Upside-Down Magic (2020)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

Fantasy novels have always been popular with adults and children alike.

They give people an opportunity to escape from the mundanity or the stress of real life and enter a new world where those problems don’t matter, paling into insignificance when compared to the troubles of mystical lands.

Within the world of fiction, some major fantasy series from the years include Discworld by Terry Pratchett; The Chronicles of Narnia by C.S. Lewis; Philip Pullman’s His Dark Materials trilogy; and of course, J.K. Rowling’s Harry Potter series. But the fantasy world is always open to new writers, and one new novel to hit the shelves in September 2015 was Upside-Down Magic, the first in a series, which Disney optioned straight away.

There have been other occasions when Disney Channel have made movies based on books, such as Read It and Weep (2006), which was based on the novel How My Private, Personal Journal Became a Bestseller by Julia DeVillers, and Twitches (2005), which was based on the T*Witches book series, by H.B. Gilmour and Randi Reisfeld.

Using a novel as a basis for a movie is a good way of introducing books to younger audiences, because, if they enjoyed the film, they may want to read the book it was based on. Or it gives the book’s fanbase a new way of enjoying their series. Since the first book in the Upside-Down Magic series had been published five years prior to the release of the movie, Disney Channel were probably hoping that the readers of the books would be excited by the making of this movie. 

I wasn’t expecting much when I watched Upside-Down Magic, and I certainly was not looking forward to it. I thought I’d find it boring and childish, and, since I’d never heard of this film or the book series it is based on, I couldn’t imagine that it was any good. In actual fact, I did quite like Upside-Down Magic, despite not being the target demographic. It was a good mix of fantasy, mystery, and coming-of-age drama, although it missed the mark with others, who felt it resembled a certain series a little too much. 

PLOT

Upside-Down Magic begins with the main character, Nory, saying how her mother used to tell her that everyone has their “something”: a talent. Nory’s mother died when she was only seven-years-old. At this age, Nory discovered she had magical talents after turning into a cat one afternoon just by looking at it through a window.

Six years later, Nory is preparing to go to Sage Academy to learn all about magic. She is luckily going with her best friend Reina, who has fire magic. Nory is incredibly excited about going to Sage Academy, but Reina is nervous about it. Nory tells her it’s all going to be great and that Reina’s magic is amazing. Nory, on the other hand, struggles to control her magic and shapeshifts into strange hybrid animals.

Nory and Reina go to the bus stop to get to their new boarding school. Many other magical kids are waiting too. Here, we learn that Nory’s mother was a student at Sage Academy. Suddenly, a random guy comes out of the bushes and sends the parents away, saying he is there to take the children to the school. Because that’s not weird at all when you’re going to magic school, I guess. The grumpy guy escorts the kids through the forest, telling them not to use magic on the way. Soon, they arrive at a mess of twisted branches with a hole in the middle. This is apparently the entrance to the school, but there seems to be nothing beyond it. The moody guide walks through the gap – and disappears. Nory and Reina hold hands, take a deep breath, and step through too, arriving at a beautiful school.

At Orientation, the children meet their headmistress, Ms. Knightslinger. She tells them that Sage Academy consists of five different “schools” based on different types of magic: “Fuzzies” are those who can communicate with animals; “Flickers” are those with telekinesis; “Flares” have fire magic; “Flyers” can fly, of course; and “Fluxers” transform into animals. Each one of them must go through a placement test to see if they are talented enough to be placed into the Honours Programme for their type of magic.

For the Flares, students must light a candle from six feet away. The Fuzzies must answer questions about a dog. Flickers have to bring a vase towards them. Flyers are instructed to fly three feet in the air, hover, and then land. Fluxers must turn themselves into a tabby cat, hold the form for six seconds, and return to normal. Throughout the placement tests, there are a mixture of performances. For example, in the Flares test, Reina does perfectly but a student called Elliot can only create smoke. In the Flickers’ exam, a girl called Pepper can only push the vase away from her, not bring it to her. In the flying test, a boy called Andres flies up too high and gets stuck on the ceiling. And then, there’s Nory, who transforms into a cat briefly – but then transforms into a cat with dragon wings…

In the quad, each student is given their results on a card. Nory and Reina look at theirs together. Reina has been admitted into the Flares Honours classes, but Nory’s card simply says “UDM”. As the other students head off to get their uniform, Nory is pointed towards the forest and follows the signs to “UDM”. Her new “school” is situated in an underground cave and is led by the grumpy man who took them to the school, Mr. Skriff. He is both the school’s groundskeeper and the teacher of the UDM programme. Nory sees she is joined by Elliot, Pepper, and Andres. Mr. Skriff tells them that these four are here because they have what is called “upside-down magic”, basically meaning their magic is defective so there is no place for them at Sage Academy as they cannot do magic “the Sage Way”. In the UDM programme, they will not be learning magic, but will be doing real school work or other tasks around the grounds as they wait for their magic to disappear.

As Nory protests against this, Ms. Knightslinger arrives to tell them that they are unteachable and their magic is of no use to the world. Nory asks why they can’t be given a chance to correct their magic. Ms. Knightslinger tells them about a former Flares student called Reginald from Sage Academy in 1939. He had upside-down magic and was soon a target of “Shadow Magic”, a type of magic that consumes someone and is difficult to defeat because of its darkness. Ms. Knightslinger says that those with upside-down magic are the targets for Shadow Magic, so they are separated from the others to both protect the world and themselves from this possibility. Nory is devastated.

Meanwhile, Reina in Honours Flares class is told that she must continue to be great or risk being demoted to Basic Flares class. Her teacher, Professor Argon, also tells the class about Founders’ Day, where the best student from each magical school is given the opportunity to present their magic at a ceremony. To decide who that is, the two top students from each school of magic compete against each other in the Sage Match. Reina is nervous, especially without Nory there to boost her confidence, but gives her first lesson a go: popping corn. Reina does well, until she hears a scoff from a kid in her class, which distracts her so she then burns the corn. Professor Argon warns her she’ll need to do better than that.

Nory is sad to be separated from Reina, especially as she learns that the UDM students have to clean the school with Mr. Skriff. As Nory is sweeping, she stumbles upon a Fluxer lesson, where she hears about the Sage Match and Founders’ Day. Nory is determined to fix her magic by the day of the Sage Match, so she walks into the Fluxer lesson and tries to transform herself into a cat. It doesn’t work and she instead becomes a strange mix of an elephant and a bird. Mr. Skriff rushes over to calm Nory down so she can turn back to normal. He escorts her away, reiterating that the rules are there to protect her.

Throughout the days that follow, the UDM students learn that they are being segregated from the other students, so Nory and Reina cannot talk often. Reina continues to struggle with the pressure of the Flares programme, whilst Nory, with help from her fellow UDM classmates, tries to control her magic in secret, ready for the Sage Match. After a particularly difficult class for Reina, she bumps into a girl who tells her that she is much more powerful than Philip, the top student in Reina’s class. This girl is called Chandra who tells Reina to come find her if she wants help harnessing her power. Hmm, how cryptic… Nory then gets to talk to Reina briefly, where they both lie that they are having a great time at Sage Academy. Reina later heads to the library where a book on Shadow Magic appears to her. Scared by this book, which seems to follow her, Reina runs away. But the book appears in her room later that day, as she practises her corn popping. The book automatically opens to a page called “Manifesting Your Untapped Power”. Before Reina knows what’s happening, the Shadow Magic engulfs her.

At the Sage Match the next day, Reina easily beats Philip in the Flares test and is the winner; she will now get to present her magic at Founders’ Day. Now, it’s Nory’s turn, who has gate-crashed the event. Nory seems to be doing well turning herself into a cat, but she struggles to keep the form and morphs into a mix of a cat and dragon, a “dritten”, once again. Reina tries to make a “sparkle fireball”, Nory’s favourite type of magic, to calm her, but something goes wrong and the fireball strikes Nory. She falls and returns to normal. Reina apologises to Nory for hurting her, not knowing why her magic seems so strong.

Mr. Skriff and the UDM students arrive at the Sage Match to get Nory back to class. Ms. Knightslinger threatens Mr. Skriff with dismissal from his job if he can’t control his students, saying the UDM class is now banned from attending Founders’ Day. Annoyed at his mistreatment by the headmistress, Mr. Skriff tells the kids that he is just like them. He is a Fuzzy, but instead of talking to animals, he can only sing to them. He no longer wants to be a part of the UDM programme, as it makes kids feel bad for being different, so Mr. Skriff vows to teach them how to do magic the “UDM Way”, not the “Sage Way. But before doing this, Nory goes to Reina to talk to her about her uncontrollable magic. The Shadow Magic reappears to Reina in her room, and she tells Nory to leave. Hurt, she does and throws herself into UDM lessons.

During these lessons, Mr. Skriff helps Nory by getting her to visualise different hybrid animals and tells her to make them into topiaries. Now, she’ll be able to morph into any strange creature she wants. For Andres and his flying, Mr. Skriff ties a hosepipe to him to see how high he can fly. He can fly above the treetops, but the real issue is how quickly he launches off the ground; this is something Andres learns to control. Pepper is taught how to use her “push” ability by clearing leaves from the forest, whilst Elliot’s smoke power comes in handy for getting rid of bees’ nests.

The night before Founders’ Day, Reina is annoyed that Chandra has turned up again, telling her about the wonders of Shadow Magic. She shouts at Chandra to leave her alone, which concerns the other Flares who think Reina is talking to herself as they cannot see anyone near her. Reina runs into the school but Chandra follows her, telling her that she is even more powerful than Reginald, the previous Sage student who gave in to Shadow Magic. Reina accepts the magic just as Nory comes in to the room. Nory tells Mr. Skriff about Reina and they decide the Shadow Magic is waiting until the right moment; it’s waiting until Founders’ Day so it can cause the most amount of chaos.

At Founders’ Day, sure enough, during the presentation of the talents, Reina starts to create a fireball, which consumes her and becomes a huge shadow figure. Ms. Knightslinger is horrified to find that a student with “normal” magic could’ve been taken in by Shadow Magic. The Sage students are ordered by their teachers to collectively use their magic to stop it. The Flares try launching fireballs at it; the Fuzzies get birds to attack; the Fluxers are…useless, turning into farmyard animals and cats; the Flyers cannot launch off the ground; and the Flickers manage to tear the shadow figure into four, making it worse.

The UDM kids then burst in to the ceremony to use their magic instead. Pepper uses her “push” ability to push the four shadow figures back into one. Elliot then uses his smoke ability and Andres flies up to it. These two abilities confuse the shadow who begins to twist as it tries to catch Andres. Nory then transforms into her “dritten”, the cat-dragon hybrid, and flies around, twisting the shadow further and making it fall to the ground. The Flare students are about to launch a fireball to destroy the shadow, but Nory shields the shadow. Mr. Skriff tells the teachers to remember that the shadow is still Reina. Nory is given the chance to plead with Reina to fight the Shadow Magic. Reina begins to form her sparkle fireball, pushing against the force of the Shadow Magic. She manages to create and launch it, destroying the shadow once and for all. Reina is alright and her and Nory reunite.

After this event, Sage Academy has learnt to accept UDM kids, discontinuing the programme and letting them join normal lessons with the other students, meaning that Nory, Pepper, Elliot, and Andres are accepted for their different abilities in their respective schools at last. Mr. Skriff has even become a teacher for the Fuzzies. There is no “Sage Way” anymore. But there is one final thing. The Shadow Book is revealed to still be in the library, showing that it still remains. Will any student be safe from it?

CHARACTERS & CAST

Nory is the main character of Upside-Down Magic, being a Fluxer at Sage Academy, as she can transform into animals. However, she knows before she even gets to school that her magic is not quite right, as her animal transformations are not regular animals. Because of this she is labelled as having “upside-down magic”. All Nory wants to do is to be accepted at Sage Academy so she does everything in her power to fix her magic, but it doesn’t work. Those with “upside-down magic” can never be “normal”; they have to accept that and work on the type of magic they do have. Nory is a very upbeat, optimistic character, who doesn’t wallow in self-pity when she learns the school of her dreams wants her to lose her magic forever. Instead, Nory gets the other UDM kids to believe that they are worthy of the school and their magic, and that together, they can prove they are valuable.

Izabela Rose was cast as Nory, this being her breakout role. Rose was later cast as Quinn in The Curious Case of Dolphin Bay (2022), which is sort of a DCOM, sort of not, as it was another co-production with Disney Channel. After Upside-Down Magic, Rose also appeared as Young Jess in the Disney Channel series Secrets of Sulphur Springs (2021-23).

Reina is Nory’s best friend and she is part of the Honours Flares programme at Sage Academy. Reina is nowhere near as confident as Nory, needing Nory to boost her self-esteem before they even get to Sage Academy. Reina had nothing to worry about though as her fire magic is considered to be one of the best. However, without Nory, Reina lets self-doubt and other students’ abilities get in her head so she starts to struggle in her classes. That is why she becomes a target for Shadow Magic, because she thinks she needs it to be great and the Shadow Magic is only too happy to make Reina think that. Thanks to Nory, Reina manages to fight against the Shadow Magic. Hopefully after that event, Reina has learnt to have more self-confidence because it’s not Nory’s job to talk her up every day.

Reina was played by Siena Agudong. Agudong had previously appeared in the recurring role of Natlee in the Nickelodeon series Nicky, Ricky, Dicky & Dawn (2014-18), as well as playing the title character of Nick in the Netflix series No Good Nick (2019). After Upside-Down Magic, Agudong went on to appear as Young Billie Wesker in the Netflix series Resident Evil (2022) and as Melody in The 4:30 Movie (2024).

Elliot is another Flare, like Reina, except he has never been able to conjure fire. Instead, Elliot only conjures smoke, which is seen as completely useless to the Sage teachers. Elliot is the joker of the UDM class; despite clearly not liking the fact he has been confined to a basement for his schooling at Sage Academy. Like the other UDM students, Elliot learns that making smoke can have its uses. Elliot was played by Elie Samouhi, who had previously played Chewy in the Netflix series Team Kaylie (2019-20) and was also cast as Rodney in Season 3 of Disney Channel’s Bizaardvark (2016-19).

Pepper is a Flicker, except she can’t use her powers to bring anything towards her, only away from her. To be honest, although I understand how this doesn’t fit the “Sage Way”, I don’t quite understand why anyone with telekinesis would only want to bring things towards them. Surely, the Flickers should be able to both push and pull things? I also didn’t even realise this was a problem during Pepper’s placement test. I thought she just lacked discipline and decided to throw the vase at the teachers in protest against the discriminatory aspect of the placement test. Obviously not! Pepper is still the rebellious one in UDM class though. She was played by Alison Fernandez, who had previously played Lucy Mills in Season 7 of the ABC series Once Upon a Time (2011-18). She also appeared in the Netflix Team Kaylie (2019-20) as the character Amber.

The final UDM student to mention is Andres who is a Flyer, however, he has become so scared of his flying abilities, that he can’t control, that he wears a backpack filled with bricks to keep him on the ground at all times. Thanks to Mr. Skriff, Andres does manage to control this and should be seen as superior to the other flyers who can’t fly anywhere near as high. Andres is quite shy at the start of Upside-Down Magic, not wanting to talk to Nory when she tries to on their walk to the school at the start of the film, but comes out of his shell as he gets to know the UDM students. Max Torina was cast as Andres, who appeared as Ramon in the Disney Channel series Raven’s Home (2017-23).

Chandra, the personification of Shadow Magic, lurks the halls of Sage Academy, looking for opportunities to talk to Reina. The Shadow Magic has obviously picked Reina for her strong magical ability and lack of confidence, making her the prime target. Chandra is a necessary character, as Reina is not making friends at Sage Academy. If Chandra can make Reina feel like she is a valuable asset to the school, Chandra will be able to talk her round to accepting the Shadow Magic. Sure enough, this scheme works. Chandra was played byYasmeen Fletcher, who had previously appeared as Kaitlin in the Disney Channel series Andi Mack (2017-19). After Upside-Down Magic, Fletcher was cast as Nakia Bahadir in the Disney+ and Marvel series Ms. Marvel (2022).

Now to the teachers. Mr. Skriff is the groundskeeper and teacher of the UDM programme. Mr. Skriff isn’t a happy teacher, being very matter-of-fact with his role at the school and the fact that UDM kids are not “wanted” there. This is because Mr. Skriff knows this all too well, having been a UDM student himself, but being allowed to work at the school after the UDM programme finished for him. Mr. Skriff did not allow his “Fuzzy” powers to disappear either, practising them in secret. He turns out to be a really great teacher, after he decides to go against Sage Academy’s rules and help out the UDM kids, as his teachings allow the Shadow Magic to be defeated once more. Kyle Howard was cast as Mr. Skriff. Prior to his role in Upside-Down Magic, Howard had previously starredas Oliver Weston in the sitcom Your Family or Mine (2015), as well as being cast as Dr. Paul Van Dyke in the comedy drama Royal Pains (2009-16).

Ms. Knightslinger is the strict headmistress of Sage Academy. She is quite harsh on the UDM students when she is informing them that they are a danger to the world; that they must not practise their magic so that they will cease to be special; and will have to go off into the real world and have normal lives. You’d think you’d want to let the UDM students know about this is a gentle way, but no, Ms. Knightslinger would rather just escort them off the grounds straight away, but with their magic still being “upside-down”, she has to allow them to stay there for the time being. Luckily, after the UDM class take down the Shadow Magic, Ms. Knightslinger comes to her senses and shuts down the UDM programme, making Sage Academy an inclusive place. Ms. Knightslinger was played by Vicki Lewis, who has some history with Disney, having played Dina Reams in the DCOM Den Brother (2010), as well as appearing as Ms. Bitterman in a few episodes of the Disney Channel series Sonny with a Chance (2009-11). Lewis is also the voice of Deb in Finding Nemo (2003) and its sequel Finding Dory (2016).

Finally, we see two other teachers in Upside-Down Magic. One is the Fluxer teacher, Professor Han. Nory walks in on Professor Han’s lesson and tries to get involved, but it all goes terribly wrong. Professor Han seems scared by Nory’s hybrid animals and does nothing to try and calm her down. Professor Han does seem like a kind teacher though, unlike Reina’s teacher, Professor Argon, who is incredibly strict and hard on Reina. The way she talks during those corn popping lessons you’d think Reina was about to be demoted to the Basic Flares programme, but instead, she is picked as the second-best student in the Honours programme. Maybe it’s one of those teacher things where they see you have potential and decide to be very hard on you to make you achieve it, which could go either way depending on the student you’re talking to.

Professor Han was played by Elaine Hao who appeared as Anne Roche in Seasons 2 and 3 of Snowpiercer (2020-24). Professor Argon was played by Cynthia Kaye McWilliams who plays Cathy Montgomery in the dark comedy series Average Joe (2023-present). She had previously been cast in the recurring role of Kacee Franklin in Seasons 1 and 2 of Prison Break (2005-17), and as Trina Shaw in Real Husbands of Hollywood (2013-22).  

MUSIC

Upside-Down Magic is not a musical, therefore, the score is heavily relied on to get across moments of wonder and hope, like during the scenes of Reina and Nory’s arrival at Sage Academy; times of mystery, such as those around the Shadow Magic; and in scenes of peril, for example the big Founders’ Day showdown scene with Reina and her Shadow Magic.

For me, I found the piece of music at this point the best in the whole film, particularly the moment when the UDM student make their grand entrance into the Founders’ Day ceremony and are the ones to defeat the Shadow Magic. This track is named “Shadow Magic Showdown”. The entire score is available on the Upside-Down Magic official soundtrack, which was released on 23rd October 2020.

The score was composed by British composer Tom Howe. Howe is the composer on the popular AppleTV+ series Ted Lasso (2021-present) and has also collaborated with Aardman Animations on the music for a couple of their movies, including A Shaun the Sheep Movie: Farmageddon (2019), and Early Man (2018) with Harry Gregson-Williams. Howe is also the one behind the theme music for The Great British Bake-Off (2010-present).

There was a song that apparently followed the End Credits; however, this is not the case on Disney+. The End Credits simply use a track from the score, so I’m guessing this song only appeared during Disney Channel airings of the movie. It was a cover of the song “Everything’s Magic” by Angels & Airwaves, released in September 2007. It peaked at No. 11 on Billboard’s US Hot Modern Rock Tracks. For Upside-Down Magic, the main cast, Izabela Rosa, Siena Agudong, Alison Fernandez, Max Torina, and Elie Samouhi, all appeared in a music video for this song. This music video was uploaded to the DisneyMusicVEVO YouTube Channel on 31st July 2020, the date of the movie’s premiere. To be honest, after hearing the Angels & Airwaves original version, I much preferred that to the Disney cover of the song; it’s a much more polished performance, but it looks like the cast had fun anyway.

Then, we get to Mr. Skriff’s weird animal songs that come out of nowhere, very loudly and very abruptly. I would say it’s strange but then this is a Disney film; they’ve built a legacy on film characters singing to animals! He sings the first one when he proves to the UDM students that he is one of them, with the animals only coming to him or doing what he says when he sings to them; they don’t do anything if he just talks. Mr. Skriff sings again when Elliot cannot use his smoke powers quickly enough to smoke out the bees from their nest; Skriff sings to the bees to stop them wanting to stinging them and to apologise for ruining their home. Mr. Skriff launches into a quick song during the final scene too, as Nory explains that Mr. Skriff has become a teacher to the Fuzzies. Jeannie Lurie is credited as the creator of the original songs, so I’m assuming this applies to Mr. Skriff’s songs. Lurie has written songs for other DCOMs and Disney productions including some songs within Hannah Montana (2006-11), including “True Friend”; the song “Fearless” in Girl vs. Monster (2012); “You’re My Favourite Song” in Camp Rock 2: The Final Jam (2010); and “Something About the Sunshine” in StarStruck (2010).

The only other song to mention is The DNC’s song “Upside Down”. A brief excerpt is first heard as the movie title is revealed on screen. It returns for the montage of the UDM students perfecting their magic their way.

PRODUCTION

The production for Upside-Down Magic, alongside its cast and crew members, was announced around August 2019, though Disney had optioned the first Upside-Down Magic story for development in 2015. The first book was published in September 2015[1].

Since that first story, the Upside-Down Magic series has spanned eight books, with seven being published by the time the DCOM premiered, becoming a New York Times bestselling series. The books were co-authored by Sarah Mlynowski, Lauren Myracle, and Emily Jenkins. All three had co-authored the Young Adult book How to Be Bad, published in 2008, prior to writing Upside-Down Magic[2]. The Upside-Down Magic series centres on a collection of kids who have magical powers that go awry quite often whilst at school because their magic is “wonky”. They are put in the “Upside-Down Magic” class.

Upside-Down Magic the movie, was filmed in Vancouver during the summer of 2019, with one of the filming locations being Shawnigan Lake School, a boarding school on Vancouver Island, in British Columbia, Canada. Many of the campus buildings were turned into Sage Academy for the movie, including their chapel, library, and quad, as well as other school buildings. There were even opportunities for some of the actual school’s students to be extras in the film[3].

The rest of Upside-Down Magic’s scenes mostly take place in the forest surrounding Sage Academy, as this is where the UDM class is based. Director Joe Nussbaum said that they wanted to embrace the organic nature of magic, so most of their magic is based on the elements such as fire for the Flares, air for the Flyers and Flickers, and animals for the Fuzzies and Fluxers. The production designer on the movie, Bill Boes, stated that to match this specification, they could only use natural materials such as bark and wood, and there would be no metals or stainless steel in the production. As a contrast between the elite of Sage Academy, and the wonkiness of the Upside-Down Magic class, Sage Academy has clean, organised, bright classrooms, whereas UDM is housed in an industrial-looking, underground basement in the forest.  

Joe Nussbaum has directed other teen and tween-centric movies such as Sydney White (2007), which starred Amanda Bynes; Sleepover (2004); and the Disney movie Prom (2011). Nussbaum was also one of the executive producers on the Disney Channel series Gabby Duran & the Unsittables (2019-21). He is credited as an executive producer on Upside-Down Magic too, alongside Susan Cartsonis and Suzanne Farwell. Farwell had previously worked with Nancy Meyers on some of her movies, including The Parent Trap (1998); The Holiday (2006); and It’s Complicated (2009) before starting up the production company Resonate Entertainment alongside Cartsonis[4].

The DCOM Upside-Down Magic was written by Nick Pustay and Josh Cagan. Pustay had written the screenplay for Ramona and Beezus (2010) with Laurie Craig prior to his work on Upside-Down Magic. Josh Cagan had written the screenplay for the teen comedy movie The DUFF (2015) and co-written the live-action DCOM Kim Possible (2019). He went on to work on the DCOMs Spin (2021) and Under Wraps 2 (2022).

Upside-Down Magic features more Special Effects than most television movies because of all the magic effects. The actors liked working with the Special Effects team on their characters’ magical abilities, being given sketches and help from the stunt co-ordinators to tell them what was meant to be going on during the scenes, because, in most cases, they weren’t going to be seeing any of these effects in person, although Max Torina did have to be hoisted up by cranes as part of Andres’ flying ability, and Siena Agudong had wires through her clothes and tapes on her hands to produce Reina’s fire magic[5].

RECEPTION

A teaser of Upside-Down Magic was first shown during the premiere of ZOMBIES 2 on Disney Channel on 14th February 2020. It was going to be their next DCOM release after all, so excitement had to build. A full trailer was later released on 18th June 2020, announcing that Upside-Down Magic would premiere on Disney Channel on 31st July 2020.

On its premiere date in the US, Upside-Down Magic is said to have drawn in around 1.3 million viewers. When you consider that High School Musical 2 (2007) got 17.2 million viewers on its debut, remaining the top most-watched DCOM of all time, this looks quite bad for Upside-Down Magic. It certainly sounds negative in comparison, but Disney Channel Original Movies have struggled to reach anything close to those numbers since 2017, when Descendants 2 was released. The top viewed DCOM of 2020 was ZOMBIES 2, with 2.5 million viewers, so compared to that, Upside-Down Magic did not do badly.

Anyway, views aren’t everything, although reviews were mixed for Upside-Down Magic too. On the positive side, some viewers liked the overall message of the movie, about being yourself and not underestimating people, and said the movie had better than expected special effects. The general consensus is Upside-Down Magic is a good movie for children, especially those unfamiliar with Harry Potter.

Anyone who was familiar with Harry Potter though seemed to hate Upside-Down Magic, with the term “rip-off” being used. Although Reina and Nory’s characters were mostly enjoyed, the other characters, both students and teachers, were seen to be quite one-dimensional, with the teachers just being mean and the UDM kids being stereotypical. I don’t agree with that statement particularly, although so much of the story was focused on Nory and Reina that the UDM kids didn’t get much screen-time in total, so we learnt less about them. The teachers were quite cruel to be fair and with little reason why.

But the biggest complaint was just how much Disney had changed the source material when making their film. For one thing, the characters in the original stories attend Upside-Down Magic classes at Dunwiddle Magic School, not Sage Academy. In book seven, released just before the movie, it seems that the characters of the book move to Sage Academy. Whether this was the authors adjusting their story to fit Disney Channel’s movie plot, or if it was Disney getting information about the seventh book prior to writing their screenplay, I don’t know. Another change is that Elliot does not produce smoke when he attempts to conjure fire in the book, but instead makes the fire freeze. Flickers turn objects invisible, and don’t have telekinesis. Pepper in the book is also not a Flicker; she is a Fierce, where animals are scared of her. Other UDM students were omitted from the movie. That is usually necessary in any book-to-film adaptation. Mr. Skriff replaced the character of Ms. Starr, who was Nory’s teacher in the book. Reina was original to the movie[6].

Basing something on known source material is usually a lose-lose situation for anybody, as you’ll get complaints if you stray too much from source material; if you stick too closely to it; or if you cut too much out of it. Having said that, although I have not read the books, looking at the number of changes that were made, I can kind of understand what the readers might have been upset about.

LEGACY

The ending of Upside-Down Magic left the movie open for a sequel, as the Shadow Magic book came back, showing it could target another student.

However, there has not been any talk of a sequel coming from Disney Channel. Some fans have said that they would like an Upside-Down Magic 2, but it’s already been five years since the first movie was released, so it’s looking less and less likely that there will be one. It’s possible this was due to the negative reviews that the movie received, especially those concerning the differences between the DCOM and the book series.

This isn’t the first time a DCOM has suggested a sequel movie that has never come. Just two examples of this are Girl vs. Monster (2012) and Secret Society of Second-Born Royals (2020). For whatever reason, these two movies did not lead to sequels. Upside-Down Magic was not the first DCOM to have an open ending and it won’t be the last. Disney Channel could theoretically revive any of these potential movie franchises, but given the amount of time that has passed, they’d either have to re-cast all the characters or set it however many years in the future, with these kids now being adults. If you liked the movie of Upside-Down Magic but hadn’t read the books though, there are eight of those to enjoy, with seemingly the final book in the series being published in 2021.

One other thing to come out of Upside-Down Magic was the game Magic My Way, which launched on the DisneyNOW app. In the game, you could play mini games based on each of the five magic schools in Sage Academy. The app was discontinued in September 2024; however, the website is still available. DisneyNOW has clips, movies, and full episodes of programming from the channels Disney Channel, Disney Jr., and Disney XD on its website still, even with Disney+ being around.

FINAL THOUGHTS

I had never heard of Upside-Down Magic before this week, and I surprised myself by quite liking it. The story wasn’t particularly unique, I’ll accept that, and even I managed to guess who was going to be the one to succumb to Shadow Magic, which is saying something because normally I’m too absorbed in films to guess ahead, but again, I didn’t care that it was predictable. I think what I liked was the familiarity of the story and setting. 

And yet, Upside-Down Magic opened itself up to negative comparisons between it and the Harry Potter movie franchise that couldn’t be shaken. The Harry Potter books continue to be loved and cherished by readers, and the film franchise opened the world of Hogwarts up to an even larger audience, with some of these viewers never actually having read a Harry Potter book. I’m a big fan of the Harry Potter movies, but I haven’t read the whole series of books.

Anyway, this isn’t about Harry Potter, but the franchise is a good example of how a movie adaptation of a book can launch the story to new heights. I’m assuming this is what Disney Channel hoped to do with Upside-Down Magic, just on a smaller scale.  

 Personally, I didn’t even think of Harry Potter whilst I was watching. Upside-Down Magic was more similar to Disney’s Sky High (2005) for me, with the placement tests and one group of students being considered lesser than the others, i.e., the heroes and the sidekicks, but the lesser group coming to save the day against all expectations.

Upside-Down Magic might have hoped to be the Harry Potter of its generation, but it did not happen that way. Despite its message about being true to yourself and not letting anyone tell you you’re aren’t worthy, Upside-Down Magic as a film did not live up to expectations and was not able to differentiate itself in a market full of fantasy series.

That’s the way it goes in the entertainment industry sometimes and proves that making a movie or series based on a well-known novel is just as risky as going with a completely original story.


REFERENCES

[1] Credit: Denise Petski, ‘Disney Channel Sets Cast For ‘Upside-Down Magic’ Movie As Production Begins’, Deadline.com, 19th August 2019.

[2] Credit: Broome Shearouse, ‘Meet the co-authors of Upside-Down Magic’, OomScholasticBlog.com, 29th September 2015.

[3] Credit: Shawnigan Lake School, ‘Disney Magic’, Shawnigan.ca, 29th July 2020.

[4] Credit: Alexandra Whyte, ‘From Nancy Meyers flicks to turning Disney Channel upside down’, KidScreen.com, 20th July 2020.

[5] Credit: Disney, ‘Inside the Magic I Upside-Down Magic I Disney Channel’, Disney Channel YouTube Channel, 2nd August 2020.

[6] Credit: Sarah Mlynowski, ‘Upside-Down Magic’, SarahM.com, no date.

#10 Up (2009)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

2009 saw the release of Pixar’s tenth feature film, Up.

It had been quite a ride for the Pixar Studios from their very first movie, Toy Story in 1995, up to this point. In just over a decade, Pixar had securely positioned themselves as one of the best studios in terms of creating family-friendly, high-quality animated movies.

Within their first ten movies, Pixar had followed the lives of toys, fish, monsters, rats, and even robots, and each time, they were met with critical acclaim. With Up, they were going to do things just a little bit differently, by focusing for once on normal people.

Although there are many human characters within the first ten Pixar movies, they are not normally the focus of the movie, and end up as more of a sidekick – like Linguini in Ratatouille (2007) – or the cause of trouble, such as Boo in Monsters, Inc. (2001). The Incredibles did come along in 2004, but that was about superheroes, not ordinary humans. Up was going to be all about human emotion and human connection, being much more relevant to real life experiences than anything Pixar had done before.

By the time Up debuted in theatres, it had been three years since The Walt Disney Company had acquired Pixar, but they weren’t done there. Disney were in the midst of purchasing Marvel Entertainment in 2009. In the movie world, Disney Animation were releasing their own movie, The Princess and the Frog, which had been heralded as Disney’s big return to hand-drawn animation[1]. Sadly, it did not exactly pan out that way and The Princess and the Frog was a bit of a disappointment to the company.

But The Walt Disney Company had nothing to worry about when it came to Pixar’s big movie of 2009 because Up was met with widespread praise. Its first ten or fifteen minutes were considered to be a huge movie moment in itself, and the rest did not disappoint. Though praise for Up has cooled since 2009, mostly due to Pixar continuing to hit it out of the park with their more recent films, it still has its fans.

For me, I did like Up when I first watched it at the cinema. However, as the years have gone by, Up is not one that I choose to see. I liked it enough when I re-watched it this week, because it has touching moments as well as some funny characters, but there’s just something about it that doesn’t make me love it. I think it’s the whole sense of adventure and going to lands unknown. That’s just not me, so having Up set in such an unfamiliar place makes me less interested than the more fantastical or even mundane Pixar movie settings.

PLOT

Up begins in a movie theatre, where a small boy is watching a documentary about the explorer Charles Muntz, who went to South America in a dirigible with some dogs and claimed to bring back the skeleton of the Monster of Paradise Falls. It was later discovered to be a fake, so Muntz vowed to only return once he had captured the creature alive, however, he never returned. Still, Muntz was a hero to many, especially this young boy, Carl.

Carl heads home after the movie, but hears a girl shouting from an abandoned house. Carl is intrigued because she is shouting “Adventure is out there”, Muntz’s catchphrase; she must be a fan too. Carl goes in and meets Ellie. She lets Carl join her club for adventurers, even giving him a badge made out of a grape soda bottle top to show his commitment to the club. Ellie says she can help Carl retrieve his blue balloon which he let go of as he entered the house and has floated up to the ceiling. Ellie takes him to the next floor and tells him to walk across a wooden plank over to it, assuring him it is safe. Carl then falls through the ceiling, proving it was not safe. At home with a broken arm, Ellie returns Carl’s balloon by flying it through his bedroom window. She climbs through it too and shows Carl her Adventure Book, saying how she dreams of going to Paradise Falls, just like Muntz. She makes Carl promise he’ll build them a blimp so they can go one day.

Then, we see that Carl and Ellie got married. They bought a house, renovated it, both got jobs at the zoo – Ellie as a zookeeper, Carl as the balloon seller – and then try to start a family. However, it turns out this was not on the cards for them, and they instead try to save up to head to Paradise Falls. But life doesn’t work out that way, and they keep having to use their money to fix broken roofs, replace car tyres, etc. As they approach old age, Carl finally gets enough money to buy them plane tickets there, but as he is about to surprise Ellie with this, she is taken ill and ends up in hospital. Ellie does not recover and sadly dies, leaving Carl with only his memories and their brightly coloured house.

We then see that Carl is still living in the same house, playing out the same daily routine, and yet, everything around him has changed whilst he has stayed the same. I Carl is living in the middle of a huge construction site, refusing to sell his house to the developer. Later that day, a boy called Russell shows up at Carl’s front door. He is part of the Wilderness Explorers troop and wants to gain his “Assisting the Elderly” badge, so offers to help Carl with something. Carl isn’t interested, but Russell won’t leave until Carl comes up with something. Carl claims to have a bird problem in his yard, a made-up bird called a “snipe”. Russell vows to catch the snipe in his yard for him and heads off on his search.

Then, Carl is bothered yet again, by a construction vehicle reversing in front of him. It doesn’t stop in time and accidentally hits Carl’s mailbox. He is furious with all these workers not being careful and damaging his property. As one of the workers tries to help Carl fix the mailbox, Carl becomes angry, tells him not to touch it, and then hits him over the head with his walker, leaving the worker with a bloody gash on his head. Carl runs inside as the rest of the site staff rush over to assist. Carl is later summoned to court where he is ordered to go to Shady Oaks Retirement Village to live out the rest of his days; they’ll collect him tomorrow.

But Carl won’t come quietly. When the people from the retirement village come for him the next morning, Carl gives them his suitcase and says he just wants to say goodbye to the house. However, this was all a trick and as the nurses go to wait for him in their van, suddenly, thousands of balloons pop up behind the house and it is lifted into the air. He can finally fulfil his promise to Ellie and take them over to Paradise Falls – what has he got to lose trying anyway? As Carl settles himself in his armchair, close to his makeshift steering device, he thinks he hears a knock at the door. How can that be; he’s thousands of feet in the air? Carl ignores it, thinking it’s all in his mind. But there it is again. He goes to the door.

And who should be there, but the Wilderness Explorer Russell, who is hanging on to the porch for dear life. He says he was on the porch, chasing a snipe, which may’ve actually been a squirrel, when the house took off. He begs to be let inside. Carl initially refuses, but then relents. Russell runs inside and is soon fascinated by Carl’s floating house. Russell gives the steering a try, much to Carl’s annoyance. Then, Russell just starts talking about everything. Carl doesn’t want to hear that right now, and turns his hearing aid down while he tries to get them down so Russell can get home. But Russell starts waving his arms around, looking scared. They are about to fly right into a storm. Despite Carl’s attempts to steer them away, they are sucked in. Objects in the house start flying all over the place, and Russell is almost thrown out the front door that keeps opening and closing. Carl tries to protect all of his and Ellie’s belongings, but passes out.

Carl wakes up to find them in calmer weather. Russell is just glad he isn’t dead! Russell proudly announces that he steered them through with help from his handy GPS tracker – which he then proceeds to drop from the house. Carl plans to drop Russell at the nearest bus stop, and releases some balloons to decrease the altitude. But they come to a misty area and start to see land much quicker than they expected. The house crashes onto rocky terrain, with Carl and Russell being tossed overboard. Carl hangs onto the house by its hosepipe and almost falls off a cliff. Once the mist clears, Carl sees that they have made it very close to Paradise Falls – just the wrong side of the cliff; Paradise Falls is all the way over on the other side. Him and Russell will have to walk the house over there.

In the jungle, dogs seem to be hunting a bird, but these dogs are different because they have collars that allow them to talk. As they get close to this bird, they hear static – it is Carl’s hearing aid acting up again. Carl and Russell have made it into the jungle and are going on with their trek, despite Russell’s protests about being too tired to walk and how he needs a break. I used to whine just like that about having to walk far! Russell becomes distracted by some tracks on the ground and follows them, believing them to be the snipe. At one point, the tracks stop and Russell snacks on a chocolate bar as he figures out what to do. But the bird starts eating the chocolate. It comes through the bushes and is shown to be a huge, multi-coloured bird. Russell takes the bird over to Carl, who is shocked that his made-up “snipe” actually exists! Russell begs Carl to let him keep the bird, which he has named Kevin. Carl says he can’t, but Russell asks “Ellie”, who Carl keeps talking to, who says he can keep it. Carl can’t be bothered to argue and Kevin follows them anyway.

They get to some more rocks and hear a voice. Carl assumes there must be a human nearby, although he is thrown by the fact this man seems to say “I can smell you”. It turns out Carl was trying to converse with a rock, because no-one can see through the mist. Russell notices all the rocks are funny shapes and points out one that looks like a dog. But this dog is real! He comes over to them and they discover it can talk and his name is Dug. Dug tells Carl and Russell that his collar, built by his master, allows him to talk and that he is looking for a bird. Dug then sees Kevin and asks to take him “as his prisoner”. Carl says he can, but Russell tells Dug to leave Kevin alone.

Carl now has Russell, Kevin, and Dug on this journey and tries his best to ignore them, even trying to lose Kevin and Dug at one point by throwing a piece of chocolate and one of the tennis balls from his walker deep into the jungle – but it doesn’t work. Dug is then contacted by the other dogs, who see that Dug has the bird. They can smell people around here though, and see that Dug is with a “small mailman”. They track Dug to get to them.

Russell tries to set up camp for the night, but becomes frustrated that he can’t put up a tent. Carl is surprised that the Wilderness Explorer “expert” has never been camping. Russell tells Carl that his dad promised to take him camping but he’s busy, working away a lot. Russell says he tries to talk to him on the phone, but that Phyllis says Russell annoys his father too much. Carl is shocked to find Russell calling his mother by her first name, to which Russell responds that Phyllis isn’t his mum; his parents are divorced, or at least separated. Russell says once he gets his new badge, his father will come to the ceremony where he’ll receive it and everything will be great. He then gets Carl to promise they’ll protect Kevin, even telling him to cross his heart, which is something Ellie used to get him to do too…

The next morning, Carl wakes up to see his house’s balloons are drooping, so they need to get moving. Kevin starts calling out into some twisty rocks, where Carl and Russell learn that Kevin is a girl and needs to get back to her babies; she leaves. Shortly after, Carl and Russell – and Dug – are surrounded by dogs. The dogs are angry with Dug for losing the bird, and decide to take Carl and Russell back to their master.

They make it to a cave, where Carl excitedly learns their master is the explorer Charles Muntz! Muntz is tickled by the fact Carl is walking his house to Paradise Falls and invites them in for dinner. There, they see that Muntz has a whole pack of dogs, who work as his staff, cooking and cleaning for him. They are allowed inside Muntz’s airship, the legendary Spirit of Adventure, which doubles as a home and museum for all of Muntz’s achievements. Over dinner, Muntz tells Carl about his need to find the Monster of Paradise Falls and bring it back home, so that nobody will ever call him a liar or a fraud again. Russell sees the skeleton and says it looks just like Kevin. Carl quickly tells Muntz the bird has gone and they don’t know where it is, but Muntz knows they know more than they are letting on. Carl tries to make a quick exit with Russell, but Muntz tells the dogs to chase them.

As Carl and Russell attempt to outrun the dogs, with the floating house still on their backs, Dug tries to slow the dogs down. Kevin returns and throws them all on his back, running through the rocky cliffs to get them to safety. At one point, they reach a gorge. Kevin jumps over it, but Alpha, Muntz’s lead dog, bites Kevin’s leg, injuring her. Alpha is shaken off, and Carl, Russell, Dug, and Kevin make it to the other side. Russell patches up Kevin’s leg, telling Carl they need to get her home.

Muntz is angry with his dogs for losing them, but uses the tracker on Dug’s collar to follow. As Russell, Carl, Dug, and Kevin make it back to Kevin’s home, they find Muntz’s ship right above them. Muntz successfully catches Kevin after setting light to Carl’s home. Carl is too distracted with stopping the fire to save Kevin, and she is taken into the ship. Russell is distraught, but Carl tells him he didn’t ask for anything of this and just needs to get to Paradise Falls. He goes alone, getting his house where it needs to be.

Carl goes into his house and sits in his chair. He looks at Ellie’s Adventure Book, disappointed she couldn’t be here too. Carl then sees pictures in the back of the book he’s never noticed before. It’s pictures of their life together, with a note from Ellie telling him to have a new adventure of his own. Carl knows what he needs to do. Carl tries to speak to Russell, but he goes off to get Kevin, using just a few balloons and a leaf blower. Carl throws all his furniture out of the house so it can float again and he can follow him. Dug knocks on the door and sadly says he was there because he loves Carl. Carl tells Dug to get inside and agrees to be his new master.

Russell gets over to Muntz’s airship but is quickly caught and tied up. Muntz then sees Carl’s house through the window. Muntz puts Russell on the gangway and it starts to open, causing Russell to fall out of the ship. Carl catches him just in time and puts Russell inside the house, telling him to stay there. Carl goes on to Muntz’s ship with Dug. Using the vents, Carl and Dug get to Kevin, who is being guarded by the dogs. Using another tennis ball from his walker, Carl distracts the dogs and shuts the door on them. They alert Muntz. Russell then proceeds to not do as he’s told and falls out of the house, clinging onto the hosepipe to save him, but the house now starts to float away, as the hosepipe was tying the house to Muntz’s ship. Muntz orders his dogs to shoot down the house, as he goes after Carl. The two have a sword fight, and Carl manages to escape after spitting his false teeth into Muntz’s face! Him and Kevin get on to the roof, with Dug being pursued by the dogs. Dug manages to put Alpha in a “cone of shame”, making Dug the new Alpha.

Meanwhile, Muntz has followed Carl and Kevin to the roof. Russell has managed to climb the hose and flies the house towards them. Dug arrives and they all get into the house, but Muntz shoots at the house, causing it to fall. Carl jumps out and tries to save the house and everyone in it from falling. Muntz bashes his way into the house with his shotgun. As Russell, Dug, and Kevin cower in the living room, Carl has an idea; he tells Russell to grab hold of Dug and Kevin. He waves a chocolate bar at them and Kevin jumps through the window to get it. Muntz attempts to follow but his legs get caught in balloons and he falls.

Kevin, Dug, and Russell didn’t make the jump – but they are found dangling on the hosepipe. That hose was attached to the house, and now it is not. Carl watches as his house falls to the ground, knowing he did the right thing. They then reunite Kevin with her babies, and Carl, Russell, Dug, and the other dogs take the airship home.

Back home, Russell is at his badge ceremony, having successfully “assisted the elderly”, but his dad doesn’t show up to pin it on him. Carl arrives to do this instead, but actually gives him the grape soda badge Ellie gave him as a child. Carl says Russell rightfully deserves to have “the Ellie badge”. Although Russell’s father was not there to see this, his mother was, as was Dug, and all the other dogs. Carl and Russell then sit on a curb together eating ice cream and counting cars like Russell remembers doing with his dad as the Spirit of Adventure flies above them. We also see that Carl’s house drifted down to the exact spot by Paradise Falls where Ellie and Carl had always dreamt of living.  

CHARACTERS & CAST

Carl Fredricksen is a bit of a curmudgeon at the beginning of Up, but it’s not entirely his fault he acts this way. His wife has died, and her memory is everywhere within his house, and he is feeling pressure to sell his beloved home as it sits within a construction site. Life has gone on without him, and Carl is struggling to figure out how to move forward. Instead of accepting that his life is over, Carl comes up with a crazy plan to keep his home and his childhood promise to wife Ellie to finally take her to Paradise Falls – and how is he going to do that? With a ton of balloons, obviously. This crazy idea leads Carl to Paradise Falls, but this journey also leads him to a kid who just wants to feel supported; to a dog who wants a kind master; and a bird who just needs help to survive. Carl, with help from Russell and Dug, manages to save Kevin from Carl’s former hero-turned-madman Charles Muntz. They then learn to take care of each other. Carl becomes Dug’s new “master”, giving Dug a home and Carl a new purpose in life. Russell also gives Carl some purpose, as he never had children so felt alone in the world without Ellie. Now he has Dug and Russell, Carl doesn’t have to be isolated anymore, and it gives him a reason to keep on living and feel more upbeat too.

Ed Asner was chosen to be the voice of Carl. Asner is known for his portrayal of the character Lou Grant in the sitcom The Mary Tyler Moore Show (1970-77), and then reprised his role in the spin-off Lou Grant (1977-82). He won numerous awards for his character in these shows, including three Golden Globe Awards in the 1970s and five Primetime Emmys throughout the 1970s and into the 1980s. Asner was no stranger to voice acting either. Prior to his role in Up, he had voiced the character of J. Jonah Jameson in the animated series Spider-Man (1994-98), as well as voicing minor roles in other series such as Recess (1997-2001) and W.I.T.C.H. (2004-06). More recently, Asner was cast as Abe Rifkin in the Netflix series Dead to Me (2019-22), and Claude in Muppets Haunted Mansion (2021). He was also Santa Claus in Elf (2003).  Asner continued to reprise his role as Carl in other Pixar projects until his death in 2021. He stated that he liked voicing the role and even finished the movie wanting to be more like Carl[2].

