#14 Monsters University (2013)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. PRODUCTION
  5. MUSIC
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

Monsters, Inc. remains one of Pixar’s most creative and imaginative films. It will always be remembered as one of Pixar’s first movies as well, being a part of their animation legacy, back in a time when they were still proving themselves in animation.

The movie ended with Sulley finally reuniting with Boo, but we never got to see it. This led to some wondering whether Pixar would revisit Monsters, Inc. and allow the audience to see Boo, potentially all grown up and back in the monster world with Mike and Sulley. It’s worth pointing out that Pixar never seemed to be in the game of making sequels, at least not back in the 2000s. They’d only made one, Toy Story 2 (1999), before 2010, which is when Toy Story 3 came out. But we can forgive Pixar for those sequels.

Pixar was a studio that made original films, usually with a twist, but always with colourful and detailed animation. They made movies about fish trying to find home, about superheroes fighting evil, and rats wanting to cook. They didn’t seem to feel the need to go back and revisit any previous movie – until the 2010s. This decade has come to be known as “the sequel years” by some Pixar fans and animation historians, because in those ten years, Pixar made eight sequels or prequels to popular properties out of eleven films. These sequels can make a lot of money, using an audience’s love of an original film to immediately interest them in watching a new film with most of the same characters.

But in choosing to make sequels, Pixar inadvertently opened themselves up to a lot of criticism. Movie-goers don’t always like sequels, although some can be better than the original, so when they come across one that is particularly in bad, it taints the whole bunch. Pixar was recovering from one specific disappointment in the 2010s, Cars 2 (2011), panned by critics and viewers alike. It can be argued this is Pixar’s worst movie. So, just two years later, how would viewers take it when they chose to revisit Monsters, Inc. in 2013.

My family did watch Monsters University at the cinema, specifically whilst on holiday in Florida, one of only two or three times we did that. I personally prefer Monsters University to Monsters, Inc., probably because it feels more relatable and more rooted in real-life to me. I can understand the university setting and the emotional growth that Mike and Sulley go through during the events of Monsters University. I was at university at the time, so that probably helped me like it a lot too. But I am aware that some felt this film was an insult to Monsters, Inc. Others felt it was just ok.

PLOT

Monsters University begins during Mike Wazowski’s school days, as his class take a field trip to the renowned energy company, Monsters, Inc. After being embarrassed that he has be “buddies” with his teacher and that his roar was less impressive than his classmates, Young Mike finds himself in awe of the top scarers at Monsters, Inc. as the group watch the Scare Floor in action. One of these scarers, Frank McCay, talks to the class and tells them the best place to learn to be a scarer is Monsters University, or MU, despite a fellow scarer saying his alma mater, Fear Tech, is the best.

The class are told to stay behind a line on the floor whilst the Scare Floor is online, only being able to watch from a distance. However, Mike is so small that he cannot see as he gets pushed to the back of the crowd. His teacher is so pre-occupied with everyone else that it’s not until Mike has crossed the line already that she is alerted to him breaking the rules. The class watch as Mike follows Frank McCay into a child’s bedroom, so he can watch the scarer up close. As Frank leaves the room after a successful scare, he is surprised to find all of the students and their teacher looking concerned. He looks around to find Mike looking dazed but happy. Frank tells Mike what he did was dangerous, but he was impressed how quiet Mike was in there, not even realising he was anywhere near him. Frank gives Mike his MU baseball cap, and Mike’s dream of becoming a scarer takes flight.

After the title sequence, which shows Mike going through school and passing his scare exams to get into Monsters University, we see Mike getting off the bus at the entrance to the university, excited to get started. He gets registered and goes off on a campus tour, where they pass the Scaring School, the crown jewel of Monsters University, and where Mike will be studying since he got into the Scare Program. Mike later goes by all the society and club booths on the campus, hearing about the Scare Games. He then goes to his dorm and meets his roommate, who will be his lifelong best friend – or so Mike thinks. His roommate is actually Randall, but this isn’t the villainous Randall we know from Monsters, Inc. This is nerdy Randall, who just wants to fit in and do well at school. He even wears glasses, which Mike tells him to lose, so that when Randall goes invisible, nothing gives him away! The two are both on the Scare Program.

Randall and Mike go to their first Scaring Class together, taught by Professor Knight. The class is soon interrupted by Dean Hardscrabble, a legendary scarer who broke the all-time scare record at one point, with the canister from her record-breaking scare on display for all the students to see. The Scare Program is now “her” program because of it. She says there will be an exam at the end of the semester and anyone who fails will be kicked out of the Scare Program; she only wants the best here and if you don’t make the cut, then you’re out. Professor Knight is then left to give his first class. He asks about the properties of a good roar. Mike immediately puts up his hand and begins to answer, but he is interrupted by a loud roar from the back of the room. This is James P. Sullivan, also known as Jimmy – or Sulley to us – and he’s late to class, but he doesn’t care. Professor Knight hears the surname and asks if Jimmy’s father is the great scarer, Bill Sullivan; he is, making Sulley a celebrity on campus already. With people like him his competition to remain on the Scare Program, Mike vows to study hard to ensure he stays on the program.

That night, Randall tries to convince Mike to go to a fraternity and sorority party with him, but Mike wants to stay in and study, so Randall goes on alone. Suddenly, Mike hears a strange noise coming from his window and a random pig is pushed inside. Sulley follows the pig in through the window and is confused about seeing Mike there, thinking this is his own room; it’s not. Sulley says the pig is Fear Tech’s mascot that he just stole to impress the fraternities on campus, mostly Roar Omega Roar. The pig runs off with Mike’s MU cap and the two chase it all the way through the university, with Mike even riding it at one point. They end up at the party, and Mike throws a ball at a row of bikes, which fall over onto a bin, letting it roll in the path of the pig, so it is caught. Mike picks up the pig, and Sulley picks up Mike, to show off the mascot. Sulley is then wanted by all the fraternities and Mike is ignored. Johnny Worthington, president of the Roars, comes over to invite Sulley into their house. Mike tries to follow but he is told the party is only for Scare students. He says he is one so Sulley is told to talk to his “friend”. Sulley reiterates that they aren’t friends, but tells Mike the party is for Scare students who actually have a chance. The Roars point out the oddball fraternity of Oozma Kappa and suggests Mike joins them instead. Mike is now determined to be a better scarer than Sulley, to prove everyone wrong.

Over the next few weeks, Mike buckles down and aces all of his tests, whilst lazy and entitled Sulley doesn’t try and spends all his time partying. On the day of the final exam of the semester, Mike and Randall sit down to revise and wait their turn in the Scare Simulator, where they will be tested on their knowledge of scare theory as well as their performance of scares. Sulley is warned by the Roars that should he fail, since they’ve seen his failing test results, he won’t be allowed into their fraternity, and they watch and wait in the lecture theatre. Sulley decides to annoy Mike during his wait, telling Mike he doesn’t belong in the Scare Program and that is why he has to study so much, and the two start trying to outdo each other. They aren’t quiet about it though, and they are noticed by Dean Hardscrabble, Professor Knight, and the other students, especially when Sulley trips over and knocks into Hardscrabble’s scream canister. It sets off and the room goes silent. Dean Hardscrabble goes over to Mike and Sulley, saying accidents happen, and that she will test them on their Scare Program knowledge right now. Mike is given details of a child’s fears and asked what scare he should do. Mike gives the correct answer and is about to demonstrate it, when Hardscrabble cuts him off. She says she doesn’t need to see anymore because Mike is simply not a scary monster, and that is something that cannot be taught. Mike is out of the Scare Program. Now, it is Sulley’s turn. He just roars loudly at Hardscrabble before she finishes telling him about the child’s fears. She lets Sulley know that actually the child wasn’t scared of roars, so this would’ve made the child cry, not scream. This is also a fail and Sulley is kicked out of the Scare Program, and is also out of the Roars fraternity.

The next semester, both Sulley and Mike are stuck in boring Scream Can Design, with Mike sad and Sulley furious about how they’ve ended up here. In his room, Mike throws a book at the wall in anger, seeing a leaflet for the Scare Games behind him. That gives Mike an idea. He goes to the Scare Games kick-off party and asks to sign up his team, with fraternity Oozma Kappa. Dean Hardscrabble is surprised to find Mike fighting so hard to be in the games. Mike asks her to make a deal with him: if he wins the Scare Games, then she will let him back in the Scare Program. Hardscrabble agrees and even sweetens the deal, saying the whole team can enter the Scare Program if they win, but if they lose, Mike must leave Monsters University forever. The deal is agreed – but there’s just one problem; Mike’s team needs six people, and the two-headed monster there only counts as one. Mike desperately begs someone else to join the team, like Randall, but he passes Mike over to join the Roars, wanting to be popular instead. Only Sulley wants to join, to get back in the Scare Program, so, out of desperation, Mike allows Sulley on the team.

Mike and Sulley move into the Oozma Kappa house. They are introduced to their new “brothers”, who were all former Scare students, who didn’t make the cut. There is mature student Don Carlton; Art, a philosophical hippie-type character; the two-headed Terri and Terry; and Scott Squibbles, also known as Squishy. His mother owns the Oozma Kappa house. Mike and Sulley are taken to their room, which they will have to share. Sulley is concerned about this team’s lack of scariness but Mike says he can fix it. The lights go out, and Sulley and Mike head to the basement to see what’s going on. It is their initiation ceremony into the fraternity, although it is interrupted by Squishy’s mother doing laundry!

The next morning, Oozma Kappa get a letter about the first event of the Scare Games. That evening, they meet in the sewer, and are told their first event is called the Toxicity Challenge, where they will have to race through an obstacle course of sea urchins, that will cause swelling if touched. This is to match the toxicity of human children, of course. Cheered on by Squishy’s mother, Oozma Kappa nervously get ready for the race, but Sulley and Mike have chosen to treat this as a race against each other. They rush off without the rest of their team, laughing at the other as they each get stung by the sea urchins. They eventually cross the line after the Roars, but since the rest of their team has not made it across, it doesn’t count. Mike and Sulley see other teams finish, and then Oozma Kappa roll over the line – in last place. That appears to be the end of their Scare Games and Mike’s time at Monsters University, but they are handed a lifeline. Jaws Theta Chi is disqualified for using a protective gel that meant they could not be stung. Oozma Kappa are back in.

Not wanting a repeat of that incident in further events, Mike starts preparing Oozma Kappa with workouts and tests. Sulley chooses not to join in as he doesn’t feel he needs the practice in scaring. For the next event, Mike tells the rest of the team to follow him precisely. The challenge takes place in the library, where teams must retrieve a flag hanging up without being thrown out of the room by the scary squid-like librarian. Sulley gets fed up with Mike’s slow and steady approach, seeing only they and one other team haven’t got their flag. Sulley rushes ahead and slams to the floor after falling off a ladder. The librarian goes over to Sulley to throw him out, but Oozma Kappa make loud distractions and dodge the librarian’s attempts to throw them out the library. They gather up Mike and run out of the room. On exiting, Mike says they never got the flag – only to see Squishy got it during all the chaos.

With their surprise advancement to the next event, they are invited to a party for all the remaining teams at the Roars’ house. Sulley isn’t sure about it, but eventually gets in the spirit once they are there. Mike sees the Hall of Scarers and the Scare Games trophy in the house, and this makes him want to win even more. However, as Johnny Worthington proceeds to give a speech about Oozma Kappa’s surprise success, Mike and the others start to think something is wrong. Sure enough, they are pranked, covered in paint, glitter, and toys and teddy bears. A picture is taken, which the Roars use the next day for a charity fundraiser, selling t-shirts, and the picture is plastered all over campus. They are now being called Cute-ma Kappa because they aren’t scary. The Roars tell them they might as well quit now because they’ll never win. Dejected, they all seem to agree – except for Mike.

Mike decides to take them all on a field trip to Monsters, Inc. They sneak onto the roof and watch the scarers in action on the Scare Floor. Mike shows them that there is not one type of scarer, and that scarers come in all shapes and sizes. This encourages them to continue on with the Scare Games together, but vow to work as a team from now on – even Sulley. After a quick getaway from Monsters, Inc. security due to their trespassing, they start training together. At the next event, a maze where they must avoid scaring paintings of teenagers, Oozma Kappa manage to advance, with the sorority the Pnks being eliminated. The next event is a hide-and-seek style game, which Oozma Kappa also do well in, leaving the final two teams being them and the Roars. Their final event, the Scare Simulator, will be held the following night. Dean Hardscrabble witnesses this and Sulley goes to speak to her, to tell her she was wrong. Hardscrabble says she isn’t concerned because she knows for a fact one of their team is not scary enough to win, with that person being Mike. Sulley is aware of this and tries to help Mike be scary that night, telling him to dig deep and let the anger out. He tells Mike he’s done well, but actually, Sulley isn’t sure it’s enough.

At the final event, each member of each team must scare a robotic child in the Scare Simulator, using the scare reports to work out the most effective scare to do. Mike has prepared everyone for this and knows they are ready. He says he should be the first in the simulator, but Sulley thinks Mike should go last, because of all his hard work with the team. Their order is agreed, with Mike going last, and Don going first. Don does well in his simulator and Oozma Kappa take the lead as the Roars scarer trips over toys on the simulator floor. Next up is Terri and Terry, then Squishy, then Art. Their lead over the Roars diminishes each time. It is up to Sulley to bring back the lead. He goes up against Randall. Using what Mike taught him about other scares, not just roaring, Sulley manages to get an impressive scare, so much so that Randall’s own scare is sabotaged by both simulators shaking. Randall says that will be the last time he loses to Sulley, and a rivalry begins.

Finally, it is Mike’s turn to go against Johnny Worthington and they’ll need Mike to pull off a record-breaking scare to win. Mike prepares to scare the robotic kid, hearing all the mean things everyone said about him not being scary, and leaps up to deliver the record-breaking scare Oozma Kappa need to win. The crowd, the Roars, and Oozma Kappa are stunned at their win. After the event, Mike stands by the simulator and speaks to Sulley, not believing what just happened. As they are about to leave to celebrate, Mike says “boo” to the simulator and the kid screams, and a full scare is recorded. Mike investigates the controls and sees that his settings were lower than everyone else’s. He asks Sulley if he did this and he admits he did, because he didn’t want the team to suffer because Mike isn’t scary. Hurt, Mike walks off alone. The rest of Oozma Kappa overhear this, and know their win was not truly earnt. Sulley is invited back to the Roars, but he hands them the trophy and goes after Dean Hardscrabble. He admits his cheating. She expels Sulley and says he must be such a disappointment to his family. An alarm then goes off, because someone has broken into the door lab. Sulley rushes over, thinking Mike has done something stupid.

Mike has done just that. In a bid to prove how scary he is, Mike has entered a door that was being tested and finds himself at a girls’ summer camp. He tries to scare the campers but they aren’t scare at all, and he runs into the woods, sad and upset. Sulley gets to the door lab and asks Oozma Kappa to create a distraction so he can get in the door. They do that and Sulley goes in. The camp is empty, but rangers are around trying to search for the animal or intruder in the cabin. Sulley runs into the woods to avoid them and finds Mike by the lake. The two have a heart-to-heart, as Mike laments the fact his dream of being a scarer can never come true, and Sulley saying he’s a big failure. Still being hunted down, Mike and Sulley plan a way back to Monsters University. Mike decides they’ll have to create enough scare energy in the human world to power the door from the other side to let them back into the monster world. Sulley doesn’t think he can do it, but Mike says together they can. Back at the cabin, Mike starts to set the atmosphere for the scare, making strange things happen, and keeping hidden. The rangers come in and start to feel scared. Suddenly, Sulley appears in front of them and lets out a powerful roar. The roar terrifies the rangers and the scream energy starts to power the door, causing chaos over at the university. Mike and Sulley burst through the door and land back in the door lab just as the door explodes. Dean Hardscrabble is shocked to have witnessed all this. Mike and Sulley are taken away by the authorities, the Child Detection Agency and its No. 1 Roz.

The next day, Mike and Sulley apologise to Oozma Kappa and say their goodbyes; the two have been expelled from Monsters University. The Oozmas actually let them know that Dean Hardscrabble has let them all into the Scare Program, despite the cheating. We also learn that Don is engaged to Squishy’s mother Sheri, which makes Squishy understandably uncomfortable! Sulley and Mike then leave campus to wait for Mike’s bus. Mike gets on the bus to head home, but Sulley stops the bus and tells Mike that he is the one who actually achieved something at university, helping Oozma Kappa at the Scare Games, for example. He tells Mike he isn’t scary, but he is fearless. Dean Hardscrabble comes over to them and tells them to keep surprising people, like they did with her, and thanks them, in a way, for showing her that there is not one approach to teaching scarers. But that there is nothing more they can be taught here, and wishes them luck for their future. Mike then remembers that Monsters, Inc. are always hiring in the mailroom so they can join a scare company after all!

Just before the End Credits, we see Mike and Sulley’s journey through Monsters, Inc., working with The Abominable Snowman in the mailroom, before moving up to janitors, cafeteria workers, and then finally getting a chance to audition as a scarer and assistant duo, which is obviously where we see them during Monsters, Inc. Finally, in a mid-credits scene, we see the slug-like monster who is about to be late for class early on in the film finally arrive at his class, only to find it is the end of the year!

CHARACTERS & CAST

Mike, Sulley, and Randall are the three main characters to make a return from Monsters, Inc. in Monsters University. This time, instead of this being Sulley’s story, Monsters University focuses on Mike and his dream of being a scarer that cannot be fulfilled. Mike is determined to prove he can be a scarer, being dedicated to his studies and the theory of scaring, but learns that he cannot actually scare people, ending his dream at Monsters University. It’s a hard lesson for Mike to learn, that hard work doesn’t necessarily mean that everything will work out, but it’s a necessary and realistic lesson. But in his failure, another path opens up for Mike and things do work out. Sulley is not the same monster we meet in Monsters, Inc., coming across as quite arrogant and entitled, perhaps because of his family’s history in scaring. It is only with Mike’s help that Sulley becomes a real scarer, and the two’s initial rivalry turns into friendship due to this. Randall, on the other hand, begins his time at Monsters University as Mike’s roommate, seeming to be quite friendly and nice. However, he passes over the chance at friendship with Mike for popularity in the Roars fraternity, and his rivalry with Sulley begins after Sulley surpasses him in the Scare Simulator. Billy Crystal, John Goodman, and Steve Buscemi reprised their roles as Mike, Sulley, and Randall here.

Then we have the members of Oozma Kappa. One is Scott, mostly known as Squishy. Squishy is quiet and unassuming. He’s basically a little pink blob, which makes him easy to forget and easy to pick on! In the end, he uses his quietness to be a better scarer, thanks to Mike. Peter Sohn voices Squishy. Sohn is a Pixar animator and voice actor, having directed and written the short film Partly Cloudy (2009) and voiced Emile in Ratatouille (2007) prior to Monsters University. Sohn had also worked as a story artist on Finding Nemo (2003), The Incredibles (2004), and Up (2009). He later directed The Good Dinosaur (2015) and Elemental (2023), and voiced Sox in Lightyear (2022) and Ciccio in Luca (2021).

Don Carlton is a mature student, who seemed to work in sales before returning to his studies at Monsters University. Don has tentacles, which Mike teaches him to use in his scaring. Don Carlton was voiced by Joel Murray. Murray had previously been cast in the CBS sitcom Love & War (1992-95) as Ray Litvak and later the ABC sitcom Dharma & Greg (1997-2002) as Pete Cavanaugh. More recently, Murray was cast in the recurring role of Freddy Rumsen in Mad Men (2007-15) and as Eddie Earl in Starz’ Heels (2021-23).

Terri and Terry are a two-headed monster, who seem to disagree on pretty much everything. Terri, for example, is a dance major, but Terry is not; that must be quite tricky to achieve when one half of your body won’t cooperate! Terri and Terry were voiced by Sean Hayes and Dave Foley respectively. Hayes is most known for his role as Jack McFarland in the long-running Will & Grace (1998-2006, 2017-20). He also has voiced other characters for animated movies, including Steven the devil emoji in The Emoji Movie (2017). More recently, Hayes has been cast in more dramatic movies, including Stu in Am I OK? (2022), which starred Dakota Johnson, and Gary Greenbacks, the TV host in The Running Man (2025). He also won a Tony Award for Best Actor in a Play for his starring role as Oscar Levant in Good Night, Oscar on Broadway in 2023. Dave Foley voiced Flik in Pixar’s A Bug’s Life (1998) and also played Mr Jonathan Boy/All-American Boy, the Hero Support teacher, in the Disney movie Sky High (2005). In television, Foley appeared in the recurring role of Dr. Fulton in The Middle (2009-18), and was cast as Pat Hein in the Ken Jeong-created sitcom Dr. Ken (2015-17). Foley was also cast as Danish Graves in Season 5 of the series Fargo (2014-24).

Then, there is Art, a chilled out, laidback monster, who majors in philosophy. He is like an upside-down “U” shaped purple furry monster, who uses his flexibility to scare. We also learn Art has been to jail before, when Oozma Kappa are dodging the Monsters, Inc. security – but we don’t know why! Charlie Day voiced Art. He is best known for playing Charlie Kelly in the comedy series It’s Always Sunny in Philadelphia (2005-present), and later co-created the AppleTV+ series Mythic Quest (2020-25). Outside of that, Day also played Dale Arbus in Horrible Bosses (2011) and its 2014 sequel, and was cast as Dr. Newton Geiszler in Pacific Rim (2013), returning to the role in Pacific Rim Uprising (2018). He also voiced characters for other animated movies including Benny in The Lego Movie 2: The Second Part (2019) and Luigi in The Super Mario Bros. Movie (2023).

There are also the two main teachers at the Scaring School. One is Professor Knight, who is a strict professor, letting Sulley know that just because he can roar loudly, that isn’t going to be enough to pass the Scare Program. He also seems impressed by Mike’s knowledge of scare theory, with Mike being the best in the class. We don’t hear anything negative about Mike from Professor Knight, despite the fact surely he doesn’t think Mike is scary either and clearly doesn’t have a future as a scarer. Professor Knight was voiced by Alfred Molina. Molina has starred in numerous stage and screen productions. Some of these include performing as Tevye in the musical Fiddler on the Roof on Broadway from 2004 to 2005; Comte de Reynaud in the Academy Award-nominated film Chocolat (2000); Jack Mellor in another Academy Award-nominated film An Education (2008); and as Doctor Octopus in Spider-Man 2 (2004) and Spider-Man: No Way Home (2021). For Disney, Molina voiced the roles of Double Dan and King Agnarr in Ralph Breaks the Internet (2018) and Frozen II (2019), and played the role of Maxim Horvath in The Sorcerer’s Apprentice (2010).

Dean Hardscrabble is the intimidating and terrifying dean of Monsters University. All the scare students are obviously scared of her, and it would seem that Professor Knight would rather she hadn’t burst into his first class of the year! Hardscrabble warns the students on that first day that they will be thrown out by the end of the first semester if they don’t do well enough; it’s as simple as that, which isn’t exactly motivating on your first day at college! She continuously tells Mike that he is not scary, and will never be scary, so doesn’t deserve to be in the Scare Program. By the end of the movie though, after witnessing Mike and Sulley’s amazing scare in the door lab, she realises that she misunderstood Mike’s potential and skill, and tells both of them to keep surprising people, wanting them to do well in the future. I do wonder what the entry requirements to the Scare Program are, because surely they had to have some sort of practical assessment before they got into the university, so this would’ve filtered out students like Mike, who might know their theory but can’t execute scaring adequately. This is something Dean Hardscrabble really ought to think about!

