ZOMBIES 2 (2020)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

Some Disney Channel musicals are left to rock alone. No sequel, no problem – we still love them. Then again, sometimes Disney like to push their musicals beyond just the one movie.

ZOMBIES is one of those musical franchises that was felt to be popular enough, entertaining enough, and worthy enough of getting a sequel, which came to the channel two years after the first movie was released; a typical gap between sequels.

However, just because it makes business sense to develop and release a sequel, it doesn’t always mean that the story warranted a further film. I’m not blaming solely Disney Channel or Disney in general for that; it’s just how it goes sometimes, whether I like it or not.

Anyway, it could be argued that perhaps ZOMBIES didn’t need a sequel. It seemed like at the end of the first film, the humans and the zombies were able to co-exist, and everything ended happily between them. The plot was wrapped up nicely and it wouldn’t have been entirely obvious where Disney Channel would go with a ZOMBIES sequel.

But a sequel there was going to be, so where would it go now? At first glance, it would seem that ZOMBIES 2 was just going to be like the first movie, but instead of the zombies causing problems, a new creature species was going to arrive in their town of Seabrook. And that species turned out to be… werewolves. Hmm, random.

To be fair, these werewolves are actually pretty cool and I don’t have a problem with them being there, other than, like I said, it was kind of a random choice, especially as it turns out they’ve apparently been living in the Forbidden Forest around the town for years – and yet, they were never referenced in the first film.

On the other hand, the werewolves add a whole new dimension to the ZOMBIES franchise, and they aren’t there just because they want to go to high school. In actual fact, their addition to the movie is a bit more poignant, as it can be seen as a reference to the dangers of colonialism. The werewolves were native to Seabrook, before human settlers came to their land and started taking their resources. Now, where have I heard that before?

It’s an interesting spin on the franchise’s inclusion and integration concept and much deeper than I was expecting. I like ZOMBIES 2 more than the original for this very reason, and there are a few moments that bring a tear to my eye. The music and overall production value were also bigger and better. It’s clear ZOMBIES 2 was trying to outdo its predecessor.

PLOT

Similarly to the original ZOMBIES movie, ZOMBIES 2 begins with another animated sequence, giving us a bit more backstory into the characters’ hometown of Seabrook.

Many years ago, the settlers who founded Seabrook found monsters in the forest. The settlers fought off these mounters and found a power source, which they hid in order to harness its energy. The residents of Seabrook lived happily for years, forgetting all about monsters – until the day of the lime soda incident at the Seabrook Power Plant when some of Seabrook’s humans became zombies.

But the days of zombie apocalypses, and even restricting zombie rights, are behind Seabrook now as the humans and zombies learnt to live in harmony together. Now, the anti-monster laws that were in place back then have been abolished and humans and zombies can go anywhere in the town, with whoever they want, as explained by teenage zombie Zed. His football coach at school has even opened a froyo cart in the off-season, complete with flavours loved by humans and zombies alike. Zed goes on to say that there are plans to demolish the old power station, and his father is on the demolition crew. The aim is for a new cheer building to be built in its place, although Zed’s zombie friend Eliza is campaigning against the demolition, not wanting a piece of zombie history to be erased.

Meanwhile, Addison, Zed’s human girlfriend, is at Cheer Camp with her friend Bree, and Zed’s zombie friend, Bonzo, because zombies are now allowed on the cheer squad. However, their Cheer Captain, Bucky, despite seeming more open to the inclusion of zombies at the end of the first film, has apparently still not warmed to them, and decides to split the cheerleaders into two teams: the A-Team, and the Z-Team. The A-Team consists of veteran cheerleaders and Bucky loyalists, like the Aceys, Lacey and Stacey, with new member Jacey – real name Kevin – replacing Tracey from the first film. The Z-Team is full of newbies and zombies, with Bucky giving Addison the “privilege” of leading them in a race to win the Cheer Cup. Against all odds, Addison leads her team to victory and she leaves Cheer Camp on a high, and desperate to get back to Zed, who she has been attempting to write to all summer, however the Aceys shredded both of their letters and returned them to Addison in the form of pom-poms…Mean.

On the bus back home, being driven by a guy in a shrimp costume, also known as mascot Shrimpy, which I wouldn’t mention except for the fact that this is incredibly unsafe, Addison and others excitedly discuss Prawn, Seabrook’s version of Prom, because their team is known as the Mighty Shrimp. Not because Seabrook recently flooded and now everyone acts like crustaceans. You’re going to have to just go with this Prawn thing because it gets mentioned a lot! Addison wants to go to Prawn with Zed, and Bree wants to go with Bonzo, but both are waiting to be asked.

Luckily for Addison, Zed is setting up an elaborate “Prawn-posal”, with help from little sister Zoe, but for some reason, he decides to set this up across the road so Addison will be able to see it on the bus. It turns out Zed didn’t get his timings right though and as he stands on a ladder, hanging up some banners, he is hit by the bus. Zed stays on top of the bus for a little while before being thrown off, and the bus crashes into the Forbidden Forest, which, I’m just guessing here, is forbidden to enter. Addison, wanting to prove her leadership skills to Bucky, who is looking to replace himself as Cheer Captain because he’s running for Class President at school this year, orders everyone to keep calm and stay on the bus. Addison, however, chooses to leave the bus to check if Zed is ok. On walking into the forest though, she hears strange noises and finds herself surrounded by werewolves! Zed and others arrive and Addison tells them what she saw. They report back to Seabrook with the news. Seabrook declare an emergency meeting at City Hall, where the mayor, also Addison’s mother, announces that all anti-monster laws are effective once again, meaning, amongst other things, that the zombies will now not be allowed to attend Prawn. Bummer…

Later, we discover that a werewolf in disguise has been scouting out Seabrook and he, Wyatt, returns to his pack in the forest with news. We see that the wolves are all wearing glowing necklaces which are powered by something called the moonstone. Wyatt believes that Addison must be the Great Alpha with the white hair who will lead the wolves to the moonstone, allowing them to recharge their necklaces, since without that, the wolves will become ill and die. Wyatt’s sister, Willa, and leader of the pack, isn’t convinced that Addison is in fact the Great Alpha, but is willing to explore this more. They find a patch off Addison’s cheerleading uniform on a nearby tree and discover she is from Seabrook High. They go there in the dark of night and hide in the school, ready to talk to Addison the next day.

At school the next day, Zed has a plan to get the zombies back in to Prawn: by running against Bucky for Class President, so he can change the rule. Eliza thinks they should just crash the Prawn, but Zed, ever the peacekeeper, wants to play by the rules. At a school assembly, the two candidates for Class President announce themselves, but the festivities are rudely interrupted by the arrival of the werewolves, scaring everyone. They seem to want Addison so Zed orders the football team to form a wall to protect her. The wolves get ready to attack, until Wyatt tells everyone to calm down, as they just want to talk. The wolves lie and say they just want to be part of the school, like the zombies are. Everyone calms down and the wolves are allowed to attend high school, just like that.

Zed begins campaigning for Class President, and it turns out Zed thinks he needs the “wolf vote” to win, as the school is split down the middle. Zed tries to help the wolves fit in at Seabrook by telling them to follow how the zombies behave. The wolves pretend to try and fit in, but really, they just want to talk to Addison. Their opportunity comes when Addison is leading a cheer practice in a bid to become Cheer Captain. The wolves plan to just watch practice but Addison convinces them to join in. Zed sees Addison hugging Wyatt through the door and instantly becomes jealous. The two argue. Addison tells Zed she likes the unity of the pride and wishes she could feel like she belongs somewhere too, as the humans of Seabrook still haven’t fully accepted her for her white hair. We also see another of the wolves, Wynter, begin to cough uncontrollably and almost collapse. The moment passes, but the wolves know they need to work out if Addison is the Great Alpha sooner rather than later.

That night, the wolves wait for Addison outside her house. They say they need to talk to her at their den in the forest. Addison goes with them and learns of the wolves’ illness and their loss of power. They show Addison a vision of the Great Alpha, who, she has to admit, does kind of look like her. The wolves make over Addison to look like the Great Alpha, but as they do, Zed, Eliza, Bonzo, and Bree burst in to the den. They’ve been looking all over town for Addison and can’t believe she’d turn up here willingly. Zed takes off his Z-Band and goes into full zombie mode in a bid to protect Addison from them. She quickly retrieves the band and puts it back on him. Bree then pipes up and says she thought Addison was in trouble as she texted “HELP”. It turns out Addison just wanted help with homework. As Addison and the others are about to leave, the wolves tell Addison that if she really is the Great Alpha, then putting on a moonstone necklace will prove it, by turning her into a wolf. Addison asks for a day to consider this, as it’ll change her whole life if she really is a wolf. The den is then shaken by the demolition crew testing charges at the power station across town. Addison wonders if the moonstone could be the town’s secret energy source that powers the station, and says they have to stop the demolition or else it could be destroyed forever.

The next day, everyone, including Addison’s parents, are shocked by her new “wolf look”. The cheerleaders go so far as to tell Addison she can no longer be a cheerleader if she looks like that, but Addison doesn’t care, believing she really is part of the wolf pack. Addison tells Zed she wants to put on the necklace with the wolves, but Zed, fearing she’ll no longer be part of his life if she becomes a wolf, steals the necklace and heads to his Class President debate. At the debate, Zed discovers that Bucky has been deliberating playing up the zombie angle so Zed doesn’t get elected. But the debate goes well and Zed starts to win some voters back – until his Z-Band malfunctions, thanks to being in close proximity to the moonstone necklace, and Zed starts to destroy the room. Eliza tells him to remove the moonstone from his band and he returns to normal, but the damage is already done: Zed has lost the election and probably lost Addison too.

Addison catches up with the wolves who are planning to stop the power station demolition at 5pm. Addison wants to help and tells them she’s ready to put on the necklace, but she discovers she’s lost it. Willa is angry at Addison for that as it shows she doesn’t actually care about the pack. Willa and the wolves leave and go to the power station without her. At the demolition, the wolves trigger a security alarm and are arrested for trespassing. This sets off an alarm at the school. Addison rallies the others and says they all need to go to the power station to help the wolves.

At the power station, all the high schoolers come out to protest against the demolition of the power station. They explain that the wolves are fighting for their lives as they need the moonstone. Zed manages to convince his father to delay the demolition, and the wolves are freed. Zed also returns the moonstone necklace to Addison and admits he stole it from her. Addison is angry with Zed for doing that, and puts on the necklace in front of the wolves. She is excited for her transformation – but nothing happens. She wasn’t the Great Alpha after all…. To make things worse, the demolition malfunctions and the power station detonates. The town manages to flee just in time. The wolves’ necklaces instantly lose power and they collapse, becoming dangerously weak. They don’t have much time.

As the humans ready themselves for Prawn that evening, Zed sees the wolves all struggling and convinces both wolves and zombies to crash Prawn. As Bucky is about to pull the monster alarm at school to stop them, Willa threatens to attack him. Bucky lets them go inside! There, Zed apologises to Addison for what he did, and explains he was scared of losing her. Addison accepts his apology. Suddenly, there is a huge earthquake, and the ground splits apart, revealing a huge chasm along a fault line. The group decide to follow the fault line, believing it will take them to the moonstone. Sure enough, they find the moonstone buried underground at the power station site. The wolves instantly recharge their necklaces on it, but it needs to be moved. Everyone comes together to try and move it, but they become trapped by a boulder. Zed removes his Z-Band so he can lift up the boulder and allow everyone else through with the moonstone. The moonstone is safely freed from the cave. However, just as everything seems rosy again, rocks begin falling and Zed disappears in a cloud of dust and rubble. The others hold their breath and wait to see what has happened to Zed. And Zed just calmly walks back to them, with his Z-Band back on!

Now, it’s time to get back to Prawn. At Prawn, as the group celebrate, Willa gives Addison a moonstone necklace to thank her for all her help. Bucky also decides to make Addison Cheer Captain now that he is Class President. Addison and Zed have their first kiss, and have their picture taken to go up on the Wall of Fame at school, being the first ever zombie-human couple to be on there.

But that’s not all. Just when you thought the movie was over, we see Addison asleep at home, and a glowing blue comet falls to Earth through her window. Addison briefly wakes up, and we discover that her hair is glowing blue! So, her hair does mean something!

CHARACTERS & CAST

Many cast members returned to reprise their roles from ZOMBIES.

This includes Milo Manheim and Meg Donnelly who return as Zed and Addison. In ZOMBIES 2, Zed and Addison seem to be comfortable in their relationship, with Seabrook now accepting them as a couple since anti-monster laws are not being enforced anymore. They’re going to Prawn together and everything seems to be great. But they didn’t count on the wolves coming to the town. The wolves create friction between the two, as Zed first becomes jealous of Addison and her friendship with wolf Wyatt, and then when Addison starts to be welcomed into the wolf pack. Despite Addison wanting to find a family she belongs with, since her white hair means she can’t be just a boring human, Zed doesn’t understand that, and tries to stop her from getting close to the wolves. In the end, though, Addison isn’t a wolf and the two make up at Prawn, before helping their new friends with their quest to retrieve the moonstone, so they can be healthy once more.  

Zed and Addison’s friends Eliza, Bonzo, and Bree also return to the sequel. This time, Bree and Bonzo are in a blossoming romance, this being another human-zombie couple, showing that progress has been made. Although this also means that with the monsters banned from Prawn, the two are struggling with the idea that they can’t go to the dance together either, just like Zed and Addison. Meanwhile, Eliza is also back to her rebellious self, protesting against the demolition of the power station, which seems to go down in her list of causes after the anti-monster laws are reenacted. Then, Eliza’s main cause is to help Zed become Class President, since he’s too square to crash Prawn like she wants, which is a much simpler option than trying to beat out Bucky to be Class President. I don’t think even if Zed had become Class President, it would’ve been that simple to get the zombies re-invited to Prawn. School councils seem to be more for show than real action.

To be honest, I don’t feel like we got to see very much of Eliza, Bonzo, or Bree in ZOMBIES 2, which is a shame, since they are each funny and interesting in their own ways. It seems like they got pushed aside, to allow for new characters to take the spotlight. That’s fair enough, but I still think there could’ve been a storyline written for these three. Kylee Russell, James Godfrey, and Carla Jeffrey returned to Disney to reprise these roles.

This wasn’t even the only group that didn’t get as much screen time as they had in ZOMBIES. Bucky and the Aceys didn’t appear too much either, other than at the beginning with the Cheer Camp stuff and then again at the Class President debate. Trevor Tordjman, who returned to play Bucky, has so much energy and star power that this was a real disappointment to me when watching ZOMBIES 2. He’s mean but funny at the same time, but we only really saw any of that in two or three scenes. I’m not as big a fan of the Aceys, especially after seeing them shred Zed and Addison’s letters – that’s cruel even for them – but again, them bouncing off Bucky’s personality was a highlight of ZOMBIES.

Lacey and Stacey were back in the Aceys trio, with actresses Emilia McCarthy and Jasmine Renée Thomas reprising their roles, but Mickeey Nguyen was not back as Tracey. Instead, a new Acey was added, this being Jacey, who reminds everyone that his name is actually Kevin. Bucky didn’t like that. Did Jacey not get the memo? When you change your name to be an Acey, that’s your identity forever. You can forget all about being Kevin! Anyway, Noah Zulfikar was cast as Jacey, or Kevin, having previously appeared as Kingston in the Canadian teen drama series The Next Step (2013-25) from Season 5 of the show, which aired in 2017. Trevor Tordjman played James in this same show.

Now on to the new characters who took the spotlight away from some of the originals. That might sound bitter but it’s not supposed to be, because I actually liked the werewolves’ addition to the ZOMBIES franchise. Meg Donnelly compared the addition of these new cast members as like attending a new school where everyone already knows each other, however, she said that the new cast were welcomed by everyone and they all became close really fast[1].

The leader of the wolf pack is Willa. She is a strong leader, and very outspoken. She wants to find the moonstone because the fate of the pack really does rest with her as their leader, but she is distrusting of Wyatt’s idea that Addison must be the Great Alpha because of her white hair. She doesn’t like Addison’s peppy optimism and doesn’t think she could possibly be their Alpha, at least initially. It’s quite clear as Willa spends more time with Addison that she starts to be hopeful that Addison is the solution to their problems, but when it turns out she isn’t, Willa can’t help but be disappointed. Luckily, neither the humans nor the zombies give up on the wolves, and together, they find the moonstone, allowing the wolves to return to full health. Also, now, they are welcome in Seabrook.

Chandler Kinney was cast as Willa. Prior to her role in ZOMBIES 2, Kinney had been cast as Catherine Dillman in Gortimer Gibbon’s Life on Normal Street (2014-16) for Amazon Prime. She went on to play Riana Murtagh in the Fox series Lethal Weapon (2016-19).

Next, we have Wyatt, Willa’s brother, who seems to have tunnel vision, focusing solely on Addison as being their saviour. But this shows how much he cares about the pack and wants to be proactive. Instead of just sitting around watching the other wolves become weaker, he’d rather be out there pursuing one course of action even if it turns out to be the wrong one. Wyatt is also an adversary of Zed, as he develops a fairly close relationship with Addison quite early on, leading to Zed to believe that Wyatt is trying to steal his girl. Come on, Zed. The wolves have much bigger issues in their lives than messing with your love life.

Wyatt was played by Pearce Joza, who had been cast in the recurring role of Logan on the Nickelodeon series Legendary Dudas (2016) prior to his role in the ZOMBIES franchise. He also starred as Spyder in the Disney Channel and Disney XD science-fiction series Mech-X4 (2016-18) around the same time.

The other wolf pack member we focus on in ZOMBIES 2 is Wynter. Wynter is passionate, if a bit eccentric[2]! She has some odd suggestions, such as wanting to track Addison down with their “key sense of smell”, which is a bit creepy; and trying to prove that she can deal with her wolf allergy to silver by grabbing one of the school’s trophies, before it burns her hand and she has to let it go! She also eats Bree’s homework at one point, leading to the classic joke: “that dog ate my homework”. Except that’s really quite offensive to call a wolf a dog, surely. It is very Twilight Saga though.

Wynter was played by singer and social media personality Ariel Martin, who also goes by the name Baby Ariel. On screen, Martin appeared as Dru in Season 2 of the YouTube web series Chicken Girls (2017-23), and its spin-off series Baby Doll Records (2018). Also prior to her role in ZOMBIES 2, Martin was cast as Kenzie Messina in the television movie Bixler High Private Eye (2019) for Nickelodeon. She also won the Teen Choice Award for Choice Muser in both 2016 and 2017. 

MUSIC

The soundtrack for ZOMBIES 2 consists of almost double the original songs that existed in ZOMBIES. This time, there are nine original songs, with eight of these appearing in the film, and a customary reprise of Zed and Addison’s love song, “Someday”.

Going in film order, the first song we hear is “We Got This”. This song details a bit of a recap into the lives of the humans and zombies at Seabrook, such as discussing the newly integrated Seabrook Cheer Squad, and the zombies discuss the planned demolition of the power plant and their increased freedoms, like going to Prawn. Although Zed and the zombies are perhaps talking about important topics in their parts of the song, I love this song mostly for the Cheer Camp sequences, especially that obstacle course – it has a zipwire; that makes it awesome, and is likely the predominant reason why this is my favourite song in the film! “We Got This” is performed by the main cast, excluding the wolves who we haven’t met at this point, and was written by Mitch Allan, Chantry Johnson, and Michelle Zarlenga.

Following that is “We Own the Night”, the introduction to the werewolves as they head to Seabrook High School in the dead of night. This song details their determination and focus on their desire to find the Great Alpha, who Wyatt believes is Addison, and find the moonstone so they can live peacefully again. This song is pretty cool and a good opening song for the werewolves. “We Own the Night” was performed by Pearce Joza, Chandler Kinney, and Ariel Martin, as Wyatt, Willa, and Wynter respectively, and the number was written by Antonina Armato, Tim James Price, Thomas Armato Sturges, and Adam Schmalzholz. Due to the popularity of this song, Disney officially released a video of a mashup between “We Own the Night” and Descendants 3’s “Night Falls”.

This same writing team also wrote the next song in the movie, “Like the Zombies Do”. In “Like the Zombies Do”, Zed is trying to help the wolves integrate in Seabrook life by behaving “like the zombies do”, because he hopes if he does this, then the wolves will vote for him for Class President. It takes a while to convince the wolves, but in the end, they pretend to do this, so they can get closer to Addison without looking suspicious. This song sounds very much like the song “Uptown Funk”, or at least the beginning of it does. To be honest, this is one of the songs in ZOMBIES 2 that I’m not a big fan of, but I can see what they were trying to do, and it gave Milo Manheim an opportunity to show off his singing abilities as the lead performer of this song, who mentioned this song as being his favourite song in the movie. Kinney, Joza, and Kylee Russell also perform parts of this song.

A little while later, we hear the “break-up song” “Gotta Find Where I Belong”, written by Josh Cumbee and Jordan Powers, and performed by Manheim and Meg Donnelly as Zed and Addison. This was Donnelly’s favourite song in the movie, as it was a bit more of a challenge since this was the first song of its kind in the ZOMBIES movies. I do like this song, probably because it is a little bit like “Gotta Go My Own Way” from High School Musical 2 (2007), albeit a little bit quieter and less dramatic. The only issue I have with this song is the background performers, who start moving robotically in random parts of the number before moving on and walking away. This looks a bit weird to me, but I guess it was meant to show how at odds Addison feels with the other Seabrook humans, who live in a perfect world and all look and act the same.

The next song is another one for the wolves, “Call to the Wild”, also written by Antonina Armato, Tim James Price, Thomas Armato Sturges, and Adam Schmalholz. It was performed by Donnelly, Joza, Kinney, and Martin. This shows Addison being welcomed into the wolves’ den and letting her in on the fact she may be their Great Alpha. It’s a very catchy song and once again proves just how cool the wolves are. I also like the addition of tinikling, which is a traditional Philippine folk dance using bamboo poles to dance in and around, in this sequence. I had only ever heard of tinikling from an episode of the ABC sitcom The Middle (2009-18), where Sue Heck performs a tinikling routine to Taylor Swift’s “Shake It Off” for P.E. credit, but it always looked fun to me.

Following that is a song clearly inspired by Lin-Manuel Miranda’s Hamilton as this is a rap battle. The song “I’m Winning” is performed by Milo Manheim and Trevor Tordjman, predominately, as Zed and Bucky as they battle for their classmates votes for Class President at the debate. Bucky is deliberately trying to bait Zed into showing the “true side” of zombies, whilst Zed is trying to prove he is a much better leader than self-obsessed Bucky. When I first watched ZOMBIES 2, I didn’t initially like “I’m Winning”, but I actually quite like it now. It’s not my favourite, but it’s quite funny. I especially like when Bucky says zombies eat brains, and Zed retorts that Bucky doesn’t have a brain so he’s safe. “I’m Winning” was written by Ali Dee Theodore, Ricardo Belfort, Doug Davis, Sarai Howard, Anthony Mirabella, Susan Paroff, James K. Petrie, and Jodie Shihadeh.

Close to the end of the movie we hear “Flesh & Bone”, which is one of the most liked songs from the ZOMBIES franchise amongst fans. At first, to me, it seemed a bit cheesy, but as the song progressed, and things start to look a bit nasty, with the wolves being arrested, and then Addison arrives with every from school, I actually started to well up. I think it’s the united front that gets me emotional, but it’s a pretty powerful song with a great chorus. “Flesh & Bone” was performed by the main cast, and was written by Tova Litvin and Doug Rockwell. In interviews, some of the ZOMBIES cast have said that although “Flesh & Bone” was a difficult number to perform, as it is quite high intensity in terms of the dancing, they loved it because it was great to see everyone together in a musical number[3]. “Flesh & Bone” was so popular that it was used as part of the short-form series Broken Karaoke for Disney Channel, where animated Disney Channel characters sing song parodies. This specific short saw the Green family, Cricket, Tilly, Gramma, and Bill, from the animated Disney series Big City Greens (2018-present) parody the song “Flesh & Bone” with a song called “Stuck at Home”. This was off the back of “Flesh & Bone” becoming a viral sensation[4]. Disney also released a mashup video of “Flesh & Bone” and “Someday” from ZOMBIES because of this.

At Prawn, we actually get two songs. The first is “Someday (Reprise)”, which Zed and Addison sing as Zed apologies for stealing Addison’s moonstone necklace and for generally not being supportive or understanding of her dream to find where she belongs. They are just about to kiss, when the ground splits open and they have to find the moonstone. “Someday” was written by Dustin Burnett and Paula Winger. It’s a sweet version of the song, and I know it’s Zed and Addison’s “love theme”, but I feel like we’ve heard this song so many different ways in just the first two movies!

The finale number is a big celebratory song at Prawn called “One For All”, where everyone is dancing together: zombies, wolves, and humans alike. Once again, like at the end of ZOMBIES, this song shows a more united Seabrook. We also see Addison becoming the official Cheer Captain, and getting a moonstone necklace from the wolves as a token of gratitude from them, and it ends with Zed and Addison’s first kiss.  Although I don’t dislike any song in the movie, this is my least favourite song within ZOMBIES 2. “One For All” was performed by the entire cast, and was written by Antonina Armato, Tim James Price, Thomas Armato Sturges, and Adam Schmalholz.

The actual final song on the ZOMBIES 2 soundtrack to mention is “The New Kid in Town”, performed by Ariel Martin, or Baby Ariel, and written by Jack Kugell, Hanna Jones, Matt Wong, and Paulina Cerrilla. This appears as the movie’s End Credits song, as well as appearing as a bonus track on the ZOMBIES 2 soundtrack. This song has nothing to do with ZOMBIES 2, although some of the cast appear in the official music video, and the “new kid in town” seems to be a werewolf. It’s quite amusing that they chose Booboo Stewart to be this guy, because he played a werewolf, Seth, in the Twilight Saga movie franchise. Stewart also played Jay, Jafar’s son, in the Descendants films. To be honest, this song isn’t for me. 

The ZOMBIES 2 soundtrack was released on 14th February 2020, the day of the movie’s premiere. It reached No. 2 on the US Billboard Top Soundtracks chart and the US Billboard Kid Albums charts. It hit No. 44 on the US Billboard 200 chart. In comparison to the ZOMBIES soundtrack, ZOMBIES topped the Kid Albums chart on its release, but only reached No. 55 in the US Billboard 200. It is also worth noting that specific songs from ZOMBIES 2, like “Flesh & Bone” and “Like the Zombies Do”, did incredibly well online.

George S. Clinton and Amit May Cohen are credited as the composers of the score for ZOMBIES 2. The score of ZOMBIES 2 was later released in November 2020, in the album Music from ZOMBIES (Original Score), which also includes the score from ZOMBIES.

PRODUCTION

The original ZOMBIES was based on an unaired pilot for a Disney Channel television series, titled Zombies & Cheerleaders. Little information is known about this pilot, other than it followed a zombie and a cheerleader as they fall in love whilst at high school[5].Disney Channel later decided to use this pilot as inspiration for ZOMBIES, and writers of the Zombies & Cheerleaders pilot episode, David Light and Joseph Raso, were tasked with reworking their material to fit the Disney Channel musical format.

Light and Raso returned to write ZOMBIES 2. The writing duo stated that the inclusion of the werewolves was to give a new challenge for the people of Seabrook, in order to challenge the town’s progress. However, to ensure this sequel was not just a rehash of the original – a trap many sequels fall into, unwittingly or not – the werewolf characters were made to be quite different from the zombies. Zombies wanted to integrate at high school, to feel like they finally belong in Seabrook. The wolves on the other hand aren’t interested in being at school and don’t want to play by the same rules as the zombies. They only pretend to integrate so they can get to Addison, and potentially the moonstone. Light and Raso were aware that zombies and werewolves are popular concepts for movies and television series, but their movies are different because they make their zombie and werewolves characters not scary, to appeal to children who otherwise would be unwilling to watch screen projects with those scarier characters. The writers were honoured to be back for a sequel, and were overwhelmed by the support they received for ZOMBIES. They were glad that the movie allowed for conversations to be opened up, particularly around difficult topics like fighting for freedom, and standing up for your beliefs[6].

Director Paul Hoen also returned to the world of Disney Channel’s ZOMBIES to lead the production of ZOMBIES 2. Hoen has directed numerous DCOMs over the years, including Let It Shine (2012); Cloud 9 (2014); Invisible Sister (2015); and Jump In! (2007).

Production for ZOMBIES 2 began in Spring 2019, after being announced in February 2019. ZOMBIES was cable television’s No.1 rated telecast among kids 6-11 and tweens 9-14 in 2018, gaining 12.8 million viewers over 10 showings of the movie, so naturally a sequel made sense in that respect[7].

Once again, production returned to Ontario, Canada for filming. Some of the locations from the first movie were used again in the sequel. Sugar Beach in Toronto was also seen in the sequel after appearing in the first movie, being used for the opening shot of ZOMBIES 2, when Zed is climbing out of the sand during a day at the beach with his family and friends. Cherry Beach in Toronto was another location, making up the outside of Seabrook High in both the first two movies[8]

There were a couple of other filming locations that were unique to ZOMBIES 2. Apparently, there was use of the Rockwood Conservation Area in Ontario, which was presumably used for their shots of the Forbidden Forest, where the werewolves reside. Another location was supposedly the North Building at the University of Toronto Mississauga. The song “I’m Winning” seems to have been filmed inside this building, so must’ve been used as the location for Seabrook High’s auditorium. The University of Toronto Mississauga was also used to film numerous scenes within another 2020 Disney movie, Secret Society of Second-Born Royals.

With an expanding Seabrook, new sets were needed, and this area was headed by production designer Mark Hofeling, who also returned to work on this ZOMBIES sequel.

Although we got to see some of Zombietown in the original movie, this was mostly limited to seeing just a few zombie residences. In ZOMBIES 2, Zombietown was expanded so viewers could see the businesses popping up around Seabrook which were being owned and operated by zombies. This is probably because zombies were not allowed to run businesses in the original movie, because of those anti-monster laws. This ever-increasing Zombietown demonstrates the increased freedoms the zombies have been experiencing since we last saw them at the end of ZOMBIES. These streets are still decorated with bright colours and makeshift furniture and ornaments, as the houses were in ZOMBIES.

In comparison, Seabrook hasn’t really changed all that much. The school is still sleek and pristine, repping the school colours of pink and green. The Cheer Camp also features these colours heavily, from the school bus through to the obstacle course itself. The school prom, or “Prawn”, is decorated with the signature pastels of pink and blue that we saw in the first movie. Many of the human residents still wear these signature colours too, showing that although Seabrook claim to be inclusive and have integrated zombies into their lives, they actually haven’t changed all that much themselves.

Then, we have the addition of the werewolves in ZOMBIES 2, who live very differently from both the humans and the zombies. They live in a den in the forest, not in houses on typical streets, so this was an additional challenge for designing sets. The wolves’ den is complete with a wooden roof, carved rocks and stones, as well as ornamentation that is themed to the moon and stars, very much matching the werewolf culture. The den is meant to look rustic, showcasing how it was built sustainably with nature in mind.

The final thing in production and sets I’d like to mention is the fault line and cavern holding the moonstone. A whole set had to be built of both of these. The ground had to look precarious and like it could all collapse at any second, but obviously be safe enough for the cast and crew to travel through in order to film the necessary sequences. The pink, glowing moonstone sits in the centre of a crumbling cavern. The behind-the-scenes footage and photos of this set are really cool, and I didn’t really consider the work that would’ve been needed to construct it as I was watching ZOMBIES 2[9].

Alongside this, some alterations to costumes from the first movie were required to match the evolving town of Seabrook, as well as the new costuming for the werewolves.

The zombies in ZOMBIES 2 now don’t have to wear their government-approved clothing. I will be perfectly honest and say this was not something I noticed, but looking back at footage from both movies, I can now see that Zed is in grey jeans, and Eliza is wearing a corduroy skirt in the sequel. I think the reason I didn’t notice is because the zombies are still wearing the darker colours they wore in the first film, like reds, greens, and blacks, obviously to differentiate themselves from the humans by showcasing the best zombie fashion trends.

The werewolves had to choose some other colour palette that wasn’t dark colours or bright pastels, because this new group had to have their own costuming style. This is why purples and golds – but no silver; wolves are allergic to silver – feature in the werewolves’ outfit, as well as to reflect regalness, since the werewolves are a very proud pack. They also wear some burnt oranges and blacks. Each wolf has their own markings too, and they had to consider how many the characters would have[10]. Just like the zombies, the werewolves customised their outfits too, with Wyatt wearing more leather and suede, Willa having a band around her leg to signal herself as the leader of the pack, and Wynter wearing a faux fur wristband. Each of their moonstone necklaces are slightly different from each other too[11].

The humans’ costumes haven’t changed much between movies, although the Seabrook Cheer Squad outfits are slightly different. The girls’ skirts and guys’ tracksuit bottoms are now white instead of pink, and they no longer wear long-sleeved tops. But at the heart of Seabrook still live a collection of humans who love their pastel blues and pinks, as we see by their prom outfits. Bree turns up in a light pink dress, and Addison in a light blue one, for example, whereas the zombies show up in their signature reds and greens, and the wolves in their golds and purples.

For the hair and makeup, it was a slight complaint of some of the cast members playing zombies that they spent over an hour, sometimes two hours, sometimes more, with the team getting ready for their day of filming since their skin had to be spray-painted to make it as pale as possible. Well, it seems that this time was able to be reduced to around 45 minutes to one hour, so I’m sure that made that section of the cast happy. However, this then meant that those playing the werewolves took longer, as their makeup routine was newer to the crew. Ariel Martin and Chandler Kinney stated that they took about three hours in hair and makeup every day, with specific attention being given to their unique wolf markings no doubt. Pearce Joza said that he did a makeup test at one point that took around seven hours! This time did eventually reduce as production went on[12]. But all three said they completely appreciated all the effort that was put into their costume, hair, and makeup, with Martin going so far as to say she felt powerful when she had her costume on[13].

The costume designer on ZOMBIES 2 was Trysha Bakker, who won a CAFTCAD (The Canadian Alliance for Film and Television Costume Arts and Design) Award for Best Costume Design in Film Sci-Fi/Fantasy for her work here. Bakker went on to work on the costumes for ZOMBIES 3 (2022), as well as the DCOM Spin (2021). Julia Valente returned to the set of ZOMBIES 2 after working on ZOMBIES as the makeup department head.

Again, the music of ZOMBIES 2 goes hand-in-hand with its choreography. Jennifer Weber, known for projects such as working on the musical & Juliet, and Off-Broadway’s KPOP, was tasked with choreographing for ZOMBIES 2.  Weber had seen the first movie and loved its message of acceptance, so was glad to have the opportunity to choreograph the sequel. There were many different dance styles used in this movie, from commercial hip-hop, to breaking, street dance, and of course, the traditional cheerleading routines that are seen mostly in the opening song “We Got This”. Weber and her team collaborated with cheer coaches and choreographers Patrick Mislan and Megan MacLennan on these routines, and professional cheerleaders were on hand for the high tosses and the pyramids, as they were on ZOMBIES[14]. After auditioning dancers in Toronto for the film and to find crew to develop the choreography, work on drafting the nine musical numbers took roughly three weeks. This was followed by four weeks of rehearsal with cast before filming took place, which was a similar amount of rehearsal time as the cast had on the first ZOMBIES[15].

RECEPTION

ZOMBIES 2 premiered on 14th February 2020, which just so happened to be Valentine’s Day, a perfect day to see the next instalment of Addison and Zed’s love story.

In preparation for the premiere date, some of the cast had been out and about promoting the film. For example, Kylee Russell and Trevor Tordjman went to the ESPN Wide World of Sports Complex at Walt Disney World Resort to host the halftime show at the Pop Warner Super Bowl and National Cheer and Dance Championships. Here, they presented the halftime show which featured a performance by a cheerleading squad, dressed as both cheerleaders and zombies, to the song “BAMM” from ZOMBIES. There was even a dance battle between the “poms” and the “zoms”. Tordjman and Russell also gave a brief explanation of the plot of ZOMBIES 2, promising more music, more dancing, and more drama in the sequel in this promotional video[16]. This was very similar to when Milo Manheim and Meg Donnelly presented the debut of a ZOMBIES-themed cheerleading routine at the grand opening of The Arena at ESPN Wide World of Sports Complex at Walt Disney World Resort in Florida in 2018.

There was also ZOMBIES 2: The Collab, a collaboration between Disney Channel and various influencers and reality personalities. This was a short sketch which saw these influencers and reality stars performing as the ZOMBIES 2 characters, as Addison, Zed, and all the other Seabrook high schoolers see the werewolves arrive in their cafeteria, with Addison quickly introducing herself to them. I’m not particularly “on trend” with who was popular then. I’m not younger enough and I don’t care enough to know, but I did spot plenty of stars from Dance Moms (2011-19) in this video, like Mackenzie Ziegler as Addison; Kendall Vertes as a zombie; Chloe Lukasiak as a werewolf; and Nia Sioux as Willa[17].

On its release, ZOMBIES 2 once again received mixed reviews, although it does hold a 100% Critics’ Score on Rotten Tomatoes. Amongst fans, some said that ZOMBIES 2 was even better than original. I am one of those people. The music was generally considered better than the songs within the first movie, probably in part because there were double the number of original songs in ZOMBIES 2 than its predecessor, and the chemistry between the two leads continued to be praised. Other still positive but less glowing responses said ZOMBIES 2 was good for kids, or good in general, but nothing like High School Musical. Nothing will ever match up to those films so it’s best if we just all agree to stop comparing all Disney Channel musicals to them.

But then again, those who did not like ZOMBIES decided to watch the sequel and make the same points once again about why they didn’t like ZOMBIES 2, for example, because it’s “cringey” and “doesn’t make sense”. This is simply down to preference and I can’t make many comments on that. If you didn’t like the first ZOMBIES, you shouldn’t have chosen to watch the sequel, because it’s quite clear you’re going to get more of the same. Don’t watch sequels just to continue moaning about a movie franchise. Find something new to moan about instead!

Outside of that, there are a couple of negative comments that are worth pointing out. One is that ZOMBIES 2 shoehorns werewolves into the plot just to set up the same conflict that we saw in the original ZOMBIES film. I understand this point; it is quite a random addition, and something I spoke about in my introduction. I personally didn’t mind because I liked the werewolves as characters. There were also unanswered questions, such as: if Addison wasn’t the Great Alpha, then who is? And how did the wolves get to the moonstone without the Alpha? The biggest one is all about why Addison’s hair is the way it is, with the explanation to this being set up at the end of ZOMBIES 2, to tease a ZOMBIES 3. This irritated some viewers, not necessarily because they didn’t want yet another sequel, although that was also a complaint, but because ZOMBIES 2 had set up for Addison to become a wolf – and then she didn’t. This made ZOMBIES 2 seem pointless and like it was just filler in an overall trilogy. There were further comments that there were too many side plots, like Zed wanting to be Class President, and Addison wanting to be Cheer Captain, which ultimately didn’t deliver much, and meant that precious screentime was taken away from getting to properly meet the wolves, or catch up with other characters from the first ZOMBIES. I also agree with this comment in part, though I felt like we got to follow the plight of the wolves quite closely, even with the side plots.

There was also still no getting away from the comparisons between ZOMBIES and the Descendants trilogy, which in a way got worse, because Descendants 3 had come out in August 2019, just a few months before ZOMBIES 2 did, and felt like a fitting ending to the trilogy, not to mention that it was the last Disney movie fans were ever going to see with Cameron Boyce, who sadly passed away in July 2019.

ZOMBIES 2 allegedly reached nearly 5 million viewers on its premiere night, beating out the viewership of the first movie, and becoming the highest rating for Disney Channel since the premiere of Descendants 3[18]. However, I have also seen the figure 2.5 million online for the ZOMBIES 2 premiere viewership, so it’s unclear if 5 million viewers actually watched ZOMBIES 2 across its first 24 hours or something similar, instead of solely on its premiere. Who knows? Viewer numbers aren’t always easy to verify.

As well as its award for costuming, ZOMBIES 2 was also nominated for Best Editing for Lisa Binkley, at the Canadian Cinema Editors Awards and the Leo Awards.

LEGACY

Following on from ZOMBIES 2’s initial success, for the Halloween season, a series of animated shorts premiered on Disney Channel in October 2020.

This series was titled Zombies: Addison’s Moonstone Mystery, with production of this being announced shortly after the ZOMBIES 2 premiere. In this series, set after the events of ZOMBIES 2, there were eight roughly five-minute short videos, which saw Addison, Zed, and the others trying to discover what new girl, Vanna, is hiding about herself. This series was met with positive reviews, so a second animated series of six shorts titled Zombies: Addison’s Monster Mystery aired a year later in October 2021. It followed the group trying to save Seabrook High’s Halloween Fall Ball from a “Monster Shrimpy”. The main cast of Milo Manheim, Meg Donnelly, Eliza Russell, Pearce Joza, Ariel Martin, and Chandler Kinney returned to voice their characters from ZOMBIES 2 in these series. Songs from the movie as well as some original songs apparently featured in the animated shorts.

There was also a live-action and animated series titled Zombies 2: Wolf Tales which aired in March 2020, just after ZOMBIES 2 aired. It is meant to take place I suppose during the events of the song “Call of the Wild”, since it sees Addison trying to ask the wolves questions about their history and about the moonstone in their den after she has had her makeover to look like the Great Alpha. But instead of answering Addison’s questions, the pack tell random stories that are of no use to her! Meg Donnelly, Pearce Joza, Chandler Kinney, and Ariel Martin reprise their characters of Addison, Wyatt, Willa, and Wynter respectively in this very short series, where each episode is only about a minute long.

Outside of these specific ZOMBIES 2-related shows, the ZOMBIES 2 cast made other appearances in Disney projects. One of these is the Disney Holiday Magic Quest series, with two of these being made in 2020 and 2021. These both aired on Disney Channel before being added to Disney+.

The Disney Holiday Magic Quest in 2020 was hosted by former Disney Channel star Raven-Symoné, and saw Milo Manheim and Kylee Russell go up against Ariel Martin and Pearce Joza as they competed in challenges across a night at Magic Kingdom in Walt Disney World Resort in order to stop Maleficent and the Evil Queen from stealing the “holiday magic” and to raise money for the charity Toys for Tots. Meg Donnelly and Ariel Martin’s family also appeared on video calls to help with the teams’ challenges. This all culminated in a final showdown on an obstacle course in front of Cinderella Castle.

The Disney Holiday Magic Quest in 2021 was hosted by Yvette Nicole Brown, and saw Milo Manheim and Kylee Russell return to compete in challenges across the night at Walt Disney World, but their opposition this time were Meg Donnelly and Trevor Tordjman. In this special, they had to retrieve the star from atop the Holiday Tree which Maleficent divided into three pieces and hid throughout Disney’s Hollywood Studios. Toys for Tots were once again the charity the stars were raising money for. Video calls from Ariel Martin and Trevor Tordjman’s family featured this time in two challenges. This Disney Holiday Magic Quest also seemed to be partly promotional for the Walt Disney World 50th Anniversary celebration. These TV specials a little bit cheesy, for adults at least, but I’m all for seeing celebrities running around Walt Disney World, or any Disney Park for that matter, so I liked them.

Meg Donnelly also made another Disney appearance, at the Disney Parks Magical Christmas Day Parade in 2021, performing “Jingle Bell Rock” this time. Her introduction briefly mentioned that Donnelly would be starring in the upcoming ZOMBIES 3. That’s right. Arguably the most important thing to come after ZOMBIES 2 was the March 2021 official announcement that ZOMBIES 3 was coming. We could already assume that ZOMBIES 3 would look further into why Addison has white hair, since we saw it glowing blue at the end of ZOMBIES 2. We would just have to wait and see what else ZOMBIES 3 had in store for us.

FINAL THOUGHTS

Personally, I have a history of liking sequels more than the original movie. There are obviously exceptions to that, but definitely in the DCOM musical world, I tend to prefer a movie’s second film to its first.

I don’t really know why that is, but perhaps it has something to do with the concept of the movie feeling more solid in its second outing, or just because the cast are more comfortable in their characters and can up their performances. It could simply be that Disney Channel trust in the original movie’s popularity, and want to please fans by making their second movie bigger and better in all aspects, particularly the music.

ZOMBIES 2 is not an exception to this for me. I like the music of ZOMBIES 2 so much more; I think the werewolves are a great addition to Seabrook; and it feels like the cast are happy in their roles. It’s a great film that fans of the original should have been proud of.

Now, my track record of liking the third movie in a trilogy is mixed. I’ll be honest, I did not like ZOMBIES 3 when I first watched it in 2022. I’ll have to see if it can sway my opinion after rewatching.


REFERENCES

[1] Credit: Zach Johnson, ‘Everything You Need to Know About ZOMBIES 2’, D23.com, 10th February 2020.

[2] Credit: Zach Johnson, ‘Awoo! Meet the Werewolves in Disney Channel’s ZOMBIES 2’, D23.com, 11th February 2020.

[3] Credit: Disney Channel, ‘Puppy Q&A Challenges with Meg, Milo, and Ariel! I Compilation I ZOMBIES 2 I Disney Channel’, Disney Channel Music YouTube Channel, 27th April 2020.

[4] Credit: Avery Thompson, ‘‘Big City Greens’ Crew Parodies ‘Zombies 2’ Hit ‘Flesh & Bone’ For ‘Broken Karaoke’ – Watch Sneak Peek’, HollywoodLife.com, 17th June 2020.

[5] Credit: IMDB, ‘Zombies and Cheerleaders’, IMDB.com, date unknown.

[6] Credit: Paul Perrello, ‘“ZOMBIES 2” Prowls Onto Disney Channel’, LaughingPlace.com, 14th February 2020.

[7] Credit: Bruce Haring, ‘Disney’s ‘Zombies 2’ Sequel Heads Into Production With Returning Stars, Directors, Writers’, Deadline.com, 11th February 2019.

[8] Credit: Varun Patel, ‘Where Was Disney’s ‘Zombies’ Shot?’, TheCinemaholic.com, 14th February 2020.

[9] Credit: Mark Hofeling, ‘DISNEY’S Z-O-M-B-I-E-S 2’, MarkHofeling.com, date unknown.

[10] Credit: Zoe Hewitt, ‘How Disney Channel’s ‘Zombies 2’ Production Team Made Monsters Kid-Friendly;’, Yahoo.com, 21st February 2020.

[11] Credit: Stacey Grant, ’11 Shocking Zombies 2 Secrets from Milo Manheim, Meg Donnelly, & Ariel Martin’, Seventeen.com, 18th February 2020.

[12] Credit: J-14, ‘ZOMBIES 2 Cast Shares Funny Behind-the-Scenes Memories’, J-14 Magazine YouTube Channel, 12th February 2020.

[13] Credit: Disney Channel, ‘Puppy Q&A Challenges with Meg, Milo, and Ariel! I Compilation I ZOMBIES 2 I Disney Channel’, Disney Channel Music YouTube Channel, 27th April 2020.

[14] Credit: Ruthie Fierberg, ‘Watch: Inside the Cheerleading-Meets-Hip-Hop Choreography of Disney Channel’s Zombies 2’, Playbill.com, 13th February 2020.

[15] Credit: Cadence Neenan, ‘Choreographer Jennifer Weber Shares What It Was Like on Set for “ZOMBIES 2”’, DanceSpirit.com, 11th February 2020.

[16] Credit: Disney Channel, ‘ZOMBIES Pop Warner Super Bowl! I ZOMBIES 2 I Disney Channel’, Disney Channel Music YouTube Channel, 12th January 2020.

[17] Credit: Mackenzie Ziegler, ‘ZOMBIES 2: The Collab’, kenzie YouTube Channel, 2nd February 2020.

[18] Credit: Sarah Jae Lieber, ‘RATINGS: ZOMBIES 2 Delivers 1.9 Million Kids and Nearly 5 Million Total Viewers for Disney Channel’, BroadwayWorld.com, 2nd March 2020.

ZOMBIES (2018)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

In the 2010s, it was becoming more and more obvious to Disney Channel that viewers were responding well to their musicals. 

Disney Channel movie musicals have been popular ever since High School Musical (2006) and they’ve spent years trying to match, or surpass, that fame. In 2015, they came close with Descendants – but not close enough.

So, where next for a Disney Channel musical franchise? A girl band? No, done that. Something set in high school? There’s always room for those but we need something a bit more, a bit extra. Hey! How about zombies? Uh, what?

We’ve all seen movies and television series about zombie apocalypses, from one of the original zombie movies, Night of the Living Dead (1968), and the terrifying but critically-acclaimed series The Walking Dead (2010-22), to the horror-comedies Shaun of the Dead (2004) and Zombieland (2009).

Now Disney Channel wanted to put their own spin on this theme, in some way. But don’t worry. Disney Channel weren’t going to be making a musical horror film, were they? No, their zombies aren’t like real zombies. They’ve been tamed, so they don’t kill humans, and there’s only the tiniest references to brain-eating so it’s all good!

I watched ZOMBIES on Disney+ for the first time a few years after it first came out and I was surprised at how much I liked it. I think I was looking for some non-scary Halloween movies to watch and sure enough, Disney+ has a whole collection every year of Halloween content that is child-friendly – and me-friendly. I hate scary movies.

I didn’t like ZOMBIES as much as Descendants or the High School Musical trilogy, I will admit that, but what I did like was the catchy music and the movie’s perfectly cast leads. They were so enthusiastic and clearly up for the challenge of fronting a Disney Channel musical. That’s no easy feat, especially if you don’t already have the experience of leading a Disney Channel original series beforehand.

There were high hopes at Disney Channel for ZOMBIES to do really well but it didn’t quite match up to the original Descendants trilogy. Whether that’s down to bias or not, that’s for you to decide. It seems to me that Disney Channel wanted to create another musical franchise, and they were going to do whatever it took to make ZOMBIES a success.

PLOT

ZOMBIES begins with an animated opening sequence. It reminds me of the animated portions that exist at the start and end of Disney’s live-action movie Sky High (2005). This opening sequence gives us a quick introduction and backstory to the town of Seabrook.

Seabrook used to be the perfect town, the perfect community, until a lime soda incident at the town’s power station caused a green haze to descend over the town and its people, turning those exposed to it into brain-eating zombies. A barrier was soon built to protect the “normal” citizens from these zombies. This all happened around fifty years ago.

In present day, zombies are still separated from the humans of Seabrook, living in a place called Zombietown, as explained by teenage zombie Zed. They also have to submit to rules and regulations, such as a curfew and wearing government-approved coveralls. Now, they also must wear “Z-bands”, which send electromagnetic pulses into their bodies to stop them wanting to eat brains. Because of this newfound technology, zombie life is getting better. Zed is excited that zombies can now attend regular high school and don’t have to be segregated any longer. Zed’s father is concerned about this, worried that the humans will still not be accepting of zombies, but Zed’s got a positive outlook on life and knows things will be better for him and his little sister, Zoe.

On the other side of Seabrook’s town barrier lives Addison, a teenage girl who desperately wants to be a cheerleader for the Seabrook Cheer Squad. Although Addison looks like all the other humans in Seabrook, with perfect hair, a perfect smile, and an all-round perfect demeanour, she is hiding a secret. Addison is forced to wear a wig to hide the fact she has white hair! Oh, say it ain’t so! Having white hair shouldn’t be a big deal but in Seabrook, apparently it would make Addison stand out too much and she’d become a social pariah…So, the wig stays on the head. To make everything even harder, Addison’s mother happens to be Seabrook’s mayor and her father is head of the Zombie Patrol taskforce, making sure zombies stay in line, so Addison knows she has to do whatever it takes to fit in.

At high school, Zed and his fellow zombies Eliza and Bonzo are surprised to find that there is a barrier separating them from the human high schoolers. There are even separate entrances for them, and the zombies will only be taught in the basement by the janitor, not being allowed to leave the room under any circumstances. This is disappointing for Zed who wants to try out for the school’s football team, but this is not allowed. So, Zed does the rational thing – and sneaks out of the basement to attend try-outs. The only problem is he is spotted by a human, who hits the nearby zombie alarm, sending the school into a panic. Zed finds himself in the Zombie Safe Room so he isn’t caught being out of the basement. Addison happens to find herself there too, and the two talk briefly, about their loves of football and cheerleading. But as Addison gets closer to Zed, she realises he’s a zombie and punches him in the face. It turns out just to be a reflex though, as she’s never met a zombie before. She quickly apologises to Zed. At that moment though, Cheer Captain, and Addison’s cousin, Bucky, a zombie hater, arrives with some of the cheerleaders to save Addison from this monster. Bucky warns Zed to stay away from her. Zed eventually finds his way to football try-outs but the coach informs him zombies cannot be on the team.

Back with Addison, and cheer try-outs are about to begin. Bucky is a tough taskmaster and him and his three sidekicks, Tracey, Stacey, and Lacey, a.k.a. “The Aceys”, come down hard on the wannabe cheerleaders. This is enough to upset Addison’s new friend, Bree, who wants to be a cheerleader, but doesn’t think Bucky wants her on the team. Addison smashes her try-out though and is welcomed to the team by Bucky. She then insists that Bree is allowed on the team too. Bucky agrees. However, now they are on the team, they’ll have to take part in a little Cheer Initiation test.

That evening, Bucky drives Addison and Bree to Zombietown and tells them to egg one of the houses there. Addison refuses to do that. Bucky is scared off by a zombie coming up to his van, and Addison and Bree duck down by a porch to make sure they aren’t seen. But they are spotted by Zed who seems confused and a bit disappointed that they are here. His father asks if anyone is there, and Zed lies, saying there isn’t anyone by their house.

The next day at school, Addison goes down to the school basement to apologise to Zed for last night. She reiterates that she wasn’t going to do anything and has nothing against zombies, even inviting Zed to the pep rally that afternoon. Eliza jumps in and says zombies don’t go to pep rallies, but Zed says they’ll think about it. Sure enough, Zed arrives at the pep rally with Bonzo and Eliza in tow. Bucky has a big routine planned for the cheerleaders, complete with sparklers to upset any zombies who may’ve walked into the crowd, because some are scared of fire. Bonzo begins to freak out, and Zed tries to calm him, but he is knocked to the ground and his Z-band malfunctions. The pep rally descends into chaos and Zed sees Addison doing a twist in the air, with no-one to catch her. Finding himself overcome with strength he didn’t know he had, Zed pushes through the bleachers and rushes to catch Addison before she falls. Zed’s Z-band then reverts back to normal.

The football coach sees all this and wants Zed on his team. Principal Lee is suspicious of zombies but allows Zed to join the team, on the proviso that they actually win some games because the team has never been good. Zed says he’ll join if the principal agrees to let the zombies have more freedoms. She says that can happen if they win games, but for now, the zombies will have to settle for being allowed to eat in the cafeteria.

