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Posts by The Disney Purist

Blogger. Film Reviewer. Appreciator of most things Disney.

High School Musical 3: Senior Year (2008)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

It was official. High School Musical 3: Senior Year was coming to a cinema near you.

It was time to end this trilogy, which had actually only been in our lives for less than three years, but it was still a momentous occasion for all the fans that had been following the journeys of Troy, Gabriella, Chad, Taylor, Sharpay, and Ryan. It all came down to this one moment: senior year, and what was coming next for the Wildcats.

The fact that High School Musical as a film franchise became as big as it did is crazy. The first two were only TV movies after all, but they went stratospheric, so those dedicated fans probably felt that High School Musical 3: Senior Year not only deserved to be released theatrically, but that it absolutely had to be – I was just one of those fans.

This wasn’t even the first time a movie that would be considered a Disney Channel Original Movie, rightly or wrongly, was released into cinemas first. The first of this hybrid was The Lizzie McGuire Movie back in 2003, and it was modestly successful. High School Musical had a much bigger fanbase so it could only do better than that. Hannah Montana: The Movie followed in those giant footsteps in April 2009 and was also a financial success, although not at the same level as High School Musical 3: Senior Year.

I remember seeing High School Musical 3 at the cinema. It felt great to be in a room full of other High School Musical fans, mostly tweens and teens, even hearing the collective screams as the titles rolled, followed by more screams as we saw an intense close-up of Zac Efron’s sweaty face. At least, I thought there was screaming; maybe I imagined it!

I went to see High School Musical 3 with my mum and my sister. It was October 2008, so October half-term for UK schools. I was 15, getting ready for my GCSE exams, whilst my sister was a school year older than me, and was starting to think about university, kind of mimicking the storyline that played out before us. This plot point caused my mum to cry throughout the movie, as she thought about my sister leaving the family home and heading off to uni. To be fair, my mum cries at pretty much any film she watches, but there was something more personal to it this time. I’m sure many teenagers watched Troy’s confusion and related to it, as well as parents thinking about their children’s college futures.

I wasn’t thinking about university at this stage, I still had time to revel in the delights of Disney Channel movies without taking them too seriously, and yet High School Musical 3 was an emotional turning point for me – because it was the first movie to really make me cry.

PLOT

High School Musical 3: Senior Year begins as the East High Wildcats take on the West High Knights in what is the last game of Troy, his best friend Chad, and the other seniors’ high school basketball careers. They’re losing, 47-26.

The dejected team return to the locker room at half-time. Coach Bolton leads a motivational speech, telling the team to ignore the scoreline and to focus on the fact the seniors only have 16 more minutes left to play in Wildcat uniform. Troy and Chad then lead the team back out onto the court, pumped up and ready to give the last few minutes their all. The Wildcats fight to get back in the game, although Troy is pushed to the ground at one point. He sees Gabriella in the crowd, who wills him to continue. With seconds to go, the Wildcats need one more shot to win. Troy gets the ball, but passes it to a freshman player, Jimmie Zara, also known as “Rocket Man”. He takes the shot, and they win the game.

Their championship win is celebrated with a victory party at Troy’s house, attended by East High students, parents, and even college recruiters from the University of Albuquerque, here for Chad and Troy. The two are late to the party, as they have to push Troy’s truck home! Once there, they are immediately surrounded by well-wishers, but Troy just wants to speak to Gabriella. He takes her to his treehouse so they can talk. They discuss their college plans, with Troy not so sure about following in his father’s footsteps and playing basketball at his alma mater. Gabriella has already been accepted to Stanford University, but she isn’t too excited about it. The two wish for everything to slow down.

The next day at school, as the school celebrate the championship, Sharpay is too self-absorbed to notice! At her locker, Sharpay finds a freshman girl there. This girl is Tiara Gold, an exchange student from England, who wants to be Sharpay’s personal assistant. Sharpay agrees to let Tiara have the job. Meanwhile, Rocket Man has asked Troy for his gym locker, since he expects to be the basketball captain soon. Troy says he’ll think about it.

Heading into homeroom with Ms. Darbus, we hear that senior year is looking busy, with finals, prom, yearbook committee, and the spring musical. Sharpay excitedly talks about her plans for the musical to be a one-woman show, featuring her, which concerns Ms. Darbus, wondering why more people didn’t sign up. This causes Kelsi to panic and write down the name of just about every student in homeroom. They are annoyed at Kelsi, even Troy, Chad, and Taylor, who don’t believe they have time to fit in rehearsals for a musical. Kelsi and Gabriella club together to try and convince the others to do this last school musical. It’s not until Troy says he’ll do it that the others reconsider. Ms. Darbus then arrives, with Sharpay and Ryan, and says the musical will be about them; a recreation of their senior year, with Kelsi composing the music, and Ryan doing all the choreography. She also announces that representatives from Juilliard will be attending the musical, as they consider four students for scholarships: Kelsi, Sharpay, Ryan…and Troy. Troy is shocked to hear this, as he didn’t apply, but he can’t deny being at least a little bit interested.

At lunch, Sharpay talks to Ryan about how and why Troy is being considered for a Juilliard scholarship, wondering if Troy is threatening her chances of getting this one coveted scholarship. Sharpay tries to get Ryan to focus, by thinking about their futures on Broadway. She tells Ryan to get close to Kelsi, so they can get the best songs, since Kelsi normally writes those for Troy and Gabriella, but they’ll need the edge over Troy this time.

The next day, Taylor and Gabriella discuss the musical, as Taylor reminds Gabriella that if she gets on to the Stanford honors program, then she won’t even be here to do the musical. Gabriella would rather not think about that right now, and goes to the school’s rooftop garden to meet Troy. Troy asks Gabriella for her opinion on what colour jacket he should wear to prom, and presents her with two tickets, which, as Gabriella says, is almost like asking her to prom! He then asks Gabriella if they’ll have to waltz at prom, because the theme is “The Last Waltz”. She says she can teach him, and the couple proceed to waltz in the rain together – until they realise they’re late for class.

Chad and Troy then head to the gym locker room, where they take Rocket Man and friend Donny’s clothes, telling them it is locker switch day. However, this isn’t going to be a simple switch as Chad and Troy remind the freshmen that they had to “earn” their lockers. So, naturally, Chad and Troy lead the two on a chase through the school, with Rocket Man and Donny only in their towels. They end up at the school theatre, interrupting a warm-up exercise. Rocket Man and Donny are suitably embarrassed, and to make it worse, Taylor and Gabriella take a photo of them for the yearbook. Ms. Darbus tell the boys to get dressed, so Troy and Chad hand back their clothes, and gives them detention. After school, Troy takes Gabriella home, although his truck is still struggling. There, the two talk about college again, but their conversation is interrupted by Gabriella’s mother. Troy goes home.

 Back at school, Chad and Troy meet up with Taylor and Gabriella in the yearbook office. They arrive with brownies, in order to “bribe” them for good yearbook coverage. Chad starts talking about prom, assuming that Taylor is going to go with him. This annoys her, as she wants Chad to properly ask her to prom. At lunch, Troy helps Chad, by silencing the cafeteria, so Chad can ask Taylor to prom, in front of everyone. This seems to be embarrassing enough, so Taylor accepts, saying she’d be honoured to be his date to prom. We then see the Wildcats preparing for prom; however, it turns out this was all just a rehearsal for the musical as they stage the perfect prom. At the end of the dance, Rocket Man and Tiara are tasked with being understudies for the musical by Ms. Darbus. We also see Sharpay pressuring Ryan to speak to Kelsi about music again.

The next day, Gabriella shows Taylor a letter saying she got onto the Stanford honors program, but she admits she hasn’t decided what to do about it yet, not even telling her mother. This conversation is overheard by Tiara, who is dropping off Sharpay’s yearbook photos. She alerts Sharpay to this update. They research the program further, printing the information off so they can tell the whole school about it. Meanwhile, Ryan hears Kelsi playing a new song. He asks to hear it, and sings along with her, also asking her to be his date to prom. This song is then rehearsed by Troy and Gabriella as their big duet for the musical, making Sharpay jealous, as it is a big hit.

After school, Troy and Chad head to the salvage yard to try and finally fix Troy’s truck. Whilst there, the two talk about college, as Troy is continuously being reminded of the fact he’s expected to play basketball for the University of Albuquerque next year, but he still doesn’t know if he wants that. This makes Chad concerned that Troy would potentially go to Juilliard if he got the scholarship, and tries to talk him out of it because that U of A has always been the plan. Troy reminds Chad of their childhood, where there weren’t any plans or expectations, and they could pretend to be whoever they wanted to be.

At Gabriella’s house, Gabriella and Taylor talk about Gabriella potentially deferring her place at Stanford for a year, and not going on the program that starts the following week. Taylor tells Gabriella that is all a mistake and she can’t put her life on hold just to be with Troy, no matter how great he is. Gabriella’s mum comes into the room, and Taylor leaves so they can talk. Her mother reminds her that high school might feel really important now, but it won’t in the future, and she should focus on what is coming next. Gabriella is heartbroken about the idea of having to say goodbye to everyone so soon. Troy is having a similar problem, as his parents discuss with Chad and his parents over dinner their excitement about Chad and Troy’s college future in Albuquerque. Troy and Gabriella fear that everything is happening too quickly, and they just want to focus on right now. This sequence appears in the extended edition of High School Musical 3: Senior Year.  

The following day, Sharpay tells Troy the good news, about Gabriella being accepted onto the Stanford honors program. Troy doesn’t know anything about it, so Sharpay says he clearly doesn’t know because Gabriella isn’t considering going on it. She knows Troy will feel obligated to talk her into going. That is exactly what he does that evening, going to her house with a picnic of pizza and chocolate-covered strawberries. He reminds Gabriella that she can always come back for prom and graduation. Gabriella accepts that as a compromise, and goes off to Stanford with her mother, although she is rightly devastated.

The musical must go on without Gabriella though, as she won’t be returning for that, so Ms. Darbus instructs Sharpay to now play Gabriella, as they were all playing themselves, and Tiara will now be Sharpay. Nothing feels right though and rehearsals are a bit of a disaster… That evening at home, Troy is confronted by his father about why he has a brochure for Juilliard, not believing that Troy is going against their plan of Albuquerque. Troy reminds his father that Albuquerque was always his plan, not Troy’s, and angrily, Troy goes to the school, puts on his basketball jersey, and tries to stop himself feeling so conflicted. He ends up on the school stage and screams into the darkness. Except he isn’t alone, as Ms. Darbus is still at the school, working out how to get the musical back on track. She tells Troy she applied to Juilliard on his behalf, wanting him to consider other options now whilst he still had time to. He appreciates what she has done, but he is still confused.

Later, Troy and Chad pick up their tuxedos for prom in a few days. Troy then gets a call from Gabriella, saying she won’t be coming back for prom, as she’s only just gotten used to being away from him and doesn’t want to keep saying “goodbye”. Troy tells Chad all this, with Chad simply saying Troy will have a nice time at prom with his friends, and they’ll still have each other next year at the University of Albuquerque. Troy says he doesn’t plan on missing his prom – but forgets to mention that his prom is actually going to be in Stanford with Gabriella. He drives all the way there to surprise her, and the two dance around a tree on the campus. This leads to a fantasy sequence, where we see all the Wildcats dancing at prom together, including Troy and Gabriella, despite them being miles away. Troy tells Gabriella that East High changed when she arrived, and that it has changed again now she’s gone. Nobody wants to say goodbye to her, so they head back for the musical.

On the night of the musical, Rocket Man gets a text from Troy, saying he won’t be there for the first act, but hopes to be there for the rest of it, so as the understudy, Rocket Man will have to go on as him. He is in shock. Sharpay is warming up, and keeps asking for Troy, but despite Donny trying to tell her that Rocket Man will be going on for Troy, she doesn’t listen and gets ready for her big duet. The rest of the students go on, with Ryan and Kelsi introducing the show; Chad recreating the basketball game; and Ryan mimicking his potential future Broadway performance. We then get to Troy and Gabriella’s duet. Sharpay arrives on stage as Gabriella and starts to sing, but Troy does not show up, and Rocket Man misses his cue. As Sharpay stands there panicking, in front of her parents and the Juilliard representatives, Rocket Man finally shows up on stage, dressed completely inappropriately and acting way too excited! The audience laugh but Sharpay is horrified and runs off stage. She then sees Troy and Gabriella arrive and sarcastically tells them to go and save the day.

Back in her dressing room, Sharpay sees Tiara has stolen her dress for the show and plans to go on as Sharpay. Sharpay learns that Tiara was using Sharpay to get to grips with how the school works, so she can take over the drama club next year. Sharpay is surprised, but learns that Tiara transferred here from London Academy of Dramatic Arts. Troy and Gabriella do their duet as this is going on and all the Wildcats join them on stage in a tearful reunion. It is then time for Sharpay – I mean, Tiara’s – number. Tiara begins the performance, only for Sharpay to rock up and take the spotlight away, having gotten over her pity party!

The musical ends with all the seniors lining up on stage, as it is announced where they are all going to college. Here, Ms. Darbus announces that both Ryan and Kelsi got scholarships to Juilliard, with Juilliard accepting both of them due to the quality of their work. Taylor is going to Yale to study political science, and Sharpay is attending University of Albuquerque for performing arts, also being available to help Ms. Darbus with the drama club at East High, upsetting Tiara. Then, it is time for Troy to make his decision. Troy announces that he will be doing both theatre and basketball, but not at Albuquerque. He’s decided to go to the University of California, Berkeley, so he can be close to Gabriella as she studies pre-law at Stanford, which will only be 32.7 miles away. It’s actually more like 40 miles but who’s counting! Chad is announced as having a basketball scholarship to the University of Albuquerque, but he’s not on stage. Troy finds him on the basketball court. Chad is just a little disappointed Troy won’t be at the same college, but he is pleased to find out that their two colleges will play against each other in November. Coach Bolton comes in to tell the two to get back on stage, the first time he’s ever said that!

Then, it is time for graduation, where Troy gives a speech, about how the students here are taught to break the status quo, whether that is a basketball player who likes to sing, or one who likes to bake. He also mentions how the right person, i.e., Gabriella, can change everyone for the better. Troy ends his speech by saying they will always be friends, and they will always be Wildcats. The graduating class comes together, making the famous Wildcats logo, before throwing their caps in the air. They all celebrate.

The movie ends with Troy, Gabriella, Chad, Taylor, Sharpay, and Ryan separating themselves from the group on the field, and a red curtain falls in front of them. They are then transported to a stage, where we see the High School Musical logo come down, and we get a close-up of each of the six, as they say goodbye to all of us, giving their final curtain call.

CHARACTERS & CAST

Continuing on from his struggles in High School Musical 2, Troy debates his college future in High School Musical 3: Senior Year. As the end of senior year comes closer and closer, Troy starts to panic at the big decision he has to make: whether to go the University of Albuquerque for his basketball scholarship, or consider something closer to Gabriella’s choice of Stanford, and whether it should involve theatre. Theatre doesn’t seem like an avenue Troy was ever considering, but that was before Ms. Darbus submitted an application on his behalf for Juilliard. Eventually, Troy decides he can’t just go to Albuquerque because his father went there and Chad is going; he has to decide what’s best for him. Troy chooses to be close to the girl he loves, and pursue what interests him.

Zac Efron returned to round out his role as Troy Bolton in the High School Musical trilogy. Shortly after High School Musical 3: Senior Year, Efron played Young Mike O’Donnell in the teen rom-com 17 Again (2009), which also starred Leslie Mann, Matthew Perry, and former Disney stars Michelle Trachtenberg and Sterling Knight. He went on to try out a more dramatic role with the title role in Charlie St. Cloud (2010). He also voiced Ted Wiggins in the animated film The Lorax (2012). Efron has since gone on to star in a variety of movie genres, with just a few of these being Teddy Sanders in Neighbors (2014) and its 2016 sequel; Matt Brody in the remake of Baywatch (2017); and portraying serial killer Ted Bundy in Extremely Wicked, Shockingly Evil and Vile (2019). Efron also did not turn his back on movie musicals after High School Musical either, as he played Phillip Carlyle in the smash-hit The Greatest Showman (2017), alongside Zendaya and Hugh Jackman. He also had his own travel documentary series called Down to Earth with Zac Efron (2020-22), which streamed on Netflix. Efron recently starred as Chris Cole in the Netflix film A Family Affair (2024). We all knew Efron’s acting future was going to be bright.

In contrast to Troy, Gabriella has her whole future mapped out for her, starting with a place at Stanford University to study pre-law. Although Gabriella debates whether she should go to Stanford or go to University of Albuquerque to be near Troy, it’s never really a serious proposition, as she knows, her mother knows, and her best friend Taylor knows that she should never give up her future for a boy, especially as Gabriella is too intelligent to let an opportunity like Stanford pass her by. It would’ve made no sense to have Gabriella change colleges to be near Troy, so I am glad that it is Troy that changed his college plans to be closer to Gabriella – although, to be honest, I think they would’ve managed a long-distance relationship had Troy decided to stay in Albuquerque. Gabriella’s importance to the whole gang of Wildcats is also shown further in High School Musical 3, as her leaving school early to start at Stanford causes everyone to feel deflated and low. With her return for the musical and graduation, everything goes back to normal, and it is clear that Gabriella is the glue that keeps the group together, bonding them all for life.

Vanessa Hudgens reprised her role as Gabriella here. After High School Musical ended, Hudgens also appeared in a variety of screen roles. For example, one of her first was as Sa5m – the “5” is silent – in the teen comedy Bandslam (2009). She also appeared alongside Dwayne Johnson, as Kailani Laguatan in Journey 2: The Mysterious Island (2012). She later appeared in the crime film Spring Breakers (2012) with James Franco, Ashley Benson, and fellow former Disney Channel star Selena Gomez. She was also cast as Kelly in Bad Boys for Life (2020) and Bad Boys: Ride or Die (2024). More recently, Hudgens was cast in numerous Netflix films, like The Princess Switch trilogy where she played three different roles: Stacy De Novo, Lady Margaret, and Fiona. Another was playing Karessa Johnson in the musical film Tick, Tick…Boom! (2021), which was directed by Lin-Manuel Miranda and starred Andrew Garfield. This came off the back of her roles in stage musicals, such as starring as Mimi Marquez in the 2010 Hollywood Bowl performance of Rent, and as Vanessa in the Kennedy Center production of In the Heights in 2018. In 2024, Hudgens won Season 11 of The Masked Singer (2019-present) in the US, as Goldfish.

Sharpay Evans seems to believe that senior year is going to be a breeze for her, not anticipating any upstaging in “her” spring musical for a start, as she believes everyone will be too busy with other school activities to take part. Yeah, that didn’t happen. She then thinks that the Juilliard scholarship is basically already hers. Things later fall into place for Sharpay when Gabriella leaves East High early to begin a programme at Stanford, but even that falls apart when Troy doesn’t come back in time to sing with her in the debut. She hates Rocket Man, and she even sneezes whenever he gets close to her. This chaotic performance ruins her chances of a scholarship at Juilliard, and then to make matters even worse, she finds the girl who wanted to be her P.A. is actually planning to replace her once she graduates! Sharpay won’t let that happen and shows she’s the true diva at East High, as she upstages Tiara in the final performance of the spring musical. Go, Sharpay! Ashley Tisdale reprised her role as Sharpay, and more was lined up for her within this franchise.

Ryan Evans’ main task through High School Musical 3: Senior Year is to choreograph the musical. He doesn’t want to get involved in Sharpay’s games, but yet again, he is ordered to get the best music from Kelsi so she can shine in the musical, and not Troy or Gabriella. Ryan sort of plays along, more so he can spend time with Kelsi though, as they become good friends, despite being in “competition” for the Juilliard scholarship. Ryan even asks Kelsi to prom which is sweet. Ryan doesn’t like Gabriella leaving East High early, like everyone else, and actually seems to enjoy his sister’s humiliation as she attempts to play Gabriella in the musical, only for Rocket Man to come up and upstage her with his odd outfit and behaviour! Ryan does succeed in getting a scholarship to Juilliard, along with Kelsi, so they can continue putting on musicals together for years to come.

Lucas Grabeel returned to play Ryan in this third instalment of High School Musical. After his time on Disney Channel, he went on to be cast as Toby Kennish in Freeform’s series Switched at Birth (2011-17) and voiced Deputy Peck in the animated Disney Junior series Sheriff Callie’s Wild West (2014-17). Grabeel also voiced the title role in Netflix’s animated series Pinky Malinky (2019).

Taylor McKessie is very busy in her senior year, with yearbook committee and being Class President. She is all set to go to Yale University to study political science, so she is well on her way to becoming the first female President of the United States. Taylor spends much of High School Musical 3 trying to convince Gabriella that she should go to Stanford, even if that means saying goodbye to everyone at school and to Troy, understanding how much of a big deal it is and how hard Gabriella has worked for it. Taylor is also going to college without her boyfriend, Chad, so she knows what she’s talking about. Luckily, Taylor’s calm reasoning encourages Gabriella to go to Stanford. Taylor’s other mini plot point in High School Musical 3 is her wanting Chad to ask her to prom properly. It’s not a big “promposal” or anything, but she doesn’t want him to assume she’ll just go with him, unlike Troy who did just that with Gabriella, though she didn’t care. It’s quite a fun, but kind of mean, moment from Taylor, as she really makes Chad sweat over that!

Monique Coleman came back to play Taylor, going on to appear in the television series Here We Go Again (2016), and to be cast as school guidance counsellor Katina Howard in Season 3 of the web series Guidance (2015-17). She also starred alongside fellow High School Musical cast member Corbin Bleu in the festive TV movie A Christmas Dance Reunion (2021); Coleman played Lucy, whilst Bleu played Barrett.

Chad Danforth believes throughout the course of High School Musical 3 that he and Troy are heading to the University of Albuquerque together, on basketball scholarships. He doesn’t feel like all that much can change for him as long as he has his best friend by his side. He has no worries or doubts. However, when Troy starts talking about potentially going to Juilliard or doing theatre, Chad becomes a bit like his character in High School Musical, telling Troy just to focus on basketball and the plan they’ve already got, which isn’t right. Chad doesn’t want to talk Troy through some of the concerns in his head, so they get forgotten about. However, after the musical, Chad learns that Troy is not going to Albuquerque with him, but Chad knows him and Troy can keep in touch, and they should both be happy and comfortable with their college choices.

Corbin Bleu returned to his role as Chad in High School Musical 3: Senior Year. Bleu has had much success with theatre work since starring in the High School Musical franchise. For example, he played Seaweed J. Stubbs in the 2011 Hollywood Bowl production of the musical Hairspray, going on to star as Jesus in the 2011/12 Broadway production of Godspell. Bleu also played Ted Hanover in the musical Holiday Inn on Broadway in 2016. He even played Seymour Krelborn in an Off-Broadway version of The Little Shop of Horrors around 2023/24. Most recently, he starred as Nick Carraway in the stage musical adaptation of The Great Gatsby for London’s West End in 2025. Bleu was also the runner-up in Season 17 of Dancing with the Stars (2005-present) in 2013, and won the dance competition series The Real Dirty Dancing (2022) with celebrity chef Cat Cora.

Kelsi Nielsen’s main role during High School Musical 3: Senior Year is to compose the music for the spring musical, ensuring everyone is involved, and making sure her music is good enough to impress the guests from Juilliard. Kelsi once again writes a brilliant duet for Troy and Gabriella, only for it to seemingly be given to Sharpay after Gabriella leaves for Stanford. Kelsi cannot change this decision, so has to grin and bear it as Sharpay changes the sense of her romantic song, as she had done in every other High School Musical film! Kelsi did avoid outright sabotage though, thanks to Ryan, as he chose to build a real friendship with Kelsi during the course of this film, instead of just using Kelsi to help his sister, making it all the more sweeter when Kelsi and Ryan are the two to get Juilliard scholarships, because they deserve it the most, for keeping themselves out of school drama.

Olesya Rulin reprised her role as Kelsi in High School Musical 3: Senior Year. After this, Rulin went on to be cast in the recurring role of Abby in the ABC Family series Greek (2009-11) and starred as Calista Secor in the PlayStation Network series Powers (2015-16).

Outside of these main characters, many other characters returned in High School Musical 3. These include Martha, played by Kaylee Stroh, who is excited to get dancing in the musical; Zeke, played by Chris Warren Jr., still honing his baking skills and playing basketball; and Jason, played by Ryne Sanborn, who is just happy he graduated! For the adults, many of them also returned from their roles in the previous two movies. For example, Bart Johnson and Leslie Wing Pomeroy were back as Mr. and Mrs. Bolton, who are looking forward to their son playing at the University of Albuquerque, however, when Troy changes his mind about college, they are supportive of him regardless, even Mr. Bolton, who had been uncertain about Troy’s love of theatre until the end of this film. Ms. Darbus, played by Alyson Reed, also returned as the drama teacher and director of the spring musical, as did Gabriella’s mother, Ms. Montez, after appearing in the first film; she was played by Socorro Herrera. Ryan and Sharpay’s parents make a brief appearance, as audience members of the musical, after their roles in High School Musical 2. Robert Curtis Brown and Jessica Tuck were once again back as Mr. and Mrs. Evans.

There are new characters to mention as well. Two of these are Chad’s parents, Mr. and Mrs. Danforth, who attend the championship victory party and the spring musical, and have dinner with Troy and his parents, as they celebrate their sons’ basketball scholarships at the local university. Mr. Danforth was played by David Reivers, Corbin Bleu’s father. Reivers was cast alongside his son in the Disney Channel Original Movie Jump In! (2007), playing Bleu’s character’s father, Kenneth Daniels. Yolanda Wood was cast as Mrs. Danforth. Wood has had smaller roles in other DCOMs, including as Christine in Read It and Weep (2006) and as Ursula’s Mom in Den Brother (2010).

For the students, there are three freshmen that High School Musical 3: Senior Year introduces, as they cross paths with the seniors. One of these is Jimmie Zara, also known as “Rocket Man”. He is part of the basketball team, so met Troy there, where he instantly began to look up to him. Rocket Man is a little bit annoying, interrupting Troy’s conversations and bothering him occasionally, and being quite immature, but really, he just wants to follow in Troy’s footsteps by being an East High legend eventually. And he literally gets to do that, by playing Troy in the spring musical – to Sharpay’s utter shock and horror! Rocket Man was played by Matt Prokop. He guest-starred in some episodes of Disney Channel series, such as Hannah Montana (2006-11) and Good Luck Charlie (2010-14), and later starred as Josh in the DCOM Geek Charming (2011) opposite Sarah Hyland. He has not acted since 2013.

Rocket Man’s best friend is Donny Dion. Donny is also on the basketball team and looks up to Chad, wanting himself and Rocket Man to have that same friendship and dynamic as Troy and Chad do. Donny finds himself in awkward situations thanks to Rocket Man, for example, Rocket Man tries to negotiate him and Donny getting Troy and Chad’s gym lockers, but Troy and Chad seem to think they have to embarrass them first to get them to “earn” them, and because of this Donny is photographed just in a towel, alongside Rocket Man. He also gets roped into working on the spring musical as a stage hand because this escapade led to them getting detention from Ms. Darbus! Donny Dion was played by Justin Martin. Martin was cast as Young Simba in the Broadway production of The Lion King in 2006, prior to his role in High School Musical 3: Senior Year. Recently, he was cast as Young Guy Simmons in the 2023 crime miniseries Legacy, with Ving Rhames as Guy Simmons.

Tiara Gold initially seems to be a sweet girl from Britain. She wants to help Sharpay organise her life for senior year, and she is very good at it, getting her coffee and her lunch, as well as being on hand to snoop on the fellow Wildcats to ensure the musical spotlights Sharpay instead of the others. Everything seems to be fine, until Sharpay discovers that Tiara has taken over her private dressing room during the spring musical and plans to take over the drama department after Sharpay has graduated. It’s meant to seem like this ultimate betrayal, but you’d think Sharpay wouldn’t really care, as she has her sights set on bigger and better things than her high school drama club… But apparently not. Sharpay ends up outshining Tiara on stage and is announced as Ms. Darbus’ assistant for the coming year as Sharpay will be attending college locally, so Tiara does not get her way. Jemma McKenzie-Brown was chosen to play Tiara Gold, after other actresses, including Selena Gomez, were considered for the role. Prior to her role in High School Musical 3, McKenzie-Brown had appeared in the BBC drama series The Amazing Mrs. Pritchard (2006) as Georgina Pritchard. Her on-screen sister in the series was played by Carey Mulligan. It would seem that McKenzie-Brown is currently the lead singer of the band About Bunny.

MUSIC

High School Musical 3: Senior Year consists of 12 new songs that appear in the film, making this the most original songs on the soundtrack of any High School Musical movie.

The first song in High School Musical 3 is “Now or Never”, which takes place as Troy, Chad, and the rest of the basketball team get back onto the court to finish their championship game against the West High Knights. It is performed by Zac Efron as Troy, Corbin Bleu as Chad, Chris Warren Jr. as Zeke, and Ryne Sanborn as Jason mostly, although I think Bart Johnson as Coach Bolton can also be heard on this track, as well as Vanessa Hudgens as Gabriella during one moment in the song. It was written by Matthew Gerrard and Robbie Nevil. “Now or Never” is a brilliantly high-energy song to focus all on attentions on the Wildcats and get ready for what is to come.

“Right Here, Right Now” is the first of three Troy and Gabriella duets. It is first heard as the two discuss college in Troy’s treehouse whilst at the victory party. They just want to enjoy their time together now, instead of thinking about college and how they’re likely going to be significantly separated from each other for the first time in two years. It is performed by Efron and Hudgens, and was written by Jamie Houston. The song makes a return during the extended edition of the film. In the extended scene, Troy and Gabriella are struggling to get their parents to understand their conflict about college, with Troy ending up in his treehouse and Gabriella on her balcony. They then sing “Right Here, Right Now”.

Next up is Sharpay’s “look at me” song – and it’s a good one. This song is “I Want It All”, performed by Ashley Tisdale as Sharpay and Lucas Grabeel as Ryan. It was written by Matthew Gerrard and Robbie Nevil. Here, Sharpay is trying to get Ryan excited about their future on Broadway and being famous. They just need to give amazing performances during the musical in front of the Juilliard reps, and their careers are set. This is all Sharpay’s fantasy about what her life is going to be, with Ryan joining her for the ride. It’s full of big sets, backing dancers, multiple costume changes, and moments where their fellow Wildcats are working for them, It’s a real spectacle – only to then be transported back to the cafeteria!

“Can I Have This Dance” follows on from that, and it is a quiet ballad for Troy and Gabriella this time, performed by Efron and Hudgens, with the song being written by Adam Anders and Nikki Hassman. This sequence takes place on the school’s rooftop garden as Gabriella teaches Troy how to waltz. It’s a very sweet song, as we see just how in love the couple are. A rainstorm suddenly appears midway through the song as well, but that doesn’t slow them down, as they dance around in the rain together.

A little while later, just after Chad finally asks Taylor to prom, the song “A Night to Remember” is performed. It is a group number, since the Wildcats are rehearsing this song as part of their spring musical, where they are staging their senior prom. The song involves all the main cast, including Monique Coleman as Taylor, Olesya Rulin as Kelsi, and Kaycee Stroh as Martha. “A Night to Remember” was written by Matthew Gerrard and Robbie Nevil. This song sees the cast getting ready for prom, being picked up by their dates, and then arriving at prom, where Kelsi gets to have a glow-up as she arrives to prom with Ryan looking beautiful, and very unlike herself.

“Just Wanna Be with You” is the other duet for Troy and Gabriella, although it is first sung by Kelsi and Ryan, as Ryan overhears Kelsi practising this song. Troy and Gabriella then rehearse the song on the stage, where the set is being built and painted around them. “Just Wanna Be with You” is therefore performed by Rulin and Grabeel, then Efron and Hudgens. This is my favourite of Troy and Gabriella’s duets throughout the franchise. It was written by Andy Dodd and Adam Watts.

Following that, Chad and Troy get to have a moment to perform together. This song “The Boys Are Back” takes place at the salvage yard, as they reminisce about their times there where they’d play about as children. We even see Young Chad and Troy run about this yard. There is some impressive choreography within this performance, and it is a very bold song. This is my favourite song in the film, and I like that Chad and Troy finally had a song together, just about their friendship. “The Boys Are Back” was performed by Efron and Bleu, and written by Matthew Gerrard and Robbie Nevil. It is also the second end credits song.

Then, we get to the really emotional moments in High School Musical 3: Senior Year. As Gabriella is leaving Albuquerque and heading to Stanford, she sings “Walk Away”. This is a difficult time for her, as she is saying goodbye to all her friends and to Troy. She is used to moving around frequently, but she didn’t expect to have to leave them all before prom or graduation. Gabriella is just trying to stay strong and move forward before she gets too upset. “Walk Away” was written by Jamie Houston and performed by Hudgens.

Now that Gabriella has left and everything feels different, Troy starts to struggle without her. After a fight with his father, who doesn’t want to believe that Troy is considering Juilliard or even a college future that involves theatre and not basketball, Troy heads to school late at night, which isn’t really allowed, but it sets up a song for him. This song is “Scream”. As Troy goes through the school, the anger builds up in him, about Gabriella leaving and not knowing what to do about college. The song involves some big choreography, like leaping down staircases, and being in a revolving corridor, before ending on the theatre stage where Troy literally screams his heart out. “Scream” was performed by Efron and written by Jamie Houston.

After that, we get the “Senior Year Spring Musical”, which is its own track on the soundtrack, giving the highlights of the musical, even though it only actually involves one new song. That song is “Last Chance” performed by Rulin and Grabeel as Kelsi and Ryan open the show. It was written by Randy Petersen and Kevin Quinn. Other songs performed in the musical are “Now or Never”, by Chad and the basketball team; “I Want It All”, by Ryan; “Just Wanna Be with You”, first by Sharpay and Rocket Man, so Matt Prokop, then Troy and Gabriella; ending with “A Night to Remember”, performed by Jemma McKenzie-Brown as Tiara, and Sharpay. Even though we’ve already heard these songs throughout the film, I still like this track where we hear it all together for this musical.

The next number “We’re All in This Together (Graduation Mix)” is actually used twice in High School Musical 3. First, it is used at the end of the musical as the seniors line up to announce their college futures, and then again at the actual graduation just a few minutes later as Troy gives his touching speech. I don’t particularly like this version of the song, as they’ve managed to make an upbeat song sound quite melancholic, but I can see what they wanted to do with it. It was written by Matthew Gerrard and Robbie Nevil, originally for the first film’s finale sequence. It was apparently performed by the main six cast members.

These same six are credited as performing the final song of the film, “High School Musical”. It was also written by Matthew Gerrard and Robbie Nevil. “High School Musical” is an incredibly positive song, as the Wildcats think about how brilliant their high school experience was, knowing they’ll never forget it. Despite it being a cheery song, it still makes me cry, because it is, after all, a goodbye from the cast to the fans in music form.

There is also a song that doesn’t appear on every version of the High School Musical 3: Senior Year soundtrack, but it is the End Credits song. This is “Just Getting Started”, written by Jamie Houston and performed by Stan Carrizosa. A mini-music video starring Carrizosa is also playing alongside the credits. Stan Carrizosa was a contest in the ABC reality contest High School Musical: Get in the Picture, which aired from July to September 2008. The prize was a record contract with Disney and to perform the original song and be in a music video for High School Musical 3’s end credits.

There were also a couple of reappearances of songs from High School Musical 2 here. As Sharpay walks into East High for her big entrance, and first appearance in the movie, an instrumental version of her song “Fabulous” is used. You’ll also hear Gabriella’s ringtone is “You Are the Music in Me” if you listen very carefully.

Along with the film’s main songs, there were some additional tracks credited. Three of these are songs that are playing at the victory party at Troy’s house after the basketball championship win. The first song used, as Troy and Chad arrive, is “Like Whoa”, performed by Aly & AJ, who had some history with the Disney Channel as they had both starred in the DCOM Cow Belles (2006). The pop duo was signed to Disney’s own recording label Hollywood Records at the time of High School Musical 3’s release. “Like Whoa” was written by Antonina Armato, Tim James, Amanda Joy Michalka, and Alyson Michalka. It had earlier been used in the DCOM Minutemen (2008).

The second song briefly heard at this party, just before we see Troy and Gabriella in Troy’s treehouse, is “Freaky”, performed by Jesse McCartney. McCartney also seemed to be with the Hollywood Records label at this time, and had made guest appearances in some Disney Channel series before that. In 2008, he also began to voice the character of Terence in Disney’s Tinker Bell animated movie series. “Freaky” was written by Theodore Thomas, Theron Makiel Thomas, Timothy Jamahil Thomas.

The party continues after Troy and Gabriella sing “Right Here, Right Now”, with the song “My Shoes”, performed by Jordan Pruitt, playing briefly in the background. Pruitt also has a history with the Disney company and its recording label. Her song “Outside Looking In” featured in the DCOM Read It and Weep (2006), and she also toured with The Cheetah Girls and the High School Musical cast for their concert tour as their opening act, before performing the song “Jump to the Rhythm” for the DCOM Jump In!.

Outside of that, two instrumental tracks seemed to have been used to complement the movie’s music. One of these is “Dillon Cadence”, written by Rob Walker. It appears to be the drum beat playing as the Wildcats make the school logo after graduation. I’m not sure where the other song, “Snareway to Heaven”, written and performed by Bart Hendrickson and Stix Randolph, is, but it could be the drum music during the basketball game.

David Lawrence returned to compose the score for High School Musical 3: Senior Year, after his work on both High School Musical and High School Musical 2. By 2015, Lawrence would begin working on the music for another Disney Channel musical movie franchise, Descendants, also directed by Kenny Ortega. Lawrence wrote the music for all three of the Descendants original trilogy, just like he did for High School Musical.

High School Musical 3: Senior Year’s soundtrack was released on 21st October 2008 in the US. Sadly, it did not perform as well as the previous two movie soundtracks had, even though I think the music here is superior to the other two. It debuted at No. 2 on the US Billboard 200 chart, whereas the other two had topped this chart. However, it did still top the US Billboard Soundtrack Albums charts, along with the comparable charts in countries like the UK, Spain, Italy, Mexico, New Zealand, and Austria. It sold around 3.5 million copies worldwide, and a few songs also charted in the Billboard Hot 100 chart, including “Now or Never”, “I Want It All”, “Right Here, Right Now”, and “A Night to Remember”.  

PRODUCTION

With the unprecedent success of High School Musical 2’s premiere on Disney Channel, it was pretty much a guarantee that a third film was going to be made. In fact, quite soon after High School Musical 2 premiered, in August 2007, it is believed that this third movie was being discussed by Disney Channel executives.

It wasn’t particularly common for Disney Channel movie franchises to reach three movies at this point. There had only been a handful prior to High School Musical 3: Senior Year, and they were Zenon, Halloweentown, and The Cheetah Girls, all popular franchises; Halloweentown actually made it to four films, with its fourth and final film, Return to Halloweentown, premiering in 2006. But, a third High School Musical film was very likely.

It wouldn’t be long before confirmation of the next High School Musical came. By the end of 2007, it had been announced that the script had been written and the music was in development. It was just a question of exactly when they could get all the cast together to start filming, with Disney planning pre-production to start around January 2008.

Other specific details we knew before filming began were that Peter Barsocchini would be returning as the screenwriter for High School Musical 3: Senior Year and that Kenny Ortega would once again be the director. They were also heading to Utah, back to where the previous two movies had been filmed[1]. It was also later confirmed that the third film would be showing in movie theatres in October 2008, not on Disney Channel.

There were a couple of other rumours swirling around about High School Musical 3. One of these was that Disney had been discussing the potential of making this third movie Halloween-themed, something along the lines of “Haunted High School Musical”. This idea did not last long, before it was settled that the film would follow the Wildcats during their senior year and into graduation. It has been said that the reason a Halloween-themed High School Musical was floated is because Disney Channel was aware of the fact their Halloween Disney Channel movies have been some of their best performers, and are popular each and every year as the Halloween season begins. I don’t think this plan was popular with either the cast or the crew though! It would also seem that a 3D version of High School Musical 3: Senior Year was considered for its theatrical release. 3D movies were becoming more frequent around this time in the 2000s, but this never materialised[2].

Filming for High School Musical 3: Senior Year took place from May to June 2008, in what was the longest shooting schedule of the movie franchise at around 40 days. This followed five weeks of dance rehearsals, more than the cast had done for High School Musical or High School Musical 2, showing that returning choreographers Bonnie Story and Charles Klapow had increased the difficulty and performance level for this next film, set to be the final one for most of the cast. The budget was also much higher than the previous two films, at a reported $30 million. The cast and crew returned to some familiar locations for this film, since, unlike High School Musical 2, the story takes place predominately at the high school. This meant they came back to East High School and its now-famous locations like the school cafeteria, as well as Murray High School for its auditorium. 

Another important filming location was Stanford University itself, in California. It’s apparently quite uncommon for Stanford to allow access to its campus for filming crews, but the university felt the storyline within High School Musical 3: Senior Year reflected its own views and opinions about college life, and inclusivity. The areas Vanessa Hudgens was spotted walking through for Gabriella’s scenes at Stanford included the New Guinea Sculpture Garden, Lasuen Mall and the Quad, and History Corner[3].

The production design for High School Musical 3: Senior Year was of a much higher standard than for the first two films. Mark Hofeling, later the production designer of the ZOMBIES franchise, another set of Disney Channel movie musicals, was the production designer on this trilogy. There were a huge amount of highly detailed sets for use in the filming process, like Troy’s treehouse, the big sets for the in-movie musical, the junkyard, the Broadway-musical-stylised “I Want It All” mini-sets, and even the spinning box that Zac Efron navigated for a portion of “Scream”. Nothing looked too over-the-top, but it was sleek, colourful, and professional, not feeling like sets for a low-budget TV movie.

There were also two different proms that had to be staged for this film. “A Night to Remember” is shown to be a rehearsal of the “perfect prom” for the spring musical, as we see the Wildcats on stage in their school theatre. It was meant to show the excitement of the girls about prom, and the boys’ nervousness about it! The other prom, “The Last Waltz”-themed prom takes place as more of a fantasy. The school hall was decorated with a large tree in the centre and lots of lanterns, again following what a traditional high school prom might look like to make the film feel realistic. The fantasy element comes from the fact that this prom is also accompanied by a song, a reprise of Troy and Gabriella’s duet “Can I Have This Dance”, and sees all the Wildcats dancing a waltz together, with real ballroom technique, despite Troy and Gabriella actually being in Stanford at the time. This prom was simple, beautiful, and calm, not like the energetic prom for the musical. This sequence was the last scene to be filmed inside the East High School gym.

The other vital thing about these proms was the costuming, with the characters wearing the same outfits in both. Gabriella’s dress was made to look ethereal, using feathery, flowing fabric, to match her angelic character. Taylor’s dress was a 50s inspired dress, complete with checked fabric and even the addition of a bow tie. This perfectly reflects Taylor’s character as the dress is serious and classy. Kelsi’s dress ended up being ballerina-themed, with a twirly skirt. Sharpay’s dress is hot pink, because she loves pink, and is shorter at the front than the back, complete with extra crystals across the waist and back of the dress. It’s a standout dress, because Sharpay does like to be the centre of attention, even at prom[4]. Their respective dates, of Troy, Chad, Ryan, and Zeke, have their own spectacular outfits, although arguably Troy’s is the most traditional, as it is just a grey suit. Chad has a white suit with purple detailing, to match Taylor. The most interesting thing to note though is that on the back of his suit jacket it says “8 Danforth” to represent his basketball jersey. Ryan gets a three-piece suit in beige or cream to coordinate with Kelsi’s dress, whilst Zeke wears a tailcoat, with a hot pink satin sash. Mattel seem to have made dolls of these characters in their prom outfits, showing how popular these costumes were with fans. Like the sets, the costume design was taken up a notch for this finale as well.

High school graduations are basically the same throughout the US, at least from what I can tell from my extensive viewing of teen and high school films! Some take place in school halls and auditoriums, and others are outside, but the students all wear gowns and caps in their school colours. For High School Musical 3, they chose to stage graduation outside on the East High school field, and the students wear either red or white gowns. This graduation scene was also accompanied by the song “High School Musical”. The final shot on this field was of the main six walking forward, turning towards the rest of the graduating class, and then a red curtain falling between them. This was an emotional day of filming for the cast, as their High School Musical journey was almost at an end and they were basically graduating themselves, onto different projects and potentially away from Disney. Apparently the very last scene shot with the main cast members was the final scene of the film, where they are all stand on stage as the camera pans to each of them. You can see tears in some of their eyes, showing how big a moment this was for High School Musical to be ending[5].

High School Musical 3: Senior Year was destined to follow the characters as they end their time at high school, because nothing can last forever, no matter how much you might want it to, but with something ending, that also means a new beginning and a chance for a fresh start. The young cast had matured over the course of those three years, and now it was time for them to have their own new beginning.

RECEPTION

High School Musical 3: Senior Year came to theatres in October 2008. The official US release date was 24th October 2008, although some countries, such as the UK and Europe, may’ve released the film a day or two earlier, likely for previews. It had reached most countries by the end of 2008, although some parts of Asia didn’t get to view it until 2009.

Because High School Musical 3 was to be the end of this trilogy, following the main six of Troy, Gabriella, Chad, Taylor, Sharpay, and Ryan whilst at East High, naturally, there was a lot of promotion in the build-up to its release. There were multiple red-carpet premieres too, with the UK one being held in Leicester Square on 7th October, and the Los Angeles one being held at the Galen Center on 16th October.

 Although those at Disney knew there was an appetite for High School Musical as a franchise, choosing to release the third film theatrically was considered a slight risk, as they had no way of gauging their expectations, since the previous two movies had only premiered on television, where viewing figures were exceptionally high, especially for the second film.

But Disney executives didn’t have anything to worry about because on its opening weekend in the US, from 24th to 26th October 2008, the movie took an estimated $42 million at the box-office, making it the best ever showing for a movie musical at the time, outdoing Mamma Mia, which came out earlier that year, with $27.8 million and 2007’s Hairspray, which also starred Zac Efron, with $27.5 million. Even better, High School Musical 3: Senior Year was top of the box office that weekend, beating out Saw V’s figure of $30 million in sales. High School Musical 3 took in around $40 million from overseas that same weekend[6].

It was a good opening weekend for High School Musical 3: Senior Year, though don’t go thinking that it topped the box office in 2008, because it didn’t. The film made a total of just under $253 million, which is a respectable number. It ended the year at No. 23 on the worldwide box office listings. It was in a similar position to the popular rom-com Marley & Me, further proving High School Musical 3 held its own at the box office that year. The Dark Knight topped the list in 2008 with a little over $1 billion though.

High School Musical 3: Senior Year’s potentially surprising arrival to movie theatres helped boost Disney’s takings that year, since both Pixar’s WALL-E and Disney Animation’s Bolt had been outdone by two different DreamWorks films: Kung Fu Panda and Madagascar: Escape 2 Africa. Disney had also struggled with their live-action film The Chronicles of Narnia: Prince Caspian, which didn’t do as well as expected.

As with any High School Musical film, there were a mixture of comments about it, both positive and negative, from both fans and casual viewers. Overall, it received similar audience reaction to the previous two movies, potentially slightly worse than the second. Amongst fans, it is split just where High School Musical 3: Senior Year fits in the ranking of the trilogy. Personally, it’s the best for me, followed by High School Musical 2. Some agreed with me, others said it was worst, and some said it was in the middle of three.

Some specific comments on the film ranged from praise for the staging, thanks to its increased budget, and the improved choreography, particularly in “The Boys Are Back” sequence. I felt that High School Musical 3 did feel very cinematic and suited being on “the big screen”. The set design and costuming were a real step-up from the previous two films. Many critics said it was a good choice to put Zac Efron front-and-centre of this third film, as he had been for the second. This was always going to be Disney’s way of ensuring they pleased the High School Musical fans, who were – let’s face it – predominately teenage girls! It was considered by those who liked the film that High School Musical 3: Senior Year brought the trilogy to a solid conclusion.

However, others weren’t so happy with the film. Professional critics called High School Musical 3 things like “dire” and “stale”, without acknowledging that they were quite clearly not the target demographic. Some felt the music was forgettable, and inferior to the previous two films. I disagree with this point; I think the music in High School Musical 3 has quite obviously matured from the catchy pop of the previous two. It was felt that High School Musical 3 was too “squeaky clean”, to which all I can say is: it’s Disney; what did you expect? The worst critique is the comment that High School Musical 3: Senior Year lacks a central dilemma. I don’t understand why anyone would think that. Sure, the central dilemma is about where Troy wants to go to college, and that might not be particularly ground-breaking, but it was wholly relevant and relatable to the teenagers watching. Every year, teenagers have to decide where they want to go to college, and teenage relationships factor into that in many cases, as they fear what being long-distance might do to them, and just whether they want to go to university at all. It might be a bit of a superficial dilemma, but it is a problem that we follow throughout the film and watch Troy figure out.

In terms of awards, the success really came from the fans, with wins at teen-centric award ceremonies. For example, at the US Nickelodeon Kids’ Choice Awards, High School Musical 3: Senior Year won awards for Favorite Movie and Favorite Movie Actress for Vanessa Hudgens. At the 2009 Teen Choice Awards, High School Musical 3 won two awards: Choice Movie: Music/Dance and Choice Movie Actor: Music/Dance for Zac Efron, with Corbin Bleu also being nominated in this category. Ashley Tisdale and Vanessa Hudgens were both nominated for Choice Movie Actress: Music/Dance, but lost to Miley Cyrus in Hannah Montana: The Movie (2009). It was clear there was a rivalry brewing between High School Musical and Twilight (2008) at this time, as High School Musical 3 lost the Choice Movie: Liplock award to Twilight – gasp! Actors from Twilight also swept other categories at this award show. Plus, at the Australian Nickelodeon Kids’ Choice Awards, although Zac Efron was nominated for Fave Movie Star, he lost out to Robert Pattinson. The Twilight movies were all set to replace High School Musical now they were over…

Also at the MTV Movie Awards, Twilight won the award for Best Movie, with High School Musical 3: Senior Year being nominated. But Zac Efron and Ashley Tisdale did win awards for Best Male Performance and Breakthrough Performance – Female. Efron and Hudgens once again lost Best Kiss to Robert Pattinson and Kristen Stewart though. Other awards for High School Musical 3: Senior Year included the Jackie Coogan Award being given to Kenny Ortega at the Young Artist Awards for his work on High School Musical.

As with any Disney Channel-related movie, of course High School Musical 3: Senior Year would make its way to our TV screens for a Disney Channel premiere – after its DVD release with its extended edition, deleted scenes, and behind-the-scenes moments. It apparently premiered on the US Disney Channel on 4th April 2010. Internationally, High School Musical 3 premiered in 2010 as well in many cases. It is unclear what its viewing figures were from the premiere, reportedly about 4 million, so not topping any viewing records, but that isn’t surprising as the film had been available to view for over a year.

LEGACY

Immediately after watching High School Musical 3: Senior Year, even though I knew this was likely it for the main cast, although maybe not Sharpay as they had written it in that she could return to East High’s drama department to work with Ms. Darbus, I thought Disney Channel would make more movies with the High School Musical title. I even remember discussing it with my mum on the car ride home from the movie theatre.

It felt like, with the introductions of Tiara Gold, Jimmie “Rocket Man” Zara, and Donny Dion, Disney Channel was setting us up for more stories to come from East High featuring these three characters, plus many opportunities for new ones to come in. They could’ve gone round in an endless loop of trilogies, following the pattern they’d just created. I can’t honestly say I was excited by the idea, since I didn’t particularly like any of the new characters in High School Musical; they were just there, in and around the story, but luckily not on screen enough to take away from the main cast that we actually bought tickets to see.

Strangely enough, this next High School Musical movie did not happen. There was reportedly an unaired pilot called Madison High, made for Disney Channel in 2011, which was meant to be a spin-off to High School Musical, and could’ve seen Alyson Reed return as Ms. Darbus, in a new school, I presume. The cast included some familiar Disney Channel names, such as Luke Benward and Katherine McNamara, who both starred in the DCOM Girl vs. Monster (2012), and G. Hannelius, who had roles in the Disney Channel series Sonny with a Chance (2009-11) and Dog with a Blog (2012-15), along with a leading role in the DCOM Den Brother (2010). Madison High was meant to air in 2012, but never did. The reason it was cancelled remains unknown to this day.

But we did get an actual High School Musical spin-off, just not what we were perhaps expecting. This was Sharpay’s Fabulous Adventure (2011), which saw us follow Sharpay Evans’ journey after her graduation from East High. This was not a reunion for all the High School Musical cast, as only Ryan and Mr. and Mrs. Evans make a return for this film.

After that, a few years went by with little discussions about expansions to the High School Musical franchise. That is until 2016, when Disney Channel announced a nationwide casting search for a new sequel, which would’ve focused on the rivalry between the East High Wildcats and the West High Knights. It was debated whether this sudden announcement of a High School Musical sequel was in relation to the increase of live TV specials recreating musicals that were on our screens around this time, including NBC’s The Sound of Music Live! (2013); NBC’s Hairspray Live! (2016); and Fox’s Grease Live! (2016). This sequel was set to have Peter Barsocchini write the script with Dan Berendsen, a frequent DCOM writer. The director was meant to be Jeffrey Hornaday, the director of Disney Channel’s Teen Beach movies[7]. This sequel also did not happen for unknown reasons.

Over ten years after High School Musical 3: Senior Year had premiered, finally, a new screen project was confirmed around the franchise. This was the mockumentary style Disney+ series High School Musical: The Musical: The Series, which debuted on the streaming service in November 2019. It followed students at a fictionalised version of the real East High School in Salt Lake City, where the original movies were filmed. The drama teacher wants to put on High School Musical: The Musical as her first show. Four seasons in total aired, with each season focusing on the students putting on a different musical. The cast included singer Olivia Rodrigo, known for her Disney Channel role of Paige Olvera in the series Bizaardvark (2016-19); Sofia Wylie who was Buffy Driscoll in Disney’s Andi Mack (2017-19); and Dara Reneé, who was cast in Disney Channel’s remake of Freaky Friday (2018), going on to be cast as Uliana in the rebooted Descendants franchise. Former High School Musical cast members also made appearances on the show as themselves, including Kaycee Stroh, Corbin Bleu, Monique Coleman, Bart Johnson, and Alyson Reed. The final season premiered in August 2023.

Back to 2008 now though. Shortly after High School Musical 3’s release, Corbin Bleu was a featured performer in the Walt Disney World Christmas Day Parade in 2008. He was introduced as being a cast member in High School Musical 3. Bleu sang the song “Celebrate You”, which was also used for a Disney Parks celebration around this time.

Continuing High School Musical’s presence at the Disney Parks, a new pep rally was added, this time promoting High School Musical 3: Senior Year. Replacing High School Musical 2: School’s Out! was High School Musical 3: Senior Year – Right Here! Right Now!. The new pep rally came to the US parks of Disney’s Hollywood Studios at Walt Disney World in Florida and Disney California Adventure Park in Anaheim in October 2008, in time to promote the third movie’s release. The songs performed in this pep rally were “Now or Never”, “A Night to Remember”, “The Boys Are Back”, “Just Wanna Be with You”, “I Want It All”, and “High School Musical”. Disneyland Paris had also had the previous pep rallies; however, their third iteration was quite different. It was called High School Musical: The Party, running from April to September 2009, and included music from all three films. From High School Musical 3, the singers performed “Just Wanna Be With You” and “I Want It All”.

This third pep rally ended in the US in 2010, being replaced with Disney Channel Rocks; but no song from High School Musical 3 was used as it celebrated music from numerous Disney Channel movies and series. “We’re All in This Together” was the only High School Musical song to make it into the set. It ended in Disney’s Hollywood Studios in 2013. It is less clear when it stopped in California initially. It did make a return for the after-hours event Disneyland After Dark: Disney Channel Nite on 5th and 7th March 2024.

Also at this event was the High School Musical / ZOMBIES Pep Rally. The opening and closing song of the set was a mash-up of High School Musical’s “We’re All in This Together” and ZOMBIES 2’s “Like the Zombies Do”. Other songs from the High School Musical franchise included “Get’cha Head in the Game”, “Breaking Free”, and “High School Musical”. ZOMBIES fans could sing along to “BAMM”, “Someday”, and “Fired Up” as Seabrook High and East High students went “head-to-head”. As Disney Channel Nite is making a return in 2026, both the High School Musical / ZOMBIES Pep Rally and the Disney Channel Rocks show will be returning as well, on 12th, 14th, and 16th April 2026.

FINAL THOUGHTS

High School Musical 3: Senior Year was a real treat to watch in cinemas.

It was like Disney had decided to throw everything at it, to make this final film of the original trilogy a real last hurrah, a celebration of the craziness they’d created, with a moving story, impressive music, and a real spectacular mood. This film must’ve really affected me, because even now, I can’t watch High School Musical 3 without dissolving into floods of tears for at least the last 45 minutes.

I suppose this had a lot to do with the fact High School Musical 3: Senior Year was when the fans said goodbye to this amazing cast who’d been there for us in childhood. We all knew they’d go on to bigger and better things, but this was an ending, a finale.

However, although the first three films ended, it was never going to be the end for High School Musical. Even if Disney stop making new experiences or screen projects revolving around it, nobody will ever stop talking about High School Musical, because this franchise changed how we viewed Disney Channel and Disney in general.

They could create global phenomena. High School Musical wasn’t the first and didn’t end up being Disney’s last.


REFERENCES

[1] Credit: Ernio Hernandez, ‘Senior Year-Themed “High School Musical 3” to Begin Filming in Utah in Spring’, Playbill.com, 28th November 2007.

[2] Credit: Ellen Durney, ‘I Read A Book About Disney Channel, And These Behind-The-Scenes Details About The Making Of The “High School Musical” Left Me So Shocked’, Buzzfeed.com, 27th December 2024.

[3] Credit: Stanford Magazine, ‘Wildcat Spotted on Campus’, StanfordMag.org, November/December 2008.

[4] Credit: Disney, “The Prom”, from High School Musical 3: Senior Year (2008) UK Extended Edition DVD (2009).

[5] Credit: Disney, “Graduation”, from High School Musical 3: Senior Year (2008) UK Extended Edition DVD (2009).

[6] Credit: Michael A. Hiltzik, ‘For ‘High School Musical 3’, a trip to the head of the class’, LATimes.com, 27th October 2008.

[7] Credit: BBC, ‘Disney is reviving High School Musical with a whole new cast’, BBC.co.uk, 2nd March 2016.

High School Musical 2 (2007)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

High School Musical took the world by storm in 2006.

So, what happens after a movie is shown to be a huge success? Do you just leave it alone, not wanting to push your luck? No, of course not! You make a sequel obviously!

If you were watching Disney Channel during the mid-2000s, it was almost impossible to get away from High School Musical as clips and music videos from the movie filled up any available space between its scheduling. During the summer of 2007, these spaces were filled with promotion for High School Musical 2. Disney Channel knew that High School Musical 2 was going to be highly anticipated after the first film, so they had to whip viewers up into a frenzy, to ensure the second film outshone the first.  

Sequels aren’t always very popular, as fans can think that the original film is so pure that a sequel will only ruin the film’s legacy and change how you feel about that first movie that you love. Others like sequels because they give an opportunity to improve upon the world where the first film is set, and in many cases, more minor characters get a chance to shine in a sequel. But sometimes a sequel is simply a rehash of an original and nobody wants that, because that is lazy filmmaking, although sometimes it can still be entertaining.

In my case, I actually prefer a lot of sequels over their originals; not all the time, but quite a lot of the time. I think I like the increased production budget that comes with most sequels so the overall look of a sequel is just better. That was definitely the case with High School Musical 2 and is a big reason why I like this sequel so much more than the first film. I also like how other characters outside of Troy and Gabriella get some screen time in High School Musical 2, particularly Ryan who finally sees his sister for the villain she can be.

I hadn’t avoided the interest in High School Musical 2, and threw myself right into it, getting excited for the sequel, which only came to UK screens a month after the US premiere, much better than the nine-month gap between the US premiere and UK premiere of High School Musical. It still missed summer, as we were back to school by that point, but it didn’t matter. High School Musical 2 made us all feel summery regardless of when we watched it. I also got the soundtrack for the film on CD prior to seeing the film. I got it in a Tesco supermarket, and my sister asked why I’d want to spoil the film for myself by listening to the CD obsessively over the summer.

Easy. I had to be prepared. It was that much of an event in my life.

PLOT

High School Musical 2 begins back at East High, on the last day of school before summer. Troy Bolton and Gabriella Montez, along with Sharpay, Ryan, Chad and Taylor, and their other classmates are counting down the minutes, the seconds even, until summer break, while their homeroom and drama teacher Ms. Darbus drones on about…something. The bell finally rings and it is officially summer! 

As the gang walk through the corridors, they discuss their summer plans. Sharpay offers Kelsi a job as the pianist at her family’s country club, and starts wondering how she can use the summer to get Troy to be interested in her. Gabriella has regularly moved every summer, so Sharpay has hope that Gabriella is about to leave again, but Gabriella tells Sharpay she is staying in Albuquerque until she graduates. Bad luck, Sharpay! Gabriella thought Sharpay was starting to warm up to her after helping her with the school musical; obviously not! The others are hoping to find jobs over the break, because with college coming up, they’re looking to earn some extra cash and have something to put on their college applications, however, Gabriella and Taylor have both been struggling to find anything. Troy tells Gabriella not to worry as he has plenty of plans for their summer together. He then gives her a necklace with a “T” on it, as in Troy. They are about to kiss but are interrupted by a student wanting Troy to sign his yearbook… After that, they head home.

The next day, Troy has been playing basketball with his friends when he gets a phone call. It is from Mr. Fulton, the manager of the Lava Springs Country Club, offering Troy a job. He accepts, also saying that he has plenty of friends who would be great employees for the summer, especially Gabriella.

At Lava Springs, Sharpay and Ryan have arrived in Sharpay’s bright pink car and are greeted by Mr. Fulton. Lava Springs is owned by Sharpay and Ryan’s family, and it turns out Sharpay asked Mr. Fulton to hire Troy. She is happy to hear that Troy has been hired, and starts thinking about “her” summer talent show that the country club put on for members and employees alike. The prize for winning is called the Star Dazzle Award, something Sharpay – and Ryan – have won every year for years. This year won’t be any different.

Sharpay heads down to the pool and meets up with her girls, Jackie, Lea and Emma, also known as the Sharpettes. Sharpay starts to moan about how her drama club was infiltrated by other kids at school, but Ryan reminds her it’s summer now, so she can forget all that. Sharpay soon gets into the summer spirit when she sees Troy arrive at the club, however, she spots him waving at someone. Following that wave, Sharpay is horrified to see Gabriella here, working as the lifeguard, as well as all the others from East High. In her shock, Sharpay falls into the pool, and is “saved” by Gabriella. Sharpay then heads directly to Mr. Fulton, and asks why he hired them. Mr. Fulton was told to hire Troy whatever it takes; I guess it took the hiring of all the Wildcats! Mr. Fulton said the board did clear the hiring of them, so Sharpay goes directly to her mother, who is on the board, interrupting her yoga class. Sharpay’s mother refuses to fire them and doesn’t see the problem, thinking this is a good thing to have their classmates here. Not getting anywhere, Sharpay tells Mr. Fulton to get the others to quit. But not Troy, obviously.

In the kitchen, Mr. Fulton gives everyone their jobs. Zeke is assisting the chef, and Martha and Jason are also kitchen help; Taylor is head of member activities; and Chad and Troy have been hired as waiters, and occasional golf caddies. Kelsi is the pianist. Mr. Fulton warns them all that he runs on the “three strikes and you’re out” rule. Just at that exact moment, Gabriella comes into the kitchen for lunch three minutes earlier than she should do. Mr. Fulton says he’ll overlook this one timing issue, but no others. Suddenly, jobs don’t sound much fun, do they? Troy tries to encourage the others, saying summer will be great.

Later that day, Troy and Gabriella have a romantic picnic on the golf course, which Sharpay and Ryan watch over. Sharpay asks maintenance to turn on the sprinklers to ruin their date, but instead of ruining it, Troy and Gabriella simply run through the sprinklers together. They are then caught by Mr. Fulton, who tells them that is strike one.

The next day, Gabriella and Troy arrive at Lava Springs and hear Kelsi playing something new on the piano. They go over to her, and she tells them she’s been working on something for the employee talent show, hoping Troy and Gabriella will sing the leads. Troy doesn’t want to focus on singing anymore now that the school musical is over, but Gabriella convinces him to try out the song. The others hear their performance and join in, deciding this has to be their talent show number.  All this has been heard by Ryan, who reports back to Sharpay. Sharpay has a plan to stop the employees from ruining her talent show and taking her Star Dazzle Award; it all starts with Troy.

That afternoon, Sharpay has Troy and Chad caddy for her family as they head out on the golf course together. Troy and Chad therefore meet Mr. and Mrs. Evans. Midway through, Troy asks Gabriella on a date, a poolside picnic, for later that evening. She accepts, shortly before Sharpay whisks Troy back to the golf course on her golf cart. Sharpay gets Troy to take a shot, and Mr. Evans is impressed. Sharpay asks her father to consider Troy for a scholarship to the University of Albuquerque, since Troy has talent in both basketball and golf. Troy isn’t so sure, but appreciates the support, being concerned about college.

After golf, Troy and Chad are rightly exhausted. Troy is then told he will be dining as a guest of the Evans’, giving Troy suitable attire to wear. Jason and Chad will be the waiters for the evening. This makes Troy uncomfortable, but he feels he has no choice. Also joining them for dinner are board members at the university, who want to talk to Troy about his college plans. They feel he would be a suitable candidate for a scholarship. To top it all off, Sharpay also reveals Troy’s singing abilities. Putting him on the spot, Sharpay says Troy should sing with her sometime. Troy has no choice but to say he will, before making his excuses and leaving the table. He apologises to Gabriella for being late for their date. He just needs to change out of the suit and he’ll be ready. Gabriella tries not to let it bother her.

