Saved by the Bell: Wedding in Las Vegas (1994)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

Much of the Saved by the Bell series came out before I was even born – and yet, many 90s children grew up watching this programme.

For me, it was all thanks to Nickelodeon re-running the show throughout the late 1990s and early 2000s. This channel introduced me to both Sabrina the Teenage Witch (1996-2003) and Saved by the Bell (1989-93), as well as Saved by the Bell: The College Years (1993-94), and the movie that wrapped up the entire series, Saved by the Bell: Wedding in Las Vegas. I remember the movie specifically used to be on during the school summer holidays.

As I liked Saved by the Bell so much, I knew I had to get the complete series on DVD, along with its television movies. I can’t trust any television channel to continue airing any programme I like, especially if it is American, and certainly can’t trust a streaming service to pick it up and include it on their UK platforms.

Sure enough, Saved by the Bell is no longer re-run on Nickelodeon, and only aired for a brief time on another channel. It is not available on any streaming platform in the UK, nor is the revival series. Not that I care; I wasn’t bothered by the new series, because I can just watch the original series over and over and over again. And I have done, many times. I’m one of those people that enjoys watching a film or a series multiple times. Saved by the Bell never gets old.

Zack Morris and Kelly Kapowski were The Teen TV Couple of their time. Probably one of many, but their love story was sweet and innocent, to match the teen sitcom, and viewers spent many an episode wondering if the two would actually get a “happily ever after”. Zack and Kelly proved that “the course of true love never did run smooth”, as the two fought to be together, despite the roaming eyes of both Zack and Kelly.

It certainly seemed when Zack and Kelly went to college, the same one, that they would never end up together. Thank you, Professor Lasky. And yet against all odds, Zack and Kelly’s on-off relationship was once again on, forever this time, as Zack spontaneously proposed to Kelly and they decided they’d run off to get married in Las Vegas.

Weddings in Las Vegas don’t have the best reputation, or the best future. It’s not seen to be the most romantic option to get married over there, and can be considered as a sign that a marriage is already doomed. But not for Zack and Kelly. Their wedding in Vegas was proof that the doubters should never have doubted them, because this really was true love, and they had the picture-perfect wedding. Well, after the usual Saved by the Bell-style antics and misunderstandings!

PLOT

Saved by the Bell: Wedding in Las Vegas opens in a wooded area, where we see Zack, Slater, and Screech wearing camouflage and holding guns. Weird. But it soon becomes clear that the boys are just playing paintball. After believing they’ve won the game, the guys sit and have a discussion about Zack’s upcoming wedding. Slater thinks Zack and Kelly are too young to get married, but Zack reiterates that Kelly is the only girl for him. As the three have their cosy chat, they find themselves surrounded. The opposing team was not actually wiped out after all. Slater, Zack, and Screech pretend to argue amongst themselves to distract the other paintballers, going so far as to push Screech over. As Screech feigns injury, the guys manage to shoot the remaining members of the team and win the game.

On their way home after their successful paintballing, the boys stop outside Bayside High and reminisce about all the good memories they had there together. Slater then drops Zack off at his parents’ house. During an incredibly awkward dinner, Zack’s father says he will not be at Zack and Kelly’s wedding, believing them to be too young to get married and thinking that Zack is throwing his life away. He cannot understand why they can’t wait until after graduation to get married. To be honest, I think most of the audience are wondering that too, but it’s best to just go with it! Zack storms off to his room, closely followed by his mother. Zack thinks his mother is at least on board with his wedding plans, but it turns out she feels the same way; that they are too young. She also won’t be at the wedding, not wanting to go against Zack’s father. She does, however, gift Zack two vouchers for free rooms at the Stardust Hotel in Vegas, which she won at poker night at church of all places. Zack appreciates the gift, and confirms he has about $1200 to spend on the wedding.

The next day, Slater and Screech return to pick Zack up to drive over to Vegas, and Kelly and Lisa are there too, ready to head off in Lisa’s shiny red BMW.  Shortly after leaving, the guys notice that Lisa and Kelly are nowhere near them. They pull over and call Lisa’s car phone. Zack asks where they are. Zack starts to get annoyed, thinking the girls are going to slow them down. Lisa says they should have a bet: the ones who get to Vegas last have to buy dinner. Just as Zack agrees to this, they see Lisa and Kelly pass right by them. The guys jump in the car, not wanting to be the last ones there.

Everything seems to be going well, until we see that Lisa and Kelly have broken down in some small road away from the highway, in the blazing heat, with no phone signal. The girls have no choice but to wait for help. Meanwhile, the boys are lost, having also gone off the highway, but as they try to figure out where they are, thanks to Zack’s little “shortcut”, they are pulled over for speeding. The sheriff asks for licence and registration. Slater doesn’t know where his car registration is though, as he was cleaning out his car the other day and likely threw it out. The sheriff goes away to run the plates and returns a few moments later with some shocking news: the car has come up as stolen! What?! Slater, you stole a car? That’s not what this movie is supposed to be about! The guys are taken to the station.

Luckily, the girls are having a bit more luck, as they finally see someone walking down this tiny road. Lisa doesn’t want to approach him though as he looks like a “hippie”, but Kelly ignores her and asks for his help with the car. Thankfully, this “hippie” – his name is Curt – knows all about cars and fixes it, by using Lisa’s belt in place of a broken fan belt and a bottle of water to cool the radiator. Now, they can get back on the road. Kelly offers Curt a lift to Vegas, much to Lisa’s annoyance.

Back with Slater, Screech, and Zack, they plead for their release, saying how this must be a mistake; Slater would never steal a car. The sheriff later confirms it was actually a mistake, and the car was not stolen. Oh, sorry, Slater, for assuming the worst of you… However, Zack will need to appear in court on Monday for his speeding charge. Zack says they can’t do that as he is getting married this weekend, so the sheriff allows himself to be bribed. Such corruption. Screech stupidly lets it slip that Zack has $1200 on him and, lo and behold, that’s exactly what it’ll cost for this speeding charge to go away! Zack begrudgingly pays the money and they are free to go.

Lisa and Kelly arrive at the Stardust Hotel and are surprised to find they are the first ones there. Lisa is even more surprised to find that Curt is actually a bellboy at this hotel. She just can’t get away from him. Lisa and Kelly take a look around the hotel, where they see the $4 million Considine Diamond on show. Lisa then takes Kelly for spa treatments, with this being an early wedding present. Once they’ve finished, they find that Slater, Zack, and Screech have finally arrived. The boys agree not to tell Kelly that Zack only has $43 left for their wedding, and they plan to work together to raise some more funds quickly.

The next morning, the guys work as caddies for rich businessmen on the golf course. Zack seems to do well with his golfer, as does Slater, although he is finding it annoying that he keeps having to retrieve golf balls from the water… It gets so bad that Slater is told to buy some more balls from the pro shop. At the shop, Slater finds that the manager is the girl he saw in the Stardust lobby last night. He tries to ask her – Carla – out on a date, but she says that wouldn’t be a good idea. Back on the course, Screech, unsurprisingly, is irritating his golfer, and to make things worse, he ends up on a runaway golf cart and Zack has to try and save him, following behind on a different cart. Zack manages to pull Screech to safety, but both carts end up in the water. The guys are promptly fired.

Later that day, Lisa and Kelly meet up with the boys for an afternoon in the pool. Kelly tells Zack that she’s booked a meeting with a wedding co-ordinator for the next morning so they can really make the most of their $1200. Zack knows he needs to get more money and quickly. He talks to Screech about it at the pool bar, where a man overhears their conversation. This man introduces himself as Bert Banner, the owner of a male escort service. Zack says he’s not interested in working as a male escort, but Bert Banner tells them their starting salary would be $200 a day. Zack says he and Screech will do it. Slater, meanwhile, has run into Carla again at the pool. This time, she does agree to a dinner date. It is revealed that Carla is being followed by two men, who look like bodyguards.

The following day, Lisa and Kelly meet with the wedding co-ordinator, but Zack is late. Lisa warns Kelly that Zack might be getting “cold feet”, but she ignores her. Zack is actually training with Screech at Bert Banner’s office for their first dates that evening. Zack is told his date will be waiting for him at the Top of the Strip restaurant at 8pm. Screech, who is being told to go by the name “Sammy”, will be picked up by his date outside his hotel at 6pm. She’ll be riding in a bright pink limo. Zack goes straight from Bert Banner’s to meet with Kelly and apologises for being late. Kelly asks if Zack doesn’t want to get married anymore, and he confirms that he does, but still doesn’t explain the whole money situation. Kelly then tells him she has made a dinner reservation for them for 8pm that night at – you guessed it – the Top of the Strip restaurant. That’ll be interesting!

That night, Screech is pulled into a pink limo by a flirty, older woman named Diana, who makes him tango with her all evening. Lisa sees Curt again, who is now working as a doorman. She tries to refuse his offer of dinner that night, but Curt won’t take no for an answer. She agrees, providing he doesn’t wear sandals. Zack and Kelly arrive at the Top of the Strip for dinner and Zack tries to rush them to order, making Kelly suspicious. Zack then immediately leaves the table, and meets his other date, a Russian woman called Katrina, who doesn’t speak very good English. Zack is overcome by how beautiful this woman is, and mutters under his breath “I’ll kick your butt, Bert Banner”. Katrina overhears and starts repeating the phrase, not knowing what it means. Zack then sees Kelly coming over and tries to hide under the table, but it’s too late; Kelly has seen everything and thinks Zack is cheating on her. He tries to explain but doesn’t get very far. Katrina, who no doubt has no idea what’s going on, thinks this is some sort of game and tells Kelly she’ll “kick her butt”. Kelly is about to start a fight with her, but leaves the restaurant and goes back to her hotel room, packing to leave. Zack goes to the hotel too and tries to get Kelly to talk to him, but she won’t answer the door. Instead, Zack goes to his balcony, since the rooms are next door to each other, and climbs across to their balcony.

But there is yet another imminent disaster coming their way. Slater was also on a date at Top of the Strip, with Carla. Their date was interrupted by Carla’s ex-boyfriend Freddie Silver. As they flee, Silver tells his bodyguards, the two men from the pool the other day, to bring Slater and Carla to him. Slater takes Carla to their hotel room, but the bodyguards try to break into it. They go out to the balcony and find Zack dangling there, almost about to fall to his death. Slater starts climbing over to save him, when Kelly comes to the balcony and is horrified to see Zack there. Zack explains what happened to their wedding money and how he was only on a date to earn some money so he could give Kelly a proper wedding. She is touched by this and helps Slater get Zack to safety. Slater then gets Carla over to Lisa and Kelly’s room. There, Carla explains that her ex-boyfriend, Freddie, is in Vegas to steal the Considine Diamond. Carla overheard Freddie talking about it and broke up with Freddie straight after, but he is following her to make sure she doesn’t tell anyone about his plans. They need to get out of here – and Lisa knows just who to call.

Curt arrives with a luggage trolley and hides Carla and Slater on it. He pretends to be helping Lisa and Kelly check out, and brings their car round to the front. However, Screech then arrives from his date with Diana, looking harassed, and accidently turns the trolley around, revealing Carla and Slater to Freddie’s bodyguards who were looking for them. Zack, Carla, Slater, and Screech jump into Slater’s car and drive away, with the bodyguards chasing them in a taxi. Curt, Lisa, and Kelly follow in Lisa’s car. When Zack gets stuck in traffic, they all jump out and run into the Hollywood Movie Museum. They disguise themselves as figures of actors, which tricks the bodyguards who leave the museum. The gang are then thrown out, but as they leave, they walk right past the men, who chase them again. Lisa, Kelly, and Curt catch up and follow everyone into a nearby casino.

In the casino, Slater, Screech, Zack, and Carla find themselves backstage at the casino’s stage show. They dress up as showgirls and go on stage, whilst everyone else watches from the audience. It doesn’t take long to spot the out-of-place dancers though, and they are all caught. They are taken to Freddie’s room and held at gunpoint. Curt reveals his father actually owns the Stardust Hotel, which seriously impresses Lisa, and he tells Freddie he can lead him right to the Considine Diamond, but only if he lets everyone else go. Freddie says he’ll let them go once he has the diamond and is safely away. Right now, everyone can come to the safe as hostages. Curt does as he promised and gets Freddie into the hotel safe, where he starts taking many other items of jewellery along with the diamond. But Slater and Zack have a plan. They start talking about the bodyguard’s gun, wondering if it shoots paint, signalling they should go into their paintball routine from a few days ago. Slater and Zack argue and start pushing Screech around as they did. Screech then falls into the bodyguard and pushes him into the vault with Freddie and the other bodyguard. Curt shuts the safe door behind them and alerts security.

Now that’s sorted, I think there’s a wedding we were all promised! Because Zack only has a few dollars, they resort to getting married at the Silver Bell Chapel, where it only costs $50 to get married. They are surprised to find Bert Banner is the officiant there, but it turns out Bert has lots of different businesses he runs in Vegas. As the wedding proceeds, there is a surprise interruption. Zack’s parents arrive to object to this cheap, tacky wedding. Zack’s father apologies for what he said, and says he wants to give them a real wedding; he just needs a few days to organise it. Slater reveals he asked Zack’s parents to come here.

A few days later, the gang are in a pretty hotel garden for the wedding. Kelly walks down the aisle with her father, and we see Bayside High Principal Mr. Belding is a guest at the wedding, along with college friend Alex and their Resident Advisor Mike. As the ceremony begins, there is also a late-comer. It’s Jessie, of course! She is missing finals to be here, but she doesn’t care. The ceremony continues and we see a montage of Zack and Kelly’s love story. Zack and Kelly say their “I do’s”, kiss, and are officially married.

At the reception, all of Zack and Kelly’s friends get to talk with them and Zack thanks his father for everything he’s done for them. His father says he’s always been proud of Zack and always loved him. Zack and Kelly give a speech to all their guests, thanking them for their love and support, and Slater leads a toast to the happy couple.

The next morning, Zack and Kelly are leaving for their honeymoon. Lisa says she’s going to a Native American reservation with Curt, and Slater is taking Carla back to LA for a few days. Kelly throws her bouquet, which is caught by Screech, who is then chased by his date from the other night, Diana. Kelly and Zack then get into their limo and leave.

CHARACTERS & CAST

Zack Morris is a ladies’ man, a charmer, and a trickster. Zack’s reputation continues to follow him in Wedding in Las Vegas, to the point that Lisa starts to wonder if Zack really has any intention of settling down with Kelly. It’s not that distracting Zack in the movie though; it’s that hustler side where he thinks he can figure things out for himself and keep secrets from people since he’ll resolve the problem before they find out. He does not succeed, and has to come clean, just like he always did in the main series, but luckily, Kelly manages to forgive him regardless. The important thing to remember is that Zack is not perfect, but he has been in love with Kelly ever since grammar school, and their love is real.

Zack Morris was played by Mark-Paul Gosselaar. After Saved by the Bell: Wedding in Las Vegas, Gosselaar appeared in television movies, such as NBC’s Freshman Fall (1996), playing Scott; and ABC Family’s 12 Dates of Christmas (2011), being cast as Miles. More recently, Gosselaar has been seen in television series, such as Fox’s The Passage (2019) where he was cast as Brad Wolgast; Mixed-ish (2019-21), a spin-off of ABC’s Black-ish (2014-22), as Paul Johnson; and in the NBC drama Found (2023-25) as Hugh Evans. Gosselaar won a Young Artist Award in 1991 for his role as Zack Morris in the series.

Kelly Kapowski is a little bit naïve and innocent, making her the perfect target of Zack’s charms. She always forgives him no matter what idiotic thing he does, or how much he lies to her. Zack loses their wedding money and doesn’t tell Kelly, trying to recoup the money without letting her know, but when he is forced to come clean after Kelly sees him working as an escort, and on a date with another girl, Kelly instantly forgives him, and actually finds it quite sweet that he went to all that trouble for her. Um, ok…Kelly is kind and a friend to everyone. She was always my favourite character in the series.

Tiffani Thiessen was cast as Kelly Kapowski. Thiessen went on to star as Valerie Malone in Beverly Hills, 90210 (1990-2000), first appearing in Season 5 which began shortly before Saved by the Bell: Wedding in Las Vegas was released. In more recent years, Thiessen was cast as Elizabeth Burke in the series White Collar (2009-14); and as Lori Mendoza in the Netflix series Alexa & Katie (2018-20). She also hosted the comedy clip show Deliciousness (2020-22) for MTV.

Kelly and Zack are joined in Vegas by their longtime friend, Lisa Turtle. She is rich, pretty, and obsessed with fashion and beauty. Lisa did not go to the same college as Kelly, so the two have a lot to catch up on during Wedding in Las Vegas, however, despite the excitement of helping Kelly plan her wedding, Lisa can’t help but wonder if Zack actually wants to marry Kelly. In the end, those concerns are short-lived and Lisa becomes the object of affection for the man who helped them after their car broke down, Curt. Curt works at the Stardust Hotel. His fashion sense and lack of status instantly turns Lisa off, because she’s a bit of snob, but eventually, she agrees to have dinner with Curt. She later learns Curt’s father owns the Stardust but that he doesn’t want his father’s money and status, which shocks Lisa, because that’s the exact opposite of her. Thanks to Curt, Lisa appears to be learning how to enjoy the simpler things in life at the end of the movie. I wonder how long that lasted?

Lisa Turtle was played by Lark Voorhies, who won a Young Artist Award for her role as Lisa in the original series in 1993. Voorhies went on to be cast as Jasmine Malone in the soap opera The Bold and the Beautiful (1987-present) in the 1990s, and later, played the recurring role of Mercedes Langford in the sitcom In the House (1995-99).

A.C. Slater, or just Slater, used to be an adversary of Zack’s, as they both fought for Kelly’s attention. Slater quickly gave up the fight, and him and Zack became best friends. Slater is a good friend, however, he is not loyal for the sake of it; he tells Zack exactly what he thinks, especially if he disagrees with him. In the case of Zack and Kelly’s wedding, Slater makes it clear that he doesn’t understand why Zack and Kelly have to get married when they are only 19, although he does still want to be there for his friends, despite the difference of opinion. But much like Lisa, any concerns he has about the wedding are soon forgotten, as he becomes enamoured with a woman he saw in the Stardust lobby. Typical Slater!

Mario Lopez was cast as Slater. He went on to be cast as Officer Bobby Cruz in the series Pacific Blue (1996-2000) and appeared in the recurring role of Christian Ramirez in the soap The Bold and the Beautiful. Lopez later appeared in Season 3 of Dancing with the Stars (2005-present) in 2006, coming in second place, and played the recurring role of Dr. Mike Hamoui in Nip/Tuck (2003-10). Lopez is currently a host on the weekday entertainment news programme Access Hollywood (1996-present), having previously worked on Extra (1994-present). Lopez won a Young Artist Award in 1993 for his role as Slater.

Rounding out the original Saved by the Bell gang who appear in main roles in Wedding in Las Vegas is Screech Powers. Screech is the intelligent one of the group, however, his intelligence is not generally appreciated by the others because Screech lacks common sense. For example, in Wedding in Las Vegas, Slater and Carla are sneaking out of the Stardust when Screech comes in and instantly reveals them to the men chasing them. To be fair, Screech had an awful time on his “date”! I’ve always felt sorry for Screech because the group don’t have much patience with him; he never means to be difficult. 

Dustin Diamond was cast as Screech, continuing to play the character in Saved by the Bell: The New Class (1993-2000). He later went on to have small cameo roles in comedy films like Big Fat Liar (2002) and American Pie Presents: The Book of Love (2009). Diamond also appeared on Seasons 5 and 6 of Celebrity Fit Club (2005-10). He was even a “housemate” in the UK version of Celebrity Big Brother, appearing in Series 12 in 2013. Diamond sadly passed away in February 2021 after a battle with cancer.  

Carla is Slater’s love interest in this movie. She clearly has a complicated past, since she has a jewel thief with scary bodyguards as an ex-boyfriend. Apart from that, little is known about Carla, and her backstory seems a bit confused. We have no idea how she met Freddie Silver, only that they were together and he came to Las Vegas specifically to steal the Considine Diamond. But it’s unclear if Carla already lived in Las Vegas. She has a job at the golf pro shop, yet she seems to live at the Stardust Hotel – or she has special dispensation to use their pool, since that is where she sees Slater. Did Carla move to Vegas with Freddie and her job at the pro shop was a cover, or did she only meet Freddie fairly recently and manage to make an enemy out of him by hearing his thieving plans in just a few weeks? I don’t know. If I was Slater, I wouldn’t trust Carla; something doesn’t add up…

Carla was played by Liz Vassey, who had previously appeared as Emily Ann Sago in the soap opera All My Children (1970-2011) prior to her role in Wedding in Las Vegas. She went on to be cast as Louise Davis in the NBC sitcom Brotherly Love (1955-97). More recently, Vassey appeared as Wendy Simms in CSI: Crime Scene Investigation (2000-15) from Season 6 through to Season 11. Freddie Silver, the scary diamond thief, was played by Mark DeCarlo, who is known for being the voice of Hugh Neutron, father of Jimmy, in the animated Nickelodeon series The Adventures of Jimmy Neutron, Boy Genius (2002-06).

Curt is Lisa’s love interest, although his affections are initially rebuffed by Lisa, thanks to his “poor” fashion sense, and his “lowly” job as hotel staff. Curt doesn’t match Lisa’s strict checklist for an ideal boyfriend or husband. Curt’s persistence is the only reason Lisa agrees to have dinner with him, and we don’t actually get to hear or see how that date went, only that Lisa then called Curt to help them deal with Freddie Silver and his bodyguards. At this point, Curt reveals that his father owns the Stardust, immediately piquing Lisa’s interest because, money. Except Curt doesn’t want to live off his father’s wealth and has his own plans for his life. At the very end of the film, Curt has managed to convince Lisa to go to a Native American reserve with him, to open up her life experience, but if he really didn’t plan on inheriting his father’s wealth, then I doubt Lisa stuck around for long!

Spencer Rochfort was cast as Curt. Around the time of Wedding in Las Vegas, Rochfort could be seen appearing as Brett Richardson in the series Acapulco H.E.A.T. (1993-99). He then went on to be cast as Nick Riley in the drama series Little Men (1998-99), a Canadian series based on the Louisa May Alcott novel of the same name.

Now for some smaller character roles. One is Bert Banner, a potential con artist, although a likeable one. Banner meets Screech and Zack at the Stardust pool bar and convinces them to work for his male escort service to make some fast money. Banner appears after that as the wedding officiant at the Silver Bell Chapel, ready to marry Zack and Kelly, before the ceremony is interrupted by Zack’s parents. Not that Banner is concerned; he has a huge queue of other couples waiting for his service, and owns a funeral parlour along with the escort service. I’m sure he’s made a killing in Las Vegas. Bert Banner was played by Gilbert Gottfried, who is well-known as the voice of Iago, Jafar’s fast-talking parrot sidekick in Disney’s Aladdin (1992), reprising the role often. He also voiced the part of Berkeley Beetle in Don Bluth’s animated movie Thumbelina (1994). Gottfried began his career as a stand-up comedian, before moving into film roles. Some of these earlier credits include Beverly Hills Cop II (1987) as Sidney Bernstein, and the 1990 film Problem Child and its 1991 sequel as Mr. Peabody. Gilbert Gottfried continued to appear in television and film projects throughout his life. He sadly passed away in April 2022.

Then, we have Sheriff Myron Thorpe, who pulls over Slater’s car as Zack is speeding on their way to Vegas. He is a little bit of a corrupt sheriff, seemingly happy to take money to make speeding charges go away, but he’s got many other criminals to deal with and probably didn’t want to hear any more of Screech’s talking and harmonica-playing! The sheriff has a deputy called Deputy Dano, who seems to only be there so they can use the classic “Book ‘em, Dano” line, that famous catchphrase from Hawaii Five-O (1968-80). The funny thing is Deputy Dano is such a minor part and yet actor Richard Schiff who played him went on to star as Toby Ziegler in The West Wing (1999-2006), winning a Primetime Emmy for the role. Recently, Schiff was cast as Dr. Aaron Glassman in The Good Doctor (2017-24). Sheriff Thorpe was played by Pat Corley, best known for his role as Phil in the sitcom Murphy Brown (1988-98). Corley passed away in 2006.

