Geek Charming (2011)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

How many high school movies base their whole story around prom, or someone wanting to be Prom Queen? I’ll give you a hint: A LOT.

Disney Channel’s Geek Charming is no different, although instead of wanting to be Prom Queen, the main character wants to be Blossom Queen, seemingly the springtime equivalent. It’s either completely different or exactly the same, depending on how cynical you are. Regardless, we’re supposed to think that being Blossom Queen is super important.

I’m very cynical about prom and that’s probably got something to do with the fact I’m British and prom here is not the same as prom in the US, so this emphasis on how exciting prom is and how crucial it is to be crowned Prom Queen means very little to me. I was also not one of the popular girls at school so I would’ve had little to no chance of being voted Prom Queen even if it had been a thing at my school.

Maybe all this combined is why I didn’t like Geek Charming. The whole story revolves around “Queen Bee” Dylan’s drive to become Blossom Queen but when she invites a “geeky” boy into her social circle, she slowly changes and becomes unpopular. That sounds like a very tame version of Mean Girls (2004), doesn’t it? Perhaps more like Mean Girls 2 (2011), its sequel that was led by Disney Channel stars and lacked all the bite of the original.

That’s how I felt watching Geek Charming. This wasn’t even the first time I’d watched it. I didn’t watch it the year it was released, because I was drifting away from Disney Channel around that time, but I watched it a few years later on Disney Life, that UK and Europe streaming app that turned out to be a precursor to Disney+. I don’t remember liking the film, but I didn’t think I hated it. That just shows how much things can change over the years, because I actually really didn’t like Geek Charming and couldn’t wait for it to be over.

It dragged on and on, taking ages to get to an ending we’d already managed to play out in our heads before it was confirmed on screen. The story was predictable, the characters were not particularly likeable – I didn’t even manage to figure out the names of most of the minor characters – and I didn’t laugh once, not even out of awkwardness or embarrassment, as I have watching plenty of other DCOMs I didn’t like. This movie didn’t make me feel much at all to be perfectly honest. I understand that Geek Charming is not aimed at adults, and I could see it trying to have a deeper meaning to it, by giving Dylan a less shallow side to her, but that wasn’t enough for me to get on board with it.

PLOT

Dylan is a popular teenage girl, who is dreaming of becoming her school’s Blossom Queen, so much so she is literally daydreaming about that moment of winning the crown when we first meet her.

We then find that Dylan is at school, being asked if she would like to sign up to run for Blossom Queen. She most definitely does and adds her name to the list. Dylan and her two friends, Hannah and Lola, head to the lunchroom where they survey the area, although they know exactly where they’ll be sitting: up on a ramp with all the other populars, so they can literally feel mightier than the lowly crowd below them. Dylan spots her closest competition for Blossom Queen – Nicole, a cheerleader – on her way to her table.

But as Dylan and her friends discuss this, some “geek” spills his lunch all over Dylan – how dare he! Dylan proceeds to scream at him in front of everyone, with this “geek”, Josh, struggling to defend himself. The movie cuts to show Josh and Dylan talking about how they reacted to this incident. These little cuts happen quite frequently; it’ll all make sense at the end. We then see what really happened. Josh was walking behind Dylan and her friends with his lunch tray when Dylan sprayed her perfume all around herself, with some getting into Josh’s eyes, causing him to bump in to them, so it was all an accident. Dylan storms off to her table.

Josh meets up with his three friends, who are all part of Film Club, and Josh is their president. Josh starts to wonder about the world of the populars, but is quickly distracted by his crush, cool girl Amy, walking past. His friends tell him Amy is way out of Josh’s league. Josh basically agrees with this and turns the conversation to a film competition Josh wants to enter so he can win a spot at Hollywood Film Camp. Josh goes to his teacher, Mr. F, with his initial idea: to make a documentary on robot voices. Mr. F doesn’t think this is challenging enough and thinks Josh should do a documentary on something human.

Later that day, Dylan is with her dad, a real estate owner, at the mall where he is talking about a potential new store. Dylan waits for a gap in the conversation to ask if she can have some help with marketing for her Blossom Queen campaign. Her father refuses to do this and rushes off to a meeting. Dylan talks to her friends instead, but soon drops her very expensive handbag in the mall fountain. Dylan cries for security to turn off the fountain and retrieve it, but nobody cares enough to listen. You know, First World problems and all that. Luckily, Josh was working at a phone store nearby and hears the commotion. Josh comes to the rescue by striding into the fountain and returning Dylan’s bag to her. Dylan takes it and walks away without even a “thank you”, leading Josh to go after her. Josh snatches “Mr. Sanchez” back – yes, Dylan names her bags – and asks for a favour instead. He pitches the idea of Dylan starring in his documentary film which will be all about popularity. Dylan decides that if this film is good, it’ll be even better publicity for her Blossom Queen campaign than anything Nicole cab come up with, so she agrees – with some strict rules, for example, Josh can only be around her during filming times. Nice.

At home, we learn that, although Dylan lives in a big, fancy house, her life is very lonely. It’s even worse today because their housekeeper, Marta, is out at the dentist. Dylan throws her soaked handbag into the dryer and eats her dinner alone, before going to her room. In her room, she looks at a photo of herself and Amy. It turns out those two used to be best friends before high school. It’s also revealed that Dylan’s mum has died, as we see Dylan look over some of her old things, including a dress. In contrast, Josh comes home to a loving dog and a doting mother, who might have some wacky culinary skills but is there for him nonetheless. Josh tells his mother about his new documentary and how the subject will be popular girl Dylan. She is excited for him. Mr. F also approves the idea so it goes ahead.

The next day at school, Josh sits with Dylan and her friends at lunch, up on that ramp, though his way to the table is almost blocked by jocks who don’t understand why a geek would be sitting in their sacred area. Josh begins filming. Dylan tells the camera that being popular is not easy, and that she has a lot of things she has to keep up with, like making sure she’s looking pretty and fashionable at all times, as well as doing “charity work”, which, for Dylan, involves helping tragic “fashion victims”. Dylan introduces her boyfriend, Asher, who is a volleyball player. Dylan adores Asher, but he doesn’t seem all that in to her…

After school, Josh continues filming Dylan as she goes shopping, which is crucial to helping the country’s economy, of course! Dylan trashes cheerleader Nicole on camera too, saying how she is only “cheerleader popular”, whatever that means. She later trashes her friends, Lola and Hannah, saying that her popularity is contagious and that is why they hang out with her, in the hope that some of that popularity will rub off on them. When Dylan goes into the changing rooms, Josh takes the opportunity to talk to Lola and Hannah about Dylan. They tell Josh that Asher only likes Dylan because she worships him and that Dylan is a total drama queen. I’m pretty sure Josh had already worked that one out for himself! As they leave the store and head to a diner, Dylan is asked what her life goals are. She says becoming Blossom Queen is her only goal because if she doesn’t achieve that, then her life is over. She also talks about how people have to stay in their correct social circles and cannot mix outside of them, otherwise terrible misunderstandings could happen, like how Josh might think that he can ask Dylan out just because he is hanging out with her, leading to potential embarrassment for him. Wow.

Josh reviews his footage that evening and tells his mum how he is struggling to get anything deeper from Dylan, believing her to just be as shallow as she appears. Josh’s mum tells him that probably isn’t the case and the only way to get Dylan to reveal her true self is to dig deeper, like all good filmmakers do.

The next day, Josh is invited to film Dylan at a beach party. Josh brings along his Film Club friends, Steven and Ari, to help with the documentary, by shooting some “B-roll”. Josh sees Amy litter-picking around the beach and stars to talk to her, but Dylan sees the attention is not being focused on her and throws a ball at Josh, telling him to return to her so they can get back to the documentary. Dylan talks about Amy with Josh, saying how she isn’t popular enough for Dylan to hang out with anymore. Asher’s volleyball team, although losing initially causing Asher to be rude and moody with Dylan, end up winning their match and announce they are going out to get pizza, despite the fact Dylan has already booked for everyone to go to a sushi restaurant. Nobody wants sushi so they all leave to get pizza.

As Dylan heads back to her car, she sees it is being towed for unpaid driving tickets. Josh says he’ll give her a ride home. Dylan doesn’t want to get into his old, rundown car but has little choice, however, as they try to leave, Josh finds his car battery is dead and they’ll need to walk to a gas station. Josh tells Dylan she’s welcome to wait in the car but she doesn’t want to be seen by anyone in his car, so she walks with Josh. On the way though, Dylan hurts her ankle and makes Josh carry her. They then get into an argument as Josh calls Dylan a diva. Josh quits the documentary, as does Dylan.

Josh talks to his teacher back at school, wanting to change his documentary subject but he is told it is too late to change subject. Also at school, Dylan is canvassing for votes to be Blossom Queen but her speech is interrupted by Nicole who starts doing cheers and handing out free cupcakes. This seems to work as girls who Dylan was sure would vote for her now seem to be planning on voting for Nicole. Dylan realises she needs Josh’s documentary or she has no chance of winning. Dylan finds a leaflet for a Film Night in the bag of one of Josh’s friends, Caitlin. She decides to go there and apologise to Josh.

At the movie, Dylan surprises Josh by making an appearance. She pretends to like science-fiction films and shocks Josh and his friends by actually liking the movie they watched and even has some smart comments about it. Dylan is about to catch the bus home, since she still doesn’t have her car, but Josh says he can drive her home. They talk about restarting filming on the documentary since they both need each other. Josh agrees as long as Dylan stops acting like a diva.

Josh is invited into Dylan’s house and he learns that Dylan’s mum died and the real reason Dylan wants to be Blossom Queen so badly is because her mum was one too. Josh says his dad lives in San Diego so he kind of understands what it’s like to not have a parent around. Dylan decides to show Josh how to make the best ice-cream sundae and they mess around making those. Talk soon turns to each other’s love lives, with both of them disapproving of the others choices. Dylan changes the subject by saying she thinks Josh needs a makeover. He agrees to her plan. They go out shopping and to the salon, and turn Josh into a cooler version of himself. Josh takes Dylan to his house for dinner where his mother believes the two of them are dating. Dylan says they are not, although she thinks Josh is a good guy, but she has a boyfriend.

Dylan walks to school with Josh the next day so he can debut his new look. The girls all seem to love it, although Josh’s friends don’t like who is becoming. He continues to ditch his friends to eat lunch with Dylan and the populars, creating a divide between them. Dylan spending so much time with Josh is irritating her friends and Asher too. Dylan convinces Josh to ask Amy out on a date, proving that Dylan does not have a crush on Josh, nor does he on her, like everyone thinks. Amy agrees to a date on Saturday.

At work that day, Josh meets Dylan’s father who invites him to dinner at their house as he also believes the two of them are dating. Dylan comes home to find her father watching sci-fi films and eating junk food with Josh. They again reiterate that they are not together. Dylan’s dad is a bit disappointed as he likes Josh much better than Asher, and Dylan is much more herself around Josh as is proven by her competing in a burping contest with both of them, something Josh caught on camera, along with other silly antics. A rough cut of Josh’s documentary is needed soon but is progressing well.

On Saturday, Josh tries to figure out where to take Amy but it turns out they don’t have much in common. Josh takes her to Asher’s party, where Dylan suggested they went. At the party, Amy tries to get Josh to dance with her but he seems more interested in spending time with Dylan so she tells him to talk to her. Dylan, meanwhile, is upset after Nicole calls her a loser, believing she’ll lose out on Blossom Queen. Josh finds Dylan sat alone and they talk about Amy. It turns out Dylan ditched Amy when they were younger, believing Dylan would forever be in Amy’s shadow. Dylan then tells Josh he needs to flirt with Amy, and starts to show him how to do that. Who should come in and see them both sat so close together but Asher and Amy. Dylan rushes after Asher, and Josh leaves with Amy. He asks her to the dance but Amy says no, since it’s quite clear he likes Dylan.

The next day, Dylan oversleeps and loses a contact lens. She decides to try her luck at school without wearing her glasses, because they’re so uncool, but when she gets a note from Asher, she puts her glasses on to read it, shocking her friends. It’s a note breaking up with her. Asher tells Dylan she’s changed and should just go to the dance with Josh. Dylan tries to talk to Josh at lunch but he has a strict film deadline to meet so he says he can’t spend time with her right now. Josh goes back to sitting with his friends who tell him that they voted in Caitlin as Film Club President because Josh hadn’t had time for them. Dylan also learns she has lost her seat at the cool table. To make things worse, Dylan sees Lola and Hannah shopping for the dance without her after school. They tell her they didn’t invite her because she’s always with Josh. Dylan goes home and has a quiet dinner with her father and his girlfriend. She believes that Josh’s film will be worth all this.

At the Film Festival, the whole school, including Dylan, is there to watch Josh’s movie, titled “The Popularity Project”. Dylan starts watching and is horrified to learn that Josh has made her look like a mean, bitchy bimbo and everyone is laughing at her. Dylan walks out before the movie ends. Josh goes after her but Dylan is too annoyed at him to listen. She hates her old self and all he has done is embarrass her in front of everyone.

Amy, who did watch the whole film, goes to Dylan’s house the next day with a DVD of the film. She tells Dylan to watch it all, to understand what Josh was trying to do. It turns out everyone loved seeing the vulnerable, smart, goofy side of Dylan. Dylan apologises to Amy for ignoring her for all these years. Amy says she understands and that even though Dylan stopped being her friend, Amy didn’t stop being hers.

At Spring Formal, Dylan shows up wearing her mother’s dress. All her old friends, like Hannah, Lola, and Asher, who dropped her so quickly just a couple of days ago, are now desperate to be her friend again after Josh’s documentary turned out to be a hit. Blossom Queen is soon announced and Dylan has won it. She makes a speech talking about how it’s better to be yourself and not to change to please others. Dylan appreciates having true friends, like Amy and Josh now. Dylan then finds Josh and apologises to him for what she said about his movie. She actually really liked it and appreciated it. The two kiss and dance together, becoming an official couple.

The end of the movie shows Dylan and Josh talking to the camera, saying how that was the story of how the “princess” and the “film geek” met. So, now all the weird reaction cuts make sense; this whole film was meant to be a documentary. Josh and Dylan apologise for the names they called each other, and the two walk off together.

CHARACTERS & CAST

Dylan initially comes across as a snobby, entitlement little rich girl at the start of Geek Charming. All she cares about is being popular and pretty, so that she can become Blossom Queen at her school’s Spring Formal. She has her two sidekicks, Lola and Hannah, and her jock boyfriend Asher to complete the cliché. Dylan is completely self-centred and quite bitchy to those she feels are lesser than her – which is pretty much everyone, even her two friends. Gradually, we learn that this is just a façade that Dylan has put on because she never felt her actual self would get anywhere in life. Dylan is actually intelligent, thoughtful, and has her geeky moments, like everyone. She also lost her mother at a young age, and the only reason she wants to be Blossom Queen is because it’ll make her feel closer to her. I wish she had a different way of feeling closer to her mother which wasn’t about winning a popularity contest, like trying to get into the same college as her mum or something; that might’ve made me feel some empathy towards Dylan. The message of the movie just doesn’t work with this goal, because Dylan figured out that having true friends is better than being popular by winning a contest that’s all about who is the most popular! It would have been better for Dylan not to win Blossom Queen, so she could learn you don’t always get what you want. Although Dylan as a character has grown by the end of the movie, I still find her difficult to understand and like.  

Sarah Hyland was cast as Dylan. She is most known for her role as Haley Dunphy in the ABC sitcom Modern Family (2009-20). She has also had roles in romantic comedy films, like playing Ava in Date and Switch (2014); Mara in The Wedding Year (2019); and Kelly in My Fake Boyfriend (2022), which also starred Disney Channel alum Dylan Sprouse. More recently, Hyland appeared as Heidi in Peacock’s Pitch Perfect: Bumper in Berlin (2022), a spin-off to the film series, and is currently starring as Daisy Buchanan in The Great Gatsby on Broadway, alongside Ryan McCartan from Disney Channel’s Liv and Maddie (2013-17).

Then we have “geek” Josh. Josh’s first encounter with Dylan in this movie is when he spills his lunch over her. It isn’t actually his fault; it is Dylan’s erratic perfume spraying that caused it, but Dylan certainly makes him suffer, by screaming at him in the middle of the cafeteria. Josh doesn’t care though. He doesn’t even like Dylan. He has his Film Club friends and his crush on Amy. Josh is only focused on making his documentary, so he can achieve his dream of making movies on Hollywood. Josh later manages to convince Dylan to show her true self, which helps her self-confidence and proves to be more likeable than her diva routine, but his documentary could be seen as being a bit exploitative and mean-spirited, especially as he films Dylan burping, which doesn’t seem like something most girls would want broadcast to the world, or worse, their whole school.

Josh was played by Matt Prokop. He guest starred in some episodes of Disney Channel series, such as Hannah Montana (2006-11) and Good Luck Charlie (2010-14), but is best known for his role as Jimmie “Rocket Man” Zara in High School Musical 3: Senior Year (2008).

Dylan’s “friends” are Hannah and Lola, who, according to Dylan, hang out with her in the hopes that they might become popular. It’s quite clear Hannah and Lola don’t like Dylan, as they talk about her behind her back to Josh and his camera. Dylan orders them about all the time, so I don’t really blame them, but if they had some self-respect and didn’t care about being popular, then they would’ve ditched her, so it’s kind of their own fault. They also aren’t nice people either since they do ditch Dylan, but only after they’ve decided she’s “uncool” for spending so much time with Josh.  Hannah and Lola then try to suck up to Dylan once again at the Spring Formal as they discover that Dylan is popular once again – only to find that Dylan doesn’t want their fake friendship anymore. That’s karma for you.

Hannah was played by Vanessa Morgan, who was cast in the role of Marion in the Disney Channel-affiliated movie Harriet the Spy: Blog Wars (2010). She had previously appeared in the teen sitcom The Latest Buzz (2007-10) as Amanda Pierce, going on to star as Sarah in the 2010 movie My Babysitter’s a Vampire, and its subsequent series, which ran from 2011 to 2012. More recently, Morgan was cast in the role of Toni Topaz in Riverdale (2017-23) and stars as Max Mitchell in the Canadian series Wild Cards (2024-present). Lola was played by Lili Simmons, who went on to appear as Rebecca Bowman in the action series Banshee (2013-16), and Lila Stanton in the horror series The Purge (2018-19). More recently, she starred as Claudia Flynn in the Starz series Power Book IV: Force (2022-25).

For Josh’s friends, there are three in his Film Club: Ari, Steven, and Caitlin. We don’t get to see too much of Josh’s friends in the film and they aren’t overly important to the story, apart from them being annoyed at how much time Josh is spending with Dylan instead of them. Caitlin was probably the more interesting of the characters, since she had a crush on Josh, but this was resolved quickly at the end of the film with Caitlin choosing to dance with Steven, the more “uncool” of the three, who is a bit clumsy and acts and speaks without thinking first. Ari is the more serious one of the group, and is very focused.

Kacey Rohl was cast as Caitlin. Rohl went on to appear in the recurring roles of Abigail Hobbs in Hannibal (2013-15) and Marina Andrieski in the Syfy series The Magicians (2015-20). She was also cast as Alena Whitlock in Arrow (2012-20) from Season 5 to Season 7. Steven was played by Jimmy Bellinger, who later appeared in the recurring roles of Edwin in the ABC sitcom The Middle (2009-18), and Artie Smalls in Disney Channel’s Liv and Maddie (2013-17). Recently, he was cast as Mason in Not Dead Yet (2023-24). Ari was played by David Del Rio, who was cast as Manny in A California Christmas (2020) and its 2021 sequel A California Christmas: City Lights for Netflix. He currently stars as Billy Martinez in Matlock (2024-present).

Josh’s crush, Amy, is a former best friend of Dylan’s. Amy is a musician in a band, and is kind to everyone. She doesn’t seem to believe in labels or popularity, talking to anyone who wants to talk to her, including Josh. Though Dylan does help Josh pluck up the courage to ask Amy on a date after giving him a makeover, I don’t think the makeover had anything to do with Amy saying yes to this date; she probably would’ve said yes anyway because she seems to like talking to Josh. Amy later proves to be a good friend to Dylan when she explains how Josh’s documentary hasn’t ruined Dylan’s life. Dylan showed no kindness to Amy for years, and yet, Amy decided she should continue to be a friend to her.

Amy was played by Sasha Pieterse, who was best known for her role as Alison DiLaurentis in Pretty Little Liars (2010-17) at the time of Geek Charming’s release. Pieterse reprised her role in the short-lived spin-off Pretty Little Liars: The Perfectionists (2019). Prior to Geek Charming, she appeared in the recurring role of Amanda Strazzulla in Season 4 of Heroes (2006-10). In recent years, she was cast in the dual role of Anna and Zoe in the thriller film The Image of You (2024).

Finally, let’s talk about the mean characters in Geek Charming. One of these is Asher, Dylan’s boyfriend, then ex, who was never much of a boyfriend to Dylan, only taking her praise and affection and never giving any in return. Dylan is shocked when Asher breaks up with her for spending time with Josh, but it was for the best. Asher is a complete jerk. Jordan Nichols was cast in this role, having previously guest starred in a few episodes of the Disney Channel series Shake It Up (2010-13) and Good Luck Charlie (2010-14). He also appeared in a few episodes of Supah Ninjas (2011-13) for Nickelodeon.

The other mean character to mention is Nicole, a cheerleader and Dylan’s toughest competition for Blossom Queen. She clearly despises Dylan, calling her a loser at Asher’s party and interrupts Dylan’s campaign trail with her free cupcakes, essentially buying votes, but hey, all’s fair in love and high school popularity contests! She also later goes out with Asher after he dumps Dylan. Nicole was played by Andrea Brooks, who went on to be cast as Eve Teschmacher in the superhero series Supergirl (2015-21). Brooks is currently playing Faith Carter in the drama series When Calls the Heart (2014-present).

MUSIC

Geek Charming’s soundtrack features a mix of music styles.

During the montage of Dylan making over Josh, the song “Hey, Princess” performed by Allstar Weekend is played. It’s an upbeat song that is relatively catchy. The song was written by Zachary Porter, Nathan Darmody, Sam Hollander, and Dave Katz and was originally released as part of Allstar Weekend’s debut extended play Suddenly in 2010.

After Dylan gives her speech as Blossom Queen, the song playing is “Words” by indie rock band Doves. This song then plays throughout the ending of the film, all the way to the End Credits. It is a pleasant piece of music to wrap up the movie. “Words” was part of the Doves’ album The Last Broadcast, released in 2002. The song was written by band members Jimi Goodwin, Andy Williams, and Jez Williams.

There are some excerpts of classical music that appear in Geek Charming too. One is “The William Tell Overture”, composed by Rossini, which is used for the life-or-death situation where Dylan’s handbag has fallen into the mall fountain and Josh gallantly wades in to the water to retrieve it for her. I’m assuming this music was used as a contrast between the expressiveness of the music, and the comical rescue of the purse.

Another use of classical music is “Ride of the Valkyries” by Richard Wagner, which is used as the soundtrack for the in-movie film that precedes Josh’s at the Film Competition. The movie is about a vicious hamster so I guess that music works with that idea!  

Those are the most obvious songs within the film, but there are a few others, used mostly for background noise. One that I managed to work out was the song “Come On Now” by Miss Anami, which is the second song heard at Asher’s party. But despite having audible lyrics, I’ve been unable to figure out what is the first song playing, when Amy and Josh first arrive. This was a similar problem I had to the song that is playing when Dylan is home alone early on in the film, and the first song at Spring Formal. None of these songs are credited in the End Credits of the movie. Online, some sites claim to have found songs matching these scenes, however, I don’t believe they do match.

Nathan Wang is credited as the composer for the score of Geek Charming. Wang composed the music for other DCOMs including Hatching Pete (2009); Wendy Wu: Homecoming Warrior (2006); and Christmas…Again? (2021), amongst many other non-Disney projects.

PRODUCTION

Geek Charming is another case of a Disney Channel Original Movie being based on a book.

This book is the young adult novel Geek Charming by Robin Palmer, published in 2009. I have not read the book and there isn’t a huge amount of information online comparing the movie and the book’s plot and story; however, it would appear that one major change is that the book appears to be set in Los Angeles, however, the DCOM is supposedly set in Seattle, Washington. The school’s name is different as well, changing from the novel’s Castle Heights High, to Woodlands Academy[1].

Although Geek Charming the film is said to be set in Washington, it was actually filmed in Vancouver, Canada, as so many productions seem to be, especially Disney ones. Some specific filming locations include a house on Celtic Avenue in Southland, Vancouver, used as Dylan’s house, and Aberdeen Centre in Richmond, Vancouver being the location of the mall with that fountain that Dylan’s poor designer handbag ended up. The beach scene was filmed at Kitsilano Beach in Vancouver.

Another story change is that the character of Amy was quite different between the novel and the film. In the book, Amy and Dylan apparently stopped being friends as Amy started dating a boy that Dylan had a crush on. Amy does still prove herself to be a good friend to Dylan by helping her deal with the fallout from Josh’s documentary, but instead of Amy accepting that Dylan and Josh should be together, Amy goes to the dance with Josh and those two are dating by the end of the book[2].

Apparently, Robin Palmer, author of Geek Charming, wanted nothing to do with the production of Disney Channel’s Geek Charming and didn’t even read the script. Of course, Palmer was still credited in the Opening Credits though.

Elizabeth Hackett and Hilary Galanoy adapted Palmer’s novel for the screen. The two continued to collaborate on the screenplays for other movies after Geek Charming, including the Netflix movies La Dolce Villa (2025) and Falling Inn Love (2019).

Jeffrey Hornaday directed Geek Charming. Hornaday is both a director and choreographer. His choreography credits include the Disney Parks attraction Captain EO, a 3D short film which starred Michael Jackson; the 1983 movie Flashdance; and the 1985 film adaptation of the musical A Chorus Line. After Geek Charming, Hornaday directed both Teen Beach Movie (2013) and Teen Beach 2 (2015) for Disney Channel, as well as being on hand as the movies’ choreographer.

Hornaday was nominated at the Directors Guild of America Awards for Outstanding Directing – Children’s Program for Geek Charming. He lost out to Amy Schatz who directed HBO’s A Child’s Garden of Poetry. The directors of both Lemonade Mouth and Sharpay’s Fabulous Adventure, two 2011 Disney Channel movies, were also nominated in this category.

RECEPTION

Geek Charming premiered on Disney Channel in the US on 11th November 2011.

The DCOM’s premiere was preceded by something called “Geek Chic Week”, which was a Disney Channel event, going from Monday 7th November up to Geek Charming’s premiere on 11th November. The event focused on showing movies and episodes of series celebrating “geeks”, such as episodes of Phineas and Ferb (2007-15), and movies like Lemonade Mouth (2011) and Princess Protection Program (2009). Behind-the-scenes clips of Geek Charming were also shown during this week[3]. I’m not sure how much I agree that their choice of programming was really focused on “geeks”.

On its premiere, Geek Charming apparently achieved viewership of 4.9 million viewers. In 2011, Disney Channel released six DCOMs, with Geek Charming being their second-to-last one of the year. Its viewing figures matched that of Sharpay’s Fabulous Adventure, the High School Musical spin-off movie, however, 4.9 million was actually the lowest viewership for Disney Channel movies that year, although not by much, and this was an average figure for Disney Channel at the time, before their numbers would drop off in the late 2010s. Disney Channel’s highest figure of 2011 for a movie was 7.6 million, achieved by Phineas and Ferb the Movie: Across the 2nd Dimension.

In terms of reviews, as is pretty typical for Disney Channel movies, Geek Charming received some highly positive reviews and some more negative ones.

On the positive side, Geek Charming was seen to be a fun, cute movie, perfect for its target age range of kids and tweens. These comments also stated that it had some heartfelt moments, some laughs, and a positive message of being yourself and not caring about being popular. Its two leads were generally considered to have done a good job with the material they were given. Having a star of Modern Family and a star of Pretty Little Liars also helped to bring in the target audience.

However, Geek Charming did not avoid the general negativity that these television movies tend to receive, about being cheesy and cringey. Alongside this though, the story was criticised for being unoriginal, shallow, and clichéd, which I would have to agree with. I feel like the whole “wanting to be Prom Queen” dream has been done to death in teen movies, and even with the attempt to make this dream seem less shallow, by having Dylan want to become Blossom Queen because her mother was, it didn’t work for me. 

LEGACY

Although at the end of Geek Charming, Josh says that him and Dylan should think about doing a sequel, there was never a sequel to Geek Charming. Dylan didn’t want to do one anyway, stating that sequels are never as good as the original, which isn’t always true, but I see her point. Not many non-musical Disney Channel movies get sequels, so really, it was not a surprise that the Geek Charming story ended here.

Something that is a bit surprising is that neither of the two leads, Sarah Hyland or Matt Prokop, became big Disney Channel stars, not going on to appear in multiple DCOMs or in series after Geek Charming premiered. This doesn’t always happen with the leads of DCOMs but for the most part, it would. Hyland did, however, become a major name thanks to her role in the ABC sitcom Modern Family, with ABC being a Disney-owned channel.

Prokop, on the other hand, has not acted since 2014, and there is a reason for this. Hyland and Prokop were in a relationship when they were making Geek Charming, reportedly being together from 2009. In September 2014, it came to light that Hyland had gone to court to secure a restraining order against boyfriend Prokop for abusive behaviour. Prokop had apparently attended rehab prior to the restraining order being granted[4].

I’m not about to go into details about what was alleged to have happened as that is a private matter and not relevant to this movie review; this isn’t a gossip column after all. The only reason I have chosen to mention this is because I read so many comments online when looking for an overview of opinions on Geek Charming that mentioned this incident. These comments were from people who said they used to love the movie, but now they know about the alleged abuse, they cannot like Geek Charming anymore, signalling that the two will forever be linked.

FINAL THOUGHTS

Much like any other Disney Channel Original Movie, Geek Charming has its die-hard fans; others who thought it was just alright; and those who hate it. I will say that on the whole though, I did read more positive than negative comments about the film itself.

Disney Channel movies are looked back on with a feeling of nostalgia. They help us remember simpler, happier times in our lives, since these memories and feelings can be tightly linked with whatever we watched at the time.

Sadly, we also have to remember that the people we see in these movies are actually real people who perhaps did not enjoy the DCOM or series they were in, or who did at the time but now cannot look back on it fondly, for whatever reason.

It just goes to show that Disney Channel, although wanting to help you navigate life, cannot shield you, its viewers, or even its young stars, from the troubles of this world forever.


REFERENCES

[1] Credit: Goodreads, ‘Geek Charming’, Goodreads.com, date unknown.

[2] Credit: Author Unknown, ‘Amy Loubalu’, GeekCharming.Fandom.com, date unknown.

[3] Credit: Pinch Raccoon and Milady Lover, ‘Disney Channel Geek Chic Week Promo (November 2011) (4:3)’, Pinch Raccoon and Milady Lover 2002 YouTube Channel, 15th March 2025.

[4] Credit: Esther Kang, ‘Julie Bowen Recalls Supporting Modern Family daughter Sarah Hyland During Previous Allegedly Abusive Relationship’, People.com, 4th June 2024.

Thumbelina (1994)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

Around the 1990s, it seemed that every movie that was animated had to be from Disney, just because Disney Animation had really taken the world by storm in this decade, after struggling for years on end after the death of Walt Disney.

It is actually not the case that every animated movie is from Disney, even if they are based on a fairy tale and are musicals, like Thumbelina.

I am fully aware that Thumbelina is currently on Disney+, so how can it not be a Disney movie? Well, that’s because technically Disney do own the film, BUT they had nothing to do with its production. Thumbelina was part of 20th Century Fox’s catalogue at the time that Disney acquired it, so that is why it is on Disney+.

Anyway, for years, I’ve heard people claiming that things like Anastasia (1997) and Thumbelina are Disney movies. I try to just roll my eyes and ignore it, but I find it really irritating that people don’t want to do their research. And that’s where I come in.

Thumbelina was in fact created by Don Bluth and his animation studio. Bluth was a Disney animator back in the 1970s, but he subsequently left and made a variety of movies, some being remembered fondly and others less so. Thumbelina is in the “less so” group.

But I’ve always loved Thumbelina. I didn’t watch it at the cinema, and only remember viewing it on a VHS where we must’ve recorded it off the TV, probably from Channel 5. I remember Thumbelina sort of creeped me out a bit as a child as Thumbelina is continuously kidnapped and stalked by weird creatures, and yet, I still liked it. There’s also another reason I shouldn’t like Thumbelina. Not because Thumbelina isn’t a “progressive female lead” or because the story “drags” – those are other people’s problems. No, mine is because of the animation style.

I’m overly sensitive to colours and patterns, to the point that I have been known to avoid sitting on certain furniture if I don’t like the look of it. Weird, I know. It’s a good thing I didn’t grow up in the 70s! I don’t watch Pinocchio (1940) because the colours and illustration style just don’t work for me, plus, all the other weird stuff in that film that makes me not enjoy the story. Thumbelina has a similar illustrative look, i.e., a more traditional storybook style, and lacks the general vibrancy and light that makes me enjoy Disney animated films.

And yet, I still like it. I don’t really know why, I just know I really like this film.

PLOT

The opening of Thumbelina starts with a scene showing a windmill by a lake, before we zoom through the streets of Paris, seeing sights like Notre Dame Cathedral, as we follow a swallow to its home inside the cathedral. This swallow is called Jacquimo, and he claims to be a “swallow extraordinaire” and lover of beautiful things. He constantly talks about following your heart and saying how nothing is impossible. Inside his home, he has multiple books, all love stories about impossible problems, like Samson and Delilah, and Romeo and Juliet. Yes, such romantic stories with lovely happy endings… Anyway, Jacquimo actually wants to talk about the story of Thumbelina and as the storybook opens, he tells us the beginning of the story.

Once upon a time, there was a lonely woman who was desperate to have a child. She went to a good witch who gave the woman a tiny barley corn. The good witch told the woman to plant it. The woman did as she was told and after some time, a flower blooms from it. As the petals open up, they reveal a tiny girl – who is about sixteen-years-old though – who is the size of a thumb. Because of this, the woman names her Thumbelina.

However, Thumbelina soon learns that this world isn’t so great for someone of her height, finding herself smaller than all the farm animals that her “mother” owns, and almost ending up baked inside a pie. That night, her mother tries to tell her a story about a noble dog, obviously after her own pet, Hero, but Thumbelina asks her to stop, instead wanting to hear a story about someone small like her. Her mother shows Thumbelina a story about fairies who are a similar size. When Thumbelina asks if fairies are real, her mother’s response is unconvincing, leading Thumbelina to feel sad that she’ll never find where she belongs, and will never find love. Thumbelina wants nothing more than “to be big”, but her mother tells her not to wish to be anything more or less than she already is.

As Thumbelina is taken to bed, where she sleeps inside a walnut – random – she asks to be placed by the open storybook so she can look at pictures of the fairies whilst she goes to sleep. Her mother places her by the window with the book, and asks her dog to protect her overnight. Thumbelina wishes for fairies to be real, and pretends to have a conversation with one of the pictures. Suddenly, the page is cut open by someone with a sword. Terrified, Thumbelina goes to hide in a teapot. The intruder apologises for scaring her and tries to convince her to come out of her hiding place. Thumbelina does so and finds that the intruder is an actual, real-life fairy! Thumbelina is overjoyed to find someone as small as her, but Hero is woken by this conversation and starts to bark at the fairy. Thumbelina quickly begins formal introductions to show Hero the fairy is a friend. The fairy introduces himself as Cornelius, which Thumbelina finds to be a hilarious name. Yeah, because Thumbelina is such a normal name! Thumbelina starts to ask if he knows about a Fairy Prince. Cornelius says there is one and he’s very handsome. The two are interrupted by the buzzing of a bumblebee on the windowsill. That is Buzzbee, Cornelius’ bee that he rides around on. Cornelius asks Thumbelina if she wants to go for a ride and they fly off together.

On returning to Thumbelina’s home, Cornelius is about to kiss Thumbelina when he hears his name being called. He says his parents, the King and Queen of the Fairies, are calling him, because he missed the “golding of the leaves” that evening, when summer turns to autumn. Thumbelina learns that this must mean Cornelius is the Fairy Prince that he was talking about. Cornelius says that is true and asks whether he could come back tomorrow, to take her to meet his parents. Thumbelina would love to see him again, and Thumbelina gives him a necklace of forget-me-nots, so he never forgets her, and Cornelius puts a ring on Thumbelina’s finger. Wow, engaged after just an hour or two together. Interesting. Very fairy tale… Cornelius returns to the Fairy Court. However, as Thumbelina sleeps, she is kidnapped by a toad, who came in through the open window, just like Cornelius. Rookie error. Keep your doors and windows locked, people! Despite Hero the dog’s attempts to retrieve Thumbelina, her and the walnut are gone, as the toad floats them down the river.

Thumbelina wakes up the next morning, presumably after fainting from terror, to find herself on a boat. The toad who took her away, Mrs. Toad, tells Thumbelina that she lives on this boat with her three sons and that they are a very rich and famous singing group. Mrs. Toad heard Thumbelina singing with Cornelius last night and wants her to join their group, touring the world together. Thumbelina says she’s going to marry the Fairy Prince, but Mrs. Toad says that would be a big mistake and a waste of her life. Thumbelina is almost convinced to join them, until Mrs. Toad’s eldest son, Grundel, who also saw Thumbelina last night and became instantly infatuated with her, says he wants to marry Thumbelina. Mrs. Toad breaks the news to Thumbelina, who refuses, but Mrs. Toad won’t take “no” for an answer and leaves Thumbelina on a lily pad whilst they prepare for the wedding.

Since Thumbelina can’t swim, she is trapped on this lily pad. Until Jacquimo arrives. He hears about Thumbelina’s problems but is excited to hear she’s engaged to the Fairy Prince and helps her, by cutting the stem of the lily pad, so it starts to float. However, the lily pad starts floating to a huge waterfall. Thumbelina and Jacquimo panic as they try to stop Thumbelina from falling to certain death, but Thumbelina faints – again – and Jacquimo almost drowns himself. Instead, two fish and a group of bugs manage to rescue them both and get them to solid ground. Thumbelina wakes up, surrounded by bugs, who ask her if it’s true that she’s going to marry the Fairy Prince. She says she hopes it’s true but she needs to get home so she can see him again. Thumbelina thinks it’s impossible but Jacquimo tells her nothing is impossible, giving Thumbelina some motivation to get herself home. Three little bugs join her on the journey and Jacquimo tells Thumbelina he will find the Vale of the Fairies, as this is where Cornelius lives.

Cornelius is already at Thumbelina’s house though, and finds the room an absolute mess. Shocked, he asks Hero what happened. Hero manages to act out the incident, leading Cornelius to learn a toad took Thumbelina. He says he will find her. Cornelius then goes to his parents to ask them to delay the winter frost to give him time to search for her. The King and Queen tell him they cannot delay it for more than a day, and fear for their son’s safety. At the same time, Grundel is being teased by his toad brothers about how Thumbelina disappeared. He tells them he will marry Thumbelina and goes off to find her.

Thumbelina and her little insect friends start walking but they are soon stopped by a beetle who flies down and blocks their way. The little bugs run off scared. The beetle introduces himself as Berkeley Beetle. He heard Thumbelina singing, and insists she doesn’t talk and only sings to him. Thumbelina asks if the beetle can fly her up to a tree to see if she can see her house from there. He asks why he would do that for her, and Thumbelina responds that she’ll sing for him. This gives Berkeley Beetle an idea. Thumbelina won’t sing for him; she’ll sing at the Beetle Ball. The beetle takes her there against her will. Thumbelina is dressed up as a butterfly and made to perform alongside Berkeley and his beetle back-up dancers. The audience seem impressed with this new butterfly but after a spinning section goes too fast and most of Thumbelina’s costume falls off, it is revealed Thumbelina is not in fact a butterfly and the audience turn against her, calling her ugly. Berkeley Beetle goes with the crowd and rejects Thumbelina, ditching her. Alone and cold in a tree, Thumbelina is soon found by Jacquimo who tells her to forget about the beetle. She does not love the beetle so who cares what he thinks. They’ll resume their journeys tomorrow.

Meanwhile, Thumbelina’s little bug friends run into Grundel the toad who overhears them talking about a beetle. The bugs run off scared again, but Grundel now knows he needs to find this beetle. Cornelius is also still searching for Thumbelina through stormy weather. He asks some bugs where Thumbelina is. They say she is “out there, somewhere”. Cornelius heads back out into the harsh weather, knowing winter is almost here.

The next day, Jacquimo continues to ask around for where the Vale of the Fairies might be, asking a fox, a hare, and a bear, but nobody seems to want to talk to him. Jacquimo also ends up being slammed into a thorny bush, getting a thorn stuck in his wing. Luckily, he can still fly, even though it hurts him. Thumbelina finds herself cold and lost again though, with snow starting to come down thick and fast. Thumbelina sees an old shoe and sock nearby. She wraps herself up in there and falls asleep.

Grundel has managed to find Berkeley Beetle and starts to choke him, wanting information on Thumbelina. Berkeley says he doesn’t know what happened to her after the show, but does have a plan. If Grundel can get the Fairy Prince, setting up a trap for Thumbelina using the Fairy Prince as bait, then that’ll bring Thumbelina to him. Berkeley Beetle is told to find the Fairy Prince, with Grundel ripping off his wings, saying he will return them when he has brought back the Fairy Prince. Luckily, Berkeley Beetle and his friends quickly discover Cornelius frozen in a lake, having fallen off his bee into the lake in the bad weather. They cut Cornelius out of there as a block of ice and take it back to Grundel.

Back with Thumbelina, she has found herself in a warm tunnel underground. She was rescued by Ms. Fieldmouse and taken back to her home. Ms. Fieldmouse reveals she knows all about Thumbelina, like how she was engaged to the Fairy Prince, but blurts out that Cornelius was found “stone cold, frozen dead”. Thumbelina is distraught, not knowing this little important fact about her life. Ms. Fieldmouse says they need to go see her friend Mr. Mole, and forces Thumbelina to go even though she’s not feeling very much like socialising after finding out the love of her life is dead… Thumbelina meets Mr. Mole, who is completely blind and hates sunlight, but loves stories and singing. Ms. Fieldmouse encourages Thumbelina to sing for him, before the two are taken by Mr. Mole into one of his tunnels to see a dead bird. It turns out the dead bird is Jacquimo and Thumbelina runs over to him, but she hears a heartbeat and says she’ll come back that evening to see him again.

On returning to Ms. Fieldmouse’s home, she tries to convince Thumbelina to marry Mr. Mole, since the two had a conversation about how Mr. Mole has “been meaning to take a wife for some time” and will pay Ms. Fieldmouse if he can get Thumbelina to marry him. Gross. Thumbelina initially refuses to marry Mr. Mole and sneaks off to see Jacquimo. Jacquimo wakes up as Thumbelina tells him that she probably should marry Mr. Mole because Cornelius is dead and Ms. Fieldmouse told her that at least he’s rich! Thumbelina removes the thorn from Jacquimo’s wing but he vows to continue his search for the Vale of the Fairies, despite Thumbelina trying to tell him that the search is pointless since Cornelius is dead. Jacquimo won’t listen to her and flies away.

Grundel learns that the Fairy Prince is dead, going against his and the beetle’s initial plan, but he’s glad the Prince is dead. Berkeley Beetle then says that Thumbelina is underground and they go to find her. The little bugs from earlier overhear this and decide to build a fire to melt the ice, hoping the Fairy Prince will live again. He starts to wake up.

The next day is the day of Thumbelina and Mr. Mole’s wedding, though it’s not a happy day for Thumbelina, as she hears and sees Cornelius everywhere as she starts to walk up the aisle. When asked if she will take Mr. Mole to be her lawful wedded husband, she refuses. Grundel then comes in through the ceiling and says he will marry her, but Thumbelina manages to get away from him and runs through the tunnels, with Berkeley Beetle also attempting to stop her. As Mr. Mole, the wedding guests, and Grundel chase after Thumbelina, Cornelius arrives to battle Grundel. The two fall over a ledge, seemingly to their deaths, after Cornelius becomes distracted by a scream from Thumbelina.

Thumbelina is actually fine and has seen a way out of the tunnel, using Mr. Mole’s treasure to block anyone from following her. She comes back to the surface, happy to see the sun again. Jacquimo then arrives at just the right moment yet again, and tells her to get on his back so he can fly her to the Vale of the Fairies. They arrive at an area that just looks like a patch of frozen weeds, but Jacquimo tells her to sing. She does, unconvincingly, but Jacquimo sees an icicle break. He pushes her to keep singing, but she soon gets angry and says Cornelius is never coming back. At this point, Cornelius arrives and finishes Thumbelina’s song. Overjoyed and reunited, the two kiss, causing the Vale of the Fairies to defrost and the fairies to reveal themselves. Thumbelina even gets her own wings.

As so many fairy tales do, the story ends with Thumbelina and Cornelius getting married in the presence of the King and Queen, as well as Thumbelina’s mother and all her farmyard friends. Thumbelina and Cornelius fly off together on Buzzbee and Jacquimo tells us they lived happily ever after as the tiny storybook closes. 

CHARACTERS & CAST

There are some big names in the voice cast of Thumbelina.

Let’s start with our main character. Thumbelina is very naïve to the world, though to be fair, although she was born a sixteen-year-old, she was only born right at the start of the film. She has no time to learn about anything before she is thrown into bizarre situations, like being kidnapped by a toad, and a beetle, and then being forced, or at least guilt-tripped, into marry a mole. It’s the strangest life that Thumbelina has lived within just a few weeks of being alive. Oh, and she managed to find her true love in only a day! Thumbelina is not a headstrong, independent female lead. Thumbelina is mostly just pretty, sweet, and kind, which is probably why everyone thinks they can walk all over her, but I still like her as a character, and she does have some inner strength to jilt Mr. Mole at the altar because she knows it’s wrong to marry someone else, someone she doesn’t love, just because Cornelius is dead. I think Thumbelina gets some harsh criticism in reviews of today.

Thumbelina was actually voiced by Jodi Benson, whose name, and voice, should be very recognisable to Disney fans. That is because Benson is the voice of Ariel in Disney’s The Little Mermaid (1989), having reprised the role multiple times, for spin-off films, television series, and theme park attractions over the years. Benson got the role having worked with Howard Ashman, the lyricist for The Little Mermaid, on the musical Smile in 1986, which flopped on Broadway and closed after only 87 performances. Benson became a Disney Legend in 2011 for her work for the company, which also included her voicing Helen of Troy in the television series spin-off Hercules (1998-99); Barbie in Pixar’s Toy Story 2 (1999) and Toy Story 3 (2010); and appearing in the live-action/animation hybrid Disney film Enchanted (2007), which was a parody of Disney’s princess films, as Edward’s assistant, Sam. This is probably one reason why many people believe Thumbelina is a Disney movie, although Benson was asked to put on a higher pitched, more delicate voice for the character here, making it sound slightly different to Ariel’s voice.

Cornelius is the Fairy Prince who finds Thumbelina singing to herself and decides it’s perfectly alright to go into her room just so he can meet her. This guy must’ve been taking lessons from the Prince in Snow White and the Seven Dwarfs (1937). But fairy-tale world is a very different world from reality so I’ll cut him some slack. Cornelius is the answer to all Thumbelina’s prayers. She wanted to meet a fairy and she wanted to find love; Cornelius was both of those things. Although it was very much a whirlwind romance, with the two of them falling in love over a song and a moonlit flight on a bumblebee, it is clear how much Cornelius cares about her, so much so that he is willing to risk his life to find her and save her from this horrible toad who took her, and Cornelius does almost die in the process a couple of times. But he does not die and manages to reveal he’s actually alive in the most theatrical of ways, before marrying Thumbelina so they can be together forever. Aww.

Gary Imhoff voiced Cornelius. Imhoff went on to voice the character of Harry Osborn / Green Goblin II in Spider-Man: The Animated Series (1995-98) originally for Fox Kids. He also appeared in a small role in The Green Mile (1999).

Then there is Jacquimo the swallow, who is both the narrator of Thumbelina as well as a big figure in the story. Jacquimo first comes across Thumbelina when she is stuck on the lily pad after the toads have left her momentarily. Because Jacquimo acts before he thinks, he helps Thumbelina by cutting the stem of the lily pad but then almost kills her when the lily pad starts heading towards the waterfall. Jacquimo also gets himself in trouble by asking lots of predator animals where the Vale of the Fairies is because he is so desperate to bring Thumbelina and Cornelius together again. Jacquimo gets a thorn stuck in his wing and is believed to be dead, but this brings Thumbelina to him and he once again finds renewed energy to search for the Vale even when Thumbelina thinks it’s not worth it anymore. Jacquimo stays loyal to her and her love throughout and keeps Thumbelina believing that anything is impossible, even if the most difficult circumstances.

Gino Conforti was cast as Jacquimo, having previously been seen in the recurring role of Felipe Gomez in the last few seasons of the sitcom Three’s Company (1977-84). He went on to appear as Cardinal Pugini in Angels & Demons (2009), the sequel to The Da Vinci Code (2006). Unlike Jacquimo, Conforti is not French and is actually of Italian descent, meaning that his French accent is quite obviously exaggerated. It’s fairly stereotypical, perhaps offensive to some, but I think he tried his best!

Thumbelina’s mother and Cornelius’ parents, the King and Queen, both feature in Thumbelina but they are not overly prominent figures in this story. Thumbelina’s mother is initially seen at the beginning of the movie, telling Thumbelina not to wish she was bigger, and is seen to be devastated when Thumbelina is taken. However, after the initial ten minutes or so of the movie, Thumbelina’s mother is only seen briefly in a couple of other places, though it is good to see the two reunited at the end of the film for Thumbelina’s wedding. Thumbelina’s mother was voiced by Barbara Cook, a singer and stage actress, who originated the role of Marian in The Music Man on Broadway in 1957, opposite Robert Preston as Professor Harold Hill. Cook won a Tony Award for her performance. She also had leading performances in other stage shows, including as Anna Leonowens in The King and I around 1960, and as Fanny Brice in the 1967 performance of Funny Girl.

The King and Queen of the Fairies are first seen as the fairies turn the leaves gold for autumn, where the Queen realises their son, Cornelius, is not there for the ceremony, and is worried about how much he buzzes around on his bumblebee. The King tells her not to worry and that’s just what sixteen-year-olds do. They are then seen again when Cornelius asks them to delay the winter frost, but they are unable to hold it off to prevent Cornelius from becoming frozen in the lake. We then don’t see the King and Queen again until Cornelius and Thumbelina’s wedding at the end, but I’m sure they were pleased that their son came home safely and managed to find the girl of his dreams again.

Kenneth Mars was chosen to voice the Fairy King, King Colbert, with Mars’ voice again being familiar to Disney fans since he voiced Triton in The Little Mermaid franchise. Outside of that, Mars appeared in two of Mel Brooks’ most famous films: as Franz Liebkind in The Producers (1967) and as Police Inspector Kemp in Young Frankenstein (1974). Mars also voiced Grandpa Longneck in the series of The Land Before Time direct-to-video sequels, from 1994 to 2006. Mars passed away in 2011. June Foray voiced the Fairy Queen, Queen Tabitha. Foray is well-known for her voice work, voicing numerous characters for Looney Tunes, such as Granny and Witch Hazel, as well as Rocky the squirrel, and others, in Rocky and Bullwinkle (1959-64). She also had some history with Disney, “voicing” Lucifer the cat in Cinderella (1950) and Grandmother Fa in Mulan (1998).

Now let’s get to the villains of Thumbelina, of which there are many. First up, let’s talk about Berkeley Beetle. Berkeley Beetle scares Thumbelina by just appearing in front of her as she’s minding her business and trying to get home. Berkeley Beetle then proceeds to try and charm her, by kissing her arm and calling her “toots”, something Thumbelina doesn’t like, although she does like him saying she’s beautiful. He seems quite taken with Thumbelina, but when she is revealed to not be an insect during his performance with her at the Beetle Ball, the peer pressure soon makes him reject her. He is later forced to work with Grundel the toad to help him find her, which he isn’t thrilled about doing, but does so, nonetheless, wanting the wings back that Grundel ripped off his back. Ouch.

Once again, the voice of Berkeley Beetle should be familiar to Disney fans, since Gilbert Gottfried voiced the character, and he is well-known as the voice of Iago, Jafar’s fast-talking parrot sidekick in Aladdin (1992), reprising the role often. Gottfried began his career as a stand-up comedian, before moving into film roles. Some of these earlier credits include Beverly Hills Cop II (1987) as Sidney Bernstein, and the 1990 film Problem Child and its 1991 sequel as Mr. Peabody. In 1994, he also had a small role as Bert Banner in Saved by the Bell: Wedding in Las Vegas. Gilbert Gottfried continued to appear in television and film projects throughout his life. Gilbert Gottfried passed away in April 2022.

On to the toads, or “The Singers de España”. Mrs. Toad hears Thumbelina singing with Cornelius and instantly decides that kidnapping her and convincing her to sing with them is a good idea. Mrs. Toad and her three sons, Mozo, Gringo, and Grundel want Thumbelina to be part of their group, but none more so than Grundel, who also saw Thumbelina with Cornelius the night before and has somehow fallen in love with her after she blew him a kiss. After Thumbelina manages to escape them, Mrs. Toad doesn’t seem bothered and is not seen again, however, after being mocked by his brothers, Grundel becomes obsessed with the idea of finding and marrying Thumbelina, getting others to help him with his plight. Grundel is a very creepy character in this movie. I quite like Berkeley Beetle, and Mrs. Toad is funny, but I don’t like Grundel at all.

Grundel was voiced by Irish actor Joe Lynch. Yes, once again, that was not a real accent you were hearing! Lynch appeared in various series over the years, including as Ron Mather in Coronation Street (1960-present); and in the main role of Dinny Byrne in Glenroe (1983-2001). He was also cast as Blazes Boylan in the 1967 film adaptation of Ulysses. Lynch passed away in 2001. Mrs. Toad was voiced by Spanish singer, actress, and television personality Charo. Recently, Charo was cast as the Queen of the United Kingdom in the disaster film Sharknado 5: Global Swarming (2017) and makes regular appearances on RuPaul’s Drag Race (2009-present). Charo was also a contestant on Dancing with the Stars (2005-present) in 2017 and even appeared in one episode of Disney Channel’s The Suite Life on Deck (2008-11), being cast as Esteban’s mother.