At this point, Troy is led away by Mr. Fulton to a dark room and placed in a chair. He is then subjected to an over-the-top performance by Sharpay, her brother, and the Sharpettes. This is going to be her talent show number, but she wants Troy to sing in place of Ryan. Troy doesn’t want to sing with her, not liking how excessive all Sharpay’s performances are. This makes Sharpay think that if she tones it down, Troy will want to sing with her. He doesn’t, and makes a hasty exit! This is actually an extended scene that did not appear in the original film premiere. In place of this, it moves right to Troy getting back to Gabriella at the pool. Back at the pool, Troy immediately jumps right in. Gabriella tells Troy he’s not supposed to be in the pool as it is for members only. He then pretends to drown, forcing Gabriella to jump in and “save” him. They swim around for a bit – before getting caught by Mr. Fulton. He orders them out of the pool. That’s strike two.

Back at home, Troy talks to his dad about how strange dinner felt with his friends being his waiters. Coach Bolton tells Troy not to worry about it, because college is important and sometimes you need to focus on yourself. Troy isn’t so sure about that.

The next day, Troy is called to Mr. Fulton, who promotes Troy to a golf assistant. He is given membership privileges, his own locker, golf caddy, and fancy clothes to match this new job title. Troy is also placed in charge of the kids’ golf lessons. At his first class, Troy doesn’t do a whole lot of teaching, until Sharpay arrives. He sees Sharpay is really bad and teaches her a good golf swing. Sharpay asks Troy to sing with her in the talent show, knowing it would be a good opportunity to impress people from the college to help his scholarship chances. Troy reluctantly agrees to sing with her. Meanwhile, Taylor and Gabriella have seen all this play out and are suspicious of Sharpay’s intentions. It also becomes clear that Sharpay actually plays golf really well, so was only pretending to be bad to get Troy’s attention. Troy then sees Mr. Evans with some basketball players from the university. They invite Troy to practice at the university and have lunch with them. During lunch, Chad continues to be the waiter. Seeing Troy with basketball players, Chad hopes to be introduced, however, Troy only calls Chad back to hand his order back: he ordered Swiss on his burger, don’t you know! Chad is furious and complains to Taylor and Gabriella about how weird Troy is being, not recognising him at all anymore.

Sharpay goes to Kelsi and tells her to transpose her talent show duet into Sharpay’s key as she will be singing it with Troy. Ryan overhears and asks Sharpay what he’s going to do in the talent show. She tells him to figure it out himself. Gabriella then goes to Troy who asks her to a movie that evening, after he’s done with practice at the university. Gabriella warns him to not forget who he is, which confuses Troy. He then sees Chad and the others who ask if the college players want to play basketball against them at the club. Troy says they wouldn’t want to do that and leaves with them. Troy also forgets the employee baseball game he promised to attend, alienating the Wildcats further.

Heading to the baseball game, Gabriella and Taylor see Ryan on his own. They invite him to the game, where Chad is surprised to see him there. Ryan is thinking about helping the employees with their talent show performance, but Chad tells him not to bother and just to focus on the baseball. When Ryan is proven to be a great baseball player, Chad comes round to the idea of performing, cementing Ryan as part of their group now. Meanwhile, Troy tries to call Gabriella during basketball practice but she doesn’t answer, as she is enjoying herself with the employees after the baseball game.

The next morning, Troy finds himself feeling like an outsider, as nobody is talking to him normally. Troy is then called over to rehearse with Sharpay for the talent show. He is stunned by her extravagant performance yet again and just can’t get into it. It’s too intense, but Troy feels he has no choice, especially now that he sees the employees rehearsing their own number without him. Sharpay sees this too, and accuses Ryan of trying to ruin the talent show for her. He ignores her, liking being with the employees more. Not liking how little control she has over her brother, Sharpay goes straight to Mr. Fulton and orders him to ban the employees from the talent show, as they’ll need to work that night. Mr. Fulton doesn’t want to do that, but delivers the news to Taylor, clearly uncomfortable with the position he’s been put in. She sympathises before breaking the news to everyone else. Gabriella immediately realises this is Sharpay’s doing and confronts her. She asks Sharpay why she is going to so much effort to ruin everyone’s summer. Sharpay thinks Gabriella is just sore because she has “won”. Gabriella doesn’t know what Sharpay is talking about, but knows this was either about Troy or the Star Dazzle Award, probably both. Gabriella then quits on the spot. Troy tries to change her mind, but she tells Troy he’s acting too differently now that he has a college scholarship on the line. This isn’t working for her.

At home, Troy talks to his father about how he’s been acting like a jerk, and that nobody is talking to him. His father doesn’t understand, only telling Troy to figure out what will make him be a better person. Troy has a lot to think about.

Back at work, Troy gets the cold shoulder from everyone, except Kelsi who shows him the memo stating that staff are banned from the talent show. Knowing this was at least partially his fault, Troy starts to fix everything. He tells Sharpay he’s an employee so he can’t sing with her anymore. Sharpay is annoyed, telling Troy he is basically a member so that doesn’t apply to him. Troy responds that he asked for his old waiting job back, so that isn’t the case now. He’d rather be a good person than spend all his time stepping on other people to fight for a university scholarship.

On the night of the talent show, Sharpay tells Ryan to get ready as their original number is back on. Ryan refuses to perform with her, putting Sharpay’s chances of winning the show at jeopardy. She can’t understand why nobody is doing what she says! Troy apologises to the Wildcats for his behaviour and for them not being allowed in the show. Chad and the others accept his apology. Ryan then says he doesn’t want his sister to be embarrassed on stage so asks Troy to sing with her. He goes to Sharpay and says he will sing, but only if the others are allowed to perform. She understands and agrees. Kelsi and Ryan say that Sharpay switched songs, so Troy is taken away to a last-minute rehearsal.

On stage, Troy is about to go on and asks Sharpay why she changed songs. She says she didn’t, and learns this was all part of Ryan’s plan. Sharpay won’t be performing with Troy tonight. Troy sings alone with Kelsi accompanying on the piano. He then hears Gabriella’s voice. Looking to the line of employees, he sees Gabriella and she walks to the stage. They sing together, and the employees join in too. Troy even invites Sharpay to join them. At the end of the song, Mr. Fulton is about to hand the Star Dazzle Award over to Sharpay, as this was technically her slot in the show, but Sharpay interrupts and hands it over to Ryan instead. Well, at least someone in the family won it, I suppose!

After the show, the Wildcats, with Ryan and Sharpay, walk through the golf course together with lanterns. Troy and Gabriella finally have their first kiss, and as they do, fireworks are set off. The sprinklers are also set off, shocking everyone, but they don’t care! At the end of summer, the employees are given a pool party for all their hard work. Ryan and Sharpay also join, and the movie ends with Troy and Gabriella jumping in the pool together.

CHARACTERS & CAST

After seeing their romance develop in High School Musical, if you thought things would be smooth sailing for Troy and Gabriella in High School Musical 2, you’d be wrong. Although they begin the movie with high hopes for their first summer together, everything goes badly for them when they arrive at the Lava Springs Country Club. Whilst Troy spends all his time with Sharpay, Sharpay’s parents, or with college people, Gabriella is left to wonder just who Troy really is, as he rejects his friends, breaks dates, and starts to believe his own self-importance. Eventually, everything gets too much for Gabriella and she leaves Lava Springs, signalling that her and Troy are better off apart, at least for the time being. This causes Troy to snap out of whatever college-obsessed trance he was in and comes to his senses, apologises to all his friends for being a jerk to them and reconciling with Gabriella in the usual way: with a romantic duet, written just for them. Zac Efron and Vanessa Hudgens reprised their roles as Troy and Gabriella in High School Musical 2.

Troy and Gabriella aren’t the only High School Musical pairing to have their dynamic change either, as twins Sharpay and Ryan also grow distant from each other over the course of this film. Sharpay has decided that this summer she will put all her focus on Troy and winning the Star Dazzle Award for another year running; that’s it. Ryan, meanwhile, doesn’t seem to like all these mind games that Sharpay likes to play and just wants to have a relaxing summer. He doesn’t hate the Wildcats being at Lava Springs like Sharpay does, but he wants to keep his sister happy. When he discovers that Sharpay has excluded him from her talent show performance in favour of Troy, it hurts and upsets Ryan. Luckily for him, Gabriella includes Ryan in their group, despite not being an employee, but still being a Wildcat. Here, he finds people that respect him and his worth, unlike his sister, helping them to create a show-stopping number for the talent show instead. When things fall apart for Sharpay, and Troy decides not to sing with her, Ryan stands strong and refuses to sing with Sharpay as her second-best alternative. Sharpay sees the errors of her ways and hands the Star Dazzle Award to her brother at the end of the show – and rightly so. Ashley Tisdale and Lucas Grabeel returned to play their roles of Sharpay and Ryan.

Sharpay is also joined in High School Musical 2 by a group of three girls, who are dubbed the Sharpettes. I guess I’m supposed to say these girls are Sharpay’s friends, except she doesn’t have friends; she has a posse. These girls, Jackie, Lea, and Emma, are there to sing back-up for Sharpay during her performances, as well as suck up to her, and make her feel like the most important person in the world. They don’t have much screen time to develop their own identities – and that’s probably the point.

Jackie was played by Tanya Chisholm, who might look familiar, thanks to her role as Kelly Wainwright in the Nickelodeon series Big Time Rush (2009-13) and its television movie Big Time Movie (2012). She was also recently cast as Jenna in Season 4 of Tyler Perry’s series Sistas (2019-present) and appeared as Holly in the Hallmark movie Dial S for Santa (2023). Lea was played by Kelli Baker, who is credited as being a dancer in the other two High School Musical films as. She was also a contestant on Season 4 of So You Think You Can Dance (2005-24). Baker is the daughter of High School Musical choreographer Bonnie Story. Emma was played by McCall Clark, who, shortly after High School Musical 2, appeared as Justine in The Adventures of Food Boy (2008), which starred Lucas Grabeel.

Taylor and Chad also return in High School Musical 2, this time as a couple. We don’t see Taylor and Chad spend all that much time together at Lava Springs, aside from lunchtimes, as they are kept very busy by their respective jobs at the club. They are also too busy worrying about their best friends, with Taylor warning Gabriella about Troy’s changing behaviour and Sharpay’s intense focus on him, and Chad trying to get Troy to see that he is isolating himself from his friends in place of getting a college scholarship. Because of Taylor’s warning to Gabriella, she stands up to Sharpay, and to some extent to Troy, not allowing herself to be walked over, and Chad’s words clearly affect Troy enough to get him to reconsider what is most important to him: his friends, or Sharpay and her promise of a college scholarship. Monique Coleman and Corbin Bleu were back as Taylor and Chad.

Alongside the main six High School Musical cast members, others have also returned from the first movie. Kelsi is one of those. In High School Musical 2, Sharpay has hired her to be their pianist in the club restaurant, although she finds the music she is told to play quite boring! So, in her spare time, she is of course, composing new music. Two of these songs are for the talent show, with the first originally being for Gabriella and Troy, until Sharpay gets wind of it and alters it to be for her and Troy. Kelsi then writes the second as a new secret duet for Gabriella and Troy. Olesya Rulin reprised her role as Kelsi here.

There are also three other characters that return: Zeke, Chad and Troy’s basketball teammate who likes to cook; Martha, the smart girl-turned-dancer; and Jason, another basketball player who is a little bit dim, but kind to everyone, even their teacher Ms. Darbus. In High School Musical 2, all three of them work in the kitchen, with varying levels of enthusiasm. Zeke is very excited to be working alongside an amazing chef, whereas Martha would rather be dancing, and Jason would rather not be washing dishes. Who can blame him! All three of them are part of the employees’ activities over the summer, like the pool party, and the talent show, and get slightly more screen time compared to the first film.

Chris Warren was cast as Zeke. Shortly after the end of the High School Musical films, Warren appeared as Xander in Alvin and the Chipmunks: The Squeakquel (2009), before going on to be cast in various television series, including in the recurring role of Ty Hensdale in Seasons 3 and 4 of The Fosters (2013-16) on Freeform. Recently, he was cast as Hayden Moss in Tyler Perry’s comedy drama series Sistas (2019-present). Martha was played by Kaycee Stroh, who has had guest roles in various Disney shows like The Suite Life of Zack & Cody (2005-08), Andi Mack (2017-19), and The Disney Family Singalong (2020) since the end of High School Musical. Stroh was also in Season 7 of Celebrity Fit Club (2005-10). Ryne Sanborn was cast as Jason. Prior to High School Musical, he appeared in the opening and closing ceremonies of the 2002 Winter Olympics in Salt Lake City, which Kenny Ortega also happened to direct. After High School Musical, Sanborn was cast as Mike in The Adventures of Food Boy, before retiring from acting and pursuing other career paths, such as being an ice hockey player for the Utah Outliers.

Then, we have the adults. Mr. Fulton is the manager of the Lava Springs Country Club. Since Sharpay’s family own the resort, Mr. Fulton has become accustomed to taking orders from Sharpay herself. In the case of High School Musical 2, Mr. Fulton is tasked by Sharpay with hiring Troy Bolton. Sadly, his hiring of Troy was not “good enough” for Sharpay, because he had to hire all Troy’s friends to get him to consider a job at Lava Springs. This leads Sharpay to wanting Mr. Fulton to be so harsh on the others that they want to quit, so it can just be Troy at the club that summer. Mr. Fulton doesn’t seem to mind being strict, since most managers are, especially with younger employees, but he is pushed to breaking point by Sharpay when she insists he bans all the junior staffers from participating in the talent show simply because she’s scared she’ll lose the competition. Mr. Fulton clearly doesn’t want to do this, to the point that Taylor has to calm him down with a cup of tea! In the end, Mr. Fulton seems to have enjoyed working with the teenagers over the summer – and I’m sure he’s glad to be getting a break from the demands of Sharpay!

Mark L. Taylor was cast as Mr. Fulton. He may familiar to DCOM fans as he had previously played Hank Ogden, Eddie’s father, in Eddie’s Million Dollar Cook-Off (2003), and was also the dad in The Other Me (2000). Outside of this, Taylor was cast as Don Forrester in Honey, I Shrunk the Kids (1989) and as Dr. Niles in Innerspace (1987).

Then, we have Mr. and Mrs. Evans. Vance Evans clearly adores his daughter, spoiling her and letting her get away with anything, even ordering staff around! He is also convinced by Sharpay to consider Troy for a college scholarship, without any sort of application or interview process. Troy only needs to keep Sharpay happy and he’d be offered it, which sounds very dodgy to me. I think it’s just easier for Vance to let Sharpay have what she wants so she doesn’t complain, because an angry Sharpay is not something anyone wants to deal with! Darby Evans, on the other hand, seems to be stricter with Sharpay, by not bowing to her demand of firing all her classmates from the club just because Sharpay doesn’t want them there. Darby seems to be closer to her son, Ryan, doing yoga classes with him, and appreciating his mellow attitude, which is the complete opposite of Sharpay.

Vance Evans was played by Robert Curtis Brown. He had previously been cast as Todd in Trading Places (1983), which starred Eddie Murphy and Dan Aykroyd. He has also appeared as reporter Phil Sidleman in Bruce Almighty (2003); as Kyle van de Klok in Halloween II (2009); and as Peter in It’s Complicated (2009). In series, Robert Curtis Brown played Commander Andrew Pryce in early seasons of The Handmaid’s Tale (2017-25), going on to have a recurring role as Paul Montgomery in Seasons 4 and 5 of the drama series Station 19 (2018-24). For Disney Channel, he was also cast as Mark Kar, Zenon’s father, in the Disney Channel Original Movie Zenon: The Zequel (2001).

Darby Evans was played by Jessica Tuck. Prior to High School Musical 2, Tuck was cast as Brooke Anders in the Mary-Kate and Ashley Olsen film Billboard Dad (1998), before going on to star as Gillian Gray in the legal drama Judging Amy (1999-2005). Since High School Musical 2, Tuck has been cast in the recurring roles of Nan Flanagan in the HBO series True Blood (2008-14) for HBO, and Christine Francis in Seasons 3 and 4 of the Apple TV series For All Mankind (2019-present).

Finally, a few other cast members return to the High School Musical franchise for the sequel. One of these is Bart Johnson as Troy’s father. In High School Musical 2, Coach Bolton is there to listen to Troy’s worries as he fears that going after a college scholarship is making him a different person, and isolating him from his friends. Coach Bolton seems to think focusing on the scholarship is a perfectly fine thing to do, but Troy decides he’d rather salvage what’s left of summer with his friends, rather than spend it thinking about college. Mrs. Bolton also returns for a small scene towards the start of High School Musical 2, where she asks Troy, his father, and his friends to help her bring in the groceries from her car. Mrs. Bolton was played by Leslie Wing-Pomeroy, who played Mrs. Bolton in the first High School Musical, and was also cast as Dr. Goodwyn in a different 2006 DCOM: Return to Halloweentown. Alyson Reed also returned as Ms. Darbus very briefly in the opening sequence of the film, as she tries to keep her students’ attention during the last few minutes of school before summer break starts.

MUSIC

The High School Musical 2 soundtrack was released in the US on 14th August 2007, with the CD coming to other countries around this date or even the day before, meaning many High School Musical fans were able to hear the music days, weeks, or even months before the sequel had come to their respective Disney Channels.

The soundtrack consists of eleven songs, ten of which feature in the original edit of the film, and one other, listed as a “bonus track”, was used in a deleted sequence, which was later included in the Extended Edition of the film.

In movie order, the first song we hear is “What Time Is It”, which is the song the gang sing as soon as the bell rings to signal the end of the school term and the start of summer break, only a few minutes after the film begins. It shows how excited they all are for summer, detailing their plans for it. It’s a perfect tune for anyone’s summer, with its bright and breezy feel. This is performed by the main cast of Vanessa Hudgens, Ashley Tisdale, Lucas Grabeel, Corbin Bleu, Monique Coleman, and Zac Efron, who does sing all the vocals for Troy Bolton in this film after Drew Seeley was used as the vocalist in High School Musical. It was written by Matthew Gerrard and Robbie Nevil, who also wrote songs for the first movie.

After the setting of the sequel moves from East High School over to Lava Springs Country Club, a song that showcases Sharpay quickly hits the screen. This song is “Fabulous”, explaining how Sharpay wants everything to be perfect this summer and for everyone to understand just how important – and demanding – she is. I love “Fabulous”; it is my favourite song in the sequel, simply because hearing Sharpay talk about things like having towels imported from Turkey, and turkey imported from Maine, as essential parts of her summer vacation are just so funny! She also claims to have iced tea imported from England, despite the UK not being known for drinking iced tea, just hot tea. “Fabulous” is also used in its instrumental form during the End Credits, as some bloopers roll, and gets a regal composition as Sharpay’s father lands his helicopter on the golf course for a family round of golf. The song was performed by Tisdale and Grabeel as Sharpay and Ryan predominately, and written by returning composers David Lawrence and Faye Greenberg.

Next is another group song, performed by the East High gang as they start to stress that their summer jobs aren’t going to be quite as wonderful as they thought, after hearing how strict their manager Mr. Fulton is. Troy and Gabriella perform “Work This Out” as a way of convincing them all to stick together to make the summer great, with the rest of the group joining in by the end of it. This is my least favourite song in the film, although it does have a good beat. “Work This Out” is performed by Efron, Hudgens, Coleman, and Bleu, as Troy, Gabriella, Taylor, and Chad, as well as Chris Warren Jr., Olesya Rulin, Ryne Sanborn, and Kaycee Stroh as Zeke, Kelsi, Jason, and Martha. It was written by Randy Petersen and Kevin Quinn, who also wrote music for the first High School Musical film.

Following that is the expected Troy and Gabriella romantic duet. This song is “You Are the Music in Me”. In the film, it has been written by Kelsi specifically for the couple, so they can lead the employees’ performance at the Lava Springs Talent Show. Efron and Hudgens sing this song brilliantly, as does Rulin as Kelsi sings the opening few lines to encourage them both to sing it. “You Are the Music in Me” easily surpasses the Troy and Gabriella duets in High School Musical for me. This number also returns towards the end of High School Musical 2, as Troy and Gabriella have their first kiss – before being shocked by the sprinklers turning on to water the golf course that evening! “You Are the Music in Me” was written by Jamie Houston, who previously wrote “Breaking Free” for the first film.

 In the Extended Edition of High School Musical 2, the next song is “Humuhumunukunukuapua’a”. In this deleted scene, Troy is brought to an outdoor stage by Mr. Fulton to watch Sharpay, Ryan, and the Sharpettes perform this song, which is meant to be their talent show entry, although Sharpay is using her performance to try and convince Troy to replace Ryan as the prince in the song. The song title, “Humuhumunukunukuapua’a”, comes from the name given to Hawaii’s state fish, also known as the reef triggerfish. The song, though, states that this fish is actually a prince that a princess wants to ask the Gods to make human again. “Humuhumunukunukuapua’a” is performed by Tisdale and Grabeel. It is quite a random song. I wouldn’t say it’s bad, but it is such a strange song and performance, with lots of elaborate costumes, smoke, a fake volcano – and “fish noises” … It was written by David Lawrence and Faye Greenberg.

If you’re still following the story by this point, and “Humuhumunukunukuapua’a” hasn’t made you cringe so much you want to stop the film, the next song performed is much better. It is “I Don’t Dance”, performed by Corbin Bleu and Lucas Grabeel as Chad and Ryan. This takes place during the employee baseball game, as Chad tries to get Ryan to give up on creating a routine for the employees’ talent show, since Ryan has been kicked out of his sister’s performance, and Troy is too busy thinking about his future college. “I Don’t Dance” is quite jazzy and kind of hip-hop at times, suiting the frequent dance breaks. My only criticism is silly really, but for someone who apparently doesn’t want to dance, Chad certainly does a lot of choreography in this sequence, going head-to-head with Ryan at times. Perhaps the title should’ve been “I Don’t Dance – But If The Beat is Right Then Maybe I Will”. The song was written by Matthew Gerrard and Robbie Nevil.

After that, we get “You Are the Music in Me (Sharpay version)”, which is exactly as you’d expect it to be – Sharpay’s over-the-top, fast performance of a romantic song that was meant for Troy and Gabriella. She has changed the song to apparently keep the audience awake, but Troy is clearly uncomfortable with Sharpay’s version of the song, having to keep up with her dancing and special effects. Although I generally like Sharpay’s songs, in this case, the original version with Troy and Gabriella is much better. It was written by Jamie Houston and performed by Tisdale and Efron.

Then, we get to the emotional crux of High School Musical 2, as we wonder with Gabriella’s heartfelt number whether her and Troy are over for good. It is the perfect song for this scene, as Gabriella dramatically quits Lava Springs and walks away from her job and Troy, and I love it. “Gotta Go My Own Way” was sung mostly by Hudgens, although Efron as Troy does sing a portion of the song as he tries to convince Gabriella to stay at the country club. It was written by Andy Dodd and Adam Watts.

Troy follows this up with his own emotional breakthrough, but instead of being sad and disappointed like Gabriella, Troy is pumped up and ready to do what’s right with “Bet on It”, running all over the golf course, jumping onto rocks, and splashing water as he sings. “Bet on It” looks great on screen and signals a turning point for Troy. It was performed by Efron and written by Antonina Armato and Tim James. The duo have also written songs for other Disney projects including for the series Hannah Montana (2006-11) and Shake It Up (2010-13) as well as original movies, like some of the Descendants and ZOMBIES movies.

At the Lava Springs Talent Show towards the end of the film, we get a final duet from Troy and Gabriella, as they sing “Everyday” together after Gabriella returns to the club and the two reconcile. It’s a very sweet song that regularly makes me cry, and it’s great to see Troy and Gabriella back together after their little tiff. I also like seeing how all the gang – including Sharpay – come together at the end. “Everyday” was mostly performed by Hudgens and Efron and was written by Jamie Houston.

The final song in High School Musical 2 is another group number, reminiscent of “We’re All in This Together”, as the Wildcats once again realise they are a strong team when they work together. This is “All for One”, which is performed during the end of summer pool party, put on for the employees at Lava Springs. It’s a brilliant way of wrapping up the film, with something so upbeat and party-like. “All for One” was performed by the entire cast. It was written by Matthew Gerrard and Robbie Nevil.

There are also a couple of additional songs that can be heard in High School Musical 2. One of this is a throwback to the first film, as an instrumental version of “Get’cha Head in the Game” is used as Troy’s ringtone early on in the film when he gets the call from Mr. Fulton about getting a summer job at Lava Springs. Another is the song that briefly plays as Sharpay drives into Lava Springs with Ryan in her bright pink car. This song is “You Got It” and was sung by none other than Lucas Grabeel.

The score for High School Musical 2 was composed by David Lawrence, returning after working on High School Musical. Lawrence went on to compose the music for various other Disney Channel Original Movies, including StarStruck (2010), Freaky Friday (2018), and Good Luck Charlie, It’s Christmas! (2011).

The High School Musical 2 soundtrack became one of the best-selling albums of 2007, although it would seem that Josh Groban’s album Noël beat the Disney movie out for top spot that year in the US, despite selling almost 3 million copies there. This means that High School Musical 2’s soundtrack did not beat out its predecessor in terms of sales. There were around one million less copies sold than the High School Musical soundtrack of 2006.

However, the soundtrack was still successful in other ways, for example, debuting at No. 1 on the Billboard 200 chart and staying there for four consecutive weeks, and hitting the top spot in the US Billboard Soundtrack Albums chart. The album also topped the charts in other countries, such as the UK Compilation Albums chart; the Italian Compilation Albums chart; and the Billboard Canadian Albums chart. Many songs also made it into the Billboard Hot 100 chart, including “You Are the Music in Me” and “What Time Is It”. This was a slight underperformance from the success of the first movie’s soundtrack though. However, High School Musical 2 did win the Favorite Soundtrack award at the American Music Awards, after going up against two other very worthy musical film soundtracks: that of Hairspray (2007) and Dreamgirls (2006).

PRODUCTION

The cast of High School Musical had been busy after the premiere of High School Musical in January 2006. They’d had numerous public appearances, interviews, photoshoots, new work opportunities with Disney, like albums and TV projects. Monique Coleman had even been a contestant on Dancing with the Stars (2005-present) back in 2006 in their third season, coming in fourth place. It was an intense rollercoaster of emotions, I’m sure.

But they weren’t about to get any less busy, because they had a sequel to film. Shortly after the US tour of High School Musical: The Concert had finished, running from December 2006 to the end of January 2007, the cast were all back together for the sequel filming to take place in Spring 2007. Only one of the six main cast members did not participate in the concert tour and that was Zac Efron, but don’t worry; he wasn’t being lazy, as he’d been filming the musical Hairspray from September to December 2006.

Despite the tiring schedule, the cast all returned with plenty of energy and enthusiasm, wanting to outdo themselves by making High School Musical 2 even better than the original film. Peter Barsocchini returned to pen the sequel after writing the original film, and Kenny Ortega was also back, in the director’s chair, as were his choreographers, Bonnie Story and Charles Klapow, who had upped the ante with the dancing this time, meaning the cast, although still in shape from the tour, had quite a difficult time during their few weeks of dance rehearsals before filming began!

There were some fun moments to come from rehearsals though. One of these was that, in a similar way that basketball had been incorporated into the choreography of “Get’cha Head in the Game” from the first film, this time baseball was being used in the dance steps for the song “I Don’t Dance”. Another thing to come from rehearsals was that the cast sat in a long line, making a “massage train”, during one of their breaks. Ortega then came into the room and thought he could do something with that for the song “What Time Is It”. He got all the cast whilst still sitting to move to the left and the right, creating a wave. Ortega had them all stand up and do it again, and that is how that specific moment came to be in “What Time Is It”, during the point the whole group are dancing in the school corridor.

For High School Musical 2, the cast and crew returned to East High School in Salt Lake City in Utah for part of filming. The cast enjoyed seeing the cafeteria still decorated from when they’d filmed High School Musical there almost two years before, and liked finding their desks and lockers again. The school is only used for the first ten minutes of so of the film, as the gang sit in Ms. Darbus’ classroom, waiting for summer to start and then head out across the school, into the corridors and the cafeteria, performing “What Time Is It”. They also welcomed visitors to this set, including children from the Make-A-Wish Foundation, and the Governor of Utah at the time, Jon Huntsman Jr., who brought his young daughter to meet the cast as she was a big fan of the first film.

The other main filming location used for High School Musical 2, to be the setting of Lava Springs Country Club, was actually a real country club. Entrada at Snow Canyon Country Club first opened in St. George, Utah in 1996, consisting of an 18-hole golf course, set across 710 acres of desert landscape. It later opened a Sport and Fitness Center in December 2000, before opening its main clubhouse in May 2005. It became Lava Springs Country Club for High School Musical 2 in Spring 2007, with filming apparently completed by May. The cast and crew stayed at The Inn at Entrada, the on-site hotel, during filming and many residents of the country club were extras in the film[1]. The majority of High School Musical 2 takes place at Lava Springs Country Club, meaning that many areas of the country club were used, including the golf course and the pool.

Speaking of the pool, for the final pool party scene and the song “All for One”, Ortega wanted to film every cast member jumping into the pool at the country club for the last shot of High School Musical 2. However, Monique Coleman did not know how to swim prior to filming and had to take lessons in preparation. When it came time for her to jump into the pool, she sweetly asked if Corbin Bleu could jump in with her to make it easier for her. Sadly, after all that effort, her and Bleu’s jump into the pool didn’t even make it into the final edit of the sequel; we only see Troy and Gabriella jump in[2]!

Many behind-the-scenes moments and cast interviews were recorded as part of a mini-series titled The Road to High School Musical 2, which aired on Disney Channel throughout the summer of 2007 to promote the movie to its regular viewers. These were only short episodes, roughly three to five minutes long, that followed the cast through dance rehearsals into filming, and they aired in between the channel’s regular programming.  

Another way Disney Channel cleverly promoted the sequel was to encourage viewers to be a part of making the film. This was done via online polls, asking viewers to select just what they wanted to see in High School Musical 2. Some questions that were put to them were what sandwich they wanted Troy and Gabriella to eat at their picnic; which Hannah Montana star should make a cameo in “All for One”; and what should Chad’s shirt in “What Time Is It” say. The winners of these polls were peanut butter and jelly; Miley Cyrus, which is why she can be seen in that final sequence; and “I majored in vacation”. It would seem the polls were open on the US Disney Channel website throughout January 2007.

RECEPTION

Just over a year and a half after the premiere of High School Musical, High School Musical 2 premiered in the summer of 2007, perfect timing considering the sequel’s summer setting.

Unlike the original film, High School Musical 2 did receive an official world premiere, and it was held at the AMC Theatres in Downtown Disney at the Disneyland resort in Anaheim, California on 14th August 2007, attended by the cast. This was the first time a movie made for Disney Channel had premiered at the resort[3].

For everyone else, they had to wait for the television premiere in their respective countries. Obviously, the US Disney Channel premiered High School Musical 2 first, on 17th August 2007. It would seem that the movie was then distributed out to other countries within the next month or two. For example, in the UK, High School Musical 2 premiered on Disney Channel on 21st September 2007. I guess it would’ve been seen as unfair to leave viewers waiting too long between the premiere and the international broadcast date, especially as High School Musical 2 was the most-anticipated DCOM premiere of all time.

High School Musical 2 premiered alongside a telecast hosted by the main cast members and Kenny Ortega. The US premiere of the sequel was also followed by a preview of the new animated series Phineas and Ferb (2007-15), which Ashley Tisdale voiced a character for, and a new episode of Hannah Montana (2006-11), starring the Jonas Brothers. The premiere date was followed by a re-run on 18th August, with an interactive viewer chat with the stars, and a singalong edition premiered the following night[4].

All the attention and hype was worth it though and it paid off in a big way for Disney Channel in terms of viewing figures because High School Musical 2 became the most-watched premiere of a Disney Channel Original Movie of all time. 17.2 million viewers watched High School Musical 2 on its premiere, almost ten million more than the 7.7 million viewers who watched High School Musical on its first showing. High School Musical 2’s viewing figures have never been equalled on Disney Channel. The closest DCOM premiere of any was Wizards of Waverly Place: The Movie in 2009, which gained the attention of 11.4 million viewers. There is then another drop compared to third place Camp Rock (2008) with 8.9 million. There were three other DCOMs released in 2007 as well, with the first being Jump In!, starring Corbin Bleu, which got 8.2 million interested viewers. Twitches Too in October ended with a total of 6.9 million viewers. Johnny Kapahala: Back on Board, the channel’s June premiere, didn’t even reach 2 million viewers apparently.

High School Musical 2’s premiere beat even more records. It became the most-watched basic cable telecast of all time, beating the 16 million who watched ESPN’s Monday Night Football game on 23rd September 2006. It would appear that High School Musical 2 has not been beaten in this specific record in the years since. It was also the most-watched TV telecast ever in the Kids 6-11 demographic, with 6.1 million, and the most-watched entertainment telecast ever in Tweens 9-14, with 5.9 million[5].

For High School Musical fans, High School Musical 2 was a hit. The sequel had more energy, it had catchier music, and a better production value, by taking the movie away from the school setting and placing it somewhere fairly exotic– at least in the minds of tweens and teens – in a fancy country club. It was also appreciated by viewers that it highlighted some real teen issues, like college plans and the anxiety that comes with that. Others felt that some of the “secondary” cast members, particularly those who aren’t Sharpay, Troy, or Gabriella, got to have more opportunity to shine in High School Musical 2, especially Ryan, who actually got to develop his own personality here, instead of just being his sister’s lapdog. Ironically, she actually had her own real lapdog this time, her Yorkshire Terrier, Boi, who was director Kenny Ortega’s dog, Manly. It is debated though whether High School Musical 2 was considered better than the first movie, with fans being divided over this, even though most agree they like both of them. I most definitely prefer High School Musical 2 to High School Musical, basically forgetting the first one even exists now, because the other two films are so much better in my opinion.

However, High School Musical 2 wasn’t only limited to being watched by its most dedicated fans, so negative comments remained. Some commented on the fact this movie shouldn’t have even had “high school” in the title, since the sequel is not set in the school for the most part; we only see East High School at the very start of the film for around ten minutes. Others said Disney Channel was clearly milking the High School Musical franchise, and were unable to come up with an original story or decent choreography or staging. That seems a little unfair, although one review did make me reconsider the uniqueness of the story. Someone rightly pointed out that the story of High School Musical 2 does seem to have some similarities to the episodes of hit teen sitcom Saved by the Bell (1989-93). I believe this must have been referring to the set of six episodes from Season 3 that take place at a country club, where all the gang – except Lisa – get jobs. I must say, despite being a huge fan of Saved by the Bell, I hadn’t realised this – and it is a good point. But it doesn’t stop me liking High School Musical 2 because of some potential “borrowing” of storylines.

High School Musical had a fair amount of awards success for a television movie, and High School Musical 2 was no different, although it did not measure up as well. For example, the first movie had won two Primetime Creative Emmy Awards, for Outstanding Choreography and Outstanding Children’s Program. Although still nominated in these categories, High School Musical 2 actually lost out to So You Think You Can Dance in the Choreography category, and to a Nick News Special and the HBO show Classical Baby (I’m Grown Up Now) for Outstanding Children’s Program. Kenny Ortega also won the award for Outstanding Directorial Achievement in Children’s Programs at the Directors’ Guild of America Awards for High School Musical, but was only nominated for the sequel; the award was won by another regular DCOM director, Paul Hoen, for Jump In!

But it certainly was not all doom and gloom for High School Musical 2. Ortega did win the ALMA award for Outstanding Director of a Made-for-TV movie, and the film won the ASTRA award for Favourite International Program over in Australia, as well as the Choice TV: Movie award at the Teen Choice Awards. Plus, Zac Efron proved that his star was still on the rise as he won for Fave Movie Star at the Nickelodeon Australian Kids’ Choice Awards.

LEGACY

After the success of High School Musical, many new experiences and live shows were created to capitalise on the famous franchise. Some of these experiences were not ready until after High School Musical 2 had already premiered.

One of these was High School Musical: The Ice Tour, which was, as you might expect, an ice-skating show where performers came out to dance along to songs from High School Musical, with High School Musical 2 also being included in this show, since it had just premiered. The Ice Tour originally toured the US from 31st August 2007 to 25th May 2008. The show also toured South America in 2007 and 2008, even heading to other continents to hit countries like Australia, the UK, and Spain in 2008 and 2009. I did actually see this in the UK and it was pretty good. I think we still have the glittery hats we purchased there. It would seem in later tour dates of High School Musical: The Ice Tour, a pre-show featuring some songs from the third film was added. Although I can find clips of the ice show online featuring songs from the first two films, I cannot find a video of this “pre-show”.

Following on from the stage production of High School Musical, a stage production of the sequel, titled High School Musical 2: On Stage, was also produced. It would seem that the plot is basically the same as the sequel movie. A new character named Jack Scott was added, though he may simply be an altered version of Jason from the movies. The Sharpettes’ names were also changed, to Violet, Blossom, and Peaches here, and the song “Humuhumunukunukuapua’a” was included into the main story, whereas it was only included as an extended version of High School Musical 2. It would seem that High School Musical 2: On Stage was licensed out for use in both school and professional productions. A UK tour of the show took place from Summer 2009, ending its run in February 2010. The US professional premiere took place in Atlanta in November 2008[6].

Continuing High School Musical’s presence at the Disney Parks, a new pep rally was added, this time promoting High School Musical 2. Replacing High School Musical Pep Rally was High School Musical 2: School’s Out! The concept was still the same, with dancers and singers performing some of the biggest hit songs from the movie. In this case, the songs included “What Time Is It”, “Work This Out”, mixed with “Get’cha Head in the Game” from the first film; “I Don’t Dance”, and “All for One”. It came to Disney-MGM Studios, now Disney’s Hollywood Studios, at the Walt Disney World Resort in Florida in August 2007, the same time as it appeared at Disney California Adventure Park at the Disneyland Resort. It appears that Disneyland Paris also got this same pep rally, however, they may’ve been a few months behind in terms of switching between the first movie’s pep rally and the sequel’s one. In the US parks, High School Musical 2: School’s Out! ended in September 2008, ready to be replaced with a new pep rally the next month. In Paris, the High School Musical 2 pep rally ran throughout 2008, not being replaced until Spring 2009.

Also at the Disney Parks, some of the cast of High School Musical 2 made an appearance during the Walt Disney World Christmas Day Parade in December 2007. Here, Vanessa Hudgens, Corbin Bleu, Ashley Tisdale, and Monique Coleman recorded a performance of the sequel’s song “What Time Is It” in front of Sleeping Beauty Castle at the Disneyland Resort. Olesya Rulin and Kaylee Stroh were there too. However, this was not just any performance of “What Time Is It” because instead of saying “summertime”, the answer to the question “what time is it?” was of course “Christmastime”. The opportunity was also taken for Disney to promote the High School Musical 2 pep rally at their US parks.

Disney continued to produce new editions of High School Musical 2, like dance along and singalong editions, to air on Disney Channel, novels, video games, and merchandise featuring the High School Musical brand after the premiere of High School Musical 2.

Finally, the biggest announcement to come from High School Musical 2 was the confirmation of a third film. In 2008, we would be getting High School Musical 3, and the plan was for this “threequel” to have a theatrical release, not just a Disney Channel premiere.

FINAL THOUGHTS

High School Musical 2 has a way of evoking a summery atmosphere, because of its setting and its lively soundtrack, regardless of what time of year you’re watching it. It also makes some nostalgic for their own school summer breaks, when watching Disney Channel, rightly or wrongly, may’ve made up a majority of their summer activities! Many think that High School Musical 2 easily outperformed the original film, as I do.

There was no stopping the High School Musical hype train, and with a third film in the works that would be coming to cinemas, it felt like High School Musical 3 was going to be a moment for movie history, as Disney Channel broke out from our television screens into major cinema. Ok, that’s a bit much, but it was still a big moment to see the Wildcats head to the big screen, in a similar way that Lizzie McGuire had in The Lizzie McGuire Movie (2003).

We were going to be expecting even more from this third film now, and Disney had no choice but to accept the challenge and not disappoint us.


REFERENCES

[1] Credit: Entrada at Snow Canyon, ‘Club History’, GolfEntrada.com, date unknown.

[2] Credit: Disney Channel, ‘The Road to High School Musical 2’, Kayla Ybanez YouTube Channel Playlist, June 2007.

[3] Credit: Ernio Hernandez, ‘Disneyland Hosts World Premiere of ‘”High School Musical 2” Aug. 14’, Playbill.com, 14th August 2007.

[4] Credit: Kimberly Nordyke, ‘TCA: Disney sings along with “High School Musical 2”’, HollywoodReporter.com, 16th July 2007.

[5] Credit: Ernio Hernandez, ‘Most Likely to Succeed: “High School Musical 2” Draws Record-Breaking 17.2 Million’, Playbill.com, 20th August 2007.

[6] Credit: Adam Hetrick, ‘Homecoming: Disney’s High School Musical 2 Premieres in Atlanta Nov. 6’, Playbill.com, 6th November 2008.

High School Musical (2006)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

I can’t imagine too many people are unfamiliar with High School Musical.

High School Musical has spanned quite a legacy in the years since its release, with sequels, spin-offs, entertainment experiences, and merchandise only adding to that. It wasn’t even the first musical to come from Disney Channel – that was The Cheetah Girls in 2003 – but for some reason, this movie, very much inspired by Grease (1978), one of the most popular movie musicals of all time and loved by both musical and non-musical fans alike, became a sensation amongst tweens and teens, allegedly making musicals “cool” again. I’ve always liked musicals so I hadn’t realised they were out of fashion.

To be perfectly honest, I don’t like High School Musical. But let me explain.

I was as excited as anyone when High School Musical first came to Disney Channel. I was 13 at the time, so the perfect demographic, and I was obsessed with Disney Channel then, watching series like The Suite Life of Zack & Cody (2005-08) pretty much every morning before school. I’d been watching new Disney Channel Original Movies as they premiered for about two or three years by this point too. I was a big Disney Channel fan.

When High School Musical first arrived to Disney Channel in September 2006 in the UK, about nine months after it had already hit screens in the US, leading to a gigantic buzz that luckily, I didn’t have to see any spoilers for thanks to the lack of social media, I really liked it. I had the soundtrack, which even my sister, who was not a huge Disney Channel fan, liked, and I remember listening to it on a loop on a drive to an airport. I also had the DVD, and watched all the bonus editions of the film that aired on Disney Channel, like the Sing-Along edition, the Dance-Along edition, and the Pop-Up edition, where facts from the movie popped up on screen alongside the film itself. High School Musical was a big deal.

But, as soon as High School Musical 2 came along in 2007, my love of the first High School Musical diminished year-on-year, to the point I hadn’t actually seen the original film in maybe ten years before rewatching it this week, even though I watch the second and third films still. I just find that High School Musical is a bit cringey, the music is not as good – I actually only like three songs in the film, and none are “Breaking Free” or “Start of Something New” – and the costumes, locations, and even the hairstyles just look much better in the second and third movies.

PLOT

High School Musical begins on New Year’s Eve at a ski resort. Two teenagers are on two separate holidays with their families: Gabriella Montez, here with her mother, and Troy Bolton, with his parents. On New Year’s Eve, Gabriella is told by her mother to stop reading and go and join the teens’ party. Troy and his father are told by Troy’s mother to stop playing basketball so Troy can join the teens’ party. Neither Troy nor Gabriella really wants to go.

At the party, the DJ randomly selects two teenagers to sing a karaoke song as the teens get ready to countdown to midnight. The two chosen are Troy and Gabriella. Despite trying to get out of it, neither are allowed to and both have to stand up on a mini-stage and sing a duet together in front of everyone. Troy sings his opening verse and is about to step off the stage, when Gabriella starts singing. Transfixed by her, Troy continues the duet and they actually have a good time. Troy and Gabriella continue to chat as midnight comes closer and they countdown to the New Year together. At midnight, the two awkwardly end the conversation, saying they need to say “Happy New Year” to their parents, so after swapping phone numbers, they both leave, not knowing if they’ll ever see each other again.

A few days later, Troy returns to his school, East High, in Albuquerque, New Mexico, for the new term. As fate would have it, so is Gabriella. Gabriella is used to moving around the country for her mum’s job, but now her mother has transferred to Albuquerque and will be staying until Gabriella graduates. Gabriella is understandably nervous about her first day, and heads to homeroom where her teacher is Ms. Darbus, the school’s drama teacher. Troy is also in this class, along with his teammate and best friend Chad; drama club members and twin siblings Sharpay and Ryan; and smart girl Taylor. Ms. Darbus discusses the latest school news, like the school musical and Taylor’s scholastic decathlon, when the class is interrupted by a ringtone. Ms. Darbus goes around the class, getting everyone with phones in their hands to hand them in and giving those students detention, which includes Troy and Gabriella, since Troy was the one who called Gabriella to check it was really her.

Outside the class, Troy speaks to Gabriella, very happy to see she has moved here. Gabriella says she tried to look for him on New Year’s Day but he’d already left the resort. The two find themselves by the sign-up sheet for the school musical, both jokingly saying the other should sign up, when Sharpay comes up to the sheet and signs herself up. She says the drama department always welcomes newcomers, but it’s obvious she feels threatened by Gabriella for having Troy’s attention, because Sharpay has a crush on Troy.

At basketball practice, Troy asks Chad about the musical, but Chad tells him to forget about it and focus on basketball, as they have a big championship game coming up. In another class, Sharpay tries to warn Gabriella off Troy, but Gabriella mostly ignores her. After correcting their teacher, Sharpay sees that Gabriella is really smart, as does Taylor. Sharpay and Ryan then do some research into Gabriella and discuss why her and Troy are interested in their musical. Sharpay sees that Gabriella is basically a prodigy, winning awards for all sorts of competitions, and prints the information off, to place in Taylor’s locker.

At detention, Ms. Darbus tasks all the students with painting sets for the musical. Taylor rushes over to Gabriella saying she’ll happily let Gabriella onto the scholastic decathlon team, believing she placed the article about Gabriella’s talents in her locker. Gabriella says she didn’t do that and doesn’t want to join any teams right now. Meanwhile, at basketball practice, Coach Bolton sees that his son Troy and Chad are not there, and goes to detention to get them to return to practice, ignoring Ms. Darbus completely. The two teachers complain to Principal Matsui, with Ms. Darbus hating the fact the school favours sporting ability over anything else, with this meeting only confirming this as the principal refuses to side with Ms. Darbus, wanting the basketball team to succeed. At home, Coach Bolton tells Troy not to go to detention anymore, but ignores his son’s talk about wanting to try something else other than basketball, like singing and performing.

The next day, Ms. Darbus reminds her class about auditions for the musical which will be running until midday. Troy lies to Chad about wanting to catch up on some homework during their free period, and heads to the auditions, although Chad senses something is amiss and follows him. Troy takes a weird route through the school and loses Chad, making his way to the theatre and watches auditions from the back of the room, hiding behind a janitor’s trolley. Gabriella soon joins him there, but both are too scared to go and audition. They watch as soloists perform for Ms. Darbus, before auditions open up for pairs, with Sharpay and Ryan being the only pair to audition for the leads. Ms. Darbus is impressed by the twins’ perfect performance, but stills calls out to the room to see if any other pair would like to audition. Nobody comes to the stage so Ms. Darbus ends the auditions. Suddenly, Gabriella walks down to the stage and asks to audition. Gabriella is told auditions are over and there is nobody to sing with her anyway. Troy then appears and says he’ll sing with her. Ms. Darbus is surprised and suspicious to see Troy at her auditions, but nevertheless, the auditions are over, so they’ll have to try again next time.

Troy and Gabriella see student composer and pianist Kelsi Nielsen trip, dropping all her music. They go to help her pick it up. Troy is impressed that Kelsi has written all the music for this musical herself, calling her the musical’s “playmaker”. Kelsi asks Troy and Gabriella if they’d like to see how the duet that Sharpay and Ryan is supposed to be performed, as they changed her traditional ballad into a jazzy number. Kelsi encourages Troy and Gabriella to sing along with her playing. As they end the song, Ms. Darbus appears and tells the two that they have a callback.

The next day, Sharpay and Ryan see that they have a callback with Troy and Gabriella; Sharpay is horrified. The basketball team and others soon see this too and news goes around the school quickly. At lunch, it would seem that the whole of East High has gone mad as students in certain cliques confess that they have interests in other activities outside of their groups, such as Zeke, a basketball player who likes to bake, and “nerdy” girl Martha who actually likes to dance. Sharpay blames Gabriella for all this, as none of this would’ve happened had she not arrived at East High. She goes to confront her in the cafeteria, but Gabriella slips on something and spills all her lunch over Sharpay. Ms. Darbus hears the commotion and comes over. Sharpay accuses Gabriella of tipping food on her on purpose, and says she fears for Ms. Darbus’ musical is being ruined by “outsiders”. Ms. Darbus takes her concerns straight to Coach Bolton, believing that he put his son up to this to ruin her musical, wanting revenge over the detention she gave to Troy and Chad. Coach Bolton claims to know nothing about it, but Ms. Darbus isn’t at all convinced.

Later, Gabriella finds a note in her locker. It’s from Troy, asking her to meet him on the school’s rooftop garden. Here, they talk about the expectations everyone has for them, like how Gabriella is only known for her intelligence, and Troy is just supposed to be the basketball captain, yet when they are together, they can fully be themselves. They decide to rehearse for the callbacks in secret, hiding away from Sharpay and Ryan who are determined to catch them out. However, Troy is late for basketball practice one day because of this and tells Coach Bolton he’ll practise alone to make up for it. Gabriella then comes into the gym, and the two mess around, teasing each other about their free-throwing abilities. Coach Bolton hears this and tells Gabriella that the gym is off-limits until every basketball player has left practice. Gabriella goes. Troy doesn’t like how rude his father was to her, with Coach Bolton saying if she is the one getting him detentions, then Troy should stay away.

Chad also sees Troy getting distracted with all this musical stuff, and reminds him to focus on basketball. Fearing this advice has fallen on deaf ears, Chad talks to Taylor and they devise a plan to keep Troy and Gabriella away from the musical and each other, so the basketball team can win their game, and Taylor can win her decathlon. Chad and the team corner Troy after practice and tell him about all the legends that have played at East High, including Troy’s father, and how he should be on that list. Taylor and the decathlon team remind Gabriella about how dumb jocks are and that she should embrace her intelligence and forget about him. Chad then starts recording Troy, as his baiting has gotten Troy to say that he only cares about the team, and not about Gabriella or the musical. This is then shown to Gabriella. Gabriella is heartbroken, but agrees to join the decathlon.

After this, Troy tries to speak to Gabriella by her locker, but is confused by her reaction to him, telling him she doesn’t want to do the callbacks and that she needs to focus on the scholastic decathlon now anyway. Troy is upset that Gabriella doesn’t want to speak to him anymore and can’t concentrate on anything now, even basketball. Troy and Gabriella don’t talk to each other at school anymore, but they also start to grow distant from their so-called friends too, making Chad and Taylor feel guilty. Good, so they should. Chad comes clean to Troy about what he did by showing the video of him to Gabriella. Taylor does the same, but Gabriella can’t just forget it, as Troy really did say those things about her. Deciding he’ll have to make a bigger apology to Gabriella, he goes round to her house after school. Gabriella tells her mother to lie to get him to leave, so she says Gabriella is busy with homework. Troy then calls Gabriella as he climbs a tree outside her bedroom window. He apologises and tells her to look out her window, as he sings the karaoke song from the night they first met to her. All is forgiven, simple as that.

Rehearsals resume and Troy and Gabriella also focus on their respective teams. Sharpay and Ryan hear Gabriella and Troy singing one day though, and hatch a plan to change the date of the musical callback from Thursday to Friday, so that it will clash with the scholastic decathlon and the basketball game. Luckily, Ms. Darbus doesn’t argue and moves the callback date. Troy and Gabriella learn the news the next day, with their friends. They all agree to work together to make sure Troy and Gabriella can do the callback and their events.

On Friday, the Championship game, the decathlon, and the callbacks all begin. Ryan and Sharpay begin their callback with another over-the-top performance, whilst Gabriella easily wins the first event in the decathlon. Taylor then sends a code from her laptop to shut down the electricity in the school gym, suspending the game. Troy leaves the gym and heads for the theatre. At the decathlon, Taylor and Gabriella wait for their chemistry experiment to go wrong, creating a disgusting chemical reaction which delays the rest of the events. Gabriella heads to the theatre too, however, Ms. Darbus has already called their names, and is closing down callbacks, despite Kelsi asking her to wait for the two to arrive. When Troy and Gabriella do eventually arrive, they are told they cannot perform, but then most of the school come in to watch. Not wanting to disappoint the biggest audience her auditions have ever produced, Ms. Darbus allows the two to sing, with Kelsi on piano.

Gabriella has never performed in front of such a large audience though and clams up, missing her cue. Troy tells her to look at him and they start again. They perform brilliantly, impressing everyone in the crowd, even Coach Bolton who has come to see what all the fuss is about.  At the end of their performance, Troy and Gabriella return to the basketball game and the decathlon respectively. The basketball team win their game, with Gabriella coming over to say the scholastic decathlon team won too. Sharpay then arrives, telling Troy and Gabriella they got the lead roles, and that Sharpay and Ryan are their understudies; she seems alright about it though. Chad then asks Taylor out, and she accepts. The whole school come together to celebrate their achievements, now accepting that everybody can do whatever they like, regardless of what “group” they belong to.

In a post-credits scene, we see Sharpay telling Zeke that the cookies he gave her are the best cookies she’s ever eaten. He thanks her and says he’ll make her a crème brûlée. So happy endings and dessert for everyone!

CHARACTERS & CAST

Troy Bolton is a very popular student at East High. He is the basketball captain after all and jocks tend to rule the school. But Troy is cool and will talk to anyone in the school. When he meets Gabriella, Troy is instantly smitten with her, but he doesn’t expect to ever see her again, so what a great surprise it must’ve been to see that Gabriella has joined East High. The problem is with Gabriella here, it makes Troy question everything about himself, and whether he is just “the basketball guy”. He learns that he actually does like to sing and wants to part of the school musical with Gabriella. This leads to other students wanting to break out of their groups too, to pursue their own interests, which turns out to be a great thing for East High as all the students start to hang out with each other.

Zac Efron was cast as Troy Bolton. Prior to his role in High School Musical, he had starred as Patrick McCardle in the movie The Derby Stallion (2005) and had been cast as Cameron Bale in The WB series Summerland (2004-05), which also starred Lori Loughlin and Jesse McCartney. Efron later starred as Link Larkin in the movie musical Hairspray (2007), alongside big names like John Travolta, Christopher Walken, and Queen Latifah.

Although Troy has the biggest journey through High School Musical, having to accept criticism and judgement of his singing from his team because it is so different from what Troy has ever done, Gabriella Montez is arguably the catalyst of this change. If Gabriella hadn’t come to East High, then Troy would’ve just continued playing basketball and nothing would’ve changed. Gabriella lets Troy be himself, and in turn, she can be herself too, not wanting to be known as the smart girl at yet another new school. She manages to avoid too much stereotyping here, as she bridges the gap to the jocks. Gabriella is also unfailingly kind, even to Sharpay who clearly feels threatened by her. 

Gabriella was played by Vanessa Hudgens. She had previously been cast as Tin-Tin in the movie Thunderbirds (2004), based on the television series, and went on to be cast in the recurring role of Corrie in Season 2 of The Suite Life of Zack & Cody.

Sharpay is a member of the drama club, being the lead in pretty much every play or musical that they put on. She might not technically be popular but everyone in school knows her because of her diva attitude. Sharpay wants to always be the centre of attention, and doesn’t like anyone taking her spotlight, like new girl Gabriella, who also takes Troy’s attention, annoying Sharpay further. When Gabriella starts to threaten Sharpay’s chance of becoming lead in the school musical, Sharpay is not afraid to disrupt that, by getting the callback date changed to stop Gabriella and Troy attending, however, this backfires and Sharpay loses out on the lead to Gabriella. Strangely enough, she seems alright with it by the end of High School Musical. Maybe she’s just concocting an even bigger revenge plot!

Ashley Tisdale was cast as Sharpay Evans. Also for Disney, Tisdale starred as Maddie Fitzpatrick in the series The Suite Life of Zack & Cody and voiced Candace in their animated series Phineas and Ferb (2007-15), a role she returned to for the 2025 revival.

Ryan is Sharpay’s twin brother and also a member of the drama club, pairing up with his sister to take the lead roles. Ryan doesn’t seem to have a hateful bone in his body, and only goes along with whatever Sharpay wants out of some sort of family loyalty. He could potentially talk Sharpay out of her plots and plans, but he doesn’t, because Sharpay is kind of scary and not someone you want to get on the wrong side of! But even Ryan can’t disagree that his sister is fame-obsessed, not liking Ryan putting his own spin on routines, or wanting to get his moment in the spotlight.

Lucas Grabeel was cast as Ryan Evans. Lucas Grabeel was cast as Ethan in Halloweentown High (2004), reprising his role in Return to Halloweentown (2006), the fourth movie in the franchise. Return to Halloweentown was released in October 2006, a few months after High School Musical, potentially increasing interest in that film. Grabeel was also cast as Scooter in the Disney movie College Road Trip (2008), alongside Raven-Symoné and Brenda Song, and appeared as Danny Nicoletta in the Oscar-nominated movie Milk (2008), which starred Sean Penn as Harvey Milk.

Chad Danforth is Troy’s best friend and a member of the basketball team. He can’t understand why Troy would show any interest in singing and not want to be fully focused on basketball. Chad only wants his teammates to eat, sleep, and breathe basketball, partly because he thinks that is how great teams and players succeed. Chad even uses a funny analogy to try and convince Troy to ignore singing, by using legendary actor Michael Crawford, known for originating the role of the Phantom in Andrew Lloyd-Webber’s musical The Phantom of the Opera. He tells Troy that Michael Crawford’s picture is in his mum’s fridge as a diet tactic, so if Troy continues singing that is where he will end up, not on a cereal box like sporting heroes do. Chad soon learns that this was a mistake as he sees that Troy is unhappy not speaking to Gabriella and not performing, so he puts it right and gets the whole team behind Troy and Gabriella, supporting them all the way to their callbacks.

Chad was played by Corbin Bleu. Early in his career, Bleu was cast alongside Kristen Stewart in the movie Catch That Kid (2004), where he played Austin. He had also been in the main cast of the Discovery Kids series Flight 29 Down (2005-07), where he played Nathan McHugh. He later starred as Izzy Daniels in his own DCOM Jump In! (2007).

Taylor McKessie is captain of the scholastic decathlon team, and is determined to win. She doesn’t initially speak to Gabriella, until she learns how smart Gabriella is, thanks to Sharpay’s online research. From here, Taylor makes it her mission to get Gabriella to join the decathlon team, and she becomes Gabriella’s friend, showing her around East High and telling her the people to avoid, mainly Troy, the basketball team, and Sharpay. Taylor comes to a similar conclusion as Chad, feeling guilty for stopping Troy and Gabriella from singing together, learning that Gabriella will be a much happier member of the decathlon team if she is allowed to talk to who she wants and do what she wants. Taylor is just a little bit of a control freak, but she knows she can’t control her friends.

Monique Coleman was cast as Taylor. Before High School Musical, Coleman had been cast in the recurring role of Mary Margaret, appearing in Season 1 and 2 of The Suite Life of Zack & Cody alongside High School Musical castmate Ashley Tisdale. She also appeared as Molly in Season 4 of the drama series Boston Public (2000-04).

Then, we have Kelsi Nielsen. She is a quiet, shy person, but a very talented composer and pianist, having written the school musical herself. Kelsi allows herself to be walked over by Sharpay, who tells her not to interfere with Sharpay’s arrangements of Kelsi’s music, even if it goes against the spirit of the song. Kelsi is surprised to find Troy and Gabriella had even noticed her enough to help her pick up her music on audition day, and she realises that not everyone in the theatre is self-obsessed. Kelsi becomes Troy and Gabriella’s mentor as they prepare for callbacks, and is ready to help them whenever needed. She starts to come out of a shell by the end of High School Musical.  

Olesya Rulin was cast as Kelsi, having previously played the part of Natalie in Halloweentown High, alongside Lucas Grabeel. She had also previously had minor roles in the 2001 DCOMs Hounded and The Poof Point prior to her role in High School Musical.

For the teachers, the main ones we see are Ms. Darbus and Coach Bolton. They don’t see eye-to-eye about anything, with Ms. Darbus not caring about basketball or sports in general, and Coach Bolton seeing her drama club as a bit of a joke. They wouldn’t normally have any reason to interact but when Ms. Darbus takes two of his team out of practice for detention, and then his son starts showing an interest in singing, they suddenly find themselves very much fighting against each other. Ms. Darbus just wants her musical to be taken seriously, and not overshadowed by the school’s sporting achievements. I can say I have been there! It’s really annoying when schools only care about sport… Coach Bolton on the other hand needs his team to focus and can’t have them thinking about musicals, so when Troy starts to do so, it is like the end of the world for Coach Bolton. However, Ms. Darbus learns that jocks can sing, and Coach Bolton sees how talented a singer his son is. The two teachers will have to have their respective departments get along now that musical rehearsals are most definitely going to have to come before basketball from time to time!

Alyson Reed was cast as Ms. Darbus. Reed definitely had reason for being cast as a drama teacher, as she performed on Broadway in various musicals including Cabaret, being nominated for a Tony Award for Best Featured Actress for her role as Sally Bowles, and Pippin, where she played Catherine. Reed is also known for starring as Cassie in the 1985 film adaptation of A Chorus Line, directed by Richard Attenborough. Outside of theatre, she was cast in the recurring role of Lyndsay Hamilton in Season 2 of the Hulu series Chance (2016-17) and has guest starred in various series including Modern Family (2009-20).

Bart Johnson was cast as Coach Bolton. Previously, Johnson was cast as Nelson Tucker in the series Hyperion Bay (1998-99) for The CW, which also starred Mark-Paul Gosselaar of Saved by the Bell fame. Since High School Musical, Johnson was cast as Daniel Huntslar in the Hallmark Christmas movie The Christmas Spirit (2013) and had a recurring role as Beau Berkhalter in the Lifetime series The Client List (2012-13), which starred Jennifer Love Hewitt. More recently, Johnson has guest starred as Patrick Ramsey in the Paramount+ series Landman (2024-present).

MUSIC

Nine original songs feature within the movie of High School Musical.

Another original song appears on the soundtrack, but not in the film, with a music video being released showing the cast members recording the song with some clips from the film interspersed within it. This music video for the song “I Can’t Take My Eyes Off of You” was released as a bonus feature on the DVD release of the film. I do like this song, despite it not having a place in the film. Vanessa Hudgens, Zac Efron, Ashley Tisdale, and Lucas Grabeel all appeared in the video, recording this song.

But does that mean they all actually sang the song? During initial interviews and promotional activities for High School Musical, we were all led to believe that Zac Efron had in fact been singing on the movie’s soundtrack. That did not turn out to be the case, and Disney had to come clean and say that singer Drew Seeley had in fact sung the majority of Troy Bolton’s songs. There are a couple of exceptions, such as the opening lines of “Start of Something New” and “Breaking Free”. Different reasons have been given for why Efron did not sing in the film, despite obviously needing to prove he could sing as part of the audition process. It has been said that his singing voice potentially was not strong enough. A more official reason given was that the songs written simply did not suit Efron’s vocal range, so a different singer was required for this particular movie.

It is unclear what the actual reason was, but the point is Drew Seeley sang as Troy Bolton in High School Musical. Funnily enough, Seeley had auditioned for the part of Troy, but did not get the part, possibly due to being a few years older than the rest of the cast and Vanessa Hudgens. Seeley later contributed to other Disney albums such as the Disneymania and Shake It Up albums, and was even cast as Prince Eric in the Broadway stage production of The Little Mermaid in 2009. Seeley may also be known for his role as Joey Parker in the musical film Another Cinderella Story (2008), which saw Disney Channel star Selena Gomez be cast in the lead role of Mary Santiago.

Now back to the actual songs themselves. “Start of Something New” is the first song to appear in the film, as it is the song that Troy and Gabriella sing together at the New Year’s Eve party. It is a typical pop song that references Troy and Gabriella’s own feelings at this point in this film, that they’ve both randomly met and clicked straight away. I think this song has been seriously overused over the years, so I don’t particularly like it anymore. It was performed by Vanessa Hudgens and Drew Seeley, and was written by Matthew Gerrard and Robbie Nevil, who continued to work together on other songs for Disney Channel stars, such as Hannah Montana and The Cheetah Girls.

Following that is “Get’cha Head in the Game” performed by Seeley as Troy, during basketball practice, where Troy is trying to force himself to concentrate on basketball and not on Gabriella and singing. It’s a hip-hop song, for the teens. Again, I’ve heard this too much over the years, and I just don’t like it. I really don’t like when Troy randomly starts singing a little ballad right in the middle of it either. It was written by Ray Cham, Greg Cham, who had both worked on The Cheetah Girls (2003), and Seeley. This song was also recorded by the R&B group B5 for the CD soundtrack.

The next song is “What I’ve Been Looking For”, which is quite a jazzy musical theatre number. It is initially performed by various auditionees, with varying levels of ability, before Sharpay and Ryan show them all up with their perfectly polished performance. It’s not a terrible song, but it is a bit sugary sweet as far as love songs go. “What I’ve Been Looking For” is performed by Ashley Tisdale and Lucas Grabeel as Sharpay and Ryan, and the song was written by Andy Dodd and Adam Watts, who have also collaborated together on music for Hannah Montana (2006-11), the Camp Rock films, and Lemonade Mouth (2011). This song is closely followed by its reprise, a slower version of the song that Kelsi, the composer, had initially envisaged. She encourages Troy and Gabriella to sing her version together, and it gets them a callback. Seeley and Hudgens sing this version.

