Upside-Down Magic (2020)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

Fantasy novels have always been popular with adults and children alike.

They give people an opportunity to escape from the mundanity or the stress of real life and enter a new world where those problems don’t matter, paling into insignificance when compared to the troubles of mystical lands.

Within the world of fiction, some major fantasy series from the years include Discworld by Terry Pratchett; The Chronicles of Narnia by C.S. Lewis; Philip Pullman’s His Dark Materials trilogy; and of course, J.K. Rowling’s Harry Potter series. But the fantasy world is always open to new writers, and one new novel to hit the shelves in September 2015 was Upside-Down Magic, the first in a series, which Disney optioned straight away.

There have been other occasions when Disney Channel have made movies based on books, such as Read It and Weep (2006), which was based on the novel How My Private, Personal Journal Became a Bestseller by Julia DeVillers, and Twitches (2005), which was based on the T*Witches book series, by H.B. Gilmour and Randi Reisfeld.

Using a novel as a basis for a movie is a good way of introducing books to younger audiences, because, if they enjoyed the film, they may want to read the book it was based on. Or it gives the book’s fanbase a new way of enjoying their series. Since the first book in the Upside-Down Magic series had been published five years prior to the release of the movie, Disney Channel were probably hoping that the readers of the books would be excited by the making of this movie. 

I wasn’t expecting much when I watched Upside-Down Magic, and I certainly was not looking forward to it. I thought I’d find it boring and childish, and, since I’d never heard of this film or the book series it is based on, I couldn’t imagine that it was any good. In actual fact, I did quite like Upside-Down Magic, despite not being the target demographic. It was a good mix of fantasy, mystery, and coming-of-age drama, although it missed the mark with others, who felt it resembled a certain series a little too much. 

PLOT

Upside-Down Magic begins with the main character, Nory, saying how her mother used to tell her that everyone has their “something”: a talent. Nory’s mother died when she was only seven-years-old. At this age, Nory discovered she had magical talents after turning into a cat one afternoon just by looking at it through a window.

Six years later, Nory is preparing to go to Sage Academy to learn all about magic. She is luckily going with her best friend Reina, who has fire magic. Nory is incredibly excited about going to Sage Academy, but Reina is nervous about it. Nory tells her it’s all going to be great and that Reina’s magic is amazing. Nory, on the other hand, struggles to control her magic and shapeshifts into strange hybrid animals.

Nory and Reina go to the bus stop to get to their new boarding school. Many other magical kids are waiting too. Here, we learn that Nory’s mother was a student at Sage Academy. Suddenly, a random guy comes out of the bushes and sends the parents away, saying he is there to take the children to the school. Because that’s not weird at all when you’re going to magic school, I guess. The grumpy guy escorts the kids through the forest, telling them not to use magic on the way. Soon, they arrive at a mess of twisted branches with a hole in the middle. This is apparently the entrance to the school, but there seems to be nothing beyond it. The moody guide walks through the gap – and disappears. Nory and Reina hold hands, take a deep breath, and step through too, arriving at a beautiful school.

At Orientation, the children meet their headmistress, Ms. Knightslinger. She tells them that Sage Academy consists of five different “schools” based on different types of magic: “Fuzzies” are those who can communicate with animals; “Flickers” are those with telekinesis; “Flares” have fire magic; “Flyers” can fly, of course; and “Fluxers” transform into animals. Each one of them must go through a placement test to see if they are talented enough to be placed into the Honours Programme for their type of magic.

For the Flares, students must light a candle from six feet away. The Fuzzies must answer questions about a dog. Flickers have to bring a vase towards them. Flyers are instructed to fly three feet in the air, hover, and then land. Fluxers must turn themselves into a tabby cat, hold the form for six seconds, and return to normal. Throughout the placement tests, there are a mixture of performances. For example, in the Flares test, Reina does perfectly but a student called Elliot can only create smoke. In the Flickers’ exam, a girl called Pepper can only push the vase away from her, not bring it to her. In the flying test, a boy called Andres flies up too high and gets stuck on the ceiling. And then, there’s Nory, who transforms into a cat briefly – but then transforms into a cat with dragon wings…

In the quad, each student is given their results on a card. Nory and Reina look at theirs together. Reina has been admitted into the Flares Honours classes, but Nory’s card simply says “UDM”. As the other students head off to get their uniform, Nory is pointed towards the forest and follows the signs to “UDM”. Her new “school” is situated in an underground cave and is led by the grumpy man who took them to the school, Mr. Skriff. He is both the school’s groundskeeper and the teacher of the UDM programme. Nory sees she is joined by Elliot, Pepper, and Andres. Mr. Skriff tells them that these four are here because they have what is called “upside-down magic”, basically meaning their magic is defective so there is no place for them at Sage Academy as they cannot do magic “the Sage Way”. In the UDM programme, they will not be learning magic, but will be doing real school work or other tasks around the grounds as they wait for their magic to disappear.

As Nory protests against this, Ms. Knightslinger arrives to tell them that they are unteachable and their magic is of no use to the world. Nory asks why they can’t be given a chance to correct their magic. Ms. Knightslinger tells them about a former Flares student called Reginald from Sage Academy in 1939. He had upside-down magic and was soon a target of “Shadow Magic”, a type of magic that consumes someone and is difficult to defeat because of its darkness. Ms. Knightslinger says that those with upside-down magic are the targets for Shadow Magic, so they are separated from the others to both protect the world and themselves from this possibility. Nory is devastated.

Meanwhile, Reina in Honours Flares class is told that she must continue to be great or risk being demoted to Basic Flares class. Her teacher, Professor Argon, also tells the class about Founders’ Day, where the best student from each magical school is given the opportunity to present their magic at a ceremony. To decide who that is, the two top students from each school of magic compete against each other in the Sage Match. Reina is nervous, especially without Nory there to boost her confidence, but gives her first lesson a go: popping corn. Reina does well, until she hears a scoff from a kid in her class, which distracts her so she then burns the corn. Professor Argon warns her she’ll need to do better than that.

Nory is sad to be separated from Reina, especially as she learns that the UDM students have to clean the school with Mr. Skriff. As Nory is sweeping, she stumbles upon a Fluxer lesson, where she hears about the Sage Match and Founders’ Day. Nory is determined to fix her magic by the day of the Sage Match, so she walks into the Fluxer lesson and tries to transform herself into a cat. It doesn’t work and she instead becomes a strange mix of an elephant and a bird. Mr. Skriff rushes over to calm Nory down so she can turn back to normal. He escorts her away, reiterating that the rules are there to protect her.

Throughout the days that follow, the UDM students learn that they are being segregated from the other students, so Nory and Reina cannot talk often. Reina continues to struggle with the pressure of the Flares programme, whilst Nory, with help from her fellow UDM classmates, tries to control her magic in secret, ready for the Sage Match. After a particularly difficult class for Reina, she bumps into a girl who tells her that she is much more powerful than Philip, the top student in Reina’s class. This girl is called Chandra who tells Reina to come find her if she wants help harnessing her power. Hmm, how cryptic… Nory then gets to talk to Reina briefly, where they both lie that they are having a great time at Sage Academy. Reina later heads to the library where a book on Shadow Magic appears to her. Scared by this book, which seems to follow her, Reina runs away. But the book appears in her room later that day, as she practises her corn popping. The book automatically opens to a page called “Manifesting Your Untapped Power”. Before Reina knows what’s happening, the Shadow Magic engulfs her.

At the Sage Match the next day, Reina easily beats Philip in the Flares test and is the winner; she will now get to present her magic at Founders’ Day. Now, it’s Nory’s turn, who has gate-crashed the event. Nory seems to be doing well turning herself into a cat, but she struggles to keep the form and morphs into a mix of a cat and dragon, a “dritten”, once again. Reina tries to make a “sparkle fireball”, Nory’s favourite type of magic, to calm her, but something goes wrong and the fireball strikes Nory. She falls and returns to normal. Reina apologises to Nory for hurting her, not knowing why her magic seems so strong.

Mr. Skriff and the UDM students arrive at the Sage Match to get Nory back to class. Ms. Knightslinger threatens Mr. Skriff with dismissal from his job if he can’t control his students, saying the UDM class is now banned from attending Founders’ Day. Annoyed at his mistreatment by the headmistress, Mr. Skriff tells the kids that he is just like them. He is a Fuzzy, but instead of talking to animals, he can only sing to them. He no longer wants to be a part of the UDM programme, as it makes kids feel bad for being different, so Mr. Skriff vows to teach them how to do magic the “UDM Way”, not the “Sage Way. But before doing this, Nory goes to Reina to talk to her about her uncontrollable magic. The Shadow Magic reappears to Reina in her room, and she tells Nory to leave. Hurt, she does and throws herself into UDM lessons.

During these lessons, Mr. Skriff helps Nory by getting her to visualise different hybrid animals and tells her to make them into topiaries. Now, she’ll be able to morph into any strange creature she wants. For Andres and his flying, Mr. Skriff ties a hosepipe to him to see how high he can fly. He can fly above the treetops, but the real issue is how quickly he launches off the ground; this is something Andres learns to control. Pepper is taught how to use her “push” ability by clearing leaves from the forest, whilst Elliot’s smoke power comes in handy for getting rid of bees’ nests.

The night before Founders’ Day, Reina is annoyed that Chandra has turned up again, telling her about the wonders of Shadow Magic. She shouts at Chandra to leave her alone, which concerns the other Flares who think Reina is talking to herself as they cannot see anyone near her. Reina runs into the school but Chandra follows her, telling her that she is even more powerful than Reginald, the previous Sage student who gave in to Shadow Magic. Reina accepts the magic just as Nory comes in to the room. Nory tells Mr. Skriff about Reina and they decide the Shadow Magic is waiting until the right moment; it’s waiting until Founders’ Day so it can cause the most amount of chaos.

At Founders’ Day, sure enough, during the presentation of the talents, Reina starts to create a fireball, which consumes her and becomes a huge shadow figure. Ms. Knightslinger is horrified to find that a student with “normal” magic could’ve been taken in by Shadow Magic. The Sage students are ordered by their teachers to collectively use their magic to stop it. The Flares try launching fireballs at it; the Fuzzies get birds to attack; the Fluxers are…useless, turning into farmyard animals and cats; the Flyers cannot launch off the ground; and the Flickers manage to tear the shadow figure into four, making it worse.

The UDM kids then burst in to the ceremony to use their magic instead. Pepper uses her “push” ability to push the four shadow figures back into one. Elliot then uses his smoke ability and Andres flies up to it. These two abilities confuse the shadow who begins to twist as it tries to catch Andres. Nory then transforms into her “dritten”, the cat-dragon hybrid, and flies around, twisting the shadow further and making it fall to the ground. The Flare students are about to launch a fireball to destroy the shadow, but Nory shields the shadow. Mr. Skriff tells the teachers to remember that the shadow is still Reina. Nory is given the chance to plead with Reina to fight the Shadow Magic. Reina begins to form her sparkle fireball, pushing against the force of the Shadow Magic. She manages to create and launch it, destroying the shadow once and for all. Reina is alright and her and Nory reunite.

After this event, Sage Academy has learnt to accept UDM kids, discontinuing the programme and letting them join normal lessons with the other students, meaning that Nory, Pepper, Elliot, and Andres are accepted for their different abilities in their respective schools at last. Mr. Skriff has even become a teacher for the Fuzzies. There is no “Sage Way” anymore. But there is one final thing. The Shadow Book is revealed to still be in the library, showing that it still remains. Will any student be safe from it?

CHARACTERS & CAST

Nory is the main character of Upside-Down Magic, being a Fluxer at Sage Academy, as she can transform into animals. However, she knows before she even gets to school that her magic is not quite right, as her animal transformations are not regular animals. Because of this she is labelled as having “upside-down magic”. All Nory wants to do is to be accepted at Sage Academy so she does everything in her power to fix her magic, but it doesn’t work. Those with “upside-down magic” can never be “normal”; they have to accept that and work on the type of magic they do have. Nory is a very upbeat, optimistic character, who doesn’t wallow in self-pity when she learns the school of her dreams wants her to lose her magic forever. Instead, Nory gets the other UDM kids to believe that they are worthy of the school and their magic, and that together, they can prove they are valuable.

Izabela Rose was cast as Nory, this being her breakout role. Rose was later cast as Quinn in The Curious Case of Dolphin Bay (2022), which is sort of a DCOM, sort of not, as it was another co-production with Disney Channel. After Upside-Down Magic, Rose also appeared as Young Jess in the Disney Channel series Secrets of Sulphur Springs (2021-23).

Reina is Nory’s best friend and she is part of the Honours Flares programme at Sage Academy. Reina is nowhere near as confident as Nory, needing Nory to boost her self-esteem before they even get to Sage Academy. Reina had nothing to worry about though as her fire magic is considered to be one of the best. However, without Nory, Reina lets self-doubt and other students’ abilities get in her head so she starts to struggle in her classes. That is why she becomes a target for Shadow Magic, because she thinks she needs it to be great and the Shadow Magic is only too happy to make Reina think that. Thanks to Nory, Reina manages to fight against the Shadow Magic. Hopefully after that event, Reina has learnt to have more self-confidence because it’s not Nory’s job to talk her up every day.

Reina was played by Siena Agudong. Agudong had previously appeared in the recurring role of Natlee in the Nickelodeon series Nicky, Ricky, Dicky & Dawn (2014-18), as well as playing the title character of Nick in the Netflix series No Good Nick (2019). After Upside-Down Magic, Agudong went on to appear as Young Billie Wesker in the Netflix series Resident Evil (2022) and as Melody in The 4:30 Movie (2024).

Elliot is another Flare, like Reina, except he has never been able to conjure fire. Instead, Elliot only conjures smoke, which is seen as completely useless to the Sage teachers. Elliot is the joker of the UDM class; despite clearly not liking the fact he has been confined to a basement for his schooling at Sage Academy. Like the other UDM students, Elliot learns that making smoke can have its uses. Elliot was played by Elie Samouhi, who had previously played Chewy in the Netflix series Team Kaylie (2019-20) and was also cast as Rodney in Season 3 of Disney Channel’s Bizaardvark (2016-19).

Pepper is a Flicker, except she can’t use her powers to bring anything towards her, only away from her. To be honest, although I understand how this doesn’t fit the “Sage Way”, I don’t quite understand why anyone with telekinesis would only want to bring things towards them. Surely, the Flickers should be able to both push and pull things? I also didn’t even realise this was a problem during Pepper’s placement test. I thought she just lacked discipline and decided to throw the vase at the teachers in protest against the discriminatory aspect of the placement test. Obviously not! Pepper is still the rebellious one in UDM class though. She was played by Alison Fernandez, who had previously played Lucy Mills in Season 7 of the ABC series Once Upon a Time (2011-18). She also appeared in the Netflix Team Kaylie (2019-20) as the character Amber.

The final UDM student to mention is Andres who is a Flyer, however, he has become so scared of his flying abilities, that he can’t control, that he wears a backpack filled with bricks to keep him on the ground at all times. Thanks to Mr. Skriff, Andres does manage to control this and should be seen as superior to the other flyers who can’t fly anywhere near as high. Andres is quite shy at the start of Upside-Down Magic, not wanting to talk to Nory when she tries to on their walk to the school at the start of the film, but comes out of his shell as he gets to know the UDM students. Max Torina was cast as Andres, who appeared as Ramon in the Disney Channel series Raven’s Home (2017-23).

Chandra, the personification of Shadow Magic, lurks the halls of Sage Academy, looking for opportunities to talk to Reina. The Shadow Magic has obviously picked Reina for her strong magical ability and lack of confidence, making her the prime target. Chandra is a necessary character, as Reina is not making friends at Sage Academy. If Chandra can make Reina feel like she is a valuable asset to the school, Chandra will be able to talk her round to accepting the Shadow Magic. Sure enough, this scheme works. Chandra was played byYasmeen Fletcher, who had previously appeared as Kaitlin in the Disney Channel series Andi Mack (2017-19). After Upside-Down Magic, Fletcher was cast as Nakia Bahadir in the Disney+ and Marvel series Ms. Marvel (2022).

Now to the teachers. Mr. Skriff is the groundskeeper and teacher of the UDM programme. Mr. Skriff isn’t a happy teacher, being very matter-of-fact with his role at the school and the fact that UDM kids are not “wanted” there. This is because Mr. Skriff knows this all too well, having been a UDM student himself, but being allowed to work at the school after the UDM programme finished for him. Mr. Skriff did not allow his “Fuzzy” powers to disappear either, practising them in secret. He turns out to be a really great teacher, after he decides to go against Sage Academy’s rules and help out the UDM kids, as his teachings allow the Shadow Magic to be defeated once more. Kyle Howard was cast as Mr. Skriff. Prior to his role in Upside-Down Magic, Howard had previously starredas Oliver Weston in the sitcom Your Family or Mine (2015), as well as being cast as Dr. Paul Van Dyke in the comedy drama Royal Pains (2009-16).

Ms. Knightslinger is the strict headmistress of Sage Academy. She is quite harsh on the UDM students when she is informing them that they are a danger to the world; that they must not practise their magic so that they will cease to be special; and will have to go off into the real world and have normal lives. You’d think you’d want to let the UDM students know about this is a gentle way, but no, Ms. Knightslinger would rather just escort them off the grounds straight away, but with their magic still being “upside-down”, she has to allow them to stay there for the time being. Luckily, after the UDM class take down the Shadow Magic, Ms. Knightslinger comes to her senses and shuts down the UDM programme, making Sage Academy an inclusive place. Ms. Knightslinger was played by Vicki Lewis, who has some history with Disney, having played Dina Reams in the DCOM Den Brother (2010), as well as appearing as Ms. Bitterman in a few episodes of the Disney Channel series Sonny with a Chance (2009-11). Lewis is also the voice of Deb in Finding Nemo (2003) and its sequel Finding Dory (2016).

Finally, we see two other teachers in Upside-Down Magic. One is the Fluxer teacher, Professor Han. Nory walks in on Professor Han’s lesson and tries to get involved, but it all goes terribly wrong. Professor Han seems scared by Nory’s hybrid animals and does nothing to try and calm her down. Professor Han does seem like a kind teacher though, unlike Reina’s teacher, Professor Argon, who is incredibly strict and hard on Reina. The way she talks during those corn popping lessons you’d think Reina was about to be demoted to the Basic Flares programme, but instead, she is picked as the second-best student in the Honours programme. Maybe it’s one of those teacher things where they see you have potential and decide to be very hard on you to make you achieve it, which could go either way depending on the student you’re talking to.

Professor Han was played by Elaine Hao who appeared as Anne Roche in Seasons 2 and 3 of Snowpiercer (2020-24). Professor Argon was played by Cynthia Kaye McWilliams who plays Cathy Montgomery in the dark comedy series Average Joe (2023-present). She had previously been cast in the recurring role of Kacee Franklin in Seasons 1 and 2 of Prison Break (2005-17), and as Trina Shaw in Real Husbands of Hollywood (2013-22).  

MUSIC

Upside-Down Magic is not a musical, therefore, the score is heavily relied on to get across moments of wonder and hope, like during the scenes of Reina and Nory’s arrival at Sage Academy; times of mystery, such as those around the Shadow Magic; and in scenes of peril, for example the big Founders’ Day showdown scene with Reina and her Shadow Magic.

For me, I found the piece of music at this point the best in the whole film, particularly the moment when the UDM student make their grand entrance into the Founders’ Day ceremony and are the ones to defeat the Shadow Magic. This track is named “Shadow Magic Showdown”. The entire score is available on the Upside-Down Magic official soundtrack, which was released on 23rd October 2020.

The score was composed by British composer Tom Howe. Howe is the composer on the popular AppleTV+ series Ted Lasso (2021-present) and has also collaborated with Aardman Animations on the music for a couple of their movies, including A Shaun the Sheep Movie: Farmageddon (2019), and Early Man (2018) with Harry Gregson-Williams. Howe is also the one behind the theme music for The Great British Bake-Off (2010-present).

There was a song that apparently followed the End Credits; however, this is not the case on Disney+. The End Credits simply use a track from the score, so I’m guessing this song only appeared during Disney Channel airings of the movie. It was a cover of the song “Everything’s Magic” by Angels & Airwaves, released in September 2007. It peaked at No. 11 on Billboard’s US Hot Modern Rock Tracks. For Upside-Down Magic, the main cast, Izabela Rosa, Siena Agudong, Alison Fernandez, Max Torina, and Elie Samouhi, all appeared in a music video for this song. This music video was uploaded to the DisneyMusicVEVO YouTube Channel on 31st July 2020, the date of the movie’s premiere. To be honest, after hearing the Angels & Airwaves original version, I much preferred that to the Disney cover of the song; it’s a much more polished performance, but it looks like the cast had fun anyway.

