Bad Hair Day (2015)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. PRODUCTION
  5. MUSIC
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

Not to brag or anything but I’ve never had a bad hair day. That’s not necessarily something I’m proud of because it’s more my hair isn’t capable of doing much at all. It’s just straight, nothing very exciting.

However, having a bad hair day can cause others some real anxiety and panic, especially if you’re a teenager and have to go out or go to school that day. This is the focus of the 2015 Disney Channel Original Movie Bad Hair Day, and, because it’s a DCOM, this girl’s very bad hair day just happens to be on the same day as prom. Oh, say it ain’t so!

But this movie isn’t just about a trip to the hair salon. That would be too simple and much too easy. Bad Hair Day also manages to include a whole other storyline about a jewel thief and a stolen necklace in amongst the usual prom-themed activities.

It’s a pretty random story and not one I was mad about, though many do like Bad Hair Day, this being seen as a return to DCOMs after a few years without many at all. 2013 only had one, Teen Beach Movie, and there were only three new movies in 2014.

Bad Hair Day features well-known names from two different Disney Channel series in the leading roles, a pretty typical move from the company. But instead of this being just a movie for teenage actors, this DCOM is the first to feature an adult lead.

Bad Hair Day would later be overshadowed by none other than Descendants (2015), the first instalment in what would become another smash-hit musical, and later franchise, for Disney Channel. Descendants premiered in October 2015, a few months after Bad Hair Day.

Yet Bad Hair Day remains as a more interesting DCOM, full of action and comedy, not just high school troubles, something that those who watched it in childhood still remember today. That was not me, which is probably why I didn’t like it so much.

PLOT

Bad Hair Day begins with Monica, a teenage girl, looking to get everything organised for her prom. As well as wanting to be prom queen, Monica is also a tech whizz, so she has devised a way of tracking the most likely candidates to be prom queen, and has a blog where she allows people to vote on different aspects of her prom outfit. The dress has been agreed, as have the shoes. Now for the hair. Monica styles her hair in a variety of ways, putting photos online, and waits for the votes to come in. The side ponytail wins, completing her prom look. It’s time for a good night sleep ready for prom day tomorrow.

When Monica wakes up the next morning, to a call from her friend Sierra, she is horrified to find that her hair is an absolute mess, sticking up all over the place, and is so crispy that pieces of it start breaking off! It turns out Monica did not read or follow the instructions on all her hair products carefully so the combination of chemicals has caused this disaster. To make this day even worse, Monica finds that her prom dress has melted after being steamed; her shoes are broken; and she is now no longer on track to become prom queen. A girl called Ashley is in line for the crown. Monica then gets a call from the DMV saying there is no availability for a driving test until April next year. She needs to pass her test soon so Monica pleads for an earlier time. The only time available is 2pm that same day. Monica isn’t happy, but agrees to it.

To get to the DMV for her afternoon test, Monica will have to get a ride there. She calls her boyfriend, Kyle, who claims to be busy today, doing charity work with orphans, but he’ll see her later for prom. Monica then talks to her dad, who is an ER nurse but says he’ll take the day off to help Monica fix her hair and get her driving test done. Monica tells her father not to worry and that she’ll figure something else out. Luckily, one part of Monica’s prom outfit is still ok; a necklace she bought from a pawn shop, something she did not get anyone to vote on. As Monica figures out what to do about her plans for the day, there is a knock at the door. Monica goes to answer it, wondering how her day can get any worse.

At the door is a woman called Liz claiming to be an FBI agent. But Monica is smarter than that; she won’t just let anyone walk into her house. Monica asks to see a warrant. There isn’t one so Monica says the “agent” cannot come into her house. Liz then shows Monica a photo of a necklace, which just so happens to be the one she bought from the pawn shop. Monica lies, claiming to have never seen it before. Liz then says she is actually a private investigator, looking for the necklace on behalf of a client. Monica sees that the woman has a car, which gives her an idea. She allows her to come inside to talk further. As Monica gets dressed, Liz walks around the house, taking in all the details. When Monica returns downstairs, Liz has already deduced lots of information about Monica: like how she lives here with only her father, because her mother left them. She also knows Monica does have the necklace. Monica admits to this, and says she’ll hand the necklace over, only if Liz drives her to all of her appointments today. Liz reluctantly agrees.

In the car, which is full of surveillance equipment, Monica tries to figure out just what Liz actually does, but she gets few answers, only learning that there is a signal jammer in the car, meaning Monica cannot campaign online for prom queen votes, and that Liz has named her car Brando, after Marlon Brando. The two pull up next to a car full of young boys, blasting loud music out of the window. Liz uses a megaphone to tell them to turn the music down, but the boys ignore her – before realising Monica, who goes to school with them, is also in the car. The boys drive off, throwing litter out of the window. Liz chases after them, putting a siren on the roof of the car to get them to pull over. She says she’ll report them if they don’t go back and pick up their trash. Liz and Monica drive away, leaving the boys confused, and Monica embarrassed.

In town, Liz sees Monica acting weird with other students, seeing that Monica is desperate for prom queen votes. She also overhears Monica talking to Sierra about college. It turns out her friends are all going to the same college, but Monica got in to MIT, though she doesn’t know whether she’ll go there because she doesn’t want to be away from her friends and her father. Liz doesn’t understand Monica’s obsession with how she looks to people – but her focus is on the necklace, not Monica’s prom.

At the salon, Monica is a few minutes late and is told her appointment was given to someone else. She is given a beeper by the rude receptionist and told to return when the beeper goes off. Monica and Liz head to the store where she bought her prom dress instead. They discuss the point of super expensive sunglasses before talking to a shop assistant. Monica asks to return her dress; however, it is quite clear Monica has ruined the dress herself, by steaming it, something Liz makes only too clear to the assistant. The assistant refuses to refund Monica. Monica angrily tells Liz to stop interfering. The beeper then goes off for the salon, so the two rush out of the store. Since Liz has been dragged out of the store, she still has those expensive sunglasses on her head. She is about to be taken away by a security guard until Monica says it was just a mistake, not a deliberate action. Liz is given a warning. Liz then tells Monica that she is not an FBI agent or a private investigator – no duh. She is an ex-police officer looking for the necklace because it is actually very valuable. At the same time as all this, a man has been looking all over town for this same necklace, trying the pawn shop and then breaking into Monica’s house to search for it.

Back at the salon, Monica is once again late for the appointment and is turned away. Monica plans to wallow in self-pity in the food court. She gets a call from her father, saying one of his colleagues has dresses she could look at, and that there is a sale going on at a shoe store. Monica isn’t happy with either of those options, and then to top it all off, she sees that she is continuing to lose ground in the prom queen votes to Ashley. But once again, things have to get even worse when Liz points out that Monica’s boyfriend is sat just behind them, flirting with another girl – and that girl happens to be Ashley. Monica confronts him and learns the truth. She retreats to the restroom to talk with Sierra about it. Liz instead wants to really humiliate this kid, as payback for embarrassing Monica. Liz pretends to be mall security, accusing him of behaving lewdly in a public place. She opens up his bag, telling everyone about the embarrassing stuff he has in there, like back hair removal cream, before the real mall security stop her. She is taken to the local police station, with Monica following.

At the station, Monica learns that this was Liz’s police station. Liz’s former police partner, Ed, manages to get the charges dropped but tells Liz the Chief wants to speak with her. After Monica and Liz are allowed to leave, Liz says she was actually fired. It was her job to protect a museum exhibit of a 21-carat diamond necklace worth $7 million, the very same necklace Monica has in her possession. It was stolen by a well-known jewel thief called Pierce. Liz’s work began to suffer as she obsessed over getting the necklace back and arresting Pierce so she was fired. But that didn’t stop Liz working on the case. She discovered that Pierce had mistakenly given the necklace to a random passer-by instead of his buyer. The necklace was traced from place to place before making its way to the pawn shop and then to Monica, where Liz tracked it down. Monica then tells Liz that she tries so hard to be perfect all the time because she believes she was a disappointment to her mother and that must be why she left her and her father….

But there’s no time for more heart-to-hearts, because Monica is about to be late to her driver’s test, which she’ll have to take in Liz’s car, much to Liz’s dismay. The test soon takes a disastrous turn as Liz finds that Pierce is following them. She uses the nitro boost that she’s had fitted on her car, still with Monica in the driving seat and the examiner next to her, to get away from Pierce. They eventually get away, but Monica has failed her test. The car is also impounded. Monica is furious with Liz for ruining her day and walks away.

Shortly after the two separate, Monica gets a call from Pierce, who sends a photo to prove he has abducted her father. Pierce orders her to come to an abandoned warehouse with the necklace or something bad will happen to him. Monica jumps in a taxi and picks up Liz for help, who is struggling to order her own cab, not having a smart phone because she “doesn’t trust them”. First things first, they’ll need to get Liz’s car back because the necklace is in Monica’s bag which she left in there.

At the lot, Monica and Liz are simply told to fill out forms and wait their turn, but there’s no time for that. Monica wants to hack into their IT system, but she can’t get to a computer without the man on the desk seeing. Liz says she’ll distract him, by attempting to flirt. Despite Liz’s flirting being awful, the man responds to it, giving Monica enough time to guess his password – the name of his dog, which is proudly displayed in a photo on the wall – and hack into the system to get the car immediately released. The man apologises for the delay and asks Liz to give him a call sometime. Yeah, I’m sure that’s top of her list…

Back in the car, Monica sees that the necklace is not where she left it – and that is because she has mixed up her make-up box with Sierra’s when they were still in town. She locates Sierra to the park, using a locator app, but the park is huge. Liz and Monica rent a bicycle to find her. Monica then runs into her ex-boyfriend, Kyle, who asks to still be her date for prom, seemingly not having a nice time with Ashley, who is right next to him, having their prom photos taken! Monica refuses and Liz manages to intimidate Ashley and Kyle so much that they stumble backwards into the pond. Monica rushes over to Sierra to swap make-up boxes back. Great, she has the necklace. They go to the warehouse to meet Pierce.

Here, Monica learns that the Chief is actually Liz’s mother, giving her additional pressure with her job. She tells Monica that it is always better to be yourself than to be perfect, and that those who are worth being around are the ones who are always there. The two enter the warehouse and come face-to-face with Pierce. Liz tells Monica to hand over the necklace, with Pierce saying once he is safely away, he’ll let Monica know the location of her father. Except Monica already knows where her father is, thanks to locator apps. She walks up to a store room and frees him. Pierce is about to make a quick exit when Monica tells him that this time, Liz called for back-up so there’s no way he can escape now. Pierce tries to escape through the roof but Liz uses a taser on him. Liz exits the warehouse with an apprehended Pierce and the necklace. The Chief returns her badge to her, saying she can have her job back. Monica then has a conversation with her father, who tells her she should go to MIT if that’s what she wants to do; he’ll be fine while she’s away.

To top off this bad-day-turned-good, Monica realises that she doesn’t even care about her hair or about prom anymore, ignoring the latest beeper from the hair salon. Liz tells her that she should go to prom and she can even help with the dress. Liz takes Monica to the evidence room at the station, telling her to take her pick. Liz even allows Monica to wear the necklace – providing she has a police escort. Really, Liz just wants to go to prom too! The two get all dressed up and go to prom, with Liz having cut Monica’s hair to fix the bad hair situation. At prom, Monica discovers she was voted prom queen, after Ashley and Kyle’s secret affair came to light. In her speech, Monica talks about her day with Liz and how she’s learnt to be herself. She also announces to her class that she’ll be going to MIT. As music starts up, Liz tries her bad flirting skills on her ex-police partner Ed, who doesn’t seem to mind, and they all dance at prom together.

CHARACTERS & CAST

Monica Reeves is the teen lead of Bad Hair Day. Although she starts the day obsessed with prom and her appearance, she soon realises that the reason she is desperate to please people is because her mother left her and her father. She just wants to be perfect all the time to avoid disappointing anyone. After meeting Liz, she learns that being perfect is exhausting and that it’s much better to just be yourself and do what makes you happy, not anyone else. Instead of Monica being the typical ditzy prom queen that might’ve been normal in earlier teen movies, Monica is incredibly intelligent as well, especially when it comes to technology, with her place at MIT evidence of that. It’s good to see a teen lead in a DCOM being not just pretty and friendly, but also smart and driven.

Laura Marano was cast in the role of Monica. At the time of Bad Hair Day, Marano was already a leading figure on Disney Channel, having played the part of Ally in Austin & Ally (2011-16) since 2011. I never actually watched Austin & Ally but I know it was a popular series; it was the number one series for tweens in 2013 and 2014[1]. Since Marano’s departure from Disney, she has been frequently seen in Netflix productions, such as The Perfect Date (2019), playing Celia, opposite Noah Centineo; The Royal Treatment (2022), as Izzy; and as Cami in the “choose your own adventure” film Choose Love (2023).

Instead of being a teenager, the other half of this DCOM duo is Liz Morgan, an adult former police officer, trying to make things right again after she failed in a key security role. Liz tries to use her surveillance and interrogation skills on Monica to make it an easy task to simply get the diamond necklace back, but Monica isn’t having any of it. She wants to make the day work to her advantage as well, so she uses Liz to give her a ride to all her prom-related appointments. Liz only wants to do this as a means to an end, but eventually, her and Monica start to bond during their strange day together. Liz becomes a sort of maternal figure to Monica, telling her to not worry about what other people think too much.

Liz was played by Leigh-Allyn Baker, known on the channel at the time for playing Amy Duncan in the series Good Luck Charlie (2010-14) and its DCOM Good Luck Charlie, It’s Christmas! (2011). Prior to her Disney Channel roles, Baker appeared in the recurring roles of Hannah Webster in Charmed (1998-2006) and Ellen in Will & Grace (1998-2020). Baker later voiced characters in Disney animated series like The 7D (2014-16) and Mickey Mouse Mixed-Up Adventures (2017-21). Baker was also an executive producer on this film.

Then there is the jewel thief, Pierce, who apparently, as this is a villainous role, had to adopt a British accent and walk around in a suit like he was an evil James Bond… It was a strange choice for the character; I don’t know why any of that was necessary. Although Pierce seems to be skilled at the whole Mission Impossible thing, of using harnesses and wires to get in and out of buildings, he isn’t so good at the exchanging of his stolen goods as he mistakenly gives a $7 million necklace to a random person. This sets Pierce on the same task as Liz: to track this necklace down. Pierce is even so “bad”, he breaks into a teenage girl’s house, chases her during her driving test, and ties up her father in a store room just to get it back! In another circumstance, like a real thriller or action film, Pierce might have been a scary guy, but for Disney, it just felt odd.  

Christian Campbell was cast as Pierce. Also in 2015, Campbell appeared in the recurring role of Richard Brune in Season 2 of True Detective (2014-present). He also appeared as Greg Ivey in the HBO series Big Love (2006-11) prior to his casting in Bad Hair Day. On stage, Campbell starred as Jon in the 2003 US Tour and 2005 London production of the musical tick, tick…BOOM! and workshopped the part of J.D. during the development of Heathers: The Musical in the late 2000s.

Apart from these three characters, which most of the movie revolves around, there are some supporting characters, like Monica’s kind and caring father. He works as an ER nurse, clearly working long hours, but it is clear his daughter is his priority, especially now that it is just the two of them. Monica’s dad strangely enough doesn’t even seem too concerned about what his daughter has got herself mixed up in on her prom day, only caring that she is happy and that she makes a decision about college, making sure she chooses MIT, because it’s a great opportunity for her. Monica’s father was played by Alain Goulem who appeared in Canadian series such as 18 to Life (2010-11) and The Tournament (2005-06). Goulem has also voiced the character of Willis Huntley for the Far Cry game series.

In the police department, we have Liz’s colleagues, who she hasn’t been speaking to much since her departure from the force, obviously. Ed is Liz’s former police partner, who she has a jokey/flirty relationship, which makes it only too obvious to Monica the first time she sees them together that the two like each other. Ed and Liz seemingly get together at the very end of the movie. Ed was played by Christian Paul. Paul was the narrator for the true crime series Broken Trust (2018) and voiced some characters in the Assassin’s Creed game series. There is also Liz’s mother and police chief, Chief Morgan, who seems quite harsh on Liz initially, however, when Liz apprehends Pierce at last, the Chief is proud of her and returns her badge. Susan Almgren played Chief Morgan. Almgren was cast as Dr. Karen Cabot in the 1990s Canadian series Lassie (1997-99). More recently, Almgren made appearances in the movies Moonfall (2022) and Best Sellers (2021).

Finally, we have Monica’s friends and classmates, who we don’t get to see too much of. Sierra is Monica’s best friend, who is around to deal with the fall out from her hair and her boyfriend’s cheating, but she doesn’t spend much time with Monica during the events of the film. Sierra was played by Kiana Madeira, who previously was cast as Rachel in the Disney Channel-affiliated movie Harriet the Spy: Blog Wars (2010) and as Sassy in the DCOM The Swap (2016). More recently, Madeira appeared as Nora in the After film series.

Kyle is Monica’s lying boyfriend, who pretended to be doing charity work when he was actually spending the day with mean girl Ashley. Later in the day, Kyle wishes he hadn’t been caught out because Ashley is too full-on for him, but Monica does the right thing and refuses to go back to him. Kyle was played by Jake Manley. Manley went on to be cast in movies like Infamous (2020), alongside former Disney star Bella Thorne, playing Dean, and as York in the Netflix movie Holidate (2022). He also appeared in the recurring role of Brad in the spin-off series Heroes Reborn (2015-16). Ashley was played by Zoé De Grand Maison, who went on to appear as Evelyn in Riverdale (2017-23).

PRODUCTION

Bad Hair Day began development in the usual way. The story was pitched to Disney and they decided to go ahead with the project. Leigh-Allyn Baker acted as an executive producer for Bad Hair Day so she was able to see the full creative process.

Initially, the reason that Bad Hair Day was so interesting to her specifically was because it featured an adult lead, something that DCOMs had never really done before. Sure, there are roles in those movies to be parents or bad guys, but they are not normally leading roles. Those roles would always go to a teen star, usually from the channel.

In the case of Bad Hair Day, the original story reportedly was meant to star a male adult lead, however, it was eventually decided to make the character female[2]. I feel like this was a good choice, as it meant that the comedic back-and-forth between the female adult and teen characters was more natural, and it allowed them to have deeper chats like a mother and daughter would. It’s also good that they chose to have the female adult character be a police officer, as it is still more normal to see male actors playing police officers on screen. Bad Hair Day ended up as more of a buddy action-comedy than a typical Disney teen comedy-drama, although some aspects of teen life were still included.

Bad Hair Day was filmed in Montréal, Quebec around July and August 2014. The movie was directed by Canadian director Érik Canuel, who also directed the 2011 movie Barrymore, which starred Christopher Plummer. The story was written by Matt Eddy, Billy Eddy, Eric M. Gardner, and Steven H. Wilson. Matt and Billy Eddy have both co-written the teleplays for other DCOMs, including Zapped (2014), Teen Beach 2 (2015), and Invisible Sister (2015). More recently, the duo wrote for the Nickelodeon and Paramount+ productions Monster High (2022) and Monster High 2 (2023).

In behind-the-scenes footage, Marano displayed her “bad hair” wig that she has to wear for the majority of the film. The wig was all tangled and even had pipe cleaners inside of it to make it a real mess. The technology within Liz’s car, Brando, included all real technology, like the video surveillance and 16-channel radio[3].  Laura Marano was very excited to be in her first DCOM, saying that the shoots were long and crazy, but fun. Marano and Baker enjoyed working together as well[4].

MUSIC

Bad Hair Day features quite a lot of pop music, although during the main portion of the story, this is limited to background music in shops and in cars, with the opening sequence and ending scenes having the most recognisable songs.

The song used for the opening sequence of Bad Hair Day is “Rooftop”, performed by Skylar Stecker, or Skylar Simone as she is also known professionally. Skylar also appeared in a couple of episodes of Austin & Ally (2011-16) around this time. This song is from her debut album This Is Me, released in 2015. In this first scene, we see Monica’s room and her chosen prom outfit, before she moves on to what prom hairstyle she should have, using an online vote to decide. It’s a pretty good pop song, matching Monica’s happy, carefree mood.

The next piece of music used is the one playing in Monica’s classmates’ car when they pull up beside her and Liz. Liz proceeds to harass them about their loud music and littering with a megaphone. I believe the song that was used in a “sneak peek” of the movie, using this same clip, was “Nuthin’” by rapper Lecrae, which featured on Lecrae’s seventh album Anomaly, released in 2014[5]. However, it would appear that at some point during post-production, this song was switched out for another rap song. I couldn’t find this song though.

There actually isn’t another obvious “song break” until after Pierce has been arrested. This next song is “Colorful World” performed by Shayna Rose, which can be heard briefly as Liz and Monica go “dress shopping” in the police station’s evidence room, and then again as Monica gets to prom with her police escort. I actually really liked this song when I found it again after watching the film. It’s another upbeat, pop song. Shayna Rose is both a singer and an actress, having appeared as Stephanie Johnson in the soap opera Days of Our Lives (1965-present) in 2006 and 2007, and as Marina the drummer in Seasons 1 and 2 of the Nickelodeon series The Fresh Beat Band (2009-13).

As the final scene of Bad Hair Day takes place at Monica’s school prom, there has to be more dance music. The first of these songs is “All Over the World” by the Swedish pop band the Fooo Conspiracy, as they were known at the time, but they have since changed their band name to FO&O. This song is played during the final scene in the movie where everyone, including Liz and Ed, dance with Monica and her school friends. This scene then moves straight into the End Credits where the song playing is actually performed by Laura Marano, the star of the movie in a typical Disney move. This song is “For the Ride”, written by Dan Book, Shelly Peiken, and Laura Marano. This is the only credited song.  

The composer for Bad Hair Day was Michel Corriveau, who had worked with the director of Bad Hair Day, Érik Canuel, on Canuel’s other movies, like Barrymore (2011) and Bon Cop, Bad Cop (2006). Corriveau also won Gémeaux Awards for his music in the French-Canadian series Les Pays d’en Haut (2016-21), also known as True North.

RECEPTION

Bad Hair Day premiered on Disney Channel on 13th February 2015. It was also made available a whole week early on the WATCH Disney Channel app on 6th February.

From only the app views, Bad Hair Day amassed 435,000 viewers. On its Disney Channel premiere, it averaged around 4 million viewers[6]. This was slightly below average for what you might expect from a new DCOM premiere, and it would easily be beaten later in the year when other DCOMs were released. Teen Beach 2 (2015) was released in June that year, reaching around 5.8 million viewers, and then in October 2015, Descendants reached an even bigger audience, of 6.6 million.

Outside of viewing figures, Bad Hair Day surprisingly had fairly positive reviews for the most part. Many felt that Laura Marano and Leigh-Allyn Baker were cast well and that they had good chemistry, bouncing off each other well. Others also felt Monica was a good role model for tweens of the day. It was a fun, entertaining action-comedy film that Disney Channel weren’t always making.

On the negative side, some felt the characters were annoying and that the story was boring. I did agree with this in part. I didn’t particularly like either Liz or Monica. They were slightly better towards the end as they started to get along and I felt sorry for Monica not having her mother around, but I never really warmed to them. I also felt the story was boring, at least in places. The initial premise of Monica needing to run errands was quite boring and not all that funny. The whole diamond heist plot was slightly more interesting but I didn’t feel like it mixed well with the overall prom plot of the film. Some viewers were harsher in their reviews than I was. They felt the whole concept of someone pawning a multi-million-dollar necklace was implausible and that any pawn shop owner would know if they’d been given something valuable. Some felt the ending was bad too, though I’m not sure why as it was not mentioned specifically. The movie had to end with the prom scene and it did, so I don’t know what more needed to be done. There were comments about the particularly bad hair cut that Monica was given at the end though. It didn’t suit her but I wasn’t going to mention it!

LEGACY

Bad Hair Day was one of four DCOMs released in 2015 and it was not the biggest in terms of popularity or viewership, which means it did not get a sequel. Not that I know where they could go with Bad Hair Day, apart from have Liz and Monica solve more crimes together, but Monica is meant to be heading off to MIT so I doubt she would’ve had time for that! Musical DCOMs are much more likely to get sequels, and that was the fate of Descendants (2015).

Laura Marano wanted to be involved in another DCOM after Bad Hair Day, but after one more series of Austin & Ally, and a couple of guest star roles on other Disney Channel series, Marano moved away from the channel and did not star in a further DCOM. Leigh-Allyn Baker also did not return to film another DCOM, however, she did voice characters animated Disney series after Bad Hair Day was released.

Bad Hair Day did recently celebrate its 10th anniversary, something that Disney Channel’s official social media accounts referenced, allowing those who watched it when they were younger to revel in the nostalgia.

Although Disney Channel’s Bad Hair Day didn’t span much of a legacy, bad hair days will continue to be a thing as long as people have hair, and there are many sites, and no doubt many TikTok videos – though I wouldn’t know, I’m not on TikTok – that tell the public how to fix their own bad hair days! Bad hair days were also featured in other Disney Channel series, including the Season 2 episode of Recess (1997-2001) where Mikey gets gum in his hair and Vinny cuts most of it off, creating a new playground trend, or the Bizaardvark (2016-19) song “Bad Hair Day”. I’d probably advise you turn to social media in this case for once; all TV seems to tell you is that you have to cut most of your hair off…

FINAL THOUGHTS

So, what did I take away from watching Bad Hair Day? Well, I learnt that some people take prom incredibly seriously, and that jewel thieves really ought to be more careful when exchanging stolen goods. Rookie error.

The message that came out of Bad Hair Day, about being yourself and not trying to be perfect all the time, is a great one, and something that children and tweens probably responded well to. DCOMs always like to teach kids some sort of lesson.

For me, though, I was not the target audience for Bad Hair Day so I didn’t take much from the movie. I didn’t like it at all, because the comedy and prom aspects of the story were completely at odds with the whole diamond theft. It was strange, and to be honest, having the adult lead actually made me less interested in the film, not more, despite Liz being closer in age to me than Monica. I didn’t like Liz’s character particularly and I was never close to being prom queen – not that we really have that in the UK – so I couldn’t relate much to Monica either. Bad Hair Day just wasn’t for me.

But I know that many people found Bad Hair Day to be better than the average DCOM and liked the different take on the usual plot of a Disney Channel movie. If you need a family-friendly action-comedy movie, this is probably one for you.


REFERENCES

[1] Credit: Variety, ‘‘Bad Hair Day’: Laura Marano, Leigh-Allyn Baker to Star in Disney Channel Original Movie’, Variety.com, 8th July 2014.

[2] Credit: Ruth V, ‘An interview with Leigh-Allyn Baker from Disney Channel’s Bad Hair Day’, VivaVeltoro.com, 11th February 2015.

[3] Credit: Disney, ‘Behind the Scenes Bad Hair Day 1 and 2’, Disney411Vids YouTube Channel, 11th January 2015.

[4] Credit: Elizabeth Wagmeister, ‘Laura Marano & Leigh-Allyn Baker Preview Disney Movie ‘Bad Hair Day (Exclusive Clip)’, Variety.com, 2nd February 2015.

[5] Credit: David Daniels, ‘Video: Lecrae’s ‘Nuthin’ to be featured in Disney movie ‘Bad Hair Day’’, Rapzilla.com, 29th January 2015.

[6] Credit: Rick Kissell and Variety, ‘Disney Channel’s ‘Bad Hair Day’ Has Good Ratings Night’, Yahoo.com, 18th February 2015.

The Suite Life Movie (2011)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

Surprisingly, in 2011, Disney Channel aired three Disney Channel Original Movies all based on Disney Channel television series.

This isn’t anything new for Disney Channel as they’ve made DCOMs based on their series since the 2000s, with The Even Stevens Movie (2003) being one of the first, and Wizards of Waverly Place: The Movie (2009) being the most recent one before 2011.

Disney Channel’s first DCOM of 2011 was The Suite Life Movie, in a year that saw six other brand new DCOMs being released on the channel, including the High School Musical spin-off Sharpay’s Fabulous Adventure; Phineas and Ferb the Movie: Across the 2nd Dimension; and Good Luck Charlie, It’s Christmas!

The Suite Life franchise was a popular and successful commodity for Disney Channel, having first premiered as The Suite Life of Zack & Cody in 2005. The never-ending, always extreme, antics of two twin boys running around a posh hotel, where they lived thanks to the fact their mother happened to be the hotel’s singer, kept viewers interested, to the point that Zack and Cody earned themselves a spin-off series, The Suite Life on Deck, which premiered in 2008, pretty much straight after the original show ended. This time, their craziness was moved to a cruise ship where the twins would be attending “school at sea”. 

I really liked The Suite Life of Zack & Cody when it first came to Disney Channel. It was not my absolute favourite series but I think I watched every episode of the original show. It was always on and the mid-2000s was prime Disney Channel viewing time for me. However, when The Suite Life on Deck came about, I just didn’t like it. Maybe it was the fact all the original characters weren’t there, or because I’m not a fan of cruise ships. Something just wasn’t right, so I only watched a few episodes of that series, normally if I was bored and there was nothing else on. I can’t remember much of it at all.

Because of this lack of interest in The Suite Life on Deck, plus by 2011, I was starting to move away from Disney Channel as my favourite series ended and stars departed, I never even knew The Suite Life Movie existed. After watching it for the first time this week, I am pleased to say… I didn’t miss out on anything.

The whole premise of The Suite Life Movie is just odd, with a science-fiction theme and a weird evil scientist plot that the twins get mixed up in. I did not enjoy watching it and its only redeeming factors were: 1) Mr. Moseby was still there, even if only for a few scenes but on top form as usual; 2) the fact one of the actors had been in Sabrina the Teenage Witch; and 3) it was less than 90 minutes long.

PLOT

The Suite Life Movie opens on board the SS Tipton, where Zack and Cody have been living and going to school for the past couple of years. Cody is busy preparing a special dinner for his girlfriend Bailey on one of the cruise ship’s decks. He clearly has something important to say to her, because he has written her a letter.

But as usual, Cody’s twin brother Zack shows up, with their friend, Woody, to mess with Cody’s plan. It turns out Cody needs to tell Bailey that he’s going to be doing an internship at a biology centre over spring break, something he hopes will lead to a scholarship to Yale University.  Zack says he’ll break the news to Bailey in exchange for Cody giving him the car that Cody was given by their parents for college. Cody refuses and the two fight over the letter for Bailey. It is dropped, seemingly into the ocean. Unbeknownst to the boys though, the letter is caught by the wind and lands underneath a chair on deck.

That evening, Cody waits for the right time to tell Bailey about his internship, however, she continues to talk about all the plans and places they’ll go together over spring break, this being their last spring break before college. Just as Cody finds a moment to tell Bailey, Zack shows up, dangling alongside them in a life ring. Zack then proceeds to bluntly tell Bailey that Cody won’t be around for spring break because of his internship. Bailey is furious with Cody for ditching her wonderful spring break plans for work. She storms off before Cody can explain that he has to do this to get into Yale.

The next day, Mr. Moseby takes Cody to the Biology Reserve so he can begin his internship and meet his supervisor. However, Zack also tags along, as does London Tipton, the ditzy hotel heiress whose father owns the cruise ship. London mostly just wants to look at the dolphins, which she believes are fish, not mammals, because “they don’t have any humps”. This is a recurring joke throughout the movie… The important thing to notice here is that London eats some of the food meant for the dolphins and freaks out, leaving the area.

Moseby, Cody, and Zack go inside the centre where they meet Dr. Donald Spaulding. Dr. Spaulding shows them to his lab where he talks to Cody. He says that he was very impressed with Cody’s essay on twins, saying he has a twin brother too. Dr. Spaulding then tells Cody about his current research. Spaulding believes that, using a rare fruit, telepathy will be possible between dolphins and humans, something that Cody finds fascinating. Mr. Moseby realises that Zack is missing and goes to look for him. It turns out Zack has followed a pretty lab technician, Nellie, through an unauthorised area, where he proceeds to tell her that he is incredibly smart and can mostly definitely pilot that submersible nearby. Zack gets inside the submersible and descends into the dolphin tank.

Since Cody and Dr. Spaulding are looking right into that tank from the lab, they soon spot Zack messing about in there, but instead of waiting for security or one of the scientists to get Zack out of the submersible, Cody decides to get into the other submersible and follow him through the tank, shouting at him for ruining his first day on the internship. The two fight in their boats as Cody tries to get Zack to return to the surface but in doing so, one of their boats breaks the glass of the seawall. Both eject from the boats before they are sucked out into the ocean. Needless to say, this incident causes Cody to be fired from his internship. It also looks like this wasn’t an accident; a janitor and Nellie seem to have planned this…

Back on the cruise ship, Cody wallows in self-pity, since he’s lost his internship and Bailey still won’t talk to him. Luckily, Zack brings Dr. Spaulding to him, who tells Cody that he won’t be working for him anymore but that Dr. Olsen would love to have Cody’s assistance on a new project, something called the Gemini Project, which is all about twins. But that does mean that both Zack and Cody will have to attend. They both agree to go.

The twins later arrive at the Gemini Project, a facility located by a lake, where an old sawmill sits abandoned opposite. The facility is full of twins wandering about the area, looking happy. Zack and Cody are met by Dr. Olsen who takes them to his basement lab. Here, he tells them that he plans to use the same rare fruit that Dr. Spaulding is using on his dolphin research on twins instead, believing that it can grow empathy within humans, meaning that there will be less conflict in the world. They are then shown the Mind Transference Facilitator, which is where Zack and Cody will have their first tests. Zack is strapped to the machine and told to look at the screen. Different names of colours come up on the screen, but the words may be in a different colour. Zack must correctly identify the word, not the colour of it – we all know this game, right? Zack, not being as smart as Cody, plus the fact Cody keeps giving him an electric shock every time he gets the answer wrong, fails this test, and the two fight, proving that Dr. Olsen has two perfect research subjects.

Meanwhile, Bailey is walking around the city with London and Woody, debating how she should deal with the “Cody situation”. Should she call him? Should she ignore his calls? In the end, Cody stops calling her – because his phone was taken from him at the Gemini Project because radiation affects the delicate machinery – so Bailey deletes his number. London is also exhibiting some strange behaviour, seemingly being able to hear what different marine creatures are “saying”. She talks to a dolphin about her outfit, and then hears the escape plan of a crate of crabs in the market, for example. Weird.

Back at the Gemini Project, Zack and Cody eat lunch with some other twins on the project, including Nellie, that “assistant” from Dr. Spaulding’s lab, and her twin sister Kellie. The girls explain how all twins must get along and be nice and kind to each other because that’s just the way it should be, which is completely at odds with Zack and Cody’s dynamic, where they fight about everything and anything! At lunch, they are fed this rare fruit for the first time and then led out to take part in some sports tasks. This involves a high ropes course, complete with nets, bridges, and zip wires. Cody is already nervous since he isn’t the most athletic of people, but the two soon notice that all the twins are moving perfectly in sync. That’s not exactly the case for Zack and Cody, although they do soon notice that each of them is feeling the same physical pain that the other is feeling, a sign that the fruit is working on them. Dr. Olsen gets them to do the colour-word test again and sure enough, when Zack is shocked, Cody feels it too. Dr. Olsen is delighted with their progress.

Zack starts to think this place is too weird and wants to leave. Cody gets angry at him for ruining things for him yet again. Zack then talks to Nellie who convinces Zack to stay, saying that “The Merge” will fix everything. Zack doesn’t know what that means but agrees to stay at the Gemini Project anyway. Just as Cody is about to be removed from the project by Dr. Olsen, as one twin is no use to him, Zack returns and the two are moved onto Stage 2. They are given the fruit to eat again and soon start to experience the other one’s feelings. This leads to a heart-to-heart between the boys as they learn something new about each other, like how Cody feels like Zack has messed up his chances of going to Yale, and how Zack wants Cody’s car so he can go and find himself whilst everyone else is at college. But then, they overhear Dr. Olsen talking about “The Merge” and how they must enact it soon, even though it will mean that Cody “loses his brain”. Cody and Zack are horrified by this, with Zack wanting to leave, but Cody wanting to save all the other twins.

The two sneak into Dr. Olsen’s lab where they manage to access his computer. On it, they discover the full programme of the Gemini Project. Stage 1 involves matching physical sensations; Stage 2 is about emotional feelings; and Stage 3 is The Merge, which sees the twins literally merge to become one person. The twins then discover a Stage 4, which will allow the merged twins to be controlled. Dr. Olsen discovers Zack and Cody in his lab and know his grand scheme has been uncovered. But he also sees that, because Zack continued to eat the fruit, the two have begun a “half-merge”, where Zack finishes Cody’s sentences and the two have a level of telepathy between them. Dr. Olsen unveils a beacon which begins to control the other twins and he orders them to capture Zack and Cody. Zack and Cody try everything to get away from them, even going on a zip wire across the lake to the abandoned sawmill, but they are chased every step of the way. Just when they think they’ve gotten away, by jumping into the lake, they find themselves surrounded….

Back on the cruise ship, Mr. Moseby has discovered Cody’s letter to Bailey on deck and gives it to her. Bailey reads it and learns that Cody’s internship was important to him because it would give him the chance to go to Yale. He was torn between getting into the “school of his dreams” and spending time with the “girl of his dreams”. Bailey is touched by this and realises she’s been selfish about spring break – uh, no duh. Bailey has to fix things with Cody. However, when Bailey, London, and Woody speak to Dr. Spaulding, he says that Cody was fired from the project and banned from the site. He hasn’t seen them since. London then speaks to a dolphin who says to her that the twins are about fifty miles from here. Dr. Spaulding thinks the boys are in trouble. Bailey calls Mr. Moseby to tell him Zack and Cody are in danger, and the group set off to the Gemini Project site.

When they arrive, they find they are too late. Zack and Cody are strapped to a machine with a forcefield protecting them from outside interference. Dr. Spaulding confronts Dr. Olsen, who is revealed to be Dr. Spaulding’s twin, Ronald – gasp! He’s been wearing a mask this whole time! And he was the one to invite the boys to the Gemini Project, not Dr. Donald Spaulding! Ronald had been spying on the boys as he knew they were vital to his research. Ronald then turns on the machine and The Merge begins. The twins’ souls are released; however, the souls fight each other. Bailey realises this is causing The Merge to fail so encourages them to fight more. This fighting creates a power surge and when Cody taunts Zack about their parents’ car, Zack’s reaction causes the machine to explode. The Gemini Project is over once and for all, freeing the other twins from Ronald’s control. Cody then has an idea to stop Ronald from restarting the project. He hands both Donald and Ronald some of the fruit. After eating it, they both begin to realise how the other has felt their whole life and discover that they were both jealous of each other. But there’s no time for reconciliation because Moseby is here with the police who promptly arrest Ronald / Dr. Olsen. Zack and Cody realise that they actually make a great team – if they work together.

Back on the ship, Bailey and Cody are back together and have had a great spring break. It’s also revealed that Cody did give Zack the car to use, however, as he parks it in the shipping area as he returns to the ship, the car is crushed by a huge crate. Zack looks round in horror to see that the car he so desperately wanted is destroyed. London is happy though; that crate is full of her summer clothes!

CHARACTERS & CAST

Cody Martin has always been the studious, responsible twin, and that is still the case in The Suite Life Movie. Cody is making decisions about college, his dream college being Yale. Cody believes that doing the internship at Dr. Spaulding’s lab will help him get a scholarship to go there, but that doesn’t work out. When Cody gets another opportunity to complete an internship, this time with Dr. Olsen, he is eager to get going, wanting to be part of a major scientific breakthrough, and since he is a twin and not a dolphin, he’ll actually be an integral part of the research there. Cody is completely dedicated to the Gemini Project, but when it is revealed that this project is a ruse for an evil scheme, instead of just leaving, he wants to help save the other twins. To do that, he needs that twin brother who he doesn’t see eye-to-eye with, but who has always been beside him, to help.

Cody Martin was played by Cole Sprouse throughout The Suite Life franchise. Alongside his twin brother, the two both played Julian McGrath in the Adam Sandler movie Big Daddy (1999). During their time on Disney Channel, the two also appeared in the movie A Modern Twain Story: The Prince and the Pauper (2007) where Cole played Eddie Tudor. Since the end of The Suite Life, Cole Sprouse was part of the cast of Riverdale (2017-23), where he played Forsythe “Jughead” Jones III throughout the show’s run, and starred as Walt in the HBO Max movie Moonshot (2022) alongside Lana Condor.

Zack Martin is the chaotic, disorganised twin, usually the one who is the cause of all the problems that the twins get themselves in. Zack isn’t looking at going to college, so he is still feeling quite carefree about life, not stressing himself about internships and good grades. However, we do learn that Zack is feeling quite uncertain about his future, not knowing what he wants to do, or who he wants to be. Even at the Gemini Project, Zack is more bothered about girls than scientific research, soon wanting to quit but he knows he can’t because if he does leave, then he has ruined two internships for Cody in just a few days! When things go wrong for them at the facility, Zack and Cody end up working together to stop Dr. Olsen’s evil plan, finding that they can be a good team, despite their different personalities.

Zack Martin was played by Dylan Sprouse throughout The Suite Life franchise. Alongside his twin brother, Cole, Dylan played the part of Tom Canty in A Modern Twain Story: The Prince and the Pauper. Since Disney, Dylan has been cast in movies such as After We Collided (2020), the second instalment in the After film series, where he played Trevor; and Beautiful Disaster (2023), where he was cast as Travis Maddox. He reprised this role in the film’s sequel Beautiful Wedding (2024).

The Gemini Project is run by Dr. Olsen, who is actually Dr. Spaulding’s twin, Ronald. Dr. Olsen covers his identity with a mask through much of the movie, only revealing his true self at the very end. Dr. Olsen initially seems dedicated to his research and he gets on with Cody as they bond over their love of science. Nothing seems to be strange about Dr. Olsen until the boys overhear him talking about wanting to “merge” the twins. Then they know something is up, but nothing could have prepared them for getting mixed up in an evil plan to control the whole world! It turns out Dr. Olsen only wanted to do this because of childhood jealous that he felt towards his brother. Once they work that out, thanks to the weird fruit, Dr. Olsen happily goes off to jail…

Dr. Olsen – perhaps named after two of the most famous twins in the world, Mary-Kate and Ashley Olsen – was played by Matthew Glave. Glave appeared in the recurring role of Dr. Dale Edson on ER (1994-2009) in its earlier seasons. More recently, Glave portrayed Chuck Yeager in the movie First Man (2018). He was also cast as Coach Tommy Bowden in the Disney+ film Safety (2020) and has appeared as Oscar Hutchinson in the ABC series The Rookie (2018-present).

Dr. Spaulding is a scientist like his brother, and he came up with the initial research of using this rare fruit to create a telepathic connection, except in Dr. Spaulding’s case, he wants to use this to allow dolphins to communicate with humans. Dr. Olsen stole this research to use on twins with seemingly decent results, however, Dr. Spaulding had not reached a breakthrough with his, until London Tipton shows up, being able to speak to dolphins, thanks to that tiny piece of fruit she mistakenly ate! After this revelation from the dolphin of where the twins are, Dr. Spaulding seems to instantly know that his twin is working on some evil scheme and using Zack and Cody to implement it. Dr. Spaulding locates him and manages to briefly reconcile with his estranged brother before he is arrested.

John Ducey was cast as Dr. Donald Spaulding – and Dr. Ronald Spaulding, when Dr. Olsen lifts his mask. Ducey already had some history with Disney Channel prior to The Suite Life Movie as he was cast as Tom Lucas, the father in Jonas (2009-10), which, obviously, starred the Jonas Brothers. For any fans of Sabrina the Teenage Witch (1996-2003), you should also recognise Ducey from Season 7 of the programme, as he played Leonard, one of Sabrina’s work colleagues at Scorch magazine. I always loved Leonard; he was my favourite of the characters introduced in that season. Recently, Ducey also wrote and starred in the 2022 festive film I Believe in Santa, playing Tom.

In my opinion, these four characters make up the main plot of The Suite Life Movie, which is a shame, as there are four other characters who were hugely important to The Suite Life on Deck series, but were not used well in the movie.

One of these is London Tipton, the ditzy hotel heiress who came with Zack, Cody, and Mr. Moseby on board the SS Tipton for school. During The Suite Life Movie, London’s main roles are to be a sounding board to Bailey’s complaints about Cody, as well as to be the “missing link” of Dr. Spaulding’s research, showing that this fruit can produce telepathic communication between humans and animals. It’s an important part of the fictional science project, but isn’t particularly useful in the movie, apart from the fact London learns from a dolphin about where Zack and Cody are being held captive. It’s a real pity that London couldn’t have had a better side plot as she was always a brilliant character in the series.

London Tipton was played by Brenda Song, who was no stranger to Disney Channel even before her casting in The Suite Life of Zack & Cody. Song has actually been in five separate Disney Channel Original Movies: The Ultimate Christmas Present (2000) as Samantha; Get a Clue (2002) as Jennifer; Stuck in the Suburbs (2004) as Natasha; Wendy Wu in Wendy Wu: Homecoming Warrior (2006), and of course, London in The Suite Life Movie. Song managed to break out of Disney with her casting as Christy in The Social Network (2010). In recent years, Song has also been the voice of Princess Akemi in Blue Eye Samurai (2023-present) and was cast as Mary-Anne in The Last Showgirl (2024). In 2025, Song was also cast as Ali Lee in the Netflix series Running Point (2025-present).  

Mr. Moseby is another fan-favourite character from the original series. Mr. Moseby was the hotel manager of the Tipton Hotel and is now the manager of the SS Tipton. He also seems to be the guardian of London, and Zack and Cody, whilst onboard the ship, which would explain why he takes Cody to his internship at the research centre. Outside of the chaos that ensues there, we don’t really see Mr. Moseby until the end, when he is relieved to find Zack and Cody safe, having brought the police to the facility to arrest Dr. Olsen.

Phill Lewis was cast as Mr. Moseby. Prior to The Suite Life of Zack & Cody, Lewis appeared as Principal Tweedy in some episodes of Lizzie McGuire (2001-04). Still on the channel, Lewis was cast as Maurice in the DCOM Dadnapped (2009) and directed many episodes of Disney Channel series, including The Suite Life on Deck; Jessie (2011-15); and Bunk’d (2015-24). Lewis has also directed episodes of the revival series of iCarly (2021-23). Lewis appeared as ‘Crazy’ Hooch in the popular medical sitcom Scrubs (2001-10).

Then there is Bailey Pickett, a character introduced in The Suite Life on Deck. Bailey is Cody’s girlfriend, but all we get to see of her in The Suite Life Movie is her moaning about Cody’s disrespect of her spring break plans, and her debates about whether she should or shouldn’t call him or answer his calls. It’s not a particularly good plotline for the character and it mostly just makes her look selfish and childish. When Bailey is given Cody’s original letter by Mr. Moseby, explaining his reasons for taking the internship, she realises she’s made a mistake and has to find him to make it right. It’s a good thing she does really, otherwise who knows whether Zack and Cody would’ve been saved from The Merge…

Bailey Pickett was played by Debby Ryan. Ryan began her Disney Channel career on The Suite Life on Deck, which led to many more roles for her. One of these was a starring role in the sort-of DCOM 16 Wishes (2010), playing Abby Jensen. After The Suite Life on Deck ended, Ryan continued to feature on Disney Channel by starring in the series Jessie (2011-15). During this time, she was also cast in the leading role of Tara Adams in the DCOM Radio Rebel (2012). Outside of Disney, Ryan’s most famous role is perhaps as Patty Bladell in the controversial Netflix series Insatiable (2018-19). More recently, she voiced the character of Krista in the animated series Velma (2023-24), a spin-off of the Scooby-Doo franchise, and is set to appear in the thriller film Famous, which will star Zac Efron.

Finally, we have Woody Fink, a classmate on the SS Tipton and also Cody’s cabinmate, introduced in The Suite Life on Deck. He’s the complete opposite of Cody, being messy and not very studious, so he gets on better with Zack. Woody is part of the gang of friends that feature Zack, Cody, London, and Bailey. Woody doesn’t have much to do in The Suite Life Movie, much like the other characters I mentioned, just standing next to Zack as he reveals Cody’s internship to Bailey and then standing next to Bailey as she complains about Cody, and then going to find Zack and Cody at the Gemini Project.

Woody Fink was played by Matthew Timmons, who stopped acting in 2013, once The Suite Life on Deck had ended and after making a guest appearance on Debby Ryan’s series Jessie. Timmons has since stated that he was typecast into playing “big characters” with “big personalities” because of his weight and that he had difficulties with his mental health at times because of this. Many of the gags that revolved around Woody on the show focused on his weight and physical appearance so I can see how that would affect your mental state, especially at a young age. Timmons has since come to a place where he feels more comfortable in himself and encourages others via his social media accounts[1].