There are far too many characters in Saved by the Bell: Wedding in Las Vegas and I’m still not done. The following are all cameo appearances by actors who were in either the original series or the sequel series. One is obviously Elizabeth Berkley, who returned to play Jessie Spano. You can’t have a Saved by the Bell reunion without Jessie, after all. After Saved by the Bell, Berkley went on to star in the infamous movie Showgirls (1995), playing the main character, Nomi. Berkley was later cast as Phoebe in the movie The First Wives Club (1996); and as Julia Winston in CSI: Miami (2002-12).

Other characters reprising their roles from Saved by the Bell are Dennis Haskins as Mr. Belding, who is a guest at the wedding, and Zack’s parents, who appeared in only a few episodes of the main series. Haskins played the role of Mr. Belding all the way from the original series through to Saved by the Bell: The New Class, which didn’t end until 2000. Haskins went on to have guest roles in television series. John Sanderford was cast as Mr. Morris, having appeared in various soap operas including General Hospital (1963-present) and Santa Barbara (1984-93). Melody Rogers played Mrs. Morris.

Two characters from Saved by the Bell: The College Years made cameos as wedding guests, college roommate Alex and Resident Advisor Mike. Kiersten Warren was cast as Alex. Warren went on to appear in the recurring role of Nora Huntington in Desperate Housewives (2004-12), and appeared in movies like 13 Going on 30 (2004), playing Trish Sackett. Bob Golic played Mike. Golic is a former NFL player, retiring in 1992.

MUSIC

The music in Saved by the Bell: Wedding in Las Vegas has been difficult to figure out, as it would appear that much of its music was likely written for the movie.

However, there is one piece of music, used in the film’s Opening Credits, that was easy to find. This song is “Live It Up” by Crosby, Stills & Nash. This song reappears as an instrumental whenever there are shots of the Vegas Strip at night, like when Kelly and Lisa arrive at the Stardust Hotel. Crosby, Stills, & Nash was a folk-rock group. Its members were David Crosby, Stephen Stills, and Graham Nash. The band initially formed in 1968. “Live It Up” was released as part of their album of the same name in 1990. “Live It Up” was written by Joe Vitale. I really like this song, and feel like it matches the atmosphere of Vegas. 

Outside of that, the only other recognisable music in Wedding in Las Vegas is the traditional “Here Comes the Bride”, composed by Wagner, and obviously used when Kelly walks up the aisle with her father. However, there is one song, specifically written for Saved by the Bell: Wedding in Las Vegas, which can be found. This is the song that plays at Zack and Kelly’s wedding, during the montage of scenes of the couple. This song is titled “When It’s for You”. It was listed on the website of composer Jay Gruska. “When It’s for You” is a beautiful love song to match the love story of Zack and Kelly. It was written by Gruska and Paul Gordon, with the vocals being provided by Alan Sovory.

There are other songs in Saved by the Bell: Wedding in Las Vegas though, and looking at the fact the wedding song was written by Jay Gruska and Paul Gordon, it is possible they also wrote the rest of the music in the film. Three pieces of music all sound very similar anyway, and seem to feature the same vocal artist. One of these is the music that is playing as Slater, Screech, and Zack head to Zack’s house after paintball and take a detour to Bayside High, straight after the Opening Credits. I really like this piece of music so it’s a shame I don’t know much about it. I’d like to think it’s called “Those Were the Days”, as that line is repeated often. It is also used in instrumental form for the End Credits. Another unknown piece of music plays as the gang leave in their cars to head to Vegas, and it reappears when Zack and Kelly leave Vegas for their honeymoon, right before the credits. Then there is the song playing as the group spend time in the hotel pool together on their first full day in Vegas, just after Screech, Slater, and Zack get fired as golf caddies.

Those pieces of music contain lyrics, so would not be counted as the usual instrumental music that would exist within a movie’s score. Saved by the Bell: Wedding in Las Vegas’ score was composed by Jay Gruska. Gruska composed the music for the 90s series like Beverly Hills, 90210 (1990-2000) and Lois & Clark: The New Adventures of Superman (1993-97). He went on to co-compose the score for Supernatural (2005-20) with Christopher Lennertz; as well as the score for Charmed (1998-2006) with J. Peter Robinson.

Within what I would class as the score for the film, I particularly like the music that plays as Zack, Slater, Carla, and Screech are being chased through the streets of Las Vegas by Freddie Silver’s bodyguards. I also like the music from the stage show that the four find themselves in, disguised as showgirls, and the music playing just before Zack and Kelly get married at the Silver Bell Chapel, although this does sound very much like the song “Chapel of Love”, made famous by The Dixie Cups in 1964, and written by Jeff Barry, Ellie Greenwich, and Phil Spector. I’m not entirely certain if this music was just meant to be a riff on that song, or whether an excerpt of the actual song was used.

PRODUCTION

Saved by the Bell: Wedding in Las Vegas would not have happened if it had not been for Saved by the Bell (1989-93). But let’s not forget, Saved by the Bell would never have existed had Good Morning, Miss Bliss (1987-89) not existed first.

Good Morning, Miss Bliss was a series created by Sam Bobrick. It starred Hayley Mills, famous for her leading roles in live-action Disney movies like Pollyanna (1960) and The Parent Trap (1961), as the titular character, Miss Bliss. The series revolved around her teaching career at a school in Indianapolis, and how she dealt with her various students.

The original pilot was different to the full series though, with the pilot episode airing in July 1987 on NBC. After airing the pilot, the series was reworked and a full season of thirteen episodes aired on Disney Channel from November 1988 until March 1989. Hayley Mills was the only actress to carry over from the pilot to the full series, but there were some familiar additions, because this is where Mark-Paul Gosselaar, Lark Voorhies, and Dustin Diamond began playing their famous characters Zack Morris, Lisa Turtle, and Samuel “Screech” Powers. Dennis Haskins also made his debut as Mr. Richard Belding here.

Good Morning, Miss Bliss was cancelled for poor ratings after that first season and NBC reclaimed the rights to it, beginning to revamp the series in order to refocus the story on the teenage students, not the teacher, and turning it into a live-action comedy show for Saturday morning television. Along with Zack, Lisa, and Screech, three other students were added: Tiffani Thiessen as Kelly Kapowski; Elizabeth Berkley as Jessie Spano; and Mario Lopez as A.C. Slater. Berkley had actually auditioned for the part of Kelly, along with Jennie Garth who went on to star as Kelly Taylor in Beverly Hills, 90210 (1990-2000). Berkley did not get the role, but the producers liked her so much that the role of Jessie was created just for her. Mr. Belding made a return to this new series too, continuing to be the school’s principal. Instead of this being a school in Indianapolis, the new series was set at Bayside High in California. Peter Engel, the executive producer of Good Morning, Miss Bliss, continued to be involved as the executive producer on this reformatted show, now titled Saved by the Bell. It is also worth mentioning that Good Morning, Miss Bliss episodes were added into syndication, with “present day Zack” introducing these episodes, explaining that these events happened when Zack, Lisa, and Screech were in junior high school.

Saved by the Bell’s first season began airing on NBC in August 1989, and concluded in December of that year. This series introduced the new cast of six students, and included storylines such as Zack trying out subliminal messaging on the girls, “The Zack Tapes”; and Lisa spending too much on her father’s credit card and trying to pay it back, “The Lisa Card”. An eighteen-episode Season 2 began in September 1990 and ended in December 1990. Episodes from this season included Zack organising a free prom for Kelly as her parents couldn’t afford to send Kelly to the school’s actual prom, “The Prom”; Zack asking Kelly to go steady, only to fall for the new school nurse immediately afterwards, “From Nurse to Worse”; and that iconic episode about Jessie’s caffeine pill addiction, “Jessie’s Song”, which most people find funny, but it actually makes me cry. Apparently, Jessie was meant to be addicted to speed in the original script, but this was censored by the network[1].

Saved by the Bell continued to be popular, so it was followed up with Season 3, which consisted of 26 episodes, and aired from September to December 1991. The opening few episodes followed two interesting storylines for the gang: one of Zack and Kelly’s break-up after Kelly decides to date her much older boss, Jeff, who she meets working at the Max, the gang’s diner; and another set of episodes about how the group got summer jobs working at the Malibu Sands Beach Resort – except for Lisa, who is just a guest there, obviously; Lisa doesn’t work! The beach resort episodes featured Leah Remini as Stacey Carosi and Ernie Sabella as Mr. Carosi, Stacey’s father and boss of the new recruits. Other storylines in this season included Bayside having to decide whether they should let a company drill for oil on the school grounds, “Pipe Dreams”; Jessie’s stepbrother, Eric, coming to live with her and her family, “The Wicked Stepbrother”; “Palm Springs Weekend”, where the group go to Palm Springs for Jessie’s father’s wedding; “Rockumentary”, a documentary-style episode all about the gang’s band, Zack Attack;  and even an episode about drugs, “No Hope with Dope”, which did not air on Nickelodeon when I was watching the series.

Saved by the Bell’s first television movie premiered in November 1992, called Saved by the Bell: Hawaiian Style, which saw the gang in Hawaii to stay with Kelly’s grandfather, played by Dean Jones, at his hotel, only to find that he is struggling for guests due to plans to buy up his land and make a huge hotel complex. Mr. Belding happens to be on the island at the exact same time with a tour group, and he helps save Kelly’s grandfather’s hotel too. Although this movie first aired partway through the original showing of Season 4, I believe it is supposed to take place during the teens’ summer break after Season 3.

The fourth and final season, another 26-episode series, began airing in September 1992 and was concluded by December 1992 with the episode “Graduation”, thus ending Saved by the Bell. Some episodes in this series included “Teen-Line”, where Zack meets a disabled girl and starts acting weird about it; the “battle of the sexes” episode, “The Will”, where the guys go up against the girls in various tasks; “Class Rings”, where Zack buys dodgy class rings that turn everyone’s skin green; the square dance Senior Prom, “The Senior Prom”; and “School Song”, where Zack and Screech fight over the new school song. There was even an episode about drink-driving, which, again, did not air on Nickelodeon when I was watching.

Season 4 of Saved by the Bell is also notable for what later became known as The Tori Paradox. Season 4 had finished filming, with the final episode being “Graduation”. Everything was done, everything was completed, although Season 4 was going to be a shorter-than-average season. However, NBC decided to order ten more episodes. That may not have been an issue had it not been for the fact that Elizabeth Berkley and Tiffani Thiessen had decided to leave the show entirely after those initial episodes of Season 4 were filmed and were not contractually obliged to film these additional episodes.

This put the series in jeopardy, because it would only be too obvious that two popular characters were missing. The producers knew they’d need a new character to fill the space left by Kelly and Jessie, so Tori Scott was created, played by Leanna Creel. In an interesting move, it was decided that these “Tori episodes” would be placed in between the other episodes of Season 4, with the hope of them blending in with the rest of the season, but that did not happen, and it was only too obvious, and confusing, that Kelly and Jessie were there one minute, and gone the next. We were meant to believe that in the episodes with Tori, Kelly and Jessie were simply not in the same classes as the other four and Tori, or that they were busy doing something else. It is of course that case that people can mix outside of established friendship groups, however, to make it even more confusing, Tori then suddenly vanished without explanation since she did not make an appearance in the “Graduation” episode because that had been filmed before Leanna Creel was even cast. Creel had no idea how much of a scandal her character showing up would be, but she had a positive response from fans for her role, which has now become famous[2].

Saved by the Bell ended with the main cast graduating from high school, so what next for them? Well, college of course! The main series was followed by a sequel series, Saved by the Bell: The College Years, which premiered its pilot episode on 22nd May 1993. Saved by the Bell: The College Years did not begin airing its full series until September 1993.

The pilot episode introduced this new concept for the programme, whereby Zack, Screech, and Slater move into their dorm, or “suite”, at the fictional California University, or Cal U. Their other “suite mates” are female students Alex, played by Kiersten Warren; Leslie, played by Anne Tremko; and Danielle, played by Essence Atkins, who only appeared in the pilot. Another new character was Mike Rogers, their Resident Advisor, played by Bob Golic. From the second episode of the series Tiffani Thiessen returned to the show as Kelly, replacing Danielle, who was said to have transferred to another college.

This sequel series revolved around the usual antics you might expect of the Saved by the Bell gang, but this time taking place at college. It did feel slightly more mature than the original series, to the point that I didn’t like The College Years much at all when I first watched it, as I was only about 10 or 11-years-old when I first saw it, and therefore didn’t relate to it. Re-watching this series as an adult, I found it much more enjoyable. But even from a young age, I still managed to remember the most important storylines in the series.

The most problematic one is obviously that whole thing about Kelly dating one of their college professors, Professor Lasky, irritating Zack who is trying to get back together with Kelly at this point in the series. Professor Lasky was very much a hated character for a long time because he was stopping Zack and Kelly from being together, to the point that actor Patrick Fabian, who was cast as Professor Lasky, has been unable to avoid comments from fans about his “controversial” character[3]!

Unsurprisingly, Kelly and Professor Lasky did not last long, and Kelly and Zack do eventually get back together, however, Kelly soon got accepts on to the Semester-at-Sea program, which means she’ll be away on a three-month cruise. After Zack’s attempts to take Screech’s place on the program fail, he decides to propose to Kelly. She initially refuses to answer, saying they are too young, but when Zack comes to say goodbye to Kelly before the ship sails away, Kelly decides she does want to marry him, and she wants to do so right away. They both get off the ship just before it departs. This is the episode “Marry Me”.

Following on from that, the finale episode of Saved by the Bell: The College Years was titled “Wedding Plans”. Zack and Kelly want to get married in the college chapel, and need to find an apartment. They find a rundown apartment that is affordable and put down a deposit on it – though Kelly and Zack both hate it. They then go to the Dean of the university, Dean McMann, played by Holland Taylor, to ask permission to live off campus. After initially trying to convince Kelly not to marry Zack because Kelly is much too young – and smart – to marry Zack, Dean McMann has a change of heart, as she believes Zack will have to drop out of college so he can work to pay the rent on their apartment. After the chapel is not available for that weekend, Dean McMann pulls some strings and gets their wedding booked in. But they must meet with the Reverend first. This meeting goes very wrong, thanks to Zack and Kelly’s bachelor and bachelorette parties taking place on the same night and in the same place as this important meeting. The Reverend decides they are too young and immature to get married and refuses to hold their wedding ceremony at the chapel. Disappointed, Kelly says they should just go to Reno this weekend and get married. But Zack says that’s too tacky, and they should go to Vegas instead! This final episode aired on 8th February 1994. Lark Voorhies returned to the show as Lisa Turtle for this one episode.

Saved by the Bell: The College Years was cancelled, due to falling ratings and disappointing reviews. The show had moved from the Saturday morning slot, which the original series had aired in, to a primetime evening slot, so perhaps that change did not help. Executive producer of Saved by the Bell and Saved by the Bell: The College Years, Peter Engel, said there was too much of a change in The College Years that did not suit the fans. Engel said had all six of the original gang been taken to college, then it might’ve worked[4]. My issue with that though is that it wouldn’t have made sense for Jessie, who had dreams of going to a prestigious Ivy League university, and Lisa, who wanted to be a fashion designer, to go to Cal U with the others. In the end, Jessie went to Columbia and Lisa went to the Fashion Institute of Technology. The other four who did go to Cal U all had different plans at the end of the original series, but I can believe those four would change their minds and end up attending the same college.

Anyway, as Saved by the Bell: The College Years did not continue and the viewers had been promised a wedding in Vegas, NBC had to oblige, and so they did, by tying up the whole series with the 90-minute television movie Saved by the Bell: Wedding in Las Vegas.

Saved by the Bell: Wedding in Las Vegas was directed by Jeff Melman, who had directed every episode of Saved by the Bell: The College Years so was well-placed to take on this project. He went on to direct episodes of other popular sitcoms including earlier episodes of Two and a Half Men (2003-15); 1990s episodes of Frasier (1993-2004); some episodes of Sabrina the Teenage Witch (1996-2003), from Season 4 onwards; and Malcolm in the Middle (2000-06).

The credited writers of the movie were Sam Bobrick, Elaine Aronson, and Mark Fink. Writer Bobrick was credited as the creator of the show throughout all the series of Saved by the Bell, having written the Good Morning, Miss Bliss pilot episode. He had previously written for comedy shows such as The Andy Griffith Show (1960-68). Bobrick passed away in 2019. Elaine Aronson had written the pilot episode of Saved by the Bell: The College Years. Aronson went on to write episodes of comedy series like Project MC2 (2015-17) for Netflix and First Wives Club (2019-22) based on the 1996 film. Mark Fink had written a few episodes of both the original series and The College Years series, and seems to have been the primary screenwriter for Saved by the Bell: Wedding in Las Vegas. Fink had also written episodes of the sitcom Full House (1987-95) around this time.

Saved by the Bell: Wedding in Las Vegas actually used some real locations in Las Vegas for filming, with the Stardust Resort and Casino being specifically named, as this is where the group stay throughout the events of the movie.

The Stardust Resort and Casino opened in July 1958, becoming the world’s largest hotel at the time, with just over 1,000 rooms. Over the years, ownership of the hotel and casino changed hands numerous times, before the Boyd Gaming Corporation took over the hotel in 1985. The resort was expanded in the years that followed. In January 2006, Boyd Gaming announced that it planned to build a $4.8 billion complex to match the larger resorts that were being constructed on the Las Vegas Strip. This project was named Echelon Place, and would have consisted of five hotels, a 140,000 square-foot casino, retail and convention space, restaurants, and two theatres.

To make way for construction of the Echelon project, the Stardust Resort and Casino closed on 1st November 2006 and the hotel was demolished in the early hours of 13th March 2007, with fireworks being set off prior to the buildings’ implosion[5]. Formal groundbreaking for the new Echelon development took place in June 2007, however, construction stopped just 14 months later, in August 2008, due to the Global Financial Crisis. A building extension was granted to allow for the project to be completed by 2018, but in the end, this was not feasible and the land was sold. In March 2013, Genting Group acquired the site for $350 million and had their own plans for a new resort[6]. Resorts World Las Vegas currently stands on the land that once was the Stardust Resort and Casino, having opened in June 2021.

As a tribute to the Stardust, a replica of the original hotel sign could be found at the entrance to Resorts World Las Vegas when the resort first opened in 2021. It is unclear if it still resides there. But at the Neon Museum, a museum dedicated to the past history of Las Vegas, you can find the original Stardust Resort pylon[7].

The Neon Museum Las Vegas is home to another piece of Las Vegas history that happened to feature in Saved by the Bell: Wedding in Las Vegas. That is the neon sign from the Debbie Reynolds Hollywood Hotel, Casino, and Hollywood Movie Museum, which was relit for the first time in nearly three decades on 9th October 2024 at the Neon Museum. This sign is a bright pink 24-foot-long recreation of Reynolds’ signature, and simply reads “Debbie”. It was donated to the museum by Reynolds’ estate and her son, Todd Fisher. The Debbie Reynolds Hollywood Hotel, Casino and Hollywood Movie Museum location was used for Saved by the Bell: Wedding in Las Vegas as the gang hide in the movie museum to avoid Freddie Silver’s bodyguards. The scene is not long, but the exterior and signage of the museum are clearly visible. This location first opened in 1993, and closed in 1998 due to financial problems. The movie museum featured items of movie memorabilia, which Reynolds was known for collecting[8].

Another filming location used for this movie was the Mon Bel Ami Wedding Chapel in Las Vegas, which was The Silver Bell Chapel at the time of filming, and is the place where Zack and Kelly initially go to get married. The Silver Bell Chapel was damaged by fire in 2002, so was sold, renovated, and re-opened as the Mon Bel Ami Wedding Chapel in 2003. Zack and Kelly actually get married somewhere else, supposedly a Las Vegas hotel garden. The real filming location was Pickwick Gardens, but Pickwick Gardens was not in Las Vegas. Pickwick Gardens was in Burbank, California. This location closed permanently in August 2023, to make way for property development, but was a popular wedding and private event space for many years[9].  

RECEPTION

Saved by the Bell: Wedding in Las Vegas premiered on NBC on 7th October 1994, airing in a two-hour time slot. The movie was later split into two, and then four, episodes so it could be aired in syndication with the rest of the series.

Saved by the Bell: Wedding in Las Vegas may not have been an award-winning, high budget feature film, but it has been remembered fondly by fans of the show. Some admitted that this finale was not a perfect ending to the series, but it was better to have this ending than nothing at all. Many said it was a sweet film, with touching moments referring back to the original series, such as the montage of Kelly and Zack’s “best moments” which plays during their wedding ceremony. Basically, the fans wanted a wedding in Las Vegas like they were promised and they certainly got one. This film was for the fans.

But fan or not, Saved by the Bell: Wedding in Las Vegas was still subject to criticism, namely at the fact there were some cheesy, crazy storylines playing out during the film that were unrelated to the wedding and were resolved easily. I guess this is probably referring to Carla and her diamond thief ex-boyfriend, which is a bizarre storyline, and the fact Zack, Slater, and Screech manage to outthink a man holding a gun is a bit too simple! I personally don’t mind these random additions to the story, because Saved by the Bell was full of crazy, bizarre incidents that were there to be funny, not taken seriously. Others were disappointed that not all of the cast, particularly Jessie, were given a proper return to the series, as Mr. Belding, Jessie, Alex, and Mike were only given a few minutes with the cast during the wedding scene. Leslie from The College Years didn’t even make an appearance, which is a bit odd, though I’m assuming it’s simply that actress Anne Tremko was unavailable, not that she was not invited. I’d like to think that Leslie didn’t get over the fact Kelly chose Lisa as her Maid of Honour and not her, since her and Alex were fighting about that in the last episode of The College Years, and chose not to come. Some who claimed to be huge fans of the Saved by the Bell series even said they had no idea Saved by the Bell: Wedding in Las Vegas existed, which goes to show that the movie wasn’t met with acclaim or even much publicity!

Saved by the Bell: Wedding in Las Vegas did win a couple of small awards. For example, Tiffani Thiessen won a YoungStar Award at the First Annual YoungStar Awards in 1995, in the category Best Performance by a Young Actress in a Miniseries/Made-for-TV Movie for her role as Kelly here. Both Mark-Paul Gosselaar and Mario Lopez were nominated in the equivalent Young Actor category. The movie also apparently won Best Family TV Movie Pilot or Special at the Young Artist Awards in 1995.

LEGACY

Although Saved by the Bell: Wedding in Las Vegas signalled the end for the original six characters and cast members, this was not the end for the Saved by the Bell franchise.

Even before Saved by the Bell: Wedding in Las Vegas, a new spin-off series was already airing. Saved by the Bell: The New Class consisted of seven seasons, airing each year from September to December, starting in 1993 and concluding in December 1999. One additional episode aired in January 2000, but does not seem to be the official final episode.

Saved by the Bell: The New Class focused on a new set of teenage high schoolers, however, since the series had returned to Bayside High, that meant Dennis Haskins as Mr. Belding could also return, and he did, with Haskins reprising his role throughout the run of the series. Dustin Diamond also reprised his role as Screech from Season 2, with his character seemingly working at Bayside High on a work-study program. Due to its long-running nature, the cast changed frequently from season to season. The proper final episode of Saved by the Bell: The New Class saw the teens leave for different colleges, and Mr. Belding leaving Bayside to move to Tennessee for a new job. I tried to watch Saved by the Bell: The New Class once or twice, but Bayside just isn’t the same without the original six.

