (2003-09). The Japanese voice actor of Ash was Rica Matsumoto. Pikachu was voiced by Ikue Ōtani.  

Misty is Ash’s best friend and they meet early on in his journey to become a Pokémon trainer. Misty is the only person who can shout at Ash and have him actually listen! She is quite impatient with him, finding his complaints and whining quite irritating. Like Ash, Misty is also dedicated to her Pokémon and in Pokémon: The First Movie, she is one of the first to voice her concerns about the Pokémon battling their clones, seeing it as barbaric and unnecessary. But she isn’t upset enough to risk her life by getting in the way of Mewtwo and Mew’s epic battle; she lets Ash do that instead.

Rachael Lillis voiced Misty here, also voicing the character until 2006, along with Pokémon like Jigglypuff and Vulpix. Lillis lent her voice to other anime projects, such as Hunter x Hunter (2011-14), voicing Mito Freecss and Cocco. Lillis passed away in August 2024. Mayumi Iizuka was the Japanese voice actor for Misty. Misty’s Pokémon sidekick is Togepi, who was voiced by Satomi Kōrogi.

Brock is the other person who tags along with Ash and Misty on their journey. He has always been girl crazy, to the point where it becomes a little bit problematic if you watch the series as an adult! But whenever girls aren’t around, Brock does have some good ideas and good advice for Ash, for when he thinks Ash needs to take a minute and think before he acts. In Pokémon: The First Movie, he is immediately infatuated with Mewtwo’s assistant on meeting her, later discovering this is the missing Nurse Joy.

Brock was voiced by Eric Stuart, reprising the role until around 2006. Stuart is also known for voicing Seta Kaiba in the Yu-Gi-Oh! anime franchise, amongst numerous other characters. Brock’s Japanese voice actor was Yūji Ueda.

Mewtwo is the antagonist of Pokémon: The First Movie, although it didn’t have to be that way. On discovering its status as a clone, Mewtwo is confused about what its purpose is, just being a “copy” of some other Pokémon, or an “experiment” to be tested on throughout its life. Mewtwo doesn’t want that, and knowing its strength, knows it doesn’t have to settle for that. However, Mewtwo thinks it can trust Giovanni when Giovanni claims they will be equal partners and take over the world together. This turns out not to be case, furthering Mewtwo’s belief that humans are bad, and that the Pokémon that “serve” them are weak. Mewtwo doesn’t want that for its future, so it decides to clone other Pokémon, so they can rise up against the humans and their Pokémon, proving that clones are worthy and more powerful than they are. Mewtwo is to set on this plan to enact revenge on humans that it doesn’t see that all Pokémon are worthy and that their strength doesn’t lie in their power. It takes a while for Mewtwo to learn that, but it does, and plans to figure out a new purpose, removing the memory of that night from the minds of all the trainers who were there.

Jay Goede voiced Mewtwo, although he is credited as Philip Bartlett in the film. Goede went on to perform roles on stage, including in the 1999 national tour of Cabaret, and played Grinch in the 2006 performance of How the Grinch Stole Christmas! in San Diego, California. Goede also voiced Dr. Fuji, the lead scientist cloning Mewtwo. Mewtwo’s Japanese voice actor was Masachika Ichimura. Koichi Yamadera voiced Mew.

Mewtwo enlists the help of Nurse Joy in developing his plans, making her the face of his plot, so that Mewtwo could arrive as the big reveal later on. Nurse Joy was kidnapped from her role at the nearby Pokémon Center and taken to New Island against her will, being put into a trance by Mewtwo’s psychic ability so she would help. It’s quite dark for a children’s film when you think about it. Nurse Joy is quickly taken out of her trance as she is no use to Mewtwo once the trainers arrive with their Pokémon and she is left to watch this scheme, that she inadvertently played a part in, play out in front of her. Nurse Joy’s memory of the night is also wiped and she returns to work at the Pokémon Center none the wiser.

Megan Hollingshead voiced Nurse Joy. Hollingshead voiced this character in the series and films until around 2004, going on to provide voices for other anime series, such as Mai Valentine in Yu-Gi-Oh! Duel Monsters (2000-04) and Rangiku and Nemu in Bleach (2004-12) and its most recent series Bleach: Thousand-Year Blood War (2022-present). The Japanese voice actor for Nurse Joy was Ayako Shiraishi.

Now, to Team Rocket. Team Rocket consists of humans Jessie and James, and their sidekick Meowth, a Pokémon who can actually talk and not just say its name. Jessie and James are eager to capture Pikachu for their boss, Giovanni, but they are quite incapable of doing so. They frequently seem to get close to Ash, only for their plans to be thwarted at the last moment. Meowth is quite aware of Jessie and James ineptness and makes comments about it, being quite sarcastic at times. In Pokémon: The First Movie, although their initial plan is still to bother Ash and his friends, they find themselves in the middle of something so much bigger than that, and become distracted by Mewtwo’s war against trainers and their Pokémon. They probably wished they’d left Ash alone on that day!

Jessie was voiced by Rachael Lillis, who voiced Misty, and James was voiced by Eric Stuart, who voiced Brock. In Japan, Jessie was voiced by Megumi Hayashibara and James was voiced by Shin-ichirō Miki. Meowth was voiced by Maddie Blaustein for the English dub, voicing the character until around 2006. Blaustein also voiced other characters for animated series, such as Solomon Muto for Yu-Gi-Oh! Duel Monsters. Blaustein passed away in 2008. Inuko Inuyama was the Japanese voice actor for Meowth.

There are three other trainers at New Island along with Ash, Misty and Brock. They all appear to be older, and are therefore more mature and more confident in their Pokémon training abilities. This shows when they are the first trainers to defy the authorities and go to New Island on their own, and when they seem to think they can defeat Mewtwo easily, but they soon realise that is not the case, regardless of what strategy they use. In the end, they can only watch on as their Pokémon are cloned and used against them, waiting to see what happens next. Ash, despite being younger and less capable a trainer, is the one to stop the fighting, something that the trainers Fergus, Corey, and Neesha must have been grateful for. Although since all their memories were wiped, I doubt they ever had any further contact with each other, or Ash, Misty or Brock after that night!

Fergus was voiced by Jimmy Zoppi, also known as James Carter Cathcart who went on to voice numerous other characters for the Pokémon franchise including James, Meowth, and Professor Oak in later series and films. He passed away in 2025. Fergus was voiced by Wataru Takagi in Japan. Corey was voiced by Ed Paul, also known as Ted Lewis, who voiced various characters for the Yu-Gi-Oh! franchise. Tōru Furuya was the Japanese voice actor behind this character. Neesha was voiced by Amy Birnbaum, who went on to voice other characters in the Pokémon franchise from this point. Aiko Satō was the original voice.

Rodger Parsons, credited as Ken Gates, returned to narrate Pokémon: The First Movie, as he had done with many other Pokémon series, including the first season, and the movies. In Japan, narration was completed by Unshō Ishizuka.

PRODUCTION

In order to talk about the production of Pokémon: The First Movie, it is necessary to go back and discover how Pokémon as a concept came into existence.

The idea for Pokémon was created by Satoshi Tajiri, who was a keen insect catcher and collector as a child. Tajiri later used this as a foundation for his video game work, as he started to develop a game about collecting “pocket monsters”, the phrase was later combined to become Pokémon, back in the 1990s. After the Game Boy was released by Nintendo, and a cable was produced to connect one console to another, Tajiri allegedly started to picture bugs crawling across this cable from one Game Boy to the next.

Tajiri used his ideas to start to develop a game with Nintendo. Pokémon Red and Green were released for Game Boy in February 1996 in Japan, with the aim to catch and train these new creatures. Connecting to other consoles allowed for players to trade Pokémon between themselves and to battle each other. These basic foundations continue to be developed and expanded for all the Pokémon games that have followed. The Pokémon Red and Green games were released outside of Japan, to North America, the EU and Australia, for example, in late 1998, going into 1999, with the names Pokémon Red and Blue, instead of Red and Green. Pokémon Yellow came into existence a year or so later[1].

From this point, an anime series was created based on the games. The first series, titled Pokémon: Indigo League (1997-99), came to television screens in Japan on 1st April 1997. It later came to the US in late 1998, reaching over to the UK and Europe in 1999. The story of Pokémon: Indigo League is all about 10-year-old Ash Ketchum as he travels around the Kanto region, competing for Gym Badges against Gym Leaders, and collecting new Pokémon, with his friends Misty and Brock, two former Gym Leaders. The popularity of this series across the globe led to the creation of the Pokémon franchise’s first theatrical movie, Pokémon: The First Movie, which still continued to follow Ash, Misty, Brock and their Pokémon, but with the added mystery of introducing a new Pokémon, Mewtwo.

Pokémon: The First Movie is obviously based on characters created by Satoshi Tajiri for the Nintendo games, as well as being based on direct events and characters from Pokémon: Indigo League. The screenplay for the movie itself though was written by Takeshi Shudo, who had previously written episodes of Pokémon: Indigo League, and went on to write further episodes for later series, as well as other movies, like Pokémon: The Movie 2000 (1999) and Pokémon 3: The Movie (2000). The director of Pokémon: The First Movie, Kunihiko Yuyama, also has history with the Pokémon screen projects, having directed all the Pokémon movies annually from this point, ending with Pokémon the Movie: I Choose You! In 2017, and directing some episodes of the original series. Yuyama and Shudo had previously collaborated on the anime series Magical Princess Minky Momo (1982-83).