Then, we get to Mr. Skriff’s weird animal songs that come out of nowhere, very loudly and very abruptly. I would say it’s strange but then this is a Disney film; they’ve built a legacy on film characters singing to animals! He sings the first one when he proves to the UDM students that he is one of them, with the animals only coming to him or doing what he says when he sings to them; they don’t do anything if he just talks. Mr. Skriff sings again when Elliot cannot use his smoke powers quickly enough to smoke out the bees from their nest; Skriff sings to the bees to stop them wanting to stinging them and to apologise for ruining their home. Mr. Skriff launches into a quick song during the final scene too, as Nory explains that Mr. Skriff has become a teacher to the Fuzzies. Jeannie Lurie is credited as the creator of the original songs, so I’m assuming this applies to Mr. Skriff’s songs. Lurie has written songs for other DCOMs and Disney productions including some songs within Hannah Montana (2006-11), including “True Friend”; the song “Fearless” in Girl vs. Monster (2012); “You’re My Favourite Song” in Camp Rock 2: The Final Jam (2010); and “Something About the Sunshine” in StarStruck (2010).

The only other song to mention is The DNC’s song “Upside Down”. A brief excerpt is first heard as the movie title is revealed on screen. It returns for the montage of the UDM students perfecting their magic their way.

PRODUCTION

The production for Upside-Down Magic, alongside its cast and crew members, was announced around August 2019, though Disney had optioned the first Upside-Down Magic story for development in 2015. The first book was published in September 2015[1].

Since that first story, the Upside-Down Magic series has spanned eight books, with seven being published by the time the DCOM premiered, becoming a New York Times bestselling series. The books were co-authored by Sarah Mlynowski, Lauren Myracle, and Emily Jenkins. All three had co-authored the Young Adult book How to Be Bad, published in 2008, prior to writing Upside-Down Magic[2]. The Upside-Down Magic series centres on a collection of kids who have magical powers that go awry quite often whilst at school because their magic is “wonky”. They are put in the “Upside-Down Magic” class.

Upside-Down Magic the movie, was filmed in Vancouver during the summer of 2019, with one of the filming locations being Shawnigan Lake School, a boarding school on Vancouver Island, in British Columbia, Canada. Many of the campus buildings were turned into Sage Academy for the movie, including their chapel, library, and quad, as well as other school buildings. There were even opportunities for some of the actual school’s students to be extras in the film[3].

The rest of Upside-Down Magic’s scenes mostly take place in the forest surrounding Sage Academy, as this is where the UDM class is based. Director Joe Nussbaum said that they wanted to embrace the organic nature of magic, so most of their magic is based on the elements such as fire for the Flares, air for the Flyers and Flickers, and animals for the Fuzzies and Fluxers. The production designer on the movie, Bill Boes, stated that to match this specification, they could only use natural materials such as bark and wood, and there would be no metals or stainless steel in the production. As a contrast between the elite of Sage Academy, and the wonkiness of the Upside-Down Magic class, Sage Academy has clean, organised, bright classrooms, whereas UDM is housed in an industrial-looking, underground basement in the forest.  

Joe Nussbaum has directed other teen and tween-centric movies such as Sydney White (2007), which starred Amanda Bynes; Sleepover (2004); and the Disney movie Prom (2011). Nussbaum was also one of the executive producers on the Disney Channel series Gabby Duran & the Unsittables (2019-21). He is credited as an executive producer on Upside-Down Magic too, alongside Susan Cartsonis and Suzanne Farwell. Farwell had previously worked with Nancy Meyers on some of her movies, including The Parent Trap (1998); The Holiday (2006); and It’s Complicated (2009) before starting up the production company Resonate Entertainment alongside Cartsonis[4].

The DCOM Upside-Down Magic was written by Nick Pustay and Josh Cagan. Pustay had written the screenplay for Ramona and Beezus (2010) with Laurie Craig prior to his work on Upside-Down Magic. Josh Cagan had written the screenplay for the teen comedy movie The DUFF (2015) and co-written the live-action DCOM Kim Possible (2019). He went on to work on the DCOMs Spin (2021) and Under Wraps 2 (2022).

Upside-Down Magic features more Special Effects than most television movies because of all the magic effects. The actors liked working with the Special Effects team on their characters’ magical abilities, being given sketches and help from the stunt co-ordinators to tell them what was meant to be going on during the scenes, because, in most cases, they weren’t going to be seeing any of these effects in person, although Max Torina did have to be hoisted up by cranes as part of Andres’ flying ability, and Siena Agudong had wires through her clothes and tapes on her hands to produce Reina’s fire magic[5].

RECEPTION

A teaser of Upside-Down Magic was first shown during the premiere of ZOMBIES 2 on Disney Channel on 14th February 2020. It was going to be their next DCOM release after all, so excitement had to build. A full trailer was later released on 18th June 2020, announcing that Upside-Down Magic would premiere on Disney Channel on 31st July 2020.

On its premiere date in the US, Upside-Down Magic is said to have drawn in around 1.3 million viewers. When you consider that High School Musical 2 (2007) got 17.2 million viewers on its debut, remaining the top most-watched DCOM of all time, this looks quite bad for Upside-Down Magic. It certainly sounds negative in comparison, but Disney Channel Original Movies have struggled to reach anything close to those numbers since 2017, when Descendants 2 was released. The top viewed DCOM of 2020 was ZOMBIES 2, with 2.5 million viewers, so compared to that, Upside-Down Magic did not do badly.

Anyway, views aren’t everything, although reviews were mixed for Upside-Down Magic too. On the positive side, some viewers liked the overall message of the movie, about being yourself and not underestimating people, and said the movie had better than expected special effects. The general consensus is Upside-Down Magic is a good movie for children, especially those unfamiliar with Harry Potter.

Anyone who was familiar with Harry Potter though seemed to hate Upside-Down Magic, with the term “rip-off” being used. Although Reina and Nory’s characters were mostly enjoyed, the other characters, both students and teachers, were seen to be quite one-dimensional, with the teachers just being mean and the UDM kids being stereotypical. I don’t agree with that statement particularly, although so much of the story was focused on Nory and Reina that the UDM kids didn’t get much screen-time in total, so we learnt less about them. The teachers were quite cruel to be fair and with little reason why.

But the biggest complaint was just how much Disney had changed the source material when making their film. For one thing, the characters in the original stories attend Upside-Down Magic classes at Dunwiddle Magic School, not Sage Academy. In book seven, released just before the movie, it seems that the characters of the book move to Sage Academy. Whether this was the authors adjusting their story to fit Disney Channel’s movie plot, or if it was Disney getting information about the seventh book prior to writing their screenplay, I don’t know. Another change is that Elliot does not produce smoke when he attempts to conjure fire in the book, but instead makes the fire freeze. Flickers turn objects invisible, and don’t have telekinesis. Pepper in the book is also not a Flicker; she is a Fierce, where animals are scared of her. Other UDM students were omitted from the movie. That is usually necessary in any book-to-film adaptation. Mr. Skriff replaced the character of Ms. Starr, who was Nory’s teacher in the book. Reina was original to the movie[6].

Basing something on known source material is usually a lose-lose situation for anybody, as you’ll get complaints if you stray too much from source material; if you stick too closely to it; or if you cut too much out of it. Having said that, although I have not read the books, looking at the number of changes that were made, I can kind of understand what the readers might have been upset about.

LEGACY

The ending of Upside-Down Magic left the movie open for a sequel, as the Shadow Magic book came back, showing it could target another student.

However, there has not been any talk of a sequel coming from Disney Channel. Some fans have said that they would like an Upside-Down Magic 2, but it’s already been five years since the first movie was released, so it’s looking less and less likely that there will be one. It’s possible this was due to the negative reviews that the movie received, especially those concerning the differences between the DCOM and the book series.

This isn’t the first time a DCOM has suggested a sequel movie that has never come. Just two examples of this are Girl vs. Monster (2012) and Secret Society of Second-Born Royals (2020). For whatever reason, these two movies did not lead to sequels. Upside-Down Magic was not the first DCOM to have an open ending and it won’t be the last. Disney Channel could theoretically revive any of these potential movie franchises, but given the amount of time that has passed, they’d either have to re-cast all the characters or set it however many years in the future, with these kids now being adults. If you liked the movie of Upside-Down Magic but hadn’t read the books though, there are eight of those to enjoy, with seemingly the final book in the series being published in 2021.

One other thing to come out of Upside-Down Magic was the game Magic My Way, which launched on the DisneyNOW app. In the game, you could play mini games based on each of the five magic schools in Sage Academy. The app was discontinued in September 2024; however, the website is still available. DisneyNOW has clips, movies, and full episodes of programming from the channels Disney Channel, Disney Jr., and Disney XD on its website still, even with Disney+ being around.

FINAL THOUGHTS

I had never heard of Upside-Down Magic before this week, and I surprised myself by quite liking it. The story wasn’t particularly unique, I’ll accept that, and even I managed to guess who was going to be the one to succumb to Shadow Magic, which is saying something because normally I’m too absorbed in films to guess ahead, but again, I didn’t care that it was predictable. I think what I liked was the familiarity of the story and setting. 

And yet, Upside-Down Magic opened itself up to negative comparisons between it and the Harry Potter movie franchise that couldn’t be shaken. The Harry Potter books continue to be loved and cherished by readers, and the film franchise opened the world of Hogwarts up to an even larger audience, with some of these viewers never actually having read a Harry Potter book. I’m a big fan of the Harry Potter movies, but I haven’t read the whole series of books.

Anyway, this isn’t about Harry Potter, but the franchise is a good example of how a movie adaptation of a book can launch the story to new heights. I’m assuming this is what Disney Channel hoped to do with Upside-Down Magic, just on a smaller scale.  

 Personally, I didn’t even think of Harry Potter whilst I was watching. Upside-Down Magic was more similar to Disney’s Sky High (2005) for me, with the placement tests and one group of students being considered lesser than the others, i.e., the heroes and the sidekicks, but the lesser group coming to save the day against all expectations.

Upside-Down Magic might have hoped to be the Harry Potter of its generation, but it did not happen that way. Despite its message about being true to yourself and not letting anyone tell you you’re aren’t worthy, Upside-Down Magic as a film did not live up to expectations and was not able to differentiate itself in a market full of fantasy series.

That’s the way it goes in the entertainment industry sometimes and proves that making a movie or series based on a well-known novel is just as risky as going with a completely original story.


REFERENCES

[1] Credit: Denise Petski, ‘Disney Channel Sets Cast For ‘Upside-Down Magic’ Movie As Production Begins’, Deadline.com, 19th August 2019.

[2] Credit: Broome Shearouse, ‘Meet the co-authors of Upside-Down Magic’, OomScholasticBlog.com, 29th September 2015.

[3] Credit: Shawnigan Lake School, ‘Disney Magic’, Shawnigan.ca, 29th July 2020.

[4] Credit: Alexandra Whyte, ‘From Nancy Meyers flicks to turning Disney Channel upside down’, KidScreen.com, 20th July 2020.

[5] Credit: Disney, ‘Inside the Magic I Upside-Down Magic I Disney Channel’, Disney Channel YouTube Channel, 2nd August 2020.

[6] Credit: Sarah Mlynowski, ‘Upside-Down Magic’, SarahM.com, no date.

#10 Up (2009)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

2009 saw the release of Pixar’s tenth feature film, Up.

It had been quite a ride for the Pixar Studios from their very first movie, Toy Story in 1995, up to this point. In just over a decade, Pixar had securely positioned themselves as one of the best studios in terms of creating family-friendly, high-quality animated movies.

Within their first ten movies, Pixar had followed the lives of toys, fish, monsters, rats, and even robots, and each time, they were met with critical acclaim. With Up, they were going to do things just a little bit differently, by focusing for once on normal people.

Although there are many human characters within the first ten Pixar movies, they are not normally the focus of the movie, and end up as more of a sidekick – like Linguini in Ratatouille (2007) – or the cause of trouble, such as Boo in Monsters, Inc. (2001). The Incredibles did come along in 2004, but that was about superheroes, not ordinary humans. Up was going to be all about human emotion and human connection, being much more relevant to real life experiences than anything Pixar had done before.

By the time Up debuted in theatres, it had been three years since The Walt Disney Company had acquired Pixar, but they weren’t done there. Disney were in the midst of purchasing Marvel Entertainment in 2009. In the movie world, Disney Animation were releasing their own movie, The Princess and the Frog, which had been heralded as Disney’s big return to hand-drawn animation[1]. Sadly, it did not exactly pan out that way and The Princess and the Frog was a bit of a disappointment to the company.

But The Walt Disney Company had nothing to worry about when it came to Pixar’s big movie of 2009 because Up was met with widespread praise. Its first ten or fifteen minutes were considered to be a huge movie moment in itself, and the rest did not disappoint. Though praise for Up has cooled since 2009, mostly due to Pixar continuing to hit it out of the park with their more recent films, it still has its fans.

For me, I did like Up when I first watched it at the cinema. However, as the years have gone by, Up is not one that I choose to see. I liked it enough when I re-watched it this week, because it has touching moments as well as some funny characters, but there’s just something about it that doesn’t make me love it. I think it’s the whole sense of adventure and going to lands unknown. That’s just not me, so having Up set in such an unfamiliar place makes me less interested than the more fantastical or even mundane Pixar movie settings.

PLOT

Up begins in a movie theatre, where a small boy is watching a documentary about the explorer Charles Muntz, who went to South America in a dirigible with some dogs and claimed to bring back the skeleton of the Monster of Paradise Falls. It was later discovered to be a fake, so Muntz vowed to only return once he had captured the creature alive, however, he never returned. Still, Muntz was a hero to many, especially this young boy, Carl.

Carl heads home after the movie, but hears a girl shouting from an abandoned house. Carl is intrigued because she is shouting “Adventure is out there”, Muntz’s catchphrase; she must be a fan too. Carl goes in and meets Ellie. She lets Carl join her club for adventurers, even giving him a badge made out of a grape soda bottle top to show his commitment to the club. Ellie says she can help Carl retrieve his blue balloon which he let go of as he entered the house and has floated up to the ceiling. Ellie takes him to the next floor and tells him to walk across a wooden plank over to it, assuring him it is safe. Carl then falls through the ceiling, proving it was not safe. At home with a broken arm, Ellie returns Carl’s balloon by flying it through his bedroom window. She climbs through it too and shows Carl her Adventure Book, saying how she dreams of going to Paradise Falls, just like Muntz. She makes Carl promise he’ll build them a blimp so they can go one day.

Then, we see that Carl and Ellie got married. They bought a house, renovated it, both got jobs at the zoo – Ellie as a zookeeper, Carl as the balloon seller – and then try to start a family. However, it turns out this was not on the cards for them, and they instead try to save up to head to Paradise Falls. But life doesn’t work out that way, and they keep having to use their money to fix broken roofs, replace car tyres, etc. As they approach old age, Carl finally gets enough money to buy them plane tickets there, but as he is about to surprise Ellie with this, she is taken ill and ends up in hospital. Ellie does not recover and sadly dies, leaving Carl with only his memories and their brightly coloured house.

We then see that Carl is still living in the same house, playing out the same daily routine, and yet, everything around him has changed whilst he has stayed the same. I Carl is living in the middle of a huge construction site, refusing to sell his house to the developer. Later that day, a boy called Russell shows up at Carl’s front door. He is part of the Wilderness Explorers troop and wants to gain his “Assisting the Elderly” badge, so offers to help Carl with something. Carl isn’t interested, but Russell won’t leave until Carl comes up with something. Carl claims to have a bird problem in his yard, a made-up bird called a “snipe”. Russell vows to catch the snipe in his yard for him and heads off on his search.

Then, Carl is bothered yet again, by a construction vehicle reversing in front of him. It doesn’t stop in time and accidentally hits Carl’s mailbox. He is furious with all these workers not being careful and damaging his property. As one of the workers tries to help Carl fix the mailbox, Carl becomes angry, tells him not to touch it, and then hits him over the head with his walker, leaving the worker with a bloody gash on his head. Carl runs inside as the rest of the site staff rush over to assist. Carl is later summoned to court where he is ordered to go to Shady Oaks Retirement Village to live out the rest of his days; they’ll collect him tomorrow.

But Carl won’t come quietly. When the people from the retirement village come for him the next morning, Carl gives them his suitcase and says he just wants to say goodbye to the house. However, this was all a trick and as the nurses go to wait for him in their van, suddenly, thousands of balloons pop up behind the house and it is lifted into the air. He can finally fulfil his promise to Ellie and take them over to Paradise Falls – what has he got to lose trying anyway? As Carl settles himself in his armchair, close to his makeshift steering device, he thinks he hears a knock at the door. How can that be; he’s thousands of feet in the air? Carl ignores it, thinking it’s all in his mind. But there it is again. He goes to the door.

And who should be there, but the Wilderness Explorer Russell, who is hanging on to the porch for dear life. He says he was on the porch, chasing a snipe, which may’ve actually been a squirrel, when the house took off. He begs to be let inside. Carl initially refuses, but then relents. Russell runs inside and is soon fascinated by Carl’s floating house. Russell gives the steering a try, much to Carl’s annoyance. Then, Russell just starts talking about everything. Carl doesn’t want to hear that right now, and turns his hearing aid down while he tries to get them down so Russell can get home. But Russell starts waving his arms around, looking scared. They are about to fly right into a storm. Despite Carl’s attempts to steer them away, they are sucked in. Objects in the house start flying all over the place, and Russell is almost thrown out the front door that keeps opening and closing. Carl tries to protect all of his and Ellie’s belongings, but passes out.

Carl wakes up to find them in calmer weather. Russell is just glad he isn’t dead! Russell proudly announces that he steered them through with help from his handy GPS tracker – which he then proceeds to drop from the house. Carl plans to drop Russell at the nearest bus stop, and releases some balloons to decrease the altitude. But they come to a misty area and start to see land much quicker than they expected. The house crashes onto rocky terrain, with Carl and Russell being tossed overboard. Carl hangs onto the house by its hosepipe and almost falls off a cliff. Once the mist clears, Carl sees that they have made it very close to Paradise Falls – just the wrong side of the cliff; Paradise Falls is all the way over on the other side. Him and Russell will have to walk the house over there.

In the jungle, dogs seem to be hunting a bird, but these dogs are different because they have collars that allow them to talk. As they get close to this bird, they hear static – it is Carl’s hearing aid acting up again. Carl and Russell have made it into the jungle and are going on with their trek, despite Russell’s protests about being too tired to walk and how he needs a break. I used to whine just like that about having to walk far! Russell becomes distracted by some tracks on the ground and follows them, believing them to be the snipe. At one point, the tracks stop and Russell snacks on a chocolate bar as he figures out what to do. But the bird starts eating the chocolate. It comes through the bushes and is shown to be a huge, multi-coloured bird. Russell takes the bird over to Carl, who is shocked that his made-up “snipe” actually exists! Russell begs Carl to let him keep the bird, which he has named Kevin. Carl says he can’t, but Russell asks “Ellie”, who Carl keeps talking to, who says he can keep it. Carl can’t be bothered to argue and Kevin follows them anyway.

They get to some more rocks and hear a voice. Carl assumes there must be a human nearby, although he is thrown by the fact this man seems to say “I can smell you”. It turns out Carl was trying to converse with a rock, because no-one can see through the mist. Russell notices all the rocks are funny shapes and points out one that looks like a dog. But this dog is real! He comes over to them and they discover it can talk and his name is Dug. Dug tells Carl and Russell that his collar, built by his master, allows him to talk and that he is looking for a bird. Dug then sees Kevin and asks to take him “as his prisoner”. Carl says he can, but Russell tells Dug to leave Kevin alone.

Carl now has Russell, Kevin, and Dug on this journey and tries his best to ignore them, even trying to lose Kevin and Dug at one point by throwing a piece of chocolate and one of the tennis balls from his walker deep into the jungle – but it doesn’t work. Dug is then contacted by the other dogs, who see that Dug has the bird. They can smell people around here though, and see that Dug is with a “small mailman”. They track Dug to get to them.

Russell tries to set up camp for the night, but becomes frustrated that he can’t put up a tent. Carl is surprised that the Wilderness Explorer “expert” has never been camping. Russell tells Carl that his dad promised to take him camping but he’s busy, working away a lot. Russell says he tries to talk to him on the phone, but that Phyllis says Russell annoys his father too much. Carl is shocked to find Russell calling his mother by her first name, to which Russell responds that Phyllis isn’t his mum; his parents are divorced, or at least separated. Russell says once he gets his new badge, his father will come to the ceremony where he’ll receive it and everything will be great. He then gets Carl to promise they’ll protect Kevin, even telling him to cross his heart, which is something Ellie used to get him to do too…

The next morning, Carl wakes up to see his house’s balloons are drooping, so they need to get moving. Kevin starts calling out into some twisty rocks, where Carl and Russell learn that Kevin is a girl and needs to get back to her babies; she leaves. Shortly after, Carl and Russell – and Dug – are surrounded by dogs. The dogs are angry with Dug for losing the bird, and decide to take Carl and Russell back to their master.