MUSIC

There aren’t many songs in The Suite Life Movie at all, not even as background noise. There are only two recognisable songs, one for the opening sequence and another for the ending.

During the opening sequence, as Cody is preparing his dinner date for him and Bailey where he plans to tell her about his internship, the song “Uptown, Get Around” is played, performed by Stereo Skyline. I actually quite liked this song; it was just an upbeat pop song. Stereo Skyline was an American pop band, formed in 2006, who stopped making music around 2012, coming back in 2019 to release the single “Runaway’s”.

At the end of the movie, as the End Credits roll, the song “Such a Colorful World”, performed by Max & Simon, written by Mark Rosas, Blake Healy, and Kevin Bard, is used. It would appear that Kevin Bard, the lead vocalist of the band Stereo Skyline, co-created the music project Max & Simon. Again, it was an inoffensive, upbeat song that I didn’t mind. 

There is another song that is played briefly as Cody and Zack start their time on the high ropes course. This song was not something I was able to find. The lyrics that I could hear were talking about “turning up the music”, which doesn’t narrow it down much when you’re looking for these background songs in movies… It was not credited either.

The score of The Suite Life Movie was composed by John Van Tongeren, who had previously worked on the music for other DCOMs, including Twitches (2005) and Twitches Too (2007); Princess Protection Program (2009); and Den Brother (2010).

PRODUCTION

The Suite Life Movie could never have existed had it not been for two twins terrorising their mother with their antics in a fancy, upmarket hotel.

The first episode of The Suite Life of Zack & Cody aired on Disney Channel on 18th March 2005. This pilot introduced audiences to Zack and Cody, and their reasons for living in the Tipton Hotel in Boston. This is because their mother, Carey, was the hotel’s lounge singer. We were also introduced to other main characters, like London Tipton, the hotel heiress; Maddie, the hotel’s candy counter girl; Esteban, the hotel bellhop; Arwin, the hotel’s janitor; and of course, Mr. Moseby, the hotel manager.

Season 1 of The Suite Life of Zack & Cody ran from 18th March 2005 to 27th January 2006. A second season began almost immediately afterwards, on 3rd February 2006, running until 2nd June 2007. The third season of The Suite Life of Zack & Cody was their last, commencing on 23rd June 2007 and ending on 1st September 2008.

The Suite Life of Zack & Cody is still remembered today for specific moments from its episodes. Who can forget that episode from Season 3, “Lip Synchin’ in the Rain”, which saw Disney Channel mess with their own canon, by having Maddie, played by Ashley Tisdale, not get the part of Sharpay Evans in a school production of High School Musical, despite Ashley Tisdale playing the role in real life! Instead, London got the part and Maddie had to lip sync for her. There was also the episode, “Commercial Breaks”, from Season 1 which ended with an all-singing, all-dancing fictional commercial for the Tipton Hotel. And last but not least, London’s driving lesson where she taught us all about “the PRNDL”, something that even Camila Cabello referenced on The Kelly Clarkson Show. Brenda Song said she even had her driving examiner say to her to make sure she put the PRNDL in park at the end of her test[2]! There was also the crossover episode “That’s So Suite Life of Hannah Montana”.

The reviews for the show were great across all three seasons. The programme received accolades such as winning a Young Artist Award in 2007 for Best Family TV Series (Comedy). Back in 2006, Brenda Song won the Superstar of Tomorrow and Role Model awards at the Young Hollywood Awards for her role as London Tipton. Dylan Sprouse won a Kids’ Choice award for Favorite TV Actor in 2009 too. The Suite Life of Zack & Cody was nominated for a Primetime Emmy for Outstanding Children’s Program in 2007 and nominated for Favorite TV Show at the Kids’ Choice Awards in 2007, 2008, and 2009.

Technically, in terms of air date, the final episode of The Suite Life of Zack & Cody was “Mr. Tipton Comes to Visit”.  The storyline was that Mr. Tipton was coming to the hotel, seemingly to give a huge bonus to one lucky employee. This led to many flashback moments from the series as the team reminisced about the good moments they’d had working in the hotel. However, when Mr. Tipton arrives he is in a bad mood and plans to fire someone. It looks like Carey is going to be fired because of the twins, but instead, the boys bribe Muriel, the now-retired hotel maid, into coming back for Mr. Tipton’s visit. She refuses to clean up a broken vase and is promptly fired – but since she’s retired, it doesn’t matter!

But the actual final episode of the series is really “Let Us Entertain You”. In this episode, the boys and Carey go on the SS Tipton cruise ship for a “vacation”, although Zack and Cody have managed to get them on the ship only if Carey sings as part of the cruise entertainment. Carey refuses to sing, wanting a proper vacation, but when she discovers that her experience on the cruise will be seriously downgraded if she does not, she relents and says she will sing. However, Carey becomes seriously sun burnt after falling asleep in the sun and is now unable to sing. Zack and Cody go on for her instead.

The events from “Let Us Entertain You” set the scene for the spin-off series, The Suite Life on Deck, which premiered on Disney Channel on 26th September 2008, just a few weeks after The Suite Life of Zack & Cody officially ended. The pilot episode of this new series is “The Suite Life Sets Sail”. Here, Mr. Moseby is revealed to be the cruise ship manager, and London Tipton is coming on board to attend Seven Seas High School, to stop her from skipping classes like she did at regular high school. Zack and Cody are joining her, much to Moseby’s dismay, with Carey not staying on board to look after them. Other characters were introduced during the show, as Zack, Cody, London, and Mr. Moseby were the only main characters to return, such as fellow students of Seven Seas High: Bailey Pickett, Woody Fink, and Marcus Little.

Throughout the lifetime of the show, the characters got to travel all over the world, with one episode focusing on the Bermuda Triangle, and another seeing the group travel over the International Dateline. They also visited Greece, Sweden, Morocco, and Paris. There was also another Disney Channel crossover episode, called “Wizards on Deck with Hannah Montana”. Season 1 of The Suite Life of Deck ran from 26th September 2008 to 17th July 2009. Season 2 began on 7th August 2009, running until 18th June 2010. The third and final season ran from 2nd July 2010 to 6th May 2011. The Suite Life on Deck received generally favourable reviews, however, many viewers felt it was not quite as good as the original show. It received a nomination for Favorite TV Show at both the 2010 and 2011 Kids’ Choice Awards, with Dylan Sprouse picking up the award for Favorite TV Actor in 2010.

Danny Kallis and Jim Geoghan created both shows, with the concept for The Suite Life of Zack & Cody, of two boys living in a posh hotel, originating back in the mid-1980s, when Kallis and Geoghan were working as writers on the sitcom Silver Spoons (1982-87), about a wealthy man whose son, who he has never met before, moves in to his mansion[3].

The Suite Life Movie began production in September 2010, being referred to as the seventh Disney Channel series to get its own Disney Channel Original Movie – this number seems to include Phineas and Ferb: Across the 2nd Dimension, and Good Luck Charlie, It’s Christmas! despite both of these airing months after The Suite Life Movie in 2011. The most recent one prior to The Suite Life Movie to air on Disney Channel was Wizards of Waverly Place: The Movie (2009), which had done exceptionally well in terms of viewing figures, securing 11.4 million on its premiere, and ranking as 2009’s No. 1 scripted cable TV telecast.

The Suite Life Movie was directed by Sean McNamara. For Disney Channel, McNamara had previously directed some episodes of The Even Stevens (2000-03) and went on to direct The Even Stevens Movie (2003). McNamara also directed episodes of other Disney series such as That’s So Raven (2003-07) and Zeke and Luther (2009-12). The writers of The Suite Life Movie were Michael Saltzman, who worked on the story of the 2006 The Pink Panther Movie, and Robert Horn, who co-wrote the Broadway musical 13, and wrote the High School Musical spin-off movie Sharpay’s Fabulous Adventure (2011)[4].

The Suite Life Movie was filmed in British Columbia, Canada, with many of the locations being in Vancouver. The Vancouver Aquarium was used as the setting of the biology research facility where Cody, Zack, and Mr. Moseby visit Dr. Spaulding early on in the film. The setting of the Gemini Project was reportedly Camp Howdy in Vancouver[5]. Around this area, Dylan and Cole Sprouse were required to film some “stunts” which involved them on a high ropes course, tackling obstacles like nets and zip wires. Because at this point in the movie, Zack and Cody have not been a part of the research group for long, they are not moving in perfect unison on this course like the other sets of twins are, so this meant lots of slamming into nets and struggling on different parts of the course[6]. It all looked very fun to me. What appeared to be less fun was Dylan and Cole’s jump into a freezing cold lake at 9 o’clock at night, for the scene where they are trying to avoid capture by all the twins. The twins said they had wetsuits on and multiple layers of clothing which kept them warm, but it seemed some of the other actors – as the twins are surrounded by others in the lake – didn’t keep quite as warm and struggled with the cold[7].

The Suite Life Movie kept mentioning the fact that the boys and their friends would be graduating from Seven Seas High soon. This meant that one further episode was needed to wrap up The Suite Life on Deck, which is why the finale episode, “Graduation on Deck”, was the very last episode of the franchise to air on Disney Channel on 6th May 2011, just over a month after the movie had premiered.

In “Graduation on Deck”, the students of Seven Seas High learn that Mr. Tipton is going to dismantle the SS Tipton as they prepare for final exams and graduation. Cody discovers he was rejected from Yale, throwing his college plans into disarray, especially as girlfriend Bailey did get accepted. Zack and Cody’s mother and father both arrive for graduation, where Bailey says that Cody didn’t get into Yale and won’t leave his cabin. Zack is also upset that his girlfriend, Maya, is going off to Chad in Africa for a Peace Core assignment, so neither Zack nor Cody want to attend graduation. The boys then convince the other to go to the ceremony. During the speeches, construction workers begin dismantling parts of the deck. Mr. Moseby calls Mr. Tipton, ordering him to stop the destruction of the ship as he is destroying his daughter’s graduation. Soon, the SS Tipton docks and the students prepare to depart the ship. Mr. Moseby also proposes to the Seven Seas High teacher, Ms. Tutweiller, and she accepts. There are some tearful goodbyes as everyone goes their separate ways. Many felt this was a fitting ending for the show and the franchise as a whole, which is not exactly how they felt about the movie…

RECEPTION

The Suite Life Movie premiered on Disney Channel in the US on 25th March 2011.

The movie pulled in 5.2 million total viewers on its premiere, making it the top scripted programme of the day across all TV[8]. By the end of 2011, The Suite Life Movie’s viewership was beaten by three other DCOMs: Lemonade Mouth, with 5.7 million; Good Luck Charlie, It’s Christmas!; with 6.9 million; and Phineas and Ferb the Movie: Across the 2nd Dimension with 7.6 million, which was the top viewed DCOM of the year.

Reviews of The Suite Life Movie have been very mixed, with slightly more negative comments than positive. DCOMs generally receive quite mixed reviews, so this was not unusual, however, even fans of The Suite Life of Zack & Cody and The Suite Life on Deck were quite disappointed with The Suite Life Movie, especially as it followed on from a pretty good series. Many said The Suite Life Movie felt out of place, very unlike the series, and was mostly forgettable. Many also said The Suite Life Movie was not as good as the other science-fiction-based DCOM of 2011 Phineas and Ferb: Across the 2nd Dimension, which I would agree with. There were others as well who were annoyed that seemingly some of The Suite Life on Deck plot points had been forgotten or ignored in the film, like the fact Zack was in a relationship with a girl called Maya in the series but in the movie, Zack is chasing after Nellie. I just thought that was very much how Zack always was! There was also annoyance that London, Bailey, Woody, and Mr. Moseby didn’t have anything to do in The Suite Life Movie and should’ve had a better side plot written for them. This is something I have already said I agree with.

On the more positive side, some felt the movie was fun and entertaining, with a nice message about empathy and getting on with your siblings. Others enjoyed the “twist” ending too, with the reveal that Dr. Olsen was in fact Dr. Spaulding’s twin brother. I didn’t guess that until a few minutes before it happened, although I’m sure some might’ve guessed it much earlier on in the film, making the “twist” less exciting. It was also thought that The Suite Life Movie might as well be watched because it was quite a short movie, only around 80 minutes long, and if you’d watched both the previous series, you may as well have seen it to be a “completist”. The general consensus seemed to be that viewers either saw The Suite Life Movie as just average, or just bad. I’m afraid I’m in the latter group.

LEGACY

After The Suite Life on Deck had ended in May 2011, there would be no further projects for Zack and Cody on the Disney Channel. The actors were all moving on to new things.

Apparently, Dylan and Cole Sprouse had in fact pitched a fourth season of The Suite Life on Deck. This concept would’ve seen Zack and Cody return to Boston, where they would mentor a young boy living in the hotel, setting up this other character to have their own show. Disney passed on this idea, but later came back to the twins to pitch a similar idea. This time, the new show was going to be set in Miami with Selena Gomez reportedly attached to the project. The Sprouse twins were the ones to pass this time round.

There was also a spin-off that was meant to happen, surrounding hotel engineer Arwin, with Selena Gomez set to play his niece, but this never happened either. I’m going to assume this spin-off would’ve taken place after The Suite Life of Zack & Cody had finished airing or around that time, and not after the whole The Suite Life franchise had ended[9].

But there was one further screen production that did come to be after The Suite Life on Deck: The Suite Life of Karan & Kabir, an Indian adaptation of The Suite Life of Zack & Cody, which ran for two seasons on Disney Channel India. The first season ran from 8th April 2012 to 1st July 2012, with the second running from 27th January 2013 to 18th August 2013.

Now that Disney Channel has made successes of rebooting and reviving some of their old programmes, such as Raven’s Home (2017-23) and Wizards Beyond Waverly Place (2024-present), many have begun speculating about whether there will be a reboot of The Suite Life. Not to be the bearer of bad news, but recently, Dylan Sprouse confirmed his disinterest in being part of a The Suite Life revival, stating that this trend risks removing the nostalgia and magic of the original series, so it is best to just move on with your life and keep those memories untainted. I completely agree with Dylan Sprouse’s take on revivals, however, Dylan did also say you can “never say never”[10]. On the contrary, Brenda Song said that she would reprise her role as London Tipton if ever the opportunity did arise, since she loved playing the character[11]. Regardless of whether a reboot does or does not happen, the actors seem to keep in touch with each other, which is always good to see.

Outside of any screen adaptations, there was one other thing from The Suite Life on Deck which was remembered over ten years later. This was a moment in the Season 1 episode “When In Rome” where Zack and Cody are trying to get a reservation at a fancy Italian restaurant. They are told they can have a reservation – for 16th November 2023. So, on that date, there were many references to this moment online. Disney Parks even released a short video to their social media where a waitress tells Zack and Cody their table is ready – but obviously they do not show up. This video seems to have been recorded at Mama Melrose’s Ristorante Italiano at Disney’s Hollywood Studios in Walt Disney World.

Also at the Disney Parks, but this time at Disneyland, there was a small photo op at Disneyland After Dark: Disney Channel Nite in March 2024 featuring a backdrop of one of the corridors of the Tipton Hotel with a luggage trolley that guests could hang on to for a picture. There was also a The Suite Life of Zack & Cody Disney pin being sold a while ago.

FINAL THOUGHTS

The Suite Life Movie may not have been my cup of tea, but I can’t really say I’ve ever been a die-hard fan of the series, and I certainly was not a big fan of The Suite Life on Deck, so my criticism of the movie might seem a bit harsh, especially if you were a longtime childhood fan of the series and remember the DCOM fondly. But there were also many fans of the show who were disappointed in The Suite Life Movie for multiple reasons. For me, it was the strange sci-fi plot. It was just too random and not very “Suite Life”.

Despite the message about getting on with your siblings and having empathy for others, even if you are very different people, I didn’t come away from The Suite Life Movie thinking about it much. The concept of someone trying to merge people together and then control them forever, under the guise of creating world peace, was too disturbing that it took away from the overall message.

Some reviews said this movie was forgettable. Unfortunately, I don’t think I’ll ever be able to forget it, no matter how hard I try…


REFERENCES

[1] Credit: Kayleigh Banks, ‘Woody Fink From The Suite Life On Deck Explained’, ScreenRant.com, 11th June 2023.

[2] Credit: The Kelly Clarkson Show, ‘Brenda Song Reacts To Camila Cabello ‘PRNDL’ Story’, The Kelly Clarkson Show YouTube Channel, 3rd March 2025.

[3] Credit: Tierney Bricker, ’15 Secrets About The Suite Life of Zack and Cody, Including the “Worst” Kiss With Zac Efron’, EOnline.com, 18th March 2020.

[4] Credit: Author Unknown, ‘Production to Begin on “The Suite Life Movie” for Disney Channel’, TheFutonCritic.com, 20th September 2010.

[5] Credit: TigerBeat TV, ‘EXCLUSIVE: We’re on The Suite Life Movie Set!’, TigerBeat TV YouTube Channel, 18th February 2011.

[6] Credit: Disney Channel, ‘DCOM Extra: The Zip Line – The Suite Life Movie – Disney Channel Official’, Disney Channel YouTube Channel, 11th March 2011.

[7] Credit: Popstar!, ‘DYLAN SPROUSE On Filming the Water Scene in “The Suite Life on Deck” Movie!’, Popstar! YouTube Channel, 22nd December 2010.

[8] Credit: Scott Collins, ‘‘The Suite Life Movie’ on Disney was Friday’s most-watched scripted TV show’, LATimes.com, 28th March 2011.

[9] Credit: Tierney Bricker, ’15 Secrets About The Suite Life of Zack and Cody, Including the “Worst” Kiss With Zac Efron’, EOnline.com, 18th March 2020.

[10] Credit: Kristen Maldonado, ‘This Is Why Dylan Sprouse Is Not Interested In A Suite Life Reboot’, Kristen Maldonado YouTube Channel, 12th February 2024.

[11] Credit: Liz Foster, ‘The Suite Life Of Zack & Cody Revival Addressed By London Tipton Actor: “She’s My Literal Dream Character”’, ScreenRant.com, 28th February 2025.

#22 Onward (2020)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. PRODUCTION
  5. MUSIC
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

By the beginning of 2020, Disney were riding high on the commercial success of Frozen II, which had been released to theatres in November 2019, in time for the holiday season.

Meanwhile, Pixar were gearing up for their first movie release of the year. Onward was going to be Pixar’s first-ever March release. But there wasn’t too much concern. After all, there doesn’t tend to be too much competition in the cinemas in March, and Disney had been very successful with their most recent March release Zootopia in 2016.

What could possibly go wrong?

Well, we all know what happened in March 2020. As the world watched the ongoing situation with concern, some of us were determined to go about our normal lives while we could, whilst others were being more cautious, so a trip to their local movie theatre probably wasn’t part of their plans. This would’ve been a concern to Pixar.

I did watch Onward in the cinema with my family prior to the UK lockdown. It was one of the last things any of us did before everything descended into chaos, and we will always remember Onward for that reason. Although Onward was not met with critical acclaim, despite Pixar’s current standing as one of the top animation studios, I did like Onward, as did my family. It was a personal connection to the emotional story that touched me.

Sadly, it didn’t even matter that we and some others turned out to the movie theatres to watch Onward because three weeks after its release, much of the world was living with restrictions, and one of those was to close non-essential businesses, including movie theatres. Pixar’s hopes of financial success for Onward were shattered. 

It might be slightly inaccurate to blame COVID-19 for the downfall of Onward because it was claimed that box-office takings weren’t hugely different compared to what was expected at that point in the year. Onward did not get amazing reviews so perhaps that was the issue. It was quite a different type of story from the studio and the movie’s trailer didn’t help audiences understand what it was about.

For whatever reason, Onward remains as one of Pixar’s “flops”. Not necessarily through any fault of its own, but that is what it is remembered for, if it’s even remembered at all. If you weren’t aware of Onward before the lockdown, you probably wouldn’t have been interested in watching it afterwards. Unlucky timing had destroyed yet another movie.

PLOT

Onward begins with a narrator telling the audience that long ago, this world was full of wonder, adventure, excitement – and magic. Because it was difficult to master, magic faded away from the land, as new discoveries, such as electricity, made life easier.

In present day, we see that this area has become a suburban world very similar to our own but with the presence of fantasy creatures, like unicorns, centaurs, dragons, and elves. And it is an elf’s sixteenth birthday that begins this story. This elf is called Ian. He is socially awkward, struggling to make friends at school, and is quiet and shy. His older brother, Barley, on the other hand, is loud, brash, and overly confident. Barley is also obsessed with a role-playing board game, kind of like Dungeons & Dragons, called Quests of Yore, which references the magic that used to exist in this town, New Mushroomton.

On his birthday, Ian has plans for the day, like finally inviting that group of kids from his class to come to his house for a party, and being able to overcome his fear of driving during a driver’s ed class. But that doesn’t exactly work out…Plus, Barley comes to pick him up from school in his unicorn-emblazoned van called Guinevere, wanting to perform a special birthday ritual, which just embarrasses Ian further and he rushes back home.

At home, Ian listens to an old tape of his dad talking. Barley and Ian’s father is no longer with them, having passed away when Barley was just three years old and before Ian was even born. Ian and Barley’s mother gives them a gift from their father, which was to be handed to them when both of them had turned sixteen. They open it to find a wizard staff. Barley is ecstatic to find that their father dabbled in magic and wizardry, reading the gift’s accompanying letter which has a spell written on it; a visitation spell that will allow the boys to have 24 hours with their dad. Barley locates the phoenix gem in the package that is necessary to assist the spell and begins to recite the spell… Nothing happens. Barley tries again, and again, and again. Still, nothing happens. Disappointed, Ian wants to be left alone, all his hopes of finally meeting his dad and making his birthday worthwhile crushed.

Ian then starts to recite the spell alone in his room. To his surprise, it works and the staff begins to slowly reveal their father to him. Barley comes in to the room and sees Ian struggling with the power of the magic. Trying to help, he rushes towards the staff, only for the phoenix gem to shatter. Barley and Ian don’t see their dad in the room, however, a pair of legs in trousers make their way out of Ian’s wardrobe. They only managed to make half of their dad appear, so he can’t see or hear them. Barley says they should just find another phoenix gem and do the spell again since Ian has the gift of magic. Ian needs some convincing but wanting to see his dad – all of him – he agrees to go along with Barley’s seemingly crazy plan. Using Quests of Yore as a reference, Barley takes them to the Manticore’s Tavern to begin their quest.

At the Manticore’s Tavern, they discover that it is just a medieval-themed restaurant now, run by the overworked, stressed-out manticore Corey. Barley and Ian ask for the map to the phoenix gem. They are promptly passed one of the kids’ menus, but Barley wants the real map, seeing that it is still on the wall of the tavern. With all this talk of magic and quests, Corey is sad about what she has become, seeing her own quote on the wall about having to take risks in life to have an adventure, and starts to go wild, ripping the head off her restaurant’s walkaround mascot, kicking all of her customers out, and setting fire to the place. The map catches on fire, and Barley and Ian rush away from the chaos, with Ian managing to use a levitation spell to save their father’s legs from perishing in the fire, this spell needing your “heart’s fire” in order to be successful.

Outside, back at the van, Ian thinks their quest is all over without the map, but Barley has picked up one of the kids’ menus, where someone has finished the puzzle on it, which states they need to go to Raven’s Point to find the gem. Ian wants to take the expressway there, as he wants more time with their dad, but Barley says they should take the Path of Peril so it is like a real quest. Ian wins on this one and they get on the expressway.

Meanwhile, Ian and Barley’s mother, Laurel, has found they are not at home, and goes out to try and find them. She gets to the Manticore’s Tavern and speaks to Corey. Corey calms their mother down, saying she sent them on a quest – but then she realises she forgot to tell them about the curse! Laurel says they have to get to them quickly, but the police want to speak to Corey about how the fire started. Laurel manages to lie to the police and gets Corey into her car so they can follow the boys.

Back with Ian and Barley, the van has run out of gas, so they pull off the road to fill up, but Barley only has a few drops of fuel left in his jerrycan. Barley gets an idea, that Ian should do a spell to increase the size of the petrol can so the few drops in it will become bigger. Barley gets Ian into the right stance to do the spell and says he has to focus. As Ian tries to do the spell though, he becomes distracted by all Barley’s comments and the can doesn’t increase in size. Instead, Barley ends up shrinking… Fed up with this delay, Ian takes Barley and their dad to the nearest gas station to get more fuel. At the gas station, a motorbike gang of sprites have arrived. Ian tries to ignore them so they can just pay for the fuel and get out of there without any trouble. But Barley, still sprite-sized, decides he has to tell the sprites that they can actually fly so don’t need bikes. The sprite leader accuses Barley of calling them “lazy” and a chase ensues. Because of Barley’s tiny stature, Ian has to drive the van. Ian is anxious but he knows they have no choice as the sprites attack them. At one point, the sprites get inside, but using Barley’s van’s incredibly powerful air con unit, the sprites are blown away. Ian then crosses three lanes of traffic and gets to the exit. The sprites almost crash their bikes, but instead of crashing, they discover they really can fly!

Corey and Laurel are on their way to a pawn shop to retrieve Corey’s enchanted sword, the Curse Crusher, since that is the only way the boys will be able to defeat the curse. The curse will take the form of a dragon to fight them after they touch the phoenix gem. At the pawn shop, Laurel is about to pay for the sword when Corey starts explaining about how rare and powerful it is. The shop owner then raises the price so Laurel can no longer afford it. Corey decides instead of wasting their time negotiating the price, she’ll just sting the owner, paralysing them, so they can get out of there. Laurel throws some money on the desk and apologies, as Corey takes the sword and rushes back to the car.

Meanwhile, Barley and Ian have been pulled over by the police. Their father, with a top-half fashioned out of clothing by Ian, comes out of the van, immediately raising suspicions. Barley, who has returned to normal size, wants Ian to use a disguising spell, but to keep it working, Ian cannot lie. The spell is enacted and they become Officer Colt Bronco, who happens to be their mother’s boyfriend. Ian, pretending to be Officer Bronco, manages to get them out of trouble by saying he was on a driving lesson with Ian. However, as the officers are about to let them go, one of them calls Barley “a screw up” and when Ian tries to say that isn’t true, he is shown to be lying as part of the disguise slips.

They drive away again. Barley pulls over suddenly, upset. The two argue, with Ian trying to make things right again for what was said, but they are distracted by their dad who has started dancing to music that is playing on the van’s radio. They discover their dad was a really terrible dancer! After that brief interlude, Ian asks Barley where he thinks they should go next. Barley wants to go on the Path of Peril so they do. Unbeknownst to the boys, the officers from earlier contacted Officer Bronco as he seemed to be acting weird. Bronco knows it must be something with the boys so he drives around looking for them. He then sees a bumper sticker from the van at the entrance to the Path of Peril and follows it.

In the morning, Ian and Barley find themselves stuck as they come to a bottomless pit with a drawbridge that can only be lowered on the other side. You know what that means; time for another spell! Barley tells Ian to use a spell to make an invisible bridge, but the catch with this one is that he has to trust the bridge is there or the spell won’t work. Ian isn’t sure about this, so insists a rope is tied around his waist. Sure enough, when Ian tries to use the spell, he falls into the pit. Thanks to the rope, Barley pulls him back up. He warns Ian he needs to trust himself but the rope is a good safety measure. Ian tries again – and it works. He makes his way over the canyon, however, midway through, Barley sees that the rope has slipped off Ian. He tries to hurry Ian over the gap without alarming him, but one step from the end, Ian notices there is no rope and panics. He falls, but luckily, he grabs on to the side of the cliff and pulls himself up. Ian then lowers the bridge. Phew, that was a close one.

On the other side of the bridge, Barley notices a raven statue. He wonders if “raven’s point” actually means they need to follow where this raven is pointing. Before they can go on though, Officer Bronco shows up and tells them they need to get home. Ian pretends to follow his orders, but swiftly drives away, so the police pursue them. At the end of the road, they find themselves trapped. Barley tells Ian to use arcane lightning to block the road with rocks. Ian tries but is too flustered to make it work. Barley puts a rock on the accelerator of his van and launches it at the rocks instead, with Guinevere’s sacrifice saving them from being forced to go home as the police cars are stopped in their tracks.

Ian and Barley continue with their dad following various raven statues. Eventually, they get to a raven that is pointing down. Barley believes they have to go underground, but Ian spots a piece of rock with an engraving on it. Barley says that means they have to get to the end of the water. They don’t have much time, so hurry towards a cave with a long river flowing through it. Ian wants to speed this up, so he enlarges a cheese puff which the three ride down the river. Barley then confesses to Ian that instead of having three memories of their father, he actually has four, but the fourth is of Barley attempting to say goodbye to his father in hospital, but being too scared of all the tubes and wires that he never managed to go into the room. From that point on, Barley vowed to never be scared again.

At the end of the water, Barley tells Ian there will likely be traps here. Sure enough, one shows up – a gelatinous cube, something Barley has been talking about on this whole quest! Ian uses spells to get them away from it, but they fall into a cave that is filling with water. The only way to get out is to keep pressing a rock on the cave floor so the opening at the top will appear, but no-one can hold their breath underwater for that long… Except they have half a dad who they can use! Ian leads their father onto the rock with the cable they’ve attached him to and the opening appears. All three get out – and find themselves at Ian’s school, with no sign of a gem anywhere. Ian is distraught, believing it must’ve been at Raven’s Point in the mountains like he first thought, not where Barley said. Ian walks away with their dad to salvage what is left of the day. Feeling guilty, Barley searches around the fountain they appeared from, not wanting to be a screw up like everyone thinks he is.

Ian sits with his father, looking at a checklist of plans he hasn’t achieved. Ian then realises that actually, he did do all of these things, but with Barley who has always been there for him. Ian rushes back to be with Barley, and they find the phoenix gem in the fountain. As they touch it, red smoke pours out of the fountain and a dragon is constructed from pieces of rock and cement from the school building. Corey and Laurel soon arrive, with Laurel riding on Corey’s back, using her wings for the first time in ages, after Laurel’s car is totalled having crashed into a sprite. They try to defeat the dragon, telling Ian and Barley to go and finish the spell. Laurel manages to pierce the “heart” of the dragon with the Curse Crusher, but it is too powerful and isn’t fully defeated; the sword comes out and the dragon begins to pursue Ian and Barley again. Barley and Ian’s dad has not fully regained his form, so Barley says he’ll go and defeat the dragon so Ian can finally meet their dad. Ian says he’ll distract the dragon since he never knew their dad and he’s always had Barley. Barley should be allowed the chance to finally say goodbye to him.

Using magic, Ian sets about destroying the dragon. Although the wizard staff shatters at one point, Ian manages to use a splinter of it to recraft a new one. Laurel then throws the Curse Crusher at Ian who uses it to fully destroy the dragon. It crumbles into rubble with Ian at the centre of it. He finds a gap in the rubble to see their dad. Ian can only see the back of him, and can’t get out of the rubble in time. At sunset, their father disappears forever. Barley tells Ian that their dad is very proud of the people they have become. Ian says he is who he is because of Barley. Barley then gives Ian a hug from their dad.

Sometime later, Ian says that magic has returned in small ways to their town, as sprites can now fly, and Officer Bronco, a centaur, has learnt to run again. Ian even has some new friends now, and to make up for Guinevere, Ian gets Barley a new van and paints another unicorn on to it. The two head off on their next adventure together.

CHARACTERS & CAST

The story of Onward really focuses on four main characters. The first of which is Ian Lightfoot, the sixteen-year-old elf. At the beginning of the movie, Ian is quiet, shy, nervous, and awkward. He doesn’t have many friends and he struggles to speak up for himself at school, leading him to be mostly ignored or forgotten by his classmates. Amongst all of the usual teenage troubles, Ian is also very aware on his birthday that his father isn’t there, and that Ian has no memories of him because he died before Ian was born. This makes Ian wonder who he is supposed to be and whether he is anything like his father at all. Although Ian speaks to one of his dad’s old college friends, and has a checklist of actions to be more like him, it doesn’t work out and it’s not until Ian learns he has the gift of magic, when trying to resurrect his father, that Ian figures out who he is meant to be. Magic makes him special and the quest, as well as mastering the spells, shows Ian all the ways that he has become a great person, someone to be proud of, someone his dad is proud of.

Ian was voiced by Tom Holland, best known for being the current Peter Parker and Spider-Man. Holland first made his appearance as Spider-Man in Captain America: Civil War (2016), but his first Spider-Man movie was Spider-Man: Homecoming (2017). Holland appeared as the character in other Marvel movies including Avengers: Infinity War (2018) and Endgame (2019). Holland has won awards for his performance as Spider-Man, including Saturn Awards for Best Performance by a Younger Actor from 2017 to 2019, and Kids’ Choice Awards in 2020 and 2022. Outside of Marvel, he starred as the title character in the movie Cherry (2021) and is set to star in The Odyssey, a 2026 film to be directed by Christoper Nolan. Holland also recently performed the part of Romeo in Romeo & Juliet on the West End in Summer 2024, with the show reportedly heading to Broadway.

Despite Ian growing up without a father, he has always had his older brother, Barley, by his side. Barley is the complete opposite of Ian, being loud, brash, and overly confident. But he is proud of his little brother and wants him to succeed. For example, Barley’s entire life seems to revolve around the board game Quests of Yore, which is all about magic, so when it is discovered that Ian can do magic, you might expect Barley to be jealous that Ian has the gift and Barley does not, but in actual fact, Barley uses all of his knowledge of magic to help Ian learn how to master his new gift. Barley might barrel into situations without thinking and might be too spontaneous, but he always means well.

Chris Pratt voiced Barley. He used to be known for his comedic roles, such as his casting as Andy Dwyer in the sitcom Parks and Recreation (2009-15), which also starred Amy Poehler. He then went on to be cast as Peter Quill / Star-Lord in Guardians of the Galaxy (2014) and its 2017 and 2023 sequels. Much like Tom Holland, Pratt has reprised his Marvel characters in other Marvel movies, such as Avengers: Infinity War and Endgame. Pratt is also known for his role as Owen Grady in the Jurassic World trilogy alongside Bryce Dallas Howard. He is no stranger to voice acting either, having voiced the character Emmet Brickowski in The LEGO Movie (2014) and its 2019 sequel, as well as voicing Mario in The Super Mario Bros. Movie (2023). When Pratt was cast as Barley in Onward, he excitedly called Tom Holland to say they were going to be Pixar brothers as well as Marvel brothers. It also seems that they got to record some of their lines in the same room as each other, which isn’t overly common in animated movie production[1].

Outside of the escapades of the two brothers, we also get to see their mother, Laurel, go on her own quest – to find them. Laurel is a loving mother, clearly having some misplaced guilt that her children didn’t get to grow up knowing their father, and being especially sad that Ian never got to meet his dad at all. However, Laurel is also tough; she knows how to handle her boisterous son, Barley, and she isn’t scared to fight a stone dragon for instance. Laurel actively gets involved in the quest to protect her sons from the curse that awaits them should they find the phoenix gem, but, despite the danger, she doesn’t want to stop them searching for it. Laurel is eager for her sons to reunite with their father; she wants to protect them from the curse and ensure they get to spend some precious time with their dad.

Laurel was voiced by Julia Louis-Dreyfus, who previously voiced the character of Princess Atta for another Pixar movie: A Bug’s Life (1998). Louis-Dreyfus is known for her more comedic roles, being cast as Elaine Benes in the sitcom Seinfeld (1989-1998), and, from 1982 to 1985, being a cast member on Saturday Night Live (1975-present). In recent years, she was cast in the lead role of Selina Meyer in the hit political comedy series Veep (2012-19), winning numerous Emmys and SAG awards for the performance. She has also had her own experience with Marvel like her on-screen sons, being cast as Valentina Allegra de Fontaine in the Marvel Cinematic Universe, including in the movie Black Panther: Wakanda Forever (2022).

Helping Laurel find her sons is Corey the Manticore. Corey initially is shown to be an overworked, stressed-out manager, having turned her fabled tavern into a restaurant. After Ian and Barley show up looking for the map to the phoenix gem, and for some help with their quest, Corey realises she has become tame and boring. With all that pent-up anger inside her, Corey sets fire to her tavern and in the chaos, the boys flee, not allowing Corey time to tell them about the curse. Luckily, Laurel shows up looking for them and Corey tells them everything she knows about the curse. They go and get Corey’s sword, the Curse Crusher, this being the only way to defeat the curse, and then work together to defeat the dragon. They don’t end up being the ones to vanquish the dragon – that was Ian – but they showed that they are brave, strong women anyway.

Corey was voiced by Octavia Spencer, who voiced the character of Mrs. Otterton, the wife of the missing Emmitt Otterton, in Disney’s Zootopia (2016) prior to her casting in Onward. In live-action movies, Spencer won the Oscar for Best Supporting Actress, and the BAFTA, for her role as Minny Jackson in The Help (2011), and was later cast as Johanna Reyes in the last two Divergent series movies, Insurgent (2015) and Allegiant (2016). Spencer was also cast in other notable movies, such as The Shape of Water (2017), where she played Zelda, and Hidden Figures (2016), playing Dorothy Vaughan. More recently, Spencer played Poppy Parnell in the AppleTV+ series Truth Be Told (2019-23).

A couple of other characters to mention are Officer Colt Bronco, a police officer as well as Laurel’s boyfriend, and Wilden Lightfoot, Laurel’s husband and Barley and Ian’s father. Ian and Barley have gotten used to Officer Bronco being their unofficial stepfather, however, they do still find it a bit weird, especially as Officer Bronco is frequently being hounded about Barley’s constant protests, protesting against the demolition of the town’s magical artefacts and locations. Bronco is also searching for the boys at the same time as Laurel, and he does track them down on the Path of Peril, but instead of being understanding about the boys’ wish to complete the spell to see their father, Bronco orders them to come home straight away. The boys defy him, but Bronco doesn’t seem to be too bothered about it by the end of the movie. They are a more cohesive “family” by then, with Bronco even learning to run like centaurs used to, as Barley told him they did. Bronco was voiced by Mel Rodriguez, who was cast as Todd Rodriguez in the FOX series The Last Man on Earth (2015-18) before appearing as Hugo Ramirez in CSI: Vegas (2021-24).

Wilden Lightfoot mostly only appears in the movie as two legs, meaning that he cannot see or hear his sons. They try to communicate with foot tapping, either Wilden tapping the floor, or Barley and Ian tapping his shoes, but it can’t have been what Wilden was expecting when he gifted the boys the Visitation Spell. He spends much of his time being attached to Ian with some sort of cable, being dragged along on this quest. To animate this, the Pixar team used live-action reference material, dressing someone up in a green screen suit so that only their legs were showing, so that they could figure out how to make half a body communicate and feel like a whole person. Ian tries to fashion a “top half” for Wilden’s legs, but it’s not the same for any of them. Wilden wants to see his sons, and to meet Ian, just as much as the boys do – it must also be quite disconcerting not having a head – so he wants the spell to be re-enacted. When it is, though, because of the curse, Wilden only gets to see his son Barley. It’s a touching few moments for the two, as the sun is about to set, with Barley getting to hug and say goodbye to his father, something he never managed to do when his father was dying in hospital. Barley passes on the information to Ian, but it’s a bittersweet moment, for all three of them. But they do get a laugh out of the fact Wilden’s “wizard name” was Wilden the Whimsical. Ian and Barley’s love of magic made them feel close to him even though he is not with them.

Wilden doesn’t really have many lines in Onward, despite being a very present character. He does narrate the opening lines of the movie, which are paraphrased by Ian at the end of Onward, and there is the conversation that Ian listens to on tape, just to hear his dad’s voice. These few lines were spoken by Kyle Bornheimer. Bornheimer has had roles in movies such as Ted, a lawyer in Marriage Story (2017); Andrew, Lyla’s husband in The Big Wedding (2013); and Joe in Bachelorette (2012). On television, he was recently cast as Doug in the science-fiction comedy series Avenue 5 (2020-22), and appeared in the recurring role of Sergeant Teddy Wells in Brooklyn Nine-Nine (2013-21). 

Finally, it’s always worth spotting the John Ratzenberger cameo in Pixar movies. In Onward, he voiced Fennwick, a construction worker. Ratzenberger had voiced a character in every Pixar movie up until Onward, but would not return as a voice cameo for the studio again until the release of Inside Out 2 (2024).

PRODUCTION

Although Onward was not completed until 2020, the movie had been in development since 2013, when Dan Scanlon, fresh from his Pixar directorial debut on Monsters University (2013) teamed up with two others from that movie, Kelsey Mann and Kori Rae, to begin work on a new story.

Dan Scanlon had previously worked as a storyboard artist for Disney on the direct-to-video sequels, The Little Mermaid II: Return to the Sea (2000) and 101 Dalmatians II: Patch’s London Adventure (2003) before joining Pixar in 2001, working on features such as Cars (2006) and Toy Story 3 (2013) as a story artist prior to Monsters University. Kelsey Mann joined Pixar in 2009, working as a story supervisor on Monsters University before moving on to work on the story for The Good Dinosaur (2015), alongside his story work for Onward. He also directed Inside Out 2 (2024). Kori Rae was a producer on Monsters University, having worked as a producer on other Pixar movies previously, such as Monsters, Inc. (2001) and The Incredibles (2004).

Scanlon already had an idea of a personal story he wanted to tell and discussed it further with Rae and Mann. This idea was based on the fact Scanlon’s father had died when he was just one-year-old and his brother was three. Neither of them really reminded their father, however, when Scanlon was 16, he was given a cassette of his father speaking just two words, “hi” and “bye”. It wasn’t much information to be given about what his father was like, but Scanlon and his brother could sense that he was a bit shy and awkward, kind of like them. With this personal experience, Scanlon wanted to tell a story about needing to know your parent to know yourself, to figure out how you are like them or not. But instead of this movie being made in honour of his father, Scanlon felt it was more about honouring his older brother, because he had been there for him his whole life. Scanlon actually didn’t tell his brother about the movie he was developing, wanting it to be a sort of surprise[2].

From this initial point, the story team of three began to ask questions about this experience to pull out more pieces of information that could be used to make a complete story. They eventually came to the idea what if you had one more day with that person; what would you do, what would you say? And that is how the resurrection of Ian and Barley’s father came to be the primary focus of the story, with the return of their father making Ian question many aspects of himself, and how he might be more like his dad[3].

They had the main plot and point of the story, now they had to create the world Onward would be set within. Because of the fact they needed to be able to have Ian and Barley meet their father after his death, it was quickly known that magic would have to be an integral part of the movie, otherwise, how else would they be able to see him again? Pixar are used to making interesting locations for their movies, so Onward was no exception, but in this case, they delved into the world of fantasy story-telling for their setting.

Onward is set in the fantasy town of New Mushroomton, however, this movie isn’t like a Tolkien story, because it is actually a contemporary setting, just with magical elements. New Mushroomton feels like any normal town, with houses, a police department, restaurants, burger bars; it just so happens to be populated by fantasy characters. This modern setting was useful to keep non-fantasy fans on board as they can find similarities within the town in Onward and their own town. It was also a necessary aspect of the story because if everyone in the town still had and used magic, then Ian and Barley’s quest wouldn’t be difficult. Instead, they have to discover the old magical elements and locations of the area and find their own way to the phoenix gem. The Pixar team used a ratio of 70:30 familiar to fantasy in all aspects of their creative process to maintain this balance. As research for this new location, the filmmakers surveyed neighbourhoods around Los Angeles, such as Los Feliz and Frogtown, to look at the most interesting things around there – parking lots and power lines! New Mushroomton had to feel relatable and real[4].

The citizens of New Mushroomton take many forms, for example, Ian and Barley are elves, but many of the police officers, like Officer Bronco, their almost-stepfather, are centaurs. We also spend time with Corey the Manticore, a legendary creature that is a mixture of a lion and a scorpion with wings. The difficulty didn’t come in designing these characters; there are many depictions of fantasy creatures easily viewable. The challenge came in making them fit into this modern world. There were questions over how to design the centaurs. They have human top halves, but their bottom half resembles a horse – does that mean they can only wear a shirt and no pants, or should pants be put on them?  In the end, Officer Bronco did not wear pants, and has a belt to separate his two different body types. Another character design decision made for Officer Bronco was to give him a horsey laugh. Corey the Manticore is initially seen wearing a tight shirt and waistcoat, with her paws being squeezed into heels, and her hair neatly tied back. This outfit choice was made to show that she is being restricted in her mundane life working in the restaurant. When she learns to be wild again, her shirt is shredded, to leave her with a vest-like top, her heels are gone, and her hair is wild and messy to match her new personality. The Pixar team saw her as a big, buff lady, kind of like a retired wrestler that cannot be tamed, no matter how hard she tries! Then there are the sprites who are normally depicted as tiny, pretty fairies. In the case of Onward, these sprites have been turned into scary, tough bikers, complete with leathers, mohawks, and piercings. It wouldn’t have made sense in this contemporary world for the sprites to have been flying around, sprinkling fairy dust on people, and the sprites end up being the complete opposite to how we’d expect them to be!

To fully form the mystical quest that Ian and Barley would go on, Pixar looked to their own staff, specifically those that were fans of fantasy stories, movies, and games, a group they called “The Fellowship”. This group were responsible for creating the rules of magic in Onward. Magic in Onward is used to show personal growth for Ian. He has to work hard at the magic to become his best self, so the magic couldn’t just be point, say some words, and something happens; there had to be something specific Ian had to do to help him in his mastery of the craft. The group were tasked with coming up with names for the spells, and to figure out tasks that had to be done to get the spells to work successfully. “Heart’s Fire” was one of the first things Ian had to work on, and that means showing passion and conviction. Another key task was about trust, which features in the bridge scene, where Ian has to believe that the bridge will appear or it won’t. The filmmakers got to experience this scene for themselves via a VR session. All of them said it was a terrifying experience even through a screen. By the end of the movie, Ian has mastered enough spells and dug deep within himself that magic has started to come back to New Mushroomton, because no doubt their battle with that dragon has gone down in local history[5]!

This scene, named “Dragon High”, was a particularly complex scene to animate, as it was the big climatic moment of the movie, the final part of Ian and Barley’s dangerous quest, plus, it involved so many different animation departments. It became a regular occurrence to get all the departments together to constantly review this scene so that it was a collaborative experience. The assembling of the dragon was reworked as different sized chunks of cement were jammed together to make this beast, with the dragon mascot of the school being used as the dragon’s face to give a moment of humour in amongst all that fear and peril. The team used VR once again so that they could stand next to the dragon and feel the size and scale of it[6].

Although the ending of Onward had been decided at a fairly early stage of the movie’s development, and the story was always going to feel like a quest, some story elements did not make it to the final cut of the movie. Some of these story edits included having Ian be a lover of magic from a very young age, with Barley supporting him in his attempts to use spells by helping him train. It was later decided that it would create more tension if Ian was the one to have the gift for magic despite not being bothered by it and have Barley know all the facts about it. There was also a fan-favourite character within the studio, Guinevere, also known as Jenny, who was cut, with elements of her personality being put into the character of Barley. Jenny was a teenage satyr who worked at the Manticore’s Tavern. She was set to go on the quest with Ian and Barley, after saving them and the map from the fire at the tavern. Jenny had asked for a job at the tavern hoping the Manticore would help her be a real warrior, but it never happened, so meeting Ian and Barley was her chance to fulfil her dream. She also had a car, which Ian and Barley did not have at this point. Jenny’s car was called Guinevere and must’ve been the inspiration for Barley’s van[7].

Speaking of the van, a lawsuit was filed shortly before Onward was released to the public by an artist named Sweet Cecily Danihar. She sued Disney and Pixar, accusing them of creating an animated double of her own adorned van without permission. She had hired out her van, complete with a unicorn on the side of it, to Pixar for a one-day special event in September 2018. In May 2019, Daniher discovered that Pixar’s new movie had a van just like hers in it. She claims that the producer of Onward apologised to her a few days later, admitting that they had used her van as inspiration for the movie without her consent. Daniher was suing for copyright infringement. The lawsuit was later dismissed[8].

By December 2018, the basic plot of Onward was revealed along with the cast list. Its release date of 6th March 2020 was also confirmed. Further details of the movie were revealed at the 2019 D23 Expo in August 2019, with clips of the movie being shown to the audience and the cast of the movie speaking about their experience working on the film.