In the cafeteria, Addison lets Bree know that she likes Zed. Bree wants Addison to follow her heart, but knows the cheerleaders don’t want anyone fraternising with zombies. Addison hears Zed call her name and goes over to his table to talk to him. Well, she can’t be rude now, can she? However, the cheerleaders soon come to remove Addison, and tell her once again that she has to choose sides: cheerleader or zombie. Addison still wants to be a cheerleader, and the cheerleaders are starting to suspect she’s different from them, so she vows to try harder to hide her true feelings about zombies. Addison runs out of the cafeteria, but Zed follows her. She says they can’t be seen together, so they go in to the Zombie Safe Room to talk, where they admit they have feelings for each other.

Later, it is Zed’s first football game, and his teammates already aren’t behind him, letting him be tackled to the ground by the opposition. Principal Lee threatens Zed, saying if they don’t win, the zombies will be going back to the basement. Coach wants to see some of that strength from the day before, so Zed asks Eliza to hack his Z-band, to allow him to go “more zombie” and be tougher. Eliza isn’t sure they should be doing this, but goes along with the plan for the greater good of zombiekind. Sure enough, the hack works and the team win. Because of this, the school barrier is removed the next day, and zombies are now popular with the human high school students, although Bucky and his cheerleaders still despise them. As Zed helps the team win more games, this popularity only grows, but Addison and Zed can only communicate through notes. Addison gets a note later that day from Zed, asking her to meet him by the town barrier that night.

Scared but intrigued, Addison finds herself in Zombietown meeting up with Zed. She thinks he doesn’t look quite right, so he tells her about his Z-band. It turns out messing with the technology that pulses electromagnetic fields through your body makes you not feel so good! But there’s no time to talk about that because Zed is taking Addison to an underground zombie party. The party goes well, and Addison even speaks to Zed’s little sister a bit, because Zoe is a cheerleading fan, and Eliza starts to think she’s cool. But as Zed and Addison talk together, and Addison shows Zed her natural hair colour, showing she is also different, the police come to arrest the zombies for breaking curfew. Addison is mortified to find that Police Officer Gus, who obviously knows Addison’s father and therefore her, has come to break up the party. Gus takes her home to her parents who are furious. However, they believe she was just out late meeting a boy, and want to meet him soon. Ok, this could get complicated…

At Homecoming Game Day, Eliza starts to get really worried about Zed and his Z-band. Zed tells her that it’s just one more game and they have to do this. The cheerleaders overhear this and dish the dirt to Bucky, who has an idea of how to get revenge on them. The Aceys start talking to Eliza, inviting her to a spa day in an effort to distract her whilst they steal her laptop. Now, they have access to Zed’s Z-band. Just before the game, Zed swipes right on his Z-Band, something Eliza told him never to do, and turns up at Addison’s parents’ house. Swiping right on a Z-Band can turn zombies human, so they are impressed with Zed. Addison quickly gets him away from her parents, and asks Zed what he’s doing. He wants to take her out on a real date before the game. Aww. They go to the local ice cream shop.

Then, it’s time for the game. Addison goes against Bucky and gets the crowd to cheer for Zed, leading to her and Bree being kicked off the team. With only three seconds left on the game, the Aceys decide it’s the perfect time to strike, and access Eliza’s Z-band program again. They corrupt Zed, Eliza, and Bonzo’s bands, taking them offline, causing them to go into full zombie mode. They start to tear up the stadium and threaten the other students. Bucky finds himself face-to-face with Zed under the bleachers, but surprisingly sees Zed assert some self-control and not attack him. The Zombie Patrol come shortly after and take Zed, Eliza, and Bonzo away. Disappointed in how quickly the town turned on zombies, Addison tries to show that everyone is different by revealing her natural hair colour. Instead of the crowd accepting this, they boo her and Addison is left to deal with the fall-out from her reveal, which has embarrassed her parents.

Eliza, Bonzo, and Zed are returned home from Zombie Containment some time later, with everyone’s Z-bands now updated to avoid any attempted hacking. Eliza is furious though and wants a Zombie Uprising, and plans something for the Cheer Championships. On the day of the Cheer Championships, Bucky culls any zombie sympathisers from his squad, leaving just a few others outside of him and the Aceys. Zed and Bonzo are concerned that they cannot find Eliza and find a plan in her locker to sabotage the Cheer Championships. They rush over there to stop her.

At the Championships, the Seabrook Cheer Squad struggles to complete their routine with so few people. Addison watches on and then sees Zed and Bonzo. She follows them and finds that they are looking for Eliza. Eliza says she is planning on sabotaging the event and Addison tells her she should go ahead and do it, because this town is a fickle place. Zed speaks from a place of reason and says if she goes through with this, then life for zombies will only get worse. They can’t stoop that low. Eliza accepts this, and they all go out to watch the Seabrook Cheer Squad, but they are failing terribly. Bucky flounces off stage and their routine is over. Or is it? Zed’s little sister Zoe then comes out on to the stage and starts to cheer, but she is booed by the human crowd. Addison decides to get everyone – humans and zombies – on stage to join her. She tries to convince Bucky, by telling him that he needs to accept change and he rejoins the squad for this routine.

Unfortunately, this routine did not win the Cheer Championships but it led to Seabrook becoming a more tolerant place. The movie ends with a block party at Zombietown where all are welcome, showing how far the town has come.

CHARACTERS & CAST

Zed is an enthusiastic, positive, and upbeat teenager, who lives with his overprotective father, Zevon, and his little sister, Zoe. Despite being bound by restrictions on their zombie lives, Zed is excited to finally be given the chance to attend human high school – something that has apparently taken years to be allowed – because he wants to be a football player. The trouble is zombies are still discriminated against, even though they are allowed at school, so Zed has to change himself to be accepted on the team, and ironically, he has to make himself more “zombie” to do that! In the end, Zed realises that he and the other zombies should be allowed to be accepted for who they are, and with the help of his human girlfriend Addison, they manage to create a more harmonious life in Seabrook for zombies and humans, by forcing everyone to look at themselves and see what they are doing to each other by reinforcing negative stereotypes.

Milo Manheim was cast as Zed and was a relative unknown prior to his role in ZOMBIES. Manheim had starred as Milo Reynolds in the Off-Broadway production of Generation Me, a musical exploring the impact of teen suicide, which won numerous awards at the New York Musical Festival Awards for Excellence, and won the most awards of any other show at these awards in 2017. Manheim himself won the award for Outstanding Performance in a Leading Role, alongside two others[1]. Strangely, Manheim had not been a Disney star before his leading role in ZOMBIES, however, any Hannah Montana fans may have seen his actress mother Camryn Manheim on the channel, as she was cast in the recurring role of Margo, manager of singer Mikayla, played by Selena Gomez, in the series.

Addison is very similar to Zed, in that she is also upbeat and positive, wanting there to be full integration in Seabrook between zombies and humans. The only difference is that Addison is a human, and one with parents who are very much against integration. Addison’s mother is Mayor of Seabrook, and her father is Chief of the Zombie Patrol, so not much chance of a healthy, non-biased discussion around the dinner table there! Her parents are hypocrites though, since Addison is not like everyone else, and doesn’t fit into this cookie-cutter mould of the Seabrook residents. Addison has white hair, a colour not like everyone else’s hair colour, so she is forced to hide her hair under her wig. After Addison meets Zed, she is even more determined to fight intolerance against zombies and thinks revealing her true self will help make Seabrook more progressive. That action doesn’t succeed in that, but with her, Zed, and the other zombies working together with some of the more empathetic cheerleaders, they come together and make the town to think differently.

Addison was played by Meg Donnelly, who was also not a star on Disney Channel at the time. However, at the time of her role in ZOMBIES, Donnelly already had a main role in an ABC sitcom: the role of Taylor Otto in American Housewife (2016-21). Donnelly and Manheim got on incredibly well throughout their audition process, and their friendship and chemistry is evident in the movie and in promotional videos for the film[2]. Manheim even joined Donnelly on American Housewife, appearing in the recurring role of Pierce, Taylor’s love interest, in Season 3 of the programme, which aired a few months after ZOMBIES.

Zed’s fellow zombie high school friends are Eliza and Bonzo who are very different from each other. Eliza is suspicious of humans initially, and just when she thinks the cheerleaders actually want to be friends with her, she finds that all they really want is her laptop so the cheerleaders can corrupt her, Zed, and Bonzo’s Z-Bands, setting zombie freedoms back. Eliza is rebellious, and wants zombies to be free from all restrictions. She’ll do whatever it takes to get there too, even going so far as threatening to sabotage the Cheer Championships, until Zed manages to talk her out of, because he favours the “kill them with kindness” method, as opposed to fighting with force. Eliza was played by Kylee Russell, who had been cast in a DCOM many years before as a child. Russell was cast as Karin Daniels, Izzy’s little sister in Jump In! (2007). Corbin Bleu starred as her brother Izzy.

Bonzo doesn’t seem to be the sharpest tool in the zombie shed. He is still scared of fire, even though most of the other zombies try to think about this fear rationally now, causing chaos at the pep rally, and he only speaks in zombie language, which can make him seem less intelligent because we assume he can’t speak English. Bonzo is just doing his bit to ensure his native language doesn’t die out, obviously! Bonzo also just wants to be accepted by humans, and like Zed, thinks the best way to do this is to be nice to the humans. James Godfrey was cast as Bonzo, having previously played Porter in the DCOM The Swap (2016) alongside Peyton List and Jacob Bertrand.

On the human side, Addison has her friend Bree, who she meets on the first day of school and they bond over how much they want to be cheerleaders. Bree’s initial try-out doesn’t go brilliantly, as Bree lacks some self-confidence, but thanks to Addison, she manages to get on the squad. Bree is more welcoming to the zombies than other humans, and even seems to quite like Bonzo, or she at least finds him intriguing. Bree is encouraging of Addison’s blossoming romance with Zed, despite the hostility around them. Carla Jeffrey was cast as Bree, having had guest roles in Disney Channel series like Good Luck Charlie (2010-14) and Shake It Up (2010-13) prior to ZOMBIES. Back in 2007, Jeffrey was cast in the recurring role of Keysha Black in Curb Your Enthusiasm (2000-24) for two seasons.  

Then, there is Bucky, Addison’s cousin and Cheer Captain. He hates zombies and does not want them to have an easy ride at high school now the humans are being made to study alongside them. He has plans to ensure the zombies don’t get on at school and it is his idea for his cheerleader sidekicks, The Aceys, to tamper with the Z-bands to hopefully get the zombies kicked out of school. Bucky basically wants to live in his own perfect world where he is popular, loved by everyone, and cheerleading is everything. He rules that squad with an iron fist, and is mean, but more in a funny way than a cruel way. Bucky was played by Trevor Tordjman in a brilliant casting choice. Prior to ZOMBIES, Tordjman was known for his role as James in Canadian teen drama The Next Step (2013-present).

The Aceys, consisting of Lacey, Stacey, and Tracey are veteran cheerleaders and sidekicks to Bucky. They are incredibly loyal and are actually meaner than he is. Maybe sidekicks is the wrong term for them; hitmen might be more appropriate! Lacey is really the leader of The Aceys, as she is the more spiteful one, despite coming across as a bit ditzy at times. Stacey is the smart one, so she was the one to corrupt Eliza’s Z-band program. Tracey is the biggest fan of Bucky within the group of three. It turns out Bucky is so determined to keep this group The Aceys that he gets people to change their names. In a deleted scene, it is shown that Lacey’s actual name is Jenny, and that Bucky wants Addison to become an “Acey” by changing her name to Casey; Addison refuses[3].

Lacey was played by Emilia McCarthy who had previously appeared as Taylor in the DCOM Zapped (2014) which starred Zendaya, and was cast as Abby Ackerman in the Nickelodeon series Max & Shred (2014-16). Stacey was played by Jasmine Renée Thomas, who went on to play Kelly in the festive movie Falling in Love at Christmas (2021). Tracey was played by Mickeey Nguyan. Before ZOMBIES, he was cast as Alex Phan in Make It Pop (2015-16) and went on to play Mags 2 in the Canadian sci-fi series Utopia Falls (2020).  

MUSIC

The music of ZOMBIES isn’t overly unique compared to other Disney Channel musicals, consisting of a mix of pop music, musical ballads, and some hip-hop and rap to make them more “contemporary”. I actually like all the songs in ZOMBIES and they are very catchy, which I can’t say for most Disney Channel musicals, although there are certain songs from other DCOM musicals that I like more.

The soundtrack for ZOMBIES was released on 16th February 2018, the same day as the movie’s premiere. It topped the US Billboard Kids Albums chart and reached No. 55 on the US Billboard 200 chart

In the order they appear in the film, the first main song is “My Year”, which gives us some background into the differences between Seabrook and Zombietown at the start of the film. The humans of Seabrook live in picture-perfect houses on clean streets, whereas the zombies live in more cluttered and grimy surroundings. But the two sides have two things in common: they can both sing, and both seem to like big group dance numbers! This is a very positive song, that states how excited everyone is for this new year at school, with both the humans and zombies thinking everything is going to be great. “My Year” was written by Jack Kugell, Hanna Jones, and Matt Wong and was performed by the entire cast. It is later reprised as “Our Year” during the End Credits, again performed by the cast.

Following on from that, we have the high-energy song “Fired Up”, which is used for the cheerleading try-outs. It gives us an insight into how fussy Bucky and The Aceys are about who can be on their squad, with them making brutal cuts to the squad there and then, literally removing them from the gymnasium if their face doesn’t fit! It’s a really great song and one of my favourites in the whole ZOMBIES franchise. It must’ve been so difficult to get through the whole performance of that. It was written by Mitch Allan and Nikki Leonti Edgar. “Fired Up (Competition)” plays during the Seabrook Cheer Championships routine.

Then, we get the typical love song that most Disney Channel musicals have between their two leads. This song is called “Someday”, performed by Milo Manheim as Zed and Meg Donnelly as Addison, and takes place in the Zombie Safe Room as Zed and Addison look to find a place to talk where Addison won’t be harassed by the cheerleaders and told to stay away from zombies. This is Addison and Zed having some fun, without feeling paranoid that they are being judged for their friendship. I particularly like the line “Girl, you look delicious. Oh, I mean gorgeous” – it’s a nice twist on typical teenage flirting, because, you know, zombies like to eat humans. This song is reprised as a ballad just before the Zombie Patrol come to break up the zombie party that Addison has been brought to by Zed. “Someday” was written by Dustin Burnett and Paula Winger.

Next up, we have “BAMM”, which is another high-energy performance, and takes place at the secret zombie party. As a musical performance, it’s the best within the movie, especially when they start doing flips and moves on a bouncy floor; it looks very impressive and must’ve taken a lot of work to perfect. It was performed by Manheim, Donnelly, and Kylee Russell as Eliza. “BAMM!” was written by Ali Dee Theordore, Sergio Cabral, Julian Davis, Sarai Howard, and Anthony Mirabella. It is later reprised right at the end of the movie by the whole cast during the block party at Zombietown, showing that zombies, humans – and cheerleaders – are now happy living side-by-side.

Finally, there is “Stand”, which is a moving song mostly performed by Meg Donnelly as Addison, as she reminds the crowd of their hypocrisy at cheering on Zed when the team were winning the football, but instantly turned against him and the other zombies when their Z-bands malfunctioned. We’re supposed to expect that this song will work and that the crowd will instantly change their ways – but they don’t. Flashbacks of the movie are shown during this scene too, reminding Addison of the reasons why change needs to happen now. However, one person who is starting to change their mind about zombies in this song is Bucky, as he states how confused he is about this new world they’re all living in, so Trevor Tordjman performs this section of the song. “Stand” was written by Matthew Tishler.

“Pep Rally”, written by Ali Dee Theodore, and performed by the cheerleaders during the pep rally, obviously, is listed as a separate track on the soundtrack, although I wouldn’t necessarily count it as an actual song; it’s mostly just chanting “Go, mighty shrimp!”.

George S. Clinton is credited as the composer of the score for ZOMBIES. Clinton has also composed the score for movies like Disney’s The Santa Clause 3: The Escape Clause (2006), and for the Austin Powers trilogy of films. Clinton won BMI Film Music Awards for his music in The Santa Clause 3, and the last two Austin Powers films. The score of ZOMBIES was later released in 2020, in the album Music from ZOMBIES (Original Score), which also includes the score from ZOMBIES 2.

PRODUCTION

Some Disney Channel movies are based on books. Others are based on original stories. ZOMBIES was actually based on an unaired pilot for a Disney Channel television series. It was probably also inspired by Shakespeare’s Romeo and Juliet.

This pilot was for a show titled Zombies & Cheerleaders. It starred Luke Benward as zombie Zed, and Maia Mitchell as cheerleader Addison. Benward was no stranger to Disney Channel at this time, having previously starred as Charlie Tuttle in the DCOM Minutemen (2008). He was later cast as Ryan in Girl vs. Monster (2012) and Will in Cloud 9 (2014). Maia Mitchell starred as Mack in Teen Beach Movie (2013) and Teen Beach 2 (2015).

Since this was an unaired pilot, there are very few details about the episode apart from a basic outline, which more or less follows the plot of ZOMBIES, i.e., a zombie and a cheerleader fall in love whilst at high school. On IMDB, there are a couple of other pieces of information about the pilot, such as a few photographs from the production, and a brief description of the pilot, which states that the zombies wear “z-packs”, the technology that keeps the zombies from wanting to eat human brains. As we know, in the movie ZOMBIES, this technology is called a Z-band. It would seem that this pilot was filmed around 2012. IMDB also states that this pilot was “music-driven” [4].

Many pilots for television series are filmed in a year, and many never see the light of the day, so for Zombies & Cheerleaders not to have been progressed with at Disney Channel is not unusual. For whatever reason, Disney Channel later decided to use this pilot as inspiration for their new musical movie ZOMBIES. The writers of the Zombies & Cheerleaders pilot episode, David Light and Joseph Raso, were tasked with reworking their material to fit the Disney Channel musical format, though how much needed to be changed or was added is unclear as the general public has had no access to the original pilot. Light and Raso went on to write all the ZOMBIES sequels, and co-created and co-wrote another Disney musical, Sneakerella (2022).

Production for ZOMBIES began in May 2017. Paul Hoen came on to the project as the movie’s director. Hoen has directed numerous Disney Channel Original Movies, both musical and non-musical. In the non-musical category, some of his credits include directing Read It and Weep (2006), Eddie’s Million Dollar Cook-Off (2003), and The Luck of the Irish (2001). In the world of musicals, not including the entire ZOMBIES movie franchise, he directed Camp Rock 2: The Final Jam (2010) and The Cheetah Girls: One World (2008).

As Descendants (2015) and Descendants 2 (2017) had done beforehand, along with many other Disney movies, ZOMBIES was filmed in Canada. Specifically, this movie was filmed in and around the province of Ontario and the city of Toronto. Keith Street near Wentworth Street North in Hamilton was used for Zombietown, with homes in the street being painted in bright colours just for the movie, and random decorations like tyres, lights, bird cages, and chairs were added to the homes’ porches[5]. The exterior of Aga Khan Museum in Toronto was used for the location of the Cheer Championships. Sugar Beach in Toronto was another location seen briefly, during the song “My Year” when the humans are dancing on the beach. It was also used for a deleted scene, where we see Zed and Addison watching Zoe playing with a dog on the beach. Zoe really wants a dog but we’re told at the start of the film, zombies aren’t allowed to own dogs[6].

These locations had to match the world of Seabrook and the fact that there are two separate areas that look and feel very different. Seabrook’s main town where the humans reside is mostly designed with clean, straight edges, which is matched by the look of their houses. Pastel colours are generally used here, such as light blues, pinks, and greens. Zombietown, on the other hand, looks gritty and grubby in places, kind of steampunk, with darker colours being used, with an emphasis on a darker green. The production designer on ZOMBIES was Mark Hofeling, who has had a history of working on Disney Channel movies, being the production designer throughout the High School Musical and Descendants movie franchises, for example, and working on ZOMBIES 2 and ZOMBIES 3 as well.

Hair, makeup, and costuming also had to be carefully chosen to match the production aesthetic and demonstrate the differences between the humans and the zombies. Initially, Addison’s wig colour was a topic of discussion, although it was always clear that Addison’s natural hair would be white. Meg Donnelly tried all manner of coloured wigs out for her character, before it was decided to choose a colour that matched Donnelly’s natural blonde hair colour. The style of Addison’s natural white hair then had to be decided, with a sort of pixie cut being chosen, which I’m not a fan of, to be honest, as it looks a bit like Rapunzel’s hair in Tangled (2010) after Flynn cuts it off and it turns brown. It just looks messy and unstyled. But don’t worry, Addison’s hair gets better in the ZOMBIES sequel!

Milo Manheim had similar hair issues for his character, zombie Zed. It was first decided to give Zed a multitude of colours in his hair, with additional blue and yellow streaks, but that didn’t work, so they tried a bright neon green. That also wasn’t right, so they eventually settled on the dark green. The zombie characters have very pale skin, which meant the actors had to have any bare skin spray painted. This meant that hair and makeup for these characters could take around two hours, or more, to complete in total, with extra time needed to remove it at the end of the day. The humans in ZOMBIES are mostly seen wearing pastel colours, with the cheerleading uniforms being pink and white with light green accents. The zombies are forced to wear dark colours, like greys, reds, blacks, and dark greens. Their outfits are, according to Zed in the movie, government-enforced, however, the younger zombies have managed to customise their outfits to suit their own personalities. Costume Designer Rita McGhee worked on ZOMBIES, having previously worked on the series Empire (2015-20).

Since ZOMBIES is a musical, and a Disney Channel one at that, the dance routines and musical numbers had to be dynamic, to match up to other movies of its kind. Rehearsals for the movie took around four weeks, with roughly one week being dedicated to each dance number. Choreographers Christopher Scott and Jeffrey Hornaday were on hand to put the actors through their paces. Hornaday is both a director and choreographer. His choreography credits include the Disney Parks attraction Captain EO, a 3D short film which starred Michael Jackson; the 1983 movie Flashdance; and the 1985 film adaptation of the musical A Chorus Line. In directing, Hornaday directed the non-musical DCOM Geek Charming in 2011, before moving on to direct both Teen Beach Movie (2013) and Teen Beach 2 (2015) for Disney Channel, as well as being on hand as the movies’ choreographer. Christopher Scott was also a choreographer on the Teen Beach movies, as well as on In the Heights (2021) and even Wicked (2024). Scott and Hornaday were happy to work with the actors on some of these routines, with Milo Manheim and Meg Donnelly adding input into their “Someday” routine, such as putting the colander on the lamp to turn it into a disco ball, as well as their tap steps. Manheim was seen doing back flips when the cast were working on the “BAMM” routine, so these were added into the dance.

There was also additional training needed for the cast. For example, Manheim had no experience playing real football, so he had to learn how to play the game, and how to run in all that heavy gear that football players wear. A stunt double was used whenever Zed was tackled in the movie. Donnelly had never been a cheerleader either, but luckily, production hired a cheerleading team and their coach from Toronto to come and train everyone. Donnelly had a lot of fun doing the cheerleading routines, and the only part of Addison’s cheerleading that was done by a stunt double was the twist in the air that she does just before Zed catches her at the pep rally[7].

RECEPTION

ZOMBIES premiered on Disney Channel in the US on 16th February 2018, presumably to coincide with Valentine’s Day, since ZOMBIES is a love story. It later came to other international Disney Channels in the coming weeks.

The movie was heavily promoted on Disney Channel. Promotional videos included behind-the-scenes clips, music videos, and interviews with the cast, giving them challenges and asking them questions to allow the viewers to get to know the actors. This was actually quite important because in a move very unlike Disney Channel, the cast of ZOMBIES had not been in a Disney Channel series, whereas usually at least one of the main cast would’ve been in a Disney series beforehand, so they would’ve been unknown to most viewers.

Another way of publicising the movie’s release was for Milo Manheim and Meg Donnelly to present the debut of a ZOMBIES-themed cheerleading routine at the grand opening of The Arena at ESPN Wide World of Sports Complex at Walt Disney World Resort in Florida. The performance was aired on Disney Channel on 26th January 2018 and was choreographed by Varsity Spirit. The routine was completed by Florida’s Barstow High School Varsity Co-ed Cheer Squad, who were the 2016 champions of Varsity Spirit Universal Cheerleaders Association National High School Cheerleading Championship. The song they performed to was “BAMM” from the ZOMBIES movie and the cheerleaders were dressed up to look like zombies and cheerleaders from the film too. This performance was later made available on YouTube and made up part of the telecast of the 2018 UCA National High School Cheerleading Championships.

This was followed by the announcement of the ZOMBIES Spirit Challenge which ran from 26th January to 6th February 2018 to allow Disney Channel watchers in the US to participate in ZOMBIES-themed photo challenges, like showing your best zombie hair, outfit, cheer pose etc., for the chance to win a screening party with a Disney Channel star[8].

ZOMBIES reached around 2.7 million viewers on its premiere date, with this figure rising to 10.3 million over the eight re-runs of the movie that took place over that weekend, which happened to be Presidents’ Day Weekend[9]. This was much less than Descendants 2’s premiere in 2017, just a year before, which gained 5.8 million viewers. However, it is worth noting that viewership for Disney Channel movies had been declining throughout the 2010s, with only the musicals tending to hit a figure over 5 million. By the time ZOMBIES was released in 2018, the only movie to top their figure of roughly 2.7 million afterwards was Descendants 3 in 2019 with 4.6 million. Now that Disney+ is available in most countries, and with many Disney Channels shutting down internationally, the viewership of Disney Channel movie premieres are no longer wholly reliable figures to base a movie’s popularity. 

As with most DCOMs, the reviews of ZOMBIES were mixed. Some said they liked the music and the choreography, and felt there was good chemistry between the two leads. It was also a welcome change to see some fresh faces on the channel for a change.

On the other hand, some did not enjoy the production design and its “excessive” use of colour. A lack of representation and diversity in the cast did not go unnoticed, and the story was seen as predictable and unoriginal, with it being seen as a bad metaphor for racism. Some went a bit over-the-top with their analysis of the movie from a zombie apocalypse point of view, saying that the bands the zombies wear would be too basic a control mechanism and would not have worked. Personally, I think those people have watched a little too much of The Walking Dead and have lost touch with reality. This wasn’t meant to be a movie about the potential or danger of a zombie apocalypse; it was simply about inclusion and integration.

The biggest issue for ZOMBIES though was that it was compared to the Descendants franchise, which was very popular with both Disney Channel and Disney Animation fans alike, as it referenced popular Disney Villains and their animated movies. ZOMBIES was even being called a rip-off before it was released, with many viewers saying they would not be watching it. Sadly, Descendants was directed by Disney Channel royalty, Kenny Ortega, the man behind High School Musical, so there was a sense of loyalty to the “Golden Age of Disney Channel” I suppose[10]. After ZOMBIES was released, Descendants fans were quick to comment that the songs were worse, and the characters and overall concept were generally lacking.

To be honest, I think it’s quite hypocritical for Descendants fans to be up in arms about ZOMBIES being a rip-off of their beloved musical franchise, since it could be seen that Descendants is simply another attempt at Disney Channel to reach the standard they hit with the High School Musical trilogy, or even that Descendants “ripped off” Disney Animation movies, and sanitised their villains. These days, everything on screen has been influenced or inspired by something, so to moan about a lack of originality is laughable.

Frankly, Disney Channel didn’t even give ZOMBIES a good sporting chance of being able to shake-off the Descendants comparisons, because Descendants 3 was officially announced during the premiere of ZOMBIES on 16th February 2018, despite Descendants 3 not even been released until Summer 2019[11].  It’s incredibly unfair how and where Disney decided to announce Descendants 3. Were the cast and crew of ZOMBIES really not allowed their own moment in the spotlight? Could the Descendants 3 announcement not have waited a few months?

Anyway, ZOMBIES did eventually manage to find its fanbase, so it’s all good. The movie was nominated for two awards. One for Children’s Teleplay at the Humanitas Prize, however, it lost out to Netflix’s Alexa & Katie (2018-20). The other was at the Canadian Cinema Editors Awards for Best Editing in Family, Television Movie or Series, losing out to Odd Squad: World Turned Odd (2018).

LEGACY

After ZOMBIES was released, much of the cast continued to be involved with Disney in some way. For instance, Milo Manheim competed on Season 27 of Dancing with the Stars (2005-present) in October 2018, and finished in second place. His appearance on this no doubt helped to advertise ZOMBIES further. Dancing with the Stars airs on ABC, a television channel owned by The Walt Disney Company.

The cast of ZOMBIES also took part in a roughly 20-minute television special called ZOMBIES Halloween Cast Party in October 2018, which saw them perform songs from their movie and complete different Halloween-themed activities, liking making costumes and playing pranks They also engaged with a live audience of kids and tweens. This was the first Halloween since ZOMBIES had been released, so this was likely a way of getting Disney Channel viewers to watch the movie for Halloween, because zombie movies are perfect for the Halloween season and Disney Channel can promote this one because their zombies are all-singing, all-dancing!

Kylee Russell and Meg Donnelly later took part in the Disney Parks 25 Days of Christmas Holiday Party in 2018, with Russell helping to surprise a family with a VIP visit to Walt Disney World, and Donnelly performing “Mele Kalikimaka” on stage.

During the Disney Parks Christmas Day Parade in 2019, Meg Donnelly performed the song “Home for the Holidays” before her and Milo Manheim introduced a sneak-peek at the upcoming Mickey and Minnie’s Runaway Railway attraction, which opened at Disney’s Hollywood Studios at Walt Disney World in March 2020.

This was potentially a use of cross-promotion, as Manheim and Donnelly were likely gearing up for their press tour that would be talking about the sequel to ZOMBIES, ZOMBIES 2, which was first announced in February 2019, a year after the first movie came out. The initial announcement stated that Manheim and Donnelly would return as Addison and Zed, but this time, the town of Seabrook would be dealing with the arrival of a pack of werewolves in the area. ZOMBIES 2 premiered in February 2020.

FINAL THOUGHTS

ZOMBIES was another musical in a long line of Disney Channel musicals. This isn’t necessarily a bad thing, because it is a well-known fact that Disney Channel’s musical movies have always been their most popular and the ones that have generally done the best in terms of viewership, reviews, and chances of creating a franchise.

It’s not right that ZOMBIES was not given a fair chance of doing well because it was released in such proximity to the Descendants movies, which had gained a popularity similar, but not as great, as that of High School Musical; it was really the closest Disney Channel had come in almost a decade though.

Still, the door to the ZOMBIES fandom will always remain open to Descendants fans should they want to come and join the zombies and cheerleaders party! It’s not too late!


REFERENCES

[1] Credit: A.A. Cristi, ‘New York Musical Festival Announces 2017 Winners for NYMF Awards for Excellence’, BroadwayWorld.com, 7th August 2017.

[2] Credit: Stacey Grant, ’15 Shocking “Zombies” Secrets from Stars Milo Manheim and Meg Donnelly’, Seventeen.com, 20th February 2018.

[3] Credit: Disney ZOMBIES, ‘ZOMBIES Deleted scenes Compilation’, Disney ZOMBIES YouTube Channel, 28th March 2021.

[4] Credit: IMDB, ‘Zombies and Cheerleaders’, IMDB.com, date unknown.

[5] Credit: CBC News, ‘Disney movie shoot transforms north Hamilton homes into zombie fantasy’, CBC.ca, 5th July 2017.

[6] Credit: Disney ZOMBIES, ‘ZOMBIES Deleted scenes Compilation’, Disney ZOMBIES YouTube Channel, 28th March 2021.

[7] Credit: Stacey Grant, ’15 Shocking “Zombies” Secrets from Stars Milo Manheim and Meg Donnelly’, Seventeen.com, 20th February 2018.

[8] Credit: BWW News Desk, ‘Stars of Disney’s ZOMBIES Present ‘Zombies’-Themed Cheer and Announce Launch Nationwide ZOMBIES Spirit Challenge’, BroadwayWorld.com, 26th January 2018.

[9] Credit: R. Thomas Umstead, ‘Disney Channel’s ‘Zombies’ Scares Up 2.7 Million Viewers for Premiere’, NextTV.com, 20th February 2018.

[10] Credit: Emily Brozyna, ‘It’s Goin’ Down: Kylee Russell Really Just Wants ‘Descendants’ Fans To Give ‘Zombies’ a chance’, J-14.com, 29th November 2017.

[11] Credit: Ariana Brockington, ‘Disney Announces ‘Descendants 3’ for 2019’, Variety.com, 16th February 2018.

Rip Girls (2000)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. PRODUCTION
  5. MUSIC
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

Back before Disney Channel elevated the idea of what a television movie could be with their surprise success High School Musical (2006), Disney Channel Original Movies used to be low-budget events, more about teenage and family life, and not the over-the-top, show-stopping musicals that Disney Channel seem to favour now.

It’s a well-known fact that the most memorable DCOMs tend to be those musical movies, with many gaining one, two, or even three sequels. Other non-musical DCOMs that are still remembered by the majority of viewers years after their release tend to feature a rising star of the time, like Hilary Duff in Cadet Kelly (2002).

Unless you are a die-hard Disney Channel fan, if you look at a list of all the DCOMs that have been released since 1997, when they were officially named that, there will likely be plenty of films that you’ve never heard of. For me, those films tended to be anything released before 2003, probably because 2003 was about when I started watching Disney Channel.

Rip Girls was just one of many pre-2003 DCOMs that I had never heard of until I perused the ever-growing Disney Channel Movie list, and I’d like to think that I’m not the only one who didn’t even know about it, let alone hadn’t seen it.

Released in 2000, along with eleven other DCOMs, Rip Girls is a movie set in Hawaii, and featuring a thirteen-year-old girl as she learns about her family heritage, whilst also learning how to surf. Yes, Rip Girls is yet another one of those earlier “sports movies” from Disney Channel, following in the footsteps of Brink! (1998), a movie about skating, and Johnny Tsunami (1999), another surfing movie.

I can’t say I enjoyed Rip Girls particularly. I’ve never been that excited about surfing, or sports in general, with very few of Disney Channel’s sports films interesting me, and I felt like the story was something I’d already seen before. Rip Girls is mostly meant to be centred around the teenage girl, Sydney, and her family heritage, but linked to that is a whole subplot about the family deciding whether or not to sell their inherited family home to realtors so that a huge resort can be developed in the area, something the locals obviously don’t like.

Rip Girls tries to include details about Hawaiian culture, but these become lost in amongst some of Sydney’s teenage angst and her tense relationship with her father. But I’ve seen online that Rip Girls is an underrated gem for many Disney Channel fans, so I’ll try to go easy on it. It wasn’t all bad; I’ve probably just been spoilt by the DCOMs of my childhood.

PLOT

At the beginning of Rip Girls, teenager Sydney is on a flight just about to land in Hawaii. She tells the audience that she was born in Hawaii so this is like her returning home. She left Hawaii with her father, Ben, at a very young age after her mother died. Sydney and her father now live on the US Mainland, with her father’s new wife, Elizabeth.

After landing, the three arrive at a big house. It is an old plantation called Makai that Sydney has recently inherited. The future of this land is why Sydney, Ben, and Elizabeth are here. Sydney takes the opportunity to explore the area and take photographs, with photography being a hobby of hers. She eventually ends up at the beach and watches people surfing. Sydney would love to learn how to surf, but her overprotective father doesn’t allow her to do “risky” things like that. Sydney doesn’t feel brave enough anyway.

Sydney then goes inside the house to explore. It is old and dusty – and she is soon spooked by a random black cat! Elizabeth finds she likes the place, especially some of the pillow fabrics, but Ben reminds her that they agreed not to take anything home with them. Their Hawaiian lawyer, Bo, then arrives to welcome them to the island. He tells the family they must stay on the island for two weeks, as a pre-requisite of Sydney inheriting the land. We also learn she is the sole heir. The plantation is rundown, but the locals are hoping that Sydney and the family might be willing to start it back up again. Ben is adamant that neither he nor Sydney want to do that, preferring to simply renovate the house and sell it.

Sydney later finds an old family photo album in the house and starts flicking through it. She finds a photo of her mother with a surfboard. Sydney tries to ask her father about her mother, but he won’t talk about it; he never talks about her. Sydney likes the picture though, and decides to stick it to the mirror in her room. She has little to no memories of her mother, but at least she now has a photograph.

The next day, Sydney sees that black cat again and follows it to an old shed. It is seemingly full of old equipment for the plantation, but Sydney finds a surfboard at the back, with the word “Naniloa” painted it on. She is headed to the beach with the board when she knocks over a girl on a bicycle. This girl is initially annoyed with Sydney, but her attention is then drawn to the cool surfboard. The girl introduces herself as Gia. Gia knows all about her family history and why Sydney is on the island, which makes Sydney feel a bit insecure… Sydney invites Gia back to the house, and starts showing Gia some of the photographs she’s taken since they arrived here. Gia thinks they are really cool and says she should take some photos of the surfers whilst in the water. Sydney isn’t so sure her dad would want her to do something like that though.

However, Sydney chooses to go to the beach the following day, despite her father wanting the three of them to have a family day together. He isn’t happy about her walking to the beach alone, and meeting up with people he doesn’t know. But he allows her to go, as long as she promises not to go in the water, because she doesn’t understand how dangerous the rip tides and currents can be. Sydney promises not to go in the water.

Sydney pretends to leave for the beach with only her camera, but once Ben and Elizabeth have gone inside, with two real estate agents, Sydney sneaks back to grab the surfboard she found yesterday and goes to the beach. There, she meets up with Gia, who introduces her to some of her friends. One of these friends is a boy called Kona, who is not able to surf at the moment because one of his arms is in plaster after a skateboarding accident. He stands on the beach and talks to Sydney about different surfboards, before realising that Sydney has never surfed before. Gia, Kona, and the others say they have to teach her how to surf.

After some practice on the board on sand, Gia thinks Sydney is ready to go in the water. Despite Sydney feeling scared, as well as her promise to her father, she follows Gia in to the ocean. Tut-tut; your dad is going to be so mad at you, Sydney! Unsurprisingly, Sydney wipes out almost immediately, but she’s fine. However, we then see that someone is higher up the beach watching Sydney and Gia through binoculars…Creepy… When Sydney comes home, she lies to Elizabeth about the surfing she did that day, and then changes the subject by asking about why her dad seems so stressed out right now. Elizabeth tells Sydney not to worry about it; it’s just “grown-up stuff”.

It soon becomes clear why Sydney’s father is stressed out and that’s because of Sydney’s inherited land. The real estate agents from the day before invite the family to their office to discuss plans. It turns out these realtors are only too excited to have a teenager inherit the land with a father who has no desire to stay in Hawaii and actually needs money from the sale. Prime targets for a scam. Well, to be fair, the realtors aren’t con artists, but they don’t care about this community. It turns out they want to use Sydney’s land to build a huge resort complex, something they’ve wanted to do for a while but the previous owner, Sydney’s great-aunt, would never sell, so they were unable to. The realtors show off their grand plans, but Sydney isn’t interested and leaves the adults to talk. Sydney just wants to practise her surfing.

Once the meeting is over, Sydney goes down to the beach to meet up with Gia. Sydney finds that her surfing is definitely improving as she manages to stand up on the board for the first time! Gia and Sydney then watch Kona skateboarding, where Sydney tells Gia she likes Kona. Gia plans to tell Kona immediately, but Sydney begs her not to say anything. The girls then go back out in the water, but Sydney catches a bad wave and struggles under the water. Gia can’t get to her quick enough. Luckily, Kona has seen Sydney struggling and runs into the water to save her. Together, Kona and Gia get her to the shore.

Sydney is alright but has a small cut on her head. Gia says they should take her to her mother, Malia. Sydney must’ve passed out or something because she later wakes up in Malia’s house. She tells Malia that it was like she had an out-of-body experience. Malia gives her a herbal drink to make her feel better. Sydney still feels scared to go back in the water though, so Malia tells Sydney that she knew Sydney’s mother. They both loved to surf, and that board Sydney has, which got damaged in the near-drowning-incident, was Sydney’s mother’s, with “Naniloa” being her mother’s nickname. Sydney wants to know more about her mother, so Malia takes her to a mountaintop overlooking a sacred beach. Malia tells her that this is where she used to go with Sydney’s mother, as this is where the whales come sometimes and when they do, there is a ceremony for the event. Sydney hopes to be able to experience that during her stay in Hawaii.

Sydney then returns home to find that Elizabeth and Sydney’s father have been incredibly worried about her since she hadn’t come home on time. Sydney’s dad was out looking for her, but comes back to see she has returned home, but he is not at all happy. Sydney tells her father she hurt herself surfing, causing her dad to freak out and start shouting at Malia who brought Sydney home. It’s clear there is bad blood between the two of them, but Sydney has no idea why, making it even more obvious to her that her dad is keeping secrets.

The next day, Sydney talks to Gia on the beach about what happened the night before with Gia’s mother and her father. Gia lets it slip that Sydney’s mother was in a surfing accident, but when she sees that Sydney didn’t know, Gia backtracks, saying she probably has gotten it all wrong and that’s not even what happened. This leads Sydney to do some research. She finds an old article about her mother and goes to tell Gia about it, but she’s busy praying for better waves. This is soon interrupted by a group of boys starting a water fight… Sydney goes to Kona to talk instead. First, Kona shows Sydney a picture he drew of her surfing; Sydney loves it. Then, Sydney asks if he can take her to Kaala Loa, which was mentioned in the article. He says it’s abandoned and they’ll have to get there on horseback but they can definitely go. Sydney walks around Kaala Loa and feels like she remembers being in one of the bedrooms; it turns out this was Sydney’s mother’s childhood home.

Later, Sydney and her family find that the realtors have agreed plans for their new resort and promise a good price for the land. They will need an answer about the sale soon. Back home that night, Sydney isn’t sure what to do about the sale, when Kona and Gia come to take her to that sacred beach for a luau as the whales are coming back. At the party, Kona and Sydney kiss for the first time, but the evening takes a turn, when, whilst watching the whales, Sydney asks Malia to tell her about her mother’s accident. Malia isn’t sure whether she should be the one to tell Sydney but does so anyway. One day, Malia and Sydney’s mother went out surfing together, and the waves were great; everything was fine. As they headed back to the beach though, Sydney’s mother was struck by multiple huge waves and nobody was able to save her from drowning… Instead of getting closure, learning about the accident makes Sydney angry, angry with her mother for leaving her, and angry at her father for keeping her mother’s death a secret for so long. Sydney has a heart-to-heart with her father when Sydney has calmed down a bit, and says he doesn’t like to talk about it because he feels guilty that he wasn’t at the beach that day and wasn’t able to save her. He then felt even more guilty when he found love with Elizabeth so struggled to talk about it. They then talk about the sale of the land. Her father says it is Sydney’s decision on the house, and not his, but he can’t lie; the money from the sale would be good for the family.

Sydney goes to meet up with her friends again, but she cannot find Gia anywhere, and Sydney learns that the whole community is mad at her because the local paper has printed a story saying that the resort is coming. Sydney tries to tell them that nothing has been decided yet, but she is ignored. Sydney then goes to speak with Malia, but only finds Kona there. Kona is helping Malia fix up Sydney’s surfboard, by putting his drawing of Sydney on to it. Kona tells Sydney that Gia stood up for her in front of the others, and lets Sydney know where Gia might be.

She finds Gia on a small stretch of beach; this is Gia’s hiding place, somewhere she goes when she’s trying to work things out in her mind, like why her father doesn’t visit her more often. Talk soon turns to the resort complex, and the fact part of the beach is going to be designated for tourists only. Sydney says the lagoon with the whales will be preserved, but Gia reminds her the whales won’t come with all the increased tourism. Gia says she hoped that by showing Sydney the island she wouldn’t want to sell the land. Gia says that her mother wanted her to do that. Sydney then accuses Gia of only being her friend to stop the sale of the land. Gia tries to say that she really is her friend, but the conversation turns into an argument, and Sydney walks off, saying she’s definitely selling the land now and can’t wait to get off this island. At the realtors’ office, paperwork is laid out in front of Sydney. She only has to sign on the dotted line. Sydney sees her former friends outside and wonders if she’s doing the right thing.

After the meeting, Sydney heads to Gia’s house and talks with Malia, who says it was probably unfair to expect this of someone who left the island so young, but that she’d hoped Sydney would have felt at home here and wouldn’t have wanted to sell. Malia gives Sydney a locket, which contains a photo of Sydney and her mother together. Sydney then tries to find Gia, but Kona doesn’t know where she is. Sydney then has a horrible thought: that Gia has gone surfing alone. Sydney runs to the place where she found Gia the other day, and finds all her stuff on the beach and her board in the water. Sydney grabs Gia’s board and swims out in to the sea, where she sees Gia struggling in the water. She manages to get Gia on to the board and paddles back to the beach with her. Gia has hurt her arm but she’s mostly alright. The two apologise for their fight, and Sydney tells her the good news: that she didn’t sign the contract and that her and her family are going to live here now! Malia and Ben, Sydney’s father, also make amends for the past.

The movie ends with Sydney out in the ocean, where she drops a lei into the water. She says this is a memorial to her mother, and hopes that by staying in Hawaii, she’ll continue to learn about her and feel closer to her.

CHARACTERS & CAST

Sydney Miller is only thirteen-years-old, but she’s found herself in the position of owning a former plantation in Hawaii, thanks to family connections on her mother’s side. Sydney is excited to be back in Hawaii, as she left when she was very young and hopes to be able to feel closer to her mother by being there. But instead of being involved in boring property discussions, Sydney wants to hang out with people her own age and learn how to surf, something her father would never let her do normally. This is Sydney being rebellious, I guess! Sydney soon learns that inheriting land here comes with quite a responsibility. Sydney is already aware of the community’s thoughts on the situation, and knows about the dangers of destroying natural environments, so she realises that she doesn’t want to sell, and would rather stay in Hawaii, wanting to learn more about her mother. When Sydney realises that she was being manipulated by Gia and her mother to get her to reconsider selling the land though, she feels betrayed and wants to sell out of spite – but she just can’t do it. She loves life on the island, and luckily, her father and stepmother are happy to stay.

Camilla Belle was cast as Sydney, having already acted in a few small roles prior to Rip Girls. One of these was appearing as Jane in A Little Princess, the 1995 adaptation of the Frances Hodgson Burnett novel, directed by Alfonso Cuarón. She was then cast as Cathy Bowman in The Lost World: Jurassic Park (1997), the first (of many) Jurassic Park sequels. Around the time of Rip Girls, she also starred as Lizzie in the television movie Back to the Secret Garden (2000). Belle may also be known for her role as Nora in the film From Prada to Nada (2011), which starred former Spy Kids actress Alexa Vega as her sister, Mary. More recently, Belle appeared as Melyssa in the comedy series Dollface (2019-22), and in the recurring role of Pearl Serrano in Law & Order: Organized Crime (2021-present).

Ben Miller is Sydney’s father. He does not want to be in Hawaii with all those bad memories of his wife’s death, and only wants to be there for the required two weeks. In that time, he seemingly pushes for the sale of the land, despite their lawyer’s attempts to get them to consider starting up the plantation again, or at least stay in the house permanently. It doesn’t work, and that is partly due to financial concerns. Although Ben tells his daughter that the decision on whether to sell the land or not is up to her, Ben is certainly the one calling the shots with all the realtor meetings, and clearly doesn’t expect Sydney to consider staying in Hawaii. He probably hoped that if he never told Sydney about her mother and their life on the island, then she’d have no ties to the area and wouldn’t want to stay, but it’s because of his secrecy and overprotective nature that Sydney starts to dig deeper in to learning about her mother. When the truth is revealed, Ben tells Sydney he never told her about her mother because he felt guilt that he couldn’t save her on that day. He does also say that the choice of selling the land is solely up to her, and that they could talk about staying if that’s what she wanted. Well, she did want to stay, so Ben had to learn to get through the difficult moments of the past and move forward!

Ben was played by Dwier Brown. He was cast as John Kinsella in the movie Field of Dreams (1989), which starred Kevin Costner and James Earl Jones. He later appeared as Dr. David Herlihy in Season 3 of ER (1994-2009) and guest starred in many other series.

Elizabeth Miller is Ben’s second wife and Sydney’s stepmother. She is the only mother that Sydney has ever really known, however, the three of them are not a particularly close family unit. It seems like Elizabeth is quite wary of not acting too much like Sydney’s mother, and she tries to explain away some of Ben’s overprotectiveness. Elizabeth also states during Rip Girls that she has always felt like the ghost of Sydney’s mother has been following them around, because Ben is so determined to keep the circumstances of Sydney’s mother’s passing a secret. In the end, Ben manages to move past this and they both seem happy with Sydney’s decision to stay in Hawaii.

Elizabeth was played by Lauren Sinclair. Sinclair had previously been cast as Agent Winters in the movie Face/Off (1997), starring John Travolta and Nicolas Cage, and starred as Emma in the thriller The Mystery of Spoon River (2000).

Soon after arriving on the island, Sydney literally bumps into Gia, knocking her off her bike. It looks like these two have a real friendship, bonding over surfing and Gia showing Sydney around the island, however, it later is revealed that actually Gia was initially pretending to be Sydney’s friend in the hopes that Sydney might decide not to sell her family’s land, not wanting further development on the island. This causes an argument between them as Gia tries to say it started off that way, but now she knows Sydney, they have become friends. Sydney doesn’t believe her and storms off, threatening to go ahead with the sale. Knowing that Gia has upset her friend, she decides to go surfing alone to clear her head, but this turns out to be a big mistake as she is knocked off her board and injured. Luckily, Sydney shows she is still Gia’s friend by coming to her rescue, and the two reconcile, apologising for their fight. Gia was played by Stacie Hess.

Gia “pretending” to be friends with Sydney was her mother, Malia’s, idea. But Malia wasn’t doing this to be mean or even doing this solely to protect the community. She actually did this because she wanted Sydney to learn about her family heritage, because if she knew more about it, then she might feel connected to the area and would want to stay. This probably wasn’t the way to go about it, and this causes friction between Sydney and Gia, as well as friction between Malia and Ben, who accuses Malia of putting Sydney’s life in danger when Malia brings her home after Sydney’s surfing incident. In the end, Malia and Ben put the past behind them, and decide to be friends again now that Sydney and her family are planning to stay on the island. There is also something that was never resolved in Rip Girls and that is the identity of the person watching Sydney surfing with Gia on the beach early on in the film. We’re led to believe that this is a big mystery that will be revealed later – but then it’s not. It’s not really known who this person is, but I believe it is most likely to be Malia, checking that Gia was doing as she was told.

Jeanne Mori was cast as Malia. She had previously guest starred in episodes of series, such as Night Court (1984-92); Sister, Sister (1994-99); and ER (1994-2009). She was also cast as Helm in Star Trek III: The Search for Spock (1984).

Sydney’s love interest in Rip Girls is skateboarder Kona. Kona clearly likes Sydney, as he dives into the ocean to save her from drowning, despite his arm being in plaster, which was completely ruined afterwards. No doubt Kona’s doctor was not happy with him about that! The two also kiss at the luau, however, we don’t see very much between them after this point, with the plot’s focus moving to Sydney’s mother and the sale of the land. I’m sure with Sydney choosing to stay in Hawaii, they managed to rekindle their teenage romance! Kona was played by Brian Christopher Stark, who went on to be cast as Zack in Season 5 of the MTV anthology series Undressed (1999-2002).

We also have Bo, the Miller’s lawyer on the island. Bo makes it obvious that he doesn’t agree with the Miller’s plan to sell, or with the realtors’ plans to build a huge resort complex on the land, but he is not paid to give his opinion so he doesn’t actually say very much in the movie after his initial introduction. I guess he was glad that they decided not to sell. The reason I mention Bo is because actor Keone Young appeared in another DCOM: Return to Halloweentown (2006), where he was cast as Silas Sinister. Young also has links to other Disney projects, including voicing Lord Qin in the direct-to-video Disney sequel Mulan II (2004); voicing additional characters in Disney Animation’s Wish (2023); voicing the character of Luong Lao Shi in Disney Channel’s animated series American Dragon: Jake Long (2005-07); and voicing characters in Disney XD’s Star Wars Rebels (2014-18).

PRODUCTION

Despite being set in Hawaii, strangely, Rip Girls was filmed in Queensland, Australia.

I’m not sure why this would be, especially as other Disney productions have filmed in Hawaii before. Johnny Tsunami (1999) is just one of those. Although not set or filmed entirely in Hawaii – some of the film is set in the snowy mountains of Vermont – the portions of the movie that are set in Hawaii were filmed there[1]. This was just one year prior to Rip Girls. Hawaii is closer to the USA than Australia too, so it seems an odd decision. I can only assume it was a budgetary reason. The good news is Disney now do tend to use Hawaii for their Hawaiian-set movies and television series, including the Disney+ series Doogie Kameāloha, M.D. (2021-23), and the 2025 live-action remake of Lilo & Stitch.

In terms of specific filming locations in Queensland that Rip Girls used, these details are hard to come by, with only Cabarita Beach being specifically mentioned[2].

Rip Girls was directed by Joyce Chopra. Chopra is known for directing the movie Smooth Talk (1985), which starred Laura Dern and Treat Williams and won the Grand Jury Prize (Dramatic) at the 1986 Sundance Film Festival. The screenplay was written by her husband, screenwriter and playwright Tom Cole. Chopra then directed The Lemon Sisters (1990), starring Diane Keaton. Chopra went on to also direct some episodes of television series, such as Law & Order: Criminal Intent (2001-11) and Everwood (2002-06).

Rip Girls was written by Jeanne Rosenberg, who had previously co-written the screenplay for the Disney live-action film White Fang (1991). Rosenberg was later credited with working on the story for Bambi II, the direct-to-video sequel of Disney Animation’s Bambi (1942), alongside director of the film Brian Pimental.

MUSIC

Much like many Disney Channel movies, Rip Girls’ soundtrack consists of mostly pop music.

This film’s most famous song was actually removed from the Disney+ version of the film. This song was “Rev It Up”, performed by Irish girl group B*Witched, known for their 1998 single “C’est la Vie” amongst others. They even performed “Rev It Up” at a 1999 concert filmed at Disneyland, as well as some of their biggest hits – as did UK boy band Five. However, probably due to copyright issues, the song has been removed from Rip Girls, as it appears on Disney’s streaming service. It was played during the scene when Sydney manages to stand up on her surfboard for the first time. The song that replaced “Rev It Up” was “I Know You Can Do It” performed by Tyler van den Berg. I think this song is just as much fun as “Rev It Up” and suits the scene.