After 2000, there was a big break between Saved by the Bell projects as cast members worked on their own careers, however, there were occasionally reunions with the cast. For example, People magazine held a 20th anniversary reunion in 2009, however, Dennis Haskins and Dustin Diamond were left out of this reunion, for unknown reasons, though it is believed that the release of Diamond’s “tell-all” book Behind the Bell, published in 2009, was a reason for Diamond not appearing. The book talked about behind-the-scenes secrets during filming of Saved by the Bell from Diamond’s perspective, with talk about steroid use, cast hook-ups, etc. This book was later used as the source material for Lifetime’s television movie The Unauthorized Saved by the Bell Story (2014), which I actually quite liked, though it is important to view it as more a fictional piece of entertainment than a dramatised documentary. The cast debunked many revelations in Diamond’s book and this created a rift. Later, Diamond blamed his ghostwriter for taking comments out of context.

There was also a 2015 reunion skit on The Tonight Show with Jimmy Fallon (2014-present) where Jimmy Fallon joined the cast from Saved by the Bell in acting out a short sketch. This time, Dennis Haskins was included, though Dustin Diamond still was not, and nor was Lark Voorhies on this occasion. Voorhies was not there due to scheduling conflicts. Diamond was not there allegedly due to ongoing legal problems[10].

Over the years, there have been other projects related to Saved by the Bell that have popped up, both official and unofficial. For example, there was an unofficial musical based on the series called Bayside! The Musical, which had an off-Broadway run in 2016. It went through some of the series’ most famous storylines, like The Max closing down, and Jessie’s caffeine pill addiction. There was also a YouTube series titled Zack Morris is Trash, where a narrator went through episodes of Saved by the Bell and talked about how terrible Zack was.  

There was also a pop-up restaurant in the late 2010s, called Saved by the Max, which was both a restaurant, a Saved by the Bell memorabilia space, with dolls, lunchboxes, and screenplays on display, and a recreation of some of the show’s most famous sets, like the Bayside High lockers, the Max, and Belding’s Office. Menu items were named after characters from the show[11]. It’s not entirely clear to me where Saved by the Max went and when, as it was a travelling pop-up restaurant, but it appears to have begun in Chicago in Summer 2016, before closing in June 2017 to head to Los Angeles[12]. The Los Angeles location opened with two new recreations of sets, these being Zack’s bedroom and the Malibu Sands Beach Club. It then closed in April 2019 after eight months and was heading to a third city[13]. This third city location doesn’t appear to have ever happened, but from 20th to 25th August 2020, during the COVID-19 pandemic, Saved by the Max was available for delivery and pick-up in Chicago, Los Angeles, and New York City. This week in particular was chosen in order to commemorate Saved by the Bell’s original premiere date[14].

But despite all of this, there had not been any new Saved by the Bell episodes since 2000. That was all about to change as the Saved by the Bell revival series came to Peacock, NBC’s streaming service, on 25th November 2020. The first season consisted of 10 episodes, with a second season, also of 10 episodes, airing on Peacock in two parts, one half released on 24th November 2021, and the other half on 1st December 2021. I will be honest and say I have never been interested in watching this series. I wasn’t sure about watching it because it all looked too different, and by the time I’d decided maybe I should give it a go, the series was no longer available to watch in the UK for free. Oh well!

Saved by the Bell’s revival series followed Zack Morris, now Governor of California, shutting down all the low-income schools in California and transferring those students to wealthier schools, like Bayside High. It was initially not known whether the full cast would return, with only Elizabeth Berkley and Mario Lopez being approached initially to reprise their roles as Jessie and Slater, but others came on board later, such as Tiffani Thiessen as Kelly, and obviously Mark-Paul Gosselaar as Zack. Ed Alonzo as Max even returned.

In December 2016, executive producer of the show Peter Engel had been interviewed about the characters of Saved by the Bell and where he thought they’d be now. Engel thought that Zack and Kelly probably got divorced, but that they’d be remarried to other people by now. Engel went on to say that he thought Kelly would have kids and be the host of a cooking show on Food Network; Zack would be a host of a game show or talk show, or perhaps a hedge fund manager; and that Slater would be a high school football coach. For Screech, Engel said he’d be a tech entrepreneur like Bill Gates, and for Jessie, she’d likely have run for President; and Lisa would be a fashion designer or buyer[15].

Peter Engel actually got much of this “wrong” based on what the revival series showed us. Zack and Kelly stayed together, and Zack became the Governor of California. Jessie returned as a guidance counsellor, with a PhD in Educational Psychology and was an author of multiple parenting books. Screech was said to have become an astronaut. However, Engel was right about Lisa and Slater’s jobs to some extent.  

Although Zack and Kelly returned to the revival series, Jessie and Slater are the only two returning characters to be main characters. Mr. Belding did not return here at all, with a new principal, Principal Toddman, played by John Michael Higgins, taking his place. Once again, there were six high school students that the series followed: Daisy, Mac, Lexi, Aisha, Jamie, and Devante. Mac is Zack and Kelly’s son, and Jamie Spano is Jessie’s son. Lark Voorhies as Lisa Turtle returned to the revival series briefly.

One of these returns was for an episode in Season 2, “The Last Year Dance” that saw the gang meet at The Max to remember Screech, with the character passing away for unexplained reasons, to match the passing of Dustin Diamond. The gang meet at The Max to share their memories of him. Max even adds Screech’s Spaghetti Burger to the menu and it is delivered by Screech’s robot, Kevin. This was followed by a montage of “Screech moments”. Dustin Diamond never returned to reprise his role. It is believed there was talk about Diamond returning to be a part of the cast for Season 2 of the revival series, but he died before he got the chance[16]. It’s very sad how Diamond was not included in cast reunions before this, and how he seemed to struggle more than the others, never able to shake off the character of Screech.

Saved by the Bell’s revival series received generally positive reviews for both seasons, with viewers loving the “inside jokes” about events that happened in the original series, such as Zack asking Kelly if she remembered Tori, and it turns out she doesn’t because the characters never met, or Kelly insisting that former boyfriend Jeff was not Mac’s father. There was even a part of Jessie’s storyline that referenced Berkley’s real-life career. It’s a well-known fact that Berkley was in the movie Showgirls (1995). It’s also no secret that Showgirls was universally panned, winning numerous Razzie Awards, committing it to the world of Hollywood infamy. It has since gained “cult classic” status. Jessie in the revival series is finalising her divorce and she mentions to Kelly and Lisa that she hasn’t flirted or been wild since she lived in Vegas, saying it was a chaotic time shortly after college, and her wild behaviour resulted in her injuring a woman by pushing her down the stairs, a nod to an event in the film. Jessie is also given a makeover to look like the character from the film[17].

Despite Saved by the Bell’s popularity and supposedly good viewing figures, along with winning a GLAAD Media Award for Outstanding Comedy Series in 2022, Peacock cancelled the show. No official reason was given for the cancellation, although it is believed a change of management may have had something to do with it[18].

FINAL THOUGHTS

If you were a fan of Saved by the Bell, either from the outset or were introduced to it at a later age, Saved by the Bell: Wedding in Las Vegas likely felt like a fitting and fulfilling finale to a much-loved show and its characters. The popularity of Saved by the Bell has continued, to the point that the show has now joined an ever-growing list of revived series.

However, given the cancellation of the revival, it is not known where Saved by the Bell is headed next. The only thing we can be sure of is that the students of Bayside High will never be forgotten, and there will always be an opportunity to catch up with them again.


REFERENCES

[1] Credit: Tierney Bricker, ’30 Shocking Saved by the Bell Secrets Revealed’, EOnline.com, 20th August 2019.

[2] Credit: Amanda Bruce & Michael Kennedy, ‘Why Saved By The Bell Replaced Kelly & Jessie With Tori Scott’, ScreenRant.com, 21st September 2023.

[3] Credit: Ryan Jones, ‘The Role(s) of His Life’, PennStater.Mag.com, Nov/Dec 2022.

[4] Credit: Tierney Bricker, ’30 Shocking Saved by the Bell Secrets Revealed’, EOnline.com, 20th August 2019.

[5] Credit: Slone Terranella, ‘On This Day 16 Years Ago: Stardust Demolition Makes History’, 1027vgs.com, 13th March 2023.

[6] Credit: Richard N. Velotta, ‘Resorts World development went down historic Stardust path’, ReviewJournal.com, date unknown.

[7] Credit: The Neon Museum, ‘History Of The Demolished Hotels In Las Vegas’, NeonMuseum.org, date unknown.

[8] Credit: Ryder Maldonado, ‘Hollywood icon Debbie Reynolds to be honored by Neon Museum in Las Vegas’, ABC13.com, 11th September 2024.

[9] Credit: ABC7.com staff, ‘Pickwick Bowl and Banquets in Burbank shutting its doors after more than 60 years’, ABC7.com, 8th August 2023.

[10] Credit: Tierney Bricker, ’30 Shocking Saved by the Bell Secrets Revealed’, EOnline.com, 20th August 2019.

[11] Credit: Christi Carras, Linda Xu, ‘‘Saved by the Bell’-Themed Pop-Up Restaurant Takes Diners Back to the 1990s’, HollywoodReporter.com, 18th October 2018.

[12] Credit: Morgan Olsen, ‘Saved by the Max closes down Chicago pop-up and heads for Los Angeles’, TimeOut.com, 1st June 2017.

[13] Credit: Mike Roe, ‘The Saved By The Bell Pop-Up Is Closing – And We’re So Excited, We’re So…Scared’, Laist.com, 8th February 2019.

[14] Credit: Randee Dawn, ‘‘Saved by the Bell’ pop-up delivers a slice of Bayside High to your home’, Today.com, 13th August 2020.

[15] Credit: Chris Perez, ‘‘Saved by the Bell’ couple probably got divorced: producer’, NYPost.com, 1st December 2016.

[16] Credit: John Atkinson, ‘Saved By The Bell S2 Gives Touching Tribute To Screech’s Dustin Diamond’, ScreenRant.com, 24th November 2021.

[17] Credit: John Atkinson, ‘Saved By The Bell’s Showgirls Reference Retcons Jessie’s Backstory’, ScreenRant.com, 25th November 2021.

[18] Credit: Abdullah Al-Ghamdi, ‘Why Saved By The Bell Was Canceled After Season 2’, ScreenRant.com, 9th May 2022.

Thumbelina (1994)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

Around the 1990s, it seemed that every movie that was animated had to be from Disney, just because Disney Animation had really taken the world by storm in this decade, after struggling for years on end after the death of Walt Disney.

It is actually not the case that every animated movie is from Disney, even if they are based on a fairy tale and are musicals, like Thumbelina.

I am fully aware that Thumbelina is currently on Disney+, so how can it not be a Disney movie? Well, that’s because technically Disney do own the film, BUT they had nothing to do with its production. Thumbelina was part of 20th Century Fox’s catalogue at the time that Disney acquired it, so that is why it is on Disney+.

Anyway, for years, I’ve heard people claiming that things like Anastasia (1997) and Thumbelina are Disney movies. I try to just roll my eyes and ignore it, but I find it really irritating that people don’t want to do their research. And that’s where I come in.

Thumbelina was in fact created by Don Bluth and his animation studio. Bluth was a Disney animator back in the 1970s, but he subsequently left and made a variety of movies, some being remembered fondly and others less so. Thumbelina is in the “less so” group.

But I’ve always loved Thumbelina. I didn’t watch it at the cinema, and only remember viewing it on a VHS where we must’ve recorded it off the TV, probably from Channel 5. I remember Thumbelina sort of creeped me out a bit as a child as Thumbelina is continuously kidnapped and stalked by weird creatures, and yet, I still liked it. There’s also another reason I shouldn’t like Thumbelina. Not because Thumbelina isn’t a “progressive female lead” or because the story “drags” – those are other people’s problems. No, mine is because of the animation style.

I’m overly sensitive to colours and patterns, to the point that I have been known to avoid sitting on certain furniture if I don’t like the look of it. Weird, I know. It’s a good thing I didn’t grow up in the 70s! I don’t watch Pinocchio (1940) because the colours and illustration style just don’t work for me, plus, all the other weird stuff in that film that makes me not enjoy the story. Thumbelina has a similar illustrative look, i.e., a more traditional storybook style, and lacks the general vibrancy and light that makes me enjoy Disney animated films.

And yet, I still like it. I don’t really know why, I just know I really like this film.

PLOT

The opening of Thumbelina starts with a scene showing a windmill by a lake, before we zoom through the streets of Paris, seeing sights like Notre Dame Cathedral, as we follow a swallow to its home inside the cathedral. This swallow is called Jacquimo, and he claims to be a “swallow extraordinaire” and lover of beautiful things. He constantly talks about following your heart and saying how nothing is impossible. Inside his home, he has multiple books, all love stories about impossible problems, like Samson and Delilah, and Romeo and Juliet. Yes, such romantic stories with lovely happy endings… Anyway, Jacquimo actually wants to talk about the story of Thumbelina and as the storybook opens, he tells us the beginning of the story.

Once upon a time, there was a lonely woman who was desperate to have a child. She went to a good witch who gave the woman a tiny barley corn. The good witch told the woman to plant it. The woman did as she was told and after some time, a flower blooms from it. As the petals open up, they reveal a tiny girl – who is about sixteen-years-old though – who is the size of a thumb. Because of this, the woman names her Thumbelina.

However, Thumbelina soon learns that this world isn’t so great for someone of her height, finding herself smaller than all the farm animals that her “mother” owns, and almost ending up baked inside a pie. That night, her mother tries to tell her a story about a noble dog, obviously after her own pet, Hero, but Thumbelina asks her to stop, instead wanting to hear a story about someone small like her. Her mother shows Thumbelina a story about fairies who are a similar size. When Thumbelina asks if fairies are real, her mother’s response is unconvincing, leading Thumbelina to feel sad that she’ll never find where she belongs, and will never find love. Thumbelina wants nothing more than “to be big”, but her mother tells her not to wish to be anything more or less than she already is.

As Thumbelina is taken to bed, where she sleeps inside a walnut – random – she asks to be placed by the open storybook so she can look at pictures of the fairies whilst she goes to sleep. Her mother places her by the window with the book, and asks her dog to protect her overnight. Thumbelina wishes for fairies to be real, and pretends to have a conversation with one of the pictures. Suddenly, the page is cut open by someone with a sword. Terrified, Thumbelina goes to hide in a teapot. The intruder apologises for scaring her and tries to convince her to come out of her hiding place. Thumbelina does so and finds that the intruder is an actual, real-life fairy! Thumbelina is overjoyed to find someone as small as her, but Hero is woken by this conversation and starts to bark at the fairy. Thumbelina quickly begins formal introductions to show Hero the fairy is a friend. The fairy introduces himself as Cornelius, which Thumbelina finds to be a hilarious name. Yeah, because Thumbelina is such a normal name! Thumbelina starts to ask if he knows about a Fairy Prince. Cornelius says there is one and he’s very handsome. The two are interrupted by the buzzing of a bumblebee on the windowsill. That is Buzzbee, Cornelius’ bee that he rides around on. Cornelius asks Thumbelina if she wants to go for a ride and they fly off together.

On returning to Thumbelina’s home, Cornelius is about to kiss Thumbelina when he hears his name being called. He says his parents, the King and Queen of the Fairies, are calling him, because he missed the “golding of the leaves” that evening, when summer turns to autumn. Thumbelina learns that this must mean Cornelius is the Fairy Prince that he was talking about. Cornelius says that is true and asks whether he could come back tomorrow, to take her to meet his parents. Thumbelina would love to see him again, and Thumbelina gives him a necklace of forget-me-nots, so he never forgets her, and Cornelius puts a ring on Thumbelina’s finger. Wow, engaged after just an hour or two together. Interesting. Very fairy tale… Cornelius returns to the Fairy Court. However, as Thumbelina sleeps, she is kidnapped by a toad, who came in through the open window, just like Cornelius. Rookie error. Keep your doors and windows locked, people! Despite Hero the dog’s attempts to retrieve Thumbelina, her and the walnut are gone, as the toad floats them down the river.

Thumbelina wakes up the next morning, presumably after fainting from terror, to find herself on a boat. The toad who took her away, Mrs. Toad, tells Thumbelina that she lives on this boat with her three sons and that they are a very rich and famous singing group. Mrs. Toad heard Thumbelina singing with Cornelius last night and wants her to join their group, touring the world together. Thumbelina says she’s going to marry the Fairy Prince, but Mrs. Toad says that would be a big mistake and a waste of her life. Thumbelina is almost convinced to join them, until Mrs. Toad’s eldest son, Grundel, who also saw Thumbelina last night and became instantly infatuated with her, says he wants to marry Thumbelina. Mrs. Toad breaks the news to Thumbelina, who refuses, but Mrs. Toad won’t take “no” for an answer and leaves Thumbelina on a lily pad whilst they prepare for the wedding.

Since Thumbelina can’t swim, she is trapped on this lily pad. Until Jacquimo arrives. He hears about Thumbelina’s problems but is excited to hear she’s engaged to the Fairy Prince and helps her, by cutting the stem of the lily pad, so it starts to float. However, the lily pad starts floating to a huge waterfall. Thumbelina and Jacquimo panic as they try to stop Thumbelina from falling to certain death, but Thumbelina faints – again – and Jacquimo almost drowns himself. Instead, two fish and a group of bugs manage to rescue them both and get them to solid ground. Thumbelina wakes up, surrounded by bugs, who ask her if it’s true that she’s going to marry the Fairy Prince. She says she hopes it’s true but she needs to get home so she can see him again. Thumbelina thinks it’s impossible but Jacquimo tells her nothing is impossible, giving Thumbelina some motivation to get herself home. Three little bugs join her on the journey and Jacquimo tells Thumbelina he will find the Vale of the Fairies, as this is where Cornelius lives.

Cornelius is already at Thumbelina’s house though, and finds the room an absolute mess. Shocked, he asks Hero what happened. Hero manages to act out the incident, leading Cornelius to learn a toad took Thumbelina. He says he will find her. Cornelius then goes to his parents to ask them to delay the winter frost to give him time to search for her. The King and Queen tell him they cannot delay it for more than a day, and fear for their son’s safety. At the same time, Grundel is being teased by his toad brothers about how Thumbelina disappeared. He tells them he will marry Thumbelina and goes off to find her.

Thumbelina and her little insect friends start walking but they are soon stopped by a beetle who flies down and blocks their way. The little bugs run off scared. The beetle introduces himself as Berkeley Beetle. He heard Thumbelina singing, and insists she doesn’t talk and only sings to him. Thumbelina asks if the beetle can fly her up to a tree to see if she can see her house from there. He asks why he would do that for her, and Thumbelina responds that she’ll sing for him. This gives Berkeley Beetle an idea. Thumbelina won’t sing for him; she’ll sing at the Beetle Ball. The beetle takes her there against her will. Thumbelina is dressed up as a butterfly and made to perform alongside Berkeley and his beetle back-up dancers. The audience seem impressed with this new butterfly but after a spinning section goes too fast and most of Thumbelina’s costume falls off, it is revealed Thumbelina is not in fact a butterfly and the audience turn against her, calling her ugly. Berkeley Beetle goes with the crowd and rejects Thumbelina, ditching her. Alone and cold in a tree, Thumbelina is soon found by Jacquimo who tells her to forget about the beetle. She does not love the beetle so who cares what he thinks. They’ll resume their journeys tomorrow.

Meanwhile, Thumbelina’s little bug friends run into Grundel the toad who overhears them talking about a beetle. The bugs run off scared again, but Grundel now knows he needs to find this beetle. Cornelius is also still searching for Thumbelina through stormy weather. He asks some bugs where Thumbelina is. They say she is “out there, somewhere”. Cornelius heads back out into the harsh weather, knowing winter is almost here.

The next day, Jacquimo continues to ask around for where the Vale of the Fairies might be, asking a fox, a hare, and a bear, but nobody seems to want to talk to him. Jacquimo also ends up being slammed into a thorny bush, getting a thorn stuck in his wing. Luckily, he can still fly, even though it hurts him. Thumbelina finds herself cold and lost again though, with snow starting to come down thick and fast. Thumbelina sees an old shoe and sock nearby. She wraps herself up in there and falls asleep.

Grundel has managed to find Berkeley Beetle and starts to choke him, wanting information on Thumbelina. Berkeley says he doesn’t know what happened to her after the show, but does have a plan. If Grundel can get the Fairy Prince, setting up a trap for Thumbelina using the Fairy Prince as bait, then that’ll bring Thumbelina to him. Berkeley Beetle is told to find the Fairy Prince, with Grundel ripping off his wings, saying he will return them when he has brought back the Fairy Prince. Luckily, Berkeley Beetle and his friends quickly discover Cornelius frozen in a lake, having fallen off his bee into the lake in the bad weather. They cut Cornelius out of there as a block of ice and take it back to Grundel.

Back with Thumbelina, she has found herself in a warm tunnel underground. She was rescued by Ms. Fieldmouse and taken back to her home. Ms. Fieldmouse reveals she knows all about Thumbelina, like how she was engaged to the Fairy Prince, but blurts out that Cornelius was found “stone cold, frozen dead”. Thumbelina is distraught, not knowing this little important fact about her life. Ms. Fieldmouse says they need to go see her friend Mr. Mole, and forces Thumbelina to go even though she’s not feeling very much like socialising after finding out the love of her life is dead… Thumbelina meets Mr. Mole, who is completely blind and hates sunlight, but loves stories and singing. Ms. Fieldmouse encourages Thumbelina to sing for him, before the two are taken by Mr. Mole into one of his tunnels to see a dead bird. It turns out the dead bird is Jacquimo and Thumbelina runs over to him, but she hears a heartbeat and says she’ll come back that evening to see him again.

On returning to Ms. Fieldmouse’s home, she tries to convince Thumbelina to marry Mr. Mole, since the two had a conversation about how Mr. Mole has “been meaning to take a wife for some time” and will pay Ms. Fieldmouse if he can get Thumbelina to marry him. Gross. Thumbelina initially refuses to marry Mr. Mole and sneaks off to see Jacquimo. Jacquimo wakes up as Thumbelina tells him that she probably should marry Mr. Mole because Cornelius is dead and Ms. Fieldmouse told her that at least he’s rich! Thumbelina removes the thorn from Jacquimo’s wing but he vows to continue his search for the Vale of the Fairies, despite Thumbelina trying to tell him that the search is pointless since Cornelius is dead. Jacquimo won’t listen to her and flies away.

Grundel learns that the Fairy Prince is dead, going against his and the beetle’s initial plan, but he’s glad the Prince is dead. Berkeley Beetle then says that Thumbelina is underground and they go to find her. The little bugs from earlier overhear this and decide to build a fire to melt the ice, hoping the Fairy Prince will live again. He starts to wake up.

The next day is the day of Thumbelina and Mr. Mole’s wedding, though it’s not a happy day for Thumbelina, as she hears and sees Cornelius everywhere as she starts to walk up the aisle. When asked if she will take Mr. Mole to be her lawful wedded husband, she refuses. Grundel then comes in through the ceiling and says he will marry her, but Thumbelina manages to get away from him and runs through the tunnels, with Berkeley Beetle also attempting to stop her. As Mr. Mole, the wedding guests, and Grundel chase after Thumbelina, Cornelius arrives to battle Grundel. The two fall over a ledge, seemingly to their deaths, after Cornelius becomes distracted by a scream from Thumbelina.

Thumbelina is actually fine and has seen a way out of the tunnel, using Mr. Mole’s treasure to block anyone from following her. She comes back to the surface, happy to see the sun again. Jacquimo then arrives at just the right moment yet again, and tells her to get on his back so he can fly her to the Vale of the Fairies. They arrive at an area that just looks like a patch of frozen weeds, but Jacquimo tells her to sing. She does, unconvincingly, but Jacquimo sees an icicle break. He pushes her to keep singing, but she soon gets angry and says Cornelius is never coming back. At this point, Cornelius arrives and finishes Thumbelina’s song. Overjoyed and reunited, the two kiss, causing the Vale of the Fairies to defrost and the fairies to reveal themselves. Thumbelina even gets her own wings.