They make it to a cave, where Carl excitedly learns their master is the explorer Charles Muntz! Muntz is tickled by the fact Carl is walking his house to Paradise Falls and invites them in for dinner. There, they see that Muntz has a whole pack of dogs, who work as his staff, cooking and cleaning for him. They are allowed inside Muntz’s airship, the legendary Spirit of Adventure, which doubles as a home and museum for all of Muntz’s achievements. Over dinner, Muntz tells Carl about his need to find the Monster of Paradise Falls and bring it back home, so that nobody will ever call him a liar or a fraud again. Russell sees the skeleton and says it looks just like Kevin. Carl quickly tells Muntz the bird has gone and they don’t know where it is, but Muntz knows they know more than they are letting on. Carl tries to make a quick exit with Russell, but Muntz tells the dogs to chase them.

As Carl and Russell attempt to outrun the dogs, with the floating house still on their backs, Dug tries to slow the dogs down. Kevin returns and throws them all on his back, running through the rocky cliffs to get them to safety. At one point, they reach a gorge. Kevin jumps over it, but Alpha, Muntz’s lead dog, bites Kevin’s leg, injuring her. Alpha is shaken off, and Carl, Russell, Dug, and Kevin make it to the other side. Russell patches up Kevin’s leg, telling Carl they need to get her home.

Muntz is angry with his dogs for losing them, but uses the tracker on Dug’s collar to follow. As Russell, Carl, Dug, and Kevin make it back to Kevin’s home, they find Muntz’s ship right above them. Muntz successfully catches Kevin after setting light to Carl’s home. Carl is too distracted with stopping the fire to save Kevin, and she is taken into the ship. Russell is distraught, but Carl tells him he didn’t ask for anything of this and just needs to get to Paradise Falls. He goes alone, getting his house where it needs to be.

Carl goes into his house and sits in his chair. He looks at Ellie’s Adventure Book, disappointed she couldn’t be here too. Carl then sees pictures in the back of the book he’s never noticed before. It’s pictures of their life together, with a note from Ellie telling him to have a new adventure of his own. Carl knows what he needs to do. Carl tries to speak to Russell, but he goes off to get Kevin, using just a few balloons and a leaf blower. Carl throws all his furniture out of the house so it can float again and he can follow him. Dug knocks on the door and sadly says he was there because he loves Carl. Carl tells Dug to get inside and agrees to be his new master.

Russell gets over to Muntz’s airship but is quickly caught and tied up. Muntz then sees Carl’s house through the window. Muntz puts Russell on the gangway and it starts to open, causing Russell to fall out of the ship. Carl catches him just in time and puts Russell inside the house, telling him to stay there. Carl goes on to Muntz’s ship with Dug. Using the vents, Carl and Dug get to Kevin, who is being guarded by the dogs. Using another tennis ball from his walker, Carl distracts the dogs and shuts the door on them. They alert Muntz. Russell then proceeds to not do as he’s told and falls out of the house, clinging onto the hosepipe to save him, but the house now starts to float away, as the hosepipe was tying the house to Muntz’s ship. Muntz orders his dogs to shoot down the house, as he goes after Carl. The two have a sword fight, and Carl manages to escape after spitting his false teeth into Muntz’s face! Him and Kevin get on to the roof, with Dug being pursued by the dogs. Dug manages to put Alpha in a “cone of shame”, making Dug the new Alpha.

Meanwhile, Muntz has followed Carl and Kevin to the roof. Russell has managed to climb the hose and flies the house towards them. Dug arrives and they all get into the house, but Muntz shoots at the house, causing it to fall. Carl jumps out and tries to save the house and everyone in it from falling. Muntz bashes his way into the house with his shotgun. As Russell, Dug, and Kevin cower in the living room, Carl has an idea; he tells Russell to grab hold of Dug and Kevin. He waves a chocolate bar at them and Kevin jumps through the window to get it. Muntz attempts to follow but his legs get caught in balloons and he falls.

Kevin, Dug, and Russell didn’t make the jump – but they are found dangling on the hosepipe. That hose was attached to the house, and now it is not. Carl watches as his house falls to the ground, knowing he did the right thing. They then reunite Kevin with her babies, and Carl, Russell, Dug, and the other dogs take the airship home.

Back home, Russell is at his badge ceremony, having successfully “assisted the elderly”, but his dad doesn’t show up to pin it on him. Carl arrives to do this instead, but actually gives him the grape soda badge Ellie gave him as a child. Carl says Russell rightfully deserves to have “the Ellie badge”. Although Russell’s father was not there to see this, his mother was, as was Dug, and all the other dogs. Carl and Russell then sit on a curb together eating ice cream and counting cars like Russell remembers doing with his dad as the Spirit of Adventure flies above them. We also see that Carl’s house drifted down to the exact spot by Paradise Falls where Ellie and Carl had always dreamt of living.  

CHARACTERS & CAST

Carl Fredricksen is a bit of a curmudgeon at the beginning of Up, but it’s not entirely his fault he acts this way. His wife has died, and her memory is everywhere within his house, and he is feeling pressure to sell his beloved home as it sits within a construction site. Life has gone on without him, and Carl is struggling to figure out how to move forward. Instead of accepting that his life is over, Carl comes up with a crazy plan to keep his home and his childhood promise to wife Ellie to finally take her to Paradise Falls – and how is he going to do that? With a ton of balloons, obviously. This crazy idea leads Carl to Paradise Falls, but this journey also leads him to a kid who just wants to feel supported; to a dog who wants a kind master; and a bird who just needs help to survive. Carl, with help from Russell and Dug, manages to save Kevin from Carl’s former hero-turned-madman Charles Muntz. They then learn to take care of each other. Carl becomes Dug’s new “master”, giving Dug a home and Carl a new purpose in life. Russell also gives Carl some purpose, as he never had children so felt alone in the world without Ellie. Now he has Dug and Russell, Carl doesn’t have to be isolated anymore, and it gives him a reason to keep on living and feel more upbeat too.

Ed Asner was chosen to be the voice of Carl. Asner is known for his portrayal of the character Lou Grant in the sitcom The Mary Tyler Moore Show (1970-77), and then reprised his role in the spin-off Lou Grant (1977-82). He won numerous awards for his character in these shows, including three Golden Globe Awards in the 1970s and five Primetime Emmys throughout the 1970s and into the 1980s. Asner was no stranger to voice acting either. Prior to his role in Up, he had voiced the character of J. Jonah Jameson in the animated series Spider-Man (1994-98), as well as voicing minor roles in other series such as Recess (1997-2001) and W.I.T.C.H. (2004-06). More recently, Asner was cast as Abe Rifkin in the Netflix series Dead to Me (2019-22), and Claude in Muppets Haunted Mansion (2021). He was also Santa Claus in Elf (2003).  Asner continued to reprise his role as Carl in other Pixar projects until his death in 2021. He stated that he liked voicing the role and even finished the movie wanting to be more like Carl[2].

Then we have Russell, who is dedicated to becoming a great Wilderness Explorer. Wilderness Explorers are just like the Scouts or something similar, working towards badges and doing outdoorsy activities, like tracking animals and camping. Russell hasn’t had his father around to help him with some of these activities, but he continues to try his best and has a lot of badges to prove his hard work. Russell meets Carl – or Mr. Fredricksen, as he is known to Russell – because he needs to assist someone elderly to get his next badge. After Carl tells Russell to hunt a fictional bird called a snipe, Carl is forced to spend more time with Russell as they end up stuck on Paradise Falls together. Carl ropes Russell into walking his house over to the waterfall so that Russell can properly assist him and get sign-off on his badge. Although this isn’t exactly what Russell had in mind, it leads to him meeting and protecting an endangered animal, the “snipe” Kevin. Even when Carl seemingly abandons Kevin, and puts her in harm’s way, Russell is determined to rescue her from Muntz and reunite her with her babies. It’s Russell that really knocks some sense into Carl, who knows he was wrong to abandon Kevin and can’t let Russell be in danger as well. Russell helps Carl become a happier person, by allowing him to focus on a new adventure, instead of living his life in the past. Russell needs a fatherly figure in his life and with his father busy, he is only too happy to have Carl there for him.  

Russell was voiced by Jordan Nagai. Pixar were quite adamant they did not want to hire a kid who already had acting experience, as they wanted someone who was just as innocent and unsure as a child would be in the situations that Russell finds himself in. In this way, Jordan Nagai was just like a regular kid, however, because of this, he did struggle at times with his recording sessions. Co-director of Up, Pete Docter, worked with Nagai on this, doing different exercises with him to get Nagai to deliver his lines in just the right way. Russell is an incredibly likeable character, so Nagai did a great job with his voice acting here. Nagai has since moved away from acting and is seemingly pursuing a different career.

Then there is the adorable, lovable Dug. He is just one of Charles Muntz’s pack of dogs, with there being around fifty of them. Muntz’s other dogs have been trained well, either being sent away to track the bird, what Muntz calls the Monster of Paradise Falls, or being used as Muntz’s “household staff”. Dug isn’t exactly like that, because he isn’t particularly focused and although he tries hard to track the bird, Dug isn’t as competent as the others at doing this. I’m surprised Dug wasn’t just Muntz’s pet, to be honest. Anyway, luckily, he wasn’t otherwise we would never have seen him in this movie. Instead, Dug is a key character, abandoning Muntz as his master and joining Carl and Russell on the “good guy side”. Dug initially wants to take Kevin back to Muntz as “his prisoner”, but soon learns that he’d rather be with Carl and Russell, as they are kind to him and don’t order him around. Dug fully betrays his master by helping Carl and Russell escape the other dogs, and then has a big moment in the final battle as he manages to lower Alpha’s rank within the pack and inadvertently make himself the new leader, making his journey go full circle as it wasn’t long before that he was placed in “the cone of shame” for his incompetence.

Bob Peterson, the co-director of Up, voiced Dug and was very happy to do this, because Dug is a joyful dog who loves everyone and everything. He is a young labrador and it is said these dogs have very little short-term memory, which is just Dug all over[3]! Peterson also voiced the leader, Alpha, who has two different “voices” in this movie, his real deep tone of voice, and then the high-pitched one when his collar is broken. Peterson had worked on the earliest Pixar movie, Toy Story (1995), within the animation department, and continued to work on other Pixar films in both a story and voice acting capacity. For example, Peterson co-wrote the screenplays for Finding Nemo (2003) and Cars 3 (2017), but has also voiced other Pixar characters, including Roz in Monsters, Inc. (2001) and its spin-offs, and Mr. Ray in Finding Nemo. Peterson also wrote, created, and directed, as well as reprising his voice role of Dug, in the animated short series Dug Days (2021-23).

The dogs Beta and Gamma were voiced by Delroy Lindo and Jerome Ranft, respectively. Lindo has recently appeared as Adrian Boseman in The Good Fight (2017-22) and as Edwin Alexander in the Hulu series UnPrisoned (2023-24). Lindo has also been cast in the upcoming horror film Sinners (2025), which will star Michael B. Jordan. Jerome Ranft is the brother of Pixar legend Joe Ranft, who passed away in 2005. Ranft is a character sculptor for Pixar having worked on many of their movies including A Bug’s Life (1998); Finding Nemo (2003); Cars (2006); and Brave (2012). Ranft took over two voice roles in two sequels from his brother: Jacques in Finding Dory (2016) and Red in Cars 3 (2017). 

Finally, we have the villain of Up, Charles Muntz. He was a heroic explorer who discovered new lands and creatures, bringing them back to the US to show off his discoveries. However, when his latest skeleton of the Monster of Paradise Falls is found to be a fake, Muntz vows never to return home without bringing the bird back with him alive. Because of this, and Kevin’s skill for losing hunters, Muntz has been stuck in Paradise Falls for decades, trying to get this bird so he can go home and prove he wasn’t a liar. For Muntz, this is all about his pride; he doesn’t care about conservation or animals, and doesn’t even consider the distress Kevin is in at the point she is captured, or about the fact she has babies that need her and will die without her. Muntz just needs to get the bird and then get home – and he doesn’t need an elderly man and a child stopping him from doing so.

Charles Muntz was voiced by Christopher Plummer, perhaps best known for his role as Captain von Trapp in The Sound of Music (1965). Plummer portrayed Rudyard Kipling in The Man Who Would Be King (1975) and in more recent years appeared as John Adams Gates in National Treasure (2004); as Henrik Vanger in The Girl with the Dragon Tattoo (2011); and replaced Kevin Spacey as J. Paul Getty in All the Money in the World (2017), for which he was nominated for Best Supporting Actor at the Oscars. Plummer had won the Best Supporting Actor Oscar for the role of Hal Fields in the comedy-drama film Beginners (2010), winning other accolades as well. Plummer was also cast as Harlan Thrombey in the mystery film Knives Out (2019). In terms of voice roles, Plummer had some experience of this prior to Up, having voiced Henri le Pigeon in the Don Bluth film An American Tail (1986) and narrating the animated preschool series Madeline (1993-2001). Plummer also had a long history of the stage, starring in adaptations of Shakespeare’s plays throughout his life, and also starring as Cyrano in the 1974 original Broadway production, for which he won the Tony Award for Best Performance by a Leading Actor in a Musical, having also played the title character in the TV movie Cyrano de Bergerac in 1962. Plummer passed away in 2021.

There is another voice actor to briefly mention in Up and that is the recurrence of Pixar’s favourite voice artist, John Ratzenberger, who voices the construction foreman Tom.

MUSIC

The score for Up was composed by Michael Giacchino. His first score for an animated movie was on Pixar’s The Incredibles (2004), for which he was nominated at the Grammy Awards for Best Score Soundtrack Album and Best Instrumental Composition. Giacchino then continued to collaborate with Pixar filmmakers, working on the music for Ratatouille (2007), winning a Grammy for Best Score; Cars 2 (2011); Inside Out (2015); Coco (2017); and The Incredibles 2 (2018). Giacchino also composed the music for Disney’s Zootopia (2016). Outside of Pixar, he has composed music for the most recent Spider-Man films, the three latest Jurassic World movies, and for the series of Disney television Christmas specials, Prep & Landing (2009-11). Giacchino was also nominated for Primetime Emmy awards for his work on the series Lost (2004-10), winning one for his underscore of its pilot episode.

I can’t talk about Up’s score without mentioning the most recognisable track, “Married Life”, which is the sequence showing Carl and Ellie’s life together. In many years to come, I think this piece of music will be on lists of the best movie themes, alongside greats such as the themes from James Bond, Indiana Jones, and Star Wars. This track is bright and sunny when it needs to be happy; and melancholic and slow when it needs to be sad. It corresponds perfectly to what is being shown on the screen.

But it would be unfair to say “Married Life” is the only good piece of music within Up, especially as many of the motifs within this piece feature in others. A slower, quieter version of this is basically the track “Stuff We Did”, which can be heard as Carl is flipping through Ellie’s Adventure Book in Paradise Falls. “Up with Titles”, which features during the Opening Credits, is happy and upbeat, and reminiscent of the music of the jazz era. I also like the piece “Carl Goes Up”, when the house actually lifts into the air and flies away. This is a huge moment for Carl, and is suitably dreamy, as many of us at some point in our lives have wished we could fly – and what better way than to do that in your own home.

In terms of creating a sense of adventure, “Escape from Muntz Mountain” is a good example, which is used when Muntz’s dogs are chasing Russell, Carl, Kevin, and Dug over the rocky terrain near to Muntz’s cave. This is a more perilous moment for the group, whereas the battle scene with Muntz feels more determined; they have to save Kevin or die trying is what it feels like, so “Seizing the Spirit of Adventure” feels less like a scary moment, although it still evokes the feeling of threat and peril at times. I also like “Memories Can Weigh You Down”, which marks Carl’s decision to go and save Kevin – and Russell, who has gone off on his own to save him.

You can also hear an excerpt from a famous opera in Up, and that is an instrumental version of the aria “Habanera” from the opera Carmen, composed by Bizet. This plays as Carl gets ready for his day, very slowly and moodily, early on in the film, before seemingly setting out to go about his day – before making a quick right turn to just sit on his porch and look at all the construction going on around him.

The score for Up was nominated at many award ceremonies. One of these was at the Academy Awards, where it won the award for Best Original Score – a first for Pixar – despite competition from the blockbuster Avatar (2009), as well as The Hurt Locker (2008).

Up’s music was also nominated at the Annie Awards for Best Music, where it surprisingly lost out to Bruno Coulais’ music for the animated movie Coraline (2008); at the BAFTA Film Awards for Best Film Music, which it won; the Critics’ Choice Awards for Best Score, where it also won; and the Golden Globes for Best Original Score, winning yet again. At the Grammy Awards, Up received further nominations, for Best Score Soundtrack Album and Best Instrumental Composition for Michael Giacchino, winning both of these, as well as Best Instrumental Arrangement for Giacchino and Tim Simonec and the track “Up With End Credits”, losing to “West Side Story Medley”, arranged by Bill Cunliffe.

This is just the awards won at the “major” award ceremonies. Up won more awards for Best Original Score or Best Music at other ceremonies.

PRODUCTION

The initial concept for Up came from a simple drawing of a house buoyed by balloons. Pete Docter started to think about who would be in there, and where they would be going. Docter began to develop this idea with Bob Peterson. After Docter drew a sketch of a grumpy old man holding balloons, this gave them a further idea to work from[4].

It then had to be decided where this house was going and the thought of having this old man and a kid stuck together somewhere remote was the most appealing. After watching a documentary by Adrian Warren about table, or flat-topped, mountains in the jungles of Venezuela, they felt this was a great place to set their movie and so they and others from the Pixar team went to Venezuela to see these mountains in person.

After a long journey from San Francisco, near to where the Pixar Studios are based, to Caracas, Venezuela’s capital city, and then onto smaller towns, they arrived via helicopter at the base of Mount Roraima. The group were in awe of the looming rock above and couldn’t believe it was possible to climb it. But climb it they did, over mud, plant roots, rocks, and unsteady ground. It was a difficult trek but they made it to the top of the flat-topped mountain, or tepui as they are also known, and set up camp so they could study the rock formation, the plant life, and even the weather systems from that height.

On these mountains, the Pixar team found that the rocks formed strange and seemingly structurally unsound shapes. They learnt this was caused by the layers of sandstone that formed them, with softer layers being weathered away over the years, leaving holes in some of the rock works. It was also discovered that these mountains have their own weather systems as they are so high up, with rock sides being heated from the sun causing swirling clouds that descend like a mist. The weather would change quickly, going from sun, to cloud, to storms and rain in just a few minutes.

They were also able to discover other areas including the Valley of Crystals, which is, as the name would suggest, an area full of quartz crystals, and the Kukenán-tepui. This was a very inhospitable area, full of rocky and marshy areas, meaning there was no place to camp. Instead, they took a helicopter over there, expecting just to be there for an hour or two to study the landscape. It was so full of rocks that it created mazes, and supposedly people have vanished in these labyrinths. At the end of their time there, the helicopter came back for them but the group had to be taken off in batches. At this point, as half the group had been returned, a storm closed in and the helicopter was unable to retrieve the rest. Those remaining had to hurdle under one rock structure that only allowed for the group to stand and be sheltered from the weather. The storm lasted longer than they expected, and as they were preparing to spend the night there, the helicopter returned just before dark.

After their mountain experience, the Pixar team were off to Canaima National Park to see the famous Angel Falls, which is the tallest waterfall in the world. It is so tall that water vaporises, creating a mist, before it even hits the bottom of the rock face.

All of these sketches and experiences in Venezuela created countless moments of inspiration for the movies, such as Angel Falls itself being the inspiration behind Paradise Falls; a rock being mistaken for a person being something that happened to some of the team in real-life and something that Carl and Russell experience; as well as cave systems being used for the design of Muntz’s cave[5].

Now they had the overall setting confirmed, they had to work on the house. Since Ellie and Carl are seen renovating their new house, everything had to be a bit clumsy and imperfect, however, the house remains cosy. The team were inspired by the grandparents’ houses, full of knick-knacks and mementos, with old-fashioned furniture and worn carpets. The Up house had to look lived in. To properly animate this house, a wood model was created and painted to look just like the house, and was filled with mini furniture and lighting like it was a little dollhouse. This helped show the animators how everything would look inside, but also helped with the floating aspect of the house, since we would be seeing the bottom of the house for much of the film, as it floats above Carl and Russell whilst they walk it through Paradise Falls. It’s unusual to see the underside of a house, so the Pixar team had to look at houses on stilts to see just what it looks like. Unsurprisingly, it’s kind of dirty[6]!