These were the creators behind the movie, which, obviously, was first released in Japan, in an anime style. However, Pokémon: The First Movie then had to be dubbed into new languages for Pokémon fans across the world. You might assume this was a simple process of translation, but it was not, and has caused some annoyance amongst viewers, who have become aware of differences between the original Japanese, and the English dub.

4Kids Entertainment, an American licensing company, were the distributors of the original Pokémon: Indigo League series, bringing Pokémon to audiences outside of Japan. This meant they were responsible for translating the movie as well, but they made some changes in the process of doing this that were not appreciated even by Pokémon fans.

The problems start at the very beginning of the film. In the English version of the film, we are told that this film is going to ponder the meaning of life and tell the story of the creation of the most powerful Pokémon ever. This then moves to Mewtwo in the cloning lab, deciding to break free after learning it is an experiment to be tested on. This English dub lacks any context to Mewtwo’s creation, which was actually present in Japan. Pokémon: The First Movie was meant to follow on from a few episodes of Pokémon: Indigo League, which would’ve introduced Mewtwo in some cameo appearances. However, these were not aired at the right time and ended up reaching viewers after the film had already been released. This is due to the four-month hiatus that was put on the Pokémon series, after hundreds of Japanese children experienced seizures after watching the 38th episode of the first series “Electric Soldier Porygon” in December 1997. The flashing sequences had triggered seizures, and later seemed to have a caused a mass hysteria event as many more children who did not have epilepsy began to experience symptoms in the days that followed. This episode was never aired again and was effectively banned[2].

To help with context for Pokémon: The First Movie, a radio drama called The Birth of Mewtwo was aired in Japan instead to help audiences understand how this cloned Pokémon was created. This drama was later animated and added to the movie as a roughly ten-minute prologue for the 1999 television broadcast of the film in Japan. However, despite this segment being available by the time the English dub, came to cinemas in 1999, this ten-minute segment was not included, only later becoming a bonus feature on DVD releases.

In this prologue, Dr. Fuji, the lead scientist in cloning Mewtwo says that he and his team have found the site of a shrine to Mew. Financed by Giovanni, the team find a Mew fossil, and, believing Mew to be extinct, plan to use it to unlock the secret to restoring life through cloning. In the lab, Mewtwo starts to think, wondering who it is and where it is. Sensing others, it starts to communicate telepathically, talking to a girl called Ambertwo. She says Mewtwo is a Pokémon, but a talking one. Ambertwo says it is just like her, and the cloned Bulbasaur, Squirtle and Charizard. In the lab, the clones seem to be in a sleeping state. Ambertwo is revealed to be Fuji’s daughter, having cloned her after her death, despite his wife begging him not to and subsequently leaving him due to his obsession with his research. Still in their sleeping state, Ambertwo shows Mewtwo her “remember place”, where it is told about the sun and the wind, of sunrise and sunset. However, the clones start to fade away; in the lab, they are shown to be dying. Ambertwo fades last. Mewtwo feels sad at her loss, and starts to cry. Ambertwo says that the tears of a Pokémon are full of life. Her parting remark is to tell Mewtwo that life is wonderful. Mewtwo’s brain waves start going out of control, so the scientists administer a memory loss serum so it doesn’t remember all this. Eventually, Mewtwo calms down. It remembers something and someone as it grows, hearing the words “life is wonderful”, but it doesn’t know why.

With this prologue in mind, suddenly Mewtwo is not an evil villain anymore, wanting to take over the world, but a confused Pokémon wondering what its purpose is, and where it fits in this world, with its impressive psychic powers. Mewtwo is simply convinced it is superior to other Pokémon because of its strength, and wants to prove that is the case with other clones. Another difference between the two versions is that Mew is portrayed as the saviour of Ash and the others in the English dub, as it is seen to be defending them against evil, but in Japan, Mew actually thinks the clones should be destroyed, just because it sees genetically modifying Pokémon as wrong.

The battle between the two sides in the Japanese version culminates in the message that all life is precious, regardless of if it is cloned or natural. The English dub, however, decided to make this an anti-violence message, showing the clones attacking the original Pokémon, apparently to the death, with Ash stopping the fighting by sacrificing himself to save them all. This isn’t necessarily a bad message, and Western films do tend to have an obvious villain and an obvious hero, avoiding any grey area, but in the context of Pokémon, Pokémon never fight to do the death, and battle frequently, with the Pokémon fainting, not dying, whenever they are beaten. Battling is a major part of becoming a Pokémon trainer, so with that in mind, an anti-violence message makes little sense, especially as Ash and the others continued to battle other trainers and Pokémon in all the series that followed[3]. To be honest, I’ve never read too much into it, and struggle to see a huge difference in the storyline between the two, but I haven’t watched the Japanese version before and I am trying to understand the differences through other people’s reactions and opinions, which may vary.

4Kids Entertainment claim they made these story changes to the script in order to plug some plot holes that appeared in the Japanese version. One of these was around the meaning of Pokémon tears. This later appeared in The Birth of Mewtwo short prologue, as Ambertwo says their tears are full of life, but the English dub says the tears of Pokémon after a storm helped to revive all those who had died. Without having any awareness of the prologue, this is fine as a fix for the “plot hole” although it does feel like it was shoehorned in, as it is a very brief statement that is not revisited.

However, despite 4Kids Entertainment’s heroic attempts to “rescue” the story, the English dub contains multiple errors and mistakes. For one thing, the End Credits are full of typos, with names being misspelled. Another is that some Pokémon are misidentified during the course of the film. For example, a Pidgeot is identified as a Pidgeotto, by its own trainer; and Sandslash is called Sandshrew by Meowth. These are fairly easy mistakes to make, as they are at least part of the same evolution chain, however, Team Rocket misidentify Scyther as Alakazam, with the two Pokémon looking very different. Some also noticed that certain attacks used in battles worked against Pokémon types they shouldn’t have worked on. This is down to the type of attack being used and the Pokémon type it is being used against, as Pokémon all have different strengths and weaknesses depending on their “type”. But it takes real dedication to remember all these combinations, and that is something I don’t have!

One addition to the English dub I did like, though, was about Team Rocket. When they are dressed as Vikings and offer a lift in their boat to New Island to Ash, Misty, and Brock, Brock questions whether Vikings still exist. Ash responds by saying they mostly live in Minnesota. This made me chuckle, because it’s such a random thing to say, but actually, the joke has another layer to it, and that is because the American football team in Minnesota is called the Minnesota Vikings. I didn’t know that, but either way, I thought it was a good joke.

There has also been talk about the fate of a trainer who heads out in the storm to get to New Island on a Fearow, but they are not seen again. This trainer has been discussed online, with theories ranging from the trainer turning back to the ferry port due to the intensity of the storm, or a darker one about how the trainer may not have survived their journey. The likely story is that the animators simply forgot about them[4]! This can’t be blamed on the English dub though, as this is an animation error, not a script mistake.  

MUSIC

When making an English version of a film in another language, it is not only the script that is changed, but also the music, in order to capitalise on the best musical acts in the English-speaking world. This was the case with Pokémon: The First Movie, where multiple songs were credited, having been written and performed by some very popular acts from the 1990s, however, within the actual film, there are just two songs that are played.

One is the “Pokémon Theme”, written by John Siegler and John Loeffler. It is performed by Billy Crawford. This is the same theme that accompanied the first series of Pokémon, although performed by someone different; the original singer was Jason Paige. It is an iconic song for many 90s children. In the film, the theme is played as Ash battles the trainer in the field, just before he gets invited to meet with Mewtwo on New Island.

The other song is “Brother My Brother”, written by John Loeffler, Ralph Schuckett, and Emosia. It was performed by American rock band Blessid Union of Souls. There is quite a mixed reaction to the use of this song within Pokémon: The First Movie, with some absolutely loving it, and others thinking it is misplaced. This was added in to the English dub of the film, so was not present in the Japanese version of the film. I personally find this song doesn’t suit the scene well, as it isn’t particularly sad, but I guess the point is that the song is almost pleading to the Pokémon to understand they are one and the same.

Then, the End Credits goes through excerpts of four songs in quick succession. The first song is “We’re a Miracle”. The track was performed by Christina Aguilera, who was riding high on the success of her self-titled debut album, and her No. 1 singles “Genie in a Bottle” and “What a Girl Wants”, around this time, having also recorded a version of “Reflection” for Disney Animation’s Mulan (1998) prior to that. “We’re a Miracle” was written by Todd Chapman, David Zippel, and Christina Aguilera.

This is then followed by “Free Up Your Mind”. It was performed by Emma Bunton, credited here as Baby Spice, as Bunton is best known for being a member of British girl group The Spice Girls. After the band split in 2000, Bunton went on to pursue a solo career, releasing her debut album A Girl Like Me in 2001. “Free Up Your Mind” was written by Bunton, Rhett Lawrence, and fellow former Spice Girl Melanie Chisholm, a.k.a. Sporty Spice.

“If Only Tears Could Bring You Back” is the third end credits song. It was performed by Midnight Sons, with the song being written by Marjorie Maye Pulice and Russ Desalvo. The song was inspired by the scene of Ash being revived by the Pokémon tears.

The final song to appear in the credits is “Don’t Say You Love Me”, which was performed by M2M, a Norwegian pop duo. This was their debut single. M2M later split in 2002, before reuniting in 2024. The song was written by Marion Raven, Marit Larsen, the two members of M2M, Peter Zizzo, Jimmy Bralower.

Two other songs were credited on the DVD of Pokémon: The First Movie, but I believe these songs are only heard in the short film Pikachu’s Vacation, which preceded the movie in theatrical releases. It was not available to view on my DVD copy of Pokémon: The First Movie, so the End Credits must not have been re-edited for the DVD release.