As so many fairy tales do, the story ends with Thumbelina and Cornelius getting married in the presence of the King and Queen, as well as Thumbelina’s mother and all her farmyard friends. Thumbelina and Cornelius fly off together on Buzzbee and Jacquimo tells us they lived happily ever after as the tiny storybook closes. 

CHARACTERS & CAST

There are some big names in the voice cast of Thumbelina.

Let’s start with our main character. Thumbelina is very naïve to the world, though to be fair, although she was born a sixteen-year-old, she was only born right at the start of the film. She has no time to learn about anything before she is thrown into bizarre situations, like being kidnapped by a toad, and a beetle, and then being forced, or at least guilt-tripped, into marry a mole. It’s the strangest life that Thumbelina has lived within just a few weeks of being alive. Oh, and she managed to find her true love in only a day! Thumbelina is not a headstrong, independent female lead. Thumbelina is mostly just pretty, sweet, and kind, which is probably why everyone thinks they can walk all over her, but I still like her as a character, and she does have some inner strength to jilt Mr. Mole at the altar because she knows it’s wrong to marry someone else, someone she doesn’t love, just because Cornelius is dead. I think Thumbelina gets some harsh criticism in reviews of today.

Thumbelina was actually voiced by Jodi Benson, whose name, and voice, should be very recognisable to Disney fans. That is because Benson is the voice of Ariel in Disney’s The Little Mermaid (1989), having reprised the role multiple times, for spin-off films, television series, and theme park attractions over the years. Benson got the role having worked with Howard Ashman, the lyricist for The Little Mermaid, on the musical Smile in 1986, which flopped on Broadway and closed after only 87 performances. Benson became a Disney Legend in 2011 for her work for the company, which also included her voicing Helen of Troy in the television series spin-off Hercules (1998-99); Barbie in Pixar’s Toy Story 2 (1999) and Toy Story 3 (2010); and appearing in the live-action/animation hybrid Disney film Enchanted (2007), which was a parody of Disney’s princess films, as Edward’s assistant, Sam. This is probably one reason why many people believe Thumbelina is a Disney movie, although Benson was asked to put on a higher pitched, more delicate voice for the character here, making it sound slightly different to Ariel’s voice.

Cornelius is the Fairy Prince who finds Thumbelina singing to herself and decides it’s perfectly alright to go into her room just so he can meet her. This guy must’ve been taking lessons from the Prince in Snow White and the Seven Dwarfs (1937). But fairy-tale world is a very different world from reality so I’ll cut him some slack. Cornelius is the answer to all Thumbelina’s prayers. She wanted to meet a fairy and she wanted to find love; Cornelius was both of those things. Although it was very much a whirlwind romance, with the two of them falling in love over a song and a moonlit flight on a bumblebee, it is clear how much Cornelius cares about her, so much so that he is willing to risk his life to find her and save her from this horrible toad who took her, and Cornelius does almost die in the process a couple of times. But he does not die and manages to reveal he’s actually alive in the most theatrical of ways, before marrying Thumbelina so they can be together forever. Aww.

Gary Imhoff voiced Cornelius. Imhoff went on to voice the character of Harry Osborn / Green Goblin II in Spider-Man: The Animated Series (1995-98) originally for Fox Kids. He also appeared in a small role in The Green Mile (1999).

Then there is Jacquimo the swallow, who is both the narrator of Thumbelina as well as a big figure in the story. Jacquimo first comes across Thumbelina when she is stuck on the lily pad after the toads have left her momentarily. Because Jacquimo acts before he thinks, he helps Thumbelina by cutting the stem of the lily pad but then almost kills her when the lily pad starts heading towards the waterfall. Jacquimo also gets himself in trouble by asking lots of predator animals where the Vale of the Fairies is because he is so desperate to bring Thumbelina and Cornelius together again. Jacquimo gets a thorn stuck in his wing and is believed to be dead, but this brings Thumbelina to him and he once again finds renewed energy to search for the Vale even when Thumbelina thinks it’s not worth it anymore. Jacquimo stays loyal to her and her love throughout and keeps Thumbelina believing that anything is impossible, even if the most difficult circumstances.

Gino Conforti was cast as Jacquimo, having previously been seen in the recurring role of Felipe Gomez in the last few seasons of the sitcom Three’s Company (1977-84). He went on to appear as Cardinal Pugini in Angels & Demons (2009), the sequel to The Da Vinci Code (2006). Unlike Jacquimo, Conforti is not French and is actually of Italian descent, meaning that his French accent is quite obviously exaggerated. It’s fairly stereotypical, perhaps offensive to some, but I think he tried his best!

Thumbelina’s mother and Cornelius’ parents, the King and Queen, both feature in Thumbelina but they are not overly prominent figures in this story. Thumbelina’s mother is initially seen at the beginning of the movie, telling Thumbelina not to wish she was bigger, and is seen to be devastated when Thumbelina is taken. However, after the initial ten minutes or so of the movie, Thumbelina’s mother is only seen briefly in a couple of other places, though it is good to see the two reunited at the end of the film for Thumbelina’s wedding. Thumbelina’s mother was voiced by Barbara Cook, a singer and stage actress, who originated the role of Marian in The Music Man on Broadway in 1957, opposite Robert Preston as Professor Harold Hill. Cook won a Tony Award for her performance. She also had leading performances in other stage shows, including as Anna Leonowens in The King and I around 1960, and as Fanny Brice in the 1967 performance of Funny Girl.

The King and Queen of the Fairies are first seen as the fairies turn the leaves gold for autumn, where the Queen realises their son, Cornelius, is not there for the ceremony, and is worried about how much he buzzes around on his bumblebee. The King tells her not to worry and that’s just what sixteen-year-olds do. They are then seen again when Cornelius asks them to delay the winter frost, but they are unable to hold it off to prevent Cornelius from becoming frozen in the lake. We then don’t see the King and Queen again until Cornelius and Thumbelina’s wedding at the end, but I’m sure they were pleased that their son came home safely and managed to find the girl of his dreams again.

Kenneth Mars was chosen to voice the Fairy King, King Colbert, with Mars’ voice again being familiar to Disney fans since he voiced Triton in The Little Mermaid franchise. Outside of that, Mars appeared in two of Mel Brooks’ most famous films: as Franz Liebkind in The Producers (1967) and as Police Inspector Kemp in Young Frankenstein (1974). Mars also voiced Grandpa Longneck in the series of The Land Before Time direct-to-video sequels, from 1994 to 2006. Mars passed away in 2011. June Foray voiced the Fairy Queen, Queen Tabitha. Foray is well-known for her voice work, voicing numerous characters for Looney Tunes, such as Granny and Witch Hazel, as well as Rocky the squirrel, and others, in Rocky and Bullwinkle (1959-64). She also had some history with Disney, “voicing” Lucifer the cat in Cinderella (1950) and Grandmother Fa in Mulan (1998).

Now let’s get to the villains of Thumbelina, of which there are many. First up, let’s talk about Berkeley Beetle. Berkeley Beetle scares Thumbelina by just appearing in front of her as she’s minding her business and trying to get home. Berkeley Beetle then proceeds to try and charm her, by kissing her arm and calling her “toots”, something Thumbelina doesn’t like, although she does like him saying she’s beautiful. He seems quite taken with Thumbelina, but when she is revealed to not be an insect during his performance with her at the Beetle Ball, the peer pressure soon makes him reject her. He is later forced to work with Grundel the toad to help him find her, which he isn’t thrilled about doing, but does so, nonetheless, wanting the wings back that Grundel ripped off his back. Ouch.

Once again, the voice of Berkeley Beetle should be familiar to Disney fans, since Gilbert Gottfried voiced the character, and he is well-known as the voice of Iago, Jafar’s fast-talking parrot sidekick in Aladdin (1992), reprising the role often. Gottfried began his career as a stand-up comedian, before moving into film roles. Some of these earlier credits include Beverly Hills Cop II (1987) as Sidney Bernstein, and the 1990 film Problem Child and its 1991 sequel as Mr. Peabody. In 1994, he also had a small role as Bert Banner in Saved by the Bell: Wedding in Las Vegas. Gilbert Gottfried continued to appear in television and film projects throughout his life. Gilbert Gottfried passed away in April 2022.

On to the toads, or “The Singers de España”. Mrs. Toad hears Thumbelina singing with Cornelius and instantly decides that kidnapping her and convincing her to sing with them is a good idea. Mrs. Toad and her three sons, Mozo, Gringo, and Grundel want Thumbelina to be part of their group, but none more so than Grundel, who also saw Thumbelina with Cornelius the night before and has somehow fallen in love with her after she blew him a kiss. After Thumbelina manages to escape them, Mrs. Toad doesn’t seem bothered and is not seen again, however, after being mocked by his brothers, Grundel becomes obsessed with the idea of finding and marrying Thumbelina, getting others to help him with his plight. Grundel is a very creepy character in this movie. I quite like Berkeley Beetle, and Mrs. Toad is funny, but I don’t like Grundel at all.

Grundel was voiced by Irish actor Joe Lynch. Yes, once again, that was not a real accent you were hearing! Lynch appeared in various series over the years, including as Ron Mather in Coronation Street (1960-present); and in the main role of Dinny Byrne in Glenroe (1983-2001). He was also cast as Blazes Boylan in the 1967 film adaptation of Ulysses. Lynch passed away in 2001. Mrs. Toad was voiced by Spanish singer, actress, and television personality Charo. Recently, Charo was cast as the Queen of the United Kingdom in the disaster film Sharknado 5: Global Swarming (2017) and makes regular appearances on RuPaul’s Drag Race (2009-present). Charo was also a contestant on Dancing with the Stars (2005-present) in 2017 and even appeared in one episode of Disney Channel’s The Suite Life on Deck (2008-11), being cast as Esteban’s mother.

Finally, we have Mr. Mole and Ms. Fieldmouse, the final two characters that Thumbelina finds herself in the company of. Ms. Fieldmouse initially doesn’t seem too bad; she does save Thumbelina from catching her death out in the cold, but she also tells Thumbelina that Cornelius is dead without even thinking and then proceeds to force Thumbelina to spend time with Mr. Mole, using the fact she “saved Thumbelina’s life” to guilt her in to it. Mr. Mole is a bit of a miser, and hoards money and treasure throughout the tunnels he calls home. Him and Thumbelina aren’t exactly compatible – she loves the light and he loves the dark and cold, for example – and yet he is desperate to marry her. Get in line, mate; there are two others vying for Thumbelina’s attention at this point! Mr. Mole asks Ms. Fieldmouse to convince Thumbelina to marry him, which is just disgusting, with Ms. Fieldmouse only happy to do so, since he did pay her! Thumbelina is essentially guilt-tripped into the wedding, but refuses to go through with it. Any normal person should have just let Thumbelina leave, but no, Mr. Mole and Ms. Fieldmouse have to go and chase her down. What were they going to do if they caught up to her? Tie her up and make her go through with it? Grim.

Anyway, despite their unpleasant characters, the voice actors for both Mr. Mole and Ms. Fieldmouse are both legends in their respective fields. Mr. Mole was voiced by British actor Sir John Hurt. Hurt starred in major movies such as Alien (1979); The Elephant Man (1980), for which he was nominated at the Academy Awards in the Best Actor category and won the BAFTA for; and The Midnight Express (1978), where he was nominated at the Oscars for Best Supporting Actor, and won it at the BAFTAs. Hurt was no stranger to voice acting either, voicing Hazel in Watership Down (1978); Aragorn in The Lord of the Rings (1978), and The Horned King in Disney’s The Black Cauldron (1985). Later in his career, he also played Ollivander in the Harry Potter film series and voiced The Great Dragon in the BBC series Merlin (2008-12). Sir John Hurt sadly passed away in January 2017.

Ms. Fieldmouse was voiced by stage performer Carol Channing. I didn’t actually know who Carol Channing was until many years after I first watched Thumbelina. I looked her up after seeing Ryan Stiles impersonating her on Whose Line Is It Anyway? (1998-present), something which he has done a few times on the shpw. It was specifically after seeing the infamous clip where Stiles is pretending to be “Carol Channing whose head keeps getting stuck to things” and ends up slamming his head into host Drew Carey’s desk and breaking the glass! But Channing did much more in her career, other than being impersonated by comedians. She played the part of Dolly Levi in Hello, Dolly! numerous times on stage from the 1960s into the 1990s, being the first person to play the character in the 1964 original Broadway show and winning a Tony award for her performance. She was also part of the original Broadway cast of Gentlemen Prefer Blondes back in 1949, playing Lorelei Lee, and went on to be cast as Muzzy Van Hossmere in the film adaptation Thoroughly Modern Millie (1967), starring Julie Andrews in title role. Channing won a Golden Globe for Best Supporting Actress for this role. Because of her commitment to the stage, she also earnt a Tony Lifetime Achievement Award in 1995. In voice acting, Channing had previously voiced the character of Granny Frump in the animated ABC series The Addams Family (1992-93) prior to Thumbelina. Channing died in 2019.

A fun fact about Ms. Fieldmouse is that allegedly Betty White had recorded the lines for the role first, but Channing was asked to come in and record the lines instead after White’s performance was deemed not right for the character. However, White had not been informed of this until after finding out from Channing herself that Channing had been hired instead. Don Bluth, director of Thumbelina, apologised to White for the misunderstanding[1].

MUSIC

Perhaps unsurprisingly after that star-studded voice cast, Don Bluth headed for another big name to work on the music for Thumbelina.

Bluth approached singer-songwriter Barry Manilow, famous for hits in the 1970s like “Mandy”, “I Write the Songs”, and “Copacabana”, to write the music for Thumbelina. Manilow had wanted to write Broadway musicals early on his career but somehow found himself going in a different direction in the world of music. Working on an animated musical like Thumbelina was a good opportunity for this dream to come true. Manilow was also given the opportunity to compose the score for Thumbelina, something he had not done before, alongside William Ross, who also wrote the music for another movie in 1994, The Little Rascals, as well as working as an orchestrator on other 1990s movies like The Bodyguard (1992), Robin Hood: Prince of Thieves (1991); and the animated movie FernGully: The Last Rainforest (1992)[2]

For the songs, Manilow collaborated with lyricists Jack Feldman and Bruce Sussman, who had worked with Manilow on his song “Copacabana”. All three had also written the song “Perfect Isn’t Easy” performed by Bette Midler as poodle Georgette in Disney’s Oliver & Company (1988), before working on Thumbelina. Jack Feldman even went on to work on the music for the Disney direct-to-video sequel The Lion King II: Simba’s Pride (1998) and contributed to some of the songs in Disney’s live-action remake Snow White (2025) – but let’s not get in to that disaster right now; that’s a story for another time. Following Thumbelina, Manilow and Sussman worked with Don Bluth again for his next movie, The Pebble and the Penguin (1995).

Thumbelina consists of seven original songs. The first one that was written, and my favourite in the film, was “Let Me Be Your Wings”. Manilow handed a demo tape of this song to Don Bluth and Bluth boarded the sequence for it himself[3]. “Let Me Be Your Wings” is a romantic love song between Cornelius and Thumbelina, as they dance in the moonlight, on the river, and, randomly, on a pumpkin on the same night they meet for the first time. It’s a beautiful song and a beautiful piece of animation, with the highlight really being when Cornelius sings “and I’ll never let you fall”, proceeding to drop Thumbelina as he gets lost in the music, having to swoop down and rescue her since he is the only one who can fly! Luckily, Thumbelina’s eyes are closed at this point and she doesn’t even seem to notice.

“Let Me Be Your Wings” is really the anthem of the movie, appearing in the Opening Credits as an instrumental piece; in a reprise known as “Let Me Be Your Wings (Sun Reprise)”, when Thumbelina sings about her love of the sun, actually a metaphor for her love for Cornelius, to Ms. Fieldmouse and Mr. Mole; and then at the end of the movie. Thumbelina sings it in the Vale of the Fairies and is reunited with Cornelius. These versions of the song were performed by Gary Imhoff as Cornelius and Jodi Benson as Thumbelina. Finally, there is a special arrangement for their wedding, performed by a chorus. It also appears in the End Credits, this time performed by Barry Manilow and Debra Byrd, who was one of the vocal coaches in the first ten seasons of American Idol (2002-present).

I might as well now go through the remaining songs in my own order of preference, so following “Let Me Be Your Wings” we have “On the Road” performed by Charo, Joe Lynch, Danny Mann, and Loren Lester as Mrs. Toad and her sons, a.k.a. The Singers de España, with the addition of Jodi Benson as Thumbelina. This song is a fun, flamenco-inspired number with lots of fast lyrics and dance beats. It is all about the toads trying to convince Thumbelina to go on tour with them as part of their singing group. I just think it’s so upbeat and funny at the same time, even if it might be a bit stereotypically Spanish… The best bit is really when Mrs. Toad stomps on Thumbelina’s foot to get her to “sing” with them, though really, she is just screaming in tune.

Another song I really like in Thumbelina is “Yer Beautiful, Baby”, which is Berkeley Beetle’s song that he performs at the famous Beetle Ball, so it’s a number fit for the stage, with backing dancers and big, elaborate costumes, such as the butterfly costume Thumbelina is put in, before it flies off her after an erratic spinning section of the dance. The song is interrupted by complaints from the audience about how Thumbelina is ugly since she isn’t an insect like them, and they feel duped. Despite Berkeley Beetle being voiced by Gilbert Gottfried, he did not sing this song. The singer was Randy Crenshaw, who did a good job of imitating Gottfried’s distinctive voice; I never really noticed it wasn’t Gottfried. Additional vocals are provided by Irish vocal group Anúna.

The next song in my list is “Soon”, Thumbelina’s “I Want” song – all the best musicals have them. This is where she sings about wanting to find love, preferably with a fairy or someone small like her. It’s a lovely song, giving Jodi Benson a proper opportunity to show off her wonderful singing voice in the first of Thumbelina’s only two solos. This song is later reprised, being performed by Barbara Cook as Thumbelina’s mother as she hopes for Thumbelina’s safe return to her, twisting Thumbelina’s “I Want” song into her own. Since Cook had a long history as a performer in stage musicals, this gave her the chance to showcase her singing talents as well.

Then, we have “Follow Your Heart”. It’s one of my least favourite songs in the movie, even though following your heart is one of the main messages of the film. It just a bit too “in-your-face” for me, especially since the main performance of this song consists of birds can-canning like they’re in A Chorus Line or something; it’s too much but it is at least happy and positive to counteract some of the darkness in the story. This main performance is primarily sung by Gino Conforti in that overly French accent that Jacquimo has. Anúna once again contribute to this song both here and when it appears again at the end of the finale song. “Follow Your Heart” is also performed briefly by Jacquimo when we are first introduced to him in the opening scene, and in the End Credits.

Now, we’re getting to songs I don’t like, although there are only two left. The first is “Thumbelina” which is our introduction to Thumbelina and her struggles of being in this world where everything is too big for her. It’s mostly performed by Thumbelina’s mother’s farmyard animals who tease Thumbelina about her height and narrate as she gets herself into scrapes, like falling into the animals’ drinking trough and almost gets baked into a pie. The performers of this song are listed as Jodi Benson, who laments her height in this song, and Anúna who must sing all the other parts. The song “Thumbelina” seems to have been shortened for the movie, as I heard a version with lines I’d never heard before that seemingly came from the original soundtrack.

Finally, we get to “Marry the Mole”, performed by Carol Channing as Ms. Fieldmouse. This song is all about Ms. Fieldmouse telling Thumbelina that marrying for love is a mistake and she should marry Mr. Mole for his money… Hmm, that’s a strange message for a children’s movie. Thankfully, Thumbelina proves that you should in fact marry for love and not money. Ms. Fieldmouse is just a gold-digger apparently. Maybe she should go marry Mr. Mole if he’s so great! Anyway, “Marry the Mole” is not a good song, and in my opinion, is the weakest in the soundtrack, probably because it’s just plain weird. But I don’t think it was Razzie Award-worthy.

At the 15th Razzie Awards in 1995, the award for Worst Original Song went to “Marry the Mole”. Thumbelina gained itself a lifelong reputation by becoming the first animated movie ever to win a Golden Raspberry Award, the Oscar parody where awards are given for the “worst” in cinema instead of the best. It was up against “Under the Same Sun” from On Deadly Ground (1994), and “The Color of the Night” from the 1994 movie Color of Night, which strangely enough was also nominated for a Golden Globe for Best Original Song. It lost to “Can You Feel the Love Tonight” from Disney’s The Lion King (1994). The Worst Original Song category was presented at the Razzies from 1980 until 1999, with one final award presented in this category in 2002 for Britney Spears’ “I’m Not a Girl, Not Yet a Woman” from Crossroads (2002), before the category was retired.

But don’t worry. Thumbelina may’ve been the first animated movie to win a Razzie, but The Emoji Movie (2017) would top it, by winning four Razzie awards, including Worst Picture and Worst Director, so it’s not so bad!

PRODUCTION

I’ve already mentioned some Disney Animation connections in Thumbelina’s voice cast, but there is another more important one, and that is Don Bluth, the writer and co-director here.

Many devout Disney fans view Bluth harshly, with much criticism levelled at him over the years. Clearly Don Bluth is a difficult character in the history of animation but there are two sides to every story. Bluth says that he spent about a year working at the Disney Studios, specifically on Sleeping Beauty (1959), right after he graduated from high school. He then went off to college and returned to the studio in 1971 and worked on Robin Hood (1973). At this time, he met Gary Goldman and John Pomeroy, who would become key collaborators in the years to come. Goldman was the other co-director on Thumbelina, for example. Bluth and others were then asked to work on The Rescuers (1977), but Bluth was starting to feel like they weren’t making great movies at Disney Animation anymore and when younger artists from CalArts arrived, a friction was created between the two “camps” of animators: those younger, new arrivals and these more experienced animators, who were still a level lower on the hierarchy than some of Walt’s “Nine Old Men” who were still working at the studios. Eventually, Bluth found his creativity was being stifled and did not like working with the younger artists so he and his group left the company[4].

Those who were at Disney and continued to remain at Disney after Bluth left tell a different story. Bluth had many creative differences with the team during production on The Fox and the Hound (1981), choosing to resign from the Disney company in 1979 to set up his own company, taking fifteen other animators with him; this was around 17% of the total animation workforce. Naturally, this caused the release date of The Fox and the Hound to be pushed back by six months from Christmas 1980 to Summer 1981[5]. His departure was viewed as being purely down to arrogance at his animating ability, believing himself to be better than the other animators at the Disney Studios, and he was not forgiven for leaving them in the lurch during one of Disney Animation’s most troubling times.

Although Bluth perhaps could’ve picked his timing a little bit better, and maybe had a less dramatic departure, it is a well-known fact that not every animator, talented or otherwise, is able to get on with Disney’s way of making movies. If they do leave, it doesn’t make them bad animators, bad creatives, or even bad people. Just look at Tim Burton. His animation style didn’t gel with Disney and he left the company, doing amazing things thereafter. Whichever side of the story you believe, the basics of it is that, for whatever reason, Bluth left Disney, took his friends with him, and they made their own movies.

Don Bluth and his team now had to learn how to make animated movies on their own, but they were free to do it their way. They first chose to adapt the book Mrs. Frisby and the Rats of NIMH, written by Robert C. O’Brien and published in 1971, for their first animated feature made under the new studio Don Bluth Productions. Bluth made his feature film directorial debut with The Secret of NIMH (1982), which just so happened to be released during Disney’s troubled production on The Black Cauldron (1985). The Secret of NIMH was well-received, putting more pressure on the Disney artists. Bluth’s success and overshadowing of Disney Animation continued with his second movie, An American Tail (1986), another “mouse movie”, released just four months after Disney’s The Great Mouse Detective (1986). It beat out The Great Mouse Detective at the box-office by $22 million. At the time, An American Tail was the highest-grossing non-Disney animated movie in history.