Then we have Russell, who is dedicated to becoming a great Wilderness Explorer. Wilderness Explorers are just like the Scouts or something similar, working towards badges and doing outdoorsy activities, like tracking animals and camping. Russell hasn’t had his father around to help him with some of these activities, but he continues to try his best and has a lot of badges to prove his hard work. Russell meets Carl – or Mr. Fredricksen, as he is known to Russell – because he needs to assist someone elderly to get his next badge. After Carl tells Russell to hunt a fictional bird called a snipe, Carl is forced to spend more time with Russell as they end up stuck on Paradise Falls together. Carl ropes Russell into walking his house over to the waterfall so that Russell can properly assist him and get sign-off on his badge. Although this isn’t exactly what Russell had in mind, it leads to him meeting and protecting an endangered animal, the “snipe” Kevin. Even when Carl seemingly abandons Kevin, and puts her in harm’s way, Russell is determined to rescue her from Muntz and reunite her with her babies. It’s Russell that really knocks some sense into Carl, who knows he was wrong to abandon Kevin and can’t let Russell be in danger as well. Russell helps Carl become a happier person, by allowing him to focus on a new adventure, instead of living his life in the past. Russell needs a fatherly figure in his life and with his father busy, he is only too happy to have Carl there for him.  

Russell was voiced by Jordan Nagai. Pixar were quite adamant they did not want to hire a kid who already had acting experience, as they wanted someone who was just as innocent and unsure as a child would be in the situations that Russell finds himself in. In this way, Jordan Nagai was just like a regular kid, however, because of this, he did struggle at times with his recording sessions. Co-director of Up, Pete Docter, worked with Nagai on this, doing different exercises with him to get Nagai to deliver his lines in just the right way. Russell is an incredibly likeable character, so Nagai did a great job with his voice acting here. Nagai has since moved away from acting and is seemingly pursuing a different career.

Then there is the adorable, lovable Dug. He is just one of Charles Muntz’s pack of dogs, with there being around fifty of them. Muntz’s other dogs have been trained well, either being sent away to track the bird, what Muntz calls the Monster of Paradise Falls, or being used as Muntz’s “household staff”. Dug isn’t exactly like that, because he isn’t particularly focused and although he tries hard to track the bird, Dug isn’t as competent as the others at doing this. I’m surprised Dug wasn’t just Muntz’s pet, to be honest. Anyway, luckily, he wasn’t otherwise we would never have seen him in this movie. Instead, Dug is a key character, abandoning Muntz as his master and joining Carl and Russell on the “good guy side”. Dug initially wants to take Kevin back to Muntz as “his prisoner”, but soon learns that he’d rather be with Carl and Russell, as they are kind to him and don’t order him around. Dug fully betrays his master by helping Carl and Russell escape the other dogs, and then has a big moment in the final battle as he manages to lower Alpha’s rank within the pack and inadvertently make himself the new leader, making his journey go full circle as it wasn’t long before that he was placed in “the cone of shame” for his incompetence.

Bob Peterson, the co-director of Up, voiced Dug and was very happy to do this, because Dug is a joyful dog who loves everyone and everything. He is a young labrador and it is said these dogs have very little short-term memory, which is just Dug all over[3]! Peterson also voiced the leader, Alpha, who has two different “voices” in this movie, his real deep tone of voice, and then the high-pitched one when his collar is broken. Peterson had worked on the earliest Pixar movie, Toy Story (1995), within the animation department, and continued to work on other Pixar films in both a story and voice acting capacity. For example, Peterson co-wrote the screenplays for Finding Nemo (2003) and Cars 3 (2017), but has also voiced other Pixar characters, including Roz in Monsters, Inc. (2001) and its spin-offs, and Mr. Ray in Finding Nemo. Peterson also wrote, created, and directed, as well as reprising his voice role of Dug, in the animated short series Dug Days (2021-23).

The dogs Beta and Gamma were voiced by Delroy Lindo and Jerome Ranft, respectively. Lindo has recently appeared as Adrian Boseman in The Good Fight (2017-22) and as Edwin Alexander in the Hulu series UnPrisoned (2023-24). Lindo has also been cast in the upcoming horror film Sinners (2025), which will star Michael B. Jordan. Jerome Ranft is the brother of Pixar legend Joe Ranft, who passed away in 2005. Ranft is a character sculptor for Pixar having worked on many of their movies including A Bug’s Life (1998); Finding Nemo (2003); Cars (2006); and Brave (2012). Ranft took over two voice roles in two sequels from his brother: Jacques in Finding Dory (2016) and Red in Cars 3 (2017). 

Finally, we have the villain of Up, Charles Muntz. He was a heroic explorer who discovered new lands and creatures, bringing them back to the US to show off his discoveries. However, when his latest skeleton of the Monster of Paradise Falls is found to be a fake, Muntz vows never to return home without bringing the bird back with him alive. Because of this, and Kevin’s skill for losing hunters, Muntz has been stuck in Paradise Falls for decades, trying to get this bird so he can go home and prove he wasn’t a liar. For Muntz, this is all about his pride; he doesn’t care about conservation or animals, and doesn’t even consider the distress Kevin is in at the point she is captured, or about the fact she has babies that need her and will die without her. Muntz just needs to get the bird and then get home – and he doesn’t need an elderly man and a child stopping him from doing so.

Charles Muntz was voiced by Christopher Plummer, perhaps best known for his role as Captain von Trapp in The Sound of Music (1965). Plummer portrayed Rudyard Kipling in The Man Who Would Be King (1975) and in more recent years appeared as John Adams Gates in National Treasure (2004); as Henrik Vanger in The Girl with the Dragon Tattoo (2011); and replaced Kevin Spacey as J. Paul Getty in All the Money in the World (2017), for which he was nominated for Best Supporting Actor at the Oscars. Plummer had won the Best Supporting Actor Oscar for the role of Hal Fields in the comedy-drama film Beginners (2010), winning other accolades as well. Plummer was also cast as Harlan Thrombey in the mystery film Knives Out (2019). In terms of voice roles, Plummer had some experience of this prior to Up, having voiced Henri le Pigeon in the Don Bluth film An American Tail (1986) and narrating the animated preschool series Madeline (1993-2001). Plummer also had a long history of the stage, starring in adaptations of Shakespeare’s plays throughout his life, and also starring as Cyrano in the 1974 original Broadway production, for which he won the Tony Award for Best Performance by a Leading Actor in a Musical, having also played the title character in the TV movie Cyrano de Bergerac in 1962. Plummer passed away in 2021.

There is another voice actor to briefly mention in Up and that is the recurrence of Pixar’s favourite voice artist, John Ratzenberger, who voices the construction foreman Tom.

MUSIC

The score for Up was composed by Michael Giacchino. His first score for an animated movie was on Pixar’s The Incredibles (2004), for which he was nominated at the Grammy Awards for Best Score Soundtrack Album and Best Instrumental Composition. Giacchino then continued to collaborate with Pixar filmmakers, working on the music for Ratatouille (2007), winning a Grammy for Best Score; Cars 2 (2011); Inside Out (2015); Coco (2017); and The Incredibles 2 (2018). Giacchino also composed the music for Disney’s Zootopia (2016). Outside of Pixar, he has composed music for the most recent Spider-Man films, the three latest Jurassic World movies, and for the series of Disney television Christmas specials, Prep & Landing (2009-11). Giacchino was also nominated for Primetime Emmy awards for his work on the series Lost (2004-10), winning one for his underscore of its pilot episode.

I can’t talk about Up’s score without mentioning the most recognisable track, “Married Life”, which is the sequence showing Carl and Ellie’s life together. In many years to come, I think this piece of music will be on lists of the best movie themes, alongside greats such as the themes from James Bond, Indiana Jones, and Star Wars. This track is bright and sunny when it needs to be happy; and melancholic and slow when it needs to be sad. It corresponds perfectly to what is being shown on the screen.

But it would be unfair to say “Married Life” is the only good piece of music within Up, especially as many of the motifs within this piece feature in others. A slower, quieter version of this is basically the track “Stuff We Did”, which can be heard as Carl is flipping through Ellie’s Adventure Book in Paradise Falls. “Up with Titles”, which features during the Opening Credits, is happy and upbeat, and reminiscent of the music of the jazz era. I also like the piece “Carl Goes Up”, when the house actually lifts into the air and flies away. This is a huge moment for Carl, and is suitably dreamy, as many of us at some point in our lives have wished we could fly – and what better way than to do that in your own home.

In terms of creating a sense of adventure, “Escape from Muntz Mountain” is a good example, which is used when Muntz’s dogs are chasing Russell, Carl, Kevin, and Dug over the rocky terrain near to Muntz’s cave. This is a more perilous moment for the group, whereas the battle scene with Muntz feels more determined; they have to save Kevin or die trying is what it feels like, so “Seizing the Spirit of Adventure” feels less like a scary moment, although it still evokes the feeling of threat and peril at times. I also like “Memories Can Weigh You Down”, which marks Carl’s decision to go and save Kevin – and Russell, who has gone off on his own to save him.

You can also hear an excerpt from a famous opera in Up, and that is an instrumental version of the aria “Habanera” from the opera Carmen, composed by Bizet. This plays as Carl gets ready for his day, very slowly and moodily, early on in the film, before seemingly setting out to go about his day – before making a quick right turn to just sit on his porch and look at all the construction going on around him.

The score for Up was nominated at many award ceremonies. One of these was at the Academy Awards, where it won the award for Best Original Score – a first for Pixar – despite competition from the blockbuster Avatar (2009), as well as The Hurt Locker (2008).

Up’s music was also nominated at the Annie Awards for Best Music, where it surprisingly lost out to Bruno Coulais’ music for the animated movie Coraline (2008); at the BAFTA Film Awards for Best Film Music, which it won; the Critics’ Choice Awards for Best Score, where it also won; and the Golden Globes for Best Original Score, winning yet again. At the Grammy Awards, Up received further nominations, for Best Score Soundtrack Album and Best Instrumental Composition for Michael Giacchino, winning both of these, as well as Best Instrumental Arrangement for Giacchino and Tim Simonec and the track “Up With End Credits”, losing to “West Side Story Medley”, arranged by Bill Cunliffe.

This is just the awards won at the “major” award ceremonies. Up won more awards for Best Original Score or Best Music at other ceremonies.

PRODUCTION

The initial concept for Up came from a simple drawing of a house buoyed by balloons. Pete Docter started to think about who would be in there, and where they would be going. Docter began to develop this idea with Bob Peterson. After Docter drew a sketch of a grumpy old man holding balloons, this gave them a further idea to work from[4].

It then had to be decided where this house was going and the thought of having this old man and a kid stuck together somewhere remote was the most appealing. After watching a documentary by Adrian Warren about table, or flat-topped, mountains in the jungles of Venezuela, they felt this was a great place to set their movie and so they and others from the Pixar team went to Venezuela to see these mountains in person.

After a long journey from San Francisco, near to where the Pixar Studios are based, to Caracas, Venezuela’s capital city, and then onto smaller towns, they arrived via helicopter at the base of Mount Roraima. The group were in awe of the looming rock above and couldn’t believe it was possible to climb it. But climb it they did, over mud, plant roots, rocks, and unsteady ground. It was a difficult trek but they made it to the top of the flat-topped mountain, or tepui as they are also known, and set up camp so they could study the rock formation, the plant life, and even the weather systems from that height.

On these mountains, the Pixar team found that the rocks formed strange and seemingly structurally unsound shapes. They learnt this was caused by the layers of sandstone that formed them, with softer layers being weathered away over the years, leaving holes in some of the rock works. It was also discovered that these mountains have their own weather systems as they are so high up, with rock sides being heated from the sun causing swirling clouds that descend like a mist. The weather would change quickly, going from sun, to cloud, to storms and rain in just a few minutes.

They were also able to discover other areas including the Valley of Crystals, which is, as the name would suggest, an area full of quartz crystals, and the Kukenán-tepui. This was a very inhospitable area, full of rocky and marshy areas, meaning there was no place to camp. Instead, they took a helicopter over there, expecting just to be there for an hour or two to study the landscape. It was so full of rocks that it created mazes, and supposedly people have vanished in these labyrinths. At the end of their time there, the helicopter came back for them but the group had to be taken off in batches. At this point, as half the group had been returned, a storm closed in and the helicopter was unable to retrieve the rest. Those remaining had to hurdle under one rock structure that only allowed for the group to stand and be sheltered from the weather. The storm lasted longer than they expected, and as they were preparing to spend the night there, the helicopter returned just before dark.

After their mountain experience, the Pixar team were off to Canaima National Park to see the famous Angel Falls, which is the tallest waterfall in the world. It is so tall that water vaporises, creating a mist, before it even hits the bottom of the rock face.

All of these sketches and experiences in Venezuela created countless moments of inspiration for the movies, such as Angel Falls itself being the inspiration behind Paradise Falls; a rock being mistaken for a person being something that happened to some of the team in real-life and something that Carl and Russell experience; as well as cave systems being used for the design of Muntz’s cave[5].

Now they had the overall setting confirmed, they had to work on the house. Since Ellie and Carl are seen renovating their new house, everything had to be a bit clumsy and imperfect, however, the house remains cosy. The team were inspired by the grandparents’ houses, full of knick-knacks and mementos, with old-fashioned furniture and worn carpets. The Up house had to look lived in. To properly animate this house, a wood model was created and painted to look just like the house, and was filled with mini furniture and lighting like it was a little dollhouse. This helped show the animators how everything would look inside, but also helped with the floating aspect of the house, since we would be seeing the bottom of the house for much of the film, as it floats above Carl and Russell whilst they walk it through Paradise Falls. It’s unusual to see the underside of a house, so the Pixar team had to look at houses on stilts to see just what it looks like. Unsurprisingly, it’s kind of dirty[6]!

It is believed by some that the inspiration for Up came from a real house called Whitewood Cottage in Seattle. It was owned by Edith Macefield who bought the house in 1952 and lived there with her mother. Her mother died in 1976. Gradually, the houses surrounding Whitewood Cottage began to be sold to make way for a development project, however Macefield refused to sell, receiving media attention in 2006 when she turned down a reported offer of $1 million for her house. In the end, Macefield left her house to a construction worker after she died in 2008. This worker had cared for her when she was ill. Whitewood Cottage was later sold for around $300,000 to a developer and has changed hands a few times since then. Currently, the house remains standing surrounded by high-rises[7]. Because of the extraordinary similarities between Carl’s story and Edith’s, many claim that Up used this story as inspiration, however, work on Up began in 2004, whereas Edith’s plight to remain in her home reportedly did not come to be known until 2006. Pixar did tie balloons to the top of Whitewood Cottage as publicity for Up in May 2009 though.

Obviously, Edith’s house did not actually fly away, but Carl’s had to, just with balloons. Pixar animated around 10,000 balloons for the movie, and made them realistic with their buoyancy, strings hitting each other, and some coming loose and flying away after the “big reveal”. However, the number is not realistic at all, as millions of balloons, not thousands, would actually be needed to make a house fly. Up may not be scientifically accurate but that shouldn’t be a huge surprise really. The use of Muntz’s dirigible is closer to real-life though as other dirigibles and airships were studied[8].

Then, there are character designs and story points. The character of Carl began life as a sketch of a grouchy guy holding colourful balloons. This sketch was used to develop the character further. The team at Pixar went to a care home to research not only the look of elderly people, but also for their behaviours and their movements, as this was going to be the first time Pixar had featured an elderly man as the protagonist in one of their movies, dubbing him a “geriatric hero”. It’s quite rare generally for older people to be the focus of any story, so this film showed that just because someone is getting older doesn’t mean they’ve lost their zest for life; they just might need help finding it again. By observing older people, the animators were able to successfully recreate the lines of the face, such as forehead lines and crow’s feet, as well as limitations of movement, like in the fingers and back, to turn the character of Carl into an accurate representation of an older person. Carl might struggle to walk fast, or be able to beat someone up like a boxer, but he’s a tough old guy, willing to fight for what’s right[9].

It apparently took a while for Pixar to settle on a character design for Russell. All manner of kids were drawn: shy ones, smart ones, tall ones, skinny ones. In the end, animator Peter Sohn drew a version of his younger self, which inspired the design and he became the accidental reference material for the character. Russell is a very excitable, enthusiastic kid, who just wants to help everyone all the time and talks perhaps a little bit too much! Although it is not unusual in movies for the main child character to be missing a parent, in one way, Pixar were fairly progressive here because it was openly discussed that Russell’s parents are simply not together anymore, either divorced or separated. This is a new concept for Carl, who wouldn’t have grown up in a world where this really happened, so to see Russell discussing something that many children go through in modern times must have been positive for many young viewers watching Up who were going through a change in their family life. Russell is also Pixar’s first Asian-American character[10].

Pixar did research on canine behaviour to look at how Muntz’s dog pack would interact with each other. They specially learnt from Dr. Ian Dunbar, a dog behaviour expert, who consulted the team on things such as dog behaviour and hierarchy. Dunbar says that hierarchy is maintained by lower individuals proving they are not a threat to the leader, instead of the leader needing to be particularly vicious. In Up, Alpha is the designated leader of the pack and there are multiple instances when Dug and the others cower in front of him to show this. This type of behaviour leads to harmony in large groups of dogs. The team also used reference material of dogs running on uneven ground and hazardous terrain to learn how they would move in the chase scene when Muntz has ordered his dogs to get Carl and Russell after he learns of their knowledge of the bird.

Next, there is Kevin, who was “voiced” by Pete Docter. Again, it was a struggle to design Kevin as there were so many ways the character design could go with Kevin being an imaginary bird. They just knew it had to be something interesting to have kept Muntz in the jungle for fifty years searching for it. Initially, they looked towards North American mythology, for the story and design of the Thunderbird, who could create thunder from the flap of its wings. Then they tried making Kevin a golden bird. In the end, they settled on making Kevin a cross between an ostrich and a parrot, which meant looking at lots of ostriches for reference material, to see how they walk, bob their heads, and use their necks. The parrot element of Kevin comes from her colourful, iridescent feathers. Kevin is the character that brings everyone together, as each character is looking for Kevin. Russell and Carl want to save her, whilst Muntz and his dogs want to capture her. Muntz sees Kevin as the key to proving his sanity and is the target of his obsession, whereas for Russell, Kevin is just his friend. Carl wants to protect Kevin as Ellie was a zookeeper and loved animals[11].

Muntz had many different endings in initial story drafts of Up, including one where he was somewhat redeemed by having a conversation with Carl about how he too had lost his wife, but it was decided there was too much talking here, detracting from the real focus of the story: Carl. Instead, it was decided Muntz would have to be killed off in some way. One initial idea was to have Muntz get lost forever in the “twisty rocks” as he followed Kevin in to the area. Then, it was decided that there should be a battle scene on the airship, but Muntz would’ve been stuck in the house and fallen with it. The Pixar team felt this was a bit weird as the house was a representation of Ellie, so leaving Muntz with her was a strange thing to do. Next, they had him leap out of the house and get caught in balloons, but he would’ve been pulled up into the air. This left too much discussion around whether he was really dead or not, so this idea was simply adjusted slightly to have Muntz go down with the balloons, thus allowing him to join the group of villains who die by falling, such as Gaston in Beauty and the Beast (1991) and Mother Gothel in Tangled (2010)[12]

Finally, we can’t talk about Up without mentioned the “Married Life” sequence. In the story, Pixar felt they had to show life Ellie and Carl’s life from marriage to old age, and even more importantly, the audience had to learn about Ellie and what she was like to see why Carl would go through this journey for her. But there was a slightly less touching version of this sequence that began…with punching.

Sure, some kids show they like each other by play-fighting with them, and in this case, Carl and Ellie’s relationship all started with a punch that Ellie gave Carl after seeing him try to trap a bird as a kid. This then evolved into a punch war, until one day, Carl starts to look at Ellie differently. We would have then been shown their graduation, dances, days out, picnics, a visit to the C.F. Muntz Museum in their town, where Ellie would get a job as a tour guide and Carl as a balloon salesman, and then on to the marriage, house, etc. that we see in the actual version. It did look like, in this storyboard, that Carl and Ellie are booked to go to Venezuela, however, Carl seemingly doesn’t want to get on the plane. Ellie then falls ill so they cannot try and go again. This would’ve been an interesting point for the final movie because if Carl had felt unable to go, meaning that the one-time Ellie could’ve gone they did not, that would’ve given Carl a huge amount of guilt to cope with, which would’ve made him even more determined to get to Paradise Falls than the version of Carl we get in the final movie. Yet, the whole punching thing is a bit weird, and I’m glad they did not go with that version! There was also going to be dialogue here, but after looking at old home videos, the Pixar team found that it would be better to avoid having dialogue and just have the music and visuals[13].

RECEPTION

Prior to Up’s main theatrical release, which saw the movie being released in 3D as well as 2D, becoming Pixar’s first 3D movie, Up was actually first shown at the Cannes Film Festival, where it opened the 62nd festival event. The Cannes Film Festival in 2009 ran from 13th May to 24th May, meaning that Up premiered there just a little over two weeks before it would premiere in theatres. Up was the first animated movie to ever open the event. Sometimes film festivals can be snobby when it comes to animated movies, so this shows that appreciation for them is building over the years[14].

Up premiered in US theatres on 29th May 2009, after it had its red-carpet premiere at the El Capitan Theatre on 16th May. It later premiered around the world over the next few months. I am slightly confused as to when Up was released in the UK, as some sites claim it wasn’t until October, however, I’m sure I remember watching this in the height of summer on a particularly hot, sunny day in a cinema that didn’t have good air conditioning, so that must’ve meant it was released during the summer holidays so probably July or August, but I guess I’m wrong…I can’t find anything to prove either way which month it was.

The Pixar short Partly Cloudy was shown prior to Up, as is the way with Pixar movies; you normally get something before them. In this case, Partly Cloudy was about storks delivering babies, both human and animal, which they are presented with by all-powerful clouds. However, one cloud struggles to make cute things, so his stork delivery man ends up getting injured by all these creatures he has to deliver. In one case, a little crocodile or alligator bites his head; another time a ram hits him in the stomach; then there’s the cute sheep that turns out to be a spiky porcupine. The cloud later sees the stork flying to another cloud, so believing it has been replaced, begins to cry and rain. The stork was actually only at the other cloud to get protective equipment, like padding and a helmet; it wasn’t leaving the cloud. The cloud is happy about that and gives the stork it’s next delivery: an electric eel! It’s not one of the most memorable or funny Pixar short films, but it’s decent.

Reviews for Up were amazing, however, if you have read any of these, you’ll know that what got the biggest focus was the sequence of Ellie and Carl’s life together, the “Married Life” sequence. The opening fifteen minutes that follow Ellie and Carl’s time together are admittedly very moving. Although neither of them had a particularly exciting life, they were clearly very happy together and perfect for each other. So, to see all of that come to an end with Ellie’s passing is difficult for many to experience, especially those who have been through a similar loss, and even worse, it happened so early in the film. We’re already devastated at the loss of a character we only knew for a few minutes, so that set everyone up for what was going to come next. We were invested in Carl and his journey from this point on. This sequence got everyone talking and it even has its own Wikipedia page, showing how it will likely go down in history as one of the best movie moments ever.

However, for some people who watched Up, this was in fact the best part of the movie and anything after that was not deemed to be as good. They say that Dug and Kevin were seen as the funniest characters, and some of these moments balanced out the less exciting parts to make it a good film, but not an amazing one. I can understand how hype around a movie could lead to disappointment if it does not live up to the expectations in a viewer’s mind, which is likely what happened in these cases. Up is also not considered one of Pixar’s best films looking at it from a contemporary point of view, as Pixar has made some amazing films since 2009, such as Inside Out (2015) and Coco (2017). Some even said Up lacked the heart of the earliest Pixar films and featured a one-dimensional villain. I disagree with both of these statements. I don’t know how a movie that can make even the most emotionally closed-off person cry could be called “lacking heart”. Muntz is not a one-dimensional villain either in my view, because it’s quite clear his pride and his obsession are what is causing him to chase after Kevin and endanger the lives of Carl and Russell. He doesn’t change during the movie, and if anything, just gets more villainous, but I’d say as a person, he is quite complex; he’s not evil for evil’s sake, he thinks what he is doing is fine and good for his career.

On the positive side, reviews also stated how Up was a showcase of digital animation. It was also a good step for Pixar into adventure films, like Indiana Jones, without focusing too much on action sequences or moments of peril, and instead looking at people and how they interact with others. Carl and Russell both feel like something is missing in their lives and throughout the film, find that they can help each other. Russell becomes Carl’s honorary grandson; and Carl is his honorary grandfather.

As well as amazing reviews, Up ended up being one of the highest grossing movies of the year in terms of worldwide box office, sitting at No. 6, even with big competition such as Avatar; Harry Potter and the Half-Blood Prince; and The Twilight Saga: New Moon[15]. It made just over $730 million at the box-office.

But most exciting was the response that the Academy Awards gave to Up because it became only the second animated movie to be nominated for the Best Picture Oscar. The first was Beauty and the Beast (1991), before the Best Animated Feature category was even made. There has only been one other movie since Up to be nominated in this same category and that was Toy Story 3 (2010). All three just happen to be Disney or Pixar movies[16]. Up was also nominated for Best Original Screenplay and Best Sound Editing.

Up did not win Best Picture, losing to The Hurt Locker (2008), which also won in the Best Original Screenplay and Best Sound Editing categories. But Up did win the Best Animated Feature Oscar. At the BAFTA Film Awards, the Critics’ Choice Awards, the Golden Globes, and the Annie Awards, Up also won in the Best Animated Film category. It won the Annie Award for Best Directing in a Feature Production too. This is just the awards won at the “major” award ceremonies; Up won plenty more awards at other ceremonies.

LEGACY

After Up’s release, one character in particular captured the hearts of the people – and that character was Dug, probably because he’s a talking dog, and most people like dogs. I don’t particularly like dogs, but if Dug was a real dog, I’d like him.

This love of Dug led to a short film all about him called Dug’s Special Mission. In a way, this is a prequel because it shows Dug and his interactions with Alpha and the pack prior to his meeting Carl and Russell. Dug’s Special Mission sees Dug telling the pack that it’s his birthday today and he wants to do something to help them find the bird. Dug, however, constantly gets in the way, according to Alpha, so Alpha sets out to trick Dug by telling him to do pointless tasks that he tells Dug are very important, such as watch the bird’s favourite rock, stay in this hole until the bird comes, sit on this rock etc., however, inadvertently, Dug causes more chaos doing these simple tasks, so Alpha gets angry and radios over to Muntz to say Dug is a bad dog. This makes Dug very sad who runs off, believing his birthday is ruined. He then starts to hear human voices and can smell their scent. Dug says “I can smell you” and runs over to them. It is Carl and Russell. Dug says this was a good birthday for him, because he got his wish to have a new master and it then became the happiest day of his life[17].

Dug’s Special Mission was released as a special bonus feature to be found on the Blu-Ray and DVD releases of Up, with the US versions coming out in November 2009. Bob Peterson, Delroy Lindo, and Jerome Ranft return as Dug, Alpha, Beta, and Gamma respectively. Ed Asner and Jordan Nagai are also credited as returning to voice Carl and Russell; however, I think all their lines are from the original movie scene.

There was even a short film made, only about four minutes long, about the two nurses from Shady Oaks who attempt to pick up Carl at the start of Up. These nurses are called George and A.J., and that is the title of this short. What happens in George and A.J. is that we watch them as they see Carl’s house take off with his balloons – Russell can even be spotted clinging on to the underside of the house. George and A.J. then return to their van in complete shock and proceed to remain shocked for over a week. Carl’s “escape” even makes the news and every elderly resident who has seen the news report cheers that one of their own finally got free. One week later, George and A.J. are back to collecting the elderly to take to Shady Oaks, however, they are shaken by their experience and now find that the elderly are fleeing in their houses in unusual ways, such as on a hovercraft and with a herd of cats. Then Shady Oaks itself is launched into the air. As George and A.J. stare perplexed at the area, a shadow descends over them. They look up and see an airship about to land of them, with Carl at the helm and Russell beside him. The airship does not fall on them, but does crash onto their van. George and A.J. are then approached by Dug, the talking dog, and stand there shocked again. George was voiced by Jason Topolski and A.J. by A.J. Riebli III. Bob Peterson reprises his role as Dug, but Carl and Russell are voiced by fellow Pixar employees, Steve Purcell and Peter Sohn respectively. George and A.J. was not released theatrically or on DVD, but instead was released on iTunes as an extra feature after purchasing the movie there. It was later included on Pixar Short Films Collection, Volume 2 DVD, released in November 2012, and later came to Disney+. The animation style does not match that of Pixar’s usual short movies, and is quite basic, done in a “storyboard” style.

Over ten years later, in September 2021, Dug returned again for his own series of shorts called Dug Days. The first five episodes all premiered on Disney+ on 1st September 2021, with a sixth and final episode Carl’s Date, first premiering as the short film that accompanied the theatrical release of Pixar’s Elemental on 16th June 2023. It later came to Disney+ in September 2023. This series sees Dug and Carl moving into a new house in the suburbs, having sold the Spirit of Adventure airship. It follows Dug and Carl going about their day in the neighbourhood with Dug causing his usual mayhem! Carl’s Date was slightly more special as it saw Carl trying to figure out if he is ready to go on a date with a new woman – Ms. Meyers, who also happens to have adopted the former Alpha, now Beta – feeling like he is betraying Ellie by doing so. Carl agrees to go on the date but becomes worried and nervous about doing so, trying to cancel. Dug then tells him he should go and says he’ll come along too if that would help. As it’s time to leave for the date, Carl speaks to Ellie’s photo and says she’ll always be his girl. It’s the sweetest Pixar short I’ve ever seen.

This series consisted of shorts that were between five and ten minutes long, and saw the return of Ed Asner and Bob Peterson as Carl and Dug. Carl’s Date became the last project that Ed Asner worked on for Pixar, having recorded his lines prior to his passing in August 2021. This felt like a real finale episode and tied up Carl’s journey. Every episode was created, written, and directed by Peterson.

At the Disney Parks, since Up is a fairly popular Pixar movie, there are multiple experiences and characters from the movie at most of the six properties. At Walt Disney World, specifically Disney’s Animal Kingdom Park, there is a great activity for children and families which involves you becoming a Wilderness Explorer just like Russell. Throughout the park, there are stations set up in different areas that allow you to take part in a specific activity which will lead to you earning yourself a badge, which is actually a sticker. There are many of these to experience with the stickers being collected in a small booklet. You can also see Kevin wandering around this park, specifically around Discovery Island, interacting with guests and generally just being her bird-self. There is no set place to meet Kevin, as she is a “roaming character”, and times she is about may change.  

Former experiences at Walt Disney World included an earlier iteration of the Feathered Friends in Flight! outdoor show in Animal Kingdom at the Anandapur Theater in Asia. This show was initially called Flights of Wonder and premiered on the opening day of Animal Kingdom on 22nd April 1998. This ran until 31st December 2017, when it closed to be rethemed to UP! A Great Bird Adventure. This version mixed up the narration of the show, by adding a new guide called Anika as well as seeing Russell and Dug added into the show. UP! A Great Bird Adventure opened on 22nd April 2018 for the park’s 20th anniversary, but due to mixed reception, it went through multiple re-writes until it closed on 12th March 2020, when Walt Disney World closed for the COVID-19 pandemic restrictions. It reopened as Feathered Friends in Flight! in July 2020 when the parks reopened, but the core concept of the show being about birds has remained the same. I have also seen that at Walt Disney World’s former Downtown Disney area, now named Disney Springs, there was an inflatable version of the Up house that was seen for a period of time around the time of Up’s release, so Summer 2009, as promotion for the new movie. It was situated next to the AMC Theatres. To be honest, it was not exactly a work of art and looked a bit low-budget!

At Disneyland, you’re more likely to see areas themed to Up in their Disney California Adventure Park. One such area was the Redwood Creek Challenge Trail, which is an outdoor play area complete with slides and play equipment, originally opened in 2001. It was rethemed to Up around 2010/11, after having previously been themed to the Disney movie Brother Bear (2003). In this challenge trail, guests could earn six badges throughout the area, and then make their way over to an outdoor stage to become a real Senior Wilderness Explorer by watching and taking part in a ceremony, which had Russell make a surprise appearance at the end[18]. It would appear that this theming has since been removed, when the trail reopened around July 2021.

 For Pixar Fest 2024, Disney California Adventure did have some references to Up including the house “flying” over Disneyland’s Sleeping Beauty castle as part of their Together Forever: A Pixar Nighttime Spectacular fireworks show. The “Married Life” sequence and other moments from Up were projected onto the castle, as some of its music played. As part of the Better Together: A Pixar Pals Celebration Parade for the event, you could also see Russell riding on Kevin’s back and a float with Carl and Dug following on behind. These were limited time experiences for Pixar Fest which ran from 28th April to 4th August 2024. It is reportedly not returning for 2025; however, the parade apparently will be in the summer of 2025. You may also be able to see smaller references to Up and its characters at places like Pixar Pier, the Lamplight Lounge restaurant, and Pixar Place Hotel.

At Hong Kong Disneyland, there is a summer stage show called Adventure is Out There, which features characters from Disney and Pixar movies. It is named after Charles Muntz’s catchphrase from the movie, and Russell makes an appearance at the start of the show, as the hosts teach guests the iconic Wilderness Explorer call, and at the finale. It also features performances from characters such as Moana and Stitch. This stage show was a new offering for 2023 that did return in 2024 with some changes. It may return in 2025.

At Disneyland Paris, there is a stage show that involves characters, film clips, and music from Pixar movies. One of these segments features Up. As music from the score plays, a floating house is seen on screen, before landing and showing Russell, Carl, and Dug inside as it is flying high above the clouds. This show is called TOGETHER: A Pixar Musical Adventure and is a thirty-minute show performed at the Studio Theater at Walt Disney Studios Park. It has been running since July 2023, but will be taking a break from 21st April to 11th July 2025. I presume this is due to the ongoing construction at Walt Disney Studios Park to turn it into Disney Adventure World. Also at Disneyland Paris, but in the main park, a new miniature scene of Paradise Falls with Carl, Russell and the house was added to the Storybook Land Canal Boats ride, or Le Pays des Contes de Fées in French. This new addition joined two other new scenes that were announced, of Frozen (2013) and Winnie the Pooh. This new Up scene replaced the Emerald City scene[19]. The new version of the ride reopened on 30th August 2024. There is also a small scene of Russell and Carl, where figures of them have been added to the waterside in Adventure Isle, over by Colonel Hathi’s Pizza Outpost, which is a bit random[20]!

In terms of meet-and-greets, at Walt Disney World in Disney’s Animal Kingdom Park, you can meet Russell at the Wilderness Explorer Clubhouse, and Dug – who even talks – is occasionally seen there with Russell. Talking Dug made his debut at the park in May 2024. Carl, Russell, and Dug have also been characters at Special Events, like DVC Moonlight Magic in recent years. At Disneyland, in Disney California Adventure Park, Russell and Dug met guests during Pixar Fest. Dug was talking here too. They have also been spotted at Pixar Pier as well, along with Carl. At Disneyland Paris, the three characters were there for “Tuesday Guest Star Day” but that was back in 2019. At Hong Kong Disneyland, the trio were spotted at the Pixar Pals Party cast-member exclusive event in March 2024. At Shanghai Disneyland, Russell and Dug have been known to meet guests at Happy Circle in Adventure Isle, and it is still listed on their website, however, I think these characters swap out fairly frequently. Outside of the US parks, it seems the Up characters are not as easy to meet, with Tokyo Disneyland seemingly never having had a meet-and-greet for them. But, at Tokyo Disneyland, you can find Carl, Russell, Dug, and Kevin all on a float during the Disney Harmony in Color daytime parade. Characters, clips, or music from Up may be used in other Disney fireworks shows and parades, both current and future.

Given that Up appeals to both children and adults, Up spanned quite a range of merchandise, including clothing, figurines, homeware, like pillows and mugs, toys, and even a Pandora charm of Carl of Ellie. There have also been specialty and non-speciality pins available to purchase, with D23 releasing a member-exclusive pin in May 2024 of young Carl holding the blue balloon to celebrate the 15th anniversary of Up.

Outside of the theme parks and the screen, Up became the perfect inspiration for housing projects. For example, in 2011, Bangerter Homes recreated the iconic Up house, reportedly with permission from Disney and Pixar, providing the plans were turned over to them once complete to ensure it was a one-of-a-kind property. It stands on Herriman Rose Boulevard in Herriman, Utah[21]. This is a private residence and is therefore not available for tours, so don’t go knocking on the door, hoping to get one.

However, this did not turn out to be the only Up house of its kind because in May 2024, as part of Airbnb’s “Icons” series of new rentable homes, they built a replica of the Up house too. It was created to celebrate the 15th anniversary of the film, and was even held up with 8,000 balloons – and the help of a large crane. It was situated in Abiquiu, New Mexico. It was only open to guests for a limited time and could not just be booked like other Airbnb properties. Although the house was suspended at times, funnily enough, that was not allowed to happen with guests inside[22]. The listing for the house is still up on Airbnb but it cannot be requested and is showing as “Sold Out”.

FINAL THOUGHTS

Up made history for Pixar in a few ways: by being nominated for Best Picture at the Academy Awards; being the 10th animated feature for the studio; and for creating one of the most well-known and heart-breaking sequences in cinema.

Pixar – and Disney – have a knack for finding that soft spot in your heart and jabbing at it until tears leak from your eyes. Up is not my favourite Pixar movie, and yet I still cry at multiple moments in the story. A movie about people, about relationships, about life can’t help but be relatable as we are all navigating the ups and downs of life, pushing past obstacles and getting through rough patches. Carl is having a difficult time as he grieves the loss of his wife, and Russell is struggling to cope with his parents’ divorce and his difficult relationship with his father. Both of these problems are things real people go through.

What we ought to learn from Up is that when life deals you a bad hand, you can either sink deeper and deeper into the darkness, or drag yourself up towards the light. In less metaphorical terms, what I’m trying to say is that it’s not good to dwell on the mistakes and misery of the past. All you can do is take a look around you, see what you have right now, and try and figure out a new direction. It might not be what you envisioned, but maybe it’s what you need.


REFERENCES

[1] Credit: Disney, ‘Disney History’, D23.com, date unknown.

[2] Credit: Tim Lammers, ’10 Uplifting Facts About Up to Celebrate Film’s 10th Anniversary’, D23.com, 29th May 2019.

[3] Credit: Pixar, “Canine Companions”, Up 2009 (Pixar) Making of & Behind the Scenes video, DVDFilmBonus, YouTube Channel, uploaded 16th July 2023.

[4] Credit: Tim Lammers, ’10 Uplifting Facts About Up to Celebrate Film’s 10th Anniversary’, D23.com, 29th May 2019.

[5] Credit: Pixar, “Adventure is Out There”, from Up (2009) DVD (2010).

[6] Credit: Pixar, “Homemakers of Pixar”, Up 2009 (Pixar) Making of & Behind the Scenes video, DVDFilmBonus, YouTube Channel, uploaded 16th July 2023.

[7] Credit: Stephen Barker & Jessica Smith, ‘The Real-Life Story Behind Pixar’s Up Is More Heartbreaking Than The Film’, ScreenRant.com, 15th March 2024.

[8] Credit: Pixar, “Balloons and Flight”, Up 2009 (Pixar) Making of & Behind the Scenes video, DVDFilmBonus, YouTube Channel, uploaded 16th July 2023.

[9] Credit: Pixar, “Geriatric Hero”, Up 2009 (Pixar) Making of & Behind the Scenes video, DVDFilmBonus, YouTube Channel, uploaded 16th July 2023.

[10] Credit: Pixar, “Russell: Wilderness Explorer”, Up 2009 (Pixar) Making of & Behind the Scenes video, DVDFilmBonus, YouTube Channel, uploaded 16th July 2023.

[11] Credit: Pixar, “Our Giant Flightless Friend Kevin”, Up 2009 (Pixar) Making of & Behind the Scenes video, DVDFilmBonus, YouTube Channel, uploaded 16th July 2023.

[12] Credit: Pixar, “Alternate Scene: The Many Endings of Muntz”, from Up (2009) DVD (2010).

[13] Credit: Pixar, “Married Life”, Up 2009 (Pixar) Making of & Behind the Scenes video, DVDFilmBonus, YouTube Channel, uploaded 16th July 2023.

[14] Credit: Xan Brooks, ‘Curtain will go Up on this year’s Cannes with 3-D yarn’, TheGuardian.com, 19th March 2009.

[15] Credit: IMDB, ‘Worldwide Box Office For 2009’, BoxOfficeMojo.com, date unknown.

[16] Credit: Tim Lammers, ’10 Uplifting Facts About Up to Celebrate Film’s 10th Anniversary’, D23.com, 29th May 2019.

[17] Credit: Pixar, “Dug’s Special Mission”, from Up (2009) DVD (2010).

[18] Credit: Best Western, ‘Can You Handle the Redwood Creek Challenge Trail?’, StovallsInn.com, 28th January 2018.

[19] Credit: Disney, ‘New Scene From Pixar’s “Up” Coming To Storybook Land, With Presenting Sponsor’, DisneylandParis-News.com, 3rd May 2024

[20] Credit: Steve, ‘Disneyland Paris News: Carl and Russell From UP Invade Adventureland’, DedicatedToDLP.com, 1st May 2014

[21] Credit: Taysha Murtaugh, ‘This Real-Life Re-Creation of the House From ‘Up’ Is Just as Cute as the Movie’, CountryLiving.com, 21st March 2017.

[22] Credit: Yi-Jin Yu, ‘Airbnb launches stays at ‘Up’ house, ‘Inside Out’ headquarters, and more ‘Icons’’, ABCNews.go.com, 2nd May 2024.

16 Wishes (2010)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

For some, celebrating a milestone birthday is the best time of their life, something they’ve looked forward to for months, or even years; something they’ve planned down to the tiniest of detail, whether that is a huge party or just a special day.

I’ve never been particularly bothered by birthdays, milestone or not. For me, birthdays are just days where you get presents. I’ll generally plan out what “special” dinner I’m going to have and what film I want to watch in the evening. That’s what my birthday normally consists of.

I haven’t had a birthday “party” since my sixteenth birthday and that wasn’t a party exactly. I went bowling with some friends who then came back to my house to eat pizza and watch Bride Wars (2009), which I’d just got on DVD. I don’t actually remember any of my friends having sixteenth birthday parties, but that year at school in the UK tends to have a lot of coursework and exam focus on it as we take our GCSE exams at that age.

Yet in some countries, including the US, sixteenth birthdays are a big deal, signalling the move from childhood to adulthood. These birthdays have even been dubbed the “Sweet 16”. In some Spanish-speaking countries, they have a quinceañera, a traditional celebration of becoming fifteen. Either way, an extravagant party is generally considered to be the best way to celebrate these milestone events.

This is where the movie 16 Wishes comes in. 16 Wishes is all about having the best Sweet 16 birthday ever, culminating in the best Sweet 16 party ever. It’s all about making sure your day is better than anyone else’s.

Although I didn’t care much about turning sixteen and I was older than sixteen when I first watched 16 Wishes on Disney Channel, I did quite like it at the time. The thought of having all your birthday wishes come true is appealing to most people, young or old, even though some aspects of 16 Wishes are quite shallow and materialistic – but that’s teenagers.

I always thought 16 Wishes was one of the better Disney Channel Original Movies, but watching it back this week, I don’t have that same opinion now. I didn’t like the main character this time, and hadn’t noticed some of her flaws at a younger age. Anyway, 16 Wishes is not even a true DCOM. It was made as a co-production between Disney Channel and other companies, including MarVista Entertainment. More on that later.

PLOT

16 Wishes begins, as you might expect, on Abby Jensen’s sixteenth birthday. She has been excited to turn sixteen for years, even writing a “Sweet 16” wish list of all the things she wants to have on her sixteenth birthday. Abby won’t let anything or anyone get in the way of her perfect day. On the morning of her birthday, despite her parents and her brother, Mike, getting in her face practically the minute she wakes up, Abby’s outlook on the day is positive. She’s got the perfect outfit to wear; spent thirty minutes doing her hair and make-up; and has money saved up to buy an amazing dress for her party that evening.

And yet, something just has to show up to ruin her day: a wasps’ nest is found in the attic. Luckily, an exterminator left their information at the front door earlier that morning – handy – and she arrives quickly, telling the family the infestation should hopefully be dealt with in a matter of days. Days?! But Abby’s birthday is today! The family is barred from entering the house, although the exterminator did manage to “save” Abby’s birthday wish list for her. Abby’s brother Mike manages to get a lift to school with their neighbour across the road, Krista Cook, who has hated Abby for years and tries to make her life a misery at every opportunity. To make it worse, Krista and Abby also have the same birthday and instead of getting wasps for hers like Abby did, Krista gets a fancy new car, a yellow VW Beetle.

Abby is left to get the bus to school, still wearing her pyjamas and slippers, since she didn’t have time to get dressed. Personally, I would’ve put my clothes on before doing my hair… At the bus stop, Abby is met by her best friend, Jay, who gives her a friendship necklace for her birthday. Randomly, as they wait for the bus, a postal service van shows up and a woman who looks very much like the exterminator hands Abby a parcel. Jay doesn’t think Abby should open it, expecting it to be something sinister, but Abby says it’ll just be a birthday present – yeah, because the postal service normally delivers packages to people stood at bus stops – and proceeds to open it. Inside, she finds sixteen birthday candles and some matches from the Lucky Duck, whatever that is. The box reckons they are meant to grant birthday wishes. Getting bored waiting for the bus, Abby lights the first candle.

Randomly again, the tour bus of singer Joey Lockhart, someone Abby has been a fan of for years, shows up at the bus stop. Joey comes out, kisses Abby on the cheek, wishes her a happy birthday, and then leaves looking confused. Abby realises that this first candle corresponds with her birthday wish list, since the first wish on that list was to meet Joey Lockhart. Abby now knows she can make all sixteen of her birthday wishes come true today. She takes a look at her list to find something that could help her right now. Wish #8 should be good. Abby lights Candle #8 and a bright red Mustang appears. Yep, she wished for her own car, and it is being driven by a woman who looks just like the postwoman AND the exterminator. This is Celeste, and she has been tasked with making all Abby’s birthday wishes come true. However, Jay points out that Abby doesn’t have her license yet, so Celeste drives them to school instead.

At school, everyone who was admiring Krista’s car then moves on to admire Abby’s car. Emboldened by this, Abby announces that she will be having an amazing party tonight and invites everyone in the year – she has a wish and a candle to make sure she has the best Sweet 16 party ever, after all. However, Krista and her friends laugh in Abby’s face, reminding Abby that she’s still wearing her pyjamas and slippers. Jay leads her away. Abby heads straight for her gym locker to find some clothes and then realises that she has a wish that can fix this: Wish #2, which promises that she’ll have the best clothes in school. But Abby finds Candle #2 just won’t light and she is soon spotted by a teacher, who confiscates the candles and sends Abby to the guidance counsellor. I guess the teacher is concerned Abby is now a pyromaniac after playing around with all those matches?

Abby then learns that the school guidance counsellor is Celeste, well, today it is anyway! Celeste explains the rules of the magic candles. All the wishes she makes before midnight tonight will be permanent, however she can only light one candle per hour. Celeste hands over the candles and matches, warning Abby to be careful where she lights them, and as a special birthday present, Celeste also gives Abby Krista’s diary to have a read through. Abby does just that and learns that Krista has been out to get her for years, deliberately upstaging Abby at every turn. Well, not any more. Abby goes to the supply closet and lights Candle #2, since it is now a new hour. The closet is magically transformed into a wardrobe and Celeste is on hand to be her personal stylist. Abby goes back out wearing her new clothes. All of Krista’s friends love her new outfit – despite having one handbag that is now “out of style”. Celeste quickly swaps out the bag for a newer one.

At gym class, Abby uses this new handbag to avoid running laps, by handing it over to her teacher as a bribe; the whole class will now play a friendly game of volleyball. But just before she heads out to play, Abby lights Candle #12, so that she can beat Krista at something. Abby suddenly becomes a pro-volleyballer and spikes the ball hard into Krista’s face. Krista is promptly sent to the nurse as Abby is admired for her mad skills. The nurse turns out to be Celeste who tells Krista, after she regains consciousness, to go to the principal’s office. There, Krista is told by the principal that Abby is going to be the new Class President, despite not campaigning for it like Krista had. It turns out Abby was a write-in, so beloved by her class that they couldn’t bear for her not to be their president. I think a magical wish might just be classed as election interference, Abby….