Another piece of pop music used in Rip Girls, when Sydney is at the beach with Gia and she introduces Sydney to her surfer friends, is apparently called “Girltoy” and performed by the band Girltoy. Randomly, it comes from the 1988 album titled Seeking the Death Penalty; not exactly a song you’d expect to hear in a Disney film!

There is also the song “It’s Like That” performed by The Sha Shees, featuring Doc One, and written by Stanley A. Smith and Michael Layne. This song plays as Sydney finds Kona working to fix Sydney’s surfboard at Malia’s house. “It’s Like That” was credited in the End Credits of Rip Girls.

The only other song actually credited in this movie is the song “No Ke Ano Ahiahi”, performed by Moe Keale from “South Sea Island Magic”. This is a traditional piece of Hawaiian music, which is being played as Sydney, Gia, and Kona arrive at the luau ceremony. “Hukia Mai A”, another traditional Hawaiian piece, is used when Sydney meets up with Gia and her friends again after the initial meeting at the realtors’ office, discussing plans for this new resort. It was performed by Kapono Beamer & Mac Prindy.

Then, there is background music playing when Sydney approaches Gia’s friends and they confront her about the news article stating her and her family are selling their land. This song is not easily audible over the dialogue, so I’ve been unable to find it.

Phil Marshall is credited as being the composer for Rip Girls. He worked on the music for multiple 1990s and early 2000s Disney Channel Original Movies, including Zenon: Girl of the 21st Century (1999) and its 2001 sequel; Johnny Tsunami (1999); Stepsister from the Planet Weird (2000); The Ultimate Christmas Present (2000); and Pixel Perfect (2004).

RECEPTION

Rip Girls first aired on Disney Channel on 22nd April 2000.

It is not known how well Rip Girls did in terms of viewing figures on its premiere date. This is the case with many of the older Disney Channel Original Movies from the late 1990s and early 2000s. It looks like around 3 million was around the average for this time.

Judging by the audience reviews I’ve read for Rip Girls, the majority of them are positive. It seems that few people know about Rip Girls, but those that do love it.

Many said it was a decent movie from Disney Channel, showcasing Hawaiian culture and its great scenery. Yes, all that great Australian scenery… I guess it’s not that obvious if you haven’t been to either place, like me; I wasn’t able to tell it wasn’t filmed in Hawaii. Others also said it handled some mature themes well, such as the death of a family member, and the responsibility we all have to understand and appreciate our heritage, as well as environmental concerns about staying connected to the land and nature. Many say that Rip Girls is an underrated DCOM.

On the other hand, though, some didn’t like the predictable plot and felt that the communication issues between Sydney and her father were unbelievable, saying that Sydney’s father was written poorly.

I personally did not enjoy much of Rip Girls, finding that the storyline was a little overly dramatic, like why would Gia go out surfing alone when she knew the risks? Or, how could Sydney have let her father keep secrets about her mother for this long, only for chance encounters with strangers to have them all come out? I also didn’t like Sydney’s father much; he was really pushy with the sale of the land, only to then say “it’s completely your decision – but we really do need the money”.

Camilla Belle and Stacie Hess were both nominated at the 22nd Young Artist Awards for their performances in Rip Girls, in the categories of Best Performance in a TV Movie (Drama): Leading Young Actress and Supporting Young Actress. Belle actually lost out to Shadia Simmons for her role in another 2000 Disney Channel film, The Color of Friendship.

LEGACY

Rip Girls is regularly compared with fellow DCOM Johnny Tsunami (1999), which happened to be released only a year before and also features a young teenage surfer, only in this case, the main character is a teenage boy, and in Johnny Tsunami, the lead character moves away from Hawaii, whereas Sydney moves to Hawaii in Rip Girls.

Others have said that Universal’s movie Blue Crush (2002) was a failed copy of Rip Girls. Although Blue Crush is about a group of female friends learning to surf in Hawaii, it does seem quite different to Rip Girls, with its maturity level being a big differentiator. Another is that it was based on a 1998 article by Susan Orlean about young surfer girls in Maui, and therefore could not have taken ideas from Rip Girls’ story.

Now, there are over 100 Disney Channel movies, of all different genres. Yet, despite Rip Girls premiering in a time when Disney Channel seemed to favour quantity over quality, at least in terms of production value, not necessarily story, Rip Girls has managed to make it onto lists ranking some of the top 50 or even top 40 DCOMs. For example, it was ranked at No. 39 in a Top 40 list for Entertainment Weekly, with other Disney Channel “sports movies” like Brink! (1998) and Johnny Tsunami being favoured ahead of it. Rip Girls was said to be forgettable but enjoyable; not the best review tagline, but it’s still good for Rip Girls to make it onto this Top 40 list[3]. Rip Girls was also included on a Teen Vogue list without a particular order of the best 48 Disney Channel movies[4].

Rip Girls recently celebrated its 25th anniversary in 2025, however, as not too many people have heard of it, there wasn’t much fanfare around the milestone date, apart from the odd comment on social media and online.

FINAL THOUGHTS

It would seem that I began watching Disney Channel just as the tide was turning around their original movies. Their movies became high budget affairs, with more star quality, from around 2003/2004.

Rip Girls was from a different era of DCOM, and one that I don’t particularly like. It’s not the movie’s fault; it’s just not the type of movie I’m used to seeing from Disney Channel.

But if you did watch Rip Girls or Disney Channel movies in the late 1990s and early 2000s, then chances are you remember this movie, or others similar to it. It tells a story about family and heritage, which is important; encourages kids to listen to their own intuition; as well as touches on the necessity of respecting our natural environment.

I’m sure Rip Girls encouraged a generation to try out surfing too!


REFERENCES

[1] Credit: Revealed Travel Guides, ‘Lesser-Known Hawaii Movies and TV Shows’, RevealedTravelGuides.com, date unknown.

[2] Credit: D23, ‘Ask Archives’, D23.com/ask-dave, date unknown.

[3] Credit: EW Staff and James Mercadente, ‘The 40 best Disney Channel Original Movies, ranked’, EW.com, 1st July 2024.

[4] Credit: Kristi Kellogg and Liv McConnell, ‘The 48 Best Disney Channel Original Movies We’ll Never Outgrow’, TeenVogue.com, 20th February 2023.

Saved by the Bell: Wedding in Las Vegas (1994)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

Much of the Saved by the Bell series came out before I was even born – and yet, many 90s children grew up watching this programme.

For me, it was all thanks to Nickelodeon re-running the show throughout the late 1990s and early 2000s. This channel introduced me to both Sabrina the Teenage Witch (1996-2003) and Saved by the Bell (1989-93), as well as Saved by the Bell: The College Years (1993-94), and the movie that wrapped up the entire series, Saved by the Bell: Wedding in Las Vegas. I remember the movie specifically used to be on during the school summer holidays.

As I liked Saved by the Bell so much, I knew I had to get the complete series on DVD, along with its television movies. I can’t trust any television channel to continue airing any programme I like, especially if it is American, and certainly can’t trust a streaming service to pick it up and include it on their UK platforms.

Sure enough, Saved by the Bell is no longer re-run on Nickelodeon, and only aired for a brief time on another channel. It is not available on any streaming platform in the UK, nor is the revival series. Not that I care; I wasn’t bothered by the new series, because I can just watch the original series over and over and over again. And I have done, many times. I’m one of those people that enjoys watching a film or a series multiple times. Saved by the Bell never gets old.

Zack Morris and Kelly Kapowski were The Teen TV Couple of their time. Probably one of many, but their love story was sweet and innocent, to match the teen sitcom, and viewers spent many an episode wondering if the two would actually get a “happily ever after”. Zack and Kelly proved that “the course of true love never did run smooth”, as the two fought to be together, despite the roaming eyes of both Zack and Kelly.

It certainly seemed when Zack and Kelly went to college, the same one, that they would never end up together. Thank you, Professor Lasky. And yet against all odds, Zack and Kelly’s on-off relationship was once again on, forever this time, as Zack spontaneously proposed to Kelly and they decided they’d run off to get married in Las Vegas.

Weddings in Las Vegas don’t have the best reputation, or the best future. It’s not seen to be the most romantic option to get married over there, and can be considered as a sign that a marriage is already doomed. But not for Zack and Kelly. Their wedding in Vegas was proof that the doubters should never have doubted them, because this really was true love, and they had the picture-perfect wedding. Well, after the usual Saved by the Bell-style antics and misunderstandings!

PLOT

Saved by the Bell: Wedding in Las Vegas opens in a wooded area, where we see Zack, Slater, and Screech wearing camouflage and holding guns. Weird. But it soon becomes clear that the boys are just playing paintball. After believing they’ve won the game, the guys sit and have a discussion about Zack’s upcoming wedding. Slater thinks Zack and Kelly are too young to get married, but Zack reiterates that Kelly is the only girl for him. As the three have their cosy chat, they find themselves surrounded. The opposing team was not actually wiped out after all. Slater, Zack, and Screech pretend to argue amongst themselves to distract the other paintballers, going so far as to push Screech over. As Screech feigns injury, the guys manage to shoot the remaining members of the team and win the game.

On their way home after their successful paintballing, the boys stop outside Bayside High and reminisce about all the good memories they had there together. Slater then drops Zack off at his parents’ house. During an incredibly awkward dinner, Zack’s father says he will not be at Zack and Kelly’s wedding, believing them to be too young to get married and thinking that Zack is throwing his life away. He cannot understand why they can’t wait until after graduation to get married. To be honest, I think most of the audience are wondering that too, but it’s best to just go with it! Zack storms off to his room, closely followed by his mother. Zack thinks his mother is at least on board with his wedding plans, but it turns out she feels the same way; that they are too young. She also won’t be at the wedding, not wanting to go against Zack’s father. She does, however, gift Zack two vouchers for free rooms at the Stardust Hotel in Vegas, which she won at poker night at church of all places. Zack appreciates the gift, and confirms he has about $1200 to spend on the wedding.

The next day, Slater and Screech return to pick Zack up to drive over to Vegas, and Kelly and Lisa are there too, ready to head off in Lisa’s shiny red BMW.  Shortly after leaving, the guys notice that Lisa and Kelly are nowhere near them. They pull over and call Lisa’s car phone. Zack asks where they are. Zack starts to get annoyed, thinking the girls are going to slow them down. Lisa says they should have a bet: the ones who get to Vegas last have to buy dinner. Just as Zack agrees to this, they see Lisa and Kelly pass right by them. The guys jump in the car, not wanting to be the last ones there.

Everything seems to be going well, until we see that Lisa and Kelly have broken down in some small road away from the highway, in the blazing heat, with no phone signal. The girls have no choice but to wait for help. Meanwhile, the boys are lost, having also gone off the highway, but as they try to figure out where they are, thanks to Zack’s little “shortcut”, they are pulled over for speeding. The sheriff asks for licence and registration. Slater doesn’t know where his car registration is though, as he was cleaning out his car the other day and likely threw it out. The sheriff goes away to run the plates and returns a few moments later with some shocking news: the car has come up as stolen! What?! Slater, you stole a car? That’s not what this movie is supposed to be about! The guys are taken to the station.

Luckily, the girls are having a bit more luck, as they finally see someone walking down this tiny road. Lisa doesn’t want to approach him though as he looks like a “hippie”, but Kelly ignores her and asks for his help with the car. Thankfully, this “hippie” – his name is Curt – knows all about cars and fixes it, by using Lisa’s belt in place of a broken fan belt and a bottle of water to cool the radiator. Now, they can get back on the road. Kelly offers Curt a lift to Vegas, much to Lisa’s annoyance.

Back with Slater, Screech, and Zack, they plead for their release, saying how this must be a mistake; Slater would never steal a car. The sheriff later confirms it was actually a mistake, and the car was not stolen. Oh, sorry, Slater, for assuming the worst of you… However, Zack will need to appear in court on Monday for his speeding charge. Zack says they can’t do that as he is getting married this weekend, so the sheriff allows himself to be bribed. Such corruption. Screech stupidly lets it slip that Zack has $1200 on him and, lo and behold, that’s exactly what it’ll cost for this speeding charge to go away! Zack begrudgingly pays the money and they are free to go.

Lisa and Kelly arrive at the Stardust Hotel and are surprised to find they are the first ones there. Lisa is even more surprised to find that Curt is actually a bellboy at this hotel. She just can’t get away from him. Lisa and Kelly take a look around the hotel, where they see the $4 million Considine Diamond on show. Lisa then takes Kelly for spa treatments, with this being an early wedding present. Once they’ve finished, they find that Slater, Zack, and Screech have finally arrived. The boys agree not to tell Kelly that Zack only has $43 left for their wedding, and they plan to work together to raise some more funds quickly.

The next morning, the guys work as caddies for rich businessmen on the golf course. Zack seems to do well with his golfer, as does Slater, although he is finding it annoying that he keeps having to retrieve golf balls from the water… It gets so bad that Slater is told to buy some more balls from the pro shop. At the shop, Slater finds that the manager is the girl he saw in the Stardust lobby last night. He tries to ask her – Carla – out on a date, but she says that wouldn’t be a good idea. Back on the course, Screech, unsurprisingly, is irritating his golfer, and to make things worse, he ends up on a runaway golf cart and Zack has to try and save him, following behind on a different cart. Zack manages to pull Screech to safety, but both carts end up in the water. The guys are promptly fired.

Later that day, Lisa and Kelly meet up with the boys for an afternoon in the pool. Kelly tells Zack that she’s booked a meeting with a wedding co-ordinator for the next morning so they can really make the most of their $1200. Zack knows he needs to get more money and quickly. He talks to Screech about it at the pool bar, where a man overhears their conversation. This man introduces himself as Bert Banner, the owner of a male escort service. Zack says he’s not interested in working as a male escort, but Bert Banner tells them their starting salary would be $200 a day. Zack says he and Screech will do it. Slater, meanwhile, has run into Carla again at the pool. This time, she does agree to a dinner date. It is revealed that Carla is being followed by two men, who look like bodyguards.

The following day, Lisa and Kelly meet with the wedding co-ordinator, but Zack is late. Lisa warns Kelly that Zack might be getting “cold feet”, but she ignores her. Zack is actually training with Screech at Bert Banner’s office for their first dates that evening. Zack is told his date will be waiting for him at the Top of the Strip restaurant at 8pm. Screech, who is being told to go by the name “Sammy”, will be picked up by his date outside his hotel at 6pm. She’ll be riding in a bright pink limo. Zack goes straight from Bert Banner’s to meet with Kelly and apologises for being late. Kelly asks if Zack doesn’t want to get married anymore, and he confirms that he does, but still doesn’t explain the whole money situation. Kelly then tells him she has made a dinner reservation for them for 8pm that night at – you guessed it – the Top of the Strip restaurant. That’ll be interesting!

That night, Screech is pulled into a pink limo by a flirty, older woman named Diana, who makes him tango with her all evening. Lisa sees Curt again, who is now working as a doorman. She tries to refuse his offer of dinner that night, but Curt won’t take no for an answer. She agrees, providing he doesn’t wear sandals. Zack and Kelly arrive at the Top of the Strip for dinner and Zack tries to rush them to order, making Kelly suspicious. Zack then immediately leaves the table, and meets his other date, a Russian woman called Katrina, who doesn’t speak very good English. Zack is overcome by how beautiful this woman is, and mutters under his breath “I’ll kick your butt, Bert Banner”. Katrina overhears and starts repeating the phrase, not knowing what it means. Zack then sees Kelly coming over and tries to hide under the table, but it’s too late; Kelly has seen everything and thinks Zack is cheating on her. He tries to explain but doesn’t get very far. Katrina, who no doubt has no idea what’s going on, thinks this is some sort of game and tells Kelly she’ll “kick her butt”. Kelly is about to start a fight with her, but leaves the restaurant and goes back to her hotel room, packing to leave. Zack goes to the hotel too and tries to get Kelly to talk to him, but she won’t answer the door. Instead, Zack goes to his balcony, since the rooms are next door to each other, and climbs across to their balcony.

But there is yet another imminent disaster coming their way. Slater was also on a date at Top of the Strip, with Carla. Their date was interrupted by Carla’s ex-boyfriend Freddie Silver. As they flee, Silver tells his bodyguards, the two men from the pool the other day, to bring Slater and Carla to him. Slater takes Carla to their hotel room, but the bodyguards try to break into it. They go out to the balcony and find Zack dangling there, almost about to fall to his death. Slater starts climbing over to save him, when Kelly comes to the balcony and is horrified to see Zack there. Zack explains what happened to their wedding money and how he was only on a date to earn some money so he could give Kelly a proper wedding. She is touched by this and helps Slater get Zack to safety. Slater then gets Carla over to Lisa and Kelly’s room. There, Carla explains that her ex-boyfriend, Freddie, is in Vegas to steal the Considine Diamond. Carla overheard Freddie talking about it and broke up with Freddie straight after, but he is following her to make sure she doesn’t tell anyone about his plans. They need to get out of here – and Lisa knows just who to call.

Curt arrives with a luggage trolley and hides Carla and Slater on it. He pretends to be helping Lisa and Kelly check out, and brings their car round to the front. However, Screech then arrives from his date with Diana, looking harassed, and accidently turns the trolley around, revealing Carla and Slater to Freddie’s bodyguards who were looking for them. Zack, Carla, Slater, and Screech jump into Slater’s car and drive away, with the bodyguards chasing them in a taxi. Curt, Lisa, and Kelly follow in Lisa’s car. When Zack gets stuck in traffic, they all jump out and run into the Hollywood Movie Museum. They disguise themselves as figures of actors, which tricks the bodyguards who leave the museum. The gang are then thrown out, but as they leave, they walk right past the men, who chase them again. Lisa, Kelly, and Curt catch up and follow everyone into a nearby casino.

In the casino, Slater, Screech, Zack, and Carla find themselves backstage at the casino’s stage show. They dress up as showgirls and go on stage, whilst everyone else watches from the audience. It doesn’t take long to spot the out-of-place dancers though, and they are all caught. They are taken to Freddie’s room and held at gunpoint. Curt reveals his father actually owns the Stardust Hotel, which seriously impresses Lisa, and he tells Freddie he can lead him right to the Considine Diamond, but only if he lets everyone else go. Freddie says he’ll let them go once he has the diamond and is safely away. Right now, everyone can come to the safe as hostages. Curt does as he promised and gets Freddie into the hotel safe, where he starts taking many other items of jewellery along with the diamond. But Slater and Zack have a plan. They start talking about the bodyguard’s gun, wondering if it shoots paint, signalling they should go into their paintball routine from a few days ago. Slater and Zack argue and start pushing Screech around as they did. Screech then falls into the bodyguard and pushes him into the vault with Freddie and the other bodyguard. Curt shuts the safe door behind them and alerts security.

Now that’s sorted, I think there’s a wedding we were all promised! Because Zack only has a few dollars, they resort to getting married at the Silver Bell Chapel, where it only costs $50 to get married. They are surprised to find Bert Banner is the officiant there, but it turns out Bert has lots of different businesses he runs in Vegas. As the wedding proceeds, there is a surprise interruption. Zack’s parents arrive to object to this cheap, tacky wedding. Zack’s father apologies for what he said, and says he wants to give them a real wedding; he just needs a few days to organise it. Slater reveals he asked Zack’s parents to come here.

A few days later, the gang are in a pretty hotel garden for the wedding. Kelly walks down the aisle with her father, and we see Bayside High Principal Mr. Belding is a guest at the wedding, along with college friend Alex and their Resident Advisor Mike. As the ceremony begins, there is also a late-comer. It’s Jessie, of course! She is missing finals to be here, but she doesn’t care. The ceremony continues and we see a montage of Zack and Kelly’s love story. Zack and Kelly say their “I do’s”, kiss, and are officially married.

At the reception, all of Zack and Kelly’s friends get to talk with them and Zack thanks his father for everything he’s done for them. His father says he’s always been proud of Zack and always loved him. Zack and Kelly give a speech to all their guests, thanking them for their love and support, and Slater leads a toast to the happy couple.

The next morning, Zack and Kelly are leaving for their honeymoon. Lisa says she’s going to a Native American reservation with Curt, and Slater is taking Carla back to LA for a few days. Kelly throws her bouquet, which is caught by Screech, who is then chased by his date from the other night, Diana. Kelly and Zack then get into their limo and leave.

CHARACTERS & CAST

Zack Morris is a ladies’ man, a charmer, and a trickster. Zack’s reputation continues to follow him in Wedding in Las Vegas, to the point that Lisa starts to wonder if Zack really has any intention of settling down with Kelly. It’s not that distracting Zack in the movie though; it’s that hustler side where he thinks he can figure things out for himself and keep secrets from people since he’ll resolve the problem before they find out. He does not succeed, and has to come clean, just like he always did in the main series, but luckily, Kelly manages to forgive him regardless. The important thing to remember is that Zack is not perfect, but he has been in love with Kelly ever since grammar school, and their love is real.

Zack Morris was played by Mark-Paul Gosselaar. After Saved by the Bell: Wedding in Las Vegas, Gosselaar appeared in television movies, such as NBC’s Freshman Fall (1996), playing Scott; and ABC Family’s 12 Dates of Christmas (2011), being cast as Miles. More recently, Gosselaar has been seen in television series, such as Fox’s The Passage (2019) where he was cast as Brad Wolgast; Mixed-ish (2019-21), a spin-off of ABC’s Black-ish (2014-22), as Paul Johnson; and in the NBC drama Found (2023-25) as Hugh Evans. Gosselaar won a Young Artist Award in 1991 for his role as Zack Morris in the series.

Kelly Kapowski is a little bit naïve and innocent, making her the perfect target of Zack’s charms. She always forgives him no matter what idiotic thing he does, or how much he lies to her. Zack loses their wedding money and doesn’t tell Kelly, trying to recoup the money without letting her know, but when he is forced to come clean after Kelly sees him working as an escort, and on a date with another girl, Kelly instantly forgives him, and actually finds it quite sweet that he went to all that trouble for her. Um, ok…Kelly is kind and a friend to everyone. She was always my favourite character in the series.

Tiffani Thiessen was cast as Kelly Kapowski. Thiessen went on to star as Valerie Malone in Beverly Hills, 90210 (1990-2000), first appearing in Season 5 which began shortly before Saved by the Bell: Wedding in Las Vegas was released. In more recent years, Thiessen was cast as Elizabeth Burke in the series White Collar (2009-14); and as Lori Mendoza in the Netflix series Alexa & Katie (2018-20). She also hosted the comedy clip show Deliciousness (2020-22) for MTV.

Kelly and Zack are joined in Vegas by their longtime friend, Lisa Turtle. She is rich, pretty, and obsessed with fashion and beauty. Lisa did not go to the same college as Kelly, so the two have a lot to catch up on during Wedding in Las Vegas, however, despite the excitement of helping Kelly plan her wedding, Lisa can’t help but wonder if Zack actually wants to marry Kelly. In the end, those concerns are short-lived and Lisa becomes the object of affection for the man who helped them after their car broke down, Curt. Curt works at the Stardust Hotel. His fashion sense and lack of status instantly turns Lisa off, because she’s a bit of snob, but eventually, she agrees to have dinner with Curt. She later learns Curt’s father owns the Stardust but that he doesn’t want his father’s money and status, which shocks Lisa, because that’s the exact opposite of her. Thanks to Curt, Lisa appears to be learning how to enjoy the simpler things in life at the end of the movie. I wonder how long that lasted?

Lisa Turtle was played by Lark Voorhies, who won a Young Artist Award for her role as Lisa in the original series in 1993. Voorhies went on to be cast as Jasmine Malone in the soap opera The Bold and the Beautiful (1987-present) in the 1990s, and later, played the recurring role of Mercedes Langford in the sitcom In the House (1995-99).

A.C. Slater, or just Slater, used to be an adversary of Zack’s, as they both fought for Kelly’s attention. Slater quickly gave up the fight, and him and Zack became best friends. Slater is a good friend, however, he is not loyal for the sake of it; he tells Zack exactly what he thinks, especially if he disagrees with him. In the case of Zack and Kelly’s wedding, Slater makes it clear that he doesn’t understand why Zack and Kelly have to get married when they are only 19, although he does still want to be there for his friends, despite the difference of opinion. But much like Lisa, any concerns he has about the wedding are soon forgotten, as he becomes enamoured with a woman he saw in the Stardust lobby. Typical Slater!

Mario Lopez was cast as Slater. He went on to be cast as Officer Bobby Cruz in the series Pacific Blue (1996-2000) and appeared in the recurring role of Christian Ramirez in the soap The Bold and the Beautiful. Lopez later appeared in Season 3 of Dancing with the Stars (2005-present) in 2006, coming in second place, and played the recurring role of Dr. Mike Hamoui in Nip/Tuck (2003-10). Lopez is currently a host on the weekday entertainment news programme Access Hollywood (1996-present), having previously worked on Extra (1994-present). Lopez won a Young Artist Award in 1993 for his role as Slater.

Rounding out the original Saved by the Bell gang who appear in main roles in Wedding in Las Vegas is Screech Powers. Screech is the intelligent one of the group, however, his intelligence is not generally appreciated by the others because Screech lacks common sense. For example, in Wedding in Las Vegas, Slater and Carla are sneaking out of the Stardust when Screech comes in and instantly reveals them to the men chasing them. To be fair, Screech had an awful time on his “date”! I’ve always felt sorry for Screech because the group don’t have much patience with him; he never means to be difficult. 

Dustin Diamond was cast as Screech, continuing to play the character in Saved by the Bell: The New Class (1993-2000). He later went on to have small cameo roles in comedy films like Big Fat Liar (2002) and American Pie Presents: The Book of Love (2009). Diamond also appeared on Seasons 5 and 6 of Celebrity Fit Club (2005-10). He was even a “housemate” in the UK version of Celebrity Big Brother, appearing in Series 12 in 2013. Diamond sadly passed away in February 2021 after a battle with cancer.  

Carla is Slater’s love interest in this movie. She clearly has a complicated past, since she has a jewel thief with scary bodyguards as an ex-boyfriend. Apart from that, little is known about Carla, and her backstory seems a bit confused. We have no idea how she met Freddie Silver, only that they were together and he came to Las Vegas specifically to steal the Considine Diamond. But it’s unclear if Carla already lived in Las Vegas. She has a job at the golf pro shop, yet she seems to live at the Stardust Hotel – or she has special dispensation to use their pool, since that is where she sees Slater. Did Carla move to Vegas with Freddie and her job at the pro shop was a cover, or did she only meet Freddie fairly recently and manage to make an enemy out of him by hearing his thieving plans in just a few weeks? I don’t know. If I was Slater, I wouldn’t trust Carla; something doesn’t add up…

Carla was played by Liz Vassey, who had previously appeared as Emily Ann Sago in the soap opera All My Children (1970-2011) prior to her role in Wedding in Las Vegas. She went on to be cast as Louise Davis in the NBC sitcom Brotherly Love (1955-97). More recently, Vassey appeared as Wendy Simms in CSI: Crime Scene Investigation (2000-15) from Season 6 through to Season 11. Freddie Silver, the scary diamond thief, was played by Mark DeCarlo, who is known for being the voice of Hugh Neutron, father of Jimmy, in the animated Nickelodeon series The Adventures of Jimmy Neutron, Boy Genius (2002-06).

Curt is Lisa’s love interest, although his affections are initially rebuffed by Lisa, thanks to his “poor” fashion sense, and his “lowly” job as hotel staff. Curt doesn’t match Lisa’s strict checklist for an ideal boyfriend or husband. Curt’s persistence is the only reason Lisa agrees to have dinner with him, and we don’t actually get to hear or see how that date went, only that Lisa then called Curt to help them deal with Freddie Silver and his bodyguards. At this point, Curt reveals that his father owns the Stardust, immediately piquing Lisa’s interest because, money. Except Curt doesn’t want to live off his father’s wealth and has his own plans for his life. At the very end of the film, Curt has managed to convince Lisa to go to a Native American reserve with him, to open up her life experience, but if he really didn’t plan on inheriting his father’s wealth, then I doubt Lisa stuck around for long!

Spencer Rochfort was cast as Curt. Around the time of Wedding in Las Vegas, Rochfort could be seen appearing as Brett Richardson in the series Acapulco H.E.A.T. (1993-99). He then went on to be cast as Nick Riley in the drama series Little Men (1998-99), a Canadian series based on the Louisa May Alcott novel of the same name.

Now for some smaller character roles. One is Bert Banner, a potential con artist, although a likeable one. Banner meets Screech and Zack at the Stardust pool bar and convinces them to work for his male escort service to make some fast money. Banner appears after that as the wedding officiant at the Silver Bell Chapel, ready to marry Zack and Kelly, before the ceremony is interrupted by Zack’s parents. Not that Banner is concerned; he has a huge queue of other couples waiting for his service, and owns a funeral parlour along with the escort service. I’m sure he’s made a killing in Las Vegas. Bert Banner was played by Gilbert Gottfried, who is well-known as the voice of Iago, Jafar’s fast-talking parrot sidekick in Disney’s Aladdin (1992), reprising the role often. He also voiced the part of Berkeley Beetle in Don Bluth’s animated movie Thumbelina (1994). Gottfried began his career as a stand-up comedian, before moving into film roles. Some of these earlier credits include Beverly Hills Cop II (1987) as Sidney Bernstein, and the 1990 film Problem Child and its 1991 sequel as Mr. Peabody. Gilbert Gottfried continued to appear in television and film projects throughout his life. He sadly passed away in April 2022.

Then, we have Sheriff Myron Thorpe, who pulls over Slater’s car as Zack is speeding on their way to Vegas. He is a little bit of a corrupt sheriff, seemingly happy to take money to make speeding charges go away, but he’s got many other criminals to deal with and probably didn’t want to hear any more of Screech’s talking and harmonica-playing! The sheriff has a deputy called Deputy Dano, who seems to only be there so they can use the classic “Book ‘em, Dano” line, that famous catchphrase from Hawaii Five-O (1968-80). The funny thing is Deputy Dano is such a minor part and yet actor Richard Schiff who played him went on to star as Toby Ziegler in The West Wing (1999-2006), winning a Primetime Emmy for the role. Recently, Schiff was cast as Dr. Aaron Glassman in The Good Doctor (2017-24). Sheriff Thorpe was played by Pat Corley, best known for his role as Phil in the sitcom Murphy Brown (1988-98). Corley passed away in 2006.

There are far too many characters in Saved by the Bell: Wedding in Las Vegas and I’m still not done. The following are all cameo appearances by actors who were in either the original series or the sequel series. One is obviously Elizabeth Berkley, who returned to play Jessie Spano. You can’t have a Saved by the Bell reunion without Jessie, after all. After Saved by the Bell, Berkley went on to star in the infamous movie Showgirls (1995), playing the main character, Nomi. Berkley was later cast as Phoebe in the movie The First Wives Club (1996); and as Julia Winston in CSI: Miami (2002-12).

Other characters reprising their roles from Saved by the Bell are Dennis Haskins as Mr. Belding, who is a guest at the wedding, and Zack’s parents, who appeared in only a few episodes of the main series. Haskins played the role of Mr. Belding all the way from the original series through to Saved by the Bell: The New Class, which didn’t end until 2000. Haskins went on to have guest roles in television series. John Sanderford was cast as Mr. Morris, having appeared in various soap operas including General Hospital (1963-present) and Santa Barbara (1984-93). Melody Rogers played Mrs. Morris.

Two characters from Saved by the Bell: The College Years made cameos as wedding guests, college roommate Alex and Resident Advisor Mike. Kiersten Warren was cast as Alex. Warren went on to appear in the recurring role of Nora Huntington in Desperate Housewives (2004-12), and appeared in movies like 13 Going on 30 (2004), playing Trish Sackett. Bob Golic played Mike. Golic is a former NFL player, retiring in 1992.

MUSIC

The music in Saved by the Bell: Wedding in Las Vegas has been difficult to figure out, as it would appear that much of its music was likely written for the movie.

However, there is one piece of music, used in the film’s Opening Credits, that was easy to find. This song is “Live It Up” by Crosby, Stills & Nash. This song reappears as an instrumental whenever there are shots of the Vegas Strip at night, like when Kelly and Lisa arrive at the Stardust Hotel. Crosby, Stills, & Nash was a folk-rock group. Its members were David Crosby, Stephen Stills, and Graham Nash. The band initially formed in 1968. “Live It Up” was released as part of their album of the same name in 1990. “Live It Up” was written by Joe Vitale. I really like this song, and feel like it matches the atmosphere of Vegas. 

Outside of that, the only other recognisable music in Wedding in Las Vegas is the traditional “Here Comes the Bride”, composed by Wagner, and obviously used when Kelly walks up the aisle with her father. However, there is one song, specifically written for Saved by the Bell: Wedding in Las Vegas, which can be found. This is the song that plays at Zack and Kelly’s wedding, during the montage of scenes of the couple. This song is titled “When It’s for You”. It was listed on the website of composer Jay Gruska. “When It’s for You” is a beautiful love song to match the love story of Zack and Kelly. It was written by Gruska and Paul Gordon, with the vocals being provided by Alan Sovory.

There are other songs in Saved by the Bell: Wedding in Las Vegas though, and looking at the fact the wedding song was written by Jay Gruska and Paul Gordon, it is possible they also wrote the rest of the music in the film. Three pieces of music all sound very similar anyway, and seem to feature the same vocal artist. One of these is the music that is playing as Slater, Screech, and Zack head to Zack’s house after paintball and take a detour to Bayside High, straight after the Opening Credits. I really like this piece of music so it’s a shame I don’t know much about it. I’d like to think it’s called “Those Were the Days”, as that line is repeated often. It is also used in instrumental form for the End Credits. Another unknown piece of music plays as the gang leave in their cars to head to Vegas, and it reappears when Zack and Kelly leave Vegas for their honeymoon, right before the credits. Then there is the song playing as the group spend time in the hotel pool together on their first full day in Vegas, just after Screech, Slater, and Zack get fired as golf caddies.

Those pieces of music contain lyrics, so would not be counted as the usual instrumental music that would exist within a movie’s score. Saved by the Bell: Wedding in Las Vegas’ score was composed by Jay Gruska. Gruska composed the music for the 90s series like Beverly Hills, 90210 (1990-2000) and Lois & Clark: The New Adventures of Superman (1993-97). He went on to co-compose the score for Supernatural (2005-20) with Christopher Lennertz; as well as the score for Charmed (1998-2006) with J. Peter Robinson.

Within what I would class as the score for the film, I particularly like the music that plays as Zack, Slater, Carla, and Screech are being chased through the streets of Las Vegas by Freddie Silver’s bodyguards. I also like the music from the stage show that the four find themselves in, disguised as showgirls, and the music playing just before Zack and Kelly get married at the Silver Bell Chapel, although this does sound very much like the song “Chapel of Love”, made famous by The Dixie Cups in 1964, and written by Jeff Barry, Ellie Greenwich, and Phil Spector. I’m not entirely certain if this music was just meant to be a riff on that song, or whether an excerpt of the actual song was used.

PRODUCTION

Saved by the Bell: Wedding in Las Vegas would not have happened if it had not been for Saved by the Bell (1989-93). But let’s not forget, Saved by the Bell would never have existed had Good Morning, Miss Bliss (1987-89) not existed first.

Good Morning, Miss Bliss was a series created by Sam Bobrick. It starred Hayley Mills, famous for her leading roles in live-action Disney movies like Pollyanna (1960) and The Parent Trap (1961), as the titular character, Miss Bliss. The series revolved around her teaching career at a school in Indianapolis, and how she dealt with her various students.

The original pilot was different to the full series though, with the pilot episode airing in July 1987 on NBC. After airing the pilot, the series was reworked and a full season of thirteen episodes aired on Disney Channel from November 1988 until March 1989. Hayley Mills was the only actress to carry over from the pilot to the full series, but there were some familiar additions, because this is where Mark-Paul Gosselaar, Lark Voorhies, and Dustin Diamond began playing their famous characters Zack Morris, Lisa Turtle, and Samuel “Screech” Powers. Dennis Haskins also made his debut as Mr. Richard Belding here.

Good Morning, Miss Bliss was cancelled for poor ratings after that first season and NBC reclaimed the rights to it, beginning to revamp the series in order to refocus the story on the teenage students, not the teacher, and turning it into a live-action comedy show for Saturday morning television. Along with Zack, Lisa, and Screech, three other students were added: Tiffani Thiessen as Kelly Kapowski; Elizabeth Berkley as Jessie Spano; and Mario Lopez as A.C. Slater. Berkley had actually auditioned for the part of Kelly, along with Jennie Garth who went on to star as Kelly Taylor in Beverly Hills, 90210 (1990-2000). Berkley did not get the role, but the producers liked her so much that the role of Jessie was created just for her. Mr. Belding made a return to this new series too, continuing to be the school’s principal. Instead of this being a school in Indianapolis, the new series was set at Bayside High in California. Peter Engel, the executive producer of Good Morning, Miss Bliss, continued to be involved as the executive producer on this reformatted show, now titled Saved by the Bell. It is also worth mentioning that Good Morning, Miss Bliss episodes were added into syndication, with “present day Zack” introducing these episodes, explaining that these events happened when Zack, Lisa, and Screech were in junior high school.

Saved by the Bell’s first season began airing on NBC in August 1989, and concluded in December of that year. This series introduced the new cast of six students, and included storylines such as Zack trying out subliminal messaging on the girls, “The Zack Tapes”; and Lisa spending too much on her father’s credit card and trying to pay it back, “The Lisa Card”. An eighteen-episode Season 2 began in September 1990 and ended in December 1990. Episodes from this season included Zack organising a free prom for Kelly as her parents couldn’t afford to send Kelly to the school’s actual prom, “The Prom”; Zack asking Kelly to go steady, only to fall for the new school nurse immediately afterwards, “From Nurse to Worse”; and that iconic episode about Jessie’s caffeine pill addiction, “Jessie’s Song”, which most people find funny, but it actually makes me cry. Apparently, Jessie was meant to be addicted to speed in the original script, but this was censored by the network[1].

Saved by the Bell continued to be popular, so it was followed up with Season 3, which consisted of 26 episodes, and aired from September to December 1991. The opening few episodes followed two interesting storylines for the gang: one of Zack and Kelly’s break-up after Kelly decides to date her much older boss, Jeff, who she meets working at the Max, the gang’s diner; and another set of episodes about how the group got summer jobs working at the Malibu Sands Beach Resort – except for Lisa, who is just a guest there, obviously; Lisa doesn’t work! The beach resort episodes featured Leah Remini as Stacey Carosi and Ernie Sabella as Mr. Carosi, Stacey’s father and boss of the new recruits. Other storylines in this season included Bayside having to decide whether they should let a company drill for oil on the school grounds, “Pipe Dreams”; Jessie’s stepbrother, Eric, coming to live with her and her family, “The Wicked Stepbrother”; “Palm Springs Weekend”, where the group go to Palm Springs for Jessie’s father’s wedding; “Rockumentary”, a documentary-style episode all about the gang’s band, Zack Attack;  and even an episode about drugs, “No Hope with Dope”, which did not air on Nickelodeon when I was watching the series.

Saved by the Bell’s first television movie premiered in November 1992, called Saved by the Bell: Hawaiian Style, which saw the gang in Hawaii to stay with Kelly’s grandfather, played by Dean Jones, at his hotel, only to find that he is struggling for guests due to plans to buy up his land and make a huge hotel complex. Mr. Belding happens to be on the island at the exact same time with a tour group, and he helps save Kelly’s grandfather’s hotel too. Although this movie first aired partway through the original showing of Season 4, I believe it is supposed to take place during the teens’ summer break after Season 3.

The fourth and final season, another 26-episode series, began airing in September 1992 and was concluded by December 1992 with the episode “Graduation”, thus ending Saved by the Bell. Some episodes in this series included “Teen-Line”, where Zack meets a disabled girl and starts acting weird about it; the “battle of the sexes” episode, “The Will”, where the guys go up against the girls in various tasks; “Class Rings”, where Zack buys dodgy class rings that turn everyone’s skin green; the square dance Senior Prom, “The Senior Prom”; and “School Song”, where Zack and Screech fight over the new school song. There was even an episode about drink-driving, which, again, did not air on Nickelodeon when I was watching.

Season 4 of Saved by the Bell is also notable for what later became known as The Tori Paradox. Season 4 had finished filming, with the final episode being “Graduation”. Everything was done, everything was completed, although Season 4 was going to be a shorter-than-average season. However, NBC decided to order ten more episodes. That may not have been an issue had it not been for the fact that Elizabeth Berkley and Tiffani Thiessen had decided to leave the show entirely after those initial episodes of Season 4 were filmed and were not contractually obliged to film these additional episodes.

This put the series in jeopardy, because it would only be too obvious that two popular characters were missing. The producers knew they’d need a new character to fill the space left by Kelly and Jessie, so Tori Scott was created, played by Leanna Creel. In an interesting move, it was decided that these “Tori episodes” would be placed in between the other episodes of Season 4, with the hope of them blending in with the rest of the season, but that did not happen, and it was only too obvious, and confusing, that Kelly and Jessie were there one minute, and gone the next. We were meant to believe that in the episodes with Tori, Kelly and Jessie were simply not in the same classes as the other four and Tori, or that they were busy doing something else. It is of course that case that people can mix outside of established friendship groups, however, to make it even more confusing, Tori then suddenly vanished without explanation since she did not make an appearance in the “Graduation” episode because that had been filmed before Leanna Creel was even cast. Creel had no idea how much of a scandal her character showing up would be, but she had a positive response from fans for her role, which has now become famous[2].

Saved by the Bell ended with the main cast graduating from high school, so what next for them? Well, college of course! The main series was followed by a sequel series, Saved by the Bell: The College Years, which premiered its pilot episode on 22nd May 1993. Saved by the Bell: The College Years did not begin airing its full series until September 1993.

The pilot episode introduced this new concept for the programme, whereby Zack, Screech, and Slater move into their dorm, or “suite”, at the fictional California University, or Cal U. Their other “suite mates” are female students Alex, played by Kiersten Warren; Leslie, played by Anne Tremko; and Danielle, played by Essence Atkins, who only appeared in the pilot. Another new character was Mike Rogers, their Resident Advisor, played by Bob Golic. From the second episode of the series Tiffani Thiessen returned to the show as Kelly, replacing Danielle, who was said to have transferred to another college.

This sequel series revolved around the usual antics you might expect of the Saved by the Bell gang, but this time taking place at college. It did feel slightly more mature than the original series, to the point that I didn’t like The College Years much at all when I first watched it, as I was only about 10 or 11-years-old when I first saw it, and therefore didn’t relate to it. Re-watching this series as an adult, I found it much more enjoyable. But even from a young age, I still managed to remember the most important storylines in the series.

The most problematic one is obviously that whole thing about Kelly dating one of their college professors, Professor Lasky, irritating Zack who is trying to get back together with Kelly at this point in the series. Professor Lasky was very much a hated character for a long time because he was stopping Zack and Kelly from being together, to the point that actor Patrick Fabian, who was cast as Professor Lasky, has been unable to avoid comments from fans about his “controversial” character[3]!

Unsurprisingly, Kelly and Professor Lasky did not last long, and Kelly and Zack do eventually get back together, however, Kelly soon got accepts on to the Semester-at-Sea program, which means she’ll be away on a three-month cruise. After Zack’s attempts to take Screech’s place on the program fail, he decides to propose to Kelly. She initially refuses to answer, saying they are too young, but when Zack comes to say goodbye to Kelly before the ship sails away, Kelly decides she does want to marry him, and she wants to do so right away. They both get off the ship just before it departs. This is the episode “Marry Me”.

Following on from that, the finale episode of Saved by the Bell: The College Years was titled “Wedding Plans”. Zack and Kelly want to get married in the college chapel, and need to find an apartment. They find a rundown apartment that is affordable and put down a deposit on it – though Kelly and Zack both hate it. They then go to the Dean of the university, Dean McMann, played by Holland Taylor, to ask permission to live off campus. After initially trying to convince Kelly not to marry Zack because Kelly is much too young – and smart – to marry Zack, Dean McMann has a change of heart, as she believes Zack will have to drop out of college so he can work to pay the rent on their apartment. After the chapel is not available for that weekend, Dean McMann pulls some strings and gets their wedding booked in. But they must meet with the Reverend first. This meeting goes very wrong, thanks to Zack and Kelly’s bachelor and bachelorette parties taking place on the same night and in the same place as this important meeting. The Reverend decides they are too young and immature to get married and refuses to hold their wedding ceremony at the chapel. Disappointed, Kelly says they should just go to Reno this weekend and get married. But Zack says that’s too tacky, and they should go to Vegas instead! This final episode aired on 8th February 1994. Lark Voorhies returned to the show as Lisa Turtle for this one episode.

Saved by the Bell: The College Years was cancelled, due to falling ratings and disappointing reviews. The show had moved from the Saturday morning slot, which the original series had aired in, to a primetime evening slot, so perhaps that change did not help. Executive producer of Saved by the Bell and Saved by the Bell: The College Years, Peter Engel, said there was too much of a change in The College Years that did not suit the fans. Engel said had all six of the original gang been taken to college, then it might’ve worked[4]. My issue with that though is that it wouldn’t have made sense for Jessie, who had dreams of going to a prestigious Ivy League university, and Lisa, who wanted to be a fashion designer, to go to Cal U with the others. In the end, Jessie went to Columbia and Lisa went to the Fashion Institute of Technology. The other four who did go to Cal U all had different plans at the end of the original series, but I can believe those four would change their minds and end up attending the same college.

Anyway, as Saved by the Bell: The College Years did not continue and the viewers had been promised a wedding in Vegas, NBC had to oblige, and so they did, by tying up the whole series with the 90-minute television movie Saved by the Bell: Wedding in Las Vegas.

Saved by the Bell: Wedding in Las Vegas was directed by Jeff Melman, who had directed every episode of Saved by the Bell: The College Years so was well-placed to take on this project. He went on to direct episodes of other popular sitcoms including earlier episodes of Two and a Half Men (2003-15); 1990s episodes of Frasier (1993-2004); some episodes of Sabrina the Teenage Witch (1996-2003), from Season 4 onwards; and Malcolm in the Middle (2000-06).

The credited writers of the movie were Sam Bobrick, Elaine Aronson, and Mark Fink. Writer Bobrick was credited as the creator of the show throughout all the series of Saved by the Bell, having written the Good Morning, Miss Bliss pilot episode. He had previously written for comedy shows such as The Andy Griffith Show (1960-68). Bobrick passed away in 2019. Elaine Aronson had written the pilot episode of Saved by the Bell: The College Years. Aronson went on to write episodes of comedy series like Project MC2 (2015-17) for Netflix and First Wives Club (2019-22) based on the 1996 film. Mark Fink had written a few episodes of both the original series and The College Years series, and seems to have been the primary screenwriter for Saved by the Bell: Wedding in Las Vegas. Fink had also written episodes of the sitcom Full House (1987-95) around this time.

Saved by the Bell: Wedding in Las Vegas actually used some real locations in Las Vegas for filming, with the Stardust Resort and Casino being specifically named, as this is where the group stay throughout the events of the movie.

The Stardust Resort and Casino opened in July 1958, becoming the world’s largest hotel at the time, with just over 1,000 rooms. Over the years, ownership of the hotel and casino changed hands numerous times, before the Boyd Gaming Corporation took over the hotel in 1985. The resort was expanded in the years that followed. In January 2006, Boyd Gaming announced that it planned to build a $4.8 billion complex to match the larger resorts that were being constructed on the Las Vegas Strip. This project was named Echelon Place, and would have consisted of five hotels, a 140,000 square-foot casino, retail and convention space, restaurants, and two theatres.

To make way for construction of the Echelon project, the Stardust Resort and Casino closed on 1st November 2006 and the hotel was demolished in the early hours of 13th March 2007, with fireworks being set off prior to the buildings’ implosion[5]. Formal groundbreaking for the new Echelon development took place in June 2007, however, construction stopped just 14 months later, in August 2008, due to the Global Financial Crisis. A building extension was granted to allow for the project to be completed by 2018, but in the end, this was not feasible and the land was sold. In March 2013, Genting Group acquired the site for $350 million and had their own plans for a new resort[6]. Resorts World Las Vegas currently stands on the land that once was the Stardust Resort and Casino, having opened in June 2021.

As a tribute to the Stardust, a replica of the original hotel sign could be found at the entrance to Resorts World Las Vegas when the resort first opened in 2021. It is unclear if it still resides there. But at the Neon Museum, a museum dedicated to the past history of Las Vegas, you can find the original Stardust Resort pylon[7].

The Neon Museum Las Vegas is home to another piece of Las Vegas history that happened to feature in Saved by the Bell: Wedding in Las Vegas. That is the neon sign from the Debbie Reynolds Hollywood Hotel, Casino, and Hollywood Movie Museum, which was relit for the first time in nearly three decades on 9th October 2024 at the Neon Museum. This sign is a bright pink 24-foot-long recreation of Reynolds’ signature, and simply reads “Debbie”. It was donated to the museum by Reynolds’ estate and her son, Todd Fisher. The Debbie Reynolds Hollywood Hotel, Casino and Hollywood Movie Museum location was used for Saved by the Bell: Wedding in Las Vegas as the gang hide in the movie museum to avoid Freddie Silver’s bodyguards. The scene is not long, but the exterior and signage of the museum are clearly visible. This location first opened in 1993, and closed in 1998 due to financial problems. The movie museum featured items of movie memorabilia, which Reynolds was known for collecting[8].

Another filming location used for this movie was the Mon Bel Ami Wedding Chapel in Las Vegas, which was The Silver Bell Chapel at the time of filming, and is the place where Zack and Kelly initially go to get married. The Silver Bell Chapel was damaged by fire in 2002, so was sold, renovated, and re-opened as the Mon Bel Ami Wedding Chapel in 2003. Zack and Kelly actually get married somewhere else, supposedly a Las Vegas hotel garden. The real filming location was Pickwick Gardens, but Pickwick Gardens was not in Las Vegas. Pickwick Gardens was in Burbank, California. This location closed permanently in August 2023, to make way for property development, but was a popular wedding and private event space for many years[9].  

RECEPTION

Saved by the Bell: Wedding in Las Vegas premiered on NBC on 7th October 1994, airing in a two-hour time slot. The movie was later split into two, and then four, episodes so it could be aired in syndication with the rest of the series.

Saved by the Bell: Wedding in Las Vegas may not have been an award-winning, high budget feature film, but it has been remembered fondly by fans of the show. Some admitted that this finale was not a perfect ending to the series, but it was better to have this ending than nothing at all. Many said it was a sweet film, with touching moments referring back to the original series, such as the montage of Kelly and Zack’s “best moments” which plays during their wedding ceremony. Basically, the fans wanted a wedding in Las Vegas like they were promised and they certainly got one. This film was for the fans.

But fan or not, Saved by the Bell: Wedding in Las Vegas was still subject to criticism, namely at the fact there were some cheesy, crazy storylines playing out during the film that were unrelated to the wedding and were resolved easily. I guess this is probably referring to Carla and her diamond thief ex-boyfriend, which is a bizarre storyline, and the fact Zack, Slater, and Screech manage to outthink a man holding a gun is a bit too simple! I personally don’t mind these random additions to the story, because Saved by the Bell was full of crazy, bizarre incidents that were there to be funny, not taken seriously. Others were disappointed that not all of the cast, particularly Jessie, were given a proper return to the series, as Mr. Belding, Jessie, Alex, and Mike were only given a few minutes with the cast during the wedding scene. Leslie from The College Years didn’t even make an appearance, which is a bit odd, though I’m assuming it’s simply that actress Anne Tremko was unavailable, not that she was not invited. I’d like to think that Leslie didn’t get over the fact Kelly chose Lisa as her Maid of Honour and not her, since her and Alex were fighting about that in the last episode of The College Years, and chose not to come. Some who claimed to be huge fans of the Saved by the Bell series even said they had no idea Saved by the Bell: Wedding in Las Vegas existed, which goes to show that the movie wasn’t met with acclaim or even much publicity!

Saved by the Bell: Wedding in Las Vegas did win a couple of small awards. For example, Tiffani Thiessen won a YoungStar Award at the First Annual YoungStar Awards in 1995, in the category Best Performance by a Young Actress in a Miniseries/Made-for-TV Movie for her role as Kelly here. Both Mark-Paul Gosselaar and Mario Lopez were nominated in the equivalent Young Actor category. The movie also apparently won Best Family TV Movie Pilot or Special at the Young Artist Awards in 1995.

LEGACY

Although Saved by the Bell: Wedding in Las Vegas signalled the end for the original six characters and cast members, this was not the end for the Saved by the Bell franchise.

Even before Saved by the Bell: Wedding in Las Vegas, a new spin-off series was already airing. Saved by the Bell: The New Class consisted of seven seasons, airing each year from September to December, starting in 1993 and concluding in December 1999. One additional episode aired in January 2000, but does not seem to be the official final episode.

Saved by the Bell: The New Class focused on a new set of teenage high schoolers, however, since the series had returned to Bayside High, that meant Dennis Haskins as Mr. Belding could also return, and he did, with Haskins reprising his role throughout the run of the series. Dustin Diamond also reprised his role as Screech from Season 2, with his character seemingly working at Bayside High on a work-study program. Due to its long-running nature, the cast changed frequently from season to season. The proper final episode of Saved by the Bell: The New Class saw the teens leave for different colleges, and Mr. Belding leaving Bayside to move to Tennessee for a new job. I tried to watch Saved by the Bell: The New Class once or twice, but Bayside just isn’t the same without the original six.

After 2000, there was a big break between Saved by the Bell projects as cast members worked on their own careers, however, there were occasionally reunions with the cast. For example, People magazine held a 20th anniversary reunion in 2009, however, Dennis Haskins and Dustin Diamond were left out of this reunion, for unknown reasons, though it is believed that the release of Diamond’s “tell-all” book Behind the Bell, published in 2009, was a reason for Diamond not appearing. The book talked about behind-the-scenes secrets during filming of Saved by the Bell from Diamond’s perspective, with talk about steroid use, cast hook-ups, etc. This book was later used as the source material for Lifetime’s television movie The Unauthorized Saved by the Bell Story (2014), which I actually quite liked, though it is important to view it as more a fictional piece of entertainment than a dramatised documentary. The cast debunked many revelations in Diamond’s book and this created a rift. Later, Diamond blamed his ghostwriter for taking comments out of context.

There was also a 2015 reunion skit on The Tonight Show with Jimmy Fallon (2014-present) where Jimmy Fallon joined the cast from Saved by the Bell in acting out a short sketch. This time, Dennis Haskins was included, though Dustin Diamond still was not, and nor was Lark Voorhies on this occasion. Voorhies was not there due to scheduling conflicts. Diamond was not there allegedly due to ongoing legal problems[10].