By 2020, Onward was finally ready to be revealed to the public. Scanlon was pleased with the result and felt that the movie-making process had been therapeutic, and not even just to him. During the process, others on the team were also telling their own stories of similar experiences which were added into the movie. The title of the movie Onward references the overall message about moving forward in a positive way. It also hints to the fact that life is always a journey and you have to keep going even when obstacles arise. It’s also a nod to the fact that Barley’s van is not set to “D” for “drive”, but “O” for “Onward”!

Despite the heavy subject matter of Onward, it wouldn’t be a Pixar movie without their usual Easter eggs. Their Pizza Planet truck can be seen at the time that the boys pay to go through a toll bridge, however, the name of the restaurant in Onward is actually Pizza Realm to match the tone of the movie. A113, referencing the classroom of CalArts where many of Pixar’s original artists studied animation, is used as a police code here. There are even references to the Marvel Cinematic Universe, with Barley’s jacket having a patch of the infinity gauntlet on it, and there is a sticker of Thanos’ gauntlet inside his van. Also, in the gas station that they go to, you’ll see Triple Dent gum, the gum with the catchy jingle from Inside Out (2015) on the shelves. Pixar also like to reference their upcoming movies in their films, so Soul (2020), the next Pixar movie to be released, can be seen in a small way, with a Dorothea Williams album sitting on a shelf in Ian and Barley’s home.

MUSIC

Since Onward is about two brothers, doesn’t it make so much sense to have two brothers write the score for the movie?

These two brothers are Jeff and Mychael Danna. They had previously worked for Pixar to compose the score of The Good Dinosaur (2015), and had composed the music for the animated The Addams Family (2019) and its 2021 sequel. Mychael Danna also won multiple awards, including the Academy Award for Best Original Score, for his music for Life of Pi (2012). The Danna Brothers were moved by Dan Scanlon’s story, having both lost their father too, but at an older age than Ian and Barley.

For the composition of the music, they liked the idea of writing “wizard rock”, where Tolkien’s fantastical world met the world of heavy metal. This was the perfect sort of music to be blasting out of Barley’s van, like the pieces “My Mighty Steed” and “Sacrifice”, where Guinevere is a key part of the scene[9]. It’s not exactly to my taste but it certainly suits Barley. They also found there were a lot of options for the music with it being a fantasy movie, as moments need to be vast and epic at times, like the culmination of a great quest or journey, “Battling the Dragon”, or small and quiet to match more emotional moments, such as “Share My Life With Him”, which is played as Ian realises he may not have got to share his life with his father, but Barley was the one always there for him. This is my favourite piece within the score. “Dad” is another quiet piece but it is tinged with sadness as you realise Ian never got to see his father like he wanted to.

Mychael Danna and Jeff Danna won the BMI Film & TV Award for Film Music for their score here, and were nominated at the Annie Awards and the Hollywood Music in Media Awards too, but they lost out to Soul’s soundtrack at both ceremonies.

There is also an original song within the soundtrack called “Carried Me with You”, which plays during the End Credits. It matches the tone of the movie, talking about someone lifting you up and guiding you through life. It was written by Brandi Carlile, and Phil and Time Hanseroth, and was performed by Brandi Carlile. “Carried Me with You” was nominated for Best Original Song at the Grammy Awards and the Hollywood Music in Media Awards, however, it lost to Billie Eilish and Finneas O’Connell’s “No Time to Die” from the Bond film of the same name at the Grammys, and lost to “Just Sing” from Trolls World Tour (2020) at the Hollywood Music in Media Awards.

RECEPTION

Onward was released to theatres on 6th March 2020.

As is typical for Pixar, they released Onward alongside a short film, this being Playdate with Destiny (2020) that was not a Pixar short. It is actually a short from The Simpsons (1989-present), and follows Maggie as she falls for another baby called Hudson. This short came to Disney+ in April 2020.

Pixar are used to receiving critical acclaim for their movies, however, they do not always succeed. Cars 2 (2011) and The Good Dinosaur (2015) are two Pixar movies that failed to reach the usual standard expected of the studio. In this case, Onward didn’t receive too many negative pieces of criticism, reaching a Certified Fresh 88% score on Rotten Tomatoes for example, higher than the other two films I’ve just mentioned, but it didn’t receive huge amounts of praise.

On the negative side, Onward was frequently compared to Inside Out (2015) as both Pixar movies focus on human emotion and feelings. Inside Out was a very highly rated film and it was incredibly creative and clever, so critics complained that Onward lacked the innovation and inventiveness of Inside Out. The pacing was also debated. Some felt it was quicker and more energetic than other Pixar movies, whereas others felt the episodic structure made the story less cohesive. I will agree that Onward felt episodic, in terms of the characters finding themselves with tasks to do as part of their overall quest, kind of like a board game. This didn’t bother me, I tend to like that kind of structure because it means that the focus of the story remains, and the boys were meant to be experiencing a real-life version of Barley’s Quests of Yore game, so it felt right to me. Others didn’t feel like Onward was as funny as they know Pixar movies can be. Again, I agree with this, and I like a good laugh, so it was a bit disappointing, but I did find it funnier than Soul (2020). Some also felt that the story was an after-thought to the big emotional ending of the film, feeling that the filmmakers had built the story around that final moment.

More positive reviews stated that it was a good movie for boys. Although Pixar, I feel, have made more films that appeal to boys, Disney struggle in that respect, for the most part, and with the last movie to come out of Disney before Onward being Frozen II, it was probably more appreciated. Others felt the voice casting of Tom Holland and Chris Pratt as Ian and Barley were the perfect choice, as their brotherly chemistry was easy and natural, with the two making Ian and Barley likeable characters. Onward also felt very poignant to viewers especially if they had lost a parent. It was generally felt that Onward was well-executed, as you’d expect from Pixar, although, even in the positive comments, some still didn’t think it was anything ground-breaking.

I will admit that I was sceptical of Onward after viewing the trailers. I didn’t have a clue what the story was going to be, which is actually quite normal for Pixar; they like to keep you in the dark, although it was clear that the movie was going to be set in the fantasy world, something which doesn’t really appeal to me. I wasn’t sure I was going to like Onward initially, but I really did. I think setting Onward in a contemporary version of a fantasy world helped to keep me interested, as it felt familiar at the same time as feeling different, and I’m all for watching tear-jerkers, although I did have more sad than happy tears with this one.

Another thing that was welcomed by some viewers was the brief moment of LGBT+ representation, which comes during the scene of Barley and Ian talking to two cops disguised as Officer Bronco. Officer Specter states that she is struggling to bond with her girlfriend’s children, trying to reassure “Bronco” that eventually he’ll feel more natural being a parent to Barley and Ian. It was actually the voice artist for Specter, Lena Waithe’s idea to use the word “girlfriend” in this scene. Although this nod to diversity and inclusivity is something that Disney and Pixar are featuring more of in their recent movies, this particular scene did lead to banning and censoring of Onward in certain countries. Onward was not shown in Kuwait, Oman, Qatar, and Saudi Arabia, however, other Middle Eastern countries, like Egypt, Lebanon, and Bahrain, did show the movie. Russia censored the scene, by changing the word “girlfriend” to “partner” and not referencing the character’s gender[10].

At the box-office, Onward debuted to $40 million, which was enough to top the box-office charts, but was not as much as Pixar would normally expect., however, the $40 million was still within the projections of between $40 and $45 million, even with the potential future of the pandemic weighing on everyone’s mind[11]. Box-office revenues dropped the week after, by 40%, but Onward was still at the top of the box office. It was debated how much the COVID-19 pandemic was affecting box-office results at the time and whether the decline was anything more than what would normally be expected after a movie’s opening week[12]. Movie theatres were closed just a couple of weeks or so later across many countries.

This is why Onward became available to buy digitally in the US much earlier than usual, on 20th March 2020. It followed that by coming to Disney+ on 3rd April in the US, although it would not be released in other countries on Disney+ until many months later. This was Disney’s way of dealing with the financial blow that the closure of movie theatres had on Onward’s takings. It is difficult to assess the success of a movie once it comes to streaming though, so it is unclear how popular Onward was when it first came to Disney+.

In the end, Onward made around $140 million worldwide before being removed from theatres, which is less than its reported $200 million budget. Onward may’ve been the first Pixar movie to be affected by COVID, but it was not the last. Soul struggled as well, as many cinemas continued to be closed during its theatrical release in December 2020. This is why Soul was given a Disney+ release on 25th December 2020[13]. Because Pixar knew what had happened to Onward, it meant they could have a back-up plan for Soul. With Onward, nobody could’ve guessed how impacted by the pandemic it would be.

Finally, another way of measuring a movie’s success is with its award success – although that should not be the only way because we all know how up-and-down awards season can be. I’m still struggling with the 2025 Oscars. I’ll get over it… one day. Anyway, Onward did not have huge success in terms of awards. It did win the Saturn Award for Best Animated Film, and it won the People’s Choice Award for The Family Movie of 2020, but that was mostly it. It was nominated at many major award ceremonies, but it lost to Soul at the BAFTA Film Awards; the Golden Globes; and the Oscars in the Best Animated Feature Film category. At the Annie Awards, which are all about animation, Onward was nominated in many categories, including for Best Animated Feature, Editorial, Character Animation, and Writing, but it lost to fellow Pixar movie Soul once again in all these categories.

LEGACY

Prior to Onward’s theatrical release, the Disney Parks began their celebration of the movie, by showing an exclusive preview of the film. This was at the Tomorrowland Theater at Disneyland and at Walt Disney Presents at Disney’s Hollywood Studios in Walt Disney World[14]. This is a normal part of their marketing.

Outside of that, Pixar also recreated Barley’s van, Guinevere, complete with bumper stickers, the unicorn mural, and the “Gwniver” license plate. This van went on a 10-city tour to promote the movie, where visitors could take photos next to the van, and get free merchandise such as posters and stickers. The van journeyed to places like San Diego, Phoenix, Dallas, New York City, and Miami during February and early March 2020. Pixar reportedly did something similar for Cars 3 (2017) where life-sized versions of Lightning McQueen, Cruz Ramirez, and Jackson Storm were taken around the US, and for Toy Story 4 (2019) with their RV tour, which also had carnival games[15].

Ian and Barley made their meet-and-greet debut at Disneyland the day before Onward was set to be released in theatres. On 5th March 2020, Ian and Barley were available to meet guests in front of their van as part of the Disneyland After Dark: Pixar Nite special event. They then moved to Pixar Pier in Disney California Adventure Park on 6th March 2020 to meet guests, however, they would not be there long as the Disney Parks closed for the COVID-19 pandemic on 15th March 2020. To make it worse for Ian and Barley, they were meant to be heading to Hong Kong Disneyland for their Pixar Water Play Street Party in Summer 2020, but due to the park’s ongoing closure, this parade was postponed[16]. Ian and Barley did eventually join the parade in 2021.

Ian and Barley then returned with Guinevere the van to Disneyland for Pixar Fest in 2024, running from 26th April to 4th August. They were available to meet guests throughout the day at the Fantasyland Theatre, however, despite characters from Soul (2020), Luca (2021), and Turning Red (2021) all having floats in the Better Together: A Pixar Pals Celebration parade, with these being three of Pixar’s most recent movie releases, Onward was left out. Onward was lucky to be featured briefly in the Pixar Fest nighttime fireworks show, Together Forever – A Pixar Nighttime Spectacular, after “The World Es Mi Familia” segment from Coco (2017), with the scene of Ian battling the stone dragon being projected onto Sleeping Beauty castle. Outside of this, the only other place where you could find references to Onward is at the Pixar Place Hotel in Disneyland, most likely in artwork.

Many fans currently are lamenting the lack of merchandise that features any of the Onward characters. At the time of the film’s release in 2020, you could purchase clothing, books, plush toys of Ian and Barley, an Onward MagicBand, and Funko POP figures[17]. They did later release a real Quests of Yore board game, but outside of this, there is very little merchandise for them still around, perhaps a couple of t-shirts and some pins. Sadly, this is a scenario that many fans of lesser-known or under-appreciated Disney and Pixar movies have experienced for years. Onward fans, now you get to join the club…

FINAL THOUGHTS

Onward will likely never recover from its reputation as an “uninspiring” Pixar movie, or from its link to COVID-19. It struggled at the box office and received lukewarm reviews. It will unfortunately never be one of Pixar’s best to most people.

Onward has plenty of emotional moments, with the heart of the story revolving around grief and loss. Onward felt very personal to me. Not because I lost a parent at a young age, but because someone close to me did. They were young, but not as young as Ian and Barley, and they didn’t have a sibling to help them through it, but still, some moments felt strangely close to home, such as the guilt and sadness at not having enough memories of that parent, as well as the difficulty in seeing that parent becoming a shell of themselves through illness. It’s something that never leaves you, and the grief can creep up on you at the strangest of times.

It’s unfair to sit through Onward picking up on Pixar’s “lack of innovation or originality” when your focus is meant to be on the subject of grief. Grief and loss are a part of life, and yes, Disney has made plenty of movies that involve the loss of a parent – to the point that, for some reason, people find it comical – but consider this: is it not a potentially necessary way of helping children in particular cope with a similar circumstance?

Maybe watching one movie might get them to talk about what they’re going through instead of bottling up their feelings and thinking they just have to get on with life like nothing even happened.


REFERENCES

[1] Credit: Pixar, ‘Introducing Onward Featurette I In Theaters March 6’, Pixar YouTube Channel, 6th February 2020.

[2] Credit: Jude Rogers, ‘How Pixar’s hit Onward was born from childhood bereavement’, TheGuardian.com, 27th February 2020.

[3] Credit: Zach Johnson, ‘Inside the Six-Year Journey to Make Disney and Pixar’s Onward’, D23.com, 14th January 2020.

[4] Credit: Jeanine Yamanaka, ‘A Behind the Scenes Look at Forging “Onward”: From the Fantastical to the Familiar’, AllEars.net, 12th February 2020.

[5] Credit: Pixar, “Heart’s Fire”, from Onward (2020) Blu-Ray (2020).

[6] Credit: Pixar, “Dragon High”, from Onward (2020) Blu-Ray (2020).

[7] Credit: Pixar, “Deleted Scenes”, from Onward (2020) Blu-Ray (2020).

[8] Credit: Ashley Cullins, ‘Artist Sues Disney, Pixar Over Unicorn-Adorned Van in ‘Onward’’, HollywoodReporter.com, 28th January 2020.

[9] Credit: Pixar, “Wizard Rock”, from Onward (2020) Blu-Ray (2020).

[10] Credit: BBC, ‘Pixar’s Onward ‘banned by four Middle East countries’ over gay reference’’, BBC.co.uk, 9th March 2020.

[11] Credit: Rebecca Rubin, ‘‘Onward’ Leads Box Office With Ho-Hum $40 Million’, Variety.com, 8th March 2020.

[12] Credit: Dave McNary, ‘Box Office: ‘Onward’ Leads as Coronavirus Stunts North American Sales’, Variety.com, 14th March 2020.

[13] Credit: Jack Walters, ‘Pixar’s 9 Biggest Box Office Bombs Explained’, ScreenRant.com, 17th September 2023.

[14] Credit: Drew Rasor, ‘You Can Catch A Sneak Peek at Disney/Pixar’s ‘Onward’ At Disney Parks Soon!’, AllEars.net, 24th January 2020.

[15] Credit: Julie & T.J., ‘Pixar’s ‘Onward’ Brings the Real-Life Van, Guinevere on Tour – Will It Come to a City Near You?’, PixarPost.com, 3rd February 2020.

[16] Credit: Laughing Place Disney Newsdesk, ‘“Onward” Meet and Greet Comes to Pixar Pier at Disney California Adventure’, LaughingPlace.com, 8th March 2020.

[17] Credit: Zach Perilstein, ‘‘Onward’ Merchandise is Now Available at Disney Parks’, BoardwalkTimes.net, 18th February 2020.

Go Figure (2005)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

My childhood television watching can be split into three stages. The first was Cartoon Network; the second was Nickelodeon, where I watched mostly re-runs of Saved by the Bell (1989-93), and Sabrina the Teenage Witch (1996-2003); and the third was Disney Channel, which I started watching when I was about 11 or 12, and then watched pretty much exclusively from the age of 13.

I was there for some of Disney Channel’s best programming, like Lizzie McGuire (2001-04); That’s So Raven (2003-07); and The Suite Life of Zack & Cody (2005-08). From this point, I also found Disney Channel Original Movies. I know I watched a few in the early 2000s, but not many. I’m not actually convinced I watched them on their premiere either. The earliest one I’m fairly sure I watched “live” was Go Figure in 2005.

Go Figure was part of the pre-High School Musical era of Disney Channel. It’s a well-known fact that after High School Musical was released in 2006, Disney Channel began to really focus on their movies, making them higher budget, bigger productions, but that doesn’t mean that the ones that came before weren’t worth seeing.

I loved Go Figure, and I think I can credit it with my love of figure skating. Not actually skating myself, but watching it. Since Go Figure, I’ve seen many films all about figure skating, with Ice Princess (2005); I, Tonya (2017); and Blades of Glory (2007) being my favourites. In another life, I’d like to think I could’ve been a figure skater, or a ballet dancer, or a gymnast. But in this life, I’m too old, not flexible enough, and much too worried about breaking all the bones in my body, or breaking my face.

But Go Figure isn’t just about pretty, little figure skaters. It’s also about a girls’ ice hockey team. Disney had previously made movies like Miracle (2004) and The Mighty Ducks trilogy about hockey teams, but these were not solely for women, with ice hockey primarily being seen as a “man’s sport”. Go Figure explores sexism in sport, showing that just because you’re a girl doesn’t mean you have to “skate around in frilly dresses”. You can compete in a different kind of sport, that requires physical strength as well as intelligence.

I’m not a fan of ice hockey, and wasn’t a sporty person at school, however, I have always liked Go Figure, having seen it many times. Although I like the scenes of figure skating the most, I have always enjoyed the overall message, about teamwork, resilience, and determination in achieving your dreams, whatever they may be.

PLOT

Go Figure begins at a figure skating competition where Katelin Kingsford is competing. She tells the audience she has dreams of being one of the best, with a gold medal and her face on a cereal box. Although Katelin loves her current coaching team, Bob and Ginger, she knows they can’t make her a star. For that, she’ll need a Russian: Natasha Goberman.

In this competition, which Natasha happens to be watching, Katelin does not win and actually falls during her routine. Katelin had hoped for some karma points by giving her “lucky” scrunchie to a younger competitor, choosing to tie her hair up with a rubber band in place of the scrunchie, but the rubber band snaps during one of Katelin’s tricks and that is what caused her to lose balance. But it doesn’t matter, because Natasha saw enough potential in Katelin to talk to her, telling her she wants to train her, to make her a star.

To do that though, Katelin has to go to Buckston Academy, where Natasha trains figure skaters. This is an expensive boarding school, and despite Katelin’s begging and pleading, her parents tell her they cannot afford to send her there. Katelin then asks her brother, Bradley, for his signed hockey puck collection so she can sell them to pay for her tuition, but he angrily tells her to get out, having no respect for Katelin’s dream of being a professional “twirl girl”, the name ice hockey players apparently give to figure skaters.

Katelin tells Natasha she can’t afford to train at Buckston, which is disappointing to Natasha who really wants to coach Katelin, but without a scholarship, there is no chance – and Buckston doesn’t have a scholarship for figure skating. No problem, because Natasha has an idea. She goes to the girls’ hockey team coach, Coach Reynolds, and says if he lets Katelin take his final scholarship spot, then he can take Natasha out on a date. Coach Reynolds doesn’t think it’s a good idea since Katelin doesn’t have any experience of playing ice hockey, but he agrees anyway. The man is weak to Natasha’s charms…Katelin is ecstatic to be going to Buckston Academy, but Bradley, a real hockey player, is furious that Katelin can get a scholarship for “his” sport without even knowing how to play. Bradley then gives up hockey and instead starts building robots with one of his friends.

Meanwhile, at school, Katelin is immediately thrown into hockey training and it’s quite clear to the other coaching staff, and the rest of the team, that something is not right here. Katelin is small, weak, and lacks any balance or speed on the ice; she’ll make this team a disaster. Coach Reynolds tries to convince the others that Katelin is their “secret weapon”. Yeah, they’re not buying it! Katelin finds her new roommate is one of her fellow hockey players, Amy Henderson, but everyone calls her Hollywood. The team captain, Ronnie, and another player, Mojo, come in to their room, saying how the team is unlikely to be winning anything this season yet again. Katelin starts to unpack her stuff, but soon learns that the hockey girls hate “twirl girls”, so she hides her figure skating gear in the janitor’s closet and pretends to be somewhere else when she is out at figure skating training. Katelin finds her new school schedule of regular classes, hockey training, and figure skating coaching to be a difficult balance. She isn’t doing well in her classes; the hockey girls don’t like her; and the figure skating girls see her as major competition since it’s obvious to them she is Natasha’s new favourite, this season’s “Sputnik” as Natasha likes to call her.

During the first hockey game of the season, Katelin hopes she’ll remain on the bench because she’s not very good so there’s no point making her play, something Coach Reynolds agrees with. Natasha also doesn’t want her to get injured. However, one of the other coaches, Spencer, reminds Coach Reynolds that Katelin is a scholarship student so she has to play. Spencer does this in the hopes that Katelin will quit the team. Sure enough, Katelin does not do well on the ice, letting Captain Ronnie get pulled to the ground by the opposition team. Ronnie is fuming and goes to fight her. The rest of the team pull her off Katelin, however, Hollywood storms into their room later, telling Katelin she got off easy, considering what Ronnie should’ve done to her would’ve been a lot worse. Hollywood then knocks over a cup of juice on the floor and says she needs to get a mop. Knowing all her figure skating stuff is in the janitor’s closet, Katelin quickly says she’ll go instead. But she must’ve taken too long because Hollywood comes into the closet and sees all of Katelin’s figure skating gear. Hollywood says she knew it all along, but promises to keep it secret.

The hockey girls, apart from Hollywood, continue to view Katelin with scepticism. The only good thing to come from hockey is that Spencer has stopped bothering her after Katelin made a deal with him whilst doing solo training that if she can get the puck past him, he won’t talk to her again. She manages to do so by using one of figure skating tricks to jump over him. Spencer is impressed. However, the figure skating girls are still an issue. Pamela, seeing Katelin getting private coaching with Natasha, wants to ruin all Katelin’s chances of being better than her, so Pamela invites Katelin to a party. Katelin has training at 9pm on Saturday nights but she turns up for a little while. On her arrival, Katelin is asked to go to the supply closet to get more cups. When she gets in there, Katelin picks up the cups, only for purple paint to spill all over her. Pamela then locks her in the closet. At 9:45pm, the janitor opens up the closet, freeing Katelin. Knowing she’s late, Katelin rushes over to see Natasha and is devastated to find Pamela has taken her spot – and what’s worse is that gold medallist figure skater Kristi Yamaguchi is there. Natasha tells Katelin she brought Kristi here as a reward for Katelin’s hard work, but tells Katelin she obviously doesn’t care enough about skating to show up on time, and sends her away. Katelin sadly sits in the stands watching over Pamela’s session with Kristi as she tries to get the paint off her. Just before Kristi leaves, she has a conversation with Katelin, telling her that Natasha thinks she will go far, something that Natasha doesn’t just say about anyone, but that Katelin needs to decide if she wants to put the extra effort in to make it.

After all this, plus her failing school grades, and her struggles with hockey, one night Katelin gets on a bus and goes home, telling her parents she has quit. At home, Katelin is horrified to find that her mother expected her to quit and that her bed has even been moved out of her room while her mother starts up an online business. Katelin then sees a box with her plushies in there labelled as junk. Katelin carries the box outside and sits on a street bench. Inside, Katelin discovers old medals and photos of her mother, showing that her mother was a brilliant figure skater years ago. Katelin’s mother sits beside her and says how her weak ankles stopped her going far, and that she decided having a family was more important than figure skating. This gives Katelin a renewed energy to achieve the dream her mother couldn’t. She decides she’s going back to Buckston.

Back at school, Katelin puts all her effort in to every aspect of her school experience: classes, hockey, and figure skating. She starts to excel in all areas, and even manages to help the hockey team win their first game of the season. Apparently, the girls’ hockey team hadn’t won a game in three years… That’s a terrible statistic. Katelin motivates the others to aim for the championship win, and starts to help them, by giving them ballet lessons to improve their balance and agility; coming up with tactical ideas using geometry, something Bradley told her about before even getting to Buckston; and by using “colourology”, finding the girls’ power colours, to help them mentally. The team keep on winning.

Within figure skating, Katelin still struggles with competitive girls, but one of them, Shelby, is having a hard time trying to keep up with the younger girls. Katelin goes for a walk with Shelby and tells her that there’s more to life than figure skating, so if she no longer loves doing it, then perhaps it’s time to find something else.

The girls’ hockey team wins their next game and gets to the Championship game; however, Katelin finds that it is on the exact same day as the Senior Nationals for her skating. Hollywood and Natasha try to convince Katelin to choose the Nationals over the Championships, since the team could win without her, but it’s up to her and her alone to compete in Nationals. Katelin doesn’t know what to do, and her parents won’t decide for her. As she ponders what to do, Katelin sees one of her mother’s old skating costumes online and decides to buy it.

On the day of the Championships, Spencer, who has remained fascinated by Katelin’s skills on the ice, is shocked to find Katelin at the hockey game, having worked out that she is a figure skater a few weeks ago and wanting her to go to the Nationals competition instead, because that is where they select the Olympic Team. Katelin ignores everyone trying to tell her she shouldn’t be there and focuses on winning this game. It’s not looking good though as the team are already three goals behind. Katelin gives the team a pep talk during half-time and the team go back out with some motivation to win. They try their best but unfortunately, they do not win. Great, Katelin gave up Nationals for nothing.

Except Spencer answered Katelin’s phone during the game. It was a call from Bradley saying he was going to delay the competition. After hearing his mother say that both him and his sister can be good hockey players, he realises he was being silly giving up hockey and choosing robotics instead. So, Bradley uses his robot to delay the competition, letting the stewards run all over the ice trying to stop it. Eventually, the Zamboni is brought out and it crushes it. But the delay was enough, because Spencer has packed all Katelin’s figure skating belongings and told Katelin they can make it if they go right now.

The hockey girls discover Katelin is a “twirl girl” after her stuff spills out in the hurry to leave, but she rushes off without explaining. In the car, Katelin gets herself together, with Spencer telling her that Pamela destroyed all Katelin’s costumes so he had to grab the one that was in the box. This turns out to be a good move because that costume is her mother’s old one that she ordered. Disaster strikes soon after though as Katelin realises she only has one of her skates. Katelin tells Natasha, who plans to steal a pair from another girl, but Katelin tells her not to do that. Katelin chooses to skate in her hockey boots – which are apparently very different to figure skates, as hockey ones do not have a toe pick.

Katelin begins her routine – and promptly falls down since those skates were not suitable. The hockey girls rush to the ice at that point with her other skate, but it’s too late. The competition has ended and the judges are tallying their final scores. Natasha tries to convince the judges to let her skate again, but they will not. Ronnie then begins a chant of “Let her skate”, which is picked up by the hockey team, then Katelin’s parents, then Natasha, and then the crowd. The noise is overwhelming and the judges allow Katelin another try.

Katelin changes into her proper skates and begins. Her routine is amazing, almost flawless, and the girls rush onto the ice to lift her up in celebration. The judges then name the skaters who made it into the Olympic Team… Katelin’s name is there! All that hard work paid off. Katelin is on her way to getting her face on that cereal box. What a dream…

CHARACTERS & CAST

Katelin Kingsford is a hard worker, wanting to be the best figure skater in the world. She dreams of winning a gold medal. Thankfully, Katelin is spotted by a great coach who wants to get her to the Olympics and hopefully to winning that medal. But the only way to do that is to play ice hockey, something Katelin has never played and isn’t exactly a sport she’s built for. Although Katelin has her struggles at Buckston, finding it wasn’t as easy as she’d hoped, she pushes herself to be the best in all areas. In the end, Katelin finds that she likes the camaraderie of being in a team, whereas with her skating, Katelin has only herself to rely on and has to do that with all the bitchiness of the jealous competitors. Having friends is a new concept for Katelin. Katelin does get the opportunity to fight for that gold medal and the best part is she gets to have her team around her, supporting her all the way.

Jordan Hinson was cast as Katelin. Hinson went on to be cast as Zoe Carter in Eureka (2006-12) and appear as Roxy Daly in the ABC series Kevin from Work (2015). She also wrote and starred in Breaking & Exiting (2018). Apparently, Hinson could not skate prior to her casting in Go Figure, so she had to spend time training. However, Hinson did not do all the skating in the film herself and had skating doubles, which are very obvious at times. One of these was Stephanie Rosenthal, who went on to have a breakout competition at the 2006 Nationals. Another was BreAnn Brown who went on to portray Tinker Bell in Disney on Ice around 2010, with Brown crediting her performance in Go Figure as being a factor in getting her an audition with Disney on Ice[1].

Katelin is pushed hard by her coach, Natasha Goberman. Natasha comes across as being very strict and harsh, coaching Katelin late into that night because her schedule is so full with all that hockey training. Natasha is disappointed with Katelin after she doesn’t show up to her 9pm training because, you know, she was trapped in a closet, so missed the opportunity to train with Kristi Yamaguchi. Natasha did tell Kristi that Katelin was going to be one of the best though, so she has seen the drive and talent in Katelin to believe she’ll achieve. It’s clear from the moment when Katelin gets on to the Olympic team that Natasha is incredibly proud and glad to be on this journey with Katelin.

Natasha Goberman was played by Cristine Rose. Rose is perhaps best known for her role as Angela Petrelli in Heroes (2006-10) and its spin-offs, as well as for her recurring role as Virginia Mosby in How I Met Your Mother (2005-14).

Then, there is Katelin’s primary competition in the figure skating team at Buckston Academy, Pamela. She wants nothing more than to either get Katelin to leave the school, or get her to fall out of favour with Natasha. Pamela’s dirtiest trick is to lock Katelin in a closet and take her place at training with Natasha that evening. Pamela doesn’t actually do all that much after that. I guess she realises that Katelin’s newfound positive attitude after she almost quit is too difficult to try and break down. Pamela appears at the Nationals competition and tries to get the judges to not let Katelin skate, but she is thwarted by Katelin’s hockey teammate, Mojo, who spills marbles all over the floor, tripping Pamela and embarrassing her so much that she leaves. Pamela did not get a place on the Olympic team either, just to make it even worse for her.

Brittany Curran was cast as Pamela. Around the same time as Go Figure, Curran appeared in the recurring role of Chelsea in the Disney Channel series The Suite Life of Zack & Cody (2005-08). She went on to be cast as Lucy Tranelli in the series Men of a Certain Age (2009-11). Curran later was cast as Fen in the Syfy series The Magicians (2015-20), and as Katie Nolan in Chicago Fire (2012-present).

For Katelin’s hockey teammates, three of them are the most important to the story. One is Hollywood, Katelin’s roommate as well as teammate. Hollywood is the first one to discover that Katelin is a figure skater, and, although she finds it funny, she isn’t overly surprised and doesn’t decide to tell any of the other hockey players, who wouldn’t have been as understanding. Ronnie, for example, wouldn’t have been very understanding, at least not at the start of Katelin’s time on their team. Ronnie doesn’t think much of Katelin as a hockey player, and, when she tries to give Katelin a chance to prove herself during a game, Katelin doesn’t do what was asked of her and causes Ronnie to be blocked and fall on the ice. This makes Ronnie angry and it takes a while for Katelin to win her trust again. She eventually does so when Katelin helps the team get to the Championships and she thanks Katelin for all her hard work in getting them that far. Then, there is Mary Johnson, also known as Mojo, because she believes in magic, holistic treatments, that sort of thing, and thinks they can help the team win. I’m not sure Mojo’s lucky powder had much to do with it.

Whitney Sloan was cast as Hollywood. Sloan went on to star in stage musicals like West Side Story and Fiddler on the Roof. Ronnie was played by Amy Halloran, who went on to star as Heather Posen in the series Unleashed (2011). Mojo was played by Tania Gunadi, who was cast as Cindy in the DCOM Pixel Perfect (2004) prior to Go Figure. Gunadi went on to be cast as Emma Lau in Aaron Stone (2009-10) and voiced Miko Nakadai in the animated series Transformers: Prime (2010-13).

Then there is Spencer, a member of the hockey team’s coaching staff, but also a student at Buckston Academy. Spencer is very sceptical of Katelin’s scholarship to the hockey team and he suspects there is something not right there. Spencer learns that Coach Reynolds agreed to Katelin being on the team only because Natasha agreed to go to dinner with him if he did. Spencer then uses this to, surprisingly, blackmail Coach Reynolds in to letting Katelin play in one of their games. This is after Spencer has been impressed with Katelin’s dedication to the hockey team and seen her incredible improvement in the sport. Spencer seems to be obsessed with Katelin and how she is managing to balance her busy schedule because he follows her – not creepy at all – and sees her skating at one point, so he knows all about her figure skating. This means that Katelin has someone else on her side for when she has to make the quick exit from the Hockey Championships to the Nationals. There is also a blossoming romance between Katelin and Spencer, but it’s a bit awkward with their age gap and lack of chemistry, to be honest…

Jake Abel was cast as Spencer. He went on to be cast as Luke Castella in Percy Jackson & the Olympians: The Lightning Thief (2010), reprising the role in Percy Jackson: Sea of Monsters (2013). More recently, Abel appeared as Sasha Harrison in Season 1 of Netflix’s Another Life (2019-21), and as Kevin Golden in Season 3 of Walker (2021-24).

Finally, we have Katelin’s family. Her brother, Bradley, is having a difficult time adjusting to the fact that his sister is, all of a sudden, a brilliant hockey player, making his success in hockey pale in comparison. Because of that, he feels he has to quit hockey and find something else. His father, Ed, doesn’t seem to notice any of this, choosing to spend much of the movie either watching TV or betting on his daughter about whether she’ll quit school or go to the Hockey Championships, but his mother, Linda, does. She tells Bradley that he doesn’t need to give up hockey just because Katelin is playing it.

Katelyn’s parents, Ed and Linda, were played by Jodi Russell and Curt Doussett. Bradley was played by Ryan Malgarini who was cast as Harry Coleman in Disney’s Freaky Friday (2003) alongside Lindsey Lohan and Jamie Lee Curtis. He is set to reprise this role in the upcoming sequel Freakier Friday (2025). Malgarini also appeared in a couple of television series, including as Tom Brooks in the sitcom Gary Unmarried (2008-10), for which he won a Young Artist Award in the Supporting Young Actor category.

MUSIC

There is a mix of music within Go Figure, with these being mostly either pop music or classical music, with the classical music featuring during the figure skating scenes, and the pop numbers being used during montages or as background music.

I’ll start with the music that is used for the montages as these were the most obvious and recognisable. Two of these come during the “emotional peak” of Katelin’s journey at Buckston Academy. The first is “Crash Goes My World”, performed by Cadence Grace, which is played at the point that Katelin is feeling really low, failing her classes, still struggling with hockey, and trying to regain Natasha’s trust. Katelin quits school and goes home.

But whilst at home, she has a conversation with her mother which motivates her to be successful at Buckston Academy, so she does just that. Katelin focuses on her classes, figures out how to be a great hockey player, and proves to Natasha that she will be one of the best figure skaters she’s ever coached. During this montage, “I Want Everything”, written by Antonina Armato and Tim James, and performed by Hope 7, is played. This is my favourite song in the movie.

Just a little bit later, there is another montage of Katelin helping the hockey team do well and progress through their matches. Here, “Greatest Day”, written by Jaret Reddick and performed by Bowling for Soup, is used.

The only other piece of prominent pop music within Go Figure is the song “Go Figure”. It was written by Andy Dodd and Adam Watts, and is performed by Everlife. The song first appears as background music just before the first hockey game of the season, but it is used as the End Credits song and as the title song of the movie. This is the only piece of music that is credited.

Outside of that, the other songs to appear in Go Figure are mostly just used as background music. For example, you can hear “She Said” at the point that Katelin is in the school cafeteria and Pamela invites her to a party. This song was written by David Frank, Lindy Robbins, and Pam Sheyne, and performed by Brie Larson – yes, as in the Brie Larson who is Captain Marvel; I didn’t know she was a singer. The first and only song we hear at this party is “Anthem” by Superchick. Following on from that, there is the music playing at the hockey team’s victory party. A sort of techno instrumental piece is heard first, before “Life is Beautiful”, performed by Raven-Symoné, is requested by Ronnie as the next song.

Then, there are two songs that you probably wouldn’t be able to hear unless you were looking for them, because these are both played during conversations between the characters. When Katelin asks her brother to give her his signed hockey puck collection to sell for her school tuition, “Life is Good” by Junk can be heard. Later, as Hollywood confronts Katelin about her failure during the hockey match that day, where Ronnie ended up being tackled to the ground because Katelin didn’t do what was asked for her, “I Can Do Anything” is played. This song was written by Bridget Benenate and Matthew Gerrard, and was performed by Caleigh Peters.

All nine of these tracks appear on the Go Figure official soundtrack, which was released in June 2005.

Outside of this soundtrack, I am less confident about the rest of the music that is used in Go Figure. After the first training session for Katelin with the hockey team, Ronnie turns on the stereo and a rap song is playing. Despite numerous attempts to find this song, I can’t figure out what it is. As Katelin meets Hollywood and moves into her new room, some background music is playing, but I can’t hear any lyrics, and again, can’t work out if this is part of the score for Go Figure or is a specific track. I had a similar problem with the other song that I haven’t been able to place. This song comes as Katelin walks past Spencer and his band performing one night. I can hear the song and its lyrics clearly, but I haven’t been able to work out if this is a real track or whether this song was created for the film.

I had more success with the classical music pieces that are played during some of the figure skating scenes. For example, the music that is used for Katelin’s first Skate Club, as the group warm up, seems to be an extract from Mozart’s Symphony No. 40 in G Minor, K. 550. Then, during the scene of Kristi Yamaguchi coaching Pamela, Scherzo from Mendelssohn’s A Midsummer Night’s Dream seems to have been used. Finally, for Katelin’s final routine which she performs at the Senior Nationals, she begins her routine to a section of Summer from Vivaldi’s The Four Seasons. Her music then turns more contemporary but I don’t know what the other two pieces of music are, unfortunately, or whether they were part of the overall score.

The score for Go Figure was composed by Kenneth Burgomaster, who has composed the score for other Disney Channel projects, including the movies Halloweentown High (2004), Cow Belles (2006) and Return to Halloweentown (2006), and Season 2 of the series Phil of the Future (2004-06). 

PRODUCTION

Disney Channel has always liked to make movies based on sports because it is a shared experience. Everyone has had to play sports at some point in their life. Even if they absolutely despised it. Schools seem to think it’s a good idea to enforce it as part of their curriculum. Mean.

Go Figure is just one in a list of sports-themed DCOMs, but here, they decided to showcase two sports, both of which were popular back in the 2000s. Ice hockey has continued to be listed in the Top 5 sports in the United States in terms of viewership, reportedly being the fourth most popular sport in the world too[2].

Figure skating used to be incredibly popular in the US, especially in the 1990s, but something changed in the early 2000s. Back in the day, the names Tonya Harding, Michelle Kwan, and Kristi Yamaguchi were easily recognised. Let’s also not forget the infamous “incident” between Tonya Harding and Nancy Kerrigan in January 1994 – further immortalised in the movie I, Tonya (2017) starring Margot Robbie – which led to many viewers worldwide tuning in to watch the two go head-to-head at the 1994 Winter Olympics in Lillehammer, Norway, to the point where it became one of the most-watched sports events of 1994, reaching 48.5 million viewers on just the one day of the women’s figure skating short program. Two decades later, the total 11 days of the Olympics figure skating competition in Sochi got less than half of that, reaching 21.4 million viewers[3].

Some speculate that the reason for this is that advancement in skates have led to even quadruple jumps, not just triples, being more common in competition, making nothing seem particularly difficult anymore. There was also the judging scandal of 2002 at the Olympics in Salt Lake City that led to a new, some say complicated, scoring system[4].

Scores used to be awarded in two categories: technical merit and artistic presentation, with both being given a maximum 6.0 score. However, when skaters are close in scores, the judges would rank these skaters against each other, with little to no criteria needing to be met to reach this decision, so it was very subjective. In the case of 2002, the competition was between the Russian pairs team and the Canadian pairs team. Although Russia is well-known for their figure skating history, winning numerous gold medals over the decades, the Canadian pairs team of Jamie Salé and David Pelletier were confident. It was almost a home Olympics for them, and they were going to be skating to the theme from the movie Love Story (1970), an American favourite.

During the free skate competition, the Russian team made a few errors, whereas the Canadians responded with a practically flawless routine, although it was less technically difficult than that of the Russians. Still, many in the Canadian camp believed they’d done enough to seal the gold medal. In actual fact, they had not, with the majority of the judges ranking Canada behind Russia, handing the gold to them, and the silver to Canada. This led to claims that the judging was rigged, specifically that one judge had been pressured to vote a certain way. An investigation into the judging panel was launched and a media frenzy erupted. There was a supposed quid pro quo between France and Russia, stating that if the French judge voted in favour of Russia in the pairs figure skating, then the Russian judge would do the same for France in the ice dancing competition. In the end, the French judge was suspended, and Salé and Pelletier were given the gold medal, shared with the Russian pairs team of Anton Sikharulidze and Elena Berezhnaya. Those at the centre of the scandal deny involvement in the fixing[5].

The claims of rigged voting are believed to have tarnished the sport of figure skating forever, in North America in particular. Even with the overhaul of the scoring system, figure skating’s popularity has not bounced back. This might explain why there are fewer screen stories about figure skating nowadays. There was that Netflix series Spinning Out (2020) but that was cancelled after only one series, and obviously we had I, Tonya (2017) but that was a fictionalised account of a well-known figure skating incident from the 1990s. Sadly, in the UK, figure skating has not been incredibly popular since the 1980s when we had Olympics success with Torvill and Dean. We have a competition show with celebrities called Dancing on Ice (2006-present), with Torvill and Dean as coaches and now judges, but that’s got very samey in the last few years. It’s not even close to figure skating either. You mostly just wonder how long it’ll be until someone gets injured, slices their partner’s skin with their blade, or smashes their face on the ice. Not exactly carefree Sunday night entertainment.

Anyway, back to Disney Channel’s Go Figure. The movie was written by Patrick J. Clifton and Beth Rigazio. They had initially tried to sell their Go Figure script to be made as a feature film, however, this was around the same time that Ice Princess was being developed by Disney, so Go Figure as it was didn’t go ahead. Instead, the writers turned it into a kids’ movie and met with Sheri Singer, the producer of Disney Channel’s Halloweentown movies. Singer said she wanted to produce Go Figure for Disney Channel. Francine McDougall came on as the director. McDougall went on to direct the DCOM Cow Belles (2006). Clifton and Rigazio had such a happy time working on Go Figure that when Singer approached them with the novel How My Private, Personal Journal Become A Bestseller, written by Julia DeVillers, they went ahead and adapted it to become the DCOM Read It and Weep (2006)[6].

Go Figure was filmed in Salt Lake City in Utah, as so many other DCOMs have been, such as Read It and Weep; Minutemen (2008); and the High School Musical trilogy. Much like these other DCOMs, a school was used as the filming location for the fictional school within these films. In the case of Go Figure, Westminster College is the real-life school that became Buckston Academy in the movie[7].

Go Figure is not an action-packed movie; however, it is not a normal school drama either, with shots of mostly sitting in class, walking through the halls, or going to a school dance. Here, although doubles were used in some instances, the actors did have to train in ice hockey and figure skating. I’ve already mentioned that Jordan Hinson, who played Katelin, didn’t know how to figure skate prior to her casting in the movie, and since Katelin spends much of her time on the ice in this movie, she had to train. But the hockey players also had train. Before filming, the actors spent two weeks practising with a real girls’ hockey team, being taught the basics of skating, shooting, and stopping to make the hockey matches seem as realistic as possible[8].

RECEPTION

In March 2005, Walt Disney Pictures theatrically released a new live-action movie, Ice Princess, which was about a physics whizz using figure skating to help her college application, before deciding to become a full-time, professional figure skater, going against the wishes of her mother. Ice Princess received mixed reviews and was a box-office flop, however, in the years since, it still has its fans.

So, it is curious that Disney Channel would be competing with the main Disney theatrical division by creating Go Figure, another movie about a young figure skater, and releasing it just three months later. Go Figure premiered on Disney Channel in the US on 10th June 2005. Like Ice Princess, Go Figure received mixed reviews, but it escaped financial scrutiny due to its television movie status.

However, it did not escape all criticism. In Go Figure, the biggest inaccuracy is around the fact that the audience is told Katelin Kingsford is one of few competitors her age who can successfully execute and land triple jumps. Viewers who have knowledge of figure skating claim there are no triple jumps in any of Katelin’s routines in the movie. I’m not one of these people with knowledge so I’ve had to take their word for it. I do know that a figure skating competition consists of a long program and a short program though. Go Figure instead tells us that the Nationals consist of a single program. Nationals would’ve been a multi-day event, not just the one day. But had it been more than one day, then the whole dilemma over whether Katelin should attend the Hockey Championships or the Nationals would not have as much jeopardy attached to it.

Go Figure might’ve gone some way in inspiring would-be figure skaters to come into the sport, however, it seems to have just annoyed any actual figure skaters. Further negative comments for Go Figure surround the character of Katelin. She isn’t the most likeable main character of a DCOM, being quite bratty and selfish at times, especially when it comes to conversations with her brother and her parents, wanting them to always go along with what she thinks is best for her life. Katelin is also quite pouty when she doesn’t get her way in the early parts of the movie. I should also mention that some of Katelin’s more dramatic moments in Go Figure are not well acted. If you’ve seen the movie, you’ll know what I’m talking about. But to give Katelin some credit, she becomes more likeable by the end of the film, as she realises that she has to work hard to get where she wants in life; she can’t just have it handed to her on a plate. There are also apparently incorrect portrayals of the rules of ice hockey in Go Figure, but I wouldn’t know anything about that either.

On the more positive side, other viewers said this was an enjoyable movie, especially for kids and fans of figure skating, probably more fans like me that enjoy watching the grace and elegance of figure skating rather than the skaters themselves who’d be able to pick out inaccuracies. Some also said they liked the fact Katelin had to make a choice between whether to go to her figure skating competition, or go to the hockey final. To further comment on this point, I think Go Figure goes some way in showing that women don’t have to just do the “girly” sports; they can be tough on the ice rink instead of dancing around it in dresses with sunshine smiles frozen on their faces. 

Although Disney Channel Original Movies, in their most known form, have been developed since 1997, with the first “official” DCOM Under Wraps, they would not properly come into their own until High School Musical premiered in January 2006. The DCOMs that came before have struggled to become part of mainstream popularity, with few exceptions. Go Figure was not one of these exceptions, reportedly reaching around 3.5 million viewers on its premiere date. This is fairly standard for the DCOMs of this decade. DCOMs were not as high budget, or high value, productions at this time, so needed something big to really market them, like an established actor fronting the project. That did not happen with Go Figure, so it has mostly faded into the background.

One accolade Go Figure does have, though, is that it was nominated in the Best Family Television Movie or Special category at the Young Artist Awards in 2006. It did, however, lose out to Hallmark’s Christmas movie Silver Bells (2005).

LEGACY

What happened next for Go Figure? It was set up for us to see how Katelin got on at the Olympics. I for one would’ve quite liked to see this as a sequel.

And yet, no sequel was ever made. Although Disney Channel have made a few sequels to certain movies, these are normally sequels to already popular movies. Go Figure didn’t have extraordinary viewing figures, so spending further time and money on a sequel wouldn’t have made good business sense. I just would’ve quite liked to see it.

However, Go Figure has since been included on lists of good skating movies to watch[9]. Although the heyday of figure skating seems to have been and gone – at least for now – ice hockey continues to be a popular sport in North America, making this a feature within other Disney Channel movies. Two of these include Den Brother (2010) and The Swap (2016). But these are both male characters playing ice hockey, not girls, so Go Figure has them beat in that respect.

FINAL THOUGHTS

Go Figure is a sports-themed DCOM that managed to showcase two entirely different sports: figure skating and ice hockey, with the first primarily being seen as more fitting for girls, and the latter only for boys. Go Figure tries to change all that, in the same way that Eddie’s Million Dollar Cook-Off (2003) told viewers that girls can play baseball and boys can cook. Go Figure shows girls there are no limitations on what you can or should do.