Abby basks in the glow of her newfound school popularity – which happens to be all down to Wish #10 – and the fact she’ll now get free lunch as president. Abby goes to meet Jay who is working on a school project. Abby doesn’t want to do any work though, and tells Jay she’ll just bribe the teacher again. Jay reacts angrily to that, annoyed that Abby has won Class President, this being a secret dream of Jay’s. Abby makes up with Jay by offering to get him some free lunch. That was easy.

Abby then says she needs a new dress for her party, which is being planned by some girls in her year and is going to be huge. But Abby’s party money is at home and she can’t retrieve it. Jay says he’ll lend her some money and that they have a free period next so can go shopping then. The only trouble is how are they going to get there; Abby doesn’t have her license yet so can’t drive them. Well, Wish #7 will solve that. Sure enough, a worker from the DMV shows up and hands Abby her driver’s license; no need for a test!

At the store, Jay unknowingly drops his wallet outside. Krista has followed them there and picked up Jay’s wallet. As Abby tries on dress after dress, Krista heads in and tells the assistant that those two won’t be buying anything. The assistant tells Abby and Jay to leave, as Jay figures out he has lost his wallet and will not be able to pay for anything. Jay rushes outside to look for his wallet, and Abby goes back into the changing room. There, she lights Candle #9, so that people will stop treating her like a kid. Suddenly, Abby is transformed… into a girl with straight hair, because that is what signals “adult” apparently! She asks the assistant where her friend is, who tells her he left with another girl, presumably Krista. Abby is annoyed Jay just left her, but she becomes distracted by the assistant who suddenly wants to help her find some more “age appropriate” clothing. You might think Abby not having any money might be an issue here, but nope, that’s what a charge account is for.

Abby arrives back at school in a whole new wardrobe. She is mistaken for being the new substitute teacher, and discovers that nobody remembers her as the Abby Jensen from their year. Abby is soon picked up from school by her parents, who instantly move her into her new apartment, telling her she is 22 years old today and needs to grow up. Wow, harsh or what! At least wait until the day after her birthday… Her parents have paid the security deposit but it’s up to her to pay the first month’s rent so she’ll need to find a job. Abby is overwhelmed by how badly her last wish has gone wrong and lights Candle #3, a wish about decorating her room the way she wants, to get Celeste to explain what has happened here. Celeste tells Abby that the candles have their own logic and since Abby has no do-over wish on her list, at midnight, this will be her new life. Abby desperately tries to find a way back to her old life and thinks Wish #14 will do the trick: to get her parents to understand her.

She goes over to her parents’ house, to find them living in an RV on the driveway because of the wasps, and tells them the whole sorry story of her day so far, showing them the candles and matches as proof. Her parents are distracted by the matches as they are from the Lucky Duck restaurant that they went to on the night Abby was born. Although her parents understand what Abby is going through, they don’t believe she is actually 16 and tell her she needs to be independent. At a loss as to what to do next, she walks over to her crush, Logan, who is admiring her car. Logan is on his way to Krista’s party across the street. Abby uses this as an opportunity to get Jay to listen to her. She proves their friendship with the necklace he gave her that morning, as Jay has the other half of it. Jay remembers. He looks over her wish list to try and find a solution but all her wishes are pointless and won’t help her. As Abby annoys herself with her stupid wishes, like wishing to like sushi when she’s sixteen, she learns that her brother is a talented guitarist, having his own guitar in this life instead of playing a plastic one in her real one, and that Krista is nice without having Abby to compete with. So, everyone is better off without Abby in their life and she should just get on with her new independent life. That’s the lesson here, isn’t it?

Perhaps it should be, but that’s not the case. Abby sadly heads back to her apartment. Her car runs out of gas, she breaks a heel, and then is splashed by a driver going through a massive puddle. When things look really bleak, Celeste arrives with pizza to cheer her up. Abby takes another look at the list, realising that all of her wishes for clothes, popularity, and cars were a total waste, and that being an adult isn’t as amazing as she thought it would be. Celeste hands Abby Candle #16, and Abby looks at her corresponding wish. It is simply a picture of Logan that she stuck on there with gum that morning. As Abby wishes she could change this wish, she flicks the photo – and it comes off, leaving a blank space. She quickly rummages around her belongings and finds the photo her parents took of her that same morning. She sticks it on the list and lights Candle #16, wishing she could start the day over again, just before midnight.

Abby shows up in her room on the morning of her sixteenth birthday. Instead of shouting at her parents and brother to get out of her space, she tells them she loves them, even giving her brother her party money so that he can buy his own guitar. She also warns her parents about the wasps’ nest, panicked she’s about to relive the whole traumatic day again. But they already knew, and the exterminator is already here. It’s Celeste again, who tells Abby everything is going to be ok now. Abby then screws up her wish list and goes to confront Krista once and for all. On Krista’s driveway, Abby demands to know what she did to start this war between them. It turns out when Abby first arrived in town, she took Jay, Krista’s previous best friend, away from her – on her birthday, no less! Right… that’s incredibly childish; you’d think Krista would’ve got over that by now! Abby apologises and says they should help Jay together. After learning he wanted to be Class President, she asks Krista to join forces with her to ensure Jay is voted in. Since Krista is the only name on the ballot, if she drops out and campaigns for Jay instead, he’ll surely win.

Sure enough, at Krista and Abby’s joint sixteenth birthday party, Jay is celebrated as Class President. Krista also tells Abby she really likes Logan, but doesn’t know how to talk to him. Abby tells her to ask him about his dream car, the Mustang she used to have. Abby and Jay then dance together. Jay admits his feelings for Abby and the two kiss. As the movie ends, Celeste appears as a waitress before disappearing. Her work here is done.

CHARACTERS & CAST

Abby Jensen has never been popular. Although she has her best friend, Jay, it seems like he is her only real friend, so it’s very much them against the world. This isn’t a bad thing, but it’s not enough for Abby. She wants to be popular, but thanks to Krista Cook, she’s never been able to. This is why Abby’s sixteenth birthday is so important to her, because it’s finally going to be the day where she gets everything she wants. To be honest, Abby is kind of annoying through most of 16 Wishes with this attitude. She isn’t very nice to her family, telling them to get out of her room, and takes Jay for granted, expecting him just to go along with whatever she wants. It’s not until Abby’s wish to stop being treated like a kid goes wrong that Abby finds she’s alone, without her best friend. This makes Abby feel incredibly scared and lonely, as many people would after being thrown out of their family home and forced to live on their own. At this point, Abby learns a real lesson: that wishing for materialistic, superficial things is a waste of time and effort, because they never make you truly happy. She also realises that she shouldn’t be in a hurry to grow up, as being an adult comes with its own responsibilities and isn’t as glamorous as it looks. From this point, Abby becomes a more redeemable character, and less like a spoilt brat!  

Debby Ryan was cast as Abby. Ryan began her Disney Channel career as Bailey Pickett on The Suite Life on Deck (2008-11), the spin-off and sequel series to The Suite Life of Zack & Cody (2005-08), and then reprised her role in The Suite Life Movie (2011). After this, Ryan continued to feature on Disney Channel by starring in the series Jessie (2011-15). During this time, she was also cast in the leading role of Tara Adams in the DCOM Radio Rebel (2012). Outside of Disney, Ryan’s most famous role is perhaps as Patty Bladell in the controversial Netflix series Insatiable (2018-19). More recently, she voiced the character of Krista in the animated series Velma (2023-24), a spin-off of the Scooby-Doo franchise, and is due to appear in the thriller film Famous, which will star Zac Efron.

Jay is Abby’s best friend, and former best friend of Krista Cook. He clearly has feelings for Abby that she is completely unaware of until the end of the movie. Jay is an incredibly loyal friend to Abby, quickly forgiving her even when she’s being a bit of a self-obsessed jerk. When Abby’s wish goes wrong and she becomes an adult, Jay is friends with Krista instead. I think Jay would’ve been better off in this alternate life; however, Abby makes sure that he can’t be free of her, getting him to remember that morning when he gave her the friendship necklace. He does remember, but can’t actually help, so it was a completely pointless exercise, making him feel guilty for no reason. When Abby gets to do over her birthday, she is a better person, and I’d like to think that her, Krista, and Jay become a trio, as Krista and Abby have supposedly moved on from that childhood event that caused all the animosity between them. This would be the best thing for Jay, I think, because Krista can hopefully balance out Abby’s impulsiveness and Jay’s willingness to go along with her plans. He also got to be Class President thanks to Abby, so I guess she did one good thing for him.

Jay was played by Jean-Luc Bilodeau. One of Bilodeau’s earliest roles was as Josh Trager in the ABC series Kyle XY (2006-09). After 16 Wishes, he then appeared as Jeremy in the movie LOL (2012), which starred Miley Cyrus, and in the television movie Expecting Amish (2014), alongside AJ Michalka. Bilodeau later starred as Ben Wheeler in the sitcom Baby Daddy (2012-17). Most recently, he was cast as Dr. Daniel Kutcher in the sitcom Carol’s Second Act (2019-20), and as Ronnie in the Roku series The Holiday Shift (2023).

Krista Cook is meant to be the typical mean girl who comes from a rich family and is the most popular girl in school. Krista has tried to overshadow all of Abby’s successes throughout her life, by having better parties and sleepovers, for example. It’s worked and that makes Abby jealous of her, but in fact, Krista is jealous of Abby, and that is because Abby “stole” her best friend Jay from her when they were younger. Friendship groups always change throughout school so I think this is a pretty pathetic excuse for Krista’s hatred of Abby. Why did Krista not just keep talking to Jay instead of accepting that her friend was “gone” forever? Abby didn’t even know she’d taken Jay away from Krista so I doubt she was a horrible kid who would’ve banned Jay from talking to Krista ever again. I’m sure if Krista had even had a mature conversation with Jay and Abby about it all as they got closer to the age of sixteen, this could’ve all been resolved. Krista was played by Karissa Tynes, who was cast as Rhonda Blair / Vanessa A. Williams in The Unauthorized Melrose Place Story (2015) for Lifetime, and as Jameson in Season 2 of the drama series UnREAL (2015-18).

Celeste is the magical being who makes all of Abby’s sixteenth birthday wishes come true, though I’m not sure why she chose Abby of all sixteen-year-olds to do this for; it’s never explained. Celeste seems to deliberately make the wasps more active in Abby’s house, leaving her information on the front door, knowing that Abby’s parents would need to contact someone. It’s all a bit dodgy if you ask me. I’d rather not have some strange woman put wasps in my house just to get my birthday wishes to come true, not to mention not wanting to have her follow me around all day, but Abby is quite happy with the situation, as Celeste pops up at random intervals during 16 Wishes, either to help Abby accomplish some of wishes, like being her personal stylist and interior designer, or to make sure Abby understands what is going on with her wishes. Celeste also has to come to Abby’s rescue close to midnight on her sixteenth birthday as Abby has given up hope. Celeste gets Abby to realise that she can change Wish #16 as it’s just a photo, but apparently, isn’t allowed to come out and say it. She probably hoped Abby would figure it out earlier. Talk about leaving it to the last minute! Anna Mae Wills was cast as Celeste. She was cast as Patty in the movie I Love You, Beth Cooper (2009) just before her role in 16 Wishes.

Outside of these four main characters, there are a few others to mention. One is Abby’s brother Mike. Mike is Abby’s younger brother but he isn’t particularly annoying like you’d expect, though he does play a plastic guitar around the house, clearly wanting to buy a real one but not having the money to do so. He even asks Abby for a loan but she refuses, saying this money is for her party dress. I mean, you have lots of money, Abby; do you really need a dress that costs that much? Mike is actually a pretty cool little brother, not bothering her at school, but also not being embarrassed to say Abby is his sister. Maybe that’s why Abby decides, after seeing Mike play a real guitar in her alternate life, that she should give him the money for a guitar; she thinks he’s really talented and should explore that. Cainan Wiebe was cast as Mike. Just before appearing in 16 Wishes, he had been cast as Gareth in the television movie Beyond Sherwood Forest (2009).

Finally, there are Abby’s parents, Bob and Sue. They seem like nice parents, making Abby a birthday cake and a special birthday breakfast, however, all their actions are thrown back in their faces when Abby orders them out of her room on that morning. Later on, we see Bob and Sue in a different light, after Abby accidentally makes herself 22-years-old. They suddenly seem to be quite harsh on her, moving her into her own apartment without talking to her about it first and telling her to “be independent”. It’s apparently because they don’t have enough room for her in the RV that they’re forced to live in because of the wasp infestation. Really, though, it seems like something must have gone on between Abby and her parents that even Abby doesn’t know about because she’s skipped six years of her life. Maybe Abby was sat around watching TV all day, not bothered about getting a job. Although when they pick her up from the school, it seems like a regular annoyance they have to deal with so maybe this Abby never gave up wanting to be sixteen – I can understand how that could be draining for her parents! Anyway, none of that matters because Abby does get back to her real life and has a new appreciation for her parents and her brother.

Bob Jensen was played by Patrick Gilmore. At the time of 16 Wishes, Gilmore was appearing in the recurring role of Dale Volker in Stargate Universe (2009-11). He went on to be cast as David Mailer in the series Travelers (2016-18) and as Mr. Anderson in the Paramount+ series School Spirits (2023-present). Kendall Cross was cast as Sue Jensen. She went on to appear in the recurring role of Major Byrne in The 100 (2014-20).

MUSIC

16 Wishes features eleven songs. All tracks are on the 16 Wishes soundtrack, released on 15th June 2010, just over a week before the movie’s premiere on Disney Channel.

Usually, if a Disney Channel movie’s lead actor can sing, then they will get to sing one or two songs in that movie, if it’s not a musical. In this case, Debby Ryan gets to perform two such songs. One of them is the song’s opening number, “A Wish Comes True Every Day”, written by Ali Theodore, Jason Gleed, and Alana da Fonseca. This is probably my favourite song in the movie; it’s an upbeat pop song, which is the perfect song for Abby to wake up to on her sixteenth birthday. This song then features again as the finale of the movie, just before the End Credits, with a special video showing the cast and crew dancing on set, as well as a few bloopers. The music video for this song was also uploaded to Disney Channel’s YouTube Channel on 18th June 2010, a week prior to its premiere date.

The other song Debby Ryan performs, alongside her brother Chase, is “Open Eyes”, another song in 16 Wishes that I like. It is played as Abby sadly heads back to her apartment after Krista’s party, resigned to her fate of remaining 22 forever. This song was written by Chase Ryan, Debby Ryan, and Matt Beckley. Chase also contributed to another song on the soundtrack, “Saying Goodbye”, which he wrote and performed alongside Michael Popp and Aaron Harvey. I believe this song is played in the dress shop; however, it is so quiet, being used as background noise, that it is hard to tell. Another song that may have been playing in this shop is “The Way It Used To Be”, performed by punk rock band Not By Choice, and written by M. Bilcox. I didn’t specifically hear this song, but given that the 16 Wishes soundtrack track list appears to be in order of appearance in the film, it must have been played at this time, but I didn’t specifically hear it.

There are a few other songs in 16 Wishes that are only played briefly in the movie. One of these is “No One’s Fool”, performed by Keith and Renee and written by Keith Macpherson, Renee Lamoureux, and Creighton Doane. It plays as Abby gets ready in the morning. Following on from that, “Princess Girl”, performed by Minnutes, is used for the moment that Abby meets Joey Lockhart at her bus stop. Then, there is “Picture Perfect”, performed by Jennifer Cathcart, and written by David Isaac Feldstein, which plays as Abby leaves the dress store in her new “age appropriate” clothes. There is also “Bad Momma”, written by Marc Ferrari, Josh Kessier, and Chad Gendason, performed by Gendason, which can be heard as Abby reveals her new clothes that she wished for at school.

Then there is music that plays at the different birthday parties. Krista’s solo party has two songs, the first being “Vertigo” performed by the band Willknots. It was written by Douglas Deibel and Shawn Richardson. It is followed by “Overreaction”, another song performed by Chad Gendason, and written by Ferrari, Kessier, Gendason, and Andrew Robert Hayes. I can’t say I really noticed either of these songs, however, at Krista and Abby’s joint party at the end of 16 Wishes, the song “Don’t Wanna Grow Up” by Willknots is played, written by Deibel and Richardson. This song might sound familiar to DCOM fans, as it appears towards the end of Cow Belles (2006). It’s a great song, and you get to hear more of it in 16 Wishes, as it is also used for the End Credits.

James Jandrisch is credited with composing the score for 16 Wishes. He would go on to compose the music for another Debby Ryan DCOM, Radio Rebel (2012), as well as for the DCOM Zapped (2014). Jandrisch is also the composer for some television film series including Signed, Sealed, Delivered (2014-present), and Gourmet Detective (2015-20). More recently, Jandrisch composed the music for the Netflix series’ Tiny Pretty Things (2020) and Sweet Magnolias (2020-present). He also composed the music for one of my favourite Christmas television movies, Call Me Mrs. Miracle (2010).

PRODUCTION

16 Wishes focuses on the whole obsession with the idea of the “Sweet 16”, whether that is by having a great birthday or an amazing party.

 Having a movie or a series based on the importance of sixteenth birthdays is nothing new. One of the most popular shows about Sweet 16 parties is the MTV reality series My Super Sweet 16 (2005-17), which followed kids as they planned huge parties for their sixteenth birthdays, complete with the usual tantrums and meltdowns you’d expect to see from spoilt kids that don’t get their own way[1]! Sometimes other milestone birthdays, such as 18th or 21st birthday parties, were also featured. Even some celebrities got in on the action, including Aly and AJ Michalka, who held a joint party for their 18th and 16th birthdays, respectively, in 2007. Their episode may have been a promotional technique for the girls’ own movie, Super Sweet 16: The Movie, which was released in 2007. It saw two girls make plans to throw a huge, joint Sweet 16 party. When the girls have a falling out, they start trying to outdo each other with their own parties.

MTV even made a spin-off three-part horror film series, created for television, based on their reality series entitled My Super Psycho Sweet 16 (2009-12).

Let’s also not forget the 1980s John Hughes movie Sixteen Candles (1984). It might not feature a huge Sweet 16 party, but it is a coming-of-age movie about a girl’s sixteenth birthday, which her family have forgotten about because her older sister is getting married the next day. The plot of the movie is not similar to 16 Wishes; however, the title does link to it as Abby gets sixteen wish candles; the titles can potentially be mistaken for each other.

I’m sure Sixteen Candles must have been some sort of loose inspiration for 16 Wishes, however, the obvious 2000s obsession with huge sixteenth birthday parties must also have been. Although Abby does not end up having a grand party, it is alluded to the fact that she was hoping to have one. Just before Abby and Jay head off to the store to buy her a dress, she mentions to Jay that two girls in their year have taken on the planning of Abby’s party, which they want to hold in a hotel in Las Vegas, potential trying to make the party similar to the elaborate affairs that exist within My Super Sweet 16.

16 Wishes also takes some plot points from the Jennifer Garner movie 13 Going on 30 (2004), something that some reviews mentioned. In 13 Going on 30, the main character, Jenna, wishes to be thirty on her thirteenth birthday, believing that being an adult will fix all her issues, as she feels like a loser as a teenager. This is much like Abby in 16 Wishes, who hates being treated like a child. Her wish instead makes her 22 and therefore an adult. Obviously, 16 Wishes is a more family-friendly version of 13 Going on 30 and does not involve too many real-life problems since it only takes place over a day, with Abby’s biggest issue being that she was forced to move out of her parents’ house. 13 Going on 30 not only looks at relationship and family problems, but also work issues too. Big (1988) also features a teenage boy wishing to be “big”, with his wish going wrong and turning him into an adult, but again, it deals with this issue in a more mature way. But neither Big nor 13 Going on 30 were aimed at younger children, or set to be aired on Disney Channel, so they didn’t have to conform to certain expectations.

With all that being said, 16 Wishes is not a particularly unique story, clearly expanding on ideas from other movies, however, that does not make it any lesser of a movie. Many movies borrow ideas from others to create their storylines. It meant that 16 Wishes felt like familiar territory, but in one way, it might be slightly more relatable, and that is by not changing the actress playing Abby. To the audience, it doesn’t look like much has changed when Abby “grows up” from 16 to 22, so we are able to fully understand her confusion at why she’s being treated differently. In 13 Going on 30 and Big, we are introduced to a young actor first, and then asked to relate to a different one. In some ways, they feel like two separate journeys or a dream, but with 16 Wishes, it is solely Abby’s story.

16 Wishes was directed by Peter DeLuise. Peter DeLuise went on to direct the DCOM Zapped (2014), which starred Zendaya, but prior to 16 Wishes, he had also directed some episodes of Kyle XY (2006-09); Stargate Atlantis (2004-09); Stargate SG-1 (1997-2007); and Stargate Universe (2009-11). Previously, DeLuise had starred as Officer Doug Penhall in the series 21 Jump Street (1987-91). DeLuise also has some famous family with links to Disney. His brother David DeLuise was cast as Jerry Russo in the Disney Channel series Wizards of Waverly Place (2007-12) and its 2009 movie. They are sons of comedian Dom DeLuise, who voicing the character of Fagin in Oliver & Company (1998).  

The screenplay for 16 Wishes was written by Annie DeYoung, who had previously worked on Princess Protection Program (2009), Return to Halloweentown (2006), and Girl vs. Monster (2012) for Disney Channel.

16 Wishes was filmed in Vancouver, British Columbia, Canada, with one of the most obvious filming locations being Walnut Grove Secondary School. Much of the movie’s scenes are either filmed at the school or at the street where Abby and Krista live, so nothing too exciting to report on there.

I’ve mentioned a lot of Disney links in the cast and crew credits; however, 16 Wishes is not a Disney Channel Original Movie, in a similar way to Harriet the Spy: Blog Wars, which is also not technically a Disney Channel Original Movie, despite being promoted as such, or in slightly different terminology, prior to its Disney Channel air date. 16 Wishes was a co-production between Disney Channel and MarVista Entertainment[2]. Unity Pictures is also listed on the Opening Credits. Because of this small technicality, this is potentially why 16 Wishes is not available to stream on Disney+. Instead, if you want to watch 16 Wishes, you’ll have to hope it appears on another streaming service – I found Harriet the Spy: Blog Wars on Amazon Prime in the UK when I reviewed that movie – or go the old-fashioned route and watch it on DVD, which is what I did with 16 Wishes[3].

RECEPTION

16 Wishes first premiered in the US on Disney Channel on 25th June 2010.

A trailer was released on Disney Channel’s official YouTube channel on 9th June, which referenced 16 Wishes as a Disney Channel Movie, but not a Disney Channel Original Movie[4]. This is a subtle distinction but one I guess they had to make somewhat obvious with this being a co-production.

On its US premiere, 16 Wishes apparently got 5.6 million viewers, and became the most watched cable program of the day. 16 Wishes later premiered in Canada on Family Channel on 16th July 2010.

In terms of reviews, these are mixed, as some say that it is the best DCOM of all time, and that the ones to debut afterwards were nowhere near as good – I’ve read this quite a lot around other DCOMs released in 2010 or 2011 – whereas others call it the worst. For me, I liked 16 Wishes when it first came out, and rewatched it quite a few times. Looking at it now, though, I wouldn’t call it the best or the worst; it’s just average.

Those who like 16 Wishes say it was quite deep for Disney Channel, as it taught an important lesson about not growing up too fast, and made kids re-examine their lives in some ways. I’m not sure 16 Wishes ever affected me to the point where I made changes to my life, and I was a similar age to the characters, so I’m not sure I agree with this point. 16 Wishes was also called cute, although typical and predictable.

Others who don’t like the film say it is cringey and they dislike the main character of Abby Jensen, calling her “awful”. I think awful is a bit harsh, and she does eventually change her ways, but I wouldn’t have wanted to be friends with her at school. She’s not a bad person, but she does strike me as the type to constantly moan about how unfair her life is, which would get draining after a while…

LEGACY

Luckily, the story of 16 Wishes did not allow for a sequel, or a series of movies.

I mean, Disney Channel could have done it, obviously. They could’ve brought Abby back to do 17 Wishes, maybe even 18 Wishes, where she makes new wishes based on her current situation but they would’ve been samey and boring; sometimes one movie is enough.

So, 16 Wishes has not spanned its own franchise, however, 16 Wishes did boost Debby Ryan’s Disney Channel career. She was already known for her role on The Suite Life on Deck, so 16 Wishes allowed her to star in her own project. This led to her role as Jessie in the series, and then to star in Radio Rebel in 2012.

Outside of that, I did discover that there is a website selling the set of sixteen candles, the Lucky Duck matches, and a recreation of Abby’s wish list, so if you’re a huge fan of this film, this could be the perfect gift for you.

FINAL THOUGHTS

Sixteenth birthdays are meant to be a big milestone moment for teenagers, where they start to feel more mature and become more independent.

In 16 Wishes, Abby can’t wait to turn sixteen because she seems to think that on that one day, she’ll wake up and feel differently about herself. She also believes that everyone around her will finally notice that she’s not a child anymore. That is not the case, and Abby becomes disappointed that her sixteenth birthday hasn’t been everything she hoped it would be. The wishing candles seem to be making it the best day ever until it goes badly wrong.

I think too many teenagers put pressure on themselves to grow up quickly. Once you do grow up, many realise that being an adult is not all that wonderful, and that they should’ve spent more time being a kid.

If 16 Wishes teaches people anything – and it’s a Disney movie so generally they try to teach you something – it’s don’t be in such a hurry to grow up. Adulthood probably won’t be everything you imagined.


REFERENCES

[1] Credit: MTV, ‘My Super Sweet 16’s Biggest Meltdowns I MTV Ranked’, MTV Vault YouTube Channel, 12th May 2019.

[2] Credit: Disney, ’16 Wishes (television), D23.com, date unknown.

[3] Credit: Daniel Furn and Cole Luke, ‘How to watch 16 Wishes: Is it available to stream on Disney+?’, RadioTimes.com, 18th September 2023.

[4] Credit: Disney, ’16 Wishes Trailer – Disney Channel Official’, Disney Channel YouTube Channel, 9th June 2010.

Wallace & Gromit: Vengeance Most Fowl (2024)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

2024 seems to have been The Year of the Sequel.

Looking at the 2024 worldwide box-office, all the movies in the Top 5 were sequels. These included Inside Out 2 from Pixar; Moana 2 from Disney; and Despicable Me 4 from Universal and Illumination.

Another major blockbuster was Wicked: Part 1, a live-action adaptation of the popular Broadway musical which debuted in 2003. This shows that, currently, many movie studios are finding that their best opportunity for box-office success is to continue, and in some cases improve on, tried-and-tested franchises.

Wallace & Gromit: Vengeance Most Fowl is no different in that respect, although it is only the second feature-length outing for the British pair, almost twenty years after their first movie Wallace & Gromit: The Curse of the Were-Rabbit (2005) came to be.

Making a sequel is not a bad thing, especially if there is a story to be told. Although some of these sequel movies do appear to be bold money-grabbing attempts – I’m not saying which I think those are – Wallace & Gromit: Vengeance Most Fowl from Aardman Animations did not feel like that. I believe that is down to the fact that Aardman spend months or even years on their movies, because in most cases, these movies are made using clay, in a process called Claymation. Aardman are arguably the best in the business at what they do and Wallace and Gromit have become national treasures since they debuted in 1989. There is very little that can go wrong with those two.

I haven’t been the first to watch many movies in recent years. I’ve said previously that my streaming watchlists is where movies go to die, because I rarely get round to them even in the first month that they are released. It takes me years to get to them sometimes, or I end up ignoring them completely. I try to watch a lot of the Best Picture or Best Animated Oscar-nominated movies, but I’m about two or three years behind at the moment.

Luckily for me, I was on it with Wallace & Gromit: Vengeance Most Fowl because British audiences did not have to go to the cinema or to Netflix to watch it. It got a primetime viewing slot on BBC One on Christmas Day 2024, so it was easily accessible. Though I did not like Vengeance Most Fowl as much as The Curse of the Were-Rabbit, finding it a bit slow in places, it was still full of heart and typical British comedy. It was most definitely worthy of Christmas Day viewing.

PLOT

Vengeance Most Fowl begins by going back in time, to Wallace and Gromit calling the police to say they have apprehended the thief who stole the Blue Diamond. This thief is a penguin named Feathers McGraw, who was promptly arrested and sentenced to life in a high security facility. Instead of being a prison, this facility is in fact a zoo, because, you know, Feathers is a penguin; why would sending him to jail make any sense at all?

In present day, Wallace and Gromit have continued their lives as normal after this event. Wallace has spent time creating more inventions to make his life easier, and Gromit has spent his time getting increasingly irritated by Wallace’s over-reliance and obsession with new technology. Gromit sees that they have lots of bills to pay and no way of paying them – until Wallace comes up with a new invention, a smart gnome called Norbot, who is voice-activated and will do any gardening job he’s asked to do. In this case, he is tested on Gromit’s beautiful garden, whereby Norbot tears up and destroys all of it making the garden neat with just a lawn and topiary. It might look immaculate, but it’s ruined Gromit’s work. But Wallace doesn’t even notice and plans to set up a gardening service with Norbot.

Meanwhile, Chief Inspector Mackintosh and trainee PC Mukherjee are discussing the proud moment of when Mackintosh locked up Feathers McGraw, taking the Blue Diamond and storing it in their vault at the station. It is now time for the Blue Diamond to go back on display and Mackintosh has been tasked with the security plans, his last job before retiring.

Back with Wallace and Gromit, Norbot and his gardening service have attracted the attention of the neighbours and the local news, who are all very impressed with this latest invention. However, this news report also attracts the attention of Feathers McGraw, who sees Wallace on the news through the bars of his cage as his keepers watch on television. Feathers wants to finally get his revenge on Wallace and now he has a plan…

Gromit doesn’t like Norbot and sees that Wallace is giving Norbot all the attention and basically ignoring Gromit. Norbot also seems to be better than Gromit at almost everything. Gromit reaches breaking point when Norbot wanders into his room one night, unplugs the radio Gromit was listening to, and plugs himself in to recharge overnight. Except Norbot is not like most tech and recharges very loudly…and intensely… Gromit unplugs Norbot and takes him down to the basement, plugging him in to the computer to recharge down there. Finally, Gromit can have some peace and quiet again!

At the zoo, Feathers uses an extending arm to get through his cage bars and on to the keepers’ computer. He gains remote access to Wallace’s computer over in West Wallaby Street. He manages to guess Wallace’s password – simply “cheese” – then answers a security question all about cheese, and gets into the computer. From there, Feathers accesses Norbot, since he is plugged in to the computer, and changes his mode to “Evil”.

The next day, Wallace goes to get Norbot, ready to complete all the gardening work for the neighbours. Both Wallace and Gromit discover that overnight, Norbot has built his own army of smart gnomes just like him. Wallace is overjoyed to see there are plenty of gnomes available but Gromit isn’t so sure about this; something isn’t right. But Wallace isn’t bothered and sets up a tracking device so he can keep tabs on them from home. Gromit becomes suspicious when he sees the gnomes all seemingly plotting something and goes with them to their jobs. As the gnomes get on with their work, even singing a song as they do so, everything seems fine, but then Gromit is locked in a shed by the gnomes, and neighbours soon discover that random items, like tools, pipes, and glass, have all been stolen from their gardens. The police receive numerous reports of the thefts.  

Back home, Norbot tries to ensure that Wallace doesn’t notice that him and the other gnomes have gone evil. Norbot turns off the TV before Wallace can see the news report about the burglaries, and then drugs Wallace to put him into a deep sleep. Gromit manages to cut himself out of the shed eventually, and gets home to find the gnomes all building something. They soon spot Gromit watching them, and assume he’s going to wake Wallace. Sure enough, when Wallace makes it down to the basement, there is no sign of anything. Then, there is a knock at the door. Chief Inspector Mackintosh says they have a search warrant for Wallace’s home. They proceed to seize all of Wallace’ inventions – but the gnomes are nowhere to be found.

The next day, Wallace struggles to even put his clothes on without his inventions and to make this day even worse, an angry mob and a news crew arrive on the doorstep, to confront the “evil inventor Wallace”. To prove their innocence, Gromit goes out on his motorbike to find the gnomes, going to the police station to retrieve Wallace’s “gnoming” device, the tracker. The police head to the museum for the unveiling of the Blue Diamond.

As Gromit follows the tracker, he believes a pack of gnomes are coming right towards him – but there’s no-one there. He then sees light coming from the ground, and realises they’ve gone underground and are heading into the zoo. Gromit manages to sneak into the zoo and sits in a tree, where he sees Feathers being all Bond villain, sitting in a chair, stroking a little seal. The gnomes appear in the enclosure from a submarine. That must’ve been what the gnomes were building in the basement, and that’s why they had to steal all those materials. Feathers heads into the submarine with his evil crew, signalling for Norbot to saw off the branch that Gromit is sitting on. Gromit and Norbot fall down into the lion enclosure. As all looks lost, Norbot snaps out of his evil mode, thanks to the fall, and saves both of them from getting eaten – by giving the lion a haircut! Gromit and Norbot head straight for the museum, where they see that the Blue Diamond has been replaced with a turnip. The police suspect Wallace of making the switch long ago when he first reported the crime, keeping the diamond for himself.

Gromit races home to warn Wallace but it’s too late. The gnomes and Feathers are already there, and Wallace and Gromit both get tied up. They come face-to-face with Feathers and discover that Feathers hid the diamond in their teapot all that time ago. Feathers takes the diamond and his evil gnomes, leaving Wallace and Gromit shut in a cupboard. Suddenly, Norbot comes into the cupboard, but if you thought Norbot was going to save them, he wasn’t – he just wanted the vacuum so he could clean! Gromit grabs a nearby leaf blower instead to propel them out of the cupboard. As the police arrive to arrest Wallace, the two run them over. Wallace and Gromit pursue Feathers and the gnomes.

A chase ensues, with the police also chasing after Wallace. Feathers gets into a narrowboat, with Wallace, Gromit, and Norbot following behind in another narrowboat. Luckily, these boats don’t move very quickly so Mackintosh and Mukherjee are able to follow them on a bicycle, though Mackintosh is infuriated that Wallace and Gromit just happen to be on his narrowboat – the cheek of it! The police see the narrowboat ahead of Wallace and Gromit and see what they believe to be a nun; it is actually Feathers in disguise – gasp!

Wallace quickly makes an invention to turn all the evil gnomes back to being good again. They use a ton of boots they’ve found on the boat – Mackintosh’s vintage boot collection – to knock over the gnomes so that they will reboot as Norbot did. At the same time, Feathers has made his boat speedy so Gromit attaches a rope to it to try and get closer. Wallace follows behind in a life ring after falling overboard, at which point, you’ll see the Farmer from Shaun the Sheep in a small cameo appearance.

Gromit eventually jumps on to Feathers’ boat and the two battle for the diamond. Wallace then lands back on the first boat. As they approach the Yorkshire Border, Feathers sees that the police have blocked the canal, and almost steers them off an aqueduct. Gromit has managed to retrieve the diamond, but he is left dangling off the edge of the boat as it starts to tip over. Wallace begs Gromit to give up the diamond so that the boat won’t fall with him on it. Gromit hands the bag over to Feathers who jumps down onto a train below. However, this isn’t enough to save Gromit and the boat falls off the aqueduct, and Gromit is unable to jump to safety.

Suddenly, Gromit feels himself dangling in mid-air. He looks up to see the gnomes, now all good again, together in a line, rescuing Gromit from certain death. They steadily pull each other back up to safety. At this point, the police see Feathers on the train, but luckily, Gromit swapped out the diamond for a turnip. Gromit returns the real Blue Diamond to the police, proving that neither he nor Wallace was ever guilty of a crime.

Some time later, we see that Feathers McGraw is wanted yet again, and that Mackintosh has finally retired, living on his canal boat. Back at home with Wallace and Gromit, Wallace has reprogrammed his original “pat-o-matic” machine to put Gromit’s plants back in, with the other gnomes helping out. Wallace has also found a new love for his pet dog Gromit and no longer takes him for granted. The movie ends with Norbot cutting “The End” into one of their garden hedges.

CHARACTERS & CAST

Let’s talk about Wallace first. Wallace is obsessed with inventions, always has been. I don’t think it’s because he’s lazy but because he’s fascinated with technology. He uses all sorts of inventions to help him get ready in the morning, from getting him out of bed, to making his tea and toast. Wallace is also a very upbeat, positive chap, never seeming to see bad things that could be about to happen in the near future. For example, when he first meets Feathers McGraw in The Wrong Trousers (1993) television special, Wallace doesn’t suspect that Feathers could be a villain about to use him to steal a diamond. This happens again in Vengeance Most Fowl, when Wallace doesn’t see that Norbot has gone evil. He likes to see the good in everyone, I think. Although Wallace can have a one-track mind at times, forgetting others around him, like Gromit, he is a caring person, just a bit scatterbrained.

Previously, Wallace had been voiced in the movies and television specials by Peter Sallis, who was also known for playing the role of Normal “Cleggy” Clegg in Last of the Summer Wine (1973-2010), however, with his passing in 2017 at the age of 96, the public wondered if this was the end of Wallace and Gromit, because, how could the duo go on without Sallis? Although it was difficult for Aardman to create Vengeance Most Fowl without the esteemed voice actor, they were successful in finding a replacement: actor and voice artist Ben Whitehead who had already worked on a few Aardman movies prior to Vengeance Most Fowl[1]. His credits with Aardman include Mr. Leaching in Wallace & Gromit: The Curse of the Were-Rabbit (2005); Baker Bob in Wallace & Gromit: A Matter of Loaf and Death (2008); The Pirate Who Likes Sunsets and Kittens in The Pirates! In an Adventure with Scientists (2012); as well as additional voices in Early Man (2018). This meant that Whitehead had been around the creative process of Aardman’s movies before and had no doubt spent time listening to Sallis voice Wallace. This was not even Whitehead’s first credit as Wallace. In fact, he voiced Wallace in the game Wallace & Gromit’s Grand Adventures in 2009 and in the episode of the BBC Proms in 2012, Wallace & Gromit’s Musical Marvels. Despite the obvious pressure of voicing this much-loved character, Whitehead did well with his voicing of Wallace; the change is barely noticeable.

Gromit is Wallace’s underappreciated loyal dog. He isn’t particularly impressed by Wallace’s tech obsessions, not wanting to rely on them, and is more suspicious than Wallace. It’s a good thing too because if Gromit hadn’t been suspicious of Norbot and the other “smart gnomes” or of Feathers, then they’d likely have made off with that Blue Diamond and never been seen again. Gromit is fearless and brave, not letting the pursuit of a criminal mastermind put him off doing what’s right and proving his owner’s innocence, despite Wallace ignoring Gromit for much of the movie and allowing his new invention to tear up all of Gromit’s great gardening work. He is loyal to a fault. Since Gromit is a dog, and this is not a Disney movie, he does not speak.

Feathers McGraw also does not speak, yet this doesn’t mean that he is no less menacing than any other villainous character. Matt Groening, creator of The Simpsons (1989-present), even said that Feathers is one of the greatest villains of all time, managing to convey to the viewer – and Gromit, but not Wallace – how much of a threat he is just with his sinister stare[2]. Feathers is also a “master of disguise”, except only to the dim-witted humans here. Feathers uses a red glove to disguise himself as a chicken in both The Wrong Trousers and Vengeance Most Fowl, with Wallace not realising it is Feathers until he takes the glove off. That might sound familiar to Disney fans, as Dr. Doofenshmirtz in Phineas and Ferb (2007-15) similarly struggles to identify his foe, Perry the Platypus, until he puts his hat on. Feathers manages to outsmart the police in this movie too, by dressing himself up as a nun. Despite Feathers being “just” a penguin, he has a lot of evil plans in that little bird body, and if he has to use others to achieve those, then so be it. In The Wrong Trousers, Feathers used an unsuspecting – and unconscious – Wallace to commit his crimes, drugging Wallace and putting him in the “techno-trousers”, controlling him so that he picked up the Blue Diamond for him. Feathers didn’t care if Wallace got caught because they’d never suspect a little penguin of being the person behind the robbery. In Vengeance Most Fowl, he uses the smart gnomes to help him retrieve the Blue Diamond and get away. And if it weren’t for that meddling Gromit, he might just have gotten away with it too.

Norbot is a new character to the Wallace & Gromit franchise. He is a smart gnome, a voice-activated assistant developed and built by Wallace himself. Initially, Norbot seems friendly and eager to please, even though he is a bit overzealous. For some reason, Norbot also decides it’s appropriate to barge into Gromit’s room to plug himself in to charge overnight. Talk about rude! That can’t be the only plug in their whole house, surely? Sadly because of this charging fiasco, and Gromit plugging Norbot in to the basement computer instead, Norbot ends up going evil, as Feathers remotely accesses the computer and turns him to “Evil” mode. It turns out Norbot has other modes that he can be changed to as well, including “Mean-spirited”, “Grumpy”, and “Mildly Annoying”. You might think that last one was the setting he was on, but he was actually just “Good”. In the end though, Norbot returns to his “Good” mode after falling in the zoo and rebooting to his original setting, and even saves Gromit from almost certain death. I did like Norbot as a new character, even though gnomes in general freak me out…

Norbot was voiced by writer and actor Reece Shearsmith. Shearsmith co-created and starred in the comedy series The League of Gentleman (1999-2002, 2017) alongside Jeremy Dyson, Mark Gatiss, and Steve Pemberton. After this, Shearsmith collaborated with Steve Pemberton to write and star in the horror comedy series Psychoville (2009-11), before working together again on the long-running series Inside No. 9 (2014-24). Recently, Shearsmith was cast as Professor Ware in Saltburn (2023). He might also be recognisable to those who are fans of the Three Flavours Cornetto trilogy, the series of films starring Simon Pegg and Nick Frost, as Shearsmith made appearances in Shaun of the Dead (2004) and The World’s End (2013).

Within the seemingly very small police department in Vengeance Most Fowl, we have both a returning character and a new character. The returning character is Chief Inspector Albert Mackintosh, who first appeared in Wallace & Gromit: The Curse of the Were-Rabbit when he was a police constable. Mackintosh is a bit curmudgeonly at times, in both movies, as he just wants to get the trouble sorted out as quickly as possible, which is an effective way of thinking in the police, however, this can lead you to having tunnel vision, focusing in on a specific piece of evidence that actually leads you in the wrong direction. With Mackintosh looking forward to his retirement after the new museum display of the Blue Diamond, the last thing he needs are crazed gnomes on the loose, stealing things from the community, and he certainly does not need to be chasing down a diamond thief. Because of this, Mackintosh is quick to presume Wallace as the criminal, even though that is not the case. But to be fair to Mackintosh, he just wants some peace and quiet for a change.

Chief Inspector Mackintosh is voiced by comedian Peter Kay, reprising his role from The Curse of the Were-Rabbit. Recently, Kay has returned to stand-up comedy with his latest tour Better Late than Never…Again due to end in February 2026. Kay is also known for his television work, including creating and starring in the sitcom Phoenix Nights (2001-02), and its spin-off, Max and Paddy’s Road to Nowhere (2004), alongside Paddy McGuinness. Kay’s most popular sitcom was perhaps Peter Kay’s Car Share (2015-18) which he starred in alongside Sian Gibson, winning multiple National Television Awards and BAFTA TV Awards. Kay has also had success with comedic charity singles, such as “(Is This the Way to) Amarillo” with Tony Christie for Comic Relief in 2005, and “I Know Him So Well”, performing as his character Geraldine McQueen from Peter Kay’s Britain’s Got the Pop Factor (2008) TV special alongside Susan Boyle for Comic Relief in 2011.

PC Mukherjee is new to policing, and to the world of Wallace & Gromit, being mentored by none other than Mackintosh. She is fascinated by the Feathers McGraw case that Mackintosh is only too happy to talk about, with his capture being a huge accomplishment. Being new to the job, Mukherjee is more open-minded. She doesn’t immediately suspect Wallace of wrongdoing and even admits that there is little evidence against him. She wonders if Feathers could be behind it all but is quickly shut down by Mackintosh. The two set off in pursuit of Wallace and Gromit, but it turns out Mukherjee’s instincts were exactly right; it was Feathers McGraw. Shame they never caught him… Mukherjee was voiced by Lauren Patel. Patel was cast as Pritti Pasha in the Amazon Prime movie Everyone’s Talking About Jamie (2021), based on the stage musical of the same name. Patel had also worked with Aardman prior to her role in Vengeance Most Fowl, voicing the character of PB in their CGI comedy series Lloyd of the Flies (2022-23).

That’s all the main cast, but there are a few actors in smaller roles that might sound familiar as well. One of these is the news reporter Onya Doorstep, who was voiced by Diane Morgan. Morgan is known for her comedy character, Philomena Cunk, who first appeared on Charlie Brooker’s Weekly Wipe (2013-20) before having a couple of spin-off specials. Morgan also starred as Liz in the sitcom Motherland (2016-22), and writes and stars in the comedy series Mandy (2019-present). The other news reader in this movie is Anton Deck – a play-on words of Ant & Dec, a famous British presenting duo who receive a mention in the Special Thanks portion of the credits, presumably for use of their name – who was voiced by Muzz Khan. Khan was cast as Adyan Khan in Series 5 of Brassic (2019-present).

Following on from that, we also have Adjoa Andoh who voiced the Judge here. Currently, Andoh appears as Lady Agatha Danbury in the Netflix series Bridgerton (2020-present), and appeared in the recurring role of Francine Jones in Doctor Who (2005-present) in the Tenth Doctor’s series. Sir Lenny Henry voiced the part of Mr. Convenience here. Henry previously voiced the character of Peg-Leg Hasting in Aardman’s The Pirates! In An Adventure with Scientists (2012). Recently, Henry appeared as Sadoc Burrows in the Amazon Prime series The Lord of the Rings: The Rings of Power (2022-present) and wrote the drama television series Three Little Birds (2023) which aired on ITV.

MUSIC

The Wallace & Gromit theme tune is hugely recognisable to the majority of Brits, and should be to other fans of Wallace & Gromit as it features in every one of their television specials and big screen movies. I also remember hearing this tune a lot at after-school music clubs; I know my parents suffered through renditions of this theme by amateur brass bands at the club concerts I was involved in.

So, obviously, it would feature again in the opening credits of Wallace & Gromit: Vengeance Most Fowl. I love this theme; it’s a bouncy sort of tune, and instantly makes me smile. It was written by Julian Nott. Nott had previously written the music for all five preceding Wallace & Gromit adventures, winning an Annie Award for Best Music in an Animated Feature for the soundtrack of The Curse of the Were-Rabbit. He is also the composer for the animated series Peppa Pig (2004-present) amongst other credits.

An original song was also written for Vengeance Most Fowl, and that is “Gnome Working Song”, with lyrics from Mark Burton, co-writer of the movie, and music from Julian Nott and Lorne Balfe, performed by Reece Shearsmith as Norbot. It’s probably supposed to make you think of the dwarfs singing in Snow White and the Seven Dwarfs (1937) and it certainly does; it’s basically an Aardman version of “Heigh-Ho”, except we know these gnomes are actually evil at this point in time, which just makes it funnier.

The score for Vengeance Most Fowl was produced by Lorne Balfe and Jeremy Earnest. Balfe has most recently composed the music for Mission: Impossible – Fallout (2018); Dead Reckoning Part One (2023); and The Final Reckoning (2025). Balfe also composed the music for these recent movies: Tetris (2023); Gran Turismo (2023); and Bad Boys: Ride or Die (2024). Earnest also worked on the music for Bad Boys: Ride or Die, as well as the Netflix film Carry-On (2024).

There are some other pieces of music that are not unique to Vengeance Most Fowl. For example, “Toccata and Fugue in D Minor” composed by Bach can be heard briefly as Feathers plays the tune on the pipe organ that exists within the submarine – because no submarine is complete without one. This music also shows that Feathers is back to his full villainous self again. Another small excerpt of classical musical is played as Gromit settles down to read his book before going to sleep, just before Norbot comes in to recharge himself. The piece playing on the radio is “By the Sleepy Lagoon”, which was written by Eric Coates, performed by Slovak Radio Symphony Orchestra.

You can also hear “Brahms’ Lullaby”, composed by Brahms, which is played by one of the evil gnomes on the harp as they set about sending Wallace into a deep sleep so they can continue their evil scheme to help Feathers McGraw. The performance is actually credited to the Budapest Scoring Orchestra. Finally, a snippet of “Born Free”, written by John Barry and Don Black, and performed by Matt Monroe, plays as Feathers and the evil gnomes flee from Wallace and Gromit’s house with the Blue Diamond.