Next up is “Stick to the Status Quo” which is a fun ensemble number, where students all across the school start saying they have other interests that their friends don’t know about. Hardly the end of the world, but to these teenagers, it really is. I especially like when Sharpay has her solo, because she sounds so distraught about something so silly. It’s also just really catchy. “Stick to the Status Quo” was written by David Lawrence and Faye Greenberg, and was performed by Tisdale and Grabeel as Sharpay and Ryan, as well as Chris Warren as Zeke, the basketball player and baker; Kaycee Stroh as Martha, the intelligent dancer, and Dutch Whitlock as the cello-playing skater dude.

“When There Was Me and You” is a slow ballad that Gabriella sings as she wanders the corridors at school, wondering how she didn’t realise that Troy wasn’t ever interested in her. This song takes place after Gabriella watches a video of Troy saying she doesn’t mean anything to him as part of Taylor and Chad’s plan to get the two of them to focus on basketball and the scholastic decathlon. It’s a moving song, and Hudgens performs it brilliantly. It was written by Jamie Houston.

During the callback scenes, we get two very contrasting songs, one performed by Sharpay and Ryan, and the other by Troy and Gabriella. Sharpay and Ryan’s song is my favourite in this film, and it is a salsa-type song called “Bop to the Top”. It’s just a showcase for their dancing, really, but it’s good fun. The only annoying thing about it is that during the movie, you can’t hear or see it in full as it gets broken up with scenes of Gabriella and Troy at their events, to show that they are going on at the same time as callbacks. It’s quite disrespectful to Sharpay and Ryan if you ask me; Sharpay would not be impressed with that! It was written by Randy Petersen and Kevin Quinn, and performed by Tisdale and Grabeel.

The other song is “Breaking Free”. This is an iconic song from the movie, because it shows Troy and Gabriella singing in front of all their friends for the first time. They are also “breaking free” from the constraints that told them they couldn’t be together or sing together. I personally don’t like this song and don’t think I ever really have. “Breaking Free” was written by Jamie Houston, and performed by Hudgens and Seeley.

The final song to appear in High School Musical is the group number “We’re All in This Together”, performed by all the students as they prove that they can all be friends, irrespective of what “group” they did or didn’t belong to; it shows just how much East High has changed, for the better. The song was written by Matthew Gerrard and Robbie Nevil. Apparently, this track was originally meant to be a song called “Everyone’s a Winner”, but it was considered too cheesy and had to be re-written[1]. I’d like to know what that song sounded like if “We’re All in This Together” isn’t considered cheesy! Not that I care; I like “We’re All in This Together” and the few steps of choreography from it that I can remember.

There was also meant to be a duet for Ms. Darbus and Coach Bolton in High School Musical, similar to “Anything You Can Do” from the musical Annie Get Your Gun. Potentially, it would also have been like “Teacher’s Argument” from Fame: The Musical, which is about two teachers feuding over what is best for their students, like whether a focus on dance or academics is better. This is a bit like Ms. Darbus and Coach Bolton, as they debate whether sport or theatre is more important. The song was cut for timing, although director Kenny Ortega did want to keep it[2].

The High School Musical soundtrack was the biggest and fastest success in the pop charts in years. In the US, it became the No. 1 selling soundtrack album of 2006, selling millions of copies across the globe, and was the first TV movie soundtrack to hit No. 1 on the Billboard Top 200 chart[3]. It also topped the US Soundtrack Albums chart, as well as others across the world in countries like the UK, New Zealand, Australia, Argentina, and Mexico. Many singles from the film broke in to Billboard’s Hot 100 chart as well over its time in the charts, with “Breaking Free” going from No. 86 to No. 4 in just one week[4]

At the Billboard Music Awards, the High School Musical soundtrack was nominated for Album of the Year, and won the award for Soundtrack Album of the Year. “Get’cha Head in the Game” and “Breaking Free” were also both nominated at the Primetime Creative Emmy Awards in the Outstanding Original Music and Lyrics category.

The score for High School Musical was composed by David Lawrence. He went on to compose the music for various other Disney Channel Original Movies, including StarStruck (2010), Teen Beach Movie (2013) and its 2015 sequel, and the original Descendants trilogy.

PRODUCTION

High School Musical was set to be just another Disney Channel movie in a long line of Disney Channel movies, albeit a musical one, so its production was not overly interesting.

The filming locations for High School Musical were nothing special or extravagant, choosing to film at a school in Salt Lake City. This school was East High School; Disney decided to use the same name for their fictional school in the movie. East High School was founded in 1913, and is located in the East Bench neighbourhood of Salt Lake City, in Utah. This school was used as the setting for High School Musical’s East High in all three of the original trilogy of films. Specifically, Disney used the exterior of the building, the gymnasium, and the cafeteria of the school for filming[5]. The auditorium area seems to have been filmed at a different Utah school, Murray High School, which was also the location used for other Disney Channel movies, including Minutemen (2008) and Read It and Weep (2006). High School Musical was filmed in Utah during the summer of 2005.

The story of High School Musical isn’t all that unique either. It was written by screenwriter Peter Barsocchini, who based the idea and some of the characters on his daughter and her friends, wanting to write about school life[6]. For many, High School Musical will remind them of the musical Grease, first performed on stage in 1972 but rising to mainstream fame thanks to its 1978 film adaptation, starring Olivia Newton John and John Travolta as Sandy and Danny. Grease itself is loosely based on Shakespeare’s Romeo and Juliet, although with a much happier ending! High School Musical takes this idea of two teenagers falling in love despite being two very different people, with very different friendship groups and interests, putting across the message that you should accept yourself as you are and not feel the need to conform to any set clique or group that many teenagers end up placing themselves in. Barsocchini himself said he had been inspired by Grease when writing High School Musical. His first draft was quickly greenlit for production and that is how High School Musical got its start. Barsocchini had previously co-written the screenplay for the action film Drop Zone (1994), a complete contrast to writing a Disney Channel musical, going on to write the other two movies in the High School Musical trilogy, as well as helping to create the story of the animated Netflix musical movie Vivo (2021) and co-writing the screenplay of the musical adaptation of the Nativity story for Journey to Bethlehem (2023).

Kenny Ortega was tasked with directing this new musical for Disney Channel. Ortega was already known to Disney as he had directed and choreographed the Halloween film Hocus Pocus (1993) and the musical adaptation Newsies (1992) for the company. Ortega had also been the choreographer on many musical movies including Xanadu (1982) and Dirty Dancing (1987) prior to that. Ortega was the perfect fit. The High School Musical trilogy was not the end of Ortega’s Disney journey either, as he choregraphed and directed The Cheetah Girls 2 (2006) and the original Descendants trilogy for the channel. Ortega was also choreographing and directing Michael Jackson’s This Is It tour in 2009, which was cancelled after Jackson’s death. Footage from the rehearsals was later released as the documentary film Michael Jackson’s This Is It (2009). More recently, Ortega has directed, choreographed, and produced the Netflix musical series Julie and the Phantoms (2020).

Since High School Musical was going to require more than just acting talent, focusing on singing and dancing as well, the audition process had to be more intense, to ensure they found the right teens to fit these roles, both from a talent and stamina perspective. Disney were looking for “triple threats” as they say. There were apparently over 600 kids who auditioned to be in High School Musical. Vanessa Hudgens said in a behind-the-scenes clip that her callback had taken all day and was very difficult. They had started with twelve people and whittled them down to four. Hudgens said she was consistently paired up with Zac Efron each time to do their scenes and performances, deciding that must’ve been a good sign in terms of the casting directors thinking they had good chemistry!

Once the parts were cast, they were then sent to recording sessions to record their songs for the film, before flying to Salt Lake City for the usual table read, where the music was played as they went through the script to show where and how the songs fit into the overall story. This was followed by two weeks of dance rehearsals, which is quite a standard process for any Disney Channel star to go through when filming a Disney Channel musical. Joining Ortega in choreographing the musical were Bonnie Story and Charles Klapow. Story had worked with Ortega on the choreography on the Opening Ceremony of the Salt Lake 2002 Winter Olympics; Ortega and his team even won two Primetime Emmy Awards for this ceremony, one for Outstanding Directing for a Variety Series, and the other for Choreography. The boys also had basketball practice every day to ensure they looked like a real basketball team who knew what they were doing! Rob LaFallet, a real basketball coach and named the basketball technical director here, was on hand to ensure the basketball scenes were as accurate as possible and helped with the choreography for “Get’cha Head in the Game” since the lyrics contained references to real set plays in the sport.

Despite the intensive process, the cast very much enjoyed filming this movie and loved working with Ortega, who was a friend to all and very approachable, helping to guide these teenagers through the process and hearing their thoughts and opinions on their characters and scenes[7]. Much of the cast were relative unknowns, so no doubt wanted to make a good impression and show how serious they were about getting their scenes right.

RECEPTION

High School Musical was released on 20th January 2006 in the US, being their Winter DCOM premiere for that year, in the same way that Now You See It… (2005) had been the year before, and Pixel Perfect (2004) the year before that. There was nothing special about this date, and it can be argued that the summer DCOM premieres would’ve had more viewers.

But High School Musical was the phenomenon that no-one expected. It wasn’t envisaged that it would blow up and became what it became. Over the coming months, High School Musical slowly made its way to other countries outside of America, not even reaching the UK or India until September that year. There wasn’t even a social media buzz in 2006 to increase its popularity, and yet, High School Musical had reached 100 million unique viewers globally by the end of the year. It was crazy.

On its premiere night though, High School Musical brought in 7.7 million viewers, becoming the second-most-viewed DCOM during its premiere, with Cadet Kelly (2002) just taking top spot with 7.8 million, according to reported figures. Twitches, released in October 2005, so just a couple of months before, had reached 7 million. This shows that High School Musical was quite anticipated by the Disney Channel viewership, but was not a sensation from the outset; its viewing figures were good but nothing amazing.

For further context in terms of viewing figures, High School Musical could be seen as having boosted viewership of all Disney Channel movies that year since the lowest viewed movie of 2006 was the non-musical Read It and Weep, but even that was viewed by 5.6 million viewers. The Cheetah Girls 2 actually beat out High School Musical by becoming the most-viewed DCOM premiere of 2006, but only just with 7.8 million. Return to Halloweentown rounded out the year during the Halloween season with 7.5 million. But in 2005, apart from Twitches, none of the six other Disney Channel movies reached over 5 million viewers, so it would seem because of High School Musical, Disney Channel had managed to retain and gain the interest of its target demographic. High School Musical currently sits in ninth position in a list of the Top 10 most-viewed Disney Channel premieres, where it will likely remain now that DCOMs are mostly measured on their Disney+ success.

But even High School Musical, for all its fame and glory, could not escape negative criticism; after all, it was a Disney Channel movie and never meant for Academy Award success, so it is quite easy to criticise if you’re determined to be mean-spirited! For those that were against High School Musical, they said the story was too sweet and didn’t appreciate the message of self-acceptance being pushed down the throats to the extent it was. Others also said how the story lacked originality, which I don’t deny but I don’t think that’s a reason to dislike something and I don’t think Disney did a bad job with adapting this non-original story. Generally, it was decided that High School Musical was only for teens and tweens. As High School Musical was made with that audience in mind, then sure, that is a valid point, but it doesn’t mean adults couldn’t enjoy it too. High School Musical simply doesn’t suit some tastes and that’s perfectly fine, however, you can’t say it’s a bad film.

On the positive side, many liked the casting of the main roles, with these actors being fresh-faced, enthusiastic, and perfect for Disney Channel. The music was catchy too, as can be seen by the incredible performance it had in musical charts across the globe. High School Musical was considered to be fun, lively, and colourful. Obviously, retrospectively, High School Musical is considered by many to be one of the most iconic Disney Channel Original Movies of all time, and one of their best movies, if not the best.

Most Disney Channel movies are lucky if they get nominated for any awards, and even more so if they actually win something. High School Musical went against that usual trend completely by winning numerous awards. Kenny Ortega won the Directors’ Guild of America Award for Outstanding Directorial Achievement in Children’s Programs, and was nominated at the Primetime Emmys in the category of Outstanding Directing for a Miniseries, Movie or Dramatic Special, losing out to Elizabeth I (2005). Also in the Creative Arts Emmy Awards, Kenny Ortega, Bonnie Story, and Charles Klapow won the award for Outstanding Choreography. High School Musical also won the Emmy for Outstanding Children’s Program, shared with HBO’s documentary filmI Have Tourette’s but Tourette’s Doesn’t Have Me (2005). The DCOM was even nominated at the Satellite Awards for Best Motion Picture Made for Television; the award actually went to Lifetime’s television movie A Little Thing Called Murder (2006). Screenwriter Peter Barsocchini also won the Humanitas Prize in the Children’s Live Action Category for his screenplay. Tom McKinley received a nomination at the Costume Designers Guild Awards as well, for Outstanding Costuming Made for Television Movie or Miniseries, but also lost out to Mike O’Neill’s costuming for Elizabeth I

High School Musical won other awards in less technically demanding award ceremonies. For example, the film won Fave Movie at the Nickelodeon Australian Kids’ Choice Awards, and Zac Efron was voted Best TV Actor at the Nickelodeon UK Kids’ Choice Awards. At the Teen Choice Awards in the US, Efron also won here in the category of Television – Choice Breakout Star; Vanessa Hudgens was nominated in the female version of this category. The two won the award for Television – Choice Chemistry and the movie itself won for Television – Choice Comedy or Musical Show.  The young stars were also nominated at the Young Artist Awards, with Efron, Hudgens, and Corbin Bleu receiving nominations in the categories of Leading Young Actor, Leading Young Actress, and Supporting Young Actor in a TV Movie, Miniseries or Special respectively. The film was nominated for Best Family Television Movie or Special here too.

This isn’t even an exhaustive list of all the award wins and nominations that High School Musical received. This shows how its young cast and its talented crew had clearly created something more than just another television movie.

LEGACY

With High School Musical breaking all kinds of records, and defying all kinds of odds by becoming a huge hit across the world, Disney couldn’t just ignore its popularity and not capitalise on its fame now, could they?

In the week of the Super Bowl in early February 2006, Zac Efron was reportedly the second-most-searched team on Google, whereas the two teams in the Super Bowl didn’t even reach the top 10 most-searched terms on the site. High School Musical was continuously re-aired on the channel in a bid to keep up with the demand for the film whilst Disney thought of new opportunities for the story and the cast. Other versions of High School Musical were created for the channel, such as a sing-along version; a dance-along version, where the movie was interspersed with dance lessons from the cast so that viewers could dance along to the song coming up next, and a What’s What edition, with facts about the movie’s production popping up on the screen as the movie was played. The Pop-Up editions could get a little bit irritating to be honest, with the number of facts that appeared.

The cast of High School Musical, Zac Efron, Vanessa Hudgens, Ashley Tisdale, Corbin Bleu, Monique Coleman, and Lucas Grabeel, didn’t make their first public appearance together until they appeared at the opening of the attraction Expedition Everest at Walt Disney World Resort’s Disney’s Animal Kingdom Park in April 2006[8]. The cast appeared at Walt Disney World again later that year for the Walt Disney World Christmas Day Parade in December 2006. Here they performed “We’re All in This Together” on Main Street, U.S.A., with a selection of teenagers from various high schools over the country who had auditioned to be a part of the performance. The cast members who appeared here were Lucas Grabeel, Corbin Bleu, Monique Coleman, and Ashley Tisdale.

This wasn’t even all for High School Musical’s presence at the Disney Parks as a live entertainment show inspired by the film actually came to some of them. This was quite unusual as Disney Channel movies or series rarely get a mention at the Disney Parks. This was the High School Musical Pep Rally which ran initially in October 2006 at Tomorrowland in Walt Disney World’s Magic Kingdom Park, before moving over to what was Disney-MGM Studios, now Disney’s Hollywood Studios, from January 2007 and saw singers and dancers perform music from the film. Songs used in the pep rally included “Bop to the Top”, “Get’cha Head in the Game”, “Stick to the Status Quo”, and of course “We’re All in This Together”. This pep rally also existed at Disney California Adventure, from late 2006. Both versions had closed by Summer 2007, ready for a new pep rally to begin. It looks like a version of the pep rally also was playing at Disneyland Paris in 2007. Later, Disney chose to redevelop this entire pep rally idea and created Disney Channel Rocks, which began in October 2010 and ended in April 2013. It featured music from various Disney Channel franchises like The Cheetah Girls and Camp Rock series. The only song from any High School Musical film to be used was “We’re All in This Together”.  

Another major revenue stream to come from High School Musical was High School Musical: The Concert, which saw most of the cast travel across America to sing for fans. It was first announced around October 2006, with the opening night of the tour taking place on 29th November 2006 in San Diego. The concert tour travelled to 40 cities in the US, from November 2006 to January 2007. They then did a Central and South American tour in May 2007, visiting seven different cities. The cast performed the songs from High School Musical at this concert, as well as some of them singing their own music, like Vanessa Hudgens performing “Say Okay” and Corbin Bleu performing “Jump In” in order to promote their own solo albums. I said most of the cast attended this tour, but one very important member of the cast was not there, and that was Zac Efron, who was replaced by Drew Seeley, because Efron was busy filming Hairspray (2007) at the time. Since Seeley sang for Efron on the soundtrack of High School Musical, it was a sensible choice for his replacement although I’m sure some teenage girls were very disappointed at not seeing Zac Efron there! The High School Musical: The Concert soundtrack and a DVD of the recording of one of the performances were released around June 2007. The High School Musical concert tour followed in the footsteps of The Cheetah Girls’ The Party’s Just Begun Tour which ran from September 2006 to March 2007 across around 80 cities to promote their second movie, and was also released on DVD and CD after the tour ended.

This tour was shortly followed by High School Musical on Stage!, a musical stage show based on the film. The stage musical basically follows the same storyline as High School Musical, although some new songs were added in, such as “Cellular Fusion” and “Counting on You”, plus “I Can’t Take My Eyes Off of You”, from the movie’s soundtrack, was included as well. A new teacher, Ms. Tenny, was added too. The US tour of the stage musical kicked off in May 2007, ending in August 2008. It went on tour in the UK in 2008. High School Musical has also been performed by various high schools and local theatres over the world in the years since it came to the stage.

The biggest thing to come from High School Musical was its sequel, High School Musical 2, premiering on Disney Channel in Summer 2007. Disney Channel was clever to ensure they inundated the channel’s advertising with behind-the-scenes clips and music videos from the movie to ensure maximum interest from viewers. It is unclear if Disney Channel had already planned a sequel, or whether it was due to its global fame and worldwide attention that it was brought into development. 

International Disney Channels later chose to get in on a slice of the High School Musical pie by making their own adaptations or spin-off films. For example, in Argentina, Brazil, and Mexico, each of these respective Disney Channels released a movie called High School Musical: El Desafío, or O Desafio in Brazil, which translates to “The Challenge”. It consisted of an entirely new cast, cast from a reality competition series, new songs, and a new storyline about a battle of the bands, based on the book Battle of the Bands from the High School Musical series of novels. The Mexican and Argentinian films were released in 2008, and the Brazilian one was released in 2010. A Chinese spin-off also came to be, titled High School Musical: China – College Dreams, released in 2011.

Obviously, High School Musical also spanned the usual merchandise, like clothing, novelisations of the film, as well as other books expanding the stories of the characters, and video games. This has continued to exist even twenty years after the movie’s premiere. In 2016, for the 10th anniversary of the film, there was a televised “mini” High School Musical reunion broadcast on Disney Channel in January of that year. Zac Efron was the only one of the six main cast members not to appear in person, but there was a pre-taped message from him to make up for that. The cast reminisced about their time filming these movies, reliving some of those highlights together. In 2026, Ashley Tisdale, Lucas Grabeel and Monique Coleman attended an event to celebrate High School Musical’s 20th anniversary at the Disney Studios in Burbank, California. Tisdale later posted photos on her social media of the event, as well as photos of her trying on Sharpay’s costumes from the films.

We also can’t forget how High School Musical inspired not only other Disney Channel content but also other series around singing and theatre. For Disney Channel, High School Musical led to new musicals being created as part of the Disney Channel Original Movie catalogue. These films included franchises like Camp Rock, Descendants, and ZOMBIES. New movies and spin-offs from these film series are still being released to this day. Outside of Disney, other series that are said to have been inspired by the popularity of High School Musical include the likes of Fox’s long-running drama series Glee (2009-2015), based around a glee club at an American high school, and British channel ITV’s Britannia High (2008), set in a fictional London theatre school. Although Glee was a sensation, especially at the start of its run, sadly for me, Britannia High was not and was cancelled after one series.

FINAL THOUGHTS

I obviously can’t deny that High School Musical was a big deal and that it changed the world of television forever, inspiring numerous series and television movies in the years since.

It also made real stars of its main cast, who have gone on to work both in music and in film and television. They have become regular appearances on our screens ever since, and for good reason; they are very talented. 

But I’m nothing if not honest, so for me, High School Musical just pales in comparison to what came after it. It feels too much like a low budget television movie, probably because it was at the time, before Disney decided to throw lots of money at the series.

I guess it worked on me at least, and I was just excited to see what came next.


REFERENCES

[1] Credit: D23, ‘High School Musical Turns 10!’, D23.com, date unknown.

[2] Credit: Stacey Grant, ’23 Surprising DCOM Secrets Even Die-Hard Fans Didn’t Know’, Seventeen.com, 25th October 2017.

[3] Credit: D23, ‘High School Musical Turns 10!’, D23.com, date unknown.

[4] Credit: ‘”High School Musical”, a Smash on the Disney Channel, Will Get a Stage Version’, Playbill.com, 6th April 2006.

[5] Credit: Utah Film Commission, ‘On Location: Utah Schools’, Film.Utah.gov, 13th August 2025.

[6] Credit: Aja Romano, ‘High School Musical – and its ongoing cultural legacy – explained’, Vox.com, 13th November 2019.

[7] Credit: Disney, “Bringing It All Together: The Making of High School Musical”, from High School Musical (2006) Encore Edition UK DVD (2006).

[8] Credit: D23, ‘High School Musical Turns 10!’, D23.com, date unknown.

#8 Ratatouille (2007)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. PRODUCTION
  5. MUSIC
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

The 2000s saw changes in the animation sector. With technology advancing, movie studios were turning their back on 2D animation and setting their sights on computer animation.

DreamWorks hit the jackpot with their computer-animated film Shrek in 2001 and managed to outdo themselves with its sequel in 2004, but Pixar arguably was the studio ahead of the game in this space as they made the first feature-length fully computer-animated movie in 1995, which was Toy Story.

Since that point, Pixar had had hit after hit. They continued to exceed expectations – until 2006, when they released Cars. Cars was financially successful but it was seen as a misstep by the usually consistently brilliant Pixar. Their next film had to make up for that.

This film, released in 2007, was Ratatouille, a story about a rat who wants to be a chef in a high-end restaurant in Paris. Despite the strange, and kind of gross, premise of rats cooking for humans in a professional kitchen, Ratatouille did receive higher praise from audiences than that of Cars. It has been named as one of the best “food films” in existence and has been mentioned in TV shows and films, such as Breaking Bad (2008-13), The Simpsons (1989-present), Ted Lasso (2020-23), and The Five-Year Engagement (2012).

I watched Ratatouille at the cinema when it came out and I enjoyed it then. I was 14 at that time, and I distinctly remember much younger kids, probably about 4 or 5, who were sitting in the row in front of me and my family, and were quite clearly getting very bored during the last thirty minutes or so. Ratatouille is one of Pixar’s longer movies and it is less colourful, less funny, and less action-packed than their previous ones, which always had something to keep the children entertained alongside the adults. Ratatouille seems to focus on realism and emotional moments rather than zany adventures with odd characters. 

I didn’t mind though and my enjoyment of Ratatouille has only increased as I’ve gotten older, particularly as I have some interest in cookery shows that focus on gourmet food. Ratatouille was the first time I felt that Pixar’s films were growing with their audience, combining elements that appealed to small children with those that appealed to teenagers and adults. This was an opinion I felt also matched their next two films WALL-E (2008) and Up (2009), although by the time Cars 2 was released in 2011, I wasn’t so sure that was factual anymore! 

PLOT

Ratatouille begins by showing a television programme on the history of Paris restaurant Gusteau’s. It states that the restaurant, run by Chef Gusteau, had a five-star rating and Chef Gusteau became more and more popular with the general public thanks to the publishing of his book, “Anyone Can Cook”, which was panned by food critic Anton Ego.

We then see a rat breaking through a window with this book, after being shot at by an old lady in a farmhouse. This rat, Remy, narrates his story. Remy has highly defined taste and smell, which makes him very different from the other rats in his colony. Remy refuses to eat food from the garbage, and his father frequently becomes irritated by his behaviour. Remy’s brother Emile just finds it fascinating, especially as Remy walks on only two feet instead of four a lot of the time, as it is more hygienic. After a rat in the colony is almost poisoned, but thanks to Remy’s sense of smell he detects it, Remy becomes the pack’s poison checker, which he finds really boring, but it’s the only time he’s ever made his father proud. Outside of that task, Remy frequently steals real food from a nearby farmhouse.

One day, Remy finds a mushroom outside and wants to cook it. He sees that Emile has found a nice piece of cheese, so Remy suggests trying to melt the cheese onto the mushroom. They head up to the roof of the farmhouse to use the residual heat from the chimney, and Remy starts to roast the mushroom. Suddenly, a lightning strike hits the roof and the pair are electrocuted, being tossed to the ground. Remy takes a bite of the cheesy mushroom and loves it – although he’d like some saffron to go along with it to make it even better. Remy takes Emile into the farmhouse kitchen to find it. Emile is concerned, but Remy says as long as the TV is on, the old lady won’t wake up.

Remy begins going through all the kitchen cupboards, but soon becomes distracted by a news report saying that Gusteau’s restaurant lost a star in its rating after a particularly bad review from Anton Ego. The restaurant and the chef never bounced back. Gusteau later died, and as per tradition, Gusteau’s lost another star, leaving it on three. Remy is horrified by this news and to make it worse, the old lady has now woken up and seen two rats in her kitchen! The lady picks up her shotgun and starts shooting at Remy and Emile. Remy tries to lead Emile outside, by Emile heads towards the ceiling, leading right to the colony. Sure enough, a gunshot hits the ceiling, as the woman aims at Emile, and the whole ceiling comes down, revealing the entire colony. The rats run out of the farmhouse and head to the river, where they have boats on standby; that was handy. But Remy wants the copy of “Anyone Can Cook”, so he goes back inside to retrieve it, dodging a bullet as he jumps out the window, going back to the movie’s opening shot of Remy. Remy tries to catch up with the others, using the book as a floatation device, but he falls further and further behind.

Lost and alone, Remy almost drowns in the sewer system. He finally gets out of the water, finding a step to sit on. He starts leafing through the book, when Gusteau comes to life and starts talking to Remy, encouraging him to explore where he is. Remy heads up to the surface, and goes around various apartments, before finding some bread. As he is about to take a bite, Gusteau appears again as a small angel-like figure, conjured up by Remy’s imagination. He tells Remy he is not a thief, so Remy keeps searching. Eventually, he finds himself on top of a roof, looking out at the skyline of Paris. Remy is thrilled to have found his way to Paris, and he discovers that he is right by Gusteau’s restaurant. Remy goes to the restaurant’s skylight and looks down at all the chefs at work.

Inside Gusteau’s, a skinny young man called Linguini has come to the restaurant looking for a job. He tells the head chef, Chef Skinner, that his mother, Renata, a former flame of Gusteau’s, hoped that Skinner might be able to get him a job at the restaurant, leaving him with a letter from her. Renata has since died. Skinner hires Linguini as a “garbage boy”, not seeing him as a chef. Up above, Remy talks to his imaginary Gusteau about all the jobs of the workers in the restaurant, not thinking much of Linguini, although Gusteau reminds him that Linguini could be a great chef, since anyone can cook. Remy then sees Linguini experimenting with a simmering soup nearby. Remy is distraught and, in his rage, he falls through the skylight into a Gusteau’s sink. Remy finds his way out of the sink and dashes about the kitchen, looking for an escape route. He sees an open window over by the soup and heads for it. As he passes the soup, Remy thinks it smells awful and tries to fix it by adding a couple of ingredients, but he just can’t help himself and starts creating a masterpiece. Lost in thought, Remy doesn’t notice Linguini watching him. When he comes to his senses, Remy tries to dash out the window but he is stopped by Linguini. Chef Skinner then accuses Linguini of trying to cook, and scolds him, however, the soup is served up to a customer, despite Linguini’s pleas to stop them as he knows his soup tasted terrible. Skinner tries to stop the order going out but it is too late. He sees the customer call back the head waiter, presumably to complain, and immediately fires Linguini, however, the waiter returns to the kitchen to say the customer wants to speak to the chef. The others wait for the verdict.

Chef Skinner returns to the kitchen stunned. It turns out the customer was food critic Solene LeClaire and she actually liked the soup. Female chef Colette says Skinner can’t possibly fire Linguini now. As Skinner debates what to do with Linguini, not believing he could possibly be a good chef, Skinner spots Remy trying to leave the kitchen. He orders Linguini to catch the rat and kill it away from here. So, Linguini puts Remy in a jar and takes him on his bicycle to the River Seine. As Linguini is about to drown Remy in the river, he sees the pleading in Remy’s eyes and can’t do it. Linguini starts talking to Remy about the soup, trying to figure out how this rat knows how to cook, and sees that Remy can understand Linguini, although he can’t talk back to him. Linguini says he’ll release Remy if he helps him recreate the soup and keep his job at Gusteau’s. As Linguini opens the jar, Remy runs off, leaving Linguini feeling hopeless. Seeing this, Remy feels guilty and returns. He is taken to Linguini’s apartment, which is tiny and cramped but has a great view of Paris.

The next morning, Linguini wakes up and sees Remy has vanished and much of his food has gone, however, it turns out Remy was actually just making them omelettes. Linguini sees herbs inside them and asks Remy where he got them. Remy suggests he took them from plants nearby, but Linguini tells him not to steal anymore. He then sees they are late for work and they head off to Gusteau’s together. Once they arrive, they see all the chefs reading LeClaire’s review of her dinner the night before. Chef Skinner tells Linguini that his first task as a new “chef” here is to recreate the soup, saying he can take as long as he wants on it, because he doesn’t believe he’ll ever be able to do it. Linguini hides Remy in his chef whites, with Remy biting Linguini and occasionally appearing from the sleeve to guide Linguini on what to do and what to put in the soup. After this makes Linguini uncomfortable and causes him to act strangely in front of everyone, he goes to the pantry and tells Remy they need a new system. Chef Skinner then opens the door and thinks he sees Linguini talking to the same rat from last night, but Linguini hides Remy under his hat – his toque – quickly. As they leave the pantry, the two discover that if Remy pulls on Linguini’s hair, it can make him act without thinking. Remy and Linguini practise their new system together, as it perfectly disguises Remy and makes Linguini almost appear normal!

After a couple of days, the soup is recreated successfully and Skinner tells Colette to train Linguini up to be a full-time chef at Gusteau’s, much to his annoyance. Skinner goes to his office and starts thinking of ideas to continue his Chef Gusteau-branded frozen foods, with corn dogs being his next idea. Skinner also reads the letter from Linguini’s mother, where it is revealed that Linguini is Gusteau’s son, although he does not know that. Skinner contacts his lawyer, saying that the two-year deadline to find an heir to Gusteau’s fortune after his death has almost expired, and Skinner needs this not to be true so he can inherit it instead. His lawyer tells Skinner to get some hair from Linguini and he’ll check if the two are actually related. He tells Skinner not to worry as he doesn’t think the claim is real.

Linguini, and Remy, for that matter, struggle to adjust to the quick-paced cooking required to survive as a chef at Gusteau’s. Colette gives numerous tips and advice on how to deal with it, although she is quite annoyed that she is now responsible for Linguini’s success here, not wanting to jeopardise her own career which she fought hard for. During one dinner service, customers start asking for something new, and off the menu. Seeing an opportunity for Linguini to fail, Skinner tells him and Colette to make an old Gusteau recipe which never worked: sweetbreads á la Gusteau. Colette finds the recipe and starts to follow it, this being key to success at Gusteau’s, as they are not there to invent and create. Remy, however, wants to be creative and starts amending the recipe. Linguini tries to get Remy to listen to Colette, but it doesn’t work and Remy forces Linguini to pour his own version of the dish’s sauce on the plate, just as it is taken away and served. Skinner is furious to find that Linguini changed the dish and even worse, the customers actually like it and more and more order it through the course of the dinner service.

After dinner service is over, Skinner sees a silhouette of the rat in Linguini’s toque and decides to talk to him in his office, getting him drunk on expensive wine in the hopes he might let slip that he is working with the rat. However, Linguini lets Remy outside so Skinner does not find any concrete evidence in the toque that Remy is there or has been there. Despite getting drunk, Linguini also does not reveal anything so it was all a waste. He leaves Linguini to clean up the kitchen and lock up. Meanwhile, Remy is in the alley, eating some food that Linguini gave him as a reward, when he hears noises nearby. It turns out it is his brother Emile and the two are reunited at last. Remy gets some food from Gusteau’s and tries to get Emile to appreciate this type of food but it falls on deaf ears, and Emile is quite happy eating out of the trash of high-end restaurants instead! Emile takes Remy back to the colony to see their father, where they have a party to celebrate his return, however, Remy accidentally reveals that he’s been working with a human, and will not return to the colony. Remy’s father takes Remy to a shop filled with traps and poison, warning him that humans will always hate rats, so there is no point getting close to them.  

Remy ignores the warning and returns to Gusteau’s the next day, and finds Linguini sleeping, having not left from the night before. Remy tries to wake him, but nothing works. Colette arrives soon after so Remy gets under the toque and tries to force Linguini to start cooking and prepping for the day. However, Colette wants to talk to Linguini about his meeting with Chef Skinner, but with Linguini not being awake, and Remy not being able to talk, Colette doesn’t get any responses from him, making her more and more angry, to the point she slaps Linguini around the face. That certainly wakes him up – though he has no idea what he’s done to deserve the slap! Linguini runs out to Colette to stop her from leaving, and apologises for not listening to her. He wants to reveal what is making him act so weird, namely that he has a rat helping him cook. As Linguini lifts the toque from his head, Remy pushes Linguini to Colette and the two kiss, ending that conversation.

Whilst all this is going on at Gusteau’s, the restaurant is becoming popular again, leading Anton Ego to want to revisit the restaurant soon, thinking it is still as mediocre as when he last went. Chef Skinner also learns that Linguini is in fact Gusteau’s son, and wants to hide this from him for a few more days, so the deadline can expire. Skinner later discovers that his paranoia about the rat has been warranted as the initial hair given to his lawyer for the DNA sample was in fact rodent hair. A little while later, as Colette and Linguini become closer, Remy starts to feel like Linguini is forgetting about him, causing some tension between the two. Emile keeps returning to Gusteau’s as well, wanting Remy to steal some food for him and his friends from the restaurant. This time, the pantry is locked so Remy goes to Skinner’s office to retrieve the key. Whilst searching for the key, he stumbles upon all these documents and learns that Linguini is Gusteau’s son. Remy steals the papers, in a bid to show Linguini, but he is chased through the streets of Paris by Skinner. He loses him by the river as Skinner falls in attempting to jump between boats. When Skinner returns to Gusteau’s, he finds Linguini and Colette in “his” office. With Linguini now in charge of the restaurant, Skinner is fired, and all the chefs burn the collection of Gusteau-branded frozen foods! In retaliation, and knowing there really is a rat in the kitchen, Skinner calls the health inspector, asking for them to inspect Gusteau’s, but he is told there will likely be a long wait.

A press conference is soon held with Linguini. He is asked a question about where he finds his inspiration, but now Remy wants some credit for all his hard work, Linguini actually gives the credit to Colette, not his “tiny chef”. Ego then interrupts the press conference to say he will be critiquing Gusteau’s the following day, warning Linguini not to disappoint him. Linguini dumps Remy outside after the press conference, angry that he tried to ruin everything. Emile and his friends laugh at Remy as they see him being treated like a human’s pet. Remy decides to let Emile and the others go through the pantry themselves that evening, wanting to punish Linguini for his poor treatment of him. When Linguini sees Remy has not returned to the apartment that night, he comes to the restaurant to apologise, but he quickly shuns Remy when he discovers that him and his rat colony have been stealing food from the restaurant.

On the day of Ego’s visit, Linguini is told to make a motivational speech to the chefs, but it isn’t very inspirational, thanks to his nerves and general awkwardness. Remy returns to Gusteau’s to watch the evening unfold, with Emile questioning why he’d want to do that. Emile sniffs out some cheese and is about to get caught in a trap when Remy pushes him out and takes his place. The trap is picked up by Skinner and put in his car. Remy is told he’ll now make a new line of frozen foods for him. Skinner goes into the restaurant to see the Ego visit. Ego arrives and tells the waiter that Linguini should serve whatever he dares to serve him, refusing to order. Skinner asks for the same as Ego. Linguini is a mess, as he doesn’t have any recipes or knowledge of what customers are ordering and hides in the office!

Remy is rescued from the trap and Skinner’s car by his brother, father, and the rest of the colony. He immediately returns to Gusteau’s. The other chefs see Remy and try to kill him, but Linguini rushes out of the office, and says that Remy is the one who can cook, not him. Hearing this craziness, all the chefs, including Colette, quit and leave right there and then. Linguini fears the restaurant will close now, as nobody can cook tonight, and returns to the office, feeling hopeless. Colette drives home on her moped, crying and almost getting herself killed in a crash. However, she stops at one point and sees Gusteau’s book “Anyone Can Cook” in a nearby shop window. She has a change of heart and turns around.

Remy wonders what he can do to help Linguini now, when his dad comes over, saying he was wrong, not just about the cooking, but about his “human friend”. He asks what the colony can do to help. Encouraged by this, Remy sticks all the rats under the commercial dishwasher and splits them into groups to deal with different elements, whilst Remy oversees everything. Linguini tasks himself with being the head waiter for the evening. The health inspector then arrives and looks shocked at seeing all these rats in the kitchen. He rushes back to his car, with Remy ordering a group of rats to return him. They do, and he is tied up and thrown in the pantry! Colette also returns and asks Remy what it is he wants to cook for Ego; she’ll handle that. Remy hands Colette the recipe for ratatouille. She can’t believe he’d want to serve something so simple, but she goes along with it, making the dish in the way Remy wants it done. Linguini serves the ratatouille to Ego and Skinner. Ego initially seems bemused by this dish but after tasting it, it takes him back to his childhood and he loves it. Skinner also loves it and goes to the kitchen, demanding to know who cooked it. Having seen all the rats in the kitchen, he too is tied up and thrown in the pantry.

Ego goes to thank Linguini for the meal, but Linguini says he was just the waiter today. Ego asks who he needs to speak to. Linguini asks Colette what to do. She comes out and says if he wants to speak to the chef, he’ll have to wait until everyone else is gone. He agrees to do that. At closing time, Ego is introduced to Remy, and Linguini explains how he helped him cook at Gusteau’s. Ego doesn’t say much and after the explanation is done, he simply thanks them for the meal and leaves.

The next day, his review comes out. It states that he never understood Gusteau’s famous motto of “anyone can cook”, until his evening at Gusteau’s, now understanding what he meant: that a great artist can come from anywhere, and this definitely applies to the new “chef” at Gusteau’s. He looks forward to seeing more from them in future visits. However, with Skinner and the health inspector having to be released from the pantry eventually, word got out about there being rats in the kitchen and Gusteau’s was promptly closed down. Ego also lost his credibility and job for praising Gusteau’s. But there is a happy ending, as we see Remy telling this story to his rat colony in what appears to be the terrace of a restaurant. This restaurant is in fact his, and Linguini’s, I suppose, called La Ratatouille, having been backed by Ego, who is now a small business investor. The movie ends as Remy comes in to the kitchen to help Colette with Ego’s order of ratatouille.

CHARACTERS & CAST

Not wanting to be, or not feeling like, a normal rat sets Remy apart from every other member of his colony. Unfortunately, Remy being different isn’t considered to be a good thing, and his love of food and rejection of stealing junk from bins creates tension between him and his father. When Remy becomes separated from his family and colony, he finds himself alone – but he’s alone in Paris, a city of culture and haute cuisine. This is the perfect place for Remy to find himself, especially as he ends up at Gusteau’s restaurant, his favourite restaurant. Here, Remy finds himself in an unusual position of being not human enough to be a chef, and not rat-like enough to fit in back home. Because of Linguini’s human body, Remy is able to finally fulfil his dream of becoming a chef, despite all the obstacles. With Linguini’s support, Remy finds he can achieve anything, even being accepted as a chef amongst other humans – although it’s probably still a good idea for most of his customers at his new restaurant not to know that their food is being cooked by a rat!

Patton Oswalt voiced Remy. Oswalt has had a long career as an actor, a voice actor, and a stand-up comedian, winning an Emmy award for Outstanding Writing for a Variety Special for his comedy show Patton Oswalt: Talking for Clapping in 2016. In film, Oswalt has had roles including as Matt Freehauf in Young Adult (2011), which starred Charlize Theron; as Tom Stenton in Netflix’s The Circle (2017); and as Dr. Hubert Wartzki in Ghostbusters: Frozen Empire (2024). He also took over the voice role of Max from Louis C.K. in The Secret Life of Pets 2 (2019) and is set to voice a character in Sony Pictures’ 2026 animated film Goat. Oswalt is also known for his longstanding roles on sitcoms, such as being cast as Spence Olchin in The King of Queens (1998-2007) with Kevin James and Leah Remini, and the narrator, also known as present-day Adam, for ABC’s The Goldbergs (2013-23).

Linguini starts as a garbage boy at Gusteau’s, purely thanks to his recently deceased mother, who was a former girlfriend of Chef Gusteau and had assumed Chef Skinner would be able to find a job for Linguini. Linguini doesn’t seem to know how to keep his head down and deal with the job he’s got because he can’t help but try and cook, by messing about with the soup that was on the stove next to him. He would certainly have been fired had Remy not come in a decided to save the day, only because the sight of someone ruining a beautiful soup was painful to him! After this, Linguini wants to work with Remy, even though he’s a rat, so that Linguini gets to keep his job at Gusteau’s, not having another path to follow in life. Linguini later discovers that he is Gusteau’s son, thanks to Remy, and despite a brief falling out between the two, as Linguini spends more time with his love interest Colette, and leaves Remy to fend for himself, Linguini protects Remy from the chefs after he returns to Gusteau’s on the evening Anton Ego visits the restaurant, and Remy helps Linguini save the reputation of the restaurant. They later go into business together, remaining unlikely friends.

Linguini was voiced by former Pixar employee Lou Romano. In animation, Romano has worked in areas like visual development and production design. For Pixar, he worked on movies including Monsters, Inc. (2001); The Incredibles (2004), and voiced Bernie Kropp; and Up (2009). Romano voiced Snot Rod in Cars (2006) too. After Pixar, Romano chose to work at animation studio LAIKA, helping to make stop-motion films The Boxtrolls (2014) and Kubo and the Two Strings (2016).

Chef Skinner becomes the new head chef of Gusteau’s after the death of Gusteau. Although Skinner clearly wants to run a high-end establishment in the heart of Paris, and has precise expectations of his chefs, Skinner has spent much of the time since Gusteau’s death using his image to create a brand of cheap frozen foods for the masses, that have nothing to do with high-quality food, or even French cuisine; they are for things like burritos and fried chicken. It’s unclear why this is considered necessary. Whether it is just Skinner being greedy and wanting some additional financial revenue, or whether these frozen products are actually keeping the Gusteau restaurant afloat, I don’t know, although the restaurant seems to have a decent flow of customers throughout the movie, even at the start when Gusteau’s only has three stars. Once Skinner believes that Linguini is colluding with the rat from dinner service, he starts to get very paranoid, seeing Remy everywhere. Skinner is later fired for concealing the fact that Linguini is Gusteau’s son, so he could inherit everything instead. Skinner is the first to figure out that Linguini cannot cook and that the rat is the chef, even going so far as to capture Remy so that he can produce new foods for a new frozen food line! He also contacts the health inspector to get Gusteau’s closed. We don’t know what happens to Skinner after Gusteau’s closed down, but hopefully he could finally get some peace – or even some therapy to deal with all these strange events!

Ian Holm voiced Skinner. Sir Ian Holm began his career with the Royal Shakespeare Company, appearing in productions such as Twelfth Night, King Lear, and A Midsummer Night’s Dream. Holm moved into movie roles after that, being nominated at the Academy Awards in the Best Supporting Actor category for his role as Sam Mussabini in Chariots of Fire (1981), later winning a BAFTA for his performance. His other roles include King John in Robin and Marian (1976); Ash in Alien (1979); Fluellen in Kenneth Branagh’s Henry V (1989); Francis Willis in The Madness of King George (1994); and Terry Rapson in The Day After Tomorrow (2004). He also played Bilbo Baggins in the original The Lord of the Rings trilogy, before reprising the role in The Hobbit trilogy, with The Hobbit: The Battle of the Five Armies (2014) being his last film role. Holm died in June 2020. He won the Annie Award for Outstanding Voice Acting for his role as Chef Skinner in Ratatouille.

For Remy’s family, he has his father, Django, and his brother, Emile. Emile is quite close to Remy, although he does not understand Remy’s love of cooking, or the need to eat “only the good stuff”. Emile is happy to eat anything and everything, whether that is from the trash, or from a high-end restaurant’s food store; it all tastes the same to him! Emile does encourage Remy to steal food from Gusteau’s for him and his friends, leading to Remy being shunned by Linguini when this is discovered, but Emile doesn’t ever mean to hurt Remy, getting help when Remy is caught in a trap by Skinner, and joining the rats in finishing dinner service at Gusteau’s when Anton Ego is there. Pixar animator Peter Sohn voiced Emile. Sohn is a Pixar animator and voice actor, having directed and written the short film Partly Cloudy (2009) and voiced Squishy in Monsters University (2013). Sohn had also worked as a story artist on Finding Nemo (2003), The Incredibles (2004), and Up (2009). He later directed The Good Dinosaur (2015) and Elemental (2023), and voiced Sox in Lightyear (2022) and Ciccio in Luca (2021). Sohn is set to direct Incredibles 3.

Django, Remy’s father, is not at all understanding of Remy’s desire to be a chef, or his pickiness over food. The only time Django initially seems to be proud of Remy is when he sniffs out rat poison, but after that, he thinks Remy is just fussy. When Remy is finally reunited with Emile and his father, after a long period of time working as a chef with Linguini, he is even more different that he was at the start of the film. Django attempts to show Remy just how dangerous humans are, by taking him to a pest control shop, but this doesn’t dissuade Remy. Even when Remy is trapped by Skinner, once he is released by Django and the colony, he immediately returns to Gusteau’s to help Linguini. Django then sees how important this dream is to Remy, and mobilises the colony to help him out in the kitchen. By the end of Ratatouille, it is quite clear that Django has accepted his son and is very proud of him. Django was voiced by Brian Dennehy. Dennehy had previously been cast as Cobb in the Western film Silverado (1985) and went on to play Ted Montague in Romeo + Juliet (1996) which starred Leonardo di Caprio and Claire Danes in the title roles. In television, Dennehy also starred as serial killer John Wayne Gacy in the Fox TV movie To Catch a Killer (1992), with Dennehy being nominated for an Emmy Award in the Lead Actor category for his performance. Dennehy also won awards for his role as Willy Loman in Death of a Salesman, both in the TV adaptation in 2000, where he won the Golden Globe and Screen Actors Guild Award in the equivalent of the Best Actor category, and on stage, receiving a Tony Award for his role in the 1999 production of the play. More recently, Dennehy was cast in the recurring role of Dominic Wilkinson in NBC’s Blacklist (2013-23) from Season 3 to Season 7. He passed away in April 2020.

Moving on, we have the stern food critic Anton Ego. Ego’s name strikes fear into the hearts of all chefs across Paris, as his criticism can make or break a restaurant. In the case of Gusteau’s, he actually did both. Initially, his harsh critique of the restaurant causes it to lose a star, and could be a cause of the death of Chef Gusteau, as his five-star restaurant quickly lost its good name and reputation, thanks to Ego, and he lost hope. This then led to another star being lost, as per tradition that if a head chef dies, a restaurant must lose a star from its rating. Ego says himself at the end of Ratatouille that negative criticism is both fun to read and write, so this review of Gusteau’s may’ve been unnecessarily unfair. I personally like to sit more on the side of being compassionate alongside my criticism, whereas Ego clearly doesn’t! Ego seems to have quite a problem with Gusteau’s, as he only returns to the restaurant when he learns it is becoming popular again, wanting to crush the dreams of new head chef Linguini before it can rise again. However, that is not what happens, and despite being served a basic dish of ratatouille, Ego finds himself transported back to his childhood with the plate of food and devours it. When Ego learns that Remy, a rat, was in fact the chef that evening, he slowly takes in what this means, and writes a very positive review – without mentioning the rat part! Once Gusteau’s shuts down from a rat infestation, Ego loses his job as a critic, but joins up with Linguini and Remy to fund a new restaurant so this new artist, as Ego called him, can flourish in Paris once more.

Peter O’Toole voiced Anton Ego. O’Toole is well-known for his role as T.E. Lawrence in the epic drama film Lawrence of Arabia (1962), for which he was nominated for an Academy Award for Best Actor, and won the BAFTA, amongst others. After that, he portrayed King Henry II of England in Becket (1964), with Richard Burton in the title role. O’Toole won the Golden Globe for Best Actor for his performance, also being nominated for an Oscar and others once again. O’Toole also portrayed Henry II in The Lion in Winter (1968), which also starred Katharine Hepburn and Anthony Hopkins, winning a Golden Globe for the role. He won another Golden Globe when he was then cast as Arthur “Chips” Chipping in the musical film adaptation Goodbye, Mr. Chips (1969). Later in his career, O’Toole was cast as Priam in Troy (2004) and as Pope Paul III in Season 2 of The Tudors (2007-10), also playing Maurice Russell in the movie Venus (2006). O’Toole died in 2013.

Chef Gusteau only appears as himself in Ratatouille in archive television footage, shown in a documentary and a news report about him and his restaurant. However, throughout Ratatouille, a small, imaginary Gusteau appears to speak with Remy from time to time, guiding him on his journey. Gusteau also speaks to Remy through the cardboard advertising cut-outs for the frozen foods, which all show Gusteau in whatever stereotypical dress may match the cuisine being sold! This is only when Remy is in Skinner’s office and learns that Gusteau is Linguini’s father – where the various Gusteau’s are shocked at this discovery, naturally, because Remy didn’t know so how could they? Brad Garrett voiced Gusteau. Garrett starred as Robert Barone in Everybody Loves Raymond (1996-2005), alongside Ray Romano, for which he won three Primetime Emmy Awards for Outstanding Supporting Actor. Garrett has voiced other characters for Disney and Pixar, including Dim in A Bug’s Life (1998), Bloat in Finding Nemo (2003), Hook Hand in Tangled (2010) and Eeyore in Christopher Robin (2018).

There are numerous other chefs who work at Gusteau’s, alongside Skinner, Linguini, and Remy. One of these, and the one most important to the plot of Ratatouille, is Colette, the only female chef in the kitchen. She isn’t convinced by Linguini at the start of their training together, although she does tell Skinner he can’t fire Linguini if he cooked a dish that was liked by a renowned food critic, ensuring Linguini keeps his job. During the sessions of Colette training Linguini, Linguini quickly falls for her, though Remy isn’t so happy about the fact he has to speed up his techniques to suit a high-paced professional kitchen, and “cannot be mummy”, as Colette so eloquently puts it! Remy also learns he can’t be creative here, so when Colette and Linguini are tasked with recreating an old dish of Gusteau’s that was apparently terrible, Linguini tries to stop Remy from going against Colette’s advice to follow the recipe to the letter, but this is ignored. That same evening Linguini talks with Chef Skinner, and the next morning, because he is asleep and Remy is trying to hide that fact, Colette gets frustrated that Linguini seems to think he’s better than her, even though she had to work very hard to get to this position as a woman in a male-dominated industry, something many women can relate to. Linguini and Colette later become an item, and Colette even accepts that Remy is a chef, after a brief time of being disgusted by this and the betrayal, continuing to work with Remy in his new restaurant. Janeane Garofalo voiced Colette. Garofalo began her career in comedy in stand-up before moving in to movie and television roles. Some of these include being a cast member in the 1994-95 season of Saturday Night Live (1975-present), playing Louise Thornton in Season 7 of The West Wing (1999-2006), and voicing Bridget the giraffe in Disney’s The Wild (2006), amongst many others.

The other chefs at Gusteau’s don’t have many lines and are not given much character development, but they are important to the kitchen, so I’ll list them here anyway. Horst is the German sous-chef at Gusteau’s, who has been to prison, but nobody knows why as he changes his story all the time, saying he created the hole in the ozone or that he killed a man with his thumb! He was voiced by Will Arnett. Arnett is known for roles like George Oscar Bluth II in Arrested Development (2003-06, 2013-19) and voicing the title role in BoJack Horseman (2014-20). He also voiced the role of Lego Batman in the Lego movie franchise. Recently, Arnett wrote, produced and starred as Alex Novak in the movie Is This Thing On? (2025) opposite Laura Dern.

Lalo supposedly ran away from home at the age of 12, and joined the circus initially. He is the saucier chef. Lalo was voiced by Julius Callahan. Pompidou is the pastry chef, and was a cheat at cards, having been banned from numerous casinos in Las Vegas and Monte Carlo. Pompidou was voiced by animator Tony Fucile, who worked on other Pixar films like Brave (2012), Inside Out (2015), and Soul (2020). Larousse worked for the Resistance, but he never said which resistance, only that they didn’t win. Larousse is the chef garde manger, meaning he deals with the cold dishes. He was voiced by James Remar, who is well-known for playing Harry Morgan in the crime drama Dexter (2006-13), reprising the role in the continuing series Dexter: Resurrection (2025-present). He also was cast as Peter Gambi in The CW’s superhero series Black Lightning (2018-21) and recently played Francis Shaw in HBO’s It – Welcome to Derry (2025-present).

Finally, Mustafa, the easily stressed maître d’, was voiced by John Ratzenberger, Pixar’s “good luck charm”, who had a voice role in every Pixar movie, starting with Hamm in Toy Story (1995), up to construction worker Fennwick in Onward (2020). He later returned to Pixar to reprise his voice role as Fritz, one of the mind workers, in Inside Out 2 (2024) and will reprise his role as Hamm in Toy Story 5 (2026).

Although the voice cast do a brilliant job with their roles in Ratatouille, it is quite strange that no French actors were cast in the main roles, despite many of them putting on French accents! There is also another random voice casting that may only interest those in the UK. The health inspector was voiced by chef Jamie Oliver in the UK release of the film.

PRODUCTION

Quite a lot of films have stories of directors changing, sometimes multiple times over the course of a movie’s production, due to story issues or clashes of personalities. Animated movies are no different.

For Ratatouille, it was meant to be the first Pixar feature assignment for Jan Pinkava, who had previously directed the short Geri’s Game (1997) for Pixar, which accompanied the release of A Bug’s Life. Pinkava had also worked as a story artist on Toy Story 2 (1999) and Monsters, Inc. prior to starting work on Ratatouille. However, John Lasseter, then Chief Creative Officer of Pixar, didn’t like how the story was going, not feeling that it was progressing sufficiently, so he and producer Brad Lewis tasked Brad Bird, who had just finished directing The Incredibles, with fixing the story for Ratatouille. Bird later took over from Pinkava as director, with Pinkava leaving the company around 2006. He did, however, still receive story credit[1].

Brad Bird had just enjoyed the incredible success of The Incredibles, his first movie for Pixar, which won the Academy Award for Best Animated Feature, and goes down as one of Pixar’s best films to this day. Bird was not an original employee of Pixar, having also worked on The Simpsons (1989-present) beforehand, and rose to prominence after directing the technically impressive The Iron Giant (1999) for Warner Bros. Feature Animation, although it underperformed at the box office. Bird then joined up with Pixar, where he became part of the creative team. After directing Ratatouille, Bird directed two live-actions films, one being Disney’s live-action film Tomorrowland (2015), and the other being Mission: Impossible – Ghost Protocol (2011). He later returned to Pixar to direct and write Incredibles 2 (2018), the first sequel in The Incredibles franchise, and will return to write and executive produce Incredibles 3, set for release in 2028. Bird also wrote and directed the animated movie Ray Gunn, which is due to be released on Netflix in 2026, for Skydance.

It is unclear just what the original concept for Ratatouille under Pinkava was meant to be, although it was always meant to be about a rat in Paris who loves to cook, so the basic idea was there from the beginning, as was the title “Ratatouille”. Pinkava’s idea was more focused on Remy leading a double life, so cooking in the kitchen with Linguini and then returning home to his life as a rat. An element of this may be evident in the deleted scene “Heist/Fantasy”, although it is not obvious whether Ratatouille’s deleted scenes came after or during Pinkava’s involvement in the movie. In the scene “Heist/Fantasy”, Remy’s rat family was shown to be thieves who targeted restaurants’ trash cans like robbers target bank vaults; when they stole food, it was like a heist. Remy volunteers to be the lookout on one of these heists, watching over the restaurant, which happens to be Gusteau’s, from the skylight. However, instead of focusing on whether or not any human is heading for the trash cans, Remy starts to daydream about working there as a chef in this kitchen. Remy is pulled out of his daydream by Chef Skinner shouting, but it is too late for Remy to signal to the colony and they all rush home to the sewer, angry at Remy for not doing his job. An early version of the story also included Chef Gusteau, the real human being Chef Gusteau, not Remy’s imaginary version. In a cut scene, Gusteau is shown in his office telling Skinner how he is against all the frozen food lines that they are selling. This idea was not used, as it included too many storylines, so living Gusteau had to go[2].

Another necessary of aspect of creating Ratatouille, along with building the story, was to build the environment for it. Ratatouille was to be set in Paris, so naturally, the team had to visit Paris for research trips. This involved researching and studying the architecture and the cuisine, both of which had to look authentic. Everyone knows some of the key landmarks of Paris, like Notre-Dame Cathedral and the Eiffel Tower, and they both appear in Ratatouille, however, it was not only these obvious elements of the city that had to be included. Essential parts of city planning like manhole covers, gutters, and edgings also had to be photographed and studied up close, especially as the rats go in and out of the sewers and pipework in this film. The Pixar animators also had to capture just what Paris would look like from a rat’s perspective, so that meant lots of photographs taken from the ground. The team also observed how this centuries-old city looked, with stonework eroding and limestone degradation, to ensure they captured the age of Paris. You’ll also notice that Ratatouille’s Paris seems to be a less modern-day one, as there are no skyscrapers in the skyline.

As Bird came on to the project quite late, he was only able to go on one research trip to Paris, but he was inspired by one specific moment for one specific sequence in the film. This is the sequence of Linguini and Remy down by the Seine, when Linguini is meant to drown Remy in the river, as instructed by Chef Skinner, but he can’t bring himself to do it. Bird said this was inspired by a walk along the Seine by Notre-Dame Cathedral one night. It had a spooky quality to it, with drifting fog and fading light, and it was decided they had to have a scene at this spot, in that atmosphere, within the film[3].

A further area of research was looking at restaurants and their kitchens, where the Pixar team noticed a huge contrast between the atmosphere and look of the main dining room versus the kitchen. For the interior dining room and exterior façade of Gusteau’s restaurant, using their knowledge of high-end restaurants, they created stone pillars and a large stately building to host the restaurant, with lots of fabrics and red hues for the main dining room, embellished with plenty of gilt. The kitchen, on the other hand, is mostly white tile and brass or copper details, and plenty of expensive cookware.

There was more studying of chefs themselves at The French Laundry restaurant in Yountville, California, in Napa Valley, during an evening dinner service. Here, they learnt that each chef knows precisely what they are doing and where they are going in the kitchen, making their seamless movements look almost choreographed. They also discovered that chefs use a lot of spoons and not too many other utensils, knowing it would therefore be inaccurate to see them cooking with anything else, for the most part. This study of chefs even went to the characters being created, who have burn marks and scars on their arms and hands if you look closely, as many professionals do. The interior dining room is meant to symbolise serenity and relaxation, despite the back kitchen being loud, busy, and hot[4].

Speaking of The French Laundry restaurant, which is a three-Michelin-star restaurant, it is owned by head chef Thomas Keller, who had a hand in Ratatouille as well. He was tasked with updating the simple ratatouille dish for a Michelin-star-worthy restaurant, so we have him to thank for making something so simple look so good. Keller was also a food consultant on this film, and was also studied by the animators when cooking[5].

Back at the Pixar studio in Emeryville, now they had the research, they just had to get animating. It was soon discovered that food digitally created by a computer doesn’t look right. It struggles to look organic and fresh. This was immediately an obstacle for the animators because they couldn’t make Ratatouille without showing high-quality menu items. The only way to do this was to continuously work on making the food look tasty. Therefore, more than 270 pieces of food were created, with help from Michael Warch, Pixar’s sets and layout manager, who had been to culinary school. These meals were cooked for the animators to photograph and use as reference material for their animation. Warch served as the production’s “sous-chef”[6]. You also couldn’t animate Ratatouille without looking up close at rats, where many of the Pixar animators learnt to like rats, finding them quite sweet. They focused on areas of the rat that were the most appealing, such as their fuzzy fur and their little eyes and ears. They avoided focusing too much on other less cute areas, like their tails. The rats were brought in by animators who had pet rats, and they focused on their movements and how their fur moved or changed in different environments[7].

Finally, I’ll mention a few Easter eggs that Pixar are known for placing in their films. One is the Pizza Planet truck which is a constant in Pixar films. In Ratatouille, the truck is travelling on a bridge over the Seine during Skinner and Remy’s chase through Paris when Remy has stolen documents about Gusteau. A113, the classroom number where many of Pixar’s animators studied at CalArts, is printed onto the tough rat’s ear on a tag. You can also see references to other Pixar movies within Ratatouille, such as Dug’s shadow being seen as Remy is running through the apartments when he first arrives in Paris, and Hal the cockroach from WALL-E is in Linguini’s apartment when we first see inside it. Both WALL-E and Dug’s film Up were upcoming movie releases for Pixar. The character Bomb Voyage from Brad Bird’s previous film The Incredibles is also seen a couple of times, like on the front of the paper Colette is reading as she reads out the critic’s review, and as a mime when Colette and Linguini are roller skating. For any food fans out there, you’ll also have discovered that the rating system for Gusteau’s does not comply with the Michelin Guide, where a restaurant can only have three stars. Gusteau’s has five only because Pixar didn’t want to waste story time explaining those who didn’t know to the audience; a five-star rating is globally understood as something good.

MUSIC

Michael Giacchino was the composer of the music in Pixar’s Ratatouille, and the reason he was chosen is simple: because Brad Bird liked collaborating with him on The Incredibles.

Pixar seem to have longstanding collaborations with various people including composers, with Giacchino being just one of those who has worked on numerous other Pixar films. Giacchino’s musical credits for Pixar include composing the score for Up (2009), Inside Out (2015), Coco (2017), and Lightyear (2022). He has also composed the music for Disney Animation’s Zootopia (2016) and Zootopia 2 (2025). Away from animation, Giacchino was nominated for Primetime Emmy awards for his work on the series Lost (2004-10), winning one for his underscore of its pilot episode, and composed the music for the Jurassic World trilogy, ending with Jurassic World: Dominion (2022).

Giacchino spoke about creating two themes for Remy for this film. One follows his rat life, where he is running through the apartments in Paris, looking for food, like in the track “Wall Rat”, and a second which is the theme of his hopes, which can be heard when Remy first sees the Paris skyline and Gusteau’s restaurant, like in “Ratatouille Main Theme”. I also like “Souped Up”, which plays as Remy fixes the soup that Linguini has messed up because it becomes very jazzy, and high-spirited, as we see Remy in his happy place, creating food. “Remy Drives a Linguini” shows Remy and Linguini’s “buddy theme” as they learn how to work together to get Linguini to come across as brilliant chef, with Remy moving him like a puppet via his hair. The score was recorded on the same scoring stage at Sony Pictures Studio as that of Jurassic Park (1993)[8].

The song “Le Festin” was written to reflect the story of Remy achieving his dream. It plays during the ending sequence where we see Remy happy cooking at his restaurant, but it also appears after Linguini takes control of Gusteau’s in that montage. It was performed by French singer Camille, who was proud to perform a song for a film set in France, as well as being able to perform it in French[9]. It is a beautiful song, which perfectly captures the setting of Ratatouille, transporting you to the streets of Paris. Camille recently co-composed the score and songs for the movie Emilia Pérez (2024) with Clément Ducol. Camille also performed on the song “El Mal” as background vocals. “El Mal” won the Academy Award, the Critics’ Choice Award, and the Golden Globe for Best Original Song. Another song from this film, “Mi Camino”, was nominated in this same category. The soundtrack as a whole won the Cannes Soundtrack Album at the Cannes Film Festival.

In terms of awards, Giacchino was nominated at the Academy Awards in the category of Best Original Score, but lost out to Dario Marianelli’s music for Atonement (2007). He was also nominated at the Satellite Awards for Best Original Score, this time losing to Alberto Iglesias and The Kite Runner (2007). The only song in the soundtrack, “Le Festin”, was nominated at the World Soundtrack Awards and the Online Film & Television Association Awards for Best Original Song. Giacchino did win the Annie Award for Music in a Feature Production, and the Grammy Award for Best Score Soundtrack Album for his work on Ratatouille. He also won the International Film Music Critics Association Award for Best Original Score for an Animated Film.

In October 2015, the Royal Albert Hall held an event titled Ratatouille Live in Concert, where the movie was screened with a live orchestra playing the score.

RECEPTION

Ratatouille was released in the US on 29th June 2007, having apparently originally been set for release in 2006; Pixar’s Cars took the 2006 date instead.

Due to the potentially unfamiliar word with non-French-speaking audiences, it was decided that all the movie posters should show phonetically how to pronounce the film title “ratatouille”, to ensure there was no confusion!