From this point, Bluth and his team went on to make The Land Before Time (1988), at which point the team moved their studio from the US to Dublin, starting the company Don Bluth Ireland Limited, allegedly due to financial concerns. They went on to make All Dogs Go to Heaven (1989) and Thumbelina in Ireland[6].

For Thumbelina, the filmmakers decided to adapt another story, this time it was Hans Christian Andersen’s Thumbelina. The original 1835 tale was titled Tommelise in Danish with “Tomme” meaning inch. It was first published as part of Hans Christian Andersen’s second volume of Fairy Tales Told for Children. It was first translated into English in 1847.

Thumbelina had previously been adapted a few times prior to Bluth’s 1994 movie, including a 1964 Russian movie; a 1992 Golden Films movie; and two anime Japanese films, including the 1992 series Thumbelina: A Magical Story, which was edited into a movie in 1993. Since 1994, Thumbelina has continued to be made into movies, including The Adventures of Tom Thumb & Thumbelina (2002); Barbie Presents: Thumbelina (2009), and even a 2021 short film called Tulip, a modern version of the tale which was shown at the New York International Children’s Film Festival.

Don Bluth’s Thumbelina kept quite closely to the original Hans Christian Andersen tale with some additions and few changes. One of the biggest was that Mrs. Toad in the original story only has one son, and the toads are not singers. Because of the little detail given to these characters in the book, it was decided to make the toads a Spanish singing group, giving Mrs. Toad two other sons and having them travel around on a house boat. Bluth had Charo in mind for the role of Mrs. Toad, and had worked with her before, loving her entertaining personality. When Charo agreed to voice the role, Mrs. Toad was “glammed up” to fit her actual image. Another change was that the Fairy Prince does not appear in the story until the very end of the movie. The two are instantly married and Thumbelina is proclaimed the Queen of all the flowers, given wings and the new name Maia. Random. If audiences were already moaning that Thumbelina and Cornelius fell in love too quickly in Bluth’s film, keeping this original ending would’ve been even more criticised.

There is a swallow in the original tale, but he is not called Jacquimo, is not French, and doesn’t meet Thumbelina until she is shown the “dead” swallow in Mole’s tunnel. Thumbelina does help revive it, and the swallow plans to fly her out of there when spring comes. Spring does come and the swallow flies away, leaving Thumbelina to marry Mole, but he does return for her on the day of her wedding to take her away. Other changes include: only the fish get Thumbelina off the lily pad when she meets the toads; there is no Beetle Ball, although the ugly comments still exist; and Thumbelina approaches Field Mouse for food and is allowed some if she promises to clean Field Mouse’s home and tell her stories, meaning Field Mouse does not save her life in this original story[7].

Thumbelina was probably influenced somewhat by the Disney animated movies of the 1990s, because it is a fairy tale, adapted into a musical, and this was something Disney had a huge amount of success with. Thumbelina’s voice cast even uses five actors who had voiced characters for some of Disney Animation’s greatest movies previously. However, Don Bluth’s An American Tail was also a musical, so this was not the first time he had made an animated musical movie. Thumbelina also uses some early computer animation, something Disney were dabbling with at the time as well. The most obvious use of this is in the opening scene where we follow Jacquimo as he flies through Paris[8]. I was sadly disappointed by the simplistic view of Notre Dame Cathedral in this sequence, but as it is not the focus of the film, I guess it would’ve been pointless to make a completely accurate animation of it. The opening shot of the toads’ houseboat also appears to be CGI.

When Thumbelina was getting ready to be theatrically released, according to an article from the Los Angeles Times in June 1997, Warner Bros., who ended up distributing the movie after Bluth’s deal with MGM fell through due to concerns around the stability of Bluth’s studio, held two separate test screenings of Thumbelina. At the first screening, the movie was shown just as it was and the audience reaction was flat. Sneakily, at the second screening, the movie was played with the Disney logo being shown to the audience at the start. This led to the movie getting a more favourable audience reaction, which proves a bias in society towards Disney and their animated movies, as well as their stellar reputation[9]. Still, it’s a bit sad, really, that other animated studios have to try so much harder to sway public opinion. I’ll admit I’m as guilty as anyone else of favouring Disney though…

RECEPTION

Thumbelina was released in US theatres on 30th March 1994, which is not prime time for new movie releases, especially not those geared towards children. It appears that Thumbelina was meant to be released by MGM during Thanksgiving in 1993, but their distribution did not go ahead, and Warner Bros. stepped in instead.

Thumbelina was released alongside the Animaniacs short I’m Mad (1994), however, this was seen by some reviewers to have been better than Thumbelina. Animaniacs (1993-98) was an animated series about the three Warner siblings who live in the water tower at Warner Bros. Studios. I’m Mad later aired as part of Season 2 of the series. Although Don Bluth had been competitive with Disney back in the 1980s, his movies since All Dogs Go to Heaven (1989) had struggled against the movies from the Disney “Renaissance Era”, and Thumbelina was included as one of those that was “not good enough”.

Others also said Thumbelina was odd, unexciting, a Disney “copycat”, and a “fever dream”. I will admit Thumbelina is a strange story, but that’s because Hans Christian Andersen wrote it that way, not because of how it was adapted. Some said Thumbelina was a bit too pathetic; she may seem like that in comparison to Disney’s Belle or Ariel, who are quite brave and resilient. Despite the big names in the voice cast, they were seen to have had their talent wasted, perhaps because it was said the plot was rushed and muddled, with some of these characters not getting enough screen time. Something that I do agree with is that there were some racial stereotypes in Thumbelina. I don’t believe it was meant to be offensive to anyone, but I see how it could be to some.

Then again, Thumbelina does have its fans, especially those who loved it as a child. In particular, the songs are seen to be catchy and some of the animation was praised, such as the swopping CGI sequence, and all of “Let Me Be Your Wings”. Others said Thumbelina was not the best animated movie, but that it is better than the negative reviews say.

Perhaps if Thumbelina had been released in 1993, a year when Disney Animation did not release a new movie, it may’ve done a bit better, however, in 1994, Disney Animation released The Lion King, a movie still loved three decades later and a favourite of many. In fact, The Lion King topped the worldwide box office in 1994, with the No. 2 spot going to multiple-Oscar-winning movie Forrest Gump. Thumbelina only took in around $17 million against a reported budget of $28 million. The movie would obviously come to VHS over the coming years though where it would find an audience. Around 2002, distribution rights were moved over to 20th Century Fox Home Entertainment, allowing it to be part of the same “family” as another of Don Bluth’s movies: Anastasia (1997).

LEGACY

Although Thumbelina was not particularly well-received, there does appear to have been some merchandise that was available to purchase around the time of the film’s release, including movie posters, books, and a play figure set, as well as dolls of Thumbelina and Cornelius. There is also a piece of “lost media” relating to Thumbelina and that is the 30-minute behind-the-scenes documentary Back to Enchantment: The Making of ‘Thumbelina’ that never appeared on a DVD release and is unavailable to view online.

But the biggest continuation of Thumbelina’s legacy comes from Disney’s purchasing of 21st Century Fox for $71.3 billion on 20th March 2019. Disney now owns Fox’s entire TV and film libraries, from the likes of 20th Century Fox, Fox Searchlight, FX, and National Geographic[10]. This has opened up a huge catalogue to viewers who otherwise may not have ever watched these series or films. The purchasing of 21st Century Fox is why Thumbelina appears on Disney+, despite it not being a Disney movie. Disney+ now contains all sorts of movies and programmes, like The Simpsons (1989-present) and the Ice Age film series, because they were made by Blue Sky Studios, Fox’s animation company.

Despite Disney buying up 21st Century Fox, and other companies, it is important to differentiate what Disney actually made themselves and what they have simply purchased, to give proper credit to those who made it.

FINAL THOUGHTS

The tale of Thumbelina is a strange one, but one that tells you that regardless of personal circumstances, you can achieve in life, especially when you believe that anything is possible.

Unfortunately, Thumbelina did not become a major part of animation history, being dwarfed by Disney’s The Lion King. No movie in the world could’ve competed against that; it was unlucky timing for Thumbelina.

However, the obvious bias towards Disney animated movies would not have helped either. At the time, Thumbelina was discarded because it was not from Disney, and yet nowadays, we have people believing that Thumbelina is from Disney, just because it is an animated musical story. It irritates me when the tiniest bit of research can correct these statements, but the same falsities then become “truths” to some. It’s important that we give credit to the filmmakers who make the movies we watch. In the case of Thumbelina, that was Don Bluth and his team.

It’s also important to remember that not everything Disney make is wonderful, and not everything any other animated studio makes is awful. We should be able to make a judgement on whether we like something based on how it makes you feel and what you get out of it, not simply because of the name attached to it.


REFERENCES

[1] Credit: Black Case Diaries, ‘The Case of Don Bluth’, BlackCaseDiaries.com, 16th April 2024.

[2] Credit: Bob Strauss, ‘Manilow Follows Heart To Score Movie’, Deseret.com, 20th April 1994.

[3] Credit: Credit: Bobbie Wygant, ‘Don Bluth “Thumbelina” 1994 – Bobbie Wygant Archive’, The Bobbie Wygant Archive YouTube Channel, uploaded 17th April 2021.

[4] Credit: Jim Korkis, ‘In His Own Words: Don Bluth on His Early Career’, CartoonResearch.com, 3rd September 2021.

[5] Credit: Jim Korkis, Everything I Know I Learned from Disney Animated Feature Films (2015), ‘The Fox and the Hound (1981)’, pp. 70-72.

[6] Credit: Carlos Aguilar, ‘Don Bluth made animation history by leaving Disney. Looking back, he has no regrets’, LATimes.com, 21st August 2022.

[7] Credit: BBC Bitesize, ‘English KS1 / KS2: Tales of Hans Christian Andersen – 1. Thumbelina’, BBC.co.uk, date unknown.

[8] Credit: Bobbie Wygant, ‘Don Bluth “Thumbelina” 1994 – Bobbie Wygant Archive’, The Bobbie Wygant Archive YouTube Channel, uploaded 17th April 2021.

[9] Credit: Michael Lyons, ‘Small World: The 30th Anniversary of “Thumbelina”’, CartoonResearch.com, 1st March 2024.

[10] Credit: Emily St. James, ‘Here’s what Disney owns after the massive Disney/Fox merger’, Vox.com, 20th March 2019.

Big Time Movie (2012)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

In 2006, Disney Channel premiered a new series: Hannah Montana (2006-11). But this wasn’t just a TV show, because Hannah Montana became a pop sensation amongst kids, tweens, and teens, releasing CDs and putting on concerts, like any other singer would. So why should Disney have all the fun? In come Nickelodeon – the “other channel” that Disney would rather you didn’t know about – with their own show, Big Time Rush (2009-13), which launched a band along with its series, who released CDs and put on concerts.

This was never anything new, because The Monkees (1966-68) was very similar, i.e., four guys form a band in a television series and then become a real band off the back of it. In fact, when I was watching Big Time Rush, my mum mentioned that the show was basically The Monkees, but I wouldn’t know; I haven’t seen it.

I found Big Time Rush in an odd way. I was in Florida on a family holiday and whilst there, I always liked to buy the tween magazines, like J-14, so I could read about my favourite Disney stars. This time, I was about 18 and I was starting to drift away from Disney Channel as my favourite series ended and stars departed, but I still bought the magazine anyway. Whilst flipping through, I came across poster-after-poster of this band: Big Time Rush. They were cute, so of course, I was instantly fascinated with who these guys were and what show they were on.

I got home, found the show on Nickelodeon and became a fan of them over the summer. I even took those magazine posters to put up on my wall when I went to university that September, not thinking it was particularly weird. After all, I wasn’t much younger than these guys so naturally I thought, if I ever met them, they’d be much more likely to fall in love with me than any of their younger fans. I know, delusional, right?

Anyway, I did not find other people my age to be too forgiving of my interests. I was teased for the posters, as well as for my love of Disney. It wasn’t meant to be bullying, but it felt like it, and I was hurt, to be honest. But I got through the year and, by the summer, Big Time Movie had come out in the UK. I loved both the movie and the music – though I first watched it with a friend of mine who fell asleep through most of it, so not exactly a glowing review from her…Not that she was a fan, so who cares?

After that summer though, I started to feel like a kid for still liking Big Time Rush, knowing that I wasn’t their target demographic and that other people my age might be looking down on me for it. So, I vowed not to talk about “kid stuff” at university again. By doing this, I moved away from Big Time Rush, only listening to their music in secret, and I never finished watching the full series.

Recently, I decided to expand my movie reviews by venturing beyond the “Disney bubble”, and what should spring to mind as one of these non-Disney movies to write about but Big Time Movie. I had to give it a try again. I expected to find Big Time Movie quite cringey after not watching it for years, but I actually found it fun. Super cheesy but not taking itself seriously. Big Time Movie was just a good piece of light entertainment that extended the show’s overarching storyline.

PLOT

Big Time Movie begins in a huge castle where a James Bond-style villain has captured a princess. As the princess cries for help, we see the four members of boy band Big Time Rush assemble to come to her rescue. They are dressed up like spies in tuxedos and each finds their way to the castle: Kendall via a souped-up Aston Martin; Logan has a jet ski; Carlos is riding a quad bike; and James has parachuted out of an aeroplane. The villain is ultimately defeated by James falling onto the villain as he crashes through the ceiling. The princess is eternally grateful to the boys….

But then we don’t see anything else, because this was all just a dream. Carlos’ dream, in fact, which he has been woken from by a flight attendant, telling him that they are soon to be landing in London. Yes, Big Time Rush are going to London, the first stop of their world tour. The boys are very excited by this, however, Gustavo Rocque, music producer and Big Time Rush’s founder, is worried that the boys will get the tour cancelled with their usual chaos and antics. Kendall’s mother and sister, Katie, are also along for the ride. Katie is looking forward to somehow becoming a princess during her time in London, by meeting a member of the British Royal Family – because they’re so easy to find…

Once in the airport, Big Time Rush are told by Gustavo and his assistant Kelly not to get into any trouble. And yet, trouble just seems to find them, as they are rudely shoved by policemen chasing after someone in a suit holding a backpack. The man manages to swap out the backpack for an identical one on a nearby luggage carousel, but is caught by some scary-looking henchmen, including a man who has a hammer for an arm. This man is apparently a spy who is taken to a castle owned by entrepreneur Sir Atticus Moon. Moon wants whatever is in that backpack badly. He orders his henchmen to track it down once he discovers the bags were swapped.

Big Time Rush, meanwhile, have gotten to their hotel, the Queen’s Hotel, and we see that Kendall has the swapped-out backpack, unknowingly holding some sort of device wanted by a crazed billionaire. The boys are also unaware of the fact that members of MI6 are watching them, attempting to surreptitiously retrieve the backpack, but they are clearly very inept spies and they fail in their mission. Once inside their hotel room, the boys are told to remain in the room until soundcheck that afternoon, in preparation for their performance that night. Kendall then opens up his backpack to find a strange device inside. He presses the button on it and the room loses all gravity, sticking the guys to the ceiling. Kendall manages to push the button again and they fall to the ground. Suddenly, a spy enters the room aiming a gun at them. Logan is shot in the leg with a dart that knocks him unconscious. As Kendall, Carlos, and James stand there not knowing what to do, a girl comes in through the window, knocks the spy out, and takes the backpack. Two men from “room service” then burst in trying to get the bag, but Carlos catches it as it is thrown out of the girl’s hand. The boys rush out of their room through the fire escape, carrying Logan with them.

At the same time, Katie has overheard the Duke of Bath checking into the same hotel as them. Hearing that he’s single and royalty, Katie plans to set her mother up with him. They are taken out for afternoon tea and shown around the city by the duke. Meanwhile, Gustavo and Kelly are horrified to find that Big Time Rush have gone missing, with their tour promoter threatening to cancel the whole tour if they’re late for soundcheck.

Big Time Rush are now in Chinatown and search for the device online, via the “London Information Kiosk”, an interactive screen that is handily situated on the street. They find that billionaire Moon was trying to make an anti-gravity device but denied it was possible to make. Carlos then sees the guy with the hammer arm, who he’d seen at the airport, coming towards them. The guys run away again and come face-to-face with that girl who knocked out the spy in their room. She tells them to get in her talking spy van if they want to live – so they do just that. The van is being pursued by the “room service” men, who are actually Swedish spies also wanting the device. The girl introduces herself as Penny Lane, explaining that her father is a spy for MI6, and, although MI6 want the device, they are less bothered about rescuing her father from Moon. So, Penny asks the guys to help her save him. Big Time Rush aren’t sure about this but then find they are wanted by the police and MI6 so don’t have much choice! Kendall reminds everyone that they need to get to soundcheck in Hyde Park, so they make a deal: if Penny can get them to Hyde Park in time, then they will help her. Penny arranges a meeting with Moon in Hyde Park for the exchange.

MI6 have discovered that the device they believe Agent Simon Lane, Penny’s father, had was part of Moon’s Project Beetle, having discovered a report all about it. The head of MI6, however, thinks that Big Time Rush has taken this “Beetle” so that they can take over the world, especially as they have found footage from the hotel of Gustavo saying just that, but in reference to the band’s world tour. It’s clear he’s barking up the wrong tree, but there’s no persuading him that Big Time Rush have accidentally got mixed up in this!

Near to Hyde Park, Penny gives the boys disguises and tells them that the park is just across the street. They need to split up and get to their soundcheck, ensuring they avoid fans, police, and the Swedish spies on their way to it. As Gustavo and Kelly nervously await the boys’ arrival at soundcheck, they themselves are captured by MI6 and taken to be interrogated. They don’t have a clue what MI6 are talking about, but they are subjected to torture anyway – in the form of someone singing Big Time Rush songs to them!

Back at Hyde Park, just as the tour promoter is about to angrily cancel the tour, Big Time Rush turn up on stage to complete their soundcheck at the Hyde Park Amphitheatre. They then rush off to meet with Moon. Moon is waiting for them with Agent Lane in tow. However, he has more henchmen with him than expected and the boys are surrounded by guns. Even Penny, who was waiting nearby to shoot at them, is caught by Hammer-Arm. But Carlos starts a fight and they manage to escape from Moon and his henchmen – having to carry Logan who has been shot with a dart once again! They run into an unusually clean public toilet which actually takes them to a secret MI6 base. Agent Lane tells them that Moon is going to use the anti-gravity device, the Beetle, to take over the world but before they can come up with a plan to fix anything, Logan accidentally shoots Agent Lane with a laser which knocks him out – and will last for twelve hours. But Logan’s having a bad day, ok?! So, it’s up to them and Penny to decide what to do next. To make it worse, the boys soon learn that Katie, Kendall’s sister, has been captured by Moon, after him and Hammer-Arm take her from their hotel. Moon tells the boys to bring him the device in an hour, or else.

They come out of the lair back onto the London streets not knowing what to do, but happy that, because they have the backpack still, they have leverage. The Swedish spies then zoom past them and steal the backpack. Great, no more leverage… Logan wants to go to the police but they can’t really do that. Carlos wants to re-enact his spy dream from earlier and, having no other ideas, the boys and Penny agree to it. Penny’s van then arrives, despite having gotten annoyed with Big Time Rush earlier and banned them from accessing it, to come and help them, complete with tuxedos for the guys and Penny’s signature spy outfit. They also equip themselves with spy gadgets.

Having received the device after capturing the Swedish spies, Moon can set about enacting his plan. He explains to Katie that his plan is to use the Beetle and a laser to push the Moon out of its orbit, and, since it’s the day of the supermoon, it’s the perfect time to do so. This will cause worldwide chaos and allow Moon to force his way into power and become ruler of the world. MI6 figure out the plan and try to stop it, however, all their systems and communications become jammed, thanks to Moon using his big “Jam” button. He also protects himself with a force field so nobody can get to him. Smart.

Big Time Rush and Penny soon burst onto the grounds and into the castle, fighting all the henchmen. Kendall rescues Katie, and they even free the Swedish spies. The laser then hits the Moon and starts to be pushed out of orbit, disrupting the oceans and causing volcanoes to erupt. Penny and James go to the top of the stairs to defeat Moon, because in Carlos’ dream, James defeated the villain by falling on him. But once at the top of the stairs, James isn’t so sure about falling, so Penny kisses him and in his post-kiss reverie, he falls from the stairs on top of Moon, disabling the force field, which obviously didn’t cover Moon from above. What a rubbish force field… The boys shut down the laser by removing the Beetle and the Moon returns to its orbit. But in a twist, Katie is taken by Moon. Big Time Rush follow them and Kendall says he’ll give Moon the device. In the swap, Kendall turns on and throws the Beetle which sticks onto Moon’s back, lifting him into space.

MI6 arrive and thank Big Time Rush for their help, saying they’ll deal with Moon later as he flies higher and higher into the atmosphere…They are given a lift to their concert, via helicopter, almost late again. But they arrive just in time and launch into the first song of their set. At the concert, Katie tells her mother that the Duke of Bath is not a member of the Royal Family, having learnt he actually sells toilets after seeing an advert for his company on television – though she probably already suspected something was up after the duke gave her a bouquet of plungers instead of roses! When they meet the Earl of Sandwich backstage later, Kendall’s mother quickly leads Katie away, saying she’s not interested, despite this guy actually being royalty, and “third in line to the throne”. 

At the end of their show, the boys are told by Gustavo and Kelly they can go sightseeing now, but find themselves face-to-face with the Swedish spies, who actually only want to return Kendall’s backpack and threaten the boys with a promise to make one of their tour stops in Sweden. They promise – and then agree to never being secret agents again! Penny and her dad, who’s awake now, then arrive, ready with their van to take them out sightseeing together. The boys do a quick-change into their tuxedos and get in the van.

CHARACTERS & CAST

For anyone unfamiliar with the concept of Big Time Rush, although the members of the real band use their actual names, the series and also the movie did not do so. Because the series came before the band, the series features fictional characters, though their first names are the same as the actors/singers, and only the surnames are different.

For example, Kendall Knight was played by Kendall Schmidt. Kendall Knight is Big Time Rush’s leader on screen and is the most level-headed one in the group. Kendall tends to be the one who is the most focused on the band and its success, not because Kendall is fame-hungry, but because he really loves being in a band with his best friends and doesn’t want it to end. This means that during Big Time Movie, when Carlos is distracted by spies, Logan just wants to see Parliament, and James is distracted by Penny, Kendall is the one making sure they get to soundcheck and their concert on time.  

After the Big Time Rush series ended in 2013, Kendall Schmidt went on to have a recurring role in the Nickelodeon series School of Rock (2016-18), which was based on the 2003 movie starring Jack Black, playing the character Justin of Night Lizard. Schmidt is also known for the group Heffron Drive that he formed in 2008 with Dustin Belt. During his time on the show, Heffron Drive was on a break, but restarted again after the series ended.

James Diamond in the show is the ladies’ man and pretty boy of the band. When he isn’t singing, because he was the one most motivated to be a singer, he’s thinking about girls. During Big Time Movie, he doesn’t spend much time thinking about Sir Atticus Moon and his devious plans. He’s thinking about Penny Lane. Penny initially seems irritated by James’ advances, but eventually, she falls for his charming personality.

James Maslow played James Diamond on screen. After the show ended, Maslow was part of the line-up for Season 18 of Dancing with the Stars in 2014, where he finished in fourth place. On screen, he appeared in a few movies including Room for Murder (2018), where he played Jake; Holiday Twist (2023), playing Sam; and starred as Kevin Mohr in the Crackle series Sequestered (2014). In 2018, Maslow was one of the celebrity housemates in the US version of Celebrity Big Brother, where he finished sixth. Maslow pursued a solo singing career shortly after Big Time Rush, releasing his first album How I Like It in 2017.

Carlos Garcia is the troublemaker in the group, though he doesn’t mean to be. It’s just his light-hearted nature and excitability that get the band into all sorts of scrapes. In Big Time Movie, Carlos is in a dreamy state, thinking about how great it would be to be a spy, so when the moment comes for the boys to get involved in their own spy adventure, Carlos immediately wants to jump into it. Carlos’ spy dream actually comes in useful because he tells the boys and Penny how they should proceed on their mission to stop Moon, since Penny’s father, an actual spy, is “indisposed” – and it works.