Randomly, Dame Helen Mirren was cast as Dean Hardscrabble. Mirren’s career spans all kinds of different genres, so perhaps her casting here shouldn’t be such a surprise. It was a real win for Pixar to get her though. Some of Mirren’s film credits include being cast as Queen Charlotte in The Madness of King George (1994), in which Nigel Hawthorne played the title character; Chris Harper in Calendar Girls (2003); and Madame Mallory in The Hundred-Foot Journey (2014). More recently, she played Betty McLeish/Lili Shroeder in The Good Liar (2019), alongside Ian McKellen. She also played Elizabeth Best in The Thursday Murder Club (2025) for Netflix. Mirren won the Academy Award and BAFTA for Best Actress, amongst many other award wins in her career, for portraying Queen Elizabeth II in The Queen (2006). In series, Mirren starred as Detective Chief Inspector Jane Tennison in Prime Suspect (1991-2006). Monsters University was not Mirren’s first time voicing a character for an animated film; she voiced Queen Tuya in The Prince of Egypt (1998) for DreamWorks.

There are other students that Mike and Sulley encounter on their journey through the Scare Games. Two of these come from the fraternity Roar Omega Roar. The first is president of the fraternity Johnny Worthington. He only wants the best scarers in his fraternity. That is a fact of most fraternities and sororities; it’s not always about being the nicest person, it’s more about how you complement the other members and what you can do for them. Johnny loves the idea of having Sulley in the Roars, probably because he is the son of a top scarer, and therefore has the potential to be great. However, Johnny isn’t afraid to drop Sulley when he flunks out of the Scare Program and replaces him with Randall, whose ability to go invisible and disguise himself separates him from other scarers. Johnny is mean to anyone who he sees as lesser than him, even going so far as to prank Oozma Kappa just to make himself feel like the “big man” on campus. Johnny was voiced by Nathan Fillion, well-known for his leading role as Richard Castle in ABC’s Castle (2009-16). He also had a recurring role as Adam Mayfair in Season 4 of Desperate Housewives (2004-12) before that. More recently in series, Fillion stars as John Nolan in ABC’s The Rookie (2018-present) and was cast as Alton West in Netflix’s The Recruit (2022-25). In movies, Fillion voiced Sterling in Pixar’s Cars 3 (2017), played Master Karja in Guardians of the Galaxy Vol. 3 (2023) and Guy Gardner / Green Lantern in Superman (2025).

Every jerk like Johnny Worthington needs a sidekick. In this case, Johnny’s sidekick is Chet, who is a bit of a bumbling fool. He sometimes thinks he’s engaging in smack talk, but actually just makes the Roars look stupid, like when Johnny tells Oozma Kappa that if they lose, no-one will ever remember then. Mike shoots back and says that might be true, but if the Roars lose, then no-one will let them forget it. Instead of coming back with something clever, Chet just agrees that’s true. I think Johnny might want to look at getting a new sidekick! Chet was voiced by Bobby Moynihan, who was both a writer and cast member on Saturday Night Live (1975-present) from 2008 to 2017. He has also voiced characters for animation, including Mel in The Secret Life of Pets (2016) and its 2019 sequel, and Louie Duck in DuckTales (2017-21). For Pixar, he voiced Bobby in Inside Out (2015) and Inside Out 2 (2024) and is set to voice a character in Pixar’s new movie Hoppers, coming in 2026.

Finally, we have Claire and Brock, the two who run the Scare Games. Claire’s lack of enthusiasm and general surliness – she is a teenager, after all – is countered by Brock’s exuberance and general noisiness. Brock is excited by anything and everything, especially when commentating on the Scare Games events. Claire just doesn’t seem to care – at least not until Oozma Kappa seemingly win the Scare Games. Then, all of a sudden, it’s like she’s their biggest fan! Claire was voiced by Aubrey Plaza. Plaza is known for her role as April Ludgate in the mockumentary Parks and Recreation (2009-15), as well as her roles in comedy movies, such as Julie Powers in Scott Pilgrim vs. the World (2010); Lenore in Dirty Grandpa (2016); and Sarah in Operation Fortune: Ruse de Guerre (2023). Tyler Labine voiced Brock. Labine recently was cast as Dr. Iggy Frome in the medical drama New Amsterdam (2018-23) and starred as Kevin Pacalioglu in Deadbeat (2014-16) for Hulu.

There are a few other names to mention as well. Bob Peterson and John Ratzenberger make their returns as Roz and The Abominable Snowman, respectively, but only in brief cameos. Roz makes her appearance after Mike and Sulley return from the normal world, saying she’ll be watching them, which is something she said in Monsters, Inc. The Abominable Snowman is seen working in the Monsters, Inc. mailroom, warning Mike and Sulley that tampering with the mail is a crime punishable by banishment. I guess we’ve figured out he got banished to the human world then! We also have Bonnie Hunt making a return to the monster world. This time, she voices Mike’s school teacher Karen Graves.

Other names in this movie include John Krasinki who voiced the scarer Frank McCay in the opening sequence of Monsters University. Krasinski became a household name from his role as Jim Halpert in the US version of The Office (2005-13). He went on to have roles in comedy films, including Ben Murphy in License to Wed (2007) and Harley in It’s Complicated (2009). He later co-wrote, directed and starred as Lee Abbott in the horror films A Quiet Place (2018) and A Quiet Place II (2020). He also starred as Jack Ryan in the Amazon Prime Video series Jack Ryan (2018-23). Julie Sweeney voiced Squishy’s mother, Sheri. Sweeney was a cast member on Saturday Night Live from 1990 to 1994. More recently, she was cast as Vera Easton in Hulu’s comedy series Shrill (2019-21). Bill Hader voiced the slug monster running late to class. Hader was a cast member on Saturday Night Live from 2005 until 2013. He also voiced Fear in Pixar’s Inside Out (2015), and voiced J.P. Spamley in Ralph Breaks the Internet (2018) and Featheringhamstan in Lightyear (2022).

PRODUCTION

We all remember the time when Disney were releasing direct-to-video sequels constantly, all based on previous popular Disney animated classics. Some of these are beloved by the kids who watched them. Others have been brutally ripped apart, perhaps unfairly, perhaps not.

There was once a time when Pixar movies may have been subjected to this fate, of low-quality animated sequels to some of their biggest hits being made, and it was all thanks to Disney. It has been reported that around 2004 or 2005, Disney tasked Circle 7 Animation, a division of Walt Disney Feature Animation that only lasted from 2004 to 2006, with making a Monsters, Inc. 2. They’d also planned to make a Finding Nemo 2 and a different version of Toy Story 3, as a way of using Pixar properties. Allegedly, Monsters, Inc. 2 had a storyline that saw Mike and Sulley visit Boo for her birthday, but on going through her closet door, they see Boo has moved and they go to find her. When they find Boo, Sulley and Mike discover she is too old to believe in monsters, and they must get her younger brother to convince her to help them leave the human world though her old door. They are also trying to save Celia, who has been captured by a monster-obsessed human wanting to prove monsters are real[1]. It sounds like a wacky story that probably wouldn’t have worked well, so lucky for all of us, that Circle 7 Animation’s plans never came to fruition and the division was promptly shut down. It was supposedly just a pressure tactic from Disney, because during this time, Disney were looking to buy Pixar. This deal was later completed in May 2006.

It wasn’t until a decade after Monsters, Inc. was released that Pixar confirmed they were actually working on a new Monsters, Inc. movie, with this being officially announced at the D23 Expo in 2011, by John Lasseter and voice of Mike Billy Crystal. It was confirmed that this movie was in fact going to be a prequel called Monsters University, making it clear to the audience that they were going to be watching a film about Mike and Sulley in college.

Monsters University was directed by Dan Scanlon, who was a 24-year-old storyboard artist at Pixar when Monsters, Inc. was released in 2001. Monsters University was his directorial debut of a feature film at Pixar; he had already co-directed the short film and Cars spin-off Mater and the Ghostlight (2006) with John Lasseter. Dan Scanlon had worked on Pixar features such as Cars (2006) and Toy Story 3 (2013) as a story artist prior to Monsters University. He later directed and co-wrote Onward (2020). Scanlon left Pixar in 2024. Scanlon stated that prequels are tricky and risky, because the audience already knows where the story is going, so they can feel quite predictable, but the plan was always to be to make the story relatable, whilst also turning the expected story on its head. It was decided the prequel was the way to go, despite its challenges[2].

Scanlon also co-wrote the story of Monsters University, alongside Dan Gerson and Robert L. Baird. Gerson had co-written the screenplay of Monsters, Inc. so no doubt his expertise from the original movie was invaluable when creating the prequel. He also co-wrote the Disney Animation movie Big Hero 6 (2014), alongside Baird, with the film going on to win the Academy Award for Best Animated Film. Gerson sadly passed away in 2016 and was said to be working on Pixar’s Cars 3 (2017) at the time. Baird had co-written the screenplay for the 1999 Disney Channel Original Movie The Thirteenth Year early on his career. After Monsters University and Big Hero 6, Baird co-wrote the screenplays for the animated films Ferdinand (2017), from Blue Sky Studios, and Nimona (2023) for Netflix.

Although we know that Mike and Sulley are going to end up working as a scaring team at Monsters, Inc., we don’t know how they get to that point. The title Monsters University obviously gives away the fact that the prequel will be taking us through their journeys at college, but outside of that, there are so many possibilities for the story to go. Initially, Sulley was still going to be the main attraction of Monsters University, since he was already the focus of Monsters, Inc. There were plans to give him some big emotional backstory, like having an absent father, in order to give Sulley more of a purpose and personality, because in Monsters, Inc., he spends much of his time with Boo, as her protector, so he needed something else to occupy his time in Monsters University. There was also an idea to have Sulley wanting to be a dentist, but that story element was quickly dropped as he was clearly always meant to be a scary monster with his huge stature.

After these ideas didn’t work, it was then decided that perhaps Mike should get his chance to shine in Monsters University, and he should be following his dream of being a scarer, which, before the opening titles even start rolling, we already know is not going to happen because of the events of Monsters, Inc. This eventual failure of his scaring dream is the message that audiences would take away from Monsters University, that although you can work hard in achieving a dream, it doesn’t always work out the way you’d hoped. This basically altered expectations about the film as we saw that the journey to Mike and Sulley ending up at Monsters, Inc. was not an easy one[3].

There were plenty of other sequences and scenes that did not make it into Monsters University. One was that Mike and Sulley were going to end up in Drama Class together after being kicked out of the Scare Program at Monsters University. During this time, the tension between the two and the rivalry would’ve been obvious as they attempt to prepare for the Scare Games and put on this play with their class about the history of scream energy. Over time, it was meant to show Mike and Sulley learning to work together and become friends, with Mike helping Sulley remember his lines during the play after forgetting them on stage. This play would’ve also given us important information about scream energy, that enough scream energy created on the opposite side of a door, in the human world, for example, can be enough to power it on the other side. This is something we learn during the big scare that Mike and Sulley do in the summer camp. It was decided that the Drama Class sequence, although funny, was not necessary since the Scare Games is where Mike and Sulley ultimately resolve their conflict, and it didn’t fit in well with the rest of the story. There was also an alternative prank by Roar Omega Roar on Oozma Kappa, which would’ve seen the Roars scaring them during a movie night, but this was deleted as it was decided that the whole point of this prank was not to show that Oozma Kappa were easily scared, but was meant to show that they are not scary so cannot be scarers. Another deleted sequence would’ve introduced a new college program to us, Recon, where monsters go into the human world to spy on kids and figure out what their fears are, to draft scare reports.

Potentially the most interesting deleted sequence could’ve ended up being the most important sequence in the film, and would’ve helped with a major plot hole that was discovered by viewers. This plot hole revolves around the fact that Mike says to Sulley in Monsters, Inc. that Sulley has been jealous of him since the fourth grade, making it seem like Mike and Sulley already knew each other from school. However, Monsters University tells us that Mike and Sulley first met here, annoying some people because Pixar had ignored something in their own franchise’s storyline. This is something I noticed shortly after watching Monsters University too. But be assured, Pixar did plan to address this. In this deleted concept, Mike was meant to meet Sulley in the fourth grade. Jealous of Sulley’s instant popularity due to his size and scary nature, Mike proceeded to try to outdo Sulley with his knowledge of scare theory. This rivalry went on for years, until Mike and his family moved away. Ultimately, Dan Scanlon felt that this sequence just wasn’t working, so he was told by John Lasseter and Pete Docter, the director of Monsters, Inc., to focus on the college story and not let this one line from Monsters, Inc. affect the prequel. The filmmakers had probably hoped we wouldn’t notice or wouldn’t care[4]. Sadly, some very much did, and still do, care! I like to think that perhaps it’s one of those cases where you can meet someone at school and not really remember them, reconnecting later in life and only realise you’ve met them before after talking about some really specific event. Since Sulley and Mike don’t talk all that much about their past lives in Monsters University, we could imagine that maybe they didn’t get talking about school until after they were expelled and then they remembered each other – but that’s a lot of “ifs” and “maybes”!

With this new college setting in the monster world, it was decided that the filmmakers had to do some proper research into college life, so naturally, they took a research trip, which consisted of tours of Ivy League campuses. It’s not exactly Mexico or South America, like the Pixar team went to for Coco and Up, but I guess it’s something! Some of the universities they visited were Harvard, MIT, and Berkley, so Monsters University became a mixture of all of these campuses. Many of these colleges had a gate entrance, so one was made for Monsters University, for example, and they tended to have buildings made of red brick, so this was incorporated into the design for Monsters University. The Scare School was created to be the focal point of the campus, as older buildings on real campuses were obviously built first, with others spreading out from it. The age of the building was also shown, not just architecturally, but also by the bronze statue outside with the faded paw, showing that many students even before Mike’s class at touched it for good luck.

Other details added to the campus include the use of flyers, with new ones stapled up on top of years of older, crumpled, disintegrating ones, on columns and boards across the area, and they also added bird poop to the buildings and statues to show the age of Monsters University, showing its history and prestige! Monsters University was designed to look like a normal US college campus, but the added motifs and decorations of teeth and eyes made it seem more “monster-like”[5].

Alongside design elements for the look of Monsters University, the team also had to figure out what experiences would need to be added to the movie to make it feel like a quintessential college film. Obviously one glaring omission from this film is alcohol. Pixar and Disney can’t be seen to advertise drinking, underage or not, in their films, but they tried to get across the party atmosphere with their heavy use of fraternities and sororities. This emphasis on parties was even seen in the teaser trailer, where Sulley pranks Mike by gluing bits of mirror to him to turn him into a disco ball!

These fraternities and sororities ended up being quite useful to the story, not only because they created ready-made teams for Mike and Sulley to go up against in the Scare Games competition, but also because they allowed us to see a wide-range of different personalities without the need to introduce us to too many minor characters. This was achieved basically by making each fraternity and sorority a sort of stereotype. For example, the Eeks are the athletic jock girls; the Pnks are the perfect sorority girls, who look sweet on the outside, but are vicious on the inside; the Roars are the cool, posh boys; and Hss are the emo/goth group. Oozma Kappa are the misfit fraternity[6].

There are hundreds of monsters within Monsters University, many more than were seen in Monsters, Inc. Although software had been created for Sulley’s fur for the first movie, this software had been developed so much that even more furry monsters could be designed and used in this movie, to go alongside other types of monsters of varying shapes and sizes, even ones that fly. These additional monsters enormously helped with the atmosphere of Monsters University, to make it feel like it was a place of diversity. Pixar has said to look at the backgrounds to spot all these different types of monsters. But monsters from the previous films who made a return would also need to be aged down for Monsters University. For example, Mike is skinnier, with a more vibrant colour to his skin and less pronounced horns. He also has a retainer. Sulley is skinnier and shaggier, and his fur is shinier[7]. Randall is smaller and punier than he is in Monsters, Inc. and his skin is more purple.

Another character design to mention is that of Dean Hardscrabble. Hardscrabble was going to be a typical, grumpy male dean, with an alligator tail, but after some thought, the filmmakers realised they hadn’t seen a great female scarer in this world so Dean Hardscrabble began a strict, authoritative female dean instead. The basis for her monster appearance is a centipede, and the Pixar team studied giant centipedes to see how they moved and behaved. Despite centipedes generally being considered to be gross-looking by most, the filmmakers said there was a graceful elegance to them, which they wanted to get across in Dean Hardscrabble’s character. I’m going to be perfectly honest and say I thought she was designed after a dragon; I’d never noticed her legs before[8]!

Rounding out the production of Monsters University, there are the usual Pixar Easter eggs and references to mention. The A113, the number of the classroom at CalArts where many Pixar animators studied, is on the door of Scaring 101 on the first day of the Scare Program. The Pizza Planet truck is parked in the driveway of the Jaws fraternity house on that party night when Mike and Sulley are chasing the pig. The Luxo ball from the Pixar short film is seen in graffiti on the wall of the sewer during the Toxicity Challenge of the Scare Games.  The next Pixar movie after Monsters University is The Good Dinosaur (2015), so this was referenced with dinosaur toys in the bedroom that Young Mike sneaks into during his school field trip to Monsters, Inc. Pixar Studios’ address of 1200 Park Avenue is also referenced, as Don Carlton’s business card shows his address as being 1200 Dark Avenue.

You can also see a few nods to Monsters, Inc. One of these is that George, the monster who is on the receiving end of the “23-19” alert is a member of the Jaws fraternity. There is also the Winds of Change poster above Randall’s bed, which refers to a line he says to Mike and Sulley in the original film[9]. At the end of Monsters University, you can see a picture of Sulley shaking hands with Mr. Waternoose, the CEO of Monsters, Inc., a main character in the first film, too. It is rumoured that Kelsey Grammer, best known for his role as Frasier Crane in both the sitcoms Cheers (1982-93) and its spin-off Frasier (1993-2004) was meant to voice Mr. Waternoose in an apparently cut scene. Celia, who also only appears in picture-form in this montage, in Mike’s locker, was apparently meant to return for Monsters University too, as was Randall’s assistant Fungus. For some reason, this did not happen. Finally, the title sequence of Monsters University even refers back to Monsters, Inc. as it is another 2D graphic-style title sequence, contrasting against the computer animation of the main film. This time, the opening titles follow Mike’s journey to being a scarer, through his school work and eventual acceptance to Monsters University.

MUSIC

For the score of Monsters University, Randy Newman made his return as the composer, after his work on Monsters, Inc., allowing for continuity between the two films. Newman is known for his frequent collaborations with Pixar over the years, including on A Bug’s Life (1998) and the Toy Story franchise.

Newman’s score had to consist of both bringing emotion to the story and giving the music that “collegiate” feel. This meant using the sound of marching bands and drums to express that university-style sound, where these instruments are used for pep rallies and events like that. Some examples of this sound can be found in the tracks “Main Title”, used for the title sequence, and “The Scare Games”, playing during a montage of some of the games’ events. To record some of this style of music, Pixar brought in the percussion group The Blue Devils Drum Corps, to give that authentic sound. There is also the track “Monsters University”, which is a chorus singing the university’s school song.

Another key point of the college atmosphere of Monsters University that comes across in the music is the mixture of music genres that can be heard across a university campus in the real world; this is mimicked in Monsters University. This can be specifically heard in a couple of tracks. One of these is “Scare Pig”, which is used for the scene of Mike and Sulley chasing down Fear Tech’s pig mascot that Sulley stole. As the two wreak havoc across various parties going on at the college campus, you can hear an acoustic guitar player in a casual get-together, followed by rock music playing at the fraternity and sorority party. Another is “Roar”, the name of the music playing at the Roar Omega Roar party where Oozma Kappa get pranked by the Roars. This is electronica party music, perfect to get people dancing. “Roar” was written and performed by Axwell and Sebastian Ingrosso, from the Swedish House Mafia group, known for their electronic dance music.

There are a few other tracks in the Monsters University soundtrack that I also like. “First Day at MU” is one, as it feels hopeful and reflects how Mike is feeling on that first day at the Scare School, thinking his future is looking bright. Another is “The Big Scare”, which is used for the sequence of Mike and Sulley pulling off that scare at the summer camp with the rangers. It’s a huge moment for not just the history of scaring, but for Mike and Sulley’s friendship and teamwork, as they show that they work best as a scaring team rather than as individuals, with Mike’s attention to detail and Sulley’s natural scaring ability. I also like “Stinging Glow Urchin”, the music playing during the Toxicity Challenge and race in the Scare Games. One other track worth mentioning is “Field Trip”. This features during the moment where Mike takes Oozma Kappa to Monsters, Inc. so they can witness the Scare Floor in action. It uses some of the music from the Monsters, Inc. soundtrack, like the music used in the chase sequences, and the track “Enter the Heroes”, which is used as a slow-motion clip of the scarers arrive for a day of work, but in Monsters University, it is used whenever the factory’s exterior is seen, so both in this sequence for Oozma Kappa and in Michael’s field trip at school at the start of the film.

Newman has stated how happy is to compose music for Pixar’s high-quality animated movies. Director Dan Scanlon also stated how helpful Newman was during the composition stage and orchestral recording of the score, as he had admitted that the music was the part he knew the least about when directed a film. Scanlon said how affecting it was to see the music come together with the animation to make the movie feel complete[10].

Despite Randy Newman winning awards for his music on Monsters, Inc., namely for the song “If I Didn’t Have You”, which won an Academy Award and Grammy Award for Best Original Song, amongst others, the Monsters University soundtrack was not as widely acclaimed. Instead, it only received one nomination, at the Annie Awards, for Outstanding Achievement in Music in an Animated Feature Production. Newman and Pixar lost to the musical team of Robert Lopez, Kristen Anderson-Lopez, and Christophe Beck and their work on Disney’s Frozen. I guess Pixar had to just “let it go” on this occasion.

RECEPTION

Just a little less than 12 years after the release of Monsters, Inc., Monsters University was released in theatres, on 21st June 2013 in the US, becoming Pixar’s first, and only, prequel.

Apparently, it was initially planned for release in November 2012, its date being moved to 2nd November to avoid direct competition with The Twilight Saga: Breaking Dawn – Part 2, a very popular film that year. Monsters University’s date later moved to June 2013. It would seem that Disney’s Wreck-It Ralph (2012) took the November 2012 position instead[11].

In theatres, Monsters University was released alongside the Pixar short film The Blue Umbrella (2013). This short followed the journey of a blue umbrella finding love with a red umbrella. After being separated by their owners, the blue umbrella breaks away and attempts to be reunited with the red umbrella, only to be hit by high winds and speeding traffic. The blue umbrella is later found damaged in the road, in a broken heap. It is picked up by its owner, and the red umbrella owner comes over to help. The owners of the blue and red umbrella walk away together, reuniting the two-coloured umbrellas. This short was directed and written by Pixar employee Saschka Unseld. Strangely for a Pixar short, The Blue Umbrella missed out on an Oscar nomination for Best Animated Short Film.

But back to Monsters University. For the most part, Monsters University received positive reviews, although some of these positive reviews generally say that the movie is perfectly fine and watchable, so not exactly a glowing review! Some stated that this prequel was reassuring from Pixar, expanding on the Monsters, Inc. characters and its world. They liked seeing more backstory for Mike and Sulley, and the supporting cast was also memorable and funny. The message of Monsters University, about hard work not necessarily equating to a dream coming true, was an important one to state, as it goes against the general message of child-focused movies, and even parents’ motivation to their children, where we usually hear that being determined in the pursuit of a dream will mean that it happens. It’s not the most upbeat message, but it is more realistic to real life, where things don’t always work out as you’d planned. Personally, I liked the fact the film allowed kids to see that adults can be scared by monsters, with the giant scare Mike and Sulley plan and enact towards the end of the film. Monsters, Inc. had made it seem like only children get scared, but that’s not true; adults get scared too. Others said that they enjoyed the twists in the story, like how Mike didn’t actually win the Scare Games for his team, and that Mike and Sulley did get expelled, with Dean Hardscrabble holding firm on that after they broke numerous university rules. The surprise return of Roz and The Abominable Snowman was also welcomed. Monsters University was considered to be a great film for the family to enjoy.