In theatres, Ratatouille was accompanied by a Pixar short film, as is tradition. In this case, the short film was titled Lifted. It had previously debuted at the Chicago International Film Festival in 2006 before being paired with Ratatouille a year later. Lifted sees a young alien being tested on abducting humans, like we’d be examined for a driving test. The young alien, named Stu, struggles with the pressure and the various switches on the control panel, not being able to get the sleeping human through his bedroom window and beamed up to the ship. Instead, the alien hits all the switches, causing chaos in the human’s bedroom. Eventually, the alien works out what to do, and beams the human up to the entrance to the ship but in all the excitement, the human is dropped. The examiner alien takes over, returning all the items and human back to their rightful place in the room, before taking the controls to return home. Seeing the young alien sad, the examiner hands the controls to the alien to steer them home, but the spaceship crashes onto the human’s house, destroying all of it, apart from the human’s bed, which he is still asleep in. The ship leaves behind a huge crater, which the human accidentally falls into when he wakes up.

The short was written and directed by Gary Rydstrom, a sound designer and film director, having also won awards for his sound work on the likes of Titanic (1997), Jurassic Park (1993), and Saving Private Ryan (1998), as well as animated movies like Hercules (1997), Atlantis: The Lost Empire (2001), and A Bug’s Life (1998). Lifted was nominated for Best Animated Short Film at the Academy Awards, losing to The Danish Poet (2006).

There were initial concerns about Ratatouille at the box office, despite being No. 1 at the domestic box office on its opening weekend, having sold $47.2 million worth of tickets in its first three days, way ahead of second-place Live Free or Die Hard (2007) with $33.2 million. But it was the lowest opening result for a Pixar movie since A Bug’s Life, which made $33.3 million in its first few days in 1998. It also continued a trend of each Pixar movie failing to surpass its predecessor, as Cars had made $60.1 million in 2006. Ratatouille was said to have struggled due to competition from Transformers (2007)[10].

However, I don’t particularly care about how a movie does in only America, as it’s the worldwide box office figures that give the best overall picture of a film’s financial success in my opinion. Ratatouille did well in European markets, for example, setting record results in countries like Germany and Austria, as well as becoming the No. 1 film for six weeks in Summer 2007 in France, the country where Ratatouille is set[11]. Ratatouille didn’t even open in the UK until October 2007, so for the US media to be condemning Ratatouille to being a financial disappointment for Pixar back in June was a bit premature.

Overall, Ratatouille made just over $623 million from its initial release, ending the year in the No. 6 spot at the worldwide box office; it made just over $200 million domestically, and it surpassed Cars, which made $462 million in total. The Top 5 movies of 2007 were made up by Disney’s Pirates of the Caribbean: At World’s End; Harry Potter and the Order of the Phoenix; Spider-Man 3; DreamWorks’ Shrek the Third; and Transformers, so sure, Pixar didn’t match up to DreamWorks’ third Shrek film, but they did much better critically, which would matter most to me. Elsewhere in animation, Ratatouille surpassed The Simpsons Movie; DreamWorks’ Bee Movie; and Disney’s Meet the Robinsons.

In terms of audience reception, most reviews were positive. Many felt Ratatouille was a great addition to the Pixar catalogue, and recovered Pixar’s reputation after the lacklustre Cars. The animation was once again seen to be amazing, and it was decided the story was both funny and endearing, with a great voice cast. Some even say that Ratatouille is one of the best animated movies ever made.

On the other side, some felt Ratatouille wasn’t particularly funny, unlike some of Pixar’s earlier movies, and that it was less child-friendly, due to the length of the film and the emotional depth of the story. I would have to agree on both of these comments, not that it bothers me, but it did feel like Pixar hadn’t made a film directly aimed at children for the first time. Some also commented on the fact some characters were ignored, such as the chefs at Gusteau’s, who barely get any lines themselves and whose backstories are delivered in one three-minute scene between Colette and Linguini. Others simply couldn’t get past the idea of rats being in the kitchen, finding it too hygienic to get on board with!  

During awards season, Ratatouille did very well, picking up many awards and nominations. For example, at the Academy Awards, Ratatouille was nominated, not only for Best Animated Feature and Best Original Score, but also for Best Sound Editing, Best Sound Mixing, and Best Original Screenplay. Pixar only went home with the award for Best Animated Feature, but it was still a success for them nonetheless, despite the fact only two other animated films were nominated in this category: Persepolis and Surf’s Up.

At the Annie Awards, Ratatouille received 13 nominations, going on to win nine awards, in categories including Best Animated Feature, which also saw The Simpsons Movie and Bee Movie being nominated alongside Persepolis and Surf’s Up; Character Animation; Directing; Production Design; Storyboarding; and Writing. Pixar lost the Animated Effects award to Deborah Carlson’s work on Surf’s Up though, and could only win once in the Voice Acting category, with the win going to Ian Holm as Skinner; Patton Oswalt and Janeane Garofalo were also nominated for their roles as Remy and Colette respectively.

Other awards Ratatouille won in the Best Animated Film category include the Critics’ Choice Award, the Golden Globe, the Kids’ Choice Award, the Satellite Award, and the Saturn Award. The People’s Choice Awards handed out the Favorite Family Movie award to Shrek the Third for some reason. Brad Bird was also nominated in some other ceremonies for Best Original Screenplay, winning the award at the Boston Society of Film Critics Awards and the Saturn Awards, where it was in the category of Best Writing.

LEGACY

As with most Pixar, and quite a few Disney movies, when they are released on DVD or Blu-Ray, usually they are released with a new short film, sometimes related to the movie, like an exceptionally small sequel of sorts.

In the case of Ratatouille, this short film was titled Your Friend the Rat. This short saw Remy and Emile take the audience on a journey through the history of rats, trying to get us humans to change our opinion on them by showing that rats can be cool and should be able to live in peace and harmony with humans. If you’re concerned this short film has made light of the dangers that rats can pose to humans in terms of diseases, don’t worry because Pixar added a disclaimer at the end, saying that we should be careful around rats! This short uses a combination of both computer-generated and traditional hand-drawn animation sequences, with 2D animation also being used in the end credits of Ratatouille.

At the Disney Parks, Ratatouille has increasingly become an addition by way of attractions. Disneyland Paris was actually the first to reference Ratatouille, which is perhaps surprising because the US Disney Parks tend to get the biggest, newest attractions first, but then again Ratatouille is set in Paris so it makes complete sense! The 4D trackless attraction Ratatouille: L’Aventure Totalement Toquée de Rémy opened at the Walt Disney Studios Park in July 2014, alongside an area dedicated to Ratatouille, which also included the restaurant Bistrot Chez Rémy, and Chez Marianne, a souvenir shop. The restaurant serves French foods, like soup and steak frites, but the menu is not inaccessible to the majority of park-goers. The interior consists of larger-than-life decorations, to resemble that terrace where Remy and other members of the rat colony are sitting at the end of the film, and to make guests feel as though they are the size of rats. These are all still at the secondary park of Disneyland Paris, however, after a refurbishment, the ride will reopen in Spring 2026 with an updated video which will not be in 3D, reverting to a 2D video instead. Walt Disney Studios Park will also be renamed to Disney Adventure World in 2026; however, this area should remain untouched during renovations and refurbishments of the park. Emile and Remy have both been seen at Disneyland Paris as meet-and-greet characters, however, they have not been seen for a few years.

In 2021, Walt Disney World Resort in Florida recreated the Ratatouille-themed attraction in their Epcot Park, specifically in the World Showcase’s France Pavilion. Remy’s Ratatouille Adventure opened on 1st October 2021, to coincide with Walt Disney World’s 50th anniversary date and the celebrations that followed on from that. It had previously been delayed due to the COVID-19 pandemic. Remy’s Ratatouille Adventure recently underwent a minor refurbishment – only a few days long – to change the video portion of the ride from 3D to 2D, reopening in mid-November 2025. The construction of this attraction led to a new area at the back of the France pavilion being opened up, where a restaurant was also added. This is La Crêperie de Paris, technically a table-service restaurant, serving savoury and sweet crepes, naturally, however, this is a kiosk attached to it, which sells certain items from the restaurant from its walk-up window. Also in Epcot, for the Epcot International Food & Wine Festival, an annual event, a scavenger hunt allows for guests to spot different figures of Remy throughout the pavilions of World Showcase; it is called Remy’s Ratatouille Hide & Squeak. Technically it is a paid-for addition, however, if you don’t want the map or need the prize at the end of it, you can just spot the Remys without paying. Remy may also be featured on merchandise sold for this event, due to his culinary skills.

In terms of meet-and-greet characters here, at the time the film was released in 2007, Remy was meeting guests at the former The Magic of Disney Animation pavilion at the previously named Disney-MGM Studios Park, now known as Disney’s Hollywood Studios. Remy and Emile also were both seen during the Limited Time Magic event, where rare characters came out to meet guests, in January 2019. An animatronic Remy was also seen at Les Chefs de France for a limited time from 2009 to 2013; his last appearance was in October 2013. Remy would visit guests by their tables, sitting on a cart on a plate. Here, he would interact with guests. This event was called Bon Appétit from Chef Remy and was a pre-booked dining experience. Animatronic Remy was also seen at Disneyland Paris around this time, at the Rendez-Vous des Stars, or Restaurant des Stars, in Walt Disney Studios Park. It is unclear when Remy the animatronic disappeared from here, but it may’ve been when the attraction and its accompanying restaurant were built.

At Disneyland in California, at the Pixar Place Hotel, many references to Pixar movies can be spotted around the location, including ones to Ratatouille. Figurines of both Remy and Emile, and Chef Skinner have been seen at the Creators Club Concierge Lounge here. Other references may be seen in artwork and décor. At Pixar Pier, there may be similar nods to Ratatouille, specifically at the Lamplight Lounge dining location. During Pixar Fest from April 2024 until August 2024, there was a food both named Gusteau’s To-Go at Disney California Adventure’s Pixar Fest Marketplace, which served a ratatouille mini-pizza and a Gusteau-themed macaron, and some specialty drinks. Some limited-edition merchandise items themed to the movie were also available at this time. Ratatouille was strangely absent from any of the live entertainment offerings at Pixar Fest 2024 though, despite Emile and Remy both appearing during the Pixar Pals Dance Party at Pixar Fest in 2018. It would seem that Pixar Fest 2024 was really just an advertisement for Pixar’s newer film releases that hadn’t had as much coverage due to the pandemic, rather than a true celebration of all of their films. Pixar Fest has not returned to Disney California Park since 2024.

In the Disney Parks in Asia, there are less references to Ratatouille, but there are still a few. For example, Remy’s Patisserie, a bakery themed to Remy and the film, selling French-inspired goods opened at Shanghai Disneyland on 16th June 2016, the same opening date as the park. It is situated on Mickey Avenue. Remy’s Patisserie doesn’t seem to be listed on Shanghai Disneyland’s website for some reason; I don’t know if it has since closed. Remy is also used for the Rat in the Garden of the Twelve Friends, where Disney and Pixar characters resemble the signs of the Chinese zodiac. Outside of Remy and Emile meeting guests at Hong Kong Disneyland back in 2018, Ratatouille doesn’t appear to be a popular property for the Disney Parks on this continent.

On the Disney Cruise Line, there is more luck as the restaurant Remy exists on the Disney Fantasy and Disney Dream ships. Remy is an upscale restaurant, for adults only and with a strict dress code, lightly themed to Ratatouille. Its private Chef’s Table dining room is called Chez Gusteau’s. There is also likely to be some reference to the film at the Pixar Market Restaurant on the Disney Adventure ship when that sails in 2026.

Disney allegedly had been planning on producing a Ratatouille wine, with Remy featured on the label, to be sold at Costco in 2007, no doubt as promotion for the movie. However, Disney quickly cancelled their plans when the California Wine Institute pressured them not to release it, reminding them of advertising codes, where alcohol labels cannot be seen to be appealing to children. Due to having Remy on the label, who would become a recognisable icon of a movie aimed at children, this wine was deemed unsellable and the project was cancelled[12]. This led to other food and drink tie-ins being a struggle to promote, however, standard merchandise items like homeware, bags, plush toys, and pins themed to Ratatouille and Remy are readily available at some Disney Parks and Disney Stores. There was also the usual video games released, following the film’s storyline. I had Ratatouille the game on PlayStation 2, but never finished it.

Finally, back in 2020 when everyone was bored at home during lockdowns, the social media app TikTok exploded in popularity, particularly in the US, and one viral moment to come from it that year was the Ratatouille TikTok musical. The musical all began with Emily Jacobson, a teacher, who posted a video to TikTok in August 2020 with a song written about Remy. This video later was seen by Daniel Mertzlufft, an orchestrator, who arranged the song as a Broadway musical-style song. Other TikTok users and musicians began adding to this idea for “Ratatouille the Musical” and it became a complete show, directed by Lucy Moss, the co-creator of musical Six, and streamed to the world on 1st January 2021. Some big names appeared in this show including singer Adam Lambert, comedian Wayne Brady, and actor Tituss Burgess, known for playing Titus Andromedon in sitcom Unbreakable Kimmy Schmidt (2015-19). The show raised $1 million for The Actors Fund[13].

Disney and Pixar didn’t have a problem with this unofficial remake of their work, but don’t think this means that Pixar movies will start getting the Disney “live-action remake” treatment, because it has been stated by Pete Docter, Pixar’s Chief Creative Officer, that there is no live-action Ratatouille, or any other live-action remake coming from Pixar[14].

FINAL THOUGHTS

Who would’ve ever thought that a film about a little rat wanting to cook could become such an iconic piece of animation history for so many? 

I like Ratatouille for its animation and the scenes of cooking. I like the romanticism of Paris that the movie captures. And I particularly like Anton Ego’s final critique of Gusteau’s with its quiet reflection of just what being an artist can mean and how art touches people. Those at Pixar are experts at creating art that means so much to people themselves. 

Ratatouille continues to be remembered by audiences even if perhaps its popularity has been overtaken by newer films that might be more fun and colourful. Ratatouille felt like it was aimed at a slightly older audience unlike its predecessors but that suited me as a teen. I haven’t really considered what my personal ranking of Pixar movies would be, however, I know that Ratatouille would easily fit in my Top 5.


REFERENCES

[1] Credit: Richard Corliss, ‘Savoring Pixar’s Ratatouille’, Time.com, 7th June 2007.

[2] Credit: Pixar, “Deleted Scenes”, from Ratatouille (2007), Disney+.

[3] Credit: Pixar, “Building Paris”, Special Features YouTube Channel, 29th March 2021.

[4] Credit: Pixar, “Behind the Swinging Doors”, Special Features YouTube Channel, 29th March 2021.

[5] Credit: Harvey Steiman, ‘Animation, Cooking and Rats’, WineSpectator.com, 15th November 2007.

[6] Credit: Disney, ‘Five Facts about Ratatouille That Every Fan Should Know’, Disney Official YouTube Channel, 25th February 2021.

[7] Credit: Pixar, “Care and Feeding of Your CG Rat”, Special Features YouTube Channel, 29th March 2021.

[8] Credit: Pixar, “My Dad the Composer”, Special Features YouTube Channel, 29th March 2021.

[9] Credit: Pixar, “Ratatouille – Behind the music with Michael Giacchino”, from antcornfield YouTube Channel, 5th April 2009.

[10] Credit: Dean Goodman, ‘‘Ratatouille’ cooks up lukewarm box office win’, Reuters.com, 9th August 2007.

[11] Credit: The Guardian, ‘Ratatouille races to top of global box office’, TheGuardian.com, 9th October 2007.

[12] Credit: Jim Korkis, ‘More Disney Dream Dining’, MousePlanet.com, 19th Aprul 2017.

[13] Credit: BBC, ‘Ratatouille musical: TikTok phenomenon raises $1m for actors’ charity’, BBC.co.uk, 4th January 2021.

[14] Credit: Zoe G. Phillips, ‘Pixar CCO Says Live-Action Remakes Bother Him: “I Like Making Movies That Are Original’, HollywoodReporter.com, 11th June 2024.

The Prince of Egypt (1998)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. PRODUCTION
  5. MUSIC
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

The Walt Disney Company had probably hoped when Jeffrey Katzenberg was let go as Chairman of the Walt Disney Studios that Katzenberg would slip off quietly and there wouldn’t be any additional competition in the animation world, other than the movies of Pixar – but Disney were working on combining forces with Pixar, so that would be easily avoided.

Well, that didn’t turn out to be the case, because pretty much as soon as Katzenberg had left Disney in 1994, he had his own plan to create an entirely new studio to go up against Disney. To be fair, I’m sure the primary objective was just to make movies that he wanted to make, but the competitive element was surely an added bonus.

This company was DreamWorks Pictures, founded in October 1994. Its co-founders alongside Jeffrey Katzenberg were David Geffen and Steven Spielberg. The new studio was also going to include a new animation powerhouse. Not something Disney was likely anticipating, and certainly not something they’d have wanted to see.

Disney might have been in the midst of their so-called Renaissance Era in the 1990s, but by the time DreamWorks released their first film, Antz, in 1998, the tide was slowly turning and they were unable to recreate their big hit of 1994, The Lion King. Antz had its own problems, like Disney accusing Katzenberg of stealing the idea from Pixar’s A Bug’s Life, but then what should happen but DreamWorks release a traditional 2D animated movie, and a musical no less, trying to outdo Disney’s Mulan. Oh, DreamWorks, trying to play Disney at their own game? Risky, but clever. Luckily for DreamWorks, this mostly paid off with The Prince of Egypt, a musical take on the Biblical story of the Book of Exodus.

I vaguely remember watching parts of The Prince of Egypt at primary school but I don’t know if I’d ever watched it in full until I found it many years later on Netflix. From the epic opening musical number, I was hooked and amazed at how moving I found it; I hadn’t been expecting much. The Prince of Egypt is quite a heavy story, but it is brilliantly done, bringing tears to my eyes in numerous places, mostly due to its an amazing soundtrack. The Prince of Egypt also benefits from high-quality animation and a stellar all-star cast.

DreamWorks was showing Disney their studio was just as capable at making family-friendly movies with heart and soul, the irony being that Walt Disney Feature Animation is where DreamWorks co-founder Jeffrey Katzenberg would’ve learnt everything he needed to do that!

PLOT

The Prince of Egypt opens in Ancient Egypt where we see the Hebrew people being treated poorly as slaves, forced to construct buildings and statues for the Pharaoh Seti. Fearing an uprising, due to the number of Hebrews in his kingdom, the Pharaoh decrees that all newborn Hebrew males will be killed. Hearing this news, a mother, carrying her newborn baby, heads to the river with her two older children, avoiding guards who are tearing through their village. At the river, the mother places her baby in a basket and sends it on its way, knowing that this is a better option than having her child killed. The basket makes its way through choppy waves, passing by boats, and ending up in a pool outside the Pharaoh’s palace. Here, Queen Tuya, the Pharaoh’s wife, sees the child and chooses to raise it as her own, to be a brother to her son, Rameses, calling the baby Moses.

The story picks up years later. Moses and Rameses are now young adults, chariot racing through the streets of Egypt, causing trouble and breaking the nose off one of their father’s statues of himself that was currently being built. They also send an avalanche of sand right into the kingdom. Pharaoh Seti is furious. He puts most of the blame for the chaos on Rameses, despite both the brothers saying it was Moses who had suggested the race, due to the fact, Rameses, as the eldest brother, should know better. Rameses storms off to be alone. Moses pleads with their father to not be so hard on Rameses, but the Pharaoh says Rameses needs to take more responsibility for his actions since he will be the next ruler of Egypt. Moses says he believes Rameses will live up to that title one day.

Moses then tries to console Rameses, but Rameses is too angry with Moses for always getting him into trouble even though it is usually Moses’ fault and not his. Moses then drops wine onto the Pharaoh’s advisors, Huy and Hotep, who are below them in the courtyard. Huy and Hotep immediately blame Rameses, proving his point. Moses encourages Rameses to drop more wine on them, since he’s already taken the blame!

The two brothers then find they are late to the Pharaoh’s banquet and race over to it. They arrive in front of a huge crowd, finding that the Pharaoh has just named Rameses Prince Regent – following Moses’ advice to give Rameses the opportunity to show he is a leader. Rameses is gifted a woman from Huy and Hotep, a “desert flower”, for his new title, but she is incredibly feisty and not at all happy about being forced here against her will. Rameses offers her to Moses instead, but she is none too pleased to be around him either. Moses reminds the woman to show him the respect he deserves as a prince of Egypt. She says she is, because he doesn’t deserve any respect. Moses then grabs the rope she has been tied with, and the two briefly fight – until Moses lets go of the rope, making her topple into a pond nearby, embarrassing her. She is taken to Moses’ room. Rameses then names Moses as his Chief Architect and the celebrations continue.

Later that night, Moses returns to his room to find a man tied up; the woman from earlier is nowhere to be seen. He watches as she makes her escape from the palace, on her way back to her home in the desert. Moses proceeds to follow her, distracting some guards to make sure she gets away. He follows her again and sees her ride off into the desert. He is then distracted by two Hebrews by the nearby well. The brother and sister act strangely in front of him, with the sister suddenly announcing that Moses is actually their brother. Moses doesn’t believe the utterings of this mad woman, and warns her, Miriam, that she will be punished for her actions. The brother, Aaron, begs Moses for leniency, but Miriam just won’t stop, explaining why and how their mother gave Moses away. Moses is about to walk away, even more angered, when Miriam begins to sing a lullaby, the same one that was sung to Moses as their mother pushed his basket onto the river. Moses remembers it, and runs back to the palace, shaken to the core.

Moses is very confused about who he is now, having been brought up to believe he is a prince of Egypt, but now discovering he was actually born a Hebrew, and would therefore have been a slave. He struggles to reconcile this fact, and learns from hieroglyphics on the walls of the palace, and from the Pharaoh himself, that Pharaoh Seti had in fact ordered the murder of newborn Hebrews, proving that Miriam’s story was accurate. The Pharaoh says those he killed were “only slaves”, horrifying Moses who walks away from him. Moses speaks with his mother, the Queen, asking why she let him live a total lie. She says Moses is still their son, regardless of where he came from, and that she has never wanted to question the miracle of Moses being brought to her.

Later, Rameses outlines a grand new vision for the construction in Egypt, putting the slaves to work instantly. Moses starts to see how badly the slaves are treated for the first time. On seeing an elderly man being whipped, Moses demands that the guard stop, and in a moment of pure rage, Moses runs up to the guard and seemingly pushes him off a ledge and to his death. Aaron and Miriam saw this play out nearby, as Miriam was also calling for the whipping to stop. Troubled by what he’s done, Moses runs away. Rameses catches up with him and tells him not to worry, as he can simply stop Moses from being blamed for the man’s death. Moses says that he is not the person he thought he was, and asks Rameses to talk to their father about who is, before escaping into the desert.

Moses travels alone through the desert, choosing to shed all his princely items of clothing – all except a ring, which he keeps. He is then buried in a sandstorm. The next day, he is discovered by a camel. Moses drags himself out of the sand, and hangs onto the camel, as he is so weak and he cannot walk. The camel takes him to a waterhole where Moses happily drinks from it. He sees thieves harassing some children, seemingly trying to steal their sheep. Moses sees the thieves’ camels nearby, and lets them loose, making the thieves run after them, leaving the sheep and the children alone. Moses then stumbles into a well. The three girls try to pull him out, when their sister comes to see what they are doing. She helps them pull the man out of the well – but she is shocked to discover that man was the former prince of Egypt, and Moses is shocked to find she is the woman from the banquet. The woman, Tzipporah, drops Moses back into the well and walks away.

Moses is rescued from the well and taken to their community of Midian, led by High Priest Jethro, who welcomes Moses as an honoured guest. Jethro is also Tzipporah’s father and father to the three girls. At dinner, Jethro thanks Moses for being with them, but Moses doesn’t see himself as worthy. Jethro reminds Moses that he saved Tzipporah and his other daughters, and that he should see his worth through his actions. Moses joins the community, becoming a shepherd and eventually, him and Tzipporah fall in love and get married.

One day, Moses is chasing a lost sheep through the desert when he enters a cave. Inside the cave, he sees a burning bush. He then hears a voice say his name. It is God, speaking to him. God says he has seen the oppression of his people in Egypt and says Moses shall be the one to deliver them to the Promised Land. Moses doesn’t believe he can possibly be the right person, but God tells him he is that man, and not to fear, as He will be with him, and will smite Egypt with all his wonders, through Moses’ staff. Moses is changed by this encounter and goes to Tzipporah to tell her what happened. Tzipporah is concerned Moses cannot do this on his own, but Moses say he must try. The two go to Egypt together.

In Egypt, the two see that the treatment of the slaves has only gotten worse in the time Moses has been away. They arrive to meet with the Pharaoh, where Moses discovers that Rameses is that new ruler. Rameses greets Moses, pleased to finally be reunited with his brother, fearing he was dead. Rameses is hoping for a heartfelt brotherly reunion, pardoning Moses for his crime of murder, however, Moses has another purpose for this meeting. He tells Rameses that they might still be brothers, but things cannot ever be the way they were, since he is a Hebrew, and his only purpose in Egypt is to demand that his people at free. Rameses doesn’t believe what he’s hearing. Moses uses his staff to prove the power of God, with the staff turning into a serpent. Rameses then gets Huy and Hotep to respond, using their powers to create two serpents of their own, showing that Moses’ power is not impressive. It is shown that God’s serpent easily eats the other two though. Moses retrieves his staff and him and Rameses go to talk alone. Rameses says he must maintain the traditions of their father, and will not let Moses’ people go. Moses declares they are not on the same side anymore and returns his royal ring.

Fearing this battle will not be easy, this is then shown to be true as the Hebrews turn against Moses, questioning why he is only caring about them now, and is that just because Moses found out he was one of them. This all comes from Aaron, Moses’ brother, however, Miriam convinces Moses to not abandon them and to keep on with God’s plan. Moses sees Rameses on the river on his boat and goes to the water. He demands that Rameses let his people go once again, but Rameses refuses. God tells Moses to put the staff into the water. The water turns to blood, troubling Rameses’ guards, however, Huy and Hotep simply recreate this same “trick” for Rameses. The Hebrews feel that Rameses is too powerful and Moses is not, not seeing any change in their future. Moses tells them not to lose faith.

Over the coming days, Moses uses God’s powers to engulf Egypt in plagues including locust, frogs, hail fire from the sky, pestilence, and darkness. Moses feels guilt for the suffering he is causing, but sees no other way, since Rameses is refusing to do the right thing and let the Hebrews go. Moses goes to the palace again to speak with Rameses. The two reminisce about their times as children. Rameses reiterates that Moses was always getting him into trouble, although he also got him out of trouble just as much. Moses and Rameses are interrupted by Rameses’ son who is scared of the darkness that has overcome Egypt, blaming Moses for all this. Moses warns Rameses that something much worse is coming, and to allow the slaves to be freed now. Rameses says he will not let them go, and threatens to slaughter them all because of Moses’ interventions. Moses leaves.

That night, Moses tells all the Hebrews to mark their doors with sheep’s blood to avoid God’s final plague that night. Sure enough, the plague comes and kills every firstborn whose family was not protected by the mark. This includes Rameses’ son. The next day, Moses goes to him and sees Rameses laying his son to rest. Angry and distraught, Rameses tells him that he and his people can leave Egypt.

Not wanting things to have ended this way, and feeling guilt for all the suffering, Moses returns to Tzipporah and Miriam, letting them know that the Hebrews are free to leave Egypt. Slowly, everyone learns this news and they leave Egypt in a group, happy for the miracle that has come at last. It is a long journey to the Promised Land, but eventually, they reach the Red Sea, where their path is blocked by the body of water. Suddenly, they hear noise behind them. It is Rameses and his army, who have followed them. With the Hebrews trapped, they fear they will be killed. A storm forms, and a bolt of fire rises up to block the army. Moses is told to walk into the Red Sea. Using his staff, the sea parts, giving the Hebrews a way to cross it. The crossing is treacherous and difficult. As they almost get to shore, Moses sees that the fire bolt has been removed and Rameses makes the order to attack and kill them all. Moses hurries the last few to shore.

As the Hebrews make it to shore, the Red Sea returns to normal, drowning the Egyptian army and throwing Rameses onto the rocks away from them. The Hebrews celebrate their survival as Rameses cries out Moses’ name in anger. Moses says goodbye to him over the sea. Moses later receives a stone tablet from God, on which The Ten Commandments are written. Moses readies himself to share this discovery with his people. The Prince of Egypt ends with lines from various Biblical texts that reference Moses and his journey to free the Hebrews from Egypt.

CHARACTERS & CAST

In The Prince of Egypt, Moses is brought up to believe that he is a prince of Egypt, and a son of the Pharaoh, making him spoilt and entitled. Thanks to a chance encounter with his real brother and sister, Moses learns that he is not Egyptian, and is in fact a Hebrew. After this, Moses starts to really see the suffering that the Hebrew slaves experience in Egypt. Confused and angry, Moses escapes into the desert to be alone, although he actually finds himself in Midian, where he meets High Priest Jethro and falls in love with Jethro’s daughter Tzipporah. Moses is then chosen by God to free the Hebrew people from Egypt, a task he feels he is not worthy to undertake, but dedicated to the cause, Moses pleads with Rameses to let his people go, and when that doesn’t work, Moses must endure the guilt he feels as he watches The Ten Plagues devastate Egypt. Moses is committed to delivering the Hebrews to the Promised Land, to the point he ruins the relationship he had with his brother, and becomes someone completely different to who he used to be.

Val Kilmer was chosen to voice Moses, and was also the voice of God. Kilmer is known for his role as Iceman in Top Gun (1986), a role he reprised in the sequel Top Gun: Maverick (2022). He also played Madmartigan in the fantasy film Willow (1988) in the 1980s. After that, Kilmer was cast as Batman in Batman Forever (1995). The Prince of Egypt was not the only time Kilmer voiced a character for an animated movie, as he later came to Disney to voice Bravo in Planes (2013). Kilmer was diagnosed with throat cancer in the mid-2010s, later writing and producing the documentary Val (2021) about his life and career, where he discussed his health struggles. Kilmer passed away in April 2025 at the age of 65.

Rameses is a real prince of Egypt and is to be the next Pharaoh of Egypt, a role he feels much responsibility to undertake well, even though he lets himself be talked into Moses’ childish schemes and pranks, which gets them into trouble with their father. With Moses gone from the palace, Rameses then becomes a hard-hearted Pharaoh, promising to follow in the footsteps of his father, ensuring their legacy continues to be built. Although Rameses is clearly pleased to be reunited with Moses many years later, he is saddened to find that Moses no longer feels they can be brothers. Rameses refuses to let the Hebrews go to keep with “tradition”. Despite the plagues causing destruction to Egypt, Rameses continues to hold strong on this – up until his eldest son is killed by the final plague, leaving him devastated. He tells Moses he and the Hebrews may leave, only to turn up with his army in a bid to slaughter them all on their journey. Rameses’ plan is thwarted by God and he is left alone on the rocks by the Red Sea, uncertain of his future.

Rameses was voiced by Ralph Fiennes. In the 1990s, Fiennes was known for his roles as Amon Göth in Spielberg’s Schindler’s List (1993), for which he was nominated at the Academy Awards for Best Supporting Actor, and for playing Count Laszlo de Almásy in The English Patient (1996), where he was once again nominated for an Oscar, this time in the Best Actor category. Fiennes did not win either award, although both films did win the award for Best Picture, amongst many others. After The Prince of Egypt, Fiennes was cast in numerous films of many different genres, including as Christopher Marshall in the romcom Maid in Manhattan (2002), alongside Jennifer Lopez; as Justin Quayle in the thriller The Constant Gardener (2005); and of course, as Lord Voldemort in the Harry Potter films, starting with Harry Potter and the Goblet of Fire (2005). In more recent years, Fiennes has been cast as M in the James Bond movies, first appearing in Skyfall (2012) and played the characters Orlando, Duke of Oxford in the Kingsman prequel The King’s Man (2021) and Chef Julian Slowik in The Menu (2022). He was also nominated for another Oscar in 2025 for his role as Cardinal Thomas Lawrence in Conclave (2024). Fiennes is set to reprise his role as Dr. Ian Kelson in 28 Years Later: The Bone Temple and play Coriolanus Snow in the prequel The Hunger Games: Sunrise on the Reaping in 2026. The Prince of Egypt was also not Fiennes’ only voice role for an animated movie, as he also voiced Victor Quartermaine in Aardman Animation’s Wallace & Gromit: The Curse of the Were-Rabbit (2005).

Tzipporah is Moses’ wife, although from their first meeting it does not look like they would end up together. Tzipporah is brought to the palace as a “gift” for Rameses after he is named Prince Regent, but she has no respect for Egypt and wishes to return home. After a tussle with Moses, she is sent to his room, but she escapes, returning to the desert. The two are later brought back together in this same desert as Moses finds his way to her home and community. After some time together, they fall in love and get married. When Moses is chosen by God to return to Egypt to free the Hebrews, Tzipporah goes with him as support, ensuring he continues with the mission and never loses faith.

Michelle Pfeiffer was cast as Tzipporah. Pfeiffer has been nominated for an Oscar on three occasions, for her roles as Madame Marie de Tourvel in Dangerous Liaisons (1988), Susie Diamond in The Fabulous Baker Boys (1989), and Lurene Hallett in Love Field (1992). She is also known for being cast as Elvira Hancock in Scarface (1983) and as Catwoman in Batman Returns (1992). In more recent years, Pfeiffer played the character Janet Van Dyne in the Avengers franchise, beginning with Ant-Man and the Wasp (2018), and she was cast as Caroline Hubbard in Murder on the Orient Express (2017). Pfeiffer may also be familiar for such roles as Velma Von Tussle in Hairspray (2007) and Lamia in Stardust (2007). She returned to DreamWorks to voice Eris in Sinbad: Legend of the Seven Seas (2003).

Miriam is Moses’ sister. She saw Moses being sent away on the river by her mother and has been praying for him to return and free all the Hebrews for all the years since. Miriam has much more faith in Moses than even he has in himself. Moses has no idea of his past until he meets Miriam by the well on that night, and she goes some way to convincing him of his real identity, even risking being punished by the guards, since Moses thinks she is simply delusional. Miriam stays by Moses’ side during his conflict with Rameses, much like Tzipporah does, being another supportive person in his life.

Miriam was voiced by Sandra Bullock. Bullock has had various roles over the years, with one of her most famous in the 1990s being Annie Porter in Speed (1994) and its sequel Speed 2: Cruise Control (1997). After The Prince of Egypt, she went on to play Gracie Hart in Miss Congeniality (2000) and its 2005 sequel. Bullock is also known for her roles in romance movies such as Two Weeks Notice (2002), playing Lucy Kelson; The Lake House (2006), playing Dr. Kate Forster; and The Proposal (2009), playing Margaret Tate, with her “leading men” in these movies being Hugh Grant, Keanu Reeves, and Ryan Reynolds respectively. She is also known for more serious roles, such as portraying Leigh Anne Tuohy in The Blind Side (2009) for which she won the Best Actress Oscar amongst other awards, and playing Dr. Ryan Stone in Gravity (2013), where she won various awards including a Critics’ Choice Award. More recently, Bullock played Debbie Ocean in Ocean’s 8 (2018), Maloria Hayes in Netflix’s horror Bird Box (2018), and Maria Beetle in Bullet Train (2022).

Aaron is Miriam and Moses’ brother. He is uncertain whether to reveal that they are family to Moses on the night that Miriam does, pleading with Moses to take pity on her, claiming her to be ill and not know what she is saying. Aaron also turns on Moses after Moses’ first attempt to reason with Rameses does nothing, with Aaron accusing Moses of only caring about the Hebrews after finding out he was one of them. Aaron takes some convincing that Moses will eventually free him and the others, but Moses succeeds, and Aaron is just as grateful to him as everyone else.

Jeff Goldblum was chosen to voice Aaron. A very popular actor, Goldblum has had roles in hit films such as his role as Dr. Ian Malcolm in Jurassic Park (1993), a character he returned to for The Lost World: Jurassic Park (1997) and Jurassic World: Dominion (2022), as well as David Levinson in Independence Day (1996). Goldblum has also made appearances in various Wes Anderson films, including as Alistair Hennessey in The Life Aquatic with Steve Zissou (2004); Deputy Vilmos Kovacs in The Grand Budapest Hotel (2014); and voicing Duke in Isle of Dogs (2018). Most recently, Goldblum played The Wizard of Oz in Wicked (2024) and Wicked: For Good (2025). He also hosted his own documentary series for Disney+, The World According to Jeff Goldblum (2019-22) and starred as Zeus in Netflix’s series Kaos (2024).

Jethro is the leader and High Priest of the community in the desert that Moses joins, Midian. He is also Tzipporah’s father, as well as that of the three girls that Moses helps by distracting the men trying to steal their sheep. Jethro is kind-natured and very welcoming to Moses. He is also knowledgeable and wise, telling Moses a life worth living just needs to be filled with joy and kindness towards others.

Jethro was voiced by Danny Glover. He had already voiced Barbatus for DreamWorks in their movie Antz (1998), which came out before The Prince of Egypt. He is also known for his role as Marty Madison in the musical Dreamgirls (2006) and for his role as President Thomas Wilson in the disaster film 2012 (2009). In television, Glover portrayed Nelson Mandela in HBO’s television film Mandela (1987), being nominated in the Lead Actor category at the Emmys, and later played Joshua Deets in the miniseries Lonesome Dove (1989), being nominated for another Emmy in the Supporting Actor category. Recently, Glover was cast as Milo Walker in Jumanji: The Next Level (2019), and also played Santa in Disney Channel’s The Naughty Nine (2023).  

Pharaoh Seti and Queen Tuya are Rameses and Moses’ parents. Pharaoh Seti is quite strict with Rameses in particular, as he knows Rameses will take over as ruler after he is gone, but doesn’t know if he is willing to accept that responsibility if he continues to let Moses lead him astray. Seti rules Egypt with an iron fist, making Hebrews work as his slaves to construct his empire, even going so far as to order mass killings of new born children to ensure the Hebrews cannot rise up against in. This is the type of leadership he expects from Rameses, and it is exactly how Rameses ends up being. Seti must’ve been so proud…

Sir Patrick Stewart was cast as Pharaoh Seti. Stewart has had a career that has spanned both stage and screen, being cast in Shakespeare productions in his early career. In the years after that, he became known for his lead role as Jean-Luc Picard in the Star Trek franchise, beginning with the series Star Trek: The Next Generation (1987-94), reprising his role when required. He also played Professor Charles Xavier in the X-Men franchise, starting with X-Men (2000). Stewart has voiced characters for other animated movies too, including Mr. Woolensworth in Disney’s Chicken Little (2005); Bill Shakespeare in Gnomeo & Juliet (2011) – and Poop in The Emoji Movie (2017). Maybe I should’ve skipped that one…

Queen Tuya actually finds Moses in his basket, as it floats into a pond by the palace, instantly choosing to bring him up as their son alongside Rameses. Queen Tuya later goes to Moses telling him that just because he may have Hebrew heritage, they still consider him their son, feeling he has no need to be questioning his identity. Queen Tuya seems to be a caring mother to her boys, although she is aware of Rameses’ responsibility as the next leader, and her husband’s wariness about whether he will ever be ready for it.

Helen Mirren voiced Queen Tuya. Dame Helen Mirren is a much-acclaimed actress, beginning her career acting with both the Royal Shakespeare Company and the Royal National Theatre. On screen, some of Mirren’s film credits include being cast as Mrs. Wilson in Gosford Park (2001); Alma Reville in Hitchcock (2012); and Hedda Hopper in Trumbo (2015). More recently, she played Dorothy Bunton in The Duke (2020) with Jim Broadbent. She also played Elizabeth Best in The Thursday Murder Club (2025) for Netflix. Mirren won the Academy Award and BAFTA for Best Actress, amongst many other award wins in her career, for portraying Queen Elizabeth II in The Queen (2006). In series, Mirren appears as Maeve Harrigan in MobLand (2025-present) for Paramount+. She later voiced Dean Hardscrabble in Monsters University (2013) for Pixar.

Huy and Hotep are the Pharaoh’s advisors, both Seti’s and Rameses’, and are also High Priests, worshipping the Egyptian gods. They are arguably meant to be the comic relief in The Prince of Egypt, although they are definitely not overused in this way and do not take away from the seriousness of the story. Their funniest moment is when Moses drops wine on them from an upper balcony, with Rameses being blamed for it. Their other key moment is when they try to disprove the powers that Moses brings to Egypt, such as the river water turning to blood, and his staff turning into a snake. Eventually, even their powers cannot mimic some of the other horrors that come to Egypt, leading Rameses to believe that Moses has indeed been granted power from a higher being.

Huy and Hotep were voiced by comedians Martin Short and Steve Martin respectively. Together, they both first appeared in ¡Three Amigos! (1986) with Steve Martin playing Lucky Day and Martin Short playing Ned Nederlander, becoming close friends ever since. They have also both starred in the movies Father of the Bride (1991) and its 1995 sequel with Martin playing George Banks, and Short cast as Franck Egglehoffer. They continue to tour the US with their joint comedy show and currently star in the Hulu murder-mystery-comedy series Only Murders in the Building (2021-present) with Selena Gomez. Short plays Oliver Putnam and Martin plays Charles Hayden Savage.

PRODUCTION

To talk about how The Prince of Egypt film came to be, I need to mention how DreamWorks was created – and to do that I just have to go back to Disney Animation.

Back in 1984, Walt Disney’s son-in-law, Ron Miller, was removed as CEO from The Walt Disney Company. Frank Wells, who had previously worked at Warner Bros., and Michael Eisner, coming from Paramount Pictures, took over as Chief Operating Officer and Chief Executive Officer respectively. They became the first people to have been brought in to Disney management from “the outside”. Eisner and Wells then employed Jeffrey Katzenberg, also from Paramount Pictures, with the official title of Chairman of Walt Disney Studios, also taking the reins at Disney Animation.

During this time, Katzenberg oversaw the turnaround of Disney Animation from the major flop of The Black Cauldron (1985) all the way into the 1990s with their “Renaissance Era”, which began with The Little Mermaid (1989). Things seemed to be going well, although some felt that Katzenberg promoted himself as much as he promoted the movies he was involved in, which rubbed some up the wrong way.

Katzenberg’s Disney Legend status was not to be though, because after Frank Wells tragically died in a helicopter crash in April 1994, it soon became clear that Katzenberg wanted Wells’ job. This annoyed Michael Eisner, who did not like this, nor did Roy E. Disney, Walt Disney’s nephew and chairman of the animation division. A news article proclaiming Katzenberg as the saviour of Disney Animation would be the final straw, with rumours surfacing of Katzenberg’s imminent departure from the company. At the red-carpet premiere of The Lion King in June 1994, Katzenberg refused all interviews, knowing his position was on unsteady ground. He was forced to resign from the company in October 1994[1].

But that didn’t slow him down, as Katzenberg simply joined forces with acclaimed director Steven Spielberg and film producer David Geffen to found their own studio, DreamWorks, also known as DreamWorks SKG, referencing their surname initials. The studio was founded in October 1994, so Katzenberg didn’t waste any time!

Katzenberg had plans to create animated movies at this studio, which would mean going up against his former employer. He clearly relished the challenge, as DreamWorks Animation’s first film was Antz (1998), released in October 1998 to rival Pixar’s A Bug Life (1998), which came out just a month later Antz was a fully computer-generated animated movie, like Pixar, but now was the time for DreamWorks to go head-to-head with Disney Animation specifically, by creating their first traditionally animated movie.

Katzenberg had reportedly wanted to adapt The Ten Commandments story at Disney Animation, but this option was never considered by Disney, potentially because the material was not as universally appealing or as “safe” as using a fairy tale as a story basis. Katzenberg was able to bring his idea to his own studio instead, making The Prince of Egypt a bit of a passion project for him. Apparently, Spielberg was the one to suggest that they turn the Book of Exodus into a brothers’ story, with their movie focusing on how the relationship between Moses and Rameses evolved, from growing up as children, to their bond being completely destroyed by Moses’ mission from God.

The Prince of Egypt had three directors. One of these was Brenda Chapman, who by directing The Prince of Egypt became the first woman to direct an animated feature at a major studio. Chapman had previously worked as a story artist at Disney Animation, on such movies as Beauty and the Beast (1991) and The Hunchback of Notre Dame (1996), before moving to DreamWorks on Katzenberg’s request. After The Prince of Egypt, Chapman worked as a story artist on The Road to El Dorado (2000) and Chicken Run (2000) for the studio, before being invited to move over to Pixar in 2003 by her friend Joe Ranft, who became Pixar’s Head of Story in 1992. The two worked together on Pixar’s Cars (2006). Chapman was then set to write and direct Brave (2012) for Pixar, which began its life under the title The Bear and the Bow. Although this was Chapman’s initial idea, and she remained credited as a co-director on Brave, Chapman was not able to see her project through to the end. She was taken off the project in 2010 and replaced with a different Pixar employee, Mark Andrews. Chapman stated that she was struggling to put across this female-centric story in a company that she described as “a boys’ club”, plus Joe Ranft died in a car accident in 2005 which shook everyone up at Pixar and she did not get on particularly well with John Lasseter, the Chief Creative Officer at both Disney and Pixar at the time[2]. Most recently, Chapman directed the fantasy drama Come Away (2020).

The other two directors were Steve Hickner and Simon Wells, both long-time employees at DreamWorks Animation. Hickner was a story artist on such DreamWorks movies as Shark Tale (2004), Over the Hedge (2006), Mr. Peabody & Sherman (2014), and Home (2015), as well as co-directing Bee Movie (2007) with Simon J. Smith. Simon Wells had previously directed An American Tail: Fievel Goes West (1991) and Balto (1995) for Amblin Entertainment, which was absorbed by DreamWorks, then becoming a story artist for DreamWorks, on Spirit: Stallion of the Cimarron (2002), Sinbad: Legend of the Seven Seas (2003), Flushed Away (2006), The Croods (2013) and its 2020 sequel.

Wells was initially concerned about how they would be able to tell the story of Moses in The Prince of Egypt, wondering whether it would end up being too sanitised. Katzenberg and Spielberg both said that they had to go beyond what was expected, and be able to talk about those serious subjects and moments, such as Moses killing the Egyptian guard. Kelly Asbury, co-head of story with Lorna Cook, remembered being told those same things, and how they couldn’t avoid tackling the slavery aspect or the plagues, otherwise there would be no point in adapting this story. The Prince of Egypt adapts the first 14 chapters of Exodus[3].

Asbury had been a story artist on Pixar’s Toy Story (1995), before coming to DreamWorks, where he worked on various movies, including directing Spirit: Stallion of the Cimarron, with Lorna Cook, and co-directing Shrek 2 (2004). Asbury later directed Gnomeo & Juliet (2011), which was distributed under Disney’s label Touchstone Pictures in the US, and was also a story artist on Disney’s Wreck-It Ralph (2012) and Frozen (2013). He later directed the Smurfs live-action film reboot Smurfs: The Lost Village (2017). Asbury passed away in June 2020. Lorna Cook worked in story on DreamWorks films like Madagascar (2005), Flushed Away, and The Croods, having also worked as an animator on Don Bluth’s An American Tail (1986) and on Beauty and the Beast and The Lion King. The screenwriter for The Prince of Egypt was Philip LaZebnik, who was also a co-writer for Disney’s Mulan (1998), which won an Annie Award for Achievement in Writing, and Pocahontas (1995).

Although The Prince of Egypt tries very hard to accurately adapt The Book of Exodus for the screen, there were some changes made to suit the brothers story that DreamWorks wanted to tell. Some of these include the fact that in the original text, Moses is actually found by Pharaoh’s daughter, not his wife, and that Moses knew he was a Hebrew during his childhood, not being raised as if he were a prince of Egypt and Rameses’ brother. Characters are also omitted from The Prince of Egypt, such as Moses and Tzipporah’s children, and the role of Aaron, Moses’ actual brother, was reduced.

To prove that DreamWorks did make the effort to be inclusive and as accurate as possible whilst still considering the story they wanted to tell, DreamWorks contacted various religious leaders as consultants on the film. Religious broadcaster Jerry Falwell said he got a call from Jeffrey Katzenberg asking for Falwell to put together a group of evangelical leaders to look at the film, although Jewish and Islamic leaders were also consulted. Some were amazed at how much time Katzenberg spent on attempting to maintain ethnic sensitivity and the Biblical accuracy on this film. But in all movies based on source material, changes are always made; it’s just more controversial when it is a biblical story being adapted[4]

In order to ensure that the animation of the Ancient Egyptian kingdom was accurate, DreamWorks producers, animators, directors, etc. took a research trip to Egypt and the Sinai Peninsula. It helped to see the buildings up close, like the Valley of the Kings and St. Catherine’s Monastery, located at the foot of Mount Sinai, to get a feel for the environment by walking through the same locations from the story. The background artists went somewhere slightly less exotic, to Death Valley in Nevada. This was for inspiration for the desert sequences, so they could get an idea of what it would have been like to journey through the vast landscape and the heat, as well as to depict the importance of light, and the ratio of sky to land, in that environment. Other reference material for the animation was gathered, including recordings of traditional dancing, and seeing camels and sheep up close to animate the animals in this story[5].

For the 2D animation of the characters, DreamWorks wanted to create their own distinct style for these human characters. DreamWorks has more of a reputation for creating animal characters in their movies, or their later humans, like in Shrek (2001) have more of a caricature-quality to them, meaning they don’t look authentic to real people. Disney has their own way of drawing human characters, but they had been doing that for years, and created their own style. DreamWorks’ human characters in The Prince of Egypt, and in others like The Road to El Dorado, are more stylised, with sharp, angular edges to them instead of the softer look of Disney’s characters.

The use of technology was hugely important in The Prince of Egypt despite the focus on traditional 2D animation, since some sequences would be hugely difficult to animate by hand. Some examples of these include the various plagues. It would be inconceivable for animators to have to draw millions of locusts, and the pestilence plague shows insects crawling on surfaces and inside food items, so that would be difficult to achieve by hand too, and would be incredibly time-consuming. These effects were computer generated. There was also the hail fire from the sky, and turning the water to blood that was done this way, along with the final plague, the “Angel of Death”, which appeared in a vaporous form.

For the chariot race early on in the film, this combined both 2D animation with the 3D world thanks to new software tool called the Exposure Tool. This allowed for cameras to be placed into the 3D set, with the camera able to follow them freely as though it was being shot like a live-action movie, where the camera could chase the action. This meant the sequence took only a few days to make as opposed to several months. Also, the chariots in this sequence were computer-generated, showing further blending of animation techniques. The computer-generated hieroglyphic dream sequence is also a highlight of the movie, for its stylisation and impressive use of computer animation.

The group scenes required some computer animation too, with this being noticeable in the sequence of the Hebrews leaving Egypt as well as the crowd shots of the Hebrews as slaves. Here, each character was animated individually on the computer to ensure they looked as close as possible to the 2D animated characters and didn’t become a strange-looking, identical crowd. I can’t say I even noticed, so they must’ve blended well together[6]!

The parting of the Red Sea was potentially the most difficult sequence to create, although it was considered to be quite special to be animating a great miracle. There was some pressure though since this had already been done in Cecil B. DeMille’s The Ten Commandments (1956), which was an inspiration throughout the production process on The Prince of Egypt. This had to be a big moment. They decided the walls of waters had to be huge, rising out of the water, as well as the image of showing Moses and the staff in the water, before the staff comes down and causes water to rush in all directions, leaving him on a dry section of the seabed. Concept artists helped created this sequence, by coming up with the initial idea, which helped the animators create this incredible moment. A whale shark was also included, swimming by the Hebrews as they walk along, to create atmosphere and to remind the audience that the Hebrews are walking under the sea right at that point. This sequence required a mixture of 2D and 3D effects to create it[7].

Overall, The Prince of Egypt took a large team of dedicated people four years to finish, combining multiple different departments and very talented artists and story people. 

MUSIC

For me, the best part of The Prince of Music is undoubtedly its music.

The soundtrack consists of the six original songs from the film, the instrumental tracks from the score, plus songs that don’t appear in the film and re-recorded versions of some of the movie’s songs.

The songwriter on The Prince of Egypt was Stephen Schwartz. Schwartz had previously been the composer and lyricist on the musicals Godspell, first performed in 1971, and Pippin, first performed in 1972, before going to Disney Animation to work with composer Alan Menken on the music for Pocahontas and The Hunchback of Notre Dame. Schwartz won the Academy Award for Best Original Song for “Colors of the Wind” from Pocahontas (1995). Schwartz had actually written three songs for Mulan but left to work on The Prince of Egypt for DreamWorks. This led to Disney threatening to remove Schwartz’ name from the publicity for the two Disney movies he had worked on[8]. But the animosity didn’t last too long, as Schwartz was once again teamed up with Alan Menken to work on the music for Disney’s live-action movie Enchanted (2007), and its recent sequel Disenchanted (2022). Schwartz is also famed for writing the music Wicked, which first came to Broadway in 2003. He later returned to work on the 2024 film adaptation and its 2025 sequel, with each film covering one act of the musical. Schwartz contributed new material to the sequel, with two new songs, “No Place Like Home” and “The Girl in the Bubble”, which have both been nominated for awards. He has also won three Grammy Awards, one for “Colors of the Wind”, and the other two for the score for Godspell and the album for Wicked.

Stephen Schwartz was invited to work on The Prince of Egypt by Jeffrey Katzenberg, having both worked at Disney Animation. Schwartz says he really learnt the importance of music in animated movies from his time at Disney, and was able to apply what he’d learnt to this film. He wanted the movie’s music to feel accessible to modern audiences, but with the music feeling rooted in the time and place of Ancient Egypt, so the songs are not commercial or typical Broadway-style songs. There was even the inclusion of some lyrics in Hebrew, for example, in “Deliver Us” and “When You Believe”, to maintain authenticity of the characters.

The opening song of The Prince of Egypt is “Deliver Us”, a powerful number, detailing both the pain of the Hebrew slaves and the despair of a mother having to give up her child in the hopes he can find a new life elsewhere. It starts with a chorus, before moving into the lullaby from Moses’ mother, which is reprised by Miriam, his sister, as she watches Moses being taken in by Queen Tuya. The song finishes again with a chorus. It was performed predominately by Ofra Haza, an Israeli singer-songwriter, being basically the voice of Moses’ mother; a character we never see again. Haza had previously represented Israel at the Eurovision Song Contest in 1983. She sadly passed away in 2000 at the age of 42. Eden Riegel provides the singing voice for Young Miriam here, going on to be cast as Bianca Montgomery in the soap opera All My Children (1970-2013) from 2000 to 2013. “Deliver Us” is also reprised briefly at the very end of the film.

The next song is “All I Ever Wanted”, performed by Amick Byram as Moses. This takes place as Moses questions his identity and wonders how he can live like a prince of Egypt when he isn’t one at all. Queen Tuya later sings in this number, as she tries to convince Moses that she will always be her son, regardless of where he came from. Queen Tuya’s vocals are provided by Linda Dee Shayne. I really like this song, even though it is quite short. Byram has performed in numerous musical productions including the 90s production of Sunset Boulevard, playing Joe Gillis, and as Jesus in Jesus Christ Superstar.

Following that is the upbeat “Through Heaven’s Eyes”, performed by Brian Stokes Mitchell as Jethro. This song plays during the sequence of Moses being welcomed into the community by Jethro and falling in love with Tzipporah. This song is all about how you should measure your life, not through material things, but through happiness and community. Brian Stokes Mitchell has also performed in numerous musicals, including as Fred Graham / Petruchio in Kiss Me Kate on Broadway between 1999 and 2001, and as Inspector Javert and Sky Masterson in performances of Les Misérables and Guys and Dolls at the Hollywood Bowl in 2008 and 2009 respectively.

Then, there is “Playing with the Big Boys”, a song performed by Steve Martin and Martin Short as Huy and Hotep. This is when the duo are using their powers from the Egyptian gods to try and disprove the powers that Moses has brought to Egypt, to show that their gods are mightier. It’s the least serious song in The Prince of Egypt, but it still has a dark element to it, with a chorus creating an atmosphere of mystery.

Following that is “The Plagues”, performed by Ralph Fiennes and Amick Byram as Rameses and Moses. In this number, Moses is unleashing The Ten Plagues on Egypt, whilst pleading with Rameses to let the Hebrews go if he wants to stop the destruction. Rameses refuses to back down. I really like the vocal battle between the two, and how their voices blend together; it’s another powerful song, plus there is a similar chorus to “Playing with the Big Boys” which starts off the sequence to create an ominous mood. Schwartz has said that he regrets not being able to write a brothers song for Moses and Rameses that would’ve taken place earlier on in the film, potentially as the second song. He gave it a few attempts but nothing was working and he couldn’t figure it out[9]. I’m assuming it was meant to be more of a playful song, because The Prince of Egypt technically already has a “brothers song” with “The Plagues”, it’s just not a carefree one!

“When You Believe” is the final song, all about miracles and hope. It accompanies the Hebrews leaving Egypt full of relief and hope for the future. It was meant to be like the anthem of Moses’ journey. It was performed mostly by Michelle Pfeiffer as Tzipporah and Sally Dworsky as Miriam. Dworsky was had previously provided Adult Nala’s singing voice in The Lion King for Disney.

The End Credits features a cover of “When You Believe”, with additional lyrics from writer-producer Kenneth “Babyface” Edmonds, performed by Mariah Carey and Whitney Houston. The song charted well in numerous countries, hitting No. 15 in the US Billboard Hot 100; No. 4 in the UK Singles Chart; No. 2 in Greece; and No. 4 in Belgium, Italy, and the Netherlands. It was so popular that the song was used for the 2007 The X Factor final in the UK, where Leon Jackson and Rhydian Robert battled it out, each performing the song. As I didn’t watch the final, I don’t know if they referenced it as a song from The Prince of Egypt or whether it was just a song by Whitney Houston and Mariah Carey. I’m not sure many people know this song is originally from a film, much less a DreamWorks Animation film. The fact the song was so popular away from the film probably has something to do with it being released as a single in October 1998, almost two months before the film came out.

Outside of that, “I Will Get There”, written by Diane Warren and performed by Boys II Men is the second End Credits song, an original song for the soundtrack. “Through Heaven’s Eyes” was also recorded by R&B duo K-Ci & JoJo for the soundtrack, as was “River Lullaby”, performed by Amy Grant. It seems to be an extended version of the lullaby in “Deliver Us”. Another song included on the soundtrack is “Humanity”, written by Louis Brown III and Scott Parker, and performed by Jessica Andrews, Clint Black, Shirley Caesar, Jesse Campbell, Beth Nielsen Chapman, Boyz II Men, Kevin Max.

The soundtrack also includes tracks from the score. My favourites of the score are “The Burning Bush” and “Red Sea”, simply because they are quite emotional moments, accompanied by some truly emotional music. Hans Zimmer was the composer of the score for The Prince of Egypt, having previously worked on The Lion King (1994). Zimmer later returned to compose for its 2019 live-action remake. Outside of that, Zimmer has collaborated with DreamWorks on various others films, including The Road to El Dorado; Shark Tale; the Madagascar series and the Kung Fu Panda series. Zimmer also composed the music for such films as As Good as It Gets (1997), Gladiator (2000), Inception (2010), and Dunkirk (2017). Zimmer has won the Oscar for Best Original Score for both The Lion King and Dune (2022), as well as the BAFTA for Dune, and the Golden Globe for both films’ scores. He also won a Golden Globe for his music on Gladiator. At the Grammys, Zimmer won the award for Best Score Soundtrack Album for Visual Media for both Dune: Part Two (2024) and The Dark Knight (2008), amongst many others.

The Prince of Egypt soundtrack as a whole peaked at No. 1 on the US Billboard Christian Albums chart and hit No. 25 on the Billboard 200 chart. It also was nominated for many awards, most importantly winning the Academy Award for Best Original Song for “When You Believe”. The score was also nominated here, but lost to Stephen Warbeck’s music in Shakespeare in Love (1998). “When You Believe” also won the Critics’ Choice Award for Best Original Song. Outside of that, the song was nominated at the Satellite Awards, losing to “I Don’t Want to Miss a Thing” by Aerosmith from Armageddon (1998). It was also nominated at the Golden Globes, as was the score, but did not win. Instead, the score to The Truman Show (1998) and the song “The Prayer” by Celine Dion and Andrea Bocelli from Quest for Camelot (1998), an animated film from Warner Bros, won. The score was also nominated for Best Music at the Saturn Awards, but lost to John Carpenter’s music in Vampires (1998). Finally, at the Grammys, both the soundtrack album and “When You Believe” were nominated in the respective categories. The winners were Disney’s Tarzan (1999) and “Beautiful Stranger” performed by Madonna and William Orbit for the second Austin Powers film.

RECEPTION

After a premiere on 16th December 1998, The Prince of Egypt came to theatres on 18th December 1998, reportedly being released both in the US and to international markets on the same day, which is not that common, however, with the release so close to Christmas, it was felt it should be enjoyed by people all around the world over this festive time.

However, it could not be enjoyed by everyone, because The Prince of Egypt was banned in certain countries, most notably in Muslim countries, due to its depiction of Islamic prophets, which is forbidden in Islam. DreamWorks went to great efforts not to offend any nationality or anyone of any religion, but by choosing to make this grand adaptation, I’m sure it was expected that the movie would be banned in those countries, including Egypt itself. Egyptians had further complaints, saying that it distorted the history of Ancient Egypt and was biased against Arabs and Muslims. DreamWorks stated that they had consulted with experts, including religious leaders in Islam and Egyptologists to avoid offence[10]

For those that did get to see The Prince of Egypt, there were a mixture of opinions, however, those who did not mind the creative licence taken in the development of the story have called The Prince of Egypt an animated masterpiece, and say it is one of DreamWorks best films, and even one of the best animated movies ever made. The Prince of Egypt certainly deserves to be on that list of the best animated movies of all time, for both its story, music, and animation, but there are other animated movies I rewatch much more often than The Prince of Egypt, because sometimes you need more carefree, less intense movies!

Specifically, audiences liked how the storytelling was free of silly jokes and theatrics, avoiding that comic relief that accompanies most animated films, as a way of keeping the kids entertained or distracted from the dark themes that may’ve crept in to their movie. Even the traditional comic relief characters, here, Huy and Hotep, are used minimally. The Prince of Egypt maintains its serious tone throughout the movie, accompanied by some stunning animation and atmospheric backgrounds. The use of a mixture of 2D and computer-generated effects and characters was also appreciated by many; the hieroglyphic dream section, where Moses sees his early life and his mother’s sacrifice to save him from the same fate as other Hebrew newborns, was a particular highlight. The music was another point that was praised by viewers overall. It was seen to be a mature animated movie, that surprised some by just how good it was, impressing even the most non-religious of people.

However, on the other hand, because The Prince of Egypt feels very different to other animated films, especially in the 1990s when families were used to see the Broadway-style fairy-tale musicals from Disney, DreamWorks did struggle to find a specific demographic to target. It was considered too intense to suit children, and it was already a well-told religious story to some adults, with older generations potentially not seeing the merit in an animated adaptation of a Biblical story. Others complained about how the Book of Exodus was altered for The Prince of Egypt, saying it was not accurate. But it really is worth stating that on the whole, the positive reviews did outweigh the negative ones.

As The Prince of Egypt was released in December 1998, it avoided any direct competition with a new movie from Disney, or their affiliated studio Pixar. Mulan, Disney Animation’s 1998 release, came out in June of that year. But DreamWorks had already started a battle with Disney over their release of Antz, in October 1998, just a month before Pixar released A Bug’s Life. Despite both films doing well at the box office and with audiences and critics, the toxicity between the two studios was obvious to the press, as public digs were made between the feuding sides[11]. The battle was going to the box office, and DreamWorks was not the big winner. A Bug’s Life became the highest grossing animated film of 1998, with over $360 million, and Disney’s Mulan didn’t feature too far behind it with a little over $300 million. A Bug’s Life finished 1998 at No. 5 on the Worldwide Box Office list, and Mulan was just one spot below. Antz sat at No. 22, but The Prince of Egypt did fare better, finishing up at No. 16, having grossed a total of around $218 million.

1998 was a good year for cinema in general, as Armageddon topped the worldwide box office, following by Saving Private Ryan, Godzilla, and There’s Something About Mary taking the top four positions. Others above The Prince of Egypt included The Truman Show, You’ve Got Mail, and Shakespeare in Love, which won the Academy Award for Best Picture for that year and just so happened to star Ralph Fiennes’ younger brother, Joseph.

There was some speculation about just how much DreamWorks had spent creating The Prince of Egypt, how much they had spent marketing it, and whether or not they were happy with their early figures at the box office. It made $14.5 million in its opening weekend, which DreamWorks claimed was in line with their expectations, as the weekend before Christmas is a historically slow period for movie-goers, with many choosing to head to the cinema in the days after Christmas. There was also questions around how much The Prince of Egypt would need to make to be considered profitable, especially since there were no McDonald’s toys, or other merchandise tie-ins because it simply didn’t fit the serious nature of the film. There was a lot of competition at the cinema at that time of year for family-friendly films, with A Bug’s Life still playing, alongside The Rugrats Movie and Babe: Pig in the City[12].

In the end, The Prince of Egypt didn’t do amazingly well financially, but it did well enough across the domestic and international markets. It didn’t really matter too much anyway to DreamWorks, allegedly, because they were proud of the movie they made. They wanted to show that animation could be a fine artform. To be fair, I think Disney’s Beauty and the Beast was the first to prove that, but I see their point!