Finally, we have Mr. Mole and Ms. Fieldmouse, the final two characters that Thumbelina finds herself in the company of. Ms. Fieldmouse initially doesn’t seem too bad; she does save Thumbelina from catching her death out in the cold, but she also tells Thumbelina that Cornelius is dead without even thinking and then proceeds to force Thumbelina to spend time with Mr. Mole, using the fact she “saved Thumbelina’s life” to guilt her in to it. Mr. Mole is a bit of a miser, and hoards money and treasure throughout the tunnels he calls home. Him and Thumbelina aren’t exactly compatible – she loves the light and he loves the dark and cold, for example – and yet he is desperate to marry her. Get in line, mate; there are two others vying for Thumbelina’s attention at this point! Mr. Mole asks Ms. Fieldmouse to convince Thumbelina to marry him, which is just disgusting, with Ms. Fieldmouse only happy to do so, since he did pay her! Thumbelina is essentially guilt-tripped into the wedding, but refuses to go through with it. Any normal person should have just let Thumbelina leave, but no, Mr. Mole and Ms. Fieldmouse have to go and chase her down. What were they going to do if they caught up to her? Tie her up and make her go through with it? Grim.

Anyway, despite their unpleasant characters, the voice actors for both Mr. Mole and Ms. Fieldmouse are both legends in their respective fields. Mr. Mole was voiced by British actor Sir John Hurt. Hurt starred in major movies such as Alien (1979); The Elephant Man (1980), for which he was nominated at the Academy Awards in the Best Actor category and won the BAFTA for; and The Midnight Express (1978), where he was nominated at the Oscars for Best Supporting Actor, and won it at the BAFTAs. Hurt was no stranger to voice acting either, voicing Hazel in Watership Down (1978); Aragorn in The Lord of the Rings (1978), and The Horned King in Disney’s The Black Cauldron (1985). Later in his career, he also played Ollivander in the Harry Potter film series and voiced The Great Dragon in the BBC series Merlin (2008-12). Sir John Hurt sadly passed away in January 2017.

Ms. Fieldmouse was voiced by stage performer Carol Channing. I didn’t actually know who Carol Channing was until many years after I first watched Thumbelina. I looked her up after seeing Ryan Stiles impersonating her on Whose Line Is It Anyway? (1998-present), something which he has done a few times on the shpw. It was specifically after seeing the infamous clip where Stiles is pretending to be “Carol Channing whose head keeps getting stuck to things” and ends up slamming his head into host Drew Carey’s desk and breaking the glass! But Channing did much more in her career, other than being impersonated by comedians. She played the part of Dolly Levi in Hello, Dolly! numerous times on stage from the 1960s into the 1990s, being the first person to play the character in the 1964 original Broadway show and winning a Tony award for her performance. She was also part of the original Broadway cast of Gentlemen Prefer Blondes back in 1949, playing Lorelei Lee, and went on to be cast as Muzzy Van Hossmere in the film adaptation Thoroughly Modern Millie (1967), starring Julie Andrews in title role. Channing won a Golden Globe for Best Supporting Actress for this role. Because of her commitment to the stage, she also earnt a Tony Lifetime Achievement Award in 1995. In voice acting, Channing had previously voiced the character of Granny Frump in the animated ABC series The Addams Family (1992-93) prior to Thumbelina. Channing died in 2019.

A fun fact about Ms. Fieldmouse is that allegedly Betty White had recorded the lines for the role first, but Channing was asked to come in and record the lines instead after White’s performance was deemed not right for the character. However, White had not been informed of this until after finding out from Channing herself that Channing had been hired instead. Don Bluth, director of Thumbelina, apologised to White for the misunderstanding[1].

MUSIC

Perhaps unsurprisingly after that star-studded voice cast, Don Bluth headed for another big name to work on the music for Thumbelina.

Bluth approached singer-songwriter Barry Manilow, famous for hits in the 1970s like “Mandy”, “I Write the Songs”, and “Copacabana”, to write the music for Thumbelina. Manilow had wanted to write Broadway musicals early on his career but somehow found himself going in a different direction in the world of music. Working on an animated musical like Thumbelina was a good opportunity for this dream to come true. Manilow was also given the opportunity to compose the score for Thumbelina, something he had not done before, alongside William Ross, who also wrote the music for another movie in 1994, The Little Rascals, as well as working as an orchestrator on other 1990s movies like The Bodyguard (1992), Robin Hood: Prince of Thieves (1991); and the animated movie FernGully: The Last Rainforest (1992)[2]

For the songs, Manilow collaborated with lyricists Jack Feldman and Bruce Sussman, who had worked with Manilow on his song “Copacabana”. All three had also written the song “Perfect Isn’t Easy” performed by Bette Midler as poodle Georgette in Disney’s Oliver & Company (1988), before working on Thumbelina. Jack Feldman even went on to work on the music for the Disney direct-to-video sequel The Lion King II: Simba’s Pride (1998) and contributed to some of the songs in Disney’s live-action remake Snow White (2025) – but let’s not get in to that disaster right now; that’s a story for another time. Following Thumbelina, Manilow and Sussman worked with Don Bluth again for his next movie, The Pebble and the Penguin (1995).

Thumbelina consists of seven original songs. The first one that was written, and my favourite in the film, was “Let Me Be Your Wings”. Manilow handed a demo tape of this song to Don Bluth and Bluth boarded the sequence for it himself[3]. “Let Me Be Your Wings” is a romantic love song between Cornelius and Thumbelina, as they dance in the moonlight, on the river, and, randomly, on a pumpkin on the same night they meet for the first time. It’s a beautiful song and a beautiful piece of animation, with the highlight really being when Cornelius sings “and I’ll never let you fall”, proceeding to drop Thumbelina as he gets lost in the music, having to swoop down and rescue her since he is the only one who can fly! Luckily, Thumbelina’s eyes are closed at this point and she doesn’t even seem to notice.

“Let Me Be Your Wings” is really the anthem of the movie, appearing in the Opening Credits as an instrumental piece; in a reprise known as “Let Me Be Your Wings (Sun Reprise)”, when Thumbelina sings about her love of the sun, actually a metaphor for her love for Cornelius, to Ms. Fieldmouse and Mr. Mole; and then at the end of the movie. Thumbelina sings it in the Vale of the Fairies and is reunited with Cornelius. These versions of the song were performed by Gary Imhoff as Cornelius and Jodi Benson as Thumbelina. Finally, there is a special arrangement for their wedding, performed by a chorus. It also appears in the End Credits, this time performed by Barry Manilow and Debra Byrd, who was one of the vocal coaches in the first ten seasons of American Idol (2002-present).

I might as well now go through the remaining songs in my own order of preference, so following “Let Me Be Your Wings” we have “On the Road” performed by Charo, Joe Lynch, Danny Mann, and Loren Lester as Mrs. Toad and her sons, a.k.a. The Singers de España, with the addition of Jodi Benson as Thumbelina. This song is a fun, flamenco-inspired number with lots of fast lyrics and dance beats. It is all about the toads trying to convince Thumbelina to go on tour with them as part of their singing group. I just think it’s so upbeat and funny at the same time, even if it might be a bit stereotypically Spanish… The best bit is really when Mrs. Toad stomps on Thumbelina’s foot to get her to “sing” with them, though really, she is just screaming in tune.

Another song I really like in Thumbelina is “Yer Beautiful, Baby”, which is Berkeley Beetle’s song that he performs at the famous Beetle Ball, so it’s a number fit for the stage, with backing dancers and big, elaborate costumes, such as the butterfly costume Thumbelina is put in, before it flies off her after an erratic spinning section of the dance. The song is interrupted by complaints from the audience about how Thumbelina is ugly since she isn’t an insect like them, and they feel duped. Despite Berkeley Beetle being voiced by Gilbert Gottfried, he did not sing this song. The singer was Randy Crenshaw, who did a good job of imitating Gottfried’s distinctive voice; I never really noticed it wasn’t Gottfried. Additional vocals are provided by Irish vocal group Anúna.

The next song in my list is “Soon”, Thumbelina’s “I Want” song – all the best musicals have them. This is where she sings about wanting to find love, preferably with a fairy or someone small like her. It’s a lovely song, giving Jodi Benson a proper opportunity to show off her wonderful singing voice in the first of Thumbelina’s only two solos. This song is later reprised, being performed by Barbara Cook as Thumbelina’s mother as she hopes for Thumbelina’s safe return to her, twisting Thumbelina’s “I Want” song into her own. Since Cook had a long history as a performer in stage musicals, this gave her the chance to showcase her singing talents as well.

Then, we have “Follow Your Heart”. It’s one of my least favourite songs in the movie, even though following your heart is one of the main messages of the film. It just a bit too “in-your-face” for me, especially since the main performance of this song consists of birds can-canning like they’re in A Chorus Line or something; it’s too much but it is at least happy and positive to counteract some of the darkness in the story. This main performance is primarily sung by Gino Conforti in that overly French accent that Jacquimo has. Anúna once again contribute to this song both here and when it appears again at the end of the finale song. “Follow Your Heart” is also performed briefly by Jacquimo when we are first introduced to him in the opening scene, and in the End Credits.

Now, we’re getting to songs I don’t like, although there are only two left. The first is “Thumbelina” which is our introduction to Thumbelina and her struggles of being in this world where everything is too big for her. It’s mostly performed by Thumbelina’s mother’s farmyard animals who tease Thumbelina about her height and narrate as she gets herself into scrapes, like falling into the animals’ drinking trough and almost gets baked into a pie. The performers of this song are listed as Jodi Benson, who laments her height in this song, and Anúna who must sing all the other parts. The song “Thumbelina” seems to have been shortened for the movie, as I heard a version with lines I’d never heard before that seemingly came from the original soundtrack.

Finally, we get to “Marry the Mole”, performed by Carol Channing as Ms. Fieldmouse. This song is all about Ms. Fieldmouse telling Thumbelina that marrying for love is a mistake and she should marry Mr. Mole for his money… Hmm, that’s a strange message for a children’s movie. Thankfully, Thumbelina proves that you should in fact marry for love and not money. Ms. Fieldmouse is just a gold-digger apparently. Maybe she should go marry Mr. Mole if he’s so great! Anyway, “Marry the Mole” is not a good song, and in my opinion, is the weakest in the soundtrack, probably because it’s just plain weird. But I don’t think it was Razzie Award-worthy.

At the 15th Razzie Awards in 1995, the award for Worst Original Song went to “Marry the Mole”. Thumbelina gained itself a lifelong reputation by becoming the first animated movie ever to win a Golden Raspberry Award, the Oscar parody where awards are given for the “worst” in cinema instead of the best. It was up against “Under the Same Sun” from On Deadly Ground (1994), and “The Color of the Night” from the 1994 movie Color of Night, which strangely enough was also nominated for a Golden Globe for Best Original Song. It lost to “Can You Feel the Love Tonight” from Disney’s The Lion King (1994). The Worst Original Song category was presented at the Razzies from 1980 until 1999, with one final award presented in this category in 2002 for Britney Spears’ “I’m Not a Girl, Not Yet a Woman” from Crossroads (2002), before the category was retired.

But don’t worry. Thumbelina may’ve been the first animated movie to win a Razzie, but The Emoji Movie (2017) would top it, by winning four Razzie awards, including Worst Picture and Worst Director, so it’s not so bad!

PRODUCTION

I’ve already mentioned some Disney Animation connections in Thumbelina’s voice cast, but there is another more important one, and that is Don Bluth, the writer and co-director here.

Many devout Disney fans view Bluth harshly, with much criticism levelled at him over the years. Clearly Don Bluth is a difficult character in the history of animation but there are two sides to every story. Bluth says that he spent about a year working at the Disney Studios, specifically on Sleeping Beauty (1959), right after he graduated from high school. He then went off to college and returned to the studio in 1971 and worked on Robin Hood (1973). At this time, he met Gary Goldman and John Pomeroy, who would become key collaborators in the years to come. Goldman was the other co-director on Thumbelina, for example. Bluth and others were then asked to work on The Rescuers (1977), but Bluth was starting to feel like they weren’t making great movies at Disney Animation anymore and when younger artists from CalArts arrived, a friction was created between the two “camps” of animators: those younger, new arrivals and these more experienced animators, who were still a level lower on the hierarchy than some of Walt’s “Nine Old Men” who were still working at the studios. Eventually, Bluth found his creativity was being stifled and did not like working with the younger artists so he and his group left the company[4].

Those who were at Disney and continued to remain at Disney after Bluth left tell a different story. Bluth had many creative differences with the team during production on The Fox and the Hound (1981), choosing to resign from the Disney company in 1979 to set up his own company, taking fifteen other animators with him; this was around 17% of the total animation workforce. Naturally, this caused the release date of The Fox and the Hound to be pushed back by six months from Christmas 1980 to Summer 1981[5]. His departure was viewed as being purely down to arrogance at his animating ability, believing himself to be better than the other animators at the Disney Studios, and he was not forgiven for leaving them in the lurch during one of Disney Animation’s most troubling times.

Although Bluth perhaps could’ve picked his timing a little bit better, and maybe had a less dramatic departure, it is a well-known fact that not every animator, talented or otherwise, is able to get on with Disney’s way of making movies. If they do leave, it doesn’t make them bad animators, bad creatives, or even bad people. Just look at Tim Burton. His animation style didn’t gel with Disney and he left the company, doing amazing things thereafter. Whichever side of the story you believe, the basics of it is that, for whatever reason, Bluth left Disney, took his friends with him, and they made their own movies.

Don Bluth and his team now had to learn how to make animated movies on their own, but they were free to do it their way. They first chose to adapt the book Mrs. Frisby and the Rats of NIMH, written by Robert C. O’Brien and published in 1971, for their first animated feature made under the new studio Don Bluth Productions. Bluth made his feature film directorial debut with The Secret of NIMH (1982), which just so happened to be released during Disney’s troubled production on The Black Cauldron (1985). The Secret of NIMH was well-received, putting more pressure on the Disney artists. Bluth’s success and overshadowing of Disney Animation continued with his second movie, An American Tail (1986), another “mouse movie”, released just four months after Disney’s The Great Mouse Detective (1986). It beat out The Great Mouse Detective at the box-office by $22 million. At the time, An American Tail was the highest-grossing non-Disney animated movie in history.

From this point, Bluth and his team went on to make The Land Before Time (1988), at which point the team moved their studio from the US to Dublin, starting the company Don Bluth Ireland Limited, allegedly due to financial concerns. They went on to make All Dogs Go to Heaven (1989) and Thumbelina in Ireland[6].

For Thumbelina, the filmmakers decided to adapt another story, this time it was Hans Christian Andersen’s Thumbelina. The original 1835 tale was titled Tommelise in Danish with “Tomme” meaning inch. It was first published as part of Hans Christian Andersen’s second volume of Fairy Tales Told for Children. It was first translated into English in 1847.

Thumbelina had previously been adapted a few times prior to Bluth’s 1994 movie, including a 1964 Russian movie; a 1992 Golden Films movie; and two anime Japanese films, including the 1992 series Thumbelina: A Magical Story, which was edited into a movie in 1993. Since 1994, Thumbelina has continued to be made into movies, including The Adventures of Tom Thumb & Thumbelina (2002); Barbie Presents: Thumbelina (2009), and even a 2021 short film called Tulip, a modern version of the tale which was shown at the New York International Children’s Film Festival.

Don Bluth’s Thumbelina kept quite closely to the original Hans Christian Andersen tale with some additions and few changes. One of the biggest was that Mrs. Toad in the original story only has one son, and the toads are not singers. Because of the little detail given to these characters in the book, it was decided to make the toads a Spanish singing group, giving Mrs. Toad two other sons and having them travel around on a house boat. Bluth had Charo in mind for the role of Mrs. Toad, and had worked with her before, loving her entertaining personality. When Charo agreed to voice the role, Mrs. Toad was “glammed up” to fit her actual image. Another change was that the Fairy Prince does not appear in the story until the very end of the movie. The two are instantly married and Thumbelina is proclaimed the Queen of all the flowers, given wings and the new name Maia. Random. If audiences were already moaning that Thumbelina and Cornelius fell in love too quickly in Bluth’s film, keeping this original ending would’ve been even more criticised.

There is a swallow in the original tale, but he is not called Jacquimo, is not French, and doesn’t meet Thumbelina until she is shown the “dead” swallow in Mole’s tunnel. Thumbelina does help revive it, and the swallow plans to fly her out of there when spring comes. Spring does come and the swallow flies away, leaving Thumbelina to marry Mole, but he does return for her on the day of her wedding to take her away. Other changes include: only the fish get Thumbelina off the lily pad when she meets the toads; there is no Beetle Ball, although the ugly comments still exist; and Thumbelina approaches Field Mouse for food and is allowed some if she promises to clean Field Mouse’s home and tell her stories, meaning Field Mouse does not save her life in this original story[7].

Thumbelina was probably influenced somewhat by the Disney animated movies of the 1990s, because it is a fairy tale, adapted into a musical, and this was something Disney had a huge amount of success with. Thumbelina’s voice cast even uses five actors who had voiced characters for some of Disney Animation’s greatest movies previously. However, Don Bluth’s An American Tail was also a musical, so this was not the first time he had made an animated musical movie. Thumbelina also uses some early computer animation, something Disney were dabbling with at the time as well. The most obvious use of this is in the opening scene where we follow Jacquimo as he flies through Paris[8]. I was sadly disappointed by the simplistic view of Notre Dame Cathedral in this sequence, but as it is not the focus of the film, I guess it would’ve been pointless to make a completely accurate animation of it. The opening shot of the toads’ houseboat also appears to be CGI.

When Thumbelina was getting ready to be theatrically released, according to an article from the Los Angeles Times in June 1997, Warner Bros., who ended up distributing the movie after Bluth’s deal with MGM fell through due to concerns around the stability of Bluth’s studio, held two separate test screenings of Thumbelina. At the first screening, the movie was shown just as it was and the audience reaction was flat. Sneakily, at the second screening, the movie was played with the Disney logo being shown to the audience at the start. This led to the movie getting a more favourable audience reaction, which proves a bias in society towards Disney and their animated movies, as well as their stellar reputation[9]. Still, it’s a bit sad, really, that other animated studios have to try so much harder to sway public opinion. I’ll admit I’m as guilty as anyone else of favouring Disney though…

RECEPTION

Thumbelina was released in US theatres on 30th March 1994, which is not prime time for new movie releases, especially not those geared towards children. It appears that Thumbelina was meant to be released by MGM during Thanksgiving in 1993, but their distribution did not go ahead, and Warner Bros. stepped in instead.

Thumbelina was released alongside the Animaniacs short I’m Mad (1994), however, this was seen by some reviewers to have been better than Thumbelina. Animaniacs (1993-98) was an animated series about the three Warner siblings who live in the water tower at Warner Bros. Studios. I’m Mad later aired as part of Season 2 of the series. Although Don Bluth had been competitive with Disney back in the 1980s, his movies since All Dogs Go to Heaven (1989) had struggled against the movies from the Disney “Renaissance Era”, and Thumbelina was included as one of those that was “not good enough”.

Others also said Thumbelina was odd, unexciting, a Disney “copycat”, and a “fever dream”. I will admit Thumbelina is a strange story, but that’s because Hans Christian Andersen wrote it that way, not because of how it was adapted. Some said Thumbelina was a bit too pathetic; she may seem like that in comparison to Disney’s Belle or Ariel, who are quite brave and resilient. Despite the big names in the voice cast, they were seen to have had their talent wasted, perhaps because it was said the plot was rushed and muddled, with some of these characters not getting enough screen time. Something that I do agree with is that there were some racial stereotypes in Thumbelina. I don’t believe it was meant to be offensive to anyone, but I see how it could be to some.

Then again, Thumbelina does have its fans, especially those who loved it as a child. In particular, the songs are seen to be catchy and some of the animation was praised, such as the swopping CGI sequence, and all of “Let Me Be Your Wings”. Others said Thumbelina was not the best animated movie, but that it is better than the negative reviews say.

Perhaps if Thumbelina had been released in 1993, a year when Disney Animation did not release a new movie, it may’ve done a bit better, however, in 1994, Disney Animation released The Lion King, a movie still loved three decades later and a favourite of many. In fact, The Lion King topped the worldwide box office in 1994, with the No. 2 spot going to multiple-Oscar-winning movie Forrest Gump. Thumbelina only took in around $17 million against a reported budget of $28 million. The movie would obviously come to VHS over the coming years though where it would find an audience. Around 2002, distribution rights were moved over to 20th Century Fox Home Entertainment, allowing it to be part of the same “family” as another of Don Bluth’s movies: Anastasia (1997).

LEGACY

Although Thumbelina was not particularly well-received, there does appear to have been some merchandise that was available to purchase around the time of the film’s release, including movie posters, books, and a play figure set, as well as dolls of Thumbelina and Cornelius. There is also a piece of “lost media” relating to Thumbelina and that is the 30-minute behind-the-scenes documentary Back to Enchantment: The Making of ‘Thumbelina’ that never appeared on a DVD release and is unavailable to view online.

But the biggest continuation of Thumbelina’s legacy comes from Disney’s purchasing of 21st Century Fox for $71.3 billion on 20th March 2019. Disney now owns Fox’s entire TV and film libraries, from the likes of 20th Century Fox, Fox Searchlight, FX, and National Geographic[10]. This has opened up a huge catalogue to viewers who otherwise may not have ever watched these series or films. The purchasing of 21st Century Fox is why Thumbelina appears on Disney+, despite it not being a Disney movie. Disney+ now contains all sorts of movies and programmes, like The Simpsons (1989-present) and the Ice Age film series, because they were made by Blue Sky Studios, Fox’s animation company.

Despite Disney buying up 21st Century Fox, and other companies, it is important to differentiate what Disney actually made themselves and what they have simply purchased, to give proper credit to those who made it.

FINAL THOUGHTS

The tale of Thumbelina is a strange one, but one that tells you that regardless of personal circumstances, you can achieve in life, especially when you believe that anything is possible.

Unfortunately, Thumbelina did not become a major part of animation history, being dwarfed by Disney’s The Lion King. No movie in the world could’ve competed against that; it was unlucky timing for Thumbelina.

However, the obvious bias towards Disney animated movies would not have helped either. At the time, Thumbelina was discarded because it was not from Disney, and yet nowadays, we have people believing that Thumbelina is from Disney, just because it is an animated musical story. It irritates me when the tiniest bit of research can correct these statements, but the same falsities then become “truths” to some. It’s important that we give credit to the filmmakers who make the movies we watch. In the case of Thumbelina, that was Don Bluth and his team.

It’s also important to remember that not everything Disney make is wonderful, and not everything any other animated studio makes is awful. We should be able to make a judgement on whether we like something based on how it makes you feel and what you get out of it, not simply because of the name attached to it.


REFERENCES

[1] Credit: Black Case Diaries, ‘The Case of Don Bluth’, BlackCaseDiaries.com, 16th April 2024.

[2] Credit: Bob Strauss, ‘Manilow Follows Heart To Score Movie’, Deseret.com, 20th April 1994.

[3] Credit: Credit: Bobbie Wygant, ‘Don Bluth “Thumbelina” 1994 – Bobbie Wygant Archive’, The Bobbie Wygant Archive YouTube Channel, uploaded 17th April 2021.

[4] Credit: Jim Korkis, ‘In His Own Words: Don Bluth on His Early Career’, CartoonResearch.com, 3rd September 2021.

[5] Credit: Jim Korkis, Everything I Know I Learned from Disney Animated Feature Films (2015), ‘The Fox and the Hound (1981)’, pp. 70-72.

[6] Credit: Carlos Aguilar, ‘Don Bluth made animation history by leaving Disney. Looking back, he has no regrets’, LATimes.com, 21st August 2022.

[7] Credit: BBC Bitesize, ‘English KS1 / KS2: Tales of Hans Christian Andersen – 1. Thumbelina’, BBC.co.uk, date unknown.

[8] Credit: Bobbie Wygant, ‘Don Bluth “Thumbelina” 1994 – Bobbie Wygant Archive’, The Bobbie Wygant Archive YouTube Channel, uploaded 17th April 2021.

[9] Credit: Michael Lyons, ‘Small World: The 30th Anniversary of “Thumbelina”’, CartoonResearch.com, 1st March 2024.

[10] Credit: Emily St. James, ‘Here’s what Disney owns after the massive Disney/Fox merger’, Vox.com, 20th March 2019.

Sneakerella (2022)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. PRODUCTION
  5. MUSIC
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

The story of Cinderella is incredibly well-known and has become one of the most adapted stories of all time, with new versions popping up every few years.

Disney has created three popular versions of the tale of Cinderella alone, with their 1950 animated version still being watched decades after its release. We also have the 1997 version starring Brandy, based on the Rodgers and Hammerstein musical, along with the 2015 live-action remake, with Lily James in the title role.

Outside of that, there are various other studios who have adapted the story of Cinderella in both modern and traditional ways, such as Ever After (1998), Amazon Studios’ Cinderella (2021), Hilary Duff’s A Cinderella Story (2004), which spanned a film series of five other movies, and even Maid in Manhattan (2002) starring Jennifer Lopez.

Versions of Cinderella have to have some sort of twist now to keep the viewer interested because it’s been done so many times before. In the case of Sneakerella, Disney once again looked at adapting Cinderella, but this time, they were going to do something different: a gender swap. You’ve got it; Cinderella became a boy named El – not Sneakerella, that would be too random a name for audiences to get on board with – who is an aspiring sneaker designer and stock boy at his mother’s shoe store, and Prince Charming turned into Kira King, the daughter of a basketball legend with his own business empire.

There haven’t been many versions of a gender-swapped Cinderella movie before, with one being Cinderfella from 1960, starring Jerry Lewis in the lead role. You could also technically look at the story of Aladdin, at least Disney’s version of it anyway, as being a take on Cinderella with the gender roles reversed.

Sneakerella promised to do things differently though, by being a modern version of the story. There are no royals here, not in the literal sense, nor do we have talking animals and pumpkin carriages. All those iconic moments of Cinderella are instead grounded in reality, to make Sneakerella feel real. And I think it worked. Although I don’t know much at all about “sneaker culture” – people who have a deep love of sneakers – outside of watching Air (2023), the movie all about the original Air Jordans and how they came to be, I liked the gender swap in Sneakerella and I felt that it was an appropriate retelling of the story for young people of today.

As an adult though, with little to no interest in shoes, especially sneakers, or trainers as I call them, Sneakerella was just ok for me. I like the story of Cinderella, having watching numerous versions of the story on screen, and I was pleasantly surprised to find Sneakerella was a musical. My biggest issue was just how long Sneakerella was. I wasn’t particularly looking forward to watching it, and if I have to watch a movie I’m not sure about, I want it to be 90 minutes or less. Sneakerella was closer to two hours, which made the story drag, especially in the last half an hour or so, sadly.

PLOT

Sneakerella begins in the Queens borough of New York City, where El, now living with his stepfather and two stepbrothers after his mother died, works as a stock boy in his mother’s old shoe store, Laces. El’s stepfather, Trey, has taken over the running of the business, but finds it very stressful balancing that along with regular family life. Trey prioritises the needs of his children, Zelly and Stacy, over El, making El work extra shifts should those two not feel like working that day or have other plans, even if El may have plans of his own.

On a day just like that, El does have plans, to go to a sneaker launch with his friend Sami, but he is told to work in the store, making sure it is clean and tidy, ready for Trey to have a meeting there at 7pm that night. El pretends to start work, but as soon as Trey, Zelly, and Stacy have left to go about their days, El simply switches the sign on the shop door to say “Closed” and catches the train into Manhattan with Sami, almost missing it as El couldn’t not help neighbour Gustavo carry soil to the community garden.

On the train, El and Sami discuss their excitement at buying this exclusive pair of sneakers, with the two seemingly planning to share them as they are pricey. Sami then talks about the sneakers she’s wearing, which have a fingerprint stain on them. El starts to customise her sneakers on the train. El wants to be a sneaker designer, even drawing designs in his spare time. Sami is overjoyed with her new shoes, and the two head to the sneaker launch. There, the two see a huge line to get into the store to purchase the shoes, and are accused of cutting in line when they mistakenly believe they are at the end of the line and in fact are not. The girl stood by them lets them in the queue next to her, pretending that El is her cousin. The girl introduces herself as Kira and the three talk about their love of sneakers, with Sami mentioning that El has a “superpower”: he can know details about people just from looking at their shoes. Kira demands to see the “sneaker psychic” in action and El manages to correctly deduce information about two people. Kira is impressed.

However, the group soon find that these limited-edition sneakers are all sold out, and to make things worse, El and Sami are rumbled by people further back in the queue, as they notice that Kira and El are not cousins so they did cut in the queue. The three split up, with Sami heading away from the group of chasing guys on her skateboard, and El taking Kira to the nearest train. They all manage to get away safely. El then decides to show Kira around Queens, taking her to restaurants and to meet his neighbours. They end up at a huge spray-painted mural which has been added to over the years. El encourages Kira to paint something on there. Kira sprays a simple white frame and takes a photo of the two of them inside it, so she can remember this day. As the two talk about El losing his mum and their connection through a shared love of shoes, Kira asks El to do a “reading” of her from her shoes. El says, to be honest, her shoes are quite basic and don’t say much about her at all. Although most people would probably be offended by being called “basic”, Kira laughs it off. As El and Kira lean in for a kiss, Kira’s phone starts ringing, and El realises it’s 7:25pm – he’s late and never cleaned up the shop! El rushes away to get home.

At the store, Trey is naturally furious with El for shirking his responsibilities, and for ignoring the fact Trey had an important person coming for a meeting there. He is given all next week’s shifts and is grounded as punishment, much to the delight of Zelly and Stacy. The stepbrothers then show El that they’ve left the store room in complete disarray for him to clean up too! As El tidies up, he remembers all the memories with his mother in the store, from the positives of his mother teaching him all about shoes, to the negatives of his mother’s illness and eventual death… El really misses his mum right now.

Kira returns home late as well, having missed dinner and a meeting about “gala prep”. Kira is the daughter of former basketball player, now sneaker entrepreneur Darius King. Kira’s sister, Liv, starts discussing how they need to get their sales figures up and believes the way to do that is by releasing a whole new design at Sneaker Con. Liv believes sleeks, a thinner, cleaner design of sneaker, are the way to do this, having done copious amounts of research on the market. Kira, however, thinks they need to find a new designer, someone who will push boundaries, to design their new shoe. Darius isn’t so sure, but tells Kira if she can find an experienced designer by the night of the gala, they will go with that.

The next day, El and Sami realise that the girl from yesterday was in fact Kira King, after seeing a photo of the King family on the front of the newspaper. El is horrified at learning he dissed the shoes of someone so famous! Sami tells him not to worry and starts planning a way for them to get into the King gala so the two can meet up again. Sami says they can sneak in through the service entrance, disguised as waiters, since she knows two people who will be working there that night. Before El can get excited about this plan, he realises something is going on with Trey. Trey says he’s tried everything to make the store a success, bringing in new styles, but it hasn’t worked so he’s planning on selling the store, potentially to Foot Locker. El is devastated, as this is his mother’s store and wants to keep it open, but Trey tells El this is the real world, and hard decisions have to be made sometimes.

Later that night, El discovers old tools in the store, along with his old sneaker designs. He begins to design and make his own pair of sneakers, planning to wear them at the gala. On the night of the gala, El inadvertently makes his stepbrothers suspicious by making dinner for them and generally being overly nice. They spot El trying to leave the store and lock him in the store room. El tries to leave through the back shutters, but his brothers lock those too; El is trapped. El knows he’s running out of time to get to the gala but doesn’t know what to do. As he sits up against a drawer, and whacks his head against it in frustration, lines from his designs magically fall off the piece of paper and float across the street. Suddenly, Gustavo appears and opens the shutters to let him out. He knows El has somewhere important to be, and tells him to put on his new sneakers. Sami then arrives to tell El they’ve missed their lift to the gala. Gustavo offers them the use of his orange classic car and tells them to go to the gala, but to return by midnight. El and Sami head off.

At the gala, El and Sami are asked for tickets and magically El realises he has two in his jacket. They are allowed inside. El says he has to find Kira, leaving Sami to enjoy all the hors d’oeuvres that waiters bring by her! Sami is then approached by two guests, who ask about El and his fancy sneakers. Sami lies and says El is a very famous designer but can’t possibly give them any more details about his career, which leads to the guests asking everyone else at the gala if they know anything about this designer. Word gets around quickly. El eventually finds Kira, who is happy to see him again. Kira takes El to the King “Sneaker Hall of Fame”, and El geeks out over all the exclusive sneakers. El then shows Kira his sneakers and she realises he must be the designer everyone is talking about at the party. El pretends to be a famous designer like they all say. Thinking El can be the King brand’s new designer with all his experience, Kira wants to introduce El to her father, but he notices it is already midnight, meaning him and Sami have to leave. Confused, Kira tries to run after him, but after a chaotic escape, all El leaves behind is one of his shoes, which became stuck on an escalator. Kira shows the sneaker to her father, who wants to chat with this designer. Kira tells her sister that she doesn’t have his number. Liv decides to help her find him, via a huge social media campaign, dubbed #wheresmyprince.

Outside the gala, El and Sami see their car being towed away; they were too late leaving. El then gets angry at Sami for feeding those rumours about him being a famous designer. Sami simply says it’ll all work out and personally, she thinks he could be a famous designer anyway. The next day, Sami chastises El for not responding to Kira’s social media campaign. He says he’s scared about his lies getting out and hurting her. Sami says he shouldn’t be scared, and the two take a photo of El’s other sneaker at the mural where Kira painted that frame all those days ago. They send it to Kira, who calls them, asking if El will have a meeting with Kira’s father. El agrees to it.

What El doesn’t realise is that his stepbrothers have heard El and Sami talking about how El is going to be the next big designer for Darius King out on the street. They can’t let that happen, and search El’s room for the shoe. They can’t find it, but soon discover it in the secret closet with all the old tools. The two steal it and take it to Darius King, telling him that El isn’t a designer at all, but just a stock boy at his mother’s shoe store.

On the morning of El’s meeting with Darius, he oversleeps and finds his sneaker has gone. Sami tells him to go without the shoe and to bring his new designs instead. However, as El arrives at the King office building, he sees Zelly and Stacy leaving; he knows something’s wrong. When El gets to the meeting room, he sees that Kira is upset, knowing that El lied to her about his design experience. Darius King talks to him and says he is simply a scammer, trying to use Kira and the family brand for fame. El is warned to stay away from all of them. El then learns back home that the store has sold and they will be moving away, back to New Jersey where Trey and his family previously lived. As El throws out all his designs, the design that he had created for a potential Sneaker Con shoe blows out of a bin and makes its way over to Gustavo.

On the day of Sneaker Con, El wakes up to see his design is now an actual pair of sneakers. How did that happen?! El sees his stepbrothers loading up the removal van as they are moving that day. El sees Sami on the street and asks her to stall his brothers so he can get out of the house without being seen. Sami happily obliges, giving El a head start to the King Sneaker Con launch, but it’s not long before Kelly and Stacy realise that El has left the house and know where he must’ve gone. They commandeer the moving van, telling their father not to worry. Trey is confused and annoyed at his sons for doing this. Sami tells Trey that he needs to see El as the talented kid he really is and tells him where they’ve gone.

El arrives at the King sneaker launch just as Darius is doing a musical performance. El shows Kira his newly designed shoes and apologises to her for what happened. Kira apologises for putting pressure on El to lie about his design experience. Kira then convinces her father to let El tell his story to the crowd. As El starts to talk about what happened, Zelly and Stacy arrive, once again reiterating that El is nothing but a fraud, however, they are stopped by Trey. Trey apologises to El for being so hard on him since his mother’s death and for not understanding how much the store and designing meant to him. He asks for a second chance at being a father to El. El accepts. Darius King then announces that El will be the new designer for the King sneaker brand.

The movie ends one year later, where we see that El and Kira are now a couple and El has been able to keep his mother’s shoe store, renaming it “El-evate”. He sees that he is now inspiring others with his shoe designs and is happy that he finally fulfilled his dream, as well as continued his mother’s legacy.  

CHARACTERS & CAST

El is struggling with his family life, now that his mother has died and he’s been left to fend for himself, with a stepfather and two stepbrothers who don’t seem to care at all about him. El is forced to work exceedingly long hours at his mother’s shoe store, but in actual fact, he doesn’t want to be selling shoes; he wants to be making them. Although he has had some experience in customising his own sneakers, and Sami’s, El has no real design experience and doesn’t seem to have ever made his own pair of sneakers. It’s not until he meets Kira King that he wants to show off his talent, whether to impress her or to make some use of her father’s connections – or a bit of both – I’m not sure. But El does design a pair of sneakers that gets people talking and he starts to think this might be the making of him. Sadly, his stepbrothers come in to ruin his opportunity, and El starts to lose faith in his ability. Thanks to friend Sami and neighbour Gustavo, who push him to take advantage of his talent, El plucks up the courage to apologise to Kira and Darius King, revealing that he is a good person with genuine talent and belief, allowing El to get his dream of being a real sneaker designer.

Chosen Jacobs was cast as El. Jacobs had previously appeared as Will Grover in a few episodes of Hawaii Five-0 (2010-20) before landing the role of Mike Hanlon in horror movie It (2017), reprising his role in It Chapter Two (2019). After Sneakerella, Jacobs went on to be cast as Frankie in the Netflix film Purple Hearts (2022) and Alex in the Hulu original film Darby and the Dead (2022).

Helping El overcome a lack of confidence is his best friend Sami. Sami is a very loyal friend who is always there for El and has his best interests at heart, even if that means pushing him to do something difficult or uncomfortable, such as planning to attend the King gala and making El respond to Kira’s social media campaign, despite El’s worries about how his lies may backfire on him. Those lies did in fact backfire on El, but Sami was there to tell him how much she believed in him and his talent, making him think that he could go to the King Sneaker Con launch to make things right, even providing the diversion to get him there.

Sami was played by Devyn Nekoda, who had previously been cast as Mackenzie in the DCOM The Swap (2016). Outside of Disney, Nekoda was cast as Anika in Scream VI (2023) and as Sage 5 in sci-fi series Utopia Falls (2020). She also appeared as Riley in Season 1 of Netflix’s Ginny & Georgia (2021-present).

Also there to help El, in some quite magical ways, is Gustavo, El’s neighbour. Gustavo is El’s “fairy godfather”. It’s not specifically shown that Gustavo has magic, as in he doesn’t cast spells or anything, but he always shows up at just the right moment, like when El is trapped in the store on the night of the gala. Apparently, some drawings leapt off their page and flew across the street, alerting Gustavo to the fact El was stuck and needed help. Gustavo also happens to have a car to give to El and Sami, tells El to put on his fancy shoes for the gala, and then seems to make El’s Sneaker Con design a reality at the end of the film. Having seen El’s mother succumb to illness, Gustavo clearly has some sort of feeling of responsibility to look after El and keep him safe and happy in his difficult family situation, however, he doesn’t make this too obvious and it’s not entirely clear whether El is aware of Gustavo’s “influence” or whether he thinks everything is purely coincidental!

Juan Chioran was cast as Gustavo. Although Chioran has primarily acted on stage and not on screen, with roles in many productions over the years at the Stratford Festival, held in Stratford, Ontario in Canada, winning a Gemini Award for his 2000 performance as Count Dracula in Dracula: A Chamber Musical, Chioran may be familiar to Disney Channel fans from playing the role of Francobollo Garibaldi, Galleria’s father, in The Cheetah Girls (2003). He also has experience in voice acting, recently voicing the recurring role of Señor Tapir in the PBS Kids series Elinor Wonders Why (2020-present).

Then we have El’s love interest, Kira King. Kira doesn’t seem to fit in well with her superstar family, as we see when Kira is stood in line like an ordinary person to try and buy sneakers from her own father’s brand. She doesn’t want handouts and she’d rather not have people know she is the daughter of Darius King in case it changes someone’s opinion of her. This is why she doesn’t reveal this to El when they first meet. Kira wants her father’s sneaker brand to be more about sneakers that tell a story instead of just being plain ones that can make a lot of money, whereas her sister, Liz, is focused on finding a style that will sell. Kira is ecstatic when she “discovers” that El is an experienced sneaker design, because not only does she like him, but he’s just the type of person she promised her father she could find before Sneaker Con, to give them a better design than Liv’s boring sleeks. Kira is devastated to learn that El lied about his sneaker experience, but she soon realises that the pressure she felt to find a great designer for the company led to her putting pressure on El to lie about who he was. Kira takes some responsibility for what happened between her and El, so when they make up, she convinces her father to listen to El’s apology and his story.

Kira was played by Lexi Underwood. Prior to Sneakerella, Underwood was cast as Pearl Warren in the Hulu series Little Fires Everywhere (2020), which starred Reese Witherspoon and Kerry Washington. She went on to portray Malia Obama in the series The First Lady (2020). More recently, Underwood starred as Isabella LaRue in Season 2 of the series Cruel Summer (2021-23). Kira’s sister, Liv, was played by Robyn Alomar, who had previously been cast as Aliyah 5 in Utopia Falls (2020).

Kira’s father is Darius King. Darius was a former basketball player and has now started a sneaker “empire”, creating a huge brand which is popular with many sneaker fans, with El and Sami being two of these fans. Darius isn’t shown to be a money-crazed entrepreneur, and instead, encourages his business to be run as a family enterprise, with everyone having equal say, which is why he allows Kira the opportunity to find a designer to come and work with the brand, to give their sneakers some much-needed expression. After being informed that El, Kira’s chosen designer, lied about his experience, due to Darius’ protective nature, he tells El to stay away from his family, not wanting them to be duped by a “scammer” and a fraud. Darius is, quite rightly, sceptical of El’s motives for getting close to his daughter, believing that El wants fame, but by the end of the film, Darius learns that is not the case and sees El for the talented designer he is.

Darius King was played by former professional basketball player John Salley, whose career ran from 1986, when he was drafted by the Detroit Pistons, and ended in 2000, retiring after a spell with the Los Angeles Lakers. During his basketball career, Salley became a four-time NBA champion, being the first player in NBA history to win championships with three different teams. After basketball, Salley turned to the screen, as other basketball players have also done, being cast as Fletcher in the movie Bad Boys (1995), reprising the role in 2024 for Bad Boys: Ride or Die. He also came in third place in the US version of the reality series I’m a Celebrity…Get Me Out of Here! back in 2009.

For El’s stepfamily, we have Trey, the stepfather, and Zelly and Stacy, the stepbrothers. Trey doesn’t mean to be cruel to El with his work in the shoe store; he is simply stressed and overworked trying to keep the store afloat now that he is running it single-handedly without El’s mother. He tells El that his sneaker designing dreams are just a folly and that El needs to start living in the real world. Things between the two of them really hit rock bottom when Trey says he is selling the store and moving all of them back to New Jersey, much to the delight of Zelly and Stacy who apparently hate living in Queens. Zelly and Stacy don’t initially seem to be “wicked” stepbrothers, however, their villainy progresses beyond just messing up the store room for El to clean up and generally seeming to ignore El and his needs. Instead, they go out of their way to ruin El’s chance of being a designer for King just to make him miserable. Stacy seems to be the mastermind behind these schemes, being the brother with the brain, whereas Zelly is the “less smart” one who goes along with whatever Stacy says. In the end though, Trey learns of El’s talent and stops his sons from ruining El’s opportunity. It’s not clear whether the four of them become “one big, happy family” because we don’t see it, but I’m sure Trey now keeps his sons in line.

Trey was played by Bryan Terrell Clark, who has been cast in the recurring roles of Pastor Logan in Season 2 of Snowpiercer (2020-24) and as Dr. Dermatologist in Hulu’s Saint X (2023). He also appears as Mr. Tea in the series Diarra from Detroit (2024-present). Hayward Leach was cast as Stacy. Leach played Freddie in Season 2 of Love Life (2020-21) and went on to appear as Roy in Elsbeth (2024-present). Kolton Steward was cast as Zelly. He had previously played Jarvis in the Canadian sitcom Some Assembly Required (2014-16), and appeared as Owen in the DCOM The Swap (2016), going on to play the role of Tyson in the Disney sequel Disenchanted (2022). Steward currently voices Rory in the animated Netflix series Unicorn Academy (2023-present).

PRODUCTION

The start of production on Sneakerella was announced in October 2020, where the three main actors, of Chosen Jacobs as El, Lexi Underwood as Kira, and John Salley as Darius King, were announced. A brief plot of the film was also described, and an expected premiere date was set to be sometime in 2021[1].

Because filming began at the end of 2020, although clearly the film industry was back at work by then, the cast and crew would’ve been required to comply with certain restrictions due to the ongoing COVID-19 pandemic. This included crew members wearing masks and face coverings, and cast having to do so when not on camera. Social distancing and ways of restricting contact with those outside of production were likely enforced too. It was also the case that cast and crew could not explore the surrounding areas properly either. Devyn Nekoda is from Ontario and she stated that she was disappointed that she was unable to show her American castmates the area properly whilst they were filming there, meaning they spent their downtime mostly hanging out in their apartments together[2].

Specific filming locations in Canada used for Sneakerella include the Hamilton International Village District, with its shops and city blocks being repurposed to look like the Astoria neighbour in Queens, New York City, where El and his stepfamily live. King Street East in Hamilton, Ontario was reportedly used as the location of the big street art mural that El takes Kira to on their afternoon in Queens together[3]. The Bay Adelaide Centre in Toronto appears to have been used as the location of Darius King’s business headquarters[4]. Due to the fact that Sneakerella’s production took place in Canada, but the story is set in New York City, some CGI enhancement was likely used to represent certain areas of the famous city. To be honest, when watching Sneakerella, I quite easily believed it was filmed in New York, although admittedly I have never been to either New York City or any part of Canada. I’m sure anyone familiar with either place would’ve easily known the truth of its filming locations.

Sneakerella was directed by Elizabeth Allen Rosenbaum, who had previously directed the movie Ramona and Beezus (2010), which starred former Disney Channel actress Selena Gomez, and some episodes of Pretty Little Liars: The Perfectionists (2019), which featured Descendants star Sofia Carson. Rosenbaum and Carson worked together again for Netflix’s 2022 movie Purple Hearts.

The writers of Sneakerella came from a variety of places. Two of these were from the world of the DCOM, these being David Light and Joseph Raso who worked on the first three ZOMBIES films. Another screenwriter was Tamara Chestna, who had previously co-written the screenplay for After (2019), the first in a series of movies based on the novels by Anna Todd. Chestna is also set to be a writer for the upcoming fifth instalment of Disney Channel’s Descendants franchise. The other writers on Sneakerella were Mindy Stern, and George Gore II, who is perhaps best known for his role as Michael Kyle Jr., or just Junior, in the sitcom My Wife and Kids (2001-05).

Continuing in the pattern of having crew that have history with either Disney Channel or teen dramas, Jane Startz, who produced the film Ella Enchanted (2004), itself a take on the traditional Cinderella tale, was a producer on Sneakerella, as was Rachel Watanabe-Batton, a producer on the Mr. T series I Pity the Fool (2006). From the world of musicals, Christopher Scott was another credited producer, who was a choreographer on In the Heights (2021) and even Wicked (2024). Scott was also a choreographer on ZOMBIES (2018) for Disney Channel. The choreographers on Sneakerella were Emilio Dosal and Ebony Williams, who both worked on In the Heights, the film adaptation of the stage show.

Although Disney and musicals were a key part of Sneakerella’s production, another important feature of the movie is, of course, “sneaker culture”. I had very little prior knowledge of sneaker culture before watching Sneakerella, other than the fact I knew exclusive, limited-edition sneakers were bought and sold, and that Nike fought to have Michael Jordan sign with them to create the famous Air Jordans. I had to do some research.

The origin of the sneaker goes back to the 1860s where in England, they were used for the sports of tennis and croquet. Their use was entirely functional and had nothing to do with fashion. Sneaker culture likely began with the rise of athlete-endorsed shoes in the 1970s and 1980s, with the most popular designs on the basketball courts being Puma, Adidas, and Converse around this time. In 1985, the public release of Nike and Michael Jordan’s sneaker collaboration, the Air Jordans, was the biggest thing to transform sneakers. Despite only being a rookie on the basketball scene at this time, Nike and Adidas fought for Jordan to sign with them. Eventually, Nike won and Jordan signed a five-year, $2.5 million endorsement deal with them. Nike were incredibly radical with their design because NBA guidelines stated that sneakers had to be 51% white to be used on the court for games. The Air Jordans were actually “illegal” shoes, with mostly red and black colouring. Nike chose to pay the $5,000 fine that was set for any players that came on to court with shoes that went against the guidelines rather than change their design. Luckily, it paid off for everyone involved, because Michael Jordan became one of the best and most famous basketball players in the world, with his sneakers following suit.

It wasn’t only basketball and sports stars that contributed to this culture either. Hip-hop was a contributor as well. Hip-hop group Run-D.M.C. released the single “My Adidas” in 1986, which led to them having an endorsement deal with the brand. Kurt Cobain of Nirvana later made Converse a symbol of youth and rebellion. Other celebrity and luxury brand sneaker collaborators led to further hype with their limited-edition releases. By the mid-2010s, sneakers had become a status symbol. Singer Drake even commissioned a one-of-a-kind pair of Air Jordans in 2016 that were wrapped in 24-carat solid gold[5].

Sneakers aren’t only about collections now; they are supposed to tell a story about yourself, this being something that El is a clear believer in, as is his friend Sami. El even likes to guess people’s personalities from their shoes. Sneaker culture has also built a community for some sneaker lovers, and I learnt that Sneaker Con is a real thing, not something that was made up for Sneakerella. Sneaker Con was founded in August 2008, by Alan and Barris Vinogradov and Yu-Ming Wu. Its inaugural event took place in Times Square Arts Center in New York City, hosting over 3,000 people in March 2009. Sneaker Con now goes all over the world, having had events in cities outside the US, like London and Sydney[6].

Even with all that talk of sneakers, Sneakerella doesn’t forget to honour its fairy-tale source material. During the opening song of Sneakerella, “Kicks”, bubbles appear during the sequence. This a nod to the song “Sing Sweet Nightingale” from Disney Animation’s Cinderella (1950) where Cinderella sings whilst cleaning, and bubbles form around her, showing her image inside of them. The orange convertible that El and Sami are given by Gustavo to get to the gala has this license plate: PMPKN XPRS, as in “pumpkin express”, which is a clear reference to Cinderella’s famous pumpkin carriage. There is also a brief glimpse of graffiti art versions of two of the bluebirds from Cinderella as El is making his “glass” sneakers for the gala. Speaking of these sneakers, with their plastic soles meant to resemble the original glass slippers, they were designed by Eske Schiralli, a designer who founded his own footwear and garment design house, Mad M.F.G. in 2017 and has collaborated with Adidas and Nike, as well as Disney now[7]. The famous clip from Cinderella of the glass slipper being placed on Cinderella’s foot in the animated movie can also be seen during Kira’s social media campaign to find her prince. Finally, some of the character names reference the 1950 movie, such as Trey being a shortening of Tremaine, like Lady Tremaine, Cinderella’s stepmother; and Zelly and Stacy being shortened versions of Drizella and Anastasia, Cinderella’s stepsisters[8].

MUSIC

Much like other versions of the Cinderella story on screen, Sneakerella was a musical, although due to its modern setting, its music is heavily based in R&B, hip-hop, and rap, unlike the majority of other Cinderella movie musicals. Many of these songs go alongside big dance numbers, featuring dance styles like hip-hop and breakdancing, which is quite different to most other Cinderella adaptations too.

The opening song of Sneakerella is “Kicks”, which introduces us to the character of El, as well as his neighbourhood, and the collective love of sneakers within the community. I liked “Kicks” in terms of it being a good opener for the audience. A brief snippet of “Kicks” is also used in the End Credits. I did find that it sounded kind of similar to the music in Disney Channel’s ZOMBIES and Descendants movies. This was a thought I kept returning to throughout Sneakerella. “Kicks” was performed by Chosen Jacobs as El, and was written by Antonina Armato, Tim James Price, Thomas Armato Sturges, and Adam Schmalholz.

Following on from that, we have “Best Ever”, which is performed by Jacobs as El and Lexi Underwood as Kira. “Best Ever” is the song used when El takes Kira to Queens and shows her around his neighbourhood, before ending their day at the street art mural. This is the first hint that Kira and El are falling for each other. There is a reprise of this song just a bit later, as they sit by the mural. “Best Ever” and its reprise were written by Clyde Lawrence, Gracie Lawrence and Jordan Cohen.

After that great day with Kira, El comes back to find that his stepfather is angry at him for not cleaning up the shoe store. At this point, El sings the song “In Your Shoes” as he thinks about all the memories he had in this store with his mother, going from happy moments to the saddest, most painful ones as his mother succumbs to illness. This song was quite moving, in part for the music itself, as well as for the flashbacks that are shown on screen of El’s life with his mother. “In Your Shoes” was written by William Behlendorf, Jason Mater, and Brandon C. Rogers.

A more positive song, “Work Up”, also performed by Jacobs as El, follows this a few scenes later, as El makes his own pair of sneakers for the King gala. This was an upbeat, hip-hop-style piece, showing that El finally has some confidence in himself and he’s going to achieve his dream of being a sneaker designer. A brief snippet of “Work Up” is used in the End Credits. “Work Up” was written by Anthony Ferrari, Sean Turk, and Dewain Whitmore.

One of the most well-known songs from Disney Animation’s Cinderella is “Bibbidi-Bobbidi-Boo”, where Cinderella’s Fairy Godmother gets her ready for the ball. Sneakerella has its own version of this, “Life Is What You Make It”, where Gustavo, El’s “Fairy Godfather”, helps him and Sami get ready for the gala, giving them new clothes and even a car to get them there. To be honest, I didn’t like this song much, feeling that it went on a bit long and took away from some of the urgency about getting to the gala. It was performed by Juan Chioran as Gustavo, Devyn Nekoda as Sami, and Jacobs as El. “Life Is What You Make It” was reprised at the very end of Sneakerella as we see how everything ended up for El, as well as being used for the beginning of the End Credits. It’s another big dance number here too. This song was written by Tora Litvin and Doug Rockwell.