It is believed by some that the inspiration for Up came from a real house called Whitewood Cottage in Seattle. It was owned by Edith Macefield who bought the house in 1952 and lived there with her mother. Her mother died in 1976. Gradually, the houses surrounding Whitewood Cottage began to be sold to make way for a development project, however Macefield refused to sell, receiving media attention in 2006 when she turned down a reported offer of $1 million for her house. In the end, Macefield left her house to a construction worker after she died in 2008. This worker had cared for her when she was ill. Whitewood Cottage was later sold for around $300,000 to a developer and has changed hands a few times since then. Currently, the house remains standing surrounded by high-rises[7]. Because of the extraordinary similarities between Carl’s story and Edith’s, many claim that Up used this story as inspiration, however, work on Up began in 2004, whereas Edith’s plight to remain in her home reportedly did not come to be known until 2006. Pixar did tie balloons to the top of Whitewood Cottage as publicity for Up in May 2009 though.

Obviously, Edith’s house did not actually fly away, but Carl’s had to, just with balloons. Pixar animated around 10,000 balloons for the movie, and made them realistic with their buoyancy, strings hitting each other, and some coming loose and flying away after the “big reveal”. However, the number is not realistic at all, as millions of balloons, not thousands, would actually be needed to make a house fly. Up may not be scientifically accurate but that shouldn’t be a huge surprise really. The use of Muntz’s dirigible is closer to real-life though as other dirigibles and airships were studied[8].

Then, there are character designs and story points. The character of Carl began life as a sketch of a grouchy guy holding colourful balloons. This sketch was used to develop the character further. The team at Pixar went to a care home to research not only the look of elderly people, but also for their behaviours and their movements, as this was going to be the first time Pixar had featured an elderly man as the protagonist in one of their movies, dubbing him a “geriatric hero”. It’s quite rare generally for older people to be the focus of any story, so this film showed that just because someone is getting older doesn’t mean they’ve lost their zest for life; they just might need help finding it again. By observing older people, the animators were able to successfully recreate the lines of the face, such as forehead lines and crow’s feet, as well as limitations of movement, like in the fingers and back, to turn the character of Carl into an accurate representation of an older person. Carl might struggle to walk fast, or be able to beat someone up like a boxer, but he’s a tough old guy, willing to fight for what’s right[9].

It apparently took a while for Pixar to settle on a character design for Russell. All manner of kids were drawn: shy ones, smart ones, tall ones, skinny ones. In the end, animator Peter Sohn drew a version of his younger self, which inspired the design and he became the accidental reference material for the character. Russell is a very excitable, enthusiastic kid, who just wants to help everyone all the time and talks perhaps a little bit too much! Although it is not unusual in movies for the main child character to be missing a parent, in one way, Pixar were fairly progressive here because it was openly discussed that Russell’s parents are simply not together anymore, either divorced or separated. This is a new concept for Carl, who wouldn’t have grown up in a world where this really happened, so to see Russell discussing something that many children go through in modern times must have been positive for many young viewers watching Up who were going through a change in their family life. Russell is also Pixar’s first Asian-American character[10].

Pixar did research on canine behaviour to look at how Muntz’s dog pack would interact with each other. They specially learnt from Dr. Ian Dunbar, a dog behaviour expert, who consulted the team on things such as dog behaviour and hierarchy. Dunbar says that hierarchy is maintained by lower individuals proving they are not a threat to the leader, instead of the leader needing to be particularly vicious. In Up, Alpha is the designated leader of the pack and there are multiple instances when Dug and the others cower in front of him to show this. This type of behaviour leads to harmony in large groups of dogs. The team also used reference material of dogs running on uneven ground and hazardous terrain to learn how they would move in the chase scene when Muntz has ordered his dogs to get Carl and Russell after he learns of their knowledge of the bird.

Next, there is Kevin, who was “voiced” by Pete Docter. Again, it was a struggle to design Kevin as there were so many ways the character design could go with Kevin being an imaginary bird. They just knew it had to be something interesting to have kept Muntz in the jungle for fifty years searching for it. Initially, they looked towards North American mythology, for the story and design of the Thunderbird, who could create thunder from the flap of its wings. Then they tried making Kevin a golden bird. In the end, they settled on making Kevin a cross between an ostrich and a parrot, which meant looking at lots of ostriches for reference material, to see how they walk, bob their heads, and use their necks. The parrot element of Kevin comes from her colourful, iridescent feathers. Kevin is the character that brings everyone together, as each character is looking for Kevin. Russell and Carl want to save her, whilst Muntz and his dogs want to capture her. Muntz sees Kevin as the key to proving his sanity and is the target of his obsession, whereas for Russell, Kevin is just his friend. Carl wants to protect Kevin as Ellie was a zookeeper and loved animals[11].

Muntz had many different endings in initial story drafts of Up, including one where he was somewhat redeemed by having a conversation with Carl about how he too had lost his wife, but it was decided there was too much talking here, detracting from the real focus of the story: Carl. Instead, it was decided Muntz would have to be killed off in some way. One initial idea was to have Muntz get lost forever in the “twisty rocks” as he followed Kevin in to the area. Then, it was decided that there should be a battle scene on the airship, but Muntz would’ve been stuck in the house and fallen with it. The Pixar team felt this was a bit weird as the house was a representation of Ellie, so leaving Muntz with her was a strange thing to do. Next, they had him leap out of the house and get caught in balloons, but he would’ve been pulled up into the air. This left too much discussion around whether he was really dead or not, so this idea was simply adjusted slightly to have Muntz go down with the balloons, thus allowing him to join the group of villains who die by falling, such as Gaston in Beauty and the Beast (1991) and Mother Gothel in Tangled (2010)[12]

Finally, we can’t talk about Up without mentioned the “Married Life” sequence. In the story, Pixar felt they had to show life Ellie and Carl’s life from marriage to old age, and even more importantly, the audience had to learn about Ellie and what she was like to see why Carl would go through this journey for her. But there was a slightly less touching version of this sequence that began…with punching.

Sure, some kids show they like each other by play-fighting with them, and in this case, Carl and Ellie’s relationship all started with a punch that Ellie gave Carl after seeing him try to trap a bird as a kid. This then evolved into a punch war, until one day, Carl starts to look at Ellie differently. We would have then been shown their graduation, dances, days out, picnics, a visit to the C.F. Muntz Museum in their town, where Ellie would get a job as a tour guide and Carl as a balloon salesman, and then on to the marriage, house, etc. that we see in the actual version. It did look like, in this storyboard, that Carl and Ellie are booked to go to Venezuela, however, Carl seemingly doesn’t want to get on the plane. Ellie then falls ill so they cannot try and go again. This would’ve been an interesting point for the final movie because if Carl had felt unable to go, meaning that the one-time Ellie could’ve gone they did not, that would’ve given Carl a huge amount of guilt to cope with, which would’ve made him even more determined to get to Paradise Falls than the version of Carl we get in the final movie. Yet, the whole punching thing is a bit weird, and I’m glad they did not go with that version! There was also going to be dialogue here, but after looking at old home videos, the Pixar team found that it would be better to avoid having dialogue and just have the music and visuals[13].

RECEPTION

Prior to Up’s main theatrical release, which saw the movie being released in 3D as well as 2D, becoming Pixar’s first 3D movie, Up was actually first shown at the Cannes Film Festival, where it opened the 62nd festival event. The Cannes Film Festival in 2009 ran from 13th May to 24th May, meaning that Up premiered there just a little over two weeks before it would premiere in theatres. Up was the first animated movie to ever open the event. Sometimes film festivals can be snobby when it comes to animated movies, so this shows that appreciation for them is building over the years[14].

Up premiered in US theatres on 29th May 2009, after it had its red-carpet premiere at the El Capitan Theatre on 16th May. It later premiered around the world over the next few months. I am slightly confused as to when Up was released in the UK, as some sites claim it wasn’t until October, however, I’m sure I remember watching this in the height of summer on a particularly hot, sunny day in a cinema that didn’t have good air conditioning, so that must’ve meant it was released during the summer holidays so probably July or August, but I guess I’m wrong…I can’t find anything to prove either way which month it was.

The Pixar short Partly Cloudy was shown prior to Up, as is the way with Pixar movies; you normally get something before them. In this case, Partly Cloudy was about storks delivering babies, both human and animal, which they are presented with by all-powerful clouds. However, one cloud struggles to make cute things, so his stork delivery man ends up getting injured by all these creatures he has to deliver. In one case, a little crocodile or alligator bites his head; another time a ram hits him in the stomach; then there’s the cute sheep that turns out to be a spiky porcupine. The cloud later sees the stork flying to another cloud, so believing it has been replaced, begins to cry and rain. The stork was actually only at the other cloud to get protective equipment, like padding and a helmet; it wasn’t leaving the cloud. The cloud is happy about that and gives the stork it’s next delivery: an electric eel! It’s not one of the most memorable or funny Pixar short films, but it’s decent.

Reviews for Up were amazing, however, if you have read any of these, you’ll know that what got the biggest focus was the sequence of Ellie and Carl’s life together, the “Married Life” sequence. The opening fifteen minutes that follow Ellie and Carl’s time together are admittedly very moving. Although neither of them had a particularly exciting life, they were clearly very happy together and perfect for each other. So, to see all of that come to an end with Ellie’s passing is difficult for many to experience, especially those who have been through a similar loss, and even worse, it happened so early in the film. We’re already devastated at the loss of a character we only knew for a few minutes, so that set everyone up for what was going to come next. We were invested in Carl and his journey from this point on. This sequence got everyone talking and it even has its own Wikipedia page, showing how it will likely go down in history as one of the best movie moments ever.

However, for some people who watched Up, this was in fact the best part of the movie and anything after that was not deemed to be as good. They say that Dug and Kevin were seen as the funniest characters, and some of these moments balanced out the less exciting parts to make it a good film, but not an amazing one. I can understand how hype around a movie could lead to disappointment if it does not live up to the expectations in a viewer’s mind, which is likely what happened in these cases. Up is also not considered one of Pixar’s best films looking at it from a contemporary point of view, as Pixar has made some amazing films since 2009, such as Inside Out (2015) and Coco (2017). Some even said Up lacked the heart of the earliest Pixar films and featured a one-dimensional villain. I disagree with both of these statements. I don’t know how a movie that can make even the most emotionally closed-off person cry could be called “lacking heart”. Muntz is not a one-dimensional villain either in my view, because it’s quite clear his pride and his obsession are what is causing him to chase after Kevin and endanger the lives of Carl and Russell. He doesn’t change during the movie, and if anything, just gets more villainous, but I’d say as a person, he is quite complex; he’s not evil for evil’s sake, he thinks what he is doing is fine and good for his career.

On the positive side, reviews also stated how Up was a showcase of digital animation. It was also a good step for Pixar into adventure films, like Indiana Jones, without focusing too much on action sequences or moments of peril, and instead looking at people and how they interact with others. Carl and Russell both feel like something is missing in their lives and throughout the film, find that they can help each other. Russell becomes Carl’s honorary grandson; and Carl is his honorary grandfather.

As well as amazing reviews, Up ended up being one of the highest grossing movies of the year in terms of worldwide box office, sitting at No. 6, even with big competition such as Avatar; Harry Potter and the Half-Blood Prince; and The Twilight Saga: New Moon[15]. It made just over $730 million at the box-office.

But most exciting was the response that the Academy Awards gave to Up because it became only the second animated movie to be nominated for the Best Picture Oscar. The first was Beauty and the Beast (1991), before the Best Animated Feature category was even made. There has only been one other movie since Up to be nominated in this same category and that was Toy Story 3 (2010). All three just happen to be Disney or Pixar movies[16]. Up was also nominated for Best Original Screenplay and Best Sound Editing.

Up did not win Best Picture, losing to The Hurt Locker (2008), which also won in the Best Original Screenplay and Best Sound Editing categories. But Up did win the Best Animated Feature Oscar. At the BAFTA Film Awards, the Critics’ Choice Awards, the Golden Globes, and the Annie Awards, Up also won in the Best Animated Film category. It won the Annie Award for Best Directing in a Feature Production too. This is just the awards won at the “major” award ceremonies; Up won plenty more awards at other ceremonies.

LEGACY

After Up’s release, one character in particular captured the hearts of the people – and that character was Dug, probably because he’s a talking dog, and most people like dogs. I don’t particularly like dogs, but if Dug was a real dog, I’d like him.

This love of Dug led to a short film all about him called Dug’s Special Mission. In a way, this is a prequel because it shows Dug and his interactions with Alpha and the pack prior to his meeting Carl and Russell. Dug’s Special Mission sees Dug telling the pack that it’s his birthday today and he wants to do something to help them find the bird. Dug, however, constantly gets in the way, according to Alpha, so Alpha sets out to trick Dug by telling him to do pointless tasks that he tells Dug are very important, such as watch the bird’s favourite rock, stay in this hole until the bird comes, sit on this rock etc., however, inadvertently, Dug causes more chaos doing these simple tasks, so Alpha gets angry and radios over to Muntz to say Dug is a bad dog. This makes Dug very sad who runs off, believing his birthday is ruined. He then starts to hear human voices and can smell their scent. Dug says “I can smell you” and runs over to them. It is Carl and Russell. Dug says this was a good birthday for him, because he got his wish to have a new master and it then became the happiest day of his life[17].

Dug’s Special Mission was released as a special bonus feature to be found on the Blu-Ray and DVD releases of Up, with the US versions coming out in November 2009. Bob Peterson, Delroy Lindo, and Jerome Ranft return as Dug, Alpha, Beta, and Gamma respectively. Ed Asner and Jordan Nagai are also credited as returning to voice Carl and Russell; however, I think all their lines are from the original movie scene.

There was even a short film made, only about four minutes long, about the two nurses from Shady Oaks who attempt to pick up Carl at the start of Up. These nurses are called George and A.J., and that is the title of this short. What happens in George and A.J. is that we watch them as they see Carl’s house take off with his balloons – Russell can even be spotted clinging on to the underside of the house. George and A.J. then return to their van in complete shock and proceed to remain shocked for over a week. Carl’s “escape” even makes the news and every elderly resident who has seen the news report cheers that one of their own finally got free. One week later, George and A.J. are back to collecting the elderly to take to Shady Oaks, however, they are shaken by their experience and now find that the elderly are fleeing in their houses in unusual ways, such as on a hovercraft and with a herd of cats. Then Shady Oaks itself is launched into the air. As George and A.J. stare perplexed at the area, a shadow descends over them. They look up and see an airship about to land of them, with Carl at the helm and Russell beside him. The airship does not fall on them, but does crash onto their van. George and A.J. are then approached by Dug, the talking dog, and stand there shocked again. George was voiced by Jason Topolski and A.J. by A.J. Riebli III. Bob Peterson reprises his role as Dug, but Carl and Russell are voiced by fellow Pixar employees, Steve Purcell and Peter Sohn respectively. George and A.J. was not released theatrically or on DVD, but instead was released on iTunes as an extra feature after purchasing the movie there. It was later included on Pixar Short Films Collection, Volume 2 DVD, released in November 2012, and later came to Disney+. The animation style does not match that of Pixar’s usual short movies, and is quite basic, done in a “storyboard” style.

Over ten years later, in September 2021, Dug returned again for his own series of shorts called Dug Days. The first five episodes all premiered on Disney+ on 1st September 2021, with a sixth and final episode Carl’s Date, first premiering as the short film that accompanied the theatrical release of Pixar’s Elemental on 16th June 2023. It later came to Disney+ in September 2023. This series sees Dug and Carl moving into a new house in the suburbs, having sold the Spirit of Adventure airship. It follows Dug and Carl going about their day in the neighbourhood with Dug causing his usual mayhem! Carl’s Date was slightly more special as it saw Carl trying to figure out if he is ready to go on a date with a new woman – Ms. Meyers, who also happens to have adopted the former Alpha, now Beta – feeling like he is betraying Ellie by doing so. Carl agrees to go on the date but becomes worried and nervous about doing so, trying to cancel. Dug then tells him he should go and says he’ll come along too if that would help. As it’s time to leave for the date, Carl speaks to Ellie’s photo and says she’ll always be his girl. It’s the sweetest Pixar short I’ve ever seen.

This series consisted of shorts that were between five and ten minutes long, and saw the return of Ed Asner and Bob Peterson as Carl and Dug. Carl’s Date became the last project that Ed Asner worked on for Pixar, having recorded his lines prior to his passing in August 2021. This felt like a real finale episode and tied up Carl’s journey. Every episode was created, written, and directed by Peterson.

At the Disney Parks, since Up is a fairly popular Pixar movie, there are multiple experiences and characters from the movie at most of the six properties. At Walt Disney World, specifically Disney’s Animal Kingdom Park, there is a great activity for children and families which involves you becoming a Wilderness Explorer just like Russell. Throughout the park, there are stations set up in different areas that allow you to take part in a specific activity which will lead to you earning yourself a badge, which is actually a sticker. There are many of these to experience with the stickers being collected in a small booklet. You can also see Kevin wandering around this park, specifically around Discovery Island, interacting with guests and generally just being her bird-self. There is no set place to meet Kevin, as she is a “roaming character”, and times she is about may change.  

Former experiences at Walt Disney World included an earlier iteration of the Feathered Friends in Flight! outdoor show in Animal Kingdom at the Anandapur Theater in Asia. This show was initially called Flights of Wonder and premiered on the opening day of Animal Kingdom on 22nd April 1998. This ran until 31st December 2017, when it closed to be rethemed to UP! A Great Bird Adventure. This version mixed up the narration of the show, by adding a new guide called Anika as well as seeing Russell and Dug added into the show. UP! A Great Bird Adventure opened on 22nd April 2018 for the park’s 20th anniversary, but due to mixed reception, it went through multiple re-writes until it closed on 12th March 2020, when Walt Disney World closed for the COVID-19 pandemic restrictions. It reopened as Feathered Friends in Flight! in July 2020 when the parks reopened, but the core concept of the show being about birds has remained the same. I have also seen that at Walt Disney World’s former Downtown Disney area, now named Disney Springs, there was an inflatable version of the Up house that was seen for a period of time around the time of Up’s release, so Summer 2009, as promotion for the new movie. It was situated next to the AMC Theatres. To be honest, it was not exactly a work of art and looked a bit low-budget!

At Disneyland, you’re more likely to see areas themed to Up in their Disney California Adventure Park. One such area was the Redwood Creek Challenge Trail, which is an outdoor play area complete with slides and play equipment, originally opened in 2001. It was rethemed to Up around 2010/11, after having previously been themed to the Disney movie Brother Bear (2003). In this challenge trail, guests could earn six badges throughout the area, and then make their way over to an outdoor stage to become a real Senior Wilderness Explorer by watching and taking part in a ceremony, which had Russell make a surprise appearance at the end[18]. It would appear that this theming has since been removed, when the trail reopened around July 2021.

 For Pixar Fest 2024, Disney California Adventure did have some references to Up including the house “flying” over Disneyland’s Sleeping Beauty castle as part of their Together Forever: A Pixar Nighttime Spectacular fireworks show. The “Married Life” sequence and other moments from Up were projected onto the castle, as some of its music played. As part of the Better Together: A Pixar Pals Celebration Parade for the event, you could also see Russell riding on Kevin’s back and a float with Carl and Dug following on behind. These were limited time experiences for Pixar Fest which ran from 28th April to 4th August 2024. It is reportedly not returning for 2025; however, the parade apparently will be in the summer of 2025. You may also be able to see smaller references to Up and its characters at places like Pixar Pier, the Lamplight Lounge restaurant, and Pixar Place Hotel.

At Hong Kong Disneyland, there is a summer stage show called Adventure is Out There, which features characters from Disney and Pixar movies. It is named after Charles Muntz’s catchphrase from the movie, and Russell makes an appearance at the start of the show, as the hosts teach guests the iconic Wilderness Explorer call, and at the finale. It also features performances from characters such as Moana and Stitch. This stage show was a new offering for 2023 that did return in 2024 with some changes. It may return in 2025.

At Disneyland Paris, there is a stage show that involves characters, film clips, and music from Pixar movies. One of these segments features Up. As music from the score plays, a floating house is seen on screen, before landing and showing Russell, Carl, and Dug inside as it is flying high above the clouds. This show is called TOGETHER: A Pixar Musical Adventure and is a thirty-minute show performed at the Studio Theater at Walt Disney Studios Park. It has been running since July 2023, but will be taking a break from 21st April to 11th July 2025. I presume this is due to the ongoing construction at Walt Disney Studios Park to turn it into Disney Adventure World. Also at Disneyland Paris, but in the main park, a new miniature scene of Paradise Falls with Carl, Russell and the house was added to the Storybook Land Canal Boats ride, or Le Pays des Contes de Fées in French. This new addition joined two other new scenes that were announced, of Frozen (2013) and Winnie the Pooh. This new Up scene replaced the Emerald City scene[19]. The new version of the ride reopened on 30th August 2024. There is also a small scene of Russell and Carl, where figures of them have been added to the waterside in Adventure Isle, over by Colonel Hathi’s Pizza Outpost, which is a bit random[20]!