Carlos Garcia was played by Carlos PenaVega. Since the end of Big Time Rush, PenaVega has voiced the character Bobby Santiago in the Nickelodeon animated series The Loud House (2016-present). PenaVega also starred in the Hallmark movie series the Picture Perfect Mysteries (2019-20) as Detective Sam Acosta, alongside his wife, Alexa PenaVega. They later both starred together in the Hallmark movie Love in the Limelight (2022). Following in Maslow’s footsteps, PenaVega came fourth in Season 21 of Dancing with the Stars back in 2015. He has also recently started a new band alongside friend Alex Marshall called Angels + Kings. Their first single “Lightning” was released in October 2024.

Rounding out the Big Time Rush band members is Logan Mitchell. Logan is the smartest one in the group, even aiming to become a doctor. This means he is quite analytical, logical, and serious, at times anyway. In Big Time Movie, Logan is nervous about getting involved in a spy operation, believing the best thing to do is to report it to the police, a perfectly normal response. He just wants to go and see Parliament in the city. But Logan is dragged into the action reluctantly, getting shot with tranquiliser darts on more than one occasion during the film, so he doesn’t have all that many opportunities to voice his dismay at being forced into this potentially deadly situation.

Logan Henderson was cast as Logan Mitchell. After Big Time Rush ended in 2014, Henderson took a break from the spotlight, returning to the music scene in 2017 with his debut solo single “Sleepwalker”. He later released his debut album Echoes of Departure and the Endless Street of Dreams – Pt. 1 in May 2018. It seems that Part 2 of the album is yet to be released.

Penny Lane – this being a not-so-subtle reference to The Beatles song of the same name – is the teenage spy who comes into Big Time Rush’s life like a whirlwind. Her father has been captured by Moon after smuggling an anti-gravity device out of a lab. Knowing he was at risk of capture, he swapped the backpack hiding the device with an identical one to stop Moon accessing it. Penny then attempts to retrieve the device so she can exchange it for her father’s release. She claims she doesn’t want to simply hand it over to MI6 because she fears her father’s return is not their priority, so she enlists the boys to help her with her plan. As usual with Big Time Rush, the plan does not go smoothly, however, they do save Penny’s father, Simon, quite easily. If it weren’t for a poor use of a spy laser by Logan, they might have been able to defeat Moon without so much trouble! Instead, Penny has to rely on Carlos’ dream to come up with plan. Luckily, it does work, with some clunky moments, and Penny also realises her feelings for James at the same time. What a time for romance, when the world is about to be destroyed by a power-hungry billionaire…

Penny was played by Emma Lahana. And don’t let that British accent fool you, because Lahana is in fact from New Zealand. Prior to Big Time Movie, Lahana was cast as Fiona in the Disney Channel Original Movie You Wish! (2003), and had performed the recurring role of Charlotte Monroe in The CW series Hellcats (2010-11). After Big Time Movie, she went on to play Brigid O’Reilly / Mayhem in the Freeform series Marvel’s Cloak & Dagger (2018-19). Her father, Agent Lane, was played by Christopher Shyer, also not British, who most recently landed the recurring role of the Vice President of the USA in Netflix’s The Night Agent (2023-present). He also previously portrayed Richard Nixon in J. Edgar (2011), the movie about J. Edgar Hoover, which starred Leonardo DiCaprio in the main role.

Then there is Sir Atticus Moon, the villain of Big Time Movie, who plans to move the Moon out of its orbit so he can rule the world. He is clearly meant to resemble a Bond villain with his grand plans, his suit, and his love of holding cats, frequently asking henchmen to get him a cat that he can hold. The cats don’t look very happy about this most of the time… This is reminiscent of the Bond villain Blofeld who held a white Persian. However, this being a movie for Nickelodeon, the villain here is not a criminal mastermind. He seems quite scared of fights and confrontation, getting his henchmen to do his dirty work for him, and doesn’t know what to do when things go wrong. When Big Time Rush ruin his plan, he simply grabs Katie and runs outside with her, telling the boys to give him the device. Moon then hands Katie over before he gets the device – rookie error. So, this gives the boys the opportunity to trick Moon by attaching the device to him, and, since it is an anti-gravity device, Moon gets launched into the air. We don’t actually know if he ever made his way back down to Earth….

Sir Atticus Moon was played by Trevor Devall, who has a history of voice acting, having voiced Rocket Raccoon in the animated series Guardians of the Galaxy (2015-19) for DisneyXD, as well as Hobbie in Star Wars Rebels (2014-18), also for Disney XD. Devall also “played” the character of Hermiod in Stargate: Atlantis (2004-09).

There are also other characters from the Big Time Rush series who appear in Big Time Movie. Two of these are Katie, Kendall’s sister, and Kendall and Katie’s mother, Mrs. Knight. Mrs. Knight has been the boys’ chaperone during their time in LA so she would need to accompany them on the tour. Katie, meanwhile, is excited to be in London because she dreams of marrying Prince Harry and becoming a princess. This leads her to trying to set up her mother with the Duke of Bath. Although Mrs. Knight has no desire to go along with her daughter’s scheme, when she hears that the duke has seventeen castles and hundreds of staff, she’s a little more interested. But, alas, he sells toilets for a living and the relationship ends before it really begins! It’s quite a silly side plot, but quite entertaining as well.

Katie was played by Ciara Bravo. After Big Time Rush, Bravo went on to appear as Emma Chato in the FOX series Red Band Society (2014-15) and was cast as Mary Smith in the FX series A Teacher (2020). Most recently, Bravo appeared as Tina in Season 2 of the Roku series Most Dangerous Game (2020-23), and was cast alongside Tom Holland, playing the character Emily, in the film Cherry (2021). Mrs. Knight was played by Challen Cates, who currently seems to be running a winery, Challen Winery.  

Then there are Gustavo Rocque, the band’s music producer, and Kelly Wainwright, his assistant. Gustavo is quite a highly strung person, and unfortunately because Big Time Rush seem to attract chaos, they do not make Gustavo any calmer! Kelly is the more level-headed one, generally taking Big Time Rush’s trouble-making ways in her stride, although the events of Big Time Movie test both of them. Gustavo and Kelly specifically tell the boys not to leave their hotel room so they don’t get involved in any mess, so they are completely shocked to find the boys are nowhere to be seen, risking the cancellation of the whole world tour. To make things worse for Gustavo and Kelly, they are directly pulled in to the havoc, as they are interrogated and “tortured” by MI6, as MI6 believe that Gustavo and the boys are planning to really take over the world, after hearing footage of Gustavo saying that they will conquer Europe. This was all metaphorical, of course, in relation to hopes their tour will be a success, but instead of getting an apology from MI6, Gustavo and Kelly are simply dumped in a field and have to make their own way to the concert. What a bad day for them…

Stephen Kramer Glickman was cast as Gustavo Rocque. After the series ended, he went on to co-host the comedic podcast series The Night Time Show (2015-present). He also voiced Ned in the animated movie White Fang (2018). Kelly was played by Tanya Chisholm, who recently was cast as Jenna in Season 4 of Tyler Perry’s series Sistas (2019-present). She also recently appeared as Holly in the Hallmark movie Dial S for Santa (2023). Chisholm might look familiar to Disney fans as she played Jackie, one of Sharpay’s entourage in High School Musical 2 (2007).

MUSIC

Th majority of the music that can be heard in Big Time Movie should sound familiar to fans of The Beatles because the songs on the official Big Time Movie soundtrack are covers of famous Beatles songs, all written by John Lennon and Paul McCartney.

I’m going to be honest and say that I am not a fan of The Beatles. I understand that they are a huge part of the music industry as a whole and that they are massively important specifically to the British music scene, but I don’t actively seek out their music to listen to, and have only heard their songs randomly, like on screen or on the radio. It’s nothing personal; I just wasn’t born at the right time.

Because of this, I like Big Time Rush’s versions of these songs and prefer them to the originals. I’m sure many fans of The Beatles, though, would not enjoy these covers. Big Time Rush admitted themselves that they were nervous about doing the covers, but wanted to pay homage to the legendary band. The Big Time Movie soundtrack was released on 6th March 2012, ahead of the movie’s premiere on 10th March[1]. The movie also features some songs from the band’s second album Elevate which was released in November 2011, and some from their first album BTR, released in October 2010.

The first song to be heard in Big Time Movie is “Help!”, which plays during the opening spy sequence. It begins immediately as the captured princess is about to cry “help”. Funny about that, it’s like it was planned. This sequence and song set up the audience to get ready to watch a spy-inspired movie. “Help!” was first released in 1965, this being the title song of The Beatles’ film of the same name. “Can’t Buy Me Love” is the next Beatles song to be heard, as it is used for the scene when Big Time Rush are escaping from Hammer-Arm and Moon’s other henchmen who have followed them into the city. This song was released in 1964 and was part of the album A Hard Day’s Night.

Following on from that is my favourite song in the soundtrack, “We Can Work It Out”. This is played as the band are trying to get through Hyde Park to their soundcheck without being spotted by the police, screaming fans, or Moon’s men, so obviously, they are in weird disguises to do that, with mixed results. But they also appear in all black outfits at one point, which I believe is referencing a performance of this song by The Beatles. I can’t work out what the umbrellas and bicycles the band play about with during this scene mean though, other than I’ve seen images of The Beatles holding umbrellas and riding bicycles for photoshoots. Big Time Rush begin this song by stepping onto the “Abbey Road” crossing – except it’s not the real one – in that iconic pose. “We Can Work It Out” was originally released by The Beatles in 1965. Then there is “Revolution” which can be heard during the fight scene at Moon’s castle, when Big Time Rush and Penny Lane manage to foil his plan. This song is “foreshadowed” as Moon says a few times just before it about being ready for a revolution. This song was originally released in 1968.

The final Beatles song to appear in the movie is “A Hard Day’s Night”, this being Big Time Rush’s first song in their concert set at Hyde Park that evening, referencing the difficult day they’ve just had. This song was recorded in 1964 for The Beatles album of the same name. The other song on the official Big Time Movie soundtrack is “I Wanna Hold Your Hand”, which does not appear in the movie, although the band did perform this at some tour shows. The Beatles recorded this song in 1963.

 But The Beatles covers aren’t the only songs to appear in Big Time Movie; they had to use some of their own music. During the Hyde Park concert, Big Time Rush follow “A Hard Day’s Night” with the song “Elevate”, which is from the band’s second album of the same name. This song was written by Damon Sharpe, Johnny Powers Severin, James Maslow, and Eric Sanicola. You can also hear “Big Time Rush”, from the band’s first album BTR, and “Music Sounds Better With U”, from their second album, performed as part of Gustavo and Kelly’s torture scene. “Big Time Rush” is played towards the end of the film. It was written by Matthew Gerrard, Charlie Midnight, and Jay Landers. I thought I heard “Music Sounds Better With U” in the background near the end of the movie as the guys are told by Gustavo they can finally go sightseeing after their concert too. “Music Sounds Better With U” had many contributors including Ryan Tedder, Noel Zancanella, and Big Time Rush.

Finally, within the credited songs, you can hear “Any Kind of Guy” from the album BTR, and “Famous”, which is also on the same album, although not in some countries. It was not on the UK CD of BTR that I bought anyway. These songs were written by Matthew Gerrard, Charlie Midnight, and Jay Landers; and Desmond Child and Andreas Michael Carlsson, respectively. An instrumental clip of “Any Kind of Guy” is used when Gustavo and Kelly go to Big Time Rush’s hotel room with the tour promoter and find them gone. A small snippet of “Famous” is heard just as Big Time Rush get the idea to have MI6 take them to their concert via helicopter. It is then followed by an instrumental version of “Big Time Rush” as they actually get on stage.

There are also two snippets of uncredited songs that can be found in Big Time Movie. One is “Rule Britannia”, composed by Thomas Arne and James Thomson, which can be heard as the band are about to land in London and their plane flies over sights of the city. The second is “Brandenburg Concerto #3 1st Movement” by Bach, which is played during Katie and her mother’s afternoon tea. It may also be the classical music playing in the background whilst they are in the hotel lobby, but I’m not sure.

Finally, Guy Moon is credited as the composer on Big Time Movie. Moon was also the composer on other Nickelodeon programming, such as Danny Phantom (2004-07); the Fairly Odd movie trilogy (2011-14); and, of course, the Big Time Rush series.  

Just as a warning, I watched Big Time Movie on DVD, however, I also watched parts of the movie on Paramount Plus, where I noticed that not all of the songs within the movie are played in full. This is probably a licensing issue and I’m unsure if this affects every country where Paramount Plus is available.

PRODUCTION

Big Time Rush, as a television show for Nickelodeon, officially began with its first season on 18th January 2010, having been created by Scott Fellows, who had previously created the series Ned’s Declassified School Survival Guide (2004-07), also for Nickelodeon. The official series debut on the evening of 18th January set a new record for a Nickelodeon series, becoming the highest-rated and most-watched live-action premiere of a series for the channel with 6.8 million viewers[2]. It seems that this record has not been beaten in the years since. The first season ran until 20th August 2010 and consisted of twenty episodes.

A two-part pilot episode, “Big Time Audition”, first aired on 28th November 2009. This pilot introduced audiences to the four members of Big Time Rush and saw them get the opportunity to go to Los Angeles to start a band, having originally just been four guys from Minnesota. This set up the premise of the show, which followed the band through their time adjusting to new lives in California, and took viewers through the band’s journey from unknowns to international fame.

Supposedly, the four characters within Big Time Rush were written to be similar to the actual personalities of the actors and singers. However, I never really saw that, and interviews with the band, both then and now, only add to my feeling about that. Of the four of them, I think Kendall was the most like his character, but that’s really only because Kendall in the show was the steady, sensible one. Obviously, I don’t know them so I can’t actually comment, but it was quite clear to me that they were playing characters in a show after watching interviews with them as a real band. That’s probably a good thing really!

Speaking of Kendall, did you know that in an unaired pilot for a series to be called Brand New Day Kendall was replaced with a different actor? Big Time Rush could’ve been a very different series if this pilot had been greenlit. Instead, although Brand New Day was set to feature James, Carlos, and Logan, there was no Kendall, because the actor playing the fourth member of Big Time Rush was Curt Hansen; his character was called Curt Knight.

Based on the few clips and snippets of information I have found about this unaired pilot, it would seem that the plot of the pilot was more or less the same as “Big Time Audition”, with Gustavo Rocque plucking the boys out of Minnesota to take them to California to make them stars. But, outside of Curt not being Kendall, there were a couple of other differences. One was that Curt’s sister was not little Katie, but was actually a teenager. Another was that, at the end of the episode, Big Time Rush had to perform to Griffin, Gustavo’s boss, to convince him that the band could continue. In the aired pilot, they perform “Big Time Rush”, the series’ theme song, however, in the unaired pilot, they sang “This is Our Someday”[3]. That would’ve been the only thing from the unaired pilot that I would’ve liked kept because that’s my favourite Big Time Rush song, but even just from watching clips of the unaired pilot that surfaced online, it didn’t feel right without Kendall.

Since this version of the pilot was never released to the public, there hasn’t been anything publicly stated by the band or the creators of the show about why Curt was replaced with Kendall. Just because fans want to know why doesn’t mean they ever need to, or will, find out. It has been said that the reason was simply that Curt looked too much older than the other three and he sounded too much like James, so a lack of talent was not the issue here, especially as Curt Hansen went on to perform the role of Fiyero in the Broadway musical Wicked, both on Broadway and in touring productions. Hansen’s story with Big Time Rush also did not end with the unaired pilot as he appeared as the character Dak Zevon, a clear parody of Zac Efron, in two episodes of Season 1 of Big Time Rush.

After the success of Season 1, a second season began shortly after the first one finished. Season 2 consisted of 29 episodes, starting on 25th September 2010 and ending on 28th January 2012. This was my favourite season of the show, though I did only watch the first two in full. They’d sorted out James’ hair in this season; I appreciated it.

Just under two months after Season 2 ended, Big Time Movie was set to premiere. This movie would continue the storyline of the series which had ended with discussions about Big Time Rush going on a world tour. London was their first stop on this tour.

Big Time Movie was written by Scott Fellows, the creator of the series, which makes sense for continuity. It was directed by Savage Steve Holland, who had directed multiple episodes of Big Time Rush, including the pilot “Big Time Audition”. For Nickelodeon, Holland had directed episodes of other series including Zoey 101 (2005-08) and Fellows’ Ned’s Declassified School Survival Guide; as well as Nickelodeon movies such as A Fairly Odd Movie: Grow Up, Timmy Turner! (2011), a live-action/animated continuation of The Fairly OddParents (2001-17), co-written by Scott Fellows and Butch Hartman. Holland had also previously directed for Disney, with the Disney Channel Original Movie Stuck in the Suburbs (2004) and several episodes of Lizzie McGuire (2001-04) and Phil of the Future (2004-06).

I don’t want to ruin anyone’s illusions about Big Time Movie, but I should say that, despite being set in London, it was not filmed there. Gasp! Like many television movies, especially those meant to be set in the UK, Big Time Movie was filmed in British Columbia, Canada. Production tried their best to make Big Time Movie look like London, but some might’ve noticed a few misrepresentations and misunderstandings of the city, such as Kendall continuously referring to the London Eye as “the giant Ferris wheel”, which I would’ve expected Logan to have corrected him on, and how I have never seen a “London Information Kiosk” interactive screen on the streets of London. There are others but the real thing to bother me, because I’m a bit of a royalist, is that the Earl of Sandwich claimed to be third in line to the throne. In 2012, Prince Harry was actually third in line to the throne, as Prince George was not born until 2013. The Earl of Sandwich, an actual title currently held by Luke Montagu, the 12th Earl of Sandwich, is way down the line of succession. These were obviously not meant to be factual, more for comedy or story purposes, but it’s always good to correct misconceptions, just in case. I don’t want anyone going to London and being disappointed that there are no information kiosks for them to Google stuff – because we don’t have phones that can do that now or anything…

Anyway, one of the locations used to film Big Time Movie was Hatley Castle, which was the setting for Moon’s castle, and the evil villain’s castle at the start of the film. It has been used for various other productions. For example, Hatley Castle was the setting for Auradon Prep, the school in Disney Channel’s Descendants film series. It is also the home to X-Mansion in some movies within the X-Men and Deadpool film franchises[4].

Since Big Time Movie was being promoted as “Austin Powers meets James Bond with Beatles songs”, some level of stunts was needed in the movie. In some cases, the stuntmen had to do the work for the actors or other methods were used, such as a dummy being thrown from the top of the stairs in Moon’s mansion at the point that James is meant to be crashing down onto him. Kendall also did not actually drive the Aston Martin his character is driving at the beginning as he couldn’t drive “stick shift”. However, in others, Big Time Rush got to do their own stunts. For instance, Carlos was allowed to drive the dirt bike that his character is riding at the start of the movie, at least for some shots, and James, whose character jumps out of a plane during that opening sequence, did perform his own stunt here, jumping around ten feet down onto crash mats.

Big Time Rush got to work with some big names whilst filming Big Time Movie. For example, their stunt coordinator was Garvin Cross, who had just worked in the stunt department on Inception (2010) at the time, and their costume designer was Angus Guthrie, who won the Oscar for Best Costume Design on Moulin Rouge! (2001)[5].

RECEPTION

Big Time Movie premiered on 10th March 2012 on Nickelodeon in the US. It was later released on Nickelodeon in other countries over the next few months. It premiered in the UK on 26th May 2012, for example. During its first weekend, Big Time Movie reached around 13 million total viewers in the US, with the primetime premiere averaging 4.1 million viewers[6].

Big Time Movie and its director Savage Steve Holland were nominated at the 65th Directors Guild of America Awards for outstanding directorial achievement in the Children’s Program category, but lost out to Paul Hoen who directed Disney Channel’s Let It Shine (2012). That’s just a tad bit awkward for Nickelodeon to lose out to its biggest rival channel!

 In terms of reviews for Big Time Movie, these were mostly positive from fans of the television series, who were the target audience for the movie. It was a good extension of the storyline, since having a band go on to do a world tour is a natural progression in their career, and it involved the same silly humour that the programme was known for. Many appreciated the references to James Bond movies as well as The Beatles. The covers of Beatles songs were also considered to be good, according to fans of Big Time Rush. The movie also only has a runtime of just over an hour, so it’s perfect for children to focus on  However, a movie cannot limit who sees it only to those who should like it, so, there are negative comments online about Big Time Movie too. The majority of these state that the acting and plot of the movie are awkward and cringey, likely because the viewer was not part of the target demographic at the time of watching. When I was nineteen, I didn’t find Big Time Movie cringey at any point, but watching it as an adult, I did at times, so it’s a fair comment to make, but Big Time Movie was never aiming to be Oscar-worthy material.

Unsurprisingly, other reviews focused on the fact that Big Time Movie was seen to be ripping off The Beatles, both through their covers of popular Beatles songs, as well as through the plot of Big Time Movie. Although there is nothing overly similar in the plots of Big Time Movie and The Beatles films like A Hard Day’s Night (1964) and Help! (1965), the silly humour and antics that happen during everyday band life did feature in those Beatles movies. These movies did, however, inspire the series The Monkees (1966-68), which, in turn, inspired the making of Big Time Rush. So, to say “rip-off” is harsh, and “influenced by” is more appropriate.

I also read a few comments saying that the movie was “offensive”. I’m not quite sure who would be offended by Big Time Movie. Perhaps British people because it used some stereotypical characters and misunderstanding of British life, although I’m British and didn’t find it at all offensive. Inaccurate, yes, but offensive, no. The only thing that perhaps could be deemed offensive is the Japanese “torture” scene, where Kelly and Gustavo are tortured by a Japanese man singing Big Time Rush songs at MI6. Torture methods shouldn’t be made light of, so this was a slightly awkward attempt at humour, but I can see the intent behind it, to actually mock Big Time Rush themselves and not Japan. Some accents in this movie might also be classed as “offensive”, but mostly bad accents are just funny.

LEGACY

After Big Time Movie was released, Season 3 of Big Time Rush premiered on Nickelodeon shortly afterwards, on 12th May 2012. This ran across twelve episodes ending on 9th November 2012, and used many of the songs from Big Time Rush’s second album, Elevate. Season 4 of Big Time Rush then aired from 2nd May 2013 to 25th July 2013 and consisted of thirteen episodes. This time, music from the band’s third album 24/Seven, released in June 2013, was used throughout the season. 

It would appear that the cast of the Big Time Rush series knew that Season 4 would be their last, probably because the main four were in their mid-twenties by this point and no doubt wanted to get on with their own careers. The band breaking up after releasing their third album was even a plot point in Season 4 Episode 11 “Big Time Break Out”, so that’s even more evidence that the show was coming to a conscious end. Season 4 ended with a two-part special called “Big Time Dreams”. In this episode, Big Time Rush were nominated for five awards at the Tween Choice Awards – an obvious nod to Nickelodeon’s own Kids’ Choice Awards, complete with slime, or, in this case “goop”. However, they couldn’t enjoy the ceremony as they were pulled into an evil plot whereby the award ceremony’s sponsor was trying to hypnotise the world into wanting to eat his mac and cheese product all the time. With help from Alexa PenaVega, playing a fictionalised version of herself as an actual “spy kid”, Big Time Rush foil the plan and make it on stage just in time to perform and receive their award for “Awesomest Song”. The episode ends with all the boys achieving their dreams: Logan to find the “goop” room at the awards show; James to become “official” with his girlfriend, Lucy; Kendall to have the band be a success, together; and Carlos to finally get a girlfriend, this being Alexa PenaVega, his real-life girlfriend at the time.