These songs were “Vacation” and “Catch Me If You Can”. “Vacation” is playing as the opening credits roll on this short film. It was written by Colleen Fitzpatrick and Josh Deutsch, and performed by American singer-songwriter Vitamin C. I only remember Vitamin C from her guest appearances on Nickelodeon’s The Amanda Show (1999-2002) – I still know the chorus to her song “Me, Myself and I” from her performance on the show – and Sabrina the Teenage Witch (1996-2003). “Catch Me If You Can” is used for the sequence of Squirtle and Marill racing in the vacation resort pool, to prove who is the better Pokémon. It was written by Angela Trullinger and Briand M. Steckler, and performed by Angela Via.

The US soundtrack contains the eight songs credited in Pikachu’s Vacation and Pokémon: The First Movie, as well as several others that make no appearance in the film. These include the songs “Soda Pop” by Britney Spears; “Somewhere, Someday” from NSYNC; “Get Happy” by Irish girl group B*Witched; and “Makin’ My Way (Any Way That I Can)” by Billie Piper, showing that this soundtrack was really determined to make use of all those popular 90s musical acts. This soundtrack for Pokémon: The First Movie was released in November 1999, with a separate soundtrack for the score being released in 2000.

The composer of the score for Pokémon: The First Movie’s English version was John Loeffler. Loeffler was the longstanding composer for the Pokémon series, up until 2013, going on to also compose the score for the English version of Pokémon: The Movie 2000.

RECEPTION

Pokémon: The First Movie, sometimes with the added subtitle of Mewtwo Strikes Back, was originally released in Japan on 18th July 1998. It later came to the US on 10th November 1999, before reaching other countries in the months that followed, stretching into 2000.

This film was released alongside the original short film Pikachu’s Vacation, something which I really liked a lot. I liked the actual movie, but I think I actually preferred Pikachu’s Vacation when I first saw it. In Pikachu’s Vacation, Ash, Misty and Brock drop off all their Pokémon at a resort, and they are told to look after Togepi. Togepi gets hungry and starts crying, with the group trying to sort the issue. Eventually, Bulbasaur rocks Togepi to sleep with its vines, but Togepi is woken up by a group consisting of a Snubbull, Cubone, Marill, and Raichu who are very loud. When they are told to be quiet, an instant rivalry begins, which sees the Pokémon want to go head-to-head against each other, but as Pikachu takes on Raichu in a race, they wake up Charizard who becomes angry and ends up getting his head stuck in a hole in some play equipment. The Pokémon learn how to work together to free Charizard, and hang out together for the rest of the day. This short film was written by Hideki Sonoda, and was directed by Kunihiko Yuyama.

In Japan, Pokémon: The First Movie was incredibly successful, both financially and critically. Financial figures are hard to come by for the Japan release specifically. In the US, however, the box office figures were easier to find. Pokémon: The First Movie broke box-office records by taking just over $52 million in its first five days of release in the US, and became the biggest Wednesday opening for any animated film in history at the time by selling out more than 3,000 US cinemas on 10th November. The term “Pokeflu” was even coined, thanks to the New York Times, for the reason why so many children were not at school on that day. A marketing campaign with Burger King, of around $22 million, was said to have boosted the film’s chances of doing well, with a total of 57 toys being distributed in kids’ meals over the course of two months, although some restaurants did run out of toys, leading to complaints from parents and children alike[5]. Outside of the US and Japan, Pokémon: The First Movie also had record-breaking opening weekends, in 11 international markets in the early months of 2000. It was top of the box office in various countries, including Germany, the UK, and Spain[6].

Pokémon: The First Movie has made a total of around $170 million at the box office. By the end of 1999, the film was in the No. 23 spot at the Worldwide Box Office, which is a decent result for the movie. However, it was quite a bit lower than a few other animated and family films for the year. Just two weeks after Pokémon: The First Movie was released in the US, Pixar’s Toy Story 2 came to screens, on 24th November 1999, so it had already been anticipated that Toy Story 2 would quickly overtake Pokémon: The First Movie. That was the case as Toy Story 2 finished in third place at the Worldwide Box Office, with around $487 million at the time. Disney Animation’s Tarzan was in fifth with just under $450 million, and Star Wars: Episode I – The Phantom Menace took the top spot with just over $920 million.

Despite the decent box-office takings, Pokémon: The First Movie was not received so well by critics in the US and Europe. There is a massive divide between viewers and film critics, with many die-hard Pokémon fans willing to sing the praises of Pokémon: The First Movie, and critics taking shots for various reasons – mostly because they were adults who were not the target demographic for the film.

Let’s start with the positives. Many have said that Pokémon: The First Movie was colourful, vibrant, and cute, with its selection of adorable Pokémon and interesting backgrounds. This film was also good for kids, specifically fans of the games or the original series, since the story was simple to follow, and the runtime of the film was just 75 minutes. Millennials have a particular love for this film and the nostalgic element to it, as they likely watched it as children and enjoy revisiting it as adults. The sequence of Ash lifeless on the ground and the Pokémon crying for him is also said to be very moving, bringing a tear to people’s eyes – mine included. It is surprisingly touching for a Pokémon film.

On the other hand, some critics were quick to dismiss the “low-grade” animation style, with this not aging particularly well in an era of technological advancements in present day. This animation style is different to what you’d expect to have seen from the likes of Disney and Pixar at the time, either traditional hand-drawn animation or computer-animation, but Pokémon: The First Movie never claims to be anything but anime. It’s a different style but that doesn’t make it bad. It was also said that Pokémon: The First Movie’s story was so thin and lacked any ambition that it must’ve been made solely for merchandising opportunities, to add to the ever-increasing ways of expanding the franchise for money-making purposes. There were also later comparisons between the English dub and the original Japanese version of the film, with some stating that the Japanese film is superior, because it gives context to Mewtwo’s creation and doesn’t try to get across an anti-violence message that doesn’t make sense in the world of Pokémon with their constant battling.

In terms of awards, Pokémon: The First Movie won the Theatrical Film Award at the Animation Kobe, an event established by Kobe City in Japan to promote anime and other forms of media. The awards ran from 1996 until 2015. Pokémon: The First Movie joined a list of other movies awarded this honour, like fellow Japanese animated movie Spirited Away (2001) from Studio Ghibli and Pixar’s WALL-E (2008). Pokémon: The First Movie was also nominated at the 2000 Nickelodeon Kids’ Choice Awards for Favorite Movie. It was nominated alongside Toy Story 2, Big Daddy – and Austin Powers: The Spy Who Shagged Me, for some reason. Adam Sandler’s film Big Daddy was the winner here. At these same awards, Pokémon was also up for Favorite Cartoon, losing to Rugrats (1991-2004), but it did win Favorite Video Game. Pokémon: The First Movie was also nominated for Best Family Feature Film for 1999: Animated at the Young Artist Awards, but lost out to Toy Story 2.

Meanly, Pokémon: The First Movie received nominations at the Stinkers Bad Movie Awards for 1999, which started handing out awards for the worst films of the year in 1978, and ended in 2006. Pokémon: The First Movie was up for Worst Screenplay for a Film Grossing Over $100M Worldwide Using Hollywood Math – the winner was Wild Wild West– and Biggest Disappointment (Films That Didn’t Live Up to Their Hype), which was won by The Blair Witch Project. All the Pokémon were also nominated for Worst Screen Debut – the people behind these awards were clearly reaching here – but the winner was Star Wars’ Jar Jar Binks. Pokémon: The First Movie did end up winning something here: the Worst Achievement in Animation award, against movies I’ve never even heard of.

LEGACY

Pokémon may’ve existed since 1996, but 30 years on, it is still popular and its franchise is still expanding in various ways and forms.

Shortly after Pokémon: The First Movie was released, the remainder of the episodes of the original series, Pokémon: Indigo League, were aired, continuing Ash’s journey. The Pokémon series spawned many new storylines, locations, and new Pokémon. Ash’s journey concluded in Series 23 titled Pokémon: Journeys, which ended in December 2021. The series was revived as Pokémon: Horizons from April 2023, following two new trainers Liko and Roy. The most recent series started in April 2025 and is titled Horizons – Rising Hope.

There have also been over twenty animated films since the first film came to be. They were released annually for a time, but have not become as frequent since 2018. The most recent film was Secrets of the Jungle (2020). The live-action film Detective Pikachu (2019) was released in May 2019, with Justice Smith cast as Tim Goodman, and Ryan Reynolds voicing the role of Pikachu – which was just bizarre, but did actually make sense once I’d watched the film. Detective Pikachu was a lot better than I’d expected it to be. The likes of Bill Nighy and Rita Ora also make appearances in this film. It grossed just over $430 million worldwide, making it the second highest-grossing film based on a video game; Warcraft (2016) was top of the list at that time. Both have now been overtaken by The Super Mario Bros. Movie (2023), A Minecraft Movie (2025), and Sonic the Hedgehog 3 (2024).

Video game releases have also continued, with numerous other games coming to Nintendo consoles in recent years, such as the Game Boy Advance, the Nintendo DS and the Nintendo Switch. A new game titled Pokémon Winds and Waves is said to be in development for the Nintendo Switch 2, for release in 2027. A spin-off game Pokémon Pokopia recently came to Nintendo Switch 2, in March 2026, and has had some great reviews. The mobile game Pokémon GO launched in July 2016, and ten years on, the game is still free to play, with optional paid-for extras, and is expanding its Pokémon collection as the Pokémon video games do. The Pokémon Trading Card Game has seen a resurgence as of late as well, with cards on sale for thousands or millions of dollars. Influencer Logan Paul is said to have had something to do with the increased popularity of Pokémon cards. He sold a rare Pikachu Illustrator card for a record-breaking $16.5 million in 2026, which he purchased for $5.275 million in 2021[7].