Over the years, there have been other projects related to Saved by the Bell that have popped up, both official and unofficial. For example, there was an unofficial musical based on the series called Bayside! The Musical, which had an off-Broadway run in 2016. It went through some of the series’ most famous storylines, like The Max closing down, and Jessie’s caffeine pill addiction. There was also a YouTube series titled Zack Morris is Trash, where a narrator went through episodes of Saved by the Bell and talked about how terrible Zack was.  

There was also a pop-up restaurant in the late 2010s, called Saved by the Max, which was both a restaurant, a Saved by the Bell memorabilia space, with dolls, lunchboxes, and screenplays on display, and a recreation of some of the show’s most famous sets, like the Bayside High lockers, the Max, and Belding’s Office. Menu items were named after characters from the show[11]. It’s not entirely clear to me where Saved by the Max went and when, as it was a travelling pop-up restaurant, but it appears to have begun in Chicago in Summer 2016, before closing in June 2017 to head to Los Angeles[12]. The Los Angeles location opened with two new recreations of sets, these being Zack’s bedroom and the Malibu Sands Beach Club. It then closed in April 2019 after eight months and was heading to a third city[13]. This third city location doesn’t appear to have ever happened, but from 20th to 25th August 2020, during the COVID-19 pandemic, Saved by the Max was available for delivery and pick-up in Chicago, Los Angeles, and New York City. This week in particular was chosen in order to commemorate Saved by the Bell’s original premiere date[14].

But despite all of this, there had not been any new Saved by the Bell episodes since 2000. That was all about to change as the Saved by the Bell revival series came to Peacock, NBC’s streaming service, on 25th November 2020. The first season consisted of 10 episodes, with a second season, also of 10 episodes, airing on Peacock in two parts, one half released on 24th November 2021, and the other half on 1st December 2021. I will be honest and say I have never been interested in watching this series. I wasn’t sure about watching it because it all looked too different, and by the time I’d decided maybe I should give it a go, the series was no longer available to watch in the UK for free. Oh well!

Saved by the Bell’s revival series followed Zack Morris, now Governor of California, shutting down all the low-income schools in California and transferring those students to wealthier schools, like Bayside High. It was initially not known whether the full cast would return, with only Elizabeth Berkley and Mario Lopez being approached initially to reprise their roles as Jessie and Slater, but others came on board later, such as Tiffani Thiessen as Kelly, and obviously Mark-Paul Gosselaar as Zack. Ed Alonzo as Max even returned.

In December 2016, executive producer of the show Peter Engel had been interviewed about the characters of Saved by the Bell and where he thought they’d be now. Engel thought that Zack and Kelly probably got divorced, but that they’d be remarried to other people by now. Engel went on to say that he thought Kelly would have kids and be the host of a cooking show on Food Network; Zack would be a host of a game show or talk show, or perhaps a hedge fund manager; and that Slater would be a high school football coach. For Screech, Engel said he’d be a tech entrepreneur like Bill Gates, and for Jessie, she’d likely have run for President; and Lisa would be a fashion designer or buyer[15].

Peter Engel actually got much of this “wrong” based on what the revival series showed us. Zack and Kelly stayed together, and Zack became the Governor of California. Jessie returned as a guidance counsellor, with a PhD in Educational Psychology and was an author of multiple parenting books. Screech was said to have become an astronaut. However, Engel was right about Lisa and Slater’s jobs to some extent.  

Although Zack and Kelly returned to the revival series, Jessie and Slater are the only two returning characters to be main characters. Mr. Belding did not return here at all, with a new principal, Principal Toddman, played by John Michael Higgins, taking his place. Once again, there were six high school students that the series followed: Daisy, Mac, Lexi, Aisha, Jamie, and Devante. Mac is Zack and Kelly’s son, and Jamie Spano is Jessie’s son. Lark Voorhies as Lisa Turtle returned to the revival series briefly.

One of these returns was for an episode in Season 2, “The Last Year Dance” that saw the gang meet at The Max to remember Screech, with the character passing away for unexplained reasons, to match the passing of Dustin Diamond. The gang meet at The Max to share their memories of him. Max even adds Screech’s Spaghetti Burger to the menu and it is delivered by Screech’s robot, Kevin. This was followed by a montage of “Screech moments”. Dustin Diamond never returned to reprise his role. It is believed there was talk about Diamond returning to be a part of the cast for Season 2 of the revival series, but he died before he got the chance[16]. It’s very sad how Diamond was not included in cast reunions before this, and how he seemed to struggle more than the others, never able to shake off the character of Screech.

Saved by the Bell’s revival series received generally positive reviews for both seasons, with viewers loving the “inside jokes” about events that happened in the original series, such as Zack asking Kelly if she remembered Tori, and it turns out she doesn’t because the characters never met, or Kelly insisting that former boyfriend Jeff was not Mac’s father. There was even a part of Jessie’s storyline that referenced Berkley’s real-life career. It’s a well-known fact that Berkley was in the movie Showgirls (1995). It’s also no secret that Showgirls was universally panned, winning numerous Razzie Awards, committing it to the world of Hollywood infamy. It has since gained “cult classic” status. Jessie in the revival series is finalising her divorce and she mentions to Kelly and Lisa that she hasn’t flirted or been wild since she lived in Vegas, saying it was a chaotic time shortly after college, and her wild behaviour resulted in her injuring a woman by pushing her down the stairs, a nod to an event in the film. Jessie is also given a makeover to look like the character from the film[17].

Despite Saved by the Bell’s popularity and supposedly good viewing figures, along with winning a GLAAD Media Award for Outstanding Comedy Series in 2022, Peacock cancelled the show. No official reason was given for the cancellation, although it is believed a change of management may have had something to do with it[18].

FINAL THOUGHTS

If you were a fan of Saved by the Bell, either from the outset or were introduced to it at a later age, Saved by the Bell: Wedding in Las Vegas likely felt like a fitting and fulfilling finale to a much-loved show and its characters. The popularity of Saved by the Bell has continued, to the point that the show has now joined an ever-growing list of revived series.

However, given the cancellation of the revival, it is not known where Saved by the Bell is headed next. The only thing we can be sure of is that the students of Bayside High will never be forgotten, and there will always be an opportunity to catch up with them again.


REFERENCES

[1] Credit: Tierney Bricker, ’30 Shocking Saved by the Bell Secrets Revealed’, EOnline.com, 20th August 2019.

[2] Credit: Amanda Bruce & Michael Kennedy, ‘Why Saved By The Bell Replaced Kelly & Jessie With Tori Scott’, ScreenRant.com, 21st September 2023.

[3] Credit: Ryan Jones, ‘The Role(s) of His Life’, PennStater.Mag.com, Nov/Dec 2022.

[4] Credit: Tierney Bricker, ’30 Shocking Saved by the Bell Secrets Revealed’, EOnline.com, 20th August 2019.

[5] Credit: Slone Terranella, ‘On This Day 16 Years Ago: Stardust Demolition Makes History’, 1027vgs.com, 13th March 2023.

[6] Credit: Richard N. Velotta, ‘Resorts World development went down historic Stardust path’, ReviewJournal.com, date unknown.

[7] Credit: The Neon Museum, ‘History Of The Demolished Hotels In Las Vegas’, NeonMuseum.org, date unknown.

[8] Credit: Ryder Maldonado, ‘Hollywood icon Debbie Reynolds to be honored by Neon Museum in Las Vegas’, ABC13.com, 11th September 2024.

[9] Credit: ABC7.com staff, ‘Pickwick Bowl and Banquets in Burbank shutting its doors after more than 60 years’, ABC7.com, 8th August 2023.

[10] Credit: Tierney Bricker, ’30 Shocking Saved by the Bell Secrets Revealed’, EOnline.com, 20th August 2019.

[11] Credit: Christi Carras, Linda Xu, ‘‘Saved by the Bell’-Themed Pop-Up Restaurant Takes Diners Back to the 1990s’, HollywoodReporter.com, 18th October 2018.

[12] Credit: Morgan Olsen, ‘Saved by the Max closes down Chicago pop-up and heads for Los Angeles’, TimeOut.com, 1st June 2017.

[13] Credit: Mike Roe, ‘The Saved By The Bell Pop-Up Is Closing – And We’re So Excited, We’re So…Scared’, Laist.com, 8th February 2019.

[14] Credit: Randee Dawn, ‘‘Saved by the Bell’ pop-up delivers a slice of Bayside High to your home’, Today.com, 13th August 2020.

[15] Credit: Chris Perez, ‘‘Saved by the Bell’ couple probably got divorced: producer’, NYPost.com, 1st December 2016.

[16] Credit: John Atkinson, ‘Saved By The Bell S2 Gives Touching Tribute To Screech’s Dustin Diamond’, ScreenRant.com, 24th November 2021.

[17] Credit: John Atkinson, ‘Saved By The Bell’s Showgirls Reference Retcons Jessie’s Backstory’, ScreenRant.com, 25th November 2021.

[18] Credit: Abdullah Al-Ghamdi, ‘Why Saved By The Bell Was Canceled After Season 2’, ScreenRant.com, 9th May 2022.

Geek Charming (2011)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

How many high school movies base their whole story around prom, or someone wanting to be Prom Queen? I’ll give you a hint: A LOT.

Disney Channel’s Geek Charming is no different, although instead of wanting to be Prom Queen, the main character wants to be Blossom Queen, seemingly the springtime equivalent. It’s either completely different or exactly the same, depending on how cynical you are. Regardless, we’re supposed to think that being Blossom Queen is super important.

I’m very cynical about prom and that’s probably got something to do with the fact I’m British and prom here is not the same as prom in the US, so this emphasis on how exciting prom is and how crucial it is to be crowned Prom Queen means very little to me. I was also not one of the popular girls at school so I would’ve had little to no chance of being voted Prom Queen even if it had been a thing at my school.

Maybe all this combined is why I didn’t like Geek Charming. The whole story revolves around “Queen Bee” Dylan’s drive to become Blossom Queen but when she invites a “geeky” boy into her social circle, she slowly changes and becomes unpopular. That sounds like a very tame version of Mean Girls (2004), doesn’t it? Perhaps more like Mean Girls 2 (2011), its sequel that was led by Disney Channel stars and lacked all the bite of the original.

That’s how I felt watching Geek Charming. This wasn’t even the first time I’d watched it. I didn’t watch it the year it was released, because I was drifting away from Disney Channel around that time, but I watched it a few years later on Disney Life, that UK and Europe streaming app that turned out to be a precursor to Disney+. I don’t remember liking the film, but I didn’t think I hated it. That just shows how much things can change over the years, because I actually really didn’t like Geek Charming and couldn’t wait for it to be over.

It dragged on and on, taking ages to get to an ending we’d already managed to play out in our heads before it was confirmed on screen. The story was predictable, the characters were not particularly likeable – I didn’t even manage to figure out the names of most of the minor characters – and I didn’t laugh once, not even out of awkwardness or embarrassment, as I have watching plenty of other DCOMs I didn’t like. This movie didn’t make me feel much at all to be perfectly honest. I understand that Geek Charming is not aimed at adults, and I could see it trying to have a deeper meaning to it, by giving Dylan a less shallow side to her, but that wasn’t enough for me to get on board with it.

PLOT

Dylan is a popular teenage girl, who is dreaming of becoming her school’s Blossom Queen, so much so she is literally daydreaming about that moment of winning the crown when we first meet her.

We then find that Dylan is at school, being asked if she would like to sign up to run for Blossom Queen. She most definitely does and adds her name to the list. Dylan and her two friends, Hannah and Lola, head to the lunchroom where they survey the area, although they know exactly where they’ll be sitting: up on a ramp with all the other populars, so they can literally feel mightier than the lowly crowd below them. Dylan spots her closest competition for Blossom Queen – Nicole, a cheerleader – on her way to her table.

But as Dylan and her friends discuss this, some “geek” spills his lunch all over Dylan – how dare he! Dylan proceeds to scream at him in front of everyone, with this “geek”, Josh, struggling to defend himself. The movie cuts to show Josh and Dylan talking about how they reacted to this incident. These little cuts happen quite frequently; it’ll all make sense at the end. We then see what really happened. Josh was walking behind Dylan and her friends with his lunch tray when Dylan sprayed her perfume all around herself, with some getting into Josh’s eyes, causing him to bump in to them, so it was all an accident. Dylan storms off to her table.

Josh meets up with his three friends, who are all part of Film Club, and Josh is their president. Josh starts to wonder about the world of the populars, but is quickly distracted by his crush, cool girl Amy, walking past. His friends tell him Amy is way out of Josh’s league. Josh basically agrees with this and turns the conversation to a film competition Josh wants to enter so he can win a spot at Hollywood Film Camp. Josh goes to his teacher, Mr. F, with his initial idea: to make a documentary on robot voices. Mr. F doesn’t think this is challenging enough and thinks Josh should do a documentary on something human.

Later that day, Dylan is with her dad, a real estate owner, at the mall where he is talking about a potential new store. Dylan waits for a gap in the conversation to ask if she can have some help with marketing for her Blossom Queen campaign. Her father refuses to do this and rushes off to a meeting. Dylan talks to her friends instead, but soon drops her very expensive handbag in the mall fountain. Dylan cries for security to turn off the fountain and retrieve it, but nobody cares enough to listen. You know, First World problems and all that. Luckily, Josh was working at a phone store nearby and hears the commotion. Josh comes to the rescue by striding into the fountain and returning Dylan’s bag to her. Dylan takes it and walks away without even a “thank you”, leading Josh to go after her. Josh snatches “Mr. Sanchez” back – yes, Dylan names her bags – and asks for a favour instead. He pitches the idea of Dylan starring in his documentary film which will be all about popularity. Dylan decides that if this film is good, it’ll be even better publicity for her Blossom Queen campaign than anything Nicole cab come up with, so she agrees – with some strict rules, for example, Josh can only be around her during filming times. Nice.

At home, we learn that, although Dylan lives in a big, fancy house, her life is very lonely. It’s even worse today because their housekeeper, Marta, is out at the dentist. Dylan throws her soaked handbag into the dryer and eats her dinner alone, before going to her room. In her room, she looks at a photo of herself and Amy. It turns out those two used to be best friends before high school. It’s also revealed that Dylan’s mum has died, as we see Dylan look over some of her old things, including a dress. In contrast, Josh comes home to a loving dog and a doting mother, who might have some wacky culinary skills but is there for him nonetheless. Josh tells his mother about his new documentary and how the subject will be popular girl Dylan. She is excited for him. Mr. F also approves the idea so it goes ahead.

The next day at school, Josh sits with Dylan and her friends at lunch, up on that ramp, though his way to the table is almost blocked by jocks who don’t understand why a geek would be sitting in their sacred area. Josh begins filming. Dylan tells the camera that being popular is not easy, and that she has a lot of things she has to keep up with, like making sure she’s looking pretty and fashionable at all times, as well as doing “charity work”, which, for Dylan, involves helping tragic “fashion victims”. Dylan introduces her boyfriend, Asher, who is a volleyball player. Dylan adores Asher, but he doesn’t seem all that in to her…

After school, Josh continues filming Dylan as she goes shopping, which is crucial to helping the country’s economy, of course! Dylan trashes cheerleader Nicole on camera too, saying how she is only “cheerleader popular”, whatever that means. She later trashes her friends, Lola and Hannah, saying that her popularity is contagious and that is why they hang out with her, in the hope that some of that popularity will rub off on them. When Dylan goes into the changing rooms, Josh takes the opportunity to talk to Lola and Hannah about Dylan. They tell Josh that Asher only likes Dylan because she worships him and that Dylan is a total drama queen. I’m pretty sure Josh had already worked that one out for himself! As they leave the store and head to a diner, Dylan is asked what her life goals are. She says becoming Blossom Queen is her only goal because if she doesn’t achieve that, then her life is over. She also talks about how people have to stay in their correct social circles and cannot mix outside of them, otherwise terrible misunderstandings could happen, like how Josh might think that he can ask Dylan out just because he is hanging out with her, leading to potential embarrassment for him. Wow.

Josh reviews his footage that evening and tells his mum how he is struggling to get anything deeper from Dylan, believing her to just be as shallow as she appears. Josh’s mum tells him that probably isn’t the case and the only way to get Dylan to reveal her true self is to dig deeper, like all good filmmakers do.

The next day, Josh is invited to film Dylan at a beach party. Josh brings along his Film Club friends, Steven and Ari, to help with the documentary, by shooting some “B-roll”. Josh sees Amy litter-picking around the beach and stars to talk to her, but Dylan sees the attention is not being focused on her and throws a ball at Josh, telling him to return to her so they can get back to the documentary. Dylan talks about Amy with Josh, saying how she isn’t popular enough for Dylan to hang out with anymore. Asher’s volleyball team, although losing initially causing Asher to be rude and moody with Dylan, end up winning their match and announce they are going out to get pizza, despite the fact Dylan has already booked for everyone to go to a sushi restaurant. Nobody wants sushi so they all leave to get pizza.

As Dylan heads back to her car, she sees it is being towed for unpaid driving tickets. Josh says he’ll give her a ride home. Dylan doesn’t want to get into his old, rundown car but has little choice, however, as they try to leave, Josh finds his car battery is dead and they’ll need to walk to a gas station. Josh tells Dylan she’s welcome to wait in the car but she doesn’t want to be seen by anyone in his car, so she walks with Josh. On the way though, Dylan hurts her ankle and makes Josh carry her. They then get into an argument as Josh calls Dylan a diva. Josh quits the documentary, as does Dylan.

Josh talks to his teacher back at school, wanting to change his documentary subject but he is told it is too late to change subject. Also at school, Dylan is canvassing for votes to be Blossom Queen but her speech is interrupted by Nicole who starts doing cheers and handing out free cupcakes. This seems to work as girls who Dylan was sure would vote for her now seem to be planning on voting for Nicole. Dylan realises she needs Josh’s documentary or she has no chance of winning. Dylan finds a leaflet for a Film Night in the bag of one of Josh’s friends, Caitlin. She decides to go there and apologise to Josh.

At the movie, Dylan surprises Josh by making an appearance. She pretends to like science-fiction films and shocks Josh and his friends by actually liking the movie they watched and even has some smart comments about it. Dylan is about to catch the bus home, since she still doesn’t have her car, but Josh says he can drive her home. They talk about restarting filming on the documentary since they both need each other. Josh agrees as long as Dylan stops acting like a diva.

Josh is invited into Dylan’s house and he learns that Dylan’s mum died and the real reason Dylan wants to be Blossom Queen so badly is because her mum was one too. Josh says his dad lives in San Diego so he kind of understands what it’s like to not have a parent around. Dylan decides to show Josh how to make the best ice-cream sundae and they mess around making those. Talk soon turns to each other’s love lives, with both of them disapproving of the others choices. Dylan changes the subject by saying she thinks Josh needs a makeover. He agrees to her plan. They go out shopping and to the salon, and turn Josh into a cooler version of himself. Josh takes Dylan to his house for dinner where his mother believes the two of them are dating. Dylan says they are not, although she thinks Josh is a good guy, but she has a boyfriend.

Dylan walks to school with Josh the next day so he can debut his new look. The girls all seem to love it, although Josh’s friends don’t like who is becoming. He continues to ditch his friends to eat lunch with Dylan and the populars, creating a divide between them. Dylan spending so much time with Josh is irritating her friends and Asher too. Dylan convinces Josh to ask Amy out on a date, proving that Dylan does not have a crush on Josh, nor does he on her, like everyone thinks. Amy agrees to a date on Saturday.

At work that day, Josh meets Dylan’s father who invites him to dinner at their house as he also believes the two of them are dating. Dylan comes home to find her father watching sci-fi films and eating junk food with Josh. They again reiterate that they are not together. Dylan’s dad is a bit disappointed as he likes Josh much better than Asher, and Dylan is much more herself around Josh as is proven by her competing in a burping contest with both of them, something Josh caught on camera, along with other silly antics. A rough cut of Josh’s documentary is needed soon but is progressing well.

On Saturday, Josh tries to figure out where to take Amy but it turns out they don’t have much in common. Josh takes her to Asher’s party, where Dylan suggested they went. At the party, Amy tries to get Josh to dance with her but he seems more interested in spending time with Dylan so she tells him to talk to her. Dylan, meanwhile, is upset after Nicole calls her a loser, believing she’ll lose out on Blossom Queen. Josh finds Dylan sat alone and they talk about Amy. It turns out Dylan ditched Amy when they were younger, believing Dylan would forever be in Amy’s shadow. Dylan then tells Josh he needs to flirt with Amy, and starts to show him how to do that. Who should come in and see them both sat so close together but Asher and Amy. Dylan rushes after Asher, and Josh leaves with Amy. He asks her to the dance but Amy says no, since it’s quite clear he likes Dylan.

The next day, Dylan oversleeps and loses a contact lens. She decides to try her luck at school without wearing her glasses, because they’re so uncool, but when she gets a note from Asher, she puts her glasses on to read it, shocking her friends. It’s a note breaking up with her. Asher tells Dylan she’s changed and should just go to the dance with Josh. Dylan tries to talk to Josh at lunch but he has a strict film deadline to meet so he says he can’t spend time with her right now. Josh goes back to sitting with his friends who tell him that they voted in Caitlin as Film Club President because Josh hadn’t had time for them. Dylan also learns she has lost her seat at the cool table. To make things worse, Dylan sees Lola and Hannah shopping for the dance without her after school. They tell her they didn’t invite her because she’s always with Josh. Dylan goes home and has a quiet dinner with her father and his girlfriend. She believes that Josh’s film will be worth all this.

At the Film Festival, the whole school, including Dylan, is there to watch Josh’s movie, titled “The Popularity Project”. Dylan starts watching and is horrified to learn that Josh has made her look like a mean, bitchy bimbo and everyone is laughing at her. Dylan walks out before the movie ends. Josh goes after her but Dylan is too annoyed at him to listen. She hates her old self and all he has done is embarrass her in front of everyone.

Amy, who did watch the whole film, goes to Dylan’s house the next day with a DVD of the film. She tells Dylan to watch it all, to understand what Josh was trying to do. It turns out everyone loved seeing the vulnerable, smart, goofy side of Dylan. Dylan apologises to Amy for ignoring her for all these years. Amy says she understands and that even though Dylan stopped being her friend, Amy didn’t stop being hers.

At Spring Formal, Dylan shows up wearing her mother’s dress. All her old friends, like Hannah, Lola, and Asher, who dropped her so quickly just a couple of days ago, are now desperate to be her friend again after Josh’s documentary turned out to be a hit. Blossom Queen is soon announced and Dylan has won it. She makes a speech talking about how it’s better to be yourself and not to change to please others. Dylan appreciates having true friends, like Amy and Josh now. Dylan then finds Josh and apologises to him for what she said about his movie. She actually really liked it and appreciated it. The two kiss and dance together, becoming an official couple.

The end of the movie shows Dylan and Josh talking to the camera, saying how that was the story of how the “princess” and the “film geek” met. So, now all the weird reaction cuts make sense; this whole film was meant to be a documentary. Josh and Dylan apologise for the names they called each other, and the two walk off together.

CHARACTERS & CAST

Dylan initially comes across as a snobby, entitlement little rich girl at the start of Geek Charming. All she cares about is being popular and pretty, so that she can become Blossom Queen at her school’s Spring Formal. She has her two sidekicks, Lola and Hannah, and her jock boyfriend Asher to complete the cliché. Dylan is completely self-centred and quite bitchy to those she feels are lesser than her – which is pretty much everyone, even her two friends. Gradually, we learn that this is just a façade that Dylan has put on because she never felt her actual self would get anywhere in life. Dylan is actually intelligent, thoughtful, and has her geeky moments, like everyone. She also lost her mother at a young age, and the only reason she wants to be Blossom Queen is because it’ll make her feel closer to her. I wish she had a different way of feeling closer to her mother which wasn’t about winning a popularity contest, like trying to get into the same college as her mum or something; that might’ve made me feel some empathy towards Dylan. The message of the movie just doesn’t work with this goal, because Dylan figured out that having true friends is better than being popular by winning a contest that’s all about who is the most popular! It would have been better for Dylan not to win Blossom Queen, so she could learn you don’t always get what you want. Although Dylan as a character has grown by the end of the movie, I still find her difficult to understand and like.  

Sarah Hyland was cast as Dylan. She is most known for her role as Haley Dunphy in the ABC sitcom Modern Family (2009-20). She has also had roles in romantic comedy films, like playing Ava in Date and Switch (2014); Mara in The Wedding Year (2019); and Kelly in My Fake Boyfriend (2022), which also starred Disney Channel alum Dylan Sprouse. More recently, Hyland appeared as Heidi in Peacock’s Pitch Perfect: Bumper in Berlin (2022), a spin-off to the film series, and is currently starring as Daisy Buchanan in The Great Gatsby on Broadway, alongside Ryan McCartan from Disney Channel’s Liv and Maddie (2013-17).

Then we have “geek” Josh. Josh’s first encounter with Dylan in this movie is when he spills his lunch over her. It isn’t actually his fault; it is Dylan’s erratic perfume spraying that caused it, but Dylan certainly makes him suffer, by screaming at him in the middle of the cafeteria. Josh doesn’t care though. He doesn’t even like Dylan. He has his Film Club friends and his crush on Amy. Josh is only focused on making his documentary, so he can achieve his dream of making movies on Hollywood. Josh later manages to convince Dylan to show her true self, which helps her self-confidence and proves to be more likeable than her diva routine, but his documentary could be seen as being a bit exploitative and mean-spirited, especially as he films Dylan burping, which doesn’t seem like something most girls would want broadcast to the world, or worse, their whole school.

Josh was played by Matt Prokop. He guest starred in some episodes of Disney Channel series, such as Hannah Montana (2006-11) and Good Luck Charlie (2010-14), but is best known for his role as Jimmie “Rocket Man” Zara in High School Musical 3: Senior Year (2008).

Dylan’s “friends” are Hannah and Lola, who, according to Dylan, hang out with her in the hopes that they might become popular. It’s quite clear Hannah and Lola don’t like Dylan, as they talk about her behind her back to Josh and his camera. Dylan orders them about all the time, so I don’t really blame them, but if they had some self-respect and didn’t care about being popular, then they would’ve ditched her, so it’s kind of their own fault. They also aren’t nice people either since they do ditch Dylan, but only after they’ve decided she’s “uncool” for spending so much time with Josh.  Hannah and Lola then try to suck up to Dylan once again at the Spring Formal as they discover that Dylan is popular once again – only to find that Dylan doesn’t want their fake friendship anymore. That’s karma for you.

Hannah was played by Vanessa Morgan, who was cast in the role of Marion in the Disney Channel-affiliated movie Harriet the Spy: Blog Wars (2010). She had previously appeared in the teen sitcom The Latest Buzz (2007-10) as Amanda Pierce, going on to star as Sarah in the 2010 movie My Babysitter’s a Vampire, and its subsequent series, which ran from 2011 to 2012. More recently, Morgan was cast in the role of Toni Topaz in Riverdale (2017-23) and stars as Max Mitchell in the Canadian series Wild Cards (2024-present). Lola was played by Lili Simmons, who went on to appear as Rebecca Bowman in the action series Banshee (2013-16), and Lila Stanton in the horror series The Purge (2018-19). More recently, she starred as Claudia Flynn in the Starz series Power Book IV: Force (2022-25).

For Josh’s friends, there are three in his Film Club: Ari, Steven, and Caitlin. We don’t get to see too much of Josh’s friends in the film and they aren’t overly important to the story, apart from them being annoyed at how much time Josh is spending with Dylan instead of them. Caitlin was probably the more interesting of the characters, since she had a crush on Josh, but this was resolved quickly at the end of the film with Caitlin choosing to dance with Steven, the more “uncool” of the three, who is a bit clumsy and acts and speaks without thinking first. Ari is the more serious one of the group, and is very focused.

Kacey Rohl was cast as Caitlin. Rohl went on to appear in the recurring roles of Abigail Hobbs in Hannibal (2013-15) and Marina Andrieski in the Syfy series The Magicians (2015-20). She was also cast as Alena Whitlock in Arrow (2012-20) from Season 5 to Season 7. Steven was played by Jimmy Bellinger, who later appeared in the recurring roles of Edwin in the ABC sitcom The Middle (2009-18), and Artie Smalls in Disney Channel’s Liv and Maddie (2013-17). Recently, he was cast as Mason in Not Dead Yet (2023-24). Ari was played by David Del Rio, who was cast as Manny in A California Christmas (2020) and its 2021 sequel A California Christmas: City Lights for Netflix. He currently stars as Billy Martinez in Matlock (2024-present).

Josh’s crush, Amy, is a former best friend of Dylan’s. Amy is a musician in a band, and is kind to everyone. She doesn’t seem to believe in labels or popularity, talking to anyone who wants to talk to her, including Josh. Though Dylan does help Josh pluck up the courage to ask Amy on a date after giving him a makeover, I don’t think the makeover had anything to do with Amy saying yes to this date; she probably would’ve said yes anyway because she seems to like talking to Josh. Amy later proves to be a good friend to Dylan when she explains how Josh’s documentary hasn’t ruined Dylan’s life. Dylan showed no kindness to Amy for years, and yet, Amy decided she should continue to be a friend to her.

Amy was played by Sasha Pieterse, who was best known for her role as Alison DiLaurentis in Pretty Little Liars (2010-17) at the time of Geek Charming’s release. Pieterse reprised her role in the short-lived spin-off Pretty Little Liars: The Perfectionists (2019). Prior to Geek Charming, she appeared in the recurring role of Amanda Strazzulla in Season 4 of Heroes (2006-10). In recent years, she was cast in the dual role of Anna and Zoe in the thriller film The Image of You (2024).

Finally, let’s talk about the mean characters in Geek Charming. One of these is Asher, Dylan’s boyfriend, then ex, who was never much of a boyfriend to Dylan, only taking her praise and affection and never giving any in return. Dylan is shocked when Asher breaks up with her for spending time with Josh, but it was for the best. Asher is a complete jerk. Jordan Nichols was cast in this role, having previously guest starred in a few episodes of the Disney Channel series Shake It Up (2010-13) and Good Luck Charlie (2010-14). He also appeared in a few episodes of Supah Ninjas (2011-13) for Nickelodeon.

The other mean character to mention is Nicole, a cheerleader and Dylan’s toughest competition for Blossom Queen. She clearly despises Dylan, calling her a loser at Asher’s party and interrupts Dylan’s campaign trail with her free cupcakes, essentially buying votes, but hey, all’s fair in love and high school popularity contests! She also later goes out with Asher after he dumps Dylan. Nicole was played by Andrea Brooks, who went on to be cast as Eve Teschmacher in the superhero series Supergirl (2015-21). Brooks is currently playing Faith Carter in the drama series When Calls the Heart (2014-present).

MUSIC

Geek Charming’s soundtrack features a mix of music styles.

During the montage of Dylan making over Josh, the song “Hey, Princess” performed by Allstar Weekend is played. It’s an upbeat song that is relatively catchy. The song was written by Zachary Porter, Nathan Darmody, Sam Hollander, and Dave Katz and was originally released as part of Allstar Weekend’s debut extended play Suddenly in 2010.

After Dylan gives her speech as Blossom Queen, the song playing is “Words” by indie rock band Doves. This song then plays throughout the ending of the film, all the way to the End Credits. It is a pleasant piece of music to wrap up the movie. “Words” was part of the Doves’ album The Last Broadcast, released in 2002. The song was written by band members Jimi Goodwin, Andy Williams, and Jez Williams.

There are some excerpts of classical music that appear in Geek Charming too. One is “The William Tell Overture”, composed by Rossini, which is used for the life-or-death situation where Dylan’s handbag has fallen into the mall fountain and Josh gallantly wades in to the water to retrieve it for her. I’m assuming this music was used as a contrast between the expressiveness of the music, and the comical rescue of the purse.

Another use of classical music is “Ride of the Valkyries” by Richard Wagner, which is used as the soundtrack for the in-movie film that precedes Josh’s at the Film Competition. The movie is about a vicious hamster so I guess that music works with that idea!  

Those are the most obvious songs within the film, but there are a few others, used mostly for background noise. One that I managed to work out was the song “Come On Now” by Miss Anami, which is the second song heard at Asher’s party. But despite having audible lyrics, I’ve been unable to figure out what is the first song playing, when Amy and Josh first arrive. This was a similar problem I had to the song that is playing when Dylan is home alone early on in the film, and the first song at Spring Formal. None of these songs are credited in the End Credits of the movie. Online, some sites claim to have found songs matching these scenes, however, I don’t believe they do match.

Nathan Wang is credited as the composer for the score of Geek Charming. Wang composed the music for other DCOMs including Hatching Pete (2009); Wendy Wu: Homecoming Warrior (2006); and Christmas…Again? (2021), amongst many other non-Disney projects.

PRODUCTION

Geek Charming is another case of a Disney Channel Original Movie being based on a book.

This book is the young adult novel Geek Charming by Robin Palmer, published in 2009. I have not read the book and there isn’t a huge amount of information online comparing the movie and the book’s plot and story; however, it would appear that one major change is that the book appears to be set in Los Angeles, however, the DCOM is supposedly set in Seattle, Washington. The school’s name is different as well, changing from the novel’s Castle Heights High, to Woodlands Academy[1].

Although Geek Charming the film is said to be set in Washington, it was actually filmed in Vancouver, Canada, as so many productions seem to be, especially Disney ones. Some specific filming locations include a house on Celtic Avenue in Southland, Vancouver, used as Dylan’s house, and Aberdeen Centre in Richmond, Vancouver being the location of the mall with that fountain that Dylan’s poor designer handbag ended up. The beach scene was filmed at Kitsilano Beach in Vancouver.

Another story change is that the character of Amy was quite different between the novel and the film. In the book, Amy and Dylan apparently stopped being friends as Amy started dating a boy that Dylan had a crush on. Amy does still prove herself to be a good friend to Dylan by helping her deal with the fallout from Josh’s documentary, but instead of Amy accepting that Dylan and Josh should be together, Amy goes to the dance with Josh and those two are dating by the end of the book[2].

Apparently, Robin Palmer, author of Geek Charming, wanted nothing to do with the production of Disney Channel’s Geek Charming and didn’t even read the script. Of course, Palmer was still credited in the Opening Credits though.

Elizabeth Hackett and Hilary Galanoy adapted Palmer’s novel for the screen. The two continued to collaborate on the screenplays for other movies after Geek Charming, including the Netflix movies La Dolce Villa (2025) and Falling Inn Love (2019).

Jeffrey Hornaday directed Geek Charming. Hornaday is both a director and choreographer. His choreography credits include the Disney Parks attraction Captain EO, a 3D short film which starred Michael Jackson; the 1983 movie Flashdance; and the 1985 film adaptation of the musical A Chorus Line. After Geek Charming, Hornaday directed both Teen Beach Movie (2013) and Teen Beach 2 (2015) for Disney Channel, as well as being on hand as the movies’ choreographer.

Hornaday was nominated at the Directors Guild of America Awards for Outstanding Directing – Children’s Program for Geek Charming. He lost out to Amy Schatz who directed HBO’s A Child’s Garden of Poetry. The directors of both Lemonade Mouth and Sharpay’s Fabulous Adventure, two 2011 Disney Channel movies, were also nominated in this category.

RECEPTION

Geek Charming premiered on Disney Channel in the US on 11th November 2011.

The DCOM’s premiere was preceded by something called “Geek Chic Week”, which was a Disney Channel event, going from Monday 7th November up to Geek Charming’s premiere on 11th November. The event focused on showing movies and episodes of series celebrating “geeks”, such as episodes of Phineas and Ferb (2007-15), and movies like Lemonade Mouth (2011) and Princess Protection Program (2009). Behind-the-scenes clips of Geek Charming were also shown during this week[3]. I’m not sure how much I agree that their choice of programming was really focused on “geeks”.

On its premiere, Geek Charming apparently achieved viewership of 4.9 million viewers. In 2011, Disney Channel released six DCOMs, with Geek Charming being their second-to-last one of the year. Its viewing figures matched that of Sharpay’s Fabulous Adventure, the High School Musical spin-off movie, however, 4.9 million was actually the lowest viewership for Disney Channel movies that year, although not by much, and this was an average figure for Disney Channel at the time, before their numbers would drop off in the late 2010s. Disney Channel’s highest figure of 2011 for a movie was 7.6 million, achieved by Phineas and Ferb the Movie: Across the 2nd Dimension.

In terms of reviews, as is pretty typical for Disney Channel movies, Geek Charming received some highly positive reviews and some more negative ones.

On the positive side, Geek Charming was seen to be a fun, cute movie, perfect for its target age range of kids and tweens. These comments also stated that it had some heartfelt moments, some laughs, and a positive message of being yourself and not caring about being popular. Its two leads were generally considered to have done a good job with the material they were given. Having a star of Modern Family and a star of Pretty Little Liars also helped to bring in the target audience.

However, Geek Charming did not avoid the general negativity that these television movies tend to receive, about being cheesy and cringey. Alongside this though, the story was criticised for being unoriginal, shallow, and clichéd, which I would have to agree with. I feel like the whole “wanting to be Prom Queen” dream has been done to death in teen movies, and even with the attempt to make this dream seem less shallow, by having Dylan want to become Blossom Queen because her mother was, it didn’t work for me. 

LEGACY

Although at the end of Geek Charming, Josh says that him and Dylan should think about doing a sequel, there was never a sequel to Geek Charming. Dylan didn’t want to do one anyway, stating that sequels are never as good as the original, which isn’t always true, but I see her point. Not many non-musical Disney Channel movies get sequels, so really, it was not a surprise that the Geek Charming story ended here.

Something that is a bit surprising is that neither of the two leads, Sarah Hyland or Matt Prokop, became big Disney Channel stars, not going on to appear in multiple DCOMs or in series after Geek Charming premiered. This doesn’t always happen with the leads of DCOMs but for the most part, it would. Hyland did, however, become a major name thanks to her role in the ABC sitcom Modern Family, with ABC being a Disney-owned channel.

Prokop, on the other hand, has not acted since 2014, and there is a reason for this. Hyland and Prokop were in a relationship when they were making Geek Charming, reportedly being together from 2009. In September 2014, it came to light that Hyland had gone to court to secure a restraining order against boyfriend Prokop for abusive behaviour. Prokop had apparently attended rehab prior to the restraining order being granted[4].

I’m not about to go into details about what was alleged to have happened as that is a private matter and not relevant to this movie review; this isn’t a gossip column after all. The only reason I have chosen to mention this is because I read so many comments online when looking for an overview of opinions on Geek Charming that mentioned this incident. These comments were from people who said they used to love the movie, but now they know about the alleged abuse, they cannot like Geek Charming anymore, signalling that the two will forever be linked.

FINAL THOUGHTS

Much like any other Disney Channel Original Movie, Geek Charming has its die-hard fans; others who thought it was just alright; and those who hate it. I will say that on the whole though, I did read more positive than negative comments about the film itself.

Disney Channel movies are looked back on with a feeling of nostalgia. They help us remember simpler, happier times in our lives, since these memories and feelings can be tightly linked with whatever we watched at the time.

Sadly, we also have to remember that the people we see in these movies are actually real people who perhaps did not enjoy the DCOM or series they were in, or who did at the time but now cannot look back on it fondly, for whatever reason.

It just goes to show that Disney Channel, although wanting to help you navigate life, cannot shield you, its viewers, or even its young stars, from the troubles of this world forever.


REFERENCES

[1] Credit: Goodreads, ‘Geek Charming’, Goodreads.com, date unknown.

[2] Credit: Author Unknown, ‘Amy Loubalu’, GeekCharming.Fandom.com, date unknown.

[3] Credit: Pinch Raccoon and Milady Lover, ‘Disney Channel Geek Chic Week Promo (November 2011) (4:3)’, Pinch Raccoon and Milady Lover 2002 YouTube Channel, 15th March 2025.

[4] Credit: Esther Kang, ‘Julie Bowen Recalls Supporting Modern Family daughter Sarah Hyland During Previous Allegedly Abusive Relationship’, People.com, 4th June 2024.

Thumbelina (1994)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

Around the 1990s, it seemed that every movie that was animated had to be from Disney, just because Disney Animation had really taken the world by storm in this decade, after struggling for years on end after the death of Walt Disney.

It is actually not the case that every animated movie is from Disney, even if they are based on a fairy tale and are musicals, like Thumbelina.

I am fully aware that Thumbelina is currently on Disney+, so how can it not be a Disney movie? Well, that’s because technically Disney do own the film, BUT they had nothing to do with its production. Thumbelina was part of 20th Century Fox’s catalogue at the time that Disney acquired it, so that is why it is on Disney+.

Anyway, for years, I’ve heard people claiming that things like Anastasia (1997) and Thumbelina are Disney movies. I try to just roll my eyes and ignore it, but I find it really irritating that people don’t want to do their research. And that’s where I come in.

Thumbelina was in fact created by Don Bluth and his animation studio. Bluth was a Disney animator back in the 1970s, but he subsequently left and made a variety of movies, some being remembered fondly and others less so. Thumbelina is in the “less so” group.

But I’ve always loved Thumbelina. I didn’t watch it at the cinema, and only remember viewing it on a VHS where we must’ve recorded it off the TV, probably from Channel 5. I remember Thumbelina sort of creeped me out a bit as a child as Thumbelina is continuously kidnapped and stalked by weird creatures, and yet, I still liked it. There’s also another reason I shouldn’t like Thumbelina. Not because Thumbelina isn’t a “progressive female lead” or because the story “drags” – those are other people’s problems. No, mine is because of the animation style.

I’m overly sensitive to colours and patterns, to the point that I have been known to avoid sitting on certain furniture if I don’t like the look of it. Weird, I know. It’s a good thing I didn’t grow up in the 70s! I don’t watch Pinocchio (1940) because the colours and illustration style just don’t work for me, plus, all the other weird stuff in that film that makes me not enjoy the story. Thumbelina has a similar illustrative look, i.e., a more traditional storybook style, and lacks the general vibrancy and light that makes me enjoy Disney animated films.

And yet, I still like it. I don’t really know why, I just know I really like this film.

PLOT

The opening of Thumbelina starts with a scene showing a windmill by a lake, before we zoom through the streets of Paris, seeing sights like Notre Dame Cathedral, as we follow a swallow to its home inside the cathedral. This swallow is called Jacquimo, and he claims to be a “swallow extraordinaire” and lover of beautiful things. He constantly talks about following your heart and saying how nothing is impossible. Inside his home, he has multiple books, all love stories about impossible problems, like Samson and Delilah, and Romeo and Juliet. Yes, such romantic stories with lovely happy endings… Anyway, Jacquimo actually wants to talk about the story of Thumbelina and as the storybook opens, he tells us the beginning of the story.

Once upon a time, there was a lonely woman who was desperate to have a child. She went to a good witch who gave the woman a tiny barley corn. The good witch told the woman to plant it. The woman did as she was told and after some time, a flower blooms from it. As the petals open up, they reveal a tiny girl – who is about sixteen-years-old though – who is the size of a thumb. Because of this, the woman names her Thumbelina.

However, Thumbelina soon learns that this world isn’t so great for someone of her height, finding herself smaller than all the farm animals that her “mother” owns, and almost ending up baked inside a pie. That night, her mother tries to tell her a story about a noble dog, obviously after her own pet, Hero, but Thumbelina asks her to stop, instead wanting to hear a story about someone small like her. Her mother shows Thumbelina a story about fairies who are a similar size. When Thumbelina asks if fairies are real, her mother’s response is unconvincing, leading Thumbelina to feel sad that she’ll never find where she belongs, and will never find love. Thumbelina wants nothing more than “to be big”, but her mother tells her not to wish to be anything more or less than she already is.

As Thumbelina is taken to bed, where she sleeps inside a walnut – random – she asks to be placed by the open storybook so she can look at pictures of the fairies whilst she goes to sleep. Her mother places her by the window with the book, and asks her dog to protect her overnight. Thumbelina wishes for fairies to be real, and pretends to have a conversation with one of the pictures. Suddenly, the page is cut open by someone with a sword. Terrified, Thumbelina goes to hide in a teapot. The intruder apologises for scaring her and tries to convince her to come out of her hiding place. Thumbelina does so and finds that the intruder is an actual, real-life fairy! Thumbelina is overjoyed to find someone as small as her, but Hero is woken by this conversation and starts to bark at the fairy. Thumbelina quickly begins formal introductions to show Hero the fairy is a friend. The fairy introduces himself as Cornelius, which Thumbelina finds to be a hilarious name. Yeah, because Thumbelina is such a normal name! Thumbelina starts to ask if he knows about a Fairy Prince. Cornelius says there is one and he’s very handsome. The two are interrupted by the buzzing of a bumblebee on the windowsill. That is Buzzbee, Cornelius’ bee that he rides around on. Cornelius asks Thumbelina if she wants to go for a ride and they fly off together.

On returning to Thumbelina’s home, Cornelius is about to kiss Thumbelina when he hears his name being called. He says his parents, the King and Queen of the Fairies, are calling him, because he missed the “golding of the leaves” that evening, when summer turns to autumn. Thumbelina learns that this must mean Cornelius is the Fairy Prince that he was talking about. Cornelius says that is true and asks whether he could come back tomorrow, to take her to meet his parents. Thumbelina would love to see him again, and Thumbelina gives him a necklace of forget-me-nots, so he never forgets her, and Cornelius puts a ring on Thumbelina’s finger. Wow, engaged after just an hour or two together. Interesting. Very fairy tale… Cornelius returns to the Fairy Court. However, as Thumbelina sleeps, she is kidnapped by a toad, who came in through the open window, just like Cornelius. Rookie error. Keep your doors and windows locked, people! Despite Hero the dog’s attempts to retrieve Thumbelina, her and the walnut are gone, as the toad floats them down the river.

Thumbelina wakes up the next morning, presumably after fainting from terror, to find herself on a boat. The toad who took her away, Mrs. Toad, tells Thumbelina that she lives on this boat with her three sons and that they are a very rich and famous singing group. Mrs. Toad heard Thumbelina singing with Cornelius last night and wants her to join their group, touring the world together. Thumbelina says she’s going to marry the Fairy Prince, but Mrs. Toad says that would be a big mistake and a waste of her life. Thumbelina is almost convinced to join them, until Mrs. Toad’s eldest son, Grundel, who also saw Thumbelina last night and became instantly infatuated with her, says he wants to marry Thumbelina. Mrs. Toad breaks the news to Thumbelina, who refuses, but Mrs. Toad won’t take “no” for an answer and leaves Thumbelina on a lily pad whilst they prepare for the wedding.

Since Thumbelina can’t swim, she is trapped on this lily pad. Until Jacquimo arrives. He hears about Thumbelina’s problems but is excited to hear she’s engaged to the Fairy Prince and helps her, by cutting the stem of the lily pad, so it starts to float. However, the lily pad starts floating to a huge waterfall. Thumbelina and Jacquimo panic as they try to stop Thumbelina from falling to certain death, but Thumbelina faints – again – and Jacquimo almost drowns himself. Instead, two fish and a group of bugs manage to rescue them both and get them to solid ground. Thumbelina wakes up, surrounded by bugs, who ask her if it’s true that she’s going to marry the Fairy Prince. She says she hopes it’s true but she needs to get home so she can see him again. Thumbelina thinks it’s impossible but Jacquimo tells her nothing is impossible, giving Thumbelina some motivation to get herself home. Three little bugs join her on the journey and Jacquimo tells Thumbelina he will find the Vale of the Fairies, as this is where Cornelius lives.

Cornelius is already at Thumbelina’s house though, and finds the room an absolute mess. Shocked, he asks Hero what happened. Hero manages to act out the incident, leading Cornelius to learn a toad took Thumbelina. He says he will find her. Cornelius then goes to his parents to ask them to delay the winter frost to give him time to search for her. The King and Queen tell him they cannot delay it for more than a day, and fear for their son’s safety. At the same time, Grundel is being teased by his toad brothers about how Thumbelina disappeared. He tells them he will marry Thumbelina and goes off to find her.

Thumbelina and her little insect friends start walking but they are soon stopped by a beetle who flies down and blocks their way. The little bugs run off scared. The beetle introduces himself as Berkeley Beetle. He heard Thumbelina singing, and insists she doesn’t talk and only sings to him. Thumbelina asks if the beetle can fly her up to a tree to see if she can see her house from there. He asks why he would do that for her, and Thumbelina responds that she’ll sing for him. This gives Berkeley Beetle an idea. Thumbelina won’t sing for him; she’ll sing at the Beetle Ball. The beetle takes her there against her will. Thumbelina is dressed up as a butterfly and made to perform alongside Berkeley and his beetle back-up dancers. The audience seem impressed with this new butterfly but after a spinning section goes too fast and most of Thumbelina’s costume falls off, it is revealed Thumbelina is not in fact a butterfly and the audience turn against her, calling her ugly. Berkeley Beetle goes with the crowd and rejects Thumbelina, ditching her. Alone and cold in a tree, Thumbelina is soon found by Jacquimo who tells her to forget about the beetle. She does not love the beetle so who cares what he thinks. They’ll resume their journeys tomorrow.

Meanwhile, Thumbelina’s little bug friends run into Grundel the toad who overhears them talking about a beetle. The bugs run off scared again, but Grundel now knows he needs to find this beetle. Cornelius is also still searching for Thumbelina through stormy weather. He asks some bugs where Thumbelina is. They say she is “out there, somewhere”. Cornelius heads back out into the harsh weather, knowing winter is almost here.

The next day, Jacquimo continues to ask around for where the Vale of the Fairies might be, asking a fox, a hare, and a bear, but nobody seems to want to talk to him. Jacquimo also ends up being slammed into a thorny bush, getting a thorn stuck in his wing. Luckily, he can still fly, even though it hurts him. Thumbelina finds herself cold and lost again though, with snow starting to come down thick and fast. Thumbelina sees an old shoe and sock nearby. She wraps herself up in there and falls asleep.

Grundel has managed to find Berkeley Beetle and starts to choke him, wanting information on Thumbelina. Berkeley says he doesn’t know what happened to her after the show, but does have a plan. If Grundel can get the Fairy Prince, setting up a trap for Thumbelina using the Fairy Prince as bait, then that’ll bring Thumbelina to him. Berkeley Beetle is told to find the Fairy Prince, with Grundel ripping off his wings, saying he will return them when he has brought back the Fairy Prince. Luckily, Berkeley Beetle and his friends quickly discover Cornelius frozen in a lake, having fallen off his bee into the lake in the bad weather. They cut Cornelius out of there as a block of ice and take it back to Grundel.

Back with Thumbelina, she has found herself in a warm tunnel underground. She was rescued by Ms. Fieldmouse and taken back to her home. Ms. Fieldmouse reveals she knows all about Thumbelina, like how she was engaged to the Fairy Prince, but blurts out that Cornelius was found “stone cold, frozen dead”. Thumbelina is distraught, not knowing this little important fact about her life. Ms. Fieldmouse says they need to go see her friend Mr. Mole, and forces Thumbelina to go even though she’s not feeling very much like socialising after finding out the love of her life is dead… Thumbelina meets Mr. Mole, who is completely blind and hates sunlight, but loves stories and singing. Ms. Fieldmouse encourages Thumbelina to sing for him, before the two are taken by Mr. Mole into one of his tunnels to see a dead bird. It turns out the dead bird is Jacquimo and Thumbelina runs over to him, but she hears a heartbeat and says she’ll come back that evening to see him again.

On returning to Ms. Fieldmouse’s home, she tries to convince Thumbelina to marry Mr. Mole, since the two had a conversation about how Mr. Mole has “been meaning to take a wife for some time” and will pay Ms. Fieldmouse if he can get Thumbelina to marry him. Gross. Thumbelina initially refuses to marry Mr. Mole and sneaks off to see Jacquimo. Jacquimo wakes up as Thumbelina tells him that she probably should marry Mr. Mole because Cornelius is dead and Ms. Fieldmouse told her that at least he’s rich! Thumbelina removes the thorn from Jacquimo’s wing but he vows to continue his search for the Vale of the Fairies, despite Thumbelina trying to tell him that the search is pointless since Cornelius is dead. Jacquimo won’t listen to her and flies away.

Grundel learns that the Fairy Prince is dead, going against his and the beetle’s initial plan, but he’s glad the Prince is dead. Berkeley Beetle then says that Thumbelina is underground and they go to find her. The little bugs from earlier overhear this and decide to build a fire to melt the ice, hoping the Fairy Prince will live again. He starts to wake up.

The next day is the day of Thumbelina and Mr. Mole’s wedding, though it’s not a happy day for Thumbelina, as she hears and sees Cornelius everywhere as she starts to walk up the aisle. When asked if she will take Mr. Mole to be her lawful wedded husband, she refuses. Grundel then comes in through the ceiling and says he will marry her, but Thumbelina manages to get away from him and runs through the tunnels, with Berkeley Beetle also attempting to stop her. As Mr. Mole, the wedding guests, and Grundel chase after Thumbelina, Cornelius arrives to battle Grundel. The two fall over a ledge, seemingly to their deaths, after Cornelius becomes distracted by a scream from Thumbelina.

Thumbelina is actually fine and has seen a way out of the tunnel, using Mr. Mole’s treasure to block anyone from following her. She comes back to the surface, happy to see the sun again. Jacquimo then arrives at just the right moment yet again, and tells her to get on his back so he can fly her to the Vale of the Fairies. They arrive at an area that just looks like a patch of frozen weeds, but Jacquimo tells her to sing. She does, unconvincingly, but Jacquimo sees an icicle break. He pushes her to keep singing, but she soon gets angry and says Cornelius is never coming back. At this point, Cornelius arrives and finishes Thumbelina’s song. Overjoyed and reunited, the two kiss, causing the Vale of the Fairies to defrost and the fairies to reveal themselves. Thumbelina even gets her own wings.

As so many fairy tales do, the story ends with Thumbelina and Cornelius getting married in the presence of the King and Queen, as well as Thumbelina’s mother and all her farmyard friends. Thumbelina and Cornelius fly off together on Buzzbee and Jacquimo tells us they lived happily ever after as the tiny storybook closes. 

CHARACTERS & CAST

There are some big names in the voice cast of Thumbelina.

Let’s start with our main character. Thumbelina is very naïve to the world, though to be fair, although she was born a sixteen-year-old, she was only born right at the start of the film. She has no time to learn about anything before she is thrown into bizarre situations, like being kidnapped by a toad, and a beetle, and then being forced, or at least guilt-tripped, into marry a mole. It’s the strangest life that Thumbelina has lived within just a few weeks of being alive. Oh, and she managed to find her true love in only a day! Thumbelina is not a headstrong, independent female lead. Thumbelina is mostly just pretty, sweet, and kind, which is probably why everyone thinks they can walk all over her, but I still like her as a character, and she does have some inner strength to jilt Mr. Mole at the altar because she knows it’s wrong to marry someone else, someone she doesn’t love, just because Cornelius is dead. I think Thumbelina gets some harsh criticism in reviews of today.

