#28 Inside Out 2 (2024)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. PRODUCTION
  5. MUSIC
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

In a year where movie studios seemed to only release sequels – not entirely true, but it definitely felt like it – Inside Out 2 turned out to be the big winner, both in terms of profits and reviews, from critics and audiences alike.

Pixar might have originally been known for creating inventive, unique films, but since the 2010s, Pixar has contributed to the “sequel fatigue” that many of us are feeling at the moment. It is annoying when studios don’t want to take a risk on something new and choose to take the safer, most profitable route, but I guess that’s business for you.  

That’s not to say Pixar haven’t tried to make something new, because they have. In the 2020s, they released Onward (2020), Luca (2021), and Turning Red (2022), but they struggled with the COVID-19 pandemic, which hampered Onward’s chances of doing well, and led the other two to be exclusively released to Disney+. When theatrical releases did become a possibility again, Pixar chose to release Lightyear (2022), a horribly disappointing attempt at a Toy Story-related spin-off. It was bad. So, who can blame them for wanting a box-office success by going for a sequel to an already popular Pixar film?

However, that doesn’t mean I was excited for Inside Out 2. I enjoyed the concept of the original film, so I was initially hopeful, but when I saw Anxiety in the teaser trailer, it immediately put me off watching it. My problem was that I have my own anxiety issues, and saying that doesn’t mean much to anyone anymore because a lot of people like to talk about their anxiety issues now, some wearing it like a badge of honour or treating it like a jokey label. I’m not about to try and “one up” anyone about this topic because some people will have better ways of handling anxiety than me, and others will have it worse. All I’m saying is that I was concerned about how Pixar was going to handle this particular emotion.

Sadly, after watching Inside Out 2, all it did was make me feel bad about myself and I found myself unable to relate to Riley’s own anxiety. That’s not a big surprise because I’m not a teenager, and Riley’s anxiety was quite specific to her age. I actually don’t remember struggling all that much with my sense of self as a teenager, and I’ve become less self-confident as I’ve aged, especially around my mid-20s, that age when everyone starts competing to see who can hit those all-important “life milestones” the quickest.

Looking back at the film as solely a source of entertainment though, I did like it, perhaps even a bit more than the first movie, because I liked seeing more of Riley’s life, which was left by the wayside in Inside Out as Fear, Anger, and Disgust struggled to deal with her without Joy.

PLOT

The original Inside Out ended with Joy telling the audience that Riley was twelve-years-old. Inside Out 2 begins with Joy telling us that Riley is now thirteen-years-old.

It also starts with Riley getting ready for an important hockey match with her team, the Foghorns. Even Riley’s five core emotions, Joy, Sadness, Anger, Fear, and Disgust, are getting themselves hyped for the game, with Joy acting as the commentator. Each emotion plays a role in Riley’s game, with Anger leading Riley to score a goal; Fear wanting to ensure Riley puts her retainer in; and Disgust showing up to say that retainer she just put in wasn’t her! Sadness appears as Riley gets sent to the penalty box for a bad challenge.

Joy tells us that Riley is a kind, smart thirteen-year-old, top of her class, and she has grown so much since we last saw her and even got braces. Riley’s Personality Islands have changed too, with Boyband Island now completely gone, Goofball Island staying, and Friendship Island increasing in size. Family Island is still there, but it’s a bit smaller. Riley’s memories, now that she’s older, have started to create beliefs which develop into Riley’s Sense of Self. When Riley is uncertain about what to do, like when a girl at school drops all her stuff in class, the Sense of Self pops up and leads her to do the right thing.

In the hockey game, this Sense of Self appears in Riley’s mind. The team need a goal, but instead of trying to score herself, Riley passes the puck to friend Grace so she can score, leading the Foghorns to win the Championships. After the game, the high school hockey coach, Coack Roberts, invites Riley, Grace, and fellow friend and teammate Bree to a hockey skills camp. Riley talks to her parents about the camp, initially feeling excited for it, but then suddenly remembering the moment that led to her penalty and feeling worried…

Back in HQ, Joy has a method to deal with difficult memories like this. She simply sends it to the back of the mind. Joy then picks up a positive memory for the day to take down to the belief system so it can be added to Riley’s super positive Sense of Self that says Riley is a good person. Sadness goes down with Joy to see the process in action for the first time. Joy simply places the memory in a pool of water and a line shoots up from it to create strings of beliefs.

The next day, the emotions are woken by a very loud alarm sounding. They go into HQ to figure out what is going on, and they see the “Puberty” button on the console going off. Joy manages to remove the button and sends it to the back of the mind again, but there’s no stopping puberty! Mind Workers barrel into HQ and start to demolish everything. When Joy tries to stop them, she is told that other emotions are coming. The console is re-wired and the workers leave. The emotions attempt to use the console as Riley has now woken up, however, no matter how gently they touch it, Riley acts erratically, screaming at her mother, who just wanted to check she was ready for hockey camp, and then crying, worrying about what is happening to her. We see inside Riley’s mother’s mind who realises this is “the day” and she talks to Riley about how her body is “changing”.

Riley, Bree, and Grace are driven to hockey camp, where they talk about how exciting it’s going to be. Riley especially wants to meet high school hockey legend, Valentina, and get on the team to be just like her. Riley – thanks to Disgust – notices her friends giving a look to each other. Bree and Grace’s minds notice that Riley has noticed their look. Grace lets slip to Riley that her and Bree won’t be going to the same high school as Riley, so they won’t be on the same hockey team either. Riley is thrown by this and cries a little bit, wondering what this means for her now.

At camp, Riley goes to catch up with Bree and Grace, who have gone on ahead, when she is knocked over by none other than Valentina. She helps Riley up, and Riley proceeds to act like a total fangirl in front of her. The emotions aren’t sure what to do about this situation, and then they see the console has turned orange. Orange? But none of them are orange. This is Anxiety, who has just arrived in HQ. She is a big fan of Joy’s apparently and takes control of the situation. Envy then appears, as she becomes jealous of Valentina’s great hair and goes to touch it. Embarrassment comes in at just the right moment to stop Riley from doing that and making everything even more awkward. Ennui – basically like boredom – calms the situation and makes Riley less excitable. Valentina then invites Riley to follow her. Joy and the other “old” emotions think Riley should spend time with Bree and Grace, but Anxiety says this camp needs to be all about preparing for high school and since Bree and Grace won’t be there with her, Riley needs to be spending time with Valentina instead. There is then a brief cameo by Nostalgia, who is told she is too early to be in HQ and is shoved back through the door she appeared from!

Riley goes to the locker room where Riley is introduced to Valentina’s friends, all part of the high school hockey team, the Firehawks. Joy takes over and leads Riley to meet up with Bree and Grace, however, they start messing about, taking photos on their phone and talking, to the point that Coach Roberts punishes the whole group at practice, annoying the others. At the end of practice, Riley hears the Firehawks talking about her, which makes her both sad and embarrassed. Anxiety takes control of the situation, putting the idea in Riley’s head that if she can get Valentina on side, everything will be ok. Riley goes over to the girls and apologises profusely. Valentina tells her not to worry because at least she is on Coach’s radar now. At this point, Riley’s Sense of Self pops up, not wanting Riley to forget about her friends. Anxiety doesn’t believe this will help Riley so she sends it to the back of the mind, telling Joy she plans to build a new Sense of Self for Riley, since she has more sophisticated emotions now so Riley needs to be more sophisticated. Joy and the “old” emotions tell Anxiety this isn’t right and try to take control of the situation, but Anxiety has a plan and she doesn’t want them messing up. She literally bottles up all the emotions – well, it’s more of a jar, but the turn of phrase is nice – and removes them from HQ, sending them to The Vault with the rest of Riley’s deep, dark secrets.

In The Vault, the five old emotions are soon surrounded by other characters from Riley’s childhood, like Bloofy, a pre-school TV show character, who is in The Vault because Riley still likes the show, and Lance Slashblade, a video game character that Riley has a crush on. Riley’s deepest, darkest secret also resides here, represented as a big, hooded figure who doesn’t say much. Disgust tries to convince Lance to break them out of the jar, but his big move is to curl up into a ball and roll into things, which doesn’t do much to break the jar. Deep Dark Secret instead smashes it. Now they need a way out. Bloofy calls on his friend Pouchy, to see if he might have anything that can open the vault door to let them escape. Luckily, Pouchy has some dynamite – why? – that explodes on to the door and opens it. Guards try to detain the escapees, so Lance curls up into a ball and rolls toward them. He goes right past them, but somehow all the guards trip over each other and get locked in a vault. That was easy. The emotions plan to get to the Stream of Consciousness, to ride it to the back of the mind so they can retrieve Riley’s original Sense of Self.

Back with Riley, she is practising her skating early in the morning, being driven by Anxiety to be the best. She is soon joined by Valentina, who tells her that Freshman Year can be tough but that she made some really good friends. Anxiety continues to add memories into the belief system, which begin to create a new Sense of Self slowly but surely. Riley spends more time with Valentina and her friends, trying to make them like her. She also learns that Coach Roberts has a notebook where she writes about everyone. Riley wonders what Coach might have written about her…

At the Stream of Consciousness, Joy realises they need someone back in HQ so they can be recalled at just the right time with the original Sense of Self. With no volunteers, she sends Sadness crawling up the tube back to HQ. The others then jump on a piece of broccoli that is floating down the Stream of Consciousness. Everything seems to be going well, until the Stream breaks thanks to the creation of a Sar-Chasm. Riley was sarcastic when Bree and Grace showed up to her hang out with Valentina’s group, as they started to say they liked a band that Valentina’s friends think is uncool. This not only upsets Bree and Grace, who feel like Riley has changed all of a sudden, but also halts the emotions’ plan. The emotions try to talk to some workers over the other side of the Sar-Chasm, but everything they say comes out sarcastic, which offends the workers who walk away.

The emotions are back to walking through Long-Term Memory to get to the back of the mind, but they all start to argue, getting annoyed at their situation. Joy then gets irritated at all of them and screams at them. This surprises the others, who make an effort to help Joy who wants to get up on top of the memory shelves to see the route to the back of the mind. Using a vacuum-like tube, they manage to get up there and walk in the right direction.

In HQ, Sadness has arrived through the recall tube in amongst a ton of memories that Anxiety recalled. She quickly runs to a quiet corner of HQ but she is spotted by Embarrassment. Sadness thinks Embarrassment is going to tell Anxiety. He actually stacks up lots of manuals in front of Sadness to hide her, clearly not liking what Anxiety is doing.

Soon, the old emotions reach Imagination Land, which has changed a lot since Joy was last there, with new additions like Mount Crushmore and Rumor Mill. They then see that there is a lot of activity in Pillowtown. Going inside, they see a video of Anxiety, getting workers to draw bad future scenarios to show Riley what could happen if she doesn’t make friends with the Firehawks and doesn’t get on their team. The old emotions don’t like this and start to submit their own positive drawings, which alerts Anxiety to their whereabouts, calling security on them. The workers then revolt against Anxiety and stop drawing bad scenarios. The old emotions are chased out of Pillowtown and arrive at the Parade of Careers, balloons that resemble different professions. They jump on one to continue to the back of the mind.

Anxiety decides Riley has to see what is in Coach Roberts’ notebook so she breaks into her office late at night to read it. Here, she sees it is written that Riley is “not ready yet”, which devastates Riley. Sadness, meanwhile, has managed to take control of the console, thanks to an app on Ennui’s phone, but Anxiety says Riley has to keep going with her plan and holds Sadness in a bucket to keep her from doing anything. Anxiety needs ideas to change Coach’s mind, which causes a brainstorm – a literal one – in Riley’s mind. This affects the old emotions who battle against these ideas flying at them. Joy wants to break them all, but the others convince her to grab onto the largest one so they can get out of the tornado they are stuck in. They then let go and float to the ground thanks to Fear’s parachute. You can never be too prepared! The emotions get to the back of the mind and find themselves in front of a large mound of memories that Joy tossed there. Joy finds the original Sense of Self but sees it has faded. Joy then tells Sadness to recall them, via the walkie-talkies they picked up early in the journey, but Anxiety breaks the tube.

Anxiety has successfully built Riley’s new Sense of Self, but is shocked to find that it states “I’m not good enough”. That throws Anxiety, who then decides what they must do is score three goals in the final game of camp, beating Valentina’s record and showing Coach Roberts, that Riley has to be on the team. As the game starts, Riley aggressively scores her first goal early on. Riley then scores soon after, having stolen the puck from her own teammate. Anxiety starts to push Riley more and more, concerning the other emotions in HQ, to the point that Riley hurts Grace as she continues to play aggressively. Riley is sent to the penalty box. Here, Riley starts to experience her first anxiety attack.

As the old emotions find they are stuck at the back of the mind, Joy realises that she shouldn’t have hidden all these memories away, because it never built Riley a true Sense of Self. She also states that maybe people feel less joy as they age. Joy starts to feel there isn’t a way of beating Anxiety, when Anger calls for Pouchy. They find he still has plenty of dynamite available and they plan to blow up the mound of memories they are in and ride the avalanche back to HQ, accepting that these “bad” memories will enter the Belief System, but knowing it’s probably for the best.

The plan works and they arrive back at HQ, to see Envy, Embarrassment, Ennui, and Sadness all trying to remove Riley’s new Sense of Self, and seeing Anxiety rushing around the console so quickly, she isn’t visible. Joy goes into the Anxiety vortex and sees Anxiety frozen. Joy manages to convince Anxiety to let Riley go and pulls her from the console. Riley is still panicking though, so they replace the new Sense of Self with the old one. It still doesn’t stop anything. Anxiety says she was trying to control who Riley is, which causes Joy to realise she did the same thing by choosing the best memories to put in the belief system. She realises the original Sense of Self is stopping a new one, complete with “bad” memories, from being created, so they remove it. The emotions see the new Sense of Self being created and huddle around it, which calms Riley down.

Bree and Grace come to the penalty box, concerned about Riley. Riley apologies to them for acting the way she did during this camp, saying she was freaked out when Bree and Grace told her they wouldn’t be at high school together. Her friends forgive her, and they get back to the game, with Joy at the console, letting Riley play simply because she loves hockey, not to prove a point to anyone.

We skip ahead to see Riley at high school where she is friends with Valentina and the other Firehawks. Anxiety starts to worry that Riley hasn’t made the hockey team, so Joy sends her to a calming massage chair, and reminds her that they did as much as they could and now cannot control the outcome so don’t need to worry about it. We also see that Anger has started to wear Pouchy, seemingly bonding over their shared love of dynamite! Riley sees a photo of Bree and Grace that they sent to her wishing her luck. Joy then says that Riley is still smart, she still likes hockey, but she can get things wrong, be a bit sarcastic, and be too hard on herself, but it’s all good because they love Riley for who she is. The final shot shows Riley looking happy as she checks her phone to see if she got on the team. I guess that means Riley did make the team, but I also suppose it doesn’t really matter, because that wasn’t the point of the story!

In a mid-credits scene, we see another dinner scene, like in Inside Out, where Riley’s mother’s Anxiety is concerned that Riley just said that hockey camp was “good”. Riley’s father’s Anxiety on the other hand is simply overruled by his other emotions and decides not to worry about it. In an end credits scene, Joy finds herself back at the Vault to discover what Riley’s deep, dark secret is. Deep Dark Secret tells Joy it is that Riley burnt a hole in the rug. Joy is surprised, thinking it was going to be the time Riley peed in the pool. Deep Dark Secret runs back inside the Vault, feeling ashamed.

CHARACTERS & CAST

Inside Out 2 returns with the same five emotions we saw in Inside Out, as well as Riley and her parents, but there are some new additions to the movie as well. These include Riley’s four new emotions, plus Riley’s two friends, Bree and Grace, and the Firehawks girls.

Starting with the emotions we already know, Joy, Sadness, Anger, Fear, and Disgust are all back, and we see that they have learnt to work together in harmony now. However, Riley’s new emotions threaten that balance and they struggle to work together, with this being a battle of old versus new. The old emotions think Anxiety is a nasty emotion in Riley’s mind especially as they are tossed out of HQ by Anxiety. Like Joy and Sadness did in the first movie, they must find a way back to HQ, going through different parts of Riley’s mind first to find her old Sense of Self before heading back to HQ. Although they think Anxiety is the villain here, by the end of the film, they learn that Anxiety was only trying to help Riley in the same way that the others were: by manipulating Riley’s memories and beliefs to make her into the perfect version of herself, which was wrong for all of them to do. They all come together to help Riley, and a new dynamic is formed between the nine emotions.

Amy Poehler returned to reprise her role as Joy, having been previously best known for her roles in Saturday Night Live (1975-present) from 2001 until 2008, and Parks and Recreation (2009-15), playing Leslie Knope. Poehler has most recently directed the movie MOXiE! (2021). Phyllis Smith returned to voice Sadness. She is perhaps best known for her role as Phyllis Vance in sitcom The Office (2005-13). Smith was later cast as Betty Broderick-Allen in the Netflix mystery drama series The OA (2016-19). Anger was once again voiced by Lewis Black. Black began his career in stand-up comedy, later appearing on The Daily Show (1996-present) to host a segment called Back in Black with Lewis Black, humorously commenting on news stories, which he still does today.

Sadly, the voices of Fear and Disgust, Bill Hader and Mindy Kaling, did not return to reprise their roles. This is reportedly due to a pay dispute. It is alleged that Amy Poehler was offered $5 million to reprise her role, whilst the other four actors were only offered $100,000 each. Despite some negotiations, Hader and Kaling could not come to an agreement with Pixar and they did not return to Inside Out 2, which is a real shame because it was only too obvious the voice actors had changed and it was quite jarring for me. I don’t know if this story is actually true, and I hope in a way it’s not, with scheduling conflicts being the reasoning for Hader and Kaling not returning, because this shows some disrespect on Pixar’s part for not recognising the calibre of actor they signed on[1].

Bill Hader, as Fear, was replaced with Tony Hale, who voiced Forky in Pixar’s Toy Story 4 (2019). Also in film, Hale was most recently cast as Soledad Yusuf in the thriller Opus (2025), and has also appeared as Ben Franklin in Quiz Lady (2022); as Ed in Netflix’s Woman of the Hour (2023); and as Mayor of Salem, Jefry Traske, in Disney’s Hocus Pocus 2 (2022). In television, Hale is known for his roles as Buster Bluth in Arrested Development (2003-19) and Gary Walsh in Veep (2012-19). Mindy Kaling, as Disgust, was replaced with Liza Lapira, who may be best known for her role as Mel Bayani in the crime drama series The Equalizer (2021-present). She was also cast as Liz in Crazy, Stupid, Love (2011); and as Robin in Don’t Trust the B—- in Apartment 23 (2012-14).

Also returning to the voice cast here were Diane Lane and Kyle MacLachlan as Riley’s parents, although they only feature at the start and end of the film, since there are no parents at hockey camp. Riley’s mother seems more worried about Riley in Inside Out 2, knowing she is a teenager now and wanting to help her navigate this tricky time. Riley’s father is just going about his business like normal really! Diane Lane has had roles in a variety of movies including as Cleo Trumbo in the 2015 biopic Trumbo (2015); and as Martha Kent in Batman v Superman: Dawn of Justice (2016), reprising the role for Justice League (2017). Kyle MacLachlan appeared in many television series, including Trey MacDougal in Sex and the City (1998-2004); and as Orson Hodge in Desperate Housewives (2004-12).

Riley, however, was recast, simply due to the fact a lot of time had passed between the first movie and the sequel, so Pixar wanted to cast a teenage actress, whereas Riley’s original voice actor, Kaitlyn Dias, was 25 by the time Inside Out 2 came out. Kensington Tallman replaced Dias in the role. I didn’t notice much difference in the voices between the two films so that was good. Tallman had previously had roles, such as Bianca in the Nickelodeon series Drama Club (2021) and as Tiffany in That Girl Lay Lay (2021-24), another Nickelodeon series, prior to Inside Out 2 being released.

Now to the new emotions. The primary one is Anxiety, who is controlling Riley’s newly sophisticated self, wanting her to fit in with the Firehawks during camp, so she can instantly have friends at high school and get a place on the hockey team. Since Riley is going to be without her best friends, Bree and Grace, Anxiety thinks this is a good time to drop those friends and find some new ones that she’ll actually see. It sounds harsh, but Anxiety genuinely thinks she is protecting Riley – until she realises all she’s done is make Riley think she’s not good enough and sent her into a massive panic attack as she tries to push herself to be better. Anxiety learns that she can’t control Riley in this way and with the help of the other emotions, she takes a backseat every now and again when things get too much. One issue I have with Pixar’s take on Anxiety is that she says near the start of the film that Fear is there to protect Riley from physical danger, whereas Anxiety projects potential future dangers. That sounds like a fair description, only Fear did Anxiety’s job during Riley’s first day of school in Inside Out, as he planned out all the worst-case scenarios for the day.

Anxiety was designed to be twitchy, fast-moving, and hyper aware, constantly thinking about what’s next. Her mind is focused on uncertainty and different potential scenarios, wanting to plan ahead to decide what to do if this happens or that happens. Anxiety is similar to Joy in some ways, by being a hard worker and wanting the best for Riley, with Anxiety almost looking like the “uncool” version of Joy with her wide eyes, big head, and crazy hair. Anxiety was voiced by Maya Hawke, perhaps best known for her role as Robin Buckley in Stranger Things (2016-present), appearing from Season 3. Hawke was also cast as Jo March in the 2017 BBC television adaptation of Little Women. More recently, Hawke played Jamie Bernstein in Maestro (2023) and June Douglas in Asteroid City (2023). Apparently, Inside Out 2 director Kelsey Mann met with Maya Hawke for her audition over Zoom as he was on a family vacation in Walt Disney World. He took the call from a backstage office building in Epcot’s Mexico pavilion[2].

Envy is meant to be the emotion that represents jealousy, but apart from a brief moment of Envy talking about wanting Valentina’s hair, I didn’t really see Envy do much envying. She was mostly treated like Anxiety’s little sidekick, helping with her plans. To be honest, outside of Anxiety, the other three new emotions felt like side pieces and weren’t fully developed as I feel the five core emotions were in the first movie. The filmmakers did struggle with the design of this character since envy isn’t a very likeable feature in people, and is often referred to as “the green-eyed monster”. Envy doesn’t look like that, and is actually quite small, with a big voice and huge eyes, supposedly meant to resemble the look of a sad puppy. Envy is meant to be an inspiration for Riley; she wants to be like Valentina and is envious of her skills, so it makes her work that bit harder, although it feels like that is more represented as Anxiety’s plan rather than Envy’s in this film.

Envy was voiced by Ayo Edebiri. Edebiri stars as Sydney Adamu, alongside Jeremy Allen White, in the comedy-drama series The Bear (2022-present), winning a Screen Actors Guild Award in 2024 for her role. She has also had some history with voice acting, voicing April O’Neil in the animated series Tales of the Teenage Mutant Ninja Turtles (2024-present) for Paramount+, and replaced Jenny Slate as the voice of Missy Foreman-Greenwald in the series Big Mouth (2017-present). Edebiri also stars as Ariel Ecton in the movie Opus (2025).

Because of Riley’s now-teenage mind making her say weird, awkward things in Inside Out 2, we had to welcome Embarrassment as another of Riley’s new emotions. The point of making Embarrassment a huge character was because embarrassment makes people want to hide and take the focus away from them. The Pixar filmmakers wanted Embarrassment to be so big that he physically couldn’t hide away. Instead, Embarrassment wears a hoodie which allows him to vaguely cover his red, blushing face. In Inside Out 2, Embarrassment doesn’t have a whole lot to do in HQ to be honest. His biggest contribution to the story is to allow Sadness to hide in HQ, to wait for the right moment to go against Anxiety. Clearly Embarrassment was not a big fan of Anxiety’s grand plan for Riley either.

Embarrassment, although he doesn’t say all that much in Inside Out 2 because he’s so shy, was voiced by Paul Walter Hauser, who has had roles in movies such as I, Tonya (2017), where he played Shawn Eckardt, Tonya’s bodyguard; in Late Night (2018), being cast as Eugene Mancuso; and in Cruella (2021), playing Horace. In television, he appears in the recurring role of Raymond “Stingray” Porter in Netflix’s Cobra Kai (2021-25) and as Travis in Season 2 of Apple TV+’s The Afterparty (2022-23).

Ennui is a bit of a strange emotion to describe, because it encompasses a few feelings such as weariness, dissatisfaction, and boredom, this being the general translation of the word from French to English. Ennui in Inside Out 2 was designed to look like a typical teenager who is “too cool to care”, slouching on the couch, looking at their phone. Pixar actually referred to her design as looking like a “wet noodle”! Ennui’s purpose in Inside Out 2 is to lessen the overexcitement in Riley’s mind, with her bored attitude balancing that out. With “ennui” being a French word, naturally, the Pixar team decided Ennui the character should have an authentic French accent[3]. Adèle Exarchopoulos voiced Ennui here. She received numerous awards for her role as Adèle in La Vie d’Adèle (2013), and was later cast as Clara Saint in the Ralph Fiennes directed movie The White Crow (2018). In 2024, Exarchopoulos starred in the movie Planète B as Julia.

Riley’s friends, Grace and Bree, who are very loyal to Riley despite Riley casting them aside in favour of “cool girls” for much of the movie, were voiced by Grace Lu and Sumayyah Nuriddin-Green respectively. Prior to Inside Out 2, Lu had appeared as Megan in the Disney Channel series Bunk’d (2015-24). Valentina, or Val, Riley’s idol and later friend and hockey teammate, was voiced by Lilimar Hernandez, who already had experience in voice acting prior to Inside Out 2, having voiced the character of Sage in the animated Nickelodeon series Knight Squad (2018-19); Cleopatra in the series Cleopatra in Space (2020-21); and currently voices The Batwing in the Cartoon Network series Batwheels (2022-present). Hernandez was also cast as Sophie in the live-action Nickelodeon series Bella and the Bulldogs (2015-16).

Outside of this, there are some other interesting voice cameos. Yvette Nicole Brown was cast as the strict Coach Roberts. Some of her earlier screen roles include being cast as Shirley Bennett in the sitcom Community (2009-15) and as Helen Dubois in Nickelodeon’s Drake & Josh (2004-07). More recently, for Disney, she was cast as Aunt Sarah in their Lady and the Tramp 2019 live-action remake, as well as receiving the role of Rosaleen in Disenchanted, the 2022 sequel to Enchanted (2007).

Other voice actors to mention are Dave Goelz and Frank Oz, known for their work with Jim Henson and his puppetry series, as well as Oz’s directorial work, returned to Inside Out 2 to voice their role as Mind Guards Dave and Frank, and John Ratzenberger returned to voice Fritz, this being his first role in a Pixar movie since 2020’s Onward. And for all UK viewers of Inside Out 2, Sam Thompson, from Made in Chelsea (2011-present) and various reality shows, including winner of I’m a Celebrity…Get Me Out of Here! (2002-present) in 2023, has a cameo role as Security Man Sam – the bigger guard with the aviators in the Vault escape scene – in the UK release of the film.

PRODUCTION

Inside Out 2 couldn’t have existed without the first movie, which was inspired by Pete Docter’s personal experience of seeing emotional changes in his daughter, Elie as she grew up. Docter was interested in creating a movie that explored the weird place between childhood and adulthood.

In September 2022, at the D23 Expo it was confirmed that Inside Out 2 would be released in Summer 2024 and would continue exploring the journey from childhood to adulthood, this time focusing on the teenage years as main character Riley reaches the age of 13. Meg LeFauve was back as co-screenwriter, now working with Dave Holstein, who has written for series such as Weeds (2005-12) and Kidding (2018-20). Kelsey Mann replaced Docter as the director of the sequel[4].

Mann began his research into the new story for Inside Out 2 by looking at childhood photos of himself. He noticed that as he aged and became a teenager, he started to smile less and less. This gradual apparent lessening of joy in his life around this time was an interesting concept and definitely something that he wanted to explore in Inside Out 2, since Riley becoming a teenager is a big emotional milestone in life so it was a natural progression from the girl we saw in Inside Out[5].

Because of this choice of age for Riley in the sequel, this meant a lot of discussions were needed with the filmmakers exploring their own experiences at that age. Inside Out 2 also benefitted from a majority female story team. Them and other female employees at Pixar were able to sit together and talk through their horror stories of being 13, to use their experiences to make Riley’s journey authentic. At this age, the similarities that cropped up in regards to emotions were feelings about being self-conscious and worrying about judgement from others. It was a difficult time, and it was decided at quite an early stage that they wanted HQ to be destroyed by a wrecking ball to represent the turmoil in the mind that happens as you become a teenager. Big questions also start to arise at this age, like who am I? Where do I belong? And am I enough? These are more emotionally complex emotions than the original five that featured in Inside Out.

To properly ensure Inside Out 2 felt representative of young people today, Inside Out 2 creators built a focus group of girls – dubbed “Riley’s crew” – ranging from the age of 13 to 19 who met every four months so they could be shown clips and moments from the movie and give their notes on them. This helped Pixar immensely and they were very impressed at how seriously the girls took their new role.

Initially, nine new emotions were going to show up, with Shame, Guilt, and Suspicion being just some of the rejected, scrapped new emotions. In the end, the filmmakers spoke to Dacher Keltner, psychology professor at the University of California, Berkeley, who discussed the subject of happiness with the creators of Inside Out. This time, Keltner told them they should focus on emotions that revolve around feeling self-conscious, so this helped them decide on their final choice of Ennui, Embarrassment, Envy, and Anxiety[6].

Some of this decision-making and eventual cuts and edits to the story of Inside Out 2 are evident from the deleted scenes that have since been released. For example, Shame would’ve been featured in a scene, which instead was altered and “given” to Anxiety. This is the anxiety attack scene, which began its life as a “shame spiral”. Here, Riley, Bree, Grace, Val, and the other Firehawks girls would’ve been playing a game of “Never Have I Ever”. Riley becomes jealous that Grace has been more daring than Riley has in her life, which impresses Val and her friends. To get back at Grace for this, the two begin using secrets from each others lives to embarrass them in the game, such as Grace saying she’s never stolen her mother’s credit card, knowing Riley has – we saw that in Inside Out. However, the game takes a disastrous turn when Riley reveals that Grace still wets the bed occasionally, which makes Grace, Bree, and the other girls turn on Riley for being so horrible to her friend. Riley then ran to the bathroom, where she became overwhelmed by Shame with Shame starting a storm in HQ, breaking everything apart, in a similar way to the anxiety attack that we see in Inside Out 2.

Another take on Anxiety had the emotion morph into some kind of supervillain. Riley was invited to a high school pool party, so naturally, she was feeling self-conscious, which wasn’t helped by Joy picking a childish swimsuit with a huge sun on it for her to wear. This was shown in a different deleted scene, which also saw Joy’s light fading and her unable to control the HQ console for unknown reasons. This scene also saw the emotions’ bedroom being shown for the first time, an idea that was kept in the final film. Anyway, at this pool party, Grace goes off with a guy called Joel, leaving Riley on her own. Joy manages to take over the console from Anxiety, causing Riley to act embarrassingly in front of all these high school kids, despite Grace telling her to stop. Riley continues with this and ends up accidentally pushing Grace into the pool. Grace cannot swim so has to be rescued from drowning. This is how Riley “hurt Grace” in this version of the film. The same line was used during the final hockey game in the final cut of Inside Out 2. Riley hurting Grace caused her to hate herself so much that Anxiety morphed into a scary character with blank, white eyes called Self Loathing, who tells the other emotions to point out all the reasons Riley is a loser in an effort to “protect her”. Joy wants to take control of Riley but continues to fade. The old emotions are pushed aside and fall out of the HQ window. It was decided Self Loathing was too much of one-dimensional villain so Anxiety stayed as Anxiety[7].

On the lighter side, there were some fun gags that were also cut from the film. One of these was a scene in Puberty Park, a new land in Riley’s imagination that had popped up once she became a teenager, which would’ve been just like an amusement park, complete with the ride “The Mood Swings”, a “House of Parental Embarrassment”, and a “Wall of Self Reflection”, with the star attraction being the “Emotional Rollercoaster”. There was also the idea of having a Procrastination Land, with its motto being “Always Under Construction”.

There are only four key new emotions in Inside Out 2, but there is one that only appears occasionally and does not contribute to the overall plot. This is Nostalgia, an emotion designed to look like an old granny. She appears from a door in HQ that could actually could be seen in Inside Out, as this door was meant to lead to Anger’s steam room in the original movie. Nostalgia appears through this door a couple of times in Inside Out 2, before being pushed back in by the other emotions since Riley isn’t really old enough to have experienced nostalgia yet! Nostalgia was voiced by June Squibb, who had voiced characters for Pixar and Disney prior to Inside Out 2, such as Gerel in Soul (2020) and the character Jimmy’s Grandma in Ralph Breaks the Internet (2018). Outside of this, Squibb most recently starred as Thelma in the 2024 movie of the same name, and is known for other comedic roles, like playing Estelle Dubois, Hubie’s mother, in the Adam Sandler movie for Netflix Hubie Halloween (2020)[8].

To match the new sophistication of Riley’s mind, Inside Out 2 also pushed boundaries to make their animation more sophisticated. I always like seeing when different animation styles are mixed. There is one scene in Inside Out 2 where this was most evident: in The Vault, the place where Riley’s secrets are held. The Vault looks like an actual bank vault, showing that Riley really doesn’t want her secrets getting out and embarrassing her. In The Vault scene, there are the five computer-animated emotions meeting three characters who are not like them. Firstly, we have the 2D animated characters of Bloofy and Pouchy. Bloofy is meant to resemble a character like Dora from Dora the Explorer (2000-19), being a simple two-dimensional character in a pre-school-type show, who talks to the audience and asks them direct questions, hoping the children watching are shouting out the answers at the screen. Sadly, Bloofy is not being watched by anyone so he spends a lot of time talking to the wall of The Vault, which makes the emotions question his sanity… Bloofy’s sidekick is Pouchy, clearly meant to represent the item bags that some of these children’s show characters have, where the correct item has to be selected. Bloofy was voiced by Ron Funches, a stand-up comedian and actor, known for his voice as Cooper in the Trolls franchise and currently appears as Howard in Apple TV+’s Loot (2022-present). Current SNL cast member since 2021, James Austin Johnson, was cast as the voice of Pouchy.

Alongside these 2D and 3D animated character is a video game character, Lance Slashblade, complete with that level of pixelation that these types of character have. Lance has long, flowing, purple hair, an angular face, and a sword that is shaped to look like a hockey stick. Despite looking like a video game character that would go and fight in hand-to-hand combat, Lance is part of a fictional game where characters battle by rolling themselves up into balls… Lance Slashblade is seemingly meant to resemble a character from the Final Fantasy series, which is quite appropriate since Yong Yea, the voice of Lance, has had voice roles in numerous video games including Final Fantasy VII Rebirth.

There is also the Deep Dark Secret, who is a tall figure, dressed entirely in black with just white eyes and a small flash of teeth. This character is in complete contrast to the colourful world of Riley’s emotions who are scared of Deep Dark Secret initially. Steve Purcell voiced the character. Purcell was a co-director and writer on Pixar’s movie Brave (2012) and voiced The Crow. He also wrote and directed the special Toy Story That Time Forgot (2014) and directed and wrote the Cars on the Road series for Disney+ in 2022.

Outside of these challenges, development on Inside Out 2 began during the COVID-19 pandemic in 2020, which led to filmmakers having to work from home and engage in remote working procedures. Since Inside Out 2 was not released until 2024, I wouldn’t say it was one of the movies most hit by the pandemic. But there was the additional challenge of the 2023 Actors Strike. Pixar completed 30 recording sessions with their actors in the 30 days prior to the strike, and another 30 in the 30 days after the strike to keep on schedule.

Pixar movies wouldn’t be complete without their usual Easter eggs, and one of these referenced the argument between the two Subconscious Guards in the first film, where they debated who was wearing whose hat, because one had written not his name but “My Hat” into his hat. During The Vault scene, you can see a guard’s hat with “My Hat” written into it. The Vault that the old emotions get locked in is a vault with the code ACX111 which is A113 in Roman numerals, with A113 being the classroom that many of the original Pixar creators studied in at CalArts[9].

Another thing to point out is Riley’s hockey jersey number. In Inside Out 2, she is wearing a hockey jersey with the number 28 on it, referencing the fact Inside Out 2 is Pixar’s 28th feature film. Also in the emotions’ bedroom, Joy has an origami figure of Bing Bong on the shelf by her bed, showing she has never forgotten him after his major sacrifice in Inside Out. She also has a figure of the iconic Pizza Planet truck. Pixar always like to include an Easter egg to their upcoming films, so in Inside Out 2, there is a memory ball of Elio in the sarcasm sequence. Elio is coming to theatres in Summer 2025[10].

Despite the usual positivity that is believed to be a key concept of working at Disney or Pixar, shortly after Inside Out 2 was released, former Pixar employees alleged that production on Inside Out 2 was messy, chaotic, and staff were overworked, with many people being laid off during production. There were further claims relating to themes in Inside Out 2 that were allegedly toned down or removed, specifically those relating to Riley’s sexuality. It has been said that after the backlash that came about from the kiss between two female characters in Lightyear (2022), Pixar employees were told to remove any element of this in Inside Out 2. It is possible they had initially planned for Riley’s infatuation with Val to be more like a crush, instead of Riley idolising this girl because she’s cool and plays hockey well. I have no idea how much, if any, of these complaints and comments are true, but it’s an interesting point to consider, whether Pixar did want to distance themselves from making any part of Inside Out 2 relevant to the LGBTQ+ community, as some viewers have been wanting Disney and Pixar to lean more into these themes for years now[11].

MUSIC

Even though the soundtrack for Inside Out was composed by frequent Pixar collaborator Michael Giacchino, the soundtrack for Inside Out 2 was composed by someone else. That person was Andrea Datzman; however, Datzman is not a stranger to Pixar having composed the music for the Dug Days (2021-23) series of shorts that premiered on Disney+ on 1st September 2021 as a spin-off to the movie Up (2009).

Some of Giacchino’s themes from the first movie, such as the iconic one first heard in the piece “Bundle of Joy”, were used in Inside Out 2. “Outside Intro”, the opening track in Inside Out 2 features this piece of music, as does “The Life of Riley”, which is the music playing as Joy catches us up on what’s been happening to Riley since we last saw her.

Datzman still made the Inside Out 2 soundtrack her own, wanting to use some rock elements in the soundtrack to match the toughness and physicality of hockey, showing how strong Riley is. This is apparent in the track “Go Team!”, which is played during the hockey match at the start of the film. The rock elements return for the piece “The Puck Drops Here”, for Riley’s final game at hockey camp.

The best instrumental track for me was “Mind at Freeze”, used for Riley’s anxiety attack. It was a big moment in the movie, to see not only Riley confused about what was going in her body but also Anxiety who was sure she was doing the right thing for Riley by pushing her. It’s an emotional moment to see all the emotions struggle against the panic that has consumed HQ and Riley and try to get everything back on track. The only critique I have of this scene is that in real life, if Riley was having a panic attack for the first time, I don’t think she would’ve come out of it as easily as she did in the film. It only felt like a scary moment whilst it was happening, but panic attacks can make you feel scared and uncertain even after it’s all over.

I also liked the dreaminess of tracks like “Creating a Sense of Self”, which played when Joy took Sadness to the Belief System for the first time, and I enjoyed hearing the return of the Triple Dent Gum jingle, which was written by Andrea Datzman, Pete Docter, and Bob Peterson, being performed by Datzman and Nick Pitera.

There was some additional music in Inside Out 2 outside of the score, like a very small snippet of “Bloofy’s House Theme Song” when we first meet Bloofy in The Vault. It was performed by Ron Funches, and written by Jennifer Rowekamp. There are three other credited songs that are used as background music in other similar scenes. When Riley is hanging out with Val and her friends, they are listening to music. This is when Riley pretends not to like the band Get Up and Glow. Here, a pop song seems to be playing, followed by a rock song, however, I couldn’t hear enough of the lyrics to hear which song it was. The same thing happened with the two locker room scenes. Although I believe the first time when Riley goes to the locker room with Valentina to meet her friends at hockey camp, the song used is “Growing Up” by American rock band The Linda Lindas; I have no idea about the other one. These outstanding three songs are “Baller Dash”, written by John Parker; “It’s The Time of Our Lives” written and performed by Paris Carney, Dakota, and Lachlan West; and “Can’t Slow Us Down” was written and performed by Henry Beasley and Simon Oscoft.

Although the Inside Out 2 soundtrack itself was not nominated during awards season, Andrea Datzman did win the Society of Composers & Lyricists Award for her work.

RECEPTION

After a premiere at El Capitan Theatre in Los Angeles on 10th June 2024, Inside Out 2 was released to theatres in the US on 14th June 2024, with the movie also being screened at the 2024 Annecy International Animation Film Festival on this date. Inside Out 2 hit theatres across the world in the days and weeks that followed. It was released in a wider aspect ratio in theatres to match the expanding console in Riley’s mind and the widening of Riley’s world now that she’s getting older. To compare, Inside Out was released in 1.78:1, with Inside Out 2 being released in 2.39:1, this seemingly being the Pixar standard now[12].

Inside Out 2 was heavily anticipated, even having the biggest animated trailer launch in Disney history thanks to its teaser trailer from November 2023 hitting 157 million views across social media in 2024 – a record that was later beaten by Moana 2[13]. This explains exactly how and why Inside Out 2 did so well at the box office.

From its opening weekend in North America, Inside Out 2 made almost $155 million in ticket sales, going on to make just under $653 million in this market. This combined with the $1.05 billion the movie made overseas gave Inside Out 2 a final gross figure of around $1.7 billion in total, against a reported $200 million budget. Inside Out 2 became not only the highest grossing animated movie of 2024 but became the highest grossing movie of 2024[14].

Inside Out 2 also became the only animated movie to make over $1 billion from overseas markets alone. The Lion King 2019 Disney remake earnt $1.1 billion internationally, but although it is technically CGI, it is classed as live-action by the company. Inside Out, on the other hand, ended up making just under $860 million at the box-office, putting it in the No. 7 spot of the highest worldwide grossing films of 2015 and second highest grossing animated movie of the year after Minions.

Thanks to the stellar financial takings of Inside Out 2, Deadpool v Wolverine, Moana 2, and Mufasa: The Lion King at the box-office in 2024, the Walt Disney Company had a good year in cinema when their Disney Parks were not doing so well, with global economic problems contributing to lower demand and the 2024 Paris Olympics being partially blamed for the lower footfall at Disneyland Paris[15].

It was also stated that Disney+ was finally profitable in 2024. Speaking of which, Inside Out 2 was released on Disney+ on Wednesday 25th September 2024, where it drew in 30.5 million views worldwide during the first five days of its release, becoming the No. 1 film premiere of 2024 and the best film premiere on Disney+ since Encanto (2021). The original Inside Out has had 121 million views globally during its time on the platform so far[16].

It’s not always true that if a movie makes a lot of money at the box office, then it must’ve had positive reviews from both critics and audiences. That was certainly not the case for Moana 2, for example. However, Inside Out 2 was received well by the majority.

Many liked seeing Riley grow in this movie with the introduction of her new emotions, and the message of the movie, about accepting yourself for who you are, being seen as very good and relatable to the modern world. It was heartfelt and creative, expanding on the original story. Some adults even said Inside Out 2 helped them with their own difficulties with anxiety. Everyone experiences anxiety differently though, and Riley’s anxiety was quite specific to teenage life, so take that with a pinch of salt. It didn’t help me in that way, but I did like its creativity and the cleverness of the new mind additions, like the Sar-Chasm and The Vault. I also enjoyed seeing more of Riley’s life in Inside Out 2, something which was overshadowed by Joy and Sadness’ journey in Inside Out.

On the more negative side, some claimed Pixar should not be trying to teach kids about anxiety, feeling it may’ve been too much for certain ages to cope with. Others felt the humour was forced, for example, the mind metaphors being too much at times. The story was criticised for being rushed through to get to the final message, which I didn’t really agree with; Riley was only at hockey camp for three days. Some didn’t like the hockey camp setting either and felt Turning Red (2022) was a much better movie for teaching children about puberty. I actually really didn’t like Turning Red so I disagree on that point. There was also disappointment that some of the cast did not return to reprise their roles, showing that I wasn’t the only one who could tell the difference in the voice actors.

During awards season, Inside Out 2 only won the NAACP Image Awards for Outstanding Animation Motion Picture. It was nominated for numerous awards though including Best Animated Feature at the Academy Awards, with Flow (2024) taking home the award; at the Annie Awards, where The Wild Robot (2024) won; at the BAFTAs, with Wallace & Gromit: Vengeance Most Fowl (2024) claiming the prize; and at the Critics’ Choice and Golden Globes, where The Wild Robot and Flow won respectively. At the Golden Globes, Inside Out 2 was also up for Cinematic and Box Office Achievement, but losing to Wicked (2024). Also at the Annie Awards, Inside Out 2 was nominated for other awards, including Voice Acting for Maya Hawke; Writing; Character Animation; and Production Design, where it lost to The Wild Robot in most categories, although the Writing award was given to Flow.

In comparison, Inside Out won the Oscar for Best Animated Feature, and was nominated for Best Original Screenplay at this ceremony too. This was also the case at the BAFTAs and the Critics’ Choice Awards. At the Annie Awards, it once again won Best Animated Feature, along with a list of others awards, including Outstanding Achievement for Directing; for Production Design; and for Writing just to name a few. Inside Out also won Best Animated Feature Film at the Golden Globe Awards, the Satellite Awards, and the Saturn Awards, amongst many others. It was named as the Best Animated Feature by the National Board of Review too.

LEGACY

Continuing the Inside Out franchise, Disney+ premiered the new series Dream Productions on 11th December 2024, having first being announced in 2023, with further details being released in 2024. It consists of four episodes, at roughly half an hour each, and is set between Inside Out and Inside Out 2. It sees the Dream Productions dream director trying to create amazing dreams for Riley in amongst studio politics.

Many of the voice cast from Inside Out 2 reprise their roles in Dream Productions, with the likes of Richard Ayoade and Maya Rudolph joining the cast as Kenny Dewberry, and Jean Dewberry respectively. Ayoade is known for his role as Maurice Moss in the British sitcom The IT Crowd (2006-13) and hosted The Crystal Maze (2017-20) and Travel Man (2015-present) in the UK as well. He has voiced roles in other animated movies, such as Early Man (2018) and The Lego Movie 2: The Second Part (2019), and Terry in Pixar’s movie Soul (2020). Rudolph is known for her roles in comedy movies such as Grown Ups (2010) and its 2013 sequel as Deanne; Bridesmaids (2011) as Lillian; and Disenchanted (2022) as Malvina. She rose to fame as a cast member on the sketch show Saturday Night Live from 2000 to 2007. Rudolph currently stars in the AppleTV+ comedy series Loot (2022-present) as Molly Wells. She also voiced the roles of Aunt Cass in Disney’s Big Hero 6 (2014) and Daniela Paguro in Pixar’s Luca (2021).

Dream Productions has since won the Annie Awards for Best Limited Series and for Outstanding Achievement for Voice Acting in an Animated Television Production for Paula Pell, who voiced Paula Persimmon, the dream director and head of Dream Productions both in this series and in Inside Out. She also voiced Riley’s mum’s Anger in Inside Out and Inside Out 2, and was a writer on SNL from 1995 to 2013.

During the summer of 2024, the Disney Parks set about promoting Inside Out 2 in the usual way: with meet-and-greets, speciality food and drink, and merchandise.

At Disneyland, specifically at Disney California Adventure Park, there was much promotion for Inside Out 2 during Pixar Fest 2024, which took place from 26th April to 4th August. This included the introduction of Anger as a meet-and-greet character, joining Sadness and Joy in meeting guests. There was also an Inside Out 2 collectible medallion available to purchase at this time, from the machine in Bing Bong’s Sweet Stuff store. More generally, Joy and Sadness were two characters to get involved in the Pixar Pals Playtime Party stage show that ran a few times a day. These two, along with a statue of Bing Bong, were also featured on a float of Bing Bong’s rocket during the Better Together: A Pixar Pals Celebration Parade. Scenes and music from Inside Out were also included in the Together Forever – A Pixar Nighttime Spectacular fireworks show. Outside of that, at the Animation Academy also at Disney California Adventure Park, guests could learn to draw characters such as Joy, Sadness, Anger, and Anxiety. There was even a short film displayed on the water fountains ahead of the water-based nighttime show World of Color – One at this park, themed to Inside Out 2 and its characters. The short was named “Emotional Rollercoaster”.

Also at the Pixar Pier location in Disney California Adventure Park, you can find the spinner ride Inside Out Emotional Whirlwind, where guests spin around in colourful mini-hot air balloons, designed after Inside Out characters. The area is themed to include the shelving in HQ complete with memory balls that are seen in the film, and statues of the five emotions.  This ride opened in 2019, and is a repurposing of a different ride that once appeared at Disney California Adventure: Flik’s Flyers from A Bug’s Land, which closed in 2018 to make way for Avengers Campus. Also at Pixar Pier, there is the Angry Dogs food stand, with Anger being featured on the stand’s signage. This stand obviously serves hot dogs. Then there is a sweet shop named Bing Bong’s Sweet Stuff, which has a statue of Bing Bong inside. The Pixar Pal-A-Round Ferris wheel, redesigned to match the new area of Pixar Pier, includes gondolas with different characters painted on them. Joy and Sadness are two of these.

Also at Disneyland, special PhotoPass Lenses featuring the Inside Out 2 characters were available to use on the Disneyland app, and at the Pixar Place Hotel, there was an exhibit all about Inside Out 2, featuring maquettes of the new emotions Anxiety, Ennui, and Embarrassment, as well as artwork from the film. The Pixar Place Hotel opened at the Disneyland Resort on 30th January 2024 and contains other references to Inside Out. There are small references to the movie “hidden” in murals and paintings throughout the hotel and in rooms. You also might be lucky enough to meet Bing Bong at Pixar Place Hotel, as he has been meeting guests in the area since the hotel opened. 

At Walt Disney World, Joy was given a permanent meet-and-greet location at Pixar Plaza in Disney’s Hollywood Studios around Summer 2024, where she still is today. Joy and Sadness used to have a meet-and-greet location at the Epcot Character Spot, back in 2016, however, this area was closed when Epcot was redeveloping around 2019 and 2020. Joy could then be seen at the ImageWorks, the exit of the Journey into Imagination attraction in Epcot until around 2024 when Figment became a meet-and-greet character in that location. There was also a photo opportunity in front of an Inside Out 2 mural on the walls in the Pixar Plaza area. A sneak peek at Inside Out 2 was also playing at Walt Disney Presents in Disney’s Hollywood Studios.

At Disneyland Paris, Joy met guests at the Worlds of Pixar area in Walt Disney Studios Park during June and July 2024, with Anger showing up as well. Joy was still there in December of that year. It is unclear if she is still there. There are also two small statues of Joy and Anxiety in this area. In shows, Joy appeared as part of the A Million Splashes of Colour parade which ran from February 2024 until the end of September that year. Music from Inside Out and scenes from the movie are currently part of the Disney Tales of Magic nighttime show at Disneyland Paris.

At Tokyo Disneyland, Joy and Sadness have been spotted by guests as recently as 2021. At Hong Kong Disneyland, in recent years, characters from the movie, like Joy, Sadness, and Anger, were included in the Pixar Water Play Street Party here for Summer 2024. It is possible they will return if this parade returns in 2025. The Inside Out theme and clips from the film were also used as part of the Momentous Nighttime Spectacular show at this park. Lastly, at Shanghai Disneyland, Joy and Sadness are a part of the Disney ColorFest Street Party here, as well as Mickey’s Storybook Express Parade. Moments from Inside Out can also be seen in the projections of ILLUMINATE! A Nighttime Celebration.

On the Disney Cruise Ships, specifically on the Disney Wish, is a sweet shop named Inside Out: Joyful Sweets. The characters may also be seen as part of Pixar stage shows and parties that take place on other Disney Cruise Ships. The five emotions of Inside Out were also a part of the Disney on Ice show from 2015. 

Plenty of merchandise has been released featuring the characters of Inside Out 2, including plush toys, books, clothing, mugs, and playsets. There was plenty of specially-themed food and beverage offerings at all the Disney Parks too, including an Inside Out 2 souvenir cup available at Shanghai Disneyland; themed popcorn buckets, along with a tutti-frutti flavoured popcorn, and themed doughnuts at Disneyland Paris; emotion-themed dessert lollipops at Hong Kong Disneyland, with flavours like Basil Lemon for Envy and Thyme Orange for Anxiety, as well as themed popcorn flavours, such as Wasabi for Disgust and Garlic for Embarrassment; emotion-matching coloured cheesecakes at Disneyland Resort; and an Inside Out 2 petit cake at Amorette’s Patisserie at Disney Springs in the Walt Disney World Resort[17].