There was actually a song from Disney’s 1950 Cinderella that was adjusted to fit into Sneakerella. This is “A Dream Is a Wish Your Heart Makes”, which was originally written by Al Hoffman, Jerry Livingston, and Mack David. It is used for the scene where El and Kira see each other at the gala, and there is even a contemporary dance that the two do together, although this is seemingly shown to be a daydream. Personally, I prefer the original version of “A Dream Is a Wish Your Heart Makes”, but it was an interesting, modern update to it. This song was also remixed, although this does not feature in the movie, only on the soundtrack.

After the gala, where El left Kira without an explanation or talking to her father about his sneakers, Kira and her sister have a plan to launch a social media campaign to “find” El and get him to meet her to discuss his sneaker designs. The song used for this scene is “Perfect Fit”. Again, this wasn’t the best song from the movie for me. It was performed by Lexi Underwood as Kira, and Robyn Alomar as her sister, and it was written by Greg Bonnick and Hayden Chapman.

Following on from that, El’s stepbrothers Zelly and Stacy learn that El is close to becoming a famous sneaker designer, and out of jealously and a desperate need to get their father to move them back to New Jersey, the brothers launch a plan to ruin El’s life by stealing his “glass” sneaker and telling Darius King that El is a fraud, and not a designer at all. The song Hayward Leach and Kolton Stewart perform here as Stacy and Kelly is “Shut It Down”. I actually quite liked this song, probably because it was the “villains’ song”. “Shut It Down” was written by Farrah King.

The final song to appear in Sneakerella is a rap battle simply titled “Finale”. This shows El trying to convince Darius King about his potential to be a great designer for his business. There is a bit of back-and-forth between the two, before Kelly and Stacy burst in to call him a fraud, with Trey, El’s stepfather, telling them to back off as he apologises for not paying enough attention to El’s life and wanting to be a better father figure to him. I probably would’ve preferred this whole tie-up of the storyline to have taken place through dialogue and not a rap battle, but that’s just me. The rap battle suits the musical styling of the movie. “Finale” was written by Theron “Neff-U” Feemster, Jordan Power, and Frankie “Rank” Wood.

Theron “Neff-U” Feemster also wrote another song for the Sneakerella soundtrack, and performed it alongside Julia Pratt. This song is “Fly Higher”, which was not used in the film.

The score was composed by Elvin Ross, who has collaborated with Tyler Perry on the music for some of Perry’s projects, including the sitcoms Tyler Perry’s House of Payne (2006-25) and Meet the Browns (2009-11).

Sneakerella did win an award for its music: a Children’s and Family Emmy award for Outstanding Music Direction and Composition for a Live-Action program. Two of the movie’s songs were also nominated at the same ceremony for Outstanding Original Song. These were “In Your Shoes” and “Kicks”.

RECEPTION

Although production on Sneakerella took place during the last few months of 2020, with many news outlets listing a 2021 Disney+ premiere for the movie, for some reason or another, the release of Sneakerella was delayed a few times.

The first trailer for Sneakerella dropped on 12th November 2021, with a release date listed as 18th February 2022[9]. However, February 2022 came and went; there was no Sneakerella on Disney+. It seems that a new trailer was then released on 8th April 2022, with a release date of 13th May 2022. This time, the trailer was correct and Sneakerella did come to Disney+ on this date. It’s been said these delays were due to the COVID-19 pandemic, despite filming already being completed by 2021. Perhaps Disney were just trying to find the best time in their schedule to release Sneakerella, so that it wasn’t overshadowed by some other Disney+ release coming in the days or weeks around it.

Sneakerella received mostly positive reviews from critics after its release, although the audience reaction was more mixed.

On the positive side, Sneakerella was seen as a modern take on Cinderella which was appreciated for its fun spin on the story and its diversity. Others liked the musical soundtrack, likening it to other Disney Channel hits like ZOMBIES and Descendants. The leads of Chosen Jacobs and Lexi Underwood, as El and Kira, were generally well-received, as was Devyn Nekoda as Sami. It was also considered better than the average Disney Channel movie by some.  

On the other hand, a further adaptation of Cinderella, so soon after Amazon Prime’s 2021 version with Camila Cabello in the title role, was considered unnecessary. Some criticised certain story aspects, such as Kira’s social media campaign to “find” El. In the original story, Prince Charming doesn’t really know what Cinderella looks like and certainly doesn’t know where she lives, making his journey to find her seem realistic, whereas in Sneakerella, Kira already knows what El looks like and knows that he lives in Queens, since he took her there on the day that met. It was queried why Kira didn’t just go to Queens and ask around for him. I thought this too when I watched it, but obviously, in the movies, everything needs a level of tension and drama or there is no point to it. Some also picked up on the fact that a gender-swapped Cinderella is really just a version of Aladdin, which made Sneakerella less unique than originally advertised. Another comment was simply that Sneakerella was just too long and dragged in places. I agree with this, as I was relatively focused on the movie up until they got to the gala and then I found myself getting bored and wondering why the ending was being dragged out so much. Sneakerella was about twenty minutes longer than the average DCOM so that’s probably why it bothered me. I am capable of watching movies longer than 90 minutes, I swear.

As Disney don’t release viewing figures for every Disney+ release, unless it has done exceptionally well, like the premieres of their new animated movies or those of Pixar, it is unclear how many people watched Sneakerella on its release.

Although Sneakerella feels like a typical Disney Channel Original Movie, being produced by Disney Channel and being a musical reminiscent of the ZOMBIES or High School Musical franchise, it wasn’t labelled as a DCOM. 

That is because Sneakerella did not premiere on Disney Channel; it premiered on Disney+. This has started to become the norm and I believe the simple reason for this is because many of the international Disney Channels have since shut down. Nowadays, it seems that most “Disney Channel movies” premiere on Disney+ and the US Disney Channel within a few days of each other, making the label Disney Channel Original Movie inaccurate. Sneakerella was in a similar situation to Secret Society of Second-Born Royals (2020) which premiered on Disney+ in 2020 but did not come to Disney Channel until 2023. Sneakerella apparently premiered on Disney Channel on 13th August 2022, three months after its Disney+ date. Viewing figures for its Disney Channel premiere were also unavailable.

Despite not having viewing data to judge the popularity of Sneakerella, the movie itself did win numerous awards at the 1st Children’s and Family Emmy Awards, held on 10th and 11th December 2022, proving that it was appreciation by industry professionals. The awards won were in the categories of: Outstanding Fiction Special; Outstanding Music Direction and Composition for a Live-Action Program; Outstanding Editing for a Single Camera Program; and Outstanding Choreography.

Sneakerella was also nominated for other awards here, including Outstanding Art Direction; Outstanding Cinematography for a Single Camera Program; and Outstanding Directing for a Single Camera Program. In total, Sneakerella won four awards, and was nominated for eleven in total. These eleven nominations meant that Sneakerella tied with The Mysterious Benedict Society (2021-22), a Disney+ series, for most total nominations at this event. Production designer Elisa Sauvé won the award for Outstanding Achievement in Production Design for a Television Movie at the Directors Guild of Canada Awards.

LEGACY

Although Disney Animation’s Cinderella was followed by two direct-to-video sequels with varying levels of success, there was no sequel for Sneakerella. This isn’t a surprise since Sneakerella tied up its story neatly just like any other adaptation of Cinderella. “Sneakerella” met his “princess” and started his dream career as a sneaker designer. Everything worked out for him and we are led to believe that El and Kira lived “happily ever after”.

Instead, Sneakerella continued the legacy of the Disney musical, more specifically the Disney Channel musical. The first Disney Channel musical was The Cheetah Girls, released in 2003, two decades prior to Sneakerella. After Sneakerella, the DCOM musicals that followed it were ZOMBIES 3 (2022) and Descendants: The Rise of Red (2024), with further movies from these franchises coming over the next few months and years.

Sneakerella did also become another movie in a long list of screen adaptations of the classic fairy tale of Cinderella. But with so many of these over the years, potentially Sneakerella did not do enough to be remembered in the years and decades to come. 

FINAL THOUGHTS

I can’t say I disliked Sneakerella. It had its moments where it was quite clever and it did feel new and fresh, not a scene-by-scene repeat of Disney’s 1950 animated film.

I think I am, however, too old and “uncool” to fully appreciate Sneakerella. For one thing, I don’t have a love of sneakers. If El looked at my shoes, I don’t think he’d have much to say about them, which would basically mean he thought I was “boring”. Probably fair. I’m also not a fan of hip-hop or rap so the soundtrack wasn’t something I found overly memorable or enjoyable.

But I appreciated the attempt by Disney Channel to do a gender-swap of Cinderella for the young people of today. Many parents claim that they won’t let their children watch some of Disney Animation’s older movies, including Cinderella, due to their “outdated” views on society, including the role of women.

Sneakerella tries to represent the culture of young people today, giving them more of an accurate view of their lives compared to some of the more traditional Cinderella stories we see on screen. I think putting Sneakerella on Disney+, a platform with so much more variety than that of Disney Channel, meant it may’ve struggled to find its audience. But it only came out a couple of years ago; maybe it can be found again.  


REFERENCES

[1] Credit: Denise Petski, ‘‘Sneakerella’: Chosen Jacobs, Lexi Underwood & John Salley To Star In Disney+ Movie’, Deadline.com, 21st October 2020.

[2] Credit: Elisabetta Bianchini, ‘Canadian cast of Disney+ ‘Sneakerella’ welcomed Americans ‘with open arms’ during COVID-19’, News.Yahoo.com, 13th May 2022.

[3] Credit: Michael Kras, ‘This new movie musical on Disney Plus was filmed all over Hamilton’, Cekan.ca, 27th May 2022.

[4] Credit: Cormac O’Brien, ‘The First ‘Sneakerella’ Trailer Just Dropped & The Ontario Is Fully Showing Throughout’, Narcity.com, 13th November 2021.

[5] Credit: Starlight Williams, ‘How sneaker culture took over the world’, NationalGeographic.com, 27th April 2023.

[6] Credit: ‘About’, Sneakercon.com.

[7] Credit: Noel Ransome, ‘Eske Schiralli on Building the Sneaker for Disney’s ‘Sneakerella’ and Drake Rocking His Clothes’, Complex.com, 13th May 2022.

[8] Credit: Sarah Sterling, ‘5 Dreamy Animated Cinderella References in Sneakerella’, D23.com, 13th May 2022.

[9] Credit: Cormac O’Brien, ‘The First ‘Sneakerella’ Trailer Just Dropped & The Ontario Is Fully Showing Throughout’, Narcity.com, 13th November 2021.

The Swap (2016)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

Most of us are familiar with the concept of “body swapping” on screen. A popular example of this is Freaky Friday, which was originally a children’s novel written by Mary Rodgers and published in 1972. The story sees a teenage girl swap bodies with her mother. It has been adapted by Disney four times – so far – in 1976, 1995, 2003, and 2018.

Disney Channel’s The Swap has a very similar premise to Freaky Friday, although in this case, the two people swapping bodies are two teenagers at the same school, but one is a boy, and one is a girl, making for some awkward moments if you think about it too much… The two swap bodies thanks to a “text wish”, where they claim to be able to fix each other’s lives because the guy thinks girls have easier lives, and the girl thinks the exact opposite.

I wasn’t watching Disney Channel in 2016, so I didn’t watch The Swap at the time it first premiered. Instead, I found it randomly on the channel a few years later, at a point where I was probably “too old” to be interested in watching a Disney Channel Original Movie that was new to me. But I went ahead and watched it and surprisingly, I found I actually really liked it, and it is one of very few DCOMs that make me cry.

In fact, I liked The Swap so much that I was desperate to own it on DVD, because I’m weird like that and don’t trust streaming services, who take your favourite things away with very little notice or can’t put them on there because of rights issues, or whatever. I’d rather own something so I know I can watch it as long as I have a DVD player. I searched for The Swap and found it on the website of a reputable company that sell pre-owned technology and media in the UK. However, I ordered the film, which was advertised as the DCOM, only to receive the 1979 film The Swap which starred Robert De Niro – two very different films! I’ve had back-and-forth communication with this company a few times about The Swap, because it keeps being listed as available to order online but the film never comes. I’ve since done my research and concluded that Disney’s The Swap likely wasn’t released on Region 2 so this company cannot have it and will never have it, as the items they sell must be viewable via normal devices in the UK which is limited to Region 2. I’ve told them to update their systems, but you never know, if it appears again, I might order it, just to see what happens.

Anyway, I was in my mid-20s when I found The Swap, so how could I possibly like it that much? Well, I’ve always liked Freaky Friday, the 2003 version specifically, with Lindsay Lohan and Jamie Lee Curtis, and the premise of The Swap is very similar to Freaky Friday. The other reason is that The Swap is quite moving for a “kids’ movie”, because it tackles the subject of absent parents, one through loss, the other through divorce, which felt like quite difficult, but important, topics to be bringing to a channel that is mostly aimed at children and teenagers. It was touching to see that.

PLOT

The Swap begins with two teenagers. Jack Malloy plays hockey, his dad is the strict, tough hockey coach, and he wants to make the varsity team this year. Jack is also being pressured by “bully” Porter, who wants that last spot on varsity too, despite trying to make the team four years in a row and failing every time. Ellie O’ Brien is a rhythmic gymnast and is currently struggling with the fact her best friend Sassy has suddenly become close to new girl Aspen, so Ellie and Sassy are drifting apart. Ellie and her rhythmic gymnastics team have also just been told by their coach that if they don’t perform well at their competition this weekend, their sports team will be downgraded – to a club!

The next day, on Friday, after Jack smashed his phone screen playing hockey with his brothers, he is given their mother’s sparkly pink phone to use because their father likes to send motivational quotes over text throughout the day. Their mother died recently. Meanwhile, Ellie is getting ready for school and sees a message to her rhythmic gymnastics group chat from Aspen, saying all the girls should wear skirts today. Ellie is wearing her team tracksuit since it’s the day before a competition and they always wear tracksuits that day. On the way to school, Ellie’s mother asks Ellie if she wants a new phone. Ellie is using her dad’s old phone, which isn’t exactly the technological advancement of the day. Ellie’s parents are now divorced and her father has a new family now, but Ellie likes to use his old phone. Ellie’s mum says she is risk attaching too much emotion on to this phone and making it a “totem”. She likes meditation, yoga, crystals, that sort of thing. Ellie ignores her comment.

At school, Ellie is the only one of her team in her tracksuit but, not to worry, because she has a skirt she can wear over the top of it. This only adds to Aspen’s list of reasons why Ellie is “uncool” and makes a point of telling Sassy that Ellie needs to be un-invited from teammate Claire’s party this weekend. Aspen then sees Jack Malloy and convinces Sassy to go and talk to him because Sassy has a – very recent – crush on him. Jack doesn’t find it easy to talk to girls though so the conversation is awkward…

Later, Porter baits Jack into fighting him. It’s not a particularly good fight and Jack loses out with only a bloody nose to show for it, but it’s enough for Porter who has filmed their “altercation” and plans to show Coach Malloy so Jack cannot get that last spot on the varsity team. Back with Ellie, she overhears Sassy and Aspen gossiping about her, with Aspen being particularly mean, saying Sassy needs to take Ellie off “social life support”, whatever that means. Sassy says she doesn’t want to upset Ellie, so Aspen allows Ellie until Claire’s party to prove she’s cool enough to still be friends with her. Devastated, Ellie heads to the nurse’s office in tears, and finds Jack there with his nosebleed.

Jack and Ellie begin arguing over whether girls or boys have it harder in life, with Jack saying being beaten up isn’t exactly easy, and Ellie stating that the politics of female friendships are so much more difficult to cope with. Eventually, the nurse gets fed up with listening to the two of them debating and tells them to have this conversation over text instead, to give her some peace! They continue through text messages, getting to the point when they say they’d like to take each other’s lives because they’d easily get through a day being the other person. When they text “deal”, Ellie and Jack start to feel strange and are thrown out of their seats by some sort of force. Getting up, they soon realise that Jack is now in Ellie’s body, and Ellie is in Jack’s! They try slapping each other to snap themselves out of it but it doesn’t work. They try taking their “text wish” back but that doesn’t work either. Ellie then remembers the conversation she had with her mother about totems and emotional connections to their phones and asks Jack if his phone is special to him. Because it was his mother’s and she’s now gone, that is definitely the case. Ellie says her mother has a book about this so maybe that’ll give them something to help swap them back, but they’ll have to wait until “Ellie” is back home to get it. Ellie and Jack say they’ll just have to get through the day acting like each other.

Their first testing encounter happens shortly after, as Porter confronts “Jack” about the video of their fight. Jack, but in Ellie’s body, tells Porter to stop threatening him with this video, saying it’s not right. Porter, impressed by this Ellie girl, invites “her” to have doughnuts with him on Saturday. “She” accepts, but only because Jack hopes that him being Ellie will be able to convince Porter to delete that video forever. Sassy and Aspen then approach “Jack”, so Ellie as Jack talks to Sassy. However, Jack in Ellie’s body is still unable to talk to girls so “Ellie” babbles incoherently in front of Sassy and Aspen, giving them further ammunition for Sassy to end her friendship with Ellie. Jack and Ellie then give each other a brief rundown of their lives and home situations before being picked up at the end of the day. Ellie tells Jack her mum is the textbook example of an overprotective “helicopter parent” and Jack says to Ellie that his dad is the hockey coach and is quite tough on them, plus he has two older brothers, Gunner and Stryker. It turns out Jack’s father named his older brothers, but Jack’s mother picked out his name which is why Jack’s name is so different. Jack will call Ellie once he’s found the book at Ellie’s house.

“Jack” is picked up by his brother, but strangely enough, they don’t seem to use their car doors so Ellie as Jack has to jump in to the car through the open window… Jack, as Ellie, then does the same in Ellie’s mother’s car, shocking her. Ellie’s mother takes “Ellie” to rhythmic gymnastics practice, where unsurprisingly, “Ellie” is terrible. Jack also refuses to undress in Ellie’s body so wears her leotard over the top of her tracksuit, making “Ellie” seem even weirder today. Ellie as Jack accidentally agrees to have Jack’s brothers cut his hair, because they used the term “chopping the salad”, which Ellie obviously didn’t understand. Jack didn’t want his hair cut, but it’s a varsity tradition apparently.

After practice, Ellie texts Jack about the haircut. Jack calls Ellie back saying he is mad, but can’t live without him, meaning he can’t live without his body. However, Aspen overhears this conversation and, hearing Ellie saying those things, believes Ellie is interested in Jack, going completely against “girl code” since Sassy has made it only too obvious she likes Jack. Aspen goes to tell Sassy about this immediately. Jack then gets back in Ellie’s mother’s car so she can take “Ellie” to her team physical. Ellie’s mother lets slip that Ellie’s phone’s data plan will be ending on Sunday at noon. This only gives Ellie and Jack less than two days to switch back! At Ellie’s physical, Jack wears a mask throughout so he doesn’t see any of Ellie’s body, but the doctor perceives this as strange behaviour coming from the fact Ellie’s father recently left her and her mother, and she tries to talk to “Ellie” about it. Meanwhile, Ellie as Jack is at hockey practice and plays badly, disappointing Coach Malloy, Jack’s father, who says Jack needs to play much better on Sunday for varsity try-outs because they’ll be dedicating a bleacher seat to Jack’s mother on that day and it would look really bad if he missed out on varsity that day.

Back at home, Jack finds Ellie’s mother’s book on totems and calls Ellie. Jack’s brothers actually answer the phone and tease him about having a girl on the phone. Ellie tells Jack about the dedication for his mother, and Jack tells Ellie that her doctor wanted to talk to her about her father leaving. The two briefly bond over the shared connection of both having an absent parent. They then get back to their switching back situation. It says in the book that the quest they must accomplish is in the original wish, and they need to complete this to undo the swap. Jack and Ellie decide they have to make each other’s lives better, like they said. Firstly, Ellie’s phone contract needs to be extended to give them more time, and Porter needs to delete the fight video. Sadly, although Porter is expecting Ellie’s body, Jack will have to go, as Ellie’s body will be needed at the phone store to talk about the contract.

On Saturday morning, Ellie is woken up at 5am by Coach Malloy and Jack’s brothers for early morning training, whereas Jack gets to sleep in. Sassy comes to Ellie’s house later that morning though to confront “Ellie” about her crush on Jack. Sassy eventually sees what Ellie looks like in childish pyjamas and doesn’t perceive her as any sort of threat so Sassy simply tells Ellie to be “less her” at Claire’s party tonight. Jack as Ellie is taken for a spa day by Ellie’s mother, where he manages to sneak away for a few minutes from the torture of leg waxing to go to the phone store across the street. The store clerk cannot help with extending the contract since Ellie’s father actually cancelled the plan, something Ellie is not aware of…

Ellie as Jack meets up with Porter and the two have a talk about varsity. Porter doesn’t actually seem to like hockey all that much, so “Jack” takes him to STEM (Science, Technology, Engineering, and Maths) club at school since Porter likes making fun gadgets. He has a good time there and deletes the video. Ellie also sees her friend Mackenzie there and talks to her, but Mackenzie is confused about why Jack Malloy is talking to her. Oops.

Ellie and Jack update each other on their mornings, but Jack doesn’t tell Ellie the real reason her phone contract cannot be extended, just saying it couldn’t be done. Ellie then tells Jack he has to help her get Sassy to be her best friend again. Jack agrees to do this and asks Ellie’s mum if Ellie’s body can have a complete makeover that afternoon. Ellie’s mum is happy to help. But just before that, Jack decides to get payback on Aspen, by pretending to be her hairdresser when Aspen’s eyes are covered and spreading random dyes into her hair! Ellie decides to help Jack at home and decorates his room with some of Jack’s mother’s belongings which were being kept in a closet that nobody wanted to look at.

That night, Jack’s phone gets a text from friend Owen, telling him to take a break from varsity preparations and come to a game night. Coach Malloy would never allow that so Ellie calls on Porter to help “Jack” get out of the house. Using a makeshift zip wire, Porter gets “Jack” out of his room and the two go to Owen’s game night. Once there, Ellie as Jack starts to panic that Porter wouldn’t be welcome here, but is surprised to find that guys are much more accepting of new additions to friendship groups than girls are.

“Ellie” shows up at Claire’s party, but Aspen and Sassy are not impressed with Ellie’s new look, believing she’s done all this to impress Jack. Jack in Ellie’s body tries to convince Sassy to be friends with Ellie like they used to be, but Sassy says the two of them have grown apart and they can’t be friends anymore. Mackenzie then helps “Ellie” get into the party spirit. At some point, Aspen and Sassy get bored and start messing about with the photos on the photo booth, so Jack as Ellie stands up to them, saying that they are being uncool and that Jack Malloy wouldn’t find it funny and “she’d” know that because they’re very close. Aspen decides she must mean that the two of them are together and tells all the guys at game night to meet the girls at the river to see if “Ellie” is telling the truth.

At the river, Jack and Ellie walk away from the group but they argue about how Jack has messed things up between Ellie and Sassy for good now. Ellie as Jack starts to cry in front of everyone, and to make it worse, Coach Malloy shows up to take Jack home. Jack as Ellie sees Aspen looking smug and reveals her terribly dyed hair in front of everyone, which Aspen had been hiding under at hat. Back home, Ellie is devastated about losing Sassy, whilst Jack as Ellie looks through old photos in Ellie’s room. He sees photos of Sassy, Ellie, and Ellie’s dad, and realises Ellie doesn’t want to lose both of those people. Jack and Ellie make up and decide they have to be good at their respective sports on Sunday, so with help from Owen, who has now been told all about their swap, opens up the sports centre and they have an all-night training session.

On Sunday, Ellie as Jack meets Jack’s brothers and father for an early morning run as usual. Jack as Ellie gets to the rhythmic gymnastics competition and is sad to see that Ellie’s father didn’t show up. However, apart from one minor slip up with the ribbon, Jack does well for Ellie at the competition and their sports team will be staying a team, with badminton being demoted to club status instead. At the hockey rink, Ellie as Jack watches the bleacher seat dedication for Jack’s mother and then plays well enough to get that spot on the varsity team. Ellie and Jack catch up with each other afterwards and at 11:15, with only 45 minutes to go until Ellie’s phone contract expires, they try a text to switch themselves back. It doesn’t work. Ellie says they need to get it extended, but Jack reveals that actually her father cancelled it, because he wanted a new family plan… “Jack” is then taken home by his father who tells him he didn’t play well today. Ellie as Jack stands up to him, asking if he is actually proud of Jack at all, and saying this isn’t how he should be treating his sons, and that boys can cry and in fact they should sometimes. It would seem that Ellie is finally having the conversation she needs to have with her father with Jack’s instead. Jack as Ellie takes a walk with Ellie’s mother and they discuss Ellie’s dad not being at the competition. Jack says that he misses his mother and Ellie’s mother tells “Ellie” she’ll always be there for her.

Feeling better about their lives, Ellie and Jack text each other to meet at the river with only five minutes until noon. Ellie as Jack gets a ride from Porter to make it in time. With one minute to spare, they text to say their lives are much better now and – it works! The two swap back to their normal selves. Ellie tells her mother that she’s going to be alright and that her mum should start doing more things for herself. Jack’s dad then says “Jack” was right with the things he said and that he’s been tough on the boys thinking it would stop them from feeling the pain of losing their mother. He loves his sons so much. They have a group hug.

At school the next day, Ellie and Mackenzie talk about how Mackenzie likes Jack, and Owen is given “permission” by Porter to ask out Ellie, with Ellie and Jack remaining good friends. They introduce their parents to each other, and see that Coach Malloy is awkward in front of women, just like Jack was. Ellie and Jack text about the situation, wondering if they should help them out. They soon realise they’ve texted another wish and quickly delete it, before putting their phones away!

CHARACTERS & CAST

Disney Channel like to have their stars lead Disney Channel movies, something they’ve managed to do for a wide variety of their films, although they do not always do this. The Swap is no exception to this preference, with its two leads coming from Disney series.

Ellie O’Brien is not feeling very confident in her life at the beginning of The Swap. Her father has left her and her mother, though it’s not clear how long ago this was, and she’s starting to lose her best friend, Sassy, to another girl, Aspen, who isn’t even nice. Ellie has been trying to stay close to Sassy but the more she tries, the more Sassy pulls away. Ellie has also been trying to stay close to her father by keeping his old phone, despite the fact Ellie’s dad has clearly moved on and can’t even be bothered to show up to her rhythmic gymnastics competitions. Ellie thinks Jack Malloy’s life must be so much easier, but little does she know, Jack’s life is just as difficult as hers. Eventually, Ellie learns that she can let go of Sassy, with Jack realising Sassy isn’t a good enough friend for Ellie, that she can have other friends, like her friend Mackenzie, and that she still has her mother even if her father didn’t want to stay with them.

Peyton List was cast as Ellie. Some of List’s very early acting roles include being cast as Young Jane in 27 Dresses (2008) and Young Becky in The Sorcerer’s Apprentice (2010). She made her Disney Channel debut as Emma Ross in the Disney Channel series Jessie (2011-15). List reprised this role for the first three seasons of Bunk’d (2015-24). More recently, List was cast as Tory Nichols in Netflix’s Cobra Kai (2018-25) and stars as Maddie in School Spirits (2023-present) for Paramount+.

Jack Malloy is having a difficult time too. His mother has recently died, although again, we don’t actually know how long ago this was, leaving Jack with his older brothers and his father, who is also their hockey coach. Jack has been training for years to get on the varsity team and knows his father will be very disappointed in him if he doesn’t make it. When Porter threatens that chance with the video of them “fighting”, Jack knows he has to get it deleted or his father won’t let him on the team. This is Jack’s primary issue at the start of The Swap, however, when him and Ellie swap bodies, Ellie also helps Jack learn to have a balance in life between hockey and friends, after getting “Jack” to Owen’s game night, as well as standing up to Jack’s dad, telling him to be more supportive.

Jack Malloy was played by Jacob Bertrand, who, at the time of The Swap, was playing the title role in Kirby Buckets (2014-17) on DisneyXD. Like Peyton List, Bertrand was also cast in Netflix’s Cobra Kai (2018-25), in the role of Eli “Hawk” Moskowitz. Bertrand currently voices the role of Bam / Batmobile in the animated series Batwheels (2022-present) for Cartoon Network.

For Jack’s friends, we have Porter, who starts off as a bit of a bully to Jack, picking on Jack because he’s smaller and is big competition for the varsity team, which Porter has been trying to get on for years. Thanks to Ellie being in Jack’s body, she is able to convince him that his strengths lie elsewhere, in science, and takes him to STEM club where Porter learns to let go of hockey. From this point, Porter is grateful to “Jack” and they become friends. Porter was played by James Godfrey, who went on to be cast as Bonzo in the Disney Channel musical franchise ZOMBIES, appearing in the first three movies. Godfrey also voices the character in Zombies: The Re-Animated Series (2024-present).

Owen helps Jack with his hockey training, having lots of tips and tricks for him to ensure he makes varsity, but Owen also believes in a healthy balance, so invites Jack to his game night the night before the varsity try-outs. He almost doesn’t expect to see Jack there, because Jack takes hockey so seriously, but Ellie as Jack made sure Jack’s body showed up. Here, Ellie learnt that Jack takes hockey too seriously and has to learn to have fun with friends sometimes. It’s also at this game night that Ellie learns that both Porter and Owen have a crush on her, since she hears this whilst in Jack’s body, which was clearly quite awkward for her to hear! Owen says he’s going to ask Ellie out at the end of the film but we never get to see what transpired there.

Kolton Steward was cast as Owen. He had previously played Jarvis in the Canadian sitcom Some Assembly Required (2014-16). Steward went on to appear as Zelly in the sort-of-DCOM Sneakerella (2022) and as Tyson in the Disney sequel Disenchanted (2022). Steward voices Rory in the animated Netflix series Unicorn Academy (2023-present).

For Ellie’s “friends”, we have Sassy and Aspen, who are quite mean to Ellie, talking about her behind her back and generally making it seem like Ellie isn’t good enough to hang out with. Sassy was best friends with Ellie, but Aspen seems to have warped Sassy’s mind, by telling her that Aspen is a much better friend, being more mature than Ellie for a start. Sassy stupidly listens to Aspen and drops Ellie, although she does apologise to Ellie for being a jerk to her at the end of the movie. Ellie accepts that they can move on as best friends now though. Ellie becomes closer to her friend Mackenzie, who is a member of STEM club, because of this. Mackenzie is a much kinder person than Sassy.

Sassy was played by Kiana Madeira, who had earlier been cast as Rachel in the Disney Channel-affiliated movie Harriet the Spy: Blog Wars (2010) and as Sierra in the DCOM Bad Hair Day (2015). More recently, Madeira appeared as Nora in the After film series. Aspen was played by Eliana Jones. Around the time of The Swap, Jones appeared in the recurring role of Summer in the live-action/animated series The Stanley Dynamic (2015-17). Jones was later cast as Peyton Westfield in Season 11 of Heartland (2007-present) and as Gwen in Northern Rescue (2019). Mackenzie was played by Devyn Nekoda, going on to be cast as Sami in Disney’s Sneakerella (2022). Outside of Disney, Nekoda was cast as Anika in Scream VI (2023) and as Sage 5 in the sci-fi series Utopia Falls (2020). She also appeared as Riley in Season 1 of Netflix’s Ginny & Georgia (2021-present).

For the adults, we have Coach Malloy, Jack’s strict hockey coach father, who seems to struggle to have a balance between his personal life and his work, making it seem to his sons that they are only worthy if they are good hockey players. It’s clear that Coach Malloy is not coping well with the grief of losing his wife, but instead of talking about it, he’d rather just ignore it and try to block out the pain as much as he can, making sure his sons focus on other pursuits as well. After Ellie as Jack tells Coach Malloy this isn’t the right way to deal with things because he’s hurting his youngest son by doing so, Jack’s father turns things around and tells his sons he does love them and wants to do better by them. Coach Malloy was played by Darrin Rose, who played Bill in the sitcom Mr. D (2012-18).

Summer O’Brien, Ellie’s mother, is quite protective of Ellie, although she is always upbeat and positive, no doubt due to her yoga teacher mindset. Summer wants to do everything for Ellie, like run her bubble baths and take her out on spa days, probably because she has some guilt that Ellie isn’t coping well with her father not living with them anymore. Summer does all this because she cares and loves Ellie so much, but at the end of The Swap, Ellie tells her mother she knows that but that Summer needs to do more for herself now and stop worrying about Ellie so much. Claire Rankin was cast as Summer. Rankin played Miranda in Syfy’s Halcyon (2016), and was recently cast as Mary Critch in the sitcom Son of a Critch (2022-present).

Finally, I just want to mention Coach Carol, the rhythmic gymnastics coach. Coach Carol has an on-going rivalry with the coach of the badminton team, since one of their teams has to be demoted to club status. Coach Carol is a funny side character in The Swap because of this, as the two coaches trade barbs with each other. She may be familiar to Disney Channel fans as she was played by Naomi Snieckus, who was cast as Principal Lee in the first three ZOMBIES films and voices the character in Zombies: The Re-Animated Series (2024-present).

MUSIC

The score for The Swap was composed by Kenneth Burgomaster, who has composed the score for other DCOMs including How to Build a Better Boy (2014) and Frenemies (2012), as well as the Disney Channel series Stuck in the Middle (2016-18) and The Villains of Valley View (2022-23). The rest of the music comes from contemporary artists, with some well-known songs and singers in the mix.

The opening of The Swap begins with scenes of Jack playing ice hockey, and Ellie practising her gymnastics. The song playing here is “Me Too” performed by Meghan Trainor, who shot to fame with her debut single “All About That Bass” back in 2014. “Me Too” was written by Trainor, as well as Jason Derulo, Peter Svensson, Ricky Reed, and Jacob Kasher Hindlin. It is a catchy song, all about confidence, which is strange since neither of the main characters have much confidence in themselves or their abilities at the start of the movie!

A sadder song is played shortly after: “Nowhere Fast”, performed by Polarcode and Lauren Ruth Ward. This piece plays in the scene where Ellie has just heard Sassy and Aspen talking about her in the bathroom, and she heads to the nurse’s office in tears. I quite like this song, despite only hearing it for a few seconds.

Another piece of popular music used in The Swap is Olly Anna’s song “Write My Story”. This song plays as “Ellie” has a makeover, and “Jack” is putting some of his mum’s stuff in his bedroom. Following on from that, the song “Sax”, performed by 2014 X Factor runner-up Fleur East, plays at the party when “Ellie” is dancing with Mackenzie after having been dumped by Sassy. I had heard both of these songs before seeing The Swap.

There are also songs used for some of the sports montages. When Jack as Ellie is at his first rhythmic gymnastics practice, and doing terribly, the song “Body Double” by Roeland Ruijsch is used. It’s another peppy song to feature in the film. Then, as Ellie and Jack compete in each other’s respective sports towards the end of the film, “DJ Blow the Speakers” is heard. This song was performed by Photronique, Ms. Triniti, and JP Castillo. 

Sadly, but not uncommon for Disney Channel movies, there are numerous other pieces of music used in The Swap that I have been unable to trace, because neither Google nor Shazam have the answers. If Disney Channel listed every piece of music they used in their movies, I would be able to match them up to the song and the scene, however, I have been unable to do that here, even with audible lyrics, leaving five songs unaccounted for.

These are: the song that is used for when Ellie as Jack has to go for early morning training with Jack’s brothers and father on Saturday morning; the first song heard at Claire’s party when “Ellie” walks in; the sad song playing when Ellie and Jack go home after they argue on the Saturday night; the music playing when Ellie and Jack are training late with Owen to prepare them for their competition and try-outs the next day; and finally, the song playing at the phone store that Jack as Ellie goes to when trying to get the phone contract extended, though this song was not particularly audible anyway.

I also don’t know the End Credits song. Initially, I thought it was “Until the Sun Comes Up”, sung by Drew Seeley, because this is listed online as being part of The Swap’s soundtrack on some websites, but listening to the song, I don’t think it is, so again, I’m not sure what the music is.

PRODUCTION

Production on The Swap began in early 2016, with announcements being made around April of that year that The Swap was set for an autumn premiere date. Peyton List and Jacob Bertrand were announced as the movie’s two leads at this time as well.

2016 was an important time for Disney Channel, as they unveiled plans for the 100th DCOM Celebration around this time. A marathon where all 100 official Disney Channel Original Movies aired began on 27th May 2016, with a four-day marathon of 51 DCOMs, followed by the remaining 49, including the premiere of Adventures in Babysitting (2016), the official 100th DCOM, in June 2016. Adventures in Babysitting was the only other new DCOM release in 2016 other than The Swap[1].

The story of Disney’s The Swap was not actually an original idea, nor was it specifically based on the Freaky Friday novel. The movie was in fact based on the novel The Swap by young adult author Megan Shull. The novel was published in 2014. Apparently, Disney Channel “aged up” the main characters so that they are high schoolers, whereas the novel is set in middle school, with the characters around 12 or 13, I suppose, not closer to 16 like they appear in Disney’s The Swap. This meant there was more opportunities for awkward discussions about puberty that Disney avoided[2]! Shull went on to write the novel Bounce, published in 2016, which was set to be adapted into a movie by Paramount Pictures. The movie adaptation was first announced in Summer 2020 with Nickelodeon star Jojo Siwa cast as the lead. However, by 2022, the movie had apparently been removed from Paramount Pictures’ upcoming film listings[3].

Shari Simpson and Charlie Shahnaian were tasked with adapting Shull’s novel into the Disney Channel movie. Simpson is both a screenwriter, co-writer of the movie Sweet Sweet Summertime (2017), and an author, having written Sam Saves The Night and Sam Lights The Dark, part of the Sleepwakers series of books, published in 2019 and 2020 respectively, as well as being the author of the more recent 2023 Sugar Rush Racers series, based on the Sugar Rush racers in Disney Animation’s Wreck-It Ralph (2012). Charlie Shahnaian later collaborated with Simpson after The Swap, along with Pamela Wallace, to write Color My World with Love (2022), having also co-written The Redemption of Henry Myers (2014) prior to The Swap’s release date.

The Swap was directed by Jay Karas. Karas had previously directed episodes of DisneyXD’s Kirby Buckets (2014-17), which starred Jacob Bertrand, prior to directing The Swap. He went on to direct episodes of comedy series such as the US adaptation of Ghosts (2021-present) and Abbott Elementary (2021-present). Karas also directed the movie Break Point in 2014[4]. The Swap was seemingly a co-production with MarVista Entertainment.

Disney’s The Swap was filmed in Toronto, Ontario, Canada throughout Spring 2016. One specific filming location for The Swap was Erindale Park in Mississauga. I believe the park can be seen in two parts of the movie: the bridge where Ellie and Jack talk on the night of their respective parties, and again near the end of the movie, with the park being the location where Ellie and Jack finally swap back.

Since ice hockey and rhythmic gymnastics are key aspects of Jack and Ellie’s lives, it’s important that Jacob Bertrand and Peyton List looked like natural athletes in The Swap. List had intensive training to learn to do rhythmic gymnastics and found it a fun experience. Bertrand couldn’t even ice skate, let alone play hockey, before the movie, so he was given a two-week crash course in ice skating and then taught how to play hockey, although he did also have a stunt double to help him. Bertrand said that most of the actors who play hockey in The Swap – apart from Darrin Rose who played Coach Malloy – couldn’t actually skate before filming[5].

Another important part of The Swap is the body swap between Jack and Ellie, with List and Bertrand having to learn how to be like the other person for the majority of the film. This required them to do some research on each other, looking at their posture, for example, with List being quite elegant and Bertrand slouchier; their speech, with Bertrand learning that boys speak more staccato than girls; and learning each other’s mannerisms[6].

RECEPTION

Despite The Swap not being remotely scary or even spooky, it premiered on Disney Channel on 7th October 2016, as part of Disney Channel’s “Monstober” event for the Halloween season. Strange choice. Why didn’t they just wait until after Halloween to release it?

Anyway, The Swap was reportedly viewed by just over 2.5 million viewers on its premiere date, although it was said to have reached 7.2 million total viewers by the time figures from both the premiere and “encores” from its first weekend were combined[7]

In terms of reviews, The Swap was seen to be funny and appealing for a young audience, without being too cheesy. It was also appreciated that the film attempted to tackle deep family issues, like divorce and grief. Peyton List and Jacob Bertrand were praised for their performances as Ellie and Jack – as was James Godfrey as Porter – making the audience genuinely care about their characters. The lack of romantic interest between the two lead characters was a different direction for Disney Channel as well.

On the other hand, some said that The Swap was nowhere near as good as Freaky Friday, specifically the 2003 version, and found it too similar in concept, making it a predictable story. There were further mixed reviews relating to the opposite gender swap and the jokes made about it in the script. Some found these to be very awkward whereas others liked the clear but not too obvious references to consent and the objectification of women.

For me, The Swap was a familiar storyline, granted, but I enjoyed it for that reason, because it was easy to follow and concentrate on as a form of light entertainment. I also thought that the acting in The Swap was above average in terms of Disney Channel Original Movies – not to be mean to other actors who have starred in these sorts of films – and I liked that the movie was quite profound in its messaging.

LEGACY

The story of Freaky Friday has been adapted so many times, with other “body swap” movies such as She’s the Man (2006) and It’s a Boy Girl Thing (2006) following the same type of plot. The 2003 Freaky Friday even got its own sequel, this being Freakier Friday, released in August 2025.

However, The Swap did not ever get a sequel, likely because its viewing figures were simply not high enough. It is worth noting that, although 2.5 million doesn’t sound like a lot – and it probably isn’t – DCOMs had been struggling to match the viewing figures of the 2000s since the mid-2010s, with the Descendants franchise being the only exception.

There was also no sequel novel from author Megan Shull, although a possible storyline could’ve revolved around the potential romance between Ellie’s mum and Jack’s dad, which is mentioned at the end of the movie. This means a sequel movie to The Swap from Disney Channel was made even less likely.

Another reason for there not being a sequel movie could be that Peyton List and Jacob Bertrand both left Disney Channel productions shortly after The Swap, with Bertrand’s DisneyXD series ending in 2017, and List leaving Bunk’d in 2018 to pursue other projects away from the company.

But if you wanted something more to come out of The Swap, you can always watch Cobra Kai which List and Bertrand both feature in.

FINAL THOUGHTS

The DCOMs you watched in childhood tend to be the ones that stick with you the most.

Is it the nostalgia that does that, or is it that DCOMs were genuinely better when you were younger? This is a topic open for debate, with everyone having a different favourite DCOM. I watched the most DCOMs in the 2000s and early 2010s, so generally, my favourite Disney Channel movies come from that era.

However, that doesn’t mean I’m not open to liking more recent ones, and that is exactly why I randomly watched multiple DCOMs over the summer months one year, finding a re-run of The Swap in the process. It was funny, it was sweet, it was moving, and it was led by two talented, likeable Disney actors. The Swap surprised me, and I would count it as one of my favourite DCOMs, despite it not being one from my childhood.


REFERENCES

[1] Credit: Patrick Hipes, ‘Disney Channel Original Movie ‘The Swap’ Set As Network Plans 100-Pic Celebration’, Deadline.com, 20th April 2016.

[2] Credit: Michelle I. Mason, ‘MMGM: THE SWAP by Megan Shull’, MichelleIMason.com, 6th February 2017.

[3] Credit: Matt Donnelly, ‘Jojo Siwa Exits Will Smith-Backed YA Movie ‘Bounce’, Paramount Players No Longer Involved’, Variety.com, 6th April 2022.

[4] Credit: Original Pictures Inc., ‘The Swap’, OriginalPicturesInc.com, date unknown.

[5] Credit: Shine on Media, ‘THE SWAP Interview w/ Jacob Bertrand I Interview’, Shine On Media YouTube Channel, 8th October 2016.

[6] Credit: Young Hollywood, ‘Peyton List & Jacob Bertrand Switch Places in THE SWAP’, Young Hollywood YouTube Channel, 6th October 2016.

[7] Credit: Caryn Robbins, ‘Premiere of Disney Channel’s Original Movie THE SWAP is Ratings Hit in Key Youth Demos’, BroadwayWorld.com, 13th October 2016.

#28 Inside Out 2 (2024)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. PRODUCTION
  5. MUSIC
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

In a year where movie studios seemed to only release sequels – not entirely true, but it definitely felt like it – Inside Out 2 turned out to be the big winner, both in terms of profits and reviews, from critics and audiences alike.

Pixar might have originally been known for creating inventive, unique films, but since the 2010s, Pixar has contributed to the “sequel fatigue” that many of us are feeling at the moment. It is annoying when studios don’t want to take a risk on something new and choose to take the safer, most profitable route, but I guess that’s business for you.  

That’s not to say Pixar haven’t tried to make something new, because they have. In the 2020s, they released Onward (2020), Luca (2021), and Turning Red (2022), but they struggled with the COVID-19 pandemic, which hampered Onward’s chances of doing well, and led the other two to be exclusively released to Disney+. When theatrical releases did become a possibility again, Pixar chose to release Lightyear (2022), a horribly disappointing attempt at a Toy Story-related spin-off. It was bad. So, who can blame them for wanting a box-office success by going for a sequel to an already popular Pixar film?

However, that doesn’t mean I was excited for Inside Out 2. I enjoyed the concept of the original film, so I was initially hopeful, but when I saw Anxiety in the teaser trailer, it immediately put me off watching it. My problem was that I have my own anxiety issues, and saying that doesn’t mean much to anyone anymore because a lot of people like to talk about their anxiety issues now, some wearing it like a badge of honour or treating it like a jokey label. I’m not about to try and “one up” anyone about this topic because some people will have better ways of handling anxiety than me, and others will have it worse. All I’m saying is that I was concerned about how Pixar was going to handle this particular emotion.

Sadly, after watching Inside Out 2, all it did was make me feel bad about myself and I found myself unable to relate to Riley’s own anxiety. That’s not a big surprise because I’m not a teenager, and Riley’s anxiety was quite specific to her age. I actually don’t remember struggling all that much with my sense of self as a teenager, and I’ve become less self-confident as I’ve aged, especially around my mid-20s, that age when everyone starts competing to see who can hit those all-important “life milestones” the quickest.

Looking back at the film as solely a source of entertainment though, I did like it, perhaps even a bit more than the first movie, because I liked seeing more of Riley’s life, which was left by the wayside in Inside Out as Fear, Anger, and Disgust struggled to deal with her without Joy.

PLOT

The original Inside Out ended with Joy telling the audience that Riley was twelve-years-old. Inside Out 2 begins with Joy telling us that Riley is now thirteen-years-old.

It also starts with Riley getting ready for an important hockey match with her team, the Foghorns. Even Riley’s five core emotions, Joy, Sadness, Anger, Fear, and Disgust, are getting themselves hyped for the game, with Joy acting as the commentator. Each emotion plays a role in Riley’s game, with Anger leading Riley to score a goal; Fear wanting to ensure Riley puts her retainer in; and Disgust showing up to say that retainer she just put in wasn’t her! Sadness appears as Riley gets sent to the penalty box for a bad challenge.

Joy tells us that Riley is a kind, smart thirteen-year-old, top of her class, and she has grown so much since we last saw her and even got braces. Riley’s Personality Islands have changed too, with Boyband Island now completely gone, Goofball Island staying, and Friendship Island increasing in size. Family Island is still there, but it’s a bit smaller. Riley’s memories, now that she’s older, have started to create beliefs which develop into Riley’s Sense of Self. When Riley is uncertain about what to do, like when a girl at school drops all her stuff in class, the Sense of Self pops up and leads her to do the right thing.

In the hockey game, this Sense of Self appears in Riley’s mind. The team need a goal, but instead of trying to score herself, Riley passes the puck to friend Grace so she can score, leading the Foghorns to win the Championships. After the game, the high school hockey coach, Coack Roberts, invites Riley, Grace, and fellow friend and teammate Bree to a hockey skills camp. Riley talks to her parents about the camp, initially feeling excited for it, but then suddenly remembering the moment that led to her penalty and feeling worried…

Back in HQ, Joy has a method to deal with difficult memories like this. She simply sends it to the back of the mind. Joy then picks up a positive memory for the day to take down to the belief system so it can be added to Riley’s super positive Sense of Self that says Riley is a good person. Sadness goes down with Joy to see the process in action for the first time. Joy simply places the memory in a pool of water and a line shoots up from it to create strings of beliefs.

The next day, the emotions are woken by a very loud alarm sounding. They go into HQ to figure out what is going on, and they see the “Puberty” button on the console going off. Joy manages to remove the button and sends it to the back of the mind again, but there’s no stopping puberty! Mind Workers barrel into HQ and start to demolish everything. When Joy tries to stop them, she is told that other emotions are coming. The console is re-wired and the workers leave. The emotions attempt to use the console as Riley has now woken up, however, no matter how gently they touch it, Riley acts erratically, screaming at her mother, who just wanted to check she was ready for hockey camp, and then crying, worrying about what is happening to her. We see inside Riley’s mother’s mind who realises this is “the day” and she talks to Riley about how her body is “changing”.

Riley, Bree, and Grace are driven to hockey camp, where they talk about how exciting it’s going to be. Riley especially wants to meet high school hockey legend, Valentina, and get on the team to be just like her. Riley – thanks to Disgust – notices her friends giving a look to each other. Bree and Grace’s minds notice that Riley has noticed their look. Grace lets slip to Riley that her and Bree won’t be going to the same high school as Riley, so they won’t be on the same hockey team either. Riley is thrown by this and cries a little bit, wondering what this means for her now.

At camp, Riley goes to catch up with Bree and Grace, who have gone on ahead, when she is knocked over by none other than Valentina. She helps Riley up, and Riley proceeds to act like a total fangirl in front of her. The emotions aren’t sure what to do about this situation, and then they see the console has turned orange. Orange? But none of them are orange. This is Anxiety, who has just arrived in HQ. She is a big fan of Joy’s apparently and takes control of the situation. Envy then appears, as she becomes jealous of Valentina’s great hair and goes to touch it. Embarrassment comes in at just the right moment to stop Riley from doing that and making everything even more awkward. Ennui – basically like boredom – calms the situation and makes Riley less excitable. Valentina then invites Riley to follow her. Joy and the other “old” emotions think Riley should spend time with Bree and Grace, but Anxiety says this camp needs to be all about preparing for high school and since Bree and Grace won’t be there with her, Riley needs to be spending time with Valentina instead. There is then a brief cameo by Nostalgia, who is told she is too early to be in HQ and is shoved back through the door she appeared from!

Riley goes to the locker room where Riley is introduced to Valentina’s friends, all part of the high school hockey team, the Firehawks. Joy takes over and leads Riley to meet up with Bree and Grace, however, they start messing about, taking photos on their phone and talking, to the point that Coach Roberts punishes the whole group at practice, annoying the others. At the end of practice, Riley hears the Firehawks talking about her, which makes her both sad and embarrassed. Anxiety takes control of the situation, putting the idea in Riley’s head that if she can get Valentina on side, everything will be ok. Riley goes over to the girls and apologises profusely. Valentina tells her not to worry because at least she is on Coach’s radar now. At this point, Riley’s Sense of Self pops up, not wanting Riley to forget about her friends. Anxiety doesn’t believe this will help Riley so she sends it to the back of the mind, telling Joy she plans to build a new Sense of Self for Riley, since she has more sophisticated emotions now so Riley needs to be more sophisticated. Joy and the “old” emotions tell Anxiety this isn’t right and try to take control of the situation, but Anxiety has a plan and she doesn’t want them messing up. She literally bottles up all the emotions – well, it’s more of a jar, but the turn of phrase is nice – and removes them from HQ, sending them to The Vault with the rest of Riley’s deep, dark secrets.

In The Vault, the five old emotions are soon surrounded by other characters from Riley’s childhood, like Bloofy, a pre-school TV show character, who is in The Vault because Riley still likes the show, and Lance Slashblade, a video game character that Riley has a crush on. Riley’s deepest, darkest secret also resides here, represented as a big, hooded figure who doesn’t say much. Disgust tries to convince Lance to break them out of the jar, but his big move is to curl up into a ball and roll into things, which doesn’t do much to break the jar. Deep Dark Secret instead smashes it. Now they need a way out. Bloofy calls on his friend Pouchy, to see if he might have anything that can open the vault door to let them escape. Luckily, Pouchy has some dynamite – why? – that explodes on to the door and opens it. Guards try to detain the escapees, so Lance curls up into a ball and rolls toward them. He goes right past them, but somehow all the guards trip over each other and get locked in a vault. That was easy. The emotions plan to get to the Stream of Consciousness, to ride it to the back of the mind so they can retrieve Riley’s original Sense of Self.

Back with Riley, she is practising her skating early in the morning, being driven by Anxiety to be the best. She is soon joined by Valentina, who tells her that Freshman Year can be tough but that she made some really good friends. Anxiety continues to add memories into the belief system, which begin to create a new Sense of Self slowly but surely. Riley spends more time with Valentina and her friends, trying to make them like her. She also learns that Coach Roberts has a notebook where she writes about everyone. Riley wonders what Coach might have written about her…

At the Stream of Consciousness, Joy realises they need someone back in HQ so they can be recalled at just the right time with the original Sense of Self. With no volunteers, she sends Sadness crawling up the tube back to HQ. The others then jump on a piece of broccoli that is floating down the Stream of Consciousness. Everything seems to be going well, until the Stream breaks thanks to the creation of a Sar-Chasm. Riley was sarcastic when Bree and Grace showed up to her hang out with Valentina’s group, as they started to say they liked a band that Valentina’s friends think is uncool. This not only upsets Bree and Grace, who feel like Riley has changed all of a sudden, but also halts the emotions’ plan. The emotions try to talk to some workers over the other side of the Sar-Chasm, but everything they say comes out sarcastic, which offends the workers who walk away.