The Prince of Egypt was nominated for various Annie Awards after its release, including for Best Animated Feature, but it lost out to The Iron Giant (1999), directed by Brad Bird. This was also the case in the categories of Animated Effects, Directing, Storyboarding, and Voice Acting, where Ralph Fiennes was nominated for his role as Rameses. The Prince of Egypt did, however, win the inaugural Best Animated Feature Award at the 4th Critics’ Choice Award, although it was a tie with Pixar’s A Bug’s Life. That must’ve been awkward… At the Youth in Film Awards, The Prince of Egypt won the award for Best Family Feature Film: Animated, as well as another for Best Performance in a Voice-Over in a Feature or TV: Best Young Actress, which went to Aria Noelle Curzon for her voice role as Jethrodiadah, one of Tzipporah’s little sisters. She also voiced Cornchip Girl in Disney animated series Recess (1997-2001), and Ducky in The Land Before Time franchise. The Prince of Egypt won a few other awards including Best Animated Film at the Dallas-Fort Worth Film Critics Association Awards, and was nominated at other ceremonies in the Best Animated Film category, like the Satellite, where A Bug’s Life won. Not all major award ceremonies had this category in 1998, such as the Academy Awards or the Golden Globes, although The Prince of Egypt was nominated at the Saturn Awards in the Best Action or Adventure Film category, but it lost to Saving Private Ryan.

In 2025, The Prince of Egypt’s record for best opening weekend box office numbers for an animated faith-based movie would be beaten by a new movie, The King of Kings, which earnt around $19 million on its opening weekend, putting the independent film in second place at the US box office, behind A Minecraft Movie[13]. The King of Kings is loosely inspired by the children’s book The Life of Our Lord, written by Charles Dickens and published in 1934. It details the life of Jesus. The movie features an all-star voice cast with names like Kenneth Branagh, Ben Kingsley, Uma Thurman and Mark Hamill. This just goes to show how difficult it can be for certain genres of films to make money. DreamWorks was brave to make The Prince of Egypt and in many ways, the risk did pay off for them.

LEGACY

The Prince of Egypt doesn’t quite finish the full story from the Book of Exodus, ending quite simply, with Moses holding a stone tablet, which states The Ten Commandments, seemingly ready to announce this discovery to his people.

DreamWorks told the key part of the story though, having the Hebrews freed from Egypt, making their way to the Promised Land, so there wasn’t likely to be a sequel to The Prince of Egypt. However, this was not the end of DreamWorks adapting Biblical stories, because the studio did create a prequel of sorts to The Prince of Egypt.

This prequel was the direct-to-video movie Joseph: King of Dreams (2000). This film adapts the story of Joseph from the Book of Genesis, following Joseph through his brothers selling him to Egypt, and becoming a trusted servant of the Pharaoh, where his skill of interpreting dreams is realised, and becomes key to the saviour of the Egyptian empire from potential famine. Joseph also later reconciles with his brothers and invites them and their families to live in Egypt with him. The movie ends with the Hebrews entering Egypt, which is where the story of The Prince of Egypt would then pick up.

I have only seen Joseph: King of Dreams once, and I didn’t particularly like it. Although it benefits from some good casting, like Ben Affleck in the title role and Mark Hamill as Judah, the music was not as good and the animation didn’t have the same quality asThe Prince of Egypt either. I thought it was just ok, and if I want to watch an adaptation of this same story, I’d personally rather watch Andrew Lloyd Webber and Tim Rice’s musical Joseph and the Amazing Technicolour Dreamcoat.

Many years later, as can be the case with certain popular animated movies, a stage musical was then created based on the story and music of DreamWorks’ The Prince of Egypt, but its path to the stage was anything but simple. There was initially a concert performance of the first act of the show presented at The Bay Street Theater in Sag Harbor in New York in 2015, with a further performance of the musical due to take place in 2016, however, the concert was later cancelled, with an announcement made on 28th July 2016. This cancellation was deemed necessary amid controversy surrounding the casting of the musical, with concerns about a lack of diversity[14]. A year later, in 2017, the World Premiere for The Prince of Egypt musical finally happened at TheatreWorks Silicon Valley, which was directed by Scott Schwartz, son of the film’s songwriter Stephen Schwartz. It ran for roughly a month, between October and November.

The Prince of Egypt musical then made its debut at the West End’s Dominion Theatre in London in 2020. It opened on 25th February 2020, set to run until 31st October that year. However, due to the COVID-19 pandemic and the need to shut many entertainment venues, the musical was forced to close on 17th March. It reopened in July 2021, and ended its run in January 2022. Although the animated movie has some extraordinarily positive reviews, the reviews of this musical were fairly mixed. Where the animation helped to enhance the story, it was felt some aspects of this adaptation simply did not translate well to the stage. The expanded story to fill the typical two hours or more that is needed for a stage musical was also not received well. Others didn’t enjoy the new music, or the altering of the originals, although it was felt that the vocal performances were still good. And most of these reviews were coming from fans of the original movie. Based on this, it would seem that The Prince of Egypt may not be making a comeback to the West End anytime soon, or a transfer to Broadway, but a recording of this stage musical was released to the public in 2023, both theatrically and digitally. 

Also in 2023, The Prince of Egypt celebrated its 25th anniversary. To celebrate this anniversary, DreamWorks released a series of making-of videos, discussing select scenes, for those interested in the movie’s development to enjoy, alongside a remastered music video of their award-winning song “When You Believe” in 25 different languages.

Naturally, given the serious nature of the film’s story, and very unlike Disney, there is not much by way of official merchandise available to purchase, although it does look like there were a series of dolls based on the characters produced back in 1998.

FINAL THOUGHTS

The very start of The Prince of Egypt shows a disclaimer, saying that although the film is based on The Book of Exodus from the Bible, some historic and creative licence was used in the retelling of the story. For some, this was an issue that caused them not to like the film. For others, The Prince of Egypt was simply not something they could or wanted to see.

Since I’m not particularly religious, though I wouldn’t class myself as an atheist, and had only heard the story of Moses from Religious Studies classes at school, the potential lack of accuracy here didn’t bother me. Regardless of whether you believe it to be true or not, The Prince of Egypt tells a very poignant, moving story on a grand scale.

My point here is that even non-religious people can enjoy The Prince of Egypt, because it is a story of humanity. At its most basic level, it reminds us that humans are more similar than we are different, and that no-one should consider themselves superior than anyone else. We are all just people, living on the same planet, trying our best to get by.

At least, that’s what I took from it.


REFERENCES

[1] Credit: Don Hahn, Waking Sleeping Beauty (2009).

[2] Credit: Petrana Radulovic, ‘Prince of Egypt director Brenda Chapman: ‘We wanted to do something that reached more adults’, Polygon.com, 17th December 2018.

[3] Credit: Michael Lyons, ‘Sacred Storytelling: The 25th Anniversary of “The Prince of Egypt”’, CartoonResearch.com, 1st December 2023.

[4] Credit: Jim Korkis, ‘Animation Anecdotes #390’, CartoonResearch.com, 23rd November 2018.

[5] Credit: DreamWorks, The Prince of Egypt: From Dream to Screen (1998)’, VHS BTS YouTube Channel, 28th March 2019.

[6] Credit: DreamWorks, ‘The Making of The Prince of Egypt (1998)’, from The Prince of Egypt (1998) UK DVD (2012).

[7] Credit: DreamWorks, ‘The Prince of Egypt 25th Anniversary: Parting the Red Sea’, Animation World Network YouTube Channel, 26th December 2023.

[8] Credit: Jim Korkis, ‘Remembering “Mulan”’, CartoonResearch.com, 26th August 2022.

[9] Credit: Jim Korkis, ‘Animation Anecdotes #158’, CartoonResearch.com, 2nd May 2014.

[10] Credit: Mona Eltahawy, ‘Egyptians disown celluloid ‘prince’’, TheGuardian.com, 17th April 1999.

[11] Credit: Michael Lyons, ‘Small Wonder: The 25th Anniversary of “A Bug’s Life”’, CartoonResearch.com, 24th November 2023.

[12] Credit: Claudia Eller and James Bates, ‘Water Don’t Part for DreamWorks’ ‘Prince of Egypt’’, LATimes.com, 22nd December 1998.

[13] Credit: Benjamin VanHoose, ‘The King of Kings, Starring Oscar Isaac as Jesus, Breaks a Box Office Record Set by 1998’s Prince of Egypt’, People.com, 14th April 2025.

[14] Credit: Andrew Gans, ‘Scott Schwartz Details Reasons for Cancellation of Prince of Egypt Concert’, Playbill.com, 30th July 2016.

Full-Court Miracle (2003)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

The humble sports movie, where we get to see the underdog triumphant over the usual victor. Predictable, yes, but still, very satisfying to watch. We all love an underdog, don’t we?

Disney Channel certainly holds a fair share of sports films in their catalogue, going as far back as the late 1990s. We saw kids and teens excel at activities like surfing, baseball, skateboarding, and of course, basketball. There were even some less commonly publicised sports at the heart of these stories, including motocross, drag racing, and inline skating.

Although not everyone will be familiar with every sport in every film, the basic premise of these types of movies is always the same: after much time spent practising and training for a big event, eventually it all comes down to that one moment, where we see if they will excel or falter, but know that regardless of the result, they tried their best.

Disney Channel has not made as many sports films in recent years, but there were a fair few of these back in the 2000s, and just one of these was Full-Court Miracle, released in 2003. This year also saw two other sports-themed DCOMs: Right on Track, which I have yet to see, and Eddie’s Million Dollar Cook-Off, one of my all-time favourite DCOMs.

Full-Court Miracle’s sport of choice was basketball, a common sport in many North American films, since basketball is one of the most popular sports over there. Yet in the UK, basketball doesn’t get much of a look-in on our sports channels, which are mostly dedicated to football, with certain times of the year seeing more focus on tennis, golf, darts, and cricket.

Basketball is not a sport I’ve ever been interested in. Because of this lack of interest or understanding of the rules of basketball, I did struggle to feel fully invested in Full-Court Miracle, although I always like seeing the end results of any sports movie, regardless of whether I like the sport or not. But Full-Court Miracle also had a very important element that distinguished it from other sports movies, and that is the fact it is set during the Jewish festival of Hanukkah, or Chanukah. This was considered to be quite progressive at the time, especially as there continues to be a lack of Hanukkah movies on television in the later part of the year because TV schedules are too filled up with Christmas films and specials.

I learnt quite a lot about Jewish culture from Full-Court Miracle, because I did not know very much at all before watching it. I have seen Hallmark’s Hanukkah on Rye (2022), which is one of the more well-received Hanukkah movies that have been released in recent years, and I learnt a little bit then, but Full-Court Miracle gave me some actual history.

PLOT

Full-Court Miracle begins with a teenage boy called Alex, also known as Schlots, because of his surname, Schlotsky, and his friend Julie talking about the misfortunes of Alex’s basketball team. They are about to play their biggest rivals, the Warriors, and both Alex and Julie can’t help but think his team, the Lions, is going to lose…badly.

Schlots then heads to school at Philadelphia Hebrew Academy and meets up with his friends and teammates, where Alex tries to convince them to stay motivated for the game, but they don’t seem that bothered about it. They go to their History class with Rabbi Lewis, where the story of Hanukkah is being taught, since Hanukkah is coming up. The story says that Judah led a group of warriors, the Maccabees, to a great victory over a huge army, after the Jewish people had been banned from practising Judaism. Judah and the Maccabees fought for their religious freedom. This inspires Schlots to believe that if his team can find their own Judah, then maybe the Lions can finally triumph over the Warriors.

At the game later against the Warriors, sure enough, the Lions lose. Schlots talks to his friends, Ben, Joker, Stick, and T.J., about the loss, but they’d rather talk about the presents they think they’ll be getting for Hanukkah. Schlots reiterates that if there’s going to be a time for their team to win, it’s now as the next tournament is taking place at their school gym, so home advantage. At home, Schlots tries to find comfort from his parents, but they don’t understand why he gets so upset about basketball, not seeing an NBA career in his future. His mother would rather he had a stable career, such as being a doctor, like her.

Back at school, Schlots asks Rabbi Lewis if they can find a real coach for their basketball team, as their current coach is the disinterested maths teacher. Rabbi Lewis suggests he discusses this with his mother, as Schlots’ mother is on the Board of Directors. He knows she won’t agree to that, so he drops it – for now. But whilst out playing basketball with his friends on the public court, he sees a man playing on his own, and he’s pretty good. Alex attempts to talk to this guy, but he isn’t interested in talking, and says he is just waiting to get a trial at the Philadelphia 76ers. He has no interest in coaching, and quickly leaves in his van. Luckily, Schlots caught his licence plate number and with the help of Stick, they find it is linked to Virginia Cavaliers Lamont Carr, a former player. They start to find all sorts of links between Lamont Carr and Judah Maccabee, like how his licence plate has the initials “JM”, and his basketball nickname was “The Hammer”, a nickname also given to Judah.

The next day, the group see Lamont playing on the court next to them again. Not wanting to lose the opportunity to get him to coach them, Schlots offers him $40 to coach them for one hour. Lamont is given the hard sell and agrees. However, Schlots comes home to find that his mother wants to sign him up to an after-school program at the hospital where he will shadow a doctor. Schlots doesn’t want to do that, but says he’ll think about it.

The team soon have their first coaching session with Lamont but all he does is make them run and do exercises. He says this is all necessary conditioning, but the others, apart from Schlots, are becoming demotivated. Lamont agrees to come back the next day for a further session, with Schlots asking his friends to chip in for the cost. On that day, Joker, not believing any of this stuff about Lamont being like Judah, attempts to prove to Schlots that Lamont Carr is not Judah Maccabee, however, they find out that Lamont had four brothers, like Judah; and his father is called Matthew, close to Judah’s father’s name, Matthias. After that session, the others don’t have any more cash to spare, so Schlots decides to sell a rare basketball card that was a Hanukkah present, to raise the funds.

Back at home, Schlots is told by his mother that he got a place in the after-school program. He is annoyed but doesn’t feel he has much choice but to do it. He complains about it to Julie, although she is less than sympathetic. She thinks the program would be a great opportunity, which gives Schlots an idea: she can go in his place so he can continue to play basketball; it’s the perfect plan! Except even perfect plans go awry. Schlots finds Lamont struggling to fix his van, and he says he can’t coach them anymore as he needs to focus on his basketball career and earn some proper money. Schlots says he’ll double his fee for coaching them and Lamont agrees to it. Schlots also tells Lamont to ease up with his intense exercise regime, as it is demotivating the others. Lamont does a shooting practice instead, which the others find much more fun. Lamont says the team have potential, but their biggest issue is that they don’t believe in themselves enough.

Later, Schlots and the Lions sell coffee on the street to raise money to keep Lamont as their coach. Their teacher from school, Mrs. Klein, pulls up by their cart and questions them. Schlots lies, and says it is a charity fundraiser. Mrs. Klein is still suspicious though and calls Schlots’ mother. On finding out about his lies, she is furious, and Mrs. Klein shuts down the coffee cart. Schlots tries to convince Rabbi Lewis of the importance of their new coach, but he says lying is never the answer. Rabbi Lewis decides Alex and his family should invite Lamont to dinner with Rabbi Lewis and his wife.

At this dinner, Lamont is slightly out of his comfort zone, as he is unfamiliar with Jewish customs. He soon picks up on them though and Rabbi Lewis warms to him. Schlots’ mother says that the parents are concerned – and rightly too – that this coaching has been taking place outside of school and by someone they don’t know. Rabbi Lewis suggests a perfect solution to this: to hire Lamont as the school’s basketball coach temporarily. Schlots’ mother is horrified as she knows this will only continue to take her son’s focus away from his studies, but the deal is done. Lamont will work at the school until his trial comes through.

On his first day at the school, Lamont doesn’t how to get the Lions to believe in themselves more, so Rabbi Lewis offers some words of encouragement, saying that the best way to defeat an enemy is to identify their weakness and target it. This gives Lamont the idea of implementing the full-court press, where their team will apply pressure to their opposition by aggressively defending against them throughout the entire length of the court. After practice, Schlots follows Lamont’s van on T.J.’s bike and discovers Lamont is living out of his van. Lamont tells Schlots about the family he has, and how this basketball trial needs to happen soon. He says sometimes to achieve a big dream you have to make sacrifices. Schlots can understand that. He promises not to tell anyone about Lamont’s living situation. On the first night of Hanukkah, Schlots gets the basketball card he sold as a gift from his parents; Julie had snitched on him about selling it to pay for Lamont’s coaching!

At school, Mrs. Klein needs Lamont’s address for his employment forms. Lamont makes up a fake address, but this only makes her suspicious and she complains to Rabbi Lewis about it. Not wanting Lamont to be fired, Rabbi Lewis warns Schlots that Mrs. Klein plans to follow Lamont home that evening to check his address. This gives Schlots enough time to come up with a plan. He asks his father if Lamont can stay in the apartment his father is unable to sell. His father agrees. Schlots then puts a note on Lamont’s car, telling him the plan and the address to drive to. At the apartment, the ruse is enough to persuade Mrs. Klein that Lamont has a home and she drives away. But Lamont doesn’t want any handouts, and promises Schlots’ father he will smarten up the apartment in exchange for letting him stay.

Schlots’ mother sees a failed test in Schlots’ backpack whilst this is happening and she goes into the school to discuss his studies. Lamont gives a pep talk to the Lions team before a match, saying that Schlots is off the team until his school work improves. Annoyed, he upsets his friend Julie by telling her she keeps harassing him, and even worse, he is unable to focus on anything other than basketball, so he has no idea how to pass his History test, which Rabbi Lewis is allowing him to re-do. His team come over to help him, using basketball to help him remember key facts. Schlots then takes his test. Meanwhile, the team are being told by Lamont how to act more like a team and what their key role will be.

After practice, Schlots is told that he has passed his test and is back on the team. However, the happiness is short-lived as Lamont soon reveals that he has got a temporary contract with the Philadelphia 76ers. Schlots is upset that Lamont is turning his back on the team, calling him selfish, but Lamont says he’s allowed to have a dream too. Schlots asks his mother if the school can hire a new coach but she says no, wanting him to focus on school. After a further lesson about the miracle oil in the lamp lit by Judah and the Maccabees which stayed alight for eight days instead of just one, Schlots asks Rabbi Lewis for some wisdom, and he tells him maybe they need to look for Judah in themselves.

It is then time for the tournament, where the Lions have to go on without Lamont. Schlots motivates the team, and they manage to win their first two games easily. As they are about to lose their third game, Schlots is fouled at the end of time, so the Lions are awarded two free throws. Schlots sinks both of them and they win, getting through to the Finals. After the match, Schlots sees his mother and tells her about the team’s success. She still doesn’t understand why Alex likes basketball so much, so he tries to explain it to her, saying he wants to have his dream, not spend time working for hers.

The day before the Finals, we see that Lamont is struggling with a previous knee injury and doesn’t seem to be loving playing basketball again. On the day of the final, there is a huge thunderstorm. Schlots and the Lions get pumped up, feeling ready to face the Warriors yet again. Schlots’ mother takes Julie to the game, but goes off to do something. She is actually at the stadium, looking for Lamont. She sees Lamont struggling with his van, saying he has to get to the airport. Schlots’ mother starts to wonder if there could be a miracle on this strangely stormy night and asks Lamont to try and start his van again – and it works. She convinces him to come to the game. During the game, eventually, the power goes completely. Outside, the teams try to work the backup generator, so they can finish the game. With the generator on limited time, the two teams come to an agreement that whatever the score is when the power runs out, that is the winner, regardless if there is time remaining. The Lions try to make up their 18-point deficit, and make a strong comeback. But a timeout is called by the math teacher, and their former coach, Mr. Simowitz, who says there is less than three minutes left on the generator. The Warriors overhear this and call their own timeout, wanting to waste those three minutes so they can win, as they still lead.

Lamont then arrives and tells them all to be more like Judah Maccabee and not admit defeat. Schlots goes back on the court ready to restart, when the generator runs out of oil. And yet, the generator restarts – and seems to want to stay on for the game’s final five minutes, mimicking the Hanukkah story. With five minutes left, the fight is back on. The Lions and the Warriors stay close in score, but with ten seconds to go, the Lions are left with one final chance to shoot and win. Schlots passes the ball to a teammate, who scores just as the timer finishes and the power goes off. The Lions win the Championship and the trophy! Schlots’ mother also arrived in time to see it, as did Lamont’s wife and child, reuniting him with his family. Lamont tells Schlots that he’s giving up basketball, wanting to be their permanent coach. Schlots’ mother is happy for the school to hire him permanently.

The film ends with Schlots and his family celebrating the final night of Hanukkah, before playing basketball together with Lamont’s family, whilst Rabbi Lewis gives a message about the celebration of light, in helping to illuminate dreams and bring hope to the world.  

CHARACTERS & CAST

Schlots, or Alex, is the primary focus of the story of Full-Court Miracle. Schlots is motivated to find his basketball team, the Lions, the best coach possible, since their current coach, their school maths teacher, doesn’t seem to be particularly bothered about whether the team win or lose. Schlots comes up against indifference from members of his own team, who aren’t looking to have a future career in basketball unlike Schlots, as well as exasperation from his mother who would rather her son focused on having a stable profession. But luckily, because of Schlots’ determination, he finds the Lions a brilliant coach, a former player, and the team go on to have all the success that Schlots had dreamt of winning with them. Schlots is a great leader for the team, and a good motivator.

Alex “Schlots” Schlotsky was played by Alex D. Linz. Linz had previously starred as Alex Pruitt in Home Alone 3 (1997), and voiced Young Tarzan in Disney Animation’s Tarzan (1999). He was later cast in the title role of Disney’s live-action film Max Keeble’s Big Move (2001) and appeared as Pete Calcatera in the medical drama Providence (1999-2002).

Lamont Carr is the new coach that Schlots finds for his team. Lamont is very reluctant when Schlots comes to him, wanting him to be their new coach. Lamont has no interested in coaching, and is just trying to keep himself fit and ready for a potential trial with the Philadelphia 76ers team. Lamont even walks away from Schlots the first time, and is not pleased to have him hassle him again the very next day. Lamont does relent though when Schlots offers to pay him for his time, eventually growing to like coaching the Lions. When Schlots’ school gets involved, Lamont is able to coach them properly, and does well with them – except Lamont does get his trial and leaves the Lions just before their big tournament, upsetting Schlots in particular. Lamont struggles with his recurring knee injury during the trial and is coaxed back to coaching the Lions, as a way of having a stable career and being able to spend time with his family once again, as he had sacrificed his time and home life with them to live out of his van, chasing a dream.

Richard T. Jones was cast as Lamont Carr. Around the time of Full-Court Miracle, Jones was playing Bruce Calvin van Exel in the legal drama Judging Amy (1999-2005). He went on to be cast as Governor Sam Denning in Seasons 2 and 3 of Hawaii Five-0 (2010-20). Currently, Jones has a main role in ABC’s The Rookie (2018-present), as Wade Grey.

For the rest of the Lions team, we have the four main members of Schlots’ friendship group, Ben, also known as “Big Ben”, Joker, T.J., and Stick. Ben appears to be the least athletic of the group, struggling with some of Lamont’s intense training regimes, but he becomes an integral part of the team, helping them win the tournament nonetheless. Ben was played by Sean Marquette, who shortly after Full-Court Miracle played Young Matt in the romcom 13 Going on 30 (2004), which starred Mark Ruffalo and Jennifer Garner. Also around this time, Marquette voiced Mac in Cartoon Network’s Foster’s Home for Imaginary Friends (2004-09). More recently, Marquette was cast in the recurring role of Johnny Atkins in the ABC sitcom The Goldbergs (2013-23) and its spin-off Schooled (2019-20).

T.J. is a bit of a hothead, who has been booked by the referees in multiple matches for talking back to them when results don’t go his way. Lamont teaches T.J. to be calmer, by getting him to think about his crush whenever he’s close to lashing out! T.J. was played by Erik Knudsen. He went on to be cast as Lucas “Crash” Wilson in Scott Pilgrim vs. the World (2010), after his role as Daniel Matthews in the horror movie Saw II (2005). Knudsen also appeared as Robbie Mercer in Scream 4 (2011). He was later nominated twice at the Saturn Awards in the category of Best Television Supporting Actor for his role as Alec Sadler in Showcase’s sci-fi series Continuum (2012-15).

Joker is the most cynical one of the group, both about the origin of Hanukkah, which he calls a “fairy story”, and about Lamont being like Judah Maccabee. Eventually, Joker gets on side and is able to help the team to their big victory over the Warriors. David Sazant was cast as Joker. He later went on to have a minor role as the Marymount Captain at the Mathletes competition in Mean Girls (2004). For his role in Full-Court Miracle, Sazant was nominated for the Young Artist Award for Best Performance in a TV Movie, Miniseries or Special – Supporting Young Actor.

Stick is the smart, studious one on the team, who is also the biggest follower of his faith. Stick is even the one to put forward the theory about Lamont being “their” Judah, and finding lacks to prove his theory. Stick was played by Jase Blankfort, with his character in Full-Court Miracle being his most recent acting credit.

Outside of his teammates, Schlots’ other close friend is Julie. She has followed Schlots’ team, the Lions, through the years and is constantly talking to Schlots about their lack of success and the reasons why they can’t improve. This might occasionally annoy Schlots, but Julie is a loyal friend to go to so many of these games even though the likelihood is the Lions will lose! She later helps Schlots out by taking his place on the hospital program his mother got him a place on, so Schlots can keep playing basketball after school. Later, Julie and Schlots have a falling out after Schlots snaps at Julie for always “harassing him” about basketball. Schlots’ mother helps the two make up as she drives Julie to the final tournament match to go and see the Lions finally win a trophy.

Cassie Steele was cast as Julie. At the time of Full-Court Miracle, Steele was appearing as Manny Santos in Degrassi: The Next Generation (2001-15), being on the show from Season 1 until Season 9, which ended in 2010. Steele went on to voice various characters, including Tammy Gueterman and Tricia Lang, in the adult animated series Rick and Morty (2013-present). She is also singer, having released two albums, one in 2005, other in 2009. Apparently, Steele was set to voice Raya in Disney Animation’s Raya and the Last Dragon (2021) but the role actually went to Kelly Marie Tran. Steele was nominated for Young Artist Award for Best Performance in a TV Movie, Miniseries or Special – Leading Young Actress for her role as Julie in Full-Court Miracle.

Now for Schlots’ mother and father. Neither his father or his mother believe that Schlots is ever going to make it in the NBA, but his father is more inclined to let Schlots figure things out for himself instead of trying to push him towards something else. On the other hand, Schlots’ mother, a well-respected doctor, wants Schlots to follow in her footsteps and focus on becoming a doctor, or at least something a bit more stable, a profession he can rely on for years to come. His mother is quite forceful in her wishes for Schlots, because she gets him a place on a program he doesn’t want to be involved in, and gets him kicked off the basketball team for getting a bad grade on a History test. It isn’t until Schlots’ team gets to the Finals of the tournament and his mother asks him to explain why basketball is so important to him, that she finally understands that she needs to let her dream of her son being just like her go, so Schlots can have his own life, doing whatever makes him happy.

The actor who played Schlots’ mother may look familiar to Disney Channel Original Movie fans, as the actor, Linda Kash, played Samantha, Kelly’s mother, in Cadet Kelly (2002), which starred Hilary Duff. Kash also played Alma Hix in the made-for-television adaptation for ABC of The Music Man (2003), alongside Matthew Broderick as Harold Hill and Kristin Chenoweth as Marian around this time. Kash went on to play the recurring role of Nellie Hebert in the medical drama Doc (2001-04). Schlots’ father was played by Jason Blicker. He had previously been cast as Uncle Heschie on Fox Family and ABC Family’s series State of Grace (2001-02), just before his casting in Full-Court Miracle. More recently, Blicker was cast as Todd in the Canadian comedy series Jann (2019-21).

Then, we have Schlots’ teachers at Philadelphia Hebrew Academy. One of these is Rabbi Lewis, who is also their History teacher. Rabbi Lewis is constantly on hand to advise Schlots on his journey to finding a new coach for the Lions. When Rabbi Lewis discovers that Schlots has been lying to his mother so the team can have coaching sessions with Lamont Carr, he immediately resolves this problem by inviting Lamont to a family dinner and giving him a temporary role as the basketball coach at the school. Rabbi Lewis later gives Lamont advice on how to get the team in a winning position by saying that they need to use their opposition’s weakness to their advantage. This is all done via the analogy of comparing the Lions’ difficulties to that of Judah Maccabee in the Hanukkah story. Rabbi Lewis is basically the voice of reason in Full-Court Miracle. Rabbi Lewis was played by R. H. Thomson, who most recently played Matthew Cuthbert in the Canadian drama Anne with an E (2017-19) based on the Lucy Maud Montgomery novel Anne of Green Gables (1908).

Mrs. Klein is a strict teacher at the academy, always suspicious of Schlots and his basketball teammates. Mrs. Klein doesn’t like how these boys put too much emphasis on basketball and not enough on their studies, a feeling that is shared by Schlots’ mother. All Schlots’ lies unravel when Mrs. Klein sees Schlots and the others selling coffee, not as a charity fundraiser, but as a way of paying Lamont for his coaching sessions. But this ultimately leads to Lamont Carr being hired by the school, something Mrs. Klein is not too happy about, and this is made worse by the fact Lamont lies about his address, as he is living out of his van at that time. Mrs. Klein even resorts to following Lamont home in a bid to catch him out and get him fired, but this plan is foiled by Schlots’ quick thinking – and a tip-off by Rabbi Lewis! Ultimately, Mrs. Klein sees the importance of the school’s basketball team and cheers them on to victory in the final game.

Sheila McCarthy was cast as Mrs. Klein. McCarthy has had supporting roles in movies such as Die Hard 2 (1990), where she played Sam Coleman, and The Day After Tomorrow (2004), as Judith the librarian. She also has some history with the Walt Disney Company and their films. For example, she was cast as Mrs. Gerard in the Disney film Confessions of a Teenage Drama Queen (2004), which starred Lindsay Lohan. In the world of DCOMs, McCarthy was later cast as Angie, Addison’s grandmother, in ZOMBIES 3 (2022). She also played Fran Walker in Cow Belles (2006). Another actor from Full-Court Miracle, who also appears in Cow Belles is Ron Gabriel, who played Mr. Simowitz the former Lions coach here. He played Melvin the accountant in Cow Belles.

Since Full-Court Miracle is a basketball movie, it makes perfect sense that they would have a cameo appearance by a real basketball player. In this case, that player was Jerome Williams, who was active in the NBA from 1996 to 2005, playing for such teams as the Chicago Bulls and the New York Knicks. At the time of Full-Court Miracle, Williams was playing for the Toronto Raptors. He made two appearances during the movie, playing one-on-one with Lamont at one point in the film, and then speaking to Schlots’ mother outside the stadium as she is searching for Lamont to bring him to the Lions’ game.

MUSIC

Because Full-Court Miracle heavily focuses on its story, there are few songs that appear in it.

The most prominent song that appears in Full-Court Miracle is playing during the warm-up and final match between the Lions and the Warriors and that is “Spin ‘Ya Like A Dreidel”, written by Ray Cham and Rwaana Barnes. It was performed by SoL Survivor, a hip-hop song. It is a good backing track to the Lions’ fight against their arch rivals.

Two other songs are credited in this film, but I have little idea, if any, where they appear. One is “Team Theme”, written by Gary Mrowca and John Hiler, and performed by GBonafide and J-Hi. I think this could be the song that Lamont puts on when the Lions are having a practice session without Schlots. Lamont is telling each member of the team why they are important and how they fit into the game. This is then followed by Lamont leading the Lions in a new team song that is a hip-hop take on the typical camping or Scouts song “Everywhere We Go”, in a bid to further boost their commitment to the team.

The other song is “Monkey Thumbs”, written by Steve Bauman and Robert Willy Wood, performed by Stretch Nickel. I have no clue when this is used in Full-Court Miracle and I can’t find the song online anywhere to try and hear it to work it out myself, nor does anyone else seem to have worked out where it is.

For the score, composer Christopher Brady was chosen. Brady was a frequent collaborator with Disney Channel back in the 2000s, composing the music for other Disney Channel Original Movies like The Luck of the Irish (2001), Motocrossed (2001), The Poof Point (2001) and Mom’s Got a Date with a Vampire (2000). He later composed the music for Going to the Mat (2004), another DCOM, and for Season 1 of Phil of the Future (2004-06).

PRODUCTION

Full-Court Miracle came to Disney Channel at a time when Disney Channel Original Movies were starting to have an identity and beginning to attract loyal viewers, with more musicals and films that complemented their series, as well as those that showcased the channel’s biggest stars from their series.

Full-Court Miracle doesn’t fit into any of these categories, meaning that it is one of those DCOMs that has been overlooked, simply due to the fact it came out in 2003, before the Disney Channel boom of High School Musical (2006), and it is not a musical.

Still, Full-Court Miracle saw some previous Disney Channel collaborators involved in the project, trying to make all these movies at least feel similar in style, even if their stories were very different. The director of Full-Court Miracle was Stuart Gillard, who had directed The Scream Team (2002) prior to this, and went on to direct other DCOMs such as the sports movie Going to the Mat (2004) and comedy Hatching Pete (2009). Gillard also directed some episodes of non-Disney television series later in his career, including the reboot of 90210 (2008-13) and the crime drama Beauty and the Beast (2012-16).

The writers involved with this film were Joel Silverman, Joel Kauffmann and Donald C. Yost. Yost and Kaufmann had been the screenwriters on Disney Channel’s Miracle in Lane 2 (2000) prior to working on Full-Court Miracle.

The story of Full-Court Miracle is actually loosely based on a true story, about a real basketball player named Lamont Carr. At 6 foot 7 inches tall, he was recruited out of a Chicago junior college to play for the University of Virginia college team, the Virginia Cavaliers. He helped the team win their first ACC Championship title in 1976. After his basketball career had ended, he later became interested in darts and earnt a law degree, before moving to Florida and becoming a gym teacher and basketball coach, during which time he coached a championship-winning basketball team at a Jewish school, this being the premise for Full-Court Miracle. Carr sadly died in July 2017 at the age of 64[1].

Some changes were obviously made to this story with the most obvious being that the Jewish school in Full-Court Miracle is based in Philadelphia, which has a large Jewish community. Strangely enough, but not so strange when you think about how many movies are filmed there, Full-Court Miracle was filmed in Toronto, Canada, not Philadelphia, with only some of the opening shots actually showing the city itself.

The other part of the story that Full-Court Miracle is based around is the Jewish holiday Hanukkah, Judaism’s festival of lights. For anyone unfamiliar, Hanukkah takes place on eight consecutive nights, where people gather to light a new candle on their menorah. They sing songs, eat traditional foods, and exchange presents too. The dates of Hanukkah vary year-on-year, but they always occur within November or December[2].

Full-Court Miracle frequently references the origin of Hanukkah. A small group of Jewish fighters, the Maccabees, led by Judah, fought against Greek rule and the Hellenists, who had banned their religion and its rituals. In the three-year conflict, the Temple of Jerusalem was destroyed, but over time, it was cleaned and repaired. This long-standing battle is symbolised by the Lions and the Warriors going up against each other, and the Lions, the small, less equipped group, winning. To celebrate their victory, an oil lamp was lit by the Maccabees. They suspected there was only enough oil to burn the candle for one day. It stayed alight for eight days, so this is why a menorah has eight candles and why foods cooked in oil are traditionally eaten at this time of year in Jewish culture[3]. This miracle oil is referenced in Full-Court Miracle with the generator. The backup generator is about to run out of oil, but it miraculously stays on for just enough time for the basketball final to end.

After much annoyance over the lack of Hanukkah-themed movies around the holiday season, some Jewish viewers were very glad to see a positive representation of their Jewish identity in Full-Court Miracle. Full-Court Miracle actually followed another movie about Hanukkah, an animated comedy from Adam Sandler called Eight Crazy Nights (2002). Although it did not receive particularly good reviews, it was an attempt to showcase a culture that is underrepresented on television, and it was appreciated. Full-Court Miracle coming just a year later, and aimed at younger viewers, was a further step in the right direction[4].

RECEPTION

Full-Court Miracle debuted on Disney Channel on 21st November 2003 in the US.

In 2003, Hanukkah began on 19th December and ended on 27th December, so this was a little bit early, but at least the film wasn’t late! No doubt it was re-run on the channel during the actual Hanukkah celebrations. At least, I hope those in Scheduling at Disney Channel had the foresight to do that.

I haven’t been able to find anywhere that specifically states the viewing figures for Full-Court Miracle on its premiere, but it is believed to have been a little below 4.5 million. For some context, the best film premiere of 2003 for Disney Channel was The Cheetah Girls, which gained over 6 million. So, not too bad in comparison, really.

Most DCOMs receive mixed reviews, due to their young casts, simple storylines, and lack of budget, which doesn’t necessarily make a film bad, but it does make them easier to critique. On the negative side here, some said Full-Court Miracle was weak compared to other Disney Channel movies of this era and beyond. Others said it was clichéd and predictable, with the ending of the Lions winning against all odds easily guessed from the outset of the film. There were also comments that the basketball playing in the film was not accurate either, annoying some fans of the sport. Since I am not one, I can’t say I noticed! It was also felt the metaphor of the Hanukkah origin story applying alongside Schlots’ bid for victory with his team and the oil continuing to fuel the generator was a little forced, and not appreciated to be applied to something as trivial as a school sports team.

On the lighter side, some enjoyed the cast, and felt it was an inspirational film for young people. It was appreciated for its representation of Jewish culture, being a good introduction for those unfamiliar with Judaism or Hanukkah itself in particular. Other said the movie was decent, but not amazing. I’m afraid that is the camp I sit in. But others absolutely love this film, and feel it was ahead of its time in terms of depicting Jewish culture.

Full-Court Miracle may not have been beloved by the masses, but it was still nominated for some awards. The movie’s writers were nominated at the Writers’ Guild of America Awards for Children’s Script, but lost to The Maldonado Miracle (2003), a TV movie that starred Salma Hayek. Full-Court Miracle was also nominated at the Humanitas Prize awards in the Children’s Live-Action Category. Disney Channel’s Going to the Mat (2004) was also nominated in this category, but both lost to Crown Heights (2004).

LEGACY

Full-Court Miracle followed a string of sports-themed Disney Channel movies, which went back to 1998 with their first of this kind, Brink!

It would make sense then, that Disney Channel would continue to add more films of this type to their catalogue, although not as many in recent years. Since Full-Court Miracle, we’ve seen figure skating in Go Figure (2005); Double Dutch skipping in Jump In! (2007), and snowboarding skills in Cloud 9 (2014), just to name a few.

The most important part of Full-Court Miracle’s legacy though is that it is one of few movies about Hanukkah, which has made it memorable in the minds of former Disney Channel viewers, particularly those who are Jewish themselves. It was also ranked at No. 11 on Vulture’s ranking of the 105 Disney Channel Original Movies released at the time. The reason for this ranking was that Full-Court Miracle is apparently one of the only movies in American cinema to depict a modern-day Jewish school. It was also a chance for Disney Channel to show that there are other holidays being celebrated around the world besides Christmas[5].

Being remembered for something notable like this is much better than just being remembered for being a popular Disney Channel franchise. Full-Court Miracle might be just one in a list of DCOMs, but for some, it might be the one that represented them the most. 

FINAL THOUGHTS

Full-Court Miracle is labelled as a Hanukkah sports movie, showing that the two ideas were meant to blend seamlessly. The success of this can be debated.

Personally, I would say the balance does skew more towards the basketball, but I did also learn plenty about Hanukkah and Jewish culture. Since I’m not Jewish, I hadn’t given much thought to the lack of films on television that celebrate Hanukkah, with festive Christmas films, full of cookie baking and tree decorating, dominating the schedule.

It would seem Full-Court Miracle went some way in trying to accurately reflect the teenage Jewish experience and their family traditions. Although not a perfect representation, Full-Court Miracle was much appreciated by some young viewers for this very reason; it made them feel seen.


REFERENCES

[1] Credit: Virginia Magazine, ‘In Memoriam: 1970s’, UVAMagazine.org, Fall 2017.

[2] Credit: Giovanna Dell’Orto, ‘When is Hanukkah, and how is it celebrated around the world?’, PBS.org, 30th November 2023.

[3] Credit: CBBC Newsround, ‘Hanukkah: What is it? How is it celebrated? What do you eat and why?’, BBC.co.uk, 6th December 2023.

[4] Credit: Will Feinstein, ‘A great Hanukkah movie would take a miracle’, AVClub.com, 11th December 2020.

[5] Credit: Rebecca Alter, ‘All 105 Disney Channel Original Movies, Ranked’, Vulture.com, 4th May 2020.

The Naughty Nine (2023)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. PRODUCTION
  5. MUSIC
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

The festive season is a time when we see a wide array of Christmas films coming to theatres and our television screens.

This movie selection covers a range of genres and age groups. Given the Hallmark and Hallmark-style movies I’ve already watched this year – and there have been plenty – we could also say the film options vastly differ in quality too. 

It would seem that Christmas movies are being pumped out at break-neck speed when you think of the number that come out at this time of year, seemingly with very few story constraints and very little budget. Any idea will do; it just needs to be festive enough.

With all that in mind, you might think that Disney Channel would simply follow in the footsteps of other production companies and be able to throw out at least one new DCOM every year themed to Christmas. But that has not been the case, with there actually being very few Christmas-specific Disney Channel movies, only five in total over the years.

Only two have been released in the 2020s so far. One in this decade was Christmas…Again? (2021), a story very much inspired by Groundhog Day (1993) but a surprisingly touching one nonetheless. At least from my point of view. Not everyone agreed.

The other was released in 2023 and was technically labelled a Disney Original Movie. This film was The Naughty Nine, a holiday heist movie perfectly suited for children. It saw two kids lead a group of other naughty children, each with their own talents, to steal back their presents that Santa didn’t bring them because they are all on the Naughty List.

Sadly, I didn’t much care for The Naughty Nine. I’ve always liked heist films but this movie was obviously not aimed at me. I didn’t particularly enjoy the overall story, and it didn’t make me feel very festive. But that’s ok, because it is certainly not the worst Christmas movie I’ve watched this year and not the only one I won’t be rewatching! 

PLOT

The Naughty Nine begins in the Principal’s Office of a typical school. It is the day before Winter Break and yet the principal is dealing with a student in trouble. This student is Andy who always seems to be in trouble. Deep down, the principal knows Andy is not a bad kid, and after he turns on the tears, saying he can change, he is sent back to class. However, Andy has no intention of heading back to class, and with his friend, Dulce, they have a mini-heist planned for the end of the school term. Andy has already stolen the keys for the Confiscation Bin, the place where all confiscated items are sent before being given to charity at the end of term. Dulce and Andy prepare for the heist to begin.

First, they tamper with the film that is showing to all the students in the hall, changing it to a recording of the principal, making it seem like she has told everyone to leave school early. Andy and Dulce use this distraction to bag up all the items from the bin and put them on a cart to get them out of the building. The principal catches the two of them leaving the school grounds with a big bag of stuff. She looks into the bag and finds…cookies. Andy says they were meant for all the staff. The principal thanks Andy for his kindness and takes them away. It is revealed that Andy swapped out the bags just before seeing the principal and hid their one in a bin. The janitor has since picked up the bin and taken it outside to the dumpsters, allowing Andy and Dulce to retrieve it. Outside, Andy and Dulce charge kids to get their confiscated items back. One, tech whizz Lewis, worries that this might cause him to go on the Naughty List. Another, Albert, manages to get his slingshot back for free by using a fake innocent look. Andy and Dulce try to tell them that returning confiscated items back to their rightful owners is actually a good thing. The two discuss their most wanted gifts for Christmas, with Andy wanting a games console, and Dulce wanting a bow and arrow. They hope that Santa will give them these gifts on Christmas Day.

Back at home, Andy’s sister Laurel tells their parents that Andy got sent to the principal’s office today, hoping for him to be punished. Andy says that he was actually helping the principal, and his parents say no more about it. Laurel hates the fact Andy never gets in trouble, despite obviously doing such bad things, and she warns Andy that one day, all his naughtiness will blow up in his face. Later that night, Andy overhears his parents talking about one of his father’s colleagues, a pilot, who allegedly hit a reindeer whilst on one of his routes. This reinforces to Andy that Santa is on his way.

On Christmas Day, Andy gets plenty of presents from his parents, but doesn’t get anything from Santa. Laurel, however, has a secret gift, an official tracksuit for her gymnastics, that seemingly was from Santa. Andy asks his friend Dulce if she got a gift from Santa, and she says she got nothing from him either. They go over to meet with their friend Lewis, to get information about Santa’s Naughty List, to see if they might be on it. Lewis has handily written an algorithm in order to find all the naughty list kids across the globe; there are apparently over a million of them. Andy is horrified that Santa has so much control over these naughty kids’ happiness and decides they must go to the North Pole and retrieve their gifts themselves. Lewis knows the exact location of Santa’s Village so now they just need to assemble the perfect team to help enact the plan.

Firstly, Lewis, Andy, and Dulce head to the park, where they recruit their getaway driver, a reckless go-karter, Ha-Yoon, who is on the naughty list for this reason, and animal whisperer Rose who will be useful in getting the reindeers at the North Pole on side. She is on the naughty list for illegally releasing captive animals. Next, they’ll need a gymnast for a very specific stunt. Andy goes to his sister’s gymnastics club and attempts to recruit the mean, snooty top gymnast Bethany, Laurel’s rival at the club. After some persuasion, and her desperation to get the top-of-the-range phone she wanted, she agrees to a meeting. They also find Jon Anthony, a young fashion designer who owns his own store selling his own original designs, who will create the elf disguises they’ll need to blend in at the North Pole. The fake innocent kid from earlier, Albert, is also added to the squad.

The group meet up at Andy’s house, in the basement, for a top-secret meeting to discuss the mission. A whole model of Santa’s village has been created to plan out the exact stages to the plan. At the location, Lewis will be tasked with shutting down the security cameras. The gymnast’s task is to flip over a large icy chasm to release the bridge from a centre platform to get over to the present vault. Bethany isn’t overly enthusiastic about joining a group of little kids, but she thinks the stunt will be simple enough. Laurel overhears this meeting taking place and tries to get her parents to catch Andy in the act of planning something naughty – but when they get down to the basement, Andy has already planned the perfect cover for this meeting: Recycling Club. His parents and Laurel leave. Andy then gives all the kids files with their alibis written inside. Each one will be at a different sleepover, with Dulce taking calls from the parents to make it seem these sleepovers are legitimate.

Now all they need is transportation to the North Pole. Andy goes with his father to work at the airport, where his father works as the cargo manager. Andy sneaks into the pilot’s lounge and finds Bruno, the pilot who saw a reindeer on one of his flights. Bruno is currently off duties for now, awaiting a psychiatric assessment. Andy tells him about their plan to steal from the North Pole and Bruno agrees to fly them all there, in the hopes of finding evidence that will prove to his colleagues that he is not crazy! But that’s not all because Bethany just dropped out of “The Naughty Nine” as her parents bought her the phone she wanted. Andy knows his best alternative is his goodie-goodie sister Laurel. Knowing she won’t agree to helping them because it is “bad”, he tells Laurel that Bethany doesn’t think she could’ve done the difficult stunt anyway, making Laurel join the group in an effort to prove she is just as good a gymnast as Bethany. Now they have a team.

On the day of the heist, the whole group board the plane with Bruno and they take off for the North Pole. En route, Jon Anthony has a crisis of confidence about his elf costumes as he admits he has never designed his own clothes before, instead just copying others and passing them off as his own – which is fraud, and the reason Jon Anthony is on the Naughty List. He is convinced to finish the costumes and the group actually really like his take on elf fashion. Bruno invites all the kids to look at the Northern Lights through the cockpit window, showing they are close to the North Pole, but an announcement comes over the radio saying they are flying into restricted airspace. Andy tells Bruno to lie about having a mechanical failure, but Bruno is a terrible liar and almost messes up the plan. Dulce grabs a part of the aeroplane and breaks it off, making them actually need an emergency landing at the North Pole! All the kids hide as officials board the plane and ask Bruno what he is doing here. Bruno shows them the broken piece and they say mechanics can fix this for him, telling Bruno to stay put. The kids then disembark the plane. They have two hours.

All eight children head off to Santa’s Village. Albert is told to go on alone to a security cabin and pretend to be lost. He is taken in by the security elf there. Lewis is sent to the control room to deal with the cameras, whilst Rose and Ha-Yoon head to the reindeer stables to make a getaway vehicle. The other four, Andy, Dulce, Laurel, and Jon Anthony, walk in the direction of Santa’s Workshop, coming across a party in full swing. After initially seeming suspicious of their strange outfits, Andy manages to blag their way into the party, and they are welcomed in by the elves. Andy quickly finds the door to Santa’s Workshop, but discovers that the other three are too distracted to notice. He is unable to get their attention when he is forced into dancing in a conga line!

Meanwhile, after some misunderstandings between Ha-Yoon and a reindeer, which Rose has to diffuse, the two manage to find a sleigh and have the reindeer lead it. Lewis has had some problems at the control tower as an elf interrupts his work and he must hide. The elf does not move, leaving Lewis trapped and unable to shut down the cameras.

Back at the party, Andy manages to grab the other three and they head through the door to Santa’s Workshop. After climbing what seems to be hundreds of stairs, they finally make their way to a rooftop – but they find that Lewis has not shut off the cameras! They start throwing snowballs to try and detach the camera. Dulce succeeds at doing this. They continue on to Santa’s Workshop. Inside, they see all their names on the official Naughty List and continue to the vault. They come across an icy tunnel and the huge chasm that Laurel must cross. Laurel initially prepares herself to do the huge stunt, however, she doesn’t think she can do it, and tearfully tells Andy she has failed his plan. Andy says they can always find another way in. As the others turn to go back to Santa’s Workshop, Laurel finds some inner motivation and proceeds to do the complicated trick. She succeeds and lands in the centre platform, releasing the bridge so the other three can cross over.

In the middle of this platform is some sort of coded lock. Dulce recognises the symbols on this lock as being birds. She starts to sing “The Twelve Days of Christmas” and one symbol lights up. It quickly turns off as the others discuss this. They think that if they sing the song in full, they’ll be able to enter the vault, so they do just that. After singing the whole song, the vault opens and the four go inside, taking their presents out of the vault. However, we see that Laurel has succumbed to the dark side and has taken Bethany’s phone that still sits in the vault. They then hear the security alarm going off. Ha-Yoon and Rose set off in their sleigh to pick up the others, and Lewis runs out of the control room. Albert leaves the security cabin too. As Andy, Laurel, Jon Anthony, and Dulce run through Santa’s Village, pursued by security, they are picked up by the girls in the sleigh. Lewis finds himself inside an inflatable ornament and runs through the village. Dulce uses her bow and arrow gift to deflate a large inflatable onto security, giving them some time, although they find themselves at a dead end. Lewis then rolls into the Santa statue at the village, which collapses onto the security guards. The others pick up Lewis and Albert at this point and head back to the plane. On the way, Andy sees that Laurel picked up Bethany’s phone as a “reward” and starts to wonder if what they’ve just done was right at all.

They see the plane heading down the runway without them. Bruno’s plane was fixed quicker than expected and the officials told him to leave immediately so he was unable to wait. Bruno opens up the cargo door and Ha-Yoon speeds up the sleigh so they can all jump into the cargo hold from the sleigh. Each one does this, until it gets down to Ha-Yoon and Andy. Andy takes over the driving of the sleigh, and tells her to jump in. He then stops the sleigh and allows himself to be caught with the gifts as the plane takes off.

On board, the others feel like Andy has betrayed them, but Dulce says that is not the case, and that as her best friend, she cannot leave him behind. Andy is taken to Santa, who shows Andy that he and his seven friends are all on the Naughty List still. Andy pleads with Santa to put all the blame on him as it was his idea. Santa agrees to take some names off the list, but he leaves Andy and Laurel’s names there, due to the fact Laurel stole the phone that wasn’t even meant for her. Andy says he can get the phone back, so Laurel’s name can be removed from the Naughty List. The others, who came back for Andy, are then brought in to see Santa as well. Andy apologises to Laurel for turning her bad like him. Laurel apologises to Santa and returns the phone. Santa then gives them all a message: that they must earn the right to be on the Good List, and that if they can promise they will try and be good from now on, then he will remove their names from the Naughty List. They agree to do this. Bruno, being an adult, was never in danger of being on the Naughty List as it does not apply to him, but came back to help Andy with the others anyway. He asks Santa for a selfie as evidence that he wasn’t going crazy when he saw that reindeer!

They all return to their homes, where Dulce is surprised to find that her large family actually noticed she was gone. Andy comes clean to his parents about everything he did, but they don’t believe him. Him and Laurel decide to get along from now on too.

One year later, we are back at school with Andy and Dulce on the day before Winter Break again, where they appear to have turned a corner and are no longer “naughty”. However, Andy is called into the Principal’s Office yet again. He tries to say he hasn’t done anything wrong, when he discovers it is actually Santa in the principal’s chair. Santa says he needs Andy’s help urgently with a problem.

CHARACTERS & CAST

Andy is the ringleader of the Naughty Nine, and the one with all the plans. He doesn’t like that fact that Santa has taken away gifts from him and his friends, and wants to settle the score by stealing back his much-longed for games console, enlisting the help of seven other children – and one adult – to do this. Eventually, after their getaway goes wrong and he sees his sister acting naughty like him, by stealing that phone, Andy realises the error of his ways and admits what he planned to Santa, so he can protect his friends and his sister. Santa knows that sometimes kids make mistakes and won’t always make the right choices, with Andy promising that he will try and be good from that point on, so this doesn’t happen again. Winslow Fegley was cast as Andy in The Naughty Nine. For Disney, he has previously been cast as Timmy Failure in the Disney+ film Timmy Failure: Mistakes Were Made (2020) and appeared as Mel in the Disney Channel series Fast Layne (2019). Outside of that, Fegley played Young Jake Doyle in the HBO Max movie 8-Bit Christmas (2021) before starring as Josh Primm in Lyle, Lyle Crocodile (2022) with Javier Bardem.

Dulce is Andy’s best friend and second-in-command, so she is always willing to join Andy on his crazy schemes. She is very loyal to her friend, and even convinces the others that they have to go back to rescue Andy after he gives himself in to the North Pole security, because he was actually trying to protect them. Dulce is from a large family, and feels ignored most of the time, so that is probably why she has such a close friendship with Andy, because they are always there for each other. Dulce was played by Camilla Rodriguez. She played Angela del Toro in Daredevil: Born Again (2025-present).

Following on from that, we have Lewis, the IT expert in the group. Lewis actually kicks off this heist plan by showing Andy and Dulce his algorithm for finding those on the Naughty List and for discovering the exact location of Santa’s Village. His algorithm and data gathered from that is later used to find contenders to join The Naughty Nine team. Lewis’ task at the North Pole is to turn off the security cameras, something he does not succeed in doing. Being useful for one half of the plan isn’t bad, I suppose! Anthony Joo was cast as Lewis. He played Hudson Frickley on The Really Loud House (2022-24).

Jon Anthony is recruited to The Naughty Nine for his costume-making skills, as Jon Anthony is believed to be a fashion designer. His costumes are required so that they can be dressed as elves and blend in at the North Pole. It later turns out that Jon Anthony is on the Naughty List for fraudulently copying and then selling other designers’ work to the public, meaning he has no confidence in his own designing abilities. Once he sees the reaction to his elf costumes from the others though, he starts to believe he might actually be a great designer one day. Jon Anthony’s gift from Santa was meant to be a fancy sewing machine, which he retrieves from the vault. Jon Anthony was played by Deric McCabe, who had previously been cast as Charles Wallace Murry in Disney’s A Wrinkle in Time (2018). McCabe went on to play Wesley Witherspoon in Apple TV’s Home Before Dark (2020-21).

Albert is the youngest of the group and he uses his angelic face to get away with things, like getting his slingshot back from the confiscated items for free, and distracting the elf at the North Pole. He doesn’t actually have to do much in the heist, other than eat cookies and sit by the fire in the elf cabin, occasionally telling the elf not to call security, which must’ve been much less stressful than what the others were going through. Ayden Elijah was cast as Albert. He voiced AJ in Nickelodeon’s Blaze and the Monster Machines (2014-25).

Then we have the two members of the getaway team. Rose can communicate with animals, making her the ideal person to be able to convince a reindeer to lead their getaway sleigh. Rose is on the Naughty List for freeing animals in captivity, which doesn’t sound so bad in the grand scheme of things; she’s trying to do good after all, just not necessarily in the right way. Clare Stack was cast as Rose. Stack is currently appearing as Lilly Bainbridge in the HBO horror series, and a prequel to IT (2017), IT: Welcome to Derry (2025-present).

Ha-Yoon is in The Naughty Nine taskforce because of her insane racing abilities. They need someone who will drive fast and recklessly for when they have to get out of the North Pole fast. Luckily, Ha-Yoon doesn’t let them down by making some risky manoeuvres and outsmarting security. Ha-Yoon was played by Imogen Cohen, who played Zina Zacarias in the Paramount+ live-action series The Fairy OddParents: Fairly Odder (2022).  

Finally, for the kids, we have the two gymnasts. Andy’s initial pick for his team is Bethany, Laurel’s rival in gymnastics, due to the fact she is already on the Naughty List for her conceited behaviour, and would want to join The Naughty Nine just to get the gift she wanted, which was a new phone. She later decides against joining the heist as her parents got her the phone she wanted. Talk about selfish! Liyou Abere was cast as Bethany, having previously appeared as Jamie in the Netflix series Locke & Key (2020-22) and as Janine in Amazon Prime’s The Boys (2019-present). Abere currently voices Lyla in the PBS Kids’ series Lyla in the Loop (2024-present).

Instead, Andy turns to his sister, Laurel, who is not someone who would normally break the rules. She only agrees to go along so she can beat Bethany at something, but she actually ends up liking the thrill of the heist, and in a moment of madness, takes Bethany’s phone from the vault, apparently as some sort of reward. She eventually comes to her senses after Andy is caught by the elves and taken to Santa, apologising for what came over her. Andy and Laurel end the movie with a much better brother-sister relationship than they had at the start of the film, where Laurel is trying to get her parents to see how much of a bad kid Andy is – kind of like how Candace is with Phineas and Ferb in the series Phineas and Ferb (2007-15, 2025-present). Madilyn Kellam was cast as Laurel. Prior to The Naughty Nine, Kellam had played Cindy in the Netflix sequel Full Out 2: You Got This! (2020).

For the adults, firstly, we have the only adult member of The Naughty Nine, Bruno. He is just the pilot who flies them all to the North Pole because apparently there were no kid pilots available – or Disney didn’t feel it was appropriate to show kids illegally flying planes. Since Bruno can’t be on the Naughty List as an adult, his motivation for joining is to prove that Santa is real after being mocked for apparently seeing a reindeer in the sky on one of his flights, with his job even being at risk for it. Bruno gets his proof though, by getting a selfie with Santa at the end of the film, just before they head home. Bruno was played by Derek Theler, best known for starring as Danny Wheeler in the Freeform series Baby Daddy (2012-17), alongside former Disney Channel stars Tahj Mowry, Jean-Luc Bilodeau and Chelsea Kane. More recently, Theler was cast as Blue Granite in the Disney Channel series The Villains of Valley View (2022-23).

Now, most Christmas films need a Santa Claus, at least those that take place at the North Pole. So, for The Naughty Nine, they got quite a surprise casting, by having Danny Glover play Santa. But Glover’s Santa is not the jolly, happy Santa we’d normally see. Here, Santa is very disappointed in The Naughty Nine, or eight since adults don’t come under his judgement, and he guilt trips the kids into trying to be good, by threatening them with the Naughty List. He seems quite strict, or just annoyed that he is having to waste his downtime disciplining more kids who seem to think getting on the Good List is some sort of right. Kids are just so entitled these days! Anyway, Santa ends up needing Andy’s deviousness by the end of the film, going to him for help with a problem we don’t know about.

Danny Glover is well-known for his role as Sergeant Robert Murtaugh in the Lethal Weapon film franchise. He was later cast as Justice Thurgood Marshall in HBO’s Muhammad Ali’s Greatest Fright (2013). More recently, Glover was part of the all-star cast, including names like Joan Cusack and Dermot Mulroney, who were cast in the Hallmark movie The Christmas Train (2017); Glover played Max Powers. This shows that The Naughty Nine was not his first television Christmas movie. This was also not the first time he had starred in a movie aimed at children either, as he voiced Jethro in DreamWorks Animation’s The Prince of Egypt (1998). Glover also played Milo Walker in Jumanji: The Next Level (2019), where Danny DeVito was also a new character for this sequel.

There is one other member of the cast that I’d like to mention, despite not being a main role, just because they looked familiar and now I know why. The Security Guard Elf in the cabin, who helps Albert by letting him stay in their cabin until they can find his parents, not realising this was actually just a distraction so The Naughty Nine could rob Santa, was played by Ci Hang Ma. Ci Hang Ma played Quinn, one of the marching band spirits, from Season 2 of the Paramount+ series School Spirits (2023-present).

PRODUCTION

The Naughty Nine was first confirmed to be in the works by Disney in February 2022.

At the same time, a sequel to Under Wraps, the 2021 remake of the first official Disney Channel Original Movie from 1997, was also announced. Under Wraps 2 came to Disney Channel in September 2022.

When discussing more details about the movie, The Naughty Nine was labelled a holiday heist movie, where Disney called it Ocean’s 11 at the North Pole. In this press release, a brief plot description was given, along with the name of the director and writers[1].

The director for The Naughty Nine was Alberto Belli. Before The Naughty Nine, Belli had directed the horror-comedy film Gatlopp (2022), which starred Emmy Raver-Lampman from Netflix’s The Umbrella Academy (2019-24) and Jon Bass from the anthology series Miracle Workers (2019-23). Belli has since directed Dora and the Search for Sol Dorado (2025), a live-action movie based on Dora the Explorer, for Paramount+ and Nickelodeon.

The writers of The Naughty Nine were Jed Elinoff and Scott Thomas, who already had some experience of working for Disney, Disney Channel specifically. Together, the duo developed, and wrote several episodes of, Raven’s Home (2017-23) for the channel, this being a spin-off of the very popular series That’s So Raven (2003-07). They also created the series Best Friends Whenever (2015-16) prior to that, and have more recently developed the sequel series to Wizards of Waverly Place (2007-12), titled Wizards Beyond Waverly Place (2024-present). This duo were therefore well-placed to write this Disney movie.

The Naughty Nine was filmed in Quebec, Canada, more exactly in and around the city of Montreal. The movie is said to have filmed some of its scenes in the Pointe-Claire area of Montreal. Many other Disney Channel movies have been filmed in Canada, including some films within their successful musical franchises Descendants, Camp Rock, and ZOMBIES. Shooting took around three months, going from February to April 2022. After the shoot was over and production had left the area, there were some complaints from the local residents of Pointe-Claire about the mess they’d made from all their productions vehicles. An area of green space was covered with gravel to use as a parking lot during filming and residents were not happy that this gravel was seemingly going to be left. The production company, Poutine, said they would repair the area during the spring. It made these residents very hesitant to allow any more filming to take place here in the future[2].

Despite filming taking place so early in 2022, a 2022 release date was not possible due to the amount of post-production required. As they had filmed The Naughty Nine whilst some of the world was still dealing with the aftermath of the COVID-19 pandemic, there had been a significant delay with the FX team involved, with their requirement necessary for this film. Since The Naughty Nine is Christmas-themed, this meant the release date of the movie had to wait until the next festive season rolled around in 2023.

Despite the need for some special effects, such as the CGI reindeer and the background at the North Pole, proven by the fact the getaway sleigh sequence was actually filmed in a studio in front of a blue screen – it couldn’t be a green screen as the cast’s costumes were green, the director Belli has stressed in interviews that around 70% of the film uses practical effects and real sets[3]. The Santa’s Village set, for example, was viewed as being very impressive by many audience members, due to its vast size and detail. The ice cavern with the vault entrance was also a real set that was built. The team working on The Naughty Nine enjoyed designing their own version of the North Pole for this film[4].

It was said to be extremely cold at the time the cast and crew were shooting, with this being made worse by the number of nighttime shoots there were. Still, the cast of mostly kids kept their spirits up during this time, by building snow forts in the snow, and Winslow Fegley building his own igloo, which later became an icy slide for the cast as it started melting. They also spent time together in the lobby of their hotel playing games and cards during their downtime, where they grew close as a group[5].

The costumes on The Naughty Nine were designed by Julia Caston, who had previously worked on such screen projects as A Bad Moms Christmas (2017) and the ABC sitcom The Middle (2009-18). Just a year after The Naughty Nine came out, Caston was the costume designer for another Disney Channel movie, Descendants: The Rise of Red (2024). Caston enjoyed designing the elf costumes for the kids. They had to be quite stereotypical, as this was what the children all believed elves to look like, so the costumes are primarily red and green, but they also had to suit each character’s specific skill. For example, Ha-Yoon’s costume looks similar to a racing suit, Andy is wearing a hoodie to suit his casual, no-fuss leadership style, and Laurel has a gymnastics leotard on underneath a thick fit and flare coat. Caston then had the opportunity to reinvent the typical elf look that we see all the time, to contrast the costumes that the children are wearing. These real elves of the North Pole wear a variety of colours and although their outfits are uniform in style, they are embellished with accessories. Santa also had to have a slightly different look for The Naughty Nine, because the events take place after Christmas, so during Santa’s vacation. In this case, they kept the classic red coat and hat, but you can see he is wearing loose fighting trousers and a white jumper, instead of the buttoned-up coat and matching red trousers[6].

MUSIC

The composer on The Naughty Nine was Kenny Wood, who has collaborated with director Belli on some of his other projects, by working on the music for Gatlopp and Dora and the Search for Sol Dorado. Wood has also worked as a musical arranger on films like F9 (2021) and Despicable Me 3 (2017), as well as on the CBS series Magnum P.I. (2018-22, 2023-24).

When asked about his inspiration for the music on The Naughty Nine, Wood said he was inspired by magical family Christmas movies like Home Alone (1990) and The Polar Express (2004), whilst also mixing in spy/heist music to complement the film’s genre[7]. You can hear this blend of themes in the opening and end titles of The Naughty Nine and during the scene where the children see Santa’s Village at the North Pole for the first time. Kenny Wood was nominated for The David Raskin Award for Emerging Talent at the Society of Composers and Lyricists Award in 2024 for his work on The Naughty Nine. The award was actually won by Catherine Joy and her work on the documentary Home is a Hotel (2023).