In terms of meet-and-greets, at Walt Disney World in Disney’s Animal Kingdom Park, you can meet Russell at the Wilderness Explorer Clubhouse, and Dug – who even talks – is occasionally seen there with Russell. Talking Dug made his debut at the park in May 2024. Carl, Russell, and Dug have also been characters at Special Events, like DVC Moonlight Magic in recent years. At Disneyland, in Disney California Adventure Park, Russell and Dug met guests during Pixar Fest. Dug was talking here too. They have also been spotted at Pixar Pier as well, along with Carl. At Disneyland Paris, the three characters were there for “Tuesday Guest Star Day” but that was back in 2019. At Hong Kong Disneyland, the trio were spotted at the Pixar Pals Party cast-member exclusive event in March 2024. At Shanghai Disneyland, Russell and Dug have been known to meet guests at Happy Circle in Adventure Isle, and it is still listed on their website, however, I think these characters swap out fairly frequently. Outside of the US parks, it seems the Up characters are not as easy to meet, with Tokyo Disneyland seemingly never having had a meet-and-greet for them. But, at Tokyo Disneyland, you can find Carl, Russell, Dug, and Kevin all on a float during the Disney Harmony in Color daytime parade. Characters, clips, or music from Up may be used in other Disney fireworks shows and parades, both current and future.

Given that Up appeals to both children and adults, Up spanned quite a range of merchandise, including clothing, figurines, homeware, like pillows and mugs, toys, and even a Pandora charm of Carl of Ellie. There have also been specialty and non-speciality pins available to purchase, with D23 releasing a member-exclusive pin in May 2024 of young Carl holding the blue balloon to celebrate the 15th anniversary of Up.

Outside of the theme parks and the screen, Up became the perfect inspiration for housing projects. For example, in 2011, Bangerter Homes recreated the iconic Up house, reportedly with permission from Disney and Pixar, providing the plans were turned over to them once complete to ensure it was a one-of-a-kind property. It stands on Herriman Rose Boulevard in Herriman, Utah[21]. This is a private residence and is therefore not available for tours, so don’t go knocking on the door, hoping to get one.

However, this did not turn out to be the only Up house of its kind because in May 2024, as part of Airbnb’s “Icons” series of new rentable homes, they built a replica of the Up house too. It was created to celebrate the 15th anniversary of the film, and was even held up with 8,000 balloons – and the help of a large crane. It was situated in Abiquiu, New Mexico. It was only open to guests for a limited time and could not just be booked like other Airbnb properties. Although the house was suspended at times, funnily enough, that was not allowed to happen with guests inside[22]. The listing for the house is still up on Airbnb but it cannot be requested and is showing as “Sold Out”.

FINAL THOUGHTS

Up made history for Pixar in a few ways: by being nominated for Best Picture at the Academy Awards; being the 10th animated feature for the studio; and for creating one of the most well-known and heart-breaking sequences in cinema.

Pixar – and Disney – have a knack for finding that soft spot in your heart and jabbing at it until tears leak from your eyes. Up is not my favourite Pixar movie, and yet I still cry at multiple moments in the story. A movie about people, about relationships, about life can’t help but be relatable as we are all navigating the ups and downs of life, pushing past obstacles and getting through rough patches. Carl is having a difficult time as he grieves the loss of his wife, and Russell is struggling to cope with his parents’ divorce and his difficult relationship with his father. Both of these problems are things real people go through.

What we ought to learn from Up is that when life deals you a bad hand, you can either sink deeper and deeper into the darkness, or drag yourself up towards the light. In less metaphorical terms, what I’m trying to say is that it’s not good to dwell on the mistakes and misery of the past. All you can do is take a look around you, see what you have right now, and try and figure out a new direction. It might not be what you envisioned, but maybe it’s what you need.


REFERENCES

[1] Credit: Disney, ‘Disney History’, D23.com, date unknown.

[2] Credit: Tim Lammers, ’10 Uplifting Facts About Up to Celebrate Film’s 10th Anniversary’, D23.com, 29th May 2019.

[3] Credit: Pixar, “Canine Companions”, Up 2009 (Pixar) Making of & Behind the Scenes video, DVDFilmBonus, YouTube Channel, uploaded 16th July 2023.

[4] Credit: Tim Lammers, ’10 Uplifting Facts About Up to Celebrate Film’s 10th Anniversary’, D23.com, 29th May 2019.

[5] Credit: Pixar, “Adventure is Out There”, from Up (2009) DVD (2010).

[6] Credit: Pixar, “Homemakers of Pixar”, Up 2009 (Pixar) Making of & Behind the Scenes video, DVDFilmBonus, YouTube Channel, uploaded 16th July 2023.

[7] Credit: Stephen Barker & Jessica Smith, ‘The Real-Life Story Behind Pixar’s Up Is More Heartbreaking Than The Film’, ScreenRant.com, 15th March 2024.

[8] Credit: Pixar, “Balloons and Flight”, Up 2009 (Pixar) Making of & Behind the Scenes video, DVDFilmBonus, YouTube Channel, uploaded 16th July 2023.

[9] Credit: Pixar, “Geriatric Hero”, Up 2009 (Pixar) Making of & Behind the Scenes video, DVDFilmBonus, YouTube Channel, uploaded 16th July 2023.

[10] Credit: Pixar, “Russell: Wilderness Explorer”, Up 2009 (Pixar) Making of & Behind the Scenes video, DVDFilmBonus, YouTube Channel, uploaded 16th July 2023.

[11] Credit: Pixar, “Our Giant Flightless Friend Kevin”, Up 2009 (Pixar) Making of & Behind the Scenes video, DVDFilmBonus, YouTube Channel, uploaded 16th July 2023.

[12] Credit: Pixar, “Alternate Scene: The Many Endings of Muntz”, from Up (2009) DVD (2010).

[13] Credit: Pixar, “Married Life”, Up 2009 (Pixar) Making of & Behind the Scenes video, DVDFilmBonus, YouTube Channel, uploaded 16th July 2023.

[14] Credit: Xan Brooks, ‘Curtain will go Up on this year’s Cannes with 3-D yarn’, TheGuardian.com, 19th March 2009.

[15] Credit: IMDB, ‘Worldwide Box Office For 2009’, BoxOfficeMojo.com, date unknown.

[16] Credit: Tim Lammers, ’10 Uplifting Facts About Up to Celebrate Film’s 10th Anniversary’, D23.com, 29th May 2019.

[17] Credit: Pixar, “Dug’s Special Mission”, from Up (2009) DVD (2010).

[18] Credit: Best Western, ‘Can You Handle the Redwood Creek Challenge Trail?’, StovallsInn.com, 28th January 2018.

[19] Credit: Disney, ‘New Scene From Pixar’s “Up” Coming To Storybook Land, With Presenting Sponsor’, DisneylandParis-News.com, 3rd May 2024

[20] Credit: Steve, ‘Disneyland Paris News: Carl and Russell From UP Invade Adventureland’, DedicatedToDLP.com, 1st May 2014

[21] Credit: Taysha Murtaugh, ‘This Real-Life Re-Creation of the House From ‘Up’ Is Just as Cute as the Movie’, CountryLiving.com, 21st March 2017.

[22] Credit: Yi-Jin Yu, ‘Airbnb launches stays at ‘Up’ house, ‘Inside Out’ headquarters, and more ‘Icons’’, ABCNews.go.com, 2nd May 2024.

16 Wishes (2010)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

For some, celebrating a milestone birthday is the best time of their life, something they’ve looked forward to for months, or even years; something they’ve planned down to the tiniest of detail, whether that is a huge party or just a special day.

I’ve never been particularly bothered by birthdays, milestone or not. For me, birthdays are just days where you get presents. I’ll generally plan out what “special” dinner I’m going to have and what film I want to watch in the evening. That’s what my birthday normally consists of.

I haven’t had a birthday “party” since my sixteenth birthday and that wasn’t a party exactly. I went bowling with some friends who then came back to my house to eat pizza and watch Bride Wars (2009), which I’d just got on DVD. I don’t actually remember any of my friends having sixteenth birthday parties, but that year at school in the UK tends to have a lot of coursework and exam focus on it as we take our GCSE exams at that age.

Yet in some countries, including the US, sixteenth birthdays are a big deal, signalling the move from childhood to adulthood. These birthdays have even been dubbed the “Sweet 16”. In some Spanish-speaking countries, they have a quinceañera, a traditional celebration of becoming fifteen. Either way, an extravagant party is generally considered to be the best way to celebrate these milestone events.

This is where the movie 16 Wishes comes in. 16 Wishes is all about having the best Sweet 16 birthday ever, culminating in the best Sweet 16 party ever. It’s all about making sure your day is better than anyone else’s.

Although I didn’t care much about turning sixteen and I was older than sixteen when I first watched 16 Wishes on Disney Channel, I did quite like it at the time. The thought of having all your birthday wishes come true is appealing to most people, young or old, even though some aspects of 16 Wishes are quite shallow and materialistic – but that’s teenagers.

I always thought 16 Wishes was one of the better Disney Channel Original Movies, but watching it back this week, I don’t have that same opinion now. I didn’t like the main character this time, and hadn’t noticed some of her flaws at a younger age. Anyway, 16 Wishes is not even a true DCOM. It was made as a co-production between Disney Channel and other companies, including MarVista Entertainment. More on that later.

PLOT

16 Wishes begins, as you might expect, on Abby Jensen’s sixteenth birthday. She has been excited to turn sixteen for years, even writing a “Sweet 16” wish list of all the things she wants to have on her sixteenth birthday. Abby won’t let anything or anyone get in the way of her perfect day. On the morning of her birthday, despite her parents and her brother, Mike, getting in her face practically the minute she wakes up, Abby’s outlook on the day is positive. She’s got the perfect outfit to wear; spent thirty minutes doing her hair and make-up; and has money saved up to buy an amazing dress for her party that evening.

And yet, something just has to show up to ruin her day: a wasps’ nest is found in the attic. Luckily, an exterminator left their information at the front door earlier that morning – handy – and she arrives quickly, telling the family the infestation should hopefully be dealt with in a matter of days. Days?! But Abby’s birthday is today! The family is barred from entering the house, although the exterminator did manage to “save” Abby’s birthday wish list for her. Abby’s brother Mike manages to get a lift to school with their neighbour across the road, Krista Cook, who has hated Abby for years and tries to make her life a misery at every opportunity. To make it worse, Krista and Abby also have the same birthday and instead of getting wasps for hers like Abby did, Krista gets a fancy new car, a yellow VW Beetle.

Abby is left to get the bus to school, still wearing her pyjamas and slippers, since she didn’t have time to get dressed. Personally, I would’ve put my clothes on before doing my hair… At the bus stop, Abby is met by her best friend, Jay, who gives her a friendship necklace for her birthday. Randomly, as they wait for the bus, a postal service van shows up and a woman who looks very much like the exterminator hands Abby a parcel. Jay doesn’t think Abby should open it, expecting it to be something sinister, but Abby says it’ll just be a birthday present – yeah, because the postal service normally delivers packages to people stood at bus stops – and proceeds to open it. Inside, she finds sixteen birthday candles and some matches from the Lucky Duck, whatever that is. The box reckons they are meant to grant birthday wishes. Getting bored waiting for the bus, Abby lights the first candle.

Randomly again, the tour bus of singer Joey Lockhart, someone Abby has been a fan of for years, shows up at the bus stop. Joey comes out, kisses Abby on the cheek, wishes her a happy birthday, and then leaves looking confused. Abby realises that this first candle corresponds with her birthday wish list, since the first wish on that list was to meet Joey Lockhart. Abby now knows she can make all sixteen of her birthday wishes come true today. She takes a look at her list to find something that could help her right now. Wish #8 should be good. Abby lights Candle #8 and a bright red Mustang appears. Yep, she wished for her own car, and it is being driven by a woman who looks just like the postwoman AND the exterminator. This is Celeste, and she has been tasked with making all Abby’s birthday wishes come true. However, Jay points out that Abby doesn’t have her license yet, so Celeste drives them to school instead.

At school, everyone who was admiring Krista’s car then moves on to admire Abby’s car. Emboldened by this, Abby announces that she will be having an amazing party tonight and invites everyone in the year – she has a wish and a candle to make sure she has the best Sweet 16 party ever, after all. However, Krista and her friends laugh in Abby’s face, reminding Abby that she’s still wearing her pyjamas and slippers. Jay leads her away. Abby heads straight for her gym locker to find some clothes and then realises that she has a wish that can fix this: Wish #2, which promises that she’ll have the best clothes in school. But Abby finds Candle #2 just won’t light and she is soon spotted by a teacher, who confiscates the candles and sends Abby to the guidance counsellor. I guess the teacher is concerned Abby is now a pyromaniac after playing around with all those matches?

Abby then learns that the school guidance counsellor is Celeste, well, today it is anyway! Celeste explains the rules of the magic candles. All the wishes she makes before midnight tonight will be permanent, however she can only light one candle per hour. Celeste hands over the candles and matches, warning Abby to be careful where she lights them, and as a special birthday present, Celeste also gives Abby Krista’s diary to have a read through. Abby does just that and learns that Krista has been out to get her for years, deliberately upstaging Abby at every turn. Well, not any more. Abby goes to the supply closet and lights Candle #2, since it is now a new hour. The closet is magically transformed into a wardrobe and Celeste is on hand to be her personal stylist. Abby goes back out wearing her new clothes. All of Krista’s friends love her new outfit – despite having one handbag that is now “out of style”. Celeste quickly swaps out the bag for a newer one.

At gym class, Abby uses this new handbag to avoid running laps, by handing it over to her teacher as a bribe; the whole class will now play a friendly game of volleyball. But just before she heads out to play, Abby lights Candle #12, so that she can beat Krista at something. Abby suddenly becomes a pro-volleyballer and spikes the ball hard into Krista’s face. Krista is promptly sent to the nurse as Abby is admired for her mad skills. The nurse turns out to be Celeste who tells Krista, after she regains consciousness, to go to the principal’s office. There, Krista is told by the principal that Abby is going to be the new Class President, despite not campaigning for it like Krista had. It turns out Abby was a write-in, so beloved by her class that they couldn’t bear for her not to be their president. I think a magical wish might just be classed as election interference, Abby….

Abby basks in the glow of her newfound school popularity – which happens to be all down to Wish #10 – and the fact she’ll now get free lunch as president. Abby goes to meet Jay who is working on a school project. Abby doesn’t want to do any work though, and tells Jay she’ll just bribe the teacher again. Jay reacts angrily to that, annoyed that Abby has won Class President, this being a secret dream of Jay’s. Abby makes up with Jay by offering to get him some free lunch. That was easy.

Abby then says she needs a new dress for her party, which is being planned by some girls in her year and is going to be huge. But Abby’s party money is at home and she can’t retrieve it. Jay says he’ll lend her some money and that they have a free period next so can go shopping then. The only trouble is how are they going to get there; Abby doesn’t have her license yet so can’t drive them. Well, Wish #7 will solve that. Sure enough, a worker from the DMV shows up and hands Abby her driver’s license; no need for a test!

At the store, Jay unknowingly drops his wallet outside. Krista has followed them there and picked up Jay’s wallet. As Abby tries on dress after dress, Krista heads in and tells the assistant that those two won’t be buying anything. The assistant tells Abby and Jay to leave, as Jay figures out he has lost his wallet and will not be able to pay for anything. Jay rushes outside to look for his wallet, and Abby goes back into the changing room. There, she lights Candle #9, so that people will stop treating her like a kid. Suddenly, Abby is transformed… into a girl with straight hair, because that is what signals “adult” apparently! She asks the assistant where her friend is, who tells her he left with another girl, presumably Krista. Abby is annoyed Jay just left her, but she becomes distracted by the assistant who suddenly wants to help her find some more “age appropriate” clothing. You might think Abby not having any money might be an issue here, but nope, that’s what a charge account is for.

Abby arrives back at school in a whole new wardrobe. She is mistaken for being the new substitute teacher, and discovers that nobody remembers her as the Abby Jensen from their year. Abby is soon picked up from school by her parents, who instantly move her into her new apartment, telling her she is 22 years old today and needs to grow up. Wow, harsh or what! At least wait until the day after her birthday… Her parents have paid the security deposit but it’s up to her to pay the first month’s rent so she’ll need to find a job. Abby is overwhelmed by how badly her last wish has gone wrong and lights Candle #3, a wish about decorating her room the way she wants, to get Celeste to explain what has happened here. Celeste tells Abby that the candles have their own logic and since Abby has no do-over wish on her list, at midnight, this will be her new life. Abby desperately tries to find a way back to her old life and thinks Wish #14 will do the trick: to get her parents to understand her.

She goes over to her parents’ house, to find them living in an RV on the driveway because of the wasps, and tells them the whole sorry story of her day so far, showing them the candles and matches as proof. Her parents are distracted by the matches as they are from the Lucky Duck restaurant that they went to on the night Abby was born. Although her parents understand what Abby is going through, they don’t believe she is actually 16 and tell her she needs to be independent. At a loss as to what to do next, she walks over to her crush, Logan, who is admiring her car. Logan is on his way to Krista’s party across the street. Abby uses this as an opportunity to get Jay to listen to her. She proves their friendship with the necklace he gave her that morning, as Jay has the other half of it. Jay remembers. He looks over her wish list to try and find a solution but all her wishes are pointless and won’t help her. As Abby annoys herself with her stupid wishes, like wishing to like sushi when she’s sixteen, she learns that her brother is a talented guitarist, having his own guitar in this life instead of playing a plastic one in her real one, and that Krista is nice without having Abby to compete with. So, everyone is better off without Abby in their life and she should just get on with her new independent life. That’s the lesson here, isn’t it?

Perhaps it should be, but that’s not the case. Abby sadly heads back to her apartment. Her car runs out of gas, she breaks a heel, and then is splashed by a driver going through a massive puddle. When things look really bleak, Celeste arrives with pizza to cheer her up. Abby takes another look at the list, realising that all of her wishes for clothes, popularity, and cars were a total waste, and that being an adult isn’t as amazing as she thought it would be. Celeste hands Abby Candle #16, and Abby looks at her corresponding wish. It is simply a picture of Logan that she stuck on there with gum that morning. As Abby wishes she could change this wish, she flicks the photo – and it comes off, leaving a blank space. She quickly rummages around her belongings and finds the photo her parents took of her that same morning. She sticks it on the list and lights Candle #16, wishing she could start the day over again, just before midnight.

Abby shows up in her room on the morning of her sixteenth birthday. Instead of shouting at her parents and brother to get out of her space, she tells them she loves them, even giving her brother her party money so that he can buy his own guitar. She also warns her parents about the wasps’ nest, panicked she’s about to relive the whole traumatic day again. But they already knew, and the exterminator is already here. It’s Celeste again, who tells Abby everything is going to be ok now. Abby then screws up her wish list and goes to confront Krista once and for all. On Krista’s driveway, Abby demands to know what she did to start this war between them. It turns out when Abby first arrived in town, she took Jay, Krista’s previous best friend, away from her – on her birthday, no less! Right… that’s incredibly childish; you’d think Krista would’ve got over that by now! Abby apologises and says they should help Jay together. After learning he wanted to be Class President, she asks Krista to join forces with her to ensure Jay is voted in. Since Krista is the only name on the ballot, if she drops out and campaigns for Jay instead, he’ll surely win.

Sure enough, at Krista and Abby’s joint sixteenth birthday party, Jay is celebrated as Class President. Krista also tells Abby she really likes Logan, but doesn’t know how to talk to him. Abby tells her to ask him about his dream car, the Mustang she used to have. Abby and Jay then dance together. Jay admits his feelings for Abby and the two kiss. As the movie ends, Celeste appears as a waitress before disappearing. Her work here is done.

CHARACTERS & CAST

Abby Jensen has never been popular. Although she has her best friend, Jay, it seems like he is her only real friend, so it’s very much them against the world. This isn’t a bad thing, but it’s not enough for Abby. She wants to be popular, but thanks to Krista Cook, she’s never been able to. This is why Abby’s sixteenth birthday is so important to her, because it’s finally going to be the day where she gets everything she wants. To be honest, Abby is kind of annoying through most of 16 Wishes with this attitude. She isn’t very nice to her family, telling them to get out of her room, and takes Jay for granted, expecting him just to go along with whatever she wants. It’s not until Abby’s wish to stop being treated like a kid goes wrong that Abby finds she’s alone, without her best friend. This makes Abby feel incredibly scared and lonely, as many people would after being thrown out of their family home and forced to live on their own. At this point, Abby learns a real lesson: that wishing for materialistic, superficial things is a waste of time and effort, because they never make you truly happy. She also realises that she shouldn’t be in a hurry to grow up, as being an adult comes with its own responsibilities and isn’t as glamorous as it looks. From this point, Abby becomes a more redeemable character, and less like a spoilt brat!  