Although I have always liked Go Figure, I should admit that if I could only ever watch one figure skating movie ever again, I’ll choose Blades of Glory (2007) every time. Both have their merits, but only one can make me laugh out loud.


REFERENCES

[1] Credit: Amanda Mears, ‘Fairy tale: Utahn BreAnn Brown portrays Tinker Bell in Disney on Ice’, Deseret.com, 9th March 2010.

[2] Credit: Rowan Bissett, ‘The puck drops on the 2025 NHL hockey season on October 8’, AthensOracle.com, 17th October 2024.

[3] Credit: Ahiza Garcia, ‘U.S. figure skating used to be wildly popular. What happened?’, Money.CNN.com, 13th February 2018.

[4] Credit: Gitanjali Poonia, ‘America were obsessed with figure skating in the ‘90s. Why aren’t we as enthralled anymore?’, Deseret.com, 4th February 2022.

[5] Credit: Netflix, Bad Sport (2021) Episode 4: “Gold War”.

[6] Credit: Jean Bentley, ‘What’s It Like to Write a Disney Channel Original Movie? The Duo Behind Read It and Weep Reveals All’, EOnline.com, 23rd June 2016.

[7] Credit: Jennifer Guzman, ‘Got Disney+? Keep an eye out for these movies filmed in Utah’, KSL.com, 12th November 2019.

[8] Credit: Disney, ‘Go Figure DCOM Extras Commercial’, Promo Central YouTube Channel, 5th June 2020.

[9] Credit: Amanda Bruce & Danielle Bruncati, ’10 Best Skating Movies’, ScreenRant.com, 13th January 2024.

Minutemen (2008)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

Disney Channel Original Movies cover all manner of themes and topics.

Some of their most popular, and most relatable, are those that focus on life as a teenager or troubles at high school. Everyone has been through difficult experiences at that age, so making a DCOM based on that is an easy way of engaging an audience. These types of movies were the ones I watched more of on Disney Channel.

However, Disney Channel has also been known to stray into other areas, such as delving into the genres of fantasy and science-fiction, although many of these are still grounded in school and teenage life, such as Twitches (2005); Halloweentown (1998); How to Build a Better Boy (2014) – and the 2008 DCOM Minutemen.

You can probably be forgiven for not having heard of or watched Minutemen whilst it was on Disney Channel. I will admit that I was not the first one to it, because the most exciting new DCOM to come to the channel in 2008 for me was Camp Rock. After the success of High School Musical (2006), Disney Channel had upped their game in all areas of their programming, but none more so than in their musical DCOMs. I also enjoyed watching the third instalment of the Cheetah Girls franchise, The Cheetah Girls: One World, that year. Disney Channel is known for its musical movies, with these tending to be the highest rated. Minutemen was the only other DCOM released in 2008, but it passed me by. I remember it being advertised, but it just didn’t appeal to me like the musicals did.

I don’t actually know when I found Minutemen, but it was at least a couple of years later. I was more interested in watching it after its premiere because it meant that I was more familiar with some of its leading actors by the time I found it, just randomly one day. Jason Dolley and Chelsea Staub, now known as Chelsea Kane, were frequently seen on Disney Channel in the 2000s and early 2010s, so it helped me like it, despite not being too interested in the concept of time travel, a major part of the storyline of Minutemen.

I believe I had only seen Minutemen once in full before this week, so that obviously means that it didn’t become an instant favourite for me. I took me a while to appreciate any type of science fiction film, even Back to the Future (1985), which is referenced numerous times in Minutemen, so I’m not surprised my teenage self wasn’t bothered by it. But re-watching this week, I was impressed with the storyline and the level of acting by the young stars. I did enjoy it, but not as much as other DCOMs.

PLOT

Minutemen begins on the first day of high school at Summerton High School for three friends, Virgil, Derek, and Stephanie. Stephanie worries that high school might change them, as she is going to try out to be a cheerleader, and Derek is planning on joining the school’s football team. During try-outs for football and cheerleading, with Virgil watching nearby, a kid on a jet-propelled kart comes onto the field. This is Charlie, a kid genius who has skipped grades because of his intellect. Because of Charlie ruining football try-outs, the football players circle Charlie and start to bully him. Virgil tries to diffuse the situation, but it makes everything worse: they end up dressed as cheerleaders and tied to the school’s ram statue.

Three years later, everything has changed for the trio of friends. Derek is now a jock, and his girlfriend is Stephanie, who did become a cheerleader. Virgil has remained friends with Charlie – the joint bullying experience must’ve bonded them – though he is resentful that, in his Senior Year, he still hangs out with “nerds”. Although Virgil and Stephanie continue to talk on occasion, things between Virgil and Derek are different.

During class, Charlie bursts into Virgil’s class and tells him there is an “AV Club emergency”. Virgil follows Charlie to the computer lab, where Charlie shows Virgil a simulation of practical time travel. Virgil doesn’t believe it’ll work, but Charlie manages to convince him to go along with the crazy scheme of becoming time travellers. Charlie says they need another person to help them. Virgil approaches new kid, Zeke, who comes across as the bad-boy-loner type. The three meet to discuss the project and Zeke agrees to it.

The group begin to build their time machine, having managed to convince Vice Principal Tolkan to let them set up a new club and base it in Room 77 after giving him change for the vending machine. Room 77 was Charlie’s pick for their “club” as it is a huge basement, originally set to be the school’s fallout shelter. Over time, they clean up the basement, and start to get – or steal, I can’t really tell – parts for their machine. Once it is fully built, all three of them are too scared to try it out, so Virgil and Zeke pick up Charlie’s cat, Albert Felinestein, put goggles on it, and throw it into the machine’s vortex. Charlie is furious, but the cat comes out alive, just a bit frosty. They look at the watch they strapped to the cat and it is one minute behind, proving that the cat went back in time.

The next day, all three of them are brave enough to go into the time travel vortex themselves, wrapping up warm to avoid frostbite. Charlie warns them that they only have ten minutes to go back in time and come back, or else they may explode. Nice. The trio arrive in the past and realise it is yesterday. They quickly go to a shop to buy a lottery ticket with the correct numbers so they can win the jackpot the next day, however, they are refused the sale as they are not old enough to purchase the ticket. The three go to the “living statue” outside and ask him to buy the ticket, giving him the list of numbers and telling him to keep the ticket to give to them the next day as they need to get back to the present. On their return, they rush over to the shop to find the man did buy the lottery ticket – but kept the winning ticket for himself! Can we trust no-one these days?!

Virgil, Charlie, and Zeke then discuss a different purpose for their time travel machine, as Charlie didn’t like the idea of buying a lottery ticket anyway because it is cheating. Good for you, Charlie; you stick to your morals. They then see Chester, one of Charlie and Virgil’s less-than-popular friends. Football players have stolen Chester’s clothes, leaving him to run through the school halls naked. This gives the boys an idea. They’ll use their time travel ability to help embarrassed high school kids!

Just as the three are about to go back in time, Charlie realises that they really ought to have someone stay back to monitor the machine and make sure there are no problems. The boys argue about who will have to stay and miss all the fun, when a girl called Jeanette comes into the room, wanting to be a part of the “Back to the Future Fan Club”, the cover name for the time travelling. This gives Zeke and Virgil an idea; Jeanette can be the one to stay back. Charlie isn’t so sure he wants anyone else to be let in on the secret, but he eventually agrees – and Jeanette has a crush on Charlie so she’s happy to be a part of their gang, regardless of what it means. Though she does want to do something about their time travel outfits. Luckily, her dad owns a ski shop so she equips them with white ski suits and goggles to give them an air of mystery and legitimacy to their time travelling. They name themselves “The Minutemen”.

The three go back in time and help Chester by giving him clothes to wear. As their outfits conceal their faces and identities, the mystery group soon become popular at school as they continue to help other kids. Vice Principal Tolkan, however, is not impressed by these “Snowsuit Guys”, who he keeps seeing running about the school without permission. Tolkan vows to find and punish them.

Meanwhile, employees at Pacific Tech have been monitoring high readings and power surges that seem to be coming specifically from Summerton High School. It turns out the FBI is also investigating, covertly following Zeke, Charlie, and Virgil. This leads Charlie to admit to having hacked NASA, stealing some files they had from the 1960s related to time travel. Zeke and Virgil are furious with Charlie for getting them mixed up in something illegal, but Charlie assures them that if they just lay low for a while and don’t time travel, everything should be fine. Virgil isn’t too bothered by this anyway, because he’s annoyed at not getting proper credit for the good work they’re doing. Plus, the students all call them the “Snowsuit Guys”, even though that isn’t their name. AND the kids they have helped have all become kind of obnoxious…However, Virgil soon finds an important reason for them to time travel again. He is told by Stephanie that she has got accepted to her preferred college, but on a cheerleading scholarship. The next day, Virgil comes into school to discover that Stephanie has broken her leg after falling from a cheerleading pyramid. A broken leg will most definitely cost Stephanie her scholarship, so Virgil convinces Zeke and Charlie to go back in time to help her. The three agree to do that, and Virgil manages to catch Stephanie as she falls, saving her leg, but also giving himself away in the process.

Stephanie confronts Virgil the next day, saying she knows he is one of the “Snowsuit Guys”. As Virgil believes they have been rumbled, he admits to Stephanie that him, Zeke, and Charlie are time travellers. Stephanie is in awe of this; she was just going to say they must be psychic! Charlie continues to feel uneasy about their use of the time machine, feeling that it is having repercussions in the real world. But Virgil continues to find reasons to use it. Stephanie comes to Virgil with Derek, asking for his help as Derek was distracted during a football game, and cost the team the win. Derek begs Virgil for his help, saying that he’s sorry for everything that happened between them, reiterating that he tried to get the football players to stop during that incident on their first day of high school. Virgil wants to be popular so he agrees to help Derek. Derek is grateful to Virgil and starts inviting him to parties, but this leads to Virgil ignoring Zeke and Charlie. Soon after, Virgil gets a call from Stephanie in tears, saying she saw Derek cheating on her with mean girl Jocelyn. Virgil goes to comfort her. Derek then calls Stephanie, wanting to talk but she won’t take him back. Derek begs Virgil to go back in time to stop that event from happening.

As Virgil wonders what to do – help Derek get Stephanie back, or let things run their course and hope that him and Stephanie can finally be together – he is thrown in a van and taken to a warehouse. There, the FBI confront the boys, telling them they know that the boys stole information from NASA and have been using it to time travel. The boys refuse to admit anything and are free to go. The FBI will continue to monitor their activities. The three go their separate ways, their friendship and hopes of time travel destroyed.

But Virgil goes on alone, telling Derek he will take him back in time to stop Stephanie seeing him with Jocelyn on the day of the school dance. Virgil goes to the dance with Stephanie, but he is pulled away by Derek, wanting to go back in time now. The students all follow them, believing there will be a fight. In the meantime, Charlie has discovered that their time travelling led to the creation of a black hole on the school field. He confesses to the FBI, telling them they have about four hours to save the world. The FBI and Charlie storm the school to get Zeke, Virgil, and Charlie together to stop the black hole from consuming everything. There is only an hour left at this point so the guys suit up and walk to the black hole, ready to jump in, students clapping and cheering them, as their identities are revealed.

The ”Minutemen” jump into the black hole, and fall into the local park. Using a remote machine that Charlie whipped up, they begin to reverse the polarity. Charlie believes they have about twenty minutes until they can return. They then go to the school to try and stop past Charlie accessing the component he used to make his time travel machine, something to do with that kart, because they’ve found they are back at their first day of high school. At the same time, Virgil wants to change what happened that day, so he never became “a nerd”. Charlie is hurt by this, telling Virgil that day was also the day that Charlie finally found a real friend. Charlie and Zeke walk away, leaving Virgil to do whatever he plans to do. Virgil watches over the scene below, and discovers that Derek never tried to stop the bullying, like he claimed, but was actually a part of it.

Charlie and Zeke discover that the portal is collapsing and don’t have enough time to get back through it. Suddenly, Virgil rides up in Charlie’s old kart, having changed nothing about the bullying incident. He drives the three of them to the portal – but accidentally goes the wrong way. They’ll never make it in time! Oh, but wait. Zeke has that grappling hook he takes with him on every time travel escapade. He uses the hook and sends the kart in the right direction. The kart destroys the town on the way but they get through the portal in time.

They land, in their ski suits, back at school, on what was the day they first time travelled. As they walk through the school, they see that nobody knows anything about them or the “Snowsuit Guys”. Their mission was a success. Virgil goes to the library where he spoke to Stephanie that day, and tells Derek that he knows what he did that first day of high school and that he knows Derek is cheating on Stephanie with Jocelyn. Virgil then tells Stephanie he likes her; she says she feels the same. Charlie also kisses Jeanette, just before Zeke and Virgil can remind him that Jeanette hasn’t kissed him yet, as she had done before they went into the black hole…She doesn’t mind though. Charlie then starts to talk to Virgil and Zeke about a new idea around teleportation. The two quickly carry him away, not wanting to get mixed up in any more of Charlie’s “experiments”.

CHARACTERS & CAST

Virgil Fox initially seems hopeful about his first day of high school. He’s got his two best friends with him, what more does he need? But one event can change everything, and from that point, although Virgil has made new friends, he has become frustrated that he has become associated with “nerds”. Although Virgil talks and listens to Charlie, for most of the movie it seems like he merely tolerates him. Virgil seems to blame Charlie specifically for his problems. I hate to break it to him, but if Stephanie and Derek were going to be a cheerleader and a jock respectively, then the chances are their friendship wouldn’t have lasted anyway. Popularity does strange things to people. And in that scenario, Virgil would’ve been all alone, even without Charlie to call his friend. When Charlie comes up with the idea of time travel, suddenly, Virgil thinks this is quite cool – but once again, Virgil uses it as an opportunity to become popular and more liked amongst other students. It doesn’t really work that way until Stephanie learns about it and she tells Derek. But when Virgil gets the chance to go back and change his first day of high school so he never met Charlie and became unpopular, he doesn’t do it. I never thought Virgil was going to go and do that, because, although I’ve made him sound like a bad guy, he’s not.

Virgil does have some unresolved issues, there’s no doubt about that, and he forgets who his real friends are at times, yet he’s still a likeable character. This is all down to the actor, because Virgil could’ve ended up as a terrible main character if the wrong person was cast. Jason Dolley was cast as Virgil. Dolley had a long career with Disney Channel, beginning with the DCOM Read It and Weep (2006), where he played Connor. Dolley went on to star as Newt in the series Cory in the House (2007-08), and then as Pete in the DCOM Hatching Pete (2009). Dolley later was cast as PJ Duncan in Good Luck Charlie (2010-14) and its DCOM, Good Luck Charlie, It’s Christmas! (2011). After this, he appeared as Kevin in the ABC series American Housewife (2016-21). Most recently, Dolley wrote and starred in the short film The Unicorn That Never Lies (2024).

Charlie Tuttle hasn’t had an easy time at high school, because he is so much younger – and smarter – than everyone else. He’s an easy target for bullying and thanks to Virgil coming to his rescue on that first day, Charlie finds he does have a friend, someone he can talk to and who might stick up for him. Charlie is a genius; however, his high-achieving personality leads to him getting himself into trouble. Just because the possibility of time travel is waiting to be discovered doesn’t mean you should hack into NASA and steal their old research on the subject. Charlie is ecstatic to have figured out how to time travel, but he soon discovers that his, Virgil, and Zeke’s actions have caused damage to the world, culminating in a black hole. Charlie admits that he made a mistake and finds a way to resolve it. He just wanted to advance the world of science; he never meant to destroy it!

Charlie Tuttle was played by Luke Benward, who had already starred in the film How to Eat Fried Worms (2006) as Billy Forrester prior to his role in Minutemen. Benward went on to appear as Alan Wheddon in Dear John (2010); and came back to Disney Channel to star in the DCOMs Girl vs. Monster (2012) as Ryan, and Cloud 9 (2014) as Will Cloud. Benward also appeared as Beau, Teddy’s boyfriend, in the final season of Good Luck Charlie (2010-14). After Disney, he went on to be cast as Dillon Sanders in the Pretty Little Liars spin-off series Ravenswood (2013-14) and as Bo Larson in the Netflix movie Dumplin’ (2018).

Zeke Thompson is a new student at Summerton High School, first seen as he arrives to school on a motorbike. He seems like the silent, loner type, but Charlie and Virgil notice that he has engineering skills which may be useful to their time travel project. Although it might seem that Zeke doesn’t have time to hang out with science geeks, he is intrigued by this plan and agrees to help them; Zeke thinks the idea of time travel is cool. Much of the plot resolves around Virgil and Charlie’s friendship, and the dynamic between Virgil, Stephanie, and Derek, so Zeke doesn’t get all that focus, however, he helps find students who might need their time travel experience to avoid embarrassment and he is loyal to the cause, sticking firmly with Charlie on points, such as not betraying each other to the FBI, and not continuing to time travel when things start to look tricky.

Nicholas Braun also had a bit of history with Disney. Prior to his casting as Zeke, he was cast as Zach in the Disney movie Sky High (2005). After Minutemen, he went on to appear as Ed in the DCOM Princess Protection Program (2009), and then as Lloyd in Disney’s Prom (2011), which was not a DCOM, though it does feel like one. Since his “Disney days”, Braun has become an incredibly successful actor, appearing as Michael in Date and Switch (2014), alongside Dakota Johnson and Sarah Hyland, and as Josh in How to Be Single (2016), which also featured Dakota Johnson, and Rebel Wilson. He is perhaps most known for his role as Greg Hirsch in the critically-acclaimed series Succession (2018-23). Recently, Braun portrayed both Jim Henson and Andy Kaufman in the movie Saturday Night (2024) and is set to star in the movie Famous alongside fellow Disney alumni Zac Efron and Debby Ryan.

Moving on, Stephanie Jameson was one of Virgil’s closest friends before high school. At high school, though, things are a little bit different. Stephanie is a cheerleader, but she does make time to speak to Virgil. She’s not like one of those awful cheerleaders you see in movies who drop all their friends when they finally become popular. Stephanie isn’t actually all that happy about being popular. She thinks Virgil and his friends look much happier than any of the popular kids ever do. Virgil is smitten with Stephanie, and for once, I was actually rooting for the “nerd” to win the heart of the popular girl, because she was just so nice!  

Chelsea Staub, now known as Chelsea Kane, was cast as Stephanie. Like the three actors I’ve just talked about, Kane also had a history with Disney Channel. After Minutemen, she went on to star as Stella Malone, alongside the Jonas Brothers, in the Disney series Jonas (2009-10), before being cast as Alexis Bender in StarStruck (2010), alongside Sterling Knight. Also for Disney, Kane voiced the character of Bea Goldfishberg in Fish Hooks (2010-14). Outside of Disney, Kane placed third in Season 12 of Dancing with the Stars and played the part of Riley in the ABC series Baby Daddy (2012-17). She returned to voice acting again in 2019 to voice the character of Loy for the series Archibald’s Next Big Thing (2019-21).

Then there is Virgil’s ex-best friend Derek Beaugard. For most of Minutemen, Derek is also Stephanie’s boyfriend, but he turns out to be a cheater – big surprise there – so Stephanie dumps him. Derek then asks Virgil to take him back in time to avoid the moment that Stephanie saw him with another girl. Derek convinces Virgil to do this because he claims that during that bullying incident on their first day of high school he tried to get the other football players to stop doing what they were doing. Well, it’s a good thing that big, black hole stopped Virgil from helping Derek because it turns out Derek is a liar as well as cheat, actually contributing to the football players’ bullying of Charlie and Virgil, and not stopping it, as Virgil sees when they go back in time to save the world. Derek is just awful.

Steven R. McQueen was cast as Derek. He went on to be cast as Jeremy Gilbert in The Vampire Diaries (2009-17), and then as Jimmy Borrelli in Seasons 4 and 5 of Chicago Fire (2012-present). Oh, and that girl Derek was caught with was, Jocelyn, was played by Kellie Cockrell, who might look familiar to Halloweentown fans, as she played Sapphire Sinister in Return to Halloweentown (2006).

Then there are a couple of Virgil and Charlie’s friends to mention. One is Chester, who is frequently bullied by the jocks, but once Virgil, Charlie, and Zeke go back in time to help him one day, Chester becomes a real jerk, ignoring Virgil and Charlie, who only risked their lives to stop him being humiliated, and even starts to bully the jocks. All returns to normal, though, once the Minutemen go back and sort out that black hole. Then, there is Jeanette. Jeanette is a bit weird and hyper, coming on a little bit too strong for the socially awkward Charlie when she’s trying to show she has feelings for him. Eventually, Charlie learns to love Jeanette’s quirks and they become an oddly cute couple.

Chester was played by Dexter Darden. Darden went on to be cast as Frypan in The Maze Runner trilogy (2014-18) and appeared as DeVante in the reboot series of Saved by the Bell (2020-21). Most recently, he portrayed Muhammad Ali in the Peacock miniseries Fight Night: The Million Dollar Heist (2024), which starred Kevin Hart. Jeanette was played by Kara Crane, who went on to guest star in episodes of series like The Suite Life on Deck (2008-11); The Mindy Project (2012-17); and Baby Daddy (2012-17).

Finally, there is Vice Principal Tolkan. Tolkan isn’t bothered by the bullying epidemic he clearly has going on at his school, not even batting an eyelid when he sees a student trapped in a vending machine. Instead, he’s bothered about getting the right coins to get the snack he wants. Tolkan is happy to let “the normal order” take precedent over basic human rights, but that does mean that when Chester becomes a bully to the jocks, Tolkan suddenly wants to discipline because that goes against the status quo. What is it with DCOMs and corrupt teachers. We have Tolkan here; we had Brenigan in Lemonade Mouth (2011); where does it end? Vice Principal Tolkan was played J.P. Manoux, who should be familiar to Disney Channel fans for playing Vice Principal Hackett in the Disney Channel series Phil of the Future (2004-06). He also replaced David Spade from The Emperor’s New Groove (2000) as the voice Kuzco in The Emperor’s New School (2006-08), and voiced the character of Mr. Fraley in the Disney Channel animated series The Replacements (2006-09).

MUSIC

Minutemen isn’t a movie packed with songs, but one in particular was familiar to me.

This song was “Like Whoa”, performed by Aly & AJ, which played during Virgil, Zeke, and Charlie’s building of their time machine. It was written by Aly and AJ Michalka – who themselves starred in the DCOM Cow Belles (2006) – Antonina Armato, and Tim James. “Like Whoa” was part of Aly & AJ’s second album Insomniatic, released in 2007.

Another song I instantly recognised as being performed by Corbin Bleu, although I had not heard the song before, was “Run It Back Again”, which can be heard during the montage of the Minutemen helping students and being investigated by the FBI. “Run It Back Again” was written by Matthew Gerrard and Robbie Nevil. The music video features clips from Minutemen. It is also a track on Radio Disney Jams, Vol. 10, released in January 2008.

At the party that Virgil attends with Derek and Stephanie, I believe the song “Thinking About It…Baby” is playing, which was written and performed by Salme Dahlstrom. At the school dance, there is also a song that sounds a bit like “Johnny B. Goode” being played by the school band. When Stephanie and Virgil dance later, there is a different song playing. These seem to just be riffs on 1950s songs, since that is the theme of the school dance, and it’s a small reference to Back to the Future, and its setting of 1955. There is no information on these songs and they are not credited.

One final song to mention that is also not credited is the music that is playing during the End Credits. This is a mini-blooper scene that turns into a dance party with all the cast and crew. All I know is that the song goes “put your hands up, put your hands up, put your ha-ha-ha-ha-hands up”. I tried to search for it, tried Shazam, but it doesn’t exist apparently.

Nathan Wang is credited as the composer for Minutemen. Wang has composed the music for other DCOMs including Hatching Pete (2009); Wendy Wu: Homecoming Warrior (2006); and Christmas…Again? (2021), amongst many other non-Disney projects.

PRODUCTION

Science fiction is a common genre in entertainment, both on-screen and off.

On-screen, some of the most popular science fiction franchises have involved space travel, such as Star Wars and Star Trek. Although space travel is advancing, we are not yet living in a world that looks anything like those in science fiction films. However, others in this genre have become less science fiction and more “science fact”.

Some science fiction movies that have been focused on getting the science right include Christopher Nolan’s Interstellar (2014), whose plot has a basis in theoretical physics, and Ridley Scott’s The Martian (2015), which follows an astronaut’s attempts to survive on Mars[1]. A movie that comes somewhere in between science fiction and “science fact” is Back to the Future, one of the most popular science fiction franchises ever, in itself an inspiration to other science fiction films. Minutemen takes some ideas from this movie in its own exploration into time travel.

For fans of Back to the Future, there are many subtle references within Minutemen, aside from the time travelling storyline. One is that Charlie has named his pet, in this case a cat, after Einstein, and Doc Brown did the same with his dog in Back to the Future. Jeanette can also be seen at one point looking at the school newspaper, which changes its headlines as soon as the Minutemen have changed the past; this is something that happens in Back to the Future. You might also notice that Virgil’s last name, “Fox”, the same as that of Marty McFly actor Michael J. Fox, and that Vice Principal Tolkan is named after actor James Tolkan, who played Principal Strickland in the movie. A big mention of the movie comes in the fact that the boys named their club, the “Back to the Future Fan Club”. Obviously, they knew that they were re-enacting the movie in real-life.

I could go into detail about the never-ending problems with the scientific inaccuracies and plot holes that exist within Minutemen and Back to the Future that others have somehow had time to find. I’m not going to do that, because I don’t really care about accuracy in movies like this, because there is too much still to be discovered in the world of science. I will instead mention just one.

Time travel is not currently physically possible, however, theoretically, it has been discussed with many possible outcomes. For example, one theory that neither Back to the Future nor Minutemen manage to follow is the “grandfather paradox”. The example used to explain it says that if a time traveller went back in time and killed his grandfather before he could have children, then this would mean the time traveller never existed, so couldn’t actually go back in time to do that. In Minutemen, the boys go back in time to fix issues and return to the present to find that it’s like they never happened. This goes against the grandfather paradox. This theory led to the belief that travelling backwards in time was not possible, and has caused many viewers of movies like this to comment on inaccuracy.

But there have since been discussions, including theories from Stephen Hawking, that debate whether it is possible to travel back in time, at least to an earlier point in time that you’ve already been to. This would mean that Minutemen could work, however, this relies on the fact that things would be unalterable in that past timeline – which Minutemen does not stick to. Alternatively, there is a lot of discussion about quantum physics and parallel timelines, which are too complicated for me to understand[2]. All I know is that parallel timelines are explored in Back to the Future, specifically Back to the Future Part II.

My point here is that Minutemen took a lot of influence from Back to the Future, and in doing so, it took some of Back to the Future’s scientific inaccuracies and made them their own. However, that does not mean that Minutemen doesn’t have a good story, because it does, and it was good for Disney Channel to create a science fiction-based movie. Science fiction isn’t a particularly common genre for Disney, with their Zenon trilogy ending in 2004. Minutemen was their first science fiction movie since then, but Zenon takes place in space in the future, not in present day with some elements of science within it, like Minutemen. There wouldn’t be another science fiction-themed DCOM until The Suite Life Movie in 2011.

Minutemen was directed by Lev L. Spiro. After Minutemen, Spiro went on to direct the DCOM Wizards of Waverly Place: The Movie (2009) and some episodes of the Disney Channel series Jonas (2009-10). More recently, he has directed some episodes of UnReal (2015-18) and Insatiable (2018-19). The screenplay for Minutemen was written by John Killoran, with David Diamond and David Weissman being credited for the story.

The actors enjoyed working with Spiro during filming on Minutemen, and Spiro in turn enjoyed working with them. It seemed like a fun, creative atmosphere on set. One area where this was clear was in the stunts. Minutemen is not a high action thriller, however, there were still moments of stunt work, and the actors got to do quite a lot of it. Jason Dolley, Luke Benward, and Nicholas Braun ended up doing lots of jumps and dives to film the shots of them going into and coming out of the time travel vortex. They also did some work on wires for their characters spinning through the vortex. Although the vortex doesn’t look particularly realistic, it is worth remembering this is a TV movie from 2008. Benward was also able to drive the “runaway” kart in Charlie’s first scene in the movie.

There is also another actor that should be mentioned here and that is Tennessee the cat, who played Albert Felinestein. Although the cat is not seen all that much in Minutemen, Albert Felinestein was part of a key moment in the movie: the first test of the time travel machine. The cat actually had to be sprayed with something to make it look like it had been frosted up during the time travelling. But don’t worry; the cat was not thrown into the air when the boys throw it into the vortex in the film. A toy cat was used as a “stunt double”.

The coldness aspect of time travelling, which saw the DeLorean freeze during the time travel sequences of Back to the Future, did mean that the boys had to wear big, thick snowsuits. This may’ve been easy to do had this shoot been entirely inside, or shot during winter, but it was not; it was filmed in summer. Dolley, Benward, and Braun had to do a lot of activity in those costumes and did struggle at times in the hot weather[3]!

Minutemen was filmed in August 2007 in Utah, with two schools being used as filming locations: Murray High School, based in Salt Lake Valley; and Highland High School in Salt Lake City. It seems that Murray High School was used as the exterior of Summerton High School, with a giant bronze ram statue being placed outside the school entrance, with “Summerton High School” and “Rams” wording being added to the building. It supposedly confused some registering students; however, the props were removed before school started. Highland High seems to have been the setting for Summerton’s playing field[4].

Utah has been a fairly common filming location for Disney Channel, with others being filmed in Utah including Cloud 9 (2014) and Good Luck Charlie, It’s Christmas! (2011). Murray High School is not even a stranger to Disney Channel, as it was used as the filming location for Read It and Weep (2006) and the High School Musical trilogy (2006-08)[5].

RECEPTION

Minutemen premiered on Disney Channel on 25th January 2008 in the US.

It reportedly reached around 6.5 million viewers on its premiere. This is about average for a Disney Channel Original Movie release for the time, potentially slightly above average. The DCOMs with the best viewing figures tended to be the musicals, or the ones with the biggest Disney Channel stars. Although Minutemen features a lot of Disney stars as we now know them, at the time, none of the main actors had been in many Disney projects before, so Disney Channel didn’t have that to market the movie fully. Although I’m from the UK and not the US, I don’t remember Minutemen being heavily advertised on the channel, however, the other two releases of 2008, Camp Rock, and The Cheetah Girls: One World, were. It is worth noting though that in the US, Minutemen actually had slightly more viewers than the third Cheetah Girls movie, which had viewership of around 6.2. million. I also think Minutemen fared quite well for a January movie release. DCOMs released over the summer or towards Halloween I always felt were the most exciting ones.

Looking at audience reviews, I was surprised to find so many positive ones for Minutemen. That’s not to say I think it deserves more negative reviews, because it doesn’t, but just that many reviews of DCOMs tend to be overly critical. In Minutemen’s case, many felt that the storyline was fun and smart, with better-than-expected acting. I would definitely agree with this statement. Many liked the references to Back to the Future that are peppered throughout Minutemen. It was also appreciated that this is a DCOM that is centred on three teenage boys, and outcasts at that. Many other DCOMs do not do this, although Disney Channel were clearly trying to appeal to this demographic during the 2000s, as you can see with movies like Jump In! (2007) and Hatching Pete (2009).

However, Minutemen did not escape any negative reviews, as no film ever can. Some said that Minutemen was “forgettable”. To be fair, in amongst all the other DCOMs that have been released, I would say that Minutemen has been forgotten by many Disney Channel fans, unless they happened to have watched it enough times at a younger age to make it a favourite. But the reason it may have been forgotten isn’t because the movie is low-quality; it’s because the DCOM world has been saturated with musicals. Others were quick to point out the inaccuracy of the time travelling within Minutemen, and there were some comments about how the black hole and “end of the world” scenario was a little bit overdone, especially with the four-hour time limit to fix everything. Four hours is a random amount of time for something as cataclysmic as a black hole consuming the world – or was it just the US? – but I didn’t think it was excessively dramatic.

Personally, I think Minutemen is a better-than-average DCOM, with a different type of story and pretty good acting. It’s certainly not anywhere close to being one of the worst DCOMs I’ve seen. 

LEGACY

Unlike Back to the Future, which spanned two sequels, merchandise, a TV series, and a fandom that are extraordinarily loyal, Minutemen didn’t get that.

Minutemen instead may even get confused with The Minutemen characters from the DC comic book series Watchmen. Minutemen are also the name of characters in other comic books, including those from Marvel. Minutemen, or Minuteman, has also been used as the name of different organisations or groups in the US over the years, including in the American Revolutionary War. This term generally refers to rapid deployment of people.

One good thing to come out of Minutemen was the careers of its stars, with the four main actors having multiple Disney credits. Jason Dolley mentioned during a 2020 video he appeared in on Christy Carlson Romano’s YouTube Channel – the voice of Kim Possible for anyone unfamiliar, as well as Ren Stevens in The Even Stevens (2000-03) – that he was one of the few actors to have been in the most DCOMs with four, joint with Brenda Song. Song has in fact been in five. Although some were quick to point out the inaccuracy in his statement, many actors who have been in more than four DCOMs were in series, such as Raven-Symoné in The Cheetah Girls and Zenon films, and Ashley Tisdale, in the High School Musical and Phineas and Ferb movies. Dolley was in four completely unrelated, standalone DCOMs, as well as two Disney Channel series, which is still impressive. If nothing else, Minutemen was a stepping stone to success for its Disney Channel stars.

Minutemen also went some way in breaking Disney Channel’s reliance on musicals after its High School Musical hype, and finding a way of appealing to boys, instead of only on pre-teen and teenage girls.

FINAL THOUGHTS

Minutemen is not my favourite DCOM, and I didn’t even see it until after its release. I’ve always liked musicals, so I was always excited for those, and I’d also choose to watch DCOMs with actors I already knew. Minutemen wouldn’t be able to meet that second requirement for a few years, but when it did, I went ahead and saw it.

It wasn’t a particularly memorable movie experience to be honest, but re-watching this week, I was impressed with it. The storyline covered the scientific background of time travel, as well as the potential homeland security issues that may come with this sort of endeavour, making Minutemen more complex a movie than others that are generally about high school. Minutemen managed to combine the time travel with this aspect.

Minutemen is a movie for the outcasts, once again proving that it’s the ones who no-one imagines anything of who do the things that no-one can imagine.

Alan Turing reportedly said that; I can’t take credit for it.


REFERENCES

[1] Credit: BBC Bitesize, ‘Five times the movies got their science right’, BBC.co.uk/bitesize, October 2022.

[2] Credit: Andrew May, ‘What is the grandfather paradox?’, LiveScience.com, 31st January 2022.

[3] Credit: Disney Channel, ‘Minutemen 2008 DVD Overview’, Diamond Boy’s Disney DVD Overviews YouTube Channel, 12th January 2024.

[4] Credit: Jennifer Toomer-Cook, ‘Disney moment for Murray, Highland’, Deseret.com, 3rd September 2007.

[5] Credit: Jennifer Guzman, ‘Got Disney+? Keep an eye out for these movies filmed in Utah’, KSL.com, 12th November 2019.

Big Time Movie (2012)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

In 2006, Disney Channel premiered a new series: Hannah Montana (2006-11). But this wasn’t just a TV show, because Hannah Montana became a pop sensation amongst kids, tweens, and teens, releasing CDs and putting on concerts, like any other singer would. So why should Disney have all the fun? In come Nickelodeon – the “other channel” that Disney would rather you didn’t know about – with their own show, Big Time Rush (2009-13), which launched a band along with its series, who released CDs and put on concerts.

This was never anything new, because The Monkees (1966-68) was very similar, i.e., four guys form a band in a television series and then become a real band off the back of it. In fact, when I was watching Big Time Rush, my mum mentioned that the show was basically The Monkees, but I wouldn’t know; I haven’t seen it.

I found Big Time Rush in an odd way. I was in Florida on a family holiday and whilst there, I always liked to buy the tween magazines, like J-14, so I could read about my favourite Disney stars. This time, I was about 18 and I was starting to drift away from Disney Channel as my favourite series ended and stars departed, but I still bought the magazine anyway. Whilst flipping through, I came across poster-after-poster of this band: Big Time Rush. They were cute, so of course, I was instantly fascinated with who these guys were and what show they were on.

I got home, found the show on Nickelodeon and became a fan of them over the summer. I even took those magazine posters to put up on my wall when I went to university that September, not thinking it was particularly weird. After all, I wasn’t much younger than these guys so naturally I thought, if I ever met them, they’d be much more likely to fall in love with me than any of their younger fans. I know, delusional, right?

Anyway, I did not find other people my age to be too forgiving of my interests. I was teased for the posters, as well as for my love of Disney. It wasn’t meant to be bullying, but it felt like it, and I was hurt, to be honest. But I got through the year and, by the summer, Big Time Movie had come out in the UK. I loved both the movie and the music – though I first watched it with a friend of mine who fell asleep through most of it, so not exactly a glowing review from her…Not that she was a fan, so who cares?

After that summer though, I started to feel like a kid for still liking Big Time Rush, knowing that I wasn’t their target demographic and that other people my age might be looking down on me for it. So, I vowed not to talk about “kid stuff” at university again. By doing this, I moved away from Big Time Rush, only listening to their music in secret, and I never finished watching the full series.

Recently, I decided to expand my movie reviews by venturing beyond the “Disney bubble”, and what should spring to mind as one of these non-Disney movies to write about but Big Time Movie. I had to give it a try again. I expected to find Big Time Movie quite cringey after not watching it for years, but I actually found it fun. Super cheesy but not taking itself seriously. Big Time Movie was just a good piece of light entertainment that extended the show’s overarching storyline.

PLOT

Big Time Movie begins in a huge castle where a James Bond-style villain has captured a princess. As the princess cries for help, we see the four members of boy band Big Time Rush assemble to come to her rescue. They are dressed up like spies in tuxedos and each finds their way to the castle: Kendall via a souped-up Aston Martin; Logan has a jet ski; Carlos is riding a quad bike; and James has parachuted out of an aeroplane. The villain is ultimately defeated by James falling onto the villain as he crashes through the ceiling. The princess is eternally grateful to the boys….

But then we don’t see anything else, because this was all just a dream. Carlos’ dream, in fact, which he has been woken from by a flight attendant, telling him that they are soon to be landing in London. Yes, Big Time Rush are going to London, the first stop of their world tour. The boys are very excited by this, however, Gustavo Rocque, music producer and Big Time Rush’s founder, is worried that the boys will get the tour cancelled with their usual chaos and antics. Kendall’s mother and sister, Katie, are also along for the ride. Katie is looking forward to somehow becoming a princess during her time in London, by meeting a member of the British Royal Family – because they’re so easy to find…

Once in the airport, Big Time Rush are told by Gustavo and his assistant Kelly not to get into any trouble. And yet, trouble just seems to find them, as they are rudely shoved by policemen chasing after someone in a suit holding a backpack. The man manages to swap out the backpack for an identical one on a nearby luggage carousel, but is caught by some scary-looking henchmen, including a man who has a hammer for an arm. This man is apparently a spy who is taken to a castle owned by entrepreneur Sir Atticus Moon. Moon wants whatever is in that backpack badly. He orders his henchmen to track it down once he discovers the bags were swapped.

Big Time Rush, meanwhile, have gotten to their hotel, the Queen’s Hotel, and we see that Kendall has the swapped-out backpack, unknowingly holding some sort of device wanted by a crazed billionaire. The boys are also unaware of the fact that members of MI6 are watching them, attempting to surreptitiously retrieve the backpack, but they are clearly very inept spies and they fail in their mission. Once inside their hotel room, the boys are told to remain in the room until soundcheck that afternoon, in preparation for their performance that night. Kendall then opens up his backpack to find a strange device inside. He presses the button on it and the room loses all gravity, sticking the guys to the ceiling. Kendall manages to push the button again and they fall to the ground. Suddenly, a spy enters the room aiming a gun at them. Logan is shot in the leg with a dart that knocks him unconscious. As Kendall, Carlos, and James stand there not knowing what to do, a girl comes in through the window, knocks the spy out, and takes the backpack. Two men from “room service” then burst in trying to get the bag, but Carlos catches it as it is thrown out of the girl’s hand. The boys rush out of their room through the fire escape, carrying Logan with them.

At the same time, Katie has overheard the Duke of Bath checking into the same hotel as them. Hearing that he’s single and royalty, Katie plans to set her mother up with him. They are taken out for afternoon tea and shown around the city by the duke. Meanwhile, Gustavo and Kelly are horrified to find that Big Time Rush have gone missing, with their tour promoter threatening to cancel the whole tour if they’re late for soundcheck.

Big Time Rush are now in Chinatown and search for the device online, via the “London Information Kiosk”, an interactive screen that is handily situated on the street. They find that billionaire Moon was trying to make an anti-gravity device but denied it was possible to make. Carlos then sees the guy with the hammer arm, who he’d seen at the airport, coming towards them. The guys run away again and come face-to-face with that girl who knocked out the spy in their room. She tells them to get in her talking spy van if they want to live – so they do just that. The van is being pursued by the “room service” men, who are actually Swedish spies also wanting the device. The girl introduces herself as Penny Lane, explaining that her father is a spy for MI6, and, although MI6 want the device, they are less bothered about rescuing her father from Moon. So, Penny asks the guys to help her save him. Big Time Rush aren’t sure about this but then find they are wanted by the police and MI6 so don’t have much choice! Kendall reminds everyone that they need to get to soundcheck in Hyde Park, so they make a deal: if Penny can get them to Hyde Park in time, then they will help her. Penny arranges a meeting with Moon in Hyde Park for the exchange.

MI6 have discovered that the device they believe Agent Simon Lane, Penny’s father, had was part of Moon’s Project Beetle, having discovered a report all about it. The head of MI6, however, thinks that Big Time Rush has taken this “Beetle” so that they can take over the world, especially as they have found footage from the hotel of Gustavo saying just that, but in reference to the band’s world tour. It’s clear he’s barking up the wrong tree, but there’s no persuading him that Big Time Rush have accidentally got mixed up in this!

Near to Hyde Park, Penny gives the boys disguises and tells them that the park is just across the street. They need to split up and get to their soundcheck, ensuring they avoid fans, police, and the Swedish spies on their way to it. As Gustavo and Kelly nervously await the boys’ arrival at soundcheck, they themselves are captured by MI6 and taken to be interrogated. They don’t have a clue what MI6 are talking about, but they are subjected to torture anyway – in the form of someone singing Big Time Rush songs to them!

Back at Hyde Park, just as the tour promoter is about to angrily cancel the tour, Big Time Rush turn up on stage to complete their soundcheck at the Hyde Park Amphitheatre. They then rush off to meet with Moon. Moon is waiting for them with Agent Lane in tow. However, he has more henchmen with him than expected and the boys are surrounded by guns. Even Penny, who was waiting nearby to shoot at them, is caught by Hammer-Arm. But Carlos starts a fight and they manage to escape from Moon and his henchmen – having to carry Logan who has been shot with a dart once again! They run into an unusually clean public toilet which actually takes them to a secret MI6 base. Agent Lane tells them that Moon is going to use the anti-gravity device, the Beetle, to take over the world but before they can come up with a plan to fix anything, Logan accidentally shoots Agent Lane with a laser which knocks him out – and will last for twelve hours. But Logan’s having a bad day, ok?! So, it’s up to them and Penny to decide what to do next. To make it worse, the boys soon learn that Katie, Kendall’s sister, has been captured by Moon, after him and Hammer-Arm take her from their hotel. Moon tells the boys to bring him the device in an hour, or else.

They come out of the lair back onto the London streets not knowing what to do, but happy that, because they have the backpack still, they have leverage. The Swedish spies then zoom past them and steal the backpack. Great, no more leverage… Logan wants to go to the police but they can’t really do that. Carlos wants to re-enact his spy dream from earlier and, having no other ideas, the boys and Penny agree to it. Penny’s van then arrives, despite having gotten annoyed with Big Time Rush earlier and banned them from accessing it, to come and help them, complete with tuxedos for the guys and Penny’s signature spy outfit. They also equip themselves with spy gadgets.

Having received the device after capturing the Swedish spies, Moon can set about enacting his plan. He explains to Katie that his plan is to use the Beetle and a laser to push the Moon out of its orbit, and, since it’s the day of the supermoon, it’s the perfect time to do so. This will cause worldwide chaos and allow Moon to force his way into power and become ruler of the world. MI6 figure out the plan and try to stop it, however, all their systems and communications become jammed, thanks to Moon using his big “Jam” button. He also protects himself with a force field so nobody can get to him. Smart.

Big Time Rush and Penny soon burst onto the grounds and into the castle, fighting all the henchmen. Kendall rescues Katie, and they even free the Swedish spies. The laser then hits the Moon and starts to be pushed out of orbit, disrupting the oceans and causing volcanoes to erupt. Penny and James go to the top of the stairs to defeat Moon, because in Carlos’ dream, James defeated the villain by falling on him. But once at the top of the stairs, James isn’t so sure about falling, so Penny kisses him and in his post-kiss reverie, he falls from the stairs on top of Moon, disabling the force field, which obviously didn’t cover Moon from above. What a rubbish force field… The boys shut down the laser by removing the Beetle and the Moon returns to its orbit. But in a twist, Katie is taken by Moon. Big Time Rush follow them and Kendall says he’ll give Moon the device. In the swap, Kendall turns on and throws the Beetle which sticks onto Moon’s back, lifting him into space.

MI6 arrive and thank Big Time Rush for their help, saying they’ll deal with Moon later as he flies higher and higher into the atmosphere…They are given a lift to their concert, via helicopter, almost late again. But they arrive just in time and launch into the first song of their set. At the concert, Katie tells her mother that the Duke of Bath is not a member of the Royal Family, having learnt he actually sells toilets after seeing an advert for his company on television – though she probably already suspected something was up after the duke gave her a bouquet of plungers instead of roses! When they meet the Earl of Sandwich backstage later, Kendall’s mother quickly leads Katie away, saying she’s not interested, despite this guy actually being royalty, and “third in line to the throne”. 

At the end of their show, the boys are told by Gustavo and Kelly they can go sightseeing now, but find themselves face-to-face with the Swedish spies, who actually only want to return Kendall’s backpack and threaten the boys with a promise to make one of their tour stops in Sweden. They promise – and then agree to never being secret agents again! Penny and her dad, who’s awake now, then arrive, ready with their van to take them out sightseeing together. The boys do a quick-change into their tuxedos and get in the van.

CHARACTERS & CAST

For anyone unfamiliar with the concept of Big Time Rush, although the members of the real band use their actual names, the series and also the movie did not do so. Because the series came before the band, the series features fictional characters, though their first names are the same as the actors/singers, and only the surnames are different.

For example, Kendall Knight was played by Kendall Schmidt. Kendall Knight is Big Time Rush’s leader on screen and is the most level-headed one in the group. Kendall tends to be the one who is the most focused on the band and its success, not because Kendall is fame-hungry, but because he really loves being in a band with his best friends and doesn’t want it to end. This means that during Big Time Movie, when Carlos is distracted by spies, Logan just wants to see Parliament, and James is distracted by Penny, Kendall is the one making sure they get to soundcheck and their concert on time.  

After the Big Time Rush series ended in 2013, Kendall Schmidt went on to have a recurring role in the Nickelodeon series School of Rock (2016-18), which was based on the 2003 movie starring Jack Black, playing the character Justin of Night Lizard. Schmidt is also known for the group Heffron Drive that he formed in 2008 with Dustin Belt. During his time on the show, Heffron Drive was on a break, but restarted again after the series ended.

James Diamond in the show is the ladies’ man and pretty boy of the band. When he isn’t singing, because he was the one most motivated to be a singer, he’s thinking about girls. During Big Time Movie, he doesn’t spend much time thinking about Sir Atticus Moon and his devious plans. He’s thinking about Penny Lane. Penny initially seems irritated by James’ advances, but eventually, she falls for his charming personality.

James Maslow played James Diamond on screen. After the show ended, Maslow was part of the line-up for Season 18 of Dancing with the Stars in 2014, where he finished in fourth place. On screen, he appeared in a few movies including Room for Murder (2018), where he played Jake; Holiday Twist (2023), playing Sam; and starred as Kevin Mohr in the Crackle series Sequestered (2014). In 2018, Maslow was one of the celebrity housemates in the US version of Celebrity Big Brother, where he finished sixth. Maslow pursued a solo singing career shortly after Big Time Rush, releasing his first album How I Like It in 2017.

