Go Figure (2005)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

My childhood television watching can be split into three stages. The first was Cartoon Network; the second was Nickelodeon, where I watched mostly re-runs of Saved by the Bell (1989-93), and Sabrina the Teenage Witch (1996-2003); and the third was Disney Channel, which I started watching when I was about 11 or 12, and then watched pretty much exclusively from the age of 13.

I was there for some of Disney Channel’s best programming, like Lizzie McGuire (2001-04); That’s So Raven (2003-07); and The Suite Life of Zack & Cody (2005-08). From this point, I also found Disney Channel Original Movies. I know I watched a few in the early 2000s, but not many. I’m not actually convinced I watched them on their premiere either. The earliest one I’m fairly sure I watched “live” was Go Figure in 2005.

Go Figure was part of the pre-High School Musical era of Disney Channel. It’s a well-known fact that after High School Musical was released in 2006, Disney Channel began to really focus on their movies, making them higher budget, bigger productions, but that doesn’t mean that the ones that came before weren’t worth seeing.

I loved Go Figure, and I think I can credit it with my love of figure skating. Not actually skating myself, but watching it. Since Go Figure, I’ve seen many films all about figure skating, with Ice Princess (2005); I, Tonya (2017); and Blades of Glory (2007) being my favourites. In another life, I’d like to think I could’ve been a figure skater, or a ballet dancer, or a gymnast. But in this life, I’m too old, not flexible enough, and much too worried about breaking all the bones in my body, or breaking my face.

But Go Figure isn’t just about pretty, little figure skaters. It’s also about a girls’ ice hockey team. Disney had previously made movies like Miracle (2004) and The Mighty Ducks trilogy about hockey teams, but these were not solely for women, with ice hockey primarily being seen as a “man’s sport”. Go Figure explores sexism in sport, showing that just because you’re a girl doesn’t mean you have to “skate around in frilly dresses”. You can compete in a different kind of sport, that requires physical strength as well as intelligence.

I’m not a fan of ice hockey, and wasn’t a sporty person at school, however, I have always liked Go Figure, having seen it many times. Although I like the scenes of figure skating the most, I have always enjoyed the overall message, about teamwork, resilience, and determination in achieving your dreams, whatever they may be.

PLOT

Go Figure begins at a figure skating competition where Katelin Kingsford is competing. She tells the audience she has dreams of being one of the best, with a gold medal and her face on a cereal box. Although Katelin loves her current coaching team, Bob and Ginger, she knows they can’t make her a star. For that, she’ll need a Russian: Natasha Goberman.

In this competition, which Natasha happens to be watching, Katelin does not win and actually falls during her routine. Katelin had hoped for some karma points by giving her “lucky” scrunchie to a younger competitor, choosing to tie her hair up with a rubber band in place of the scrunchie, but the rubber band snaps during one of Katelin’s tricks and that is what caused her to lose balance. But it doesn’t matter, because Natasha saw enough potential in Katelin to talk to her, telling her she wants to train her, to make her a star.

To do that though, Katelin has to go to Buckston Academy, where Natasha trains figure skaters. This is an expensive boarding school, and despite Katelin’s begging and pleading, her parents tell her they cannot afford to send her there. Katelin then asks her brother, Bradley, for his signed hockey puck collection so she can sell them to pay for her tuition, but he angrily tells her to get out, having no respect for Katelin’s dream of being a professional “twirl girl”, the name ice hockey players apparently give to figure skaters.

Katelin tells Natasha she can’t afford to train at Buckston, which is disappointing to Natasha who really wants to coach Katelin, but without a scholarship, there is no chance – and Buckston doesn’t have a scholarship for figure skating. No problem, because Natasha has an idea. She goes to the girls’ hockey team coach, Coach Reynolds, and says if he lets Katelin take his final scholarship spot, then he can take Natasha out on a date. Coach Reynolds doesn’t think it’s a good idea since Katelin doesn’t have any experience of playing ice hockey, but he agrees anyway. The man is weak to Natasha’s charms…Katelin is ecstatic to be going to Buckston Academy, but Bradley, a real hockey player, is furious that Katelin can get a scholarship for “his” sport without even knowing how to play. Bradley then gives up hockey and instead starts building robots with one of his friends.

Meanwhile, at school, Katelin is immediately thrown into hockey training and it’s quite clear to the other coaching staff, and the rest of the team, that something is not right here. Katelin is small, weak, and lacks any balance or speed on the ice; she’ll make this team a disaster. Coach Reynolds tries to convince the others that Katelin is their “secret weapon”. Yeah, they’re not buying it! Katelin finds her new roommate is one of her fellow hockey players, Amy Henderson, but everyone calls her Hollywood. The team captain, Ronnie, and another player, Mojo, come in to their room, saying how the team is unlikely to be winning anything this season yet again. Katelin starts to unpack her stuff, but soon learns that the hockey girls hate “twirl girls”, so she hides her figure skating gear in the janitor’s closet and pretends to be somewhere else when she is out at figure skating training. Katelin finds her new school schedule of regular classes, hockey training, and figure skating coaching to be a difficult balance. She isn’t doing well in her classes; the hockey girls don’t like her; and the figure skating girls see her as major competition since it’s obvious to them she is Natasha’s new favourite, this season’s “Sputnik” as Natasha likes to call her.

During the first hockey game of the season, Katelin hopes she’ll remain on the bench because she’s not very good so there’s no point making her play, something Coach Reynolds agrees with. Natasha also doesn’t want her to get injured. However, one of the other coaches, Spencer, reminds Coach Reynolds that Katelin is a scholarship student so she has to play. Spencer does this in the hopes that Katelin will quit the team. Sure enough, Katelin does not do well on the ice, letting Captain Ronnie get pulled to the ground by the opposition team. Ronnie is fuming and goes to fight her. The rest of the team pull her off Katelin, however, Hollywood storms into their room later, telling Katelin she got off easy, considering what Ronnie should’ve done to her would’ve been a lot worse. Hollywood then knocks over a cup of juice on the floor and says she needs to get a mop. Knowing all her figure skating stuff is in the janitor’s closet, Katelin quickly says she’ll go instead. But she must’ve taken too long because Hollywood comes into the closet and sees all of Katelin’s figure skating gear. Hollywood says she knew it all along, but promises to keep it secret.

The hockey girls, apart from Hollywood, continue to view Katelin with scepticism. The only good thing to come from hockey is that Spencer has stopped bothering her after Katelin made a deal with him whilst doing solo training that if she can get the puck past him, he won’t talk to her again. She manages to do so by using one of figure skating tricks to jump over him. Spencer is impressed. However, the figure skating girls are still an issue. Pamela, seeing Katelin getting private coaching with Natasha, wants to ruin all Katelin’s chances of being better than her, so Pamela invites Katelin to a party. Katelin has training at 9pm on Saturday nights but she turns up for a little while. On her arrival, Katelin is asked to go to the supply closet to get more cups. When she gets in there, Katelin picks up the cups, only for purple paint to spill all over her. Pamela then locks her in the closet. At 9:45pm, the janitor opens up the closet, freeing Katelin. Knowing she’s late, Katelin rushes over to see Natasha and is devastated to find Pamela has taken her spot – and what’s worse is that gold medallist figure skater Kristi Yamaguchi is there. Natasha tells Katelin she brought Kristi here as a reward for Katelin’s hard work, but tells Katelin she obviously doesn’t care enough about skating to show up on time, and sends her away. Katelin sadly sits in the stands watching over Pamela’s session with Kristi as she tries to get the paint off her. Just before Kristi leaves, she has a conversation with Katelin, telling her that Natasha thinks she will go far, something that Natasha doesn’t just say about anyone, but that Katelin needs to decide if she wants to put the extra effort in to make it.

After all this, plus her failing school grades, and her struggles with hockey, one night Katelin gets on a bus and goes home, telling her parents she has quit. At home, Katelin is horrified to find that her mother expected her to quit and that her bed has even been moved out of her room while her mother starts up an online business. Katelin then sees a box with her plushies in there labelled as junk. Katelin carries the box outside and sits on a street bench. Inside, Katelin discovers old medals and photos of her mother, showing that her mother was a brilliant figure skater years ago. Katelin’s mother sits beside her and says how her weak ankles stopped her going far, and that she decided having a family was more important than figure skating. This gives Katelin a renewed energy to achieve the dream her mother couldn’t. She decides she’s going back to Buckston.

Back at school, Katelin puts all her effort in to every aspect of her school experience: classes, hockey, and figure skating. She starts to excel in all areas, and even manages to help the hockey team win their first game of the season. Apparently, the girls’ hockey team hadn’t won a game in three years… That’s a terrible statistic. Katelin motivates the others to aim for the championship win, and starts to help them, by giving them ballet lessons to improve their balance and agility; coming up with tactical ideas using geometry, something Bradley told her about before even getting to Buckston; and by using “colourology”, finding the girls’ power colours, to help them mentally. The team keep on winning.

Within figure skating, Katelin still struggles with competitive girls, but one of them, Shelby, is having a hard time trying to keep up with the younger girls. Katelin goes for a walk with Shelby and tells her that there’s more to life than figure skating, so if she no longer loves doing it, then perhaps it’s time to find something else.

The girls’ hockey team wins their next game and gets to the Championship game; however, Katelin finds that it is on the exact same day as the Senior Nationals for her skating. Hollywood and Natasha try to convince Katelin to choose the Nationals over the Championships, since the team could win without her, but it’s up to her and her alone to compete in Nationals. Katelin doesn’t know what to do, and her parents won’t decide for her. As she ponders what to do, Katelin sees one of her mother’s old skating costumes online and decides to buy it.

On the day of the Championships, Spencer, who has remained fascinated by Katelin’s skills on the ice, is shocked to find Katelin at the hockey game, having worked out that she is a figure skater a few weeks ago and wanting her to go to the Nationals competition instead, because that is where they select the Olympic Team. Katelin ignores everyone trying to tell her she shouldn’t be there and focuses on winning this game. It’s not looking good though as the team are already three goals behind. Katelin gives the team a pep talk during half-time and the team go back out with some motivation to win. They try their best but unfortunately, they do not win. Great, Katelin gave up Nationals for nothing.

Except Spencer answered Katelin’s phone during the game. It was a call from Bradley saying he was going to delay the competition. After hearing his mother say that both him and his sister can be good hockey players, he realises he was being silly giving up hockey and choosing robotics instead. So, Bradley uses his robot to delay the competition, letting the stewards run all over the ice trying to stop it. Eventually, the Zamboni is brought out and it crushes it. But the delay was enough, because Spencer has packed all Katelin’s figure skating belongings and told Katelin they can make it if they go right now.

The hockey girls discover Katelin is a “twirl girl” after her stuff spills out in the hurry to leave, but she rushes off without explaining. In the car, Katelin gets herself together, with Spencer telling her that Pamela destroyed all Katelin’s costumes so he had to grab the one that was in the box. This turns out to be a good move because that costume is her mother’s old one that she ordered. Disaster strikes soon after though as Katelin realises she only has one of her skates. Katelin tells Natasha, who plans to steal a pair from another girl, but Katelin tells her not to do that. Katelin chooses to skate in her hockey boots – which are apparently very different to figure skates, as hockey ones do not have a toe pick.

Katelin begins her routine – and promptly falls down since those skates were not suitable. The hockey girls rush to the ice at that point with her other skate, but it’s too late. The competition has ended and the judges are tallying their final scores. Natasha tries to convince the judges to let her skate again, but they will not. Ronnie then begins a chant of “Let her skate”, which is picked up by the hockey team, then Katelin’s parents, then Natasha, and then the crowd. The noise is overwhelming and the judges allow Katelin another try.

Katelin changes into her proper skates and begins. Her routine is amazing, almost flawless, and the girls rush onto the ice to lift her up in celebration. The judges then name the skaters who made it into the Olympic Team… Katelin’s name is there! All that hard work paid off. Katelin is on her way to getting her face on that cereal box. What a dream…

CHARACTERS & CAST

Katelin Kingsford is a hard worker, wanting to be the best figure skater in the world. She dreams of winning a gold medal. Thankfully, Katelin is spotted by a great coach who wants to get her to the Olympics and hopefully to winning that medal. But the only way to do that is to play ice hockey, something Katelin has never played and isn’t exactly a sport she’s built for. Although Katelin has her struggles at Buckston, finding it wasn’t as easy as she’d hoped, she pushes herself to be the best in all areas. In the end, Katelin finds that she likes the camaraderie of being in a team, whereas with her skating, Katelin has only herself to rely on and has to do that with all the bitchiness of the jealous competitors. Having friends is a new concept for Katelin. Katelin does get the opportunity to fight for that gold medal and the best part is she gets to have her team around her, supporting her all the way.

Jordan Hinson was cast as Katelin. Hinson went on to be cast as Zoe Carter in Eureka (2006-12) and appear as Roxy Daly in the ABC series Kevin from Work (2015). She also wrote and starred in Breaking & Exiting (2018). Apparently, Hinson could not skate prior to her casting in Go Figure, so she had to spend time training. However, Hinson did not do all the skating in the film herself and had skating doubles, which are very obvious at times. One of these was Stephanie Rosenthal, who went on to have a breakout competition at the 2006 Nationals. Another was BreAnn Brown who went on to portray Tinker Bell in Disney on Ice around 2010, with Brown crediting her performance in Go Figure as being a factor in getting her an audition with Disney on Ice[1].

Katelin is pushed hard by her coach, Natasha Goberman. Natasha comes across as being very strict and harsh, coaching Katelin late into that night because her schedule is so full with all that hockey training. Natasha is disappointed with Katelin after she doesn’t show up to her 9pm training because, you know, she was trapped in a closet, so missed the opportunity to train with Kristi Yamaguchi. Natasha did tell Kristi that Katelin was going to be one of the best though, so she has seen the drive and talent in Katelin to believe she’ll achieve. It’s clear from the moment when Katelin gets on to the Olympic team that Natasha is incredibly proud and glad to be on this journey with Katelin.

Natasha Goberman was played by Cristine Rose. Rose is perhaps best known for her role as Angela Petrelli in Heroes (2006-10) and its spin-offs, as well as for her recurring role as Virginia Mosby in How I Met Your Mother (2005-14).

Then, there is Katelin’s primary competition in the figure skating team at Buckston Academy, Pamela. She wants nothing more than to either get Katelin to leave the school, or get her to fall out of favour with Natasha. Pamela’s dirtiest trick is to lock Katelin in a closet and take her place at training with Natasha that evening. Pamela doesn’t actually do all that much after that. I guess she realises that Katelin’s newfound positive attitude after she almost quit is too difficult to try and break down. Pamela appears at the Nationals competition and tries to get the judges to not let Katelin skate, but she is thwarted by Katelin’s hockey teammate, Mojo, who spills marbles all over the floor, tripping Pamela and embarrassing her so much that she leaves. Pamela did not get a place on the Olympic team either, just to make it even worse for her.

Brittany Curran was cast as Pamela. Around the same time as Go Figure, Curran appeared in the recurring role of Chelsea in the Disney Channel series The Suite Life of Zack & Cody (2005-08). She went on to be cast as Lucy Tranelli in the series Men of a Certain Age (2009-11). Curran later was cast as Fen in the Syfy series The Magicians (2015-20), and as Katie Nolan in Chicago Fire (2012-present).

For Katelin’s hockey teammates, three of them are the most important to the story. One is Hollywood, Katelin’s roommate as well as teammate. Hollywood is the first one to discover that Katelin is a figure skater, and, although she finds it funny, she isn’t overly surprised and doesn’t decide to tell any of the other hockey players, who wouldn’t have been as understanding. Ronnie, for example, wouldn’t have been very understanding, at least not at the start of Katelin’s time on their team. Ronnie doesn’t think much of Katelin as a hockey player, and, when she tries to give Katelin a chance to prove herself during a game, Katelin doesn’t do what was asked of her and causes Ronnie to be blocked and fall on the ice. This makes Ronnie angry and it takes a while for Katelin to win her trust again. She eventually does so when Katelin helps the team get to the Championships and she thanks Katelin for all her hard work in getting them that far. Then, there is Mary Johnson, also known as Mojo, because she believes in magic, holistic treatments, that sort of thing, and thinks they can help the team win. I’m not sure Mojo’s lucky powder had much to do with it.

Whitney Sloan was cast as Hollywood. Sloan went on to star in stage musicals like West Side Story and Fiddler on the Roof. Ronnie was played by Amy Halloran, who went on to star as Heather Posen in the series Unleashed (2011). Mojo was played by Tania Gunadi, who was cast as Cindy in the DCOM Pixel Perfect (2004) prior to Go Figure. Gunadi went on to be cast as Emma Lau in Aaron Stone (2009-10) and voiced Miko Nakadai in the animated series Transformers: Prime (2010-13).

Then there is Spencer, a member of the hockey team’s coaching staff, but also a student at Buckston Academy. Spencer is very sceptical of Katelin’s scholarship to the hockey team and he suspects there is something not right there. Spencer learns that Coach Reynolds agreed to Katelin being on the team only because Natasha agreed to go to dinner with him if he did. Spencer then uses this to, surprisingly, blackmail Coach Reynolds in to letting Katelin play in one of their games. This is after Spencer has been impressed with Katelin’s dedication to the hockey team and seen her incredible improvement in the sport. Spencer seems to be obsessed with Katelin and how she is managing to balance her busy schedule because he follows her – not creepy at all – and sees her skating at one point, so he knows all about her figure skating. This means that Katelin has someone else on her side for when she has to make the quick exit from the Hockey Championships to the Nationals. There is also a blossoming romance between Katelin and Spencer, but it’s a bit awkward with their age gap and lack of chemistry, to be honest…

Jake Abel was cast as Spencer. He went on to be cast as Luke Castella in Percy Jackson & the Olympians: The Lightning Thief (2010), reprising the role in Percy Jackson: Sea of Monsters (2013). More recently, Abel appeared as Sasha Harrison in Season 1 of Netflix’s Another Life (2019-21), and as Kevin Golden in Season 3 of Walker (2021-24).

Finally, we have Katelin’s family. Her brother, Bradley, is having a difficult time adjusting to the fact that his sister is, all of a sudden, a brilliant hockey player, making his success in hockey pale in comparison. Because of that, he feels he has to quit hockey and find something else. His father, Ed, doesn’t seem to notice any of this, choosing to spend much of the movie either watching TV or betting on his daughter about whether she’ll quit school or go to the Hockey Championships, but his mother, Linda, does. She tells Bradley that he doesn’t need to give up hockey just because Katelin is playing it.

Katelyn’s parents, Ed and Linda, were played by Jodi Russell and Curt Doussett. Bradley was played by Ryan Malgarini who was cast as Harry Coleman in Disney’s Freaky Friday (2003) alongside Lindsey Lohan and Jamie Lee Curtis. He is set to reprise this role in the upcoming sequel Freakier Friday (2025). Malgarini also appeared in a couple of television series, including as Tom Brooks in the sitcom Gary Unmarried (2008-10), for which he won a Young Artist Award in the Supporting Young Actor category.

MUSIC

There is a mix of music within Go Figure, with these being mostly either pop music or classical music, with the classical music featuring during the figure skating scenes, and the pop numbers being used during montages or as background music.

I’ll start with the music that is used for the montages as these were the most obvious and recognisable. Two of these come during the “emotional peak” of Katelin’s journey at Buckston Academy. The first is “Crash Goes My World”, performed by Cadence Grace, which is played at the point that Katelin is feeling really low, failing her classes, still struggling with hockey, and trying to regain Natasha’s trust. Katelin quits school and goes home.

But whilst at home, she has a conversation with her mother which motivates her to be successful at Buckston Academy, so she does just that. Katelin focuses on her classes, figures out how to be a great hockey player, and proves to Natasha that she will be one of the best figure skaters she’s ever coached. During this montage, “I Want Everything”, written by Antonina Armato and Tim James, and performed by Hope 7, is played. This is my favourite song in the movie.

Just a little bit later, there is another montage of Katelin helping the hockey team do well and progress through their matches. Here, “Greatest Day”, written by Jaret Reddick and performed by Bowling for Soup, is used.

The only other piece of prominent pop music within Go Figure is the song “Go Figure”. It was written by Andy Dodd and Adam Watts, and is performed by Everlife. The song first appears as background music just before the first hockey game of the season, but it is used as the End Credits song and as the title song of the movie. This is the only piece of music that is credited.

Outside of that, the other songs to appear in Go Figure are mostly just used as background music. For example, you can hear “She Said” at the point that Katelin is in the school cafeteria and Pamela invites her to a party. This song was written by David Frank, Lindy Robbins, and Pam Sheyne, and performed by Brie Larson – yes, as in the Brie Larson who is Captain Marvel; I didn’t know she was a singer. The first and only song we hear at this party is “Anthem” by Superchick. Following on from that, there is the music playing at the hockey team’s victory party. A sort of techno instrumental piece is heard first, before “Life is Beautiful”, performed by Raven-Symoné, is requested by Ronnie as the next song.

Then, there are two songs that you probably wouldn’t be able to hear unless you were looking for them, because these are both played during conversations between the characters. When Katelin asks her brother to give her his signed hockey puck collection to sell for her school tuition, “Life is Good” by Junk can be heard. Later, as Hollywood confronts Katelin about her failure during the hockey match that day, where Ronnie ended up being tackled to the ground because Katelin didn’t do what was asked for her, “I Can Do Anything” is played. This song was written by Bridget Benenate and Matthew Gerrard, and was performed by Caleigh Peters.

All nine of these tracks appear on the Go Figure official soundtrack, which was released in June 2005.

Outside of this soundtrack, I am less confident about the rest of the music that is used in Go Figure. After the first training session for Katelin with the hockey team, Ronnie turns on the stereo and a rap song is playing. Despite numerous attempts to find this song, I can’t figure out what it is. As Katelin meets Hollywood and moves into her new room, some background music is playing, but I can’t hear any lyrics, and again, can’t work out if this is part of the score for Go Figure or is a specific track. I had a similar problem with the other song that I haven’t been able to place. This song comes as Katelin walks past Spencer and his band performing one night. I can hear the song and its lyrics clearly, but I haven’t been able to work out if this is a real track or whether this song was created for the film.

I had more success with the classical music pieces that are played during some of the figure skating scenes. For example, the music that is used for Katelin’s first Skate Club, as the group warm up, seems to be an extract from Mozart’s Symphony No. 40 in G Minor, K. 550. Then, during the scene of Kristi Yamaguchi coaching Pamela, Scherzo from Mendelssohn’s A Midsummer Night’s Dream seems to have been used. Finally, for Katelin’s final routine which she performs at the Senior Nationals, she begins her routine to a section of Summer from Vivaldi’s The Four Seasons. Her music then turns more contemporary but I don’t know what the other two pieces of music are, unfortunately, or whether they were part of the overall score.

The score for Go Figure was composed by Kenneth Burgomaster, who has composed the score for other Disney Channel projects, including the movies Halloweentown High (2004), Cow Belles (2006) and Return to Halloweentown (2006), and Season 2 of the series Phil of the Future (2004-06). 

PRODUCTION

Disney Channel has always liked to make movies based on sports because it is a shared experience. Everyone has had to play sports at some point in their life. Even if they absolutely despised it. Schools seem to think it’s a good idea to enforce it as part of their curriculum. Mean.

Go Figure is just one in a list of sports-themed DCOMs, but here, they decided to showcase two sports, both of which were popular back in the 2000s. Ice hockey has continued to be listed in the Top 5 sports in the United States in terms of viewership, reportedly being the fourth most popular sport in the world too[2].

Figure skating used to be incredibly popular in the US, especially in the 1990s, but something changed in the early 2000s. Back in the day, the names Tonya Harding, Michelle Kwan, and Kristi Yamaguchi were easily recognised. Let’s also not forget the infamous “incident” between Tonya Harding and Nancy Kerrigan in January 1994 – further immortalised in the movie I, Tonya (2017) starring Margot Robbie – which led to many viewers worldwide tuning in to watch the two go head-to-head at the 1994 Winter Olympics in Lillehammer, Norway, to the point where it became one of the most-watched sports events of 1994, reaching 48.5 million viewers on just the one day of the women’s figure skating short program. Two decades later, the total 11 days of the Olympics figure skating competition in Sochi got less than half of that, reaching 21.4 million viewers[3].

Some speculate that the reason for this is that advancement in skates have led to even quadruple jumps, not just triples, being more common in competition, making nothing seem particularly difficult anymore. There was also the judging scandal of 2002 at the Olympics in Salt Lake City that led to a new, some say complicated, scoring system[4].

Scores used to be awarded in two categories: technical merit and artistic presentation, with both being given a maximum 6.0 score. However, when skaters are close in scores, the judges would rank these skaters against each other, with little to no criteria needing to be met to reach this decision, so it was very subjective. In the case of 2002, the competition was between the Russian pairs team and the Canadian pairs team. Although Russia is well-known for their figure skating history, winning numerous gold medals over the decades, the Canadian pairs team of Jamie Salé and David Pelletier were confident. It was almost a home Olympics for them, and they were going to be skating to the theme from the movie Love Story (1970), an American favourite.

During the free skate competition, the Russian team made a few errors, whereas the Canadians responded with a practically flawless routine, although it was less technically difficult than that of the Russians. Still, many in the Canadian camp believed they’d done enough to seal the gold medal. In actual fact, they had not, with the majority of the judges ranking Canada behind Russia, handing the gold to them, and the silver to Canada. This led to claims that the judging was rigged, specifically that one judge had been pressured to vote a certain way. An investigation into the judging panel was launched and a media frenzy erupted. There was a supposed quid pro quo between France and Russia, stating that if the French judge voted in favour of Russia in the pairs figure skating, then the Russian judge would do the same for France in the ice dancing competition. In the end, the French judge was suspended, and Salé and Pelletier were given the gold medal, shared with the Russian pairs team of Anton Sikharulidze and Elena Berezhnaya. Those at the centre of the scandal deny involvement in the fixing[5].

The claims of rigged voting are believed to have tarnished the sport of figure skating forever, in North America in particular. Even with the overhaul of the scoring system, figure skating’s popularity has not bounced back. This might explain why there are fewer screen stories about figure skating nowadays. There was that Netflix series Spinning Out (2020) but that was cancelled after only one series, and obviously we had I, Tonya (2017) but that was a fictionalised account of a well-known figure skating incident from the 1990s. Sadly, in the UK, figure skating has not been incredibly popular since the 1980s when we had Olympics success with Torvill and Dean. We have a competition show with celebrities called Dancing on Ice (2006-present), with Torvill and Dean as coaches and now judges, but that’s got very samey in the last few years. It’s not even close to figure skating either. You mostly just wonder how long it’ll be until someone gets injured, slices their partner’s skin with their blade, or smashes their face on the ice. Not exactly carefree Sunday night entertainment.

Anyway, back to Disney Channel’s Go Figure. The movie was written by Patrick J. Clifton and Beth Rigazio. They had initially tried to sell their Go Figure script to be made as a feature film, however, this was around the same time that Ice Princess was being developed by Disney, so Go Figure as it was didn’t go ahead. Instead, the writers turned it into a kids’ movie and met with Sheri Singer, the producer of Disney Channel’s Halloweentown movies. Singer said she wanted to produce Go Figure for Disney Channel. Francine McDougall came on as the director. McDougall went on to direct the DCOM Cow Belles (2006). Clifton and Rigazio had such a happy time working on Go Figure that when Singer approached them with the novel How My Private, Personal Journal Become A Bestseller, written by Julia DeVillers, they went ahead and adapted it to become the DCOM Read It and Weep (2006)[6].

Go Figure was filmed in Salt Lake City in Utah, as so many other DCOMs have been, such as Read It and Weep; Minutemen (2008); and the High School Musical trilogy. Much like these other DCOMs, a school was used as the filming location for the fictional school within these films. In the case of Go Figure, Westminster College is the real-life school that became Buckston Academy in the movie[7].

Go Figure is not an action-packed movie; however, it is not a normal school drama either, with shots of mostly sitting in class, walking through the halls, or going to a school dance. Here, although doubles were used in some instances, the actors did have to train in ice hockey and figure skating. I’ve already mentioned that Jordan Hinson, who played Katelin, didn’t know how to figure skate prior to her casting in the movie, and since Katelin spends much of her time on the ice in this movie, she had to train. But the hockey players also had train. Before filming, the actors spent two weeks practising with a real girls’ hockey team, being taught the basics of skating, shooting, and stopping to make the hockey matches seem as realistic as possible[8].

RECEPTION

In March 2005, Walt Disney Pictures theatrically released a new live-action movie, Ice Princess, which was about a physics whizz using figure skating to help her college application, before deciding to become a full-time, professional figure skater, going against the wishes of her mother. Ice Princess received mixed reviews and was a box-office flop, however, in the years since, it still has its fans.

So, it is curious that Disney Channel would be competing with the main Disney theatrical division by creating Go Figure, another movie about a young figure skater, and releasing it just three months later. Go Figure premiered on Disney Channel in the US on 10th June 2005. Like Ice Princess, Go Figure received mixed reviews, but it escaped financial scrutiny due to its television movie status.

However, it did not escape all criticism. In Go Figure, the biggest inaccuracy is around the fact that the audience is told Katelin Kingsford is one of few competitors her age who can successfully execute and land triple jumps. Viewers who have knowledge of figure skating claim there are no triple jumps in any of Katelin’s routines in the movie. I’m not one of these people with knowledge so I’ve had to take their word for it. I do know that a figure skating competition consists of a long program and a short program though. Go Figure instead tells us that the Nationals consist of a single program. Nationals would’ve been a multi-day event, not just the one day. But had it been more than one day, then the whole dilemma over whether Katelin should attend the Hockey Championships or the Nationals would not have as much jeopardy attached to it.

Go Figure might’ve gone some way in inspiring would-be figure skaters to come into the sport, however, it seems to have just annoyed any actual figure skaters. Further negative comments for Go Figure surround the character of Katelin. She isn’t the most likeable main character of a DCOM, being quite bratty and selfish at times, especially when it comes to conversations with her brother and her parents, wanting them to always go along with what she thinks is best for her life. Katelin is also quite pouty when she doesn’t get her way in the early parts of the movie. I should also mention that some of Katelin’s more dramatic moments in Go Figure are not well acted. If you’ve seen the movie, you’ll know what I’m talking about. But to give Katelin some credit, she becomes more likeable by the end of the film, as she realises that she has to work hard to get where she wants in life; she can’t just have it handed to her on a plate. There are also apparently incorrect portrayals of the rules of ice hockey in Go Figure, but I wouldn’t know anything about that either.

On the more positive side, other viewers said this was an enjoyable movie, especially for kids and fans of figure skating, probably more fans like me that enjoy watching the grace and elegance of figure skating rather than the skaters themselves who’d be able to pick out inaccuracies. Some also said they liked the fact Katelin had to make a choice between whether to go to her figure skating competition, or go to the hockey final. To further comment on this point, I think Go Figure goes some way in showing that women don’t have to just do the “girly” sports; they can be tough on the ice rink instead of dancing around it in dresses with sunshine smiles frozen on their faces. 

Although Disney Channel Original Movies, in their most known form, have been developed since 1997, with the first “official” DCOM Under Wraps, they would not properly come into their own until High School Musical premiered in January 2006. The DCOMs that came before have struggled to become part of mainstream popularity, with few exceptions. Go Figure was not one of these exceptions, reportedly reaching around 3.5 million viewers on its premiere date. This is fairly standard for the DCOMs of this decade. DCOMs were not as high budget, or high value, productions at this time, so needed something big to really market them, like an established actor fronting the project. That did not happen with Go Figure, so it has mostly faded into the background.

One accolade Go Figure does have, though, is that it was nominated in the Best Family Television Movie or Special category at the Young Artist Awards in 2006. It did, however, lose out to Hallmark’s Christmas movie Silver Bells (2005).

LEGACY

What happened next for Go Figure? It was set up for us to see how Katelin got on at the Olympics. I for one would’ve quite liked to see this as a sequel.

And yet, no sequel was ever made. Although Disney Channel have made a few sequels to certain movies, these are normally sequels to already popular movies. Go Figure didn’t have extraordinary viewing figures, so spending further time and money on a sequel wouldn’t have made good business sense. I just would’ve quite liked to see it.

However, Go Figure has since been included on lists of good skating movies to watch[9]. Although the heyday of figure skating seems to have been and gone – at least for now – ice hockey continues to be a popular sport in North America, making this a feature within other Disney Channel movies. Two of these include Den Brother (2010) and The Swap (2016). But these are both male characters playing ice hockey, not girls, so Go Figure has them beat in that respect.

FINAL THOUGHTS

Go Figure is a sports-themed DCOM that managed to showcase two entirely different sports: figure skating and ice hockey, with the first primarily being seen as more fitting for girls, and the latter only for boys. Go Figure tries to change all that, in the same way that Eddie’s Million Dollar Cook-Off (2003) told viewers that girls can play baseball and boys can cook. Go Figure shows girls there are no limitations on what you can or should do.

Although I have always liked Go Figure, I should admit that if I could only ever watch one figure skating movie ever again, I’ll choose Blades of Glory (2007) every time. Both have their merits, but only one can make me laugh out loud.


REFERENCES

[1] Credit: Amanda Mears, ‘Fairy tale: Utahn BreAnn Brown portrays Tinker Bell in Disney on Ice’, Deseret.com, 9th March 2010.

[2] Credit: Rowan Bissett, ‘The puck drops on the 2025 NHL hockey season on October 8’, AthensOracle.com, 17th October 2024.

[3] Credit: Ahiza Garcia, ‘U.S. figure skating used to be wildly popular. What happened?’, Money.CNN.com, 13th February 2018.

[4] Credit: Gitanjali Poonia, ‘America were obsessed with figure skating in the ‘90s. Why aren’t we as enthralled anymore?’, Deseret.com, 4th February 2022.

[5] Credit: Netflix, Bad Sport (2021) Episode 4: “Gold War”.

[6] Credit: Jean Bentley, ‘What’s It Like to Write a Disney Channel Original Movie? The Duo Behind Read It and Weep Reveals All’, EOnline.com, 23rd June 2016.

[7] Credit: Jennifer Guzman, ‘Got Disney+? Keep an eye out for these movies filmed in Utah’, KSL.com, 12th November 2019.

[8] Credit: Disney, ‘Go Figure DCOM Extras Commercial’, Promo Central YouTube Channel, 5th June 2020.

[9] Credit: Amanda Bruce & Danielle Bruncati, ’10 Best Skating Movies’, ScreenRant.com, 13th January 2024.

Minutemen (2008)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

Disney Channel Original Movies cover all manner of themes and topics.

Some of their most popular, and most relatable, are those that focus on life as a teenager or troubles at high school. Everyone has been through difficult experiences at that age, so making a DCOM based on that is an easy way of engaging an audience. These types of movies were the ones I watched more of on Disney Channel.

However, Disney Channel has also been known to stray into other areas, such as delving into the genres of fantasy and science-fiction, although many of these are still grounded in school and teenage life, such as Twitches (2005); Halloweentown (1998); How to Build a Better Boy (2014) – and the 2008 DCOM Minutemen.

You can probably be forgiven for not having heard of or watched Minutemen whilst it was on Disney Channel. I will admit that I was not the first one to it, because the most exciting new DCOM to come to the channel in 2008 for me was Camp Rock. After the success of High School Musical (2006), Disney Channel had upped their game in all areas of their programming, but none more so than in their musical DCOMs. I also enjoyed watching the third instalment of the Cheetah Girls franchise, The Cheetah Girls: One World, that year. Disney Channel is known for its musical movies, with these tending to be the highest rated. Minutemen was the only other DCOM released in 2008, but it passed me by. I remember it being advertised, but it just didn’t appeal to me like the musicals did.

I don’t actually know when I found Minutemen, but it was at least a couple of years later. I was more interested in watching it after its premiere because it meant that I was more familiar with some of its leading actors by the time I found it, just randomly one day. Jason Dolley and Chelsea Staub, now known as Chelsea Kane, were frequently seen on Disney Channel in the 2000s and early 2010s, so it helped me like it, despite not being too interested in the concept of time travel, a major part of the storyline of Minutemen.

I believe I had only seen Minutemen once in full before this week, so that obviously means that it didn’t become an instant favourite for me. I took me a while to appreciate any type of science fiction film, even Back to the Future (1985), which is referenced numerous times in Minutemen, so I’m not surprised my teenage self wasn’t bothered by it. But re-watching this week, I was impressed with the storyline and the level of acting by the young stars. I did enjoy it, but not as much as other DCOMs.

PLOT

Minutemen begins on the first day of high school at Summerton High School for three friends, Virgil, Derek, and Stephanie. Stephanie worries that high school might change them, as she is going to try out to be a cheerleader, and Derek is planning on joining the school’s football team. During try-outs for football and cheerleading, with Virgil watching nearby, a kid on a jet-propelled kart comes onto the field. This is Charlie, a kid genius who has skipped grades because of his intellect. Because of Charlie ruining football try-outs, the football players circle Charlie and start to bully him. Virgil tries to diffuse the situation, but it makes everything worse: they end up dressed as cheerleaders and tied to the school’s ram statue.

Three years later, everything has changed for the trio of friends. Derek is now a jock, and his girlfriend is Stephanie, who did become a cheerleader. Virgil has remained friends with Charlie – the joint bullying experience must’ve bonded them – though he is resentful that, in his Senior Year, he still hangs out with “nerds”. Although Virgil and Stephanie continue to talk on occasion, things between Virgil and Derek are different.

During class, Charlie bursts into Virgil’s class and tells him there is an “AV Club emergency”. Virgil follows Charlie to the computer lab, where Charlie shows Virgil a simulation of practical time travel. Virgil doesn’t believe it’ll work, but Charlie manages to convince him to go along with the crazy scheme of becoming time travellers. Charlie says they need another person to help them. Virgil approaches new kid, Zeke, who comes across as the bad-boy-loner type. The three meet to discuss the project and Zeke agrees to it.

The group begin to build their time machine, having managed to convince Vice Principal Tolkan to let them set up a new club and base it in Room 77 after giving him change for the vending machine. Room 77 was Charlie’s pick for their “club” as it is a huge basement, originally set to be the school’s fallout shelter. Over time, they clean up the basement, and start to get – or steal, I can’t really tell – parts for their machine. Once it is fully built, all three of them are too scared to try it out, so Virgil and Zeke pick up Charlie’s cat, Albert Felinestein, put goggles on it, and throw it into the machine’s vortex. Charlie is furious, but the cat comes out alive, just a bit frosty. They look at the watch they strapped to the cat and it is one minute behind, proving that the cat went back in time.

The next day, all three of them are brave enough to go into the time travel vortex themselves, wrapping up warm to avoid frostbite. Charlie warns them that they only have ten minutes to go back in time and come back, or else they may explode. Nice. The trio arrive in the past and realise it is yesterday. They quickly go to a shop to buy a lottery ticket with the correct numbers so they can win the jackpot the next day, however, they are refused the sale as they are not old enough to purchase the ticket. The three go to the “living statue” outside and ask him to buy the ticket, giving him the list of numbers and telling him to keep the ticket to give to them the next day as they need to get back to the present. On their return, they rush over to the shop to find the man did buy the lottery ticket – but kept the winning ticket for himself! Can we trust no-one these days?!

Virgil, Charlie, and Zeke then discuss a different purpose for their time travel machine, as Charlie didn’t like the idea of buying a lottery ticket anyway because it is cheating. Good for you, Charlie; you stick to your morals. They then see Chester, one of Charlie and Virgil’s less-than-popular friends. Football players have stolen Chester’s clothes, leaving him to run through the school halls naked. This gives the boys an idea. They’ll use their time travel ability to help embarrassed high school kids!

Just as the three are about to go back in time, Charlie realises that they really ought to have someone stay back to monitor the machine and make sure there are no problems. The boys argue about who will have to stay and miss all the fun, when a girl called Jeanette comes into the room, wanting to be a part of the “Back to the Future Fan Club”, the cover name for the time travelling. This gives Zeke and Virgil an idea; Jeanette can be the one to stay back. Charlie isn’t so sure he wants anyone else to be let in on the secret, but he eventually agrees – and Jeanette has a crush on Charlie so she’s happy to be a part of their gang, regardless of what it means. Though she does want to do something about their time travel outfits. Luckily, her dad owns a ski shop so she equips them with white ski suits and goggles to give them an air of mystery and legitimacy to their time travelling. They name themselves “The Minutemen”.

The three go back in time and help Chester by giving him clothes to wear. As their outfits conceal their faces and identities, the mystery group soon become popular at school as they continue to help other kids. Vice Principal Tolkan, however, is not impressed by these “Snowsuit Guys”, who he keeps seeing running about the school without permission. Tolkan vows to find and punish them.

Meanwhile, employees at Pacific Tech have been monitoring high readings and power surges that seem to be coming specifically from Summerton High School. It turns out the FBI is also investigating, covertly following Zeke, Charlie, and Virgil. This leads Charlie to admit to having hacked NASA, stealing some files they had from the 1960s related to time travel. Zeke and Virgil are furious with Charlie for getting them mixed up in something illegal, but Charlie assures them that if they just lay low for a while and don’t time travel, everything should be fine. Virgil isn’t too bothered by this anyway, because he’s annoyed at not getting proper credit for the good work they’re doing. Plus, the students all call them the “Snowsuit Guys”, even though that isn’t their name. AND the kids they have helped have all become kind of obnoxious…However, Virgil soon finds an important reason for them to time travel again. He is told by Stephanie that she has got accepted to her preferred college, but on a cheerleading scholarship. The next day, Virgil comes into school to discover that Stephanie has broken her leg after falling from a cheerleading pyramid. A broken leg will most definitely cost Stephanie her scholarship, so Virgil convinces Zeke and Charlie to go back in time to help her. The three agree to do that, and Virgil manages to catch Stephanie as she falls, saving her leg, but also giving himself away in the process.

Stephanie confronts Virgil the next day, saying she knows he is one of the “Snowsuit Guys”. As Virgil believes they have been rumbled, he admits to Stephanie that him, Zeke, and Charlie are time travellers. Stephanie is in awe of this; she was just going to say they must be psychic! Charlie continues to feel uneasy about their use of the time machine, feeling that it is having repercussions in the real world. But Virgil continues to find reasons to use it. Stephanie comes to Virgil with Derek, asking for his help as Derek was distracted during a football game, and cost the team the win. Derek begs Virgil for his help, saying that he’s sorry for everything that happened between them, reiterating that he tried to get the football players to stop during that incident on their first day of high school. Virgil wants to be popular so he agrees to help Derek. Derek is grateful to Virgil and starts inviting him to parties, but this leads to Virgil ignoring Zeke and Charlie. Soon after, Virgil gets a call from Stephanie in tears, saying she saw Derek cheating on her with mean girl Jocelyn. Virgil goes to comfort her. Derek then calls Stephanie, wanting to talk but she won’t take him back. Derek begs Virgil to go back in time to stop that event from happening.

As Virgil wonders what to do – help Derek get Stephanie back, or let things run their course and hope that him and Stephanie can finally be together – he is thrown in a van and taken to a warehouse. There, the FBI confront the boys, telling them they know that the boys stole information from NASA and have been using it to time travel. The boys refuse to admit anything and are free to go. The FBI will continue to monitor their activities. The three go their separate ways, their friendship and hopes of time travel destroyed.

But Virgil goes on alone, telling Derek he will take him back in time to stop Stephanie seeing him with Jocelyn on the day of the school dance. Virgil goes to the dance with Stephanie, but he is pulled away by Derek, wanting to go back in time now. The students all follow them, believing there will be a fight. In the meantime, Charlie has discovered that their time travelling led to the creation of a black hole on the school field. He confesses to the FBI, telling them they have about four hours to save the world. The FBI and Charlie storm the school to get Zeke, Virgil, and Charlie together to stop the black hole from consuming everything. There is only an hour left at this point so the guys suit up and walk to the black hole, ready to jump in, students clapping and cheering them, as their identities are revealed.

The ”Minutemen” jump into the black hole, and fall into the local park. Using a remote machine that Charlie whipped up, they begin to reverse the polarity. Charlie believes they have about twenty minutes until they can return. They then go to the school to try and stop past Charlie accessing the component he used to make his time travel machine, something to do with that kart, because they’ve found they are back at their first day of high school. At the same time, Virgil wants to change what happened that day, so he never became “a nerd”. Charlie is hurt by this, telling Virgil that day was also the day that Charlie finally found a real friend. Charlie and Zeke walk away, leaving Virgil to do whatever he plans to do. Virgil watches over the scene below, and discovers that Derek never tried to stop the bullying, like he claimed, but was actually a part of it.

Charlie and Zeke discover that the portal is collapsing and don’t have enough time to get back through it. Suddenly, Virgil rides up in Charlie’s old kart, having changed nothing about the bullying incident. He drives the three of them to the portal – but accidentally goes the wrong way. They’ll never make it in time! Oh, but wait. Zeke has that grappling hook he takes with him on every time travel escapade. He uses the hook and sends the kart in the right direction. The kart destroys the town on the way but they get through the portal in time.

They land, in their ski suits, back at school, on what was the day they first time travelled. As they walk through the school, they see that nobody knows anything about them or the “Snowsuit Guys”. Their mission was a success. Virgil goes to the library where he spoke to Stephanie that day, and tells Derek that he knows what he did that first day of high school and that he knows Derek is cheating on Stephanie with Jocelyn. Virgil then tells Stephanie he likes her; she says she feels the same. Charlie also kisses Jeanette, just before Zeke and Virgil can remind him that Jeanette hasn’t kissed him yet, as she had done before they went into the black hole…She doesn’t mind though. Charlie then starts to talk to Virgil and Zeke about a new idea around teleportation. The two quickly carry him away, not wanting to get mixed up in any more of Charlie’s “experiments”.

CHARACTERS & CAST

Virgil Fox initially seems hopeful about his first day of high school. He’s got his two best friends with him, what more does he need? But one event can change everything, and from that point, although Virgil has made new friends, he has become frustrated that he has become associated with “nerds”. Although Virgil talks and listens to Charlie, for most of the movie it seems like he merely tolerates him. Virgil seems to blame Charlie specifically for his problems. I hate to break it to him, but if Stephanie and Derek were going to be a cheerleader and a jock respectively, then the chances are their friendship wouldn’t have lasted anyway. Popularity does strange things to people. And in that scenario, Virgil would’ve been all alone, even without Charlie to call his friend. When Charlie comes up with the idea of time travel, suddenly, Virgil thinks this is quite cool – but once again, Virgil uses it as an opportunity to become popular and more liked amongst other students. It doesn’t really work that way until Stephanie learns about it and she tells Derek. But when Virgil gets the chance to go back and change his first day of high school so he never met Charlie and became unpopular, he doesn’t do it. I never thought Virgil was going to go and do that, because, although I’ve made him sound like a bad guy, he’s not.

Virgil does have some unresolved issues, there’s no doubt about that, and he forgets who his real friends are at times, yet he’s still a likeable character. This is all down to the actor, because Virgil could’ve ended up as a terrible main character if the wrong person was cast. Jason Dolley was cast as Virgil. Dolley had a long career with Disney Channel, beginning with the DCOM Read It and Weep (2006), where he played Connor. Dolley went on to star as Newt in the series Cory in the House (2007-08), and then as Pete in the DCOM Hatching Pete (2009). Dolley later was cast as PJ Duncan in Good Luck Charlie (2010-14) and its DCOM, Good Luck Charlie, It’s Christmas! (2011). After this, he appeared as Kevin in the ABC series American Housewife (2016-21). Most recently, Dolley wrote and starred in the short film The Unicorn That Never Lies (2024).

Charlie Tuttle hasn’t had an easy time at high school, because he is so much younger – and smarter – than everyone else. He’s an easy target for bullying and thanks to Virgil coming to his rescue on that first day, Charlie finds he does have a friend, someone he can talk to and who might stick up for him. Charlie is a genius; however, his high-achieving personality leads to him getting himself into trouble. Just because the possibility of time travel is waiting to be discovered doesn’t mean you should hack into NASA and steal their old research on the subject. Charlie is ecstatic to have figured out how to time travel, but he soon discovers that his, Virgil, and Zeke’s actions have caused damage to the world, culminating in a black hole. Charlie admits that he made a mistake and finds a way to resolve it. He just wanted to advance the world of science; he never meant to destroy it!