Alongside the score are a selection of songs that also feature within the music of The Naughty Nine. In movie order, whilst Andy and Laurel are opening their presents on Christmas morning, a jazzy version of “Jingle Bells” is playing. “Jingle Bells” was originally written by James Lord Pierpoint, but this rendition seems to have been performed by The Whispering Pines Holiday Orchestra. Following that, in Jon Anthony’s store, just before he gets recruited into The Naughty Nine, there is a song playing as background music. It is “Christmas Every Day” by the group Sweet Sundays.

At the North Pole in Santa’s Village, there is more music. At the security elf’s cabin, a piece of music is playing on the gramophone but we only hear it briefly, all I can say is that it seems to be some sort of take on “Jingle Bells”. Later, we return to this cabin and another song is playing. I didn’t know what this song was, but it seems to be “Hej tomtegubbar”, a traditional Swedish song that children sing at Christmastime. It is also used as a drinking song nowadays. Another song is also playing in this cabin later on and it is a version of “Silent Night”, but I’m unsure what language it is. According to the website I found much of this soundtrack information on, What-Song.com, it seems to be French.

At the elf party, there is even more music. As Andy, Dulce, Laurel, and Jon Anthony step into this party, the song “Holla for the Holidays” performed by Wizardz of Oz is playing – until the elves abruptly halt the party to check who these intruders are. This song was actually used in a routine that appeared on the Season 3 Christmas episode of Dance Moms (2011-19), performed by Abby Lee Dance Company’s biggest rivals, the Candy Apples. The party soon restarts and the song playing seems to be “Christmas Time of Year”, written by Dave Feldstein. A third song is heard at this party and it is “Share My Christmas with You”, from SATV Music, written by John Ross and Natalie Williams. There is also a Spanish song that Dulce sings with some other elves, but I do not know what this song is. A fourth party song also plays briefly, I also don’t know what that is, before the conga begins. This “Conga” was written and performed by Kenny Wood and is the only credited song here. I think this song is also used in the End Credits.

You can also hear “The Twelve Days of Christmas”, sung by the cast, within this film, as this is the way they open the vault, by singing this song in its entirety – but don’t worry, we don’t have to hear all of it; that song is way too long! “The Twelve Days of Christmas” was written by English composer Frederic Austin[8]. There is one other song playing towards the end of the film, as we move forward one year and Andy is called to the Principal’s Office again. This song is “Are You Ready for Christmas?”, by Karl Karlsson and Krissie Karlsson.

RECEPTION

The Naughty Nine first came to screens in November 2023.

After the teaser trailer was released on 28th September 2023, Disney Branded Television announced the release dates for The Naughty Nine, as it would air on Disney Channel in the US and later come to Disney+ for international audiences to enjoy. It was decided that it would premiere on Wednesday 22nd November 2023 on Disney Channel, before coming to Disney+ on 23rd November 2023, which happened to be Thanksgiving Day that year[9]. The official trailer seems to have been released on 27th October 2023.

Now that Disney Channel doesn’t exist in most countries, as they were shut down, with the majority of the content being available on their global streaming platform, Disney+, this is the way most Disney Channel Original Movies are being released, although in some cases, the gap between the Disney Channel and Disney+ premieres have been much larger.

The Naughty Nine received mixed reviews, as many Disney Channel-type movies tend to have. On the positive side, The Naughty Nine was compared to lots of different films, such as the children’s action movie franchise Spy Kids, and theOcean’s franchise. This film also reminded me of The Polar Express at times, specifically when the kids are secretly trying to get through Santa’s Workshop because there is a similar sequence in The Polar Express. The sets and costume design were also considered to be impressive, especially for a smaller, television movie, and many felt it was entertaining. Some preferred it to the other recent Disney Channel Christmas movie Christmas…Again?!, although I did not. The Naughty Nine was seen to be a fun, family-friendly film to watch over the festive season.

But this opinion was not shared by all viewers. Many felt The Naughty Nine showed a lack of real consequences for the children, despite their bad behaviour, and due to the number of characters in this film, many of which would be counted as main characters, there wasn’t much opportunity to give the characters their own backstories or any real depth, which led to some being boring and others being underused. Others also said The Naughty Nine didn’t feel particularly Christmassy, which I can agree with, although that doesn’t necessarily make it bad. Sometimes the standard Christmas movie events, like decorating, baking cookies, and family feuds can feel very overdone, so at least The Naughty Nine did not have that. There were comments that Danny Glover’s Santa was not kind enough to be Santa Claus. I can only assume the filmmakers wanted to take Santa in a different direction, and by making him strict and authoritative that might be the only way for The Naughty Nine to understand that what they were doing – trespassing and stealing – was very wrong. If the children had been younger, this type of Santa probably wouldn’t have worked, but these kids were older and could take the criticism.

There was one other very specific criticism of The Naughty Nine that irked some viewers, mostly parents, that I did read in various reviews online. This was around some “flirtatious” language used by the character of Jon Anthony. When we are first introduced to the character, Jon Anthony calls a slightly older male buyer a “hottie”. This upset some more conservative audience members, who felt this was an inappropriate comment to be coming from a child. Others didn’t feel this comment was so bad, likening it to teenagers having crushes on older celebrities. This all comes down to personal preference and what we individually consider to be appropriate in a family-aimed film. I personally didn’t even notice this line, only hearing Jon Anthony later call Andy “cute”, but that didn’t bother me. It was also a very minor line that didn’t add anything to the plot, or add much to the character, so you could argue for and against it; that it was a throwaway comment that didn’t need to be considered, or that because it wasn’t needed, the line could’ve been removed from the film[10].

Viewing figures for The Naughty Nine have not been made available from its Disney+ release, nor has Disney Channel confirmed its data from the premiere night, so it is unclear how well the film did from that aspect. But The Naughty Nine went on to be nominated for four Children’s and Family Emmy Awards, along with a large number of other Disney content. These nominations were in the categories of Outstanding Fiction Special; Outstanding Music Direction and Composition for a Live Action Program; and Visual and Special Effects. In the first category, it lost out to Apple TV+’s The Velveteen Rabbit (2023) and for the other two, it lost to the Disney+ series Percy Jackson and the Olympians (2023-present). The Naughty Nine was also nominated for Best Sound Editing – Movies For Television & Mini-Series at the Directors Guild of Canada Awards, but the winner was the Showtime miniseries Fellow Travelers (2023) and its episode “White Nights”.

LEGACY

Disney Channel don’t have much of a reputation for making Christmas or festive-themed movies each year, and The Naughty Nine did nothing to change that.

Despite the fact Christmas…Again?! in 2021 was followed by The Naughty Nine in 2023 and seemed to be suggesting that Disney Channel were perhaps going to be producing more of these types of movies in the years to come, especially given the ease that new content can be released via Disney+, there have been no more Disney Original Movies announced for the holiday season in the last couple of years. In fact, the only movies they’ve confirmed so far are sequels to already established Disney Channel musical franchises.

However, The Naughty Nine ends on a cliff hanger, with Santa asking Andy for his help, and the matter seems to be quite urgent. No sequel to The Naughty Nine has been confirmed, despite the fact this ending was clearly meant to be building up to one. This annoyed some fans who said there is no point in setting up a sequel if there is no confirmation that one is going to happen. This is the same critique that was levelled at Secret Society of Second-Born Royals (2020), another Disney+ movie that had a cliff hanger ending leading up to a sequel that has not come to fruition.

The director of The Naughty Nine stated that he would like to make a sequel, shortly after The Naughty Nine was released, but Disney don’t seem to be making any moves to greenlight a sequel[11]. I think something would’ve been announced by now if they had plans to. It would seem that The Naughty Nine did not do as well as expected.

FINAL THOUGHTS

The Naughty Nine was a different kind of Christmas film for Disney, although with other festive heist movies coming out in recent years, like Netflix’s The Princess Switch 3: Romancing the Star (2021) and Jingle Bell Heist (2025), maybe it wasn’t so different after all.

Still, the intent was there to try something new. Sadly, it doesn’t seem to have worked out that well for The Naughty Nine and that possible sequel that they teased at the end of the film does not seem to be coming.

So, where does this leave Disney Channel and their festive content now? I can only assume there will be another Christmas film from them someday, but who knows when!


REFERENCES

[1] Credit: Alexandra Del Rosario, ‘Disney Orders ‘Under Wraps’ Sequel & ‘The Naughty Nine’ Original Movies For Disney+, Disney Channel’, Deadline.com, 7th February 2022.

[2] Credit: John Meagher, ‘Disney movie shoot leaves Pointe-Claire neighbourhood stoney’, MontrealGazette.com, 20th March 2022.

[3] Credit: Disney Channel, ‘Behind the Scenes of Disney’s The Naughty Nine I NEW Disney Christmas Movie’, Disney Channel YouTube Channel, 24th November 2023.

[4] Credit: Roger Palmer, ‘Behind Disney+’s “The Naughty Nine” Newest Christmas Heist Movie With Director and Composer I Exclusive Interview’, WhatsOnDisneyPlus.com, 21st December 2023.

[5] Credit: Just Jared Jr, ‘‘The Naughty Nine’ Cast Dish On What Went On Behind-the-Scenes While Filming the New Disney Holiday Movie (Exclusive)’, JustJaredJr.com, 22nd November 2023.

[6] Credit: Spencer Williams, ‘Unwrapping ‘The Naughty Nine’: Behind the Costumes with Julia Caston’, TheArtOfCostume.com, 2023.

[7] Credit: Roger Palmer, ‘Behind Disney+’s “The Naughty Nine” Newest Christmas Heist Movie With Director and Composer I Exclusive Interview’, WhatsOnDisneyPlus.com, 21st December 2023.

[8] Credit: What Song, ‘The Naughty Nine Soundtrack’, What-Song.com, no date.

[9] Credit: Disney, ‘Disney Original Movie ‘The Naughty Nine’ To Premiere Wednesday, Nov. 22, On Disney Channel And Thursday, Nov. 23 – Thanksgiving Day – On Disney+’, DetPress,com, 28th September 2023.

[10] Credit: Zach Gass, ‘Disney Accused of “Sexualising Kids” in ‘The Naughty Nine’’, InsidetheMagic.net, 23rd December 2023.

[11] Credit: Roger Palmer, ‘Behind Disney+’s, “The Naughty Nine” Newest Christmas Heist Movie With Director and Composer I Exclusive Interview’, WhatsOnDisneyPlus.com, 21st December 2023.

#14 Monsters University (2013)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. PRODUCTION
  5. MUSIC
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

Monsters, Inc. remains one of Pixar’s most creative and imaginative films. It will always be remembered as one of Pixar’s first movies as well, being a part of their animation legacy, back in a time when they were still proving themselves in animation.

The movie ended with Sulley finally reuniting with Boo, but we never got to see it. This led to some wondering whether Pixar would revisit Monsters, Inc. and allow the audience to see Boo, potentially all grown up and back in the monster world with Mike and Sulley. It’s worth pointing out that Pixar never seemed to be in the game of making sequels, at least not back in the 2000s. They’d only made one, Toy Story 2 (1999), before 2010, which is when Toy Story 3 came out. But we can forgive Pixar for those sequels.

Pixar was a studio that made original films, usually with a twist, but always with colourful and detailed animation. They made movies about fish trying to find home, about superheroes fighting evil, and rats wanting to cook. They didn’t seem to feel the need to go back and revisit any previous movie – until the 2010s. This decade has come to be known as “the sequel years” by some Pixar fans and animation historians, because in those ten years, Pixar made eight sequels or prequels to popular properties out of eleven films. These sequels can make a lot of money, using an audience’s love of an original film to immediately interest them in watching a new film with most of the same characters.

But in choosing to make sequels, Pixar inadvertently opened themselves up to a lot of criticism. Movie-goers don’t always like sequels, although some can be better than the original, so when they come across one that is particularly in bad, it taints the whole bunch. Pixar was recovering from one specific disappointment in the 2010s, Cars 2 (2011), panned by critics and viewers alike. It can be argued this is Pixar’s worst movie. So, just two years later, how would viewers take it when they chose to revisit Monsters, Inc. in 2013.

My family did watch Monsters University at the cinema, specifically whilst on holiday in Florida, one of only two or three times we did that. I personally prefer Monsters University to Monsters, Inc., probably because it feels more relatable and more rooted in real-life to me. I can understand the university setting and the emotional growth that Mike and Sulley go through during the events of Monsters University. I was at university at the time, so that probably helped me like it a lot too. But I am aware that some felt this film was an insult to Monsters, Inc. Others felt it was just ok.

PLOT

Monsters University begins during Mike Wazowski’s school days, as his class take a field trip to the renowned energy company, Monsters, Inc. After being embarrassed that he has be “buddies” with his teacher and that his roar was less impressive than his classmates, Young Mike finds himself in awe of the top scarers at Monsters, Inc. as the group watch the Scare Floor in action. One of these scarers, Frank McCay, talks to the class and tells them the best place to learn to be a scarer is Monsters University, or MU, despite a fellow scarer saying his alma mater, Fear Tech, is the best.

The class are told to stay behind a line on the floor whilst the Scare Floor is online, only being able to watch from a distance. However, Mike is so small that he cannot see as he gets pushed to the back of the crowd. His teacher is so pre-occupied with everyone else that it’s not until Mike has crossed the line already that she is alerted to him breaking the rules. The class watch as Mike follows Frank McCay into a child’s bedroom, so he can watch the scarer up close. As Frank leaves the room after a successful scare, he is surprised to find all of the students and their teacher looking concerned. He looks around to find Mike looking dazed but happy. Frank tells Mike what he did was dangerous, but he was impressed how quiet Mike was in there, not even realising he was anywhere near him. Frank gives Mike his MU baseball cap, and Mike’s dream of becoming a scarer takes flight.

After the title sequence, which shows Mike going through school and passing his scare exams to get into Monsters University, we see Mike getting off the bus at the entrance to the university, excited to get started. He gets registered and goes off on a campus tour, where they pass the Scaring School, the crown jewel of Monsters University, and where Mike will be studying since he got into the Scare Program. Mike later goes by all the society and club booths on the campus, hearing about the Scare Games. He then goes to his dorm and meets his roommate, who will be his lifelong best friend – or so Mike thinks. His roommate is actually Randall, but this isn’t the villainous Randall we know from Monsters, Inc. This is nerdy Randall, who just wants to fit in and do well at school. He even wears glasses, which Mike tells him to lose, so that when Randall goes invisible, nothing gives him away! The two are both on the Scare Program.

Randall and Mike go to their first Scaring Class together, taught by Professor Knight. The class is soon interrupted by Dean Hardscrabble, a legendary scarer who broke the all-time scare record at one point, with the canister from her record-breaking scare on display for all the students to see. The Scare Program is now “her” program because of it. She says there will be an exam at the end of the semester and anyone who fails will be kicked out of the Scare Program; she only wants the best here and if you don’t make the cut, then you’re out. Professor Knight is then left to give his first class. He asks about the properties of a good roar. Mike immediately puts up his hand and begins to answer, but he is interrupted by a loud roar from the back of the room. This is James P. Sullivan, also known as Jimmy – or Sulley to us – and he’s late to class, but he doesn’t care. Professor Knight hears the surname and asks if Jimmy’s father is the great scarer, Bill Sullivan; he is, making Sulley a celebrity on campus already. With people like him his competition to remain on the Scare Program, Mike vows to study hard to ensure he stays on the program.

That night, Randall tries to convince Mike to go to a fraternity and sorority party with him, but Mike wants to stay in and study, so Randall goes on alone. Suddenly, Mike hears a strange noise coming from his window and a random pig is pushed inside. Sulley follows the pig in through the window and is confused about seeing Mike there, thinking this is his own room; it’s not. Sulley says the pig is Fear Tech’s mascot that he just stole to impress the fraternities on campus, mostly Roar Omega Roar. The pig runs off with Mike’s MU cap and the two chase it all the way through the university, with Mike even riding it at one point. They end up at the party, and Mike throws a ball at a row of bikes, which fall over onto a bin, letting it roll in the path of the pig, so it is caught. Mike picks up the pig, and Sulley picks up Mike, to show off the mascot. Sulley is then wanted by all the fraternities and Mike is ignored. Johnny Worthington, president of the Roars, comes over to invite Sulley into their house. Mike tries to follow but he is told the party is only for Scare students. He says he is one so Sulley is told to talk to his “friend”. Sulley reiterates that they aren’t friends, but tells Mike the party is for Scare students who actually have a chance. The Roars point out the oddball fraternity of Oozma Kappa and suggests Mike joins them instead. Mike is now determined to be a better scarer than Sulley, to prove everyone wrong.

Over the next few weeks, Mike buckles down and aces all of his tests, whilst lazy and entitled Sulley doesn’t try and spends all his time partying. On the day of the final exam of the semester, Mike and Randall sit down to revise and wait their turn in the Scare Simulator, where they will be tested on their knowledge of scare theory as well as their performance of scares. Sulley is warned by the Roars that should he fail, since they’ve seen his failing test results, he won’t be allowed into their fraternity, and they watch and wait in the lecture theatre. Sulley decides to annoy Mike during his wait, telling Mike he doesn’t belong in the Scare Program and that is why he has to study so much, and the two start trying to outdo each other. They aren’t quiet about it though, and they are noticed by Dean Hardscrabble, Professor Knight, and the other students, especially when Sulley trips over and knocks into Hardscrabble’s scream canister. It sets off and the room goes silent. Dean Hardscrabble goes over to Mike and Sulley, saying accidents happen, and that she will test them on their Scare Program knowledge right now. Mike is given details of a child’s fears and asked what scare he should do. Mike gives the correct answer and is about to demonstrate it, when Hardscrabble cuts him off. She says she doesn’t need to see anymore because Mike is simply not a scary monster, and that is something that cannot be taught. Mike is out of the Scare Program. Now, it is Sulley’s turn. He just roars loudly at Hardscrabble before she finishes telling him about the child’s fears. She lets Sulley know that actually the child wasn’t scared of roars, so this would’ve made the child cry, not scream. This is also a fail and Sulley is kicked out of the Scare Program, and is also out of the Roars fraternity.

The next semester, both Sulley and Mike are stuck in boring Scream Can Design, with Mike sad and Sulley furious about how they’ve ended up here. In his room, Mike throws a book at the wall in anger, seeing a leaflet for the Scare Games behind him. That gives Mike an idea. He goes to the Scare Games kick-off party and asks to sign up his team, with fraternity Oozma Kappa. Dean Hardscrabble is surprised to find Mike fighting so hard to be in the games. Mike asks her to make a deal with him: if he wins the Scare Games, then she will let him back in the Scare Program. Hardscrabble agrees and even sweetens the deal, saying the whole team can enter the Scare Program if they win, but if they lose, Mike must leave Monsters University forever. The deal is agreed – but there’s just one problem; Mike’s team needs six people, and the two-headed monster there only counts as one. Mike desperately begs someone else to join the team, like Randall, but he passes Mike over to join the Roars, wanting to be popular instead. Only Sulley wants to join, to get back in the Scare Program, so, out of desperation, Mike allows Sulley on the team.

Mike and Sulley move into the Oozma Kappa house. They are introduced to their new “brothers”, who were all former Scare students, who didn’t make the cut. There is mature student Don Carlton; Art, a philosophical hippie-type character; the two-headed Terri and Terry; and Scott Squibbles, also known as Squishy. His mother owns the Oozma Kappa house. Mike and Sulley are taken to their room, which they will have to share. Sulley is concerned about this team’s lack of scariness but Mike says he can fix it. The lights go out, and Sulley and Mike head to the basement to see what’s going on. It is their initiation ceremony into the fraternity, although it is interrupted by Squishy’s mother doing laundry!

The next morning, Oozma Kappa get a letter about the first event of the Scare Games. That evening, they meet in the sewer, and are told their first event is called the Toxicity Challenge, where they will have to race through an obstacle course of sea urchins, that will cause swelling if touched. This is to match the toxicity of human children, of course. Cheered on by Squishy’s mother, Oozma Kappa nervously get ready for the race, but Sulley and Mike have chosen to treat this as a race against each other. They rush off without the rest of their team, laughing at the other as they each get stung by the sea urchins. They eventually cross the line after the Roars, but since the rest of their team has not made it across, it doesn’t count. Mike and Sulley see other teams finish, and then Oozma Kappa roll over the line – in last place. That appears to be the end of their Scare Games and Mike’s time at Monsters University, but they are handed a lifeline. Jaws Theta Chi is disqualified for using a protective gel that meant they could not be stung. Oozma Kappa are back in.

Not wanting a repeat of that incident in further events, Mike starts preparing Oozma Kappa with workouts and tests. Sulley chooses not to join in as he doesn’t feel he needs the practice in scaring. For the next event, Mike tells the rest of the team to follow him precisely. The challenge takes place in the library, where teams must retrieve a flag hanging up without being thrown out of the room by the scary squid-like librarian. Sulley gets fed up with Mike’s slow and steady approach, seeing only they and one other team haven’t got their flag. Sulley rushes ahead and slams to the floor after falling off a ladder. The librarian goes over to Sulley to throw him out, but Oozma Kappa make loud distractions and dodge the librarian’s attempts to throw them out the library. They gather up Mike and run out of the room. On exiting, Mike says they never got the flag – only to see Squishy got it during all the chaos.

With their surprise advancement to the next event, they are invited to a party for all the remaining teams at the Roars’ house. Sulley isn’t sure about it, but eventually gets in the spirit once they are there. Mike sees the Hall of Scarers and the Scare Games trophy in the house, and this makes him want to win even more. However, as Johnny Worthington proceeds to give a speech about Oozma Kappa’s surprise success, Mike and the others start to think something is wrong. Sure enough, they are pranked, covered in paint, glitter, and toys and teddy bears. A picture is taken, which the Roars use the next day for a charity fundraiser, selling t-shirts, and the picture is plastered all over campus. They are now being called Cute-ma Kappa because they aren’t scary. The Roars tell them they might as well quit now because they’ll never win. Dejected, they all seem to agree – except for Mike.

Mike decides to take them all on a field trip to Monsters, Inc. They sneak onto the roof and watch the scarers in action on the Scare Floor. Mike shows them that there is not one type of scarer, and that scarers come in all shapes and sizes. This encourages them to continue on with the Scare Games together, but vow to work as a team from now on – even Sulley. After a quick getaway from Monsters, Inc. security due to their trespassing, they start training together. At the next event, a maze where they must avoid scaring paintings of teenagers, Oozma Kappa manage to advance, with the sorority the Pnks being eliminated. The next event is a hide-and-seek style game, which Oozma Kappa also do well in, leaving the final two teams being them and the Roars. Their final event, the Scare Simulator, will be held the following night. Dean Hardscrabble witnesses this and Sulley goes to speak to her, to tell her she was wrong. Hardscrabble says she isn’t concerned because she knows for a fact one of their team is not scary enough to win, with that person being Mike. Sulley is aware of this and tries to help Mike be scary that night, telling him to dig deep and let the anger out. He tells Mike he’s done well, but actually, Sulley isn’t sure it’s enough.

At the final event, each member of each team must scare a robotic child in the Scare Simulator, using the scare reports to work out the most effective scare to do. Mike has prepared everyone for this and knows they are ready. He says he should be the first in the simulator, but Sulley thinks Mike should go last, because of all his hard work with the team. Their order is agreed, with Mike going last, and Don going first. Don does well in his simulator and Oozma Kappa take the lead as the Roars scarer trips over toys on the simulator floor. Next up is Terri and Terry, then Squishy, then Art. Their lead over the Roars diminishes each time. It is up to Sulley to bring back the lead. He goes up against Randall. Using what Mike taught him about other scares, not just roaring, Sulley manages to get an impressive scare, so much so that Randall’s own scare is sabotaged by both simulators shaking. Randall says that will be the last time he loses to Sulley, and a rivalry begins.

Finally, it is Mike’s turn to go against Johnny Worthington and they’ll need Mike to pull off a record-breaking scare to win. Mike prepares to scare the robotic kid, hearing all the mean things everyone said about him not being scary, and leaps up to deliver the record-breaking scare Oozma Kappa need to win. The crowd, the Roars, and Oozma Kappa are stunned at their win. After the event, Mike stands by the simulator and speaks to Sulley, not believing what just happened. As they are about to leave to celebrate, Mike says “boo” to the simulator and the kid screams, and a full scare is recorded. Mike investigates the controls and sees that his settings were lower than everyone else’s. He asks Sulley if he did this and he admits he did, because he didn’t want the team to suffer because Mike isn’t scary. Hurt, Mike walks off alone. The rest of Oozma Kappa overhear this, and know their win was not truly earnt. Sulley is invited back to the Roars, but he hands them the trophy and goes after Dean Hardscrabble. He admits his cheating. She expels Sulley and says he must be such a disappointment to his family. An alarm then goes off, because someone has broken into the door lab. Sulley rushes over, thinking Mike has done something stupid.

Mike has done just that. In a bid to prove how scary he is, Mike has entered a door that was being tested and finds himself at a girls’ summer camp. He tries to scare the campers but they aren’t scare at all, and he runs into the woods, sad and upset. Sulley gets to the door lab and asks Oozma Kappa to create a distraction so he can get in the door. They do that and Sulley goes in. The camp is empty, but rangers are around trying to search for the animal or intruder in the cabin. Sulley runs into the woods to avoid them and finds Mike by the lake. The two have a heart-to-heart, as Mike laments the fact his dream of being a scarer can never come true, and Sulley saying he’s a big failure. Still being hunted down, Mike and Sulley plan a way back to Monsters University. Mike decides they’ll have to create enough scare energy in the human world to power the door from the other side to let them back into the monster world. Sulley doesn’t think he can do it, but Mike says together they can. Back at the cabin, Mike starts to set the atmosphere for the scare, making strange things happen, and keeping hidden. The rangers come in and start to feel scared. Suddenly, Sulley appears in front of them and lets out a powerful roar. The roar terrifies the rangers and the scream energy starts to power the door, causing chaos over at the university. Mike and Sulley burst through the door and land back in the door lab just as the door explodes. Dean Hardscrabble is shocked to have witnessed all this. Mike and Sulley are taken away by the authorities, the Child Detection Agency and its No. 1 Roz.

The next day, Mike and Sulley apologise to Oozma Kappa and say their goodbyes; the two have been expelled from Monsters University. The Oozmas actually let them know that Dean Hardscrabble has let them all into the Scare Program, despite the cheating. We also learn that Don is engaged to Squishy’s mother Sheri, which makes Squishy understandably uncomfortable! Sulley and Mike then leave campus to wait for Mike’s bus. Mike gets on the bus to head home, but Sulley stops the bus and tells Mike that he is the one who actually achieved something at university, helping Oozma Kappa at the Scare Games, for example. He tells Mike he isn’t scary, but he is fearless. Dean Hardscrabble comes over to them and tells them to keep surprising people, like they did with her, and thanks them, in a way, for showing her that there is not one approach to teaching scarers. But that there is nothing more they can be taught here, and wishes them luck for their future. Mike then remembers that Monsters, Inc. are always hiring in the mailroom so they can join a scare company after all!

Just before the End Credits, we see Mike and Sulley’s journey through Monsters, Inc., working with The Abominable Snowman in the mailroom, before moving up to janitors, cafeteria workers, and then finally getting a chance to audition as a scarer and assistant duo, which is obviously where we see them during Monsters, Inc. Finally, in a mid-credits scene, we see the slug-like monster who is about to be late for class early on in the film finally arrive at his class, only to find it is the end of the year!

CHARACTERS & CAST

Mike, Sulley, and Randall are the three main characters to make a return from Monsters, Inc. in Monsters University. This time, instead of this being Sulley’s story, Monsters University focuses on Mike and his dream of being a scarer that cannot be fulfilled. Mike is determined to prove he can be a scarer, being dedicated to his studies and the theory of scaring, but learns that he cannot actually scare people, ending his dream at Monsters University. It’s a hard lesson for Mike to learn, that hard work doesn’t necessarily mean that everything will work out, but it’s a necessary and realistic lesson. But in his failure, another path opens up for Mike and things do work out. Sulley is not the same monster we meet in Monsters, Inc., coming across as quite arrogant and entitled, perhaps because of his family’s history in scaring. It is only with Mike’s help that Sulley becomes a real scarer, and the two’s initial rivalry turns into friendship due to this. Randall, on the other hand, begins his time at Monsters University as Mike’s roommate, seeming to be quite friendly and nice. However, he passes over the chance at friendship with Mike for popularity in the Roars fraternity, and his rivalry with Sulley begins after Sulley surpasses him in the Scare Simulator. Billy Crystal, John Goodman, and Steve Buscemi reprised their roles as Mike, Sulley, and Randall here.

Then we have the members of Oozma Kappa. One is Scott, mostly known as Squishy. Squishy is quiet and unassuming. He’s basically a little pink blob, which makes him easy to forget and easy to pick on! In the end, he uses his quietness to be a better scarer, thanks to Mike. Peter Sohn voices Squishy. Sohn is a Pixar animator and voice actor, having directed and written the short film Partly Cloudy (2009) and voiced Emile in Ratatouille (2007) prior to Monsters University. Sohn had also worked as a story artist on Finding Nemo (2003), The Incredibles (2004), and Up (2009). He later directed The Good Dinosaur (2015) and Elemental (2023), and voiced Sox in Lightyear (2022) and Ciccio in Luca (2021).

Don Carlton is a mature student, who seemed to work in sales before returning to his studies at Monsters University. Don has tentacles, which Mike teaches him to use in his scaring. Don Carlton was voiced by Joel Murray. Murray had previously been cast in the CBS sitcom Love & War (1992-95) as Ray Litvak and later the ABC sitcom Dharma & Greg (1997-2002) as Pete Cavanaugh. More recently, Murray was cast in the recurring role of Freddy Rumsen in Mad Men (2007-15) and as Eddie Earl in Starz’ Heels (2021-23).

Terri and Terry are a two-headed monster, who seem to disagree on pretty much everything. Terri, for example, is a dance major, but Terry is not; that must be quite tricky to achieve when one half of your body won’t cooperate! Terri and Terry were voiced by Sean Hayes and Dave Foley respectively. Hayes is most known for his role as Jack McFarland in the long-running Will & Grace (1998-2006, 2017-20). He also has voiced other characters for animated movies, including Steven the devil emoji in The Emoji Movie (2017). More recently, Hayes has been cast in more dramatic movies, including Stu in Am I OK? (2022), which starred Dakota Johnson, and Gary Greenbacks, the TV host in The Running Man (2025). He also won a Tony Award for Best Actor in a Play for his starring role as Oscar Levant in Good Night, Oscar on Broadway in 2023. Dave Foley voiced Flik in Pixar’s A Bug’s Life (1998) and also played Mr Jonathan Boy/All-American Boy, the Hero Support teacher, in the Disney movie Sky High (2005). In television, Foley appeared in the recurring role of Dr. Fulton in The Middle (2009-18), and was cast as Pat Hein in the Ken Jeong-created sitcom Dr. Ken (2015-17). Foley was also cast as Danish Graves in Season 5 of the series Fargo (2014-24).

Then, there is Art, a chilled out, laidback monster, who majors in philosophy. He is like an upside-down “U” shaped purple furry monster, who uses his flexibility to scare. We also learn Art has been to jail before, when Oozma Kappa are dodging the Monsters, Inc. security – but we don’t know why! Charlie Day voiced Art. He is best known for playing Charlie Kelly in the comedy series It’s Always Sunny in Philadelphia (2005-present), and later co-created the AppleTV+ series Mythic Quest (2020-25). Outside of that, Day also played Dale Arbus in Horrible Bosses (2011) and its 2014 sequel, and was cast as Dr. Newton Geiszler in Pacific Rim (2013), returning to the role in Pacific Rim Uprising (2018). He also voiced characters for other animated movies including Benny in The Lego Movie 2: The Second Part (2019) and Luigi in The Super Mario Bros. Movie (2023).

There are also the two main teachers at the Scaring School. One is Professor Knight, who is a strict professor, letting Sulley know that just because he can roar loudly, that isn’t going to be enough to pass the Scare Program. He also seems impressed by Mike’s knowledge of scare theory, with Mike being the best in the class. We don’t hear anything negative about Mike from Professor Knight, despite the fact surely he doesn’t think Mike is scary either and clearly doesn’t have a future as a scarer. Professor Knight was voiced by Alfred Molina. Molina has starred in numerous stage and screen productions. Some of these include performing as Tevye in the musical Fiddler on the Roof on Broadway from 2004 to 2005; Comte de Reynaud in the Academy Award-nominated film Chocolat (2000); Jack Mellor in another Academy Award-nominated film An Education (2008); and as Doctor Octopus in Spider-Man 2 (2004) and Spider-Man: No Way Home (2021). For Disney, Molina voiced the roles of Double Dan and King Agnarr in Ralph Breaks the Internet (2018) and Frozen II (2019), and played the role of Maxim Horvath in The Sorcerer’s Apprentice (2010).

Dean Hardscrabble is the intimidating and terrifying dean of Monsters University. All the scare students are obviously scared of her, and it would seem that Professor Knight would rather she hadn’t burst into his first class of the year! Hardscrabble warns the students on that first day that they will be thrown out by the end of the first semester if they don’t do well enough; it’s as simple as that, which isn’t exactly motivating on your first day at college! She continuously tells Mike that he is not scary, and will never be scary, so doesn’t deserve to be in the Scare Program. By the end of the movie though, after witnessing Mike and Sulley’s amazing scare in the door lab, she realises that she misunderstood Mike’s potential and skill, and tells both of them to keep surprising people, wanting them to do well in the future. I do wonder what the entry requirements to the Scare Program are, because surely they had to have some sort of practical assessment before they got into the university, so this would’ve filtered out students like Mike, who might know their theory but can’t execute scaring adequately. This is something Dean Hardscrabble really ought to think about!

Randomly, Dame Helen Mirren was cast as Dean Hardscrabble. Mirren’s career spans all kinds of different genres, so perhaps her casting here shouldn’t be such a surprise. It was a real win for Pixar to get her though. Some of Mirren’s film credits include being cast as Queen Charlotte in The Madness of King George (1994), in which Nigel Hawthorne played the title character; Chris Harper in Calendar Girls (2003); and Madame Mallory in The Hundred-Foot Journey (2014). More recently, she played Betty McLeish/Lili Shroeder in The Good Liar (2019), alongside Ian McKellen. She also played Elizabeth Best in The Thursday Murder Club (2025) for Netflix. Mirren won the Academy Award and BAFTA for Best Actress, amongst many other award wins in her career, for portraying Queen Elizabeth II in The Queen (2006). In series, Mirren starred as Detective Chief Inspector Jane Tennison in Prime Suspect (1991-2006). Monsters University was not Mirren’s first time voicing a character for an animated film; she voiced Queen Tuya in The Prince of Egypt (1998) for DreamWorks.

There are other students that Mike and Sulley encounter on their journey through the Scare Games. Two of these come from the fraternity Roar Omega Roar. The first is president of the fraternity Johnny Worthington. He only wants the best scarers in his fraternity. That is a fact of most fraternities and sororities; it’s not always about being the nicest person, it’s more about how you complement the other members and what you can do for them. Johnny loves the idea of having Sulley in the Roars, probably because he is the son of a top scarer, and therefore has the potential to be great. However, Johnny isn’t afraid to drop Sulley when he flunks out of the Scare Program and replaces him with Randall, whose ability to go invisible and disguise himself separates him from other scarers. Johnny is mean to anyone who he sees as lesser than him, even going so far as to prank Oozma Kappa just to make himself feel like the “big man” on campus. Johnny was voiced by Nathan Fillion, well-known for his leading role as Richard Castle in ABC’s Castle (2009-16). He also had a recurring role as Adam Mayfair in Season 4 of Desperate Housewives (2004-12) before that. More recently in series, Fillion stars as John Nolan in ABC’s The Rookie (2018-present) and was cast as Alton West in Netflix’s The Recruit (2022-25). In movies, Fillion voiced Sterling in Pixar’s Cars 3 (2017), played Master Karja in Guardians of the Galaxy Vol. 3 (2023) and Guy Gardner / Green Lantern in Superman (2025).

Every jerk like Johnny Worthington needs a sidekick. In this case, Johnny’s sidekick is Chet, who is a bit of a bumbling fool. He sometimes thinks he’s engaging in smack talk, but actually just makes the Roars look stupid, like when Johnny tells Oozma Kappa that if they lose, no-one will ever remember then. Mike shoots back and says that might be true, but if the Roars lose, then no-one will let them forget it. Instead of coming back with something clever, Chet just agrees that’s true. I think Johnny might want to look at getting a new sidekick! Chet was voiced by Bobby Moynihan, who was both a writer and cast member on Saturday Night Live (1975-present) from 2008 to 2017. He has also voiced characters for animation, including Mel in The Secret Life of Pets (2016) and its 2019 sequel, and Louie Duck in DuckTales (2017-21). For Pixar, he voiced Bobby in Inside Out (2015) and Inside Out 2 (2024) and is set to voice a character in Pixar’s new movie Hoppers, coming in 2026.

Finally, we have Claire and Brock, the two who run the Scare Games. Claire’s lack of enthusiasm and general surliness – she is a teenager, after all – is countered by Brock’s exuberance and general noisiness. Brock is excited by anything and everything, especially when commentating on the Scare Games events. Claire just doesn’t seem to care – at least not until Oozma Kappa seemingly win the Scare Games. Then, all of a sudden, it’s like she’s their biggest fan! Claire was voiced by Aubrey Plaza. Plaza is known for her role as April Ludgate in the mockumentary Parks and Recreation (2009-15), as well as her roles in comedy movies, such as Julie Powers in Scott Pilgrim vs. the World (2010); Lenore in Dirty Grandpa (2016); and Sarah in Operation Fortune: Ruse de Guerre (2023). Tyler Labine voiced Brock. Labine recently was cast as Dr. Iggy Frome in the medical drama New Amsterdam (2018-23) and starred as Kevin Pacalioglu in Deadbeat (2014-16) for Hulu.

There are a few other names to mention as well. Bob Peterson and John Ratzenberger make their returns as Roz and The Abominable Snowman, respectively, but only in brief cameos. Roz makes her appearance after Mike and Sulley return from the normal world, saying she’ll be watching them, which is something she said in Monsters, Inc. The Abominable Snowman is seen working in the Monsters, Inc. mailroom, warning Mike and Sulley that tampering with the mail is a crime punishable by banishment. I guess we’ve figured out he got banished to the human world then! We also have Bonnie Hunt making a return to the monster world. This time, she voices Mike’s school teacher Karen Graves.

Other names in this movie include John Krasinki who voiced the scarer Frank McCay in the opening sequence of Monsters University. Krasinski became a household name from his role as Jim Halpert in the US version of The Office (2005-13). He went on to have roles in comedy films, including Ben Murphy in License to Wed (2007) and Harley in It’s Complicated (2009). He later co-wrote, directed and starred as Lee Abbott in the horror films A Quiet Place (2018) and A Quiet Place II (2020). He also starred as Jack Ryan in the Amazon Prime Video series Jack Ryan (2018-23). Julie Sweeney voiced Squishy’s mother, Sheri. Sweeney was a cast member on Saturday Night Live from 1990 to 1994. More recently, she was cast as Vera Easton in Hulu’s comedy series Shrill (2019-21). Bill Hader voiced the slug monster running late to class. Hader was a cast member on Saturday Night Live from 2005 until 2013. He also voiced Fear in Pixar’s Inside Out (2015), and voiced J.P. Spamley in Ralph Breaks the Internet (2018) and Featheringhamstan in Lightyear (2022).

PRODUCTION

We all remember the time when Disney were releasing direct-to-video sequels constantly, all based on previous popular Disney animated classics. Some of these are beloved by the kids who watched them. Others have been brutally ripped apart, perhaps unfairly, perhaps not.

There was once a time when Pixar movies may have been subjected to this fate, of low-quality animated sequels to some of their biggest hits being made, and it was all thanks to Disney. It has been reported that around 2004 or 2005, Disney tasked Circle 7 Animation, a division of Walt Disney Feature Animation that only lasted from 2004 to 2006, with making a Monsters, Inc. 2. They’d also planned to make a Finding Nemo 2 and a different version of Toy Story 3, as a way of using Pixar properties. Allegedly, Monsters, Inc. 2 had a storyline that saw Mike and Sulley visit Boo for her birthday, but on going through her closet door, they see Boo has moved and they go to find her. When they find Boo, Sulley and Mike discover she is too old to believe in monsters, and they must get her younger brother to convince her to help them leave the human world though her old door. They are also trying to save Celia, who has been captured by a monster-obsessed human wanting to prove monsters are real[1]. It sounds like a wacky story that probably wouldn’t have worked well, so lucky for all of us, that Circle 7 Animation’s plans never came to fruition and the division was promptly shut down. It was supposedly just a pressure tactic from Disney, because during this time, Disney were looking to buy Pixar. This deal was later completed in May 2006.

It wasn’t until a decade after Monsters, Inc. was released that Pixar confirmed they were actually working on a new Monsters, Inc. movie, with this being officially announced at the D23 Expo in 2011, by John Lasseter and voice of Mike Billy Crystal. It was confirmed that this movie was in fact going to be a prequel called Monsters University, making it clear to the audience that they were going to be watching a film about Mike and Sulley in college.

Monsters University was directed by Dan Scanlon, who was a 24-year-old storyboard artist at Pixar when Monsters, Inc. was released in 2001. Monsters University was his directorial debut of a feature film at Pixar; he had already co-directed the short film and Cars spin-off Mater and the Ghostlight (2006) with John Lasseter. Dan Scanlon had worked on Pixar features such as Cars (2006) and Toy Story 3 (2013) as a story artist prior to Monsters University. He later directed and co-wrote Onward (2020). Scanlon left Pixar in 2024. Scanlon stated that prequels are tricky and risky, because the audience already knows where the story is going, so they can feel quite predictable, but the plan was always to be to make the story relatable, whilst also turning the expected story on its head. It was decided the prequel was the way to go, despite its challenges[2].

Scanlon also co-wrote the story of Monsters University, alongside Dan Gerson and Robert L. Baird. Gerson had co-written the screenplay of Monsters, Inc. so no doubt his expertise from the original movie was invaluable when creating the prequel. He also co-wrote the Disney Animation movie Big Hero 6 (2014), alongside Baird, with the film going on to win the Academy Award for Best Animated Film. Gerson sadly passed away in 2016 and was said to be working on Pixar’s Cars 3 (2017) at the time. Baird had co-written the screenplay for the 1999 Disney Channel Original Movie The Thirteenth Year early on his career. After Monsters University and Big Hero 6, Baird co-wrote the screenplays for the animated films Ferdinand (2017), from Blue Sky Studios, and Nimona (2023) for Netflix.

Although we know that Mike and Sulley are going to end up working as a scaring team at Monsters, Inc., we don’t know how they get to that point. The title Monsters University obviously gives away the fact that the prequel will be taking us through their journeys at college, but outside of that, there are so many possibilities for the story to go. Initially, Sulley was still going to be the main attraction of Monsters University, since he was already the focus of Monsters, Inc. There were plans to give him some big emotional backstory, like having an absent father, in order to give Sulley more of a purpose and personality, because in Monsters, Inc., he spends much of his time with Boo, as her protector, so he needed something else to occupy his time in Monsters University. There was also an idea to have Sulley wanting to be a dentist, but that story element was quickly dropped as he was clearly always meant to be a scary monster with his huge stature.

After these ideas didn’t work, it was then decided that perhaps Mike should get his chance to shine in Monsters University, and he should be following his dream of being a scarer, which, before the opening titles even start rolling, we already know is not going to happen because of the events of Monsters, Inc. This eventual failure of his scaring dream is the message that audiences would take away from Monsters University, that although you can work hard in achieving a dream, it doesn’t always work out the way you’d hoped. This basically altered expectations about the film as we saw that the journey to Mike and Sulley ending up at Monsters, Inc. was not an easy one[3].

There were plenty of other sequences and scenes that did not make it into Monsters University. One was that Mike and Sulley were going to end up in Drama Class together after being kicked out of the Scare Program at Monsters University. During this time, the tension between the two and the rivalry would’ve been obvious as they attempt to prepare for the Scare Games and put on this play with their class about the history of scream energy. Over time, it was meant to show Mike and Sulley learning to work together and become friends, with Mike helping Sulley remember his lines during the play after forgetting them on stage. This play would’ve also given us important information about scream energy, that enough scream energy created on the opposite side of a door, in the human world, for example, can be enough to power it on the other side. This is something we learn during the big scare that Mike and Sulley do in the summer camp. It was decided that the Drama Class sequence, although funny, was not necessary since the Scare Games is where Mike and Sulley ultimately resolve their conflict, and it didn’t fit in well with the rest of the story. There was also an alternative prank by Roar Omega Roar on Oozma Kappa, which would’ve seen the Roars scaring them during a movie night, but this was deleted as it was decided that the whole point of this prank was not to show that Oozma Kappa were easily scared, but was meant to show that they are not scary so cannot be scarers. Another deleted sequence would’ve introduced a new college program to us, Recon, where monsters go into the human world to spy on kids and figure out what their fears are, to draft scare reports.

Potentially the most interesting deleted sequence could’ve ended up being the most important sequence in the film, and would’ve helped with a major plot hole that was discovered by viewers. This plot hole revolves around the fact that Mike says to Sulley in Monsters, Inc. that Sulley has been jealous of him since the fourth grade, making it seem like Mike and Sulley already knew each other from school. However, Monsters University tells us that Mike and Sulley first met here, annoying some people because Pixar had ignored something in their own franchise’s storyline. This is something I noticed shortly after watching Monsters University too. But be assured, Pixar did plan to address this. In this deleted concept, Mike was meant to meet Sulley in the fourth grade. Jealous of Sulley’s instant popularity due to his size and scary nature, Mike proceeded to try to outdo Sulley with his knowledge of scare theory. This rivalry went on for years, until Mike and his family moved away. Ultimately, Dan Scanlon felt that this sequence just wasn’t working, so he was told by John Lasseter and Pete Docter, the director of Monsters, Inc., to focus on the college story and not let this one line from Monsters, Inc. affect the prequel. The filmmakers had probably hoped we wouldn’t notice or wouldn’t care[4]. Sadly, some very much did, and still do, care! I like to think that perhaps it’s one of those cases where you can meet someone at school and not really remember them, reconnecting later in life and only realise you’ve met them before after talking about some really specific event. Since Sulley and Mike don’t talk all that much about their past lives in Monsters University, we could imagine that maybe they didn’t get talking about school until after they were expelled and then they remembered each other – but that’s a lot of “ifs” and “maybes”!

With this new college setting in the monster world, it was decided that the filmmakers had to do some proper research into college life, so naturally, they took a research trip, which consisted of tours of Ivy League campuses. It’s not exactly Mexico or South America, like the Pixar team went to for Coco and Up, but I guess it’s something! Some of the universities they visited were Harvard, MIT, and Berkley, so Monsters University became a mixture of all of these campuses. Many of these colleges had a gate entrance, so one was made for Monsters University, for example, and they tended to have buildings made of red brick, so this was incorporated into the design for Monsters University. The Scare School was created to be the focal point of the campus, as older buildings on real campuses were obviously built first, with others spreading out from it. The age of the building was also shown, not just architecturally, but also by the bronze statue outside with the faded paw, showing that many students even before Mike’s class at touched it for good luck.

Other details added to the campus include the use of flyers, with new ones stapled up on top of years of older, crumpled, disintegrating ones, on columns and boards across the area, and they also added bird poop to the buildings and statues to show the age of Monsters University, showing its history and prestige! Monsters University was designed to look like a normal US college campus, but the added motifs and decorations of teeth and eyes made it seem more “monster-like”[5].

Alongside design elements for the look of Monsters University, the team also had to figure out what experiences would need to be added to the movie to make it feel like a quintessential college film. Obviously one glaring omission from this film is alcohol. Pixar and Disney can’t be seen to advertise drinking, underage or not, in their films, but they tried to get across the party atmosphere with their heavy use of fraternities and sororities. This emphasis on parties was even seen in the teaser trailer, where Sulley pranks Mike by gluing bits of mirror to him to turn him into a disco ball!

These fraternities and sororities ended up being quite useful to the story, not only because they created ready-made teams for Mike and Sulley to go up against in the Scare Games competition, but also because they allowed us to see a wide-range of different personalities without the need to introduce us to too many minor characters. This was achieved basically by making each fraternity and sorority a sort of stereotype. For example, the Eeks are the athletic jock girls; the Pnks are the perfect sorority girls, who look sweet on the outside, but are vicious on the inside; the Roars are the cool, posh boys; and Hss are the emo/goth group. Oozma Kappa are the misfit fraternity[6].

There are hundreds of monsters within Monsters University, many more than were seen in Monsters, Inc. Although software had been created for Sulley’s fur for the first movie, this software had been developed so much that even more furry monsters could be designed and used in this movie, to go alongside other types of monsters of varying shapes and sizes, even ones that fly. These additional monsters enormously helped with the atmosphere of Monsters University, to make it feel like it was a place of diversity. Pixar has said to look at the backgrounds to spot all these different types of monsters. But monsters from the previous films who made a return would also need to be aged down for Monsters University. For example, Mike is skinnier, with a more vibrant colour to his skin and less pronounced horns. He also has a retainer. Sulley is skinnier and shaggier, and his fur is shinier[7]. Randall is smaller and punier than he is in Monsters, Inc. and his skin is more purple.

Another character design to mention is that of Dean Hardscrabble. Hardscrabble was going to be a typical, grumpy male dean, with an alligator tail, but after some thought, the filmmakers realised they hadn’t seen a great female scarer in this world so Dean Hardscrabble began a strict, authoritative female dean instead. The basis for her monster appearance is a centipede, and the Pixar team studied giant centipedes to see how they moved and behaved. Despite centipedes generally being considered to be gross-looking by most, the filmmakers said there was a graceful elegance to them, which they wanted to get across in Dean Hardscrabble’s character. I’m going to be perfectly honest and say I thought she was designed after a dragon; I’d never noticed her legs before[8]!

Rounding out the production of Monsters University, there are the usual Pixar Easter eggs and references to mention. The A113, the number of the classroom at CalArts where many Pixar animators studied, is on the door of Scaring 101 on the first day of the Scare Program. The Pizza Planet truck is parked in the driveway of the Jaws fraternity house on that party night when Mike and Sulley are chasing the pig. The Luxo ball from the Pixar short film is seen in graffiti on the wall of the sewer during the Toxicity Challenge of the Scare Games.  The next Pixar movie after Monsters University is The Good Dinosaur (2015), so this was referenced with dinosaur toys in the bedroom that Young Mike sneaks into during his school field trip to Monsters, Inc. Pixar Studios’ address of 1200 Park Avenue is also referenced, as Don Carlton’s business card shows his address as being 1200 Dark Avenue.

You can also see a few nods to Monsters, Inc. One of these is that George, the monster who is on the receiving end of the “23-19” alert is a member of the Jaws fraternity. There is also the Winds of Change poster above Randall’s bed, which refers to a line he says to Mike and Sulley in the original film[9]. At the end of Monsters University, you can see a picture of Sulley shaking hands with Mr. Waternoose, the CEO of Monsters, Inc., a main character in the first film, too. It is rumoured that Kelsey Grammer, best known for his role as Frasier Crane in both the sitcoms Cheers (1982-93) and its spin-off Frasier (1993-2004) was meant to voice Mr. Waternoose in an apparently cut scene. Celia, who also only appears in picture-form in this montage, in Mike’s locker, was apparently meant to return for Monsters University too, as was Randall’s assistant Fungus. For some reason, this did not happen. Finally, the title sequence of Monsters University even refers back to Monsters, Inc. as it is another 2D graphic-style title sequence, contrasting against the computer animation of the main film. This time, the opening titles follow Mike’s journey to being a scarer, through his school work and eventual acceptance to Monsters University.

MUSIC

For the score of Monsters University, Randy Newman made his return as the composer, after his work on Monsters, Inc., allowing for continuity between the two films. Newman is known for his frequent collaborations with Pixar over the years, including on A Bug’s Life (1998) and the Toy Story franchise.

Newman’s score had to consist of both bringing emotion to the story and giving the music that “collegiate” feel. This meant using the sound of marching bands and drums to express that university-style sound, where these instruments are used for pep rallies and events like that. Some examples of this sound can be found in the tracks “Main Title”, used for the title sequence, and “The Scare Games”, playing during a montage of some of the games’ events. To record some of this style of music, Pixar brought in the percussion group The Blue Devils Drum Corps, to give that authentic sound. There is also the track “Monsters University”, which is a chorus singing the university’s school song.

Another key point of the college atmosphere of Monsters University that comes across in the music is the mixture of music genres that can be heard across a university campus in the real world; this is mimicked in Monsters University. This can be specifically heard in a couple of tracks. One of these is “Scare Pig”, which is used for the scene of Mike and Sulley chasing down Fear Tech’s pig mascot that Sulley stole. As the two wreak havoc across various parties going on at the college campus, you can hear an acoustic guitar player in a casual get-together, followed by rock music playing at the fraternity and sorority party. Another is “Roar”, the name of the music playing at the Roar Omega Roar party where Oozma Kappa get pranked by the Roars. This is electronica party music, perfect to get people dancing. “Roar” was written and performed by Axwell and Sebastian Ingrosso, from the Swedish House Mafia group, known for their electronic dance music.

There are a few other tracks in the Monsters University soundtrack that I also like. “First Day at MU” is one, as it feels hopeful and reflects how Mike is feeling on that first day at the Scare School, thinking his future is looking bright. Another is “The Big Scare”, which is used for the sequence of Mike and Sulley pulling off that scare at the summer camp with the rangers. It’s a huge moment for not just the history of scaring, but for Mike and Sulley’s friendship and teamwork, as they show that they work best as a scaring team rather than as individuals, with Mike’s attention to detail and Sulley’s natural scaring ability. I also like “Stinging Glow Urchin”, the music playing during the Toxicity Challenge and race in the Scare Games. One other track worth mentioning is “Field Trip”. This features during the moment where Mike takes Oozma Kappa to Monsters, Inc. so they can witness the Scare Floor in action. It uses some of the music from the Monsters, Inc. soundtrack, like the music used in the chase sequences, and the track “Enter the Heroes”, which is used as a slow-motion clip of the scarers arrive for a day of work, but in Monsters University, it is used whenever the factory’s exterior is seen, so both in this sequence for Oozma Kappa and in Michael’s field trip at school at the start of the film.

Newman has stated how happy is to compose music for Pixar’s high-quality animated movies. Director Dan Scanlon also stated how helpful Newman was during the composition stage and orchestral recording of the score, as he had admitted that the music was the part he knew the least about when directed a film. Scanlon said how affecting it was to see the music come together with the animation to make the movie feel complete[10].

Despite Randy Newman winning awards for his music on Monsters, Inc., namely for the song “If I Didn’t Have You”, which won an Academy Award and Grammy Award for Best Original Song, amongst others, the Monsters University soundtrack was not as widely acclaimed. Instead, it only received one nomination, at the Annie Awards, for Outstanding Achievement in Music in an Animated Feature Production. Newman and Pixar lost to the musical team of Robert Lopez, Kristen Anderson-Lopez, and Christophe Beck and their work on Disney’s Frozen. I guess Pixar had to just “let it go” on this occasion.

RECEPTION

Just a little less than 12 years after the release of Monsters, Inc., Monsters University was released in theatres, on 21st June 2013 in the US, becoming Pixar’s first, and only, prequel.

Apparently, it was initially planned for release in November 2012, its date being moved to 2nd November to avoid direct competition with The Twilight Saga: Breaking Dawn – Part 2, a very popular film that year. Monsters University’s date later moved to June 2013. It would seem that Disney’s Wreck-It Ralph (2012) took the November 2012 position instead[11].

In theatres, Monsters University was released alongside the Pixar short film The Blue Umbrella (2013). This short followed the journey of a blue umbrella finding love with a red umbrella. After being separated by their owners, the blue umbrella breaks away and attempts to be reunited with the red umbrella, only to be hit by high winds and speeding traffic. The blue umbrella is later found damaged in the road, in a broken heap. It is picked up by its owner, and the red umbrella owner comes over to help. The owners of the blue and red umbrella walk away together, reuniting the two-coloured umbrellas. This short was directed and written by Pixar employee Saschka Unseld. Strangely for a Pixar short, The Blue Umbrella missed out on an Oscar nomination for Best Animated Short Film.

But back to Monsters University. For the most part, Monsters University received positive reviews, although some of these positive reviews generally say that the movie is perfectly fine and watchable, so not exactly a glowing review! Some stated that this prequel was reassuring from Pixar, expanding on the Monsters, Inc. characters and its world. They liked seeing more backstory for Mike and Sulley, and the supporting cast was also memorable and funny. The message of Monsters University, about hard work not necessarily equating to a dream coming true, was an important one to state, as it goes against the general message of child-focused movies, and even parents’ motivation to their children, where we usually hear that being determined in the pursuit of a dream will mean that it happens. It’s not the most upbeat message, but it is more realistic to real life, where things don’t always work out as you’d planned. Personally, I liked the fact the film allowed kids to see that adults can be scared by monsters, with the giant scare Mike and Sulley plan and enact towards the end of the film. Monsters, Inc. had made it seem like only children get scared, but that’s not true; adults get scared too. Others said that they enjoyed the twists in the story, like how Mike didn’t actually win the Scare Games for his team, and that Mike and Sulley did get expelled, with Dean Hardscrabble holding firm on that after they broke numerous university rules. The surprise return of Roz and The Abominable Snowman was also welcomed. Monsters University was considered to be a great film for the family to enjoy.

On the other hand, there were negative comments given by audiences and critics. One of these was purely linked to the expectations, or lack thereof, that come from a sequel. Pixar had a very disappointing sequel with Cars 2. Monsters University was the next prequel or sequel to come after that, so although some felt it exceeded expectations, others felt it was disappointing and lacked an interesting story with heart, unlike its predecessor. With numerous other Pixar sequels already announced to be coming in the following years at this point, those being Finding Dory (2016), Cars 3 (2017), Incredibles 2 (2018), and Toy Story 4 (2019), it is possible that this had annoyed viewers and their annoyance affected their enjoyment of Monsters University, even before they’d seen any of it. It is also the typical “prequel problem” that the viewers know how the story is going to end, because they’ve already seen the original film, so that meant that excitment and tension was lacking. It was decided that Monsters University was simply not a good enough movie to come from Pixar, and the world was still waiting for them to come back and hit the heights they’d last achieved with Toy Story 3 – and pretty much every movie they’d made before then.

Despite the slightly mixed reception, Monsters University did well at the box office in 2013. In North America, it debuted with $82.4 million on its opening weekend, becoming Pixar’s second-best opening weekend for one of their films at the time, with Toy Story 3 the best opening weekend they’d had at $110 million. It also opened in the No. 1 spot at the box office. This meant that Pixar had had 14 No. 1 openings in a row, for all 14 of the feature films they’d made. Its worldwide debut came in at $136.5 million after opening in 35 other countries at this time, however, it was struggling against some tough competition. In Australia, Despicable Me 2 (2013) came out at a similar time to Monsters University. In the box office fight, Monsters University lost in that county[12]. By the end of August 2013, Monsters University had made over $700 million worldwide, making it the fourth-highest grossing Pixar film, behind Toy Story 3 with $1.06 billion, Finding Nemo with $922 million, and Up with $731 million[13]. It later ended its run at just under $745 million.

Overall, in 2013, sadly, Monsters University struggled against some movies that did exceptionally well in the later half of the year. One of these was Disney Animation’s Frozen (2013), which made over $1 billion worldwide. Frozen was in the top spot in the worldwide box office figures. This was followed by Marvel’s Iron Man 3; Despicable Me 2; The Hobbit: The Desolation of Smaug; and The Hunger Games: Catching Fire. Monsters University ended the year at No. 7 in this list, however, it did just about reach the Top 5 in the domestic box office for 2013 and it easily beat out some other animated movie releases for the year, like DreamWorks’ The Croods and Turbo; and Sony’s Cloudy with a Chance of Meatballs 2.

Monsters University was not as widely acclaimed as Monsters, Inc., so naturally, it did not achieve much success during awards season. Monsters University was not even nominated for Best Animated Feature at the Academy Awards; this award was won by Frozen. Frozen actually swept the Best Animated Film category at multiple awards ceremonies, including the BAFTAs, the Critics’ Choice Awards, the Annie Awards and the Saturn Awards, where Monsters University was actually nominated. The Satellite Awards didn’t give this award to either Frozen or Monsters University, although both were nominated; the winner was Japanese film The Wind Rises (2013), directed by Hayao Miyazaki. Outside of that, at the Kids’ Choice Awards, Monsters University was nominated in both the Favorite Animated Movie and Favorite Voice From an Animated Movie – for Billy Crystal – categories, but lost out to Frozen, and Miranda Cosgrove as Margo in Despicable Me 2, respectively. Monsters University was nominated for various Annie Awards, including Best Animated Feature, Animated Effects, Character Animation, Character Design, Production Design, and Writing. Billy Crystal was once again nominated for his vocal performance as Mike Wazowski, but lost to Josh Gad and his character of Olaf from Frozen. Pixar did, however, win the Annie Awards for Storyboarding and Editorial for Monsters University. It also won the Hollywood Animation Award at the Hollywood Film Awards.

LEGACY

Mike and Sulley have continued to be popular Pixar characters, showing up on screen and at the Disney Parks. These are some experiences that appeared shortly after Monsters University, and in more recent years.

On screen, the short Party Central (2013) premiered at the D23 Expo in Anaheim in August 2013, just a few months after Monsters University’s release date. It later was attached to the theatrical release of Disney’s Muppets Most Wanted (2014). In this short, directed and written by Pixar director and storyboard artist Kelsey Mann, Mike and Sulley make Oozma Kappa’s first fraternity party one of the best parties ever. They do this by stealing items from Roar Omega Roar’s party, and leading guests through door stations, that go through a human couple’s bedroom, into Oozma Kappa’s house. Squishy’s mother walks in when the party is in full swing, and comes up with a huge stunt that involves jumping through the doors. The party makes students want to join Oozma Kappa – and traumatises the human couple who ask to sleep in their son’s room because they have monsters in their closet! The cast from Monsters University returned to voice their characters here.

Years later, a new addition to the Monsters, Inc. franchise came to Disney+. This was the Disney+ series Monsters at Work (2021-present), which followed the events of Monsters, Inc., specifically the transition of the factory from scream energy to laughter. It follows a recent graduate from Monsters University, Tylor Tuskmon, who comes to Monsters, Inc. to be a scarer, only to be told that job no longer exists. He is instead reassigned to work in the Monsters Inc. Facilities Team. The first series follows Tylor’s struggles as he adjusts to his new career path. The second series sees Tylor debating whether to take a job at rival company Fear Co. Some new characters were added to Monsters at Work, including Tylor, voiced by Ben Feldman, known for such roles as Jonah Simms in Superstore (2015-21) and Ron LaFlamme in Silicon Valley (2014-19). Mindy Kaling joined the voice cast as Val Little, having already voiced Disgust for Pixar’s Inside Out (2015), as well as had success with her own sitcom The Mindy Project (2012-17), as did Henry Winkler, Fonzie in Happy Days (1974-84) and more recently Gene Cousineau in Barry (2018-23). Other characters, and their voice actors, from Monsters, Inc. and Monsters University also returned for select episodes. Billy Crystal and John Goodman reprised their roles as Mike and Sulley too. The series has run for two seasons. One came to Disney+ in 2021 and the other came to both Disney+ and Disney Channel in 2024. Monsters at Work won two Children’s and Family Emmys, one for Individual Achievement in Animation in 2022 for Ron Tolentina Velasco, and another for Voice Directing for an Animated Series in 2025 for Kevin Deters and Stevie Wermers. A third season of the show was confirmed in February 2025.

Outside of that, there have been questions around whether or not we should expect a Monsters, Inc. 3, especially now that Pixar have released Inside Out 2, which did exceptionally well financially, and later announced Toy Story 5, coming in 2026; Coco 2; and The Incredibles 3. It seems like it is only a matter of time. Back in 2016, Pete Docter said he could never say never when asked about a further Monsters, Inc. film, although did also state that the Pixar filmmakers purposely went for a prequel because they didn’t think a story about seeing Boo grown up and meeting up with Mike and Sulley again was particularly interesting[14]. It could also be argued it is too close to the plotline of the Toy Story franchise. This is, however, the story that Monsters, Inc. fans would want exploring in a third film. We’ll have to see what Pixar do, if anything, with the Monsters, Inc. franchise, but frankly, I think the Disney+ series is enough and we don’t need another film.

The Disney Parks also added experiences to its parks after the release of Monsters University, although some were only for a limited time. One of these was the “Monstrous Summer” event that came to Walt Disney World Resort in Florida and Disneyland Resort in California over the summer of 2013, as promotion for Monsters University. 

The kick-off to this summertime event was called the “Monstrous Summer All-Nighter”, where Magic Kingdom Park at Walt Disney World and both Disneyland Parks were open from 6am on 24th May 2013 until 6am on 25th May 2013. This all-nighter was announced in April 2013, with Mike Wazowski and Sulley being projected onto Spaceship Earth in Walt Disney World’s Epcot. The actual event included special showings of parades, such as the Mickey’s Soundsational Parade at Disneyland, and two runnings of the Main Street Electrical Parade at Walt Disney World. There were also meet-and-greets with characters and dance parties throughout all the parks on both coasts. It would also seem that Monsters, Inc. was being shown in Tomorrowland at Magic Kingdom during this event, though why you’d choose to watch that instead of riding all the attractions that were open, I don’t know! Other limited time experiences for “Monstrous Summer” included the Walt Disney World Monorail being wrapped in images from Monsters University, in what came to be known as the “Monsterail”, and wake-up calls being available at resort hotels, where Mike could call guests to wake them up[15]. Both Walt Disney World and Disneyland also had two different Monsters University pre-parades, featuring floats, dancers, and Mike and Sulley.