Carlos Garcia is the troublemaker in the group, though he doesn’t mean to be. It’s just his light-hearted nature and excitability that get the band into all sorts of scrapes. In Big Time Movie, Carlos is in a dreamy state, thinking about how great it would be to be a spy, so when the moment comes for the boys to get involved in their own spy adventure, Carlos immediately wants to jump into it. Carlos’ spy dream actually comes in useful because he tells the boys and Penny how they should proceed on their mission to stop Moon, since Penny’s father, an actual spy, is “indisposed” – and it works.

Carlos Garcia was played by Carlos PenaVega. Since the end of Big Time Rush, PenaVega has voiced the character Bobby Santiago in the Nickelodeon animated series The Loud House (2016-present). PenaVega also starred in the Hallmark movie series the Picture Perfect Mysteries (2019-20) as Detective Sam Acosta, alongside his wife, Alexa PenaVega. They later both starred together in the Hallmark movie Love in the Limelight (2022). Following in Maslow’s footsteps, PenaVega came fourth in Season 21 of Dancing with the Stars back in 2015. He has also recently started a new band alongside friend Alex Marshall called Angels + Kings. Their first single “Lightning” was released in October 2024.

Rounding out the Big Time Rush band members is Logan Mitchell. Logan is the smartest one in the group, even aiming to become a doctor. This means he is quite analytical, logical, and serious, at times anyway. In Big Time Movie, Logan is nervous about getting involved in a spy operation, believing the best thing to do is to report it to the police, a perfectly normal response. He just wants to go and see Parliament in the city. But Logan is dragged into the action reluctantly, getting shot with tranquiliser darts on more than one occasion during the film, so he doesn’t have all that many opportunities to voice his dismay at being forced into this potentially deadly situation.

Logan Henderson was cast as Logan Mitchell. After Big Time Rush ended in 2014, Henderson took a break from the spotlight, returning to the music scene in 2017 with his debut solo single “Sleepwalker”. He later released his debut album Echoes of Departure and the Endless Street of Dreams – Pt. 1 in May 2018. It seems that Part 2 of the album is yet to be released.

Penny Lane – this being a not-so-subtle reference to The Beatles song of the same name – is the teenage spy who comes into Big Time Rush’s life like a whirlwind. Her father has been captured by Moon after smuggling an anti-gravity device out of a lab. Knowing he was at risk of capture, he swapped the backpack hiding the device with an identical one to stop Moon accessing it. Penny then attempts to retrieve the device so she can exchange it for her father’s release. She claims she doesn’t want to simply hand it over to MI6 because she fears her father’s return is not their priority, so she enlists the boys to help her with her plan. As usual with Big Time Rush, the plan does not go smoothly, however, they do save Penny’s father, Simon, quite easily. If it weren’t for a poor use of a spy laser by Logan, they might have been able to defeat Moon without so much trouble! Instead, Penny has to rely on Carlos’ dream to come up with plan. Luckily, it does work, with some clunky moments, and Penny also realises her feelings for James at the same time. What a time for romance, when the world is about to be destroyed by a power-hungry billionaire…

Penny was played by Emma Lahana. And don’t let that British accent fool you, because Lahana is in fact from New Zealand. Prior to Big Time Movie, Lahana was cast as Fiona in the Disney Channel Original Movie You Wish! (2003), and had performed the recurring role of Charlotte Monroe in The CW series Hellcats (2010-11). After Big Time Movie, she went on to play Brigid O’Reilly / Mayhem in the Freeform series Marvel’s Cloak & Dagger (2018-19). Her father, Agent Lane, was played by Christopher Shyer, also not British, who most recently landed the recurring role of the Vice President of the USA in Netflix’s The Night Agent (2023-present). He also previously portrayed Richard Nixon in J. Edgar (2011), the movie about J. Edgar Hoover, which starred Leonardo DiCaprio in the main role.

Then there is Sir Atticus Moon, the villain of Big Time Movie, who plans to move the Moon out of its orbit so he can rule the world. He is clearly meant to resemble a Bond villain with his grand plans, his suit, and his love of holding cats, frequently asking henchmen to get him a cat that he can hold. The cats don’t look very happy about this most of the time… This is reminiscent of the Bond villain Blofeld who held a white Persian. However, this being a movie for Nickelodeon, the villain here is not a criminal mastermind. He seems quite scared of fights and confrontation, getting his henchmen to do his dirty work for him, and doesn’t know what to do when things go wrong. When Big Time Rush ruin his plan, he simply grabs Katie and runs outside with her, telling the boys to give him the device. Moon then hands Katie over before he gets the device – rookie error. So, this gives the boys the opportunity to trick Moon by attaching the device to him, and, since it is an anti-gravity device, Moon gets launched into the air. We don’t actually know if he ever made his way back down to Earth….

Sir Atticus Moon was played by Trevor Devall, who has a history of voice acting, having voiced Rocket Raccoon in the animated series Guardians of the Galaxy (2015-19) for DisneyXD, as well as Hobbie in Star Wars Rebels (2014-18), also for Disney XD. Devall also “played” the character of Hermiod in Stargate: Atlantis (2004-09).

There are also other characters from the Big Time Rush series who appear in Big Time Movie. Two of these are Katie, Kendall’s sister, and Kendall and Katie’s mother, Mrs. Knight. Mrs. Knight has been the boys’ chaperone during their time in LA so she would need to accompany them on the tour. Katie, meanwhile, is excited to be in London because she dreams of marrying Prince Harry and becoming a princess. This leads her to trying to set up her mother with the Duke of Bath. Although Mrs. Knight has no desire to go along with her daughter’s scheme, when she hears that the duke has seventeen castles and hundreds of staff, she’s a little more interested. But, alas, he sells toilets for a living and the relationship ends before it really begins! It’s quite a silly side plot, but quite entertaining as well.

Katie was played by Ciara Bravo. After Big Time Rush, Bravo went on to appear as Emma Chato in the FOX series Red Band Society (2014-15) and was cast as Mary Smith in the FX series A Teacher (2020). Most recently, Bravo appeared as Tina in Season 2 of the Roku series Most Dangerous Game (2020-23), and was cast alongside Tom Holland, playing the character Emily, in the film Cherry (2021). Mrs. Knight was played by Challen Cates, who currently seems to be running a winery, Challen Winery.  

Then there are Gustavo Rocque, the band’s music producer, and Kelly Wainwright, his assistant. Gustavo is quite a highly strung person, and unfortunately because Big Time Rush seem to attract chaos, they do not make Gustavo any calmer! Kelly is the more level-headed one, generally taking Big Time Rush’s trouble-making ways in her stride, although the events of Big Time Movie test both of them. Gustavo and Kelly specifically tell the boys not to leave their hotel room so they don’t get involved in any mess, so they are completely shocked to find the boys are nowhere to be seen, risking the cancellation of the whole world tour. To make things worse for Gustavo and Kelly, they are directly pulled in to the havoc, as they are interrogated and “tortured” by MI6, as MI6 believe that Gustavo and the boys are planning to really take over the world, after hearing footage of Gustavo saying that they will conquer Europe. This was all metaphorical, of course, in relation to hopes their tour will be a success, but instead of getting an apology from MI6, Gustavo and Kelly are simply dumped in a field and have to make their own way to the concert. What a bad day for them…

Stephen Kramer Glickman was cast as Gustavo Rocque. After the series ended, he went on to co-host the comedic podcast series The Night Time Show (2015-present). He also voiced Ned in the animated movie White Fang (2018). Kelly was played by Tanya Chisholm, who recently was cast as Jenna in Season 4 of Tyler Perry’s series Sistas (2019-present). She also recently appeared as Holly in the Hallmark movie Dial S for Santa (2023). Chisholm might look familiar to Disney fans as she played Jackie, one of Sharpay’s entourage in High School Musical 2 (2007).

MUSIC

Th majority of the music that can be heard in Big Time Movie should sound familiar to fans of The Beatles because the songs on the official Big Time Movie soundtrack are covers of famous Beatles songs, all written by John Lennon and Paul McCartney.

I’m going to be honest and say that I am not a fan of The Beatles. I understand that they are a huge part of the music industry as a whole and that they are massively important specifically to the British music scene, but I don’t actively seek out their music to listen to, and have only heard their songs randomly, like on screen or on the radio. It’s nothing personal; I just wasn’t born at the right time.

Because of this, I like Big Time Rush’s versions of these songs and prefer them to the originals. I’m sure many fans of The Beatles, though, would not enjoy these covers. Big Time Rush admitted themselves that they were nervous about doing the covers, but wanted to pay homage to the legendary band. The Big Time Movie soundtrack was released on 6th March 2012, ahead of the movie’s premiere on 10th March[1]. The movie also features some songs from the band’s second album Elevate which was released in November 2011, and some from their first album BTR, released in October 2010.

The first song to be heard in Big Time Movie is “Help!”, which plays during the opening spy sequence. It begins immediately as the captured princess is about to cry “help”. Funny about that, it’s like it was planned. This sequence and song set up the audience to get ready to watch a spy-inspired movie. “Help!” was first released in 1965, this being the title song of The Beatles’ film of the same name. “Can’t Buy Me Love” is the next Beatles song to be heard, as it is used for the scene when Big Time Rush are escaping from Hammer-Arm and Moon’s other henchmen who have followed them into the city. This song was released in 1964 and was part of the album A Hard Day’s Night.

Following on from that is my favourite song in the soundtrack, “We Can Work It Out”. This is played as the band are trying to get through Hyde Park to their soundcheck without being spotted by the police, screaming fans, or Moon’s men, so obviously, they are in weird disguises to do that, with mixed results. But they also appear in all black outfits at one point, which I believe is referencing a performance of this song by The Beatles. I can’t work out what the umbrellas and bicycles the band play about with during this scene mean though, other than I’ve seen images of The Beatles holding umbrellas and riding bicycles for photoshoots. Big Time Rush begin this song by stepping onto the “Abbey Road” crossing – except it’s not the real one – in that iconic pose. “We Can Work It Out” was originally released by The Beatles in 1965. Then there is “Revolution” which can be heard during the fight scene at Moon’s castle, when Big Time Rush and Penny Lane manage to foil his plan. This song is “foreshadowed” as Moon says a few times just before it about being ready for a revolution. This song was originally released in 1968.

The final Beatles song to appear in the movie is “A Hard Day’s Night”, this being Big Time Rush’s first song in their concert set at Hyde Park that evening, referencing the difficult day they’ve just had. This song was recorded in 1964 for The Beatles album of the same name. The other song on the official Big Time Movie soundtrack is “I Wanna Hold Your Hand”, which does not appear in the movie, although the band did perform this at some tour shows. The Beatles recorded this song in 1963.

 But The Beatles covers aren’t the only songs to appear in Big Time Movie; they had to use some of their own music. During the Hyde Park concert, Big Time Rush follow “A Hard Day’s Night” with the song “Elevate”, which is from the band’s second album of the same name. This song was written by Damon Sharpe, Johnny Powers Severin, James Maslow, and Eric Sanicola. You can also hear “Big Time Rush”, from the band’s first album BTR, and “Music Sounds Better With U”, from their second album, performed as part of Gustavo and Kelly’s torture scene. “Big Time Rush” is played towards the end of the film. It was written by Matthew Gerrard, Charlie Midnight, and Jay Landers. I thought I heard “Music Sounds Better With U” in the background near the end of the movie as the guys are told by Gustavo they can finally go sightseeing after their concert too. “Music Sounds Better With U” had many contributors including Ryan Tedder, Noel Zancanella, and Big Time Rush.

Finally, within the credited songs, you can hear “Any Kind of Guy” from the album BTR, and “Famous”, which is also on the same album, although not in some countries. It was not on the UK CD of BTR that I bought anyway. These songs were written by Matthew Gerrard, Charlie Midnight, and Jay Landers; and Desmond Child and Andreas Michael Carlsson, respectively. An instrumental clip of “Any Kind of Guy” is used when Gustavo and Kelly go to Big Time Rush’s hotel room with the tour promoter and find them gone. A small snippet of “Famous” is heard just as Big Time Rush get the idea to have MI6 take them to their concert via helicopter. It is then followed by an instrumental version of “Big Time Rush” as they actually get on stage.

There are also two snippets of uncredited songs that can be found in Big Time Movie. One is “Rule Britannia”, composed by Thomas Arne and James Thomson, which can be heard as the band are about to land in London and their plane flies over sights of the city. The second is “Brandenburg Concerto #3 1st Movement” by Bach, which is played during Katie and her mother’s afternoon tea. It may also be the classical music playing in the background whilst they are in the hotel lobby, but I’m not sure.

Finally, Guy Moon is credited as the composer on Big Time Movie. Moon was also the composer on other Nickelodeon programming, such as Danny Phantom (2004-07); the Fairly Odd movie trilogy (2011-14); and, of course, the Big Time Rush series.  

Just as a warning, I watched Big Time Movie on DVD, however, I also watched parts of the movie on Paramount Plus, where I noticed that not all of the songs within the movie are played in full. This is probably a licensing issue and I’m unsure if this affects every country where Paramount Plus is available.

PRODUCTION

Big Time Rush, as a television show for Nickelodeon, officially began with its first season on 18th January 2010, having been created by Scott Fellows, who had previously created the series Ned’s Declassified School Survival Guide (2004-07), also for Nickelodeon. The official series debut on the evening of 18th January set a new record for a Nickelodeon series, becoming the highest-rated and most-watched live-action premiere of a series for the channel with 6.8 million viewers[2]. It seems that this record has not been beaten in the years since. The first season ran until 20th August 2010 and consisted of twenty episodes.

A two-part pilot episode, “Big Time Audition”, first aired on 28th November 2009. This pilot introduced audiences to the four members of Big Time Rush and saw them get the opportunity to go to Los Angeles to start a band, having originally just been four guys from Minnesota. This set up the premise of the show, which followed the band through their time adjusting to new lives in California, and took viewers through the band’s journey from unknowns to international fame.

Supposedly, the four characters within Big Time Rush were written to be similar to the actual personalities of the actors and singers. However, I never really saw that, and interviews with the band, both then and now, only add to my feeling about that. Of the four of them, I think Kendall was the most like his character, but that’s really only because Kendall in the show was the steady, sensible one. Obviously, I don’t know them so I can’t actually comment, but it was quite clear to me that they were playing characters in a show after watching interviews with them as a real band. That’s probably a good thing really!

Speaking of Kendall, did you know that in an unaired pilot for a series to be called Brand New Day Kendall was replaced with a different actor? Big Time Rush could’ve been a very different series if this pilot had been greenlit. Instead, although Brand New Day was set to feature James, Carlos, and Logan, there was no Kendall, because the actor playing the fourth member of Big Time Rush was Curt Hansen; his character was called Curt Knight.

Based on the few clips and snippets of information I have found about this unaired pilot, it would seem that the plot of the pilot was more or less the same as “Big Time Audition”, with Gustavo Rocque plucking the boys out of Minnesota to take them to California to make them stars. But, outside of Curt not being Kendall, there were a couple of other differences. One was that Curt’s sister was not little Katie, but was actually a teenager. Another was that, at the end of the episode, Big Time Rush had to perform to Griffin, Gustavo’s boss, to convince him that the band could continue. In the aired pilot, they perform “Big Time Rush”, the series’ theme song, however, in the unaired pilot, they sang “This is Our Someday”[3]. That would’ve been the only thing from the unaired pilot that I would’ve liked kept because that’s my favourite Big Time Rush song, but even just from watching clips of the unaired pilot that surfaced online, it didn’t feel right without Kendall.

Since this version of the pilot was never released to the public, there hasn’t been anything publicly stated by the band or the creators of the show about why Curt was replaced with Kendall. Just because fans want to know why doesn’t mean they ever need to, or will, find out. It has been said that the reason was simply that Curt looked too much older than the other three and he sounded too much like James, so a lack of talent was not the issue here, especially as Curt Hansen went on to perform the role of Fiyero in the Broadway musical Wicked, both on Broadway and in touring productions. Hansen’s story with Big Time Rush also did not end with the unaired pilot as he appeared as the character Dak Zevon, a clear parody of Zac Efron, in two episodes of Season 1 of Big Time Rush.

After the success of Season 1, a second season began shortly after the first one finished. Season 2 consisted of 29 episodes, starting on 25th September 2010 and ending on 28th January 2012. This was my favourite season of the show, though I did only watch the first two in full. They’d sorted out James’ hair in this season; I appreciated it.

Just under two months after Season 2 ended, Big Time Movie was set to premiere. This movie would continue the storyline of the series which had ended with discussions about Big Time Rush going on a world tour. London was their first stop on this tour.

Big Time Movie was written by Scott Fellows, the creator of the series, which makes sense for continuity. It was directed by Savage Steve Holland, who had directed multiple episodes of Big Time Rush, including the pilot “Big Time Audition”. For Nickelodeon, Holland had directed episodes of other series including Zoey 101 (2005-08) and Fellows’ Ned’s Declassified School Survival Guide; as well as Nickelodeon movies such as A Fairly Odd Movie: Grow Up, Timmy Turner! (2011), a live-action/animated continuation of The Fairly OddParents (2001-17), co-written by Scott Fellows and Butch Hartman. Holland had also previously directed for Disney, with the Disney Channel Original Movie Stuck in the Suburbs (2004) and several episodes of Lizzie McGuire (2001-04) and Phil of the Future (2004-06).

I don’t want to ruin anyone’s illusions about Big Time Movie, but I should say that, despite being set in London, it was not filmed there. Gasp! Like many television movies, especially those meant to be set in the UK, Big Time Movie was filmed in British Columbia, Canada. Production tried their best to make Big Time Movie look like London, but some might’ve noticed a few misrepresentations and misunderstandings of the city, such as Kendall continuously referring to the London Eye as “the giant Ferris wheel”, which I would’ve expected Logan to have corrected him on, and how I have never seen a “London Information Kiosk” interactive screen on the streets of London. There are others but the real thing to bother me, because I’m a bit of a royalist, is that the Earl of Sandwich claimed to be third in line to the throne. In 2012, Prince Harry was actually third in line to the throne, as Prince George was not born until 2013. The Earl of Sandwich, an actual title currently held by Luke Montagu, the 12th Earl of Sandwich, is way down the line of succession. These were obviously not meant to be factual, more for comedy or story purposes, but it’s always good to correct misconceptions, just in case. I don’t want anyone going to London and being disappointed that there are no information kiosks for them to Google stuff – because we don’t have phones that can do that now or anything…

Anyway, one of the locations used to film Big Time Movie was Hatley Castle, which was the setting for Moon’s castle, and the evil villain’s castle at the start of the film. It has been used for various other productions. For example, Hatley Castle was the setting for Auradon Prep, the school in Disney Channel’s Descendants film series. It is also the home to X-Mansion in some movies within the X-Men and Deadpool film franchises[4].

Since Big Time Movie was being promoted as “Austin Powers meets James Bond with Beatles songs”, some level of stunts was needed in the movie. In some cases, the stuntmen had to do the work for the actors or other methods were used, such as a dummy being thrown from the top of the stairs in Moon’s mansion at the point that James is meant to be crashing down onto him. Kendall also did not actually drive the Aston Martin his character is driving at the beginning as he couldn’t drive “stick shift”. However, in others, Big Time Rush got to do their own stunts. For instance, Carlos was allowed to drive the dirt bike that his character is riding at the start of the movie, at least for some shots, and James, whose character jumps out of a plane during that opening sequence, did perform his own stunt here, jumping around ten feet down onto crash mats.

Big Time Rush got to work with some big names whilst filming Big Time Movie. For example, their stunt coordinator was Garvin Cross, who had just worked in the stunt department on Inception (2010) at the time, and their costume designer was Angus Guthrie, who won the Oscar for Best Costume Design on Moulin Rouge! (2001)[5].

RECEPTION

Big Time Movie premiered on 10th March 2012 on Nickelodeon in the US. It was later released on Nickelodeon in other countries over the next few months. It premiered in the UK on 26th May 2012, for example. During its first weekend, Big Time Movie reached around 13 million total viewers in the US, with the primetime premiere averaging 4.1 million viewers[6].

Big Time Movie and its director Savage Steve Holland were nominated at the 65th Directors Guild of America Awards for outstanding directorial achievement in the Children’s Program category, but lost out to Paul Hoen who directed Disney Channel’s Let It Shine (2012). That’s just a tad bit awkward for Nickelodeon to lose out to its biggest rival channel!

 In terms of reviews for Big Time Movie, these were mostly positive from fans of the television series, who were the target audience for the movie. It was a good extension of the storyline, since having a band go on to do a world tour is a natural progression in their career, and it involved the same silly humour that the programme was known for. Many appreciated the references to James Bond movies as well as The Beatles. The covers of Beatles songs were also considered to be good, according to fans of Big Time Rush. The movie also only has a runtime of just over an hour, so it’s perfect for children to focus on  However, a movie cannot limit who sees it only to those who should like it, so, there are negative comments online about Big Time Movie too. The majority of these state that the acting and plot of the movie are awkward and cringey, likely because the viewer was not part of the target demographic at the time of watching. When I was nineteen, I didn’t find Big Time Movie cringey at any point, but watching it as an adult, I did at times, so it’s a fair comment to make, but Big Time Movie was never aiming to be Oscar-worthy material.

Unsurprisingly, other reviews focused on the fact that Big Time Movie was seen to be ripping off The Beatles, both through their covers of popular Beatles songs, as well as through the plot of Big Time Movie. Although there is nothing overly similar in the plots of Big Time Movie and The Beatles films like A Hard Day’s Night (1964) and Help! (1965), the silly humour and antics that happen during everyday band life did feature in those Beatles movies. These movies did, however, inspire the series The Monkees (1966-68), which, in turn, inspired the making of Big Time Rush. So, to say “rip-off” is harsh, and “influenced by” is more appropriate.

I also read a few comments saying that the movie was “offensive”. I’m not quite sure who would be offended by Big Time Movie. Perhaps British people because it used some stereotypical characters and misunderstanding of British life, although I’m British and didn’t find it at all offensive. Inaccurate, yes, but offensive, no. The only thing that perhaps could be deemed offensive is the Japanese “torture” scene, where Kelly and Gustavo are tortured by a Japanese man singing Big Time Rush songs at MI6. Torture methods shouldn’t be made light of, so this was a slightly awkward attempt at humour, but I can see the intent behind it, to actually mock Big Time Rush themselves and not Japan. Some accents in this movie might also be classed as “offensive”, but mostly bad accents are just funny.

LEGACY

After Big Time Movie was released, Season 3 of Big Time Rush premiered on Nickelodeon shortly afterwards, on 12th May 2012. This ran across twelve episodes ending on 9th November 2012, and used many of the songs from Big Time Rush’s second album, Elevate. Season 4 of Big Time Rush then aired from 2nd May 2013 to 25th July 2013 and consisted of thirteen episodes. This time, music from the band’s third album 24/Seven, released in June 2013, was used throughout the season. 

It would appear that the cast of the Big Time Rush series knew that Season 4 would be their last, probably because the main four were in their mid-twenties by this point and no doubt wanted to get on with their own careers. The band breaking up after releasing their third album was even a plot point in Season 4 Episode 11 “Big Time Break Out”, so that’s even more evidence that the show was coming to a conscious end. Season 4 ended with a two-part special called “Big Time Dreams”. In this episode, Big Time Rush were nominated for five awards at the Tween Choice Awards – an obvious nod to Nickelodeon’s own Kids’ Choice Awards, complete with slime, or, in this case “goop”. However, they couldn’t enjoy the ceremony as they were pulled into an evil plot whereby the award ceremony’s sponsor was trying to hypnotise the world into wanting to eat his mac and cheese product all the time. With help from Alexa PenaVega, playing a fictionalised version of herself as an actual “spy kid”, Big Time Rush foil the plan and make it on stage just in time to perform and receive their award for “Awesomest Song”. The episode ends with all the boys achieving their dreams: Logan to find the “goop” room at the awards show; James to become “official” with his girlfriend, Lucy; Kendall to have the band be a success, together; and Carlos to finally get a girlfriend, this being Alexa PenaVega, his real-life girlfriend at the time.

 Although “Big Time Dreams” was quite a cute episode, it didn’t feel like a fitting ending to the whole show. Some comments online found this to be a disappointing finale, feeling that it basically took the plot of Big Time Movie, the events of which the boys didn’t even mention during the episode. Many did like the last few moments of the episode though, with the band’s performance “We Are”, as well as seeing clips from the best moments of the show playing on a screen behind them.

After Big Time Rush the show ended, the band completed a final tour, their Live World Tour, in February 2014. The band then broke up, seemingly forever. Throughout their time on television and in the music industry, the show and the band had won multiple awards at the Kids’ Choice Awards. Big Time Rush won Favorite International TV Show at the Kids’ Choice Awards in Mexico in 2011; Argentina in 2013; and Colombia in 2014. The band won Favorite Music Group at the US Kids’ Choice Awards in 2012 and the Fan Army award in 2013. The band also won Favorite International Group in Argentina in 2012, Mexico in 2013, and Colombia in 2014. The show was even nominated for Best International TV Show at the BAFTA Children’s Awards in 2010.

But Big Time Rush were over, giving the guys the freedom to do whatever they wanted in their lives in the meantime. However, in 2020, with the COVID-19 pandemic stressing out much of the world, Big Time Rush reunited momentarily to release an acoustic version of their popular song “Worldwide”.

That could’ve been where the band left their reunion, crushing the dreams of many fans, but they did not stop there because in 2021 Big Time Rush officially announced that they were reuniting, by going on tour. This was the Forever Tour which began in Washington D.C. on 23rd June 2022 and spanned many areas of the US, as well as some cities in South America, becoming their first headline tour in nearly a decade. It ended in Rio de Janeiro on 5th March 2023. And that was not all. In June 2023, Big Time Rush released their fourth album Another Life and went on tour again, the Can’t Get Enough Tour, visiting areas of the US, Canada, and Mexico during the summer of 2023.

This was then followed by a UK and Europe Tour which took place in June 2024. They went to cities like Berlin, Paris, Madrid, London, and Manchester. In October of that year, the band went to Australia and Asia for another mini-tour, heading to places like Sydney, Melbourne, Singapore, and Manila. The band’s most recent fan event was Big Time Rush on Ice which was their Christmas 2024 event, held in Bridgeport, Connecticut.

2025 is going to be just as exciting for fans, as the band announced a new world tour on 20th February 2025, named the In Real Life Worldwide tour, with dates starting in cities across the US from July 2025, going until the end of August, before the band head off to Europe in November 2025, visiting cities across the continent, like Berlin, Milan, Barcelona, Paris, London, and Athens, until the tour ends in December. It was also announced that Katelyn Tarver and Stephen Kramer Glickman, both of whom starred in the Big Time Rush series as Jo and Gustavo respectively, will be joining the band on their tour.

There has also been some discussion around a new Big Time Rush movie being in the early stages of development, which potentially could feel similar to Zoey 102 (2023), the reunion movie for Zoey 101, though hopefully a Big Time Rush reunion will be more accomplished than Zoey 102

FINAL THOUGHTS

In all honestly, the, for want of a better word, bullying that I experienced during my first year at university around my love for Big Time Rush did somewhat taint the show and the band for me. I only watched a few episodes of Big Time Rush Season 3 before giving up and moving on with my life.

Over the years, I have felt somewhat cheated out of experiences that real Rushers – their fandom name – got to experience. I missed out on Big Time Rush’s third album; I never got to see the finale episode of the television series live; and I didn’t get to see Big Time Rush reunite around 2021. I wasn’t even aware that the band had got back together until a few months ago. Obviously, I can go back and find these moments online now, but it might’ve been nice to live through them with everyone else.  

But I really need to move past that, and this week, by researching Big Time Movie, I’ve managed to get closure on that chapter in my life because I got to go back and look at old interviews, clips of past episodes, old songs, and new music. It was a lot of fun.

Big Time Rush will always have a special place in my heart and, although I can’t count myself as an official Rusher, I wish the guys nothing but the best for the future, either with the band or in their solo projects. I look forward to seeing what they do next. 


REFERENCES

[1] Credit: Jason Lipshutz, ‘Exclusive: Listen To Big Time Rush’s ‘Big Time Movie’ Soundtrack’, Billboard.com, 29th February 2012.

[2] Credit: Nickelodeon, ‘Nickelodeon Scores Record-Breaking Night with Brand-New iCarly and Big Time Rush Debut’, PRNewsWire.com, 19th January 2010.

[3] Credit: Author Unknown, ‘Brand New Day (partially found pitch pilot of “Big Time Rush” Nickelodeon musical comedy series; 2007)’, LostMediaWiki.com, date unknown.

[4] Credit: Hatley Park, ‘Over 80 years of filming’, HatleyPark.ca, date unknown.

[5] Credit: Nickelodeon, ‘Behind the Scenes – Big Time Movie – Photoshoot’, MafeHD YouTube Channel, 5th March 2012.

[6] Credit: Nickelodeon, ‘Nickelodeons “Big Time Movie” Scores Top Spot for the Week With Kids and Tweens and Reaches 13 Million Total Viewers’, TheFutonCritic.com, 13th March 2012.

Upside-Down Magic (2020)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

Fantasy novels have always been popular with adults and children alike.

They give people an opportunity to escape from the mundanity or the stress of real life and enter a new world where those problems don’t matter, paling into insignificance when compared to the troubles of mystical lands.

Within the world of fiction, some major fantasy series from the years include Discworld by Terry Pratchett; The Chronicles of Narnia by C.S. Lewis; Philip Pullman’s His Dark Materials trilogy; and of course, J.K. Rowling’s Harry Potter series. But the fantasy world is always open to new writers, and one new novel to hit the shelves in September 2015 was Upside-Down Magic, the first in a series, which Disney optioned straight away.

There have been other occasions when Disney Channel have made movies based on books, such as Read It and Weep (2006), which was based on the novel How My Private, Personal Journal Became a Bestseller by Julia DeVillers, and Twitches (2005), which was based on the T*Witches book series, by H.B. Gilmour and Randi Reisfeld.

Using a novel as a basis for a movie is a good way of introducing books to younger audiences, because, if they enjoyed the film, they may want to read the book it was based on. Or it gives the book’s fanbase a new way of enjoying their series. Since the first book in the Upside-Down Magic series had been published five years prior to the release of the movie, Disney Channel were probably hoping that the readers of the books would be excited by the making of this movie. 

I wasn’t expecting much when I watched Upside-Down Magic, and I certainly was not looking forward to it. I thought I’d find it boring and childish, and, since I’d never heard of this film or the book series it is based on, I couldn’t imagine that it was any good. In actual fact, I did quite like Upside-Down Magic, despite not being the target demographic. It was a good mix of fantasy, mystery, and coming-of-age drama, although it missed the mark with others, who felt it resembled a certain series a little too much. 

PLOT

Upside-Down Magic begins with the main character, Nory, saying how her mother used to tell her that everyone has their “something”: a talent. Nory’s mother died when she was only seven-years-old. At this age, Nory discovered she had magical talents after turning into a cat one afternoon just by looking at it through a window.

Six years later, Nory is preparing to go to Sage Academy to learn all about magic. She is luckily going with her best friend Reina, who has fire magic. Nory is incredibly excited about going to Sage Academy, but Reina is nervous about it. Nory tells her it’s all going to be great and that Reina’s magic is amazing. Nory, on the other hand, struggles to control her magic and shapeshifts into strange hybrid animals.

Nory and Reina go to the bus stop to get to their new boarding school. Many other magical kids are waiting too. Here, we learn that Nory’s mother was a student at Sage Academy. Suddenly, a random guy comes out of the bushes and sends the parents away, saying he is there to take the children to the school. Because that’s not weird at all when you’re going to magic school, I guess. The grumpy guy escorts the kids through the forest, telling them not to use magic on the way. Soon, they arrive at a mess of twisted branches with a hole in the middle. This is apparently the entrance to the school, but there seems to be nothing beyond it. The moody guide walks through the gap – and disappears. Nory and Reina hold hands, take a deep breath, and step through too, arriving at a beautiful school.

At Orientation, the children meet their headmistress, Ms. Knightslinger. She tells them that Sage Academy consists of five different “schools” based on different types of magic: “Fuzzies” are those who can communicate with animals; “Flickers” are those with telekinesis; “Flares” have fire magic; “Flyers” can fly, of course; and “Fluxers” transform into animals. Each one of them must go through a placement test to see if they are talented enough to be placed into the Honours Programme for their type of magic.

For the Flares, students must light a candle from six feet away. The Fuzzies must answer questions about a dog. Flickers have to bring a vase towards them. Flyers are instructed to fly three feet in the air, hover, and then land. Fluxers must turn themselves into a tabby cat, hold the form for six seconds, and return to normal. Throughout the placement tests, there are a mixture of performances. For example, in the Flares test, Reina does perfectly but a student called Elliot can only create smoke. In the Flickers’ exam, a girl called Pepper can only push the vase away from her, not bring it to her. In the flying test, a boy called Andres flies up too high and gets stuck on the ceiling. And then, there’s Nory, who transforms into a cat briefly – but then transforms into a cat with dragon wings…

In the quad, each student is given their results on a card. Nory and Reina look at theirs together. Reina has been admitted into the Flares Honours classes, but Nory’s card simply says “UDM”. As the other students head off to get their uniform, Nory is pointed towards the forest and follows the signs to “UDM”. Her new “school” is situated in an underground cave and is led by the grumpy man who took them to the school, Mr. Skriff. He is both the school’s groundskeeper and the teacher of the UDM programme. Nory sees she is joined by Elliot, Pepper, and Andres. Mr. Skriff tells them that these four are here because they have what is called “upside-down magic”, basically meaning their magic is defective so there is no place for them at Sage Academy as they cannot do magic “the Sage Way”. In the UDM programme, they will not be learning magic, but will be doing real school work or other tasks around the grounds as they wait for their magic to disappear.

As Nory protests against this, Ms. Knightslinger arrives to tell them that they are unteachable and their magic is of no use to the world. Nory asks why they can’t be given a chance to correct their magic. Ms. Knightslinger tells them about a former Flares student called Reginald from Sage Academy in 1939. He had upside-down magic and was soon a target of “Shadow Magic”, a type of magic that consumes someone and is difficult to defeat because of its darkness. Ms. Knightslinger says that those with upside-down magic are the targets for Shadow Magic, so they are separated from the others to both protect the world and themselves from this possibility. Nory is devastated.

Meanwhile, Reina in Honours Flares class is told that she must continue to be great or risk being demoted to Basic Flares class. Her teacher, Professor Argon, also tells the class about Founders’ Day, where the best student from each magical school is given the opportunity to present their magic at a ceremony. To decide who that is, the two top students from each school of magic compete against each other in the Sage Match. Reina is nervous, especially without Nory there to boost her confidence, but gives her first lesson a go: popping corn. Reina does well, until she hears a scoff from a kid in her class, which distracts her so she then burns the corn. Professor Argon warns her she’ll need to do better than that.

Nory is sad to be separated from Reina, especially as she learns that the UDM students have to clean the school with Mr. Skriff. As Nory is sweeping, she stumbles upon a Fluxer lesson, where she hears about the Sage Match and Founders’ Day. Nory is determined to fix her magic by the day of the Sage Match, so she walks into the Fluxer lesson and tries to transform herself into a cat. It doesn’t work and she instead becomes a strange mix of an elephant and a bird. Mr. Skriff rushes over to calm Nory down so she can turn back to normal. He escorts her away, reiterating that the rules are there to protect her.

Throughout the days that follow, the UDM students learn that they are being segregated from the other students, so Nory and Reina cannot talk often. Reina continues to struggle with the pressure of the Flares programme, whilst Nory, with help from her fellow UDM classmates, tries to control her magic in secret, ready for the Sage Match. After a particularly difficult class for Reina, she bumps into a girl who tells her that she is much more powerful than Philip, the top student in Reina’s class. This girl is called Chandra who tells Reina to come find her if she wants help harnessing her power. Hmm, how cryptic… Nory then gets to talk to Reina briefly, where they both lie that they are having a great time at Sage Academy. Reina later heads to the library where a book on Shadow Magic appears to her. Scared by this book, which seems to follow her, Reina runs away. But the book appears in her room later that day, as she practises her corn popping. The book automatically opens to a page called “Manifesting Your Untapped Power”. Before Reina knows what’s happening, the Shadow Magic engulfs her.

At the Sage Match the next day, Reina easily beats Philip in the Flares test and is the winner; she will now get to present her magic at Founders’ Day. Now, it’s Nory’s turn, who has gate-crashed the event. Nory seems to be doing well turning herself into a cat, but she struggles to keep the form and morphs into a mix of a cat and dragon, a “dritten”, once again. Reina tries to make a “sparkle fireball”, Nory’s favourite type of magic, to calm her, but something goes wrong and the fireball strikes Nory. She falls and returns to normal. Reina apologises to Nory for hurting her, not knowing why her magic seems so strong.

Mr. Skriff and the UDM students arrive at the Sage Match to get Nory back to class. Ms. Knightslinger threatens Mr. Skriff with dismissal from his job if he can’t control his students, saying the UDM class is now banned from attending Founders’ Day. Annoyed at his mistreatment by the headmistress, Mr. Skriff tells the kids that he is just like them. He is a Fuzzy, but instead of talking to animals, he can only sing to them. He no longer wants to be a part of the UDM programme, as it makes kids feel bad for being different, so Mr. Skriff vows to teach them how to do magic the “UDM Way”, not the “Sage Way. But before doing this, Nory goes to Reina to talk to her about her uncontrollable magic. The Shadow Magic reappears to Reina in her room, and she tells Nory to leave. Hurt, she does and throws herself into UDM lessons.

During these lessons, Mr. Skriff helps Nory by getting her to visualise different hybrid animals and tells her to make them into topiaries. Now, she’ll be able to morph into any strange creature she wants. For Andres and his flying, Mr. Skriff ties a hosepipe to him to see how high he can fly. He can fly above the treetops, but the real issue is how quickly he launches off the ground; this is something Andres learns to control. Pepper is taught how to use her “push” ability by clearing leaves from the forest, whilst Elliot’s smoke power comes in handy for getting rid of bees’ nests.

The night before Founders’ Day, Reina is annoyed that Chandra has turned up again, telling her about the wonders of Shadow Magic. She shouts at Chandra to leave her alone, which concerns the other Flares who think Reina is talking to herself as they cannot see anyone near her. Reina runs into the school but Chandra follows her, telling her that she is even more powerful than Reginald, the previous Sage student who gave in to Shadow Magic. Reina accepts the magic just as Nory comes in to the room. Nory tells Mr. Skriff about Reina and they decide the Shadow Magic is waiting until the right moment; it’s waiting until Founders’ Day so it can cause the most amount of chaos.

At Founders’ Day, sure enough, during the presentation of the talents, Reina starts to create a fireball, which consumes her and becomes a huge shadow figure. Ms. Knightslinger is horrified to find that a student with “normal” magic could’ve been taken in by Shadow Magic. The Sage students are ordered by their teachers to collectively use their magic to stop it. The Flares try launching fireballs at it; the Fuzzies get birds to attack; the Fluxers are…useless, turning into farmyard animals and cats; the Flyers cannot launch off the ground; and the Flickers manage to tear the shadow figure into four, making it worse.

The UDM kids then burst in to the ceremony to use their magic instead. Pepper uses her “push” ability to push the four shadow figures back into one. Elliot then uses his smoke ability and Andres flies up to it. These two abilities confuse the shadow who begins to twist as it tries to catch Andres. Nory then transforms into her “dritten”, the cat-dragon hybrid, and flies around, twisting the shadow further and making it fall to the ground. The Flare students are about to launch a fireball to destroy the shadow, but Nory shields the shadow. Mr. Skriff tells the teachers to remember that the shadow is still Reina. Nory is given the chance to plead with Reina to fight the Shadow Magic. Reina begins to form her sparkle fireball, pushing against the force of the Shadow Magic. She manages to create and launch it, destroying the shadow once and for all. Reina is alright and her and Nory reunite.

After this event, Sage Academy has learnt to accept UDM kids, discontinuing the programme and letting them join normal lessons with the other students, meaning that Nory, Pepper, Elliot, and Andres are accepted for their different abilities in their respective schools at last. Mr. Skriff has even become a teacher for the Fuzzies. There is no “Sage Way” anymore. But there is one final thing. The Shadow Book is revealed to still be in the library, showing that it still remains. Will any student be safe from it?

CHARACTERS & CAST

Nory is the main character of Upside-Down Magic, being a Fluxer at Sage Academy, as she can transform into animals. However, she knows before she even gets to school that her magic is not quite right, as her animal transformations are not regular animals. Because of this she is labelled as having “upside-down magic”. All Nory wants to do is to be accepted at Sage Academy so she does everything in her power to fix her magic, but it doesn’t work. Those with “upside-down magic” can never be “normal”; they have to accept that and work on the type of magic they do have. Nory is a very upbeat, optimistic character, who doesn’t wallow in self-pity when she learns the school of her dreams wants her to lose her magic forever. Instead, Nory gets the other UDM kids to believe that they are worthy of the school and their magic, and that together, they can prove they are valuable.

Izabela Rose was cast as Nory, this being her breakout role. Rose was later cast as Quinn in The Curious Case of Dolphin Bay (2022), which is sort of a DCOM, sort of not, as it was another co-production with Disney Channel. After Upside-Down Magic, Rose also appeared as Young Jess in the Disney Channel series Secrets of Sulphur Springs (2021-23).

Reina is Nory’s best friend and she is part of the Honours Flares programme at Sage Academy. Reina is nowhere near as confident as Nory, needing Nory to boost her self-esteem before they even get to Sage Academy. Reina had nothing to worry about though as her fire magic is considered to be one of the best. However, without Nory, Reina lets self-doubt and other students’ abilities get in her head so she starts to struggle in her classes. That is why she becomes a target for Shadow Magic, because she thinks she needs it to be great and the Shadow Magic is only too happy to make Reina think that. Thanks to Nory, Reina manages to fight against the Shadow Magic. Hopefully after that event, Reina has learnt to have more self-confidence because it’s not Nory’s job to talk her up every day.

Reina was played by Siena Agudong. Agudong had previously appeared in the recurring role of Natlee in the Nickelodeon series Nicky, Ricky, Dicky & Dawn (2014-18), as well as playing the title character of Nick in the Netflix series No Good Nick (2019). After Upside-Down Magic, Agudong went on to appear as Young Billie Wesker in the Netflix series Resident Evil (2022) and as Melody in The 4:30 Movie (2024).

Elliot is another Flare, like Reina, except he has never been able to conjure fire. Instead, Elliot only conjures smoke, which is seen as completely useless to the Sage teachers. Elliot is the joker of the UDM class; despite clearly not liking the fact he has been confined to a basement for his schooling at Sage Academy. Like the other UDM students, Elliot learns that making smoke can have its uses. Elliot was played by Elie Samouhi, who had previously played Chewy in the Netflix series Team Kaylie (2019-20) and was also cast as Rodney in Season 3 of Disney Channel’s Bizaardvark (2016-19).

Pepper is a Flicker, except she can’t use her powers to bring anything towards her, only away from her. To be honest, although I understand how this doesn’t fit the “Sage Way”, I don’t quite understand why anyone with telekinesis would only want to bring things towards them. Surely, the Flickers should be able to both push and pull things? I also didn’t even realise this was a problem during Pepper’s placement test. I thought she just lacked discipline and decided to throw the vase at the teachers in protest against the discriminatory aspect of the placement test. Obviously not! Pepper is still the rebellious one in UDM class though. She was played by Alison Fernandez, who had previously played Lucy Mills in Season 7 of the ABC series Once Upon a Time (2011-18). She also appeared in the Netflix Team Kaylie (2019-20) as the character Amber.

The final UDM student to mention is Andres who is a Flyer, however, he has become so scared of his flying abilities, that he can’t control, that he wears a backpack filled with bricks to keep him on the ground at all times. Thanks to Mr. Skriff, Andres does manage to control this and should be seen as superior to the other flyers who can’t fly anywhere near as high. Andres is quite shy at the start of Upside-Down Magic, not wanting to talk to Nory when she tries to on their walk to the school at the start of the film, but comes out of his shell as he gets to know the UDM students. Max Torina was cast as Andres, who appeared as Ramon in the Disney Channel series Raven’s Home (2017-23).

Chandra, the personification of Shadow Magic, lurks the halls of Sage Academy, looking for opportunities to talk to Reina. The Shadow Magic has obviously picked Reina for her strong magical ability and lack of confidence, making her the prime target. Chandra is a necessary character, as Reina is not making friends at Sage Academy. If Chandra can make Reina feel like she is a valuable asset to the school, Chandra will be able to talk her round to accepting the Shadow Magic. Sure enough, this scheme works. Chandra was played byYasmeen Fletcher, who had previously appeared as Kaitlin in the Disney Channel series Andi Mack (2017-19). After Upside-Down Magic, Fletcher was cast as Nakia Bahadir in the Disney+ and Marvel series Ms. Marvel (2022).

Now to the teachers. Mr. Skriff is the groundskeeper and teacher of the UDM programme. Mr. Skriff isn’t a happy teacher, being very matter-of-fact with his role at the school and the fact that UDM kids are not “wanted” there. This is because Mr. Skriff knows this all too well, having been a UDM student himself, but being allowed to work at the school after the UDM programme finished for him. Mr. Skriff did not allow his “Fuzzy” powers to disappear either, practising them in secret. He turns out to be a really great teacher, after he decides to go against Sage Academy’s rules and help out the UDM kids, as his teachings allow the Shadow Magic to be defeated once more. Kyle Howard was cast as Mr. Skriff. Prior to his role in Upside-Down Magic, Howard had previously starredas Oliver Weston in the sitcom Your Family or Mine (2015), as well as being cast as Dr. Paul Van Dyke in the comedy drama Royal Pains (2009-16).

Ms. Knightslinger is the strict headmistress of Sage Academy. She is quite harsh on the UDM students when she is informing them that they are a danger to the world; that they must not practise their magic so that they will cease to be special; and will have to go off into the real world and have normal lives. You’d think you’d want to let the UDM students know about this is a gentle way, but no, Ms. Knightslinger would rather just escort them off the grounds straight away, but with their magic still being “upside-down”, she has to allow them to stay there for the time being. Luckily, after the UDM class take down the Shadow Magic, Ms. Knightslinger comes to her senses and shuts down the UDM programme, making Sage Academy an inclusive place. Ms. Knightslinger was played by Vicki Lewis, who has some history with Disney, having played Dina Reams in the DCOM Den Brother (2010), as well as appearing as Ms. Bitterman in a few episodes of the Disney Channel series Sonny with a Chance (2009-11). Lewis is also the voice of Deb in Finding Nemo (2003) and its sequel Finding Dory (2016).

Finally, we see two other teachers in Upside-Down Magic. One is the Fluxer teacher, Professor Han. Nory walks in on Professor Han’s lesson and tries to get involved, but it all goes terribly wrong. Professor Han seems scared by Nory’s hybrid animals and does nothing to try and calm her down. Professor Han does seem like a kind teacher though, unlike Reina’s teacher, Professor Argon, who is incredibly strict and hard on Reina. The way she talks during those corn popping lessons you’d think Reina was about to be demoted to the Basic Flares programme, but instead, she is picked as the second-best student in the Honours programme. Maybe it’s one of those teacher things where they see you have potential and decide to be very hard on you to make you achieve it, which could go either way depending on the student you’re talking to.

Professor Han was played by Elaine Hao who appeared as Anne Roche in Seasons 2 and 3 of Snowpiercer (2020-24). Professor Argon was played by Cynthia Kaye McWilliams who plays Cathy Montgomery in the dark comedy series Average Joe (2023-present). She had previously been cast in the recurring role of Kacee Franklin in Seasons 1 and 2 of Prison Break (2005-17), and as Trina Shaw in Real Husbands of Hollywood (2013-22).  

MUSIC

Upside-Down Magic is not a musical, therefore, the score is heavily relied on to get across moments of wonder and hope, like during the scenes of Reina and Nory’s arrival at Sage Academy; times of mystery, such as those around the Shadow Magic; and in scenes of peril, for example the big Founders’ Day showdown scene with Reina and her Shadow Magic.

For me, I found the piece of music at this point the best in the whole film, particularly the moment when the UDM student make their grand entrance into the Founders’ Day ceremony and are the ones to defeat the Shadow Magic. This track is named “Shadow Magic Showdown”. The entire score is available on the Upside-Down Magic official soundtrack, which was released on 23rd October 2020.