On the other hand, there were negative comments given by audiences and critics. One of these was purely linked to the expectations, or lack thereof, that come from a sequel. Pixar had a very disappointing sequel with Cars 2. Monsters University was the next prequel or sequel to come after that, so although some felt it exceeded expectations, others felt it was disappointing and lacked an interesting story with heart, unlike its predecessor. With numerous other Pixar sequels already announced to be coming in the following years at this point, those being Finding Dory (2016), Cars 3 (2017), Incredibles 2 (2018), and Toy Story 4 (2019), it is possible that this had annoyed viewers and their annoyance affected their enjoyment of Monsters University, even before they’d seen any of it. It is also the typical “prequel problem” that the viewers know how the story is going to end, because they’ve already seen the original film, so that meant that excitment and tension was lacking. It was decided that Monsters University was simply not a good enough movie to come from Pixar, and the world was still waiting for them to come back and hit the heights they’d last achieved with Toy Story 3 – and pretty much every movie they’d made before then.

Despite the slightly mixed reception, Monsters University did well at the box office in 2013. In North America, it debuted with $82.4 million on its opening weekend, becoming Pixar’s second-best opening weekend for one of their films at the time, with Toy Story 3 the best opening weekend they’d had at $110 million. It also opened in the No. 1 spot at the box office. This meant that Pixar had had 14 No. 1 openings in a row, for all 14 of the feature films they’d made. Its worldwide debut came in at $136.5 million after opening in 35 other countries at this time, however, it was struggling against some tough competition. In Australia, Despicable Me 2 (2013) came out at a similar time to Monsters University. In the box office fight, Monsters University lost in that county[12]. By the end of August 2013, Monsters University had made over $700 million worldwide, making it the fourth-highest grossing Pixar film, behind Toy Story 3 with $1.06 billion, Finding Nemo with $922 million, and Up with $731 million[13]. It later ended its run at just under $745 million.

Overall, in 2013, sadly, Monsters University struggled against some movies that did exceptionally well in the later half of the year. One of these was Disney Animation’s Frozen (2013), which made over $1 billion worldwide. Frozen was in the top spot in the worldwide box office figures. This was followed by Marvel’s Iron Man 3; Despicable Me 2; The Hobbit: The Desolation of Smaug; and The Hunger Games: Catching Fire. Monsters University ended the year at No. 7 in this list, however, it did just about reach the Top 5 in the domestic box office for 2013 and it easily beat out some other animated movie releases for the year, like DreamWorks’ The Croods and Turbo; and Sony’s Cloudy with a Chance of Meatballs 2.

Monsters University was not as widely acclaimed as Monsters, Inc., so naturally, it did not achieve much success during awards season. Monsters University was not even nominated for Best Animated Feature at the Academy Awards; this award was won by Frozen. Frozen actually swept the Best Animated Film category at multiple awards ceremonies, including the BAFTAs, the Critics’ Choice Awards, the Annie Awards and the Saturn Awards, where Monsters University was actually nominated. The Satellite Awards didn’t give this award to either Frozen or Monsters University, although both were nominated; the winner was Japanese film The Wind Rises (2013), directed by Hayao Miyazaki. Outside of that, at the Kids’ Choice Awards, Monsters University was nominated in both the Favorite Animated Movie and Favorite Voice From an Animated Movie – for Billy Crystal – categories, but lost out to Frozen, and Miranda Cosgrove as Margo in Despicable Me 2, respectively. Monsters University was nominated for various Annie Awards, including Best Animated Feature, Animated Effects, Character Animation, Character Design, Production Design, and Writing. Billy Crystal was once again nominated for his vocal performance as Mike Wazowski, but lost to Josh Gad and his character of Olaf from Frozen. Pixar did, however, win the Annie Awards for Storyboarding and Editorial for Monsters University. It also won the Hollywood Animation Award at the Hollywood Film Awards.

LEGACY

Mike and Sulley have continued to be popular Pixar characters, showing up on screen and at the Disney Parks. These are some experiences that appeared shortly after Monsters University, and in more recent years.

On screen, the short Party Central (2013) premiered at the D23 Expo in Anaheim in August 2013, just a few months after Monsters University’s release date. It later was attached to the theatrical release of Disney’s Muppets Most Wanted (2014). In this short, directed and written by Pixar director and storyboard artist Kelsey Mann, Mike and Sulley make Oozma Kappa’s first fraternity party one of the best parties ever. They do this by stealing items from Roar Omega Roar’s party, and leading guests through door stations, that go through a human couple’s bedroom, into Oozma Kappa’s house. Squishy’s mother walks in when the party is in full swing, and comes up with a huge stunt that involves jumping through the doors. The party makes students want to join Oozma Kappa – and traumatises the human couple who ask to sleep in their son’s room because they have monsters in their closet! The cast from Monsters University returned to voice their characters here.

Years later, a new addition to the Monsters, Inc. franchise came to Disney+. This was the Disney+ series Monsters at Work (2021-present), which followed the events of Monsters, Inc., specifically the transition of the factory from scream energy to laughter. It follows a recent graduate from Monsters University, Tylor Tuskmon, who comes to Monsters, Inc. to be a scarer, only to be told that job no longer exists. He is instead reassigned to work in the Monsters Inc. Facilities Team. The first series follows Tylor’s struggles as he adjusts to his new career path. The second series sees Tylor debating whether to take a job at rival company Fear Co. Some new characters were added to Monsters at Work, including Tylor, voiced by Ben Feldman, known for such roles as Jonah Simms in Superstore (2015-21) and Ron LaFlamme in Silicon Valley (2014-19). Mindy Kaling joined the voice cast as Val Little, having already voiced Disgust for Pixar’s Inside Out (2015), as well as had success with her own sitcom The Mindy Project (2012-17), as did Henry Winkler, Fonzie in Happy Days (1974-84) and more recently Gene Cousineau in Barry (2018-23). Other characters, and their voice actors, from Monsters, Inc. and Monsters University also returned for select episodes. Billy Crystal and John Goodman reprised their roles as Mike and Sulley too. The series has run for two seasons. One came to Disney+ in 2021 and the other came to both Disney+ and Disney Channel in 2024. Monsters at Work won two Children’s and Family Emmys, one for Individual Achievement in Animation in 2022 for Ron Tolentina Velasco, and another for Voice Directing for an Animated Series in 2025 for Kevin Deters and Stevie Wermers. A third season of the show was confirmed in February 2025.

Outside of that, there have been questions around whether or not we should expect a Monsters, Inc. 3, especially now that Pixar have released Inside Out 2, which did exceptionally well financially, and later announced Toy Story 5, coming in 2026; Coco 2; and The Incredibles 3. It seems like it is only a matter of time. Back in 2016, Pete Docter said he could never say never when asked about a further Monsters, Inc. film, although did also state that the Pixar filmmakers purposely went for a prequel because they didn’t think a story about seeing Boo grown up and meeting up with Mike and Sulley again was particularly interesting[14]. It could also be argued it is too close to the plotline of the Toy Story franchise. This is, however, the story that Monsters, Inc. fans would want exploring in a third film. We’ll have to see what Pixar do, if anything, with the Monsters, Inc. franchise, but frankly, I think the Disney+ series is enough and we don’t need another film.

The Disney Parks also added experiences to its parks after the release of Monsters University, although some were only for a limited time. One of these was the “Monstrous Summer” event that came to Walt Disney World Resort in Florida and Disneyland Resort in California over the summer of 2013, as promotion for Monsters University. 

The kick-off to this summertime event was called the “Monstrous Summer All-Nighter”, where Magic Kingdom Park at Walt Disney World and both Disneyland Parks were open from 6am on 24th May 2013 until 6am on 25th May 2013. This all-nighter was announced in April 2013, with Mike Wazowski and Sulley being projected onto Spaceship Earth in Walt Disney World’s Epcot. The actual event included special showings of parades, such as the Mickey’s Soundsational Parade at Disneyland, and two runnings of the Main Street Electrical Parade at Walt Disney World. There were also meet-and-greets with characters and dance parties throughout all the parks on both coasts. It would also seem that Monsters, Inc. was being shown in Tomorrowland at Magic Kingdom during this event, though why you’d choose to watch that instead of riding all the attractions that were open, I don’t know! Other limited time experiences for “Monstrous Summer” included the Walt Disney World Monorail being wrapped in images from Monsters University, in what came to be known as the “Monsterail”, and wake-up calls being available at resort hotels, where Mike could call guests to wake them up[15]. Both Walt Disney World and Disneyland also had two different Monsters University pre-parades, featuring floats, dancers, and Mike and Sulley.

Also at Walt Disney World, specifically at Disney’s Hollywood Studios, guests could meet Mike and Sulley in Monsters University costumes during that summer in a specially-designed area. They later met guests together at Walt Disney Presents, but now, Sulley seems to be the only character from either Monsters, Inc. or Monsters University still meeting guests here during normal park hours, at Pixar Place. In Magic Kingdom’s interactive show Monsters, Inc. Laugh Floor, an update was made to the show to include the Monsters University gates as a background for the comedian monsters, although characters from the film were not added.

Perhaps the most exciting of all to come to Walt Disney World though is that at the D23 Expo in 2024, it was announced that humans would once again be invited into the monster world, but this time into Monstropolis itself because Monstropolis is being built at Disney’s Hollywood Studios, taking over the area that was formerly Muppets Courtyard, home to Muppet*Vision 3D since 1991 – and the less popular but much loved by me PizzeRizzo. Fans were very sad to say goodbye to this area, but some interesting concepts are coming to the area, such as the former Mama Melrose’s Ristorante Italiano becoming the Harryhausen’s restaurant, as seen in the first film, and the Monsters, Inc. factory is being constructed to house a ride through the famous door vault, with this set to be the first ever suspended coaster at a Disney Park. The area will not be open until around 2027 or 2028.  Muppets Courtyard closed in June 2025, but the Muppets will still be at Disney’s Hollywood Studios, as they will be part of a retheme coming to Rock ‘n’ Roller Coaster sometime in 2026[16]. This area may see some small references to Monsters University but nothing major.

At Disneyland, there doesn’t appear to be much specific to Monsters University either, however, Mike and Sulley were characters spotted at Pixar Fest in 2024, meeting guests at Pixar Pier at Disney California Adventure. They also featured as part of the Better Together: A Pixar Pals Celebration! parade, and clips from the film played during Together Forever: A Pixar Nighttime Spectacular. At the renovated Pixar Place Hotel which opened in January 2024, you can see references to both Monsters, Inc. and Monsters University in artwork here, with one specific nod to Monsters University being in the fitness centre. Here, Mike and Sulley’s scene where they run on treadmills, competing against each other in the gym, has been painted as a mural on the wall.

Looking to the international Disney Parks, Disneyland Paris used to have an area with the Monsters, Inc. scream canisters in their Worlds of Pixar area, but these seem to have disappeared as part of the major changes coming to the Walt Disney Studios Park as it transforms into Disney Adventure World for Spring 2026. Also at this park, the stage show TOGETHER: A Pixar Musical Adventure, which opened in 2023, has a performance that features Monsters, Inc. There is also an interactive walk-through exhibit at Shanghai Disneyland called Pixar Adventurous Journey, which has a section featuring the Monsters, Inc. locker room and the door vault, as well as statues of Mike, Sulley, and Boo. Sulley may also be available to meet guests at Tomorrowland on occasion, alongside other Pixar characters. There will also be a new Pixar show coming to Hong Kong Disneyland, which will apparently showcase Monsters, Inc. An opening date is not yet known. But again, these are just newer Monsters, Inc. experiences, and are not themed to Monsters University.

Finally on the Disney Cruise Line, the Eye Scream Treats ice cream location on the Disney Magic, Disney Fantasy, Disney Dream, and Disney Wonder ships has an image of Mike on its signage. The new Disney Adventure Cruise Ship, set to set sail in March 2026, is said to have two restaurants that should reference Monsters, Inc. These are Mike and Sulley’s Flavors of Asia, themed to Harryhausen’s, and Pixar Market Restaurant.

Surprisingly, merchandise for Monsters University is fairly easy to find currently, as the logo has been added to various items of clothing that is on sale at stores around the Disney Parks. Items themed around Sulley, Mike, and Boo tend to be what you’re more likely to find globally and outside of the parks though.

FINAL THOUGHTS

We seem to be living through a time of “sequel fatigue” and it is only looking like this trend is going to continue at all movie studios. Sometimes, these sequels might be a surprise hit, like Toy Story 3, whereas others might be bitterly disappointing, like Cars 2.

Pixar did well from my point of view in making the second instalment of Monsters, Inc. a prequel, because this gave a fresh take on the story. We didn’t have much detail about Mike and Sulley’s lives prior to working at Monsters, Inc. in the first film, so for me, basing the story at university, and having the characters grow into the characters they become in the original film was the best direction to take the story.

I’m not sure a sequel where we just saw Boo again for the sake of appeasing audiences was ever going to be enough, so I can only hope that Pixar don’t progress with this idea, or even a third film in general. But given how their original movies have done at the box office of late, I can sadly see mostly sequels in Pixar’s future, and I would consider Monsters, Inc. 3 high up on their list of possibilities. 


REFERENCES

[1] Credit: The Disney Classics, ‘Circle 7 Animation (Pixaren’t)’, TheDisneyClassics.com, 4th September 2021.

[2] Credit: Henry Fitzherbert, ‘Making of the Monsters University scream team’, Express.co.uk, 30th June 2013.

[3] Credit: Pixar, “Story School”, Pixar Official YouTube Channel, 27th September 2016.

[4] Credit: Pixar, “Deleted Scenes”, from Monsters University (2013), Disney+.

[5] Credit: Pixar, “Welcome to Monsters University”, Special Features YouTube Channel, 19th April 2021.

[6] Credit: Pixar, “College Days”, Pixar Official YouTube Channel, 1st October 2016.

[7] Credit: Peter Sciretta, ’10 Things You Need To Know About Pixar’s ‘Monsters University’ [D23 Expo]’, SlashFilm.com, 21st August 2011. 

[8] Credit: Pixar, “Monthropology”, from Monsters University (2013), Disney+.

[9] Credit: Julie & T.J., ‘Monsters University – An In-Depth Look at the Hidden Items, References and Details of the Film’, PixarPost.com, 28th June 2013.

[10] Credit: Pixar, “Music Appreciation”, Special Features YouTube Channel, 19th April 2021.

[11] Credit: Jim Vejvoda, ‘Pixar’s Monsters University Pushed’, IGN.com, 8th May 2012.

[12] Credit: Pamela McClintock, ‘Box Office Report: ‘Monsters U’ Zooms to $82 Million Debut; ‘World War Z’ Nabs $66 Million’, HollywoodReporter.com, 23rd June 2013.

[13] Credit: Andrew Stewart, ‘‘Monsters University’ Crosses $700 Mil at Global Box Office’, Variety.com, 29th August 2013.

[14] Credit: Marc Snetiker, ‘Toy Story 4: Pete Docter talks Pixar films, Monsters Inc 3 rumors’, EW.com, 1st November 2016.

[15] Credit: Lex Mancini, ‘The Monstrous Summer All-Nighter in 2013: 24 Hours in Magic Kingdom’, WDWMagazine.com, 24th May 2022.

[16] Credit: Blog Mickey, ‘Muppets Courtyard Blocked Off, Construction of Monsters Inc. Land to Begin Soon at Hollywood Studios’, BlogMickey.com, 8th June 2025.

#4 Monsters, Inc. (2001)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. PRODUCTION
  5. MUSIC
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

In the early 2000s, Pixar was still the baby in the world of animation, especially when compared to the fully matured Disney Animation, who had been working on full-length animated features ever since 1937, with their first movie Snow White and the Seven Dwarfs.

And yet, Pixar was considered a prodigy, barely putting a foot wrong and consistently showcasing its talent. By the time Monsters, Inc. was released in 2001, they had only released three movies before it: Toy Story (1995), A Bug’s Life (1998), and Toy Story 2 (1999). Two were original stories and one was a sequel. It was a brilliant track record to show that Pixar was one to watch, but it wasn’t yet enough to prove that the studio was going to be one of the best in the business – although, of course, we can all say that now.

Monsters, Inc. had to prove that Pixar Animation Studios was only getting to get better and better as the years went on and the movies kept coming.

But where should their new story take us, the viewers? We’d already had a look at what our childhood toys are doing when we aren’t around, and we delved deeper into the world of insects with A Bug’s Life, so Pixar chose to do something different. They took us into the monster world, using the basic idea of children fearing those monsters under their beds or in their closets as the premise to get us there.

I’m pretty sure my family and I watched Monsters, Inc. in the cinema when it first came out. I can’t remember much about what I thought about it then, but I’m sure I probably liked it; I just don’t know how I felt about it in comparison to the other Pixar films that came before it. Monsters, Inc. was one we used to watch at the weekends on DVD, that’s what I remember the most. It was a good Sunday afternoon film, to momentarily halt the worries and disappointment about having to go to school on Monday.

I clearly did not understand the emotional depth of Monsters, Inc. when I was younger, but on re-watching Monsters, Inc. as an adult, those touching moments, like Sulley and Boo’s goodbye, are tear-jerking. The humour is also different and the detail and the impressiveness of the animation is more obvious. However, I cannot say that I love Monsters, Inc. – I can only say I like it. I think Pixar has made much better movies in the years since, and ones that I relate to more. I don’t think I ever believed in monsters as a child, or if I did, I wasn’t so emotionally scarred that I can remember it! So, Monsters, Inc. is just a good film, but not the best for me, and not one I revisit particularly often.

PLOT

Monsters, Inc. begins with an opening sequence featuring the titles and monsters hidden behind closet doors. After that, we see a boy going to sleep, but he thinks he can see a monster in his closet. Suddenly, a huge monster appears from under the bed. The boy screams – as does the monster, stumbling backwards in shock, falling into the kid’s toys.

A screen goes up, showing that this was all a simulation and the boy is actually robotic. This was a training exercise for “scarers”. The monster is quizzed on what he did wrong by Ms. Flint the recruiter. He says his big mistake must’ve been that he fell down. In reality, his mistake was leaving the door to the room open. Flint asks the monster and the others watching this simulation why this is such a problem. Mr. Waternoose, the CEO of this company, comes in and says the door being open could’ve let in a child. Mr. Waternoose reiterates that human children are toxic. This puts many monsters off wanting to go into their bedrooms, but this monster world needs the children’s screams for energy, because this company is Monsters, Inc., the energy company for all Monstropolis.

One of Monsters, Inc.’s top scarers is James P. Sullivan, also known as Sulley. On this particular day, he has been woken up by his flatmate, best friend, and assistant Mike Wazowski for a pre-work workout. They take a break to see Monsters, Inc.’s new company advert on television. It features Sulley heavily, with Mike only getting a brief shot before the company logo masks him entirely – but Mike is just excited he was on TV! The advert emphasises the importances of scarers in a time when human kids are not as easy to scare.

Mike and Sulley then head off to work, walking because Sulley reminds Mike there is a scream shortage so perhaps they shouldn’t take Mike’s new car. At the factory, we see that Sulley is very popular, that he has won Scarer of the Month nine months in a row, and he is currently in competition with another scarer, Randall, for the all-time scare record. Mike is currently dating the company receptionist Celia. He is taking her to the exclusive restaurant Harryhausen’s for her birthday tonight, and he’s very pleased with himself! In the locker room, as Mike and Sulley get ready for a hard day’s work, they are confronted by Randall who says he’s going to break the scare record before Sulley.

Mike is sent to prepare the office for Sulley’s scaring duties. But this office is actually the huge “scare floor”, where monsters scare side-by-side. Mike has a run-in with Roz, one of the secretaries here, for not getting his paperwork filed on time and he is warned not to do it again. He then preps the floor with the other scarers’ assistants, getting doors in place from the huge door vault, loading up scream canisters, grabbing scare reports, and activating the doors. Now, the scarers can arrive and prepare themselves. Randall practises blending into different backgrounds, for example; others have fake eyes and teeth. The scare floor manager announces which time zone they’ll be working on and counts down to the scare floor being online. Once online, the scarers start on their day.

Randall and Sulley both get through plenty of doors. Randall finally manages to pass Sulley on the scare record leaderboard – only for Sulley to luckily encounter a slumber party, meaning he gets extra screams for multiple kids and takes first place again! Mr. Waternoose comes over to congratulate Sulley on another great day’s work. We also see one scarer come out of his door looking distraught. The kid he was meant to scare was not scared at all. The assistant declares this door is a “dead door” and it is shredded so no other monster will encounter this child again. Another monster, George, comes out of his room with a sock on his back. His assistant declares a “23-19” which brings officials from the Child Detection Agency, the CDA, into the factory. They deal with the offending article, destroying it via a controlled explosive, and promptly shave George to ensure there are no toxins still on him. The scare floor is shut down temporarily, much to Mr. Waternoose’s annoyance.

Mr. Waternoose talks with Sulley about the future of the factory, fearing that he will be the one to see his family business go under, with new scaring recruits not being up to the job. Sulley is asked to do a demonstration for some of them sometime and he gladly says he will. At the end of the day, Mike happily goes to get Celia so they can head off for their date, but Roz comes up to him asking for paperwork. Sulley says he can do the paperwork for Mike. Sulley starts to collect the paperwork from their desk, and sees a door on the scare floor after hours. Sulley sees it is still active and checks inside for a scarer. There is no answer, but he is alerted by a strange noise, and sees a little girl playing with his tail. Sulley freaks out and tries to return the kid to her room. He falls over items in her room and quickly leaves, covered in her stuff. Sulley then hears someone coming to the door – it’s Randall – and he rushes out, to the locker room, to try and flush this stuff away. Instead, it just blocks the toilet so he bundles it all up and tosses it in someone’s open locker. Believing he is safe again, Sulley starts to head home. However, he soon learns that the girl is on his back. Sulley freaks out again and manages to trap her in a bag. He attempts to go back to her door but a confused-looking Randall ejects it, as the kid is no longer in there.

Uncertain what to do now, Sulley goes to Harryhausen’s and bothers Mike on his date. He tries to calmly ask what to do without giving anything away, but the strange behaviour soon makes Celia suspicious. Sulley tells Mike to look in the bag he brought in, but Mike doesn’t see any bag. Sulley notices the child has escaped from the bag and she runs around the restaurant. She is soon spotted and it causes a major incident in Monstropolis with the CDA being called once again. Sulley and Mike get the kid in a takeaway box and leave the restaurant just in time. They are not caught by any agents, although Celia is taken away. The restaurant is then covered with a decontamination force field. Mike and Sulley run back to their apartment.

Inside, they hear helicopters circling the city as the CDA search for the child. Mike and Sulley are terrified they are now sharing their apartment with what they’ve been led to believe is a toxic human kid. They try to keep her away from them, but it doesn’t work. She is suddenly interested in Mike’s teddy bear, Little Mikey, and Sulley attempts to give it to her, but Mike snatches it away, not wanting her to touch it. The girl starts to cry loudly, which makes the power fade in and out, alerting the helicopters to them. Mike desperately tries to shut the blind, and tells Sulley to calm her. He attempts this, but scares her when he recoils, making her cry again. Mike comes over to help, but slips and gets stuck in a bin with a speaker falling on him. This makes the girl laugh. Her laughter causes a power outage!