 Although “Big Time Dreams” was quite a cute episode, it didn’t feel like a fitting ending to the whole show. Some comments online found this to be a disappointing finale, feeling that it basically took the plot of Big Time Movie, the events of which the boys didn’t even mention during the episode. Many did like the last few moments of the episode though, with the band’s performance “We Are”, as well as seeing clips from the best moments of the show playing on a screen behind them.

After Big Time Rush the show ended, the band completed a final tour, their Live World Tour, in February 2014. The band then broke up, seemingly forever. Throughout their time on television and in the music industry, the show and the band had won multiple awards at the Kids’ Choice Awards. Big Time Rush won Favorite International TV Show at the Kids’ Choice Awards in Mexico in 2011; Argentina in 2013; and Colombia in 2014. The band won Favorite Music Group at the US Kids’ Choice Awards in 2012 and the Fan Army award in 2013. The band also won Favorite International Group in Argentina in 2012, Mexico in 2013, and Colombia in 2014. The show was even nominated for Best International TV Show at the BAFTA Children’s Awards in 2010.

But Big Time Rush were over, giving the guys the freedom to do whatever they wanted in their lives in the meantime. However, in 2020, with the COVID-19 pandemic stressing out much of the world, Big Time Rush reunited momentarily to release an acoustic version of their popular song “Worldwide”.

That could’ve been where the band left their reunion, crushing the dreams of many fans, but they did not stop there because in 2021 Big Time Rush officially announced that they were reuniting, by going on tour. This was the Forever Tour which began in Washington D.C. on 23rd June 2022 and spanned many areas of the US, as well as some cities in South America, becoming their first headline tour in nearly a decade. It ended in Rio de Janeiro on 5th March 2023. And that was not all. In June 2023, Big Time Rush released their fourth album Another Life and went on tour again, the Can’t Get Enough Tour, visiting areas of the US, Canada, and Mexico during the summer of 2023.

This was then followed by a UK and Europe Tour which took place in June 2024. They went to cities like Berlin, Paris, Madrid, London, and Manchester. In October of that year, the band went to Australia and Asia for another mini-tour, heading to places like Sydney, Melbourne, Singapore, and Manila. The band’s most recent fan event was Big Time Rush on Ice which was their Christmas 2024 event, held in Bridgeport, Connecticut.

2025 is going to be just as exciting for fans, as the band announced a new world tour on 20th February 2025, named the In Real Life Worldwide tour, with dates starting in cities across the US from July 2025, going until the end of August, before the band head off to Europe in November 2025, visiting cities across the continent, like Berlin, Milan, Barcelona, Paris, London, and Athens, until the tour ends in December. It was also announced that Katelyn Tarver and Stephen Kramer Glickman, both of whom starred in the Big Time Rush series as Jo and Gustavo respectively, will be joining the band on their tour.

There has also been some discussion around a new Big Time Rush movie being in the early stages of development, which potentially could feel similar to Zoey 102 (2023), the reunion movie for Zoey 101, though hopefully a Big Time Rush reunion will be more accomplished than Zoey 102

FINAL THOUGHTS

In all honestly, the, for want of a better word, bullying that I experienced during my first year at university around my love for Big Time Rush did somewhat taint the show and the band for me. I only watched a few episodes of Big Time Rush Season 3 before giving up and moving on with my life.

Over the years, I have felt somewhat cheated out of experiences that real Rushers – their fandom name – got to experience. I missed out on Big Time Rush’s third album; I never got to see the finale episode of the television series live; and I didn’t get to see Big Time Rush reunite around 2021. I wasn’t even aware that the band had got back together until a few months ago. Obviously, I can go back and find these moments online now, but it might’ve been nice to live through them with everyone else.  

But I really need to move past that, and this week, by researching Big Time Movie, I’ve managed to get closure on that chapter in my life because I got to go back and look at old interviews, clips of past episodes, old songs, and new music. It was a lot of fun.

Big Time Rush will always have a special place in my heart and, although I can’t count myself as an official Rusher, I wish the guys nothing but the best for the future, either with the band or in their solo projects. I look forward to seeing what they do next. 


REFERENCES

[1] Credit: Jason Lipshutz, ‘Exclusive: Listen To Big Time Rush’s ‘Big Time Movie’ Soundtrack’, Billboard.com, 29th February 2012.

[2] Credit: Nickelodeon, ‘Nickelodeon Scores Record-Breaking Night with Brand-New iCarly and Big Time Rush Debut’, PRNewsWire.com, 19th January 2010.

[3] Credit: Author Unknown, ‘Brand New Day (partially found pitch pilot of “Big Time Rush” Nickelodeon musical comedy series; 2007)’, LostMediaWiki.com, date unknown.

[4] Credit: Hatley Park, ‘Over 80 years of filming’, HatleyPark.ca, date unknown.

[5] Credit: Nickelodeon, ‘Behind the Scenes – Big Time Movie – Photoshoot’, MafeHD YouTube Channel, 5th March 2012.

[6] Credit: Nickelodeon, ‘Nickelodeons “Big Time Movie” Scores Top Spot for the Week With Kids and Tweens and Reaches 13 Million Total Viewers’, TheFutonCritic.com, 13th March 2012.

Wallace & Gromit: Vengeance Most Fowl (2024)

  1. BACKGROUND
  2. PLOT
  3. CHARACTERS & CAST
  4. MUSIC
  5. PRODUCTION
  6. RECEPTION
  7. LEGACY
  8. FINAL THOUGHTS
  9. REFERENCES

BACKGROUND

2024 seems to have been The Year of the Sequel.

Looking at the 2024 worldwide box-office, all the movies in the Top 5 were sequels. These included Inside Out 2 from Pixar; Moana 2 from Disney; and Despicable Me 4 from Universal and Illumination.

Another major blockbuster was Wicked: Part 1, a live-action adaptation of the popular Broadway musical which debuted in 2003. This shows that, currently, many movie studios are finding that their best opportunity for box-office success is to continue, and in some cases improve on, tried-and-tested franchises.

Wallace & Gromit: Vengeance Most Fowl is no different in that respect, although it is only the second feature-length outing for the British pair, almost twenty years after their first movie Wallace & Gromit: The Curse of the Were-Rabbit (2005) came to be.

Making a sequel is not a bad thing, especially if there is a story to be told. Although some of these sequel movies do appear to be bold money-grabbing attempts – I’m not saying which I think those are – Wallace & Gromit: Vengeance Most Fowl from Aardman Animations did not feel like that. I believe that is down to the fact that Aardman spend months or even years on their movies, because in most cases, these movies are made using clay, in a process called Claymation. Aardman are arguably the best in the business at what they do and Wallace and Gromit have become national treasures since they debuted in 1989. There is very little that can go wrong with those two.

I haven’t been the first to watch many movies in recent years. I’ve said previously that my streaming watchlists is where movies go to die, because I rarely get round to them even in the first month that they are released. It takes me years to get to them sometimes, or I end up ignoring them completely. I try to watch a lot of the Best Picture or Best Animated Oscar-nominated movies, but I’m about two or three years behind at the moment.

Luckily for me, I was on it with Wallace & Gromit: Vengeance Most Fowl because British audiences did not have to go to the cinema or to Netflix to watch it. It got a primetime viewing slot on BBC One on Christmas Day 2024, so it was easily accessible. Though I did not like Vengeance Most Fowl as much as The Curse of the Were-Rabbit, finding it a bit slow in places, it was still full of heart and typical British comedy. It was most definitely worthy of Christmas Day viewing.

PLOT

Vengeance Most Fowl begins by going back in time, to Wallace and Gromit calling the police to say they have apprehended the thief who stole the Blue Diamond. This thief is a penguin named Feathers McGraw, who was promptly arrested and sentenced to life in a high security facility. Instead of being a prison, this facility is in fact a zoo, because, you know, Feathers is a penguin; why would sending him to jail make any sense at all?

In present day, Wallace and Gromit have continued their lives as normal after this event. Wallace has spent time creating more inventions to make his life easier, and Gromit has spent his time getting increasingly irritated by Wallace’s over-reliance and obsession with new technology. Gromit sees that they have lots of bills to pay and no way of paying them – until Wallace comes up with a new invention, a smart gnome called Norbot, who is voice-activated and will do any gardening job he’s asked to do. In this case, he is tested on Gromit’s beautiful garden, whereby Norbot tears up and destroys all of it making the garden neat with just a lawn and topiary. It might look immaculate, but it’s ruined Gromit’s work. But Wallace doesn’t even notice and plans to set up a gardening service with Norbot.

Meanwhile, Chief Inspector Mackintosh and trainee PC Mukherjee are discussing the proud moment of when Mackintosh locked up Feathers McGraw, taking the Blue Diamond and storing it in their vault at the station. It is now time for the Blue Diamond to go back on display and Mackintosh has been tasked with the security plans, his last job before retiring.

Back with Wallace and Gromit, Norbot and his gardening service have attracted the attention of the neighbours and the local news, who are all very impressed with this latest invention. However, this news report also attracts the attention of Feathers McGraw, who sees Wallace on the news through the bars of his cage as his keepers watch on television. Feathers wants to finally get his revenge on Wallace and now he has a plan…

Gromit doesn’t like Norbot and sees that Wallace is giving Norbot all the attention and basically ignoring Gromit. Norbot also seems to be better than Gromit at almost everything. Gromit reaches breaking point when Norbot wanders into his room one night, unplugs the radio Gromit was listening to, and plugs himself in to recharge overnight. Except Norbot is not like most tech and recharges very loudly…and intensely… Gromit unplugs Norbot and takes him down to the basement, plugging him in to the computer to recharge down there. Finally, Gromit can have some peace and quiet again!

At the zoo, Feathers uses an extending arm to get through his cage bars and on to the keepers’ computer. He gains remote access to Wallace’s computer over in West Wallaby Street. He manages to guess Wallace’s password – simply “cheese” – then answers a security question all about cheese, and gets into the computer. From there, Feathers accesses Norbot, since he is plugged in to the computer, and changes his mode to “Evil”.

The next day, Wallace goes to get Norbot, ready to complete all the gardening work for the neighbours. Both Wallace and Gromit discover that overnight, Norbot has built his own army of smart gnomes just like him. Wallace is overjoyed to see there are plenty of gnomes available but Gromit isn’t so sure about this; something isn’t right. But Wallace isn’t bothered and sets up a tracking device so he can keep tabs on them from home. Gromit becomes suspicious when he sees the gnomes all seemingly plotting something and goes with them to their jobs. As the gnomes get on with their work, even singing a song as they do so, everything seems fine, but then Gromit is locked in a shed by the gnomes, and neighbours soon discover that random items, like tools, pipes, and glass, have all been stolen from their gardens. The police receive numerous reports of the thefts.  

Back home, Norbot tries to ensure that Wallace doesn’t notice that him and the other gnomes have gone evil. Norbot turns off the TV before Wallace can see the news report about the burglaries, and then drugs Wallace to put him into a deep sleep. Gromit manages to cut himself out of the shed eventually, and gets home to find the gnomes all building something. They soon spot Gromit watching them, and assume he’s going to wake Wallace. Sure enough, when Wallace makes it down to the basement, there is no sign of anything. Then, there is a knock at the door. Chief Inspector Mackintosh says they have a search warrant for Wallace’s home. They proceed to seize all of Wallace’ inventions – but the gnomes are nowhere to be found.

The next day, Wallace struggles to even put his clothes on without his inventions and to make this day even worse, an angry mob and a news crew arrive on the doorstep, to confront the “evil inventor Wallace”. To prove their innocence, Gromit goes out on his motorbike to find the gnomes, going to the police station to retrieve Wallace’s “gnoming” device, the tracker. The police head to the museum for the unveiling of the Blue Diamond.

As Gromit follows the tracker, he believes a pack of gnomes are coming right towards him – but there’s no-one there. He then sees light coming from the ground, and realises they’ve gone underground and are heading into the zoo. Gromit manages to sneak into the zoo and sits in a tree, where he sees Feathers being all Bond villain, sitting in a chair, stroking a little seal. The gnomes appear in the enclosure from a submarine. That must’ve been what the gnomes were building in the basement, and that’s why they had to steal all those materials. Feathers heads into the submarine with his evil crew, signalling for Norbot to saw off the branch that Gromit is sitting on. Gromit and Norbot fall down into the lion enclosure. As all looks lost, Norbot snaps out of his evil mode, thanks to the fall, and saves both of them from getting eaten – by giving the lion a haircut! Gromit and Norbot head straight for the museum, where they see that the Blue Diamond has been replaced with a turnip. The police suspect Wallace of making the switch long ago when he first reported the crime, keeping the diamond for himself.

Gromit races home to warn Wallace but it’s too late. The gnomes and Feathers are already there, and Wallace and Gromit both get tied up. They come face-to-face with Feathers and discover that Feathers hid the diamond in their teapot all that time ago. Feathers takes the diamond and his evil gnomes, leaving Wallace and Gromit shut in a cupboard. Suddenly, Norbot comes into the cupboard, but if you thought Norbot was going to save them, he wasn’t – he just wanted the vacuum so he could clean! Gromit grabs a nearby leaf blower instead to propel them out of the cupboard. As the police arrive to arrest Wallace, the two run them over. Wallace and Gromit pursue Feathers and the gnomes.

A chase ensues, with the police also chasing after Wallace. Feathers gets into a narrowboat, with Wallace, Gromit, and Norbot following behind in another narrowboat. Luckily, these boats don’t move very quickly so Mackintosh and Mukherjee are able to follow them on a bicycle, though Mackintosh is infuriated that Wallace and Gromit just happen to be on his narrowboat – the cheek of it! The police see the narrowboat ahead of Wallace and Gromit and see what they believe to be a nun; it is actually Feathers in disguise – gasp!

Wallace quickly makes an invention to turn all the evil gnomes back to being good again. They use a ton of boots they’ve found on the boat – Mackintosh’s vintage boot collection – to knock over the gnomes so that they will reboot as Norbot did. At the same time, Feathers has made his boat speedy so Gromit attaches a rope to it to try and get closer. Wallace follows behind in a life ring after falling overboard, at which point, you’ll see the Farmer from Shaun the Sheep in a small cameo appearance.

Gromit eventually jumps on to Feathers’ boat and the two battle for the diamond. Wallace then lands back on the first boat. As they approach the Yorkshire Border, Feathers sees that the police have blocked the canal, and almost steers them off an aqueduct. Gromit has managed to retrieve the diamond, but he is left dangling off the edge of the boat as it starts to tip over. Wallace begs Gromit to give up the diamond so that the boat won’t fall with him on it. Gromit hands the bag over to Feathers who jumps down onto a train below. However, this isn’t enough to save Gromit and the boat falls off the aqueduct, and Gromit is unable to jump to safety.

Suddenly, Gromit feels himself dangling in mid-air. He looks up to see the gnomes, now all good again, together in a line, rescuing Gromit from certain death. They steadily pull each other back up to safety. At this point, the police see Feathers on the train, but luckily, Gromit swapped out the diamond for a turnip. Gromit returns the real Blue Diamond to the police, proving that neither he nor Wallace was ever guilty of a crime.

Some time later, we see that Feathers McGraw is wanted yet again, and that Mackintosh has finally retired, living on his canal boat. Back at home with Wallace and Gromit, Wallace has reprogrammed his original “pat-o-matic” machine to put Gromit’s plants back in, with the other gnomes helping out. Wallace has also found a new love for his pet dog Gromit and no longer takes him for granted. The movie ends with Norbot cutting “The End” into one of their garden hedges.

CHARACTERS & CAST

Let’s talk about Wallace first. Wallace is obsessed with inventions, always has been. I don’t think it’s because he’s lazy but because he’s fascinated with technology. He uses all sorts of inventions to help him get ready in the morning, from getting him out of bed, to making his tea and toast. Wallace is also a very upbeat, positive chap, never seeming to see bad things that could be about to happen in the near future. For example, when he first meets Feathers McGraw in The Wrong Trousers (1993) television special, Wallace doesn’t suspect that Feathers could be a villain about to use him to steal a diamond. This happens again in Vengeance Most Fowl, when Wallace doesn’t see that Norbot has gone evil. He likes to see the good in everyone, I think. Although Wallace can have a one-track mind at times, forgetting others around him, like Gromit, he is a caring person, just a bit scatterbrained.

Previously, Wallace had been voiced in the movies and television specials by Peter Sallis, who was also known for playing the role of Normal “Cleggy” Clegg in Last of the Summer Wine (1973-2010), however, with his passing in 2017 at the age of 96, the public wondered if this was the end of Wallace and Gromit, because, how could the duo go on without Sallis? Although it was difficult for Aardman to create Vengeance Most Fowl without the esteemed voice actor, they were successful in finding a replacement: actor and voice artist Ben Whitehead who had already worked on a few Aardman movies prior to Vengeance Most Fowl[1]. His credits with Aardman include Mr. Leaching in Wallace & Gromit: The Curse of the Were-Rabbit (2005); Baker Bob in Wallace & Gromit: A Matter of Loaf and Death (2008); The Pirate Who Likes Sunsets and Kittens in The Pirates! In an Adventure with Scientists (2012); as well as additional voices in Early Man (2018). This meant that Whitehead had been around the creative process of Aardman’s movies before and had no doubt spent time listening to Sallis voice Wallace. This was not even Whitehead’s first credit as Wallace. In fact, he voiced Wallace in the game Wallace & Gromit’s Grand Adventures in 2009 and in the episode of the BBC Proms in 2012, Wallace & Gromit’s Musical Marvels. Despite the obvious pressure of voicing this much-loved character, Whitehead did well with his voicing of Wallace; the change is barely noticeable.

Gromit is Wallace’s underappreciated loyal dog. He isn’t particularly impressed by Wallace’s tech obsessions, not wanting to rely on them, and is more suspicious than Wallace. It’s a good thing too because if Gromit hadn’t been suspicious of Norbot and the other “smart gnomes” or of Feathers, then they’d likely have made off with that Blue Diamond and never been seen again. Gromit is fearless and brave, not letting the pursuit of a criminal mastermind put him off doing what’s right and proving his owner’s innocence, despite Wallace ignoring Gromit for much of the movie and allowing his new invention to tear up all of Gromit’s great gardening work. He is loyal to a fault. Since Gromit is a dog, and this is not a Disney movie, he does not speak.

Feathers McGraw also does not speak, yet this doesn’t mean that he is no less menacing than any other villainous character. Matt Groening, creator of The Simpsons (1989-present), even said that Feathers is one of the greatest villains of all time, managing to convey to the viewer – and Gromit, but not Wallace – how much of a threat he is just with his sinister stare[2]. Feathers is also a “master of disguise”, except only to the dim-witted humans here. Feathers uses a red glove to disguise himself as a chicken in both The Wrong Trousers and Vengeance Most Fowl, with Wallace not realising it is Feathers until he takes the glove off. That might sound familiar to Disney fans, as Dr. Doofenshmirtz in Phineas and Ferb (2007-15) similarly struggles to identify his foe, Perry the Platypus, until he puts his hat on. Feathers manages to outsmart the police in this movie too, by dressing himself up as a nun. Despite Feathers being “just” a penguin, he has a lot of evil plans in that little bird body, and if he has to use others to achieve those, then so be it. In The Wrong Trousers, Feathers used an unsuspecting – and unconscious – Wallace to commit his crimes, drugging Wallace and putting him in the “techno-trousers”, controlling him so that he picked up the Blue Diamond for him. Feathers didn’t care if Wallace got caught because they’d never suspect a little penguin of being the person behind the robbery. In Vengeance Most Fowl, he uses the smart gnomes to help him retrieve the Blue Diamond and get away. And if it weren’t for that meddling Gromit, he might just have gotten away with it too.

Norbot is a new character to the Wallace & Gromit franchise. He is a smart gnome, a voice-activated assistant developed and built by Wallace himself. Initially, Norbot seems friendly and eager to please, even though he is a bit overzealous. For some reason, Norbot also decides it’s appropriate to barge into Gromit’s room to plug himself in to charge overnight. Talk about rude! That can’t be the only plug in their whole house, surely? Sadly because of this charging fiasco, and Gromit plugging Norbot in to the basement computer instead, Norbot ends up going evil, as Feathers remotely accesses the computer and turns him to “Evil” mode. It turns out Norbot has other modes that he can be changed to as well, including “Mean-spirited”, “Grumpy”, and “Mildly Annoying”. You might think that last one was the setting he was on, but he was actually just “Good”. In the end though, Norbot returns to his “Good” mode after falling in the zoo and rebooting to his original setting, and even saves Gromit from almost certain death. I did like Norbot as a new character, even though gnomes in general freak me out…

Norbot was voiced by writer and actor Reece Shearsmith. Shearsmith co-created and starred in the comedy series The League of Gentleman (1999-2002, 2017) alongside Jeremy Dyson, Mark Gatiss, and Steve Pemberton. After this, Shearsmith collaborated with Steve Pemberton to write and star in the horror comedy series Psychoville (2009-11), before working together again on the long-running series Inside No. 9 (2014-24). Recently, Shearsmith was cast as Professor Ware in Saltburn (2023). He might also be recognisable to those who are fans of the Three Flavours Cornetto trilogy, the series of films starring Simon Pegg and Nick Frost, as Shearsmith made appearances in Shaun of the Dead (2004) and The World’s End (2013).

Within the seemingly very small police department in Vengeance Most Fowl, we have both a returning character and a new character. The returning character is Chief Inspector Albert Mackintosh, who first appeared in Wallace & Gromit: The Curse of the Were-Rabbit when he was a police constable. Mackintosh is a bit curmudgeonly at times, in both movies, as he just wants to get the trouble sorted out as quickly as possible, which is an effective way of thinking in the police, however, this can lead you to having tunnel vision, focusing in on a specific piece of evidence that actually leads you in the wrong direction. With Mackintosh looking forward to his retirement after the new museum display of the Blue Diamond, the last thing he needs are crazed gnomes on the loose, stealing things from the community, and he certainly does not need to be chasing down a diamond thief. Because of this, Mackintosh is quick to presume Wallace as the criminal, even though that is not the case. But to be fair to Mackintosh, he just wants some peace and quiet for a change.

Chief Inspector Mackintosh is voiced by comedian Peter Kay, reprising his role from The Curse of the Were-Rabbit. Recently, Kay has returned to stand-up comedy with his latest tour Better Late than Never…Again due to end in February 2026. Kay is also known for his television work, including creating and starring in the sitcom Phoenix Nights (2001-02), and its spin-off, Max and Paddy’s Road to Nowhere (2004), alongside Paddy McGuinness. Kay’s most popular sitcom was perhaps Peter Kay’s Car Share (2015-18) which he starred in alongside Sian Gibson, winning multiple National Television Awards and BAFTA TV Awards. Kay has also had success with comedic charity singles, such as “(Is This the Way to) Amarillo” with Tony Christie for Comic Relief in 2005, and “I Know Him So Well”, performing as his character Geraldine McQueen from Peter Kay’s Britain’s Got the Pop Factor (2008) TV special alongside Susan Boyle for Comic Relief in 2011.

PC Mukherjee is new to policing, and to the world of Wallace & Gromit, being mentored by none other than Mackintosh. She is fascinated by the Feathers McGraw case that Mackintosh is only too happy to talk about, with his capture being a huge accomplishment. Being new to the job, Mukherjee is more open-minded. She doesn’t immediately suspect Wallace of wrongdoing and even admits that there is little evidence against him. She wonders if Feathers could be behind it all but is quickly shut down by Mackintosh. The two set off in pursuit of Wallace and Gromit, but it turns out Mukherjee’s instincts were exactly right; it was Feathers McGraw. Shame they never caught him… Mukherjee was voiced by Lauren Patel. Patel was cast as Pritti Pasha in the Amazon Prime movie Everyone’s Talking About Jamie (2021), based on the stage musical of the same name. Patel had also worked with Aardman prior to her role in Vengeance Most Fowl, voicing the character of PB in their CGI comedy series Lloyd of the Flies (2022-23).