The score was composed by British composer Tom Howe. Howe is the composer on the popular AppleTV+ series Ted Lasso (2021-present) and has also collaborated with Aardman Animations on the music for a couple of their movies, including A Shaun the Sheep Movie: Farmageddon (2019), and Early Man (2018) with Harry Gregson-Williams. Howe is also the one behind the theme music for The Great British Bake-Off (2010-present).

There was a song that apparently followed the End Credits; however, this is not the case on Disney+. The End Credits simply use a track from the score, so I’m guessing this song only appeared during Disney Channel airings of the movie. It was a cover of the song “Everything’s Magic” by Angels & Airwaves, released in September 2007. It peaked at No. 11 on Billboard’s US Hot Modern Rock Tracks. For Upside-Down Magic, the main cast, Izabela Rosa, Siena Agudong, Alison Fernandez, Max Torina, and Elie Samouhi, all appeared in a music video for this song. This music video was uploaded to the DisneyMusicVEVO YouTube Channel on 31st July 2020, the date of the movie’s premiere. To be honest, after hearing the Angels & Airwaves original version, I much preferred that to the Disney cover of the song; it’s a much more polished performance, but it looks like the cast had fun anyway.

Then, we get to Mr. Skriff’s weird animal songs that come out of nowhere, very loudly and very abruptly. I would say it’s strange but then this is a Disney film; they’ve built a legacy on film characters singing to animals! He sings the first one when he proves to the UDM students that he is one of them, with the animals only coming to him or doing what he says when he sings to them; they don’t do anything if he just talks. Mr. Skriff sings again when Elliot cannot use his smoke powers quickly enough to smoke out the bees from their nest; Skriff sings to the bees to stop them wanting to stinging them and to apologise for ruining their home. Mr. Skriff launches into a quick song during the final scene too, as Nory explains that Mr. Skriff has become a teacher to the Fuzzies. Jeannie Lurie is credited as the creator of the original songs, so I’m assuming this applies to Mr. Skriff’s songs. Lurie has written songs for other DCOMs and Disney productions including some songs within Hannah Montana (2006-11), including “True Friend”; the song “Fearless” in Girl vs. Monster (2012); “You’re My Favourite Song” in Camp Rock 2: The Final Jam (2010); and “Something About the Sunshine” in StarStruck (2010).

The only other song to mention is The DNC’s song “Upside Down”. A brief excerpt is first heard as the movie title is revealed on screen. It returns for the montage of the UDM students perfecting their magic their way.

PRODUCTION

The production for Upside-Down Magic, alongside its cast and crew members, was announced around August 2019, though Disney had optioned the first Upside-Down Magic story for development in 2015. The first book was published in September 2015[1].

Since that first story, the Upside-Down Magic series has spanned eight books, with seven being published by the time the DCOM premiered, becoming a New York Times bestselling series. The books were co-authored by Sarah Mlynowski, Lauren Myracle, and Emily Jenkins. All three had co-authored the Young Adult book How to Be Bad, published in 2008, prior to writing Upside-Down Magic[2]. The Upside-Down Magic series centres on a collection of kids who have magical powers that go awry quite often whilst at school because their magic is “wonky”. They are put in the “Upside-Down Magic” class.

Upside-Down Magic the movie, was filmed in Vancouver during the summer of 2019, with one of the filming locations being Shawnigan Lake School, a boarding school on Vancouver Island, in British Columbia, Canada. Many of the campus buildings were turned into Sage Academy for the movie, including their chapel, library, and quad, as well as other school buildings. There were even opportunities for some of the actual school’s students to be extras in the film[3].

The rest of Upside-Down Magic’s scenes mostly take place in the forest surrounding Sage Academy, as this is where the UDM class is based. Director Joe Nussbaum said that they wanted to embrace the organic nature of magic, so most of their magic is based on the elements such as fire for the Flares, air for the Flyers and Flickers, and animals for the Fuzzies and Fluxers. The production designer on the movie, Bill Boes, stated that to match this specification, they could only use natural materials such as bark and wood, and there would be no metals or stainless steel in the production. As a contrast between the elite of Sage Academy, and the wonkiness of the Upside-Down Magic class, Sage Academy has clean, organised, bright classrooms, whereas UDM is housed in an industrial-looking, underground basement in the forest.  

Joe Nussbaum has directed other teen and tween-centric movies such as Sydney White (2007), which starred Amanda Bynes; Sleepover (2004); and the Disney movie Prom (2011). Nussbaum was also one of the executive producers on the Disney Channel series Gabby Duran & the Unsittables (2019-21). He is credited as an executive producer on Upside-Down Magic too, alongside Susan Cartsonis and Suzanne Farwell. Farwell had previously worked with Nancy Meyers on some of her movies, including The Parent Trap (1998); The Holiday (2006); and It’s Complicated (2009) before starting up the production company Resonate Entertainment alongside Cartsonis[4].

The DCOM Upside-Down Magic was written by Nick Pustay and Josh Cagan. Pustay had written the screenplay for Ramona and Beezus (2010) with Laurie Craig prior to his work on Upside-Down Magic. Josh Cagan had written the screenplay for the teen comedy movie The DUFF (2015) and co-written the live-action DCOM Kim Possible (2019). He went on to work on the DCOMs Spin (2021) and Under Wraps 2 (2022).

Upside-Down Magic features more Special Effects than most television movies because of all the magic effects. The actors liked working with the Special Effects team on their characters’ magical abilities, being given sketches and help from the stunt co-ordinators to tell them what was meant to be going on during the scenes, because, in most cases, they weren’t going to be seeing any of these effects in person, although Max Torina did have to be hoisted up by cranes as part of Andres’ flying ability, and Siena Agudong had wires through her clothes and tapes on her hands to produce Reina’s fire magic[5].

RECEPTION

A teaser of Upside-Down Magic was first shown during the premiere of ZOMBIES 2 on Disney Channel on 14th February 2020. It was going to be their next DCOM release after all, so excitement had to build. A full trailer was later released on 18th June 2020, announcing that Upside-Down Magic would premiere on Disney Channel on 31st July 2020.

On its premiere date in the US, Upside-Down Magic is said to have drawn in around 1.3 million viewers. When you consider that High School Musical 2 (2007) got 17.2 million viewers on its debut, remaining the top most-watched DCOM of all time, this looks quite bad for Upside-Down Magic. It certainly sounds negative in comparison, but Disney Channel Original Movies have struggled to reach anything close to those numbers since 2017, when Descendants 2 was released. The top viewed DCOM of 2020 was ZOMBIES 2, with 2.5 million viewers, so compared to that, Upside-Down Magic did not do badly.

Anyway, views aren’t everything, although reviews were mixed for Upside-Down Magic too. On the positive side, some viewers liked the overall message of the movie, about being yourself and not underestimating people, and said the movie had better than expected special effects. The general consensus is Upside-Down Magic is a good movie for children, especially those unfamiliar with Harry Potter.

Anyone who was familiar with Harry Potter though seemed to hate Upside-Down Magic, with the term “rip-off” being used. Although Reina and Nory’s characters were mostly enjoyed, the other characters, both students and teachers, were seen to be quite one-dimensional, with the teachers just being mean and the UDM kids being stereotypical. I don’t agree with that statement particularly, although so much of the story was focused on Nory and Reina that the UDM kids didn’t get much screen-time in total, so we learnt less about them. The teachers were quite cruel to be fair and with little reason why.

But the biggest complaint was just how much Disney had changed the source material when making their film. For one thing, the characters in the original stories attend Upside-Down Magic classes at Dunwiddle Magic School, not Sage Academy. In book seven, released just before the movie, it seems that the characters of the book move to Sage Academy. Whether this was the authors adjusting their story to fit Disney Channel’s movie plot, or if it was Disney getting information about the seventh book prior to writing their screenplay, I don’t know. Another change is that Elliot does not produce smoke when he attempts to conjure fire in the book, but instead makes the fire freeze. Flickers turn objects invisible, and don’t have telekinesis. Pepper in the book is also not a Flicker; she is a Fierce, where animals are scared of her. Other UDM students were omitted from the movie. That is usually necessary in any book-to-film adaptation. Mr. Skriff replaced the character of Ms. Starr, who was Nory’s teacher in the book. Reina was original to the movie[6].

Basing something on known source material is usually a lose-lose situation for anybody, as you’ll get complaints if you stray too much from source material; if you stick too closely to it; or if you cut too much out of it. Having said that, although I have not read the books, looking at the number of changes that were made, I can kind of understand what the readers might have been upset about.

LEGACY

The ending of Upside-Down Magic left the movie open for a sequel, as the Shadow Magic book came back, showing it could target another student.

However, there has not been any talk of a sequel coming from Disney Channel. Some fans have said that they would like an Upside-Down Magic 2, but it’s already been five years since the first movie was released, so it’s looking less and less likely that there will be one. It’s possible this was due to the negative reviews that the movie received, especially those concerning the differences between the DCOM and the book series.

This isn’t the first time a DCOM has suggested a sequel movie that has never come. Just two examples of this are Girl vs. Monster (2012) and Secret Society of Second-Born Royals (2020). For whatever reason, these two movies did not lead to sequels. Upside-Down Magic was not the first DCOM to have an open ending and it won’t be the last. Disney Channel could theoretically revive any of these potential movie franchises, but given the amount of time that has passed, they’d either have to re-cast all the characters or set it however many years in the future, with these kids now being adults. If you liked the movie of Upside-Down Magic but hadn’t read the books though, there are eight of those to enjoy, with seemingly the final book in the series being published in 2021.

One other thing to come out of Upside-Down Magic was the game Magic My Way, which launched on the DisneyNOW app. In the game, you could play mini games based on each of the five magic schools in Sage Academy. The app was discontinued in September 2024; however, the website is still available. DisneyNOW has clips, movies, and full episodes of programming from the channels Disney Channel, Disney Jr., and Disney XD on its website still, even with Disney+ being around.

FINAL THOUGHTS

I had never heard of Upside-Down Magic before this week, and I surprised myself by quite liking it. The story wasn’t particularly unique, I’ll accept that, and even I managed to guess who was going to be the one to succumb to Shadow Magic, which is saying something because normally I’m too absorbed in films to guess ahead, but again, I didn’t care that it was predictable. I think what I liked was the familiarity of the story and setting. 

And yet, Upside-Down Magic opened itself up to negative comparisons between it and the Harry Potter movie franchise that couldn’t be shaken. The Harry Potter books continue to be loved and cherished by readers, and the film franchise opened the world of Hogwarts up to an even larger audience, with some of these viewers never actually having read a Harry Potter book. I’m a big fan of the Harry Potter movies, but I haven’t read the whole series of books.

Anyway, this isn’t about Harry Potter, but the franchise is a good example of how a movie adaptation of a book can launch the story to new heights. I’m assuming this is what Disney Channel hoped to do with Upside-Down Magic, just on a smaller scale.  

 Personally, I didn’t even think of Harry Potter whilst I was watching. Upside-Down Magic was more similar to Disney’s Sky High (2005) for me, with the placement tests and one group of students being considered lesser than the others, i.e., the heroes and the sidekicks, but the lesser group coming to save the day against all expectations.

Upside-Down Magic might have hoped to be the Harry Potter of its generation, but it did not happen that way. Despite its message about being true to yourself and not letting anyone tell you you’re aren’t worthy, Upside-Down Magic as a film did not live up to expectations and was not able to differentiate itself in a market full of fantasy series.

That’s the way it goes in the entertainment industry sometimes and proves that making a movie or series based on a well-known novel is just as risky as going with a completely original story.


REFERENCES

[1] Credit: Denise Petski, ‘Disney Channel Sets Cast For ‘Upside-Down Magic’ Movie As Production Begins’, Deadline.com, 19th August 2019.

[2] Credit: Broome Shearouse, ‘Meet the co-authors of Upside-Down Magic’, OomScholasticBlog.com, 29th September 2015.

[3] Credit: Shawnigan Lake School, ‘Disney Magic’, Shawnigan.ca, 29th July 2020.

[4] Credit: Alexandra Whyte, ‘From Nancy Meyers flicks to turning Disney Channel upside down’, KidScreen.com, 20th July 2020.

[5] Credit: Disney, ‘Inside the Magic I Upside-Down Magic I Disney Channel’, Disney Channel YouTube Channel, 2nd August 2020.

[6] Credit: Sarah Mlynowski, ‘Upside-Down Magic’, SarahM.com, no date.

#10 Up (2009)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

2009 saw the release of Pixar’s tenth feature film, Up.

It had been quite a ride for the Pixar Studios from their very first movie, Toy Story in 1995, up to this point. In just over a decade, Pixar had securely positioned themselves as one of the best studios in terms of creating family-friendly, high-quality animated movies.

Within their first ten movies, Pixar had followed the lives of toys, fish, monsters, rats, and even robots, and each time, they were met with critical acclaim. With Up, they were going to do things just a little bit differently, by focusing for once on normal people.

Although there are many human characters within the first ten Pixar movies, they are not normally the focus of the movie, and end up as more of a sidekick – like Linguini in Ratatouille (2007) – or the cause of trouble, such as Boo in Monsters, Inc. (2001). The Incredibles did come along in 2004, but that was about superheroes, not ordinary humans. Up was going to be all about human emotion and human connection, being much more relevant to real life experiences than anything Pixar had done before.

By the time Up debuted in theatres, it had been three years since The Walt Disney Company had acquired Pixar, but they weren’t done there. Disney were in the midst of purchasing Marvel Entertainment in 2009. In the movie world, Disney Animation were releasing their own movie, The Princess and the Frog, which had been heralded as Disney’s big return to hand-drawn animation[1]. Sadly, it did not exactly pan out that way and The Princess and the Frog was a bit of a disappointment to the company.

But The Walt Disney Company had nothing to worry about when it came to Pixar’s big movie of 2009 because Up was met with widespread praise. Its first ten or fifteen minutes were considered to be a huge movie moment in itself, and the rest did not disappoint. Though praise for Up has cooled since 2009, mostly due to Pixar continuing to hit it out of the park with their more recent films, it still has its fans.

For me, I did like Up when I first watched it at the cinema. However, as the years have gone by, Up is not one that I choose to see. I liked it enough when I re-watched it this week, because it has touching moments as well as some funny characters, but there’s just something about it that doesn’t make me love it. I think it’s the whole sense of adventure and going to lands unknown. That’s just not me, so having Up set in such an unfamiliar place makes me less interested than the more fantastical or even mundane Pixar movie settings.

PLOT

Up begins in a movie theatre, where a small boy is watching a documentary about the explorer Charles Muntz, who went to South America in a dirigible with some dogs and claimed to bring back the skeleton of the Monster of Paradise Falls. It was later discovered to be a fake, so Muntz vowed to only return once he had captured the creature alive, however, he never returned. Still, Muntz was a hero to many, especially this young boy, Carl.

Carl heads home after the movie, but hears a girl shouting from an abandoned house. Carl is intrigued because she is shouting “Adventure is out there”, Muntz’s catchphrase; she must be a fan too. Carl goes in and meets Ellie. She lets Carl join her club for adventurers, even giving him a badge made out of a grape soda bottle top to show his commitment to the club. Ellie says she can help Carl retrieve his blue balloon which he let go of as he entered the house and has floated up to the ceiling. Ellie takes him to the next floor and tells him to walk across a wooden plank over to it, assuring him it is safe. Carl then falls through the ceiling, proving it was not safe. At home with a broken arm, Ellie returns Carl’s balloon by flying it through his bedroom window. She climbs through it too and shows Carl her Adventure Book, saying how she dreams of going to Paradise Falls, just like Muntz. She makes Carl promise he’ll build them a blimp so they can go one day.

Then, we see that Carl and Ellie got married. They bought a house, renovated it, both got jobs at the zoo – Ellie as a zookeeper, Carl as the balloon seller – and then try to start a family. However, it turns out this was not on the cards for them, and they instead try to save up to head to Paradise Falls. But life doesn’t work out that way, and they keep having to use their money to fix broken roofs, replace car tyres, etc. As they approach old age, Carl finally gets enough money to buy them plane tickets there, but as he is about to surprise Ellie with this, she is taken ill and ends up in hospital. Ellie does not recover and sadly dies, leaving Carl with only his memories and their brightly coloured house.

We then see that Carl is still living in the same house, playing out the same daily routine, and yet, everything around him has changed whilst he has stayed the same. I Carl is living in the middle of a huge construction site, refusing to sell his house to the developer. Later that day, a boy called Russell shows up at Carl’s front door. He is part of the Wilderness Explorers troop and wants to gain his “Assisting the Elderly” badge, so offers to help Carl with something. Carl isn’t interested, but Russell won’t leave until Carl comes up with something. Carl claims to have a bird problem in his yard, a made-up bird called a “snipe”. Russell vows to catch the snipe in his yard for him and heads off on his search.

Then, Carl is bothered yet again, by a construction vehicle reversing in front of him. It doesn’t stop in time and accidentally hits Carl’s mailbox. He is furious with all these workers not being careful and damaging his property. As one of the workers tries to help Carl fix the mailbox, Carl becomes angry, tells him not to touch it, and then hits him over the head with his walker, leaving the worker with a bloody gash on his head. Carl runs inside as the rest of the site staff rush over to assist. Carl is later summoned to court where he is ordered to go to Shady Oaks Retirement Village to live out the rest of his days; they’ll collect him tomorrow.

But Carl won’t come quietly. When the people from the retirement village come for him the next morning, Carl gives them his suitcase and says he just wants to say goodbye to the house. However, this was all a trick and as the nurses go to wait for him in their van, suddenly, thousands of balloons pop up behind the house and it is lifted into the air. He can finally fulfil his promise to Ellie and take them over to Paradise Falls – what has he got to lose trying anyway? As Carl settles himself in his armchair, close to his makeshift steering device, he thinks he hears a knock at the door. How can that be; he’s thousands of feet in the air? Carl ignores it, thinking it’s all in his mind. But there it is again. He goes to the door.

And who should be there, but the Wilderness Explorer Russell, who is hanging on to the porch for dear life. He says he was on the porch, chasing a snipe, which may’ve actually been a squirrel, when the house took off. He begs to be let inside. Carl initially refuses, but then relents. Russell runs inside and is soon fascinated by Carl’s floating house. Russell gives the steering a try, much to Carl’s annoyance. Then, Russell just starts talking about everything. Carl doesn’t want to hear that right now, and turns his hearing aid down while he tries to get them down so Russell can get home. But Russell starts waving his arms around, looking scared. They are about to fly right into a storm. Despite Carl’s attempts to steer them away, they are sucked in. Objects in the house start flying all over the place, and Russell is almost thrown out the front door that keeps opening and closing. Carl tries to protect all of his and Ellie’s belongings, but passes out.

Carl wakes up to find them in calmer weather. Russell is just glad he isn’t dead! Russell proudly announces that he steered them through with help from his handy GPS tracker – which he then proceeds to drop from the house. Carl plans to drop Russell at the nearest bus stop, and releases some balloons to decrease the altitude. But they come to a misty area and start to see land much quicker than they expected. The house crashes onto rocky terrain, with Carl and Russell being tossed overboard. Carl hangs onto the house by its hosepipe and almost falls off a cliff. Once the mist clears, Carl sees that they have made it very close to Paradise Falls – just the wrong side of the cliff; Paradise Falls is all the way over on the other side. Him and Russell will have to walk the house over there.

In the jungle, dogs seem to be hunting a bird, but these dogs are different because they have collars that allow them to talk. As they get close to this bird, they hear static – it is Carl’s hearing aid acting up again. Carl and Russell have made it into the jungle and are going on with their trek, despite Russell’s protests about being too tired to walk and how he needs a break. I used to whine just like that about having to walk far! Russell becomes distracted by some tracks on the ground and follows them, believing them to be the snipe. At one point, the tracks stop and Russell snacks on a chocolate bar as he figures out what to do. But the bird starts eating the chocolate. It comes through the bushes and is shown to be a huge, multi-coloured bird. Russell takes the bird over to Carl, who is shocked that his made-up “snipe” actually exists! Russell begs Carl to let him keep the bird, which he has named Kevin. Carl says he can’t, but Russell asks “Ellie”, who Carl keeps talking to, who says he can keep it. Carl can’t be bothered to argue and Kevin follows them anyway.

They get to some more rocks and hear a voice. Carl assumes there must be a human nearby, although he is thrown by the fact this man seems to say “I can smell you”. It turns out Carl was trying to converse with a rock, because no-one can see through the mist. Russell notices all the rocks are funny shapes and points out one that looks like a dog. But this dog is real! He comes over to them and they discover it can talk and his name is Dug. Dug tells Carl and Russell that his collar, built by his master, allows him to talk and that he is looking for a bird. Dug then sees Kevin and asks to take him “as his prisoner”. Carl says he can, but Russell tells Dug to leave Kevin alone.

Carl now has Russell, Kevin, and Dug on this journey and tries his best to ignore them, even trying to lose Kevin and Dug at one point by throwing a piece of chocolate and one of the tennis balls from his walker deep into the jungle – but it doesn’t work. Dug is then contacted by the other dogs, who see that Dug has the bird. They can smell people around here though, and see that Dug is with a “small mailman”. They track Dug to get to them.

Russell tries to set up camp for the night, but becomes frustrated that he can’t put up a tent. Carl is surprised that the Wilderness Explorer “expert” has never been camping. Russell tells Carl that his dad promised to take him camping but he’s busy, working away a lot. Russell says he tries to talk to him on the phone, but that Phyllis says Russell annoys his father too much. Carl is shocked to find Russell calling his mother by her first name, to which Russell responds that Phyllis isn’t his mum; his parents are divorced, or at least separated. Russell says once he gets his new badge, his father will come to the ceremony where he’ll receive it and everything will be great. He then gets Carl to promise they’ll protect Kevin, even telling him to cross his heart, which is something Ellie used to get him to do too…

The next morning, Carl wakes up to see his house’s balloons are drooping, so they need to get moving. Kevin starts calling out into some twisty rocks, where Carl and Russell learn that Kevin is a girl and needs to get back to her babies; she leaves. Shortly after, Carl and Russell – and Dug – are surrounded by dogs. The dogs are angry with Dug for losing the bird, and decide to take Carl and Russell back to their master.

They make it to a cave, where Carl excitedly learns their master is the explorer Charles Muntz! Muntz is tickled by the fact Carl is walking his house to Paradise Falls and invites them in for dinner. There, they see that Muntz has a whole pack of dogs, who work as his staff, cooking and cleaning for him. They are allowed inside Muntz’s airship, the legendary Spirit of Adventure, which doubles as a home and museum for all of Muntz’s achievements. Over dinner, Muntz tells Carl about his need to find the Monster of Paradise Falls and bring it back home, so that nobody will ever call him a liar or a fraud again. Russell sees the skeleton and says it looks just like Kevin. Carl quickly tells Muntz the bird has gone and they don’t know where it is, but Muntz knows they know more than they are letting on. Carl tries to make a quick exit with Russell, but Muntz tells the dogs to chase them.

As Carl and Russell attempt to outrun the dogs, with the floating house still on their backs, Dug tries to slow the dogs down. Kevin returns and throws them all on his back, running through the rocky cliffs to get them to safety. At one point, they reach a gorge. Kevin jumps over it, but Alpha, Muntz’s lead dog, bites Kevin’s leg, injuring her. Alpha is shaken off, and Carl, Russell, Dug, and Kevin make it to the other side. Russell patches up Kevin’s leg, telling Carl they need to get her home.

Muntz is angry with his dogs for losing them, but uses the tracker on Dug’s collar to follow. As Russell, Carl, Dug, and Kevin make it back to Kevin’s home, they find Muntz’s ship right above them. Muntz successfully catches Kevin after setting light to Carl’s home. Carl is too distracted with stopping the fire to save Kevin, and she is taken into the ship. Russell is distraught, but Carl tells him he didn’t ask for anything of this and just needs to get to Paradise Falls. He goes alone, getting his house where it needs to be.

Carl goes into his house and sits in his chair. He looks at Ellie’s Adventure Book, disappointed she couldn’t be here too. Carl then sees pictures in the back of the book he’s never noticed before. It’s pictures of their life together, with a note from Ellie telling him to have a new adventure of his own. Carl knows what he needs to do. Carl tries to speak to Russell, but he goes off to get Kevin, using just a few balloons and a leaf blower. Carl throws all his furniture out of the house so it can float again and he can follow him. Dug knocks on the door and sadly says he was there because he loves Carl. Carl tells Dug to get inside and agrees to be his new master.

Russell gets over to Muntz’s airship but is quickly caught and tied up. Muntz then sees Carl’s house through the window. Muntz puts Russell on the gangway and it starts to open, causing Russell to fall out of the ship. Carl catches him just in time and puts Russell inside the house, telling him to stay there. Carl goes on to Muntz’s ship with Dug. Using the vents, Carl and Dug get to Kevin, who is being guarded by the dogs. Using another tennis ball from his walker, Carl distracts the dogs and shuts the door on them. They alert Muntz. Russell then proceeds to not do as he’s told and falls out of the house, clinging onto the hosepipe to save him, but the house now starts to float away, as the hosepipe was tying the house to Muntz’s ship. Muntz orders his dogs to shoot down the house, as he goes after Carl. The two have a sword fight, and Carl manages to escape after spitting his false teeth into Muntz’s face! Him and Kevin get on to the roof, with Dug being pursued by the dogs. Dug manages to put Alpha in a “cone of shame”, making Dug the new Alpha.

Meanwhile, Muntz has followed Carl and Kevin to the roof. Russell has managed to climb the hose and flies the house towards them. Dug arrives and they all get into the house, but Muntz shoots at the house, causing it to fall. Carl jumps out and tries to save the house and everyone in it from falling. Muntz bashes his way into the house with his shotgun. As Russell, Dug, and Kevin cower in the living room, Carl has an idea; he tells Russell to grab hold of Dug and Kevin. He waves a chocolate bar at them and Kevin jumps through the window to get it. Muntz attempts to follow but his legs get caught in balloons and he falls.

Kevin, Dug, and Russell didn’t make the jump – but they are found dangling on the hosepipe. That hose was attached to the house, and now it is not. Carl watches as his house falls to the ground, knowing he did the right thing. They then reunite Kevin with her babies, and Carl, Russell, Dug, and the other dogs take the airship home.

Back home, Russell is at his badge ceremony, having successfully “assisted the elderly”, but his dad doesn’t show up to pin it on him. Carl arrives to do this instead, but actually gives him the grape soda badge Ellie gave him as a child. Carl says Russell rightfully deserves to have “the Ellie badge”. Although Russell’s father was not there to see this, his mother was, as was Dug, and all the other dogs. Carl and Russell then sit on a curb together eating ice cream and counting cars like Russell remembers doing with his dad as the Spirit of Adventure flies above them. We also see that Carl’s house drifted down to the exact spot by Paradise Falls where Ellie and Carl had always dreamt of living.  

CHARACTERS & CAST

Carl Fredricksen is a bit of a curmudgeon at the beginning of Up, but it’s not entirely his fault he acts this way. His wife has died, and her memory is everywhere within his house, and he is feeling pressure to sell his beloved home as it sits within a construction site. Life has gone on without him, and Carl is struggling to figure out how to move forward. Instead of accepting that his life is over, Carl comes up with a crazy plan to keep his home and his childhood promise to wife Ellie to finally take her to Paradise Falls – and how is he going to do that? With a ton of balloons, obviously. This crazy idea leads Carl to Paradise Falls, but this journey also leads him to a kid who just wants to feel supported; to a dog who wants a kind master; and a bird who just needs help to survive. Carl, with help from Russell and Dug, manages to save Kevin from Carl’s former hero-turned-madman Charles Muntz. They then learn to take care of each other. Carl becomes Dug’s new “master”, giving Dug a home and Carl a new purpose in life. Russell also gives Carl some purpose, as he never had children so felt alone in the world without Ellie. Now he has Dug and Russell, Carl doesn’t have to be isolated anymore, and it gives him a reason to keep on living and feel more upbeat too.

Ed Asner was chosen to be the voice of Carl. Asner is known for his portrayal of the character Lou Grant in the sitcom The Mary Tyler Moore Show (1970-77), and then reprised his role in the spin-off Lou Grant (1977-82). He won numerous awards for his character in these shows, including three Golden Globe Awards in the 1970s and five Primetime Emmys throughout the 1970s and into the 1980s. Asner was no stranger to voice acting either. Prior to his role in Up, he had voiced the character of J. Jonah Jameson in the animated series Spider-Man (1994-98), as well as voicing minor roles in other series such as Recess (1997-2001) and W.I.T.C.H. (2004-06). More recently, Asner was cast as Abe Rifkin in the Netflix series Dead to Me (2019-22), and Claude in Muppets Haunted Mansion (2021). He was also Santa Claus in Elf (2003).  Asner continued to reprise his role as Carl in other Pixar projects until his death in 2021. He stated that he liked voicing the role and even finished the movie wanting to be more like Carl[2].

Then we have Russell, who is dedicated to becoming a great Wilderness Explorer. Wilderness Explorers are just like the Scouts or something similar, working towards badges and doing outdoorsy activities, like tracking animals and camping. Russell hasn’t had his father around to help him with some of these activities, but he continues to try his best and has a lot of badges to prove his hard work. Russell meets Carl – or Mr. Fredricksen, as he is known to Russell – because he needs to assist someone elderly to get his next badge. After Carl tells Russell to hunt a fictional bird called a snipe, Carl is forced to spend more time with Russell as they end up stuck on Paradise Falls together. Carl ropes Russell into walking his house over to the waterfall so that Russell can properly assist him and get sign-off on his badge. Although this isn’t exactly what Russell had in mind, it leads to him meeting and protecting an endangered animal, the “snipe” Kevin. Even when Carl seemingly abandons Kevin, and puts her in harm’s way, Russell is determined to rescue her from Muntz and reunite her with her babies. It’s Russell that really knocks some sense into Carl, who knows he was wrong to abandon Kevin and can’t let Russell be in danger as well. Russell helps Carl become a happier person, by allowing him to focus on a new adventure, instead of living his life in the past. Russell needs a fatherly figure in his life and with his father busy, he is only too happy to have Carl there for him.  

Russell was voiced by Jordan Nagai. Pixar were quite adamant they did not want to hire a kid who already had acting experience, as they wanted someone who was just as innocent and unsure as a child would be in the situations that Russell finds himself in. In this way, Jordan Nagai was just like a regular kid, however, because of this, he did struggle at times with his recording sessions. Co-director of Up, Pete Docter, worked with Nagai on this, doing different exercises with him to get Nagai to deliver his lines in just the right way. Russell is an incredibly likeable character, so Nagai did a great job with his voice acting here. Nagai has since moved away from acting and is seemingly pursuing a different career.

Then there is the adorable, lovable Dug. He is just one of Charles Muntz’s pack of dogs, with there being around fifty of them. Muntz’s other dogs have been trained well, either being sent away to track the bird, what Muntz calls the Monster of Paradise Falls, or being used as Muntz’s “household staff”. Dug isn’t exactly like that, because he isn’t particularly focused and although he tries hard to track the bird, Dug isn’t as competent as the others at doing this. I’m surprised Dug wasn’t just Muntz’s pet, to be honest. Anyway, luckily, he wasn’t otherwise we would never have seen him in this movie. Instead, Dug is a key character, abandoning Muntz as his master and joining Carl and Russell on the “good guy side”. Dug initially wants to take Kevin back to Muntz as “his prisoner”, but soon learns that he’d rather be with Carl and Russell, as they are kind to him and don’t order him around. Dug fully betrays his master by helping Carl and Russell escape the other dogs, and then has a big moment in the final battle as he manages to lower Alpha’s rank within the pack and inadvertently make himself the new leader, making his journey go full circle as it wasn’t long before that he was placed in “the cone of shame” for his incompetence.

Bob Peterson, the co-director of Up, voiced Dug and was very happy to do this, because Dug is a joyful dog who loves everyone and everything. He is a young labrador and it is said these dogs have very little short-term memory, which is just Dug all over[3]! Peterson also voiced the leader, Alpha, who has two different “voices” in this movie, his real deep tone of voice, and then the high-pitched one when his collar is broken. Peterson had worked on the earliest Pixar movie, Toy Story (1995), within the animation department, and continued to work on other Pixar films in both a story and voice acting capacity. For example, Peterson co-wrote the screenplays for Finding Nemo (2003) and Cars 3 (2017), but has also voiced other Pixar characters, including Roz in Monsters, Inc. (2001) and its spin-offs, and Mr. Ray in Finding Nemo. Peterson also wrote, created, and directed, as well as reprising his voice role of Dug, in the animated short series Dug Days (2021-23).

The dogs Beta and Gamma were voiced by Delroy Lindo and Jerome Ranft, respectively. Lindo has recently appeared as Adrian Boseman in The Good Fight (2017-22) and as Edwin Alexander in the Hulu series UnPrisoned (2023-24). Lindo has also been cast in the upcoming horror film Sinners (2025), which will star Michael B. Jordan. Jerome Ranft is the brother of Pixar legend Joe Ranft, who passed away in 2005. Ranft is a character sculptor for Pixar having worked on many of their movies including A Bug’s Life (1998); Finding Nemo (2003); Cars (2006); and Brave (2012). Ranft took over two voice roles in two sequels from his brother: Jacques in Finding Dory (2016) and Red in Cars 3 (2017). 

Finally, we have the villain of Up, Charles Muntz. He was a heroic explorer who discovered new lands and creatures, bringing them back to the US to show off his discoveries. However, when his latest skeleton of the Monster of Paradise Falls is found to be a fake, Muntz vows never to return home without bringing the bird back with him alive. Because of this, and Kevin’s skill for losing hunters, Muntz has been stuck in Paradise Falls for decades, trying to get this bird so he can go home and prove he wasn’t a liar. For Muntz, this is all about his pride; he doesn’t care about conservation or animals, and doesn’t even consider the distress Kevin is in at the point she is captured, or about the fact she has babies that need her and will die without her. Muntz just needs to get the bird and then get home – and he doesn’t need an elderly man and a child stopping him from doing so.

Charles Muntz was voiced by Christopher Plummer, perhaps best known for his role as Captain von Trapp in The Sound of Music (1965). Plummer portrayed Rudyard Kipling in The Man Who Would Be King (1975) and in more recent years appeared as John Adams Gates in National Treasure (2004); as Henrik Vanger in The Girl with the Dragon Tattoo (2011); and replaced Kevin Spacey as J. Paul Getty in All the Money in the World (2017), for which he was nominated for Best Supporting Actor at the Oscars. Plummer had won the Best Supporting Actor Oscar for the role of Hal Fields in the comedy-drama film Beginners (2010), winning other accolades as well. Plummer was also cast as Harlan Thrombey in the mystery film Knives Out (2019). In terms of voice roles, Plummer had some experience of this prior to Up, having voiced Henri le Pigeon in the Don Bluth film An American Tail (1986) and narrating the animated preschool series Madeline (1993-2001). Plummer also had a long history of the stage, starring in adaptations of Shakespeare’s plays throughout his life, and also starring as Cyrano in the 1974 original Broadway production, for which he won the Tony Award for Best Performance by a Leading Actor in a Musical, having also played the title character in the TV movie Cyrano de Bergerac in 1962. Plummer passed away in 2021.

There is another voice actor to briefly mention in Up and that is the recurrence of Pixar’s favourite voice artist, John Ratzenberger, who voices the construction foreman Tom.

MUSIC

The score for Up was composed by Michael Giacchino. His first score for an animated movie was on Pixar’s The Incredibles (2004), for which he was nominated at the Grammy Awards for Best Score Soundtrack Album and Best Instrumental Composition. Giacchino then continued to collaborate with Pixar filmmakers, working on the music for Ratatouille (2007), winning a Grammy for Best Score; Cars 2 (2011); Inside Out (2015); Coco (2017); and The Incredibles 2 (2018). Giacchino also composed the music for Disney’s Zootopia (2016). Outside of Pixar, he has composed music for the most recent Spider-Man films, the three latest Jurassic World movies, and for the series of Disney television Christmas specials, Prep & Landing (2009-11). Giacchino was also nominated for Primetime Emmy awards for his work on the series Lost (2004-10), winning one for his underscore of its pilot episode.

I can’t talk about Up’s score without mentioning the most recognisable track, “Married Life”, which is the sequence showing Carl and Ellie’s life together. In many years to come, I think this piece of music will be on lists of the best movie themes, alongside greats such as the themes from James Bond, Indiana Jones, and Star Wars. This track is bright and sunny when it needs to be happy; and melancholic and slow when it needs to be sad. It corresponds perfectly to what is being shown on the screen.

But it would be unfair to say “Married Life” is the only good piece of music within Up, especially as many of the motifs within this piece feature in others. A slower, quieter version of this is basically the track “Stuff We Did”, which can be heard as Carl is flipping through Ellie’s Adventure Book in Paradise Falls. “Up with Titles”, which features during the Opening Credits, is happy and upbeat, and reminiscent of the music of the jazz era. I also like the piece “Carl Goes Up”, when the house actually lifts into the air and flies away. This is a huge moment for Carl, and is suitably dreamy, as many of us at some point in our lives have wished we could fly – and what better way than to do that in your own home.

In terms of creating a sense of adventure, “Escape from Muntz Mountain” is a good example, which is used when Muntz’s dogs are chasing Russell, Carl, Kevin, and Dug over the rocky terrain near to Muntz’s cave. This is a more perilous moment for the group, whereas the battle scene with Muntz feels more determined; they have to save Kevin or die trying is what it feels like, so “Seizing the Spirit of Adventure” feels less like a scary moment, although it still evokes the feeling of threat and peril at times. I also like “Memories Can Weigh You Down”, which marks Carl’s decision to go and save Kevin – and Russell, who has gone off on his own to save him.

You can also hear an excerpt from a famous opera in Up, and that is an instrumental version of the aria “Habanera” from the opera Carmen, composed by Bizet. This plays as Carl gets ready for his day, very slowly and moodily, early on in the film, before seemingly setting out to go about his day – before making a quick right turn to just sit on his porch and look at all the construction going on around him.

The score for Up was nominated at many award ceremonies. One of these was at the Academy Awards, where it won the award for Best Original Score – a first for Pixar – despite competition from the blockbuster Avatar (2009), as well as The Hurt Locker (2008).

Up’s music was also nominated at the Annie Awards for Best Music, where it surprisingly lost out to Bruno Coulais’ music for the animated movie Coraline (2008); at the BAFTA Film Awards for Best Film Music, which it won; the Critics’ Choice Awards for Best Score, where it also won; and the Golden Globes for Best Original Score, winning yet again. At the Grammy Awards, Up received further nominations, for Best Score Soundtrack Album and Best Instrumental Composition for Michael Giacchino, winning both of these, as well as Best Instrumental Arrangement for Giacchino and Tim Simonec and the track “Up With End Credits”, losing to “West Side Story Medley”, arranged by Bill Cunliffe.

This is just the awards won at the “major” award ceremonies. Up won more awards for Best Original Score or Best Music at other ceremonies.

PRODUCTION

The initial concept for Up came from a simple drawing of a house buoyed by balloons. Pete Docter started to think about who would be in there, and where they would be going. Docter began to develop this idea with Bob Peterson. After Docter drew a sketch of a grumpy old man holding balloons, this gave them a further idea to work from[4].

It then had to be decided where this house was going and the thought of having this old man and a kid stuck together somewhere remote was the most appealing. After watching a documentary by Adrian Warren about table, or flat-topped, mountains in the jungles of Venezuela, they felt this was a great place to set their movie and so they and others from the Pixar team went to Venezuela to see these mountains in person.

After a long journey from San Francisco, near to where the Pixar Studios are based, to Caracas, Venezuela’s capital city, and then onto smaller towns, they arrived via helicopter at the base of Mount Roraima. The group were in awe of the looming rock above and couldn’t believe it was possible to climb it. But climb it they did, over mud, plant roots, rocks, and unsteady ground. It was a difficult trek but they made it to the top of the flat-topped mountain, or tepui as they are also known, and set up camp so they could study the rock formation, the plant life, and even the weather systems from that height.

On these mountains, the Pixar team found that the rocks formed strange and seemingly structurally unsound shapes. They learnt this was caused by the layers of sandstone that formed them, with softer layers being weathered away over the years, leaving holes in some of the rock works. It was also discovered that these mountains have their own weather systems as they are so high up, with rock sides being heated from the sun causing swirling clouds that descend like a mist. The weather would change quickly, going from sun, to cloud, to storms and rain in just a few minutes.

They were also able to discover other areas including the Valley of Crystals, which is, as the name would suggest, an area full of quartz crystals, and the Kukenán-tepui. This was a very inhospitable area, full of rocky and marshy areas, meaning there was no place to camp. Instead, they took a helicopter over there, expecting just to be there for an hour or two to study the landscape. It was so full of rocks that it created mazes, and supposedly people have vanished in these labyrinths. At the end of their time there, the helicopter came back for them but the group had to be taken off in batches. At this point, as half the group had been returned, a storm closed in and the helicopter was unable to retrieve the rest. Those remaining had to hurdle under one rock structure that only allowed for the group to stand and be sheltered from the weather. The storm lasted longer than they expected, and as they were preparing to spend the night there, the helicopter returned just before dark.

After their mountain experience, the Pixar team were off to Canaima National Park to see the famous Angel Falls, which is the tallest waterfall in the world. It is so tall that water vaporises, creating a mist, before it even hits the bottom of the rock face.

All of these sketches and experiences in Venezuela created countless moments of inspiration for the movies, such as Angel Falls itself being the inspiration behind Paradise Falls; a rock being mistaken for a person being something that happened to some of the team in real-life and something that Carl and Russell experience; as well as cave systems being used for the design of Muntz’s cave[5].

Now they had the overall setting confirmed, they had to work on the house. Since Ellie and Carl are seen renovating their new house, everything had to be a bit clumsy and imperfect, however, the house remains cosy. The team were inspired by the grandparents’ houses, full of knick-knacks and mementos, with old-fashioned furniture and worn carpets. The Up house had to look lived in. To properly animate this house, a wood model was created and painted to look just like the house, and was filled with mini furniture and lighting like it was a little dollhouse. This helped show the animators how everything would look inside, but also helped with the floating aspect of the house, since we would be seeing the bottom of the house for much of the film, as it floats above Carl and Russell whilst they walk it through Paradise Falls. It’s unusual to see the underside of a house, so the Pixar team had to look at houses on stilts to see just what it looks like. Unsurprisingly, it’s kind of dirty[6]!

It is believed by some that the inspiration for Up came from a real house called Whitewood Cottage in Seattle. It was owned by Edith Macefield who bought the house in 1952 and lived there with her mother. Her mother died in 1976. Gradually, the houses surrounding Whitewood Cottage began to be sold to make way for a development project, however Macefield refused to sell, receiving media attention in 2006 when she turned down a reported offer of $1 million for her house. In the end, Macefield left her house to a construction worker after she died in 2008. This worker had cared for her when she was ill. Whitewood Cottage was later sold for around $300,000 to a developer and has changed hands a few times since then. Currently, the house remains standing surrounded by high-rises[7]. Because of the extraordinary similarities between Carl’s story and Edith’s, many claim that Up used this story as inspiration, however, work on Up began in 2004, whereas Edith’s plight to remain in her home reportedly did not come to be known until 2006. Pixar did tie balloons to the top of Whitewood Cottage as publicity for Up in May 2009 though.

Obviously, Edith’s house did not actually fly away, but Carl’s had to, just with balloons. Pixar animated around 10,000 balloons for the movie, and made them realistic with their buoyancy, strings hitting each other, and some coming loose and flying away after the “big reveal”. However, the number is not realistic at all, as millions of balloons, not thousands, would actually be needed to make a house fly. Up may not be scientifically accurate but that shouldn’t be a huge surprise really. The use of Muntz’s dirigible is closer to real-life though as other dirigibles and airships were studied[8].

Then, there are character designs and story points. The character of Carl began life as a sketch of a grouchy guy holding colourful balloons. This sketch was used to develop the character further. The team at Pixar went to a care home to research not only the look of elderly people, but also for their behaviours and their movements, as this was going to be the first time Pixar had featured an elderly man as the protagonist in one of their movies, dubbing him a “geriatric hero”. It’s quite rare generally for older people to be the focus of any story, so this film showed that just because someone is getting older doesn’t mean they’ve lost their zest for life; they just might need help finding it again. By observing older people, the animators were able to successfully recreate the lines of the face, such as forehead lines and crow’s feet, as well as limitations of movement, like in the fingers and back, to turn the character of Carl into an accurate representation of an older person. Carl might struggle to walk fast, or be able to beat someone up like a boxer, but he’s a tough old guy, willing to fight for what’s right[9].

It apparently took a while for Pixar to settle on a character design for Russell. All manner of kids were drawn: shy ones, smart ones, tall ones, skinny ones. In the end, animator Peter Sohn drew a version of his younger self, which inspired the design and he became the accidental reference material for the character. Russell is a very excitable, enthusiastic kid, who just wants to help everyone all the time and talks perhaps a little bit too much! Although it is not unusual in movies for the main child character to be missing a parent, in one way, Pixar were fairly progressive here because it was openly discussed that Russell’s parents are simply not together anymore, either divorced or separated. This is a new concept for Carl, who wouldn’t have grown up in a world where this really happened, so to see Russell discussing something that many children go through in modern times must have been positive for many young viewers watching Up who were going through a change in their family life. Russell is also Pixar’s first Asian-American character[10].

Pixar did research on canine behaviour to look at how Muntz’s dog pack would interact with each other. They specially learnt from Dr. Ian Dunbar, a dog behaviour expert, who consulted the team on things such as dog behaviour and hierarchy. Dunbar says that hierarchy is maintained by lower individuals proving they are not a threat to the leader, instead of the leader needing to be particularly vicious. In Up, Alpha is the designated leader of the pack and there are multiple instances when Dug and the others cower in front of him to show this. This type of behaviour leads to harmony in large groups of dogs. The team also used reference material of dogs running on uneven ground and hazardous terrain to learn how they would move in the chase scene when Muntz has ordered his dogs to get Carl and Russell after he learns of their knowledge of the bird.

Next, there is Kevin, who was “voiced” by Pete Docter. Again, it was a struggle to design Kevin as there were so many ways the character design could go with Kevin being an imaginary bird. They just knew it had to be something interesting to have kept Muntz in the jungle for fifty years searching for it. Initially, they looked towards North American mythology, for the story and design of the Thunderbird, who could create thunder from the flap of its wings. Then they tried making Kevin a golden bird. In the end, they settled on making Kevin a cross between an ostrich and a parrot, which meant looking at lots of ostriches for reference material, to see how they walk, bob their heads, and use their necks. The parrot element of Kevin comes from her colourful, iridescent feathers. Kevin is the character that brings everyone together, as each character is looking for Kevin. Russell and Carl want to save her, whilst Muntz and his dogs want to capture her. Muntz sees Kevin as the key to proving his sanity and is the target of his obsession, whereas for Russell, Kevin is just his friend. Carl wants to protect Kevin as Ellie was a zookeeper and loved animals[11].

Muntz had many different endings in initial story drafts of Up, including one where he was somewhat redeemed by having a conversation with Carl about how he too had lost his wife, but it was decided there was too much talking here, detracting from the real focus of the story: Carl. Instead, it was decided Muntz would have to be killed off in some way. One initial idea was to have Muntz get lost forever in the “twisty rocks” as he followed Kevin in to the area. Then, it was decided that there should be a battle scene on the airship, but Muntz would’ve been stuck in the house and fallen with it. The Pixar team felt this was a bit weird as the house was a representation of Ellie, so leaving Muntz with her was a strange thing to do. Next, they had him leap out of the house and get caught in balloons, but he would’ve been pulled up into the air. This left too much discussion around whether he was really dead or not, so this idea was simply adjusted slightly to have Muntz go down with the balloons, thus allowing him to join the group of villains who die by falling, such as Gaston in Beauty and the Beast (1991) and Mother Gothel in Tangled (2010)[12]

Finally, we can’t talk about Up without mentioned the “Married Life” sequence. In the story, Pixar felt they had to show life Ellie and Carl’s life from marriage to old age, and even more importantly, the audience had to learn about Ellie and what she was like to see why Carl would go through this journey for her. But there was a slightly less touching version of this sequence that began…with punching.