Mike starts to concoct a plan for how they can escape and return the kid, but nothing sounds right. Sulley tosses sugary cereal at the kid and lets her draw, while they think of something. She starts to look tired, so Mike tells Sulley to find somewhere for her to sleep. Sulley leads her to his room, setting up an area in the corner with newspaper and more cereal, but she immediately gets into the huge bed and snuggles in. Sulley can’t be bothered to argue with her and goes to leave. Sulley realises she’s worried about monsters being in her closet – which isn’t going to happen in Monstropolis – so he tries to show her it is empty. She doesn’t seem convinced though, and shows Sulley a drawing of a purple lizard. Sulley realises that drawing is of Randall, so he is her monster. Sulley decides to sit with her until she goes to sleep. Once she does, he goes back to Mike and asks what they should do. Mike says they can hardly just walk into the factory with her. That gives Sulley an idea.

The next day, disguised in some chair fabric with fake eyes on top of her head, Mike and Sulley bring the little girl to Monsters, Inc. and try to act natural, though that’s quite difficult when the factory is swarming with CDA agents searching for the kid, making their plan to just put her back in her door more difficult. They regroup in the locker room, and Mike says he’ll ask Roz for the kid’s door key, whilst Sulley waits there. He notices that the kid needs to use the bathroom so he takes her there, but she then wants to play hide and seek! Sulley plays along. Meanwhile, because Mike hasn’t filed his paperwork, Roz won’t give him the keycard, and slams her office shutter on his hands. He returns to the locker room and asks where the kid is. Sulley says he doesn’t know, but she then runs in, scared because she saw Randall. The three of them hide, as they overhear Randall and assistant Fungus talk about the kid. Randall needs to find her, so that he is not discovered as being involved.

After they’ve gone, Sulley asks Mike if he has her door key, and Mike lies, saying he has, taking a random one on their way to the scare floor. Mike tries to say goodbye and send her on her way, but Sulley says that’s not Boo’s door. This is where Mike learns Sulley has named the kid Boo, fearing this means he is growing too attached. Sulley refuses to put Boo in that door, but once they’re done arguing, the two see she has run off again. Mike says this is great because someone else can deal with her now, but Sulley goes to search for her. As they do that, Randall asks the two about what they think of this whole situation. Mike passes suspicion on to another co-worker, getting Randall away from them. But then Mike is confronted by Celia. Mike tries to quickly apologise, but Celia is furious and annoyed he doesn’t understand her fury isn’t about his choice of sushi restaurant. Randall overhears this, and looking at the newspaper front page, he sees Mike in the picture, proving Mike was involved. Mike starts to run, but Randall finds him. He tells Mike the kid’s door will be at his station at 12pm for thirty minutes. He has until then to return her.  

Meanwhile, Sulley is chasing after Boo and sees her fall into the trash. He becomes distracted by two CDA agents who want his autograph. On turning back, he sees the trash has been delivered to the trash compactor. He follows it down, and sees the trash being sorted, cut up, and pressed into cubes. Sulley continuously faints as he watches the process, believing Boo is in that trash. He sees a trash cube with one of her fake eyes on it and sadly carries it away. Mike catches up to him, after seeing monster George get covered in the kids’ belongings from his locker and having “23-19” declared on him again, and asks what’s he doing with a cube of garbage. Sulley says it’s Boo and he can still hear her. They hear numerous kids’ voices, and find Boo with a group of others and a childminder. Sulley rushes up to Boo. One of these monsters calls Mike’s name, because Boo has been shouting it out, and bites Mike’s hand, causing Boo to laugh and for the lights to go out.

Mike and Sulley use the darkness to run off and get to Boo’s door on the scare floor. But when Mike mentions Randall set this up, this makes Sulley suspicious and Boo scared. Mike enters the room and jumps on her bed to prove it’s safe, but he is taken away by Randall who places him in a fake scream canister cart. Boo and Sulley follow them to a secret lair, where they see Randall and Fungus threatening Mike with their newly invented “scream extractor”, their way of revolutionising the scream industry. Mike is told to talk but he won’t say anything so the machine is turned on. Sulley manages to unplug it before it gets to Mike, so Randall goes to investigate why it isn’t working. Mike tries to reason with Fungus and get him released, but it doesn’t work. Sulley comes in and switches the two, so when Randall plugs the machine back in, Fungus has become the victim of the extractor.

Sulley decides they have to tell Mr. Waternoose what has been going on. When they find him, Sulley is thrown straight in to doing a scaring demonstration. He gives a big roar in the simulator, unaware that Boo is nearby and is terrified to see “Kitty” like this. She runs off in tears, tripping over a wire, which makes her costume fall down over her head, revealing she is the human child. Mike and Sulley explain what’s been going on. Mr. Waternoose says they’ll need to resolve all this, starting with taking care of the child. A door is called, but it is clearly not Boo’s door. Mr. Waternoose says this door is actually for them, and Randall pushes them into it. They arrive in snowy terrain, realising they’ve been banished to the human world, the Himalayas to be precise. The two fight and tumble down the mountain, coming face-to-face with another banished monster, the Abominable Snowman. The Abominable Snowman takes them to his cave and tries to feed them his famous snow cones but they are too busy arguing. The Abominable Snowman says there is a human village nearby, but that they can’t possibly get there in this snow storm. Sulley fashions a makeshift sled and goes on alone, since Mike refuses to help him. Eventually, his sled hits a rock, breaking apart. But Sulley is right by the human village. He takes a door back to the monster world, arriving back on the scare floor. Monster George is about to hear “23-19” from his assistant again as he finds another sock on him from Sulley bursting out the room, but George simply shoves the sock in the assistant’s mouth and tosses him in instead!

Sulley arrives at Randall’s secret lair just in time as Boo has been strapped to the scream extractor. Sulley breaks it and tosses the arm against the wall, trapping Fungus and Mr. Waternoose, but not Randall who jumps out of the way. He goes invisible and starts to strangle Sulley. Mike suddenly arrives with snow cones and continues his argument with Sulley. Boo tries to get Mike to notice that Sulley is in trouble, but he just thinks Sulley is close to tears. Luckily, a poorly aimed snow cone throw reveals Randall, and Sulley punches him. They run back to the scare floor, but Celia once again confronts Mike. He tells her everything but she doesn’t believe him until she sees Boo. Celia realises she’ll have to help and makes an announcement that Randall has broken the all-time scare record so he is slowed down by monsters congratulating him. The three get to the scare floor and try to call Boo’s door, but the system is too slow. They hit eject, making all the doors leave the floor and jump on one, entering the expansive door vault. Randall follows. They attempt to follow Boo’s door, but it ends up on a different track, so they start going through various doors in the factory to get closer to it, making Boo laugh to activate them. A chase ensues.

They make their way through the doors in the vault, but Randall eventually manages to take Boo from them, and removes their door from the track, letting it smash on the ground, just as Mike and Sulley get through it. They get through another door and get back to the vault, continuing to chase Randall down. Randall sees Sulley getting closer and goes inside a door with Boo. Randall knocks him down. With Sulley clinging to the edge of the door, Randall attempts to crush his hands so he’ll let go. Suddenly, Boo jumps on Randall and starts hitting him with a baseball bat, showing she isn’t scared of him anymore. Sulley gets to his feet and grabs Randall. Him and Mike then find a suitable door and throw him through it, smashing the door so he cannot return. We see that Randall has ended up in a caravan in the middle of nowhere, where the occupants beat him up with a shovel, thinking he’s a gator!

The three then find Boo’s door. Mike is told to make Boo laugh again to activate it, but when he does do something funny – and painful – she isn’t looking. The door then starts moving back to the scare floor. They hide behind it, knowing they’ll be arrested if they’re spotted. Mike pretends to have the kid, but instead spits out a sock at the agents, distracting them. Sulley grabs Boo’s door and installs it in another part of the factory. Mr. Waternoose notices the distraction and follows them, entering her room as Sulley tries to say goodbye. Sulley confronts him, saying they don’t need to be kidnapping children to keep the company going. Mr. Waternoose announces he’ll kidnap a thousand children before he lets the company die and hits Sulley, grabbing at the kid. He then realises the kid is not Boo and is the robot from the simulator. The screen comes up, showing Mike behind it, with the recording of Mr. Waternoose’s confession being played to the CDA.

Mr. Waternoose is promptly arrested and warns that the company is going under and that there will definitely be an energy crisis now. Roz is revealed to be working undercover with the CDA as their No. 1, for the last two and half years, now seeing that Mr. Waternoose was behind it all. Roz says Boo has to be sent home now, with the door shredded so she can never return. She allows Sulley and Boo to have a goodbye. In her room again, Boo excitedly shows Sulley all her toys, but Sulley lets her know he has to go now. Sadly, he leaves Boo in her room. When she opens the closet to find him, she realises it’s just a closet.

Sometime later, Monsters, Inc. is now an energy company that makes kids laugh for its power with Mike one of the top comedians and Sulley running the company. We learn that laughter is ten times more powerful than screams. Celia says a shipment of the magazine Business Shriek has just arrived with Mike and Sulley on the cover. Mike takes a look and they see the barcode is covering Mike’s face, but like with the TV advert, Mike doesn’t care. Sulley looks at his clipboard and flips to the back, showing he still has Boo’s picture of the two of them and a piece of her door. Mike says he needs to show Sulley something and takes him to a room, where we see Boo’s door has been put back together, by Mike, with his own hands. It needs the last piece to work. Sulley slides in the last piece, and the door activates. Sulley goes in, and smiles widely as he hears “Kitty” called once again.

CHARACTERS & CAST

James P. Sullivan, mostly known as Sulley, is the top scarer at Monsters, Inc. meaning he can be ferocious and menacing. With his large frame, big teeth, and loud roar, that’s not hard to believe, however, Sulley is actually just cuddly behind all that. Sulley has been told, like all monsters, that human children are toxic, making the monsters fear the children as much as the children fear them, but when he meets Boo, he learns that is not the case, and feels very protective of her, wanting to send her home, but not at any cost. He can see how scared she is of Randall and doesn’t want her to have to encounter him again. Sulley leads the new energy revolution because of his and Mike’s experience with Boo, making Monstropolis and the human world a happier place.

Sulley was voiced by John Goodman, who had previously voiced Pacha in the underrated Disney animated movie The Emperor’s New Groove (2000) just before working with Pixar here. He went on to voice “Big Daddy” La Bouff in The Princess and the Frog (2009) and Baloo in The Jungle Book 2 (2003) for Disney too. Goodman is also known for his role as Dan Conner in the television series Roseanne (1988-97, 2018) and then The Conners (2018-25), and more recently, his role as Dr. Eli Gemstone in The Righteous Gemstones (2019-25). Goodman has also had a variety of movie roles, such as his part in The Borrowers (1997), where he played Ocious P. Potter; playing Fred Flintstone in The Flintstones (1994); and his character Marshall in The Hangover Part III (2013). His more serious film credits include Argo (2012), where he played John Chambers; 10 Cloverfield Lane (2016), being cast as Howard; Patriots Day (2016), portraying Boston Police Commissioner Ed Davis; and Kong: Skull Island (2017) as William Randa. Goodman also recently voiced Papa Smurf in the 2025 film Smurfs. He became a Disney Legend in 2013.

Mike Wazowski is Sulley’s assistant, so you’d think it might feel like he’s playing second fiddle to the main attraction, but that is not how Mike comes across. Mike is more confident than Sulley and more outspoken in the workplace too. He clearly sees himself as the brains behind their operation, and although that might not always be the case, Sulley is quite happy to let him think it! Their friendship is long-lasting, and even though they don’t agree over the Boo situation initially, with Mike more willing to let someone else deal with her, in the end, Mike sees that Randall and Mr. Waternoose’s plan for Monsters, Inc. is not right and that they need to expose their true intentions, also warming to Boo on that journey.

Billy Crystal was cast as Mike Wazowski, after previously turning Pixar down over their choice to have him voice Buzz Lightyear in Toy Story (1995). Big mistake, Billy. Huge. Crystal has had a varied career, beginning in comedy, with his role as Jodie Dallas in the sitcom Soap (1977-81) and becoming a cast member on Saturday Night Live (1975-present) for its 1984-85 season, which has since become known as the “All-Star Cast” season, with other big names like Martin Short, Julia Louis-Dreyfus, and Christopher Guest joining that season too. Crystal is also well-known for playing Harry Burns in the much-loved rom-com When Harry Met Sally (1989), opposite Meg Ryan. He is also a director, with his directorial debut being Mr. Saturday Night (1992), where he also starred as Buddy Young Jr. He later directed, and co-wrote with Alan Zweibel, the movie Here Today (2021), starring as Charlie Burnz. Crystal has also hosted the Grammys and the Academy Awards numerous times since the 1980s and became a Disney Legend in 2013. He also earnt the Lifetime Achievement Award at the Critics’ Choice Awards in their 2022 ceremony. 

Boo is the little girl who wanders in from her closet into the monster world one night. Boo is having a great time in Monstropolis, not realising just how much danger she may be in, or how much danger she may be causing the other monsters; she’s just having fun running around and exploring! Boo isn’t scared of Sulley, thinking he’s just a big fluffy kitty, especially as he doesn’t roar at her. It’s only when she accidentally sees him at the scare demonstration that she actually sees what he’s capable of as a scarer, making Sulley feel incredibly guilty and horrible about how he has been making kids feel as these years he’s been working as a scarer. This makes Boo a catalyst for change in Monsters, Inc., for the good – and she made a new friend she’ll always remember on the way too.

Boo was voiced by Mary Gibbs, the daughter of Pixar director and story artist Rob Gibbs. She had previously voiced Baby Kiara in The Lion King II: Simba’s Pride (1998) for Disney, and her voice was later used for Baby Riley in Inside Out (2015), through archive recordings. Gibbs’ voice has been used in various Monsters, Inc. games and attractions too. 

Randall Boggs is the main villain of Monsters, Inc. He appears to be seriously competitive and desperate to gain the all-time scare record, to beat Sulley mostly. Randall has clearly been jealous of Sulley’s success at Monsters, Inc. for years, so there is friction between the two of them, but mostly on Randall’s side because Sulley doesn’t care about fame. Randall is Boo’s monster, leading her to be part of a grand elaborate plan by Randall to revolutionise scaring to keep Monsters, Inc. afloat. It may have been considered noble to be coming up with ways of making scaring easier and quicker, if the plan to kidnap children, including adorable little Boo, wasn’t so evil and repugnant. Randall doesn’t care about what he’s doing to these children and just wants to be seen as important and valuable. It’s a good thing Randall was banished by Mike and Sulley because he’s a horrible monster.

Randall is a particularly nasty villain from Pixar, and he has absolutely nothing to make him a redeemable character whatsoever. So, it’s quite strange that Pixar chose to hire one of the nicest actors in Hollywood, Steve Buscemi, to voice him. Buscemi has quite an acting range, playing both serious, villainous roles, and just hilarious, comedic roles. His more dramatic roles include “Mr Pink” in Reservoir Dogs (1992), Carl Showalter in Fargo (1996), and Nucky Thompson in Boardwalk Empire (2010-14). In comedy, he has popped up in many of Adam Sandler’s films, such as playing Walter Lambert in Hubie Halloween (2020); Wiley in Grown Ups (2010) and its 2013 sequel; and voicing Wayne in the Hotel Transylvania film series; and was a main cast member in the anthology television series Miracle Workers (2019-23). He was recently cast as Barry Dort in Season 2 of Netflix’s The Addams Family spin-off series Wednesday (2022-present). For Disney, Buscemi also voiced the cameo role of Wesley, a black-market businessman in Home on the Range (2004).

Fungus is Randall’s scare assistant. He isn’t the most competent of assistants, but that’s mostly because he’s scared of Randall and doesn’t want to be on the receiving end of any of Randall’s criticism or anger. Fungus seems to be an unwilling participant in Randall’s scheme to “extract” screams from human children but goes along with it because he has to. Fungus is later seen to still be a worker at Monsters, Inc., as one of the new comedians.

Frank Oz was cast as Fungus. Oz is well-known for being a puppeteer in various Jim Henson productions, with some of his most famous characters being Fozzie, Miss Piggy, and Sam Eagle in The Muppets, and Bert and Cookie Monster in Sesame Street (1969-present), in the earlier years of the series. He also voiced and puppeteered Yoda in some of the Star Wars franchise, including his first appearance in Star Wars: The Empire Strikes Back (1980). Oz is also a director, having co-directed The Dark Crystal (1982) with Jim Henson, going on to direct Housesitter (1992), Dirty Rotten Scoundrels (1988) and Little Shop of Horrors (1986). He was recently named a Disney Legend, in 2024.

Henry J. Waternoose is the third generation of the Waternoose family to be running Monsters, Inc. Under his leadership, he is dealing with an energy crisis due to the fact that human children are not scared easily enough, causing the scarers to have to work harder, and for the pool of children being scared to be smaller. Mr. Waternoose is eager to keep the company afloat, and with the new scarer recruits not up to task, he is looking elsewhere for ways of doing that. So, he has turned to Randall and the “scream extractor”. Mr. Waternoose is shown to be a more sympathetic villain, because of his need to keep the company in his family, but shows a lack of common sense and a lack of a moral compass in finding ways to do this. He doesn’t seem to like Randall’s methods initially, but went Sulley threatens to make this plan public knowledge, Mr. Waternoose has no problem with kidnapping Boo if that means he could get away with it. But he doesn’t and that’s why he’s arrested.

James Coburn was the voice of Henry J. Waternoose. Earlier in his career, he was cast as Flying Officer Sedgwick in The Great Escape (1963), going on to star as Derek Flint in the spy comedy Our Man Flint (1966) and its 1967 sequel Like Flint. He also won an Oscar for Best Supporting Actor for his performance in Affliction (1997), playing the part of Glen Whitehouse. Coburn had other roles in comedy films, like Harlan Hartley in The Nutty Professor (1996) and Mr. Crisp in Sister Act 2: Back in the Habit (1993). Coburn passed away in 2002, with his final film roles being Martin Tillman in American Gun (2002) and “Thunder Jack” in Disney’s Snow Dogs (2002).

Celia is the Monsters, Inc. receptionist. She is efficient at her job, but does appear to be a little bit ditzy, for example, giving weird nicknames to people like Sulley being “Sulley-Wulley” and seemingly being more bothered by her romance with Mike than anything else. But that’s fine, if that makes her happy! Celia does know that Mike is lying about something though, and is very forceful in demanding he tells her what it is. Mike manages to get away from her confrontation the first time, but on the second try, he opens up to her. Celia first thinks it’s a joke but on seeing Boo, she realises it was all true and she should help them get away from Randall as best she can. By the end of the film, Celia has forgiven Mike and their relationship is back on track.

Jennifer Tilly was chosen to voice Celia. Tilly has appeared in many film and television roles, and is known for her distinctive voice. For Disney, Tilly played the role of Madame Leota in The Haunted Mansion (2003) and voiced Grace in their animated movie Home on the Range (2004). Tilly is also the voice of the recurring character Bonnie Swanson in Family Guy (1999-present), and she plays the character Tiffany Valentine in the Child’s Play, i.e. Chucky, franchise, including in the recent Syfy series Chucky (2021-24). For the third season of the Paramount+ series School Spirits (2023-present), Tilly will play Dr. Deborah Hunter-Price. Tilly is also a competitive poker player.

I’d say the characters above are the main characters in the story of Monsters, Inc., however, there are a few others in the cast to mention. One of these is John Ratzenberger who voiced the banished Abominable Snowman. Ratzenberger is known for his long-running role as Cliff Clavin in the sitcom Cheers (1982-93), but has also come to be known for his many voice roles in Pixar movies. His time with Pixar began by voicing Hamm in Toy Story (1995), reprising that role for the franchise. He then voiced a character in every Pixar movie up until Onward (2020), before returning to Pixar to reprise his character of Fritz in Inside Out 2 (2024). Ratzenberger has had a mixture of cameo voice roles in Pixar’s films, as well as more prominent roles such as Mack in the Cars franchise and The Underminer in The Incredibles franchise. Regardless, it’s always fun to find Ratzenberger in the voice cast. 

Then, there is Bob Peterson, who has been a Pixar employee ever since its first movie. He worked within the animation department, before continuing his work with Pixar in a story and voice acting capacity. For example, Peterson co-wrote the screenplays for Finding Nemo (2003) and Cars 3 (2017), but has also voiced other Pixar characters, including Dug in Up (2009), and Mr. Ray in Finding Nemo. Peterson also wrote, created, directed, and reprised his role of Dug, in the animated series Dug Days (2021-23).

Finally, Bonnie Hunt is just a good name to mention, for her history of voice acting for both Pixar and Disney. In Monsters, Inc. she voiced recruiter Ms. Flint, who appears in the opening sequence. Hunt had previously voiced Rosie the spider in A Bug’s Life, and went on to voice Sally in the Cars franchise, and voiced the character Dolly in the Toy Story franchise from 2010 with her first appearance being in Toy Story 3 (2010). Hunt also voiced Judy’s mother in Disney’s Zootopia (2016) and its 2025 sequel. Hunt has had numerous live-action roles too, like Sarah Whittle in Jumanji (1995), alongside Robin Williams, and Kate Baker in Cheaper by the Dozen (2003) and its 2005 sequel, starring with Steve Martin.

PRODUCTION

Monsters, Inc. was a turning point for Pixar Animation Studios for a couple of reasons. One was that this was the first Pixar movie to be released after the Pixar team had moved to their new premises in Emeryville, California in 2000. This campus gave Pixar employees a sense of community and fun with additional areas for leisure activities, an on-site restaurant and café, and a theatre used for screening in-progress movies.  

The other reason Monsters, Inc. was a turning point is because it was the first Pixar movie not directed by John Lasseter. Pete Docter was instead chosen to head up the direction of Monsters, Inc., which was slightly concerning to Docter, as he had doubts about his abilities, but it was a necessary move because around this time Pixar were dedicated to making a new movie every year or so, to give others an opportunity to direct their own films[1]. It was a long process getting Monsters, Inc. made with lots of story changes and notes, and Docter said it was hard to not take the criticism personally and to just keep going, even when everything felt like it was falling apart. Pete Docter had previously worked mostly in story work for Toy Story, A Bug’s Life, and Toy Story 2 before directing Monsters, Inc. Since Monsters, Inc. he has worked on the story for WALL-E (2008), and directed the films Up, Inside Out, and Soul (2020). He is now the Chief Creative Officer at Pixar, since 2018.

Monsters, Inc. also has two co-directors, Lee Unkrich and David Silverman. Unkrich was credited as co-director on Toy Story 2 and Finding Nemo as well, before stepping up to direct his first film for Pixar, Toy Story 3 and followed that up with Coco in 2017. Unkrich is set to direct Coco 2, though a release date is not yet confirmed. Silverman is most known for his work on the hugely successful animated series The Simpsons (1989-present), going on to direct The Simpsons Movie (2007), as well as some of the more recent short specials for Disney+, such as Rogue Not Quite One (2023) and May the 12th Be with You (2024). Silverman also directed the animated movie Extinct (2021), and worked on some story sequences for DreamWorks’ The Road to El Dorado (2000).

As with many animated movies, Monsters, Inc. went through a variety of story changes during its development. The original treatment was said to follow a monster called Johnson, who dreamt of being a top scarer, but he was struggling. He was given one week by his boss to prove himself, and tasked with scaring a seven-year-old girl called Mary. Mary was constantly tormented by her older brothers, so when she heard someone in her room, believing it was one of her brothers disguised as a monster to scare her, she put a blanket over his head and started hitting him. Johnson was actually the monster scaring Mary and he made a quick getaway back to the monster world. He later discovered that Mary was still on his back as he did this, and tried to return her to her room, but found the door knob was broken and the door would need to be fixed first. Johnson took Mary home with him and tried to figure out what to do. The next day, Johnson went to work, telling Mary to stay in the apartment, but she didn’t and made a disguise so she could sneak out of the apartment and find her way home. At work, Johnson was told her door will need two days to be fixed.