Charlie Tuttle was played by Luke Benward, who had already starred in the film How to Eat Fried Worms (2006) as Billy Forrester prior to his role in Minutemen. Benward went on to appear as Alan Wheddon in Dear John (2010); and came back to Disney Channel to star in the DCOMs Girl vs. Monster (2012) as Ryan, and Cloud 9 (2014) as Will Cloud. Benward also appeared as Beau, Teddy’s boyfriend, in the final season of Good Luck Charlie (2010-14). After Disney, he went on to be cast as Dillon Sanders in the Pretty Little Liars spin-off series Ravenswood (2013-14) and as Bo Larson in the Netflix movie Dumplin’ (2018).

Zeke Thompson is a new student at Summerton High School, first seen as he arrives to school on a motorbike. He seems like the silent, loner type, but Charlie and Virgil notice that he has engineering skills which may be useful to their time travel project. Although it might seem that Zeke doesn’t have time to hang out with science geeks, he is intrigued by this plan and agrees to help them; Zeke thinks the idea of time travel is cool. Much of the plot resolves around Virgil and Charlie’s friendship, and the dynamic between Virgil, Stephanie, and Derek, so Zeke doesn’t get all that focus, however, he helps find students who might need their time travel experience to avoid embarrassment and he is loyal to the cause, sticking firmly with Charlie on points, such as not betraying each other to the FBI, and not continuing to time travel when things start to look tricky.

Nicholas Braun also had a bit of history with Disney. Prior to his casting as Zeke, he was cast as Zach in the Disney movie Sky High (2005). After Minutemen, he went on to appear as Ed in the DCOM Princess Protection Program (2009), and then as Lloyd in Disney’s Prom (2011), which was not a DCOM, though it does feel like one. Since his “Disney days”, Braun has become an incredibly successful actor, appearing as Michael in Date and Switch (2014), alongside Dakota Johnson and Sarah Hyland, and as Josh in How to Be Single (2016), which also featured Dakota Johnson, and Rebel Wilson. He is perhaps most known for his role as Greg Hirsch in the critically-acclaimed series Succession (2018-23). Recently, Braun portrayed both Jim Henson and Andy Kaufman in the movie Saturday Night (2024) and is set to star in the movie Famous alongside fellow Disney alumni Zac Efron and Debby Ryan.

Moving on, Stephanie Jameson was one of Virgil’s closest friends before high school. At high school, though, things are a little bit different. Stephanie is a cheerleader, but she does make time to speak to Virgil. She’s not like one of those awful cheerleaders you see in movies who drop all their friends when they finally become popular. Stephanie isn’t actually all that happy about being popular. She thinks Virgil and his friends look much happier than any of the popular kids ever do. Virgil is smitten with Stephanie, and for once, I was actually rooting for the “nerd” to win the heart of the popular girl, because she was just so nice!  

Chelsea Staub, now known as Chelsea Kane, was cast as Stephanie. Like the three actors I’ve just talked about, Kane also had a history with Disney Channel. After Minutemen, she went on to star as Stella Malone, alongside the Jonas Brothers, in the Disney series Jonas (2009-10), before being cast as Alexis Bender in StarStruck (2010), alongside Sterling Knight. Also for Disney, Kane voiced the character of Bea Goldfishberg in Fish Hooks (2010-14). Outside of Disney, Kane placed third in Season 12 of Dancing with the Stars and played the part of Riley in the ABC series Baby Daddy (2012-17). She returned to voice acting again in 2019 to voice the character of Loy for the series Archibald’s Next Big Thing (2019-21).

Then there is Virgil’s ex-best friend Derek Beaugard. For most of Minutemen, Derek is also Stephanie’s boyfriend, but he turns out to be a cheater – big surprise there – so Stephanie dumps him. Derek then asks Virgil to take him back in time to avoid the moment that Stephanie saw him with another girl. Derek convinces Virgil to do this because he claims that during that bullying incident on their first day of high school he tried to get the other football players to stop doing what they were doing. Well, it’s a good thing that big, black hole stopped Virgil from helping Derek because it turns out Derek is a liar as well as cheat, actually contributing to the football players’ bullying of Charlie and Virgil, and not stopping it, as Virgil sees when they go back in time to save the world. Derek is just awful.

Steven R. McQueen was cast as Derek. He went on to be cast as Jeremy Gilbert in The Vampire Diaries (2009-17), and then as Jimmy Borrelli in Seasons 4 and 5 of Chicago Fire (2012-present). Oh, and that girl Derek was caught with was, Jocelyn, was played by Kellie Cockrell, who might look familiar to Halloweentown fans, as she played Sapphire Sinister in Return to Halloweentown (2006).

Then there are a couple of Virgil and Charlie’s friends to mention. One is Chester, who is frequently bullied by the jocks, but once Virgil, Charlie, and Zeke go back in time to help him one day, Chester becomes a real jerk, ignoring Virgil and Charlie, who only risked their lives to stop him being humiliated, and even starts to bully the jocks. All returns to normal, though, once the Minutemen go back and sort out that black hole. Then, there is Jeanette. Jeanette is a bit weird and hyper, coming on a little bit too strong for the socially awkward Charlie when she’s trying to show she has feelings for him. Eventually, Charlie learns to love Jeanette’s quirks and they become an oddly cute couple.

Chester was played by Dexter Darden. Darden went on to be cast as Frypan in The Maze Runner trilogy (2014-18) and appeared as DeVante in the reboot series of Saved by the Bell (2020-21). Most recently, he portrayed Muhammad Ali in the Peacock miniseries Fight Night: The Million Dollar Heist (2024), which starred Kevin Hart. Jeanette was played by Kara Crane, who went on to guest star in episodes of series like The Suite Life on Deck (2008-11); The Mindy Project (2012-17); and Baby Daddy (2012-17).

Finally, there is Vice Principal Tolkan. Tolkan isn’t bothered by the bullying epidemic he clearly has going on at his school, not even batting an eyelid when he sees a student trapped in a vending machine. Instead, he’s bothered about getting the right coins to get the snack he wants. Tolkan is happy to let “the normal order” take precedent over basic human rights, but that does mean that when Chester becomes a bully to the jocks, Tolkan suddenly wants to discipline because that goes against the status quo. What is it with DCOMs and corrupt teachers. We have Tolkan here; we had Brenigan in Lemonade Mouth (2011); where does it end? Vice Principal Tolkan was played J.P. Manoux, who should be familiar to Disney Channel fans for playing Vice Principal Hackett in the Disney Channel series Phil of the Future (2004-06). He also replaced David Spade from The Emperor’s New Groove (2000) as the voice Kuzco in The Emperor’s New School (2006-08), and voiced the character of Mr. Fraley in the Disney Channel animated series The Replacements (2006-09).

MUSIC

Minutemen isn’t a movie packed with songs, but one in particular was familiar to me.

This song was “Like Whoa”, performed by Aly & AJ, which played during Virgil, Zeke, and Charlie’s building of their time machine. It was written by Aly and AJ Michalka – who themselves starred in the DCOM Cow Belles (2006) – Antonina Armato, and Tim James. “Like Whoa” was part of Aly & AJ’s second album Insomniatic, released in 2007.

Another song I instantly recognised as being performed by Corbin Bleu, although I had not heard the song before, was “Run It Back Again”, which can be heard during the montage of the Minutemen helping students and being investigated by the FBI. “Run It Back Again” was written by Matthew Gerrard and Robbie Nevil. The music video features clips from Minutemen. It is also a track on Radio Disney Jams, Vol. 10, released in January 2008.

At the party that Virgil attends with Derek and Stephanie, I believe the song “Thinking About It…Baby” is playing, which was written and performed by Salme Dahlstrom. At the school dance, there is also a song that sounds a bit like “Johnny B. Goode” being played by the school band. When Stephanie and Virgil dance later, there is a different song playing. These seem to just be riffs on 1950s songs, since that is the theme of the school dance, and it’s a small reference to Back to the Future, and its setting of 1955. There is no information on these songs and they are not credited.

One final song to mention that is also not credited is the music that is playing during the End Credits. This is a mini-blooper scene that turns into a dance party with all the cast and crew. All I know is that the song goes “put your hands up, put your hands up, put your ha-ha-ha-ha-hands up”. I tried to search for it, tried Shazam, but it doesn’t exist apparently.

Nathan Wang is credited as the composer for Minutemen. Wang has composed the music for other DCOMs including Hatching Pete (2009); Wendy Wu: Homecoming Warrior (2006); and Christmas…Again? (2021), amongst many other non-Disney projects.

PRODUCTION

Science fiction is a common genre in entertainment, both on-screen and off.

On-screen, some of the most popular science fiction franchises have involved space travel, such as Star Wars and Star Trek. Although space travel is advancing, we are not yet living in a world that looks anything like those in science fiction films. However, others in this genre have become less science fiction and more “science fact”.

Some science fiction movies that have been focused on getting the science right include Christopher Nolan’s Interstellar (2014), whose plot has a basis in theoretical physics, and Ridley Scott’s The Martian (2015), which follows an astronaut’s attempts to survive on Mars[1]. A movie that comes somewhere in between science fiction and “science fact” is Back to the Future, one of the most popular science fiction franchises ever, in itself an inspiration to other science fiction films. Minutemen takes some ideas from this movie in its own exploration into time travel.

For fans of Back to the Future, there are many subtle references within Minutemen, aside from the time travelling storyline. One is that Charlie has named his pet, in this case a cat, after Einstein, and Doc Brown did the same with his dog in Back to the Future. Jeanette can also be seen at one point looking at the school newspaper, which changes its headlines as soon as the Minutemen have changed the past; this is something that happens in Back to the Future. You might also notice that Virgil’s last name, “Fox”, the same as that of Marty McFly actor Michael J. Fox, and that Vice Principal Tolkan is named after actor James Tolkan, who played Principal Strickland in the movie. A big mention of the movie comes in the fact that the boys named their club, the “Back to the Future Fan Club”. Obviously, they knew that they were re-enacting the movie in real-life.

I could go into detail about the never-ending problems with the scientific inaccuracies and plot holes that exist within Minutemen and Back to the Future that others have somehow had time to find. I’m not going to do that, because I don’t really care about accuracy in movies like this, because there is too much still to be discovered in the world of science. I will instead mention just one.

Time travel is not currently physically possible, however, theoretically, it has been discussed with many possible outcomes. For example, one theory that neither Back to the Future nor Minutemen manage to follow is the “grandfather paradox”. The example used to explain it says that if a time traveller went back in time and killed his grandfather before he could have children, then this would mean the time traveller never existed, so couldn’t actually go back in time to do that. In Minutemen, the boys go back in time to fix issues and return to the present to find that it’s like they never happened. This goes against the grandfather paradox. This theory led to the belief that travelling backwards in time was not possible, and has caused many viewers of movies like this to comment on inaccuracy.

But there have since been discussions, including theories from Stephen Hawking, that debate whether it is possible to travel back in time, at least to an earlier point in time that you’ve already been to. This would mean that Minutemen could work, however, this relies on the fact that things would be unalterable in that past timeline – which Minutemen does not stick to. Alternatively, there is a lot of discussion about quantum physics and parallel timelines, which are too complicated for me to understand[2]. All I know is that parallel timelines are explored in Back to the Future, specifically Back to the Future Part II.

My point here is that Minutemen took a lot of influence from Back to the Future, and in doing so, it took some of Back to the Future’s scientific inaccuracies and made them their own. However, that does not mean that Minutemen doesn’t have a good story, because it does, and it was good for Disney Channel to create a science fiction-based movie. Science fiction isn’t a particularly common genre for Disney, with their Zenon trilogy ending in 2004. Minutemen was their first science fiction movie since then, but Zenon takes place in space in the future, not in present day with some elements of science within it, like Minutemen. There wouldn’t be another science fiction-themed DCOM until The Suite Life Movie in 2011.

Minutemen was directed by Lev L. Spiro. After Minutemen, Spiro went on to direct the DCOM Wizards of Waverly Place: The Movie (2009) and some episodes of the Disney Channel series Jonas (2009-10). More recently, he has directed some episodes of UnReal (2015-18) and Insatiable (2018-19). The screenplay for Minutemen was written by John Killoran, with David Diamond and David Weissman being credited for the story.

The actors enjoyed working with Spiro during filming on Minutemen, and Spiro in turn enjoyed working with them. It seemed like a fun, creative atmosphere on set. One area where this was clear was in the stunts. Minutemen is not a high action thriller, however, there were still moments of stunt work, and the actors got to do quite a lot of it. Jason Dolley, Luke Benward, and Nicholas Braun ended up doing lots of jumps and dives to film the shots of them going into and coming out of the time travel vortex. They also did some work on wires for their characters spinning through the vortex. Although the vortex doesn’t look particularly realistic, it is worth remembering this is a TV movie from 2008. Benward was also able to drive the “runaway” kart in Charlie’s first scene in the movie.

There is also another actor that should be mentioned here and that is Tennessee the cat, who played Albert Felinestein. Although the cat is not seen all that much in Minutemen, Albert Felinestein was part of a key moment in the movie: the first test of the time travel machine. The cat actually had to be sprayed with something to make it look like it had been frosted up during the time travelling. But don’t worry; the cat was not thrown into the air when the boys throw it into the vortex in the film. A toy cat was used as a “stunt double”.

The coldness aspect of time travelling, which saw the DeLorean freeze during the time travel sequences of Back to the Future, did mean that the boys had to wear big, thick snowsuits. This may’ve been easy to do had this shoot been entirely inside, or shot during winter, but it was not; it was filmed in summer. Dolley, Benward, and Braun had to do a lot of activity in those costumes and did struggle at times in the hot weather[3]!

Minutemen was filmed in August 2007 in Utah, with two schools being used as filming locations: Murray High School, based in Salt Lake Valley; and Highland High School in Salt Lake City. It seems that Murray High School was used as the exterior of Summerton High School, with a giant bronze ram statue being placed outside the school entrance, with “Summerton High School” and “Rams” wording being added to the building. It supposedly confused some registering students; however, the props were removed before school started. Highland High seems to have been the setting for Summerton’s playing field[4].

Utah has been a fairly common filming location for Disney Channel, with others being filmed in Utah including Cloud 9 (2014) and Good Luck Charlie, It’s Christmas! (2011). Murray High School is not even a stranger to Disney Channel, as it was used as the filming location for Read It and Weep (2006) and the High School Musical trilogy (2006-08)[5].

RECEPTION

Minutemen premiered on Disney Channel on 25th January 2008 in the US.

It reportedly reached around 6.5 million viewers on its premiere. This is about average for a Disney Channel Original Movie release for the time, potentially slightly above average. The DCOMs with the best viewing figures tended to be the musicals, or the ones with the biggest Disney Channel stars. Although Minutemen features a lot of Disney stars as we now know them, at the time, none of the main actors had been in many Disney projects before, so Disney Channel didn’t have that to market the movie fully. Although I’m from the UK and not the US, I don’t remember Minutemen being heavily advertised on the channel, however, the other two releases of 2008, Camp Rock, and The Cheetah Girls: One World, were. It is worth noting though that in the US, Minutemen actually had slightly more viewers than the third Cheetah Girls movie, which had viewership of around 6.2. million. I also think Minutemen fared quite well for a January movie release. DCOMs released over the summer or towards Halloween I always felt were the most exciting ones.

Looking at audience reviews, I was surprised to find so many positive ones for Minutemen. That’s not to say I think it deserves more negative reviews, because it doesn’t, but just that many reviews of DCOMs tend to be overly critical. In Minutemen’s case, many felt that the storyline was fun and smart, with better-than-expected acting. I would definitely agree with this statement. Many liked the references to Back to the Future that are peppered throughout Minutemen. It was also appreciated that this is a DCOM that is centred on three teenage boys, and outcasts at that. Many other DCOMs do not do this, although Disney Channel were clearly trying to appeal to this demographic during the 2000s, as you can see with movies like Jump In! (2007) and Hatching Pete (2009).

However, Minutemen did not escape any negative reviews, as no film ever can. Some said that Minutemen was “forgettable”. To be fair, in amongst all the other DCOMs that have been released, I would say that Minutemen has been forgotten by many Disney Channel fans, unless they happened to have watched it enough times at a younger age to make it a favourite. But the reason it may have been forgotten isn’t because the movie is low-quality; it’s because the DCOM world has been saturated with musicals. Others were quick to point out the inaccuracy of the time travelling within Minutemen, and there were some comments about how the black hole and “end of the world” scenario was a little bit overdone, especially with the four-hour time limit to fix everything. Four hours is a random amount of time for something as cataclysmic as a black hole consuming the world – or was it just the US? – but I didn’t think it was excessively dramatic.

Personally, I think Minutemen is a better-than-average DCOM, with a different type of story and pretty good acting. It’s certainly not anywhere close to being one of the worst DCOMs I’ve seen. 

LEGACY

Unlike Back to the Future, which spanned two sequels, merchandise, a TV series, and a fandom that are extraordinarily loyal, Minutemen didn’t get that.

Minutemen instead may even get confused with The Minutemen characters from the DC comic book series Watchmen. Minutemen are also the name of characters in other comic books, including those from Marvel. Minutemen, or Minuteman, has also been used as the name of different organisations or groups in the US over the years, including in the American Revolutionary War. This term generally refers to rapid deployment of people.

One good thing to come out of Minutemen was the careers of its stars, with the four main actors having multiple Disney credits. Jason Dolley mentioned during a 2020 video he appeared in on Christy Carlson Romano’s YouTube Channel – the voice of Kim Possible for anyone unfamiliar, as well as Ren Stevens in The Even Stevens (2000-03) – that he was one of the few actors to have been in the most DCOMs with four, joint with Brenda Song. Song has in fact been in five. Although some were quick to point out the inaccuracy in his statement, many actors who have been in more than four DCOMs were in series, such as Raven-Symoné in The Cheetah Girls and Zenon films, and Ashley Tisdale, in the High School Musical and Phineas and Ferb movies. Dolley was in four completely unrelated, standalone DCOMs, as well as two Disney Channel series, which is still impressive. If nothing else, Minutemen was a stepping stone to success for its Disney Channel stars.

Minutemen also went some way in breaking Disney Channel’s reliance on musicals after its High School Musical hype, and finding a way of appealing to boys, instead of only on pre-teen and teenage girls.

FINAL THOUGHTS

Minutemen is not my favourite DCOM, and I didn’t even see it until after its release. I’ve always liked musicals, so I was always excited for those, and I’d also choose to watch DCOMs with actors I already knew. Minutemen wouldn’t be able to meet that second requirement for a few years, but when it did, I went ahead and saw it.

It wasn’t a particularly memorable movie experience to be honest, but re-watching this week, I was impressed with it. The storyline covered the scientific background of time travel, as well as the potential homeland security issues that may come with this sort of endeavour, making Minutemen more complex a movie than others that are generally about high school. Minutemen managed to combine the time travel with this aspect.

Minutemen is a movie for the outcasts, once again proving that it’s the ones who no-one imagines anything of who do the things that no-one can imagine.

Alan Turing reportedly said that; I can’t take credit for it.


REFERENCES

[1] Credit: BBC Bitesize, ‘Five times the movies got their science right’, BBC.co.uk/bitesize, October 2022.

[2] Credit: Andrew May, ‘What is the grandfather paradox?’, LiveScience.com, 31st January 2022.

[3] Credit: Disney Channel, ‘Minutemen 2008 DVD Overview’, Diamond Boy’s Disney DVD Overviews YouTube Channel, 12th January 2024.

[4] Credit: Jennifer Toomer-Cook, ‘Disney moment for Murray, Highland’, Deseret.com, 3rd September 2007.

[5] Credit: Jennifer Guzman, ‘Got Disney+? Keep an eye out for these movies filmed in Utah’, KSL.com, 12th November 2019.

Big Time Movie (2012)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

In 2006, Disney Channel premiered a new series: Hannah Montana (2006-11). But this wasn’t just a TV show, because Hannah Montana became a pop sensation amongst kids, tweens, and teens, releasing CDs and putting on concerts, like any other singer would. So why should Disney have all the fun? In come Nickelodeon – the “other channel” that Disney would rather you didn’t know about – with their own show, Big Time Rush (2009-13), which launched a band along with its series, who released CDs and put on concerts.

This was never anything new, because The Monkees (1966-68) was very similar, i.e., four guys form a band in a television series and then become a real band off the back of it. In fact, when I was watching Big Time Rush, my mum mentioned that the show was basically The Monkees, but I wouldn’t know; I haven’t seen it.

I found Big Time Rush in an odd way. I was in Florida on a family holiday and whilst there, I always liked to buy the tween magazines, like J-14, so I could read about my favourite Disney stars. This time, I was about 18 and I was starting to drift away from Disney Channel as my favourite series ended and stars departed, but I still bought the magazine anyway. Whilst flipping through, I came across poster-after-poster of this band: Big Time Rush. They were cute, so of course, I was instantly fascinated with who these guys were and what show they were on.

I got home, found the show on Nickelodeon and became a fan of them over the summer. I even took those magazine posters to put up on my wall when I went to university that September, not thinking it was particularly weird. After all, I wasn’t much younger than these guys so naturally I thought, if I ever met them, they’d be much more likely to fall in love with me than any of their younger fans. I know, delusional, right?

Anyway, I did not find other people my age to be too forgiving of my interests. I was teased for the posters, as well as for my love of Disney. It wasn’t meant to be bullying, but it felt like it, and I was hurt, to be honest. But I got through the year and, by the summer, Big Time Movie had come out in the UK. I loved both the movie and the music – though I first watched it with a friend of mine who fell asleep through most of it, so not exactly a glowing review from her…Not that she was a fan, so who cares?

After that summer though, I started to feel like a kid for still liking Big Time Rush, knowing that I wasn’t their target demographic and that other people my age might be looking down on me for it. So, I vowed not to talk about “kid stuff” at university again. By doing this, I moved away from Big Time Rush, only listening to their music in secret, and I never finished watching the full series.

Recently, I decided to expand my movie reviews by venturing beyond the “Disney bubble”, and what should spring to mind as one of these non-Disney movies to write about but Big Time Movie. I had to give it a try again. I expected to find Big Time Movie quite cringey after not watching it for years, but I actually found it fun. Super cheesy but not taking itself seriously. Big Time Movie was just a good piece of light entertainment that extended the show’s overarching storyline.

PLOT

Big Time Movie begins in a huge castle where a James Bond-style villain has captured a princess. As the princess cries for help, we see the four members of boy band Big Time Rush assemble to come to her rescue. They are dressed up like spies in tuxedos and each finds their way to the castle: Kendall via a souped-up Aston Martin; Logan has a jet ski; Carlos is riding a quad bike; and James has parachuted out of an aeroplane. The villain is ultimately defeated by James falling onto the villain as he crashes through the ceiling. The princess is eternally grateful to the boys….

But then we don’t see anything else, because this was all just a dream. Carlos’ dream, in fact, which he has been woken from by a flight attendant, telling him that they are soon to be landing in London. Yes, Big Time Rush are going to London, the first stop of their world tour. The boys are very excited by this, however, Gustavo Rocque, music producer and Big Time Rush’s founder, is worried that the boys will get the tour cancelled with their usual chaos and antics. Kendall’s mother and sister, Katie, are also along for the ride. Katie is looking forward to somehow becoming a princess during her time in London, by meeting a member of the British Royal Family – because they’re so easy to find…

Once in the airport, Big Time Rush are told by Gustavo and his assistant Kelly not to get into any trouble. And yet, trouble just seems to find them, as they are rudely shoved by policemen chasing after someone in a suit holding a backpack. The man manages to swap out the backpack for an identical one on a nearby luggage carousel, but is caught by some scary-looking henchmen, including a man who has a hammer for an arm. This man is apparently a spy who is taken to a castle owned by entrepreneur Sir Atticus Moon. Moon wants whatever is in that backpack badly. He orders his henchmen to track it down once he discovers the bags were swapped.

Big Time Rush, meanwhile, have gotten to their hotel, the Queen’s Hotel, and we see that Kendall has the swapped-out backpack, unknowingly holding some sort of device wanted by a crazed billionaire. The boys are also unaware of the fact that members of MI6 are watching them, attempting to surreptitiously retrieve the backpack, but they are clearly very inept spies and they fail in their mission. Once inside their hotel room, the boys are told to remain in the room until soundcheck that afternoon, in preparation for their performance that night. Kendall then opens up his backpack to find a strange device inside. He presses the button on it and the room loses all gravity, sticking the guys to the ceiling. Kendall manages to push the button again and they fall to the ground. Suddenly, a spy enters the room aiming a gun at them. Logan is shot in the leg with a dart that knocks him unconscious. As Kendall, Carlos, and James stand there not knowing what to do, a girl comes in through the window, knocks the spy out, and takes the backpack. Two men from “room service” then burst in trying to get the bag, but Carlos catches it as it is thrown out of the girl’s hand. The boys rush out of their room through the fire escape, carrying Logan with them.

At the same time, Katie has overheard the Duke of Bath checking into the same hotel as them. Hearing that he’s single and royalty, Katie plans to set her mother up with him. They are taken out for afternoon tea and shown around the city by the duke. Meanwhile, Gustavo and Kelly are horrified to find that Big Time Rush have gone missing, with their tour promoter threatening to cancel the whole tour if they’re late for soundcheck.

Big Time Rush are now in Chinatown and search for the device online, via the “London Information Kiosk”, an interactive screen that is handily situated on the street. They find that billionaire Moon was trying to make an anti-gravity device but denied it was possible to make. Carlos then sees the guy with the hammer arm, who he’d seen at the airport, coming towards them. The guys run away again and come face-to-face with that girl who knocked out the spy in their room. She tells them to get in her talking spy van if they want to live – so they do just that. The van is being pursued by the “room service” men, who are actually Swedish spies also wanting the device. The girl introduces herself as Penny Lane, explaining that her father is a spy for MI6, and, although MI6 want the device, they are less bothered about rescuing her father from Moon. So, Penny asks the guys to help her save him. Big Time Rush aren’t sure about this but then find they are wanted by the police and MI6 so don’t have much choice! Kendall reminds everyone that they need to get to soundcheck in Hyde Park, so they make a deal: if Penny can get them to Hyde Park in time, then they will help her. Penny arranges a meeting with Moon in Hyde Park for the exchange.

MI6 have discovered that the device they believe Agent Simon Lane, Penny’s father, had was part of Moon’s Project Beetle, having discovered a report all about it. The head of MI6, however, thinks that Big Time Rush has taken this “Beetle” so that they can take over the world, especially as they have found footage from the hotel of Gustavo saying just that, but in reference to the band’s world tour. It’s clear he’s barking up the wrong tree, but there’s no persuading him that Big Time Rush have accidentally got mixed up in this!

Near to Hyde Park, Penny gives the boys disguises and tells them that the park is just across the street. They need to split up and get to their soundcheck, ensuring they avoid fans, police, and the Swedish spies on their way to it. As Gustavo and Kelly nervously await the boys’ arrival at soundcheck, they themselves are captured by MI6 and taken to be interrogated. They don’t have a clue what MI6 are talking about, but they are subjected to torture anyway – in the form of someone singing Big Time Rush songs to them!

Back at Hyde Park, just as the tour promoter is about to angrily cancel the tour, Big Time Rush turn up on stage to complete their soundcheck at the Hyde Park Amphitheatre. They then rush off to meet with Moon. Moon is waiting for them with Agent Lane in tow. However, he has more henchmen with him than expected and the boys are surrounded by guns. Even Penny, who was waiting nearby to shoot at them, is caught by Hammer-Arm. But Carlos starts a fight and they manage to escape from Moon and his henchmen – having to carry Logan who has been shot with a dart once again! They run into an unusually clean public toilet which actually takes them to a secret MI6 base. Agent Lane tells them that Moon is going to use the anti-gravity device, the Beetle, to take over the world but before they can come up with a plan to fix anything, Logan accidentally shoots Agent Lane with a laser which knocks him out – and will last for twelve hours. But Logan’s having a bad day, ok?! So, it’s up to them and Penny to decide what to do next. To make it worse, the boys soon learn that Katie, Kendall’s sister, has been captured by Moon, after him and Hammer-Arm take her from their hotel. Moon tells the boys to bring him the device in an hour, or else.

They come out of the lair back onto the London streets not knowing what to do, but happy that, because they have the backpack still, they have leverage. The Swedish spies then zoom past them and steal the backpack. Great, no more leverage… Logan wants to go to the police but they can’t really do that. Carlos wants to re-enact his spy dream from earlier and, having no other ideas, the boys and Penny agree to it. Penny’s van then arrives, despite having gotten annoyed with Big Time Rush earlier and banned them from accessing it, to come and help them, complete with tuxedos for the guys and Penny’s signature spy outfit. They also equip themselves with spy gadgets.

Having received the device after capturing the Swedish spies, Moon can set about enacting his plan. He explains to Katie that his plan is to use the Beetle and a laser to push the Moon out of its orbit, and, since it’s the day of the supermoon, it’s the perfect time to do so. This will cause worldwide chaos and allow Moon to force his way into power and become ruler of the world. MI6 figure out the plan and try to stop it, however, all their systems and communications become jammed, thanks to Moon using his big “Jam” button. He also protects himself with a force field so nobody can get to him. Smart.

Big Time Rush and Penny soon burst onto the grounds and into the castle, fighting all the henchmen. Kendall rescues Katie, and they even free the Swedish spies. The laser then hits the Moon and starts to be pushed out of orbit, disrupting the oceans and causing volcanoes to erupt. Penny and James go to the top of the stairs to defeat Moon, because in Carlos’ dream, James defeated the villain by falling on him. But once at the top of the stairs, James isn’t so sure about falling, so Penny kisses him and in his post-kiss reverie, he falls from the stairs on top of Moon, disabling the force field, which obviously didn’t cover Moon from above. What a rubbish force field… The boys shut down the laser by removing the Beetle and the Moon returns to its orbit. But in a twist, Katie is taken by Moon. Big Time Rush follow them and Kendall says he’ll give Moon the device. In the swap, Kendall turns on and throws the Beetle which sticks onto Moon’s back, lifting him into space.

MI6 arrive and thank Big Time Rush for their help, saying they’ll deal with Moon later as he flies higher and higher into the atmosphere…They are given a lift to their concert, via helicopter, almost late again. But they arrive just in time and launch into the first song of their set. At the concert, Katie tells her mother that the Duke of Bath is not a member of the Royal Family, having learnt he actually sells toilets after seeing an advert for his company on television – though she probably already suspected something was up after the duke gave her a bouquet of plungers instead of roses! When they meet the Earl of Sandwich backstage later, Kendall’s mother quickly leads Katie away, saying she’s not interested, despite this guy actually being royalty, and “third in line to the throne”. 

At the end of their show, the boys are told by Gustavo and Kelly they can go sightseeing now, but find themselves face-to-face with the Swedish spies, who actually only want to return Kendall’s backpack and threaten the boys with a promise to make one of their tour stops in Sweden. They promise – and then agree to never being secret agents again! Penny and her dad, who’s awake now, then arrive, ready with their van to take them out sightseeing together. The boys do a quick-change into their tuxedos and get in the van.

CHARACTERS & CAST

For anyone unfamiliar with the concept of Big Time Rush, although the members of the real band use their actual names, the series and also the movie did not do so. Because the series came before the band, the series features fictional characters, though their first names are the same as the actors/singers, and only the surnames are different.

For example, Kendall Knight was played by Kendall Schmidt. Kendall Knight is Big Time Rush’s leader on screen and is the most level-headed one in the group. Kendall tends to be the one who is the most focused on the band and its success, not because Kendall is fame-hungry, but because he really loves being in a band with his best friends and doesn’t want it to end. This means that during Big Time Movie, when Carlos is distracted by spies, Logan just wants to see Parliament, and James is distracted by Penny, Kendall is the one making sure they get to soundcheck and their concert on time.  

After the Big Time Rush series ended in 2013, Kendall Schmidt went on to have a recurring role in the Nickelodeon series School of Rock (2016-18), which was based on the 2003 movie starring Jack Black, playing the character Justin of Night Lizard. Schmidt is also known for the group Heffron Drive that he formed in 2008 with Dustin Belt. During his time on the show, Heffron Drive was on a break, but restarted again after the series ended.

James Diamond in the show is the ladies’ man and pretty boy of the band. When he isn’t singing, because he was the one most motivated to be a singer, he’s thinking about girls. During Big Time Movie, he doesn’t spend much time thinking about Sir Atticus Moon and his devious plans. He’s thinking about Penny Lane. Penny initially seems irritated by James’ advances, but eventually, she falls for his charming personality.

James Maslow played James Diamond on screen. After the show ended, Maslow was part of the line-up for Season 18 of Dancing with the Stars in 2014, where he finished in fourth place. On screen, he appeared in a few movies including Room for Murder (2018), where he played Jake; Holiday Twist (2023), playing Sam; and starred as Kevin Mohr in the Crackle series Sequestered (2014). In 2018, Maslow was one of the celebrity housemates in the US version of Celebrity Big Brother, where he finished sixth. Maslow pursued a solo singing career shortly after Big Time Rush, releasing his first album How I Like It in 2017.

Carlos Garcia is the troublemaker in the group, though he doesn’t mean to be. It’s just his light-hearted nature and excitability that get the band into all sorts of scrapes. In Big Time Movie, Carlos is in a dreamy state, thinking about how great it would be to be a spy, so when the moment comes for the boys to get involved in their own spy adventure, Carlos immediately wants to jump into it. Carlos’ spy dream actually comes in useful because he tells the boys and Penny how they should proceed on their mission to stop Moon, since Penny’s father, an actual spy, is “indisposed” – and it works.

Carlos Garcia was played by Carlos PenaVega. Since the end of Big Time Rush, PenaVega has voiced the character Bobby Santiago in the Nickelodeon animated series The Loud House (2016-present). PenaVega also starred in the Hallmark movie series the Picture Perfect Mysteries (2019-20) as Detective Sam Acosta, alongside his wife, Alexa PenaVega. They later both starred together in the Hallmark movie Love in the Limelight (2022). Following in Maslow’s footsteps, PenaVega came fourth in Season 21 of Dancing with the Stars back in 2015. He has also recently started a new band alongside friend Alex Marshall called Angels + Kings. Their first single “Lightning” was released in October 2024.

Rounding out the Big Time Rush band members is Logan Mitchell. Logan is the smartest one in the group, even aiming to become a doctor. This means he is quite analytical, logical, and serious, at times anyway. In Big Time Movie, Logan is nervous about getting involved in a spy operation, believing the best thing to do is to report it to the police, a perfectly normal response. He just wants to go and see Parliament in the city. But Logan is dragged into the action reluctantly, getting shot with tranquiliser darts on more than one occasion during the film, so he doesn’t have all that many opportunities to voice his dismay at being forced into this potentially deadly situation.

Logan Henderson was cast as Logan Mitchell. After Big Time Rush ended in 2014, Henderson took a break from the spotlight, returning to the music scene in 2017 with his debut solo single “Sleepwalker”. He later released his debut album Echoes of Departure and the Endless Street of Dreams – Pt. 1 in May 2018. It seems that Part 2 of the album is yet to be released.

Penny Lane – this being a not-so-subtle reference to The Beatles song of the same name – is the teenage spy who comes into Big Time Rush’s life like a whirlwind. Her father has been captured by Moon after smuggling an anti-gravity device out of a lab. Knowing he was at risk of capture, he swapped the backpack hiding the device with an identical one to stop Moon accessing it. Penny then attempts to retrieve the device so she can exchange it for her father’s release. She claims she doesn’t want to simply hand it over to MI6 because she fears her father’s return is not their priority, so she enlists the boys to help her with her plan. As usual with Big Time Rush, the plan does not go smoothly, however, they do save Penny’s father, Simon, quite easily. If it weren’t for a poor use of a spy laser by Logan, they might have been able to defeat Moon without so much trouble! Instead, Penny has to rely on Carlos’ dream to come up with plan. Luckily, it does work, with some clunky moments, and Penny also realises her feelings for James at the same time. What a time for romance, when the world is about to be destroyed by a power-hungry billionaire…

Penny was played by Emma Lahana. And don’t let that British accent fool you, because Lahana is in fact from New Zealand. Prior to Big Time Movie, Lahana was cast as Fiona in the Disney Channel Original Movie You Wish! (2003), and had performed the recurring role of Charlotte Monroe in The CW series Hellcats (2010-11). After Big Time Movie, she went on to play Brigid O’Reilly / Mayhem in the Freeform series Marvel’s Cloak & Dagger (2018-19). Her father, Agent Lane, was played by Christopher Shyer, also not British, who most recently landed the recurring role of the Vice President of the USA in Netflix’s The Night Agent (2023-present). He also previously portrayed Richard Nixon in J. Edgar (2011), the movie about J. Edgar Hoover, which starred Leonardo DiCaprio in the main role.

Then there is Sir Atticus Moon, the villain of Big Time Movie, who plans to move the Moon out of its orbit so he can rule the world. He is clearly meant to resemble a Bond villain with his grand plans, his suit, and his love of holding cats, frequently asking henchmen to get him a cat that he can hold. The cats don’t look very happy about this most of the time… This is reminiscent of the Bond villain Blofeld who held a white Persian. However, this being a movie for Nickelodeon, the villain here is not a criminal mastermind. He seems quite scared of fights and confrontation, getting his henchmen to do his dirty work for him, and doesn’t know what to do when things go wrong. When Big Time Rush ruin his plan, he simply grabs Katie and runs outside with her, telling the boys to give him the device. Moon then hands Katie over before he gets the device – rookie error. So, this gives the boys the opportunity to trick Moon by attaching the device to him, and, since it is an anti-gravity device, Moon gets launched into the air. We don’t actually know if he ever made his way back down to Earth….

Sir Atticus Moon was played by Trevor Devall, who has a history of voice acting, having voiced Rocket Raccoon in the animated series Guardians of the Galaxy (2015-19) for DisneyXD, as well as Hobbie in Star Wars Rebels (2014-18), also for Disney XD. Devall also “played” the character of Hermiod in Stargate: Atlantis (2004-09).

There are also other characters from the Big Time Rush series who appear in Big Time Movie. Two of these are Katie, Kendall’s sister, and Kendall and Katie’s mother, Mrs. Knight. Mrs. Knight has been the boys’ chaperone during their time in LA so she would need to accompany them on the tour. Katie, meanwhile, is excited to be in London because she dreams of marrying Prince Harry and becoming a princess. This leads her to trying to set up her mother with the Duke of Bath. Although Mrs. Knight has no desire to go along with her daughter’s scheme, when she hears that the duke has seventeen castles and hundreds of staff, she’s a little more interested. But, alas, he sells toilets for a living and the relationship ends before it really begins! It’s quite a silly side plot, but quite entertaining as well.

Katie was played by Ciara Bravo. After Big Time Rush, Bravo went on to appear as Emma Chato in the FOX series Red Band Society (2014-15) and was cast as Mary Smith in the FX series A Teacher (2020). Most recently, Bravo appeared as Tina in Season 2 of the Roku series Most Dangerous Game (2020-23), and was cast alongside Tom Holland, playing the character Emily, in the film Cherry (2021). Mrs. Knight was played by Challen Cates, who currently seems to be running a winery, Challen Winery.  

Then there are Gustavo Rocque, the band’s music producer, and Kelly Wainwright, his assistant. Gustavo is quite a highly strung person, and unfortunately because Big Time Rush seem to attract chaos, they do not make Gustavo any calmer! Kelly is the more level-headed one, generally taking Big Time Rush’s trouble-making ways in her stride, although the events of Big Time Movie test both of them. Gustavo and Kelly specifically tell the boys not to leave their hotel room so they don’t get involved in any mess, so they are completely shocked to find the boys are nowhere to be seen, risking the cancellation of the whole world tour. To make things worse for Gustavo and Kelly, they are directly pulled in to the havoc, as they are interrogated and “tortured” by MI6, as MI6 believe that Gustavo and the boys are planning to really take over the world, after hearing footage of Gustavo saying that they will conquer Europe. This was all metaphorical, of course, in relation to hopes their tour will be a success, but instead of getting an apology from MI6, Gustavo and Kelly are simply dumped in a field and have to make their own way to the concert. What a bad day for them…

Stephen Kramer Glickman was cast as Gustavo Rocque. After the series ended, he went on to co-host the comedic podcast series The Night Time Show (2015-present). He also voiced Ned in the animated movie White Fang (2018). Kelly was played by Tanya Chisholm, who recently was cast as Jenna in Season 4 of Tyler Perry’s series Sistas (2019-present). She also recently appeared as Holly in the Hallmark movie Dial S for Santa (2023). Chisholm might look familiar to Disney fans as she played Jackie, one of Sharpay’s entourage in High School Musical 2 (2007).

MUSIC

Th majority of the music that can be heard in Big Time Movie should sound familiar to fans of The Beatles because the songs on the official Big Time Movie soundtrack are covers of famous Beatles songs, all written by John Lennon and Paul McCartney.

I’m going to be honest and say that I am not a fan of The Beatles. I understand that they are a huge part of the music industry as a whole and that they are massively important specifically to the British music scene, but I don’t actively seek out their music to listen to, and have only heard their songs randomly, like on screen or on the radio. It’s nothing personal; I just wasn’t born at the right time.

Because of this, I like Big Time Rush’s versions of these songs and prefer them to the originals. I’m sure many fans of The Beatles, though, would not enjoy these covers. Big Time Rush admitted themselves that they were nervous about doing the covers, but wanted to pay homage to the legendary band. The Big Time Movie soundtrack was released on 6th March 2012, ahead of the movie’s premiere on 10th March[1]. The movie also features some songs from the band’s second album Elevate which was released in November 2011, and some from their first album BTR, released in October 2010.

The first song to be heard in Big Time Movie is “Help!”, which plays during the opening spy sequence. It begins immediately as the captured princess is about to cry “help”. Funny about that, it’s like it was planned. This sequence and song set up the audience to get ready to watch a spy-inspired movie. “Help!” was first released in 1965, this being the title song of The Beatles’ film of the same name. “Can’t Buy Me Love” is the next Beatles song to be heard, as it is used for the scene when Big Time Rush are escaping from Hammer-Arm and Moon’s other henchmen who have followed them into the city. This song was released in 1964 and was part of the album A Hard Day’s Night.

Following on from that is my favourite song in the soundtrack, “We Can Work It Out”. This is played as the band are trying to get through Hyde Park to their soundcheck without being spotted by the police, screaming fans, or Moon’s men, so obviously, they are in weird disguises to do that, with mixed results. But they also appear in all black outfits at one point, which I believe is referencing a performance of this song by The Beatles. I can’t work out what the umbrellas and bicycles the band play about with during this scene mean though, other than I’ve seen images of The Beatles holding umbrellas and riding bicycles for photoshoots. Big Time Rush begin this song by stepping onto the “Abbey Road” crossing – except it’s not the real one – in that iconic pose. “We Can Work It Out” was originally released by The Beatles in 1965. Then there is “Revolution” which can be heard during the fight scene at Moon’s castle, when Big Time Rush and Penny Lane manage to foil his plan. This song is “foreshadowed” as Moon says a few times just before it about being ready for a revolution. This song was originally released in 1968.

The final Beatles song to appear in the movie is “A Hard Day’s Night”, this being Big Time Rush’s first song in their concert set at Hyde Park that evening, referencing the difficult day they’ve just had. This song was recorded in 1964 for The Beatles album of the same name. The other song on the official Big Time Movie soundtrack is “I Wanna Hold Your Hand”, which does not appear in the movie, although the band did perform this at some tour shows. The Beatles recorded this song in 1963.

 But The Beatles covers aren’t the only songs to appear in Big Time Movie; they had to use some of their own music. During the Hyde Park concert, Big Time Rush follow “A Hard Day’s Night” with the song “Elevate”, which is from the band’s second album of the same name. This song was written by Damon Sharpe, Johnny Powers Severin, James Maslow, and Eric Sanicola. You can also hear “Big Time Rush”, from the band’s first album BTR, and “Music Sounds Better With U”, from their second album, performed as part of Gustavo and Kelly’s torture scene. “Big Time Rush” is played towards the end of the film. It was written by Matthew Gerrard, Charlie Midnight, and Jay Landers. I thought I heard “Music Sounds Better With U” in the background near the end of the movie as the guys are told by Gustavo they can finally go sightseeing after their concert too. “Music Sounds Better With U” had many contributors including Ryan Tedder, Noel Zancanella, and Big Time Rush.

Finally, within the credited songs, you can hear “Any Kind of Guy” from the album BTR, and “Famous”, which is also on the same album, although not in some countries. It was not on the UK CD of BTR that I bought anyway. These songs were written by Matthew Gerrard, Charlie Midnight, and Jay Landers; and Desmond Child and Andreas Michael Carlsson, respectively. An instrumental clip of “Any Kind of Guy” is used when Gustavo and Kelly go to Big Time Rush’s hotel room with the tour promoter and find them gone. A small snippet of “Famous” is heard just as Big Time Rush get the idea to have MI6 take them to their concert via helicopter. It is then followed by an instrumental version of “Big Time Rush” as they actually get on stage.

There are also two snippets of uncredited songs that can be found in Big Time Movie. One is “Rule Britannia”, composed by Thomas Arne and James Thomson, which can be heard as the band are about to land in London and their plane flies over sights of the city. The second is “Brandenburg Concerto #3 1st Movement” by Bach, which is played during Katie and her mother’s afternoon tea. It may also be the classical music playing in the background whilst they are in the hotel lobby, but I’m not sure.

Finally, Guy Moon is credited as the composer on Big Time Movie. Moon was also the composer on other Nickelodeon programming, such as Danny Phantom (2004-07); the Fairly Odd movie trilogy (2011-14); and, of course, the Big Time Rush series.  

Just as a warning, I watched Big Time Movie on DVD, however, I also watched parts of the movie on Paramount Plus, where I noticed that not all of the songs within the movie are played in full. This is probably a licensing issue and I’m unsure if this affects every country where Paramount Plus is available.

PRODUCTION

Big Time Rush, as a television show for Nickelodeon, officially began with its first season on 18th January 2010, having been created by Scott Fellows, who had previously created the series Ned’s Declassified School Survival Guide (2004-07), also for Nickelodeon. The official series debut on the evening of 18th January set a new record for a Nickelodeon series, becoming the highest-rated and most-watched live-action premiere of a series for the channel with 6.8 million viewers[2]. It seems that this record has not been beaten in the years since. The first season ran until 20th August 2010 and consisted of twenty episodes.

A two-part pilot episode, “Big Time Audition”, first aired on 28th November 2009. This pilot introduced audiences to the four members of Big Time Rush and saw them get the opportunity to go to Los Angeles to start a band, having originally just been four guys from Minnesota. This set up the premise of the show, which followed the band through their time adjusting to new lives in California, and took viewers through the band’s journey from unknowns to international fame.

Supposedly, the four characters within Big Time Rush were written to be similar to the actual personalities of the actors and singers. However, I never really saw that, and interviews with the band, both then and now, only add to my feeling about that. Of the four of them, I think Kendall was the most like his character, but that’s really only because Kendall in the show was the steady, sensible one. Obviously, I don’t know them so I can’t actually comment, but it was quite clear to me that they were playing characters in a show after watching interviews with them as a real band. That’s probably a good thing really!

Speaking of Kendall, did you know that in an unaired pilot for a series to be called Brand New Day Kendall was replaced with a different actor? Big Time Rush could’ve been a very different series if this pilot had been greenlit. Instead, although Brand New Day was set to feature James, Carlos, and Logan, there was no Kendall, because the actor playing the fourth member of Big Time Rush was Curt Hansen; his character was called Curt Knight.

Based on the few clips and snippets of information I have found about this unaired pilot, it would seem that the plot of the pilot was more or less the same as “Big Time Audition”, with Gustavo Rocque plucking the boys out of Minnesota to take them to California to make them stars. But, outside of Curt not being Kendall, there were a couple of other differences. One was that Curt’s sister was not little Katie, but was actually a teenager. Another was that, at the end of the episode, Big Time Rush had to perform to Griffin, Gustavo’s boss, to convince him that the band could continue. In the aired pilot, they perform “Big Time Rush”, the series’ theme song, however, in the unaired pilot, they sang “This is Our Someday”[3]. That would’ve been the only thing from the unaired pilot that I would’ve liked kept because that’s my favourite Big Time Rush song, but even just from watching clips of the unaired pilot that surfaced online, it didn’t feel right without Kendall.