Sure, some kids show they like each other by play-fighting with them, and in this case, Carl and Ellie’s relationship all started with a punch that Ellie gave Carl after seeing him try to trap a bird as a kid. This then evolved into a punch war, until one day, Carl starts to look at Ellie differently. We would have then been shown their graduation, dances, days out, picnics, a visit to the C.F. Muntz Museum in their town, where Ellie would get a job as a tour guide and Carl as a balloon salesman, and then on to the marriage, house, etc. that we see in the actual version. It did look like, in this storyboard, that Carl and Ellie are booked to go to Venezuela, however, Carl seemingly doesn’t want to get on the plane. Ellie then falls ill so they cannot try and go again. This would’ve been an interesting point for the final movie because if Carl had felt unable to go, meaning that the one-time Ellie could’ve gone they did not, that would’ve given Carl a huge amount of guilt to cope with, which would’ve made him even more determined to get to Paradise Falls than the version of Carl we get in the final movie. Yet, the whole punching thing is a bit weird, and I’m glad they did not go with that version! There was also going to be dialogue here, but after looking at old home videos, the Pixar team found that it would be better to avoid having dialogue and just have the music and visuals[13].

RECEPTION

Prior to Up’s main theatrical release, which saw the movie being released in 3D as well as 2D, becoming Pixar’s first 3D movie, Up was actually first shown at the Cannes Film Festival, where it opened the 62nd festival event. The Cannes Film Festival in 2009 ran from 13th May to 24th May, meaning that Up premiered there just a little over two weeks before it would premiere in theatres. Up was the first animated movie to ever open the event. Sometimes film festivals can be snobby when it comes to animated movies, so this shows that appreciation for them is building over the years[14].

Up premiered in US theatres on 29th May 2009, after it had its red-carpet premiere at the El Capitan Theatre on 16th May. It later premiered around the world over the next few months. I am slightly confused as to when Up was released in the UK, as some sites claim it wasn’t until October, however, I’m sure I remember watching this in the height of summer on a particularly hot, sunny day in a cinema that didn’t have good air conditioning, so that must’ve meant it was released during the summer holidays so probably July or August, but I guess I’m wrong…I can’t find anything to prove either way which month it was.

The Pixar short Partly Cloudy was shown prior to Up, as is the way with Pixar movies; you normally get something before them. In this case, Partly Cloudy was about storks delivering babies, both human and animal, which they are presented with by all-powerful clouds. However, one cloud struggles to make cute things, so his stork delivery man ends up getting injured by all these creatures he has to deliver. In one case, a little crocodile or alligator bites his head; another time a ram hits him in the stomach; then there’s the cute sheep that turns out to be a spiky porcupine. The cloud later sees the stork flying to another cloud, so believing it has been replaced, begins to cry and rain. The stork was actually only at the other cloud to get protective equipment, like padding and a helmet; it wasn’t leaving the cloud. The cloud is happy about that and gives the stork it’s next delivery: an electric eel! It’s not one of the most memorable or funny Pixar short films, but it’s decent.

Reviews for Up were amazing, however, if you have read any of these, you’ll know that what got the biggest focus was the sequence of Ellie and Carl’s life together, the “Married Life” sequence. The opening fifteen minutes that follow Ellie and Carl’s time together are admittedly very moving. Although neither of them had a particularly exciting life, they were clearly very happy together and perfect for each other. So, to see all of that come to an end with Ellie’s passing is difficult for many to experience, especially those who have been through a similar loss, and even worse, it happened so early in the film. We’re already devastated at the loss of a character we only knew for a few minutes, so that set everyone up for what was going to come next. We were invested in Carl and his journey from this point on. This sequence got everyone talking and it even has its own Wikipedia page, showing how it will likely go down in history as one of the best movie moments ever.

However, for some people who watched Up, this was in fact the best part of the movie and anything after that was not deemed to be as good. They say that Dug and Kevin were seen as the funniest characters, and some of these moments balanced out the less exciting parts to make it a good film, but not an amazing one. I can understand how hype around a movie could lead to disappointment if it does not live up to the expectations in a viewer’s mind, which is likely what happened in these cases. Up is also not considered one of Pixar’s best films looking at it from a contemporary point of view, as Pixar has made some amazing films since 2009, such as Inside Out (2015) and Coco (2017). Some even said Up lacked the heart of the earliest Pixar films and featured a one-dimensional villain. I disagree with both of these statements. I don’t know how a movie that can make even the most emotionally closed-off person cry could be called “lacking heart”. Muntz is not a one-dimensional villain either in my view, because it’s quite clear his pride and his obsession are what is causing him to chase after Kevin and endanger the lives of Carl and Russell. He doesn’t change during the movie, and if anything, just gets more villainous, but I’d say as a person, he is quite complex; he’s not evil for evil’s sake, he thinks what he is doing is fine and good for his career.

On the positive side, reviews also stated how Up was a showcase of digital animation. It was also a good step for Pixar into adventure films, like Indiana Jones, without focusing too much on action sequences or moments of peril, and instead looking at people and how they interact with others. Carl and Russell both feel like something is missing in their lives and throughout the film, find that they can help each other. Russell becomes Carl’s honorary grandson; and Carl is his honorary grandfather.

As well as amazing reviews, Up ended up being one of the highest grossing movies of the year in terms of worldwide box office, sitting at No. 6, even with big competition such as Avatar; Harry Potter and the Half-Blood Prince; and The Twilight Saga: New Moon[15]. It made just over $730 million at the box-office.

But most exciting was the response that the Academy Awards gave to Up because it became only the second animated movie to be nominated for the Best Picture Oscar. The first was Beauty and the Beast (1991), before the Best Animated Feature category was even made. There has only been one other movie since Up to be nominated in this same category and that was Toy Story 3 (2010). All three just happen to be Disney or Pixar movies[16]. Up was also nominated for Best Original Screenplay and Best Sound Editing.

Up did not win Best Picture, losing to The Hurt Locker (2008), which also won in the Best Original Screenplay and Best Sound Editing categories. But Up did win the Best Animated Feature Oscar. At the BAFTA Film Awards, the Critics’ Choice Awards, the Golden Globes, and the Annie Awards, Up also won in the Best Animated Film category. It won the Annie Award for Best Directing in a Feature Production too. This is just the awards won at the “major” award ceremonies; Up won plenty more awards at other ceremonies.

LEGACY

After Up’s release, one character in particular captured the hearts of the people – and that character was Dug, probably because he’s a talking dog, and most people like dogs. I don’t particularly like dogs, but if Dug was a real dog, I’d like him.

This love of Dug led to a short film all about him called Dug’s Special Mission. In a way, this is a prequel because it shows Dug and his interactions with Alpha and the pack prior to his meeting Carl and Russell. Dug’s Special Mission sees Dug telling the pack that it’s his birthday today and he wants to do something to help them find the bird. Dug, however, constantly gets in the way, according to Alpha, so Alpha sets out to trick Dug by telling him to do pointless tasks that he tells Dug are very important, such as watch the bird’s favourite rock, stay in this hole until the bird comes, sit on this rock etc., however, inadvertently, Dug causes more chaos doing these simple tasks, so Alpha gets angry and radios over to Muntz to say Dug is a bad dog. This makes Dug very sad who runs off, believing his birthday is ruined. He then starts to hear human voices and can smell their scent. Dug says “I can smell you” and runs over to them. It is Carl and Russell. Dug says this was a good birthday for him, because he got his wish to have a new master and it then became the happiest day of his life[17].

Dug’s Special Mission was released as a special bonus feature to be found on the Blu-Ray and DVD releases of Up, with the US versions coming out in November 2009. Bob Peterson, Delroy Lindo, and Jerome Ranft return as Dug, Alpha, Beta, and Gamma respectively. Ed Asner and Jordan Nagai are also credited as returning to voice Carl and Russell; however, I think all their lines are from the original movie scene.

There was even a short film made, only about four minutes long, about the two nurses from Shady Oaks who attempt to pick up Carl at the start of Up. These nurses are called George and A.J., and that is the title of this short. What happens in George and A.J. is that we watch them as they see Carl’s house take off with his balloons – Russell can even be spotted clinging on to the underside of the house. George and A.J. then return to their van in complete shock and proceed to remain shocked for over a week. Carl’s “escape” even makes the news and every elderly resident who has seen the news report cheers that one of their own finally got free. One week later, George and A.J. are back to collecting the elderly to take to Shady Oaks, however, they are shaken by their experience and now find that the elderly are fleeing in their houses in unusual ways, such as on a hovercraft and with a herd of cats. Then Shady Oaks itself is launched into the air. As George and A.J. stare perplexed at the area, a shadow descends over them. They look up and see an airship about to land of them, with Carl at the helm and Russell beside him. The airship does not fall on them, but does crash onto their van. George and A.J. are then approached by Dug, the talking dog, and stand there shocked again. George was voiced by Jason Topolski and A.J. by A.J. Riebli III. Bob Peterson reprises his role as Dug, but Carl and Russell are voiced by fellow Pixar employees, Steve Purcell and Peter Sohn respectively. George and A.J. was not released theatrically or on DVD, but instead was released on iTunes as an extra feature after purchasing the movie there. It was later included on Pixar Short Films Collection, Volume 2 DVD, released in November 2012, and later came to Disney+. The animation style does not match that of Pixar’s usual short movies, and is quite basic, done in a “storyboard” style.

Over ten years later, in September 2021, Dug returned again for his own series of shorts called Dug Days. The first five episodes all premiered on Disney+ on 1st September 2021, with a sixth and final episode Carl’s Date, first premiering as the short film that accompanied the theatrical release of Pixar’s Elemental on 16th June 2023. It later came to Disney+ in September 2023. This series sees Dug and Carl moving into a new house in the suburbs, having sold the Spirit of Adventure airship. It follows Dug and Carl going about their day in the neighbourhood with Dug causing his usual mayhem! Carl’s Date was slightly more special as it saw Carl trying to figure out if he is ready to go on a date with a new woman – Ms. Meyers, who also happens to have adopted the former Alpha, now Beta – feeling like he is betraying Ellie by doing so. Carl agrees to go on the date but becomes worried and nervous about doing so, trying to cancel. Dug then tells him he should go and says he’ll come along too if that would help. As it’s time to leave for the date, Carl speaks to Ellie’s photo and says she’ll always be his girl. It’s the sweetest Pixar short I’ve ever seen.

This series consisted of shorts that were between five and ten minutes long, and saw the return of Ed Asner and Bob Peterson as Carl and Dug. Carl’s Date became the last project that Ed Asner worked on for Pixar, having recorded his lines prior to his passing in August 2021. This felt like a real finale episode and tied up Carl’s journey. Every episode was created, written, and directed by Peterson.

At the Disney Parks, since Up is a fairly popular Pixar movie, there are multiple experiences and characters from the movie at most of the six properties. At Walt Disney World, specifically Disney’s Animal Kingdom Park, there is a great activity for children and families which involves you becoming a Wilderness Explorer just like Russell. Throughout the park, there are stations set up in different areas that allow you to take part in a specific activity which will lead to you earning yourself a badge, which is actually a sticker. There are many of these to experience with the stickers being collected in a small booklet. You can also see Kevin wandering around this park, specifically around Discovery Island, interacting with guests and generally just being her bird-self. There is no set place to meet Kevin, as she is a “roaming character”, and times she is about may change.  

Former experiences at Walt Disney World included an earlier iteration of the Feathered Friends in Flight! outdoor show in Animal Kingdom at the Anandapur Theater in Asia. This show was initially called Flights of Wonder and premiered on the opening day of Animal Kingdom on 22nd April 1998. This ran until 31st December 2017, when it closed to be rethemed to UP! A Great Bird Adventure. This version mixed up the narration of the show, by adding a new guide called Anika as well as seeing Russell and Dug added into the show. UP! A Great Bird Adventure opened on 22nd April 2018 for the park’s 20th anniversary, but due to mixed reception, it went through multiple re-writes until it closed on 12th March 2020, when Walt Disney World closed for the COVID-19 pandemic restrictions. It reopened as Feathered Friends in Flight! in July 2020 when the parks reopened, but the core concept of the show being about birds has remained the same. I have also seen that at Walt Disney World’s former Downtown Disney area, now named Disney Springs, there was an inflatable version of the Up house that was seen for a period of time around the time of Up’s release, so Summer 2009, as promotion for the new movie. It was situated next to the AMC Theatres. To be honest, it was not exactly a work of art and looked a bit low-budget!

At Disneyland, you’re more likely to see areas themed to Up in their Disney California Adventure Park. One such area was the Redwood Creek Challenge Trail, which is an outdoor play area complete with slides and play equipment, originally opened in 2001. It was rethemed to Up around 2010/11, after having previously been themed to the Disney movie Brother Bear (2003). In this challenge trail, guests could earn six badges throughout the area, and then make their way over to an outdoor stage to become a real Senior Wilderness Explorer by watching and taking part in a ceremony, which had Russell make a surprise appearance at the end[18]. It would appear that this theming has since been removed, when the trail reopened around July 2021.

 For Pixar Fest 2024, Disney California Adventure did have some references to Up including the house “flying” over Disneyland’s Sleeping Beauty castle as part of their Together Forever: A Pixar Nighttime Spectacular fireworks show. The “Married Life” sequence and other moments from Up were projected onto the castle, as some of its music played. As part of the Better Together: A Pixar Pals Celebration Parade for the event, you could also see Russell riding on Kevin’s back and a float with Carl and Dug following on behind. These were limited time experiences for Pixar Fest which ran from 28th April to 4th August 2024. It is reportedly not returning for 2025; however, the parade apparently will be in the summer of 2025. You may also be able to see smaller references to Up and its characters at places like Pixar Pier, the Lamplight Lounge restaurant, and Pixar Place Hotel.

At Hong Kong Disneyland, there is a summer stage show called Adventure is Out There, which features characters from Disney and Pixar movies. It is named after Charles Muntz’s catchphrase from the movie, and Russell makes an appearance at the start of the show, as the hosts teach guests the iconic Wilderness Explorer call, and at the finale. It also features performances from characters such as Moana and Stitch. This stage show was a new offering for 2023 that did return in 2024 with some changes. It may return in 2025.

At Disneyland Paris, there is a stage show that involves characters, film clips, and music from Pixar movies. One of these segments features Up. As music from the score plays, a floating house is seen on screen, before landing and showing Russell, Carl, and Dug inside as it is flying high above the clouds. This show is called TOGETHER: A Pixar Musical Adventure and is a thirty-minute show performed at the Studio Theater at Walt Disney Studios Park. It has been running since July 2023, but will be taking a break from 21st April to 11th July 2025. I presume this is due to the ongoing construction at Walt Disney Studios Park to turn it into Disney Adventure World. Also at Disneyland Paris, but in the main park, a new miniature scene of Paradise Falls with Carl, Russell and the house was added to the Storybook Land Canal Boats ride, or Le Pays des Contes de Fées in French. This new addition joined two other new scenes that were announced, of Frozen (2013) and Winnie the Pooh. This new Up scene replaced the Emerald City scene[19]. The new version of the ride reopened on 30th August 2024. There is also a small scene of Russell and Carl, where figures of them have been added to the waterside in Adventure Isle, over by Colonel Hathi’s Pizza Outpost, which is a bit random[20]!

In terms of meet-and-greets, at Walt Disney World in Disney’s Animal Kingdom Park, you can meet Russell at the Wilderness Explorer Clubhouse, and Dug – who even talks – is occasionally seen there with Russell. Talking Dug made his debut at the park in May 2024. Carl, Russell, and Dug have also been characters at Special Events, like DVC Moonlight Magic in recent years. At Disneyland, in Disney California Adventure Park, Russell and Dug met guests during Pixar Fest. Dug was talking here too. They have also been spotted at Pixar Pier as well, along with Carl. At Disneyland Paris, the three characters were there for “Tuesday Guest Star Day” but that was back in 2019. At Hong Kong Disneyland, the trio were spotted at the Pixar Pals Party cast-member exclusive event in March 2024. At Shanghai Disneyland, Russell and Dug have been known to meet guests at Happy Circle in Adventure Isle, and it is still listed on their website, however, I think these characters swap out fairly frequently. Outside of the US parks, it seems the Up characters are not as easy to meet, with Tokyo Disneyland seemingly never having had a meet-and-greet for them. But, at Tokyo Disneyland, you can find Carl, Russell, Dug, and Kevin all on a float during the Disney Harmony in Color daytime parade. Characters, clips, or music from Up may be used in other Disney fireworks shows and parades, both current and future.

Given that Up appeals to both children and adults, Up spanned quite a range of merchandise, including clothing, figurines, homeware, like pillows and mugs, toys, and even a Pandora charm of Carl of Ellie. There have also been specialty and non-speciality pins available to purchase, with D23 releasing a member-exclusive pin in May 2024 of young Carl holding the blue balloon to celebrate the 15th anniversary of Up.

Outside of the theme parks and the screen, Up became the perfect inspiration for housing projects. For example, in 2011, Bangerter Homes recreated the iconic Up house, reportedly with permission from Disney and Pixar, providing the plans were turned over to them once complete to ensure it was a one-of-a-kind property. It stands on Herriman Rose Boulevard in Herriman, Utah[21]. This is a private residence and is therefore not available for tours, so don’t go knocking on the door, hoping to get one.

However, this did not turn out to be the only Up house of its kind because in May 2024, as part of Airbnb’s “Icons” series of new rentable homes, they built a replica of the Up house too. It was created to celebrate the 15th anniversary of the film, and was even held up with 8,000 balloons – and the help of a large crane. It was situated in Abiquiu, New Mexico. It was only open to guests for a limited time and could not just be booked like other Airbnb properties. Although the house was suspended at times, funnily enough, that was not allowed to happen with guests inside[22]. The listing for the house is still up on Airbnb but it cannot be requested and is showing as “Sold Out”.

FINAL THOUGHTS

Up made history for Pixar in a few ways: by being nominated for Best Picture at the Academy Awards; being the 10th animated feature for the studio; and for creating one of the most well-known and heart-breaking sequences in cinema.

Pixar – and Disney – have a knack for finding that soft spot in your heart and jabbing at it until tears leak from your eyes. Up is not my favourite Pixar movie, and yet I still cry at multiple moments in the story. A movie about people, about relationships, about life can’t help but be relatable as we are all navigating the ups and downs of life, pushing past obstacles and getting through rough patches. Carl is having a difficult time as he grieves the loss of his wife, and Russell is struggling to cope with his parents’ divorce and his difficult relationship with his father. Both of these problems are things real people go through.

What we ought to learn from Up is that when life deals you a bad hand, you can either sink deeper and deeper into the darkness, or drag yourself up towards the light. In less metaphorical terms, what I’m trying to say is that it’s not good to dwell on the mistakes and misery of the past. All you can do is take a look around you, see what you have right now, and try and figure out a new direction. It might not be what you envisioned, but maybe it’s what you need.


REFERENCES

[1] Credit: Disney, ‘Disney History’, D23.com, date unknown.

[2] Credit: Tim Lammers, ’10 Uplifting Facts About Up to Celebrate Film’s 10th Anniversary’, D23.com, 29th May 2019.

[3] Credit: Pixar, “Canine Companions”, Up 2009 (Pixar) Making of & Behind the Scenes video, DVDFilmBonus, YouTube Channel, uploaded 16th July 2023.

[4] Credit: Tim Lammers, ’10 Uplifting Facts About Up to Celebrate Film’s 10th Anniversary’, D23.com, 29th May 2019.

[5] Credit: Pixar, “Adventure is Out There”, from Up (2009) DVD (2010).

[6] Credit: Pixar, “Homemakers of Pixar”, Up 2009 (Pixar) Making of & Behind the Scenes video, DVDFilmBonus, YouTube Channel, uploaded 16th July 2023.

[7] Credit: Stephen Barker & Jessica Smith, ‘The Real-Life Story Behind Pixar’s Up Is More Heartbreaking Than The Film’, ScreenRant.com, 15th March 2024.

[8] Credit: Pixar, “Balloons and Flight”, Up 2009 (Pixar) Making of & Behind the Scenes video, DVDFilmBonus, YouTube Channel, uploaded 16th July 2023.

[9] Credit: Pixar, “Geriatric Hero”, Up 2009 (Pixar) Making of & Behind the Scenes video, DVDFilmBonus, YouTube Channel, uploaded 16th July 2023.

[10] Credit: Pixar, “Russell: Wilderness Explorer”, Up 2009 (Pixar) Making of & Behind the Scenes video, DVDFilmBonus, YouTube Channel, uploaded 16th July 2023.

[11] Credit: Pixar, “Our Giant Flightless Friend Kevin”, Up 2009 (Pixar) Making of & Behind the Scenes video, DVDFilmBonus, YouTube Channel, uploaded 16th July 2023.

[12] Credit: Pixar, “Alternate Scene: The Many Endings of Muntz”, from Up (2009) DVD (2010).

[13] Credit: Pixar, “Married Life”, Up 2009 (Pixar) Making of & Behind the Scenes video, DVDFilmBonus, YouTube Channel, uploaded 16th July 2023.

[14] Credit: Xan Brooks, ‘Curtain will go Up on this year’s Cannes with 3-D yarn’, TheGuardian.com, 19th March 2009.

[15] Credit: IMDB, ‘Worldwide Box Office For 2009’, BoxOfficeMojo.com, date unknown.

[16] Credit: Tim Lammers, ’10 Uplifting Facts About Up to Celebrate Film’s 10th Anniversary’, D23.com, 29th May 2019.

[17] Credit: Pixar, “Dug’s Special Mission”, from Up (2009) DVD (2010).

[18] Credit: Best Western, ‘Can You Handle the Redwood Creek Challenge Trail?’, StovallsInn.com, 28th January 2018.

[19] Credit: Disney, ‘New Scene From Pixar’s “Up” Coming To Storybook Land, With Presenting Sponsor’, DisneylandParis-News.com, 3rd May 2024

[20] Credit: Steve, ‘Disneyland Paris News: Carl and Russell From UP Invade Adventureland’, DedicatedToDLP.com, 1st May 2014

[21] Credit: Taysha Murtaugh, ‘This Real-Life Re-Creation of the House From ‘Up’ Is Just as Cute as the Movie’, CountryLiving.com, 21st March 2017.

[22] Credit: Yi-Jin Yu, ‘Airbnb launches stays at ‘Up’ house, ‘Inside Out’ headquarters, and more ‘Icons’’, ABCNews.go.com, 2nd May 2024.

16 Wishes (2010)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

For some, celebrating a milestone birthday is the best time of their life, something they’ve looked forward to for months, or even years; something they’ve planned down to the tiniest of detail, whether that is a huge party or just a special day.

I’ve never been particularly bothered by birthdays, milestone or not. For me, birthdays are just days where you get presents. I’ll generally plan out what “special” dinner I’m going to have and what film I want to watch in the evening. That’s what my birthday normally consists of.

I haven’t had a birthday “party” since my sixteenth birthday and that wasn’t a party exactly. I went bowling with some friends who then came back to my house to eat pizza and watch Bride Wars (2009), which I’d just got on DVD. I don’t actually remember any of my friends having sixteenth birthday parties, but that year at school in the UK tends to have a lot of coursework and exam focus on it as we take our GCSE exams at that age.

Yet in some countries, including the US, sixteenth birthdays are a big deal, signalling the move from childhood to adulthood. These birthdays have even been dubbed the “Sweet 16”. In some Spanish-speaking countries, they have a quinceañera, a traditional celebration of becoming fifteen. Either way, an extravagant party is generally considered to be the best way to celebrate these milestone events.

This is where the movie 16 Wishes comes in. 16 Wishes is all about having the best Sweet 16 birthday ever, culminating in the best Sweet 16 party ever. It’s all about making sure your day is better than anyone else’s.

Although I didn’t care much about turning sixteen and I was older than sixteen when I first watched 16 Wishes on Disney Channel, I did quite like it at the time. The thought of having all your birthday wishes come true is appealing to most people, young or old, even though some aspects of 16 Wishes are quite shallow and materialistic – but that’s teenagers.

I always thought 16 Wishes was one of the better Disney Channel Original Movies, but watching it back this week, I don’t have that same opinion now. I didn’t like the main character this time, and hadn’t noticed some of her flaws at a younger age. Anyway, 16 Wishes is not even a true DCOM. It was made as a co-production between Disney Channel and other companies, including MarVista Entertainment. More on that later.

PLOT

16 Wishes begins, as you might expect, on Abby Jensen’s sixteenth birthday. She has been excited to turn sixteen for years, even writing a “Sweet 16” wish list of all the things she wants to have on her sixteenth birthday. Abby won’t let anything or anyone get in the way of her perfect day. On the morning of her birthday, despite her parents and her brother, Mike, getting in her face practically the minute she wakes up, Abby’s outlook on the day is positive. She’s got the perfect outfit to wear; spent thirty minutes doing her hair and make-up; and has money saved up to buy an amazing dress for her party that evening.

And yet, something just has to show up to ruin her day: a wasps’ nest is found in the attic. Luckily, an exterminator left their information at the front door earlier that morning – handy – and she arrives quickly, telling the family the infestation should hopefully be dealt with in a matter of days. Days?! But Abby’s birthday is today! The family is barred from entering the house, although the exterminator did manage to “save” Abby’s birthday wish list for her. Abby’s brother Mike manages to get a lift to school with their neighbour across the road, Krista Cook, who has hated Abby for years and tries to make her life a misery at every opportunity. To make it worse, Krista and Abby also have the same birthday and instead of getting wasps for hers like Abby did, Krista gets a fancy new car, a yellow VW Beetle.

Abby is left to get the bus to school, still wearing her pyjamas and slippers, since she didn’t have time to get dressed. Personally, I would’ve put my clothes on before doing my hair… At the bus stop, Abby is met by her best friend, Jay, who gives her a friendship necklace for her birthday. Randomly, as they wait for the bus, a postal service van shows up and a woman who looks very much like the exterminator hands Abby a parcel. Jay doesn’t think Abby should open it, expecting it to be something sinister, but Abby says it’ll just be a birthday present – yeah, because the postal service normally delivers packages to people stood at bus stops – and proceeds to open it. Inside, she finds sixteen birthday candles and some matches from the Lucky Duck, whatever that is. The box reckons they are meant to grant birthday wishes. Getting bored waiting for the bus, Abby lights the first candle.

Randomly again, the tour bus of singer Joey Lockhart, someone Abby has been a fan of for years, shows up at the bus stop. Joey comes out, kisses Abby on the cheek, wishes her a happy birthday, and then leaves looking confused. Abby realises that this first candle corresponds with her birthday wish list, since the first wish on that list was to meet Joey Lockhart. Abby now knows she can make all sixteen of her birthday wishes come true today. She takes a look at her list to find something that could help her right now. Wish #8 should be good. Abby lights Candle #8 and a bright red Mustang appears. Yep, she wished for her own car, and it is being driven by a woman who looks just like the postwoman AND the exterminator. This is Celeste, and she has been tasked with making all Abby’s birthday wishes come true. However, Jay points out that Abby doesn’t have her license yet, so Celeste drives them to school instead.

At school, everyone who was admiring Krista’s car then moves on to admire Abby’s car. Emboldened by this, Abby announces that she will be having an amazing party tonight and invites everyone in the year – she has a wish and a candle to make sure she has the best Sweet 16 party ever, after all. However, Krista and her friends laugh in Abby’s face, reminding Abby that she’s still wearing her pyjamas and slippers. Jay leads her away. Abby heads straight for her gym locker to find some clothes and then realises that she has a wish that can fix this: Wish #2, which promises that she’ll have the best clothes in school. But Abby finds Candle #2 just won’t light and she is soon spotted by a teacher, who confiscates the candles and sends Abby to the guidance counsellor. I guess the teacher is concerned Abby is now a pyromaniac after playing around with all those matches?

Abby then learns that the school guidance counsellor is Celeste, well, today it is anyway! Celeste explains the rules of the magic candles. All the wishes she makes before midnight tonight will be permanent, however she can only light one candle per hour. Celeste hands over the candles and matches, warning Abby to be careful where she lights them, and as a special birthday present, Celeste also gives Abby Krista’s diary to have a read through. Abby does just that and learns that Krista has been out to get her for years, deliberately upstaging Abby at every turn. Well, not any more. Abby goes to the supply closet and lights Candle #2, since it is now a new hour. The closet is magically transformed into a wardrobe and Celeste is on hand to be her personal stylist. Abby goes back out wearing her new clothes. All of Krista’s friends love her new outfit – despite having one handbag that is now “out of style”. Celeste quickly swaps out the bag for a newer one.

At gym class, Abby uses this new handbag to avoid running laps, by handing it over to her teacher as a bribe; the whole class will now play a friendly game of volleyball. But just before she heads out to play, Abby lights Candle #12, so that she can beat Krista at something. Abby suddenly becomes a pro-volleyballer and spikes the ball hard into Krista’s face. Krista is promptly sent to the nurse as Abby is admired for her mad skills. The nurse turns out to be Celeste who tells Krista, after she regains consciousness, to go to the principal’s office. There, Krista is told by the principal that Abby is going to be the new Class President, despite not campaigning for it like Krista had. It turns out Abby was a write-in, so beloved by her class that they couldn’t bear for her not to be their president. I think a magical wish might just be classed as election interference, Abby….

Abby basks in the glow of her newfound school popularity – which happens to be all down to Wish #10 – and the fact she’ll now get free lunch as president. Abby goes to meet Jay who is working on a school project. Abby doesn’t want to do any work though, and tells Jay she’ll just bribe the teacher again. Jay reacts angrily to that, annoyed that Abby has won Class President, this being a secret dream of Jay’s. Abby makes up with Jay by offering to get him some free lunch. That was easy.

Abby then says she needs a new dress for her party, which is being planned by some girls in her year and is going to be huge. But Abby’s party money is at home and she can’t retrieve it. Jay says he’ll lend her some money and that they have a free period next so can go shopping then. The only trouble is how are they going to get there; Abby doesn’t have her license yet so can’t drive them. Well, Wish #7 will solve that. Sure enough, a worker from the DMV shows up and hands Abby her driver’s license; no need for a test!

At the store, Jay unknowingly drops his wallet outside. Krista has followed them there and picked up Jay’s wallet. As Abby tries on dress after dress, Krista heads in and tells the assistant that those two won’t be buying anything. The assistant tells Abby and Jay to leave, as Jay figures out he has lost his wallet and will not be able to pay for anything. Jay rushes outside to look for his wallet, and Abby goes back into the changing room. There, she lights Candle #9, so that people will stop treating her like a kid. Suddenly, Abby is transformed… into a girl with straight hair, because that is what signals “adult” apparently! She asks the assistant where her friend is, who tells her he left with another girl, presumably Krista. Abby is annoyed Jay just left her, but she becomes distracted by the assistant who suddenly wants to help her find some more “age appropriate” clothing. You might think Abby not having any money might be an issue here, but nope, that’s what a charge account is for.

Abby arrives back at school in a whole new wardrobe. She is mistaken for being the new substitute teacher, and discovers that nobody remembers her as the Abby Jensen from their year. Abby is soon picked up from school by her parents, who instantly move her into her new apartment, telling her she is 22 years old today and needs to grow up. Wow, harsh or what! At least wait until the day after her birthday… Her parents have paid the security deposit but it’s up to her to pay the first month’s rent so she’ll need to find a job. Abby is overwhelmed by how badly her last wish has gone wrong and lights Candle #3, a wish about decorating her room the way she wants, to get Celeste to explain what has happened here. Celeste tells Abby that the candles have their own logic and since Abby has no do-over wish on her list, at midnight, this will be her new life. Abby desperately tries to find a way back to her old life and thinks Wish #14 will do the trick: to get her parents to understand her.

She goes over to her parents’ house, to find them living in an RV on the driveway because of the wasps, and tells them the whole sorry story of her day so far, showing them the candles and matches as proof. Her parents are distracted by the matches as they are from the Lucky Duck restaurant that they went to on the night Abby was born. Although her parents understand what Abby is going through, they don’t believe she is actually 16 and tell her she needs to be independent. At a loss as to what to do next, she walks over to her crush, Logan, who is admiring her car. Logan is on his way to Krista’s party across the street. Abby uses this as an opportunity to get Jay to listen to her. She proves their friendship with the necklace he gave her that morning, as Jay has the other half of it. Jay remembers. He looks over her wish list to try and find a solution but all her wishes are pointless and won’t help her. As Abby annoys herself with her stupid wishes, like wishing to like sushi when she’s sixteen, she learns that her brother is a talented guitarist, having his own guitar in this life instead of playing a plastic one in her real one, and that Krista is nice without having Abby to compete with. So, everyone is better off without Abby in their life and she should just get on with her new independent life. That’s the lesson here, isn’t it?

Perhaps it should be, but that’s not the case. Abby sadly heads back to her apartment. Her car runs out of gas, she breaks a heel, and then is splashed by a driver going through a massive puddle. When things look really bleak, Celeste arrives with pizza to cheer her up. Abby takes another look at the list, realising that all of her wishes for clothes, popularity, and cars were a total waste, and that being an adult isn’t as amazing as she thought it would be. Celeste hands Abby Candle #16, and Abby looks at her corresponding wish. It is simply a picture of Logan that she stuck on there with gum that morning. As Abby wishes she could change this wish, she flicks the photo – and it comes off, leaving a blank space. She quickly rummages around her belongings and finds the photo her parents took of her that same morning. She sticks it on the list and lights Candle #16, wishing she could start the day over again, just before midnight.

Abby shows up in her room on the morning of her sixteenth birthday. Instead of shouting at her parents and brother to get out of her space, she tells them she loves them, even giving her brother her party money so that he can buy his own guitar. She also warns her parents about the wasps’ nest, panicked she’s about to relive the whole traumatic day again. But they already knew, and the exterminator is already here. It’s Celeste again, who tells Abby everything is going to be ok now. Abby then screws up her wish list and goes to confront Krista once and for all. On Krista’s driveway, Abby demands to know what she did to start this war between them. It turns out when Abby first arrived in town, she took Jay, Krista’s previous best friend, away from her – on her birthday, no less! Right… that’s incredibly childish; you’d think Krista would’ve got over that by now! Abby apologises and says they should help Jay together. After learning he wanted to be Class President, she asks Krista to join forces with her to ensure Jay is voted in. Since Krista is the only name on the ballot, if she drops out and campaigns for Jay instead, he’ll surely win.

Sure enough, at Krista and Abby’s joint sixteenth birthday party, Jay is celebrated as Class President. Krista also tells Abby she really likes Logan, but doesn’t know how to talk to him. Abby tells her to ask him about his dream car, the Mustang she used to have. Abby and Jay then dance together. Jay admits his feelings for Abby and the two kiss. As the movie ends, Celeste appears as a waitress before disappearing. Her work here is done.

CHARACTERS & CAST

Abby Jensen has never been popular. Although she has her best friend, Jay, it seems like he is her only real friend, so it’s very much them against the world. This isn’t a bad thing, but it’s not enough for Abby. She wants to be popular, but thanks to Krista Cook, she’s never been able to. This is why Abby’s sixteenth birthday is so important to her, because it’s finally going to be the day where she gets everything she wants. To be honest, Abby is kind of annoying through most of 16 Wishes with this attitude. She isn’t very nice to her family, telling them to get out of her room, and takes Jay for granted, expecting him just to go along with whatever she wants. It’s not until Abby’s wish to stop being treated like a kid goes wrong that Abby finds she’s alone, without her best friend. This makes Abby feel incredibly scared and lonely, as many people would after being thrown out of their family home and forced to live on their own. At this point, Abby learns a real lesson: that wishing for materialistic, superficial things is a waste of time and effort, because they never make you truly happy. She also realises that she shouldn’t be in a hurry to grow up, as being an adult comes with its own responsibilities and isn’t as glamorous as it looks. From this point, Abby becomes a more redeemable character, and less like a spoilt brat!  

Debby Ryan was cast as Abby. Ryan began her Disney Channel career as Bailey Pickett on The Suite Life on Deck (2008-11), the spin-off and sequel series to The Suite Life of Zack & Cody (2005-08), and then reprised her role in The Suite Life Movie (2011). After this, Ryan continued to feature on Disney Channel by starring in the series Jessie (2011-15). During this time, she was also cast in the leading role of Tara Adams in the DCOM Radio Rebel (2012). Outside of Disney, Ryan’s most famous role is perhaps as Patty Bladell in the controversial Netflix series Insatiable (2018-19). More recently, she voiced the character of Krista in the animated series Velma (2023-24), a spin-off of the Scooby-Doo franchise, and is due to appear in the thriller film Famous, which will star Zac Efron.

Jay is Abby’s best friend, and former best friend of Krista Cook. He clearly has feelings for Abby that she is completely unaware of until the end of the movie. Jay is an incredibly loyal friend to Abby, quickly forgiving her even when she’s being a bit of a self-obsessed jerk. When Abby’s wish goes wrong and she becomes an adult, Jay is friends with Krista instead. I think Jay would’ve been better off in this alternate life; however, Abby makes sure that he can’t be free of her, getting him to remember that morning when he gave her the friendship necklace. He does remember, but can’t actually help, so it was a completely pointless exercise, making him feel guilty for no reason. When Abby gets to do over her birthday, she is a better person, and I’d like to think that her, Krista, and Jay become a trio, as Krista and Abby have supposedly moved on from that childhood event that caused all the animosity between them. This would be the best thing for Jay, I think, because Krista can hopefully balance out Abby’s impulsiveness and Jay’s willingness to go along with her plans. He also got to be Class President thanks to Abby, so I guess she did one good thing for him.

Jay was played by Jean-Luc Bilodeau. One of Bilodeau’s earliest roles was as Josh Trager in the ABC series Kyle XY (2006-09). After 16 Wishes, he then appeared as Jeremy in the movie LOL (2012), which starred Miley Cyrus, and in the television movie Expecting Amish (2014), alongside AJ Michalka. Bilodeau later starred as Ben Wheeler in the sitcom Baby Daddy (2012-17). Most recently, he was cast as Dr. Daniel Kutcher in the sitcom Carol’s Second Act (2019-20), and as Ronnie in the Roku series The Holiday Shift (2023).

Krista Cook is meant to be the typical mean girl who comes from a rich family and is the most popular girl in school. Krista has tried to overshadow all of Abby’s successes throughout her life, by having better parties and sleepovers, for example. It’s worked and that makes Abby jealous of her, but in fact, Krista is jealous of Abby, and that is because Abby “stole” her best friend Jay from her when they were younger. Friendship groups always change throughout school so I think this is a pretty pathetic excuse for Krista’s hatred of Abby. Why did Krista not just keep talking to Jay instead of accepting that her friend was “gone” forever? Abby didn’t even know she’d taken Jay away from Krista so I doubt she was a horrible kid who would’ve banned Jay from talking to Krista ever again. I’m sure if Krista had even had a mature conversation with Jay and Abby about it all as they got closer to the age of sixteen, this could’ve all been resolved. Krista was played by Karissa Tynes, who was cast as Rhonda Blair / Vanessa A. Williams in The Unauthorized Melrose Place Story (2015) for Lifetime, and as Jameson in Season 2 of the drama series UnREAL (2015-18).

Celeste is the magical being who makes all of Abby’s sixteenth birthday wishes come true, though I’m not sure why she chose Abby of all sixteen-year-olds to do this for; it’s never explained. Celeste seems to deliberately make the wasps more active in Abby’s house, leaving her information on the front door, knowing that Abby’s parents would need to contact someone. It’s all a bit dodgy if you ask me. I’d rather not have some strange woman put wasps in my house just to get my birthday wishes to come true, not to mention not wanting to have her follow me around all day, but Abby is quite happy with the situation, as Celeste pops up at random intervals during 16 Wishes, either to help Abby accomplish some of wishes, like being her personal stylist and interior designer, or to make sure Abby understands what is going on with her wishes. Celeste also has to come to Abby’s rescue close to midnight on her sixteenth birthday as Abby has given up hope. Celeste gets Abby to realise that she can change Wish #16 as it’s just a photo, but apparently, isn’t allowed to come out and say it. She probably hoped Abby would figure it out earlier. Talk about leaving it to the last minute! Anna Mae Wills was cast as Celeste. She was cast as Patty in the movie I Love You, Beth Cooper (2009) just before her role in 16 Wishes.

Outside of these four main characters, there are a few others to mention. One is Abby’s brother Mike. Mike is Abby’s younger brother but he isn’t particularly annoying like you’d expect, though he does play a plastic guitar around the house, clearly wanting to buy a real one but not having the money to do so. He even asks Abby for a loan but she refuses, saying this money is for her party dress. I mean, you have lots of money, Abby; do you really need a dress that costs that much? Mike is actually a pretty cool little brother, not bothering her at school, but also not being embarrassed to say Abby is his sister. Maybe that’s why Abby decides, after seeing Mike play a real guitar in her alternate life, that she should give him the money for a guitar; she thinks he’s really talented and should explore that. Cainan Wiebe was cast as Mike. Just before appearing in 16 Wishes, he had been cast as Gareth in the television movie Beyond Sherwood Forest (2009).

Finally, there are Abby’s parents, Bob and Sue. They seem like nice parents, making Abby a birthday cake and a special birthday breakfast, however, all their actions are thrown back in their faces when Abby orders them out of her room on that morning. Later on, we see Bob and Sue in a different light, after Abby accidentally makes herself 22-years-old. They suddenly seem to be quite harsh on her, moving her into her own apartment without talking to her about it first and telling her to “be independent”. It’s apparently because they don’t have enough room for her in the RV that they’re forced to live in because of the wasp infestation. Really, though, it seems like something must have gone on between Abby and her parents that even Abby doesn’t know about because she’s skipped six years of her life. Maybe Abby was sat around watching TV all day, not bothered about getting a job. Although when they pick her up from the school, it seems like a regular annoyance they have to deal with so maybe this Abby never gave up wanting to be sixteen – I can understand how that could be draining for her parents! Anyway, none of that matters because Abby does get back to her real life and has a new appreciation for her parents and her brother.

Bob Jensen was played by Patrick Gilmore. At the time of 16 Wishes, Gilmore was appearing in the recurring role of Dale Volker in Stargate Universe (2009-11). He went on to be cast as David Mailer in the series Travelers (2016-18) and as Mr. Anderson in the Paramount+ series School Spirits (2023-present). Kendall Cross was cast as Sue Jensen. She went on to appear in the recurring role of Major Byrne in The 100 (2014-20).

MUSIC

16 Wishes features eleven songs. All tracks are on the 16 Wishes soundtrack, released on 15th June 2010, just over a week before the movie’s premiere on Disney Channel.

Usually, if a Disney Channel movie’s lead actor can sing, then they will get to sing one or two songs in that movie, if it’s not a musical. In this case, Debby Ryan gets to perform two such songs. One of them is the song’s opening number, “A Wish Comes True Every Day”, written by Ali Theodore, Jason Gleed, and Alana da Fonseca. This is probably my favourite song in the movie; it’s an upbeat pop song, which is the perfect song for Abby to wake up to on her sixteenth birthday. This song then features again as the finale of the movie, just before the End Credits, with a special video showing the cast and crew dancing on set, as well as a few bloopers. The music video for this song was also uploaded to Disney Channel’s YouTube Channel on 18th June 2010, a week prior to its premiere date.

The other song Debby Ryan performs, alongside her brother Chase, is “Open Eyes”, another song in 16 Wishes that I like. It is played as Abby sadly heads back to her apartment after Krista’s party, resigned to her fate of remaining 22 forever. This song was written by Chase Ryan, Debby Ryan, and Matt Beckley. Chase also contributed to another song on the soundtrack, “Saying Goodbye”, which he wrote and performed alongside Michael Popp and Aaron Harvey. I believe this song is played in the dress shop; however, it is so quiet, being used as background noise, that it is hard to tell. Another song that may have been playing in this shop is “The Way It Used To Be”, performed by punk rock band Not By Choice, and written by M. Bilcox. I didn’t specifically hear this song, but given that the 16 Wishes soundtrack track list appears to be in order of appearance in the film, it must have been played at this time, but I didn’t specifically hear it.

There are a few other songs in 16 Wishes that are only played briefly in the movie. One of these is “No One’s Fool”, performed by Keith and Renee and written by Keith Macpherson, Renee Lamoureux, and Creighton Doane. It plays as Abby gets ready in the morning. Following on from that, “Princess Girl”, performed by Minnutes, is used for the moment that Abby meets Joey Lockhart at her bus stop. Then, there is “Picture Perfect”, performed by Jennifer Cathcart, and written by David Isaac Feldstein, which plays as Abby leaves the dress store in her new “age appropriate” clothes. There is also “Bad Momma”, written by Marc Ferrari, Josh Kessier, and Chad Gendason, performed by Gendason, which can be heard as Abby reveals her new clothes that she wished for at school.

Then there is music that plays at the different birthday parties. Krista’s solo party has two songs, the first being “Vertigo” performed by the band Willknots. It was written by Douglas Deibel and Shawn Richardson. It is followed by “Overreaction”, another song performed by Chad Gendason, and written by Ferrari, Kessier, Gendason, and Andrew Robert Hayes. I can’t say I really noticed either of these songs, however, at Krista and Abby’s joint party at the end of 16 Wishes, the song “Don’t Wanna Grow Up” by Willknots is played, written by Deibel and Richardson. This song might sound familiar to DCOM fans, as it appears towards the end of Cow Belles (2006). It’s a great song, and you get to hear more of it in 16 Wishes, as it is also used for the End Credits.

James Jandrisch is credited with composing the score for 16 Wishes. He would go on to compose the music for another Debby Ryan DCOM, Radio Rebel (2012), as well as for the DCOM Zapped (2014). Jandrisch is also the composer for some television film series including Signed, Sealed, Delivered (2014-present), and Gourmet Detective (2015-20). More recently, Jandrisch composed the music for the Netflix series’ Tiny Pretty Things (2020) and Sweet Magnolias (2020-present). He also composed the music for one of my favourite Christmas television movies, Call Me Mrs. Miracle (2010).

PRODUCTION

16 Wishes focuses on the whole obsession with the idea of the “Sweet 16”, whether that is by having a great birthday or an amazing party.

 Having a movie or a series based on the importance of sixteenth birthdays is nothing new. One of the most popular shows about Sweet 16 parties is the MTV reality series My Super Sweet 16 (2005-17), which followed kids as they planned huge parties for their sixteenth birthdays, complete with the usual tantrums and meltdowns you’d expect to see from spoilt kids that don’t get their own way[1]! Sometimes other milestone birthdays, such as 18th or 21st birthday parties, were also featured. Even some celebrities got in on the action, including Aly and AJ Michalka, who held a joint party for their 18th and 16th birthdays, respectively, in 2007. Their episode may have been a promotional technique for the girls’ own movie, Super Sweet 16: The Movie, which was released in 2007. It saw two girls make plans to throw a huge, joint Sweet 16 party. When the girls have a falling out, they start trying to outdo each other with their own parties.

MTV even made a spin-off three-part horror film series, created for television, based on their reality series entitled My Super Psycho Sweet 16 (2009-12).

Let’s also not forget the 1980s John Hughes movie Sixteen Candles (1984). It might not feature a huge Sweet 16 party, but it is a coming-of-age movie about a girl’s sixteenth birthday, which her family have forgotten about because her older sister is getting married the next day. The plot of the movie is not similar to 16 Wishes; however, the title does link to it as Abby gets sixteen wish candles; the titles can potentially be mistaken for each other.

I’m sure Sixteen Candles must have been some sort of loose inspiration for 16 Wishes, however, the obvious 2000s obsession with huge sixteenth birthday parties must also have been. Although Abby does not end up having a grand party, it is alluded to the fact that she was hoping to have one. Just before Abby and Jay head off to the store to buy her a dress, she mentions to Jay that two girls in their year have taken on the planning of Abby’s party, which they want to hold in a hotel in Las Vegas, potential trying to make the party similar to the elaborate affairs that exist within My Super Sweet 16.

16 Wishes also takes some plot points from the Jennifer Garner movie 13 Going on 30 (2004), something that some reviews mentioned. In 13 Going on 30, the main character, Jenna, wishes to be thirty on her thirteenth birthday, believing that being an adult will fix all her issues, as she feels like a loser as a teenager. This is much like Abby in 16 Wishes, who hates being treated like a child. Her wish instead makes her 22 and therefore an adult. Obviously, 16 Wishes is a more family-friendly version of 13 Going on 30 and does not involve too many real-life problems since it only takes place over a day, with Abby’s biggest issue being that she was forced to move out of her parents’ house. 13 Going on 30 not only looks at relationship and family problems, but also work issues too. Big (1988) also features a teenage boy wishing to be “big”, with his wish going wrong and turning him into an adult, but again, it deals with this issue in a more mature way. But neither Big nor 13 Going on 30 were aimed at younger children, or set to be aired on Disney Channel, so they didn’t have to conform to certain expectations.