PRODUCTION

Aardman Animations are known for their work in clay animation, or Claymation, a type of stop-motion technique, meaning that clay models are physically moved and then photographed, with the majority of Aardman’s work having been made in this format.

Aardman began in the 1970s in Bristol, founded by David Sproxton and Peter Lord. The company began making small animated movies. One of their biggest break-out moments was in the series Vision On, where their involvement in the series consisted of clay animated segments and an incompetent superhero by the name of Aard-man, hence the company’s name. From here, Aardman made one of their most popular Claymation characters, Morph, who was seen interacting with presenter and artist Tony Hart during the children’s television programme Take Hart (1977-1983). Morph later popped up in other similar shows including SMart (1994-2009).

Meanwhile, as Aardman were creating a name for themselves, making short films and advertisements for various companies, a student by the name of Nick Park was working on his own Claymation project, about a British man building a rocket. Park was indeed making A Grand Day Out, the first outing for Wallace and Gromit. But he was quickly running out of money, though he had secured actor Peter Sallis to voice Wallace for only £50. Park invited Sproxton and Lord to visit his studio and they agreed to help Park finish this massive project, moving it to their studio in Bristol. Wallace & Gromit: A Grand Day Out was finally finished around six years after beginning, premiering on 4th November 1989 in Bristol at an animation festival, before coming to British television in 1990.

A Grand Day Out launched Wallace and Gromit and earned Park and Aardman an Oscar nomination for Best Animated Short Film in 1991. It ended up losing to another Nick Park project, Creature Comforts (1989), which saw Claymation animals speaking lines that were recorded from the public. A Grand Day Out did, however, win the Best Short Animation award at the BAFTAs in 1990.

After that, Wallace and Gromit were seen again in the short The Wrong Trousers, which debuted on 26th December 1993 on the BBC. It saw Wallace and Gromit renting out a spare room in their house to penguin Feathers McGraw, who would use Wallace to attempt to steal a diamond. This short was an instant success and did win the Academy Award for Best Animated Short Film in 1994. Another Oscar success followed with A Close Shave, which first aired on 24th December 1995. This time, the duo foils a sheep rustling plot. One of the sheep to get a starring role was Shaun the Sheep, who became a household name, getting his own series and movies.

The next Wallace & Gromit episode wouldn’t come for ten years, but this time, they were coming back in their first full-length feature film, Wallace & Gromit: The Curse of the Were-Rabbit (2005). Here, Wallace and Gromit have to save their village from a monster, a were-rabbit. At this point, Wallace and Gromit were hugely popular and this movie proved that by attracting some impressive British actors to voice its cast, including Helena Bonham Carter and Ralph Fiennes. The Curse of the Were-Rabbit premiered in US theatres on 7th October 2005, followed by the UK a week later. This movie won the Academy Award for Best Animated Feature Film, making it the first stop-motion film to win the award.

But that wasn’t all, because just a few short years later, Wallace and Gromit returned to screens again, this time just for a television special: Wallace & Gromit: A Matter of Loaf and Death, where Wallace almost became victim to a murderess’ evil plot to murder bakers. This time, the short film did not win the Oscar, but did win a BAFTA and Annie Award. It first aired in the UK on 25th December 2008 on BBC One[3].

And then, we waited. And waited. And waited for the next instalment of Wallace & Gromit adventures to come to our screens again. In 2017, fans feared the worst, that Wallace & Gromit would not return due to the fact that beloved voice actor of Wallace, Peter Sallis, had passed away. This did not signal a bright future for the duo.

However, in January 2022, an announcement was made. Wallace and Gromit would be back on our screens. But in what form? A 30-minute television special? A full-length movie? What was it going to be? Well, it turns out it was going to be a full-length movie, making this the first Wallace & Gromit movie to be made under Aardman’s 2019 deal with Netflix. Aardman had initially worked with DreamWorks in the 2000s, but there was a culture clash at times between Aardman wanting to keep their Britishness, and DreamWorks wanting the movies to appeal more to American children. Under Netflix, Aardman had also made Chicken Run: Dawn of the Nugget (2023). With Wallace & Gromit, you might think that Netflix would’ve wanted the Britishness toned down in Vengeance Most Fowl, but that turned out not to be the case. There was no “US-friendly” version of the movie made, with Aardman accepting that not everyone globally would understand the jokes every time.

The idea for Wallace & Gromit: Vengeance Most Fowl was initially developed soon after The Curse of the Were-Rabbit, in that the plot could revolve around a smart gnome. It was decided that this would be a 30-minute television special, however, once the story had been fleshed out, with the technology going wrong and the opportunity for Feathers McGraw to make a comeback, it became clear that this story was going to be too big for only a short film and that it would need to be a feature film[4].

Aardman pride themselves on continuing to use Claymation as their primary medium within their film-making, so, much like the original 1989 A Grand Day Out, Vengeance Most Fowl also uses clay puppets. However, nowadays, Aardman use a mixture of silicone and clay models. The silicone is unalterable once cast unlike the clay models, however, some shots are fine for silicone models, which can speed up the process. Clay is still the best medium for expressiveness, so the hands and faces of the characters are always made from clay[5]. Stop motion requires a lot of patience and dedication to the craft. I, for example, would not have the discipline needed to make a stop-motion movie. I’d get frustrated at seemingly not making progress and I don’t have the artistic ability to make anything out of clay either, so I will never get a job at Aardman. The animators that work on projects like this only manage to get a few seconds of footage during a week’s worth of work. To be able to make these models talk, to fit recorded dialogue; have them do the most basic of movements; let alone have them blink, breathe, and do all the normal things that humans and animals do without thinking, all with just clay and a camera is just amazing.

Production on Vengeance Most Fowl took around fifteen months, which means they had a huge team at Aardman Animations working on this. Lots of clay was needed too, but a shock was about to come, as the factory who supplied modelling clay to Aardman suddenly shut down in March 2023. This had people worried that Aardman wouldn’t be able to finish Vengeance Most Fowl – no more clay, no more Wallace & Gromit, right? Well, no, obviously not. Aardman simply got enough clay from their supplier to finish the movie before the factory closed for good. And they have vowed to find a new supplier so they can continue other Aardman projects. So, calm down. Panic over[6].

Vengeance Most Fowl was directed by Nick Park, original creator of Wallace & Gromit, and Merlin Crossingham. Crossingham was an animator at Aardman, working on movies like Chicken Run (2000) and The Curse of the Were-Rabbit (2005), as well as the animated series Creature Comforts (2003) and A Matter of Loaf and Death (2008). He had also directed episodes of Morph (2014-19) and The Epic Adventures of Morph (2020-21). The story was written by Nick Park and Mark Burton, who penned the screenplay. For Aardman, Burton had previously co-written The Curse of the Were-Rabbit; Shaun the Sheep Movie (2015), for which he was also co-director; and A Shaun the Sheep Movie: Farmageddon (2019). Burton also co-wrote the DreamWorks movie Madagascar (2005).

By the summer of 2024, the name of this new Wallace & Gromit movie had been revealed, and the fact that Feathers McGraw would be returning was also revealed. Apparently, many punny names were thought up before settling on Vengeance Most Fowl as the title of this new film. To build excitement for the new release, a teaser trailer was released in October of that year, with more details being shown in the official trailer, released in November. Nick Park and Merlin Crossingham appeared for a live event at the Manchester Animation Festival in November to discuss their new movie.

Getting closer to the festive period, Aardman created three Wallace & Gromit idents – the clips that appear before scheduled programming on television channels – for the BBC, which appeared throughout December. One clip had Wallace and Gromit sat on the sofa with Norbot, all three of them wearing Christmas jumpers. Another showed the trio lighting up a Christmas tree, and the other had them making ice sculptures[7]. The duo even made a surprise appearance during the semi-final of Strictly Come Dancing (2004-present) as that week’s celebrity guests, scheduled to read the show’s voting Terms and Conditions.

There was also a special ident that appeared straight after the credits on Vengeance Most Fowl, which saw Feathers pop up wearing a cloak. I thought this was a teaser for a potential further movie with Feathers due to make his return, but sadly it was not. It was in fact a clever tool to promote The Traitors (2022-present), which was set to air its first episode of Series 3 on 1st January 2025. Since I don’t like The Traitors, once I realised this Feathers ident had nothing to do with more Wallace & Gromit adventures, I rolled my eyes and tutted.

Wallace & Gromit also lit up London’s Battersea Power Station every evening during December 2024, decorating a Christmas tree, with Feathers promptly turning all its lights off. The animation was shot on an iPhone, specifically an iPhone 16 Pro Max. Clearly, this was a promotional thing with Apple.

RECEPTION

Because Wallace & Gromit are quintessentially British characters, it only made sense for the Brits to see this movie first, having it broadcast on BBC One at 6:10pm on Christmas Day 2024. International fans would have to wait until 3rd January 2025 for it to come to Netflix.

In fact, that was not the case. I’m quite disappointed to say that we Brits did not get this movie first. Ignoring the fact it first premiered at the AFI Festival in Los Angeles on 27th October 2024, it made it to Australian cinemas on 19th December, and even received a limited run in the US on 18th December! I call that incredibly unfair…Anyway, I’ll try not to be bitter about that as I move on to the reviews.

Wallace & Gromit being so popular for decades meant that it would be difficult for Vengeance Most Fowl to fail. Sure enough, it did not fail, not by any means.

Some did say that Vengeance Most Fowl was not as good as the previous Wallace & Gromit outings though, with comments saying that it felt too long in places, and that perhaps it would’ve been better for the movie to be an hour or less, instead of its roughly 80-minute runtime. I can agree with this statement, however, Christmas Day can be a strange day, so watching it then when you’re either distracted by family members or still processing the events of the day might mean that it was perhaps too much for some – myself included – to focus on at that specific time.

Others referenced the ambiguous time setting of the movie. I think what some viewers might have been confused by is how Vengeance Most Fowl clearly wanted to relate to our contemporary attitudes – and dare I say, obsession – with technology and innovation. Norbot is a voice-activated gnome after all, and many homes have plenty of voice-activated technology in them these days. Wallace is also seen to have a computer, but it is an older model more suited to the 1980s than present day. Aardman have never claimed that Wallace & Gromit is set in contemporary times, since the fashion, vehicles, etc., within the features would suggest that it is set sometime around the 1960s or 1970s, but really, it’s not meant to be set in any specific time. We’re just supposed to “go with it” and not think too much about it. Time doesn’t really pass in Wallace & Gromit world.

Positive reviews stated that they were pleased that Aardman were still making their movies by hand, and have not passed over stop-motion for computer animation. It was still just as British as we’d all expected too, despite the partnership with Netflix, and many viewers gave plenty of credit to Ben Whitehead for stepping up to voice Wallace. The movie was funny, charming, and the dangers of technology plot point felt relevant. 

For me, it felt comforting to return to Wallace & Gromit again, although The Wrong Trousers was never my favourite Wallace & Gromit episode, so I didn’t have that affinity to Feathers or the story of The Wrong Trousers as others did. I like the waking up montage that exists in Wallace & Gromit with all the inventions, and it was nice to see that those had been expanded on in Vengeance Most Fowl, like the new waterslide. I found the Norbot charging bit to be the funniest moment of the movie. I also liked how there was a random bagpiping gnome ready to greet Feathers at the zoo, who Feathers then punched in the face. Come on, gnome, does Feathers look like he likes bagpipes? Vengeance Most Fowl was as funny as any other Wallace & Gromit episode, though the storyline did seem more perilous and less light-hearted than others. I did not enjoy seeing Gromit almost die, although it was nice to see him saved by the gnomes, kind of like how Paddington is saved at the end of Paddington 2 (2017) by his fellow escapee prisoners. Both moments made me cry.

These movies are known for their nods and references to other movies. A noticeable one is at the end of the chase scene, as the narrowboat is teetering over the edge of the aqueduct. This is a nod to the ending of The Italian Job (1969) as their van teeters over the edge of a mountain road. You can also see a reference to James Bond during the scene of Feathers being rescued from the zoo, as he sits stroking a white seal whilst seating on a swivel chair. This parodies Bond villain Blofeld and his white Persian cat. The Matrix (1999) might have been referenced too during the reprogramming of Norbot. Aardman also reference A Grand Day Out, their own work, during Vengeance Most Fowl, in the security question that Feathers must answer when trying to remotely access Wallace’s computer. It shows four pictures and the question asks that any pictures with cheese are selected. One of these is a picture of the moon, which Wallace believes is made of cheese, as per the A Grand Day Out short film.

There are also multiple puns or wordplay within Vengeance Most Fowl. One is a magazine called “Gardens of the Galaxy”, a reference to Guardians of the Galaxy (2014). Another is that Feathers’ escape boat is called “The Accrington Queen”, a reference to the movie The African Queen (1951). Mackintosh’s boat is called “Dun-Nickin’”, as in “done nicking”, since he’s retired from the police and will no longer be chasing criminals. There are many more Easter eggs to spot during Vengeance Most Fowl.

During the 2025 “award season”, Vengeance Most Fowl was nominated for Best Animated Movie at the Golden Globes alongside five others, including Disney’s Moana 2 and Pixar’s Inside Out 2. Actually, none of these movies won. The winner was Flow, an independent movie directed by Latvian filmmaker Gints Zilbalodis. Vengeance Most Fowl was nominated for Best Animated Feature at the Oscars, but also lost out to Flow. Vengeance Most Fowl was also nominated for Best Animated Movie at the Critics’ Choice and the Annie Awards. Vengeance Most Fowl was nominated for other Annie Awards too, including for Directing, Music, Character Animation, Animated Effects, Editing, and Production Design. However, it lost out to DreamWorks’ The Wild Robot in all categories.

However, Vengeance Most Fowl has won the Best Animated Feature award at the Capri Hollywood International Film Festival and the Satellite Award for Best Motion Picture – Animated or Mixed Media. Wallace & Gromit: Vengeance Most Fowl was also nominated at the BAFTA Awards in three separate categories: Outstanding British Film; Best Animated Film; and Best Children’s & Family Film, a new category for 2025. At the BAFTA Film Awards, Wallace & Gromit: Vengeance Most Fowl won the awards for Best Children’s & Family Film and Best Animated Film. It lost out on Outstanding British Film to Conclave (2025); it would’ve been quite a feat to win in all three categories!

But awards are not everything, though it may feel like. Vengeance Most Fowl currently holds a 100% Certified Fresh rating on Rotten Tomatoes from the critics’ reviews. This movie also allowed us to return to Wallace & Gromit after more than a decade. This was a welcomed return for the duo.

In terms of British viewing figures, Wallace & Gromit: Vengeance Most Fowl attracted 9.4 million viewers in the “overnight” television ratings of 25th December 2024, making it the second most-watched Christmas Day show on television. It was beaten out to the top spot by Gavin and Stacey (2007-24) which aired its final ever episode later that day. It was tough competition for Wallace & Gromit to be up against, but second place is still pretty good[8].

After a week of being available on catch-up, the viewing figures for Vengeance Most Fowl grew to a total of just under 16.3 million[9]. It is not currently known how well Vengeance Most Fowl has done during its first week on Netflix.

LEGACY

To recap, the Wallace & Gromit franchise consists of four television specials, and one feature-length movie prior to the release of Vengeance Most Fowl. These are A Grand Day Out (1989); The Wrong Trousers (1993); A Close Shave (1995); A Matter of Loaf and Death (2008); and The Curse of the Were-Rabbit (2005).

There were also two spin-off television series. These were Wallace and Gromit’s Cracking Contraptions (2002) and Wallace and Gromit’s World of Invention (2010). Numerous video games, comic books, and graphic novels have also been developed involving the pair over the years.

In 2013, the first-ever Wallace & Gromit theme park ride opened at Blackpool Pleasure Beach. Called the Thrill-O-Matic, this is an indoor dark ride where guests ride around in ride vehicles shaped like giant slippers. As part of the concert series The BBC Proms, in 2012, Wallace & Gromit’s Musical Marvels was performed live at the Royal Albert Hall on 29th July. This performance later became a touring show in 2013. In 2019, it returned as Wallace & Gromit: In Concert and toured the UK as part of the Wallace & Gromit 30th anniversary year. It later went international, touring countries such as Japan, Australia, and New Zealand. For the 30th anniversary of the pair in 2019, the Royal Mint developed a commemorative coin and held a small exhibition at their visitor centre in Pontyclun, Wales.

Wallace, Gromit, and Shaun the Sheep started to appear on P&O Cruises from the summer of 2022, before other events and attractions popped up over the UK. In November 2022, the launch of the first-ever Wallace & Gromit-themed escape room happened in Bristol and ran until April 2023. In Summer 2023, another concert was held called Wallace & Gromit: The Wrong Trousers – Live! which was a special screening of the television special with a live brass band accompaniment. This was to celebrate the 30th anniversary of The Wrong Trousers.

In Bristol’s Cabot Circus for the festive season in 2024, there was an experience held there called Wallace & Gromit: A Cracking Christmas Experience, where visitors had to help Wallace save Christmas by completing different challenges[10].

Directly related to Vengeance Most Fowl are a series of Funko POP figures that are available to purchase. There are four figures available: Norbot, Wallace, Gromit, and Feathers. Other merchandise, such as clothing and tote bags, have also been on sale since Summer 2024. A novel of the movie’s story and a book about the art of the movie have also been created.  

FINAL THOUGHTS

Wallace & Gromit is ingrained in British culture. Not a Bank Holiday, a Christmas season, or even Easter goes by without the Wallace & Gromit specials being aired on British television.

Wallace & Gromit is perhaps not as well-known to those in the US. I feel like Chicken Run (2000) is Aardman’s most popular property over there, perhaps due to the partnership they had with DreamWorks Animation at the time.

But us here in the UK couldn’t care less if America like Wallace & Gromit or not, because we do. They are national treasures who are cherished by the people of Britain. We can’t get enough of them, as was evident by how many people couldn’t wait to see Vengeance Most Fowl on Christmas Day 2024. 

Unfortunately, Netflix may just care if America like Vengeance Most Fowl. It is not yet clear how well this movie has done internationally over on the streaming platform. However, Aardman have promised us more from Wallace & Gromit.

We either have to hope that international Netflix subscribers turn up to watch Vengeance Most Fowl, or just believe that Aardman are as unashamedly British as Wallace & Gromit and that they will make more adventures with the duo, with or without an international partner.


REFERENCES

[1] Credit: Lizo Mzimba, ‘Wallace & Gromit without Peter Sallis is ‘emotional’ says Nick Park’, BBC.co.uk, 23rd December 2024.

[2] Credit: Aardman Animations, A Grand Night In: The Story of Aardman (2015).

[3] Credit: Aardman Animations, A Grand Night In: The Story of Aardman (2015).

[4] Credit: Scott Roxborough, ‘Nick Park and Merlin Crossingham on the Return of Wallace and Gromit in New Netflix Film ‘Vengeance Most Fowl’’, HollywoodReporter.com, 27th October 2024.

[5] Credit: Ryan Fleming, ‘Behind The Scenes On ‘Wallace & Gromit: Vengeance Most Fowl’: A Look At The Stop Motion Process At Aardman Animations’, Deadline.com, 22nd November 2024.

[6] Credit: David Opie, ‘Wallace & Gromit: Vengeance Most Fowl review – Britain’s premier stop-motion heroes are better than ever in new rematch with Feathers McGraw’, RadioTimes.com, 27th October 2024.

[7] Credit: BBC, ‘BBC unveils exclusive Wallace & Gromit themed Christmas idents’, BBC.co.uk, 30th November 2024.

[8] Credit: Lizo Mzimba, ‘Gavin and Stacey tops Christmas Day TV ratings’, BBC.co.uk, 26th December 2024.

[9] Credit: Lizo Mzimba, ;Gavin & Stacey attracts 19.1 million viewers’, BBC.co.uk, 6th January 2025.

[10] Credit: Aardman, ‘Attractions & Live Experiences’, Aardman.com, no date.

#23 Soul (2020)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

In 2020, because of the COVID-19 pandemic, many movies that were supposed to have theatrical releases ended up debuting on streaming services.

Luckily, Disney had just started up their streaming app Disney+ in November 2019, starting in the US before spreading outwards to other countries. Their timing was impeccable, gaining subscribers as slowly, country-by-country, much of the world was thrust into lockdown by their respective governments.

There wasn’t much to do other than watch television, which helped keep adults and children alike occupied. Streaming content meant we could also avoid the news, which became more and more bleak as 2020 wore on.

It was a troubling time for most of us, and sadly, although Christmas was supposed to give many of us a ray of hope that normality might be returning for some of the world, that was not the case for everyone. But no worries, because a new Disney+ release was going to come out on Christmas Day to brighten everyone’s day, and thankfully, Soul was not released on Disney+ with an additional fee, as Mulan (2020) had been just a few months before. It would be available to anyone with a Disney+ subscription.

In the UK, although we had been promised a relatively normal Christmas Day, just a few days before the big day, the government told everyone that Christmas festivities should be smaller, telling large families they should not spend the day together, and that on 26th December, many areas were going to be thrown into strict lockdowns once again. I did get to spend Christmas Day in 2020 with my family, and we did watch Soul. However, with the news that we would be “locked down” again, Christmas Day was not much fun and sadly, Soul did nothing to boost our moods.

It’s not that we thought Pixar had made a complete dud with Soul, because they didn’t. Initially, we decided it was like a new version of Inside Out (2015), a hugely popular and very clever Pixar movie. Then, once the early scenes of The Great Before were over, we struggled to really understand the point of Soul. Perhaps we were all distracted and annoyed about how Christmas had been ruined, but for whatever reason, we just didn’t get it.

I went back and rewatched Soul a few months later to try and figure out if timing had simply made Soul less appealing. Although I enjoyed Soul a bit more that second time around, I still found myself not liking it all that much. The animation was great, as usual, but the message just seemed lacking for me, and confused at times. Like, what’s the difference between “a spark” and “a purpose”? We’re told in the movie they are two different things, but I couldn’t work out how. Don’t get me wrong; parts of the movie were touching and clever, like Inside Out, but overall, it just didn’t hit me like I thought it would.

PLOT

Soul begins at a middle-school band practice, which is being overseen by teacher Joe Gardner. Joe finds that one of his students, a trombonist, gets lost in the music during a solo. This causes the other students to laugh – because, you know, kids can be cruel – but Joe says getting lost in the music is a good thing, explaining how he came to love jazz after his father took him to a jazz club, falling in love with the piano at that point. Sadly, the students have no idea what he’s talking about and don’t feel the same way, or at least won’t admit it.

Joe is then told by the school principal that he is now being contracted to be the band teacher full time. Joe isn’t too enthused by this job offer. On a visit to see his mother, Libba, who is a seamstress and runs her own shop, she tells him he should be accepting that job because it is a permanent position, not like all these gigs he does. However, Joe then gets a call from a former student, Curley, who is the new drummer for accomplished saxophonist, Dorothea Williams. She needs a new pianist and Curley thinks Joe should audition. Joe races over to audition at a jazz club for Dorothea. Dorothea doesn’t seem overly impressed but tells Joe to get a good suit and to come back for the show that evening. Joe is so excited he calls everyone he knows to tell them the good news, getting so distracted that he runs into traffic, walks through construction sites – and then falls down a manhole…

Joe finds he has turned into a little blue thing and is on a travelator heading towards a great white light. Joe is confused and asks the other little blue things around him what’s going on. They tell him they are going to The Great Beyond. Joe can’t believe it; on the best day of his life, he’s only gone and died! Joe won’t let this happen and starts running away from the light, falling off the travelator, and falling down, down, down…

Joe falls into a strange blue land. He sees little ball-like things bouncing around and discovers that these are new souls, with a counsellor named Jerry settling them down as they get excited about this new arrival. Jerry tells Joe he is in The Great Before, specifically at The You Seminar, where new souls receive their personality traits. Jerry tells Joe he is not dead yet and believes she knows where he needs to be. At The You Seminar, Joe learns that once souls receive their complete personality, they are sent down a portal, heading to Earth to start their new life. Joe tries to head down this portal too, but ends up right back where he started. He is soon found by the other counsellors, all called Jerry, who believe he is a lost mentor. They take him to an auditorium where he watches an educational video about The You Seminar. The You Seminar involves mentors being assigned to new souls in order to find their spark, which will complete their “Earth Pass” and allow them to start their lives on Earth. Joe is believed to be an educational specialist by the counsellors and is assigned to a soul called 22. However, 22 is not like any of the other souls, as 22 has no desire to go to Earth, having been matched with multiple mentors – including Mother Theresa, who 22 made cry – and not yet finding a spark.

Joe believes he can change 22’s mind, and they head off to the Hall of You, featuring the best moments of the mentor’s life. 22 isn’t interested in this guy’s life, saying Joe should just accept defeat and go to The Great Beyond now like all the others did. Joe then tells 22 this isn’t his life and finds his own, with the Hall of You now filling with all of Joe’s accomplishments – only, there haven’t been too many of those… Joe says he wants to get back to Earth to live his life, which intrigues 22, who can’t believe someone as unremarkable as Joe would go to all this effort to get back to Earth. 22 says if they can find the spark to complete the Earth Pass, then 22 will give it to Joe and send him back to Earth. They set off to the Hall of Everything instead, hoping something there will interest 22. Joe tries all sorts of careers, like cookery and firefighting, but 22 is cynical about all of them. One of the Jerrys then arrives to tell Joe his time is up, but 22 asks for some more time. Jerry is surprised to find 22 engaged in the process and allows this. 22 then takes Joe to The Astral Plane, the space between the physical and spiritual, believing 22 knows someone who might be able to help Joe get back to his body.

In The Astral Plane, also known as The Zone, human souls can find themselves engrossed in a passion, for example, like when Joe is playing his music. However, this can also be a place where souls become trapped in obsession, becoming “lost souls”. A hippie soul, named Moonwind, along with other spiritual souls, try to rescue these lost souls and send them back to Earth with a renewed thirst for life. Moonwind has a body on Earth; he is a sign spinner in New York City. 22 asks Moonwind for his help with Joe, however, Moonwind has never connected an untethered soul before. Moonwind and his fellow souls begin a ritual to find Joe’s body, asking Joe to listen out for cues. They discover Joe is in hospital and in the rush to get back, Joe and 22 fall through this portal between worlds.

Joe wakes up in hospital, but he can still see himself. It turns out Joe has returned to Earth, but is embodying the hospital’s therapy cat! 22 is in fact inside Joe’s body. Joe tells them they just need to find Moonwind in the city and then they can get back to their rightful selves. The two bust out of the hospital, however, 22 quickly becomes overwhelmed by New York City and hides in a stairwell, believing Joe’s body is about to die. Joe quickly returns with a slice of pizza for 22, knowing that his body is probably just hungry. 22 eats the pizza and finds it’s actually pretty good. The two find Moonwind, who is excited to find he resolved everything for Joe. It soon becomes clear to him that it didn’t work properly and now they need to do a new ritual to get back. Moonwind believes the best time to do this would be at 6:30pm. As Joe needs to get to the Half Note Club at 7:30pm for his performance with Dorothea Williams, that should work well.

Joe says his body needs to be cleaned up before the performance, as he is still wearing the hospital gown, so he tries to get 22 in a cab. But who should walk out of that cab but Dorothea Williams, who looks stunned to see Joe in this state. Joe and 22 quickly get in the cab and go to Joe’s apartment, hoping she didn’t notice! At the apartment, Connie, the trombonist from band, arrives to tell Joe she wants to quit. 22 in Joe’s body is told to go and speak to her. 22 initially tries to make Connie quit, however, Connie doesn’t actually want to and plays a solo. 22 is moved by this music and tells Connie she shouldn’t quit. Connie heads home with a new motivation for music. Joe, still in cat form, tries to get his body ready, however, he messes up a hair cut and finds his old suit is a bit tight. They need to fix the hair at least, so it’s a trip to Joe’s barbers. Meanwhile, Terry from The Great Beyond has found that their count is wrong and heads to Earth to find Joe to correct it, knowing he escaped his fate and headed back to his body.

At the barbers, Dez, Joe’s barber, sees the disaster of Joe’s hair and tells him to sit. 22 as Joe speaks to Dez about his life, and learns that Dez never got to live out his dreams because of a family illness but that he is still happy. 22 also starts to discover the joy in the little things in life, like food and leaves blowing in the wind. However, as 22 goes to pick up Joe’s hat on the street, his trousers split open. Joe knows they’ll have to see his mother at her shop to fix it, and orders 22 to keep the Dorothea Williams gig a secret. It turns out Joe’s mother already knows about the gig and is not impressed. Libba is not amused because his father struggled as a musician, with her work needed to steady the family; she doesn’t want Joe to struggle like that. 22 as Joe tells Libba that it is his dream to be a jazz pianist and that things are finally starting to work out for him. Libba tailors Joe’s father’s old suit for him and tells Joe she has always been proud of him. Now Joe is ready for the club.

At the Half Note Club, 22 starts to have a change of heart, finding she actually likes living, but Joe wants his body back. 22 runs off into the subway, trying to avoid returning to The Great Before, however, both 22 and Joe are caught by Terry and returned there. In The Great Before, the Jerrys are stunned to find that 22 finally got her Earth Pass and tell Joe to go to the Earth Portal with 22 to see 22 head to Earth as other mentors would do. 22 begrudgingly hands the Earth Pass over to Joe as she promised and runs off. Joe learns from Jerry that a spark is not the same thing as a purpose, which makes Joe think about his own life briefly. Joe feels guilty but knows he has to get back and jumps in the portal.

Joe wakes up in the subway and runs to the Half Note Club. He is late and Dorothea has found a replacement pianist, however, Joe won’t accept that and bursts into her dressing room saying this is his purpose and he has to perform tonight. Dorothea says he can perform that night with them, but there’s no promises of further work with her if it doesn’t go well. Joe performs well with the quartet that night and is asked to join them. Joe then asks Dorothea what happens next and she simply says they do it all again tomorrow. This doesn’t excite Joe who finds he isn’t as happy as he expected to be, and heads home.

At home, Joe starts to play his piano whilst looking over the keepsakes from his day with 22, like a lollipop from the barber and a pizza crust. He plays music as he thinks about the good, smaller moments in life. Joe soon finds himself in The Zone and The Astral Plane. Moonwind finds Joe and tells him that 22 has become a lost soul. Joe and Moonwind go to find 22. When they do find 22, Joe runs after her and apologises for what happened, trying to return the Earth Pass to 22, however, 22 is consumed with negative thoughts, which say 22 will never be good enough. Joe loses the pass in the chaos, but manages to pass her a maple seed from their day together. This snaps 22 out of the self-loathing, and Joe tells 22 it was fear about living that meant 22 hadn’t found her spark before, and now 22 is ready to live. 22 is no longer a lost soul thanks to Joe and he returns the pass, jumping down with 22 through the portal, knowing he’ll be returned to The Great Beyond before 22 reaches Earth.

Back in The Great Beyond, Joe is satisfied with his fate, however, one of the Jerrys arrives and thanks Joe for inspiring 22 to live. Jerry thinks Joe deserves a second chance at life, so another Jerry distracts Terry to trick Terry into believing the count is correct, as Joe is returned to Earth. Back on Earth, Joe states he isn’t sure what he’s going to do with his life now, but he knows he’s going to enjoy every minute of it.

CHARACTERS & CAST

Joe Gardner is down-on-his-luck, finding that pursuing his dream of being a jazz musician has not worked out as expected. He has ended up working in a school, which is an honourable profession, but this isn’t enough for Joe, who just wants to perform. When he gets the chance to perform with Dorothea Williams, Joe thinks all his dreams have come true, only for disaster to strike, his death being yet another barrier to his aspirations. After his messy day with 22, Joe finally gets what he wanted – to perform with Dorothea Williams, although he had to destroy 22’s self-confidence to do that. Funnily enough, it wasn’t everything he’d dreamt. He worked so hard to get to this moment and it wasn’t even as good as he expected. Because of this, Joe realises that dreams aren’t the point of living and wants to make things right with 22 again. This realisation gives him a second chance at life as he is deemed worthy of getting his life over again – and this time, Joe doesn’t want to waste it.

Jamie Foxx was chosen to voice the character of Joe Gardner, Pixar’s first Black lead. In film, Foxx has been cast as Drew Bundini Brown in Ali (2001); as Curtis Taylor Jr. in Dreamgirls (2006); and as Dean “MF” Jones in Horrible Bosses (2011) and its 2014 sequel. Foxx won the Academy Award for Best Actor for his portrayal of Ray Charles in the film Ray (2004). He also voiced the character of Nico in Rio (2011) and Rio 2 (2014). After that, Foxx starred as Leon “Bats” Jefferson III in Baby Driver (2017) and as William Stacks in Annie (2014). He also reprised his role as Max Dillon / Electro from The Amazing Spider-Man 2 (2014) in Spider-Man: No Way Home (2021). Alongside his screen roles, Foxx has also released numerous musical albums and had a Netflix stand-up comedy special called Jamie Foxx: What Had Happened Was… in 2024.

22 is a cynical soul, who despite never having lived, has been through many different lives, through the eyes of various mentors. 22’s previous mentors include Abraham Lincoln, Gandhi, Marie Antoinette, and Muhammad Ali. She even has a wall of name tags from her various mentors as a shrine to her commitment to not living! It is a struggle to get 22 to engage with The You Seminar, something that the Jerrys are well aware of, but they continue to be patient with 22. However, when 22 gets to live life on Earth in Joe’s body, she finds that actually living isn’t all bad, and without the constraints and pressures of finding a purpose or fulfilling a chosen career path, 22 is able to experience life in its purest form, just enjoying the small moments in life that many of us forget to notice, like the taste of good food, the feel of the wind in your hair, or the beauty in the ordinary. When 22 finds that life is worth living, the opportunity is cruelly taken from her by Joe, and 22 becomes a “lost soul”, being consumed with self-hatred and the perception that not having a purpose means 22 is a failure. Joe comes to his senses and lets 22 to get back to Earth, where I hope 22 lived a great life – but we’ll never know, because we never find out in the film!

22 was voiced by Tina Fey. Fey is known for being a cast member and head writer on the popular sketch comedy show Saturday Night Live (1975-present) from 1997 to 2006. Fey went on to write and star as Liz Lemon in the sitcom 30 Rock (2006-13), for which she won numerous Emmy, SAG, and Writers Guild of America Awards, amongst others, before creating the Netflix show Unbreakable Kimmy Schmidt (2015-19). Fey also wrote the movie Mean Girls (2004) and its 2024 musical movie, appearing as Ms. Norbury in both. She has appeared in comedy movies including Baby Mama (2008) as Kate; in Date Night (2010) as Claire; and as Nadya in Muppets Most Wanted (2014). Fey has also been seen in the recurring role of Cinda Canning in Only Murders in the Building (2021-present).

On Earth, 22 and Joe come into contact with other humans, with one of the most important being Libba, Joe’s mother. Libba is thrilled to find that Joe is being given a permanent position as a music teacher, because she knows that Joe is spending too much time chasing a dream that may never come true. Libba wants Joe to be settled and secure in life. To some, it might seem like she is crushing his dreams, but she actually just wants him to avoid the difficulties that his father had, trying to live out that same dream. She means well, and the moment they share in her shop, when she tells Joe – although 22 is in his body – she is proud of him, no matter what he does, is quite moving. Libba was voiced by Phylicia Rashad. Recently, Rashad has been cast as Mary Anne Creed in Creed (2015) and its two subsequent sequels. In The Beekeeper (2024), Rashad appears as Eloise Parker. Rashad is best known for her roles as Clair Huxtable on The Cosby Show (1984-92) and as Ruth Lucas in Cosby (1996-2000).

In the barber shop, Joe and 22 come into contact with Joe’s barber, Dez, who Joe says he wouldn’t normally speak to much during his hair cuts. This seems to be the case with many men and their barbers, however, 22 as Joe decides to tell Dez everything that’s wrong with the world, whilst Dez says that he always wanted to be veterinarian but after his daughter became ill, he knew he’d have to find a different way of earning a living and that’s how he came upon barbering. Dez is glad that Joe – although actually 22 – has finally asked him about his life, as he was getting fed up with only talking to Joe about jazz, this being news to Joe… Also at the barbers is Paul, who likes to bring Joe down, telling him nothing is going to work out for him. Paul gets his just-desserts though, as Terry accidentally tries to send Paul to The Great Beyond, terrifying him, before realising he isn’t Joe and takes him back to Earth, with a brief apology.

Donnell Rawlings and Daveed Diggs were cast as Dez and Paul respectively. Rawlings was previously cast in the sketch comedy show Chapelle’s Show (2003-06) and as Damien ‘Day-Day’ Price in The Wire (2002-08). He also played the role of Mr. Earl in Season 1 of Winning Time: The Rise of the Lakers Dynasty (2022-23). Daveed Diggs is well-known for originating the roles of Lafayette and Thomas Jefferson within the musical Hamilton. Diggs won a Tony Award for Best Actor for his roles in 2016. Diggs can be seen in the 2016 recording of the musical which is currently available to watch on Disney+ since 2020. Diggs went on to appear as Mr. Browne in the movie Wonder (2017) and as Johan Johnson in the series Black-ish (2014-23). He has also voiced the character of Sebastian in the live-action remake The Little Mermaid (2023) for Disney, and voiced the character of Helen in the animated series Central Park (2020-22). Recently, Diggs starred as Andre Layton in the series Snowpiercer (2020-24).

Dorothea Williams and Curley are two others that Joe speaks to on Earth. Curley is Joe’s former student who is now a drummer within Dorothea Williams’ quartet. He is kind enough to put Joe up for the audition as the new jazz pianist in the quartet. Dorothea Williams, on the other hand, seems quite stern and hard-to-please. Even after she tells Joe to come back and perform that evening, or after that evening’s performance, she doesn’t have much to say to Joe, not even a “well done”. But I don’t know much about jazz music; maybe it’s not cool to do that! Curley was voiced by Ahmir “Questlove” Thompson. Questlove is known for being the drummer and frontman of the band The Roots, who are the in-house band for The Tonight Show Starring Jimmy Fallon (2014-present). Questlove also won the Academy Award for Best Documentary for directing Summer of Soul (2021).

Dorothea Williams was voiced by Angela Bassett. Bassett starred as Ramonda in Black Panther (2018) and its 2022 sequel. Bassett won a Golden Globe for this role in 2022. She also won a Golden Globe for Best Actress in a Motion Picture for her performance as Tina Turner in What’s Love Got to Do with It (1993). She was also cast as Lynne Jacobs in Olympus Has Fallen (2013) and London Has Fallen (2016), before appearing as Erika Sloane in Mission: Impossible – Fallout (2018). Bassett is due to reprise this role in Mission: Impossible – The Final Reckoning (2025). On television, Bassett has recently had roles in the horror anthology series American Horror Story (2011-present). For Disney Animation, Bassett voiced the role of Mildred in Meet the Robinsons (2007).

In The Great Beyond and The Great Before, there are non-human characters that 22 and Joe interact with. The first person Joe meets is Jerry, one of the counsellors at The You Seminar, but it turns out there are lots of counsellors, making sure all the souls and mentors are in the right place at the right time, and handily, they are all called Jerry. The Jerrys are very patient, which they have to be with the excitable nature of the new souls, and don’t seem to be bothered or concerned about anything, not even when they hear that the count for The Great Beyond is off – though it’s not in their remit, so why should they care?

As there are numerous Jerrys, there are various voice actors for these characters. One of these is Alice Braga, who was cast as Anna Montez in I Am Legend (2007); Frey Santiago in Elysium (2013); and Sol Soria in The Suicide Squad (2021). More recently, Braga also starred as Teresa Mendoza in the series Queen of the South (2016-21), and as Amanda Lucas in the AppleTV+ series Dark Matter (2024-present). Another voice is Wes Studi who appeared as Magua in The Last of the Mohicans (1992) and as Geronimo in Geronimo: An American Legend (1993). More recently, Studi was cast as Kaetenay in the series Penny Dreadful (2014-16). Studi also voiced Windlifter in Disney’s Planes: Fire & Rescue (2014). Fortune Feimster, known for her role as Colette in The Mindy Project (2012-17), and Zenobia Shroff, who recently was cast as Muneeba Khan in Ms. Marvel (2022) and the 2023 film The Marvels, also voice Jerrys. The final Jerry we hear is voiced by Richard Ayoade; a voice familiar to UK audiences. I was surprised and delighted to hear Ayoade in this movie. Ayoade is known for his role as Maurice Moss in the sitcom The IT Crowd (2006-13) and hosted The Crystal Maze (2017-20) and Travel Man (2015-present). Ayoade also wrote and directed the film Submarine (2010). He has voiced small roles in other animated movies, such as Early Man (2018) and The Lego Movie 2: The Second Part (2019).

Terry is the counter in The Great Beyond, who is clearly a stickler for the rules and must ensure the count is correct, even if it means going to Earth and chasing that soul down, returning it to The Great Beyond against their will. I think Terry’s power has gone unchecked for too long and needs to stop being such a jobsworth. Luckily for Joe, the Jerrys help with that, by averting Terry’s attention whilst they correct the count when they allow Joe to head back to Earth to live his life again. Terry was voiced by Rachel House. For Disney, House is known for providing the voice of Tala, Moana’s grandmother, in Moana (2016), as well as the voice of Mama Binturong in The Lion Guard (2019). House also provided the Māori-language dub for Mamá Coco in Pixar’s Coco (2017). Recently, House has been cast as Nienke Van Spee in The Portable Door (2023) and as Ruth in Next Goal Wins (2023), as well as appearing as Principal Stacy “Woodsy” Woods Heartbreak High (2022-present).

Another character they meet is Moonwind. He is both a soul and a person on Earth, consistently using his spiritual nature to get to in The Astral Plane. His job is a sign spinner so I guess he needs to do something to entertain himself during those long hours outside with no-one to talk to! Moonwind admirably also tries to help lost souls, those who have lost their way on Earth. Initially, Joe and 22 witness Moonwind help another hedge fund manager, who suddenly has an epiphany and decides to quit his job and go live his life. Moonwind was voiced by Graham Norton. Norton is well-known for his BAFTA Award-winning chat show The Graham Norton Show (2007-present) as well as being the BBC’s commentator for the Eurovision Song Contest. Norton is also a judge on RuPaul’s Drag Race UK (2019-present). I must say I was surprised to find Norton was the voice of this character in Soul, but it was a good surprise, because I love Graham Norton.

MUSIC

Given Joe’s desire to be a jazz musician, music is an integral part of Soul.

Jon Batiste was chosen to compose the jazz compositions within Soul. Batiste said he wanted his musical choices to feel “user-friendly”, so that anyone could be introduced to the music and find that they enjoy it. Joe Gardner was first introduced to jazz music by his father, likely jazz from the 1960s or 1970s, so this time frame was one that inspired Batiste with his compositions for the movie. Batiste’s hands were also filmed whilst he was playing the piano, to ensure that the animation of Joe was accurate and correct. Jon Batiste was the band leader and musical director on The Late Show with Stephen Colbert (2015-present) from 2015 to 2022. In the years after, Batiste has continued to record and release music and was cast in the movie Saturday Night (2024), portraying musician Billy Preston, as well as composed the score for it.

Outside of that, Trent Reznor and Atticus Ross were brought on to the project to compose the overall score for the movie. Pixar generally like to collaborate with the same composers, for example, Randy Newman and Michael Giacchino have composed music and scores for various Pixar movies, however, in this case, Reznor and Ross had not previously worked with Pixar. Reznor and Ross have composed the score for movies such as The Social Network (2010); The Girl with the Dragon Tattoo (2011); and Gone Girl (2014). They won the Primetime Emmy Award for Outstanding Music Composition for a Limited Series for their work on Watchmen (2019). They are also both members of the band Nine Inch Nails.

For the rest of the musical score, Reznor and Ross had to figure out how these greater worlds, The Great Beyond and The Great Before, might sound, seeing as these places are not physical and no-one would know what they sound like. In the case of The Great Beyond, this moment is quite a scary one for Joe as he has no idea where he is, just that he is on a moving platform heading towards a big ball of white light. But this couldn’t sound threatening to the audience. Instead, they chose to make the sounds ominous and strange. You’ll also notice that as the souls move into the light, there is no scream of terror or big bang; this sound actually sounds like a bug zapper. For the Great Before, the area feels light and airy, so the music chosen feels sweet and comforting[1].

This splitting out of the musical score is similar to the contrast between the very real place of New York City and the stranger worlds of The Great Before and The Great Beyond; Reznor and Ross focused on those outer worlds, whereas Batiste focused on music from the real world, although their work on Soul was highly collaborative, and necessarily so.

Outside of the score and additional music, there are other pieces of music within the soundtrack. One of these is the rap song “Rappin Ced”, which was written and performed by Daveed Diggs. This rap can be heard during the Hall of You scene, just after Joe tells 22 he is not the mentor, Bjorn Börgensson, and starts to show moments from his life. This song is part of a rap group Joe joined earlier in his life. Then there is the song “Parting Ways” written and performed by R&B and soul singer Cody ChesnuTT, which can be heard being sung by a busker in the subway. It’s a calming song, and I can see why 22 was drawn to it. 

The End Credits include further music, including the song “It’s All Right”, which was originally recorded by The Impressions and written by lead singer Curtis Mayfield in the 1960s. This is then followed by a selection of the movie’s score, before ending on another performance of “Rappin Ced”. The opening of the movie featured a school band rendition of Disney’s theme tune “When You Wish Upon a Star”, which is a bit clunky as you might expect from a middle-school band practice, but that’s the whole point!

Within the jazz sections of the soundtrack, I liked the tunes “Born to Play” and “22’s Getaway” the most. For the more traditional score, I liked all the music that plays in the opening scenes of The Great Beyond and The Great Before. But the soundtrack of Soul is so diverse that different tracks will suit different people. I’ve always found an interest in the underlying score within animated movies, finding they set up the emotional moments well, so in my case, this interested me more than the jazz, although I’m by no means saying the jazz portions weren’t great too.

To highlight how successful the soundtrack of Soul was, it won the award for Best Score at the Academy Awards, the BAFTAs, the Golden Globes, the Grammys, and the Annie Awards.  

PRODUCTION

The original concept for Soul first came about when Pete Docter, director of Pixar’s Inside Out (2015), found that, despite all of his success with the company, he didn’t feel like his life had been fulfilled. This got him thinking about whether success was worth spending your whole life trying to achieve, because does it even make people happy in the end? This question became the general idea behind Soul.

A very early draft had the soul who became 22 as the lead character. The whole movie would’ve been set in The Great Before and focused on the fact that 22 was a soul who didn’t want to go to Earth. This idea was quickly discarded as it was decided that they wouldn’t be able to prove that living was worth it unless 22 somehow ended up on Earth, so that is when the character of Joe was brought in.

First, Joe was meant to be a rock star, however, it felt to the Pixar team that being a rock star means wanting to become rich and famous, which goes against the message of the movie. So, instead, still in the realm of musicians, they decided upon Joe becoming a jazz musician, feeling that this was a more noble profession, and one that is about following a passion, not just finding a route to success. At this point, Kemp Powers was approached by Pixar to be the writer on this movie, sometime around Summer 2018. Powers later became the co-director of Soul, alongside Pete Docter[2].

Because jazz is linked to African-American culture, it was decided that the main character of Joe should be Black. Initially, in early reels, Powers found Joe to have very little depth to him, so being the same age as Joe and also from New York City – although from Brooklyn, not Queens, like Joe – Powers used some of his own life experiences to make the character of Joe feel more real.

To add authenticity and accuracy to Pixar’s portrayal of a central Black character, alongside Powers, they knew they needed to set up a cultural trust, as many Pixar and Disney movies do these days when delving into different cultures. In this trust, there were musicians such as Jon Batiste, Questlove, and Herbie Hancock, and historians such as cinematographer Bradford Young and former director of the Smithsonian Institution’s National Museum of African Art, Johnnetta Cole. With these people on board, as well as the input from Black Pixar employees, the team would be able to create a story that ensured accurate representing of Black culture. The design of Joe as a character required the input of this cultural trust, as was the case with some of Joe’s lines. A particularly important scene was also created by Powers who wanted Joe to pass through authentically Black spaces. This was the barbershop scene that Powers pitched, which sees men from all walks of life brought together to discuss life[3].