Finally, in partnership with Airbnb, a house designed to look like the Inside Out 2 headquarters was built in Las Vegas, with the accommodation seemingly being at the top of a huge tower. This was only available to win as a prize from a competition, with 15 one-night stays available to win for stays in July 2024.

FINAL THOUGHTS

There wasn’t too much in Inside Out 2 that I found particularly relevant to my life, but there was one thing. Hearing Riley’s belief “I’m not good enough” a number of times was quite an uncomfortable experience. We’ve all had times when we’ve thought we aren’t good enough. That we’re losers, failures, and will never achieve anything. Well, maybe not everyone has felt like that. Some people are just lucky with their level of confidence, but I think the majority of us have felt like we just aren’t good enough sometimes.

I found Inside Out 2 to be enjoyable as a film, and quite funny in places, even if I didn’t relate all that much to Riley’s journey, however, I am aware that I grew up in a time without smart phones and social media apps, with these only becoming a major part of life by the time I was about 18, and I was not at school or in a key developmental time of life when the COVID-19 pandemic hit. I don’t personally know any teenagers but I’ve read numerous articles about how stressed and anxious young people are growing up today.

I believe that Inside Out 2 may’ve gone some way in helping teens understand how their minds are working and even if they can’t talk to their parents, I hope it’s opened up discussions with their friends and given the adults in their lives something to think about.


REFERENCES

[1] Credit: Samantha Crowell, ‘Inside Out 2: Why Mindy Kaling & Bill Hader Were Recast In The Sequel (Despite Having A “Great Time Working On Inside Out”)’, ScreenRant.com, 28th August 2024.

[2] Credit: Julie, ‘6 Emotional Details About The Making of ‘Inside Out 2’’, PixarPost.com, 16th April 2024.

[3] Credit: Pixar, “New Emotions”, from Inside Out 2 (2024) Disney+ (2024).

[4] Credit: Matt Grobar, ‘Inside Out Sequel Plans Confirmed By Pixar At D23’, Deadline.com, 9th September 2022.

[5] Credit: John Boone, ‘The Inside Story of ‘Inside Out 2’s New Emotions (Exclusive)’, Oscars.org, 13th June 2024.

[6] Credit: Petrana Radulovic, ‘Uncut Gems helped inspire Inside Out 2’, Polygon.com, 16th April 2024.

[7] Credit: Pixar, “Deleted Scenes”, from Inside Out 2 (2024) Disney+ (2024).

[8] Credit: Julie, ‘6 Emotional Details About The Making of ‘Inside Out 2’’, PixarPost.com, 16th April 2024.

[9] Credit: Pixar, “Unlocking the Vault”, from Inside Out 2 (2024) Disney+ (2024).

[10] Credit: Jazz Tangcay, ‘‘Inside Out 2’: All the Easter Eggs and Hidden References You Might Have Missed Including a Nod to Pixar’s Next Feature, ‘Elio’’, Variety.com, 22nd June 2024.

[11] Credit: Dani Di Placido, ‘Disney’s ‘Inside Out 2’ Controversy, Explained’, Forbes.com, 17th September 2024.

[12] Credit: Disney, ‘‘Inside Out 2’ Director Kelsey Mann on Navigating the Emotions of Leading the New Pixar Film’, TheWaltDisneyCompany.com, 12th June 2024.

[13] Credit: Disney, ‘‘Inside Out 2’ Garners Biggest Animated Trailer Launch in Disney History’, TheWaltDisneyCompany.com, 10th November 2023.

[14] Credit: Tim Lammers, ‘‘Inside Out 2’ Ends Its Theater Run. How Much Did It Make At Box Office?’, Forbes.com, 11th October 2024.

[15] Credit: Faarea Masud, ‘Inside Out 2 boost Disney as theme parks struggle’, BBCNews.co.uk, 7th August 2024.

[16] Credit: Disney, ‘“Inside Out 2” Is The No. 1 Film Premiere On Disney+ In 2024, Driving 30.5 Million Views Globally In 5 Days’, Press.Disney.co.uk, date unknown.

[17] Credit: Cayla Ward, ‘New ‘Inside Out 2’ Experiences to Love at Disney Parks, Plus All-New Products’, DisneyParksBlog.com, 14th June 2024.

#15 Inside Out (2015)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. PRODUCTION
  5. MUSIC
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

“Do you ever look at someone and wonder: what is going on inside their head?”

These are the opening words of Pixar’s Inside Out, the 15th movie to come from the studio, twenty years after their first movie, Toy Story, was released in 1995, becoming the first-ever computer-animated feature film.

Whereas Disney Animation is known primarily for animating fantasy and adventure stories, usually with some sort of children’s story or novel as inspiration, Pixar tend to base their movies simply in the relatability of human experience.

Although this is usually done with a fantastical twist, like the existence of monsters, or rats that can cook, or a little fish going missing in the ocean, there is still something about the plight of these non-human characters that us as people can connect with.

In the case of Inside Out, Pixar chose to actually look inside humans, basing their whole movie on how we think and feel. What would that look like? What is going on in our heads when we face conflicting emotions?

As well as chronicling the trials and tribulations of an 11-year-old girl during a particularly difficult move away from her hometown of Minnesota to the city life of San Francisco, Pixar took us inside the mind, personifying emotions, giving them responsibilities, and showing how memories are created.

When I first watched Inside Out, I remember thinking it was a very clever movie from Pixar. They showed us how memories might be stored, how thoughts are categorised, and what our imagination looks like in a way that was fun, colourful, and meaningful.

It was also very poignant, as it proved how useful sadness can be, trying to move us away from thinking that happiness is the only emotion people should feel, and that if they don’t, there must be something wrong with them. We now have a word for that: toxic positivity, a very unhealthy attitude to have.

Pixar rarely get a foot wrong when it comes to their films, though they have not always been perfect. However, Inside Out felt like a turning point for Pixar, as they’d made something not only entertaining, but significant. But it is worth noting that Inside Out might’ve been highly praised simply because it was released after the disappointing sequel Cars 2 (2011) and the prequel Monsters University (2013), with more sequels coming afterwards.

PLOT

Inside Out begins with the birth of its main human character, Riley. We see Riley as a baby and then go inside her mind to see Joy appear. Here, Joy can see through Riley’s eyes, watching her delighted parents. This moment creates Riley’s first memory, which Joy sees roll into Riley’s mind like a glass ball, and stack itself on nearby shelves. Joy is excited to help keep Riley happy throughout her life, expecting it to be just the two of them now.

But just a few seconds later, Sadness shows up as Riley cries for the first time. Over the coming days, other emotions join Joy and Sadness inside Riley’s mind. First, Fear, who keeps Riley safe from tripping over a cable whilst playing in the house; then Disgust, who saves Riley from being poisoned by broccoli; and Anger, who shows up to get Riley to voice her displeasure at being refused dessert if she doesn’t eat that broccoli!

As the years go on, Joy is pleased to find that the majority of Riley’s memories are all golden and happy, since memories match the colour of the primary emotion in that memory. At the end of each day, these memories are taken down to Long-Term Memory to be stored. Riley’s Core Memories are also golden and these power Riley’s personality, forming personality “islands” inside her mind, like Family Island, Friendship Island, Hockey Island, Honesty Island, and Goofball Island. As Riley has grown up though, Joy has been at odds with Sadness, not knowing what she is actually in “HQ”, as in Riley’s mind, for.

Joy knows that Riley is 11 now so doesn’t expect much to happen in her life. And yet Riley’s parents have packed up all their belongings and moving from Minnesota to San Francisco. The journey is long, so the emotions review some of Riley’s favourite daydreams about what their new house will be like. Riley is excited to see it, but when they arrive, she finds it is nothing special and is in fact very rundown and kind of dirty… Riley is horrified, but Joy tries to keep her spirits up. However, the more Riley sees of the house, the more her other emotions push Joy aside, creating bad memories of the place. To make it worse, Riley’s mother then tells her the moving van won’t be coming for days, and when Riley tries to lighten the mood by playing hockey in the house with a balled-up piece of paper, her dad is called out to work. Riley and her mother go out for pizza but discover that San Franciscans apparently have a love for broccoli on pizza. That is so wrong.

Riley’s emotions are struggling with what is going on, but none more so than Sadness, who keeps feeling the urge to touch happy memories, which turns them blue. Joy tells Sadness not to touch any more memories, but Sadness goes to touch a Core Memory and it falls out. Sadness cries she thinks she’s having a breakdown. Joy pushes the Core Memory back in to place, because without these, Riley’s personality “islands” will stop working and she’ll become a shell of her former self. Sadness is sent to read manuals and stay away from the main console of HQ. Joy is also concerned that many of Riley’s memories for that day are a mixture of Fear, Anger, and Disgust. That’s new.

That evening, Riley is sleeping on the floor of her new room in a sleeping bag, much to Disgust’s…disgust. Her mother comes upstairs to tell her that her dad is very busy with work and that the moving van is going to be even later, but she appreciates Riley taking it all in her stride and still making an effort to be happy. Despite Riley’s fear and upset at being forced to move here, she continues to put on a happy face. Now it’s time for sleep and Joy is on “dream duty”, excited to see what Dream Productions is putting on for the night. Joy is unhappy with their choice so puts on a memory of Riley ice skating with her parents instead.

The next day, Joy wakes up with even more enthusiasm than usual, waking the other emotions playing the accordion. It’s Riley’s first day of a new school and Joy wants it to be perfect. She orders Fear to write a list of all possible worst-case scenarios for the day; tells Disgust to choose a great outfit for Riley; and Anger is tasked with unloading daydreams from the Train of Thought in case Riley’s lessons are boring. Sadness, on the other hand, is confined to a circle which Joy drew on the floor, telling her not to step outside of it.

At school, Riley is immediately asked to introduce herself to the class by her teacher, something that Fear calculated was the worst-case scenario. Joy isn’t concerned though and Riley starts to talk a bit about Minnesota and how great it was living there… The emotions then see that Riley has started crying in front of everyone. Horrified, they turn around to find Sadness has stepped out of her circle and touched a memory, making it sad. They then notice that a Core Memory has been created – and it’s entirely blue. This is Riley’s first-ever sad Core Memory. Joy and Sadness fight over it, with Joy wanting to dispose of it, but as they fight, all of Riley’s Core Memories are knocked out of position, Joy picks them up but her, the memories, and Sadness are sucked into one of the tubes that transports Riley’s memories around the mind. They are thrown out of Headquarters, and dumped in Long-Term Memory. Joy and Sadness discover that none of Riley’s personality islands are working without the Core Memories, so they know they have to hurry back to HQ.

Joy and Sadness’s departure has left only Fear, Anger, and Disgust in HQ. It’s already apparent that Riley’s personality has changed as she sits slouched eating dinner with her parents. Her mother tries to ask about school but thanks to Disgust, Riley’s answer comes out sarcastic. This leads Riley’s mother to become worried and try to get Riley’s father involved. As we can see inside both of their minds now too, we know Riley’s father wasn’t paying attention, exasperating Riley’s mother. Riley’s father tries to contribute to the conversation but makes everything worse, inflaming the situation instead of calming it. This makes Riley angry and she is sent to her room. Riley’s father is pleased with how he put his foot down, but Riley’s mother knows it was a disaster… Riley’s dad tries to cheer Riley up later by acting silly but Riley is having none of it.

This brings us back to Joy and Sadness who are trying to navigate their way to HQ by walking along a thin bridge between Goofball Island and Headquarters. As Riley refuses to act silly with her dad, Goofball Island breaks away and Joy and Sadness run back to Long-Term Memory. Riley then falls asleep so Joy wants to be back in HQ by morning, but this means a long walk round to Friendship Island. Sadness doesn’t feel like moving but knows Joy will get lost in the maze that is Long-Term Memory. Sadness then shows she knows the route through so Joy drags her along with her. The next morning, they are still walking and Joy is annoyed to find that Sadness has touched all the bottom row of the Memory Shelves turning them blue. Joy sees some Memory Workers getting rid of old, faded memories, sending them to the Memory Dump to be forgotten forever. One of these that will never fade is the Triple Dent Gum jingle, which the workers like to send to HQ just for fun! Joy asks them for directions to Friendship Island but they walk away, ignoring her.

Back with Riley, she video calls a friend from Minnesota who tells her about this new girl on their hockey team and how amazing she is. Naturally, this upsets Riley who bluntly ends the call. This event causes Friendship Island to collapse just like Goofball Island, so Joy and Sadness cannot take that route now. They are back to walking again… Joy notices something pink seemingly taking some of Riley’s memories. Joy goes to confront him but he runs away, scared. It turns out Joy knows exactly who this. It’s Bing Bong, Riley’s imaginary friend. Bing Bong says he’ll help them get back to HQ, with Joy promising she’ll get Riley to remember him, as he is being forgotten, once they’re back.

Bing Bong tells them the best way to get back is to catch the Train of Thought which has a station in Imagination Land. Bing Bong takes them through a “shortcut” which is actually Abstract Thought. Some workers turn the area on as Joy, Sadness, and Bing Bong are walking through and they start to transform. First, they become fragmented, then deconstructed, then 2D, then simple shapes. They manage to jump out of Abstract Thought alive but have missed the train as they wait to regain their actual forms. There is another station through Imagination Land, so they keep walking, through French Fry Forest, Cloud Town, the House of Cards, where Bing Bong’s magical rocket/wagon has been left, and the Imaginary Boyfriend machine. At Pre-School World, Bing Bong’s rocket is taken by workers who are demolishing the whole area. Bing Bong is devastated to find that Riley is moving on from him. Joy tries to boost his mood, but it doesn’t work. Sadness then sympathises with him and they talk about Bing Bong’s sadness at things changing and him being forgotten. Joy is amazed to find that Bing Bong’s talk with Sadness has actually made him happier…

At HQ, Fear, Anger, and Disgust see Riley breaking down further. At hockey try-outs, without her Core Memory and Personality Island, Riley plays terribly and storms off upset, causing Hockey Island to collapse. Anger thinks he has a way of fixing this whole situation: by running back to Minnesota and creating new Core Memories. Disgust and Fear aren’t so sure, so they put a pin in that idea.

Back with Bing Bong, Joy, and Sadness, they have boarded the Train of Thought, but it stops soon after as Riley falls asleep. Luckily, they stopped right by Dream Productions. They decide to infiltrate the dreams to wake Riley up. On set, Sadness says they should scare her awake, but Joy doesn’t want to do that. Instead, they dress up like a dog and run onto the Dream Productions set. Joy and Sadness’s costume breaks apart though, so it looks like the dog has been cut in half. Bing Bong rushes on to set too to try and talk to Riley, and Dream Productions Security carry him out. This whole dream was being watched by Fear who was on Dream Duty too. He was unimpressed to say the least.

Joy and Sadness then go to the Subconscious where Bing Bong has been put in a cell. As the two try to enter the area, two guards see them and throw them inside. They follow a trail of candy wrappers to find Bing Bong in a cell made of balloons, sitting on top of a clown. This clown is Jangles and he is terrifying, which is why he is in the Subconscious; this is where all of Riley’s darkest fears live. Joy releases Bing Bong and then decides Sadness was right about scaring Riley awake, so they wake up Jangles and lead him to Dream Productions. Riley does wake up and they jump on the train. But at HQ, Anger decides they must take action and puts the running away thought in Riley’s head, by placing a literal light bulb in the console. Riley decides to do it, buying a bus ticket home, and stealing her mother’s credit card to pay for it, which breaks down Honesty Island.

On the train, Bing Bong picks up a memory of Riley playing hockey. Joy remembers that it was a day of celebration with her hockey team, but Sadness remembers that Riley actually was very sad that day after missing the winning goal in a big game. Honesty Island’s collapse causes the Train of Thought to derail and the three are pulled to safety by Memory Workers. They tell Joy Riley is running away. Sadness and Joy rush over to Family Island, the last personality island standing and go to a Recall Tube to get back to HQ. But as Sadness enters the tube, Riley’s Core Memories start to turn blue. Joy tells Sadness Riley needs to be happy and goes off without her. But the tube breaks, and as Bing Bong tries to help, he too falls, both of them heading right to the Memory Dump.

As Bing Bong loses hope that they’ll get out of there, Joy starts to cry and picks up the memory that they were just talking about. As she wipes a tear off it, she sees that this memory started off sad and then became happy. This shows to Joy that memories can have mixed emotions and that Sadness alerted others to how Riley was feeling so that they could come and comfort her to make her happy again. Joy knows she can’t just stay here, and finds Bing Bong’s rocket, powered by song power. The two get in the wagon and start to sing. They rise higher and higher…but it’s not enough. They keep trying but just can’t seem to get out of there. Bing Bong then realises he might be too heavy so at the last moment, he jumps out, causing Joy to make it back to Long-Term Memory. Looking down, she sees Bing Bong waving and then he fades away forever…

Back in San Francisco, Riley’s parents have discovered Riley is missing and so Family Island starts to fall. Joy quickly finds Sadness, who is floating on a cloud of tears, believing Riley is better off without her. Inside HQ, the emotions have discovered that Riley’s console is turning grey, and they cannot do anything to reverse Riley’s decision to run away. Joy then goes to the Imaginary Boyfriend machine and prints copies of the boys. She pushes Sadness towards Family Island. Using these boys, Joy basically makes a tower to stand on. She then tells them to fall forward, and she jumps onto the trampoline of Family Island before it falls, catching Sadness on the way. The two slam into one of the windows of HQ. Anger, Disgust, and Fear rush towards them, with Disgust winding up Anger so she can use his fire to break the window open. The three tell Joy to fix Riley, but she passes that responsibility over to Sadness. Sadness takes a deep breath and takes out the light bulb from the console, removing the thought from Riley’s head. She immediately gets off the bus.

At home, Riley’s parents are relieved to see she’s back unharmed. Sadness returns Riley’s Core Memories, turning them blue, which allows Riley to tell her parents that she misses home. It turns out her parents miss home too. The three comfort each other with a big hug. This creates the first mixed emotion memory for Riley. Family Island is restored.

One year later, Riley is twelve, and has begun to accept her new life in San Francisco, making friends, and joining the hockey team, with new Personality Islands forming too, like Boyband Island and Tragic Vampire Romance Island. Joy has also begun to accept Sadness in Riley’s mind, and more mixed emotion memories have been created. They soon find that the Memory Workers have expanded their console, with a new red button marked “Puberty” on it. Joy tells them not to worry about it; it can’t be that important.

In a mid-credits scene, we get to see inside the minds of others, including Riley’s teacher, who is counting down the days until she can go on vacation, seemingly to meet up with the same helicopter pilot that Riley’s mother once knew; a cool girl from Riley’s school who is finding it exhausting keeping up this façade that she’s too cool to care; and even a cat’s mind, where its Fear emotion plays about with the console, making the cat randomly go crazy in the real world. Oh, so that’s why cats do that!

CHARACTERS & CAST

Joy believes herself to be the leading figure of the five emotions that reside in Riley’s mind. She was the first one to be there to support Riley and she has vowed to keep Riley happy for the rest of her life. Happiness is the key emotion that many people strive for, however, that does not mean that you have to spend every day and every minute of your life feeling happy. That’s unrealistic and not even sustainable. So, on this journey through Riley’s mind, Joy has to accept that she cannot be the driver of Riley’s life all the time, and that even though she perhaps views the other four emotions, particularly Sadness, with scepticism over how much they improve Riley’s life, Joy has to accept that Riley can’t always be happy and that sometimes Sadness is necessary to help Joy do her job. Because Joy is enthusiastic and positive, she was designed to be a constant glowing spark, her light shining on to those around her, with a big sunny smile to match. Joy’s shape was based on a star.

Joy was voiced by Amy Poehler. Poehler was a cast member on the sketch comedy series Saturday Night Live (1975-present) from 2001 until 2008. After that, Poehler was cast as Leslie Knope in the popular sitcom Parks and Recreation (2009-15), for which she was nominated for numerous Primetime Emmy and SAG awards, winning a Golden Globe in 2013 for her role. She is also known for her collaborations with former SNL writer and performer Tina Fey, being cast as Regina George’s mother in Mean Girls (2004), written by Fey, and appearing alongside her in other movies like Baby Mama (2008) and Wine Country (2019), with the latter being directed by Poehler. Poehler won a Nickelodeon Kids’ Choice Award, a Women Film Critics Circle Award, and an MTV Movie Award for her voice role here.

Sadness is the least confident of the emotions, being quite insecure and unsure of her purpose in Riley’s mind, probably because Joy has spent eleven years trying to keep Sadness away from Riley’s memories and the HQ console so she doesn’t mess anything up. After helping Joy journey through Riley’s mind, Sadness is “rewarded” with Joy ignoring all of her ideas, like scaring Riley awake which turns out to work, and is then left behind by Joy as she tells Sadness Riley needs Joy more than her, causing Sadness to fly around on a cloud, crying her eyes out, believing she is useless and harmful to Riley. Joy has to convince Sadness that she was wrong all along and that Riley needs to feel sad at times to improve her mood. In the end, Sadness is the hero who makes Riley feel again. Sadness was initially going to be a male character named Bud who looked like a big blue blob. Sadness was then redesigned by artist Albert Lozano, who drew Sadness to look more like his mother. Sadness is shaped like an upside-down teardrop[1].

Phyllis Smith was the voice of Sadness. She is perhaps best known for her role as Phyllis Vance in sitcom The Office (2005-13), as well as her appearances in comedy films such as Bad Teacher (2011), alongside Cameron Diaz. Smith won the Annie Award for Outstanding Achievement for Voice Acting in a Feature Production for her role as Sadness.

The next emotion to mention is Fear, the one who alerts Riley to real-life physical threats, like tripping over things or getting hurt, as well as the emotionally-charged dangers, like being laughed at on her first day of school. Fear is incredibly neurotic, getting worked up at the smallest thing, and catastrophising everything, but hey, I guess that’s his job. Fear was shaped to look like a nerve.

Bill Hader was cast as the voice of Fear. Hader was a cast member on Saturday Night Live (1975-present) from 2005 until 2013, also appearing in comedy films such as Forgetting Sarah Marshall (2008) as Brian Bretter and Night at the Museum: Battle of the Smithsonian (2009) as George Custer during this time. He had also voiced roles in animated movies prior to Inside Out. These roles include the main role of Flint Lockwood in Sony Pictures’ Cloudy with a Chance of Meatballs (2009) and its 2013 sequel; and Guy Gagné in DreamWorks’ Turbo (2013). Hader has voiced characters in other Disney and Pixar movies too, including J.P. Spamley in Ralph Breaks the Internet (2018) and Featheringhamstan in Lightyear (2022). Hader also co-created, partially directed, and starred in the dark comedy series Barry (2018-23), for which he won two Critics’ Choice Awards and two Primetime Emmy Awards for his acting role, and three Directors Guild of America and three Writers Guild of America Awards for his creation of the show.

Another emotion we meet is Disgust, who was initially designed to be disgusting herself, before the animators decided that wasn’t an appealing character design. Instead, she ended up being shaped like a piece of broccoli, which she ironically despises, albeit a well-dressed piece of broccoli! Disgust is first introduced to tell Riley not to eat the broccoli she is about to be fed, but her disgust spans more than just food, moving into fashion choices and even Joy’s suggestions about just going up to cool girls and talking to them!

Disgust was voiced by Mindy Kaling. Kaling was also cast in The Office (2005-13) in the role of Kelly Kapoor, before creating her own show, The Mindy Project (2012-17), where she starred as Dr. Mindy Lahiri. She has also appeared in comedy films, such as Ocean’s 8 (2018) where she was cast as Amita, and Late Night (2019), playing the part of Molly Patel. Kaling recently co-created a new show for Netflix, Running Point (2025-present), which stars Kate Hudson in the main role. Kaling is no stranger to voice acting either, having voiced the characters of Taffyta Muttonfudge in Wreck-It Ralph (2012) and Val Little in Monsters at Work (2021-present) for Disney; and the title role of Velma in the animated Scooby-Doo spin-off series Velma (2023-24).

The final emotion to mention is Anger, who is obviously the one who gets angry at everything, wanting things to be fair for Riley and not wanting to feel disrespected by anyone. Anger is the primary driver behind the idea to get Riley to run away and go back to Minnesota, something that he felt was a good idea after being annoyed at their lack of progress in creating Core Memories without Joy. He was basically at the end of his tether, but even Anger accepts that this was not the way to fix Riley in the end. Anger is rigid and immovable, so his character design was shaped to be like a brick[2].

Anger was voiced by Lewis Black. Black began his career in stand-up comedy, later appearing on The Daily Show (1996-present) to host a segment called Back in Black with Lewis Black, humorously commenting on news stories, which he still does today. Black also had his own series on Comedy Central titled Lewis Black’s Root of All Evil (2008).

The other main character in Riley’s mind is Bing Bong, Riley’s imaginary friend, a creature that is part cat, part elephant, part dolphin, made of cotton candy and cries candy! Bing Bong has found himself living out the rest of his days in Riley’s Long-Term Memory but fears he will be forgotten soon as Riley is growing up and no longer needs an imaginary friend. He hopes that by helping Joy and Sadness get back to HQ that they’ll be able to get Riley remember him, but that never happens. Instead, Bing Bong sacrifices himself to the Memory Dump to allow Joy to return to HQ and make Riley happy again. It’s a heart-breaking moment, seeing Bing Bong fade away in that place…

Bing Bong is the most lovable and likeable of all the characters in Inside Out and I think that has a lot to do with his voice actor, Richard Kind. On stage, Kind has appeared in a variety of plays and musicals, including as Max Bialystock in The Producers Broadway production from 2004 to 2005, and at the Hollywood Bowl in 2012; as Andre Thibault in a 2005 Broadway production of Dirty Rotten Scoundrels; and as Marcus Hoff in The Big Knife, for which he was nominated for a Tony Award for Best Featured Actor, and won the 2013 Drama Desk Award for Outstanding Featured Actor in a Play. On screen, Kind was recently seen in Season 4 of Only Murders in the Building (2021-present), playing the part of Vince Fish, and as Caroll Mintz in the Hulu series Mid-Century Modern (2025). He also appeared in Tick, Tick…Boom! (2021) as Walter Bloom, and portrayed Rudy Giuliani in Bombshell (2019). Kind had also previously worked with Pixar prior to Inside Out, having voiced Molt, Hopper’s brother, in A Bug’s Life (1998) and Bookworm in Toy Story 3 (2010).  

For the human characters, we have Riley and her parents. Riley is initially a very happy child, having a keen interest in hockey, getting on well with her parents, and having lots of friends. Even when they move to San Francisco and things aren’t looking so great, Riley tries her best to make the most of the situation, although it is difficult. It’s not until Joy and Sadness depart HQ that Riley really struggles, losing parts of her personality and slowly becoming emotionless, to the point that she feels like running away is the best option. Thanks to her acceptance of how she feels about the move, and Joy and Sadness returning to HQ, she is able to go to her parents and tell them how she feels. Her parents are non-judgemental, caring figures so they listen to Riley’s thoughts, and tell her that they feel the same way, missing home and feeling a little bit scared too.

Riley was voiced by Kaitlyn Dias, who apparently pictured her cat dying in order to cry on cue for the recording of Riley’s most emotional moments. Talk about commitment to the role[3]! For Dias, this was one of her first roles, winning a Young Artist Award in 2016 for the category Best Performance in a Voice-Over Role – Young Actress. Diane Lane voiced Riley’s mother, having roles in a variety of movies including as Cleo Trumbo in the 2015 biopic Trumbo (2015); and as Martha Kent in Batman v Superman: Dawn of Justice (2016), reprising the role for Justice League (2017). Kyle MacLachlan voiced Riley’s father, who had roles in many television series, including as Special Agent Dale Cooper in Twin Peaks (1990-1991; 2017); and as Trey MacDougal in Sex and the City (1998-2004).

Those are all the main characters, although there are some other fun voice cameos. Two of these are Frank Oz and Dave Goelz who voiced the guards who guard the Subconscious. Oz and Goelz are well-known for their puppetry work and collaborations with Jim Henson on the Muppets; Fraggle Rock (1983-87); and Sesame Street (1969-present). Oz has also directed movies such as The Dark Crystal (1982), Dirty Rotten Scoundrels (1998), and Little Shop of Horrors (1986). Goelz voiced Figment in the 2002 version of the Epcot attraction Journey Into Imagination with Figment.

Then there is Rashida Jones, known for her roles as Karen Filippelli in The Office (2005-13) and Ann Perkins in Parks and Recreation (2009-15), amongst many others, who voices the Cool Girl’s emotions, and of course, John Ratzenberger appears as Fritz, the Mind Worker who installs the updated console in HQ at the end of the movie. Ratzenberger had voiced a character in every Pixar movie up until Onward (2020) but would not return as a voice cameo for the studio until the release of Inside Out 2 (2024).

PRODUCTION

The basic premise of Inside Out came from the personal experience of Inside Out director Pete Docter and his daughter, Elie. Elie was the inspiration for 11-year-old Riley, with Elie Docter having previously been the model and voice actor for Young Ellie in Up (2009).

It is not unusual for parents to notice a change in their children, especially as they enter adolescence, and this was the case for Docter, who said his daughter had been outgoing, energetic, and goofy, but she all of a sudden became quiet, self-conscious, and moody, getting panicked about school sometimes. Docter wanted to understand what might be going on inside Elie’s head, so he made a movie about it!

Docter was interested in that weird place between childhood and adulthood, where the mood can switch between wanting to be a kid and play around and wanting to be treated like an adult, seemingly at random. Though Elie Docter adjusted to becoming a teenager, being sixteen at the time Inside Out was released, Docter wanted to show what it might be like inside the mind of the child when the parents see the light go out in their child’s eyes, and they become emotionless and difficult to reach.

Docter also used some of his own experience growing up in Minnesota, like Riley. He had found middle school particularly stressful, being labelled as a “geek” for not being good at sports, with this causing some social anxiety. Docter even had his own imaginary friend like Riley. Docter’s imaginary friend was a small elephant called Norma who drove a car[4]!

Docter, screenwriter Meg LeFauve, who also wrote the screenplay for Pixar’s The Good Dinosaur (2015) around this same time, and Josh Cooley, who had worked as a story artist on Ratatouille (2007) and Up prior to Inside Out, began writing the story for Inside Out around 2010. However, as is the case with the majority of movies, although the basic idea of Inside Out was there, it took some time to properly decide on the overall plot of the film, with ideas being thrown in and tossed out over the coming months and years of development.

Joy was the most challenging character in Inside Out, because she represents the simplicity of childhood, but how does that relate to a girl who is quickly growing up? Initially, it was thought that perhaps Joy just wanted Riley to be happy so the whole story revolved around making Riley enjoy every day of her life, but that quickly became monotonous and superficial. So, the filmmakers thought: what if Joy is so passionate about keeping Riley in the safety and joy of childhood that she becomes nasty? Some of the Inside Out deleted scenes shed light on what this might have looked like. For example, there were moments when Joy was being self-centred and blind to the world, like not understanding why Riley would have to do chores and do homework at her age, and why she shouldn’t still be playing with her food or messing about during concerts. There was another scene of Riley at school where Joy was trying to get Riley to forget about making friends, something that the other emotions were actively wanting for Riley, and to go play on the monkey bars instead, and even said she wanted Riley to spit in these girls’ faces. Riley refused to listen to these “voices in her head” and made friends anyway, much to Joy’s surprise.

This idea didn’t work because it made Joy a difficult character to like. It was then decided that Joy should be paired up with another emotion through Riley’s mind, because then she’d have someone to bounce off and learn things from. Initially Joy was paired with Bud, an early design for Sadness, but the characters didn’t work together. Joy was later paired with Fear, with some of this storyline present in the deleted scene “Imagination Park”. Here, Joy was trying to get back to HQ, but Fear thought Joy was heading back to take it over, presumably to make Riley stay a child forever. Joy managed to outrun Fear who was chasing her with a Mind Worker, and get into Imagination Park. Joy continues to run through the area, still being pursued by Fear until she leads him into a room where a monster tries to get him. Fear sucked the monster up into a memory tube, but accidentally sucked himself into it too. Joy picked up the gun with Fear inside, with Fear apologising for his actions.

Joy paired up with Fear didn’t work either, so she was eventually paired up with Bing Bong, who was made to be Joy’s tour guide through Riley’s mind, but was also a type of radical non-conformist, dead set against the demolition of Imagination Park and expansion of the area to include areas about boys, sarcasm, and swearing. Bing Bong took Joy into this area and encouraged her to throw bricks at the workers. They ran out of the area to catch the train, despite the fact Joy was aware they were not even being chased.

There were other story ideas that just didn’t work. One deleted scene showed Joy looking for a Core Memory she had dropped in some water, and swimming to a beach where she found the memory broken. On the beach was a big house. Joy went inside and saw a young Riley dancing in a room. Young Riley wanted Joy to dance with her forever, but Joy finally accepted that she had to let go of Young Riley and allow her to grow up. Another early draft saw multiple emotions residing inside Riley’s mind, each with their own name that wasn’t just their emotion. For example, Fear was once called Freddie and Anger was called Ira. Preston, the Pride emotion, was a core member of the group initially, later replaced by Disgust, and other emotions such as Ennui and Schadenfreude made cameo appearances[5].

It’s evident that many different ideas were bounced around during early development on Inside Out, but a couple of years into the making of the movie, Docter found himself overwhelmed by this struggling story and uncertain of whether this was the movie he should be making. Joy was unlikeable, trying to resist Riley growing up, and there was no concept of Riley adjusting to a move from Minnesota to San Francisco. Docter knew something wasn’t right with his story, and went for a walk to try and figure out how to fix it.

Through this walk, Docter contemplated the relationships in his life and the fact that they were the most important thing to him. Docter recalled all the happy moments he’d had with family and friends, but he also knew that he had been through many sad, troubling times with these same people. It appeared to be a real light-bulb moment, where it became clear that this movie had to be about Sadness and Joy, with Sadness teaching Joy the lesson that happy moments can sit alongside sad moments[6].

With this new plan in mind, Docter knew the whole movie would have to be re-storyboarded and would mean going through the producers, Pixar president Ed Catmull, and Chief Creative Officer at Pixar John Lasseter, to approve as this would affect the movie’s production schedule. Despite Docter’s worries, they were very understanding and allowed the film to go through some major re-writes[7].

There was also additional help from scientist and psychologists, who explained the nature of emotions and the science of memory to help the Pixar filmmakers with their story. According to psychologist Paul Ekman, there are six key emotions: Anger, Fear, Disgust, Joy, Sadness, and Surprise. Obviously, Pixar made their core team around five of these emotions, with Surprise being considered too similar to Fear and being dropped. It was also decided that different emotions would drive characters’ minds in Inside Out, so Riley is driven primarily by Joy in childhood, however, during the dinner scene where Riley gets in an argument with her father, you can see that Riley’s mother’s mind is headed up by Sadness, whilst Riley’s father’s mind is driven by Anger. This wasn’t meant to be a stereotyping of male and female adults, but instead, was meant to show that Joy likely will not be leading Riley’s console into adulthood, but another emotion will.

Emotions are heavily linked to memories, both in Inside Out and in the real world, so discussions about memories were also necessary for research. Pixar talked to the Mind Brain Behavior Institute in Columbia, who said that the most emotionally charged memories are the ones that are most likely to be remembered. They also stated that when we recall a memory, we are actually making a copy of that memory, not remembering it as though it has just happened. This creates some reliability even in eye witness accounts as not only can emotions alter facts, but memories change and can be altered based on conversations with others and outside influences, meaning they aren’t all that reliable[8].

This idea of memories not being overly reliable isn’t particularly relevant to Inside Out, since Riley isn’t a witness in a court case or anything, however, the memories being emotionally charged is relevant to the movie, as we see when Sadness and Joy are discussing the same memory about Riley and her hockey team, but are remembering it differently, with Joy remembering the happy celebratory mood of Riley’s teammates and parents, and Sadness remembering the guilt and upset at not scoring a winning goal.

Other mind-related topics were explored and researched too. Dacher Keltner, psychology professor at the University of California, Berkeley, discussed what makes people happy with true deep happiness not being about material things, like wealth and expensive things. Dreams are another factor of the mind present in Inside Out. The use and meaning of dreams are debated heavily in science, with some saying they are the brain’s way of working out issues, whilst others reckon they are just random firing of neurons and mean nothing much at all[9]. For Inside Out, to avoid this debate, the filmmakers chose to make dreams a form of entertainment, being created and filmed like a movie, with Dream Productions being reminiscent of a working movie studio.

In terms of animation, we get to see a representation of the real world, complete with landmarks of San Francisco, like the Golden Gate Bridge. Alongside that, we see a colourful, cartoony version of the human mind. If Pixar had chosen to visually represent the brain, it would’ve been fairly simple, as we have access to scans of the human brain, what it looks like and how it works. But this is the mind, not the brain, which is much less easy to understand and even more difficult to represent.

Pixar made the mind a bright, colourful place, with clever ways of representing turns of phrase or metaphors we use when discussing the inner workings of our minds, such as the Train of Thought being an actual train, and Abstract Thought getting its own space, where Sadness, Joy, and Bing Bong are broken down from their 3D forms down into basic shapes, like they are being “de-animated”. We also see that memories are created in what seem to be glass balls, with these being stored in shelves in HQ before being unloaded into Long-Term Memory, where memories are stored again on shelves, with faded or useless memories being disposed of in the Memory Dump, where the mind then forgets them. Pixar even thought about how we get random songs pop into our heads, like the Triple Dent Gum jingle. In Inside Out, the Mind Workers like to send the memory up into HQ where it then plays. There are so many other clever ideas in Inside Out that you can sometimes get caught up in the cleverness of the film and forget about the emotional core of the story.

Every Pixar movie has to have a list of Easter eggs and Inside Out is full of them. For instance, when Riley is video chatting her friend, there are a list of Riley’s contacts on the left-hand side of her screen. These include DocPete, Ronnify, and Domeeeee. These names relate to Pixar employees who worked on Inside Out. DocPete is obviously Pete Docter, the director; Ronnify is likely Ronnie del Carmen, who was co-director and co-creator of the story, having been a story artist on other Pixar movies such as Ratatouille (2007) and WALL-E (2008) previously; and Domeeeee is Domee Shi, a storyboard artist on Inside Out, going on to direct the feature films Turning Red (2022) and the upcoming Elio (2025).

There are also references to other Pixar movies. The Chinese takeaway boxes that Riley and her parents are eating from resemble those of Harryhausen’s in Monsters, Inc. (2001); the memory of Riley sliding down a slide looks just like the one in Sunnyside Daycare from Toy Story 3 (2010); and that memory of Riley and her parents taking pictures by dinosaur statues on their drive to San Francisco are a reference to the movie release that came after: The Good Dinosaur (2015), with those dinos matching Arlo, the main character, and the eccentric Styracosaurus Forrest Woodbush.

For the necessary Pixar Easter eggs that appear in every Pixar film, A113, the number that represents the room that many of the original Pixar animators studied in at CalArts, is the number of Riley’s classroom door, and can also be seen in graffiti on the streets of San Francisco. The iconic Pizza Planet truck is pictured in two memory balls, one during the scene of Joy chasing Bing Bong through Long-Term Memory and the other whilst they are on the Train of Thought.

In 2013, at the D23 Expo, the logo of Inside Out was revealed as were the five emotions that the movie would focus on, although the logo did become something very different in the end. The original logo seemed to be the outline of a human head with “Inside Out” written inside it. About a year before Inside Out’s release, Pixar screened the movie to children, concerned it was too confusing and complex. They were delighted to find that kids did in fact understand it, and used information from the film to help them open up to their parents about how they were feeling[10].

Disney Parks fans might have noticed after viewing the movie that Inside Out is quite similar to a now-closed Disney theme park attraction. This attraction was Cranium Command which opened in the Wonders of Life pavilion in Epcot at the Walt Disney World Resort on 19th October 1989. It consisted of a short-animated pre-show, followed by a theatre experience. In this pre-show, guests saw General Knowledge talking to a group of recruits about their important job of piloting human brains. A small, young recruit named Buzzy is late to this meeting, annoying General Knowledge, who then forgets to assign him to a brain to pilot, meaning Buzzy is left with the most difficult brain: the brain of a 12-year-old boy! Guests were then led to a theatre, where they saw a stage of control panels and screens and were reunited with Buzzy, now in full Audio-Animatronic form. With this animatronic and screens, we saw Buzzy interact with different parts of the body, like the Stomach and the Bladder, to get Bobby, the boy whose brain is being piloted, through a day at school where he gets in trouble for fighting and meets new girl Annie. Cranium Command ran until 1st January 2007, when the Wonders of Life closed permanently as a pavilion, becoming used as an Epcot Festival space for a few years. I loved Cranium Command and remember watching it a lot when I was younger during my trips to Walt Disney World. My mum and I would go and see that whilst my dad and older sister went on the simulator ride Body Wars which was too gross and intense for me!

Strangely enough, the closing of Cranium Command was not the end of Buzzy’s story because around 2018, when “urban exploring” was all the rage – especially for those with YouTube channels – many liked to break into the Wonders of Life pavilion, since it was no longer being used. The Buzzy animatronic was stolen around this time, with only the animatronics’ clothing being tracked down, to NBA player Robin Lopez and his friend who had bought the clothing, unaware that the items had been stolen. The Buzzy animatronic has never been found…

Cranium Command was not stated as a specific source of inspiration for Inside Out, however, the similarities are clear if you know of this attraction. Pete Docter had interned as an animator at Disney early in his career and was sent to work on the animated sequence for Cranium Command. Docter did not initially notice these similarities between the attraction and his film until they were pointed out to him, though he did admit it must’ve been in his subconscious somewhere[11]!

MUSIC

The soundtrack for Inside Out had to evoke feelings of imagination and wonder, alongside big emotional moments.

The iconic theme for Inside Out can be heard in the opening track “Bundle of Joy”. This piece of music sums up the whole style of the movie. This theme is repeated in different places throughout the movie, usually in scenes of HQ and more familiar parts of Riley’s mind, like Long-Term Memory.

However, there are other parts of Riley’s mind that are very unfamiliar to Joy and Sadness, such as Abstract Thought. It initially looks like Bing Bong, Joy, and Sadness are just going to walk through an empty building but when it is turned on, Abstract Thought becomes a strange place. The piece “Abstract Thought” mimics the terror and confusion that these three characters feel as they begin to deconstruct and try desperately to get out. Another area with its own piece of music is “Imagination Land”. This sounds just like the music you’d hear in an amusement park; it’s bouncy and cheerful.

The track “The Subconscious Basement” had to feel scary and like something bad could happen at any moment, to match the dark corners of Riley’s mind where her greatest fears are held. At this point, Joy and Sadness have had to go into the Subconscious to rescue Bing Bong who was dragged there by security. Whilst there, they encounter a huge, creepy clown called Jangles. “We Can Still Stop Her” is another scary moment, but this time it takes place in the real world, as Riley goes to catch a bus back to Minnesota on her own. Again, it feels like something bad could happen to Riley, and is almost more terrifying because it’s a scene from the world we know, so we are aware of what could’ve happened.

In amongst those moments, Giacchino’s score also had to match weighty emotional moments, however, instead of turning to big orchestral sounds, he went small on these pieces, knowing that when someone needs help with their feelings, it’s better to be quiet and supportive, just taking in what they’re saying. This is evident in “Joy Turns to Sadness/A Growing Personality”, which can be heard when Riley returns home to her parents and tells them she’s miserable being away from Minnesota. The main theme returns here too, as the end of this piece becomes happy, and we learn that Riley is slowly adjusting to her new life.

There are also two other “songs” that appear in the film. One is the catchy Triple Dent Gum jingle, which is meant to resemble those annoying, little tunes that you can hear on television adverts that then get stuck in your head for days, and Bing Bong’s song about his magical rocket that is powered by song power. This is a silly, rhyming song, but naturally, it had to be, as a very young Riley would have written it herself.

The music for Inside Out was composed by Michael Giacchino, who was no stranger to Pixar, having already composed the music for The Incredibles (2004); Ratatouille (2007); Up (2009), for which he won the Oscar, BAFTA, Golden Globe, and Critics’ Choice Award for Best Score; and Cars 2 (2011) by the time of Inside Out. Giacchino continued to collaborate with Pixar after Inside Out, composing the scores for Coco (2017); The Incredibles 2 (2018); and Lightyear (2022). Outside of Pixar, he has composed music for the most recent Spider-Man films and for the series of Disney television Christmas specials, Prep & Landing (2009-11). Giacchino was also nominated for Primetime Emmy awards for his work on the series Lost (2004-10), winning one for his underscore of its pilot episode. He even composed the music for Disney Animation’s Zootopia (2016).

Giacchino was contracted to writing the music for two other movies, alongside Inside Out, with all three set to be released in 2015. These very different films were Disney’s science-fiction live-action movie Tomorrowland, which starred George Clooney, and the action film Jurassic World, the first movie in a three-part reboot of the Jurassic Park trilogy[12]. Another movie he worked on which was also released in 2015 was Jupiter Ascending.

Inside Out’s soundtrack ended up winning the Annie Award for Outstanding Achievement for Music in a Feature Production. It also won Best Original Score for an Animated Film at the International Film Music Critics Association. Giacchino himself won the Film Composer of the Year award at the World Soundtrack Awards. The movie’s soundtrack was also nominated for Best Original Score in an Animated Film at both the Satellite Awards and the Hollywood Music in Media Awards.

RECEPTION

Inside Out debuted at the 68th Cannes Film Festival on 18th May 2015, before having its official premiere at the El Capitan Theatre in Los Angeles on 8th June 2015.

Inside Out then debuted in theatres in the US on 19th June 2015, reaching theatres across the world in the days and weeks that followed. It was released alongside the Pixar short Lava (2014), an all-singing short about two volcanoes who fall in love. This is one of my favourite Pixar short films. The musical track that accompanies the whole story was written by James Ford Murphy, also the director of the short film, and performed by Kuana Torres Kahele and Napua Makua.

Because of Inside Out being a specific expression in the English language, in non-English-speaking countries, the title was changed for its release in those countries. For example, in Portuguese, the film became known as Fun Mind; in Italian, as Intense Mind; in French as Vice-Versa; and in Cantonese as Fun with Brain Friends[13].

Inside Out was highly praised on its release by critics and audiences alike. Many said this was Pixar at their best after the disappointment they felt at Cars 2 (2011) and Monsters University (2013), with this being a new story from Pixar, not just another sequel or prequel to add to an ever-growing franchise. Yeah, more on that later… Inside Out was both heartfelt and inventive with a good message and plenty of laughs. Some even claimed it was already a Pixar classic.

However, there were a few less-than-positive comments. Some said it was a bit too fast-paced, not allowing enough time to enjoy the areas of the mind, and that it was simply not entertaining enough for small children. It was also felt that Riley was not developed properly as a character of her own and that the number of obstacles that Joy and Sadness kept facing to get back to HQ became annoying and endless. I can agree with both of these to some point. At the beginning, Joy and Sadness’ journey is quite interesting, but then it does become a bit stale and boring. At these moments, I found myself wanting to get back to Riley and the other emotions, but there weren’t too many scenes of that. There are also those who think Inside Out is just overrated.

Inside Out ended up making just under $860 million at the box-office, putting it in the No. 7 spot of the highest worldwide grossing films of 2015, behind movies like Star Wars: Episode VII – The Force Awakens; Jurassic World; and Furious 7. These were the top three spots, with each of them being reboots of beloved franchises or continuations of current ones. Inside Out was the second highest grossing animated movie of 2015 though, with Disney Animation not releasing a movie that year. Minions topped the list though, with $1.1 billion as its worldwide gross, but again, this was a spin-off of a popular animated franchise.

But that was not all because there were of course awards that Inside Out won. Inside Out won the Oscar for Best Animated Feature, and was nominated for Best Original Screenplay at this ceremony too. This was also the case at the BAFTAs and the Critics’ Choice Awards. At the Annie Awards, it once again won Best Animated Feature, along with a list of others awards, including Outstanding Achievement for Directing; for Production Design; and for Writing just to name a few. Inside Out also won Best Animated Feature Film at the Golden Globe Awards, the Satellite Awards, and the Saturn Awards, amongst many others. It was named as the Best Animated Feature by the National Board of Review too.

LEGACY

The first screen spin-off to come from Inside Out was the short film Riley’s First Date? (2015). It was first released as part of the Inside Out digital release, before also being featured on its Blu-Ray release in November 2015. It was written and directed by Josh Cooley, with the voice cast from the movie returning to reprise their roles.

In this short, which follows the events of Inside Out, Riley’s father answers the door to find the teenage boy from the end of the film stood there. This boy is named Jordan and has shown up to go skating with Riley. Riley’s dad instantly doesn’t like this, nor does Riley’s mother, believing she’s much too young to have a date. Riley’s mother decides to try and figure out if this is a date by trying to be “cool”. Riley and her emotions are confused by what her mother is trying to do, but reiterate it is not a date; they are going skating with friends. Meanwhile, Riley’s father’s mind wants to try and intimidate Jordan by staring him down but Jordan isn’t even paying attention as we see from his mind, where his emotions are skateboarding around his mind. In the end, Riley’s dad and Jordan bond over guitars and rock bands, since Jordan is in one and Riley’s dad used to be in one. Riley goes downstairs, horrified to learn that Jordan was left alone with her dad, and sees the two air guitaring. Riley and Jordan quickly leave the house. Riley’s mother and father’s minds then decide whether one or the other is going to lean in for a kiss. They do kiss – and then go back to their day!

After that, there were comparisons between the concept of Inside Out and that of the 2020 Pixar release Soul, with many elements of the Great Before seemingly at least partially inspired by the ideas of the mind in Inside Out.

Then, in September 2022, at the D23 Expo – because where else do Disney and Pixar announce things? – it was confirmed that Inside Out 2 was coming, despite the fact Pete Docter had said shortly after Inside Out’s release that Pixar were committed to making more original films…Hmm, yeah, that worked out! Inside Out 2’s release was set for Summer 2024. Meg LeFauve was back as the screenwriter, with Kelsey Mann replacing Docter as director of the sequel. It was revealed that Inside Out 2 would take place inside Riley’s now-teenage head with new emotions coming[14].

Also on screen, but this time on Disney+, the series Dream Productions premiered on the platform on 11th December 2024, having first been announced in 2023, with further details being released in 2024. It consists of four episodes, at roughly half an hour each, and is set between Inside Out and Inside Out 2. It sees the Dream Productions dream director trying to create amazing dreams for Riley in amongst studio politics.

At the Disney Parks, Disneyland has the most references to Inside Out, most notably at the Pixar Pier location in Disney California Adventure Park. Here, you can find the spinner ride Inside Out Emotional Whirlwind, where guests spin around in colourful mini-hot air balloons, designed after Inside Out characters. This ride opened in 2019, and is a repurposing of a different ride that once appeared at Disney California Adventure: Flik’s Flyers from A Bug’s Land, which closed in 2018 to make way for Avengers Campus. Also at Pixar Pier, there is the Angry Dogs food stand, with Anger being featured on the stand’s signage. This stand obviously serves hot dogs. Then there is a sweet shop named Bing Bong’s Sweet Stuff, which has a statue of Bing Bong inside. The Pixar Pal-A-Round Ferris wheel, redesigned to match the new area of Pixar Pier, includes gondolas with different characters painted on them. Joy and Sadness are two of these. Joy and Sadness have been available to meet in Pixar Pier for a while, and Anger was spotted recently too.

Prior to Inside Out’s release in June 2015, there was also an Inside Out pre-parade at Disney California Adventure during Summer 2015 in order to promote the film. It involved one float with all five emotions on it. These emotions were mechanical figures but they did move their mouths to speak random lines, such as having conflicting opinions on babies and Sadness talking about kids dropping their ice cream cones! There were also dancers ahead of the float dancing with memory balls.

Pixar Fest was a big event for Disney California Adventure, running from 26th April all the way until 4th August 2024. This event helped to promote Inside Out 2, meaning that the main emotions from Inside Out were visible during Pixar Fest. For example, Joy and Sadness were two characters to get involved in the Pixar Pals Playtime Party stage show that ran a few times a day. These two, along with a statue of Bing Bong, were also featured on a float of Bing Bong’s rocket during the Better Together: A Pixar Pals Celebration Parade. Scenes and music from Inside Out were also included in the Together Forever – A Pixar Nighttime Spectacular fireworks show.

Finally, the Pixar Place Hotel, which opened at the Disneyland Resort on 30th January 2024 contains references to Inside Out. There are small references to the movie “hidden” in murals and paintings throughout the hotel and in rooms. You also might be lucky enough to meet Bing Bong at Pixar Place Hotel, as he has been meeting guests in the area since the hotel opened.