Johnson then got a call from his landlady, telling him someone was in his apartment, and immediately rushed home, bumping into Mary on the way. He took her to his work and told her she can’t get home yet. Johnson said he still needs to work though, and Mary insisted she watched. When Mary saw Johnson struggling to scare children, she took over from him and did well, feeling a sense of power from it. Mary continued to scare, with Johnson getting the credit from his boss. Top scarer Ned started to feel threatened and looked for a way to put Johnson in his place. Johnson then learnt that Mary’s door had been fixed, but needing Mary to help him get the Monster of the Month award, he didn’t tell her and she continued scaring children. Over the next few days, their routine continued, but when Mary saw a little girl, she decided she just wanted to get home. Mary sat alone as Johnson celebrated winning his Monster of the Month award, and her disguise came down for just a few moments, but enough time for Ned to see that Mary was human.

Back at the apartment, Mary learnt that Johnson was keeping the fact her door was fixed from her and ran away. Johnson attempted to follow her, and his race to find her was sped up when the police department and the newsroom started reporting on a story that a human girl was running around the monster world. Johnson eventually found her. They broke into the factory’s door vault, but they were chased by Ned. When they did eventually find her door and activate it, Johnson was arrested and the door was ejected. But the door remained open with Mary inside. She made the door fall from its track, so the open door could catch Johnson, but it smashed, leaving Johnson in the human world with Mary. But he started a whole new life there, helping Mary to scare her brothers[2]

As you can see, some of this original treatment made it into the final story, but other elements did not. The main concept remained the same though; that monsters scare human children via their closet or bedroom doors, something that children have sometimes fear for years. Coincidentally, John Lasseter had a won a student award for his short film Nitemare (1980), which was also about a child discovering monsters exist. It is said to have helped inspire the overall concept of Monsters, Inc[3].

The character of Sulley, who was previously named Johnson, was not going to be a scarer in other story ideas, because it was felt that audiences could not find a monster who scares children as a likeable hero for the film, so he was supposed to be on the sidelines of Monsters, Inc., working a menial job like a janitor or assistant. This was shown in two deleted scenes, where Sulley was an assistant to the top scarer, who was an early version of Randall, and another where he worked down in the scream refinery, emptying the scream canisters. In both cases, it is clear Sulley doesn’t like his job and dreams of being a scarer. It was then decided that perhaps he could be the best scarer, like a star quarterback, and that there would be ways of making him a lovable big guy. 

Mike was not in the original storyline, with the original concept focusing just on the monster and the kid, but it was felt that Sulley should have a sidekick of sorts, a best friend character, so Mike was written in. He seems to have always been an assistant to a scarer, but not initially Sulley; Mike seemed to be the assistant to the eventual Randall character. Randall was another character who went through some changes, being a top scarer put out by the Sulley character’s rise to success, and also being a kiss-up to Mr. Waternoose, seeing himself as next in line to run the company. As per the original treatment, it was also clear that Mary, the child, was going to be older, but she was deemed to be kind of unappealing due to her bossy nature and her insistence on running off all the time, so they made the character younger, to give Sulley a need to look after her in the monster world[4].

The filmmakers also had to come up with a reason why monsters would be scaring children, and why this factory of working monsters would exist. So, they came up with the idea that children’s screams would be needed as an energy source to power this whole monster city. They covered the issue of time zones too, by having the scarers take on different shifts which would oversee a specific time zone, so children all over the world are being scared by these monsters. The door vault was created to house all the doors, because there would be millions of them in the world. The logistics and the mechanics of a working day at Monsters, Inc. are made clear to the audience with the scare floor sequence, where we see Mike and Sulley, Randall and other scarers and their assistants go about a typical day. The door vault is another scene that shows how Monsters, Inc. catalogues and stores these doors. These scenes and concepts didn’t change much by the final film.

There were numerous other contributors to the story on Monsters, Inc. with one credited name being Jill Culton, who had worked as a story artist on Pixar’s previous three films, and went on to co-direct Sony Pictures Animation’s Open Season (2006) with Roger Allers, a co-director of Disney’s The Lion King (1994). She also directed the animated film Abominable (2019). Jeff Pidgeon was another name, and he has worked as a story artist on various Pixar movies, including all four Toy Story movies, WALL-E, Up, and Turning Red (2022). Ralph Eggleston worked on both Pixar and Disney films in various departments including animation and production designer, with some of his credits being Aladdin (1992), Pocahontas (1995), Finding Nemo, Ratatouille (2007), and Inside Out. He passed away in August 2022, with Elemental (2023) being dedicated to his memory. The screenplay is credited to Andrew Stanton and Dan Gerson. Stanton has been at Pixar since its first feature, and was a co-director on A Bug’s Life prior to directing Finding Nemo, its sequel Finding Dory (2016), and WALL-E, and continues to be part of the Pixar Senior Creative Team. Stanton is also writing and directing Toy Story 5 (2026). Gerson co-wrote the screenplay for Disney’s Big Hero 6 (2014), and worked on the story for Chicken Little (2005) and Meet the Robinsons (2007).

With the story set, now came time to animate. But with this story being focused around monsters, there were so many directions for character design to go. Initially, Sulley was meant to have a brown furry torso and tentacles for legs, and Mike, still a green ball with one eye, was only going to have legs and no arms. An animation test was made of these two characters having a conversation to see how they’d look on screen and how expressive they might be. It was felt that Sulley’s tentacles drew too much attention from his face, and that Mike would look better and move better with arms. Sulley was then made to be a fully furry monster, although fur was always going to be difficult to animate. Many tests on specific software were run to see how the fur was going to move as Sulley’s body moved. There was even a virtual obstacle course created for the animated character to run through so any issues could be dealt with! It was very impressive that they managed to get this fur to work, and when we see Sulley in the snow, after being banished to the Himalayas, it is even more impressive to see snowflakes in his fur. The snow itself was already going to be difficult, with over one million animated snowflakes, but to be able to put it in his fur was something the animators didn’t think they’d achieve. Sulley ended up having over two million hairs! Boo’s t-shirt was another animation challenge, as they had to ensure the cotton fabric would move realistically on screen, because fabric moves in different ways[5]. There are also monsters with very different skin textures, like some are slug-like, like Roz, and others are scaly, like Randall, or there are ones with multiple limbs and tentacles, showing not one is the same.

The creation of the setting of Monsters, Inc. was exciting to the animators, because they got to create a whole new world here, that didn’t need to be based in reality. It was decided though that this city of Monstropolis was going to be like a human city, but made for monsters. You can see doors with different heights, and chairs with holes in to make way for monster tails, for example, and the grocery store or “grossery” store has odd-looking fruits and vegetables with names like “bilge berries”. Monsters, Inc. was made to look like a regular factory, with different areas for different workers. It was decided that Monstropolis should feel relatable to us, so it is basically a human city, with some minor changes[6].

Recording the voices was slightly different to usual. The biggest challenge was trying to record lines with a two/three-year-old, which was Mary Gibbs’ age when she voiced Boo. Gibbs got the role as she was the daughter of Pixar story artist Rob Gibbs and they needed to sketch a little girl drawing, so Mary was brought in. Gibbs always had her hair in pigtails so that is why Boo has pigtails in the movie. She was later chosen to be the scratch voice for Boo, before being chosen as the final voice actor. Mostly, they chased Gibbs around with a microphone as she played around the studio, and when they needed to get her to say something specific, Docter and her parents used puppets and other methods like jiggling her around to get the right noises from her. The screams and cries were apparently real[7]!

John Goodman and Billy Crystal actually recorded some lines together, which had not happened before, like with Tim Allen and Tom Hanks recording lines for Buzz and Woody in Toy Story. This was due to scheduling conflicts, but for Monsters, Inc., they had three sessions with Goodman and Crystal, to allow the two to bounce off each other and to do some improvised scenes. One of these was the locker room scene with the “odorants”.

Late on in the animation process for Monsters, Inc., there were additional problems that were encountered. One was that the ending, of Sulley not having an on-screen reunion with Boo, which was not liked by some at the audience screening, around two-thirds of the audience. Docter knew that if they animated the reunion, then it would never be as good as what the audience were imagining, so he had to fight to keep the ending as it was, even if it was quite open-ended and didn’t allow us to see Boo again[8]. Another was that the opening of the film was simply going to start with the kid sleeping and the monster coming to scare him, but it was later felt that this didn’t see the correct tone for Monsters, Inc., potentially making viewers think it was going to be scary. To counteract this, an opening sequence was created to get the tone of the movie right. It involves multiple doors opening, to reveal either monsters, non-scary ones, or parts of the title credits, set against a jazzy, upbeat piece of music. It was also all 2D to create a good contrast between Pixar’s usual 3D animation[9].

A more serious issue was around how a section of the movie might be interpreted due to the tragedy that was the events of 9/11 in 2001. The incident happened as the filmmakers were getting ready to do sound mixing on Monsters, Inc. so it was very late into the movie-making process. Alongside struggling with motivation to focus on this film due to their feeling that what they were doing was so trivial, they knew they had only about 60 days to get Monsters, Inc. fully finished, despite their fears over the obvious shift in global politics. There was one moment in the movie that was changed due to 9/11 and that was the part where the sushi restaurant is being decontaminated by the CDA. The restaurant was meant to be blown up, I guess to resemble the CDA’s controlled explosion of a child’s sock earlier in the film, but the Pixar team said that was no longer funny, and they changed it so the restaurant is decontaminated under some sort of force field. Everyone wondered whether anyone would even go to the cinema after 9/11, but in actuality, families were glad to have something joyful to do. It was also felt that Monsters, Inc. may have gone some way in helping the kids cope with their fears, as that is a key message in Monsters, Inc[10].

Disney Legend Joe Grant, who contributed to many stories for Disney Animation, including Dumbo (1941) and Alice in Wonderland (1951), is credited with coming up with the title for this film, a play on the film title Murder, Inc. (1960). It was apparently originally just meant to be named Monsters. Grant was incredibly supportive, even in his later years, with Disney and Pixar animators. Pete Docter said he enjoyed talking over story concepts with him and taking advice from Grant over the years. Grant died in 2005[11].

As with all Pixar movies, Monsters, Inc. contains a number of references and Easter eggs. These include Boo’s name appearing to be Mary, as she signs her drawings with that name; the Hidden City Café, a real café – it has since shut down – near Pixar’s studio that made a cameo appearance in the sequence of Mike and Sulley walking to work; and a glimpse of Boo’s scare report shows that she is scared of snakes, which would explain why her monster is Randall. There is also the Luxo Jr. ball, from Pixar’s 1986 short film Luxo Jr., seen in Boo’s room when Sulley and Boo say their goodbye, and the upcoming Pixar movie reference, a Nemo toy for Finding Nemo, also in Boo’s room. You can also see that Boo has a Jessie doll; she is from Toy Story 2. The Pizza Planet truck can be found outside the trailer that Randall is banished to. This location seems to have been replicated from a scene in A Bug’s Life. The usual A113, referencing the classroom many Pixar animators studied animation in at CalArts, is obvious in Monsters, Inc. and there are only theories as to where it might be. Some say the stars in the sky during the scene of Randall’s banishment can be connected to read A113; others say it is written on a wall in the door vault, although only A13 is seen[12]. Finally, the sushi restaurant Harryhausen’s is named after Ray Harryhausen, a famous visual effects supervisor and animator known for creating monsters in movies such as Jason and the Argonauts (1963) and Clash of the Titans (1981)[13].

MUSIC

The music for Monsters, Inc. was composed by Randy Newman, who had already become a frequent collaborator at Pixar, even this early on, after writing the score for all three of Pixar’s previous films: Toy Story (1995), Toy Story 2 (1999), and A Bug’s Life (1998). Newman went on to compose the music for Cars (2006), Cars 3 (2017), Toy Story 3 (2010), and Toy Story 4 (2019). He also composed the music for Disney Animation’s The Princess and the Frog (2009). Newman became a Disney Legend in 2007. Outside of animation, Randy Newman has composed the music for movies like Marriage Story (2019); Meet the Parents (2000) and its 2004 sequel, and co-wrote the screenplay and songs, but not the musical score, for ¡Three Amigos! (1986) alongside Steve Martin and Lorne Michaels.

The only song to feature in Monsters, Inc. is the End Credits song “If I Didn’t Have You”, performed by John Goodman and Billy Crystal as Sulley and Mike. It is a song to detail their close friendship and their loyalty to each other. It seems like Goodman and Crystal recorded this song together, and the filmmakers were impressed with their singing and their ability to stay in character whilst performing – and joking about with each other, of course! The lyrics actually mention the characters dancing, but there doesn’t seem to have been any actual dancing in the recording studio[14]!

Newman was nominated in the Best Original Score category at the Academy Awards, and won the Best Original Song Oscar – his first Oscar win – for the song “If I Didn’t Have You”. At the Grammy Awards, he was nominated once again in these two similar categories, Best Score Soundtrack Album for a Motion Picture, and Best Song Written for a Motion Picture, winning the Grammy for Best Song. The categories for Best Original Score were both won by Howard Shore and his soundtrack for The Lord of the Rings: The Fellowship of the Ring (2001). Despite winning the Annie Award for Outstanding Achievement for Music in an Animated Feature for both Toy Story and Toy Story 2, Newman did not win this award for Monsters, Inc. Instead, Joe Hisaishi did for Spirited Away (2002). At the World Soundtrack Awards, “If I Didn’t Have You” once again won the Best Original Song Written for a Film, and Newman was nominated for Best Original Soundtrack of the Year, and Soundtrack Composer of the Year, losing out to Howard Shore and The Lord of the Rings, and Patrick Doyle and Gosford Park (2001) respectively.

Within the score, I particularly like the “Main Theme”, which is played during the jazzy opening sequence of Monsters, Inc. It’s upbeat and sets out the tone of the movie, as Pixar wanted, to show viewers that this film might be about monsters but it’s not scary. I also like the track “The Scare Floor” when the scarers and assistants go about their day. Both of these tracks are instantly recognisable as coming from Monsters, Inc. For the more emotional moments, “Sulley Scares Boo” expresses Sulley’s guilt and upset at how he’s made Boo cry by accidentally scaring her, and “Boo’s Going Home” is another one that tugs on the heartstrings, as Sulley says goodbye. Despite the accolades that “If I Didn’t Have You” won, I actually don’t like the song much at all – but that’s just my opinion. It doesn’t look like there was any other song in the nominations I would’ve preferred to win though!

RECEPTION

Monsters, Inc. was released in theatres in the US on 2nd November 2001, having had its premiere at the Disney-owned El Capitan Theatre in Los Angeles on 28th October 2001. The movie was shown, as is quite customary, alongside the Pixar short film For the Birds (2000) about a large bird annoying smaller birds on a powerline. It was directed by Ralph Eggleston and won the Academy Award for Best Animated Short Film in 2001, amongst others. It first premiered in June 2000 at the Annecy International Animated Film Festival in France.

Monsters, Inc. was also released with bloopers, which was much appreciated by Pixar fans. Although Pixar had originally planned to create some bloopers for Toy Story for its 1995 release, there had been no time to do this with their schedule, so the first Pixar bloopers appear in A Bug’s Life. Bloopers only continued in Pixar movies for their next two features, so Toy Story 2 and Monsters, Inc., meaning that Monsters, Inc. was the last time we got these types of bloopers. It would seem that it took a lot of additional effort to make them, so that is perhaps why Pixar chose to stop doing them after this. The Monsters, Inc. bloopers even include an abridged version of the company’s play Put That Thing Back Where It Came From Or So Help Me, which is mentioned by Mike during the events of the film, for the first time when Sulley refuses to put Boo through a random door. In the bloopers, there is a small cameo by Toy Story’s Rex as he auditions to be monster Ted.

Monsters, Inc. reached $100 million in ticket sales after just nine days in theatres, reaching a total of $123 million in that time. It beat Pixar’s previous release of Toy Story 2 which took 11 days to cross the $100 million marker in 1999. The movie opened in first place at the US box office, with the Jack Black romantic comedy Shallow Hal (2001) opening in second place[15]. Monsters, Inc. didn’t actually come to the UK until February 2002, where it took the No.1 spot at the UK box office in its opening week, although it also took the top spot the week before its official release due to impressive ticket sales for preview screenings, making a total of £9.2 million in the UK by its opening weekend[16].

In total, Monsters, Inc. has made just under $580 million worldwide, and was listed in third place in the Top 5 Worldwide Box Office results of 2001; it also matched this positioning in the Top 5 US Box Office results of the year. In first place was Harry Potter and the Philosopher’s Stone, followed by The Lord of the Rings: The Fellowship of the Ring. DreamWorks’ Shrek hit the No. 4 spot, but was actually second in the US box office total takings, and Ocean’s Eleven rounded out the Top 5 worldwide.

Due to the potential for huge competition from Harry Potter and the Philosopher’s Stone, given the fact the book series was already popular, Pixar chose to move the release date of Monsters, Inc. forward by two weeks to avoid direct competition with Harry Potter on their opening weekend. It seems to have served Pixar well to do this. Later, they made a trailer which joked about the competition between the two movies. In this trailer, Mike and Sulley are playing charades and Sulley is acting out Harry Potter to Mike. Sadly, Mike is so terrible at charades that he doesn’t get it for ages, and when he finally does, the trailer cuts just before he can say the full name! Allegedly, Warner Bros. executives got wind of this and demanded to know what Pixar were doing. Pixar reiterated that they were not being mean-spirited and sent the trailer to them. The executives watched it and thought it was funny[17].

In terms of audience and critic reviews, these were mostly highly positive of Monsters, Inc. Many felt it was cheerful and fun, full of the gags and references that Pixar are well-known for. The voice cast was praised and the viewers could tell that the technological advancement of the computer animation was already a huge step-up from Toy Story. The story was considered to be entertaining and relevant to both adults and children. Monsters, Inc. has since become considered a timeless classic.

But although reviews were mostly positive, Monsters, Inc. did not escape any negative critique. Some felt that Mike and Sulley were simply not as great a double act as Woody and Buzz Lightyear from Toy Story, and that the villain characters, like Randall and Mr. Waternoose, were not developed well, as we were not given their backstory and this made them slightly more two-dimensional than they should’ve been. I personally don’t agree with the comment about the villains because sometimes it’s good for villains to just be evil because they are and not have some great sad story that made them that way, but I can slightly agree with Mike and Sulley not being as good as Woody and Buzz. I think the fact Woody and Buzz had to develop a friendship throughout the course of Toy Story and had to learn to overcome major personality differences made their relationship more interesting than Mike and Sulley who have just been best friends for years. Others also said that the humour in Monsters, Inc. was not as obvious as Toy Story, and paled into comparison with DreamWorks’ Shrek. Shrek is definitely funnier than Monsters, Inc. but the humour is not as clean as you’d expect to see from Disney and Pixar, so it is quite unfair to compare the two.

During awards season, Monsters, Inc. had the honour of being nominated at the Academy Awards in the inaugural Best Animated Feature category. Sadly, Pixar lost out to DreamWorks with Shrek. They lost out again to DreamWorks when Billy Crystal was nominated for Favorite Voice from an Animated Movie at the Kids’ Choice Awards, because Eddie Murphy won for voicing Donkey in Shrek. But Pixar did win the BAFTA Children’s Award for Best Feature Film and they did win the Annie Award for Character Animation, specifically for Doug Sweetland as the directing animator on Monsters, Inc. Monsters, Inc. was also nominated in other categories at the Annie Awards, but lost Best Animated Feature and Directing to Hayao Miyazaki and Spirited Away (2001), and Character Design was awarded to DreamWorks’ Spirit: Stallion of the Cimarron (2002).

You might be wondering where the Disney animated film for 2001 was in all this, as I haven’t mentioned it in the awards or the box office results. You may even be assuming that Disney Animation didn’t release a new movie that year, because they don’t always. They did though, and it was Atlantis: The Lost Empire (2001), a seriously underappreciated movie.  Atlantis: The Lost Empire was released in June of that year, so was not direct competition for Pixar, as per their distribution agreement, I presume, nor was it in competition with Shrek, which was released in May 2001. It simply did not do well at the box office or with reviewers, so it missed out on many award nominations, except at the Annie Awards but it did not win.

LEGACY

Mike and Sulley have continued to be popular Pixar characters, showing up on screen and at the Disney Parks. These are some experiences that appeared shortly after Monsters, Inc.

For the DVD release of Monsters, Inc., the short Mike’s New Car was created. This short film premiered in September 2002 with the DVD and VHS release of Monsters, Inc. It sees Mike want to drive Sulley to work, but his high-tech car, a new 6-wheel drive yellow car, different to the red car we see in the film, is too much for the guys to handle! Eventually, once the wipers, radio, alarms, and seats stop acting crazy, Sulley tells Mike to get out of the car so he can drive on alone, but Mike crashes the car, and is tossed out of the car by the airbag deploying. Luckily, Sulley catches him and convinces Mike to walk with him instead. The short ends with Mike saying he misses his old car! Mike’s New Car was nominated at the Academy Awards in 2002 in the Best Animated Short Film category, and was directed by Pete Docter and Roger L. Gould, a creative officer at Pixar and now Disney.

It was later announced around 2010 or 2011 that a prequel to Monsters, Inc. was in development at Pixar, and Monsters University, detailing Mike and Sulley’s journey through college, was released in June 2013. I personally prefer Monsters University to Monsters, Inc. but I’m probably in the minority there. Monsters, Inc. was also released back to theatres in 3D and along withFor the Birds back in December 2012, following in the footsteps of the 3D release of Finding Nemo just a few months earlier.

At the Disney Parks, some experiences based on Monsters, Inc. already exist with others coming in the next few years. One current one is at Magic Kingdom Park at the Walt Disney World Resort in Orlando. This is Monsters, Inc. Laugh Floor, which opened in April 2007, taking over the space in Tomorrowland that housed the CircleVision360 attraction The Timekeeper from 1994 until its closure in 2006. Monsters, Inc. Laugh Floor is an interactive show which sees characters from the film invite us humans into their world to make us laugh, so they can power their city. It’s a decent show, although it can get a bit samey if you’ve seen it lots of times. Also at Walt Disney World, but at Disney’s Hollywood Studios, Sulley is a frequent character at the meet-and-greet area in Pixar Place, alongside characters like Mr. and Mrs. Incredible and Frozone from The Incredibles (2004). Most exciting of all though is that at the D23 Expo in 2024, it was announced that humans would once again be invited into the monster world, but this time into Monstropolis itself because Monstropolis is being built at Disney’s Hollywood Studios, to open sometime around 2027 or 2028.

Outside of Walt Disney World, there are only two other Monsters, Inc. attractions, and one of those is set to close very shortly. At Disneyland, specifically Disney California Adventure Park, there is Mike & Sulley to the Rescue!, a dark ride attraction going through the events of the film. The attraction opened at this park in January 2006. It replaced the infamous Superstar Limo, which took guests on a ride through Hollywood to scout out celebrities. It was universally panned, and lasted less than year, opening as an opening day attraction on 8th February 2001, and closing in January 2002. Mike & Sulley to the Rescue! is set to close in early 2026 to make way for an Avatar-themed expansion in the park.