Since this version of the pilot was never released to the public, there hasn’t been anything publicly stated by the band or the creators of the show about why Curt was replaced with Kendall. Just because fans want to know why doesn’t mean they ever need to, or will, find out. It has been said that the reason was simply that Curt looked too much older than the other three and he sounded too much like James, so a lack of talent was not the issue here, especially as Curt Hansen went on to perform the role of Fiyero in the Broadway musical Wicked, both on Broadway and in touring productions. Hansen’s story with Big Time Rush also did not end with the unaired pilot as he appeared as the character Dak Zevon, a clear parody of Zac Efron, in two episodes of Season 1 of Big Time Rush.

After the success of Season 1, a second season began shortly after the first one finished. Season 2 consisted of 29 episodes, starting on 25th September 2010 and ending on 28th January 2012. This was my favourite season of the show, though I did only watch the first two in full. They’d sorted out James’ hair in this season; I appreciated it.

Just under two months after Season 2 ended, Big Time Movie was set to premiere. This movie would continue the storyline of the series which had ended with discussions about Big Time Rush going on a world tour. London was their first stop on this tour.

Big Time Movie was written by Scott Fellows, the creator of the series, which makes sense for continuity. It was directed by Savage Steve Holland, who had directed multiple episodes of Big Time Rush, including the pilot “Big Time Audition”. For Nickelodeon, Holland had directed episodes of other series including Zoey 101 (2005-08) and Fellows’ Ned’s Declassified School Survival Guide; as well as Nickelodeon movies such as A Fairly Odd Movie: Grow Up, Timmy Turner! (2011), a live-action/animated continuation of The Fairly OddParents (2001-17), co-written by Scott Fellows and Butch Hartman. Holland had also previously directed for Disney, with the Disney Channel Original Movie Stuck in the Suburbs (2004) and several episodes of Lizzie McGuire (2001-04) and Phil of the Future (2004-06).

I don’t want to ruin anyone’s illusions about Big Time Movie, but I should say that, despite being set in London, it was not filmed there. Gasp! Like many television movies, especially those meant to be set in the UK, Big Time Movie was filmed in British Columbia, Canada. Production tried their best to make Big Time Movie look like London, but some might’ve noticed a few misrepresentations and misunderstandings of the city, such as Kendall continuously referring to the London Eye as “the giant Ferris wheel”, which I would’ve expected Logan to have corrected him on, and how I have never seen a “London Information Kiosk” interactive screen on the streets of London. There are others but the real thing to bother me, because I’m a bit of a royalist, is that the Earl of Sandwich claimed to be third in line to the throne. In 2012, Prince Harry was actually third in line to the throne, as Prince George was not born until 2013. The Earl of Sandwich, an actual title currently held by Luke Montagu, the 12th Earl of Sandwich, is way down the line of succession. These were obviously not meant to be factual, more for comedy or story purposes, but it’s always good to correct misconceptions, just in case. I don’t want anyone going to London and being disappointed that there are no information kiosks for them to Google stuff – because we don’t have phones that can do that now or anything…

Anyway, one of the locations used to film Big Time Movie was Hatley Castle, which was the setting for Moon’s castle, and the evil villain’s castle at the start of the film. It has been used for various other productions. For example, Hatley Castle was the setting for Auradon Prep, the school in Disney Channel’s Descendants film series. It is also the home to X-Mansion in some movies within the X-Men and Deadpool film franchises[4].

Since Big Time Movie was being promoted as “Austin Powers meets James Bond with Beatles songs”, some level of stunts was needed in the movie. In some cases, the stuntmen had to do the work for the actors or other methods were used, such as a dummy being thrown from the top of the stairs in Moon’s mansion at the point that James is meant to be crashing down onto him. Kendall also did not actually drive the Aston Martin his character is driving at the beginning as he couldn’t drive “stick shift”. However, in others, Big Time Rush got to do their own stunts. For instance, Carlos was allowed to drive the dirt bike that his character is riding at the start of the movie, at least for some shots, and James, whose character jumps out of a plane during that opening sequence, did perform his own stunt here, jumping around ten feet down onto crash mats.

Big Time Rush got to work with some big names whilst filming Big Time Movie. For example, their stunt coordinator was Garvin Cross, who had just worked in the stunt department on Inception (2010) at the time, and their costume designer was Angus Guthrie, who won the Oscar for Best Costume Design on Moulin Rouge! (2001)[5].

RECEPTION

Big Time Movie premiered on 10th March 2012 on Nickelodeon in the US. It was later released on Nickelodeon in other countries over the next few months. It premiered in the UK on 26th May 2012, for example. During its first weekend, Big Time Movie reached around 13 million total viewers in the US, with the primetime premiere averaging 4.1 million viewers[6].

Big Time Movie and its director Savage Steve Holland were nominated at the 65th Directors Guild of America Awards for outstanding directorial achievement in the Children’s Program category, but lost out to Paul Hoen who directed Disney Channel’s Let It Shine (2012). That’s just a tad bit awkward for Nickelodeon to lose out to its biggest rival channel!

 In terms of reviews for Big Time Movie, these were mostly positive from fans of the television series, who were the target audience for the movie. It was a good extension of the storyline, since having a band go on to do a world tour is a natural progression in their career, and it involved the same silly humour that the programme was known for. Many appreciated the references to James Bond movies as well as The Beatles. The covers of Beatles songs were also considered to be good, according to fans of Big Time Rush. The movie also only has a runtime of just over an hour, so it’s perfect for children to focus on  However, a movie cannot limit who sees it only to those who should like it, so, there are negative comments online about Big Time Movie too. The majority of these state that the acting and plot of the movie are awkward and cringey, likely because the viewer was not part of the target demographic at the time of watching. When I was nineteen, I didn’t find Big Time Movie cringey at any point, but watching it as an adult, I did at times, so it’s a fair comment to make, but Big Time Movie was never aiming to be Oscar-worthy material.

Unsurprisingly, other reviews focused on the fact that Big Time Movie was seen to be ripping off The Beatles, both through their covers of popular Beatles songs, as well as through the plot of Big Time Movie. Although there is nothing overly similar in the plots of Big Time Movie and The Beatles films like A Hard Day’s Night (1964) and Help! (1965), the silly humour and antics that happen during everyday band life did feature in those Beatles movies. These movies did, however, inspire the series The Monkees (1966-68), which, in turn, inspired the making of Big Time Rush. So, to say “rip-off” is harsh, and “influenced by” is more appropriate.

I also read a few comments saying that the movie was “offensive”. I’m not quite sure who would be offended by Big Time Movie. Perhaps British people because it used some stereotypical characters and misunderstanding of British life, although I’m British and didn’t find it at all offensive. Inaccurate, yes, but offensive, no. The only thing that perhaps could be deemed offensive is the Japanese “torture” scene, where Kelly and Gustavo are tortured by a Japanese man singing Big Time Rush songs at MI6. Torture methods shouldn’t be made light of, so this was a slightly awkward attempt at humour, but I can see the intent behind it, to actually mock Big Time Rush themselves and not Japan. Some accents in this movie might also be classed as “offensive”, but mostly bad accents are just funny.

LEGACY

After Big Time Movie was released, Season 3 of Big Time Rush premiered on Nickelodeon shortly afterwards, on 12th May 2012. This ran across twelve episodes ending on 9th November 2012, and used many of the songs from Big Time Rush’s second album, Elevate. Season 4 of Big Time Rush then aired from 2nd May 2013 to 25th July 2013 and consisted of thirteen episodes. This time, music from the band’s third album 24/Seven, released in June 2013, was used throughout the season. 

It would appear that the cast of the Big Time Rush series knew that Season 4 would be their last, probably because the main four were in their mid-twenties by this point and no doubt wanted to get on with their own careers. The band breaking up after releasing their third album was even a plot point in Season 4 Episode 11 “Big Time Break Out”, so that’s even more evidence that the show was coming to a conscious end. Season 4 ended with a two-part special called “Big Time Dreams”. In this episode, Big Time Rush were nominated for five awards at the Tween Choice Awards – an obvious nod to Nickelodeon’s own Kids’ Choice Awards, complete with slime, or, in this case “goop”. However, they couldn’t enjoy the ceremony as they were pulled into an evil plot whereby the award ceremony’s sponsor was trying to hypnotise the world into wanting to eat his mac and cheese product all the time. With help from Alexa PenaVega, playing a fictionalised version of herself as an actual “spy kid”, Big Time Rush foil the plan and make it on stage just in time to perform and receive their award for “Awesomest Song”. The episode ends with all the boys achieving their dreams: Logan to find the “goop” room at the awards show; James to become “official” with his girlfriend, Lucy; Kendall to have the band be a success, together; and Carlos to finally get a girlfriend, this being Alexa PenaVega, his real-life girlfriend at the time.

 Although “Big Time Dreams” was quite a cute episode, it didn’t feel like a fitting ending to the whole show. Some comments online found this to be a disappointing finale, feeling that it basically took the plot of Big Time Movie, the events of which the boys didn’t even mention during the episode. Many did like the last few moments of the episode though, with the band’s performance “We Are”, as well as seeing clips from the best moments of the show playing on a screen behind them.

After Big Time Rush the show ended, the band completed a final tour, their Live World Tour, in February 2014. The band then broke up, seemingly forever. Throughout their time on television and in the music industry, the show and the band had won multiple awards at the Kids’ Choice Awards. Big Time Rush won Favorite International TV Show at the Kids’ Choice Awards in Mexico in 2011; Argentina in 2013; and Colombia in 2014. The band won Favorite Music Group at the US Kids’ Choice Awards in 2012 and the Fan Army award in 2013. The band also won Favorite International Group in Argentina in 2012, Mexico in 2013, and Colombia in 2014. The show was even nominated for Best International TV Show at the BAFTA Children’s Awards in 2010.

But Big Time Rush were over, giving the guys the freedom to do whatever they wanted in their lives in the meantime. However, in 2020, with the COVID-19 pandemic stressing out much of the world, Big Time Rush reunited momentarily to release an acoustic version of their popular song “Worldwide”.

That could’ve been where the band left their reunion, crushing the dreams of many fans, but they did not stop there because in 2021 Big Time Rush officially announced that they were reuniting, by going on tour. This was the Forever Tour which began in Washington D.C. on 23rd June 2022 and spanned many areas of the US, as well as some cities in South America, becoming their first headline tour in nearly a decade. It ended in Rio de Janeiro on 5th March 2023. And that was not all. In June 2023, Big Time Rush released their fourth album Another Life and went on tour again, the Can’t Get Enough Tour, visiting areas of the US, Canada, and Mexico during the summer of 2023.

This was then followed by a UK and Europe Tour which took place in June 2024. They went to cities like Berlin, Paris, Madrid, London, and Manchester. In October of that year, the band went to Australia and Asia for another mini-tour, heading to places like Sydney, Melbourne, Singapore, and Manila. The band’s most recent fan event was Big Time Rush on Ice which was their Christmas 2024 event, held in Bridgeport, Connecticut.

2025 is going to be just as exciting for fans, as the band announced a new world tour on 20th February 2025, named the In Real Life Worldwide tour, with dates starting in cities across the US from July 2025, going until the end of August, before the band head off to Europe in November 2025, visiting cities across the continent, like Berlin, Milan, Barcelona, Paris, London, and Athens, until the tour ends in December. It was also announced that Katelyn Tarver and Stephen Kramer Glickman, both of whom starred in the Big Time Rush series as Jo and Gustavo respectively, will be joining the band on their tour.

There has also been some discussion around a new Big Time Rush movie being in the early stages of development, which potentially could feel similar to Zoey 102 (2023), the reunion movie for Zoey 101, though hopefully a Big Time Rush reunion will be more accomplished than Zoey 102

FINAL THOUGHTS

In all honestly, the, for want of a better word, bullying that I experienced during my first year at university around my love for Big Time Rush did somewhat taint the show and the band for me. I only watched a few episodes of Big Time Rush Season 3 before giving up and moving on with my life.

Over the years, I have felt somewhat cheated out of experiences that real Rushers – their fandom name – got to experience. I missed out on Big Time Rush’s third album; I never got to see the finale episode of the television series live; and I didn’t get to see Big Time Rush reunite around 2021. I wasn’t even aware that the band had got back together until a few months ago. Obviously, I can go back and find these moments online now, but it might’ve been nice to live through them with everyone else.  

But I really need to move past that, and this week, by researching Big Time Movie, I’ve managed to get closure on that chapter in my life because I got to go back and look at old interviews, clips of past episodes, old songs, and new music. It was a lot of fun.

Big Time Rush will always have a special place in my heart and, although I can’t count myself as an official Rusher, I wish the guys nothing but the best for the future, either with the band or in their solo projects. I look forward to seeing what they do next. 


REFERENCES

[1] Credit: Jason Lipshutz, ‘Exclusive: Listen To Big Time Rush’s ‘Big Time Movie’ Soundtrack’, Billboard.com, 29th February 2012.

[2] Credit: Nickelodeon, ‘Nickelodeon Scores Record-Breaking Night with Brand-New iCarly and Big Time Rush Debut’, PRNewsWire.com, 19th January 2010.

[3] Credit: Author Unknown, ‘Brand New Day (partially found pitch pilot of “Big Time Rush” Nickelodeon musical comedy series; 2007)’, LostMediaWiki.com, date unknown.

[4] Credit: Hatley Park, ‘Over 80 years of filming’, HatleyPark.ca, date unknown.

[5] Credit: Nickelodeon, ‘Behind the Scenes – Big Time Movie – Photoshoot’, MafeHD YouTube Channel, 5th March 2012.

[6] Credit: Nickelodeon, ‘Nickelodeons “Big Time Movie” Scores Top Spot for the Week With Kids and Tweens and Reaches 13 Million Total Viewers’, TheFutonCritic.com, 13th March 2012.

Upside-Down Magic (2020)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

Fantasy novels have always been popular with adults and children alike.

They give people an opportunity to escape from the mundanity or the stress of real life and enter a new world where those problems don’t matter, paling into insignificance when compared to the troubles of mystical lands.

Within the world of fiction, some major fantasy series from the years include Discworld by Terry Pratchett; The Chronicles of Narnia by C.S. Lewis; Philip Pullman’s His Dark Materials trilogy; and of course, J.K. Rowling’s Harry Potter series. But the fantasy world is always open to new writers, and one new novel to hit the shelves in September 2015 was Upside-Down Magic, the first in a series, which Disney optioned straight away.

There have been other occasions when Disney Channel have made movies based on books, such as Read It and Weep (2006), which was based on the novel How My Private, Personal Journal Became a Bestseller by Julia DeVillers, and Twitches (2005), which was based on the T*Witches book series, by H.B. Gilmour and Randi Reisfeld.

Using a novel as a basis for a movie is a good way of introducing books to younger audiences, because, if they enjoyed the film, they may want to read the book it was based on. Or it gives the book’s fanbase a new way of enjoying their series. Since the first book in the Upside-Down Magic series had been published five years prior to the release of the movie, Disney Channel were probably hoping that the readers of the books would be excited by the making of this movie. 

I wasn’t expecting much when I watched Upside-Down Magic, and I certainly was not looking forward to it. I thought I’d find it boring and childish, and, since I’d never heard of this film or the book series it is based on, I couldn’t imagine that it was any good. In actual fact, I did quite like Upside-Down Magic, despite not being the target demographic. It was a good mix of fantasy, mystery, and coming-of-age drama, although it missed the mark with others, who felt it resembled a certain series a little too much. 

PLOT

Upside-Down Magic begins with the main character, Nory, saying how her mother used to tell her that everyone has their “something”: a talent. Nory’s mother died when she was only seven-years-old. At this age, Nory discovered she had magical talents after turning into a cat one afternoon just by looking at it through a window.

Six years later, Nory is preparing to go to Sage Academy to learn all about magic. She is luckily going with her best friend Reina, who has fire magic. Nory is incredibly excited about going to Sage Academy, but Reina is nervous about it. Nory tells her it’s all going to be great and that Reina’s magic is amazing. Nory, on the other hand, struggles to control her magic and shapeshifts into strange hybrid animals.

Nory and Reina go to the bus stop to get to their new boarding school. Many other magical kids are waiting too. Here, we learn that Nory’s mother was a student at Sage Academy. Suddenly, a random guy comes out of the bushes and sends the parents away, saying he is there to take the children to the school. Because that’s not weird at all when you’re going to magic school, I guess. The grumpy guy escorts the kids through the forest, telling them not to use magic on the way. Soon, they arrive at a mess of twisted branches with a hole in the middle. This is apparently the entrance to the school, but there seems to be nothing beyond it. The moody guide walks through the gap – and disappears. Nory and Reina hold hands, take a deep breath, and step through too, arriving at a beautiful school.

At Orientation, the children meet their headmistress, Ms. Knightslinger. She tells them that Sage Academy consists of five different “schools” based on different types of magic: “Fuzzies” are those who can communicate with animals; “Flickers” are those with telekinesis; “Flares” have fire magic; “Flyers” can fly, of course; and “Fluxers” transform into animals. Each one of them must go through a placement test to see if they are talented enough to be placed into the Honours Programme for their type of magic.

For the Flares, students must light a candle from six feet away. The Fuzzies must answer questions about a dog. Flickers have to bring a vase towards them. Flyers are instructed to fly three feet in the air, hover, and then land. Fluxers must turn themselves into a tabby cat, hold the form for six seconds, and return to normal. Throughout the placement tests, there are a mixture of performances. For example, in the Flares test, Reina does perfectly but a student called Elliot can only create smoke. In the Flickers’ exam, a girl called Pepper can only push the vase away from her, not bring it to her. In the flying test, a boy called Andres flies up too high and gets stuck on the ceiling. And then, there’s Nory, who transforms into a cat briefly – but then transforms into a cat with dragon wings…

In the quad, each student is given their results on a card. Nory and Reina look at theirs together. Reina has been admitted into the Flares Honours classes, but Nory’s card simply says “UDM”. As the other students head off to get their uniform, Nory is pointed towards the forest and follows the signs to “UDM”. Her new “school” is situated in an underground cave and is led by the grumpy man who took them to the school, Mr. Skriff. He is both the school’s groundskeeper and the teacher of the UDM programme. Nory sees she is joined by Elliot, Pepper, and Andres. Mr. Skriff tells them that these four are here because they have what is called “upside-down magic”, basically meaning their magic is defective so there is no place for them at Sage Academy as they cannot do magic “the Sage Way”. In the UDM programme, they will not be learning magic, but will be doing real school work or other tasks around the grounds as they wait for their magic to disappear.

As Nory protests against this, Ms. Knightslinger arrives to tell them that they are unteachable and their magic is of no use to the world. Nory asks why they can’t be given a chance to correct their magic. Ms. Knightslinger tells them about a former Flares student called Reginald from Sage Academy in 1939. He had upside-down magic and was soon a target of “Shadow Magic”, a type of magic that consumes someone and is difficult to defeat because of its darkness. Ms. Knightslinger says that those with upside-down magic are the targets for Shadow Magic, so they are separated from the others to both protect the world and themselves from this possibility. Nory is devastated.

Meanwhile, Reina in Honours Flares class is told that she must continue to be great or risk being demoted to Basic Flares class. Her teacher, Professor Argon, also tells the class about Founders’ Day, where the best student from each magical school is given the opportunity to present their magic at a ceremony. To decide who that is, the two top students from each school of magic compete against each other in the Sage Match. Reina is nervous, especially without Nory there to boost her confidence, but gives her first lesson a go: popping corn. Reina does well, until she hears a scoff from a kid in her class, which distracts her so she then burns the corn. Professor Argon warns her she’ll need to do better than that.

Nory is sad to be separated from Reina, especially as she learns that the UDM students have to clean the school with Mr. Skriff. As Nory is sweeping, she stumbles upon a Fluxer lesson, where she hears about the Sage Match and Founders’ Day. Nory is determined to fix her magic by the day of the Sage Match, so she walks into the Fluxer lesson and tries to transform herself into a cat. It doesn’t work and she instead becomes a strange mix of an elephant and a bird. Mr. Skriff rushes over to calm Nory down so she can turn back to normal. He escorts her away, reiterating that the rules are there to protect her.

Throughout the days that follow, the UDM students learn that they are being segregated from the other students, so Nory and Reina cannot talk often. Reina continues to struggle with the pressure of the Flares programme, whilst Nory, with help from her fellow UDM classmates, tries to control her magic in secret, ready for the Sage Match. After a particularly difficult class for Reina, she bumps into a girl who tells her that she is much more powerful than Philip, the top student in Reina’s class. This girl is called Chandra who tells Reina to come find her if she wants help harnessing her power. Hmm, how cryptic… Nory then gets to talk to Reina briefly, where they both lie that they are having a great time at Sage Academy. Reina later heads to the library where a book on Shadow Magic appears to her. Scared by this book, which seems to follow her, Reina runs away. But the book appears in her room later that day, as she practises her corn popping. The book automatically opens to a page called “Manifesting Your Untapped Power”. Before Reina knows what’s happening, the Shadow Magic engulfs her.

At the Sage Match the next day, Reina easily beats Philip in the Flares test and is the winner; she will now get to present her magic at Founders’ Day. Now, it’s Nory’s turn, who has gate-crashed the event. Nory seems to be doing well turning herself into a cat, but she struggles to keep the form and morphs into a mix of a cat and dragon, a “dritten”, once again. Reina tries to make a “sparkle fireball”, Nory’s favourite type of magic, to calm her, but something goes wrong and the fireball strikes Nory. She falls and returns to normal. Reina apologises to Nory for hurting her, not knowing why her magic seems so strong.

Mr. Skriff and the UDM students arrive at the Sage Match to get Nory back to class. Ms. Knightslinger threatens Mr. Skriff with dismissal from his job if he can’t control his students, saying the UDM class is now banned from attending Founders’ Day. Annoyed at his mistreatment by the headmistress, Mr. Skriff tells the kids that he is just like them. He is a Fuzzy, but instead of talking to animals, he can only sing to them. He no longer wants to be a part of the UDM programme, as it makes kids feel bad for being different, so Mr. Skriff vows to teach them how to do magic the “UDM Way”, not the “Sage Way. But before doing this, Nory goes to Reina to talk to her about her uncontrollable magic. The Shadow Magic reappears to Reina in her room, and she tells Nory to leave. Hurt, she does and throws herself into UDM lessons.

During these lessons, Mr. Skriff helps Nory by getting her to visualise different hybrid animals and tells her to make them into topiaries. Now, she’ll be able to morph into any strange creature she wants. For Andres and his flying, Mr. Skriff ties a hosepipe to him to see how high he can fly. He can fly above the treetops, but the real issue is how quickly he launches off the ground; this is something Andres learns to control. Pepper is taught how to use her “push” ability by clearing leaves from the forest, whilst Elliot’s smoke power comes in handy for getting rid of bees’ nests.

The night before Founders’ Day, Reina is annoyed that Chandra has turned up again, telling her about the wonders of Shadow Magic. She shouts at Chandra to leave her alone, which concerns the other Flares who think Reina is talking to herself as they cannot see anyone near her. Reina runs into the school but Chandra follows her, telling her that she is even more powerful than Reginald, the previous Sage student who gave in to Shadow Magic. Reina accepts the magic just as Nory comes in to the room. Nory tells Mr. Skriff about Reina and they decide the Shadow Magic is waiting until the right moment; it’s waiting until Founders’ Day so it can cause the most amount of chaos.

At Founders’ Day, sure enough, during the presentation of the talents, Reina starts to create a fireball, which consumes her and becomes a huge shadow figure. Ms. Knightslinger is horrified to find that a student with “normal” magic could’ve been taken in by Shadow Magic. The Sage students are ordered by their teachers to collectively use their magic to stop it. The Flares try launching fireballs at it; the Fuzzies get birds to attack; the Fluxers are…useless, turning into farmyard animals and cats; the Flyers cannot launch off the ground; and the Flickers manage to tear the shadow figure into four, making it worse.

The UDM kids then burst in to the ceremony to use their magic instead. Pepper uses her “push” ability to push the four shadow figures back into one. Elliot then uses his smoke ability and Andres flies up to it. These two abilities confuse the shadow who begins to twist as it tries to catch Andres. Nory then transforms into her “dritten”, the cat-dragon hybrid, and flies around, twisting the shadow further and making it fall to the ground. The Flare students are about to launch a fireball to destroy the shadow, but Nory shields the shadow. Mr. Skriff tells the teachers to remember that the shadow is still Reina. Nory is given the chance to plead with Reina to fight the Shadow Magic. Reina begins to form her sparkle fireball, pushing against the force of the Shadow Magic. She manages to create and launch it, destroying the shadow once and for all. Reina is alright and her and Nory reunite.

After this event, Sage Academy has learnt to accept UDM kids, discontinuing the programme and letting them join normal lessons with the other students, meaning that Nory, Pepper, Elliot, and Andres are accepted for their different abilities in their respective schools at last. Mr. Skriff has even become a teacher for the Fuzzies. There is no “Sage Way” anymore. But there is one final thing. The Shadow Book is revealed to still be in the library, showing that it still remains. Will any student be safe from it?

CHARACTERS & CAST

Nory is the main character of Upside-Down Magic, being a Fluxer at Sage Academy, as she can transform into animals. However, she knows before she even gets to school that her magic is not quite right, as her animal transformations are not regular animals. Because of this she is labelled as having “upside-down magic”. All Nory wants to do is to be accepted at Sage Academy so she does everything in her power to fix her magic, but it doesn’t work. Those with “upside-down magic” can never be “normal”; they have to accept that and work on the type of magic they do have. Nory is a very upbeat, optimistic character, who doesn’t wallow in self-pity when she learns the school of her dreams wants her to lose her magic forever. Instead, Nory gets the other UDM kids to believe that they are worthy of the school and their magic, and that together, they can prove they are valuable.

Izabela Rose was cast as Nory, this being her breakout role. Rose was later cast as Quinn in The Curious Case of Dolphin Bay (2022), which is sort of a DCOM, sort of not, as it was another co-production with Disney Channel. After Upside-Down Magic, Rose also appeared as Young Jess in the Disney Channel series Secrets of Sulphur Springs (2021-23).

Reina is Nory’s best friend and she is part of the Honours Flares programme at Sage Academy. Reina is nowhere near as confident as Nory, needing Nory to boost her self-esteem before they even get to Sage Academy. Reina had nothing to worry about though as her fire magic is considered to be one of the best. However, without Nory, Reina lets self-doubt and other students’ abilities get in her head so she starts to struggle in her classes. That is why she becomes a target for Shadow Magic, because she thinks she needs it to be great and the Shadow Magic is only too happy to make Reina think that. Thanks to Nory, Reina manages to fight against the Shadow Magic. Hopefully after that event, Reina has learnt to have more self-confidence because it’s not Nory’s job to talk her up every day.

Reina was played by Siena Agudong. Agudong had previously appeared in the recurring role of Natlee in the Nickelodeon series Nicky, Ricky, Dicky & Dawn (2014-18), as well as playing the title character of Nick in the Netflix series No Good Nick (2019). After Upside-Down Magic, Agudong went on to appear as Young Billie Wesker in the Netflix series Resident Evil (2022) and as Melody in The 4:30 Movie (2024).

Elliot is another Flare, like Reina, except he has never been able to conjure fire. Instead, Elliot only conjures smoke, which is seen as completely useless to the Sage teachers. Elliot is the joker of the UDM class; despite clearly not liking the fact he has been confined to a basement for his schooling at Sage Academy. Like the other UDM students, Elliot learns that making smoke can have its uses. Elliot was played by Elie Samouhi, who had previously played Chewy in the Netflix series Team Kaylie (2019-20) and was also cast as Rodney in Season 3 of Disney Channel’s Bizaardvark (2016-19).

Pepper is a Flicker, except she can’t use her powers to bring anything towards her, only away from her. To be honest, although I understand how this doesn’t fit the “Sage Way”, I don’t quite understand why anyone with telekinesis would only want to bring things towards them. Surely, the Flickers should be able to both push and pull things? I also didn’t even realise this was a problem during Pepper’s placement test. I thought she just lacked discipline and decided to throw the vase at the teachers in protest against the discriminatory aspect of the placement test. Obviously not! Pepper is still the rebellious one in UDM class though. She was played by Alison Fernandez, who had previously played Lucy Mills in Season 7 of the ABC series Once Upon a Time (2011-18). She also appeared in the Netflix Team Kaylie (2019-20) as the character Amber.

The final UDM student to mention is Andres who is a Flyer, however, he has become so scared of his flying abilities, that he can’t control, that he wears a backpack filled with bricks to keep him on the ground at all times. Thanks to Mr. Skriff, Andres does manage to control this and should be seen as superior to the other flyers who can’t fly anywhere near as high. Andres is quite shy at the start of Upside-Down Magic, not wanting to talk to Nory when she tries to on their walk to the school at the start of the film, but comes out of his shell as he gets to know the UDM students. Max Torina was cast as Andres, who appeared as Ramon in the Disney Channel series Raven’s Home (2017-23).

Chandra, the personification of Shadow Magic, lurks the halls of Sage Academy, looking for opportunities to talk to Reina. The Shadow Magic has obviously picked Reina for her strong magical ability and lack of confidence, making her the prime target. Chandra is a necessary character, as Reina is not making friends at Sage Academy. If Chandra can make Reina feel like she is a valuable asset to the school, Chandra will be able to talk her round to accepting the Shadow Magic. Sure enough, this scheme works. Chandra was played byYasmeen Fletcher, who had previously appeared as Kaitlin in the Disney Channel series Andi Mack (2017-19). After Upside-Down Magic, Fletcher was cast as Nakia Bahadir in the Disney+ and Marvel series Ms. Marvel (2022).

Now to the teachers. Mr. Skriff is the groundskeeper and teacher of the UDM programme. Mr. Skriff isn’t a happy teacher, being very matter-of-fact with his role at the school and the fact that UDM kids are not “wanted” there. This is because Mr. Skriff knows this all too well, having been a UDM student himself, but being allowed to work at the school after the UDM programme finished for him. Mr. Skriff did not allow his “Fuzzy” powers to disappear either, practising them in secret. He turns out to be a really great teacher, after he decides to go against Sage Academy’s rules and help out the UDM kids, as his teachings allow the Shadow Magic to be defeated once more. Kyle Howard was cast as Mr. Skriff. Prior to his role in Upside-Down Magic, Howard had previously starredas Oliver Weston in the sitcom Your Family or Mine (2015), as well as being cast as Dr. Paul Van Dyke in the comedy drama Royal Pains (2009-16).

Ms. Knightslinger is the strict headmistress of Sage Academy. She is quite harsh on the UDM students when she is informing them that they are a danger to the world; that they must not practise their magic so that they will cease to be special; and will have to go off into the real world and have normal lives. You’d think you’d want to let the UDM students know about this is a gentle way, but no, Ms. Knightslinger would rather just escort them off the grounds straight away, but with their magic still being “upside-down”, she has to allow them to stay there for the time being. Luckily, after the UDM class take down the Shadow Magic, Ms. Knightslinger comes to her senses and shuts down the UDM programme, making Sage Academy an inclusive place. Ms. Knightslinger was played by Vicki Lewis, who has some history with Disney, having played Dina Reams in the DCOM Den Brother (2010), as well as appearing as Ms. Bitterman in a few episodes of the Disney Channel series Sonny with a Chance (2009-11). Lewis is also the voice of Deb in Finding Nemo (2003) and its sequel Finding Dory (2016).

Finally, we see two other teachers in Upside-Down Magic. One is the Fluxer teacher, Professor Han. Nory walks in on Professor Han’s lesson and tries to get involved, but it all goes terribly wrong. Professor Han seems scared by Nory’s hybrid animals and does nothing to try and calm her down. Professor Han does seem like a kind teacher though, unlike Reina’s teacher, Professor Argon, who is incredibly strict and hard on Reina. The way she talks during those corn popping lessons you’d think Reina was about to be demoted to the Basic Flares programme, but instead, she is picked as the second-best student in the Honours programme. Maybe it’s one of those teacher things where they see you have potential and decide to be very hard on you to make you achieve it, which could go either way depending on the student you’re talking to.

Professor Han was played by Elaine Hao who appeared as Anne Roche in Seasons 2 and 3 of Snowpiercer (2020-24). Professor Argon was played by Cynthia Kaye McWilliams who plays Cathy Montgomery in the dark comedy series Average Joe (2023-present). She had previously been cast in the recurring role of Kacee Franklin in Seasons 1 and 2 of Prison Break (2005-17), and as Trina Shaw in Real Husbands of Hollywood (2013-22).  

MUSIC

Upside-Down Magic is not a musical, therefore, the score is heavily relied on to get across moments of wonder and hope, like during the scenes of Reina and Nory’s arrival at Sage Academy; times of mystery, such as those around the Shadow Magic; and in scenes of peril, for example the big Founders’ Day showdown scene with Reina and her Shadow Magic.

For me, I found the piece of music at this point the best in the whole film, particularly the moment when the UDM student make their grand entrance into the Founders’ Day ceremony and are the ones to defeat the Shadow Magic. This track is named “Shadow Magic Showdown”. The entire score is available on the Upside-Down Magic official soundtrack, which was released on 23rd October 2020.

The score was composed by British composer Tom Howe. Howe is the composer on the popular AppleTV+ series Ted Lasso (2021-present) and has also collaborated with Aardman Animations on the music for a couple of their movies, including A Shaun the Sheep Movie: Farmageddon (2019), and Early Man (2018) with Harry Gregson-Williams. Howe is also the one behind the theme music for The Great British Bake-Off (2010-present).

There was a song that apparently followed the End Credits; however, this is not the case on Disney+. The End Credits simply use a track from the score, so I’m guessing this song only appeared during Disney Channel airings of the movie. It was a cover of the song “Everything’s Magic” by Angels & Airwaves, released in September 2007. It peaked at No. 11 on Billboard’s US Hot Modern Rock Tracks. For Upside-Down Magic, the main cast, Izabela Rosa, Siena Agudong, Alison Fernandez, Max Torina, and Elie Samouhi, all appeared in a music video for this song. This music video was uploaded to the DisneyMusicVEVO YouTube Channel on 31st July 2020, the date of the movie’s premiere. To be honest, after hearing the Angels & Airwaves original version, I much preferred that to the Disney cover of the song; it’s a much more polished performance, but it looks like the cast had fun anyway.

Then, we get to Mr. Skriff’s weird animal songs that come out of nowhere, very loudly and very abruptly. I would say it’s strange but then this is a Disney film; they’ve built a legacy on film characters singing to animals! He sings the first one when he proves to the UDM students that he is one of them, with the animals only coming to him or doing what he says when he sings to them; they don’t do anything if he just talks. Mr. Skriff sings again when Elliot cannot use his smoke powers quickly enough to smoke out the bees from their nest; Skriff sings to the bees to stop them wanting to stinging them and to apologise for ruining their home. Mr. Skriff launches into a quick song during the final scene too, as Nory explains that Mr. Skriff has become a teacher to the Fuzzies. Jeannie Lurie is credited as the creator of the original songs, so I’m assuming this applies to Mr. Skriff’s songs. Lurie has written songs for other DCOMs and Disney productions including some songs within Hannah Montana (2006-11), including “True Friend”; the song “Fearless” in Girl vs. Monster (2012); “You’re My Favourite Song” in Camp Rock 2: The Final Jam (2010); and “Something About the Sunshine” in StarStruck (2010).

The only other song to mention is The DNC’s song “Upside Down”. A brief excerpt is first heard as the movie title is revealed on screen. It returns for the montage of the UDM students perfecting their magic their way.

PRODUCTION

The production for Upside-Down Magic, alongside its cast and crew members, was announced around August 2019, though Disney had optioned the first Upside-Down Magic story for development in 2015. The first book was published in September 2015[1].

Since that first story, the Upside-Down Magic series has spanned eight books, with seven being published by the time the DCOM premiered, becoming a New York Times bestselling series. The books were co-authored by Sarah Mlynowski, Lauren Myracle, and Emily Jenkins. All three had co-authored the Young Adult book How to Be Bad, published in 2008, prior to writing Upside-Down Magic[2]. The Upside-Down Magic series centres on a collection of kids who have magical powers that go awry quite often whilst at school because their magic is “wonky”. They are put in the “Upside-Down Magic” class.

Upside-Down Magic the movie, was filmed in Vancouver during the summer of 2019, with one of the filming locations being Shawnigan Lake School, a boarding school on Vancouver Island, in British Columbia, Canada. Many of the campus buildings were turned into Sage Academy for the movie, including their chapel, library, and quad, as well as other school buildings. There were even opportunities for some of the actual school’s students to be extras in the film[3].

The rest of Upside-Down Magic’s scenes mostly take place in the forest surrounding Sage Academy, as this is where the UDM class is based. Director Joe Nussbaum said that they wanted to embrace the organic nature of magic, so most of their magic is based on the elements such as fire for the Flares, air for the Flyers and Flickers, and animals for the Fuzzies and Fluxers. The production designer on the movie, Bill Boes, stated that to match this specification, they could only use natural materials such as bark and wood, and there would be no metals or stainless steel in the production. As a contrast between the elite of Sage Academy, and the wonkiness of the Upside-Down Magic class, Sage Academy has clean, organised, bright classrooms, whereas UDM is housed in an industrial-looking, underground basement in the forest.  

Joe Nussbaum has directed other teen and tween-centric movies such as Sydney White (2007), which starred Amanda Bynes; Sleepover (2004); and the Disney movie Prom (2011). Nussbaum was also one of the executive producers on the Disney Channel series Gabby Duran & the Unsittables (2019-21). He is credited as an executive producer on Upside-Down Magic too, alongside Susan Cartsonis and Suzanne Farwell. Farwell had previously worked with Nancy Meyers on some of her movies, including The Parent Trap (1998); The Holiday (2006); and It’s Complicated (2009) before starting up the production company Resonate Entertainment alongside Cartsonis[4].

The DCOM Upside-Down Magic was written by Nick Pustay and Josh Cagan. Pustay had written the screenplay for Ramona and Beezus (2010) with Laurie Craig prior to his work on Upside-Down Magic. Josh Cagan had written the screenplay for the teen comedy movie The DUFF (2015) and co-written the live-action DCOM Kim Possible (2019). He went on to work on the DCOMs Spin (2021) and Under Wraps 2 (2022).

Upside-Down Magic features more Special Effects than most television movies because of all the magic effects. The actors liked working with the Special Effects team on their characters’ magical abilities, being given sketches and help from the stunt co-ordinators to tell them what was meant to be going on during the scenes, because, in most cases, they weren’t going to be seeing any of these effects in person, although Max Torina did have to be hoisted up by cranes as part of Andres’ flying ability, and Siena Agudong had wires through her clothes and tapes on her hands to produce Reina’s fire magic[5].

RECEPTION

A teaser of Upside-Down Magic was first shown during the premiere of ZOMBIES 2 on Disney Channel on 14th February 2020. It was going to be their next DCOM release after all, so excitement had to build. A full trailer was later released on 18th June 2020, announcing that Upside-Down Magic would premiere on Disney Channel on 31st July 2020.

On its premiere date in the US, Upside-Down Magic is said to have drawn in around 1.3 million viewers. When you consider that High School Musical 2 (2007) got 17.2 million viewers on its debut, remaining the top most-watched DCOM of all time, this looks quite bad for Upside-Down Magic. It certainly sounds negative in comparison, but Disney Channel Original Movies have struggled to reach anything close to those numbers since 2017, when Descendants 2 was released. The top viewed DCOM of 2020 was ZOMBIES 2, with 2.5 million viewers, so compared to that, Upside-Down Magic did not do badly.

Anyway, views aren’t everything, although reviews were mixed for Upside-Down Magic too. On the positive side, some viewers liked the overall message of the movie, about being yourself and not underestimating people, and said the movie had better than expected special effects. The general consensus is Upside-Down Magic is a good movie for children, especially those unfamiliar with Harry Potter.

Anyone who was familiar with Harry Potter though seemed to hate Upside-Down Magic, with the term “rip-off” being used. Although Reina and Nory’s characters were mostly enjoyed, the other characters, both students and teachers, were seen to be quite one-dimensional, with the teachers just being mean and the UDM kids being stereotypical. I don’t agree with that statement particularly, although so much of the story was focused on Nory and Reina that the UDM kids didn’t get much screen-time in total, so we learnt less about them. The teachers were quite cruel to be fair and with little reason why.

But the biggest complaint was just how much Disney had changed the source material when making their film. For one thing, the characters in the original stories attend Upside-Down Magic classes at Dunwiddle Magic School, not Sage Academy. In book seven, released just before the movie, it seems that the characters of the book move to Sage Academy. Whether this was the authors adjusting their story to fit Disney Channel’s movie plot, or if it was Disney getting information about the seventh book prior to writing their screenplay, I don’t know. Another change is that Elliot does not produce smoke when he attempts to conjure fire in the book, but instead makes the fire freeze. Flickers turn objects invisible, and don’t have telekinesis. Pepper in the book is also not a Flicker; she is a Fierce, where animals are scared of her. Other UDM students were omitted from the movie. That is usually necessary in any book-to-film adaptation. Mr. Skriff replaced the character of Ms. Starr, who was Nory’s teacher in the book. Reina was original to the movie[6].

Basing something on known source material is usually a lose-lose situation for anybody, as you’ll get complaints if you stray too much from source material; if you stick too closely to it; or if you cut too much out of it. Having said that, although I have not read the books, looking at the number of changes that were made, I can kind of understand what the readers might have been upset about.

LEGACY

The ending of Upside-Down Magic left the movie open for a sequel, as the Shadow Magic book came back, showing it could target another student.

However, there has not been any talk of a sequel coming from Disney Channel. Some fans have said that they would like an Upside-Down Magic 2, but it’s already been five years since the first movie was released, so it’s looking less and less likely that there will be one. It’s possible this was due to the negative reviews that the movie received, especially those concerning the differences between the DCOM and the book series.

This isn’t the first time a DCOM has suggested a sequel movie that has never come. Just two examples of this are Girl vs. Monster (2012) and Secret Society of Second-Born Royals (2020). For whatever reason, these two movies did not lead to sequels. Upside-Down Magic was not the first DCOM to have an open ending and it won’t be the last. Disney Channel could theoretically revive any of these potential movie franchises, but given the amount of time that has passed, they’d either have to re-cast all the characters or set it however many years in the future, with these kids now being adults. If you liked the movie of Upside-Down Magic but hadn’t read the books though, there are eight of those to enjoy, with seemingly the final book in the series being published in 2021.

One other thing to come out of Upside-Down Magic was the game Magic My Way, which launched on the DisneyNOW app. In the game, you could play mini games based on each of the five magic schools in Sage Academy. The app was discontinued in September 2024; however, the website is still available. DisneyNOW has clips, movies, and full episodes of programming from the channels Disney Channel, Disney Jr., and Disney XD on its website still, even with Disney+ being around.

FINAL THOUGHTS

I had never heard of Upside-Down Magic before this week, and I surprised myself by quite liking it. The story wasn’t particularly unique, I’ll accept that, and even I managed to guess who was going to be the one to succumb to Shadow Magic, which is saying something because normally I’m too absorbed in films to guess ahead, but again, I didn’t care that it was predictable. I think what I liked was the familiarity of the story and setting. 

And yet, Upside-Down Magic opened itself up to negative comparisons between it and the Harry Potter movie franchise that couldn’t be shaken. The Harry Potter books continue to be loved and cherished by readers, and the film franchise opened the world of Hogwarts up to an even larger audience, with some of these viewers never actually having read a Harry Potter book. I’m a big fan of the Harry Potter movies, but I haven’t read the whole series of books.

Anyway, this isn’t about Harry Potter, but the franchise is a good example of how a movie adaptation of a book can launch the story to new heights. I’m assuming this is what Disney Channel hoped to do with Upside-Down Magic, just on a smaller scale.  

 Personally, I didn’t even think of Harry Potter whilst I was watching. Upside-Down Magic was more similar to Disney’s Sky High (2005) for me, with the placement tests and one group of students being considered lesser than the others, i.e., the heroes and the sidekicks, but the lesser group coming to save the day against all expectations.

Upside-Down Magic might have hoped to be the Harry Potter of its generation, but it did not happen that way. Despite its message about being true to yourself and not letting anyone tell you you’re aren’t worthy, Upside-Down Magic as a film did not live up to expectations and was not able to differentiate itself in a market full of fantasy series.

That’s the way it goes in the entertainment industry sometimes and proves that making a movie or series based on a well-known novel is just as risky as going with a completely original story.


REFERENCES

[1] Credit: Denise Petski, ‘Disney Channel Sets Cast For ‘Upside-Down Magic’ Movie As Production Begins’, Deadline.com, 19th August 2019.

[2] Credit: Broome Shearouse, ‘Meet the co-authors of Upside-Down Magic’, OomScholasticBlog.com, 29th September 2015.

[3] Credit: Shawnigan Lake School, ‘Disney Magic’, Shawnigan.ca, 29th July 2020.

[4] Credit: Alexandra Whyte, ‘From Nancy Meyers flicks to turning Disney Channel upside down’, KidScreen.com, 20th July 2020.

[5] Credit: Disney, ‘Inside the Magic I Upside-Down Magic I Disney Channel’, Disney Channel YouTube Channel, 2nd August 2020.

[6] Credit: Sarah Mlynowski, ‘Upside-Down Magic’, SarahM.com, no date.

#10 Up (2009)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

2009 saw the release of Pixar’s tenth feature film, Up.

It had been quite a ride for the Pixar Studios from their very first movie, Toy Story in 1995, up to this point. In just over a decade, Pixar had securely positioned themselves as one of the best studios in terms of creating family-friendly, high-quality animated movies.

Within their first ten movies, Pixar had followed the lives of toys, fish, monsters, rats, and even robots, and each time, they were met with critical acclaim. With Up, they were going to do things just a little bit differently, by focusing for once on normal people.

Although there are many human characters within the first ten Pixar movies, they are not normally the focus of the movie, and end up as more of a sidekick – like Linguini in Ratatouille (2007) – or the cause of trouble, such as Boo in Monsters, Inc. (2001). The Incredibles did come along in 2004, but that was about superheroes, not ordinary humans. Up was going to be all about human emotion and human connection, being much more relevant to real life experiences than anything Pixar had done before.

By the time Up debuted in theatres, it had been three years since The Walt Disney Company had acquired Pixar, but they weren’t done there. Disney were in the midst of purchasing Marvel Entertainment in 2009. In the movie world, Disney Animation were releasing their own movie, The Princess and the Frog, which had been heralded as Disney’s big return to hand-drawn animation[1]. Sadly, it did not exactly pan out that way and The Princess and the Frog was a bit of a disappointment to the company.

But The Walt Disney Company had nothing to worry about when it came to Pixar’s big movie of 2009 because Up was met with widespread praise. Its first ten or fifteen minutes were considered to be a huge movie moment in itself, and the rest did not disappoint. Though praise for Up has cooled since 2009, mostly due to Pixar continuing to hit it out of the park with their more recent films, it still has its fans.

For me, I did like Up when I first watched it at the cinema. However, as the years have gone by, Up is not one that I choose to see. I liked it enough when I re-watched it this week, because it has touching moments as well as some funny characters, but there’s just something about it that doesn’t make me love it. I think it’s the whole sense of adventure and going to lands unknown. That’s just not me, so having Up set in such an unfamiliar place makes me less interested than the more fantastical or even mundane Pixar movie settings.

PLOT

Up begins in a movie theatre, where a small boy is watching a documentary about the explorer Charles Muntz, who went to South America in a dirigible with some dogs and claimed to bring back the skeleton of the Monster of Paradise Falls. It was later discovered to be a fake, so Muntz vowed to only return once he had captured the creature alive, however, he never returned. Still, Muntz was a hero to many, especially this young boy, Carl.