This time at Walt Disney World, the first Inside Out reference seems to have been the Inside Out Emotion Garden which was a small exhibit of plants linked to the five emotions of the film. This was installed as part of Epcot’s Flower and Garden Festival which began in March in 2015, so a few months prior to the release of the film. There was also an exhibit in the now-closed Magic of Disney Animation building in Disney’s Hollywood Studios showing development sketches and maquettes of the five emotions, which was apparently also available to guests around March 2015. In terms of meet-and-greets, Joy and Sadness used to have a meet-and-greet location at the Epcot Character Spot back in 2016, in a recreation of their home inside Riley’s head, however, this area was closed when Epcot was redeveloping around 2019 and 2020. Joy could then be seen at the ImageWorks, the exit of the Journey into Imagination attraction in Epcot in the early 2020s, in front of an Imagination Land background, but in 2024, when Figment became a meet-and-greet character, it seems Joy was moved to having a scheduled meet-and-greet at Pixar Plaza, the area next to Toy Story Land, in Disney’s Hollywood Studios.

Outside of the US Parks, at Disneyland Paris, in the Worlds of Pixar area of Walt Disney Studios Park, Joy was meeting guests in the summer of 2024, as was Anger, seemingly as promotion for Inside Out 2, but Joy was still there in December of that year. It is unclear if she is still there. In shows, Joy appeared as part of the A Million Splashes of Colour parade which ran from February 2024 until the end of September that year. Music from Inside Out and scenes from the movie are currently part of the Disney Tales of Magic nighttime show at Disneyland Paris.

At Tokyo Disneyland, Joy and Sadness have been spotted by guests as recently as 2021. At Hong Kong Disneyland, Joy and Sadness were first meeting guests only at this park in an area set up to look like the inside of Riley’s mind, complete with the console, around July 2015, shortly after the movie was released. It wasn’t until a few months later that they were seen at other Disney Parks. In recent years, characters from the movie, like Joy, Sadness, and Anger, were included in the Pixar Water Play Street Party for Summer 2024. It is possible they will return if this parade returns in 2025. The Inside Out theme and clips from the film were also used as part of the Momentous Nighttime Spectacular show at this park. Lastly, at Shanghai Disneyland, Joy and Sadness are a part of the Disney ColorFest Street Party, as well as Mickey’s Storybook Express Parade. Moments from Inside Out can also be seen in the projections of ILLUMINATE! A Nighttime Celebration.

On the Disney Cruise Ships, specifically on the Disney Wish, is a sweet shop named Inside Out: Joyful Sweets. The characters may also be seen as part of Pixar stage shows and parties that take place on other Disney Cruise Ships. The five emotions of Inside Out were also a part of the Disney on Ice show from 2015. 

Plenty of merchandise has been released featuring the characters of Inside Out, including plush toys, book, clothing, mugs, and playsets. These have only increased with the release of Inside Out 2.

There is even an interactive exhibit called Emotions at Play with Pixar’s Inside Out, which was developed by the Children’s Museum of Pittsburgh, focusing on the five core emotions of Anger, Joy, Sadness, Disgust, and Fear. It has been touring since 2023, with dates going as far out as 2028 to come to other US museums.

FINAL THOUGHTS

Pixar really impressed the public with the creativity and inventiveness of Inside Out. The filmmakers had managed to represent the mind in a fun, educational, and smart way.

Although the message of Inside Out is only too clear – that there is a need to feel a whole range of emotions including sadness – there continue to be those who don’t believe in this idea. They want to only show a positive, happy view of their life to the outside world. I’ve known people like that and it can make you feel like there’s something wrong with you if you don’t feel or act in the same way.

I’m not about to tell anyone how to feel, but I will say that it is much healthier to embrace your sadness, fear, anger, whatever in order to work through feelings and moments of difficulties. It’s much better to do that rather than bottle things up and try to deal with them internally with no-one to support you. I’m sure that many children and teenagers got a lot out of Inside Out and found ways to voice their feelings to their friends and parents to get through that transition from childhood to adulthood.

We see Riley struggling to be 11-years-old, adjusting to a whole new life away from friends and in an unfamiliar city. Little did she or her emotions know what was still to come, because being a teenager comes with even more inner turmoil!


REFERENCES

[1] Credit: D23, ‘The Ins and Outs of Inside Out’, D23.com, date unknown.

[2] Credit: Pixar, “Mixed Emotions”, from Inside Out (2015) Blu-Ray (2015).

[3] Credit: Ben Sherlock, ‘Meet The Little Voices Inside Your Head: 10 Behind-The-Scenes Facts About Inside Out’, ScreenRant.com, 9th June 2020.

[4] Credit: Lisa Miller, ‘How Inside Out Director Pete Docter Went Inside the 11-Year-Old Mind’, Vulture.com, 16th June 2015.

[5] Credit: Pixar, “Deleted Scenes”, from Inside Out (2015) Disney+.

[6] Credit: Pixar, ‘Story of the Story I Inside Out I Disney•Pixar’, Pixar YouTube Channel, 17th October 2016.

[7] Credit: Carolyn Giardina, ‘Making of ‘Inside Out’: Which Emotions Didn’t Make the Cut’, HollywoodReporter.com, 21st December 2015.

[8] Credit: Tasha Robinson, ‘Pete Docter on the goals and milestones of Inside Out’, TheDissolve.com, 23rd June 2015.

[9] Credit: Alex Godfrey, ‘Pixar’s Pete Docter on the story (and science) of ‘Inside Out’’, Wired.com, 20th July 2015.

[10] Credit: Lisa Miller, ‘How Inside Out Director Pete Docter Went Inside the 11-Year-Old Mind’, Vulture.com, 16th June 2015.

[11] Credit: Logan Kelly, ‘‘Inside Out’ Was Inspired by a Disney World Attraction – Even If the Director Didn’t Realize It’, Collider.com, 27th July 2024.

[12] Credit: Kara Warner, ‘Michael Giacchino on Making the Music of ‘Inside Out’ & ‘Jurassic World’’, ScreenRant.com, 17th June 2015.

[13] Credit: Ben Sherlock, ‘Meet The Little Voices Inside Your Head: 10 Behind-The-Scenes Facts About Inside Out’, ScreenRant.com, 9th June 2020.

[14] Credit: Matt Grobar, ‘Inside Out Sequel Plans Confirmed By Pixar At D23’, Deadline.com, 9th September 2022.

#63 Moana 2 (2024)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. PRODUCTION
  5. MUSIC
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

Moana 2 was never meant to be a feature film. It began its life as a series, created for and made to be streamed on Disney+.

This is actually not the first time Disney has done something like this. Atlantis: The Lost Empire (2001) already had a spin-off television series in development by the time the movie came out. However, due to a lacklustre reception and an underwhelming box office performance, the series was promptly cancelled. Instead, some storylines from the series were packaged together to make Atlantis: Milo’s Return (2003), a direct-to-video sequel to add to Disney’s ever-growing list in the 2000s. This sequel saw the team solve different mysteries around the world, but these stories didn’t link well and felt only too much like episodes of a series crammed together. I feared the same for Moana 2.

But I didn’t need to worry. That was not what happened. Moana 2 did have a cohesive storyline, and it was animated to a similar standard as the original, whereas Atlantis 2 was clearly not. What Disney actually did with Moana 2 was make a carbon copy of the original, almost scene-by-scene, and ripped off the original in many aspects, something I find to be a worse crime than simply making a low-quality, but different, sequel.

I don’t enjoy pointing out the flaws of the Walt Disney Company, and I’m not the best at it; there are many other Disney critics who can do that job for me. However, I have found myself increasingly irritated at the state of Disney and Pixar’s animated movies. They seem incapable of making anything new these days, not wanting to shoulder the risk of a movie not doing well. I understand that the COVID-19 pandemic in particular made movie-making difficult, and the fact that less people had been visiting the cinema meant that lower budget, streaming-friendly films were all the rage, but I don’t think this is an excuse.

Since the pandemic, Disney Animation has struggled with both box-office results and reviews for some of their latest movies, like Strange World (2022) and Wish (2023). I didn’t find anything negative about either of them, and actually really liked Wish. Since then, though, what can we look forward to from Disney Animation? The previously announced Zootopia 2 (2025), Frozen III, and of course, Frozen IV. I’m sure there will be another non-franchise movie released, but why bother making that the majority of your upcoming movies when you know just the idea of a continuing franchise, or a “reimagining” of a beloved classic, will bring the public into the movie theatres? I can just hear Bob Iger rubbing his hands together at the thought of all that money. That’s probably why Pixar have begun to do exactly the same, having recently announced Toy Story 5, Coco 2, and even Incredibles 3.

It just baffles me how a studio – or two, if you want to look at Disney and Pixar separately, as I do – that was founded on innovation and creativity can resort to such laziness. Because of this, I didn’t enjoy Moana 2, and instead found myself matching the scenes from Moana 2 to the original Moana as I was watching it. I couldn’t help it though; it was so blatant. I understand that companies need to stay in business and it’s always better to make a hit than a flop, but I don’t believe Moana 2 was the way to boost profits.

PLOT

Moana 2 is set three years after the events of the first movie and starts on mountainous terrain, where Moana is running through a forest with her pet pig Pua, and Heihei the rooster. She runs to the top of a mountain and blows a shell. It seems that she is looking for other island communities. Suddenly, Pua starts to slip, so Moana grabs him, but all three of them fall to the ground, and Heihei gets his head stuck in a coconut shell. Moana takes it off him, noticing a symbol on it, of an island. Moana thinks she’s found something special.

Moana hops back on her canoe to return to Motunui, her home. At the village, we see that the people are thriving and Moana’s story of restoring the heart of Te Fiti has become legendary, with young girls wanting to be just like her now. We also meet some new friends of Moana’s, like the farmer Kele; historian and Maui fanboy Moni; and Loto, the resident engineer and craftsperson. Moana shows the coconut shell to her father, believing that this must mean that there is another island they should search for. Moana also now has a little sister, Simea, who is unimpressed with the shell and with Moana’s voyaging plans. Moana takes Simea to the “place of ancestors”, where she talks about their ancestors and the heroic explorer, Tautai Vasa. She tells Simea of the importance of their voyaging heritage.

Later that evening, there is a feast on the island – and a representation of an ava ceremony, a sacred Samoan ritual with a specific ceremonial drink – where the title of Great Wayfinder or Tautai is to be bestowed on Moana. During the ceremony though, lightning strikes the central hut and Moana is hit. She sees a vision of Tautai Vasa, the last Great Wayfinder and her ancestor, who says Moana must find the island of Motufetu, an island that once connected all the islands of the Pacific, but which was sunk by the storm god Nalo. Tautai Vasa says that she must raise Motufetu once more to protect the people of Motunui, as the separation of the people of the ocean will weaken them all. Moana then sees a light in the sky, showing her the path to Motufetu. Moana knows what she needs to do, even if that means leaving her distraught sister Simea behind. Moana begins to assemble supplies for the long voyage, and this time also assembles herself a crew, with Loto, Kele, and Moni joining her on this journey. As the team is about to leave, Moana shows Simea that they will be connected by her friend, the ocean, during the time they are apart. A huge send-off is organised and Moana and her team set sail.

Meanwhile, Maui is looking to open the portal that will take him to Motufetu, however, he is being warned that should Moana go looking for the island, she will be hurt. Maui tries to fight off a demigod but he is captured, and tied up over a pit of weird-looking fish – mudskippers, apparently – with his magical hook just out of reach. He almost manages to grab it, when the demigod, Matangi, returns to stop him. Matangi works for Nalo, and she wants to meet Moana for herself.

Initially, Moana’s crew struggle to adapt to “boat life”, especially Kele, who is an elder and generally a grumpy one at that! Moana tries to encourage everyone to cheer up but they soon find a strong current moving their canoe. Except that’s no current; Moana sees that it is the Kakamora, the coconut pirates! Moana had an encounter with them on her previous journey and she is well aware of their tricks. However, as Moana prepares for another battle, the Kakamora float right past them. Confused, she turns around – only to see that her and her crew are about to be swallowed by a huge clam monster! With some quick thinking and smart manoeuvres, the team get away from the monster, but are soon confronted by the Kakamora again, who dart the group, paralysing them.

The Kakamora begin to explain that they are not looking to fight them, but might need their help. The Kakamora have simply been trying to return to their own island, since Nalo’s sinking of Motufetu has disconnected them from their home too. They just want to get back there. Moana sympathises with their plight, but she doesn’t know how to defeat the huge clam. The Kakamora then bring out a huge green slug, whose mucus will not only un-paralyse Moana and her friends, but will paralyse the clam. Moana takes three arrows with some of this slug mucus on the end of it, and her group travel into the mouth of the clam. It’s a real struggle trying to keep hold of these arrows, though, when this clam is intent on swallowing them, so naturally, Moana drops most of them. In the end, one of the Kakamora, Kotu, goes inside the clam to help paralyse the monster, but it is too late for them to get out and Kotu sacrifices all of them, sending him and the crew down the monster’s throat….

Inside, Loto, Kele, and Moni find themselves separated from Moana, but they still have Kotu and the canoe with them. Nobody knows where they are, but who should join them but Maui? Yes, this is where Maui was tied up by Matangi. But where is she? Matangi is with Moana, who was separated from the others. After seeing a vision of her sister Simea telling her she’s failed in her mission, Moana regains consciousness to find herself face-to-face with Matangi. Matangi claims to want to help her, telling her that she can only be free from Nalo if Motufetu is raised once more. Matangi seems dodgy, taking Moana on a rollercoaster ride through this lair, but she does reunite Moana with Maui and her crew. All of them end up at the portal that Maui tried to open earlier on. Moana is actually the one to open the portal. As the team set themselves up to sail through the portal, Matangi says she cannot go with them but wishes them luck on their journey. Hmm, is she dodgy or not?

Back out on the ocean, Moana is told by Maui that no human can get to Motufetu and that they will all most likely die trying to raise it – which is just what you want to hear when you think you’ve made some progress! The group are soon hit by huge eels, which the group must outrun. Moni falls into the ocean and is rescued from the eels by Maui. They continue to outrun the eels until the sun rises, at which point, all the eels flee. They come to rest on a small island, alive but with their canoe bashed up and her crew just a bit traumatised. Moana also discovers Tautai Vasa’s canoe washed up there, battered and almost destroyed. That doesn’t bode well for their own upcoming battle with Nalo.

Moana starts to regret her decision to come on this journey, fearing that she has now not only endangered herself, but the three people from her village she decided to bring with her. Maui tries to lighten the mood, encouraging Moana to keep going. Well, where was that enthusiasm earlier, Maui? You know, when you said they were all going to die? Anyway, Moana is feeling better now, and Loto has managed to fix up their canoe, using parts from Tautai Vasa’s vessel. Now, they need to outsmart Nalo.

They begin to sail towards the site of Motufetu, encountering a huge lightning storm, courtesy of Nalo. The plan is for Maui to use his hook to raise Motufetu. Once it’s raised, the humans will land on it, breaking Nalo’s curse. As Moana and her crew sail into the heart of the storm, crashing against huge waves, Maui uses his eagle form to fly through the various powerful tornadoes that encircle the site. The group see Maui use the hook to lift up the island, but as he struggles against the weight of it, Maui is struck with a lightning bolt from Nalo, weakening him. Moana then realises there is another way of reaching Motufetu. She dives down and swims to it, ready to touch it and break the curse. However, just as Moana touches the island and breaks the curse, she is struck by a lightning bolt and is killed.

Maui dives in to save her, but it is too late; Moana is dead. Maui sits in an air pocket created by the ocean, cradling Moana. He begins to chant, which calls the spirits of Moana’s ancestors to him. This includes Tautai Vasa and Tala, Moana’s grandmother. The spirits manage to revive Moana, who is rewarded for her actions with a tattoo across her arm. For her bravery, Moana is now a demigod, with a magical oar. Maui’s powers are also restored and he successfully raises Motufetu to the surface, with Moana proudly standing on top of it.

Moana blows her shell to signal that Motufetu has been raised, whilst the rest of the crew land on the island. They discover carvings of other islands all across the rock face of Motufetu, showing that this was once a meeting ground. Suddenly, Moana hears a shell. Looking to the horizon, they see other canoes arriving. They did it; they have managed to reconnect the ocean. 

Maui goes on ahead to Motunui and finds Simea, Moana’s little sister. He gives her a present, which is a rock that works like a binocular. He tells her to look through it. Simea sees Moana coming home! The ocean parts so that the two can be reunited quicker. Moana is welcomed back by her family and fellow villagers. Moana then announces that she may’ve brought back some friends. They all look up to see loads of canoes coming to the island, where these guests are also welcomed. Moana also voyages out to return Kotu, the Kakamora, to his own island, where the others have since returned. The movie ends with Moana, her crew, and Maui out on their canoe, heading out on their next voyage.

In a mid-credits scene, there is an additional part of the story. Here, we see Nalo talking to Matangi. He is furious at her for helping Moana and plans to enact his revenge on all of them. Tamatoa, the giant “shiny” crab, from the first movie also makes an appearance.

CHARACTERS & CAST

Moana has always been a very different type of “Disney Princess”. She is strong, brave, and independent, yet is also very caring and has a sense of duty and family. Moana may have succeeded in restoring the heart of Te Fiti, but she knows there is much more outside of Motunui to discover. In Moana 2, Moana wants to reconnect her people with those from other islands. When she sees a vision of how to do that, by raising Motufetu, Moana knows she must do this, regardless of how long it will take or how difficult it will be. However, just like in the first movie, Moana is torn about leaving her family, and this time around, she has her little sister, Simea, who is devastated at having to say goodbye to her big sister for an unspecified amount of time. But Moana knows it’s the right thing to do and believes she will always return to her family. In Moana 2, our main character is more confident this time around, both around wayfinding itself and battling powerful gods, although there are always moments where she loses her courage and must rely on Maui and friends to help.

Moana is once again voiced by Auli’i Cravalho. Cravalho was born and grew up in Hawaii. She never expected to make her acting debut in something as big as Moana, winning an Annie Award for Voice Acting for the role. Cravalho has since gone on to star in the drama series Rise (2018), playing the part of Lilette, and performed the part of Ariel in the TV special The Little Mermaid Live! (2019). More recently, Cravalho played the part of Janis in Mean Girls (2023) and voiced the main role of Hailey Banks in the animated Disney Channel series Hailey’s On It! (2023-24). Cravalho has also been starring in stage musicals, such as the title role of Eva Peron for Evita in Concert for two dates in 2023 in London, and as Sally Bowles in the 2024 Broadway revival of Cabaret, performing the role until March 2025 in her Broadway debut, alongside Adam Lambert as the Emcee. Cravalho also reprises her role in the Hawaiian language dub of Moana 2.

The demigod Maui makes a return in Moana 2. He used to be braggy and arrogant, although quite lovable, however, since his journey with Moana, the two now have a strong friendship and he fights to protect her. The underestimating of Moana and her strength has now stopped, and has progressed to affectionate teasing between them. Although Maui doesn’t reunite with Moana particularly early in the movie, or in their voyage, it is an obviously positive reunion between them. Maui is also there for Moana this time around when she is having a crisis of confidence, whereas in the first film, she had to help him, when he struggled to use his hook correctly, and even left her to fend for herself for a while when he felt there was no good end result for them in their dealings with Te Kā. Now, Maui has someone to fight for, a true friend, as well as someone to fight beside.

Wrestler-turned-actor, Dwayne “The Rock” Johnson returned to voice the character of Maui. Johnson is known for starring in multiple movies and franchises such as the Fast and Furious franchise from 2011 as the character Luke Hobbs, as well as Spencer in the new Jumanji movies (2017-present). For Disney, Johnson made multiple guest appearances in Disney Channel series in the mid-2000s, such as Hannah Montana (2007), and starred in the movie Jungle Cruise (2021). Johnson also created, produced, and starred in the partly-autobiographical television series Young Rock (2021-23). More recently, Johnson was cast as Cal Drift in the Christmas action-comedy film Red One (2024) and will reprise the role of Maui in the live-action remake of Moana, due to be released in 2026. Fun fact: Johnson’s daughters, Jasmine and Tiana, voiced two members of Moana’s “fan club” in Moana 2.

Now for the crew. Moni is my favourite of the new characters, because he’s the comedy element of the group. Not even because he’s meant to be, but just because of his reaction to meeting Maui, being such a huge fan of his, and for his slightly clumsy nature! Moni is the historian and storyteller of Motunui. He comes in handy when they need to communicate with the Kakamora for example. Moni was voiced by Hualālai Chung, who is a fire knife performer in the luau at Aulani, A Disney Resort & Spa in Hawaii, having been performing there since the KA WA’A – A Lū’au opened in 2016[1]. Chung is set to appear in the Lilo & Stitch live-action movie, due for release in May 2025.

Loto is the quirky chief engineer, who fixes up the canoe on various points in the journey, but most notably, just before they are about to battle Nalo. Loto is energetic, surprising everyone with how fast her mind works. Loto also has a handy Swiss Army knife-like axe, which has lots of additions like rope, a needle, and thread. Comedian and New Zealander Rose Matafeo was chosen to voice Loto. Matafeo is a very familiar face on the British stand-up comedy circuit, but she also created, wrote, and starred in the comedy series Starstruck (2021-23) as Jessie, and is the current host of Junior Taskmaster in the UK (2024-present).

Kele is the farmer, who is necessary for this new voyage because the group will need to survive on more than just fish during their journey. Kele isn’t so sure about going on this boat, seemingly never having left Motunui before, so he is the one that needs the most convincing that this voyage is going to be “fun”. He is also older and grouchier than Loto and Moni, so naturally, he’d find it more difficult to get out of his comfort zone. Kele was voiced by New Zealand actor David Fane. In recent years, Fane has appeared as Ace in the sports comedy film Next Goal Wins (2023), directed by fellow New Zealander Taika Waititi. He also appeared as Kevin/Fang in the comedy series Our Flag Means Death (2022-23).

Another new character is the half-good-guy, half-bad-guy Matangi. She is a mysterious bat-like figure, with a gang of flying foxes – a type of fruit bat – around her, who works for the all-powerful storm god Nalo. Matangi seems to have been tasked with keeping Maui and Moana away from Motufetu, but although she ties up Maui, she is quite happy to send Moana on the path to Motufetu and to Nalo’s potential downfall. I think Nalo needs to rethink his choice of henchwoman here! It’s unclear if Matangi is actually a double agent and that getting Moana to raise Motufetu is part of some grand scheme she has, or whether she is actually an unwilling slave to Nalo. In the mid-credits scene that Nalo appears in, he seems to be suggesting she’ll be punished for her actions, so I guess she was good? Nalo and Matangi seem very much like Hades and Megara in Hercules (1997) to me.

Matangi was voiced by Awhimai Fraser, who has previous work with Disney Animation, having voiced Elsa in the Te Reo Māori dub of Frozen (2013). Fraser also was cast as Chantelle in the Māori web series Ahikāroa (2018-present). Fraser reprises her role for the Māori language dub of Moana 2. Nalo was voiced by New Zealand actor and comedian Tofiga Fepulea’i who was part of the comedy duo Laughing Samoans. Tamatoa makes a brief appearance in this same mid-credits scene, and Jemaine Clement returned to reprise the role. Clement is known for being part of musical comedy duo Flight of the Conchords, getting their own series from 2007 to 2009. He also created the 2014 movie What We Do in the Shadows and its subsequent television series.

Then, there are Moana’s family and ancestors. Once again, Moana’s family get left behind as Moana goes out on another journey, so her parents, Chief Tui and Sina, are left to wait for her once more. However, this time, they have a new addition to the family who no doubt kept them busy while Moana was away, and that is Simea. Simea is incredibly close to Moana and she is very upset at finding out the two will be separated as Moana goes on her latest voyage. Simea was voiced by Khaleesi Lambert-Tsuda, who is of Hawaiian descent, in her first screen role. Tui is still voiced by New Zealand actor Temuera Morrison, who is set to appear in the upcoming AppleTV+ miniseries Chief of War as Chief Kahekili alongside Jason Momoa. He also recently starred as Ed in the crime series Far North (2023) and reprises his role as Tui for the Māori language dub of Moana 2. Nicole Scherzinger returned to voice Moana’s mother Sina. Scherzinger has been performing more on stage recently, starring as Norma Desmond in London productions of Sunset Boulevard since 2023.

For Moana’s ancestors, Tautai Vasa is the one who is spoken about the most. He was the best wayfinder of Motunui back in the day. He returns in spirit form to provide Moana with information of her task to raise Motufetu and save everyone from becoming disconnected. Tautai Vasa is also part of the most moving scene of Moana 2, when Moana is revived, with help from other spirits. One of these other spirits is Gramma Tala, who returns in Moana 2 in spirit form. Tala encourages Moana to complete this new mission and comes back to revive her granddaughter. Tautai Vasa was voiced by Gerald Faitala Ramsey. New Zealand actress and director Rachel House returned to voice Tala. For Disney, House has performed the voice roles of Terry in Soul (2020) and Mama Binturong in The Lion Guard (2019), and reprised her role of Tala in the Māori-language version of Moana. She also voices Malgosha in A Minecraft Movie (2025), and recently appeared as Ruth in Next Goal Wins (2023) and Nienke Van Spee in The Portable Door (2023). House reprises her role as Tala in the Māori language dub of Moana 2.

We also have the non-speaking characters of Pua, Moana’s loyal pet pig, and Heihei the silly rooster. Once again, Heihei joins Moana on the canoe, but this time, so does Pua, after many were disappointed to find the lovable pig was left behind in Motunui in the first movie. Heihei is still quite dumb in Moana 2, but he needs rescuing less often. Heihei is “voiced” again by Disney veteran and lucky charm, Alan Tudyk, who has had roles in every Disney movie release since Wreck-It Ralph (2012). Kotu, the Kakamora who joins Moana and her friends for their journey, is also a non-speaking role. The Moana 2 filmmakers wanted to expand on the story of the Kakamora to make their backstory closer to that of the Kakamora of the Solomon Islands who were not pirates but actually helped people, so their storyline in Moana 2 had to change to have them be foe-turned-friend[2].

Sadly, I don’t think we got to see enough of the new characters in Moana 2, specifically Matangi and Nalo, meaning that it is hard to understand the dynamic between the two. I don’t think Loto, Moni, and Kele were used particularly well in Moana 2 either, with the gang being secondary to Moana and Maui, having their assigned roles in the group but not having any big emotional breakthroughs or memorable moments to make them fully fledged characters.

PRODUCTION

The idea for the original Moana movie came about from a discussion with John Lasseter, Chief Creative Officer of Disney Animation at the time, who suggested that Ron Clements and John Musker, directors of some of Disney Animation’s most beloved films, such as The Little Mermaid (1989) and Aladdin (1992), make a film based in the Pacific Islands. The two directors were happy to look into this idea further and went on a three-week research trip with some other members of the team. They went to Fiji, Samoa, Tahiti, as well as some of the smaller islands around those areas, before ending the trip in New Zealand.

It was decided that the movie’s story would focus on a teenager named Moana (which means “ocean” in Polynesian) having dreams of being a navigator, since they had learnt this was an important part of the ancestry of the area. 3000 years ago, navigators migrated from Taiwan and moved eastward. They went to the islands of Fiji and Samoa, before the migrations suddenly stopped. 1,000 years later they suddenly began again, going eastward once more to areas such as New Zealand. This gap in the timeline, called “The Long Pause” was used as the setting of the film, with Moana being the driving force for the migrations happening again.

The first Moana film ended with Moana saving her village and other islands from a curse by restoring the heart of Te Fiti. She learnt how to be a voyager and came back to Motunui to encourage her community to navigate the ocean alongside her. Moana 2 picks up three years after the events of this movie with Moana wanting to reconnect her people with those from other islands. However, Moana 2 was never going to be a feature film. It was meant to be a follow-up series for Disney+, announced in December 2020.

It has been said that Bob Iger, the CEO of The Walt Disney Company, and other executives made the decision to turn this series into a feature film after viewing the episodes of the series. They were overwhelmingly positive about them, being so impressed they believed it deserved a theatrical release. Yeah, I’m sure that’s exactly how it went, and not at all like this: well, Moana got loads of streaming hours on Disney+ and was the most streamed movie of 2023, and we haven’t had a theatrical hit in a while, so let’s use that popularity of the first movie to make some big, easy money…. Anyway, that’s just me being cynical. The announcement of Moana 2 came as a surprise to many, with some fans concerned about how well a TV series could be adapted into a movie[3].

From this point, there was a lot of work to do to get this series to become Moana 2. David G. Derrick Jr., who had been a story artist on Moana, as well as Encanto (2021) and Strange World (2022), and was working on the Moana Disney+ series, became one of three directors for the movie, in his directorial debut. Dana Ledoux Miller had been hired as a consulting writer for Disney, before being asked to come in to retool this series into a feature film. She became both a co-writer and co-director of Moana 2. Jared Bush wrote the screenplay for Moana 2 alongside her, having become the Chief Creative Officer of Walt Disney Animation Studios in 2024 after Jennifer Lee stepped down. Bush is also well-known for writing the screenplays for Zootopia (2016) and Moana (2016), as well as writing and directing Encanto (2021) and the upcoming Zootopia 2 (2025). Bush and Miller have also both written the screenplay for the live-action remake of Moana. The other director added to Moana 2 was Jason Hand, who worked as a story artist on other Disney animated movies, including Big Hero 6 (2014) and Zootopia (2016).

This new directorial team included people of Oceanic descent in a welcome move. Dana Ledoux Miller knew that Moana was a game changer for representing Oceanic culture, remembering how important it felt at the time she watched it in theatres[4]. David G. Derrick Jr. and David Hand had both been storyboard artists on the original Moana movie, so they were also were pleased to work on the sequel, knowing how proud the team were of the original and what a meaningful film it became.

Many of the original team that worked on Moana ended up coming back excited to work on Moana 2. Due to the fact that Moana 2 was initially a Disney+ series, I presume, the majority of the animation work was completed by Walt Disney Animation’s Vancouver studio in Canada. This was likely a cost-effective method to create series at a quicker pace rather than relying solely on those animators at the Burbank studio who are busy with theatrical films. Some critics picked up on this “cheaper” method of animation, feeling that the expressiveness of characters was lacking – I did not notice this and wouldn’t have known that it was animated primarily at a different studio had I not looked into it.

Creating the sequel was an opportunity to build on the original story, with so much more ocean to explore and so many more people to meet. The Moana 2 filmmakers looked into more folklore, which had been touched on in the first movie with Maui’s background, to help build the story. They wanted Moana to be sent on a mission. With the movie being set three years later than the events of the first movie, Moana herself had to be different, having been changed by her first journey. She is a strong leader in her community now, and less naïve, but Moana wants more from life still and it was important to see how she dealt with being pushed to her limits once again. Maui also had to be changed from the first movie, finding himself more vulnerable thanks to his friendship with Moana[5].

To help with the story, the Oceanic Cultural Trust were on hand once again, having been a vital part of the production process on the first Moana film. The Oceanic Cultural Trust consists of experts and advisors in different fields, such as anthropology, linguistics, history, choreography, and wayfinding, who use their knowledge and insight to help guide Disney into creating a movie that truly represents the peoples of the Pacific. The Trust are also consulted for any Moana-related consumer products or Disney Parks attractions that are developed. Kalikolehua Hurley, who grew up in Hawaii, was the head of the trust during production on Moana and felt very lucky to be involved again for the sequel. Hurley stated that it is a big challenge to create a fictional place blending different cultures, from areas like Samoa, Tonga, Figi, Tahiti, Hawaii and the Solomon Islands. The Oceanic Culture Trust involves experts from these countries, who each bring their own unique insights and contributions to the movie. Another contributor to the Trust was Lāiana Kanoa-Wong, who was invited to be part of the Trust thanks to his lifetime of work dedicated to the language and culture of his native Hawaii. Kanoa-Wong even visited the animation team in Vancouver, leading activities to help connect the animators to the Pacific culture and to their voyaging heritage, since animating scenes of wayfinding, navigating, and voyaging was crucial to the movie. The animators were taught the basics of navigation and rope making, for example[6].

There was also a collaboration with the Polynesian Voyaging Society for this movie, with master navigator and head of the society, Nainoa Thompson, being very inspirational to not only the filmmakers but other members of the Oceanic Cultural Trust. The Polynesian Voyaging Society use their hand-built canoe Hōkūle’a to teach others about the history of navigation and wayfinding, since there was a time when nobody believed that the Pacific voyagers had discovered all these islands, because they are so spread out. Wayfinding requires a lot of skill, technical knowledge, and observation, studying the weather and stars; monitoring the vessel; and of course, ensuring that the crew are healthy and motivated. To be a wayfinder, you have to make 5,000 observations of nature and make 500 different decisions based on those per day of your voyage. The lessons the filmmakers learnt from Thompson and the Polynesian Voyaging Society that made it into the film include the idea that you have to get lost to truly discover where you’re going, and that you must control your fear and believe in yourself, even turning into the wind during a storm, which Moana does both physically and metaphorically[7].

Moana 2 was also the opportunity to create more impressive animation sequences. One of these was the battle with Nalo. Te Kā was already quite a fearsome god, with its lava powers, however, this time, the animators created a powerful storm of tornadoes for the storm god Nalo. It certainly shows that Nalo is more serious about destroying Moana and Maui than Te Kā was. I actually quite liked this scene, with the pink/purple tornadoes, but it didn’t last very long which was quite disappointing.

There was also the return of hand-drawn animation in this sequel, in a small way. This was also the case with the first Moana film, as “Mini-Maui”, Maui’s moving tattoo guy, is a 2D animated character. Eric Goldberg, veteran Disney animator famed for his characters such as Genie in Aladdin (1992) and Phil in Hercules (1997), returned to supervise the sequel’s hand-drawn animation team. Many of the animators were desperate to work on some of these sequences just to get an opportunity to work alongside Goldberg. Maui’s tattoos were designed to be as similar to the Pacific traditions as possible, whilst also detailing Maui’s backstory[8].

Not everything that was initially conceived to be a part of the story of Moana 2 was able to be used in the final film. There were a variety of creatures that were not included in the final cut of the movie, such as a two-faced bird and very large pigs, which were meant to be a feature of the lair that the crew enter through the mouth of the clam monster, with Moana and her crew still being separated, but having to outsmart these creatures as well. It was eventually decided to keep the area relatively clear to focus on Matangi. There was also going to be a scene that led Moana to discover what her mission from the ancestors was, as she was not given all the answers immediately from a vision. Here, Moana would’ve had to dive underwater to discover drawings on the cave walls that would come to life and show her the island of Motufetu, leading her to discover what she must do. This deleted scene felt kind of similar to when Milo and Kida discover the energy source that Atlantis is powered by, and that Rourke wants to steal, in Atlantis: The Lost Empire (2001), when they have to swim underwater to decipher drawings on the undersea cave walls[9].

Randomly, but not uncommon for The Walt Disney Company as they seem to get sued a lot, an animator named Buck Woodall filed a lawsuit on 10th January 2025 alleging that Disney stole from his copyrighted screenplay “Bucky the Wave Warrior” and used ideas from it in both Moana and Moana 2. Woodall claims to have provided his screenplay and a trailer to Jenny Marchick back in 2003, who worked as the Director of Development for Mandeville Films, a company who had a first look deal with Disney and offices in Disney’s Burbank studio at the time, and that it is possible that an individual at Disney Animation had seen these materials prior to working on Moana. After a two-week trial, it was decided that Disney did not have access to Woodall’s screenplay so his ideas could not have been used in the Moana movies, so the case was won by Disney, however, this lawsuit only relate to the original movie. A separate suit was filed for Moana 2 and that case is still ongoing[10].

MUSIC

Although the soundtrack for Moana has proven to be one of Disney Animation’s most popular soundtracks, Moana 2’s soundtrack was more divisive.

The original movie’s music team consisted of composer Mark Mancina, and song-writers Lin-Manuel Miranda, and Opetaia Foa’i. Mancina had composed the score for other Disney movies such as Tarzan (1999) and Brother Bear (2003), and arranged the music for The Lion King Broadway musical for which he was nominated for a Tony Award, prior to his work on Moana. Samoan song-writer Opetaia Foa’i founded the group Te Vaka in 1995, with the group having had much success over the years. He was very happy to collaborate with Disney on the Moana soundtrack as he had spent years promoting his culture through music and knew this was a good opportunity to go further with that aim.

However, for Moana 2, although Mark Mancina and Opetaia Foa’i made welcome returns to the music for the sequel, Lin-Manuel Miranda was unavailable, which was a big disappointment to fans of the original soundtrack. He was replaced by songwriting duo Abigail Barlow and Emily Bear, becoming the first all-female songwriting team for a Disney animated film, working alongside Opetaia Foa’i, as Miranda did, in the creation of many of the songs. Together, the two wrote The Unofficial Bridgerton Musical, based on the hit Netflix series Bridgerton (2020-present), which became a viral hit on TikTok during the pandemic, and even won a Grammy Award for Best Musical Theater Album, despite Netflix having a copyright infringement lawsuit against them, which was later settled. A year after this success, Barlow and Bear met with the creative team for Moana 2, knowing that they had to live up to the first soundtrack, which has had more than 20 billion streams worldwide. Lin-Manuel Miranda kindly gave them help and support during the process[11].

For me, the soundtrack for Moana 2 was an incredibly mixed bag. After watching the movie for the first time, the only piece of music that actually touched me was “Mana Vavau”, the chant that Maui sings along with Gramma Tala and Tautai Vasa to revive Moana after she has been struck by Nalo’s lightning bolt. It was a very moving moment and the only point of the film that brought me close to tears. This chant was written by Opetaia Foa’i’, performed by Foa’i, Rachel House as Tala, and Dwayne Johnson as Maui.

Outside of that, I couldn’t recall any of the other songs after watching Moana 2. However, having done a lot of research for this piece, it’s impossible to avoid hearing the songs again, and this time, two others have stuck with me. One of those is “Beyond”, Moana’s big emotional number where she sings about how torn she is between her family on Motunui, and her mission to help the wider community. Auli’i Cravalho found the song difficult to record, as it involved lyrics about being away from home and going beyond your comfort zone, something that Cravalho no doubt had to deal with after her whirlwind success as an actress after her voice role in Moana. This song was written by Barlow, Bear, and Foa’i. This song is later reprised, after Motufetu is raised and Moana sings in celebration. “Beyond” was also recorded as End Credits song, with Cravalho and Te Vaka performing it.

The other song that grew on me was “Can I Get a Chee-Hoo?”. Although it is not as good as Miranda’s song for Maui, “You’re Welcome”, and I was slightly annoyed at how the same animation style was copied from the first movie for the sequence that accompanies the song, it’s quite catchy after you’ve listened to it a couple of times. It’s also really hard to dislike it when you can hear how much fun Johnson had singing it and just generally being Maui! This song was written by Barlow and Bear, and involves Maui trying to boost Moana’s confidence, ready to face Nalo. It apparently was challenging to sing and to write.

Now, let’s go to the songs I actually really didn’t like. The first was “We’re Back”, the recap song of where Moana, her family, and Motunui are after the three years since the events of Moana. To be honest, I was quite surprised to still see them in Motunui, seemingly not having voyaged very far, despite the final scene of Moana showing Moana teaching her community, including her father, how to be wayfinders. I don’t really like songs like this, because they stuff so much information into the song that you’re spending too much time trying to figure out what’s going on instead of enjoying the music. I had a similar problem with “The Family Madrigal” in Encanto (2021). “We’re Back” was written by Barlow, Bear, and Foa’i, and performed primarily by Cravalho, along with other Motunui residents. There is also an End Credits version of this song, performed by Te Vaka, Olivia Foa’i and Sulata Foai-Amiatu.

Then, there is “What Could Be Better Than This?”, which is all about Moana trying to motivate her crew, telling them how enjoyable their voyage can be if they just let loose and go with it, something that Kele in particular is struggling to do. Although I enjoy watching people who don’t want to have fun being forced to have fun, like Kele, I didn’t feel like it needed to be a song and could’ve worked better as a spoken scene. I was quite impressed with Rose Matafeo’s solo “fast-talking” part though. This song was written by Barlow and Bear, performed by Cravalho, Matafeo, as Loto, David Fane as Kele, and Hualālai Chung as Moni.

I also wasn’t a huge fan of “Get Lost”, the “villain’s” song that Matangi sings to Moana, telling her that to succeed, she’ll have to get a little bit lost, and leading her back to her friends and the portal to Motufetu. I thought Awhimai Fraser performed the song well as Matangi, but I just didn’t like it. It was no “Shiny”. It was also quite disappointing to find that Matangi was not leading Moana down the wrong path, as she’d been shown to be a villain, or at the least a spy for the enemy, but then she just turned out to be helpful… “Get Lost” was written by Barlow and Bear.

Then there are other songs that feature in Moana 2 that I either didn’t mind or quite liked. One was “Finding the Way”, which is being sung by the people of Motunui as a farewell to Moana and her crew. It is reprised as the crew return home from their journey, with their multitude of guests. It was written by Foa’i, performed by Olivia Foa’i and Te Vaka. 

Following on from that are some pieces of music that might sound familiar to fans of the first Moana. One of these is the return of “Tulou Tagaloa”, which is used for the opening scene. It is not exactly the same, being credited as “Tulou Tagaloa (Sei e Va’ai Mai)”. I did appreciate it being used here, liking the familiarity of it. It was performed by Olivia Foa’i and Te Vaka. As Moana talks to her little sister Simea about how the ocean is her friend, the music “My Wish For You (Innocent Warrior)” is used, which was used in the first Moana movie, I think both as the backing for “Know Who You Are” and when young Moana first meets the ocean and it messes with her hair! It was written by Foa’i, performed by Foa’i, Olivia Foa’i, Sulata Foai-Amiatu, Matatia Foai, and Matthew Ineleo.

To match the familiar opening music to Moana 2, another song from the original movie was updated to be used as the final scene of Moana 2, as Moana goes off voyaging again. This is “We Know the Way (Te Fenua te Malie)”. I also liked this song from the first movie so I quite enjoyed hearing it again at the end of Moana 2. It was written by Foa’i and Lin-Manuel Miranda, performed by Foa’i, Auli’i Cravalho, Olivia Foa’i, and Te Vaka.

Like in the previous movie, Mark Mancina collaborated with Opetaia Foa’i on the score to ensure the music stayed true to the sound of the Pacific, once again being heavily based in percussion and vocals, to suit the style of traditional Pacific music. The two collaborated well on both the music for Moana and Moana 2 in my opinion[12]. Within the score, I particularly liked the pieces “Waves Like Mountains” and “There’s Another Way”, which are used for the Nalo battle scene. I tend to find the instrumental pieces used for battle and finale scenes are the best and most memorable ones within Disney Animation.

The original soundtrack for Moana won Lin-Manuel Miranda a Grammy for the song “How Far I’ll Go”, which was also nominated for Best Song at the Academy Awards and Golden Globes. The Moana soundtrack as a whole won Top Soundtrack Album at the American Music Awards in 2017 and at the Billboard Music Awards in 2018. Moana continued its fame way beyond its 2016 release, with the soundtrack breaking the Billboard Soundtrack chart record for number of weeks spent at No. 1. The record was won in 2021, after 52 weeks at No.1[13].

In contrast, Moana 2 received no Grammy nominations. “Beyond” and “Can I Get a Chee Hoo?” were both nominated for Best Original Song in an Animated Film at Hollywood Music in Media Awards, but lost to “Kiss the Sky” from The Wild Robot (2024). “Beyond” was also nominated for Outstanding Original Song for a Comedy or Musical at the Society of Composers & Lyricists Awards, but lost out to “Compress/Repress” from Challengers (2024). It also only topped the US Billboard Kid Albums chart. It currently has peaked at No.102 in the US Billboard 200 chart. Moana hit the No. 2 spot in that same chart.

RECEPTION

Despite Moana 2 not being announced as an official Walt Disney Animation feature film until February 2024, meaning that there was less than nine months of promotion for the new sequel, anticipation for the movie was at a high.

Usually, we know at least two years in advance of a new Disney or Pixar feature film. The company like to drip-feed information over those months to really build excitement for their new movie, whether it is a sequel to an already popular franchise or not.

Although I’d personally expect the lack of build-up to mean interest in a movie stays fairly limited, in the case of Moana 2, the opposite happened as was evident when its teaser trailer was made available to the public. Debuting on 29th May 2024, it received 178 million views in 24 hours across social media platforms, beating out previous high-performing Disney and Pixar movies of recent years, such as Inside Out 2 (2024), which had 157 million views in that time, and Frozen II (2019) with 116 million views[14].

Moana 2 also got to take advantage of a very Disney “rite of passage” and that is the usual Upcoming Movies panel at the D23 Expo, which took place in Anaheim between 9th and 11th August 2024. Here, further details about the movie were revealed, as was the official trailer. So, this showed that the interest in Moana 2 was there, but how did it progress as the official release date got closer and closer?

Moana 2 held its world premiere event in Hawaii on 21st November 2024, before being released in theatres in the US on 27th November 2024, in time for Thanksgiving weekend. Its release to international markets followed in the coming days and weeks to perfectly coincide with the holiday season in many countries.

Many studios like to release movies around Thanksgiving to take advantage of people being off work. In this case, Moana 2 was expected to gross around $130 million during the Thanksgiving five-day weekend. It smashed those expectations, making $225 million in those five days, despite being released at the same time as another box-office success, and family-friendly movie, Wicked (2024). Gladiator II (2024) was also released around this time, with these three movies contributing to North America’s biggest Thanksgiving theatre takings of all time.

Overseas, Moana 2 fared just as well in its first few days, making $165 million, for a combined global total of just under $390 million. The movie opened in the No.1 spot in many countries, with Moana 2 being the biggest opening for a Disney Animation feature film in places such as Latin America, Australia, Mexico, and France, ahead of Frozen II (2019).

Moana 2 smashed records, such as the best five-day debut of all time, with the top spot previously being held for The Super Mario Bros. Movie’s April 2023 release, with $204 million, and the biggest five-day Thanksgiving opening, which was held by Frozen II, with $125 million. Moana 2 was also the biggest global opening of all time for an animated film, and the biggest opening day total for a Disney Animation title[15].

After its theatrical run, Moana 2’s worldwide gross hit just over $1 billion. Moana 2 was only the fourth Disney Animation movie to cross $1 billion at the global box-office, after Frozen (2013), Zootopia (2016), and Frozen II (2019)[16]. Yet, this was not enough to beat the summer success of Pixar’s Inside Out 2 (2024) to become the highest-grossing movie of 2024, hitting the top spot with around $1.7 billion worldwide. Other sequel animated movies also did well at the worldwide box office that year, such as Despicable Me 4 from Illumination, with just under $970 million, and DreamWorks’ Kung Fu Panda 4, with $550 million. Mufasa: The Lion King, Disney’s “photorealistic animated” sequel to their 2019 remake of The Lion King, released in December, also did well with $720 million[17].

Moana 2 did well to bring in people to the theatres, but how did they respond to it? Well, it was a mixed response, and the reason for this may be in the popularity of the original Moana itself, meaning its sequel would always be compared to it.

Many said that the animation of Moana 2 was still high-quality, even though much of the movie was actually animated in the Vancouver studio, not in the main Disney Animation Burbank studio. Others also felt that it was entertaining, charming, and fast paced, with some tender, heartfelt moments. The voice acting was also praised, with Auli’i Cravalho and Dwayne Johnson once again being given deserving credit for their performances. Less positive responses simply stated that Moana 2 was fine, and that children would enjoy it.

There were quite negative reviews as well, with words like “rehash”, “forgettable”, and “disappointing” being used. Other comments agreed with my opinion by saying that the story lacked creativity and purpose, repeating many moments from the original movie, and that plot points and newly introduced characters were underdeveloped. A good point that was made was that Moana 2 was slow to reunite Maui and Moana, with their chemistry being a major reason for the original being as good as it was, so the two not being seen together on screen until almost an hour into the movie is strange, especially when the opportunity to create similar dynamics with Moana’s new crew was not used fully. The music was criticised as well for not being as good as the music of the first music, with the songs not being nearly as memorable. There are some exceptions to this, with some stating that “Beyond” was a standout song in the movie, but this is all subjective, with everyone having a different opinion on what song was best for them. Generally, it was agreed that Moana 2 simply lacked the magic of the first movie.

Perhaps due to this mediocre or poor reception, Moana 2 was not as nominated during awards season as Moana was. The original Moana was nominated for numerous awards, including in the Best Animated Film category at the BAFTAs, the Academy Awards, the Golden Globes, and the Annie Awards, unfortunately losing out to Zootopia (2016), Disney Animation’s Spring release of that year, in many cases. However, Moana did win many other awards in other categories such as for Outstanding Achievement in Animated Effects and for Voice Acting for Auli’i Cravalho at the Annie Awards. and two Teen Choice Awards for Dwayne Johnson as Choice Fantasy Movie Actor and Auli’i Cravalho as Choice Breakout Movie Star.

Moana 2 on the other hand was only nominated for Best Animated Movie at the Golden Globes, where it lost to Flow (2024), an independent movie directed by Latvian filmmaker Gints Zilbalodis. Flow also won the Oscar for Best Animated Film, whereas Moana 2 was not even nominated. Nor was it nominated in this category at the BAFTAs, or at the Annie Awards. Moana 2 was nominated for a handful of other Annie Awards, like Outstanding Achievement for Animated Effects; for Character Animation; for Editorial; and for Storyboarding, but it lost to The Wild Robot in all categories. Now, you might be thinking that perhaps Moana 2 was simply not nominated for Best Animated Film at the big ceremonies because it was a sequel. That is not the case, as Inside Out 2 was nominated in this category at the major award ceremonies, as was Frozen II, although it did miss out on an Oscar nomination. Moana 2 was just not good enough. Moana 2 did win one award: the Animation Award at the Celebration of Asian Pacific Cinema and Television Awards.

Moana 2 became available to buy digitally on places like Sky Store, Prime, and AppleTV on 28th January 2025. It later came to Disney+ on 12th March 2025, where it earnt 27.3 million views in its first five days of being on the platform, from Wednesday 12th to Sunday 16th March. This was the largest Walt Disney Animation Studios premiere on the platform since Encanto (2021) came to Disney+ on 24th December 2021, and the third-largest animated theatrical premiere of all time on Disney+. It remains to be seen whether Moana 2 can reach the same heights as Moana has on Disney+, becoming the platform’s most streamed film, reaching 1.4 billion hours streamed since it came to Disney+ when the app debuted in November 2019[18].

LEGACY

Because Moana came out in 2016 and has proven to be popular in the years since, Moana 2 specifically has not yet spanned any attractions or movies of its own. Although if that mid-credits scene is anything to go by, then a third film could most definitely happen, as it seemed to be building up to a war between Nalo, Matangi, Moana, and Maui. Moana 3 has not been confirmed – so far – but I can definitely see it happening, unfortunately.

The biggest screen development to come from the Moana franchise was the surprise confirmation of a live-action remake back in April 2023. I say it was surprising only because the animated movie is fairly recent, whereas other live-action remakes have been focusing on the Disney animated movies from at least twenty or thirty years ago, if not more. Filming wrapped on this live-action movie around November 2024, with production beginning in late July 2024, with shoots in Hawaii and Atlanta, Georgia. This means that production on the live-action Moana was ongoing at the same time as Moana 2. Thomas Kail, who directed the Lin-Manuel Miranda musicals In the Heights and Hamilton on Broadway, made his feature film directorial debut on this film. It is also known that Dwayne Johnson is reprising his role as Maui, with actress Catherine Laga’aia being cast as Moana. Jared Bush and Dana Ledoux Miller, who both wrote the screenplay for Moana 2, teamed up to write the screenplay for the live-action movie. It was originally set to be released in Summer 2025, but after the announcement of Moana 2, the release was moved to 10th July 2026, to give more time between the two films[19].

To specifically celebrate the release of Moana 2, the Disney Parks began rolling out limited time experiences from mid-November 2024 until around early January. One of these was the introduction of a new exhibit showcasing artwork from Moana 2 at the Walt Disney Presents attraction in Disney’s Hollywood Studios at the Walt Disney World resort. There is a rotating exhibit in this attraction, which had previously housed maquettes and artwork for Inside Out 2. The Moana 2 exhibit also gave a brief description of the movie’s story[20].

From 24th November 2024, Moana was also seen in the parks debuting her look from Moana 2. This began with her meet-and-greet locations at Hollywood Land in Disney California Adventure Park at the Disneyland Resort, and by the Journey of Water, Inspired by Moana attraction in Epcot at Walt Disney World. Moana was also seen in an island setting at Disneyland Paris from 27th November. She could be spotted at Adventureland in her new outfit at Hong Kong Disneyland from 29th November.