There were also other moments that were written that were either changed or did not make it into the film. One of these involved debate over how to end the film. Initially it was decided that Joe would end up at The Great Beyond, selflessly giving up his time on Earth to let 22 live. Some were happy with that ending, feeling that it would be cheating to have Joe be able to go back and start a new life; however, others were not happy with this decision, and Pete Docter was one of these. During production he had a change of heart, saying that Joe needed to get a second chance to go and enjoy his life now that he’d learnt the true meaning of it[4]. There was also a scene that would’ve communicate the rules of The Great Before a bit differently. Since this was meant to be a seminar, with a definite corporate spin to it, there was initially going to be a counsellor set up to be a motivational speaker, who would’ve explained to all the mentors about how the Earth Pass is filled, being told to “plant the seed of “wow”” in their new soul[5]. I thought this idea was quite good, actually.

In terms of animation, Soul had to showcase two contrasting areas; a real city on Earth and unknown spiritual worlds. Obviously, the movie starts in New York City with Joe, and we revisit this city often. It was recreated well, making it seem rich and vibrant, although not shying away from the wear and tear of the city, as well as its busyness. It was decided that Soul had to be set in New York City because it is the jazz capital of America and has a strong history of jazz, with many famous musicians known for their performances here[6].

Looking at the unknown worlds, The Great Beyond and The Great Before, the Pixar team talked to religious leaders to discuss how their religions view souls and afterlife. There is much discussion about what happens after death, but not much about what happens before birth. Using this information, The Great Beyond is animated as a big bright light, something that is talked about by the living, and that phrase heading “towards the light”[7].

The Great Before was free to be whatever the studio wanted it to be. However, discussions of soul normally lead to conversations about complex philosophy. Even the transition for Joe between The Great Beyond and The Great Before was a difficult “limbo-like” space to portray. It was boarded by story artist Trevor Jimenez who had an idea for this scene and was able to pitch it. This scene shows Joe falling off the moving platform into a dense black space, falling in between realms of colour and black space, becoming a simple line drawing. As he gets closer to the Great Before, Joe becomes the full coloured version of soul himself and falls onto soft blue grass from an opening in the “ceiling”.

The You Seminar ended up being an area for training that felt safe, bright, and soft. It is full of pavilions that are made to represent the personality trait that the pavilion houses, such as aloofness. Initially, because of the link to philosophy and The Great Before, Pixar looked to Ancient Greek architecture to give them inspiration for the buildings here, but, since they didn’t want to root this area to any specific culture, since everyone has a soul, they instead looked to the World Fairs that happened over the years. The architectural sculptures there were about grandeur and creating buildings to inspire people, which is what The You Seminar is supposed to do.

For the souls themselves, Pixar envisioned souls to be ethereal, non-physical balls of air. However, they couldn’t look like ghostly clouds of smoke, so they were made to be colourful, with blues and purples within their colouring. By adding facial features, it gave them expressions, and they act like excitable, little puppies, because they don’t know how to behave, being so “young”. The souls are kept in line by the counsellors, the Jerrys. They are just line drawings, but were initially conceived as wire models, to see how they would move in a 3D space. The Jerrys also needed facial features to give expressions and have their own ways of moving. Terry, for example, moves through New York City as a flat line at times, and one of the Jerrys morphs into a bus to transport souls across The Great Beyond[8].

Pixar also can’t have a movie without their usual Easter eggs either. Their usual Pizza Planet truck and the number A113, referring to the classroom number at CalArts that many animators studied at, can all be found in the Hall of Everything scene. There was also a poster on the NYC streets about PortoRosso, which was a nod to their upcoming movie Luca (2021). 22 also has a shrine of old mentor stickers on a wall, showing off how many mentors she failed. Although some are mentioned and seen in Soul, other names include Aretha Franklin, Martin Luther King, Jr., and Pixar animator and screenwriter, Joe Ranft, who passed away in 2005. Ranft was the voice of Heimlich in A Bug’s Life (1998) and his final work was as co-director on Cars (2006).

Soul took around four years to make, because the movie was initially pushed forward from a release date of Summer 2021 to Summer 2020[9]. On 19th June 2019, Soul was announced to be released on 19th June 2020, stating that the movie would look to answer some of life’s most important questions including “what is it that makes you…YOU?!”. It was planned for the movie’s release to coincide with Juneteenth, a federal holiday in the US on 19th June to commemorate the ending of slavery in the country[10].

In August 2019, at the D23 Expo, further details of the story were provided, along with artwork of the main characters of Joe and 22, as well as the Great Before, being shown to expo-goers. The voice cast was also announced at this point[11].

However, as excitement for the upcoming movie started to build, the world descended into chaos. On 15th March 2020, the US government began to implement their first lockdowns. The Pixar company suddenly went from just keeping an eye on the virus to suddenly getting everyone out of the building and sending them home to work on the movie there. The first few days were obviously difficult, getting everyone’s new work spaces set up. The usual problems of tricky Wi-Fi, Zoom problems, and pets or kids walking into offices during meetings were problems the Pixar staff had to manage as well. When Pixar left their office in March 2020, about 52% of the film was done. The movie was completed just six weeks later, right on schedule[12].

To really get home that these animators had done a lot of work at home, the credits state that Soul was created and produced at Pixar Animation Studios in Emeryville, California with this addition: “…and in homes at least six feet away from each other throughout the bay area”.

RECEPTION

Although Soul was initially scheduled to be released in theatres in Summer 2020, due to the COVID-19 pandemic it was decided that Soul would debut exclusively on Disney+, in areas that had it, on 25th December 2020. This would mean that the movie could reach up to 60 million subscribers, the number of subscribers the streaming service had within its first year of launch. Anywhere that did not have Disney+ at the time was still going to get the movie in cinemas, with some of these countries being Singapore, China, Thailand, and Malaysia[13].

In addition to this, Soul was screened as part of the 64th BFI London Film Festival in October 2020, and was also named as part of the official selection of the Cannes Film Festival, which also happened to take place in October 2020.  

Pixar movies typically are released alongside an animated short. In the case of Soul, this short was supposed to be Burrow (2020), which ended up debuting on Disney+ on the same day, so if you were aware of this connection, you could’ve streamed Burrow before Soul to give yourself the “authentic Pixar cinema experience”. Burrow sees a small rabbit trying to make its own burrow, however, a mole and a mouse start to elaborate on the initial plans. The rabbit then digs away from them, accidentally digging itself into other animals’ homes, before digging straight down. As the rabbit begins to dig a new burrow, it hits a water main, which starts to flood all the creatures’ homes. The rabbit goes to a badger, who initially seems scary, to explain what’s happened. The badger then alerts the other animals, who come to the rescue by digging a side tunnel to divert the flow of water. The rabbit then shows its original design for its burrow, which the animals help to build as described.

In the past, you didn’t even need to read the reviews about a Pixar movie before deciding to watch it; the studio has had a pretty good track record ever since their first animated feature-length film, Toy Story, released in 1995. They hadn’t been perfect, with Cars 2 (2011) being a particular low-point for the company, but generally, Pixar movies receive critical acclaim. 25 years later, with the release of Soul, did things change?

Well, in a way, yes. Soul received more mixed reviews than might have been expected. On the positive side, the movie was praised for its animation, particularly their authentic recreation of New York City, as well as the strange world of The Great Before. It was said to be a sweet, charming film, with a simple message at its heart to make the audience think about their lives, to decide whether they’ve really been living life to the full, or whether they have wasted their time chasing a dream. The music was also another high point, especially since jazz is not the usual musical style used in Pixar movies. Its animation of musicians playing was also seen to be very impressive. Pixar had already been successful with this type of animation in Coco (2017). The fact Soul was Pixar’s first feature film to have a Black leading character and a mostly Black cast did not go unnoticed, with this movie celebrating diversity and life.

However, there were some complaints about a Black character being the lead but actually being turned into a different physical being for most of the film. This was a gripe that many had about Tiana in Disney’s The Princess and the Frog (2009) since she is a frog for the majority of the film. For Soul, it’s not quite that bad, since Joe’s body does feature in at least half the movie, however, a different soul is inside Joe’s body, not his own. These concerns were initially raised when Pixar’s teaser trailer for Soul was first released, as some felt that having Joe become a blue soul for most of the film was problematic.

Another point that was raised was whether Soul has a “white saviour” narrative to it, since 22 manages to “fix” parts of Joe’s life for him whilst in his body. For example, 22 has a real conversation with Joe’s barber, Dez; something that Joe has failed to realise, spending his time talking to Dez about jazz. 22 also manages to convince Joe’s student not to give up music, and then has a meaningful talk with Joe’s mother about being able to pursue your dreams, which is, again, not something Joe felt he could say to his mother. This is an interesting point, and not something I’d considered when watching the movie.

However, all this being said, praise was given to writer and co-director Kemp Powers for his portrayal of Black culture in this movie, and, the fact that such a collection of Black consultants, musicians, actors, and writers had a major input in the story of Soul would suggest to me that these issues have perhaps only really been found through over-thinking of the movie’s story[14].

Some additional negative reviews stated that the story of Soul was confusing at times, and that it was potentially too deep for children to understand, since even some adults struggled to understand the message of the movie. In my case, I understand the overall theme of the movie: that you shouldn’t spend so much time chasing your dreams that you forget to truly experience and love life; that we need to “stop and smell the roses”. My problem with Soul was around the spark or purpose debate, which comes up multiple times throughout the film, but to me, was never clearly resolved. We are told that Joe’s purpose in life is to be a jazz musician, but that it is not a purpose that leads a soul to get their Earth Pass, but a spark. 22 manages to experience that spark for life as she goes through a day in Joe’s body. Ok, that’s all fine, and I understand that, but then what is the point of mentors and The You Seminar? Because to me, the Hall of You and the Hall of Everything seem to be trying to inspire souls to find a gift or a passion in their life, some sort of career path. Otherwise, why else would 22 be shown Joe playing the piano, or told to give science experiments and fire-fighting a go during their time together in The Great Beyond?

This is where I feel the movie let me down; not distinguishing between a spark and a purpose well enough. We all need a spark to want to live, but a purpose is also useful, because it gives us something to work towards. I don’t think it was helpful for Soul to tell people that working hard to hone a craft or talent is not what life is for, because, for some people, they need that drive to give them a reason to live.

But then again, maybe I’ve over-thought Soul, or the Pixar team really did want the movie to encourage this sort of debate. I also didn’t like how abruptly the movie ended. We don’t find out how Joe actually lives his “second chance” and we don’t know where 22 ends up. It might’ve been nice to see that, to fully wrap the movie up.

Anyway, regardless of personal thoughts on Soul, Soul did well in its first week on streaming. Soul got over 1.66 billion minutes of viewing time in the span of its first few days on Disney+, topping the Nielsen’s Streaming Top 10 List for the week of 21st December 2020. Soul successfully beat out Season 1 of Netflix’s Bridgerton (2020-present), which just so happened to also debut on Christmas Day 2020[15]

Soul went on to win the Academy Award for Best Animated Feature. It won this same award at the BAFTAs, the Golden Globes, and at the Annie Awards, where it also received awards in other categories, including Storyboarding, Writing, and Character Animation.

LEGACY

Soul never received a sequel movie; however, it did get a spin-off in the form of a short film, this being 22 vs. Earth, released on Disney+ on 30th April 2021.

22 vs. Earth is a prequel, set before 22 meets Joe Gardner in The Great Before. 22 is trying to tell other souls that going to Earth isn’t worth it. 22’s Earth Pass has still not been filled as 22 doesn’t have a reason to live. 22 devises a plan to stop all souls going to Earth, encouraging five other souls to join the mission. Without inspiration, souls can’t get their Earth Pass, so 22 and the other five start stealing things from the Hall of Everything, however, in enacting this plan, all five of the souls eventually become inspired and head to Earth, leaving 22 alone once again. The Jerrys wonder if 22 will ever go to Earth and discover the meaning of life, to which one of the Jerrys ask what that even is. The other Jerry starts to respond as the credits roll, so we never get to find out what it is, but apparently, it’s very simple! Tina Fey, Alice Braga, and Richard Ayoade reprised their roles here as 22 and two of the Jerrys.

Following on from this, there have been some references to Soul at the Disney Parks. For example, at Walt Disney World Resort in Epcot, an exhibit opened titled The Soul of Jazz: An American Adventure, which resided within The American Adventure Pavilion, specifically within The American Heritage Gallery. This exhibit provided guests with information about the roots of jazz music in America. This exhibit opened in February 2021, just two months after Soul’s debut, and closed permanently in January 2023. It was replaced with an exhibit celebrating American Indian art. Also, at Disney’s Hollywood Studios, one of the collection of 50 statues placed throughout Walt Disney World for their 50th anniversary in 2021 was of Joe Gardner playing the piano. These statues are still there today.

Following on from that, in 2024 for Pixar Fest, which ran from 26th April to 4th August at Disneyland Resort, Joe and 22 could be seen on a float during the Better Together: A Pixar Pals Celebration Parade. They also featured within the projection scenes of Together Forever – A Pixar Nighttime Spectacular. Pixar Fest also included food booths, with one of these being named The Spark, which was, of course, themed to Soul, which served the Half Note Jazz Cake, named after the jazz club seen in the film.

To add to that, Joe Gardner can be seen at the Pixar Place Hotel, playing the piano in the hotel lobby. Joe performs a few times a day, for around fifteen minutes in total, playing a variety of jazz tunes, as well as interacting with guests. This “character experience” was promoted as an activity during Pixar Fest, from April to August 2024, however, Joe seems to have been performing at the Pixar Place Hotel since its opening on 30th January 2024 until at least October. It is possible Joe Gardner still plays in the lobby outside of event dates, however, to avoid disappointment, it is best not to expect him to be there unless specifically stated. Joe is being listed as an entertainment offering for Disneyland’s Celebrate Soulfully event in February 2025 so he will definitely be back at Pixar Place Hotel then.

Also, just before Soul’s release in December 2020, merchandise was spotted throughout the Disney Parks, including plush toys, t-shirts, ornaments, pins, and a MagicBand. Soul-themed masks were also available, since this was during the pandemic and masks were required for most guests to experience the parks.

Finally, in 2024, Pixar decided to re-release three of their movies that debuted on Disney+ at movie theatres. These three movies were Luca (2021), Turning Red (2022), and Soul. Pixar felt that these movies had been made for the big screen, with audiences being cheated out of the theatrical experience by releasing them on Disney+. It was hoped that viewers would jump at the chance to see these movies again in this format[16]. Soul was the first of these three movies to be re-released in the US, on 12th January 2024, with Burrow, the short film, also being released alongside it as originally planned.

FINAL THOUGHTS

As the pandemic was a time that made everyone reflect on their lives, Soul was released at a very appropriate time, getting us to re-examine our lives and what is important to us.

The lockdowns that many of us experienced during 2020 and parts of 2021 limited our freedoms, to the point that we were not supposed to see family and friends, and some were limited to just one chance to get outside during the day.

Everyone responded to lockdowns differently, with some tearing their hair out and going stir-crazy at the feeling that they were trapped in their own homes. Others embraced the opportunity to start a new hobby and actually have some downtime for once.

It gave workers the chance to focus on their work-life balance, since so many were required to work from home. This is a message that can be applied to Soul. Soul tells us that if we spend too much time working, we don’t spend enough time living, so the pandemic gave those that did struggle with that the opportunity to re-adjust their attitudes towards work, probably for the better.

However, the pandemic was a few years ago now, and many work-life patterns have settled back to exactly how they used to be. Whilst some businesses encourage working from home either permanently, or one or two days a week, others banned the idea entirely. This shows that in terms of work, some learnt nothing from the pandemic. It then became the individual’s choice whether their avenue of work was really appropriate for them anymore, if their mindset had been changed.

I hope Soul had a positive impact on people, about appreciating the simple things in life, and I think when the pandemic did end, this was the case for many. But these types of messages rarely last long in the mind, as we are told in the media and online to continuously strive for riches, success, or fame, forgetting that often this means bypassing happiness.

I sadly don’t think the world is capable of changing for the better, with all the lessons we learnt in the pandemic being forgotten just as quickly as it all started. Success and happiness are supposed to go hand-in-hand, but rarely is that the case. To be truly happy requires a lot of internal examination and I don’t think the vast majority of us are willing to put in the work to do this. Soul’s message is a beautiful dream, but really, how many of us can honestly say that just being alive is enough?


REFERENCES

[1] Credit: Pixar, “Into the Zone: The Music and Sound of Soul”, Disney+ (2021).

[2] Credit: Josh Spiegel, ‘Soul began with the Great Beyond, then evolved in Pixar’s film about Black life’, Polygon.com, 8th December 2020.

[3] Credit: Sonaiya Kelley, ‘How Pete Docter and Kemp Powers brought the first Black Pixar protagonist to life in ‘Soul’’, LATimes.com, 19th November 2020.

[4] Credit: Jason Guerrasio, ‘The director of ‘Soul’ says that initially the movie had a completely different ending’, BusinessInsider.com, 29th December 2020.

[5] Credit: Kevin Polowy, ‘Meet the character from the Great Before cut from Pixar’s ‘Soul’ in exclusive deleted scene’, Yahoo.com, 18th March 2021.

[6] Credit: Ethan Anderton, ‘The Making Of Pixar’s ‘Soul’: From The Real World To The Great Before And Beyond’, SlashFilm.com, 9th October 2020.

[7] Credit: Terry Gross, ‘‘Soul’ Creators On Passion, Purpose And Realizing You’re ‘Enough’’, NPR.org, 23rd March 2021.

[8] Credit: Pixar, “Astral Taffy”, Disney+ (2021).

[9] Credit: Josh Spiegel, ‘Soul began with the Great Beyond, then evolved in Pixar’s film about Black life’, Polygon.com, 8th December 2020.

[10] Credit: Clémence Michallon, ‘Pixar announce new movie called Soul for summer 2020’, Independent.co.uk, 19th June 2019.

[11] Credit: Jonathon Dornbush, ‘Pixar’s Soul Voice Cast Announced – D23 Expo’, IGN.com, 24th August 2019.

[12] Credit: Pixar, “Soul, Improvised”, Disney+ (2021).

[13] Credit: Disney, ‘Disney & Pixar’s ‘Soul’ to make exclusive holiday debut on Disney+’, Disney.com, 8th October 2020.

[14] Credit: Zack Krajnyak, ‘Pixar’s Soul Made History (But Still Has One Big Racial Issue)’, ScreenRant.com, 31st December 2020.

[15] Credit: Mónica Marie Zorrilla, ‘TV Ratings: Pixar’s ‘Soul’ Tops Nielsen’s Streaming Top 10 Over Christmas’, Variety.com, 22nd January 2021.

[16] Credit: Disney, ‘Pixar’s Pete Docter on Why He’s Excited for ‘Soul’, ‘Luca’, and ‘Turning Red’ to Hit Theaters’, TheWaltDisneyCompany.com, 11th January 2024.

Good Luck Charlie, It’s Christmas! (2011)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

In 2011, Disney Channel was still creating new original movies for its viewers, still riding high from the highly successful High School Musical trilogy. It wouldn’t be for much longer that DCOMs continued to engage with audiences, with most of the movies coming after 2011 failing to hit that same mark, with few exceptions.

But that doesn’t affect anything here. It’s 2011, and Disney Channel released six DCOMs that year, with half of them being movies based around their most popular original programming at the time. Two of these were The Suite Life Movie and Phineas and Ferb the Movie: Across the 2nd Dimension. The one I’m talking about right now though is Good Luck Charlie, It’s Christmas! the first and only feature-length movie to feature the wacky Duncan family from the popular Disney sitcom.

To be perfectly honest, Good Luck Charlie (2010-14) was not a programme that I particularly enjoyed. I watched most of the first season, but it came out towards the end of my teenage years, shortly before I went off to university when I would be watching Disney Channel much less frequently than I used to.

I’m not part of a big family. I have one sister and that’s it, so watching a huge, crazy family on Disney Channel did not feel relatable to me. I’m also fairly close in age to my sister, so we didn’t even have the age gap that most of the kids in Good Luck Charlie had with their baby sister, Charlie. It wasn’t something that I felt connected to, although I’m sure other kids did and no doubt liked the show, feeling that instead of representing the typical nuclear family of a mother, a father, and two children, Good Luck Charlie decided to showcase a more modern, and, arguably, more normal, family than those of the past.

Because my interest in the series had waned quite early on, I had not seen Good Luck Charlie, It’s Christmas! before this week, though I had at least heard of it, unlike some other DCOMs, both older and newer. It’s a movie that is featured within the Disney+ Christmas Collection so I believe that’s how I first came to know about it.

Sadly, I didn’t like Good Luck Charlie, It’s Christmas! In the show, I had always preferred to see the antics of PJ and Gabe, the two brothers, and was less interested in what Teddy, the sister, was doing. However, here, the plot of the movie mostly followed Teddy and the mother, Amy, so that is one reason it didn’t work for me. The other is that it has a very similar storyline to Planes, Trains and Automobiles (1987), i.e., family members racing to get across the country to get where they need to be, in this case at Christmas and not Thanksgiving, but that minor distinction does not make the story original.

But hey, if you like Good Luck Charlie, don’t let me ruin your childhood. It is definitely a DCOM that fans of the show will like. It’s not their fault I wasn’t a fan already.

PLOT

Good Luck Charlie, It’s Christmas! centres around the antics of the Duncan family, as per the series. The Duncans consist of parents Amy and Bob; eldest son PJ; eldest daughter Teddy; youngest son Gabe; and youngest daughter Charlie. The movie starts with the Duncans at home in Denver. Although most of the family is excited to spend Christmas in Palm Springs with Amy’s parents, where they can have a Christmas in warm weather, Amy is stressing about it all. She is concerned about her parents not child-proofing their condo properly, and is worried about their usual family traditions being forgotten. Having the youngest Duncan child put the star on top of the Christmas tree seems to be the one that is bothering Amy the most, but nobody else thinks it’s that important, believing they can do that in Palm Springs still anyway. Just before leaving, Teddy finds that her best friend Ivy wants her to spend their upcoming Spring Break in Florida. Amy tells Teddy she won’t be going, which annoys Teddy, with Bob later saying Teddy can go to Florida if she buys her own plane ticket there.

But there’s no time to discuss that because they’ve got to get to the airport to catch their flight, 48 hours before Christmas morning. The trouble is Bob is struggling with a 3-in-1 child seat for Charlie, which won’t fully collapse properly, and both Gabe and PJ have been caught by security, attempting to smuggle a games console through the scanners. Well, it was Gabe’s idea; PJ was an unwilling participant. Because they had to be checked thoroughly by security after that, the Duncans are now late to board their plane so rush through the airport. Don’t worry, this isn’t a Home Alone 2 situation; they all get on the correct flight. Soon after boarding though, an announcement comes across saying that the flight is overbooked by one seat, asking if a passenger will kindly fly on a later flight, with a free round-trip ticket being given to that person for a destination of their choice. Teddy excitedly gets up from her seat, planning to use her free ticket for Spring Break in Florida. But Amy can’t leave Teddy alone in the airport, so she goes too, leaving PJ, Gabe, Charlie, and Bob flying to Palm Springs without them.

Teddy and Amy learn that the next available flight to Palm Springs isn’t until 26th December, after Christmas, as all the other ones are fully booked. Hmm, they probably should’ve checked that before getting off the plane, don’t you think? Amy tries to convince the desk agent to get them on an earlier flight – but they are then both kicked out of the airport. Turns out Amy gets quite aggressive when she doesn’t get her way! This leaves the two of them getting an 18-hour bus to Palm Springs instead.

In Palm Springs, the rest of the Duncans arrive with no trouble. They get to Amy’s parents’ complex and see it has a pool, and the weather is nice and warm – yet their condo has not been child-proofed, with precious ornaments easily accessible to toddler Charlie. Bob says to Amy’s mother, Petunia, that Charlie is likely to break these, to which Petunia tells Bob if he were a better parent, she wouldn’t do that. Casual parent shaming there.

On the bus, Teddy and Amy are also not having a great time as Amy is travel sick. At their first stop, they are both barred from boarding the bus again as the driver won’t continue with Amy in that state. Once again, Amy gets into a confrontation and the police are called. The police officer tells the two that there isn’t a train here but they might be able to get a car – if they can walk 8 miles in the snow to the nearest car dealer! They don’t have much choice, so, grabbing their luggage, they set off on foot. By the time they get to the dealer, called Lenny’s, but it’s not run by Lenny; it’s run by a guy called Daryl, who bought out Lenny but kept his same jumpsuit with the name Lenny stitched on to it – this is a recurring joke; just go with it – there is only 38 hours to Christmas morning, and the only car available to them is an old busted up Yugo – whatever that is. They buy it for $50 and start driving. Teddy has decided she’ll drive to prove she is a responsible adult, capable of going to Florida without her parents. The car drives slowly uphill, before descending quickly downhill, with its breaks not working correcting. To make it worse, it starts snowing and the windscreen wipers don’t work properly. They hope when the road flattens out, they can coast to a stop…

Back in Palm Springs, Bob is having a hard time keeping Charlie away from anything fragile; Gabe has managed to get his grandpa, Hank, addicted to his favourite video game, Galaxy of Death, to the point that he won’t let Gabe play it with him; and PJ has got terrible sunburn from using tanning oil instead of sunscreen. This leads to Petunia once more accusing Bob of bad parenting, and then Charlie knocks over the Christmas tree, causing Bob to be locked in a bedroom as some sort of weird and twisted “timeout”.

Back with Teddy and Amy on Christmas Eve morning, they are still alive and have just woken up from a night sleeping in the car. Teddy attempts to return her driver’s seat back to its upright position after reclining it to sleep, but as she tries to do this, various parts fall off the car, including the doors, completely destroying it. A car repairman comes out, who Teddy and Amy believe is Walter, as per the name stitched on his jumpsuit, but no, this is Lenny, the one who used to own the car dealer – told you it was a recurring joke… At this point, Teddy and Amy are at a loss what to do next, standing outside a diner in Utah. They overhear a couple saying they are on their way to Las Vegas, which is on the way to Palm Springs for them. They go in and buy breakfast for the couple, Stan and Sue, who are heading to a convention. Stan and Sue kindly allow Teddy and Amy to ride with them.

In Palm Springs on Christmas Eve, Gabe wakes up to find his grandpa has been up all night on the game console and he won’t listen to Gabe and stop playing, getting annoyed at the suggestion he’s addicted to it. Gabe decides to hide from his grandpa in the same room that Bob has been locked in. PJ joins them soon after, as he has been banned from sitting on the furniture in the living room due to the amount of lotion he’s put on to soothe his sunburn. So now all three Duncan boys are having a terrible Christmas – yay!

In the car to Vegas, Teddy and Amy learn that Sue and Stan are believers in alien abductions and seeing that Amy is feeling unwell again, they tell Amy that she has probably been abducting by aliens as she has all the symptoms of it. Either that, or Amy’s pregnant. Teddy turns to her mother and the secret is revealed – Amy is pregnant, having kept it a secret to surprise the whole family on Christmas Day. As the two are dropped off in Vegas, with 15 hours to go until Christmas morning, Teddy complains she wasn’t told about this new baby and as the two argue, their luggage is stolen, as they were too preoccupied with their fight to pay attention to their bags. Amy calls Bob to say they are stuck in Vegas with no bags, and he and the boys – who managed to get a break from their timeout and were in the pool – decide to drive to Vegas to get them.

In Vegas, Teddy still doesn’t want to talk to her mother, and starts busking on the street, singing Christmas songs to the public, to earn money to get some food. Amy then joins in when she sees Teddy isn’t getting anywhere, and their double act gets more attention. With enough money for food, Teddy and Amy go to an all-you-can-eat buffet, where they see their stolen luggage – and the young girl who stole it. They go to confront her but the girl breaks down in tears, saying she had no money, she’s all alone in Vegas after a friend ditched her, and she doesn’t think her mother will let her come home. Amy offers to call the girl’s mother and get this all sorted out. She does, and the mother tells her she can most definitely come home for Christmas. The only trouble is, she has no money to get her home. Teddy then has an idea; she gives the girl her free plane ticket, so she can get home for Christmas. Let’s hope the plane had free seats on Christmas Eve or that was a waste!

Meanwhile, with 8 hours to go until Christmas morning, the boys go down a quiet road that PJ thinks is a shortcut; however, they are pulled over by men with guns and taken captive in a bunker. The men holding them hostage babble something about wanting a stone. Bob and PJ have no idea what they’re talking about, but luckily, Gabe does. It turns out the creator of Galaxy of Death holds a giant in-person paintball tournament on Christmas Eve each year in the desert. They just need to escape the bunker and find their car, and then they can continue their journey. As they free themselves from being tied to chairs, Gabe says he has a plan to get them over to their car. However, Gabe actually uses his plan to win the game himself. He retrieves the stone and wins the game, pretending to be a member of the yellow team, but these three intruders are rumbled, and the game creator comes over to figure out who has messed with his game. Luckily, as the creator is on the yellow team, he doesn’t mind as Gabe won it for him! He offers them a favour – a helicopter ride.

Teddy and Amy manage to rent a tandem bicycle in Vegas to continue their journey – from a guy called Walter who sold his car repair company to Lenny, who sold his dealer to Daryl, completing this strange, ongoing joke. They ride through the night and stop at a local diner. Soon after, a helicopter arrives by the diner – it’s PJ, Bob, and Gabe; the five are finally reunited, and on Christmas morning, no less. Then, two cars arrive – it’s Petunia and Hank, with little Charlie in tow. They really are altogether for Christmas! It is then revealed that the 3-in-1 child seat has never been able to collapse because their tree star was stuck in it. Moulding it back into shape, they can complete Amy’s favourite Christmas tradition, with Charlie being lifted up to put this star on top of the diner’s Christmas tree. Amy then announces her pregnancy to the whole family, which is a surprise for everyone.

After Christmas, the Duncans are back on a plane heading home. The same announcement about the flight being overbooked is heard once again, and Teddy volunteers herself to get another free ticket. Amy tells Bob it’s his turn to go after her. Bob begrudgingly packs up his stuff to follow Teddy, saying they should be home by New Year’s Day. Well, at least there’s less of a time constraint this time!

CHARACTERS & CAST

Teddy Duncan is the most responsible of the Duncan children. She is upbeat and positive, intelligent, and supportive of her large family. For those unfamiliar with the show, in every episode, big sister Teddy records video diaries for Charlie to watch later on, detailing their family life and life lessons to remember in the future. This continues within Good Luck Charlie, It’s Christmas! Even as Teddy and Amy struggle to figure out what to do next, Teddy still manages to find time to record a message for Charlie. In this movie, Teddy wants her parents to allow her to go to Florida without parental supervision, so she goes out of her way to prove she is a responsible adult – you know, after the whole running off the plane without a plan part, because that doesn’t sound very responsible to me! Teddy actually has to look after her mother quite a lot on their journey, as Amy is both not feeling well and lashing out with her mood swings quite frequently. Luckily, Teddy has the patience of a saint and only gets upset with her mother when they get to Vegas – and it’s quickly resolved anyway.

Bridgit Mendler portrays Teddy. She first appeared on Disney Channel as Juliet van Heusen on Wizards of Waverly Place (2007-12), prior to her starring role in Good Luck Charlie (2010-14). She also starred as Olivia White in the DCOM Lemonade Mouth (2011). After a recurring role in the series Nashville (2012-18), as Ashley Willerman, and main roles in the series Undateable (2014-16) as Candace, and Merry Happy Whatever (2019) as Emmy Quinn, Mendler has since moved away from acting and pursued other business interests.

Amy has always been a busy mother, balancing her four children as well as her work, seemingly loving the spotlight, as we see when her and Teddy are busking, wanting to get more attention than her daughter, which isn’t exactly a healthy attitude to have but at least it got them some money! I don’t remember Amy being the way she is in Good Luck Charlie, It’s Christmas! in the main series, but to be fair, I only watched Season 1. I was surprised to find Amy was acting like a moody teenager through much of this movie, but I guess we’re supposed to blame her hormones for that. It was like Teddy was the parent and Amy was the child in much of this film, which I didn’t like. Amy can be funny at times, especially when she’s being sarcastic, but I didn’t like the character in this movie at all. She was unhinged.

Amy was played by Leigh-Allyn Baker. Prior to Good Luck Charlie, Baker appeared in the recurring roles of Hannah Webster in Charmed (1998-2006) and Ellen in Will & Grace (1998-2020). Baker went on to star as Liz Morgan in the DCOM Bad Hair Day (2015) and voiced characters in Disney animated series like The 7D (2014-16) and Mickey Mouse Mixed-Up Adventures (2017-21).

For the boys, we have PJ and Gabe. PJ is struggling in this movie with severe sunburn, whilst Gabe finds his plan to play on his games console all Christmas has backfired because Grandpa Hank becomes obsessed with it. They both are seemingly have a difficult Christmas, and they both don’t get nearly enough screentime for me. I always found their antics funnier than Teddy’s life, who is the main focus of the series. The only part in the movie where they really get to shine is during the paintball tournament, where they work together with their dad to help Gabe win the game. This whole tournament seemed to purely have been added to give the boys more of a storyline, but it was so random and out-of-the-blue that I struggled to really understand why it was there, which was a shame.

Bradley Steven Perry was cast as Gabe, who had quite a long history with Disney. After getting his starring role on Good Luck Charlie, Perry went on to be cast as Roger Elliston in Sharpay’s Fabulous Adventure (2011), and then went on to have lead roles in two further Disney Channel series. These were Mighty Med (2013-15) and Lab Rats: Elite Force (2016) where he played Kaz. Perry also voiced the character of Zevon, son of Yzma, in Season 2 of Descendants: Wicked World (2015-17). Outside of Disney, he was cast in the recurring role of Alec Raday in Schooled (2019-20) and now has a successful YouTube Channel featuring cooking videos, which some of his previous Good Luck Charlie cast members have appeared on, and a podcast called The Sit and Chat Podcast which Perry hosts alongside fellow former Disney Channel star, Jake Short.

Jason Dolley was cast as PJ Duncan, and he too had a long career with Disney Channel, beginning with the DCOM Read It and Weep (2006), where he played Connor. Dolley went on to star as Newt in the series Cory in the House (2007-08), and then was cast in two further DCOMs: as Virgil in Minutemen (2008), and Pete in Hatching Pete (2009). Dolley later appeared as Kevin in the ABC series American Housewife (2016-21). Recently, he wrote and starred in the short film The Unicorn That Never Lies (2024).

Rounding out the Duncan family, there is Bob and Charlie. Bob has to look after Charlie at Amy’s parents’ house as Amy is not there to be with her, and he finds it a struggle having to watch a toddler on the time, making sure she doesn’t break anything or hurt herself, because for some reason, Amy’s parents couldn’t be bothered to make their condo safe for their youngest grandchild! Bob is the more stable of the two parents, so he is holding the family together in Good Luck Charlie, It’s Christmas! Although Gabe technically wins the helicopter ride that reunites the family, you can bet it was Bob who kept the focus on finding Amy and Teddy. Gabe would have probably chosen to have a tour of the Vegas sights!

Eric Allan Kramer was cast as Bob Duncan. One of Kramer’s earliest roles was as Little John in the parody film Robin Hood: Men in Tights (1993), alongside Cary Elwes as the title character. He then went on to be cast as Dave Rogers in the series The Hughleys (1998-2002). Prior to his casting on Good Luck Charlie, Kramer had had guest roles in other Disney Channel series, such as Phil of the Future (2004-06) and Wizards of Waverly Place (2007-12). Kramer went on to be cast as Scott Miller in the series Lodge 49 (2018-19). Charlie was played by Mia Talerico.

So, that’s the main Duncan family, but we also meet Amy’s parents, Petunia and Hank, here. Petunia is quite disapproving of Bob and his parenting skills, constantly belittling him, even going so far as to put him in “timeout”. She clearly adores her grandchildren, especially Charlie, and wants to do all the typical family activities, like baking cookies, with her, but I do think Petunia was quite harsh in her dealings with Bob. He’s a grown man who’s been with your daughter for 20 years; get over it! Hank initially seems to be the calm, friendly grandpa, who has a mild obsession with mints, offering them to everyone whenever he can. Thanks to Gabe introducing him to the wide world of gaming, outside of Hank’s typical golf games, he then becomes obsessed with it, to the point he gets a tad aggressive at being told he should probably take a break…Perseverance pays off as he completes the game though!

Petunia was played by Debra Monk. On screen, Monk appeared as Denise Parsons in the legal series Damages (2007-12) and as Betty Cragdale in Mozart in the Jungle (2014-18). More recently, Monk played the recurring role of Karen Brantley in New Amsterdam (2018-23) and was cast as Miss. Armstrong in The Gilded Age (2022-present). On Broadway, Monk also played Mama Morton in a 2000s revival of the musical Chicago and Big Mama in the 2013 revival of Cat on a Hot Tin Roof. Michael Kagan was cast as Hank. For Disney Channel, he had previously appeared in the recurring role of talk show host Colin Lassiter on Hannah Montana (2006-11).

MUSIC

Good Luck Charlie, It’s Christmas! only has one original song credited to it. This is the opening credits song “I’m Gonna Run to You”, written by Jamie Houston and performed by Bridgit Mendler. This song was released as a single in November 2011 prior to the premiere of Good Luck Charlie, It’s Christmas!

Later on in the movie, there are some traditional Christmas songs performed by Bridgit Mendler as Teddy and Leigh-Allyn Baker as Amy. This is the busking scene on the Las Vegas Strip that Teddy starts doing to raise some money, before Amy comes in to make it more of a spectacle with in-song fighting, which draws the crowd in. Firstly, Teddy sings “Deck the Halls” alone, before moving on to “Jingle Bells”. Amy cuts in partway through that song, and then they both perform “We Wish You a Merry Christmas” together.

There is also a mysterious uncredited song that has led to some discussion online, as, although it is only briefly heard in the scene just after Amy and Teddy have had their fight in Vegas, many have been looking for a full version of this song because they loved it so much from the movie. It is believed the song is called “Christmas with You” and there is speculation that it is an original song written specifically for Good Luck Charlie, It’s Christmas! The singer has never been identified and a full version has never been found. It is said to have been written by Andy Dodd and Brian Dean. Another song that is unidentifiable in this DCOM is the song playing by the pool when the boys arrive at Amy’s parents’ condo, though it is barely audible so I doubt many people are looking for it!

Other songs that were uncredited but have been confirmed include “Run Run Rudolph”, a popular song that has appeared in other Christmas movies. Chuck Berry’s original version, for example, can be heard in Home Alone (1990) as the family run through the airport to catch their flight. Funnily enough, in Good Luck Charlie, It’s Christmas! the Lynyrd Skynyrd version of this same song is heard as the Duncans run through the airport. I do like this song and I like the reference to Home Alone here.

A couple of other songs in this movie are “Christmas in Vegas” by Terry Fator, which plays when Amy and Teddy are dropped off in Las Vegas after hitch-hiking with the couple who believe they were abducted by aliens. It’s a big band-style of song, which matches the Las Vegas setting well. Later, “Ya Better Believe” by Max Morgan is heard as Gabe, PJ, and Bob compete in the paintball tournament. This wasn’t the best song in the movie for me, and to be honest, I barely even noticed it; I think I wasn’t particularly bothered by the paintball stuff so I lost focus at this point.

Finally, the End Credits song is “Gotta Get Back by Christmas”, which was a decent song for the movie to end on, although not much of it can be heard over the bloopers that are shown during the credits. This song was performed by British singer Steve Rushton, who, after leaving the band Son of Dork, began a solo career and this led to many opportunities with Disney Channel. Rushton sang the theme song “Livin’ the Suite Life” for The Suite Life on Deck (2008-11). Rushton then performed and wrote two songs for Hannah Montana: The Movie (2009): “Everything I Want” and “Game Over”; as well as featured on the Wizards of Waverly Place soundtrack, performing “Strange Magic”.

David Lawrence was the composer on Good Luck Charlie, It’s Christmas! Lawrence has been the composer on many other DCOMs including StarStruck (2010), Teen Beach Movie (2013) and its 2015 sequel, as well as the original Descendants trilogy.

PRODUCTION

Good Luck Charlie was a new original programme for Disney Channel, debuting its first episode on 4th April 2010. This first episode saw Teddy making her first video diary for nine-month-old Charlie in which she introduced the whole family.

During development, the series had been titled Love, Teddy, and then Oops, before Good Luck Charlie was settled on. This three-word phrase is said by at least one character, normally Teddy, at the end of every episode. It is unclear if the overall premise of the show changed over the course of production given the different potential title names, although all three titles would still make sense to the show that was made.

Season 1 of Good Luck Charlie ran from its premiere episode in April 2010 to 30th January 2011. A second season began airing shortly after, on 20th February 2011, running to 27th November 2011. The show was popular from the outset, as it depicted a different type of family, but one that was becoming more normal. For example, Amy Duncan is a working mother, balancing her kids and her career. Bob is a dad that helps around the house and with the kids, and the series shows parents having children later in life. An adaptation was created for Disney Channel India, with this series being called Best of Luck Nikki. It ran from April 2011 to April 2016[1].

Good Luck Charlie was nominated for various awards during its time on Disney Channel. These included Primetime Emmy nominations for Outstanding Children’s Program and Kids’ Choice nominations for Favorite TV Show. Bridgit Mendler was also nominated for Favorite TV actress at the Kids’ Choice and Teen Choice Awards. Bradley Steven Perry received a nomination for a Young Artist Award for Best Performance in a TV – Supporting Young Actor in 2011. The series itself did win two British Academy Children’s Awards, for BAFTA Kids’ Vote: TV in 2011 and 2012.

Furthermore, the Good Luck Charlie series premiered to 4.7 million viewers, with this being the highest-rated series premiere for a Disney Channel series since the premiere of The Suite Life on Deck (2008-11). Good Luck Charlie’s success was only further confirmed with the creation of Good Luck Charlie, It’s Christmas!, a feature-length movie to showcase the characters in a new setting.

This new setting happened to be Utah where the majority of filming took place. This means that Good Luck Charlie, It’s Christmas! follows in the footsteps of other DCOMs, such as Read It and Weep (2006), Halloweentown High (2004), Return to Halloweentown (2006), and the High School Musical trilogy by being filmed in Utah. However, Good Luck Charlie, It’s Christmas! is not primarily set in Utah, with only one scene having Teddy mention that she thinks her and her mother are now in Utah, so the production team had to get a bit creative. For example, Salt Lake Convention Center became Denver Airport; the Pirate Island Pizza place in Orem, Utah, was the setting of the Las Vegas all-you-can-eat buffet restaurant[2]; and The Gateway in Salt Lake City was made to look like the Las Vegas Strip[3]. It would have no doubt been hugely costly, as well as a logistical nightmare, to actually have the cast and crew do a full-on road trip themselves to film Teddy and Amy’s cross-country trip so I can see why this was necessary, though it is quite clear, even to me who has not been to many areas of America, that the real-life locations were not being used here, but it didn’t bother me.

Good Luck Charlie, It’s Christmas! does not involve many stunts, or large action scenes, as it is mostly just about Amy and Teddy getting on and off various forms of transport and sitting somewhere to discuss what to do next. However, there is one moment in the movie that did require some effects work, and that is the paintball tournament that PJ, Gabe, and Bob find themselves mixed up in. The crew reportedly had to build their own paintball guns in order to lower the pressure of the bullets – since regular paintball guns are known for bruising even the hardiest of people – to keep the cast as safe as possible. They also had to make their own paintballs to add more paint so the paint splatter would be more visible on camera[4].

The movie was directed by Arlene Sanford who had directed some episodes of the long-running teen drama series Pretty Little Liars (2010-17), as well as a few within its spin-off, Pretty Little Liars: The Perfectionists (2019). Sanford also directed the live-action Disney movie I’ll Be Home for Christmas (1998). This makes a lot of sense, because Good Luck Charlie, It’s Christmas! not only took inspiration from Planes, Trains and Automobiles (1987), but also from I’ll Be Home for Christmas, which sees a college student race across the country with limited means to get home in time for Christmas Eve. My family love this movie. Geoff Rodkey was the screenwriter for Good Luck Charlie, It’s Christmas!, having previously written Daddy Day Care (2003) and its 2007 sequel, Daddy Day Camp, as well as the Robin Williams comedy RV (2006). For Disney, Rodkey also co-wrote The Shaggy Dog (2006).

RECEPTION

As is typical with Disney Channel Original Movies, Good Luck Charlie, It’s Christmas! was promoted with small behind-the-scenes videos about the making of the movie, as well as sneak peeks and trailers closer to the movie’s premiere date. It seems that the first trailer for this DCOM was shown in October 2011.

But there was another advertisement which was perfect cross-promotion, and that was having Bridgit Mendler, Jason Dolley, and Bradley Steven Perry front a Disney 365 video about Aulani, A Disney Resort & Spa, a Disney Vacation Club Resort, which opened on 29th August 2011. This Disney 365 saw the three actors showcase the resort and its activities, prior to a few clips of Good Luck Charlie, It’s Christmas! being shown[5].

Good Luck Charlie, It’s Christmas! premiered on Disney Channel on 2nd December 2011. It was then broadcast to other countries later on that month, including the UK, Ireland, and Australia – because it would have just been silly to air a Christmas movie months later in other countries, like Disney Channel did with so many of their other DCOMs.

Fans of Good Luck Charlie did like Good Luck Charlie, It’s Christmas!, with many retrospectively stating that this was one of the last good DCOMs that came from the channel for many years. It is no secret that from 2012 onwards, Disney Channel’s movies did not seem to reach the height of success that others had since 2006, when High School Musical premiered. I’d say that it wouldn’t be until Descendants in 2015 that Disney Channel recaptured some of that old magic they once had, and even since then, DCOMs have not really been the same. But that’s beside the point. Viewers liked Good Luck Charlie, It’s Christmas! because it was a wholesome movie that could be enjoyed by the whole family, and many consider it to be a childhood favourite DCOM.

On the other hand, not everyone liked it, myself included. Some felt that it dragged in places, which I agree with, and this is probably because the movie wasn’t all that funny. If you’re following the generic road trip storyline, it has to have big moments of hilarity, or else people start to get bored. It wasn’t even that the movie wasn’t funny that bothered people; it’s because the show itself was much funnier than the DCOM ended up being. Others said it was unrealistic at times, and didn’t really celebrate Christmas as you might have expected. The only Christmassy scene comes right at the end of the movie at the diner where the family reunite, but even then, it’s only a couple of minutes. Amy’s pregnancy reveal also received a mixed reaction, with some saying that having another baby would take away from Charlie who is meant to be the focus of the whole show. Amy herself was criticised too, as audiences felt she was incredibly over-the-top, more so than in the show. This is a point that I wholeheartedly agree with; Amy did seem different here to early episodes of the series.

Good Luck Charlie, It’s Christmas! pulled in 6.9 million viewers on its premiere night, becoming the top live-action cable film of the year. In comparison to other DCOMs of that year, Lemonade Mouth, released in April 2011, premiered to 5.7 million viewers, and Phineas and Ferb the Movie: Across the 2nd Dimension, from August 2011, got 7.6 million, so this was a respectable amount for Good Luck Charlie, It’s Christmas! to have[6].

LEGACY

Following on from the movie, because that whole baby thing had to be resolved, Season 3 of Good Luck Charlie began airing on 6th May 2012, running until 20th January 2013. The new Duncan was revealed to the world in episode 7 of that season, titled “Special Delivery”, in an hour-long special episode. This baby was a boy named Toby, whose name had been decided via a worldwide public vote, with Toby receiving almost 26 million votes. And just to take even more attention away from little Charlie, Toby was born on her birthday. It was also revealed in the episode that Toby’s full name was actually Toby Wan Kenobi Duncan. Haha, I see what they did there – but it really should’ve been Toby The Birthday Stealer Duncan. And then they should’ve renamed the show to simply Poor Charlie…

The public vote to name the new baby opened shortly after the premiere of Good Luck Charlie, It’s Christmas! running from 2nd December to 16th December 2011 on the show’s official website. For the boys, Noah, Jonah, Toby, Bobby Jr., and Bo were available to vote on, whilst the girls names were Sydney, Erika, Mallory, Talia, and Jenny[7].

After that, Season 4 aired on 28th April 2013 and ended on 16th February 2014. There were two special episodes within this season, with one being Episode 17, titled “Good Luck Jessie: NYC Christmas”, to create a cross-over episode with the cast of Jessie (2011-15), where Teddy and PJ are stranded in New York City due to a blizzard, after going to the city for a college tour, and meet up with the characters of Jessie.

The final episode of Good Luck Charlie was an hour-long special titled “Good Bye Charlie”. It sees Teddy going off to college, and her family throwing her a going-away party. The last scene sees the whole family – except Toby – saying goodbye to Teddy, with Teddy making her final video diary entry for Charlie. The family gather round the camera and say “Good Luck Charlie” together for the last time.