The other attraction based on Monsters, Inc. is Monsters, Inc. Ride & Go Seek! at Tokyo Disneyland, in Tomorrowland. It opened in April 2009, replacing the audio-animatronic stage show Meet the World. Monsters, Inc, Ride & Go Seek! takes place after the events of the film, with the storyline being that Sulley has brought Boo back to Monstropolis to play “Flashlight Tag” there, but Randall’s reappearance threatens to ruin the game as he tries to capture Boo again. Guests can play along here, with their ride vehicles equipped with flashlights that they can use to spot any monsters hiding around the city. The monster cast was expanded for this new game, so additional characters not seen in the movie appear here. You also get to see the all of monster Ted here, despite only his feet being featured in the film. Roz also makes an appearance at the end of the ride and can actually talk back to guests[18]. The ride exits at the Monsters, Inc. Company Store.

Monsters, Inc. characters also make an appearance in some Disney parades and nighttime shows, for example, in Paint the Night, the nighttime parade at Disneyland Park in California, Sulley and Mike have their own float. They also appear in projections in the Happily Ever After fireworks show at Magic Kingdom, the Wonderful World of Animation nighttime show at Disney’s Hollywood Studios, both at Walt Disney World, and some versions of Disneyland’s World of Color nighttime show at Disney California Adventure. Although you could sometimes be lucky and meet Mike, Sulley, and even Boo, at some Disney Parks, they are becoming rarer meet-and-greet characters now, but you can still find plenty of merchandise for them, including plush toys, dolls, clothing, and pins.

FINAL THOUGHTS

Monsters, Inc. proved that even with a different director at the helm, Pixar was still able to make a hit film full of heart, energy, charm, and memorable characters.

It is clear why Monsters, Inc. has remained popular over the years since its release, with plenty of further opportunities to move the story in different directions.

Monsters, Inc. cemented Pixar’s achievement and success in both computer animation and story that would be arguably unrivalled by any other studio for many more years, even Disney, putting Pixar at the top of the animation game for quite a while.


REFERENCES

[1] Credit: Pixar, The Pixar Story (2007).

[2] Credit: Pixar, “Original Treatment”, from Monsters, Inc. (2001) 2-Movie Blu-Ray Collection (2013).

[3] Credit: Jim Korkis, ‘Meeting John Lasseter 1997’, MousePlanet.com, 21st October 2015.

[4] Credit: Marc Snetiker, ‘Monsters Inc: Pete Docter dives deep into movie’s legacy and creation, 15 years later’, EW.com, 2nd November 2016.

[5] Credit: Pixar, “Early Tests” from Monsters, Inc. (2001) 2-Movie Blu-Ray Collection (2013).

[6] Credit: Pixar, “Designing Monstropolis” from Monsters, Inc. (2001) 2-Movie Blu-Ray Collection (2013).

[7] Credit: Mary Gibbs, ‘Boo Grown Up I FAQ about Boo’, Boo Grown Up YouTube Channel, 15th July 2020.

[8] Credit: Victoria Edel, ‘Director of Monsters, Inc. Explains How the Movie’s Heartwarming Ending Almost Didn’t Happen’, People.com, 12th March 2025.

[9] Credit: Pixar, “Opening Title Animation” from Monsters, Inc. (2001) 2-Movie Blu-Ray Collection (2013).

[10] Credit: Pixar, “Filmmakers’ Round Table” from Monsters, Inc. (2001) 2-Movie Blu-Ray Collection (2013).

[11] Credit: Jim Korkis, ‘Animation Anecdotes #236’, CartoonResearch.com, 6th November 2015.

[12] Credit: Aleena Malik, ‘Where To Find Every A113 Easter Egg In Pixar Movies’, ScreenRant.com, 1st October 2023.

[13] Credit: Jocelyn Buhlman, ‘Celebrate a Monster of an Anniversary with 15 Things We Love About Monsters, Inc.’, D23.com, 2nd November 2016.

[14] Credit: Pixar, “Monster Song”, from Monsters, Inc. (2001) 2-Movie Blu-Ray Collection (2013).

[15] Credit: Andrew Bridges, ‘Runaway ‘Monsters, Inc.’ Tears Apart a Record for Ticket Sales’, LATimes.com, 12th November 2001.

[16] Credit: The Guardian, ‘Monsters Inc stays top of box office’, TheGuardian.com, 11th February 2002.

[17] Credit: The Guardian, ‘John Lasseter (III): Guardian interviews at the BFI London film festival 2001’, TheGuardian.com, 19th November 2001.

[18] Credit: Pixar, “Monsters, Inc. Ride And Go Seek: Building Monstropolis In Japan (2009)”, from Monsters, Inc. (2001) 2-Movie Blu-Ray Collection (2013).

Harry Potter and the Philosopher’s Stone (2001)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

A book series becomes a successful major movie franchise. How original, right?

Since the 2000s, there have been some incredible film franchises to have blessed our screens that began as books. We’ve had The Twilight Saga, The Hunger Games, The Lord of the Rings, The Hobbit. But arguably the most popular and most wide-reaching across a range of ages and generations was and always will be Harry Potter.

Harry Potter and the Philosopher’s Stone actually had a bit of competition back in 2001, with the first Lord of the Rings movie, The Lord of the Rings: The Fellowship of the Ring, also coming to cinemas in 2001. But The Lord of the Rings is gruesome and intense at times, not great for small children, or easily scared people, whereas Harry Potter is magical and fun. Well, for the most part. It certainly has its moments!

I’m going to have to be perfectly honest and say that I cannot claim to be the biggest ever Harry Potter fan. I might have seen the films numerous times, making it a yearly tradition to watch them all in the weeks leading up to Christmas, but I have never read all of the books. I’ve read the first two, but that was a while ago. I have the whole book series now, and yet, I still haven’t read them. One day I will though, I promise.

The Harry Potter movies are really where my allegiances lie, although that wasn’t always the case. I believe I watched Harry Potter and the Philosopher’s Stone at the cinema, at about eight years old, with my dad and my sister. My mum must be one of the few people in the world who has never watched even a clip of any Harry Potter movie, but fair enough. She doesn’t like scary things about evil people. After watching the first two at the cinema, mine and my family’s attention in the movies dropped off, although my sister was reading the books. We watched the third, fourth, and fifth movies only on DVD, but by the sixth film, I was back on the Harry Potter band wagon, thanks to having friends at school who were big fans of the books and films, and I rode that wagon all the way to the end.

But this means that I’m not about to be hypocritical and say Harry Potter means the world to me and helped me through my childhood and teenage years, because it didn’t. I know Harry Potter means so much to others though. They have the right to state that and I’m glad it helped so many. For me though, I watched the Harry Potter movies when I was younger just because they were available to me, and I got back into the movies just because of the actors – and that is still the reason why I watch them today.

PLOT

Harry Potter and the Philosopher’s Stone begins with two wizards, Professor Dumbledore and Professor McGonagall, who first appears in cat form, discussing the defeat of a dark wizard and just what that means for the magical world now. Dumbledore mentions how there is a special child who managed to avoid death, despite the dark wizard killing his parents. This is the boy who lived: Harry Potter. The two await the arrival of giant Hagrid, who brings baby Harry to the street of Privet Drive in Surrey. Harry is left on the doorstep of his Aunt Petunia and Uncle Vernon’s house; No. 4. The Dursleys are his only remaining family.

Ten years later, sadly, Harry is treated like a slave by the Dursleys, and forced to sleep in the cramped and dark cupboard under the stairs. Harry’s cousin, Dudley, on the other hand, is treated like a little prince, and today happens to be Dudley’s birthday. They all head to London Zoo, with Harry being warned by his uncle not to engage in any “funny business”. This does not go to plan as lonely Harry begins conversing with a Burmese python. Dudley, seeing that this snake is actually doing something, shoves Harry aside. Suddenly, the glass of the enclosure disappears, Dudley falls in, and the snake escapes, thanking Harry on his way out of the zoo. Dudley then tries to leave the enclosure, but the glass has reappeared. At home, Uncle Vernon punishes Harry, locking him in his cupboard.

The next day, Harry collects the post, as usual, but sees a handwritten letter for himself. Dudley sees this and snitches on him, with Uncle Vernon taking it away. He looks at the seal on the back and is shocked; Harry doesn’t know why. More and more letters arrive, being delivered by owls, to the point that Vernon tries everything to stop them coming, like blocking up the letterbox, and burning any letters that do arrive. One Sunday, as they sit down to tea and biscuits, a letter comes in through the fireplace. Multiple others fly into the house, causing havoc. Uncle Vernon declares the family are going far away!

Harry and the Dursleys end up in a cottage on an island in the middle of the sea. That night, Harry is celebrating his birthday on his own. All of a sudden, the family are awoken by the sound of someone breaking into the cottage. A fearsome giant stands in the doorway, but really, he’s a friendly giant. This is Hagrid, back again. He introduces himself as the Keeper of Keys and Grounds at Hogwarts, arriving with a small birthday cake for Harry. Harry asks what Hogwarts is. Hagrid is surprised to learn that Harry knows nothing of his parents or their wizarding background. Hagrid turns on the Dursleys, accusing them of keeping important information from him. The Dursleys accept that they did this, with Petunia telling Harry that his mother, her sister, was a freak for being a witch and that she stupidly got herself blown up and that is why Harry has ended up with them, something they openly hate. Harry was told his parents died in a car crash. Hagrid then gives Harry his letter, telling him of his acceptance to Hogwarts School of Witchcraft and Wizardry. Vernon says Harry won’t be going, but Hagrid threatens him. Just before leaving, Hagrid sees Dudley eating Harry’s cake, and, using magic, gives him a pig’s tail for his greediness.

A little while later, Harry and Hagrid head to London to get equipment for Harry’s schooling. Harry reads out the list and wonders where they’re going to get all of this. Hagrid says he knows exactly where to go. First, they go through The Leaky Cauldron pub, where Harry is greeted like a celebrity, much to his confusion. Then, Hagrid taps on a brick wall, allowing them to enter a whole new street. This is Diagon Alley, a secret shopping district for witches and wizards. The two head to Gringotts Bank, so Harry can pick up some money to pay for all this. It turns out his parents left him quite an inheritance. In a separate vault, Hagrid collects a small package, which is intriguing as it is a secret mission given to him by Dumbledore apparently. Next, Harry goes to Ollivander’s wand shop, where he is told the wand chooses the wizard. Ollivander gives Harry two wands to try, but both cause minor destruction to his shop. Ollivander then has an idea; he tries one more wand with Harry, and this wand responds well to him. Ollivander tells Harry this is curious, because the wand comprises of a phoenix’s feather, but this same phoenix gave one other feather, to the wand that gave Harry the lightning-shaped scar on his forehead, meaning his wand is a “brother” to the one that killed his parents. Creepy. Hagrid then meets up with Harry with a surprise present of a snowy owl, as Hogwarts students can bring certain pets to school.

Back at the pub, Harry asks Hagrid about his life, and why people seem to know him. Hagrid doesn’t want to speak of the dark wizard who will forever be linked with Harry, but after some coaxing, he gives Harry some backstory. This wizard called himself Voldemort, and he was planning an uprising, trying to convince wizards to join him and killing anyone who stood in his way. Harry’s parents, James and Lily, were two of those, with Voldemort going to their home to kill them. That same night, Voldemort attempted to kill Harry, however, for some reason, his curse did not work, leaving Harry as the only survivor of such a curse. Harry asks what happened to Voldemort after that. Hagrid says that some believed he died, others thought he only vanished and will likely return someday.

Later, Harry and Hagrid are at King’s Cross Station so Harry can catch the Hogwarts Express to go to school. Hagrid gives Harry his ticket, which states the train leaves from Platform 9 ¾. Confused, Harry asks Hagrid what that means, but he’s already gone, leaving Harry alone. He attempts to ask a train conductor at the station but he thinks Harry is just trying to be funny. Harry then hears a woman mention the word “muggle”, a term Harry learnt that witches and wizards use to describe non-magical people. Following them, Harry sees a boy vanish into a stone column. He asks this woman how to get onto the platform. She tells him he needs to run at the column between Platforms 9 and 10, also telling Harry that it is her other son’s, Ron, first time too, being another Hogwarts First Year student. Harry runs at the column – and finds himself at Platform 9 ¾. He boards the train.

Shortly after departing, Ron asks Harry if they can share a carriage as all the others are full. Ron introduces himself as Ron Weasley. Harry introduces himself. Ron asks if it is true Harry has the scar that everyone talks about. Harry shows him it is true. The sweet trolley comes down the train and Harry decides to buy everything on there. Ron and Harry bond as Ron teaches Harry about all these magical treats like Chocolate Frogs and Bertie Bott’s Every Flavour Beans. A girl then comes to talk to them, asking if they’ve seen a toad because a boy named Neville has lost one. She sees Ron about to attempt to use magic to turn his rat yellow, and asks to see. The spell doesn’t work, so the girl shows off her own abilities, by fixing Harry’s glasses. This girl is Hermione Granger.

The train soon arrives at his destination, and the students disembark the train in their robes. The First Years are collected by Hagrid and taken to boats. They sail towards their new home for the school year, a huge, ancient castle. This is Hogwarts. At Hogwarts, they are greeted by Professor McGonagall and told they are about to enter The Great Hall to be sorted into one of four school houses: Hufflepuff, Ravenclaw, Gryffindor, and Slytherin. Oh yeah, and Neville finds his toad, Trevor! McGonagall goes back in to make preparations, leaving a boy to introduce himself to Harry Potter. This kid is Draco Malfoy and he warns Harry about making friends with the “wrong sort” of wizard, meaning the Weasleys. Thinking this is elitist and arrogant, Harry rejects Draco’s offer of being friends. In The Great Hall, the First Years are paraded down to the front. The Sorting Hat, an actual talking hat, is then unveiled and each student in turn is told to sit and have the hat placed on their head so they can be “sorted”. Ron and Hermione end up in Gryffindor, and Draco goes to Slytherin. Then, it is Harry’s turn. He starts muttering that he doesn’t want to go to Slytherin, hearing that is where bad wizards go. The Sorting Hat says he could be great in Slytherin but if he doesn’t want to go there, then it’ll have to be Gryffindor. Once all the First Years are sorted, Headmaster of Hogwarts Professor Dumbledore reiterates that the Dark Forest and the Third Floor Corridor are out of bounds, before announcing the feast can begin.

After the feast, the students are led to their dormitories, with the Gryffindors being led by Percy Weasley, Ron’s older brother. He says the staircases like to change, and shows them that the portraits can talk, with one of these being the entrance to their Common Room, complete with a special password. After a night in the dorms, Harry and his fellow First Years begin lessons, with Harry and Ron getting off to a bad start by being late to Professor McGonagall’s Transfiguration Class, and Harry being accused of not paying attention by Professor Snape in Potions Class. During their flying lesson with Madame Hooch, Harry learns he is a natural. After an incident with Neville, the class are left alone. Draco steals Neville’s new gift, a Remembrall to help with his memory, and plans to drop it on the school roof. Harry follows on his broom and retrieves it. This is witnessed by Professor McGonagall, who asks Harry to come with her. He thinks he’s about to be expelled, but actually McGonagall, as Head of Gryffindor, introduces him to the captain of the Gryffindor Quidditch team, telling him Harry could be their new seeker. Although Harry is pleased to be the youngest seeker in almost a century, things still don’t go well for him, as him, Ron, and Hermione take the wrong staircase, because it moves, and end up on the Third Floor. They hide from Filch the caretaker who is always ready to catch students in the wrong places, but find themselves by a huge three-headed dog. Terrified, they run back to the Common Room.

The next day, the First Years are in Charms Class with Professor Flitwick. Hermione shows exceptional talent and tries to help Ron. However, outside of class, trying to show off in front of the boys, he mocks Hermione. Overhearing this, Hermione spends the rest of the day in the girls’ toilets crying, missing out on their Halloween feast. As the others enjoy, Professor Quirrel, the Defence Against the Dark Arts teacher, comes in, shouting about how there is a troll in the dungeon. The students are told to go to their dormitories, but Ron and Harry realise Hermione doesn’t know and could be in danger. They go to the toilets and find the troll already there, destroying everything and coming close to harming Hermione. Ron manages to use the spell Wingardium Leviosa from Charms Class to disable the troll, by landing its own club on its head. The teachers come in, shocked to see First Years taking on a mountain troll. Hermione takes the blame, saying she went to find it, and that Ron and Harry were only there to save her. Some points are taken from Gryffindor for her stupidity, but others are awarded to Ron and Harry for “sheer dumb luck”. At this point, Harry also notices a huge gash on Professor Snape’s leg, which he quickly covers up.

The following day is Harry’s first Quidditch match and he is nervous, finding that it is a dangerous game, where people can go missing or be knocked unconscious. Gryffindor are against Slytherin and Harry sees Slytherin playing dirty. As he waits to catch the Golden Snitch, a fast-flying ball, his only task in the game, Harry is almost thrown off his broom. Hermione sees Snape chanting and believes he has hexed Harry’s broom. She goes to the teachers’ viewing platform and sets fire to Snape’s cloak, taking his attention away from the hex, stopping it, and Harry plays on. He races to find the snitch, but falls to the ground. Luckily, we see he did catch the snitch – in his mouth – and Gryffindor win the game.

Harry, Ron, and Hermione later ask Hagrid what is going on with the large dog. They learn it is called Fluffy and it is guarding something. They ask what but Hagrid says that is between Dumbledore and Nicholas Flamel. The kids believe Snape is trying to steal whatever is being guarded, but Hagrid says that is nonsense and will say no more. But the name Nicholas Flamel gives them enough information to research what might be being guarded. Over Christmas Break, Harry and Ron stay at the school, giving them a chance to research. Harry gets an invisibility cloak for Christmas, with just a note saying his father left it in the gift giver’s possession. Harry uses this cloak to get into the Restricted Section of the library to search for Nicholas Flamel, however, he makes a quick getaway after Filch almost catches him. On his way back to the dorms, Harry overhears Snape and Quirrell having a heated discussion, and continues on his way, coming across a strange mirror in a random room. In the mirror, Harry sees his parents. Believing this could mean something, Harry gets Ron to take a look, but he sees something different. Harry sits in front of the mirror, confused. Dumbledore comes by and tells him this is the Mirror of Erised, and shows the looker’s deepest desires. Since Harry never knew his parents, this is obviously his. Dumbledore tells Harry not to dwell on dreams and that the mirror will be moved soon.

Back at school after Christmas, Hermione announces that she had a book with information on Flamel. It says he is the maker of the Philosopher’s Stone, which helps to transform any metal into gold, and can make the Elixir of Life. That must be what Fluffy is guarding. The trio go to see Hagrid to tell him, and warn him that Snape wants to steal it. Once again, Hagrid ignores them, but is distracted by his dragon egg hatching. Suddenly, the group see Draco in the window of Hagrid’s hut and he tells McGonagall that the three were out past curfew. She takes points away from the three as punishment but gives all four detention. This detention takes place with Hagrid in the Dark Forest. Hagrid is sad about his dragon being taken away, but tries to pay attention. He says that they are looking for an injured unicorn, as unicorn blood is on the ground. They split up. Ron and Hermione go with Hagrid, and Draco and Harry go with Hagrid’s dog Fang to investigate. In the forest, Harry and Draco see a cloaked figure drinking blood from a unicorn. Draco runs off scared, but Harry is too distracted by his scar burning. The figure comes towards Harry but is scared away by centaur Firenze, who warns Harry about the dangers of this forest. Harry asks what was happening. He is told that unicorn blood can keep you alive no matter how close to death you are, but by slaying something so pure, you have cursed yourself for eternity.

Harry believes the figure in the forest was Voldemort and that Snape must be trying to get the stone for him so Voldemort can live again. The trio ask Hagrid about the dragon egg and who gave it to him, thinking this was all part of a grand plan. He lets slip that he told this person about Fluffy and how you can put the dog to sleep by playing it music. They then run off to tell McGonagall that Snape is about to steal the stone, but she won’t listen either. That night, they decide to go and get the stone for themselves. As they are leaving the Common Room, Neville tries to stop them but Hermione freezes him. They continue on their mission. On the Third Floor, they find Fluffy already asleep so Snape must’ve beaten them there. They get to the trapdoor that Fluffy was stood on and jump down. They land in something soft, which is Devil’s Snare. Hermione says to stay calm and falls through the vegetation. Harry does the same, but Ron is too panicked. Hermione casts a spell to hit the Devil’s Snare with sunlight and Ron is released. Continuing on, they find themselves in a room with flying keys and a locked door on the other side. There is a broomstick, so Harry gets on it and chases down the right key. He finds it and they get to another room, this time with a giant Wizard’s Chessboard. Ron is a master chess player and takes charge. They plan the chess game, but at the last moment, Ron, who has gotten on top the horse piece to be the Knight, realises he will have to sacrifice himself to get them to win the game. Ron is attacked by the piece he encounters – because that’s how Wizard’s Chess works; you can’t just take a piece off the board, it has to be destroyed – and collapses. Hermione and Harry rush to him once Harry announces checkmate. Hermione tells Harry to go and get the stone.

Harry finds himself in a room with the Mirror of Erised once again. He comes face-to-face with none other than… Professor Quirrell, the one actually trying to steal the stone. He said Snape has been trying to stop him all this time, and Snape was actually trying to save Harry from him cursing Harry’s broom during Quidditch. Harry is told to look into the Mirror. There, he sees himself holding the stone. Feeling in his pocket, he realises the stone is there. A voice suddenly says he knows Harry is lying about what he sees and knows he has the stone. Quirrell unwraps his turban so the voice can speak to Harry. Quirrell has been possessed by Voldemort’s soul, who is living on the back of Quirrell’s head… Gross. Voldemort speaks directly to Harry, telling him if he hands over the stone, they can be all-powerful, but Harry refuses. Quirrell is told to attack Harry and starts to choke him. Harry places his hand on Quirrell’s arm to get him off, and Quirrell’s skin burns and crumbles to dust. Harry continues to touch Quirrell’s skin and he disintegrates. Voldemort’s soul remains though and flies through Harry, knocking Harry unconscious, but he still has the stone.

Harry wakes up in the hospital wing with Dumbledore telling him everyone is fine and that the stone has been destroyed forever. Dumbledore says that only a person who wanted the stone, but never wanted to use it, could ever have it. He then explains that Harry’s touch burnt Voldemort and Quirrell due to his mother’s love and sacrifice back when Voldemort killed her; it is an ancient protective charm. After recovering, Harry returns for the final feast of the school year where the House Cup is due to be given to Slytherin. However, Dumbledore awards a few points beforehand. 50 each for Hermione and Ron, and 60 for Harry for their loyalty to their school and for their bravery. This ties Gryffindor with Slytherin. A remaining 10 points are given to Neville for standing up to his friends. This means Gryffindor win the House Cup – and Slytherin can forever claim it was fixed!

The students then all board the Hogwarts Express to go home. Just before leaving, Hagrid and Harry talk, with Hagrid giving Harry a photo album of his parents. Hermione says it’s weird to be going home, but Harry says he’s not going home, not really.

CHARACTERS & CAST

The Harry Potter franchise benefits from a large cast of characters. This allowed for a huge selection of the greatest British acting talent to be used to portray these characters. However, due to this large number, I could go on forever and ever talking about these characters and cast members, so I will only mention characters who are key to a specific film. This may look like I am omitting people, but be assured, I will mention them in later reviews. For example, many of Harry’s Gryffindor friends have more involvement in later films and the Weasleys get a real introduction in Harry Potter and the Chamber of Secrets.