There was also the opportunity to learn to draw Moana, Maui, Heihei, Pua, and Kotu for a limited time, at Disney Animal Kingdom’s Animation Experience at Rafiki Planet Watch and at the Animation Academy at Disney California Adventure. Also at Disney California Adventure, a new water short entitled “Boat Snack” was shown ahead of presentations of World of Color – Season of Light to promote Moana 2.

Again at Walt Disney World, a Moana 2-themed Christmas tree was created as part of the Disney Springs Christmas Tree Stroll for the holiday season. The new Island Tower at Disney’s Polynesian Resort, a new Disney Vacation Club offering, opened at Walt Disney World on 17th December 2024, which has nods to Moana throughout, with artwork displayed in the room, and the kids’ water play area being named Moana’s Voyage, complete with a statue of Moana sailing the ocean on her canoe. Moana in her Moana 2 costume was also available to meet guests at this location for a media event prior to the grand opening.

Outside of the US Disney Parks, at Disneyland Hotel in Disneyland Paris, guests could enjoy a bedtime story featuring Moana’s little sister Simea and collect a limited edition Pua sticker, alongside the in-park meet and greet with Moana. At Tokyo Disneyland Resort, there were decorations and displays for Moana 2 at the IKSPIARI shopping mall.

Generally, new merchandise, such as a Moana singing doll, clothing, toys, and pins, were available to purchase, and some remain in stock online. Special “Magic Shots” from Disney PhotoPass photographers inspired by Moana were also available. Plus, there were lots of food and drink offerings available at all the Disney Parks that were influenced by characters from Moana 2, such as a Heihei Straw Clip, a Moana 2 cake bar, and a Kakamora dessert[21].

These new experiences, although limited time experiences in many cases, added to the current list of attractions and experiences already on offer at the Disney Parks. These will likely only increase in the coming years.

For example, Moana started a full-time residency at Disney’s Animal Kingdom at the Walt Disney World Resort, on 22nd April 2023, as part of the park’s 25th anniversary celebrations and as part of the Disney100. Also at Walt Disney World, but this time within Epcot, a whole new attraction opened on 16th October 2023, called Journey of Water, Inspired by Moana, which is a self-guided interactive outdoor trail where guests can play and interact with water, as well as learn about its importance and its playful personality, as Moana did. It features an impressively tall Te Fiti topiary, as well as numerous beautiful waterfalls and streams[22]. Further appearances by Moana within the Walt Disney World Resort include her own scene within the heroes’ montage of Fantasmic! at Disney’s Hollywood Studios, as well as music and scenes from the movie being part of the nighttime fireworks show Happily Ever After at the Magic Kingdom. Furthermore, the rooms within Disney’s Polynesian Village Resort were updated in July 2021 to be themed to Moana, though this is done tastefully via Moana-inspired artworks and themed patterns on carpets and furnishings. Also at the Polynesian Village Resort is a shop named Moana Mercantile. Moana is set to have its own float at the new nighttime parade, Disney Starlight: Dream the Night Away, debuting at Magic Kingdom in Summer 2025.

Outside of the Walt Disney World Resort, Moana can be found at meet-and-greets, and within shows and parades. At Disneyland, although she does not currently have a dedicated meet-and-greet location and time, Moana may still appear in the park. Moana’s music and movie scenes do appear in the Wondrous Journeys and World of Color – ONE show, plus Moana has a float in the Magic Happens parade. These are not always running.

In Shanghai Disneyland, Moana is a part of the Mickey’s Storybook Adventure live theatre show, and she even has her own stage show at Hong Kong Disneyland called Moana: A Homecoming Celebration, along with a dedicated meet-and-greet location in Adventureland. At Tokyo Disneyland, Moana is featured within the Believe! Sea of Dreams nighttime show at Tokyo DisneySea. After the Moana 2 celebratory Moana meet-and-greet ended at Disneyland Paris, she has not returned to meet guests, however, music and clips from the film do feature in the Disney Tales of Magic fireworks show there, and may be a fixture in a float during Disney Stars on Parade. Moana can sometimes be found meeting guests at Aulani, A Disney Resort & Spa in Hawaii as well. The Broadway-style stage show Disney The Tale of Moana also debuted in December 2024 on the Disney Treasure cruise ship, receiving rave reviews from guests.

FINAL THOUGHTS

In all fairness to those who worked on Moana 2, I can see that, much like with any Disney Animation feature film, they wanted to make a great movie, with an exciting storyline, an emotional message, and beautiful animation. I also accept that I came to Moana 2 with a biased opinion in some ways. I was not happy when the sequel was announced so that dislike of the whole concept of a sequel likely clouded my judgement.

However, that does not change my opinion that Moana 2 was a wholly unnecessary movie for Disney Animation to have made. The story was not good enough to warrant a sequel, and Moana’s continuing voyages would’ve been more fitting to a Disney+ series.

Moana 2 followed the same outline as the original Moana. Basically, Moana wants to discover more about her ancestry and wayfinding. She’s given a mission by her ancestors that will tell her more about it. She encounters monsters and villains, like the clam monster and Matangi on the way. At the site of her mission ending, she battles an elemental god who wants to stop her. She completes her mission and returns to her community with more information about other voyagers. It was simply not unique enough.

I believe that Disney management is the one pushing for all these sequels to be made in a bid to make some easy money. After all, just look at the sequels in the works. They are all for movies that did well at the box-office, some even breaking records in that respect. It seems to me that none of these movies need a sequel and I fear that many of these upcoming movies will make a lot of money, sure, but they will be unnecessary and disappointing because of it.

Moana 2 was certainly not a bad movie, nor was it unwatchable, but it was “just ok”, though I enjoyed moments of it. I know families and children likely enjoyed the majority, if not all, of it. But it signals a real problem for Disney Animation and Pixar as a whole.

Instead of making formulaic sequels, what The Walt Disney Company really needs to do is spend less time looking at their profits, and more time looking at the values that the company was built upon.


REFERENCES

[1] Credit: Erica Liu, ‘Hualālai Chung’s Journey from Aulani to the Big Screen’, DisneyParksBlog.com, 26th November 2024.

[2] Credit: Disney, “Join the Crew”, from Moana 2 (2024) Blu-Ray (2025).

[3] Credit: Matthew Rudoy, ‘How Moana 2 Transformed Out Of Disney+ Show Plans Eagerly Explained by Bob Iger’, ScreenRant.com, 25th February 2024.

[4] Credit: Alex Reif, ‘The Untold Story of “Moana 2:” A Film Born to Be on the Big Screen’, LaughingPlace.com, 21st November 2024.

[5] Credit: Disney, “A New Voyage”, from Moana 2 (2024) Blu-Ray (2025).

[6] Credit: Courtney Potter, ‘Behind-the-Scenes Exclusives with Moana 2 Filmmakers’, D23.com, 4th November 2024.

[7] Credit: Disney, “Call of the Wayfinder”, from Moana 2 (2024) Blu-Ray (2025).

[8] Credit: Disney, ‘Behind the ‘Absolutely Incredible’ Animation of ‘Moana 2’’, TheWaltDisneyCompany.com, 2nd December 2024.

[9] Credit: Disney, “Deleted Scenes”, from Moana 2 (2024) Blu-Ray (2025).

[10] Credit: Gretchen McDermid, ‘Disney Wins ‘Moana’ Copyright Infringement Lawsuit Against Screenwriter’, WDWNT.com, 10th March 2025.

[11] Credit: Nicole Fallert, ‘Meet Barlow & Bear, the women who made history writing the ‘Moana 2’ songs’, USAToday.com, date unknown.

[12] Credit: Disney, “Songs of the Sea”, from Moana 2 (2024) Blu-Ray (2025).

[13] Credit: Nicholas Reimann, ‘‘Moana’ Breaks Record For Most Weeks At No. 1 On Billboard Soundtracks Chart’, Forbes.com, 17th August 2021.

[14] Credit: Disney, ‘‘Moana 2’ Sets a Record as Disney’s Biggest Animated Trailer Launch in History’, TheWaltDisneyCompany.com, 30th May 2024.

[15] Credit: Pamela McClintock, ‘‘Moana 2’ Achieves Demigod Status: All the Box Office Records Broken’, HollywoodReporter.com, 2nd December 2024.

[16] Credit: Disney, ‘Can I Get a Chee Hoo? Be The First To Watch At Home – Disney’s MOANA 2 is Now Available on Digital’, Press.Disney.co.uk, 28th January 2025.

[17] Credit: Mark Hughes, ‘‘Moana 2’ Grosses $389 Million – Highest Global Box Office Debut For An Animated Movie’, Forbes.com, 2nd December 2024.

[18] Credit: Disney, ‘Moana 2 Splashes To 27.3m Views Globally On Disney+ After 5 Days Of Streaming’, Press.Disney.co.uk, date unknown. 

[19] Credit: Monica Coman, ‘Moana Live-Action Remake Gets Exciting Filming Update Ahead of Moana 2 Release’, CBR.com, 24th November 2024.

[20] Credit: Blog Mickey, ‘Moana 2 Character Maquettes & Artwork Now in Display at Disney’s Hollywood Studios’, BlogMickey.com, 19th November 2024.

[21] Credit: Erica Liu, ‘‘Moana 2’ Voyages Across Disney Parks with All New Experiences and Products’, DisneyParksBlog.com, 27th November 2024.

[22] Credit: Emmanuel Detres, ‘Moana-Inspired EPCOT Attraction Revealed in New Video’, InsidetheMagic.net, 7th April 2023.

Bad Hair Day (2015)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. PRODUCTION
  5. MUSIC
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

Not to brag or anything but I’ve never had a bad hair day. That’s not necessarily something I’m proud of because it’s more my hair isn’t capable of doing much at all. It’s just straight, nothing very exciting.

However, having a bad hair day can cause others some real anxiety and panic, especially if you’re a teenager and have to go out or go to school that day. This is the focus of the 2015 Disney Channel Original Movie Bad Hair Day, and, because it’s a DCOM, this girl’s very bad hair day just happens to be on the same day as prom. Oh, say it ain’t so!

But this movie isn’t just about a trip to the hair salon. That would be too simple and much too easy. Bad Hair Day also manages to include a whole other storyline about a jewel thief and a stolen necklace in amongst the usual prom-themed activities.

It’s a pretty random story and not one I was mad about, though many do like Bad Hair Day, this being seen as a return to DCOMs after a few years without many at all. 2013 only had one, Teen Beach Movie, and there were only three new movies in 2014.

Bad Hair Day features well-known names from two different Disney Channel series in the leading roles, a pretty typical move from the company. But instead of this being just a movie for teenage actors, this DCOM is the first to feature an adult lead.

Bad Hair Day would later be overshadowed by none other than Descendants (2015), the first instalment in what would become another smash-hit musical, and later franchise, for Disney Channel. Descendants premiered in October 2015, a few months after Bad Hair Day.

Yet Bad Hair Day remains as a more interesting DCOM, full of action and comedy, not just high school troubles, something that those who watched it in childhood still remember today. That was not me, which is probably why I didn’t like it so much.

PLOT

Bad Hair Day begins with Monica, a teenage girl, looking to get everything organised for her prom. As well as wanting to be prom queen, Monica is also a tech whizz, so she has devised a way of tracking the most likely candidates to be prom queen, and has a blog where she allows people to vote on different aspects of her prom outfit. The dress has been agreed, as have the shoes. Now for the hair. Monica styles her hair in a variety of ways, putting photos online, and waits for the votes to come in. The side ponytail wins, completing her prom look. It’s time for a good night sleep ready for prom day tomorrow.

When Monica wakes up the next morning, to a call from her friend Sierra, she is horrified to find that her hair is an absolute mess, sticking up all over the place, and is so crispy that pieces of it start breaking off! It turns out Monica did not read or follow the instructions on all her hair products carefully so the combination of chemicals has caused this disaster. To make this day even worse, Monica finds that her prom dress has melted after being steamed; her shoes are broken; and she is now no longer on track to become prom queen. A girl called Ashley is in line for the crown. Monica then gets a call from the DMV saying there is no availability for a driving test until April next year. She needs to pass her test soon so Monica pleads for an earlier time. The only time available is 2pm that same day. Monica isn’t happy, but agrees to it.

To get to the DMV for her afternoon test, Monica will have to get a ride there. She calls her boyfriend, Kyle, who claims to be busy today, doing charity work with orphans, but he’ll see her later for prom. Monica then talks to her dad, who is an ER nurse but says he’ll take the day off to help Monica fix her hair and get her driving test done. Monica tells her father not to worry and that she’ll figure something else out. Luckily, one part of Monica’s prom outfit is still ok; a necklace she bought from a pawn shop, something she did not get anyone to vote on. As Monica figures out what to do about her plans for the day, there is a knock at the door. Monica goes to answer it, wondering how her day can get any worse.

At the door is a woman called Liz claiming to be an FBI agent. But Monica is smarter than that; she won’t just let anyone walk into her house. Monica asks to see a warrant. There isn’t one so Monica says the “agent” cannot come into her house. Liz then shows Monica a photo of a necklace, which just so happens to be the one she bought from the pawn shop. Monica lies, claiming to have never seen it before. Liz then says she is actually a private investigator, looking for the necklace on behalf of a client. Monica sees that the woman has a car, which gives her an idea. She allows her to come inside to talk further. As Monica gets dressed, Liz walks around the house, taking in all the details. When Monica returns downstairs, Liz has already deduced lots of information about Monica: like how she lives here with only her father, because her mother left them. She also knows Monica does have the necklace. Monica admits to this, and says she’ll hand the necklace over, only if Liz drives her to all of her appointments today. Liz reluctantly agrees.

In the car, which is full of surveillance equipment, Monica tries to figure out just what Liz actually does, but she gets few answers, only learning that there is a signal jammer in the car, meaning Monica cannot campaign online for prom queen votes, and that Liz has named her car Brando, after Marlon Brando. The two pull up next to a car full of young boys, blasting loud music out of the window. Liz uses a megaphone to tell them to turn the music down, but the boys ignore her – before realising Monica, who goes to school with them, is also in the car. The boys drive off, throwing litter out of the window. Liz chases after them, putting a siren on the roof of the car to get them to pull over. She says she’ll report them if they don’t go back and pick up their trash. Liz and Monica drive away, leaving the boys confused, and Monica embarrassed.

In town, Liz sees Monica acting weird with other students, seeing that Monica is desperate for prom queen votes. She also overhears Monica talking to Sierra about college. It turns out her friends are all going to the same college, but Monica got in to MIT, though she doesn’t know whether she’ll go there because she doesn’t want to be away from her friends and her father. Liz doesn’t understand Monica’s obsession with how she looks to people – but her focus is on the necklace, not Monica’s prom.

At the salon, Monica is a few minutes late and is told her appointment was given to someone else. She is given a beeper by the rude receptionist and told to return when the beeper goes off. Monica and Liz head to the store where she bought her prom dress instead. They discuss the point of super expensive sunglasses before talking to a shop assistant. Monica asks to return her dress; however, it is quite clear Monica has ruined the dress herself, by steaming it, something Liz makes only too clear to the assistant. The assistant refuses to refund Monica. Monica angrily tells Liz to stop interfering. The beeper then goes off for the salon, so the two rush out of the store. Since Liz has been dragged out of the store, she still has those expensive sunglasses on her head. She is about to be taken away by a security guard until Monica says it was just a mistake, not a deliberate action. Liz is given a warning. Liz then tells Monica that she is not an FBI agent or a private investigator – no duh. She is an ex-police officer looking for the necklace because it is actually very valuable. At the same time as all this, a man has been looking all over town for this same necklace, trying the pawn shop and then breaking into Monica’s house to search for it.

Back at the salon, Monica is once again late for the appointment and is turned away. Monica plans to wallow in self-pity in the food court. She gets a call from her father, saying one of his colleagues has dresses she could look at, and that there is a sale going on at a shoe store. Monica isn’t happy with either of those options, and then to top it all off, she sees that she is continuing to lose ground in the prom queen votes to Ashley. But once again, things have to get even worse when Liz points out that Monica’s boyfriend is sat just behind them, flirting with another girl – and that girl happens to be Ashley. Monica confronts him and learns the truth. She retreats to the restroom to talk with Sierra about it. Liz instead wants to really humiliate this kid, as payback for embarrassing Monica. Liz pretends to be mall security, accusing him of behaving lewdly in a public place. She opens up his bag, telling everyone about the embarrassing stuff he has in there, like back hair removal cream, before the real mall security stop her. She is taken to the local police station, with Monica following.

At the station, Monica learns that this was Liz’s police station. Liz’s former police partner, Ed, manages to get the charges dropped but tells Liz the Chief wants to speak with her. After Monica and Liz are allowed to leave, Liz says she was actually fired. It was her job to protect a museum exhibit of a 21-carat diamond necklace worth $7 million, the very same necklace Monica has in her possession. It was stolen by a well-known jewel thief called Pierce. Liz’s work began to suffer as she obsessed over getting the necklace back and arresting Pierce so she was fired. But that didn’t stop Liz working on the case. She discovered that Pierce had mistakenly given the necklace to a random passer-by instead of his buyer. The necklace was traced from place to place before making its way to the pawn shop and then to Monica, where Liz tracked it down. Monica then tells Liz that she tries so hard to be perfect all the time because she believes she was a disappointment to her mother and that must be why she left her and her father….

But there’s no time for more heart-to-hearts, because Monica is about to be late to her driver’s test, which she’ll have to take in Liz’s car, much to Liz’s dismay. The test soon takes a disastrous turn as Liz finds that Pierce is following them. She uses the nitro boost that she’s had fitted on her car, still with Monica in the driving seat and the examiner next to her, to get away from Pierce. They eventually get away, but Monica has failed her test. The car is also impounded. Monica is furious with Liz for ruining her day and walks away.

Shortly after the two separate, Monica gets a call from Pierce, who sends a photo to prove he has abducted her father. Pierce orders her to come to an abandoned warehouse with the necklace or something bad will happen to him. Monica jumps in a taxi and picks up Liz for help, who is struggling to order her own cab, not having a smart phone because she “doesn’t trust them”. First things first, they’ll need to get Liz’s car back because the necklace is in Monica’s bag which she left in there.

At the lot, Monica and Liz are simply told to fill out forms and wait their turn, but there’s no time for that. Monica wants to hack into their IT system, but she can’t get to a computer without the man on the desk seeing. Liz says she’ll distract him, by attempting to flirt. Despite Liz’s flirting being awful, the man responds to it, giving Monica enough time to guess his password – the name of his dog, which is proudly displayed in a photo on the wall – and hack into the system to get the car immediately released. The man apologises for the delay and asks Liz to give him a call sometime. Yeah, I’m sure that’s top of her list…

Back in the car, Monica sees that the necklace is not where she left it – and that is because she has mixed up her make-up box with Sierra’s when they were still in town. She locates Sierra to the park, using a locator app, but the park is huge. Liz and Monica rent a bicycle to find her. Monica then runs into her ex-boyfriend, Kyle, who asks to still be her date for prom, seemingly not having a nice time with Ashley, who is right next to him, having their prom photos taken! Monica refuses and Liz manages to intimidate Ashley and Kyle so much that they stumble backwards into the pond. Monica rushes over to Sierra to swap make-up boxes back. Great, she has the necklace. They go to the warehouse to meet Pierce.

Here, Monica learns that the Chief is actually Liz’s mother, giving her additional pressure with her job. She tells Monica that it is always better to be yourself than to be perfect, and that those who are worth being around are the ones who are always there. The two enter the warehouse and come face-to-face with Pierce. Liz tells Monica to hand over the necklace, with Pierce saying once he is safely away, he’ll let Monica know the location of her father. Except Monica already knows where her father is, thanks to locator apps. She walks up to a store room and frees him. Pierce is about to make a quick exit when Monica tells him that this time, Liz called for back-up so there’s no way he can escape now. Pierce tries to escape through the roof but Liz uses a taser on him. Liz exits the warehouse with an apprehended Pierce and the necklace. The Chief returns her badge to her, saying she can have her job back. Monica then has a conversation with her father, who tells her she should go to MIT if that’s what she wants to do; he’ll be fine while she’s away.

To top off this bad-day-turned-good, Monica realises that she doesn’t even care about her hair or about prom anymore, ignoring the latest beeper from the hair salon. Liz tells her that she should go to prom and she can even help with the dress. Liz takes Monica to the evidence room at the station, telling her to take her pick. Liz even allows Monica to wear the necklace – providing she has a police escort. Really, Liz just wants to go to prom too! The two get all dressed up and go to prom, with Liz having cut Monica’s hair to fix the bad hair situation. At prom, Monica discovers she was voted prom queen, after Ashley and Kyle’s secret affair came to light. In her speech, Monica talks about her day with Liz and how she’s learnt to be herself. She also announces to her class that she’ll be going to MIT. As music starts up, Liz tries her bad flirting skills on her ex-police partner Ed, who doesn’t seem to mind, and they all dance at prom together.

CHARACTERS & CAST

Monica Reeves is the teen lead of Bad Hair Day. Although she starts the day obsessed with prom and her appearance, she soon realises that the reason she is desperate to please people is because her mother left her and her father. She just wants to be perfect all the time to avoid disappointing anyone. After meeting Liz, she learns that being perfect is exhausting and that it’s much better to just be yourself and do what makes you happy, not anyone else. Instead of Monica being the typical ditzy prom queen that might’ve been normal in earlier teen movies, Monica is incredibly intelligent as well, especially when it comes to technology, with her place at MIT evidence of that. It’s good to see a teen lead in a DCOM being not just pretty and friendly, but also smart and driven.

Laura Marano was cast in the role of Monica. At the time of Bad Hair Day, Marano was already a leading figure on Disney Channel, having played the part of Ally in Austin & Ally (2011-16) since 2011. I never actually watched Austin & Ally but I know it was a popular series; it was the number one series for tweens in 2013 and 2014[1]. Since Marano’s departure from Disney, she has been frequently seen in Netflix productions, such as The Perfect Date (2019), playing Celia, opposite Noah Centineo; The Royal Treatment (2022), as Izzy; and as Cami in the “choose your own adventure” film Choose Love (2023).

Instead of being a teenager, the other half of this DCOM duo is Liz Morgan, an adult former police officer, trying to make things right again after she failed in a key security role. Liz tries to use her surveillance and interrogation skills on Monica to make it an easy task to simply get the diamond necklace back, but Monica isn’t having any of it. She wants to make the day work to her advantage as well, so she uses Liz to give her a ride to all her prom-related appointments. Liz only wants to do this as a means to an end, but eventually, her and Monica start to bond during their strange day together. Liz becomes a sort of maternal figure to Monica, telling her to not worry about what other people think too much.

Liz was played by Leigh-Allyn Baker, known on the channel at the time for playing Amy Duncan in the series Good Luck Charlie (2010-14) and its DCOM Good Luck Charlie, It’s Christmas! (2011). Prior to her Disney Channel roles, Baker appeared in the recurring roles of Hannah Webster in Charmed (1998-2006) and Ellen in Will & Grace (1998-2020). Baker later voiced characters in Disney animated series like The 7D (2014-16) and Mickey Mouse Mixed-Up Adventures (2017-21). Baker was also an executive producer on this film.

Then there is the jewel thief, Pierce, who apparently, as this is a villainous role, had to adopt a British accent and walk around in a suit like he was an evil James Bond… It was a strange choice for the character; I don’t know why any of that was necessary. Although Pierce seems to be skilled at the whole Mission Impossible thing, of using harnesses and wires to get in and out of buildings, he isn’t so good at the exchanging of his stolen goods as he mistakenly gives a $7 million necklace to a random person. This sets Pierce on the same task as Liz: to track this necklace down. Pierce is even so “bad”, he breaks into a teenage girl’s house, chases her during her driving test, and ties up her father in a store room just to get it back! In another circumstance, like a real thriller or action film, Pierce might have been a scary guy, but for Disney, it just felt odd.  

Christian Campbell was cast as Pierce. Also in 2015, Campbell appeared in the recurring role of Richard Brune in Season 2 of True Detective (2014-present). He also appeared as Greg Ivey in the HBO series Big Love (2006-11) prior to his casting in Bad Hair Day. On stage, Campbell starred as Jon in the 2003 US Tour and 2005 London production of the musical tick, tick…BOOM! and workshopped the part of J.D. during the development of Heathers: The Musical in the late 2000s.

Apart from these three characters, which most of the movie revolves around, there are some supporting characters, like Monica’s kind and caring father. He works as an ER nurse, clearly working long hours, but it is clear his daughter is his priority, especially now that it is just the two of them. Monica’s dad strangely enough doesn’t even seem too concerned about what his daughter has got herself mixed up in on her prom day, only caring that she is happy and that she makes a decision about college, making sure she chooses MIT, because it’s a great opportunity for her. Monica’s father was played by Alain Goulem who appeared in Canadian series such as 18 to Life (2010-11) and The Tournament (2005-06). Goulem has also voiced the character of Willis Huntley for the Far Cry game series.

In the police department, we have Liz’s colleagues, who she hasn’t been speaking to much since her departure from the force, obviously. Ed is Liz’s former police partner, who she has a jokey/flirty relationship, which makes it only too obvious to Monica the first time she sees them together that the two like each other. Ed and Liz seemingly get together at the very end of the movie. Ed was played by Christian Paul. Paul was the narrator for the true crime series Broken Trust (2018) and voiced some characters in the Assassin’s Creed game series. There is also Liz’s mother and police chief, Chief Morgan, who seems quite harsh on Liz initially, however, when Liz apprehends Pierce at last, the Chief is proud of her and returns her badge. Susan Almgren played Chief Morgan. Almgren was cast as Dr. Karen Cabot in the 1990s Canadian series Lassie (1997-99). More recently, Almgren made appearances in the movies Moonfall (2022) and Best Sellers (2021).

Finally, we have Monica’s friends and classmates, who we don’t get to see too much of. Sierra is Monica’s best friend, who is around to deal with the fall out from her hair and her boyfriend’s cheating, but she doesn’t spend much time with Monica during the events of the film. Sierra was played by Kiana Madeira, who previously was cast as Rachel in the Disney Channel-affiliated movie Harriet the Spy: Blog Wars (2010) and as Sassy in the DCOM The Swap (2016). More recently, Madeira appeared as Nora in the After film series.

Kyle is Monica’s lying boyfriend, who pretended to be doing charity work when he was actually spending the day with mean girl Ashley. Later in the day, Kyle wishes he hadn’t been caught out because Ashley is too full-on for him, but Monica does the right thing and refuses to go back to him. Kyle was played by Jake Manley. Manley went on to be cast in movies like Infamous (2020), alongside former Disney star Bella Thorne, playing Dean, and as York in the Netflix movie Holidate (2022). He also appeared in the recurring role of Brad in the spin-off series Heroes Reborn (2015-16). Ashley was played by Zoé De Grand Maison, who went on to appear as Evelyn in Riverdale (2017-23).

PRODUCTION

Bad Hair Day began development in the usual way. The story was pitched to Disney and they decided to go ahead with the project. Leigh-Allyn Baker acted as an executive producer for Bad Hair Day so she was able to see the full creative process.

Initially, the reason that Bad Hair Day was so interesting to her specifically was because it featured an adult lead, something that DCOMs had never really done before. Sure, there are roles in those movies to be parents or bad guys, but they are not normally leading roles. Those roles would always go to a teen star, usually from the channel.

In the case of Bad Hair Day, the original story reportedly was meant to star a male adult lead, however, it was eventually decided to make the character female[2]. I feel like this was a good choice, as it meant that the comedic back-and-forth between the female adult and teen characters was more natural, and it allowed them to have deeper chats like a mother and daughter would. It’s also good that they chose to have the female adult character be a police officer, as it is still more normal to see male actors playing police officers on screen. Bad Hair Day ended up as more of a buddy action-comedy than a typical Disney teen comedy-drama, although some aspects of teen life were still included.

Bad Hair Day was filmed in Montréal, Quebec around July and August 2014. The movie was directed by Canadian director Érik Canuel, who also directed the 2011 movie Barrymore, which starred Christopher Plummer. The story was written by Matt Eddy, Billy Eddy, Eric M. Gardner, and Steven H. Wilson. Matt and Billy Eddy have both co-written the teleplays for other DCOMs, including Zapped (2014), Teen Beach 2 (2015), and Invisible Sister (2015). More recently, the duo wrote for the Nickelodeon and Paramount+ productions Monster High (2022) and Monster High 2 (2023).

In behind-the-scenes footage, Marano displayed her “bad hair” wig that she has to wear for the majority of the film. The wig was all tangled and even had pipe cleaners inside of it to make it a real mess. The technology within Liz’s car, Brando, included all real technology, like the video surveillance and 16-channel radio[3].  Laura Marano was very excited to be in her first DCOM, saying that the shoots were long and crazy, but fun. Marano and Baker enjoyed working together as well[4].

MUSIC

Bad Hair Day features quite a lot of pop music, although during the main portion of the story, this is limited to background music in shops and in cars, with the opening sequence and ending scenes having the most recognisable songs.

The song used for the opening sequence of Bad Hair Day is “Rooftop”, performed by Skylar Stecker, or Skylar Simone as she is also known professionally. Skylar also appeared in a couple of episodes of Austin & Ally (2011-16) around this time. This song is from her debut album This Is Me, released in 2015. In this first scene, we see Monica’s room and her chosen prom outfit, before she moves on to what prom hairstyle she should have, using an online vote to decide. It’s a pretty good pop song, matching Monica’s happy, carefree mood.

The next piece of music used is the one playing in Monica’s classmates’ car when they pull up beside her and Liz. Liz proceeds to harass them about their loud music and littering with a megaphone. I believe the song that was used in a “sneak peek” of the movie, using this same clip, was “Nuthin’” by rapper Lecrae, which featured on Lecrae’s seventh album Anomaly, released in 2014[5]. However, it would appear that at some point during post-production, this song was switched out for another rap song. I couldn’t find this song though.

There actually isn’t another obvious “song break” until after Pierce has been arrested. This next song is “Colorful World” performed by Shayna Rose, which can be heard briefly as Liz and Monica go “dress shopping” in the police station’s evidence room, and then again as Monica gets to prom with her police escort. I actually really liked this song when I found it again after watching the film. It’s another upbeat, pop song. Shayna Rose is both a singer and an actress, having appeared as Stephanie Johnson in the soap opera Days of Our Lives (1965-present) in 2006 and 2007, and as Marina the drummer in Seasons 1 and 2 of the Nickelodeon series The Fresh Beat Band (2009-13).

As the final scene of Bad Hair Day takes place at Monica’s school prom, there has to be more dance music. The first of these songs is “All Over the World” by the Swedish pop band the Fooo Conspiracy, as they were known at the time, but they have since changed their band name to FO&O. This song is played during the final scene in the movie where everyone, including Liz and Ed, dance with Monica and her school friends. This scene then moves straight into the End Credits where the song playing is actually performed by Laura Marano, the star of the movie in a typical Disney move. This song is “For the Ride”, written by Dan Book, Shelly Peiken, and Laura Marano. This is the only credited song.  

The composer for Bad Hair Day was Michel Corriveau, who had worked with the director of Bad Hair Day, Érik Canuel, on Canuel’s other movies, like Barrymore (2011) and Bon Cop, Bad Cop (2006). Corriveau also won Gémeaux Awards for his music in the French-Canadian series Les Pays d’en Haut (2016-21), also known as True North.

RECEPTION

Bad Hair Day premiered on Disney Channel on 13th February 2015. It was also made available a whole week early on the WATCH Disney Channel app on 6th February.

From only the app views, Bad Hair Day amassed 435,000 viewers. On its Disney Channel premiere, it averaged around 4 million viewers[6]. This was slightly below average for what you might expect from a new DCOM premiere, and it would easily be beaten later in the year when other DCOMs were released. Teen Beach 2 (2015) was released in June that year, reaching around 5.8 million viewers, and then in October 2015, Descendants reached an even bigger audience, of 6.6 million.

Outside of viewing figures, Bad Hair Day surprisingly had fairly positive reviews for the most part. Many felt that Laura Marano and Leigh-Allyn Baker were cast well and that they had good chemistry, bouncing off each other well. Others also felt Monica was a good role model for tweens of the day. It was a fun, entertaining action-comedy film that Disney Channel weren’t always making.

On the negative side, some felt the characters were annoying and that the story was boring. I did agree with this in part. I didn’t particularly like either Liz or Monica. They were slightly better towards the end as they started to get along and I felt sorry for Monica not having her mother around, but I never really warmed to them. I also felt the story was boring, at least in places. The initial premise of Monica needing to run errands was quite boring and not all that funny. The whole diamond heist plot was slightly more interesting but I didn’t feel like it mixed well with the overall prom plot of the film. Some viewers were harsher in their reviews than I was. They felt the whole concept of someone pawning a multi-million-dollar necklace was implausible and that any pawn shop owner would know if they’d been given something valuable. Some felt the ending was bad too, though I’m not sure why as it was not mentioned specifically. The movie had to end with the prom scene and it did, so I don’t know what more needed to be done. There were comments about the particularly bad hair cut that Monica was given at the end though. It didn’t suit her but I wasn’t going to mention it!

LEGACY

Bad Hair Day was one of four DCOMs released in 2015 and it was not the biggest in terms of popularity or viewership, which means it did not get a sequel. Not that I know where they could go with Bad Hair Day, apart from have Liz and Monica solve more crimes together, but Monica is meant to be heading off to MIT so I doubt she would’ve had time for that! Musical DCOMs are much more likely to get sequels, and that was the fate of Descendants (2015).

Laura Marano wanted to be involved in another DCOM after Bad Hair Day, but after one more series of Austin & Ally, and a couple of guest star roles on other Disney Channel series, Marano moved away from the channel and did not star in a further DCOM. Leigh-Allyn Baker also did not return to film another DCOM, however, she did voice characters animated Disney series after Bad Hair Day was released.

Bad Hair Day did recently celebrate its 10th anniversary, something that Disney Channel’s official social media accounts referenced, allowing those who watched it when they were younger to revel in the nostalgia.

Although Disney Channel’s Bad Hair Day didn’t span much of a legacy, bad hair days will continue to be a thing as long as people have hair, and there are many sites, and no doubt many TikTok videos – though I wouldn’t know, I’m not on TikTok – that tell the public how to fix their own bad hair days! Bad hair days were also featured in other Disney Channel series, including the Season 2 episode of Recess (1997-2001) where Mikey gets gum in his hair and Vinny cuts most of it off, creating a new playground trend, or the Bizaardvark (2016-19) song “Bad Hair Day”. I’d probably advise you turn to social media in this case for once; all TV seems to tell you is that you have to cut most of your hair off…

FINAL THOUGHTS

So, what did I take away from watching Bad Hair Day? Well, I learnt that some people take prom incredibly seriously, and that jewel thieves really ought to be more careful when exchanging stolen goods. Rookie error.

The message that came out of Bad Hair Day, about being yourself and not trying to be perfect all the time, is a great one, and something that children and tweens probably responded well to. DCOMs always like to teach kids some sort of lesson.

For me, though, I was not the target audience for Bad Hair Day so I didn’t take much from the movie. I didn’t like it at all, because the comedy and prom aspects of the story were completely at odds with the whole diamond theft. It was strange, and to be honest, having the adult lead actually made me less interested in the film, not more, despite Liz being closer in age to me than Monica. I didn’t like Liz’s character particularly and I was never close to being prom queen – not that we really have that in the UK – so I couldn’t relate much to Monica either. Bad Hair Day just wasn’t for me.

But I know that many people found Bad Hair Day to be better than the average DCOM and liked the different take on the usual plot of a Disney Channel movie. If you need a family-friendly action-comedy movie, this is probably one for you.


REFERENCES

[1] Credit: Variety, ‘‘Bad Hair Day’: Laura Marano, Leigh-Allyn Baker to Star in Disney Channel Original Movie’, Variety.com, 8th July 2014.

[2] Credit: Ruth V, ‘An interview with Leigh-Allyn Baker from Disney Channel’s Bad Hair Day’, VivaVeltoro.com, 11th February 2015.

[3] Credit: Disney, ‘Behind the Scenes Bad Hair Day 1 and 2’, Disney411Vids YouTube Channel, 11th January 2015.

[4] Credit: Elizabeth Wagmeister, ‘Laura Marano & Leigh-Allyn Baker Preview Disney Movie ‘Bad Hair Day (Exclusive Clip)’, Variety.com, 2nd February 2015.

[5] Credit: David Daniels, ‘Video: Lecrae’s ‘Nuthin’ to be featured in Disney movie ‘Bad Hair Day’’, Rapzilla.com, 29th January 2015.

[6] Credit: Rick Kissell and Variety, ‘Disney Channel’s ‘Bad Hair Day’ Has Good Ratings Night’, Yahoo.com, 18th February 2015.

The Suite Life Movie (2011)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

Surprisingly, in 2011, Disney Channel aired three Disney Channel Original Movies all based on Disney Channel television series.

This isn’t anything new for Disney Channel as they’ve made DCOMs based on their series since the 2000s, with The Even Stevens Movie (2003) being one of the first, and Wizards of Waverly Place: The Movie (2009) being the most recent one before 2011.

Disney Channel’s first DCOM of 2011 was The Suite Life Movie, in a year that saw six other brand new DCOMs being released on the channel, including the High School Musical spin-off Sharpay’s Fabulous Adventure; Phineas and Ferb the Movie: Across the 2nd Dimension; and Good Luck Charlie, It’s Christmas!

The Suite Life franchise was a popular and successful commodity for Disney Channel, having first premiered as The Suite Life of Zack & Cody in 2005. The never-ending, always extreme, antics of two twin boys running around a posh hotel, where they lived thanks to the fact their mother happened to be the hotel’s singer, kept viewers interested, to the point that Zack and Cody earned themselves a spin-off series, The Suite Life on Deck, which premiered in 2008, pretty much straight after the original show ended. This time, their craziness was moved to a cruise ship where the twins would be attending “school at sea”. 

I really liked The Suite Life of Zack & Cody when it first came to Disney Channel. It was not my absolute favourite series but I think I watched every episode of the original show. It was always on and the mid-2000s was prime Disney Channel viewing time for me. However, when The Suite Life on Deck came about, I just didn’t like it. Maybe it was the fact all the original characters weren’t there, or because I’m not a fan of cruise ships. Something just wasn’t right, so I only watched a few episodes of that series, normally if I was bored and there was nothing else on. I can’t remember much of it at all.

Because of this lack of interest in The Suite Life on Deck, plus by 2011, I was starting to move away from Disney Channel as my favourite series ended and stars departed, I never even knew The Suite Life Movie existed. After watching it for the first time this week, I am pleased to say… I didn’t miss out on anything.

The whole premise of The Suite Life Movie is just odd, with a science-fiction theme and a weird evil scientist plot that the twins get mixed up in. I did not enjoy watching it and its only redeeming factors were: 1) Mr. Moseby was still there, even if only for a few scenes but on top form as usual; 2) the fact one of the actors had been in Sabrina the Teenage Witch; and 3) it was less than 90 minutes long.

PLOT

The Suite Life Movie opens on board the SS Tipton, where Zack and Cody have been living and going to school for the past couple of years. Cody is busy preparing a special dinner for his girlfriend Bailey on one of the cruise ship’s decks. He clearly has something important to say to her, because he has written her a letter.

But as usual, Cody’s twin brother Zack shows up, with their friend, Woody, to mess with Cody’s plan. It turns out Cody needs to tell Bailey that he’s going to be doing an internship at a biology centre over spring break, something he hopes will lead to a scholarship to Yale University.  Zack says he’ll break the news to Bailey in exchange for Cody giving him the car that Cody was given by their parents for college. Cody refuses and the two fight over the letter for Bailey. It is dropped, seemingly into the ocean. Unbeknownst to the boys though, the letter is caught by the wind and lands underneath a chair on deck.

That evening, Cody waits for the right time to tell Bailey about his internship, however, she continues to talk about all the plans and places they’ll go together over spring break, this being their last spring break before college. Just as Cody finds a moment to tell Bailey, Zack shows up, dangling alongside them in a life ring. Zack then proceeds to bluntly tell Bailey that Cody won’t be around for spring break because of his internship. Bailey is furious with Cody for ditching her wonderful spring break plans for work. She storms off before Cody can explain that he has to do this to get into Yale.

The next day, Mr. Moseby takes Cody to the Biology Reserve so he can begin his internship and meet his supervisor. However, Zack also tags along, as does London Tipton, the ditzy hotel heiress whose father owns the cruise ship. London mostly just wants to look at the dolphins, which she believes are fish, not mammals, because “they don’t have any humps”. This is a recurring joke throughout the movie… The important thing to notice here is that London eats some of the food meant for the dolphins and freaks out, leaving the area.

Moseby, Cody, and Zack go inside the centre where they meet Dr. Donald Spaulding. Dr. Spaulding shows them to his lab where he talks to Cody. He says that he was very impressed with Cody’s essay on twins, saying he has a twin brother too. Dr. Spaulding then tells Cody about his current research. Spaulding believes that, using a rare fruit, telepathy will be possible between dolphins and humans, something that Cody finds fascinating. Mr. Moseby realises that Zack is missing and goes to look for him. It turns out Zack has followed a pretty lab technician, Nellie, through an unauthorised area, where he proceeds to tell her that he is incredibly smart and can mostly definitely pilot that submersible nearby. Zack gets inside the submersible and descends into the dolphin tank.

Since Cody and Dr. Spaulding are looking right into that tank from the lab, they soon spot Zack messing about in there, but instead of waiting for security or one of the scientists to get Zack out of the submersible, Cody decides to get into the other submersible and follow him through the tank, shouting at him for ruining his first day on the internship. The two fight in their boats as Cody tries to get Zack to return to the surface but in doing so, one of their boats breaks the glass of the seawall. Both eject from the boats before they are sucked out into the ocean. Needless to say, this incident causes Cody to be fired from his internship. It also looks like this wasn’t an accident; a janitor and Nellie seem to have planned this…

Back on the cruise ship, Cody wallows in self-pity, since he’s lost his internship and Bailey still won’t talk to him. Luckily, Zack brings Dr. Spaulding to him, who tells Cody that he won’t be working for him anymore but that Dr. Olsen would love to have Cody’s assistance on a new project, something called the Gemini Project, which is all about twins. But that does mean that both Zack and Cody will have to attend. They both agree to go.

The twins later arrive at the Gemini Project, a facility located by a lake, where an old sawmill sits abandoned opposite. The facility is full of twins wandering about the area, looking happy. Zack and Cody are met by Dr. Olsen who takes them to his basement lab. Here, he tells them that he plans to use the same rare fruit that Dr. Spaulding is using on his dolphin research on twins instead, believing that it can grow empathy within humans, meaning that there will be less conflict in the world. They are then shown the Mind Transference Facilitator, which is where Zack and Cody will have their first tests. Zack is strapped to the machine and told to look at the screen. Different names of colours come up on the screen, but the words may be in a different colour. Zack must correctly identify the word, not the colour of it – we all know this game, right? Zack, not being as smart as Cody, plus the fact Cody keeps giving him an electric shock every time he gets the answer wrong, fails this test, and the two fight, proving that Dr. Olsen has two perfect research subjects.

Meanwhile, Bailey is walking around the city with London and Woody, debating how she should deal with the “Cody situation”. Should she call him? Should she ignore his calls? In the end, Cody stops calling her – because his phone was taken from him at the Gemini Project because radiation affects the delicate machinery – so Bailey deletes his number. London is also exhibiting some strange behaviour, seemingly being able to hear what different marine creatures are “saying”. She talks to a dolphin about her outfit, and then hears the escape plan of a crate of crabs in the market, for example. Weird.

Back at the Gemini Project, Zack and Cody eat lunch with some other twins on the project, including Nellie, that “assistant” from Dr. Spaulding’s lab, and her twin sister Kellie. The girls explain how all twins must get along and be nice and kind to each other because that’s just the way it should be, which is completely at odds with Zack and Cody’s dynamic, where they fight about everything and anything! At lunch, they are fed this rare fruit for the first time and then led out to take part in some sports tasks. This involves a high ropes course, complete with nets, bridges, and zip wires. Cody is already nervous since he isn’t the most athletic of people, but the two soon notice that all the twins are moving perfectly in sync. That’s not exactly the case for Zack and Cody, although they do soon notice that each of them is feeling the same physical pain that the other is feeling, a sign that the fruit is working on them. Dr. Olsen gets them to do the colour-word test again and sure enough, when Zack is shocked, Cody feels it too. Dr. Olsen is delighted with their progress.

Zack starts to think this place is too weird and wants to leave. Cody gets angry at him for ruining things for him yet again. Zack then talks to Nellie who convinces Zack to stay, saying that “The Merge” will fix everything. Zack doesn’t know what that means but agrees to stay at the Gemini Project anyway. Just as Cody is about to be removed from the project by Dr. Olsen, as one twin is no use to him, Zack returns and the two are moved onto Stage 2. They are given the fruit to eat again and soon start to experience the other one’s feelings. This leads to a heart-to-heart between the boys as they learn something new about each other, like how Cody feels like Zack has messed up his chances of going to Yale, and how Zack wants Cody’s car so he can go and find himself whilst everyone else is at college. But then, they overhear Dr. Olsen talking about “The Merge” and how they must enact it soon, even though it will mean that Cody “loses his brain”. Cody and Zack are horrified by this, with Zack wanting to leave, but Cody wanting to save all the other twins.

The two sneak into Dr. Olsen’s lab where they manage to access his computer. On it, they discover the full programme of the Gemini Project. Stage 1 involves matching physical sensations; Stage 2 is about emotional feelings; and Stage 3 is The Merge, which sees the twins literally merge to become one person. The twins then discover a Stage 4, which will allow the merged twins to be controlled. Dr. Olsen discovers Zack and Cody in his lab and know his grand scheme has been uncovered. But he also sees that, because Zack continued to eat the fruit, the two have begun a “half-merge”, where Zack finishes Cody’s sentences and the two have a level of telepathy between them. Dr. Olsen unveils a beacon which begins to control the other twins and he orders them to capture Zack and Cody. Zack and Cody try everything to get away from them, even going on a zip wire across the lake to the abandoned sawmill, but they are chased every step of the way. Just when they think they’ve gotten away, by jumping into the lake, they find themselves surrounded….

Back on the cruise ship, Mr. Moseby has discovered Cody’s letter to Bailey on deck and gives it to her. Bailey reads it and learns that Cody’s internship was important to him because it would give him the chance to go to Yale. He was torn between getting into the “school of his dreams” and spending time with the “girl of his dreams”. Bailey is touched by this and realises she’s been selfish about spring break – uh, no duh. Bailey has to fix things with Cody. However, when Bailey, London, and Woody speak to Dr. Spaulding, he says that Cody was fired from the project and banned from the site. He hasn’t seen them since. London then speaks to a dolphin who says to her that the twins are about fifty miles from here. Dr. Spaulding thinks the boys are in trouble. Bailey calls Mr. Moseby to tell him Zack and Cody are in danger, and the group set off to the Gemini Project site.

When they arrive, they find they are too late. Zack and Cody are strapped to a machine with a forcefield protecting them from outside interference. Dr. Spaulding confronts Dr. Olsen, who is revealed to be Dr. Spaulding’s twin, Ronald – gasp! He’s been wearing a mask this whole time! And he was the one to invite the boys to the Gemini Project, not Dr. Donald Spaulding! Ronald had been spying on the boys as he knew they were vital to his research. Ronald then turns on the machine and The Merge begins. The twins’ souls are released; however, the souls fight each other. Bailey realises this is causing The Merge to fail so encourages them to fight more. This fighting creates a power surge and when Cody taunts Zack about their parents’ car, Zack’s reaction causes the machine to explode. The Gemini Project is over once and for all, freeing the other twins from Ronald’s control. Cody then has an idea to stop Ronald from restarting the project. He hands both Donald and Ronald some of the fruit. After eating it, they both begin to realise how the other has felt their whole life and discover that they were both jealous of each other. But there’s no time for reconciliation because Moseby is here with the police who promptly arrest Ronald / Dr. Olsen. Zack and Cody realise that they actually make a great team – if they work together.

Back on the ship, Bailey and Cody are back together and have had a great spring break. It’s also revealed that Cody did give Zack the car to use, however, as he parks it in the shipping area as he returns to the ship, the car is crushed by a huge crate. Zack looks round in horror to see that the car he so desperately wanted is destroyed. London is happy though; that crate is full of her summer clothes!

CHARACTERS & CAST

Cody Martin has always been the studious, responsible twin, and that is still the case in The Suite Life Movie. Cody is making decisions about college, his dream college being Yale. Cody believes that doing the internship at Dr. Spaulding’s lab will help him get a scholarship to go there, but that doesn’t work out. When Cody gets another opportunity to complete an internship, this time with Dr. Olsen, he is eager to get going, wanting to be part of a major scientific breakthrough, and since he is a twin and not a dolphin, he’ll actually be an integral part of the research there. Cody is completely dedicated to the Gemini Project, but when it is revealed that this project is a ruse for an evil scheme, instead of just leaving, he wants to help save the other twins. To do that, he needs that twin brother who he doesn’t see eye-to-eye with, but who has always been beside him, to help.

Cody Martin was played by Cole Sprouse throughout The Suite Life franchise. Alongside his twin brother, the two both played Julian McGrath in the Adam Sandler movie Big Daddy (1999). During their time on Disney Channel, the two also appeared in the movie A Modern Twain Story: The Prince and the Pauper (2007) where Cole played Eddie Tudor. Since the end of The Suite Life, Cole Sprouse was part of the cast of Riverdale (2017-23), where he played Forsythe “Jughead” Jones III throughout the show’s run, and starred as Walt in the HBO Max movie Moonshot (2022) alongside Lana Condor.

Zack Martin is the chaotic, disorganised twin, usually the one who is the cause of all the problems that the twins get themselves in. Zack isn’t looking at going to college, so he is still feeling quite carefree about life, not stressing himself about internships and good grades. However, we do learn that Zack is feeling quite uncertain about his future, not knowing what he wants to do, or who he wants to be. Even at the Gemini Project, Zack is more bothered about girls than scientific research, soon wanting to quit but he knows he can’t because if he does leave, then he has ruined two internships for Cody in just a few days! When things go wrong for them at the facility, Zack and Cody end up working together to stop Dr. Olsen’s evil plan, finding that they can be a good team, despite their different personalities.

Zack Martin was played by Dylan Sprouse throughout The Suite Life franchise. Alongside his twin brother, Cole, Dylan played the part of Tom Canty in A Modern Twain Story: The Prince and the Pauper. Since Disney, Dylan has been cast in movies such as After We Collided (2020), the second instalment in the After film series, where he played Trevor; and Beautiful Disaster (2023), where he was cast as Travis Maddox. He reprised this role in the film’s sequel Beautiful Wedding (2024).

The Gemini Project is run by Dr. Olsen, who is actually Dr. Spaulding’s twin, Ronald. Dr. Olsen covers his identity with a mask through much of the movie, only revealing his true self at the very end. Dr. Olsen initially seems dedicated to his research and he gets on with Cody as they bond over their love of science. Nothing seems to be strange about Dr. Olsen until the boys overhear him talking about wanting to “merge” the twins. Then they know something is up, but nothing could have prepared them for getting mixed up in an evil plan to control the whole world! It turns out Dr. Olsen only wanted to do this because of childhood jealous that he felt towards his brother. Once they work that out, thanks to the weird fruit, Dr. Olsen happily goes off to jail…

Dr. Olsen – perhaps named after two of the most famous twins in the world, Mary-Kate and Ashley Olsen – was played by Matthew Glave. Glave appeared in the recurring role of Dr. Dale Edson on ER (1994-2009) in its earlier seasons. More recently, Glave portrayed Chuck Yeager in the movie First Man (2018). He was also cast as Coach Tommy Bowden in the Disney+ film Safety (2020) and has appeared as Oscar Hutchinson in the ABC series The Rookie (2018-present).

Dr. Spaulding is a scientist like his brother, and he came up with the initial research of using this rare fruit to create a telepathic connection, except in Dr. Spaulding’s case, he wants to use this to allow dolphins to communicate with humans. Dr. Olsen stole this research to use on twins with seemingly decent results, however, Dr. Spaulding had not reached a breakthrough with his, until London Tipton shows up, being able to speak to dolphins, thanks to that tiny piece of fruit she mistakenly ate! After this revelation from the dolphin of where the twins are, Dr. Spaulding seems to instantly know that his twin is working on some evil scheme and using Zack and Cody to implement it. Dr. Spaulding locates him and manages to briefly reconcile with his estranged brother before he is arrested.