The emotions are back to walking through Long-Term Memory to get to the back of the mind, but they all start to argue, getting annoyed at their situation. Joy then gets irritated at all of them and screams at them. This surprises the others, who make an effort to help Joy who wants to get up on top of the memory shelves to see the route to the back of the mind. Using a vacuum-like tube, they manage to get up there and walk in the right direction.

In HQ, Sadness has arrived through the recall tube in amongst a ton of memories that Anxiety recalled. She quickly runs to a quiet corner of HQ but she is spotted by Embarrassment. Sadness thinks Embarrassment is going to tell Anxiety. He actually stacks up lots of manuals in front of Sadness to hide her, clearly not liking what Anxiety is doing.

Soon, the old emotions reach Imagination Land, which has changed a lot since Joy was last there, with new additions like Mount Crushmore and Rumor Mill. They then see that there is a lot of activity in Pillowtown. Going inside, they see a video of Anxiety, getting workers to draw bad future scenarios to show Riley what could happen if she doesn’t make friends with the Firehawks and doesn’t get on their team. The old emotions don’t like this and start to submit their own positive drawings, which alerts Anxiety to their whereabouts, calling security on them. The workers then revolt against Anxiety and stop drawing bad scenarios. The old emotions are chased out of Pillowtown and arrive at the Parade of Careers, balloons that resemble different professions. They jump on one to continue to the back of the mind.

Anxiety decides Riley has to see what is in Coach Roberts’ notebook so she breaks into her office late at night to read it. Here, she sees it is written that Riley is “not ready yet”, which devastates Riley. Sadness, meanwhile, has managed to take control of the console, thanks to an app on Ennui’s phone, but Anxiety says Riley has to keep going with her plan and holds Sadness in a bucket to keep her from doing anything. Anxiety needs ideas to change Coach’s mind, which causes a brainstorm – a literal one – in Riley’s mind. This affects the old emotions who battle against these ideas flying at them. Joy wants to break them all, but the others convince her to grab onto the largest one so they can get out of the tornado they are stuck in. They then let go and float to the ground thanks to Fear’s parachute. You can never be too prepared! The emotions get to the back of the mind and find themselves in front of a large mound of memories that Joy tossed there. Joy finds the original Sense of Self but sees it has faded. Joy then tells Sadness to recall them, via the walkie-talkies they picked up early in the journey, but Anxiety breaks the tube.

Anxiety has successfully built Riley’s new Sense of Self, but is shocked to find that it states “I’m not good enough”. That throws Anxiety, who then decides what they must do is score three goals in the final game of camp, beating Valentina’s record and showing Coach Roberts, that Riley has to be on the team. As the game starts, Riley aggressively scores her first goal early on. Riley then scores soon after, having stolen the puck from her own teammate. Anxiety starts to push Riley more and more, concerning the other emotions in HQ, to the point that Riley hurts Grace as she continues to play aggressively. Riley is sent to the penalty box. Here, Riley starts to experience her first anxiety attack.

As the old emotions find they are stuck at the back of the mind, Joy realises that she shouldn’t have hidden all these memories away, because it never built Riley a true Sense of Self. She also states that maybe people feel less joy as they age. Joy starts to feel there isn’t a way of beating Anxiety, when Anger calls for Pouchy. They find he still has plenty of dynamite available and they plan to blow up the mound of memories they are in and ride the avalanche back to HQ, accepting that these “bad” memories will enter the Belief System, but knowing it’s probably for the best.

The plan works and they arrive back at HQ, to see Envy, Embarrassment, Ennui, and Sadness all trying to remove Riley’s new Sense of Self, and seeing Anxiety rushing around the console so quickly, she isn’t visible. Joy goes into the Anxiety vortex and sees Anxiety frozen. Joy manages to convince Anxiety to let Riley go and pulls her from the console. Riley is still panicking though, so they replace the new Sense of Self with the old one. It still doesn’t stop anything. Anxiety says she was trying to control who Riley is, which causes Joy to realise she did the same thing by choosing the best memories to put in the belief system. She realises the original Sense of Self is stopping a new one, complete with “bad” memories, from being created, so they remove it. The emotions see the new Sense of Self being created and huddle around it, which calms Riley down.

Bree and Grace come to the penalty box, concerned about Riley. Riley apologies to them for acting the way she did during this camp, saying she was freaked out when Bree and Grace told her they wouldn’t be at high school together. Her friends forgive her, and they get back to the game, with Joy at the console, letting Riley play simply because she loves hockey, not to prove a point to anyone.

We skip ahead to see Riley at high school where she is friends with Valentina and the other Firehawks. Anxiety starts to worry that Riley hasn’t made the hockey team, so Joy sends her to a calming massage chair, and reminds her that they did as much as they could and now cannot control the outcome so don’t need to worry about it. We also see that Anger has started to wear Pouchy, seemingly bonding over their shared love of dynamite! Riley sees a photo of Bree and Grace that they sent to her wishing her luck. Joy then says that Riley is still smart, she still likes hockey, but she can get things wrong, be a bit sarcastic, and be too hard on herself, but it’s all good because they love Riley for who she is. The final shot shows Riley looking happy as she checks her phone to see if she got on the team. I guess that means Riley did make the team, but I also suppose it doesn’t really matter, because that wasn’t the point of the story!

In a mid-credits scene, we see another dinner scene, like in Inside Out, where Riley’s mother’s Anxiety is concerned that Riley just said that hockey camp was “good”. Riley’s father’s Anxiety on the other hand is simply overruled by his other emotions and decides not to worry about it. In an end credits scene, Joy finds herself back at the Vault to discover what Riley’s deep, dark secret is. Deep Dark Secret tells Joy it is that Riley burnt a hole in the rug. Joy is surprised, thinking it was going to be the time Riley peed in the pool. Deep Dark Secret runs back inside the Vault, feeling ashamed.

CHARACTERS & CAST

Inside Out 2 returns with the same five emotions we saw in Inside Out, as well as Riley and her parents, but there are some new additions to the movie as well. These include Riley’s four new emotions, plus Riley’s two friends, Bree and Grace, and the Firehawks girls.

Starting with the emotions we already know, Joy, Sadness, Anger, Fear, and Disgust are all back, and we see that they have learnt to work together in harmony now. However, Riley’s new emotions threaten that balance and they struggle to work together, with this being a battle of old versus new. The old emotions think Anxiety is a nasty emotion in Riley’s mind especially as they are tossed out of HQ by Anxiety. Like Joy and Sadness did in the first movie, they must find a way back to HQ, going through different parts of Riley’s mind first to find her old Sense of Self before heading back to HQ. Although they think Anxiety is the villain here, by the end of the film, they learn that Anxiety was only trying to help Riley in the same way that the others were: by manipulating Riley’s memories and beliefs to make her into the perfect version of herself, which was wrong for all of them to do. They all come together to help Riley, and a new dynamic is formed between the nine emotions.

Amy Poehler returned to reprise her role as Joy, having been previously best known for her roles in Saturday Night Live (1975-present) from 2001 until 2008, and Parks and Recreation (2009-15), playing Leslie Knope. Poehler has most recently directed the movie MOXiE! (2021). Phyllis Smith returned to voice Sadness. She is perhaps best known for her role as Phyllis Vance in sitcom The Office (2005-13). Smith was later cast as Betty Broderick-Allen in the Netflix mystery drama series The OA (2016-19). Anger was once again voiced by Lewis Black. Black began his career in stand-up comedy, later appearing on The Daily Show (1996-present) to host a segment called Back in Black with Lewis Black, humorously commenting on news stories, which he still does today.

Sadly, the voices of Fear and Disgust, Bill Hader and Mindy Kaling, did not return to reprise their roles. This is reportedly due to a pay dispute. It is alleged that Amy Poehler was offered $5 million to reprise her role, whilst the other four actors were only offered $100,000 each. Despite some negotiations, Hader and Kaling could not come to an agreement with Pixar and they did not return to Inside Out 2, which is a real shame because it was only too obvious the voice actors had changed and it was quite jarring for me. I don’t know if this story is actually true, and I hope in a way it’s not, with scheduling conflicts being the reasoning for Hader and Kaling not returning, because this shows some disrespect on Pixar’s part for not recognising the calibre of actor they signed on[1].

Bill Hader, as Fear, was replaced with Tony Hale, who voiced Forky in Pixar’s Toy Story 4 (2019). Also in film, Hale was most recently cast as Soledad Yusuf in the thriller Opus (2025), and has also appeared as Ben Franklin in Quiz Lady (2022); as Ed in Netflix’s Woman of the Hour (2023); and as Mayor of Salem, Jefry Traske, in Disney’s Hocus Pocus 2 (2022). In television, Hale is known for his roles as Buster Bluth in Arrested Development (2003-19) and Gary Walsh in Veep (2012-19). Mindy Kaling, as Disgust, was replaced with Liza Lapira, who may be best known for her role as Mel Bayani in the crime drama series The Equalizer (2021-present). She was also cast as Liz in Crazy, Stupid, Love (2011); and as Robin in Don’t Trust the B—- in Apartment 23 (2012-14).

Also returning to the voice cast here were Diane Lane and Kyle MacLachlan as Riley’s parents, although they only feature at the start and end of the film, since there are no parents at hockey camp. Riley’s mother seems more worried about Riley in Inside Out 2, knowing she is a teenager now and wanting to help her navigate this tricky time. Riley’s father is just going about his business like normal really! Diane Lane has had roles in a variety of movies including as Cleo Trumbo in the 2015 biopic Trumbo (2015); and as Martha Kent in Batman v Superman: Dawn of Justice (2016), reprising the role for Justice League (2017). Kyle MacLachlan appeared in many television series, including Trey MacDougal in Sex and the City (1998-2004); and as Orson Hodge in Desperate Housewives (2004-12).

Riley, however, was recast, simply due to the fact a lot of time had passed between the first movie and the sequel, so Pixar wanted to cast a teenage actress, whereas Riley’s original voice actor, Kaitlyn Dias, was 25 by the time Inside Out 2 came out. Kensington Tallman replaced Dias in the role. I didn’t notice much difference in the voices between the two films so that was good. Tallman had previously had roles, such as Bianca in the Nickelodeon series Drama Club (2021) and as Tiffany in That Girl Lay Lay (2021-24), another Nickelodeon series, prior to Inside Out 2 being released.

Now to the new emotions. The primary one is Anxiety, who is controlling Riley’s newly sophisticated self, wanting her to fit in with the Firehawks during camp, so she can instantly have friends at high school and get a place on the hockey team. Since Riley is going to be without her best friends, Bree and Grace, Anxiety thinks this is a good time to drop those friends and find some new ones that she’ll actually see. It sounds harsh, but Anxiety genuinely thinks she is protecting Riley – until she realises all she’s done is make Riley think she’s not good enough and sent her into a massive panic attack as she tries to push herself to be better. Anxiety learns that she can’t control Riley in this way and with the help of the other emotions, she takes a backseat every now and again when things get too much. One issue I have with Pixar’s take on Anxiety is that she says near the start of the film that Fear is there to protect Riley from physical danger, whereas Anxiety projects potential future dangers. That sounds like a fair description, only Fear did Anxiety’s job during Riley’s first day of school in Inside Out, as he planned out all the worst-case scenarios for the day.

Anxiety was designed to be twitchy, fast-moving, and hyper aware, constantly thinking about what’s next. Her mind is focused on uncertainty and different potential scenarios, wanting to plan ahead to decide what to do if this happens or that happens. Anxiety is similar to Joy in some ways, by being a hard worker and wanting the best for Riley, with Anxiety almost looking like the “uncool” version of Joy with her wide eyes, big head, and crazy hair. Anxiety was voiced by Maya Hawke, perhaps best known for her role as Robin Buckley in Stranger Things (2016-present), appearing from Season 3. Hawke was also cast as Jo March in the 2017 BBC television adaptation of Little Women. More recently, Hawke played Jamie Bernstein in Maestro (2023) and June Douglas in Asteroid City (2023). Apparently, Inside Out 2 director Kelsey Mann met with Maya Hawke for her audition over Zoom as he was on a family vacation in Walt Disney World. He took the call from a backstage office building in Epcot’s Mexico pavilion[2].

Envy is meant to be the emotion that represents jealousy, but apart from a brief moment of Envy talking about wanting Valentina’s hair, I didn’t really see Envy do much envying. She was mostly treated like Anxiety’s little sidekick, helping with her plans. To be honest, outside of Anxiety, the other three new emotions felt like side pieces and weren’t fully developed as I feel the five core emotions were in the first movie. The filmmakers did struggle with the design of this character since envy isn’t a very likeable feature in people, and is often referred to as “the green-eyed monster”. Envy doesn’t look like that, and is actually quite small, with a big voice and huge eyes, supposedly meant to resemble the look of a sad puppy. Envy is meant to be an inspiration for Riley; she wants to be like Valentina and is envious of her skills, so it makes her work that bit harder, although it feels like that is more represented as Anxiety’s plan rather than Envy’s in this film.

Envy was voiced by Ayo Edebiri. Edebiri stars as Sydney Adamu, alongside Jeremy Allen White, in the comedy-drama series The Bear (2022-present), winning a Screen Actors Guild Award in 2024 for her role. She has also had some history with voice acting, voicing April O’Neil in the animated series Tales of the Teenage Mutant Ninja Turtles (2024-present) for Paramount+, and replaced Jenny Slate as the voice of Missy Foreman-Greenwald in the series Big Mouth (2017-present). Edebiri also stars as Ariel Ecton in the movie Opus (2025).

Because of Riley’s now-teenage mind making her say weird, awkward things in Inside Out 2, we had to welcome Embarrassment as another of Riley’s new emotions. The point of making Embarrassment a huge character was because embarrassment makes people want to hide and take the focus away from them. The Pixar filmmakers wanted Embarrassment to be so big that he physically couldn’t hide away. Instead, Embarrassment wears a hoodie which allows him to vaguely cover his red, blushing face. In Inside Out 2, Embarrassment doesn’t have a whole lot to do in HQ to be honest. His biggest contribution to the story is to allow Sadness to hide in HQ, to wait for the right moment to go against Anxiety. Clearly Embarrassment was not a big fan of Anxiety’s grand plan for Riley either.

Embarrassment, although he doesn’t say all that much in Inside Out 2 because he’s so shy, was voiced by Paul Walter Hauser, who has had roles in movies such as I, Tonya (2017), where he played Shawn Eckardt, Tonya’s bodyguard; in Late Night (2018), being cast as Eugene Mancuso; and in Cruella (2021), playing Horace. In television, he appears in the recurring role of Raymond “Stingray” Porter in Netflix’s Cobra Kai (2021-25) and as Travis in Season 2 of Apple TV+’s The Afterparty (2022-23).

Ennui is a bit of a strange emotion to describe, because it encompasses a few feelings such as weariness, dissatisfaction, and boredom, this being the general translation of the word from French to English. Ennui in Inside Out 2 was designed to look like a typical teenager who is “too cool to care”, slouching on the couch, looking at their phone. Pixar actually referred to her design as looking like a “wet noodle”! Ennui’s purpose in Inside Out 2 is to lessen the overexcitement in Riley’s mind, with her bored attitude balancing that out. With “ennui” being a French word, naturally, the Pixar team decided Ennui the character should have an authentic French accent[3]. Adèle Exarchopoulos voiced Ennui here. She received numerous awards for her role as Adèle in La Vie d’Adèle (2013), and was later cast as Clara Saint in the Ralph Fiennes directed movie The White Crow (2018). In 2024, Exarchopoulos starred in the movie Planète B as Julia.

Riley’s friends, Grace and Bree, who are very loyal to Riley despite Riley casting them aside in favour of “cool girls” for much of the movie, were voiced by Grace Lu and Sumayyah Nuriddin-Green respectively. Prior to Inside Out 2, Lu had appeared as Megan in the Disney Channel series Bunk’d (2015-24). Valentina, or Val, Riley’s idol and later friend and hockey teammate, was voiced by Lilimar Hernandez, who already had experience in voice acting prior to Inside Out 2, having voiced the character of Sage in the animated Nickelodeon series Knight Squad (2018-19); Cleopatra in the series Cleopatra in Space (2020-21); and currently voices The Batwing in the Cartoon Network series Batwheels (2022-present). Hernandez was also cast as Sophie in the live-action Nickelodeon series Bella and the Bulldogs (2015-16).

Outside of this, there are some other interesting voice cameos. Yvette Nicole Brown was cast as the strict Coach Roberts. Some of her earlier screen roles include being cast as Shirley Bennett in the sitcom Community (2009-15) and as Helen Dubois in Nickelodeon’s Drake & Josh (2004-07). More recently, for Disney, she was cast as Aunt Sarah in their Lady and the Tramp 2019 live-action remake, as well as receiving the role of Rosaleen in Disenchanted, the 2022 sequel to Enchanted (2007).

Other voice actors to mention are Dave Goelz and Frank Oz, known for their work with Jim Henson and his puppetry series, as well as Oz’s directorial work, returned to Inside Out 2 to voice their role as Mind Guards Dave and Frank, and John Ratzenberger returned to voice Fritz, this being his first role in a Pixar movie since 2020’s Onward. And for all UK viewers of Inside Out 2, Sam Thompson, from Made in Chelsea (2011-present) and various reality shows, including winner of I’m a Celebrity…Get Me Out of Here! (2002-present) in 2023, has a cameo role as Security Man Sam – the bigger guard with the aviators in the Vault escape scene – in the UK release of the film.

PRODUCTION

Inside Out 2 couldn’t have existed without the first movie, which was inspired by Pete Docter’s personal experience of seeing emotional changes in his daughter, Elie as she grew up. Docter was interested in creating a movie that explored the weird place between childhood and adulthood.

In September 2022, at the D23 Expo it was confirmed that Inside Out 2 would be released in Summer 2024 and would continue exploring the journey from childhood to adulthood, this time focusing on the teenage years as main character Riley reaches the age of 13. Meg LeFauve was back as co-screenwriter, now working with Dave Holstein, who has written for series such as Weeds (2005-12) and Kidding (2018-20). Kelsey Mann replaced Docter as the director of the sequel[4].

Mann began his research into the new story for Inside Out 2 by looking at childhood photos of himself. He noticed that as he aged and became a teenager, he started to smile less and less. This gradual apparent lessening of joy in his life around this time was an interesting concept and definitely something that he wanted to explore in Inside Out 2, since Riley becoming a teenager is a big emotional milestone in life so it was a natural progression from the girl we saw in Inside Out[5].

Because of this choice of age for Riley in the sequel, this meant a lot of discussions were needed with the filmmakers exploring their own experiences at that age. Inside Out 2 also benefitted from a majority female story team. Them and other female employees at Pixar were able to sit together and talk through their horror stories of being 13, to use their experiences to make Riley’s journey authentic. At this age, the similarities that cropped up in regards to emotions were feelings about being self-conscious and worrying about judgement from others. It was a difficult time, and it was decided at quite an early stage that they wanted HQ to be destroyed by a wrecking ball to represent the turmoil in the mind that happens as you become a teenager. Big questions also start to arise at this age, like who am I? Where do I belong? And am I enough? These are more emotionally complex emotions than the original five that featured in Inside Out.

To properly ensure Inside Out 2 felt representative of young people today, Inside Out 2 creators built a focus group of girls – dubbed “Riley’s crew” – ranging from the age of 13 to 19 who met every four months so they could be shown clips and moments from the movie and give their notes on them. This helped Pixar immensely and they were very impressed at how seriously the girls took their new role.

Initially, nine new emotions were going to show up, with Shame, Guilt, and Suspicion being just some of the rejected, scrapped new emotions. In the end, the filmmakers spoke to Dacher Keltner, psychology professor at the University of California, Berkeley, who discussed the subject of happiness with the creators of Inside Out. This time, Keltner told them they should focus on emotions that revolve around feeling self-conscious, so this helped them decide on their final choice of Ennui, Embarrassment, Envy, and Anxiety[6].

Some of this decision-making and eventual cuts and edits to the story of Inside Out 2 are evident from the deleted scenes that have since been released. For example, Shame would’ve been featured in a scene, which instead was altered and “given” to Anxiety. This is the anxiety attack scene, which began its life as a “shame spiral”. Here, Riley, Bree, Grace, Val, and the other Firehawks girls would’ve been playing a game of “Never Have I Ever”. Riley becomes jealous that Grace has been more daring than Riley has in her life, which impresses Val and her friends. To get back at Grace for this, the two begin using secrets from each others lives to embarrass them in the game, such as Grace saying she’s never stolen her mother’s credit card, knowing Riley has – we saw that in Inside Out. However, the game takes a disastrous turn when Riley reveals that Grace still wets the bed occasionally, which makes Grace, Bree, and the other girls turn on Riley for being so horrible to her friend. Riley then ran to the bathroom, where she became overwhelmed by Shame with Shame starting a storm in HQ, breaking everything apart, in a similar way to the anxiety attack that we see in Inside Out 2.

Another take on Anxiety had the emotion morph into some kind of supervillain. Riley was invited to a high school pool party, so naturally, she was feeling self-conscious, which wasn’t helped by Joy picking a childish swimsuit with a huge sun on it for her to wear. This was shown in a different deleted scene, which also saw Joy’s light fading and her unable to control the HQ console for unknown reasons. This scene also saw the emotions’ bedroom being shown for the first time, an idea that was kept in the final film. Anyway, at this pool party, Grace goes off with a guy called Joel, leaving Riley on her own. Joy manages to take over the console from Anxiety, causing Riley to act embarrassingly in front of all these high school kids, despite Grace telling her to stop. Riley continues with this and ends up accidentally pushing Grace into the pool. Grace cannot swim so has to be rescued from drowning. This is how Riley “hurt Grace” in this version of the film. The same line was used during the final hockey game in the final cut of Inside Out 2. Riley hurting Grace caused her to hate herself so much that Anxiety morphed into a scary character with blank, white eyes called Self Loathing, who tells the other emotions to point out all the reasons Riley is a loser in an effort to “protect her”. Joy wants to take control of Riley but continues to fade. The old emotions are pushed aside and fall out of the HQ window. It was decided Self Loathing was too much of one-dimensional villain so Anxiety stayed as Anxiety[7].

On the lighter side, there were some fun gags that were also cut from the film. One of these was a scene in Puberty Park, a new land in Riley’s imagination that had popped up once she became a teenager, which would’ve been just like an amusement park, complete with the ride “The Mood Swings”, a “House of Parental Embarrassment”, and a “Wall of Self Reflection”, with the star attraction being the “Emotional Rollercoaster”. There was also the idea of having a Procrastination Land, with its motto being “Always Under Construction”.

There are only four key new emotions in Inside Out 2, but there is one that only appears occasionally and does not contribute to the overall plot. This is Nostalgia, an emotion designed to look like an old granny. She appears from a door in HQ that could actually could be seen in Inside Out, as this door was meant to lead to Anger’s steam room in the original movie. Nostalgia appears through this door a couple of times in Inside Out 2, before being pushed back in by the other emotions since Riley isn’t really old enough to have experienced nostalgia yet! Nostalgia was voiced by June Squibb, who had voiced characters for Pixar and Disney prior to Inside Out 2, such as Gerel in Soul (2020) and the character Jimmy’s Grandma in Ralph Breaks the Internet (2018). Outside of this, Squibb most recently starred as Thelma in the 2024 movie of the same name, and is known for other comedic roles, like playing Estelle Dubois, Hubie’s mother, in the Adam Sandler movie for Netflix Hubie Halloween (2020)[8].

To match the new sophistication of Riley’s mind, Inside Out 2 also pushed boundaries to make their animation more sophisticated. I always like seeing when different animation styles are mixed. There is one scene in Inside Out 2 where this was most evident: in The Vault, the place where Riley’s secrets are held. The Vault looks like an actual bank vault, showing that Riley really doesn’t want her secrets getting out and embarrassing her. In The Vault scene, there are the five computer-animated emotions meeting three characters who are not like them. Firstly, we have the 2D animated characters of Bloofy and Pouchy. Bloofy is meant to resemble a character like Dora from Dora the Explorer (2000-19), being a simple two-dimensional character in a pre-school-type show, who talks to the audience and asks them direct questions, hoping the children watching are shouting out the answers at the screen. Sadly, Bloofy is not being watched by anyone so he spends a lot of time talking to the wall of The Vault, which makes the emotions question his sanity… Bloofy’s sidekick is Pouchy, clearly meant to represent the item bags that some of these children’s show characters have, where the correct item has to be selected. Bloofy was voiced by Ron Funches, a stand-up comedian and actor, known for his voice as Cooper in the Trolls franchise and currently appears as Howard in Apple TV+’s Loot (2022-present). Current SNL cast member since 2021, James Austin Johnson, was cast as the voice of Pouchy.

Alongside these 2D and 3D animated character is a video game character, Lance Slashblade, complete with that level of pixelation that these types of character have. Lance has long, flowing, purple hair, an angular face, and a sword that is shaped to look like a hockey stick. Despite looking like a video game character that would go and fight in hand-to-hand combat, Lance is part of a fictional game where characters battle by rolling themselves up into balls… Lance Slashblade is seemingly meant to resemble a character from the Final Fantasy series, which is quite appropriate since Yong Yea, the voice of Lance, has had voice roles in numerous video games including Final Fantasy VII Rebirth.

There is also the Deep Dark Secret, who is a tall figure, dressed entirely in black with just white eyes and a small flash of teeth. This character is in complete contrast to the colourful world of Riley’s emotions who are scared of Deep Dark Secret initially. Steve Purcell voiced the character. Purcell was a co-director and writer on Pixar’s movie Brave (2012) and voiced The Crow. He also wrote and directed the special Toy Story That Time Forgot (2014) and directed and wrote the Cars on the Road series for Disney+ in 2022.

Outside of these challenges, development on Inside Out 2 began during the COVID-19 pandemic in 2020, which led to filmmakers having to work from home and engage in remote working procedures. Since Inside Out 2 was not released until 2024, I wouldn’t say it was one of the movies most hit by the pandemic. But there was the additional challenge of the 2023 Actors Strike. Pixar completed 30 recording sessions with their actors in the 30 days prior to the strike, and another 30 in the 30 days after the strike to keep on schedule.

Pixar movies wouldn’t be complete without their usual Easter eggs, and one of these referenced the argument between the two Subconscious Guards in the first film, where they debated who was wearing whose hat, because one had written not his name but “My Hat” into his hat. During The Vault scene, you can see a guard’s hat with “My Hat” written into it. The Vault that the old emotions get locked in is a vault with the code ACX111 which is A113 in Roman numerals, with A113 being the classroom that many of the original Pixar creators studied in at CalArts[9].

Another thing to point out is Riley’s hockey jersey number. In Inside Out 2, she is wearing a hockey jersey with the number 28 on it, referencing the fact Inside Out 2 is Pixar’s 28th feature film. Also in the emotions’ bedroom, Joy has an origami figure of Bing Bong on the shelf by her bed, showing she has never forgotten him after his major sacrifice in Inside Out. She also has a figure of the iconic Pizza Planet truck. Pixar always like to include an Easter egg to their upcoming films, so in Inside Out 2, there is a memory ball of Elio in the sarcasm sequence. Elio is coming to theatres in Summer 2025[10].

Despite the usual positivity that is believed to be a key concept of working at Disney or Pixar, shortly after Inside Out 2 was released, former Pixar employees alleged that production on Inside Out 2 was messy, chaotic, and staff were overworked, with many people being laid off during production. There were further claims relating to themes in Inside Out 2 that were allegedly toned down or removed, specifically those relating to Riley’s sexuality. It has been said that after the backlash that came about from the kiss between two female characters in Lightyear (2022), Pixar employees were told to remove any element of this in Inside Out 2. It is possible they had initially planned for Riley’s infatuation with Val to be more like a crush, instead of Riley idolising this girl because she’s cool and plays hockey well. I have no idea how much, if any, of these complaints and comments are true, but it’s an interesting point to consider, whether Pixar did want to distance themselves from making any part of Inside Out 2 relevant to the LGBTQ+ community, as some viewers have been wanting Disney and Pixar to lean more into these themes for years now[11].

MUSIC

Even though the soundtrack for Inside Out was composed by frequent Pixar collaborator Michael Giacchino, the soundtrack for Inside Out 2 was composed by someone else. That person was Andrea Datzman; however, Datzman is not a stranger to Pixar having composed the music for the Dug Days (2021-23) series of shorts that premiered on Disney+ on 1st September 2021 as a spin-off to the movie Up (2009).

Some of Giacchino’s themes from the first movie, such as the iconic one first heard in the piece “Bundle of Joy”, were used in Inside Out 2. “Outside Intro”, the opening track in Inside Out 2 features this piece of music, as does “The Life of Riley”, which is the music playing as Joy catches us up on what’s been happening to Riley since we last saw her.

Datzman still made the Inside Out 2 soundtrack her own, wanting to use some rock elements in the soundtrack to match the toughness and physicality of hockey, showing how strong Riley is. This is apparent in the track “Go Team!”, which is played during the hockey match at the start of the film. The rock elements return for the piece “The Puck Drops Here”, for Riley’s final game at hockey camp.

The best instrumental track for me was “Mind at Freeze”, used for Riley’s anxiety attack. It was a big moment in the movie, to see not only Riley confused about what was going in her body but also Anxiety who was sure she was doing the right thing for Riley by pushing her. It’s an emotional moment to see all the emotions struggle against the panic that has consumed HQ and Riley and try to get everything back on track. The only critique I have of this scene is that in real life, if Riley was having a panic attack for the first time, I don’t think she would’ve come out of it as easily as she did in the film. It only felt like a scary moment whilst it was happening, but panic attacks can make you feel scared and uncertain even after it’s all over.

I also liked the dreaminess of tracks like “Creating a Sense of Self”, which played when Joy took Sadness to the Belief System for the first time, and I enjoyed hearing the return of the Triple Dent Gum jingle, which was written by Andrea Datzman, Pete Docter, and Bob Peterson, being performed by Datzman and Nick Pitera.

There was some additional music in Inside Out 2 outside of the score, like a very small snippet of “Bloofy’s House Theme Song” when we first meet Bloofy in The Vault. It was performed by Ron Funches, and written by Jennifer Rowekamp. There are three other credited songs that are used as background music in other similar scenes. When Riley is hanging out with Val and her friends, they are listening to music. This is when Riley pretends not to like the band Get Up and Glow. Here, a pop song seems to be playing, followed by a rock song, however, I couldn’t hear enough of the lyrics to hear which song it was. The same thing happened with the two locker room scenes. Although I believe the first time when Riley goes to the locker room with Valentina to meet her friends at hockey camp, the song used is “Growing Up” by American rock band The Linda Lindas; I have no idea about the other one. These outstanding three songs are “Baller Dash”, written by John Parker; “It’s The Time of Our Lives” written and performed by Paris Carney, Dakota, and Lachlan West; and “Can’t Slow Us Down” was written and performed by Henry Beasley and Simon Oscoft.

Although the Inside Out 2 soundtrack itself was not nominated during awards season, Andrea Datzman did win the Society of Composers & Lyricists Award for her work.

RECEPTION

After a premiere at El Capitan Theatre in Los Angeles on 10th June 2024, Inside Out 2 was released to theatres in the US on 14th June 2024, with the movie also being screened at the 2024 Annecy International Animation Film Festival on this date. Inside Out 2 hit theatres across the world in the days and weeks that followed. It was released in a wider aspect ratio in theatres to match the expanding console in Riley’s mind and the widening of Riley’s world now that she’s getting older. To compare, Inside Out was released in 1.78:1, with Inside Out 2 being released in 2.39:1, this seemingly being the Pixar standard now[12].

Inside Out 2 was heavily anticipated, even having the biggest animated trailer launch in Disney history thanks to its teaser trailer from November 2023 hitting 157 million views across social media in 2024 – a record that was later beaten by Moana 2[13]. This explains exactly how and why Inside Out 2 did so well at the box office.

From its opening weekend in North America, Inside Out 2 made almost $155 million in ticket sales, going on to make just under $653 million in this market. This combined with the $1.05 billion the movie made overseas gave Inside Out 2 a final gross figure of around $1.7 billion in total, against a reported $200 million budget. Inside Out 2 became not only the highest grossing animated movie of 2024 but became the highest grossing movie of 2024[14].

Inside Out 2 also became the only animated movie to make over $1 billion from overseas markets alone. The Lion King 2019 Disney remake earnt $1.1 billion internationally, but although it is technically CGI, it is classed as live-action by the company. Inside Out, on the other hand, ended up making just under $860 million at the box-office, putting it in the No. 7 spot of the highest worldwide grossing films of 2015 and second highest grossing animated movie of the year after Minions.

Thanks to the stellar financial takings of Inside Out 2, Deadpool v Wolverine, Moana 2, and Mufasa: The Lion King at the box-office in 2024, the Walt Disney Company had a good year in cinema when their Disney Parks were not doing so well, with global economic problems contributing to lower demand and the 2024 Paris Olympics being partially blamed for the lower footfall at Disneyland Paris[15].

It was also stated that Disney+ was finally profitable in 2024. Speaking of which, Inside Out 2 was released on Disney+ on Wednesday 25th September 2024, where it drew in 30.5 million views worldwide during the first five days of its release, becoming the No. 1 film premiere of 2024 and the best film premiere on Disney+ since Encanto (2021). The original Inside Out has had 121 million views globally during its time on the platform so far[16].

It’s not always true that if a movie makes a lot of money at the box office, then it must’ve had positive reviews from both critics and audiences. That was certainly not the case for Moana 2, for example. However, Inside Out 2 was received well by the majority.

Many liked seeing Riley grow in this movie with the introduction of her new emotions, and the message of the movie, about accepting yourself for who you are, being seen as very good and relatable to the modern world. It was heartfelt and creative, expanding on the original story. Some adults even said Inside Out 2 helped them with their own difficulties with anxiety. Everyone experiences anxiety differently though, and Riley’s anxiety was quite specific to teenage life, so take that with a pinch of salt. It didn’t help me in that way, but I did like its creativity and the cleverness of the new mind additions, like the Sar-Chasm and The Vault. I also enjoyed seeing more of Riley’s life in Inside Out 2, something which was overshadowed by Joy and Sadness’ journey in Inside Out.

On the more negative side, some claimed Pixar should not be trying to teach kids about anxiety, feeling it may’ve been too much for certain ages to cope with. Others felt the humour was forced, for example, the mind metaphors being too much at times. The story was criticised for being rushed through to get to the final message, which I didn’t really agree with; Riley was only at hockey camp for three days. Some didn’t like the hockey camp setting either and felt Turning Red (2022) was a much better movie for teaching children about puberty. I actually really didn’t like Turning Red so I disagree on that point. There was also disappointment that some of the cast did not return to reprise their roles, showing that I wasn’t the only one who could tell the difference in the voice actors.

During awards season, Inside Out 2 only won the NAACP Image Awards for Outstanding Animation Motion Picture. It was nominated for numerous awards though including Best Animated Feature at the Academy Awards, with Flow (2024) taking home the award; at the Annie Awards, where The Wild Robot (2024) won; at the BAFTAs, with Wallace & Gromit: Vengeance Most Fowl (2024) claiming the prize; and at the Critics’ Choice and Golden Globes, where The Wild Robot and Flow won respectively. At the Golden Globes, Inside Out 2 was also up for Cinematic and Box Office Achievement, but losing to Wicked (2024). Also at the Annie Awards, Inside Out 2 was nominated for other awards, including Voice Acting for Maya Hawke; Writing; Character Animation; and Production Design, where it lost to The Wild Robot in most categories, although the Writing award was given to Flow.

In comparison, Inside Out won the Oscar for Best Animated Feature, and was nominated for Best Original Screenplay at this ceremony too. This was also the case at the BAFTAs and the Critics’ Choice Awards. At the Annie Awards, it once again won Best Animated Feature, along with a list of others awards, including Outstanding Achievement for Directing; for Production Design; and for Writing just to name a few. Inside Out also won Best Animated Feature Film at the Golden Globe Awards, the Satellite Awards, and the Saturn Awards, amongst many others. It was named as the Best Animated Feature by the National Board of Review too.

LEGACY

Continuing the Inside Out franchise, Disney+ premiered the new series Dream Productions on 11th December 2024, having first being announced in 2023, with further details being released in 2024. It consists of four episodes, at roughly half an hour each, and is set between Inside Out and Inside Out 2. It sees the Dream Productions dream director trying to create amazing dreams for Riley in amongst studio politics.

Many of the voice cast from Inside Out 2 reprise their roles in Dream Productions, with the likes of Richard Ayoade and Maya Rudolph joining the cast as Kenny Dewberry, and Jean Dewberry respectively. Ayoade is known for his role as Maurice Moss in the British sitcom The IT Crowd (2006-13) and hosted The Crystal Maze (2017-20) and Travel Man (2015-present) in the UK as well. He has voiced roles in other animated movies, such as Early Man (2018) and The Lego Movie 2: The Second Part (2019), and Terry in Pixar’s movie Soul (2020). Rudolph is known for her roles in comedy movies such as Grown Ups (2010) and its 2013 sequel as Deanne; Bridesmaids (2011) as Lillian; and Disenchanted (2022) as Malvina. She rose to fame as a cast member on the sketch show Saturday Night Live from 2000 to 2007. Rudolph currently stars in the AppleTV+ comedy series Loot (2022-present) as Molly Wells. She also voiced the roles of Aunt Cass in Disney’s Big Hero 6 (2014) and Daniela Paguro in Pixar’s Luca (2021).

Dream Productions has since won the Annie Awards for Best Limited Series and for Outstanding Achievement for Voice Acting in an Animated Television Production for Paula Pell, who voiced Paula Persimmon, the dream director and head of Dream Productions both in this series and in Inside Out. She also voiced Riley’s mum’s Anger in Inside Out and Inside Out 2, and was a writer on SNL from 1995 to 2013.

During the summer of 2024, the Disney Parks set about promoting Inside Out 2 in the usual way: with meet-and-greets, speciality food and drink, and merchandise.

At Disneyland, specifically at Disney California Adventure Park, there was much promotion for Inside Out 2 during Pixar Fest 2024, which took place from 26th April to 4th August. This included the introduction of Anger as a meet-and-greet character, joining Sadness and Joy in meeting guests. There was also an Inside Out 2 collectible medallion available to purchase at this time, from the machine in Bing Bong’s Sweet Stuff store. More generally, Joy and Sadness were two characters to get involved in the Pixar Pals Playtime Party stage show that ran a few times a day. These two, along with a statue of Bing Bong, were also featured on a float of Bing Bong’s rocket during the Better Together: A Pixar Pals Celebration Parade. Scenes and music from Inside Out were also included in the Together Forever – A Pixar Nighttime Spectacular fireworks show. Outside of that, at the Animation Academy also at Disney California Adventure Park, guests could learn to draw characters such as Joy, Sadness, Anger, and Anxiety. There was even a short film displayed on the water fountains ahead of the water-based nighttime show World of Color – One at this park, themed to Inside Out 2 and its characters. The short was named “Emotional Rollercoaster”.

Also at the Pixar Pier location in Disney California Adventure Park, you can find the spinner ride Inside Out Emotional Whirlwind, where guests spin around in colourful mini-hot air balloons, designed after Inside Out characters. The area is themed to include the shelving in HQ complete with memory balls that are seen in the film, and statues of the five emotions.  This ride opened in 2019, and is a repurposing of a different ride that once appeared at Disney California Adventure: Flik’s Flyers from A Bug’s Land, which closed in 2018 to make way for Avengers Campus. Also at Pixar Pier, there is the Angry Dogs food stand, with Anger being featured on the stand’s signage. This stand obviously serves hot dogs. Then there is a sweet shop named Bing Bong’s Sweet Stuff, which has a statue of Bing Bong inside. The Pixar Pal-A-Round Ferris wheel, redesigned to match the new area of Pixar Pier, includes gondolas with different characters painted on them. Joy and Sadness are two of these.

Also at Disneyland, special PhotoPass Lenses featuring the Inside Out 2 characters were available to use on the Disneyland app, and at the Pixar Place Hotel, there was an exhibit all about Inside Out 2, featuring maquettes of the new emotions Anxiety, Ennui, and Embarrassment, as well as artwork from the film. The Pixar Place Hotel opened at the Disneyland Resort on 30th January 2024 and contains other references to Inside Out. There are small references to the movie “hidden” in murals and paintings throughout the hotel and in rooms. You also might be lucky enough to meet Bing Bong at Pixar Place Hotel, as he has been meeting guests in the area since the hotel opened. 

At Walt Disney World, Joy was given a permanent meet-and-greet location at Pixar Plaza in Disney’s Hollywood Studios around Summer 2024, where she still is today. Joy and Sadness used to have a meet-and-greet location at the Epcot Character Spot, back in 2016, however, this area was closed when Epcot was redeveloping around 2019 and 2020. Joy could then be seen at the ImageWorks, the exit of the Journey into Imagination attraction in Epcot until around 2024 when Figment became a meet-and-greet character in that location. There was also a photo opportunity in front of an Inside Out 2 mural on the walls in the Pixar Plaza area. A sneak peek at Inside Out 2 was also playing at Walt Disney Presents in Disney’s Hollywood Studios.

At Disneyland Paris, Joy met guests at the Worlds of Pixar area in Walt Disney Studios Park during June and July 2024, with Anger showing up as well. Joy was still there in December of that year. It is unclear if she is still there. There are also two small statues of Joy and Anxiety in this area. In shows, Joy appeared as part of the A Million Splashes of Colour parade which ran from February 2024 until the end of September that year. Music from Inside Out and scenes from the movie are currently part of the Disney Tales of Magic nighttime show at Disneyland Paris.

At Tokyo Disneyland, Joy and Sadness have been spotted by guests as recently as 2021. At Hong Kong Disneyland, in recent years, characters from the movie, like Joy, Sadness, and Anger, were included in the Pixar Water Play Street Party here for Summer 2024. It is possible they will return if this parade returns in 2025. The Inside Out theme and clips from the film were also used as part of the Momentous Nighttime Spectacular show at this park. Lastly, at Shanghai Disneyland, Joy and Sadness are a part of the Disney ColorFest Street Party here, as well as Mickey’s Storybook Express Parade. Moments from Inside Out can also be seen in the projections of ILLUMINATE! A Nighttime Celebration.

On the Disney Cruise Ships, specifically on the Disney Wish, is a sweet shop named Inside Out: Joyful Sweets. The characters may also be seen as part of Pixar stage shows and parties that take place on other Disney Cruise Ships. The five emotions of Inside Out were also a part of the Disney on Ice show from 2015. 

Plenty of merchandise has been released featuring the characters of Inside Out 2, including plush toys, books, clothing, mugs, and playsets. There was plenty of specially-themed food and beverage offerings at all the Disney Parks too, including an Inside Out 2 souvenir cup available at Shanghai Disneyland; themed popcorn buckets, along with a tutti-frutti flavoured popcorn, and themed doughnuts at Disneyland Paris; emotion-themed dessert lollipops at Hong Kong Disneyland, with flavours like Basil Lemon for Envy and Thyme Orange for Anxiety, as well as themed popcorn flavours, such as Wasabi for Disgust and Garlic for Embarrassment; emotion-matching coloured cheesecakes at Disneyland Resort; and an Inside Out 2 petit cake at Amorette’s Patisserie at Disney Springs in the Walt Disney World Resort[17].

Finally, in partnership with Airbnb, a house designed to look like the Inside Out 2 headquarters was built in Las Vegas, with the accommodation seemingly being at the top of a huge tower. This was only available to win as a prize from a competition, with 15 one-night stays available to win for stays in July 2024.

FINAL THOUGHTS

There wasn’t too much in Inside Out 2 that I found particularly relevant to my life, but there was one thing. Hearing Riley’s belief “I’m not good enough” a number of times was quite an uncomfortable experience. We’ve all had times when we’ve thought we aren’t good enough. That we’re losers, failures, and will never achieve anything. Well, maybe not everyone has felt like that. Some people are just lucky with their level of confidence, but I think the majority of us have felt like we just aren’t good enough sometimes.

I found Inside Out 2 to be enjoyable as a film, and quite funny in places, even if I didn’t relate all that much to Riley’s journey, however, I am aware that I grew up in a time without smart phones and social media apps, with these only becoming a major part of life by the time I was about 18, and I was not at school or in a key developmental time of life when the COVID-19 pandemic hit. I don’t personally know any teenagers but I’ve read numerous articles about how stressed and anxious young people are growing up today.

I believe that Inside Out 2 may’ve gone some way in helping teens understand how their minds are working and even if they can’t talk to their parents, I hope it’s opened up discussions with their friends and given the adults in their lives something to think about.


REFERENCES

[1] Credit: Samantha Crowell, ‘Inside Out 2: Why Mindy Kaling & Bill Hader Were Recast In The Sequel (Despite Having A “Great Time Working On Inside Out”)’, ScreenRant.com, 28th August 2024.

[2] Credit: Julie, ‘6 Emotional Details About The Making of ‘Inside Out 2’’, PixarPost.com, 16th April 2024.

[3] Credit: Pixar, “New Emotions”, from Inside Out 2 (2024) Disney+ (2024).

[4] Credit: Matt Grobar, ‘Inside Out Sequel Plans Confirmed By Pixar At D23’, Deadline.com, 9th September 2022.

[5] Credit: John Boone, ‘The Inside Story of ‘Inside Out 2’s New Emotions (Exclusive)’, Oscars.org, 13th June 2024.

[6] Credit: Petrana Radulovic, ‘Uncut Gems helped inspire Inside Out 2’, Polygon.com, 16th April 2024.

[7] Credit: Pixar, “Deleted Scenes”, from Inside Out 2 (2024) Disney+ (2024).

[8] Credit: Julie, ‘6 Emotional Details About The Making of ‘Inside Out 2’’, PixarPost.com, 16th April 2024.

[9] Credit: Pixar, “Unlocking the Vault”, from Inside Out 2 (2024) Disney+ (2024).

[10] Credit: Jazz Tangcay, ‘‘Inside Out 2’: All the Easter Eggs and Hidden References You Might Have Missed Including a Nod to Pixar’s Next Feature, ‘Elio’’, Variety.com, 22nd June 2024.

[11] Credit: Dani Di Placido, ‘Disney’s ‘Inside Out 2’ Controversy, Explained’, Forbes.com, 17th September 2024.

[12] Credit: Disney, ‘‘Inside Out 2’ Director Kelsey Mann on Navigating the Emotions of Leading the New Pixar Film’, TheWaltDisneyCompany.com, 12th June 2024.

[13] Credit: Disney, ‘‘Inside Out 2’ Garners Biggest Animated Trailer Launch in Disney History’, TheWaltDisneyCompany.com, 10th November 2023.

[14] Credit: Tim Lammers, ‘‘Inside Out 2’ Ends Its Theater Run. How Much Did It Make At Box Office?’, Forbes.com, 11th October 2024.

[15] Credit: Faarea Masud, ‘Inside Out 2 boost Disney as theme parks struggle’, BBCNews.co.uk, 7th August 2024.

[16] Credit: Disney, ‘“Inside Out 2” Is The No. 1 Film Premiere On Disney+ In 2024, Driving 30.5 Million Views Globally In 5 Days’, Press.Disney.co.uk, date unknown.

[17] Credit: Cayla Ward, ‘New ‘Inside Out 2’ Experiences to Love at Disney Parks, Plus All-New Products’, DisneyParksBlog.com, 14th June 2024.

#15 Inside Out (2015)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. PRODUCTION
  5. MUSIC
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

“Do you ever look at someone and wonder: what is going on inside their head?”

These are the opening words of Pixar’s Inside Out, the 15th movie to come from the studio, twenty years after their first movie, Toy Story, was released in 1995, becoming the first-ever computer-animated feature film.

Whereas Disney Animation is known primarily for animating fantasy and adventure stories, usually with some sort of children’s story or novel as inspiration, Pixar tend to base their movies simply in the relatability of human experience.

Although this is usually done with a fantastical twist, like the existence of monsters, or rats that can cook, or a little fish going missing in the ocean, there is still something about the plight of these non-human characters that us as people can connect with.

In the case of Inside Out, Pixar chose to actually look inside humans, basing their whole movie on how we think and feel. What would that look like? What is going on in our heads when we face conflicting emotions?

As well as chronicling the trials and tribulations of an 11-year-old girl during a particularly difficult move away from her hometown of Minnesota to the city life of San Francisco, Pixar took us inside the mind, personifying emotions, giving them responsibilities, and showing how memories are created.

When I first watched Inside Out, I remember thinking it was a very clever movie from Pixar. They showed us how memories might be stored, how thoughts are categorised, and what our imagination looks like in a way that was fun, colourful, and meaningful.

It was also very poignant, as it proved how useful sadness can be, trying to move us away from thinking that happiness is the only emotion people should feel, and that if they don’t, there must be something wrong with them. We now have a word for that: toxic positivity, a very unhealthy attitude to have.

Pixar rarely get a foot wrong when it comes to their films, though they have not always been perfect. However, Inside Out felt like a turning point for Pixar, as they’d made something not only entertaining, but significant. But it is worth noting that Inside Out might’ve been highly praised simply because it was released after the disappointing sequel Cars 2 (2011) and the prequel Monsters University (2013), with more sequels coming afterwards.

PLOT

Inside Out begins with the birth of its main human character, Riley. We see Riley as a baby and then go inside her mind to see Joy appear. Here, Joy can see through Riley’s eyes, watching her delighted parents. This moment creates Riley’s first memory, which Joy sees roll into Riley’s mind like a glass ball, and stack itself on nearby shelves. Joy is excited to help keep Riley happy throughout her life, expecting it to be just the two of them now.

But just a few seconds later, Sadness shows up as Riley cries for the first time. Over the coming days, other emotions join Joy and Sadness inside Riley’s mind. First, Fear, who keeps Riley safe from tripping over a cable whilst playing in the house; then Disgust, who saves Riley from being poisoned by broccoli; and Anger, who shows up to get Riley to voice her displeasure at being refused dessert if she doesn’t eat that broccoli!

As the years go on, Joy is pleased to find that the majority of Riley’s memories are all golden and happy, since memories match the colour of the primary emotion in that memory. At the end of each day, these memories are taken down to Long-Term Memory to be stored. Riley’s Core Memories are also golden and these power Riley’s personality, forming personality “islands” inside her mind, like Family Island, Friendship Island, Hockey Island, Honesty Island, and Goofball Island. As Riley has grown up though, Joy has been at odds with Sadness, not knowing what she is actually in “HQ”, as in Riley’s mind, for.

Joy knows that Riley is 11 now so doesn’t expect much to happen in her life. And yet Riley’s parents have packed up all their belongings and moving from Minnesota to San Francisco. The journey is long, so the emotions review some of Riley’s favourite daydreams about what their new house will be like. Riley is excited to see it, but when they arrive, she finds it is nothing special and is in fact very rundown and kind of dirty… Riley is horrified, but Joy tries to keep her spirits up. However, the more Riley sees of the house, the more her other emotions push Joy aside, creating bad memories of the place. To make it worse, Riley’s mother then tells her the moving van won’t be coming for days, and when Riley tries to lighten the mood by playing hockey in the house with a balled-up piece of paper, her dad is called out to work. Riley and her mother go out for pizza but discover that San Franciscans apparently have a love for broccoli on pizza. That is so wrong.

Riley’s emotions are struggling with what is going on, but none more so than Sadness, who keeps feeling the urge to touch happy memories, which turns them blue. Joy tells Sadness not to touch any more memories, but Sadness goes to touch a Core Memory and it falls out. Sadness cries she thinks she’s having a breakdown. Joy pushes the Core Memory back in to place, because without these, Riley’s personality “islands” will stop working and she’ll become a shell of her former self. Sadness is sent to read manuals and stay away from the main console of HQ. Joy is also concerned that many of Riley’s memories for that day are a mixture of Fear, Anger, and Disgust. That’s new.

That evening, Riley is sleeping on the floor of her new room in a sleeping bag, much to Disgust’s…disgust. Her mother comes upstairs to tell her that her dad is very busy with work and that the moving van is going to be even later, but she appreciates Riley taking it all in her stride and still making an effort to be happy. Despite Riley’s fear and upset at being forced to move here, she continues to put on a happy face. Now it’s time for sleep and Joy is on “dream duty”, excited to see what Dream Productions is putting on for the night. Joy is unhappy with their choice so puts on a memory of Riley ice skating with her parents instead.

The next day, Joy wakes up with even more enthusiasm than usual, waking the other emotions playing the accordion. It’s Riley’s first day of a new school and Joy wants it to be perfect. She orders Fear to write a list of all possible worst-case scenarios for the day; tells Disgust to choose a great outfit for Riley; and Anger is tasked with unloading daydreams from the Train of Thought in case Riley’s lessons are boring. Sadness, on the other hand, is confined to a circle which Joy drew on the floor, telling her not to step outside of it.

At school, Riley is immediately asked to introduce herself to the class by her teacher, something that Fear calculated was the worst-case scenario. Joy isn’t concerned though and Riley starts to talk a bit about Minnesota and how great it was living there… The emotions then see that Riley has started crying in front of everyone. Horrified, they turn around to find Sadness has stepped out of her circle and touched a memory, making it sad. They then notice that a Core Memory has been created – and it’s entirely blue. This is Riley’s first-ever sad Core Memory. Joy and Sadness fight over it, with Joy wanting to dispose of it, but as they fight, all of Riley’s Core Memories are knocked out of position, Joy picks them up but her, the memories, and Sadness are sucked into one of the tubes that transports Riley’s memories around the mind. They are thrown out of Headquarters, and dumped in Long-Term Memory. Joy and Sadness discover that none of Riley’s personality islands are working without the Core Memories, so they know they have to hurry back to HQ.

Joy and Sadness’s departure has left only Fear, Anger, and Disgust in HQ. It’s already apparent that Riley’s personality has changed as she sits slouched eating dinner with her parents. Her mother tries to ask about school but thanks to Disgust, Riley’s answer comes out sarcastic. This leads Riley’s mother to become worried and try to get Riley’s father involved. As we can see inside both of their minds now too, we know Riley’s father wasn’t paying attention, exasperating Riley’s mother. Riley’s father tries to contribute to the conversation but makes everything worse, inflaming the situation instead of calming it. This makes Riley angry and she is sent to her room. Riley’s father is pleased with how he put his foot down, but Riley’s mother knows it was a disaster… Riley’s dad tries to cheer Riley up later by acting silly but Riley is having none of it.