Firstly, I have to mention Harry Potter, the key character in all the movies and books. Harry is shown to be a naturally skilled and curious wizard. He has had a difficult upbringing, but on arriving at Hogwarts, Harry immediately feels he belongs, but is all too aware that his past is coming back to haunt him. He will always have his friends and the support of many of his teachers to guide him though. Daniel Radcliffe was cast as Harry Potter. Radcliffe has gone on to have leading roles in various films, including The Woman in Black (2012), playing Arthur Kipps, and portraying “Weird Al” in Weird: The Al Yankovic Story (2022). He had key roles in other movies, such as Walter Mabry in Now You See Me 2 (2016) and Igor in Victor Frankenstein (2015). On the small screen, Radcliffe had starring roles in series like A Young Doctor’s Notebook (2012-13) and the anthology series Miracle Workers (2019-23). On stage, Radcliffe was cast as Alan Strang in Equus on the West End in 2007 and Broadway from 2008 and 2009. In 2023, he was cast as Charley Kringas in the Broadway revival of Merrily We Roll Along, winning the Tony Award for Best Featured Actor in a Musical.

Ron Weasley is the first student that Harry becomes friends with, after sitting together on the Hogwarts Express and bonding over their love of sweets. Ron is from a large and loving family. He is not the best student, but he is a loyal friend and certainly brings the comic relief at times with his antics and wittiness. Rupert Grint was cast as Ron, with some of his later credits including the role of Charlie Cavendish-Scott in the crime drama series Snatch (2017-18) and starring as Daniel Glass in the Sky comedy series Sick Note (2017-18). Grint also played Julian Pearce in the Apple TV+ series Servant (2019-23).

Rounding out the main trio is Hermione Granger, the gifted and intelligent one, the brains of the operation. She is by far the smartest witch in First Year at Hogwarts and is a perfectionist, wanting to be the best, learning spells even before she steps foot in the school. Despite this, Hermione is also willing to risk her life, and even expulsion from Hogwarts, to do what is right. Hermione was played by Emma Watson. Watson has since appeared to have stepped back from acting, choosing instead to focus on her studies and activism work, however, she has appeared in many well-received films. Shortly after Harry Potter concluded, Watson appeared as Lucy Armstrong in My Week with Marilyn (2011), following that by being cast as Sam in The Perks of Being a Wallflower (2012), and Nicki Moore in The Bling Ring (2013). She also starred as Belle in the live-action remake Beauty and the Beast (2017) – I’m not going to say any more about that right now, but I have some opinions. Watson also played Mae Holland in the Netflix thriller The Circle (2017) and Meg March in Greta Gerwig’s Little Women (2019), which was nominated for various Academy Awards.

Following on from that are numerous Hogwarts professors and staff. One of these is Rubeus Hagrid. He is a big friendly giant, quite literally. Hagrid is the first person to tell Harry about his past, and the true fates of his parents, as well as his link to Voldemort. Hagrid is always someone the three can turn to when they are struggling, but Hagrid can be a bit too trusting of people, which gets him into trouble at times, especially as his love of magical creatures overtakes his common sense at times! Robbie Coltrane was cast as Hagrid. Coltrane is known for his early appearances in the comedy series The Comic Strip Presents… which starred popular comedy actors Dawn French, Jennifer Saunders, Rik Mayall, and Ade Edmonson, and as gangster Valentin Zukovsky in the Bond films GoldenEye (1995) and The World Is Not Enough (1999). Coltrane later gained recognition for his leading role as Dr Edward Fitzgerald in the British crime series Cracker (1993-2006), for which he won the BAFTA for Best Actor in 1994, 1995, and 1996. He has also voiced characters for animation, including the role of Lord Dingwall in Pixar’s Brave (2012). Coltrane sadly passed away in 2022.

Then there is Albus Dumbledore, the greatest wizard in the world, allegedly. Although he may look quite serious at times, Dumbledore also has a lot of care for his students, especially Harry, who he knows is talented and has an important role to play in wizarding history. This leads Dumbledore to be quite protective of Harry and steering him in the right direction without Harry even knowing it. Dumbledore was played by Richard Harris. Harris portrayed King Arthur in the musical film Camelot (1967) taking over the role from Richard Burton who had played the part on stage, although Harris did also play the part in 1981 and 1982 productions on Broadway and in London. He also played Richard the Lionheart in Robin and Marian (1976), with Sean Connery and Audrey Hepburn in the title roles, and portrayed Oliver Cromwell in the 1970 film Cromwell. Later on in his career, Harris played Marcus Aurelius in Gladiator (2000). Harris also had a singing career, with his song “MacArthur Park” being used in Beetlejuice Beetlejuice (2024). Harris passed away in October 2002, only playing Dumbledore in the first two Harry Potter films.

Minerva McGonagall is the strict Transfiguration teacher, and is Head of Gryffindor House, meaning she takes quite a lot of interest in Harry, Ron, and Hermione’s escapades, trying to keep them out of matters that do not concern them. She might seem uptight and uncaring, but actually, she really does care about the safety of the students, and is incredibly supportive. Maggie Smith was cast as McGonagall. She was cast opposite Laurence Olivier in the 1965 adaptation of Othello, playing Desdemona, and went on to play Jean Brodie in The Prime of Miss Jean Brodie (1969). She later played Wendy Darling in Hook (1991), and Mother Superior in Sister Act (1992) and its 1993 sequel, and Lady Hester Random in Tea with Mussolini (1999) alongside Dame Judi Dench. Having already played the part on stage in 1999, Smith later reprised her role as Miss Mary Shepherd in the 2015 film adaptation of Alan Bennett’s play The Lady in the Van. Smith is also known for her role as the scene-stealing Violet Crawley, The Dowager Countess of Grantham, in Downton Abbey (2010-2015) and its first two films. Dame Maggie Smith passed away in September 2024.

The professor who seems to have the most against Harry is Severus Snape, the Potions Master. He doesn’t like Harry at all, from what we can tell, and thinks he is arrogant and very pleased with his fame as “The Boy Who Lived”. Snape appears to be the one stealing the Philosopher’s Stone, and looks to have hexed Harry’s broom during the Quidditch match, however, it is later revealed not to be him. Snape was actually trying to save Harry and trying to stop the Stone from being stolen by another Hogwarts professor. Alan Rickman was cast as Snape. He was cast as the Sheriff of Nottingham in Robin Hood: Prince of Thieves (1991), winning the Best Actor BAFTA, and played Colonel Brandon in Sense and Sensibility (1995), having previously played Hans Gruber in Die Hard (1988). He is also known for his role as Harry in Love Actually (2003). He later directed and co-wrote A Little Chaos (2014), also playing King Louis XIV. In TV, Rickman won an Emmy, a Golden Globe, and a SAG award for his portrayal of Rasputin in HBO’s Rasputin: Dark Servant of Destiny (1996). Rickman was also a member of the Royal Shakespeare Company in numerous productions in the 1980s and 1990s. Rickman passed away in January 2016. 

The Hogwarts professor wanting to steal the Philosopher’s Stone was none other than the Defence Against the Dark Arts teacher Quirinus Quirrell. When Harry first meets him at The Leaky Cauldron pub outside Diagon Alley, we are led to believe Quirrell is just a shy man with a pronounced stutter, and is a potential germophobe because he doesn’t want to shake Harry’s hand. In actual fact, Quirrell is in cahoots with Lord Voldemort, stealing the Stone on his behalf and even letting Voldemort’s spirit, or whatever it is, share Quirrell’s body. Voldemort may have been able to manipulate Quirrell into believing they could conquer the world once they had their hands on that Stone, but Quirrell ended up being literally burnt alive and crumbled to dust. That just shows what going over to the Dark Side can do to you! Ian Hart was cast as Quirrell and also voiced Voldemort here. Hart was cast as Mr. Parkis in The End of the Affair (1999); as Sir Arthur Conan Doyle in Finding Neverland (2004); and as Lord Maitland in Mary Queen of Scots (2018). In television, Hart has had roles including Kester Gill in My Mad Fat Diary (2013-15); Father Beocca in The Last Kingdom (2015-22); and Bob Rutherford in ITV’s Mr. Bates vs. the Post Office (2024).

There are various other professors and those linked to Harry’s journey to being a wizard, so here is a brief rundown of some others. We have Filius Flitwick, the kind, patient Charms professor. He was played by Warwick Davis. He first played Wicket W. Warrick, an Ewok, in 1983 for Star Wars: Return of the Jedi, going on to claim the lead role of Willow Ufgood in the 1988 movie Willow, reprising the role for the Disney+ series Willow (2022-23). Davis also hosted the ITV gameshow Tenable (2016-24). Zoë Wanamaker was cast as the stern flying teacher and the Quidditch referee at Hogwarts, Madame Hooch. On screen, Wanamaker was cast as Ada Leverson in Wilde (1997), and she is also well-known for her role as Susan Harper in the BBC sitcom My Family (2000-11). More recently, Wanamaker played Baghra for the Netflix series Shadow and Bone (2021-23) and currently stars as Charlie Hungerford in the miniseries reboot of Bergerac (2025-present).

A few others to mention are John Cleese as the Gryffindor House ghost Nearly Headless Nick. Cleese is best known for his work as part of the Monty Python comedy troupe, as well as starring in sitcoms such as Fawlty Towers (1975-79), and various movies, including A Fish Called Wanda (1988). He has also done some voice work, such as King Harold in the Shrek franchise, for example. Also at Hogwarts is Argus Filch, the caretaker who is always looking to catch students in places they shouldn’t, to get them in trouble. Filch is helped by his cat Mrs. Norris. David Bradley was cast as Filch. Bradley has recently voiced Geppetto in Guillermo del Toro’s Pinocchio (2022) for Netflix. Bradley had a recurring role as Walder Frey in Game of Thrones (2011-19) and was cast as Jack in Amazon Prime’s Your Christmas or Mine? (2022) and its 2023 sequel. He portrayed William Hartnell, the first ever Doctor Who, in An Adventure in Space and Time (2013) and has reprised the role for the Doctor Who series, and was cast as Ray Johnson in Netflix’s After Life (2019-22).

John Hurt plays Mr. Ollivander, the wand shop owner who assists Harry in finding his first wand, finding it quite curious that the wand that chose Harry was in fact one linked to Voldemort. Hurt starred in major movies such as Alien (1979), as Kane; The Elephant Man (1980), as John Merrick, for which he was nominated at the Academy Awards in the Best Actor category and won the BAFTA for; and Midnight Express (1978), as Max, where he was nominated at the Oscars for Best Supporting Actor, and won it at the BAFTAs. He also voiced The Horned King in Disney Animation’s The Black Cauldron (1985) and later in his career voiced The Great Dragon in the BBC series Merlin (2008-12). Sir John Hurt sadly passed away in January 2017. The Sorting Hat, who is quite moody and grumpy for being a talking hat, was voiced by Leslie Phillips. Phillips had made appearances in Carry On and Doctor in the House films during his career. Phillips died in November 2022.

The last group of characters to mention here are the Dursleys. Vernon and Petunia Dursley are Harry’s uncle and aunt. They do take him in and raise him, obviously feeling some sort of responsibility towards him, however, they are harsh and uncaring, making him sleep in a cupboard and not telling him the truth about his parents or his magical heritage. Petunia and Vernon’s son Dudley is a similar age to Harry, but despite this, Dudley is just as cruel towards Harry as his parents are, bullying him and believing himself to be better than Harry. Vernon was played by Richard Griffiths. After an early start appearing in Royal Shakespeare Company productions, Griffiths went on be cast as Collins in Gandhi (1982) and starred as DI Henry Crabbe in the BBC series Pie in the Sky (1994-97). More recently, Griffiths won numerous awards, including a Tony Award, for his role as Hector in The History Boys stage play in 2004, and reprised the role for the 2006 film adaptation. He also played Monsieur Flick in Hugo (2011) and King George II in Pirates of the Caribbean: On Stranger Tides (2011). Griffiths died in March 2013. His final film role was a minor part in the rom-com About Time (2013). Fiona Shaw was cast as Petunia. Shaw has recently played Miss Harrison in the Netflix film Enola Holmes (2020) and was cast as Carolyn Martens in Killing Eve (2018-22). Shaw also recently played Maarva Andor in Season 1 of the Disney+ series Andor (2022-25). Shaw is set to appear as Mrs. Jennings in a new adaptation of Sense and Sensibility. Dudley was played by Harry Melling. Melling has recently appeared as Harry Beltik in Netflix’s The Queen’s Gambit (2020) and as Thomas Wriothesley in the second series of Wolf Hall, titled Wolf Hall: The Mirror and the Light (2024).

MUSIC

The musical theme of Harry Potter is iconic. Anyone who hears it can immediately link it to these movies. It is so memorable and connected to Harry Potter that it is used in all eight Harry Potter films. This piece of music is titled “Hedwig’s Theme”, named after Harry’s snowy owl, and it first appears in the opening sequence of Harry Potter and the Philosopher’s Stone, and reappears throughout the course of the movie. It pops up again in the End Credits, although this is seemingly actually part of the suite “Harry’s Wondrous World”.

The Harry Potter and the Philosopher’s Stone soundtrack was written by legendary musical composer John Williams. Williams is known for creating some of the best themes in film history. Just a few of the films he’s worked on include Jaws (1975); the Star Wars franchise; E.T. The Extra-Terrestrial (1982); and Schindler’s List (1993), where he won multiple awards including Grammys, Oscars, and BAFTAs; and the Indiana Jones and Jurassic Park films. Williams frequently collaborates with director Steven Spielberg, having also composed the score for The Fabelmans (2022), and will work on Spielberg’s next film.

Williams got a call from the producers working on Harry Potter and the Philosopher’s Stone and was asked to write a piece of music that he might imagine as a trailer for the film. Williams had heard of the books but had not read them. He came back from dinner and wrote “Hedwig’s Theme” and recorded it. He sent it to the producers and the filmmakers decided that it was the perfect piece for Harry Potter and the Philosopher’s Stone[1].

The overall soundtrack for Harry Potter and the Philosopher’s Stone is great in my opinion, with a good mixture of both upbeat, positive tracks, to match Harry’s wonder and excitement about this new world he is encountering, and more fearsome, daunting pieces of music, to go alongside the more perilous moments in the story.

On the upbeat side, I particularly enjoy the tracks “Platform 9 ¾ and the Journey to Hogwarts”, which follows Harry’s journey on the Hogwarts Express and on the boats where the First Years get the big reveal of Hogwarts Castle; and “Entry into the Great Hall and the Banquet”, where the students enjoy their first evening at Hogwarts. Both of these pieces show how wonderful the magical world can be. “Christmas at Hogwarts” is another joyful piece of music, matching the festiveness of the season. “Leaving Hogwarts”, the ending instrumental piece within the film, is a bittersweet moment, as Harry says goodbye to his new friends, and heads home for the summer, already excited to be back next year.  

With all that joy, you’d think Harry Potter and the Philosopher’s Stone was a light, cutesy film, but we all know that is not the case, and the soundtrack blends in other musical moments to go alongside the threatening times. Some tracks that I feel do a particularly good job of doing this are “The Invisibility Cloak and the Library Scene”, when Harry uses his new invisibility cloak to sneak into the library’s Restricted Section at night and “The Quidditch Match”, which isn’t scary generally, since sports aren’t meant to be life-and-death situations, although we are reminded at times that they can be, but Harry is very anxious about competing in his first Quidditch match, especially when his broom is randomly hexed and almost throws him off. I also very much like the track “The Chess Game”, which is used for the huge Wizard’s Chess match that Ron has to coordinate to get them to the room with the Philosopher’s Stone. The moment I like in particular in this piece is the part when Ron is making his final move as the Knight. The terror builds as Ron awaits his fate, where he will no doubt be struck by a sword and probably injured, but there is no choice but to do it.

John Williams was nominated for the Academy Award for Best Original Score for his music in Harry Potter and the Philosopher’s Stone, and received a Grammy nomination for Best Score Soundtrack for Visual Media. Williams was also nominated in the Best Composer category at the Critics’ Choice Awards. In all cases, he lost out to Howard Shore and his score for The Lord of the Rings: The Fellowship of the Ring (2001). Williams also had a further Grammy nomination specifically Best Instrumental Composition for “Hedwig’s Theme”, but the winner was Thomas Newman for “Six Feet Under Title Theme”.

PRODUCTION

The Harry Potter and the Philosopher’s Stone film would not have existed had the original novel not existed first, and that was all down to one person – Joanne Rowling.

I’m not about to pretend that I am unaware of the controversy surrounding Rowling and her personal views right now. I know some people have called for her “cancellation”, but I cannot write a full history of Harry Potter and the Philosopher’s Stone as a movie without mentioning Rowling because the stories are solely credited to her, and with the Harry Potter movies, she indirectly helped launch the careers of numerous talented, young actors. It’s just a fact, even if that fact is making some people feel uncomfortable or irritated right now.

Rowling has stated that the idea for Harry Potter and the Wizarding World first came to her back in 1990 when she was sat on a delayed train going between London and Manchester. Her mind was filled with all these new ideas, and over the next few years, she spent time, alongside her day job, plotting out the series, knowing she had enough ideas for a seven-book series, and writing the first book. Rowling has said it took around five years to write Harry Potter and the Philosopher’s Stone, writing much of it in cafés in Edinburgh, whilst her daughter Jessica slept in her pram. Once Rowling had finished the full manuscript, she sent the first three chapters to agencies, with one agent, Christopher Little, getting back to her and willing to take a chance on her.

After about a year, a UK publisher was found, with Bloomsbury choosing to publish the novel, however, there was one request: that Rowling changed her name. It was felt that boys would not find a book as appealing if it was clear it was written by a woman, which the name Joanne Rowling would give away. So, using her grandmother’s name Kathleen, Rowling created the name J.K. Rowling, which the first book, and all subsequent Harry Potter books, were published under. Harry Potter and the Philosopher’s Stone was finally published in the UK in June 1997. A US publisher was later found, who requested that the title be changed to suit American audiences. This meant that Harry Potter and the Philosopher’s Stone became Harry Potter and the Sorcerer’s Stone in the US. The book was published there in August 1998, and the series took off[2]. There is actually a Lifetime television movie called Magic Beyond Words: The J. K. Rowling Story, released in 2011, which is an unauthorised, dramatised version of these events and of Rowling’s life.

Every movie needs a producer, a director, and a screenwriter. In the case of Harry Potter and the Philosopher’s Stone that producer was David Heyman, the director was Chris Columbus, and the screenwriter was Steve Kloves. David Heyman would act as producer of all eight Harry Potter films, and went on to produce all three of the spin-off films in the Fantastic Beasts film franchise. He also later co-produced the science-fiction film Gravity (2013), the beloved Paddington (2014) and Paddington 2 (2017), and its spin-off series The Adventures of Paddington (2019-25), and other hit movies like Marriage Story (2019), Barbie (2023), and Wonka (2023). David Heyman first came across Harry Potter and the Philosopher’s Stone as a novel when it landed on his desk in 1997. He initially thought the story would be ridiculous, given its strange and long title, but luckily, he did love the story and brought it to Warner Bros. to begin discussions about adapting it for the screen. Heyman later met J.K. Rowling at a publishing party, where she stated how excited she was about Harry Potter’s film potential.

Once the movie adaptation was greenlit, a director would then be needed. At the beginning, Steven Spielberg was attached to direct this first movie, but he later backed out, leaving it available to some other lucky director. That lucky director turned out to be Chris Columbus, after a long process where many other directors were also interviewed. Both Rowling and Heyman reportedly wanted Terry Gilliam, part of the Monty Python comedy troupe, as well as a director in his own right, directing, and co-writing, the film Time Bandits (1981), and directing The Fisher King (1991) which starred Robin Williams, and the science-fiction thriller 12 Monkeys (1995). However, it was later decided that the studio would likely not go for Gilliam as he was a riskier choice of director, so there continued to be an opening for a director on Harry Potter and the Philosopher’s Stone[3].

Having been “forced” to read the Harry Potter books by his daughter, Chris Columbus found he was determined to direct this first film and asked to be the last director seen by the studio. He spent 10 days writing a 130-page director’s version of the script, and spoke for around 45 minutes about his concept for the film. The studio execs were pretty convinced Columbus would be the right person for the job, especially with his history in family-friendly movies. Columbus had previously written the movies Gremlins (1984) and The Goonies (1985), before moving into directing with Adventures in Babysitting (1987) – which would later be remade by Disney Channel in 2016 as one of their original movies. Columbus is also well-known for directing the festive favourites Home Alone (1990) and Home Alone 2: Lost in New York (1992), and the beloved Mrs. Doubtfire (1993). After Harry Potter, he went on to direct comedy films like Pixels (2015), starring Adam Sandler and Kevin James, and, most recently, The Thursday Murder Club (2025), an adaptation of Richard Osman’s hit novel, for Netflix. However, the studio knew that Columbus would also need Rowling’s approval. Columbus headed to Scotland to meet with her, and fortunately, they found they shared the same vision for the film. Chris Columbus was confirmed as the movie’s director.

Now that Columbus had the job, the full weight of responsibility was on his shoulders, to make sure he did Rowling’s first novel justice and to ensure he met the expectations of the fans. By the point that Harry Potter and the Philosopher’s Stone was going into production, only the first three books had been published, but to ensure the filmmakers got the gist of what was to come, Rowling did tease certain important future plot points, as well as making it clear that the story was going to get darker as the series went on. Heyman, Columbus, and Kloves were reportedly given physical copies of the manuscript for the fourth novel, Harry Potter and the Goblet of Fire, a few months before it was available to the public.

The unenviably task of adapting this hugely popular novel went to screenwriter Steve Kloves, who had both written and directed The Fabulous Baker Boys (1989) and had been nominated at the Academy Awards for Best Adapted Screenplay for the film Wonder Boys (2000) prior to working on Harry Potter and the Philosopher’s Stone. Kloves would actually write the screenplay for all of the Harry Potter films, except one: Harry Potter and the Order of the Phoenix (2007) but more on that another time. He also later co-wrote the screenplay for The Amazing Spider-Man (2012) and co-produced the three Fantastic Beasts films, later joining J.K. Rowling in co-writing the screenplay for The Secrets of Dumbledore (2022).

Some religious groups felt that the Harry Potter books were promoting witchcraft. Satanism, and the occult, and were therefore unsuitable for children to read. This is something that caused particular trouble in the US, with legal challenges mounted in certain areas to have the book series removed from public schools. The books have also been banned in some areas and it has been claimed that these stories are anti-authority. Despite this, over 120 million copies of Harry Potter and the Philosopher’s Stone have been sold, making it one of the best-selling books of all time, showing its global success[4].

The Harry Potter and the Philosopher’s Stone film is said to be quite faithful to the original novel, although not every moment from the book can ever make it into the final edit of a film adaptation, so there are some differences. One is that the scene of Harry first meeting Draco Malfoy at Madam Malkin’s robe shop in Diagon Abbey was not included in the film. Harry instead meets Draco outside The Great Hall just before The Sorting Hat Ceremony. Hagrid was also not meant to drop Harry off at King’s Cross Station to catch the train to Hogwarts, but his aunt, uncle, and cousin were meant to do this. This causes some confusion in the film if you know your dates, as Harry’s birthday is on 31st July, and he heads off with Hagrid to Diagon Alley just after. He does not catch the train until 1st September, so the film makes it seem like Harry spent a whole month with Hagrid, whereas the book makes it clear he returned to the Dursleys home to wait for 1st September, and they then take him to the station, not caring about helping him find the train. Another big omission is in the tasks to get to the Philosopher’s Stone that Harry, Hermione, and Ron go through. Each one seemingly has their own task that suits their skills, like Hermione and the Devil’s Snare; Harry and the flight to find the right key; and Ron with the Wizard’s Chess match. But in the book, Hermione gets a more impressive task, and that is solving a potions riddle that would’ve happened right after the Wizard’s Chess game, instead of Harry going straight to the room to confront Quirrell and Voldemort as he does in the film.