John Ducey was cast as Dr. Donald Spaulding – and Dr. Ronald Spaulding, when Dr. Olsen lifts his mask. Ducey already had some history with Disney Channel prior to The Suite Life Movie as he was cast as Tom Lucas, the father in Jonas (2009-10), which, obviously, starred the Jonas Brothers. For any fans of Sabrina the Teenage Witch (1996-2003), you should also recognise Ducey from Season 7 of the programme, as he played Leonard, one of Sabrina’s work colleagues at Scorch magazine. I always loved Leonard; he was my favourite of the characters introduced in that season. Recently, Ducey also wrote and starred in the 2022 festive film I Believe in Santa, playing Tom.

In my opinion, these four characters make up the main plot of The Suite Life Movie, which is a shame, as there are four other characters who were hugely important to The Suite Life on Deck series, but were not used well in the movie.

One of these is London Tipton, the ditzy hotel heiress who came with Zack, Cody, and Mr. Moseby on board the SS Tipton for school. During The Suite Life Movie, London’s main roles are to be a sounding board to Bailey’s complaints about Cody, as well as to be the “missing link” of Dr. Spaulding’s research, showing that this fruit can produce telepathic communication between humans and animals. It’s an important part of the fictional science project, but isn’t particularly useful in the movie, apart from the fact London learns from a dolphin about where Zack and Cody are being held captive. It’s a real pity that London couldn’t have had a better side plot as she was always a brilliant character in the series.

London Tipton was played by Brenda Song, who was no stranger to Disney Channel even before her casting in The Suite Life of Zack & Cody. Song has actually been in five separate Disney Channel Original Movies: The Ultimate Christmas Present (2000) as Samantha; Get a Clue (2002) as Jennifer; Stuck in the Suburbs (2004) as Natasha; Wendy Wu in Wendy Wu: Homecoming Warrior (2006), and of course, London in The Suite Life Movie. Song managed to break out of Disney with her casting as Christy in The Social Network (2010). In recent years, Song has also been the voice of Princess Akemi in Blue Eye Samurai (2023-present) and was cast as Mary-Anne in The Last Showgirl (2024). In 2025, Song was also cast as Ali Lee in the Netflix series Running Point (2025-present).  

Mr. Moseby is another fan-favourite character from the original series. Mr. Moseby was the hotel manager of the Tipton Hotel and is now the manager of the SS Tipton. He also seems to be the guardian of London, and Zack and Cody, whilst onboard the ship, which would explain why he takes Cody to his internship at the research centre. Outside of the chaos that ensues there, we don’t really see Mr. Moseby until the end, when he is relieved to find Zack and Cody safe, having brought the police to the facility to arrest Dr. Olsen.

Phill Lewis was cast as Mr. Moseby. Prior to The Suite Life of Zack & Cody, Lewis appeared as Principal Tweedy in some episodes of Lizzie McGuire (2001-04). Still on the channel, Lewis was cast as Maurice in the DCOM Dadnapped (2009) and directed many episodes of Disney Channel series, including The Suite Life on Deck; Jessie (2011-15); and Bunk’d (2015-24). Lewis has also directed episodes of the revival series of iCarly (2021-23). Lewis appeared as ‘Crazy’ Hooch in the popular medical sitcom Scrubs (2001-10).

Then there is Bailey Pickett, a character introduced in The Suite Life on Deck. Bailey is Cody’s girlfriend, but all we get to see of her in The Suite Life Movie is her moaning about Cody’s disrespect of her spring break plans, and her debates about whether she should or shouldn’t call him or answer his calls. It’s not a particularly good plotline for the character and it mostly just makes her look selfish and childish. When Bailey is given Cody’s original letter by Mr. Moseby, explaining his reasons for taking the internship, she realises she’s made a mistake and has to find him to make it right. It’s a good thing she does really, otherwise who knows whether Zack and Cody would’ve been saved from The Merge…

Bailey Pickett was played by Debby Ryan. Ryan began her Disney Channel career on The Suite Life on Deck, which led to many more roles for her. One of these was a starring role in the sort-of DCOM 16 Wishes (2010), playing Abby Jensen. After The Suite Life on Deck ended, Ryan continued to feature on Disney Channel by starring in the series Jessie (2011-15). During this time, she was also cast in the leading role of Tara Adams in the DCOM Radio Rebel (2012). Outside of Disney, Ryan’s most famous role is perhaps as Patty Bladell in the controversial Netflix series Insatiable (2018-19). More recently, she voiced the character of Krista in the animated series Velma (2023-24), a spin-off of the Scooby-Doo franchise, and is set to appear in the thriller film Famous, which will star Zac Efron.

Finally, we have Woody Fink, a classmate on the SS Tipton and also Cody’s cabinmate, introduced in The Suite Life on Deck. He’s the complete opposite of Cody, being messy and not very studious, so he gets on better with Zack. Woody is part of the gang of friends that feature Zack, Cody, London, and Bailey. Woody doesn’t have much to do in The Suite Life Movie, much like the other characters I mentioned, just standing next to Zack as he reveals Cody’s internship to Bailey and then standing next to Bailey as she complains about Cody, and then going to find Zack and Cody at the Gemini Project.

Woody Fink was played by Matthew Timmons, who stopped acting in 2013, once The Suite Life on Deck had ended and after making a guest appearance on Debby Ryan’s series Jessie. Timmons has since stated that he was typecast into playing “big characters” with “big personalities” because of his weight and that he had difficulties with his mental health at times because of this. Many of the gags that revolved around Woody on the show focused on his weight and physical appearance so I can see how that would affect your mental state, especially at a young age. Timmons has since come to a place where he feels more comfortable in himself and encourages others via his social media accounts[1].

MUSIC

There aren’t many songs in The Suite Life Movie at all, not even as background noise. There are only two recognisable songs, one for the opening sequence and another for the ending.

During the opening sequence, as Cody is preparing his dinner date for him and Bailey where he plans to tell her about his internship, the song “Uptown, Get Around” is played, performed by Stereo Skyline. I actually quite liked this song; it was just an upbeat pop song. Stereo Skyline was an American pop band, formed in 2006, who stopped making music around 2012, coming back in 2019 to release the single “Runaway’s”.

At the end of the movie, as the End Credits roll, the song “Such a Colorful World”, performed by Max & Simon, written by Mark Rosas, Blake Healy, and Kevin Bard, is used. It would appear that Kevin Bard, the lead vocalist of the band Stereo Skyline, co-created the music project Max & Simon. Again, it was an inoffensive, upbeat song that I didn’t mind. 

There is another song that is played briefly as Cody and Zack start their time on the high ropes course. This song was not something I was able to find. The lyrics that I could hear were talking about “turning up the music”, which doesn’t narrow it down much when you’re looking for these background songs in movies… It was not credited either.

The score of The Suite Life Movie was composed by John Van Tongeren, who had previously worked on the music for other DCOMs, including Twitches (2005) and Twitches Too (2007); Princess Protection Program (2009); and Den Brother (2010).

PRODUCTION

The Suite Life Movie could never have existed had it not been for two twins terrorising their mother with their antics in a fancy, upmarket hotel.

The first episode of The Suite Life of Zack & Cody aired on Disney Channel on 18th March 2005. This pilot introduced audiences to Zack and Cody, and their reasons for living in the Tipton Hotel in Boston. This is because their mother, Carey, was the hotel’s lounge singer. We were also introduced to other main characters, like London Tipton, the hotel heiress; Maddie, the hotel’s candy counter girl; Esteban, the hotel bellhop; Arwin, the hotel’s janitor; and of course, Mr. Moseby, the hotel manager.

Season 1 of The Suite Life of Zack & Cody ran from 18th March 2005 to 27th January 2006. A second season began almost immediately afterwards, on 3rd February 2006, running until 2nd June 2007. The third season of The Suite Life of Zack & Cody was their last, commencing on 23rd June 2007 and ending on 1st September 2008.

The Suite Life of Zack & Cody is still remembered today for specific moments from its episodes. Who can forget that episode from Season 3, “Lip Synchin’ in the Rain”, which saw Disney Channel mess with their own canon, by having Maddie, played by Ashley Tisdale, not get the part of Sharpay Evans in a school production of High School Musical, despite Ashley Tisdale playing the role in real life! Instead, London got the part and Maddie had to lip sync for her. There was also the episode, “Commercial Breaks”, from Season 1 which ended with an all-singing, all-dancing fictional commercial for the Tipton Hotel. And last but not least, London’s driving lesson where she taught us all about “the PRNDL”, something that even Camila Cabello referenced on The Kelly Clarkson Show. Brenda Song said she even had her driving examiner say to her to make sure she put the PRNDL in park at the end of her test[2]! There was also the crossover episode “That’s So Suite Life of Hannah Montana”.

The reviews for the show were great across all three seasons. The programme received accolades such as winning a Young Artist Award in 2007 for Best Family TV Series (Comedy). Back in 2006, Brenda Song won the Superstar of Tomorrow and Role Model awards at the Young Hollywood Awards for her role as London Tipton. Dylan Sprouse won a Kids’ Choice award for Favorite TV Actor in 2009 too. The Suite Life of Zack & Cody was nominated for a Primetime Emmy for Outstanding Children’s Program in 2007 and nominated for Favorite TV Show at the Kids’ Choice Awards in 2007, 2008, and 2009.

Technically, in terms of air date, the final episode of The Suite Life of Zack & Cody was “Mr. Tipton Comes to Visit”.  The storyline was that Mr. Tipton was coming to the hotel, seemingly to give a huge bonus to one lucky employee. This led to many flashback moments from the series as the team reminisced about the good moments they’d had working in the hotel. However, when Mr. Tipton arrives he is in a bad mood and plans to fire someone. It looks like Carey is going to be fired because of the twins, but instead, the boys bribe Muriel, the now-retired hotel maid, into coming back for Mr. Tipton’s visit. She refuses to clean up a broken vase and is promptly fired – but since she’s retired, it doesn’t matter!

But the actual final episode of the series is really “Let Us Entertain You”. In this episode, the boys and Carey go on the SS Tipton cruise ship for a “vacation”, although Zack and Cody have managed to get them on the ship only if Carey sings as part of the cruise entertainment. Carey refuses to sing, wanting a proper vacation, but when she discovers that her experience on the cruise will be seriously downgraded if she does not, she relents and says she will sing. However, Carey becomes seriously sun burnt after falling asleep in the sun and is now unable to sing. Zack and Cody go on for her instead.

The events from “Let Us Entertain You” set the scene for the spin-off series, The Suite Life on Deck, which premiered on Disney Channel on 26th September 2008, just a few weeks after The Suite Life of Zack & Cody officially ended. The pilot episode of this new series is “The Suite Life Sets Sail”. Here, Mr. Moseby is revealed to be the cruise ship manager, and London Tipton is coming on board to attend Seven Seas High School, to stop her from skipping classes like she did at regular high school. Zack and Cody are joining her, much to Moseby’s dismay, with Carey not staying on board to look after them. Other characters were introduced during the show, as Zack, Cody, London, and Mr. Moseby were the only main characters to return, such as fellow students of Seven Seas High: Bailey Pickett, Woody Fink, and Marcus Little.

Throughout the lifetime of the show, the characters got to travel all over the world, with one episode focusing on the Bermuda Triangle, and another seeing the group travel over the International Dateline. They also visited Greece, Sweden, Morocco, and Paris. There was also another Disney Channel crossover episode, called “Wizards on Deck with Hannah Montana”. Season 1 of The Suite Life of Deck ran from 26th September 2008 to 17th July 2009. Season 2 began on 7th August 2009, running until 18th June 2010. The third and final season ran from 2nd July 2010 to 6th May 2011. The Suite Life on Deck received generally favourable reviews, however, many viewers felt it was not quite as good as the original show. It received a nomination for Favorite TV Show at both the 2010 and 2011 Kids’ Choice Awards, with Dylan Sprouse picking up the award for Favorite TV Actor in 2010.

Danny Kallis and Jim Geoghan created both shows, with the concept for The Suite Life of Zack & Cody, of two boys living in a posh hotel, originating back in the mid-1980s, when Kallis and Geoghan were working as writers on the sitcom Silver Spoons (1982-87), about a wealthy man whose son, who he has never met before, moves in to his mansion[3].

The Suite Life Movie began production in September 2010, being referred to as the seventh Disney Channel series to get its own Disney Channel Original Movie – this number seems to include Phineas and Ferb: Across the 2nd Dimension, and Good Luck Charlie, It’s Christmas! despite both of these airing months after The Suite Life Movie in 2011. The most recent one prior to The Suite Life Movie to air on Disney Channel was Wizards of Waverly Place: The Movie (2009), which had done exceptionally well in terms of viewing figures, securing 11.4 million on its premiere, and ranking as 2009’s No. 1 scripted cable TV telecast.

The Suite Life Movie was directed by Sean McNamara. For Disney Channel, McNamara had previously directed some episodes of The Even Stevens (2000-03) and went on to direct The Even Stevens Movie (2003). McNamara also directed episodes of other Disney series such as That’s So Raven (2003-07) and Zeke and Luther (2009-12). The writers of The Suite Life Movie were Michael Saltzman, who worked on the story of the 2006 The Pink Panther Movie, and Robert Horn, who co-wrote the Broadway musical 13, and wrote the High School Musical spin-off movie Sharpay’s Fabulous Adventure (2011)[4].

The Suite Life Movie was filmed in British Columbia, Canada, with many of the locations being in Vancouver. The Vancouver Aquarium was used as the setting of the biology research facility where Cody, Zack, and Mr. Moseby visit Dr. Spaulding early on in the film. The setting of the Gemini Project was reportedly Camp Howdy in Vancouver[5]. Around this area, Dylan and Cole Sprouse were required to film some “stunts” which involved them on a high ropes course, tackling obstacles like nets and zip wires. Because at this point in the movie, Zack and Cody have not been a part of the research group for long, they are not moving in perfect unison on this course like the other sets of twins are, so this meant lots of slamming into nets and struggling on different parts of the course[6]. It all looked very fun to me. What appeared to be less fun was Dylan and Cole’s jump into a freezing cold lake at 9 o’clock at night, for the scene where they are trying to avoid capture by all the twins. The twins said they had wetsuits on and multiple layers of clothing which kept them warm, but it seemed some of the other actors – as the twins are surrounded by others in the lake – didn’t keep quite as warm and struggled with the cold[7].

The Suite Life Movie kept mentioning the fact that the boys and their friends would be graduating from Seven Seas High soon. This meant that one further episode was needed to wrap up The Suite Life on Deck, which is why the finale episode, “Graduation on Deck”, was the very last episode of the franchise to air on Disney Channel on 6th May 2011, just over a month after the movie had premiered.

In “Graduation on Deck”, the students of Seven Seas High learn that Mr. Tipton is going to dismantle the SS Tipton as they prepare for final exams and graduation. Cody discovers he was rejected from Yale, throwing his college plans into disarray, especially as girlfriend Bailey did get accepted. Zack and Cody’s mother and father both arrive for graduation, where Bailey says that Cody didn’t get into Yale and won’t leave his cabin. Zack is also upset that his girlfriend, Maya, is going off to Chad in Africa for a Peace Core assignment, so neither Zack nor Cody want to attend graduation. The boys then convince the other to go to the ceremony. During the speeches, construction workers begin dismantling parts of the deck. Mr. Moseby calls Mr. Tipton, ordering him to stop the destruction of the ship as he is destroying his daughter’s graduation. Soon, the SS Tipton docks and the students prepare to depart the ship. Mr. Moseby also proposes to the Seven Seas High teacher, Ms. Tutweiller, and she accepts. There are some tearful goodbyes as everyone goes their separate ways. Many felt this was a fitting ending for the show and the franchise as a whole, which is not exactly how they felt about the movie…

RECEPTION

The Suite Life Movie premiered on Disney Channel in the US on 25th March 2011.

The movie pulled in 5.2 million total viewers on its premiere, making it the top scripted programme of the day across all TV[8]. By the end of 2011, The Suite Life Movie’s viewership was beaten by three other DCOMs: Lemonade Mouth, with 5.7 million; Good Luck Charlie, It’s Christmas!; with 6.9 million; and Phineas and Ferb the Movie: Across the 2nd Dimension with 7.6 million, which was the top viewed DCOM of the year.

Reviews of The Suite Life Movie have been very mixed, with slightly more negative comments than positive. DCOMs generally receive quite mixed reviews, so this was not unusual, however, even fans of The Suite Life of Zack & Cody and The Suite Life on Deck were quite disappointed with The Suite Life Movie, especially as it followed on from a pretty good series. Many said The Suite Life Movie felt out of place, very unlike the series, and was mostly forgettable. Many also said The Suite Life Movie was not as good as the other science-fiction-based DCOM of 2011 Phineas and Ferb: Across the 2nd Dimension, which I would agree with. There were others as well who were annoyed that seemingly some of The Suite Life on Deck plot points had been forgotten or ignored in the film, like the fact Zack was in a relationship with a girl called Maya in the series but in the movie, Zack is chasing after Nellie. I just thought that was very much how Zack always was! There was also annoyance that London, Bailey, Woody, and Mr. Moseby didn’t have anything to do in The Suite Life Movie and should’ve had a better side plot written for them. This is something I have already said I agree with.

On the more positive side, some felt the movie was fun and entertaining, with a nice message about empathy and getting on with your siblings. Others enjoyed the “twist” ending too, with the reveal that Dr. Olsen was in fact Dr. Spaulding’s twin brother. I didn’t guess that until a few minutes before it happened, although I’m sure some might’ve guessed it much earlier on in the film, making the “twist” less exciting. It was also thought that The Suite Life Movie might as well be watched because it was quite a short movie, only around 80 minutes long, and if you’d watched both the previous series, you may as well have seen it to be a “completist”. The general consensus seemed to be that viewers either saw The Suite Life Movie as just average, or just bad. I’m afraid I’m in the latter group.

LEGACY

After The Suite Life on Deck had ended in May 2011, there would be no further projects for Zack and Cody on the Disney Channel. The actors were all moving on to new things.

Apparently, Dylan and Cole Sprouse had in fact pitched a fourth season of The Suite Life on Deck. This concept would’ve seen Zack and Cody return to Boston, where they would mentor a young boy living in the hotel, setting up this other character to have their own show. Disney passed on this idea, but later came back to the twins to pitch a similar idea. This time, the new show was going to be set in Miami with Selena Gomez reportedly attached to the project. The Sprouse twins were the ones to pass this time round.

There was also a spin-off that was meant to happen, surrounding hotel engineer Arwin, with Selena Gomez set to play his niece, but this never happened either. I’m going to assume this spin-off would’ve taken place after The Suite Life of Zack & Cody had finished airing or around that time, and not after the whole The Suite Life franchise had ended[9].

But there was one further screen production that did come to be after The Suite Life on Deck: The Suite Life of Karan & Kabir, an Indian adaptation of The Suite Life of Zack & Cody, which ran for two seasons on Disney Channel India. The first season ran from 8th April 2012 to 1st July 2012, with the second running from 27th January 2013 to 18th August 2013.

Now that Disney Channel has made successes of rebooting and reviving some of their old programmes, such as Raven’s Home (2017-23) and Wizards Beyond Waverly Place (2024-present), many have begun speculating about whether there will be a reboot of The Suite Life. Not to be the bearer of bad news, but recently, Dylan Sprouse confirmed his disinterest in being part of a The Suite Life revival, stating that this trend risks removing the nostalgia and magic of the original series, so it is best to just move on with your life and keep those memories untainted. I completely agree with Dylan Sprouse’s take on revivals, however, Dylan did also say you can “never say never”[10]. On the contrary, Brenda Song said that she would reprise her role as London Tipton if ever the opportunity did arise, since she loved playing the character[11]. Regardless of whether a reboot does or does not happen, the actors seem to keep in touch with each other, which is always good to see.

Outside of any screen adaptations, there was one other thing from The Suite Life on Deck which was remembered over ten years later. This was a moment in the Season 1 episode “When In Rome” where Zack and Cody are trying to get a reservation at a fancy Italian restaurant. They are told they can have a reservation – for 16th November 2023. So, on that date, there were many references to this moment online. Disney Parks even released a short video to their social media where a waitress tells Zack and Cody their table is ready – but obviously they do not show up. This video seems to have been recorded at Mama Melrose’s Ristorante Italiano at Disney’s Hollywood Studios in Walt Disney World.

Also at the Disney Parks, but this time at Disneyland, there was a small photo op at Disneyland After Dark: Disney Channel Nite in March 2024 featuring a backdrop of one of the corridors of the Tipton Hotel with a luggage trolley that guests could hang on to for a picture. There was also a The Suite Life of Zack & Cody Disney pin being sold a while ago.

FINAL THOUGHTS

The Suite Life Movie may not have been my cup of tea, but I can’t really say I’ve ever been a die-hard fan of the series, and I certainly was not a big fan of The Suite Life on Deck, so my criticism of the movie might seem a bit harsh, especially if you were a longtime childhood fan of the series and remember the DCOM fondly. But there were also many fans of the show who were disappointed in The Suite Life Movie for multiple reasons. For me, it was the strange sci-fi plot. It was just too random and not very “Suite Life”.

Despite the message about getting on with your siblings and having empathy for others, even if you are very different people, I didn’t come away from The Suite Life Movie thinking about it much. The concept of someone trying to merge people together and then control them forever, under the guise of creating world peace, was too disturbing that it took away from the overall message.

Some reviews said this movie was forgettable. Unfortunately, I don’t think I’ll ever be able to forget it, no matter how hard I try…


REFERENCES

[1] Credit: Kayleigh Banks, ‘Woody Fink From The Suite Life On Deck Explained’, ScreenRant.com, 11th June 2023.

[2] Credit: The Kelly Clarkson Show, ‘Brenda Song Reacts To Camila Cabello ‘PRNDL’ Story’, The Kelly Clarkson Show YouTube Channel, 3rd March 2025.

[3] Credit: Tierney Bricker, ’15 Secrets About The Suite Life of Zack and Cody, Including the “Worst” Kiss With Zac Efron’, EOnline.com, 18th March 2020.

[4] Credit: Author Unknown, ‘Production to Begin on “The Suite Life Movie” for Disney Channel’, TheFutonCritic.com, 20th September 2010.

[5] Credit: TigerBeat TV, ‘EXCLUSIVE: We’re on The Suite Life Movie Set!’, TigerBeat TV YouTube Channel, 18th February 2011.

[6] Credit: Disney Channel, ‘DCOM Extra: The Zip Line – The Suite Life Movie – Disney Channel Official’, Disney Channel YouTube Channel, 11th March 2011.

[7] Credit: Popstar!, ‘DYLAN SPROUSE On Filming the Water Scene in “The Suite Life on Deck” Movie!’, Popstar! YouTube Channel, 22nd December 2010.

[8] Credit: Scott Collins, ‘‘The Suite Life Movie’ on Disney was Friday’s most-watched scripted TV show’, LATimes.com, 28th March 2011.

[9] Credit: Tierney Bricker, ’15 Secrets About The Suite Life of Zack and Cody, Including the “Worst” Kiss With Zac Efron’, EOnline.com, 18th March 2020.

[10] Credit: Kristen Maldonado, ‘This Is Why Dylan Sprouse Is Not Interested In A Suite Life Reboot’, Kristen Maldonado YouTube Channel, 12th February 2024.

[11] Credit: Liz Foster, ‘The Suite Life Of Zack & Cody Revival Addressed By London Tipton Actor: “She’s My Literal Dream Character”’, ScreenRant.com, 28th February 2025.

#22 Onward (2020)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. PRODUCTION
  5. MUSIC
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

By the beginning of 2020, Disney were riding high on the commercial success of Frozen II, which had been released to theatres in November 2019, in time for the holiday season.

Meanwhile, Pixar were gearing up for their first movie release of the year. Onward was going to be Pixar’s first-ever March release. But there wasn’t too much concern. After all, there doesn’t tend to be too much competition in the cinemas in March, and Disney had been very successful with their most recent March release Zootopia in 2016.

What could possibly go wrong?

Well, we all know what happened in March 2020. As the world watched the ongoing situation with concern, some of us were determined to go about our normal lives while we could, whilst others were being more cautious, so a trip to their local movie theatre probably wasn’t part of their plans. This would’ve been a concern to Pixar.

I did watch Onward in the cinema with my family prior to the UK lockdown. It was one of the last things any of us did before everything descended into chaos, and we will always remember Onward for that reason. Although Onward was not met with critical acclaim, despite Pixar’s current standing as one of the top animation studios, I did like Onward, as did my family. It was a personal connection to the emotional story that touched me.

Sadly, it didn’t even matter that we and some others turned out to the movie theatres to watch Onward because three weeks after its release, much of the world was living with restrictions, and one of those was to close non-essential businesses, including movie theatres. Pixar’s hopes of financial success for Onward were shattered. 

It might be slightly inaccurate to blame COVID-19 for the downfall of Onward because it was claimed that box-office takings weren’t hugely different compared to what was expected at that point in the year. Onward did not get amazing reviews so perhaps that was the issue. It was quite a different type of story from the studio and the movie’s trailer didn’t help audiences understand what it was about.

For whatever reason, Onward remains as one of Pixar’s “flops”. Not necessarily through any fault of its own, but that is what it is remembered for, if it’s even remembered at all. If you weren’t aware of Onward before the lockdown, you probably wouldn’t have been interested in watching it afterwards. Unlucky timing had destroyed yet another movie.

PLOT

Onward begins with a narrator telling the audience that long ago, this world was full of wonder, adventure, excitement – and magic. Because it was difficult to master, magic faded away from the land, as new discoveries, such as electricity, made life easier.

In present day, we see that this area has become a suburban world very similar to our own but with the presence of fantasy creatures, like unicorns, centaurs, dragons, and elves. And it is an elf’s sixteenth birthday that begins this story. This elf is called Ian. He is socially awkward, struggling to make friends at school, and is quiet and shy. His older brother, Barley, on the other hand, is loud, brash, and overly confident. Barley is also obsessed with a role-playing board game, kind of like Dungeons & Dragons, called Quests of Yore, which references the magic that used to exist in this town, New Mushroomton.

On his birthday, Ian has plans for the day, like finally inviting that group of kids from his class to come to his house for a party, and being able to overcome his fear of driving during a driver’s ed class. But that doesn’t exactly work out…Plus, Barley comes to pick him up from school in his unicorn-emblazoned van called Guinevere, wanting to perform a special birthday ritual, which just embarrasses Ian further and he rushes back home.

At home, Ian listens to an old tape of his dad talking. Barley and Ian’s father is no longer with them, having passed away when Barley was just three years old and before Ian was even born. Ian and Barley’s mother gives them a gift from their father, which was to be handed to them when both of them had turned sixteen. They open it to find a wizard staff. Barley is ecstatic to find that their father dabbled in magic and wizardry, reading the gift’s accompanying letter which has a spell written on it; a visitation spell that will allow the boys to have 24 hours with their dad. Barley locates the phoenix gem in the package that is necessary to assist the spell and begins to recite the spell… Nothing happens. Barley tries again, and again, and again. Still, nothing happens. Disappointed, Ian wants to be left alone, all his hopes of finally meeting his dad and making his birthday worthwhile crushed.

Ian then starts to recite the spell alone in his room. To his surprise, it works and the staff begins to slowly reveal their father to him. Barley comes in to the room and sees Ian struggling with the power of the magic. Trying to help, he rushes towards the staff, only for the phoenix gem to shatter. Barley and Ian don’t see their dad in the room, however, a pair of legs in trousers make their way out of Ian’s wardrobe. They only managed to make half of their dad appear, so he can’t see or hear them. Barley says they should just find another phoenix gem and do the spell again since Ian has the gift of magic. Ian needs some convincing but wanting to see his dad – all of him – he agrees to go along with Barley’s seemingly crazy plan. Using Quests of Yore as a reference, Barley takes them to the Manticore’s Tavern to begin their quest.

At the Manticore’s Tavern, they discover that it is just a medieval-themed restaurant now, run by the overworked, stressed-out manticore Corey. Barley and Ian ask for the map to the phoenix gem. They are promptly passed one of the kids’ menus, but Barley wants the real map, seeing that it is still on the wall of the tavern. With all this talk of magic and quests, Corey is sad about what she has become, seeing her own quote on the wall about having to take risks in life to have an adventure, and starts to go wild, ripping the head off her restaurant’s walkaround mascot, kicking all of her customers out, and setting fire to the place. The map catches on fire, and Barley and Ian rush away from the chaos, with Ian managing to use a levitation spell to save their father’s legs from perishing in the fire, this spell needing your “heart’s fire” in order to be successful.

Outside, back at the van, Ian thinks their quest is all over without the map, but Barley has picked up one of the kids’ menus, where someone has finished the puzzle on it, which states they need to go to Raven’s Point to find the gem. Ian wants to take the expressway there, as he wants more time with their dad, but Barley says they should take the Path of Peril so it is like a real quest. Ian wins on this one and they get on the expressway.

Meanwhile, Ian and Barley’s mother, Laurel, has found they are not at home, and goes out to try and find them. She gets to the Manticore’s Tavern and speaks to Corey. Corey calms their mother down, saying she sent them on a quest – but then she realises she forgot to tell them about the curse! Laurel says they have to get to them quickly, but the police want to speak to Corey about how the fire started. Laurel manages to lie to the police and gets Corey into her car so they can follow the boys.

Back with Ian and Barley, the van has run out of gas, so they pull off the road to fill up, but Barley only has a few drops of fuel left in his jerrycan. Barley gets an idea, that Ian should do a spell to increase the size of the petrol can so the few drops in it will become bigger. Barley gets Ian into the right stance to do the spell and says he has to focus. As Ian tries to do the spell though, he becomes distracted by all Barley’s comments and the can doesn’t increase in size. Instead, Barley ends up shrinking… Fed up with this delay, Ian takes Barley and their dad to the nearest gas station to get more fuel. At the gas station, a motorbike gang of sprites have arrived. Ian tries to ignore them so they can just pay for the fuel and get out of there without any trouble. But Barley, still sprite-sized, decides he has to tell the sprites that they can actually fly so don’t need bikes. The sprite leader accuses Barley of calling them “lazy” and a chase ensues. Because of Barley’s tiny stature, Ian has to drive the van. Ian is anxious but he knows they have no choice as the sprites attack them. At one point, the sprites get inside, but using Barley’s van’s incredibly powerful air con unit, the sprites are blown away. Ian then crosses three lanes of traffic and gets to the exit. The sprites almost crash their bikes, but instead of crashing, they discover they really can fly!

Corey and Laurel are on their way to a pawn shop to retrieve Corey’s enchanted sword, the Curse Crusher, since that is the only way the boys will be able to defeat the curse. The curse will take the form of a dragon to fight them after they touch the phoenix gem. At the pawn shop, Laurel is about to pay for the sword when Corey starts explaining about how rare and powerful it is. The shop owner then raises the price so Laurel can no longer afford it. Corey decides instead of wasting their time negotiating the price, she’ll just sting the owner, paralysing them, so they can get out of there. Laurel throws some money on the desk and apologies, as Corey takes the sword and rushes back to the car.

Meanwhile, Barley and Ian have been pulled over by the police. Their father, with a top-half fashioned out of clothing by Ian, comes out of the van, immediately raising suspicions. Barley, who has returned to normal size, wants Ian to use a disguising spell, but to keep it working, Ian cannot lie. The spell is enacted and they become Officer Colt Bronco, who happens to be their mother’s boyfriend. Ian, pretending to be Officer Bronco, manages to get them out of trouble by saying he was on a driving lesson with Ian. However, as the officers are about to let them go, one of them calls Barley “a screw up” and when Ian tries to say that isn’t true, he is shown to be lying as part of the disguise slips.

They drive away again. Barley pulls over suddenly, upset. The two argue, with Ian trying to make things right again for what was said, but they are distracted by their dad who has started dancing to music that is playing on the van’s radio. They discover their dad was a really terrible dancer! After that brief interlude, Ian asks Barley where he thinks they should go next. Barley wants to go on the Path of Peril so they do. Unbeknownst to the boys, the officers from earlier contacted Officer Bronco as he seemed to be acting weird. Bronco knows it must be something with the boys so he drives around looking for them. He then sees a bumper sticker from the van at the entrance to the Path of Peril and follows it.

In the morning, Ian and Barley find themselves stuck as they come to a bottomless pit with a drawbridge that can only be lowered on the other side. You know what that means; time for another spell! Barley tells Ian to use a spell to make an invisible bridge, but the catch with this one is that he has to trust the bridge is there or the spell won’t work. Ian isn’t sure about this, so insists a rope is tied around his waist. Sure enough, when Ian tries to use the spell, he falls into the pit. Thanks to the rope, Barley pulls him back up. He warns Ian he needs to trust himself but the rope is a good safety measure. Ian tries again – and it works. He makes his way over the canyon, however, midway through, Barley sees that the rope has slipped off Ian. He tries to hurry Ian over the gap without alarming him, but one step from the end, Ian notices there is no rope and panics. He falls, but luckily, he grabs on to the side of the cliff and pulls himself up. Ian then lowers the bridge. Phew, that was a close one.

On the other side of the bridge, Barley notices a raven statue. He wonders if “raven’s point” actually means they need to follow where this raven is pointing. Before they can go on though, Officer Bronco shows up and tells them they need to get home. Ian pretends to follow his orders, but swiftly drives away, so the police pursue them. At the end of the road, they find themselves trapped. Barley tells Ian to use arcane lightning to block the road with rocks. Ian tries but is too flustered to make it work. Barley puts a rock on the accelerator of his van and launches it at the rocks instead, with Guinevere’s sacrifice saving them from being forced to go home as the police cars are stopped in their tracks.

Ian and Barley continue with their dad following various raven statues. Eventually, they get to a raven that is pointing down. Barley believes they have to go underground, but Ian spots a piece of rock with an engraving on it. Barley says that means they have to get to the end of the water. They don’t have much time, so hurry towards a cave with a long river flowing through it. Ian wants to speed this up, so he enlarges a cheese puff which the three ride down the river. Barley then confesses to Ian that instead of having three memories of their father, he actually has four, but the fourth is of Barley attempting to say goodbye to his father in hospital, but being too scared of all the tubes and wires that he never managed to go into the room. From that point on, Barley vowed to never be scared again.

At the end of the water, Barley tells Ian there will likely be traps here. Sure enough, one shows up – a gelatinous cube, something Barley has been talking about on this whole quest! Ian uses spells to get them away from it, but they fall into a cave that is filling with water. The only way to get out is to keep pressing a rock on the cave floor so the opening at the top will appear, but no-one can hold their breath underwater for that long… Except they have half a dad who they can use! Ian leads their father onto the rock with the cable they’ve attached him to and the opening appears. All three get out – and find themselves at Ian’s school, with no sign of a gem anywhere. Ian is distraught, believing it must’ve been at Raven’s Point in the mountains like he first thought, not where Barley said. Ian walks away with their dad to salvage what is left of the day. Feeling guilty, Barley searches around the fountain they appeared from, not wanting to be a screw up like everyone thinks he is.

Ian sits with his father, looking at a checklist of plans he hasn’t achieved. Ian then realises that actually, he did do all of these things, but with Barley who has always been there for him. Ian rushes back to be with Barley, and they find the phoenix gem in the fountain. As they touch it, red smoke pours out of the fountain and a dragon is constructed from pieces of rock and cement from the school building. Corey and Laurel soon arrive, with Laurel riding on Corey’s back, using her wings for the first time in ages, after Laurel’s car is totalled having crashed into a sprite. They try to defeat the dragon, telling Ian and Barley to go and finish the spell. Laurel manages to pierce the “heart” of the dragon with the Curse Crusher, but it is too powerful and isn’t fully defeated; the sword comes out and the dragon begins to pursue Ian and Barley again. Barley and Ian’s dad has not fully regained his form, so Barley says he’ll go and defeat the dragon so Ian can finally meet their dad. Ian says he’ll distract the dragon since he never knew their dad and he’s always had Barley. Barley should be allowed the chance to finally say goodbye to him.

Using magic, Ian sets about destroying the dragon. Although the wizard staff shatters at one point, Ian manages to use a splinter of it to recraft a new one. Laurel then throws the Curse Crusher at Ian who uses it to fully destroy the dragon. It crumbles into rubble with Ian at the centre of it. He finds a gap in the rubble to see their dad. Ian can only see the back of him, and can’t get out of the rubble in time. At sunset, their father disappears forever. Barley tells Ian that their dad is very proud of the people they have become. Ian says he is who he is because of Barley. Barley then gives Ian a hug from their dad.

Sometime later, Ian says that magic has returned in small ways to their town, as sprites can now fly, and Officer Bronco, a centaur, has learnt to run again. Ian even has some new friends now, and to make up for Guinevere, Ian gets Barley a new van and paints another unicorn on to it. The two head off on their next adventure together.

CHARACTERS & CAST

The story of Onward really focuses on four main characters. The first of which is Ian Lightfoot, the sixteen-year-old elf. At the beginning of the movie, Ian is quiet, shy, nervous, and awkward. He doesn’t have many friends and he struggles to speak up for himself at school, leading him to be mostly ignored or forgotten by his classmates. Amongst all of the usual teenage troubles, Ian is also very aware on his birthday that his father isn’t there, and that Ian has no memories of him because he died before Ian was born. This makes Ian wonder who he is supposed to be and whether he is anything like his father at all. Although Ian speaks to one of his dad’s old college friends, and has a checklist of actions to be more like him, it doesn’t work out and it’s not until Ian learns he has the gift of magic, when trying to resurrect his father, that Ian figures out who he is meant to be. Magic makes him special and the quest, as well as mastering the spells, shows Ian all the ways that he has become a great person, someone to be proud of, someone his dad is proud of.

Ian was voiced by Tom Holland, best known for being the current Peter Parker and Spider-Man. Holland first made his appearance as Spider-Man in Captain America: Civil War (2016), but his first Spider-Man movie was Spider-Man: Homecoming (2017). Holland appeared as the character in other Marvel movies including Avengers: Infinity War (2018) and Endgame (2019). Holland has won awards for his performance as Spider-Man, including Saturn Awards for Best Performance by a Younger Actor from 2017 to 2019, and Kids’ Choice Awards in 2020 and 2022. Outside of Marvel, he starred as the title character in the movie Cherry (2021) and is set to star in The Odyssey, a 2026 film to be directed by Christoper Nolan. Holland also recently performed the part of Romeo in Romeo & Juliet on the West End in Summer 2024, with the show reportedly heading to Broadway.

Despite Ian growing up without a father, he has always had his older brother, Barley, by his side. Barley is the complete opposite of Ian, being loud, brash, and overly confident. But he is proud of his little brother and wants him to succeed. For example, Barley’s entire life seems to revolve around the board game Quests of Yore, which is all about magic, so when it is discovered that Ian can do magic, you might expect Barley to be jealous that Ian has the gift and Barley does not, but in actual fact, Barley uses all of his knowledge of magic to help Ian learn how to master his new gift. Barley might barrel into situations without thinking and might be too spontaneous, but he always means well.

Chris Pratt voiced Barley. He used to be known for his comedic roles, such as his casting as Andy Dwyer in the sitcom Parks and Recreation (2009-15), which also starred Amy Poehler. He then went on to be cast as Peter Quill / Star-Lord in Guardians of the Galaxy (2014) and its 2017 and 2023 sequels. Much like Tom Holland, Pratt has reprised his Marvel characters in other Marvel movies, such as Avengers: Infinity War and Endgame. Pratt is also known for his role as Owen Grady in the Jurassic World trilogy alongside Bryce Dallas Howard. He is no stranger to voice acting either, having voiced the character Emmet Brickowski in The LEGO Movie (2014) and its 2019 sequel, as well as voicing Mario in The Super Mario Bros. Movie (2023). When Pratt was cast as Barley in Onward, he excitedly called Tom Holland to say they were going to be Pixar brothers as well as Marvel brothers. It also seems that they got to record some of their lines in the same room as each other, which isn’t overly common in animated movie production[1].

Outside of the escapades of the two brothers, we also get to see their mother, Laurel, go on her own quest – to find them. Laurel is a loving mother, clearly having some misplaced guilt that her children didn’t get to grow up knowing their father, and being especially sad that Ian never got to meet his dad at all. However, Laurel is also tough; she knows how to handle her boisterous son, Barley, and she isn’t scared to fight a stone dragon for instance. Laurel actively gets involved in the quest to protect her sons from the curse that awaits them should they find the phoenix gem, but, despite the danger, she doesn’t want to stop them searching for it. Laurel is eager for her sons to reunite with their father; she wants to protect them from the curse and ensure they get to spend some precious time with their dad.

Laurel was voiced by Julia Louis-Dreyfus, who previously voiced the character of Princess Atta for another Pixar movie: A Bug’s Life (1998). Louis-Dreyfus is known for her more comedic roles, being cast as Elaine Benes in the sitcom Seinfeld (1989-1998), and, from 1982 to 1985, being a cast member on Saturday Night Live (1975-present). In recent years, she was cast in the lead role of Selina Meyer in the hit political comedy series Veep (2012-19), winning numerous Emmys and SAG awards for the performance. She has also had her own experience with Marvel like her on-screen sons, being cast as Valentina Allegra de Fontaine in the Marvel Cinematic Universe, including in the movie Black Panther: Wakanda Forever (2022).

Helping Laurel find her sons is Corey the Manticore. Corey initially is shown to be an overworked, stressed-out manager, having turned her fabled tavern into a restaurant. After Ian and Barley show up looking for the map to the phoenix gem, and for some help with their quest, Corey realises she has become tame and boring. With all that pent-up anger inside her, Corey sets fire to her tavern and in the chaos, the boys flee, not allowing Corey time to tell them about the curse. Luckily, Laurel shows up looking for them and Corey tells them everything she knows about the curse. They go and get Corey’s sword, the Curse Crusher, this being the only way to defeat the curse, and then work together to defeat the dragon. They don’t end up being the ones to vanquish the dragon – that was Ian – but they showed that they are brave, strong women anyway.

Corey was voiced by Octavia Spencer, who voiced the character of Mrs. Otterton, the wife of the missing Emmitt Otterton, in Disney’s Zootopia (2016) prior to her casting in Onward. In live-action movies, Spencer won the Oscar for Best Supporting Actress, and the BAFTA, for her role as Minny Jackson in The Help (2011), and was later cast as Johanna Reyes in the last two Divergent series movies, Insurgent (2015) and Allegiant (2016). Spencer was also cast in other notable movies, such as The Shape of Water (2017), where she played Zelda, and Hidden Figures (2016), playing Dorothy Vaughan. More recently, Spencer played Poppy Parnell in the AppleTV+ series Truth Be Told (2019-23).

A couple of other characters to mention are Officer Colt Bronco, a police officer as well as Laurel’s boyfriend, and Wilden Lightfoot, Laurel’s husband and Barley and Ian’s father. Ian and Barley have gotten used to Officer Bronco being their unofficial stepfather, however, they do still find it a bit weird, especially as Officer Bronco is frequently being hounded about Barley’s constant protests, protesting against the demolition of the town’s magical artefacts and locations. Bronco is also searching for the boys at the same time as Laurel, and he does track them down on the Path of Peril, but instead of being understanding about the boys’ wish to complete the spell to see their father, Bronco orders them to come home straight away. The boys defy him, but Bronco doesn’t seem to be too bothered about it by the end of the movie. They are a more cohesive “family” by then, with Bronco even learning to run like centaurs used to, as Barley told him they did. Bronco was voiced by Mel Rodriguez, who was cast as Todd Rodriguez in the FOX series The Last Man on Earth (2015-18) before appearing as Hugo Ramirez in CSI: Vegas (2021-24).

Wilden Lightfoot mostly only appears in the movie as two legs, meaning that he cannot see or hear his sons. They try to communicate with foot tapping, either Wilden tapping the floor, or Barley and Ian tapping his shoes, but it can’t have been what Wilden was expecting when he gifted the boys the Visitation Spell. He spends much of his time being attached to Ian with some sort of cable, being dragged along on this quest. To animate this, the Pixar team used live-action reference material, dressing someone up in a green screen suit so that only their legs were showing, so that they could figure out how to make half a body communicate and feel like a whole person. Ian tries to fashion a “top half” for Wilden’s legs, but it’s not the same for any of them. Wilden wants to see his sons, and to meet Ian, just as much as the boys do – it must also be quite disconcerting not having a head – so he wants the spell to be re-enacted. When it is, though, because of the curse, Wilden only gets to see his son Barley. It’s a touching few moments for the two, as the sun is about to set, with Barley getting to hug and say goodbye to his father, something he never managed to do when his father was dying in hospital. Barley passes on the information to Ian, but it’s a bittersweet moment, for all three of them. But they do get a laugh out of the fact Wilden’s “wizard name” was Wilden the Whimsical. Ian and Barley’s love of magic made them feel close to him even though he is not with them.

Wilden doesn’t really have many lines in Onward, despite being a very present character. He does narrate the opening lines of the movie, which are paraphrased by Ian at the end of Onward, and there is the conversation that Ian listens to on tape, just to hear his dad’s voice. These few lines were spoken by Kyle Bornheimer. Bornheimer has had roles in movies such as Ted, a lawyer in Marriage Story (2017); Andrew, Lyla’s husband in The Big Wedding (2013); and Joe in Bachelorette (2012). On television, he was recently cast as Doug in the science-fiction comedy series Avenue 5 (2020-22), and appeared in the recurring role of Sergeant Teddy Wells in Brooklyn Nine-Nine (2013-21). 

Finally, it’s always worth spotting the John Ratzenberger cameo in Pixar movies. In Onward, he voiced Fennwick, a construction worker. Ratzenberger had voiced a character in every Pixar movie up until Onward, but would not return as a voice cameo for the studio again until the release of Inside Out 2 (2024).

PRODUCTION

Although Onward was not completed until 2020, the movie had been in development since 2013, when Dan Scanlon, fresh from his Pixar directorial debut on Monsters University (2013) teamed up with two others from that movie, Kelsey Mann and Kori Rae, to begin work on a new story.

Dan Scanlon had previously worked as a storyboard artist for Disney on the direct-to-video sequels, The Little Mermaid II: Return to the Sea (2000) and 101 Dalmatians II: Patch’s London Adventure (2003) before joining Pixar in 2001, working on features such as Cars (2006) and Toy Story 3 (2013) as a story artist prior to Monsters University. Kelsey Mann joined Pixar in 2009, working as a story supervisor on Monsters University before moving on to work on the story for The Good Dinosaur (2015), alongside his story work for Onward. He also directed Inside Out 2 (2024). Kori Rae was a producer on Monsters University, having worked as a producer on other Pixar movies previously, such as Monsters, Inc. (2001) and The Incredibles (2004).

Scanlon already had an idea of a personal story he wanted to tell and discussed it further with Rae and Mann. This idea was based on the fact Scanlon’s father had died when he was just one-year-old and his brother was three. Neither of them really reminded their father, however, when Scanlon was 16, he was given a cassette of his father speaking just two words, “hi” and “bye”. It wasn’t much information to be given about what his father was like, but Scanlon and his brother could sense that he was a bit shy and awkward, kind of like them. With this personal experience, Scanlon wanted to tell a story about needing to know your parent to know yourself, to figure out how you are like them or not. But instead of this movie being made in honour of his father, Scanlon felt it was more about honouring his older brother, because he had been there for him his whole life. Scanlon actually didn’t tell his brother about the movie he was developing, wanting it to be a sort of surprise[2].

From this initial point, the story team of three began to ask questions about this experience to pull out more pieces of information that could be used to make a complete story. They eventually came to the idea what if you had one more day with that person; what would you do, what would you say? And that is how the resurrection of Ian and Barley’s father came to be the primary focus of the story, with the return of their father making Ian question many aspects of himself, and how he might be more like his dad[3].

They had the main plot and point of the story, now they had to create the world Onward would be set within. Because of the fact they needed to be able to have Ian and Barley meet their father after his death, it was quickly known that magic would have to be an integral part of the movie, otherwise, how else would they be able to see him again? Pixar are used to making interesting locations for their movies, so Onward was no exception, but in this case, they delved into the world of fantasy story-telling for their setting.

Onward is set in the fantasy town of New Mushroomton, however, this movie isn’t like a Tolkien story, because it is actually a contemporary setting, just with magical elements. New Mushroomton feels like any normal town, with houses, a police department, restaurants, burger bars; it just so happens to be populated by fantasy characters. This modern setting was useful to keep non-fantasy fans on board as they can find similarities within the town in Onward and their own town. It was also a necessary aspect of the story because if everyone in the town still had and used magic, then Ian and Barley’s quest wouldn’t be difficult. Instead, they have to discover the old magical elements and locations of the area and find their own way to the phoenix gem. The Pixar team used a ratio of 70:30 familiar to fantasy in all aspects of their creative process to maintain this balance. As research for this new location, the filmmakers surveyed neighbourhoods around Los Angeles, such as Los Feliz and Frogtown, to look at the most interesting things around there – parking lots and power lines! New Mushroomton had to feel relatable and real[4].

The citizens of New Mushroomton take many forms, for example, Ian and Barley are elves, but many of the police officers, like Officer Bronco, their almost-stepfather, are centaurs. We also spend time with Corey the Manticore, a legendary creature that is a mixture of a lion and a scorpion with wings. The difficulty didn’t come in designing these characters; there are many depictions of fantasy creatures easily viewable. The challenge came in making them fit into this modern world. There were questions over how to design the centaurs. They have human top halves, but their bottom half resembles a horse – does that mean they can only wear a shirt and no pants, or should pants be put on them?  In the end, Officer Bronco did not wear pants, and has a belt to separate his two different body types. Another character design decision made for Officer Bronco was to give him a horsey laugh. Corey the Manticore is initially seen wearing a tight shirt and waistcoat, with her paws being squeezed into heels, and her hair neatly tied back. This outfit choice was made to show that she is being restricted in her mundane life working in the restaurant. When she learns to be wild again, her shirt is shredded, to leave her with a vest-like top, her heels are gone, and her hair is wild and messy to match her new personality. The Pixar team saw her as a big, buff lady, kind of like a retired wrestler that cannot be tamed, no matter how hard she tries! Then there are the sprites who are normally depicted as tiny, pretty fairies. In the case of Onward, these sprites have been turned into scary, tough bikers, complete with leathers, mohawks, and piercings. It wouldn’t have made sense in this contemporary world for the sprites to have been flying around, sprinkling fairy dust on people, and the sprites end up being the complete opposite to how we’d expect them to be!

To fully form the mystical quest that Ian and Barley would go on, Pixar looked to their own staff, specifically those that were fans of fantasy stories, movies, and games, a group they called “The Fellowship”. This group were responsible for creating the rules of magic in Onward. Magic in Onward is used to show personal growth for Ian. He has to work hard at the magic to become his best self, so the magic couldn’t just be point, say some words, and something happens; there had to be something specific Ian had to do to help him in his mastery of the craft. The group were tasked with coming up with names for the spells, and to figure out tasks that had to be done to get the spells to work successfully. “Heart’s Fire” was one of the first things Ian had to work on, and that means showing passion and conviction. Another key task was about trust, which features in the bridge scene, where Ian has to believe that the bridge will appear or it won’t. The filmmakers got to experience this scene for themselves via a VR session. All of them said it was a terrifying experience even through a screen. By the end of the movie, Ian has mastered enough spells and dug deep within himself that magic has started to come back to New Mushroomton, because no doubt their battle with that dragon has gone down in local history[5]!

This scene, named “Dragon High”, was a particularly complex scene to animate, as it was the big climatic moment of the movie, the final part of Ian and Barley’s dangerous quest, plus, it involved so many different animation departments. It became a regular occurrence to get all the departments together to constantly review this scene so that it was a collaborative experience. The assembling of the dragon was reworked as different sized chunks of cement were jammed together to make this beast, with the dragon mascot of the school being used as the dragon’s face to give a moment of humour in amongst all that fear and peril. The team used VR once again so that they could stand next to the dragon and feel the size and scale of it[6].

Although the ending of Onward had been decided at a fairly early stage of the movie’s development, and the story was always going to feel like a quest, some story elements did not make it to the final cut of the movie. Some of these story edits included having Ian be a lover of magic from a very young age, with Barley supporting him in his attempts to use spells by helping him train. It was later decided that it would create more tension if Ian was the one to have the gift for magic despite not being bothered by it and have Barley know all the facts about it. There was also a fan-favourite character within the studio, Guinevere, also known as Jenny, who was cut, with elements of her personality being put into the character of Barley. Jenny was a teenage satyr who worked at the Manticore’s Tavern. She was set to go on the quest with Ian and Barley, after saving them and the map from the fire at the tavern. Jenny had asked for a job at the tavern hoping the Manticore would help her be a real warrior, but it never happened, so meeting Ian and Barley was her chance to fulfil her dream. She also had a car, which Ian and Barley did not have at this point. Jenny’s car was called Guinevere and must’ve been the inspiration for Barley’s van[7].