Specifically relating to Pokémon: The First Movie were a couple of new films, one a remake and one a sequel television special. The remake was a CGI, almost shot-for-shot, remake of Pokémon: The First Movie titled Pokémon: Mewtwo Strikes Back – Evolution (2019). It was released in Japan in 2019, before making its way to Netflix in February 2020 to reach a global audience. The new animation style was not widely appreciated. I didn’t particularly like the look of it either, but I did appreciate that it barely changed the story – though I hadn’t seen the original in years by that point so actually didn’t remember the story much at all! Another noticeable difference was in the change of voice actors for all the main roles, but there were also some minor changes, like the omission of the “Brother My Brother” song for the battle scene, and that Team Rocket picked up Ash, Misty and Brock, to take them to New Island, in a Lapras boat, not in their Viking disguises[8].

There was also the television special Pokémon: Mewtwo Returns, which aired in Japan in December 2000, before coming to other territories via a direct-to-video release, including in the US, around 2001. The story follows Mewtwo as it tries to find a new life for its self and the cloned Pokémon, having found a hideaway in Mt. Quena. However, Giovanni wants to find Mewtwo and plans to recapture it. Giovanni manages to find Mewtwo’s new home, as do Ash, Misty, Brock, and Team Rocket through total coincidence. Mewtwo eventually allows itself to be captured by Giovanni, to save the clones from being experimented on. However, Giovanni still manages to capture all the clones, and Ash and his friends. They eventually free themselves and try to rescue Mewtwo from Giovanni’s torture, and they succeed in defeating Team Rocket. Mewtwo wants to wipe everyone’s memories of these events, but Ash asks that it doesn’t do that, leaving their memories intact. Mewtwo then reappears in an episode of the Pokémon: Journeys series. 

Some merchandise was also released around Pokémon: The First Movie, such as a novella detailing the story of the film, with another one being created specifically for Pikachu’s Vacation, as well as posters and new trading cards, alongside the DVD and VHS releases. With the 30th anniversary of Pokémon in full swing in 2026, numerous other pieces of merchandise have been spotted recently including very expensive Pokémon LEGO sets, a Pokémon pop-up shop at the Natural History Museum in London, until April 2026, a limited-edition greyscale Pikachu plush toy, and even a Pokémon collab with the JimmyPaul fashion brand[9]. The first Pokémon theme park also opened in Tokyo to mark this anniversary, called PokéPark Kanto, as part of the theme park Yomiuriland. It opened on 5th February 2026[10]. Other Pokémon attractions and experiences may yet be coming to Universal Theme Parks, most likely in Japan, in the years to come. These would add to, or replace, their limited-time Pokémon offerings that currently exist, including their Halloween event. The Halloween event has run at Universal Studios Japan for a few years now, and made a return in 2025. This event includes a dance party, themed merchandise and food options, and appearances by costumed characters, such as Pikachu and Gengar.

FINAL THOUGHTS

Pokémon has shown no sign of its popularity decreasing or waning in the decades since its creation in 1996. If anything, the Pokémon brand continues to increase its reach.

Pokémon: The First Movie was the first attempt to create a theatrical experience for the franchise, building on the success of thetelevision series and its global appeal. Further Pokémon movies may not have been as popular, with many not reaching cinemas outside of Japan, but the stories of Pokémon and their trainers just kept going.

Although I like Pokémon: The First Movie, and did watch it as a child on its initial theatrical release, I cannot categorically say that I have an everlasting love for this film. Sure, it’s pretty good, but that’s only the case if you’re a fan of Pokémon, or are at least aware of what you’re watching, and who the Pokémon even are. If not, then Pokémon: The First Movie gives absolutely nothing to those viewers. You had to have been a fan to enjoy this.

And that’s fine, because no movie will ever be universally appealing to everyone. Pokémon: The First Movie served its purpose. It continued Ash’s journey to becoming a Pokémon trainer, and introduced a completely new Pokémon. Plus, it made a whole lot of kids happy – and no doubt bored their parents! 


REFERENCES

[1] Credit: Gregory Wakeman, ‘Nintendo Released Its First ‘Pokémon’ Games 30 Years Ago. Here’s How the Beloved Catchable ‘Pocket Monsters’ Became the World’s Biggest Media Franchise’, SmithsonianMag.com, 27th February 2026.

[2] Credit: Benjie Goodhart, ‘’There was an explosion, and I had to close my eyes’: how TV left 12,000 children needing a doctor’, TheGuardian.com, 16th December 2022.

[3] Credit: Ryan Lambie, ‘How the US Version of Pokemon: The First Movie Changed Its Meaning’, DenOfGeek.com, 8th February 2017.

[4] Credit: Adriano Valente, ’25 Wild Things Only Super Fans Knew About Pokémon: The First Movie’, TheGamer.com, 13th November 2018.

[5] Credit: BBC News, ‘Entertainment: Pokemon zaps US cinemas’, News.BBC.co.uk, 15th November 1999.

[6] Credit: Mike Goodridge, ‘Warner Int’l scores $14.6 weekend with Pokemon’, ScreenDaily.com, 19th April 2000.

[7] Credit: Laura Sharman, ‘Logan Paul’s ‘holy grail’ of Pokémon cards sells for $16.5 million, with a diamond necklace thrown in’, Edition.CNN.com, 16th February 2016.

[8] Credit: Joshua Yehl, ‘The Biggest Differences Between Mewtwo Strikes Back and Pokemon: The First Movie’, IGN.com, 17th August 2021.

[9] Credit: Keza MacDonald, ‘Even for fans like me, the Pokémon 30th anniversary ‘stuff’ is a bit much’, TheGuardian.com, 4th March 2026.

[10] Credit: CBBC Newsround, ‘World’s first Pokémon theme park opens’, BBC.co.uk, 5th February 2026.

Johnny Kapahala: Back on Board (2007)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

Generally, if Disney Channel choose to make a sequel to one of their Disney Channel Original Movies, this sequel would make its way to screens within a year or two of the original. This happened with most of their franchises, like High School Musical, Descendants, and ZOMBIES, although their spin-offs or reboots did not quite fit this timeline.

Waiting eight years to make a sequel to the 10th official DCOM which premiered in the 1990s is an odd decision. But this was the case with Johnny Tsunami (1999), a sports movie that looked at the worlds of snowboarding and surfing, set in Vermont and Hawaii.

What was Disney Channel thinking? That’s not to say that Johnny Tsunami wasn’t popular because it was, or at least it is still remembered even today, over two decades on. However, you have to consider the age of the Disney Channel viewers who would’ve watched Johnny Tsunami on its premiere date and would be considered to be the film’s fans. Many of them would’ve been early teens, or a little bit younger, to match the age of the main characters, so add eight years to, let’s say, the age of 11 and you’re assuming that these young adults are going to be switching Disney Channel back on to watch a sequel to their childhood favourite television movie. What are the odds of that?

All I know about Johnny Kapahala: Back on Board is that it came to Disney Channel in the same year that we were getting High School Musical 2 (2007). That was the film event of the year, not Johnny Kapahala: Back on Board, which was a sequel to a film I’d never watched and barely even heard of. I simply did not care, and actually did not appreciate the amount of advertising that Disney Channel was pushing on their viewers for this film.  

Disney Channel had worked out by the mid-2000s, thanks to High School Musical (2006), that their best chance of success with their original movies was to go down the musical route, and pepper in a couple of non-musicals around them, but ensuring these were fronted by some of their most famous actors at the time, people like Selena Gomez or Corbin Bleu. Johnny Kapahala: Back on Board simply did not suit Disney Channel’s new movie formula by not fitting either of these criteria.

All this just set Johnny Kapahala: Back on Board up to fail with Disney Channel’s new audience, and probably did not introduce many to its predecessor or to its new choice of sport: dirtboarding. Hardly as exotic or cool as snowboarding or surfing, is it?

PLOT

Johnny Kapahala: Back on Board begins with a brief recap of the original film. Thirteen-year-old Johnny was forced to move away from his surfing life in Hawaii with his grandpa, legendary surfer Johnny Tsunami, to go to Vermont with his parents, where he later took up snowboarding. We then see Johnny standing at the top of a mountain, looking about four years older, snowboard attached to his feet, ready to slide down, however, he falls, toppling down into the sea below, where he starts surfing, before wiping out.

This turns out to have all been a dream, as Johnny wakes up in the back of the car, where his parents are driving them back to Hawaii for Johnny Tsunami’s upcoming wedding. Johnny’s parents tell Johnny that they’ll be heading into the city for a couple of days, leaving Johnny to go to his grandpa’s house alone. Johnny gets a ride there with his friend Sam. Johnny met Sam in Vermont when he first moved there, but Sam later moved to Iceland for his father’s work, as Sam’s father is in the US military. They recently transferred to Hawaii.

Johnny arrives at his grandfather’s house but he’s not home. Johnny goes to his old room, and finds it full of someone else’s stuff. Weird. Johnny heads to the beach to find his grandpa. There, he sees a young boy shouting at Johnny Tsunami and storming off, after a surfing lesson doesn’t go to plan. Johnny assumes his grandpa must be teaching kids how to surf now. Johnny goes over to his grandpa and they catch up, with Johnny Tsunami showing off his new shorter hair style.