Thumbelina was actually voiced by Jodi Benson, whose name, and voice, should be very recognisable to Disney fans. That is because Benson is the voice of Ariel in Disney’s The Little Mermaid (1989), having reprised the role multiple times, for spin-off films, television series, and theme park attractions over the years. Benson got the role having worked with Howard Ashman, the lyricist for The Little Mermaid, on the musical Smile in 1986, which flopped on Broadway and closed after only 87 performances. Benson became a Disney Legend in 2011 for her work for the company, which also included her voicing Helen of Troy in the television series spin-off Hercules (1998-99); Barbie in Pixar’s Toy Story 2 (1999) and Toy Story 3 (2010); and appearing in the live-action/animation hybrid Disney film Enchanted (2007), which was a parody of Disney’s princess films, as Edward’s assistant, Sam. This is probably one reason why many people believe Thumbelina is a Disney movie, although Benson was asked to put on a higher pitched, more delicate voice for the character here, making it sound slightly different to Ariel’s voice.

Cornelius is the Fairy Prince who finds Thumbelina singing to herself and decides it’s perfectly alright to go into her room just so he can meet her. This guy must’ve been taking lessons from the Prince in Snow White and the Seven Dwarfs (1937). But fairy-tale world is a very different world from reality so I’ll cut him some slack. Cornelius is the answer to all Thumbelina’s prayers. She wanted to meet a fairy and she wanted to find love; Cornelius was both of those things. Although it was very much a whirlwind romance, with the two of them falling in love over a song and a moonlit flight on a bumblebee, it is clear how much Cornelius cares about her, so much so that he is willing to risk his life to find her and save her from this horrible toad who took her, and Cornelius does almost die in the process a couple of times. But he does not die and manages to reveal he’s actually alive in the most theatrical of ways, before marrying Thumbelina so they can be together forever. Aww.

Gary Imhoff voiced Cornelius. Imhoff went on to voice the character of Harry Osborn / Green Goblin II in Spider-Man: The Animated Series (1995-98) originally for Fox Kids. He also appeared in a small role in The Green Mile (1999).

Then there is Jacquimo the swallow, who is both the narrator of Thumbelina as well as a big figure in the story. Jacquimo first comes across Thumbelina when she is stuck on the lily pad after the toads have left her momentarily. Because Jacquimo acts before he thinks, he helps Thumbelina by cutting the stem of the lily pad but then almost kills her when the lily pad starts heading towards the waterfall. Jacquimo also gets himself in trouble by asking lots of predator animals where the Vale of the Fairies is because he is so desperate to bring Thumbelina and Cornelius together again. Jacquimo gets a thorn stuck in his wing and is believed to be dead, but this brings Thumbelina to him and he once again finds renewed energy to search for the Vale even when Thumbelina thinks it’s not worth it anymore. Jacquimo stays loyal to her and her love throughout and keeps Thumbelina believing that anything is impossible, even if the most difficult circumstances.

Gino Conforti was cast as Jacquimo, having previously been seen in the recurring role of Felipe Gomez in the last few seasons of the sitcom Three’s Company (1977-84). He went on to appear as Cardinal Pugini in Angels & Demons (2009), the sequel to The Da Vinci Code (2006). Unlike Jacquimo, Conforti is not French and is actually of Italian descent, meaning that his French accent is quite obviously exaggerated. It’s fairly stereotypical, perhaps offensive to some, but I think he tried his best!

Thumbelina’s mother and Cornelius’ parents, the King and Queen, both feature in Thumbelina but they are not overly prominent figures in this story. Thumbelina’s mother is initially seen at the beginning of the movie, telling Thumbelina not to wish she was bigger, and is seen to be devastated when Thumbelina is taken. However, after the initial ten minutes or so of the movie, Thumbelina’s mother is only seen briefly in a couple of other places, though it is good to see the two reunited at the end of the film for Thumbelina’s wedding. Thumbelina’s mother was voiced by Barbara Cook, a singer and stage actress, who originated the role of Marian in The Music Man on Broadway in 1957, opposite Robert Preston as Professor Harold Hill. Cook won a Tony Award for her performance. She also had leading performances in other stage shows, including as Anna Leonowens in The King and I around 1960, and as Fanny Brice in the 1967 performance of Funny Girl.

The King and Queen of the Fairies are first seen as the fairies turn the leaves gold for autumn, where the Queen realises their son, Cornelius, is not there for the ceremony, and is worried about how much he buzzes around on his bumblebee. The King tells her not to worry and that’s just what sixteen-year-olds do. They are then seen again when Cornelius asks them to delay the winter frost, but they are unable to hold it off to prevent Cornelius from becoming frozen in the lake. We then don’t see the King and Queen again until Cornelius and Thumbelina’s wedding at the end, but I’m sure they were pleased that their son came home safely and managed to find the girl of his dreams again.

Kenneth Mars was chosen to voice the Fairy King, King Colbert, with Mars’ voice again being familiar to Disney fans since he voiced Triton in The Little Mermaid franchise. Outside of that, Mars appeared in two of Mel Brooks’ most famous films: as Franz Liebkind in The Producers (1967) and as Police Inspector Kemp in Young Frankenstein (1974). Mars also voiced Grandpa Longneck in the series of The Land Before Time direct-to-video sequels, from 1994 to 2006. Mars passed away in 2011. June Foray voiced the Fairy Queen, Queen Tabitha. Foray is well-known for her voice work, voicing numerous characters for Looney Tunes, such as Granny and Witch Hazel, as well as Rocky the squirrel, and others, in Rocky and Bullwinkle (1959-64). She also had some history with Disney, “voicing” Lucifer the cat in Cinderella (1950) and Grandmother Fa in Mulan (1998).

Now let’s get to the villains of Thumbelina, of which there are many. First up, let’s talk about Berkeley Beetle. Berkeley Beetle scares Thumbelina by just appearing in front of her as she’s minding her business and trying to get home. Berkeley Beetle then proceeds to try and charm her, by kissing her arm and calling her “toots”, something Thumbelina doesn’t like, although she does like him saying she’s beautiful. He seems quite taken with Thumbelina, but when she is revealed to not be an insect during his performance with her at the Beetle Ball, the peer pressure soon makes him reject her. He is later forced to work with Grundel the toad to help him find her, which he isn’t thrilled about doing, but does so, nonetheless, wanting the wings back that Grundel ripped off his back. Ouch.

Once again, the voice of Berkeley Beetle should be familiar to Disney fans, since Gilbert Gottfried voiced the character, and he is well-known as the voice of Iago, Jafar’s fast-talking parrot sidekick in Aladdin (1992), reprising the role often. Gottfried began his career as a stand-up comedian, before moving into film roles. Some of these earlier credits include Beverly Hills Cop II (1987) as Sidney Bernstein, and the 1990 film Problem Child and its 1991 sequel as Mr. Peabody. In 1994, he also had a small role as Bert Banner in Saved by the Bell: Wedding in Las Vegas. Gilbert Gottfried continued to appear in television and film projects throughout his life. Gilbert Gottfried passed away in April 2022.

On to the toads, or “The Singers de España”. Mrs. Toad hears Thumbelina singing with Cornelius and instantly decides that kidnapping her and convincing her to sing with them is a good idea. Mrs. Toad and her three sons, Mozo, Gringo, and Grundel want Thumbelina to be part of their group, but none more so than Grundel, who also saw Thumbelina with Cornelius the night before and has somehow fallen in love with her after she blew him a kiss. After Thumbelina manages to escape them, Mrs. Toad doesn’t seem bothered and is not seen again, however, after being mocked by his brothers, Grundel becomes obsessed with the idea of finding and marrying Thumbelina, getting others to help him with his plight. Grundel is a very creepy character in this movie. I quite like Berkeley Beetle, and Mrs. Toad is funny, but I don’t like Grundel at all.

Grundel was voiced by Irish actor Joe Lynch. Yes, once again, that was not a real accent you were hearing! Lynch appeared in various series over the years, including as Ron Mather in Coronation Street (1960-present); and in the main role of Dinny Byrne in Glenroe (1983-2001). He was also cast as Blazes Boylan in the 1967 film adaptation of Ulysses. Lynch passed away in 2001. Mrs. Toad was voiced by Spanish singer, actress, and television personality Charo. Recently, Charo was cast as the Queen of the United Kingdom in the disaster film Sharknado 5: Global Swarming (2017) and makes regular appearances on RuPaul’s Drag Race (2009-present). Charo was also a contestant on Dancing with the Stars (2005-present) in 2017 and even appeared in one episode of Disney Channel’s The Suite Life on Deck (2008-11), being cast as Esteban’s mother.

Finally, we have Mr. Mole and Ms. Fieldmouse, the final two characters that Thumbelina finds herself in the company of. Ms. Fieldmouse initially doesn’t seem too bad; she does save Thumbelina from catching her death out in the cold, but she also tells Thumbelina that Cornelius is dead without even thinking and then proceeds to force Thumbelina to spend time with Mr. Mole, using the fact she “saved Thumbelina’s life” to guilt her in to it. Mr. Mole is a bit of a miser, and hoards money and treasure throughout the tunnels he calls home. Him and Thumbelina aren’t exactly compatible – she loves the light and he loves the dark and cold, for example – and yet he is desperate to marry her. Get in line, mate; there are two others vying for Thumbelina’s attention at this point! Mr. Mole asks Ms. Fieldmouse to convince Thumbelina to marry him, which is just disgusting, with Ms. Fieldmouse only happy to do so, since he did pay her! Thumbelina is essentially guilt-tripped into the wedding, but refuses to go through with it. Any normal person should have just let Thumbelina leave, but no, Mr. Mole and Ms. Fieldmouse have to go and chase her down. What were they going to do if they caught up to her? Tie her up and make her go through with it? Grim.

Anyway, despite their unpleasant characters, the voice actors for both Mr. Mole and Ms. Fieldmouse are both legends in their respective fields. Mr. Mole was voiced by British actor Sir John Hurt. Hurt starred in major movies such as Alien (1979); The Elephant Man (1980), for which he was nominated at the Academy Awards in the Best Actor category and won the BAFTA for; and The Midnight Express (1978), where he was nominated at the Oscars for Best Supporting Actor, and won it at the BAFTAs. Hurt was no stranger to voice acting either, voicing Hazel in Watership Down (1978); Aragorn in The Lord of the Rings (1978), and The Horned King in Disney’s The Black Cauldron (1985). Later in his career, he also played Ollivander in the Harry Potter film series and voiced The Great Dragon in the BBC series Merlin (2008-12). Sir John Hurt sadly passed away in January 2017.

Ms. Fieldmouse was voiced by stage performer Carol Channing. I didn’t actually know who Carol Channing was until many years after I first watched Thumbelina. I looked her up after seeing Ryan Stiles impersonating her on Whose Line Is It Anyway? (1998-present), something which he has done a few times on the shpw. It was specifically after seeing the infamous clip where Stiles is pretending to be “Carol Channing whose head keeps getting stuck to things” and ends up slamming his head into host Drew Carey’s desk and breaking the glass! But Channing did much more in her career, other than being impersonated by comedians. She played the part of Dolly Levi in Hello, Dolly! numerous times on stage from the 1960s into the 1990s, being the first person to play the character in the 1964 original Broadway show and winning a Tony award for her performance. She was also part of the original Broadway cast of Gentlemen Prefer Blondes back in 1949, playing Lorelei Lee, and went on to be cast as Muzzy Van Hossmere in the film adaptation Thoroughly Modern Millie (1967), starring Julie Andrews in title role. Channing won a Golden Globe for Best Supporting Actress for this role. Because of her commitment to the stage, she also earnt a Tony Lifetime Achievement Award in 1995. In voice acting, Channing had previously voiced the character of Granny Frump in the animated ABC series The Addams Family (1992-93) prior to Thumbelina. Channing died in 2019.

A fun fact about Ms. Fieldmouse is that allegedly Betty White had recorded the lines for the role first, but Channing was asked to come in and record the lines instead after White’s performance was deemed not right for the character. However, White had not been informed of this until after finding out from Channing herself that Channing had been hired instead. Don Bluth, director of Thumbelina, apologised to White for the misunderstanding[1].

MUSIC

Perhaps unsurprisingly after that star-studded voice cast, Don Bluth headed for another big name to work on the music for Thumbelina.

Bluth approached singer-songwriter Barry Manilow, famous for hits in the 1970s like “Mandy”, “I Write the Songs”, and “Copacabana”, to write the music for Thumbelina. Manilow had wanted to write Broadway musicals early on his career but somehow found himself going in a different direction in the world of music. Working on an animated musical like Thumbelina was a good opportunity for this dream to come true. Manilow was also given the opportunity to compose the score for Thumbelina, something he had not done before, alongside William Ross, who also wrote the music for another movie in 1994, The Little Rascals, as well as working as an orchestrator on other 1990s movies like The Bodyguard (1992), Robin Hood: Prince of Thieves (1991); and the animated movie FernGully: The Last Rainforest (1992)[2]

For the songs, Manilow collaborated with lyricists Jack Feldman and Bruce Sussman, who had worked with Manilow on his song “Copacabana”. All three had also written the song “Perfect Isn’t Easy” performed by Bette Midler as poodle Georgette in Disney’s Oliver & Company (1988), before working on Thumbelina. Jack Feldman even went on to work on the music for the Disney direct-to-video sequel The Lion King II: Simba’s Pride (1998) and contributed to some of the songs in Disney’s live-action remake Snow White (2025) – but let’s not get in to that disaster right now; that’s a story for another time. Following Thumbelina, Manilow and Sussman worked with Don Bluth again for his next movie, The Pebble and the Penguin (1995).

Thumbelina consists of seven original songs. The first one that was written, and my favourite in the film, was “Let Me Be Your Wings”. Manilow handed a demo tape of this song to Don Bluth and Bluth boarded the sequence for it himself[3]. “Let Me Be Your Wings” is a romantic love song between Cornelius and Thumbelina, as they dance in the moonlight, on the river, and, randomly, on a pumpkin on the same night they meet for the first time. It’s a beautiful song and a beautiful piece of animation, with the highlight really being when Cornelius sings “and I’ll never let you fall”, proceeding to drop Thumbelina as he gets lost in the music, having to swoop down and rescue her since he is the only one who can fly! Luckily, Thumbelina’s eyes are closed at this point and she doesn’t even seem to notice.

“Let Me Be Your Wings” is really the anthem of the movie, appearing in the Opening Credits as an instrumental piece; in a reprise known as “Let Me Be Your Wings (Sun Reprise)”, when Thumbelina sings about her love of the sun, actually a metaphor for her love for Cornelius, to Ms. Fieldmouse and Mr. Mole; and then at the end of the movie. Thumbelina sings it in the Vale of the Fairies and is reunited with Cornelius. These versions of the song were performed by Gary Imhoff as Cornelius and Jodi Benson as Thumbelina. Finally, there is a special arrangement for their wedding, performed by a chorus. It also appears in the End Credits, this time performed by Barry Manilow and Debra Byrd, who was one of the vocal coaches in the first ten seasons of American Idol (2002-present).

I might as well now go through the remaining songs in my own order of preference, so following “Let Me Be Your Wings” we have “On the Road” performed by Charo, Joe Lynch, Danny Mann, and Loren Lester as Mrs. Toad and her sons, a.k.a. The Singers de España, with the addition of Jodi Benson as Thumbelina. This song is a fun, flamenco-inspired number with lots of fast lyrics and dance beats. It is all about the toads trying to convince Thumbelina to go on tour with them as part of their singing group. I just think it’s so upbeat and funny at the same time, even if it might be a bit stereotypically Spanish… The best bit is really when Mrs. Toad stomps on Thumbelina’s foot to get her to “sing” with them, though really, she is just screaming in tune.

Another song I really like in Thumbelina is “Yer Beautiful, Baby”, which is Berkeley Beetle’s song that he performs at the famous Beetle Ball, so it’s a number fit for the stage, with backing dancers and big, elaborate costumes, such as the butterfly costume Thumbelina is put in, before it flies off her after an erratic spinning section of the dance. The song is interrupted by complaints from the audience about how Thumbelina is ugly since she isn’t an insect like them, and they feel duped. Despite Berkeley Beetle being voiced by Gilbert Gottfried, he did not sing this song. The singer was Randy Crenshaw, who did a good job of imitating Gottfried’s distinctive voice; I never really noticed it wasn’t Gottfried. Additional vocals are provided by Irish vocal group Anúna.

The next song in my list is “Soon”, Thumbelina’s “I Want” song – all the best musicals have them. This is where she sings about wanting to find love, preferably with a fairy or someone small like her. It’s a lovely song, giving Jodi Benson a proper opportunity to show off her wonderful singing voice in the first of Thumbelina’s only two solos. This song is later reprised, being performed by Barbara Cook as Thumbelina’s mother as she hopes for Thumbelina’s safe return to her, twisting Thumbelina’s “I Want” song into her own. Since Cook had a long history as a performer in stage musicals, this gave her the chance to showcase her singing talents as well.

Then, we have “Follow Your Heart”. It’s one of my least favourite songs in the movie, even though following your heart is one of the main messages of the film. It just a bit too “in-your-face” for me, especially since the main performance of this song consists of birds can-canning like they’re in A Chorus Line or something; it’s too much but it is at least happy and positive to counteract some of the darkness in the story. This main performance is primarily sung by Gino Conforti in that overly French accent that Jacquimo has. Anúna once again contribute to this song both here and when it appears again at the end of the finale song. “Follow Your Heart” is also performed briefly by Jacquimo when we are first introduced to him in the opening scene, and in the End Credits.

Now, we’re getting to songs I don’t like, although there are only two left. The first is “Thumbelina” which is our introduction to Thumbelina and her struggles of being in this world where everything is too big for her. It’s mostly performed by Thumbelina’s mother’s farmyard animals who tease Thumbelina about her height and narrate as she gets herself into scrapes, like falling into the animals’ drinking trough and almost gets baked into a pie. The performers of this song are listed as Jodi Benson, who laments her height in this song, and Anúna who must sing all the other parts. The song “Thumbelina” seems to have been shortened for the movie, as I heard a version with lines I’d never heard before that seemingly came from the original soundtrack.

Finally, we get to “Marry the Mole”, performed by Carol Channing as Ms. Fieldmouse. This song is all about Ms. Fieldmouse telling Thumbelina that marrying for love is a mistake and she should marry Mr. Mole for his money… Hmm, that’s a strange message for a children’s movie. Thankfully, Thumbelina proves that you should in fact marry for love and not money. Ms. Fieldmouse is just a gold-digger apparently. Maybe she should go marry Mr. Mole if he’s so great! Anyway, “Marry the Mole” is not a good song, and in my opinion, is the weakest in the soundtrack, probably because it’s just plain weird. But I don’t think it was Razzie Award-worthy.

At the 15th Razzie Awards in 1995, the award for Worst Original Song went to “Marry the Mole”. Thumbelina gained itself a lifelong reputation by becoming the first animated movie ever to win a Golden Raspberry Award, the Oscar parody where awards are given for the “worst” in cinema instead of the best. It was up against “Under the Same Sun” from On Deadly Ground (1994), and “The Color of the Night” from the 1994 movie Color of Night, which strangely enough was also nominated for a Golden Globe for Best Original Song. It lost to “Can You Feel the Love Tonight” from Disney’s The Lion King (1994). The Worst Original Song category was presented at the Razzies from 1980 until 1999, with one final award presented in this category in 2002 for Britney Spears’ “I’m Not a Girl, Not Yet a Woman” from Crossroads (2002), before the category was retired.

But don’t worry. Thumbelina may’ve been the first animated movie to win a Razzie, but The Emoji Movie (2017) would top it, by winning four Razzie awards, including Worst Picture and Worst Director, so it’s not so bad!

PRODUCTION

I’ve already mentioned some Disney Animation connections in Thumbelina’s voice cast, but there is another more important one, and that is Don Bluth, the writer and co-director here.

Many devout Disney fans view Bluth harshly, with much criticism levelled at him over the years. Clearly Don Bluth is a difficult character in the history of animation but there are two sides to every story. Bluth says that he spent about a year working at the Disney Studios, specifically on Sleeping Beauty (1959), right after he graduated from high school. He then went off to college and returned to the studio in 1971 and worked on Robin Hood (1973). At this time, he met Gary Goldman and John Pomeroy, who would become key collaborators in the years to come. Goldman was the other co-director on Thumbelina, for example. Bluth and others were then asked to work on The Rescuers (1977), but Bluth was starting to feel like they weren’t making great movies at Disney Animation anymore and when younger artists from CalArts arrived, a friction was created between the two “camps” of animators: those younger, new arrivals and these more experienced animators, who were still a level lower on the hierarchy than some of Walt’s “Nine Old Men” who were still working at the studios. Eventually, Bluth found his creativity was being stifled and did not like working with the younger artists so he and his group left the company[4].

Those who were at Disney and continued to remain at Disney after Bluth left tell a different story. Bluth had many creative differences with the team during production on The Fox and the Hound (1981), choosing to resign from the Disney company in 1979 to set up his own company, taking fifteen other animators with him; this was around 17% of the total animation workforce. Naturally, this caused the release date of The Fox and the Hound to be pushed back by six months from Christmas 1980 to Summer 1981[5]. His departure was viewed as being purely down to arrogance at his animating ability, believing himself to be better than the other animators at the Disney Studios, and he was not forgiven for leaving them in the lurch during one of Disney Animation’s most troubling times.

Although Bluth perhaps could’ve picked his timing a little bit better, and maybe had a less dramatic departure, it is a well-known fact that not every animator, talented or otherwise, is able to get on with Disney’s way of making movies. If they do leave, it doesn’t make them bad animators, bad creatives, or even bad people. Just look at Tim Burton. His animation style didn’t gel with Disney and he left the company, doing amazing things thereafter. Whichever side of the story you believe, the basics of it is that, for whatever reason, Bluth left Disney, took his friends with him, and they made their own movies.

Don Bluth and his team now had to learn how to make animated movies on their own, but they were free to do it their way. They first chose to adapt the book Mrs. Frisby and the Rats of NIMH, written by Robert C. O’Brien and published in 1971, for their first animated feature made under the new studio Don Bluth Productions. Bluth made his feature film directorial debut with The Secret of NIMH (1982), which just so happened to be released during Disney’s troubled production on The Black Cauldron (1985). The Secret of NIMH was well-received, putting more pressure on the Disney artists. Bluth’s success and overshadowing of Disney Animation continued with his second movie, An American Tail (1986), another “mouse movie”, released just four months after Disney’s The Great Mouse Detective (1986). It beat out The Great Mouse Detective at the box-office by $22 million. At the time, An American Tail was the highest-grossing non-Disney animated movie in history.

From this point, Bluth and his team went on to make The Land Before Time (1988), at which point the team moved their studio from the US to Dublin, starting the company Don Bluth Ireland Limited, allegedly due to financial concerns. They went on to make All Dogs Go to Heaven (1989) and Thumbelina in Ireland[6].

For Thumbelina, the filmmakers decided to adapt another story, this time it was Hans Christian Andersen’s Thumbelina. The original 1835 tale was titled Tommelise in Danish with “Tomme” meaning inch. It was first published as part of Hans Christian Andersen’s second volume of Fairy Tales Told for Children. It was first translated into English in 1847.

Thumbelina had previously been adapted a few times prior to Bluth’s 1994 movie, including a 1964 Russian movie; a 1992 Golden Films movie; and two anime Japanese films, including the 1992 series Thumbelina: A Magical Story, which was edited into a movie in 1993. Since 1994, Thumbelina has continued to be made into movies, including The Adventures of Tom Thumb & Thumbelina (2002); Barbie Presents: Thumbelina (2009), and even a 2021 short film called Tulip, a modern version of the tale which was shown at the New York International Children’s Film Festival.

Don Bluth’s Thumbelina kept quite closely to the original Hans Christian Andersen tale with some additions and few changes. One of the biggest was that Mrs. Toad in the original story only has one son, and the toads are not singers. Because of the little detail given to these characters in the book, it was decided to make the toads a Spanish singing group, giving Mrs. Toad two other sons and having them travel around on a house boat. Bluth had Charo in mind for the role of Mrs. Toad, and had worked with her before, loving her entertaining personality. When Charo agreed to voice the role, Mrs. Toad was “glammed up” to fit her actual image. Another change was that the Fairy Prince does not appear in the story until the very end of the movie. The two are instantly married and Thumbelina is proclaimed the Queen of all the flowers, given wings and the new name Maia. Random. If audiences were already moaning that Thumbelina and Cornelius fell in love too quickly in Bluth’s film, keeping this original ending would’ve been even more criticised.

There is a swallow in the original tale, but he is not called Jacquimo, is not French, and doesn’t meet Thumbelina until she is shown the “dead” swallow in Mole’s tunnel. Thumbelina does help revive it, and the swallow plans to fly her out of there when spring comes. Spring does come and the swallow flies away, leaving Thumbelina to marry Mole, but he does return for her on the day of her wedding to take her away. Other changes include: only the fish get Thumbelina off the lily pad when she meets the toads; there is no Beetle Ball, although the ugly comments still exist; and Thumbelina approaches Field Mouse for food and is allowed some if she promises to clean Field Mouse’s home and tell her stories, meaning Field Mouse does not save her life in this original story[7].

Thumbelina was probably influenced somewhat by the Disney animated movies of the 1990s, because it is a fairy tale, adapted into a musical, and this was something Disney had a huge amount of success with. Thumbelina’s voice cast even uses five actors who had voiced characters for some of Disney Animation’s greatest movies previously. However, Don Bluth’s An American Tail was also a musical, so this was not the first time he had made an animated musical movie. Thumbelina also uses some early computer animation, something Disney were dabbling with at the time as well. The most obvious use of this is in the opening scene where we follow Jacquimo as he flies through Paris[8]. I was sadly disappointed by the simplistic view of Notre Dame Cathedral in this sequence, but as it is not the focus of the film, I guess it would’ve been pointless to make a completely accurate animation of it. The opening shot of the toads’ houseboat also appears to be CGI.

When Thumbelina was getting ready to be theatrically released, according to an article from the Los Angeles Times in June 1997, Warner Bros., who ended up distributing the movie after Bluth’s deal with MGM fell through due to concerns around the stability of Bluth’s studio, held two separate test screenings of Thumbelina. At the first screening, the movie was shown just as it was and the audience reaction was flat. Sneakily, at the second screening, the movie was played with the Disney logo being shown to the audience at the start. This led to the movie getting a more favourable audience reaction, which proves a bias in society towards Disney and their animated movies, as well as their stellar reputation[9]. Still, it’s a bit sad, really, that other animated studios have to try so much harder to sway public opinion. I’ll admit I’m as guilty as anyone else of favouring Disney though…

RECEPTION

Thumbelina was released in US theatres on 30th March 1994, which is not prime time for new movie releases, especially not those geared towards children. It appears that Thumbelina was meant to be released by MGM during Thanksgiving in 1993, but their distribution did not go ahead, and Warner Bros. stepped in instead.

Thumbelina was released alongside the Animaniacs short I’m Mad (1994), however, this was seen by some reviewers to have been better than Thumbelina. Animaniacs (1993-98) was an animated series about the three Warner siblings who live in the water tower at Warner Bros. Studios. I’m Mad later aired as part of Season 2 of the series. Although Don Bluth had been competitive with Disney back in the 1980s, his movies since All Dogs Go to Heaven (1989) had struggled against the movies from the Disney “Renaissance Era”, and Thumbelina was included as one of those that was “not good enough”.

Others also said Thumbelina was odd, unexciting, a Disney “copycat”, and a “fever dream”. I will admit Thumbelina is a strange story, but that’s because Hans Christian Andersen wrote it that way, not because of how it was adapted. Some said Thumbelina was a bit too pathetic; she may seem like that in comparison to Disney’s Belle or Ariel, who are quite brave and resilient. Despite the big names in the voice cast, they were seen to have had their talent wasted, perhaps because it was said the plot was rushed and muddled, with some of these characters not getting enough screen time. Something that I do agree with is that there were some racial stereotypes in Thumbelina. I don’t believe it was meant to be offensive to anyone, but I see how it could be to some.

Then again, Thumbelina does have its fans, especially those who loved it as a child. In particular, the songs are seen to be catchy and some of the animation was praised, such as the swopping CGI sequence, and all of “Let Me Be Your Wings”. Others said Thumbelina was not the best animated movie, but that it is better than the negative reviews say.

Perhaps if Thumbelina had been released in 1993, a year when Disney Animation did not release a new movie, it may’ve done a bit better, however, in 1994, Disney Animation released The Lion King, a movie still loved three decades later and a favourite of many. In fact, The Lion King topped the worldwide box office in 1994, with the No. 2 spot going to multiple-Oscar-winning movie Forrest Gump. Thumbelina only took in around $17 million against a reported budget of $28 million. The movie would obviously come to VHS over the coming years though where it would find an audience. Around 2002, distribution rights were moved over to 20th Century Fox Home Entertainment, allowing it to be part of the same “family” as another of Don Bluth’s movies: Anastasia (1997).

LEGACY

Although Thumbelina was not particularly well-received, there does appear to have been some merchandise that was available to purchase around the time of the film’s release, including movie posters, books, and a play figure set, as well as dolls of Thumbelina and Cornelius. There is also a piece of “lost media” relating to Thumbelina and that is the 30-minute behind-the-scenes documentary Back to Enchantment: The Making of ‘Thumbelina’ that never appeared on a DVD release and is unavailable to view online.

But the biggest continuation of Thumbelina’s legacy comes from Disney’s purchasing of 21st Century Fox for $71.3 billion on 20th March 2019. Disney now owns Fox’s entire TV and film libraries, from the likes of 20th Century Fox, Fox Searchlight, FX, and National Geographic[10]. This has opened up a huge catalogue to viewers who otherwise may not have ever watched these series or films. The purchasing of 21st Century Fox is why Thumbelina appears on Disney+, despite it not being a Disney movie. Disney+ now contains all sorts of movies and programmes, like The Simpsons (1989-present) and the Ice Age film series, because they were made by Blue Sky Studios, Fox’s animation company.

Despite Disney buying up 21st Century Fox, and other companies, it is important to differentiate what Disney actually made themselves and what they have simply purchased, to give proper credit to those who made it.

FINAL THOUGHTS

The tale of Thumbelina is a strange one, but one that tells you that regardless of personal circumstances, you can achieve in life, especially when you believe that anything is possible.

Unfortunately, Thumbelina did not become a major part of animation history, being dwarfed by Disney’s The Lion King. No movie in the world could’ve competed against that; it was unlucky timing for Thumbelina.

However, the obvious bias towards Disney animated movies would not have helped either. At the time, Thumbelina was discarded because it was not from Disney, and yet nowadays, we have people believing that Thumbelina is from Disney, just because it is an animated musical story. It irritates me when the tiniest bit of research can correct these statements, but the same falsities then become “truths” to some. It’s important that we give credit to the filmmakers who make the movies we watch. In the case of Thumbelina, that was Don Bluth and his team.

It’s also important to remember that not everything Disney make is wonderful, and not everything any other animated studio makes is awful. We should be able to make a judgement on whether we like something based on how it makes you feel and what you get out of it, not simply because of the name attached to it.


REFERENCES

[1] Credit: Black Case Diaries, ‘The Case of Don Bluth’, BlackCaseDiaries.com, 16th April 2024.

[2] Credit: Bob Strauss, ‘Manilow Follows Heart To Score Movie’, Deseret.com, 20th April 1994.

[3] Credit: Credit: Bobbie Wygant, ‘Don Bluth “Thumbelina” 1994 – Bobbie Wygant Archive’, The Bobbie Wygant Archive YouTube Channel, uploaded 17th April 2021.

[4] Credit: Jim Korkis, ‘In His Own Words: Don Bluth on His Early Career’, CartoonResearch.com, 3rd September 2021.

[5] Credit: Jim Korkis, Everything I Know I Learned from Disney Animated Feature Films (2015), ‘The Fox and the Hound (1981)’, pp. 70-72.

[6] Credit: Carlos Aguilar, ‘Don Bluth made animation history by leaving Disney. Looking back, he has no regrets’, LATimes.com, 21st August 2022.

[7] Credit: BBC Bitesize, ‘English KS1 / KS2: Tales of Hans Christian Andersen – 1. Thumbelina’, BBC.co.uk, date unknown.

[8] Credit: Bobbie Wygant, ‘Don Bluth “Thumbelina” 1994 – Bobbie Wygant Archive’, The Bobbie Wygant Archive YouTube Channel, uploaded 17th April 2021.

[9] Credit: Michael Lyons, ‘Small World: The 30th Anniversary of “Thumbelina”’, CartoonResearch.com, 1st March 2024.

[10] Credit: Emily St. James, ‘Here’s what Disney owns after the massive Disney/Fox merger’, Vox.com, 20th March 2019.

Sneakerella (2022)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. PRODUCTION
  5. MUSIC
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

The story of Cinderella is incredibly well-known and has become one of the most adapted stories of all time, with new versions popping up every few years.

Disney has created three popular versions of the tale of Cinderella alone, with their 1950 animated version still being watched decades after its release. We also have the 1997 version starring Brandy, based on the Rodgers and Hammerstein musical, along with the 2015 live-action remake, with Lily James in the title role.

Outside of that, there are various other studios who have adapted the story of Cinderella in both modern and traditional ways, such as Ever After (1998), Amazon Studios’ Cinderella (2021), Hilary Duff’s A Cinderella Story (2004), which spanned a film series of five other movies, and even Maid in Manhattan (2002) starring Jennifer Lopez.

Versions of Cinderella have to have some sort of twist now to keep the viewer interested because it’s been done so many times before. In the case of Sneakerella, Disney once again looked at adapting Cinderella, but this time, they were going to do something different: a gender swap. You’ve got it; Cinderella became a boy named El – not Sneakerella, that would be too random a name for audiences to get on board with – who is an aspiring sneaker designer and stock boy at his mother’s shoe store, and Prince Charming turned into Kira King, the daughter of a basketball legend with his own business empire.

There haven’t been many versions of a gender-swapped Cinderella movie before, with one being Cinderfella from 1960, starring Jerry Lewis in the lead role. You could also technically look at the story of Aladdin, at least Disney’s version of it anyway, as being a take on Cinderella with the gender roles reversed.

Sneakerella promised to do things differently though, by being a modern version of the story. There are no royals here, not in the literal sense, nor do we have talking animals and pumpkin carriages. All those iconic moments of Cinderella are instead grounded in reality, to make Sneakerella feel real. And I think it worked. Although I don’t know much at all about “sneaker culture” – people who have a deep love of sneakers – outside of watching Air (2023), the movie all about the original Air Jordans and how they came to be, I liked the gender swap in Sneakerella and I felt that it was an appropriate retelling of the story for young people of today.

As an adult though, with little to no interest in shoes, especially sneakers, or trainers as I call them, Sneakerella was just ok for me. I like the story of Cinderella, having watching numerous versions of the story on screen, and I was pleasantly surprised to find Sneakerella was a musical. My biggest issue was just how long Sneakerella was. I wasn’t particularly looking forward to watching it, and if I have to watch a movie I’m not sure about, I want it to be 90 minutes or less. Sneakerella was closer to two hours, which made the story drag, especially in the last half an hour or so, sadly.

PLOT

Sneakerella begins in the Queens borough of New York City, where El, now living with his stepfather and two stepbrothers after his mother died, works as a stock boy in his mother’s old shoe store, Laces. El’s stepfather, Trey, has taken over the running of the business, but finds it very stressful balancing that along with regular family life. Trey prioritises the needs of his children, Zelly and Stacy, over El, making El work extra shifts should those two not feel like working that day or have other plans, even if El may have plans of his own.

On a day just like that, El does have plans, to go to a sneaker launch with his friend Sami, but he is told to work in the store, making sure it is clean and tidy, ready for Trey to have a meeting there at 7pm that night. El pretends to start work, but as soon as Trey, Zelly, and Stacy have left to go about their days, El simply switches the sign on the shop door to say “Closed” and catches the train into Manhattan with Sami, almost missing it as El couldn’t not help neighbour Gustavo carry soil to the community garden.

On the train, El and Sami discuss their excitement at buying this exclusive pair of sneakers, with the two seemingly planning to share them as they are pricey. Sami then talks about the sneakers she’s wearing, which have a fingerprint stain on them. El starts to customise her sneakers on the train. El wants to be a sneaker designer, even drawing designs in his spare time. Sami is overjoyed with her new shoes, and the two head to the sneaker launch. There, the two see a huge line to get into the store to purchase the shoes, and are accused of cutting in line when they mistakenly believe they are at the end of the line and in fact are not. The girl stood by them lets them in the queue next to her, pretending that El is her cousin. The girl introduces herself as Kira and the three talk about their love of sneakers, with Sami mentioning that El has a “superpower”: he can know details about people just from looking at their shoes. Kira demands to see the “sneaker psychic” in action and El manages to correctly deduce information about two people. Kira is impressed.

However, the group soon find that these limited-edition sneakers are all sold out, and to make things worse, El and Sami are rumbled by people further back in the queue, as they notice that Kira and El are not cousins so they did cut in the queue. The three split up, with Sami heading away from the group of chasing guys on her skateboard, and El taking Kira to the nearest train. They all manage to get away safely. El then decides to show Kira around Queens, taking her to restaurants and to meet his neighbours. They end up at a huge spray-painted mural which has been added to over the years. El encourages Kira to paint something on there. Kira sprays a simple white frame and takes a photo of the two of them inside it, so she can remember this day. As the two talk about El losing his mum and their connection through a shared love of shoes, Kira asks El to do a “reading” of her from her shoes. El says, to be honest, her shoes are quite basic and don’t say much about her at all. Although most people would probably be offended by being called “basic”, Kira laughs it off. As El and Kira lean in for a kiss, Kira’s phone starts ringing, and El realises it’s 7:25pm – he’s late and never cleaned up the shop! El rushes away to get home.

At the store, Trey is naturally furious with El for shirking his responsibilities, and for ignoring the fact Trey had an important person coming for a meeting there. He is given all next week’s shifts and is grounded as punishment, much to the delight of Zelly and Stacy. The stepbrothers then show El that they’ve left the store room in complete disarray for him to clean up too! As El tidies up, he remembers all the memories with his mother in the store, from the positives of his mother teaching him all about shoes, to the negatives of his mother’s illness and eventual death… El really misses his mum right now.

Kira returns home late as well, having missed dinner and a meeting about “gala prep”. Kira is the daughter of former basketball player, now sneaker entrepreneur Darius King. Kira’s sister, Liv, starts discussing how they need to get their sales figures up and believes the way to do that is by releasing a whole new design at Sneaker Con. Liv believes sleeks, a thinner, cleaner design of sneaker, are the way to do this, having done copious amounts of research on the market. Kira, however, thinks they need to find a new designer, someone who will push boundaries, to design their new shoe. Darius isn’t so sure, but tells Kira if she can find an experienced designer by the night of the gala, they will go with that.

The next day, El and Sami realise that the girl from yesterday was in fact Kira King, after seeing a photo of the King family on the front of the newspaper. El is horrified at learning he dissed the shoes of someone so famous! Sami tells him not to worry and starts planning a way for them to get into the King gala so the two can meet up again. Sami says they can sneak in through the service entrance, disguised as waiters, since she knows two people who will be working there that night. Before El can get excited about this plan, he realises something is going on with Trey. Trey says he’s tried everything to make the store a success, bringing in new styles, but it hasn’t worked so he’s planning on selling the store, potentially to Foot Locker. El is devastated, as this is his mother’s store and wants to keep it open, but Trey tells El this is the real world, and hard decisions have to be made sometimes.

Later that night, El discovers old tools in the store, along with his old sneaker designs. He begins to design and make his own pair of sneakers, planning to wear them at the gala. On the night of the gala, El inadvertently makes his stepbrothers suspicious by making dinner for them and generally being overly nice. They spot El trying to leave the store and lock him in the store room. El tries to leave through the back shutters, but his brothers lock those too; El is trapped. El knows he’s running out of time to get to the gala but doesn’t know what to do. As he sits up against a drawer, and whacks his head against it in frustration, lines from his designs magically fall off the piece of paper and float across the street. Suddenly, Gustavo appears and opens the shutters to let him out. He knows El has somewhere important to be, and tells him to put on his new sneakers. Sami then arrives to tell El they’ve missed their lift to the gala. Gustavo offers them the use of his orange classic car and tells them to go to the gala, but to return by midnight. El and Sami head off.

At the gala, El and Sami are asked for tickets and magically El realises he has two in his jacket. They are allowed inside. El says he has to find Kira, leaving Sami to enjoy all the hors d’oeuvres that waiters bring by her! Sami is then approached by two guests, who ask about El and his fancy sneakers. Sami lies and says El is a very famous designer but can’t possibly give them any more details about his career, which leads to the guests asking everyone else at the gala if they know anything about this designer. Word gets around quickly. El eventually finds Kira, who is happy to see him again. Kira takes El to the King “Sneaker Hall of Fame”, and El geeks out over all the exclusive sneakers. El then shows Kira his sneakers and she realises he must be the designer everyone is talking about at the party. El pretends to be a famous designer like they all say. Thinking El can be the King brand’s new designer with all his experience, Kira wants to introduce El to her father, but he notices it is already midnight, meaning him and Sami have to leave. Confused, Kira tries to run after him, but after a chaotic escape, all El leaves behind is one of his shoes, which became stuck on an escalator. Kira shows the sneaker to her father, who wants to chat with this designer. Kira tells her sister that she doesn’t have his number. Liv decides to help her find him, via a huge social media campaign, dubbed #wheresmyprince.

Outside the gala, El and Sami see their car being towed away; they were too late leaving. El then gets angry at Sami for feeding those rumours about him being a famous designer. Sami simply says it’ll all work out and personally, she thinks he could be a famous designer anyway. The next day, Sami chastises El for not responding to Kira’s social media campaign. He says he’s scared about his lies getting out and hurting her. Sami says he shouldn’t be scared, and the two take a photo of El’s other sneaker at the mural where Kira painted that frame all those days ago. They send it to Kira, who calls them, asking if El will have a meeting with Kira’s father. El agrees to it.

What El doesn’t realise is that his stepbrothers have heard El and Sami talking about how El is going to be the next big designer for Darius King out on the street. They can’t let that happen, and search El’s room for the shoe. They can’t find it, but soon discover it in the secret closet with all the old tools. The two steal it and take it to Darius King, telling him that El isn’t a designer at all, but just a stock boy at his mother’s shoe store.

On the morning of El’s meeting with Darius, he oversleeps and finds his sneaker has gone. Sami tells him to go without the shoe and to bring his new designs instead. However, as El arrives at the King office building, he sees Zelly and Stacy leaving; he knows something’s wrong. When El gets to the meeting room, he sees that Kira is upset, knowing that El lied to her about his design experience. Darius King talks to him and says he is simply a scammer, trying to use Kira and the family brand for fame. El is warned to stay away from all of them. El then learns back home that the store has sold and they will be moving away, back to New Jersey where Trey and his family previously lived. As El throws out all his designs, the design that he had created for a potential Sneaker Con shoe blows out of a bin and makes its way over to Gustavo.

On the day of Sneaker Con, El wakes up to see his design is now an actual pair of sneakers. How did that happen?! El sees his stepbrothers loading up the removal van as they are moving that day. El sees Sami on the street and asks her to stall his brothers so he can get out of the house without being seen. Sami happily obliges, giving El a head start to the King Sneaker Con launch, but it’s not long before Kelly and Stacy realise that El has left the house and know where he must’ve gone. They commandeer the moving van, telling their father not to worry. Trey is confused and annoyed at his sons for doing this. Sami tells Trey that he needs to see El as the talented kid he really is and tells him where they’ve gone.

El arrives at the King sneaker launch just as Darius is doing a musical performance. El shows Kira his newly designed shoes and apologises to her for what happened. Kira apologises for putting pressure on El to lie about his design experience. Kira then convinces her father to let El tell his story to the crowd. As El starts to talk about what happened, Zelly and Stacy arrive, once again reiterating that El is nothing but a fraud, however, they are stopped by Trey. Trey apologises to El for being so hard on him since his mother’s death and for not understanding how much the store and designing meant to him. He asks for a second chance at being a father to El. El accepts. Darius King then announces that El will be the new designer for the King sneaker brand.

The movie ends one year later, where we see that El and Kira are now a couple and El has been able to keep his mother’s shoe store, renaming it “El-evate”. He sees that he is now inspiring others with his shoe designs and is happy that he finally fulfilled his dream, as well as continued his mother’s legacy.  

CHARACTERS & CAST

El is struggling with his family life, now that his mother has died and he’s been left to fend for himself, with a stepfather and two stepbrothers who don’t seem to care at all about him. El is forced to work exceedingly long hours at his mother’s shoe store, but in actual fact, he doesn’t want to be selling shoes; he wants to be making them. Although he has had some experience in customising his own sneakers, and Sami’s, El has no real design experience and doesn’t seem to have ever made his own pair of sneakers. It’s not until he meets Kira King that he wants to show off his talent, whether to impress her or to make some use of her father’s connections – or a bit of both – I’m not sure. But El does design a pair of sneakers that gets people talking and he starts to think this might be the making of him. Sadly, his stepbrothers come in to ruin his opportunity, and El starts to lose faith in his ability. Thanks to friend Sami and neighbour Gustavo, who push him to take advantage of his talent, El plucks up the courage to apologise to Kira and Darius King, revealing that he is a good person with genuine talent and belief, allowing El to get his dream of being a real sneaker designer.

Chosen Jacobs was cast as El. Jacobs had previously appeared as Will Grover in a few episodes of Hawaii Five-0 (2010-20) before landing the role of Mike Hanlon in horror movie It (2017), reprising his role in It Chapter Two (2019). After Sneakerella, Jacobs went on to be cast as Frankie in the Netflix film Purple Hearts (2022) and Alex in the Hulu original film Darby and the Dead (2022).

Helping El overcome a lack of confidence is his best friend Sami. Sami is a very loyal friend who is always there for El and has his best interests at heart, even if that means pushing him to do something difficult or uncomfortable, such as planning to attend the King gala and making El respond to Kira’s social media campaign, despite El’s worries about how his lies may backfire on him. Those lies did in fact backfire on El, but Sami was there to tell him how much she believed in him and his talent, making him think that he could go to the King Sneaker Con launch to make things right, even providing the diversion to get him there.

Sami was played by Devyn Nekoda, who had previously been cast as Mackenzie in the DCOM The Swap (2016). Outside of Disney, Nekoda was cast as Anika in Scream VI (2023) and as Sage 5 in sci-fi series Utopia Falls (2020). She also appeared as Riley in Season 1 of Netflix’s Ginny & Georgia (2021-present).

Also there to help El, in some quite magical ways, is Gustavo, El’s neighbour. Gustavo is El’s “fairy godfather”. It’s not specifically shown that Gustavo has magic, as in he doesn’t cast spells or anything, but he always shows up at just the right moment, like when El is trapped in the store on the night of the gala. Apparently, some drawings leapt off their page and flew across the street, alerting Gustavo to the fact El was stuck and needed help. Gustavo also happens to have a car to give to El and Sami, tells El to put on his fancy shoes for the gala, and then seems to make El’s Sneaker Con design a reality at the end of the film. Having seen El’s mother succumb to illness, Gustavo clearly has some sort of feeling of responsibility to look after El and keep him safe and happy in his difficult family situation, however, he doesn’t make this too obvious and it’s not entirely clear whether El is aware of Gustavo’s “influence” or whether he thinks everything is purely coincidental!

Juan Chioran was cast as Gustavo. Although Chioran has primarily acted on stage and not on screen, with roles in many productions over the years at the Stratford Festival, held in Stratford, Ontario in Canada, winning a Gemini Award for his 2000 performance as Count Dracula in Dracula: A Chamber Musical, Chioran may be familiar to Disney Channel fans from playing the role of Francobollo Garibaldi, Galleria’s father, in The Cheetah Girls (2003). He also has experience in voice acting, recently voicing the recurring role of Señor Tapir in the PBS Kids series Elinor Wonders Why (2020-present).

Then we have El’s love interest, Kira King. Kira doesn’t seem to fit in well with her superstar family, as we see when Kira is stood in line like an ordinary person to try and buy sneakers from her own father’s brand. She doesn’t want handouts and she’d rather not have people know she is the daughter of Darius King in case it changes someone’s opinion of her. This is why she doesn’t reveal this to El when they first meet. Kira wants her father’s sneaker brand to be more about sneakers that tell a story instead of just being plain ones that can make a lot of money, whereas her sister, Liz, is focused on finding a style that will sell. Kira is ecstatic when she “discovers” that El is an experienced sneaker design, because not only does she like him, but he’s just the type of person she promised her father she could find before Sneaker Con, to give them a better design than Liv’s boring sleeks. Kira is devastated to learn that El lied about his sneaker experience, but she soon realises that the pressure she felt to find a great designer for the company led to her putting pressure on El to lie about who he was. Kira takes some responsibility for what happened between her and El, so when they make up, she convinces her father to listen to El’s apology and his story.

Kira was played by Lexi Underwood. Prior to Sneakerella, Underwood was cast as Pearl Warren in the Hulu series Little Fires Everywhere (2020), which starred Reese Witherspoon and Kerry Washington. She went on to portray Malia Obama in the series The First Lady (2020). More recently, Underwood starred as Isabella LaRue in Season 2 of the series Cruel Summer (2021-23). Kira’s sister, Liv, was played by Robyn Alomar, who had previously been cast as Aliyah 5 in Utopia Falls (2020).

Kira’s father is Darius King. Darius was a former basketball player and has now started a sneaker “empire”, creating a huge brand which is popular with many sneaker fans, with El and Sami being two of these fans. Darius isn’t shown to be a money-crazed entrepreneur, and instead, encourages his business to be run as a family enterprise, with everyone having equal say, which is why he allows Kira the opportunity to find a designer to come and work with the brand, to give their sneakers some much-needed expression. After being informed that El, Kira’s chosen designer, lied about his experience, due to Darius’ protective nature, he tells El to stay away from his family, not wanting them to be duped by a “scammer” and a fraud. Darius is, quite rightly, sceptical of El’s motives for getting close to his daughter, believing that El wants fame, but by the end of the film, Darius learns that is not the case and sees El for the talented designer he is.

Darius King was played by former professional basketball player John Salley, whose career ran from 1986, when he was drafted by the Detroit Pistons, and ended in 2000, retiring after a spell with the Los Angeles Lakers. During his basketball career, Salley became a four-time NBA champion, being the first player in NBA history to win championships with three different teams. After basketball, Salley turned to the screen, as other basketball players have also done, being cast as Fletcher in the movie Bad Boys (1995), reprising the role in 2024 for Bad Boys: Ride or Die. He also came in third place in the US version of the reality series I’m a Celebrity…Get Me Out of Here! back in 2009.

For El’s stepfamily, we have Trey, the stepfather, and Zelly and Stacy, the stepbrothers. Trey doesn’t mean to be cruel to El with his work in the shoe store; he is simply stressed and overworked trying to keep the store afloat now that he is running it single-handedly without El’s mother. He tells El that his sneaker designing dreams are just a folly and that El needs to start living in the real world. Things between the two of them really hit rock bottom when Trey says he is selling the store and moving all of them back to New Jersey, much to the delight of Zelly and Stacy who apparently hate living in Queens. Zelly and Stacy don’t initially seem to be “wicked” stepbrothers, however, their villainy progresses beyond just messing up the store room for El to clean up and generally seeming to ignore El and his needs. Instead, they go out of their way to ruin El’s chance of being a designer for King just to make him miserable. Stacy seems to be the mastermind behind these schemes, being the brother with the brain, whereas Zelly is the “less smart” one who goes along with whatever Stacy says. In the end though, Trey learns of El’s talent and stops his sons from ruining El’s opportunity. It’s not clear whether the four of them become “one big, happy family” because we don’t see it, but I’m sure Trey now keeps his sons in line.

Trey was played by Bryan Terrell Clark, who has been cast in the recurring roles of Pastor Logan in Season 2 of Snowpiercer (2020-24) and as Dr. Dermatologist in Hulu’s Saint X (2023). He also appears as Mr. Tea in the series Diarra from Detroit (2024-present). Hayward Leach was cast as Stacy. Leach played Freddie in Season 2 of Love Life (2020-21) and went on to appear as Roy in Elsbeth (2024-present). Kolton Steward was cast as Zelly. He had previously played Jarvis in the Canadian sitcom Some Assembly Required (2014-16), and appeared as Owen in the DCOM The Swap (2016), going on to play the role of Tyson in the Disney sequel Disenchanted (2022). Steward currently voices Rory in the animated Netflix series Unicorn Academy (2023-present).

PRODUCTION

The start of production on Sneakerella was announced in October 2020, where the three main actors, of Chosen Jacobs as El, Lexi Underwood as Kira, and John Salley as Darius King, were announced. A brief plot of the film was also described, and an expected premiere date was set to be sometime in 2021[1].

Because filming began at the end of 2020, although clearly the film industry was back at work by then, the cast and crew would’ve been required to comply with certain restrictions due to the ongoing COVID-19 pandemic. This included crew members wearing masks and face coverings, and cast having to do so when not on camera. Social distancing and ways of restricting contact with those outside of production were likely enforced too. It was also the case that cast and crew could not explore the surrounding areas properly either. Devyn Nekoda is from Ontario and she stated that she was disappointed that she was unable to show her American castmates the area properly whilst they were filming there, meaning they spent their downtime mostly hanging out in their apartments together[2].

Specific filming locations in Canada used for Sneakerella include the Hamilton International Village District, with its shops and city blocks being repurposed to look like the Astoria neighbour in Queens, New York City, where El and his stepfamily live. King Street East in Hamilton, Ontario was reportedly used as the location of the big street art mural that El takes Kira to on their afternoon in Queens together[3]. The Bay Adelaide Centre in Toronto appears to have been used as the location of Darius King’s business headquarters[4]. Due to the fact that Sneakerella’s production took place in Canada, but the story is set in New York City, some CGI enhancement was likely used to represent certain areas of the famous city. To be honest, when watching Sneakerella, I quite easily believed it was filmed in New York, although admittedly I have never been to either New York City or any part of Canada. I’m sure anyone familiar with either place would’ve easily known the truth of its filming locations.

Sneakerella was directed by Elizabeth Allen Rosenbaum, who had previously directed the movie Ramona and Beezus (2010), which starred former Disney Channel actress Selena Gomez, and some episodes of Pretty Little Liars: The Perfectionists (2019), which featured Descendants star Sofia Carson. Rosenbaum and Carson worked together again for Netflix’s 2022 movie Purple Hearts.