Debby Ryan was cast as Abby. Ryan began her Disney Channel career as Bailey Pickett on The Suite Life on Deck (2008-11), the spin-off and sequel series to The Suite Life of Zack & Cody (2005-08), and then reprised her role in The Suite Life Movie (2011). After this, Ryan continued to feature on Disney Channel by starring in the series Jessie (2011-15). During this time, she was also cast in the leading role of Tara Adams in the DCOM Radio Rebel (2012). Outside of Disney, Ryan’s most famous role is perhaps as Patty Bladell in the controversial Netflix series Insatiable (2018-19). More recently, she voiced the character of Krista in the animated series Velma (2023-24), a spin-off of the Scooby-Doo franchise, and is due to appear in the thriller film Famous, which will star Zac Efron.

Jay is Abby’s best friend, and former best friend of Krista Cook. He clearly has feelings for Abby that she is completely unaware of until the end of the movie. Jay is an incredibly loyal friend to Abby, quickly forgiving her even when she’s being a bit of a self-obsessed jerk. When Abby’s wish goes wrong and she becomes an adult, Jay is friends with Krista instead. I think Jay would’ve been better off in this alternate life; however, Abby makes sure that he can’t be free of her, getting him to remember that morning when he gave her the friendship necklace. He does remember, but can’t actually help, so it was a completely pointless exercise, making him feel guilty for no reason. When Abby gets to do over her birthday, she is a better person, and I’d like to think that her, Krista, and Jay become a trio, as Krista and Abby have supposedly moved on from that childhood event that caused all the animosity between them. This would be the best thing for Jay, I think, because Krista can hopefully balance out Abby’s impulsiveness and Jay’s willingness to go along with her plans. He also got to be Class President thanks to Abby, so I guess she did one good thing for him.

Jay was played by Jean-Luc Bilodeau. One of Bilodeau’s earliest roles was as Josh Trager in the ABC series Kyle XY (2006-09). After 16 Wishes, he then appeared as Jeremy in the movie LOL (2012), which starred Miley Cyrus, and in the television movie Expecting Amish (2014), alongside AJ Michalka. Bilodeau later starred as Ben Wheeler in the sitcom Baby Daddy (2012-17). Most recently, he was cast as Dr. Daniel Kutcher in the sitcom Carol’s Second Act (2019-20), and as Ronnie in the Roku series The Holiday Shift (2023).

Krista Cook is meant to be the typical mean girl who comes from a rich family and is the most popular girl in school. Krista has tried to overshadow all of Abby’s successes throughout her life, by having better parties and sleepovers, for example. It’s worked and that makes Abby jealous of her, but in fact, Krista is jealous of Abby, and that is because Abby “stole” her best friend Jay from her when they were younger. Friendship groups always change throughout school so I think this is a pretty pathetic excuse for Krista’s hatred of Abby. Why did Krista not just keep talking to Jay instead of accepting that her friend was “gone” forever? Abby didn’t even know she’d taken Jay away from Krista so I doubt she was a horrible kid who would’ve banned Jay from talking to Krista ever again. I’m sure if Krista had even had a mature conversation with Jay and Abby about it all as they got closer to the age of sixteen, this could’ve all been resolved. Krista was played by Karissa Tynes, who was cast as Rhonda Blair / Vanessa A. Williams in The Unauthorized Melrose Place Story (2015) for Lifetime, and as Jameson in Season 2 of the drama series UnREAL (2015-18).

Celeste is the magical being who makes all of Abby’s sixteenth birthday wishes come true, though I’m not sure why she chose Abby of all sixteen-year-olds to do this for; it’s never explained. Celeste seems to deliberately make the wasps more active in Abby’s house, leaving her information on the front door, knowing that Abby’s parents would need to contact someone. It’s all a bit dodgy if you ask me. I’d rather not have some strange woman put wasps in my house just to get my birthday wishes to come true, not to mention not wanting to have her follow me around all day, but Abby is quite happy with the situation, as Celeste pops up at random intervals during 16 Wishes, either to help Abby accomplish some of wishes, like being her personal stylist and interior designer, or to make sure Abby understands what is going on with her wishes. Celeste also has to come to Abby’s rescue close to midnight on her sixteenth birthday as Abby has given up hope. Celeste gets Abby to realise that she can change Wish #16 as it’s just a photo, but apparently, isn’t allowed to come out and say it. She probably hoped Abby would figure it out earlier. Talk about leaving it to the last minute! Anna Mae Wills was cast as Celeste. She was cast as Patty in the movie I Love You, Beth Cooper (2009) just before her role in 16 Wishes.

Outside of these four main characters, there are a few others to mention. One is Abby’s brother Mike. Mike is Abby’s younger brother but he isn’t particularly annoying like you’d expect, though he does play a plastic guitar around the house, clearly wanting to buy a real one but not having the money to do so. He even asks Abby for a loan but she refuses, saying this money is for her party dress. I mean, you have lots of money, Abby; do you really need a dress that costs that much? Mike is actually a pretty cool little brother, not bothering her at school, but also not being embarrassed to say Abby is his sister. Maybe that’s why Abby decides, after seeing Mike play a real guitar in her alternate life, that she should give him the money for a guitar; she thinks he’s really talented and should explore that. Cainan Wiebe was cast as Mike. Just before appearing in 16 Wishes, he had been cast as Gareth in the television movie Beyond Sherwood Forest (2009).

Finally, there are Abby’s parents, Bob and Sue. They seem like nice parents, making Abby a birthday cake and a special birthday breakfast, however, all their actions are thrown back in their faces when Abby orders them out of her room on that morning. Later on, we see Bob and Sue in a different light, after Abby accidentally makes herself 22-years-old. They suddenly seem to be quite harsh on her, moving her into her own apartment without talking to her about it first and telling her to “be independent”. It’s apparently because they don’t have enough room for her in the RV that they’re forced to live in because of the wasp infestation. Really, though, it seems like something must have gone on between Abby and her parents that even Abby doesn’t know about because she’s skipped six years of her life. Maybe Abby was sat around watching TV all day, not bothered about getting a job. Although when they pick her up from the school, it seems like a regular annoyance they have to deal with so maybe this Abby never gave up wanting to be sixteen – I can understand how that could be draining for her parents! Anyway, none of that matters because Abby does get back to her real life and has a new appreciation for her parents and her brother.

Bob Jensen was played by Patrick Gilmore. At the time of 16 Wishes, Gilmore was appearing in the recurring role of Dale Volker in Stargate Universe (2009-11). He went on to be cast as David Mailer in the series Travelers (2016-18) and as Mr. Anderson in the Paramount+ series School Spirits (2023-present). Kendall Cross was cast as Sue Jensen. She went on to appear in the recurring role of Major Byrne in The 100 (2014-20).

MUSIC

16 Wishes features eleven songs. All tracks are on the 16 Wishes soundtrack, released on 15th June 2010, just over a week before the movie’s premiere on Disney Channel.

Usually, if a Disney Channel movie’s lead actor can sing, then they will get to sing one or two songs in that movie, if it’s not a musical. In this case, Debby Ryan gets to perform two such songs. One of them is the song’s opening number, “A Wish Comes True Every Day”, written by Ali Theodore, Jason Gleed, and Alana da Fonseca. This is probably my favourite song in the movie; it’s an upbeat pop song, which is the perfect song for Abby to wake up to on her sixteenth birthday. This song then features again as the finale of the movie, just before the End Credits, with a special video showing the cast and crew dancing on set, as well as a few bloopers. The music video for this song was also uploaded to Disney Channel’s YouTube Channel on 18th June 2010, a week prior to its premiere date.

The other song Debby Ryan performs, alongside her brother Chase, is “Open Eyes”, another song in 16 Wishes that I like. It is played as Abby sadly heads back to her apartment after Krista’s party, resigned to her fate of remaining 22 forever. This song was written by Chase Ryan, Debby Ryan, and Matt Beckley. Chase also contributed to another song on the soundtrack, “Saying Goodbye”, which he wrote and performed alongside Michael Popp and Aaron Harvey. I believe this song is played in the dress shop; however, it is so quiet, being used as background noise, that it is hard to tell. Another song that may have been playing in this shop is “The Way It Used To Be”, performed by punk rock band Not By Choice, and written by M. Bilcox. I didn’t specifically hear this song, but given that the 16 Wishes soundtrack track list appears to be in order of appearance in the film, it must have been played at this time, but I didn’t specifically hear it.

There are a few other songs in 16 Wishes that are only played briefly in the movie. One of these is “No One’s Fool”, performed by Keith and Renee and written by Keith Macpherson, Renee Lamoureux, and Creighton Doane. It plays as Abby gets ready in the morning. Following on from that, “Princess Girl”, performed by Minnutes, is used for the moment that Abby meets Joey Lockhart at her bus stop. Then, there is “Picture Perfect”, performed by Jennifer Cathcart, and written by David Isaac Feldstein, which plays as Abby leaves the dress store in her new “age appropriate” clothes. There is also “Bad Momma”, written by Marc Ferrari, Josh Kessier, and Chad Gendason, performed by Gendason, which can be heard as Abby reveals her new clothes that she wished for at school.

Then there is music that plays at the different birthday parties. Krista’s solo party has two songs, the first being “Vertigo” performed by the band Willknots. It was written by Douglas Deibel and Shawn Richardson. It is followed by “Overreaction”, another song performed by Chad Gendason, and written by Ferrari, Kessier, Gendason, and Andrew Robert Hayes. I can’t say I really noticed either of these songs, however, at Krista and Abby’s joint party at the end of 16 Wishes, the song “Don’t Wanna Grow Up” by Willknots is played, written by Deibel and Richardson. This song might sound familiar to DCOM fans, as it appears towards the end of Cow Belles (2006). It’s a great song, and you get to hear more of it in 16 Wishes, as it is also used for the End Credits.

James Jandrisch is credited with composing the score for 16 Wishes. He would go on to compose the music for another Debby Ryan DCOM, Radio Rebel (2012), as well as for the DCOM Zapped (2014). Jandrisch is also the composer for some television film series including Signed, Sealed, Delivered (2014-present), and Gourmet Detective (2015-20). More recently, Jandrisch composed the music for the Netflix series’ Tiny Pretty Things (2020) and Sweet Magnolias (2020-present). He also composed the music for one of my favourite Christmas television movies, Call Me Mrs. Miracle (2010).

PRODUCTION

16 Wishes focuses on the whole obsession with the idea of the “Sweet 16”, whether that is by having a great birthday or an amazing party.

 Having a movie or a series based on the importance of sixteenth birthdays is nothing new. One of the most popular shows about Sweet 16 parties is the MTV reality series My Super Sweet 16 (2005-17), which followed kids as they planned huge parties for their sixteenth birthdays, complete with the usual tantrums and meltdowns you’d expect to see from spoilt kids that don’t get their own way[1]! Sometimes other milestone birthdays, such as 18th or 21st birthday parties, were also featured. Even some celebrities got in on the action, including Aly and AJ Michalka, who held a joint party for their 18th and 16th birthdays, respectively, in 2007. Their episode may have been a promotional technique for the girls’ own movie, Super Sweet 16: The Movie, which was released in 2007. It saw two girls make plans to throw a huge, joint Sweet 16 party. When the girls have a falling out, they start trying to outdo each other with their own parties.

MTV even made a spin-off three-part horror film series, created for television, based on their reality series entitled My Super Psycho Sweet 16 (2009-12).

Let’s also not forget the 1980s John Hughes movie Sixteen Candles (1984). It might not feature a huge Sweet 16 party, but it is a coming-of-age movie about a girl’s sixteenth birthday, which her family have forgotten about because her older sister is getting married the next day. The plot of the movie is not similar to 16 Wishes; however, the title does link to it as Abby gets sixteen wish candles; the titles can potentially be mistaken for each other.

I’m sure Sixteen Candles must have been some sort of loose inspiration for 16 Wishes, however, the obvious 2000s obsession with huge sixteenth birthday parties must also have been. Although Abby does not end up having a grand party, it is alluded to the fact that she was hoping to have one. Just before Abby and Jay head off to the store to buy her a dress, she mentions to Jay that two girls in their year have taken on the planning of Abby’s party, which they want to hold in a hotel in Las Vegas, potential trying to make the party similar to the elaborate affairs that exist within My Super Sweet 16.

16 Wishes also takes some plot points from the Jennifer Garner movie 13 Going on 30 (2004), something that some reviews mentioned. In 13 Going on 30, the main character, Jenna, wishes to be thirty on her thirteenth birthday, believing that being an adult will fix all her issues, as she feels like a loser as a teenager. This is much like Abby in 16 Wishes, who hates being treated like a child. Her wish instead makes her 22 and therefore an adult. Obviously, 16 Wishes is a more family-friendly version of 13 Going on 30 and does not involve too many real-life problems since it only takes place over a day, with Abby’s biggest issue being that she was forced to move out of her parents’ house. 13 Going on 30 not only looks at relationship and family problems, but also work issues too. Big (1988) also features a teenage boy wishing to be “big”, with his wish going wrong and turning him into an adult, but again, it deals with this issue in a more mature way. But neither Big nor 13 Going on 30 were aimed at younger children, or set to be aired on Disney Channel, so they didn’t have to conform to certain expectations.

With all that being said, 16 Wishes is not a particularly unique story, clearly expanding on ideas from other movies, however, that does not make it any lesser of a movie. Many movies borrow ideas from others to create their storylines. It meant that 16 Wishes felt like familiar territory, but in one way, it might be slightly more relatable, and that is by not changing the actress playing Abby. To the audience, it doesn’t look like much has changed when Abby “grows up” from 16 to 22, so we are able to fully understand her confusion at why she’s being treated differently. In 13 Going on 30 and Big, we are introduced to a young actor first, and then asked to relate to a different one. In some ways, they feel like two separate journeys or a dream, but with 16 Wishes, it is solely Abby’s story.

16 Wishes was directed by Peter DeLuise. Peter DeLuise went on to direct the DCOM Zapped (2014), which starred Zendaya, but prior to 16 Wishes, he had also directed some episodes of Kyle XY (2006-09); Stargate Atlantis (2004-09); Stargate SG-1 (1997-2007); and Stargate Universe (2009-11). Previously, DeLuise had starred as Officer Doug Penhall in the series 21 Jump Street (1987-91). DeLuise also has some famous family with links to Disney. His brother David DeLuise was cast as Jerry Russo in the Disney Channel series Wizards of Waverly Place (2007-12) and its 2009 movie. They are sons of comedian Dom DeLuise, who voicing the character of Fagin in Oliver & Company (1998).  

The screenplay for 16 Wishes was written by Annie DeYoung, who had previously worked on Princess Protection Program (2009), Return to Halloweentown (2006), and Girl vs. Monster (2012) for Disney Channel.

16 Wishes was filmed in Vancouver, British Columbia, Canada, with one of the most obvious filming locations being Walnut Grove Secondary School. Much of the movie’s scenes are either filmed at the school or at the street where Abby and Krista live, so nothing too exciting to report on there.

I’ve mentioned a lot of Disney links in the cast and crew credits; however, 16 Wishes is not a Disney Channel Original Movie, in a similar way to Harriet the Spy: Blog Wars, which is also not technically a Disney Channel Original Movie, despite being promoted as such, or in slightly different terminology, prior to its Disney Channel air date. 16 Wishes was a co-production between Disney Channel and MarVista Entertainment[2]. Unity Pictures is also listed on the Opening Credits. Because of this small technicality, this is potentially why 16 Wishes is not available to stream on Disney+. Instead, if you want to watch 16 Wishes, you’ll have to hope it appears on another streaming service – I found Harriet the Spy: Blog Wars on Amazon Prime in the UK when I reviewed that movie – or go the old-fashioned route and watch it on DVD, which is what I did with 16 Wishes[3].

RECEPTION

16 Wishes first premiered in the US on Disney Channel on 25th June 2010.

A trailer was released on Disney Channel’s official YouTube channel on 9th June, which referenced 16 Wishes as a Disney Channel Movie, but not a Disney Channel Original Movie[4]. This is a subtle distinction but one I guess they had to make somewhat obvious with this being a co-production.

On its US premiere, 16 Wishes apparently got 5.6 million viewers, and became the most watched cable program of the day. 16 Wishes later premiered in Canada on Family Channel on 16th July 2010.

In terms of reviews, these are mixed, as some say that it is the best DCOM of all time, and that the ones to debut afterwards were nowhere near as good – I’ve read this quite a lot around other DCOMs released in 2010 or 2011 – whereas others call it the worst. For me, I liked 16 Wishes when it first came out, and rewatched it quite a few times. Looking at it now, though, I wouldn’t call it the best or the worst; it’s just average.

Those who like 16 Wishes say it was quite deep for Disney Channel, as it taught an important lesson about not growing up too fast, and made kids re-examine their lives in some ways. I’m not sure 16 Wishes ever affected me to the point where I made changes to my life, and I was a similar age to the characters, so I’m not sure I agree with this point. 16 Wishes was also called cute, although typical and predictable.

Others who don’t like the film say it is cringey and they dislike the main character of Abby Jensen, calling her “awful”. I think awful is a bit harsh, and she does eventually change her ways, but I wouldn’t have wanted to be friends with her at school. She’s not a bad person, but she does strike me as the type to constantly moan about how unfair her life is, which would get draining after a while…

LEGACY

Luckily, the story of 16 Wishes did not allow for a sequel, or a series of movies.

I mean, Disney Channel could have done it, obviously. They could’ve brought Abby back to do 17 Wishes, maybe even 18 Wishes, where she makes new wishes based on her current situation but they would’ve been samey and boring; sometimes one movie is enough.

So, 16 Wishes has not spanned its own franchise, however, 16 Wishes did boost Debby Ryan’s Disney Channel career. She was already known for her role on The Suite Life on Deck, so 16 Wishes allowed her to star in her own project. This led to her role as Jessie in the series, and then to star in Radio Rebel in 2012.

Outside of that, I did discover that there is a website selling the set of sixteen candles, the Lucky Duck matches, and a recreation of Abby’s wish list, so if you’re a huge fan of this film, this could be the perfect gift for you.

FINAL THOUGHTS

Sixteenth birthdays are meant to be a big milestone moment for teenagers, where they start to feel more mature and become more independent.

In 16 Wishes, Abby can’t wait to turn sixteen because she seems to think that on that one day, she’ll wake up and feel differently about herself. She also believes that everyone around her will finally notice that she’s not a child anymore. That is not the case, and Abby becomes disappointed that her sixteenth birthday hasn’t been everything she hoped it would be. The wishing candles seem to be making it the best day ever until it goes badly wrong.

I think too many teenagers put pressure on themselves to grow up quickly. Once you do grow up, many realise that being an adult is not all that wonderful, and that they should’ve spent more time being a kid.

If 16 Wishes teaches people anything – and it’s a Disney movie so generally they try to teach you something – it’s don’t be in such a hurry to grow up. Adulthood probably won’t be everything you imagined.


REFERENCES

[1] Credit: MTV, ‘My Super Sweet 16’s Biggest Meltdowns I MTV Ranked’, MTV Vault YouTube Channel, 12th May 2019.

[2] Credit: Disney, ’16 Wishes (television), D23.com, date unknown.

[3] Credit: Daniel Furn and Cole Luke, ‘How to watch 16 Wishes: Is it available to stream on Disney+?’, RadioTimes.com, 18th September 2023.

[4] Credit: Disney, ’16 Wishes Trailer – Disney Channel Official’, Disney Channel YouTube Channel, 9th June 2010.

Wallace & Gromit: Vengeance Most Fowl (2024)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

2024 seems to have been The Year of the Sequel.

Looking at the 2024 worldwide box-office, all the movies in the Top 5 were sequels. These included Inside Out 2 from Pixar; Moana 2 from Disney; and Despicable Me 4 from Universal and Illumination.

Another major blockbuster was Wicked: Part 1, a live-action adaptation of the popular Broadway musical which debuted in 2003. This shows that, currently, many movie studios are finding that their best opportunity for box-office success is to continue, and in some cases improve on, tried-and-tested franchises.

Wallace & Gromit: Vengeance Most Fowl is no different in that respect, although it is only the second feature-length outing for the British pair, almost twenty years after their first movie Wallace & Gromit: The Curse of the Were-Rabbit (2005) came to be.

Making a sequel is not a bad thing, especially if there is a story to be told. Although some of these sequel movies do appear to be bold money-grabbing attempts – I’m not saying which I think those are – Wallace & Gromit: Vengeance Most Fowl from Aardman Animations did not feel like that. I believe that is down to the fact that Aardman spend months or even years on their movies, because in most cases, these movies are made using clay, in a process called Claymation. Aardman are arguably the best in the business at what they do and Wallace and Gromit have become national treasures since they debuted in 1989. There is very little that can go wrong with those two.