Carl heads home after the movie, but hears a girl shouting from an abandoned house. Carl is intrigued because she is shouting “Adventure is out there”, Muntz’s catchphrase; she must be a fan too. Carl goes in and meets Ellie. She lets Carl join her club for adventurers, even giving him a badge made out of a grape soda bottle top to show his commitment to the club. Ellie says she can help Carl retrieve his blue balloon which he let go of as he entered the house and has floated up to the ceiling. Ellie takes him to the next floor and tells him to walk across a wooden plank over to it, assuring him it is safe. Carl then falls through the ceiling, proving it was not safe. At home with a broken arm, Ellie returns Carl’s balloon by flying it through his bedroom window. She climbs through it too and shows Carl her Adventure Book, saying how she dreams of going to Paradise Falls, just like Muntz. She makes Carl promise he’ll build them a blimp so they can go one day.

Then, we see that Carl and Ellie got married. They bought a house, renovated it, both got jobs at the zoo – Ellie as a zookeeper, Carl as the balloon seller – and then try to start a family. However, it turns out this was not on the cards for them, and they instead try to save up to head to Paradise Falls. But life doesn’t work out that way, and they keep having to use their money to fix broken roofs, replace car tyres, etc. As they approach old age, Carl finally gets enough money to buy them plane tickets there, but as he is about to surprise Ellie with this, she is taken ill and ends up in hospital. Ellie does not recover and sadly dies, leaving Carl with only his memories and their brightly coloured house.

We then see that Carl is still living in the same house, playing out the same daily routine, and yet, everything around him has changed whilst he has stayed the same. I Carl is living in the middle of a huge construction site, refusing to sell his house to the developer. Later that day, a boy called Russell shows up at Carl’s front door. He is part of the Wilderness Explorers troop and wants to gain his “Assisting the Elderly” badge, so offers to help Carl with something. Carl isn’t interested, but Russell won’t leave until Carl comes up with something. Carl claims to have a bird problem in his yard, a made-up bird called a “snipe”. Russell vows to catch the snipe in his yard for him and heads off on his search.

Then, Carl is bothered yet again, by a construction vehicle reversing in front of him. It doesn’t stop in time and accidentally hits Carl’s mailbox. He is furious with all these workers not being careful and damaging his property. As one of the workers tries to help Carl fix the mailbox, Carl becomes angry, tells him not to touch it, and then hits him over the head with his walker, leaving the worker with a bloody gash on his head. Carl runs inside as the rest of the site staff rush over to assist. Carl is later summoned to court where he is ordered to go to Shady Oaks Retirement Village to live out the rest of his days; they’ll collect him tomorrow.

But Carl won’t come quietly. When the people from the retirement village come for him the next morning, Carl gives them his suitcase and says he just wants to say goodbye to the house. However, this was all a trick and as the nurses go to wait for him in their van, suddenly, thousands of balloons pop up behind the house and it is lifted into the air. He can finally fulfil his promise to Ellie and take them over to Paradise Falls – what has he got to lose trying anyway? As Carl settles himself in his armchair, close to his makeshift steering device, he thinks he hears a knock at the door. How can that be; he’s thousands of feet in the air? Carl ignores it, thinking it’s all in his mind. But there it is again. He goes to the door.

And who should be there, but the Wilderness Explorer Russell, who is hanging on to the porch for dear life. He says he was on the porch, chasing a snipe, which may’ve actually been a squirrel, when the house took off. He begs to be let inside. Carl initially refuses, but then relents. Russell runs inside and is soon fascinated by Carl’s floating house. Russell gives the steering a try, much to Carl’s annoyance. Then, Russell just starts talking about everything. Carl doesn’t want to hear that right now, and turns his hearing aid down while he tries to get them down so Russell can get home. But Russell starts waving his arms around, looking scared. They are about to fly right into a storm. Despite Carl’s attempts to steer them away, they are sucked in. Objects in the house start flying all over the place, and Russell is almost thrown out the front door that keeps opening and closing. Carl tries to protect all of his and Ellie’s belongings, but passes out.

Carl wakes up to find them in calmer weather. Russell is just glad he isn’t dead! Russell proudly announces that he steered them through with help from his handy GPS tracker – which he then proceeds to drop from the house. Carl plans to drop Russell at the nearest bus stop, and releases some balloons to decrease the altitude. But they come to a misty area and start to see land much quicker than they expected. The house crashes onto rocky terrain, with Carl and Russell being tossed overboard. Carl hangs onto the house by its hosepipe and almost falls off a cliff. Once the mist clears, Carl sees that they have made it very close to Paradise Falls – just the wrong side of the cliff; Paradise Falls is all the way over on the other side. Him and Russell will have to walk the house over there.

In the jungle, dogs seem to be hunting a bird, but these dogs are different because they have collars that allow them to talk. As they get close to this bird, they hear static – it is Carl’s hearing aid acting up again. Carl and Russell have made it into the jungle and are going on with their trek, despite Russell’s protests about being too tired to walk and how he needs a break. I used to whine just like that about having to walk far! Russell becomes distracted by some tracks on the ground and follows them, believing them to be the snipe. At one point, the tracks stop and Russell snacks on a chocolate bar as he figures out what to do. But the bird starts eating the chocolate. It comes through the bushes and is shown to be a huge, multi-coloured bird. Russell takes the bird over to Carl, who is shocked that his made-up “snipe” actually exists! Russell begs Carl to let him keep the bird, which he has named Kevin. Carl says he can’t, but Russell asks “Ellie”, who Carl keeps talking to, who says he can keep it. Carl can’t be bothered to argue and Kevin follows them anyway.

They get to some more rocks and hear a voice. Carl assumes there must be a human nearby, although he is thrown by the fact this man seems to say “I can smell you”. It turns out Carl was trying to converse with a rock, because no-one can see through the mist. Russell notices all the rocks are funny shapes and points out one that looks like a dog. But this dog is real! He comes over to them and they discover it can talk and his name is Dug. Dug tells Carl and Russell that his collar, built by his master, allows him to talk and that he is looking for a bird. Dug then sees Kevin and asks to take him “as his prisoner”. Carl says he can, but Russell tells Dug to leave Kevin alone.

Carl now has Russell, Kevin, and Dug on this journey and tries his best to ignore them, even trying to lose Kevin and Dug at one point by throwing a piece of chocolate and one of the tennis balls from his walker deep into the jungle – but it doesn’t work. Dug is then contacted by the other dogs, who see that Dug has the bird. They can smell people around here though, and see that Dug is with a “small mailman”. They track Dug to get to them.

Russell tries to set up camp for the night, but becomes frustrated that he can’t put up a tent. Carl is surprised that the Wilderness Explorer “expert” has never been camping. Russell tells Carl that his dad promised to take him camping but he’s busy, working away a lot. Russell says he tries to talk to him on the phone, but that Phyllis says Russell annoys his father too much. Carl is shocked to find Russell calling his mother by her first name, to which Russell responds that Phyllis isn’t his mum; his parents are divorced, or at least separated. Russell says once he gets his new badge, his father will come to the ceremony where he’ll receive it and everything will be great. He then gets Carl to promise they’ll protect Kevin, even telling him to cross his heart, which is something Ellie used to get him to do too…

The next morning, Carl wakes up to see his house’s balloons are drooping, so they need to get moving. Kevin starts calling out into some twisty rocks, where Carl and Russell learn that Kevin is a girl and needs to get back to her babies; she leaves. Shortly after, Carl and Russell – and Dug – are surrounded by dogs. The dogs are angry with Dug for losing the bird, and decide to take Carl and Russell back to their master.

They make it to a cave, where Carl excitedly learns their master is the explorer Charles Muntz! Muntz is tickled by the fact Carl is walking his house to Paradise Falls and invites them in for dinner. There, they see that Muntz has a whole pack of dogs, who work as his staff, cooking and cleaning for him. They are allowed inside Muntz’s airship, the legendary Spirit of Adventure, which doubles as a home and museum for all of Muntz’s achievements. Over dinner, Muntz tells Carl about his need to find the Monster of Paradise Falls and bring it back home, so that nobody will ever call him a liar or a fraud again. Russell sees the skeleton and says it looks just like Kevin. Carl quickly tells Muntz the bird has gone and they don’t know where it is, but Muntz knows they know more than they are letting on. Carl tries to make a quick exit with Russell, but Muntz tells the dogs to chase them.

As Carl and Russell attempt to outrun the dogs, with the floating house still on their backs, Dug tries to slow the dogs down. Kevin returns and throws them all on his back, running through the rocky cliffs to get them to safety. At one point, they reach a gorge. Kevin jumps over it, but Alpha, Muntz’s lead dog, bites Kevin’s leg, injuring her. Alpha is shaken off, and Carl, Russell, Dug, and Kevin make it to the other side. Russell patches up Kevin’s leg, telling Carl they need to get her home.

Muntz is angry with his dogs for losing them, but uses the tracker on Dug’s collar to follow. As Russell, Carl, Dug, and Kevin make it back to Kevin’s home, they find Muntz’s ship right above them. Muntz successfully catches Kevin after setting light to Carl’s home. Carl is too distracted with stopping the fire to save Kevin, and she is taken into the ship. Russell is distraught, but Carl tells him he didn’t ask for anything of this and just needs to get to Paradise Falls. He goes alone, getting his house where it needs to be.

Carl goes into his house and sits in his chair. He looks at Ellie’s Adventure Book, disappointed she couldn’t be here too. Carl then sees pictures in the back of the book he’s never noticed before. It’s pictures of their life together, with a note from Ellie telling him to have a new adventure of his own. Carl knows what he needs to do. Carl tries to speak to Russell, but he goes off to get Kevin, using just a few balloons and a leaf blower. Carl throws all his furniture out of the house so it can float again and he can follow him. Dug knocks on the door and sadly says he was there because he loves Carl. Carl tells Dug to get inside and agrees to be his new master.

Russell gets over to Muntz’s airship but is quickly caught and tied up. Muntz then sees Carl’s house through the window. Muntz puts Russell on the gangway and it starts to open, causing Russell to fall out of the ship. Carl catches him just in time and puts Russell inside the house, telling him to stay there. Carl goes on to Muntz’s ship with Dug. Using the vents, Carl and Dug get to Kevin, who is being guarded by the dogs. Using another tennis ball from his walker, Carl distracts the dogs and shuts the door on them. They alert Muntz. Russell then proceeds to not do as he’s told and falls out of the house, clinging onto the hosepipe to save him, but the house now starts to float away, as the hosepipe was tying the house to Muntz’s ship. Muntz orders his dogs to shoot down the house, as he goes after Carl. The two have a sword fight, and Carl manages to escape after spitting his false teeth into Muntz’s face! Him and Kevin get on to the roof, with Dug being pursued by the dogs. Dug manages to put Alpha in a “cone of shame”, making Dug the new Alpha.

Meanwhile, Muntz has followed Carl and Kevin to the roof. Russell has managed to climb the hose and flies the house towards them. Dug arrives and they all get into the house, but Muntz shoots at the house, causing it to fall. Carl jumps out and tries to save the house and everyone in it from falling. Muntz bashes his way into the house with his shotgun. As Russell, Dug, and Kevin cower in the living room, Carl has an idea; he tells Russell to grab hold of Dug and Kevin. He waves a chocolate bar at them and Kevin jumps through the window to get it. Muntz attempts to follow but his legs get caught in balloons and he falls.

Kevin, Dug, and Russell didn’t make the jump – but they are found dangling on the hosepipe. That hose was attached to the house, and now it is not. Carl watches as his house falls to the ground, knowing he did the right thing. They then reunite Kevin with her babies, and Carl, Russell, Dug, and the other dogs take the airship home.

Back home, Russell is at his badge ceremony, having successfully “assisted the elderly”, but his dad doesn’t show up to pin it on him. Carl arrives to do this instead, but actually gives him the grape soda badge Ellie gave him as a child. Carl says Russell rightfully deserves to have “the Ellie badge”. Although Russell’s father was not there to see this, his mother was, as was Dug, and all the other dogs. Carl and Russell then sit on a curb together eating ice cream and counting cars like Russell remembers doing with his dad as the Spirit of Adventure flies above them. We also see that Carl’s house drifted down to the exact spot by Paradise Falls where Ellie and Carl had always dreamt of living.  

CHARACTERS & CAST

Carl Fredricksen is a bit of a curmudgeon at the beginning of Up, but it’s not entirely his fault he acts this way. His wife has died, and her memory is everywhere within his house, and he is feeling pressure to sell his beloved home as it sits within a construction site. Life has gone on without him, and Carl is struggling to figure out how to move forward. Instead of accepting that his life is over, Carl comes up with a crazy plan to keep his home and his childhood promise to wife Ellie to finally take her to Paradise Falls – and how is he going to do that? With a ton of balloons, obviously. This crazy idea leads Carl to Paradise Falls, but this journey also leads him to a kid who just wants to feel supported; to a dog who wants a kind master; and a bird who just needs help to survive. Carl, with help from Russell and Dug, manages to save Kevin from Carl’s former hero-turned-madman Charles Muntz. They then learn to take care of each other. Carl becomes Dug’s new “master”, giving Dug a home and Carl a new purpose in life. Russell also gives Carl some purpose, as he never had children so felt alone in the world without Ellie. Now he has Dug and Russell, Carl doesn’t have to be isolated anymore, and it gives him a reason to keep on living and feel more upbeat too.

Ed Asner was chosen to be the voice of Carl. Asner is known for his portrayal of the character Lou Grant in the sitcom The Mary Tyler Moore Show (1970-77), and then reprised his role in the spin-off Lou Grant (1977-82). He won numerous awards for his character in these shows, including three Golden Globe Awards in the 1970s and five Primetime Emmys throughout the 1970s and into the 1980s. Asner was no stranger to voice acting either. Prior to his role in Up, he had voiced the character of J. Jonah Jameson in the animated series Spider-Man (1994-98), as well as voicing minor roles in other series such as Recess (1997-2001) and W.I.T.C.H. (2004-06). More recently, Asner was cast as Abe Rifkin in the Netflix series Dead to Me (2019-22), and Claude in Muppets Haunted Mansion (2021). He was also Santa Claus in Elf (2003).  Asner continued to reprise his role as Carl in other Pixar projects until his death in 2021. He stated that he liked voicing the role and even finished the movie wanting to be more like Carl[2].

Then we have Russell, who is dedicated to becoming a great Wilderness Explorer. Wilderness Explorers are just like the Scouts or something similar, working towards badges and doing outdoorsy activities, like tracking animals and camping. Russell hasn’t had his father around to help him with some of these activities, but he continues to try his best and has a lot of badges to prove his hard work. Russell meets Carl – or Mr. Fredricksen, as he is known to Russell – because he needs to assist someone elderly to get his next badge. After Carl tells Russell to hunt a fictional bird called a snipe, Carl is forced to spend more time with Russell as they end up stuck on Paradise Falls together. Carl ropes Russell into walking his house over to the waterfall so that Russell can properly assist him and get sign-off on his badge. Although this isn’t exactly what Russell had in mind, it leads to him meeting and protecting an endangered animal, the “snipe” Kevin. Even when Carl seemingly abandons Kevin, and puts her in harm’s way, Russell is determined to rescue her from Muntz and reunite her with her babies. It’s Russell that really knocks some sense into Carl, who knows he was wrong to abandon Kevin and can’t let Russell be in danger as well. Russell helps Carl become a happier person, by allowing him to focus on a new adventure, instead of living his life in the past. Russell needs a fatherly figure in his life and with his father busy, he is only too happy to have Carl there for him.  

Russell was voiced by Jordan Nagai. Pixar were quite adamant they did not want to hire a kid who already had acting experience, as they wanted someone who was just as innocent and unsure as a child would be in the situations that Russell finds himself in. In this way, Jordan Nagai was just like a regular kid, however, because of this, he did struggle at times with his recording sessions. Co-director of Up, Pete Docter, worked with Nagai on this, doing different exercises with him to get Nagai to deliver his lines in just the right way. Russell is an incredibly likeable character, so Nagai did a great job with his voice acting here. Nagai has since moved away from acting and is seemingly pursuing a different career.

Then there is the adorable, lovable Dug. He is just one of Charles Muntz’s pack of dogs, with there being around fifty of them. Muntz’s other dogs have been trained well, either being sent away to track the bird, what Muntz calls the Monster of Paradise Falls, or being used as Muntz’s “household staff”. Dug isn’t exactly like that, because he isn’t particularly focused and although he tries hard to track the bird, Dug isn’t as competent as the others at doing this. I’m surprised Dug wasn’t just Muntz’s pet, to be honest. Anyway, luckily, he wasn’t otherwise we would never have seen him in this movie. Instead, Dug is a key character, abandoning Muntz as his master and joining Carl and Russell on the “good guy side”. Dug initially wants to take Kevin back to Muntz as “his prisoner”, but soon learns that he’d rather be with Carl and Russell, as they are kind to him and don’t order him around. Dug fully betrays his master by helping Carl and Russell escape the other dogs, and then has a big moment in the final battle as he manages to lower Alpha’s rank within the pack and inadvertently make himself the new leader, making his journey go full circle as it wasn’t long before that he was placed in “the cone of shame” for his incompetence.

Bob Peterson, the co-director of Up, voiced Dug and was very happy to do this, because Dug is a joyful dog who loves everyone and everything. He is a young labrador and it is said these dogs have very little short-term memory, which is just Dug all over[3]! Peterson also voiced the leader, Alpha, who has two different “voices” in this movie, his real deep tone of voice, and then the high-pitched one when his collar is broken. Peterson had worked on the earliest Pixar movie, Toy Story (1995), within the animation department, and continued to work on other Pixar films in both a story and voice acting capacity. For example, Peterson co-wrote the screenplays for Finding Nemo (2003) and Cars 3 (2017), but has also voiced other Pixar characters, including Roz in Monsters, Inc. (2001) and its spin-offs, and Mr. Ray in Finding Nemo. Peterson also wrote, created, and directed, as well as reprising his voice role of Dug, in the animated short series Dug Days (2021-23).

The dogs Beta and Gamma were voiced by Delroy Lindo and Jerome Ranft, respectively. Lindo has recently appeared as Adrian Boseman in The Good Fight (2017-22) and as Edwin Alexander in the Hulu series UnPrisoned (2023-24). Lindo has also been cast in the upcoming horror film Sinners (2025), which will star Michael B. Jordan. Jerome Ranft is the brother of Pixar legend Joe Ranft, who passed away in 2005. Ranft is a character sculptor for Pixar having worked on many of their movies including A Bug’s Life (1998); Finding Nemo (2003); Cars (2006); and Brave (2012). Ranft took over two voice roles in two sequels from his brother: Jacques in Finding Dory (2016) and Red in Cars 3 (2017). 

Finally, we have the villain of Up, Charles Muntz. He was a heroic explorer who discovered new lands and creatures, bringing them back to the US to show off his discoveries. However, when his latest skeleton of the Monster of Paradise Falls is found to be a fake, Muntz vows never to return home without bringing the bird back with him alive. Because of this, and Kevin’s skill for losing hunters, Muntz has been stuck in Paradise Falls for decades, trying to get this bird so he can go home and prove he wasn’t a liar. For Muntz, this is all about his pride; he doesn’t care about conservation or animals, and doesn’t even consider the distress Kevin is in at the point she is captured, or about the fact she has babies that need her and will die without her. Muntz just needs to get the bird and then get home – and he doesn’t need an elderly man and a child stopping him from doing so.

Charles Muntz was voiced by Christopher Plummer, perhaps best known for his role as Captain von Trapp in The Sound of Music (1965). Plummer portrayed Rudyard Kipling in The Man Who Would Be King (1975) and in more recent years appeared as John Adams Gates in National Treasure (2004); as Henrik Vanger in The Girl with the Dragon Tattoo (2011); and replaced Kevin Spacey as J. Paul Getty in All the Money in the World (2017), for which he was nominated for Best Supporting Actor at the Oscars. Plummer had won the Best Supporting Actor Oscar for the role of Hal Fields in the comedy-drama film Beginners (2010), winning other accolades as well. Plummer was also cast as Harlan Thrombey in the mystery film Knives Out (2019). In terms of voice roles, Plummer had some experience of this prior to Up, having voiced Henri le Pigeon in the Don Bluth film An American Tail (1986) and narrating the animated preschool series Madeline (1993-2001). Plummer also had a long history of the stage, starring in adaptations of Shakespeare’s plays throughout his life, and also starring as Cyrano in the 1974 original Broadway production, for which he won the Tony Award for Best Performance by a Leading Actor in a Musical, having also played the title character in the TV movie Cyrano de Bergerac in 1962. Plummer passed away in 2021.

There is another voice actor to briefly mention in Up and that is the recurrence of Pixar’s favourite voice artist, John Ratzenberger, who voices the construction foreman Tom.

MUSIC

The score for Up was composed by Michael Giacchino. His first score for an animated movie was on Pixar’s The Incredibles (2004), for which he was nominated at the Grammy Awards for Best Score Soundtrack Album and Best Instrumental Composition. Giacchino then continued to collaborate with Pixar filmmakers, working on the music for Ratatouille (2007), winning a Grammy for Best Score; Cars 2 (2011); Inside Out (2015); Coco (2017); and The Incredibles 2 (2018). Giacchino also composed the music for Disney’s Zootopia (2016). Outside of Pixar, he has composed music for the most recent Spider-Man films, the three latest Jurassic World movies, and for the series of Disney television Christmas specials, Prep & Landing (2009-11). Giacchino was also nominated for Primetime Emmy awards for his work on the series Lost (2004-10), winning one for his underscore of its pilot episode.

I can’t talk about Up’s score without mentioning the most recognisable track, “Married Life”, which is the sequence showing Carl and Ellie’s life together. In many years to come, I think this piece of music will be on lists of the best movie themes, alongside greats such as the themes from James Bond, Indiana Jones, and Star Wars. This track is bright and sunny when it needs to be happy; and melancholic and slow when it needs to be sad. It corresponds perfectly to what is being shown on the screen.

But it would be unfair to say “Married Life” is the only good piece of music within Up, especially as many of the motifs within this piece feature in others. A slower, quieter version of this is basically the track “Stuff We Did”, which can be heard as Carl is flipping through Ellie’s Adventure Book in Paradise Falls. “Up with Titles”, which features during the Opening Credits, is happy and upbeat, and reminiscent of the music of the jazz era. I also like the piece “Carl Goes Up”, when the house actually lifts into the air and flies away. This is a huge moment for Carl, and is suitably dreamy, as many of us at some point in our lives have wished we could fly – and what better way than to do that in your own home.

In terms of creating a sense of adventure, “Escape from Muntz Mountain” is a good example, which is used when Muntz’s dogs are chasing Russell, Carl, Kevin, and Dug over the rocky terrain near to Muntz’s cave. This is a more perilous moment for the group, whereas the battle scene with Muntz feels more determined; they have to save Kevin or die trying is what it feels like, so “Seizing the Spirit of Adventure” feels less like a scary moment, although it still evokes the feeling of threat and peril at times. I also like “Memories Can Weigh You Down”, which marks Carl’s decision to go and save Kevin – and Russell, who has gone off on his own to save him.

You can also hear an excerpt from a famous opera in Up, and that is an instrumental version of the aria “Habanera” from the opera Carmen, composed by Bizet. This plays as Carl gets ready for his day, very slowly and moodily, early on in the film, before seemingly setting out to go about his day – before making a quick right turn to just sit on his porch and look at all the construction going on around him.

The score for Up was nominated at many award ceremonies. One of these was at the Academy Awards, where it won the award for Best Original Score – a first for Pixar – despite competition from the blockbuster Avatar (2009), as well as The Hurt Locker (2008).

Up’s music was also nominated at the Annie Awards for Best Music, where it surprisingly lost out to Bruno Coulais’ music for the animated movie Coraline (2008); at the BAFTA Film Awards for Best Film Music, which it won; the Critics’ Choice Awards for Best Score, where it also won; and the Golden Globes for Best Original Score, winning yet again. At the Grammy Awards, Up received further nominations, for Best Score Soundtrack Album and Best Instrumental Composition for Michael Giacchino, winning both of these, as well as Best Instrumental Arrangement for Giacchino and Tim Simonec and the track “Up With End Credits”, losing to “West Side Story Medley”, arranged by Bill Cunliffe.

This is just the awards won at the “major” award ceremonies. Up won more awards for Best Original Score or Best Music at other ceremonies.

PRODUCTION

The initial concept for Up came from a simple drawing of a house buoyed by balloons. Pete Docter started to think about who would be in there, and where they would be going. Docter began to develop this idea with Bob Peterson. After Docter drew a sketch of a grumpy old man holding balloons, this gave them a further idea to work from[4].

It then had to be decided where this house was going and the thought of having this old man and a kid stuck together somewhere remote was the most appealing. After watching a documentary by Adrian Warren about table, or flat-topped, mountains in the jungles of Venezuela, they felt this was a great place to set their movie and so they and others from the Pixar team went to Venezuela to see these mountains in person.

After a long journey from San Francisco, near to where the Pixar Studios are based, to Caracas, Venezuela’s capital city, and then onto smaller towns, they arrived via helicopter at the base of Mount Roraima. The group were in awe of the looming rock above and couldn’t believe it was possible to climb it. But climb it they did, over mud, plant roots, rocks, and unsteady ground. It was a difficult trek but they made it to the top of the flat-topped mountain, or tepui as they are also known, and set up camp so they could study the rock formation, the plant life, and even the weather systems from that height.

On these mountains, the Pixar team found that the rocks formed strange and seemingly structurally unsound shapes. They learnt this was caused by the layers of sandstone that formed them, with softer layers being weathered away over the years, leaving holes in some of the rock works. It was also discovered that these mountains have their own weather systems as they are so high up, with rock sides being heated from the sun causing swirling clouds that descend like a mist. The weather would change quickly, going from sun, to cloud, to storms and rain in just a few minutes.

They were also able to discover other areas including the Valley of Crystals, which is, as the name would suggest, an area full of quartz crystals, and the Kukenán-tepui. This was a very inhospitable area, full of rocky and marshy areas, meaning there was no place to camp. Instead, they took a helicopter over there, expecting just to be there for an hour or two to study the landscape. It was so full of rocks that it created mazes, and supposedly people have vanished in these labyrinths. At the end of their time there, the helicopter came back for them but the group had to be taken off in batches. At this point, as half the group had been returned, a storm closed in and the helicopter was unable to retrieve the rest. Those remaining had to hurdle under one rock structure that only allowed for the group to stand and be sheltered from the weather. The storm lasted longer than they expected, and as they were preparing to spend the night there, the helicopter returned just before dark.

After their mountain experience, the Pixar team were off to Canaima National Park to see the famous Angel Falls, which is the tallest waterfall in the world. It is so tall that water vaporises, creating a mist, before it even hits the bottom of the rock face.

All of these sketches and experiences in Venezuela created countless moments of inspiration for the movies, such as Angel Falls itself being the inspiration behind Paradise Falls; a rock being mistaken for a person being something that happened to some of the team in real-life and something that Carl and Russell experience; as well as cave systems being used for the design of Muntz’s cave[5].

Now they had the overall setting confirmed, they had to work on the house. Since Ellie and Carl are seen renovating their new house, everything had to be a bit clumsy and imperfect, however, the house remains cosy. The team were inspired by the grandparents’ houses, full of knick-knacks and mementos, with old-fashioned furniture and worn carpets. The Up house had to look lived in. To properly animate this house, a wood model was created and painted to look just like the house, and was filled with mini furniture and lighting like it was a little dollhouse. This helped show the animators how everything would look inside, but also helped with the floating aspect of the house, since we would be seeing the bottom of the house for much of the film, as it floats above Carl and Russell whilst they walk it through Paradise Falls. It’s unusual to see the underside of a house, so the Pixar team had to look at houses on stilts to see just what it looks like. Unsurprisingly, it’s kind of dirty[6]!

It is believed by some that the inspiration for Up came from a real house called Whitewood Cottage in Seattle. It was owned by Edith Macefield who bought the house in 1952 and lived there with her mother. Her mother died in 1976. Gradually, the houses surrounding Whitewood Cottage began to be sold to make way for a development project, however Macefield refused to sell, receiving media attention in 2006 when she turned down a reported offer of $1 million for her house. In the end, Macefield left her house to a construction worker after she died in 2008. This worker had cared for her when she was ill. Whitewood Cottage was later sold for around $300,000 to a developer and has changed hands a few times since then. Currently, the house remains standing surrounded by high-rises[7]. Because of the extraordinary similarities between Carl’s story and Edith’s, many claim that Up used this story as inspiration, however, work on Up began in 2004, whereas Edith’s plight to remain in her home reportedly did not come to be known until 2006. Pixar did tie balloons to the top of Whitewood Cottage as publicity for Up in May 2009 though.

Obviously, Edith’s house did not actually fly away, but Carl’s had to, just with balloons. Pixar animated around 10,000 balloons for the movie, and made them realistic with their buoyancy, strings hitting each other, and some coming loose and flying away after the “big reveal”. However, the number is not realistic at all, as millions of balloons, not thousands, would actually be needed to make a house fly. Up may not be scientifically accurate but that shouldn’t be a huge surprise really. The use of Muntz’s dirigible is closer to real-life though as other dirigibles and airships were studied[8].

Then, there are character designs and story points. The character of Carl began life as a sketch of a grouchy guy holding colourful balloons. This sketch was used to develop the character further. The team at Pixar went to a care home to research not only the look of elderly people, but also for their behaviours and their movements, as this was going to be the first time Pixar had featured an elderly man as the protagonist in one of their movies, dubbing him a “geriatric hero”. It’s quite rare generally for older people to be the focus of any story, so this film showed that just because someone is getting older doesn’t mean they’ve lost their zest for life; they just might need help finding it again. By observing older people, the animators were able to successfully recreate the lines of the face, such as forehead lines and crow’s feet, as well as limitations of movement, like in the fingers and back, to turn the character of Carl into an accurate representation of an older person. Carl might struggle to walk fast, or be able to beat someone up like a boxer, but he’s a tough old guy, willing to fight for what’s right[9].

It apparently took a while for Pixar to settle on a character design for Russell. All manner of kids were drawn: shy ones, smart ones, tall ones, skinny ones. In the end, animator Peter Sohn drew a version of his younger self, which inspired the design and he became the accidental reference material for the character. Russell is a very excitable, enthusiastic kid, who just wants to help everyone all the time and talks perhaps a little bit too much! Although it is not unusual in movies for the main child character to be missing a parent, in one way, Pixar were fairly progressive here because it was openly discussed that Russell’s parents are simply not together anymore, either divorced or separated. This is a new concept for Carl, who wouldn’t have grown up in a world where this really happened, so to see Russell discussing something that many children go through in modern times must have been positive for many young viewers watching Up who were going through a change in their family life. Russell is also Pixar’s first Asian-American character[10].

Pixar did research on canine behaviour to look at how Muntz’s dog pack would interact with each other. They specially learnt from Dr. Ian Dunbar, a dog behaviour expert, who consulted the team on things such as dog behaviour and hierarchy. Dunbar says that hierarchy is maintained by lower individuals proving they are not a threat to the leader, instead of the leader needing to be particularly vicious. In Up, Alpha is the designated leader of the pack and there are multiple instances when Dug and the others cower in front of him to show this. This type of behaviour leads to harmony in large groups of dogs. The team also used reference material of dogs running on uneven ground and hazardous terrain to learn how they would move in the chase scene when Muntz has ordered his dogs to get Carl and Russell after he learns of their knowledge of the bird.

Next, there is Kevin, who was “voiced” by Pete Docter. Again, it was a struggle to design Kevin as there were so many ways the character design could go with Kevin being an imaginary bird. They just knew it had to be something interesting to have kept Muntz in the jungle for fifty years searching for it. Initially, they looked towards North American mythology, for the story and design of the Thunderbird, who could create thunder from the flap of its wings. Then they tried making Kevin a golden bird. In the end, they settled on making Kevin a cross between an ostrich and a parrot, which meant looking at lots of ostriches for reference material, to see how they walk, bob their heads, and use their necks. The parrot element of Kevin comes from her colourful, iridescent feathers. Kevin is the character that brings everyone together, as each character is looking for Kevin. Russell and Carl want to save her, whilst Muntz and his dogs want to capture her. Muntz sees Kevin as the key to proving his sanity and is the target of his obsession, whereas for Russell, Kevin is just his friend. Carl wants to protect Kevin as Ellie was a zookeeper and loved animals[11].

Muntz had many different endings in initial story drafts of Up, including one where he was somewhat redeemed by having a conversation with Carl about how he too had lost his wife, but it was decided there was too much talking here, detracting from the real focus of the story: Carl. Instead, it was decided Muntz would have to be killed off in some way. One initial idea was to have Muntz get lost forever in the “twisty rocks” as he followed Kevin in to the area. Then, it was decided that there should be a battle scene on the airship, but Muntz would’ve been stuck in the house and fallen with it. The Pixar team felt this was a bit weird as the house was a representation of Ellie, so leaving Muntz with her was a strange thing to do. Next, they had him leap out of the house and get caught in balloons, but he would’ve been pulled up into the air. This left too much discussion around whether he was really dead or not, so this idea was simply adjusted slightly to have Muntz go down with the balloons, thus allowing him to join the group of villains who die by falling, such as Gaston in Beauty and the Beast (1991) and Mother Gothel in Tangled (2010)[12]

Finally, we can’t talk about Up without mentioned the “Married Life” sequence. In the story, Pixar felt they had to show life Ellie and Carl’s life from marriage to old age, and even more importantly, the audience had to learn about Ellie and what she was like to see why Carl would go through this journey for her. But there was a slightly less touching version of this sequence that began…with punching.

Sure, some kids show they like each other by play-fighting with them, and in this case, Carl and Ellie’s relationship all started with a punch that Ellie gave Carl after seeing him try to trap a bird as a kid. This then evolved into a punch war, until one day, Carl starts to look at Ellie differently. We would have then been shown their graduation, dances, days out, picnics, a visit to the C.F. Muntz Museum in their town, where Ellie would get a job as a tour guide and Carl as a balloon salesman, and then on to the marriage, house, etc. that we see in the actual version. It did look like, in this storyboard, that Carl and Ellie are booked to go to Venezuela, however, Carl seemingly doesn’t want to get on the plane. Ellie then falls ill so they cannot try and go again. This would’ve been an interesting point for the final movie because if Carl had felt unable to go, meaning that the one-time Ellie could’ve gone they did not, that would’ve given Carl a huge amount of guilt to cope with, which would’ve made him even more determined to get to Paradise Falls than the version of Carl we get in the final movie. Yet, the whole punching thing is a bit weird, and I’m glad they did not go with that version! There was also going to be dialogue here, but after looking at old home videos, the Pixar team found that it would be better to avoid having dialogue and just have the music and visuals[13].

RECEPTION

Prior to Up’s main theatrical release, which saw the movie being released in 3D as well as 2D, becoming Pixar’s first 3D movie, Up was actually first shown at the Cannes Film Festival, where it opened the 62nd festival event. The Cannes Film Festival in 2009 ran from 13th May to 24th May, meaning that Up premiered there just a little over two weeks before it would premiere in theatres. Up was the first animated movie to ever open the event. Sometimes film festivals can be snobby when it comes to animated movies, so this shows that appreciation for them is building over the years[14].

Up premiered in US theatres on 29th May 2009, after it had its red-carpet premiere at the El Capitan Theatre on 16th May. It later premiered around the world over the next few months. I am slightly confused as to when Up was released in the UK, as some sites claim it wasn’t until October, however, I’m sure I remember watching this in the height of summer on a particularly hot, sunny day in a cinema that didn’t have good air conditioning, so that must’ve meant it was released during the summer holidays so probably July or August, but I guess I’m wrong…I can’t find anything to prove either way which month it was.

The Pixar short Partly Cloudy was shown prior to Up, as is the way with Pixar movies; you normally get something before them. In this case, Partly Cloudy was about storks delivering babies, both human and animal, which they are presented with by all-powerful clouds. However, one cloud struggles to make cute things, so his stork delivery man ends up getting injured by all these creatures he has to deliver. In one case, a little crocodile or alligator bites his head; another time a ram hits him in the stomach; then there’s the cute sheep that turns out to be a spiky porcupine. The cloud later sees the stork flying to another cloud, so believing it has been replaced, begins to cry and rain. The stork was actually only at the other cloud to get protective equipment, like padding and a helmet; it wasn’t leaving the cloud. The cloud is happy about that and gives the stork it’s next delivery: an electric eel! It’s not one of the most memorable or funny Pixar short films, but it’s decent.

Reviews for Up were amazing, however, if you have read any of these, you’ll know that what got the biggest focus was the sequence of Ellie and Carl’s life together, the “Married Life” sequence. The opening fifteen minutes that follow Ellie and Carl’s time together are admittedly very moving. Although neither of them had a particularly exciting life, they were clearly very happy together and perfect for each other. So, to see all of that come to an end with Ellie’s passing is difficult for many to experience, especially those who have been through a similar loss, and even worse, it happened so early in the film. We’re already devastated at the loss of a character we only knew for a few minutes, so that set everyone up for what was going to come next. We were invested in Carl and his journey from this point on. This sequence got everyone talking and it even has its own Wikipedia page, showing how it will likely go down in history as one of the best movie moments ever.

However, for some people who watched Up, this was in fact the best part of the movie and anything after that was not deemed to be as good. They say that Dug and Kevin were seen as the funniest characters, and some of these moments balanced out the less exciting parts to make it a good film, but not an amazing one. I can understand how hype around a movie could lead to disappointment if it does not live up to the expectations in a viewer’s mind, which is likely what happened in these cases. Up is also not considered one of Pixar’s best films looking at it from a contemporary point of view, as Pixar has made some amazing films since 2009, such as Inside Out (2015) and Coco (2017). Some even said Up lacked the heart of the earliest Pixar films and featured a one-dimensional villain. I disagree with both of these statements. I don’t know how a movie that can make even the most emotionally closed-off person cry could be called “lacking heart”. Muntz is not a one-dimensional villain either in my view, because it’s quite clear his pride and his obsession are what is causing him to chase after Kevin and endanger the lives of Carl and Russell. He doesn’t change during the movie, and if anything, just gets more villainous, but I’d say as a person, he is quite complex; he’s not evil for evil’s sake, he thinks what he is doing is fine and good for his career.

On the positive side, reviews also stated how Up was a showcase of digital animation. It was also a good step for Pixar into adventure films, like Indiana Jones, without focusing too much on action sequences or moments of peril, and instead looking at people and how they interact with others. Carl and Russell both feel like something is missing in their lives and throughout the film, find that they can help each other. Russell becomes Carl’s honorary grandson; and Carl is his honorary grandfather.

As well as amazing reviews, Up ended up being one of the highest grossing movies of the year in terms of worldwide box office, sitting at No. 6, even with big competition such as Avatar; Harry Potter and the Half-Blood Prince; and The Twilight Saga: New Moon[15]. It made just over $730 million at the box-office.

But most exciting was the response that the Academy Awards gave to Up because it became only the second animated movie to be nominated for the Best Picture Oscar. The first was Beauty and the Beast (1991), before the Best Animated Feature category was even made. There has only been one other movie since Up to be nominated in this same category and that was Toy Story 3 (2010). All three just happen to be Disney or Pixar movies[16]. Up was also nominated for Best Original Screenplay and Best Sound Editing.

Up did not win Best Picture, losing to The Hurt Locker (2008), which also won in the Best Original Screenplay and Best Sound Editing categories. But Up did win the Best Animated Feature Oscar. At the BAFTA Film Awards, the Critics’ Choice Awards, the Golden Globes, and the Annie Awards, Up also won in the Best Animated Film category. It won the Annie Award for Best Directing in a Feature Production too. This is just the awards won at the “major” award ceremonies; Up won plenty more awards at other ceremonies.

LEGACY

After Up’s release, one character in particular captured the hearts of the people – and that character was Dug, probably because he’s a talking dog, and most people like dogs. I don’t particularly like dogs, but if Dug was a real dog, I’d like him.

This love of Dug led to a short film all about him called Dug’s Special Mission. In a way, this is a prequel because it shows Dug and his interactions with Alpha and the pack prior to his meeting Carl and Russell. Dug’s Special Mission sees Dug telling the pack that it’s his birthday today and he wants to do something to help them find the bird. Dug, however, constantly gets in the way, according to Alpha, so Alpha sets out to trick Dug by telling him to do pointless tasks that he tells Dug are very important, such as watch the bird’s favourite rock, stay in this hole until the bird comes, sit on this rock etc., however, inadvertently, Dug causes more chaos doing these simple tasks, so Alpha gets angry and radios over to Muntz to say Dug is a bad dog. This makes Dug very sad who runs off, believing his birthday is ruined. He then starts to hear human voices and can smell their scent. Dug says “I can smell you” and runs over to them. It is Carl and Russell. Dug says this was a good birthday for him, because he got his wish to have a new master and it then became the happiest day of his life[17].

Dug’s Special Mission was released as a special bonus feature to be found on the Blu-Ray and DVD releases of Up, with the US versions coming out in November 2009. Bob Peterson, Delroy Lindo, and Jerome Ranft return as Dug, Alpha, Beta, and Gamma respectively. Ed Asner and Jordan Nagai are also credited as returning to voice Carl and Russell; however, I think all their lines are from the original movie scene.

There was even a short film made, only about four minutes long, about the two nurses from Shady Oaks who attempt to pick up Carl at the start of Up. These nurses are called George and A.J., and that is the title of this short. What happens in George and A.J. is that we watch them as they see Carl’s house take off with his balloons – Russell can even be spotted clinging on to the underside of the house. George and A.J. then return to their van in complete shock and proceed to remain shocked for over a week. Carl’s “escape” even makes the news and every elderly resident who has seen the news report cheers that one of their own finally got free. One week later, George and A.J. are back to collecting the elderly to take to Shady Oaks, however, they are shaken by their experience and now find that the elderly are fleeing in their houses in unusual ways, such as on a hovercraft and with a herd of cats. Then Shady Oaks itself is launched into the air. As George and A.J. stare perplexed at the area, a shadow descends over them. They look up and see an airship about to land of them, with Carl at the helm and Russell beside him. The airship does not fall on them, but does crash onto their van. George and A.J. are then approached by Dug, the talking dog, and stand there shocked again. George was voiced by Jason Topolski and A.J. by A.J. Riebli III. Bob Peterson reprises his role as Dug, but Carl and Russell are voiced by fellow Pixar employees, Steve Purcell and Peter Sohn respectively. George and A.J. was not released theatrically or on DVD, but instead was released on iTunes as an extra feature after purchasing the movie there. It was later included on Pixar Short Films Collection, Volume 2 DVD, released in November 2012, and later came to Disney+. The animation style does not match that of Pixar’s usual short movies, and is quite basic, done in a “storyboard” style.

Over ten years later, in September 2021, Dug returned again for his own series of shorts called Dug Days. The first five episodes all premiered on Disney+ on 1st September 2021, with a sixth and final episode Carl’s Date, first premiering as the short film that accompanied the theatrical release of Pixar’s Elemental on 16th June 2023. It later came to Disney+ in September 2023. This series sees Dug and Carl moving into a new house in the suburbs, having sold the Spirit of Adventure airship. It follows Dug and Carl going about their day in the neighbourhood with Dug causing his usual mayhem! Carl’s Date was slightly more special as it saw Carl trying to figure out if he is ready to go on a date with a new woman – Ms. Meyers, who also happens to have adopted the former Alpha, now Beta – feeling like he is betraying Ellie by doing so. Carl agrees to go on the date but becomes worried and nervous about doing so, trying to cancel. Dug then tells him he should go and says he’ll come along too if that would help. As it’s time to leave for the date, Carl speaks to Ellie’s photo and says she’ll always be his girl. It’s the sweetest Pixar short I’ve ever seen.

This series consisted of shorts that were between five and ten minutes long, and saw the return of Ed Asner and Bob Peterson as Carl and Dug. Carl’s Date became the last project that Ed Asner worked on for Pixar, having recorded his lines prior to his passing in August 2021. This felt like a real finale episode and tied up Carl’s journey. Every episode was created, written, and directed by Peterson.

At the Disney Parks, since Up is a fairly popular Pixar movie, there are multiple experiences and characters from the movie at most of the six properties. At Walt Disney World, specifically Disney’s Animal Kingdom Park, there is a great activity for children and families which involves you becoming a Wilderness Explorer just like Russell. Throughout the park, there are stations set up in different areas that allow you to take part in a specific activity which will lead to you earning yourself a badge, which is actually a sticker. There are many of these to experience with the stickers being collected in a small booklet. You can also see Kevin wandering around this park, specifically around Discovery Island, interacting with guests and generally just being her bird-self. There is no set place to meet Kevin, as she is a “roaming character”, and times she is about may change.  

Former experiences at Walt Disney World included an earlier iteration of the Feathered Friends in Flight! outdoor show in Animal Kingdom at the Anandapur Theater in Asia. This show was initially called Flights of Wonder and premiered on the opening day of Animal Kingdom on 22nd April 1998. This ran until 31st December 2017, when it closed to be rethemed to UP! A Great Bird Adventure. This version mixed up the narration of the show, by adding a new guide called Anika as well as seeing Russell and Dug added into the show. UP! A Great Bird Adventure opened on 22nd April 2018 for the park’s 20th anniversary, but due to mixed reception, it went through multiple re-writes until it closed on 12th March 2020, when Walt Disney World closed for the COVID-19 pandemic restrictions. It reopened as Feathered Friends in Flight! in July 2020 when the parks reopened, but the core concept of the show being about birds has remained the same. I have also seen that at Walt Disney World’s former Downtown Disney area, now named Disney Springs, there was an inflatable version of the Up house that was seen for a period of time around the time of Up’s release, so Summer 2009, as promotion for the new movie. It was situated next to the AMC Theatres. To be honest, it was not exactly a work of art and looked a bit low-budget!

At Disneyland, you’re more likely to see areas themed to Up in their Disney California Adventure Park. One such area was the Redwood Creek Challenge Trail, which is an outdoor play area complete with slides and play equipment, originally opened in 2001. It was rethemed to Up around 2010/11, after having previously been themed to the Disney movie Brother Bear (2003). In this challenge trail, guests could earn six badges throughout the area, and then make their way over to an outdoor stage to become a real Senior Wilderness Explorer by watching and taking part in a ceremony, which had Russell make a surprise appearance at the end[18]. It would appear that this theming has since been removed, when the trail reopened around July 2021.

 For Pixar Fest 2024, Disney California Adventure did have some references to Up including the house “flying” over Disneyland’s Sleeping Beauty castle as part of their Together Forever: A Pixar Nighttime Spectacular fireworks show. The “Married Life” sequence and other moments from Up were projected onto the castle, as some of its music played. As part of the Better Together: A Pixar Pals Celebration Parade for the event, you could also see Russell riding on Kevin’s back and a float with Carl and Dug following on behind. These were limited time experiences for Pixar Fest which ran from 28th April to 4th August 2024. It is reportedly not returning for 2025; however, the parade apparently will be in the summer of 2025. You may also be able to see smaller references to Up and its characters at places like Pixar Pier, the Lamplight Lounge restaurant, and Pixar Place Hotel.

At Hong Kong Disneyland, there is a summer stage show called Adventure is Out There, which features characters from Disney and Pixar movies. It is named after Charles Muntz’s catchphrase from the movie, and Russell makes an appearance at the start of the show, as the hosts teach guests the iconic Wilderness Explorer call, and at the finale. It also features performances from characters such as Moana and Stitch. This stage show was a new offering for 2023 that did return in 2024 with some changes. It may return in 2025.

At Disneyland Paris, there is a stage show that involves characters, film clips, and music from Pixar movies. One of these segments features Up. As music from the score plays, a floating house is seen on screen, before landing and showing Russell, Carl, and Dug inside as it is flying high above the clouds. This show is called TOGETHER: A Pixar Musical Adventure and is a thirty-minute show performed at the Studio Theater at Walt Disney Studios Park. It has been running since July 2023, but will be taking a break from 21st April to 11th July 2025. I presume this is due to the ongoing construction at Walt Disney Studios Park to turn it into Disney Adventure World. Also at Disneyland Paris, but in the main park, a new miniature scene of Paradise Falls with Carl, Russell and the house was added to the Storybook Land Canal Boats ride, or Le Pays des Contes de Fées in French. This new addition joined two other new scenes that were announced, of Frozen (2013) and Winnie the Pooh. This new Up scene replaced the Emerald City scene[19]. The new version of the ride reopened on 30th August 2024. There is also a small scene of Russell and Carl, where figures of them have been added to the waterside in Adventure Isle, over by Colonel Hathi’s Pizza Outpost, which is a bit random[20]!