The writers of Sneakerella came from a variety of places. Two of these were from the world of the DCOM, these being David Light and Joseph Raso who worked on the first three ZOMBIES films. Another screenwriter was Tamara Chestna, who had previously co-written the screenplay for After (2019), the first in a series of movies based on the novels by Anna Todd. Chestna is also set to be a writer for the upcoming fifth instalment of Disney Channel’s Descendants franchise. The other writers on Sneakerella were Mindy Stern, and George Gore II, who is perhaps best known for his role as Michael Kyle Jr., or just Junior, in the sitcom My Wife and Kids (2001-05).

Continuing in the pattern of having crew that have history with either Disney Channel or teen dramas, Jane Startz, who produced the film Ella Enchanted (2004), itself a take on the traditional Cinderella tale, was a producer on Sneakerella, as was Rachel Watanabe-Batton, a producer on the Mr. T series I Pity the Fool (2006). From the world of musicals, Christopher Scott was another credited producer, who was a choreographer on In the Heights (2021) and even Wicked (2024). Scott was also a choreographer on ZOMBIES (2018) for Disney Channel. The choreographers on Sneakerella were Emilio Dosal and Ebony Williams, who both worked on In the Heights, the film adaptation of the stage show.

Although Disney and musicals were a key part of Sneakerella’s production, another important feature of the movie is, of course, “sneaker culture”. I had very little prior knowledge of sneaker culture before watching Sneakerella, other than the fact I knew exclusive, limited-edition sneakers were bought and sold, and that Nike fought to have Michael Jordan sign with them to create the famous Air Jordans. I had to do some research.

The origin of the sneaker goes back to the 1860s where in England, they were used for the sports of tennis and croquet. Their use was entirely functional and had nothing to do with fashion. Sneaker culture likely began with the rise of athlete-endorsed shoes in the 1970s and 1980s, with the most popular designs on the basketball courts being Puma, Adidas, and Converse around this time. In 1985, the public release of Nike and Michael Jordan’s sneaker collaboration, the Air Jordans, was the biggest thing to transform sneakers. Despite only being a rookie on the basketball scene at this time, Nike and Adidas fought for Jordan to sign with them. Eventually, Nike won and Jordan signed a five-year, $2.5 million endorsement deal with them. Nike were incredibly radical with their design because NBA guidelines stated that sneakers had to be 51% white to be used on the court for games. The Air Jordans were actually “illegal” shoes, with mostly red and black colouring. Nike chose to pay the $5,000 fine that was set for any players that came on to court with shoes that went against the guidelines rather than change their design. Luckily, it paid off for everyone involved, because Michael Jordan became one of the best and most famous basketball players in the world, with his sneakers following suit.

It wasn’t only basketball and sports stars that contributed to this culture either. Hip-hop was a contributor as well. Hip-hop group Run-D.M.C. released the single “My Adidas” in 1986, which led to them having an endorsement deal with the brand. Kurt Cobain of Nirvana later made Converse a symbol of youth and rebellion. Other celebrity and luxury brand sneaker collaborators led to further hype with their limited-edition releases. By the mid-2010s, sneakers had become a status symbol. Singer Drake even commissioned a one-of-a-kind pair of Air Jordans in 2016 that were wrapped in 24-carat solid gold[5].

Sneakers aren’t only about collections now; they are supposed to tell a story about yourself, this being something that El is a clear believer in, as is his friend Sami. El even likes to guess people’s personalities from their shoes. Sneaker culture has also built a community for some sneaker lovers, and I learnt that Sneaker Con is a real thing, not something that was made up for Sneakerella. Sneaker Con was founded in August 2008, by Alan and Barris Vinogradov and Yu-Ming Wu. Its inaugural event took place in Times Square Arts Center in New York City, hosting over 3,000 people in March 2009. Sneaker Con now goes all over the world, having had events in cities outside the US, like London and Sydney[6].

Even with all that talk of sneakers, Sneakerella doesn’t forget to honour its fairy-tale source material. During the opening song of Sneakerella, “Kicks”, bubbles appear during the sequence. This a nod to the song “Sing Sweet Nightingale” from Disney Animation’s Cinderella (1950) where Cinderella sings whilst cleaning, and bubbles form around her, showing her image inside of them. The orange convertible that El and Sami are given by Gustavo to get to the gala has this license plate: PMPKN XPRS, as in “pumpkin express”, which is a clear reference to Cinderella’s famous pumpkin carriage. There is also a brief glimpse of graffiti art versions of two of the bluebirds from Cinderella as El is making his “glass” sneakers for the gala. Speaking of these sneakers, with their plastic soles meant to resemble the original glass slippers, they were designed by Eske Schiralli, a designer who founded his own footwear and garment design house, Mad M.F.G. in 2017 and has collaborated with Adidas and Nike, as well as Disney now[7]. The famous clip from Cinderella of the glass slipper being placed on Cinderella’s foot in the animated movie can also be seen during Kira’s social media campaign to find her prince. Finally, some of the character names reference the 1950 movie, such as Trey being a shortening of Tremaine, like Lady Tremaine, Cinderella’s stepmother; and Zelly and Stacy being shortened versions of Drizella and Anastasia, Cinderella’s stepsisters[8].

MUSIC

Much like other versions of the Cinderella story on screen, Sneakerella was a musical, although due to its modern setting, its music is heavily based in R&B, hip-hop, and rap, unlike the majority of other Cinderella movie musicals. Many of these songs go alongside big dance numbers, featuring dance styles like hip-hop and breakdancing, which is quite different to most other Cinderella adaptations too.

The opening song of Sneakerella is “Kicks”, which introduces us to the character of El, as well as his neighbourhood, and the collective love of sneakers within the community. I liked “Kicks” in terms of it being a good opener for the audience. A brief snippet of “Kicks” is also used in the End Credits. I did find that it sounded kind of similar to the music in Disney Channel’s ZOMBIES and Descendants movies. This was a thought I kept returning to throughout Sneakerella. “Kicks” was performed by Chosen Jacobs as El, and was written by Antonina Armato, Tim James Price, Thomas Armato Sturges, and Adam Schmalholz.

Following on from that, we have “Best Ever”, which is performed by Jacobs as El and Lexi Underwood as Kira. “Best Ever” is the song used when El takes Kira to Queens and shows her around his neighbourhood, before ending their day at the street art mural. This is the first hint that Kira and El are falling for each other. There is a reprise of this song just a bit later, as they sit by the mural. “Best Ever” and its reprise were written by Clyde Lawrence, Gracie Lawrence and Jordan Cohen.

After that great day with Kira, El comes back to find that his stepfather is angry at him for not cleaning up the shoe store. At this point, El sings the song “In Your Shoes” as he thinks about all the memories he had in this store with his mother, going from happy moments to the saddest, most painful ones as his mother succumbs to illness. This song was quite moving, in part for the music itself, as well as for the flashbacks that are shown on screen of El’s life with his mother. “In Your Shoes” was written by William Behlendorf, Jason Mater, and Brandon C. Rogers.

A more positive song, “Work Up”, also performed by Jacobs as El, follows this a few scenes later, as El makes his own pair of sneakers for the King gala. This was an upbeat, hip-hop-style piece, showing that El finally has some confidence in himself and he’s going to achieve his dream of being a sneaker designer. A brief snippet of “Work Up” is used in the End Credits. “Work Up” was written by Anthony Ferrari, Sean Turk, and Dewain Whitmore.

One of the most well-known songs from Disney Animation’s Cinderella is “Bibbidi-Bobbidi-Boo”, where Cinderella’s Fairy Godmother gets her ready for the ball. Sneakerella has its own version of this, “Life Is What You Make It”, where Gustavo, El’s “Fairy Godfather”, helps him and Sami get ready for the gala, giving them new clothes and even a car to get them there. To be honest, I didn’t like this song much, feeling that it went on a bit long and took away from some of the urgency about getting to the gala. It was performed by Juan Chioran as Gustavo, Devyn Nekoda as Sami, and Jacobs as El. “Life Is What You Make It” was reprised at the very end of Sneakerella as we see how everything ended up for El, as well as being used for the beginning of the End Credits. It’s another big dance number here too. This song was written by Tora Litvin and Doug Rockwell.

There was actually a song from Disney’s 1950 Cinderella that was adjusted to fit into Sneakerella. This is “A Dream Is a Wish Your Heart Makes”, which was originally written by Al Hoffman, Jerry Livingston, and Mack David. It is used for the scene where El and Kira see each other at the gala, and there is even a contemporary dance that the two do together, although this is seemingly shown to be a daydream. Personally, I prefer the original version of “A Dream Is a Wish Your Heart Makes”, but it was an interesting, modern update to it. This song was also remixed, although this does not feature in the movie, only on the soundtrack.

After the gala, where El left Kira without an explanation or talking to her father about his sneakers, Kira and her sister have a plan to launch a social media campaign to “find” El and get him to meet her to discuss his sneaker designs. The song used for this scene is “Perfect Fit”. Again, this wasn’t the best song from the movie for me. It was performed by Lexi Underwood as Kira, and Robyn Alomar as her sister, and it was written by Greg Bonnick and Hayden Chapman.

Following on from that, El’s stepbrothers Zelly and Stacy learn that El is close to becoming a famous sneaker designer, and out of jealously and a desperate need to get their father to move them back to New Jersey, the brothers launch a plan to ruin El’s life by stealing his “glass” sneaker and telling Darius King that El is a fraud, and not a designer at all. The song Hayward Leach and Kolton Stewart perform here as Stacy and Kelly is “Shut It Down”. I actually quite liked this song, probably because it was the “villains’ song”. “Shut It Down” was written by Farrah King.

The final song to appear in Sneakerella is a rap battle simply titled “Finale”. This shows El trying to convince Darius King about his potential to be a great designer for his business. There is a bit of back-and-forth between the two, before Kelly and Stacy burst in to call him a fraud, with Trey, El’s stepfather, telling them to back off as he apologises for not paying enough attention to El’s life and wanting to be a better father figure to him. I probably would’ve preferred this whole tie-up of the storyline to have taken place through dialogue and not a rap battle, but that’s just me. The rap battle suits the musical styling of the movie. “Finale” was written by Theron “Neff-U” Feemster, Jordan Power, and Frankie “Rank” Wood.

Theron “Neff-U” Feemster also wrote another song for the Sneakerella soundtrack, and performed it alongside Julia Pratt. This song is “Fly Higher”, which was not used in the film.

The score was composed by Elvin Ross, who has collaborated with Tyler Perry on the music for some of Perry’s projects, including the sitcoms Tyler Perry’s House of Payne (2006-25) and Meet the Browns (2009-11).

Sneakerella did win an award for its music: a Children’s and Family Emmy award for Outstanding Music Direction and Composition for a Live-Action program. Two of the movie’s songs were also nominated at the same ceremony for Outstanding Original Song. These were “In Your Shoes” and “Kicks”.

RECEPTION

Although production on Sneakerella took place during the last few months of 2020, with many news outlets listing a 2021 Disney+ premiere for the movie, for some reason or another, the release of Sneakerella was delayed a few times.

The first trailer for Sneakerella dropped on 12th November 2021, with a release date listed as 18th February 2022[9]. However, February 2022 came and went; there was no Sneakerella on Disney+. It seems that a new trailer was then released on 8th April 2022, with a release date of 13th May 2022. This time, the trailer was correct and Sneakerella did come to Disney+ on this date. It’s been said these delays were due to the COVID-19 pandemic, despite filming already being completed by 2021. Perhaps Disney were just trying to find the best time in their schedule to release Sneakerella, so that it wasn’t overshadowed by some other Disney+ release coming in the days or weeks around it.

Sneakerella received mostly positive reviews from critics after its release, although the audience reaction was more mixed.

On the positive side, Sneakerella was seen as a modern take on Cinderella which was appreciated for its fun spin on the story and its diversity. Others liked the musical soundtrack, likening it to other Disney Channel hits like ZOMBIES and Descendants. The leads of Chosen Jacobs and Lexi Underwood, as El and Kira, were generally well-received, as was Devyn Nekoda as Sami. It was also considered better than the average Disney Channel movie by some.  

On the other hand, a further adaptation of Cinderella, so soon after Amazon Prime’s 2021 version with Camila Cabello in the title role, was considered unnecessary. Some criticised certain story aspects, such as Kira’s social media campaign to “find” El. In the original story, Prince Charming doesn’t really know what Cinderella looks like and certainly doesn’t know where she lives, making his journey to find her seem realistic, whereas in Sneakerella, Kira already knows what El looks like and knows that he lives in Queens, since he took her there on the day that met. It was queried why Kira didn’t just go to Queens and ask around for him. I thought this too when I watched it, but obviously, in the movies, everything needs a level of tension and drama or there is no point to it. Some also picked up on the fact that a gender-swapped Cinderella is really just a version of Aladdin, which made Sneakerella less unique than originally advertised. Another comment was simply that Sneakerella was just too long and dragged in places. I agree with this, as I was relatively focused on the movie up until they got to the gala and then I found myself getting bored and wondering why the ending was being dragged out so much. Sneakerella was about twenty minutes longer than the average DCOM so that’s probably why it bothered me. I am capable of watching movies longer than 90 minutes, I swear.

As Disney don’t release viewing figures for every Disney+ release, unless it has done exceptionally well, like the premieres of their new animated movies or those of Pixar, it is unclear how many people watched Sneakerella on its release.

Although Sneakerella feels like a typical Disney Channel Original Movie, being produced by Disney Channel and being a musical reminiscent of the ZOMBIES or High School Musical franchise, it wasn’t labelled as a DCOM. 

That is because Sneakerella did not premiere on Disney Channel; it premiered on Disney+. This has started to become the norm and I believe the simple reason for this is because many of the international Disney Channels have since shut down. Nowadays, it seems that most “Disney Channel movies” premiere on Disney+ and the US Disney Channel within a few days of each other, making the label Disney Channel Original Movie inaccurate. Sneakerella was in a similar situation to Secret Society of Second-Born Royals (2020) which premiered on Disney+ in 2020 but did not come to Disney Channel until 2023. Sneakerella apparently premiered on Disney Channel on 13th August 2022, three months after its Disney+ date. Viewing figures for its Disney Channel premiere were also unavailable.

Despite not having viewing data to judge the popularity of Sneakerella, the movie itself did win numerous awards at the 1st Children’s and Family Emmy Awards, held on 10th and 11th December 2022, proving that it was appreciation by industry professionals. The awards won were in the categories of: Outstanding Fiction Special; Outstanding Music Direction and Composition for a Live-Action Program; Outstanding Editing for a Single Camera Program; and Outstanding Choreography.

Sneakerella was also nominated for other awards here, including Outstanding Art Direction; Outstanding Cinematography for a Single Camera Program; and Outstanding Directing for a Single Camera Program. In total, Sneakerella won four awards, and was nominated for eleven in total. These eleven nominations meant that Sneakerella tied with The Mysterious Benedict Society (2021-22), a Disney+ series, for most total nominations at this event. Production designer Elisa Sauvé won the award for Outstanding Achievement in Production Design for a Television Movie at the Directors Guild of Canada Awards.

LEGACY

Although Disney Animation’s Cinderella was followed by two direct-to-video sequels with varying levels of success, there was no sequel for Sneakerella. This isn’t a surprise since Sneakerella tied up its story neatly just like any other adaptation of Cinderella. “Sneakerella” met his “princess” and started his dream career as a sneaker designer. Everything worked out for him and we are led to believe that El and Kira lived “happily ever after”.

Instead, Sneakerella continued the legacy of the Disney musical, more specifically the Disney Channel musical. The first Disney Channel musical was The Cheetah Girls, released in 2003, two decades prior to Sneakerella. After Sneakerella, the DCOM musicals that followed it were ZOMBIES 3 (2022) and Descendants: The Rise of Red (2024), with further movies from these franchises coming over the next few months and years.

Sneakerella did also become another movie in a long list of screen adaptations of the classic fairy tale of Cinderella. But with so many of these over the years, potentially Sneakerella did not do enough to be remembered in the years and decades to come. 

FINAL THOUGHTS

I can’t say I disliked Sneakerella. It had its moments where it was quite clever and it did feel new and fresh, not a scene-by-scene repeat of Disney’s 1950 animated film.

I think I am, however, too old and “uncool” to fully appreciate Sneakerella. For one thing, I don’t have a love of sneakers. If El looked at my shoes, I don’t think he’d have much to say about them, which would basically mean he thought I was “boring”. Probably fair. I’m also not a fan of hip-hop or rap so the soundtrack wasn’t something I found overly memorable or enjoyable.

But I appreciated the attempt by Disney Channel to do a gender-swap of Cinderella for the young people of today. Many parents claim that they won’t let their children watch some of Disney Animation’s older movies, including Cinderella, due to their “outdated” views on society, including the role of women.

Sneakerella tries to represent the culture of young people today, giving them more of an accurate view of their lives compared to some of the more traditional Cinderella stories we see on screen. I think putting Sneakerella on Disney+, a platform with so much more variety than that of Disney Channel, meant it may’ve struggled to find its audience. But it only came out a couple of years ago; maybe it can be found again.  


REFERENCES

[1] Credit: Denise Petski, ‘‘Sneakerella’: Chosen Jacobs, Lexi Underwood & John Salley To Star In Disney+ Movie’, Deadline.com, 21st October 2020.

[2] Credit: Elisabetta Bianchini, ‘Canadian cast of Disney+ ‘Sneakerella’ welcomed Americans ‘with open arms’ during COVID-19’, News.Yahoo.com, 13th May 2022.

[3] Credit: Michael Kras, ‘This new movie musical on Disney Plus was filmed all over Hamilton’, Cekan.ca, 27th May 2022.

[4] Credit: Cormac O’Brien, ‘The First ‘Sneakerella’ Trailer Just Dropped & The Ontario Is Fully Showing Throughout’, Narcity.com, 13th November 2021.

[5] Credit: Starlight Williams, ‘How sneaker culture took over the world’, NationalGeographic.com, 27th April 2023.

[6] Credit: ‘About’, Sneakercon.com.

[7] Credit: Noel Ransome, ‘Eske Schiralli on Building the Sneaker for Disney’s ‘Sneakerella’ and Drake Rocking His Clothes’, Complex.com, 13th May 2022.

[8] Credit: Sarah Sterling, ‘5 Dreamy Animated Cinderella References in Sneakerella’, D23.com, 13th May 2022.

[9] Credit: Cormac O’Brien, ‘The First ‘Sneakerella’ Trailer Just Dropped & The Ontario Is Fully Showing Throughout’, Narcity.com, 13th November 2021.

The Swap (2016)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

Most of us are familiar with the concept of “body swapping” on screen. A popular example of this is Freaky Friday, which was originally a children’s novel written by Mary Rodgers and published in 1972. The story sees a teenage girl swap bodies with her mother. It has been adapted by Disney four times – so far – in 1976, 1995, 2003, and 2018.

Disney Channel’s The Swap has a very similar premise to Freaky Friday, although in this case, the two people swapping bodies are two teenagers at the same school, but one is a boy, and one is a girl, making for some awkward moments if you think about it too much… The two swap bodies thanks to a “text wish”, where they claim to be able to fix each other’s lives because the guy thinks girls have easier lives, and the girl thinks the exact opposite.

I wasn’t watching Disney Channel in 2016, so I didn’t watch The Swap at the time it first premiered. Instead, I found it randomly on the channel a few years later, at a point where I was probably “too old” to be interested in watching a Disney Channel Original Movie that was new to me. But I went ahead and watched it and surprisingly, I found I actually really liked it, and it is one of very few DCOMs that make me cry.

In fact, I liked The Swap so much that I was desperate to own it on DVD, because I’m weird like that and don’t trust streaming services, who take your favourite things away with very little notice or can’t put them on there because of rights issues, or whatever. I’d rather own something so I know I can watch it as long as I have a DVD player. I searched for The Swap and found it on the website of a reputable company that sell pre-owned technology and media in the UK. However, I ordered the film, which was advertised as the DCOM, only to receive the 1979 film The Swap which starred Robert De Niro – two very different films! I’ve had back-and-forth communication with this company a few times about The Swap, because it keeps being listed as available to order online but the film never comes. I’ve since done my research and concluded that Disney’s The Swap likely wasn’t released on Region 2 so this company cannot have it and will never have it, as the items they sell must be viewable via normal devices in the UK which is limited to Region 2. I’ve told them to update their systems, but you never know, if it appears again, I might order it, just to see what happens.

Anyway, I was in my mid-20s when I found The Swap, so how could I possibly like it that much? Well, I’ve always liked Freaky Friday, the 2003 version specifically, with Lindsay Lohan and Jamie Lee Curtis, and the premise of The Swap is very similar to Freaky Friday. The other reason is that The Swap is quite moving for a “kids’ movie”, because it tackles the subject of absent parents, one through loss, the other through divorce, which felt like quite difficult, but important, topics to be bringing to a channel that is mostly aimed at children and teenagers. It was touching to see that.

PLOT

The Swap begins with two teenagers. Jack Malloy plays hockey, his dad is the strict, tough hockey coach, and he wants to make the varsity team this year. Jack is also being pressured by “bully” Porter, who wants that last spot on varsity too, despite trying to make the team four years in a row and failing every time. Ellie O’ Brien is a rhythmic gymnast and is currently struggling with the fact her best friend Sassy has suddenly become close to new girl Aspen, so Ellie and Sassy are drifting apart. Ellie and her rhythmic gymnastics team have also just been told by their coach that if they don’t perform well at their competition this weekend, their sports team will be downgraded – to a club!

The next day, on Friday, after Jack smashed his phone screen playing hockey with his brothers, he is given their mother’s sparkly pink phone to use because their father likes to send motivational quotes over text throughout the day. Their mother died recently. Meanwhile, Ellie is getting ready for school and sees a message to her rhythmic gymnastics group chat from Aspen, saying all the girls should wear skirts today. Ellie is wearing her team tracksuit since it’s the day before a competition and they always wear tracksuits that day. On the way to school, Ellie’s mother asks Ellie if she wants a new phone. Ellie is using her dad’s old phone, which isn’t exactly the technological advancement of the day. Ellie’s parents are now divorced and her father has a new family now, but Ellie likes to use his old phone. Ellie’s mum says she is risk attaching too much emotion on to this phone and making it a “totem”. She likes meditation, yoga, crystals, that sort of thing. Ellie ignores her comment.

At school, Ellie is the only one of her team in her tracksuit but, not to worry, because she has a skirt she can wear over the top of it. This only adds to Aspen’s list of reasons why Ellie is “uncool” and makes a point of telling Sassy that Ellie needs to be un-invited from teammate Claire’s party this weekend. Aspen then sees Jack Malloy and convinces Sassy to go and talk to him because Sassy has a – very recent – crush on him. Jack doesn’t find it easy to talk to girls though so the conversation is awkward…

Later, Porter baits Jack into fighting him. It’s not a particularly good fight and Jack loses out with only a bloody nose to show for it, but it’s enough for Porter who has filmed their “altercation” and plans to show Coach Malloy so Jack cannot get that last spot on the varsity team. Back with Ellie, she overhears Sassy and Aspen gossiping about her, with Aspen being particularly mean, saying Sassy needs to take Ellie off “social life support”, whatever that means. Sassy says she doesn’t want to upset Ellie, so Aspen allows Ellie until Claire’s party to prove she’s cool enough to still be friends with her. Devastated, Ellie heads to the nurse’s office in tears, and finds Jack there with his nosebleed.

Jack and Ellie begin arguing over whether girls or boys have it harder in life, with Jack saying being beaten up isn’t exactly easy, and Ellie stating that the politics of female friendships are so much more difficult to cope with. Eventually, the nurse gets fed up with listening to the two of them debating and tells them to have this conversation over text instead, to give her some peace! They continue through text messages, getting to the point when they say they’d like to take each other’s lives because they’d easily get through a day being the other person. When they text “deal”, Ellie and Jack start to feel strange and are thrown out of their seats by some sort of force. Getting up, they soon realise that Jack is now in Ellie’s body, and Ellie is in Jack’s! They try slapping each other to snap themselves out of it but it doesn’t work. They try taking their “text wish” back but that doesn’t work either. Ellie then remembers the conversation she had with her mother about totems and emotional connections to their phones and asks Jack if his phone is special to him. Because it was his mother’s and she’s now gone, that is definitely the case. Ellie says her mother has a book about this so maybe that’ll give them something to help swap them back, but they’ll have to wait until “Ellie” is back home to get it. Ellie and Jack say they’ll just have to get through the day acting like each other.

Their first testing encounter happens shortly after, as Porter confronts “Jack” about the video of their fight. Jack, but in Ellie’s body, tells Porter to stop threatening him with this video, saying it’s not right. Porter, impressed by this Ellie girl, invites “her” to have doughnuts with him on Saturday. “She” accepts, but only because Jack hopes that him being Ellie will be able to convince Porter to delete that video forever. Sassy and Aspen then approach “Jack”, so Ellie as Jack talks to Sassy. However, Jack in Ellie’s body is still unable to talk to girls so “Ellie” babbles incoherently in front of Sassy and Aspen, giving them further ammunition for Sassy to end her friendship with Ellie. Jack and Ellie then give each other a brief rundown of their lives and home situations before being picked up at the end of the day. Ellie tells Jack her mum is the textbook example of an overprotective “helicopter parent” and Jack says to Ellie that his dad is the hockey coach and is quite tough on them, plus he has two older brothers, Gunner and Stryker. It turns out Jack’s father named his older brothers, but Jack’s mother picked out his name which is why Jack’s name is so different. Jack will call Ellie once he’s found the book at Ellie’s house.

“Jack” is picked up by his brother, but strangely enough, they don’t seem to use their car doors so Ellie as Jack has to jump in to the car through the open window… Jack, as Ellie, then does the same in Ellie’s mother’s car, shocking her. Ellie’s mother takes “Ellie” to rhythmic gymnastics practice, where unsurprisingly, “Ellie” is terrible. Jack also refuses to undress in Ellie’s body so wears her leotard over the top of her tracksuit, making “Ellie” seem even weirder today. Ellie as Jack accidentally agrees to have Jack’s brothers cut his hair, because they used the term “chopping the salad”, which Ellie obviously didn’t understand. Jack didn’t want his hair cut, but it’s a varsity tradition apparently.

After practice, Ellie texts Jack about the haircut. Jack calls Ellie back saying he is mad, but can’t live without him, meaning he can’t live without his body. However, Aspen overhears this conversation and, hearing Ellie saying those things, believes Ellie is interested in Jack, going completely against “girl code” since Sassy has made it only too obvious she likes Jack. Aspen goes to tell Sassy about this immediately. Jack then gets back in Ellie’s mother’s car so she can take “Ellie” to her team physical. Ellie’s mother lets slip that Ellie’s phone’s data plan will be ending on Sunday at noon. This only gives Ellie and Jack less than two days to switch back! At Ellie’s physical, Jack wears a mask throughout so he doesn’t see any of Ellie’s body, but the doctor perceives this as strange behaviour coming from the fact Ellie’s father recently left her and her mother, and she tries to talk to “Ellie” about it. Meanwhile, Ellie as Jack is at hockey practice and plays badly, disappointing Coach Malloy, Jack’s father, who says Jack needs to play much better on Sunday for varsity try-outs because they’ll be dedicating a bleacher seat to Jack’s mother on that day and it would look really bad if he missed out on varsity that day.

Back at home, Jack finds Ellie’s mother’s book on totems and calls Ellie. Jack’s brothers actually answer the phone and tease him about having a girl on the phone. Ellie tells Jack about the dedication for his mother, and Jack tells Ellie that her doctor wanted to talk to her about her father leaving. The two briefly bond over the shared connection of both having an absent parent. They then get back to their switching back situation. It says in the book that the quest they must accomplish is in the original wish, and they need to complete this to undo the swap. Jack and Ellie decide they have to make each other’s lives better, like they said. Firstly, Ellie’s phone contract needs to be extended to give them more time, and Porter needs to delete the fight video. Sadly, although Porter is expecting Ellie’s body, Jack will have to go, as Ellie’s body will be needed at the phone store to talk about the contract.

On Saturday morning, Ellie is woken up at 5am by Coach Malloy and Jack’s brothers for early morning training, whereas Jack gets to sleep in. Sassy comes to Ellie’s house later that morning though to confront “Ellie” about her crush on Jack. Sassy eventually sees what Ellie looks like in childish pyjamas and doesn’t perceive her as any sort of threat so Sassy simply tells Ellie to be “less her” at Claire’s party tonight. Jack as Ellie is taken for a spa day by Ellie’s mother, where he manages to sneak away for a few minutes from the torture of leg waxing to go to the phone store across the street. The store clerk cannot help with extending the contract since Ellie’s father actually cancelled the plan, something Ellie is not aware of…

Ellie as Jack meets up with Porter and the two have a talk about varsity. Porter doesn’t actually seem to like hockey all that much, so “Jack” takes him to STEM (Science, Technology, Engineering, and Maths) club at school since Porter likes making fun gadgets. He has a good time there and deletes the video. Ellie also sees her friend Mackenzie there and talks to her, but Mackenzie is confused about why Jack Malloy is talking to her. Oops.

Ellie and Jack update each other on their mornings, but Jack doesn’t tell Ellie the real reason her phone contract cannot be extended, just saying it couldn’t be done. Ellie then tells Jack he has to help her get Sassy to be her best friend again. Jack agrees to do this and asks Ellie’s mum if Ellie’s body can have a complete makeover that afternoon. Ellie’s mum is happy to help. But just before that, Jack decides to get payback on Aspen, by pretending to be her hairdresser when Aspen’s eyes are covered and spreading random dyes into her hair! Ellie decides to help Jack at home and decorates his room with some of Jack’s mother’s belongings which were being kept in a closet that nobody wanted to look at.

That night, Jack’s phone gets a text from friend Owen, telling him to take a break from varsity preparations and come to a game night. Coach Malloy would never allow that so Ellie calls on Porter to help “Jack” get out of the house. Using a makeshift zip wire, Porter gets “Jack” out of his room and the two go to Owen’s game night. Once there, Ellie as Jack starts to panic that Porter wouldn’t be welcome here, but is surprised to find that guys are much more accepting of new additions to friendship groups than girls are.

“Ellie” shows up at Claire’s party, but Aspen and Sassy are not impressed with Ellie’s new look, believing she’s done all this to impress Jack. Jack in Ellie’s body tries to convince Sassy to be friends with Ellie like they used to be, but Sassy says the two of them have grown apart and they can’t be friends anymore. Mackenzie then helps “Ellie” get into the party spirit. At some point, Aspen and Sassy get bored and start messing about with the photos on the photo booth, so Jack as Ellie stands up to them, saying that they are being uncool and that Jack Malloy wouldn’t find it funny and “she’d” know that because they’re very close. Aspen decides she must mean that the two of them are together and tells all the guys at game night to meet the girls at the river to see if “Ellie” is telling the truth.

At the river, Jack and Ellie walk away from the group but they argue about how Jack has messed things up between Ellie and Sassy for good now. Ellie as Jack starts to cry in front of everyone, and to make it worse, Coach Malloy shows up to take Jack home. Jack as Ellie sees Aspen looking smug and reveals her terribly dyed hair in front of everyone, which Aspen had been hiding under at hat. Back home, Ellie is devastated about losing Sassy, whilst Jack as Ellie looks through old photos in Ellie’s room. He sees photos of Sassy, Ellie, and Ellie’s dad, and realises Ellie doesn’t want to lose both of those people. Jack and Ellie make up and decide they have to be good at their respective sports on Sunday, so with help from Owen, who has now been told all about their swap, opens up the sports centre and they have an all-night training session.

On Sunday, Ellie as Jack meets Jack’s brothers and father for an early morning run as usual. Jack as Ellie gets to the rhythmic gymnastics competition and is sad to see that Ellie’s father didn’t show up. However, apart from one minor slip up with the ribbon, Jack does well for Ellie at the competition and their sports team will be staying a team, with badminton being demoted to club status instead. At the hockey rink, Ellie as Jack watches the bleacher seat dedication for Jack’s mother and then plays well enough to get that spot on the varsity team. Ellie and Jack catch up with each other afterwards and at 11:15, with only 45 minutes to go until Ellie’s phone contract expires, they try a text to switch themselves back. It doesn’t work. Ellie says they need to get it extended, but Jack reveals that actually her father cancelled it, because he wanted a new family plan… “Jack” is then taken home by his father who tells him he didn’t play well today. Ellie as Jack stands up to him, asking if he is actually proud of Jack at all, and saying this isn’t how he should be treating his sons, and that boys can cry and in fact they should sometimes. It would seem that Ellie is finally having the conversation she needs to have with her father with Jack’s instead. Jack as Ellie takes a walk with Ellie’s mother and they discuss Ellie’s dad not being at the competition. Jack says that he misses his mother and Ellie’s mother tells “Ellie” she’ll always be there for her.

Feeling better about their lives, Ellie and Jack text each other to meet at the river with only five minutes until noon. Ellie as Jack gets a ride from Porter to make it in time. With one minute to spare, they text to say their lives are much better now and – it works! The two swap back to their normal selves. Ellie tells her mother that she’s going to be alright and that her mum should start doing more things for herself. Jack’s dad then says “Jack” was right with the things he said and that he’s been tough on the boys thinking it would stop them from feeling the pain of losing their mother. He loves his sons so much. They have a group hug.

At school the next day, Ellie and Mackenzie talk about how Mackenzie likes Jack, and Owen is given “permission” by Porter to ask out Ellie, with Ellie and Jack remaining good friends. They introduce their parents to each other, and see that Coach Malloy is awkward in front of women, just like Jack was. Ellie and Jack text about the situation, wondering if they should help them out. They soon realise they’ve texted another wish and quickly delete it, before putting their phones away!

CHARACTERS & CAST

Disney Channel like to have their stars lead Disney Channel movies, something they’ve managed to do for a wide variety of their films, although they do not always do this. The Swap is no exception to this preference, with its two leads coming from Disney series.

Ellie O’Brien is not feeling very confident in her life at the beginning of The Swap. Her father has left her and her mother, though it’s not clear how long ago this was, and she’s starting to lose her best friend, Sassy, to another girl, Aspen, who isn’t even nice. Ellie has been trying to stay close to Sassy but the more she tries, the more Sassy pulls away. Ellie has also been trying to stay close to her father by keeping his old phone, despite the fact Ellie’s dad has clearly moved on and can’t even be bothered to show up to her rhythmic gymnastics competitions. Ellie thinks Jack Malloy’s life must be so much easier, but little does she know, Jack’s life is just as difficult as hers. Eventually, Ellie learns that she can let go of Sassy, with Jack realising Sassy isn’t a good enough friend for Ellie, that she can have other friends, like her friend Mackenzie, and that she still has her mother even if her father didn’t want to stay with them.

Peyton List was cast as Ellie. Some of List’s very early acting roles include being cast as Young Jane in 27 Dresses (2008) and Young Becky in The Sorcerer’s Apprentice (2010). She made her Disney Channel debut as Emma Ross in the Disney Channel series Jessie (2011-15). List reprised this role for the first three seasons of Bunk’d (2015-24). More recently, List was cast as Tory Nichols in Netflix’s Cobra Kai (2018-25) and stars as Maddie in School Spirits (2023-present) for Paramount+.

Jack Malloy is having a difficult time too. His mother has recently died, although again, we don’t actually know how long ago this was, leaving Jack with his older brothers and his father, who is also their hockey coach. Jack has been training for years to get on the varsity team and knows his father will be very disappointed in him if he doesn’t make it. When Porter threatens that chance with the video of them “fighting”, Jack knows he has to get it deleted or his father won’t let him on the team. This is Jack’s primary issue at the start of The Swap, however, when him and Ellie swap bodies, Ellie also helps Jack learn to have a balance in life between hockey and friends, after getting “Jack” to Owen’s game night, as well as standing up to Jack’s dad, telling him to be more supportive.

Jack Malloy was played by Jacob Bertrand, who, at the time of The Swap, was playing the title role in Kirby Buckets (2014-17) on DisneyXD. Like Peyton List, Bertrand was also cast in Netflix’s Cobra Kai (2018-25), in the role of Eli “Hawk” Moskowitz. Bertrand currently voices the role of Bam / Batmobile in the animated series Batwheels (2022-present) for Cartoon Network.

For Jack’s friends, we have Porter, who starts off as a bit of a bully to Jack, picking on Jack because he’s smaller and is big competition for the varsity team, which Porter has been trying to get on for years. Thanks to Ellie being in Jack’s body, she is able to convince him that his strengths lie elsewhere, in science, and takes him to STEM club where Porter learns to let go of hockey. From this point, Porter is grateful to “Jack” and they become friends. Porter was played by James Godfrey, who went on to be cast as Bonzo in the Disney Channel musical franchise ZOMBIES, appearing in the first three movies. Godfrey also voices the character in Zombies: The Re-Animated Series (2024-present).

Owen helps Jack with his hockey training, having lots of tips and tricks for him to ensure he makes varsity, but Owen also believes in a healthy balance, so invites Jack to his game night the night before the varsity try-outs. He almost doesn’t expect to see Jack there, because Jack takes hockey so seriously, but Ellie as Jack made sure Jack’s body showed up. Here, Ellie learnt that Jack takes hockey too seriously and has to learn to have fun with friends sometimes. It’s also at this game night that Ellie learns that both Porter and Owen have a crush on her, since she hears this whilst in Jack’s body, which was clearly quite awkward for her to hear! Owen says he’s going to ask Ellie out at the end of the film but we never get to see what transpired there.

Kolton Steward was cast as Owen. He had previously played Jarvis in the Canadian sitcom Some Assembly Required (2014-16). Steward went on to appear as Zelly in the sort-of-DCOM Sneakerella (2022) and as Tyson in the Disney sequel Disenchanted (2022). Steward voices Rory in the animated Netflix series Unicorn Academy (2023-present).

For Ellie’s “friends”, we have Sassy and Aspen, who are quite mean to Ellie, talking about her behind her back and generally making it seem like Ellie isn’t good enough to hang out with. Sassy was best friends with Ellie, but Aspen seems to have warped Sassy’s mind, by telling her that Aspen is a much better friend, being more mature than Ellie for a start. Sassy stupidly listens to Aspen and drops Ellie, although she does apologise to Ellie for being a jerk to her at the end of the movie. Ellie accepts that they can move on as best friends now though. Ellie becomes closer to her friend Mackenzie, who is a member of STEM club, because of this. Mackenzie is a much kinder person than Sassy.

Sassy was played by Kiana Madeira, who had earlier been cast as Rachel in the Disney Channel-affiliated movie Harriet the Spy: Blog Wars (2010) and as Sierra in the DCOM Bad Hair Day (2015). More recently, Madeira appeared as Nora in the After film series. Aspen was played by Eliana Jones. Around the time of The Swap, Jones appeared in the recurring role of Summer in the live-action/animated series The Stanley Dynamic (2015-17). Jones was later cast as Peyton Westfield in Season 11 of Heartland (2007-present) and as Gwen in Northern Rescue (2019). Mackenzie was played by Devyn Nekoda, going on to be cast as Sami in Disney’s Sneakerella (2022). Outside of Disney, Nekoda was cast as Anika in Scream VI (2023) and as Sage 5 in the sci-fi series Utopia Falls (2020). She also appeared as Riley in Season 1 of Netflix’s Ginny & Georgia (2021-present).

For the adults, we have Coach Malloy, Jack’s strict hockey coach father, who seems to struggle to have a balance between his personal life and his work, making it seem to his sons that they are only worthy if they are good hockey players. It’s clear that Coach Malloy is not coping well with the grief of losing his wife, but instead of talking about it, he’d rather just ignore it and try to block out the pain as much as he can, making sure his sons focus on other pursuits as well. After Ellie as Jack tells Coach Malloy this isn’t the right way to deal with things because he’s hurting his youngest son by doing so, Jack’s father turns things around and tells his sons he does love them and wants to do better by them. Coach Malloy was played by Darrin Rose, who played Bill in the sitcom Mr. D (2012-18).

Summer O’Brien, Ellie’s mother, is quite protective of Ellie, although she is always upbeat and positive, no doubt due to her yoga teacher mindset. Summer wants to do everything for Ellie, like run her bubble baths and take her out on spa days, probably because she has some guilt that Ellie isn’t coping well with her father not living with them anymore. Summer does all this because she cares and loves Ellie so much, but at the end of The Swap, Ellie tells her mother she knows that but that Summer needs to do more for herself now and stop worrying about Ellie so much. Claire Rankin was cast as Summer. Rankin played Miranda in Syfy’s Halcyon (2016), and was recently cast as Mary Critch in the sitcom Son of a Critch (2022-present).

Finally, I just want to mention Coach Carol, the rhythmic gymnastics coach. Coach Carol has an on-going rivalry with the coach of the badminton team, since one of their teams has to be demoted to club status. Coach Carol is a funny side character in The Swap because of this, as the two coaches trade barbs with each other. She may be familiar to Disney Channel fans as she was played by Naomi Snieckus, who was cast as Principal Lee in the first three ZOMBIES films and voices the character in Zombies: The Re-Animated Series (2024-present).

MUSIC

The score for The Swap was composed by Kenneth Burgomaster, who has composed the score for other DCOMs including How to Build a Better Boy (2014) and Frenemies (2012), as well as the Disney Channel series Stuck in the Middle (2016-18) and The Villains of Valley View (2022-23). The rest of the music comes from contemporary artists, with some well-known songs and singers in the mix.

The opening of The Swap begins with scenes of Jack playing ice hockey, and Ellie practising her gymnastics. The song playing here is “Me Too” performed by Meghan Trainor, who shot to fame with her debut single “All About That Bass” back in 2014. “Me Too” was written by Trainor, as well as Jason Derulo, Peter Svensson, Ricky Reed, and Jacob Kasher Hindlin. It is a catchy song, all about confidence, which is strange since neither of the main characters have much confidence in themselves or their abilities at the start of the movie!

A sadder song is played shortly after: “Nowhere Fast”, performed by Polarcode and Lauren Ruth Ward. This piece plays in the scene where Ellie has just heard Sassy and Aspen talking about her in the bathroom, and she heads to the nurse’s office in tears. I quite like this song, despite only hearing it for a few seconds.

Another piece of popular music used in The Swap is Olly Anna’s song “Write My Story”. This song plays as “Ellie” has a makeover, and “Jack” is putting some of his mum’s stuff in his bedroom. Following on from that, the song “Sax”, performed by 2014 X Factor runner-up Fleur East, plays at the party when “Ellie” is dancing with Mackenzie after having been dumped by Sassy. I had heard both of these songs before seeing The Swap.

There are also songs used for some of the sports montages. When Jack as Ellie is at his first rhythmic gymnastics practice, and doing terribly, the song “Body Double” by Roeland Ruijsch is used. It’s another peppy song to feature in the film. Then, as Ellie and Jack compete in each other’s respective sports towards the end of the film, “DJ Blow the Speakers” is heard. This song was performed by Photronique, Ms. Triniti, and JP Castillo. 

Sadly, but not uncommon for Disney Channel movies, there are numerous other pieces of music used in The Swap that I have been unable to trace, because neither Google nor Shazam have the answers. If Disney Channel listed every piece of music they used in their movies, I would be able to match them up to the song and the scene, however, I have been unable to do that here, even with audible lyrics, leaving five songs unaccounted for.

These are: the song that is used for when Ellie as Jack has to go for early morning training with Jack’s brothers and father on Saturday morning; the first song heard at Claire’s party when “Ellie” walks in; the sad song playing when Ellie and Jack go home after they argue on the Saturday night; the music playing when Ellie and Jack are training late with Owen to prepare them for their competition and try-outs the next day; and finally, the song playing at the phone store that Jack as Ellie goes to when trying to get the phone contract extended, though this song was not particularly audible anyway.

I also don’t know the End Credits song. Initially, I thought it was “Until the Sun Comes Up”, sung by Drew Seeley, because this is listed online as being part of The Swap’s soundtrack on some websites, but listening to the song, I don’t think it is, so again, I’m not sure what the music is.

PRODUCTION

Production on The Swap began in early 2016, with announcements being made around April of that year that The Swap was set for an autumn premiere date. Peyton List and Jacob Bertrand were announced as the movie’s two leads at this time as well.

2016 was an important time for Disney Channel, as they unveiled plans for the 100th DCOM Celebration around this time. A marathon where all 100 official Disney Channel Original Movies aired began on 27th May 2016, with a four-day marathon of 51 DCOMs, followed by the remaining 49, including the premiere of Adventures in Babysitting (2016), the official 100th DCOM, in June 2016. Adventures in Babysitting was the only other new DCOM release in 2016 other than The Swap[1].

The story of Disney’s The Swap was not actually an original idea, nor was it specifically based on the Freaky Friday novel. The movie was in fact based on the novel The Swap by young adult author Megan Shull. The novel was published in 2014. Apparently, Disney Channel “aged up” the main characters so that they are high schoolers, whereas the novel is set in middle school, with the characters around 12 or 13, I suppose, not closer to 16 like they appear in Disney’s The Swap. This meant there was more opportunities for awkward discussions about puberty that Disney avoided[2]! Shull went on to write the novel Bounce, published in 2016, which was set to be adapted into a movie by Paramount Pictures. The movie adaptation was first announced in Summer 2020 with Nickelodeon star Jojo Siwa cast as the lead. However, by 2022, the movie had apparently been removed from Paramount Pictures’ upcoming film listings[3].

Shari Simpson and Charlie Shahnaian were tasked with adapting Shull’s novel into the Disney Channel movie. Simpson is both a screenwriter, co-writer of the movie Sweet Sweet Summertime (2017), and an author, having written Sam Saves The Night and Sam Lights The Dark, part of the Sleepwakers series of books, published in 2019 and 2020 respectively, as well as being the author of the more recent 2023 Sugar Rush Racers series, based on the Sugar Rush racers in Disney Animation’s Wreck-It Ralph (2012). Charlie Shahnaian later collaborated with Simpson after The Swap, along with Pamela Wallace, to write Color My World with Love (2022), having also co-written The Redemption of Henry Myers (2014) prior to The Swap’s release date.

The Swap was directed by Jay Karas. Karas had previously directed episodes of DisneyXD’s Kirby Buckets (2014-17), which starred Jacob Bertrand, prior to directing The Swap. He went on to direct episodes of comedy series such as the US adaptation of Ghosts (2021-present) and Abbott Elementary (2021-present). Karas also directed the movie Break Point in 2014[4]. The Swap was seemingly a co-production with MarVista Entertainment.

Disney’s The Swap was filmed in Toronto, Ontario, Canada throughout Spring 2016. One specific filming location for The Swap was Erindale Park in Mississauga. I believe the park can be seen in two parts of the movie: the bridge where Ellie and Jack talk on the night of their respective parties, and again near the end of the movie, with the park being the location where Ellie and Jack finally swap back.

Since ice hockey and rhythmic gymnastics are key aspects of Jack and Ellie’s lives, it’s important that Jacob Bertrand and Peyton List looked like natural athletes in The Swap. List had intensive training to learn to do rhythmic gymnastics and found it a fun experience. Bertrand couldn’t even ice skate, let alone play hockey, before the movie, so he was given a two-week crash course in ice skating and then taught how to play hockey, although he did also have a stunt double to help him. Bertrand said that most of the actors who play hockey in The Swap – apart from Darrin Rose who played Coach Malloy – couldn’t actually skate before filming[5].

Another important part of The Swap is the body swap between Jack and Ellie, with List and Bertrand having to learn how to be like the other person for the majority of the film. This required them to do some research on each other, looking at their posture, for example, with List being quite elegant and Bertrand slouchier; their speech, with Bertrand learning that boys speak more staccato than girls; and learning each other’s mannerisms[6].

RECEPTION

Despite The Swap not being remotely scary or even spooky, it premiered on Disney Channel on 7th October 2016, as part of Disney Channel’s “Monstober” event for the Halloween season. Strange choice. Why didn’t they just wait until after Halloween to release it?

Anyway, The Swap was reportedly viewed by just over 2.5 million viewers on its premiere date, although it was said to have reached 7.2 million total viewers by the time figures from both the premiere and “encores” from its first weekend were combined[7]

In terms of reviews, The Swap was seen to be funny and appealing for a young audience, without being too cheesy. It was also appreciated that the film attempted to tackle deep family issues, like divorce and grief. Peyton List and Jacob Bertrand were praised for their performances as Ellie and Jack – as was James Godfrey as Porter – making the audience genuinely care about their characters. The lack of romantic interest between the two lead characters was a different direction for Disney Channel as well.

On the other hand, some said that The Swap was nowhere near as good as Freaky Friday, specifically the 2003 version, and found it too similar in concept, making it a predictable story. There were further mixed reviews relating to the opposite gender swap and the jokes made about it in the script. Some found these to be very awkward whereas others liked the clear but not too obvious references to consent and the objectification of women.

For me, The Swap was a familiar storyline, granted, but I enjoyed it for that reason, because it was easy to follow and concentrate on as a form of light entertainment. I also thought that the acting in The Swap was above average in terms of Disney Channel Original Movies – not to be mean to other actors who have starred in these sorts of films – and I liked that the movie was quite profound in its messaging.

LEGACY

The story of Freaky Friday has been adapted so many times, with other “body swap” movies such as She’s the Man (2006) and It’s a Boy Girl Thing (2006) following the same type of plot. The 2003 Freaky Friday even got its own sequel, this being Freakier Friday, released in August 2025.

However, The Swap did not ever get a sequel, likely because its viewing figures were simply not high enough. It is worth noting that, although 2.5 million doesn’t sound like a lot – and it probably isn’t – DCOMs had been struggling to match the viewing figures of the 2000s since the mid-2010s, with the Descendants franchise being the only exception.

There was also no sequel novel from author Megan Shull, although a possible storyline could’ve revolved around the potential romance between Ellie’s mum and Jack’s dad, which is mentioned at the end of the movie. This means a sequel movie to The Swap from Disney Channel was made even less likely.

Another reason for there not being a sequel movie could be that Peyton List and Jacob Bertrand both left Disney Channel productions shortly after The Swap, with Bertrand’s DisneyXD series ending in 2017, and List leaving Bunk’d in 2018 to pursue other projects away from the company.

But if you wanted something more to come out of The Swap, you can always watch Cobra Kai which List and Bertrand both feature in.

FINAL THOUGHTS

The DCOMs you watched in childhood tend to be the ones that stick with you the most.

Is it the nostalgia that does that, or is it that DCOMs were genuinely better when you were younger? This is a topic open for debate, with everyone having a different favourite DCOM. I watched the most DCOMs in the 2000s and early 2010s, so generally, my favourite Disney Channel movies come from that era.

However, that doesn’t mean I’m not open to liking more recent ones, and that is exactly why I randomly watched multiple DCOMs over the summer months one year, finding a re-run of The Swap in the process. It was funny, it was sweet, it was moving, and it was led by two talented, likeable Disney actors. The Swap surprised me, and I would count it as one of my favourite DCOMs, despite it not being one from my childhood.


REFERENCES

[1] Credit: Patrick Hipes, ‘Disney Channel Original Movie ‘The Swap’ Set As Network Plans 100-Pic Celebration’, Deadline.com, 20th April 2016.

[2] Credit: Michelle I. Mason, ‘MMGM: THE SWAP by Megan Shull’, MichelleIMason.com, 6th February 2017.

[3] Credit: Matt Donnelly, ‘Jojo Siwa Exits Will Smith-Backed YA Movie ‘Bounce’, Paramount Players No Longer Involved’, Variety.com, 6th April 2022.

[4] Credit: Original Pictures Inc., ‘The Swap’, OriginalPicturesInc.com, date unknown.

[5] Credit: Shine on Media, ‘THE SWAP Interview w/ Jacob Bertrand I Interview’, Shine On Media YouTube Channel, 8th October 2016.

[6] Credit: Young Hollywood, ‘Peyton List & Jacob Bertrand Switch Places in THE SWAP’, Young Hollywood YouTube Channel, 6th October 2016.

[7] Credit: Caryn Robbins, ‘Premiere of Disney Channel’s Original Movie THE SWAP is Ratings Hit in Key Youth Demos’, BroadwayWorld.com, 13th October 2016.

#28 Inside Out 2 (2024)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. PRODUCTION
  5. MUSIC
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

In a year where movie studios seemed to only release sequels – not entirely true, but it definitely felt like it – Inside Out 2 turned out to be the big winner, both in terms of profits and reviews, from critics and audiences alike.

Pixar might have originally been known for creating inventive, unique films, but since the 2010s, Pixar has contributed to the “sequel fatigue” that many of us are feeling at the moment. It is annoying when studios don’t want to take a risk on something new and choose to take the safer, most profitable route, but I guess that’s business for you.  

That’s not to say Pixar haven’t tried to make something new, because they have. In the 2020s, they released Onward (2020), Luca (2021), and Turning Red (2022), but they struggled with the COVID-19 pandemic, which hampered Onward’s chances of doing well, and led the other two to be exclusively released to Disney+. When theatrical releases did become a possibility again, Pixar chose to release Lightyear (2022), a horribly disappointing attempt at a Toy Story-related spin-off. It was bad. So, who can blame them for wanting a box-office success by going for a sequel to an already popular Pixar film?

However, that doesn’t mean I was excited for Inside Out 2. I enjoyed the concept of the original film, so I was initially hopeful, but when I saw Anxiety in the teaser trailer, it immediately put me off watching it. My problem was that I have my own anxiety issues, and saying that doesn’t mean much to anyone anymore because a lot of people like to talk about their anxiety issues now, some wearing it like a badge of honour or treating it like a jokey label. I’m not about to try and “one up” anyone about this topic because some people will have better ways of handling anxiety than me, and others will have it worse. All I’m saying is that I was concerned about how Pixar was going to handle this particular emotion.

Sadly, after watching Inside Out 2, all it did was make me feel bad about myself and I found myself unable to relate to Riley’s own anxiety. That’s not a big surprise because I’m not a teenager, and Riley’s anxiety was quite specific to her age. I actually don’t remember struggling all that much with my sense of self as a teenager, and I’ve become less self-confident as I’ve aged, especially around my mid-20s, that age when everyone starts competing to see who can hit those all-important “life milestones” the quickest.

Looking back at the film as solely a source of entertainment though, I did like it, perhaps even a bit more than the first movie, because I liked seeing more of Riley’s life, which was left by the wayside in Inside Out as Fear, Anger, and Disgust struggled to deal with her without Joy.

PLOT

The original Inside Out ended with Joy telling the audience that Riley was twelve-years-old. Inside Out 2 begins with Joy telling us that Riley is now thirteen-years-old.