That’s all the main cast, but there are a few actors in smaller roles that might sound familiar as well. One of these is the news reporter Onya Doorstep, who was voiced by Diane Morgan. Morgan is known for her comedy character, Philomena Cunk, who first appeared on Charlie Brooker’s Weekly Wipe (2013-20) before having a couple of spin-off specials. Morgan also starred as Liz in the sitcom Motherland (2016-22), and writes and stars in the comedy series Mandy (2019-present). The other news reader in this movie is Anton Deck – a play-on words of Ant & Dec, a famous British presenting duo who receive a mention in the Special Thanks portion of the credits, presumably for use of their name – who was voiced by Muzz Khan. Khan was cast as Adyan Khan in Series 5 of Brassic (2019-present).

Following on from that, we also have Adjoa Andoh who voiced the Judge here. Currently, Andoh appears as Lady Agatha Danbury in the Netflix series Bridgerton (2020-present), and appeared in the recurring role of Francine Jones in Doctor Who (2005-present) in the Tenth Doctor’s series. Sir Lenny Henry voiced the part of Mr. Convenience here. Henry previously voiced the character of Peg-Leg Hasting in Aardman’s The Pirates! In An Adventure with Scientists (2012). Recently, Henry appeared as Sadoc Burrows in the Amazon Prime series The Lord of the Rings: The Rings of Power (2022-present) and wrote the drama television series Three Little Birds (2023) which aired on ITV.

MUSIC

The Wallace & Gromit theme tune is hugely recognisable to the majority of Brits, and should be to other fans of Wallace & Gromit as it features in every one of their television specials and big screen movies. I also remember hearing this tune a lot at after-school music clubs; I know my parents suffered through renditions of this theme by amateur brass bands at the club concerts I was involved in.

So, obviously, it would feature again in the opening credits of Wallace & Gromit: Vengeance Most Fowl. I love this theme; it’s a bouncy sort of tune, and instantly makes me smile. It was written by Julian Nott. Nott had previously written the music for all five preceding Wallace & Gromit adventures, winning an Annie Award for Best Music in an Animated Feature for the soundtrack of The Curse of the Were-Rabbit. He is also the composer for the animated series Peppa Pig (2004-present) amongst other credits.

An original song was also written for Vengeance Most Fowl, and that is “Gnome Working Song”, with lyrics from Mark Burton, co-writer of the movie, and music from Julian Nott and Lorne Balfe, performed by Reece Shearsmith as Norbot. It’s probably supposed to make you think of the dwarfs singing in Snow White and the Seven Dwarfs (1937) and it certainly does; it’s basically an Aardman version of “Heigh-Ho”, except we know these gnomes are actually evil at this point in time, which just makes it funnier.

The score for Vengeance Most Fowl was produced by Lorne Balfe and Jeremy Earnest. Balfe has most recently composed the music for Mission: Impossible – Fallout (2018); Dead Reckoning Part One (2023); and The Final Reckoning (2025). Balfe also composed the music for these recent movies: Tetris (2023); Gran Turismo (2023); and Bad Boys: Ride or Die (2024). Earnest also worked on the music for Bad Boys: Ride or Die, as well as the Netflix film Carry-On (2024).

There are some other pieces of music that are not unique to Vengeance Most Fowl. For example, “Toccata and Fugue in D Minor” composed by Bach can be heard briefly as Feathers plays the tune on the pipe organ that exists within the submarine – because no submarine is complete without one. This music also shows that Feathers is back to his full villainous self again. Another small excerpt of classical musical is played as Gromit settles down to read his book before going to sleep, just before Norbot comes in to recharge himself. The piece playing on the radio is “By the Sleepy Lagoon”, which was written by Eric Coates, performed by Slovak Radio Symphony Orchestra.

You can also hear “Brahms’ Lullaby”, composed by Brahms, which is played by one of the evil gnomes on the harp as they set about sending Wallace into a deep sleep so they can continue their evil scheme to help Feathers McGraw. The performance is actually credited to the Budapest Scoring Orchestra. Finally, a snippet of “Born Free”, written by John Barry and Don Black, and performed by Matt Monroe, plays as Feathers and the evil gnomes flee from Wallace and Gromit’s house with the Blue Diamond.

PRODUCTION

Aardman Animations are known for their work in clay animation, or Claymation, a type of stop-motion technique, meaning that clay models are physically moved and then photographed, with the majority of Aardman’s work having been made in this format.

Aardman began in the 1970s in Bristol, founded by David Sproxton and Peter Lord. The company began making small animated movies. One of their biggest break-out moments was in the series Vision On, where their involvement in the series consisted of clay animated segments and an incompetent superhero by the name of Aard-man, hence the company’s name. From here, Aardman made one of their most popular Claymation characters, Morph, who was seen interacting with presenter and artist Tony Hart during the children’s television programme Take Hart (1977-1983). Morph later popped up in other similar shows including SMart (1994-2009).

Meanwhile, as Aardman were creating a name for themselves, making short films and advertisements for various companies, a student by the name of Nick Park was working on his own Claymation project, about a British man building a rocket. Park was indeed making A Grand Day Out, the first outing for Wallace and Gromit. But he was quickly running out of money, though he had secured actor Peter Sallis to voice Wallace for only £50. Park invited Sproxton and Lord to visit his studio and they agreed to help Park finish this massive project, moving it to their studio in Bristol. Wallace & Gromit: A Grand Day Out was finally finished around six years after beginning, premiering on 4th November 1989 in Bristol at an animation festival, before coming to British television in 1990.

A Grand Day Out launched Wallace and Gromit and earned Park and Aardman an Oscar nomination for Best Animated Short Film in 1991. It ended up losing to another Nick Park project, Creature Comforts (1989), which saw Claymation animals speaking lines that were recorded from the public. A Grand Day Out did, however, win the Best Short Animation award at the BAFTAs in 1990.

After that, Wallace and Gromit were seen again in the short The Wrong Trousers, which debuted on 26th December 1993 on the BBC. It saw Wallace and Gromit renting out a spare room in their house to penguin Feathers McGraw, who would use Wallace to attempt to steal a diamond. This short was an instant success and did win the Academy Award for Best Animated Short Film in 1994. Another Oscar success followed with A Close Shave, which first aired on 24th December 1995. This time, the duo foils a sheep rustling plot. One of the sheep to get a starring role was Shaun the Sheep, who became a household name, getting his own series and movies.

The next Wallace & Gromit episode wouldn’t come for ten years, but this time, they were coming back in their first full-length feature film, Wallace & Gromit: The Curse of the Were-Rabbit (2005). Here, Wallace and Gromit have to save their village from a monster, a were-rabbit. At this point, Wallace and Gromit were hugely popular and this movie proved that by attracting some impressive British actors to voice its cast, including Helena Bonham Carter and Ralph Fiennes. The Curse of the Were-Rabbit premiered in US theatres on 7th October 2005, followed by the UK a week later. This movie won the Academy Award for Best Animated Feature Film, making it the first stop-motion film to win the award.

But that wasn’t all, because just a few short years later, Wallace and Gromit returned to screens again, this time just for a television special: Wallace & Gromit: A Matter of Loaf and Death, where Wallace almost became victim to a murderess’ evil plot to murder bakers. This time, the short film did not win the Oscar, but did win a BAFTA and Annie Award. It first aired in the UK on 25th December 2008 on BBC One[3].

And then, we waited. And waited. And waited for the next instalment of Wallace & Gromit adventures to come to our screens again. In 2017, fans feared the worst, that Wallace & Gromit would not return due to the fact that beloved voice actor of Wallace, Peter Sallis, had passed away. This did not signal a bright future for the duo.

However, in January 2022, an announcement was made. Wallace and Gromit would be back on our screens. But in what form? A 30-minute television special? A full-length movie? What was it going to be? Well, it turns out it was going to be a full-length movie, making this the first Wallace & Gromit movie to be made under Aardman’s 2019 deal with Netflix. Aardman had initially worked with DreamWorks in the 2000s, but there was a culture clash at times between Aardman wanting to keep their Britishness, and DreamWorks wanting the movies to appeal more to American children. Under Netflix, Aardman had also made Chicken Run: Dawn of the Nugget (2023). With Wallace & Gromit, you might think that Netflix would’ve wanted the Britishness toned down in Vengeance Most Fowl, but that turned out not to be the case. There was no “US-friendly” version of the movie made, with Aardman accepting that not everyone globally would understand the jokes every time.

The idea for Wallace & Gromit: Vengeance Most Fowl was initially developed soon after The Curse of the Were-Rabbit, in that the plot could revolve around a smart gnome. It was decided that this would be a 30-minute television special, however, once the story had been fleshed out, with the technology going wrong and the opportunity for Feathers McGraw to make a comeback, it became clear that this story was going to be too big for only a short film and that it would need to be a feature film[4].

Aardman pride themselves on continuing to use Claymation as their primary medium within their film-making, so, much like the original 1989 A Grand Day Out, Vengeance Most Fowl also uses clay puppets. However, nowadays, Aardman use a mixture of silicone and clay models. The silicone is unalterable once cast unlike the clay models, however, some shots are fine for silicone models, which can speed up the process. Clay is still the best medium for expressiveness, so the hands and faces of the characters are always made from clay[5]. Stop motion requires a lot of patience and dedication to the craft. I, for example, would not have the discipline needed to make a stop-motion movie. I’d get frustrated at seemingly not making progress and I don’t have the artistic ability to make anything out of clay either, so I will never get a job at Aardman. The animators that work on projects like this only manage to get a few seconds of footage during a week’s worth of work. To be able to make these models talk, to fit recorded dialogue; have them do the most basic of movements; let alone have them blink, breathe, and do all the normal things that humans and animals do without thinking, all with just clay and a camera is just amazing.

Production on Vengeance Most Fowl took around fifteen months, which means they had a huge team at Aardman Animations working on this. Lots of clay was needed too, but a shock was about to come, as the factory who supplied modelling clay to Aardman suddenly shut down in March 2023. This had people worried that Aardman wouldn’t be able to finish Vengeance Most Fowl – no more clay, no more Wallace & Gromit, right? Well, no, obviously not. Aardman simply got enough clay from their supplier to finish the movie before the factory closed for good. And they have vowed to find a new supplier so they can continue other Aardman projects. So, calm down. Panic over[6].

Vengeance Most Fowl was directed by Nick Park, original creator of Wallace & Gromit, and Merlin Crossingham. Crossingham was an animator at Aardman, working on movies like Chicken Run (2000) and The Curse of the Were-Rabbit (2005), as well as the animated series Creature Comforts (2003) and A Matter of Loaf and Death (2008). He had also directed episodes of Morph (2014-19) and The Epic Adventures of Morph (2020-21). The story was written by Nick Park and Mark Burton, who penned the screenplay. For Aardman, Burton had previously co-written The Curse of the Were-Rabbit; Shaun the Sheep Movie (2015), for which he was also co-director; and A Shaun the Sheep Movie: Farmageddon (2019). Burton also co-wrote the DreamWorks movie Madagascar (2005).

By the summer of 2024, the name of this new Wallace & Gromit movie had been revealed, and the fact that Feathers McGraw would be returning was also revealed. Apparently, many punny names were thought up before settling on Vengeance Most Fowl as the title of this new film. To build excitement for the new release, a teaser trailer was released in October of that year, with more details being shown in the official trailer, released in November. Nick Park and Merlin Crossingham appeared for a live event at the Manchester Animation Festival in November to discuss their new movie.

Getting closer to the festive period, Aardman created three Wallace & Gromit idents – the clips that appear before scheduled programming on television channels – for the BBC, which appeared throughout December. One clip had Wallace and Gromit sat on the sofa with Norbot, all three of them wearing Christmas jumpers. Another showed the trio lighting up a Christmas tree, and the other had them making ice sculptures[7]. The duo even made a surprise appearance during the semi-final of Strictly Come Dancing (2004-present) as that week’s celebrity guests, scheduled to read the show’s voting Terms and Conditions.

There was also a special ident that appeared straight after the credits on Vengeance Most Fowl, which saw Feathers pop up wearing a cloak. I thought this was a teaser for a potential further movie with Feathers due to make his return, but sadly it was not. It was in fact a clever tool to promote The Traitors (2022-present), which was set to air its first episode of Series 3 on 1st January 2025. Since I don’t like The Traitors, once I realised this Feathers ident had nothing to do with more Wallace & Gromit adventures, I rolled my eyes and tutted.

Wallace & Gromit also lit up London’s Battersea Power Station every evening during December 2024, decorating a Christmas tree, with Feathers promptly turning all its lights off. The animation was shot on an iPhone, specifically an iPhone 16 Pro Max. Clearly, this was a promotional thing with Apple.

RECEPTION

Because Wallace & Gromit are quintessentially British characters, it only made sense for the Brits to see this movie first, having it broadcast on BBC One at 6:10pm on Christmas Day 2024. International fans would have to wait until 3rd January 2025 for it to come to Netflix.

In fact, that was not the case. I’m quite disappointed to say that we Brits did not get this movie first. Ignoring the fact it first premiered at the AFI Festival in Los Angeles on 27th October 2024, it made it to Australian cinemas on 19th December, and even received a limited run in the US on 18th December! I call that incredibly unfair…Anyway, I’ll try not to be bitter about that as I move on to the reviews.

Wallace & Gromit being so popular for decades meant that it would be difficult for Vengeance Most Fowl to fail. Sure enough, it did not fail, not by any means.

Some did say that Vengeance Most Fowl was not as good as the previous Wallace & Gromit outings though, with comments saying that it felt too long in places, and that perhaps it would’ve been better for the movie to be an hour or less, instead of its roughly 80-minute runtime. I can agree with this statement, however, Christmas Day can be a strange day, so watching it then when you’re either distracted by family members or still processing the events of the day might mean that it was perhaps too much for some – myself included – to focus on at that specific time.

Others referenced the ambiguous time setting of the movie. I think what some viewers might have been confused by is how Vengeance Most Fowl clearly wanted to relate to our contemporary attitudes – and dare I say, obsession – with technology and innovation. Norbot is a voice-activated gnome after all, and many homes have plenty of voice-activated technology in them these days. Wallace is also seen to have a computer, but it is an older model more suited to the 1980s than present day. Aardman have never claimed that Wallace & Gromit is set in contemporary times, since the fashion, vehicles, etc., within the features would suggest that it is set sometime around the 1960s or 1970s, but really, it’s not meant to be set in any specific time. We’re just supposed to “go with it” and not think too much about it. Time doesn’t really pass in Wallace & Gromit world.

Positive reviews stated that they were pleased that Aardman were still making their movies by hand, and have not passed over stop-motion for computer animation. It was still just as British as we’d all expected too, despite the partnership with Netflix, and many viewers gave plenty of credit to Ben Whitehead for stepping up to voice Wallace. The movie was funny, charming, and the dangers of technology plot point felt relevant. 

For me, it felt comforting to return to Wallace & Gromit again, although The Wrong Trousers was never my favourite Wallace & Gromit episode, so I didn’t have that affinity to Feathers or the story of The Wrong Trousers as others did. I like the waking up montage that exists in Wallace & Gromit with all the inventions, and it was nice to see that those had been expanded on in Vengeance Most Fowl, like the new waterslide. I found the Norbot charging bit to be the funniest moment of the movie. I also liked how there was a random bagpiping gnome ready to greet Feathers at the zoo, who Feathers then punched in the face. Come on, gnome, does Feathers look like he likes bagpipes? Vengeance Most Fowl was as funny as any other Wallace & Gromit episode, though the storyline did seem more perilous and less light-hearted than others. I did not enjoy seeing Gromit almost die, although it was nice to see him saved by the gnomes, kind of like how Paddington is saved at the end of Paddington 2 (2017) by his fellow escapee prisoners. Both moments made me cry.

These movies are known for their nods and references to other movies. A noticeable one is at the end of the chase scene, as the narrowboat is teetering over the edge of the aqueduct. This is a nod to the ending of The Italian Job (1969) as their van teeters over the edge of a mountain road. You can also see a reference to James Bond during the scene of Feathers being rescued from the zoo, as he sits stroking a white seal whilst seating on a swivel chair. This parodies Bond villain Blofeld and his white Persian cat. The Matrix (1999) might have been referenced too during the reprogramming of Norbot. Aardman also reference A Grand Day Out, their own work, during Vengeance Most Fowl, in the security question that Feathers must answer when trying to remotely access Wallace’s computer. It shows four pictures and the question asks that any pictures with cheese are selected. One of these is a picture of the moon, which Wallace believes is made of cheese, as per the A Grand Day Out short film.

There are also multiple puns or wordplay within Vengeance Most Fowl. One is a magazine called “Gardens of the Galaxy”, a reference to Guardians of the Galaxy (2014). Another is that Feathers’ escape boat is called “The Accrington Queen”, a reference to the movie The African Queen (1951). Mackintosh’s boat is called “Dun-Nickin’”, as in “done nicking”, since he’s retired from the police and will no longer be chasing criminals. There are many more Easter eggs to spot during Vengeance Most Fowl.

During the 2025 “award season”, Vengeance Most Fowl was nominated for Best Animated Movie at the Golden Globes alongside five others, including Disney’s Moana 2 and Pixar’s Inside Out 2. Actually, none of these movies won. The winner was Flow, an independent movie directed by Latvian filmmaker Gints Zilbalodis. Vengeance Most Fowl was nominated for Best Animated Feature at the Oscars, but also lost out to Flow. Vengeance Most Fowl was also nominated for Best Animated Movie at the Critics’ Choice and the Annie Awards. Vengeance Most Fowl was nominated for other Annie Awards too, including for Directing, Music, Character Animation, Animated Effects, Editing, and Production Design. However, it lost out to DreamWorks’ The Wild Robot in all categories.

However, Vengeance Most Fowl has won the Best Animated Feature award at the Capri Hollywood International Film Festival and the Satellite Award for Best Motion Picture – Animated or Mixed Media. Wallace & Gromit: Vengeance Most Fowl was also nominated at the BAFTA Awards in three separate categories: Outstanding British Film; Best Animated Film; and Best Children’s & Family Film, a new category for 2025. At the BAFTA Film Awards, Wallace & Gromit: Vengeance Most Fowl won the awards for Best Children’s & Family Film and Best Animated Film. It lost out on Outstanding British Film to Conclave (2025); it would’ve been quite a feat to win in all three categories!

But awards are not everything, though it may feel like. Vengeance Most Fowl currently holds a 100% Certified Fresh rating on Rotten Tomatoes from the critics’ reviews. This movie also allowed us to return to Wallace & Gromit after more than a decade. This was a welcomed return for the duo.

In terms of British viewing figures, Wallace & Gromit: Vengeance Most Fowl attracted 9.4 million viewers in the “overnight” television ratings of 25th December 2024, making it the second most-watched Christmas Day show on television. It was beaten out to the top spot by Gavin and Stacey (2007-24) which aired its final ever episode later that day. It was tough competition for Wallace & Gromit to be up against, but second place is still pretty good[8].

After a week of being available on catch-up, the viewing figures for Vengeance Most Fowl grew to a total of just under 16.3 million[9]. It is not currently known how well Vengeance Most Fowl has done during its first week on Netflix.

LEGACY

To recap, the Wallace & Gromit franchise consists of four television specials, and one feature-length movie prior to the release of Vengeance Most Fowl. These are A Grand Day Out (1989); The Wrong Trousers (1993); A Close Shave (1995); A Matter of Loaf and Death (2008); and The Curse of the Were-Rabbit (2005).

There were also two spin-off television series. These were Wallace and Gromit’s Cracking Contraptions (2002) and Wallace and Gromit’s World of Invention (2010). Numerous video games, comic books, and graphic novels have also been developed involving the pair over the years.

In 2013, the first-ever Wallace & Gromit theme park ride opened at Blackpool Pleasure Beach. Called the Thrill-O-Matic, this is an indoor dark ride where guests ride around in ride vehicles shaped like giant slippers. As part of the concert series The BBC Proms, in 2012, Wallace & Gromit’s Musical Marvels was performed live at the Royal Albert Hall on 29th July. This performance later became a touring show in 2013. In 2019, it returned as Wallace & Gromit: In Concert and toured the UK as part of the Wallace & Gromit 30th anniversary year. It later went international, touring countries such as Japan, Australia, and New Zealand. For the 30th anniversary of the pair in 2019, the Royal Mint developed a commemorative coin and held a small exhibition at their visitor centre in Pontyclun, Wales.

Wallace, Gromit, and Shaun the Sheep started to appear on P&O Cruises from the summer of 2022, before other events and attractions popped up over the UK. In November 2022, the launch of the first-ever Wallace & Gromit-themed escape room happened in Bristol and ran until April 2023. In Summer 2023, another concert was held called Wallace & Gromit: The Wrong Trousers – Live! which was a special screening of the television special with a live brass band accompaniment. This was to celebrate the 30th anniversary of The Wrong Trousers.

In Bristol’s Cabot Circus for the festive season in 2024, there was an experience held there called Wallace & Gromit: A Cracking Christmas Experience, where visitors had to help Wallace save Christmas by completing different challenges[10].

Directly related to Vengeance Most Fowl are a series of Funko POP figures that are available to purchase. There are four figures available: Norbot, Wallace, Gromit, and Feathers. Other merchandise, such as clothing and tote bags, have also been on sale since Summer 2024. A novel of the movie’s story and a book about the art of the movie have also been created.  

FINAL THOUGHTS

Wallace & Gromit is ingrained in British culture. Not a Bank Holiday, a Christmas season, or even Easter goes by without the Wallace & Gromit specials being aired on British television.

Wallace & Gromit is perhaps not as well-known to those in the US. I feel like Chicken Run (2000) is Aardman’s most popular property over there, perhaps due to the partnership they had with DreamWorks Animation at the time.

But us here in the UK couldn’t care less if America like Wallace & Gromit or not, because we do. They are national treasures who are cherished by the people of Britain. We can’t get enough of them, as was evident by how many people couldn’t wait to see Vengeance Most Fowl on Christmas Day 2024. 

Unfortunately, Netflix may just care if America like Vengeance Most Fowl. It is not yet clear how well this movie has done internationally over on the streaming platform. However, Aardman have promised us more from Wallace & Gromit.

We either have to hope that international Netflix subscribers turn up to watch Vengeance Most Fowl, or just believe that Aardman are as unashamedly British as Wallace & Gromit and that they will make more adventures with the duo, with or without an international partner.


REFERENCES

[1] Credit: Lizo Mzimba, ‘Wallace & Gromit without Peter Sallis is ‘emotional’ says Nick Park’, BBC.co.uk, 23rd December 2024.

[2] Credit: Aardman Animations, A Grand Night In: The Story of Aardman (2015).

[3] Credit: Aardman Animations, A Grand Night In: The Story of Aardman (2015).

[4] Credit: Scott Roxborough, ‘Nick Park and Merlin Crossingham on the Return of Wallace and Gromit in New Netflix Film ‘Vengeance Most Fowl’’, HollywoodReporter.com, 27th October 2024.

[5] Credit: Ryan Fleming, ‘Behind The Scenes On ‘Wallace & Gromit: Vengeance Most Fowl’: A Look At The Stop Motion Process At Aardman Animations’, Deadline.com, 22nd November 2024.

[6] Credit: David Opie, ‘Wallace & Gromit: Vengeance Most Fowl review – Britain’s premier stop-motion heroes are better than ever in new rematch with Feathers McGraw’, RadioTimes.com, 27th October 2024.

[7] Credit: BBC, ‘BBC unveils exclusive Wallace & Gromit themed Christmas idents’, BBC.co.uk, 30th November 2024.

[8] Credit: Lizo Mzimba, ‘Gavin and Stacey tops Christmas Day TV ratings’, BBC.co.uk, 26th December 2024.

[9] Credit: Lizo Mzimba, ;Gavin & Stacey attracts 19.1 million viewers’, BBC.co.uk, 6th January 2025.

[10] Credit: Aardman, ‘Attractions & Live Experiences’, Aardman.com, no date.