At dinner that evening, Johnny is introduced to his grandfather’s wife-to-be Carla. She has a son called Chris, making him technically Johnny’s uncle. She explains that the house she is renting is too small for both her and Chris, so Chris is staying at Johnny Tsunami’s house, and that is why there is stuff in his old room. At that moment, Chris arrives, but he has no interest in sitting with them for dinner. Chris turns out to be the kid Johnny saw surfing with his grandpa earlier. Johnny is shocked to find his uncle is so young. Chris heads to his room and refuses to talk to him.

The next day, Johnny Tsunami shows Johnny a retail space that he is doing up with Carla so they can open a surf shop together. This was Carla’s father shop, and when he passed away, it was left to her, so she wants to reopen it. As Carla and Johnny Tsunami set about working on the store, Johnny is told to keep an eye on Chris so they can keep working. Johnny sees Chris hanging out with a group of older dirtboarders, or mountainboarders, basically like off-road skateboarding. This group is called the Dirt Devils and Chris desperately wants to be a part of their team. Johnny introduces himself to some of the group, like Val, the only girl member; Jared, the team captain; and Troy, the owner of the Dirt Devils board store. Johnny is invited in to tour the store and given a board by Troy, so he can head out with the others. Chris and Johnny go with the Dirt Devils to a restricted area.

Johnny tries to keep up with the group but finds dirtboarding a little bit different to snowboarding, ending up face planting in the dirt! Chris complains that he isn’t a member of the Dirt Devils yet and asks what he can do. Jared and his friends tell Chris he’d have to impress Troy by doing some impressive stunt to get on the team. Chris says he’s willing to do that, and goes to the edge of a steep slope. Johnny tries to warn Chris about doing this, but he’s all ready to go. Luckily, the police arrive before Chris can risk his life and the Dirt Devils scatter, leaving Johnny and Chris to be taken home by the police.

At Johnny Tsunami’s house, the police tell Johnny Tsunami and Carla that Chris and Johnny were caught trespassing, with this being Chris’s second warning. If he does this again, he could end up in front of a judge facing a harsher punishment. Johnny Tsunami and Carla talk to the boys about the incident. Johnny Tsunami reiterates that punishment isn’t really his thing but knowing the seriousness of this, he and Chris’s mother have agreed to take Chris’s dirtboard away. Chris is furious. Johnny apologises to his grandpa for the trouble they’ve caused. Johnny’s grandpa then tells Johnny that Carla needs to get the surf shop open soon or they risk losing a lot of money. He asks Johnny to keep Chris out of trouble until Saturday so they can simply concentrate on the store. Johnny says he’ll do it.

Johnny and Sam take Chris to the surf store the next morning so they can help get the shop stocked and in order. He goes to ask Johnny Tsunami what they need to be doing, but when he goes to find him, he sees his grandpa in a suit and heading to a meeting. He’s never seen his grandpa look like that before! Johnny returns to the store and shortly after that, his parents arrive. They tell Johnny and Sam to leave them to it and to go and have some fun. They plan to go surfing but as they head outside, they see Chris getting into a van with the Dirt Devils. Johnny knows they’ll have to follow them.

Eventually, they arrive at the dockyard, where a course has been set up. Johnny reminds Chris that he’s been banned from dirtboarding by his mother, with Chris saying this is just skateboarding. What a loophole. Johnny sees that Troy is teasing Chris with the potential of getting on to the Dirt Devils team, making Chris do anything to make that happen. Johnny doesn’t like that at all. So, Sam tells Johnny that they should get involved. They both do the course, with their snowboarding skills apparently helping them, and the Dirt Devils are impressed. This upsets Chris who leaves the dockyard, with Johnny and Sam having to find him and take him back home. At home, Chris runs to his room, upset. Chris is very annoyed at Johnny for getting the Dirt Devils to like him better. Johnny can’t get Chris to see sense, and tells his grandfather that he simply can’t deal with Chris anymore. His grandfather says he’ll look after Chris tomorrow to give Johnny a break.

The following day, Val, from the Dirt Devils, sees Johnny tying a surfboard to his car, and tells him all about her bad experience of surfing when she lived in California. Johnny offers to teach her how to surf. They spend the day together, surfing, with Val giving Johnny her number by the end of it. Johnny wonders if he can get Val to help him with Chris.

Johnny tells Sam that he is determined to get on with Chris, so they come up with a plan. They wake Chris up with really loud music and film it, using the video to blackmail Chris into spending the day with them, saying that if he doesn’t, then they’ll show the embarrassing video to the Dirt Devils. Chris begrudgingly agrees to go with them. They go to Val’s house, seeing that she lives in a huge house, thanks to her property/business owner father. Val shows them her dirt bike collection, that she got as a Sweet 16 gift. Johnny tells Chris that he has been allowed to go dirtboarding again, so the four head out on the bikes to go and board together. Johnny and Sam see that Chris is actually a really good boarder, and he teaches the other two how to do some impressive tricks. At the end of the day, they meet Val’s father, and Johnny sees this is the person his grandpa was meeting with the other day.

Back at the shop, Carla speaks to Johnny’s mother about how difficult Chris is being this week with the wedding coming up, but she is pleased to see that the surf shop is nearly ready. Johnny Tsunami also shows everyone that he has ordered a few things for dirtboarding, to try and get Chris on side. Troy from the Dirt Devils hears that Johnny Tsunami’s new store might be in direct competition with his by supplying some of the same gear. Troy tells Jared to spy on them, to see what they’re selling. Jared goes into the shop and takes an invoice, proving that Johnny Tsunami has been buying dirtboarding equipment. He is almost rumbled by Carla; however, she assumes Jared is just looking for Chris. She tells Jared he isn’t here, and he leaves, bringing the evidence he found to Troy.

Troy goes to the store himself, and brings this up with Johnny Tsunami. Johnny Tsunami tries to say the dirtboarding stuff will only be a small proportion of what they sell, but reminding Troy that a little healthy competition is fine. Troy says it definitely isn’t and warns Chris to stay aware from the Dirt Devils from now on. This only makes Chris even angrier with Johnny Tsunami, blaming him for ruining his chances of joining the team. Carla says Chris should move out of Johnny Tsunami’s house for a bit, to give everyone some space.

The next day, Carla tells Johnny and his family that Chris has gone missing. At the same time, they learn that Val has been kicked out of the Dirt Devils by Troy, for fraternising with the “competition”. She tells Johnny they were heading to a boarding event, which she has a ticket for, but was not allowed in the van with the others. She says Chris had a ticket too, so Sam and Johnny drive her to the event, believing Chris would be there. They look around but can’t see him. Johnny Tsunami calls Johnny. As Johnny is about to say they’ve had no luck finding Chris, Johnny hears and sees Chris arguing with Jared. They go over to him, and hear that Chris wants to challenge Jared to a race, so he can join the group, which Troy has now arranged potential sponsorship for. Jared says Chris can do a jump tomorrow, at 3pm, to prove his worth to the Dirt Devils. Johnny tries to talk Chris out of the jump, but he won’t listen. Chris is still angry and unwilling to accept his new family. Johnny basically tells Chris to stop being a brat, and just wish for his mother to be happy. It doesn’t work.

It is soon tomorrow and the family set up for the wedding rehearsal dinner. Chris promises Carla that he’ll be good today, and Johnny has said to Chris he won’t be doing the jump because he needs to focus on this dinner. Johnny is asked by his mother to go into town to buy some things, and Chris offers to come too. Johnny is a little suspicious but lets Chris come with him. When they arrive in town, Chris says he needs to go to the toilet, but sneaks away with his dirtboard, heading off to do the jump. Johnny waits in line at the store, wondering where Chris is. He goes to investigate and sees that Chris has run off. Johnny goes to get in his car to follow him, but finds he has a flat tyre, something Chris has caused. He calls Val to get him to take them to the jump, assuming Chris has gone there.

Sure enough, Chris is at the jump with Jared and some of the other Dirt Devils. Johnny and Val try to call to him to stop him doing the dangerous jump. Chris doesn’t listen, and ends up falling afterwards, hurting his arm. Val goes for help. Later, Johnny is told off by his father for not looking after Chris. The rehearsal dinner has had to be cancelled whilst Carla and Johnny Tsunami take Chris to the hospital. He returns with a fractured arm. The police then arrive, telling them that the surf shop, which was meant to open the next day, has been totally trashed. At the scene, they see that Jared has been caught with the boards and wheels from the store and has been arrested. Troy comes over and pretends not to know what went on. He also tells Chris that he heard about the jump and is letting him be a Dirt Devil at last. Johnny says that Chris won’t be joining, making Chris lash out at everyone again. Back at home, Chris overhears his mother talking to Johnny Tsunami. She says staying in Hawaii was a mistake and that Chris is not happy here, thinking it would be best if they just moved back to Philadelphia.

The next day, Johnny meets up with his grandpa, who is rightly upset that his fiancée is thinking of moving back home, effectively ending their relationship. Johnny says they can fix the situation, and calls Val, knowing Chris will listen to Val, as he has a bit of a crush on her. She tells Chris not to be a loser like Jared and the other Dirt Devils, and to accept that Johnny is the best big brother figure he’ll ever have, so to stop ruining things for everyone in the family. Chris makes amends with Johnny and says that he should’ve listened to him earlier, but doesn’t know how to fix things now. Johnny has a few ideas.