This brings us back to Joy and Sadness who are trying to navigate their way to HQ by walking along a thin bridge between Goofball Island and Headquarters. As Riley refuses to act silly with her dad, Goofball Island breaks away and Joy and Sadness run back to Long-Term Memory. Riley then falls asleep so Joy wants to be back in HQ by morning, but this means a long walk round to Friendship Island. Sadness doesn’t feel like moving but knows Joy will get lost in the maze that is Long-Term Memory. Sadness then shows she knows the route through so Joy drags her along with her. The next morning, they are still walking and Joy is annoyed to find that Sadness has touched all the bottom row of the Memory Shelves turning them blue. Joy sees some Memory Workers getting rid of old, faded memories, sending them to the Memory Dump to be forgotten forever. One of these that will never fade is the Triple Dent Gum jingle, which the workers like to send to HQ just for fun! Joy asks them for directions to Friendship Island but they walk away, ignoring her.

Back with Riley, she video calls a friend from Minnesota who tells her about this new girl on their hockey team and how amazing she is. Naturally, this upsets Riley who bluntly ends the call. This event causes Friendship Island to collapse just like Goofball Island, so Joy and Sadness cannot take that route now. They are back to walking again… Joy notices something pink seemingly taking some of Riley’s memories. Joy goes to confront him but he runs away, scared. It turns out Joy knows exactly who this. It’s Bing Bong, Riley’s imaginary friend. Bing Bong says he’ll help them get back to HQ, with Joy promising she’ll get Riley to remember him, as he is being forgotten, once they’re back.

Bing Bong tells them the best way to get back is to catch the Train of Thought which has a station in Imagination Land. Bing Bong takes them through a “shortcut” which is actually Abstract Thought. Some workers turn the area on as Joy, Sadness, and Bing Bong are walking through and they start to transform. First, they become fragmented, then deconstructed, then 2D, then simple shapes. They manage to jump out of Abstract Thought alive but have missed the train as they wait to regain their actual forms. There is another station through Imagination Land, so they keep walking, through French Fry Forest, Cloud Town, the House of Cards, where Bing Bong’s magical rocket/wagon has been left, and the Imaginary Boyfriend machine. At Pre-School World, Bing Bong’s rocket is taken by workers who are demolishing the whole area. Bing Bong is devastated to find that Riley is moving on from him. Joy tries to boost his mood, but it doesn’t work. Sadness then sympathises with him and they talk about Bing Bong’s sadness at things changing and him being forgotten. Joy is amazed to find that Bing Bong’s talk with Sadness has actually made him happier…

At HQ, Fear, Anger, and Disgust see Riley breaking down further. At hockey try-outs, without her Core Memory and Personality Island, Riley plays terribly and storms off upset, causing Hockey Island to collapse. Anger thinks he has a way of fixing this whole situation: by running back to Minnesota and creating new Core Memories. Disgust and Fear aren’t so sure, so they put a pin in that idea.

Back with Bing Bong, Joy, and Sadness, they have boarded the Train of Thought, but it stops soon after as Riley falls asleep. Luckily, they stopped right by Dream Productions. They decide to infiltrate the dreams to wake Riley up. On set, Sadness says they should scare her awake, but Joy doesn’t want to do that. Instead, they dress up like a dog and run onto the Dream Productions set. Joy and Sadness’s costume breaks apart though, so it looks like the dog has been cut in half. Bing Bong rushes on to set too to try and talk to Riley, and Dream Productions Security carry him out. This whole dream was being watched by Fear who was on Dream Duty too. He was unimpressed to say the least.

Joy and Sadness then go to the Subconscious where Bing Bong has been put in a cell. As the two try to enter the area, two guards see them and throw them inside. They follow a trail of candy wrappers to find Bing Bong in a cell made of balloons, sitting on top of a clown. This clown is Jangles and he is terrifying, which is why he is in the Subconscious; this is where all of Riley’s darkest fears live. Joy releases Bing Bong and then decides Sadness was right about scaring Riley awake, so they wake up Jangles and lead him to Dream Productions. Riley does wake up and they jump on the train. But at HQ, Anger decides they must take action and puts the running away thought in Riley’s head, by placing a literal light bulb in the console. Riley decides to do it, buying a bus ticket home, and stealing her mother’s credit card to pay for it, which breaks down Honesty Island.

On the train, Bing Bong picks up a memory of Riley playing hockey. Joy remembers that it was a day of celebration with her hockey team, but Sadness remembers that Riley actually was very sad that day after missing the winning goal in a big game. Honesty Island’s collapse causes the Train of Thought to derail and the three are pulled to safety by Memory Workers. They tell Joy Riley is running away. Sadness and Joy rush over to Family Island, the last personality island standing and go to a Recall Tube to get back to HQ. But as Sadness enters the tube, Riley’s Core Memories start to turn blue. Joy tells Sadness Riley needs to be happy and goes off without her. But the tube breaks, and as Bing Bong tries to help, he too falls, both of them heading right to the Memory Dump.

As Bing Bong loses hope that they’ll get out of there, Joy starts to cry and picks up the memory that they were just talking about. As she wipes a tear off it, she sees that this memory started off sad and then became happy. This shows to Joy that memories can have mixed emotions and that Sadness alerted others to how Riley was feeling so that they could come and comfort her to make her happy again. Joy knows she can’t just stay here, and finds Bing Bong’s rocket, powered by song power. The two get in the wagon and start to sing. They rise higher and higher…but it’s not enough. They keep trying but just can’t seem to get out of there. Bing Bong then realises he might be too heavy so at the last moment, he jumps out, causing Joy to make it back to Long-Term Memory. Looking down, she sees Bing Bong waving and then he fades away forever…

Back in San Francisco, Riley’s parents have discovered Riley is missing and so Family Island starts to fall. Joy quickly finds Sadness, who is floating on a cloud of tears, believing Riley is better off without her. Inside HQ, the emotions have discovered that Riley’s console is turning grey, and they cannot do anything to reverse Riley’s decision to run away. Joy then goes to the Imaginary Boyfriend machine and prints copies of the boys. She pushes Sadness towards Family Island. Using these boys, Joy basically makes a tower to stand on. She then tells them to fall forward, and she jumps onto the trampoline of Family Island before it falls, catching Sadness on the way. The two slam into one of the windows of HQ. Anger, Disgust, and Fear rush towards them, with Disgust winding up Anger so she can use his fire to break the window open. The three tell Joy to fix Riley, but she passes that responsibility over to Sadness. Sadness takes a deep breath and takes out the light bulb from the console, removing the thought from Riley’s head. She immediately gets off the bus.

At home, Riley’s parents are relieved to see she’s back unharmed. Sadness returns Riley’s Core Memories, turning them blue, which allows Riley to tell her parents that she misses home. It turns out her parents miss home too. The three comfort each other with a big hug. This creates the first mixed emotion memory for Riley. Family Island is restored.

One year later, Riley is twelve, and has begun to accept her new life in San Francisco, making friends, and joining the hockey team, with new Personality Islands forming too, like Boyband Island and Tragic Vampire Romance Island. Joy has also begun to accept Sadness in Riley’s mind, and more mixed emotion memories have been created. They soon find that the Memory Workers have expanded their console, with a new red button marked “Puberty” on it. Joy tells them not to worry about it; it can’t be that important.

In a mid-credits scene, we get to see inside the minds of others, including Riley’s teacher, who is counting down the days until she can go on vacation, seemingly to meet up with the same helicopter pilot that Riley’s mother once knew; a cool girl from Riley’s school who is finding it exhausting keeping up this façade that she’s too cool to care; and even a cat’s mind, where its Fear emotion plays about with the console, making the cat randomly go crazy in the real world. Oh, so that’s why cats do that!

CHARACTERS & CAST

Joy believes herself to be the leading figure of the five emotions that reside in Riley’s mind. She was the first one to be there to support Riley and she has vowed to keep Riley happy for the rest of her life. Happiness is the key emotion that many people strive for, however, that does not mean that you have to spend every day and every minute of your life feeling happy. That’s unrealistic and not even sustainable. So, on this journey through Riley’s mind, Joy has to accept that she cannot be the driver of Riley’s life all the time, and that even though she perhaps views the other four emotions, particularly Sadness, with scepticism over how much they improve Riley’s life, Joy has to accept that Riley can’t always be happy and that sometimes Sadness is necessary to help Joy do her job. Because Joy is enthusiastic and positive, she was designed to be a constant glowing spark, her light shining on to those around her, with a big sunny smile to match. Joy’s shape was based on a star.

Joy was voiced by Amy Poehler. Poehler was a cast member on the sketch comedy series Saturday Night Live (1975-present) from 2001 until 2008. After that, Poehler was cast as Leslie Knope in the popular sitcom Parks and Recreation (2009-15), for which she was nominated for numerous Primetime Emmy and SAG awards, winning a Golden Globe in 2013 for her role. She is also known for her collaborations with former SNL writer and performer Tina Fey, being cast as Regina George’s mother in Mean Girls (2004), written by Fey, and appearing alongside her in other movies like Baby Mama (2008) and Wine Country (2019), with the latter being directed by Poehler. Poehler won a Nickelodeon Kids’ Choice Award, a Women Film Critics Circle Award, and an MTV Movie Award for her voice role here.

Sadness is the least confident of the emotions, being quite insecure and unsure of her purpose in Riley’s mind, probably because Joy has spent eleven years trying to keep Sadness away from Riley’s memories and the HQ console so she doesn’t mess anything up. After helping Joy journey through Riley’s mind, Sadness is “rewarded” with Joy ignoring all of her ideas, like scaring Riley awake which turns out to work, and is then left behind by Joy as she tells Sadness Riley needs Joy more than her, causing Sadness to fly around on a cloud, crying her eyes out, believing she is useless and harmful to Riley. Joy has to convince Sadness that she was wrong all along and that Riley needs to feel sad at times to improve her mood. In the end, Sadness is the hero who makes Riley feel again. Sadness was initially going to be a male character named Bud who looked like a big blue blob. Sadness was then redesigned by artist Albert Lozano, who drew Sadness to look more like his mother. Sadness is shaped like an upside-down teardrop[1].

Phyllis Smith was the voice of Sadness. She is perhaps best known for her role as Phyllis Vance in sitcom The Office (2005-13), as well as her appearances in comedy films such as Bad Teacher (2011), alongside Cameron Diaz. Smith won the Annie Award for Outstanding Achievement for Voice Acting in a Feature Production for her role as Sadness.

The next emotion to mention is Fear, the one who alerts Riley to real-life physical threats, like tripping over things or getting hurt, as well as the emotionally-charged dangers, like being laughed at on her first day of school. Fear is incredibly neurotic, getting worked up at the smallest thing, and catastrophising everything, but hey, I guess that’s his job. Fear was shaped to look like a nerve.

Bill Hader was cast as the voice of Fear. Hader was a cast member on Saturday Night Live (1975-present) from 2005 until 2013, also appearing in comedy films such as Forgetting Sarah Marshall (2008) as Brian Bretter and Night at the Museum: Battle of the Smithsonian (2009) as George Custer during this time. He had also voiced roles in animated movies prior to Inside Out. These roles include the main role of Flint Lockwood in Sony Pictures’ Cloudy with a Chance of Meatballs (2009) and its 2013 sequel; and Guy Gagné in DreamWorks’ Turbo (2013). Hader has voiced characters in other Disney and Pixar movies too, including J.P. Spamley in Ralph Breaks the Internet (2018) and Featheringhamstan in Lightyear (2022). Hader also co-created, partially directed, and starred in the dark comedy series Barry (2018-23), for which he won two Critics’ Choice Awards and two Primetime Emmy Awards for his acting role, and three Directors Guild of America and three Writers Guild of America Awards for his creation of the show.

Another emotion we meet is Disgust, who was initially designed to be disgusting herself, before the animators decided that wasn’t an appealing character design. Instead, she ended up being shaped like a piece of broccoli, which she ironically despises, albeit a well-dressed piece of broccoli! Disgust is first introduced to tell Riley not to eat the broccoli she is about to be fed, but her disgust spans more than just food, moving into fashion choices and even Joy’s suggestions about just going up to cool girls and talking to them!

Disgust was voiced by Mindy Kaling. Kaling was also cast in The Office (2005-13) in the role of Kelly Kapoor, before creating her own show, The Mindy Project (2012-17), where she starred as Dr. Mindy Lahiri. She has also appeared in comedy films, such as Ocean’s 8 (2018) where she was cast as Amita, and Late Night (2019), playing the part of Molly Patel. Kaling recently co-created a new show for Netflix, Running Point (2025-present), which stars Kate Hudson in the main role. Kaling is no stranger to voice acting either, having voiced the characters of Taffyta Muttonfudge in Wreck-It Ralph (2012) and Val Little in Monsters at Work (2021-present) for Disney; and the title role of Velma in the animated Scooby-Doo spin-off series Velma (2023-24).

The final emotion to mention is Anger, who is obviously the one who gets angry at everything, wanting things to be fair for Riley and not wanting to feel disrespected by anyone. Anger is the primary driver behind the idea to get Riley to run away and go back to Minnesota, something that he felt was a good idea after being annoyed at their lack of progress in creating Core Memories without Joy. He was basically at the end of his tether, but even Anger accepts that this was not the way to fix Riley in the end. Anger is rigid and immovable, so his character design was shaped to be like a brick[2].

Anger was voiced by Lewis Black. Black began his career in stand-up comedy, later appearing on The Daily Show (1996-present) to host a segment called Back in Black with Lewis Black, humorously commenting on news stories, which he still does today. Black also had his own series on Comedy Central titled Lewis Black’s Root of All Evil (2008).

The other main character in Riley’s mind is Bing Bong, Riley’s imaginary friend, a creature that is part cat, part elephant, part dolphin, made of cotton candy and cries candy! Bing Bong has found himself living out the rest of his days in Riley’s Long-Term Memory but fears he will be forgotten soon as Riley is growing up and no longer needs an imaginary friend. He hopes that by helping Joy and Sadness get back to HQ that they’ll be able to get Riley remember him, but that never happens. Instead, Bing Bong sacrifices himself to the Memory Dump to allow Joy to return to HQ and make Riley happy again. It’s a heart-breaking moment, seeing Bing Bong fade away in that place…

Bing Bong is the most lovable and likeable of all the characters in Inside Out and I think that has a lot to do with his voice actor, Richard Kind. On stage, Kind has appeared in a variety of plays and musicals, including as Max Bialystock in The Producers Broadway production from 2004 to 2005, and at the Hollywood Bowl in 2012; as Andre Thibault in a 2005 Broadway production of Dirty Rotten Scoundrels; and as Marcus Hoff in The Big Knife, for which he was nominated for a Tony Award for Best Featured Actor, and won the 2013 Drama Desk Award for Outstanding Featured Actor in a Play. On screen, Kind was recently seen in Season 4 of Only Murders in the Building (2021-present), playing the part of Vince Fish, and as Caroll Mintz in the Hulu series Mid-Century Modern (2025). He also appeared in Tick, Tick…Boom! (2021) as Walter Bloom, and portrayed Rudy Giuliani in Bombshell (2019). Kind had also previously worked with Pixar prior to Inside Out, having voiced Molt, Hopper’s brother, in A Bug’s Life (1998) and Bookworm in Toy Story 3 (2010).  

For the human characters, we have Riley and her parents. Riley is initially a very happy child, having a keen interest in hockey, getting on well with her parents, and having lots of friends. Even when they move to San Francisco and things aren’t looking so great, Riley tries her best to make the most of the situation, although it is difficult. It’s not until Joy and Sadness depart HQ that Riley really struggles, losing parts of her personality and slowly becoming emotionless, to the point that she feels like running away is the best option. Thanks to her acceptance of how she feels about the move, and Joy and Sadness returning to HQ, she is able to go to her parents and tell them how she feels. Her parents are non-judgemental, caring figures so they listen to Riley’s thoughts, and tell her that they feel the same way, missing home and feeling a little bit scared too.

Riley was voiced by Kaitlyn Dias, who apparently pictured her cat dying in order to cry on cue for the recording of Riley’s most emotional moments. Talk about commitment to the role[3]! For Dias, this was one of her first roles, winning a Young Artist Award in 2016 for the category Best Performance in a Voice-Over Role – Young Actress. Diane Lane voiced Riley’s mother, having roles in a variety of movies including as Cleo Trumbo in the 2015 biopic Trumbo (2015); and as Martha Kent in Batman v Superman: Dawn of Justice (2016), reprising the role for Justice League (2017). Kyle MacLachlan voiced Riley’s father, who had roles in many television series, including as Special Agent Dale Cooper in Twin Peaks (1990-1991; 2017); and as Trey MacDougal in Sex and the City (1998-2004).

Those are all the main characters, although there are some other fun voice cameos. Two of these are Frank Oz and Dave Goelz who voiced the guards who guard the Subconscious. Oz and Goelz are well-known for their puppetry work and collaborations with Jim Henson on the Muppets; Fraggle Rock (1983-87); and Sesame Street (1969-present). Oz has also directed movies such as The Dark Crystal (1982), Dirty Rotten Scoundrels (1998), and Little Shop of Horrors (1986). Goelz voiced Figment in the 2002 version of the Epcot attraction Journey Into Imagination with Figment.

Then there is Rashida Jones, known for her roles as Karen Filippelli in The Office (2005-13) and Ann Perkins in Parks and Recreation (2009-15), amongst many others, who voices the Cool Girl’s emotions, and of course, John Ratzenberger appears as Fritz, the Mind Worker who installs the updated console in HQ at the end of the movie. Ratzenberger had voiced a character in every Pixar movie up until Onward (2020) but would not return as a voice cameo for the studio until the release of Inside Out 2 (2024).

PRODUCTION

The basic premise of Inside Out came from the personal experience of Inside Out director Pete Docter and his daughter, Elie. Elie was the inspiration for 11-year-old Riley, with Elie Docter having previously been the model and voice actor for Young Ellie in Up (2009).

It is not unusual for parents to notice a change in their children, especially as they enter adolescence, and this was the case for Docter, who said his daughter had been outgoing, energetic, and goofy, but she all of a sudden became quiet, self-conscious, and moody, getting panicked about school sometimes. Docter wanted to understand what might be going on inside Elie’s head, so he made a movie about it!

Docter was interested in that weird place between childhood and adulthood, where the mood can switch between wanting to be a kid and play around and wanting to be treated like an adult, seemingly at random. Though Elie Docter adjusted to becoming a teenager, being sixteen at the time Inside Out was released, Docter wanted to show what it might be like inside the mind of the child when the parents see the light go out in their child’s eyes, and they become emotionless and difficult to reach.

Docter also used some of his own experience growing up in Minnesota, like Riley. He had found middle school particularly stressful, being labelled as a “geek” for not being good at sports, with this causing some social anxiety. Docter even had his own imaginary friend like Riley. Docter’s imaginary friend was a small elephant called Norma who drove a car[4]!

Docter, screenwriter Meg LeFauve, who also wrote the screenplay for Pixar’s The Good Dinosaur (2015) around this same time, and Josh Cooley, who had worked as a story artist on Ratatouille (2007) and Up prior to Inside Out, began writing the story for Inside Out around 2010. However, as is the case with the majority of movies, although the basic idea of Inside Out was there, it took some time to properly decide on the overall plot of the film, with ideas being thrown in and tossed out over the coming months and years of development.

Joy was the most challenging character in Inside Out, because she represents the simplicity of childhood, but how does that relate to a girl who is quickly growing up? Initially, it was thought that perhaps Joy just wanted Riley to be happy so the whole story revolved around making Riley enjoy every day of her life, but that quickly became monotonous and superficial. So, the filmmakers thought: what if Joy is so passionate about keeping Riley in the safety and joy of childhood that she becomes nasty? Some of the Inside Out deleted scenes shed light on what this might have looked like. For example, there were moments when Joy was being self-centred and blind to the world, like not understanding why Riley would have to do chores and do homework at her age, and why she shouldn’t still be playing with her food or messing about during concerts. There was another scene of Riley at school where Joy was trying to get Riley to forget about making friends, something that the other emotions were actively wanting for Riley, and to go play on the monkey bars instead, and even said she wanted Riley to spit in these girls’ faces. Riley refused to listen to these “voices in her head” and made friends anyway, much to Joy’s surprise.

This idea didn’t work because it made Joy a difficult character to like. It was then decided that Joy should be paired up with another emotion through Riley’s mind, because then she’d have someone to bounce off and learn things from. Initially Joy was paired with Bud, an early design for Sadness, but the characters didn’t work together. Joy was later paired with Fear, with some of this storyline present in the deleted scene “Imagination Park”. Here, Joy was trying to get back to HQ, but Fear thought Joy was heading back to take it over, presumably to make Riley stay a child forever. Joy managed to outrun Fear who was chasing her with a Mind Worker, and get into Imagination Park. Joy continues to run through the area, still being pursued by Fear until she leads him into a room where a monster tries to get him. Fear sucked the monster up into a memory tube, but accidentally sucked himself into it too. Joy picked up the gun with Fear inside, with Fear apologising for his actions.

Joy paired up with Fear didn’t work either, so she was eventually paired up with Bing Bong, who was made to be Joy’s tour guide through Riley’s mind, but was also a type of radical non-conformist, dead set against the demolition of Imagination Park and expansion of the area to include areas about boys, sarcasm, and swearing. Bing Bong took Joy into this area and encouraged her to throw bricks at the workers. They ran out of the area to catch the train, despite the fact Joy was aware they were not even being chased.

There were other story ideas that just didn’t work. One deleted scene showed Joy looking for a Core Memory she had dropped in some water, and swimming to a beach where she found the memory broken. On the beach was a big house. Joy went inside and saw a young Riley dancing in a room. Young Riley wanted Joy to dance with her forever, but Joy finally accepted that she had to let go of Young Riley and allow her to grow up. Another early draft saw multiple emotions residing inside Riley’s mind, each with their own name that wasn’t just their emotion. For example, Fear was once called Freddie and Anger was called Ira. Preston, the Pride emotion, was a core member of the group initially, later replaced by Disgust, and other emotions such as Ennui and Schadenfreude made cameo appearances[5].

It’s evident that many different ideas were bounced around during early development on Inside Out, but a couple of years into the making of the movie, Docter found himself overwhelmed by this struggling story and uncertain of whether this was the movie he should be making. Joy was unlikeable, trying to resist Riley growing up, and there was no concept of Riley adjusting to a move from Minnesota to San Francisco. Docter knew something wasn’t right with his story, and went for a walk to try and figure out how to fix it.

Through this walk, Docter contemplated the relationships in his life and the fact that they were the most important thing to him. Docter recalled all the happy moments he’d had with family and friends, but he also knew that he had been through many sad, troubling times with these same people. It appeared to be a real light-bulb moment, where it became clear that this movie had to be about Sadness and Joy, with Sadness teaching Joy the lesson that happy moments can sit alongside sad moments[6].

With this new plan in mind, Docter knew the whole movie would have to be re-storyboarded and would mean going through the producers, Pixar president Ed Catmull, and Chief Creative Officer at Pixar John Lasseter, to approve as this would affect the movie’s production schedule. Despite Docter’s worries, they were very understanding and allowed the film to go through some major re-writes[7].

There was also additional help from scientist and psychologists, who explained the nature of emotions and the science of memory to help the Pixar filmmakers with their story. According to psychologist Paul Ekman, there are six key emotions: Anger, Fear, Disgust, Joy, Sadness, and Surprise. Obviously, Pixar made their core team around five of these emotions, with Surprise being considered too similar to Fear and being dropped. It was also decided that different emotions would drive characters’ minds in Inside Out, so Riley is driven primarily by Joy in childhood, however, during the dinner scene where Riley gets in an argument with her father, you can see that Riley’s mother’s mind is headed up by Sadness, whilst Riley’s father’s mind is driven by Anger. This wasn’t meant to be a stereotyping of male and female adults, but instead, was meant to show that Joy likely will not be leading Riley’s console into adulthood, but another emotion will.

Emotions are heavily linked to memories, both in Inside Out and in the real world, so discussions about memories were also necessary for research. Pixar talked to the Mind Brain Behavior Institute in Columbia, who said that the most emotionally charged memories are the ones that are most likely to be remembered. They also stated that when we recall a memory, we are actually making a copy of that memory, not remembering it as though it has just happened. This creates some reliability even in eye witness accounts as not only can emotions alter facts, but memories change and can be altered based on conversations with others and outside influences, meaning they aren’t all that reliable[8].

This idea of memories not being overly reliable isn’t particularly relevant to Inside Out, since Riley isn’t a witness in a court case or anything, however, the memories being emotionally charged is relevant to the movie, as we see when Sadness and Joy are discussing the same memory about Riley and her hockey team, but are remembering it differently, with Joy remembering the happy celebratory mood of Riley’s teammates and parents, and Sadness remembering the guilt and upset at not scoring a winning goal.

Other mind-related topics were explored and researched too. Dacher Keltner, psychology professor at the University of California, Berkeley, discussed what makes people happy with true deep happiness not being about material things, like wealth and expensive things. Dreams are another factor of the mind present in Inside Out. The use and meaning of dreams are debated heavily in science, with some saying they are the brain’s way of working out issues, whilst others reckon they are just random firing of neurons and mean nothing much at all[9]. For Inside Out, to avoid this debate, the filmmakers chose to make dreams a form of entertainment, being created and filmed like a movie, with Dream Productions being reminiscent of a working movie studio.

In terms of animation, we get to see a representation of the real world, complete with landmarks of San Francisco, like the Golden Gate Bridge. Alongside that, we see a colourful, cartoony version of the human mind. If Pixar had chosen to visually represent the brain, it would’ve been fairly simple, as we have access to scans of the human brain, what it looks like and how it works. But this is the mind, not the brain, which is much less easy to understand and even more difficult to represent.

Pixar made the mind a bright, colourful place, with clever ways of representing turns of phrase or metaphors we use when discussing the inner workings of our minds, such as the Train of Thought being an actual train, and Abstract Thought getting its own space, where Sadness, Joy, and Bing Bong are broken down from their 3D forms down into basic shapes, like they are being “de-animated”. We also see that memories are created in what seem to be glass balls, with these being stored in shelves in HQ before being unloaded into Long-Term Memory, where memories are stored again on shelves, with faded or useless memories being disposed of in the Memory Dump, where the mind then forgets them. Pixar even thought about how we get random songs pop into our heads, like the Triple Dent Gum jingle. In Inside Out, the Mind Workers like to send the memory up into HQ where it then plays. There are so many other clever ideas in Inside Out that you can sometimes get caught up in the cleverness of the film and forget about the emotional core of the story.

Every Pixar movie has to have a list of Easter eggs and Inside Out is full of them. For instance, when Riley is video chatting her friend, there are a list of Riley’s contacts on the left-hand side of her screen. These include DocPete, Ronnify, and Domeeeee. These names relate to Pixar employees who worked on Inside Out. DocPete is obviously Pete Docter, the director; Ronnify is likely Ronnie del Carmen, who was co-director and co-creator of the story, having been a story artist on other Pixar movies such as Ratatouille (2007) and WALL-E (2008) previously; and Domeeeee is Domee Shi, a storyboard artist on Inside Out, going on to direct the feature films Turning Red (2022) and the upcoming Elio (2025).

There are also references to other Pixar movies. The Chinese takeaway boxes that Riley and her parents are eating from resemble those of Harryhausen’s in Monsters, Inc. (2001); the memory of Riley sliding down a slide looks just like the one in Sunnyside Daycare from Toy Story 3 (2010); and that memory of Riley and her parents taking pictures by dinosaur statues on their drive to San Francisco are a reference to the movie release that came after: The Good Dinosaur (2015), with those dinos matching Arlo, the main character, and the eccentric Styracosaurus Forrest Woodbush.

For the necessary Pixar Easter eggs that appear in every Pixar film, A113, the number that represents the room that many of the original Pixar animators studied in at CalArts, is the number of Riley’s classroom door, and can also be seen in graffiti on the streets of San Francisco. The iconic Pizza Planet truck is pictured in two memory balls, one during the scene of Joy chasing Bing Bong through Long-Term Memory and the other whilst they are on the Train of Thought.

In 2013, at the D23 Expo, the logo of Inside Out was revealed as were the five emotions that the movie would focus on, although the logo did become something very different in the end. The original logo seemed to be the outline of a human head with “Inside Out” written inside it. About a year before Inside Out’s release, Pixar screened the movie to children, concerned it was too confusing and complex. They were delighted to find that kids did in fact understand it, and used information from the film to help them open up to their parents about how they were feeling[10].

Disney Parks fans might have noticed after viewing the movie that Inside Out is quite similar to a now-closed Disney theme park attraction. This attraction was Cranium Command which opened in the Wonders of Life pavilion in Epcot at the Walt Disney World Resort on 19th October 1989. It consisted of a short-animated pre-show, followed by a theatre experience. In this pre-show, guests saw General Knowledge talking to a group of recruits about their important job of piloting human brains. A small, young recruit named Buzzy is late to this meeting, annoying General Knowledge, who then forgets to assign him to a brain to pilot, meaning Buzzy is left with the most difficult brain: the brain of a 12-year-old boy! Guests were then led to a theatre, where they saw a stage of control panels and screens and were reunited with Buzzy, now in full Audio-Animatronic form. With this animatronic and screens, we saw Buzzy interact with different parts of the body, like the Stomach and the Bladder, to get Bobby, the boy whose brain is being piloted, through a day at school where he gets in trouble for fighting and meets new girl Annie. Cranium Command ran until 1st January 2007, when the Wonders of Life closed permanently as a pavilion, becoming used as an Epcot Festival space for a few years. I loved Cranium Command and remember watching it a lot when I was younger during my trips to Walt Disney World. My mum and I would go and see that whilst my dad and older sister went on the simulator ride Body Wars which was too gross and intense for me!

Strangely enough, the closing of Cranium Command was not the end of Buzzy’s story because around 2018, when “urban exploring” was all the rage – especially for those with YouTube channels – many liked to break into the Wonders of Life pavilion, since it was no longer being used. The Buzzy animatronic was stolen around this time, with only the animatronics’ clothing being tracked down, to NBA player Robin Lopez and his friend who had bought the clothing, unaware that the items had been stolen. The Buzzy animatronic has never been found…

Cranium Command was not stated as a specific source of inspiration for Inside Out, however, the similarities are clear if you know of this attraction. Pete Docter had interned as an animator at Disney early in his career and was sent to work on the animated sequence for Cranium Command. Docter did not initially notice these similarities between the attraction and his film until they were pointed out to him, though he did admit it must’ve been in his subconscious somewhere[11]!

MUSIC

The soundtrack for Inside Out had to evoke feelings of imagination and wonder, alongside big emotional moments.

The iconic theme for Inside Out can be heard in the opening track “Bundle of Joy”. This piece of music sums up the whole style of the movie. This theme is repeated in different places throughout the movie, usually in scenes of HQ and more familiar parts of Riley’s mind, like Long-Term Memory.

However, there are other parts of Riley’s mind that are very unfamiliar to Joy and Sadness, such as Abstract Thought. It initially looks like Bing Bong, Joy, and Sadness are just going to walk through an empty building but when it is turned on, Abstract Thought becomes a strange place. The piece “Abstract Thought” mimics the terror and confusion that these three characters feel as they begin to deconstruct and try desperately to get out. Another area with its own piece of music is “Imagination Land”. This sounds just like the music you’d hear in an amusement park; it’s bouncy and cheerful.

The track “The Subconscious Basement” had to feel scary and like something bad could happen at any moment, to match the dark corners of Riley’s mind where her greatest fears are held. At this point, Joy and Sadness have had to go into the Subconscious to rescue Bing Bong who was dragged there by security. Whilst there, they encounter a huge, creepy clown called Jangles. “We Can Still Stop Her” is another scary moment, but this time it takes place in the real world, as Riley goes to catch a bus back to Minnesota on her own. Again, it feels like something bad could happen to Riley, and is almost more terrifying because it’s a scene from the world we know, so we are aware of what could’ve happened.

In amongst those moments, Giacchino’s score also had to match weighty emotional moments, however, instead of turning to big orchestral sounds, he went small on these pieces, knowing that when someone needs help with their feelings, it’s better to be quiet and supportive, just taking in what they’re saying. This is evident in “Joy Turns to Sadness/A Growing Personality”, which can be heard when Riley returns home to her parents and tells them she’s miserable being away from Minnesota. The main theme returns here too, as the end of this piece becomes happy, and we learn that Riley is slowly adjusting to her new life.

There are also two other “songs” that appear in the film. One is the catchy Triple Dent Gum jingle, which is meant to resemble those annoying, little tunes that you can hear on television adverts that then get stuck in your head for days, and Bing Bong’s song about his magical rocket that is powered by song power. This is a silly, rhyming song, but naturally, it had to be, as a very young Riley would have written it herself.

The music for Inside Out was composed by Michael Giacchino, who was no stranger to Pixar, having already composed the music for The Incredibles (2004); Ratatouille (2007); Up (2009), for which he won the Oscar, BAFTA, Golden Globe, and Critics’ Choice Award for Best Score; and Cars 2 (2011) by the time of Inside Out. Giacchino continued to collaborate with Pixar after Inside Out, composing the scores for Coco (2017); The Incredibles 2 (2018); and Lightyear (2022). Outside of Pixar, he has composed music for the most recent Spider-Man films and for the series of Disney television Christmas specials, Prep & Landing (2009-11). Giacchino was also nominated for Primetime Emmy awards for his work on the series Lost (2004-10), winning one for his underscore of its pilot episode. He even composed the music for Disney Animation’s Zootopia (2016).

Giacchino was contracted to writing the music for two other movies, alongside Inside Out, with all three set to be released in 2015. These very different films were Disney’s science-fiction live-action movie Tomorrowland, which starred George Clooney, and the action film Jurassic World, the first movie in a three-part reboot of the Jurassic Park trilogy[12]. Another movie he worked on which was also released in 2015 was Jupiter Ascending.

Inside Out’s soundtrack ended up winning the Annie Award for Outstanding Achievement for Music in a Feature Production. It also won Best Original Score for an Animated Film at the International Film Music Critics Association. Giacchino himself won the Film Composer of the Year award at the World Soundtrack Awards. The movie’s soundtrack was also nominated for Best Original Score in an Animated Film at both the Satellite Awards and the Hollywood Music in Media Awards.

RECEPTION

Inside Out debuted at the 68th Cannes Film Festival on 18th May 2015, before having its official premiere at the El Capitan Theatre in Los Angeles on 8th June 2015.

Inside Out then debuted in theatres in the US on 19th June 2015, reaching theatres across the world in the days and weeks that followed. It was released alongside the Pixar short Lava (2014), an all-singing short about two volcanoes who fall in love. This is one of my favourite Pixar short films. The musical track that accompanies the whole story was written by James Ford Murphy, also the director of the short film, and performed by Kuana Torres Kahele and Napua Makua.

Because of Inside Out being a specific expression in the English language, in non-English-speaking countries, the title was changed for its release in those countries. For example, in Portuguese, the film became known as Fun Mind; in Italian, as Intense Mind; in French as Vice-Versa; and in Cantonese as Fun with Brain Friends[13].

Inside Out was highly praised on its release by critics and audiences alike. Many said this was Pixar at their best after the disappointment they felt at Cars 2 (2011) and Monsters University (2013), with this being a new story from Pixar, not just another sequel or prequel to add to an ever-growing franchise. Yeah, more on that later… Inside Out was both heartfelt and inventive with a good message and plenty of laughs. Some even claimed it was already a Pixar classic.

However, there were a few less-than-positive comments. Some said it was a bit too fast-paced, not allowing enough time to enjoy the areas of the mind, and that it was simply not entertaining enough for small children. It was also felt that Riley was not developed properly as a character of her own and that the number of obstacles that Joy and Sadness kept facing to get back to HQ became annoying and endless. I can agree with both of these to some point. At the beginning, Joy and Sadness’ journey is quite interesting, but then it does become a bit stale and boring. At these moments, I found myself wanting to get back to Riley and the other emotions, but there weren’t too many scenes of that. There are also those who think Inside Out is just overrated.

Inside Out ended up making just under $860 million at the box-office, putting it in the No. 7 spot of the highest worldwide grossing films of 2015, behind movies like Star Wars: Episode VII – The Force Awakens; Jurassic World; and Furious 7. These were the top three spots, with each of them being reboots of beloved franchises or continuations of current ones. Inside Out was the second highest grossing animated movie of 2015 though, with Disney Animation not releasing a movie that year. Minions topped the list though, with $1.1 billion as its worldwide gross, but again, this was a spin-off of a popular animated franchise.

But that was not all because there were of course awards that Inside Out won. Inside Out won the Oscar for Best Animated Feature, and was nominated for Best Original Screenplay at this ceremony too. This was also the case at the BAFTAs and the Critics’ Choice Awards. At the Annie Awards, it once again won Best Animated Feature, along with a list of others awards, including Outstanding Achievement for Directing; for Production Design; and for Writing just to name a few. Inside Out also won Best Animated Feature Film at the Golden Globe Awards, the Satellite Awards, and the Saturn Awards, amongst many others. It was named as the Best Animated Feature by the National Board of Review too.

LEGACY

The first screen spin-off to come from Inside Out was the short film Riley’s First Date? (2015). It was first released as part of the Inside Out digital release, before also being featured on its Blu-Ray release in November 2015. It was written and directed by Josh Cooley, with the voice cast from the movie returning to reprise their roles.

In this short, which follows the events of Inside Out, Riley’s father answers the door to find the teenage boy from the end of the film stood there. This boy is named Jordan and has shown up to go skating with Riley. Riley’s dad instantly doesn’t like this, nor does Riley’s mother, believing she’s much too young to have a date. Riley’s mother decides to try and figure out if this is a date by trying to be “cool”. Riley and her emotions are confused by what her mother is trying to do, but reiterate it is not a date; they are going skating with friends. Meanwhile, Riley’s father’s mind wants to try and intimidate Jordan by staring him down but Jordan isn’t even paying attention as we see from his mind, where his emotions are skateboarding around his mind. In the end, Riley’s dad and Jordan bond over guitars and rock bands, since Jordan is in one and Riley’s dad used to be in one. Riley goes downstairs, horrified to learn that Jordan was left alone with her dad, and sees the two air guitaring. Riley and Jordan quickly leave the house. Riley’s mother and father’s minds then decide whether one or the other is going to lean in for a kiss. They do kiss – and then go back to their day!

After that, there were comparisons between the concept of Inside Out and that of the 2020 Pixar release Soul, with many elements of the Great Before seemingly at least partially inspired by the ideas of the mind in Inside Out.

Then, in September 2022, at the D23 Expo – because where else do Disney and Pixar announce things? – it was confirmed that Inside Out 2 was coming, despite the fact Pete Docter had said shortly after Inside Out’s release that Pixar were committed to making more original films…Hmm, yeah, that worked out! Inside Out 2’s release was set for Summer 2024. Meg LeFauve was back as the screenwriter, with Kelsey Mann replacing Docter as director of the sequel. It was revealed that Inside Out 2 would take place inside Riley’s now-teenage head with new emotions coming[14].

Also on screen, but this time on Disney+, the series Dream Productions premiered on the platform on 11th December 2024, having first been announced in 2023, with further details being released in 2024. It consists of four episodes, at roughly half an hour each, and is set between Inside Out and Inside Out 2. It sees the Dream Productions dream director trying to create amazing dreams for Riley in amongst studio politics.

At the Disney Parks, Disneyland has the most references to Inside Out, most notably at the Pixar Pier location in Disney California Adventure Park. Here, you can find the spinner ride Inside Out Emotional Whirlwind, where guests spin around in colourful mini-hot air balloons, designed after Inside Out characters. This ride opened in 2019, and is a repurposing of a different ride that once appeared at Disney California Adventure: Flik’s Flyers from A Bug’s Land, which closed in 2018 to make way for Avengers Campus. Also at Pixar Pier, there is the Angry Dogs food stand, with Anger being featured on the stand’s signage. This stand obviously serves hot dogs. Then there is a sweet shop named Bing Bong’s Sweet Stuff, which has a statue of Bing Bong inside. The Pixar Pal-A-Round Ferris wheel, redesigned to match the new area of Pixar Pier, includes gondolas with different characters painted on them. Joy and Sadness are two of these. Joy and Sadness have been available to meet in Pixar Pier for a while, and Anger was spotted recently too.

Prior to Inside Out’s release in June 2015, there was also an Inside Out pre-parade at Disney California Adventure during Summer 2015 in order to promote the film. It involved one float with all five emotions on it. These emotions were mechanical figures but they did move their mouths to speak random lines, such as having conflicting opinions on babies and Sadness talking about kids dropping their ice cream cones! There were also dancers ahead of the float dancing with memory balls.

Pixar Fest was a big event for Disney California Adventure, running from 26th April all the way until 4th August 2024. This event helped to promote Inside Out 2, meaning that the main emotions from Inside Out were visible during Pixar Fest. For example, Joy and Sadness were two characters to get involved in the Pixar Pals Playtime Party stage show that ran a few times a day. These two, along with a statue of Bing Bong, were also featured on a float of Bing Bong’s rocket during the Better Together: A Pixar Pals Celebration Parade. Scenes and music from Inside Out were also included in the Together Forever – A Pixar Nighttime Spectacular fireworks show.

Finally, the Pixar Place Hotel, which opened at the Disneyland Resort on 30th January 2024 contains references to Inside Out. There are small references to the movie “hidden” in murals and paintings throughout the hotel and in rooms. You also might be lucky enough to meet Bing Bong at Pixar Place Hotel, as he has been meeting guests in the area since the hotel opened.

This time at Walt Disney World, the first Inside Out reference seems to have been the Inside Out Emotion Garden which was a small exhibit of plants linked to the five emotions of the film. This was installed as part of Epcot’s Flower and Garden Festival which began in March in 2015, so a few months prior to the release of the film. There was also an exhibit in the now-closed Magic of Disney Animation building in Disney’s Hollywood Studios showing development sketches and maquettes of the five emotions, which was apparently also available to guests around March 2015. In terms of meet-and-greets, Joy and Sadness used to have a meet-and-greet location at the Epcot Character Spot back in 2016, in a recreation of their home inside Riley’s head, however, this area was closed when Epcot was redeveloping around 2019 and 2020. Joy could then be seen at the ImageWorks, the exit of the Journey into Imagination attraction in Epcot in the early 2020s, in front of an Imagination Land background, but in 2024, when Figment became a meet-and-greet character, it seems Joy was moved to having a scheduled meet-and-greet at Pixar Plaza, the area next to Toy Story Land, in Disney’s Hollywood Studios.

Outside of the US Parks, at Disneyland Paris, in the Worlds of Pixar area of Walt Disney Studios Park, Joy was meeting guests in the summer of 2024, as was Anger, seemingly as promotion for Inside Out 2, but Joy was still there in December of that year. It is unclear if she is still there. In shows, Joy appeared as part of the A Million Splashes of Colour parade which ran from February 2024 until the end of September that year. Music from Inside Out and scenes from the movie are currently part of the Disney Tales of Magic nighttime show at Disneyland Paris.

At Tokyo Disneyland, Joy and Sadness have been spotted by guests as recently as 2021. At Hong Kong Disneyland, Joy and Sadness were first meeting guests only at this park in an area set up to look like the inside of Riley’s mind, complete with the console, around July 2015, shortly after the movie was released. It wasn’t until a few months later that they were seen at other Disney Parks. In recent years, characters from the movie, like Joy, Sadness, and Anger, were included in the Pixar Water Play Street Party for Summer 2024. It is possible they will return if this parade returns in 2025. The Inside Out theme and clips from the film were also used as part of the Momentous Nighttime Spectacular show at this park. Lastly, at Shanghai Disneyland, Joy and Sadness are a part of the Disney ColorFest Street Party, as well as Mickey’s Storybook Express Parade. Moments from Inside Out can also be seen in the projections of ILLUMINATE! A Nighttime Celebration.

On the Disney Cruise Ships, specifically on the Disney Wish, is a sweet shop named Inside Out: Joyful Sweets. The characters may also be seen as part of Pixar stage shows and parties that take place on other Disney Cruise Ships. The five emotions of Inside Out were also a part of the Disney on Ice show from 2015. 

Plenty of merchandise has been released featuring the characters of Inside Out, including plush toys, book, clothing, mugs, and playsets. These have only increased with the release of Inside Out 2.

There is even an interactive exhibit called Emotions at Play with Pixar’s Inside Out, which was developed by the Children’s Museum of Pittsburgh, focusing on the five core emotions of Anger, Joy, Sadness, Disgust, and Fear. It has been touring since 2023, with dates going as far out as 2028 to come to other US museums.

FINAL THOUGHTS

Pixar really impressed the public with the creativity and inventiveness of Inside Out. The filmmakers had managed to represent the mind in a fun, educational, and smart way.

Although the message of Inside Out is only too clear – that there is a need to feel a whole range of emotions including sadness – there continue to be those who don’t believe in this idea. They want to only show a positive, happy view of their life to the outside world. I’ve known people like that and it can make you feel like there’s something wrong with you if you don’t feel or act in the same way.

I’m not about to tell anyone how to feel, but I will say that it is much healthier to embrace your sadness, fear, anger, whatever in order to work through feelings and moments of difficulties. It’s much better to do that rather than bottle things up and try to deal with them internally with no-one to support you. I’m sure that many children and teenagers got a lot out of Inside Out and found ways to voice their feelings to their friends and parents to get through that transition from childhood to adulthood.

We see Riley struggling to be 11-years-old, adjusting to a whole new life away from friends and in an unfamiliar city. Little did she or her emotions know what was still to come, because being a teenager comes with even more inner turmoil!


REFERENCES

[1] Credit: D23, ‘The Ins and Outs of Inside Out’, D23.com, date unknown.

[2] Credit: Pixar, “Mixed Emotions”, from Inside Out (2015) Blu-Ray (2015).

[3] Credit: Ben Sherlock, ‘Meet The Little Voices Inside Your Head: 10 Behind-The-Scenes Facts About Inside Out’, ScreenRant.com, 9th June 2020.

[4] Credit: Lisa Miller, ‘How Inside Out Director Pete Docter Went Inside the 11-Year-Old Mind’, Vulture.com, 16th June 2015.

[5] Credit: Pixar, “Deleted Scenes”, from Inside Out (2015) Disney+.

[6] Credit: Pixar, ‘Story of the Story I Inside Out I Disney•Pixar’, Pixar YouTube Channel, 17th October 2016.

[7] Credit: Carolyn Giardina, ‘Making of ‘Inside Out’: Which Emotions Didn’t Make the Cut’, HollywoodReporter.com, 21st December 2015.

[8] Credit: Tasha Robinson, ‘Pete Docter on the goals and milestones of Inside Out’, TheDissolve.com, 23rd June 2015.

[9] Credit: Alex Godfrey, ‘Pixar’s Pete Docter on the story (and science) of ‘Inside Out’’, Wired.com, 20th July 2015.

[10] Credit: Lisa Miller, ‘How Inside Out Director Pete Docter Went Inside the 11-Year-Old Mind’, Vulture.com, 16th June 2015.

[11] Credit: Logan Kelly, ‘‘Inside Out’ Was Inspired by a Disney World Attraction – Even If the Director Didn’t Realize It’, Collider.com, 27th July 2024.

[12] Credit: Kara Warner, ‘Michael Giacchino on Making the Music of ‘Inside Out’ & ‘Jurassic World’’, ScreenRant.com, 17th June 2015.

[13] Credit: Ben Sherlock, ‘Meet The Little Voices Inside Your Head: 10 Behind-The-Scenes Facts About Inside Out’, ScreenRant.com, 9th June 2020.

[14] Credit: Matt Grobar, ‘Inside Out Sequel Plans Confirmed By Pixar At D23’, Deadline.com, 9th September 2022.

#63 Moana 2 (2024)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. PRODUCTION
  5. MUSIC
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

First things first, consider this your spoiler warning. I like to go into detail with plot points, so you might want to ensure you’ve watched Moana 2 first before reading anymore.

Moana 2 was never meant to be a feature film. It began its life as a series, created for and made to be streamed on Disney+.

This is actually not the first time Disney has done something like this. Atlantis: The Lost Empire (2001) already had a spin-off television series in development by the time the movie came out. However, due to a lacklustre reception and an underwhelming box office performance, the series was promptly cancelled. Instead, some storylines from the series were packaged together to make Atlantis: Milo’s Return (2003), a direct-to-video sequel to add to Disney’s ever-growing list in the 2000s. This sequel saw the team solve different mysteries around the world, but these stories didn’t link well and felt only too much like episodes of a series crammed together. I feared the same for Moana 2.

But I didn’t need to worry. That was not what happened. Moana 2 did have a cohesive storyline, and it was animated to a similar standard as the original, whereas Atlantis 2 was clearly not. What Disney actually did with Moana 2 was make a carbon copy of the original, almost scene-by-scene, and ripped off the original in many aspects, something I find to be a worse crime than simply making a low-quality, but different, sequel.

I don’t enjoy pointing out the flaws of the Walt Disney Company, and I’m not the best at it; there are many other Disney critics who can do that job for me. However, I have found myself increasingly irritated at the state of Disney and Pixar’s animated movies. They seem incapable of making anything new these days, not wanting to shoulder the risk of a movie not doing well. I understand that the COVID-19 pandemic in particular made movie-making difficult, and the fact that less people had been visiting the cinema meant that lower budget, streaming-friendly films were all the rage, but I don’t think this is an excuse.

Since the pandemic, Disney Animation has struggled with both box-office results and reviews for some of their latest movies, like Strange World (2022) and Wish (2023). I didn’t find anything negative about either of them, and actually really liked Wish. Since then, though, what can we look forward to from Disney Animation? The previously announced Zootopia 2, Frozen III, and of course, Frozen IV. I’m sure there will be another non-franchise movie released, but why bother making that the majority of your upcoming movies when you know just the idea of a continuing franchise, or a “reimagining” of a beloved classic, will bring the public into the movie theatres? I can just hear Bob Iger rubbing his hands together at the thought of all that money. That’s probably why Pixar have begun to do exactly the same, having recently announced Toy Story 5, Coco 2, and even Incredibles 3.

It just baffles me how a studio – or two, if you want to look at Disney and Pixar separately, as I do – that was founded on innovation and creativity can resort to such laziness. Because of this, I didn’t enjoy Moana 2, and instead found myself matching the scenes from Moana 2 to the original Moana as I was watching it. I couldn’t help it though; it was so blatant. I understand that companies need to stay in business and it’s always better to make a hit than a flop, but I don’t believe Moana 2 was the way to boost profits.

PLOT

Moana 2 is set three years after the events of the first movie and starts on mountainous terrain, where Moana is running through a forest with her pet pig Pua, and Heihei the rooster. She runs to the top of a mountain and blows a shell. It seems that she is looking for other island communities. Suddenly, Pua starts to slip, so Moana grabs him, but all three of them fall to the ground, and Heihei gets his head stuck in a coconut shell. Moana takes it off him, noticing a symbol on it, of an island. Moana thinks she’s found something special.

Moana hops back on her canoe to return to Motunui, her home. At the village, we see that the people are thriving and Moana’s story of restoring the heart of Te Fiti has become legendary, with young girls wanting to be just like her now. We also meet some new friends of Moana’s, like the farmer Kele; historian and Maui fanboy Moni; and Loto, the resident engineer and craftsperson. Moana shows the coconut shell to her father, believing that this must mean that there is another island they should search for. Moana also now has a little sister, Simea, who is unimpressed with the shell and with Moana’s voyaging plans. Moana takes Simea to the “place of ancestors”, where she talks about their ancestors and the heroic explorer, Tautai Vasa. She tells Simea of the importance of their voyaging heritage.

Later that evening, there is a feast on the island – and a representation of an ava ceremony, a sacred Samoan ritual with a specific ceremonial drink – where the title of Great Wayfinder or Tautai is to be bestowed on Moana. During the ceremony though, lightning strikes the central hut and Moana is hit. She sees a vision of Tautai Vasa, the last Great Wayfinder and her ancestor, who says Moana must find the island of Motufetu, an island that once connected all the islands of the Pacific, but which was sunk by the storm god Nalo. Tautai Vasa says that she must raise Motufetu once more to protect the people of Motunui, as the separation of the people of the ocean will weaken them all. Moana then sees a light in the sky, showing her the path to Motufetu. Moana knows what she needs to do, even if that means leaving her distraught sister Simea behind. Moana begins to assemble supplies for the long voyage, and this time also assembles herself a crew, with Loto, Kele, and Moni joining her on this journey. As the team is about to leave, Moana shows Simea that they will be connected by her friend, the ocean, during the time they are apart. A huge send-off is organised and Moana and her team set sail.

Meanwhile, Maui is looking to open the portal that will take him to Motufetu, however, he is being warned that should Moana go looking for the island, she will be hurt. Maui tries to fight off a demigod but he is captured, and tied up over a pit of weird-looking fish – mudskippers, apparently – with his magical hook just out of reach. He almost manages to grab it, when the demigod, Matangi, returns to stop him. Matangi works for Nalo, and she wants to meet Moana for herself.

Initially, Moana’s crew struggle to adapt to “boat life”, especially Kele, who is an elder and generally a grumpy one at that! Moana tries to encourage everyone to cheer up but they soon find a strong current moving their canoe. Except that’s no current; Moana sees that it is the Kakamora, the coconut pirates! Moana had an encounter with them on her previous journey and she is well aware of their tricks. However, as Moana prepares for another battle, the Kakamora float right past them. Confused, she turns around – only to see that her and her crew are about to be swallowed by a huge clam monster! With some quick thinking and smart manoeuvres, the team get away from the monster, but are soon confronted by the Kakamora again, who dart the group, paralysing them.