In terms of meet-and-greets, at Walt Disney World in Disney’s Animal Kingdom Park, you can meet Russell at the Wilderness Explorer Clubhouse, and Dug – who even talks – is occasionally seen there with Russell. Talking Dug made his debut at the park in May 2024. Carl, Russell, and Dug have also been characters at Special Events, like DVC Moonlight Magic in recent years. At Disneyland, in Disney California Adventure Park, Russell and Dug met guests during Pixar Fest. Dug was talking here too. They have also been spotted at Pixar Pier as well, along with Carl. At Disneyland Paris, the three characters were there for “Tuesday Guest Star Day” but that was back in 2019. At Hong Kong Disneyland, the trio were spotted at the Pixar Pals Party cast-member exclusive event in March 2024. At Shanghai Disneyland, Russell and Dug have been known to meet guests at Happy Circle in Adventure Isle, and it is still listed on their website, however, I think these characters swap out fairly frequently. Outside of the US parks, it seems the Up characters are not as easy to meet, with Tokyo Disneyland seemingly never having had a meet-and-greet for them. But, at Tokyo Disneyland, you can find Carl, Russell, Dug, and Kevin all on a float during the Disney Harmony in Color daytime parade. Characters, clips, or music from Up may be used in other Disney fireworks shows and parades, both current and future.

Given that Up appeals to both children and adults, Up spanned quite a range of merchandise, including clothing, figurines, homeware, like pillows and mugs, toys, and even a Pandora charm of Carl of Ellie. There have also been specialty and non-speciality pins available to purchase, with D23 releasing a member-exclusive pin in May 2024 of young Carl holding the blue balloon to celebrate the 15th anniversary of Up.

Outside of the theme parks and the screen, Up became the perfect inspiration for housing projects. For example, in 2011, Bangerter Homes recreated the iconic Up house, reportedly with permission from Disney and Pixar, providing the plans were turned over to them once complete to ensure it was a one-of-a-kind property. It stands on Herriman Rose Boulevard in Herriman, Utah[21]. This is a private residence and is therefore not available for tours, so don’t go knocking on the door, hoping to get one.

However, this did not turn out to be the only Up house of its kind because in May 2024, as part of Airbnb’s “Icons” series of new rentable homes, they built a replica of the Up house too. It was created to celebrate the 15th anniversary of the film, and was even held up with 8,000 balloons – and the help of a large crane. It was situated in Abiquiu, New Mexico. It was only open to guests for a limited time and could not just be booked like other Airbnb properties. Although the house was suspended at times, funnily enough, that was not allowed to happen with guests inside[22]. The listing for the house is still up on Airbnb but it cannot be requested and is showing as “Sold Out”.

FINAL THOUGHTS

Up made history for Pixar in a few ways: by being nominated for Best Picture at the Academy Awards; being the 10th animated feature for the studio; and for creating one of the most well-known and heart-breaking sequences in cinema.

Pixar – and Disney – have a knack for finding that soft spot in your heart and jabbing at it until tears leak from your eyes. Up is not my favourite Pixar movie, and yet I still cry at multiple moments in the story. A movie about people, about relationships, about life can’t help but be relatable as we are all navigating the ups and downs of life, pushing past obstacles and getting through rough patches. Carl is having a difficult time as he grieves the loss of his wife, and Russell is struggling to cope with his parents’ divorce and his difficult relationship with his father. Both of these problems are things real people go through.

What we ought to learn from Up is that when life deals you a bad hand, you can either sink deeper and deeper into the darkness, or drag yourself up towards the light. In less metaphorical terms, what I’m trying to say is that it’s not good to dwell on the mistakes and misery of the past. All you can do is take a look around you, see what you have right now, and try and figure out a new direction. It might not be what you envisioned, but maybe it’s what you need.


REFERENCES

[1] Credit: Disney, ‘Disney History’, D23.com, date unknown.

[2] Credit: Tim Lammers, ’10 Uplifting Facts About Up to Celebrate Film’s 10th Anniversary’, D23.com, 29th May 2019.

[3] Credit: Pixar, “Canine Companions”, Up 2009 (Pixar) Making of & Behind the Scenes video, DVDFilmBonus, YouTube Channel, uploaded 16th July 2023.

[4] Credit: Tim Lammers, ’10 Uplifting Facts About Up to Celebrate Film’s 10th Anniversary’, D23.com, 29th May 2019.

[5] Credit: Pixar, “Adventure is Out There”, from Up (2009) DVD (2010).

[6] Credit: Pixar, “Homemakers of Pixar”, Up 2009 (Pixar) Making of & Behind the Scenes video, DVDFilmBonus, YouTube Channel, uploaded 16th July 2023.

[7] Credit: Stephen Barker & Jessica Smith, ‘The Real-Life Story Behind Pixar’s Up Is More Heartbreaking Than The Film’, ScreenRant.com, 15th March 2024.

[8] Credit: Pixar, “Balloons and Flight”, Up 2009 (Pixar) Making of & Behind the Scenes video, DVDFilmBonus, YouTube Channel, uploaded 16th July 2023.

[9] Credit: Pixar, “Geriatric Hero”, Up 2009 (Pixar) Making of & Behind the Scenes video, DVDFilmBonus, YouTube Channel, uploaded 16th July 2023.

[10] Credit: Pixar, “Russell: Wilderness Explorer”, Up 2009 (Pixar) Making of & Behind the Scenes video, DVDFilmBonus, YouTube Channel, uploaded 16th July 2023.

[11] Credit: Pixar, “Our Giant Flightless Friend Kevin”, Up 2009 (Pixar) Making of & Behind the Scenes video, DVDFilmBonus, YouTube Channel, uploaded 16th July 2023.

[12] Credit: Pixar, “Alternate Scene: The Many Endings of Muntz”, from Up (2009) DVD (2010).

[13] Credit: Pixar, “Married Life”, Up 2009 (Pixar) Making of & Behind the Scenes video, DVDFilmBonus, YouTube Channel, uploaded 16th July 2023.

[14] Credit: Xan Brooks, ‘Curtain will go Up on this year’s Cannes with 3-D yarn’, TheGuardian.com, 19th March 2009.

[15] Credit: IMDB, ‘Worldwide Box Office For 2009’, BoxOfficeMojo.com, date unknown.

[16] Credit: Tim Lammers, ’10 Uplifting Facts About Up to Celebrate Film’s 10th Anniversary’, D23.com, 29th May 2019.

[17] Credit: Pixar, “Dug’s Special Mission”, from Up (2009) DVD (2010).

[18] Credit: Best Western, ‘Can You Handle the Redwood Creek Challenge Trail?’, StovallsInn.com, 28th January 2018.

[19] Credit: Disney, ‘New Scene From Pixar’s “Up” Coming To Storybook Land, With Presenting Sponsor’, DisneylandParis-News.com, 3rd May 2024

[20] Credit: Steve, ‘Disneyland Paris News: Carl and Russell From UP Invade Adventureland’, DedicatedToDLP.com, 1st May 2014

[21] Credit: Taysha Murtaugh, ‘This Real-Life Re-Creation of the House From ‘Up’ Is Just as Cute as the Movie’, CountryLiving.com, 21st March 2017.

[22] Credit: Yi-Jin Yu, ‘Airbnb launches stays at ‘Up’ house, ‘Inside Out’ headquarters, and more ‘Icons’’, ABCNews.go.com, 2nd May 2024.

16 Wishes (2010)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

For some, celebrating a milestone birthday is the best time of their life, something they’ve looked forward to for months, or even years; something they’ve planned down to the tiniest of detail, whether that is a huge party or just a special day.

I’ve never been particularly bothered by birthdays, milestone or not. For me, birthdays are just days where you get presents. I’ll generally plan out what “special” dinner I’m going to have and what film I want to watch in the evening. That’s what my birthday normally consists of.

I haven’t had a birthday “party” since my sixteenth birthday and that wasn’t a party exactly. I went bowling with some friends who then came back to my house to eat pizza and watch Bride Wars (2009), which I’d just got on DVD. I don’t actually remember any of my friends having sixteenth birthday parties, but that year at school in the UK tends to have a lot of coursework and exam focus on it as we take our GCSE exams at that age.

Yet in some countries, including the US, sixteenth birthdays are a big deal, signalling the move from childhood to adulthood. These birthdays have even been dubbed the “Sweet 16”. In some Spanish-speaking countries, they have a quinceañera, a traditional celebration of becoming fifteen. Either way, an extravagant party is generally considered to be the best way to celebrate these milestone events.

This is where the movie 16 Wishes comes in. 16 Wishes is all about having the best Sweet 16 birthday ever, culminating in the best Sweet 16 party ever. It’s all about making sure your day is better than anyone else’s.

Although I didn’t care much about turning sixteen and I was older than sixteen when I first watched 16 Wishes on Disney Channel, I did quite like it at the time. The thought of having all your birthday wishes come true is appealing to most people, young or old, even though some aspects of 16 Wishes are quite shallow and materialistic – but that’s teenagers.

I always thought 16 Wishes was one of the better Disney Channel Original Movies, but watching it back this week, I don’t have that same opinion now. I didn’t like the main character this time, and hadn’t noticed some of her flaws at a younger age. Anyway, 16 Wishes is not even a true DCOM. It was made as a co-production between Disney Channel and other companies, including MarVista Entertainment. More on that later.

PLOT

16 Wishes begins, as you might expect, on Abby Jensen’s sixteenth birthday. She has been excited to turn sixteen for years, even writing a “Sweet 16” wish list of all the things she wants to have on her sixteenth birthday. Abby won’t let anything or anyone get in the way of her perfect day. On the morning of her birthday, despite her parents and her brother, Mike, getting in her face practically the minute she wakes up, Abby’s outlook on the day is positive. She’s got the perfect outfit to wear; spent thirty minutes doing her hair and make-up; and has money saved up to buy an amazing dress for her party that evening.

And yet, something just has to show up to ruin her day: a wasps’ nest is found in the attic. Luckily, an exterminator left their information at the front door earlier that morning – handy – and she arrives quickly, telling the family the infestation should hopefully be dealt with in a matter of days. Days?! But Abby’s birthday is today! The family is barred from entering the house, although the exterminator did manage to “save” Abby’s birthday wish list for her. Abby’s brother Mike manages to get a lift to school with their neighbour across the road, Krista Cook, who has hated Abby for years and tries to make her life a misery at every opportunity. To make it worse, Krista and Abby also have the same birthday and instead of getting wasps for hers like Abby did, Krista gets a fancy new car, a yellow VW Beetle.

Abby is left to get the bus to school, still wearing her pyjamas and slippers, since she didn’t have time to get dressed. Personally, I would’ve put my clothes on before doing my hair… At the bus stop, Abby is met by her best friend, Jay, who gives her a friendship necklace for her birthday. Randomly, as they wait for the bus, a postal service van shows up and a woman who looks very much like the exterminator hands Abby a parcel. Jay doesn’t think Abby should open it, expecting it to be something sinister, but Abby says it’ll just be a birthday present – yeah, because the postal service normally delivers packages to people stood at bus stops – and proceeds to open it. Inside, she finds sixteen birthday candles and some matches from the Lucky Duck, whatever that is. The box reckons they are meant to grant birthday wishes. Getting bored waiting for the bus, Abby lights the first candle.

Randomly again, the tour bus of singer Joey Lockhart, someone Abby has been a fan of for years, shows up at the bus stop. Joey comes out, kisses Abby on the cheek, wishes her a happy birthday, and then leaves looking confused. Abby realises that this first candle corresponds with her birthday wish list, since the first wish on that list was to meet Joey Lockhart. Abby now knows she can make all sixteen of her birthday wishes come true today. She takes a look at her list to find something that could help her right now. Wish #8 should be good. Abby lights Candle #8 and a bright red Mustang appears. Yep, she wished for her own car, and it is being driven by a woman who looks just like the postwoman AND the exterminator. This is Celeste, and she has been tasked with making all Abby’s birthday wishes come true. However, Jay points out that Abby doesn’t have her license yet, so Celeste drives them to school instead.

At school, everyone who was admiring Krista’s car then moves on to admire Abby’s car. Emboldened by this, Abby announces that she will be having an amazing party tonight and invites everyone in the year – she has a wish and a candle to make sure she has the best Sweet 16 party ever, after all. However, Krista and her friends laugh in Abby’s face, reminding Abby that she’s still wearing her pyjamas and slippers. Jay leads her away. Abby heads straight for her gym locker to find some clothes and then realises that she has a wish that can fix this: Wish #2, which promises that she’ll have the best clothes in school. But Abby finds Candle #2 just won’t light and she is soon spotted by a teacher, who confiscates the candles and sends Abby to the guidance counsellor. I guess the teacher is concerned Abby is now a pyromaniac after playing around with all those matches?

Abby then learns that the school guidance counsellor is Celeste, well, today it is anyway! Celeste explains the rules of the magic candles. All the wishes she makes before midnight tonight will be permanent, however she can only light one candle per hour. Celeste hands over the candles and matches, warning Abby to be careful where she lights them, and as a special birthday present, Celeste also gives Abby Krista’s diary to have a read through. Abby does just that and learns that Krista has been out to get her for years, deliberately upstaging Abby at every turn. Well, not any more. Abby goes to the supply closet and lights Candle #2, since it is now a new hour. The closet is magically transformed into a wardrobe and Celeste is on hand to be her personal stylist. Abby goes back out wearing her new clothes. All of Krista’s friends love her new outfit – despite having one handbag that is now “out of style”. Celeste quickly swaps out the bag for a newer one.

At gym class, Abby uses this new handbag to avoid running laps, by handing it over to her teacher as a bribe; the whole class will now play a friendly game of volleyball. But just before she heads out to play, Abby lights Candle #12, so that she can beat Krista at something. Abby suddenly becomes a pro-volleyballer and spikes the ball hard into Krista’s face. Krista is promptly sent to the nurse as Abby is admired for her mad skills. The nurse turns out to be Celeste who tells Krista, after she regains consciousness, to go to the principal’s office. There, Krista is told by the principal that Abby is going to be the new Class President, despite not campaigning for it like Krista had. It turns out Abby was a write-in, so beloved by her class that they couldn’t bear for her not to be their president. I think a magical wish might just be classed as election interference, Abby….

Abby basks in the glow of her newfound school popularity – which happens to be all down to Wish #10 – and the fact she’ll now get free lunch as president. Abby goes to meet Jay who is working on a school project. Abby doesn’t want to do any work though, and tells Jay she’ll just bribe the teacher again. Jay reacts angrily to that, annoyed that Abby has won Class President, this being a secret dream of Jay’s. Abby makes up with Jay by offering to get him some free lunch. That was easy.

Abby then says she needs a new dress for her party, which is being planned by some girls in her year and is going to be huge. But Abby’s party money is at home and she can’t retrieve it. Jay says he’ll lend her some money and that they have a free period next so can go shopping then. The only trouble is how are they going to get there; Abby doesn’t have her license yet so can’t drive them. Well, Wish #7 will solve that. Sure enough, a worker from the DMV shows up and hands Abby her driver’s license; no need for a test!

At the store, Jay unknowingly drops his wallet outside. Krista has followed them there and picked up Jay’s wallet. As Abby tries on dress after dress, Krista heads in and tells the assistant that those two won’t be buying anything. The assistant tells Abby and Jay to leave, as Jay figures out he has lost his wallet and will not be able to pay for anything. Jay rushes outside to look for his wallet, and Abby goes back into the changing room. There, she lights Candle #9, so that people will stop treating her like a kid. Suddenly, Abby is transformed… into a girl with straight hair, because that is what signals “adult” apparently! She asks the assistant where her friend is, who tells her he left with another girl, presumably Krista. Abby is annoyed Jay just left her, but she becomes distracted by the assistant who suddenly wants to help her find some more “age appropriate” clothing. You might think Abby not having any money might be an issue here, but nope, that’s what a charge account is for.

Abby arrives back at school in a whole new wardrobe. She is mistaken for being the new substitute teacher, and discovers that nobody remembers her as the Abby Jensen from their year. Abby is soon picked up from school by her parents, who instantly move her into her new apartment, telling her she is 22 years old today and needs to grow up. Wow, harsh or what! At least wait until the day after her birthday… Her parents have paid the security deposit but it’s up to her to pay the first month’s rent so she’ll need to find a job. Abby is overwhelmed by how badly her last wish has gone wrong and lights Candle #3, a wish about decorating her room the way she wants, to get Celeste to explain what has happened here. Celeste tells Abby that the candles have their own logic and since Abby has no do-over wish on her list, at midnight, this will be her new life. Abby desperately tries to find a way back to her old life and thinks Wish #14 will do the trick: to get her parents to understand her.

She goes over to her parents’ house, to find them living in an RV on the driveway because of the wasps, and tells them the whole sorry story of her day so far, showing them the candles and matches as proof. Her parents are distracted by the matches as they are from the Lucky Duck restaurant that they went to on the night Abby was born. Although her parents understand what Abby is going through, they don’t believe she is actually 16 and tell her she needs to be independent. At a loss as to what to do next, she walks over to her crush, Logan, who is admiring her car. Logan is on his way to Krista’s party across the street. Abby uses this as an opportunity to get Jay to listen to her. She proves their friendship with the necklace he gave her that morning, as Jay has the other half of it. Jay remembers. He looks over her wish list to try and find a solution but all her wishes are pointless and won’t help her. As Abby annoys herself with her stupid wishes, like wishing to like sushi when she’s sixteen, she learns that her brother is a talented guitarist, having his own guitar in this life instead of playing a plastic one in her real one, and that Krista is nice without having Abby to compete with. So, everyone is better off without Abby in their life and she should just get on with her new independent life. That’s the lesson here, isn’t it?

Perhaps it should be, but that’s not the case. Abby sadly heads back to her apartment. Her car runs out of gas, she breaks a heel, and then is splashed by a driver going through a massive puddle. When things look really bleak, Celeste arrives with pizza to cheer her up. Abby takes another look at the list, realising that all of her wishes for clothes, popularity, and cars were a total waste, and that being an adult isn’t as amazing as she thought it would be. Celeste hands Abby Candle #16, and Abby looks at her corresponding wish. It is simply a picture of Logan that she stuck on there with gum that morning. As Abby wishes she could change this wish, she flicks the photo – and it comes off, leaving a blank space. She quickly rummages around her belongings and finds the photo her parents took of her that same morning. She sticks it on the list and lights Candle #16, wishing she could start the day over again, just before midnight.

Abby shows up in her room on the morning of her sixteenth birthday. Instead of shouting at her parents and brother to get out of her space, she tells them she loves them, even giving her brother her party money so that he can buy his own guitar. She also warns her parents about the wasps’ nest, panicked she’s about to relive the whole traumatic day again. But they already knew, and the exterminator is already here. It’s Celeste again, who tells Abby everything is going to be ok now. Abby then screws up her wish list and goes to confront Krista once and for all. On Krista’s driveway, Abby demands to know what she did to start this war between them. It turns out when Abby first arrived in town, she took Jay, Krista’s previous best friend, away from her – on her birthday, no less! Right… that’s incredibly childish; you’d think Krista would’ve got over that by now! Abby apologises and says they should help Jay together. After learning he wanted to be Class President, she asks Krista to join forces with her to ensure Jay is voted in. Since Krista is the only name on the ballot, if she drops out and campaigns for Jay instead, he’ll surely win.

Sure enough, at Krista and Abby’s joint sixteenth birthday party, Jay is celebrated as Class President. Krista also tells Abby she really likes Logan, but doesn’t know how to talk to him. Abby tells her to ask him about his dream car, the Mustang she used to have. Abby and Jay then dance together. Jay admits his feelings for Abby and the two kiss. As the movie ends, Celeste appears as a waitress before disappearing. Her work here is done.

CHARACTERS & CAST

Abby Jensen has never been popular. Although she has her best friend, Jay, it seems like he is her only real friend, so it’s very much them against the world. This isn’t a bad thing, but it’s not enough for Abby. She wants to be popular, but thanks to Krista Cook, she’s never been able to. This is why Abby’s sixteenth birthday is so important to her, because it’s finally going to be the day where she gets everything she wants. To be honest, Abby is kind of annoying through most of 16 Wishes with this attitude. She isn’t very nice to her family, telling them to get out of her room, and takes Jay for granted, expecting him just to go along with whatever she wants. It’s not until Abby’s wish to stop being treated like a kid goes wrong that Abby finds she’s alone, without her best friend. This makes Abby feel incredibly scared and lonely, as many people would after being thrown out of their family home and forced to live on their own. At this point, Abby learns a real lesson: that wishing for materialistic, superficial things is a waste of time and effort, because they never make you truly happy. She also realises that she shouldn’t be in a hurry to grow up, as being an adult comes with its own responsibilities and isn’t as glamorous as it looks. From this point, Abby becomes a more redeemable character, and less like a spoilt brat!  

Debby Ryan was cast as Abby. Ryan began her Disney Channel career as Bailey Pickett on The Suite Life on Deck (2008-11), the spin-off and sequel series to The Suite Life of Zack & Cody (2005-08), and then reprised her role in The Suite Life Movie (2011). After this, Ryan continued to feature on Disney Channel by starring in the series Jessie (2011-15). During this time, she was also cast in the leading role of Tara Adams in the DCOM Radio Rebel (2012). Outside of Disney, Ryan’s most famous role is perhaps as Patty Bladell in the controversial Netflix series Insatiable (2018-19). More recently, she voiced the character of Krista in the animated series Velma (2023-24), a spin-off of the Scooby-Doo franchise, and is due to appear in the thriller film Famous, which will star Zac Efron.

Jay is Abby’s best friend, and former best friend of Krista Cook. He clearly has feelings for Abby that she is completely unaware of until the end of the movie. Jay is an incredibly loyal friend to Abby, quickly forgiving her even when she’s being a bit of a self-obsessed jerk. When Abby’s wish goes wrong and she becomes an adult, Jay is friends with Krista instead. I think Jay would’ve been better off in this alternate life; however, Abby makes sure that he can’t be free of her, getting him to remember that morning when he gave her the friendship necklace. He does remember, but can’t actually help, so it was a completely pointless exercise, making him feel guilty for no reason. When Abby gets to do over her birthday, she is a better person, and I’d like to think that her, Krista, and Jay become a trio, as Krista and Abby have supposedly moved on from that childhood event that caused all the animosity between them. This would be the best thing for Jay, I think, because Krista can hopefully balance out Abby’s impulsiveness and Jay’s willingness to go along with her plans. He also got to be Class President thanks to Abby, so I guess she did one good thing for him.

Jay was played by Jean-Luc Bilodeau. One of Bilodeau’s earliest roles was as Josh Trager in the ABC series Kyle XY (2006-09). After 16 Wishes, he then appeared as Jeremy in the movie LOL (2012), which starred Miley Cyrus, and in the television movie Expecting Amish (2014), alongside AJ Michalka. Bilodeau later starred as Ben Wheeler in the sitcom Baby Daddy (2012-17). Most recently, he was cast as Dr. Daniel Kutcher in the sitcom Carol’s Second Act (2019-20), and as Ronnie in the Roku series The Holiday Shift (2023).

Krista Cook is meant to be the typical mean girl who comes from a rich family and is the most popular girl in school. Krista has tried to overshadow all of Abby’s successes throughout her life, by having better parties and sleepovers, for example. It’s worked and that makes Abby jealous of her, but in fact, Krista is jealous of Abby, and that is because Abby “stole” her best friend Jay from her when they were younger. Friendship groups always change throughout school so I think this is a pretty pathetic excuse for Krista’s hatred of Abby. Why did Krista not just keep talking to Jay instead of accepting that her friend was “gone” forever? Abby didn’t even know she’d taken Jay away from Krista so I doubt she was a horrible kid who would’ve banned Jay from talking to Krista ever again. I’m sure if Krista had even had a mature conversation with Jay and Abby about it all as they got closer to the age of sixteen, this could’ve all been resolved. Krista was played by Karissa Tynes, who was cast as Rhonda Blair / Vanessa A. Williams in The Unauthorized Melrose Place Story (2015) for Lifetime, and as Jameson in Season 2 of the drama series UnREAL (2015-18).

Celeste is the magical being who makes all of Abby’s sixteenth birthday wishes come true, though I’m not sure why she chose Abby of all sixteen-year-olds to do this for; it’s never explained. Celeste seems to deliberately make the wasps more active in Abby’s house, leaving her information on the front door, knowing that Abby’s parents would need to contact someone. It’s all a bit dodgy if you ask me. I’d rather not have some strange woman put wasps in my house just to get my birthday wishes to come true, not to mention not wanting to have her follow me around all day, but Abby is quite happy with the situation, as Celeste pops up at random intervals during 16 Wishes, either to help Abby accomplish some of wishes, like being her personal stylist and interior designer, or to make sure Abby understands what is going on with her wishes. Celeste also has to come to Abby’s rescue close to midnight on her sixteenth birthday as Abby has given up hope. Celeste gets Abby to realise that she can change Wish #16 as it’s just a photo, but apparently, isn’t allowed to come out and say it. She probably hoped Abby would figure it out earlier. Talk about leaving it to the last minute! Anna Mae Wills was cast as Celeste. She was cast as Patty in the movie I Love You, Beth Cooper (2009) just before her role in 16 Wishes.

Outside of these four main characters, there are a few others to mention. One is Abby’s brother Mike. Mike is Abby’s younger brother but he isn’t particularly annoying like you’d expect, though he does play a plastic guitar around the house, clearly wanting to buy a real one but not having the money to do so. He even asks Abby for a loan but she refuses, saying this money is for her party dress. I mean, you have lots of money, Abby; do you really need a dress that costs that much? Mike is actually a pretty cool little brother, not bothering her at school, but also not being embarrassed to say Abby is his sister. Maybe that’s why Abby decides, after seeing Mike play a real guitar in her alternate life, that she should give him the money for a guitar; she thinks he’s really talented and should explore that. Cainan Wiebe was cast as Mike. Just before appearing in 16 Wishes, he had been cast as Gareth in the television movie Beyond Sherwood Forest (2009).

Finally, there are Abby’s parents, Bob and Sue. They seem like nice parents, making Abby a birthday cake and a special birthday breakfast, however, all their actions are thrown back in their faces when Abby orders them out of her room on that morning. Later on, we see Bob and Sue in a different light, after Abby accidentally makes herself 22-years-old. They suddenly seem to be quite harsh on her, moving her into her own apartment without talking to her about it first and telling her to “be independent”. It’s apparently because they don’t have enough room for her in the RV that they’re forced to live in because of the wasp infestation. Really, though, it seems like something must have gone on between Abby and her parents that even Abby doesn’t know about because she’s skipped six years of her life. Maybe Abby was sat around watching TV all day, not bothered about getting a job. Although when they pick her up from the school, it seems like a regular annoyance they have to deal with so maybe this Abby never gave up wanting to be sixteen – I can understand how that could be draining for her parents! Anyway, none of that matters because Abby does get back to her real life and has a new appreciation for her parents and her brother.

Bob Jensen was played by Patrick Gilmore. At the time of 16 Wishes, Gilmore was appearing in the recurring role of Dale Volker in Stargate Universe (2009-11). He went on to be cast as David Mailer in the series Travelers (2016-18) and as Mr. Anderson in the Paramount+ series School Spirits (2023-present). Kendall Cross was cast as Sue Jensen. She went on to appear in the recurring role of Major Byrne in The 100 (2014-20).

MUSIC

16 Wishes features eleven songs. All tracks are on the 16 Wishes soundtrack, released on 15th June 2010, just over a week before the movie’s premiere on Disney Channel.

Usually, if a Disney Channel movie’s lead actor can sing, then they will get to sing one or two songs in that movie, if it’s not a musical. In this case, Debby Ryan gets to perform two such songs. One of them is the song’s opening number, “A Wish Comes True Every Day”, written by Ali Theodore, Jason Gleed, and Alana da Fonseca. This is probably my favourite song in the movie; it’s an upbeat pop song, which is the perfect song for Abby to wake up to on her sixteenth birthday. This song then features again as the finale of the movie, just before the End Credits, with a special video showing the cast and crew dancing on set, as well as a few bloopers. The music video for this song was also uploaded to Disney Channel’s YouTube Channel on 18th June 2010, a week prior to its premiere date.

The other song Debby Ryan performs, alongside her brother Chase, is “Open Eyes”, another song in 16 Wishes that I like. It is played as Abby sadly heads back to her apartment after Krista’s party, resigned to her fate of remaining 22 forever. This song was written by Chase Ryan, Debby Ryan, and Matt Beckley. Chase also contributed to another song on the soundtrack, “Saying Goodbye”, which he wrote and performed alongside Michael Popp and Aaron Harvey. I believe this song is played in the dress shop; however, it is so quiet, being used as background noise, that it is hard to tell. Another song that may have been playing in this shop is “The Way It Used To Be”, performed by punk rock band Not By Choice, and written by M. Bilcox. I didn’t specifically hear this song, but given that the 16 Wishes soundtrack track list appears to be in order of appearance in the film, it must have been played at this time, but I didn’t specifically hear it.

There are a few other songs in 16 Wishes that are only played briefly in the movie. One of these is “No One’s Fool”, performed by Keith and Renee and written by Keith Macpherson, Renee Lamoureux, and Creighton Doane. It plays as Abby gets ready in the morning. Following on from that, “Princess Girl”, performed by Minnutes, is used for the moment that Abby meets Joey Lockhart at her bus stop. Then, there is “Picture Perfect”, performed by Jennifer Cathcart, and written by David Isaac Feldstein, which plays as Abby leaves the dress store in her new “age appropriate” clothes. There is also “Bad Momma”, written by Marc Ferrari, Josh Kessier, and Chad Gendason, performed by Gendason, which can be heard as Abby reveals her new clothes that she wished for at school.

Then there is music that plays at the different birthday parties. Krista’s solo party has two songs, the first being “Vertigo” performed by the band Willknots. It was written by Douglas Deibel and Shawn Richardson. It is followed by “Overreaction”, another song performed by Chad Gendason, and written by Ferrari, Kessier, Gendason, and Andrew Robert Hayes. I can’t say I really noticed either of these songs, however, at Krista and Abby’s joint party at the end of 16 Wishes, the song “Don’t Wanna Grow Up” by Willknots is played, written by Deibel and Richardson. This song might sound familiar to DCOM fans, as it appears towards the end of Cow Belles (2006). It’s a great song, and you get to hear more of it in 16 Wishes, as it is also used for the End Credits.

James Jandrisch is credited with composing the score for 16 Wishes. He would go on to compose the music for another Debby Ryan DCOM, Radio Rebel (2012), as well as for the DCOM Zapped (2014). Jandrisch is also the composer for some television film series including Signed, Sealed, Delivered (2014-present), and Gourmet Detective (2015-20). More recently, Jandrisch composed the music for the Netflix series’ Tiny Pretty Things (2020) and Sweet Magnolias (2020-present). He also composed the music for one of my favourite Christmas television movies, Call Me Mrs. Miracle (2010).

PRODUCTION

16 Wishes focuses on the whole obsession with the idea of the “Sweet 16”, whether that is by having a great birthday or an amazing party.

 Having a movie or a series based on the importance of sixteenth birthdays is nothing new. One of the most popular shows about Sweet 16 parties is the MTV reality series My Super Sweet 16 (2005-17), which followed kids as they planned huge parties for their sixteenth birthdays, complete with the usual tantrums and meltdowns you’d expect to see from spoilt kids that don’t get their own way[1]! Sometimes other milestone birthdays, such as 18th or 21st birthday parties, were also featured. Even some celebrities got in on the action, including Aly and AJ Michalka, who held a joint party for their 18th and 16th birthdays, respectively, in 2007. Their episode may have been a promotional technique for the girls’ own movie, Super Sweet 16: The Movie, which was released in 2007. It saw two girls make plans to throw a huge, joint Sweet 16 party. When the girls have a falling out, they start trying to outdo each other with their own parties.

MTV even made a spin-off three-part horror film series, created for television, based on their reality series entitled My Super Psycho Sweet 16 (2009-12).

Let’s also not forget the 1980s John Hughes movie Sixteen Candles (1984). It might not feature a huge Sweet 16 party, but it is a coming-of-age movie about a girl’s sixteenth birthday, which her family have forgotten about because her older sister is getting married the next day. The plot of the movie is not similar to 16 Wishes; however, the title does link to it as Abby gets sixteen wish candles; the titles can potentially be mistaken for each other.

I’m sure Sixteen Candles must have been some sort of loose inspiration for 16 Wishes, however, the obvious 2000s obsession with huge sixteenth birthday parties must also have been. Although Abby does not end up having a grand party, it is alluded to the fact that she was hoping to have one. Just before Abby and Jay head off to the store to buy her a dress, she mentions to Jay that two girls in their year have taken on the planning of Abby’s party, which they want to hold in a hotel in Las Vegas, potential trying to make the party similar to the elaborate affairs that exist within My Super Sweet 16.

16 Wishes also takes some plot points from the Jennifer Garner movie 13 Going on 30 (2004), something that some reviews mentioned. In 13 Going on 30, the main character, Jenna, wishes to be thirty on her thirteenth birthday, believing that being an adult will fix all her issues, as she feels like a loser as a teenager. This is much like Abby in 16 Wishes, who hates being treated like a child. Her wish instead makes her 22 and therefore an adult. Obviously, 16 Wishes is a more family-friendly version of 13 Going on 30 and does not involve too many real-life problems since it only takes place over a day, with Abby’s biggest issue being that she was forced to move out of her parents’ house. 13 Going on 30 not only looks at relationship and family problems, but also work issues too. Big (1988) also features a teenage boy wishing to be “big”, with his wish going wrong and turning him into an adult, but again, it deals with this issue in a more mature way. But neither Big nor 13 Going on 30 were aimed at younger children, or set to be aired on Disney Channel, so they didn’t have to conform to certain expectations.

With all that being said, 16 Wishes is not a particularly unique story, clearly expanding on ideas from other movies, however, that does not make it any lesser of a movie. Many movies borrow ideas from others to create their storylines. It meant that 16 Wishes felt like familiar territory, but in one way, it might be slightly more relatable, and that is by not changing the actress playing Abby. To the audience, it doesn’t look like much has changed when Abby “grows up” from 16 to 22, so we are able to fully understand her confusion at why she’s being treated differently. In 13 Going on 30 and Big, we are introduced to a young actor first, and then asked to relate to a different one. In some ways, they feel like two separate journeys or a dream, but with 16 Wishes, it is solely Abby’s story.

16 Wishes was directed by Peter DeLuise. Peter DeLuise went on to direct the DCOM Zapped (2014), which starred Zendaya, but prior to 16 Wishes, he had also directed some episodes of Kyle XY (2006-09); Stargate Atlantis (2004-09); Stargate SG-1 (1997-2007); and Stargate Universe (2009-11). Previously, DeLuise had starred as Officer Doug Penhall in the series 21 Jump Street (1987-91). DeLuise also has some famous family with links to Disney. His brother David DeLuise was cast as Jerry Russo in the Disney Channel series Wizards of Waverly Place (2007-12) and its 2009 movie. They are sons of comedian Dom DeLuise, who voicing the character of Fagin in Oliver & Company (1998).  

The screenplay for 16 Wishes was written by Annie DeYoung, who had previously worked on Princess Protection Program (2009), Return to Halloweentown (2006), and Girl vs. Monster (2012) for Disney Channel.

16 Wishes was filmed in Vancouver, British Columbia, Canada, with one of the most obvious filming locations being Walnut Grove Secondary School. Much of the movie’s scenes are either filmed at the school or at the street where Abby and Krista live, so nothing too exciting to report on there.

I’ve mentioned a lot of Disney links in the cast and crew credits; however, 16 Wishes is not a Disney Channel Original Movie, in a similar way to Harriet the Spy: Blog Wars, which is also not technically a Disney Channel Original Movie, despite being promoted as such, or in slightly different terminology, prior to its Disney Channel air date. 16 Wishes was a co-production between Disney Channel and MarVista Entertainment[2]. Unity Pictures is also listed on the Opening Credits. Because of this small technicality, this is potentially why 16 Wishes is not available to stream on Disney+. Instead, if you want to watch 16 Wishes, you’ll have to hope it appears on another streaming service – I found Harriet the Spy: Blog Wars on Amazon Prime in the UK when I reviewed that movie – or go the old-fashioned route and watch it on DVD, which is what I did with 16 Wishes[3].

RECEPTION

16 Wishes first premiered in the US on Disney Channel on 25th June 2010.

A trailer was released on Disney Channel’s official YouTube channel on 9th June, which referenced 16 Wishes as a Disney Channel Movie, but not a Disney Channel Original Movie[4]. This is a subtle distinction but one I guess they had to make somewhat obvious with this being a co-production.

On its US premiere, 16 Wishes apparently got 5.6 million viewers, and became the most watched cable program of the day. 16 Wishes later premiered in Canada on Family Channel on 16th July 2010.

In terms of reviews, these are mixed, as some say that it is the best DCOM of all time, and that the ones to debut afterwards were nowhere near as good – I’ve read this quite a lot around other DCOMs released in 2010 or 2011 – whereas others call it the worst. For me, I liked 16 Wishes when it first came out, and rewatched it quite a few times. Looking at it now, though, I wouldn’t call it the best or the worst; it’s just average.

Those who like 16 Wishes say it was quite deep for Disney Channel, as it taught an important lesson about not growing up too fast, and made kids re-examine their lives in some ways. I’m not sure 16 Wishes ever affected me to the point where I made changes to my life, and I was a similar age to the characters, so I’m not sure I agree with this point. 16 Wishes was also called cute, although typical and predictable.

Others who don’t like the film say it is cringey and they dislike the main character of Abby Jensen, calling her “awful”. I think awful is a bit harsh, and she does eventually change her ways, but I wouldn’t have wanted to be friends with her at school. She’s not a bad person, but she does strike me as the type to constantly moan about how unfair her life is, which would get draining after a while…

LEGACY

Luckily, the story of 16 Wishes did not allow for a sequel, or a series of movies.

I mean, Disney Channel could have done it, obviously. They could’ve brought Abby back to do 17 Wishes, maybe even 18 Wishes, where she makes new wishes based on her current situation but they would’ve been samey and boring; sometimes one movie is enough.

So, 16 Wishes has not spanned its own franchise, however, 16 Wishes did boost Debby Ryan’s Disney Channel career. She was already known for her role on The Suite Life on Deck, so 16 Wishes allowed her to star in her own project. This led to her role as Jessie in the series, and then to star in Radio Rebel in 2012.

Outside of that, I did discover that there is a website selling the set of sixteen candles, the Lucky Duck matches, and a recreation of Abby’s wish list, so if you’re a huge fan of this film, this could be the perfect gift for you.

FINAL THOUGHTS

Sixteenth birthdays are meant to be a big milestone moment for teenagers, where they start to feel more mature and become more independent.

In 16 Wishes, Abby can’t wait to turn sixteen because she seems to think that on that one day, she’ll wake up and feel differently about herself. She also believes that everyone around her will finally notice that she’s not a child anymore. That is not the case, and Abby becomes disappointed that her sixteenth birthday hasn’t been everything she hoped it would be. The wishing candles seem to be making it the best day ever until it goes badly wrong.

I think too many teenagers put pressure on themselves to grow up quickly. Once you do grow up, many realise that being an adult is not all that wonderful, and that they should’ve spent more time being a kid.

If 16 Wishes teaches people anything – and it’s a Disney movie so generally they try to teach you something – it’s don’t be in such a hurry to grow up. Adulthood probably won’t be everything you imagined.


REFERENCES

[1] Credit: MTV, ‘My Super Sweet 16’s Biggest Meltdowns I MTV Ranked’, MTV Vault YouTube Channel, 12th May 2019.

[2] Credit: Disney, ’16 Wishes (television), D23.com, date unknown.

[3] Credit: Daniel Furn and Cole Luke, ‘How to watch 16 Wishes: Is it available to stream on Disney+?’, RadioTimes.com, 18th September 2023.

[4] Credit: Disney, ’16 Wishes Trailer – Disney Channel Official’, Disney Channel YouTube Channel, 9th June 2010.

Wallace & Gromit: Vengeance Most Fowl (2024)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

2024 seems to have been The Year of the Sequel.

Looking at the 2024 worldwide box-office, all the movies in the Top 5 were sequels. These included Inside Out 2 from Pixar; Moana 2 from Disney; and Despicable Me 4 from Universal and Illumination.

Another major blockbuster was Wicked: Part 1, a live-action adaptation of the popular Broadway musical which debuted in 2003. This shows that, currently, many movie studios are finding that their best opportunity for box-office success is to continue, and in some cases improve on, tried-and-tested franchises.

Wallace & Gromit: Vengeance Most Fowl is no different in that respect, although it is only the second feature-length outing for the British pair, almost twenty years after their first movie Wallace & Gromit: The Curse of the Were-Rabbit (2005) came to be.

Making a sequel is not a bad thing, especially if there is a story to be told. Although some of these sequel movies do appear to be bold money-grabbing attempts – I’m not saying which I think those are – Wallace & Gromit: Vengeance Most Fowl from Aardman Animations did not feel like that. I believe that is down to the fact that Aardman spend months or even years on their movies, because in most cases, these movies are made using clay, in a process called Claymation. Aardman are arguably the best in the business at what they do and Wallace and Gromit have become national treasures since they debuted in 1989. There is very little that can go wrong with those two.

I haven’t been the first to watch many movies in recent years. I’ve said previously that my streaming watchlists is where movies go to die, because I rarely get round to them even in the first month that they are released. It takes me years to get to them sometimes, or I end up ignoring them completely. I try to watch a lot of the Best Picture or Best Animated Oscar-nominated movies, but I’m about two or three years behind at the moment.

Luckily for me, I was on it with Wallace & Gromit: Vengeance Most Fowl because British audiences did not have to go to the cinema or to Netflix to watch it. It got a primetime viewing slot on BBC One on Christmas Day 2024, so it was easily accessible. Though I did not like Vengeance Most Fowl as much as The Curse of the Were-Rabbit, finding it a bit slow in places, it was still full of heart and typical British comedy. It was most definitely worthy of Christmas Day viewing.

PLOT

Vengeance Most Fowl begins by going back in time, to Wallace and Gromit calling the police to say they have apprehended the thief who stole the Blue Diamond. This thief is a penguin named Feathers McGraw, who was promptly arrested and sentenced to life in a high security facility. Instead of being a prison, this facility is in fact a zoo, because, you know, Feathers is a penguin; why would sending him to jail make any sense at all?

In present day, Wallace and Gromit have continued their lives as normal after this event. Wallace has spent time creating more inventions to make his life easier, and Gromit has spent his time getting increasingly irritated by Wallace’s over-reliance and obsession with new technology. Gromit sees that they have lots of bills to pay and no way of paying them – until Wallace comes up with a new invention, a smart gnome called Norbot, who is voice-activated and will do any gardening job he’s asked to do. In this case, he is tested on Gromit’s beautiful garden, whereby Norbot tears up and destroys all of it making the garden neat with just a lawn and topiary. It might look immaculate, but it’s ruined Gromit’s work. But Wallace doesn’t even notice and plans to set up a gardening service with Norbot.

Meanwhile, Chief Inspector Mackintosh and trainee PC Mukherjee are discussing the proud moment of when Mackintosh locked up Feathers McGraw, taking the Blue Diamond and storing it in their vault at the station. It is now time for the Blue Diamond to go back on display and Mackintosh has been tasked with the security plans, his last job before retiring.

Back with Wallace and Gromit, Norbot and his gardening service have attracted the attention of the neighbours and the local news, who are all very impressed with this latest invention. However, this news report also attracts the attention of Feathers McGraw, who sees Wallace on the news through the bars of his cage as his keepers watch on television. Feathers wants to finally get his revenge on Wallace and now he has a plan…

Gromit doesn’t like Norbot and sees that Wallace is giving Norbot all the attention and basically ignoring Gromit. Norbot also seems to be better than Gromit at almost everything. Gromit reaches breaking point when Norbot wanders into his room one night, unplugs the radio Gromit was listening to, and plugs himself in to recharge overnight. Except Norbot is not like most tech and recharges very loudly…and intensely… Gromit unplugs Norbot and takes him down to the basement, plugging him in to the computer to recharge down there. Finally, Gromit can have some peace and quiet again!

At the zoo, Feathers uses an extending arm to get through his cage bars and on to the keepers’ computer. He gains remote access to Wallace’s computer over in West Wallaby Street. He manages to guess Wallace’s password – simply “cheese” – then answers a security question all about cheese, and gets into the computer. From there, Feathers accesses Norbot, since he is plugged in to the computer, and changes his mode to “Evil”.

The next day, Wallace goes to get Norbot, ready to complete all the gardening work for the neighbours. Both Wallace and Gromit discover that overnight, Norbot has built his own army of smart gnomes just like him. Wallace is overjoyed to see there are plenty of gnomes available but Gromit isn’t so sure about this; something isn’t right. But Wallace isn’t bothered and sets up a tracking device so he can keep tabs on them from home. Gromit becomes suspicious when he sees the gnomes all seemingly plotting something and goes with them to their jobs. As the gnomes get on with their work, even singing a song as they do so, everything seems fine, but then Gromit is locked in a shed by the gnomes, and neighbours soon discover that random items, like tools, pipes, and glass, have all been stolen from their gardens. The police receive numerous reports of the thefts.  

Back home, Norbot tries to ensure that Wallace doesn’t notice that him and the other gnomes have gone evil. Norbot turns off the TV before Wallace can see the news report about the burglaries, and then drugs Wallace to put him into a deep sleep. Gromit manages to cut himself out of the shed eventually, and gets home to find the gnomes all building something. They soon spot Gromit watching them, and assume he’s going to wake Wallace. Sure enough, when Wallace makes it down to the basement, there is no sign of anything. Then, there is a knock at the door. Chief Inspector Mackintosh says they have a search warrant for Wallace’s home. They proceed to seize all of Wallace’ inventions – but the gnomes are nowhere to be found.

The next day, Wallace struggles to even put his clothes on without his inventions and to make this day even worse, an angry mob and a news crew arrive on the doorstep, to confront the “evil inventor Wallace”. To prove their innocence, Gromit goes out on his motorbike to find the gnomes, going to the police station to retrieve Wallace’s “gnoming” device, the tracker. The police head to the museum for the unveiling of the Blue Diamond.

As Gromit follows the tracker, he believes a pack of gnomes are coming right towards him – but there’s no-one there. He then sees light coming from the ground, and realises they’ve gone underground and are heading into the zoo. Gromit manages to sneak into the zoo and sits in a tree, where he sees Feathers being all Bond villain, sitting in a chair, stroking a little seal. The gnomes appear in the enclosure from a submarine. That must’ve been what the gnomes were building in the basement, and that’s why they had to steal all those materials. Feathers heads into the submarine with his evil crew, signalling for Norbot to saw off the branch that Gromit is sitting on. Gromit and Norbot fall down into the lion enclosure. As all looks lost, Norbot snaps out of his evil mode, thanks to the fall, and saves both of them from getting eaten – by giving the lion a haircut! Gromit and Norbot head straight for the museum, where they see that the Blue Diamond has been replaced with a turnip. The police suspect Wallace of making the switch long ago when he first reported the crime, keeping the diamond for himself.

Gromit races home to warn Wallace but it’s too late. The gnomes and Feathers are already there, and Wallace and Gromit both get tied up. They come face-to-face with Feathers and discover that Feathers hid the diamond in their teapot all that time ago. Feathers takes the diamond and his evil gnomes, leaving Wallace and Gromit shut in a cupboard. Suddenly, Norbot comes into the cupboard, but if you thought Norbot was going to save them, he wasn’t – he just wanted the vacuum so he could clean! Gromit grabs a nearby leaf blower instead to propel them out of the cupboard. As the police arrive to arrest Wallace, the two run them over. Wallace and Gromit pursue Feathers and the gnomes.