It also starts with Riley getting ready for an important hockey match with her team, the Foghorns. Even Riley’s five core emotions, Joy, Sadness, Anger, Fear, and Disgust, are getting themselves hyped for the game, with Joy acting as the commentator. Each emotion plays a role in Riley’s game, with Anger leading Riley to score a goal; Fear wanting to ensure Riley puts her retainer in; and Disgust showing up to say that retainer she just put in wasn’t her! Sadness appears as Riley gets sent to the penalty box for a bad challenge.

Joy tells us that Riley is a kind, smart thirteen-year-old, top of her class, and she has grown so much since we last saw her and even got braces. Riley’s Personality Islands have changed too, with Boyband Island now completely gone, Goofball Island staying, and Friendship Island increasing in size. Family Island is still there, but it’s a bit smaller. Riley’s memories, now that she’s older, have started to create beliefs which develop into Riley’s Sense of Self. When Riley is uncertain about what to do, like when a girl at school drops all her stuff in class, the Sense of Self pops up and leads her to do the right thing.

In the hockey game, this Sense of Self appears in Riley’s mind. The team need a goal, but instead of trying to score herself, Riley passes the puck to friend Grace so she can score, leading the Foghorns to win the Championships. After the game, the high school hockey coach, Coack Roberts, invites Riley, Grace, and fellow friend and teammate Bree to a hockey skills camp. Riley talks to her parents about the camp, initially feeling excited for it, but then suddenly remembering the moment that led to her penalty and feeling worried…

Back in HQ, Joy has a method to deal with difficult memories like this. She simply sends it to the back of the mind. Joy then picks up a positive memory for the day to take down to the belief system so it can be added to Riley’s super positive Sense of Self that says Riley is a good person. Sadness goes down with Joy to see the process in action for the first time. Joy simply places the memory in a pool of water and a line shoots up from it to create strings of beliefs.

The next day, the emotions are woken by a very loud alarm sounding. They go into HQ to figure out what is going on, and they see the “Puberty” button on the console going off. Joy manages to remove the button and sends it to the back of the mind again, but there’s no stopping puberty! Mind Workers barrel into HQ and start to demolish everything. When Joy tries to stop them, she is told that other emotions are coming. The console is re-wired and the workers leave. The emotions attempt to use the console as Riley has now woken up, however, no matter how gently they touch it, Riley acts erratically, screaming at her mother, who just wanted to check she was ready for hockey camp, and then crying, worrying about what is happening to her. We see inside Riley’s mother’s mind who realises this is “the day” and she talks to Riley about how her body is “changing”.

Riley, Bree, and Grace are driven to hockey camp, where they talk about how exciting it’s going to be. Riley especially wants to meet high school hockey legend, Valentina, and get on the team to be just like her. Riley – thanks to Disgust – notices her friends giving a look to each other. Bree and Grace’s minds notice that Riley has noticed their look. Grace lets slip to Riley that her and Bree won’t be going to the same high school as Riley, so they won’t be on the same hockey team either. Riley is thrown by this and cries a little bit, wondering what this means for her now.

At camp, Riley goes to catch up with Bree and Grace, who have gone on ahead, when she is knocked over by none other than Valentina. She helps Riley up, and Riley proceeds to act like a total fangirl in front of her. The emotions aren’t sure what to do about this situation, and then they see the console has turned orange. Orange? But none of them are orange. This is Anxiety, who has just arrived in HQ. She is a big fan of Joy’s apparently and takes control of the situation. Envy then appears, as she becomes jealous of Valentina’s great hair and goes to touch it. Embarrassment comes in at just the right moment to stop Riley from doing that and making everything even more awkward. Ennui – basically like boredom – calms the situation and makes Riley less excitable. Valentina then invites Riley to follow her. Joy and the other “old” emotions think Riley should spend time with Bree and Grace, but Anxiety says this camp needs to be all about preparing for high school and since Bree and Grace won’t be there with her, Riley needs to be spending time with Valentina instead. There is then a brief cameo by Nostalgia, who is told she is too early to be in HQ and is shoved back through the door she appeared from!

Riley goes to the locker room where Riley is introduced to Valentina’s friends, all part of the high school hockey team, the Firehawks. Joy takes over and leads Riley to meet up with Bree and Grace, however, they start messing about, taking photos on their phone and talking, to the point that Coach Roberts punishes the whole group at practice, annoying the others. At the end of practice, Riley hears the Firehawks talking about her, which makes her both sad and embarrassed. Anxiety takes control of the situation, putting the idea in Riley’s head that if she can get Valentina on side, everything will be ok. Riley goes over to the girls and apologises profusely. Valentina tells her not to worry because at least she is on Coach’s radar now. At this point, Riley’s Sense of Self pops up, not wanting Riley to forget about her friends. Anxiety doesn’t believe this will help Riley so she sends it to the back of the mind, telling Joy she plans to build a new Sense of Self for Riley, since she has more sophisticated emotions now so Riley needs to be more sophisticated. Joy and the “old” emotions tell Anxiety this isn’t right and try to take control of the situation, but Anxiety has a plan and she doesn’t want them messing up. She literally bottles up all the emotions – well, it’s more of a jar, but the turn of phrase is nice – and removes them from HQ, sending them to The Vault with the rest of Riley’s deep, dark secrets.

In The Vault, the five old emotions are soon surrounded by other characters from Riley’s childhood, like Bloofy, a pre-school TV show character, who is in The Vault because Riley still likes the show, and Lance Slashblade, a video game character that Riley has a crush on. Riley’s deepest, darkest secret also resides here, represented as a big, hooded figure who doesn’t say much. Disgust tries to convince Lance to break them out of the jar, but his big move is to curl up into a ball and roll into things, which doesn’t do much to break the jar. Deep Dark Secret instead smashes it. Now they need a way out. Bloofy calls on his friend Pouchy, to see if he might have anything that can open the vault door to let them escape. Luckily, Pouchy has some dynamite – why? – that explodes on to the door and opens it. Guards try to detain the escapees, so Lance curls up into a ball and rolls toward them. He goes right past them, but somehow all the guards trip over each other and get locked in a vault. That was easy. The emotions plan to get to the Stream of Consciousness, to ride it to the back of the mind so they can retrieve Riley’s original Sense of Self.

Back with Riley, she is practising her skating early in the morning, being driven by Anxiety to be the best. She is soon joined by Valentina, who tells her that Freshman Year can be tough but that she made some really good friends. Anxiety continues to add memories into the belief system, which begin to create a new Sense of Self slowly but surely. Riley spends more time with Valentina and her friends, trying to make them like her. She also learns that Coach Roberts has a notebook where she writes about everyone. Riley wonders what Coach might have written about her…

At the Stream of Consciousness, Joy realises they need someone back in HQ so they can be recalled at just the right time with the original Sense of Self. With no volunteers, she sends Sadness crawling up the tube back to HQ. The others then jump on a piece of broccoli that is floating down the Stream of Consciousness. Everything seems to be going well, until the Stream breaks thanks to the creation of a Sar-Chasm. Riley was sarcastic when Bree and Grace showed up to her hang out with Valentina’s group, as they started to say they liked a band that Valentina’s friends think is uncool. This not only upsets Bree and Grace, who feel like Riley has changed all of a sudden, but also halts the emotions’ plan. The emotions try to talk to some workers over the other side of the Sar-Chasm, but everything they say comes out sarcastic, which offends the workers who walk away.

The emotions are back to walking through Long-Term Memory to get to the back of the mind, but they all start to argue, getting annoyed at their situation. Joy then gets irritated at all of them and screams at them. This surprises the others, who make an effort to help Joy who wants to get up on top of the memory shelves to see the route to the back of the mind. Using a vacuum-like tube, they manage to get up there and walk in the right direction.

In HQ, Sadness has arrived through the recall tube in amongst a ton of memories that Anxiety recalled. She quickly runs to a quiet corner of HQ but she is spotted by Embarrassment. Sadness thinks Embarrassment is going to tell Anxiety. He actually stacks up lots of manuals in front of Sadness to hide her, clearly not liking what Anxiety is doing.

Soon, the old emotions reach Imagination Land, which has changed a lot since Joy was last there, with new additions like Mount Crushmore and Rumor Mill. They then see that there is a lot of activity in Pillowtown. Going inside, they see a video of Anxiety, getting workers to draw bad future scenarios to show Riley what could happen if she doesn’t make friends with the Firehawks and doesn’t get on their team. The old emotions don’t like this and start to submit their own positive drawings, which alerts Anxiety to their whereabouts, calling security on them. The workers then revolt against Anxiety and stop drawing bad scenarios. The old emotions are chased out of Pillowtown and arrive at the Parade of Careers, balloons that resemble different professions. They jump on one to continue to the back of the mind.

Anxiety decides Riley has to see what is in Coach Roberts’ notebook so she breaks into her office late at night to read it. Here, she sees it is written that Riley is “not ready yet”, which devastates Riley. Sadness, meanwhile, has managed to take control of the console, thanks to an app on Ennui’s phone, but Anxiety says Riley has to keep going with her plan and holds Sadness in a bucket to keep her from doing anything. Anxiety needs ideas to change Coach’s mind, which causes a brainstorm – a literal one – in Riley’s mind. This affects the old emotions who battle against these ideas flying at them. Joy wants to break them all, but the others convince her to grab onto the largest one so they can get out of the tornado they are stuck in. They then let go and float to the ground thanks to Fear’s parachute. You can never be too prepared! The emotions get to the back of the mind and find themselves in front of a large mound of memories that Joy tossed there. Joy finds the original Sense of Self but sees it has faded. Joy then tells Sadness to recall them, via the walkie-talkies they picked up early in the journey, but Anxiety breaks the tube.

Anxiety has successfully built Riley’s new Sense of Self, but is shocked to find that it states “I’m not good enough”. That throws Anxiety, who then decides what they must do is score three goals in the final game of camp, beating Valentina’s record and showing Coach Roberts, that Riley has to be on the team. As the game starts, Riley aggressively scores her first goal early on. Riley then scores soon after, having stolen the puck from her own teammate. Anxiety starts to push Riley more and more, concerning the other emotions in HQ, to the point that Riley hurts Grace as she continues to play aggressively. Riley is sent to the penalty box. Here, Riley starts to experience her first anxiety attack.

As the old emotions find they are stuck at the back of the mind, Joy realises that she shouldn’t have hidden all these memories away, because it never built Riley a true Sense of Self. She also states that maybe people feel less joy as they age. Joy starts to feel there isn’t a way of beating Anxiety, when Anger calls for Pouchy. They find he still has plenty of dynamite available and they plan to blow up the mound of memories they are in and ride the avalanche back to HQ, accepting that these “bad” memories will enter the Belief System, but knowing it’s probably for the best.

The plan works and they arrive back at HQ, to see Envy, Embarrassment, Ennui, and Sadness all trying to remove Riley’s new Sense of Self, and seeing Anxiety rushing around the console so quickly, she isn’t visible. Joy goes into the Anxiety vortex and sees Anxiety frozen. Joy manages to convince Anxiety to let Riley go and pulls her from the console. Riley is still panicking though, so they replace the new Sense of Self with the old one. It still doesn’t stop anything. Anxiety says she was trying to control who Riley is, which causes Joy to realise she did the same thing by choosing the best memories to put in the belief system. She realises the original Sense of Self is stopping a new one, complete with “bad” memories, from being created, so they remove it. The emotions see the new Sense of Self being created and huddle around it, which calms Riley down.

Bree and Grace come to the penalty box, concerned about Riley. Riley apologies to them for acting the way she did during this camp, saying she was freaked out when Bree and Grace told her they wouldn’t be at high school together. Her friends forgive her, and they get back to the game, with Joy at the console, letting Riley play simply because she loves hockey, not to prove a point to anyone.

We skip ahead to see Riley at high school where she is friends with Valentina and the other Firehawks. Anxiety starts to worry that Riley hasn’t made the hockey team, so Joy sends her to a calming massage chair, and reminds her that they did as much as they could and now cannot control the outcome so don’t need to worry about it. We also see that Anger has started to wear Pouchy, seemingly bonding over their shared love of dynamite! Riley sees a photo of Bree and Grace that they sent to her wishing her luck. Joy then says that Riley is still smart, she still likes hockey, but she can get things wrong, be a bit sarcastic, and be too hard on herself, but it’s all good because they love Riley for who she is. The final shot shows Riley looking happy as she checks her phone to see if she got on the team. I guess that means Riley did make the team, but I also suppose it doesn’t really matter, because that wasn’t the point of the story!

In a mid-credits scene, we see another dinner scene, like in Inside Out, where Riley’s mother’s Anxiety is concerned that Riley just said that hockey camp was “good”. Riley’s father’s Anxiety on the other hand is simply overruled by his other emotions and decides not to worry about it. In an end credits scene, Joy finds herself back at the Vault to discover what Riley’s deep, dark secret is. Deep Dark Secret tells Joy it is that Riley burnt a hole in the rug. Joy is surprised, thinking it was going to be the time Riley peed in the pool. Deep Dark Secret runs back inside the Vault, feeling ashamed.

CHARACTERS & CAST

Inside Out 2 returns with the same five emotions we saw in Inside Out, as well as Riley and her parents, but there are some new additions to the movie as well. These include Riley’s four new emotions, plus Riley’s two friends, Bree and Grace, and the Firehawks girls.

Starting with the emotions we already know, Joy, Sadness, Anger, Fear, and Disgust are all back, and we see that they have learnt to work together in harmony now. However, Riley’s new emotions threaten that balance and they struggle to work together, with this being a battle of old versus new. The old emotions think Anxiety is a nasty emotion in Riley’s mind especially as they are tossed out of HQ by Anxiety. Like Joy and Sadness did in the first movie, they must find a way back to HQ, going through different parts of Riley’s mind first to find her old Sense of Self before heading back to HQ. Although they think Anxiety is the villain here, by the end of the film, they learn that Anxiety was only trying to help Riley in the same way that the others were: by manipulating Riley’s memories and beliefs to make her into the perfect version of herself, which was wrong for all of them to do. They all come together to help Riley, and a new dynamic is formed between the nine emotions.

Amy Poehler returned to reprise her role as Joy, having been previously best known for her roles in Saturday Night Live (1975-present) from 2001 until 2008, and Parks and Recreation (2009-15), playing Leslie Knope. Poehler has most recently directed the movie MOXiE! (2021). Phyllis Smith returned to voice Sadness. She is perhaps best known for her role as Phyllis Vance in sitcom The Office (2005-13). Smith was later cast as Betty Broderick-Allen in the Netflix mystery drama series The OA (2016-19). Anger was once again voiced by Lewis Black. Black began his career in stand-up comedy, later appearing on The Daily Show (1996-present) to host a segment called Back in Black with Lewis Black, humorously commenting on news stories, which he still does today.

Sadly, the voices of Fear and Disgust, Bill Hader and Mindy Kaling, did not return to reprise their roles. This is reportedly due to a pay dispute. It is alleged that Amy Poehler was offered $5 million to reprise her role, whilst the other four actors were only offered $100,000 each. Despite some negotiations, Hader and Kaling could not come to an agreement with Pixar and they did not return to Inside Out 2, which is a real shame because it was only too obvious the voice actors had changed and it was quite jarring for me. I don’t know if this story is actually true, and I hope in a way it’s not, with scheduling conflicts being the reasoning for Hader and Kaling not returning, because this shows some disrespect on Pixar’s part for not recognising the calibre of actor they signed on[1].

Bill Hader, as Fear, was replaced with Tony Hale, who voiced Forky in Pixar’s Toy Story 4 (2019). Also in film, Hale was most recently cast as Soledad Yusuf in the thriller Opus (2025), and has also appeared as Ben Franklin in Quiz Lady (2022); as Ed in Netflix’s Woman of the Hour (2023); and as Mayor of Salem, Jefry Traske, in Disney’s Hocus Pocus 2 (2022). In television, Hale is known for his roles as Buster Bluth in Arrested Development (2003-19) and Gary Walsh in Veep (2012-19). Mindy Kaling, as Disgust, was replaced with Liza Lapira, who may be best known for her role as Mel Bayani in the crime drama series The Equalizer (2021-present). She was also cast as Liz in Crazy, Stupid, Love (2011); and as Robin in Don’t Trust the B—- in Apartment 23 (2012-14).

Also returning to the voice cast here were Diane Lane and Kyle MacLachlan as Riley’s parents, although they only feature at the start and end of the film, since there are no parents at hockey camp. Riley’s mother seems more worried about Riley in Inside Out 2, knowing she is a teenager now and wanting to help her navigate this tricky time. Riley’s father is just going about his business like normal really! Diane Lane has had roles in a variety of movies including as Cleo Trumbo in the 2015 biopic Trumbo (2015); and as Martha Kent in Batman v Superman: Dawn of Justice (2016), reprising the role for Justice League (2017). Kyle MacLachlan appeared in many television series, including Trey MacDougal in Sex and the City (1998-2004); and as Orson Hodge in Desperate Housewives (2004-12).

Riley, however, was recast, simply due to the fact a lot of time had passed between the first movie and the sequel, so Pixar wanted to cast a teenage actress, whereas Riley’s original voice actor, Kaitlyn Dias, was 25 by the time Inside Out 2 came out. Kensington Tallman replaced Dias in the role. I didn’t notice much difference in the voices between the two films so that was good. Tallman had previously had roles, such as Bianca in the Nickelodeon series Drama Club (2021) and as Tiffany in That Girl Lay Lay (2021-24), another Nickelodeon series, prior to Inside Out 2 being released.

Now to the new emotions. The primary one is Anxiety, who is controlling Riley’s newly sophisticated self, wanting her to fit in with the Firehawks during camp, so she can instantly have friends at high school and get a place on the hockey team. Since Riley is going to be without her best friends, Bree and Grace, Anxiety thinks this is a good time to drop those friends and find some new ones that she’ll actually see. It sounds harsh, but Anxiety genuinely thinks she is protecting Riley – until she realises all she’s done is make Riley think she’s not good enough and sent her into a massive panic attack as she tries to push herself to be better. Anxiety learns that she can’t control Riley in this way and with the help of the other emotions, she takes a backseat every now and again when things get too much. One issue I have with Pixar’s take on Anxiety is that she says near the start of the film that Fear is there to protect Riley from physical danger, whereas Anxiety projects potential future dangers. That sounds like a fair description, only Fear did Anxiety’s job during Riley’s first day of school in Inside Out, as he planned out all the worst-case scenarios for the day.

Anxiety was designed to be twitchy, fast-moving, and hyper aware, constantly thinking about what’s next. Her mind is focused on uncertainty and different potential scenarios, wanting to plan ahead to decide what to do if this happens or that happens. Anxiety is similar to Joy in some ways, by being a hard worker and wanting the best for Riley, with Anxiety almost looking like the “uncool” version of Joy with her wide eyes, big head, and crazy hair. Anxiety was voiced by Maya Hawke, perhaps best known for her role as Robin Buckley in Stranger Things (2016-present), appearing from Season 3. Hawke was also cast as Jo March in the 2017 BBC television adaptation of Little Women. More recently, Hawke played Jamie Bernstein in Maestro (2023) and June Douglas in Asteroid City (2023). Apparently, Inside Out 2 director Kelsey Mann met with Maya Hawke for her audition over Zoom as he was on a family vacation in Walt Disney World. He took the call from a backstage office building in Epcot’s Mexico pavilion[2].

Envy is meant to be the emotion that represents jealousy, but apart from a brief moment of Envy talking about wanting Valentina’s hair, I didn’t really see Envy do much envying. She was mostly treated like Anxiety’s little sidekick, helping with her plans. To be honest, outside of Anxiety, the other three new emotions felt like side pieces and weren’t fully developed as I feel the five core emotions were in the first movie. The filmmakers did struggle with the design of this character since envy isn’t a very likeable feature in people, and is often referred to as “the green-eyed monster”. Envy doesn’t look like that, and is actually quite small, with a big voice and huge eyes, supposedly meant to resemble the look of a sad puppy. Envy is meant to be an inspiration for Riley; she wants to be like Valentina and is envious of her skills, so it makes her work that bit harder, although it feels like that is more represented as Anxiety’s plan rather than Envy’s in this film.

Envy was voiced by Ayo Edebiri. Edebiri stars as Sydney Adamu, alongside Jeremy Allen White, in the comedy-drama series The Bear (2022-present), winning a Screen Actors Guild Award in 2024 for her role. She has also had some history with voice acting, voicing April O’Neil in the animated series Tales of the Teenage Mutant Ninja Turtles (2024-present) for Paramount+, and replaced Jenny Slate as the voice of Missy Foreman-Greenwald in the series Big Mouth (2017-present). Edebiri also stars as Ariel Ecton in the movie Opus (2025).

Because of Riley’s now-teenage mind making her say weird, awkward things in Inside Out 2, we had to welcome Embarrassment as another of Riley’s new emotions. The point of making Embarrassment a huge character was because embarrassment makes people want to hide and take the focus away from them. The Pixar filmmakers wanted Embarrassment to be so big that he physically couldn’t hide away. Instead, Embarrassment wears a hoodie which allows him to vaguely cover his red, blushing face. In Inside Out 2, Embarrassment doesn’t have a whole lot to do in HQ to be honest. His biggest contribution to the story is to allow Sadness to hide in HQ, to wait for the right moment to go against Anxiety. Clearly Embarrassment was not a big fan of Anxiety’s grand plan for Riley either.

Embarrassment, although he doesn’t say all that much in Inside Out 2 because he’s so shy, was voiced by Paul Walter Hauser, who has had roles in movies such as I, Tonya (2017), where he played Shawn Eckardt, Tonya’s bodyguard; in Late Night (2018), being cast as Eugene Mancuso; and in Cruella (2021), playing Horace. In television, he appears in the recurring role of Raymond “Stingray” Porter in Netflix’s Cobra Kai (2021-25) and as Travis in Season 2 of Apple TV+’s The Afterparty (2022-23).

Ennui is a bit of a strange emotion to describe, because it encompasses a few feelings such as weariness, dissatisfaction, and boredom, this being the general translation of the word from French to English. Ennui in Inside Out 2 was designed to look like a typical teenager who is “too cool to care”, slouching on the couch, looking at their phone. Pixar actually referred to her design as looking like a “wet noodle”! Ennui’s purpose in Inside Out 2 is to lessen the overexcitement in Riley’s mind, with her bored attitude balancing that out. With “ennui” being a French word, naturally, the Pixar team decided Ennui the character should have an authentic French accent[3]. Adèle Exarchopoulos voiced Ennui here. She received numerous awards for her role as Adèle in La Vie d’Adèle (2013), and was later cast as Clara Saint in the Ralph Fiennes directed movie The White Crow (2018). In 2024, Exarchopoulos starred in the movie Planète B as Julia.

Riley’s friends, Grace and Bree, who are very loyal to Riley despite Riley casting them aside in favour of “cool girls” for much of the movie, were voiced by Grace Lu and Sumayyah Nuriddin-Green respectively. Prior to Inside Out 2, Lu had appeared as Megan in the Disney Channel series Bunk’d (2015-24). Valentina, or Val, Riley’s idol and later friend and hockey teammate, was voiced by Lilimar Hernandez, who already had experience in voice acting prior to Inside Out 2, having voiced the character of Sage in the animated Nickelodeon series Knight Squad (2018-19); Cleopatra in the series Cleopatra in Space (2020-21); and currently voices The Batwing in the Cartoon Network series Batwheels (2022-present). Hernandez was also cast as Sophie in the live-action Nickelodeon series Bella and the Bulldogs (2015-16).

Outside of this, there are some other interesting voice cameos. Yvette Nicole Brown was cast as the strict Coach Roberts. Some of her earlier screen roles include being cast as Shirley Bennett in the sitcom Community (2009-15) and as Helen Dubois in Nickelodeon’s Drake & Josh (2004-07). More recently, for Disney, she was cast as Aunt Sarah in their Lady and the Tramp 2019 live-action remake, as well as receiving the role of Rosaleen in Disenchanted, the 2022 sequel to Enchanted (2007).

Other voice actors to mention are Dave Goelz and Frank Oz, known for their work with Jim Henson and his puppetry series, as well as Oz’s directorial work, returned to Inside Out 2 to voice their role as Mind Guards Dave and Frank, and John Ratzenberger returned to voice Fritz, this being his first role in a Pixar movie since 2020’s Onward. And for all UK viewers of Inside Out 2, Sam Thompson, from Made in Chelsea (2011-present) and various reality shows, including winner of I’m a Celebrity…Get Me Out of Here! (2002-present) in 2023, has a cameo role as Security Man Sam – the bigger guard with the aviators in the Vault escape scene – in the UK release of the film.

PRODUCTION

Inside Out 2 couldn’t have existed without the first movie, which was inspired by Pete Docter’s personal experience of seeing emotional changes in his daughter, Elie as she grew up. Docter was interested in creating a movie that explored the weird place between childhood and adulthood.

In September 2022, at the D23 Expo it was confirmed that Inside Out 2 would be released in Summer 2024 and would continue exploring the journey from childhood to adulthood, this time focusing on the teenage years as main character Riley reaches the age of 13. Meg LeFauve was back as co-screenwriter, now working with Dave Holstein, who has written for series such as Weeds (2005-12) and Kidding (2018-20). Kelsey Mann replaced Docter as the director of the sequel[4].

Mann began his research into the new story for Inside Out 2 by looking at childhood photos of himself. He noticed that as he aged and became a teenager, he started to smile less and less. This gradual apparent lessening of joy in his life around this time was an interesting concept and definitely something that he wanted to explore in Inside Out 2, since Riley becoming a teenager is a big emotional milestone in life so it was a natural progression from the girl we saw in Inside Out[5].

Because of this choice of age for Riley in the sequel, this meant a lot of discussions were needed with the filmmakers exploring their own experiences at that age. Inside Out 2 also benefitted from a majority female story team. Them and other female employees at Pixar were able to sit together and talk through their horror stories of being 13, to use their experiences to make Riley’s journey authentic. At this age, the similarities that cropped up in regards to emotions were feelings about being self-conscious and worrying about judgement from others. It was a difficult time, and it was decided at quite an early stage that they wanted HQ to be destroyed by a wrecking ball to represent the turmoil in the mind that happens as you become a teenager. Big questions also start to arise at this age, like who am I? Where do I belong? And am I enough? These are more emotionally complex emotions than the original five that featured in Inside Out.

To properly ensure Inside Out 2 felt representative of young people today, Inside Out 2 creators built a focus group of girls – dubbed “Riley’s crew” – ranging from the age of 13 to 19 who met every four months so they could be shown clips and moments from the movie and give their notes on them. This helped Pixar immensely and they were very impressed at how seriously the girls took their new role.

Initially, nine new emotions were going to show up, with Shame, Guilt, and Suspicion being just some of the rejected, scrapped new emotions. In the end, the filmmakers spoke to Dacher Keltner, psychology professor at the University of California, Berkeley, who discussed the subject of happiness with the creators of Inside Out. This time, Keltner told them they should focus on emotions that revolve around feeling self-conscious, so this helped them decide on their final choice of Ennui, Embarrassment, Envy, and Anxiety[6].

Some of this decision-making and eventual cuts and edits to the story of Inside Out 2 are evident from the deleted scenes that have since been released. For example, Shame would’ve been featured in a scene, which instead was altered and “given” to Anxiety. This is the anxiety attack scene, which began its life as a “shame spiral”. Here, Riley, Bree, Grace, Val, and the other Firehawks girls would’ve been playing a game of “Never Have I Ever”. Riley becomes jealous that Grace has been more daring than Riley has in her life, which impresses Val and her friends. To get back at Grace for this, the two begin using secrets from each others lives to embarrass them in the game, such as Grace saying she’s never stolen her mother’s credit card, knowing Riley has – we saw that in Inside Out. However, the game takes a disastrous turn when Riley reveals that Grace still wets the bed occasionally, which makes Grace, Bree, and the other girls turn on Riley for being so horrible to her friend. Riley then ran to the bathroom, where she became overwhelmed by Shame with Shame starting a storm in HQ, breaking everything apart, in a similar way to the anxiety attack that we see in Inside Out 2.

Another take on Anxiety had the emotion morph into some kind of supervillain. Riley was invited to a high school pool party, so naturally, she was feeling self-conscious, which wasn’t helped by Joy picking a childish swimsuit with a huge sun on it for her to wear. This was shown in a different deleted scene, which also saw Joy’s light fading and her unable to control the HQ console for unknown reasons. This scene also saw the emotions’ bedroom being shown for the first time, an idea that was kept in the final film. Anyway, at this pool party, Grace goes off with a guy called Joel, leaving Riley on her own. Joy manages to take over the console from Anxiety, causing Riley to act embarrassingly in front of all these high school kids, despite Grace telling her to stop. Riley continues with this and ends up accidentally pushing Grace into the pool. Grace cannot swim so has to be rescued from drowning. This is how Riley “hurt Grace” in this version of the film. The same line was used during the final hockey game in the final cut of Inside Out 2. Riley hurting Grace caused her to hate herself so much that Anxiety morphed into a scary character with blank, white eyes called Self Loathing, who tells the other emotions to point out all the reasons Riley is a loser in an effort to “protect her”. Joy wants to take control of Riley but continues to fade. The old emotions are pushed aside and fall out of the HQ window. It was decided Self Loathing was too much of one-dimensional villain so Anxiety stayed as Anxiety[7].

On the lighter side, there were some fun gags that were also cut from the film. One of these was a scene in Puberty Park, a new land in Riley’s imagination that had popped up once she became a teenager, which would’ve been just like an amusement park, complete with the ride “The Mood Swings”, a “House of Parental Embarrassment”, and a “Wall of Self Reflection”, with the star attraction being the “Emotional Rollercoaster”. There was also the idea of having a Procrastination Land, with its motto being “Always Under Construction”.

There are only four key new emotions in Inside Out 2, but there is one that only appears occasionally and does not contribute to the overall plot. This is Nostalgia, an emotion designed to look like an old granny. She appears from a door in HQ that could actually could be seen in Inside Out, as this door was meant to lead to Anger’s steam room in the original movie. Nostalgia appears through this door a couple of times in Inside Out 2, before being pushed back in by the other emotions since Riley isn’t really old enough to have experienced nostalgia yet! Nostalgia was voiced by June Squibb, who had voiced characters for Pixar and Disney prior to Inside Out 2, such as Gerel in Soul (2020) and the character Jimmy’s Grandma in Ralph Breaks the Internet (2018). Outside of this, Squibb most recently starred as Thelma in the 2024 movie of the same name, and is known for other comedic roles, like playing Estelle Dubois, Hubie’s mother, in the Adam Sandler movie for Netflix Hubie Halloween (2020)[8].

To match the new sophistication of Riley’s mind, Inside Out 2 also pushed boundaries to make their animation more sophisticated. I always like seeing when different animation styles are mixed. There is one scene in Inside Out 2 where this was most evident: in The Vault, the place where Riley’s secrets are held. The Vault looks like an actual bank vault, showing that Riley really doesn’t want her secrets getting out and embarrassing her. In The Vault scene, there are the five computer-animated emotions meeting three characters who are not like them. Firstly, we have the 2D animated characters of Bloofy and Pouchy. Bloofy is meant to resemble a character like Dora from Dora the Explorer (2000-19), being a simple two-dimensional character in a pre-school-type show, who talks to the audience and asks them direct questions, hoping the children watching are shouting out the answers at the screen. Sadly, Bloofy is not being watched by anyone so he spends a lot of time talking to the wall of The Vault, which makes the emotions question his sanity… Bloofy’s sidekick is Pouchy, clearly meant to represent the item bags that some of these children’s show characters have, where the correct item has to be selected. Bloofy was voiced by Ron Funches, a stand-up comedian and actor, known for his voice as Cooper in the Trolls franchise and currently appears as Howard in Apple TV+’s Loot (2022-present). Current SNL cast member since 2021, James Austin Johnson, was cast as the voice of Pouchy.

Alongside these 2D and 3D animated character is a video game character, Lance Slashblade, complete with that level of pixelation that these types of character have. Lance has long, flowing, purple hair, an angular face, and a sword that is shaped to look like a hockey stick. Despite looking like a video game character that would go and fight in hand-to-hand combat, Lance is part of a fictional game where characters battle by rolling themselves up into balls… Lance Slashblade is seemingly meant to resemble a character from the Final Fantasy series, which is quite appropriate since Yong Yea, the voice of Lance, has had voice roles in numerous video games including Final Fantasy VII Rebirth.

There is also the Deep Dark Secret, who is a tall figure, dressed entirely in black with just white eyes and a small flash of teeth. This character is in complete contrast to the colourful world of Riley’s emotions who are scared of Deep Dark Secret initially. Steve Purcell voiced the character. Purcell was a co-director and writer on Pixar’s movie Brave (2012) and voiced The Crow. He also wrote and directed the special Toy Story That Time Forgot (2014) and directed and wrote the Cars on the Road series for Disney+ in 2022.

Outside of these challenges, development on Inside Out 2 began during the COVID-19 pandemic in 2020, which led to filmmakers having to work from home and engage in remote working procedures. Since Inside Out 2 was not released until 2024, I wouldn’t say it was one of the movies most hit by the pandemic. But there was the additional challenge of the 2023 Actors Strike. Pixar completed 30 recording sessions with their actors in the 30 days prior to the strike, and another 30 in the 30 days after the strike to keep on schedule.

Pixar movies wouldn’t be complete without their usual Easter eggs, and one of these referenced the argument between the two Subconscious Guards in the first film, where they debated who was wearing whose hat, because one had written not his name but “My Hat” into his hat. During The Vault scene, you can see a guard’s hat with “My Hat” written into it. The Vault that the old emotions get locked in is a vault with the code ACX111 which is A113 in Roman numerals, with A113 being the classroom that many of the original Pixar creators studied in at CalArts[9].

Another thing to point out is Riley’s hockey jersey number. In Inside Out 2, she is wearing a hockey jersey with the number 28 on it, referencing the fact Inside Out 2 is Pixar’s 28th feature film. Also in the emotions’ bedroom, Joy has an origami figure of Bing Bong on the shelf by her bed, showing she has never forgotten him after his major sacrifice in Inside Out. She also has a figure of the iconic Pizza Planet truck. Pixar always like to include an Easter egg to their upcoming films, so in Inside Out 2, there is a memory ball of Elio in the sarcasm sequence. Elio is coming to theatres in Summer 2025[10].

Despite the usual positivity that is believed to be a key concept of working at Disney or Pixar, shortly after Inside Out 2 was released, former Pixar employees alleged that production on Inside Out 2 was messy, chaotic, and staff were overworked, with many people being laid off during production. There were further claims relating to themes in Inside Out 2 that were allegedly toned down or removed, specifically those relating to Riley’s sexuality. It has been said that after the backlash that came about from the kiss between two female characters in Lightyear (2022), Pixar employees were told to remove any element of this in Inside Out 2. It is possible they had initially planned for Riley’s infatuation with Val to be more like a crush, instead of Riley idolising this girl because she’s cool and plays hockey well. I have no idea how much, if any, of these complaints and comments are true, but it’s an interesting point to consider, whether Pixar did want to distance themselves from making any part of Inside Out 2 relevant to the LGBTQ+ community, as some viewers have been wanting Disney and Pixar to lean more into these themes for years now[11].

MUSIC

Even though the soundtrack for Inside Out was composed by frequent Pixar collaborator Michael Giacchino, the soundtrack for Inside Out 2 was composed by someone else. That person was Andrea Datzman; however, Datzman is not a stranger to Pixar having composed the music for the Dug Days (2021-23) series of shorts that premiered on Disney+ on 1st September 2021 as a spin-off to the movie Up (2009).

Some of Giacchino’s themes from the first movie, such as the iconic one first heard in the piece “Bundle of Joy”, were used in Inside Out 2. “Outside Intro”, the opening track in Inside Out 2 features this piece of music, as does “The Life of Riley”, which is the music playing as Joy catches us up on what’s been happening to Riley since we last saw her.

Datzman still made the Inside Out 2 soundtrack her own, wanting to use some rock elements in the soundtrack to match the toughness and physicality of hockey, showing how strong Riley is. This is apparent in the track “Go Team!”, which is played during the hockey match at the start of the film. The rock elements return for the piece “The Puck Drops Here”, for Riley’s final game at hockey camp.

The best instrumental track for me was “Mind at Freeze”, used for Riley’s anxiety attack. It was a big moment in the movie, to see not only Riley confused about what was going in her body but also Anxiety who was sure she was doing the right thing for Riley by pushing her. It’s an emotional moment to see all the emotions struggle against the panic that has consumed HQ and Riley and try to get everything back on track. The only critique I have of this scene is that in real life, if Riley was having a panic attack for the first time, I don’t think she would’ve come out of it as easily as she did in the film. It only felt like a scary moment whilst it was happening, but panic attacks can make you feel scared and uncertain even after it’s all over.

I also liked the dreaminess of tracks like “Creating a Sense of Self”, which played when Joy took Sadness to the Belief System for the first time, and I enjoyed hearing the return of the Triple Dent Gum jingle, which was written by Andrea Datzman, Pete Docter, and Bob Peterson, being performed by Datzman and Nick Pitera.

There was some additional music in Inside Out 2 outside of the score, like a very small snippet of “Bloofy’s House Theme Song” when we first meet Bloofy in The Vault. It was performed by Ron Funches, and written by Jennifer Rowekamp. There are three other credited songs that are used as background music in other similar scenes. When Riley is hanging out with Val and her friends, they are listening to music. This is when Riley pretends not to like the band Get Up and Glow. Here, a pop song seems to be playing, followed by a rock song, however, I couldn’t hear enough of the lyrics to hear which song it was. The same thing happened with the two locker room scenes. Although I believe the first time when Riley goes to the locker room with Valentina to meet her friends at hockey camp, the song used is “Growing Up” by American rock band The Linda Lindas; I have no idea about the other one. These outstanding three songs are “Baller Dash”, written by John Parker; “It’s The Time of Our Lives” written and performed by Paris Carney, Dakota, and Lachlan West; and “Can’t Slow Us Down” was written and performed by Henry Beasley and Simon Oscoft.

Although the Inside Out 2 soundtrack itself was not nominated during awards season, Andrea Datzman did win the Society of Composers & Lyricists Award for her work.

RECEPTION

After a premiere at El Capitan Theatre in Los Angeles on 10th June 2024, Inside Out 2 was released to theatres in the US on 14th June 2024, with the movie also being screened at the 2024 Annecy International Animation Film Festival on this date. Inside Out 2 hit theatres across the world in the days and weeks that followed. It was released in a wider aspect ratio in theatres to match the expanding console in Riley’s mind and the widening of Riley’s world now that she’s getting older. To compare, Inside Out was released in 1.78:1, with Inside Out 2 being released in 2.39:1, this seemingly being the Pixar standard now[12].

Inside Out 2 was heavily anticipated, even having the biggest animated trailer launch in Disney history thanks to its teaser trailer from November 2023 hitting 157 million views across social media in 2024 – a record that was later beaten by Moana 2[13]. This explains exactly how and why Inside Out 2 did so well at the box office.

From its opening weekend in North America, Inside Out 2 made almost $155 million in ticket sales, going on to make just under $653 million in this market. This combined with the $1.05 billion the movie made overseas gave Inside Out 2 a final gross figure of around $1.7 billion in total, against a reported $200 million budget. Inside Out 2 became not only the highest grossing animated movie of 2024 but became the highest grossing movie of 2024[14].

Inside Out 2 also became the only animated movie to make over $1 billion from overseas markets alone. The Lion King 2019 Disney remake earnt $1.1 billion internationally, but although it is technically CGI, it is classed as live-action by the company. Inside Out, on the other hand, ended up making just under $860 million at the box-office, putting it in the No. 7 spot of the highest worldwide grossing films of 2015 and second highest grossing animated movie of the year after Minions.

Thanks to the stellar financial takings of Inside Out 2, Deadpool v Wolverine, Moana 2, and Mufasa: The Lion King at the box-office in 2024, the Walt Disney Company had a good year in cinema when their Disney Parks were not doing so well, with global economic problems contributing to lower demand and the 2024 Paris Olympics being partially blamed for the lower footfall at Disneyland Paris[15].

It was also stated that Disney+ was finally profitable in 2024. Speaking of which, Inside Out 2 was released on Disney+ on Wednesday 25th September 2024, where it drew in 30.5 million views worldwide during the first five days of its release, becoming the No. 1 film premiere of 2024 and the best film premiere on Disney+ since Encanto (2021). The original Inside Out has had 121 million views globally during its time on the platform so far[16].

It’s not always true that if a movie makes a lot of money at the box office, then it must’ve had positive reviews from both critics and audiences. That was certainly not the case for Moana 2, for example. However, Inside Out 2 was received well by the majority.

Many liked seeing Riley grow in this movie with the introduction of her new emotions, and the message of the movie, about accepting yourself for who you are, being seen as very good and relatable to the modern world. It was heartfelt and creative, expanding on the original story. Some adults even said Inside Out 2 helped them with their own difficulties with anxiety. Everyone experiences anxiety differently though, and Riley’s anxiety was quite specific to teenage life, so take that with a pinch of salt. It didn’t help me in that way, but I did like its creativity and the cleverness of the new mind additions, like the Sar-Chasm and The Vault. I also enjoyed seeing more of Riley’s life in Inside Out 2, something which was overshadowed by Joy and Sadness’ journey in Inside Out.

On the more negative side, some claimed Pixar should not be trying to teach kids about anxiety, feeling it may’ve been too much for certain ages to cope with. Others felt the humour was forced, for example, the mind metaphors being too much at times. The story was criticised for being rushed through to get to the final message, which I didn’t really agree with; Riley was only at hockey camp for three days. Some didn’t like the hockey camp setting either and felt Turning Red (2022) was a much better movie for teaching children about puberty. I actually really didn’t like Turning Red so I disagree on that point. There was also disappointment that some of the cast did not return to reprise their roles, showing that I wasn’t the only one who could tell the difference in the voice actors.

During awards season, Inside Out 2 only won the NAACP Image Awards for Outstanding Animation Motion Picture. It was nominated for numerous awards though including Best Animated Feature at the Academy Awards, with Flow (2024) taking home the award; at the Annie Awards, where The Wild Robot (2024) won; at the BAFTAs, with Wallace & Gromit: Vengeance Most Fowl (2024) claiming the prize; and at the Critics’ Choice and Golden Globes, where The Wild Robot and Flow won respectively. At the Golden Globes, Inside Out 2 was also up for Cinematic and Box Office Achievement, but losing to Wicked (2024). Also at the Annie Awards, Inside Out 2 was nominated for other awards, including Voice Acting for Maya Hawke; Writing; Character Animation; and Production Design, where it lost to The Wild Robot in most categories, although the Writing award was given to Flow.

In comparison, Inside Out won the Oscar for Best Animated Feature, and was nominated for Best Original Screenplay at this ceremony too. This was also the case at the BAFTAs and the Critics’ Choice Awards. At the Annie Awards, it once again won Best Animated Feature, along with a list of others awards, including Outstanding Achievement for Directing; for Production Design; and for Writing just to name a few. Inside Out also won Best Animated Feature Film at the Golden Globe Awards, the Satellite Awards, and the Saturn Awards, amongst many others. It was named as the Best Animated Feature by the National Board of Review too.

LEGACY

Continuing the Inside Out franchise, Disney+ premiered the new series Dream Productions on 11th December 2024, having first being announced in 2023, with further details being released in 2024. It consists of four episodes, at roughly half an hour each, and is set between Inside Out and Inside Out 2. It sees the Dream Productions dream director trying to create amazing dreams for Riley in amongst studio politics.

Many of the voice cast from Inside Out 2 reprise their roles in Dream Productions, with the likes of Richard Ayoade and Maya Rudolph joining the cast as Kenny Dewberry, and Jean Dewberry respectively. Ayoade is known for his role as Maurice Moss in the British sitcom The IT Crowd (2006-13) and hosted The Crystal Maze (2017-20) and Travel Man (2015-present) in the UK as well. He has voiced roles in other animated movies, such as Early Man (2018) and The Lego Movie 2: The Second Part (2019), and Terry in Pixar’s movie Soul (2020). Rudolph is known for her roles in comedy movies such as Grown Ups (2010) and its 2013 sequel as Deanne; Bridesmaids (2011) as Lillian; and Disenchanted (2022) as Malvina. She rose to fame as a cast member on the sketch show Saturday Night Live from 2000 to 2007. Rudolph currently stars in the AppleTV+ comedy series Loot (2022-present) as Molly Wells. She also voiced the roles of Aunt Cass in Disney’s Big Hero 6 (2014) and Daniela Paguro in Pixar’s Luca (2021).

Dream Productions has since won the Annie Awards for Best Limited Series and for Outstanding Achievement for Voice Acting in an Animated Television Production for Paula Pell, who voiced Paula Persimmon, the dream director and head of Dream Productions both in this series and in Inside Out. She also voiced Riley’s mum’s Anger in Inside Out and Inside Out 2, and was a writer on SNL from 1995 to 2013.

During the summer of 2024, the Disney Parks set about promoting Inside Out 2 in the usual way: with meet-and-greets, speciality food and drink, and merchandise.

At Disneyland, specifically at Disney California Adventure Park, there was much promotion for Inside Out 2 during Pixar Fest 2024, which took place from 26th April to 4th August. This included the introduction of Anger as a meet-and-greet character, joining Sadness and Joy in meeting guests. There was also an Inside Out 2 collectible medallion available to purchase at this time, from the machine in Bing Bong’s Sweet Stuff store. More generally, Joy and Sadness were two characters to get involved in the Pixar Pals Playtime Party stage show that ran a few times a day. These two, along with a statue of Bing Bong, were also featured on a float of Bing Bong’s rocket during the Better Together: A Pixar Pals Celebration Parade. Scenes and music from Inside Out were also included in the Together Forever – A Pixar Nighttime Spectacular fireworks show. Outside of that, at the Animation Academy also at Disney California Adventure Park, guests could learn to draw characters such as Joy, Sadness, Anger, and Anxiety. There was even a short film displayed on the water fountains ahead of the water-based nighttime show World of Color – One at this park, themed to Inside Out 2 and its characters. The short was named “Emotional Rollercoaster”.

Also at the Pixar Pier location in Disney California Adventure Park, you can find the spinner ride Inside Out Emotional Whirlwind, where guests spin around in colourful mini-hot air balloons, designed after Inside Out characters. The area is themed to include the shelving in HQ complete with memory balls that are seen in the film, and statues of the five emotions.  This ride opened in 2019, and is a repurposing of a different ride that once appeared at Disney California Adventure: Flik’s Flyers from A Bug’s Land, which closed in 2018 to make way for Avengers Campus. Also at Pixar Pier, there is the Angry Dogs food stand, with Anger being featured on the stand’s signage. This stand obviously serves hot dogs. Then there is a sweet shop named Bing Bong’s Sweet Stuff, which has a statue of Bing Bong inside. The Pixar Pal-A-Round Ferris wheel, redesigned to match the new area of Pixar Pier, includes gondolas with different characters painted on them. Joy and Sadness are two of these.

Also at Disneyland, special PhotoPass Lenses featuring the Inside Out 2 characters were available to use on the Disneyland app, and at the Pixar Place Hotel, there was an exhibit all about Inside Out 2, featuring maquettes of the new emotions Anxiety, Ennui, and Embarrassment, as well as artwork from the film. The Pixar Place Hotel opened at the Disneyland Resort on 30th January 2024 and contains other references to Inside Out. There are small references to the movie “hidden” in murals and paintings throughout the hotel and in rooms. You also might be lucky enough to meet Bing Bong at Pixar Place Hotel, as he has been meeting guests in the area since the hotel opened. 

At Walt Disney World, Joy was given a permanent meet-and-greet location at Pixar Plaza in Disney’s Hollywood Studios around Summer 2024, where she still is today. Joy and Sadness used to have a meet-and-greet location at the Epcot Character Spot, back in 2016, however, this area was closed when Epcot was redeveloping around 2019 and 2020. Joy could then be seen at the ImageWorks, the exit of the Journey into Imagination attraction in Epcot until around 2024 when Figment became a meet-and-greet character in that location. There was also a photo opportunity in front of an Inside Out 2 mural on the walls in the Pixar Plaza area. A sneak peek at Inside Out 2 was also playing at Walt Disney Presents in Disney’s Hollywood Studios.

At Disneyland Paris, Joy met guests at the Worlds of Pixar area in Walt Disney Studios Park during June and July 2024, with Anger showing up as well. Joy was still there in December of that year. It is unclear if she is still there. There are also two small statues of Joy and Anxiety in this area. In shows, Joy appeared as part of the A Million Splashes of Colour parade which ran from February 2024 until the end of September that year. Music from Inside Out and scenes from the movie are currently part of the Disney Tales of Magic nighttime show at Disneyland Paris.

At Tokyo Disneyland, Joy and Sadness have been spotted by guests as recently as 2021. At Hong Kong Disneyland, in recent years, characters from the movie, like Joy, Sadness, and Anger, were included in the Pixar Water Play Street Party here for Summer 2024. It is possible they will return if this parade returns in 2025. The Inside Out theme and clips from the film were also used as part of the Momentous Nighttime Spectacular show at this park. Lastly, at Shanghai Disneyland, Joy and Sadness are a part of the Disney ColorFest Street Party here, as well as Mickey’s Storybook Express Parade. Moments from Inside Out can also be seen in the projections of ILLUMINATE! A Nighttime Celebration.

On the Disney Cruise Ships, specifically on the Disney Wish, is a sweet shop named Inside Out: Joyful Sweets. The characters may also be seen as part of Pixar stage shows and parties that take place on other Disney Cruise Ships. The five emotions of Inside Out were also a part of the Disney on Ice show from 2015. 

Plenty of merchandise has been released featuring the characters of Inside Out 2, including plush toys, books, clothing, mugs, and playsets. There was plenty of specially-themed food and beverage offerings at all the Disney Parks too, including an Inside Out 2 souvenir cup available at Shanghai Disneyland; themed popcorn buckets, along with a tutti-frutti flavoured popcorn, and themed doughnuts at Disneyland Paris; emotion-themed dessert lollipops at Hong Kong Disneyland, with flavours like Basil Lemon for Envy and Thyme Orange for Anxiety, as well as themed popcorn flavours, such as Wasabi for Disgust and Garlic for Embarrassment; emotion-matching coloured cheesecakes at Disneyland Resort; and an Inside Out 2 petit cake at Amorette’s Patisserie at Disney Springs in the Walt Disney World Resort[17].

Finally, in partnership with Airbnb, a house designed to look like the Inside Out 2 headquarters was built in Las Vegas, with the accommodation seemingly being at the top of a huge tower. This was only available to win as a prize from a competition, with 15 one-night stays available to win for stays in July 2024.

FINAL THOUGHTS

There wasn’t too much in Inside Out 2 that I found particularly relevant to my life, but there was one thing. Hearing Riley’s belief “I’m not good enough” a number of times was quite an uncomfortable experience. We’ve all had times when we’ve thought we aren’t good enough. That we’re losers, failures, and will never achieve anything. Well, maybe not everyone has felt like that. Some people are just lucky with their level of confidence, but I think the majority of us have felt like we just aren’t good enough sometimes.

I found Inside Out 2 to be enjoyable as a film, and quite funny in places, even if I didn’t relate all that much to Riley’s journey, however, I am aware that I grew up in a time without smart phones and social media apps, with these only becoming a major part of life by the time I was about 18, and I was not at school or in a key developmental time of life when the COVID-19 pandemic hit. I don’t personally know any teenagers but I’ve read numerous articles about how stressed and anxious young people are growing up today.

I believe that Inside Out 2 may’ve gone some way in helping teens understand how their minds are working and even if they can’t talk to their parents, I hope it’s opened up discussions with their friends and given the adults in their lives something to think about.


REFERENCES

[1] Credit: Samantha Crowell, ‘Inside Out 2: Why Mindy Kaling & Bill Hader Were Recast In The Sequel (Despite Having A “Great Time Working On Inside Out”)’, ScreenRant.com, 28th August 2024.

[2] Credit: Julie, ‘6 Emotional Details About The Making of ‘Inside Out 2’’, PixarPost.com, 16th April 2024.

[3] Credit: Pixar, “New Emotions”, from Inside Out 2 (2024) Disney+ (2024).

[4] Credit: Matt Grobar, ‘Inside Out Sequel Plans Confirmed By Pixar At D23’, Deadline.com, 9th September 2022.

[5] Credit: John Boone, ‘The Inside Story of ‘Inside Out 2’s New Emotions (Exclusive)’, Oscars.org, 13th June 2024.

[6] Credit: Petrana Radulovic, ‘Uncut Gems helped inspire Inside Out 2’, Polygon.com, 16th April 2024.

[7] Credit: Pixar, “Deleted Scenes”, from Inside Out 2 (2024) Disney+ (2024).

[8] Credit: Julie, ‘6 Emotional Details About The Making of ‘Inside Out 2’’, PixarPost.com, 16th April 2024.

[9] Credit: Pixar, “Unlocking the Vault”, from Inside Out 2 (2024) Disney+ (2024).

[10] Credit: Jazz Tangcay, ‘‘Inside Out 2’: All the Easter Eggs and Hidden References You Might Have Missed Including a Nod to Pixar’s Next Feature, ‘Elio’’, Variety.com, 22nd June 2024.

[11] Credit: Dani Di Placido, ‘Disney’s ‘Inside Out 2’ Controversy, Explained’, Forbes.com, 17th September 2024.

[12] Credit: Disney, ‘‘Inside Out 2’ Director Kelsey Mann on Navigating the Emotions of Leading the New Pixar Film’, TheWaltDisneyCompany.com, 12th June 2024.

[13] Credit: Disney, ‘‘Inside Out 2’ Garners Biggest Animated Trailer Launch in Disney History’, TheWaltDisneyCompany.com, 10th November 2023.

[14] Credit: Tim Lammers, ‘‘Inside Out 2’ Ends Its Theater Run. How Much Did It Make At Box Office?’, Forbes.com, 11th October 2024.

[15] Credit: Faarea Masud, ‘Inside Out 2 boost Disney as theme parks struggle’, BBCNews.co.uk, 7th August 2024.

[16] Credit: Disney, ‘“Inside Out 2” Is The No. 1 Film Premiere On Disney+ In 2024, Driving 30.5 Million Views Globally In 5 Days’, Press.Disney.co.uk, date unknown.

[17] Credit: Cayla Ward, ‘New ‘Inside Out 2’ Experiences to Love at Disney Parks, Plus All-New Products’, DisneyParksBlog.com, 14th June 2024.

#15 Inside Out (2015)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. PRODUCTION
  5. MUSIC
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

“Do you ever look at someone and wonder: what is going on inside their head?”