Also at Walt Disney World, specifically at Disney’s Hollywood Studios, guests could meet Mike and Sulley in Monsters University costumes during that summer in a specially-designed area. They later met guests together at Walt Disney Presents, but now, Sulley seems to be the only character from either Monsters, Inc. or Monsters University still meeting guests here during normal park hours, at Pixar Place. In Magic Kingdom’s interactive show Monsters, Inc. Laugh Floor, an update was made to the show to include the Monsters University gates as a background for the comedian monsters, although characters from the film were not added.

Perhaps the most exciting of all to come to Walt Disney World though is that at the D23 Expo in 2024, it was announced that humans would once again be invited into the monster world, but this time into Monstropolis itself because Monstropolis is being built at Disney’s Hollywood Studios, taking over the area that was formerly Muppets Courtyard, home to Muppet*Vision 3D since 1991 – and the less popular but much loved by me PizzeRizzo. Fans were very sad to say goodbye to this area, but some interesting concepts are coming to the area, such as the former Mama Melrose’s Ristorante Italiano becoming the Harryhausen’s restaurant, as seen in the first film, and the Monsters, Inc. factory is being constructed to house a ride through the famous door vault, with this set to be the first ever suspended coaster at a Disney Park. The area will not be open until around 2027 or 2028.  Muppets Courtyard closed in June 2025, but the Muppets will still be at Disney’s Hollywood Studios, as they will be part of a retheme coming to Rock ‘n’ Roller Coaster sometime in 2026[16]. This area may see some small references to Monsters University but nothing major.

At Disneyland, there doesn’t appear to be much specific to Monsters University either, however, Mike and Sulley were characters spotted at Pixar Fest in 2024, meeting guests at Pixar Pier at Disney California Adventure. They also featured as part of the Better Together: A Pixar Pals Celebration! parade, and clips from the film played during Together Forever: A Pixar Nighttime Spectacular. At the renovated Pixar Place Hotel which opened in January 2024, you can see references to both Monsters, Inc. and Monsters University in artwork here, with one specific nod to Monsters University being in the fitness centre. Here, Mike and Sulley’s scene where they run on treadmills, competing against each other in the gym, has been painted as a mural on the wall.

Looking to the international Disney Parks, Disneyland Paris used to have an area with the Monsters, Inc. scream canisters in their Worlds of Pixar area, but these seem to have disappeared as part of the major changes coming to the Walt Disney Studios Park as it transforms into Disney Adventure World for Spring 2026. Also at this park, the stage show TOGETHER: A Pixar Musical Adventure, which opened in 2023, has a performance that features Monsters, Inc. There is also an interactive walk-through exhibit at Shanghai Disneyland called Pixar Adventurous Journey, which has a section featuring the Monsters, Inc. locker room and the door vault, as well as statues of Mike, Sulley, and Boo. Sulley may also be available to meet guests at Tomorrowland on occasion, alongside other Pixar characters. There will also be a new Pixar show coming to Hong Kong Disneyland, which will apparently showcase Monsters, Inc. An opening date is not yet known. But again, these are just newer Monsters, Inc. experiences, and are not themed to Monsters University.

Finally on the Disney Cruise Line, the Eye Scream Treats ice cream location on the Disney Magic, Disney Fantasy, Disney Dream, and Disney Wonder ships has an image of Mike on its signage. The new Disney Adventure Cruise Ship, set to set sail in March 2026, is said to have two restaurants that should reference Monsters, Inc. These are Mike and Sulley’s Flavors of Asia, themed to Harryhausen’s, and Pixar Market Restaurant.

Surprisingly, merchandise for Monsters University is fairly easy to find currently, as the logo has been added to various items of clothing that is on sale at stores around the Disney Parks. Items themed around Sulley, Mike, and Boo tend to be what you’re more likely to find globally and outside of the parks though.

FINAL THOUGHTS

We seem to be living through a time of “sequel fatigue” and it is only looking like this trend is going to continue at all movie studios. Sometimes, these sequels might be a surprise hit, like Toy Story 3, whereas others might be bitterly disappointing, like Cars 2.

Pixar did well from my point of view in making the second instalment of Monsters, Inc. a prequel, because this gave a fresh take on the story. We didn’t have much detail about Mike and Sulley’s lives prior to working at Monsters, Inc. in the first film, so for me, basing the story at university, and having the characters grow into the characters they become in the original film was the best direction to take the story.

I’m not sure a sequel where we just saw Boo again for the sake of appeasing audiences was ever going to be enough, so I can only hope that Pixar don’t progress with this idea, or even a third film in general. But given how their original movies have done at the box office of late, I can sadly see mostly sequels in Pixar’s future, and I would consider Monsters, Inc. 3 high up on their list of possibilities. 


REFERENCES

[1] Credit: The Disney Classics, ‘Circle 7 Animation (Pixaren’t)’, TheDisneyClassics.com, 4th September 2021.

[2] Credit: Henry Fitzherbert, ‘Making of the Monsters University scream team’, Express.co.uk, 30th June 2013.

[3] Credit: Pixar, “Story School”, Pixar Official YouTube Channel, 27th September 2016.

[4] Credit: Pixar, “Deleted Scenes”, from Monsters University (2013), Disney+.

[5] Credit: Pixar, “Welcome to Monsters University”, Special Features YouTube Channel, 19th April 2021.

[6] Credit: Pixar, “College Days”, Pixar Official YouTube Channel, 1st October 2016.

[7] Credit: Peter Sciretta, ’10 Things You Need To Know About Pixar’s ‘Monsters University’ [D23 Expo]’, SlashFilm.com, 21st August 2011. 

[8] Credit: Pixar, “Monthropology”, from Monsters University (2013), Disney+.

[9] Credit: Julie & T.J., ‘Monsters University – An In-Depth Look at the Hidden Items, References and Details of the Film’, PixarPost.com, 28th June 2013.

[10] Credit: Pixar, “Music Appreciation”, Special Features YouTube Channel, 19th April 2021.

[11] Credit: Jim Vejvoda, ‘Pixar’s Monsters University Pushed’, IGN.com, 8th May 2012.

[12] Credit: Pamela McClintock, ‘Box Office Report: ‘Monsters U’ Zooms to $82 Million Debut; ‘World War Z’ Nabs $66 Million’, HollywoodReporter.com, 23rd June 2013.

[13] Credit: Andrew Stewart, ‘‘Monsters University’ Crosses $700 Mil at Global Box Office’, Variety.com, 29th August 2013.

[14] Credit: Marc Snetiker, ‘Toy Story 4: Pete Docter talks Pixar films, Monsters Inc 3 rumors’, EW.com, 1st November 2016.

[15] Credit: Lex Mancini, ‘The Monstrous Summer All-Nighter in 2013: 24 Hours in Magic Kingdom’, WDWMagazine.com, 24th May 2022.

[16] Credit: Blog Mickey, ‘Muppets Courtyard Blocked Off, Construction of Monsters Inc. Land to Begin Soon at Hollywood Studios’, BlogMickey.com, 8th June 2025.

#4 Monsters, Inc. (2001)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. PRODUCTION
  5. MUSIC
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

In the early 2000s, Pixar was still the baby in the world of animation, especially when compared to the fully matured Disney Animation, who had been working on full-length animated features ever since 1937, with their first movie Snow White and the Seven Dwarfs.

And yet, Pixar was considered a prodigy, barely putting a foot wrong and consistently showcasing its talent. By the time Monsters, Inc. was released in 2001, they had only released three movies before it: Toy Story (1995), A Bug’s Life (1998), and Toy Story 2 (1999). Two were original stories and one was a sequel. It was a brilliant track record to show that Pixar was one to watch, but it wasn’t yet enough to prove that the studio was going to be one of the best in the business – although, of course, we can all say that now.

Monsters, Inc. had to prove that Pixar Animation Studios was only getting to get better and better as the years went on and the movies kept coming.

But where should their new story take us, the viewers? We’d already had a look at what our childhood toys are doing when we aren’t around, and we delved deeper into the world of insects with A Bug’s Life, so Pixar chose to do something different. They took us into the monster world, using the basic idea of children fearing those monsters under their beds or in their closets as the premise to get us there.

I’m pretty sure my family and I watched Monsters, Inc. in the cinema when it first came out. I can’t remember much about what I thought about it then, but I’m sure I probably liked it; I just don’t know how I felt about it in comparison to the other Pixar films that came before it. Monsters, Inc. was one we used to watch at the weekends on DVD, that’s what I remember the most. It was a good Sunday afternoon film, to momentarily halt the worries and disappointment about having to go to school on Monday.

I clearly did not understand the emotional depth of Monsters, Inc. when I was younger, but on re-watching Monsters, Inc. as an adult, those touching moments, like Sulley and Boo’s goodbye, are tear-jerking. The humour is also different and the detail and the impressiveness of the animation is more obvious. However, I cannot say that I love Monsters, Inc. – I can only say I like it. I think Pixar has made much better movies in the years since, and ones that I relate to more. I don’t think I ever believed in monsters as a child, or if I did, I wasn’t so emotionally scarred that I can remember it! So, Monsters, Inc. is just a good film, but not the best for me, and not one I revisit particularly often.

PLOT

Monsters, Inc. begins with an opening sequence featuring the titles and monsters hidden behind closet doors. After that, we see a boy going to sleep, but he thinks he can see a monster in his closet. Suddenly, a huge monster appears from under the bed. The boy screams – as does the monster, stumbling backwards in shock, falling into the kid’s toys.

A screen goes up, showing that this was all a simulation and the boy is actually robotic. This was a training exercise for “scarers”. The monster is quizzed on what he did wrong by Ms. Flint the recruiter. He says his big mistake must’ve been that he fell down. In reality, his mistake was leaving the door to the room open. Flint asks the monster and the others watching this simulation why this is such a problem. Mr. Waternoose, the CEO of this company, comes in and says the door being open could’ve let in a child. Mr. Waternoose reiterates that human children are toxic. This puts many monsters off wanting to go into their bedrooms, but this monster world needs the children’s screams for energy, because this company is Monsters, Inc., the energy company for all Monstropolis.

One of Monsters, Inc.’s top scarers is James P. Sullivan, also known as Sulley. On this particular day, he has been woken up by his flatmate, best friend, and assistant Mike Wazowski for a pre-work workout. They take a break to see Monsters, Inc.’s new company advert on television. It features Sulley heavily, with Mike only getting a brief shot before the company logo masks him entirely – but Mike is just excited he was on TV! The advert emphasises the importances of scarers in a time when human kids are not as easy to scare.

Mike and Sulley then head off to work, walking because Sulley reminds Mike there is a scream shortage so perhaps they shouldn’t take Mike’s new car. At the factory, we see that Sulley is very popular, that he has won Scarer of the Month nine months in a row, and he is currently in competition with another scarer, Randall, for the all-time scare record. Mike is currently dating the company receptionist Celia. He is taking her to the exclusive restaurant Harryhausen’s for her birthday tonight, and he’s very pleased with himself! In the locker room, as Mike and Sulley get ready for a hard day’s work, they are confronted by Randall who says he’s going to break the scare record before Sulley.

Mike is sent to prepare the office for Sulley’s scaring duties. But this office is actually the huge “scare floor”, where monsters scare side-by-side. Mike has a run-in with Roz, one of the secretaries here, for not getting his paperwork filed on time and he is warned not to do it again. He then preps the floor with the other scarers’ assistants, getting doors in place from the huge door vault, loading up scream canisters, grabbing scare reports, and activating the doors. Now, the scarers can arrive and prepare themselves. Randall practises blending into different backgrounds, for example; others have fake eyes and teeth. The scare floor manager announces which time zone they’ll be working on and counts down to the scare floor being online. Once online, the scarers start on their day.

Randall and Sulley both get through plenty of doors. Randall finally manages to pass Sulley on the scare record leaderboard – only for Sulley to luckily encounter a slumber party, meaning he gets extra screams for multiple kids and takes first place again! Mr. Waternoose comes over to congratulate Sulley on another great day’s work. We also see one scarer come out of his door looking distraught. The kid he was meant to scare was not scared at all. The assistant declares this door is a “dead door” and it is shredded so no other monster will encounter this child again. Another monster, George, comes out of his room with a sock on his back. His assistant declares a “23-19” which brings officials from the Child Detection Agency, the CDA, into the factory. They deal with the offending article, destroying it via a controlled explosive, and promptly shave George to ensure there are no toxins still on him. The scare floor is shut down temporarily, much to Mr. Waternoose’s annoyance.

Mr. Waternoose talks with Sulley about the future of the factory, fearing that he will be the one to see his family business go under, with new scaring recruits not being up to the job. Sulley is asked to do a demonstration for some of them sometime and he gladly says he will. At the end of the day, Mike happily goes to get Celia so they can head off for their date, but Roz comes up to him asking for paperwork. Sulley says he can do the paperwork for Mike. Sulley starts to collect the paperwork from their desk, and sees a door on the scare floor after hours. Sulley sees it is still active and checks inside for a scarer. There is no answer, but he is alerted by a strange noise, and sees a little girl playing with his tail. Sulley freaks out and tries to return the kid to her room. He falls over items in her room and quickly leaves, covered in her stuff. Sulley then hears someone coming to the door – it’s Randall – and he rushes out, to the locker room, to try and flush this stuff away. Instead, it just blocks the toilet so he bundles it all up and tosses it in someone’s open locker. Believing he is safe again, Sulley starts to head home. However, he soon learns that the girl is on his back. Sulley freaks out again and manages to trap her in a bag. He attempts to go back to her door but a confused-looking Randall ejects it, as the kid is no longer in there.

Uncertain what to do now, Sulley goes to Harryhausen’s and bothers Mike on his date. He tries to calmly ask what to do without giving anything away, but the strange behaviour soon makes Celia suspicious. Sulley tells Mike to look in the bag he brought in, but Mike doesn’t see any bag. Sulley notices the child has escaped from the bag and she runs around the restaurant. She is soon spotted and it causes a major incident in Monstropolis with the CDA being called once again. Sulley and Mike get the kid in a takeaway box and leave the restaurant just in time. They are not caught by any agents, although Celia is taken away. The restaurant is then covered with a decontamination force field. Mike and Sulley run back to their apartment.

Inside, they hear helicopters circling the city as the CDA search for the child. Mike and Sulley are terrified they are now sharing their apartment with what they’ve been led to believe is a toxic human kid. They try to keep her away from them, but it doesn’t work. She is suddenly interested in Mike’s teddy bear, Little Mikey, and Sulley attempts to give it to her, but Mike snatches it away, not wanting her to touch it. The girl starts to cry loudly, which makes the power fade in and out, alerting the helicopters to them. Mike desperately tries to shut the blind, and tells Sulley to calm her. He attempts this, but scares her when he recoils, making her cry again. Mike comes over to help, but slips and gets stuck in a bin with a speaker falling on him. This makes the girl laugh. Her laughter causes a power outage!

Mike starts to concoct a plan for how they can escape and return the kid, but nothing sounds right. Sulley tosses sugary cereal at the kid and lets her draw, while they think of something. She starts to look tired, so Mike tells Sulley to find somewhere for her to sleep. Sulley leads her to his room, setting up an area in the corner with newspaper and more cereal, but she immediately gets into the huge bed and snuggles in. Sulley can’t be bothered to argue with her and goes to leave. Sulley realises she’s worried about monsters being in her closet – which isn’t going to happen in Monstropolis – so he tries to show her it is empty. She doesn’t seem convinced though, and shows Sulley a drawing of a purple lizard. Sulley realises that drawing is of Randall, so he is her monster. Sulley decides to sit with her until she goes to sleep. Once she does, he goes back to Mike and asks what they should do. Mike says they can hardly just walk into the factory with her. That gives Sulley an idea.

The next day, disguised in some chair fabric with fake eyes on top of her head, Mike and Sulley bring the little girl to Monsters, Inc. and try to act natural, though that’s quite difficult when the factory is swarming with CDA agents searching for the kid, making their plan to just put her back in her door more difficult. They regroup in the locker room, and Mike says he’ll ask Roz for the kid’s door key, whilst Sulley waits there. He notices that the kid needs to use the bathroom so he takes her there, but she then wants to play hide and seek! Sulley plays along. Meanwhile, because Mike hasn’t filed his paperwork, Roz won’t give him the keycard, and slams her office shutter on his hands. He returns to the locker room and asks where the kid is. Sulley says he doesn’t know, but she then runs in, scared because she saw Randall. The three of them hide, as they overhear Randall and assistant Fungus talk about the kid. Randall needs to find her, so that he is not discovered as being involved.

After they’ve gone, Sulley asks Mike if he has her door key, and Mike lies, saying he has, taking a random one on their way to the scare floor. Mike tries to say goodbye and send her on her way, but Sulley says that’s not Boo’s door. This is where Mike learns Sulley has named the kid Boo, fearing this means he is growing too attached. Sulley refuses to put Boo in that door, but once they’re done arguing, the two see she has run off again. Mike says this is great because someone else can deal with her now, but Sulley goes to search for her. As they do that, Randall asks the two about what they think of this whole situation. Mike passes suspicion on to another co-worker, getting Randall away from them. But then Mike is confronted by Celia. Mike tries to quickly apologise, but Celia is furious and annoyed he doesn’t understand her fury isn’t about his choice of sushi restaurant. Randall overhears this, and looking at the newspaper front page, he sees Mike in the picture, proving Mike was involved. Mike starts to run, but Randall finds him. He tells Mike the kid’s door will be at his station at 12pm for thirty minutes. He has until then to return her.  

Meanwhile, Sulley is chasing after Boo and sees her fall into the trash. He becomes distracted by two CDA agents who want his autograph. On turning back, he sees the trash has been delivered to the trash compactor. He follows it down, and sees the trash being sorted, cut up, and pressed into cubes. Sulley continuously faints as he watches the process, believing Boo is in that trash. He sees a trash cube with one of her fake eyes on it and sadly carries it away. Mike catches up to him, after seeing monster George get covered in the kids’ belongings from his locker and having “23-19” declared on him again, and asks what’s he doing with a cube of garbage. Sulley says it’s Boo and he can still hear her. They hear numerous kids’ voices, and find Boo with a group of others and a childminder. Sulley rushes up to Boo. One of these monsters calls Mike’s name, because Boo has been shouting it out, and bites Mike’s hand, causing Boo to laugh and for the lights to go out.

Mike and Sulley use the darkness to run off and get to Boo’s door on the scare floor. But when Mike mentions Randall set this up, this makes Sulley suspicious and Boo scared. Mike enters the room and jumps on her bed to prove it’s safe, but he is taken away by Randall who places him in a fake scream canister cart. Boo and Sulley follow them to a secret lair, where they see Randall and Fungus threatening Mike with their newly invented “scream extractor”, their way of revolutionising the scream industry. Mike is told to talk but he won’t say anything so the machine is turned on. Sulley manages to unplug it before it gets to Mike, so Randall goes to investigate why it isn’t working. Mike tries to reason with Fungus and get him released, but it doesn’t work. Sulley comes in and switches the two, so when Randall plugs the machine back in, Fungus has become the victim of the extractor.

Sulley decides they have to tell Mr. Waternoose what has been going on. When they find him, Sulley is thrown straight in to doing a scaring demonstration. He gives a big roar in the simulator, unaware that Boo is nearby and is terrified to see “Kitty” like this. She runs off in tears, tripping over a wire, which makes her costume fall down over her head, revealing she is the human child. Mike and Sulley explain what’s been going on. Mr. Waternoose says they’ll need to resolve all this, starting with taking care of the child. A door is called, but it is clearly not Boo’s door. Mr. Waternoose says this door is actually for them, and Randall pushes them into it. They arrive in snowy terrain, realising they’ve been banished to the human world, the Himalayas to be precise. The two fight and tumble down the mountain, coming face-to-face with another banished monster, the Abominable Snowman. The Abominable Snowman takes them to his cave and tries to feed them his famous snow cones but they are too busy arguing. The Abominable Snowman says there is a human village nearby, but that they can’t possibly get there in this snow storm. Sulley fashions a makeshift sled and goes on alone, since Mike refuses to help him. Eventually, his sled hits a rock, breaking apart. But Sulley is right by the human village. He takes a door back to the monster world, arriving back on the scare floor. Monster George is about to hear “23-19” from his assistant again as he finds another sock on him from Sulley bursting out the room, but George simply shoves the sock in the assistant’s mouth and tosses him in instead!

Sulley arrives at Randall’s secret lair just in time as Boo has been strapped to the scream extractor. Sulley breaks it and tosses the arm against the wall, trapping Fungus and Mr. Waternoose, but not Randall who jumps out of the way. He goes invisible and starts to strangle Sulley. Mike suddenly arrives with snow cones and continues his argument with Sulley. Boo tries to get Mike to notice that Sulley is in trouble, but he just thinks Sulley is close to tears. Luckily, a poorly aimed snow cone throw reveals Randall, and Sulley punches him. They run back to the scare floor, but Celia once again confronts Mike. He tells her everything but she doesn’t believe him until she sees Boo. Celia realises she’ll have to help and makes an announcement that Randall has broken the all-time scare record so he is slowed down by monsters congratulating him. The three get to the scare floor and try to call Boo’s door, but the system is too slow. They hit eject, making all the doors leave the floor and jump on one, entering the expansive door vault. Randall follows. They attempt to follow Boo’s door, but it ends up on a different track, so they start going through various doors in the factory to get closer to it, making Boo laugh to activate them. A chase ensues.

They make their way through the doors in the vault, but Randall eventually manages to take Boo from them, and removes their door from the track, letting it smash on the ground, just as Mike and Sulley get through it. They get through another door and get back to the vault, continuing to chase Randall down. Randall sees Sulley getting closer and goes inside a door with Boo. Randall knocks him down. With Sulley clinging to the edge of the door, Randall attempts to crush his hands so he’ll let go. Suddenly, Boo jumps on Randall and starts hitting him with a baseball bat, showing she isn’t scared of him anymore. Sulley gets to his feet and grabs Randall. Him and Mike then find a suitable door and throw him through it, smashing the door so he cannot return. We see that Randall has ended up in a caravan in the middle of nowhere, where the occupants beat him up with a shovel, thinking he’s a gator!

The three then find Boo’s door. Mike is told to make Boo laugh again to activate it, but when he does do something funny – and painful – she isn’t looking. The door then starts moving back to the scare floor. They hide behind it, knowing they’ll be arrested if they’re spotted. Mike pretends to have the kid, but instead spits out a sock at the agents, distracting them. Sulley grabs Boo’s door and installs it in another part of the factory. Mr. Waternoose notices the distraction and follows them, entering her room as Sulley tries to say goodbye. Sulley confronts him, saying they don’t need to be kidnapping children to keep the company going. Mr. Waternoose announces he’ll kidnap a thousand children before he lets the company die and hits Sulley, grabbing at the kid. He then realises the kid is not Boo and is the robot from the simulator. The screen comes up, showing Mike behind it, with the recording of Mr. Waternoose’s confession being played to the CDA.

Mr. Waternoose is promptly arrested and warns that the company is going under and that there will definitely be an energy crisis now. Roz is revealed to be working undercover with the CDA as their No. 1, for the last two and half years, now seeing that Mr. Waternoose was behind it all. Roz says Boo has to be sent home now, with the door shredded so she can never return. She allows Sulley and Boo to have a goodbye. In her room again, Boo excitedly shows Sulley all her toys, but Sulley lets her know he has to go now. Sadly, he leaves Boo in her room. When she opens the closet to find him, she realises it’s just a closet.

Sometime later, Monsters, Inc. is now an energy company that makes kids laugh for its power with Mike one of the top comedians and Sulley running the company. We learn that laughter is ten times more powerful than screams. Celia says a shipment of the magazine Business Shriek has just arrived with Mike and Sulley on the cover. Mike takes a look and they see the barcode is covering Mike’s face, but like with the TV advert, Mike doesn’t care. Sulley looks at his clipboard and flips to the back, showing he still has Boo’s picture of the two of them and a piece of her door. Mike says he needs to show Sulley something and takes him to a room, where we see Boo’s door has been put back together, by Mike, with his own hands. It needs the last piece to work. Sulley slides in the last piece, and the door activates. Sulley goes in, and smiles widely as he hears “Kitty” called once again.

CHARACTERS & CAST

James P. Sullivan, mostly known as Sulley, is the top scarer at Monsters, Inc. meaning he can be ferocious and menacing. With his large frame, big teeth, and loud roar, that’s not hard to believe, however, Sulley is actually just cuddly behind all that. Sulley has been told, like all monsters, that human children are toxic, making the monsters fear the children as much as the children fear them, but when he meets Boo, he learns that is not the case, and feels very protective of her, wanting to send her home, but not at any cost. He can see how scared she is of Randall and doesn’t want her to have to encounter him again. Sulley leads the new energy revolution because of his and Mike’s experience with Boo, making Monstropolis and the human world a happier place.

Sulley was voiced by John Goodman, who had previously voiced Pacha in the underrated Disney animated movie The Emperor’s New Groove (2000) just before working with Pixar here. He went on to voice “Big Daddy” La Bouff in The Princess and the Frog (2009) and Baloo in The Jungle Book 2 (2003) for Disney too. Goodman is also known for his role as Dan Conner in the television series Roseanne (1988-97, 2018) and then The Conners (2018-25), and more recently, his role as Dr. Eli Gemstone in The Righteous Gemstones (2019-25). Goodman has also had a variety of movie roles, such as his part in The Borrowers (1997), where he played Ocious P. Potter; playing Fred Flintstone in The Flintstones (1994); and his character Marshall in The Hangover Part III (2013). His more serious film credits include Argo (2012), where he played John Chambers; 10 Cloverfield Lane (2016), being cast as Howard; Patriots Day (2016), portraying Boston Police Commissioner Ed Davis; and Kong: Skull Island (2017) as William Randa. Goodman also recently voiced Papa Smurf in the 2025 film Smurfs. He became a Disney Legend in 2013.

Mike Wazowski is Sulley’s assistant, so you’d think it might feel like he’s playing second fiddle to the main attraction, but that is not how Mike comes across. Mike is more confident than Sulley and more outspoken in the workplace too. He clearly sees himself as the brains behind their operation, and although that might not always be the case, Sulley is quite happy to let him think it! Their friendship is long-lasting, and even though they don’t agree over the Boo situation initially, with Mike more willing to let someone else deal with her, in the end, Mike sees that Randall and Mr. Waternoose’s plan for Monsters, Inc. is not right and that they need to expose their true intentions, also warming to Boo on that journey.

Billy Crystal was cast as Mike Wazowski, after previously turning Pixar down over their choice to have him voice Buzz Lightyear in Toy Story (1995). Big mistake, Billy. Huge. Crystal has had a varied career, beginning in comedy, with his role as Jodie Dallas in the sitcom Soap (1977-81) and becoming a cast member on Saturday Night Live (1975-present) for its 1984-85 season, which has since become known as the “All-Star Cast” season, with other big names like Martin Short, Julia Louis-Dreyfus, and Christopher Guest joining that season too. Crystal is also well-known for playing Harry Burns in the much-loved rom-com When Harry Met Sally (1989), opposite Meg Ryan. He is also a director, with his directorial debut being Mr. Saturday Night (1992), where he also starred as Buddy Young Jr. He later directed, and co-wrote with Alan Zweibel, the movie Here Today (2021), starring as Charlie Burnz. Crystal has also hosted the Grammys and the Academy Awards numerous times since the 1980s and became a Disney Legend in 2013. He also earnt the Lifetime Achievement Award at the Critics’ Choice Awards in their 2022 ceremony. 

Boo is the little girl who wanders in from her closet into the monster world one night. Boo is having a great time in Monstropolis, not realising just how much danger she may be in, or how much danger she may be causing the other monsters; she’s just having fun running around and exploring! Boo isn’t scared of Sulley, thinking he’s just a big fluffy kitty, especially as he doesn’t roar at her. It’s only when she accidentally sees him at the scare demonstration that she actually sees what he’s capable of as a scarer, making Sulley feel incredibly guilty and horrible about how he has been making kids feel as these years he’s been working as a scarer. This makes Boo a catalyst for change in Monsters, Inc., for the good – and she made a new friend she’ll always remember on the way too.

Boo was voiced by Mary Gibbs, the daughter of Pixar director and story artist Rob Gibbs. She had previously voiced Baby Kiara in The Lion King II: Simba’s Pride (1998) for Disney, and her voice was later used for Baby Riley in Inside Out (2015), through archive recordings. Gibbs’ voice has been used in various Monsters, Inc. games and attractions too. 

Randall Boggs is the main villain of Monsters, Inc. He appears to be seriously competitive and desperate to gain the all-time scare record, to beat Sulley mostly. Randall has clearly been jealous of Sulley’s success at Monsters, Inc. for years, so there is friction between the two of them, but mostly on Randall’s side because Sulley doesn’t care about fame. Randall is Boo’s monster, leading her to be part of a grand elaborate plan by Randall to revolutionise scaring to keep Monsters, Inc. afloat. It may have been considered noble to be coming up with ways of making scaring easier and quicker, if the plan to kidnap children, including adorable little Boo, wasn’t so evil and repugnant. Randall doesn’t care about what he’s doing to these children and just wants to be seen as important and valuable. It’s a good thing Randall was banished by Mike and Sulley because he’s a horrible monster.

Randall is a particularly nasty villain from Pixar, and he has absolutely nothing to make him a redeemable character whatsoever. So, it’s quite strange that Pixar chose to hire one of the nicest actors in Hollywood, Steve Buscemi, to voice him. Buscemi has quite an acting range, playing both serious, villainous roles, and just hilarious, comedic roles. His more dramatic roles include “Mr Pink” in Reservoir Dogs (1992), Carl Showalter in Fargo (1996), and Nucky Thompson in Boardwalk Empire (2010-14). In comedy, he has popped up in many of Adam Sandler’s films, such as playing Walter Lambert in Hubie Halloween (2020); Wiley in Grown Ups (2010) and its 2013 sequel; and voicing Wayne in the Hotel Transylvania film series; and was a main cast member in the anthology television series Miracle Workers (2019-23). He was recently cast as Barry Dort in Season 2 of Netflix’s The Addams Family spin-off series Wednesday (2022-present). For Disney, Buscemi also voiced the cameo role of Wesley, a black-market businessman in Home on the Range (2004).

Fungus is Randall’s scare assistant. He isn’t the most competent of assistants, but that’s mostly because he’s scared of Randall and doesn’t want to be on the receiving end of any of Randall’s criticism or anger. Fungus seems to be an unwilling participant in Randall’s scheme to “extract” screams from human children but goes along with it because he has to. Fungus is later seen to still be a worker at Monsters, Inc., as one of the new comedians.

Frank Oz was cast as Fungus. Oz is well-known for being a puppeteer in various Jim Henson productions, with some of his most famous characters being Fozzie, Miss Piggy, and Sam Eagle in The Muppets, and Bert and Cookie Monster in Sesame Street (1969-present), in the earlier years of the series. He also voiced and puppeteered Yoda in some of the Star Wars franchise, including his first appearance in Star Wars: The Empire Strikes Back (1980). Oz is also a director, having co-directed The Dark Crystal (1982) with Jim Henson, going on to direct Housesitter (1992), Dirty Rotten Scoundrels (1988) and Little Shop of Horrors (1986). He was recently named a Disney Legend, in 2024.

Henry J. Waternoose is the third generation of the Waternoose family to be running Monsters, Inc. Under his leadership, he is dealing with an energy crisis due to the fact that human children are not scared easily enough, causing the scarers to have to work harder, and for the pool of children being scared to be smaller. Mr. Waternoose is eager to keep the company afloat, and with the new scarer recruits not up to task, he is looking elsewhere for ways of doing that. So, he has turned to Randall and the “scream extractor”. Mr. Waternoose is shown to be a more sympathetic villain, because of his need to keep the company in his family, but shows a lack of common sense and a lack of a moral compass in finding ways to do this. He doesn’t seem to like Randall’s methods initially, but went Sulley threatens to make this plan public knowledge, Mr. Waternoose has no problem with kidnapping Boo if that means he could get away with it. But he doesn’t and that’s why he’s arrested.

James Coburn was the voice of Henry J. Waternoose. Earlier in his career, he was cast as Flying Officer Sedgwick in The Great Escape (1963), going on to star as Derek Flint in the spy comedy Our Man Flint (1966) and its 1967 sequel Like Flint. He also won an Oscar for Best Supporting Actor for his performance in Affliction (1997), playing the part of Glen Whitehouse. Coburn had other roles in comedy films, like Harlan Hartley in The Nutty Professor (1996) and Mr. Crisp in Sister Act 2: Back in the Habit (1993). Coburn passed away in 2002, with his final film roles being Martin Tillman in American Gun (2002) and “Thunder Jack” in Disney’s Snow Dogs (2002).

Celia is the Monsters, Inc. receptionist. She is efficient at her job, but does appear to be a little bit ditzy, for example, giving weird nicknames to people like Sulley being “Sulley-Wulley” and seemingly being more bothered by her romance with Mike than anything else. But that’s fine, if that makes her happy! Celia does know that Mike is lying about something though, and is very forceful in demanding he tells her what it is. Mike manages to get away from her confrontation the first time, but on the second try, he opens up to her. Celia first thinks it’s a joke but on seeing Boo, she realises it was all true and she should help them get away from Randall as best she can. By the end of the film, Celia has forgiven Mike and their relationship is back on track.

Jennifer Tilly was chosen to voice Celia. Tilly has appeared in many film and television roles, and is known for her distinctive voice. For Disney, Tilly played the role of Madame Leota in The Haunted Mansion (2003) and voiced Grace in their animated movie Home on the Range (2004). Tilly is also the voice of the recurring character Bonnie Swanson in Family Guy (1999-present), and she plays the character Tiffany Valentine in the Child’s Play, i.e. Chucky, franchise, including in the recent Syfy series Chucky (2021-24). For the third season of the Paramount+ series School Spirits (2023-present), Tilly will play Dr. Deborah Hunter-Price. Tilly is also a competitive poker player.

I’d say the characters above are the main characters in the story of Monsters, Inc., however, there are a few others in the cast to mention. One of these is John Ratzenberger who voiced the banished Abominable Snowman. Ratzenberger is known for his long-running role as Cliff Clavin in the sitcom Cheers (1982-93), but has also come to be known for his many voice roles in Pixar movies. His time with Pixar began by voicing Hamm in Toy Story (1995), reprising that role for the franchise. He then voiced a character in every Pixar movie up until Onward (2020), before returning to Pixar to reprise his character of Fritz in Inside Out 2 (2024). Ratzenberger has had a mixture of cameo voice roles in Pixar’s films, as well as more prominent roles such as Mack in the Cars franchise and The Underminer in The Incredibles franchise. Regardless, it’s always fun to find Ratzenberger in the voice cast. 

Then, there is Bob Peterson, who has been a Pixar employee ever since its first movie. He worked within the animation department, before continuing his work with Pixar in a story and voice acting capacity. For example, Peterson co-wrote the screenplays for Finding Nemo (2003) and Cars 3 (2017), but has also voiced other Pixar characters, including Dug in Up (2009), and Mr. Ray in Finding Nemo. Peterson also wrote, created, directed, and reprised his role of Dug, in the animated series Dug Days (2021-23).

Finally, Bonnie Hunt is just a good name to mention, for her history of voice acting for both Pixar and Disney. In Monsters, Inc. she voiced recruiter Ms. Flint, who appears in the opening sequence. Hunt had previously voiced Rosie the spider in A Bug’s Life, and went on to voice Sally in the Cars franchise, and voiced the character Dolly in the Toy Story franchise from 2010 with her first appearance being in Toy Story 3 (2010). Hunt also voiced Judy’s mother in Disney’s Zootopia (2016) and its 2025 sequel. Hunt has had numerous live-action roles too, like Sarah Whittle in Jumanji (1995), alongside Robin Williams, and Kate Baker in Cheaper by the Dozen (2003) and its 2005 sequel, starring with Steve Martin.

PRODUCTION

Monsters, Inc. was a turning point for Pixar Animation Studios for a couple of reasons. One was that this was the first Pixar movie to be released after the Pixar team had moved to their new premises in Emeryville, California in 2000. This campus gave Pixar employees a sense of community and fun with additional areas for leisure activities, an on-site restaurant and café, and a theatre used for screening in-progress movies.  

The other reason Monsters, Inc. was a turning point is because it was the first Pixar movie not directed by John Lasseter. Pete Docter was instead chosen to head up the direction of Monsters, Inc., which was slightly concerning to Docter, as he had doubts about his abilities, but it was a necessary move because around this time Pixar were dedicated to making a new movie every year or so, to give others an opportunity to direct their own films[1]. It was a long process getting Monsters, Inc. made with lots of story changes and notes, and Docter said it was hard to not take the criticism personally and to just keep going, even when everything felt like it was falling apart. Pete Docter had previously worked mostly in story work for Toy Story, A Bug’s Life, and Toy Story 2 before directing Monsters, Inc. Since Monsters, Inc. he has worked on the story for WALL-E (2008), and directed the films Up, Inside Out, and Soul (2020). He is now the Chief Creative Officer at Pixar, since 2018.

Monsters, Inc. also has two co-directors, Lee Unkrich and David Silverman. Unkrich was credited as co-director on Toy Story 2 and Finding Nemo as well, before stepping up to direct his first film for Pixar, Toy Story 3 and followed that up with Coco in 2017. Unkrich is set to direct Coco 2, though a release date is not yet confirmed. Silverman is most known for his work on the hugely successful animated series The Simpsons (1989-present), going on to direct The Simpsons Movie (2007), as well as some of the more recent short specials for Disney+, such as Rogue Not Quite One (2023) and May the 12th Be with You (2024). Silverman also directed the animated movie Extinct (2021), and worked on some story sequences for DreamWorks’ The Road to El Dorado (2000).

As with many animated movies, Monsters, Inc. went through a variety of story changes during its development. The original treatment was said to follow a monster called Johnson, who dreamt of being a top scarer, but he was struggling. He was given one week by his boss to prove himself, and tasked with scaring a seven-year-old girl called Mary. Mary was constantly tormented by her older brothers, so when she heard someone in her room, believing it was one of her brothers disguised as a monster to scare her, she put a blanket over his head and started hitting him. Johnson was actually the monster scaring Mary and he made a quick getaway back to the monster world. He later discovered that Mary was still on his back as he did this, and tried to return her to her room, but found the door knob was broken and the door would need to be fixed first. Johnson took Mary home with him and tried to figure out what to do. The next day, Johnson went to work, telling Mary to stay in the apartment, but she didn’t and made a disguise so she could sneak out of the apartment and find her way home. At work, Johnson was told her door will need two days to be fixed.

Johnson then got a call from his landlady, telling him someone was in his apartment, and immediately rushed home, bumping into Mary on the way. He took her to his work and told her she can’t get home yet. Johnson said he still needs to work though, and Mary insisted she watched. When Mary saw Johnson struggling to scare children, she took over from him and did well, feeling a sense of power from it. Mary continued to scare, with Johnson getting the credit from his boss. Top scarer Ned started to feel threatened and looked for a way to put Johnson in his place. Johnson then learnt that Mary’s door had been fixed, but needing Mary to help him get the Monster of the Month award, he didn’t tell her and she continued scaring children. Over the next few days, their routine continued, but when Mary saw a little girl, she decided she just wanted to get home. Mary sat alone as Johnson celebrated winning his Monster of the Month award, and her disguise came down for just a few moments, but enough time for Ned to see that Mary was human.

Back at the apartment, Mary learnt that Johnson was keeping the fact her door was fixed from her and ran away. Johnson attempted to follow her, and his race to find her was sped up when the police department and the newsroom started reporting on a story that a human girl was running around the monster world. Johnson eventually found her. They broke into the factory’s door vault, but they were chased by Ned. When they did eventually find her door and activate it, Johnson was arrested and the door was ejected. But the door remained open with Mary inside. She made the door fall from its track, so the open door could catch Johnson, but it smashed, leaving Johnson in the human world with Mary. But he started a whole new life there, helping Mary to scare her brothers[2]

As you can see, some of this original treatment made it into the final story, but other elements did not. The main concept remained the same though; that monsters scare human children via their closet or bedroom doors, something that children have sometimes fear for years. Coincidentally, John Lasseter had a won a student award for his short film Nitemare (1980), which was also about a child discovering monsters exist. It is said to have helped inspire the overall concept of Monsters, Inc[3].

The character of Sulley, who was previously named Johnson, was not going to be a scarer in other story ideas, because it was felt that audiences could not find a monster who scares children as a likeable hero for the film, so he was supposed to be on the sidelines of Monsters, Inc., working a menial job like a janitor or assistant. This was shown in two deleted scenes, where Sulley was an assistant to the top scarer, who was an early version of Randall, and another where he worked down in the scream refinery, emptying the scream canisters. In both cases, it is clear Sulley doesn’t like his job and dreams of being a scarer. It was then decided that perhaps he could be the best scarer, like a star quarterback, and that there would be ways of making him a lovable big guy. 

Mike was not in the original storyline, with the original concept focusing just on the monster and the kid, but it was felt that Sulley should have a sidekick of sorts, a best friend character, so Mike was written in. He seems to have always been an assistant to a scarer, but not initially Sulley; Mike seemed to be the assistant to the eventual Randall character. Randall was another character who went through some changes, being a top scarer put out by the Sulley character’s rise to success, and also being a kiss-up to Mr. Waternoose, seeing himself as next in line to run the company. As per the original treatment, it was also clear that Mary, the child, was going to be older, but she was deemed to be kind of unappealing due to her bossy nature and her insistence on running off all the time, so they made the character younger, to give Sulley a need to look after her in the monster world[4].

The filmmakers also had to come up with a reason why monsters would be scaring children, and why this factory of working monsters would exist. So, they came up with the idea that children’s screams would be needed as an energy source to power this whole monster city. They covered the issue of time zones too, by having the scarers take on different shifts which would oversee a specific time zone, so children all over the world are being scared by these monsters. The door vault was created to house all the doors, because there would be millions of them in the world. The logistics and the mechanics of a working day at Monsters, Inc. are made clear to the audience with the scare floor sequence, where we see Mike and Sulley, Randall and other scarers and their assistants go about a typical day. The door vault is another scene that shows how Monsters, Inc. catalogues and stores these doors. These scenes and concepts didn’t change much by the final film.

There were numerous other contributors to the story on Monsters, Inc. with one credited name being Jill Culton, who had worked as a story artist on Pixar’s previous three films, and went on to co-direct Sony Pictures Animation’s Open Season (2006) with Roger Allers, a co-director of Disney’s The Lion King (1994). She also directed the animated film Abominable (2019). Jeff Pidgeon was another name, and he has worked as a story artist on various Pixar movies, including all four Toy Story movies, WALL-E, Up, and Turning Red (2022). Ralph Eggleston worked on both Pixar and Disney films in various departments including animation and production designer, with some of his credits being Aladdin (1992), Pocahontas (1995), Finding Nemo, Ratatouille (2007), and Inside Out. He passed away in August 2022, with Elemental (2023) being dedicated to his memory. The screenplay is credited to Andrew Stanton and Dan Gerson. Stanton has been at Pixar since its first feature, and was a co-director on A Bug’s Life prior to directing Finding Nemo, its sequel Finding Dory (2016), and WALL-E, and continues to be part of the Pixar Senior Creative Team. Stanton is also writing and directing Toy Story 5 (2026). Gerson co-wrote the screenplay for Disney’s Big Hero 6 (2014), and worked on the story forChicken Little (2005) and Meet the Robinsons (2007).

With the story set, now came time to animate. But with this story being focused around monsters, there were so many directions for character design to go. Initially, Sulley was meant to have a brown furry torso and tentacles for legs, and Mike, still a green ball with one eye, was only going to have legs and no arms. An animation test was made of these two characters having a conversation to see how they’d look on screen and how expressive they might be. It was felt that Sulley’s tentacles drew too much attention from his face, and that Mike would look better and move better with arms. Sulley was then made to be a fully furry monster, although fur was always going to be difficult to animate. Many tests on specific software were run to see how the fur was going to move as Sulley’s body moved. There was even a virtual obstacle course created for the animated character to run through so any issues could be dealt with! It was very impressive that they managed to get this fur to work, and when we see Sulley in the snow, after being banished to the Himalayas, it is even more impressive to see snowflakes in his fur. The snow itself was already going to be difficult, with over one million animated snowflakes, but to be able to put it in his fur was something the animators didn’t think they’d achieve. Sulley ended up having over two million hairs! Boo’s t-shirt was another animation challenge, as they had to ensure the cotton fabric would move realistically on screen, because fabric moves in different ways[5]. There are also monsters with very different skin textures, like some are slug-like, like Roz, and others are scaly, like Randall, or there are ones with multiple limbs and tentacles, showing not one is the same.

The creation of the setting of Monsters, Inc. was exciting to the animators, because they got to create a whole new world here, that didn’t need to be based in reality. It was decided though that this city of Monstropolis was going to be like a human city, but made for monsters. You can see doors with different heights, and chairs with holes in to make way for monster tails, for example, and the grocery store or “grossery” store has odd-looking fruits and vegetables with names like “bilge berries”. Monsters, Inc. was made to look like a regular factory, with different areas for different workers. It was decided that Monstropolis should feel relatable to us, so it is basically a human city, with some minor changes[6].

Recording the voices was slightly different to usual. The biggest challenge was trying to record lines with a two/three-year-old, which was Mary Gibbs’ age when she voiced Boo. Gibbs got the role as she was the daughter of Pixar story artist Rob Gibbs and they needed to sketch a little girl drawing, so Mary was brought in. Gibbs always had her hair in pigtails so that is why Boo has pigtails in the movie. She was later chosen to be the scratch voice for Boo, before being chosen as the final voice actor. Mostly, they chased Gibbs around with a microphone as she played around the studio, and when they needed to get her to say something specific, Docter and her parents used puppets and other methods like jiggling her around to get the right noises from her. The screams and cries were apparently real[7]!

John Goodman and Billy Crystal actually recorded some lines together, which had not happened before, like with Tim Allen and Tom Hanks recording lines for Buzz and Woody in Toy Story. This was due to scheduling conflicts, but for Monsters, Inc., they had three sessions with Goodman and Crystal, to allow the two to bounce off each other and to do some improvised scenes. One of these was the locker room scene with the “odorants”.

Late on in the animation process for Monsters, Inc., there were additional problems that were encountered. One was that the ending, of Sulley not having an on-screen reunion with Boo, which was not liked by some at the audience screening, around two-thirds of the audience. Docter knew that if they animated the reunion, then it would never be as good as what the audience were imagining, so he had to fight to keep the ending as it was, even if it was quite open-ended and didn’t allow us to see Boo again[8]. Another was that the opening of the film was simply going to start with the kid sleeping and the monster coming to scare him, but it was later felt that this didn’t see the correct tone for Monsters, Inc., potentially making viewers think it was going to be scary. To counteract this, an opening sequence was created to get the tone of the movie right. It involves multiple doors opening, to reveal either monsters, non-scary ones, or parts of the title credits, set against a jazzy, upbeat piece of music. It was also all 2D to create a good contrast between Pixar’s usual 3D animation[9].

A more serious issue was around how a section of the movie might be interpreted due to the tragedy that was the events of 9/11 in 2001. The incident happened as the filmmakers were getting ready to do sound mixing on Monsters, Inc. so it was very late into the movie-making process. Alongside struggling with motivation to focus on this film due to their feeling that what they were doing was so trivial, they knew they had only about 60 days to get Monsters, Inc. fully finished, despite their fears over the obvious shift in global politics. There was one moment in the movie that was changed due to 9/11 and that was the part where the sushi restaurant is being decontaminated by the CDA. The restaurant was meant to be blown up, I guess to resemble the CDA’s controlled explosion of a child’s sock earlier in the film, but the Pixar team said that was no longer funny, and they changed it so the restaurant is decontaminated under some sort of force field. Everyone wondered whether anyone would even go to the cinema after 9/11, but in actuality, families were glad to have something joyful to do. It was also felt that Monsters, Inc. may have gone some way in helping the kids cope with their fears, as that is a key message in Monsters, Inc[10].

Disney Legend Joe Grant, who contributed to many stories for Disney Animation, including Dumbo (1941) and Alice in Wonderland (1951), is credited with coming up with the title for this film, a play on the film title Murder, Inc. (1960). It was apparently originally just meant to be named Monsters. Grant was incredibly supportive, even in his later years, with Disney and Pixar animators. Pete Docter said he enjoyed talking over story concepts with him and taking advice from Grant over the years. Grant died in 2005[11].

As with all Pixar movies, Monsters, Inc. contains a number of references and Easter eggs. These include Boo’s name appearing to be Mary, as she signs her drawings with that name; the Hidden City Café, a real café – it has since shut down – near Pixar’s studio that made a cameo appearance in the sequence of Mike and Sulley walking to work; and a glimpse of Boo’s scare report shows that she is scared of snakes, which would explain why her monster is Randall. There is also the Luxo Jr. ball, from Pixar’s 1986 short film Luxo Jr., seen in Boo’s room when Sulley and Boo say their goodbye, and the upcoming Pixar movie reference, a Nemo toy for Finding Nemo, also in Boo’s room. You can also see that Boo has a Jessie doll; she is from Toy Story 2. The Pizza Planet truck can be found outside the trailer that Randall is banished to. This location seems to have been replicated from a scene in A Bug’s Life. The usual A113, referencing the classroom many Pixar animators studied animation in at CalArts, is obvious in Monsters, Inc. and there are only theories as to where it might be. Some say the stars in the sky during the scene of Randall’s banishment can be connected to read A113; others say it is written on a wall in the door vault, although only A13 is seen[12]. Finally, the sushi restaurant Harryhausen’s is named after Ray Harryhausen, a famous visual effects supervisor and animator known for creating monsters in movies such as Jason and the Argonauts (1963) and Clash of the Titans (1981)[13].

MUSIC

The music for Monsters, Inc. was composed by Randy Newman, who had already become a frequent collaborator at Pixar, even this early on, after writing the score for all three of Pixar’s previous films: Toy Story (1995), Toy Story 2 (1999), and A Bug’s Life (1998). Newman went on to compose the music for Cars (2006), Cars 3 (2017), Toy Story 3 (2010), and Toy Story 4 (2019). He also composed the music for Disney Animation’s The Princess and the Frog (2009). Newman became a Disney Legend in 2007. Outside of animation, Randy Newman has composed the music for movies like Marriage Story (2019); Meet the Parents (2000) and its 2004 sequel, and co-wrote the screenplay and songs, but not the musical score, for ¡Three Amigos! (1986) alongside Steve Martin and Lorne Michaels.

The only song to feature in Monsters, Inc. is the End Credits song “If I Didn’t Have You”, performed by John Goodman and Billy Crystal as Sulley and Mike. It is a song to detail their close friendship and their loyalty to each other. It seems like Goodman and Crystal recorded this song together, and the filmmakers were impressed with their singing and their ability to stay in character whilst performing – and joking about with each other, of course! The lyrics actually mention the characters dancing, but there doesn’t seem to have been any actual dancing in the recording studio[14]!

Newman was nominated in the Best Original Score category at the Academy Awards, and won the Best Original Song Oscar – his first Oscar win – for the song “If I Didn’t Have You”. At the Grammy Awards, he was nominated once again in these two similar categories, Best Score Soundtrack Album for a Motion Picture, and Best Song Written for a Motion Picture, winning the Grammy for Best Song. The categories for Best Original Score were both won by Howard Shore and his soundtrack for The Lord of the Rings: The Fellowship of the Ring (2001). Despite winning the Annie Award for Outstanding Achievement for Music in an Animated Feature for both Toy Story and Toy Story 2, Newman did not win this award for Monsters, Inc. Instead, Joe Hisaishi did for Spirited Away (2002). At the World Soundtrack Awards, “If I Didn’t Have You” once again won the Best Original Song Written for a Film, and Newman was nominated for Best Original Soundtrack of the Year, and Soundtrack Composer of the Year, losing out to Howard Shore and The Lord of the Rings, and Patrick Doyle and Gosford Park (2001) respectively.

Within the score, I particularly like the “Main Theme”, which is played during the jazzy opening sequence of Monsters, Inc. It’s upbeat and sets out the tone of the movie, as Pixar wanted, to show viewers that this film might be about monsters but it’s not scary. I also like the track “The Scare Floor” when the scarers and assistants go about their day. Both of these tracks are instantly recognisable as coming from Monsters, Inc. For the more emotional moments, “Sulley Scares Boo” expresses Sulley’s guilt and upset at how he’s made Boo cry by accidentally scaring her, and “Boo’s Going Home” is another one that tugs on the heartstrings, as Sulley says goodbye. Despite the accolades that “If I Didn’t Have You” won, I actually don’t like the song much at all – but that’s just my opinion. It doesn’t look like there was any other song in the nominations I would’ve preferred to win though!

RECEPTION

Monsters, Inc. was released in theatres in the US on 2nd November 2001, having had its premiere at the Disney-owned El Capitan Theatre in Los Angeles on 28th October 2001. The movie was shown, as is quite customary, alongside the Pixar short film For the Birds (2000) about a large bird annoying smaller birds on a powerline. It was directed by Ralph Eggleston and won the Academy Award for Best Animated Short Film in 2001, amongst others. It first premiered in June 2000 at the Annecy International Animated Film Festival in France.

Monsters, Inc. was also released with bloopers, which was much appreciated by Pixar fans. Although Pixar had originally planned to create some bloopers for Toy Story for its 1995 release, there had been no time to do this with their schedule, so the first Pixar bloopers appear in A Bug’s Life. Bloopers only continued in Pixar movies for their next two features, so Toy Story 2 and Monsters, Inc., meaning that Monsters, Inc. was the last time we got these types of bloopers. It would seem that it took a lot of additional effort to make them, so that is perhaps why Pixar chose to stop doing them after this. The Monsters, Inc. bloopers even include an abridged version of the company’s play Put That Thing Back Where It Came From Or So Help Me, which is mentioned by Mike during the events of the film, for the first time when Sulley refuses to put Boo through a random door. In the bloopers, there is a small cameo by Toy Story’s Rex as he auditions to be monster Ted.

Monsters, Inc. reached $100 million in ticket sales after just nine days in theatres, reaching a total of $123 million in that time. It beat Pixar’s previous release of Toy Story 2 which took 11 days to cross the $100 million marker in 1999. The movie opened in first place at the US box office, with the Jack Black romantic comedy Shallow Hal (2001) opening in second place[15]. Monsters, Inc. didn’t actually come to the UK until February 2002, where it took the No.1 spot at the UK box office in its opening week, although it also took the top spot the week before its official release due to impressive ticket sales for preview screenings, making a total of £9.2 million in the UK by its opening weekend[16].

In total, Monsters, Inc. has made just under $580 million worldwide, and was listed in third place in the Top 5 Worldwide Box Office results of 2001; it also matched this positioning in the Top 5 US Box Office results of the year. In first place was Harry Potter and the Philosopher’s Stone, followed by The Lord of the Rings: The Fellowship of the Ring. DreamWorks’ Shrek hit the No. 4 spot, but was actually second in the US box office total takings, and Ocean’s Eleven rounded out the Top 5 worldwide.

Due to the potential for huge competition from Harry Potter and the Philosopher’s Stone, given the fact the book series was already popular, Pixar chose to move the release date of Monsters, Inc. forward by two weeks to avoid direct competition with Harry Potter on their opening weekend. It seems to have served Pixar well to do this. Later, they made a trailer which joked about the competition between the two movies. In this trailer, Mike and Sulley are playing charades and Sulley is acting out Harry Potter to Mike. Sadly, Mike is so terrible at charades that he doesn’t get it for ages, and when he finally does, the trailer cuts just before he can say the full name! Allegedly, Warner Bros. executives got wind of this and demanded to know what Pixar were doing. Pixar reiterated that they were not being mean-spirited and sent the trailer to them. The executives watched it and thought it was funny[17].

In terms of audience and critic reviews, these were mostly highly positive of Monsters, Inc. Many felt it was cheerful and fun, full of the gags and references that Pixar are well-known for. The voice cast was praised and the viewers could tell that the technological advancement of the computer animation was already a huge step-up from Toy Story. The story was considered to be entertaining and relevant to both adults and children. Monsters, Inc. has since become considered a timeless classic.

But although reviews were mostly positive, Monsters, Inc. did not escape any negative critique. Some felt that Mike and Sulley were simply not as great a double act as Woody and Buzz Lightyear from Toy Story, and that the villain characters, like Randall and Mr. Waternoose, were not developed well, as we were not given their backstory and this made them slightly more two-dimensional than they should’ve been. I personally don’t agree with the comment about the villains because sometimes it’s good for villains to just be evil because they are and not have some great sad story that made them that way, but I can slightly agree with Mike and Sulley not being as good as Woody and Buzz. I think the fact Woody and Buzz had to develop a friendship throughout the course of Toy Story and had to learn to overcome major personality differences made their relationship more interesting than Mike and Sulley who have just been best friends for years. Others also said that the humour in Monsters, Inc. was not as obvious as Toy Story, and paled into comparison with DreamWorks’ Shrek. Shrek is definitely funnier than Monsters, Inc. but the humour is not as clean as you’d expect to see from Disney and Pixar, so it is quite unfair to compare the two.

During awards season, Monsters, Inc. had the honour of being nominated at the Academy Awards in the inaugural Best Animated Feature category. Sadly, Pixar lost out to DreamWorks with Shrek. They lost out again to DreamWorks when Billy Crystal was nominated for Favorite Voice from an Animated Movie at the Kids’ Choice Awards, because Eddie Murphy won for voicing Donkey in Shrek. But Pixar did win the BAFTA Children’s Award for Best Feature Film and they did win the Annie Award for Character Animation, specifically for Doug Sweetland as the directing animator on Monsters, Inc. Monsters, Inc. was also nominated in other categories at the Annie Awards, but lost Best Animated Feature and Directing to Hayao Miyazaki and Spirited Away (2001), and Character Design was awarded to DreamWorks’ Spirit: Stallion of the Cimarron (2002).

You might be wondering where the Disney animated film for 2001 was in all this, as I haven’t mentioned it in the awards or the box office results. You may even be assuming that Disney Animation didn’t release a new movie that year, because they don’t always. They did though, and it was Atlantis: The Lost Empire (2001), a seriously underappreciated movie.  Atlantis: The Lost Empire was released in June of that year, so was not direct competition for Pixar, as per their distribution agreement, I presume, nor was it in competition with Shrek, which was released in May 2001. It simply did not do well at the box office or with reviewers, so it missed out on many award nominations, except at the Annie Awards but it did not win.

LEGACY

Mike and Sulley have continued to be popular Pixar characters, showing up on screen and at the Disney Parks. These are some experiences that appeared shortly after Monsters, Inc.

For the DVD release of Monsters, Inc., the short Mike’s New Car was created. This short film premiered in September 2002 with the DVD and VHS release of Monsters, Inc. It sees Mike want to drive Sulley to work, but his high-tech car, a new 6-wheel drive yellow car, different to the red car we see in the film, is too much for the guys to handle! Eventually, once the wipers, radio, alarms, and seats stop acting crazy, Sulley tells Mike to get out of the car so he can drive on alone, but Mike crashes the car, and is tossed out of the car by the airbag deploying. Luckily, Sulley catches him and convinces Mike to walk with him instead. The short ends with Mike saying he misses his old car! Mike’s New Car was nominated at the Academy Awards in 2002 in the Best Animated Short Film category, and was directed by Pete Docter and Roger L. Gould, a creative officer at Pixar and now Disney.

It was later announced around 2010 or 2011 that a prequel to Monsters, Inc. was in development at Pixar, and Monsters University, detailing Mike and Sulley’s journey through college, was released in June 2013. I personally prefer Monsters University to Monsters, Inc. but I’m probably in the minority there. Monsters, Inc. was also released back to theatres in 3D and along withFor the Birds back in December 2012, following in the footsteps of the 3D release of Finding Nemo just a few months earlier.

At the Disney Parks, some experiences based on Monsters, Inc. already exist with others coming in the next few years. One current one is at Magic Kingdom Park at the Walt Disney World Resort in Orlando. This is Monsters, Inc. Laugh Floor, which opened in April 2007, taking over the space in Tomorrowland that housed the CircleVision360 attraction The Timekeeper from 1994 until its closure in 2006. Monsters, Inc. Laugh Floor is an interactive show which sees characters from the film invite us humans into their world to make us laugh, so they can power their city. It’s a decent show, although it can get a bit samey if you’ve seen it lots of times. Also at Walt Disney World, but at Disney’s Hollywood Studios, Sulley is a frequent character at the meet-and-greet area in Pixar Place, alongside characters like Mr. and Mrs. Incredible and Frozone from The Incredibles (2004). Most exciting of all though is that at the D23 Expo in 2024, it was announced that humans would once again be invited into the monster world, but this time into Monstropolis itself because Monstropolis is being built at Disney’s Hollywood Studios, to open sometime around 2027 or 2028.

Outside of Walt Disney World, there are only two other Monsters, Inc. attractions, and one of those is set to close very shortly. At Disneyland, specifically Disney California Adventure Park, there is Mike & Sulley to the Rescue!, a dark ride attraction going through the events of the film. The attraction opened at this park in January 2006. It replaced the infamous Superstar Limo, which took guests on a ride through Hollywood to scout out celebrities. It was universally panned, and lasted less than year, opening as an opening day attraction on 8th February 2001, and closing in January 2002. Mike & Sulley to the Rescue! is set to close in early 2026 to make way for an Avatar-themed expansion in the park.

The other attraction based on Monsters, Inc. is Monsters, Inc. Ride & Go Seek! at Tokyo Disneyland, in Tomorrowland. It opened in April 2009, replacing the audio-animatronic stage show Meet the World. Monsters, Inc, Ride & Go Seek! takes place after the events of the film, with the storyline being that Sulley has brought Boo back to Monstropolis to play “Flashlight Tag” there, but Randall’s reappearance threatens to ruin the game as he tries to capture Boo again. Guests can play along here, with their ride vehicles equipped with flashlights that they can use to spot any monsters hiding around the city. The monster cast was expanded for this new game, so additional characters not seen in the movie appear here. You also get to see the all of monster Ted here, despite only his feet being featured in the film. Roz also makes an appearance at the end of the ride and can actually talk back to guests[18]. The ride exits at the Monsters, Inc. Company Store.

Monsters, Inc. characters also make an appearance in some Disney parades and nighttime shows, for example, in Paint the Night, the nighttime parade at Disneyland Park in California, Sulley and Mike have their own float. They also appear in projections in the Happily Ever After fireworks show at Magic Kingdom, the Wonderful World of Animation nighttime show at Disney’s Hollywood Studios, both at Walt Disney World, and some versions of Disneyland’s World of Color nighttime show at Disney California Adventure. Although you could sometimes be lucky and meet Mike, Sulley, and even Boo, at some Disney Parks, they are becoming rarer meet-and-greet characters now, but you can still find plenty of merchandise for them, including plush toys, dolls, clothing, and pins.

FINAL THOUGHTS

Monsters, Inc. proved that even with a different director at the helm, Pixar was still able to make a hit film full of heart, energy, charm, and memorable characters.

It is clear why Monsters, Inc. has remained popular over the years since its release, with plenty of further opportunities to move the story in different directions.

Monsters, Inc. cemented Pixar’s achievement and success in both computer animation and story that would be arguably unrivalled by any other studio for many more years, even Disney, putting Pixar at the top of the animation game for quite a while.


REFERENCES

[1] Credit: Pixar, The Pixar Story (2007).

[2] Credit: Pixar, “Original Treatment”, from Monsters, Inc. (2001) 2-Movie Blu-Ray Collection (2013).

[3] Credit: Jim Korkis, ‘Meeting John Lasseter 1997’, MousePlanet.com, 21st October 2015.

[4] Credit: Marc Snetiker, ‘Monsters Inc: Pete Docter dives deep into movie’s legacy and creation, 15 years later’, EW.com, 2nd November 2016.

[5] Credit: Pixar, “Early Tests” from Monsters, Inc. (2001) 2-Movie Blu-Ray Collection (2013).

[6] Credit: Pixar, “Designing Monstropolis” from Monsters, Inc. (2001) 2-Movie Blu-Ray Collection (2013).

[7] Credit: Mary Gibbs, ‘Boo Grown Up I FAQ about Boo’, Boo Grown Up YouTube Channel, 15th July 2020.

[8] Credit: Victoria Edel, ‘Director of Monsters, Inc. Explains How the Movie’s Heartwarming Ending Almost Didn’t Happen’, People.com, 12th March 2025.

[9] Credit: Pixar, “Opening Title Animation” from Monsters, Inc. (2001) 2-Movie Blu-Ray Collection (2013).

[10] Credit: Pixar, “Filmmakers’ Round Table” from Monsters, Inc. (2001) 2-Movie Blu-Ray Collection (2013).

[11] Credit: Jim Korkis, ‘Animation Anecdotes #236’, CartoonResearch.com, 6th November 2015.

[12] Credit: Aleena Malik, ‘Where To Find Every A113 Easter Egg In Pixar Movies’, ScreenRant.com, 1st October 2023.

[13] Credit: Jocelyn Buhlman, ‘Celebrate a Monster of an Anniversary with 15 Things We Love About Monsters, Inc.’, D23.com, 2nd November 2016.

[14] Credit: Pixar, “Monster Song”, from Monsters, Inc. (2001) 2-Movie Blu-Ray Collection (2013).

[15] Credit: Andrew Bridges, ‘Runaway ‘Monsters, Inc.’ Tears Apart a Record for Ticket Sales’, LATimes.com, 12th November 2001.

[16] Credit: The Guardian, ‘Monsters Inc stays top of box office’, TheGuardian.com, 11th February 2002.

[17] Credit: The Guardian, ‘John Lasseter (III): Guardian interviews at the BFI London film festival 2001’, TheGuardian.com, 19th November 2001.

[18] Credit: Pixar, “Monsters, Inc. Ride And Go Seek: Building Monstropolis In Japan (2009)”, from Monsters, Inc. (2001) 2-Movie Blu-Ray Collection (2013).

Harry Potter and the Philosopher’s Stone (2001)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

A book series becomes a successful major movie franchise. How original, right?