With all that being said, 16 Wishes is not a particularly unique story, clearly expanding on ideas from other movies, however, that does not make it any lesser of a movie. Many movies borrow ideas from others to create their storylines. It meant that 16 Wishes felt like familiar territory, but in one way, it might be slightly more relatable, and that is by not changing the actress playing Abby. To the audience, it doesn’t look like much has changed when Abby “grows up” from 16 to 22, so we are able to fully understand her confusion at why she’s being treated differently. In 13 Going on 30 and Big, we are introduced to a young actor first, and then asked to relate to a different one. In some ways, they feel like two separate journeys or a dream, but with 16 Wishes, it is solely Abby’s story.

16 Wishes was directed by Peter DeLuise. Peter DeLuise went on to direct the DCOM Zapped (2014), which starred Zendaya, but prior to 16 Wishes, he had also directed some episodes of Kyle XY (2006-09); Stargate Atlantis (2004-09); Stargate SG-1 (1997-2007); and Stargate Universe (2009-11). Previously, DeLuise had starred as Officer Doug Penhall in the series 21 Jump Street (1987-91). DeLuise also has some famous family with links to Disney. His brother David DeLuise was cast as Jerry Russo in the Disney Channel series Wizards of Waverly Place (2007-12) and its 2009 movie. They are sons of comedian Dom DeLuise, who voicing the character of Fagin in Oliver & Company (1998).  

The screenplay for 16 Wishes was written by Annie DeYoung, who had previously worked on Princess Protection Program (2009), Return to Halloweentown (2006), and Girl vs. Monster (2012) for Disney Channel.

16 Wishes was filmed in Vancouver, British Columbia, Canada, with one of the most obvious filming locations being Walnut Grove Secondary School. Much of the movie’s scenes are either filmed at the school or at the street where Abby and Krista live, so nothing too exciting to report on there.

I’ve mentioned a lot of Disney links in the cast and crew credits; however, 16 Wishes is not a Disney Channel Original Movie, in a similar way to Harriet the Spy: Blog Wars, which is also not technically a Disney Channel Original Movie, despite being promoted as such, or in slightly different terminology, prior to its Disney Channel air date. 16 Wishes was a co-production between Disney Channel and MarVista Entertainment[2]. Unity Pictures is also listed on the Opening Credits. Because of this small technicality, this is potentially why 16 Wishes is not available to stream on Disney+. Instead, if you want to watch 16 Wishes, you’ll have to hope it appears on another streaming service – I found Harriet the Spy: Blog Wars on Amazon Prime in the UK when I reviewed that movie – or go the old-fashioned route and watch it on DVD, which is what I did with 16 Wishes[3].

RECEPTION

16 Wishes first premiered in the US on Disney Channel on 25th June 2010.

A trailer was released on Disney Channel’s official YouTube channel on 9th June, which referenced 16 Wishes as a Disney Channel Movie, but not a Disney Channel Original Movie[4]. This is a subtle distinction but one I guess they had to make somewhat obvious with this being a co-production.

On its US premiere, 16 Wishes apparently got 5.6 million viewers, and became the most watched cable program of the day. 16 Wishes later premiered in Canada on Family Channel on 16th July 2010.

In terms of reviews, these are mixed, as some say that it is the best DCOM of all time, and that the ones to debut afterwards were nowhere near as good – I’ve read this quite a lot around other DCOMs released in 2010 or 2011 – whereas others call it the worst. For me, I liked 16 Wishes when it first came out, and rewatched it quite a few times. Looking at it now, though, I wouldn’t call it the best or the worst; it’s just average.

Those who like 16 Wishes say it was quite deep for Disney Channel, as it taught an important lesson about not growing up too fast, and made kids re-examine their lives in some ways. I’m not sure 16 Wishes ever affected me to the point where I made changes to my life, and I was a similar age to the characters, so I’m not sure I agree with this point. 16 Wishes was also called cute, although typical and predictable.

Others who don’t like the film say it is cringey and they dislike the main character of Abby Jensen, calling her “awful”. I think awful is a bit harsh, and she does eventually change her ways, but I wouldn’t have wanted to be friends with her at school. She’s not a bad person, but she does strike me as the type to constantly moan about how unfair her life is, which would get draining after a while…

LEGACY

Luckily, the story of 16 Wishes did not allow for a sequel, or a series of movies.

I mean, Disney Channel could have done it, obviously. They could’ve brought Abby back to do 17 Wishes, maybe even 18 Wishes, where she makes new wishes based on her current situation but they would’ve been samey and boring; sometimes one movie is enough.

So, 16 Wishes has not spanned its own franchise, however, 16 Wishes did boost Debby Ryan’s Disney Channel career. She was already known for her role on The Suite Life on Deck, so 16 Wishes allowed her to star in her own project. This led to her role as Jessie in the series, and then to star in Radio Rebel in 2012.

Outside of that, I did discover that there is a website selling the set of sixteen candles, the Lucky Duck matches, and a recreation of Abby’s wish list, so if you’re a huge fan of this film, this could be the perfect gift for you.

FINAL THOUGHTS

Sixteenth birthdays are meant to be a big milestone moment for teenagers, where they start to feel more mature and become more independent.

In 16 Wishes, Abby can’t wait to turn sixteen because she seems to think that on that one day, she’ll wake up and feel differently about herself. She also believes that everyone around her will finally notice that she’s not a child anymore. That is not the case, and Abby becomes disappointed that her sixteenth birthday hasn’t been everything she hoped it would be. The wishing candles seem to be making it the best day ever until it goes badly wrong.

I think too many teenagers put pressure on themselves to grow up quickly. Once you do grow up, many realise that being an adult is not all that wonderful, and that they should’ve spent more time being a kid.

If 16 Wishes teaches people anything – and it’s a Disney movie so generally they try to teach you something – it’s don’t be in such a hurry to grow up. Adulthood probably won’t be everything you imagined.


REFERENCES

[1] Credit: MTV, ‘My Super Sweet 16’s Biggest Meltdowns I MTV Ranked’, MTV Vault YouTube Channel, 12th May 2019.

[2] Credit: Disney, ’16 Wishes (television), D23.com, date unknown.

[3] Credit: Daniel Furn and Cole Luke, ‘How to watch 16 Wishes: Is it available to stream on Disney+?’, RadioTimes.com, 18th September 2023.

[4] Credit: Disney, ’16 Wishes Trailer – Disney Channel Official’, Disney Channel YouTube Channel, 9th June 2010.

Wallace & Gromit: Vengeance Most Fowl (2024)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

2024 seems to have been The Year of the Sequel.

Looking at the 2024 worldwide box-office, all the movies in the Top 5 were sequels. These included Inside Out 2 from Pixar; Moana 2 from Disney; and Despicable Me 4 from Universal and Illumination.

Another major blockbuster was Wicked: Part 1, a live-action adaptation of the popular Broadway musical which debuted in 2003. This shows that, currently, many movie studios are finding that their best opportunity for box-office success is to continue, and in some cases improve on, tried-and-tested franchises.

Wallace & Gromit: Vengeance Most Fowl is no different in that respect, although it is only the second feature-length outing for the British pair, almost twenty years after their first movie Wallace & Gromit: The Curse of the Were-Rabbit (2005) came to be.

Making a sequel is not a bad thing, especially if there is a story to be told. Although some of these sequel movies do appear to be bold money-grabbing attempts – I’m not saying which I think those are – Wallace & Gromit: Vengeance Most Fowl from Aardman Animations did not feel like that. I believe that is down to the fact that Aardman spend months or even years on their movies, because in most cases, these movies are made using clay, in a process called Claymation. Aardman are arguably the best in the business at what they do and Wallace and Gromit have become national treasures since they debuted in 1989. There is very little that can go wrong with those two.

I haven’t been the first to watch many movies in recent years. I’ve said previously that my streaming watchlists is where movies go to die, because I rarely get round to them even in the first month that they are released. It takes me years to get to them sometimes, or I end up ignoring them completely. I try to watch a lot of the Best Picture or Best Animated Oscar-nominated movies, but I’m about two or three years behind at the moment.

Luckily for me, I was on it with Wallace & Gromit: Vengeance Most Fowl because British audiences did not have to go to the cinema or to Netflix to watch it. It got a primetime viewing slot on BBC One on Christmas Day 2024, so it was easily accessible. Though I did not like Vengeance Most Fowl as much as The Curse of the Were-Rabbit, finding it a bit slow in places, it was still full of heart and typical British comedy. It was most definitely worthy of Christmas Day viewing.

PLOT

Vengeance Most Fowl begins by going back in time, to Wallace and Gromit calling the police to say they have apprehended the thief who stole the Blue Diamond. This thief is a penguin named Feathers McGraw, who was promptly arrested and sentenced to life in a high security facility. Instead of being a prison, this facility is in fact a zoo, because, you know, Feathers is a penguin; why would sending him to jail make any sense at all?

In present day, Wallace and Gromit have continued their lives as normal after this event. Wallace has spent time creating more inventions to make his life easier, and Gromit has spent his time getting increasingly irritated by Wallace’s over-reliance and obsession with new technology. Gromit sees that they have lots of bills to pay and no way of paying them – until Wallace comes up with a new invention, a smart gnome called Norbot, who is voice-activated and will do any gardening job he’s asked to do. In this case, he is tested on Gromit’s beautiful garden, whereby Norbot tears up and destroys all of it making the garden neat with just a lawn and topiary. It might look immaculate, but it’s ruined Gromit’s work. But Wallace doesn’t even notice and plans to set up a gardening service with Norbot.

Meanwhile, Chief Inspector Mackintosh and trainee PC Mukherjee are discussing the proud moment of when Mackintosh locked up Feathers McGraw, taking the Blue Diamond and storing it in their vault at the station. It is now time for the Blue Diamond to go back on display and Mackintosh has been tasked with the security plans, his last job before retiring.

Back with Wallace and Gromit, Norbot and his gardening service have attracted the attention of the neighbours and the local news, who are all very impressed with this latest invention. However, this news report also attracts the attention of Feathers McGraw, who sees Wallace on the news through the bars of his cage as his keepers watch on television. Feathers wants to finally get his revenge on Wallace and now he has a plan…

Gromit doesn’t like Norbot and sees that Wallace is giving Norbot all the attention and basically ignoring Gromit. Norbot also seems to be better than Gromit at almost everything. Gromit reaches breaking point when Norbot wanders into his room one night, unplugs the radio Gromit was listening to, and plugs himself in to recharge overnight. Except Norbot is not like most tech and recharges very loudly…and intensely… Gromit unplugs Norbot and takes him down to the basement, plugging him in to the computer to recharge down there. Finally, Gromit can have some peace and quiet again!

At the zoo, Feathers uses an extending arm to get through his cage bars and on to the keepers’ computer. He gains remote access to Wallace’s computer over in West Wallaby Street. He manages to guess Wallace’s password – simply “cheese” – then answers a security question all about cheese, and gets into the computer. From there, Feathers accesses Norbot, since he is plugged in to the computer, and changes his mode to “Evil”.

The next day, Wallace goes to get Norbot, ready to complete all the gardening work for the neighbours. Both Wallace and Gromit discover that overnight, Norbot has built his own army of smart gnomes just like him. Wallace is overjoyed to see there are plenty of gnomes available but Gromit isn’t so sure about this; something isn’t right. But Wallace isn’t bothered and sets up a tracking device so he can keep tabs on them from home. Gromit becomes suspicious when he sees the gnomes all seemingly plotting something and goes with them to their jobs. As the gnomes get on with their work, even singing a song as they do so, everything seems fine, but then Gromit is locked in a shed by the gnomes, and neighbours soon discover that random items, like tools, pipes, and glass, have all been stolen from their gardens. The police receive numerous reports of the thefts.  

Back home, Norbot tries to ensure that Wallace doesn’t notice that him and the other gnomes have gone evil. Norbot turns off the TV before Wallace can see the news report about the burglaries, and then drugs Wallace to put him into a deep sleep. Gromit manages to cut himself out of the shed eventually, and gets home to find the gnomes all building something. They soon spot Gromit watching them, and assume he’s going to wake Wallace. Sure enough, when Wallace makes it down to the basement, there is no sign of anything. Then, there is a knock at the door. Chief Inspector Mackintosh says they have a search warrant for Wallace’s home. They proceed to seize all of Wallace’ inventions – but the gnomes are nowhere to be found.

The next day, Wallace struggles to even put his clothes on without his inventions and to make this day even worse, an angry mob and a news crew arrive on the doorstep, to confront the “evil inventor Wallace”. To prove their innocence, Gromit goes out on his motorbike to find the gnomes, going to the police station to retrieve Wallace’s “gnoming” device, the tracker. The police head to the museum for the unveiling of the Blue Diamond.

As Gromit follows the tracker, he believes a pack of gnomes are coming right towards him – but there’s no-one there. He then sees light coming from the ground, and realises they’ve gone underground and are heading into the zoo. Gromit manages to sneak into the zoo and sits in a tree, where he sees Feathers being all Bond villain, sitting in a chair, stroking a little seal. The gnomes appear in the enclosure from a submarine. That must’ve been what the gnomes were building in the basement, and that’s why they had to steal all those materials. Feathers heads into the submarine with his evil crew, signalling for Norbot to saw off the branch that Gromit is sitting on. Gromit and Norbot fall down into the lion enclosure. As all looks lost, Norbot snaps out of his evil mode, thanks to the fall, and saves both of them from getting eaten – by giving the lion a haircut! Gromit and Norbot head straight for the museum, where they see that the Blue Diamond has been replaced with a turnip. The police suspect Wallace of making the switch long ago when he first reported the crime, keeping the diamond for himself.

Gromit races home to warn Wallace but it’s too late. The gnomes and Feathers are already there, and Wallace and Gromit both get tied up. They come face-to-face with Feathers and discover that Feathers hid the diamond in their teapot all that time ago. Feathers takes the diamond and his evil gnomes, leaving Wallace and Gromit shut in a cupboard. Suddenly, Norbot comes into the cupboard, but if you thought Norbot was going to save them, he wasn’t – he just wanted the vacuum so he could clean! Gromit grabs a nearby leaf blower instead to propel them out of the cupboard. As the police arrive to arrest Wallace, the two run them over. Wallace and Gromit pursue Feathers and the gnomes.

A chase ensues, with the police also chasing after Wallace. Feathers gets into a narrowboat, with Wallace, Gromit, and Norbot following behind in another narrowboat. Luckily, these boats don’t move very quickly so Mackintosh and Mukherjee are able to follow them on a bicycle, though Mackintosh is infuriated that Wallace and Gromit just happen to be on his narrowboat – the cheek of it! The police see the narrowboat ahead of Wallace and Gromit and see what they believe to be a nun; it is actually Feathers in disguise – gasp!

Wallace quickly makes an invention to turn all the evil gnomes back to being good again. They use a ton of boots they’ve found on the boat – Mackintosh’s vintage boot collection – to knock over the gnomes so that they will reboot as Norbot did. At the same time, Feathers has made his boat speedy so Gromit attaches a rope to it to try and get closer. Wallace follows behind in a life ring after falling overboard, at which point, you’ll see the Farmer from Shaun the Sheep in a small cameo appearance.

Gromit eventually jumps on to Feathers’ boat and the two battle for the diamond. Wallace then lands back on the first boat. As they approach the Yorkshire Border, Feathers sees that the police have blocked the canal, and almost steers them off an aqueduct. Gromit has managed to retrieve the diamond, but he is left dangling off the edge of the boat as it starts to tip over. Wallace begs Gromit to give up the diamond so that the boat won’t fall with him on it. Gromit hands the bag over to Feathers who jumps down onto a train below. However, this isn’t enough to save Gromit and the boat falls off the aqueduct, and Gromit is unable to jump to safety.

Suddenly, Gromit feels himself dangling in mid-air. He looks up to see the gnomes, now all good again, together in a line, rescuing Gromit from certain death. They steadily pull each other back up to safety. At this point, the police see Feathers on the train, but luckily, Gromit swapped out the diamond for a turnip. Gromit returns the real Blue Diamond to the police, proving that neither he nor Wallace was ever guilty of a crime.

Some time later, we see that Feathers McGraw is wanted yet again, and that Mackintosh has finally retired, living on his canal boat. Back at home with Wallace and Gromit, Wallace has reprogrammed his original “pat-o-matic” machine to put Gromit’s plants back in, with the other gnomes helping out. Wallace has also found a new love for his pet dog Gromit and no longer takes him for granted. The movie ends with Norbot cutting “The End” into one of their garden hedges.

CHARACTERS & CAST

Let’s talk about Wallace first. Wallace is obsessed with inventions, always has been. I don’t think it’s because he’s lazy but because he’s fascinated with technology. He uses all sorts of inventions to help him get ready in the morning, from getting him out of bed, to making his tea and toast. Wallace is also a very upbeat, positive chap, never seeming to see bad things that could be about to happen in the near future. For example, when he first meets Feathers McGraw in The Wrong Trousers (1993) television special, Wallace doesn’t suspect that Feathers could be a villain about to use him to steal a diamond. This happens again in Vengeance Most Fowl, when Wallace doesn’t see that Norbot has gone evil. He likes to see the good in everyone, I think. Although Wallace can have a one-track mind at times, forgetting others around him, like Gromit, he is a caring person, just a bit scatterbrained.

Previously, Wallace had been voiced in the movies and television specials by Peter Sallis, who was also known for playing the role of Normal “Cleggy” Clegg in Last of the Summer Wine (1973-2010), however, with his passing in 2017 at the age of 96, the public wondered if this was the end of Wallace and Gromit, because, how could the duo go on without Sallis? Although it was difficult for Aardman to create Vengeance Most Fowl without the esteemed voice actor, they were successful in finding a replacement: actor and voice artist Ben Whitehead who had already worked on a few Aardman movies prior to Vengeance Most Fowl[1]. His credits with Aardman include Mr. Leaching in Wallace & Gromit: The Curse of the Were-Rabbit (2005); Baker Bob in Wallace & Gromit: A Matter of Loaf and Death (2008); The Pirate Who Likes Sunsets and Kittens in The Pirates! In an Adventure with Scientists (2012); as well as additional voices in Early Man (2018). This meant that Whitehead had been around the creative process of Aardman’s movies before and had no doubt spent time listening to Sallis voice Wallace. This was not even Whitehead’s first credit as Wallace. In fact, he voiced Wallace in the game Wallace & Gromit’s Grand Adventures in 2009 and in the episode of the BBC Proms in 2012, Wallace & Gromit’s Musical Marvels. Despite the obvious pressure of voicing this much-loved character, Whitehead did well with his voicing of Wallace; the change is barely noticeable.

Gromit is Wallace’s underappreciated loyal dog. He isn’t particularly impressed by Wallace’s tech obsessions, not wanting to rely on them, and is more suspicious than Wallace. It’s a good thing too because if Gromit hadn’t been suspicious of Norbot and the other “smart gnomes” or of Feathers, then they’d likely have made off with that Blue Diamond and never been seen again. Gromit is fearless and brave, not letting the pursuit of a criminal mastermind put him off doing what’s right and proving his owner’s innocence, despite Wallace ignoring Gromit for much of the movie and allowing his new invention to tear up all of Gromit’s great gardening work. He is loyal to a fault. Since Gromit is a dog, and this is not a Disney movie, he does not speak.

Feathers McGraw also does not speak, yet this doesn’t mean that he is no less menacing than any other villainous character. Matt Groening, creator of The Simpsons (1989-present), even said that Feathers is one of the greatest villains of all time, managing to convey to the viewer – and Gromit, but not Wallace – how much of a threat he is just with his sinister stare[2]. Feathers is also a “master of disguise”, except only to the dim-witted humans here. Feathers uses a red glove to disguise himself as a chicken in both The Wrong Trousers and Vengeance Most Fowl, with Wallace not realising it is Feathers until he takes the glove off. That might sound familiar to Disney fans, as Dr. Doofenshmirtz in Phineas and Ferb (2007-15) similarly struggles to identify his foe, Perry the Platypus, until he puts his hat on. Feathers manages to outsmart the police in this movie too, by dressing himself up as a nun. Despite Feathers being “just” a penguin, he has a lot of evil plans in that little bird body, and if he has to use others to achieve those, then so be it. In The Wrong Trousers, Feathers used an unsuspecting – and unconscious – Wallace to commit his crimes, drugging Wallace and putting him in the “techno-trousers”, controlling him so that he picked up the Blue Diamond for him. Feathers didn’t care if Wallace got caught because they’d never suspect a little penguin of being the person behind the robbery. In Vengeance Most Fowl, he uses the smart gnomes to help him retrieve the Blue Diamond and get away. And if it weren’t for that meddling Gromit, he might just have gotten away with it too.

Norbot is a new character to the Wallace & Gromit franchise. He is a smart gnome, a voice-activated assistant developed and built by Wallace himself. Initially, Norbot seems friendly and eager to please, even though he is a bit overzealous. For some reason, Norbot also decides it’s appropriate to barge into Gromit’s room to plug himself in to charge overnight. Talk about rude! That can’t be the only plug in their whole house, surely? Sadly because of this charging fiasco, and Gromit plugging Norbot in to the basement computer instead, Norbot ends up going evil, as Feathers remotely accesses the computer and turns him to “Evil” mode. It turns out Norbot has other modes that he can be changed to as well, including “Mean-spirited”, “Grumpy”, and “Mildly Annoying”. You might think that last one was the setting he was on, but he was actually just “Good”. In the end though, Norbot returns to his “Good” mode after falling in the zoo and rebooting to his original setting, and even saves Gromit from almost certain death. I did like Norbot as a new character, even though gnomes in general freak me out…

Norbot was voiced by writer and actor Reece Shearsmith. Shearsmith co-created and starred in the comedy series The League of Gentleman (1999-2002, 2017) alongside Jeremy Dyson, Mark Gatiss, and Steve Pemberton. After this, Shearsmith collaborated with Steve Pemberton to write and star in the horror comedy series Psychoville (2009-11), before working together again on the long-running series Inside No. 9 (2014-24). Recently, Shearsmith was cast as Professor Ware in Saltburn (2023). He might also be recognisable to those who are fans of the Three Flavours Cornetto trilogy, the series of films starring Simon Pegg and Nick Frost, as Shearsmith made appearances in Shaun of the Dead (2004) and The World’s End (2013).

Within the seemingly very small police department in Vengeance Most Fowl, we have both a returning character and a new character. The returning character is Chief Inspector Albert Mackintosh, who first appeared in Wallace & Gromit: The Curse of the Were-Rabbit when he was a police constable. Mackintosh is a bit curmudgeonly at times, in both movies, as he just wants to get the trouble sorted out as quickly as possible, which is an effective way of thinking in the police, however, this can lead you to having tunnel vision, focusing in on a specific piece of evidence that actually leads you in the wrong direction. With Mackintosh looking forward to his retirement after the new museum display of the Blue Diamond, the last thing he needs are crazed gnomes on the loose, stealing things from the community, and he certainly does not need to be chasing down a diamond thief. Because of this, Mackintosh is quick to presume Wallace as the criminal, even though that is not the case. But to be fair to Mackintosh, he just wants some peace and quiet for a change.

Chief Inspector Mackintosh is voiced by comedian Peter Kay, reprising his role from The Curse of the Were-Rabbit. Recently, Kay has returned to stand-up comedy with his latest tour Better Late than Never…Again due to end in February 2026. Kay is also known for his television work, including creating and starring in the sitcom Phoenix Nights (2001-02), and its spin-off, Max and Paddy’s Road to Nowhere (2004), alongside Paddy McGuinness. Kay’s most popular sitcom was perhaps Peter Kay’s Car Share (2015-18) which he starred in alongside Sian Gibson, winning multiple National Television Awards and BAFTA TV Awards. Kay has also had success with comedic charity singles, such as “(Is This the Way to) Amarillo” with Tony Christie for Comic Relief in 2005, and “I Know Him So Well”, performing as his character Geraldine McQueen from Peter Kay’s Britain’s Got the Pop Factor (2008) TV special alongside Susan Boyle for Comic Relief in 2011.

PC Mukherjee is new to policing, and to the world of Wallace & Gromit, being mentored by none other than Mackintosh. She is fascinated by the Feathers McGraw case that Mackintosh is only too happy to talk about, with his capture being a huge accomplishment. Being new to the job, Mukherjee is more open-minded. She doesn’t immediately suspect Wallace of wrongdoing and even admits that there is little evidence against him. She wonders if Feathers could be behind it all but is quickly shut down by Mackintosh. The two set off in pursuit of Wallace and Gromit, but it turns out Mukherjee’s instincts were exactly right; it was Feathers McGraw. Shame they never caught him… Mukherjee was voiced by Lauren Patel. Patel was cast as Pritti Pasha in the Amazon Prime movie Everyone’s Talking About Jamie (2021), based on the stage musical of the same name. Patel had also worked with Aardman prior to her role in Vengeance Most Fowl, voicing the character of PB in their CGI comedy series Lloyd of the Flies (2022-23).

That’s all the main cast, but there are a few actors in smaller roles that might sound familiar as well. One of these is the news reporter Onya Doorstep, who was voiced by Diane Morgan. Morgan is known for her comedy character, Philomena Cunk, who first appeared on Charlie Brooker’s Weekly Wipe (2013-20) before having a couple of spin-off specials. Morgan also starred as Liz in the sitcom Motherland (2016-22), and writes and stars in the comedy series Mandy (2019-present). The other news reader in this movie is Anton Deck – a play-on words of Ant & Dec, a famous British presenting duo who receive a mention in the Special Thanks portion of the credits, presumably for use of their name – who was voiced by Muzz Khan. Khan was cast as Adyan Khan in Series 5 of Brassic (2019-present).

Following on from that, we also have Adjoa Andoh who voiced the Judge here. Currently, Andoh appears as Lady Agatha Danbury in the Netflix series Bridgerton (2020-present), and appeared in the recurring role of Francine Jones in Doctor Who (2005-present) in the Tenth Doctor’s series. Sir Lenny Henry voiced the part of Mr. Convenience here. Henry previously voiced the character of Peg-Leg Hasting in Aardman’s The Pirates! In An Adventure with Scientists (2012). Recently, Henry appeared as Sadoc Burrows in the Amazon Prime series The Lord of the Rings: The Rings of Power (2022-present) and wrote the drama television series Three Little Birds (2023) which aired on ITV.

MUSIC

The Wallace & Gromit theme tune is hugely recognisable to the majority of Brits, and should be to other fans of Wallace & Gromit as it features in every one of their television specials and big screen movies. I also remember hearing this tune a lot at after-school music clubs; I know my parents suffered through renditions of this theme by amateur brass bands at the club concerts I was involved in.

So, obviously, it would feature again in the opening credits of Wallace & Gromit: Vengeance Most Fowl. I love this theme; it’s a bouncy sort of tune, and instantly makes me smile. It was written by Julian Nott. Nott had previously written the music for all five preceding Wallace & Gromit adventures, winning an Annie Award for Best Music in an Animated Feature for the soundtrack of The Curse of the Were-Rabbit. He is also the composer for the animated series Peppa Pig (2004-present) amongst other credits.

An original song was also written for Vengeance Most Fowl, and that is “Gnome Working Song”, with lyrics from Mark Burton, co-writer of the movie, and music from Julian Nott and Lorne Balfe, performed by Reece Shearsmith as Norbot. It’s probably supposed to make you think of the dwarfs singing in Snow White and the Seven Dwarfs (1937) and it certainly does; it’s basically an Aardman version of “Heigh-Ho”, except we know these gnomes are actually evil at this point in time, which just makes it funnier.

The score for Vengeance Most Fowl was produced by Lorne Balfe and Jeremy Earnest. Balfe has most recently composed the music for Mission: Impossible – Fallout (2018); Dead Reckoning Part One (2023); and The Final Reckoning (2025). Balfe also composed the music for these recent movies: Tetris (2023); Gran Turismo (2023); and Bad Boys: Ride or Die (2024). Earnest also worked on the music for Bad Boys: Ride or Die, as well as the Netflix film Carry-On (2024).

There are some other pieces of music that are not unique to Vengeance Most Fowl. For example, “Toccata and Fugue in D Minor” composed by Bach can be heard briefly as Feathers plays the tune on the pipe organ that exists within the submarine – because no submarine is complete without one. This music also shows that Feathers is back to his full villainous self again. Another small excerpt of classical musical is played as Gromit settles down to read his book before going to sleep, just before Norbot comes in to recharge himself. The piece playing on the radio is “By the Sleepy Lagoon”, which was written by Eric Coates, performed by Slovak Radio Symphony Orchestra.

You can also hear “Brahms’ Lullaby”, composed by Brahms, which is played by one of the evil gnomes on the harp as they set about sending Wallace into a deep sleep so they can continue their evil scheme to help Feathers McGraw. The performance is actually credited to the Budapest Scoring Orchestra. Finally, a snippet of “Born Free”, written by John Barry and Don Black, and performed by Matt Monroe, plays as Feathers and the evil gnomes flee from Wallace and Gromit’s house with the Blue Diamond.

PRODUCTION

Aardman Animations are known for their work in clay animation, or Claymation, a type of stop-motion technique, meaning that clay models are physically moved and then photographed, with the majority of Aardman’s work having been made in this format.

Aardman began in the 1970s in Bristol, founded by David Sproxton and Peter Lord. The company began making small animated movies. One of their biggest break-out moments was in the series Vision On, where their involvement in the series consisted of clay animated segments and an incompetent superhero by the name of Aard-man, hence the company’s name. From here, Aardman made one of their most popular Claymation characters, Morph, who was seen interacting with presenter and artist Tony Hart during the children’s television programme Take Hart (1977-1983). Morph later popped up in other similar shows including SMart (1994-2009).

Meanwhile, as Aardman were creating a name for themselves, making short films and advertisements for various companies, a student by the name of Nick Park was working on his own Claymation project, about a British man building a rocket. Park was indeed making A Grand Day Out, the first outing for Wallace and Gromit. But he was quickly running out of money, though he had secured actor Peter Sallis to voice Wallace for only £50. Park invited Sproxton and Lord to visit his studio and they agreed to help Park finish this massive project, moving it to their studio in Bristol. Wallace & Gromit: A Grand Day Out was finally finished around six years after beginning, premiering on 4th November 1989 in Bristol at an animation festival, before coming to British television in 1990.

A Grand Day Out launched Wallace and Gromit and earned Park and Aardman an Oscar nomination for Best Animated Short Film in 1991. It ended up losing to another Nick Park project, Creature Comforts (1989), which saw Claymation animals speaking lines that were recorded from the public. A Grand Day Out did, however, win the Best Short Animation award at the BAFTAs in 1990.

After that, Wallace and Gromit were seen again in the short The Wrong Trousers, which debuted on 26th December 1993 on the BBC. It saw Wallace and Gromit renting out a spare room in their house to penguin Feathers McGraw, who would use Wallace to attempt to steal a diamond. This short was an instant success and did win the Academy Award for Best Animated Short Film in 1994. Another Oscar success followed with A Close Shave, which first aired on 24th December 1995. This time, the duo foils a sheep rustling plot. One of the sheep to get a starring role was Shaun the Sheep, who became a household name, getting his own series and movies.

The next Wallace & Gromit episode wouldn’t come for ten years, but this time, they were coming back in their first full-length feature film, Wallace & Gromit: The Curse of the Were-Rabbit (2005). Here, Wallace and Gromit have to save their village from a monster, a were-rabbit. At this point, Wallace and Gromit were hugely popular and this movie proved that by attracting some impressive British actors to voice its cast, including Helena Bonham Carter and Ralph Fiennes. The Curse of the Were-Rabbit premiered in US theatres on 7th October 2005, followed by the UK a week later. This movie won the Academy Award for Best Animated Feature Film, making it the first stop-motion film to win the award.

But that wasn’t all, because just a few short years later, Wallace and Gromit returned to screens again, this time just for a television special: Wallace & Gromit: A Matter of Loaf and Death, where Wallace almost became victim to a murderess’ evil plot to murder bakers. This time, the short film did not win the Oscar, but did win a BAFTA and Annie Award. It first aired in the UK on 25th December 2008 on BBC One[3].

And then, we waited. And waited. And waited for the next instalment of Wallace & Gromit adventures to come to our screens again. In 2017, fans feared the worst, that Wallace & Gromit would not return due to the fact that beloved voice actor of Wallace, Peter Sallis, had passed away. This did not signal a bright future for the duo.

However, in January 2022, an announcement was made. Wallace and Gromit would be back on our screens. But in what form? A 30-minute television special? A full-length movie? What was it going to be? Well, it turns out it was going to be a full-length movie, making this the first Wallace & Gromit movie to be made under Aardman’s 2019 deal with Netflix. Aardman had initially worked with DreamWorks in the 2000s, but there was a culture clash at times between Aardman wanting to keep their Britishness, and DreamWorks wanting the movies to appeal more to American children. Under Netflix, Aardman had also made Chicken Run: Dawn of the Nugget (2023). With Wallace & Gromit, you might think that Netflix would’ve wanted the Britishness toned down in Vengeance Most Fowl, but that turned out not to be the case. There was no “US-friendly” version of the movie made, with Aardman accepting that not everyone globally would understand the jokes every time.

The idea for Wallace & Gromit: Vengeance Most Fowl was initially developed soon after The Curse of the Were-Rabbit, in that the plot could revolve around a smart gnome. It was decided that this would be a 30-minute television special, however, once the story had been fleshed out, with the technology going wrong and the opportunity for Feathers McGraw to make a comeback, it became clear that this story was going to be too big for only a short film and that it would need to be a feature film[4].

Aardman pride themselves on continuing to use Claymation as their primary medium within their film-making, so, much like the original 1989 A Grand Day Out, Vengeance Most Fowl also uses clay puppets. However, nowadays, Aardman use a mixture of silicone and clay models. The silicone is unalterable once cast unlike the clay models, however, some shots are fine for silicone models, which can speed up the process. Clay is still the best medium for expressiveness, so the hands and faces of the characters are always made from clay[5]. Stop motion requires a lot of patience and dedication to the craft. I, for example, would not have the discipline needed to make a stop-motion movie. I’d get frustrated at seemingly not making progress and I don’t have the artistic ability to make anything out of clay either, so I will never get a job at Aardman. The animators that work on projects like this only manage to get a few seconds of footage during a week’s worth of work. To be able to make these models talk, to fit recorded dialogue; have them do the most basic of movements; let alone have them blink, breathe, and do all the normal things that humans and animals do without thinking, all with just clay and a camera is just amazing.

Production on Vengeance Most Fowl took around fifteen months, which means they had a huge team at Aardman Animations working on this. Lots of clay was needed too, but a shock was about to come, as the factory who supplied modelling clay to Aardman suddenly shut down in March 2023. This had people worried that Aardman wouldn’t be able to finish Vengeance Most Fowl – no more clay, no more Wallace & Gromit, right? Well, no, obviously not. Aardman simply got enough clay from their supplier to finish the movie before the factory closed for good. And they have vowed to find a new supplier so they can continue other Aardman projects. So, calm down. Panic over[6].

Vengeance Most Fowl was directed by Nick Park, original creator of Wallace & Gromit, and Merlin Crossingham. Crossingham was an animator at Aardman, working on movies like Chicken Run (2000) and The Curse of the Were-Rabbit (2005), as well as the animated series Creature Comforts (2003) and A Matter of Loaf and Death (2008). He had also directed episodes of Morph (2014-19) and The Epic Adventures of Morph (2020-21). The story was written by Nick Park and Mark Burton, who penned the screenplay. For Aardman, Burton had previously co-written The Curse of the Were-Rabbit; Shaun the Sheep Movie (2015), for which he was also co-director; and A Shaun the Sheep Movie: Farmageddon (2019). Burton also co-wrote the DreamWorks movie Madagascar (2005).

By the summer of 2024, the name of this new Wallace & Gromit movie had been revealed, and the fact that Feathers McGraw would be returning was also revealed. Apparently, many punny names were thought up before settling on Vengeance Most Fowl as the title of this new film. To build excitement for the new release, a teaser trailer was released in October of that year, with more details being shown in the official trailer, released in November. Nick Park and Merlin Crossingham appeared for a live event at the Manchester Animation Festival in November to discuss their new movie.

Getting closer to the festive period, Aardman created three Wallace & Gromit idents – the clips that appear before scheduled programming on television channels – for the BBC, which appeared throughout December. One clip had Wallace and Gromit sat on the sofa with Norbot, all three of them wearing Christmas jumpers. Another showed the trio lighting up a Christmas tree, and the other had them making ice sculptures[7]. The duo even made a surprise appearance during the semi-final of Strictly Come Dancing (2004-present) as that week’s celebrity guests, scheduled to read the show’s voting Terms and Conditions.

There was also a special ident that appeared straight after the credits on Vengeance Most Fowl, which saw Feathers pop up wearing a cloak. I thought this was a teaser for a potential further movie with Feathers due to make his return, but sadly it was not. It was in fact a clever tool to promote The Traitors (2022-present), which was set to air its first episode of Series 3 on 1st January 2025. Since I don’t like The Traitors, once I realised this Feathers ident had nothing to do with more Wallace & Gromit adventures, I rolled my eyes and tutted.

Wallace & Gromit also lit up London’s Battersea Power Station every evening during December 2024, decorating a Christmas tree, with Feathers promptly turning all its lights off. The animation was shot on an iPhone, specifically an iPhone 16 Pro Max. Clearly, this was a promotional thing with Apple.

RECEPTION

Because Wallace & Gromit are quintessentially British characters, it only made sense for the Brits to see this movie first, having it broadcast on BBC One at 6:10pm on Christmas Day 2024. International fans would have to wait until 3rd January 2025 for it to come to Netflix.

In fact, that was not the case. I’m quite disappointed to say that we Brits did not get this movie first. Ignoring the fact it first premiered at the AFI Festival in Los Angeles on 27th October 2024, it made it to Australian cinemas on 19th December, and even received a limited run in the US on 18th December! I call that incredibly unfair…Anyway, I’ll try not to be bitter about that as I move on to the reviews.

Wallace & Gromit being so popular for decades meant that it would be difficult for Vengeance Most Fowl to fail. Sure enough, it did not fail, not by any means.

Some did say that Vengeance Most Fowl was not as good as the previous Wallace & Gromit outings though, with comments saying that it felt too long in places, and that perhaps it would’ve been better for the movie to be an hour or less, instead of its roughly 80-minute runtime. I can agree with this statement, however, Christmas Day can be a strange day, so watching it then when you’re either distracted by family members or still processing the events of the day might mean that it was perhaps too much for some – myself included – to focus on at that specific time.

Others referenced the ambiguous time setting of the movie. I think what some viewers might have been confused by is how Vengeance Most Fowl clearly wanted to relate to our contemporary attitudes – and dare I say, obsession – with technology and innovation. Norbot is a voice-activated gnome after all, and many homes have plenty of voice-activated technology in them these days. Wallace is also seen to have a computer, but it is an older model more suited to the 1980s than present day. Aardman have never claimed that Wallace & Gromit is set in contemporary times, since the fashion, vehicles, etc., within the features would suggest that it is set sometime around the 1960s or 1970s, but really, it’s not meant to be set in any specific time. We’re just supposed to “go with it” and not think too much about it. Time doesn’t really pass in Wallace & Gromit world.

Positive reviews stated that they were pleased that Aardman were still making their movies by hand, and have not passed over stop-motion for computer animation. It was still just as British as we’d all expected too, despite the partnership with Netflix, and many viewers gave plenty of credit to Ben Whitehead for stepping up to voice Wallace. The movie was funny, charming, and the dangers of technology plot point felt relevant. 

For me, it felt comforting to return to Wallace & Gromit again, although The Wrong Trousers was never my favourite Wallace & Gromit episode, so I didn’t have that affinity to Feathers or the story of The Wrong Trousers as others did. I like the waking up montage that exists in Wallace & Gromit with all the inventions, and it was nice to see that those had been expanded on in Vengeance Most Fowl, like the new waterslide. I found the Norbot charging bit to be the funniest moment of the movie. I also liked how there was a random bagpiping gnome ready to greet Feathers at the zoo, who Feathers then punched in the face. Come on, gnome, does Feathers look like he likes bagpipes? Vengeance Most Fowl was as funny as any other Wallace & Gromit episode, though the storyline did seem more perilous and less light-hearted than others. I did not enjoy seeing Gromit almost die, although it was nice to see him saved by the gnomes, kind of like how Paddington is saved at the end of Paddington 2 (2017) by his fellow escapee prisoners. Both moments made me cry.

These movies are known for their nods and references to other movies. A noticeable one is at the end of the chase scene, as the narrowboat is teetering over the edge of the aqueduct. This is a nod to the ending of The Italian Job (1969) as their van teeters over the edge of a mountain road. You can also see a reference to James Bond during the scene of Feathers being rescued from the zoo, as he sits stroking a white seal whilst seating on a swivel chair. This parodies Bond villain Blofeld and his white Persian cat. The Matrix (1999) might have been referenced too during the reprogramming of Norbot. Aardman also reference A Grand Day Out, their own work, during Vengeance Most Fowl, in the security question that Feathers must answer when trying to remotely access Wallace’s computer. It shows four pictures and the question asks that any pictures with cheese are selected. One of these is a picture of the moon, which Wallace believes is made of cheese, as per the A Grand Day Out short film.

There are also multiple puns or wordplay within Vengeance Most Fowl. One is a magazine called “Gardens of the Galaxy”, a reference to Guardians of the Galaxy (2014). Another is that Feathers’ escape boat is called “The Accrington Queen”, a reference to the movie The African Queen (1951). Mackintosh’s boat is called “Dun-Nickin’”, as in “done nicking”, since he’s retired from the police and will no longer be chasing criminals. There are many more Easter eggs to spot during Vengeance Most Fowl.

During the 2025 “award season”, Vengeance Most Fowl was nominated for Best Animated Movie at the Golden Globes alongside five others, including Disney’s Moana 2 and Pixar’s Inside Out 2. Actually, none of these movies won. The winner was Flow, an independent movie directed by Latvian filmmaker Gints Zilbalodis. Vengeance Most Fowl was nominated for Best Animated Feature at the Oscars, but also lost out to Flow. Vengeance Most Fowl was also nominated for Best Animated Movie at the Critics’ Choice and the Annie Awards. Vengeance Most Fowl was nominated for other Annie Awards too, including for Directing, Music, Character Animation, Animated Effects, Editing, and Production Design. However, it lost out to DreamWorks’ The Wild Robot in all categories.

However, Vengeance Most Fowl has won the Best Animated Feature award at the Capri Hollywood International Film Festival and the Satellite Award for Best Motion Picture – Animated or Mixed Media. Wallace & Gromit: Vengeance Most Fowl was also nominated at the BAFTA Awards in three separate categories: Outstanding British Film; Best Animated Film; and Best Children’s & Family Film, a new category for 2025. At the BAFTA Film Awards, Wallace & Gromit: Vengeance Most Fowl won the awards for Best Children’s & Family Film and Best Animated Film. It lost out on Outstanding British Film to Conclave (2025); it would’ve been quite a feat to win in all three categories!

But awards are not everything, though it may feel like. Vengeance Most Fowl currently holds a 100% Certified Fresh rating on Rotten Tomatoes from the critics’ reviews. This movie also allowed us to return to Wallace & Gromit after more than a decade. This was a welcomed return for the duo.

In terms of British viewing figures, Wallace & Gromit: Vengeance Most Fowl attracted 9.4 million viewers in the “overnight” television ratings of 25th December 2024, making it the second most-watched Christmas Day show on television. It was beaten out to the top spot by Gavin and Stacey (2007-24) which aired its final ever episode later that day. It was tough competition for Wallace & Gromit to be up against, but second place is still pretty good[8].

After a week of being available on catch-up, the viewing figures for Vengeance Most Fowl grew to a total of just under 16.3 million[9]. It is not currently known how well Vengeance Most Fowl has done during its first week on Netflix.

LEGACY

To recap, the Wallace & Gromit franchise consists of four television specials, and one feature-length movie prior to the release of Vengeance Most Fowl. These are A Grand Day Out (1989); The Wrong Trousers (1993); A Close Shave (1995); A Matter of Loaf and Death (2008); and The Curse of the Were-Rabbit (2005).

There were also two spin-off television series. These were Wallace and Gromit’s Cracking Contraptions (2002) and Wallace and Gromit’s World of Invention (2010). Numerous video games, comic books, and graphic novels have also been developed involving the pair over the years.

In 2013, the first-ever Wallace & Gromit theme park ride opened at Blackpool Pleasure Beach. Called the Thrill-O-Matic, this is an indoor dark ride where guests ride around in ride vehicles shaped like giant slippers. As part of the concert series The BBC Proms, in 2012, Wallace & Gromit’s Musical Marvels was performed live at the Royal Albert Hall on 29th July. This performance later became a touring show in 2013. In 2019, it returned as Wallace & Gromit: In Concert and toured the UK as part of the Wallace & Gromit 30th anniversary year. It later went international, touring countries such as Japan, Australia, and New Zealand. For the 30th anniversary of the pair in 2019, the Royal Mint developed a commemorative coin and held a small exhibition at their visitor centre in Pontyclun, Wales.

Wallace, Gromit, and Shaun the Sheep started to appear on P&O Cruises from the summer of 2022, before other events and attractions popped up over the UK. In November 2022, the launch of the first-ever Wallace & Gromit-themed escape room happened in Bristol and ran until April 2023. In Summer 2023, another concert was held called Wallace & Gromit: The Wrong Trousers – Live! which was a special screening of the television special with a live brass band accompaniment. This was to celebrate the 30th anniversary of The Wrong Trousers.

In Bristol’s Cabot Circus for the festive season in 2024, there was an experience held there called Wallace & Gromit: A Cracking Christmas Experience, where visitors had to help Wallace save Christmas by completing different challenges[10].

Directly related to Vengeance Most Fowl are a series of Funko POP figures that are available to purchase. There are four figures available: Norbot, Wallace, Gromit, and Feathers. Other merchandise, such as clothing and tote bags, have also been on sale since Summer 2024. A novel of the movie’s story and a book about the art of the movie have also been created.  

FINAL THOUGHTS

Wallace & Gromit is ingrained in British culture. Not a Bank Holiday, a Christmas season, or even Easter goes by without the Wallace & Gromit specials being aired on British television.

Wallace & Gromit is perhaps not as well-known to those in the US. I feel like Chicken Run (2000) is Aardman’s most popular property over there, perhaps due to the partnership they had with DreamWorks Animation at the time.

But us here in the UK couldn’t care less if America like Wallace & Gromit or not, because we do. They are national treasures who are cherished by the people of Britain. We can’t get enough of them, as was evident by how many people couldn’t wait to see Vengeance Most Fowl on Christmas Day 2024. 

Unfortunately, Netflix may just care if America like Vengeance Most Fowl. It is not yet clear how well this movie has done internationally over on the streaming platform. However, Aardman have promised us more from Wallace & Gromit.

We either have to hope that international Netflix subscribers turn up to watch Vengeance Most Fowl, or just believe that Aardman are as unashamedly British as Wallace & Gromit and that they will make more adventures with the duo, with or without an international partner.


REFERENCES

[1] Credit: Lizo Mzimba, ‘Wallace & Gromit without Peter Sallis is ‘emotional’ says Nick Park’, BBC.co.uk, 23rd December 2024.

[2] Credit: Aardman Animations, A Grand Night In: The Story of Aardman (2015).

[3] Credit: Aardman Animations, A Grand Night In: The Story of Aardman (2015).

[4] Credit: Scott Roxborough, ‘Nick Park and Merlin Crossingham on the Return of Wallace and Gromit in New Netflix Film ‘Vengeance Most Fowl’’, HollywoodReporter.com, 27th October 2024.

[5] Credit: Ryan Fleming, ‘Behind The Scenes On ‘Wallace & Gromit: Vengeance Most Fowl’: A Look At The Stop Motion Process At Aardman Animations’, Deadline.com, 22nd November 2024.

[6] Credit: David Opie, ‘Wallace & Gromit: Vengeance Most Fowl review – Britain’s premier stop-motion heroes are better than ever in new rematch with Feathers McGraw’, RadioTimes.com, 27th October 2024.

[7] Credit: BBC, ‘BBC unveils exclusive Wallace & Gromit themed Christmas idents’, BBC.co.uk, 30th November 2024.

[8] Credit: Lizo Mzimba, ‘Gavin and Stacey tops Christmas Day TV ratings’, BBC.co.uk, 26th December 2024.

[9] Credit: Lizo Mzimba, ;Gavin & Stacey attracts 19.1 million viewers’, BBC.co.uk, 6th January 2025.

[10] Credit: Aardman, ‘Attractions & Live Experiences’, Aardman.com, no date.