These are the opening words of Pixar’s Inside Out, the 15th movie to come from the studio, twenty years after their first movie, Toy Story, was released in 1995, becoming the first-ever computer-animated feature film.

Whereas Disney Animation is known primarily for animating fantasy and adventure stories, usually with some sort of children’s story or novel as inspiration, Pixar tend to base their movies simply in the relatability of human experience.

Although this is usually done with a fantastical twist, like the existence of monsters, or rats that can cook, or a little fish going missing in the ocean, there is still something about the plight of these non-human characters that us as people can connect with.

In the case of Inside Out, Pixar chose to actually look inside humans, basing their whole movie on how we think and feel. What would that look like? What is going on in our heads when we face conflicting emotions?

As well as chronicling the trials and tribulations of an 11-year-old girl during a particularly difficult move away from her hometown of Minnesota to the city life of San Francisco, Pixar took us inside the mind, personifying emotions, giving them responsibilities, and showing how memories are created.

When I first watched Inside Out, I remember thinking it was a very clever movie from Pixar. They showed us how memories might be stored, how thoughts are categorised, and what our imagination looks like in a way that was fun, colourful, and meaningful.

It was also very poignant, as it proved how useful sadness can be, trying to move us away from thinking that happiness is the only emotion people should feel, and that if they don’t, there must be something wrong with them. We now have a word for that: toxic positivity, a very unhealthy attitude to have.

Pixar rarely get a foot wrong when it comes to their films, though they have not always been perfect. However, Inside Out felt like a turning point for Pixar, as they’d made something not only entertaining, but significant. But it is worth noting that Inside Out might’ve been highly praised simply because it was released after the disappointing sequel Cars 2 (2011) and the prequel Monsters University (2013), with more sequels coming afterwards.

PLOT

Inside Out begins with the birth of its main human character, Riley. We see Riley as a baby and then go inside her mind to see Joy appear. Here, Joy can see through Riley’s eyes, watching her delighted parents. This moment creates Riley’s first memory, which Joy sees roll into Riley’s mind like a glass ball, and stack itself on nearby shelves. Joy is excited to help keep Riley happy throughout her life, expecting it to be just the two of them now.

But just a few seconds later, Sadness shows up as Riley cries for the first time. Over the coming days, other emotions join Joy and Sadness inside Riley’s mind. First, Fear, who keeps Riley safe from tripping over a cable whilst playing in the house; then Disgust, who saves Riley from being poisoned by broccoli; and Anger, who shows up to get Riley to voice her displeasure at being refused dessert if she doesn’t eat that broccoli!

As the years go on, Joy is pleased to find that the majority of Riley’s memories are all golden and happy, since memories match the colour of the primary emotion in that memory. At the end of each day, these memories are taken down to Long-Term Memory to be stored. Riley’s Core Memories are also golden and these power Riley’s personality, forming personality “islands” inside her mind, like Family Island, Friendship Island, Hockey Island, Honesty Island, and Goofball Island. As Riley has grown up though, Joy has been at odds with Sadness, not knowing what she is actually in “HQ”, as in Riley’s mind, for.

Joy knows that Riley is 11 now so doesn’t expect much to happen in her life. And yet Riley’s parents have packed up all their belongings and moving from Minnesota to San Francisco. The journey is long, so the emotions review some of Riley’s favourite daydreams about what their new house will be like. Riley is excited to see it, but when they arrive, she finds it is nothing special and is in fact very rundown and kind of dirty… Riley is horrified, but Joy tries to keep her spirits up. However, the more Riley sees of the house, the more her other emotions push Joy aside, creating bad memories of the place. To make it worse, Riley’s mother then tells her the moving van won’t be coming for days, and when Riley tries to lighten the mood by playing hockey in the house with a balled-up piece of paper, her dad is called out to work. Riley and her mother go out for pizza but discover that San Franciscans apparently have a love for broccoli on pizza. That is so wrong.

Riley’s emotions are struggling with what is going on, but none more so than Sadness, who keeps feeling the urge to touch happy memories, which turns them blue. Joy tells Sadness not to touch any more memories, but Sadness goes to touch a Core Memory and it falls out. Sadness cries she thinks she’s having a breakdown. Joy pushes the Core Memory back in to place, because without these, Riley’s personality “islands” will stop working and she’ll become a shell of her former self. Sadness is sent to read manuals and stay away from the main console of HQ. Joy is also concerned that many of Riley’s memories for that day are a mixture of Fear, Anger, and Disgust. That’s new.

That evening, Riley is sleeping on the floor of her new room in a sleeping bag, much to Disgust’s…disgust. Her mother comes upstairs to tell her that her dad is very busy with work and that the moving van is going to be even later, but she appreciates Riley taking it all in her stride and still making an effort to be happy. Despite Riley’s fear and upset at being forced to move here, she continues to put on a happy face. Now it’s time for sleep and Joy is on “dream duty”, excited to see what Dream Productions is putting on for the night. Joy is unhappy with their choice so puts on a memory of Riley ice skating with her parents instead.

The next day, Joy wakes up with even more enthusiasm than usual, waking the other emotions playing the accordion. It’s Riley’s first day of a new school and Joy wants it to be perfect. She orders Fear to write a list of all possible worst-case scenarios for the day; tells Disgust to choose a great outfit for Riley; and Anger is tasked with unloading daydreams from the Train of Thought in case Riley’s lessons are boring. Sadness, on the other hand, is confined to a circle which Joy drew on the floor, telling her not to step outside of it.

At school, Riley is immediately asked to introduce herself to the class by her teacher, something that Fear calculated was the worst-case scenario. Joy isn’t concerned though and Riley starts to talk a bit about Minnesota and how great it was living there… The emotions then see that Riley has started crying in front of everyone. Horrified, they turn around to find Sadness has stepped out of her circle and touched a memory, making it sad. They then notice that a Core Memory has been created – and it’s entirely blue. This is Riley’s first-ever sad Core Memory. Joy and Sadness fight over it, with Joy wanting to dispose of it, but as they fight, all of Riley’s Core Memories are knocked out of position, Joy picks them up but her, the memories, and Sadness are sucked into one of the tubes that transports Riley’s memories around the mind. They are thrown out of Headquarters, and dumped in Long-Term Memory. Joy and Sadness discover that none of Riley’s personality islands are working without the Core Memories, so they know they have to hurry back to HQ.

Joy and Sadness’s departure has left only Fear, Anger, and Disgust in HQ. It’s already apparent that Riley’s personality has changed as she sits slouched eating dinner with her parents. Her mother tries to ask about school but thanks to Disgust, Riley’s answer comes out sarcastic. This leads Riley’s mother to become worried and try to get Riley’s father involved. As we can see inside both of their minds now too, we know Riley’s father wasn’t paying attention, exasperating Riley’s mother. Riley’s father tries to contribute to the conversation but makes everything worse, inflaming the situation instead of calming it. This makes Riley angry and she is sent to her room. Riley’s father is pleased with how he put his foot down, but Riley’s mother knows it was a disaster… Riley’s dad tries to cheer Riley up later by acting silly but Riley is having none of it.

This brings us back to Joy and Sadness who are trying to navigate their way to HQ by walking along a thin bridge between Goofball Island and Headquarters. As Riley refuses to act silly with her dad, Goofball Island breaks away and Joy and Sadness run back to Long-Term Memory. Riley then falls asleep so Joy wants to be back in HQ by morning, but this means a long walk round to Friendship Island. Sadness doesn’t feel like moving but knows Joy will get lost in the maze that is Long-Term Memory. Sadness then shows she knows the route through so Joy drags her along with her. The next morning, they are still walking and Joy is annoyed to find that Sadness has touched all the bottom row of the Memory Shelves turning them blue. Joy sees some Memory Workers getting rid of old, faded memories, sending them to the Memory Dump to be forgotten forever. One of these that will never fade is the Triple Dent Gum jingle, which the workers like to send to HQ just for fun! Joy asks them for directions to Friendship Island but they walk away, ignoring her.

Back with Riley, she video calls a friend from Minnesota who tells her about this new girl on their hockey team and how amazing she is. Naturally, this upsets Riley who bluntly ends the call. This event causes Friendship Island to collapse just like Goofball Island, so Joy and Sadness cannot take that route now. They are back to walking again… Joy notices something pink seemingly taking some of Riley’s memories. Joy goes to confront him but he runs away, scared. It turns out Joy knows exactly who this. It’s Bing Bong, Riley’s imaginary friend. Bing Bong says he’ll help them get back to HQ, with Joy promising she’ll get Riley to remember him, as he is being forgotten, once they’re back.

Bing Bong tells them the best way to get back is to catch the Train of Thought which has a station in Imagination Land. Bing Bong takes them through a “shortcut” which is actually Abstract Thought. Some workers turn the area on as Joy, Sadness, and Bing Bong are walking through and they start to transform. First, they become fragmented, then deconstructed, then 2D, then simple shapes. They manage to jump out of Abstract Thought alive but have missed the train as they wait to regain their actual forms. There is another station through Imagination Land, so they keep walking, through French Fry Forest, Cloud Town, the House of Cards, where Bing Bong’s magical rocket/wagon has been left, and the Imaginary Boyfriend machine. At Pre-School World, Bing Bong’s rocket is taken by workers who are demolishing the whole area. Bing Bong is devastated to find that Riley is moving on from him. Joy tries to boost his mood, but it doesn’t work. Sadness then sympathises with him and they talk about Bing Bong’s sadness at things changing and him being forgotten. Joy is amazed to find that Bing Bong’s talk with Sadness has actually made him happier…

At HQ, Fear, Anger, and Disgust see Riley breaking down further. At hockey try-outs, without her Core Memory and Personality Island, Riley plays terribly and storms off upset, causing Hockey Island to collapse. Anger thinks he has a way of fixing this whole situation: by running back to Minnesota and creating new Core Memories. Disgust and Fear aren’t so sure, so they put a pin in that idea.

Back with Bing Bong, Joy, and Sadness, they have boarded the Train of Thought, but it stops soon after as Riley falls asleep. Luckily, they stopped right by Dream Productions. They decide to infiltrate the dreams to wake Riley up. On set, Sadness says they should scare her awake, but Joy doesn’t want to do that. Instead, they dress up like a dog and run onto the Dream Productions set. Joy and Sadness’s costume breaks apart though, so it looks like the dog has been cut in half. Bing Bong rushes on to set too to try and talk to Riley, and Dream Productions Security carry him out. This whole dream was being watched by Fear who was on Dream Duty too. He was unimpressed to say the least.

Joy and Sadness then go to the Subconscious where Bing Bong has been put in a cell. As the two try to enter the area, two guards see them and throw them inside. They follow a trail of candy wrappers to find Bing Bong in a cell made of balloons, sitting on top of a clown. This clown is Jangles and he is terrifying, which is why he is in the Subconscious; this is where all of Riley’s darkest fears live. Joy releases Bing Bong and then decides Sadness was right about scaring Riley awake, so they wake up Jangles and lead him to Dream Productions. Riley does wake up and they jump on the train. But at HQ, Anger decides they must take action and puts the running away thought in Riley’s head, by placing a literal light bulb in the console. Riley decides to do it, buying a bus ticket home, and stealing her mother’s credit card to pay for it, which breaks down Honesty Island.

On the train, Bing Bong picks up a memory of Riley playing hockey. Joy remembers that it was a day of celebration with her hockey team, but Sadness remembers that Riley actually was very sad that day after missing the winning goal in a big game. Honesty Island’s collapse causes the Train of Thought to derail and the three are pulled to safety by Memory Workers. They tell Joy Riley is running away. Sadness and Joy rush over to Family Island, the last personality island standing and go to a Recall Tube to get back to HQ. But as Sadness enters the tube, Riley’s Core Memories start to turn blue. Joy tells Sadness Riley needs to be happy and goes off without her. But the tube breaks, and as Bing Bong tries to help, he too falls, both of them heading right to the Memory Dump.

As Bing Bong loses hope that they’ll get out of there, Joy starts to cry and picks up the memory that they were just talking about. As she wipes a tear off it, she sees that this memory started off sad and then became happy. This shows to Joy that memories can have mixed emotions and that Sadness alerted others to how Riley was feeling so that they could come and comfort her to make her happy again. Joy knows she can’t just stay here, and finds Bing Bong’s rocket, powered by song power. The two get in the wagon and start to sing. They rise higher and higher…but it’s not enough. They keep trying but just can’t seem to get out of there. Bing Bong then realises he might be too heavy so at the last moment, he jumps out, causing Joy to make it back to Long-Term Memory. Looking down, she sees Bing Bong waving and then he fades away forever…

Back in San Francisco, Riley’s parents have discovered Riley is missing and so Family Island starts to fall. Joy quickly finds Sadness, who is floating on a cloud of tears, believing Riley is better off without her. Inside HQ, the emotions have discovered that Riley’s console is turning grey, and they cannot do anything to reverse Riley’s decision to run away. Joy then goes to the Imaginary Boyfriend machine and prints copies of the boys. She pushes Sadness towards Family Island. Using these boys, Joy basically makes a tower to stand on. She then tells them to fall forward, and she jumps onto the trampoline of Family Island before it falls, catching Sadness on the way. The two slam into one of the windows of HQ. Anger, Disgust, and Fear rush towards them, with Disgust winding up Anger so she can use his fire to break the window open. The three tell Joy to fix Riley, but she passes that responsibility over to Sadness. Sadness takes a deep breath and takes out the light bulb from the console, removing the thought from Riley’s head. She immediately gets off the bus.

At home, Riley’s parents are relieved to see she’s back unharmed. Sadness returns Riley’s Core Memories, turning them blue, which allows Riley to tell her parents that she misses home. It turns out her parents miss home too. The three comfort each other with a big hug. This creates the first mixed emotion memory for Riley. Family Island is restored.

One year later, Riley is twelve, and has begun to accept her new life in San Francisco, making friends, and joining the hockey team, with new Personality Islands forming too, like Boyband Island and Tragic Vampire Romance Island. Joy has also begun to accept Sadness in Riley’s mind, and more mixed emotion memories have been created. They soon find that the Memory Workers have expanded their console, with a new red button marked “Puberty” on it. Joy tells them not to worry about it; it can’t be that important.

In a mid-credits scene, we get to see inside the minds of others, including Riley’s teacher, who is counting down the days until she can go on vacation, seemingly to meet up with the same helicopter pilot that Riley’s mother once knew; a cool girl from Riley’s school who is finding it exhausting keeping up this façade that she’s too cool to care; and even a cat’s mind, where its Fear emotion plays about with the console, making the cat randomly go crazy in the real world. Oh, so that’s why cats do that!

CHARACTERS & CAST

Joy believes herself to be the leading figure of the five emotions that reside in Riley’s mind. She was the first one to be there to support Riley and she has vowed to keep Riley happy for the rest of her life. Happiness is the key emotion that many people strive for, however, that does not mean that you have to spend every day and every minute of your life feeling happy. That’s unrealistic and not even sustainable. So, on this journey through Riley’s mind, Joy has to accept that she cannot be the driver of Riley’s life all the time, and that even though she perhaps views the other four emotions, particularly Sadness, with scepticism over how much they improve Riley’s life, Joy has to accept that Riley can’t always be happy and that sometimes Sadness is necessary to help Joy do her job. Because Joy is enthusiastic and positive, she was designed to be a constant glowing spark, her light shining on to those around her, with a big sunny smile to match. Joy’s shape was based on a star.

Joy was voiced by Amy Poehler. Poehler was a cast member on the sketch comedy series Saturday Night Live (1975-present) from 2001 until 2008. After that, Poehler was cast as Leslie Knope in the popular sitcom Parks and Recreation (2009-15), for which she was nominated for numerous Primetime Emmy and SAG awards, winning a Golden Globe in 2013 for her role. She is also known for her collaborations with former SNL writer and performer Tina Fey, being cast as Regina George’s mother in Mean Girls (2004), written by Fey, and appearing alongside her in other movies like Baby Mama (2008) and Wine Country (2019), with the latter being directed by Poehler. Poehler won a Nickelodeon Kids’ Choice Award, a Women Film Critics Circle Award, and an MTV Movie Award for her voice role here.

Sadness is the least confident of the emotions, being quite insecure and unsure of her purpose in Riley’s mind, probably because Joy has spent eleven years trying to keep Sadness away from Riley’s memories and the HQ console so she doesn’t mess anything up. After helping Joy journey through Riley’s mind, Sadness is “rewarded” with Joy ignoring all of her ideas, like scaring Riley awake which turns out to work, and is then left behind by Joy as she tells Sadness Riley needs Joy more than her, causing Sadness to fly around on a cloud, crying her eyes out, believing she is useless and harmful to Riley. Joy has to convince Sadness that she was wrong all along and that Riley needs to feel sad at times to improve her mood. In the end, Sadness is the hero who makes Riley feel again. Sadness was initially going to be a male character named Bud who looked like a big blue blob. Sadness was then redesigned by artist Albert Lozano, who drew Sadness to look more like his mother. Sadness is shaped like an upside-down teardrop[1].

Phyllis Smith was the voice of Sadness. She is perhaps best known for her role as Phyllis Vance in sitcom The Office (2005-13), as well as her appearances in comedy films such as Bad Teacher (2011), alongside Cameron Diaz. Smith won the Annie Award for Outstanding Achievement for Voice Acting in a Feature Production for her role as Sadness.

The next emotion to mention is Fear, the one who alerts Riley to real-life physical threats, like tripping over things or getting hurt, as well as the emotionally-charged dangers, like being laughed at on her first day of school. Fear is incredibly neurotic, getting worked up at the smallest thing, and catastrophising everything, but hey, I guess that’s his job. Fear was shaped to look like a nerve.

Bill Hader was cast as the voice of Fear. Hader was a cast member on Saturday Night Live (1975-present) from 2005 until 2013, also appearing in comedy films such as Forgetting Sarah Marshall (2008) as Brian Bretter and Night at the Museum: Battle of the Smithsonian (2009) as George Custer during this time. He had also voiced roles in animated movies prior to Inside Out. These roles include the main role of Flint Lockwood in Sony Pictures’ Cloudy with a Chance of Meatballs (2009) and its 2013 sequel; and Guy Gagné in DreamWorks’ Turbo (2013). Hader has voiced characters in other Disney and Pixar movies too, including J.P. Spamley in Ralph Breaks the Internet (2018) and Featheringhamstan in Lightyear (2022). Hader also co-created, partially directed, and starred in the dark comedy series Barry (2018-23), for which he won two Critics’ Choice Awards and two Primetime Emmy Awards for his acting role, and three Directors Guild of America and three Writers Guild of America Awards for his creation of the show.

Another emotion we meet is Disgust, who was initially designed to be disgusting herself, before the animators decided that wasn’t an appealing character design. Instead, she ended up being shaped like a piece of broccoli, which she ironically despises, albeit a well-dressed piece of broccoli! Disgust is first introduced to tell Riley not to eat the broccoli she is about to be fed, but her disgust spans more than just food, moving into fashion choices and even Joy’s suggestions about just going up to cool girls and talking to them!

Disgust was voiced by Mindy Kaling. Kaling was also cast in The Office (2005-13) in the role of Kelly Kapoor, before creating her own show, The Mindy Project (2012-17), where she starred as Dr. Mindy Lahiri. She has also appeared in comedy films, such as Ocean’s 8 (2018) where she was cast as Amita, and Late Night (2019), playing the part of Molly Patel. Kaling recently co-created a new show for Netflix, Running Point (2025-present), which stars Kate Hudson in the main role. Kaling is no stranger to voice acting either, having voiced the characters of Taffyta Muttonfudge in Wreck-It Ralph (2012) and Val Little in Monsters at Work (2021-present) for Disney; and the title role of Velma in the animated Scooby-Doo spin-off series Velma (2023-24).

The final emotion to mention is Anger, who is obviously the one who gets angry at everything, wanting things to be fair for Riley and not wanting to feel disrespected by anyone. Anger is the primary driver behind the idea to get Riley to run away and go back to Minnesota, something that he felt was a good idea after being annoyed at their lack of progress in creating Core Memories without Joy. He was basically at the end of his tether, but even Anger accepts that this was not the way to fix Riley in the end. Anger is rigid and immovable, so his character design was shaped to be like a brick[2].

Anger was voiced by Lewis Black. Black began his career in stand-up comedy, later appearing on The Daily Show (1996-present) to host a segment called Back in Black with Lewis Black, humorously commenting on news stories, which he still does today. Black also had his own series on Comedy Central titled Lewis Black’s Root of All Evil (2008).

The other main character in Riley’s mind is Bing Bong, Riley’s imaginary friend, a creature that is part cat, part elephant, part dolphin, made of cotton candy and cries candy! Bing Bong has found himself living out the rest of his days in Riley’s Long-Term Memory but fears he will be forgotten soon as Riley is growing up and no longer needs an imaginary friend. He hopes that by helping Joy and Sadness get back to HQ that they’ll be able to get Riley remember him, but that never happens. Instead, Bing Bong sacrifices himself to the Memory Dump to allow Joy to return to HQ and make Riley happy again. It’s a heart-breaking moment, seeing Bing Bong fade away in that place…

Bing Bong is the most lovable and likeable of all the characters in Inside Out and I think that has a lot to do with his voice actor, Richard Kind. On stage, Kind has appeared in a variety of plays and musicals, including as Max Bialystock in The Producers Broadway production from 2004 to 2005, and at the Hollywood Bowl in 2012; as Andre Thibault in a 2005 Broadway production of Dirty Rotten Scoundrels; and as Marcus Hoff in The Big Knife, for which he was nominated for a Tony Award for Best Featured Actor, and won the 2013 Drama Desk Award for Outstanding Featured Actor in a Play. On screen, Kind was recently seen in Season 4 of Only Murders in the Building (2021-present), playing the part of Vince Fish, and as Caroll Mintz in the Hulu series Mid-Century Modern (2025). He also appeared in Tick, Tick…Boom! (2021) as Walter Bloom, and portrayed Rudy Giuliani in Bombshell (2019). Kind had also previously worked with Pixar prior to Inside Out, having voiced Molt, Hopper’s brother, in A Bug’s Life (1998) and Bookworm in Toy Story 3 (2010).  

For the human characters, we have Riley and her parents. Riley is initially a very happy child, having a keen interest in hockey, getting on well with her parents, and having lots of friends. Even when they move to San Francisco and things aren’t looking so great, Riley tries her best to make the most of the situation, although it is difficult. It’s not until Joy and Sadness depart HQ that Riley really struggles, losing parts of her personality and slowly becoming emotionless, to the point that she feels like running away is the best option. Thanks to her acceptance of how she feels about the move, and Joy and Sadness returning to HQ, she is able to go to her parents and tell them how she feels. Her parents are non-judgemental, caring figures so they listen to Riley’s thoughts, and tell her that they feel the same way, missing home and feeling a little bit scared too.

Riley was voiced by Kaitlyn Dias, who apparently pictured her cat dying in order to cry on cue for the recording of Riley’s most emotional moments. Talk about commitment to the role[3]! For Dias, this was one of her first roles, winning a Young Artist Award in 2016 for the category Best Performance in a Voice-Over Role – Young Actress. Diane Lane voiced Riley’s mother, having roles in a variety of movies including as Cleo Trumbo in the 2015 biopic Trumbo (2015); and as Martha Kent in Batman v Superman: Dawn of Justice (2016), reprising the role for Justice League (2017). Kyle MacLachlan voiced Riley’s father, who had roles in many television series, including as Special Agent Dale Cooper in Twin Peaks (1990-1991; 2017); and as Trey MacDougal in Sex and the City (1998-2004).

Those are all the main characters, although there are some other fun voice cameos. Two of these are Frank Oz and Dave Goelz who voiced the guards who guard the Subconscious. Oz and Goelz are well-known for their puppetry work and collaborations with Jim Henson on the Muppets; Fraggle Rock (1983-87); and Sesame Street (1969-present). Oz has also directed movies such as The Dark Crystal (1982), Dirty Rotten Scoundrels (1998), and Little Shop of Horrors (1986). Goelz voiced Figment in the 2002 version of the Epcot attraction Journey Into Imagination with Figment.

Then there is Rashida Jones, known for her roles as Karen Filippelli in The Office (2005-13) and Ann Perkins in Parks and Recreation (2009-15), amongst many others, who voices the Cool Girl’s emotions, and of course, John Ratzenberger appears as Fritz, the Mind Worker who installs the updated console in HQ at the end of the movie. Ratzenberger had voiced a character in every Pixar movie up until Onward (2020) but would not return as a voice cameo for the studio until the release of Inside Out 2 (2024).

PRODUCTION

The basic premise of Inside Out came from the personal experience of Inside Out director Pete Docter and his daughter, Elie. Elie was the inspiration for 11-year-old Riley, with Elie Docter having previously been the model and voice actor for Young Ellie in Up (2009).

It is not unusual for parents to notice a change in their children, especially as they enter adolescence, and this was the case for Docter, who said his daughter had been outgoing, energetic, and goofy, but she all of a sudden became quiet, self-conscious, and moody, getting panicked about school sometimes. Docter wanted to understand what might be going on inside Elie’s head, so he made a movie about it!

Docter was interested in that weird place between childhood and adulthood, where the mood can switch between wanting to be a kid and play around and wanting to be treated like an adult, seemingly at random. Though Elie Docter adjusted to becoming a teenager, being sixteen at the time Inside Out was released, Docter wanted to show what it might be like inside the mind of the child when the parents see the light go out in their child’s eyes, and they become emotionless and difficult to reach.

Docter also used some of his own experience growing up in Minnesota, like Riley. He had found middle school particularly stressful, being labelled as a “geek” for not being good at sports, with this causing some social anxiety. Docter even had his own imaginary friend like Riley. Docter’s imaginary friend was a small elephant called Norma who drove a car[4]!

Docter, screenwriter Meg LeFauve, who also wrote the screenplay for Pixar’s The Good Dinosaur (2015) around this same time, and Josh Cooley, who had worked as a story artist on Ratatouille (2007) and Up prior to Inside Out, began writing the story for Inside Out around 2010. However, as is the case with the majority of movies, although the basic idea of Inside Out was there, it took some time to properly decide on the overall plot of the film, with ideas being thrown in and tossed out over the coming months and years of development.

Joy was the most challenging character in Inside Out, because she represents the simplicity of childhood, but how does that relate to a girl who is quickly growing up? Initially, it was thought that perhaps Joy just wanted Riley to be happy so the whole story revolved around making Riley enjoy every day of her life, but that quickly became monotonous and superficial. So, the filmmakers thought: what if Joy is so passionate about keeping Riley in the safety and joy of childhood that she becomes nasty? Some of the Inside Out deleted scenes shed light on what this might have looked like. For example, there were moments when Joy was being self-centred and blind to the world, like not understanding why Riley would have to do chores and do homework at her age, and why she shouldn’t still be playing with her food or messing about during concerts. There was another scene of Riley at school where Joy was trying to get Riley to forget about making friends, something that the other emotions were actively wanting for Riley, and to go play on the monkey bars instead, and even said she wanted Riley to spit in these girls’ faces. Riley refused to listen to these “voices in her head” and made friends anyway, much to Joy’s surprise.

This idea didn’t work because it made Joy a difficult character to like. It was then decided that Joy should be paired up with another emotion through Riley’s mind, because then she’d have someone to bounce off and learn things from. Initially Joy was paired with Bud, an early design for Sadness, but the characters didn’t work together. Joy was later paired with Fear, with some of this storyline present in the deleted scene “Imagination Park”. Here, Joy was trying to get back to HQ, but Fear thought Joy was heading back to take it over, presumably to make Riley stay a child forever. Joy managed to outrun Fear who was chasing her with a Mind Worker, and get into Imagination Park. Joy continues to run through the area, still being pursued by Fear until she leads him into a room where a monster tries to get him. Fear sucked the monster up into a memory tube, but accidentally sucked himself into it too. Joy picked up the gun with Fear inside, with Fear apologising for his actions.

Joy paired up with Fear didn’t work either, so she was eventually paired up with Bing Bong, who was made to be Joy’s tour guide through Riley’s mind, but was also a type of radical non-conformist, dead set against the demolition of Imagination Park and expansion of the area to include areas about boys, sarcasm, and swearing. Bing Bong took Joy into this area and encouraged her to throw bricks at the workers. They ran out of the area to catch the train, despite the fact Joy was aware they were not even being chased.

There were other story ideas that just didn’t work. One deleted scene showed Joy looking for a Core Memory she had dropped in some water, and swimming to a beach where she found the memory broken. On the beach was a big house. Joy went inside and saw a young Riley dancing in a room. Young Riley wanted Joy to dance with her forever, but Joy finally accepted that she had to let go of Young Riley and allow her to grow up. Another early draft saw multiple emotions residing inside Riley’s mind, each with their own name that wasn’t just their emotion. For example, Fear was once called Freddie and Anger was called Ira. Preston, the Pride emotion, was a core member of the group initially, later replaced by Disgust, and other emotions such as Ennui and Schadenfreude made cameo appearances[5].

It’s evident that many different ideas were bounced around during early development on Inside Out, but a couple of years into the making of the movie, Docter found himself overwhelmed by this struggling story and uncertain of whether this was the movie he should be making. Joy was unlikeable, trying to resist Riley growing up, and there was no concept of Riley adjusting to a move from Minnesota to San Francisco. Docter knew something wasn’t right with his story, and went for a walk to try and figure out how to fix it.

Through this walk, Docter contemplated the relationships in his life and the fact that they were the most important thing to him. Docter recalled all the happy moments he’d had with family and friends, but he also knew that he had been through many sad, troubling times with these same people. It appeared to be a real light-bulb moment, where it became clear that this movie had to be about Sadness and Joy, with Sadness teaching Joy the lesson that happy moments can sit alongside sad moments[6].

With this new plan in mind, Docter knew the whole movie would have to be re-storyboarded and would mean going through the producers, Pixar president Ed Catmull, and Chief Creative Officer at Pixar John Lasseter, to approve as this would affect the movie’s production schedule. Despite Docter’s worries, they were very understanding and allowed the film to go through some major re-writes[7].

There was also additional help from scientist and psychologists, who explained the nature of emotions and the science of memory to help the Pixar filmmakers with their story. According to psychologist Paul Ekman, there are six key emotions: Anger, Fear, Disgust, Joy, Sadness, and Surprise. Obviously, Pixar made their core team around five of these emotions, with Surprise being considered too similar to Fear and being dropped. It was also decided that different emotions would drive characters’ minds in Inside Out, so Riley is driven primarily by Joy in childhood, however, during the dinner scene where Riley gets in an argument with her father, you can see that Riley’s mother’s mind is headed up by Sadness, whilst Riley’s father’s mind is driven by Anger. This wasn’t meant to be a stereotyping of male and female adults, but instead, was meant to show that Joy likely will not be leading Riley’s console into adulthood, but another emotion will.

Emotions are heavily linked to memories, both in Inside Out and in the real world, so discussions about memories were also necessary for research. Pixar talked to the Mind Brain Behavior Institute in Columbia, who said that the most emotionally charged memories are the ones that are most likely to be remembered. They also stated that when we recall a memory, we are actually making a copy of that memory, not remembering it as though it has just happened. This creates some reliability even in eye witness accounts as not only can emotions alter facts, but memories change and can be altered based on conversations with others and outside influences, meaning they aren’t all that reliable[8].

This idea of memories not being overly reliable isn’t particularly relevant to Inside Out, since Riley isn’t a witness in a court case or anything, however, the memories being emotionally charged is relevant to the movie, as we see when Sadness and Joy are discussing the same memory about Riley and her hockey team, but are remembering it differently, with Joy remembering the happy celebratory mood of Riley’s teammates and parents, and Sadness remembering the guilt and upset at not scoring a winning goal.

Other mind-related topics were explored and researched too. Dacher Keltner, psychology professor at the University of California, Berkeley, discussed what makes people happy with true deep happiness not being about material things, like wealth and expensive things. Dreams are another factor of the mind present in Inside Out. The use and meaning of dreams are debated heavily in science, with some saying they are the brain’s way of working out issues, whilst others reckon they are just random firing of neurons and mean nothing much at all[9]. For Inside Out, to avoid this debate, the filmmakers chose to make dreams a form of entertainment, being created and filmed like a movie, with Dream Productions being reminiscent of a working movie studio.

In terms of animation, we get to see a representation of the real world, complete with landmarks of San Francisco, like the Golden Gate Bridge. Alongside that, we see a colourful, cartoony version of the human mind. If Pixar had chosen to visually represent the brain, it would’ve been fairly simple, as we have access to scans of the human brain, what it looks like and how it works. But this is the mind, not the brain, which is much less easy to understand and even more difficult to represent.

Pixar made the mind a bright, colourful place, with clever ways of representing turns of phrase or metaphors we use when discussing the inner workings of our minds, such as the Train of Thought being an actual train, and Abstract Thought getting its own space, where Sadness, Joy, and Bing Bong are broken down from their 3D forms down into basic shapes, like they are being “de-animated”. We also see that memories are created in what seem to be glass balls, with these being stored in shelves in HQ before being unloaded into Long-Term Memory, where memories are stored again on shelves, with faded or useless memories being disposed of in the Memory Dump, where the mind then forgets them. Pixar even thought about how we get random songs pop into our heads, like the Triple Dent Gum jingle. In Inside Out, the Mind Workers like to send the memory up into HQ where it then plays. There are so many other clever ideas in Inside Out that you can sometimes get caught up in the cleverness of the film and forget about the emotional core of the story.

Every Pixar movie has to have a list of Easter eggs and Inside Out is full of them. For instance, when Riley is video chatting her friend, there are a list of Riley’s contacts on the left-hand side of her screen. These include DocPete, Ronnify, and Domeeeee. These names relate to Pixar employees who worked on Inside Out. DocPete is obviously Pete Docter, the director; Ronnify is likely Ronnie del Carmen, who was co-director and co-creator of the story, having been a story artist on other Pixar movies such as Ratatouille (2007) and WALL-E (2008) previously; and Domeeeee is Domee Shi, a storyboard artist on Inside Out, going on to direct the feature films Turning Red (2022) and the upcoming Elio (2025).

There are also references to other Pixar movies. The Chinese takeaway boxes that Riley and her parents are eating from resemble those of Harryhausen’s in Monsters, Inc. (2001); the memory of Riley sliding down a slide looks just like the one in Sunnyside Daycare from Toy Story 3 (2010); and that memory of Riley and her parents taking pictures by dinosaur statues on their drive to San Francisco are a reference to the movie release that came after: The Good Dinosaur (2015), with those dinos matching Arlo, the main character, and the eccentric Styracosaurus Forrest Woodbush.

For the necessary Pixar Easter eggs that appear in every Pixar film, A113, the number that represents the room that many of the original Pixar animators studied in at CalArts, is the number of Riley’s classroom door, and can also be seen in graffiti on the streets of San Francisco. The iconic Pizza Planet truck is pictured in two memory balls, one during the scene of Joy chasing Bing Bong through Long-Term Memory and the other whilst they are on the Train of Thought.

In 2013, at the D23 Expo, the logo of Inside Out was revealed as were the five emotions that the movie would focus on, although the logo did become something very different in the end. The original logo seemed to be the outline of a human head with “Inside Out” written inside it. About a year before Inside Out’s release, Pixar screened the movie to children, concerned it was too confusing and complex. They were delighted to find that kids did in fact understand it, and used information from the film to help them open up to their parents about how they were feeling[10].

Disney Parks fans might have noticed after viewing the movie that Inside Out is quite similar to a now-closed Disney theme park attraction. This attraction was Cranium Command which opened in the Wonders of Life pavilion in Epcot at the Walt Disney World Resort on 19th October 1989. It consisted of a short-animated pre-show, followed by a theatre experience. In this pre-show, guests saw General Knowledge talking to a group of recruits about their important job of piloting human brains. A small, young recruit named Buzzy is late to this meeting, annoying General Knowledge, who then forgets to assign him to a brain to pilot, meaning Buzzy is left with the most difficult brain: the brain of a 12-year-old boy! Guests were then led to a theatre, where they saw a stage of control panels and screens and were reunited with Buzzy, now in full Audio-Animatronic form. With this animatronic and screens, we saw Buzzy interact with different parts of the body, like the Stomach and the Bladder, to get Bobby, the boy whose brain is being piloted, through a day at school where he gets in trouble for fighting and meets new girl Annie. Cranium Command ran until 1st January 2007, when the Wonders of Life closed permanently as a pavilion, becoming used as an Epcot Festival space for a few years. I loved Cranium Command and remember watching it a lot when I was younger during my trips to Walt Disney World. My mum and I would go and see that whilst my dad and older sister went on the simulator ride Body Wars which was too gross and intense for me!

Strangely enough, the closing of Cranium Command was not the end of Buzzy’s story because around 2018, when “urban exploring” was all the rage – especially for those with YouTube channels – many liked to break into the Wonders of Life pavilion, since it was no longer being used. The Buzzy animatronic was stolen around this time, with only the animatronics’ clothing being tracked down, to NBA player Robin Lopez and his friend who had bought the clothing, unaware that the items had been stolen. The Buzzy animatronic has never been found…

Cranium Command was not stated as a specific source of inspiration for Inside Out, however, the similarities are clear if you know of this attraction. Pete Docter had interned as an animator at Disney early in his career and was sent to work on the animated sequence for Cranium Command. Docter did not initially notice these similarities between the attraction and his film until they were pointed out to him, though he did admit it must’ve been in his subconscious somewhere[11]!

MUSIC

The soundtrack for Inside Out had to evoke feelings of imagination and wonder, alongside big emotional moments.

The iconic theme for Inside Out can be heard in the opening track “Bundle of Joy”. This piece of music sums up the whole style of the movie. This theme is repeated in different places throughout the movie, usually in scenes of HQ and more familiar parts of Riley’s mind, like Long-Term Memory.

However, there are other parts of Riley’s mind that are very unfamiliar to Joy and Sadness, such as Abstract Thought. It initially looks like Bing Bong, Joy, and Sadness are just going to walk through an empty building but when it is turned on, Abstract Thought becomes a strange place. The piece “Abstract Thought” mimics the terror and confusion that these three characters feel as they begin to deconstruct and try desperately to get out. Another area with its own piece of music is “Imagination Land”. This sounds just like the music you’d hear in an amusement park; it’s bouncy and cheerful.

The track “The Subconscious Basement” had to feel scary and like something bad could happen at any moment, to match the dark corners of Riley’s mind where her greatest fears are held. At this point, Joy and Sadness have had to go into the Subconscious to rescue Bing Bong who was dragged there by security. Whilst there, they encounter a huge, creepy clown called Jangles. “We Can Still Stop Her” is another scary moment, but this time it takes place in the real world, as Riley goes to catch a bus back to Minnesota on her own. Again, it feels like something bad could happen to Riley, and is almost more terrifying because it’s a scene from the world we know, so we are aware of what could’ve happened.

In amongst those moments, Giacchino’s score also had to match weighty emotional moments, however, instead of turning to big orchestral sounds, he went small on these pieces, knowing that when someone needs help with their feelings, it’s better to be quiet and supportive, just taking in what they’re saying. This is evident in “Joy Turns to Sadness/A Growing Personality”, which can be heard when Riley returns home to her parents and tells them she’s miserable being away from Minnesota. The main theme returns here too, as the end of this piece becomes happy, and we learn that Riley is slowly adjusting to her new life.

There are also two other “songs” that appear in the film. One is the catchy Triple Dent Gum jingle, which is meant to resemble those annoying, little tunes that you can hear on television adverts that then get stuck in your head for days, and Bing Bong’s song about his magical rocket that is powered by song power. This is a silly, rhyming song, but naturally, it had to be, as a very young Riley would have written it herself.

The music for Inside Out was composed by Michael Giacchino, who was no stranger to Pixar, having already composed the music for The Incredibles (2004); Ratatouille (2007); Up (2009), for which he won the Oscar, BAFTA, Golden Globe, and Critics’ Choice Award for Best Score; and Cars 2 (2011) by the time of Inside Out. Giacchino continued to collaborate with Pixar after Inside Out, composing the scores for Coco (2017); The Incredibles 2 (2018); and Lightyear (2022). Outside of Pixar, he has composed music for the most recent Spider-Man films and for the series of Disney television Christmas specials, Prep & Landing (2009-11). Giacchino was also nominated for Primetime Emmy awards for his work on the series Lost (2004-10), winning one for his underscore of its pilot episode. He even composed the music for Disney Animation’s Zootopia (2016).

Giacchino was contracted to writing the music for two other movies, alongside Inside Out, with all three set to be released in 2015. These very different films were Disney’s science-fiction live-action movie Tomorrowland, which starred George Clooney, and the action film Jurassic World, the first movie in a three-part reboot of the Jurassic Park trilogy[12]. Another movie he worked on which was also released in 2015 was Jupiter Ascending.

Inside Out’s soundtrack ended up winning the Annie Award for Outstanding Achievement for Music in a Feature Production. It also won Best Original Score for an Animated Film at the International Film Music Critics Association. Giacchino himself won the Film Composer of the Year award at the World Soundtrack Awards. The movie’s soundtrack was also nominated for Best Original Score in an Animated Film at both the Satellite Awards and the Hollywood Music in Media Awards.

RECEPTION

Inside Out debuted at the 68th Cannes Film Festival on 18th May 2015, before having its official premiere at the El Capitan Theatre in Los Angeles on 8th June 2015.

Inside Out then debuted in theatres in the US on 19th June 2015, reaching theatres across the world in the days and weeks that followed. It was released alongside the Pixar short Lava (2014), an all-singing short about two volcanoes who fall in love. This is one of my favourite Pixar short films. The musical track that accompanies the whole story was written by James Ford Murphy, also the director of the short film, and performed by Kuana Torres Kahele and Napua Makua.

Because of Inside Out being a specific expression in the English language, in non-English-speaking countries, the title was changed for its release in those countries. For example, in Portuguese, the film became known as Fun Mind; in Italian, as Intense Mind; in French as Vice-Versa; and in Cantonese as Fun with Brain Friends[13].

Inside Out was highly praised on its release by critics and audiences alike. Many said this was Pixar at their best after the disappointment they felt at Cars 2 (2011) and Monsters University (2013), with this being a new story from Pixar, not just another sequel or prequel to add to an ever-growing franchise. Yeah, more on that later… Inside Out was both heartfelt and inventive with a good message and plenty of laughs. Some even claimed it was already a Pixar classic.

However, there were a few less-than-positive comments. Some said it was a bit too fast-paced, not allowing enough time to enjoy the areas of the mind, and that it was simply not entertaining enough for small children. It was also felt that Riley was not developed properly as a character of her own and that the number of obstacles that Joy and Sadness kept facing to get back to HQ became annoying and endless. I can agree with both of these to some point. At the beginning, Joy and Sadness’ journey is quite interesting, but then it does become a bit stale and boring. At these moments, I found myself wanting to get back to Riley and the other emotions, but there weren’t too many scenes of that. There are also those who think Inside Out is just overrated.

Inside Out ended up making just under $860 million at the box-office, putting it in the No. 7 spot of the highest worldwide grossing films of 2015, behind movies like Star Wars: Episode VII – The Force Awakens; Jurassic World; and Furious 7. These were the top three spots, with each of them being reboots of beloved franchises or continuations of current ones. Inside Out was the second highest grossing animated movie of 2015 though, with Disney Animation not releasing a movie that year. Minions topped the list though, with $1.1 billion as its worldwide gross, but again, this was a spin-off of a popular animated franchise.

But that was not all because there were of course awards that Inside Out won. Inside Out won the Oscar for Best Animated Feature, and was nominated for Best Original Screenplay at this ceremony too. This was also the case at the BAFTAs and the Critics’ Choice Awards. At the Annie Awards, it once again won Best Animated Feature, along with a list of others awards, including Outstanding Achievement for Directing; for Production Design; and for Writing just to name a few. Inside Out also won Best Animated Feature Film at the Golden Globe Awards, the Satellite Awards, and the Saturn Awards, amongst many others. It was named as the Best Animated Feature by the National Board of Review too.

LEGACY

The first screen spin-off to come from Inside Out was the short film Riley’s First Date? (2015). It was first released as part of the Inside Out digital release, before also being featured on its Blu-Ray release in November 2015. It was written and directed by Josh Cooley, with the voice cast from the movie returning to reprise their roles.

In this short, which follows the events of Inside Out, Riley’s father answers the door to find the teenage boy from the end of the film stood there. This boy is named Jordan and has shown up to go skating with Riley. Riley’s dad instantly doesn’t like this, nor does Riley’s mother, believing she’s much too young to have a date. Riley’s mother decides to try and figure out if this is a date by trying to be “cool”. Riley and her emotions are confused by what her mother is trying to do, but reiterate it is not a date; they are going skating with friends. Meanwhile, Riley’s father’s mind wants to try and intimidate Jordan by staring him down but Jordan isn’t even paying attention as we see from his mind, where his emotions are skateboarding around his mind. In the end, Riley’s dad and Jordan bond over guitars and rock bands, since Jordan is in one and Riley’s dad used to be in one. Riley goes downstairs, horrified to learn that Jordan was left alone with her dad, and sees the two air guitaring. Riley and Jordan quickly leave the house. Riley’s mother and father’s minds then decide whether one or the other is going to lean in for a kiss. They do kiss – and then go back to their day!

After that, there were comparisons between the concept of Inside Out and that of the 2020 Pixar release Soul, with many elements of the Great Before seemingly at least partially inspired by the ideas of the mind in Inside Out.

Then, in September 2022, at the D23 Expo – because where else do Disney and Pixar announce things? – it was confirmed that Inside Out 2 was coming, despite the fact Pete Docter had said shortly after Inside Out’s release that Pixar were committed to making more original films…Hmm, yeah, that worked out! Inside Out 2’s release was set for Summer 2024. Meg LeFauve was back as the screenwriter, with Kelsey Mann replacing Docter as director of the sequel. It was revealed that Inside Out 2 would take place inside Riley’s now-teenage head with new emotions coming[14].

Also on screen, but this time on Disney+, the series Dream Productions premiered on the platform on 11th December 2024, having first been announced in 2023, with further details being released in 2024. It consists of four episodes, at roughly half an hour each, and is set between Inside Out and Inside Out 2. It sees the Dream Productions dream director trying to create amazing dreams for Riley in amongst studio politics.

At the Disney Parks, Disneyland has the most references to Inside Out, most notably at the Pixar Pier location in Disney California Adventure Park. Here, you can find the spinner ride Inside Out Emotional Whirlwind, where guests spin around in colourful mini-hot air balloons, designed after Inside Out characters. This ride opened in 2019, and is a repurposing of a different ride that once appeared at Disney California Adventure: Flik’s Flyers from A Bug’s Land, which closed in 2018 to make way for Avengers Campus. Also at Pixar Pier, there is the Angry Dogs food stand, with Anger being featured on the stand’s signage. This stand obviously serves hot dogs. Then there is a sweet shop named Bing Bong’s Sweet Stuff, which has a statue of Bing Bong inside. The Pixar Pal-A-Round Ferris wheel, redesigned to match the new area of Pixar Pier, includes gondolas with different characters painted on them. Joy and Sadness are two of these. Joy and Sadness have been available to meet in Pixar Pier for a while, and Anger was spotted recently too.

Prior to Inside Out’s release in June 2015, there was also an Inside Out pre-parade at Disney California Adventure during Summer 2015 in order to promote the film. It involved one float with all five emotions on it. These emotions were mechanical figures but they did move their mouths to speak random lines, such as having conflicting opinions on babies and Sadness talking about kids dropping their ice cream cones! There were also dancers ahead of the float dancing with memory balls.

Pixar Fest was a big event for Disney California Adventure, running from 26th April all the way until 4th August 2024. This event helped to promote Inside Out 2, meaning that the main emotions from Inside Out were visible during Pixar Fest. For example, Joy and Sadness were two characters to get involved in the Pixar Pals Playtime Party stage show that ran a few times a day. These two, along with a statue of Bing Bong, were also featured on a float of Bing Bong’s rocket during the Better Together: A Pixar Pals Celebration Parade. Scenes and music from Inside Out were also included in the Together Forever – A Pixar Nighttime Spectacular fireworks show.

Finally, the Pixar Place Hotel, which opened at the Disneyland Resort on 30th January 2024 contains references to Inside Out. There are small references to the movie “hidden” in murals and paintings throughout the hotel and in rooms. You also might be lucky enough to meet Bing Bong at Pixar Place Hotel, as he has been meeting guests in the area since the hotel opened.

This time at Walt Disney World, the first Inside Out reference seems to have been the Inside Out Emotion Garden which was a small exhibit of plants linked to the five emotions of the film. This was installed as part of Epcot’s Flower and Garden Festival which began in March in 2015, so a few months prior to the release of the film. There was also an exhibit in the now-closed Magic of Disney Animation building in Disney’s Hollywood Studios showing development sketches and maquettes of the five emotions, which was apparently also available to guests around March 2015. In terms of meet-and-greets, Joy and Sadness used to have a meet-and-greet location at the Epcot Character Spot back in 2016, in a recreation of their home inside Riley’s head, however, this area was closed when Epcot was redeveloping around 2019 and 2020. Joy could then be seen at the ImageWorks, the exit of the Journey into Imagination attraction in Epcot in the early 2020s, in front of an Imagination Land background, but in 2024, when Figment became a meet-and-greet character, it seems Joy was moved to having a scheduled meet-and-greet at Pixar Plaza, the area next to Toy Story Land, in Disney’s Hollywood Studios.

Outside of the US Parks, at Disneyland Paris, in the Worlds of Pixar area of Walt Disney Studios Park, Joy was meeting guests in the summer of 2024, as was Anger, seemingly as promotion for Inside Out 2, but Joy was still there in December of that year. It is unclear if she is still there. In shows, Joy appeared as part of the A Million Splashes of Colour parade which ran from February 2024 until the end of September that year. Music from Inside Out and scenes from the movie are currently part of the Disney Tales of Magic nighttime show at Disneyland Paris.

At Tokyo Disneyland, Joy and Sadness have been spotted by guests as recently as 2021. At Hong Kong Disneyland, Joy and Sadness were first meeting guests only at this park in an area set up to look like the inside of Riley’s mind, complete with the console, around July 2015, shortly after the movie was released. It wasn’t until a few months later that they were seen at other Disney Parks. In recent years, characters from the movie, like Joy, Sadness, and Anger, were included in the Pixar Water Play Street Party for Summer 2024. It is possible they will return if this parade returns in 2025. The Inside Out theme and clips from the film were also used as part of the Momentous Nighttime Spectacular show at this park. Lastly, at Shanghai Disneyland, Joy and Sadness are a part of the Disney ColorFest Street Party, as well as Mickey’s Storybook Express Parade. Moments from Inside Out can also be seen in the projections of ILLUMINATE! A Nighttime Celebration.

On the Disney Cruise Ships, specifically on the Disney Wish, is a sweet shop named Inside Out: Joyful Sweets. The characters may also be seen as part of Pixar stage shows and parties that take place on other Disney Cruise Ships. The five emotions of Inside Out were also a part of the Disney on Ice show from 2015. 

Plenty of merchandise has been released featuring the characters of Inside Out, including plush toys, book, clothing, mugs, and playsets. These have only increased with the release of Inside Out 2.

There is even an interactive exhibit called Emotions at Play with Pixar’s Inside Out, which was developed by the Children’s Museum of Pittsburgh, focusing on the five core emotions of Anger, Joy, Sadness, Disgust, and Fear. It has been touring since 2023, with dates going as far out as 2028 to come to other US museums.

FINAL THOUGHTS

Pixar really impressed the public with the creativity and inventiveness of Inside Out. The filmmakers had managed to represent the mind in a fun, educational, and smart way.

Although the message of Inside Out is only too clear – that there is a need to feel a whole range of emotions including sadness – there continue to be those who don’t believe in this idea. They want to only show a positive, happy view of their life to the outside world. I’ve known people like that and it can make you feel like there’s something wrong with you if you don’t feel or act in the same way.

I’m not about to tell anyone how to feel, but I will say that it is much healthier to embrace your sadness, fear, anger, whatever in order to work through feelings and moments of difficulties. It’s much better to do that rather than bottle things up and try to deal with them internally with no-one to support you. I’m sure that many children and teenagers got a lot out of Inside Out and found ways to voice their feelings to their friends and parents to get through that transition from childhood to adulthood.

We see Riley struggling to be 11-years-old, adjusting to a whole new life away from friends and in an unfamiliar city. Little did she or her emotions know what was still to come, because being a teenager comes with even more inner turmoil!


REFERENCES

[1] Credit: D23, ‘The Ins and Outs of Inside Out’, D23.com, date unknown.

[2] Credit: Pixar, “Mixed Emotions”, from Inside Out (2015) Blu-Ray (2015).

[3] Credit: Ben Sherlock, ‘Meet The Little Voices Inside Your Head: 10 Behind-The-Scenes Facts About Inside Out’, ScreenRant.com, 9th June 2020.

[4] Credit: Lisa Miller, ‘How Inside Out Director Pete Docter Went Inside the 11-Year-Old Mind’, Vulture.com, 16th June 2015.

[5] Credit: Pixar, “Deleted Scenes”, from Inside Out (2015) Disney+.

[6] Credit: Pixar, ‘Story of the Story I Inside Out I Disney•Pixar’, Pixar YouTube Channel, 17th October 2016.

[7] Credit: Carolyn Giardina, ‘Making of ‘Inside Out’: Which Emotions Didn’t Make the Cut’, HollywoodReporter.com, 21st December 2015.

[8] Credit: Tasha Robinson, ‘Pete Docter on the goals and milestones of Inside Out’, TheDissolve.com, 23rd June 2015.

[9] Credit: Alex Godfrey, ‘Pixar’s Pete Docter on the story (and science) of ‘Inside Out’’, Wired.com, 20th July 2015.

[10] Credit: Lisa Miller, ‘How Inside Out Director Pete Docter Went Inside the 11-Year-Old Mind’, Vulture.com, 16th June 2015.

[11] Credit: Logan Kelly, ‘‘Inside Out’ Was Inspired by a Disney World Attraction – Even If the Director Didn’t Realize It’, Collider.com, 27th July 2024.

[12] Credit: Kara Warner, ‘Michael Giacchino on Making the Music of ‘Inside Out’ & ‘Jurassic World’’, ScreenRant.com, 17th June 2015.

[13] Credit: Ben Sherlock, ‘Meet The Little Voices Inside Your Head: 10 Behind-The-Scenes Facts About Inside Out’, ScreenRant.com, 9th June 2020.

[14] Credit: Matt Grobar, ‘Inside Out Sequel Plans Confirmed By Pixar At D23’, Deadline.com, 9th September 2022.