The decision to fully end Good Luck Charlie had been decided prior to Season 4 airing so the cast and crew were able to completely finish the series, with no chance of a cliffhanger not being able to be resolved. It is said that the series did not end because its popularity was declined, but it was simply that Disney Channel like to end their shows around the 100-episode mark, so it was just time for Good Luck Charlie to end. I can see the sense in this. Too many shows push their storylines to the limit and become boring and samey, airing for much too many years[8].

Due to the era we are currently living through in terms of the entertainment industry, with reboots and spin-offs everywhere you look, it is only natural that fans of Good Luck Charlie are wondering if there is a future for this show once more. It also does not help that Wizards of Waverly Place (2007-12), a show that was on Disney Channel around the same time as Good Luck Charlie, has just recently launched a reboot, Wizards Beyond Waverly Place (2024-present). At the premiere of this reboot, Jason Dolley even spoke about the potential for a Good Luck Charlie reunion. Dolley stated that it could be interesting to see where the characters ended up a decade later, with Dolley’s character, PJ, taking steps towards becoming a chef by the time of the show’s finale[9]. However, Bridgit Mendler is said to have fully stepped away from acting, so this may be a stumbling block towards a reunion. But who knows; never say never, right?

FINAL THOUGHTS

When I first started watching Good Luck Charlie, It’s Christmas!, I didn’t really know what to expect, since I hadn’t seen the show in years. I was hoping for some fun antics, with the addition of the magic of Christmas. It didn’t turn out that way.

Though I’m sure fans of the show did love this DCOM, I sadly didn’t, no matter how much I was hoping I would. I didn’t watch much past Season 1 of Good Luck Charlie, but what I did watch, I liked, so I was surprised this didn’t work out for me.

At the beginning, when the Duncan family were at the airport, I thought someone was going to end up on the wrong flight, like in Home Alone 2: Lost in New York (1992) – but that didn’t happen. And I was glad about that, because airports have so many checks now, it isn’t very likely you’d get on the wrong plane. Then, with Amy and Teddy trying to get over to Palm Springs from Denver without flying, it seemed like Planes, Trains and Automobiles (1987). It later turned into I’ll Be Home for Christmas (1998), which not everyone has seen, but it’s basically the same idea.

These three Christmas films – or two Christmas films, and one Thanksgiving film, if you want to be picky about it – are amazing. I watch all three every year and I never tire of them. That was not the case with Good Luck Charlie, It’s Christmas!

Everyone wants different things from a Christmas movie, and everyone has their own favourites. I’m well aware that some movies I love to watch at this time of year have been panned by critics and audiences alike, but I don’t care.

If you love Good Luck Charlie, It’s Christmas! for its crazy antics, its family dynamics, and its warm message about the importance of being with loved ones, then feel free to say you don’t care about my opinion too.


REFERENCES

[1] Credit: Stacey Grant, ’18 Good Luck Charlie Secrets That’ll Make You Demand a Reboot STAT’, Seventeen.com, 25th April 2019.

[2] Credit: Brooke Brown, ‘Disney’s ‘Good Luck Charlie’ cast gets movie treatment in Utah’, Deseret.com, 21st April 2011.

[3] Credit: Scott Pierce, ‘Utah stars in Disney Channel movie “Good Luck Charlie, It’s Christmas!”’, SLTRIB.com, 1st December 2011.

[4] Credit: Disney, ‘DCOM Extra – Good Luck Charlie, It’s Christmas! – Disney Channel Official’, Disney Channel YouTube Channel, 21st November 2011.

[5] Credit: Disney, ‘Good Luck Charlie in Aulani Disney 365’, Bradleyfansite YouTube Channel, 15th March 2015.

[6] Credit: Philiana Ng, ‘Disney Channel’s ‘Good Luck Charlie’ Holiday Movie Strikes Ratings Gold’, HollywoodReporter.com, 3rd December 2011.

[7] Credit: Robyn Ross, ‘Exclusive: Good Luck Charlie Fans Decide Season 3’s [SPOILER!]’, TVGuide.com, 2nd December 2011.

[8] Credit: Nellie Andreeva, ‘Disney Channel’s ‘Good Luck Charlie’ To End Its Run’, Deadline.com, 11th June 2013.

[9] Credit: Hanna Wickes, ‘OMG: Everything We Know About a ‘Good Luck Charlie’ Reboot: Cast Quotes, Plot, More’, J-14.com, 29th October 2024.

Christmas…Again?! (2021)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

I’m a big fan of Christmas films.

I make sure to watch all my favourite ones every year. But I also like to give the television Christmas movies a go, things from Lifetime and Hallmark for example, though, as anyone who has watched these types of movies will know, they are generally quite hit-or-miss and vary widely from unwatchable to amazing. 

However, although some of my favourite Christmas films are Disney, such as The Santa Clause trilogy, I have not seen any Disney Channel Original Movies which are Christmas-themed. Luckily, there really aren’t many, so I haven’t missed out on much.

Two of them were released in the early 2000s – The Ultimate Christmas Present (2000) and ‘Twas the Night (2001) – a little bit early for me to have been watching the channel. Ten years after that – yes, a whole decade – Disney Channel premiered their next Christmas-based DCOM, Good Luck Charlie, It’s Christmas! (2011). Though I liked the series, I wasn’t an avid watcher of it, so, once again, I missed the boat on that one.

It wasn’t for another ten years that the next Christmas DCOM would come into existence, this being Christmas…Again?!, a movie about a girl who gets stuck reliving Christmas over and over again until she learns the true meaning of the holiday. You’d think such a leader in children and tween programming would want to prioritise Christmas as a theme in its original movies like other channels, but, for whatever reason, they have not.

Christmas…Again?! was yet another average Christmas movie for me, however, unlike the Hallmark-style of Christmas movies, Christmas…Again?! was not aimed at someone my age. It is best suited for those under 16, and I’m sure those kids really liked it. It has its moments of comedy; it represents modern-day families; and lots of children probably wish it could be Christmas every day. It is relatable for them.

Going into seeing this movie for the first time, I really thought I wouldn’t like it at all. That did not turn out to be the case. In fact, the first twenty minutes were alright, with the original Christmas scene, and the last twenty minutes, where the main character breaks her time loop, were fine too. The problem with time loops in movies is that they can get old and boring really quickly. Christmas…Again?! fell into that category in my opinion. I don’t think the movie needed to be 90 minutes long, and some of the middle section could’ve easily been reduced. If that had happened, I might have liked this film more than I did.

PLOT

The movie begins late at night on Christmas Eve. Rowena, also known as Ro, is talking to her mother about her Top 5 Christmas memories and talking about how she wants to relive all of them this year. There is just one problem with that; this will be Ro’s first Christmas with her father’s new girlfriend, Diane, and her son, Louie, so it’s going to be different this year.

On Christmas Day, Ro is scared awake by Louie who is standing by her bed, dressed up as a ghost. This causes Ro to stumble backwards, knocking over a glass of juice onto a laptop. She then goes downstairs and tries to talk to her father about all the cool things she wants to do this Christmas, but he is too distracted by Louie to listen. Ro follows him into the kitchen and finds that Diane has eaten the special Christmas chocolate that was meant for her – gasp! Ro’s grandparents and uncles soon arrive at the house for a big family Christmas but as the day goes on, Ro finds herself and her Christmas traditions being ignored, plus things start to go wrong, like her uncles’ dog peeing on Ro’s belongings; an antique bowl being broken; the dog knocking all the food off the table; and then just when Ro thinks she can get some peace to watch the annual Christmas ice hockey match she likes, Louie starts messing with the remote control and turns the TV off. Ro chases Louie to get the remote back, but accidentally gets caught up in the decorations and they all fall to the ground with a crash. Ro is blamed by the whole family for ruining Christmas – oh yeah, and destroying her sister, Gabby’s laptop with that morning juice spill…

Ro is furious at this as she feels like her family has ruined Christmas for her, so she storms outside and starts throwing snowballs at a statue of Santa as payback for her terrible Christmas. Surprisingly, a man in a Santa suit appears from behind the statue and asks Ro why she isn’t having a great day. She tells him what’s been going on and he then asks Ro if she’d like a Christmas do-over. She says she would and wishes for one.

The next day, Ro wakes up and is surprised to find the same things happening to her, like getting scared by Louie, spilling the juice, and having all the family over again. Ro plays along for a bit but soon gets fed up with this and accuses everyone of playing a prank on her to get back at her for “ruining Christmas”. The family have no idea what she’s talking about. The next day, Ro realises that, although it is still apparently Christmas, the exact same things have not happened that day, for example, the juice didn’t spill on her sister’s laptop this time. Ro figures out she is reliving Christmas and she can change it to do exactly what she wants; she thinks she’ll enjoy this time loop she’s stuck in.

The next day, Ro decides to do things differently and orders herself a limo. When the car comes to pick her up, the man dressed as Santa from the other night – who Ro calls Tall Santa – is her driver. He asks her why she is alone and Ro simply states she wants to have a normal Christmas even if that means doing it all without her family. She goes sledging one day; goes to the pier for a Christmas event; goes to the museum; and goes to the Santas vs. Elves hockey game, eventually competing in it herself, to start ticking off her Top 5 Christmas memories list, redoing everything as she’d always planned. Ro also starts to get her own back on her family, getting up early to scare Louie instead of the other way round, and threatening Diane for the Christmas chocolate. She also decides to have some fun by pretending she’s psychic, since she knows what’s going to happen in the day, having witnessed it numerous times. Ro sets up more fun for herself by asking everyone questions and uses this information the following day to “prove” her psychic abilities.

One day, she takes the limo back to the hockey game again, but notices her neighbours acting out their same movements from the days before, like two kids having their charity money stolen by a local bully; a family putting up posters about their lost cat; and a woman dropping her groceries. Ro is then at the food stall at the hockey game and sees Tall Santa at the counter. Ro tells Tall Santa she knows what’s going to happen to all these people around her today, to which Tall Santa asks if she ever warns them if it’s something bad that happens. Ro says she doesn’t and that this do-over is just about getting her Christmas list done. Tall Santa reiterates that she should be spending time with family, even if it has changed. However, Ro doesn’t want things to change – but Tall Santa did give her an idea; her Christmas doesn’t need to change if she can get her parents back together!

This task then becomes Ro’s focus, spending days on this. She has to make sure Diane and Louie are out of the way first, so she covers Diane’s clothing with the cat hair from the neighbourhood’s lost cat – which she found but didn’t return to its owners – as she’s terribly allergic, and sits Louie in the bathtub with a laptop, saying he can watch whatever he wants. Ro then starts to get her mum and dad to relive their favourite Christmas Day, as they both told Ro on a previous day all about it. Gradually, Ro starts to piece together the perfect moment for her parents to reunite. One night, Ro and her sister dance with her parents in the living room, before leaving as their wedding song plays. Ro then dangles mistletoe above them. This doesn’t result in a real kiss and the parents start to suspect Ro is trying to get them back together. They both sit her down and tell her that they aren’t getting back together, as Ro’s father has asked Diane to marry him and she’s said yes. This devastates Ro and now her Christmas is tainted with bad memories forever…

As the time loop continues, Ro just wants everything to go back to normal and for this wish of hers to stop. She tries to destroy her penguin alarm clock which plays “Jingle Bells” to her every morning but it doesn’t work, and simply reappears each morning. Ro starts acting up during the day, saying she now relates to Scrooge in Dickens’ A Christmas Carol and doesn’t see the point of Christmas anymore, worrying her family. Ro also tries writing to Santa to get him to stop the time loop and even yells at the Santa statue outside, but nothing works and she continues to live out Christmas Day.

Eventually, Ro has a heart-to-heart with Gabby who tells her she misses the old times too, but that her parents weren’t happy together so it’s better this way really. Ro was younger when the divorce happened so she doesn’t necessarily remember any of that. Ro realises she should be spending Christmas with family and needs to stop living in the past.

Over the next few Christmas Days, Ro sets her sights on helping others. For her family, she is kind to everyone, including Louie and Diane; saves the antique bowl from breaking; and brings a mariachi band to the house for them all to enjoy. The family even sit and sing “Silent Night” together. Within the neighbourhood, Ro helps two kids with their charity money as they exchange jokes for donations and even convinces the local bully to contribute to the money instead of stealing it. She also returns the lost cat to its owners; helps the woman with her groceries; and even saves an engagement from going wrong.

That Christmas evening, as Ro and her family spend time together, the neighbours and local people that Ro helped all come to the house with food to thank Ro for her help that day. This turns into a big party and Ro gives a speech telling everyone that this was her best Christmas ever and that Christmas really is about spending time with the people you love.

The very next day, Ro expects it to be Christmas Day again, especially as her clock radio is still playing “Jingle Bells”, but it turns out it is the 26th December. Ro is very happy that the time loop is over but is surprisingly sad to see her father, Diane, and Louie packing up their things to head back home. She says goodbye to them. Shortly after, a limo arrives, with Tall Santa still driving it. He asks Ro about her Christmas list, which she completed but found didn’t make her as happy as helping others and being with her family. As he is about to leave, Ro notices Tall Santa has his own list in the limo. This is the “Second Chance List”, not the Naughty List though, making her wonder if he was the real Santa after all. As Tall Santa drives away, Ro’s name vanishes from the list.

CHARACTERS & CAST

Rowena is only twelve years old so it’s quite understandable that she would want to spend her Christmas doing things she wants to do, like going to Winter Fest and seeing the Christmas hockey match. Although I’m not sure we’re meant to sympathise with Rowena too much, it must be difficult to have to spend Christmas with a new stepbrother and stepmother, with all Ro’s usual traditions going out the window because you have to incorporate other people into the day. I admire Rowena’s dedication to Christmas with all her lists and planning, and I’m glad she got to go out and do everything she wanted during the time loop, even if that wasn’t the way to break it! It was quite obvious that the way Ro was going to stop the time loop was by being more selfless but it was still a nice message.

Rowena was played by Scarlett Estevez who had previously been cast as Megan in the movie Daddy’s Home (2015) and its 2017 sequel. She also appeared in the series Lucifer (2016-21) in the role of Trixie, before being cast as Gwen in Season 4 of the Disney Channel series Bunk’d (2015-24). Estevez went on to star as Ultra Violet in the Disney series Ultra Violet & Black Scorpion (2022). For her role as Rowena in Christmas…Again?!, Estevez was also nominated in the Best Young Actor category at the 2022 Imagen Awards.

Rowena’s parents are loving and supportive of Ro, and, despite the divorce and the added awkwardness of a new partner and son coming along, they are determined to have a nice family Christmas altogether. It’s quite common to think that divorced couples can’t even bear to be in the same room as each other, but that certainly isn’t the case here. Rowena’s mother, Caroline, is welcoming to Diane and Louie and there is no sign of animosity between them. However, Ro struggles with the fact she is no longer the centre of attention with her parents, as they are surrounded by other family members to consider, and Louie is now the youngest child in the house. Caroline and Mike, Ro’s father, try to keep Ro involved in the usual activities, but Ro is seemingly uninterested to begin with. Regardless of how Ro behaves over those various Christmas Days, her parents are honest and open with her, and clearly love her, even though they aren’t still together.

Alexis Carra was cast as Caroline, having previously appeared as Cynthia Molina in the teen drama Recovery Road (2016), and as Jessica in the sitcom Mixology (2014). Mike was played by Daniel Sunjata who some may recognise as James Holt in The Devil Wears Prada (2006), and as Brad in Ghosts of Girlfriends Past (2009). Sunjata also starred as Franco Rivera in the series Rescue Me (2004-11). Recently, he was cast as Detective Karadec in the crime drama High Potential (2024-present), alongside Kaitlin Olson.

Rowena’s grandparents are Abuela Sofia and Abuelo Hector. Their arrival causes a bit of chaos in the household on Christmas Day as Sofia struggles with an upset stomach after eating at a greasy spoon earlier that day, and Sofia asks Ro if she liked the sweater they got her for Christmas, assuming that presents had already been opened – they hadn’t. Sofia and Hector are doting, loving grandparents, as you’d expect them to be.

Abuela Sofia was played by Priscilla Lopez, who originated the role of Diana Morales in A Chorus Line in Broadway in 1975. She was also cast as Camila Rosario in the musical In the Heights on Broadway in 2008. Lopez also played the roles of Fastrada and later Berthe in performances of the musical Pippin. Lopez was cast as Veronica, the mother of Jennifer Lopez’s character, in Maid in Manhattan (2002) too. Abuelo Hector was played by Tony Amendola, who appeared in the recurring role of Geppetto/Marco in Once Upon a Time (2011-18). He was also cast as the character Bra’tac in Stargate SG-1 (1997-2007). Recently, Amendola appeared as King Levitica in the movie Rebel Moon (2023).

Then there is Diane, Rowena’s stepmother. She is trying her best to get Ro to like her, but to no avail, which is a shame because apart from eating Ro’s sacred chocolate, she seems like a kind person. Diane just wants Ro to like her and get on with her, so at the start of Christmas…Again?!, it is quite sad to see Ro being mean or dismissive towards her. Their relationship is much better by the end of the movie though, as Ro realises Diane shouldn’t be blamed for making their Christmas different this year, and that as long as Diane makes her dad happy, Ro should make an effort to get on with her. Diane also brings her son, Louie, to the family who starts off as a seemingly bratty little stepbrother to Rowena, scaring her when she wakes up and taking the remote control away from her when she wants to watch her hockey match. I think these were just cries for attention from Ro though, because when she starts to actually spend some time with him, they get on perfectly well.

Beth Lacke was cast as Diane, after appearing in other Disney projects previously. One of these was Teen Beach 2 (2015) where Lacke played Brady’s mom, and she was also cast in the recurring role of Lynne Bowen in High School Musical: The Musical: The Series (2019-23). 7-year-old James McCracken was cast as Louie in his first big screen role.

Rounding out the family are Gabby, Rowena’s sister, and her uncles Gerry and Bruce. Gabby is the older sister, so naturally, she doesn’t always get along with Rowena, and that is made even worse when Ro spills juice on her laptop at the start of the film. The biggest moment between the two of them in Christmas…Again?! comes when Gabby tells Rowena about how Christmas might not be the same but that change isn’t always a bad thing. She wants Ro to know she feels the same about things being different, yet she knows that their parents not being together is the best thing for the family. Gabby doesn’t get a lot screen time, but she makes a lot of sense. Ashlyn Jade Lopez was cast as Gabby here.

For the uncles, Gerry and Bruce also don’t get much screen time, though each has a moment with Ro when she’s trying to make amends with her family after having some difficult Christmases with them during the time loop, which they obviously don’t remember Uncle Gerry is interested in stand-up comedy and on that first Christmas Day, he attempts to deliver some of his routine to the family, however Rowena interrupts him and critiques him making Gerry even more nervous about it. Rowena gives him some encouragement as he’s about to do this routine again later in the time loop. Uncle Bruce teaches Rowena martial arts during one of the Christmas Days, so she can use it on the neighbourhood bully for stealing charity money. Uncle Gerry is played by Gabriel Ruiz, and Bruce by Sean Parris.

Finally, we have Tall Santa. Tall Santa is the one who makes all this happen and is Rowena’s guide, trying to show her the real meaning of Christmas with his occasional appearances during her Christmas activities or with crypt messages. It takes quite a lot of time – we see Ro go through so many Christmas Days in Christmas…Again?! – but eventually the message about family and helping others sticks and Ro is able to stop the time loop. We also learn that Tall Santa was the real Santa, who had wanted to give Ro a second chance at Christmas, to realise what it’s really about.

Tall Santa was played by Gary Anthony Williams. I was so happy when I saw him in this movie as I am a big fan of Whose Line Is It Anyway? (1998-present) and Gary Anthony Williams is a regular cast member in that show – and one of my favourites. For Disney, he voiced Mufasa in The Lion Guard (2015-19) prior to this movie and went on to voice the character of “Pops” in the animated series Moon Girl and Devil Dinosaur (2023-present). He is also set to voice a character in the Eyes of Wakanda Disney+ series, which is scheduled to be released sometime in 2025.

MUSIC

I was quite surprised to find that a soundtrack for Christmas…Again?! was released on the same day as the movie, consisting of five songs. Only one is these is an original song for the movie, with the other four being covers of traditional Christmas songs and carols.

The original song here is called “Christmas Again”. It was written by Sam Hollander, Josh Edmundson, and Charity Daw, and is performed by Scarlett Estevez. It is played as Rowena goes on her various jaunts around Chicago, ticking off her Christmas Wishlist, going to the museum, the aquarium, and the Santas vs. Elves hockey game, just to name a few. It’s quite an upbeat, catchy song for Christmas.

Then there is the radio track that is played every morning, “Jingle Bells” by Frankie Rodríguez. I already don’t like this song much, as I hear it too much over the festive season, but this version is at least a jazzier version of it, so I don’t mind it, though I’m sure if I had to listen to it every morning as I relived Christmas Day however many times it would get old really fast! This song is also played during the End Credits.

There is also the instrumental version of “Joy to the World” performed by Mariachi Son de Fuego. This scene takes place after Gabby has a heart-to-heart with Rowena about their new family. Rowena decides she should be making new Christmas memories with her family instead of living in the past, so she seemingly hires a mariachi band to come and play outside their house for all the family to enjoy. I do like mariachi bands so I like this number.

The final songs on the soundtrack are two family singalongs performed by the cast. The first is “Noche de Paz”, a Spanish version of “Silent Night” because this movie is based around a Latino family. This is played shortly after Rowena’s turnaround, as the family spend a happy Christmas Day evening together. Later on, there is a performance of “Silver Bells”, which isn’t a Christmas song I like, and is heard in this movie on the final Christmas Day, when all the neighbours and Rowena’s family are celebrating the day together. It’s nice to hear these two songs in the movie as singing feels like a typical Christmas activity for this family, so it felt natural.

Alongside the official soundtrack, there are four other songs that appear during Christmas…Again?! The first of these appears during the Opening Credits, as family photos pass across the screen. This song is “Little Bit of Christmas” by Juliet Roberts. Like “Christmas Again”, it is quite an upbeat, positive song. I did quite like it.

Some time later, the song “It’s Christmas“ by Clooney can be heard as Ro goes to Navy Pier and attends some sort of Christmas event there. This is more of a pop-rock song, perhaps showing Ro’s rebellion against the Christmas her family are trying to impose on her at home; instead, she’s out doing what she wants to do.

When Ro decides to get her parents back together this Christmas, two different songs play. The first is the dance tune “Epa Boom Boom” by Zalento. This is heard as Ro and Gabby dance with their parents in the living room. The girls then make a quick disappearance so that the song “Never Been In Love” by Lewis La Medica can be played instead, giving the parents a slow song to dance to. Although I liked the dance tune, I could barely hear “Never Been In Love” through all of Ro’s matchmaking shenanigans! Listening back to it now, it is good. It sounds similar to a Michael Bublé song in my opinion, like a swing-era sort of number.

The final song to mention is “My Christmas Wish” by Devin Jay Hoffman, Rhett Fisher, and Skip Armstrong, which is played during the montage of Ro attempting to destroy her penguin radio in a bid to end this Christmas time loop once and for all. Much like Ro’s attempts to get her parents back together, this does not work either. The cheeriness of this song is in complete contrast to Ro’s frustration at this point in the movie.

Outside of musical numbers, there is the score to mention. The score in Christmas…Again?! is actually quite noticeable, which I can’t always say with Disney Channel Original Movies, and that is because there are quite long stretches in this movie where there aren’t any songs. So, the score has to represent the confusion, frustration, happiness, etc., that Ro is feeling throughout all of these Christmas Days she has to experience. The score in particular does the heavy lifting during the first Christmas Day, to get across Rowena’s feelings of annoyance and sadness at the change to her normal Christmas, as well as the scene of Tall Santa granting her do-over wish. The score was composed by Nathan Wang. Wang had previously composed the music for other DCOMs including Hatching Pete (2009); Minutemen (2008); and Wendy Wu: Homecoming Warrior (2006), amongst many other non-Disney projects.

PRODUCTION

It was confirmed that production on Christmas…Again?! had begun in November 2020. At the same time, the cast members were announced, as was the director, Andy Fickman, the screenwriter Doan La, and the executive producer Betsy Sullenger. The basic premise of the story, about the Christmas time loop and Ro’s wish to have a Christmas like she’d always had before her father got a new girlfriend, was also revealed[1].

It is known that Christmas…Again?! took inspiration from a couple of places. One of these was from the 1892 short story Christmas Every Day, written by William Dean Howells, where a child wishes for it to be Christmas every day, and relives the day through a time loop which only ends when the true meaning of Christmas is learnt. This story had already been used in a prior Disney project, this being the segment Donald Duck: Stuck on Christmas, which features within Mickey’s Once Upon a Christmas (1999). For this segment, Donald Duck’s nephews, Huey, Dewey, and Louie are the centre of the story.

Others see Christmas…Again?! as mostly being inspired by the movie Groundhog Day (1993), potentially one of the most memorable movies to feature a recurring time loop. In this case, Bill Murray’s character, Phil, only manages to stop this time loop by learning the importance of love and in doing so, becomes a better version of himself. Some moments of Christmas…Again?! do imitate those with Groundhog Day. For example, Rowena’s clock radio plays “Jingle Bells” to her every morning to wake her up, in the same way that the radio plays Sonny & Cher’s “I Got You Babe” every day to Phil, letting him know it’s Groundhog Day yet again. Both radios also play the same song even after the time loop is broken, just to give a moment of doubt to the characters and viewers that this might still be the same day. Also, when Rowena is getting fed up of reliving the same Christmas Day over and over, she tries to destroy her penguin radio to get it to stop. It simply reappears the next morning. For Phil in Groundhog Day, he gets so bored that he starts to do very reckless things, like driving off a cliff and committing robbery because he knows he’ll just wake up the next day.

Andy Fickman was chosen to direct Christmas…Again?! He had directed the movies She’s the Man (2006) and Parental Guidance (2012) before Christmas…Again?! and was no stranger to Disney Channel, as he had also directed numerous episodes of the series Liv and Maddie (2013-17). Fickman said that he had always liked Groundhog Day and the concept of that film so was happy to make a Christmas-themed movie that took inspiration from that same type of story. He also responded to the central blended family within the story and their challenges in navigating that with new partners and their children. Fickman said he enjoyed working with Scarlett Estevez as she was so enthusiastic. Most of the cast mostly just acted out the same motions during each time loop, but Estevez had a more difficult challenge, by having to base her performance around how her character was feeling in each and every time loop, of which there were apparently around 50[2]. I wouldn’t know because, funnily enough, I didn’t count them!

Christmas…Again?! was filmed from November to December 2020, during the COVID-19 pandemic, so that added another layer of difficulty to the production. Cast and crew were required to wear masks when not filming and production would have to shut down for days at a time if anyone tested positive for the virus.

The movie was filmed in and around Chicago in Illinois. Illinois and Chicago are popular places for Christmas movies to be set, however, not too many of these are actually filmed there too. Two that I found that were both set and filmed in Chicago are Home Alone (1990) and While You Were Sleeping (1995), although this second one may not be considered a Christmas movies by some. Regardless, Christmas…Again?! takes full advantage of Illinois for its filming locations, as well as its wintry weather. Some areas that are seen within the movie include Navy Pier, the Museum of Science and Industry, and Millennium Park, all in Chicago. The Shedd Aquarium and the 360 Chicago Observation Deck in the John Hancock Center are also shown.  The cast supposedly loved filming in Chicago as the LA locals got to experience some snowy, cold weather at Christmastime[3].

RECEPTION

A sneak peek of Christmas…Again?! was first shown around July 2021, showing the scene of Rowena asking Tall Santa for a Christmas do-over. It was confirmed at this time that the movie would be released in December that year[4].

Christmas…Again?! premiered on Disney+ and Disney Channel on the same day, 3rd December 2021. It reportedly drew in 0.5 million viewers from its Disney Channel premiere, but exact figures are difficult to find. This might sound low, however, with the release of Disney+, it is likely that many families have turned away from watching live television and now fully focus on the streaming service instead. Viewing figures for the Disney+ release of Christmas…Again?! were not announced so it is unclear how popular it was at the time.

In terms of reviews, these were easier to come by. With all the Christmas movies that are shown on television or on streaming services every year, both old and new, Christmas…Again?! had a lot of competition. Viewers who enjoyed the movie said it was charming if somewhat predictable. Given that the movie was based on a typical plot point of a time loop, as well as being inspired by a hugely recognisable 90s film, the story was quite easy to guess. Others also said they thought Estevez did well in the lead role, especially as the whole movie revolved around the character of Rowena so she really had to hold it all together. The general consensus was that Christmas…Again?! was not a bad Christmas movie, but that it was not the best one either.

On the downside, some felt the movie could’ve benefitted from giving the other characters more screen time, to give more balance to the plot, as it was just focused on Rowena. Others said it was boring and not that funny, and did not appreciate that it was a “rip-off” of Groundhog Day. I don’t have a problem with movies using similar ideas as other films, so the Groundhog Day similarities didn’t bother me, however, I would agree that Christmas…Again?! was a bit boring in places. I felt that some of the time loop montages were too long and could’ve definitely been edited. I also did not find the movie particularly funny, but I am aware that I am not the target audience.

Although I personally don’t plan on watching Christmas…Again?! again, I think for families, this would be an enjoyable film to sit down and watch together over the holiday season as it wasn’t a terrible film, just a bit average.

LEGACY

Christmas…Again?! was Disney Channel’s first Christmas-themed movie in a whole decade. Since there have only been a handful of Christmas-themed DCOMs, this means that Christmas…Again?! is featured in the Disney+ Christmas Collection every year.

It also appears within the typical movie ranking articles that come out at this time of year. For example, in 2023, Christmas…Again?! ranked at No. 24 on Cosmopolitan’s “Top 40 Christmas Movies on Disney+” list[5]. It ranked at No. 37 on Good Housekeeping’s list[6]. For the record, I don’t agree with most of the rankings within either of these lists. Personally, I think they need some serious rearranging.

After Christmas…Again?!, Disney Channel did release another Christmas-themed movie, The Naughty Nine (2023), which premiered on Disney+ a day later. Perhaps this is showing that Disney Channel are trying to get more involved in the Christmas movie space now, especially with the added bonus of the streaming service’s availability. Many television channels and streaming platforms release new content for the holiday season, with Netflix potentially being Disney’s biggest competitor. Netflix markets their content very well – although their 2024 Christmas movie selection was quite disappointing – so if Disney+ want to entice new viewers, they need to up their Christmas game!

FINAL THOUGHTS

The message of Christmas…Again?! is that Christmas is all about family and helping others, something that children can forget if they get consumed by thoughts of presents – or in Rowena’s case, checklists.

This is a lovely idea and very true to most people. Spending time with family at Christmas can be magical, and being thoughtful of others does make you feel warm inside. However, this movie presents the image of a perfect Christmas that many cannot replicate.

Although Christmas is an amazing time for some, it is not for others. As adults, most of us lose that child-like wonder for the holiday season, instead being consumed with worries and pressures of the day. Is there enough food for everyone? Are there going to be arguments? Can I put up this joyous exterior for a full 24 hours even though I don’t feel the same inside? Or simply, how will I get through the day?

Whatever the reason, Christmas or the general holiday season is not always easy and we shouldn’t be telling people how to celebrate it because there is no “one size fits all” way of doing this. I struggle with Christmas at times. I enjoy the build-up to it, with the movies, music, and TV specials but when the day arrives, I feel consumed by all this pressure to have the best Christmas ever.

What we should be telling people is you should spend Christmas however you want. Spend it with family or don’t, if you find that difficult. Treat it like a normal day or fill it with fun and frivolity. You can even just do your best to ignore it if it’s a really hard time for you.

Whatever the plan, make Christmas how you want it to be. Christmas…Again?! makes Rowena seem selfish for wanting to have her own plans for Christmas, but in actual fact, it’s not always selfish. Sometimes it’s healthy and necessary to take time for yourself, even during Christmas. 


REFERENCES

[1] Credit: Alexandra Del Rosario, ‘Disney Channel’s ‘Christmas Again’ Kicks Off Production, Reveals Cast For Holiday Time-Loop Flick’, Deadline.com, 10th November 2020.

[2] Credit: James Mercadante, ‘‘Christmas Again’ Director on How Scarlett Estevez Helped Shape the Movie’s Time Loops’, TVInsider.com, 1st December 2021.

[3] Credit: Jason Beeferman, ‘Every day is the holiday in Chicago in new Disney movie ‘Christmas Again’, ChicagoSunTimes.com, 29th November 2021.

[4] Credit: Disney, ‘Christmas Again?!’ I Sneak Peek I Disney Channel Original Movie I Disney Channel YouTube Channel, 11th July 2021.

[5] Credit: Leah Marilla Thomas, ‘The 40 Best Christmas Movies on Disney+’, Cosmopolitan.com, 20th November 2023.

[6] Credit: Marisca Lascala and Lilli Iannella, ’41 Best Christmas Movies on Disney+ Filled With Holiday Magic’, Good Housekeeping.com, 16th November 2023.

Phineas and Ferb the Movie: Candace Against the Universe (2020)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. PRODUCTION
  5. MUSIC
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

When Phineas and Ferb ended in 2015, after eight years of airing on the Disney Channel across four seasons and one movie, the creators and the fans felt satisfied that this chapter was over, and they could all move on.

Just kidding! This is Disney; if something works, you work it hard, so naturally, the final episode of Phineas and Ferb, “Last Day of Summer”, which premiered on Disney Channel on 12th June 2015, was never really the end, although fans had to wait a few years before anything else happened with these beloved characters.

They would have to wait five years in fact for a second movie to be released. This second movie was called Phineas and Ferb the Movie: Candace Against the Universe, and would not premiere on Disney Channel. Instead, it debuted on Disney+, Disney’s streaming app, which launched in the US on 12th November 2019.

In that time, the world had changed quite a lot, not only from the point that Phineas and Ferb finished, but also from the time that Candace Against the Universe was in development. This movie debuted in August 2020, so we all know what that means: it debuted over the pandemic, as so many other movies did. Luckily, with Disney+ slowly being released to other countries outside of the US, and with Disney Channel not being quite as popular as it used to be, this meant Candace Against the Universe was going to be able to reach its target audience perfectly, and extend its reach to other Disney+ users who perhaps were not familiar with Phineas and Ferb already, or who might not have been huge fans of it.

To be honest, though, I hadn’t heard of this film until last year when I was compiling a list of Disney Channel Original Movies to review. It had completely missed me, but I wasn’t a big fan of Phineas and Ferb, as I talked about in my review of their first movie, Phineas and Ferb the Movie: Across the 2nd Dimension (2011), so that might not be a surprise. My sister was the Phineas and Ferb fan, and since I didn’t live with her anymore, I didn’t find out about it from her, and didn’t watch it with her either.

I watched Phineas and Ferb the Movie: Candace Against the Universe for the first time this week. I’m sorry to all Phineas and Ferb die-hard fans, but I didn’t like it all that much. It’s not that the movie was bad; it’s not that it wasn’t funny; it just seemed to be missing something that Across the 2nd Dimension did have. Maybe I was disconnected from the series, since I hadn’t watched it in so long, and didn’t have the privilege of watching it with someone who truly loved the series, as I had with Across the 2nd Dimension.

I don’t know, but the music wasn’t as good as I would’ve expected, and despite being a big fan of Candace, it seemed like making a whole movie about her meant sacrificing a lot of Phineas and Ferb’s screen time, so the usual format was slightly off-balance. But like I said, I didn’t say it was bad, and I still found myself chuckling at certain jokes that are just so Phineas and Ferb.

PLOT

The movie starts with Candace riding her bike home, trying not to think about what crazy things Phineas and Ferb might be doing. Sadly, this resolve doesn’t last long when Candace sees a giant robot clown in her back garden. She calls her mother to quickly come and see it – but at the same time, their pet platypus, Perry, also a secret agent, is battling his nemesis Dr. Doofenshmirtz, and stopping his latest invention, the Power-Vacuum-inator, which turns objects into lint and then vacuums it up. As per usual, Candace’s attempt has failed as the Power-Vacuum-inator is accidentally directed at the giant robot clown. It is turned to lint and vacuumed up, like it never even existed. Candace is distraught; she was so close.

Phineas and Ferb, seeing that their sister is upset, decide they should make her a gift, as it turns out she hasn’t been having as great a summer as they have been. Candace later vents her frustrations to Vanessa, Dr. Doofenshmirtz’s daughter, saying how the universe is against her and won’t let her bust her brothers. Vanessa tells Candace that maybe she isn’t actually upset by her brothers’ inventions and instead feels jealous of their success. At this point, Candace sees a new object in their front garden. Assuming it must be a Phineas and Ferb creation, she angrily hits it, but her and Vanessa are sucked in. Phineas and Ferb see this object take off into space and notice Candace is stuck inside it; they have to rescue her. Perry also gets notified by his boss, Major Monogram, that Candace has been abducted by aliens and he must save her – without blowing his cover that he’s an agent to the boys, or that he’s a pet to Dr. Doofenshmirtz. That could be tricky…

Using a photograph taken of this supposed space shuttle by Ferb, they read its license plate and discover it is from the planet Feebla-Oot in the Vroblok Cluster. They know they have to create a portal to this planet, so with help from Baljeet, Isabella, and Buford, their friends, they successfully do this. All of them proceed through the portal but they don’t end up in Feebla-Oot, but at Dr. Doofenshmirtz’s headquarters – they haven’t even left Danville! Dr. Doofenshmirtz tells the kids that he is also trying to get to that planet, to save his daughter, Vanessa, who the kids also know. He had built his own portal to the same planet, but neither portal can get there because Feebla-Oot is surrounded by ion barrier so they can’t teleport there. They need a space shuttle.

Luckily, Dr. Doofenshmirtz happens to have a space shuttle, except it is called a Galactic-Travel-inator,– but it is basically the same thing. The group board the spaceship – sorry, Galactic-Travel-inator – with random items they might need, like a canoe and a Chicken-Replace-inator. Perry sneaks in too, just before take-off. The take-off sets Dr. Doofenshmirtz’s headquarters on fire, but Candace and Vanessa are more important.

In space, Candace and Vanessa’s shuttle has connected to the mother ship, where they see a map of the area, via the ship’s voice assistant which handily speaks English. The two find that a ladder should lead them down to the escape pods. As they make their descent, the girls are thrown off the ladder by some intense turbulence, falling down into a room full of escape pods, but they’ve been spotted. Candace tells Vanessa to get into a pod and she’ll be right behind her, but the escape pods all launch at once before Candace has the chance to get in. She is captured by the aliens.

The gang on the Galactic-Travel-inator hit an asteroid field on the way to Feebla-Oot and believe they won’t make it out alive. However, Perry goes out in a spacesuit and knocks all the asteroids out of the way, allowing them to get through unharmed. The ship later approaches an ion barrier, but with no shield, again, they think all looks lost. Baljeet is then inspired by an episode of his favourite space travel show, Space Adventure, where they once got through an ion barrier by spinning their ship. Although they get through the ion barrier, the ship spins out of control and crash-lands on Feebla-Oot. At least they got there! Meanwhile, Vanessa’s escape pod has also crash-landed on the planet, being pre-programmed to navigate to its planet. She sees the mothership land by a fortress and Candace being escorted inside by aliens. The gang, on another part of the planet to Vanessa, also notice the alien fortress and head straight for it.

Inside the fortress, Candace is introduced to the alien leader, Super Super Big Doctor. Despite Candace’s name being the same sound that these aliens make when they explode from the waist up – random, right? – Super Super Big Doctor welcomes Candace to her planet, saying she is The Chosen One, as she radiates something called Remarkalonium. Candace is treated like a queen and bonds with Super Super Big Doctor over their annoying brothers and their desire to be special.

Dr. Doofenshmirtz and the kids head towards the fortress, but Doofenshmirtz doesn’t want Isabella in charge as he’s older. They argue who should be the one in charge and Dr. Doofenshmirtz wins even though he doesn’t have a clue where he’s going. But at one point, he does save them from a flying dragon by using, of all things, the Chicken-Replace-inator, which swaps the dragon with the nearest chicken. The nearest chicken was at a farmer’s new theme park, called Dragon Land, which had no dragons. Well, it does now!

Candace and Super Super Big Doctor go on the planet’s daytime talk show. Their appearance is rudely interrupted by Phineas, Ferb, and the gang who have found their way to the fortress, finally. Candace doesn’t want them here as she’s finally found a place where she belongs. Super Super Big Doctor offers to take care of them for her, and she does – by taking them to a nice suite, before dropping them through a trapdoor into the back of a van, headed towards their prison! Inside the van are lots of other aliens, who look really scared.

Perry didn’t fall for this trick and takes control of the van, despite being told by Major Monogram not to harm the creatures of this planet or damage its environment – oops… But the prisoners are free and Phineas, Ferb, and the others are taken to the aliens’ sanctuary, Cowardalia. They learn that Super Super Big Doctor came to Feebla-Oot and enslaved all of them using a special plant that emitted mind-controlling spores. The plant has been dying and has stopped releasing spores, meaning that the aliens are slowly becoming free of her and fleeing. Candace is the one who will help the plant regain its strength.

Back at the fortress, Candace is coming to the realisation that she is being used for something, and comes to a room where this plant is being held. Super Super Big Doctor explains that her evil plant needs Remarkalonian to survive and reveals that this element is called carbon dioxide on Earth. Candace reveals that all humans release carbon dioxide, giving Super Super Big Doctor a new plan. She needs to conquer Earth! Candace is strapped to a treadmill and prepared to load back on the spaceship. She feels betrayed by her new “sister”, who it turns out has also imprisoned her brothers.

Meanwhile, Phineas and the others have managed to convince the aliens of Cowardalia to battle Super Super Big Doctor, despite their cowardly nature. They manage to get into the alien fortress, but see Candace being loaded onto the ship. Super Super Big Doctor and her minions follow suit. Phineas and the gang quickly board too. Dr. Doofenshmirtz decides to stay as he still hasn’t found Vanessa, with her social media profile revealing she never got back to Earth like Candace thought, but is still on this planet.

Dr. Doofenshmirtz searches for Vanessa and almost gets himself killed. Again, Perry is here to save the day, but as both of them are about to fall to their deaths, they are saved by Vanessa who is riding on the back of one of the planet’s dragons. Dr. Doofenshmirtz is pleased to be reunited with Vanessa, however, they have no idea how to get back to Earth. Doofenshmirtz wants to use his Chicken-Replace-inator again, however, the chicken that was teleported to Feebla-Oot earlier is still here so they don’t move far. Doofenshmirtz wants to kill the chicken but Vanessa says they can’t. They think some more.

The gang on the ship try to get the spaceship to stop before it reaches Earth, but they end up falling out of the ship. They use Buford’s canoe and some random debris to build a boat, which also transforms into a glider, getting them home. The spaceship lands in Danville Stadium, destroying a new statue of the Tri-State Area founder, John P. Trystate, upsetting all the on-lookers, but there’s no time for tears as Super Super Big Doctor is about to enslave them all. Phineas, Ferb, and the others try to stop her by using robots of themselves but they are destroyed easily by thermal cannons. Phineas and Ferb get Isabella, Buford, and Baljeet to distract Super Super Big Doctor and her minions, while they get Candace. They find her on the treadmill and manage to free her, but Candace runs away in tears. The brothers follow her, where Candace reveals she feels bad for spending her whole summer trying to bust them. Phineas and Ferb don’t care and finally get a chance to give their gift to her. It’s a mug with World’s Best Sister written on it. But that’s not the best part; it projects holograms of all the fun moments they’ve had all together this summer. Candace is touched but now they have to fight back against Super Super Big Doctor.

Candace sees that they were giving away free t-shirts at Danville Stadium today and grabs the t-shirt cannon. If she can fire it at the aliens, then they’ll become so excited by the freebie, that they’ll explode from the waist up. It works, however, they soon run out of free t-shirts. The plant is now at full strength and begins to emit its spores once again. Phineas and the others put on gas masks to stop themselves being controlled. They are still captured though, leaving only Candace to face Super Super Big Doctor. Candace tells her that perhaps all of desires to control people come from the fact she is jealous of her brothers and has low self-esteem. This gives the leader a breakthrough but before she can mend her ways, the plant eats Super Super Big Doctor…It then goes after the others who run.

They are soon saved by Vanessa, Perry, and Dr. Doofenshmirtz on the flying dragon. They got back to Earth by changing the setting on the Chicken-Replace-inator to be the furthest chicken instead of the nearest. Who knew it had so many settings? The plant then battles with the dragon, but it’s not enough. Candace gets the idea of shooting the plant with the Chicken-Replace-inator, using the furthest setting, and sends it back to Feebla-Oot. On Feebla-Oot, the plant shrivels and dies, spitting out Super Super Big Doctor in the process who is arrested by the cowardly aliens.

Back in Danville, the mind-controlling spores dissipate. Candace then realises her mother is nearby and she could bust her brothers now at last, since all of Danville is in chaos. Candace runs over to her mother, but just as we think she’s about to bust Phineas and Ferb, she instead tells her mother to go out and get pizza, so she doesn’t see any of it. As they celebrate, they hear Perry get a call from Major Monogram, congratulating him on his mission. Perry quickly muffles the call as Phineas, Ferb, and Candace look confused!

In a mid-credits scene, Ferb’s father stumbles upon the portal to Feebla-Oot in the garden. He walks through it and ends up in Dr. Doofenshmirtz’s headquarters which is still on fire. He runs back home and the portal self-destructs.

CHARACTERS & CAST

In Candace Against the Universe, Phineas and Ferb are not the main attraction, and spend most of their time working with their friends to save Candace. This movie feels quite different to a typical Phineas and Ferb episode where they are front-and-centre and the whole plot is about them and what they are doing. Still, they have a big role to play in Candace Against the Universe, not just by saving their sister, but also by building up her self-esteem and showing that the brothers love her.

Phineas was voiced by Vincent Martella. Martella is also known for his role as Greg Wuliger in Everybody Hates Chris (2005-09), for which he was nominated for a Teen Choice Award and two Young Artists Awards. Although Thomas Brodie-Sangster voiced Ferb in the main series and in the first movie, he was replaced on this movie, reportedly due to scheduling conflicts. Ferb is instead voiced by David Errigo Jr., who has voiced characters in series such as Ridley Jones (2021-23) and Tiny Toons Looniversity (2023-present) in recent years. Although Ferb sounded a bit different here, I didn’t notice the voice actor had changed; I’d just assumed that the fact it had been five years since the series ended meant some of the actors’ voices were a bit different. 

At the start of Candace Against the Universe, Vanessa tries to tell Candace that she might be feeling a bit inferior to her brothers and that just busting them won’t really make her happy in her life because she’s not happy in herself. Candace doesn’t really listen and later relates to Super Super Big Doctor and feels wanted on this planet. Everything is going fine until Candace realises that she is being used to strengthen a mind-controlling plant and that the element she thought was unique to her is actually just carbon dioxide, meaning any human could’ve been The Chosen One, which makes Candace feeling even worse about herself, not to mention the fact she was mean to her brothers when they tried to save her. Thankfully, Phineas and Ferb don’t mind Candace’s outbursts because she’s their sister and they love her, no matter what, and they show her that whenever they can.

Candace was voiced by Ashley Tisdale, best known for her role as Sharpay Evans in the High School Musical franchise, at least amongst Disney fans, reprising her role in the movie Sharpay’s Fabulous Adventure (2011). Also for Disney, Tisdale starred as Maddie Fitzpatrick in the series The Suite Life of Zack & Cody (2005-08). In more recent years, she was cast as Kayla in the Netflix series Merry Happy Whatever (2019), and was a panellist on The Masked Dancer (2020-21). Tisdale was nominated for an Annie Award for Outstanding Achievement in Voice Acting for her role in Candace Against the Universe.

Candace Against the Universe begins quite normally for Perry the platypus, who stops Dr. Doofenshmirtz’s latest scheme and latest invention, the Power-Vacuum-inator. He then takes the rest of the day off, but is interrupted by the alert that Candace has been abducted by aliens and he must save her. Through his clever spy skills, he manages to follow the group undetected to Feebla-Oot and saves them from numerous difficulties without being spotted by Phineas, Ferb, or Candace, keeping his cover safe – unlike in Phineas and Ferb the Movie: Across the 2nd Dimension. Perry is always there at just the right time, ready to save anyone that needs it. He really is an unsung hero in this movie.