Since the 2000s, there have been some incredible film franchises to have blessed our screens that began as books. We’ve had The Twilight Saga, The Hunger Games, The Lord of the Rings, The Hobbit. But arguably the most popular and most wide-reaching across a range of ages and generations was and always will be Harry Potter.

Harry Potter and the Philosopher’s Stone actually had a bit of competition back in 2001, with the first Lord of the Rings movie, The Lord of the Rings: The Fellowship of the Ring, also coming to cinemas in 2001. But The Lord of the Rings is gruesome and intense at times, not great for small children, or easily scared people, whereas Harry Potter is magical and fun. Well, for the most part. It certainly has its moments!

I’m going to have to be perfectly honest and say that I cannot claim to be the biggest ever Harry Potter fan. I might have seen the films numerous times, making it a yearly tradition to watch them all in the weeks leading up to Christmas, but I have never read all of the books. I’ve read the first two, but that was a while ago. I have the whole book series now, and yet, I still haven’t read them. One day I will though, I promise.

The Harry Potter movies are really where my allegiances lie, although that wasn’t always the case. I believe I watched Harry Potter and the Philosopher’s Stone at the cinema, at about eight years old, with my dad and my sister. My mum must be one of the few people in the world who has never watched even a clip of any Harry Potter movie, but fair enough. She doesn’t like scary things about evil people. After watching the first two at the cinema, mine and my family’s attention in the movies dropped off, although my sister was reading the books. We watched the third, fourth, and fifth movies only on DVD, but by the sixth film, I was back on the Harry Potter band wagon, thanks to having friends at school who were big fans of the books and films, and I rode that wagon all the way to the end.

But this means that I’m not about to be hypocritical and say Harry Potter means the world to me and helped me through my childhood and teenage years, because it didn’t. I know Harry Potter means so much to others though. They have the right to state that and I’m glad it helped so many. For me though, I watched the Harry Potter movies when I was younger just because they were available to me, and I got back into the movies just because of the actors – and that is still the reason why I watch them today.

PLOT

Harry Potter and the Philosopher’s Stone begins with two wizards, Professor Dumbledore and Professor McGonagall, who first appears in cat form, discussing the defeat of a dark wizard and just what that means for the magical world now. Dumbledore mentions how there is a special child who managed to avoid death, despite the dark wizard killing his parents. This is the boy who lived: Harry Potter. The two await the arrival of giant Hagrid, who brings baby Harry to the street of Privet Drive in Surrey. Harry is left on the doorstep of his Aunt Petunia and Uncle Vernon’s house; No. 4. The Dursleys are his only remaining family.

Ten years later, sadly, Harry is treated like a slave by the Dursleys, and forced to sleep in the cramped and dark cupboard under the stairs. Harry’s cousin, Dudley, on the other hand, is treated like a little prince, and today happens to be Dudley’s birthday. They all head to London Zoo, with Harry being warned by his uncle not to engage in any “funny business”. This does not go to plan as lonely Harry begins conversing with a Burmese python. Dudley, seeing that this snake is actually doing something, shoves Harry aside. Suddenly, the glass of the enclosure disappears, Dudley falls in, and the snake escapes, thanking Harry on his way out of the zoo. Dudley then tries to leave the enclosure, but the glass has reappeared. At home, Uncle Vernon punishes Harry, locking him in his cupboard.

The next day, Harry collects the post, as usual, but sees a handwritten letter for himself. Dudley sees this and snitches on him, with Uncle Vernon taking it away. He looks at the seal on the back and is shocked; Harry doesn’t know why. More and more letters arrive, being delivered by owls, to the point that Vernon tries everything to stop them coming, like blocking up the letterbox, and burning any letters that do arrive. One Sunday, as they sit down to tea and biscuits, a letter comes in through the fireplace. Multiple others fly into the house, causing havoc. Uncle Vernon declares the family are going far away!

Harry and the Dursleys end up in a cottage on an island in the middle of the sea. That night, Harry is celebrating his birthday on his own. All of a sudden, the family are awoken by the sound of someone breaking into the cottage. A fearsome giant stands in the doorway, but really, he’s a friendly giant. This is Hagrid, back again. He introduces himself as the Keeper of Keys and Grounds at Hogwarts, arriving with a small birthday cake for Harry. Harry asks what Hogwarts is. Hagrid is surprised to learn that Harry knows nothing of his parents or their wizarding background. Hagrid turns on the Dursleys, accusing them of keeping important information from him. The Dursleys accept that they did this, with Petunia telling Harry that his mother, her sister, was a freak for being a witch and that she stupidly got herself blown up and that is why Harry has ended up with them, something they openly hate. Harry was told his parents died in a car crash. Hagrid then gives Harry his letter, telling him of his acceptance to Hogwarts School of Witchcraft and Wizardry. Vernon says Harry won’t be going, but Hagrid threatens him. Just before leaving, Hagrid sees Dudley eating Harry’s cake, and, using magic, gives him a pig’s tail for his greediness.

A little while later, Harry and Hagrid head to London to get equipment for Harry’s schooling. Harry reads out the list and wonders where they’re going to get all of this. Hagrid says he knows exactly where to go. First, they go through The Leaky Cauldron pub, where Harry is greeted like a celebrity, much to his confusion. Then, Hagrid taps on a brick wall, allowing them to enter a whole new street. This is Diagon Alley, a secret shopping district for witches and wizards. The two head to Gringotts Bank, so Harry can pick up some money to pay for all this. It turns out his parents left him quite an inheritance. In a separate vault, Hagrid collects a small package, which is intriguing as it is a secret mission given to him by Dumbledore apparently. Next, Harry goes to Ollivander’s wand shop, where he is told the wand chooses the wizard. Ollivander gives Harry two wands to try, but both cause minor destruction to his shop. Ollivander then has an idea; he tries one more wand with Harry, and this wand responds well to him. Ollivander tells Harry this is curious, because the wand comprises of a phoenix’s feather, but this same phoenix gave one other feather, to the wand that gave Harry the lightning-shaped scar on his forehead, meaning his wand is a “brother” to the one that killed his parents. Creepy. Hagrid then meets up with Harry with a surprise present of a snowy owl, as Hogwarts students can bring certain pets to school.

Back at the pub, Harry asks Hagrid about his life, and why people seem to know him. Hagrid doesn’t want to speak of the dark wizard who will forever be linked with Harry, but after some coaxing, he gives Harry some backstory. This wizard called himself Voldemort, and he was planning an uprising, trying to convince wizards to join him and killing anyone who stood in his way. Harry’s parents, James and Lily, were two of those, with Voldemort going to their home to kill them. That same night, Voldemort attempted to kill Harry, however, for some reason, his curse did not work, leaving Harry as the only survivor of such a curse. Harry asks what happened to Voldemort after that. Hagrid says that some believed he died, others thought he only vanished and will likely return someday.

Later, Harry and Hagrid are at King’s Cross Station so Harry can catch the Hogwarts Express to go to school. Hagrid gives Harry his ticket, which states the train leaves from Platform 9 ¾. Confused, Harry asks Hagrid what that means, but he’s already gone, leaving Harry alone. He attempts to ask a train conductor at the station but he thinks Harry is just trying to be funny. Harry then hears a woman mention the word “muggle”, a term Harry learnt that witches and wizards use to describe non-magical people. Following them, Harry sees a boy vanish into a stone column. He asks this woman how to get onto the platform. She tells him he needs to run at the column between Platforms 9 and 10, also telling Harry that it is her other son’s, Ron, first time too, being another Hogwarts First Year student. Harry runs at the column – and finds himself at Platform 9 ¾. He boards the train.

Shortly after departing, Ron asks Harry if they can share a carriage as all the others are full. Ron introduces himself as Ron Weasley. Harry introduces himself. Ron asks if it is true Harry has the scar that everyone talks about. Harry shows him it is true. The sweet trolley comes down the train and Harry decides to buy everything on there. Ron and Harry bond as Ron teaches Harry about all these magical treats like Chocolate Frogs and Bertie Bott’s Every Flavour Beans. A girl then comes to talk to them, asking if they’ve seen a toad because a boy named Neville has lost one. She sees Ron about to attempt to use magic to turn his rat yellow, and asks to see. The spell doesn’t work, so the girl shows off her own abilities, by fixing Harry’s glasses. This girl is Hermione Granger.

The train soon arrives at his destination, and the students disembark the train in their robes. The First Years are collected by Hagrid and taken to boats. They sail towards their new home for the school year, a huge, ancient castle. This is Hogwarts. At Hogwarts, they are greeted by Professor McGonagall and told they are about to enter The Great Hall to be sorted into one of four school houses: Hufflepuff, Ravenclaw, Gryffindor, and Slytherin. Oh yeah, and Neville finds his toad, Trevor! McGonagall goes back in to make preparations, leaving a boy to introduce himself to Harry Potter. This kid is Draco Malfoy and he warns Harry about making friends with the “wrong sort” of wizard, meaning the Weasleys. Thinking this is elitist and arrogant, Harry rejects Draco’s offer of being friends. In The Great Hall, the First Years are paraded down to the front. The Sorting Hat, an actual talking hat, is then unveiled and each student in turn is told to sit and have the hat placed on their head so they can be “sorted”. Ron and Hermione end up in Gryffindor, and Draco goes to Slytherin. Then, it is Harry’s turn. He starts muttering that he doesn’t want to go to Slytherin, hearing that is where bad wizards go. The Sorting Hat says he could be great in Slytherin but if he doesn’t want to go there, then it’ll have to be Gryffindor. Once all the First Years are sorted, Headmaster of Hogwarts Professor Dumbledore reiterates that the Dark Forest and the Third Floor Corridor are out of bounds, before announcing the feast can begin.

After the feast, the students are led to their dormitories, with the Gryffindors being led by Percy Weasley, Ron’s older brother. He says the staircases like to change, and shows them that the portraits can talk, with one of these being the entrance to their Common Room, complete with a special password. After a night in the dorms, Harry and his fellow First Years begin lessons, with Harry and Ron getting off to a bad start by being late to Professor McGonagall’s Transfiguration Class, and Harry being accused of not paying attention by Professor Snape in Potions Class. During their flying lesson with Madame Hooch, Harry learns he is a natural. After an incident with Neville, the class are left alone. Draco steals Neville’s new gift, a Remembrall to help with his memory, and plans to drop it on the school roof. Harry follows on his broom and retrieves it. This is witnessed by Professor McGonagall, who asks Harry to come with her. He thinks he’s about to be expelled, but actually McGonagall, as Head of Gryffindor, introduces him to the captain of the Gryffindor Quidditch team, telling him Harry could be their new seeker. Although Harry is pleased to be the youngest seeker in almost a century, things still don’t go well for him, as him, Ron, and Hermione take the wrong staircase, because it moves, and end up on the Third Floor. They hide from Filch the caretaker who is always ready to catch students in the wrong places, but find themselves by a huge three-headed dog. Terrified, they run back to the Common Room.

The next day, the First Years are in Charms Class with Professor Flitwick. Hermione shows exceptional talent and tries to help Ron. However, outside of class, trying to show off in front of the boys, he mocks Hermione. Overhearing this, Hermione spends the rest of the day in the girls’ toilets crying, missing out on their Halloween feast. As the others enjoy, Professor Quirrel, the Defence Against the Dark Arts teacher, comes in, shouting about how there is a troll in the dungeon. The students are told to go to their dormitories, but Ron and Harry realise Hermione doesn’t know and could be in danger. They go to the toilets and find the troll already there, destroying everything and coming close to harming Hermione. Ron manages to use the spell Wingardium Leviosa from Charms Class to disable the troll, by landing its own club on its head. The teachers come in, shocked to see First Years taking on a mountain troll. Hermione takes the blame, saying she went to find it, and that Ron and Harry were only there to save her. Some points are taken from Gryffindor for her stupidity, but others are awarded to Ron and Harry for “sheer dumb luck”. At this point, Harry also notices a huge gash on Professor Snape’s leg, which he quickly covers up.

The following day is Harry’s first Quidditch match and he is nervous, finding that it is a dangerous game, where people can go missing or be knocked unconscious. Gryffindor are against Slytherin and Harry sees Slytherin playing dirty. As he waits to catch the Golden Snitch, a fast-flying ball, his only task in the game, Harry is almost thrown off his broom. Hermione sees Snape chanting and believes he has hexed Harry’s broom. She goes to the teachers’ viewing platform and sets fire to Snape’s cloak, taking his attention away from the hex, stopping it, and Harry plays on. He races to find the snitch, but falls to the ground. Luckily, we see he did catch the snitch – in his mouth – and Gryffindor win the game.

Harry, Ron, and Hermione later ask Hagrid what is going on with the large dog. They learn it is called Fluffy and it is guarding something. They ask what but Hagrid says that is between Dumbledore and Nicholas Flamel. The kids believe Snape is trying to steal whatever is being guarded, but Hagrid says that is nonsense and will say no more. But the name Nicholas Flamel gives them enough information to research what might be being guarded. Over Christmas Break, Harry and Ron stay at the school, giving them a chance to research. Harry gets an invisibility cloak for Christmas, with just a note saying his father left it in the gift giver’s possession. Harry uses this cloak to get into the Restricted Section of the library to search for Nicholas Flamel, however, he makes a quick getaway after Filch almost catches him. On his way back to the dorms, Harry overhears Snape and Quirrell having a heated discussion, and continues on his way, coming across a strange mirror in a random room. In the mirror, Harry sees his parents. Believing this could mean something, Harry gets Ron to take a look, but he sees something different. Harry sits in front of the mirror, confused. Dumbledore comes by and tells him this is the Mirror of Erised, and shows the looker’s deepest desires. Since Harry never knew his parents, this is obviously his. Dumbledore tells Harry not to dwell on dreams and that the mirror will be moved soon.

Back at school after Christmas, Hermione announces that she had a book with information on Flamel. It says he is the maker of the Philosopher’s Stone, which helps to transform any metal into gold, and can make the Elixir of Life. That must be what Fluffy is guarding. The trio go to see Hagrid to tell him, and warn him that Snape wants to steal it. Once again, Hagrid ignores them, but is distracted by his dragon egg hatching. Suddenly, the group see Draco in the window of Hagrid’s hut and he tells McGonagall that the three were out past curfew. She takes points away from the three as punishment but gives all four detention. This detention takes place with Hagrid in the Dark Forest. Hagrid is sad about his dragon being taken away, but tries to pay attention. He says that they are looking for an injured unicorn, as unicorn blood is on the ground. They split up. Ron and Hermione go with Hagrid, and Draco and Harry go with Hagrid’s dog Fang to investigate. In the forest, Harry and Draco see a cloaked figure drinking blood from a unicorn. Draco runs off scared, but Harry is too distracted by his scar burning. The figure comes towards Harry but is scared away by centaur Firenze, who warns Harry about the dangers of this forest. Harry asks what was happening. He is told that unicorn blood can keep you alive no matter how close to death you are, but by slaying something so pure, you have cursed yourself for eternity.

Harry believes the figure in the forest was Voldemort and that Snape must be trying to get the stone for him so Voldemort can live again. The trio ask Hagrid about the dragon egg and who gave it to him, thinking this was all part of a grand plan. He lets slip that he told this person about Fluffy and how you can put the dog to sleep by playing it music. They then run off to tell McGonagall that Snape is about to steal the stone, but she won’t listen either. That night, they decide to go and get the stone for themselves. As they are leaving the Common Room, Neville tries to stop them but Hermione freezes him. They continue on their mission. On the Third Floor, they find Fluffy already asleep so Snape must’ve beaten them there. They get to the trapdoor that Fluffy was stood on and jump down. They land in something soft, which is Devil’s Snare. Hermione says to stay calm and falls through the vegetation. Harry does the same, but Ron is too panicked. Hermione casts a spell to hit the Devil’s Snare with sunlight and Ron is released. Continuing on, they find themselves in a room with flying keys and a locked door on the other side. There is a broomstick, so Harry gets on it and chases down the right key. He finds it and they get to another room, this time with a giant Wizard’s Chessboard. Ron is a master chess player and takes charge. They plan the chess game, but at the last moment, Ron, who has gotten on top the horse piece to be the Knight, realises he will have to sacrifice himself to get them to win the game. Ron is attacked by the piece he encounters – because that’s how Wizard’s Chess works; you can’t just take a piece off the board, it has to be destroyed – and collapses. Hermione and Harry rush to him once Harry announces checkmate. Hermione tells Harry to go and get the stone.

Harry finds himself in a room with the Mirror of Erised once again. He comes face-to-face with none other than… Professor Quirrell, the one actually trying to steal the stone. He said Snape has been trying to stop him all this time, and Snape was actually trying to save Harry from him cursing Harry’s broom during Quidditch. Harry is told to look into the Mirror. There, he sees himself holding the stone. Feeling in his pocket, he realises the stone is there. A voice suddenly says he knows Harry is lying about what he sees and knows he has the stone. Quirrell unwraps his turban so the voice can speak to Harry. Quirrell has been possessed by Voldemort’s soul, who is living on the back of Quirrell’s head… Gross. Voldemort speaks directly to Harry, telling him if he hands over the stone, they can be all-powerful, but Harry refuses. Quirrell is told to attack Harry and starts to choke him. Harry places his hand on Quirrell’s arm to get him off, and Quirrell’s skin burns and crumbles to dust. Harry continues to touch Quirrell’s skin and he disintegrates. Voldemort’s soul remains though and flies through Harry, knocking Harry unconscious, but he still has the stone.

Harry wakes up in the hospital wing with Dumbledore telling him everyone is fine and that the stone has been destroyed forever. Dumbledore says that only a person who wanted the stone, but never wanted to use it, could ever have it. He then explains that Harry’s touch burnt Voldemort and Quirrell due to his mother’s love and sacrifice back when Voldemort killed her; it is an ancient protective charm. After recovering, Harry returns for the final feast of the school year where the House Cup is due to be given to Slytherin. However, Dumbledore awards a few points beforehand. 50 each for Hermione and Ron, and 60 for Harry for their loyalty to their school and for their bravery. This ties Gryffindor with Slytherin. A remaining 10 points are given to Neville for standing up to his friends. This means Gryffindor win the House Cup – and Slytherin can forever claim it was fixed!

The students then all board the Hogwarts Express to go home. Just before leaving, Hagrid and Harry talk, with Hagrid giving Harry a photo album of his parents. Hermione says it’s weird to be going home, but Harry says he’s not going home, not really.

CHARACTERS & CAST

The Harry Potter franchise benefits from a large cast of characters. This allowed for a huge selection of the greatest British acting talent to be used to portray these characters. However, due to this large number, I could go on forever and ever talking about these characters and cast members, so I will only mention characters who are key to a specific film. This may look like I am omitting people, but be assured, I will mention them in later reviews. For example, many of Harry’s Gryffindor friends have more involvement in later films and the Weasleys get a real introduction in Harry Potter and the Chamber of Secrets.

Firstly, I have to mention Harry Potter, the key character in all the movies and books. Harry is shown to be a naturally skilled and curious wizard. He has had a difficult upbringing, but on arriving at Hogwarts, Harry immediately feels he belongs, but is all too aware that his past is coming back to haunt him. He will always have his friends and the support of many of his teachers to guide him though. Daniel Radcliffe was cast as Harry Potter. Radcliffe has gone on to have leading roles in various films, including The Woman in Black (2012), playing Arthur Kipps, and portraying “Weird Al” in Weird: The Al Yankovic Story (2022). He had key roles in other movies, such as Walter Mabry in Now You See Me 2 (2016) and Igor in Victor Frankenstein (2015). On the small screen, Radcliffe had starring roles in series like A Young Doctor’s Notebook (2012-13) and the anthology series Miracle Workers (2019-23). On stage, Radcliffe was cast as Alan Strang in Equus on the West End in 2007 and Broadway from 2008 and 2009. In 2023, he was cast as Charley Kringas in the Broadway revival of Merrily We Roll Along, winning the Tony Award for Best Featured Actor in a Musical.

Ron Weasley is the first student that Harry becomes friends with, after sitting together on the Hogwarts Express and bonding over their love of sweets. Ron is from a large and loving family. He is not the best student, but he is a loyal friend and certainly brings the comic relief at times with his antics and wittiness. Rupert Grint was cast as Ron, with some of his later credits including the role of Charlie Cavendish-Scott in the crime drama series Snatch (2017-18) and starring as Daniel Glass in the Sky comedy series Sick Note (2017-18). Grint also played Julian Pearce in the Apple TV+ series Servant (2019-23).

Rounding out the main trio is Hermione Granger, the gifted and intelligent one, the brains of the operation. She is by far the smartest witch in First Year at Hogwarts and is a perfectionist, wanting to be the best, learning spells even before she steps foot in the school. Despite this, Hermione is also willing to risk her life, and even expulsion from Hogwarts, to do what is right. Hermione was played by Emma Watson. Watson has since appeared to have stepped back from acting, choosing instead to focus on her studies and activism work, however, she has appeared in many well-received films. Shortly after Harry Potter concluded, Watson appeared as Lucy Armstrong in My Week with Marilyn (2011), following that by being cast as Sam in The Perks of Being a Wallflower (2012), and Nicki Moore in The Bling Ring (2013). She also starred as Belle in the live-action remake Beauty and the Beast (2017) – I’m not going to say any more about that right now, but I have some opinions. Watson also played Mae Holland in the Netflix thriller The Circle (2017) and Meg March in Greta Gerwig’s Little Women (2019), which was nominated for various Academy Awards.

Following on from that are numerous Hogwarts professors and staff. One of these is Rubeus Hagrid. He is a big friendly giant, quite literally. Hagrid is the first person to tell Harry about his past, and the true fates of his parents, as well as his link to Voldemort. Hagrid is always someone the three can turn to when they are struggling, but Hagrid can be a bit too trusting of people, which gets him into trouble at times, especially as his love of magical creatures overtakes his common sense at times! Robbie Coltrane was cast as Hagrid. Coltrane is known for his early appearances in the comedy series The Comic Strip Presents… which starred popular comedy actors Dawn French, Jennifer Saunders, Rik Mayall, and Ade Edmonson, and as gangster Valentin Zukovsky in the Bond films GoldenEye (1995) and The World Is Not Enough (1999). Coltrane later gained recognition for his leading role as Dr Edward Fitzgerald in the British crime series Cracker (1993-2006), for which he won the BAFTA for Best Actor in 1994, 1995, and 1996. He has also voiced characters for animation, including the role of Lord Dingwall in Pixar’s Brave (2012). Coltrane sadly passed away in 2022.

Then there is Albus Dumbledore, the greatest wizard in the world, allegedly. Although he may look quite serious at times, Dumbledore also has a lot of care for his students, especially Harry, who he knows is talented and has an important role to play in wizarding history. This leads Dumbledore to be quite protective of Harry and steering him in the right direction without Harry even knowing it. Dumbledore was played by Richard Harris. Harris portrayed King Arthur in the musical film Camelot (1967) taking over the role from Richard Burton who had played the part on stage, although Harris did also play the part in 1981 and 1982 productions on Broadway and in London. He also played Richard the Lionheart in Robin and Marian (1976), with Sean Connery and Audrey Hepburn in the title roles, and portrayed Oliver Cromwell in the 1970 film Cromwell. Later on in his career, Harris played Marcus Aurelius in Gladiator (2000). Harris also had a singing career, with his song “MacArthur Park” being used in Beetlejuice Beetlejuice (2024). Harris passed away in October 2002, only playing Dumbledore in the first two Harry Potter films.

Minerva McGonagall is the strict Transfiguration teacher, and is Head of Gryffindor House, meaning she takes quite a lot of interest in Harry, Ron, and Hermione’s escapades, trying to keep them out of matters that do not concern them. She might seem uptight and uncaring, but actually, she really does care about the safety of the students, and is incredibly supportive. Maggie Smith was cast as McGonagall. She was cast opposite Laurence Olivier in the 1965 adaptation of Othello, playing Desdemona, and went on to play Jean Brodie in The Prime of Miss Jean Brodie (1969). She later played Wendy Darling in Hook (1991), and Mother Superior in Sister Act (1992) and its 1993 sequel, and Lady Hester Random in Tea with Mussolini (1999) alongside Dame Judi Dench. Having already played the part on stage in 1999, Smith later reprised her role as Miss Mary Shepherd in the 2015 film adaptation of Alan Bennett’s play The Lady in the Van. Smith is also known for her role as the scene-stealing Violet Crawley, The Dowager Countess of Grantham, in Downton Abbey (2010-2015) and its first two films. Dame Maggie Smith passed away in September 2024.

The professor who seems to have the most against Harry is Severus Snape, the Potions Master. He doesn’t like Harry at all, from what we can tell, and thinks he is arrogant and very pleased with his fame as “The Boy Who Lived”. Snape appears to be the one stealing the Philosopher’s Stone, and looks to have hexed Harry’s broom during the Quidditch match, however, it is later revealed not to be him. Snape was actually trying to save Harry and trying to stop the Stone from being stolen by another Hogwarts professor. Alan Rickman was cast as Snape. He was cast as the Sheriff of Nottingham in Robin Hood: Prince of Thieves (1991), winning the Best Actor BAFTA, and played Colonel Brandon in Sense and Sensibility (1995), having previously played Hans Gruber in Die Hard (1988). He is also known for his role as Harry in Love Actually (2003). He later directed and co-wrote A Little Chaos (2014), also playing King Louis XIV. In TV, Rickman won an Emmy, a Golden Globe, and a SAG award for his portrayal of Rasputin in HBO’s Rasputin: Dark Servant of Destiny (1996). Rickman was also a member of the Royal Shakespeare Company in numerous productions in the 1980s and 1990s. Rickman passed away in January 2016. 

The Hogwarts professor wanting to steal the Philosopher’s Stone was none other than the Defence Against the Dark Arts teacher Quirinus Quirrell. When Harry first meets him at The Leaky Cauldron pub outside Diagon Alley, we are led to believe Quirrell is just a shy man with a pronounced stutter, and is a potential germophobe because he doesn’t want to shake Harry’s hand. In actual fact, Quirrell is in cahoots with Lord Voldemort, stealing the Stone on his behalf and even letting Voldemort’s spirit, or whatever it is, share Quirrell’s body. Voldemort may have been able to manipulate Quirrell into believing they could conquer the world once they had their hands on that Stone, but Quirrell ended up being literally burnt alive and crumbled to dust. That just shows what going over to the Dark Side can do to you! Ian Hart was cast as Quirrell and also voiced Voldemort here. Hart was cast as Mr. Parkis in The End of the Affair (1999); as Sir Arthur Conan Doyle in Finding Neverland (2004); and as Lord Maitland in Mary Queen of Scots (2018). In television, Hart has had roles including Kester Gill in My Mad Fat Diary (2013-15); Father Beocca in The Last Kingdom (2015-22); and Bob Rutherford in ITV’s Mr. Bates vs. the Post Office (2024).

There are various other professors and those linked to Harry’s journey to being a wizard, so here is a brief rundown of some others. We have Filius Flitwick, the kind, patient Charms professor. He was played by Warwick Davis. He first played Wicket W. Warrick, an Ewok, in 1983 for Star Wars: Return of the Jedi, going on to claim the lead role of Willow Ufgood in the 1988 movie Willow, reprising the role for the Disney+ series Willow (2022-23). Davis also hosted the ITV gameshow Tenable (2016-24). Zoë Wanamaker was cast as the stern flying teacher and the Quidditch referee at Hogwarts, Madame Hooch. On screen, Wanamaker was cast as Ada Leverson in Wilde (1997), and she is also well-known for her role as Susan Harper in the BBC sitcom My Family (2000-11). More recently, Wanamaker played Baghra for the Netflix series Shadow and Bone (2021-23) and currently stars as Charlie Hungerford in the miniseries reboot of Bergerac (2025-present).

A few others to mention are John Cleese as the Gryffindor House ghost Nearly Headless Nick. Cleese is best known for his work as part of the Monty Python comedy troupe, as well as starring in sitcoms such as Fawlty Towers (1975-79), and various movies, including A Fish Called Wanda (1988). He has also done some voice work, such as King Harold in the Shrek franchise, for example. Also at Hogwarts is Argus Filch, the caretaker who is always looking to catch students in places they shouldn’t, to get them in trouble. Filch is helped by his cat Mrs. Norris. David Bradley was cast as Filch. Bradley has recently voiced Geppetto in Guillermo del Toro’s Pinocchio (2022) for Netflix. Bradley had a recurring role as Walder Frey in Game of Thrones (2011-19) and was cast as Jack in Amazon Prime’s Your Christmas or Mine? (2022) and its 2023 sequel. He portrayed William Hartnell, the first ever Doctor Who, in An Adventure in Space and Time (2013) and has reprised the role for the Doctor Who series, and was cast as Ray Johnson in Netflix’s After Life (2019-22).

John Hurt plays Mr. Ollivander, the wand shop owner who assists Harry in finding his first wand, finding it quite curious that the wand that chose Harry was in fact one linked to Voldemort. Hurt starred in major movies such as Alien (1979), as Kane; The Elephant Man (1980), as John Merrick, for which he was nominated at the Academy Awards in the Best Actor category and won the BAFTA for; and Midnight Express (1978), as Max, where he was nominated at the Oscars for Best Supporting Actor, and won it at the BAFTAs. He also voiced The Horned King in Disney Animation’s The Black Cauldron (1985) and later in his career voiced The Great Dragon in the BBC series Merlin (2008-12). Sir John Hurt sadly passed away in January 2017. The Sorting Hat, who is quite moody and grumpy for being a talking hat, was voiced by Leslie Phillips. Phillips had made appearances in Carry On and Doctor in the House films during his career. Phillips died in November 2022.

The last group of characters to mention here are the Dursleys. Vernon and Petunia Dursley are Harry’s uncle and aunt. They do take him in and raise him, obviously feeling some sort of responsibility towards him, however, they are harsh and uncaring, making him sleep in a cupboard and not telling him the truth about his parents or his magical heritage. Petunia and Vernon’s son Dudley is a similar age to Harry, but despite this, Dudley is just as cruel towards Harry as his parents are, bullying him and believing himself to be better than Harry. Vernon was played by Richard Griffiths. After an early start appearing in Royal Shakespeare Company productions, Griffiths went on be cast as Collins in Gandhi (1982) and starred as DI Henry Crabbe in the BBC series Pie in the Sky (1994-97). More recently, Griffiths won numerous awards, including a Tony Award, for his role as Hector in The History Boys stage play in 2004, and reprised the role for the 2006 film adaptation. He also played Monsieur Flick in Hugo (2011) and King George II in Pirates of the Caribbean: On Stranger Tides (2011). Griffiths died in March 2013. His final film role was a minor part in the rom-com About Time (2013). Fiona Shaw was cast as Petunia. Shaw has recently played Miss Harrison in the Netflix film Enola Holmes (2020) and was cast as Carolyn Martens in Killing Eve (2018-22). Shaw also recently played Maarva Andor in Season 1 of the Disney+ series Andor (2022-25). Shaw is set to appear as Mrs. Jennings in a new adaptation of Sense and Sensibility. Dudley was played by Harry Melling. Melling has recently appeared as Harry Beltik in Netflix’s The Queen’s Gambit (2020) and as Thomas Wriothesley in the second series of Wolf Hall, titled Wolf Hall: The Mirror and the Light (2024).

MUSIC

The musical theme of Harry Potter is iconic. Anyone who hears it can immediately link it to these movies. It is so memorable and connected to Harry Potter that it is used in all eight Harry Potter films. This piece of music is titled “Hedwig’s Theme”, named after Harry’s snowy owl, and it first appears in the opening sequence of Harry Potter and the Philosopher’s Stone, and reappears throughout the course of the movie. It pops up again in the End Credits, although this is seemingly actually part of the suite “Harry’s Wondrous World”.

The Harry Potter and the Philosopher’s Stone soundtrack was written by legendary musical composer John Williams. Williams is known for creating some of the best themes in film history. Just a few of the films he’s worked on include Jaws (1975); the Star Wars franchise; E.T. The Extra-Terrestrial (1982); and Schindler’s List (1993), where he won multiple awards including Grammys, Oscars, and BAFTAs; and the Indiana Jones and Jurassic Park films. Williams frequently collaborates with director Steven Spielberg, having also composed the score for The Fabelmans (2022), and will work on Spielberg’s next film.

Williams got a call from the producers working on Harry Potter and the Philosopher’s Stone and was asked to write a piece of music that he might imagine as a trailer for the film. Williams had heard of the books but had not read them. He came back from dinner and wrote “Hedwig’s Theme” and recorded it. He sent it to the producers and the filmmakers decided that it was the perfect piece for Harry Potter and the Philosopher’s Stone[1].

The overall soundtrack for Harry Potter and the Philosopher’s Stone is great in my opinion, with a good mixture of both upbeat, positive tracks, to match Harry’s wonder and excitement about this new world he is encountering, and more fearsome, daunting pieces of music, to go alongside the more perilous moments in the story.

On the upbeat side, I particularly enjoy the tracks “Platform 9 ¾ and the Journey to Hogwarts”, which follows Harry’s journey on the Hogwarts Express and on the boats where the First Years get the big reveal of Hogwarts Castle; and “Entry into the Great Hall and the Banquet”, where the students enjoy their first evening at Hogwarts. Both of these pieces show how wonderful the magical world can be. “Christmas at Hogwarts” is another joyful piece of music, matching the festiveness of the season. “Leaving Hogwarts”, the ending instrumental piece within the film, is a bittersweet moment, as Harry says goodbye to his new friends, and heads home for the summer, already excited to be back next year.  

With all that joy, you’d think Harry Potter and the Philosopher’s Stone was a light, cutesy film, but we all know that is not the case, and the soundtrack blends in other musical moments to go alongside the threatening times. Some tracks that I feel do a particularly good job of doing this are “The Invisibility Cloak and the Library Scene”, when Harry uses his new invisibility cloak to sneak into the library’s Restricted Section at night and “The Quidditch Match”, which isn’t scary generally, since sports aren’t meant to be life-and-death situations, although we are reminded at times that they can be, but Harry is very anxious about competing in his first Quidditch match, especially when his broom is randomly hexed and almost throws him off. I also very much like the track “The Chess Game”, which is used for the huge Wizard’s Chess match that Ron has to coordinate to get them to the room with the Philosopher’s Stone. The moment I like in particular in this piece is the part when Ron is making his final move as the Knight. The terror builds as Ron awaits his fate, where he will no doubt be struck by a sword and probably injured, but there is no choice but to do it.

John Williams was nominated for the Academy Award for Best Original Score for his music in Harry Potter and the Philosopher’s Stone, and received a Grammy nomination for Best Score Soundtrack for Visual Media. Williams was also nominated in the Best Composer category at the Critics’ Choice Awards. In all cases, he lost out to Howard Shore and his score for The Lord of the Rings: The Fellowship of the Ring (2001). Williams also had a further Grammy nomination specifically Best Instrumental Composition for “Hedwig’s Theme”, but the winner was Thomas Newman for “Six Feet Under Title Theme”.

PRODUCTION

The Harry Potter and the Philosopher’s Stone film would not have existed had the original novel not existed first, and that was all down to one person – Joanne Rowling.

I’m not about to pretend that I am unaware of the controversy surrounding Rowling and her personal views right now. I know some people have called for her “cancellation”, but I cannot write a full history of Harry Potter and the Philosopher’s Stone as a movie without mentioning Rowling because the stories are solely credited to her, and with the Harry Potter movies, she indirectly helped launch the careers of numerous talented, young actors. It’s just a fact, even if that fact is making some people feel uncomfortable or irritated right now.

Rowling has stated that the idea for Harry Potter and the Wizarding World first came to her back in 1990 when she was sat on a delayed train going between London and Manchester. Her mind was filled with all these new ideas, and over the next few years, she spent time, alongside her day job, plotting out the series, knowing she had enough ideas for a seven-book series, and writing the first book. Rowling has said it took around five years to write Harry Potter and the Philosopher’s Stone, writing much of it in cafés in Edinburgh, whilst her daughter Jessica slept in her pram. Once Rowling had finished the full manuscript, she sent the first three chapters to agencies, with one agent, Christopher Little, getting back to her and willing to take a chance on her.

After about a year, a UK publisher was found, with Bloomsbury choosing to publish the novel, however, there was one request: that Rowling changed her name. It was felt that boys would not find a book as appealing if it was clear it was written by a woman, which the name Joanne Rowling would give away. So, using her grandmother’s name Kathleen, Rowling created the name J.K. Rowling, which the first book, and all subsequent Harry Potter books, were published under. Harry Potter and the Philosopher’s Stone was finally published in the UK in June 1997. A US publisher was later found, who requested that the title be changed to suit American audiences. This meant that Harry Potter and the Philosopher’s Stone became Harry Potter and the Sorcerer’s Stone in the US. The book was published there in August 1998, and the series took off[2]. There is actually a Lifetime television movie called Magic Beyond Words: The J. K. Rowling Story, released in 2011, which is an unauthorised, dramatised version of these events and of Rowling’s life.

Every movie needs a producer, a director, and a screenwriter. In the case of Harry Potter and the Philosopher’s Stone that producer was David Heyman, the director was Chris Columbus, and the screenwriter was Steve Kloves. David Heyman would act as producer of all eight Harry Potter films, and went on to produce all three of the spin-off films in the Fantastic Beasts film franchise. He also later co-produced the science-fiction film Gravity (2013), the beloved Paddington (2014) and Paddington 2 (2017), and its spin-off series The Adventures of Paddington (2019-25), and other hit movies like Marriage Story (2019), Barbie (2023), and Wonka (2023). David Heyman first came across Harry Potter and the Philosopher’s Stone as a novel when it landed on his desk in 1997. He initially thought the story would be ridiculous, given its strange and long title, but luckily, he did love the story and brought it to Warner Bros. to begin discussions about adapting it for the screen. Heyman later met J.K. Rowling at a publishing party, where she stated how excited she was about Harry Potter’s film potential.

Once the movie adaptation was greenlit, a director would then be needed. At the beginning, Steven Spielberg was attached to direct this first movie, but he later backed out, leaving it available to some other lucky director. That lucky director turned out to be Chris Columbus, after a long process where many other directors were also interviewed. Both Rowling and Heyman reportedly wanted Terry Gilliam, part of the Monty Python comedy troupe, as well as a director in his own right, directing, and co-writing, the film Time Bandits (1981), and directing The Fisher King (1991) which starred Robin Williams, and the science-fiction thriller 12 Monkeys (1995). However, it was later decided that the studio would likely not go for Gilliam as he was a riskier choice of director, so there continued to be an opening for a director on Harry Potter and the Philosopher’s Stone[3].

Having been “forced” to read the Harry Potter books by his daughter, Chris Columbus found he was determined to direct this first film and asked to be the last director seen by the studio. He spent 10 days writing a 130-page director’s version of the script, and spoke for around 45 minutes about his concept for the film. The studio execs were pretty convinced Columbus would be the right person for the job, especially with his history in family-friendly movies. Columbus had previously written the movies Gremlins (1984) and The Goonies (1985), before moving into directing with Adventures in Babysitting (1987) – which would later be remade by Disney Channel in 2016 as one of their original movies. Columbus is also well-known for directing the festive favourites Home Alone (1990) and Home Alone 2: Lost in New York (1992), and the beloved Mrs. Doubtfire (1993). After Harry Potter, he went on to direct comedy films like Pixels (2015), starring Adam Sandler and Kevin James, and, most recently, The Thursday Murder Club (2025), an adaptation of Richard Osman’s hit novel, for Netflix. However, the studio knew that Columbus would also need Rowling’s approval. Columbus headed to Scotland to meet with her, and fortunately, they found they shared the same vision for the film. Chris Columbus was confirmed as the movie’s director.

Now that Columbus had the job, the full weight of responsibility was on his shoulders, to make sure he did Rowling’s first novel justice and to ensure he met the expectations of the fans. By the point that Harry Potter and the Philosopher’s Stone was going into production, only the first three books had been published, but to ensure the filmmakers got the gist of what was to come, Rowling did tease certain important future plot points, as well as making it clear that the story was going to get darker as the series went on. Heyman, Columbus, and Kloves were reportedly given physical copies of the manuscript for the fourth novel, Harry Potter and the Goblet of Fire, a few months before it was available to the public.

The unenviably task of adapting this hugely popular novel went to screenwriter Steve Kloves, who had both written and directed The Fabulous Baker Boys (1989) and had been nominated at the Academy Awards for Best Adapted Screenplay for the film Wonder Boys (2000) prior to working on Harry Potter and the Philosopher’s Stone. Kloves would actually write the screenplay for all of the Harry Potter films, except one: Harry Potter and the Order of the Phoenix (2007) but more on that another time. He also later co-wrote the screenplay for The Amazing Spider-Man (2012) and co-produced the three Fantastic Beasts films, later joining J.K. Rowling in co-writing the screenplay for The Secrets of Dumbledore (2022).

Some religious groups felt that the Harry Potter books were promoting witchcraft. Satanism, and the occult, and were therefore unsuitable for children to read. This is something that caused particular trouble in the US, with legal challenges mounted in certain areas to have the book series removed from public schools. The books have also been banned in some areas and it has been claimed that these stories are anti-authority. Despite this, over 120 million copies of Harry Potter and the Philosopher’s Stone have been sold, making it one of the best-selling books of all time, showing its global success[4].

The Harry Potter and the Philosopher’s Stone film is said to be quite faithful to the original novel, although not every moment from the book can ever make it into the final edit of a film adaptation, so there are some differences. One is that the scene of Harry first meeting Draco Malfoy at Madam Malkin’s robe shop in Diagon Abbey was not included in the film. Harry instead meets Draco outside The Great Hall just before The Sorting Hat Ceremony. Hagrid was also not meant to drop Harry off at King’s Cross Station to catch the train to Hogwarts, but his aunt, uncle, and cousin were meant to do this. This causes some confusion in the film if you know your dates, as Harry’s birthday is on 31st July, and he heads off with Hagrid to Diagon Alley just after. He does not catch the train until 1st September, so the film makes it seem like Harry spent a whole month with Hagrid, whereas the book makes it clear he returned to the Dursleys home to wait for 1st September, and they then take him to the station, not caring about helping him find the train. Another big omission is in the tasks to get to the Philosopher’s Stone that Harry, Hermione, and Ron go through. Each one seemingly has their own task that suits their skills, like Hermione and the Devil’s Snare; Harry and the flight to find the right key; and Ron with the Wizard’s Chess match. But in the book, Hermione gets a more impressive task, and that is solving a potions riddle that would’ve happened right after the Wizard’s Chess game, instead of Harry going straight to the room to confront Quirrell and Voldemort as he does in the film.

A couple of less important moments, such as the story of Hagrid’s dragon Norbert being taken away, and the Nimbus 2000 being delivered to Harry with a note telling him to open it secretly, in order to conceal Gryffindor’s new seeker’s identity, were also left out of the film[5]. Some also dislike the fact that Harry is meant to have green eyes, the comparison between his and his mother’s eyes being constantly commented on in the series, however, although this was attempted in the film, with Daniel Radcliffe being given green contact lenses to wear to cover his natural blue eyes, these contacts gave him an allergic reaction and he could not continue wearing them. It was decided not to digitally alter the eye colour. Emma Watson was also supposedly given fake teeth to wear, to give her Hermione’s signature buck teeth, but Watson struggled to speak with them in, so this was also stopped[6].

Now that a director was on board, and the screenplay had been written, what else was needed? Oh yeah, the cast! The search for Harry Potter began in late 1999, with numerous open calls allowing thousands of kids to audition. Some spent hours waiting for their chance to be in the Harry Potter movies, and a lucky few were given the coveted roles.

But by July 2000, the right actor for the main role of Harry Potter had still not been found. The filmmakers wanted unknown, British actors in the main roles, limiting the talent pool to some extent. Columbus had received thousands of audition tapes from kids all over the country, but there was still no Harry. Columbus then watched the two-part BBC adaptation of Charles Dickens’ David Copperfield, which aired on Christmas Day and Boxing Day in 1999. Young David Copperfield was played by none other than Daniel Radcliffe, and Columbus felt he was Harry Potter. Heyman and Columbus were in agreement, but when Radcliffe’s parents were approached to have Daniel audition, they refused, saying they felt that signing on for all the films, which were meant to be filmed in Los Angeles at this point, was too much disruption in his life. As luck would have it, David Heyman later attended the same play that Radcliffe and his father went to, and Heyman went to speak to them about the role of Harry again and managed to convince them to let him audition. Rowling said that Radcliffe was exactly as she’d imagined the character to be, and it was felt that he had a haunted quality to him – whatever that meant! Tom Felton, who was later cast as Draco, actually auditioned for the part of Harry, but his confidence made the filmmakers think he was a better fit for Draco Malfoy.

Emma Watson and Rupert Grint, who were fans of the books and felt they identified with their characters, were very easy to cast as Hermione and Ron respectively, and once the two were screen tested with Daniel Radcliffe, acting out the scene of the three discussing Nicholas Flamel in the library, it was decided that these were going to be the three main characters, with their obvious chemistry. Once the casting was announced, the media went crazy for it and the three kids were immediately thrust into the spotlight to deal with interviews and press conferences[7].

Some other fun casting stories around this first film are that the Phelps’ twins, James and Oliver, who played Fred and George Weasley, showed up to their audition and were the only twins not to be wearing matching outfits, so they quickly went out to buy identical t-shirts to wear for their audition. Whether it helped them or not, who’s to say! Richard Harris initially turned down the part of Dumbledore, however, his granddaughter said she’d never speak to him again if he didn’t take it, so he obviously did. And Robbie Coltrane’s son believed he had already been cast as Hagrid before Coltrane had heard anything about it[8]. I can only assume this is to do with the fact that Rowling always envisioned the character being played by him.

With such a young, and dare I say inexperienced, cast, although the set of Harry Potter and the Philosopher’s Stone was made to be as fun as possible by Chris Columbus and the crew, it was a lot of hard work to get this movie filmed. The cast remember only good times on set, but they are aware that Columbus was very patient with them, as their attention wandered and they struggled to stay focused on the task at hand! Columbus had to get very involved with them, acting out some of the CGI characters that obviously the actors couldn’t see, and giving them notes on how to improve their scenes, since some of the cast had never acted before. Despite working with the “royalty” of the British acting world in these movies, like Alan Rickman, Dame Maggie Smith, and Richard Harris, the adults were just as willing to play around with the young cast at times, and were also very supportive.

Filming took place in many locations across the UK during late 2000. One of these places was Alnwick Castle in Northumberland, with the Outer Bailey being used for the flying lesson and Quidditch rules scene. Durham Cathedral was also used, with the cathedral’s Chapter House being the location of Professor McGonagall’s classroom. Gloucester Cathedral’s cloisters became the corridors of Hogwarts and its Lavatorium area is where Ron and Harry go as they search out the troll that has been released into the castle, so they can save Hermione. Lacock in Wiltshire was where the flashback scene where Harry learns about Voldemort killing his parents was filmed. Lacock Abbey was also used for some areas of Hogwarts. Another couple of more obvious filming locations are London Zoo, where Harry goes with the Dursleys early on in the film and encounters the Burmese python, and King’s Cross Station were Harry gets on the Hogwarts Express[9]. It is worth pointing out that the interior of King’s Cross Station has been through a major renovation since the Harry Potter movies were filmed there, completed in 2011, although you can find a special photo op of Platform 9 ¾ as well as a Harry Potter merchandise shop there.

Some other locations used include areas of Oxford. For example, Christ Church College’s stone staircase was used for the scene of the First Year Hogwarts students walking to the Great Hall, and the Bodleian Library in Oxford was the location for Hogwarts library, at least the scene of Harry heading to the Restricted Section at night[10]. Goathland Railway Station was also used for Hogsmeade station, where the Hogwarts Express starts and ends its journey, and the students take other transportation to the school[11].

But the Harry Potter movies also benefit from impressive, hand-built sets. These were created at Warner Bros. Studios Leavesden in Watford, which is now open to the public to tour the sets at the Warner Bros. Studio Tour London – The Making of Harry Potter attraction. The Great Hall is really the standout here, with a proper stone floor being used due to the need for a sturdy, hardy surface, given the amount of equipment and feet that would be going across it over the years! This area had to feel magical but also timeless and the only architecture that could match the 1000+ year old Hogwarts School was British cathedrals, so these were an inspiration to those building the set, like Production Designer Stuart Craig. The floating candles were actually real, and were simply candles attached to the ceiling with wires or fishing line, although the cast do remember the candles’ flames burning through the wires and falling down onto them! The Wizard’s Chess set was another huge one, with massive chess pieces carefully recreated as per the miniature chessboard we see Harry and Ron play. They had to look like terracotta pieces, to match how the pieces would shatter during an actual game, but many of the pieces were actually made of fibreglass. Art directors Gary Tomkins and Neil Lamont said it is possibly the largest chess set ever made in the world.

A model of Hogwarts Castle was also used for the movie. The model was incredibly detailed, complete with turrets, towers, spires, and bridges, and this model currently resides at the studio tour now. There are details all over this model which you wouldn’t be able to spot in the film, and it is potentially one of the last models used in cinema, now that CGI has taken over. But this model was a big moment in the film, as the First Years see it for the first time as they head over to the castle on boats after disembarking the Hogwarts Express.

Speaking of the Hogwarts Express, the train was described as a steam train in the books, so the team went to preservation societies all around the country, looking for the perfect train. They eventually found one built by Great Western Railway Swindon Works in 1937. This train, Olton Hall, ran until 1963 and covered just over one million miles during its time in service. For the movie, it was restored and repainted, and was used in all the movies. It ran as a tourist train between Scarborough and York between filming.

For visual effects, there were a mixture of CGI and computer effects, and more basic ones used here. For example, Special Effects Supervisor on Harry Potter and the Philosopher’s Stone John Richardson said that the Wingardium Leviosa scene was incredibly high tech – not! It was literally just a feather on a fishing rod being moved around to follow Emma Watson’s movements as she “cast” the spell with Hermione’s wand. There were also 25,000 envelopes printed for the scene of all the letters arriving, with letter firing rigs being built to shoot them into the Dursley house set. Each time they reset the shot, crew members simply picked them up and refilled the machines!

But CGI had to be used in some areas of this filmmaking process. One example is the owls flying into the Great Hall, however, 80% of the owls seen on screen were real and these owls were trained to deliver packages into the set. CGI was used to show all the owls in the room at once, as more than a couple couldn’t be flying through the hall at once. Other Visual Effects created certain characters, like the ghosts, the troll, Fluffy, and Voldemort’s face[12]. With Norbert the dragon, the animators and Visual Effects workers looked at footage of newborn animals as reference material so they could accurately animate the animal and how it would act in this moment.

Finally, Quidditch was potentially the hardest scene to shoot, because not only did the sequence have to be action-packed and required flying, which meant mechanical brooms and green screens, but that anyone unfamiliar with Quidditch had to be able to understand what was going on. The filmmakers were given the rules of the game by J.K. Rowling, and Production Designer Stuart Craig was responsible for creating the pitch. A variety of props needed to be made, including the tiny golden Snitch, the brooms, the other balls, like the Quaffle, and the Bludgers, and even the Quidditch box that Oliver Wood carries with Harry to teach him all about Quidditch[13].

With the film completely shot, then came time to edit and release it. There were a few deleted scenes that have been made available to the public via DVD and Blu-Ray home releases. Some of these are simply filler moments, such as Harry, Ron, and Hermione talking in the corridor after defeating the troll, and others are extended scenes, like Harry and the first Potions class with Professor Snape. In this scene, Harry talks back to Snape, telling him to get Hermione to answer all his questions that Harry can’t answer. I actually think that would’ve been a good one to keep in because it shows the friction between Harry and Snape early on. There are also a couple of others that seemed quite good for the film, like Harry seeing Dudley’s new private school uniform and Harry being told he’s going to a rough state school, with Dudley’s old uniform being dyed in the kitchen for him, which would’ve shown Harry further being treated poorly by his only remaining family, and a scene of Harry and Hagrid on the Tube, which is just funny to see Hagrid on the Tube[14].

Years later some also became aware of the fact that two different versions of Harry Potter and the Philosopher’s Stone exist, both in movie and novel. This is because for the US publication of the novel and therefore distribution of the film, the word “philosopher” is changed to “sorcerer”, as requested by the US novel publisher Scholastic, who claimed Americans wouldn’t understand the word. Because of this, the cast had to record scenes saying “Philosopher’s Stone” and then “Sorcerer’s Stone” so as not to confuse anyone. Apparently, Rowling was not a fan of this change of title and would’ve rejected it had she felt able to do so at the time[15]. The Philosopher’s Stone is actual a real legend from the Middle Ages, being linked to alchemists going back to the 3rd Century. The stone is said to grant eternal life and wisdom, so naturally the hunt for this legendary stone began in the West in medieval times and lasted until around the 17th Century. Nicolas Flamel was a real person, a bookseller and philanthropist born in France in 1330 and gained posthumous fame as an alchemist due to rumours that he had discovered the stone, with a recipe for it apparently found in an ancient book he owned. There was little evidence to suggest Flamel was ever an alchemist though and was just wealthy by his own means, not by any stone, and donated often to charity. Alchemy has been proven to be impossible but the Philosopher’s Stone legend still continues with the most famous reference to it being in Harry Potter and the Philosopher’s Stone[16].

RECEPTION

Due to its popularity from the book series, Harry Potter and the Philosopher’s Stone had potential to be one of the biggest movies of the year. After all that anticipation, Harry Potter and the Philosopher’s Stone was released in November 2021, on 10th November in the UK, and just a few days later on 16th November in the US. It had its premiere in Leicester Square on 4th November 2001.

Harry Potter and the Philosopher’s Stone did exceptionally well at the box-office, raking in just under $975 million during its initial release, topping the worldwide box-office in 2001. Rounding out the Top Five at the 2001 box-office were The Lord of the Rings: The Fellowship of the Rings; Pixar’s Monsters, Inc.; DreamWorks’ Shrek; and Ocean’s Eleven.

In 2020, almost two decades after Harry Potter and the Philosopher’s Stone’s initial release, the movie surpassed $1 billion at the box-office thanks to a new 3D and IMAX release in China. In this year, the movie made more from its re-release than the movie’s entire first stint in Chinese movie theatres back in 2002. It was first released in China in January 2002. This made Harry Potter and the Philosopher’s Stone the second in the movie series to hit this milestone. Harry Potter and the Deathly Hallows – Part 2 made $1.34 billion worldwide during its 2011 release[17].

In terms of reviews, in 2001, they were mostly positive. On the positive side, many liked how faithful the movie adaptation was to the first book. They felt the world that J.K. Rowling had created was just as enchanting and magical on screen as they’d imagined it to be. It was deemed to be just scary enough, without being too cute, and full of adventure. The casting was praised, and the special effects were seen to be pretty good, especially as a mixture of both technological CGI and more practical effects were used. Some said they could already tell Harry Potter and the Philosopher’s Stone was going to be a classic.

Others said that the film was too long, especially for younger children to concentrate fully on. I don’t particularly enjoy watching films that are over two hours long, but I don’t think the Harry Potter films ever drag and aren’t padded out with pointless scenes. Despite many claiming that Harry Potter and the Philosopher’s Stone was faithful to the book, others felt some important moments had been omitted from the film, so some fans of the book were not happy. But there were also comments that perhaps the filmmakers had been too faithful to the book, which just goes to show that sometimes you just can’t win! Harry Potter and the Philosopher’s Stone has now been shown to not even be the best Harry Potter movie in the franchise – although some will always love the first one because it was the first.

Although Harry Potter and the Philosopher’s Stone may not be the most sophisticated movie and doesn’t hit the dramatic heights of some Oscar winning movies, its popularity and innovation meant that it was nominated for numerous awards and won several. The most impressive nominations were at the Academy Awards and the BAFTAs. At the Academy Awards, along with John Williams’ nomination for Best Original Score, Harry Potter and the Philosopher’s Stone was also nominated in the categories of Best Art Direction and Best Costume Design, but lost out to Baz Luhrmann’s Moulin Rouge! (2001) on both occasions, which I can understand; Moulin Rouge! is quite “out there” – in a good way. Harry Potter and the Philosopher’s Stone was nominated for seven awards at the BAFTAs. Robbie Coltrane was nominated for Best Actor in a Supporting Role for his role as Hagrid, although Jim Broadbent actually won the award for his role in Moulin Rouge! It lost in the Best Costume Design category to period drama Gosford Park (2001). In Best Production Design, Harry Potter lost to French film Amélie (2001), and lost again to Moulin Rouge! in the Best Sound category. Best Special Visual Effects went to The Lord of the Rings: The Fellowship of the Ring (2001) and Outstanding British Film went to Gosford Park. It’s a bit of a travesty that Harry Potter and the Philosopher’s Stone didn’t win any BAFTAs after all those nominations, but there was plenty of time for the series to come into its own. 

The movje also lost in the Favorite Movie category at the 2002 Kids’ Choice Awards, though not to The Lord of the Rings: The Fellowship of the Ring; it lost to Rush Hour 2 (2001). But Harry Potter as a book series did win the Favorite Book award here. At the Saturn Awards, Robbie Coltrane, Maggie Smith, and Chris Columbus all lost in their respective categories, and The Lord of the Rings: The Fellowship of the Ring once again won Best Fantasy Film, although Judianna Makovsky did pick up the Best Costumes award here for her work on Harry Potter and the Philosopher’s Stone.

However, Harry Potter and the Philosopher’s Stone did win some other awards, including the award for Best Family Film at the Critics’ Choice Awards. The movie also won a few acting awards for its young actors, alongside various other nominations. For example, Daniel Radcliffe was awarded the Choice Breakout Movie Actor award at the 2002 Teen Choice Awards, where Emma Watson was nominated in the Movie Actress category, and Watson won the Best Performance in a Feature Film: Leading Young Actress award at the Young Artist Awards; she tied with Scarlett Johansson in An American Rhapsody (2001). Tom Felton was also nominated here, for Supporting Young Actor, and Rupert Grint won the Most Promising Young Newcomer award.

LEGACY

2001 might’ve seen Harry Potter and the Philosopher’s Stone being introduced to a whole new audience of non-readers, but by the time of the film’s release, J.K. Rowling had already published the first four books in the series. Harry Potter and the Philosopher’s Stone was first published in the UK in 1997, followed by Harry Potter and the Chamber of Secrets in 1998. Harry Potter and the Prisoner of Azkaban came to be in 1999, and Harry Potter and the Goblet of Fire followed in 2000.

To accompany the fiction book series, J.K. Rowling also wrote two other books, which are mentioned in the original series as being read by Harry and his friends. They were written in 2001 with proceeds going to the Comic Relief charity. These books were the non-fiction book Quidditch Through the Ages, fictionally written by Kennilworthy Whisp, and the fictional textbook Fantastic Beasts and Where to Find Them, accredited to fictitious author Newt Scamander. These books were published in March 2001 to coincide with the BBC’s annual telethon fundraiser event for Comic Relief. 

As with many children’s films at the time, there was a video game made to allow players to follow in their favourite characters’ adventures. The Harry Potter and the Philosopher’s Stone video game was a favourite of mine when I was younger. I actually played it through a couple of years ago and it still holds up! One thing to mention here is that the game actually includes an important character in the book series who did not make it into the final films. This is poltergeist Peeves, who bothers and annoys both the students and staff at Hogwarts. In the game, he pops up at random just to make things difficult, and he is also a character in the newer Harry Potter game Hogwarts Legacy, released in 2023.

The interesting thing to note is that Peeves was meant to be in the film Harry Potter and the Philosopher’s Stone and his scenes were filmed with British comedic actor Rik Mayall, known for such roles as Rick in the comedy series The Young Ones (1982-94) and Richie in the series Bottom (1991-95), both alongside his friend Adrian Edmondson. Devon Murray, who played Seamus, and Matthew Lewis, who played Neville, said Mayall was hilarious on set and kept making all the kids laugh, and they feel that is the reason why Peeves was cut from the film because he was meant to be scary, but nobody was finding Mayall’s portrayal scary[18]. However, it has also been said that he was simply cut for time, but perhaps with the potential release of the three-hour-long directors’ cut, these deleted scenes with Mayall as Peeves may one day come to light[19]. Mayall sadly passed away in 2014, at the age of 56, making the request for his scenes even more wanted by fans.

In 2021, Harry Potter and the Philosopher’s Stone film celebrated its 20th anniversary. With that milestone, two new television projects were developed. One was Harry Potter: Hogwarts Tournament of Houses, a gameshow that saw teams competing in a Harry Potter trivia competition. It was hosted by Dame Helen Mirren and ran for four episodes in November and December 2021. The second television project was the most anticipated and that was a documentary with some of the cast and crew that worked on the Harry Potter movie franchise. It was titled Harry Potter 20th Anniversary: Return to Hogwarts, and it aired on 1st January 2022. The fans loved it. It was nostalgic, interesting, and heartwarming.

Now I come to something that is quite controversial and perhaps shouldn’t be happening if you ask me, but it is still related to Harry Potter and the Philosopher’s Stone so I suppose I have to mention it. Urgh. So, HBO Max announced in April 2023 that they were making a live-action series basically remaking the Harry Potter series, with J.K. Rowling set to executive produce, which led to some calling to boycott the series due to Rowling’s personal views. Each series will be based on one of the seven books. I don’t like the idea of the series just because I don’t like the concept of rebooting and remaking, and I love the original films, but given how much the Harry Potter legacy is worth – an estimated $25 billion – it obviously makes business sense[20].

But I still don’t like it, and had John Lithgow not been confirmed as playing Dumbledore, I had every intention of just trying to ignore it. Now, I’m probably going to have to watch it. Other cast members confirmed for this series include Nick Frost, known for his collaborations with Simon Pegg in comedies like the series Spaced (1999-2001) and “The Cornetto Trilogy” of movies that include Shaun of the Dead (2004) and Hot Fuzz (2007), playing the part of Hagrid; and Paapa Essiedu, who recently starred as George in The Lazarus Project (2022-23) and as Alexander Dumani in Gangs of London (2020-present), as Severus Snape. Warwick Davis is also said to be returning to his role as Professor Flitwick here. Harry, Ron, and Hermione will be played by three relatively unknown child actors. The first series is expected to come to HBO in early 2027. Filming began in London in 2025[21].

FINAL THOUGHTS

Harry Potter and the Philosopher’s Stone was the first outing into the Wizarding World, where those who had read the books could see all the imagined scenarios come to life on the big screen, and those who hadn’t got an introduction into this magical world.

However, this first film only gave the viewers an introduction, a brief glimpse, of what was to come. Sure, Hogwarts is a beautiful castle and being a witch or wizard sounds like a lot of fun, but darkness was coming for Harry and his friends, and Harry Potter and the Philosopher’s Stone was just the start of an epic adventure and an enduring battle between good and evil. We had to prepare ourselves for what was coming next.


REFERENCES

[1] Credit: Variety, ‘Star Wars & Harry Potter Composer John Williams Reveals How He Came Up With Cinemas Biggest Scores’, Variety Official YouTube Channel, 6th March 2024.

[2] Credit: J.K. Rowling, ‘My Story’, JKRowling.com, date unknown.

[3] Credit: Adam Markovitz, ‘Harry Potter: Casting the Spell’, EW.com, 1st July 2011.

[4] Credit: Adrienne Tyler, ‘Why The Harry Potter Books Were Banned’, ScreenRant.com, 14th May 2024.

[5] Credit: Christine DiStasio, ‘‘Sorcerer’s Stone’ Is So Different From the Book’, Bustle.com, 11th July 2014.

[6] Credit: BBC Newsround, ‘Harry Potter: 20th anniversary of the Philosopher’s stone film’, BBC.co.uk, 16th November 2021.

[7] Credit: HBO, Harry Potter 20th Anniversary: Return to Hogwarts (2022).

[8] Credit: Adam Markovitz, ‘Harry Potter: Casting the Spell’, EW.com, 1st July 2011.

[9] Credit: BBC, ‘Harry Potter 20th anniversary: The UK film locations’, BBC.co.uk, 20th November 2021.

[10] Credit: Visit Britain, ‘Visit Harry Potter filming locations’, VisitBritain.com, date unknown.

[11] Credit: Chloe Roden, ‘Discovering England’s Wizarding World: 20 Years of Harry Potter Filming Locations’, FilmingInEngland.co.uk, 16th November 2021.

[12] Credit: Warner Bros., ‘Capturing the Stone: A Conversation with the Filmmakers (2002)’ from Harry Potter and the Philosopher’s Stone (2001) 11-Disc Blu-Ray Set (2011).

[13] Credit: Wizarding World Digital, ‘Harry Potter Filmmakers’ Series, Harry Potter Official YouTube, September-November 2021.

[14] Credit: Warner Bros., ‘Deleted Scenes (2001)’ from Harry Potter and the Philosopher’s Stone (2001) 11-Disc Blu-Ray Set (2011).

[15] Credit: Ariane Sohrabi-Shiraz, ‘Harry Potter fans gobsmacked after learning there are two versions of the Philosopher’s Stone’, Mirror.co.uk, 11th January 2025.

[16] Credit: Discovery, ‘The Philosopher’s Stone: Alchemy’s Greatest Secret’, DiscoveryUK.com, 2nd February 2024.

[17] Credit: Rebecca Rubin, ‘‘Harry Potter and the Sorcerer’s Stone’ Crosses $1 Billion Box Office Milestone After China Rerelease’, Variety.com, 18th August 2020.

[18] Credit: Dusty Baxter-Wright, ‘So THIS is why Rik Mayall’s Peeves was cut from the Harry Potter movies’, Cosmopolitan.com, 7th December 2017.

[19] Credit: Louis Chilton, ‘Harry Potter director backs release of three-hour Philosopher’s Stone cut with Rik Mayall’s character added in’, Independent.co.uk, 2nd January 2022.

[20] Credit: Adrian Horton, ‘Harry Potter TV series announced, with JK Rowling executive-producing’, TheGuardian.com, 12th April 2023.

[21] Credit: Ian Youngs, ‘Bafta-winning stars announced for Harry Potter TV show’, BBC.co.uk, 9th June 2025.