I haven’t been the first to watch many movies in recent years. I’ve said previously that my streaming watchlists is where movies go to die, because I rarely get round to them even in the first month that they are released. It takes me years to get to them sometimes, or I end up ignoring them completely. I try to watch a lot of the Best Picture or Best Animated Oscar-nominated movies, but I’m about two or three years behind at the moment.

Luckily for me, I was on it with Wallace & Gromit: Vengeance Most Fowl because British audiences did not have to go to the cinema or to Netflix to watch it. It got a primetime viewing slot on BBC One on Christmas Day 2024, so it was easily accessible. Though I did not like Vengeance Most Fowl as much as The Curse of the Were-Rabbit, finding it a bit slow in places, it was still full of heart and typical British comedy. It was most definitely worthy of Christmas Day viewing.

PLOT

Vengeance Most Fowl begins by going back in time, to Wallace and Gromit calling the police to say they have apprehended the thief who stole the Blue Diamond. This thief is a penguin named Feathers McGraw, who was promptly arrested and sentenced to life in a high security facility. Instead of being a prison, this facility is in fact a zoo, because, you know, Feathers is a penguin; why would sending him to jail make any sense at all?

In present day, Wallace and Gromit have continued their lives as normal after this event. Wallace has spent time creating more inventions to make his life easier, and Gromit has spent his time getting increasingly irritated by Wallace’s over-reliance and obsession with new technology. Gromit sees that they have lots of bills to pay and no way of paying them – until Wallace comes up with a new invention, a smart gnome called Norbot, who is voice-activated and will do any gardening job he’s asked to do. In this case, he is tested on Gromit’s beautiful garden, whereby Norbot tears up and destroys all of it making the garden neat with just a lawn and topiary. It might look immaculate, but it’s ruined Gromit’s work. But Wallace doesn’t even notice and plans to set up a gardening service with Norbot.

Meanwhile, Chief Inspector Mackintosh and trainee PC Mukherjee are discussing the proud moment of when Mackintosh locked up Feathers McGraw, taking the Blue Diamond and storing it in their vault at the station. It is now time for the Blue Diamond to go back on display and Mackintosh has been tasked with the security plans, his last job before retiring.

Back with Wallace and Gromit, Norbot and his gardening service have attracted the attention of the neighbours and the local news, who are all very impressed with this latest invention. However, this news report also attracts the attention of Feathers McGraw, who sees Wallace on the news through the bars of his cage as his keepers watch on television. Feathers wants to finally get his revenge on Wallace and now he has a plan…

Gromit doesn’t like Norbot and sees that Wallace is giving Norbot all the attention and basically ignoring Gromit. Norbot also seems to be better than Gromit at almost everything. Gromit reaches breaking point when Norbot wanders into his room one night, unplugs the radio Gromit was listening to, and plugs himself in to recharge overnight. Except Norbot is not like most tech and recharges very loudly…and intensely… Gromit unplugs Norbot and takes him down to the basement, plugging him in to the computer to recharge down there. Finally, Gromit can have some peace and quiet again!

At the zoo, Feathers uses an extending arm to get through his cage bars and on to the keepers’ computer. He gains remote access to Wallace’s computer over in West Wallaby Street. He manages to guess Wallace’s password – simply “cheese” – then answers a security question all about cheese, and gets into the computer. From there, Feathers accesses Norbot, since he is plugged in to the computer, and changes his mode to “Evil”.

The next day, Wallace goes to get Norbot, ready to complete all the gardening work for the neighbours. Both Wallace and Gromit discover that overnight, Norbot has built his own army of smart gnomes just like him. Wallace is overjoyed to see there are plenty of gnomes available but Gromit isn’t so sure about this; something isn’t right. But Wallace isn’t bothered and sets up a tracking device so he can keep tabs on them from home. Gromit becomes suspicious when he sees the gnomes all seemingly plotting something and goes with them to their jobs. As the gnomes get on with their work, even singing a song as they do so, everything seems fine, but then Gromit is locked in a shed by the gnomes, and neighbours soon discover that random items, like tools, pipes, and glass, have all been stolen from their gardens. The police receive numerous reports of the thefts.  

Back home, Norbot tries to ensure that Wallace doesn’t notice that him and the other gnomes have gone evil. Norbot turns off the TV before Wallace can see the news report about the burglaries, and then drugs Wallace to put him into a deep sleep. Gromit manages to cut himself out of the shed eventually, and gets home to find the gnomes all building something. They soon spot Gromit watching them, and assume he’s going to wake Wallace. Sure enough, when Wallace makes it down to the basement, there is no sign of anything. Then, there is a knock at the door. Chief Inspector Mackintosh says they have a search warrant for Wallace’s home. They proceed to seize all of Wallace’ inventions – but the gnomes are nowhere to be found.

The next day, Wallace struggles to even put his clothes on without his inventions and to make this day even worse, an angry mob and a news crew arrive on the doorstep, to confront the “evil inventor Wallace”. To prove their innocence, Gromit goes out on his motorbike to find the gnomes, going to the police station to retrieve Wallace’s “gnoming” device, the tracker. The police head to the museum for the unveiling of the Blue Diamond.

As Gromit follows the tracker, he believes a pack of gnomes are coming right towards him – but there’s no-one there. He then sees light coming from the ground, and realises they’ve gone underground and are heading into the zoo. Gromit manages to sneak into the zoo and sits in a tree, where he sees Feathers being all Bond villain, sitting in a chair, stroking a little seal. The gnomes appear in the enclosure from a submarine. That must’ve been what the gnomes were building in the basement, and that’s why they had to steal all those materials. Feathers heads into the submarine with his evil crew, signalling for Norbot to saw off the branch that Gromit is sitting on. Gromit and Norbot fall down into the lion enclosure. As all looks lost, Norbot snaps out of his evil mode, thanks to the fall, and saves both of them from getting eaten – by giving the lion a haircut! Gromit and Norbot head straight for the museum, where they see that the Blue Diamond has been replaced with a turnip. The police suspect Wallace of making the switch long ago when he first reported the crime, keeping the diamond for himself.

Gromit races home to warn Wallace but it’s too late. The gnomes and Feathers are already there, and Wallace and Gromit both get tied up. They come face-to-face with Feathers and discover that Feathers hid the diamond in their teapot all that time ago. Feathers takes the diamond and his evil gnomes, leaving Wallace and Gromit shut in a cupboard. Suddenly, Norbot comes into the cupboard, but if you thought Norbot was going to save them, he wasn’t – he just wanted the vacuum so he could clean! Gromit grabs a nearby leaf blower instead to propel them out of the cupboard. As the police arrive to arrest Wallace, the two run them over. Wallace and Gromit pursue Feathers and the gnomes.

A chase ensues, with the police also chasing after Wallace. Feathers gets into a narrowboat, with Wallace, Gromit, and Norbot following behind in another narrowboat. Luckily, these boats don’t move very quickly so Mackintosh and Mukherjee are able to follow them on a bicycle, though Mackintosh is infuriated that Wallace and Gromit just happen to be on his narrowboat – the cheek of it! The police see the narrowboat ahead of Wallace and Gromit and see what they believe to be a nun; it is actually Feathers in disguise – gasp!

Wallace quickly makes an invention to turn all the evil gnomes back to being good again. They use a ton of boots they’ve found on the boat – Mackintosh’s vintage boot collection – to knock over the gnomes so that they will reboot as Norbot did. At the same time, Feathers has made his boat speedy so Gromit attaches a rope to it to try and get closer. Wallace follows behind in a life ring after falling overboard, at which point, you’ll see the Farmer from Shaun the Sheep in a small cameo appearance.

Gromit eventually jumps on to Feathers’ boat and the two battle for the diamond. Wallace then lands back on the first boat. As they approach the Yorkshire Border, Feathers sees that the police have blocked the canal, and almost steers them off an aqueduct. Gromit has managed to retrieve the diamond, but he is left dangling off the edge of the boat as it starts to tip over. Wallace begs Gromit to give up the diamond so that the boat won’t fall with him on it. Gromit hands the bag over to Feathers who jumps down onto a train below. However, this isn’t enough to save Gromit and the boat falls off the aqueduct, and Gromit is unable to jump to safety.

Suddenly, Gromit feels himself dangling in mid-air. He looks up to see the gnomes, now all good again, together in a line, rescuing Gromit from certain death. They steadily pull each other back up to safety. At this point, the police see Feathers on the train, but luckily, Gromit swapped out the diamond for a turnip. Gromit returns the real Blue Diamond to the police, proving that neither he nor Wallace was ever guilty of a crime.

Some time later, we see that Feathers McGraw is wanted yet again, and that Mackintosh has finally retired, living on his canal boat. Back at home with Wallace and Gromit, Wallace has reprogrammed his original “pat-o-matic” machine to put Gromit’s plants back in, with the other gnomes helping out. Wallace has also found a new love for his pet dog Gromit and no longer takes him for granted. The movie ends with Norbot cutting “The End” into one of their garden hedges.

CHARACTERS & CAST

Let’s talk about Wallace first. Wallace is obsessed with inventions, always has been. I don’t think it’s because he’s lazy but because he’s fascinated with technology. He uses all sorts of inventions to help him get ready in the morning, from getting him out of bed, to making his tea and toast. Wallace is also a very upbeat, positive chap, never seeming to see bad things that could be about to happen in the near future. For example, when he first meets Feathers McGraw in The Wrong Trousers (1993) television special, Wallace doesn’t suspect that Feathers could be a villain about to use him to steal a diamond. This happens again in Vengeance Most Fowl, when Wallace doesn’t see that Norbot has gone evil. He likes to see the good in everyone, I think. Although Wallace can have a one-track mind at times, forgetting others around him, like Gromit, he is a caring person, just a bit scatterbrained.

Previously, Wallace had been voiced in the movies and television specials by Peter Sallis, who was also known for playing the role of Normal “Cleggy” Clegg in Last of the Summer Wine (1973-2010), however, with his passing in 2017 at the age of 96, the public wondered if this was the end of Wallace and Gromit, because, how could the duo go on without Sallis? Although it was difficult for Aardman to create Vengeance Most Fowl without the esteemed voice actor, they were successful in finding a replacement: actor and voice artist Ben Whitehead who had already worked on a few Aardman movies prior to Vengeance Most Fowl[1]. His credits with Aardman include Mr. Leaching in Wallace & Gromit: The Curse of the Were-Rabbit (2005); Baker Bob in Wallace & Gromit: A Matter of Loaf and Death (2008); The Pirate Who Likes Sunsets and Kittens in The Pirates! In an Adventure with Scientists (2012); as well as additional voices in Early Man (2018). This meant that Whitehead had been around the creative process of Aardman’s movies before and had no doubt spent time listening to Sallis voice Wallace. This was not even Whitehead’s first credit as Wallace. In fact, he voiced Wallace in the game Wallace & Gromit’s Grand Adventures in 2009 and in the episode of the BBC Proms in 2012, Wallace & Gromit’s Musical Marvels. Despite the obvious pressure of voicing this much-loved character, Whitehead did well with his voicing of Wallace; the change is barely noticeable.

Gromit is Wallace’s underappreciated loyal dog. He isn’t particularly impressed by Wallace’s tech obsessions, not wanting to rely on them, and is more suspicious than Wallace. It’s a good thing too because if Gromit hadn’t been suspicious of Norbot and the other “smart gnomes” or of Feathers, then they’d likely have made off with that Blue Diamond and never been seen again. Gromit is fearless and brave, not letting the pursuit of a criminal mastermind put him off doing what’s right and proving his owner’s innocence, despite Wallace ignoring Gromit for much of the movie and allowing his new invention to tear up all of Gromit’s great gardening work. He is loyal to a fault. Since Gromit is a dog, and this is not a Disney movie, he does not speak.

Feathers McGraw also does not speak, yet this doesn’t mean that he is no less menacing than any other villainous character. Matt Groening, creator of The Simpsons (1989-present), even said that Feathers is one of the greatest villains of all time, managing to convey to the viewer – and Gromit, but not Wallace – how much of a threat he is just with his sinister stare[2]. Feathers is also a “master of disguise”, except only to the dim-witted humans here. Feathers uses a red glove to disguise himself as a chicken in both The Wrong Trousers and Vengeance Most Fowl, with Wallace not realising it is Feathers until he takes the glove off. That might sound familiar to Disney fans, as Dr. Doofenshmirtz in Phineas and Ferb (2007-15) similarly struggles to identify his foe, Perry the Platypus, until he puts his hat on. Feathers manages to outsmart the police in this movie too, by dressing himself up as a nun. Despite Feathers being “just” a penguin, he has a lot of evil plans in that little bird body, and if he has to use others to achieve those, then so be it. In The Wrong Trousers, Feathers used an unsuspecting – and unconscious – Wallace to commit his crimes, drugging Wallace and putting him in the “techno-trousers”, controlling him so that he picked up the Blue Diamond for him. Feathers didn’t care if Wallace got caught because they’d never suspect a little penguin of being the person behind the robbery. In Vengeance Most Fowl, he uses the smart gnomes to help him retrieve the Blue Diamond and get away. And if it weren’t for that meddling Gromit, he might just have gotten away with it too.

Norbot is a new character to the Wallace & Gromit franchise. He is a smart gnome, a voice-activated assistant developed and built by Wallace himself. Initially, Norbot seems friendly and eager to please, even though he is a bit overzealous. For some reason, Norbot also decides it’s appropriate to barge into Gromit’s room to plug himself in to charge overnight. Talk about rude! That can’t be the only plug in their whole house, surely? Sadly because of this charging fiasco, and Gromit plugging Norbot in to the basement computer instead, Norbot ends up going evil, as Feathers remotely accesses the computer and turns him to “Evil” mode. It turns out Norbot has other modes that he can be changed to as well, including “Mean-spirited”, “Grumpy”, and “Mildly Annoying”. You might think that last one was the setting he was on, but he was actually just “Good”. In the end though, Norbot returns to his “Good” mode after falling in the zoo and rebooting to his original setting, and even saves Gromit from almost certain death. I did like Norbot as a new character, even though gnomes in general freak me out…

Norbot was voiced by writer and actor Reece Shearsmith. Shearsmith co-created and starred in the comedy series The League of Gentleman (1999-2002, 2017) alongside Jeremy Dyson, Mark Gatiss, and Steve Pemberton. After this, Shearsmith collaborated with Steve Pemberton to write and star in the horror comedy series Psychoville (2009-11), before working together again on the long-running series Inside No. 9 (2014-24). Recently, Shearsmith was cast as Professor Ware in Saltburn (2023). He might also be recognisable to those who are fans of the Three Flavours Cornetto trilogy, the series of films starring Simon Pegg and Nick Frost, as Shearsmith made appearances in Shaun of the Dead (2004) and The World’s End (2013).

Within the seemingly very small police department in Vengeance Most Fowl, we have both a returning character and a new character. The returning character is Chief Inspector Albert Mackintosh, who first appeared in Wallace & Gromit: The Curse of the Were-Rabbit when he was a police constable. Mackintosh is a bit curmudgeonly at times, in both movies, as he just wants to get the trouble sorted out as quickly as possible, which is an effective way of thinking in the police, however, this can lead you to having tunnel vision, focusing in on a specific piece of evidence that actually leads you in the wrong direction. With Mackintosh looking forward to his retirement after the new museum display of the Blue Diamond, the last thing he needs are crazed gnomes on the loose, stealing things from the community, and he certainly does not need to be chasing down a diamond thief. Because of this, Mackintosh is quick to presume Wallace as the criminal, even though that is not the case. But to be fair to Mackintosh, he just wants some peace and quiet for a change.

Chief Inspector Mackintosh is voiced by comedian Peter Kay, reprising his role from The Curse of the Were-Rabbit. Recently, Kay has returned to stand-up comedy with his latest tour Better Late than Never…Again due to end in February 2026. Kay is also known for his television work, including creating and starring in the sitcom Phoenix Nights (2001-02), and its spin-off, Max and Paddy’s Road to Nowhere (2004), alongside Paddy McGuinness. Kay’s most popular sitcom was perhaps Peter Kay’s Car Share (2015-18) which he starred in alongside Sian Gibson, winning multiple National Television Awards and BAFTA TV Awards. Kay has also had success with comedic charity singles, such as “(Is This the Way to) Amarillo” with Tony Christie for Comic Relief in 2005, and “I Know Him So Well”, performing as his character Geraldine McQueen from Peter Kay’s Britain’s Got the Pop Factor (2008) TV special alongside Susan Boyle for Comic Relief in 2011.

PC Mukherjee is new to policing, and to the world of Wallace & Gromit, being mentored by none other than Mackintosh. She is fascinated by the Feathers McGraw case that Mackintosh is only too happy to talk about, with his capture being a huge accomplishment. Being new to the job, Mukherjee is more open-minded. She doesn’t immediately suspect Wallace of wrongdoing and even admits that there is little evidence against him. She wonders if Feathers could be behind it all but is quickly shut down by Mackintosh. The two set off in pursuit of Wallace and Gromit, but it turns out Mukherjee’s instincts were exactly right; it was Feathers McGraw. Shame they never caught him… Mukherjee was voiced by Lauren Patel. Patel was cast as Pritti Pasha in the Amazon Prime movie Everyone’s Talking About Jamie (2021), based on the stage musical of the same name. Patel had also worked with Aardman prior to her role in Vengeance Most Fowl, voicing the character of PB in their CGI comedy series Lloyd of the Flies (2022-23).

That’s all the main cast, but there are a few actors in smaller roles that might sound familiar as well. One of these is the news reporter Onya Doorstep, who was voiced by Diane Morgan. Morgan is known for her comedy character, Philomena Cunk, who first appeared on Charlie Brooker’s Weekly Wipe (2013-20) before having a couple of spin-off specials. Morgan also starred as Liz in the sitcom Motherland (2016-22), and writes and stars in the comedy series Mandy (2019-present). The other news reader in this movie is Anton Deck – a play-on words of Ant & Dec, a famous British presenting duo who receive a mention in the Special Thanks portion of the credits, presumably for use of their name – who was voiced by Muzz Khan. Khan was cast as Adyan Khan in Series 5 of Brassic (2019-present).

Following on from that, we also have Adjoa Andoh who voiced the Judge here. Currently, Andoh appears as Lady Agatha Danbury in the Netflix series Bridgerton (2020-present), and appeared in the recurring role of Francine Jones in Doctor Who (2005-present) in the Tenth Doctor’s series. Sir Lenny Henry voiced the part of Mr. Convenience here. Henry previously voiced the character of Peg-Leg Hasting in Aardman’s The Pirates! In An Adventure with Scientists (2012). Recently, Henry appeared as Sadoc Burrows in the Amazon Prime series The Lord of the Rings: The Rings of Power (2022-present) and wrote the drama television series Three Little Birds (2023) which aired on ITV.

MUSIC

The Wallace & Gromit theme tune is hugely recognisable to the majority of Brits, and should be to other fans of Wallace & Gromit as it features in every one of their television specials and big screen movies. I also remember hearing this tune a lot at after-school music clubs; I know my parents suffered through renditions of this theme by amateur brass bands at the club concerts I was involved in.

So, obviously, it would feature again in the opening credits of Wallace & Gromit: Vengeance Most Fowl. I love this theme; it’s a bouncy sort of tune, and instantly makes me smile. It was written by Julian Nott. Nott had previously written the music for all five preceding Wallace & Gromit adventures, winning an Annie Award for Best Music in an Animated Feature for the soundtrack of The Curse of the Were-Rabbit. He is also the composer for the animated series Peppa Pig (2004-present) amongst other credits.

An original song was also written for Vengeance Most Fowl, and that is “Gnome Working Song”, with lyrics from Mark Burton, co-writer of the movie, and music from Julian Nott and Lorne Balfe, performed by Reece Shearsmith as Norbot. It’s probably supposed to make you think of the dwarfs singing in Snow White and the Seven Dwarfs (1937) and it certainly does; it’s basically an Aardman version of “Heigh-Ho”, except we know these gnomes are actually evil at this point in time, which just makes it funnier.

The score for Vengeance Most Fowl was produced by Lorne Balfe and Jeremy Earnest. Balfe has most recently composed the music for Mission: Impossible – Fallout (2018); Dead Reckoning Part One (2023); and The Final Reckoning (2025). Balfe also composed the music for these recent movies: Tetris (2023); Gran Turismo (2023); and Bad Boys: Ride or Die (2024). Earnest also worked on the music for Bad Boys: Ride or Die, as well as the Netflix film Carry-On (2024).