A chase ensues, with the police also chasing after Wallace. Feathers gets into a narrowboat, with Wallace, Gromit, and Norbot following behind in another narrowboat. Luckily, these boats don’t move very quickly so Mackintosh and Mukherjee are able to follow them on a bicycle, though Mackintosh is infuriated that Wallace and Gromit just happen to be on his narrowboat – the cheek of it! The police see the narrowboat ahead of Wallace and Gromit and see what they believe to be a nun; it is actually Feathers in disguise – gasp!

Wallace quickly makes an invention to turn all the evil gnomes back to being good again. They use a ton of boots they’ve found on the boat – Mackintosh’s vintage boot collection – to knock over the gnomes so that they will reboot as Norbot did. At the same time, Feathers has made his boat speedy so Gromit attaches a rope to it to try and get closer. Wallace follows behind in a life ring after falling overboard, at which point, you’ll see the Farmer from Shaun the Sheep in a small cameo appearance.

Gromit eventually jumps on to Feathers’ boat and the two battle for the diamond. Wallace then lands back on the first boat. As they approach the Yorkshire Border, Feathers sees that the police have blocked the canal, and almost steers them off an aqueduct. Gromit has managed to retrieve the diamond, but he is left dangling off the edge of the boat as it starts to tip over. Wallace begs Gromit to give up the diamond so that the boat won’t fall with him on it. Gromit hands the bag over to Feathers who jumps down onto a train below. However, this isn’t enough to save Gromit and the boat falls off the aqueduct, and Gromit is unable to jump to safety.

Suddenly, Gromit feels himself dangling in mid-air. He looks up to see the gnomes, now all good again, together in a line, rescuing Gromit from certain death. They steadily pull each other back up to safety. At this point, the police see Feathers on the train, but luckily, Gromit swapped out the diamond for a turnip. Gromit returns the real Blue Diamond to the police, proving that neither he nor Wallace was ever guilty of a crime.

Some time later, we see that Feathers McGraw is wanted yet again, and that Mackintosh has finally retired, living on his canal boat. Back at home with Wallace and Gromit, Wallace has reprogrammed his original “pat-o-matic” machine to put Gromit’s plants back in, with the other gnomes helping out. Wallace has also found a new love for his pet dog Gromit and no longer takes him for granted. The movie ends with Norbot cutting “The End” into one of their garden hedges.

CHARACTERS & CAST

Let’s talk about Wallace first. Wallace is obsessed with inventions, always has been. I don’t think it’s because he’s lazy but because he’s fascinated with technology. He uses all sorts of inventions to help him get ready in the morning, from getting him out of bed, to making his tea and toast. Wallace is also a very upbeat, positive chap, never seeming to see bad things that could be about to happen in the near future. For example, when he first meets Feathers McGraw in The Wrong Trousers (1993) television special, Wallace doesn’t suspect that Feathers could be a villain about to use him to steal a diamond. This happens again in Vengeance Most Fowl, when Wallace doesn’t see that Norbot has gone evil. He likes to see the good in everyone, I think. Although Wallace can have a one-track mind at times, forgetting others around him, like Gromit, he is a caring person, just a bit scatterbrained.

Previously, Wallace had been voiced in the movies and television specials by Peter Sallis, who was also known for playing the role of Normal “Cleggy” Clegg in Last of the Summer Wine (1973-2010), however, with his passing in 2017 at the age of 96, the public wondered if this was the end of Wallace and Gromit, because, how could the duo go on without Sallis? Although it was difficult for Aardman to create Vengeance Most Fowl without the esteemed voice actor, they were successful in finding a replacement: actor and voice artist Ben Whitehead who had already worked on a few Aardman movies prior to Vengeance Most Fowl[1]. His credits with Aardman include Mr. Leaching in Wallace & Gromit: The Curse of the Were-Rabbit (2005); Baker Bob in Wallace & Gromit: A Matter of Loaf and Death (2008); The Pirate Who Likes Sunsets and Kittens in The Pirates! In an Adventure with Scientists (2012); as well as additional voices in Early Man (2018). This meant that Whitehead had been around the creative process of Aardman’s movies before and had no doubt spent time listening to Sallis voice Wallace. This was not even Whitehead’s first credit as Wallace. In fact, he voiced Wallace in the game Wallace & Gromit’s Grand Adventures in 2009 and in the episode of the BBC Proms in 2012, Wallace & Gromit’s Musical Marvels. Despite the obvious pressure of voicing this much-loved character, Whitehead did well with his voicing of Wallace; the change is barely noticeable.

Gromit is Wallace’s underappreciated loyal dog. He isn’t particularly impressed by Wallace’s tech obsessions, not wanting to rely on them, and is more suspicious than Wallace. It’s a good thing too because if Gromit hadn’t been suspicious of Norbot and the other “smart gnomes” or of Feathers, then they’d likely have made off with that Blue Diamond and never been seen again. Gromit is fearless and brave, not letting the pursuit of a criminal mastermind put him off doing what’s right and proving his owner’s innocence, despite Wallace ignoring Gromit for much of the movie and allowing his new invention to tear up all of Gromit’s great gardening work. He is loyal to a fault. Since Gromit is a dog, and this is not a Disney movie, he does not speak.

Feathers McGraw also does not speak, yet this doesn’t mean that he is no less menacing than any other villainous character. Matt Groening, creator of The Simpsons (1989-present), even said that Feathers is one of the greatest villains of all time, managing to convey to the viewer – and Gromit, but not Wallace – how much of a threat he is just with his sinister stare[2]. Feathers is also a “master of disguise”, except only to the dim-witted humans here. Feathers uses a red glove to disguise himself as a chicken in both The Wrong Trousers and Vengeance Most Fowl, with Wallace not realising it is Feathers until he takes the glove off. That might sound familiar to Disney fans, as Dr. Doofenshmirtz in Phineas and Ferb (2007-15) similarly struggles to identify his foe, Perry the Platypus, until he puts his hat on. Feathers manages to outsmart the police in this movie too, by dressing himself up as a nun. Despite Feathers being “just” a penguin, he has a lot of evil plans in that little bird body, and if he has to use others to achieve those, then so be it. In The Wrong Trousers, Feathers used an unsuspecting – and unconscious – Wallace to commit his crimes, drugging Wallace and putting him in the “techno-trousers”, controlling him so that he picked up the Blue Diamond for him. Feathers didn’t care if Wallace got caught because they’d never suspect a little penguin of being the person behind the robbery. In Vengeance Most Fowl, he uses the smart gnomes to help him retrieve the Blue Diamond and get away. And if it weren’t for that meddling Gromit, he might just have gotten away with it too.

Norbot is a new character to the Wallace & Gromit franchise. He is a smart gnome, a voice-activated assistant developed and built by Wallace himself. Initially, Norbot seems friendly and eager to please, even though he is a bit overzealous. For some reason, Norbot also decides it’s appropriate to barge into Gromit’s room to plug himself in to charge overnight. Talk about rude! That can’t be the only plug in their whole house, surely? Sadly because of this charging fiasco, and Gromit plugging Norbot in to the basement computer instead, Norbot ends up going evil, as Feathers remotely accesses the computer and turns him to “Evil” mode. It turns out Norbot has other modes that he can be changed to as well, including “Mean-spirited”, “Grumpy”, and “Mildly Annoying”. You might think that last one was the setting he was on, but he was actually just “Good”. In the end though, Norbot returns to his “Good” mode after falling in the zoo and rebooting to his original setting, and even saves Gromit from almost certain death. I did like Norbot as a new character, even though gnomes in general freak me out…

Norbot was voiced by writer and actor Reece Shearsmith. Shearsmith co-created and starred in the comedy series The League of Gentleman (1999-2002, 2017) alongside Jeremy Dyson, Mark Gatiss, and Steve Pemberton. After this, Shearsmith collaborated with Steve Pemberton to write and star in the horror comedy series Psychoville (2009-11), before working together again on the long-running series Inside No. 9 (2014-24). Recently, Shearsmith was cast as Professor Ware in Saltburn (2023). He might also be recognisable to those who are fans of the Three Flavours Cornetto trilogy, the series of films starring Simon Pegg and Nick Frost, as Shearsmith made appearances in Shaun of the Dead (2004) and The World’s End (2013).

Within the seemingly very small police department in Vengeance Most Fowl, we have both a returning character and a new character. The returning character is Chief Inspector Albert Mackintosh, who first appeared in Wallace & Gromit: The Curse of the Were-Rabbit when he was a police constable. Mackintosh is a bit curmudgeonly at times, in both movies, as he just wants to get the trouble sorted out as quickly as possible, which is an effective way of thinking in the police, however, this can lead you to having tunnel vision, focusing in on a specific piece of evidence that actually leads you in the wrong direction. With Mackintosh looking forward to his retirement after the new museum display of the Blue Diamond, the last thing he needs are crazed gnomes on the loose, stealing things from the community, and he certainly does not need to be chasing down a diamond thief. Because of this, Mackintosh is quick to presume Wallace as the criminal, even though that is not the case. But to be fair to Mackintosh, he just wants some peace and quiet for a change.

Chief Inspector Mackintosh is voiced by comedian Peter Kay, reprising his role from The Curse of the Were-Rabbit. Recently, Kay has returned to stand-up comedy with his latest tour Better Late than Never…Again due to end in February 2026. Kay is also known for his television work, including creating and starring in the sitcom Phoenix Nights (2001-02), and its spin-off, Max and Paddy’s Road to Nowhere (2004), alongside Paddy McGuinness. Kay’s most popular sitcom was perhaps Peter Kay’s Car Share (2015-18) which he starred in alongside Sian Gibson, winning multiple National Television Awards and BAFTA TV Awards. Kay has also had success with comedic charity singles, such as “(Is This the Way to) Amarillo” with Tony Christie for Comic Relief in 2005, and “I Know Him So Well”, performing as his character Geraldine McQueen from Peter Kay’s Britain’s Got the Pop Factor (2008) TV special alongside Susan Boyle for Comic Relief in 2011.

PC Mukherjee is new to policing, and to the world of Wallace & Gromit, being mentored by none other than Mackintosh. She is fascinated by the Feathers McGraw case that Mackintosh is only too happy to talk about, with his capture being a huge accomplishment. Being new to the job, Mukherjee is more open-minded. She doesn’t immediately suspect Wallace of wrongdoing and even admits that there is little evidence against him. She wonders if Feathers could be behind it all but is quickly shut down by Mackintosh. The two set off in pursuit of Wallace and Gromit, but it turns out Mukherjee’s instincts were exactly right; it was Feathers McGraw. Shame they never caught him… Mukherjee was voiced by Lauren Patel. Patel was cast as Pritti Pasha in the Amazon Prime movie Everyone’s Talking About Jamie (2021), based on the stage musical of the same name. Patel had also worked with Aardman prior to her role in Vengeance Most Fowl, voicing the character of PB in their CGI comedy series Lloyd of the Flies (2022-23).

That’s all the main cast, but there are a few actors in smaller roles that might sound familiar as well. One of these is the news reporter Onya Doorstep, who was voiced by Diane Morgan. Morgan is known for her comedy character, Philomena Cunk, who first appeared on Charlie Brooker’s Weekly Wipe (2013-20) before having a couple of spin-off specials. Morgan also starred as Liz in the sitcom Motherland (2016-22), and writes and stars in the comedy series Mandy (2019-present). The other news reader in this movie is Anton Deck – a play-on words of Ant & Dec, a famous British presenting duo who receive a mention in the Special Thanks portion of the credits, presumably for use of their name – who was voiced by Muzz Khan. Khan was cast as Adyan Khan in Series 5 of Brassic (2019-present).

Following on from that, we also have Adjoa Andoh who voiced the Judge here. Currently, Andoh appears as Lady Agatha Danbury in the Netflix series Bridgerton (2020-present), and appeared in the recurring role of Francine Jones in Doctor Who (2005-present) in the Tenth Doctor’s series. Sir Lenny Henry voiced the part of Mr. Convenience here. Henry previously voiced the character of Peg-Leg Hasting in Aardman’s The Pirates! In An Adventure with Scientists (2012). Recently, Henry appeared as Sadoc Burrows in the Amazon Prime series The Lord of the Rings: The Rings of Power (2022-present) and wrote the drama television series Three Little Birds (2023) which aired on ITV.

MUSIC

The Wallace & Gromit theme tune is hugely recognisable to the majority of Brits, and should be to other fans of Wallace & Gromit as it features in every one of their television specials and big screen movies. I also remember hearing this tune a lot at after-school music clubs; I know my parents suffered through renditions of this theme by amateur brass bands at the club concerts I was involved in.

So, obviously, it would feature again in the opening credits of Wallace & Gromit: Vengeance Most Fowl. I love this theme; it’s a bouncy sort of tune, and instantly makes me smile. It was written by Julian Nott. Nott had previously written the music for all five preceding Wallace & Gromit adventures, winning an Annie Award for Best Music in an Animated Feature for the soundtrack of The Curse of the Were-Rabbit. He is also the composer for the animated series Peppa Pig (2004-present) amongst other credits.

An original song was also written for Vengeance Most Fowl, and that is “Gnome Working Song”, with lyrics from Mark Burton, co-writer of the movie, and music from Julian Nott and Lorne Balfe, performed by Reece Shearsmith as Norbot. It’s probably supposed to make you think of the dwarfs singing in Snow White and the Seven Dwarfs (1937) and it certainly does; it’s basically an Aardman version of “Heigh-Ho”, except we know these gnomes are actually evil at this point in time, which just makes it funnier.

The score for Vengeance Most Fowl was produced by Lorne Balfe and Jeremy Earnest. Balfe has most recently composed the music for Mission: Impossible – Fallout (2018); Dead Reckoning Part One (2023); and The Final Reckoning (2025). Balfe also composed the music for these recent movies: Tetris (2023); Gran Turismo (2023); and Bad Boys: Ride or Die (2024). Earnest also worked on the music for Bad Boys: Ride or Die, as well as the Netflix film Carry-On (2024).

There are some other pieces of music that are not unique to Vengeance Most Fowl. For example, “Toccata and Fugue in D Minor” composed by Bach can be heard briefly as Feathers plays the tune on the pipe organ that exists within the submarine – because no submarine is complete without one. This music also shows that Feathers is back to his full villainous self again. Another small excerpt of classical musical is played as Gromit settles down to read his book before going to sleep, just before Norbot comes in to recharge himself. The piece playing on the radio is “By the Sleepy Lagoon”, which was written by Eric Coates, performed by Slovak Radio Symphony Orchestra.

You can also hear “Brahms’ Lullaby”, composed by Brahms, which is played by one of the evil gnomes on the harp as they set about sending Wallace into a deep sleep so they can continue their evil scheme to help Feathers McGraw. The performance is actually credited to the Budapest Scoring Orchestra. Finally, a snippet of “Born Free”, written by John Barry and Don Black, and performed by Matt Monroe, plays as Feathers and the evil gnomes flee from Wallace and Gromit’s house with the Blue Diamond.

PRODUCTION

Aardman Animations are known for their work in clay animation, or Claymation, a type of stop-motion technique, meaning that clay models are physically moved and then photographed, with the majority of Aardman’s work having been made in this format.

Aardman began in the 1970s in Bristol, founded by David Sproxton and Peter Lord. The company began making small animated movies. One of their biggest break-out moments was in the series Vision On, where their involvement in the series consisted of clay animated segments and an incompetent superhero by the name of Aard-man, hence the company’s name. From here, Aardman made one of their most popular Claymation characters, Morph, who was seen interacting with presenter and artist Tony Hart during the children’s television programme Take Hart (1977-1983). Morph later popped up in other similar shows including SMart (1994-2009).

Meanwhile, as Aardman were creating a name for themselves, making short films and advertisements for various companies, a student by the name of Nick Park was working on his own Claymation project, about a British man building a rocket. Park was indeed making A Grand Day Out, the first outing for Wallace and Gromit. But he was quickly running out of money, though he had secured actor Peter Sallis to voice Wallace for only £50. Park invited Sproxton and Lord to visit his studio and they agreed to help Park finish this massive project, moving it to their studio in Bristol. Wallace & Gromit: A Grand Day Out was finally finished around six years after beginning, premiering on 4th November 1989 in Bristol at an animation festival, before coming to British television in 1990.

A Grand Day Out launched Wallace and Gromit and earned Park and Aardman an Oscar nomination for Best Animated Short Film in 1991. It ended up losing to another Nick Park project, Creature Comforts (1989), which saw Claymation animals speaking lines that were recorded from the public. A Grand Day Out did, however, win the Best Short Animation award at the BAFTAs in 1990.

After that, Wallace and Gromit were seen again in the short The Wrong Trousers, which debuted on 26th December 1993 on the BBC. It saw Wallace and Gromit renting out a spare room in their house to penguin Feathers McGraw, who would use Wallace to attempt to steal a diamond. This short was an instant success and did win the Academy Award for Best Animated Short Film in 1994. Another Oscar success followed with A Close Shave, which first aired on 24th December 1995. This time, the duo foils a sheep rustling plot. One of the sheep to get a starring role was Shaun the Sheep, who became a household name, getting his own series and movies.

The next Wallace & Gromit episode wouldn’t come for ten years, but this time, they were coming back in their first full-length feature film, Wallace & Gromit: The Curse of the Were-Rabbit (2005). Here, Wallace and Gromit have to save their village from a monster, a were-rabbit. At this point, Wallace and Gromit were hugely popular and this movie proved that by attracting some impressive British actors to voice its cast, including Helena Bonham Carter and Ralph Fiennes. The Curse of the Were-Rabbit premiered in US theatres on 7th October 2005, followed by the UK a week later. This movie won the Academy Award for Best Animated Feature Film, making it the first stop-motion film to win the award.

But that wasn’t all, because just a few short years later, Wallace and Gromit returned to screens again, this time just for a television special: Wallace & Gromit: A Matter of Loaf and Death, where Wallace almost became victim to a murderess’ evil plot to murder bakers. This time, the short film did not win the Oscar, but did win a BAFTA and Annie Award. It first aired in the UK on 25th December 2008 on BBC One[3].

And then, we waited. And waited. And waited for the next instalment of Wallace & Gromit adventures to come to our screens again. In 2017, fans feared the worst, that Wallace & Gromit would not return due to the fact that beloved voice actor of Wallace, Peter Sallis, had passed away. This did not signal a bright future for the duo.

However, in January 2022, an announcement was made. Wallace and Gromit would be back on our screens. But in what form? A 30-minute television special? A full-length movie? What was it going to be? Well, it turns out it was going to be a full-length movie, making this the first Wallace & Gromit movie to be made under Aardman’s 2019 deal with Netflix. Aardman had initially worked with DreamWorks in the 2000s, but there was a culture clash at times between Aardman wanting to keep their Britishness, and DreamWorks wanting the movies to appeal more to American children. Under Netflix, Aardman had also made Chicken Run: Dawn of the Nugget (2023). With Wallace & Gromit, you might think that Netflix would’ve wanted the Britishness toned down in Vengeance Most Fowl, but that turned out not to be the case. There was no “US-friendly” version of the movie made, with Aardman accepting that not everyone globally would understand the jokes every time.

The idea for Wallace & Gromit: Vengeance Most Fowl was initially developed soon after The Curse of the Were-Rabbit, in that the plot could revolve around a smart gnome. It was decided that this would be a 30-minute television special, however, once the story had been fleshed out, with the technology going wrong and the opportunity for Feathers McGraw to make a comeback, it became clear that this story was going to be too big for only a short film and that it would need to be a feature film[4].

Aardman pride themselves on continuing to use Claymation as their primary medium within their film-making, so, much like the original 1989 A Grand Day Out, Vengeance Most Fowl also uses clay puppets. However, nowadays, Aardman use a mixture of silicone and clay models. The silicone is unalterable once cast unlike the clay models, however, some shots are fine for silicone models, which can speed up the process. Clay is still the best medium for expressiveness, so the hands and faces of the characters are always made from clay[5]. Stop motion requires a lot of patience and dedication to the craft. I, for example, would not have the discipline needed to make a stop-motion movie. I’d get frustrated at seemingly not making progress and I don’t have the artistic ability to make anything out of clay either, so I will never get a job at Aardman. The animators that work on projects like this only manage to get a few seconds of footage during a week’s worth of work. To be able to make these models talk, to fit recorded dialogue; have them do the most basic of movements; let alone have them blink, breathe, and do all the normal things that humans and animals do without thinking, all with just clay and a camera is just amazing.

Production on Vengeance Most Fowl took around fifteen months, which means they had a huge team at Aardman Animations working on this. Lots of clay was needed too, but a shock was about to come, as the factory who supplied modelling clay to Aardman suddenly shut down in March 2023. This had people worried that Aardman wouldn’t be able to finish Vengeance Most Fowl – no more clay, no more Wallace & Gromit, right? Well, no, obviously not. Aardman simply got enough clay from their supplier to finish the movie before the factory closed for good. And they have vowed to find a new supplier so they can continue other Aardman projects. So, calm down. Panic over[6].

Vengeance Most Fowl was directed by Nick Park, original creator of Wallace & Gromit, and Merlin Crossingham. Crossingham was an animator at Aardman, working on movies like Chicken Run (2000) and The Curse of the Were-Rabbit (2005), as well as the animated series Creature Comforts (2003) and A Matter of Loaf and Death (2008). He had also directed episodes of Morph (2014-19) and The Epic Adventures of Morph (2020-21). The story was written by Nick Park and Mark Burton, who penned the screenplay. For Aardman, Burton had previously co-written The Curse of the Were-Rabbit; Shaun the Sheep Movie (2015), for which he was also co-director; and A Shaun the Sheep Movie: Farmageddon (2019). Burton also co-wrote the DreamWorks movie Madagascar (2005).

By the summer of 2024, the name of this new Wallace & Gromit movie had been revealed, and the fact that Feathers McGraw would be returning was also revealed. Apparently, many punny names were thought up before settling on Vengeance Most Fowl as the title of this new film. To build excitement for the new release, a teaser trailer was released in October of that year, with more details being shown in the official trailer, released in November. Nick Park and Merlin Crossingham appeared for a live event at the Manchester Animation Festival in November to discuss their new movie.

Getting closer to the festive period, Aardman created three Wallace & Gromit idents – the clips that appear before scheduled programming on television channels – for the BBC, which appeared throughout December. One clip had Wallace and Gromit sat on the sofa with Norbot, all three of them wearing Christmas jumpers. Another showed the trio lighting up a Christmas tree, and the other had them making ice sculptures[7]. The duo even made a surprise appearance during the semi-final of Strictly Come Dancing (2004-present) as that week’s celebrity guests, scheduled to read the show’s voting Terms and Conditions.

There was also a special ident that appeared straight after the credits on Vengeance Most Fowl, which saw Feathers pop up wearing a cloak. I thought this was a teaser for a potential further movie with Feathers due to make his return, but sadly it was not. It was in fact a clever tool to promote The Traitors (2022-present), which was set to air its first episode of Series 3 on 1st January 2025. Since I don’t like The Traitors, once I realised this Feathers ident had nothing to do with more Wallace & Gromit adventures, I rolled my eyes and tutted.

Wallace & Gromit also lit up London’s Battersea Power Station every evening during December 2024, decorating a Christmas tree, with Feathers promptly turning all its lights off. The animation was shot on an iPhone, specifically an iPhone 16 Pro Max. Clearly, this was a promotional thing with Apple.

RECEPTION

Because Wallace & Gromit are quintessentially British characters, it only made sense for the Brits to see this movie first, having it broadcast on BBC One at 6:10pm on Christmas Day 2024. International fans would have to wait until 3rd January 2025 for it to come to Netflix.

In fact, that was not the case. I’m quite disappointed to say that we Brits did not get this movie first. Ignoring the fact it first premiered at the AFI Festival in Los Angeles on 27th October 2024, it made it to Australian cinemas on 19th December, and even received a limited run in the US on 18th December! I call that incredibly unfair…Anyway, I’ll try not to be bitter about that as I move on to the reviews.

Wallace & Gromit being so popular for decades meant that it would be difficult for Vengeance Most Fowl to fail. Sure enough, it did not fail, not by any means.

Some did say that Vengeance Most Fowl was not as good as the previous Wallace & Gromit outings though, with comments saying that it felt too long in places, and that perhaps it would’ve been better for the movie to be an hour or less, instead of its roughly 80-minute runtime. I can agree with this statement, however, Christmas Day can be a strange day, so watching it then when you’re either distracted by family members or still processing the events of the day might mean that it was perhaps too much for some – myself included – to focus on at that specific time.

Others referenced the ambiguous time setting of the movie. I think what some viewers might have been confused by is how Vengeance Most Fowl clearly wanted to relate to our contemporary attitudes – and dare I say, obsession – with technology and innovation. Norbot is a voice-activated gnome after all, and many homes have plenty of voice-activated technology in them these days. Wallace is also seen to have a computer, but it is an older model more suited to the 1980s than present day. Aardman have never claimed that Wallace & Gromit is set in contemporary times, since the fashion, vehicles, etc., within the features would suggest that it is set sometime around the 1960s or 1970s, but really, it’s not meant to be set in any specific time. We’re just supposed to “go with it” and not think too much about it. Time doesn’t really pass in Wallace & Gromit world.

Positive reviews stated that they were pleased that Aardman were still making their movies by hand, and have not passed over stop-motion for computer animation. It was still just as British as we’d all expected too, despite the partnership with Netflix, and many viewers gave plenty of credit to Ben Whitehead for stepping up to voice Wallace. The movie was funny, charming, and the dangers of technology plot point felt relevant. 

For me, it felt comforting to return to Wallace & Gromit again, although The Wrong Trousers was never my favourite Wallace & Gromit episode, so I didn’t have that affinity to Feathers or the story of The Wrong Trousers as others did. I like the waking up montage that exists in Wallace & Gromit with all the inventions, and it was nice to see that those had been expanded on in Vengeance Most Fowl, like the new waterslide. I found the Norbot charging bit to be the funniest moment of the movie. I also liked how there was a random bagpiping gnome ready to greet Feathers at the zoo, who Feathers then punched in the face. Come on, gnome, does Feathers look like he likes bagpipes? Vengeance Most Fowl was as funny as any other Wallace & Gromit episode, though the storyline did seem more perilous and less light-hearted than others. I did not enjoy seeing Gromit almost die, although it was nice to see him saved by the gnomes, kind of like how Paddington is saved at the end of Paddington 2 (2017) by his fellow escapee prisoners. Both moments made me cry.

These movies are known for their nods and references to other movies. A noticeable one is at the end of the chase scene, as the narrowboat is teetering over the edge of the aqueduct. This is a nod to the ending of The Italian Job (1969) as their van teeters over the edge of a mountain road. You can also see a reference to James Bond during the scene of Feathers being rescued from the zoo, as he sits stroking a white seal whilst seating on a swivel chair. This parodies Bond villain Blofeld and his white Persian cat. The Matrix (1999) might have been referenced too during the reprogramming of Norbot. Aardman also reference A Grand Day Out, their own work, during Vengeance Most Fowl, in the security question that Feathers must answer when trying to remotely access Wallace’s computer. It shows four pictures and the question asks that any pictures with cheese are selected. One of these is a picture of the moon, which Wallace believes is made of cheese, as per the A Grand Day Out short film.

There are also multiple puns or wordplay within Vengeance Most Fowl. One is a magazine called “Gardens of the Galaxy”, a reference to Guardians of the Galaxy (2014). Another is that Feathers’ escape boat is called “The Accrington Queen”, a reference to the movie The African Queen (1951). Mackintosh’s boat is called “Dun-Nickin’”, as in “done nicking”, since he’s retired from the police and will no longer be chasing criminals. There are many more Easter eggs to spot during Vengeance Most Fowl.

During the 2025 “award season”, Vengeance Most Fowl was nominated for Best Animated Movie at the Golden Globes alongside five others, including Disney’s Moana 2 and Pixar’s Inside Out 2. Actually, none of these movies won. The winner was Flow, an independent movie directed by Latvian filmmaker Gints Zilbalodis. Vengeance Most Fowl was nominated for Best Animated Feature at the Oscars, but also lost out to Flow. Vengeance Most Fowl was also nominated for Best Animated Movie at the Critics’ Choice and the Annie Awards. Vengeance Most Fowl was nominated for other Annie Awards too, including for Directing, Music, Character Animation, Animated Effects, Editing, and Production Design. However, it lost out to DreamWorks’ The Wild Robot in all categories.

However, Vengeance Most Fowl has won the Best Animated Feature award at the Capri Hollywood International Film Festival and the Satellite Award for Best Motion Picture – Animated or Mixed Media. Wallace & Gromit: Vengeance Most Fowl was also nominated at the BAFTA Awards in three separate categories: Outstanding British Film; Best Animated Film; and Best Children’s & Family Film, a new category for 2025. At the BAFTA Film Awards, Wallace & Gromit: Vengeance Most Fowl won the awards for Best Children’s & Family Film and Best Animated Film. It lost out on Outstanding British Film to Conclave (2025); it would’ve been quite a feat to win in all three categories!

But awards are not everything, though it may feel like. Vengeance Most Fowl currently holds a 100% Certified Fresh rating on Rotten Tomatoes from the critics’ reviews. This movie also allowed us to return to Wallace & Gromit after more than a decade. This was a welcomed return for the duo.

In terms of British viewing figures, Wallace & Gromit: Vengeance Most Fowl attracted 9.4 million viewers in the “overnight” television ratings of 25th December 2024, making it the second most-watched Christmas Day show on television. It was beaten out to the top spot by Gavin and Stacey (2007-24) which aired its final ever episode later that day. It was tough competition for Wallace & Gromit to be up against, but second place is still pretty good[8].

After a week of being available on catch-up, the viewing figures for Vengeance Most Fowl grew to a total of just under 16.3 million[9]. It is not currently known how well Vengeance Most Fowl has done during its first week on Netflix.

LEGACY

To recap, the Wallace & Gromit franchise consists of four television specials, and one feature-length movie prior to the release of Vengeance Most Fowl. These are A Grand Day Out (1989); The Wrong Trousers (1993); A Close Shave (1995); A Matter of Loaf and Death (2008); and The Curse of the Were-Rabbit (2005).

There were also two spin-off television series. These were Wallace and Gromit’s Cracking Contraptions (2002) and Wallace and Gromit’s World of Invention (2010). Numerous video games, comic books, and graphic novels have also been developed involving the pair over the years.

In 2013, the first-ever Wallace & Gromit theme park ride opened at Blackpool Pleasure Beach. Called the Thrill-O-Matic, this is an indoor dark ride where guests ride around in ride vehicles shaped like giant slippers. As part of the concert series The BBC Proms, in 2012, Wallace & Gromit’s Musical Marvels was performed live at the Royal Albert Hall on 29th July. This performance later became a touring show in 2013. In 2019, it returned as Wallace & Gromit: In Concert and toured the UK as part of the Wallace & Gromit 30th anniversary year. It later went international, touring countries such as Japan, Australia, and New Zealand. For the 30th anniversary of the pair in 2019, the Royal Mint developed a commemorative coin and held a small exhibition at their visitor centre in Pontyclun, Wales.

Wallace, Gromit, and Shaun the Sheep started to appear on P&O Cruises from the summer of 2022, before other events and attractions popped up over the UK. In November 2022, the launch of the first-ever Wallace & Gromit-themed escape room happened in Bristol and ran until April 2023. In Summer 2023, another concert was held called Wallace & Gromit: The Wrong Trousers – Live! which was a special screening of the television special with a live brass band accompaniment. This was to celebrate the 30th anniversary of The Wrong Trousers.

In Bristol’s Cabot Circus for the festive season in 2024, there was an experience held there called Wallace & Gromit: A Cracking Christmas Experience, where visitors had to help Wallace save Christmas by completing different challenges[10].

Directly related to Vengeance Most Fowl are a series of Funko POP figures that are available to purchase. There are four figures available: Norbot, Wallace, Gromit, and Feathers. Other merchandise, such as clothing and tote bags, have also been on sale since Summer 2024. A novel of the movie’s story and a book about the art of the movie have also been created.  

FINAL THOUGHTS

Wallace & Gromit is ingrained in British culture. Not a Bank Holiday, a Christmas season, or even Easter goes by without the Wallace & Gromit specials being aired on British television.

Wallace & Gromit is perhaps not as well-known to those in the US. I feel like Chicken Run (2000) is Aardman’s most popular property over there, perhaps due to the partnership they had with DreamWorks Animation at the time.

But us here in the UK couldn’t care less if America like Wallace & Gromit or not, because we do. They are national treasures who are cherished by the people of Britain. We can’t get enough of them, as was evident by how many people couldn’t wait to see Vengeance Most Fowl on Christmas Day 2024. 

Unfortunately, Netflix may just care if America like Vengeance Most Fowl. It is not yet clear how well this movie has done internationally over on the streaming platform. However, Aardman have promised us more from Wallace & Gromit.

We either have to hope that international Netflix subscribers turn up to watch Vengeance Most Fowl, or just believe that Aardman are as unashamedly British as Wallace & Gromit and that they will make more adventures with the duo, with or without an international partner.


REFERENCES

[1] Credit: Lizo Mzimba, ‘Wallace & Gromit without Peter Sallis is ‘emotional’ says Nick Park’, BBC.co.uk, 23rd December 2024.

[2] Credit: Aardman Animations, A Grand Night In: The Story of Aardman (2015).

[3] Credit: Aardman Animations, A Grand Night In: The Story of Aardman (2015).

[4] Credit: Scott Roxborough, ‘Nick Park and Merlin Crossingham on the Return of Wallace and Gromit in New Netflix Film ‘Vengeance Most Fowl’’, HollywoodReporter.com, 27th October 2024.

[5] Credit: Ryan Fleming, ‘Behind The Scenes On ‘Wallace & Gromit: Vengeance Most Fowl’: A Look At The Stop Motion Process At Aardman Animations’, Deadline.com, 22nd November 2024.

[6] Credit: David Opie, ‘Wallace & Gromit: Vengeance Most Fowl review – Britain’s premier stop-motion heroes are better than ever in new rematch with Feathers McGraw’, RadioTimes.com, 27th October 2024.

[7] Credit: BBC, ‘BBC unveils exclusive Wallace & Gromit themed Christmas idents’, BBC.co.uk, 30th November 2024.

[8] Credit: Lizo Mzimba, ‘Gavin and Stacey tops Christmas Day TV ratings’, BBC.co.uk, 26th December 2024.

[9] Credit: Lizo Mzimba, ;Gavin & Stacey attracts 19.1 million viewers’, BBC.co.uk, 6th January 2025.

[10] Credit: Aardman, ‘Attractions & Live Experiences’, Aardman.com, no date.

#23 Soul (2020)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

In 2020, because of the COVID-19 pandemic, many movies that were supposed to have theatrical releases ended up debuting on streaming services.

Luckily, Disney had just started up their streaming app Disney+ in November 2019, starting in the US before spreading outwards to other countries. Their timing was impeccable, gaining subscribers as slowly, country-by-country, much of the world was thrust into lockdown by their respective governments.

There wasn’t much to do other than watch television, which helped keep adults and children alike occupied. Streaming content meant we could also avoid the news, which became more and more bleak as 2020 wore on.

It was a troubling time for most of us, and sadly, although Christmas was supposed to give many of us a ray of hope that normality might be returning for some of the world, that was not the case for everyone. But no worries, because a new Disney+ release was going to come out on Christmas Day to brighten everyone’s day, and thankfully, Soul was not released on Disney+ with an additional fee, as Mulan (2020) had been just a few months before. It would be available to anyone with a Disney+ subscription.

In the UK, although we had been promised a relatively normal Christmas Day, just a few days before the big day, the government told everyone that Christmas festivities should be smaller, telling large families they should not spend the day together, and that on 26th December, many areas were going to be thrown into strict lockdowns once again. I did get to spend Christmas Day in 2020 with my family, and we did watch Soul. However, with the news that we would be “locked down” again, Christmas Day was not much fun and sadly, Soul did nothing to boost our moods.

It’s not that we thought Pixar had made a complete dud with Soul, because they didn’t. Initially, we decided it was like a new version of Inside Out (2015), a hugely popular and very clever Pixar movie. Then, once the early scenes of The Great Before were over, we struggled to really understand the point of Soul. Perhaps we were all distracted and annoyed about how Christmas had been ruined, but for whatever reason, we just didn’t get it.

I went back and rewatched Soul a few months later to try and figure out if timing had simply made Soul less appealing. Although I enjoyed Soul a bit more that second time around, I still found myself not liking it all that much. The animation was great, as usual, but the message just seemed lacking for me, and confused at times. Like, what’s the difference between “a spark” and “a purpose”? We’re told in the movie they are two different things, but I couldn’t work out how. Don’t get me wrong; parts of the movie were touching and clever, like Inside Out, but overall, it just didn’t hit me like I thought it would.

PLOT

Soul begins at a middle-school band practice, which is being overseen by teacher Joe Gardner. Joe finds that one of his students, a trombonist, gets lost in the music during a solo. This causes the other students to laugh – because, you know, kids can be cruel – but Joe says getting lost in the music is a good thing, explaining how he came to love jazz after his father took him to a jazz club, falling in love with the piano at that point. Sadly, the students have no idea what he’s talking about and don’t feel the same way, or at least won’t admit it.

Joe is then told by the school principal that he is now being contracted to be the band teacher full time. Joe isn’t too enthused by this job offer. On a visit to see his mother, Libba, who is a seamstress and runs her own shop, she tells him he should be accepting that job because it is a permanent position, not like all these gigs he does. However, Joe then gets a call from a former student, Curley, who is the new drummer for accomplished saxophonist, Dorothea Williams. She needs a new pianist and Curley thinks Joe should audition. Joe races over to audition at a jazz club for Dorothea. Dorothea doesn’t seem overly impressed but tells Joe to get a good suit and to come back for the show that evening. Joe is so excited he calls everyone he knows to tell them the good news, getting so distracted that he runs into traffic, walks through construction sites – and then falls down a manhole…

Joe finds he has turned into a little blue thing and is on a travelator heading towards a great white light. Joe is confused and asks the other little blue things around him what’s going on. They tell him they are going to The Great Beyond. Joe can’t believe it; on the best day of his life, he’s only gone and died! Joe won’t let this happen and starts running away from the light, falling off the travelator, and falling down, down, down…

Joe falls into a strange blue land. He sees little ball-like things bouncing around and discovers that these are new souls, with a counsellor named Jerry settling them down as they get excited about this new arrival. Jerry tells Joe he is in The Great Before, specifically at The You Seminar, where new souls receive their personality traits. Jerry tells Joe he is not dead yet and believes she knows where he needs to be. At The You Seminar, Joe learns that once souls receive their complete personality, they are sent down a portal, heading to Earth to start their new life. Joe tries to head down this portal too, but ends up right back where he started. He is soon found by the other counsellors, all called Jerry, who believe he is a lost mentor. They take him to an auditorium where he watches an educational video about The You Seminar. The You Seminar involves mentors being assigned to new souls in order to find their spark, which will complete their “Earth Pass” and allow them to start their lives on Earth. Joe is believed to be an educational specialist by the counsellors and is assigned to a soul called 22. However, 22 is not like any of the other souls, as 22 has no desire to go to Earth, having been matched with multiple mentors – including Mother Theresa, who 22 made cry – and not yet finding a spark.

Joe believes he can change 22’s mind, and they head off to the Hall of You, featuring the best moments of the mentor’s life. 22 isn’t interested in this guy’s life, saying Joe should just accept defeat and go to The Great Beyond now like all the others did. Joe then tells 22 this isn’t his life and finds his own, with the Hall of You now filling with all of Joe’s accomplishments – only, there haven’t been too many of those… Joe says he wants to get back to Earth to live his life, which intrigues 22, who can’t believe someone as unremarkable as Joe would go to all this effort to get back to Earth. 22 says if they can find the spark to complete the Earth Pass, then 22 will give it to Joe and send him back to Earth. They set off to the Hall of Everything instead, hoping something there will interest 22. Joe tries all sorts of careers, like cookery and firefighting, but 22 is cynical about all of them. One of the Jerrys then arrives to tell Joe his time is up, but 22 asks for some more time. Jerry is surprised to find 22 engaged in the process and allows this. 22 then takes Joe to The Astral Plane, the space between the physical and spiritual, believing 22 knows someone who might be able to help Joe get back to his body.

In The Astral Plane, also known as The Zone, human souls can find themselves engrossed in a passion, for example, like when Joe is playing his music. However, this can also be a place where souls become trapped in obsession, becoming “lost souls”. A hippie soul, named Moonwind, along with other spiritual souls, try to rescue these lost souls and send them back to Earth with a renewed thirst for life. Moonwind has a body on Earth; he is a sign spinner in New York City. 22 asks Moonwind for his help with Joe, however, Moonwind has never connected an untethered soul before. Moonwind and his fellow souls begin a ritual to find Joe’s body, asking Joe to listen out for cues. They discover Joe is in hospital and in the rush to get back, Joe and 22 fall through this portal between worlds.

Joe wakes up in hospital, but he can still see himself. It turns out Joe has returned to Earth, but is embodying the hospital’s therapy cat! 22 is in fact inside Joe’s body. Joe tells them they just need to find Moonwind in the city and then they can get back to their rightful selves. The two bust out of the hospital, however, 22 quickly becomes overwhelmed by New York City and hides in a stairwell, believing Joe’s body is about to die. Joe quickly returns with a slice of pizza for 22, knowing that his body is probably just hungry. 22 eats the pizza and finds it’s actually pretty good. The two find Moonwind, who is excited to find he resolved everything for Joe. It soon becomes clear to him that it didn’t work properly and now they need to do a new ritual to get back. Moonwind believes the best time to do this would be at 6:30pm. As Joe needs to get to the Half Note Club at 7:30pm for his performance with Dorothea Williams, that should work well.

Joe says his body needs to be cleaned up before the performance, as he is still wearing the hospital gown, so he tries to get 22 in a cab. But who should walk out of that cab but Dorothea Williams, who looks stunned to see Joe in this state. Joe and 22 quickly get in the cab and go to Joe’s apartment, hoping she didn’t notice! At the apartment, Connie, the trombonist from band, arrives to tell Joe she wants to quit. 22 in Joe’s body is told to go and speak to her. 22 initially tries to make Connie quit, however, Connie doesn’t actually want to and plays a solo. 22 is moved by this music and tells Connie she shouldn’t quit. Connie heads home with a new motivation for music. Joe, still in cat form, tries to get his body ready, however, he messes up a hair cut and finds his old suit is a bit tight. They need to fix the hair at least, so it’s a trip to Joe’s barbers. Meanwhile, Terry from The Great Beyond has found that their count is wrong and heads to Earth to find Joe to correct it, knowing he escaped his fate and headed back to his body.

At the barbers, Dez, Joe’s barber, sees the disaster of Joe’s hair and tells him to sit. 22 as Joe speaks to Dez about his life, and learns that Dez never got to live out his dreams because of a family illness but that he is still happy. 22 also starts to discover the joy in the little things in life, like food and leaves blowing in the wind. However, as 22 goes to pick up Joe’s hat on the street, his trousers split open. Joe knows they’ll have to see his mother at her shop to fix it, and orders 22 to keep the Dorothea Williams gig a secret. It turns out Joe’s mother already knows about the gig and is not impressed. Libba is not amused because his father struggled as a musician, with her work needed to steady the family; she doesn’t want Joe to struggle like that. 22 as Joe tells Libba that it is his dream to be a jazz pianist and that things are finally starting to work out for him. Libba tailors Joe’s father’s old suit for him and tells Joe she has always been proud of him. Now Joe is ready for the club.

At the Half Note Club, 22 starts to have a change of heart, finding she actually likes living, but Joe wants his body back. 22 runs off into the subway, trying to avoid returning to The Great Before, however, both 22 and Joe are caught by Terry and returned there. In The Great Before, the Jerrys are stunned to find that 22 finally got her Earth Pass and tell Joe to go to the Earth Portal with 22 to see 22 head to Earth as other mentors would do. 22 begrudgingly hands the Earth Pass over to Joe as she promised and runs off. Joe learns from Jerry that a spark is not the same thing as a purpose, which makes Joe think about his own life briefly. Joe feels guilty but knows he has to get back and jumps in the portal.

Joe wakes up in the subway and runs to the Half Note Club. He is late and Dorothea has found a replacement pianist, however, Joe won’t accept that and bursts into her dressing room saying this is his purpose and he has to perform tonight. Dorothea says he can perform that night with them, but there’s no promises of further work with her if it doesn’t go well. Joe performs well with the quartet that night and is asked to join them. Joe then asks Dorothea what happens next and she simply says they do it all again tomorrow. This doesn’t excite Joe who finds he isn’t as happy as he expected to be, and heads home.

At home, Joe starts to play his piano whilst looking over the keepsakes from his day with 22, like a lollipop from the barber and a pizza crust. He plays music as he thinks about the good, smaller moments in life. Joe soon finds himself in The Zone and The Astral Plane. Moonwind finds Joe and tells him that 22 has become a lost soul. Joe and Moonwind go to find 22. When they do find 22, Joe runs after her and apologises for what happened, trying to return the Earth Pass to 22, however, 22 is consumed with negative thoughts, which say 22 will never be good enough. Joe loses the pass in the chaos, but manages to pass her a maple seed from their day together. This snaps 22 out of the self-loathing, and Joe tells 22 it was fear about living that meant 22 hadn’t found her spark before, and now 22 is ready to live. 22 is no longer a lost soul thanks to Joe and he returns the pass, jumping down with 22 through the portal, knowing he’ll be returned to The Great Beyond before 22 reaches Earth.

Back in The Great Beyond, Joe is satisfied with his fate, however, one of the Jerrys arrives and thanks Joe for inspiring 22 to live. Jerry thinks Joe deserves a second chance at life, so another Jerry distracts Terry to trick Terry into believing the count is correct, as Joe is returned to Earth. Back on Earth, Joe states he isn’t sure what he’s going to do with his life now, but he knows he’s going to enjoy every minute of it.

CHARACTERS & CAST

Joe Gardner is down-on-his-luck, finding that pursuing his dream of being a jazz musician has not worked out as expected. He has ended up working in a school, which is an honourable profession, but this isn’t enough for Joe, who just wants to perform. When he gets the chance to perform with Dorothea Williams, Joe thinks all his dreams have come true, only for disaster to strike, his death being yet another barrier to his aspirations. After his messy day with 22, Joe finally gets what he wanted – to perform with Dorothea Williams, although he had to destroy 22’s self-confidence to do that. Funnily enough, it wasn’t everything he’d dreamt. He worked so hard to get to this moment and it wasn’t even as good as he expected. Because of this, Joe realises that dreams aren’t the point of living and wants to make things right with 22 again. This realisation gives him a second chance at life as he is deemed worthy of getting his life over again – and this time, Joe doesn’t want to waste it.

Jamie Foxx was chosen to voice the character of Joe Gardner, Pixar’s first Black lead. In film, Foxx has been cast as Drew Bundini Brown in Ali (2001); as Curtis Taylor Jr. in Dreamgirls (2006); and as Dean “MF” Jones in Horrible Bosses (2011) and its 2014 sequel. Foxx won the Academy Award for Best Actor for his portrayal of Ray Charles in the film Ray (2004). He also voiced the character of Nico in Rio (2011) and Rio 2 (2014). After that, Foxx starred as Leon “Bats” Jefferson III in Baby Driver (2017) and as William Stacks in Annie (2014). He also reprised his role as Max Dillon / Electro from The Amazing Spider-Man 2 (2014) in Spider-Man: No Way Home (2021). Alongside his screen roles, Foxx has also released numerous musical albums and had a Netflix stand-up comedy special called Jamie Foxx: What Had Happened Was… in 2024.

22 is a cynical soul, who despite never having lived, has been through many different lives, through the eyes of various mentors. 22’s previous mentors include Abraham Lincoln, Gandhi, Marie Antoinette, and Muhammad Ali. She even has a wall of name tags from her various mentors as a shrine to her commitment to not living! It is a struggle to get 22 to engage with The You Seminar, something that the Jerrys are well aware of, but they continue to be patient with 22. However, when 22 gets to live life on Earth in Joe’s body, she finds that actually living isn’t all bad, and without the constraints and pressures of finding a purpose or fulfilling a chosen career path, 22 is able to experience life in its purest form, just enjoying the small moments in life that many of us forget to notice, like the taste of good food, the feel of the wind in your hair, or the beauty in the ordinary. When 22 finds that life is worth living, the opportunity is cruelly taken from her by Joe, and 22 becomes a “lost soul”, being consumed with self-hatred and the perception that not having a purpose means 22 is a failure. Joe comes to his senses and lets 22 to get back to Earth, where I hope 22 lived a great life – but we’ll never know, because we never find out in the film!