Johnny Tsunami gets a call from Johnny, telling him and Carla to go to the shop. They see that Johnny, Chris, Sam, and Val have fixed up the shop so it is ready to open. Chris then tells his mum they should stay in Hawaii. The shop has its grand opening and is a huge success. Across the street, they all see Troy arguing with Val’s father about a business contract. It turns out Troy wanted Val’s father to buy his store so he could return to California. This meant that he had no intention of letting Chris be a Dirt Devil, or even had any plans to help the team. It was all lies. Val had told her father not to trust Troy, and that is why the deal fell through. Troy vows revenge on Johnny Tsunami and the family, so Johnny challenges Troy to a race. If Troy wins, their new store will no longer sell boards, and if Johnny wins, then they can sell whatever they want. Val’s dad says he’ll set up the course.

A little while later, the course is set up, intending to be a permanent location where boarders can go, and Chris gives Johnny some tips on the course. The rules of the race are revealed: that they will each have to do three tricks and finish first to win. The race is given the go-ahead, and Johnny and Troy race, each taking the lead at different points. Troy even slides into Johnny to knock him down and makes him fall behind. But at the last trick, Troy falls, giving Johnny the chance to finish first – and he does, although he ends up crashing into the hay bales cushioning the finish line! Troy is arrested at the end of the race, as Jared admitted that Troy had told him to trash the store, knowing that the store would be empty as Chris had told them that the family would be at the rehearsal dinner that night.

As the family are about to leave the course, Carla and Johnny Tsunami decide to stick to their original plan and get married that day. The ceremony is beautiful and the family, even Chris, have started to get along. The film ends with Johnny and Johnny Tsunami surfing together. They return to the beach to find Chris watching them, continuing to say that surfing is “no big deal”! They walk down the beach together, teasing each other.

CHARACTERS & CAST

Johnny Kapahala, now 17 years old, continues to be his relaxed self, not sweating the small stuff. Johnny is glad to be back in Hawaii, even if it is in slightly odd circumstances. Sure, Johnny is happy to see his grandpa getting married, but it is a bit weird that Johnny has to basically babysit his grandpa’s fiancée’s twelve-year-old son Chris, who is bratty and moody, not liking Johnny at all to begin with. Johnny tries to keep his family together, whilst dealing with Chris’s outbursts and disregard for his own safety. Johnny tries everything to get Chris to warm to him and keep him safe, but to no avail. Luckily, when Chris starts to realise the error of his ways, Johnny is on hand to help him make amends with Johnny’s grandfather, by helping to fix up the damaged store, and paving the way for Chris to apologise to his mother for his behaviour. Johnny also sets up the final race, allowing for his win to keep Troy out of their business and away from them, hopefully forever. Brandon Baker was back after an eight-year absence to reprise his role as Johnny Kapahala.

Chris is the typical “problem child” in Johnny Kapahala: Back on Board, the cause of the family’s conflict and strife. In some ways, you have to feel a bit sorry for Chris, because he has been forced to move to Hawaii without being consulted or asked for his opinion. But then again, he is rude to the people trying to help him, like Johnny Tsunami, who attempts to teach him how to surf and lets him stay at his home, hoping they’d bond, and Johnny, who just wants to be his friend and doesn’t want to see him get hurt doing crazy stunts to impress a group of boarders. Chris also barely speaks to his mother in this film, seeming to be very angry with her for putting him in this situation, with her marriage to Johnny Tsunami only confirming that this is the way things are going to be from now on. Chris doesn’t seem to care about anyone’s happiness but his own, with his only goal to be a Dirt Devil, something that frequently gets him into trouble, and even gets him injured. Eventually, after a lecture from Val, Chris learns that he has been acting badly and makes it up to everyone.

 Chris was played by former Disney Channel star Jake T. Austin. He made a return to the Disney Channel shortly after the premiere of Johnny Kapahala: Back on Board, with his starring role as Max Russo in Wizards of Waverly Place (2007-12), alongside Selena Gomez and David Henrie. The new series came to the channel in October 2007, with Austin also reprising his role in its movie Wizards of Waverly Place: The Movie (2009) during the series’ run. During his time at Disney, Austin was also cast as Bruce in Hotel for Dogs (2009), later going on to voice Fernando in the animated movie Rio (2011) and its 2014 sequel. He also appeared as Jesus Foster in the first two seasons of The Fosters (2013-18) and competed in Season 23 of Dancing with the Stars (2005-present) in 2016.

To help with Chris, Johnny also has his long-time friend Sam, who he originally met in Vermont, saying goodbye to him at the end of the original film as Sam headed to Iceland with his father. Sam is now living in Hawaii. Sam is on hand to help Johnny with Chris, as the two first take Sam’s car to follow Chris to the dockyard where he has gone with the Dirt Devils, despite being told not to go dirtboarding after the trespassing incident. Sam and Johnny then show Chris up by actually being good skateboarders. Sam later spends the day with them and Val, to encourage Chris to accept Johnny as a member of his family. Just like in Johnny Tsunami, Sam is there to help Johnny with whatever he needs.           

Sam Sterling might not be a new character to these two films, however, Lee Thompson Young did not return to play the role, instead being replaced with Jonathan “Lil J” McDaniel, in what may be considered a strange move, since the two actors don’t look much alike at all. It might’ve been better to simply have made Sam a new character, a childhood friend of Johnny’s from Hawaii or something. Anyway, McDaniel may have been familiar to Disney Channel viewers at the time as he had recently been cast in the recurring role of Devon Carter, Raven’s boyfriend, in That’s So Raven (2003-07), returning to the role for the spin-off series Raven’s Home (2017-23). McDaniel also later played German Vega in the sports drama series Hit the Floor (2013-18).

Val is Johnny’s love interest in Johnny Kapahala: Back on Board. We originally meet Val as a member of the Dirt Devils, where Johnny seems to show an instant liking to her. She is kind to everyone, even Johnny, despite the Dirt Devils being quite reserved about outsiders, and clearly cares about Chris’s welfare, whereas the boys in the group seem to just think it’s funny that he tags around with them and will do reckless things just to be in the group. Val later spends the day surfing with Johnny, where they become close. Johnny enlists Val’s help with Chris a few times in the film, such as planning the dirtboarding day for Chris with her; getting her to help him stop Chris doing the dangerous jump, although this doesn’t work out; and asking her to speak to Chris to get him to convince his mother to stay in Hawaii. Like Sam, Val is loyal to Johnny and is on hand to help him in any way she can.

Rose McIver was cast as Val. McIver has since gone on to have a very successful acting career, after her role here and her earlier role as Hannah in the DCOM Eddie’s Million Dollar Cook-Off (2003). McIver was cast in the recurring role of Tinker Bell in the ABC series Once Upon a Time (2011-18) and went on to star as Liv Moore in the series iZombie (2015-19). McIver also starred in the Netflix Christmas movie trilogy A Christmas Prince (2017-19) as Amber Moore. Currently, McIver is playing the lead role of Sam Arondekar in the US version of the British sitcom Ghosts (2021-present).

The main Dirt Devils kid that we see in Johnny Kapahala: Back on Board is Jared, the leader of the group. Jared suggests the stupid stunts that Chris should do to get in the group. Despite being quite obnoxious when surrounded by his friends, he is actually easily led by others, like Troy, who tells him to spy on Carla and Johnny Tsunami’s new store, and gets him to commit criminal damage for him. Clearly, Jared was scared after being arrested, as most kids would be, and comes clean to the police, saying that Troy had told him to do it, and he is released. I sure hope Jared learnt his lesson.

Andrew James Allen was cast as Jared. Shortly after Johnny Kapahala: Back on Board, he was cast as Samuel Heckler in the movie The Lovely Bones (2009), with his character being the boyfriend of Lindsey Salmon, who was played by Rose McIver. Andrew James Allen was cast in the recurring role of Pontius Pilate in The Chosen (2017-present).

Troy is the owner of the Dirt Devils store, and acts like the manager of the Dirt Devils boarding team, as he convinces the kids that he is trying to get sponsorship for them. Like Jared, he seems to find it amusing that a twelve-year-old kid is so desperate to be on the boarding team that he follows them around everywhere. not seeming to think he has any responsibility for Chris’s safety. It later becomes clear that Troy fears any competition with his own store, resorting to desperate measures to get Johnny Tsunami to shut down his store, like asking a teenager to go and do his dirty work for him! Despite all that, it turns out Troy was trying to sell his store anyway, so he could quietly move back to California without anyone knowing, so why he’d care about this new store if that was the case, I don’t know. The deal doesn’t go through anyway, and he vows revenge on Johnny Tsunami and his family. He then agrees to a race with Johnny, but although he tries to cheat, he does not win, allowing Johnny Tsunami and his family to sell whatever they want in the store. He gets arrested anyway, and we don’t find out the fate of him or his store. I doubt it was good!

Troy was played by Phil Brown. Recently, he played Sam Tucker in the New Zealand teen drama Mystic (2020-22), and Mark McCrae in New Zealand crime drama One Lane Bridge (2020-22). He also appeared as Charles Stringer in Avatar: The Way of Water (2022). 

Carla is the final new character to appear in this film, as Chris’s mother, and Johnny Tsunami’s future wife. She has chosen to make a new life in Hawaii, having moved from Philadelphia, and wants to open up a surf shop here. Sadly, Chris, has struggled to adjust to this upheaval in his life, and has made things difficult for her. Carla wants to make things work in Hawaii, but when Chris starts to act up even more, she feels she has no choice but to move back to Philadelphia to keep Chris happy, even if it means she won’t be as happy. Thankfully, Chris convinces his mother they should stay in Hawaii and he gives his blessing for his mother to marry Johnny Tsunami as planned.