Perry is “voiced” by Dee Bradley Baker, who has had a long career in voice acting. He has voiced characters in series such as Johnny Bravo (1997-2004); Dexter’s Laboratory (1997-2003); The Powerpuff Girls (1999-2005); SpongeBob SquarePants (1999-present); and The Fairly OddParents (2001-17), all non-Disney projects. For Disney, he has voiced the character of Turner for Handy Manny (2006-13), and Tick-Tock the Crocodile in Jake and the Never Land Pirates (2011-16), as well as various characters for animated Star Wars series. 

Although he doesn’t have quite as much screen-time in Candace Against the Universe as normal, my favourite character continues to be Dr. Heinz Doofenshmirtz. Dr. Doofenshmirtz has to forget his plans to conquer the Tri-State Area in this movie, knowing that his daughter is more important than anything else. They’ve had a bit of a difficult relationship since Dr. Doofenshmirtz and Vanessa’s mother divorced, but he cares about Vanessa a lot. His funniest moments in Candace Against the Universe are when he is talking about “adulting”, arguing with Isabella about why he should be leading them all to the alien fortress, solely because of his age and not because of skill or intellect, and when he is using the Chicken-Replace-inator. The Chicken-Replace-inator is quite a typical Dr. Doofenshmirtz invention, so when he decides to take it to Feebla-Oot, that seems like a nice little Phineas and Ferb joke to make you laugh a little. But then it becomes part of the plot and a way of transporting themselves, which is even more random and very Phineas and Ferb! Dr. Doofenshmirtz was voiced by the other creator of Phineas and Ferb, Dan Povenmire.

Outside of these main characters, there are numerous others that appear in Phineas and Ferb the Movie: Candace Against the Universe. These include Isabella, Baljeet, and Buford. Isabella takes much of the leader of their quest to the alien fortress on Feebla-Oot, citing her various Fireside Girls badges as evidence of her experience, and Baljeet uses his knowledge of Space Adventure and physics to make sure their journey to the planet is successful. Buford doesn’t do much, but he brings a canoe! Isabella was voiced by Alyson Stoner, who was cast as Caitlyn in Camp Rock (2008) and Camp Rock 2: The Final Jam (2010), after appearing as Max in The Suite Life of Zack and Cody, and as Sarah Baker in Cheaper by the Dozen (2003) and its 2005 sequel. Buford was voiced by Bobby Gaylor, who was one of the story writers on the show; and Baljeet was voiced by Maulik Pancholy. Pancholy had previously appeared as Jonathan in the comedy series 30 Rock (2006-13).

Then there is Vanessa, Dr. Doofenshmirtz’s daughter. After failing to appear in the final edit of Phineas and Ferb the Movie: Across the 2nd Dimension, only showing up in two deleted scenes, she makes quite a return in Candace Against the Universe. As well as Candace being abducted by aliens, Vanessa is taken along for the ride. Though she has a slightly easier time of it, not being held captive by the alien leader, she doesn’t avoid all the troubles. She thinks she’s headed back to Earth in an escape pod, only to find she’s just ended up at the same planet she was trying to get away from, and then she finds herself face-to-face with a big, scary dragon. Because Vanessa is calm, cool, and collected, she manages to turn this dragon into a pet of some sorts, and instead of being the “damsel in distress”, she saves both her father and Perry the platypus. She also helps the group finally defeat the mind-controlling plant, with her pet dragon, Vlorkel, as their protector.

Olivia Olson returned to voice Vanessa in this movie. Olson is known for her role as Joanna in the movie, Love Actually (2003), with this character being the love interest of Sam, played by Thomas Brodie-Sangster, the original voice of Ferb. Around the time of the Phineas and Ferb series, Olson also voiced the character of Marceline the Vampire Queen for the series Adventure Time (2010-18). As well as acting, Olson is also known for her singing talents, having released the album Nowhere Land in 2018. Shortly after, she competed in The X Factor: Celebrity in 2019.

The villain of this movie is Super Super Big Doctor, the alien leader of Feebla-Oot. She came to this planet looking to rule over it and its people, using a mind-controlling plant to do so. Super Super Big Doctor is not as kind and caring as she seems early on, when she is manipulating Candace into believing that she is special and should remain on this planet; it was all a ruse so she could continue to be a dictator. Though Candace and Super Super Big Doctor bonded over their shared experiences having two brothers, Candace would never do the things Super Super Big Doctor is capable of, liking forcing the alien group, the Cowards, to work for her and wait on her; anyone not willing to do that is sent to prison. Super Super Big Doctor almost has an epiphany about her evil ways towards the end of the movie, but she’s eaten by her plant too quickly for the message to fully absorb. I’m sure she’d learnt her lesson by the time she was spat out by her plant and captured!

Stand-up comedian, writer, and actor Ali Wong was cast as Super Super Big Doctor. She wrote and starred in the 2019 movie Always Be My Maybe, and was cast as Doris in American Housewife (2016-21) prior to Candace Against the Universe. She has also voiced characters in other animated movies, such as Betty Bird in The Angry Birds Movie (2016); Felony in Ralph Breaks the Internet (2018); and Gore in Onward (2020). Most recently, Wong starred as Amy Lau in the hit Netflix series Beef (2023), winning numerous awards for her role, including a Critics’ Choice Award, a Golden Globe award, and an Emmy award.

Then there are Gamoz and Borthos, two of the Coward aliens. Gamoz was voiced by Thomas Middleditch, who had previously starred in the series Silicon Valley (2014-19) as Richard Hendricks, and went on to star as Drew Dunbar in the sitcom B Positive (2020-22). Diedrich Bader voiced alien Borthos. He was known at the time for his role as Greg Otto in American Housewife (2016-21), but had also voiced characters in Rapunzel’s Tangled Adventure (2017-20); and Harley Quinn (2019-present).

Other voice actors credited in Phineas and Ferb the Movie: Candace Against the Universe include Wayne Brady, best known for being a regular cast member on improv show Whose Line Is It Anyway? (1998-present) as Stapler-Fist, one of Super Super Big Doctors’ minions, and Tiffany Haddish is even credited as “The Sound Someone Makes When They Explode from the Waist Up”. Haddish was apparently a fan of the show and happy to be involved in the movie; she just wanted some Phineas and Ferb t-shirts with Perry on them[1]!

A few other characters make their usual appearances in Phineas and Ferb the Movie: Candace Against the Universe, however, they do not feature much. Two are Candace’s best friend Stacy, and her boyfriend, Jeremy. They only appear in the movie at Danville Stadium and Stacy discovers that Jeremy is involved in Live Action Role Play, or LARPing, which she finds very funny. Jeremy was voiced by Mitchell Musso, known for his role as Oliver in Hannah Montana (2006-11), and as King Brady in Pair of Kings (2010-13). Stacy was voiced by Kelly Hu. Hu had previously been cast in Martial Law (1998-2000), as Detective Grace Chen, and as China White in Arrow (2012-20). She also voiced the role of Adira in Rapunzel’s Tangled Adventure (2017-2020).

Phineas, Ferb, and Candace’s parents also make brief appearances here. Phineas and Candace’s mother, Linda, is voiced by Caroline Rhea, well-known for her role as Hilda Spellman in Sabrina the Teenage Witch (1996-2003). Richard O’Brien voiced Ferb’s father, Lawrence. O’Brien is best known for writing the musical, The Rocky Horror Show, before starring in the 1975 film adaptation. For UK viewers, he is also known as the original host of the game show The Crystal Maze (1990-2020). Lawrence is only seen in the mid-credits scene, and Linda is seen at the start and end of the film.

PRODUCTION

Phineas and Ferb quickly became one of Disney Channel’s most popular series, gaining millions of viewers in the years since its first broadcast. It was created by Jeff “Swampy” Marsh and Dan Povenmire.  

After working on different animated series, Marsh and Povenmire had started working on an idea for a new series together around 1993. The idea for Phineas and Ferb was developed after noticing that kids didn’t seem to go out and do anything anymore, this becoming the whole premise of the show. Disney agreed to move forward with the series around 2006[2]. The series debuted its first episode on 17th August 2007, with its first season finishing in February 2009. It was then followed immediately after by a second season, which aired from February 2009 to February 2011. A third season began in March 2011, ending in November 2012, with Phineas and Ferb the Movie: Across the 2nd Dimension premiering partway through this season in August 2011.  

Shortly after the release of Phineas and Ferb the Movie: Across the 2nd Dimension, there was talk about a new Phineas and Ferb movie being developed that would be theatrically released sometime around Summer 2013, however, this movie was quietly removed from Disney’s production schedule[3]. But that’s fine, because Phineas and Ferb Season 4 was still airing. It began in December 2012 and ended with a one-hour finale episode titled “Last Day of Summer” on 12th June 2015 to wrap up the entire show.

Four years after Phineas and Ferb had finished airing on Disney Channel, Phineas and Ferb the Movie: Candace Against the Universe, was announced in 2019. It was not going to be a theatrically released movie though but I’m sure that was not a concern for fans.

However, one thing that many questioned was when would Candace Against the Universe be set amidst the events of the series. Although Phineas and Ferb had four seasons’ worth of episodes, all of those episodes are set in one summer so this made fans question whether this movie would be taking place in that summer, a different summer, or not even during summer at all – though that last one would be unlikely. It was soon confirmed that Candace Against the Universe is set within the same summer of the whole series, meaning it takes place at some point before the Season 4 finale episode.

It was confirmed that Phineas and Ferb the Movie: Candace Against the Universe was in production during the D23 Expo in 2019 with a premiere date scheduled for some time in 2020. A brief description of the movie was given, with most of the voice cast announced to be reprising their roles from the series. The new voice actor for Ferb was also confirmed at this time[4].

In 2020, it was reported that the movie would premiere on Disney+ on 28th August 2020. In preparation for the movie’s release, to build excitement and anticipation for fans, Disney XD aired all episodes of the series as well as Phineas and Ferb the Movie: Across the 2nd Dimension from 25th August up to the premiere date[5].

The creators, director of the movie Bob Bowen, Ashley Tisdale, Vincent Martella, Dee Bradley Baker, and Maulik Pancholy, then announced a few behind-the-scenes details about the new movie at their virtual panel for San Diego Comic Con on 25th July 2020. One of these was that the cast had to finish recording their dialogue and songs at home because of the COVID-19 pandemic and subsequent lockdowns in many countries[6]. After five years away, everyone seemed happy to be back in the world of Phineas and Ferb.

Within the movie, as usual for a Phineas and Ferb project, there are plenty of running gags and Easter eggs. The usual gags, like the jingles for Dr. Doofenshmirtz and Perry the platypus, as well as the conversation about where Perry is, remain in Candace Against the Universe. Given this is a science-fiction-themed movie, there are also plenty of space-themed Easter eggs. For example, Space Adventure, the show that Baljeet is a big fan of and gets much of his space travel information from, is a spoof on the popular, long-running franchise Star Trek. There is also a quick reference to Star Wars: The Force Awakens (2015), when Isabella is talking about bypassing the compressor system in Doofenshmirtz’s “Galactic-Travel-inator”; this is something Rey said in that movie. There is also a parody of Amazon Alexa in the alien mothership, which Candace engages with. As we all know, voice assistants are far from perfect when it comes to communication and understanding!

There were other references to modern day elements that did not exist in the Phineas and Ferb series since the world of technology and pop culture moves very fast these days. There is a song about “adulting” for example, a very annoying phrase that took off in the late-2010s by millennials who apparently need praise for doing basic “grown-up” tasks, like managing your finances, doing laundry, and cooking food… I don’t like this term so it was nice to have it poked fun at in Phineas and Ferb! Social media also makes an appearance, with Vanessa’s posts being a way of Dr. Doofenshmirtz figuring out she’s stuck on Feebla-Oot. Again, this is something that is seen all over social media, like “Help, I’m stuck in a terrifying place and don’t know what to do, but here’s a selfie to show just how terrified I really am!”. Not a good use of time if you really are lost or trapped somewhere. Put your phone away and use your brain – or just call someone. Flossing, as in the dance move, not the dental kind, shows up in this movie too.

Another detail that I found very clever is seen when the gang are travelling at twice the speed of light whilst stowed away on the mothership. Baljeet says he read a theory that says if you exceed the speed of light, your whole existence starts to break down. At this point, we see these animated characters turn into line drawings, then storyboards, and then we see Dan Povenmire and Jeff “Swampy” Marsh explaining this scene, breaking down the whole animation procedure to the audience. I really liked this small part of the movie.

MUSIC

Original music once again features prominently in Phineas and Ferb the Movie: Candace Against the Universe, as it did in the Phineas and Ferb series, as well as in their first movie, Across the 2nd Dimension. The soundtrack for Candace Against the Universe was released on 28th August 2020 to accompany the movie’s premiere. It consists of eleven original songs.

The opening song in Candace Against the Universe is “Such a Beautiful Day”, performed by Candace as she rides her bike home and tries to forget about what her brothers might be doing with their day, though she has limited success with her thoughts. Although this is the first song to feature in the movie, it was actually the last to be written, to replace an original opening scene of Candace busting her brothers as she normally does. It was felt that this would be too harsh an opening scene for non-fans of the show as the audience would need to be on Candace’s side to appreciate the story that was to come. This song was performed by Ashley Tisdale who said it was her favourite song in the film. “Such a Beautiful Day” was written by Dan Povenmire, co-creator of Phineas and Ferb, and screenwriter Karey Kirkpatrick, who was a writer on Disney’s The Rescuers Down Under (1990) and Aardman Animations’ two Chicken Run movies, just to name a few credits.

This song was my favourite in the movie – I liked how it was all happy and positive one moment, and then angry the next – and one of few that I actually remembered the next day, because to be completely honest, I was not a fan of this whole soundtrack. “Such a Beautiful Day” was nominated for a Daytime Emmy for Outstanding Original Song.

Another song I liked was “Unsung Hero”, performed by Olivia Olson. It plays as Perry is pushing all the asteroids away from the group in their spaceship so they don’t die. It was quite funny, particularly when the song refers to the fact Perry isn’t really an unsung hero anymore because he has a song about him that’s being sung right now! This song was written by both creators of Phineas and Ferb, Povenmire and Jeff “Swampy” Marsh.

Following on from that, I didn’t mind the song “Adulting” because it was making fun of a phrase that I really don’t like. It was performed by Povenmire, as Dr. Doofenshmirtz, and Alyson Stoner, as Isabella, as they argue about who should lead the group to the alien fortress: Doofenshmirtz because he’s older, or Isabella because she has the skills and knowledge. This song was written by Povenmire and longtime Phineas and Ferb songwriters Martin Olson and Michael Culross Jr.

Outside of that, I wasn’t really bothered by the other songs in Candace Against the Universe. They were kind of amusing at the time, but I didn’t remember much of them afterwards. So, let’s start with “Meet Our Leader”, performed by the aliens as Candace arrives at the fortress to meet with Super Super Big Doctor. This was going to be a scary moment for Candace, but then she is greeted with a mini-Broadway-style production and this planet suddenly doesn’t seem so bad anymore! It was performed by Phineas and Ferb songwriter Danny Jacob, and frequent singer on Phineas and Ferb Laura Dickinson. It was written by Povenmire, Olson, and comedian Kate Micucci.

Another song performed with the aliens is “Girls Day Out”, when Candace spends the day with Super Super Big Doctor. It was sung by pop singer Sarah Hudson, and written by Povenmire and songwriter and producer Emanuel Kiriakou, who has collaborated with the likes of Demi Lovato, Selena Gomez, and Jason Derulo. Then there is “This is Our Battle Song”, which is a song performed by the cast as they trick Super Super Big Doctor into getting into the fortress to save Candace. It was written by Povenmire and Phineas and Ferb writers Joshua Pruett and Robert F. Hughes.

There are two songs that reference the universe here too, which is quite apt given the title of the movie. The first is “The Universe is Against Me”, which Candace sings briefly in the movie when Vanessa is talking to Candace, as she feels so annoyed that she can’t bust her brothers successfully. It later appears as the second song in the End Credits. It was performed by Tisdale and written by Povenmire. It’s an angry rock song. In contrast, “Us Against the Universe” is the big finale number, as everyone comes together to celebrate their victory against the aliens. It’s an upbeat number and a fitting ending to the movie. It is performed by the whole cast and was written by Povenmire and Marsh.

Finally, there are two other End Credits song. The first is called “Silhouettes” and was performed by Robbie Wyckoff, a regular singer of Phineas and Ferb songs, written by Povenmire and Jacob. It is a rock ‘n’ roll song that didn’t appeal to me, much like how “Kick It Up a Notch” didn’t either in the End Credits of Across the 2nd Dimension. The third End Credits song is “We’re Back”, which seems to have also been used as the promo song for this movie too. It was quite a fun song, and works very well as a marketing tool. It was performed by Tisdale as Candace, Vincent Martella as Phineas, and Povenmire as Doofenshmirtz and was written by Povenmire and Marsh.

So, that’s it for full songs heard in the movie, however, there are three other songs to mention. The first is the theme song to Baljeet’s favourite show, “Space Adventure”, which is played whenever Baljeet mentions events from the show. It’s a nice little tune, and clearly makes references to other space-set television series. The second is “Chop Away at My Heart”, originally written for Milo Murphy’s Law, and is meant to be a parody of typical boyband songs. It does sound quite like One Direction. In the movie, it is heard when the spaceship’s voice assistant mishears Candace saying “chop” not “stop” and plays the song for her. Both of these songs were performed by Danny Jacob. 

Finally, there was one deleted song entitled “Step into the Great Unknown”. It was meant to take place in the movie at the time that Baljeet explains to the others just what scenario might be waiting for them on the other side of their portal to Feebla-Oot. This song was meant to be Phineas’ way of encouraging the others to help him and Ferb save Candace. It was performed by Phineas, Isabella, Baljeet, and Buford’s voice actors, written by Povenmire and Olson. I don’t think I needed this song in the movie so I’m glad it was cut.

This song still features on the movie soundtrack though. The soundtrack reached No. 22 on the US Billboard Kids Albums, and No. 18 on US Billboard Soundtrack Albums, which is quite a bit lower than the No. 3 and No. 4 reached on these charts by the soundtrack for Phineas and Ferb the Movie: Across the 2nd Dimension.

RECEPTION

Phineas and Ferb the Movie: Candace Against the Universe was released on Disney+ on 28th August 2020. Being able to release this movie on the streaming platform meant it could reach viewers in multiple countries on the same day for a change. Candace Against the Universe was also the first animated Disney+ Original film.

I’ve used the term Disney+ Original film here, and not Disney Channel Original Movie. This is the factually correct term for Phineas and Ferb the Movie: Candace Against the Universe, however, since its predecessor, Across the 2nd Dimension was a Disney Channel Original Movie and because Candace Against the Universe was still produced by Disney Channel, and based on a Disney Channel series, it would’ve been unfair to miss it from my list of DCOM reviews. It is part of the same category as other movies such as Secret Society of Second-Born Royals (2020) which debuted on Disney+ on 25th September 2020, but later debuted separately on Disney Channel. Candace Against the Universe premiered on Disney Channel much later than its Disney+ premiere, on 8th April 2023.

Like Across the 2nd Dimension, Phineas and Ferb the Movie: Candace Against the Universe received 100% on Rotten Tomatoes from official critics’ reviews. Audience reviews were a bit more mixed, however, fans of the series were likely to enjoy it.

Many fans would have been disappointed about the series ending, but having even a standalone movie to recapture the nostalgic feeling of seeing Phineas and Ferb again would have been a welcomed treat for them. The positive reviews also said they liked that it was more adventurous with its sci-fi elements and that it had more an emotional, heartfelt message to it, like Candace realising she’s not been a good sister and her reunion with Phineas and Ferb when they finally save her from the aliens. Yet the same specific humour from the series remained, even with new characters and new storylines.

However, others said that Candace Against the Universe was not as good as Across the 2nd Dimension, which I do agree with; I definitely laughed less at Candace Against the Universe. Some didn’t like that Phineas and Ferb, as well as Perry the platypus, weren’t in this story as much. If you didn’t like Candace, her being the centre of the movie would’ve made watching the movie less enjoyable. Some also picked up on the fact that the storyline here felt similar to Season 1 episode “Unfair Science Fair Redux (Another Story)” where Candace goes through a portal and ends up on Mars, becoming beloved by the Martians and dubbed their queen. There was a mixed reaction to the music in Candace Against the Universe, with some loving the music and others not. I didn’t find much of the music particularly memorable so it failed in that respect for me.

This movie may also have been a victim of pandemic boredom, where people were watching anything and everything that was new on streaming, whether they normally would’ve watched it or not, and had time to pick apart all the reasons they didn’t like it. There’s not a problem with doing this – everyone is entitled to their opinions – but I do think some movies unnecessarily suffered in their reviews because of these types of behaviours.

Phineas and Ferb the Movie: Candace Against the Universe did, however, still win a Daytime Emmy award for Outstanding Writing Team for a Daytime Animated Program on this movie. It was also nominated at the Kids’ Choice Awards for Favorite Animated Movie, but lost out to Pixar’s Soul (2020).

LEGACY

Despite having some breaks from being on our screens, Phineas and Ferb refuses to go away completely, having spin-off series and even Disney Parks appearances.

As well as the first movie, Across the 2nd Dimension, there was also a series called Take Two with Phineas and Ferb, this being a spin-off short-form series which debuted in December 2010, running until November 2011, where Phineas and Ferb interviewed live-action celebrities. This series only lasted for one season. There were also two crossover episodes of the show which as part of Season 4, with these being called “Phineas and Ferb: Mission Marvel”, airing on 16th August 2013, and “Phineas and Ferb: Star Wars”, airing on 26th July 2014. These capitalised on the popularity of Phineas and Ferb, as well as Disney’s 2009 acquisition of Marvel, and their 2012 purchase of Star Wars, which led to a new movie in 2015: Episode VII: The Force Awakens

After the conclusion of Phineas and Ferb, Dan Povenmire and Jeff “Swampy” Marsh went on to create the series Milo Murphy’s Law (2016-19) for Disney Channel, which saw “Weird Al” Yankovic and Sabrina Carpenter lead the voice cast. Vincent Martella and Alyson Stoner, voices of Phineas and Isabella respectively, also voiced characters in this series, and some of the Phineas and Ferb characters made appearances in this series too in a crossover episode.

Moving away from TV, Phineas and Ferb even had a US live tour, entitled Phineas and Ferb: The Best LIVE Tour Ever. The original tour took place from August 2011 to April 2012, however, due to its popularity, a second tour began in August 2012, running until April 2013. The live shows featured some of the most loved musical numbers from the show with all the characters from the series, live on stage[7].

At Walt Disney World, there were a few Phineas and Ferb experiences. In Epcot, there used to be Agent P’s World Showcase Adventure, which was an interactive game where gamers could complete challenges in many of the World Showcase country’s pavilions. Agent P’s World Showcase Adventure ran from 2012 until 2020. The game was later rethemed to be DuckTales World Showcase Adventure, beginning in December 2022.

For meet-and-greets, there was one at the Once Upon a Toy store in Disney Springs. Phineas and Ferb, and Agent P met guests here from around 2010. This likely closed when a permanent meet-and-greet experience at Disney’s Hollywood Studios with Phineas and Ferb began in May 2011.. This meet-and-greet closed in January 2016 to make way for construction work to build Star Wars: Galaxy’s Edge. Phineas and Ferb were also spotted at Disney California Adventure Park at Disneyland; they could be seen during Phineas and Ferb’s Rockin’ Rollin’ Dance Party from 2011 to 2014.

In more recent years, Phineas and Ferb have been seen again, this time at Disney Hollywood Studios’ festive event Jollywood Nights both in its debut year in 2023, and in 2024. Also at Disney World, at Typhoon Lagoon, the two returned to the H20 Glow Nights event in Summer 2024, having been spotted at this after-hours event the year before.

There was also a Phineas and Ferb Dance Party at Disney Channel Nite at Disneyland Resort in March 2024. At Disneyland, but this time at Disney California Adventure Park, Dr. Doofenshmirtz made his debut at the Oogie Boogie Bash, Disneyland’s Halloween event. Dr. Doofenshmirtz was situated on a treat trail in a recreation of his headquarters. He appeared as a face character with lots of prosthetics, which made him look a bit disturbing to be honest…Finally, Phineas and Ferb seemed to have been at a special Passholder Night event at Disneyland Paris in 2024.

The most exciting news for Phineas and Ferb fans came in 2023, when new episodes of Phineas and Ferb were announced, 40 in total, to be split across two seasons. It will take place in a new “104 days of summer vacation”, presumably just the year after the events of Season 4. Further details have since been released throughout 2024. At New York Comic Con in October 2024, the voice cast for this new season was announced. It would consist of the same names as the series, and David Errigo Jr. was confirmed to be the permanent new voice of Ferb. It was also confirmed that it would premiere in 2025 on both Disney+ and Disney Channel, although a specific premiere date is still yet to be disclosed[8].

As Phineas and Ferb will be making a comeback very soon, it is likely these two characters, as well as possibly others from the series, will continue to make appearances at the Disney Parks. Those involved with the show would even like a theme park attraction based on the show to be created[9]. Only time will tell if that comes true.

FINAL THOUGHTS

Because of the popularity of Phineas and Ferb as a series, in 2011 a first feature-length movie was made, to include all the best moments and elements of the show and to give their viewers a whole new story, and even a new dimension to experience.

Thanks to the success of Phineas and Ferb the Movie: Across the 2nd Dimension, the series continued to air for another four years, before ending in 2015. But that was not the end of the story, as Phineas and Ferb the Movie: Candace Against the Universe came to Disney+ in 2020, giving fans yet another feature-length movie to watch, to see their favourite characters once more, five years after the series had ended. And still, that was not all because in 2024, it was announced that Phineas and Ferb would be returning to our screens in 2025.

For whatever reason, Phineas and Ferb has been a favourite Disney series for many for years, with the love for the show continuing from childhood into adulthood. Judging by the reaction to the revival of the show, it’s quite clear that the mania surrounding this show is not going away any time soon.


REFERENCES

[1] Credit: Anna Menta, ‘Yes, Tiffany Haddish Voices “The Sounds Someone Makes When They Explode” In the ‘Phineas and Ferb Movie’, Decider.com, 30th August 2020.

[2] Credit: Stuart Dredge, ‘Phineas and Ferb co-creator: ‘children are much more intelligent than people give them credit for’, The Guardian.com, 4th July 2013.

[3] Credit: Steven Zeitchik, ‘‘Phineas and Ferb’ gets the ‘Toy Story’ treatment’, LATimes.com, 27th October 2011.

[4] Credit: Jessica Figueroa, ‘”Phineas and Ferb The Movie: Candace Against The Universe” Currently In Production for Disney+’, WDWNT.com, 25th August 2019.

[5] Credit: Michael Schneider, ‘‘Phineas and Ferb The Movie: Candace Against the Universe’ Lands Premiere Date on Disney Plus’, Variety.com, 2nd July 2020.

[6] Credit: Alex Reif, ‘Comic-Con@Home: What We Learned from Disney’s “Phineas and Ferb The Movie: Candace Against the Universe” Panel’, LaughingPlace.com, 25th July 2020.

[7] Credit: Madeline Roth, ‘Disney’s Phineas And Ferb Live: The Best Live Tour Ever!’ To Adventure To Columbus’, TheLantern.com, 23rd October 2012.

[8] Credit: Author Unknown, ‘Disney’s ‘Phineas and Ferb’ Cast Announced at New York Comic Con’, TheWaltDisneyCompany.com, 17th October 2024.

[9] Credit: Eva Miller, ‘D23 Reveals Ambitious Plans for ‘Phineas and Ferb’ Theme Park Attraction’, InsidetheMagic.net, 10th August 2024.

Phineas and Ferb the Movie: Across the 2nd Dimension (2011)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. PRODUCTION
  5. MUSIC
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

In amongst all the typical comedy series that air on Disney Channel, there are also a number of animated series that have debuted on the channel.

Some of these animated series are directly based on a Disney animated movie, such as Lilo & Stitch: The Series (2003-06), or The Emperor’s New School (2006-08). Other series that premiered on Disney Channel were based on original ideas such as Kim Possible (2002-07) and Phineas and Ferb (2007-15).

I have never been a huge fan of animated television series for some reason. I don’t really understand why as I love animated movies; I think it might have something to do with how silly animated cartoons can be. I liked a few though, don’t get me wrong, especially when I was little. I used to watch Cartoon Network so early in the morning that my parents had to put a parental lock on the TV to stop me waking them up! But as I started watching Disney Channel, the only animated series I enjoyed watching was Recess (1997-2003), which wasn’t a Disney Channel original, choosing instead to watch their live-action shows.

My sister was the one who liked Disney Channel’s animated programming: Kim Possible, Lilo & Stitch: The Series, and American Dragon: Jake Long (2005-07). When Phineas and Ferb came out, she loved that show too. If I was being a nice little sister, I’d sit and watch these shows with her without complaining. Though I really didn’t like American Dragon, I was fine watching the other three shows I’ve mentioned.

There were elements of Phineas and Ferb that I liked. I liked Candace, the big sister character, but I think that was purely because she was voiced by Ashley Tisdale, a.k.a. Sharpay Evans in the High School Musical franchise, my favourite character in those films. I also found Dr. Doofenshmirtz very funny, and the songs were pretty good, so it wasn’t too much of a chore to sit through episodes when my sister wanted to watch.

When we found out that Phineas and Ferb’s first movie, Across the 2nd Dimension, was going to be released, I knew I’d have to let my sister watch it whenever she wanted to, and I did; we watched it together, and although it wasn’t my thing, I did quite like it. There were some moments where I laughed out loud, and again, I quite liked the music.

It’s a good movie, though fans of the show will appreciate it more. Phineas and Ferb the Movie: Across the 2nd Dimension was only Disney Channel’s third animated original movie, after Kim Possible Movie: So the Drama (2005) and The Proud Family Movie (2005).

PLOT

Across the 2nd Dimension begins with a flashforward, as we see Phineas, Ferb, Candace, and Dr. Doofenshmirtz in chains, being led towards a huge, fluffy monster. As Phineas says “everything started out so well this morning”, we go back in time to that morning.

Half-brothers Phineas and Ferb are woken up by the sun and the noise of their pet platypus, Perry. It turns out this day is exactly five years since they both got Perry from a pet store, liking the fact that the cross-eyed platypus could look at both Phineas and Ferb at the same time, with the boys seeing this as some sort of sign! The plan was to call him Barthlomew, but in the end, the platypus was renamed to Perry.

Meanwhile, their sister Candace is figuring out what to do with her day and calls up her boyfriend Jeremy. Jeremy is busy, going with his dad to look at colleges, which reminds Candace that Jeremy is a whole year older than her and will be heading off to college soon. This motivates Candace to get rid of all her childish junk and finally act like a grown-up.

Phineas and Ferb have decided to create a huge game of badminton with their friends, Isabella, Buford, and Baljeet, creating two massive Perry-like catapults that will send a shuttlecock from the boys’ back garden over to the park. As they are about to try it out for the first time, they notice Perry has vanished, a normal occurrence, nothing to worry about.

Perry is actually a secret agent, known as Agent P. He is congratulated on his five years with the boys, as he was never just a normal platypus in a pet store but was assigned to this family. Agent P’s boss, Major Monogram, warns him that should his cover ever be blown, he will have to be reassigned. Agent P loves Phineas and Ferb so tries very hard to keep his secret, whilst also saving the world from the evil scientist, Dr. Doofenshmirtz, who has grand schemes but is incapable of achieving them. Agent P is told to stop Dr. Doofenshmirtz’s latest invention, some sort of alternate reality device, and is given gadgets to help him on his mission. He is given a magnetic watch that can communicate with Major Monogram, although he is warned not to contact him between 3:30pm and 4:00pm as that is when he takes his shower… Oh yeah, and this watch can give people instant brain freeze!

Back home, Candace is told to look after the boys as her parents are going to see a movie. This gives Candace the opportunity to act like a grown-up and bust her brothers herself, something she has spent all summer trying to do, but at the moment she goes to show her mother the boys’ creations, they always disappear and the boys are never punished. Candace catches a glimpse of the huge “platypult” in the garden, but by the time she gets out there, the boys have been catapulted into the air on a huge shuttlecock and the platypult has vanished, giving Candace evidence that this “mysterious force” that always takes away the boys’ inventions now sees her as the adult, not just her mother.

Phineas and Ferb, on the shuttlecock, accidentally crash into Agent P in his hovercraft, though they don’t realise, and are knocked off course, crashing into Dr. Doofenshmirtz’s lair and into his “Other-Dimension-inator”, the exact thing Agent P was meant to be stopping. As the boys feel bad for breaking this guy’s machine, and don’t know he’s evil, they decide to help fix it, noticing issues with his wiring and his self-destruct button which would have stopped it from working properly. Agent P then arrives soon after, but quickly reverts back to normal Perry the platypus mode when he sees Phineas and Ferb there. Realising that the boys are making this invention work, Perry tries everything he can to stop them, including peeing on Dr. Doofenshmirtz’s sofa – nice… It doesn’t work though and the machine is used to show another dimension.

Phineas, Ferb, Perry, and Dr. Doofenshmirtz step into this alternate dimension and see that the Alternate Dr. Doofenshmirtz is ruler of this alternate Tri-State Area, something that normal Dr. Doofenshmirtz has always tried to do. Dr. Doofenshmirtz heads over alone to meet his alternate dimension self. Alternate Dr. Doofenshmirtz reveals that he turned the Alternate Agent P into a cyborg, who now works as one of his minions, along with his army of Norm Bots, something Dr. Doofenshmirtz has, but his Norm Bot has never shown much capacity for being evil… The boys soon arrive with Perry. Alternate Dr. Doofenshmirtz instantly recognises Perry as being Agent P, however, Dr. Doofenshmirtz cannot see it, as the platypus isn’t standing on two legs or wearing his secret agent hat. Alternate Dr. Doofenshmirtz shows he’s right by having his platypus cyborg attack the boys. Sure enough, Agent P reveals himself to everyone to save Phineas and Ferb. They are attacked by the Alternate Norm Bots and the cyborg, with Agent P having to get the boys to safety. Alternate Dr. Doofenshmirtz then decides to take over the other Tri-State Area.

Phineas is furious with Perry for his deceit and his double life, struggling to move past it. He uses the remote for the Other-Dimension-inator, which he luckily kept with him, but the portal does not show their dimension. They decide to enlist the help of their alternate selves to get home. But Alternate Phineas and Alternate Ferb are not the creative geniuses they are in the “real world”. Instead, thanks to Alternate Dr. Doofenshmirtz’s iron-fisted rule, the boys live in a grey world full of fear and anxiety. They aren’t going to be much help… A television announcement then plays telling Agent P to hand himself in to save Phineas and Ferb from any further harm. As he is about to secretly leave, Phineas sees him and accuses him of ditching them. Phineas angrily tells Perry/Agent P to go, and he sadly does.

Phineas then says they need to find Alternate Isabella, who the boys in this dimension have never met, but luckily, she only lives next door. As they head over there, a Norm Bot spots them and tries to attack. Alternate Buford saves them, and takes them over to the Resistance, which consists of alternate versions of all their friends, and is led by none other than Alternate Candace! They are told by Alternate Baljeet to picture dimensions as moving in a clockwise direction, with the remote showing the next dimension along from where they are. It is easier to travel in this direction, although the number of dimensions they would need to get through to get home is unknown. The Resistance can redirect the power to open up the portal to their home, however, it is unsteady. As the boys learn that Perry needs saving from Alternate Doofenshmirtz, who now needs the boys to fix his own version of the “Other-Dimension-inator” in order to conquer their Tri-State area, they decide not to go through. Alternate Baljeet says he’ll try to keep it open but it may not last too long. Suddenly, Candace jumps through into this alternate dimension, causing the portal to close. Candace believed this was the “mysterious force” – it wasn’t…

The Resistance then take Phineas, Ferb, and Candace to Alternate Dr. Doofenshmirtz’s headquarters via mine carts in the underground tunnels so they can save Perry. However, when they arrive there, it is revealed that they have walked into a trap. Using some quick-thinking, Perry/Agent P realises it is between 3:30pm and 4:00pm and uses his watch to call Major Monogram, who, sure enough, is in the shower. This holographic image makes both Dr. Doofenshmirtzs avert their eyes, letting the others escape. They are pursued by Norm Bots. A fire begins on one of the mine carts, slowing down the train. Alternate Candace makes the decision to cut lose Phineas, Ferb, and Candace’s end of the train so she can save her own brothers. They are captured.

Alternate Dr. Doofenshmirtz orders Phineas to fix the “Other-Dimension-inator”. Phineas refuses, even when faced with a hand puppet, which Alternate Dr. Doofenshmirtz believes should have managed to convince him! Dr. Doofenshmirtz then remembers what the boys told him back home about the wiring and the self-destruct button. Making some changes, the machine now works. As there is no use for the boys, Candace, Agent P, or Dr. Doofenshmirtz anymore, they are sent to their doom. This “doom” consists of being fed to a huge, fluffy monster, as per the opening sequence. Suddenly, Alternate Candace arrives, flying across the room on a giant gnome statue, throwing Phineas the remote that he left back at Resistance Headquarters. He uses the remote just as the group are about to fall, all chained together, and they disappear into another dimension, with the monster following them – though much of its body doesn’t make it through the small portal so it gets freaked out and runs off! They unlock themselves from their chains, however, some of the Norm Bots have followed them through the portal, whilst others have captured Alternate Candace.

The group, chased by Norm Bots, run through multiple dimensions, finally making it home, however, Alternate Dr. Doofenshmirtz is already here and has sent his Norm Bots to attack their city of Danville, to make the people conform to his new world order. Agent P runs off to save the day, giving Phineas and Ferb his pet collar first. They go off home, believing there is nothing more they can do. Dr. Doofenshmirtz, meanwhile, tries to get into his penthouse where Alternate Doofenshmirtz is enacting his plan.  

At home, Phineas and Ferb begin to hear noises coming from the collar. They follow the noises and are led to a tunnel in the wall, which takes them to Agent P’s secret lair. They are instructed to open up the collar’s locket and uses it as a key to the supercomputer. After doing this, they then see that all their inventions from the summer are being 3D-printed. Phineas and Ferb enlist all their friends to use these inventions to fight the Norm Bots. Other animal secrets agents, of which Agent P is just one, also get in on the battle. Candace decides she has to show her mother what is going on, as she knows the “mysterious force” will remove all trace of the battle if she does.

Agent P takes Phineas up to battle Alternate Dr. Doofenshmirtz and close the portal. Agent P fights the cyborg, and Phineas fights Alternate Dr. Doofenshmirtz, but nothing seems to be working. The cyborg is electrified and immobilised, but the portal is still open. Alternate Dr. Doofenshmirtz then gets hold of Phineas’ baseball glove invention, and shoots a baseball right at Phineas. Agent P throws him a bat, and Phineas manages to hit the baseball right into the portal, breaking it and closing it. The Norm Bots fall from the sky and Ferb shows up. But Alternate Dr. Doofenshmirtz has one more trick up his sleeve, revealing a huge robot version of himself, where he controls it…from the sleeve. As Alternate Dr. Doofenshmirtz is about to throw a punch, Dr. Doofenshmirtz comes in and shows Alternate Dr. Doofenshmirtz a toy train. Alternate Dr. Doofenshmirtz lost his as a child and this turned him evil. As Dr. Doofenshmirtz hands over his own toy train, Alternate Dr. Doofenshmirtz’s backstory is finally resolved. He self-destructs all the Norm Bots and goes back home.

Back in his dimension, Alternate Dr. Doofenshmirtz is promptly arrested by the Resistance, with Alternate Candace being freed from prison by her brothers and Alternate Jeremy, who she’d never met before. Then, Alternate Candace, Phineas, and Ferb come through to thank everyone for their help, and they also take home the cyborg, who was their pet, and has since reverted back to normal platypus mode. Candace also encourages Alternate Candace to date Alternate Jeremy, something she says she’ll think about.

Major Monogram arrives to say Agent P must be reassigned as his cover was blown today. The boys are devastated over this and wish there was another way. Major Monogram and his assistant, Carl, then remember Dr. Doofenshmirtz’s “Amnesia-inator”, which they can use to wipe their memories of the day. Everything goes back to normal, with only Agent P having fond memories of it, uploading photos of their adventure onto his supercomputer.

CHARACTERS & CAST

Phineas and Ferb are half-brothers who are very close, almost inseparable. They aren’t the type of kids who want to spend their summer staying inside, watching TV, or playing on video games. They want to get outside, be creative, and have some fun. The two are used to creating huge-scale inventions with their friends, but going to an alternate dimension, finding out their pet platypus is a secret agent, and being chased around by weird robots is a little out of even their comfort zone! They tackle this situation with their usual intelligence, loyalty, and quick-thinking and get out of it unharmed, along with all their friends and their favourite sister, Candace. Although Phineas and Ferb are similar in many ways, one big difference between them is the amount that the brothers talk. Ferb rarely says much outside of the occasional clever one-liner, whereas Phineas is the chatty one.

Phineas was voiced by Vincent Martella. Martella is also known for his role as Greg Wuliger in Everybody Hates Chris (2005-09), for which he was nominated for a Teen Choice Award and two Young Artists Awards. Thomas Brodie-Sangster voiced Ferb. As a child actor, Brodie-Sangster was cast as Sam in Love Actually (2003), and then as Simon in Nanny McPhee (2005). In more recent years, he is known for his roles as Rafe Sadler in the BBC series Wolf Hall (2015-present); as Jack Dawkins / Dodger in The Artful Dodger (2023-present); and as Newt in The Maze Runner movie trilogy.

Candace is Phineas and Ferb’s sister whose main aim in life is to bust her brothers and get them in trouble for all the things they do during the summer. This has never worked before, because every time Candace manages to drag her mother away from whatever she’s doing to come and see what the boys are doing, the invention magically disappears and everything seems normal. In Across the 2nd Dimension, Candace has decided to be an adult, wanting to bust her brothers herself, but when she tries to, she finds that this “mysterious force” that hides all the boys’ creations has taken it away before even she can see it, leading her to believe that she is actually an adult. But because of her obsession with this force, Candace then jumps through the portal into the next dimension and is stuck in the middle of a battle between good and evil with her brothers – not exactly what she expected! But by working with her brothers, instead of against them, they manage to get home and defeat Alternate Dr. Doofenshmirtz.

Candace was voiced by Ashley Tisdale, best known for her role as Sharpay Evans in the High School Musical franchise, at least amongst Disney fans, reprising her role in the movie Sharpay’s Fabulous Adventure (2011). Also for Disney, Tisdale starred as Maddie Fitzpatrick in the series The Suite Life of Zack & Cody (2005-08). In more recent years, she was cast as Kayla in the Netflix series Merry Happy Whatever (2019), and was a panellist on The Masked Dancer (2020-21). Tisdale has been an executive producer on some Disney projects, such as the DCOM Cloud 9 (2014) and the ABC series Young & Hungry (2014-18).

Perry the platypus is Phineas and Ferb’s pet, however, he is actually a secret agent, Agent P, something that the audience already knows, but until this movie, the boys had no idea; they just thought Perry wandered off for a nap every day. What Perry, or Agent P, has actually been doing is stopping Dr. Doofenshmirtz’s evil schemes to take over the Tri-State Area. If Phineas and Ferb hadn’t accidentally ended up at Dr. Doofenshmirtz’s headquarters, then they wouldn’t have gotten involved in Agent P’s mission and he would never have had to reveal his secret agent status to them in order to save their lives. It’s quite sad how annoyed Phineas is with Perry for the “deceit” and it clearly hurts Perry quite a lot. Agent P does successfully complete his mission, with Phineas and Ferb beside him, and, ironically, one of Dr. Doofenshmirtz’s inventions actually help them stay together, as it wipes all their memories of that day, so Perry can still be part of the family.

Perry is “voiced” by Dee Bradley Baker, who has had a long career in voice acting. He has voiced characters in series such as Johnny Bravo (1997-2004); Dexter’s Laboratory (1997-2003); The Powerpuff Girls (1999-2005); SpongeBob SquarePants (1999-present); and The Fairly OddParents (2001-17), all non-Disney projects. For Disney, he has voiced the character of Turner for Handy Manny (2006-13), and Tick-Tock the Crocodile in Jake and the Never Land Pirates (2011-16), as well as various characters for animated Star Wars series. 

Agent P’s boss is Major Monogram, who is quite formal and serious, but seems to be pleased with Agent P’s work as a secret agent. Major Monogram can make jokes when he wants to, but in Across the 2nd Dimension, the joke is mostly on him, especially when Agent P uses a hologram of Major Monogram in the shower to distract the two Dr. Doofenshmirtzs despite being told not to call him at that time, as that is his shower time. We also see Major Monogram’s unpaid intern, Carl, here, who tries his best to do a good job for Major Monogram, but he is hard to please! Major Monogram was voiced by Jeff “Swampy” Marsh, one of the creators of Phineas and Ferb. Carl was voiced by Tyler Alexander Mann.

Now for the best character in the whole show: Dr. Heinz Doofenshmirtz. Dr. Doofenshmirtz has some great ideas for how to conquer the Tri-State Area, but due to his ineptness and incompetence, his inventions and various “-inators” rarely work and even when they do, Agent P is a very efficient secret agent, so he manages to foil all of Dr. Doofenshmirtz’s plans before they really get off the ground. Dr. Doofenshmirtz is much too funny and lovable to be an evil ruler anyway, so it’s probably for the best! Alternate Dr. Doofenshmirtz, however, is the opposite and has managed to rule his Tri-State Area, with big robots and a cyborg platypus, which makes the real Dr. Doofenshmirtz feel a bit lesser. He is mocked by his alternate self for not recognising Agent P unless he has his secret agent hat on, and is found to be quite annoying by his alternate self, which must really destroy your self-confidence… Dr. Doofenshmirtz normally has some of the best lines in Phineas and Ferb, with my favourite one in this film being: “If I had a nickel for every time I was doomed by a puppet, I’d have two nickels, which isn’t a lot, but it’s weird that it happened twice, right?” That line always makes me laugh; it’s just so random! Dr. Doofenshmirtz was voiced by the other creator of Phineas and Ferb, Dan Povenmire, who was nominated for an Emmy Award for his voice performance in this movie in 2012.

Outside of these main characters, there are numerous others that appear in Phineas and Ferb and Across the 2nd Dimension. These include Isabella, who has a crush on Phineas and is the leader of a girl scout troop in the real world, and part of the Resistance in the Alternate Dimension, and Jeremy, who is Candace’s boyfriend in their dimension, and a Resistance leader in the 2nd Dimension. Isabella was voiced by Alyson Stoner, who was cast as Caitlyn in Camp Rock (2008) and Camp Rock 2: The Final Jam (2010), after appearing as Max in The Suite Life of Zack & Cody, and as Sarah Baker in Cheaper by the Dozen (2003) and its 2005 sequel. Jeremy was voiced by Mitchell Musso, known for his role as Oliver in Hannah Montana (2006-11), and as King Brady in Pair of Kings (2010-13).

Two more of Phineas and Ferb’s friends are Baljeet and Buford. Baljeet is intelligent and polite, however this makes him a target for Buford, who is a bit of a bully at times, but sometimes isn’t. Sometimes, he wants to help and be part of the group. In Across the 2nd Dimension, he is much less of a bully and more of a friend, although Alternate Buford is resisting the Resistance group, so he’s not all that helpful. Alternate Baljeet is though, as he figures out two methods for the boys to get back home. Buford was voiced by Bobby Gaylor, who is one of the story writers on the show; and Baljeet was voiced by Maulik Pancholy. Pancholy had previously appeared as Jonathan in the comedy series 30 Rock (2006-13).

Finally, I just want to briefly mention the voice actors of Phineas, Ferb, and Candace’s parents. Phineas and Candace’s mother, Linda, is voiced by Caroline Rhea, well-known for her role as Hilda Spellman in Sabrina the Teenage Witch (1996-2003). Richard O’Brien voiced Ferb’s father, Lawrence. O’Brien is best known for writing the musical, The Rocky Horror Show, before starring in the 1975 film adaptation. For UK viewers, he is also known as the original host of the game show The Crystal Maze (1990-2020).

All the voice actors here reprised their roles from the main series, and the Alternate Dimension versions of these characters use the same voice actors. Although there is one big name still to mention who only has a small cameo in Across the 2nd Dimension. That is Doris Roberts, best known for her role as Marie Barone in Everybody Loves Raymond (1996-05). Roberts voiced Mrs. Thompson, Dr. Doofenshmirtz’s elderly neighbour in this movie.