The Kakamora begin to explain that they are not looking to fight them, but might need their help. The Kakamora have simply been trying to return to their own island, since Nalo’s sinking of Motufetu has disconnected them from their home too. They just want to get back there. Moana sympathises with their plight, but she doesn’t know how to defeat the huge clam. The Kakamora then bring out a huge green slug, whose mucus will not only un-paralyse Moana and her friends, but will paralyse the clam. Moana takes three arrows with some of this slug mucus on the end of it, and her group travel into the mouth of the clam. It’s a real struggle trying to keep hold of these arrows, though, when this clam is intent on swallowing them, so naturally, Moana drops most of them. In the end, one of the Kakamora, Kotu, goes inside the clam to help paralyse the monster, but it is too late for them to get out and Kotu sacrifices all of them, sending him and the crew down the monster’s throat….

Inside, Loto, Kele, and Moni find themselves separated from Moana, but they still have Kotu and the canoe with them. Nobody knows where they are, but who should join them but Maui? Yes, this is where Maui was tied up by Matangi. But where is she? Matangi is with Moana, who was separated from the others. After seeing a vision of her sister Simea telling her she’s failed in her mission, Moana regains consciousness to find herself face-to-face with Matangi. Matangi claims to want to help her, telling her that she can only be free from Nalo if Motufetu is raised once more. Matangi seems dodgy, taking Moana on a rollercoaster ride through this lair, but she does reunite Moana with Maui and her crew. All of them end up at the portal that Maui tried to open earlier on. Moana is actually the one to open the portal. As the team set themselves up to sail through the portal, Matangi says she cannot go with them but wishes them luck on their journey. Hmm, is she dodgy or not?

Back out on the ocean, Moana is told by Maui that no human can get to Motufetu and that they will all most likely die trying to raise it – which is just what you want to hear when you think you’ve made some progress! The group are soon hit by huge eels, which the group must outrun. Moni falls into the ocean and is rescued from the eels by Maui. They continue to outrun the eels until the sun rises, at which point, all the eels flee. They come to rest on a small island, alive but with their canoe bashed up and her crew just a bit traumatised. Moana also discovers Tautai Vasa’s canoe washed up there, battered and almost destroyed. That doesn’t bode well for their own upcoming battle with Nalo.

Moana starts to regret her decision to come on this journey, fearing that she has now not only endangered herself, but the three people from her village she decided to bring with her. Maui tries to lighten the mood, encouraging Moana to keep going. Well, where was that enthusiasm earlier, Maui? You know, when you said they were all going to die? Anyway, Moana is feeling better now, and Loto has managed to fix up their canoe, using parts from Tautai Vasa’s vessel. Now, they need to outsmart Nalo.

They begin to sail towards the site of Motufetu, encountering a huge lightning storm, courtesy of Nalo. The plan is for Maui to use his hook to raise Motufetu. Once it’s raised, the humans will land on it, breaking Nalo’s curse. As Moana and her crew sail into the heart of the storm, crashing against huge waves, Maui uses his eagle form to fly through the various powerful tornadoes that encircle the site. The group see Maui use the hook to lift up the island, but as he struggles against the weight of it, Maui is struck with a lightning bolt from Nalo, weakening him. Moana then realises there is another way of reaching Motufetu. She dives down and swims to it, ready to touch it and break the curse. However, just as Moana touches the island and breaks the curse, she is struck by a lightning bolt and is killed.

Maui dives in to save her, but it is too late; Moana is dead. Maui sits in an air pocket created by the ocean, cradling Moana. He begins to chant, which calls the spirits of Moana’s ancestors to him. This includes Tautai Vasa and Tala, Moana’s grandmother. The spirits manage to revive Moana, who is rewarded for her actions with a tattoo across her arm. For her bravery, Moana is now a demigod, with a magical oar. Maui’s powers are also restored and he successfully raises Motufetu to the surface, with Moana proudly standing on top of it.

Moana blows her shell to signal that Motufetu has been raised, whilst the rest of the crew land on the island. They discover carvings of other islands all across the rock face of Motufetu, showing that this was once a meeting ground. Suddenly, Moana hears a shell. Looking to the horizon, they see other canoes arriving. They did it; they have managed to reconnect the ocean. 

Maui goes on ahead to Motunui and finds Simea, Moana’s little sister. He gives her a present, which is a rock that works like a binocular. He tells her to look through it. Simea sees Moana coming home! The ocean parts so that the two can be reunited quicker. Moana is welcomed back by her family and fellow villagers. Moana then announces that she may’ve brought back some friends. They all look up to see loads of canoes coming to the island, where these guests are also welcomed. Moana also voyages out to return Kotu, the Kakamora, to his own island, where the others have since returned. The movie ends with Moana, her crew, and Maui out on their canoe, heading out on their next voyage.

In a mid-credits scene, there is an additional part of the story. Here, we see Nalo talking to Matangi. He is furious at her for helping Moana and plans to enact his revenge on all of them. Tamatoa, the giant “shiny” crab, from the first movie also makes an appearance.

CHARACTERS & CAST

Moana has always been a very different type of “Disney Princess”. She is strong, brave, and independent, yet is also very caring and has a sense of duty and family. Moana may have succeeded in restoring the heart of Te Fiti, but she knows there is much more outside of Motunui to discover. In Moana 2, Moana wants to reconnect her people with those from other islands. When she sees a vision of how to do that, by raising Motufetu, Moana knows she must do this, regardless of how long it will take or how difficult it will be. However, just like in the first movie, Moana is torn about leaving her family, and this time around, she has her little sister, Simea, who is devastated at having to say goodbye to her big sister for an unspecified amount of time. But Moana knows it’s the right thing to do and believes she will always return to her family. In Moana 2, our main character is more confident this time around, both around wayfinding itself and battling powerful gods, although there are always moments where she loses her courage and must rely on Maui and friends to help.

Moana is once again voiced by Auli’i Cravalho. Cravalho was born and grew up in Hawaii. She never expected to make her acting debut in something as big as Moana, winning an Annie Award for Voice Acting for the role. Cravalho has since gone on to star in the drama series Rise (2018), playing the part of Lilette, and performed the part of Ariel in the TV special The Little Mermaid Live! (2019). More recently, Cravalho played the part of Janis in Mean Girls (2023) and voiced the main role of Hailey Banks in the animated Disney Channel series Hailey’s On It! (2023-24). Cravalho has also been starring in stage musicals, such as the title role of Eva Peron for Evita in Concert for two dates in 2023 in London, and as Sally Bowles in the 2024 Broadway revival of Cabaret, performing the role until March 2025 in her Broadway debut, alongside Adam Lambert as the Emcee. Cravalho also reprises her role in the Hawaiian language dub of Moana 2.

The demigod Maui makes a return in Moana 2. He used to be braggy and arrogant, although quite lovable, however, since his journey with Moana, the two now have a strong friendship and he fights to protect her. The underestimating of Moana and her strength has now stopped, and has progressed to affectionate teasing between them. Although Maui doesn’t reunite with Moana particularly early in the movie, or in their voyage, it is an obviously positive reunion between them. Maui is also there for Moana this time around when she is having a crisis of confidence, whereas in the first film, she had to help him, when he struggled to use his hook correctly, and even left her to fend for herself for a while when he felt there was no good end result for them in their dealings with Te Kā. Now, Maui has someone to fight for, a true friend, as well as someone to fight beside.

Wrestler-turned-actor, Dwayne “The Rock” Johnson returned to voice the character of Maui. Johnson is known for starring in multiple movies and franchises such as the Fast and Furious franchise from 2011 as the character Luke Hobbs, as well as Spencer in the new Jumanji movies (2017-present). For Disney, Johnson made multiple guest appearances in Disney Channel series in the mid-2000s, such as Hannah Montana (2007), and starred in the movie Jungle Cruise (2021). Johnson also created, produced, and starred in the partly-autobiographical television series Young Rock (2021-23). More recently, Johnson was cast as Cal Drift in the Christmas action-comedy film Red One (2024) and will reprise the role of Maui in the live-action remake of Moana, due to be released in 2026. Fun fact: Johnson’s daughters, Jasmine and Tiana, voiced two members of Moana’s “fan club” in Moana 2.

Now for the crew. Moni is my favourite of the new characters, because he’s the comedy element of the group. Not even because he’s meant to be, but just because of his reaction to meeting Maui, being such a huge fan of his, and for his slightly clumsy nature! Moni is the historian and storyteller of Motunui. He comes in handy when they need to communicate with the Kakamora for example. Moni was voiced by Hualālai Chung, who is a fire knife performer in the luau at Aulani, A Disney Resort & Spa in Hawaii, having been performing there since the KA WA’A – A Lū’au opened in 2016[1]. Chung is set to appear in the Lilo & Stitch live-action movie, due for release in May 2025.

Loto is the quirky chief engineer, who fixes up the canoe on various points in the journey, but most notably, just before they are about to battle Nalo. Loto is energetic, surprising everyone with how fast her mind works. Loto also has a handy Swiss Army knife-like axe, which has lots of additions like rope, a needle, and thread. Comedian and New Zealander Rose Matafeo was chosen to voice Loto. Matafeo is a very familiar face on the British stand-up comedy circuit, but she also created, wrote, and starred in the comedy series Starstruck (2021-23) as Jessie, and is the current host of Junior Taskmaster in the UK (2024-present).

Kele is the farmer, who is necessary for this new voyage because the group will need to survive on more than just fish during their journey. Kele isn’t so sure about going on this boat, seemingly never having left Motunui before, so he is the one that needs the most convincing that this voyage is going to be “fun”. He is also older and grouchier than Loto and Moni, so naturally, he’d find it more difficult to get out of his comfort zone. Kele was voiced by New Zealand actor David Fane. In recent years, Fane has appeared as Ace in the sports comedy film Next Goal Wins (2023), directed by fellow New Zealander Taika Waititi. He also appeared as Kevin/Fang in the comedy series Our Flag Means Death (2022-23).

Another new character is the half-good-guy, half-bad-guy Matangi. She is a mysterious bat-like figure, with a gang of flying foxes – a type of fruit bat – around her, who works for the all-powerful storm god Nalo. Matangi seems to have been tasked with keeping Maui and Moana away from Motufetu, but although she ties up Maui, she is quite happy to send Moana on the path to Motufetu and to Nalo’s potential downfall. I think Nalo needs to rethink his choice of henchwoman here! It’s unclear if Matangi is actually a double agent and that getting Moana to raise Motufetu is part of some grand scheme she has, or whether she is actually an unwilling slave to Nalo. In the mid-credits scene that Nalo appears in, he seems to be suggesting she’ll be punished for her actions, so I guess she was good? Nalo and Matangi seem very much like Hades and Megara in Hercules (1997) to me.

Matangi was voiced by Awhimai Fraser, who has previous work with Disney Animation, having voiced Elsa in the Te Reo Māori dub of Frozen (2013). Fraser also was cast as Chantelle in the Māori web series Ahikāroa (2018-present). Fraser reprises her role for the Māori language dub of Moana 2. Nalo was voiced by New Zealand actor and comedian Tofiga Fepulea’i who was part of the comedy duo Laughing Samoans. Tamatoa makes a brief appearance in this same mid-credits scene, and Jemaine Clement returned to reprise the role. Clement is known for being part of musical comedy duo Flight of the Conchords, getting their own series from 2007 to 2009. He also created the 2014 movie What We Do in the Shadows and its subsequent television series.

Then, there are Moana’s family and ancestors. Once again, Moana’s family get left behind as Moana goes out on another journey, so her parents, Chief Tui and Sina, are left to wait for her once more. However, this time, they have a new addition to the family who no doubt kept them busy while Moana was away, and that is Simea. Simea is incredibly close to Moana and she is very upset at finding out the two will be separated as Moana goes on her latest voyage. Simea was voiced by Khaleesi Lambert-Tsuda, who is of Hawaiian descent, in her first screen role. Tui is still voiced by New Zealand actor Temuera Morrison, who is set to appear in the upcoming AppleTV+ miniseries Chief of War as Chief Kahekili alongside Jason Momoa. He also recently starred as Ed in the crime series Far North (2023) and reprises his role as Tui for the Māori language dub of Moana 2. Nicole Scherzinger returned to voice Moana’s mother Sina. Scherzinger has been performing more on stage recently, starring as Norma Desmond in London productions of Sunset Boulevard since 2023.

For Moana’s ancestors, Tautai Vasa is the one who is spoken about the most. He was the best wayfinder of Motunui back in the day. He returns in spirit form to provide Moana with information of her task to raise Motufetu and save everyone from becoming disconnected. Tautai Vasa is also part of the most moving scene of Moana 2, when Moana is revived, with help from other spirits. One of these other spirits is Gramma Tala, who returns in Moana 2 in spirit form. Tala encourages Moana to complete this new mission and comes back to revive her granddaughter. Tautai Vasa was voiced by Gerald Faitala Ramsey. New Zealand actress and director Rachel House returned to voice Tala. For Disney, House has performed the voice roles of Terry in Soul (2020) and Mama Binturong in The Lion Guard (2019), and reprised her role of Tala in the Māori-language version of Moana. She also voices Malgosha in A Minecraft Movie (2025), and recently appeared as Ruth in Next Goal Wins (2023) and Nienke Van Spee in The Portable Door (2023). House reprises her role as Tala in the Māori language dub of Moana 2.

We also have the non-speaking characters of Pua, Moana’s loyal pet pig, and Heihei the silly rooster. Once again, Heihei joins Moana on the canoe, but this time, so does Pua, after many were disappointed to find the lovable pig was left behind in Motunui in the first movie. Heihei is still quite dumb in Moana 2, but he needs rescuing less often. Heihei is “voiced” again by Disney veteran and lucky charm, Alan Tudyk, who has had roles in every Disney movie release since Wreck-It Ralph (2012). Kotu, the Kakamora who joins Moana and her friends for their journey, is also a non-speaking role. The Moana 2 filmmakers wanted to expand on the story of the Kakamora to make their backstory closer to that of the Kakamora of the Solomon Islands who were not pirates but actually helped people, so their storyline in Moana 2 had to change to have them be foe-turned-friend[2].

Sadly, I don’t think we got to see enough of the new characters in Moana 2, specifically Matangi and Nalo, meaning that it is hard to understand the dynamic between the two. I don’t think Loto, Moni, and Kele were used particularly well in Moana 2 either, with the gang being secondary to Moana and Maui, having their assigned roles in the group but not having any big emotional breakthroughs or memorable moments to make them fully fledged characters.

PRODUCTION

The idea for the original Moana movie came about from a discussion with John Lasseter, Chief Creative Officer of Disney Animation at the time, who suggested that Ron Clements and John Musker, directors of some of Disney Animation’s most beloved films, such as The Little Mermaid (1989) and Aladdin (1992), make a film based in the Pacific Islands. The two directors were happy to look into this idea further and went on a three-week research trip with some other members of the team. They went to Fiji, Samoa, Tahiti, as well as some of the smaller islands around those areas, before ending the trip in New Zealand.

It was decided that the movie’s story would focus on a teenager named Moana (which means “ocean” in Polynesian) having dreams of being a navigator, since they had learnt this was an important part of the ancestry of the area. 3000 years ago, navigators migrated from Taiwan and moved eastward. They went to the islands of Fiji and Samoa, before the migrations suddenly stopped. 1,000 years later they suddenly began again, going eastward once more to areas such as New Zealand. This gap in the timeline, called “The Long Pause” was used as the setting of the film, with Moana being the driving force for the migrations happening again.

The first Moana film ended with Moana saving her village and other islands from a curse by restoring the heart of Te Fiti. She learnt how to be a voyager and came back to Motunui to encourage her community to navigate the ocean alongside her. Moana 2 picks up three years after the events of this movie with Moana wanting to reconnect her people with those from other islands. However, Moana 2 was never going to be a feature film. It was meant to be a follow-up series for Disney+, announced in December 2020.

It has been said that Bob Iger, the CEO of The Walt Disney Company, and other executives made the decision to turn this series into a feature film after viewing the episodes of the series. They were overwhelmingly positive about them, being so impressed they believed it deserved a theatrical release. Yeah, I’m sure that’s exactly how it went, and not at all like this: well, Moana got loads of streaming hours on Disney+ and was the most streamed movie of 2023, and we haven’t had a theatrical hit in a while, so let’s use that popularity of the first movie to make some big, easy money…. Anyway, that’s just me being cynical. The announcement of Moana 2 came as a surprise to many, with some fans concerned about how well a TV series could be adapted into a movie[3].

From this point, there was a lot of work to do to get this series to become Moana 2. David G. Derrick Jr., who had been a story artist on Moana, as well as Encanto (2021) and Strange World (2022), and was working on the Moana Disney+ series, became one of three directors for the movie, in his directorial debut. Dana Ledoux Miller had been hired as a consulting writer for Disney, before being asked to come in to retool this series into a feature film. She became both a co-writer and co-director of Moana 2. Jared Bush wrote the screenplay for Moana 2 alongside her, having become the Chief Creative Officer of Walt Disney Animation Studios in 2024 after Jennifer Lee stepped down. Bush is also well-known for writing the screenplays for Zootopia (2016) and Moana (2016), as well as writing and directing Encanto (2021) and the upcoming Zootopia 2 (2025). Bush and Miller have also both written the screenplay for the live-action remake of Moana. The other director added to Moana 2 was Jason Hand, who worked as a story artist on other Disney animated movies, including Big Hero 6 (2014) and Zootopia (2016).

This new directorial team included people of Oceanic descent in a welcome move. Dana Ledoux Miller knew that Moana was a game changer for representing Oceanic culture, remembering how important it felt at the time she watched it in theatres[4]. David G. Derrick Jr. and David Hand had both been storyboard artists on the original Moana movie, so they were also were pleased to work on the sequel, knowing how proud the team were of the original and what a meaningful film it became.

Many of the original team that worked on Moana ended up coming back excited to work on Moana 2. Due to the fact that Moana 2 was initially a Disney+ series, I presume, the majority of the animation work was completed by Walt Disney Animation’s Vancouver studio in Canada. This was likely a cost-effective method to create series at a quicker pace rather than relying solely on those animators at the Burbank studio who are busy with theatrical films. Some critics picked up on this “cheaper” method of animation, feeling that the expressiveness of characters was lacking – I did not notice this and wouldn’t have known that it was animated primarily at a different studio had I not looked into it.

Creating the sequel was an opportunity to build on the original story, with so much more ocean to explore and so many more people to meet. The Moana 2 filmmakers looked into more folklore, which had been touched on in the first movie with Maui’s background, to help build the story. They wanted Moana to be sent on a mission. With the movie being set three years later than the events of the first movie, Moana herself had to be different, having been changed by her first journey. She is a strong leader in her community now, and less naïve, but Moana wants more from life still and it was important to see how she dealt with being pushed to her limits once again. Maui also had to be changed from the first movie, finding himself more vulnerable thanks to his friendship with Moana[5].

To help with the story, the Oceanic Cultural Trust were on hand once again, having been a vital part of the production process on the first Moana film. The Oceanic Cultural Trust consists of experts and advisors in different fields, such as anthropology, linguistics, history, choreography, and wayfinding, who use their knowledge and insight to help guide Disney into creating a movie that truly represents the peoples of the Pacific. The Trust are also consulted for any Moana-related consumer products or Disney Parks attractions that are developed. Kalikolehua Hurley, who grew up in Hawaii, was the head of the trust during production on Moana and felt very lucky to be involved again for the sequel. Hurley stated that it is a big challenge to create a fictional place blending different cultures, from areas like Samoa, Tonga, Figi, Tahiti, Hawaii and the Solomon Islands. The Oceanic Culture Trust involves experts from these countries, who each bring their own unique insights and contributions to the movie. Another contributor to the Trust was Lāiana Kanoa-Wong, who was invited to be part of the Trust thanks to his lifetime of work dedicated to the language and culture of his native Hawaii. Kanoa-Wong even visited the animation team in Vancouver, leading activities to help connect the animators to the Pacific culture and to their voyaging heritage, since animating scenes of wayfinding, navigating, and voyaging was crucial to the movie. The animators were taught the basics of navigation and rope making, for example[6].

There was also a collaboration with the Polynesian Voyaging Society for this movie, with master navigator and head of the society, Nainoa Thompson, being very inspirational to not only the filmmakers but other members of the Oceanic Cultural Trust. The Polynesian Voyaging Society use their hand-built canoe Hōkūle’a to teach others about the history of navigation and wayfinding, since there was a time when nobody believed that the Pacific voyagers had discovered all these islands, because they are so spread out. Wayfinding requires a lot of skill, technical knowledge, and observation, studying the weather and stars; monitoring the vessel; and of course, ensuring that the crew are healthy and motivated. To be a wayfinder, you have to make 5,000 observations of nature and make 500 different decisions based on those per day of your voyage. The lessons the filmmakers learnt from Thompson and the Polynesian Voyaging Society that made it into the film include the idea that you have to get lost to truly discover where you’re going, and that you must control your fear and believe in yourself, even turning into the wind during a storm, which Moana does both physically and metaphorically[7].

Moana 2 was also the opportunity to create more impressive animation sequences. One of these was the battle with Nalo. Te Kā was already quite a fearsome god, with its lava powers, however, this time, the animators created a powerful storm of tornadoes for the storm god Nalo. It certainly shows that Nalo is more serious about destroying Moana and Maui than Te Kā was. I actually quite liked this scene, with the pink/purple tornadoes, but it didn’t last very long which was quite disappointing.

There was also the return of hand-drawn animation in this sequel, in a small way. This was also the case with the first Moana film, as “Mini-Maui”, Maui’s moving tattoo guy, is a 2D animated character. Eric Goldberg, veteran Disney animator famed for his characters such as Genie in Aladdin (1992) and Phil in Hercules (1997), returned to supervise the sequel’s hand-drawn animation team. Many of the animators were desperate to work on some of these sequences just to get an opportunity to work alongside Goldberg. Maui’s tattoos were designed to be as similar to the Pacific traditions as possible, whilst also detailing Maui’s backstory[8].

Not everything that was initially conceived to be a part of the story of Moana 2 was able to be used in the final film. There were a variety of creatures that were not included in the final cut of the movie, such as a two-faced bird and very large pigs, which were meant to be a feature of the lair that the crew enter through the mouth of the clam monster, with Moana and her crew still being separated, but having to outsmart these creatures as well. It was eventually decided to keep the area relatively clear to focus on Matangi. There was also going to be a scene that led Moana to discover what her mission from the ancestors was, as she was not given all the answers immediately from a vision. Here, Moana would’ve had to dive underwater to discover drawings on the cave walls that would come to life and show her the island of Motufetu, leading her to discover what she must do. This deleted scene felt kind of similar to when Milo and Kida discover the energy source that Atlantis is powered by, and that Rourke wants to steal, in Atlantis: The Lost Empire (2001), when they have to swim underwater to decipher drawings on the undersea cave walls[9].

Randomly, but not uncommon for The Walt Disney Company as they seem to get sued a lot, an animator named Buck Woodall filed a lawsuit on 10th January 2025 alleging that Disney stole from his copyrighted screenplay “Bucky the Wave Warrior” and used ideas from it in both Moana and Moana 2. Woodall claims to have provided his screenplay and a trailer to Jenny Marchick back in 2003, who worked as the Director of Development for Mandeville Films, a company who had a first look deal with Disney and offices in Disney’s Burbank studio at the time, and that it is possible that an individual at Disney Animation had seen these materials prior to working on Moana. After a two-week trial, it was decided that Disney did not have access to Woodall’s screenplay so his ideas could not have been used in the Moana movies, so the case was won by Disney, however, this lawsuit only relate to the original movie. A separate suit was filed for Moana 2 and that case is still ongoing[10].

MUSIC

Although the soundtrack for Moana has proven to be one of Disney Animation’s most popular soundtracks, Moana 2’s soundtrack was more divisive.

The original movie’s music team consisted of composer Mark Mancina, and song-writers Lin-Manuel Miranda, and Opetaia Foa’i. Mancina had composed the score for other Disney movies such as Tarzan (1999) and Brother Bear (2003), and arranged the music for The Lion King Broadway musical for which he was nominated for a Tony Award, prior to his work on Moana. Samoan song-writer Opetaia Foa’i founded the group Te Vaka in 1995, with the group having had much success over the years. He was very happy to collaborate with Disney on the Moana soundtrack as he had spent years promoting his culture through music and knew this was a good opportunity to go further with that aim.

However, for Moana 2, although Mark Mancina and Opetaia Foa’i made welcome returns to the music for the sequel, Lin-Manuel Miranda was unavailable, which was a big disappointment to fans of the original soundtrack. He was replaced by songwriting duo Abigail Barlow and Emily Bear, becoming the first all-female songwriting team for a Disney animated film, working alongside Opetaia Foa’i, as Miranda did, in the creation of many of the songs. Together, the two wrote The Unofficial Bridgerton Musical, based on the hit Netflix series Bridgerton (2020-present), which became a viral hit on TikTok during the pandemic, and even won a Grammy Award for Best Musical Theater Album, despite Netflix having a copyright infringement lawsuit against them, which was later settled. A year after this success, Barlow and Bear met with the creative team for Moana 2, knowing that they had to live up to the first soundtrack, which has had more than 20 billion streams worldwide. Lin-Manuel Miranda kindly gave them help and support during the process[11].

For me, the soundtrack for Moana 2 was an incredibly mixed bag. After watching the movie for the first time, the only piece of music that actually touched me was “Mana Vavau”, the chant that Maui sings along with Gramma Tala and Tautai Vasa to revive Moana after she has been struck by Nalo’s lightning bolt. It was a very moving moment and the only point of the film that brought me close to tears. This chant was written by Opetaia Foa’i’, performed by Foa’i, Rachel House as Tala, and Dwayne Johnson as Maui.

Outside of that, I couldn’t recall any of the other songs after watching Moana 2. However, having done a lot of research for this piece, it’s impossible to avoid hearing the songs again, and this time, two others have stuck with me. One of those is “Beyond”, Moana’s big emotional number where she sings about how torn she is between her family on Motunui, and her mission to help the wider community. Auli’i Cravalho found the song difficult to record, as it involved lyrics about being away from home and going beyond your comfort zone, something that Cravalho no doubt had to deal with after her whirlwind success as an actress after her voice role in Moana. This song was written by Barlow, Bear, and Foa’i. This song is later reprised, after Motufetu is raised and Moana sings in celebration. “Beyond” was also recorded as End Credits song, with Cravalho and Te Vaka performing it.

The other song that grew on me was “Can I Get a Chee-Hoo?”. Although it is not as good as Miranda’s song for Maui, “You’re Welcome”, and I was slightly annoyed at how the same animation style was copied from the first movie for the sequence that accompanies the song, it’s quite catchy after you’ve listened to it a couple of times. It’s also really hard to dislike it when you can hear how much fun Johnson had singing it and just generally being Maui! This song was written by Barlow and Bear, and involves Maui trying to boost Moana’s confidence, ready to face Nalo. It apparently was challenging to sing and to write.

Now, let’s go to the songs I actually really didn’t like. The first was “We’re Back”, the recap song of where Moana, her family, and Motunui are after the three years since the events of Moana. To be honest, I was quite surprised to still see them in Motunui, seemingly not having voyaged very far, despite the final scene of Moana showing Moana teaching her community, including her father, how to be wayfinders. I don’t really like songs like this, because they stuff so much information into the song that you’re spending too much time trying to figure out what’s going on instead of enjoying the music. I had a similar problem with “The Family Madrigal” in Encanto (2021). “We’re Back” was written by Barlow, Bear, and Foa’i, and performed primarily by Cravalho, along with other Motunui residents. There is also an End Credits version of this song, performed by Te Vaka, Olivia Foa’i and Sulata Foai-Amiatu.

Then, there is “What Could Be Better Than This?”, which is all about Moana trying to motivate her crew, telling them how enjoyable their voyage can be if they just let loose and go with it, something that Kele in particular is struggling to do. Although I enjoy watching people who don’t want to have fun being forced to have fun, like Kele, I didn’t feel like it needed to be a song and could’ve worked better as a spoken scene. I was quite impressed with Rose Matafeo’s solo “fast-talking” part though. This song was written by Barlow and Bear, performed by Cravalho, Matafeo, as Loto, David Fane as Kele, and Hualālai Chung as Moni.

I also wasn’t a huge fan of “Get Lost”, the “villain’s” song that Matangi sings to Moana, telling her that to succeed, she’ll have to get a little bit lost, and leading her back to her friends and the portal to Motufetu. I thought Awhimai Fraser performed the song well as Matangi, but I just didn’t like it. It was no “Shiny”. It was also quite disappointing to find that Matangi was not leading Moana down the wrong path, as she’d been shown to be a villain, or at the least a spy for the enemy, but then she just turned out to be helpful… “Get Lost” was written by Barlow and Bear.

Then there are other songs that feature in Moana 2 that I either didn’t mind or quite liked. One was “Finding the Way”, which is being sung by the people of Motunui as a farewell to Moana and her crew. It is reprised as the crew return home from their journey, with their multitude of guests. It was written by Foa’i, performed by Olivia Foa’i and Te Vaka. 

Following on from that are some pieces of music that might sound familiar to fans of the first Moana. One of these is the return of “Tulou Tagaloa”, which is used for the opening scene. It is not exactly the same, being credited as “Tulou Tagaloa (Sei e Va’ai Mai)”. I did appreciate it being used here, liking the familiarity of it. It was performed by Olivia Foa’i and Te Vaka. As Moana talks to her little sister Simea about how the ocean is her friend, the music “My Wish For You (Innocent Warrior)” is used, which was used in the first Moana movie, I think both as the backing for “Know Who You Are” and when young Moana first meets the ocean and it messes with her hair! It was written by Foa’i, performed by Foa’i, Olivia Foa’i, Sulata Foai-Amiatu, Matatia Foai, and Matthew Ineleo.

To match the familiar opening music to Moana 2, another song from the original movie was updated to be used as the final scene of Moana 2, as Moana goes off voyaging again. This is “We Know the Way (Te Fenua te Malie)”. I also liked this song from the first movie so I quite enjoyed hearing it again at the end of Moana 2. It was written by Foa’i and Lin-Manuel Miranda, performed by Foa’i, Auli’i Cravalho, Olivia Foa’i, and Te Vaka.

Like in the previous movie, Mark Mancina collaborated with Opetaia Foa’i on the score to ensure the music stayed true to the sound of the Pacific, once again being heavily based in percussion and vocals, to suit the style of traditional Pacific music. The two collaborated well on both the music for Moana and Moana 2 in my opinion[12]. Within the score, I particularly liked the pieces “Waves Like Mountains” and “There’s Another Way”, which are used for the Nalo battle scene. I tend to find the instrumental pieces used for battle and finale scenes are the best and most memorable ones within Disney Animation.

The original soundtrack for Moana won Lin-Manuel Miranda a Grammy for the song “How Far I’ll Go”, which was also nominated for Best Song at the Academy Awards and Golden Globes. The Moana soundtrack as a whole won Top Soundtrack Album at the American Music Awards in 2017 and at the Billboard Music Awards in 2018. Moana continued its fame way beyond its 2016 release, with the soundtrack breaking the Billboard Soundtrack chart record for number of weeks spent at No. 1. The record was won in 2021, after 52 weeks at No.1[13].

In contrast, Moana 2 received no Grammy nominations. “Beyond” and “Can I Get a Chee Hoo?” were both nominated for Best Original Song in an Animated Film at Hollywood Music in Media Awards, but lost to “Kiss the Sky” from The Wild Robot (2024). “Beyond” was also nominated for Outstanding Original Song for a Comedy or Musical at the Society of Composers & Lyricists Awards, but lost out to “Compress/Repress” from Challengers (2024). It also only topped the US Billboard Kid Albums chart. It currently has peaked at No.102 in the US Billboard 200 chart. Moana hit the No. 2 spot in that same chart.

RECEPTION

Despite Moana 2 not being announced as an official Walt Disney Animation feature film until February 2024, meaning that there was less than nine months of promotion for the new sequel, anticipation for the movie was at a high.

Usually, we know at least two years in advance of a new Disney or Pixar feature film. The company like to drip-feed information over those months to really build excitement for their new movie, whether it is a sequel to an already popular franchise or not.

Although I’d personally expect the lack of build-up to mean interest in a movie stays fairly limited, in the case of Moana 2, the opposite happened as was evident when its teaser trailer was made available to the public. Debuting on 29th May 2024, it received 178 million views in 24 hours across social media platforms, beating out previous high-performing Disney and Pixar movies of recent years, such as Inside Out 2 (2024), which had 157 million views in that time, and Frozen II (2019) with 116 million views[14].

Moana 2 also got to take advantage of a very Disney “rite of passage” and that is the usual Upcoming Movies panel at the D23 Expo, which took place in Anaheim between 9th and 11th August 2024. Here, further details about the movie were revealed, as was the official trailer. So, this showed that the interest in Moana 2 was there, but how did it progress as the official release date got closer and closer?

Moana 2 held its world premiere event in Hawaii on 21st November 2024, before being released in theatres in the US on 27th November 2024, in time for Thanksgiving weekend. Its release to international markets followed in the coming days and weeks to perfectly coincide with the holiday season in many countries.

Many studios like to release movies around Thanksgiving to take advantage of people being off work. In this case, Moana 2 was expected to gross around $130 million during the Thanksgiving five-day weekend. It smashed those expectations, making $225 million in those five days, despite being released at the same time as another box-office success, and family-friendly movie, Wicked (2024). Gladiator II (2024) was also released around this time, with these three movies contributing to North America’s biggest Thanksgiving theatre takings of all time.

Overseas, Moana 2 fared just as well in its first few days, making $165 million, for a combined global total of just under $390 million. The movie opened in the No.1 spot in many countries, with Moana 2 being the biggest opening for a Disney Animation feature film in places such as Latin America, Australia, Mexico, and France, ahead of Frozen II (2019).

Moana 2 smashed records, such as the best five-day debut of all time, with the top spot previously being held for The Super Mario Bros. Movie’s April 2023 release, with $204 million, and the biggest five-day Thanksgiving opening, which was held by Frozen II, with $125 million. Moana 2 was also the biggest global opening of all time for an animated film, and the biggest opening day total for a Disney Animation title[15].

After its theatrical run, Moana 2’s worldwide gross hit just over $1 billion. Moana 2 was only the fourth Disney Animation movie to cross $1 billion at the global box-office, after Frozen (2013), Zootopia (2016), and Frozen II (2019)[16]. Yet, this was not enough to beat the summer success of Pixar’s Inside Out 2 (2024) to become the highest-grossing movie of 2024, hitting the top spot with around $1.7 billion worldwide. Other sequel animated movies also did well at the worldwide box office that year, such as Despicable Me 4 from Illumination, with just under $970 million, and DreamWorks’ Kung Fu Panda 4, with $550 million. Mufasa: The Lion King, Disney’s “photorealistic animated” sequel to their 2019 remake of The Lion King, released in December, also did well with $720 million[17].

Moana 2 did well to bring in people to the theatres, but how did they respond to it? Well, it was a mixed response, and the reason for this may be in the popularity of the original Moana itself, meaning its sequel would always be compared to it.

Many said that the animation of Moana 2 was still high-quality, even though much of the movie was actually animated in the Vancouver studio, not in the main Disney Animation Burbank studio. Others also felt that it was entertaining, charming, and fast paced, with some tender, heartfelt moments. The voice acting was also praised, with Auli’i Cravalho and Dwayne Johnson once again being given deserving credit for their performances. Less positive responses simply stated that Moana 2 was fine, and that children would enjoy it.

There were quite negative reviews as well, with words like “rehash”, “forgettable”, and “disappointing” being used. Other comments agreed with my opinion by saying that the story lacked creativity and purpose, repeating many moments from the original movie, and that plot points and newly introduced characters were underdeveloped. A good point that was made was that Moana 2 was slow to reunite Maui and Moana, with their chemistry being a major reason for the original being as good as it was, so the two not being seen together on screen until almost an hour into the movie is strange, especially when the opportunity to create similar dynamics with Moana’s new crew was not used fully. The music was criticised as well for not being as good as the music of the first music, with the songs not being nearly as memorable. There are some exceptions to this, with some stating that “Beyond” was a standout song in the movie, but this is all subjective, with everyone having a different opinion on what song was best for them. Generally, it was agreed that Moana 2 simply lacked the magic of the first movie.

Perhaps due to this mediocre or poor reception, Moana 2 was not as nominated during awards season as Moana was. The original Moana was nominated for numerous awards, including in the Best Animated Film category at the BAFTAs, the Academy Awards, the Golden Globes, and the Annie Awards, unfortunately losing out to Zootopia (2016), Disney Animation’s Spring release of that year, in many cases. However, Moana did win many other awards in other categories such as for Outstanding Achievement in Animated Effects and for Voice Acting for Auli’i Cravalho at the Annie Awards. and two Teen Choice Awards for Dwayne Johnson as Choice Fantasy Movie Actor and Auli’i Cravalho as Choice Breakout Movie Star.

Moana 2 on the other hand was only nominated for Best Animated Movie at the Golden Globes, where it lost to Flow (2024), an independent movie directed by Latvian filmmaker Gints Zilbalodis. Flow also won the Oscar for Best Animated Film, whereas Moana 2 was not even nominated. Nor was it nominated in this category at the BAFTAs, or at the Annie Awards. Moana 2 was nominated for a handful of other Annie Awards, like Outstanding Achievement for Animated Effects; for Character Animation; for Editorial; and for Storyboarding, but it lost to The Wild Robot in all categories. Now, you might be thinking that perhaps Moana 2 was simply not nominated for Best Animated Film at the big ceremonies because it was a sequel. That is not the case, as Inside Out 2 was nominated in this category at the major award ceremonies, as was Frozen II, although it did miss out on an Oscar nomination. Moana 2 was just not good enough. Moana 2 did win one award: the Animation Award at the Celebration of Asian Pacific Cinema and Television Awards.

Moana 2 became available to buy digitally on places like Sky Store, Prime, and AppleTV on 28th January 2025. It later came to Disney+ on 12th March 2025, where it earnt 27.3 million views in its first five days of being on the platform, from Wednesday 12th to Sunday 16th March. This was the largest Walt Disney Animation Studios premiere on the platform since Encanto (2021) came to Disney+ on 24th December 2021, and the third-largest animated theatrical premiere of all time on Disney+. It remains to be seen whether Moana 2 can reach the same heights as Moana has on Disney+, becoming the platform’s most streamed film, reaching 1.4 billion hours streamed since it came to Disney+ when the app debuted in November 2019[18].

LEGACY

Because Moana came out in 2016 and has proven to be popular in the years since, Moana 2 specifically has not yet spanned any attractions or movies of its own. Although if that mid-credits scene is anything to go by, then a third film could most definitely happen, as it seemed to be building up to a war between Nalo, Matangi, Moana, and Maui. Moana 3 has not been confirmed – so far – but I can definitely see it happening, unfortunately.

The biggest screen development to come from the Moana franchise was the surprise confirmation of a live-action remake back in April 2023. I say it was surprising only because the animated movie is fairly recent, whereas other live-action remakes have been focusing on the Disney animated movies from at least twenty or thirty years ago, if not more. Filming wrapped on this live-action movie around November 2024, with production beginning in late July 2024, with shoots in Hawaii and Atlanta, Georgia. This means that production on the live-action Moana was ongoing at the same time as Moana 2. Thomas Kail, who directed the Lin-Manuel Miranda musicals In the Heights and Hamilton on Broadway, made his feature film directorial debut on this film. It is also known that Dwayne Johnson is reprising his role as Maui, with actress Catherine Laga’aia being cast as Moana. Jared Bush and Dana Ledoux Miller, who both wrote the screenplay for Moana 2, teamed up to write the screenplay for the live-action movie. It was originally set to be released in Summer 2025, but after the announcement of Moana 2, the release was moved to 10th July 2026, to give more time between the two films[19].

To specifically celebrate the release of Moana 2, the Disney Parks began rolling out limited time experiences from mid-November 2024 until around early January. One of these was the introduction of a new exhibit showcasing artwork from Moana 2 at the Walt Disney Presents attraction in Disney’s Hollywood Studios at the Walt Disney World resort. There is a rotating exhibit in this attraction, which had previously housed maquettes and artwork for Inside Out 2. The Moana 2 exhibit also gave a brief description of the movie’s story[20].

From 24th November 2024, Moana was also seen in the parks debuting her look from Moana 2. This began with her meet-and-greet locations at Hollywood Land in Disney California Adventure Park at the Disneyland Resort, and by the Journey of Water, Inspired by Moana attraction in Epcot at Walt Disney World. Moana was also seen in an island setting at Disneyland Paris from 27th November. She could be spotted at Adventureland in her new outfit at Hong Kong Disneyland from 29th November.

There was also the opportunity to learn to draw Moana, Maui, Heihei, Pua, and Kotu for a limited time, at Disney Animal Kingdom’s Animation Experience at Rafiki Planet Watch and at the Animation Academy at Disney California Adventure. Also at Disney California Adventure, a new water short entitled “Boat Snack” was shown ahead of presentations of World of Color – Season of Light to promote Moana 2.

Again at Walt Disney World, a Moana 2-themed Christmas tree was created as part of the Disney Springs Christmas Tree Stroll for the holiday season. The new Island Tower at Disney’s Polynesian Resort, a new Disney Vacation Club offering, opened at Walt Disney World on 17th December 2024, which has nods to Moana throughout, with artwork displayed in the room, and the kids’ water play area being named Moana’s Voyage, complete with a statue of Moana sailing the ocean on her canoe. Moana in her Moana 2 costume was also available to meet guests at this location for a media event prior to the grand opening.

Outside of the US Disney Parks, at Disneyland Hotel in Disneyland Paris, guests could enjoy a bedtime story featuring Moana’s little sister Simea and collect a limited edition Pua sticker, alongside the in-park meet and greet with Moana. At Tokyo Disneyland Resort, there were decorations and displays for Moana 2 at the IKSPIARI shopping mall.

Generally, new merchandise, such as a Moana singing doll, clothing, toys, and pins, were available to purchase, and some remain in stock online. Special “Magic Shots” from Disney PhotoPass photographers inspired by Moana were also available. Plus, there were lots of food and drink offerings available at all the Disney Parks that were influenced by characters from Moana 2, such as a Heihei Straw Clip, a Moana 2 cake bar, and a Kakamora dessert[21].

These new experiences, although limited time experiences in many cases, added to the current list of attractions and experiences already on offer at the Disney Parks. These will likely only increase in the coming years.

For example, Moana started a full-time residency at Disney’s Animal Kingdom at the Walt Disney World Resort, on 22nd April 2023, as part of the park’s 25th anniversary celebrations and as part of the Disney100. Also at Walt Disney World, but this time within Epcot, a whole new attraction opened on 16th October 2023, called Journey of Water, Inspired by Moana, which is a self-guided interactive outdoor trail where guests can play and interact with water, as well as learn about its importance and its playful personality, as Moana did. It features an impressively tall Te Fiti topiary, as well as numerous beautiful waterfalls and streams[22]. Further appearances by Moana within the Walt Disney World Resort include her own scene within the heroes’ montage of Fantasmic! at Disney’s Hollywood Studios, as well as music and scenes from the movie being part of the nighttime fireworks show Happily Ever After at the Magic Kingdom. Furthermore, the rooms within Disney’s Polynesian Village Resort were updated in July 2021 to be themed to Moana, though this is done tastefully via Moana-inspired artworks and themed patterns on carpets and furnishings. Also at the Polynesian Village Resort is a shop named Moana Mercantile. Moana is set to have its own float at the new nighttime parade, Disney Starlight: Dream the Night Away, debuting at Magic Kingdom in Summer 2025.

Outside of the Walt Disney World Resort, Moana can be found at meet-and-greets, and within shows and parades. At Disneyland, although she does not currently have a dedicated meet-and-greet location and time, Moana may still appear in the park. Moana’s music and movie scenes do appear in the Wondrous Journeys and World of Color – ONE show, plus Moana has a float in the Magic Happens parade. These are not always running.

In Shanghai Disneyland, Moana is a part of the Mickey’s Storybook Adventure live theatre show, and she even has her own stage show at Hong Kong Disneyland called Moana: A Homecoming Celebration, along with a dedicated meet-and-greet location in Adventureland. At Tokyo Disneyland, Moana is featured within the Believe! Sea of Dreams nighttime show at Tokyo DisneySea. After the Moana 2 celebratory Moana meet-and-greet ended at Disneyland Paris, she has not returned to meet guests, however, music and clips from the film do feature in the Disney Tales of Magic fireworks show there, and may be a fixture in a float during Disney Stars on Parade. Moana can sometimes be found meeting guests at Aulani, A Disney Resort & Spa in Hawaii as well. The Broadway-style stage show Disney The Tale of Moana also debuted in December 2024 on the Disney Treasure cruise ship, receiving rave reviews from guests.

FINAL THOUGHTS

In all fairness to those who worked on Moana 2, I can see that, much like with any Disney Animation feature film, they wanted to make a great movie, with an exciting storyline, an emotional message, and beautiful animation. I also accept that I came to Moana 2 with a biased opinion in some ways. I was not happy when the sequel was announced so that dislike of the whole concept of a sequel likely clouded my judgement.

However, that does not change my opinion that Moana 2 was a wholly unnecessary movie for Disney Animation to have made. The story was not good enough to warrant a sequel, and Moana’s continuing voyages would’ve been more fitting to a Disney+ series.

Moana 2 followed the same outline as the original Moana. Basically, Moana wants to discover more about her ancestry and wayfinding. She’s given a mission by her ancestors that will tell her more about it. She encounters monsters and villains, like the clam monster and Matangi on the way. At the site of her mission ending, she battles an elemental god who wants to stop her. She completes her mission and returns to her community with more information about other voyagers. It was simply not unique enough.

I believe that Disney management is the one pushing for all these sequels to be made in a bid to make some easy money. After all, just look at the sequels in the works. They are all for movies that did well at the box-office, some even breaking records in that respect. It seems to me that none of these movies need a sequel and I fear that many of these upcoming movies will make a lot of money, sure, but they will be unnecessary and disappointing because of it.

Moana 2 was certainly not a bad movie, nor was it unwatchable, but it was “just ok”, though I enjoyed moments of it. I know families and children likely enjoyed the majority, if not all, of it. But it signals a real problem for Disney Animation and Pixar as a whole.

Instead of making formulaic sequels, what The Walt Disney Company really needs to do is spend less time looking at their profits, and more time looking at the values that the company was built upon.


REFERENCES

[1] Credit: Erica Liu, ‘Hualālai Chung’s Journey from Aulani to the Big Screen’, DisneyParksBlog.com, 26th November 2024.

[2] Credit: Disney, “Join the Crew”, from Moana 2 (2024) Blu-Ray (2025).

[3] Credit: Matthew Rudoy, ‘How Moana 2 Transformed Out Of Disney+ Show Plans Eagerly Explained by Bob Iger’, ScreenRant.com, 25th February 2024.

[4] Credit: Alex Reif, ‘The Untold Story of “Moana 2:” A Film Born to Be on the Big Screen’, LaughingPlace.com, 21st November 2024.

[5] Credit: Disney, “A New Voyage”, from Moana 2 (2024) Blu-Ray (2025).

[6] Credit: Courtney Potter, ‘Behind-the-Scenes Exclusives with Moana 2 Filmmakers’, D23.com, 4th November 2024.

[7] Credit: Disney, “Call of the Wayfinder”, from Moana 2 (2024) Blu-Ray (2025).

[8] Credit: Disney, ‘Behind the ‘Absolutely Incredible’ Animation of ‘Moana 2’’, TheWaltDisneyCompany.com, 2nd December 2024.

[9] Credit: Disney, “Deleted Scenes”, from Moana 2 (2024) Blu-Ray (2025).

[10] Credit: Gretchen McDermid, ‘Disney Wins ‘Moana’ Copyright Infringement Lawsuit Against Screenwriter’, WDWNT.com, 10th March 2025.

[11] Credit: Nicole Fallert, ‘Meet Barlow & Bear, the women who made history writing the ‘Moana 2’ songs’, USAToday.com, date unknown.

[12] Credit: Disney, “Songs of the Sea”, from Moana 2 (2024) Blu-Ray (2025).

[13] Credit: Nicholas Reimann, ‘‘Moana’ Breaks Record For Most Weeks At No. 1 On Billboard Soundtracks Chart’, Forbes.com, 17th August 2021.

[14] Credit: Disney, ‘‘Moana 2’ Sets a Record as Disney’s Biggest Animated Trailer Launch in History’, TheWaltDisneyCompany.com, 30th May 2024.

[15] Credit: Pamela McClintock, ‘‘Moana 2’ Achieves Demigod Status: All the Box Office Records Broken’, HollywoodReporter.com, 2nd December 2024.

[16] Credit: Disney, ‘Can I Get a Chee Hoo? Be The First To Watch At Home – Disney’s MOANA 2 is Now Available on Digital’, Press.Disney.co.uk, 28th January 2025.

[17] Credit: Mark Hughes, ‘‘Moana 2’ Grosses $389 Million – Highest Global Box Office Debut For An Animated Movie’, Forbes.com, 2nd December 2024.

[18] Credit: Disney, ‘Moana 2 Splashes To 27.3m Views Globally On Disney+ After 5 Days Of Streaming’, Press.Disney.co.uk, date unknown. 

[19] Credit: Monica Coman, ‘Moana Live-Action Remake Gets Exciting Filming Update Ahead of Moana 2 Release’, CBR.com, 24th November 2024.

[20] Credit: Blog Mickey, ‘Moana 2 Character Maquettes & Artwork Now in Display at Disney’s Hollywood Studios’, BlogMickey.com, 19th November 2024.

[21] Credit: Erica Liu, ‘‘Moana 2’ Voyages Across Disney Parks with All New Experiences and Products’, DisneyParksBlog.com, 27th November 2024.

[22] Credit: Emmanuel Detres, ‘Moana-Inspired EPCOT Attraction Revealed in New Video’, InsidetheMagic.net, 7th April 2023.

Bad Hair Day (2015)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. PRODUCTION
  5. MUSIC
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

Not to brag or anything but I’ve never had a bad hair day. That’s not necessarily something I’m proud of because it’s more my hair isn’t capable of doing much at all. It’s just straight, nothing very exciting.

However, having a bad hair day can cause others some real anxiety and panic, especially if you’re a teenager and have to go out or go to school that day. This is the focus of the 2015 Disney Channel Original Movie Bad Hair Day, and, because it’s a DCOM, this girl’s very bad hair day just happens to be on the same day as prom. Oh, say it ain’t so!

But this movie isn’t just about a trip to the hair salon. That would be too simple and much too easy. Bad Hair Day also manages to include a whole other storyline about a jewel thief and a stolen necklace in amongst the usual prom-themed activities.

It’s a pretty random story and not one I was mad about, though many do like Bad Hair Day, this being seen as a return to DCOMs after a few years without many at all. 2013 only had one, Teen Beach Movie, and there were only three new movies in 2014.

Bad Hair Day features well-known names from two different Disney Channel series in the leading roles, a pretty typical move from the company. But instead of this being just a movie for teenage actors, this DCOM is the first to feature an adult lead.

Bad Hair Day would later be overshadowed by none other than Descendants (2015), the first instalment in what would become another smash-hit musical, and later franchise, for Disney Channel. Descendants premiered in October 2015, a few months after Bad Hair Day.

Yet Bad Hair Day remains as a more interesting DCOM, full of action and comedy, not just high school troubles, something that those who watched it in childhood still remember today. That was not me, which is probably why I didn’t like it so much.

PLOT

Bad Hair Day begins with Monica, a teenage girl, looking to get everything organised for her prom. As well as wanting to be prom queen, Monica is also a tech whizz, so she has devised a way of tracking the most likely candidates to be prom queen, and has a blog where she allows people to vote on different aspects of her prom outfit. The dress has been agreed, as have the shoes. Now for the hair. Monica styles her hair in a variety of ways, putting photos online, and waits for the votes to come in. The side ponytail wins, completing her prom look. It’s time for a good night sleep ready for prom day tomorrow.

When Monica wakes up the next morning, to a call from her friend Sierra, she is horrified to find that her hair is an absolute mess, sticking up all over the place, and is so crispy that pieces of it start breaking off! It turns out Monica did not read or follow the instructions on all her hair products carefully so the combination of chemicals has caused this disaster. To make this day even worse, Monica finds that her prom dress has melted after being steamed; her shoes are broken; and she is now no longer on track to become prom queen. A girl called Ashley is in line for the crown. Monica then gets a call from the DMV saying there is no availability for a driving test until April next year. She needs to pass her test soon so Monica pleads for an earlier time. The only time available is 2pm that same day. Monica isn’t happy, but agrees to it.

To get to the DMV for her afternoon test, Monica will have to get a ride there. She calls her boyfriend, Kyle, who claims to be busy today, doing charity work with orphans, but he’ll see her later for prom. Monica then talks to her dad, who is an ER nurse but says he’ll take the day off to help Monica fix her hair and get her driving test done. Monica tells her father not to worry and that she’ll figure something else out. Luckily, one part of Monica’s prom outfit is still ok; a necklace she bought from a pawn shop, something she did not get anyone to vote on. As Monica figures out what to do about her plans for the day, there is a knock at the door. Monica goes to answer it, wondering how her day can get any worse.

At the door is a woman called Liz claiming to be an FBI agent. But Monica is smarter than that; she won’t just let anyone walk into her house. Monica asks to see a warrant. There isn’t one so Monica says the “agent” cannot come into her house. Liz then shows Monica a photo of a necklace, which just so happens to be the one she bought from the pawn shop. Monica lies, claiming to have never seen it before. Liz then says she is actually a private investigator, looking for the necklace on behalf of a client. Monica sees that the woman has a car, which gives her an idea. She allows her to come inside to talk further. As Monica gets dressed, Liz walks around the house, taking in all the details. When Monica returns downstairs, Liz has already deduced lots of information about Monica: like how she lives here with only her father, because her mother left them. She also knows Monica does have the necklace. Monica admits to this, and says she’ll hand the necklace over, only if Liz drives her to all of her appointments today. Liz reluctantly agrees.