22 was voiced by Tina Fey. Fey is known for being a cast member and head writer on the popular sketch comedy show Saturday Night Live (1975-present) from 1997 to 2006. Fey went on to write and star as Liz Lemon in the sitcom 30 Rock (2006-13), for which she won numerous Emmy, SAG, and Writers Guild of America Awards, amongst others, before creating the Netflix show Unbreakable Kimmy Schmidt (2015-19). Fey also wrote the movie Mean Girls (2004) and its 2024 musical movie, appearing as Ms. Norbury in both. She has appeared in comedy movies including Baby Mama (2008) as Kate; in Date Night (2010) as Claire; and as Nadya in Muppets Most Wanted (2014). Fey has also been seen in the recurring role of Cinda Canning in Only Murders in the Building (2021-present).

On Earth, 22 and Joe come into contact with other humans, with one of the most important being Libba, Joe’s mother. Libba is thrilled to find that Joe is being given a permanent position as a music teacher, because she knows that Joe is spending too much time chasing a dream that may never come true. Libba wants Joe to be settled and secure in life. To some, it might seem like she is crushing his dreams, but she actually just wants him to avoid the difficulties that his father had, trying to live out that same dream. She means well, and the moment they share in her shop, when she tells Joe – although 22 is in his body – she is proud of him, no matter what he does, is quite moving. Libba was voiced by Phylicia Rashad. Recently, Rashad has been cast as Mary Anne Creed in Creed (2015) and its two subsequent sequels. In The Beekeeper (2024), Rashad appears as Eloise Parker. Rashad is best known for her roles as Clair Huxtable on The Cosby Show (1984-92) and as Ruth Lucas in Cosby (1996-2000).

In the barber shop, Joe and 22 come into contact with Joe’s barber, Dez, who Joe says he wouldn’t normally speak to much during his hair cuts. This seems to be the case with many men and their barbers, however, 22 as Joe decides to tell Dez everything that’s wrong with the world, whilst Dez says that he always wanted to be veterinarian but after his daughter became ill, he knew he’d have to find a different way of earning a living and that’s how he came upon barbering. Dez is glad that Joe – although actually 22 – has finally asked him about his life, as he was getting fed up with only talking to Joe about jazz, this being news to Joe… Also at the barbers is Paul, who likes to bring Joe down, telling him nothing is going to work out for him. Paul gets his just-desserts though, as Terry accidentally tries to send Paul to The Great Beyond, terrifying him, before realising he isn’t Joe and takes him back to Earth, with a brief apology.

Donnell Rawlings and Daveed Diggs were cast as Dez and Paul respectively. Rawlings was previously cast in the sketch comedy show Chapelle’s Show (2003-06) and as Damien ‘Day-Day’ Price in The Wire (2002-08). He also played the role of Mr. Earl in Season 1 of Winning Time: The Rise of the Lakers Dynasty (2022-23). Daveed Diggs is well-known for originating the roles of Lafayette and Thomas Jefferson within the musical Hamilton. Diggs won a Tony Award for Best Actor for his roles in 2016. Diggs can be seen in the 2016 recording of the musical which is currently available to watch on Disney+ since 2020. Diggs went on to appear as Mr. Browne in the movie Wonder (2017) and as Johan Johnson in the series Black-ish (2014-23). He has also voiced the character of Sebastian in the live-action remake The Little Mermaid (2023) for Disney, and voiced the character of Helen in the animated series Central Park (2020-22). Recently, Diggs starred as Andre Layton in the series Snowpiercer (2020-24).

Dorothea Williams and Curley are two others that Joe speaks to on Earth. Curley is Joe’s former student who is now a drummer within Dorothea Williams’ quartet. He is kind enough to put Joe up for the audition as the new jazz pianist in the quartet. Dorothea Williams, on the other hand, seems quite stern and hard-to-please. Even after she tells Joe to come back and perform that evening, or after that evening’s performance, she doesn’t have much to say to Joe, not even a “well done”. But I don’t know much about jazz music; maybe it’s not cool to do that! Curley was voiced by Ahmir “Questlove” Thompson. Questlove is known for being the drummer and frontman of the band The Roots, who are the in-house band for The Tonight Show Starring Jimmy Fallon (2014-present). Questlove also won the Academy Award for Best Documentary for directing Summer of Soul (2021).

Dorothea Williams was voiced by Angela Bassett. Bassett starred as Ramonda in Black Panther (2018) and its 2022 sequel. Bassett won a Golden Globe for this role in 2022. She also won a Golden Globe for Best Actress in a Motion Picture for her performance as Tina Turner in What’s Love Got to Do with It (1993). She was also cast as Lynne Jacobs in Olympus Has Fallen (2013) and London Has Fallen (2016), before appearing as Erika Sloane in Mission: Impossible – Fallout (2018). Bassett is due to reprise this role in Mission: Impossible – The Final Reckoning (2025). On television, Bassett has recently had roles in the horror anthology series American Horror Story (2011-present). For Disney Animation, Bassett voiced the role of Mildred in Meet the Robinsons (2007).

In The Great Beyond and The Great Before, there are non-human characters that 22 and Joe interact with. The first person Joe meets is Jerry, one of the counsellors at The You Seminar, but it turns out there are lots of counsellors, making sure all the souls and mentors are in the right place at the right time, and handily, they are all called Jerry. The Jerrys are very patient, which they have to be with the excitable nature of the new souls, and don’t seem to be bothered or concerned about anything, not even when they hear that the count for The Great Beyond is off – though it’s not in their remit, so why should they care?

As there are numerous Jerrys, there are various voice actors for these characters. One of these is Alice Braga, who was cast as Anna Montez in I Am Legend (2007); Frey Santiago in Elysium (2013); and Sol Soria in The Suicide Squad (2021). More recently, Braga also starred as Teresa Mendoza in the series Queen of the South (2016-21), and as Amanda Lucas in the AppleTV+ series Dark Matter (2024-present). Another voice is Wes Studi who appeared as Magua in The Last of the Mohicans (1992) and as Geronimo in Geronimo: An American Legend (1993). More recently, Studi was cast as Kaetenay in the series Penny Dreadful (2014-16). Studi also voiced Windlifter in Disney’s Planes: Fire & Rescue (2014). Fortune Feimster, known for her role as Colette in The Mindy Project (2012-17), and Zenobia Shroff, who recently was cast as Muneeba Khan in Ms. Marvel (2022) and the 2023 film The Marvels, also voice Jerrys. The final Jerry we hear is voiced by Richard Ayoade; a voice familiar to UK audiences. I was surprised and delighted to hear Ayoade in this movie. Ayoade is known for his role as Maurice Moss in the sitcom The IT Crowd (2006-13) and hosted The Crystal Maze (2017-20) and Travel Man (2015-present). Ayoade also wrote and directed the film Submarine (2010). He has voiced small roles in other animated movies, such as Early Man (2018) and The Lego Movie 2: The Second Part (2019).

Terry is the counter in The Great Beyond, who is clearly a stickler for the rules and must ensure the count is correct, even if it means going to Earth and chasing that soul down, returning it to The Great Beyond against their will. I think Terry’s power has gone unchecked for too long and needs to stop being such a jobsworth. Luckily for Joe, the Jerrys help with that, by averting Terry’s attention whilst they correct the count when they allow Joe to head back to Earth to live his life again. Terry was voiced by Rachel House. For Disney, House is known for providing the voice of Tala, Moana’s grandmother, in Moana (2016), as well as the voice of Mama Binturong in The Lion Guard (2019). House also provided the Māori-language dub for Mamá Coco in Pixar’s Coco (2017). Recently, House has been cast as Nienke Van Spee in The Portable Door (2023) and as Ruth in Next Goal Wins (2023), as well as appearing as Principal Stacy “Woodsy” Woods Heartbreak High (2022-present).

Another character they meet is Moonwind. He is both a soul and a person on Earth, consistently using his spiritual nature to get to in The Astral Plane. His job is a sign spinner so I guess he needs to do something to entertain himself during those long hours outside with no-one to talk to! Moonwind admirably also tries to help lost souls, those who have lost their way on Earth. Initially, Joe and 22 witness Moonwind help another hedge fund manager, who suddenly has an epiphany and decides to quit his job and go live his life. Moonwind was voiced by Graham Norton. Norton is well-known for his BAFTA Award-winning chat show The Graham Norton Show (2007-present) as well as being the BBC’s commentator for the Eurovision Song Contest. Norton is also a judge on RuPaul’s Drag Race UK (2019-present). I must say I was surprised to find Norton was the voice of this character in Soul, but it was a good surprise, because I love Graham Norton.

MUSIC

Given Joe’s desire to be a jazz musician, music is an integral part of Soul.

Jon Batiste was chosen to compose the jazz compositions within Soul. Batiste said he wanted his musical choices to feel “user-friendly”, so that anyone could be introduced to the music and find that they enjoy it. Joe Gardner was first introduced to jazz music by his father, likely jazz from the 1960s or 1970s, so this time frame was one that inspired Batiste with his compositions for the movie. Batiste’s hands were also filmed whilst he was playing the piano, to ensure that the animation of Joe was accurate and correct. Jon Batiste was the band leader and musical director on The Late Show with Stephen Colbert (2015-present) from 2015 to 2022. In the years after, Batiste has continued to record and release music and was cast in the movie Saturday Night (2024), portraying musician Billy Preston, as well as composed the score for it.

Outside of that, Trent Reznor and Atticus Ross were brought on to the project to compose the overall score for the movie. Pixar generally like to collaborate with the same composers, for example, Randy Newman and Michael Giacchino have composed music and scores for various Pixar movies, however, in this case, Reznor and Ross had not previously worked with Pixar. Reznor and Ross have composed the score for movies such as The Social Network (2010); The Girl with the Dragon Tattoo (2011); and Gone Girl (2014). They won the Primetime Emmy Award for Outstanding Music Composition for a Limited Series for their work on Watchmen (2019). They are also both members of the band Nine Inch Nails.

For the rest of the musical score, Reznor and Ross had to figure out how these greater worlds, The Great Beyond and The Great Before, might sound, seeing as these places are not physical and no-one would know what they sound like. In the case of The Great Beyond, this moment is quite a scary one for Joe as he has no idea where he is, just that he is on a moving platform heading towards a big ball of white light. But this couldn’t sound threatening to the audience. Instead, they chose to make the sounds ominous and strange. You’ll also notice that as the souls move into the light, there is no scream of terror or big bang; this sound actually sounds like a bug zapper. For the Great Before, the area feels light and airy, so the music chosen feels sweet and comforting[1].

This splitting out of the musical score is similar to the contrast between the very real place of New York City and the stranger worlds of The Great Before and The Great Beyond; Reznor and Ross focused on those outer worlds, whereas Batiste focused on music from the real world, although their work on Soul was highly collaborative, and necessarily so.

Outside of the score and additional music, there are other pieces of music within the soundtrack. One of these is the rap song “Rappin Ced”, which was written and performed by Daveed Diggs. This rap can be heard during the Hall of You scene, just after Joe tells 22 he is not the mentor, Bjorn Börgensson, and starts to show moments from his life. This song is part of a rap group Joe joined earlier in his life. Then there is the song “Parting Ways” written and performed by R&B and soul singer Cody ChesnuTT, which can be heard being sung by a busker in the subway. It’s a calming song, and I can see why 22 was drawn to it. 

The End Credits include further music, including the song “It’s All Right”, which was originally recorded by The Impressions and written by lead singer Curtis Mayfield in the 1960s. This is then followed by a selection of the movie’s score, before ending on another performance of “Rappin Ced”. The opening of the movie featured a school band rendition of Disney’s theme tune “When You Wish Upon a Star”, which is a bit clunky as you might expect from a middle-school band practice, but that’s the whole point!

Within the jazz sections of the soundtrack, I liked the tunes “Born to Play” and “22’s Getaway” the most. For the more traditional score, I liked all the music that plays in the opening scenes of The Great Beyond and The Great Before. But the soundtrack of Soul is so diverse that different tracks will suit different people. I’ve always found an interest in the underlying score within animated movies, finding they set up the emotional moments well, so in my case, this interested me more than the jazz, although I’m by no means saying the jazz portions weren’t great too.

To highlight how successful the soundtrack of Soul was, it won the award for Best Score at the Academy Awards, the BAFTAs, the Golden Globes, the Grammys, and the Annie Awards.  

PRODUCTION

The original concept for Soul first came about when Pete Docter, director of Pixar’s Inside Out (2015), found that, despite all of his success with the company, he didn’t feel like his life had been fulfilled. This got him thinking about whether success was worth spending your whole life trying to achieve, because does it even make people happy in the end? This question became the general idea behind Soul.

A very early draft had the soul who became 22 as the lead character. The whole movie would’ve been set in The Great Before and focused on the fact that 22 was a soul who didn’t want to go to Earth. This idea was quickly discarded as it was decided that they wouldn’t be able to prove that living was worth it unless 22 somehow ended up on Earth, so that is when the character of Joe was brought in.

First, Joe was meant to be a rock star, however, it felt to the Pixar team that being a rock star means wanting to become rich and famous, which goes against the message of the movie. So, instead, still in the realm of musicians, they decided upon Joe becoming a jazz musician, feeling that this was a more noble profession, and one that is about following a passion, not just finding a route to success. At this point, Kemp Powers was approached by Pixar to be the writer on this movie, sometime around Summer 2018. Powers later became the co-director of Soul, alongside Pete Docter[2].

Because jazz is linked to African-American culture, it was decided that the main character of Joe should be Black. Initially, in early reels, Powers found Joe to have very little depth to him, so being the same age as Joe and also from New York City – although from Brooklyn, not Queens, like Joe – Powers used some of his own life experiences to make the character of Joe feel more real.

To add authenticity and accuracy to Pixar’s portrayal of a central Black character, alongside Powers, they knew they needed to set up a cultural trust, as many Pixar and Disney movies do these days when delving into different cultures. In this trust, there were musicians such as Jon Batiste, Questlove, and Herbie Hancock, and historians such as cinematographer Bradford Young and former director of the Smithsonian Institution’s National Museum of African Art, Johnnetta Cole. With these people on board, as well as the input from Black Pixar employees, the team would be able to create a story that ensured accurate representing of Black culture. The design of Joe as a character required the input of this cultural trust, as was the case with some of Joe’s lines. A particularly important scene was also created by Powers who wanted Joe to pass through authentically Black spaces. This was the barbershop scene that Powers pitched, which sees men from all walks of life brought together to discuss life[3].

There were also other moments that were written that were either changed or did not make it into the film. One of these involved debate over how to end the film. Initially it was decided that Joe would end up at The Great Beyond, selflessly giving up his time on Earth to let 22 live. Some were happy with that ending, feeling that it would be cheating to have Joe be able to go back and start a new life; however, others were not happy with this decision, and Pete Docter was one of these. During production he had a change of heart, saying that Joe needed to get a second chance to go and enjoy his life now that he’d learnt the true meaning of it[4]. There was also a scene that would’ve communicate the rules of The Great Before a bit differently. Since this was meant to be a seminar, with a definite corporate spin to it, there was initially going to be a counsellor set up to be a motivational speaker, who would’ve explained to all the mentors about how the Earth Pass is filled, being told to “plant the seed of “wow”” in their new soul[5]. I thought this idea was quite good, actually.

In terms of animation, Soul had to showcase two contrasting areas; a real city on Earth and unknown spiritual worlds. Obviously, the movie starts in New York City with Joe, and we revisit this city often. It was recreated well, making it seem rich and vibrant, although not shying away from the wear and tear of the city, as well as its busyness. It was decided that Soul had to be set in New York City because it is the jazz capital of America and has a strong history of jazz, with many famous musicians known for their performances here[6].

Looking at the unknown worlds, The Great Beyond and The Great Before, the Pixar team talked to religious leaders to discuss how their religions view souls and afterlife. There is much discussion about what happens after death, but not much about what happens before birth. Using this information, The Great Beyond is animated as a big bright light, something that is talked about by the living, and that phrase heading “towards the light”[7].

The Great Before was free to be whatever the studio wanted it to be. However, discussions of soul normally lead to conversations about complex philosophy. Even the transition for Joe between The Great Beyond and The Great Before was a difficult “limbo-like” space to portray. It was boarded by story artist Trevor Jimenez who had an idea for this scene and was able to pitch it. This scene shows Joe falling off the moving platform into a dense black space, falling in between realms of colour and black space, becoming a simple line drawing. As he gets closer to the Great Before, Joe becomes the full coloured version of soul himself and falls onto soft blue grass from an opening in the “ceiling”.

The You Seminar ended up being an area for training that felt safe, bright, and soft. It is full of pavilions that are made to represent the personality trait that the pavilion houses, such as aloofness. Initially, because of the link to philosophy and The Great Before, Pixar looked to Ancient Greek architecture to give them inspiration for the buildings here, but, since they didn’t want to root this area to any specific culture, since everyone has a soul, they instead looked to the World Fairs that happened over the years. The architectural sculptures there were about grandeur and creating buildings to inspire people, which is what The You Seminar is supposed to do.

For the souls themselves, Pixar envisioned souls to be ethereal, non-physical balls of air. However, they couldn’t look like ghostly clouds of smoke, so they were made to be colourful, with blues and purples within their colouring. By adding facial features, it gave them expressions, and they act like excitable, little puppies, because they don’t know how to behave, being so “young”. The souls are kept in line by the counsellors, the Jerrys. They are just line drawings, but were initially conceived as wire models, to see how they would move in a 3D space. The Jerrys also needed facial features to give expressions and have their own ways of moving. Terry, for example, moves through New York City as a flat line at times, and one of the Jerrys morphs into a bus to transport souls across The Great Beyond[8].

Pixar also can’t have a movie without their usual Easter eggs either. Their usual Pizza Planet truck and the number A113, referring to the classroom number at CalArts that many animators studied at, can all be found in the Hall of Everything scene. There was also a poster on the NYC streets about PortoRosso, which was a nod to their upcoming movie Luca (2021). 22 also has a shrine of old mentor stickers on a wall, showing off how many mentors she failed. Although some are mentioned and seen in Soul, other names include Aretha Franklin, Martin Luther King, Jr., and Pixar animator and screenwriter, Joe Ranft, who passed away in 2005. Ranft was the voice of Heimlich in A Bug’s Life (1998) and his final work was as co-director on Cars (2006).

Soul took around four years to make, because the movie was initially pushed forward from a release date of Summer 2021 to Summer 2020[9]. On 19th June 2019, Soul was announced to be released on 19th June 2020, stating that the movie would look to answer some of life’s most important questions including “what is it that makes you…YOU?!”. It was planned for the movie’s release to coincide with Juneteenth, a federal holiday in the US on 19th June to commemorate the ending of slavery in the country[10].

In August 2019, at the D23 Expo, further details of the story were provided, along with artwork of the main characters of Joe and 22, as well as the Great Before, being shown to expo-goers. The voice cast was also announced at this point[11].

However, as excitement for the upcoming movie started to build, the world descended into chaos. On 15th March 2020, the US government began to implement their first lockdowns. The Pixar company suddenly went from just keeping an eye on the virus to suddenly getting everyone out of the building and sending them home to work on the movie there. The first few days were obviously difficult, getting everyone’s new work spaces set up. The usual problems of tricky Wi-Fi, Zoom problems, and pets or kids walking into offices during meetings were problems the Pixar staff had to manage as well. When Pixar left their office in March 2020, about 52% of the film was done. The movie was completed just six weeks later, right on schedule[12].

To really get home that these animators had done a lot of work at home, the credits state that Soul was created and produced at Pixar Animation Studios in Emeryville, California with this addition: “…and in homes at least six feet away from each other throughout the bay area”.

RECEPTION

Although Soul was initially scheduled to be released in theatres in Summer 2020, due to the COVID-19 pandemic it was decided that Soul would debut exclusively on Disney+, in areas that had it, on 25th December 2020. This would mean that the movie could reach up to 60 million subscribers, the number of subscribers the streaming service had within its first year of launch. Anywhere that did not have Disney+ at the time was still going to get the movie in cinemas, with some of these countries being Singapore, China, Thailand, and Malaysia[13].

In addition to this, Soul was screened as part of the 64th BFI London Film Festival in October 2020, and was also named as part of the official selection of the Cannes Film Festival, which also happened to take place in October 2020.  

Pixar movies typically are released alongside an animated short. In the case of Soul, this short was supposed to be Burrow (2020), which ended up debuting on Disney+ on the same day, so if you were aware of this connection, you could’ve streamed Burrow before Soul to give yourself the “authentic Pixar cinema experience”. Burrow sees a small rabbit trying to make its own burrow, however, a mole and a mouse start to elaborate on the initial plans. The rabbit then digs away from them, accidentally digging itself into other animals’ homes, before digging straight down. As the rabbit begins to dig a new burrow, it hits a water main, which starts to flood all the creatures’ homes. The rabbit goes to a badger, who initially seems scary, to explain what’s happened. The badger then alerts the other animals, who come to the rescue by digging a side tunnel to divert the flow of water. The rabbit then shows its original design for its burrow, which the animals help to build as described.

In the past, you didn’t even need to read the reviews about a Pixar movie before deciding to watch it; the studio has had a pretty good track record ever since their first animated feature-length film, Toy Story, released in 1995. They hadn’t been perfect, with Cars 2 (2011) being a particular low-point for the company, but generally, Pixar movies receive critical acclaim. 25 years later, with the release of Soul, did things change?

Well, in a way, yes. Soul received more mixed reviews than might have been expected. On the positive side, the movie was praised for its animation, particularly their authentic recreation of New York City, as well as the strange world of The Great Before. It was said to be a sweet, charming film, with a simple message at its heart to make the audience think about their lives, to decide whether they’ve really been living life to the full, or whether they have wasted their time chasing a dream. The music was also another high point, especially since jazz is not the usual musical style used in Pixar movies. Its animation of musicians playing was also seen to be very impressive. Pixar had already been successful with this type of animation in Coco (2017). The fact Soul was Pixar’s first feature film to have a Black leading character and a mostly Black cast did not go unnoticed, with this movie celebrating diversity and life.

However, there were some complaints about a Black character being the lead but actually being turned into a different physical being for most of the film. This was a gripe that many had about Tiana in Disney’s The Princess and the Frog (2009) since she is a frog for the majority of the film. For Soul, it’s not quite that bad, since Joe’s body does feature in at least half the movie, however, a different soul is inside Joe’s body, not his own. These concerns were initially raised when Pixar’s teaser trailer for Soul was first released, as some felt that having Joe become a blue soul for most of the film was problematic.

Another point that was raised was whether Soul has a “white saviour” narrative to it, since 22 manages to “fix” parts of Joe’s life for him whilst in his body. For example, 22 has a real conversation with Joe’s barber, Dez; something that Joe has failed to realise, spending his time talking to Dez about jazz. 22 also manages to convince Joe’s student not to give up music, and then has a meaningful talk with Joe’s mother about being able to pursue your dreams, which is, again, not something Joe felt he could say to his mother. This is an interesting point, and not something I’d considered when watching the movie.

However, all this being said, praise was given to writer and co-director Kemp Powers for his portrayal of Black culture in this movie, and, the fact that such a collection of Black consultants, musicians, actors, and writers had a major input in the story of Soul would suggest to me that these issues have perhaps only really been found through over-thinking of the movie’s story[14].

Some additional negative reviews stated that the story of Soul was confusing at times, and that it was potentially too deep for children to understand, since even some adults struggled to understand the message of the movie. In my case, I understand the overall theme of the movie: that you shouldn’t spend so much time chasing your dreams that you forget to truly experience and love life; that we need to “stop and smell the roses”. My problem with Soul was around the spark or purpose debate, which comes up multiple times throughout the film, but to me, was never clearly resolved. We are told that Joe’s purpose in life is to be a jazz musician, but that it is not a purpose that leads a soul to get their Earth Pass, but a spark. 22 manages to experience that spark for life as she goes through a day in Joe’s body. Ok, that’s all fine, and I understand that, but then what is the point of mentors and The You Seminar? Because to me, the Hall of You and the Hall of Everything seem to be trying to inspire souls to find a gift or a passion in their life, some sort of career path. Otherwise, why else would 22 be shown Joe playing the piano, or told to give science experiments and fire-fighting a go during their time together in The Great Beyond?

This is where I feel the movie let me down; not distinguishing between a spark and a purpose well enough. We all need a spark to want to live, but a purpose is also useful, because it gives us something to work towards. I don’t think it was helpful for Soul to tell people that working hard to hone a craft or talent is not what life is for, because, for some people, they need that drive to give them a reason to live.

But then again, maybe I’ve over-thought Soul, or the Pixar team really did want the movie to encourage this sort of debate. I also didn’t like how abruptly the movie ended. We don’t find out how Joe actually lives his “second chance” and we don’t know where 22 ends up. It might’ve been nice to see that, to fully wrap the movie up.

Anyway, regardless of personal thoughts on Soul, Soul did well in its first week on streaming. Soul got over 1.66 billion minutes of viewing time in the span of its first few days on Disney+, topping the Nielsen’s Streaming Top 10 List for the week of 21st December 2020. Soul successfully beat out Season 1 of Netflix’s Bridgerton (2020-present), which just so happened to also debut on Christmas Day 2020[15]

Soul went on to win the Academy Award for Best Animated Feature. It won this same award at the BAFTAs, the Golden Globes, and at the Annie Awards, where it also received awards in other categories, including Storyboarding, Writing, and Character Animation.

LEGACY

Soul never received a sequel movie; however, it did get a spin-off in the form of a short film, this being 22 vs. Earth, released on Disney+ on 30th April 2021.

22 vs. Earth is a prequel, set before 22 meets Joe Gardner in The Great Before. 22 is trying to tell other souls that going to Earth isn’t worth it. 22’s Earth Pass has still not been filled as 22 doesn’t have a reason to live. 22 devises a plan to stop all souls going to Earth, encouraging five other souls to join the mission. Without inspiration, souls can’t get their Earth Pass, so 22 and the other five start stealing things from the Hall of Everything, however, in enacting this plan, all five of the souls eventually become inspired and head to Earth, leaving 22 alone once again. The Jerrys wonder if 22 will ever go to Earth and discover the meaning of life, to which one of the Jerrys ask what that even is. The other Jerry starts to respond as the credits roll, so we never get to find out what it is, but apparently, it’s very simple! Tina Fey, Alice Braga, and Richard Ayoade reprised their roles here as 22 and two of the Jerrys.

Following on from this, there have been some references to Soul at the Disney Parks. For example, at Walt Disney World Resort in Epcot, an exhibit opened titled The Soul of Jazz: An American Adventure, which resided within The American Adventure Pavilion, specifically within The American Heritage Gallery. This exhibit provided guests with information about the roots of jazz music in America. This exhibit opened in February 2021, just two months after Soul’s debut, and closed permanently in January 2023. It was replaced with an exhibit celebrating American Indian art. Also, at Disney’s Hollywood Studios, one of the collection of 50 statues placed throughout Walt Disney World for their 50th anniversary in 2021 was of Joe Gardner playing the piano. These statues are still there today.

Following on from that, in 2024 for Pixar Fest, which ran from 26th April to 4th August at Disneyland Resort, Joe and 22 could be seen on a float during the Better Together: A Pixar Pals Celebration Parade. They also featured within the projection scenes of Together Forever – A Pixar Nighttime Spectacular. Pixar Fest also included food booths, with one of these being named The Spark, which was, of course, themed to Soul, which served the Half Note Jazz Cake, named after the jazz club seen in the film.

To add to that, Joe Gardner can be seen at the Pixar Place Hotel, playing the piano in the hotel lobby. Joe performs a few times a day, for around fifteen minutes in total, playing a variety of jazz tunes, as well as interacting with guests. This “character experience” was promoted as an activity during Pixar Fest, from April to August 2024, however, Joe seems to have been performing at the Pixar Place Hotel since its opening on 30th January 2024 until at least October. It is possible Joe Gardner still plays in the lobby outside of event dates, however, to avoid disappointment, it is best not to expect him to be there unless specifically stated. Joe is being listed as an entertainment offering for Disneyland’s Celebrate Soulfully event in February 2025 so he will definitely be back at Pixar Place Hotel then.

Also, just before Soul’s release in December 2020, merchandise was spotted throughout the Disney Parks, including plush toys, t-shirts, ornaments, pins, and a MagicBand. Soul-themed masks were also available, since this was during the pandemic and masks were required for most guests to experience the parks.

Finally, in 2024, Pixar decided to re-release three of their movies that debuted on Disney+ at movie theatres. These three movies were Luca (2021), Turning Red (2022), and Soul. Pixar felt that these movies had been made for the big screen, with audiences being cheated out of the theatrical experience by releasing them on Disney+. It was hoped that viewers would jump at the chance to see these movies again in this format[16]. Soul was the first of these three movies to be re-released in the US, on 12th January 2024, with Burrow, the short film, also being released alongside it as originally planned.

FINAL THOUGHTS

As the pandemic was a time that made everyone reflect on their lives, Soul was released at a very appropriate time, getting us to re-examine our lives and what is important to us.

The lockdowns that many of us experienced during 2020 and parts of 2021 limited our freedoms, to the point that we were not supposed to see family and friends, and some were limited to just one chance to get outside during the day.

Everyone responded to lockdowns differently, with some tearing their hair out and going stir-crazy at the feeling that they were trapped in their own homes. Others embraced the opportunity to start a new hobby and actually have some downtime for once.

It gave workers the chance to focus on their work-life balance, since so many were required to work from home. This is a message that can be applied to Soul. Soul tells us that if we spend too much time working, we don’t spend enough time living, so the pandemic gave those that did struggle with that the opportunity to re-adjust their attitudes towards work, probably for the better.

However, the pandemic was a few years ago now, and many work-life patterns have settled back to exactly how they used to be. Whilst some businesses encourage working from home either permanently, or one or two days a week, others banned the idea entirely. This shows that in terms of work, some learnt nothing from the pandemic. It then became the individual’s choice whether their avenue of work was really appropriate for them anymore, if their mindset had been changed.

I hope Soul had a positive impact on people, about appreciating the simple things in life, and I think when the pandemic did end, this was the case for many. But these types of messages rarely last long in the mind, as we are told in the media and online to continuously strive for riches, success, or fame, forgetting that often this means bypassing happiness.

I sadly don’t think the world is capable of changing for the better, with all the lessons we learnt in the pandemic being forgotten just as quickly as it all started. Success and happiness are supposed to go hand-in-hand, but rarely is that the case. To be truly happy requires a lot of internal examination and I don’t think the vast majority of us are willing to put in the work to do this. Soul’s message is a beautiful dream, but really, how many of us can honestly say that just being alive is enough?


REFERENCES

[1] Credit: Pixar, “Into the Zone: The Music and Sound of Soul”, Disney+ (2021).

[2] Credit: Josh Spiegel, ‘Soul began with the Great Beyond, then evolved in Pixar’s film about Black life’, Polygon.com, 8th December 2020.

[3] Credit: Sonaiya Kelley, ‘How Pete Docter and Kemp Powers brought the first Black Pixar protagonist to life in ‘Soul’’, LATimes.com, 19th November 2020.

[4] Credit: Jason Guerrasio, ‘The director of ‘Soul’ says that initially the movie had a completely different ending’, BusinessInsider.com, 29th December 2020.

[5] Credit: Kevin Polowy, ‘Meet the character from the Great Before cut from Pixar’s ‘Soul’ in exclusive deleted scene’, Yahoo.com, 18th March 2021.

[6] Credit: Ethan Anderton, ‘The Making Of Pixar’s ‘Soul’: From The Real World To The Great Before And Beyond’, SlashFilm.com, 9th October 2020.

[7] Credit: Terry Gross, ‘‘Soul’ Creators On Passion, Purpose And Realizing You’re ‘Enough’’, NPR.org, 23rd March 2021.

[8] Credit: Pixar, “Astral Taffy”, Disney+ (2021).

[9] Credit: Josh Spiegel, ‘Soul began with the Great Beyond, then evolved in Pixar’s film about Black life’, Polygon.com, 8th December 2020.

[10] Credit: Clémence Michallon, ‘Pixar announce new movie called Soul for summer 2020’, Independent.co.uk, 19th June 2019.

[11] Credit: Jonathon Dornbush, ‘Pixar’s Soul Voice Cast Announced – D23 Expo’, IGN.com, 24th August 2019.

[12] Credit: Pixar, “Soul, Improvised”, Disney+ (2021).

[13] Credit: Disney, ‘Disney & Pixar’s ‘Soul’ to make exclusive holiday debut on Disney+’, Disney.com, 8th October 2020.

[14] Credit: Zack Krajnyak, ‘Pixar’s Soul Made History (But Still Has One Big Racial Issue)’, ScreenRant.com, 31st December 2020.

[15] Credit: Mónica Marie Zorrilla, ‘TV Ratings: Pixar’s ‘Soul’ Tops Nielsen’s Streaming Top 10 Over Christmas’, Variety.com, 22nd January 2021.

[16] Credit: Disney, ‘Pixar’s Pete Docter on Why He’s Excited for ‘Soul’, ‘Luca’, and ‘Turning Red’ to Hit Theaters’, TheWaltDisneyCompany.com, 11th January 2024.

Good Luck Charlie, It’s Christmas! (2011)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

In 2011, Disney Channel was still creating new original movies for its viewers, still riding high from the highly successful High School Musical trilogy. It wouldn’t be for much longer that DCOMs continued to engage with audiences, with most of the movies coming after 2011 failing to hit that same mark, with few exceptions.

But that doesn’t affect anything here. It’s 2011, and Disney Channel released six DCOMs that year, with half of them being movies based around their most popular original programming at the time. Two of these were The Suite Life Movie and Phineas and Ferb the Movie: Across the 2nd Dimension. The one I’m talking about right now though is Good Luck Charlie, It’s Christmas! the first and only feature-length movie to feature the wacky Duncan family from the popular Disney sitcom.

To be perfectly honest, Good Luck Charlie (2010-14) was not a programme that I particularly enjoyed. I watched most of the first season, but it came out towards the end of my teenage years, shortly before I went off to university when I would be watching Disney Channel much less frequently than I used to.

I’m not part of a big family. I have one sister and that’s it, so watching a huge, crazy family on Disney Channel did not feel relatable to me. I’m also fairly close in age to my sister, so we didn’t even have the age gap that most of the kids in Good Luck Charlie had with their baby sister, Charlie. It wasn’t something that I felt connected to, although I’m sure other kids did and no doubt liked the show, feeling that instead of representing the typical nuclear family of a mother, a father, and two children, Good Luck Charlie decided to showcase a more modern, and, arguably, more normal, family than those of the past.

Because my interest in the series had waned quite early on, I had not seen Good Luck Charlie, It’s Christmas! before this week, though I had at least heard of it, unlike some other DCOMs, both older and newer. It’s a movie that is featured within the Disney+ Christmas Collection so I believe that’s how I first came to know about it.

Sadly, I didn’t like Good Luck Charlie, It’s Christmas! In the show, I had always preferred to see the antics of PJ and Gabe, the two brothers, and was less interested in what Teddy, the sister, was doing. However, here, the plot of the movie mostly followed Teddy and the mother, Amy, so that is one reason it didn’t work for me. The other is that it has a very similar storyline to Planes, Trains and Automobiles (1987), i.e., family members racing to get across the country to get where they need to be, in this case at Christmas and not Thanksgiving, but that minor distinction does not make the story original.

But hey, if you like Good Luck Charlie, don’t let me ruin your childhood. It is definitely a DCOM that fans of the show will like. It’s not their fault I wasn’t a fan already.

PLOT

Good Luck Charlie, It’s Christmas! centres around the antics of the Duncan family, as per the series. The Duncans consist of parents Amy and Bob; eldest son PJ; eldest daughter Teddy; youngest son Gabe; and youngest daughter Charlie. The movie starts with the Duncans at home in Denver. Although most of the family is excited to spend Christmas in Palm Springs with Amy’s parents, where they can have a Christmas in warm weather, Amy is stressing about it all. She is concerned about her parents not child-proofing their condo properly, and is worried about their usual family traditions being forgotten. Having the youngest Duncan child put the star on top of the Christmas tree seems to be the one that is bothering Amy the most, but nobody else thinks it’s that important, believing they can do that in Palm Springs still anyway. Just before leaving, Teddy finds that her best friend Ivy wants her to spend their upcoming Spring Break in Florida. Amy tells Teddy she won’t be going, which annoys Teddy, with Bob later saying Teddy can go to Florida if she buys her own plane ticket there.

But there’s no time to discuss that because they’ve got to get to the airport to catch their flight, 48 hours before Christmas morning. The trouble is Bob is struggling with a 3-in-1 child seat for Charlie, which won’t fully collapse properly, and both Gabe and PJ have been caught by security, attempting to smuggle a games console through the scanners. Well, it was Gabe’s idea; PJ was an unwilling participant. Because they had to be checked thoroughly by security after that, the Duncans are now late to board their plane so rush through the airport. Don’t worry, this isn’t a Home Alone 2 situation; they all get on the correct flight. Soon after boarding though, an announcement comes across saying that the flight is overbooked by one seat, asking if a passenger will kindly fly on a later flight, with a free round-trip ticket being given to that person for a destination of their choice. Teddy excitedly gets up from her seat, planning to use her free ticket for Spring Break in Florida. But Amy can’t leave Teddy alone in the airport, so she goes too, leaving PJ, Gabe, Charlie, and Bob flying to Palm Springs without them.

Teddy and Amy learn that the next available flight to Palm Springs isn’t until 26th December, after Christmas, as all the other ones are fully booked. Hmm, they probably should’ve checked that before getting off the plane, don’t you think? Amy tries to convince the desk agent to get them on an earlier flight – but they are then both kicked out of the airport. Turns out Amy gets quite aggressive when she doesn’t get her way! This leaves the two of them getting an 18-hour bus to Palm Springs instead.

In Palm Springs, the rest of the Duncans arrive with no trouble. They get to Amy’s parents’ complex and see it has a pool, and the weather is nice and warm – yet their condo has not been child-proofed, with precious ornaments easily accessible to toddler Charlie. Bob says to Amy’s mother, Petunia, that Charlie is likely to break these, to which Petunia tells Bob if he were a better parent, she wouldn’t do that. Casual parent shaming there.

On the bus, Teddy and Amy are also not having a great time as Amy is travel sick. At their first stop, they are both barred from boarding the bus again as the driver won’t continue with Amy in that state. Once again, Amy gets into a confrontation and the police are called. The police officer tells the two that there isn’t a train here but they might be able to get a car – if they can walk 8 miles in the snow to the nearest car dealer! They don’t have much choice, so, grabbing their luggage, they set off on foot. By the time they get to the dealer, called Lenny’s, but it’s not run by Lenny; it’s run by a guy called Daryl, who bought out Lenny but kept his same jumpsuit with the name Lenny stitched on to it – this is a recurring joke; just go with it – there is only 38 hours to Christmas morning, and the only car available to them is an old busted up Yugo – whatever that is. They buy it for $50 and start driving. Teddy has decided she’ll drive to prove she is a responsible adult, capable of going to Florida without her parents. The car drives slowly uphill, before descending quickly downhill, with its breaks not working correcting. To make it worse, it starts snowing and the windscreen wipers don’t work properly. They hope when the road flattens out, they can coast to a stop…

Back in Palm Springs, Bob is having a hard time keeping Charlie away from anything fragile; Gabe has managed to get his grandpa, Hank, addicted to his favourite video game, Galaxy of Death, to the point that he won’t let Gabe play it with him; and PJ has got terrible sunburn from using tanning oil instead of sunscreen. This leads to Petunia once more accusing Bob of bad parenting, and then Charlie knocks over the Christmas tree, causing Bob to be locked in a bedroom as some sort of weird and twisted “timeout”.

Back with Teddy and Amy on Christmas Eve morning, they are still alive and have just woken up from a night sleeping in the car. Teddy attempts to return her driver’s seat back to its upright position after reclining it to sleep, but as she tries to do this, various parts fall off the car, including the doors, completely destroying it. A car repairman comes out, who Teddy and Amy believe is Walter, as per the name stitched on his jumpsuit, but no, this is Lenny, the one who used to own the car dealer – told you it was a recurring joke… At this point, Teddy and Amy are at a loss what to do next, standing outside a diner in Utah. They overhear a couple saying they are on their way to Las Vegas, which is on the way to Palm Springs for them. They go in and buy breakfast for the couple, Stan and Sue, who are heading to a convention. Stan and Sue kindly allow Teddy and Amy to ride with them.

In Palm Springs on Christmas Eve, Gabe wakes up to find his grandpa has been up all night on the game console and he won’t listen to Gabe and stop playing, getting annoyed at the suggestion he’s addicted to it. Gabe decides to hide from his grandpa in the same room that Bob has been locked in. PJ joins them soon after, as he has been banned from sitting on the furniture in the living room due to the amount of lotion he’s put on to soothe his sunburn. So now all three Duncan boys are having a terrible Christmas – yay!

In the car to Vegas, Teddy and Amy learn that Sue and Stan are believers in alien abductions and seeing that Amy is feeling unwell again, they tell Amy that she has probably been abducting by aliens as she has all the symptoms of it. Either that, or Amy’s pregnant. Teddy turns to her mother and the secret is revealed – Amy is pregnant, having kept it a secret to surprise the whole family on Christmas Day. As the two are dropped off in Vegas, with 15 hours to go until Christmas morning, Teddy complains she wasn’t told about this new baby and as the two argue, their luggage is stolen, as they were too preoccupied with their fight to pay attention to their bags. Amy calls Bob to say they are stuck in Vegas with no bags, and he and the boys – who managed to get a break from their timeout and were in the pool – decide to drive to Vegas to get them.

In Vegas, Teddy still doesn’t want to talk to her mother, and starts busking on the street, singing Christmas songs to the public, to earn money to get some food. Amy then joins in when she sees Teddy isn’t getting anywhere, and their double act gets more attention. With enough money for food, Teddy and Amy go to an all-you-can-eat buffet, where they see their stolen luggage – and the young girl who stole it. They go to confront her but the girl breaks down in tears, saying she had no money, she’s all alone in Vegas after a friend ditched her, and she doesn’t think her mother will let her come home. Amy offers to call the girl’s mother and get this all sorted out. She does, and the mother tells her she can most definitely come home for Christmas. The only trouble is, she has no money to get her home. Teddy then has an idea; she gives the girl her free plane ticket, so she can get home for Christmas. Let’s hope the plane had free seats on Christmas Eve or that was a waste!

Meanwhile, with 8 hours to go until Christmas morning, the boys go down a quiet road that PJ thinks is a shortcut; however, they are pulled over by men with guns and taken captive in a bunker. The men holding them hostage babble something about wanting a stone. Bob and PJ have no idea what they’re talking about, but luckily, Gabe does. It turns out the creator of Galaxy of Death holds a giant in-person paintball tournament on Christmas Eve each year in the desert. They just need to escape the bunker and find their car, and then they can continue their journey. As they free themselves from being tied to chairs, Gabe says he has a plan to get them over to their car. However, Gabe actually uses his plan to win the game himself. He retrieves the stone and wins the game, pretending to be a member of the yellow team, but these three intruders are rumbled, and the game creator comes over to figure out who has messed with his game. Luckily, as the creator is on the yellow team, he doesn’t mind as Gabe won it for him! He offers them a favour – a helicopter ride.

Teddy and Amy manage to rent a tandem bicycle in Vegas to continue their journey – from a guy called Walter who sold his car repair company to Lenny, who sold his dealer to Daryl, completing this strange, ongoing joke. They ride through the night and stop at a local diner. Soon after, a helicopter arrives by the diner – it’s PJ, Bob, and Gabe; the five are finally reunited, and on Christmas morning, no less. Then, two cars arrive – it’s Petunia and Hank, with little Charlie in tow. They really are altogether for Christmas! It is then revealed that the 3-in-1 child seat has never been able to collapse because their tree star was stuck in it. Moulding it back into shape, they can complete Amy’s favourite Christmas tradition, with Charlie being lifted up to put this star on top of the diner’s Christmas tree. Amy then announces her pregnancy to the whole family, which is a surprise for everyone.

After Christmas, the Duncans are back on a plane heading home. The same announcement about the flight being overbooked is heard once again, and Teddy volunteers herself to get another free ticket. Amy tells Bob it’s his turn to go after her. Bob begrudgingly packs up his stuff to follow Teddy, saying they should be home by New Year’s Day. Well, at least there’s less of a time constraint this time!

CHARACTERS & CAST

Teddy Duncan is the most responsible of the Duncan children. She is upbeat and positive, intelligent, and supportive of her large family. For those unfamiliar with the show, in every episode, big sister Teddy records video diaries for Charlie to watch later on, detailing their family life and life lessons to remember in the future. This continues within Good Luck Charlie, It’s Christmas! Even as Teddy and Amy struggle to figure out what to do next, Teddy still manages to find time to record a message for Charlie. In this movie, Teddy wants her parents to allow her to go to Florida without parental supervision, so she goes out of her way to prove she is a responsible adult – you know, after the whole running off the plane without a plan part, because that doesn’t sound very responsible to me! Teddy actually has to look after her mother quite a lot on their journey, as Amy is both not feeling well and lashing out with her mood swings quite frequently. Luckily, Teddy has the patience of a saint and only gets upset with her mother when they get to Vegas – and it’s quickly resolved anyway.

Bridgit Mendler portrays Teddy. She first appeared on Disney Channel as Juliet van Heusen on Wizards of Waverly Place (2007-12), prior to her starring role in Good Luck Charlie (2010-14). She also starred as Olivia White in the DCOM Lemonade Mouth (2011). After a recurring role in the series Nashville (2012-18), as Ashley Willerman, and main roles in the series Undateable (2014-16) as Candace, and Merry Happy Whatever (2019) as Emmy Quinn, Mendler has since moved away from acting and pursued other business interests.

Amy has always been a busy mother, balancing her four children as well as her work, seemingly loving the spotlight, as we see when her and Teddy are busking, wanting to get more attention than her daughter, which isn’t exactly a healthy attitude to have but at least it got them some money! I don’t remember Amy being the way she is in Good Luck Charlie, It’s Christmas! in the main series, but to be fair, I only watched Season 1. I was surprised to find Amy was acting like a moody teenager through much of this movie, but I guess we’re supposed to blame her hormones for that. It was like Teddy was the parent and Amy was the child in much of this film, which I didn’t like. Amy can be funny at times, especially when she’s being sarcastic, but I didn’t like the character in this movie at all. She was unhinged.

Amy was played by Leigh-Allyn Baker. Prior to Good Luck Charlie, Baker appeared in the recurring roles of Hannah Webster in Charmed (1998-2006) and Ellen in Will & Grace (1998-2020). Baker went on to star as Liz Morgan in the DCOM Bad Hair Day (2015) and voiced characters in Disney animated series like The 7D (2014-16) and Mickey Mouse Mixed-Up Adventures (2017-21).

For the boys, we have PJ and Gabe. PJ is struggling in this movie with severe sunburn, whilst Gabe finds his plan to play on his games console all Christmas has backfired because Grandpa Hank becomes obsessed with it. They both are seemingly have a difficult Christmas, and they both don’t get nearly enough screentime for me. I always found their antics funnier than Teddy’s life, who is the main focus of the series. The only part in the movie where they really get to shine is during the paintball tournament, where they work together with their dad to help Gabe win the game. This whole tournament seemed to purely have been added to give the boys more of a storyline, but it was so random and out-of-the-blue that I struggled to really understand why it was there, which was a shame.

Bradley Steven Perry was cast as Gabe, who had quite a long history with Disney. After getting his starring role on Good Luck Charlie, Perry went on to be cast as Roger Elliston in Sharpay’s Fabulous Adventure (2011), and then went on to have lead roles in two further Disney Channel series. These were Mighty Med (2013-15) and Lab Rats: Elite Force (2016) where he played Kaz. Perry also voiced the character of Zevon, son of Yzma, in Season 2 of Descendants: Wicked World (2015-17). Outside of Disney, he was cast in the recurring role of Alec Raday in Schooled (2019-20) and now has a successful YouTube Channel featuring cooking videos, which some of his previous Good Luck Charlie cast members have appeared on, and a podcast called The Sit and Chat Podcast which Perry hosts alongside fellow former Disney Channel star, Jake Short.