A couple of less important moments, such as the story of Hagrid’s dragon Norbert being taken away, and the Nimbus 2000 being delivered to Harry with a note telling him to open it secretly, in order to conceal Gryffindor’s new seeker’s identity, were also left out of the film[5]. Some also dislike the fact that Harry is meant to have green eyes, the comparison between his and his mother’s eyes being constantly commented on in the series, however, although this was attempted in the film, with Daniel Radcliffe being given green contact lenses to wear to cover his natural blue eyes, these contacts gave him an allergic reaction and he could not continue wearing them. It was decided not to digitally alter the eye colour. Emma Watson was also supposedly given fake teeth to wear, to give her Hermione’s signature buck teeth, but Watson struggled to speak with them in, so this was also stopped[6].

Now that a director was on board, and the screenplay had been written, what else was needed? Oh yeah, the cast! The search for Harry Potter began in late 1999, with numerous open calls allowing thousands of kids to audition. Some spent hours waiting for their chance to be in the Harry Potter movies, and a lucky few were given the coveted roles.

But by July 2000, the right actor for the main role of Harry Potter had still not been found. The filmmakers wanted unknown, British actors in the main roles, limiting the talent pool to some extent. Columbus had received thousands of audition tapes from kids all over the country, but there was still no Harry. Columbus then watched the two-part BBC adaptation of Charles Dickens’ David Copperfield, which aired on Christmas Day and Boxing Day in 1999. Young David Copperfield was played by none other than Daniel Radcliffe, and Columbus felt he was Harry Potter. Heyman and Columbus were in agreement, but when Radcliffe’s parents were approached to have Daniel audition, they refused, saying they felt that signing on for all the films, which were meant to be filmed in Los Angeles at this point, was too much disruption in his life. As luck would have it, David Heyman later attended the same play that Radcliffe and his father went to, and Heyman went to speak to them about the role of Harry again and managed to convince them to let him audition. Rowling said that Radcliffe was exactly as she’d imagined the character to be, and it was felt that he had a haunted quality to him – whatever that meant! Tom Felton, who was later cast as Draco, actually auditioned for the part of Harry, but his confidence made the filmmakers think he was a better fit for Draco Malfoy.

Emma Watson and Rupert Grint, who were fans of the books and felt they identified with their characters, were very easy to cast as Hermione and Ron respectively, and once the two were screen tested with Daniel Radcliffe, acting out the scene of the three discussing Nicholas Flamel in the library, it was decided that these were going to be the three main characters, with their obvious chemistry. Once the casting was announced, the media went crazy for it and the three kids were immediately thrust into the spotlight to deal with interviews and press conferences[7].

Some other fun casting stories around this first film are that the Phelps’ twins, James and Oliver, who played Fred and George Weasley, showed up to their audition and were the only twins not to be wearing matching outfits, so they quickly went out to buy identical t-shirts to wear for their audition. Whether it helped them or not, who’s to say! Richard Harris initially turned down the part of Dumbledore, however, his granddaughter said she’d never speak to him again if he didn’t take it, so he obviously did. And Robbie Coltrane’s son believed he had already been cast as Hagrid before Coltrane had heard anything about it[8]. I can only assume this is to do with the fact that Rowling always envisioned the character being played by him.

With such a young, and dare I say inexperienced, cast, although the set of Harry Potter and the Philosopher’s Stone was made to be as fun as possible by Chris Columbus and the crew, it was a lot of hard work to get this movie filmed. The cast remember only good times on set, but they are aware that Columbus was very patient with them, as their attention wandered and they struggled to stay focused on the task at hand! Columbus had to get very involved with them, acting out some of the CGI characters that obviously the actors couldn’t see, and giving them notes on how to improve their scenes, since some of the cast had never acted before. Despite working with the “royalty” of the British acting world in these movies, like Alan Rickman, Dame Maggie Smith, and Richard Harris, the adults were just as willing to play around with the young cast at times, and were also very supportive.

Filming took place in many locations across the UK during late 2000. One of these places was Alnwick Castle in Northumberland, with the Outer Bailey being used for the flying lesson and Quidditch rules scene. Durham Cathedral was also used, with the cathedral’s Chapter House being the location of Professor McGonagall’s classroom. Gloucester Cathedral’s cloisters became the corridors of Hogwarts and its Lavatorium area is where Ron and Harry go as they search out the troll that has been released into the castle, so they can save Hermione. Lacock in Wiltshire was where the flashback scene where Harry learns about Voldemort killing his parents was filmed. Lacock Abbey was also used for some areas of Hogwarts. Another couple of more obvious filming locations are London Zoo, where Harry goes with the Dursleys early on in the film and encounters the Burmese python, and King’s Cross Station were Harry gets on the Hogwarts Express[9]. It is worth pointing out that the interior of King’s Cross Station has been through a major renovation since the Harry Potter movies were filmed there, completed in 2011, although you can find a special photo op of Platform 9 ¾ as well as a Harry Potter merchandise shop there.

Some other locations used include areas of Oxford. For example, Christ Church College’s stone staircase was used for the scene of the First Year Hogwarts students walking to the Great Hall, and the Bodleian Library in Oxford was the location for Hogwarts library, at least the scene of Harry heading to the Restricted Section at night[10]. Goathland Railway Station was also used for Hogsmeade station, where the Hogwarts Express starts and ends its journey, and the students take other transportation to the school[11].

But the Harry Potter movies also benefit from impressive, hand-built sets. These were created at Warner Bros. Studios Leavesden in Watford, which is now open to the public to tour the sets at the Warner Bros. Studio Tour London – The Making of Harry Potter attraction. The Great Hall is really the standout here, with a proper stone floor being used due to the need for a sturdy, hardy surface, given the amount of equipment and feet that would be going across it over the years! This area had to feel magical but also timeless and the only architecture that could match the 1000+ year old Hogwarts School was British cathedrals, so these were an inspiration to those building the set, like Production Designer Stuart Craig. The floating candles were actually real, and were simply candles attached to the ceiling with wires or fishing line, although the cast do remember the candles’ flames burning through the wires and falling down onto them! The Wizard’s Chess set was another huge one, with massive chess pieces carefully recreated as per the miniature chessboard we see Harry and Ron play. They had to look like terracotta pieces, to match how the pieces would shatter during an actual game, but many of the pieces were actually made of fibreglass. Art directors Gary Tomkins and Neil Lamont said it is possibly the largest chess set ever made in the world.

A model of Hogwarts Castle was also used for the movie. The model was incredibly detailed, complete with turrets, towers, spires, and bridges, and this model currently resides at the studio tour now. There are details all over this model which you wouldn’t be able to spot in the film, and it is potentially one of the last models used in cinema, now that CGI has taken over. But this model was a big moment in the film, as the First Years see it for the first time as they head over to the castle on boats after disembarking the Hogwarts Express.

Speaking of the Hogwarts Express, the train was described as a steam train in the books, so the team went to preservation societies all around the country, looking for the perfect train. They eventually found one built by Great Western Railway Swindon Works in 1937. This train, Olton Hall, ran until 1963 and covered just over one million miles during its time in service. For the movie, it was restored and repainted, and was used in all the movies. It ran as a tourist train between Scarborough and York between filming.

For visual effects, there were a mixture of CGI and computer effects, and more basic ones used here. For example, Special Effects Supervisor on Harry Potter and the Philosopher’s Stone John Richardson said that the Wingardium Leviosa scene was incredibly high tech – not! It was literally just a feather on a fishing rod being moved around to follow Emma Watson’s movements as she “cast” the spell with Hermione’s wand. There were also 25,000 envelopes printed for the scene of all the letters arriving, with letter firing rigs being built to shoot them into the Dursley house set. Each time they reset the shot, crew members simply picked them up and refilled the machines!

But CGI had to be used in some areas of this filmmaking process. One example is the owls flying into the Great Hall, however, 80% of the owls seen on screen were real and these owls were trained to deliver packages into the set. CGI was used to show all the owls in the room at once, as more than a couple couldn’t be flying through the hall at once. Other Visual Effects created certain characters, like the ghosts, the troll, Fluffy, and Voldemort’s face[12]. With Norbert the dragon, the animators and Visual Effects workers looked at footage of newborn animals as reference material so they could accurately animate the animal and how it would act in this moment.

Finally, Quidditch was potentially the hardest scene to shoot, because not only did the sequence have to be action-packed and required flying, which meant mechanical brooms and green screens, but that anyone unfamiliar with Quidditch had to be able to understand what was going on. The filmmakers were given the rules of the game by J.K. Rowling, and Production Designer Stuart Craig was responsible for creating the pitch. A variety of props needed to be made, including the tiny golden Snitch, the brooms, the other balls, like the Quaffle, and the Bludgers, and even the Quidditch box that Oliver Wood carries with Harry to teach him all about Quidditch[13].

With the film completely shot, then came time to edit and release it. There were a few deleted scenes that have been made available to the public via DVD and Blu-Ray home releases. Some of these are simply filler moments, such as Harry, Ron, and Hermione talking in the corridor after defeating the troll, and others are extended scenes, like Harry and the first Potions class with Professor Snape. In this scene, Harry talks back to Snape, telling him to get Hermione to answer all his questions that Harry can’t answer. I actually think that would’ve been a good one to keep in because it shows the friction between Harry and Snape early on. There are also a couple of others that seemed quite good for the film, like Harry seeing Dudley’s new private school uniform and Harry being told he’s going to a rough state school, with Dudley’s old uniform being dyed in the kitchen for him, which would’ve shown Harry further being treated poorly by his only remaining family, and a scene of Harry and Hagrid on the Tube, which is just funny to see Hagrid on the Tube[14].

Years later some also became aware of the fact that two different versions of Harry Potter and the Philosopher’s Stone exist, both in movie and novel. This is because for the US publication of the novel and therefore distribution of the film, the word “philosopher” is changed to “sorcerer”, as requested by the US novel publisher Scholastic, who claimed Americans wouldn’t understand the word. Because of this, the cast had to record scenes saying “Philosopher’s Stone” and then “Sorcerer’s Stone” so as not to confuse anyone. Apparently, Rowling was not a fan of this change of title and would’ve rejected it had she felt able to do so at the time[15]. The Philosopher’s Stone is actual a real legend from the Middle Ages, being linked to alchemists going back to the 3rd Century. The stone is said to grant eternal life and wisdom, so naturally the hunt for this legendary stone began in the West in medieval times and lasted until around the 17th Century. Nicolas Flamel was a real person, a bookseller and philanthropist born in France in 1330 and gained posthumous fame as an alchemist due to rumours that he had discovered the stone, with a recipe for it apparently found in an ancient book he owned. There was little evidence to suggest Flamel was ever an alchemist though and was just wealthy by his own means, not by any stone, and donated often to charity. Alchemy has been proven to be impossible but the Philosopher’s Stone legend still continues with the most famous reference to it being in Harry Potter and the Philosopher’s Stone[16].

RECEPTION

Due to its popularity from the book series, Harry Potter and the Philosopher’s Stone had potential to be one of the biggest movies of the year. After all that anticipation, Harry Potter and the Philosopher’s Stone was released in November 2021, on 10th November in the UK, and just a few days later on 16th November in the US. It had its premiere in Leicester Square on 4th November 2001.

Harry Potter and the Philosopher’s Stone did exceptionally well at the box-office, raking in just under $975 million during its initial release, topping the worldwide box-office in 2001. Rounding out the Top Five at the 2001 box-office were The Lord of the Rings: The Fellowship of the Rings; Pixar’s Monsters, Inc.; DreamWorks’ Shrek; and Ocean’s Eleven.

In 2020, almost two decades after Harry Potter and the Philosopher’s Stone’s initial release, the movie surpassed $1 billion at the box-office thanks to a new 3D and IMAX release in China. In this year, the movie made more from its re-release than the movie’s entire first stint in Chinese movie theatres back in 2002. It was first released in China in January 2002. This made Harry Potter and the Philosopher’s Stone the second in the movie series to hit this milestone. Harry Potter and the Deathly Hallows – Part 2 made $1.34 billion worldwide during its 2011 release[17].

In terms of reviews, in 2001, they were mostly positive. On the positive side, many liked how faithful the movie adaptation was to the first book. They felt the world that J.K. Rowling had created was just as enchanting and magical on screen as they’d imagined it to be. It was deemed to be just scary enough, without being too cute, and full of adventure. The casting was praised, and the special effects were seen to be pretty good, especially as a mixture of both technological CGI and more practical effects were used. Some said they could already tell Harry Potter and the Philosopher’s Stone was going to be a classic.

Others said that the film was too long, especially for younger children to concentrate fully on. I don’t particularly enjoy watching films that are over two hours long, but I don’t think the Harry Potter films ever drag and aren’t padded out with pointless scenes. Despite many claiming that Harry Potter and the Philosopher’s Stone was faithful to the book, others felt some important moments had been omitted from the film, so some fans of the book were not happy. But there were also comments that perhaps the filmmakers had been too faithful to the book, which just goes to show that sometimes you just can’t win! Harry Potter and the Philosopher’s Stone has now been shown to not even be the best Harry Potter movie in the franchise – although some will always love the first one because it was the first.

Although Harry Potter and the Philosopher’s Stone may not be the most sophisticated movie and doesn’t hit the dramatic heights of some Oscar winning movies, its popularity and innovation meant that it was nominated for numerous awards and won several. The most impressive nominations were at the Academy Awards and the BAFTAs. At the Academy Awards, along with John Williams’ nomination for Best Original Score, Harry Potter and the Philosopher’s Stone was also nominated in the categories of Best Art Direction and Best Costume Design, but lost out to Baz Luhrmann’s Moulin Rouge! (2001) on both occasions, which I can understand; Moulin Rouge! is quite “out there” – in a good way. Harry Potter and the Philosopher’s Stone was nominated for seven awards at the BAFTAs. Robbie Coltrane was nominated for Best Actor in a Supporting Role for his role as Hagrid, although Jim Broadbent actually won the award for his role in Moulin Rouge! It lost in the Best Costume Design category to period drama Gosford Park (2001). In Best Production Design, Harry Potter lost to French film Amélie (2001), and lost again to Moulin Rouge! in the Best Sound category. Best Special Visual Effects went to The Lord of the Rings: The Fellowship of the Ring (2001) and Outstanding British Film went to Gosford Park. It’s a bit of a travesty that Harry Potter and the Philosopher’s Stone didn’t win any BAFTAs after all those nominations, but there was plenty of time for the series to come into its own. 

The movje also lost in the Favorite Movie category at the 2002 Kids’ Choice Awards, though not to The Lord of the Rings: The Fellowship of the Ring; it lost to Rush Hour 2 (2001). But Harry Potter as a book series did win the Favorite Book award here. At the Saturn Awards, Robbie Coltrane, Maggie Smith, and Chris Columbus all lost in their respective categories, and The Lord of the Rings: The Fellowship of the Ring once again won Best Fantasy Film, although Judianna Makovsky did pick up the Best Costumes award here for her work on Harry Potter and the Philosopher’s Stone.

However, Harry Potter and the Philosopher’s Stone did win some other awards, including the award for Best Family Film at the Critics’ Choice Awards. The movie also won a few acting awards for its young actors, alongside various other nominations. For example, Daniel Radcliffe was awarded the Choice Breakout Movie Actor award at the 2002 Teen Choice Awards, where Emma Watson was nominated in the Movie Actress category, and Watson won the Best Performance in a Feature Film: Leading Young Actress award at the Young Artist Awards; she tied with Scarlett Johansson in An American Rhapsody (2001). Tom Felton was also nominated here, for Supporting Young Actor, and Rupert Grint won the Most Promising Young Newcomer award.

LEGACY

2001 might’ve seen Harry Potter and the Philosopher’s Stone being introduced to a whole new audience of non-readers, but by the time of the film’s release, J.K. Rowling had already published the first four books in the series. Harry Potter and the Philosopher’s Stone was first published in the UK in 1997, followed by Harry Potter and the Chamber of Secrets in 1998. Harry Potter and the Prisoner of Azkaban came to be in 1999, and Harry Potter and the Goblet of Fire followed in 2000.

To accompany the fiction book series, J.K. Rowling also wrote two other books, which are mentioned in the original series as being read by Harry and his friends. They were written in 2001 with proceeds going to the Comic Relief charity. These books were the non-fiction book Quidditch Through the Ages, fictionally written by Kennilworthy Whisp, and the fictional textbook Fantastic Beasts and Where to Find Them, accredited to fictitious author Newt Scamander. These books were published in March 2001 to coincide with the BBC’s annual telethon fundraiser event for Comic Relief. 

As with many children’s films at the time, there was a video game made to allow players to follow in their favourite characters’ adventures. The Harry Potter and the Philosopher’s Stone video game was a favourite of mine when I was younger. I actually played it through a couple of years ago and it still holds up! One thing to mention here is that the game actually includes an important character in the book series who did not make it into the final films. This is poltergeist Peeves, who bothers and annoys both the students and staff at Hogwarts. In the game, he pops up at random just to make things difficult, and he is also a character in the newer Harry Potter game Hogwarts Legacy, released in 2023.

The interesting thing to note is that Peeves was meant to be in the film Harry Potter and the Philosopher’s Stone and his scenes were filmed with British comedic actor Rik Mayall, known for such roles as Rick in the comedy series The Young Ones (1982-94) and Richie in the series Bottom (1991-95), both alongside his friend Adrian Edmondson. Devon Murray, who played Seamus, and Matthew Lewis, who played Neville, said Mayall was hilarious on set and kept making all the kids laugh, and they feel that is the reason why Peeves was cut from the film because he was meant to be scary, but nobody was finding Mayall’s portrayal scary[18]. However, it has also been said that he was simply cut for time, but perhaps with the potential release of the three-hour-long directors’ cut, these deleted scenes with Mayall as Peeves may one day come to light[19]. Mayall sadly passed away in 2014, at the age of 56, making the request for his scenes even more wanted by fans.

In 2021, Harry Potter and the Philosopher’s Stone film celebrated its 20th anniversary. With that milestone, two new television projects were developed. One was Harry Potter: Hogwarts Tournament of Houses, a gameshow that saw teams competing in a Harry Potter trivia competition. It was hosted by Dame Helen Mirren and ran for four episodes in November and December 2021. The second television project was the most anticipated and that was a documentary with some of the cast and crew that worked on the Harry Potter movie franchise. It was titled Harry Potter 20th Anniversary: Return to Hogwarts, and it aired on 1st January 2022. The fans loved it. It was nostalgic, interesting, and heartwarming.

Now I come to something that is quite controversial and perhaps shouldn’t be happening if you ask me, but it is still related to Harry Potter and the Philosopher’s Stone so I suppose I have to mention it. Urgh. So, HBO Max announced in April 2023 that they were making a live-action series basically remaking the Harry Potter series, with J.K. Rowling set to executive produce, which led to some calling to boycott the series due to Rowling’s personal views. Each series will be based on one of the seven books. I don’t like the idea of the series just because I don’t like the concept of rebooting and remaking, and I love the original films, but given how much the Harry Potter legacy is worth – an estimated $25 billion – it obviously makes business sense[20].

But I still don’t like it, and had John Lithgow not been confirmed as playing Dumbledore, I had every intention of just trying to ignore it. Now, I’m probably going to have to watch it. Other cast members confirmed for this series include Nick Frost, known for his collaborations with Simon Pegg in comedies like the series Spaced (1999-2001) and “The Cornetto Trilogy” of movies that include Shaun of the Dead (2004) and Hot Fuzz (2007), playing the part of Hagrid; and Paapa Essiedu, who recently starred as George in The Lazarus Project (2022-23) and as Alexander Dumani in Gangs of London (2020-present), as Severus Snape. Warwick Davis is also said to be returning to his role as Professor Flitwick here. Harry, Ron, and Hermione will be played by three relatively unknown child actors. The first series is expected to come to HBO in early 2027. Filming began in London in 2025[21].

FINAL THOUGHTS

Harry Potter and the Philosopher’s Stone was the first outing into the Wizarding World, where those who had read the books could see all the imagined scenarios come to life on the big screen, and those who hadn’t got an introduction into this magical world.

However, this first film only gave the viewers an introduction, a brief glimpse, of what was to come. Sure, Hogwarts is a beautiful castle and being a witch or wizard sounds like a lot of fun, but darkness was coming for Harry and his friends, and Harry Potter and the Philosopher’s Stone was just the start of an epic adventure and an enduring battle between good and evil. We had to prepare ourselves for what was coming next.


REFERENCES

[1] Credit: Variety, ‘Star Wars & Harry Potter Composer John Williams Reveals How He Came Up With Cinemas Biggest Scores’, Variety Official YouTube Channel, 6th March 2024.

[2] Credit: J.K. Rowling, ‘My Story’, JKRowling.com, date unknown.

[3] Credit: Adam Markovitz, ‘Harry Potter: Casting the Spell’, EW.com, 1st July 2011.

[4] Credit: Adrienne Tyler, ‘Why The Harry Potter Books Were Banned’, ScreenRant.com, 14th May 2024.

[5] Credit: Christine DiStasio, ‘‘Sorcerer’s Stone’ Is So Different From the Book’, Bustle.com, 11th July 2014.

[6] Credit: BBC Newsround, ‘Harry Potter: 20th anniversary of the Philosopher’s stone film’, BBC.co.uk, 16th November 2021.

[7] Credit: HBO, Harry Potter 20th Anniversary: Return to Hogwarts (2022).

[8] Credit: Adam Markovitz, ‘Harry Potter: Casting the Spell’, EW.com, 1st July 2011.

[9] Credit: BBC, ‘Harry Potter 20th anniversary: The UK film locations’, BBC.co.uk, 20th November 2021.

[10] Credit: Visit Britain, ‘Visit Harry Potter filming locations’, VisitBritain.com, date unknown.

[11] Credit: Chloe Roden, ‘Discovering England’s Wizarding World: 20 Years of Harry Potter Filming Locations’, FilmingInEngland.co.uk, 16th November 2021.

[12] Credit: Warner Bros., ‘Capturing the Stone: A Conversation with the Filmmakers (2002)’ from Harry Potter and the Philosopher’s Stone (2001) 11-Disc Blu-Ray Set (2011).

[13] Credit: Wizarding World Digital, ‘Harry Potter Filmmakers’ Series, Harry Potter Official YouTube, September-November 2021.

[14] Credit: Warner Bros., ‘Deleted Scenes (2001)’ from Harry Potter and the Philosopher’s Stone (2001) 11-Disc Blu-Ray Set (2011).

[15] Credit: Ariane Sohrabi-Shiraz, ‘Harry Potter fans gobsmacked after learning there are two versions of the Philosopher’s Stone’, Mirror.co.uk, 11th January 2025.

[16] Credit: Discovery, ‘The Philosopher’s Stone: Alchemy’s Greatest Secret’, DiscoveryUK.com, 2nd February 2024.

[17] Credit: Rebecca Rubin, ‘‘Harry Potter and the Sorcerer’s Stone’ Crosses $1 Billion Box Office Milestone After China Rerelease’, Variety.com, 18th August 2020.

[18] Credit: Dusty Baxter-Wright, ‘So THIS is why Rik Mayall’s Peeves was cut from the Harry Potter movies’, Cosmopolitan.com, 7th December 2017.

[19] Credit: Louis Chilton, ‘Harry Potter director backs release of three-hour Philosopher’s Stone cut with Rik Mayall’s character added in’, Independent.co.uk, 2nd January 2022.

[20] Credit: Adrian Horton, ‘Harry Potter TV series announced, with JK Rowling executive-producing’, TheGuardian.com, 12th April 2023.

[21] Credit: Ian Youngs, ‘Bafta-winning stars announced for Harry Potter TV show’, BBC.co.uk, 9th June 2025.