Carla was played by Robyn Lively. Prior to her role here, she played Jessica Andrews in The Karate Kid Part III (1989) and was cast as Louise Miller in Teen Witch (1989). She had also been cast in the recurring role of Michele Faber in Doogie Howser, M.D. (1989-93) around this time. More recently, Lively appeared in the recurring role of Marlene Harris from Season 3 of the Fox series 9-1-1: Lone Star (2020-25).

As well as these new characters, some characters from Johnny Tsunami also make a reappearance in this sequel. The most obvious of which is Johnny Tsunami himself, Johnny’s grandpa. He has gone through a bit of a change in the years between the two stories though, as he adjusts to becoming a stepfather to Chris, a husband, and a business owner, quite different from the Johnny Tsunami in the original movie who had no responsibilities at all, and just lived a chilled life on the beach. He is no longer a “surf bum” as his son, Johnny’s father, so eloquently put it in the first film; he is now fully committed to having a steady life with his family. Johnny Tsunami has attempted to bond with Chris, however, his love of surfing is not shared with Chris making this difficult, as well as Chris’s overall attitude to him being a barrier to that. In the end, Chris comes to accept that Johnny Tsunami makes his mother happy and is actually a cool guy, and they reach some sort of relationship. It might not be a father-son dynamic, but it’s enough for them to get along. Cary-Hiroyuki Tagawa was back to reprise his role as Johnny Tsunami here.

Johnny’s parents, Melanie and Pete, also make a return for Johnny Kapahala: Back on Board. As most of the story focuses on the kids, they don’t have a huge amount of screen time on this occasion, being around to help set up the store with Johnny Tsunami and Carla, and to be on hand to listen to their difficulties with Chris, as well as help to organise the wedding and the rehearsal dinner. They mostly just leave Johnny to it, and let him go off surfing and boarding, enjoying his time back in Hawaii. Clearly, Pete has become less risk-averse, and less of a helicopter parent after the original film, although I’m sure Johnny might’ve appreciated it if he hadn’t been left to deal with Chris on his own the whole time! Mary Page Keller and Yuji Okumoto returned to play Melanie and Pete.

MUSIC

Johnny Tsunami used a variety of rock music in its soundtrack, something that was a departure from the typical music within a Disney Channel Original Movie. Johnny Kapahala: Back on Board is more similar to the usual musical style of DCOMs, by featuring pop music.

One band whose music appears in Johnny Kapahala: Back on Board will be very familiar to Disney fans and that is the Jonas Brothers. The Jonas Brothers formed in 2005, consisting of real-life brothers Nick, Joe, and Kevin Jonas, and began to be linked to Disney and Disney Channel around 2006, signing with Disney’s record label Hollywood Records in 2007. This led to them covering famous Disney songs, and performing the song “Kids of the Future” for the Disney Animation film Meet the Robinsons (2007), going on to star in such Disney Channel projects as the Camp Rock films, and their own series, Jonas (2009-10).

For Johnny Kapahala: Back on Board, the Jonas Brothers performed the song “Hold On”. This song was one of the tracks in their album Jonas Brothers, released in August 2007, with “Hold On” having been released as a single in May that same year. It debuted at No. 92 on the US Billboard Hot 100 chart. In the movie, this song plays as Johnny, Chris, Sam, and Val have a day out dirtboarding together. I remember hearing “Hold On” a lot on Disney Channel around this time, so I’m assuming it was being played to promote Johnny Kapahala: Back on Board, but I had no idea it was linked to this film.

This sequence of the group dirtboarding in the film was preceded with a scene of the four driving there on Val’s bikes. The song playing here was “Our Time Now”, performed by the pop band the Plain White T’s and was written by Tom Higgenson, Mia Koo, and Mike Daly. Another Plain White T’s song used in Johnny Kapahala: Back on Board is “You and Me”, and it was written by Tom Higgenson, the band’s frontman. This song is playing as Sam and Johnny take on the Dirt Devils’ board course at the dockyard, inadvertently annoying Chris in the process, as they get praise from the Dirt Devils for their skills.

The Plain White T’s are an American pop band, who formed in 1997. They had signed with Hollywood Records around 2006, which explains why they were featured in this film’s soundtrack. Their most well-known single is “Hey There Delilah”, which reached No. 1 on the Billboard Hot 100 in July 2007, later being nominated for the Grammy Award for Song of the Year in 2008. It performed well in numerous other countries’ weekly pop charts too including Ireland, Germany, Australia, and the UK. The Plain White T’s left Disney’s recording label around 2015 after experiencing creative disputes with them.

There are also two other songs that are obviously heard in Johnny Kapahala: Back on Board. The first is “Sun and Shadow” by the alternative rock band Wideawake. This is playing as Johnny gets a ride to Johnny Tsunami’s house with Sam at the start of the movie, and he enjoys the sights and sounds of Hawaii, having been away in Vermont for a while.

During the montage of Johnny and Val spending the day surfing together, “No Sleep ‘Til Summertime” is playing. It was performed by T-Squad and written by Vitamin C, Michael Kotch, and David Derby. T-Squad was a pop band signed to Disney, who performed the song “Vertical” for the Disney Channel film Jump In! (2007) as well. One of the band’s members was Booboo Stewart who later found fame playing Seth Clearwater in The Twilight Saga film franchise and as Jay in the Descendants series for Disney Channel.

Another song that appears in the film seems to be the traditional Hawaiian song “Hi’ilawe” which plays as Johnny Tsunami and Carla get married, later continuing into the scene of Johnny and his grandpa surfing together at the very end of the film. Outside of that, although some background music is playing in both Carla and Johnny Tsunami’s store and the Dirt Devils shop, it is not really audible and was not credited. There is also music playing during the mountainboarding event that Chris runs off to, but apart from hearing the words “Soul Power”, or something like that, I couldn’t track down what the song actually was, or whether it was created for the film just as accompaniment.

Nathan Wang was credited as the composer for Johnny Kapahala: Back on Board. Wang had previously composed the music for other DCOMs including Wendy Wu: Homecoming Warrior (2006), Geek Charming (2011), and Christmas…Again? (2021). Some of his non-Disney projects include working on the music for movies like the teen comedy She’s the Man (2006); the Hallmark festive film Annie Claus is Coming to Town (2011); and the comedy-drama One True Loves (2023).

PRODUCTION

If you look at a list of Disney Channel Original Movies, you can see how their movies evolved over time. The more simplistic ideals of their earlier movies had become bigger budget, more music-centric films by the mid-2000s. This was the direction the channel was going in even before High School Musical exploded in popularity.

Disney Channel then seemed to randomly pivot to make a sequel to one of their 90s sports films, Johnny Tsunami. So, why was Johnny Kapahala back, as the trailer put it, to “surf the turf”? Honestly, I have no idea. One reason I can think of is that they were either trying to capitalise on nostalgia, in which case they were probably both too early and too late, missing out on Johnny Tsunami’s original fans, and not waiting long enough to try and reach a completely new generation that hadn’t been spoilt by musical-after-musical. The only other thing I can think of is that Disney were trying to targeting boys with Johnny Kapahala: Back on Board, because, let’s face it, Disney Channel has made more films aimed at girls, based around prom and boys, with strong female characters leading these stories. In that way, I can understand the reasoning for Johnny Kapahala: Back on Board being made.

Returning to write the screenplay for this sequel were Douglas Sloan and Ann Austen, previously credited as Ann Knapp, providing continuity between the two films. Two further writers were credited with writing Johnny Kapahala: Back on Board: Max Enscoe and Annie DeYoung. Enscoe and DeYoung had previously co-written another DCOM sequel, this being Return to Halloweentown (2006), with Juliet and Keith Giglio, as well as the television movie The Triumph (2006), starring Matthew Perry. DeYoung went on to co-write other DCOMs, including Girl vs. Monster (2012); StarStruck (2010); 16 Wishes (2010); and Princess Protection Program (2009).

Johnny Kapahala: Back on Board was directed by Eric Bross. Bross had earlier directed the film Restaurant (1998), which starred Adrien Brody, and the miniseries Traffic (2004) before taking this role with Disney. He went on to direct further television movies including The Boy Who Cried Werewolf (2010), for Nickelodeon; A Country Christmas Story (2013) for Lifetime; and Rome in Love (2019) for Hallmark.

This new sequel had crew on board, so just where would they filmed this new movie set primarily in Oahu, Hawaii? Obviously, the answer is New Zealand. Disney Channel has chosen a variety of locations for their movies, with many being filmed in Canada, others being filmed in the US, and some making the move all the way to Australia or New Zealand. Other Disney Channel movies to have been filmed in New Zealand in the 2000s include Eddie’s Million Dollar Cook-Off, You Wish! (2003), and Wendy Wu: Homecoming Warrior. More recently, the ZOMBIES franchise ditched Canada in favour of New Zealand for ZOMBIES 4: Dawn of the Vampires (2025). Basically, it’s not uncommon.

What is odd is that Disney Channel had previously gone to Hawaii to film the portions of Johnny Tsunami that were set in Hawaii – so why could they not return there? It was probably due to budgetary or tax reasons, but I wouldn’t know; I’m not a film producer. Choosing New Zealand, specifically Auckland, instead of Hawaii may have irked viewers but for whatever reason this was the decision. It seems that the crew felt New Zealand looked similar to Hawaii in terms of its landscapes and vegetation, so I guess they were just thinking nobody would notice. Filming for Johnny Kapahala: Back on Board took place in early 2007[1]. With the set being based in New Zealand, this did create more jobs in the area, with many members of the crew being from New Zealand. Two members of the cast were also from the area, like Rose McIver, who played Val, and Phil Brown, who played Troy.