Jason Dolley was cast as PJ Duncan, and he too had a long career with Disney Channel, beginning with the DCOM Read It and Weep (2006), where he played Connor. Dolley went on to star as Newt in the series Cory in the House (2007-08), and then was cast in two further DCOMs: as Virgil in Minutemen (2008), and Pete in Hatching Pete (2009). Dolley later appeared as Kevin in the ABC series American Housewife (2016-21). Recently, he wrote and starred in the short film The Unicorn That Never Lies (2024).

Rounding out the Duncan family, there is Bob and Charlie. Bob has to look after Charlie at Amy’s parents’ house as Amy is not there to be with her, and he finds it a struggle having to watch a toddler on the time, making sure she doesn’t break anything or hurt herself, because for some reason, Amy’s parents couldn’t be bothered to make their condo safe for their youngest grandchild! Bob is the more stable of the two parents, so he is holding the family together in Good Luck Charlie, It’s Christmas! Although Gabe technically wins the helicopter ride that reunites the family, you can bet it was Bob who kept the focus on finding Amy and Teddy. Gabe would have probably chosen to have a tour of the Vegas sights!

Eric Allan Kramer was cast as Bob Duncan. One of Kramer’s earliest roles was as Little John in the parody film Robin Hood: Men in Tights (1993), alongside Cary Elwes as the title character. He then went on to be cast as Dave Rogers in the series The Hughleys (1998-2002). Prior to his casting on Good Luck Charlie, Kramer had had guest roles in other Disney Channel series, such as Phil of the Future (2004-06) and Wizards of Waverly Place (2007-12). Kramer went on to be cast as Scott Miller in the series Lodge 49 (2018-19). Charlie was played by Mia Talerico.

So, that’s the main Duncan family, but we also meet Amy’s parents, Petunia and Hank, here. Petunia is quite disapproving of Bob and his parenting skills, constantly belittling him, even going so far as to put him in “timeout”. She clearly adores her grandchildren, especially Charlie, and wants to do all the typical family activities, like baking cookies, with her, but I do think Petunia was quite harsh in her dealings with Bob. He’s a grown man who’s been with your daughter for 20 years; get over it! Hank initially seems to be the calm, friendly grandpa, who has a mild obsession with mints, offering them to everyone whenever he can. Thanks to Gabe introducing him to the wide world of gaming, outside of Hank’s typical golf games, he then becomes obsessed with it, to the point he gets a tad aggressive at being told he should probably take a break…Perseverance pays off as he completes the game though!

Petunia was played by Debra Monk. On screen, Monk appeared as Denise Parsons in the legal series Damages (2007-12) and as Betty Cragdale in Mozart in the Jungle (2014-18). More recently, Monk played the recurring role of Karen Brantley in New Amsterdam (2018-23) and was cast as Miss. Armstrong in The Gilded Age (2022-present). On Broadway, Monk also played Mama Morton in a 2000s revival of the musical Chicago and Big Mama in the 2013 revival of Cat on a Hot Tin Roof. Michael Kagan was cast as Hank. For Disney Channel, he had previously appeared in the recurring role of talk show host Colin Lassiter on Hannah Montana (2006-11).

MUSIC

Good Luck Charlie, It’s Christmas! only has one original song credited to it. This is the opening credits song “I’m Gonna Run to You”, written by Jamie Houston and performed by Bridgit Mendler. This song was released as a single in November 2011 prior to the premiere of Good Luck Charlie, It’s Christmas!

Later on in the movie, there are some traditional Christmas songs performed by Bridgit Mendler as Teddy and Leigh-Allyn Baker as Amy. This is the busking scene on the Las Vegas Strip that Teddy starts doing to raise some money, before Amy comes in to make it more of a spectacle with in-song fighting, which draws the crowd in. Firstly, Teddy sings “Deck the Halls” alone, before moving on to “Jingle Bells”. Amy cuts in partway through that song, and then they both perform “We Wish You a Merry Christmas” together.

There is also a mysterious uncredited song that has led to some discussion online, as, although it is only briefly heard in the scene just after Amy and Teddy have had their fight in Vegas, many have been looking for a full version of this song because they loved it so much from the movie. It is believed the song is called “Christmas with You” and there is speculation that it is an original song written specifically for Good Luck Charlie, It’s Christmas! The singer has never been identified and a full version has never been found. It is said to have been written by Andy Dodd and Brian Dean. Another song that is unidentifiable in this DCOM is the song playing by the pool when the boys arrive at Amy’s parents’ condo, though it is barely audible so I doubt many people are looking for it!

Other songs that were uncredited but have been confirmed include “Run Run Rudolph”, a popular song that has appeared in other Christmas movies. Chuck Berry’s original version, for example, can be heard in Home Alone (1990) as the family run through the airport to catch their flight. Funnily enough, in Good Luck Charlie, It’s Christmas! the Lynyrd Skynyrd version of this same song is heard as the Duncans run through the airport. I do like this song and I like the reference to Home Alone here.

A couple of other songs in this movie are “Christmas in Vegas” by Terry Fator, which plays when Amy and Teddy are dropped off in Las Vegas after hitch-hiking with the couple who believe they were abducted by aliens. It’s a big band-style of song, which matches the Las Vegas setting well. Later, “Ya Better Believe” by Max Morgan is heard as Gabe, PJ, and Bob compete in the paintball tournament. This wasn’t the best song in the movie for me, and to be honest, I barely even noticed it; I think I wasn’t particularly bothered by the paintball stuff so I lost focus at this point.

Finally, the End Credits song is “Gotta Get Back by Christmas”, which was a decent song for the movie to end on, although not much of it can be heard over the bloopers that are shown during the credits. This song was performed by British singer Steve Rushton, who, after leaving the band Son of Dork, began a solo career and this led to many opportunities with Disney Channel. Rushton sang the theme song “Livin’ the Suite Life” for The Suite Life on Deck (2008-11). Rushton then performed and wrote two songs for Hannah Montana: The Movie (2009): “Everything I Want” and “Game Over”; as well as featured on the Wizards of Waverly Place soundtrack, performing “Strange Magic”.

David Lawrence was the composer on Good Luck Charlie, It’s Christmas! Lawrence has been the composer on many other DCOMs including StarStruck (2010), Teen Beach Movie (2013) and its 2015 sequel, as well as the original Descendants trilogy.

PRODUCTION

Good Luck Charlie was a new original programme for Disney Channel, debuting its first episode on 4th April 2010. This first episode saw Teddy making her first video diary for nine-month-old Charlie in which she introduced the whole family.

During development, the series had been titled Love, Teddy, and then Oops, before Good Luck Charlie was settled on. This three-word phrase is said by at least one character, normally Teddy, at the end of every episode. It is unclear if the overall premise of the show changed over the course of production given the different potential title names, although all three titles would still make sense to the show that was made.

Season 1 of Good Luck Charlie ran from its premiere episode in April 2010 to 30th January 2011. A second season began airing shortly after, on 20th February 2011, running to 27th November 2011. The show was popular from the outset, as it depicted a different type of family, but one that was becoming more normal. For example, Amy Duncan is a working mother, balancing her kids and her career. Bob is a dad that helps around the house and with the kids, and the series shows parents having children later in life. An adaptation was created for Disney Channel India, with this series being called Best of Luck Nikki. It ran from April 2011 to April 2016[1].

Good Luck Charlie was nominated for various awards during its time on Disney Channel. These included Primetime Emmy nominations for Outstanding Children’s Program and Kids’ Choice nominations for Favorite TV Show. Bridgit Mendler was also nominated for Favorite TV actress at the Kids’ Choice and Teen Choice Awards. Bradley Steven Perry received a nomination for a Young Artist Award for Best Performance in a TV – Supporting Young Actor in 2011. The series itself did win two British Academy Children’s Awards, for BAFTA Kids’ Vote: TV in 2011 and 2012.

Furthermore, the Good Luck Charlie series premiered to 4.7 million viewers, with this being the highest-rated series premiere for a Disney Channel series since the premiere of The Suite Life on Deck (2008-11). Good Luck Charlie’s success was only further confirmed with the creation of Good Luck Charlie, It’s Christmas!, a feature-length movie to showcase the characters in a new setting.

This new setting happened to be Utah where the majority of filming took place. This means that Good Luck Charlie, It’s Christmas! follows in the footsteps of other DCOMs, such as Read It and Weep (2006), Halloweentown High (2004), Return to Halloweentown (2006), and the High School Musical trilogy by being filmed in Utah. However, Good Luck Charlie, It’s Christmas! is not primarily set in Utah, with only one scene having Teddy mention that she thinks her and her mother are now in Utah, so the production team had to get a bit creative. For example, Salt Lake Convention Center became Denver Airport; the Pirate Island Pizza place in Orem, Utah, was the setting of the Las Vegas all-you-can-eat buffet restaurant[2]; and The Gateway in Salt Lake City was made to look like the Las Vegas Strip[3]. It would have no doubt been hugely costly, as well as a logistical nightmare, to actually have the cast and crew do a full-on road trip themselves to film Teddy and Amy’s cross-country trip so I can see why this was necessary, though it is quite clear, even to me who has not been to many areas of America, that the real-life locations were not being used here, but it didn’t bother me.

Good Luck Charlie, It’s Christmas! does not involve many stunts, or large action scenes, as it is mostly just about Amy and Teddy getting on and off various forms of transport and sitting somewhere to discuss what to do next. However, there is one moment in the movie that did require some effects work, and that is the paintball tournament that PJ, Gabe, and Bob find themselves mixed up in. The crew reportedly had to build their own paintball guns in order to lower the pressure of the bullets – since regular paintball guns are known for bruising even the hardiest of people – to keep the cast as safe as possible. They also had to make their own paintballs to add more paint so the paint splatter would be more visible on camera[4].

The movie was directed by Arlene Sanford who had directed some episodes of the long-running teen drama series Pretty Little Liars (2010-17), as well as a few within its spin-off, Pretty Little Liars: The Perfectionists (2019). Sanford also directed the live-action Disney movie I’ll Be Home for Christmas (1998). This makes a lot of sense, because Good Luck Charlie, It’s Christmas! not only took inspiration from Planes, Trains and Automobiles (1987), but also from I’ll Be Home for Christmas, which sees a college student race across the country with limited means to get home in time for Christmas Eve. My family love this movie. Geoff Rodkey was the screenwriter for Good Luck Charlie, It’s Christmas!, having previously written Daddy Day Care (2003) and its 2007 sequel, Daddy Day Camp, as well as the Robin Williams comedy RV (2006). For Disney, Rodkey also co-wrote The Shaggy Dog (2006).

RECEPTION

As is typical with Disney Channel Original Movies, Good Luck Charlie, It’s Christmas! was promoted with small behind-the-scenes videos about the making of the movie, as well as sneak peeks and trailers closer to the movie’s premiere date. It seems that the first trailer for this DCOM was shown in October 2011.

But there was another advertisement which was perfect cross-promotion, and that was having Bridgit Mendler, Jason Dolley, and Bradley Steven Perry front a Disney 365 video about Aulani, A Disney Resort & Spa, a Disney Vacation Club Resort, which opened on 29th August 2011. This Disney 365 saw the three actors showcase the resort and its activities, prior to a few clips of Good Luck Charlie, It’s Christmas! being shown[5].

Good Luck Charlie, It’s Christmas! premiered on Disney Channel on 2nd December 2011. It was then broadcast to other countries later on that month, including the UK, Ireland, and Australia – because it would have just been silly to air a Christmas movie months later in other countries, like Disney Channel did with so many of their other DCOMs.

Fans of Good Luck Charlie did like Good Luck Charlie, It’s Christmas!, with many retrospectively stating that this was one of the last good DCOMs that came from the channel for many years. It is no secret that from 2012 onwards, Disney Channel’s movies did not seem to reach the height of success that others had since 2006, when High School Musical premiered. I’d say that it wouldn’t be until Descendants in 2015 that Disney Channel recaptured some of that old magic they once had, and even since then, DCOMs have not really been the same. But that’s beside the point. Viewers liked Good Luck Charlie, It’s Christmas! because it was a wholesome movie that could be enjoyed by the whole family, and many consider it to be a childhood favourite DCOM.

On the other hand, not everyone liked it, myself included. Some felt that it dragged in places, which I agree with, and this is probably because the movie wasn’t all that funny. If you’re following the generic road trip storyline, it has to have big moments of hilarity, or else people start to get bored. It wasn’t even that the movie wasn’t funny that bothered people; it’s because the show itself was much funnier than the DCOM ended up being. Others said it was unrealistic at times, and didn’t really celebrate Christmas as you might have expected. The only Christmassy scene comes right at the end of the movie at the diner where the family reunite, but even then, it’s only a couple of minutes. Amy’s pregnancy reveal also received a mixed reaction, with some saying that having another baby would take away from Charlie who is meant to be the focus of the whole show. Amy herself was criticised too, as audiences felt she was incredibly over-the-top, more so than in the show. This is a point that I wholeheartedly agree with; Amy did seem different here to early episodes of the series.

Good Luck Charlie, It’s Christmas! pulled in 6.9 million viewers on its premiere night, becoming the top live-action cable film of the year. In comparison to other DCOMs of that year, Lemonade Mouth, released in April 2011, premiered to 5.7 million viewers, and Phineas and Ferb the Movie: Across the 2nd Dimension, from August 2011, got 7.6 million, so this was a respectable amount for Good Luck Charlie, It’s Christmas! to have[6].

LEGACY

Following on from the movie, because that whole baby thing had to be resolved, Season 3 of Good Luck Charlie began airing on 6th May 2012, running until 20th January 2013. The new Duncan was revealed to the world in episode 7 of that season, titled “Special Delivery”, in an hour-long special episode. This baby was a boy named Toby, whose name had been decided via a worldwide public vote, with Toby receiving almost 26 million votes. And just to take even more attention away from little Charlie, Toby was born on her birthday. It was also revealed in the episode that Toby’s full name was actually Toby Wan Kenobi Duncan. Haha, I see what they did there – but it really should’ve been Toby The Birthday Stealer Duncan. And then they should’ve renamed the show to simply Poor Charlie…

The public vote to name the new baby opened shortly after the premiere of Good Luck Charlie, It’s Christmas! running from 2nd December to 16th December 2011 on the show’s official website. For the boys, Noah, Jonah, Toby, Bobby Jr., and Bo were available to vote on, whilst the girls names were Sydney, Erika, Mallory, Talia, and Jenny[7].

After that, Season 4 aired on 28th April 2013 and ended on 16th February 2014. There were two special episodes within this season, with one being Episode 17, titled “Good Luck Jessie: NYC Christmas”, to create a cross-over episode with the cast of Jessie (2011-15), where Teddy and PJ are stranded in New York City due to a blizzard, after going to the city for a college tour, and meet up with the characters of Jessie.

The final episode of Good Luck Charlie was an hour-long special titled “Good Bye Charlie”. It sees Teddy going off to college, and her family throwing her a going-away party. The last scene sees the whole family – except Toby – saying goodbye to Teddy, with Teddy making her final video diary entry for Charlie. The family gather round the camera and say “Good Luck Charlie” together for the last time.

The decision to fully end Good Luck Charlie had been decided prior to Season 4 airing so the cast and crew were able to completely finish the series, with no chance of a cliffhanger not being able to be resolved. It is said that the series did not end because its popularity was declined, but it was simply that Disney Channel like to end their shows around the 100-episode mark, so it was just time for Good Luck Charlie to end. I can see the sense in this. Too many shows push their storylines to the limit and become boring and samey, airing for much too many years[8].

Due to the era we are currently living through in terms of the entertainment industry, with reboots and spin-offs everywhere you look, it is only natural that fans of Good Luck Charlie are wondering if there is a future for this show once more. It also does not help that Wizards of Waverly Place (2007-12), a show that was on Disney Channel around the same time as Good Luck Charlie, has just recently launched a reboot, Wizards Beyond Waverly Place (2024-present). At the premiere of this reboot, Jason Dolley even spoke about the potential for a Good Luck Charlie reunion. Dolley stated that it could be interesting to see where the characters ended up a decade later, with Dolley’s character, PJ, taking steps towards becoming a chef by the time of the show’s finale[9]. However, Bridgit Mendler is said to have fully stepped away from acting, so this may be a stumbling block towards a reunion. But who knows; never say never, right?

FINAL THOUGHTS

When I first started watching Good Luck Charlie, It’s Christmas!, I didn’t really know what to expect, since I hadn’t seen the show in years. I was hoping for some fun antics, with the addition of the magic of Christmas. It didn’t turn out that way.

Though I’m sure fans of the show did love this DCOM, I sadly didn’t, no matter how much I was hoping I would. I didn’t watch much past Season 1 of Good Luck Charlie, but what I did watch, I liked, so I was surprised this didn’t work out for me.

At the beginning, when the Duncan family were at the airport, I thought someone was going to end up on the wrong flight, like in Home Alone 2: Lost in New York (1992) – but that didn’t happen. And I was glad about that, because airports have so many checks now, it isn’t very likely you’d get on the wrong plane. Then, with Amy and Teddy trying to get over to Palm Springs from Denver without flying, it seemed like Planes, Trains and Automobiles (1987). It later turned into I’ll Be Home for Christmas (1998), which not everyone has seen, but it’s basically the same idea.

These three Christmas films – or two Christmas films, and one Thanksgiving film, if you want to be picky about it – are amazing. I watch all three every year and I never tire of them. That was not the case with Good Luck Charlie, It’s Christmas!

Everyone wants different things from a Christmas movie, and everyone has their own favourites. I’m well aware that some movies I love to watch at this time of year have been panned by critics and audiences alike, but I don’t care.

If you love Good Luck Charlie, It’s Christmas! for its crazy antics, its family dynamics, and its warm message about the importance of being with loved ones, then feel free to say you don’t care about my opinion too.


REFERENCES

[1] Credit: Stacey Grant, ’18 Good Luck Charlie Secrets That’ll Make You Demand a Reboot STAT’, Seventeen.com, 25th April 2019.

[2] Credit: Brooke Brown, ‘Disney’s ‘Good Luck Charlie’ cast gets movie treatment in Utah’, Deseret.com, 21st April 2011.

[3] Credit: Scott Pierce, ‘Utah stars in Disney Channel movie “Good Luck Charlie, It’s Christmas!”’, SLTRIB.com, 1st December 2011.

[4] Credit: Disney, ‘DCOM Extra – Good Luck Charlie, It’s Christmas! – Disney Channel Official’, Disney Channel YouTube Channel, 21st November 2011.

[5] Credit: Disney, ‘Good Luck Charlie in Aulani Disney 365’, Bradleyfansite YouTube Channel, 15th March 2015.

[6] Credit: Philiana Ng, ‘Disney Channel’s ‘Good Luck Charlie’ Holiday Movie Strikes Ratings Gold’, HollywoodReporter.com, 3rd December 2011.

[7] Credit: Robyn Ross, ‘Exclusive: Good Luck Charlie Fans Decide Season 3’s [SPOILER!]’, TVGuide.com, 2nd December 2011.

[8] Credit: Nellie Andreeva, ‘Disney Channel’s ‘Good Luck Charlie’ To End Its Run’, Deadline.com, 11th June 2013.

[9] Credit: Hanna Wickes, ‘OMG: Everything We Know About a ‘Good Luck Charlie’ Reboot: Cast Quotes, Plot, More’, J-14.com, 29th October 2024.

Christmas…Again?! (2021)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

I’m a big fan of Christmas films.

I make sure to watch all my favourite ones every year. But I also like to give the television Christmas movies a go, things from Lifetime and Hallmark for example, though, as anyone who has watched these types of movies will know, they are generally quite hit-or-miss and vary widely from unwatchable to amazing. 

However, although some of my favourite Christmas films are Disney, such as The Santa Clause trilogy, I have not seen any Disney Channel Original Movies which are Christmas-themed. Luckily, there really aren’t many, so I haven’t missed out on much.

Two of them were released in the early 2000s – The Ultimate Christmas Present (2000) and ‘Twas the Night (2001) – a little bit early for me to have been watching the channel. Ten years after that – yes, a whole decade – Disney Channel premiered their next Christmas-based DCOM, Good Luck Charlie, It’s Christmas! (2011). Though I liked the series, I wasn’t an avid watcher of it, so, once again, I missed the boat on that one.

It wasn’t for another ten years that the next Christmas DCOM would come into existence, this being Christmas…Again?!, a movie about a girl who gets stuck reliving Christmas over and over again until she learns the true meaning of the holiday. You’d think such a leader in children and tween programming would want to prioritise Christmas as a theme in its original movies like other channels, but, for whatever reason, they have not.

Christmas…Again?! was yet another average Christmas movie for me, however, unlike the Hallmark-style of Christmas movies, Christmas…Again?! was not aimed at someone my age. It is best suited for those under 16, and I’m sure those kids really liked it. It has its moments of comedy; it represents modern-day families; and lots of children probably wish it could be Christmas every day. It is relatable for them.

Going into seeing this movie for the first time, I really thought I wouldn’t like it at all. That did not turn out to be the case. In fact, the first twenty minutes were alright, with the original Christmas scene, and the last twenty minutes, where the main character breaks her time loop, were fine too. The problem with time loops in movies is that they can get old and boring really quickly. Christmas…Again?! fell into that category in my opinion. I don’t think the movie needed to be 90 minutes long, and some of the middle section could’ve easily been reduced. If that had happened, I might have liked this film more than I did.

PLOT

The movie begins late at night on Christmas Eve. Rowena, also known as Ro, is talking to her mother about her Top 5 Christmas memories and talking about how she wants to relive all of them this year. There is just one problem with that; this will be Ro’s first Christmas with her father’s new girlfriend, Diane, and her son, Louie, so it’s going to be different this year.

On Christmas Day, Ro is scared awake by Louie who is standing by her bed, dressed up as a ghost. This causes Ro to stumble backwards, knocking over a glass of juice onto a laptop. She then goes downstairs and tries to talk to her father about all the cool things she wants to do this Christmas, but he is too distracted by Louie to listen. Ro follows him into the kitchen and finds that Diane has eaten the special Christmas chocolate that was meant for her – gasp! Ro’s grandparents and uncles soon arrive at the house for a big family Christmas but as the day goes on, Ro finds herself and her Christmas traditions being ignored, plus things start to go wrong, like her uncles’ dog peeing on Ro’s belongings; an antique bowl being broken; the dog knocking all the food off the table; and then just when Ro thinks she can get some peace to watch the annual Christmas ice hockey match she likes, Louie starts messing with the remote control and turns the TV off. Ro chases Louie to get the remote back, but accidentally gets caught up in the decorations and they all fall to the ground with a crash. Ro is blamed by the whole family for ruining Christmas – oh yeah, and destroying her sister, Gabby’s laptop with that morning juice spill…

Ro is furious at this as she feels like her family has ruined Christmas for her, so she storms outside and starts throwing snowballs at a statue of Santa as payback for her terrible Christmas. Surprisingly, a man in a Santa suit appears from behind the statue and asks Ro why she isn’t having a great day. She tells him what’s been going on and he then asks Ro if she’d like a Christmas do-over. She says she would and wishes for one.

The next day, Ro wakes up and is surprised to find the same things happening to her, like getting scared by Louie, spilling the juice, and having all the family over again. Ro plays along for a bit but soon gets fed up with this and accuses everyone of playing a prank on her to get back at her for “ruining Christmas”. The family have no idea what she’s talking about. The next day, Ro realises that, although it is still apparently Christmas, the exact same things have not happened that day, for example, the juice didn’t spill on her sister’s laptop this time. Ro figures out she is reliving Christmas and she can change it to do exactly what she wants; she thinks she’ll enjoy this time loop she’s stuck in.

The next day, Ro decides to do things differently and orders herself a limo. When the car comes to pick her up, the man dressed as Santa from the other night – who Ro calls Tall Santa – is her driver. He asks her why she is alone and Ro simply states she wants to have a normal Christmas even if that means doing it all without her family. She goes sledging one day; goes to the pier for a Christmas event; goes to the museum; and goes to the Santas vs. Elves hockey game, eventually competing in it herself, to start ticking off her Top 5 Christmas memories list, redoing everything as she’d always planned. Ro also starts to get her own back on her family, getting up early to scare Louie instead of the other way round, and threatening Diane for the Christmas chocolate. She also decides to have some fun by pretending she’s psychic, since she knows what’s going to happen in the day, having witnessed it numerous times. Ro sets up more fun for herself by asking everyone questions and uses this information the following day to “prove” her psychic abilities.

One day, she takes the limo back to the hockey game again, but notices her neighbours acting out their same movements from the days before, like two kids having their charity money stolen by a local bully; a family putting up posters about their lost cat; and a woman dropping her groceries. Ro is then at the food stall at the hockey game and sees Tall Santa at the counter. Ro tells Tall Santa she knows what’s going to happen to all these people around her today, to which Tall Santa asks if she ever warns them if it’s something bad that happens. Ro says she doesn’t and that this do-over is just about getting her Christmas list done. Tall Santa reiterates that she should be spending time with family, even if it has changed. However, Ro doesn’t want things to change – but Tall Santa did give her an idea; her Christmas doesn’t need to change if she can get her parents back together!

This task then becomes Ro’s focus, spending days on this. She has to make sure Diane and Louie are out of the way first, so she covers Diane’s clothing with the cat hair from the neighbourhood’s lost cat – which she found but didn’t return to its owners – as she’s terribly allergic, and sits Louie in the bathtub with a laptop, saying he can watch whatever he wants. Ro then starts to get her mum and dad to relive their favourite Christmas Day, as they both told Ro on a previous day all about it. Gradually, Ro starts to piece together the perfect moment for her parents to reunite. One night, Ro and her sister dance with her parents in the living room, before leaving as their wedding song plays. Ro then dangles mistletoe above them. This doesn’t result in a real kiss and the parents start to suspect Ro is trying to get them back together. They both sit her down and tell her that they aren’t getting back together, as Ro’s father has asked Diane to marry him and she’s said yes. This devastates Ro and now her Christmas is tainted with bad memories forever…

As the time loop continues, Ro just wants everything to go back to normal and for this wish of hers to stop. She tries to destroy her penguin alarm clock which plays “Jingle Bells” to her every morning but it doesn’t work, and simply reappears each morning. Ro starts acting up during the day, saying she now relates to Scrooge in Dickens’ A Christmas Carol and doesn’t see the point of Christmas anymore, worrying her family. Ro also tries writing to Santa to get him to stop the time loop and even yells at the Santa statue outside, but nothing works and she continues to live out Christmas Day.

Eventually, Ro has a heart-to-heart with Gabby who tells her she misses the old times too, but that her parents weren’t happy together so it’s better this way really. Ro was younger when the divorce happened so she doesn’t necessarily remember any of that. Ro realises she should be spending Christmas with family and needs to stop living in the past.

Over the next few Christmas Days, Ro sets her sights on helping others. For her family, she is kind to everyone, including Louie and Diane; saves the antique bowl from breaking; and brings a mariachi band to the house for them all to enjoy. The family even sit and sing “Silent Night” together. Within the neighbourhood, Ro helps two kids with their charity money as they exchange jokes for donations and even convinces the local bully to contribute to the money instead of stealing it. She also returns the lost cat to its owners; helps the woman with her groceries; and even saves an engagement from going wrong.

That Christmas evening, as Ro and her family spend time together, the neighbours and local people that Ro helped all come to the house with food to thank Ro for her help that day. This turns into a big party and Ro gives a speech telling everyone that this was her best Christmas ever and that Christmas really is about spending time with the people you love.

The very next day, Ro expects it to be Christmas Day again, especially as her clock radio is still playing “Jingle Bells”, but it turns out it is the 26th December. Ro is very happy that the time loop is over but is surprisingly sad to see her father, Diane, and Louie packing up their things to head back home. She says goodbye to them. Shortly after, a limo arrives, with Tall Santa still driving it. He asks Ro about her Christmas list, which she completed but found didn’t make her as happy as helping others and being with her family. As he is about to leave, Ro notices Tall Santa has his own list in the limo. This is the “Second Chance List”, not the Naughty List though, making her wonder if he was the real Santa after all. As Tall Santa drives away, Ro’s name vanishes from the list.

CHARACTERS & CAST

Rowena is only twelve years old so it’s quite understandable that she would want to spend her Christmas doing things she wants to do, like going to Winter Fest and seeing the Christmas hockey match. Although I’m not sure we’re meant to sympathise with Rowena too much, it must be difficult to have to spend Christmas with a new stepbrother and stepmother, with all Ro’s usual traditions going out the window because you have to incorporate other people into the day. I admire Rowena’s dedication to Christmas with all her lists and planning, and I’m glad she got to go out and do everything she wanted during the time loop, even if that wasn’t the way to break it! It was quite obvious that the way Ro was going to stop the time loop was by being more selfless but it was still a nice message.

Rowena was played by Scarlett Estevez who had previously been cast as Megan in the movie Daddy’s Home (2015) and its 2017 sequel. She also appeared in the series Lucifer (2016-21) in the role of Trixie, before being cast as Gwen in Season 4 of the Disney Channel series Bunk’d (2015-24). Estevez went on to star as Ultra Violet in the Disney series Ultra Violet & Black Scorpion (2022). For her role as Rowena in Christmas…Again?!, Estevez was also nominated in the Best Young Actor category at the 2022 Imagen Awards.

Rowena’s parents are loving and supportive of Ro, and, despite the divorce and the added awkwardness of a new partner and son coming along, they are determined to have a nice family Christmas altogether. It’s quite common to think that divorced couples can’t even bear to be in the same room as each other, but that certainly isn’t the case here. Rowena’s mother, Caroline, is welcoming to Diane and Louie and there is no sign of animosity between them. However, Ro struggles with the fact she is no longer the centre of attention with her parents, as they are surrounded by other family members to consider, and Louie is now the youngest child in the house. Caroline and Mike, Ro’s father, try to keep Ro involved in the usual activities, but Ro is seemingly uninterested to begin with. Regardless of how Ro behaves over those various Christmas Days, her parents are honest and open with her, and clearly love her, even though they aren’t still together.

Alexis Carra was cast as Caroline, having previously appeared as Cynthia Molina in the teen drama Recovery Road (2016), and as Jessica in the sitcom Mixology (2014). Mike was played by Daniel Sunjata who some may recognise as James Holt in The Devil Wears Prada (2006), and as Brad in Ghosts of Girlfriends Past (2009). Sunjata also starred as Franco Rivera in the series Rescue Me (2004-11). Recently, he was cast as Detective Karadec in the crime drama High Potential (2024-present), alongside Kaitlin Olson.

Rowena’s grandparents are Abuela Sofia and Abuelo Hector. Their arrival causes a bit of chaos in the household on Christmas Day as Sofia struggles with an upset stomach after eating at a greasy spoon earlier that day, and Sofia asks Ro if she liked the sweater they got her for Christmas, assuming that presents had already been opened – they hadn’t. Sofia and Hector are doting, loving grandparents, as you’d expect them to be.

Abuela Sofia was played by Priscilla Lopez, who originated the role of Diana Morales in A Chorus Line in Broadway in 1975. She was also cast as Camila Rosario in the musical In the Heights on Broadway in 2008. Lopez also played the roles of Fastrada and later Berthe in performances of the musical Pippin. Lopez was cast as Veronica, the mother of Jennifer Lopez’s character, in Maid in Manhattan (2002) too. Abuelo Hector was played by Tony Amendola, who appeared in the recurring role of Geppetto/Marco in Once Upon a Time (2011-18). He was also cast as the character Bra’tac in Stargate SG-1 (1997-2007). Recently, Amendola appeared as King Levitica in the movie Rebel Moon (2023).

Then there is Diane, Rowena’s stepmother. She is trying her best to get Ro to like her, but to no avail, which is a shame because apart from eating Ro’s sacred chocolate, she seems like a kind person. Diane just wants Ro to like her and get on with her, so at the start of Christmas…Again?!, it is quite sad to see Ro being mean or dismissive towards her. Their relationship is much better by the end of the movie though, as Ro realises Diane shouldn’t be blamed for making their Christmas different this year, and that as long as Diane makes her dad happy, Ro should make an effort to get on with her. Diane also brings her son, Louie, to the family who starts off as a seemingly bratty little stepbrother to Rowena, scaring her when she wakes up and taking the remote control away from her when she wants to watch her hockey match. I think these were just cries for attention from Ro though, because when she starts to actually spend some time with him, they get on perfectly well.

Beth Lacke was cast as Diane, after appearing in other Disney projects previously. One of these was Teen Beach 2 (2015) where Lacke played Brady’s mom, and she was also cast in the recurring role of Lynne Bowen in High School Musical: The Musical: The Series (2019-23). 7-year-old James McCracken was cast as Louie in his first big screen role.

Rounding out the family are Gabby, Rowena’s sister, and her uncles Gerry and Bruce. Gabby is the older sister, so naturally, she doesn’t always get along with Rowena, and that is made even worse when Ro spills juice on her laptop at the start of the film. The biggest moment between the two of them in Christmas…Again?! comes when Gabby tells Rowena about how Christmas might not be the same but that change isn’t always a bad thing. She wants Ro to know she feels the same about things being different, yet she knows that their parents not being together is the best thing for the family. Gabby doesn’t get a lot screen time, but she makes a lot of sense. Ashlyn Jade Lopez was cast as Gabby here.

For the uncles, Gerry and Bruce also don’t get much screen time, though each has a moment with Ro when she’s trying to make amends with her family after having some difficult Christmases with them during the time loop, which they obviously don’t remember Uncle Gerry is interested in stand-up comedy and on that first Christmas Day, he attempts to deliver some of his routine to the family, however Rowena interrupts him and critiques him making Gerry even more nervous about it. Rowena gives him some encouragement as he’s about to do this routine again later in the time loop. Uncle Bruce teaches Rowena martial arts during one of the Christmas Days, so she can use it on the neighbourhood bully for stealing charity money. Uncle Gerry is played by Gabriel Ruiz, and Bruce by Sean Parris.

Finally, we have Tall Santa. Tall Santa is the one who makes all this happen and is Rowena’s guide, trying to show her the real meaning of Christmas with his occasional appearances during her Christmas activities or with crypt messages. It takes quite a lot of time – we see Ro go through so many Christmas Days in Christmas…Again?! – but eventually the message about family and helping others sticks and Ro is able to stop the time loop. We also learn that Tall Santa was the real Santa, who had wanted to give Ro a second chance at Christmas, to realise what it’s really about.

Tall Santa was played by Gary Anthony Williams. I was so happy when I saw him in this movie as I am a big fan of Whose Line Is It Anyway? (1998-present) and Gary Anthony Williams is a regular cast member in that show – and one of my favourites. For Disney, he voiced Mufasa in The Lion Guard (2015-19) prior to this movie and went on to voice the character of “Pops” in the animated series Moon Girl and Devil Dinosaur (2023-present). He is also set to voice a character in the Eyes of Wakanda Disney+ series, which is scheduled to be released sometime in 2025.

MUSIC

I was quite surprised to find that a soundtrack for Christmas…Again?! was released on the same day as the movie, consisting of five songs. Only one is these is an original song for the movie, with the other four being covers of traditional Christmas songs and carols.

The original song here is called “Christmas Again”. It was written by Sam Hollander, Josh Edmundson, and Charity Daw, and is performed by Scarlett Estevez. It is played as Rowena goes on her various jaunts around Chicago, ticking off her Christmas Wishlist, going to the museum, the aquarium, and the Santas vs. Elves hockey game, just to name a few. It’s quite an upbeat, catchy song for Christmas.

Then there is the radio track that is played every morning, “Jingle Bells” by Frankie Rodríguez. I already don’t like this song much, as I hear it too much over the festive season, but this version is at least a jazzier version of it, so I don’t mind it, though I’m sure if I had to listen to it every morning as I relived Christmas Day however many times it would get old really fast! This song is also played during the End Credits.

There is also the instrumental version of “Joy to the World” performed by Mariachi Son de Fuego. This scene takes place after Gabby has a heart-to-heart with Rowena about their new family. Rowena decides she should be making new Christmas memories with her family instead of living in the past, so she seemingly hires a mariachi band to come and play outside their house for all the family to enjoy. I do like mariachi bands so I like this number.

The final songs on the soundtrack are two family singalongs performed by the cast. The first is “Noche de Paz”, a Spanish version of “Silent Night” because this movie is based around a Latino family. This is played shortly after Rowena’s turnaround, as the family spend a happy Christmas Day evening together. Later on, there is a performance of “Silver Bells”, which isn’t a Christmas song I like, and is heard in this movie on the final Christmas Day, when all the neighbours and Rowena’s family are celebrating the day together. It’s nice to hear these two songs in the movie as singing feels like a typical Christmas activity for this family, so it felt natural.

Alongside the official soundtrack, there are four other songs that appear during Christmas…Again?! The first of these appears during the Opening Credits, as family photos pass across the screen. This song is “Little Bit of Christmas” by Juliet Roberts. Like “Christmas Again”, it is quite an upbeat, positive song. I did quite like it.

Some time later, the song “It’s Christmas“ by Clooney can be heard as Ro goes to Navy Pier and attends some sort of Christmas event there. This is more of a pop-rock song, perhaps showing Ro’s rebellion against the Christmas her family are trying to impose on her at home; instead, she’s out doing what she wants to do.

When Ro decides to get her parents back together this Christmas, two different songs play. The first is the dance tune “Epa Boom Boom” by Zalento. This is heard as Ro and Gabby dance with their parents in the living room. The girls then make a quick disappearance so that the song “Never Been In Love” by Lewis La Medica can be played instead, giving the parents a slow song to dance to. Although I liked the dance tune, I could barely hear “Never Been In Love” through all of Ro’s matchmaking shenanigans! Listening back to it now, it is good. It sounds similar to a Michael Bublé song in my opinion, like a swing-era sort of number.

The final song to mention is “My Christmas Wish” by Devin Jay Hoffman, Rhett Fisher, and Skip Armstrong, which is played during the montage of Ro attempting to destroy her penguin radio in a bid to end this Christmas time loop once and for all. Much like Ro’s attempts to get her parents back together, this does not work either. The cheeriness of this song is in complete contrast to Ro’s frustration at this point in the movie.

Outside of musical numbers, there is the score to mention. The score in Christmas…Again?! is actually quite noticeable, which I can’t always say with Disney Channel Original Movies, and that is because there are quite long stretches in this movie where there aren’t any songs. So, the score has to represent the confusion, frustration, happiness, etc., that Ro is feeling throughout all of these Christmas Days she has to experience. The score in particular does the heavy lifting during the first Christmas Day, to get across Rowena’s feelings of annoyance and sadness at the change to her normal Christmas, as well as the scene of Tall Santa granting her do-over wish. The score was composed by Nathan Wang. Wang had previously composed the music for other DCOMs including Hatching Pete (2009); Minutemen (2008); and Wendy Wu: Homecoming Warrior (2006), amongst many other non-Disney projects.

PRODUCTION

It was confirmed that production on Christmas…Again?! had begun in November 2020. At the same time, the cast members were announced, as was the director, Andy Fickman, the screenwriter Doan La, and the executive producer Betsy Sullenger. The basic premise of the story, about the Christmas time loop and Ro’s wish to have a Christmas like she’d always had before her father got a new girlfriend, was also revealed[1].

It is known that Christmas…Again?! took inspiration from a couple of places. One of these was from the 1892 short story Christmas Every Day, written by William Dean Howells, where a child wishes for it to be Christmas every day, and relives the day through a time loop which only ends when the true meaning of Christmas is learnt. This story had already been used in a prior Disney project, this being the segment Donald Duck: Stuck on Christmas, which features within Mickey’s Once Upon a Christmas (1999). For this segment, Donald Duck’s nephews, Huey, Dewey, and Louie are the centre of the story.

Others see Christmas…Again?! as mostly being inspired by the movie Groundhog Day (1993), potentially one of the most memorable movies to feature a recurring time loop. In this case, Bill Murray’s character, Phil, only manages to stop this time loop by learning the importance of love and in doing so, becomes a better version of himself. Some moments of Christmas…Again?! do imitate those with Groundhog Day. For example, Rowena’s clock radio plays “Jingle Bells” to her every morning to wake her up, in the same way that the radio plays Sonny & Cher’s “I Got You Babe” every day to Phil, letting him know it’s Groundhog Day yet again. Both radios also play the same song even after the time loop is broken, just to give a moment of doubt to the characters and viewers that this might still be the same day. Also, when Rowena is getting fed up of reliving the same Christmas Day over and over, she tries to destroy her penguin radio to get it to stop. It simply reappears the next morning. For Phil in Groundhog Day, he gets so bored that he starts to do very reckless things, like driving off a cliff and committing robbery because he knows he’ll just wake up the next day.

Andy Fickman was chosen to direct Christmas…Again?! He had directed the movies She’s the Man (2006) and Parental Guidance (2012) before Christmas…Again?! and was no stranger to Disney Channel, as he had also directed numerous episodes of the series Liv and Maddie (2013-17). Fickman said that he had always liked Groundhog Day and the concept of that film so was happy to make a Christmas-themed movie that took inspiration from that same type of story. He also responded to the central blended family within the story and their challenges in navigating that with new partners and their children. Fickman said he enjoyed working with Scarlett Estevez as she was so enthusiastic. Most of the cast mostly just acted out the same motions during each time loop, but Estevez had a more difficult challenge, by having to base her performance around how her character was feeling in each and every time loop, of which there were apparently around 50[2]. I wouldn’t know because, funnily enough, I didn’t count them!

Christmas…Again?! was filmed from November to December 2020, during the COVID-19 pandemic, so that added another layer of difficulty to the production. Cast and crew were required to wear masks when not filming and production would have to shut down for days at a time if anyone tested positive for the virus.

The movie was filmed in and around Chicago in Illinois. Illinois and Chicago are popular places for Christmas movies to be set, however, not too many of these are actually filmed there too. Two that I found that were both set and filmed in Chicago are Home Alone (1990) and While You Were Sleeping (1995), although this second one may not be considered a Christmas movies by some. Regardless, Christmas…Again?! takes full advantage of Illinois for its filming locations, as well as its wintry weather. Some areas that are seen within the movie include Navy Pier, the Museum of Science and Industry, and Millennium Park, all in Chicago. The Shedd Aquarium and the 360 Chicago Observation Deck in the John Hancock Center are also shown.  The cast supposedly loved filming in Chicago as the LA locals got to experience some snowy, cold weather at Christmastime[3].

RECEPTION

A sneak peek of Christmas…Again?! was first shown around July 2021, showing the scene of Rowena asking Tall Santa for a Christmas do-over. It was confirmed at this time that the movie would be released in December that year[4].

Christmas…Again?! premiered on Disney+ and Disney Channel on the same day, 3rd December 2021. It reportedly drew in 0.5 million viewers from its Disney Channel premiere, but exact figures are difficult to find. This might sound low, however, with the release of Disney+, it is likely that many families have turned away from watching live television and now fully focus on the streaming service instead. Viewing figures for the Disney+ release of Christmas…Again?! were not announced so it is unclear how popular it was at the time.

In terms of reviews, these were easier to come by. With all the Christmas movies that are shown on television or on streaming services every year, both old and new, Christmas…Again?! had a lot of competition. Viewers who enjoyed the movie said it was charming if somewhat predictable. Given that the movie was based on a typical plot point of a time loop, as well as being inspired by a hugely recognisable 90s film, the story was quite easy to guess. Others also said they thought Estevez did well in the lead role, especially as the whole movie revolved around the character of Rowena so she really had to hold it all together. The general consensus was that Christmas…Again?! was not a bad Christmas movie, but that it was not the best one either.

On the downside, some felt the movie could’ve benefitted from giving the other characters more screen time, to give more balance to the plot, as it was just focused on Rowena. Others said it was boring and not that funny, and did not appreciate that it was a “rip-off” of Groundhog Day. I don’t have a problem with movies using similar ideas as other films, so the Groundhog Day similarities didn’t bother me, however, I would agree that Christmas…Again?! was a bit boring in places. I felt that some of the time loop montages were too long and could’ve definitely been edited. I also did not find the movie particularly funny, but I am aware that I am not the target audience.

Although I personally don’t plan on watching Christmas…Again?! again, I think for families, this would be an enjoyable film to sit down and watch together over the holiday season as it wasn’t a terrible film, just a bit average.

LEGACY

Christmas…Again?! was Disney Channel’s first Christmas-themed movie in a whole decade. Since there have only been a handful of Christmas-themed DCOMs, this means that Christmas…Again?! is featured in the Disney+ Christmas Collection every year.

It also appears within the typical movie ranking articles that come out at this time of year. For example, in 2023, Christmas…Again?! ranked at No. 24 on Cosmopolitan’s “Top 40 Christmas Movies on Disney+” list[5]. It ranked at No. 37 on Good Housekeeping’s list[6]. For the record, I don’t agree with most of the rankings within either of these lists. Personally, I think they need some serious rearranging.

After Christmas…Again?!, Disney Channel did release another Christmas-themed movie, The Naughty Nine (2023), which premiered on Disney+ a day later. Perhaps this is showing that Disney Channel are trying to get more involved in the Christmas movie space now, especially with the added bonus of the streaming service’s availability. Many television channels and streaming platforms release new content for the holiday season, with Netflix potentially being Disney’s biggest competitor. Netflix markets their content very well – although their 2024 Christmas movie selection was quite disappointing – so if Disney+ want to entice new viewers, they need to up their Christmas game!

FINAL THOUGHTS

The message of Christmas…Again?! is that Christmas is all about family and helping others, something that children can forget if they get consumed by thoughts of presents – or in Rowena’s case, checklists.

This is a lovely idea and very true to most people. Spending time with family at Christmas can be magical, and being thoughtful of others does make you feel warm inside. However, this movie presents the image of a perfect Christmas that many cannot replicate.

Although Christmas is an amazing time for some, it is not for others. As adults, most of us lose that child-like wonder for the holiday season, instead being consumed with worries and pressures of the day. Is there enough food for everyone? Are there going to be arguments? Can I put up this joyous exterior for a full 24 hours even though I don’t feel the same inside? Or simply, how will I get through the day?

Whatever the reason, Christmas or the general holiday season is not always easy and we shouldn’t be telling people how to celebrate it because there is no “one size fits all” way of doing this. I struggle with Christmas at times. I enjoy the build-up to it, with the movies, music, and TV specials but when the day arrives, I feel consumed by all this pressure to have the best Christmas ever.

What we should be telling people is you should spend Christmas however you want. Spend it with family or don’t, if you find that difficult. Treat it like a normal day or fill it with fun and frivolity. You can even just do your best to ignore it if it’s a really hard time for you.

Whatever the plan, make Christmas how you want it to be. Christmas…Again?! makes Rowena seem selfish for wanting to have her own plans for Christmas, but in actual fact, it’s not always selfish. Sometimes it’s healthy and necessary to take time for yourself, even during Christmas. 


REFERENCES

[1] Credit: Alexandra Del Rosario, ‘Disney Channel’s ‘Christmas Again’ Kicks Off Production, Reveals Cast For Holiday Time-Loop Flick’, Deadline.com, 10th November 2020.

[2] Credit: James Mercadante, ‘‘Christmas Again’ Director on How Scarlett Estevez Helped Shape the Movie’s Time Loops’, TVInsider.com, 1st December 2021.

[3] Credit: Jason Beeferman, ‘Every day is the holiday in Chicago in new Disney movie ‘Christmas Again’, ChicagoSunTimes.com, 29th November 2021.

[4] Credit: Disney, ‘Christmas Again?!’ I Sneak Peek I Disney Channel Original Movie I Disney Channel YouTube Channel, 11th July 2021.

[5] Credit: Leah Marilla Thomas, ‘The 40 Best Christmas Movies on Disney+’, Cosmopolitan.com, 20th November 2023.

[6] Credit: Marisca Lascala and Lilli Iannella, ’41 Best Christmas Movies on Disney+ Filled With Holiday Magic’, Good Housekeeping.com, 16th November 2023.