Speaking of the van, a lawsuit was filed shortly before Onward was released to the public by an artist named Sweet Cecily Danihar. She sued Disney and Pixar, accusing them of creating an animated double of her own adorned van without permission. She had hired out her van, complete with a unicorn on the side of it, to Pixar for a one-day special event in September 2018. In May 2019, Daniher discovered that Pixar’s new movie had a van just like hers in it. She claims that the producer of Onward apologised to her a few days later, admitting that they had used her van as inspiration for the movie without her consent. Daniher was suing for copyright infringement. The lawsuit was later dismissed[8].

By December 2018, the basic plot of Onward was revealed along with the cast list. Its release date of 6th March 2020 was also confirmed. Further details of the movie were revealed at the 2019 D23 Expo in August 2019, with clips of the movie being shown to the audience and the cast of the movie speaking about their experience working on the film.

By 2020, Onward was finally ready to be revealed to the public. Scanlon was pleased with the result and felt that the movie-making process had been therapeutic, and not even just to him. During the process, others on the team were also telling their own stories of similar experiences which were added into the movie. The title of the movie Onward references the overall message about moving forward in a positive way. It also hints to the fact that life is always a journey and you have to keep going even when obstacles arise. It’s also a nod to the fact that Barley’s van is not set to “D” for “drive”, but “O” for “Onward”!

Despite the heavy subject matter of Onward, it wouldn’t be a Pixar movie without their usual Easter eggs. Their Pizza Planet truck can be seen at the time that the boys pay to go through a toll bridge, however, the name of the restaurant in Onward is actually Pizza Realm to match the tone of the movie. A113, referencing the classroom of CalArts where many of Pixar’s original artists studied animation, is used as a police code here. There are even references to the Marvel Cinematic Universe, with Barley’s jacket having a patch of the infinity gauntlet on it, and there is a sticker of Thanos’ gauntlet inside his van. Also, in the gas station that they go to, you’ll see Triple Dent gum, the gum with the catchy jingle from Inside Out (2015) on the shelves. Pixar also like to reference their upcoming movies in their films, so Soul (2020), the next Pixar movie to be released, can be seen in a small way, with a Dorothea Williams album sitting on a shelf in Ian and Barley’s home.

MUSIC

Since Onward is about two brothers, doesn’t it make so much sense to have two brothers write the score for the movie?

These two brothers are Jeff and Mychael Danna. They had previously worked for Pixar to compose the score of The Good Dinosaur (2015), and had composed the music for the animated The Addams Family (2019) and its 2021 sequel. Mychael Danna also won multiple awards, including the Academy Award for Best Original Score, for his music for Life of Pi (2012). The Danna Brothers were moved by Dan Scanlon’s story, having both lost their father too, but at an older age than Ian and Barley.

For the composition of the music, they liked the idea of writing “wizard rock”, where Tolkien’s fantastical world met the world of heavy metal. This was the perfect sort of music to be blasting out of Barley’s van, like the pieces “My Mighty Steed” and “Sacrifice”, where Guinevere is a key part of the scene[9]. It’s not exactly to my taste but it certainly suits Barley. They also found there were a lot of options for the music with it being a fantasy movie, as moments need to be vast and epic at times, like the culmination of a great quest or journey, “Battling the Dragon”, or small and quiet to match more emotional moments, such as “Share My Life With Him”, which is played as Ian realises he may not have got to share his life with his father, but Barley was the one always there for him. This is my favourite piece within the score. “Dad” is another quiet piece but it is tinged with sadness as you realise Ian never got to see his father like he wanted to.

Mychael Danna and Jeff Danna won the BMI Film & TV Award for Film Music for their score here, and were nominated at the Annie Awards and the Hollywood Music in Media Awards too, but they lost out to Soul’s soundtrack at both ceremonies.

There is also an original song within the soundtrack called “Carried Me with You”, which plays during the End Credits. It matches the tone of the movie, talking about someone lifting you up and guiding you through life. It was written by Brandi Carlile, and Phil and Time Hanseroth, and was performed by Brandi Carlile. “Carried Me with You” was nominated for Best Original Song at the Grammy Awards and the Hollywood Music in Media Awards, however, it lost to Billie Eilish and Finneas O’Connell’s “No Time to Die” from the Bond film of the same name at the Grammys, and lost to “Just Sing” from Trolls World Tour (2020) at the Hollywood Music in Media Awards.

RECEPTION

Onward was released to theatres on 6th March 2020.

As is typical for Pixar, they released Onward alongside a short film, this being Playdate with Destiny (2020) that was not a Pixar short. It is actually a short from The Simpsons (1989-present), and follows Maggie as she falls for another baby called Hudson. This short came to Disney+ in April 2020.

Pixar are used to receiving critical acclaim for their movies, however, they do not always succeed. Cars 2 (2011) and The Good Dinosaur (2015) are two Pixar movies that failed to reach the usual standard expected of the studio. In this case, Onward didn’t receive too many negative pieces of criticism, reaching a Certified Fresh 88% score on Rotten Tomatoes for example, higher than the other two films I’ve just mentioned, but it didn’t receive huge amounts of praise.

On the negative side, Onward was frequently compared to Inside Out (2015) as both Pixar movies focus on human emotion and feelings. Inside Out was a very highly rated film and it was incredibly creative and clever, so critics complained that Onward lacked the innovation and inventiveness of Inside Out. The pacing was also debated. Some felt it was quicker and more energetic than other Pixar movies, whereas others felt the episodic structure made the story less cohesive. I will agree that Onward felt episodic, in terms of the characters finding themselves with tasks to do as part of their overall quest, kind of like a board game. This didn’t bother me, I tend to like that kind of structure because it means that the focus of the story remains, and the boys were meant to be experiencing a real-life version of Barley’s Quests of Yore game, so it felt right to me. Others didn’t feel like Onward was as funny as they know Pixar movies can be. Again, I agree with this, and I like a good laugh, so it was a bit disappointing, but I did find it funnier than Soul (2020). Some also felt that the story was an after-thought to the big emotional ending of the film, feeling that the filmmakers had built the story around that final moment.

More positive reviews stated that it was a good movie for boys. Although Pixar, I feel, have made more films that appeal to boys, Disney struggle in that respect, for the most part, and with the last movie to come out of Disney before Onward being Frozen II, it was probably more appreciated. Others felt the voice casting of Tom Holland and Chris Pratt as Ian and Barley were the perfect choice, as their brotherly chemistry was easy and natural, with the two making Ian and Barley likeable characters. Onward also felt very poignant to viewers especially if they had lost a parent. It was generally felt that Onward was well-executed, as you’d expect from Pixar, although, even in the positive comments, some still didn’t think it was anything ground-breaking.

I will admit that I was sceptical of Onward after viewing the trailers. I didn’t have a clue what the story was going to be, which is actually quite normal for Pixar; they like to keep you in the dark, although it was clear that the movie was going to be set in the fantasy world, something which doesn’t really appeal to me. I wasn’t sure I was going to like Onward initially, but I really did. I think setting Onward in a contemporary version of a fantasy world helped to keep me interested, as it felt familiar at the same time as feeling different, and I’m all for watching tear-jerkers, although I did have more sad than happy tears with this one.

Another thing that was welcomed by some viewers was the brief moment of LGBT+ representation, which comes during the scene of Barley and Ian talking to two cops disguised as Officer Bronco. Officer Specter states that she is struggling to bond with her girlfriend’s children, trying to reassure “Bronco” that eventually he’ll feel more natural being a parent to Barley and Ian. It was actually the voice artist for Specter, Lena Waithe’s idea to use the word “girlfriend” in this scene. Although this nod to diversity and inclusivity is something that Disney and Pixar are featuring more of in their recent movies, this particular scene did lead to banning and censoring of Onward in certain countries. Onward was not shown in Kuwait, Oman, Qatar, and Saudi Arabia, however, other Middle Eastern countries, like Egypt, Lebanon, and Bahrain, did show the movie. Russia censored the scene, by changing the word “girlfriend” to “partner” and not referencing the character’s gender[10].

At the box-office, Onward debuted to $40 million, which was enough to top the box-office charts, but was not as much as Pixar would normally expect., however, the $40 million was still within the projections of between $40 and $45 million, even with the potential future of the pandemic weighing on everyone’s mind[11]. Box-office revenues dropped the week after, by 40%, but Onward was still at the top of the box office. It was debated how much the COVID-19 pandemic was affecting box-office results at the time and whether the decline was anything more than what would normally be expected after a movie’s opening week[12]. Movie theatres were closed just a couple of weeks or so later across many countries.

This is why Onward became available to buy digitally in the US much earlier than usual, on 20th March 2020. It followed that by coming to Disney+ on 3rd April in the US, although it would not be released in other countries on Disney+ until many months later. This was Disney’s way of dealing with the financial blow that the closure of movie theatres had on Onward’s takings. It is difficult to assess the success of a movie once it comes to streaming though, so it is unclear how popular Onward was when it first came to Disney+.

In the end, Onward made around $140 million worldwide before being removed from theatres, which is less than its reported $200 million budget. Onward may’ve been the first Pixar movie to be affected by COVID, but it was not the last. Soul struggled as well, as many cinemas continued to be closed during its theatrical release in December 2020. This is why Soul was given a Disney+ release on 25th December 2020[13]. Because Pixar knew what had happened to Onward, it meant they could have a back-up plan for Soul. With Onward, nobody could’ve guessed how impacted by the pandemic it would be.

Finally, another way of measuring a movie’s success is with its award success – although that should not be the only way because we all know how up-and-down awards season can be. I’m still struggling with the 2025 Oscars. I’ll get over it… one day. Anyway, Onward did not have huge success in terms of awards. It did win the Saturn Award for Best Animated Film, and it won the People’s Choice Award for The Family Movie of 2020, but that was mostly it. It was nominated at many major award ceremonies, but it lost to Soul at the BAFTA Film Awards; the Golden Globes; and the Oscars in the Best Animated Feature Film category. At the Annie Awards, which are all about animation, Onward was nominated in many categories, including for Best Animated Feature, Editorial, Character Animation, and Writing, but it lost to fellow Pixar movie Soul once again in all these categories.

LEGACY

Prior to Onward’s theatrical release, the Disney Parks began their celebration of the movie, by showing an exclusive preview of the film. This was at the Tomorrowland Theater at Disneyland and at Walt Disney Presents at Disney’s Hollywood Studios in Walt Disney World[14]. This is a normal part of their marketing.

Outside of that, Pixar also recreated Barley’s van, Guinevere, complete with bumper stickers, the unicorn mural, and the “Gwniver” license plate. This van went on a 10-city tour to promote the movie, where visitors could take photos next to the van, and get free merchandise such as posters and stickers. The van journeyed to places like San Diego, Phoenix, Dallas, New York City, and Miami during February and early March 2020. Pixar reportedly did something similar for Cars 3 (2017) where life-sized versions of Lightning McQueen, Cruz Ramirez, and Jackson Storm were taken around the US, and for Toy Story 4 (2019) with their RV tour, which also had carnival games[15].

Ian and Barley made their meet-and-greet debut at Disneyland the day before Onward was set to be released in theatres. On 5th March 2020, Ian and Barley were available to meet guests in front of their van as part of the Disneyland After Dark: Pixar Nite special event. They then moved to Pixar Pier in Disney California Adventure Park on 6th March 2020 to meet guests, however, they would not be there long as the Disney Parks closed for the COVID-19 pandemic on 15th March 2020. To make it worse for Ian and Barley, they were meant to be heading to Hong Kong Disneyland for their Pixar Water Play Street Party in Summer 2020, but due to the park’s ongoing closure, this parade was postponed[16]. Ian and Barley did eventually join the parade in 2021.

Ian and Barley then returned with Guinevere the van to Disneyland for Pixar Fest in 2024, running from 26th April to 4th August. They were available to meet guests throughout the day at the Fantasyland Theatre, however, despite characters from Soul (2020), Luca (2021), and Turning Red (2021) all having floats in the Better Together: A Pixar Pals Celebration parade, with these being three of Pixar’s most recent movie releases, Onward was left out. Onward was lucky to be featured briefly in the Pixar Fest nighttime fireworks show, Together Forever – A Pixar Nighttime Spectacular, after “The World Es Mi Familia” segment from Coco (2017), with the scene of Ian battling the stone dragon being projected onto Sleeping Beauty castle. Outside of this, the only other place where you could find references to Onward is at the Pixar Place Hotel in Disneyland, most likely in artwork.

Many fans currently are lamenting the lack of merchandise that features any of the Onward characters. At the time of the film’s release in 2020, you could purchase clothing, books, plush toys of Ian and Barley, an Onward MagicBand, and Funko POP figures[17]. They did later release a real Quests of Yore board game, but outside of this, there is very little merchandise for them still around, perhaps a couple of t-shirts and some pins. Sadly, this is a scenario that many fans of lesser-known or under-appreciated Disney and Pixar movies have experienced for years. Onward fans, now you get to join the club…

FINAL THOUGHTS

Onward will likely never recover from its reputation as an “uninspiring” Pixar movie, or from its link to COVID-19. It struggled at the box office and received lukewarm reviews. It will unfortunately never be one of Pixar’s best to most people.

Onward has plenty of emotional moments, with the heart of the story revolving around grief and loss. Onward felt very personal to me. Not because I lost a parent at a young age, but because someone close to me did. They were young, but not as young as Ian and Barley, and they didn’t have a sibling to help them through it, but still, some moments felt strangely close to home, such as the guilt and sadness at not having enough memories of that parent, as well as the difficulty in seeing that parent becoming a shell of themselves through illness. It’s something that never leaves you, and the grief can creep up on you at the strangest of times.

It’s unfair to sit through Onward picking up on Pixar’s “lack of innovation or originality” when your focus is meant to be on the subject of grief. Grief and loss are a part of life, and yes, Disney has made plenty of movies that involve the loss of a parent – to the point that, for some reason, people find it comical – but consider this: is it not a potentially necessary way of helping children in particular cope with a similar circumstance?

Maybe watching one movie might get them to talk about what they’re going through instead of bottling up their feelings and thinking they just have to get on with life like nothing even happened.


REFERENCES

[1] Credit: Pixar, ‘Introducing Onward Featurette I In Theaters March 6’, Pixar YouTube Channel, 6th February 2020.

[2] Credit: Jude Rogers, ‘How Pixar’s hit Onward was born from childhood bereavement’, TheGuardian.com, 27th February 2020.

[3] Credit: Zach Johnson, ‘Inside the Six-Year Journey to Make Disney and Pixar’s Onward’, D23.com, 14th January 2020.

[4] Credit: Jeanine Yamanaka, ‘A Behind the Scenes Look at Forging “Onward”: From the Fantastical to the Familiar’, AllEars.net, 12th February 2020.

[5] Credit: Pixar, “Heart’s Fire”, from Onward (2020) Blu-Ray (2020).

[6] Credit: Pixar, “Dragon High”, from Onward (2020) Blu-Ray (2020).

[7] Credit: Pixar, “Deleted Scenes”, from Onward (2020) Blu-Ray (2020).

[8] Credit: Ashley Cullins, ‘Artist Sues Disney, Pixar Over Unicorn-Adorned Van in ‘Onward’’, HollywoodReporter.com, 28th January 2020.

[9] Credit: Pixar, “Wizard Rock”, from Onward (2020) Blu-Ray (2020).

[10] Credit: BBC, ‘Pixar’s Onward ‘banned by four Middle East countries’ over gay reference’’, BBC.co.uk, 9th March 2020.

[11] Credit: Rebecca Rubin, ‘‘Onward’ Leads Box Office With Ho-Hum $40 Million’, Variety.com, 8th March 2020.

[12] Credit: Dave McNary, ‘Box Office: ‘Onward’ Leads as Coronavirus Stunts North American Sales’, Variety.com, 14th March 2020.

[13] Credit: Jack Walters, ‘Pixar’s 9 Biggest Box Office Bombs Explained’, ScreenRant.com, 17th September 2023.

[14] Credit: Drew Rasor, ‘You Can Catch A Sneak Peek at Disney/Pixar’s ‘Onward’ At Disney Parks Soon!’, AllEars.net, 24th January 2020.

[15] Credit: Julie & T.J., ‘Pixar’s ‘Onward’ Brings the Real-Life Van, Guinevere on Tour – Will It Come to a City Near You?’, PixarPost.com, 3rd February 2020.

[16] Credit: Laughing Place Disney Newsdesk, ‘“Onward” Meet and Greet Comes to Pixar Pier at Disney California Adventure’, LaughingPlace.com, 8th March 2020.

[17] Credit: Zach Perilstein, ‘‘Onward’ Merchandise is Now Available at Disney Parks’, BoardwalkTimes.net, 18th February 2020.

Go Figure (2005)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

My childhood television watching can be split into three stages. The first was Cartoon Network; the second was Nickelodeon, where I watched mostly re-runs of Saved by the Bell (1989-93), and Sabrina the Teenage Witch (1996-2003); and the third was Disney Channel, which I started watching when I was about 11 or 12, and then watched pretty much exclusively from the age of 13.

I was there for some of Disney Channel’s best programming, like Lizzie McGuire (2001-04); That’s So Raven (2003-07); and The Suite Life of Zack & Cody (2005-08). From this point, I also found Disney Channel Original Movies. I know I watched a few in the early 2000s, but not many. I’m not actually convinced I watched them on their premiere either. The earliest one I’m fairly sure I watched “live” was Go Figure in 2005.

Go Figure was part of the pre-High School Musical era of Disney Channel. It’s a well-known fact that after High School Musical was released in 2006, Disney Channel began to really focus on their movies, making them higher budget, bigger productions, but that doesn’t mean that the ones that came before weren’t worth seeing.

I loved Go Figure, and I think I can credit it with my love of figure skating. Not actually skating myself, but watching it. Since Go Figure, I’ve seen many films all about figure skating, with Ice Princess (2005); I, Tonya (2017); and Blades of Glory (2007) being my favourites. In another life, I’d like to think I could’ve been a figure skater, or a ballet dancer, or a gymnast. But in this life, I’m too old, not flexible enough, and much too worried about breaking all the bones in my body, or breaking my face.

But Go Figure isn’t just about pretty, little figure skaters. It’s also about a girls’ ice hockey team. Disney had previously made movies like Miracle (2004) and The Mighty Ducks trilogy about hockey teams, but these were not solely for women, with ice hockey primarily being seen as a “man’s sport”. Go Figure explores sexism in sport, showing that just because you’re a girl doesn’t mean you have to “skate around in frilly dresses”. You can compete in a different kind of sport, that requires physical strength as well as intelligence.

I’m not a fan of ice hockey, and wasn’t a sporty person at school, however, I have always liked Go Figure, having seen it many times. Although I like the scenes of figure skating the most, I have always enjoyed the overall message, about teamwork, resilience, and determination in achieving your dreams, whatever they may be.

PLOT

Go Figure begins at a figure skating competition where Katelin Kingsford is competing. She tells the audience she has dreams of being one of the best, with a gold medal and her face on a cereal box. Although Katelin loves her current coaching team, Bob and Ginger, she knows they can’t make her a star. For that, she’ll need a Russian: Natasha Goberman.

In this competition, which Natasha happens to be watching, Katelin does not win and actually falls during her routine. Katelin had hoped for some karma points by giving her “lucky” scrunchie to a younger competitor, choosing to tie her hair up with a rubber band in place of the scrunchie, but the rubber band snaps during one of Katelin’s tricks and that is what caused her to lose balance. But it doesn’t matter, because Natasha saw enough potential in Katelin to talk to her, telling her she wants to train her, to make her a star.

To do that though, Katelin has to go to Buckston Academy, where Natasha trains figure skaters. This is an expensive boarding school, and despite Katelin’s begging and pleading, her parents tell her they cannot afford to send her there. Katelin then asks her brother, Bradley, for his signed hockey puck collection so she can sell them to pay for her tuition, but he angrily tells her to get out, having no respect for Katelin’s dream of being a professional “twirl girl”, the name ice hockey players apparently give to figure skaters.

Katelin tells Natasha she can’t afford to train at Buckston, which is disappointing to Natasha who really wants to coach Katelin, but without a scholarship, there is no chance – and Buckston doesn’t have a scholarship for figure skating. No problem, because Natasha has an idea. She goes to the girls’ hockey team coach, Coach Reynolds, and says if he lets Katelin take his final scholarship spot, then he can take Natasha out on a date. Coach Reynolds doesn’t think it’s a good idea since Katelin doesn’t have any experience of playing ice hockey, but he agrees anyway. The man is weak to Natasha’s charms…Katelin is ecstatic to be going to Buckston Academy, but Bradley, a real hockey player, is furious that Katelin can get a scholarship for “his” sport without even knowing how to play. Bradley then gives up hockey and instead starts building robots with one of his friends.

Meanwhile, at school, Katelin is immediately thrown into hockey training and it’s quite clear to the other coaching staff, and the rest of the team, that something is not right here. Katelin is small, weak, and lacks any balance or speed on the ice; she’ll make this team a disaster. Coach Reynolds tries to convince the others that Katelin is their “secret weapon”. Yeah, they’re not buying it! Katelin finds her new roommate is one of her fellow hockey players, Amy Henderson, but everyone calls her Hollywood. The team captain, Ronnie, and another player, Mojo, come in to their room, saying how the team is unlikely to be winning anything this season yet again. Katelin starts to unpack her stuff, but soon learns that the hockey girls hate “twirl girls”, so she hides her figure skating gear in the janitor’s closet and pretends to be somewhere else when she is out at figure skating training. Katelin finds her new school schedule of regular classes, hockey training, and figure skating coaching to be a difficult balance. She isn’t doing well in her classes; the hockey girls don’t like her; and the figure skating girls see her as major competition since it’s obvious to them she is Natasha’s new favourite, this season’s “Sputnik” as Natasha likes to call her.

During the first hockey game of the season, Katelin hopes she’ll remain on the bench because she’s not very good so there’s no point making her play, something Coach Reynolds agrees with. Natasha also doesn’t want her to get injured. However, one of the other coaches, Spencer, reminds Coach Reynolds that Katelin is a scholarship student so she has to play. Spencer does this in the hopes that Katelin will quit the team. Sure enough, Katelin does not do well on the ice, letting Captain Ronnie get pulled to the ground by the opposition team. Ronnie is fuming and goes to fight her. The rest of the team pull her off Katelin, however, Hollywood storms into their room later, telling Katelin she got off easy, considering what Ronnie should’ve done to her would’ve been a lot worse. Hollywood then knocks over a cup of juice on the floor and says she needs to get a mop. Knowing all her figure skating stuff is in the janitor’s closet, Katelin quickly says she’ll go instead. But she must’ve taken too long because Hollywood comes into the closet and sees all of Katelin’s figure skating gear. Hollywood says she knew it all along, but promises to keep it secret.

The hockey girls, apart from Hollywood, continue to view Katelin with scepticism. The only good thing to come from hockey is that Spencer has stopped bothering her after Katelin made a deal with him whilst doing solo training that if she can get the puck past him, he won’t talk to her again. She manages to do so by using one of figure skating tricks to jump over him. Spencer is impressed. However, the figure skating girls are still an issue. Pamela, seeing Katelin getting private coaching with Natasha, wants to ruin all Katelin’s chances of being better than her, so Pamela invites Katelin to a party. Katelin has training at 9pm on Saturday nights but she turns up for a little while. On her arrival, Katelin is asked to go to the supply closet to get more cups. When she gets in there, Katelin picks up the cups, only for purple paint to spill all over her. Pamela then locks her in the closet. At 9:45pm, the janitor opens up the closet, freeing Katelin. Knowing she’s late, Katelin rushes over to see Natasha and is devastated to find Pamela has taken her spot – and what’s worse is that gold medallist figure skater Kristi Yamaguchi is there. Natasha tells Katelin she brought Kristi here as a reward for Katelin’s hard work, but tells Katelin she obviously doesn’t care enough about skating to show up on time, and sends her away. Katelin sadly sits in the stands watching over Pamela’s session with Kristi as she tries to get the paint off her. Just before Kristi leaves, she has a conversation with Katelin, telling her that Natasha thinks she will go far, something that Natasha doesn’t just say about anyone, but that Katelin needs to decide if she wants to put the extra effort in to make it.

After all this, plus her failing school grades, and her struggles with hockey, one night Katelin gets on a bus and goes home, telling her parents she has quit. At home, Katelin is horrified to find that her mother expected her to quit and that her bed has even been moved out of her room while her mother starts up an online business. Katelin then sees a box with her plushies in there labelled as junk. Katelin carries the box outside and sits on a street bench. Inside, Katelin discovers old medals and photos of her mother, showing that her mother was a brilliant figure skater years ago. Katelin’s mother sits beside her and says how her weak ankles stopped her going far, and that she decided having a family was more important than figure skating. This gives Katelin a renewed energy to achieve the dream her mother couldn’t. She decides she’s going back to Buckston.

Back at school, Katelin puts all her effort in to every aspect of her school experience: classes, hockey, and figure skating. She starts to excel in all areas, and even manages to help the hockey team win their first game of the season. Apparently, the girls’ hockey team hadn’t won a game in three years… That’s a terrible statistic. Katelin motivates the others to aim for the championship win, and starts to help them, by giving them ballet lessons to improve their balance and agility; coming up with tactical ideas using geometry, something Bradley told her about before even getting to Buckston; and by using “colourology”, finding the girls’ power colours, to help them mentally. The team keep on winning.

Within figure skating, Katelin still struggles with competitive girls, but one of them, Shelby, is having a hard time trying to keep up with the younger girls. Katelin goes for a walk with Shelby and tells her that there’s more to life than figure skating, so if she no longer loves doing it, then perhaps it’s time to find something else.

The girls’ hockey team wins their next game and gets to the Championship game; however, Katelin finds that it is on the exact same day as the Senior Nationals for her skating. Hollywood and Natasha try to convince Katelin to choose the Nationals over the Championships, since the team could win without her, but it’s up to her and her alone to compete in Nationals. Katelin doesn’t know what to do, and her parents won’t decide for her. As she ponders what to do, Katelin sees one of her mother’s old skating costumes online and decides to buy it.

On the day of the Championships, Spencer, who has remained fascinated by Katelin’s skills on the ice, is shocked to find Katelin at the hockey game, having worked out that she is a figure skater a few weeks ago and wanting her to go to the Nationals competition instead, because that is where they select the Olympic Team. Katelin ignores everyone trying to tell her she shouldn’t be there and focuses on winning this game. It’s not looking good though as the team are already three goals behind. Katelin gives the team a pep talk during half-time and the team go back out with some motivation to win. They try their best but unfortunately, they do not win. Great, Katelin gave up Nationals for nothing.

Except Spencer answered Katelin’s phone during the game. It was a call from Bradley saying he was going to delay the competition. After hearing his mother say that both him and his sister can be good hockey players, he realises he was being silly giving up hockey and choosing robotics instead. So, Bradley uses his robot to delay the competition, letting the stewards run all over the ice trying to stop it. Eventually, the Zamboni is brought out and it crushes it. But the delay was enough, because Spencer has packed all Katelin’s figure skating belongings and told Katelin they can make it if they go right now.

The hockey girls discover Katelin is a “twirl girl” after her stuff spills out in the hurry to leave, but she rushes off without explaining. In the car, Katelin gets herself together, with Spencer telling her that Pamela destroyed all Katelin’s costumes so he had to grab the one that was in the box. This turns out to be a good move because that costume is her mother’s old one that she ordered. Disaster strikes soon after though as Katelin realises she only has one of her skates. Katelin tells Natasha, who plans to steal a pair from another girl, but Katelin tells her not to do that. Katelin chooses to skate in her hockey boots – which are apparently very different to figure skates, as hockey ones do not have a toe pick.

Katelin begins her routine – and promptly falls down since those skates were not suitable. The hockey girls rush to the ice at that point with her other skate, but it’s too late. The competition has ended and the judges are tallying their final scores. Natasha tries to convince the judges to let her skate again, but they will not. Ronnie then begins a chant of “Let her skate”, which is picked up by the hockey team, then Katelin’s parents, then Natasha, and then the crowd. The noise is overwhelming and the judges allow Katelin another try.

Katelin changes into her proper skates and begins. Her routine is amazing, almost flawless, and the girls rush onto the ice to lift her up in celebration. The judges then name the skaters who made it into the Olympic Team… Katelin’s name is there! All that hard work paid off. Katelin is on her way to getting her face on that cereal box. What a dream…

CHARACTERS & CAST

Katelin Kingsford is a hard worker, wanting to be the best figure skater in the world. She dreams of winning a gold medal. Thankfully, Katelin is spotted by a great coach who wants to get her to the Olympics and hopefully to winning that medal. But the only way to do that is to play ice hockey, something Katelin has never played and isn’t exactly a sport she’s built for. Although Katelin has her struggles at Buckston, finding it wasn’t as easy as she’d hoped, she pushes herself to be the best in all areas. In the end, Katelin finds that she likes the camaraderie of being in a team, whereas with her skating, Katelin has only herself to rely on and has to do that with all the bitchiness of the jealous competitors. Having friends is a new concept for Katelin. Katelin does get the opportunity to fight for that gold medal and the best part is she gets to have her team around her, supporting her all the way.

Jordan Hinson was cast as Katelin. Hinson went on to be cast as Zoe Carter in Eureka (2006-12) and appear as Roxy Daly in the ABC series Kevin from Work (2015). She also wrote and starred in Breaking & Exiting (2018). Apparently, Hinson could not skate prior to her casting in Go Figure, so she had to spend time training. However, Hinson did not do all the skating in the film herself and had skating doubles, which are very obvious at times. One of these was Stephanie Rosenthal, who went on to have a breakout competition at the 2006 Nationals. Another was BreAnn Brown who went on to portray Tinker Bell in Disney on Ice around 2010, with Brown crediting her performance in Go Figure as being a factor in getting her an audition with Disney on Ice[1].

Katelin is pushed hard by her coach, Natasha Goberman. Natasha comes across as being very strict and harsh, coaching Katelin late into that night because her schedule is so full with all that hockey training. Natasha is disappointed with Katelin after she doesn’t show up to her 9pm training because, you know, she was trapped in a closet, so missed the opportunity to train with Kristi Yamaguchi. Natasha did tell Kristi that Katelin was going to be one of the best though, so she has seen the drive and talent in Katelin to believe she’ll achieve. It’s clear from the moment when Katelin gets on to the Olympic team that Natasha is incredibly proud and glad to be on this journey with Katelin.

Natasha Goberman was played by Cristine Rose. Rose is perhaps best known for her role as Angela Petrelli in Heroes (2006-10) and its spin-offs, as well as for her recurring role as Virginia Mosby in How I Met Your Mother (2005-14).

Then, there is Katelin’s primary competition in the figure skating team at Buckston Academy, Pamela. She wants nothing more than to either get Katelin to leave the school, or get her to fall out of favour with Natasha. Pamela’s dirtiest trick is to lock Katelin in a closet and take her place at training with Natasha that evening. Pamela doesn’t actually do all that much after that. I guess she realises that Katelin’s newfound positive attitude after she almost quit is too difficult to try and break down. Pamela appears at the Nationals competition and tries to get the judges to not let Katelin skate, but she is thwarted by Katelin’s hockey teammate, Mojo, who spills marbles all over the floor, tripping Pamela and embarrassing her so much that she leaves. Pamela did not get a place on the Olympic team either, just to make it even worse for her.

Brittany Curran was cast as Pamela. Around the same time as Go Figure, Curran appeared in the recurring role of Chelsea in the Disney Channel series The Suite Life of Zack & Cody (2005-08). She went on to be cast as Lucy Tranelli in the series Men of a Certain Age (2009-11). Curran later was cast as Fen in the Syfy series The Magicians (2015-20), and as Katie Nolan in Chicago Fire (2012-present).

For Katelin’s hockey teammates, three of them are the most important to the story. One is Hollywood, Katelin’s roommate as well as teammate. Hollywood is the first one to discover that Katelin is a figure skater, and, although she finds it funny, she isn’t overly surprised and doesn’t decide to tell any of the other hockey players, who wouldn’t have been as understanding. Ronnie, for example, wouldn’t have been very understanding, at least not at the start of Katelin’s time on their team. Ronnie doesn’t think much of Katelin as a hockey player, and, when she tries to give Katelin a chance to prove herself during a game, Katelin doesn’t do what was asked of her and causes Ronnie to be blocked and fall on the ice. This makes Ronnie angry and it takes a while for Katelin to win her trust again. She eventually does so when Katelin helps the team get to the Championships and she thanks Katelin for all her hard work in getting them that far. Then, there is Mary Johnson, also known as Mojo, because she believes in magic, holistic treatments, that sort of thing, and thinks they can help the team win. I’m not sure Mojo’s lucky powder had much to do with it.

Whitney Sloan was cast as Hollywood. Sloan went on to star in stage musicals like West Side Story and Fiddler on the Roof. Ronnie was played by Amy Halloran, who went on to star as Heather Posen in the series Unleashed (2011). Mojo was played by Tania Gunadi, who was cast as Cindy in the DCOM Pixel Perfect (2004) prior to Go Figure. Gunadi went on to be cast as Emma Lau in Aaron Stone (2009-10) and voiced Miko Nakadai in the animated series Transformers: Prime (2010-13).

Then there is Spencer, a member of the hockey team’s coaching staff, but also a student at Buckston Academy. Spencer is very sceptical of Katelin’s scholarship to the hockey team and he suspects there is something not right there. Spencer learns that Coach Reynolds agreed to Katelin being on the team only because Natasha agreed to go to dinner with him if he did. Spencer then uses this to, surprisingly, blackmail Coach Reynolds in to letting Katelin play in one of their games. This is after Spencer has been impressed with Katelin’s dedication to the hockey team and seen her incredible improvement in the sport. Spencer seems to be obsessed with Katelin and how she is managing to balance her busy schedule because he follows her – not creepy at all – and sees her skating at one point, so he knows all about her figure skating. This means that Katelin has someone else on her side for when she has to make the quick exit from the Hockey Championships to the Nationals. There is also a blossoming romance between Katelin and Spencer, but it’s a bit awkward with their age gap and lack of chemistry, to be honest…

Jake Abel was cast as Spencer. He went on to be cast as Luke Castella in Percy Jackson & the Olympians: The Lightning Thief (2010), reprising the role in Percy Jackson: Sea of Monsters (2013). More recently, Abel appeared as Sasha Harrison in Season 1 of Netflix’s Another Life (2019-21), and as Kevin Golden in Season 3 of Walker (2021-24).

Finally, we have Katelin’s family. Her brother, Bradley, is having a difficult time adjusting to the fact that his sister is, all of a sudden, a brilliant hockey player, making his success in hockey pale in comparison. Because of that, he feels he has to quit hockey and find something else. His father, Ed, doesn’t seem to notice any of this, choosing to spend much of the movie either watching TV or betting on his daughter about whether she’ll quit school or go to the Hockey Championships, but his mother, Linda, does. She tells Bradley that he doesn’t need to give up hockey just because Katelin is playing it.

Katelyn’s parents, Ed and Linda, were played by Jodi Russell and Curt Doussett. Bradley was played by Ryan Malgarini who was cast as Harry Coleman in Disney’s Freaky Friday (2003) alongside Lindsey Lohan and Jamie Lee Curtis. He is set to reprise this role in the upcoming sequel Freakier Friday (2025). Malgarini also appeared in a couple of television series, including as Tom Brooks in the sitcom Gary Unmarried (2008-10), for which he won a Young Artist Award in the Supporting Young Actor category.

MUSIC

There is a mix of music within Go Figure, with these being mostly either pop music or classical music, with the classical music featuring during the figure skating scenes, and the pop numbers being used during montages or as background music.

I’ll start with the music that is used for the montages as these were the most obvious and recognisable. Two of these come during the “emotional peak” of Katelin’s journey at Buckston Academy. The first is “Crash Goes My World”, performed by Cadence Grace, which is played at the point that Katelin is feeling really low, failing her classes, still struggling with hockey, and trying to regain Natasha’s trust. Katelin quits school and goes home.

But whilst at home, she has a conversation with her mother which motivates her to be successful at Buckston Academy, so she does just that. Katelin focuses on her classes, figures out how to be a great hockey player, and proves to Natasha that she will be one of the best figure skaters she’s ever coached. During this montage, “I Want Everything”, written by Antonina Armato and Tim James, and performed by Hope 7, is played. This is my favourite song in the movie.

Just a little bit later, there is another montage of Katelin helping the hockey team do well and progress through their matches. Here, “Greatest Day”, written by Jaret Reddick and performed by Bowling for Soup, is used.

The only other piece of prominent pop music within Go Figure is the song “Go Figure”. It was written by Andy Dodd and Adam Watts, and is performed by Everlife. The song first appears as background music just before the first hockey game of the season, but it is used as the End Credits song and as the title song of the movie. This is the only piece of music that is credited.

Outside of that, the other songs to appear in Go Figure are mostly just used as background music. For example, you can hear “She Said” at the point that Katelin is in the school cafeteria and Pamela invites her to a party. This song was written by David Frank, Lindy Robbins, and Pam Sheyne, and performed by Brie Larson – yes, as in the Brie Larson who is Captain Marvel; I didn’t know she was a singer. The first and only song we hear at this party is “Anthem” by Superchick. Following on from that, there is the music playing at the hockey team’s victory party. A sort of techno instrumental piece is heard first, before “Life is Beautiful”, performed by Raven-Symoné, is requested by Ronnie as the next song.

Then, there are two songs that you probably wouldn’t be able to hear unless you were looking for them, because these are both played during conversations between the characters. When Katelin asks her brother to give her his signed hockey puck collection to sell for her school tuition, “Life is Good” by Junk can be heard. Later, as Hollywood confronts Katelin about her failure during the hockey match that day, where Ronnie ended up being tackled to the ground because Katelin didn’t do what was asked for her, “I Can Do Anything” is played. This song was written by Bridget Benenate and Matthew Gerrard, and was performed by Caleigh Peters.

All nine of these tracks appear on the Go Figure official soundtrack, which was released in June 2005.

Outside of this soundtrack, I am less confident about the rest of the music that is used in Go Figure. After the first training session for Katelin with the hockey team, Ronnie turns on the stereo and a rap song is playing. Despite numerous attempts to find this song, I can’t figure out what it is. As Katelin meets Hollywood and moves into her new room, some background music is playing, but I can’t hear any lyrics, and again, can’t work out if this is part of the score for Go Figure or is a specific track. I had a similar problem with the other song that I haven’t been able to place. This song comes as Katelin walks past Spencer and his band performing one night. I can hear the song and its lyrics clearly, but I haven’t been able to work out if this is a real track or whether this song was created for the film.

I had more success with the classical music pieces that are played during some of the figure skating scenes. For example, the music that is used for Katelin’s first Skate Club, as the group warm up, seems to be an extract from Mozart’s Symphony No. 40 in G Minor, K. 550. Then, during the scene of Kristi Yamaguchi coaching Pamela, Scherzo from Mendelssohn’s A Midsummer Night’s Dream seems to have been used. Finally, for Katelin’s final routine which she performs at the Senior Nationals, she begins her routine to a section of Summer from Vivaldi’s The Four Seasons. Her music then turns more contemporary but I don’t know what the other two pieces of music are, unfortunately, or whether they were part of the overall score.

The score for Go Figure was composed by Kenneth Burgomaster, who has composed the score for other Disney Channel projects, including the movies Halloweentown High (2004), Cow Belles (2006) and Return to Halloweentown (2006), and Season 2 of the series Phil of the Future (2004-06). 

PRODUCTION

Disney Channel has always liked to make movies based on sports because it is a shared experience. Everyone has had to play sports at some point in their life. Even if they absolutely despised it. Schools seem to think it’s a good idea to enforce it as part of their curriculum. Mean.

Go Figure is just one in a list of sports-themed DCOMs, but here, they decided to showcase two sports, both of which were popular back in the 2000s. Ice hockey has continued to be listed in the Top 5 sports in the United States in terms of viewership, reportedly being the fourth most popular sport in the world too[2].

Figure skating used to be incredibly popular in the US, especially in the 1990s, but something changed in the early 2000s. Back in the day, the names Tonya Harding, Michelle Kwan, and Kristi Yamaguchi were easily recognised. Let’s also not forget the infamous “incident” between Tonya Harding and Nancy Kerrigan in January 1994 – further immortalised in the movie I, Tonya (2017) starring Margot Robbie – which led to many viewers worldwide tuning in to watch the two go head-to-head at the 1994 Winter Olympics in Lillehammer, Norway, to the point where it became one of the most-watched sports events of 1994, reaching 48.5 million viewers on just the one day of the women’s figure skating short program. Two decades later, the total 11 days of the Olympics figure skating competition in Sochi got less than half of that, reaching 21.4 million viewers[3].

Some speculate that the reason for this is that advancement in skates have led to even quadruple jumps, not just triples, being more common in competition, making nothing seem particularly difficult anymore. There was also the judging scandal of 2002 at the Olympics in Salt Lake City that led to a new, some say complicated, scoring system[4].

Scores used to be awarded in two categories: technical merit and artistic presentation, with both being given a maximum 6.0 score. However, when skaters are close in scores, the judges would rank these skaters against each other, with little to no criteria needing to be met to reach this decision, so it was very subjective. In the case of 2002, the competition was between the Russian pairs team and the Canadian pairs team. Although Russia is well-known for their figure skating history, winning numerous gold medals over the decades, the Canadian pairs team of Jamie Salé and David Pelletier were confident. It was almost a home Olympics for them, and they were going to be skating to the theme from the movie Love Story (1970), an American favourite.

During the free skate competition, the Russian team made a few errors, whereas the Canadians responded with a practically flawless routine, although it was less technically difficult than that of the Russians. Still, many in the Canadian camp believed they’d done enough to seal the gold medal. In actual fact, they had not, with the majority of the judges ranking Canada behind Russia, handing the gold to them, and the silver to Canada. This led to claims that the judging was rigged, specifically that one judge had been pressured to vote a certain way. An investigation into the judging panel was launched and a media frenzy erupted. There was a supposed quid pro quo between France and Russia, stating that if the French judge voted in favour of Russia in the pairs figure skating, then the Russian judge would do the same for France in the ice dancing competition. In the end, the French judge was suspended, and Salé and Pelletier were given the gold medal, shared with the Russian pairs team of Anton Sikharulidze and Elena Berezhnaya. Those at the centre of the scandal deny involvement in the fixing[5].

The claims of rigged voting are believed to have tarnished the sport of figure skating forever, in North America in particular. Even with the overhaul of the scoring system, figure skating’s popularity has not bounced back. This might explain why there are fewer screen stories about figure skating nowadays. There was that Netflix series Spinning Out (2020) but that was cancelled after only one series, and obviously we had I, Tonya (2017) but that was a fictionalised account of a well-known figure skating incident from the 1990s. Sadly, in the UK, figure skating has not been incredibly popular since the 1980s when we had Olympics success with Torvill and Dean. We have a competition show with celebrities called Dancing on Ice (2006-present), with Torvill and Dean as coaches and now judges, but that’s got very samey in the last few years. It’s not even close to figure skating either. You mostly just wonder how long it’ll be until someone gets injured, slices their partner’s skin with their blade, or smashes their face on the ice. Not exactly carefree Sunday night entertainment.

Anyway, back to Disney Channel’s Go Figure. The movie was written by Patrick J. Clifton and Beth Rigazio. They had initially tried to sell their Go Figure script to be made as a feature film, however, this was around the same time that Ice Princess was being developed by Disney, so Go Figure as it was didn’t go ahead. Instead, the writers turned it into a kids’ movie and met with Sheri Singer, the producer of Disney Channel’s Halloweentown movies. Singer said she wanted to produce Go Figure for Disney Channel. Francine McDougall came on as the director. McDougall went on to direct the DCOM Cow Belles (2006). Clifton and Rigazio had such a happy time working on Go Figure that when Singer approached them with the novel How My Private, Personal Journal Become A Bestseller, written by Julia DeVillers, they went ahead and adapted it to become the DCOM Read It and Weep (2006)[6].

Go Figure was filmed in Salt Lake City in Utah, as so many other DCOMs have been, such as Read It and Weep; Minutemen (2008); and the High School Musical trilogy. Much like these other DCOMs, a school was used as the filming location for the fictional school within these films. In the case of Go Figure, Westminster College is the real-life school that became Buckston Academy in the movie[7].

Go Figure is not an action-packed movie; however, it is not a normal school drama either, with shots of mostly sitting in class, walking through the halls, or going to a school dance. Here, although doubles were used in some instances, the actors did have to train in ice hockey and figure skating. I’ve already mentioned that Jordan Hinson, who played Katelin, didn’t know how to figure skate prior to her casting in the movie, and since Katelin spends much of her time on the ice in this movie, she had to train. But the hockey players also had train. Before filming, the actors spent two weeks practising with a real girls’ hockey team, being taught the basics of skating, shooting, and stopping to make the hockey matches seem as realistic as possible[8].

RECEPTION

In March 2005, Walt Disney Pictures theatrically released a new live-action movie, Ice Princess, which was about a physics whizz using figure skating to help her college application, before deciding to become a full-time, professional figure skater, going against the wishes of her mother. Ice Princess received mixed reviews and was a box-office flop, however, in the years since, it still has its fans.

So, it is curious that Disney Channel would be competing with the main Disney theatrical division by creating Go Figure, another movie about a young figure skater, and releasing it just three months later. Go Figure premiered on Disney Channel in the US on 10th June 2005. Like Ice Princess, Go Figure received mixed reviews, but it escaped financial scrutiny due to its television movie status.

However, it did not escape all criticism. In Go Figure, the biggest inaccuracy is around the fact that the audience is told Katelin Kingsford is one of few competitors her age who can successfully execute and land triple jumps. Viewers who have knowledge of figure skating claim there are no triple jumps in any of Katelin’s routines in the movie. I’m not one of these people with knowledge so I’ve had to take their word for it. I do know that a figure skating competition consists of a long program and a short program though. Go Figure instead tells us that the Nationals consist of a single program. Nationals would’ve been a multi-day event, not just the one day. But had it been more than one day, then the whole dilemma over whether Katelin should attend the Hockey Championships or the Nationals would not have as much jeopardy attached to it.

Go Figure might’ve gone some way in inspiring would-be figure skaters to come into the sport, however, it seems to have just annoyed any actual figure skaters. Further negative comments for Go Figure surround the character of Katelin. She isn’t the most likeable main character of a DCOM, being quite bratty and selfish at times, especially when it comes to conversations with her brother and her parents, wanting them to always go along with what she thinks is best for her life. Katelin is also quite pouty when she doesn’t get her way in the early parts of the movie. I should also mention that some of Katelin’s more dramatic moments in Go Figure are not well acted. If you’ve seen the movie, you’ll know what I’m talking about. But to give Katelin some credit, she becomes more likeable by the end of the film, as she realises that she has to work hard to get where she wants in life; she can’t just have it handed to her on a plate. There are also apparently incorrect portrayals of the rules of ice hockey in Go Figure, but I wouldn’t know anything about that either.

On the more positive side, other viewers said this was an enjoyable movie, especially for kids and fans of figure skating, probably more fans like me that enjoy watching the grace and elegance of figure skating rather than the skaters themselves who’d be able to pick out inaccuracies. Some also said they liked the fact Katelin had to make a choice between whether to go to her figure skating competition, or go to the hockey final. To further comment on this point, I think Go Figure goes some way in showing that women don’t have to just do the “girly” sports; they can be tough on the ice rink instead of dancing around it in dresses with sunshine smiles frozen on their faces. 

Although Disney Channel Original Movies, in their most known form, have been developed since 1997, with the first “official” DCOM Under Wraps, they would not properly come into their own until High School Musical premiered in January 2006. The DCOMs that came before have struggled to become part of mainstream popularity, with few exceptions. Go Figure was not one of these exceptions, reportedly reaching around 3.5 million viewers on its premiere date. This is fairly standard for the DCOMs of this decade. DCOMs were not as high budget, or high value, productions at this time, so needed something big to really market them, like an established actor fronting the project. That did not happen with Go Figure, so it has mostly faded into the background.

One accolade Go Figure does have, though, is that it was nominated in the Best Family Television Movie or Special category at the Young Artist Awards in 2006. It did, however, lose out to Hallmark’s Christmas movie Silver Bells (2005).

LEGACY

What happened next for Go Figure? It was set up for us to see how Katelin got on at the Olympics. I for one would’ve quite liked to see this as a sequel.

And yet, no sequel was ever made. Although Disney Channel have made a few sequels to certain movies, these are normally sequels to already popular movies. Go Figure didn’t have extraordinary viewing figures, so spending further time and money on a sequel wouldn’t have made good business sense. I just would’ve quite liked to see it.

However, Go Figure has since been included on lists of good skating movies to watch[9]. Although the heyday of figure skating seems to have been and gone – at least for now – ice hockey continues to be a popular sport in North America, making this a feature within other Disney Channel movies. Two of these include Den Brother (2010) and The Swap (2016). But these are both male characters playing ice hockey, not girls, so Go Figure has them beat in that respect.

FINAL THOUGHTS

Go Figure is a sports-themed DCOM that managed to showcase two entirely different sports: figure skating and ice hockey, with the first primarily being seen as more fitting for girls, and the latter only for boys. Go Figure tries to change all that, in the same way that Eddie’s Million Dollar Cook-Off (2003) told viewers that girls can play baseball and boys can cook. Go Figure shows girls there are no limitations on what you can or should do.

Although I have always liked Go Figure, I should admit that if I could only ever watch one figure skating movie ever again, I’ll choose Blades of Glory (2007) every time. Both have their merits, but only one can make me laugh out loud.


REFERENCES

[1] Credit: Amanda Mears, ‘Fairy tale: Utahn BreAnn Brown portrays Tinker Bell in Disney on Ice’, Deseret.com, 9th March 2010.

[2] Credit: Rowan Bissett, ‘The puck drops on the 2025 NHL hockey season on October 8’, AthensOracle.com, 17th October 2024.

[3] Credit: Ahiza Garcia, ‘U.S. figure skating used to be wildly popular. What happened?’, Money.CNN.com, 13th February 2018.

[4] Credit: Gitanjali Poonia, ‘America were obsessed with figure skating in the ‘90s. Why aren’t we as enthralled anymore?’, Deseret.com, 4th February 2022.

[5] Credit: Netflix, Bad Sport (2021) Episode 4: “Gold War”.

[6] Credit: Jean Bentley, ‘What’s It Like to Write a Disney Channel Original Movie? The Duo Behind Read It and Weep Reveals All’, EOnline.com, 23rd June 2016.

[7] Credit: Jennifer Guzman, ‘Got Disney+? Keep an eye out for these movies filmed in Utah’, KSL.com, 12th November 2019.

[8] Credit: Disney, ‘Go Figure DCOM Extras Commercial’, Promo Central YouTube Channel, 5th June 2020.

[9] Credit: Amanda Bruce & Danielle Bruncati, ’10 Best Skating Movies’, ScreenRant.com, 13th January 2024.

Minutemen (2008)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

Disney Channel Original Movies cover all manner of themes and topics.

Some of their most popular, and most relatable, are those that focus on life as a teenager or troubles at high school. Everyone has been through difficult experiences at that age, so making a DCOM based on that is an easy way of engaging an audience. These types of movies were the ones I watched more of on Disney Channel.

However, Disney Channel has also been known to stray into other areas, such as delving into the genres of fantasy and science-fiction, although many of these are still grounded in school and teenage life, such as Twitches (2005); Halloweentown (1998); How to Build a Better Boy (2014) – and the 2008 DCOM Minutemen.

You can probably be forgiven for not having heard of or watched Minutemen whilst it was on Disney Channel. I will admit that I was not the first one to it, because the most exciting new DCOM to come to the channel in 2008 for me was Camp Rock. After the success of High School Musical (2006), Disney Channel had upped their game in all areas of their programming, but none more so than in their musical DCOMs. I also enjoyed watching the third instalment of the Cheetah Girls franchise, The Cheetah Girls: One World, that year. Disney Channel is known for its musical movies, with these tending to be the highest rated. Minutemen was the only other DCOM released in 2008, but it passed me by. I remember it being advertised, but it just didn’t appeal to me like the musicals did.

I don’t actually know when I found Minutemen, but it was at least a couple of years later. I was more interested in watching it after its premiere because it meant that I was more familiar with some of its leading actors by the time I found it, just randomly one day. Jason Dolley and Chelsea Staub, now known as Chelsea Kane, were frequently seen on Disney Channel in the 2000s and early 2010s, so it helped me like it, despite not being too interested in the concept of time travel, a major part of the storyline of Minutemen.

I believe I had only seen Minutemen once in full before this week, so that obviously means that it didn’t become an instant favourite for me. I took me a while to appreciate any type of science fiction film, even Back to the Future (1985), which is referenced numerous times in Minutemen, so I’m not surprised my teenage self wasn’t bothered by it. But re-watching this week, I was impressed with the storyline and the level of acting by the young stars. I did enjoy it, but not as much as other DCOMs.