In the car, which is full of surveillance equipment, Monica tries to figure out just what Liz actually does, but she gets few answers, only learning that there is a signal jammer in the car, meaning Monica cannot campaign online for prom queen votes, and that Liz has named her car Brando, after Marlon Brando. The two pull up next to a car full of young boys, blasting loud music out of the window. Liz uses a megaphone to tell them to turn the music down, but the boys ignore her – before realising Monica, who goes to school with them, is also in the car. The boys drive off, throwing litter out of the window. Liz chases after them, putting a siren on the roof of the car to get them to pull over. She says she’ll report them if they don’t go back and pick up their trash. Liz and Monica drive away, leaving the boys confused, and Monica embarrassed.

In town, Liz sees Monica acting weird with other students, seeing that Monica is desperate for prom queen votes. She also overhears Monica talking to Sierra about college. It turns out her friends are all going to the same college, but Monica got in to MIT, though she doesn’t know whether she’ll go there because she doesn’t want to be away from her friends and her father. Liz doesn’t understand Monica’s obsession with how she looks to people – but her focus is on the necklace, not Monica’s prom.

At the salon, Monica is a few minutes late and is told her appointment was given to someone else. She is given a beeper by the rude receptionist and told to return when the beeper goes off. Monica and Liz head to the store where she bought her prom dress instead. They discuss the point of super expensive sunglasses before talking to a shop assistant. Monica asks to return her dress; however, it is quite clear Monica has ruined the dress herself, by steaming it, something Liz makes only too clear to the assistant. The assistant refuses to refund Monica. Monica angrily tells Liz to stop interfering. The beeper then goes off for the salon, so the two rush out of the store. Since Liz has been dragged out of the store, she still has those expensive sunglasses on her head. She is about to be taken away by a security guard until Monica says it was just a mistake, not a deliberate action. Liz is given a warning. Liz then tells Monica that she is not an FBI agent or a private investigator – no duh. She is an ex-police officer looking for the necklace because it is actually very valuable. At the same time as all this, a man has been looking all over town for this same necklace, trying the pawn shop and then breaking into Monica’s house to search for it.

Back at the salon, Monica is once again late for the appointment and is turned away. Monica plans to wallow in self-pity in the food court. She gets a call from her father, saying one of his colleagues has dresses she could look at, and that there is a sale going on at a shoe store. Monica isn’t happy with either of those options, and then to top it all off, she sees that she is continuing to lose ground in the prom queen votes to Ashley. But once again, things have to get even worse when Liz points out that Monica’s boyfriend is sat just behind them, flirting with another girl – and that girl happens to be Ashley. Monica confronts him and learns the truth. She retreats to the restroom to talk with Sierra about it. Liz instead wants to really humiliate this kid, as payback for embarrassing Monica. Liz pretends to be mall security, accusing him of behaving lewdly in a public place. She opens up his bag, telling everyone about the embarrassing stuff he has in there, like back hair removal cream, before the real mall security stop her. She is taken to the local police station, with Monica following.

At the station, Monica learns that this was Liz’s police station. Liz’s former police partner, Ed, manages to get the charges dropped but tells Liz the Chief wants to speak with her. After Monica and Liz are allowed to leave, Liz says she was actually fired. It was her job to protect a museum exhibit of a 21-carat diamond necklace worth $7 million, the very same necklace Monica has in her possession. It was stolen by a well-known jewel thief called Pierce. Liz’s work began to suffer as she obsessed over getting the necklace back and arresting Pierce so she was fired. But that didn’t stop Liz working on the case. She discovered that Pierce had mistakenly given the necklace to a random passer-by instead of his buyer. The necklace was traced from place to place before making its way to the pawn shop and then to Monica, where Liz tracked it down. Monica then tells Liz that she tries so hard to be perfect all the time because she believes she was a disappointment to her mother and that must be why she left her and her father….

But there’s no time for more heart-to-hearts, because Monica is about to be late to her driver’s test, which she’ll have to take in Liz’s car, much to Liz’s dismay. The test soon takes a disastrous turn as Liz finds that Pierce is following them. She uses the nitro boost that she’s had fitted on her car, still with Monica in the driving seat and the examiner next to her, to get away from Pierce. They eventually get away, but Monica has failed her test. The car is also impounded. Monica is furious with Liz for ruining her day and walks away.

Shortly after the two separate, Monica gets a call from Pierce, who sends a photo to prove he has abducted her father. Pierce orders her to come to an abandoned warehouse with the necklace or something bad will happen to him. Monica jumps in a taxi and picks up Liz for help, who is struggling to order her own cab, not having a smart phone because she “doesn’t trust them”. First things first, they’ll need to get Liz’s car back because the necklace is in Monica’s bag which she left in there.

At the lot, Monica and Liz are simply told to fill out forms and wait their turn, but there’s no time for that. Monica wants to hack into their IT system, but she can’t get to a computer without the man on the desk seeing. Liz says she’ll distract him, by attempting to flirt. Despite Liz’s flirting being awful, the man responds to it, giving Monica enough time to guess his password – the name of his dog, which is proudly displayed in a photo on the wall – and hack into the system to get the car immediately released. The man apologises for the delay and asks Liz to give him a call sometime. Yeah, I’m sure that’s top of her list…

Back in the car, Monica sees that the necklace is not where she left it – and that is because she has mixed up her make-up box with Sierra’s when they were still in town. She locates Sierra to the park, using a locator app, but the park is huge. Liz and Monica rent a bicycle to find her. Monica then runs into her ex-boyfriend, Kyle, who asks to still be her date for prom, seemingly not having a nice time with Ashley, who is right next to him, having their prom photos taken! Monica refuses and Liz manages to intimidate Ashley and Kyle so much that they stumble backwards into the pond. Monica rushes over to Sierra to swap make-up boxes back. Great, she has the necklace. They go to the warehouse to meet Pierce.

Here, Monica learns that the Chief is actually Liz’s mother, giving her additional pressure with her job. She tells Monica that it is always better to be yourself than to be perfect, and that those who are worth being around are the ones who are always there. The two enter the warehouse and come face-to-face with Pierce. Liz tells Monica to hand over the necklace, with Pierce saying once he is safely away, he’ll let Monica know the location of her father. Except Monica already knows where her father is, thanks to locator apps. She walks up to a store room and frees him. Pierce is about to make a quick exit when Monica tells him that this time, Liz called for back-up so there’s no way he can escape now. Pierce tries to escape through the roof but Liz uses a taser on him. Liz exits the warehouse with an apprehended Pierce and the necklace. The Chief returns her badge to her, saying she can have her job back. Monica then has a conversation with her father, who tells her she should go to MIT if that’s what she wants to do; he’ll be fine while she’s away.

To top off this bad-day-turned-good, Monica realises that she doesn’t even care about her hair or about prom anymore, ignoring the latest beeper from the hair salon. Liz tells her that she should go to prom and she can even help with the dress. Liz takes Monica to the evidence room at the station, telling her to take her pick. Liz even allows Monica to wear the necklace – providing she has a police escort. Really, Liz just wants to go to prom too! The two get all dressed up and go to prom, with Liz having cut Monica’s hair to fix the bad hair situation. At prom, Monica discovers she was voted prom queen, after Ashley and Kyle’s secret affair came to light. In her speech, Monica talks about her day with Liz and how she’s learnt to be herself. She also announces to her class that she’ll be going to MIT. As music starts up, Liz tries her bad flirting skills on her ex-police partner Ed, who doesn’t seem to mind, and they all dance at prom together.

CHARACTERS & CAST

Monica Reeves is the teen lead of Bad Hair Day. Although she starts the day obsessed with prom and her appearance, she soon realises that the reason she is desperate to please people is because her mother left her and her father. She just wants to be perfect all the time to avoid disappointing anyone. After meeting Liz, she learns that being perfect is exhausting and that it’s much better to just be yourself and do what makes you happy, not anyone else. Instead of Monica being the typical ditzy prom queen that might’ve been normal in earlier teen movies, Monica is incredibly intelligent as well, especially when it comes to technology, with her place at MIT evidence of that. It’s good to see a teen lead in a DCOM being not just pretty and friendly, but also smart and driven.

Laura Marano was cast in the role of Monica. At the time of Bad Hair Day, Marano was already a leading figure on Disney Channel, having played the part of Ally in Austin & Ally (2011-16) since 2011. I never actually watched Austin & Ally but I know it was a popular series; it was the number one series for tweens in 2013 and 2014[1]. Since Marano’s departure from Disney, she has been frequently seen in Netflix productions, such as The Perfect Date (2019), playing Celia, opposite Noah Centineo; The Royal Treatment (2022), as Izzy; and as Cami in the “choose your own adventure” film Choose Love (2023).

Instead of being a teenager, the other half of this DCOM duo is Liz Morgan, an adult former police officer, trying to make things right again after she failed in a key security role. Liz tries to use her surveillance and interrogation skills on Monica to make it an easy task to simply get the diamond necklace back, but Monica isn’t having any of it. She wants to make the day work to her advantage as well, so she uses Liz to give her a ride to all her prom-related appointments. Liz only wants to do this as a means to an end, but eventually, her and Monica start to bond during their strange day together. Liz becomes a sort of maternal figure to Monica, telling her to not worry about what other people think too much.

Liz was played by Leigh-Allyn Baker, known on the channel at the time for playing Amy Duncan in the series Good Luck Charlie (2010-14) and its DCOM Good Luck Charlie, It’s Christmas! (2011). Prior to her Disney Channel roles, Baker appeared in the recurring roles of Hannah Webster in Charmed (1998-2006) and Ellen in Will & Grace (1998-2020). Baker later voiced characters in Disney animated series like The 7D (2014-16) and Mickey Mouse Mixed-Up Adventures (2017-21). Baker was also an executive producer on this film.

Then there is the jewel thief, Pierce, who apparently, as this is a villainous role, had to adopt a British accent and walk around in a suit like he was an evil James Bond… It was a strange choice for the character; I don’t know why any of that was necessary. Although Pierce seems to be skilled at the whole Mission Impossible thing, of using harnesses and wires to get in and out of buildings, he isn’t so good at the exchanging of his stolen goods as he mistakenly gives a $7 million necklace to a random person. This sets Pierce on the same task as Liz: to track this necklace down. Pierce is even so “bad”, he breaks into a teenage girl’s house, chases her during her driving test, and ties up her father in a store room just to get it back! In another circumstance, like a real thriller or action film, Pierce might have been a scary guy, but for Disney, it just felt odd.  

Christian Campbell was cast as Pierce. Also in 2015, Campbell appeared in the recurring role of Richard Brune in Season 2 of True Detective (2014-present). He also appeared as Greg Ivey in the HBO series Big Love (2006-11) prior to his casting in Bad Hair Day. On stage, Campbell starred as Jon in the 2003 US Tour and 2005 London production of the musical tick, tick…BOOM! and workshopped the part of J.D. during the development of Heathers: The Musical in the late 2000s.

Apart from these three characters, which most of the movie revolves around, there are some supporting characters, like Monica’s kind and caring father. He works as an ER nurse, clearly working long hours, but it is clear his daughter is his priority, especially now that it is just the two of them. Monica’s dad strangely enough doesn’t even seem too concerned about what his daughter has got herself mixed up in on her prom day, only caring that she is happy and that she makes a decision about college, making sure she chooses MIT, because it’s a great opportunity for her. Monica’s father was played by Alain Goulem who appeared in Canadian series such as 18 to Life (2010-11) and The Tournament (2005-06). Goulem has also voiced the character of Willis Huntley for the Far Cry game series.

In the police department, we have Liz’s colleagues, who she hasn’t been speaking to much since her departure from the force, obviously. Ed is Liz’s former police partner, who she has a jokey/flirty relationship, which makes it only too obvious to Monica the first time she sees them together that the two like each other. Ed and Liz seemingly get together at the very end of the movie. Ed was played by Christian Paul. Paul was the narrator for the true crime series Broken Trust (2018) and voiced some characters in the Assassin’s Creed game series. There is also Liz’s mother and police chief, Chief Morgan, who seems quite harsh on Liz initially, however, when Liz apprehends Pierce at last, the Chief is proud of her and returns her badge. Susan Almgren played Chief Morgan. Almgren was cast as Dr. Karen Cabot in the 1990s Canadian series Lassie (1997-99). More recently, Almgren made appearances in the movies Moonfall (2022) and Best Sellers (2021).

Finally, we have Monica’s friends and classmates, who we don’t get to see too much of. Sierra is Monica’s best friend, who is around to deal with the fall out from her hair and her boyfriend’s cheating, but she doesn’t spend much time with Monica during the events of the film. Sierra was played by Kiana Madeira, who previously was cast as Rachel in the Disney Channel-affiliated movie Harriet the Spy: Blog Wars (2010) and as Sassy in the DCOM The Swap (2016). More recently, Madeira appeared as Nora in the After film series.

Kyle is Monica’s lying boyfriend, who pretended to be doing charity work when he was actually spending the day with mean girl Ashley. Later in the day, Kyle wishes he hadn’t been caught out because Ashley is too full-on for him, but Monica does the right thing and refuses to go back to him. Kyle was played by Jake Manley. Manley went on to be cast in movies like Infamous (2020), alongside former Disney star Bella Thorne, playing Dean, and as York in the Netflix movie Holidate (2022). He also appeared in the recurring role of Brad in the spin-off series Heroes Reborn (2015-16). Ashley was played by Zoé De Grand Maison, who went on to appear as Evelyn in Riverdale (2017-23).

PRODUCTION

Bad Hair Day began development in the usual way. The story was pitched to Disney and they decided to go ahead with the project. Leigh-Allyn Baker acted as an executive producer for Bad Hair Day so she was able to see the full creative process.

Initially, the reason that Bad Hair Day was so interesting to her specifically was because it featured an adult lead, something that DCOMs had never really done before. Sure, there are roles in those movies to be parents or bad guys, but they are not normally leading roles. Those roles would always go to a teen star, usually from the channel.

In the case of Bad Hair Day, the original story reportedly was meant to star a male adult lead, however, it was eventually decided to make the character female[2]. I feel like this was a good choice, as it meant that the comedic back-and-forth between the female adult and teen characters was more natural, and it allowed them to have deeper chats like a mother and daughter would. It’s also good that they chose to have the female adult character be a police officer, as it is still more normal to see male actors playing police officers on screen. Bad Hair Day ended up as more of a buddy action-comedy than a typical Disney teen comedy-drama, although some aspects of teen life were still included.

Bad Hair Day was filmed in Montréal, Quebec around July and August 2014. The movie was directed by Canadian director Érik Canuel, who also directed the 2011 movie Barrymore, which starred Christopher Plummer. The story was written by Matt Eddy, Billy Eddy, Eric M. Gardner, and Steven H. Wilson. Matt and Billy Eddy have both co-written the teleplays for other DCOMs, including Zapped (2014), Teen Beach 2 (2015), and Invisible Sister (2015). More recently, the duo wrote for the Nickelodeon and Paramount+ productions Monster High (2022) and Monster High 2 (2023).

In behind-the-scenes footage, Marano displayed her “bad hair” wig that she has to wear for the majority of the film. The wig was all tangled and even had pipe cleaners inside of it to make it a real mess. The technology within Liz’s car, Brando, included all real technology, like the video surveillance and 16-channel radio[3].  Laura Marano was very excited to be in her first DCOM, saying that the shoots were long and crazy, but fun. Marano and Baker enjoyed working together as well[4].

MUSIC

Bad Hair Day features quite a lot of pop music, although during the main portion of the story, this is limited to background music in shops and in cars, with the opening sequence and ending scenes having the most recognisable songs.

The song used for the opening sequence of Bad Hair Day is “Rooftop”, performed by Skylar Stecker, or Skylar Simone as she is also known professionally. Skylar also appeared in a couple of episodes of Austin & Ally (2011-16) around this time. This song is from her debut album This Is Me, released in 2015. In this first scene, we see Monica’s room and her chosen prom outfit, before she moves on to what prom hairstyle she should have, using an online vote to decide. It’s a pretty good pop song, matching Monica’s happy, carefree mood.

The next piece of music used is the one playing in Monica’s classmates’ car when they pull up beside her and Liz. Liz proceeds to harass them about their loud music and littering with a megaphone. I believe the song that was used in a “sneak peek” of the movie, using this same clip, was “Nuthin’” by rapper Lecrae, which featured on Lecrae’s seventh album Anomaly, released in 2014[5]. However, it would appear that at some point during post-production, this song was switched out for another rap song. I couldn’t find this song though.

There actually isn’t another obvious “song break” until after Pierce has been arrested. This next song is “Colorful World” performed by Shayna Rose, which can be heard briefly as Liz and Monica go “dress shopping” in the police station’s evidence room, and then again as Monica gets to prom with her police escort. I actually really liked this song when I found it again after watching the film. It’s another upbeat, pop song. Shayna Rose is both a singer and an actress, having appeared as Stephanie Johnson in the soap opera Days of Our Lives (1965-present) in 2006 and 2007, and as Marina the drummer in Seasons 1 and 2 of the Nickelodeon series The Fresh Beat Band (2009-13).

As the final scene of Bad Hair Day takes place at Monica’s school prom, there has to be more dance music. The first of these songs is “All Over the World” by the Swedish pop band the Fooo Conspiracy, as they were known at the time, but they have since changed their band name to FO&O. This song is played during the final scene in the movie where everyone, including Liz and Ed, dance with Monica and her school friends. This scene then moves straight into the End Credits where the song playing is actually performed by Laura Marano, the star of the movie in a typical Disney move. This song is “For the Ride”, written by Dan Book, Shelly Peiken, and Laura Marano. This is the only credited song.  

The composer for Bad Hair Day was Michel Corriveau, who had worked with the director of Bad Hair Day, Érik Canuel, on Canuel’s other movies, like Barrymore (2011) and Bon Cop, Bad Cop (2006). Corriveau also won Gémeaux Awards for his music in the French-Canadian series Les Pays d’en Haut (2016-21), also known as True North.

RECEPTION

Bad Hair Day premiered on Disney Channel on 13th February 2015. It was also made available a whole week early on the WATCH Disney Channel app on 6th February.

From only the app views, Bad Hair Day amassed 435,000 viewers. On its Disney Channel premiere, it averaged around 4 million viewers[6]. This was slightly below average for what you might expect from a new DCOM premiere, and it would easily be beaten later in the year when other DCOMs were released. Teen Beach 2 (2015) was released in June that year, reaching around 5.8 million viewers, and then in October 2015, Descendants reached an even bigger audience, of 6.6 million.

Outside of viewing figures, Bad Hair Day surprisingly had fairly positive reviews for the most part. Many felt that Laura Marano and Leigh-Allyn Baker were cast well and that they had good chemistry, bouncing off each other well. Others also felt Monica was a good role model for tweens of the day. It was a fun, entertaining action-comedy film that Disney Channel weren’t always making.

On the negative side, some felt the characters were annoying and that the story was boring. I did agree with this in part. I didn’t particularly like either Liz or Monica. They were slightly better towards the end as they started to get along and I felt sorry for Monica not having her mother around, but I never really warmed to them. I also felt the story was boring, at least in places. The initial premise of Monica needing to run errands was quite boring and not all that funny. The whole diamond heist plot was slightly more interesting but I didn’t feel like it mixed well with the overall prom plot of the film. Some viewers were harsher in their reviews than I was. They felt the whole concept of someone pawning a multi-million-dollar necklace was implausible and that any pawn shop owner would know if they’d been given something valuable. Some felt the ending was bad too, though I’m not sure why as it was not mentioned specifically. The movie had to end with the prom scene and it did, so I don’t know what more needed to be done. There were comments about the particularly bad hair cut that Monica was given at the end though. It didn’t suit her but I wasn’t going to mention it!

LEGACY

Bad Hair Day was one of four DCOMs released in 2015 and it was not the biggest in terms of popularity or viewership, which means it did not get a sequel. Not that I know where they could go with Bad Hair Day, apart from have Liz and Monica solve more crimes together, but Monica is meant to be heading off to MIT so I doubt she would’ve had time for that! Musical DCOMs are much more likely to get sequels, and that was the fate of Descendants (2015).

Laura Marano wanted to be involved in another DCOM after Bad Hair Day, but after one more series of Austin & Ally, and a couple of guest star roles on other Disney Channel series, Marano moved away from the channel and did not star in a further DCOM. Leigh-Allyn Baker also did not return to film another DCOM, however, she did voice characters animated Disney series after Bad Hair Day was released.

Bad Hair Day did recently celebrate its 10th anniversary, something that Disney Channel’s official social media accounts referenced, allowing those who watched it when they were younger to revel in the nostalgia.

Although Disney Channel’s Bad Hair Day didn’t span much of a legacy, bad hair days will continue to be a thing as long as people have hair, and there are many sites, and no doubt many TikTok videos – though I wouldn’t know, I’m not on TikTok – that tell the public how to fix their own bad hair days! Bad hair days were also featured in other Disney Channel series, including the Season 2 episode of Recess (1997-2001) where Mikey gets gum in his hair and Vinny cuts most of it off, creating a new playground trend, or the Bizaardvark (2016-19) song “Bad Hair Day”. I’d probably advise you turn to social media in this case for once; all TV seems to tell you is that you have to cut most of your hair off…

FINAL THOUGHTS

So, what did I take away from watching Bad Hair Day? Well, I learnt that some people take prom incredibly seriously, and that jewel thieves really ought to be more careful when exchanging stolen goods. Rookie error.

The message that came out of Bad Hair Day, about being yourself and not trying to be perfect all the time, is a great one, and something that children and tweens probably responded well to. DCOMs always like to teach kids some sort of lesson.

For me, though, I was not the target audience for Bad Hair Day so I didn’t take much from the movie. I didn’t like it at all, because the comedy and prom aspects of the story were completely at odds with the whole diamond theft. It was strange, and to be honest, having the adult lead actually made me less interested in the film, not more, despite Liz being closer in age to me than Monica. I didn’t like Liz’s character particularly and I was never close to being prom queen – not that we really have that in the UK – so I couldn’t relate much to Monica either. Bad Hair Day just wasn’t for me.

But I know that many people found Bad Hair Day to be better than the average DCOM and liked the different take on the usual plot of a Disney Channel movie. If you need a family-friendly action-comedy movie, this is probably one for you.


REFERENCES

[1] Credit: Variety, ‘‘Bad Hair Day’: Laura Marano, Leigh-Allyn Baker to Star in Disney Channel Original Movie’, Variety.com, 8th July 2014.

[2] Credit: Ruth V, ‘An interview with Leigh-Allyn Baker from Disney Channel’s Bad Hair Day’, VivaVeltoro.com, 11th February 2015.

[3] Credit: Disney, ‘Behind the Scenes Bad Hair Day 1 and 2’, Disney411Vids YouTube Channel, 11th January 2015.

[4] Credit: Elizabeth Wagmeister, ‘Laura Marano & Leigh-Allyn Baker Preview Disney Movie ‘Bad Hair Day (Exclusive Clip)’, Variety.com, 2nd February 2015.

[5] Credit: David Daniels, ‘Video: Lecrae’s ‘Nuthin’ to be featured in Disney movie ‘Bad Hair Day’’, Rapzilla.com, 29th January 2015.

[6] Credit: Rick Kissell and Variety, ‘Disney Channel’s ‘Bad Hair Day’ Has Good Ratings Night’, Yahoo.com, 18th February 2015.

The Suite Life Movie (2011)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

Surprisingly, in 2011, Disney Channel aired three Disney Channel Original Movies all based on Disney Channel television series.

This isn’t anything new for Disney Channel as they’ve made DCOMs based on their series since the 2000s, with The Even Stevens Movie (2003) being one of the first, and Wizards of Waverly Place: The Movie (2009) being the most recent one before 2011.

Disney Channel’s first DCOM of 2011 was The Suite Life Movie, in a year that saw six other brand new DCOMs being released on the channel, including the High School Musical spin-off Sharpay’s Fabulous Adventure; Phineas and Ferb the Movie: Across the 2nd Dimension; and Good Luck Charlie, It’s Christmas!

The Suite Life franchise was a popular and successful commodity for Disney Channel, having first premiered as The Suite Life of Zack & Cody in 2005. The never-ending, always extreme, antics of two twin boys running around a posh hotel, where they lived thanks to the fact their mother happened to be the hotel’s singer, kept viewers interested, to the point that Zack and Cody earned themselves a spin-off series, The Suite Life on Deck, which premiered in 2008, pretty much straight after the original show ended. This time, their craziness was moved to a cruise ship where the twins would be attending “school at sea”. 

I really liked The Suite Life of Zack & Cody when it first came to Disney Channel. It was not my absolute favourite series but I think I watched every episode of the original show. It was always on and the mid-2000s was prime Disney Channel viewing time for me. However, when The Suite Life on Deck came about, I just didn’t like it. Maybe it was the fact all the original characters weren’t there, or because I’m not a fan of cruise ships. Something just wasn’t right, so I only watched a few episodes of that series, normally if I was bored and there was nothing else on. I can’t remember much of it at all.

Because of this lack of interest in The Suite Life on Deck, plus by 2011, I was starting to move away from Disney Channel as my favourite series ended and stars departed, I never even knew The Suite Life Movie existed. After watching it for the first time this week, I am pleased to say… I didn’t miss out on anything.

The whole premise of The Suite Life Movie is just odd, with a science-fiction theme and a weird evil scientist plot that the twins get mixed up in. I did not enjoy watching it and its only redeeming factors were: 1) Mr. Moseby was still there, even if only for a few scenes but on top form as usual; 2) the fact one of the actors had been in Sabrina the Teenage Witch; and 3) it was less than 90 minutes long.

PLOT

The Suite Life Movie opens on board the SS Tipton, where Zack and Cody have been living and going to school for the past couple of years. Cody is busy preparing a special dinner for his girlfriend Bailey on one of the cruise ship’s decks. He clearly has something important to say to her, because he has written her a letter.

But as usual, Cody’s twin brother Zack shows up, with their friend, Woody, to mess with Cody’s plan. It turns out Cody needs to tell Bailey that he’s going to be doing an internship at a biology centre over spring break, something he hopes will lead to a scholarship to Yale University.  Zack says he’ll break the news to Bailey in exchange for Cody giving him the car that Cody was given by their parents for college. Cody refuses and the two fight over the letter for Bailey. It is dropped, seemingly into the ocean. Unbeknownst to the boys though, the letter is caught by the wind and lands underneath a chair on deck.

That evening, Cody waits for the right time to tell Bailey about his internship, however, she continues to talk about all the plans and places they’ll go together over spring break, this being their last spring break before college. Just as Cody finds a moment to tell Bailey, Zack shows up, dangling alongside them in a life ring. Zack then proceeds to bluntly tell Bailey that Cody won’t be around for spring break because of his internship. Bailey is furious with Cody for ditching her wonderful spring break plans for work. She storms off before Cody can explain that he has to do this to get into Yale.

The next day, Mr. Moseby takes Cody to the Biology Reserve so he can begin his internship and meet his supervisor. However, Zack also tags along, as does London Tipton, the ditzy hotel heiress whose father owns the cruise ship. London mostly just wants to look at the dolphins, which she believes are fish, not mammals, because “they don’t have any humps”. This is a recurring joke throughout the movie… The important thing to notice here is that London eats some of the food meant for the dolphins and freaks out, leaving the area.

Moseby, Cody, and Zack go inside the centre where they meet Dr. Donald Spaulding. Dr. Spaulding shows them to his lab where he talks to Cody. He says that he was very impressed with Cody’s essay on twins, saying he has a twin brother too. Dr. Spaulding then tells Cody about his current research. Spaulding believes that, using a rare fruit, telepathy will be possible between dolphins and humans, something that Cody finds fascinating. Mr. Moseby realises that Zack is missing and goes to look for him. It turns out Zack has followed a pretty lab technician, Nellie, through an unauthorised area, where he proceeds to tell her that he is incredibly smart and can mostly definitely pilot that submersible nearby. Zack gets inside the submersible and descends into the dolphin tank.

Since Cody and Dr. Spaulding are looking right into that tank from the lab, they soon spot Zack messing about in there, but instead of waiting for security or one of the scientists to get Zack out of the submersible, Cody decides to get into the other submersible and follow him through the tank, shouting at him for ruining his first day on the internship. The two fight in their boats as Cody tries to get Zack to return to the surface but in doing so, one of their boats breaks the glass of the seawall. Both eject from the boats before they are sucked out into the ocean. Needless to say, this incident causes Cody to be fired from his internship. It also looks like this wasn’t an accident; a janitor and Nellie seem to have planned this…

Back on the cruise ship, Cody wallows in self-pity, since he’s lost his internship and Bailey still won’t talk to him. Luckily, Zack brings Dr. Spaulding to him, who tells Cody that he won’t be working for him anymore but that Dr. Olsen would love to have Cody’s assistance on a new project, something called the Gemini Project, which is all about twins. But that does mean that both Zack and Cody will have to attend. They both agree to go.

The twins later arrive at the Gemini Project, a facility located by a lake, where an old sawmill sits abandoned opposite. The facility is full of twins wandering about the area, looking happy. Zack and Cody are met by Dr. Olsen who takes them to his basement lab. Here, he tells them that he plans to use the same rare fruit that Dr. Spaulding is using on his dolphin research on twins instead, believing that it can grow empathy within humans, meaning that there will be less conflict in the world. They are then shown the Mind Transference Facilitator, which is where Zack and Cody will have their first tests. Zack is strapped to the machine and told to look at the screen. Different names of colours come up on the screen, but the words may be in a different colour. Zack must correctly identify the word, not the colour of it – we all know this game, right? Zack, not being as smart as Cody, plus the fact Cody keeps giving him an electric shock every time he gets the answer wrong, fails this test, and the two fight, proving that Dr. Olsen has two perfect research subjects.

Meanwhile, Bailey is walking around the city with London and Woody, debating how she should deal with the “Cody situation”. Should she call him? Should she ignore his calls? In the end, Cody stops calling her – because his phone was taken from him at the Gemini Project because radiation affects the delicate machinery – so Bailey deletes his number. London is also exhibiting some strange behaviour, seemingly being able to hear what different marine creatures are “saying”. She talks to a dolphin about her outfit, and then hears the escape plan of a crate of crabs in the market, for example. Weird.

Back at the Gemini Project, Zack and Cody eat lunch with some other twins on the project, including Nellie, that “assistant” from Dr. Spaulding’s lab, and her twin sister Kellie. The girls explain how all twins must get along and be nice and kind to each other because that’s just the way it should be, which is completely at odds with Zack and Cody’s dynamic, where they fight about everything and anything! At lunch, they are fed this rare fruit for the first time and then led out to take part in some sports tasks. This involves a high ropes course, complete with nets, bridges, and zip wires. Cody is already nervous since he isn’t the most athletic of people, but the two soon notice that all the twins are moving perfectly in sync. That’s not exactly the case for Zack and Cody, although they do soon notice that each of them is feeling the same physical pain that the other is feeling, a sign that the fruit is working on them. Dr. Olsen gets them to do the colour-word test again and sure enough, when Zack is shocked, Cody feels it too. Dr. Olsen is delighted with their progress.

Zack starts to think this place is too weird and wants to leave. Cody gets angry at him for ruining things for him yet again. Zack then talks to Nellie who convinces Zack to stay, saying that “The Merge” will fix everything. Zack doesn’t know what that means but agrees to stay at the Gemini Project anyway. Just as Cody is about to be removed from the project by Dr. Olsen, as one twin is no use to him, Zack returns and the two are moved onto Stage 2. They are given the fruit to eat again and soon start to experience the other one’s feelings. This leads to a heart-to-heart between the boys as they learn something new about each other, like how Cody feels like Zack has messed up his chances of going to Yale, and how Zack wants Cody’s car so he can go and find himself whilst everyone else is at college. But then, they overhear Dr. Olsen talking about “The Merge” and how they must enact it soon, even though it will mean that Cody “loses his brain”. Cody and Zack are horrified by this, with Zack wanting to leave, but Cody wanting to save all the other twins.

The two sneak into Dr. Olsen’s lab where they manage to access his computer. On it, they discover the full programme of the Gemini Project. Stage 1 involves matching physical sensations; Stage 2 is about emotional feelings; and Stage 3 is The Merge, which sees the twins literally merge to become one person. The twins then discover a Stage 4, which will allow the merged twins to be controlled. Dr. Olsen discovers Zack and Cody in his lab and know his grand scheme has been uncovered. But he also sees that, because Zack continued to eat the fruit, the two have begun a “half-merge”, where Zack finishes Cody’s sentences and the two have a level of telepathy between them. Dr. Olsen unveils a beacon which begins to control the other twins and he orders them to capture Zack and Cody. Zack and Cody try everything to get away from them, even going on a zip wire across the lake to the abandoned sawmill, but they are chased every step of the way. Just when they think they’ve gotten away, by jumping into the lake, they find themselves surrounded….

Back on the cruise ship, Mr. Moseby has discovered Cody’s letter to Bailey on deck and gives it to her. Bailey reads it and learns that Cody’s internship was important to him because it would give him the chance to go to Yale. He was torn between getting into the “school of his dreams” and spending time with the “girl of his dreams”. Bailey is touched by this and realises she’s been selfish about spring break – uh, no duh. Bailey has to fix things with Cody. However, when Bailey, London, and Woody speak to Dr. Spaulding, he says that Cody was fired from the project and banned from the site. He hasn’t seen them since. London then speaks to a dolphin who says to her that the twins are about fifty miles from here. Dr. Spaulding thinks the boys are in trouble. Bailey calls Mr. Moseby to tell him Zack and Cody are in danger, and the group set off to the Gemini Project site.

When they arrive, they find they are too late. Zack and Cody are strapped to a machine with a forcefield protecting them from outside interference. Dr. Spaulding confronts Dr. Olsen, who is revealed to be Dr. Spaulding’s twin, Ronald – gasp! He’s been wearing a mask this whole time! And he was the one to invite the boys to the Gemini Project, not Dr. Donald Spaulding! Ronald had been spying on the boys as he knew they were vital to his research. Ronald then turns on the machine and The Merge begins. The twins’ souls are released; however, the souls fight each other. Bailey realises this is causing The Merge to fail so encourages them to fight more. This fighting creates a power surge and when Cody taunts Zack about their parents’ car, Zack’s reaction causes the machine to explode. The Gemini Project is over once and for all, freeing the other twins from Ronald’s control. Cody then has an idea to stop Ronald from restarting the project. He hands both Donald and Ronald some of the fruit. After eating it, they both begin to realise how the other has felt their whole life and discover that they were both jealous of each other. But there’s no time for reconciliation because Moseby is here with the police who promptly arrest Ronald / Dr. Olsen. Zack and Cody realise that they actually make a great team – if they work together.

Back on the ship, Bailey and Cody are back together and have had a great spring break. It’s also revealed that Cody did give Zack the car to use, however, as he parks it in the shipping area as he returns to the ship, the car is crushed by a huge crate. Zack looks round in horror to see that the car he so desperately wanted is destroyed. London is happy though; that crate is full of her summer clothes!

CHARACTERS & CAST

Cody Martin has always been the studious, responsible twin, and that is still the case in The Suite Life Movie. Cody is making decisions about college, his dream college being Yale. Cody believes that doing the internship at Dr. Spaulding’s lab will help him get a scholarship to go there, but that doesn’t work out. When Cody gets another opportunity to complete an internship, this time with Dr. Olsen, he is eager to get going, wanting to be part of a major scientific breakthrough, and since he is a twin and not a dolphin, he’ll actually be an integral part of the research there. Cody is completely dedicated to the Gemini Project, but when it is revealed that this project is a ruse for an evil scheme, instead of just leaving, he wants to help save the other twins. To do that, he needs that twin brother who he doesn’t see eye-to-eye with, but who has always been beside him, to help.

Cody Martin was played by Cole Sprouse throughout The Suite Life franchise. Alongside his twin brother, the two both played Julian McGrath in the Adam Sandler movie Big Daddy (1999). During their time on Disney Channel, the two also appeared in the movie A Modern Twain Story: The Prince and the Pauper (2007) where Cole played Eddie Tudor. Since the end of The Suite Life, Cole Sprouse was part of the cast of Riverdale (2017-23), where he played Forsythe “Jughead” Jones III throughout the show’s run, and starred as Walt in the HBO Max movie Moonshot (2022) alongside Lana Condor.

Zack Martin is the chaotic, disorganised twin, usually the one who is the cause of all the problems that the twins get themselves in. Zack isn’t looking at going to college, so he is still feeling quite carefree about life, not stressing himself about internships and good grades. However, we do learn that Zack is feeling quite uncertain about his future, not knowing what he wants to do, or who he wants to be. Even at the Gemini Project, Zack is more bothered about girls than scientific research, soon wanting to quit but he knows he can’t because if he does leave, then he has ruined two internships for Cody in just a few days! When things go wrong for them at the facility, Zack and Cody end up working together to stop Dr. Olsen’s evil plan, finding that they can be a good team, despite their different personalities.

Zack Martin was played by Dylan Sprouse throughout The Suite Life franchise. Alongside his twin brother, Cole, Dylan played the part of Tom Canty in A Modern Twain Story: The Prince and the Pauper. Since Disney, Dylan has been cast in movies such as After We Collided (2020), the second instalment in the After film series, where he played Trevor; and Beautiful Disaster (2023), where he was cast as Travis Maddox. He reprised this role in the film’s sequel Beautiful Wedding (2024).

The Gemini Project is run by Dr. Olsen, who is actually Dr. Spaulding’s twin, Ronald. Dr. Olsen covers his identity with a mask through much of the movie, only revealing his true self at the very end. Dr. Olsen initially seems dedicated to his research and he gets on with Cody as they bond over their love of science. Nothing seems to be strange about Dr. Olsen until the boys overhear him talking about wanting to “merge” the twins. Then they know something is up, but nothing could have prepared them for getting mixed up in an evil plan to control the whole world! It turns out Dr. Olsen only wanted to do this because of childhood jealous that he felt towards his brother. Once they work that out, thanks to the weird fruit, Dr. Olsen happily goes off to jail…

Dr. Olsen – perhaps named after two of the most famous twins in the world, Mary-Kate and Ashley Olsen – was played by Matthew Glave. Glave appeared in the recurring role of Dr. Dale Edson on ER (1994-2009) in its earlier seasons. More recently, Glave portrayed Chuck Yeager in the movie First Man (2018). He was also cast as Coach Tommy Bowden in the Disney+ film Safety (2020) and has appeared as Oscar Hutchinson in the ABC series The Rookie (2018-present).

Dr. Spaulding is a scientist like his brother, and he came up with the initial research of using this rare fruit to create a telepathic connection, except in Dr. Spaulding’s case, he wants to use this to allow dolphins to communicate with humans. Dr. Olsen stole this research to use on twins with seemingly decent results, however, Dr. Spaulding had not reached a breakthrough with his, until London Tipton shows up, being able to speak to dolphins, thanks to that tiny piece of fruit she mistakenly ate! After this revelation from the dolphin of where the twins are, Dr. Spaulding seems to instantly know that his twin is working on some evil scheme and using Zack and Cody to implement it. Dr. Spaulding locates him and manages to briefly reconcile with his estranged brother before he is arrested.

John Ducey was cast as Dr. Donald Spaulding – and Dr. Ronald Spaulding, when Dr. Olsen lifts his mask. Ducey already had some history with Disney Channel prior to The Suite Life Movie as he was cast as Tom Lucas, the father in Jonas (2009-10), which, obviously, starred the Jonas Brothers. For any fans of Sabrina the Teenage Witch (1996-2003), you should also recognise Ducey from Season 7 of the programme, as he played Leonard, one of Sabrina’s work colleagues at Scorch magazine. I always loved Leonard; he was my favourite of the characters introduced in that season. Recently, Ducey also wrote and starred in the 2022 festive film I Believe in Santa, playing Tom.

In my opinion, these four characters make up the main plot of The Suite Life Movie, which is a shame, as there are four other characters who were hugely important to The Suite Life on Deck series, but were not used well in the movie.

One of these is London Tipton, the ditzy hotel heiress who came with Zack, Cody, and Mr. Moseby on board the SS Tipton for school. During The Suite Life Movie, London’s main roles are to be a sounding board to Bailey’s complaints about Cody, as well as to be the “missing link” of Dr. Spaulding’s research, showing that this fruit can produce telepathic communication between humans and animals. It’s an important part of the fictional science project, but isn’t particularly useful in the movie, apart from the fact London learns from a dolphin about where Zack and Cody are being held captive. It’s a real pity that London couldn’t have had a better side plot as she was always a brilliant character in the series.

London Tipton was played by Brenda Song, who was no stranger to Disney Channel even before her casting in The Suite Life of Zack & Cody. Song has actually been in five separate Disney Channel Original Movies: The Ultimate Christmas Present (2000) as Samantha; Get a Clue (2002) as Jennifer; Stuck in the Suburbs (2004) as Natasha; Wendy Wu in Wendy Wu: Homecoming Warrior (2006), and of course, London in The Suite Life Movie. Song managed to break out of Disney with her casting as Christy in The Social Network (2010). In recent years, Song has also been the voice of Princess Akemi in Blue Eye Samurai (2023-present) and was cast as Mary-Anne in The Last Showgirl (2024). In 2025, Song was also cast as Ali Lee in the Netflix series Running Point (2025-present).  

Mr. Moseby is another fan-favourite character from the original series. Mr. Moseby was the hotel manager of the Tipton Hotel and is now the manager of the SS Tipton. He also seems to be the guardian of London, and Zack and Cody, whilst onboard the ship, which would explain why he takes Cody to his internship at the research centre. Outside of the chaos that ensues there, we don’t really see Mr. Moseby until the end, when he is relieved to find Zack and Cody safe, having brought the police to the facility to arrest Dr. Olsen.

Phill Lewis was cast as Mr. Moseby. Prior to The Suite Life of Zack & Cody, Lewis appeared as Principal Tweedy in some episodes of Lizzie McGuire (2001-04). Still on the channel, Lewis was cast as Maurice in the DCOM Dadnapped (2009) and directed many episodes of Disney Channel series, including The Suite Life on Deck; Jessie (2011-15); and Bunk’d (2015-24). Lewis has also directed episodes of the revival series of iCarly (2021-23). Lewis appeared as ‘Crazy’ Hooch in the popular medical sitcom Scrubs (2001-10).

Then there is Bailey Pickett, a character introduced in The Suite Life on Deck. Bailey is Cody’s girlfriend, but all we get to see of her in The Suite Life Movie is her moaning about Cody’s disrespect of her spring break plans, and her debates about whether she should or shouldn’t call him or answer his calls. It’s not a particularly good plotline for the character and it mostly just makes her look selfish and childish. When Bailey is given Cody’s original letter by Mr. Moseby, explaining his reasons for taking the internship, she realises she’s made a mistake and has to find him to make it right. It’s a good thing she does really, otherwise who knows whether Zack and Cody would’ve been saved from The Merge…

Bailey Pickett was played by Debby Ryan. Ryan began her Disney Channel career on The Suite Life on Deck, which led to many more roles for her. One of these was a starring role in the sort-of DCOM 16 Wishes (2010), playing Abby Jensen. After The Suite Life on Deck ended, Ryan continued to feature on Disney Channel by starring in the series Jessie (2011-15). During this time, she was also cast in the leading role of Tara Adams in the DCOM Radio Rebel (2012). Outside of Disney, Ryan’s most famous role is perhaps as Patty Bladell in the controversial Netflix series Insatiable (2018-19). More recently, she voiced the character of Krista in the animated series Velma (2023-24), a spin-off of the Scooby-Doo franchise, and is set to appear in the thriller film Famous, which will star Zac Efron.

Finally, we have Woody Fink, a classmate on the SS Tipton and also Cody’s cabinmate, introduced in The Suite Life on Deck. He’s the complete opposite of Cody, being messy and not very studious, so he gets on better with Zack. Woody is part of the gang of friends that feature Zack, Cody, London, and Bailey. Woody doesn’t have much to do in The Suite Life Movie, much like the other characters I mentioned, just standing next to Zack as he reveals Cody’s internship to Bailey and then standing next to Bailey as she complains about Cody, and then going to find Zack and Cody at the Gemini Project.

Woody Fink was played by Matthew Timmons, who stopped acting in 2013, once The Suite Life on Deck had ended and after making a guest appearance on Debby Ryan’s series Jessie. Timmons has since stated that he was typecast into playing “big characters” with “big personalities” because of his weight and that he had difficulties with his mental health at times because of this. Many of the gags that revolved around Woody on the show focused on his weight and physical appearance so I can see how that would affect your mental state, especially at a young age. Timmons has since come to a place where he feels more comfortable in himself and encourages others via his social media accounts[1].

MUSIC

There aren’t many songs in The Suite Life Movie at all, not even as background noise. There are only two recognisable songs, one for the opening sequence and another for the ending.

During the opening sequence, as Cody is preparing his dinner date for him and Bailey where he plans to tell her about his internship, the song “Uptown, Get Around” is played, performed by Stereo Skyline. I actually quite liked this song; it was just an upbeat pop song. Stereo Skyline was an American pop band, formed in 2006, who stopped making music around 2012, coming back in 2019 to release the single “Runaway’s”.

At the end of the movie, as the End Credits roll, the song “Such a Colorful World”, performed by Max & Simon, written by Mark Rosas, Blake Healy, and Kevin Bard, is used. It would appear that Kevin Bard, the lead vocalist of the band Stereo Skyline, co-created the music project Max & Simon. Again, it was an inoffensive, upbeat song that I didn’t mind. 

There is another song that is played briefly as Cody and Zack start their time on the high ropes course. This song was not something I was able to find. The lyrics that I could hear were talking about “turning up the music”, which doesn’t narrow it down much when you’re looking for these background songs in movies… It was not credited either.

The score of The Suite Life Movie was composed by John Van Tongeren, who had previously worked on the music for other DCOMs, including Twitches (2005) and Twitches Too (2007); Princess Protection Program (2009); and Den Brother (2010).

PRODUCTION

The Suite Life Movie could never have existed had it not been for two twins terrorising their mother with their antics in a fancy, upmarket hotel.

The first episode of The Suite Life of Zack & Cody aired on Disney Channel on 18th March 2005. This pilot introduced audiences to Zack and Cody, and their reasons for living in the Tipton Hotel in Boston. This is because their mother, Carey, was the hotel’s lounge singer. We were also introduced to other main characters, like London Tipton, the hotel heiress; Maddie, the hotel’s candy counter girl; Esteban, the hotel bellhop; Arwin, the hotel’s janitor; and of course, Mr. Moseby, the hotel manager.

Season 1 of The Suite Life of Zack & Cody ran from 18th March 2005 to 27th January 2006. A second season began almost immediately afterwards, on 3rd February 2006, running until 2nd June 2007. The third season of The Suite Life of Zack & Cody was their last, commencing on 23rd June 2007 and ending on 1st September 2008.

The Suite Life of Zack & Cody is still remembered today for specific moments from its episodes. Who can forget that episode from Season 3, “Lip Synchin’ in the Rain”, which saw Disney Channel mess with their own canon, by having Maddie, played by Ashley Tisdale, not get the part of Sharpay Evans in a school production of High School Musical, despite Ashley Tisdale playing the role in real life! Instead, London got the part and Maddie had to lip sync for her. There was also the episode, “Commercial Breaks”, from Season 1 which ended with an all-singing, all-dancing fictional commercial for the Tipton Hotel. And last but not least, London’s driving lesson where she taught us all about “the PRNDL”, something that even Camila Cabello referenced on The Kelly Clarkson Show. Brenda Song said she even had her driving examiner say to her to make sure she put the PRNDL in park at the end of her test[2]! There was also the crossover episode “That’s So Suite Life of Hannah Montana”.

The reviews for the show were great across all three seasons. The programme received accolades such as winning a Young Artist Award in 2007 for Best Family TV Series (Comedy). Back in 2006, Brenda Song won the Superstar of Tomorrow and Role Model awards at the Young Hollywood Awards for her role as London Tipton. Dylan Sprouse won a Kids’ Choice award for Favorite TV Actor in 2009 too. The Suite Life of Zack & Cody was nominated for a Primetime Emmy for Outstanding Children’s Program in 2007 and nominated for Favorite TV Show at the Kids’ Choice Awards in 2007, 2008, and 2009.

Technically, in terms of air date, the final episode of The Suite Life of Zack & Cody was “Mr. Tipton Comes to Visit”.  The storyline was that Mr. Tipton was coming to the hotel, seemingly to give a huge bonus to one lucky employee. This led to many flashback moments from the series as the team reminisced about the good moments they’d had working in the hotel. However, when Mr. Tipton arrives he is in a bad mood and plans to fire someone. It looks like Carey is going to be fired because of the twins, but instead, the boys bribe Muriel, the now-retired hotel maid, into coming back for Mr. Tipton’s visit. She refuses to clean up a broken vase and is promptly fired – but since she’s retired, it doesn’t matter!

But the actual final episode of the series is really “Let Us Entertain You”. In this episode, the boys and Carey go on the SS Tipton cruise ship for a “vacation”, although Zack and Cody have managed to get them on the ship only if Carey sings as part of the cruise entertainment. Carey refuses to sing, wanting a proper vacation, but when she discovers that her experience on the cruise will be seriously downgraded if she does not, she relents and says she will sing. However, Carey becomes seriously sun burnt after falling asleep in the sun and is now unable to sing. Zack and Cody go on for her instead.

The events from “Let Us Entertain You” set the scene for the spin-off series, The Suite Life on Deck, which premiered on Disney Channel on 26th September 2008, just a few weeks after The Suite Life of Zack & Cody officially ended. The pilot episode of this new series is “The Suite Life Sets Sail”. Here, Mr. Moseby is revealed to be the cruise ship manager, and London Tipton is coming on board to attend Seven Seas High School, to stop her from skipping classes like she did at regular high school. Zack and Cody are joining her, much to Moseby’s dismay, with Carey not staying on board to look after them. Other characters were introduced during the show, as Zack, Cody, London, and Mr. Moseby were the only main characters to return, such as fellow students of Seven Seas High: Bailey Pickett, Woody Fink, and Marcus Little.

Throughout the lifetime of the show, the characters got to travel all over the world, with one episode focusing on the Bermuda Triangle, and another seeing the group travel over the International Dateline. They also visited Greece, Sweden, Morocco, and Paris. There was also another Disney Channel crossover episode, called “Wizards on Deck with Hannah Montana”. Season 1 of The Suite Life of Deck ran from 26th September 2008 to 17th July 2009. Season 2 began on 7th August 2009, running until 18th June 2010. The third and final season ran from 2nd July 2010 to 6th May 2011. The Suite Life on Deck received generally favourable reviews, however, many viewers felt it was not quite as good as the original show. It received a nomination for Favorite TV Show at both the 2010 and 2011 Kids’ Choice Awards, with Dylan Sprouse picking up the award for Favorite TV Actor in 2010.

Danny Kallis and Jim Geoghan created both shows, with the concept for The Suite Life of Zack & Cody, of two boys living in a posh hotel, originating back in the mid-1980s, when Kallis and Geoghan were working as writers on the sitcom Silver Spoons (1982-87), about a wealthy man whose son, who he has never met before, moves in to his mansion[3].

The Suite Life Movie began production in September 2010, being referred to as the seventh Disney Channel series to get its own Disney Channel Original Movie – this number seems to include Phineas and Ferb: Across the 2nd Dimension, and Good Luck Charlie, It’s Christmas! despite both of these airing months after The Suite Life Movie in 2011. The most recent one prior to The Suite Life Movie to air on Disney Channel was Wizards of Waverly Place: The Movie (2009), which had done exceptionally well in terms of viewing figures, securing 11.4 million on its premiere, and ranking as 2009’s No. 1 scripted cable TV telecast.

The Suite Life Movie was directed by Sean McNamara. For Disney Channel, McNamara had previously directed some episodes of The Even Stevens (2000-03) and went on to direct The Even Stevens Movie (2003). McNamara also directed episodes of other Disney series such as That’s So Raven (2003-07) and Zeke and Luther (2009-12). The writers of The Suite Life Movie were Michael Saltzman, who worked on the story of the 2006 The Pink Panther Movie, and Robert Horn, who co-wrote the Broadway musical 13, and wrote the High School Musical spin-off movie Sharpay’s Fabulous Adventure (2011)[4].

The Suite Life Movie was filmed in British Columbia, Canada, with many of the locations being in Vancouver. The Vancouver Aquarium was used as the setting of the biology research facility where Cody, Zack, and Mr. Moseby visit Dr. Spaulding early on in the film. The setting of the Gemini Project was reportedly Camp Howdy in Vancouver[5]. Around this area, Dylan and Cole Sprouse were required to film some “stunts” which involved them on a high ropes course, tackling obstacles like nets and zip wires. Because at this point in the movie, Zack and Cody have not been a part of the research group for long, they are not moving in perfect unison on this course like the other sets of twins are, so this meant lots of slamming into nets and struggling on different parts of the course[6]. It all looked very fun to me. What appeared to be less fun was Dylan and Cole’s jump into a freezing cold lake at 9 o’clock at night, for the scene where they are trying to avoid capture by all the twins. The twins said they had wetsuits on and multiple layers of clothing which kept them warm, but it seemed some of the other actors – as the twins are surrounded by others in the lake – didn’t keep quite as warm and struggled with the cold[7].

The Suite Life Movie kept mentioning the fact that the boys and their friends would be graduating from Seven Seas High soon. This meant that one further episode was needed to wrap up The Suite Life on Deck, which is why the finale episode, “Graduation on Deck”, was the very last episode of the franchise to air on Disney Channel on 6th May 2011, just over a month after the movie had premiered.

In “Graduation on Deck”, the students of Seven Seas High learn that Mr. Tipton is going to dismantle the SS Tipton as they prepare for final exams and graduation. Cody discovers he was rejected from Yale, throwing his college plans into disarray, especially as girlfriend Bailey did get accepted. Zack and Cody’s mother and father both arrive for graduation, where Bailey says that Cody didn’t get into Yale and won’t leave his cabin. Zack is also upset that his girlfriend, Maya, is going off to Chad in Africa for a Peace Core assignment, so neither Zack nor Cody want to attend graduation. The boys then convince the other to go to the ceremony. During the speeches, construction workers begin dismantling parts of the deck. Mr. Moseby calls Mr. Tipton, ordering him to stop the destruction of the ship as he is destroying his daughter’s graduation. Soon, the SS Tipton docks and the students prepare to depart the ship. Mr. Moseby also proposes to the Seven Seas High teacher, Ms. Tutweiller, and she accepts. There are some tearful goodbyes as everyone goes their separate ways. Many felt this was a fitting ending for the show and the franchise as a whole, which is not exactly how they felt about the movie…

RECEPTION

The Suite Life Movie premiered on Disney Channel in the US on 25th March 2011.