The biggest challenge for everyone working on Johnny Kapahala: Back on Board was obviously the dirtboarding sequences. The entire cast had to learn how to dirtboard, or mountainboard, something that cannot be easy if you have never skateboarded before. As well as the usual safety gear, like helmets, knee pads, and elbow pads, the cast were offered additional equipment like butt pads and ankle pads to ensure they cushioned every fall! Stunt doubles were used for the big stunts and jumps, with Brown’s stunt rider apparently having to change his stance to “goofy” to match Brown’s to ensure continuity[2].

Akoni Kama was credited as the dirtboard consultant on this film. As well as doing various stunts and tricks for it, Kama designed the race course for the final sequence with Leon Robbins. They made sure it included lots of difficult sections, like “berms” (raised banks), a wallride, and “rollers” (a series of small hills), to make the final race a really difficult and tense moment[3]. Kama also appears as himself in the movie.

RECEPTION

Johnny Kapahala: Back on Board premiered on Disney Channel in the US on 8th June 2007, the perfect time to release a movie set in sunny Hawaii, right?

Well, apparently not. Johnny Kapahala: Back on Board reportedly only had viewing figures of around 1.8 million during its premiere night, a very low figure to have been recorded for a Disney Channel Original Movie premiere at that time. It is possible that DCOMs that premiered in the late 1990s and early 2000s had similar viewing figures but these were not widely known, so I couldn’t say if Johnny Kapahala: Back on Board was the lowest viewed since the first official DCOM in 1997 or not.

Not wanting to degrade Johnny Kapahala: Back on Board even further, but three other Disney Channel movies also premiered in 2007. Twitches Too got the attention of just under 7 million viewers, with Jump In! getting just over 8 million.  High School Musical 2, released just two months after Johnny Kapahala: Back on Board had a record-breaking 17.2 million viewers tune in to its premiere, a record that has never been broken. From the mid-2000s moving into the mid-2010s, a Disney Channel movie would have an average of around 5 million viewers, with some exceeding this by a fair margin. It would not be until 2018, when a new adaptation of Freaky Friday premiered on the channel, that a lower viewing figure was confirmed, this being 1.6 million. 2018 really signalled a decline of viewership figures for Disney Channel movies, which has continued to this day, probably due to the rise in social media and streaming services. These have since replaced the need to watch cable television as a priority, and now Disney+ exists, many DCOMs are placed on the service globally a day or two after its official US Disney Channel premiere.

But enough about that. Viewing figures are only half the story when it comes to getting an overall view of how a film was perceived. Actually, I am surprised at how many people did enjoy Johnny Kapahala: Back on Board. Granted, even the positive reviews weren’t exactly brimming with praise, but many of them stated that they felt this Johnny Tsunami sequel was a decent addition to the Disney Channel film catalogue. Specifically, there were comments that mentioned the chemistry between Brandon Baker and Cary-Hiroyuki Tagawa, something that was very much positively reflected on in reviews of Johnny Tsunami. The action shots of the dirtboarding sequences were also seen to be cool and appropriate for the film, with many appreciating the attempt to introduce a new sport to the franchise which is potentially less globally talked about. In recent years, Johnny Kapahala: Back on Board has also been found by fans of Wizards of Waverly Place and fans of Jake T. Austin who wanted to see him in this early Disney Channel role.

However, there were still some negative reviews for the film, including a similar negative criticism which was levelled at Johnny Tsunami. Johnny Tsunami was set in Vermont, but was actually filmed in Utah, with this being noticed by some viewers. Well, this was also the case for Johnny Kapahala: Back on Board, but this time Hawaii had been substituted with New Zealand, something that some viewers spotted easily and were annoyed by. I can’t say that I noticed, but then again, I have not been to either place. There were some issues with the characters too, with one being the recasting of Sam, which didn’t feel right to fans of the original film. It would’ve been very easy for Disney to simply create a new character here, especially since the backstory between Sam and Johnny wasn’t a part of the story. Chris was also felt not to be a redeeming character, simply coming across as a brat for most of the film, and getting about ten minutes at the end to try and prove that he’d turned himself around. I wouldn’t say I liked Chris as a character particularly, but I can’t agree that he wasn’t redeeming; he is just a kid after all, and kids act out irrationally just because of their age. Cut him some slack. There were even comments about the age gap between Johnny’s grandpa and his new partner. This might seem a little strange, or even comical, to children watching, mostly because Johnny now has an uncle who is younger than him, a joke that is repeated over and over again, but any adult commenting on age gaps needs to be less judgemental. I liked Johnny Tsunami and Carla’s relationship and felt it seemed quite natural. Finally, when it comes to making a sequel to any film, the die-hard fans of the original will always hate the sequel. That was the case with here.

Johnny Kapahala: Back on Board won two awards for its writing. One was the Humanitas Prize in the Children’s Live-Action category, which Johnny Tsunami had been nominated for back in 2000 but didn’t win. In this case, the prize went to Ann Austen, Douglas Sloan, Max Enscoe and Annie DeYoung, the screenwriters. They were up against fellow DCOM Minutemen (2008). The writers also won the Writers Guild of America award for Children’s Script – Long Form or Special, up against Cartoon Network’s The Haunting Hour: Don’t Think About It, which starred Disney Channel star Emily Osment.

LEGACY

Shortly after the release of Johnny Kapahala: Back on Board, Disney Channel released their mini-series The Disney Channel Games for its second year, airing on the channel over the course of Summer 2007. Here, Disney Channel stars from across the world, but with more representation from the US, were split into four teams and competed across different events for charity. The Disney Channel Games were filmed at Disney’s Wide World of Sports Complex at the Walt Disney World Resort in Orlando, Florida. It only had one other run in 2008 before being cancelled. I bet many recent Disney Channel stars are disappointed they couldn’t take part in this; it looked like a lot of fun.

For the 2007 edition of The Disney Channel Games, two cast members from Johnny Kapahala: Back on Board joined others from the likes of The Suite Life of Zack & Cody (2005-08), Hannah Montana (2006-11), and the High School Musical franchise. These were Brandon Baker, who was placed in the Green Team, under the leadership of Dylan Sprouse, and Jake T. Austin, who was placed in the Blue Team, with Corbin Bleu as team captain. The Green Team ended up winning the competition that year. Baker and Austin’s participation would’ve gone some way to promoting Johnny Kapahala: Back on Board, although it started a week or so after the initial premiere, so wouldn’t have been able to boost its official viewing figures from the premiere. I do vaguely remember watching some of the series, but as I hadn’t seen Johnny Kapahala: Back on Board by that point, I only wanted to see the actors that I already knew, like Corbin Bleu, the Cheetah Girls, Jason Dolley, and Miley Cyrus. The 2007 Disney Channel Games were hosted by Phill Lewis and Brian Stepanek, who played Mr. Moseby and Arwin, respectively, in The Suite Life of Zack & Cody.

Apart from that, nothing much has come from Johnny Kapahala: Back on Board, with only dedicated Disney Channel fans really remembering or mentioning it, although the original film, Johnny Tsunami, is talked about more often. It doesn’t tend to make lists of the best Disney Channel Original Movies ever, being ranked at No. 74 on Vulture’s ranking of the 105 Disney Channel Original Movies that had been released at the time. Their criticism included that it was not considered to be as good as the original; was seen to have been released too long after the original; and featured a less interesting sport[4].

Disney Channel had made plenty of sports movies by the early 2000s, but the success of High School Musical in 2006 proved that musicals were the way to go. This made Johnny Kapahala: Back on Board one of Disney Channel’s last sports films for a while – it had followed on from Corbin Bleu’s Jump In!, which featured boxing and Double Dutch. The next sports film would not come until 2014 with the snowboarding comedy Cloud 9. There was another gap until Disney Channel premiered Back of the Net in 2019, this being about football, or soccer – but it is not technically a Disney Channel Original Movie.

FINAL THOUGHTS

Johnny Tsunami was released at the perfect time. Disney Channel viewers had been shown to be responding to sports films back in 1999, and it focused on snowboarding, which had become an Olympic sport only the year before. It also followed the struggles of adapting to a new school and new home after a big move, as well as rivalries between schools, both things children and teens can relate to.

Johnny Kapahala: Back on Board, however, arrived on screen at exactly the wrong time. It had been proved that Disney Channel audiences wanted musicals and big-name stars. They were turning away from sports movies, a fact only confirmed by the fact they haven’t made many more since Johnny Kapahala: Back on Board’s premiere back in 2007.

It simply wasn’t the right time. Fans of Johnny Tsunami had grown up and moved on from Disney Channel, and although some viewers at the time seem to have very much enjoyed Johnny Kapahala: Back on Board, it has been forgotten or ignored by many more.

Although I appreciate Disney Channel’s attempt to bring a sequel to a new generation, in my opinion, it just didn’t work and Johnny Tsunami should’ve been left alone. If Johnny Kapahala: Back on Board did anything for me, it told me that actually the original wasn’t that bad!


REFERENCES

[1] Credit: Joanna Hunkin, ‘Waitakeres stand in for Hawaii in Disney film’, NZHerald.co.nz, 16th February 2007.

[2] Credit: Disney Channel, ‘Johnny Kapahala: Back on Board DCOM Extra #1’, dedicated2disney YouTube Channel, 19th May 2007.

[3] Credit: Disney Channel, ‘Johnny Kapahala: Back on Board DCOM Extra #2’, dedicated2disney YouTube Channel, 19th May 2007.

[4] Credit: Rebecca Alter, ‘All 105 Disney Channel Original Movies, Ranked’, Vulture.com, 4th May 2020.