PLOT

Minutemen begins on the first day of high school at Summerton High School for three friends, Virgil, Derek, and Stephanie. Stephanie worries that high school might change them, as she is going to try out to be a cheerleader, and Derek is planning on joining the school’s football team. During try-outs for football and cheerleading, with Virgil watching nearby, a kid on a jet-propelled kart comes onto the field. This is Charlie, a kid genius who has skipped grades because of his intellect. Because of Charlie ruining football try-outs, the football players circle Charlie and start to bully him. Virgil tries to diffuse the situation, but it makes everything worse: they end up dressed as cheerleaders and tied to the school’s ram statue.

Three years later, everything has changed for the trio of friends. Derek is now a jock, and his girlfriend is Stephanie, who did become a cheerleader. Virgil has remained friends with Charlie – the joint bullying experience must’ve bonded them – though he is resentful that, in his Senior Year, he still hangs out with “nerds”. Although Virgil and Stephanie continue to talk on occasion, things between Virgil and Derek are different.

During class, Charlie bursts into Virgil’s class and tells him there is an “AV Club emergency”. Virgil follows Charlie to the computer lab, where Charlie shows Virgil a simulation of practical time travel. Virgil doesn’t believe it’ll work, but Charlie manages to convince him to go along with the crazy scheme of becoming time travellers. Charlie says they need another person to help them. Virgil approaches new kid, Zeke, who comes across as the bad-boy-loner type. The three meet to discuss the project and Zeke agrees to it.

The group begin to build their time machine, having managed to convince Vice Principal Tolkan to let them set up a new club and base it in Room 77 after giving him change for the vending machine. Room 77 was Charlie’s pick for their “club” as it is a huge basement, originally set to be the school’s fallout shelter. Over time, they clean up the basement, and start to get – or steal, I can’t really tell – parts for their machine. Once it is fully built, all three of them are too scared to try it out, so Virgil and Zeke pick up Charlie’s cat, Albert Felinestein, put goggles on it, and throw it into the machine’s vortex. Charlie is furious, but the cat comes out alive, just a bit frosty. They look at the watch they strapped to the cat and it is one minute behind, proving that the cat went back in time.

The next day, all three of them are brave enough to go into the time travel vortex themselves, wrapping up warm to avoid frostbite. Charlie warns them that they only have ten minutes to go back in time and come back, or else they may explode. Nice. The trio arrive in the past and realise it is yesterday. They quickly go to a shop to buy a lottery ticket with the correct numbers so they can win the jackpot the next day, however, they are refused the sale as they are not old enough to purchase the ticket. The three go to the “living statue” outside and ask him to buy the ticket, giving him the list of numbers and telling him to keep the ticket to give to them the next day as they need to get back to the present. On their return, they rush over to the shop to find the man did buy the lottery ticket – but kept the winning ticket for himself! Can we trust no-one these days?!

Virgil, Charlie, and Zeke then discuss a different purpose for their time travel machine, as Charlie didn’t like the idea of buying a lottery ticket anyway because it is cheating. Good for you, Charlie; you stick to your morals. They then see Chester, one of Charlie and Virgil’s less-than-popular friends. Football players have stolen Chester’s clothes, leaving him to run through the school halls naked. This gives the boys an idea. They’ll use their time travel ability to help embarrassed high school kids!

Just as the three are about to go back in time, Charlie realises that they really ought to have someone stay back to monitor the machine and make sure there are no problems. The boys argue about who will have to stay and miss all the fun, when a girl called Jeanette comes into the room, wanting to be a part of the “Back to the Future Fan Club”, the cover name for the time travelling. This gives Zeke and Virgil an idea; Jeanette can be the one to stay back. Charlie isn’t so sure he wants anyone else to be let in on the secret, but he eventually agrees – and Jeanette has a crush on Charlie so she’s happy to be a part of their gang, regardless of what it means. Though she does want to do something about their time travel outfits. Luckily, her dad owns a ski shop so she equips them with white ski suits and goggles to give them an air of mystery and legitimacy to their time travelling. They name themselves “The Minutemen”.

The three go back in time and help Chester by giving him clothes to wear. As their outfits conceal their faces and identities, the mystery group soon become popular at school as they continue to help other kids. Vice Principal Tolkan, however, is not impressed by these “Snowsuit Guys”, who he keeps seeing running about the school without permission. Tolkan vows to find and punish them.

Meanwhile, employees at Pacific Tech have been monitoring high readings and power surges that seem to be coming specifically from Summerton High School. It turns out the FBI is also investigating, covertly following Zeke, Charlie, and Virgil. This leads Charlie to admit to having hacked NASA, stealing some files they had from the 1960s related to time travel. Zeke and Virgil are furious with Charlie for getting them mixed up in something illegal, but Charlie assures them that if they just lay low for a while and don’t time travel, everything should be fine. Virgil isn’t too bothered by this anyway, because he’s annoyed at not getting proper credit for the good work they’re doing. Plus, the students all call them the “Snowsuit Guys”, even though that isn’t their name. AND the kids they have helped have all become kind of obnoxious…However, Virgil soon finds an important reason for them to time travel again. He is told by Stephanie that she has got accepted to her preferred college, but on a cheerleading scholarship. The next day, Virgil comes into school to discover that Stephanie has broken her leg after falling from a cheerleading pyramid. A broken leg will most definitely cost Stephanie her scholarship, so Virgil convinces Zeke and Charlie to go back in time to help her. The three agree to do that, and Virgil manages to catch Stephanie as she falls, saving her leg, but also giving himself away in the process.

Stephanie confronts Virgil the next day, saying she knows he is one of the “Snowsuit Guys”. As Virgil believes they have been rumbled, he admits to Stephanie that him, Zeke, and Charlie are time travellers. Stephanie is in awe of this; she was just going to say they must be psychic! Charlie continues to feel uneasy about their use of the time machine, feeling that it is having repercussions in the real world. But Virgil continues to find reasons to use it. Stephanie comes to Virgil with Derek, asking for his help as Derek was distracted during a football game, and cost the team the win. Derek begs Virgil for his help, saying that he’s sorry for everything that happened between them, reiterating that he tried to get the football players to stop during that incident on their first day of high school. Virgil wants to be popular so he agrees to help Derek. Derek is grateful to Virgil and starts inviting him to parties, but this leads to Virgil ignoring Zeke and Charlie. Soon after, Virgil gets a call from Stephanie in tears, saying she saw Derek cheating on her with mean girl Jocelyn. Virgil goes to comfort her. Derek then calls Stephanie, wanting to talk but she won’t take him back. Derek begs Virgil to go back in time to stop that event from happening.

As Virgil wonders what to do – help Derek get Stephanie back, or let things run their course and hope that him and Stephanie can finally be together – he is thrown in a van and taken to a warehouse. There, the FBI confront the boys, telling them they know that the boys stole information from NASA and have been using it to time travel. The boys refuse to admit anything and are free to go. The FBI will continue to monitor their activities. The three go their separate ways, their friendship and hopes of time travel destroyed.

But Virgil goes on alone, telling Derek he will take him back in time to stop Stephanie seeing him with Jocelyn on the day of the school dance. Virgil goes to the dance with Stephanie, but he is pulled away by Derek, wanting to go back in time now. The students all follow them, believing there will be a fight. In the meantime, Charlie has discovered that their time travelling led to the creation of a black hole on the school field. He confesses to the FBI, telling them they have about four hours to save the world. The FBI and Charlie storm the school to get Zeke, Virgil, and Charlie together to stop the black hole from consuming everything. There is only an hour left at this point so the guys suit up and walk to the black hole, ready to jump in, students clapping and cheering them, as their identities are revealed.

The ”Minutemen” jump into the black hole, and fall into the local park. Using a remote machine that Charlie whipped up, they begin to reverse the polarity. Charlie believes they have about twenty minutes until they can return. They then go to the school to try and stop past Charlie accessing the component he used to make his time travel machine, something to do with that kart, because they’ve found they are back at their first day of high school. At the same time, Virgil wants to change what happened that day, so he never became “a nerd”. Charlie is hurt by this, telling Virgil that day was also the day that Charlie finally found a real friend. Charlie and Zeke walk away, leaving Virgil to do whatever he plans to do. Virgil watches over the scene below, and discovers that Derek never tried to stop the bullying, like he claimed, but was actually a part of it.

Charlie and Zeke discover that the portal is collapsing and don’t have enough time to get back through it. Suddenly, Virgil rides up in Charlie’s old kart, having changed nothing about the bullying incident. He drives the three of them to the portal – but accidentally goes the wrong way. They’ll never make it in time! Oh, but wait. Zeke has that grappling hook he takes with him on every time travel escapade. He uses the hook and sends the kart in the right direction. The kart destroys the town on the way but they get through the portal in time.

They land, in their ski suits, back at school, on what was the day they first time travelled. As they walk through the school, they see that nobody knows anything about them or the “Snowsuit Guys”. Their mission was a success. Virgil goes to the library where he spoke to Stephanie that day, and tells Derek that he knows what he did that first day of high school and that he knows Derek is cheating on Stephanie with Jocelyn. Virgil then tells Stephanie he likes her; she says she feels the same. Charlie also kisses Jeanette, just before Zeke and Virgil can remind him that Jeanette hasn’t kissed him yet, as she had done before they went into the black hole…She doesn’t mind though. Charlie then starts to talk to Virgil and Zeke about a new idea around teleportation. The two quickly carry him away, not wanting to get mixed up in any more of Charlie’s “experiments”.

CHARACTERS & CAST

Virgil Fox initially seems hopeful about his first day of high school. He’s got his two best friends with him, what more does he need? But one event can change everything, and from that point, although Virgil has made new friends, he has become frustrated that he has become associated with “nerds”. Although Virgil talks and listens to Charlie, for most of the movie it seems like he merely tolerates him. Virgil seems to blame Charlie specifically for his problems. I hate to break it to him, but if Stephanie and Derek were going to be a cheerleader and a jock respectively, then the chances are their friendship wouldn’t have lasted anyway. Popularity does strange things to people. And in that scenario, Virgil would’ve been all alone, even without Charlie to call his friend. When Charlie comes up with the idea of time travel, suddenly, Virgil thinks this is quite cool – but once again, Virgil uses it as an opportunity to become popular and more liked amongst other students. It doesn’t really work that way until Stephanie learns about it and she tells Derek. But when Virgil gets the chance to go back and change his first day of high school so he never met Charlie and became unpopular, he doesn’t do it. I never thought Virgil was going to go and do that, because, although I’ve made him sound like a bad guy, he’s not.

Virgil does have some unresolved issues, there’s no doubt about that, and he forgets who his real friends are at times, yet he’s still a likeable character. This is all down to the actor, because Virgil could’ve ended up as a terrible main character if the wrong person was cast. Jason Dolley was cast as Virgil. Dolley had a long career with Disney Channel, beginning with the DCOM Read It and Weep (2006), where he played Connor. Dolley went on to star as Newt in the series Cory in the House (2007-08), and then as Pete in the DCOM Hatching Pete (2009). Dolley later was cast as PJ Duncan in Good Luck Charlie (2010-14) and its DCOM, Good Luck Charlie, It’s Christmas! (2011). After this, he appeared as Kevin in the ABC series American Housewife (2016-21). Most recently, Dolley wrote and starred in the short film The Unicorn That Never Lies (2024).

Charlie Tuttle hasn’t had an easy time at high school, because he is so much younger – and smarter – than everyone else. He’s an easy target for bullying and thanks to Virgil coming to his rescue on that first day, Charlie finds he does have a friend, someone he can talk to and who might stick up for him. Charlie is a genius; however, his high-achieving personality leads to him getting himself into trouble. Just because the possibility of time travel is waiting to be discovered doesn’t mean you should hack into NASA and steal their old research on the subject. Charlie is ecstatic to have figured out how to time travel, but he soon discovers that his, Virgil, and Zeke’s actions have caused damage to the world, culminating in a black hole. Charlie admits that he made a mistake and finds a way to resolve it. He just wanted to advance the world of science; he never meant to destroy it!

Charlie Tuttle was played by Luke Benward, who had already starred in the film How to Eat Fried Worms (2006) as Billy Forrester prior to his role in Minutemen. Benward went on to appear as Alan Wheddon in Dear John (2010); and came back to Disney Channel to star in the DCOMs Girl vs. Monster (2012) as Ryan, and Cloud 9 (2014) as Will Cloud. Benward also appeared as Beau, Teddy’s boyfriend, in the final season of Good Luck Charlie (2010-14). After Disney, he went on to be cast as Dillon Sanders in the Pretty Little Liars spin-off series Ravenswood (2013-14) and as Bo Larson in the Netflix movie Dumplin’ (2018).

Zeke Thompson is a new student at Summerton High School, first seen as he arrives to school on a motorbike. He seems like the silent, loner type, but Charlie and Virgil notice that he has engineering skills which may be useful to their time travel project. Although it might seem that Zeke doesn’t have time to hang out with science geeks, he is intrigued by this plan and agrees to help them; Zeke thinks the idea of time travel is cool. Much of the plot resolves around Virgil and Charlie’s friendship, and the dynamic between Virgil, Stephanie, and Derek, so Zeke doesn’t get all that focus, however, he helps find students who might need their time travel experience to avoid embarrassment and he is loyal to the cause, sticking firmly with Charlie on points, such as not betraying each other to the FBI, and not continuing to time travel when things start to look tricky.

Nicholas Braun also had a bit of history with Disney. Prior to his casting as Zeke, he was cast as Zach in the Disney movie Sky High (2005). After Minutemen, he went on to appear as Ed in the DCOM Princess Protection Program (2009), and then as Lloyd in Disney’s Prom (2011), which was not a DCOM, though it does feel like one. Since his “Disney days”, Braun has become an incredibly successful actor, appearing as Michael in Date and Switch (2014), alongside Dakota Johnson and Sarah Hyland, and as Josh in How to Be Single (2016), which also featured Dakota Johnson, and Rebel Wilson. He is perhaps most known for his role as Greg Hirsch in the critically-acclaimed series Succession (2018-23). Recently, Braun portrayed both Jim Henson and Andy Kaufman in the movie Saturday Night (2024) and is set to star in the movie Famous alongside fellow Disney alumni Zac Efron and Debby Ryan.

Moving on, Stephanie Jameson was one of Virgil’s closest friends before high school. At high school, though, things are a little bit different. Stephanie is a cheerleader, but she does make time to speak to Virgil. She’s not like one of those awful cheerleaders you see in movies who drop all their friends when they finally become popular. Stephanie isn’t actually all that happy about being popular. She thinks Virgil and his friends look much happier than any of the popular kids ever do. Virgil is smitten with Stephanie, and for once, I was actually rooting for the “nerd” to win the heart of the popular girl, because she was just so nice!  

Chelsea Staub, now known as Chelsea Kane, was cast as Stephanie. Like the three actors I’ve just talked about, Kane also had a history with Disney Channel. After Minutemen, she went on to star as Stella Malone, alongside the Jonas Brothers, in the Disney series Jonas (2009-10), before being cast as Alexis Bender in StarStruck (2010), alongside Sterling Knight. Also for Disney, Kane voiced the character of Bea Goldfishberg in Fish Hooks (2010-14). Outside of Disney, Kane placed third in Season 12 of Dancing with the Stars and played the part of Riley in the ABC series Baby Daddy (2012-17). She returned to voice acting again in 2019 to voice the character of Loy for the series Archibald’s Next Big Thing (2019-21).

Then there is Virgil’s ex-best friend Derek Beaugard. For most of Minutemen, Derek is also Stephanie’s boyfriend, but he turns out to be a cheater – big surprise there – so Stephanie dumps him. Derek then asks Virgil to take him back in time to avoid the moment that Stephanie saw him with another girl. Derek convinces Virgil to do this because he claims that during that bullying incident on their first day of high school he tried to get the other football players to stop doing what they were doing. Well, it’s a good thing that big, black hole stopped Virgil from helping Derek because it turns out Derek is a liar as well as cheat, actually contributing to the football players’ bullying of Charlie and Virgil, and not stopping it, as Virgil sees when they go back in time to save the world. Derek is just awful.

Steven R. McQueen was cast as Derek. He went on to be cast as Jeremy Gilbert in The Vampire Diaries (2009-17), and then as Jimmy Borrelli in Seasons 4 and 5 of Chicago Fire (2012-present). Oh, and that girl Derek was caught with was, Jocelyn, was played by Kellie Cockrell, who might look familiar to Halloweentown fans, as she played Sapphire Sinister in Return to Halloweentown (2006).

Then there are a couple of Virgil and Charlie’s friends to mention. One is Chester, who is frequently bullied by the jocks, but once Virgil, Charlie, and Zeke go back in time to help him one day, Chester becomes a real jerk, ignoring Virgil and Charlie, who only risked their lives to stop him being humiliated, and even starts to bully the jocks. All returns to normal, though, once the Minutemen go back and sort out that black hole. Then, there is Jeanette. Jeanette is a bit weird and hyper, coming on a little bit too strong for the socially awkward Charlie when she’s trying to show she has feelings for him. Eventually, Charlie learns to love Jeanette’s quirks and they become an oddly cute couple.

Chester was played by Dexter Darden. Darden went on to be cast as Frypan in The Maze Runner trilogy (2014-18) and appeared as DeVante in the reboot series of Saved by the Bell (2020-21). Most recently, he portrayed Muhammad Ali in the Peacock miniseries Fight Night: The Million Dollar Heist (2024), which starred Kevin Hart. Jeanette was played by Kara Crane, who went on to guest star in episodes of series like The Suite Life on Deck (2008-11); The Mindy Project (2012-17); and Baby Daddy (2012-17).

Finally, there is Vice Principal Tolkan. Tolkan isn’t bothered by the bullying epidemic he clearly has going on at his school, not even batting an eyelid when he sees a student trapped in a vending machine. Instead, he’s bothered about getting the right coins to get the snack he wants. Tolkan is happy to let “the normal order” take precedent over basic human rights, but that does mean that when Chester becomes a bully to the jocks, Tolkan suddenly wants to discipline because that goes against the status quo. What is it with DCOMs and corrupt teachers. We have Tolkan here; we had Brenigan in Lemonade Mouth (2011); where does it end? Vice Principal Tolkan was played J.P. Manoux, who should be familiar to Disney Channel fans for playing Vice Principal Hackett in the Disney Channel series Phil of the Future (2004-06). He also replaced David Spade from The Emperor’s New Groove (2000) as the voice Kuzco in The Emperor’s New School (2006-08), and voiced the character of Mr. Fraley in the Disney Channel animated series The Replacements (2006-09).

MUSIC

Minutemen isn’t a movie packed with songs, but one in particular was familiar to me.

This song was “Like Whoa”, performed by Aly & AJ, which played during Virgil, Zeke, and Charlie’s building of their time machine. It was written by Aly and AJ Michalka – who themselves starred in the DCOM Cow Belles (2006) – Antonina Armato, and Tim James. “Like Whoa” was part of Aly & AJ’s second album Insomniatic, released in 2007.

Another song I instantly recognised as being performed by Corbin Bleu, although I had not heard the song before, was “Run It Back Again”, which can be heard during the montage of the Minutemen helping students and being investigated by the FBI. “Run It Back Again” was written by Matthew Gerrard and Robbie Nevil. The music video features clips from Minutemen. It is also a track on Radio Disney Jams, Vol. 10, released in January 2008.

At the party that Virgil attends with Derek and Stephanie, I believe the song “Thinking About It…Baby” is playing, which was written and performed by Salme Dahlstrom. At the school dance, there is also a song that sounds a bit like “Johnny B. Goode” being played by the school band. When Stephanie and Virgil dance later, there is a different song playing. These seem to just be riffs on 1950s songs, since that is the theme of the school dance, and it’s a small reference to Back to the Future, and its setting of 1955. There is no information on these songs and they are not credited.

One final song to mention that is also not credited is the music that is playing during the End Credits. This is a mini-blooper scene that turns into a dance party with all the cast and crew. All I know is that the song goes “put your hands up, put your hands up, put your ha-ha-ha-ha-hands up”. I tried to search for it, tried Shazam, but it doesn’t exist apparently.

Nathan Wang is credited as the composer for Minutemen. Wang has composed the music for other DCOMs including Hatching Pete (2009); Wendy Wu: Homecoming Warrior (2006); and Christmas…Again? (2021), amongst many other non-Disney projects.

PRODUCTION

Science fiction is a common genre in entertainment, both on-screen and off.

On-screen, some of the most popular science fiction franchises have involved space travel, such as Star Wars and Star Trek. Although space travel is advancing, we are not yet living in a world that looks anything like those in science fiction films. However, others in this genre have become less science fiction and more “science fact”.

Some science fiction movies that have been focused on getting the science right include Christopher Nolan’s Interstellar (2014), whose plot has a basis in theoretical physics, and Ridley Scott’s The Martian (2015), which follows an astronaut’s attempts to survive on Mars[1]. A movie that comes somewhere in between science fiction and “science fact” is Back to the Future, one of the most popular science fiction franchises ever, in itself an inspiration to other science fiction films. Minutemen takes some ideas from this movie in its own exploration into time travel.

For fans of Back to the Future, there are many subtle references within Minutemen, aside from the time travelling storyline. One is that Charlie has named his pet, in this case a cat, after Einstein, and Doc Brown did the same with his dog in Back to the Future. Jeanette can also be seen at one point looking at the school newspaper, which changes its headlines as soon as the Minutemen have changed the past; this is something that happens in Back to the Future. You might also notice that Virgil’s last name, “Fox”, the same as that of Marty McFly actor Michael J. Fox, and that Vice Principal Tolkan is named after actor James Tolkan, who played Principal Strickland in the movie. A big mention of the movie comes in the fact that the boys named their club, the “Back to the Future Fan Club”. Obviously, they knew that they were re-enacting the movie in real-life.

I could go into detail about the never-ending problems with the scientific inaccuracies and plot holes that exist within Minutemen and Back to the Future that others have somehow had time to find. I’m not going to do that, because I don’t really care about accuracy in movies like this, because there is too much still to be discovered in the world of science. I will instead mention just one.

Time travel is not currently physically possible, however, theoretically, it has been discussed with many possible outcomes. For example, one theory that neither Back to the Future nor Minutemen manage to follow is the “grandfather paradox”. The example used to explain it says that if a time traveller went back in time and killed his grandfather before he could have children, then this would mean the time traveller never existed, so couldn’t actually go back in time to do that. In Minutemen, the boys go back in time to fix issues and return to the present to find that it’s like they never happened. This goes against the grandfather paradox. This theory led to the belief that travelling backwards in time was not possible, and has caused many viewers of movies like this to comment on inaccuracy.

But there have since been discussions, including theories from Stephen Hawking, that debate whether it is possible to travel back in time, at least to an earlier point in time that you’ve already been to. This would mean that Minutemen could work, however, this relies on the fact that things would be unalterable in that past timeline – which Minutemen does not stick to. Alternatively, there is a lot of discussion about quantum physics and parallel timelines, which are too complicated for me to understand[2]. All I know is that parallel timelines are explored in Back to the Future, specifically Back to the Future Part II.

My point here is that Minutemen took a lot of influence from Back to the Future, and in doing so, it took some of Back to the Future’s scientific inaccuracies and made them their own. However, that does not mean that Minutemen doesn’t have a good story, because it does, and it was good for Disney Channel to create a science fiction-based movie. Science fiction isn’t a particularly common genre for Disney, with their Zenon trilogy ending in 2004. Minutemen was their first science fiction movie since then, but Zenon takes place in space in the future, not in present day with some elements of science within it, like Minutemen. There wouldn’t be another science fiction-themed DCOM until The Suite Life Movie in 2011.

Minutemen was directed by Lev L. Spiro. After Minutemen, Spiro went on to direct the DCOM Wizards of Waverly Place: The Movie (2009) and some episodes of the Disney Channel series Jonas (2009-10). More recently, he has directed some episodes of UnReal (2015-18) and Insatiable (2018-19). The screenplay for Minutemen was written by John Killoran, with David Diamond and David Weissman being credited for the story.

The actors enjoyed working with Spiro during filming on Minutemen, and Spiro in turn enjoyed working with them. It seemed like a fun, creative atmosphere on set. One area where this was clear was in the stunts. Minutemen is not a high action thriller, however, there were still moments of stunt work, and the actors got to do quite a lot of it. Jason Dolley, Luke Benward, and Nicholas Braun ended up doing lots of jumps and dives to film the shots of them going into and coming out of the time travel vortex. They also did some work on wires for their characters spinning through the vortex. Although the vortex doesn’t look particularly realistic, it is worth remembering this is a TV movie from 2008. Benward was also able to drive the “runaway” kart in Charlie’s first scene in the movie.

There is also another actor that should be mentioned here and that is Tennessee the cat, who played Albert Felinestein. Although the cat is not seen all that much in Minutemen, Albert Felinestein was part of a key moment in the movie: the first test of the time travel machine. The cat actually had to be sprayed with something to make it look like it had been frosted up during the time travelling. But don’t worry; the cat was not thrown into the air when the boys throw it into the vortex in the film. A toy cat was used as a “stunt double”.

The coldness aspect of time travelling, which saw the DeLorean freeze during the time travel sequences of Back to the Future, did mean that the boys had to wear big, thick snowsuits. This may’ve been easy to do had this shoot been entirely inside, or shot during winter, but it was not; it was filmed in summer. Dolley, Benward, and Braun had to do a lot of activity in those costumes and did struggle at times in the hot weather[3]!

Minutemen was filmed in August 2007 in Utah, with two schools being used as filming locations: Murray High School, based in Salt Lake Valley; and Highland High School in Salt Lake City. It seems that Murray High School was used as the exterior of Summerton High School, with a giant bronze ram statue being placed outside the school entrance, with “Summerton High School” and “Rams” wording being added to the building. It supposedly confused some registering students; however, the props were removed before school started. Highland High seems to have been the setting for Summerton’s playing field[4].

Utah has been a fairly common filming location for Disney Channel, with others being filmed in Utah including Cloud 9 (2014) and Good Luck Charlie, It’s Christmas! (2011). Murray High School is not even a stranger to Disney Channel, as it was used as the filming location for Read It and Weep (2006) and the High School Musical trilogy (2006-08)[5].

RECEPTION

Minutemen premiered on Disney Channel on 25th January 2008 in the US.

It reportedly reached around 6.5 million viewers on its premiere. This is about average for a Disney Channel Original Movie release for the time, potentially slightly above average. The DCOMs with the best viewing figures tended to be the musicals, or the ones with the biggest Disney Channel stars. Although Minutemen features a lot of Disney stars as we now know them, at the time, none of the main actors had been in many Disney projects before, so Disney Channel didn’t have that to market the movie fully. Although I’m from the UK and not the US, I don’t remember Minutemen being heavily advertised on the channel, however, the other two releases of 2008, Camp Rock, and The Cheetah Girls: One World, were. It is worth noting though that in the US, Minutemen actually had slightly more viewers than the third Cheetah Girls movie, which had viewership of around 6.2. million. I also think Minutemen fared quite well for a January movie release. DCOMs released over the summer or towards Halloween I always felt were the most exciting ones.

Looking at audience reviews, I was surprised to find so many positive ones for Minutemen. That’s not to say I think it deserves more negative reviews, because it doesn’t, but just that many reviews of DCOMs tend to be overly critical. In Minutemen’s case, many felt that the storyline was fun and smart, with better-than-expected acting. I would definitely agree with this statement. Many liked the references to Back to the Future that are peppered throughout Minutemen. It was also appreciated that this is a DCOM that is centred on three teenage boys, and outcasts at that. Many other DCOMs do not do this, although Disney Channel were clearly trying to appeal to this demographic during the 2000s, as you can see with movies like Jump In! (2007) and Hatching Pete (2009).

However, Minutemen did not escape any negative reviews, as no film ever can. Some said that Minutemen was “forgettable”. To be fair, in amongst all the other DCOMs that have been released, I would say that Minutemen has been forgotten by many Disney Channel fans, unless they happened to have watched it enough times at a younger age to make it a favourite. But the reason it may have been forgotten isn’t because the movie is low-quality; it’s because the DCOM world has been saturated with musicals. Others were quick to point out the inaccuracy of the time travelling within Minutemen, and there were some comments about how the black hole and “end of the world” scenario was a little bit overdone, especially with the four-hour time limit to fix everything. Four hours is a random amount of time for something as cataclysmic as a black hole consuming the world – or was it just the US? – but I didn’t think it was excessively dramatic.

Personally, I think Minutemen is a better-than-average DCOM, with a different type of story and pretty good acting. It’s certainly not anywhere close to being one of the worst DCOMs I’ve seen. 

LEGACY

Unlike Back to the Future, which spanned two sequels, merchandise, a TV series, and a fandom that are extraordinarily loyal, Minutemen didn’t get that.

Minutemen instead may even get confused with The Minutemen characters from the DC comic book series Watchmen. Minutemen are also the name of characters in other comic books, including those from Marvel. Minutemen, or Minuteman, has also been used as the name of different organisations or groups in the US over the years, including in the American Revolutionary War. This term generally refers to rapid deployment of people.

One good thing to come out of Minutemen was the careers of its stars, with the four main actors having multiple Disney credits. Jason Dolley mentioned during a 2020 video he appeared in on Christy Carlson Romano’s YouTube Channel – the voice of Kim Possible for anyone unfamiliar, as well as Ren Stevens in The Even Stevens (2000-03) – that he was one of the few actors to have been in the most DCOMs with four, joint with Brenda Song. Song has in fact been in five. Although some were quick to point out the inaccuracy in his statement, many actors who have been in more than four DCOMs were in series, such as Raven-Symoné in The Cheetah Girls and Zenon films, and Ashley Tisdale, in the High School Musical and Phineas and Ferb movies. Dolley was in four completely unrelated, standalone DCOMs, as well as two Disney Channel series, which is still impressive. If nothing else, Minutemen was a stepping stone to success for its Disney Channel stars.

Minutemen also went some way in breaking Disney Channel’s reliance on musicals after its High School Musical hype, and finding a way of appealing to boys, instead of only on pre-teen and teenage girls.

FINAL THOUGHTS

Minutemen is not my favourite DCOM, and I didn’t even see it until after its release. I’ve always liked musicals, so I was always excited for those, and I’d also choose to watch DCOMs with actors I already knew. Minutemen wouldn’t be able to meet that second requirement for a few years, but when it did, I went ahead and saw it.

It wasn’t a particularly memorable movie experience to be honest, but re-watching this week, I was impressed with it. The storyline covered the scientific background of time travel, as well as the potential homeland security issues that may come with this sort of endeavour, making Minutemen more complex a movie than others that are generally about high school. Minutemen managed to combine the time travel with this aspect.

Minutemen is a movie for the outcasts, once again proving that it’s the ones who no-one imagines anything of who do the things that no-one can imagine.

Alan Turing reportedly said that; I can’t take credit for it.


REFERENCES

[1] Credit: BBC Bitesize, ‘Five times the movies got their science right’, BBC.co.uk/bitesize, October 2022.

[2] Credit: Andrew May, ‘What is the grandfather paradox?’, LiveScience.com, 31st January 2022.

[3] Credit: Disney Channel, ‘Minutemen 2008 DVD Overview’, Diamond Boy’s Disney DVD Overviews YouTube Channel, 12th January 2024.

[4] Credit: Jennifer Toomer-Cook, ‘Disney moment for Murray, Highland’, Deseret.com, 3rd September 2007.

[5] Credit: Jennifer Guzman, ‘Got Disney+? Keep an eye out for these movies filmed in Utah’, KSL.com, 12th November 2019.

Big Time Movie (2012)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

In 2006, Disney Channel premiered a new series: Hannah Montana (2006-11). But this wasn’t just a TV show, because Hannah Montana became a pop sensation amongst kids, tweens, and teens, releasing CDs and putting on concerts, like any other singer would. So why should Disney have all the fun? In come Nickelodeon – the “other channel” that Disney would rather you didn’t know about – with their own show, Big Time Rush (2009-13), which launched a band along with its series, who released CDs and put on concerts.

This was never anything new, because The Monkees (1966-68) was very similar, i.e., four guys form a band in a television series and then become a real band off the back of it. In fact, when I was watching Big Time Rush, my mum mentioned that the show was basically The Monkees, but I wouldn’t know; I haven’t seen it.

I found Big Time Rush in an odd way. I was in Florida on a family holiday and whilst there, I always liked to buy the tween magazines, like J-14, so I could read about my favourite Disney stars. This time, I was about 18 and I was starting to drift away from Disney Channel as my favourite series ended and stars departed, but I still bought the magazine anyway. Whilst flipping through, I came across poster-after-poster of this band: Big Time Rush. They were cute, so of course, I was instantly fascinated with who these guys were and what show they were on.

I got home, found the show on Nickelodeon and became a fan of them over the summer. I even took those magazine posters to put up on my wall when I went to university that September, not thinking it was particularly weird. After all, I wasn’t much younger than these guys so naturally I thought, if I ever met them, they’d be much more likely to fall in love with me than any of their younger fans. I know, delusional, right?

Anyway, I did not find other people my age to be too forgiving of my interests. I was teased for the posters, as well as for my love of Disney. It wasn’t meant to be bullying, but it felt like it, and I was hurt, to be honest. But I got through the year and, by the summer, Big Time Movie had come out in the UK. I loved both the movie and the music – though I first watched it with a friend of mine who fell asleep through most of it, so not exactly a glowing review from her…Not that she was a fan, so who cares?

After that summer though, I started to feel like a kid for still liking Big Time Rush, knowing that I wasn’t their target demographic and that other people my age might be looking down on me for it. So, I vowed not to talk about “kid stuff” at university again. By doing this, I moved away from Big Time Rush, only listening to their music in secret, and I never finished watching the full series.

Recently, I decided to expand my movie reviews by venturing beyond the “Disney bubble”, and what should spring to mind as one of these non-Disney movies to write about but Big Time Movie. I had to give it a try again. I expected to find Big Time Movie quite cringey after not watching it for years, but I actually found it fun. Super cheesy but not taking itself seriously. Big Time Movie was just a good piece of light entertainment that extended the show’s overarching storyline.

PLOT

Big Time Movie begins in a huge castle where a James Bond-style villain has captured a princess. As the princess cries for help, we see the four members of boy band Big Time Rush assemble to come to her rescue. They are dressed up like spies in tuxedos and each finds their way to the castle: Kendall via a souped-up Aston Martin; Logan has a jet ski; Carlos is riding a quad bike; and James has parachuted out of an aeroplane. The villain is ultimately defeated by James falling onto the villain as he crashes through the ceiling. The princess is eternally grateful to the boys….

But then we don’t see anything else, because this was all just a dream. Carlos’ dream, in fact, which he has been woken from by a flight attendant, telling him that they are soon to be landing in London. Yes, Big Time Rush are going to London, the first stop of their world tour. The boys are very excited by this, however, Gustavo Rocque, music producer and Big Time Rush’s founder, is worried that the boys will get the tour cancelled with their usual chaos and antics. Kendall’s mother and sister, Katie, are also along for the ride. Katie is looking forward to somehow becoming a princess during her time in London, by meeting a member of the British Royal Family – because they’re so easy to find…

Once in the airport, Big Time Rush are told by Gustavo and his assistant Kelly not to get into any trouble. And yet, trouble just seems to find them, as they are rudely shoved by policemen chasing after someone in a suit holding a backpack. The man manages to swap out the backpack for an identical one on a nearby luggage carousel, but is caught by some scary-looking henchmen, including a man who has a hammer for an arm. This man is apparently a spy who is taken to a castle owned by entrepreneur Sir Atticus Moon. Moon wants whatever is in that backpack badly. He orders his henchmen to track it down once he discovers the bags were swapped.

Big Time Rush, meanwhile, have gotten to their hotel, the Queen’s Hotel, and we see that Kendall has the swapped-out backpack, unknowingly holding some sort of device wanted by a crazed billionaire. The boys are also unaware of the fact that members of MI6 are watching them, attempting to surreptitiously retrieve the backpack, but they are clearly very inept spies and they fail in their mission. Once inside their hotel room, the boys are told to remain in the room until soundcheck that afternoon, in preparation for their performance that night. Kendall then opens up his backpack to find a strange device inside. He presses the button on it and the room loses all gravity, sticking the guys to the ceiling. Kendall manages to push the button again and they fall to the ground. Suddenly, a spy enters the room aiming a gun at them. Logan is shot in the leg with a dart that knocks him unconscious. As Kendall, Carlos, and James stand there not knowing what to do, a girl comes in through the window, knocks the spy out, and takes the backpack. Two men from “room service” then burst in trying to get the bag, but Carlos catches it as it is thrown out of the girl’s hand. The boys rush out of their room through the fire escape, carrying Logan with them.

At the same time, Katie has overheard the Duke of Bath checking into the same hotel as them. Hearing that he’s single and royalty, Katie plans to set her mother up with him. They are taken out for afternoon tea and shown around the city by the duke. Meanwhile, Gustavo and Kelly are horrified to find that Big Time Rush have gone missing, with their tour promoter threatening to cancel the whole tour if they’re late for soundcheck.

Big Time Rush are now in Chinatown and search for the device online, via the “London Information Kiosk”, an interactive screen that is handily situated on the street. They find that billionaire Moon was trying to make an anti-gravity device but denied it was possible to make. Carlos then sees the guy with the hammer arm, who he’d seen at the airport, coming towards them. The guys run away again and come face-to-face with that girl who knocked out the spy in their room. She tells them to get in her talking spy van if they want to live – so they do just that. The van is being pursued by the “room service” men, who are actually Swedish spies also wanting the device. The girl introduces herself as Penny Lane, explaining that her father is a spy for MI6, and, although MI6 want the device, they are less bothered about rescuing her father from Moon. So, Penny asks the guys to help her save him. Big Time Rush aren’t sure about this but then find they are wanted by the police and MI6 so don’t have much choice! Kendall reminds everyone that they need to get to soundcheck in Hyde Park, so they make a deal: if Penny can get them to Hyde Park in time, then they will help her. Penny arranges a meeting with Moon in Hyde Park for the exchange.

MI6 have discovered that the device they believe Agent Simon Lane, Penny’s father, had was part of Moon’s Project Beetle, having discovered a report all about it. The head of MI6, however, thinks that Big Time Rush has taken this “Beetle” so that they can take over the world, especially as they have found footage from the hotel of Gustavo saying just that, but in reference to the band’s world tour. It’s clear he’s barking up the wrong tree, but there’s no persuading him that Big Time Rush have accidentally got mixed up in this!

Near to Hyde Park, Penny gives the boys disguises and tells them that the park is just across the street. They need to split up and get to their soundcheck, ensuring they avoid fans, police, and the Swedish spies on their way to it. As Gustavo and Kelly nervously await the boys’ arrival at soundcheck, they themselves are captured by MI6 and taken to be interrogated. They don’t have a clue what MI6 are talking about, but they are subjected to torture anyway – in the form of someone singing Big Time Rush songs to them!

Back at Hyde Park, just as the tour promoter is about to angrily cancel the tour, Big Time Rush turn up on stage to complete their soundcheck at the Hyde Park Amphitheatre. They then rush off to meet with Moon. Moon is waiting for them with Agent Lane in tow. However, he has more henchmen with him than expected and the boys are surrounded by guns. Even Penny, who was waiting nearby to shoot at them, is caught by Hammer-Arm. But Carlos starts a fight and they manage to escape from Moon and his henchmen – having to carry Logan who has been shot with a dart once again! They run into an unusually clean public toilet which actually takes them to a secret MI6 base. Agent Lane tells them that Moon is going to use the anti-gravity device, the Beetle, to take over the world but before they can come up with a plan to fix anything, Logan accidentally shoots Agent Lane with a laser which knocks him out – and will last for twelve hours. But Logan’s having a bad day, ok?! So, it’s up to them and Penny to decide what to do next. To make it worse, the boys soon learn that Katie, Kendall’s sister, has been captured by Moon, after him and Hammer-Arm take her from their hotel. Moon tells the boys to bring him the device in an hour, or else.

They come out of the lair back onto the London streets not knowing what to do, but happy that, because they have the backpack still, they have leverage. The Swedish spies then zoom past them and steal the backpack. Great, no more leverage… Logan wants to go to the police but they can’t really do that. Carlos wants to re-enact his spy dream from earlier and, having no other ideas, the boys and Penny agree to it. Penny’s van then arrives, despite having gotten annoyed with Big Time Rush earlier and banned them from accessing it, to come and help them, complete with tuxedos for the guys and Penny’s signature spy outfit. They also equip themselves with spy gadgets.

Having received the device after capturing the Swedish spies, Moon can set about enacting his plan. He explains to Katie that his plan is to use the Beetle and a laser to push the Moon out of its orbit, and, since it’s the day of the supermoon, it’s the perfect time to do so. This will cause worldwide chaos and allow Moon to force his way into power and become ruler of the world. MI6 figure out the plan and try to stop it, however, all their systems and communications become jammed, thanks to Moon using his big “Jam” button. He also protects himself with a force field so nobody can get to him. Smart.

Big Time Rush and Penny soon burst onto the grounds and into the castle, fighting all the henchmen. Kendall rescues Katie, and they even free the Swedish spies. The laser then hits the Moon and starts to be pushed out of orbit, disrupting the oceans and causing volcanoes to erupt. Penny and James go to the top of the stairs to defeat Moon, because in Carlos’ dream, James defeated the villain by falling on him. But once at the top of the stairs, James isn’t so sure about falling, so Penny kisses him and in his post-kiss reverie, he falls from the stairs on top of Moon, disabling the force field, which obviously didn’t cover Moon from above. What a rubbish force field… The boys shut down the laser by removing the Beetle and the Moon returns to its orbit. But in a twist, Katie is taken by Moon. Big Time Rush follow them and Kendall says he’ll give Moon the device. In the swap, Kendall turns on and throws the Beetle which sticks onto Moon’s back, lifting him into space.

MI6 arrive and thank Big Time Rush for their help, saying they’ll deal with Moon later as he flies higher and higher into the atmosphere…They are given a lift to their concert, via helicopter, almost late again. But they arrive just in time and launch into the first song of their set. At the concert, Katie tells her mother that the Duke of Bath is not a member of the Royal Family, having learnt he actually sells toilets after seeing an advert for his company on television – though she probably already suspected something was up after the duke gave her a bouquet of plungers instead of roses! When they meet the Earl of Sandwich backstage later, Kendall’s mother quickly leads Katie away, saying she’s not interested, despite this guy actually being royalty, and “third in line to the throne”. 

At the end of their show, the boys are told by Gustavo and Kelly they can go sightseeing now, but find themselves face-to-face with the Swedish spies, who actually only want to return Kendall’s backpack and threaten the boys with a promise to make one of their tour stops in Sweden. They promise – and then agree to never being secret agents again! Penny and her dad, who’s awake now, then arrive, ready with their van to take them out sightseeing together. The boys do a quick-change into their tuxedos and get in the van.

CHARACTERS & CAST

For anyone unfamiliar with the concept of Big Time Rush, although the members of the real band use their actual names, the series and also the movie did not do so. Because the series came before the band, the series features fictional characters, though their first names are the same as the actors/singers, and only the surnames are different.

For example, Kendall Knight was played by Kendall Schmidt. Kendall Knight is Big Time Rush’s leader on screen and is the most level-headed one in the group. Kendall tends to be the one who is the most focused on the band and its success, not because Kendall is fame-hungry, but because he really loves being in a band with his best friends and doesn’t want it to end. This means that during Big Time Movie, when Carlos is distracted by spies, Logan just wants to see Parliament, and James is distracted by Penny, Kendall is the one making sure they get to soundcheck and their concert on time.  

After the Big Time Rush series ended in 2013, Kendall Schmidt went on to have a recurring role in the Nickelodeon series School of Rock (2016-18), which was based on the 2003 movie starring Jack Black, playing the character Justin of Night Lizard. Schmidt is also known for the group Heffron Drive that he formed in 2008 with Dustin Belt. During his time on the show, Heffron Drive was on a break, but restarted again after the series ended.

James Diamond in the show is the ladies’ man and pretty boy of the band. When he isn’t singing, because he was the one most motivated to be a singer, he’s thinking about girls. During Big Time Movie, he doesn’t spend much time thinking about Sir Atticus Moon and his devious plans. He’s thinking about Penny Lane. Penny initially seems irritated by James’ advances, but eventually, she falls for his charming personality.

James Maslow played James Diamond on screen. After the show ended, Maslow was part of the line-up for Season 18 of Dancing with the Stars in 2014, where he finished in fourth place. On screen, he appeared in a few movies including Room for Murder (2018), where he played Jake; Holiday Twist (2023), playing Sam; and starred as Kevin Mohr in the Crackle series Sequestered (2014). In 2018, Maslow was one of the celebrity housemates in the US version of Celebrity Big Brother, where he finished sixth. Maslow pursued a solo singing career shortly after Big Time Rush, releasing his first album How I Like It in 2017.

Carlos Garcia is the troublemaker in the group, though he doesn’t mean to be. It’s just his light-hearted nature and excitability that get the band into all sorts of scrapes. In Big Time Movie, Carlos is in a dreamy state, thinking about how great it would be to be a spy, so when the moment comes for the boys to get involved in their own spy adventure, Carlos immediately wants to jump into it. Carlos’ spy dream actually comes in useful because he tells the boys and Penny how they should proceed on their mission to stop Moon, since Penny’s father, an actual spy, is “indisposed” – and it works.

Carlos Garcia was played by Carlos PenaVega. Since the end of Big Time Rush, PenaVega has voiced the character Bobby Santiago in the Nickelodeon animated series The Loud House (2016-present). PenaVega also starred in the Hallmark movie series the Picture Perfect Mysteries (2019-20) as Detective Sam Acosta, alongside his wife, Alexa PenaVega. They later both starred together in the Hallmark movie Love in the Limelight (2022). Following in Maslow’s footsteps, PenaVega came fourth in Season 21 of Dancing with the Stars back in 2015. He has also recently started a new band alongside friend Alex Marshall called Angels + Kings. Their first single “Lightning” was released in October 2024.

Rounding out the Big Time Rush band members is Logan Mitchell. Logan is the smartest one in the group, even aiming to become a doctor. This means he is quite analytical, logical, and serious, at times anyway. In Big Time Movie, Logan is nervous about getting involved in a spy operation, believing the best thing to do is to report it to the police, a perfectly normal response. He just wants to go and see Parliament in the city. But Logan is dragged into the action reluctantly, getting shot with tranquiliser darts on more than one occasion during the film, so he doesn’t have all that many opportunities to voice his dismay at being forced into this potentially deadly situation.

Logan Henderson was cast as Logan Mitchell. After Big Time Rush ended in 2014, Henderson took a break from the spotlight, returning to the music scene in 2017 with his debut solo single “Sleepwalker”. He later released his debut album Echoes of Departure and the Endless Street of Dreams – Pt. 1 in May 2018. It seems that Part 2 of the album is yet to be released.

Penny Lane – this being a not-so-subtle reference to The Beatles song of the same name – is the teenage spy who comes into Big Time Rush’s life like a whirlwind. Her father has been captured by Moon after smuggling an anti-gravity device out of a lab. Knowing he was at risk of capture, he swapped the backpack hiding the device with an identical one to stop Moon accessing it. Penny then attempts to retrieve the device so she can exchange it for her father’s release. She claims she doesn’t want to simply hand it over to MI6 because she fears her father’s return is not their priority, so she enlists the boys to help her with her plan. As usual with Big Time Rush, the plan does not go smoothly, however, they do save Penny’s father, Simon, quite easily. If it weren’t for a poor use of a spy laser by Logan, they might have been able to defeat Moon without so much trouble! Instead, Penny has to rely on Carlos’ dream to come up with plan. Luckily, it does work, with some clunky moments, and Penny also realises her feelings for James at the same time. What a time for romance, when the world is about to be destroyed by a power-hungry billionaire…

Penny was played by Emma Lahana. And don’t let that British accent fool you, because Lahana is in fact from New Zealand. Prior to Big Time Movie, Lahana was cast as Fiona in the Disney Channel Original Movie You Wish! (2003), and had performed the recurring role of Charlotte Monroe in The CW series Hellcats (2010-11). After Big Time Movie, she went on to play Brigid O’Reilly / Mayhem in the Freeform series Marvel’s Cloak & Dagger (2018-19). Her father, Agent Lane, was played by Christopher Shyer, also not British, who most recently landed the recurring role of the Vice President of the USA in Netflix’s The Night Agent (2023-present). He also previously portrayed Richard Nixon in J. Edgar (2011), the movie about J. Edgar Hoover, which starred Leonardo DiCaprio in the main role.

Then there is Sir Atticus Moon, the villain of Big Time Movie, who plans to move the Moon out of its orbit so he can rule the world. He is clearly meant to resemble a Bond villain with his grand plans, his suit, and his love of holding cats, frequently asking henchmen to get him a cat that he can hold. The cats don’t look very happy about this most of the time… This is reminiscent of the Bond villain Blofeld who held a white Persian. However, this being a movie for Nickelodeon, the villain here is not a criminal mastermind. He seems quite scared of fights and confrontation, getting his henchmen to do his dirty work for him, and doesn’t know what to do when things go wrong. When Big Time Rush ruin his plan, he simply grabs Katie and runs outside with her, telling the boys to give him the device. Moon then hands Katie over before he gets the device – rookie error. So, this gives the boys the opportunity to trick Moon by attaching the device to him, and, since it is an anti-gravity device, Moon gets launched into the air. We don’t actually know if he ever made his way back down to Earth….

Sir Atticus Moon was played by Trevor Devall, who has a history of voice acting, having voiced Rocket Raccoon in the animated series Guardians of the Galaxy (2015-19) for DisneyXD, as well as Hobbie in Star Wars Rebels (2014-18), also for Disney XD. Devall also “played” the character of Hermiod in Stargate: Atlantis (2004-09).

There are also other characters from the Big Time Rush series who appear in Big Time Movie. Two of these are Katie, Kendall’s sister, and Kendall and Katie’s mother, Mrs. Knight. Mrs. Knight has been the boys’ chaperone during their time in LA so she would need to accompany them on the tour. Katie, meanwhile, is excited to be in London because she dreams of marrying Prince Harry and becoming a princess. This leads her to trying to set up her mother with the Duke of Bath. Although Mrs. Knight has no desire to go along with her daughter’s scheme, when she hears that the duke has seventeen castles and hundreds of staff, she’s a little more interested. But, alas, he sells toilets for a living and the relationship ends before it really begins! It’s quite a silly side plot, but quite entertaining as well.

Katie was played by Ciara Bravo. After Big Time Rush, Bravo went on to appear as Emma Chato in the FOX series Red Band Society (2014-15) and was cast as Mary Smith in the FX series A Teacher (2020). Most recently, Bravo appeared as Tina in Season 2 of the Roku series Most Dangerous Game (2020-23), and was cast alongside Tom Holland, playing the character Emily, in the film Cherry (2021). Mrs. Knight was played by Challen Cates, who currently seems to be running a winery, Challen Winery.  

Then there are Gustavo Rocque, the band’s music producer, and Kelly Wainwright, his assistant. Gustavo is quite a highly strung person, and unfortunately because Big Time Rush seem to attract chaos, they do not make Gustavo any calmer! Kelly is the more level-headed one, generally taking Big Time Rush’s trouble-making ways in her stride, although the events of Big Time Movie test both of them. Gustavo and Kelly specifically tell the boys not to leave their hotel room so they don’t get involved in any mess, so they are completely shocked to find the boys are nowhere to be seen, risking the cancellation of the whole world tour. To make things worse for Gustavo and Kelly, they are directly pulled in to the havoc, as they are interrogated and “tortured” by MI6, as MI6 believe that Gustavo and the boys are planning to really take over the world, after hearing footage of Gustavo saying that they will conquer Europe. This was all metaphorical, of course, in relation to hopes their tour will be a success, but instead of getting an apology from MI6, Gustavo and Kelly are simply dumped in a field and have to make their own way to the concert. What a bad day for them…

Stephen Kramer Glickman was cast as Gustavo Rocque. After the series ended, he went on to co-host the comedic podcast series The Night Time Show (2015-present). He also voiced Ned in the animated movie White Fang (2018). Kelly was played by Tanya Chisholm, who recently was cast as Jenna in Season 4 of Tyler Perry’s series Sistas (2019-present). She also recently appeared as Holly in the Hallmark movie Dial S for Santa (2023). Chisholm might look familiar to Disney fans as she played Jackie, one of Sharpay’s entourage in High School Musical 2 (2007).

MUSIC

Th majority of the music that can be heard in Big Time Movie should sound familiar to fans of The Beatles because the songs on the official Big Time Movie soundtrack are covers of famous Beatles songs, all written by John Lennon and Paul McCartney.