The movie pulled in 5.2 million total viewers on its premiere, making it the top scripted programme of the day across all TV[8]. By the end of 2011, The Suite Life Movie’s viewership was beaten by three other DCOMs: Lemonade Mouth, with 5.7 million; Good Luck Charlie, It’s Christmas!; with 6.9 million; and Phineas and Ferb the Movie: Across the 2nd Dimension with 7.6 million, which was the top viewed DCOM of the year.

Reviews of The Suite Life Movie have been very mixed, with slightly more negative comments than positive. DCOMs generally receive quite mixed reviews, so this was not unusual, however, even fans of The Suite Life of Zack & Cody and The Suite Life on Deck were quite disappointed with The Suite Life Movie, especially as it followed on from a pretty good series. Many said The Suite Life Movie felt out of place, very unlike the series, and was mostly forgettable. Many also said The Suite Life Movie was not as good as the other science-fiction-based DCOM of 2011 Phineas and Ferb: Across the 2nd Dimension, which I would agree with. There were others as well who were annoyed that seemingly some of The Suite Life on Deck plot points had been forgotten or ignored in the film, like the fact Zack was in a relationship with a girl called Maya in the series but in the movie, Zack is chasing after Nellie. I just thought that was very much how Zack always was! There was also annoyance that London, Bailey, Woody, and Mr. Moseby didn’t have anything to do in The Suite Life Movie and should’ve had a better side plot written for them. This is something I have already said I agree with.

On the more positive side, some felt the movie was fun and entertaining, with a nice message about empathy and getting on with your siblings. Others enjoyed the “twist” ending too, with the reveal that Dr. Olsen was in fact Dr. Spaulding’s twin brother. I didn’t guess that until a few minutes before it happened, although I’m sure some might’ve guessed it much earlier on in the film, making the “twist” less exciting. It was also thought that The Suite Life Movie might as well be watched because it was quite a short movie, only around 80 minutes long, and if you’d watched both the previous series, you may as well have seen it to be a “completist”. The general consensus seemed to be that viewers either saw The Suite Life Movie as just average, or just bad. I’m afraid I’m in the latter group.

LEGACY

After The Suite Life on Deck had ended in May 2011, there would be no further projects for Zack and Cody on the Disney Channel. The actors were all moving on to new things.

Apparently, Dylan and Cole Sprouse had in fact pitched a fourth season of The Suite Life on Deck. This concept would’ve seen Zack and Cody return to Boston, where they would mentor a young boy living in the hotel, setting up this other character to have their own show. Disney passed on this idea, but later came back to the twins to pitch a similar idea. This time, the new show was going to be set in Miami with Selena Gomez reportedly attached to the project. The Sprouse twins were the ones to pass this time round.

There was also a spin-off that was meant to happen, surrounding hotel engineer Arwin, with Selena Gomez set to play his niece, but this never happened either. I’m going to assume this spin-off would’ve taken place after The Suite Life of Zack & Cody had finished airing or around that time, and not after the whole The Suite Life franchise had ended[9].

But there was one further screen production that did come to be after The Suite Life on Deck: The Suite Life of Karan & Kabir, an Indian adaptation of The Suite Life of Zack & Cody, which ran for two seasons on Disney Channel India. The first season ran from 8th April 2012 to 1st July 2012, with the second running from 27th January 2013 to 18th August 2013.

Now that Disney Channel has made successes of rebooting and reviving some of their old programmes, such as Raven’s Home (2017-23) and Wizards Beyond Waverly Place (2024-present), many have begun speculating about whether there will be a reboot of The Suite Life. Not to be the bearer of bad news, but recently, Dylan Sprouse confirmed his disinterest in being part of a The Suite Life revival, stating that this trend risks removing the nostalgia and magic of the original series, so it is best to just move on with your life and keep those memories untainted. I completely agree with Dylan Sprouse’s take on revivals, however, Dylan did also say you can “never say never”[10]. On the contrary, Brenda Song said that she would reprise her role as London Tipton if ever the opportunity did arise, since she loved playing the character[11]. Regardless of whether a reboot does or does not happen, the actors seem to keep in touch with each other, which is always good to see.

Outside of any screen adaptations, there was one other thing from The Suite Life on Deck which was remembered over ten years later. This was a moment in the Season 1 episode “When In Rome” where Zack and Cody are trying to get a reservation at a fancy Italian restaurant. They are told they can have a reservation – for 16th November 2023. So, on that date, there were many references to this moment online. Disney Parks even released a short video to their social media where a waitress tells Zack and Cody their table is ready – but obviously they do not show up. This video seems to have been recorded at Mama Melrose’s Ristorante Italiano at Disney’s Hollywood Studios in Walt Disney World.

Also at the Disney Parks, but this time at Disneyland, there was a small photo op at Disneyland After Dark: Disney Channel Nite in March 2024 featuring a backdrop of one of the corridors of the Tipton Hotel with a luggage trolley that guests could hang on to for a picture. There was also a The Suite Life of Zack & Cody Disney pin being sold a while ago.

FINAL THOUGHTS

The Suite Life Movie may not have been my cup of tea, but I can’t really say I’ve ever been a die-hard fan of the series, and I certainly was not a big fan of The Suite Life on Deck, so my criticism of the movie might seem a bit harsh, especially if you were a longtime childhood fan of the series and remember the DCOM fondly. But there were also many fans of the show who were disappointed in The Suite Life Movie for multiple reasons. For me, it was the strange sci-fi plot. It was just too random and not very “Suite Life”.

Despite the message about getting on with your siblings and having empathy for others, even if you are very different people, I didn’t come away from The Suite Life Movie thinking about it much. The concept of someone trying to merge people together and then control them forever, under the guise of creating world peace, was too disturbing that it took away from the overall message.

Some reviews said this movie was forgettable. Unfortunately, I don’t think I’ll ever be able to forget it, no matter how hard I try…


REFERENCES

[1] Credit: Kayleigh Banks, ‘Woody Fink From The Suite Life On Deck Explained’, ScreenRant.com, 11th June 2023.

[2] Credit: The Kelly Clarkson Show, ‘Brenda Song Reacts To Camila Cabello ‘PRNDL’ Story’, The Kelly Clarkson Show YouTube Channel, 3rd March 2025.

[3] Credit: Tierney Bricker, ’15 Secrets About The Suite Life of Zack and Cody, Including the “Worst” Kiss With Zac Efron’, EOnline.com, 18th March 2020.

[4] Credit: Author Unknown, ‘Production to Begin on “The Suite Life Movie” for Disney Channel’, TheFutonCritic.com, 20th September 2010.

[5] Credit: TigerBeat TV, ‘EXCLUSIVE: We’re on The Suite Life Movie Set!’, TigerBeat TV YouTube Channel, 18th February 2011.

[6] Credit: Disney Channel, ‘DCOM Extra: The Zip Line – The Suite Life Movie – Disney Channel Official’, Disney Channel YouTube Channel, 11th March 2011.

[7] Credit: Popstar!, ‘DYLAN SPROUSE On Filming the Water Scene in “The Suite Life on Deck” Movie!’, Popstar! YouTube Channel, 22nd December 2010.

[8] Credit: Scott Collins, ‘‘The Suite Life Movie’ on Disney was Friday’s most-watched scripted TV show’, LATimes.com, 28th March 2011.

[9] Credit: Tierney Bricker, ’15 Secrets About The Suite Life of Zack and Cody, Including the “Worst” Kiss With Zac Efron’, EOnline.com, 18th March 2020.

[10] Credit: Kristen Maldonado, ‘This Is Why Dylan Sprouse Is Not Interested In A Suite Life Reboot’, Kristen Maldonado YouTube Channel, 12th February 2024.

[11] Credit: Liz Foster, ‘The Suite Life Of Zack & Cody Revival Addressed By London Tipton Actor: “She’s My Literal Dream Character”’, ScreenRant.com, 28th February 2025.

#22 Onward (2020)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. PRODUCTION
  5. MUSIC
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

By the beginning of 2020, Disney were riding high on the commercial success of Frozen II, which had been released to theatres in November 2019, in time for the holiday season.

Meanwhile, Pixar were gearing up for their first movie release of the year. Onward was going to be Pixar’s first-ever March release. But there wasn’t too much concern. After all, there doesn’t tend to be too much competition in the cinemas in March, and Disney had been very successful with their most recent March release Zootopia in 2016.

What could possibly go wrong?

Well, we all know what happened in March 2020. As the world watched the ongoing situation with concern, some of us were determined to go about our normal lives while we could, whilst others were being more cautious, so a trip to their local movie theatre probably wasn’t part of their plans. This would’ve been a concern to Pixar.

I did watch Onward in the cinema with my family prior to the UK lockdown. It was one of the last things any of us did before everything descended into chaos, and we will always remember Onward for that reason. Although Onward was not met with critical acclaim, despite Pixar’s current standing as one of the top animation studios, I did like Onward, as did my family. It was a personal connection to the emotional story that touched me.

Sadly, it didn’t even matter that we and some others turned out to the movie theatres to watch Onward because three weeks after its release, much of the world was living with restrictions, and one of those was to close non-essential businesses, including movie theatres. Pixar’s hopes of financial success for Onward were shattered. 

It might be slightly inaccurate to blame COVID-19 for the downfall of Onward because it was claimed that box-office takings weren’t hugely different compared to what was expected at that point in the year. Onward did not get amazing reviews so perhaps that was the issue. It was quite a different type of story from the studio and the movie’s trailer didn’t help audiences understand what it was about.

For whatever reason, Onward remains as one of Pixar’s “flops”. Not necessarily through any fault of its own, but that is what it is remembered for, if it’s even remembered at all. If you weren’t aware of Onward before the lockdown, you probably wouldn’t have been interested in watching it afterwards. Unlucky timing had destroyed yet another movie.

PLOT

Onward begins with a narrator telling the audience that long ago, this world was full of wonder, adventure, excitement – and magic. Because it was difficult to master, magic faded away from the land, as new discoveries, such as electricity, made life easier.

In present day, we see that this area has become a suburban world very similar to our own but with the presence of fantasy creatures, like unicorns, centaurs, dragons, and elves. And it is an elf’s sixteenth birthday that begins this story. This elf is called Ian. He is socially awkward, struggling to make friends at school, and is quiet and shy. His older brother, Barley, on the other hand, is loud, brash, and overly confident. Barley is also obsessed with a role-playing board game, kind of like Dungeons & Dragons, called Quests of Yore, which references the magic that used to exist in this town, New Mushroomton.

On his birthday, Ian has plans for the day, like finally inviting that group of kids from his class to come to his house for a party, and being able to overcome his fear of driving during a driver’s ed class. But that doesn’t exactly work out…Plus, Barley comes to pick him up from school in his unicorn-emblazoned van called Guinevere, wanting to perform a special birthday ritual, which just embarrasses Ian further and he rushes back home.

At home, Ian listens to an old tape of his dad talking. Barley and Ian’s father is no longer with them, having passed away when Barley was just three years old and before Ian was even born. Ian and Barley’s mother gives them a gift from their father, which was to be handed to them when both of them had turned sixteen. They open it to find a wizard staff. Barley is ecstatic to find that their father dabbled in magic and wizardry, reading the gift’s accompanying letter which has a spell written on it; a visitation spell that will allow the boys to have 24 hours with their dad. Barley locates the phoenix gem in the package that is necessary to assist the spell and begins to recite the spell… Nothing happens. Barley tries again, and again, and again. Still, nothing happens. Disappointed, Ian wants to be left alone, all his hopes of finally meeting his dad and making his birthday worthwhile crushed.

Ian then starts to recite the spell alone in his room. To his surprise, it works and the staff begins to slowly reveal their father to him. Barley comes in to the room and sees Ian struggling with the power of the magic. Trying to help, he rushes towards the staff, only for the phoenix gem to shatter. Barley and Ian don’t see their dad in the room, however, a pair of legs in trousers make their way out of Ian’s wardrobe. They only managed to make half of their dad appear, so he can’t see or hear them. Barley says they should just find another phoenix gem and do the spell again since Ian has the gift of magic. Ian needs some convincing but wanting to see his dad – all of him – he agrees to go along with Barley’s seemingly crazy plan. Using Quests of Yore as a reference, Barley takes them to the Manticore’s Tavern to begin their quest.

At the Manticore’s Tavern, they discover that it is just a medieval-themed restaurant now, run by the overworked, stressed-out manticore Corey. Barley and Ian ask for the map to the phoenix gem. They are promptly passed one of the kids’ menus, but Barley wants the real map, seeing that it is still on the wall of the tavern. With all this talk of magic and quests, Corey is sad about what she has become, seeing her own quote on the wall about having to take risks in life to have an adventure, and starts to go wild, ripping the head off her restaurant’s walkaround mascot, kicking all of her customers out, and setting fire to the place. The map catches on fire, and Barley and Ian rush away from the chaos, with Ian managing to use a levitation spell to save their father’s legs from perishing in the fire, this spell needing your “heart’s fire” in order to be successful.

Outside, back at the van, Ian thinks their quest is all over without the map, but Barley has picked up one of the kids’ menus, where someone has finished the puzzle on it, which states they need to go to Raven’s Point to find the gem. Ian wants to take the expressway there, as he wants more time with their dad, but Barley says they should take the Path of Peril so it is like a real quest. Ian wins on this one and they get on the expressway.

Meanwhile, Ian and Barley’s mother, Laurel, has found they are not at home, and goes out to try and find them. She gets to the Manticore’s Tavern and speaks to Corey. Corey calms their mother down, saying she sent them on a quest – but then she realises she forgot to tell them about the curse! Laurel says they have to get to them quickly, but the police want to speak to Corey about how the fire started. Laurel manages to lie to the police and gets Corey into her car so they can follow the boys.

Back with Ian and Barley, the van has run out of gas, so they pull off the road to fill up, but Barley only has a few drops of fuel left in his jerrycan. Barley gets an idea, that Ian should do a spell to increase the size of the petrol can so the few drops in it will become bigger. Barley gets Ian into the right stance to do the spell and says he has to focus. As Ian tries to do the spell though, he becomes distracted by all Barley’s comments and the can doesn’t increase in size. Instead, Barley ends up shrinking… Fed up with this delay, Ian takes Barley and their dad to the nearest gas station to get more fuel. At the gas station, a motorbike gang of sprites have arrived. Ian tries to ignore them so they can just pay for the fuel and get out of there without any trouble. But Barley, still sprite-sized, decides he has to tell the sprites that they can actually fly so don’t need bikes. The sprite leader accuses Barley of calling them “lazy” and a chase ensues. Because of Barley’s tiny stature, Ian has to drive the van. Ian is anxious but he knows they have no choice as the sprites attack them. At one point, the sprites get inside, but using Barley’s van’s incredibly powerful air con unit, the sprites are blown away. Ian then crosses three lanes of traffic and gets to the exit. The sprites almost crash their bikes, but instead of crashing, they discover they really can fly!

Corey and Laurel are on their way to a pawn shop to retrieve Corey’s enchanted sword, the Curse Crusher, since that is the only way the boys will be able to defeat the curse. The curse will take the form of a dragon to fight them after they touch the phoenix gem. At the pawn shop, Laurel is about to pay for the sword when Corey starts explaining about how rare and powerful it is. The shop owner then raises the price so Laurel can no longer afford it. Corey decides instead of wasting their time negotiating the price, she’ll just sting the owner, paralysing them, so they can get out of there. Laurel throws some money on the desk and apologies, as Corey takes the sword and rushes back to the car.

Meanwhile, Barley and Ian have been pulled over by the police. Their father, with a top-half fashioned out of clothing by Ian, comes out of the van, immediately raising suspicions. Barley, who has returned to normal size, wants Ian to use a disguising spell, but to keep it working, Ian cannot lie. The spell is enacted and they become Officer Colt Bronco, who happens to be their mother’s boyfriend. Ian, pretending to be Officer Bronco, manages to get them out of trouble by saying he was on a driving lesson with Ian. However, as the officers are about to let them go, one of them calls Barley “a screw up” and when Ian tries to say that isn’t true, he is shown to be lying as part of the disguise slips.

They drive away again. Barley pulls over suddenly, upset. The two argue, with Ian trying to make things right again for what was said, but they are distracted by their dad who has started dancing to music that is playing on the van’s radio. They discover their dad was a really terrible dancer! After that brief interlude, Ian asks Barley where he thinks they should go next. Barley wants to go on the Path of Peril so they do. Unbeknownst to the boys, the officers from earlier contacted Officer Bronco as he seemed to be acting weird. Bronco knows it must be something with the boys so he drives around looking for them. He then sees a bumper sticker from the van at the entrance to the Path of Peril and follows it.

In the morning, Ian and Barley find themselves stuck as they come to a bottomless pit with a drawbridge that can only be lowered on the other side. You know what that means; time for another spell! Barley tells Ian to use a spell to make an invisible bridge, but the catch with this one is that he has to trust the bridge is there or the spell won’t work. Ian isn’t sure about this, so insists a rope is tied around his waist. Sure enough, when Ian tries to use the spell, he falls into the pit. Thanks to the rope, Barley pulls him back up. He warns Ian he needs to trust himself but the rope is a good safety measure. Ian tries again – and it works. He makes his way over the canyon, however, midway through, Barley sees that the rope has slipped off Ian. He tries to hurry Ian over the gap without alarming him, but one step from the end, Ian notices there is no rope and panics. He falls, but luckily, he grabs on to the side of the cliff and pulls himself up. Ian then lowers the bridge. Phew, that was a close one.

On the other side of the bridge, Barley notices a raven statue. He wonders if “raven’s point” actually means they need to follow where this raven is pointing. Before they can go on though, Officer Bronco shows up and tells them they need to get home. Ian pretends to follow his orders, but swiftly drives away, so the police pursue them. At the end of the road, they find themselves trapped. Barley tells Ian to use arcane lightning to block the road with rocks. Ian tries but is too flustered to make it work. Barley puts a rock on the accelerator of his van and launches it at the rocks instead, with Guinevere’s sacrifice saving them from being forced to go home as the police cars are stopped in their tracks.

Ian and Barley continue with their dad following various raven statues. Eventually, they get to a raven that is pointing down. Barley believes they have to go underground, but Ian spots a piece of rock with an engraving on it. Barley says that means they have to get to the end of the water. They don’t have much time, so hurry towards a cave with a long river flowing through it. Ian wants to speed this up, so he enlarges a cheese puff which the three ride down the river. Barley then confesses to Ian that instead of having three memories of their father, he actually has four, but the fourth is of Barley attempting to say goodbye to his father in hospital, but being too scared of all the tubes and wires that he never managed to go into the room. From that point on, Barley vowed to never be scared again.

At the end of the water, Barley tells Ian there will likely be traps here. Sure enough, one shows up – a gelatinous cube, something Barley has been talking about on this whole quest! Ian uses spells to get them away from it, but they fall into a cave that is filling with water. The only way to get out is to keep pressing a rock on the cave floor so the opening at the top will appear, but no-one can hold their breath underwater for that long… Except they have half a dad who they can use! Ian leads their father onto the rock with the cable they’ve attached him to and the opening appears. All three get out – and find themselves at Ian’s school, with no sign of a gem anywhere. Ian is distraught, believing it must’ve been at Raven’s Point in the mountains like he first thought, not where Barley said. Ian walks away with their dad to salvage what is left of the day. Feeling guilty, Barley searches around the fountain they appeared from, not wanting to be a screw up like everyone thinks he is.

Ian sits with his father, looking at a checklist of plans he hasn’t achieved. Ian then realises that actually, he did do all of these things, but with Barley who has always been there for him. Ian rushes back to be with Barley, and they find the phoenix gem in the fountain. As they touch it, red smoke pours out of the fountain and a dragon is constructed from pieces of rock and cement from the school building. Corey and Laurel soon arrive, with Laurel riding on Corey’s back, using her wings for the first time in ages, after Laurel’s car is totalled having crashed into a sprite. They try to defeat the dragon, telling Ian and Barley to go and finish the spell. Laurel manages to pierce the “heart” of the dragon with the Curse Crusher, but it is too powerful and isn’t fully defeated; the sword comes out and the dragon begins to pursue Ian and Barley again. Barley and Ian’s dad has not fully regained his form, so Barley says he’ll go and defeat the dragon so Ian can finally meet their dad. Ian says he’ll distract the dragon since he never knew their dad and he’s always had Barley. Barley should be allowed the chance to finally say goodbye to him.

Using magic, Ian sets about destroying the dragon. Although the wizard staff shatters at one point, Ian manages to use a splinter of it to recraft a new one. Laurel then throws the Curse Crusher at Ian who uses it to fully destroy the dragon. It crumbles into rubble with Ian at the centre of it. He finds a gap in the rubble to see their dad. Ian can only see the back of him, and can’t get out of the rubble in time. At sunset, their father disappears forever. Barley tells Ian that their dad is very proud of the people they have become. Ian says he is who he is because of Barley. Barley then gives Ian a hug from their dad.

Sometime later, Ian says that magic has returned in small ways to their town, as sprites can now fly, and Officer Bronco, a centaur, has learnt to run again. Ian even has some new friends now, and to make up for Guinevere, Ian gets Barley a new van and paints another unicorn on to it. The two head off on their next adventure together.

CHARACTERS & CAST

The story of Onward really focuses on four main characters. The first of which is Ian Lightfoot, the sixteen-year-old elf. At the beginning of the movie, Ian is quiet, shy, nervous, and awkward. He doesn’t have many friends and he struggles to speak up for himself at school, leading him to be mostly ignored or forgotten by his classmates. Amongst all of the usual teenage troubles, Ian is also very aware on his birthday that his father isn’t there, and that Ian has no memories of him because he died before Ian was born. This makes Ian wonder who he is supposed to be and whether he is anything like his father at all. Although Ian speaks to one of his dad’s old college friends, and has a checklist of actions to be more like him, it doesn’t work out and it’s not until Ian learns he has the gift of magic, when trying to resurrect his father, that Ian figures out who he is meant to be. Magic makes him special and the quest, as well as mastering the spells, shows Ian all the ways that he has become a great person, someone to be proud of, someone his dad is proud of.

Ian was voiced by Tom Holland, best known for being the current Peter Parker and Spider-Man. Holland first made his appearance as Spider-Man in Captain America: Civil War (2016), but his first Spider-Man movie was Spider-Man: Homecoming (2017). Holland appeared as the character in other Marvel movies including Avengers: Infinity War (2018) and Endgame (2019). Holland has won awards for his performance as Spider-Man, including Saturn Awards for Best Performance by a Younger Actor from 2017 to 2019, and Kids’ Choice Awards in 2020 and 2022. Outside of Marvel, he starred as the title character in the movie Cherry (2021) and is set to star in The Odyssey, a 2026 film to be directed by Christoper Nolan. Holland also recently performed the part of Romeo in Romeo & Juliet on the West End in Summer 2024, with the show reportedly heading to Broadway.

Despite Ian growing up without a father, he has always had his older brother, Barley, by his side. Barley is the complete opposite of Ian, being loud, brash, and overly confident. But he is proud of his little brother and wants him to succeed. For example, Barley’s entire life seems to revolve around the board game Quests of Yore, which is all about magic, so when it is discovered that Ian can do magic, you might expect Barley to be jealous that Ian has the gift and Barley does not, but in actual fact, Barley uses all of his knowledge of magic to help Ian learn how to master his new gift. Barley might barrel into situations without thinking and might be too spontaneous, but he always means well.

Chris Pratt voiced Barley. He used to be known for his comedic roles, such as his casting as Andy Dwyer in the sitcom Parks and Recreation (2009-15), which also starred Amy Poehler. He then went on to be cast as Peter Quill / Star-Lord in Guardians of the Galaxy (2014) and its 2017 and 2023 sequels. Much like Tom Holland, Pratt has reprised his Marvel characters in other Marvel movies, such as Avengers: Infinity War and Endgame. Pratt is also known for his role as Owen Grady in the Jurassic World trilogy alongside Bryce Dallas Howard. He is no stranger to voice acting either, having voiced the character Emmet Brickowski in The LEGO Movie (2014) and its 2019 sequel, as well as voicing Mario in The Super Mario Bros. Movie (2023). When Pratt was cast as Barley in Onward, he excitedly called Tom Holland to say they were going to be Pixar brothers as well as Marvel brothers. It also seems that they got to record some of their lines in the same room as each other, which isn’t overly common in animated movie production[1].

Outside of the escapades of the two brothers, we also get to see their mother, Laurel, go on her own quest – to find them. Laurel is a loving mother, clearly having some misplaced guilt that her children didn’t get to grow up knowing their father, and being especially sad that Ian never got to meet his dad at all. However, Laurel is also tough; she knows how to handle her boisterous son, Barley, and she isn’t scared to fight a stone dragon for instance. Laurel actively gets involved in the quest to protect her sons from the curse that awaits them should they find the phoenix gem, but, despite the danger, she doesn’t want to stop them searching for it. Laurel is eager for her sons to reunite with their father; she wants to protect them from the curse and ensure they get to spend some precious time with their dad.

Laurel was voiced by Julia Louis-Dreyfus, who previously voiced the character of Princess Atta for another Pixar movie: A Bug’s Life (1998). Louis-Dreyfus is known for her more comedic roles, being cast as Elaine Benes in the sitcom Seinfeld (1989-1998), and, from 1982 to 1985, being a cast member on Saturday Night Live (1975-present). In recent years, she was cast in the lead role of Selina Meyer in the hit political comedy series Veep (2012-19), winning numerous Emmys and SAG awards for the performance. She has also had her own experience with Marvel like her on-screen sons, being cast as Valentina Allegra de Fontaine in the Marvel Cinematic Universe, including in the movie Black Panther: Wakanda Forever (2022).

Helping Laurel find her sons is Corey the Manticore. Corey initially is shown to be an overworked, stressed-out manager, having turned her fabled tavern into a restaurant. After Ian and Barley show up looking for the map to the phoenix gem, and for some help with their quest, Corey realises she has become tame and boring. With all that pent-up anger inside her, Corey sets fire to her tavern and in the chaos, the boys flee, not allowing Corey time to tell them about the curse. Luckily, Laurel shows up looking for them and Corey tells them everything she knows about the curse. They go and get Corey’s sword, the Curse Crusher, this being the only way to defeat the curse, and then work together to defeat the dragon. They don’t end up being the ones to vanquish the dragon – that was Ian – but they showed that they are brave, strong women anyway.

Corey was voiced by Octavia Spencer, who voiced the character of Mrs. Otterton, the wife of the missing Emmitt Otterton, in Disney’s Zootopia (2016) prior to her casting in Onward. In live-action movies, Spencer won the Oscar for Best Supporting Actress, and the BAFTA, for her role as Minny Jackson in The Help (2011), and was later cast as Johanna Reyes in the last two Divergent series movies, Insurgent (2015) and Allegiant (2016). Spencer was also cast in other notable movies, such as The Shape of Water (2017), where she played Zelda, and Hidden Figures (2016), playing Dorothy Vaughan. More recently, Spencer played Poppy Parnell in the AppleTV+ series Truth Be Told (2019-23).

A couple of other characters to mention are Officer Colt Bronco, a police officer as well as Laurel’s boyfriend, and Wilden Lightfoot, Laurel’s husband and Barley and Ian’s father. Ian and Barley have gotten used to Officer Bronco being their unofficial stepfather, however, they do still find it a bit weird, especially as Officer Bronco is frequently being hounded about Barley’s constant protests, protesting against the demolition of the town’s magical artefacts and locations. Bronco is also searching for the boys at the same time as Laurel, and he does track them down on the Path of Peril, but instead of being understanding about the boys’ wish to complete the spell to see their father, Bronco orders them to come home straight away. The boys defy him, but Bronco doesn’t seem to be too bothered about it by the end of the movie. They are a more cohesive “family” by then, with Bronco even learning to run like centaurs used to, as Barley told him they did. Bronco was voiced by Mel Rodriguez, who was cast as Todd Rodriguez in the FOX series The Last Man on Earth (2015-18) before appearing as Hugo Ramirez in CSI: Vegas (2021-24).

Wilden Lightfoot mostly only appears in the movie as two legs, meaning that he cannot see or hear his sons. They try to communicate with foot tapping, either Wilden tapping the floor, or Barley and Ian tapping his shoes, but it can’t have been what Wilden was expecting when he gifted the boys the Visitation Spell. He spends much of his time being attached to Ian with some sort of cable, being dragged along on this quest. To animate this, the Pixar team used live-action reference material, dressing someone up in a green screen suit so that only their legs were showing, so that they could figure out how to make half a body communicate and feel like a whole person. Ian tries to fashion a “top half” for Wilden’s legs, but it’s not the same for any of them. Wilden wants to see his sons, and to meet Ian, just as much as the boys do – it must also be quite disconcerting not having a head – so he wants the spell to be re-enacted. When it is, though, because of the curse, Wilden only gets to see his son Barley. It’s a touching few moments for the two, as the sun is about to set, with Barley getting to hug and say goodbye to his father, something he never managed to do when his father was dying in hospital. Barley passes on the information to Ian, but it’s a bittersweet moment, for all three of them. But they do get a laugh out of the fact Wilden’s “wizard name” was Wilden the Whimsical. Ian and Barley’s love of magic made them feel close to him even though he is not with them.

Wilden doesn’t really have many lines in Onward, despite being a very present character. He does narrate the opening lines of the movie, which are paraphrased by Ian at the end of Onward, and there is the conversation that Ian listens to on tape, just to hear his dad’s voice. These few lines were spoken by Kyle Bornheimer. Bornheimer has had roles in movies such as Ted, a lawyer in Marriage Story (2017); Andrew, Lyla’s husband in The Big Wedding (2013); and Joe in Bachelorette (2012). On television, he was recently cast as Doug in the science-fiction comedy series Avenue 5 (2020-22), and appeared in the recurring role of Sergeant Teddy Wells in Brooklyn Nine-Nine (2013-21). 

Finally, it’s always worth spotting the John Ratzenberger cameo in Pixar movies. In Onward, he voiced Fennwick, a construction worker. Ratzenberger had voiced a character in every Pixar movie up until Onward, but would not return as a voice cameo for the studio again until the release of Inside Out 2 (2024).

PRODUCTION

Although Onward was not completed until 2020, the movie had been in development since 2013, when Dan Scanlon, fresh from his Pixar directorial debut on Monsters University (2013) teamed up with two others from that movie, Kelsey Mann and Kori Rae, to begin work on a new story.

Dan Scanlon had previously worked as a storyboard artist for Disney on the direct-to-video sequels, The Little Mermaid II: Return to the Sea (2000) and 101 Dalmatians II: Patch’s London Adventure (2003) before joining Pixar in 2001, working on features such as Cars (2006) and Toy Story 3 (2013) as a story artist prior to Monsters University. Kelsey Mann joined Pixar in 2009, working as a story supervisor on Monsters University before moving on to work on the story for The Good Dinosaur (2015), alongside his story work for Onward. He also directed Inside Out 2 (2024). Kori Rae was a producer on Monsters University, having worked as a producer on other Pixar movies previously, such as Monsters, Inc. (2001) and The Incredibles (2004).

Scanlon already had an idea of a personal story he wanted to tell and discussed it further with Rae and Mann. This idea was based on the fact Scanlon’s father had died when he was just one-year-old and his brother was three. Neither of them really reminded their father, however, when Scanlon was 16, he was given a cassette of his father speaking just two words, “hi” and “bye”. It wasn’t much information to be given about what his father was like, but Scanlon and his brother could sense that he was a bit shy and awkward, kind of like them. With this personal experience, Scanlon wanted to tell a story about needing to know your parent to know yourself, to figure out how you are like them or not. But instead of this movie being made in honour of his father, Scanlon felt it was more about honouring his older brother, because he had been there for him his whole life. Scanlon actually didn’t tell his brother about the movie he was developing, wanting it to be a sort of surprise[2].

From this initial point, the story team of three began to ask questions about this experience to pull out more pieces of information that could be used to make a complete story. They eventually came to the idea what if you had one more day with that person; what would you do, what would you say? And that is how the resurrection of Ian and Barley’s father came to be the primary focus of the story, with the return of their father making Ian question many aspects of himself, and how he might be more like his dad[3].

They had the main plot and point of the story, now they had to create the world Onward would be set within. Because of the fact they needed to be able to have Ian and Barley meet their father after his death, it was quickly known that magic would have to be an integral part of the movie, otherwise, how else would they be able to see him again? Pixar are used to making interesting locations for their movies, so Onward was no exception, but in this case, they delved into the world of fantasy story-telling for their setting.

Onward is set in the fantasy town of New Mushroomton, however, this movie isn’t like a Tolkien story, because it is actually a contemporary setting, just with magical elements. New Mushroomton feels like any normal town, with houses, a police department, restaurants, burger bars; it just so happens to be populated by fantasy characters. This modern setting was useful to keep non-fantasy fans on board as they can find similarities within the town in Onward and their own town. It was also a necessary aspect of the story because if everyone in the town still had and used magic, then Ian and Barley’s quest wouldn’t be difficult. Instead, they have to discover the old magical elements and locations of the area and find their own way to the phoenix gem. The Pixar team used a ratio of 70:30 familiar to fantasy in all aspects of their creative process to maintain this balance. As research for this new location, the filmmakers surveyed neighbourhoods around Los Angeles, such as Los Feliz and Frogtown, to look at the most interesting things around there – parking lots and power lines! New Mushroomton had to feel relatable and real[4].

The citizens of New Mushroomton take many forms, for example, Ian and Barley are elves, but many of the police officers, like Officer Bronco, their almost-stepfather, are centaurs. We also spend time with Corey the Manticore, a legendary creature that is a mixture of a lion and a scorpion with wings. The difficulty didn’t come in designing these characters; there are many depictions of fantasy creatures easily viewable. The challenge came in making them fit into this modern world. There were questions over how to design the centaurs. They have human top halves, but their bottom half resembles a horse – does that mean they can only wear a shirt and no pants, or should pants be put on them?  In the end, Officer Bronco did not wear pants, and has a belt to separate his two different body types. Another character design decision made for Officer Bronco was to give him a horsey laugh. Corey the Manticore is initially seen wearing a tight shirt and waistcoat, with her paws being squeezed into heels, and her hair neatly tied back. This outfit choice was made to show that she is being restricted in her mundane life working in the restaurant. When she learns to be wild again, her shirt is shredded, to leave her with a vest-like top, her heels are gone, and her hair is wild and messy to match her new personality. The Pixar team saw her as a big, buff lady, kind of like a retired wrestler that cannot be tamed, no matter how hard she tries! Then there are the sprites who are normally depicted as tiny, pretty fairies. In the case of Onward, these sprites have been turned into scary, tough bikers, complete with leathers, mohawks, and piercings. It wouldn’t have made sense in this contemporary world for the sprites to have been flying around, sprinkling fairy dust on people, and the sprites end up being the complete opposite to how we’d expect them to be!

To fully form the mystical quest that Ian and Barley would go on, Pixar looked to their own staff, specifically those that were fans of fantasy stories, movies, and games, a group they called “The Fellowship”. This group were responsible for creating the rules of magic in Onward. Magic in Onward is used to show personal growth for Ian. He has to work hard at the magic to become his best self, so the magic couldn’t just be point, say some words, and something happens; there had to be something specific Ian had to do to help him in his mastery of the craft. The group were tasked with coming up with names for the spells, and to figure out tasks that had to be done to get the spells to work successfully. “Heart’s Fire” was one of the first things Ian had to work on, and that means showing passion and conviction. Another key task was about trust, which features in the bridge scene, where Ian has to believe that the bridge will appear or it won’t. The filmmakers got to experience this scene for themselves via a VR session. All of them said it was a terrifying experience even through a screen. By the end of the movie, Ian has mastered enough spells and dug deep within himself that magic has started to come back to New Mushroomton, because no doubt their battle with that dragon has gone down in local history[5]!

This scene, named “Dragon High”, was a particularly complex scene to animate, as it was the big climatic moment of the movie, the final part of Ian and Barley’s dangerous quest, plus, it involved so many different animation departments. It became a regular occurrence to get all the departments together to constantly review this scene so that it was a collaborative experience. The assembling of the dragon was reworked as different sized chunks of cement were jammed together to make this beast, with the dragon mascot of the school being used as the dragon’s face to give a moment of humour in amongst all that fear and peril. The team used VR once again so that they could stand next to the dragon and feel the size and scale of it[6].

Although the ending of Onward had been decided at a fairly early stage of the movie’s development, and the story was always going to feel like a quest, some story elements did not make it to the final cut of the movie. Some of these story edits included having Ian be a lover of magic from a very young age, with Barley supporting him in his attempts to use spells by helping him train. It was later decided that it would create more tension if Ian was the one to have the gift for magic despite not being bothered by it and have Barley know all the facts about it. There was also a fan-favourite character within the studio, Guinevere, also known as Jenny, who was cut, with elements of her personality being put into the character of Barley. Jenny was a teenage satyr who worked at the Manticore’s Tavern. She was set to go on the quest with Ian and Barley, after saving them and the map from the fire at the tavern. Jenny had asked for a job at the tavern hoping the Manticore would help her be a real warrior, but it never happened, so meeting Ian and Barley was her chance to fulfil her dream. She also had a car, which Ian and Barley did not have at this point. Jenny’s car was called Guinevere and must’ve been the inspiration for Barley’s van[7].

Speaking of the van, a lawsuit was filed shortly before Onward was released to the public by an artist named Sweet Cecily Danihar. She sued Disney and Pixar, accusing them of creating an animated double of her own adorned van without permission. She had hired out her van, complete with a unicorn on the side of it, to Pixar for a one-day special event in September 2018. In May 2019, Daniher discovered that Pixar’s new movie had a van just like hers in it. She claims that the producer of Onward apologised to her a few days later, admitting that they had used her van as inspiration for the movie without her consent. Daniher was suing for copyright infringement. The lawsuit was later dismissed[8].

By December 2018, the basic plot of Onward was revealed along with the cast list. Its release date of 6th March 2020 was also confirmed. Further details of the movie were revealed at the 2019 D23 Expo in August 2019, with clips of the movie being shown to the audience and the cast of the movie speaking about their experience working on the film.

By 2020, Onward was finally ready to be revealed to the public. Scanlon was pleased with the result and felt that the movie-making process had been therapeutic, and not even just to him. During the process, others on the team were also telling their own stories of similar experiences which were added into the movie. The title of the movie Onward references the overall message about moving forward in a positive way. It also hints to the fact that life is always a journey and you have to keep going even when obstacles arise. It’s also a nod to the fact that Barley’s van is not set to “D” for “drive”, but “O” for “Onward”!

Despite the heavy subject matter of Onward, it wouldn’t be a Pixar movie without their usual Easter eggs. Their Pizza Planet truck can be seen at the time that the boys pay to go through a toll bridge, however, the name of the restaurant in Onward is actually Pizza Realm to match the tone of the movie. A113, referencing the classroom of CalArts where many of Pixar’s original artists studied animation, is used as a police code here. There are even references to the Marvel Cinematic Universe, with Barley’s jacket having a patch of the infinity gauntlet on it, and there is a sticker of Thanos’ gauntlet inside his van. Also, in the gas station that they go to, you’ll see Triple Dent gum, the gum with the catchy jingle from Inside Out (2015) on the shelves. Pixar also like to reference their upcoming movies in their films, so Soul (2020), the next Pixar movie to be released, can be seen in a small way, with a Dorothea Williams album sitting on a shelf in Ian and Barley’s home.

MUSIC

Since Onward is about two brothers, doesn’t it make so much sense to have two brothers write the score for the movie?

These two brothers are Jeff and Mychael Danna. They had previously worked for Pixar to compose the score of The Good Dinosaur (2015), and had composed the music for the animated The Addams Family (2019) and its 2021 sequel. Mychael Danna also won multiple awards, including the Academy Award for Best Original Score, for his music for Life of Pi (2012). The Danna Brothers were moved by Dan Scanlon’s story, having both lost their father too, but at an older age than Ian and Barley.

For the composition of the music, they liked the idea of writing “wizard rock”, where Tolkien’s fantastical world met the world of heavy metal. This was the perfect sort of music to be blasting out of Barley’s van, like the pieces “My Mighty Steed” and “Sacrifice”, where Guinevere is a key part of the scene[9]. It’s not exactly to my taste but it certainly suits Barley. They also found there were a lot of options for the music with it being a fantasy movie, as moments need to be vast and epic at times, like the culmination of a great quest or journey, “Battling the Dragon”, or small and quiet to match more emotional moments, such as “Share My Life With Him”, which is played as Ian realises he may not have got to share his life with his father, but Barley was the one always there for him. This is my favourite piece within the score. “Dad” is another quiet piece but it is tinged with sadness as you realise Ian never got to see his father like he wanted to.

Mychael Danna and Jeff Danna won the BMI Film & TV Award for Film Music for their score here, and were nominated at the Annie Awards and the Hollywood Music in Media Awards too, but they lost out to Soul’s soundtrack at both ceremonies.

There is also an original song within the soundtrack called “Carried Me with You”, which plays during the End Credits. It matches the tone of the movie, talking about someone lifting you up and guiding you through life. It was written by Brandi Carlile, and Phil and Time Hanseroth, and was performed by Brandi Carlile. “Carried Me with You” was nominated for Best Original Song at the Grammy Awards and the Hollywood Music in Media Awards, however, it lost to Billie Eilish and Finneas O’Connell’s “No Time to Die” from the Bond film of the same name at the Grammys, and lost to “Just Sing” from Trolls World Tour (2020) at the Hollywood Music in Media Awards.

RECEPTION

Onward was released to theatres on 6th March 2020.

As is typical for Pixar, they released Onward alongside a short film, this being Playdate with Destiny (2020) that was not a Pixar short. It is actually a short from The Simpsons (1989-present), and follows Maggie as she falls for another baby called Hudson. This short came to Disney+ in April 2020.

Pixar are used to receiving critical acclaim for their movies, however, they do not always succeed. Cars 2 (2011) and The Good Dinosaur (2015) are two Pixar movies that failed to reach the usual standard expected of the studio. In this case, Onward didn’t receive too many negative pieces of criticism, reaching a Certified Fresh 88% score on Rotten Tomatoes for example, higher than the other two films I’ve just mentioned, but it didn’t receive huge amounts of praise.

On the negative side, Onward was frequently compared to Inside Out (2015) as both Pixar movies focus on human emotion and feelings. Inside Out was a very highly rated film and it was incredibly creative and clever, so critics complained that Onward lacked the innovation and inventiveness of Inside Out. The pacing was also debated. Some felt it was quicker and more energetic than other Pixar movies, whereas others felt the episodic structure made the story less cohesive. I will agree that Onward felt episodic, in terms of the characters finding themselves with tasks to do as part of their overall quest, kind of like a board game. This didn’t bother me, I tend to like that kind of structure because it means that the focus of the story remains, and the boys were meant to be experiencing a real-life version of Barley’s Quests of Yore game, so it felt right to me. Others didn’t feel like Onward was as funny as they know Pixar movies can be. Again, I agree with this, and I like a good laugh, so it was a bit disappointing, but I did find it funnier than Soul (2020). Some also felt that the story was an after-thought to the big emotional ending of the film, feeling that the filmmakers had built the story around that final moment.

More positive reviews stated that it was a good movie for boys. Although Pixar, I feel, have made more films that appeal to boys, Disney struggle in that respect, for the most part, and with the last movie to come out of Disney before Onward being Frozen II, it was probably more appreciated. Others felt the voice casting of Tom Holland and Chris Pratt as Ian and Barley were the perfect choice, as their brotherly chemistry was easy and natural, with the two making Ian and Barley likeable characters. Onward also felt very poignant to viewers especially if they had lost a parent. It was generally felt that Onward was well-executed, as you’d expect from Pixar, although, even in the positive comments, some still didn’t think it was anything ground-breaking.

I will admit that I was sceptical of Onward after viewing the trailers. I didn’t have a clue what the story was going to be, which is actually quite normal for Pixar; they like to keep you in the dark, although it was clear that the movie was going to be set in the fantasy world, something which doesn’t really appeal to me. I wasn’t sure I was going to like Onward initially, but I really did. I think setting Onward in a contemporary version of a fantasy world helped to keep me interested, as it felt familiar at the same time as feeling different, and I’m all for watching tear-jerkers, although I did have more sad than happy tears with this one.

Another thing that was welcomed by some viewers was the brief moment of LGBT+ representation, which comes during the scene of Barley and Ian talking to two cops disguised as Officer Bronco. Officer Specter states that she is struggling to bond with her girlfriend’s children, trying to reassure “Bronco” that eventually he’ll feel more natural being a parent to Barley and Ian. It was actually the voice artist for Specter, Lena Waithe’s idea to use the word “girlfriend” in this scene. Although this nod to diversity and inclusivity is something that Disney and Pixar are featuring more of in their recent movies, this particular scene did lead to banning and censoring of Onward in certain countries. Onward was not shown in Kuwait, Oman, Qatar, and Saudi Arabia, however, other Middle Eastern countries, like Egypt, Lebanon, and Bahrain, did show the movie. Russia censored the scene, by changing the word “girlfriend” to “partner” and not referencing the character’s gender[10].

At the box-office, Onward debuted to $40 million, which was enough to top the box-office charts, but was not as much as Pixar would normally expect., however, the $40 million was still within the projections of between $40 and $45 million, even with the potential future of the pandemic weighing on everyone’s mind[11]. Box-office revenues dropped the week after, by 40%, but Onward was still at the top of the box office. It was debated how much the COVID-19 pandemic was affecting box-office results at the time and whether the decline was anything more than what would normally be expected after a movie’s opening week[12]. Movie theatres were closed just a couple of weeks or so later across many countries.

This is why Onward became available to buy digitally in the US much earlier than usual, on 20th March 2020. It followed that by coming to Disney+ on 3rd April in the US, although it would not be released in other countries on Disney+ until many months later. This was Disney’s way of dealing with the financial blow that the closure of movie theatres had on Onward’s takings. It is difficult to assess the success of a movie once it comes to streaming though, so it is unclear how popular Onward was when it first came to Disney+.

In the end, Onward made around $140 million worldwide before being removed from theatres, which is less than its reported $200 million budget. Onward may’ve been the first Pixar movie to be affected by COVID, but it was not the last. Soul struggled as well, as many cinemas continued to be closed during its theatrical release in December 2020. This is why Soul was given a Disney+ release on 25th December 2020[13]. Because Pixar knew what had happened to Onward, it meant they could have a back-up plan for Soul. With Onward, nobody could’ve guessed how impacted by the pandemic it would be.

Finally, another way of measuring a movie’s success is with its award success – although that should not be the only way because we all know how up-and-down awards season can be. I’m still struggling with the 2025 Oscars. I’ll get over it… one day. Anyway, Onward did not have huge success in terms of awards. It did win the Saturn Award for Best Animated Film, and it won the People’s Choice Award for The Family Movie of 2020, but that was mostly it. It was nominated at many major award ceremonies, but it lost to Soul at the BAFTA Film Awards; the Golden Globes; and the Oscars in the Best Animated Feature Film category. At the Annie Awards, which are all about animation, Onward was nominated in many categories, including for Best Animated Feature, Editorial, Character Animation, and Writing, but it lost to fellow Pixar movie Soul once again in all these categories.

LEGACY

Prior to Onward’s theatrical release, the Disney Parks began their celebration of the movie, by showing an exclusive preview of the film. This was at the Tomorrowland Theater at Disneyland and at Walt Disney Presents at Disney’s Hollywood Studios in Walt Disney World[14]. This is a normal part of their marketing.

Outside of that, Pixar also recreated Barley’s van, Guinevere, complete with bumper stickers, the unicorn mural, and the “Gwniver” license plate. This van went on a 10-city tour to promote the movie, where visitors could take photos next to the van, and get free merchandise such as posters and stickers. The van journeyed to places like San Diego, Phoenix, Dallas, New York City, and Miami during February and early March 2020. Pixar reportedly did something similar for Cars 3 (2017) where life-sized versions of Lightning McQueen, Cruz Ramirez, and Jackson Storm were taken around the US, and for Toy Story 4 (2019) with their RV tour, which also had carnival games[15].

Ian and Barley made their meet-and-greet debut at Disneyland the day before Onward was set to be released in theatres. On 5th March 2020, Ian and Barley were available to meet guests in front of their van as part of the Disneyland After Dark: Pixar Nite special event. They then moved to Pixar Pier in Disney California Adventure Park on 6th March 2020 to meet guests, however, they would not be there long as the Disney Parks closed for the COVID-19 pandemic on 15th March 2020. To make it worse for Ian and Barley, they were meant to be heading to Hong Kong Disneyland for their Pixar Water Play Street Party in Summer 2020, but due to the park’s ongoing closure, this parade was postponed[16]. Ian and Barley did eventually join the parade in 2021.

Ian and Barley then returned with Guinevere the van to Disneyland for Pixar Fest in 2024, running from 26th April to 4th August. They were available to meet guests throughout the day at the Fantasyland Theatre, however, despite characters from Soul (2020), Luca (2021), and Turning Red (2021) all having floats in the Better Together: A Pixar Pals Celebration parade, with these being three of Pixar’s most recent movie releases, Onward was left out. Onward was lucky to be featured briefly in the Pixar Fest nighttime fireworks show, Together Forever – A Pixar Nighttime Spectacular, after “The World Es Mi Familia” segment from Coco (2017), with the scene of Ian battling the stone dragon being projected onto Sleeping Beauty castle. Outside of this, the only other place where you could find references to Onward is at the Pixar Place Hotel in Disneyland, most likely in artwork.

Many fans currently are lamenting the lack of merchandise that features any of the Onward characters. At the time of the film’s release in 2020, you could purchase clothing, books, plush toys of Ian and Barley, an Onward MagicBand, and Funko POP figures[17]. They did later release a real Quests of Yore board game, but outside of this, there is very little merchandise for them still around, perhaps a couple of t-shirts and some pins. Sadly, this is a scenario that many fans of lesser-known or under-appreciated Disney and Pixar movies have experienced for years. Onward fans, now you get to join the club…

FINAL THOUGHTS

Onward will likely never recover from its reputation as an “uninspiring” Pixar movie, or from its link to COVID-19. It struggled at the box office and received lukewarm reviews. It will unfortunately never be one of Pixar’s best to most people.

Onward has plenty of emotional moments, with the heart of the story revolving around grief and loss. Onward felt very personal to me. Not because I lost a parent at a young age, but because someone close to me did. They were young, but not as young as Ian and Barley, and they didn’t have a sibling to help them through it, but still, some moments felt strangely close to home, such as the guilt and sadness at not having enough memories of that parent, as well as the difficulty in seeing that parent becoming a shell of themselves through illness. It’s something that never leaves you, and the grief can creep up on you at the strangest of times.

It’s unfair to sit through Onward picking up on Pixar’s “lack of innovation or originality” when your focus is meant to be on the subject of grief. Grief and loss are a part of life, and yes, Disney has made plenty of movies that involve the loss of a parent – to the point that, for some reason, people find it comical – but consider this: is it not a potentially necessary way of helping children in particular cope with a similar circumstance?

Maybe watching one movie might get them to talk about what they’re going through instead of bottling up their feelings and thinking they just have to get on with life like nothing even happened.


REFERENCES

[1] Credit: Pixar, ‘Introducing Onward Featurette I In Theaters March 6’, Pixar YouTube Channel, 6th February 2020.

[2] Credit: Jude Rogers, ‘How Pixar’s hit Onward was born from childhood bereavement’, TheGuardian.com, 27th February 2020.

[3] Credit: Zach Johnson, ‘Inside the Six-Year Journey to Make Disney and Pixar’s Onward’, D23.com, 14th January 2020.

[4] Credit: Jeanine Yamanaka, ‘A Behind the Scenes Look at Forging “Onward”: From the Fantastical to the Familiar’, AllEars.net, 12th February 2020.

[5] Credit: Pixar, “Heart’s Fire”, from Onward (2020) Blu-Ray (2020).

[6] Credit: Pixar, “Dragon High”, from Onward (2020) Blu-Ray (2020).

[7] Credit: Pixar, “Deleted Scenes”, from Onward (2020) Blu-Ray (2020).

[8] Credit: Ashley Cullins, ‘Artist Sues Disney, Pixar Over Unicorn-Adorned Van in ‘Onward’’, HollywoodReporter.com, 28th January 2020.

[9] Credit: Pixar, “Wizard Rock”, from Onward (2020) Blu-Ray (2020).

[10] Credit: BBC, ‘Pixar’s Onward ‘banned by four Middle East countries’ over gay reference’’, BBC.co.uk, 9th March 2020.

[11] Credit: Rebecca Rubin, ‘‘Onward’ Leads Box Office With Ho-Hum $40 Million’, Variety.com, 8th March 2020.

[12] Credit: Dave McNary, ‘Box Office: ‘Onward’ Leads as Coronavirus Stunts North American Sales’, Variety.com, 14th March 2020.

[13] Credit: Jack Walters, ‘Pixar’s 9 Biggest Box Office Bombs Explained’, ScreenRant.com, 17th September 2023.

[14] Credit: Drew Rasor, ‘You Can Catch A Sneak Peek at Disney/Pixar’s ‘Onward’ At Disney Parks Soon!’, AllEars.net, 24th January 2020.

[15] Credit: Julie & T.J., ‘Pixar’s ‘Onward’ Brings the Real-Life Van, Guinevere on Tour – Will It Come to a City Near You?’, PixarPost.com, 3rd February 2020.

[16] Credit: Laughing Place Disney Newsdesk, ‘“Onward” Meet and Greet Comes to Pixar Pier at Disney California Adventure’, LaughingPlace.com, 8th March 2020.

[17] Credit: Zach Perilstein, ‘‘Onward’ Merchandise is Now Available at Disney Parks’, BoardwalkTimes.net, 18th February 2020.