PRODUCTION

The first episode of Phineas and Ferb debuted on 17th August 2007 on Disney Channel, and a second episode was aired on 28th September 2007. The full first season then officially premiered on 1st February 2008, running until February 2009. A second season aired straight after, finishing in February 2011. It was closely followed by a third season which began airing in March 2011, and ended in November 2012.

Phineas and Ferb the Movie: Across the 2nd Dimension premiered on 5th August 2011, partway through Season 3, between Episode 17 “Road Trip” and Episode 18 “Tour de Ferb”. The show does not have a major overarching storyline though, so there is no real need to watch it at this specific point in the season.

Phineas and Ferb quickly became one of Disney Channel’s most popular series, gaining millions of viewers in the years since its first broadcast. Although there was a rumour that spread online a few years ago, saying that the idea behind Phineas and Ferb was based on a true story about a mentally ill girl in Russia, this is not the true story of how Phineas and Ferb came to be.

At the Children’s Media Conference in Sheffield in 2013, co-creator of the show, Jeff “Swampy” Marsh spoke about the origins of the animated series. Marsh said that he first got interested in working in animation around his late-20s, becoming a background artist on The Simpsons (1989-present) in the early 1990s. He then went on to work on other series, such as Rocko’s Modern Life (1993-96), moving into writing and directing. This is where Marsh and Dan Povenmire started discussing their plans for a new animated series. Dan Povenmire later worked as a director on Family Guy (1999-present), whilst Marsh moved over to work on King of the Hill (1997-2009).

Around 1993, Marsh and Povenmire had already developed the idea for Phineas and Ferb, after noticing that kids didn’t seem to go out and do anything anymore, this becoming the whole premise of the show. I’m sure the irony of creating a television show for kids, to be watched inside, to encourage them to go outside and do things hasn’t been lost on the creators! The idea was later pitched to numerous networks, including Nickelodeon, Cartoon Network, and Fox Kids, before Disney agreed to move forward with it around 2006[1]. As well as using their experience of working on prior animated series, it has been said that the creators were inspired by British children’s shows such as Danger Mouse (1981-92) and Tiswas (1974-82), as well as American ones, like Sesame Street (1969-present) and The Adventures of Rocky and Bullwinkle (1959-64).

As Disney Channel doesn’t have many animated series, unlike other networks such as Cartoon Network and Nickelodeon, it was felt that Phineas and Ferb would be able to compete with them now. The creators wanted the show to be bright and colourful, and created their characters based on geometric shapes, something they learnt from Matt Groening, creator of The Simpsons, to make them easy to draw. They also loved music, so wanted to put their own songs into the show. These have remained popular with viewers, even outside of the show. I still remember many of them and I didn’t even watch the show all that much! It was also decided that the series should not be set in a school, as so many other animated children’s shows have been[2].

Phineas and Ferb successfully managed to attract major stars to come and voice characters in the show, including Selena Gomez, chef Jamie Oliver, presenter Jonathan Ross, and even Jeremy Clarkson, James May, and Richard Hammond from Top Gear, who voiced racing commentators in one episode.

The series won a Daytime Emmy in 2010 for Outstanding Writing in Animation, and three Primetime Emmy Awards to Jill Daniels and Brian Woods for Outstanding Individual Achievement in Animation. It has also been nominated for numerous other awards, including for its music and its voice performances.

It has been stated that this movie was first announced by Jeff “Swampy” Marsh in a January 2010 interview, however, I have been unable to find that interview to confirm that this is when Across the 2nd Dimension was first confirmed to be in development. Regardless, Phineas and Ferb the Movie: Across the 2nd Dimension was a natural way of extending the reach of the already popular show, something that Disney Channel are used to doing with other DCOMs based on series, and gave more opportunity for the visual gags, music, Easter eggs, and clever writing that the show is loved for.

Some of these are running gags that appear in both the series and the movie. For example, in the film, the usual “Hey, where’s Perry?”, and “Oh, there you are, Perry” lines from Phineas, as well as Dr. Doofenshmirtz’s evil jingle, will be familiar to fans of the series, along with the inventions used during the battle with the Norm Bots, which appeared in previous episodes of the show. There are references to elements of pop culture too, such as the musical scenes parodying other bands such as The Beatles, and Phineas lifting Perry up like Rafiki does to Simba in The Lion King (1994) in the opening musical song.

MUSIC

Since original music is a unique addition to Phineas and Ferb as a series, it only makes sense for Across the 2nd Dimension to feature even more original songs. This movie does in fact feature nine original songs, plus one deleted song.

This deleted song is called “Mysterious Force”, sung by Ashley Tisdale as Candace, where she talks about how she has always failed to bust her brothers, supposedly because this force takes all of her brothers’ inventions away at exactly the wrong – or right – moment[3]. No song in this movie is bad, including this one, but it’s not my favourite.

My favourite song is “Brand New Best Friend” which Dan Povenmire as Dr. Doofenshmirtz sings alongside his alternate dimension self, talking about all their similarities. It all seems to be going well, but Alternate Doofenshmirtz ends up getting annoyed with Dr. Doofenshmirtz and their friendship goes downhill fairly quickly…It’s a funny song, as it should be, since it features the funniest character in the whole show.

I also like “Summer (Where Do We Begin?)”, which Phineas sings to their alternate selves, as they have never had a summer in this alternate dimension, thanks to Alternate Dr. Doofenshmirtz’s rule over the Tri-State Area. Phineas and Ferb are telling them all about how great summer is and all the things you can do. They also start singing part of the series’ theme song, “Today Is Gonna Be a Great Day”, during this song. It’s very catchy and parts of it get stuck in my head randomly.

Of the other songs on the soundtrack and in the film, I don’t like them as much but they’re still fine to listen to and add to the story. One of these is “Robot Riot” sung by the in-series rock band Love Händel, but actually by Dan Povenmire and Jaret Reddick from band Bowling for Soup, during the battle against the Norm Bots. Following on from the successful battle and defeat of Alternate Dr. Doofenshmirtz, just before the End Credits, the song “Takin’ Care of Things” is briefly heard as Agent P uploads his photos from the day. It’s a nice, upbeat song to finish the film. It is performed by Dan Povenmire and Danny Jacob.  The End Credits song is “Kick It Up a Notch” sung by Phineas and Guns ‘N’ Roses guitarist Slash.

Two more songs in the movie are “Everything’s Better with Perry” and “Brand New Reality”. “Everything’s Better with Perry” is the opening song for the movie, which is performed by Robbie Wyckoff. It plays as Phineas and Ferb look forward to another summer’s day with their best friend Perry. It’s very upbeat and positive, as we should all aim to feel at the start of a new day but rarely manage to! “Brand New Reality” is also performed by Robbie Wyckoff and it plays as the gang race through multiple dimensions to get home as they are chased by Alternate Dr. Doofenshmirtz’s Norm Bots.

There are two other songs in this movie that I did like but don’t make it on the soundtrack, probably because they are both only heard briefly. The first is “Baljeet Explanation”, performed by Alternate Baljeet, as he explains how Phineas and Ferb can travel back or forward through dimensions. It’s not a song at all, really, but I still like it – it’s funny and so random. Alternate Baljeet is quite right though – it did need a chorus! The other is “I Walk Away”, performed by Olivia Olson. It’s a sad song to match Perry’s sadness as he hands himself over to Alternate Dr. Doofenshmirtz after basically being told by Phineas to get lost and leave them alone. It would’ve been nice to have a full version of this song.

Most of the songs in Phineas and Ferb the Movie: Across the 2nd Dimension are included in the soundtrack Phineas and Ferb: Across the 1st and 2nd Dimensions, alongside songs from the series. This soundtrack was released on 4th August 2011, a day before the premiere of the movie. “Mysterious Force” is included on the soundtrack, despite being cut from the movie. The soundtrack peaked at No. 4 on the US Billboard Soundtrack Albums chart; at No. 3 on the US Billboard Kid Albums; and at No. 57 on the US Billboard 200 chart.

All of the songs here were written by Dan Povenmire and Jeff “Swampy” Marsh, the creators of the series, at least in part. The two were joined by Slash to write “Kick It Up a Notch”, with composer Danny Jacob also credited. Bowling for Soup’s lead vocalist, Jaret Reddick, whose band perform the Phineas and Ferb theme song, is credited as co-writing “Robot Riot” alongside the creators and Martin Olson, comedy writer and composer. Other co-writers of songs within this movie include Aliki Theofilopoulos, who was a storyboard artist and writer on Phineas and Ferb, as well as an animator on Disney movies such as Hercules (1997) and Tarzan (1999), who co-wrote “Everything’s Better with Perry” with Antoine Guilbaub; Jon Colton Barry and Robert Forrest Hughes are credited on “Summer (Where Do We Begin?)”; and James Bernstein on “Brand New Reality”. Many of these songwriters and composers had worked on previous songs for the series.

RECEPTION

Phineas and Ferb the Movie: Across the 2nd Dimension was promoted in various ways, prior to its premiere date.

One of these was through a promotional tour, which featured Perry the Platy-bus. The tour kicked off in New York City’s Times Square on 11th July 2011, stopping off at cities on its journey to San Diego Comic Con, which took place from 21st to 24th July 2011. At the San Diego Comic Con, the creators and some of the voice cast were on hand to discuss the new movie and even show a sneak preview of it.

The official premiere of Across the 2nd Dimension took place on 4th August 2011 at the El Capitan Theatre in Los Angeles, with a small parade and characters of Phineas, Ferb, and Agent P being around to have pictures taken with all the cast and other attendees.

Phineas and Ferb the Movie: Across the 2nd Dimension finally premiered on Disney Channel on 5th August 2011. It then aired a week later on Disney XD, and then on 20th August on ABC, before the movie was rolled out to other countries between August and November 2011[4]. Apparently, this movie was theatrically released in Spain.

Across the 2nd Dimension received some very positive reviews, including receiving 100% on Rotten Tomatoes from official critics’ reviews. Fans of the show were pleased to find that this feature-length episode was full of all the elements from the series that they loved, such as songs, spoofs, Easter eggs, and inside jokes and running gags. Others found the movie to be highly quotable – as I do – and liked the vibrant animation. It was seen to be a very funny family-friendly film.

There were a few negative comments about the movie, though nothing major, but some that I agree with in part. One of these was that Phineas was incredibly hostile to Perry at times during the movie, which is quite out of character for the usually calm, upbeat Phineas. It was strange to see Phineas so angry with Perry for hiding his identity. Has this kid not seen spy films? It’s imperative that spies keep their identities hidden, so I would’ve expected Phineas to have understood that, and be surprised to find out his beloved pet was a secret agent, but not have been so hard on him. Another was that the ending was seen to be a “cop out”, as handily, all the characters’ memories of the day could be wiped away in a second, meaning that nothing had to change. It was quite an easy way to end the movie, but I do understand that more of the series was going to be aired afterwards, so they couldn’t do much in terms of altering the events of the series.

Others also said they were disappointed to find that the character of Vanessa, Dr. Doofenshmirtz’s daughter, did not make an appearance in Across the 2nd Dimension. I always liked Vanessa, so I can see why this would be disappointing. Vanessa was included in two different scenes that were dropped from the final cut of the film. Vanessa was going to be teasing Dr. Doofenshmirtz for “playing with his doll”, when she walks in on him explaining his new plan to a stand-in Perry the platypus “doll”, before going home to her mother. Alternate Vanessa would have also made an appearance in a separate scene, arguing with Alternate Dr. Doofenshmirtz about how he has banished yet another of her boyfriends, before saying she is also going back home to her mother[5].

I think these parallel scenes would have been an appreciated addition to the movie, but for whatever reason, they were not included. Fun fact for anyone that isn’t already aware: the voice of Vanessa is provided by Olivia Olson, who played Joanna, the girl in Love Actually that Thomas Brodie-Sangster’s character, Sam, has a crush on and runs through Heathrow Airport for. Vanessa and Ferb also become a couple as seen in Season Four episode “Act Your Age”, set ten years in the future. This could be disturbing, given their age gap during the main series’ events, or cute, depending on who you talk to!

Phineas and Ferb the Movie: Across the 2nd Dimension was watched by 7.6 million viewers on its premiere date, and later became cable’s No.1 movie of 2011. It currently stands at No. 10 in the Top 10 most-watched DCOM premieres ever.

LEGACY

Phineas and Ferb has continued to be relevant in the entertainment and media industry, with spin-offs or sequels from both the movie and the series having been released.

The series Take Two with Phineas and Ferb was a spin-off short-form series which debuted in December 2010, running until November 2011, where Phineas and Ferb interviewed live-action celebrities, with guests including Miss Piggy, David Beckham, Taylor Swift, and Jack Black. This series only lasted for one season. 

As well as a video game based on the movie, a further direct spin-off from Phineas and Ferb the Movie: Across the 2nd Dimension was created in the form of the Season Four episode “Tales from the Resistance: Back to the 2nd Dimension”. This episode is set two months after the events of Phineas and Ferb the Movie: Across the 2nd Dimension. With Alternate Dr. Doofenshmirtz in prison, Alternate Candace and the Resistance face a new threat in the city of Danville and must work to stop it.

Two crossover episodes of the show were also aired as part of Season 4, with these being called “Phineas and Ferb: Mission Marvel”, airing on 16th August 2013, and “Phineas and Ferb: Star Wars”, airing on 26th July 2014. These capitalised on the popularity of Phineas and Ferb, as well as Disney’s 2009 acquisition of Marvel, and their 2012 purchase of Star Wars, which led to a new movie in 2015: Episode VII: The Force Awakens.

As mentioned, these were all episodes from Season 4, which aired from December 2012 to June 2015, with this being the show’s final season. The whole series concluded with an hour-long episode entitled “Last Day of Summer” on 12th June 2015.

After the conclusion of Phineas and Ferb, Dan Povenmire and Jeff “Swampy” Marsh went on to create the series Milo Murphy’s Law (2016-19) for Disney Channel, which saw “Weird Al” Yankovic and Sabrina Carpenter lead the voice cast. Vincent Martella and Alyson Stoner, voices of Phineas and Isabella respectively, also voiced characters in this series, and some of the Phineas and Ferb characters made appearances in this series too, in a crossover episode.

Moving away from TV, Phineas and Ferb even had a US live tour, entitled Phineas and Ferb: The Best LIVE Tour Ever. The original tour took place from August 2011 to April 2012, however, due to its popularity, a second tour began in August 2012, running until April 2013. The live shows featured some of the most loved musical numbers from the show with all the characters from the series, live on stage[6].

Phineas and Ferb has also been one of the few Disney Channel properties to have any references at the Disney Parks, outside of a few pieces of merchandise.

At Walt Disney World, in Epcot, there used to be Agent P’s World Showcase Adventure, which was an interactive game where gamers could complete challenges in many of the World Showcase country’s pavilions to help Agent P, and it used actual mobile phone devices originally. This is because the original name of this game was Kim Possible World Showcase Adventure, and one of the main features of that show was the “Kimmunicator” flip-phone. The 2000s and early 2010s were not exactly high-tech, but I liked holding the phone and having to secretly place it in a box at the end of the mission so that it could be used by another “agent”. Anyway, Agent P’s World Showcase Adventure later became playable on guests’ own smartphones around 2016, and then was played through the official Play Disney Parks app. The Kim Possible-themed game began in 2009 and ran until 2012, when it was replaced with the Agent P theming. Agent P’s World Showcase Adventure ran until 2020. The game was later rethemed to be DuckTales World Showcase Adventure, beginning in December 2022.

At the Once Upon a Toy store in what was then called Downtown Disney but is now called Disney Springs, Phineas and Ferb, and Agent P met guests here from around 2010. This likely closed when a permanent meet-and-greet experience at Disney’s Hollywood Studios with Phineas and Ferb began in May 2011. The premise was that the boys were spending their time at the park filming a movie, so there were props like blow-up guitars and clapper boards that guests could use in their photos with the characters. It was situated behind the Muppet*Vision 3D exit and near to Mama Melrose’s Ristorante Italiano. Agent P was also spotted here in August 2011 to promote Phineas and Ferb the Movie: Across the 2nd Dimension. This meet-and-greet closed in January 2016 to make way for construction work to build Star Wars: Galaxy’s Edge.

Also, from September to December 2012, there was an augmented reality attraction based on Phineas and Ferb at then-Downtown Disney. It allowed guests to have random short encounters and photographs with some of the Phineas and Ferb characters. It was called Phineas and Ferb and You: A Brand New Reality.

Phineas and Ferb were also spotted at Magic Kingdom at the Walt Disney World Resort for Mickey and Minnie’s Surprise Celebration in 2019. At Disney California Adventure Park at Disneyland, they could be seen during Phineas and Ferb’s Rockin’ Rollin’ Dance Party from 2011 to 2014. This was a short parade and dance party, and was the same parade that was performed at the Across the 2nd Dimension official movie premiere.

There was even a Phineas and Ferb segment during the Disney Parks Christmas Day Parade in 2011, which saw Phineas and Ferb, and the Fireside Girls dance to their song “Gitchee Gitchee Goo”, with Agent P along for the ride too.  

In 2011, shortly after the release of Phineas and Ferb the Movie: Across the 2nd Dimension, there was talk about a new Phineas and Ferb movie being developed that would be theatrically released sometime around Summer 2013. One of the writers of Toy Story 3 (2010), Michael Arndt, was supposedly attached to the film and it was said that the movie would mix live-action and animation[7]. This movie was quietly removed from Disney’s production schedule. It wasn’t until a new movie, Phineas and Ferb the Movie: Candace Against the Universe, was announced in 2019 that it was confirmed that this theatrical film was cancelled. At least announcing a new movie would have softened the blow for fans!

FINAL THOUGHTS

Phineas and Ferb was developed to teach children how to be creative over their summer break, and to make the most of their time away from school. Not by watching television, or playing video games, but by getting outside, making up your own games, and just generally having a great time with friends.

Phineas and Ferb the Movie: Across the 2nd Dimension was a success amongst fans of the Phineas and Ferb series, probably because it felt very much like an extended episode of the show, just with a more expansive storyline, taking the gang away from their usual setting of Danville, or just the boys’ backyard, and moving them into a whole other dimension, where they encountered alternate versions of themselves.

Although kids can’t go making themselves portals to go to other dimensions in real-life, the movie showed how getting outside your comfort zone can be a fun experience. With Candace’s journey in the movie, another message was also taught: that you don’t get much time to be a kid, so enjoy it while you can. Don’t be in a hurry to grow up, or you’ll miss out on all the fun.


REFERENCES

[1] Credit: Stuart Dredge, ‘Phineas and Ferb co-creator: ‘children are much more intelligent than people give them credit for’, The Guardian.com, 4th July 2013.

[2] Credit: Brian Boone, ‘The Untold Truth Of Phineas and Ferb’, Looper.com, 31st January 2023.

[3] Credit: Disney, “Phineas and Ferb: Across The 2nd Dimension 2011 DVD Overview”, Diamond Boy’s Disney DVD Overviews YouTube Channel, 19th February 2024.

[4] Credit: Jon Weisman, ‘First look: ‘Phineas and Ferb: Across the 2nd Dimension’, Variety.com, 6th June 2011.

[5] Credit: Disney, “Phineas and Ferb: Across The 2nd Dimension 2011 DVD Overview”, Diamond Boy’s Disney DVD Overviews YouTube Channel, 19th February 2024.

[6] Credit: Madeline Roth, ‘Disney’s Phineas And Ferb Live: The Best Live Tour Ever!’ To Adventure To Columbus’, TheLantern.com, 23rd October 2012.

[7] Credit: Steven Zeitchik, ‘‘Phineas and Ferb’ gets the ‘Toy Story’ treatment’, LATimes.com, 27th October 2011.

Cloud 9 (2014)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

Disney Channel used to make a lot of great sports movies back in the late 90s and 2000s.

I didn’t watch most of them, probably because I don’t really like sport, but I remember some of them being advertised on the Disney Channel. I’m talking about movies like Johnny Tsunami (1999), Motocrossed (2001), and Going to the Mat (2004).

I did watch Go Figure in 2005 though and it remains one of my favourite Disney Channel Original Movies, strangely enough, even though I had no knowledge of figure skating or ice hockey. For some reason, I just liked it. Maybe I just like winter sports. Except I don’t. Winter means cold, and snow, and ice. Not really my thing.

There was quite a long period of time when Disney Channel did not make any sports movies, instead focusing on musicals or just the challenges of being in high school. But in 2014, they were about to get back to their early 2000s days, by making a new DCOM all about the sport of snowboarding.

I wasn’t watching Disney Channel at this point, and only really cared about the most-anticipated new DCOMs, so I hadn’t seen anything about Cloud 9. At some point, many years later, I must have been trawling Disney+, looking for something to watch and stumbled upon Cloud 9. Dove Cameron was in it, and I’d seen her in Descendants (2015) a bit before then, so I thought it must be alright.  

I did like Cloud 9. I didn’t know what to expect when I first watched it, just a typical DCOM, I guess, and that’s what I got, with the added bonus of watching real snowboarding tricks. Sadly, it was not the first movie I watched about snowboarding.

That was Chalet Girl (2011), which starred Felicity Jones, who has gone on to become a huge star in the acting world. Other big names in that film include Nicholas Braun, from Succession (2018-23), Brooke Shields, Bill Nighy, and British comedian Bill Bailey, just to name a few. It wasn’t a blockbuster, but it was a British comedy that instantly drew me in. It had lots of snowboarding stunts, a message around coping with grief, and it was just generally very funny and sweet to watch. After watching Cloud 9, I knew it didn’t and just couldn’t compete with Chalet Girl in my mind. 

Cloud 9 likely would have appealed to me more if I’d watched it when I was younger. It just found me too late. 

PLOT

The story begins at the Summit Valley Ski Resort, with Kayla Morgan. Her father, Richard, owns the resort so naturally, she lives here permanently, having to go to a regular high school in the day. She is also a part of a snowboarding competition team, the Swift Team, where Kayla is the star women’s boarder, and her boyfriend, Nick, is the star men’s boarder. Nick’s dad, Sebastian, happens to be the team coach.

Whilst life is great for pampered princess Kayla, there are other people making a living at the resort. One of these is Will Cloud and his mother, who run a dog kennel here. It is a struggling new business but they are doing everything they can to make it work, with Will even going so far as to take some of the dogs, who become depressed from spending too much time indoors, out on a sled ride in the snow. Will used to be the best snowboarder around, however, a traumatic accident at a competition stopped him competing again. He is constantly tormented by members of the Swift Team for his “epic fail” wipeout on that day. Will’s friends just want him to get back to boarding, but he won’t.

At a party to celebrate recent Swift Team success, and to hype everyone up for the upcoming Fire and Ice competition, Kayla overhears Nick talking to his dad. Nick’s dad hasn’t been happy with his progress recently and keeps saying something about what Nick needs to do to be a winner. Kayla and Nick go outside to talk, where Nick states that he’ll be learning Will Cloud’s Cloud 9 move, the one that he injured himself doing, for the new competition, knowing that he’ll have to watch the YouTube video of Will’s wipeout in order to learn it, as only Will knows it and no-one has ever managed to do it properly.

Nick is then called over by the rest of the Swift Team to look at Will’s dog sled, which has just been left outside. Nick convinces Kayla to go on it with him. Reluctantly, she does, but soon, they find themselves careening down the slopes with no way of stopping. Nick, being the gentleman he is, bails and leaves Kayla to cope with this runaway sled alone. Sadly, the only way the sled stops is by flying through the iconic, hand-crafted Summit Valley Ski Resort sign, which then crashes to the ground. Kayla is picked up by Security and taken home. At home, her father, being the owner of the resort, is able to calm everything down, and says he’ll get the sign fixed, but he is furious with Kayla, and Will is angry about the damage done to his sled. Kayla’s father tells Kayla she’ll be paying for the sled by working at the kennel every day after school.

On Kayla’s first day working at the kennels, the Hot Doggers Dog Kennel, she is late and not at all happy to be working there. Kayla is then left with her first task, to fill up the dogs’ food bowls, but she gets distracted by a voicemail message. It’s Nick’s dad, telling her she has been kicked off the Swift Team because her little sled ride broke the Swift Code of Conduct. Kayla runs out of the kennel to go and talk to Nick, but it turns out he already knew and won’t help her try and get back on the team by saying the sled ride was his idea. To really kick her while she’s down, Nick also tells her that she has never been a good snowboarder, and the only reason she’s won competitions is because her father convinced his father to rig the competitions, having her compete against lower-ranked boarders.

The next day at the kennel, Will’s friends come in to get some snowboarding advice from Will and he leaves Kayla alone to go to the slopes with them. This should’ve been ok, but one of the most mischievous dogs in the world is currently at the kennel, a little dog called Donald, who decides to get out of his cage and unlock all the others. All of the dogs run riot through the kennels and then out into the resort. Kayla rushes after them, looking stressed, passing Nick and the Swift Team. She stops to talk to Nick, wanting to move past this team issue, but instead, Nick breaks up with her. Kayla is just not winning at life right now! She eventually gets back to the kennel with all the dogs, and proceeds to blub to Will’s mum about how awful the Swift Team are, and how much Donald seems to be out to get her. Will’s mum then tells Will he should never have left Kayla alone with the dogs.

Kayla’s friends later try to cheer her up and they start talking about Will Cloud. They put on the video of his accident and feel sorry for him, as it looks like a very bad wipeout. At school, Kayla then thinks she’s run over Donald on her drive home, but Will comes over to her and says Donald just likes to play dead when he’s bored sometimes. Kayla says they should redecorate the kennels, to make the dogs a bit happier, and that maybe she could help – in exchange for some snowboard coaching from Will. He says he doesn’t want to snowboard again, but thinks about helping Kayla, who wants to enter a new team into Fire and Ice, potentially with Will’s friends, Dink and Sam, to beat the Swifts.

Kayla later sees that she has been replaced on the Swift Team by a real pro boarder, Skye Saylor. Kayla knows she’s in trouble here, so Will encourages her to practise instead of wasting her energy trash-talking with Skye. The coaching begins, as does the renovation of the kennel. After a lot of practice, Kayla gets much better at her snowboarding, and Will and his mother are both impressed with her interior design skills at the kennel, now called The Hot Doggers Dog Spa. Will’s mother thanks Kayla for all her help, not just with the dogs, but with Will, who looks much happier than he has done in months. Will’s mother then sends the two out for ice-cream.

Outside, they talk about whether Will thinks Kayla has a shot at beating Skye at Fire and Ice, before talking about an infamous part of the mountain called Tyson’s Peak. It’s almost impossible to get to, needing a helicopter to get there, and it’s deemed impossible to get down, as nobody seems to have ever done it before. Kayla then tries again to convince Will to join their team for Fire and Ice, but he refuses.

The next day, Kayla overhears her father saying she won’t be able to win against the Swift Team, no matter how hard she practises. Ouch, what a great dad… Kayla asks Will to teach her the Cloud 9, seeing that as her best chance at beating Skye and the Swift Team. He says Kayla isn’t fearless enough for that move, but really, I think he just doesn’t want to relive the bad memories he has of it. Kayla gets really frustrated that all these people don’t believe in her, so she does something a bit reckless. She uses her dad’s helicopter to take her to Tyson’s Peak. Even the pilot isn’t sure about it, but he does as he’s told. Kayla is filmed from the helicopter, to document Kayla’s descent down the mountain, without her knowledge. This is broadcast live on the news. Though it looks difficult and energy-zapping, Kayla boards down the mountain, but when she stops at the end of a ledge, ready to go down again, there is an avalanche right behind her. Kayla tries to outrun it, but, obviously, she can’t. Luckily, Will is watching the news and races over to the spot where she was buried under snow. Using Donald to find her, Will digs Kayla out of the snow. Oh, good, she’s not dead. Phew – that could’ve been really bad. And not very Disney…

Because of Kayla’s stupidity – I mean, fearlessness – Will then decides he will teach her the Cloud 9. Will also finally gets back on his board too, choosing to join their team for Fire and Ice. He crashes out on his first attempt on the half-pipe but he’s ok and knows he needs to trust himself now. Teaching Kayla the Cloud 9 proves to be a difficult task as she continues to wipeout every time, not mastering much of it. As she heads off for a break, Nick comes up to Will and tells him he should stop making her do this before Kayla gets hurt too. This could all be mind games, since Nick is in a relationship with Skye all of a sudden, or maybe he does care about Kayla. Either way, it gives Will something to think about. Nick’s dad has also seen Kayla practising the Cloud 9 and starts to think she could beat Skye.

After Kayla falls trying the Cloud 9 once again, Will says he won’t teach her it anymore because she can’t get it right and there isn’t enough time. The two argue – and then kiss. Not the most romantic of settings for a first kiss, but oh well!  Nick’s dad speaks to Kayla as she heads home and apologises to her, saying she should be on their team tomorrow, inviting her to rejoin Swift for Fire and Ice.

At Fire and Ice, Kayla is late, and Will starts to worry. She soon arrives – but she’s wearing a Swift jacket, much to Sebastian’s delight. As he is about to rub it in Will’s face that their snowboarder has rejoined the “dark side”, Kayla takes off her jacket, saying she forgot to return her gear when she was first kicked off and has no intention of rejoining Swift. Will’s mother then comes over with their new team jackets, their name being the Hot Doggers, sponsored by the kennel, of course. The men get to go first, with Will putting out an impressive first run, not matched by Nick. Nick’s second run is much better and he wins the men’s competition. Now, for the women. Kayla is ahead of Skye after the first run, but Skye brings it back in her second run. No pressure now, Kayla!

Just as Kayla is about to do her second run, her father comes over to her and apologises for underestimating her. Nick’s dad laughs at this, thinking this is no way to keep a clear head before a competition. This angers Nick because he wishes his dad was supportive like that, not even caring that he just won the men’s competition here. Nick tells Kayla, in front of everyone, that the incident with the sled was no accident. It was a deliberate attempt to get her kicked off the team because Sebastian never thought she was good enough and didn’t want her there anymore. This gives Kayla some great motivation to win now and show everyone what she’s made of.

Kayla goes out for her second run, successfully completing the Cloud 9 and giving her a perfect score. This is enough to win both the women’s competition and for The Hotdoggers to become the overall team winner of Fire and Ice. Kayla, Will, Sam, and Dink celebrate their victory along with their families. Even Sebastian has to admit that Kayla is a very worthy winner and is now full of regret that because of his arrogance, coldness, and obsession with winning, his team lost a great snowboarder. That’s karma for you.

CHARACTERS & CAST

Kayla Morgan starts off thinking she’s wonderful and amazing. Her dad owns the resort; she lives in a huge lodge in a beautiful ski resort; she gets to buy what she wants whenever she wants; she has a cute boyfriend; and to top it all off, she’s supposedly the best women’s snowboarder around. Everything is rosy for Kayla, until a stupid stunt-gone-wrong spoils it all. She learns that her father, her boyfriend, and her coach never believed she was a good snowboarder; she has to work in a kennel after school; her boyfriend breaks up with her, and then she is replaced on the team by someone much better than her. Kayla doesn’t think much of Will Cloud initially, but the more time they spend together, at the kennels and on the slopes, the closer they become. Kayla becomes a better snowboarder and a less selfish person because of Will. Let’s face it; she was quite self-absorbed at the start of Cloud 9!

Dove Cameron was cast as Kayla. She was performing the dual role of both Liv Rooney and Maddie Rooney in the Disney Channel series Liv and Maddie (2013-17) at the time of filming on Cloud 9. She then starred as Mal in the Descendants trilogy from 2015 to 2019. Since Descendants, Dove Cameron has continued to act on screen, for example in the musical comedy series Schmigadoon! (2021-23), and having a voice role in the animated series Big Nate (2022-present). She released her debut album Alchemical: Volume 1 in December 2023 and her song “Boyfriend” was a viral sensation in 2022.

Will Cloud used to be a great snowboarder, even better than any of the members of the Swift Team. After his accident, which left him scared to ever snowboard again, he pretends that he isn’t bothered by it, despite his friends asking him for advice and being mocked by the Swift Team. Instead, Will throws himself into helping with his mother’s dog kennel, bonding with the dogs, especially Donald, and wanting to make this business a success for his mum. Thanks to Kayla, Will learns that he needs to continue with snowboarding, despite his fear of wiping out again, because he loves it. It’s a shame he didn’t manage to land his Cloud 9 trick himself, but after Fire and Ice, I’m sure Will planned on finally landing it, and banishing those bad memories from his mind forever.

Will Cloud was played by Luke Benward, who had already starred in the films How to Eat Fried Worms (2006) as Billy Forrester; the DCOM Minutemen (2008) as Charlie; Dear John (2010) as Alan Wheddon; and the DCOM Girl vs. Monster (2012) as Ryan, prior to his role in Cloud 9. Benward had also appeared as Beau, Teddy’s boyfriend, in the final season of Good Luck Charlie (2010-14) and as Dillon Sanders in the short-lived Pretty Little Liars spin-off series Ravenswood (2013-14) around the time of Cloud 9’s release. In 2018, Benward was cast as Bo Larson in the Netflix movie Dumplin’.

Nick Swift is the son of the Swift Team coach, so you might automatically assume he gets special treatment and thinks he’s the best snowboarder ever. This is not the case, and that is because Nick’s father, Sebastian, is incredibly hard on him and doesn’t believe in giving praise to his own son, no matter how much Nick works on his snowboarding. Their relationship is quite strained, but Nick constantly fights for his father’s approval, by going along with his plan to kick Kayla off the team with the sled incident, despite him knowing that was not the right way to go about, and by winning the Fire and Ice Men’s Competition. Sebastian still doesn’t seem proud of his son even after all that, instead spending too much time stressing about whether Kayla might beat his new star female boarder, Skye. Though I can’t tell if Nick actually did care about Kayla in a girlfriend-capacity, he clearly cared about her well-being, and didn’t want her to injure himself trying to do a trick just to impress other people, and feels guilty for the part he played in getting her kicked off the team.

Nick was played by Mike C. Manning, who was cast as Caleb McKinnon in the web series The Bay (2010-present) which won numerous Daytime Emmy Awards. Manning himself won a Daytime Emmy for his role here. Manning also went on to appear in the web series Youthful Daze (2012-16), and in Season 6 of This Is Us (2016-22) as The Manny.

Skye Saylor is an amazing female snowboarder, even being somewhat of a celebrity figure when she arrives at Summit Valley to join the Swift Team. She knows all about Kayla Morgan and how she’s never worked hard to be a good snowboarder, just having wins handed to her on a plate by only going up against girls worse than her. Skye doesn’t fear Kayla as a competitor at Fire and Ice at all, actually finding it quite comical that Kayla thinks she would even have a chance against her. Skye then goes out with Nick, Kayla’s boyfriend, probably more as a means to mess with Kayla psychologically before the competition instead of this being a genuine relationship. It’s not until Skye sees Kayla getting down Tyson’s Peak in one piece, barely, and then practising the Cloud 9 with Will that she starts to see Kayla as a threat at snowboarding. Skye tries her best at Fire and Ice, but once Kayla lands the Cloud 9, Skye knows she won’t win – and honestly, I think she’s ok with that. I don’t think Skye wanted to be involved in Sebastian’s plots and schemes to humiliate Kayla any more than Nick did, but they have to listen to their coach, even if he is jerk.

Kiersey Clemons was cast as Skye, having appeared as Kira Starr in the Disney series Austin & Ally (2011-16) prior to her role in Cloud 9. Clemons went on to be cast as Cassandra in the movie Dope (2015), and Beth in Neighbors 2: Sorority Rising (2016). More recently, she starred as Darling in Disney’s live-action remake Lady and the Tramp (2019), and then as Iris West in Zack Snyder’s Justice League (2021) and The Flash (2023). She currently stars as May in Monarch: Legacy of Monsters (2023-present).

Some of the actors who played Kayla and Will’s friends were no stranger to Disney at the time of working on Cloud 9 either. Will’s friends are Sam and Dink. They both like to snowboard, but they aren’t as naturally gifted as Will. Sam is constantly getting injured, for example even seeing double at one point after a bad practice session. Dink spends a lot of time talking about the weather, I guess so he knows the best time to snowboard, but it might be a potential career path for him if the snowboarding doesn’t work out! Dink was played by Carlon Jeffery, who played Cameron Parks, Chyna’s older brother, in the Disney Channel series A.N.T. Farm (2011-14). Sam was played by Andrew Caldwell, who I instantly recognised from his role as Thor in Hannah Montana (2006-11). Caldwell has since gone on to appear as Jude in the movie The Matrix Resurrections (2021), and as Harley Johns in Season 3 of iZombie (2015-19). Kayla’s friend Pia was played by Victoria Moroles, who played Andie in Liv and Maddie (2013-17) alongside Dove Cameron. Moroles was also cast as Hayden Romero in Teen Wolf (2011-17) around this time.

Finally, I’ll talk about the dads in Cloud 9. The dads here are much less supportive than the mothers. We’ve got Sebastian, Nick’s father, who cares too much about winning to be a caring and encouraging coach for his snowboarders. He pressures them to do well and seems to be teaching them that it’s fine to play dirty as long as you win, which is the complete opposite of what good sportsmanship should be. Sebastian has no business being a coach for any type of sports team, at least not when children and teenagers are involved! Jeffrey Nordling was cast as Sebastian. He had previously played Coach Orion in D3: The Mighty Ducks (1996) and Richard Mackey in TRON: Legacy (2010). On television, he appeared as Nick Bolen in Desperate Housewives (2004-12), and in the recurring role of Gus Easton in So Help Me Todd (2022-24) most recently.

I’d like to say Kayla’s dad, Richard, is a better dad than Sebastian, but he’s really not. Richard has encouraged Sebastian to rig all these snowboarding competitions that Kayla has competed in because neither of them want the team to lose. I think Richard does this, not so Kayla isn’t embarrassed by a loss because losing is a part of life, but so that he is not embarrassed by her, since he is the owner of the ski resort. Richard then tells his wife that despite Kayla practising, she’ll never be able to win against the Swift Team, which is an awful thing to say. If you don’t have your parents in your corner at that age, then who else have you got? Richard isn’t all bad though, as he does apologise to Kayla for underestimating her, and encourages her to smash her second run at Fire and Ice, believing finally that she can win. This is more than Sebastian does for his own child.

Richard Morgan was played by Patrick Fabian. Fabian is perhaps best known for his role as Howard Hamlin in the Breaking Bad spin-off Better Call Saul (2015-22), but he also has a bit of history with Disney, having been cast as Thantos in the DCOM Twitches Too (2007). Fabian was also cast as Matt MacLaren in The Other Zoey (2023) recently. But if you’re “cool” like me, you’ll know him as Professor Lasky from Saved by the Bell: The College Years (1993-94). You know, the guy who broke up Zack and Kelly, and then broke Kelly’s heart. I remember hating Professor Lasky when I was younger, watching this series when it was re-run on Nickelodeon in the 2000s, but I got to watch it back this year, and he was actually a great character. I can totally see the appeal now…

MUSIC

Despite featuring the talents of Dove Cameron and Luke Benward, who had both sung for previous Disney Channel projects, Cloud 9 is not a musical. That’s perhaps a good thing because singing when snowboarding is probably not an easy, or even safe, thing to do!

There was an original song written for the movie, and it was performed by Cameron and Benward, having been written by Dan Book and Alexei Misoul. This song is called “Cloud 9”, which isn’t a very original title, but it is quite a good song if you like catchy pop tunes. I do, so I quite like it. This song plays during the montage of Will training Kayla and the dog kennel being renovated. It is also the End Credits song, playing alongside a few outtakes. “Cloud 9” was released as a single just before the movie’s release, and it is also a track on the compilation album Disney Channel Play It Loud.

There are also a number of other songs used within Cloud 9 for background music and to accompany the various snowboarding scenes.

During the opening sequence, the song “Fly High” by The DNC is used. Soon after, Nick and Kayla are casually snowboarding as the song “Champion of the World” by Menya is heard. At the party for the Swift Team early on in Cloud 9, the song “Across the Sky”, by Photronique feat. Don Benjamin plays. The song “Wotever Dude” by Robbie Nevil is playing as Kayla begins her second day of work at the kennels. Just before Kayla “hits” Donald the dog with her car, the song “I’m Feeling Good” by Deanna seems to be playing on the radio.

Now to the snowboarding scenes. As Kayla performs for the first time in the movie, in one of those rigged competitions, “Zoom, Zoom, Zoom” by Cut One and Meg Cottone is played. Later, Kayla sees Skye training for the first time and “Cross the Line” by Superchick plays. “Never Too Late” by The PCH Crew feat. Mayru is used for when Will first gets back on his board. When Kayla is practising her snowboarding and the Cloud 9, the song “Feisty” by Shoshana Bean is playing, and later, “Nothing’s Gonna Stop Me Now” by Michele Vise Maslin can be heard. At Fire and Ice, during the men’s run, “I Want It All” by Krankheadz is heard. For the women’s run, “One Girl Revolution” by Superchick plays. This is such a great song, and for Disney Channel movie fans, you can also hear it in Cadet Kelly (2002).

I could not find the song that is playing as the Swift Team and friends arrive at the party, despite using Shazam to help and the lyrics being clearly audible. This was the same problem I had with the music playing as Kayla sees Skye training for the second time.

PRODUCTION

Cloud 9 was filmed at ski resorts in Utah, with one of those being Park City Mountain Resort. Dove Cameron and Luke Benward were spotted filming the scene of them eating ice cream and walking down the sidewalk in February 2013, this street being Park Avenue. They also filmed at Park City High School in the area. The news report also stated that snowboarding champion and three-time Olympic gold medallist Shaun White was one of the producers on this new Disney movie[1].

Apparently, during filming, the temperature got to as low as -50F, so cold that post-production was used to edit out clouds of breath from the actors. Facial hair was also freezing, and kissing scenes were made difficult by the freezing temperatures!

Filming went on at the ski resort for around two months. There was supposedly a strange rule that the cast and crew had to follow, around toasting marshmallows. They said in an interview that they were only allowed to do this on Wednesdays, and kept getting caught doing this on other days in the week. They claimed they ended up making s’mores for the security guards to get around the restrictions. Random[2].

Since there is a lot of snowboarding in the movie – duh – the cast were given two weeks of snowboarding training with instructors, where they worked on turns, stopping, going down slopes etc., to make them look like natural boarders. They even got to go on the steep half-pipe that is seen in the film, which was scary, even to those who had snowboarded before[3]. I don’t know exactly how many of the cast had snowboarded prior to Cloud 9, but they all looked quite comfortable on their boards, so I’m thinking many of them had already had some experience of it. As I am not a snowboarder, I cannot comment on how difficult the snowboarding in the movie actually is. For the stunts and tricks, these were completed by a team of experienced boarders.

Cloud 9 was directed by Paul Hoen. Hoen began his over two-decade career with Disney Channel by directing The Luck of the Irish (1999) back when Disney Channel were experimenting with their new way of making television movies. After this, Hoen went on to direct many more musical and non-musical DCOMs, including Eddie’s Million Dollar Cook-Off (2003), Jump In! (2007), and all of the ZOMBIES movies[4].

As well as the movie being produced by Disney Channel, Ashley Tisdale is also credited as an executive producer, through her company Blondie Girl Productions, which she set up around 2010. Tisdale liked the mass appeal of the story and thought the message about believing in yourself was important to the usual Disney Channel audience[5]. Tisdale is well-known to Disney fans as the actor who played Sharpay Evans in the incredibly popular High School Musical franchise.

RECEPTION

Cloud 9 premiered on Disney Channel in the US on 17th January 2014. It then went out to other countries between February and June. It’s winter in Australia in June, don’t forget!

The US premiere date meant that Cloud 9 was released just a couple of weeks before the start of the 2014 Winter Olympics in Sochi, which, no doubt, was not coincidental in the slightest. It was also a part of the “JaNEWary” event on Disney Channel that seemed to be an annual event at some point, where Disney Channel aired new movie premieres, new series, and new episodes of their popular series[6]. On the day that Cloud 9 premiered, for example, it was followed by the first episode of the new Disney Channel series I Didn’t Do It (2014-15), which starred Olivia Holt, who was cast alongside Luke Benward two years earlier for the DCOM Girl vs. Monster (2012).

Cloud 9 was the day’s most watched cable program on its premiere date, with just under 5 million viewers tuning in to watch the new movie. It became the No. 2 telecast on any network during the winter season, sitting behind Disney Channel’s “Good Luck Jessie: NYC Christmas” episode which aired in November 2013[7].

In terms of reviews, these are usually always mixed for Disney Channel Original Movies. Starting with the more negative reviews, some found the movie to be predictable and plain, following the usual storyline of a sports film, i.e., the main character doesn’t think they are any good and must learn to be great for a competition that they’ll go on to win. Others also said the characters were quite clichéd with the jerk boyfriend and his overbearing father, and the mean girl replacement. I can understand this comment to some extent, but I do think all of those characters have some character development and growth in Cloud 9, as Skye was never really the mean girl, and Nick has a complicated relationship with his father which takes a step to being healthier by the end of Cloud 9.

For positive reviews, there were comments around the great chemistry between the two lead actors of Dove Cameron and Luke Benward, and the acting was deemed pretty good overall. The catchy main song “Cloud 9” was also a pleasant addition to the movie for many, who found it to be generally enjoyable with a good message about believing in yourself and overcoming fear. Others also liked the nice scenery of a snowy ski resort. I was one of those people. Although I don’t want to go out in the snow, I’m quite happy looking at it, preferably through the window of a cosy, warm building.

LEGACY

Cloud 9 did not receive a sequel, which was not unexpected. The movie has a complete plot and there is little room to push the story any further.

Although Cloud 9 went no further, Dove Cameron did go on to become a major star for Disney Channel. Alongside her role as Liv and Maddie Rooney in the popular Disney Channel series, Cameron went on to star as Mal in the DCOM Descendants (2015), going on to work on two further movies for the Disney franchise, alongside other spin-offs. This propelled her into global stardom, as both an actor and a singer.

Sadly, the much-loved DCOM sports movies that were so popular in the 2000s did not continue to be made much after Cloud 9. It had been the first movie of this type since 2007, when Jump In! and Johnny Kapahala: Back on Board aired on Disney Channel. Den Brother (2010) involves ice hockey, but I’d disagree that it is the primary theme of the film.

Since Cloud 9, few DCOMs have involved sports. One that does is The Swap (2016), featuring both ice hockey and rhythmic gymnastics, but again, this is not the main purpose of the story. Back of the Net (2019) seems to be the most recent sports movie from Disney Channel, following a teenager who accidentally ends up at a football (soccer) academy. 

FINAL THOUGHTS

Sports movies have been around for decades, whether based on a true story, perhaps of an individual or team wanting to compete at the Olympics, or a fictional story about real sports.

These types of movies remain a good source of inspiration for people who might want to try out a new sport, or could motivate someone to go after the highest possible achievements in their specific discipline.

With Cloud 9 being released around the time of the 2014 Winter Olympics, this timing might have got more young people interested in the global event, which can sometimes be dwarfed by the warmer, more far-reaching Summer Olympics, at least in some countries.

Having a movie like Cloud 9 on Disney Channel would have surely encouraged children and teenagers to try out snowboarding, on vacation or at a local snowdome. Snowboarding is, after all, still considered quite a cool sport.

Personally, I’d be too scared about breaking all my bones, or even my neck, to try it out – but that’s just me. I’m fine just being a spectator to others’ sporting successes.


REFERENCES

[1] Credit: Jay Hamburger, ‘Park City becomes Disney land for movie shoot’, ParkRecord.com, 22nd February 2013.

[2] Credit: Alex Abel, ‘5 Behind-The-Scenes Secrets From Disney’s New Movie Cloud 9’, Seventeen.com, 17th January 2014.

[3] Credit: Disney, ‘Cloud 9 – Behind The Scenes – Part 3’, Disney Channel UK  YouTube Channel, 21st February 2014.

[4] Credit: DCOMers!, ‘A Conversation with the Disney Channel’s Paul Hoen’, Medium.com, 24th July 2020.

[5] Credit: Jake Perlman, ‘‘Cloud 9’ hits the slopes in the world of competitive snowboarding’, EW.com, 18th December 2013.

[6] Credit: Jake Perlman, ‘Watch Dove Cameron and Luke Benward in Disney Channel’s ‘Cloud 9’’, EW.com, 13th January 2014.

[7] Credit: Rick Kissell, ‘Disney Channel Takes Gold With ‘Cloud 9’ Movie, New Comedy’, Variety.com, 21st January 2014.