I’m going to be honest and say that I am not a fan of The Beatles. I understand that they are a huge part of the music industry as a whole and that they are massively important specifically to the British music scene, but I don’t actively seek out their music to listen to, and have only heard their songs randomly, like on screen or on the radio. It’s nothing personal; I just wasn’t born at the right time.

Because of this, I like Big Time Rush’s versions of these songs and prefer them to the originals. I’m sure many fans of The Beatles, though, would not enjoy these covers. Big Time Rush admitted themselves that they were nervous about doing the covers, but wanted to pay homage to the legendary band. The Big Time Movie soundtrack was released on 6th March 2012, ahead of the movie’s premiere on 10th March[1]. The movie also features some songs from the band’s second album Elevate which was released in November 2011, and some from their first album BTR, released in October 2010.

The first song to be heard in Big Time Movie is “Help!”, which plays during the opening spy sequence. It begins immediately as the captured princess is about to cry “help”. Funny about that, it’s like it was planned. This sequence and song set up the audience to get ready to watch a spy-inspired movie. “Help!” was first released in 1965, this being the title song of The Beatles’ film of the same name. “Can’t Buy Me Love” is the next Beatles song to be heard, as it is used for the scene when Big Time Rush are escaping from Hammer-Arm and Moon’s other henchmen who have followed them into the city. This song was released in 1964 and was part of the album A Hard Day’s Night.

Following on from that is my favourite song in the soundtrack, “We Can Work It Out”. This is played as the band are trying to get through Hyde Park to their soundcheck without being spotted by the police, screaming fans, or Moon’s men, so obviously, they are in weird disguises to do that, with mixed results. But they also appear in all black outfits at one point, which I believe is referencing a performance of this song by The Beatles. I can’t work out what the umbrellas and bicycles the band play about with during this scene mean though, other than I’ve seen images of The Beatles holding umbrellas and riding bicycles for photoshoots. Big Time Rush begin this song by stepping onto the “Abbey Road” crossing – except it’s not the real one – in that iconic pose. “We Can Work It Out” was originally released by The Beatles in 1965. Then there is “Revolution” which can be heard during the fight scene at Moon’s castle, when Big Time Rush and Penny Lane manage to foil his plan. This song is “foreshadowed” as Moon says a few times just before it about being ready for a revolution. This song was originally released in 1968.

The final Beatles song to appear in the movie is “A Hard Day’s Night”, this being Big Time Rush’s first song in their concert set at Hyde Park that evening, referencing the difficult day they’ve just had. This song was recorded in 1964 for The Beatles album of the same name. The other song on the official Big Time Movie soundtrack is “I Wanna Hold Your Hand”, which does not appear in the movie, although the band did perform this at some tour shows. The Beatles recorded this song in 1963.

 But The Beatles covers aren’t the only songs to appear in Big Time Movie; they had to use some of their own music. During the Hyde Park concert, Big Time Rush follow “A Hard Day’s Night” with the song “Elevate”, which is from the band’s second album of the same name. This song was written by Damon Sharpe, Johnny Powers Severin, James Maslow, and Eric Sanicola. You can also hear “Big Time Rush”, from the band’s first album BTR, and “Music Sounds Better With U”, from their second album, performed as part of Gustavo and Kelly’s torture scene. “Big Time Rush” is played towards the end of the film. It was written by Matthew Gerrard, Charlie Midnight, and Jay Landers. I thought I heard “Music Sounds Better With U” in the background near the end of the movie as the guys are told by Gustavo they can finally go sightseeing after their concert too. “Music Sounds Better With U” had many contributors including Ryan Tedder, Noel Zancanella, and Big Time Rush.

Finally, within the credited songs, you can hear “Any Kind of Guy” from the album BTR, and “Famous”, which is also on the same album, although not in some countries. It was not on the UK CD of BTR that I bought anyway. These songs were written by Matthew Gerrard, Charlie Midnight, and Jay Landers; and Desmond Child and Andreas Michael Carlsson, respectively. An instrumental clip of “Any Kind of Guy” is used when Gustavo and Kelly go to Big Time Rush’s hotel room with the tour promoter and find them gone. A small snippet of “Famous” is heard just as Big Time Rush get the idea to have MI6 take them to their concert via helicopter. It is then followed by an instrumental version of “Big Time Rush” as they actually get on stage.

There are also two snippets of uncredited songs that can be found in Big Time Movie. One is “Rule Britannia”, composed by Thomas Arne and James Thomson, which can be heard as the band are about to land in London and their plane flies over sights of the city. The second is “Brandenburg Concerto #3 1st Movement” by Bach, which is played during Katie and her mother’s afternoon tea. It may also be the classical music playing in the background whilst they are in the hotel lobby, but I’m not sure.

Finally, Guy Moon is credited as the composer on Big Time Movie. Moon was also the composer on other Nickelodeon programming, such as Danny Phantom (2004-07); the Fairly Odd movie trilogy (2011-14); and, of course, the Big Time Rush series.  

Just as a warning, I watched Big Time Movie on DVD, however, I also watched parts of the movie on Paramount Plus, where I noticed that not all of the songs within the movie are played in full. This is probably a licensing issue and I’m unsure if this affects every country where Paramount Plus is available.

PRODUCTION

Big Time Rush, as a television show for Nickelodeon, officially began with its first season on 18th January 2010, having been created by Scott Fellows, who had previously created the series Ned’s Declassified School Survival Guide (2004-07), also for Nickelodeon. The official series debut on the evening of 18th January set a new record for a Nickelodeon series, becoming the highest-rated and most-watched live-action premiere of a series for the channel with 6.8 million viewers[2]. It seems that this record has not been beaten in the years since. The first season ran until 20th August 2010 and consisted of twenty episodes.

A two-part pilot episode, “Big Time Audition”, first aired on 28th November 2009. This pilot introduced audiences to the four members of Big Time Rush and saw them get the opportunity to go to Los Angeles to start a band, having originally just been four guys from Minnesota. This set up the premise of the show, which followed the band through their time adjusting to new lives in California, and took viewers through the band’s journey from unknowns to international fame.

Supposedly, the four characters within Big Time Rush were written to be similar to the actual personalities of the actors and singers. However, I never really saw that, and interviews with the band, both then and now, only add to my feeling about that. Of the four of them, I think Kendall was the most like his character, but that’s really only because Kendall in the show was the steady, sensible one. Obviously, I don’t know them so I can’t actually comment, but it was quite clear to me that they were playing characters in a show after watching interviews with them as a real band. That’s probably a good thing really!

Speaking of Kendall, did you know that in an unaired pilot for a series to be called Brand New Day Kendall was replaced with a different actor? Big Time Rush could’ve been a very different series if this pilot had been greenlit. Instead, although Brand New Day was set to feature James, Carlos, and Logan, there was no Kendall, because the actor playing the fourth member of Big Time Rush was Curt Hansen; his character was called Curt Knight.

Based on the few clips and snippets of information I have found about this unaired pilot, it would seem that the plot of the pilot was more or less the same as “Big Time Audition”, with Gustavo Rocque plucking the boys out of Minnesota to take them to California to make them stars. But, outside of Curt not being Kendall, there were a couple of other differences. One was that Curt’s sister was not little Katie, but was actually a teenager. Another was that, at the end of the episode, Big Time Rush had to perform to Griffin, Gustavo’s boss, to convince him that the band could continue. In the aired pilot, they perform “Big Time Rush”, the series’ theme song, however, in the unaired pilot, they sang “This is Our Someday”[3]. That would’ve been the only thing from the unaired pilot that I would’ve liked kept because that’s my favourite Big Time Rush song, but even just from watching clips of the unaired pilot that surfaced online, it didn’t feel right without Kendall.

Since this version of the pilot was never released to the public, there hasn’t been anything publicly stated by the band or the creators of the show about why Curt was replaced with Kendall. Just because fans want to know why doesn’t mean they ever need to, or will, find out. It has been said that the reason was simply that Curt looked too much older than the other three and he sounded too much like James, so a lack of talent was not the issue here, especially as Curt Hansen went on to perform the role of Fiyero in the Broadway musical Wicked, both on Broadway and in touring productions. Hansen’s story with Big Time Rush also did not end with the unaired pilot as he appeared as the character Dak Zevon, a clear parody of Zac Efron, in two episodes of Season 1 of Big Time Rush.

After the success of Season 1, a second season began shortly after the first one finished. Season 2 consisted of 29 episodes, starting on 25th September 2010 and ending on 28th January 2012. This was my favourite season of the show, though I did only watch the first two in full. They’d sorted out James’ hair in this season; I appreciated it.

Just under two months after Season 2 ended, Big Time Movie was set to premiere. This movie would continue the storyline of the series which had ended with discussions about Big Time Rush going on a world tour. London was their first stop on this tour.

Big Time Movie was written by Scott Fellows, the creator of the series, which makes sense for continuity. It was directed by Savage Steve Holland, who had directed multiple episodes of Big Time Rush, including the pilot “Big Time Audition”. For Nickelodeon, Holland had directed episodes of other series including Zoey 101 (2005-08) and Fellows’ Ned’s Declassified School Survival Guide; as well as Nickelodeon movies such as A Fairly Odd Movie: Grow Up, Timmy Turner! (2011), a live-action/animated continuation of The Fairly OddParents (2001-17), co-written by Scott Fellows and Butch Hartman. Holland had also previously directed for Disney, with the Disney Channel Original Movie Stuck in the Suburbs (2004) and several episodes of Lizzie McGuire (2001-04) and Phil of the Future (2004-06).

I don’t want to ruin anyone’s illusions about Big Time Movie, but I should say that, despite being set in London, it was not filmed there. Gasp! Like many television movies, especially those meant to be set in the UK, Big Time Movie was filmed in British Columbia, Canada. Production tried their best to make Big Time Movie look like London, but some might’ve noticed a few misrepresentations and misunderstandings of the city, such as Kendall continuously referring to the London Eye as “the giant Ferris wheel”, which I would’ve expected Logan to have corrected him on, and how I have never seen a “London Information Kiosk” interactive screen on the streets of London. There are others but the real thing to bother me, because I’m a bit of a royalist, is that the Earl of Sandwich claimed to be third in line to the throne. In 2012, Prince Harry was actually third in line to the throne, as Prince George was not born until 2013. The Earl of Sandwich, an actual title currently held by Luke Montagu, the 12th Earl of Sandwich, is way down the line of succession. These were obviously not meant to be factual, more for comedy or story purposes, but it’s always good to correct misconceptions, just in case. I don’t want anyone going to London and being disappointed that there are no information kiosks for them to Google stuff – because we don’t have phones that can do that now or anything…

Anyway, one of the locations used to film Big Time Movie was Hatley Castle, which was the setting for Moon’s castle, and the evil villain’s castle at the start of the film. It has been used for various other productions. For example, Hatley Castle was the setting for Auradon Prep, the school in Disney Channel’s Descendants film series. It is also the home to X-Mansion in some movies within the X-Men and Deadpool film franchises[4].

Since Big Time Movie was being promoted as “Austin Powers meets James Bond with Beatles songs”, some level of stunts was needed in the movie. In some cases, the stuntmen had to do the work for the actors or other methods were used, such as a dummy being thrown from the top of the stairs in Moon’s mansion at the point that James is meant to be crashing down onto him. Kendall also did not actually drive the Aston Martin his character is driving at the beginning as he couldn’t drive “stick shift”. However, in others, Big Time Rush got to do their own stunts. For instance, Carlos was allowed to drive the dirt bike that his character is riding at the start of the movie, at least for some shots, and James, whose character jumps out of a plane during that opening sequence, did perform his own stunt here, jumping around ten feet down onto crash mats.

Big Time Rush got to work with some big names whilst filming Big Time Movie. For example, their stunt coordinator was Garvin Cross, who had just worked in the stunt department on Inception (2010) at the time, and their costume designer was Angus Guthrie, who won the Oscar for Best Costume Design on Moulin Rouge! (2001)[5].

RECEPTION

Big Time Movie premiered on 10th March 2012 on Nickelodeon in the US. It was later released on Nickelodeon in other countries over the next few months. It premiered in the UK on 26th May 2012, for example. During its first weekend, Big Time Movie reached around 13 million total viewers in the US, with the primetime premiere averaging 4.1 million viewers[6].

Big Time Movie and its director Savage Steve Holland were nominated at the 65th Directors Guild of America Awards for outstanding directorial achievement in the Children’s Program category, but lost out to Paul Hoen who directed Disney Channel’s Let It Shine (2012). That’s just a tad bit awkward for Nickelodeon to lose out to its biggest rival channel!

 In terms of reviews for Big Time Movie, these were mostly positive from fans of the television series, who were the target audience for the movie. It was a good extension of the storyline, since having a band go on to do a world tour is a natural progression in their career, and it involved the same silly humour that the programme was known for. Many appreciated the references to James Bond movies as well as The Beatles. The covers of Beatles songs were also considered to be good, according to fans of Big Time Rush. The movie also only has a runtime of just over an hour, so it’s perfect for children to focus on  However, a movie cannot limit who sees it only to those who should like it, so, there are negative comments online about Big Time Movie too. The majority of these state that the acting and plot of the movie are awkward and cringey, likely because the viewer was not part of the target demographic at the time of watching. When I was nineteen, I didn’t find Big Time Movie cringey at any point, but watching it as an adult, I did at times, so it’s a fair comment to make, but Big Time Movie was never aiming to be Oscar-worthy material.

Unsurprisingly, other reviews focused on the fact that Big Time Movie was seen to be ripping off The Beatles, both through their covers of popular Beatles songs, as well as through the plot of Big Time Movie. Although there is nothing overly similar in the plots of Big Time Movie and The Beatles films like A Hard Day’s Night (1964) and Help! (1965), the silly humour and antics that happen during everyday band life did feature in those Beatles movies. These movies did, however, inspire the series The Monkees (1966-68), which, in turn, inspired the making of Big Time Rush. So, to say “rip-off” is harsh, and “influenced by” is more appropriate.

I also read a few comments saying that the movie was “offensive”. I’m not quite sure who would be offended by Big Time Movie. Perhaps British people because it used some stereotypical characters and misunderstanding of British life, although I’m British and didn’t find it at all offensive. Inaccurate, yes, but offensive, no. The only thing that perhaps could be deemed offensive is the Japanese “torture” scene, where Kelly and Gustavo are tortured by a Japanese man singing Big Time Rush songs at MI6. Torture methods shouldn’t be made light of, so this was a slightly awkward attempt at humour, but I can see the intent behind it, to actually mock Big Time Rush themselves and not Japan. Some accents in this movie might also be classed as “offensive”, but mostly bad accents are just funny.

LEGACY

After Big Time Movie was released, Season 3 of Big Time Rush premiered on Nickelodeon shortly afterwards, on 12th May 2012. This ran across twelve episodes ending on 9th November 2012, and used many of the songs from Big Time Rush’s second album, Elevate. Season 4 of Big Time Rush then aired from 2nd May 2013 to 25th July 2013 and consisted of thirteen episodes. This time, music from the band’s third album 24/Seven, released in June 2013, was used throughout the season. 

It would appear that the cast of the Big Time Rush series knew that Season 4 would be their last, probably because the main four were in their mid-twenties by this point and no doubt wanted to get on with their own careers. The band breaking up after releasing their third album was even a plot point in Season 4 Episode 11 “Big Time Break Out”, so that’s even more evidence that the show was coming to a conscious end. Season 4 ended with a two-part special called “Big Time Dreams”. In this episode, Big Time Rush were nominated for five awards at the Tween Choice Awards – an obvious nod to Nickelodeon’s own Kids’ Choice Awards, complete with slime, or, in this case “goop”. However, they couldn’t enjoy the ceremony as they were pulled into an evil plot whereby the award ceremony’s sponsor was trying to hypnotise the world into wanting to eat his mac and cheese product all the time. With help from Alexa PenaVega, playing a fictionalised version of herself as an actual “spy kid”, Big Time Rush foil the plan and make it on stage just in time to perform and receive their award for “Awesomest Song”. The episode ends with all the boys achieving their dreams: Logan to find the “goop” room at the awards show; James to become “official” with his girlfriend, Lucy; Kendall to have the band be a success, together; and Carlos to finally get a girlfriend, this being Alexa PenaVega, his real-life girlfriend at the time.

 Although “Big Time Dreams” was quite a cute episode, it didn’t feel like a fitting ending to the whole show. Some comments online found this to be a disappointing finale, feeling that it basically took the plot of Big Time Movie, the events of which the boys didn’t even mention during the episode. Many did like the last few moments of the episode though, with the band’s performance “We Are”, as well as seeing clips from the best moments of the show playing on a screen behind them.

After Big Time Rush the show ended, the band completed a final tour, their Live World Tour, in February 2014. The band then broke up, seemingly forever. Throughout their time on television and in the music industry, the show and the band had won multiple awards at the Kids’ Choice Awards. Big Time Rush won Favorite International TV Show at the Kids’ Choice Awards in Mexico in 2011; Argentina in 2013; and Colombia in 2014. The band won Favorite Music Group at the US Kids’ Choice Awards in 2012 and the Fan Army award in 2013. The band also won Favorite International Group in Argentina in 2012, Mexico in 2013, and Colombia in 2014. The show was even nominated for Best International TV Show at the BAFTA Children’s Awards in 2010.

But Big Time Rush were over, giving the guys the freedom to do whatever they wanted in their lives in the meantime. However, in 2020, with the COVID-19 pandemic stressing out much of the world, Big Time Rush reunited momentarily to release an acoustic version of their popular song “Worldwide”.

That could’ve been where the band left their reunion, crushing the dreams of many fans, but they did not stop there because in 2021 Big Time Rush officially announced that they were reuniting, by going on tour. This was the Forever Tour which began in Washington D.C. on 23rd June 2022 and spanned many areas of the US, as well as some cities in South America, becoming their first headline tour in nearly a decade. It ended in Rio de Janeiro on 5th March 2023. And that was not all. In June 2023, Big Time Rush released their fourth album Another Life and went on tour again, the Can’t Get Enough Tour, visiting areas of the US, Canada, and Mexico during the summer of 2023.

This was then followed by a UK and Europe Tour which took place in June 2024. They went to cities like Berlin, Paris, Madrid, London, and Manchester. In October of that year, the band went to Australia and Asia for another mini-tour, heading to places like Sydney, Melbourne, Singapore, and Manila. The band’s most recent fan event was Big Time Rush on Ice which was their Christmas 2024 event, held in Bridgeport, Connecticut.

2025 is going to be just as exciting for fans, as the band announced a new world tour on 20th February 2025, named the In Real Life Worldwide tour, with dates starting in cities across the US from July 2025, going until the end of August, before the band head off to Europe in November 2025, visiting cities across the continent, like Berlin, Milan, Barcelona, Paris, London, and Athens, until the tour ends in December. It was also announced that Katelyn Tarver and Stephen Kramer Glickman, both of whom starred in the Big Time Rush series as Jo and Gustavo respectively, will be joining the band on their tour.

There has also been some discussion around a new Big Time Rush movie being in the early stages of development, which potentially could feel similar to Zoey 102 (2023), the reunion movie for Zoey 101, though hopefully a Big Time Rush reunion will be more accomplished than Zoey 102

FINAL THOUGHTS

In all honestly, the, for want of a better word, bullying that I experienced during my first year at university around my love for Big Time Rush did somewhat taint the show and the band for me. I only watched a few episodes of Big Time Rush Season 3 before giving up and moving on with my life.

Over the years, I have felt somewhat cheated out of experiences that real Rushers – their fandom name – got to experience. I missed out on Big Time Rush’s third album; I never got to see the finale episode of the television series live; and I didn’t get to see Big Time Rush reunite around 2021. I wasn’t even aware that the band had got back together until a few months ago. Obviously, I can go back and find these moments online now, but it might’ve been nice to live through them with everyone else.  

But I really need to move past that, and this week, by researching Big Time Movie, I’ve managed to get closure on that chapter in my life because I got to go back and look at old interviews, clips of past episodes, old songs, and new music. It was a lot of fun.

Big Time Rush will always have a special place in my heart and, although I can’t count myself as an official Rusher, I wish the guys nothing but the best for the future, either with the band or in their solo projects. I look forward to seeing what they do next. 


REFERENCES

[1] Credit: Jason Lipshutz, ‘Exclusive: Listen To Big Time Rush’s ‘Big Time Movie’ Soundtrack’, Billboard.com, 29th February 2012.

[2] Credit: Nickelodeon, ‘Nickelodeon Scores Record-Breaking Night with Brand-New iCarly and Big Time Rush Debut’, PRNewsWire.com, 19th January 2010.

[3] Credit: Author Unknown, ‘Brand New Day (partially found pitch pilot of “Big Time Rush” Nickelodeon musical comedy series; 2007)’, LostMediaWiki.com, date unknown.

[4] Credit: Hatley Park, ‘Over 80 years of filming’, HatleyPark.ca, date unknown.

[5] Credit: Nickelodeon, ‘Behind the Scenes – Big Time Movie – Photoshoot’, MafeHD YouTube Channel, 5th March 2012.

[6] Credit: Nickelodeon, ‘Nickelodeons “Big Time Movie” Scores Top Spot for the Week With Kids and Tweens and Reaches 13 Million Total Viewers’, TheFutonCritic.com, 13th March 2012.

Upside-Down Magic (2020)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

Fantasy novels have always been popular with adults and children alike.

They give people an opportunity to escape from the mundanity or the stress of real life and enter a new world where those problems don’t matter, paling into insignificance when compared to the troubles of mystical lands.

Within the world of fiction, some major fantasy series from the years include Discworld by Terry Pratchett; The Chronicles of Narnia by C.S. Lewis; Philip Pullman’s His Dark Materials trilogy; and of course, J.K. Rowling’s Harry Potter series. But the fantasy world is always open to new writers, and one new novel to hit the shelves in September 2015 was Upside-Down Magic, the first in a series, which Disney optioned straight away.

There have been other occasions when Disney Channel have made movies based on books, such as Read It and Weep (2006), which was based on the novel How My Private, Personal Journal Became a Bestseller by Julia DeVillers, and Twitches (2005), which was based on the T*Witches book series, by H.B. Gilmour and Randi Reisfeld.

Using a novel as a basis for a movie is a good way of introducing books to younger audiences, because, if they enjoyed the film, they may want to read the book it was based on. Or it gives the book’s fanbase a new way of enjoying their series. Since the first book in the Upside-Down Magic series had been published five years prior to the release of the movie, Disney Channel were probably hoping that the readers of the books would be excited by the making of this movie. 

I wasn’t expecting much when I watched Upside-Down Magic, and I certainly was not looking forward to it. I thought I’d find it boring and childish, and, since I’d never heard of this film or the book series it is based on, I couldn’t imagine that it was any good. In actual fact, I did quite like Upside-Down Magic, despite not being the target demographic. It was a good mix of fantasy, mystery, and coming-of-age drama, although it missed the mark with others, who felt it resembled a certain series a little too much. 

PLOT

Upside-Down Magic begins with the main character, Nory, saying how her mother used to tell her that everyone has their “something”: a talent. Nory’s mother died when she was only seven-years-old. At this age, Nory discovered she had magical talents after turning into a cat one afternoon just by looking at it through a window.

Six years later, Nory is preparing to go to Sage Academy to learn all about magic. She is luckily going with her best friend Reina, who has fire magic. Nory is incredibly excited about going to Sage Academy, but Reina is nervous about it. Nory tells her it’s all going to be great and that Reina’s magic is amazing. Nory, on the other hand, struggles to control her magic and shapeshifts into strange hybrid animals.

Nory and Reina go to the bus stop to get to their new boarding school. Many other magical kids are waiting too. Here, we learn that Nory’s mother was a student at Sage Academy. Suddenly, a random guy comes out of the bushes and sends the parents away, saying he is there to take the children to the school. Because that’s not weird at all when you’re going to magic school, I guess. The grumpy guy escorts the kids through the forest, telling them not to use magic on the way. Soon, they arrive at a mess of twisted branches with a hole in the middle. This is apparently the entrance to the school, but there seems to be nothing beyond it. The moody guide walks through the gap – and disappears. Nory and Reina hold hands, take a deep breath, and step through too, arriving at a beautiful school.

At Orientation, the children meet their headmistress, Ms. Knightslinger. She tells them that Sage Academy consists of five different “schools” based on different types of magic: “Fuzzies” are those who can communicate with animals; “Flickers” are those with telekinesis; “Flares” have fire magic; “Flyers” can fly, of course; and “Fluxers” transform into animals. Each one of them must go through a placement test to see if they are talented enough to be placed into the Honours Programme for their type of magic.

For the Flares, students must light a candle from six feet away. The Fuzzies must answer questions about a dog. Flickers have to bring a vase towards them. Flyers are instructed to fly three feet in the air, hover, and then land. Fluxers must turn themselves into a tabby cat, hold the form for six seconds, and return to normal. Throughout the placement tests, there are a mixture of performances. For example, in the Flares test, Reina does perfectly but a student called Elliot can only create smoke. In the Flickers’ exam, a girl called Pepper can only push the vase away from her, not bring it to her. In the flying test, a boy called Andres flies up too high and gets stuck on the ceiling. And then, there’s Nory, who transforms into a cat briefly – but then transforms into a cat with dragon wings…

In the quad, each student is given their results on a card. Nory and Reina look at theirs together. Reina has been admitted into the Flares Honours classes, but Nory’s card simply says “UDM”. As the other students head off to get their uniform, Nory is pointed towards the forest and follows the signs to “UDM”. Her new “school” is situated in an underground cave and is led by the grumpy man who took them to the school, Mr. Skriff. He is both the school’s groundskeeper and the teacher of the UDM programme. Nory sees she is joined by Elliot, Pepper, and Andres. Mr. Skriff tells them that these four are here because they have what is called “upside-down magic”, basically meaning their magic is defective so there is no place for them at Sage Academy as they cannot do magic “the Sage Way”. In the UDM programme, they will not be learning magic, but will be doing real school work or other tasks around the grounds as they wait for their magic to disappear.

As Nory protests against this, Ms. Knightslinger arrives to tell them that they are unteachable and their magic is of no use to the world. Nory asks why they can’t be given a chance to correct their magic. Ms. Knightslinger tells them about a former Flares student called Reginald from Sage Academy in 1939. He had upside-down magic and was soon a target of “Shadow Magic”, a type of magic that consumes someone and is difficult to defeat because of its darkness. Ms. Knightslinger says that those with upside-down magic are the targets for Shadow Magic, so they are separated from the others to both protect the world and themselves from this possibility. Nory is devastated.

Meanwhile, Reina in Honours Flares class is told that she must continue to be great or risk being demoted to Basic Flares class. Her teacher, Professor Argon, also tells the class about Founders’ Day, where the best student from each magical school is given the opportunity to present their magic at a ceremony. To decide who that is, the two top students from each school of magic compete against each other in the Sage Match. Reina is nervous, especially without Nory there to boost her confidence, but gives her first lesson a go: popping corn. Reina does well, until she hears a scoff from a kid in her class, which distracts her so she then burns the corn. Professor Argon warns her she’ll need to do better than that.

Nory is sad to be separated from Reina, especially as she learns that the UDM students have to clean the school with Mr. Skriff. As Nory is sweeping, she stumbles upon a Fluxer lesson, where she hears about the Sage Match and Founders’ Day. Nory is determined to fix her magic by the day of the Sage Match, so she walks into the Fluxer lesson and tries to transform herself into a cat. It doesn’t work and she instead becomes a strange mix of an elephant and a bird. Mr. Skriff rushes over to calm Nory down so she can turn back to normal. He escorts her away, reiterating that the rules are there to protect her.

Throughout the days that follow, the UDM students learn that they are being segregated from the other students, so Nory and Reina cannot talk often. Reina continues to struggle with the pressure of the Flares programme, whilst Nory, with help from her fellow UDM classmates, tries to control her magic in secret, ready for the Sage Match. After a particularly difficult class for Reina, she bumps into a girl who tells her that she is much more powerful than Philip, the top student in Reina’s class. This girl is called Chandra who tells Reina to come find her if she wants help harnessing her power. Hmm, how cryptic… Nory then gets to talk to Reina briefly, where they both lie that they are having a great time at Sage Academy. Reina later heads to the library where a book on Shadow Magic appears to her. Scared by this book, which seems to follow her, Reina runs away. But the book appears in her room later that day, as she practises her corn popping. The book automatically opens to a page called “Manifesting Your Untapped Power”. Before Reina knows what’s happening, the Shadow Magic engulfs her.

At the Sage Match the next day, Reina easily beats Philip in the Flares test and is the winner; she will now get to present her magic at Founders’ Day. Now, it’s Nory’s turn, who has gate-crashed the event. Nory seems to be doing well turning herself into a cat, but she struggles to keep the form and morphs into a mix of a cat and dragon, a “dritten”, once again. Reina tries to make a “sparkle fireball”, Nory’s favourite type of magic, to calm her, but something goes wrong and the fireball strikes Nory. She falls and returns to normal. Reina apologises to Nory for hurting her, not knowing why her magic seems so strong.

Mr. Skriff and the UDM students arrive at the Sage Match to get Nory back to class. Ms. Knightslinger threatens Mr. Skriff with dismissal from his job if he can’t control his students, saying the UDM class is now banned from attending Founders’ Day. Annoyed at his mistreatment by the headmistress, Mr. Skriff tells the kids that he is just like them. He is a Fuzzy, but instead of talking to animals, he can only sing to them. He no longer wants to be a part of the UDM programme, as it makes kids feel bad for being different, so Mr. Skriff vows to teach them how to do magic the “UDM Way”, not the “Sage Way. But before doing this, Nory goes to Reina to talk to her about her uncontrollable magic. The Shadow Magic reappears to Reina in her room, and she tells Nory to leave. Hurt, she does and throws herself into UDM lessons.

During these lessons, Mr. Skriff helps Nory by getting her to visualise different hybrid animals and tells her to make them into topiaries. Now, she’ll be able to morph into any strange creature she wants. For Andres and his flying, Mr. Skriff ties a hosepipe to him to see how high he can fly. He can fly above the treetops, but the real issue is how quickly he launches off the ground; this is something Andres learns to control. Pepper is taught how to use her “push” ability by clearing leaves from the forest, whilst Elliot’s smoke power comes in handy for getting rid of bees’ nests.

The night before Founders’ Day, Reina is annoyed that Chandra has turned up again, telling her about the wonders of Shadow Magic. She shouts at Chandra to leave her alone, which concerns the other Flares who think Reina is talking to herself as they cannot see anyone near her. Reina runs into the school but Chandra follows her, telling her that she is even more powerful than Reginald, the previous Sage student who gave in to Shadow Magic. Reina accepts the magic just as Nory comes in to the room. Nory tells Mr. Skriff about Reina and they decide the Shadow Magic is waiting until the right moment; it’s waiting until Founders’ Day so it can cause the most amount of chaos.

At Founders’ Day, sure enough, during the presentation of the talents, Reina starts to create a fireball, which consumes her and becomes a huge shadow figure. Ms. Knightslinger is horrified to find that a student with “normal” magic could’ve been taken in by Shadow Magic. The Sage students are ordered by their teachers to collectively use their magic to stop it. The Flares try launching fireballs at it; the Fuzzies get birds to attack; the Fluxers are…useless, turning into farmyard animals and cats; the Flyers cannot launch off the ground; and the Flickers manage to tear the shadow figure into four, making it worse.

The UDM kids then burst in to the ceremony to use their magic instead. Pepper uses her “push” ability to push the four shadow figures back into one. Elliot then uses his smoke ability and Andres flies up to it. These two abilities confuse the shadow who begins to twist as it tries to catch Andres. Nory then transforms into her “dritten”, the cat-dragon hybrid, and flies around, twisting the shadow further and making it fall to the ground. The Flare students are about to launch a fireball to destroy the shadow, but Nory shields the shadow. Mr. Skriff tells the teachers to remember that the shadow is still Reina. Nory is given the chance to plead with Reina to fight the Shadow Magic. Reina begins to form her sparkle fireball, pushing against the force of the Shadow Magic. She manages to create and launch it, destroying the shadow once and for all. Reina is alright and her and Nory reunite.

After this event, Sage Academy has learnt to accept UDM kids, discontinuing the programme and letting them join normal lessons with the other students, meaning that Nory, Pepper, Elliot, and Andres are accepted for their different abilities in their respective schools at last. Mr. Skriff has even become a teacher for the Fuzzies. There is no “Sage Way” anymore. But there is one final thing. The Shadow Book is revealed to still be in the library, showing that it still remains. Will any student be safe from it?

CHARACTERS & CAST

Nory is the main character of Upside-Down Magic, being a Fluxer at Sage Academy, as she can transform into animals. However, she knows before she even gets to school that her magic is not quite right, as her animal transformations are not regular animals. Because of this she is labelled as having “upside-down magic”. All Nory wants to do is to be accepted at Sage Academy so she does everything in her power to fix her magic, but it doesn’t work. Those with “upside-down magic” can never be “normal”; they have to accept that and work on the type of magic they do have. Nory is a very upbeat, optimistic character, who doesn’t wallow in self-pity when she learns the school of her dreams wants her to lose her magic forever. Instead, Nory gets the other UDM kids to believe that they are worthy of the school and their magic, and that together, they can prove they are valuable.

Izabela Rose was cast as Nory, this being her breakout role. Rose was later cast as Quinn in The Curious Case of Dolphin Bay (2022), which is sort of a DCOM, sort of not, as it was another co-production with Disney Channel. After Upside-Down Magic, Rose also appeared as Young Jess in the Disney Channel series Secrets of Sulphur Springs (2021-23).

Reina is Nory’s best friend and she is part of the Honours Flares programme at Sage Academy. Reina is nowhere near as confident as Nory, needing Nory to boost her self-esteem before they even get to Sage Academy. Reina had nothing to worry about though as her fire magic is considered to be one of the best. However, without Nory, Reina lets self-doubt and other students’ abilities get in her head so she starts to struggle in her classes. That is why she becomes a target for Shadow Magic, because she thinks she needs it to be great and the Shadow Magic is only too happy to make Reina think that. Thanks to Nory, Reina manages to fight against the Shadow Magic. Hopefully after that event, Reina has learnt to have more self-confidence because it’s not Nory’s job to talk her up every day.

Reina was played by Siena Agudong. Agudong had previously appeared in the recurring role of Natlee in the Nickelodeon series Nicky, Ricky, Dicky & Dawn (2014-18), as well as playing the title character of Nick in the Netflix series No Good Nick (2019). After Upside-Down Magic, Agudong went on to appear as Young Billie Wesker in the Netflix series Resident Evil (2022) and as Melody in The 4:30 Movie (2024).

Elliot is another Flare, like Reina, except he has never been able to conjure fire. Instead, Elliot only conjures smoke, which is seen as completely useless to the Sage teachers. Elliot is the joker of the UDM class; despite clearly not liking the fact he has been confined to a basement for his schooling at Sage Academy. Like the other UDM students, Elliot learns that making smoke can have its uses. Elliot was played by Elie Samouhi, who had previously played Chewy in the Netflix series Team Kaylie (2019-20) and was also cast as Rodney in Season 3 of Disney Channel’s Bizaardvark (2016-19).

Pepper is a Flicker, except she can’t use her powers to bring anything towards her, only away from her. To be honest, although I understand how this doesn’t fit the “Sage Way”, I don’t quite understand why anyone with telekinesis would only want to bring things towards them. Surely, the Flickers should be able to both push and pull things? I also didn’t even realise this was a problem during Pepper’s placement test. I thought she just lacked discipline and decided to throw the vase at the teachers in protest against the discriminatory aspect of the placement test. Obviously not! Pepper is still the rebellious one in UDM class though. She was played by Alison Fernandez, who had previously played Lucy Mills in Season 7 of the ABC series Once Upon a Time (2011-18). She also appeared in the Netflix Team Kaylie (2019-20) as the character Amber.

The final UDM student to mention is Andres who is a Flyer, however, he has become so scared of his flying abilities, that he can’t control, that he wears a backpack filled with bricks to keep him on the ground at all times. Thanks to Mr. Skriff, Andres does manage to control this and should be seen as superior to the other flyers who can’t fly anywhere near as high. Andres is quite shy at the start of Upside-Down Magic, not wanting to talk to Nory when she tries to on their walk to the school at the start of the film, but comes out of his shell as he gets to know the UDM students. Max Torina was cast as Andres, who appeared as Ramon in the Disney Channel series Raven’s Home (2017-23).

Chandra, the personification of Shadow Magic, lurks the halls of Sage Academy, looking for opportunities to talk to Reina. The Shadow Magic has obviously picked Reina for her strong magical ability and lack of confidence, making her the prime target. Chandra is a necessary character, as Reina is not making friends at Sage Academy. If Chandra can make Reina feel like she is a valuable asset to the school, Chandra will be able to talk her round to accepting the Shadow Magic. Sure enough, this scheme works. Chandra was played byYasmeen Fletcher, who had previously appeared as Kaitlin in the Disney Channel series Andi Mack (2017-19). After Upside-Down Magic, Fletcher was cast as Nakia Bahadir in the Disney+ and Marvel series Ms. Marvel (2022).

Now to the teachers. Mr. Skriff is the groundskeeper and teacher of the UDM programme. Mr. Skriff isn’t a happy teacher, being very matter-of-fact with his role at the school and the fact that UDM kids are not “wanted” there. This is because Mr. Skriff knows this all too well, having been a UDM student himself, but being allowed to work at the school after the UDM programme finished for him. Mr. Skriff did not allow his “Fuzzy” powers to disappear either, practising them in secret. He turns out to be a really great teacher, after he decides to go against Sage Academy’s rules and help out the UDM kids, as his teachings allow the Shadow Magic to be defeated once more. Kyle Howard was cast as Mr. Skriff. Prior to his role in Upside-Down Magic, Howard had previously starredas Oliver Weston in the sitcom Your Family or Mine (2015), as well as being cast as Dr. Paul Van Dyke in the comedy drama Royal Pains (2009-16).

Ms. Knightslinger is the strict headmistress of Sage Academy. She is quite harsh on the UDM students when she is informing them that they are a danger to the world; that they must not practise their magic so that they will cease to be special; and will have to go off into the real world and have normal lives. You’d think you’d want to let the UDM students know about this is a gentle way, but no, Ms. Knightslinger would rather just escort them off the grounds straight away, but with their magic still being “upside-down”, she has to allow them to stay there for the time being. Luckily, after the UDM class take down the Shadow Magic, Ms. Knightslinger comes to her senses and shuts down the UDM programme, making Sage Academy an inclusive place. Ms. Knightslinger was played by Vicki Lewis, who has some history with Disney, having played Dina Reams in the DCOM Den Brother (2010), as well as appearing as Ms. Bitterman in a few episodes of the Disney Channel series Sonny with a Chance (2009-11). Lewis is also the voice of Deb in Finding Nemo (2003) and its sequel Finding Dory (2016).

Finally, we see two other teachers in Upside-Down Magic. One is the Fluxer teacher, Professor Han. Nory walks in on Professor Han’s lesson and tries to get involved, but it all goes terribly wrong. Professor Han seems scared by Nory’s hybrid animals and does nothing to try and calm her down. Professor Han does seem like a kind teacher though, unlike Reina’s teacher, Professor Argon, who is incredibly strict and hard on Reina. The way she talks during those corn popping lessons you’d think Reina was about to be demoted to the Basic Flares programme, but instead, she is picked as the second-best student in the Honours programme. Maybe it’s one of those teacher things where they see you have potential and decide to be very hard on you to make you achieve it, which could go either way depending on the student you’re talking to.

Professor Han was played by Elaine Hao who appeared as Anne Roche in Seasons 2 and 3 of Snowpiercer (2020-24). Professor Argon was played by Cynthia Kaye McWilliams who plays Cathy Montgomery in the dark comedy series Average Joe (2023-present). She had previously been cast in the recurring role of Kacee Franklin in Seasons 1 and 2 of Prison Break (2005-17), and as Trina Shaw in Real Husbands of Hollywood (2013-22).  

MUSIC

Upside-Down Magic is not a musical, therefore, the score is heavily relied on to get across moments of wonder and hope, like during the scenes of Reina and Nory’s arrival at Sage Academy; times of mystery, such as those around the Shadow Magic; and in scenes of peril, for example the big Founders’ Day showdown scene with Reina and her Shadow Magic.

For me, I found the piece of music at this point the best in the whole film, particularly the moment when the UDM student make their grand entrance into the Founders’ Day ceremony and are the ones to defeat the Shadow Magic. This track is named “Shadow Magic Showdown”. The entire score is available on the Upside-Down Magic official soundtrack, which was released on 23rd October 2020.

The score was composed by British composer Tom Howe. Howe is the composer on the popular AppleTV+ series Ted Lasso (2021-present) and has also collaborated with Aardman Animations on the music for a couple of their movies, including A Shaun the Sheep Movie: Farmageddon (2019), and Early Man (2018) with Harry Gregson-Williams. Howe is also the one behind the theme music for The Great British Bake-Off (2010-present).

There was a song that apparently followed the End Credits; however, this is not the case on Disney+. The End Credits simply use a track from the score, so I’m guessing this song only appeared during Disney Channel airings of the movie. It was a cover of the song “Everything’s Magic” by Angels & Airwaves, released in September 2007. It peaked at No. 11 on Billboard’s US Hot Modern Rock Tracks. For Upside-Down Magic, the main cast, Izabela Rosa, Siena Agudong, Alison Fernandez, Max Torina, and Elie Samouhi, all appeared in a music video for this song. This music video was uploaded to the DisneyMusicVEVO YouTube Channel on 31st July 2020, the date of the movie’s premiere. To be honest, after hearing the Angels & Airwaves original version, I much preferred that to the Disney cover of the song; it’s a much more polished performance, but it looks like the cast had fun anyway.

Then, we get to Mr. Skriff’s weird animal songs that come out of nowhere, very loudly and very abruptly. I would say it’s strange but then this is a Disney film; they’ve built a legacy on film characters singing to animals! He sings the first one when he proves to the UDM students that he is one of them, with the animals only coming to him or doing what he says when he sings to them; they don’t do anything if he just talks. Mr. Skriff sings again when Elliot cannot use his smoke powers quickly enough to smoke out the bees from their nest; Skriff sings to the bees to stop them wanting to stinging them and to apologise for ruining their home. Mr. Skriff launches into a quick song during the final scene too, as Nory explains that Mr. Skriff has become a teacher to the Fuzzies. Jeannie Lurie is credited as the creator of the original songs, so I’m assuming this applies to Mr. Skriff’s songs. Lurie has written songs for other DCOMs and Disney productions including some songs within Hannah Montana (2006-11), including “True Friend”; the song “Fearless” in Girl vs. Monster (2012); “You’re My Favourite Song” in Camp Rock 2: The Final Jam (2010); and “Something About the Sunshine” in StarStruck (2010).

The only other song to mention is The DNC’s song “Upside Down”. A brief excerpt is first heard as the movie title is revealed on screen. It returns for the montage of the UDM students perfecting their magic their way.

PRODUCTION

The production for Upside-Down Magic, alongside its cast and crew members, was announced around August 2019, though Disney had optioned the first Upside-Down Magic story for development in 2015. The first book was published in September 2015[1].

Since that first story, the Upside-Down Magic series has spanned eight books, with seven being published by the time the DCOM premiered, becoming a New York Times bestselling series. The books were co-authored by Sarah Mlynowski, Lauren Myracle, and Emily Jenkins. All three had co-authored the Young Adult book How to Be Bad, published in 2008, prior to writing Upside-Down Magic[2]. The Upside-Down Magic series centres on a collection of kids who have magical powers that go awry quite often whilst at school because their magic is “wonky”. They are put in the “Upside-Down Magic” class.

Upside-Down Magic the movie, was filmed in Vancouver during the summer of 2019, with one of the filming locations being Shawnigan Lake School, a boarding school on Vancouver Island, in British Columbia, Canada. Many of the campus buildings were turned into Sage Academy for the movie, including their chapel, library, and quad, as well as other school buildings. There were even opportunities for some of the actual school’s students to be extras in the film[3].

The rest of Upside-Down Magic’s scenes mostly take place in the forest surrounding Sage Academy, as this is where the UDM class is based. Director Joe Nussbaum said that they wanted to embrace the organic nature of magic, so most of their magic is based on the elements such as fire for the Flares, air for the Flyers and Flickers, and animals for the Fuzzies and Fluxers. The production designer on the movie, Bill Boes, stated that to match this specification, they could only use natural materials such as bark and wood, and there would be no metals or stainless steel in the production. As a contrast between the elite of Sage Academy, and the wonkiness of the Upside-Down Magic class, Sage Academy has clean, organised, bright classrooms, whereas UDM is housed in an industrial-looking, underground basement in the forest.  

Joe Nussbaum has directed other teen and tween-centric movies such as Sydney White (2007), which starred Amanda Bynes; Sleepover (2004); and the Disney movie Prom (2011). Nussbaum was also one of the executive producers on the Disney Channel series Gabby Duran & the Unsittables (2019-21). He is credited as an executive producer on Upside-Down Magic too, alongside Susan Cartsonis and Suzanne Farwell. Farwell had previously worked with Nancy Meyers on some of her movies, including The Parent Trap (1998); The Holiday (2006); and It’s Complicated (2009) before starting up the production company Resonate Entertainment alongside Cartsonis[4].

The DCOM Upside-Down Magic was written by Nick Pustay and Josh Cagan. Pustay had written the screenplay for Ramona and Beezus (2010) with Laurie Craig prior to his work on Upside-Down Magic. Josh Cagan had written the screenplay for the teen comedy movie The DUFF (2015) and co-written the live-action DCOM Kim Possible (2019). He went on to work on the DCOMs Spin (2021) and Under Wraps 2 (2022).

Upside-Down Magic features more Special Effects than most television movies because of all the magic effects. The actors liked working with the Special Effects team on their characters’ magical abilities, being given sketches and help from the stunt co-ordinators to tell them what was meant to be going on during the scenes, because, in most cases, they weren’t going to be seeing any of these effects in person, although Max Torina did have to be hoisted up by cranes as part of Andres’ flying ability, and Siena Agudong had wires through her clothes and tapes on her hands to produce Reina’s fire magic[5].

RECEPTION

A teaser of Upside-Down Magic was first shown during the premiere of ZOMBIES 2 on Disney Channel on 14th February 2020. It was going to be their next DCOM release after all, so excitement had to build. A full trailer was later released on 18th June 2020, announcing that Upside-Down Magic would premiere on Disney Channel on 31st July 2020.

On its premiere date in the US, Upside-Down Magic is said to have drawn in around 1.3 million viewers. When you consider that High School Musical 2 (2007) got 17.2 million viewers on its debut, remaining the top most-watched DCOM of all time, this looks quite bad for Upside-Down Magic. It certainly sounds negative in comparison, but Disney Channel Original Movies have struggled to reach anything close to those numbers since 2017, when Descendants 2 was released. The top viewed DCOM of 2020 was ZOMBIES 2, with 2.5 million viewers, so compared to that, Upside-Down Magic did not do badly.

Anyway, views aren’t everything, although reviews were mixed for Upside-Down Magic too. On the positive side, some viewers liked the overall message of the movie, about being yourself and not underestimating people, and said the movie had better than expected special effects. The general consensus is Upside-Down Magic is a good movie for children, especially those unfamiliar with Harry Potter.

Anyone who was familiar with Harry Potter though seemed to hate Upside-Down Magic, with the term “rip-off” being used. Although Reina and Nory’s characters were mostly enjoyed, the other characters, both students and teachers, were seen to be quite one-dimensional, with the teachers just being mean and the UDM kids being stereotypical. I don’t agree with that statement particularly, although so much of the story was focused on Nory and Reina that the UDM kids didn’t get much screen-time in total, so we learnt less about them. The teachers were quite cruel to be fair and with little reason why.

But the biggest complaint was just how much Disney had changed the source material when making their film. For one thing, the characters in the original stories attend Upside-Down Magic classes at Dunwiddle Magic School, not Sage Academy. In book seven, released just before the movie, it seems that the characters of the book move to Sage Academy. Whether this was the authors adjusting their story to fit Disney Channel’s movie plot, or if it was Disney getting information about the seventh book prior to writing their screenplay, I don’t know. Another change is that Elliot does not produce smoke when he attempts to conjure fire in the book, but instead makes the fire freeze. Flickers turn objects invisible, and don’t have telekinesis. Pepper in the book is also not a Flicker; she is a Fierce, where animals are scared of her. Other UDM students were omitted from the movie. That is usually necessary in any book-to-film adaptation. Mr. Skriff replaced the character of Ms. Starr, who was Nory’s teacher in the book. Reina was original to the movie[6].

Basing something on known source material is usually a lose-lose situation for anybody, as you’ll get complaints if you stray too much from source material; if you stick too closely to it; or if you cut too much out of it. Having said that, although I have not read the books, looking at the number of changes that were made, I can kind of understand what the readers might have been upset about.

LEGACY

The ending of Upside-Down Magic left the movie open for a sequel, as the Shadow Magic book came back, showing it could target another student.

However, there has not been any talk of a sequel coming from Disney Channel. Some fans have said that they would like an Upside-Down Magic 2, but it’s already been five years since the first movie was released, so it’s looking less and less likely that there will be one. It’s possible this was due to the negative reviews that the movie received, especially those concerning the differences between the DCOM and the book series.

This isn’t the first time a DCOM has suggested a sequel movie that has never come. Just two examples of this are Girl vs. Monster (2012) and Secret Society of Second-Born Royals (2020). For whatever reason, these two movies did not lead to sequels. Upside-Down Magic was not the first DCOM to have an open ending and it won’t be the last. Disney Channel could theoretically revive any of these potential movie franchises, but given the amount of time that has passed, they’d either have to re-cast all the characters or set it however many years in the future, with these kids now being adults. If you liked the movie of Upside-Down Magic but hadn’t read the books though, there are eight of those to enjoy, with seemingly the final book in the series being published in 2021.

One other thing to come out of Upside-Down Magic was the game Magic My Way, which launched on the DisneyNOW app. In the game, you could play mini games based on each of the five magic schools in Sage Academy. The app was discontinued in September 2024; however, the website is still available. DisneyNOW has clips, movies, and full episodes of programming from the channels Disney Channel, Disney Jr., and Disney XD on its website still, even with Disney+ being around.

FINAL THOUGHTS

I had never heard of Upside-Down Magic before this week, and I surprised myself by quite liking it. The story wasn’t particularly unique, I’ll accept that, and even I managed to guess who was going to be the one to succumb to Shadow Magic, which is saying something because normally I’m too absorbed in films to guess ahead, but again, I didn’t care that it was predictable. I think what I liked was the familiarity of the story and setting. 

And yet, Upside-Down Magic opened itself up to negative comparisons between it and the Harry Potter movie franchise that couldn’t be shaken. The Harry Potter books continue to be loved and cherished by readers, and the film franchise opened the world of Hogwarts up to an even larger audience, with some of these viewers never actually having read a Harry Potter book. I’m a big fan of the Harry Potter movies, but I haven’t read the whole series of books.

Anyway, this isn’t about Harry Potter, but the franchise is a good example of how a movie adaptation of a book can launch the story to new heights. I’m assuming this is what Disney Channel hoped to do with Upside-Down Magic, just on a smaller scale.  

 Personally, I didn’t even think of Harry Potter whilst I was watching. Upside-Down Magic was more similar to Disney’s Sky High (2005) for me, with the placement tests and one group of students being considered lesser than the others, i.e., the heroes and the sidekicks, but the lesser group coming to save the day against all expectations.

Upside-Down Magic might have hoped to be the Harry Potter of its generation, but it did not happen that way. Despite its message about being true to yourself and not letting anyone tell you you’re aren’t worthy, Upside-Down Magic as a film did not live up to expectations and was not able to differentiate itself in a market full of fantasy series.

That’s the way it goes in the entertainment industry sometimes and proves that making a movie or series based on a well-known novel is just as risky as going with a completely original story.


REFERENCES

[1] Credit: Denise Petski, ‘Disney Channel Sets Cast For ‘Upside-Down Magic’ Movie As Production Begins’, Deadline.com, 19th August 2019.

[2] Credit: Broome Shearouse, ‘Meet the co-authors of Upside-Down Magic’, OomScholasticBlog.com, 29th September 2015.

[3] Credit: Shawnigan Lake School, ‘Disney Magic’, Shawnigan.ca, 29th July 2020.

[4] Credit: Alexandra Whyte, ‘From Nancy Meyers flicks to turning Disney Channel upside down’, KidScreen.com, 20th July 2020.

[5] Credit: Disney, ‘Inside the Magic I Upside-Down Magic I Disney Channel’, Disney Channel YouTube Channel, 2nd August 2020.

[6] Credit: Sarah Mlynowski, ‘Upside-Down Magic’, SarahM.com, no date.