There are some other pieces of music that are not unique to Vengeance Most Fowl. For example, “Toccata and Fugue in D Minor” composed by Bach can be heard briefly as Feathers plays the tune on the pipe organ that exists within the submarine – because no submarine is complete without one. This music also shows that Feathers is back to his full villainous self again. Another small excerpt of classical musical is played as Gromit settles down to read his book before going to sleep, just before Norbot comes in to recharge himself. The piece playing on the radio is “By the Sleepy Lagoon”, which was written by Eric Coates, performed by Slovak Radio Symphony Orchestra.

You can also hear “Brahms’ Lullaby”, composed by Brahms, which is played by one of the evil gnomes on the harp as they set about sending Wallace into a deep sleep so they can continue their evil scheme to help Feathers McGraw. The performance is actually credited to the Budapest Scoring Orchestra. Finally, a snippet of “Born Free”, written by John Barry and Don Black, and performed by Matt Monroe, plays as Feathers and the evil gnomes flee from Wallace and Gromit’s house with the Blue Diamond.

PRODUCTION

Aardman Animations are known for their work in clay animation, or Claymation, a type of stop-motion technique, meaning that clay models are physically moved and then photographed, with the majority of Aardman’s work having been made in this format.

Aardman began in the 1970s in Bristol, founded by David Sproxton and Peter Lord. The company began making small animated movies. One of their biggest break-out moments was in the series Vision On, where their involvement in the series consisted of clay animated segments and an incompetent superhero by the name of Aard-man, hence the company’s name. From here, Aardman made one of their most popular Claymation characters, Morph, who was seen interacting with presenter and artist Tony Hart during the children’s television programme Take Hart (1977-1983). Morph later popped up in other similar shows including SMart (1994-2009).

Meanwhile, as Aardman were creating a name for themselves, making short films and advertisements for various companies, a student by the name of Nick Park was working on his own Claymation project, about a British man building a rocket. Park was indeed making A Grand Day Out, the first outing for Wallace and Gromit. But he was quickly running out of money, though he had secured actor Peter Sallis to voice Wallace for only £50. Park invited Sproxton and Lord to visit his studio and they agreed to help Park finish this massive project, moving it to their studio in Bristol. Wallace & Gromit: A Grand Day Out was finally finished around six years after beginning, premiering on 4th November 1989 in Bristol at an animation festival, before coming to British television in 1990.

A Grand Day Out launched Wallace and Gromit and earned Park and Aardman an Oscar nomination for Best Animated Short Film in 1991. It ended up losing to another Nick Park project, Creature Comforts (1989), which saw Claymation animals speaking lines that were recorded from the public. A Grand Day Out did, however, win the Best Short Animation award at the BAFTAs in 1990.

After that, Wallace and Gromit were seen again in the short The Wrong Trousers, which debuted on 26th December 1993 on the BBC. It saw Wallace and Gromit renting out a spare room in their house to penguin Feathers McGraw, who would use Wallace to attempt to steal a diamond. This short was an instant success and did win the Academy Award for Best Animated Short Film in 1994. Another Oscar success followed with A Close Shave, which first aired on 24th December 1995. This time, the duo foils a sheep rustling plot. One of the sheep to get a starring role was Shaun the Sheep, who became a household name, getting his own series and movies.

The next Wallace & Gromit episode wouldn’t come for ten years, but this time, they were coming back in their first full-length feature film, Wallace & Gromit: The Curse of the Were-Rabbit (2005). Here, Wallace and Gromit have to save their village from a monster, a were-rabbit. At this point, Wallace and Gromit were hugely popular and this movie proved that by attracting some impressive British actors to voice its cast, including Helena Bonham Carter and Ralph Fiennes. The Curse of the Were-Rabbit premiered in US theatres on 7th October 2005, followed by the UK a week later. This movie won the Academy Award for Best Animated Feature Film, making it the first stop-motion film to win the award.

But that wasn’t all, because just a few short years later, Wallace and Gromit returned to screens again, this time just for a television special: Wallace & Gromit: A Matter of Loaf and Death, where Wallace almost became victim to a murderess’ evil plot to murder bakers. This time, the short film did not win the Oscar, but did win a BAFTA and Annie Award. It first aired in the UK on 25th December 2008 on BBC One[3].

And then, we waited. And waited. And waited for the next instalment of Wallace & Gromit adventures to come to our screens again. In 2017, fans feared the worst, that Wallace & Gromit would not return due to the fact that beloved voice actor of Wallace, Peter Sallis, had passed away. This did not signal a bright future for the duo.

However, in January 2022, an announcement was made. Wallace and Gromit would be back on our screens. But in what form? A 30-minute television special? A full-length movie? What was it going to be? Well, it turns out it was going to be a full-length movie, making this the first Wallace & Gromit movie to be made under Aardman’s 2019 deal with Netflix. Aardman had initially worked with DreamWorks in the 2000s, but there was a culture clash at times between Aardman wanting to keep their Britishness, and DreamWorks wanting the movies to appeal more to American children. Under Netflix, Aardman had also made Chicken Run: Dawn of the Nugget (2023). With Wallace & Gromit, you might think that Netflix would’ve wanted the Britishness toned down in Vengeance Most Fowl, but that turned out not to be the case. There was no “US-friendly” version of the movie made, with Aardman accepting that not everyone globally would understand the jokes every time.

The idea for Wallace & Gromit: Vengeance Most Fowl was initially developed soon after The Curse of the Were-Rabbit, in that the plot could revolve around a smart gnome. It was decided that this would be a 30-minute television special, however, once the story had been fleshed out, with the technology going wrong and the opportunity for Feathers McGraw to make a comeback, it became clear that this story was going to be too big for only a short film and that it would need to be a feature film[4].

Aardman pride themselves on continuing to use Claymation as their primary medium within their film-making, so, much like the original 1989 A Grand Day Out, Vengeance Most Fowl also uses clay puppets. However, nowadays, Aardman use a mixture of silicone and clay models. The silicone is unalterable once cast unlike the clay models, however, some shots are fine for silicone models, which can speed up the process. Clay is still the best medium for expressiveness, so the hands and faces of the characters are always made from clay[5]. Stop motion requires a lot of patience and dedication to the craft. I, for example, would not have the discipline needed to make a stop-motion movie. I’d get frustrated at seemingly not making progress and I don’t have the artistic ability to make anything out of clay either, so I will never get a job at Aardman. The animators that work on projects like this only manage to get a few seconds of footage during a week’s worth of work. To be able to make these models talk, to fit recorded dialogue; have them do the most basic of movements; let alone have them blink, breathe, and do all the normal things that humans and animals do without thinking, all with just clay and a camera is just amazing.

Production on Vengeance Most Fowl took around fifteen months, which means they had a huge team at Aardman Animations working on this. Lots of clay was needed too, but a shock was about to come, as the factory who supplied modelling clay to Aardman suddenly shut down in March 2023. This had people worried that Aardman wouldn’t be able to finish Vengeance Most Fowl – no more clay, no more Wallace & Gromit, right? Well, no, obviously not. Aardman simply got enough clay from their supplier to finish the movie before the factory closed for good. And they have vowed to find a new supplier so they can continue other Aardman projects. So, calm down. Panic over[6].

Vengeance Most Fowl was directed by Nick Park, original creator of Wallace & Gromit, and Merlin Crossingham. Crossingham was an animator at Aardman, working on movies like Chicken Run (2000) and The Curse of the Were-Rabbit (2005), as well as the animated series Creature Comforts (2003) and A Matter of Loaf and Death (2008). He had also directed episodes of Morph (2014-19) and The Epic Adventures of Morph (2020-21). The story was written by Nick Park and Mark Burton, who penned the screenplay. For Aardman, Burton had previously co-written The Curse of the Were-Rabbit; Shaun the Sheep Movie (2015), for which he was also co-director; and A Shaun the Sheep Movie: Farmageddon (2019). Burton also co-wrote the DreamWorks movie Madagascar (2005).

By the summer of 2024, the name of this new Wallace & Gromit movie had been revealed, and the fact that Feathers McGraw would be returning was also revealed. Apparently, many punny names were thought up before settling on Vengeance Most Fowl as the title of this new film. To build excitement for the new release, a teaser trailer was released in October of that year, with more details being shown in the official trailer, released in November. Nick Park and Merlin Crossingham appeared for a live event at the Manchester Animation Festival in November to discuss their new movie.

Getting closer to the festive period, Aardman created three Wallace & Gromit idents – the clips that appear before scheduled programming on television channels – for the BBC, which appeared throughout December. One clip had Wallace and Gromit sat on the sofa with Norbot, all three of them wearing Christmas jumpers. Another showed the trio lighting up a Christmas tree, and the other had them making ice sculptures[7]. The duo even made a surprise appearance during the semi-final of Strictly Come Dancing (2004-present) as that week’s celebrity guests, scheduled to read the show’s voting Terms and Conditions.

There was also a special ident that appeared straight after the credits on Vengeance Most Fowl, which saw Feathers pop up wearing a cloak. I thought this was a teaser for a potential further movie with Feathers due to make his return, but sadly it was not. It was in fact a clever tool to promote The Traitors (2022-present), which was set to air its first episode of Series 3 on 1st January 2025. Since I don’t like The Traitors, once I realised this Feathers ident had nothing to do with more Wallace & Gromit adventures, I rolled my eyes and tutted.

Wallace & Gromit also lit up London’s Battersea Power Station every evening during December 2024, decorating a Christmas tree, with Feathers promptly turning all its lights off. The animation was shot on an iPhone, specifically an iPhone 16 Pro Max. Clearly, this was a promotional thing with Apple.

RECEPTION

Because Wallace & Gromit are quintessentially British characters, it only made sense for the Brits to see this movie first, having it broadcast on BBC One at 6:10pm on Christmas Day 2024. International fans would have to wait until 3rd January 2025 for it to come to Netflix.

In fact, that was not the case. I’m quite disappointed to say that we Brits did not get this movie first. Ignoring the fact it first premiered at the AFI Festival in Los Angeles on 27th October 2024, it made it to Australian cinemas on 19th December, and even received a limited run in the US on 18th December! I call that incredibly unfair…Anyway, I’ll try not to be bitter about that as I move on to the reviews.

Wallace & Gromit being so popular for decades meant that it would be difficult for Vengeance Most Fowl to fail. Sure enough, it did not fail, not by any means.

Some did say that Vengeance Most Fowl was not as good as the previous Wallace & Gromit outings though, with comments saying that it felt too long in places, and that perhaps it would’ve been better for the movie to be an hour or less, instead of its roughly 80-minute runtime. I can agree with this statement, however, Christmas Day can be a strange day, so watching it then when you’re either distracted by family members or still processing the events of the day might mean that it was perhaps too much for some – myself included – to focus on at that specific time.

Others referenced the ambiguous time setting of the movie. I think what some viewers might have been confused by is how Vengeance Most Fowl clearly wanted to relate to our contemporary attitudes – and dare I say, obsession – with technology and innovation. Norbot is a voice-activated gnome after all, and many homes have plenty of voice-activated technology in them these days. Wallace is also seen to have a computer, but it is an older model more suited to the 1980s than present day. Aardman have never claimed that Wallace & Gromit is set in contemporary times, since the fashion, vehicles, etc., within the features would suggest that it is set sometime around the 1960s or 1970s, but really, it’s not meant to be set in any specific time. We’re just supposed to “go with it” and not think too much about it. Time doesn’t really pass in Wallace & Gromit world.

Positive reviews stated that they were pleased that Aardman were still making their movies by hand, and have not passed over stop-motion for computer animation. It was still just as British as we’d all expected too, despite the partnership with Netflix, and many viewers gave plenty of credit to Ben Whitehead for stepping up to voice Wallace. The movie was funny, charming, and the dangers of technology plot point felt relevant. 

For me, it felt comforting to return to Wallace & Gromit again, although The Wrong Trousers was never my favourite Wallace & Gromit episode, so I didn’t have that affinity to Feathers or the story of The Wrong Trousers as others did. I like the waking up montage that exists in Wallace & Gromit with all the inventions, and it was nice to see that those had been expanded on in Vengeance Most Fowl, like the new waterslide. I found the Norbot charging bit to be the funniest moment of the movie. I also liked how there was a random bagpiping gnome ready to greet Feathers at the zoo, who Feathers then punched in the face. Come on, gnome, does Feathers look like he likes bagpipes? Vengeance Most Fowl was as funny as any other Wallace & Gromit episode, though the storyline did seem more perilous and less light-hearted than others. I did not enjoy seeing Gromit almost die, although it was nice to see him saved by the gnomes, kind of like how Paddington is saved at the end of Paddington 2 (2017) by his fellow escapee prisoners. Both moments made me cry.

These movies are known for their nods and references to other movies. A noticeable one is at the end of the chase scene, as the narrowboat is teetering over the edge of the aqueduct. This is a nod to the ending of The Italian Job (1969) as their van teeters over the edge of a mountain road. You can also see a reference to James Bond during the scene of Feathers being rescued from the zoo, as he sits stroking a white seal whilst seating on a swivel chair. This parodies Bond villain Blofeld and his white Persian cat. The Matrix (1999) might have been referenced too during the reprogramming of Norbot. Aardman also reference A Grand Day Out, their own work, during Vengeance Most Fowl, in the security question that Feathers must answer when trying to remotely access Wallace’s computer. It shows four pictures and the question asks that any pictures with cheese are selected. One of these is a picture of the moon, which Wallace believes is made of cheese, as per the A Grand Day Out short film.

There are also multiple puns or wordplay within Vengeance Most Fowl. One is a magazine called “Gardens of the Galaxy”, a reference to Guardians of the Galaxy (2014). Another is that Feathers’ escape boat is called “The Accrington Queen”, a reference to the movie The African Queen (1951). Mackintosh’s boat is called “Dun-Nickin’”, as in “done nicking”, since he’s retired from the police and will no longer be chasing criminals. There are many more Easter eggs to spot during Vengeance Most Fowl.

During the 2025 “award season”, Vengeance Most Fowl was nominated for Best Animated Movie at the Golden Globes alongside five others, including Disney’s Moana 2 and Pixar’s Inside Out 2. Actually, none of these movies won. The winner was Flow, an independent movie directed by Latvian filmmaker Gints Zilbalodis. Vengeance Most Fowl was nominated for Best Animated Feature at the Oscars, but also lost out to Flow. Vengeance Most Fowl was also nominated for Best Animated Movie at the Critics’ Choice and the Annie Awards. Vengeance Most Fowl was nominated for other Annie Awards too, including for Directing, Music, Character Animation, Animated Effects, Editing, and Production Design. However, it lost out to DreamWorks’ The Wild Robot in all categories.

However, Vengeance Most Fowl has won the Best Animated Feature award at the Capri Hollywood International Film Festival and the Satellite Award for Best Motion Picture – Animated or Mixed Media. Wallace & Gromit: Vengeance Most Fowl was also nominated at the BAFTA Awards in three separate categories: Outstanding British Film; Best Animated Film; and Best Children’s & Family Film, a new category for 2025. At the BAFTA Film Awards, Wallace & Gromit: Vengeance Most Fowl won the awards for Best Children’s & Family Film and Best Animated Film. It lost out on Outstanding British Film to Conclave (2025); it would’ve been quite a feat to win in all three categories!

But awards are not everything, though it may feel like. Vengeance Most Fowl currently holds a 100% Certified Fresh rating on Rotten Tomatoes from the critics’ reviews. This movie also allowed us to return to Wallace & Gromit after more than a decade. This was a welcomed return for the duo.

In terms of British viewing figures, Wallace & Gromit: Vengeance Most Fowl attracted 9.4 million viewers in the “overnight” television ratings of 25th December 2024, making it the second most-watched Christmas Day show on television. It was beaten out to the top spot by Gavin and Stacey (2007-24) which aired its final ever episode later that day. It was tough competition for Wallace & Gromit to be up against, but second place is still pretty good[8].

After a week of being available on catch-up, the viewing figures for Vengeance Most Fowl grew to a total of just under 16.3 million[9]. It is not currently known how well Vengeance Most Fowl has done during its first week on Netflix.

LEGACY

To recap, the Wallace & Gromit franchise consists of four television specials, and one feature-length movie prior to the release of Vengeance Most Fowl. These are A Grand Day Out (1989); The Wrong Trousers (1993); A Close Shave (1995); A Matter of Loaf and Death (2008); and The Curse of the Were-Rabbit (2005).

There were also two spin-off television series. These were Wallace and Gromit’s Cracking Contraptions (2002) and Wallace and Gromit’s World of Invention (2010). Numerous video games, comic books, and graphic novels have also been developed involving the pair over the years.

In 2013, the first-ever Wallace & Gromit theme park ride opened at Blackpool Pleasure Beach. Called the Thrill-O-Matic, this is an indoor dark ride where guests ride around in ride vehicles shaped like giant slippers. As part of the concert series The BBC Proms, in 2012, Wallace & Gromit’s Musical Marvels was performed live at the Royal Albert Hall on 29th July. This performance later became a touring show in 2013. In 2019, it returned as Wallace & Gromit: In Concert and toured the UK as part of the Wallace & Gromit 30th anniversary year. It later went international, touring countries such as Japan, Australia, and New Zealand. For the 30th anniversary of the pair in 2019, the Royal Mint developed a commemorative coin and held a small exhibition at their visitor centre in Pontyclun, Wales.

Wallace, Gromit, and Shaun the Sheep started to appear on P&O Cruises from the summer of 2022, before other events and attractions popped up over the UK. In November 2022, the launch of the first-ever Wallace & Gromit-themed escape room happened in Bristol and ran until April 2023. In Summer 2023, another concert was held called Wallace & Gromit: The Wrong Trousers – Live! which was a special screening of the television special with a live brass band accompaniment. This was to celebrate the 30th anniversary of The Wrong Trousers.

In Bristol’s Cabot Circus for the festive season in 2024, there was an experience held there called Wallace & Gromit: A Cracking Christmas Experience, where visitors had to help Wallace save Christmas by completing different challenges[10].

Directly related to Vengeance Most Fowl are a series of Funko POP figures that are available to purchase. There are four figures available: Norbot, Wallace, Gromit, and Feathers. Other merchandise, such as clothing and tote bags, have also been on sale since Summer 2024. A novel of the movie’s story and a book about the art of the movie have also been created.  

FINAL THOUGHTS

Wallace & Gromit is ingrained in British culture. Not a Bank Holiday, a Christmas season, or even Easter goes by without the Wallace & Gromit specials being aired on British television.

Wallace & Gromit is perhaps not as well-known to those in the US. I feel like Chicken Run (2000) is Aardman’s most popular property over there, perhaps due to the partnership they had with DreamWorks Animation at the time.

But us here in the UK couldn’t care less if America like Wallace & Gromit or not, because we do. They are national treasures who are cherished by the people of Britain. We can’t get enough of them, as was evident by how many people couldn’t wait to see Vengeance Most Fowl on Christmas Day 2024. 

Unfortunately, Netflix may just care if America like Vengeance Most Fowl. It is not yet clear how well this movie has done internationally over on the streaming platform. However, Aardman have promised us more from Wallace & Gromit.

We either have to hope that international Netflix subscribers turn up to watch Vengeance Most Fowl, or just believe that Aardman are as unashamedly British as Wallace & Gromit and that they will make more adventures with the duo, with or without an international partner.


REFERENCES

[1] Credit: Lizo Mzimba, ‘Wallace & Gromit without Peter Sallis is ‘emotional’ says Nick Park’, BBC.co.uk, 23rd December 2024.

[2] Credit: Aardman Animations, A Grand Night In: The Story of Aardman (2015).

[3] Credit: Aardman Animations, A Grand Night In: The Story of Aardman (2015).

[4] Credit: Scott Roxborough, ‘Nick Park and Merlin Crossingham on the Return of Wallace and Gromit in New Netflix Film ‘Vengeance Most Fowl’’, HollywoodReporter.com, 27th October 2024.

[5] Credit: Ryan Fleming, ‘Behind The Scenes On ‘Wallace & Gromit: Vengeance Most Fowl’: A Look At The Stop Motion Process At Aardman Animations’, Deadline.com, 22nd November 2024.

[6] Credit: David Opie, ‘Wallace & Gromit: Vengeance Most Fowl review – Britain’s premier stop-motion heroes are better than ever in new rematch with Feathers McGraw’, RadioTimes.com, 27th October 2024.

[7] Credit: BBC, ‘BBC unveils exclusive Wallace & Gromit themed Christmas idents’, BBC.co.uk, 30th November 2024.

[8] Credit: Lizo Mzimba, ‘Gavin and Stacey tops Christmas Day TV ratings’, BBC.co.uk, 26th December 2024.

[9] Credit: Lizo Mzimba, ;Gavin & Stacey attracts 19.1 million viewers’, BBC.co.uk, 6th January 2025.

[10] Credit: Aardman, ‘Attractions & Live Experiences’, Aardman.com, no date.